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 SPORTING BOOKS AND PRINTS 
 
 DRAWINGS BY HENRY ALKEN 
 
 . PART OF THE RENOWNED COLLECTION 
 OF THE LATE 
 
 OLIVER H. P. BELMONT 
 
 SOLD BY ORDER OF MRS. BELMONT 
 
 ALSO BOOKS ON ARMS & ARMOR 
 ART, COSTUME, FURNITURE, ETC. 
 FROM THE SAME COLLECTION ~ - 
 
 TO BE SOLD ON THE AFTERNOON AND EVENING OF 
 MONDAY, NOVEMBER I0, 1924 
 
 AMERICAN ART ASSOCIATION, Inc. 
 MADISON AVENUE, 56TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
~ 
 
SPORTING BOOKS AND PRINTS 
 
 DRAWINGS BY HENRY ALKEN 
 
 PART OF THE RENOWNED COLLECTION 
 OF THE LATE 
 
 OLIVER H. P. BELMONT 
 
 Sold By Order of ers. “Belmont 
 
 Aso. Books oN ArMs & ARMOR 
 Art, Costume, Furniturz, &c. 
 FROM THE SAME COLLECTION 
 
 (With some additions, including) 
 
 SPLENDID SERIES OF ORIGINAL DRAWINGS AND WorKS 
 ILLUSTRATED BY 
 
 GEORGE CRUIKSHANK 
 
 AMERICAN ART ASSOCIATION, Inc. 
 MADISON AVENUE, 5 6TH ONS ATH OS TREET 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
 elephone: PLAZA 1270 
 
On Free Public Exhibition— 
 
 Commencing Wednesday, November 5th, and 
 Continuing until date of sale 
 
 Unrestricted Public Sale— 
 
 Monday afternoon and evening, November 
 1oth, 1924, at 2:30 in the afternoon and 8:15 
 in the evening 
 
 Exhibition and Sale at the— 
 
 AMERICAN ART GALLERIES 
 MADISON AVENUE, 56TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 ©elephone: PLaza 1270 
 
Conditions of Sale 
 
 1. Rejection of Bids. Any bid which is not commensurate with the value of the article 
 offered, or which is merely a nominal or fractional advance may be rejected by the 
 auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 
 
 2. The Buyer The highest bidder shall be the buyer, and if any dispute arises between 
 two or more bidders, the auctioneer shall either decide the same or put up for re-sale the 
 lot so in dispute. 
 
 3. Identification and Deposit by Buyer. The name of the buyer of each lot shall be 
 given immediately on the sale thereof, and when so required, each buyer shall sign a card 
 giving the lot number, amount for which sold, and his or her name and address. 
 
 A deposit at the actual time of the sale shall be made of all or such part of the 
 purchase prices aS may be required. 
 
 If the two foregoing conditions are not complied with, the lot or lots so purchased 
 may at the option of the auctioneer be put up again and re-sold. 
 
 4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer, and 
 thereafter neither the consignor nor the Association is responsible for the loss or any 
 damage to any article occasioned by theft, fire, breakage or any other cause. 
 
 5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of 
 the total amount due for all purchases at the sale. 
 
 6. Receipted Bills. Goods will be delivered only on presentation of a receipted bill. A 
 receipted bill presented by any person will be recognized and honored as an order by the 
 buyer, directing the delivery to the bearer of the goods described thereon. Ifa receipted 
 bill is lost before delivery of the property has been made, the buyer should immediately 
 notify the Association of such loss 
 
 %. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid for 
 in full and not called for by the purchaser or agent by noon of the day following that 
 of the sale may be turned over by the Association to some carter to be carried to and 
 stored in some warehouse until the time of the delivery therefrom to the purchaser, and 
 the cost of such cartage and storage and any other charges will be charged against the 
 purchaser and the risk of loss or damage occasioned by such removal or storage will be 
 upon the purchaser. 
 
 In any instance where the purchase bill has not been paid in full by noon of the 
 day following that of the sale, the Association reserves the right, any other stipulation in 
 these conditions of sale notwithstanding, in respect to any or all of lots so purchased to 
 eancel the sale thereof or to re-sell the same at public or private sale without further 
 notice for the account of the buyer and to hold the buyer responsible for any losses and 
 costs sustained in so doing. 
 
 8. Shipping. Shipping, boxing or wrapping of purchases is a business in which the 
 Association is in no wise engaged, but the Association will, however, afford to pur- 
 chasers every facility for employing at current and reasonable rates carriers and packers ; 
 doing so, however, without any assumption of responsibility on its part for the acts and 
 
 charges of the parties engaged for such service. 
 
 9. Guaranty. The Association exercises great care to catalogue every lot correctly and 
 endeavors therein and also at the actual time of sale to point out any error, defect or 
 imperfection, but guaranty is not made either by the owner or the Association of the 
 correctness of the description, genuineness, authenticity or condition, of any lot and no 
 sale will be set aside on account of any incorrectness, error of cataloguing or imperfec- 
 tion not noted or pointed out. Every lot is sold ‘as is’? and without recourse. 
 
 Every lot is on public exhibition one or more days prior to its sale, and the Associa- 
 tion will give consideration to the opinion of any trustworthy expert to the effect that 
 any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot 
 as catalogued or make mention of the opinion of such expert, who thereby will become 
 responsible for such damage as might result were his opinion without foundation. 
 
 10. Records. The records of the Auctioneer and the Association are in all cases to be 
 considered final and the highest bid shall in all cases be accepted by both buyer and 
 seller as the value against which all claims for losses or damage shall lie. 
 
 11. Buying on Order. Buying or bidding by the Association for responsible parties on 
 orders transmitted to it by mail, telegraph, or telephone will be faithfully attended to 
 without charge or commission Any purchases so made will be subject to the foregoing 
 conditions of sale, except that, in the event of a purchase of a lot of one or more books 
 by or for a purchaser who has not through himself or his agent been present at the 
 exhibition or sale, the Association will permit such lot to be returned! within ten days 
 ’ from the date of sale, and the purchase money will be refunded if the lot in any manner 
 differs from its catalogue description. 
 
 Orders for execution by the Association should be given with such clearness as to 
 leave no room for misunderstanding. Not only should the lot number be given, but also 
 the title, and bids should be stated to be so much for the lot, and when the lot consists 
 of one or more volumes of books or objects of art, the bid per volume or piece should 
 also be stated. If the one transmitting the order is unknown to the Association, a deposit 
 must be sent or reference submitted. Shipping directions should also be given. 
 
 Priced Catalogues. Priced copies of the catalogue, or any session thereof, will be fur- 
 
 nished by the Association at charges commensurate with the duties involved in copying 
 
 the necessary information from the records of the Association. h : 
 No person other than the auctioneer or an official of the Association is authorized 
 
 to arrange conditions of sale different in any way from those herein contained. 
 
 AMERICAN ART ASSOCIATION, INc., MANAGERS. 
 
 DEPARTMENT OF BOOKS AND PRINTS, 
 ARTHUR SWANN, Director. 
 OTTO BERNET, 
 HIRAM H. PARKE, 
 AUCTIONEERS, 
 
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First Session, Numbers 1 to 269, inclusive 
 
 MONDAY AFTERNOON, NOVEMBER 10th, AT 2:30 O’CLOCK 
 
 1. Apam (P.). Vues d’Amérique. 1906; Virmarrre (C.). Dictionnaire 
 @Argot. 1894; Brackenripce (H. M.). Histoire de la Guerre entre 
 les Etats-Unis d’Amérique et l’Angleterre. Traduite par A. de 
 Dalmas. 2 vols. 1822; Bruanr (A.). Dictionnaire Francais- 
 Argot. 1905. Together, 5 vols. 12mo, half and quarter morocco, 
 gilt tops, uncut. Paris, 1822-1906 
 
 2. Acricutturs. Passy (P.). Traité d’Arboriculture Fruitiére. 1897; 
 Privost (E.). Arboriculture Fruitiére. Vases et Gobelets. 1900; 
 Troncer (L.-J.) anp Deuiice (E.). Arboriculture Pratique. N.d. 
 All illustrated. Together, 3 vols. 8vo and 12mo, half morocco, gilt 
 tops, uncut. Paris, 1897-1900 and no date 
 
 3. AtpricH (Tuomas Baitey). GrEENSLET (Ferris). The Life of Thomas 
 Bailey Aldrich. Numerous illustrations. 8vo, original cloth, gilt 
 top, uncut. Boston, 1908 
 
 Witit1AmM WIntTeEr’s Copy, with his bookplate, and notations throughout by 
 William Winter and his son, Jefferson Winter. Some of the comments, re- 
 garding Mr. Greenslet, by the younger Winter, are extremely caustic. In the 
 “Preface,” Mr. Greenslet says: With the exception of the series of letters 
 to Edwin Booth, and one other, all of Mr. Aldrich’s more tmportant cor- 
 respondence has been collected and read. Yet the loss of the letters to Booth 
 is a serious one. Under this, Jefferson Winter has written: The “one other” 
 refers to the “series” of letters to my father. Mr. F. Greenslet pretty nearly 
 turned himself inside out to get hold of those letters. My dear father would 
 have giwen them to him, but I protested, and finally prevailed—notwitthstand- 
 ing appeals from E. CO. Stedman, Mrs. Aldrich, Laura Stedman, Mr. F. G., 
 and others. The above is his way of saying (since he couldn’t get ’em) that 
 the Aldrich letters to W. W. didn’t matter anyway! Jefferson Winter. 
 
 Extra-ILLUSTRATED by the insertion of the following autographs of per- 
 sons mentioned in the book: AtpricH (THomAS Barry). 3p. A. L. BS. 
 to William Winter, accompanied by addressed envelope. This letters is not 
 included in the “Life.” An extremely interesting letter, acknowledging 
 receipt of a book by Winter, Aldrich’s opinion thereof, mentions Irving and 
 Hawthorne, and informs Winter that he is sending him a copy of the London 
 Edition of “The Sisters’ Tragedy ;” GREENSLET (FERRIS). 2p. A. L. 8S. to 
 William Winter, asking Winter to loan him his Aldrich letters; TAYLoR 
 (BayarD). lp. A. L. S. to James T. Fields; Fre~ps (James T.). 3p. 
 A. L. S. to Elizabeth Stuart Phelps; Wuitrier (JOHN GREENLEAF). 2p. 
 A. L. S. An exceptionally interesting letter, reading in part: I am afraid 
 it will not be safe for you to depend on me for a poem at the “Old New- 
 bury Celebration.” My rhyming days are pretty well over; and I dare not 
 promise anything for the occasion. I would be glad to do it, but younger 
 hands must take the place of mine; BuRLINGAME (H. L.). 3p. A. L. 8. to 
 William Winter; GruperR (RicnuAarp WaArTson). Autographed Manuscript, 
 signed with initials, of his fine poem, “A Warrior oF Troy”; STEDMAN ( Ep- 
 MUND CLARENCE). Autograph verse, signed; Hotnanp (J. G.). Autograph 
 quotation from his most famous book, “KaruHrina,” signed; WISTER (Mrs. 
 ANNIE Lee). 3p. A. L. S. to Moncure D. Conway. 
 
 It will be noted that nearly all of the letters are of an association char- 
 acter, and all are exceptionally fine and interesting. 
 
ie, P vag 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 4, Auuats (A.). On n’est pas des Boeufs. 1896; Boureur (P.). Une 
 Idylle Tragique. 1896; JosrpH-Renaup (J.). Notre-Dame; de 
 Cythére. Portrait. N.d.; Lorratn (J.). Propos d’Ames Simples. 
 1904; L’Aimute. Souvenirs Galants. Illustrated. N.d.; Mavupas- 
 sANT (G. bE). Miss Harriet. 1894; Kanitensere (H. von). Petite 
 Siréne. 1904. Together, 7 vols. 12mo, quarter morocco, gilt tops. 
 
 5. ALVAREZ DE COLEMENAR (Don JuAN). Les Delices de ’PEspagne & du 
 Portugal, ou on voit une description exacte des Antiquitez, des 
 Provinces, des Fortresses . . . de la Religion, des Moeurs . 
 Nouvelle Edition. With numerous copperplates, mostly folding. 
 6 vols. 16mo, full old calf, gilt backs. Leide, 1715 
 
 FInE Set. The plates depict views of cities, harbors, etc. 
 
 6. Ancient Art. Perrot (G.) AnD Cupmz (C.). History of Art in 
 
 Ancient Egypt. 2 vols. 1883; History of Art in Chaldea and 
 Assyria. 2 vols. 1884; Art in Primitive Greece. 2 vols. 1894; — 
 History of Art in Persia. 1892; Sardinia, Judaea, Syria and Asia _ 
 Minor. 2 vols. 1890; Phrygia, Lydia, Caria and Lycia. 1892; 
 
 Phoenicia and Cyprus. 2 vols. 1885. [All translated from the 
 French.] With hundreds of illustrations. Together, 12 vols. royal 
 8vo, gilt cloth, gilt tops. London, 1883-1894 
 
 FInE Set of this important work. 
 
 7. AraBiaAn Nicuts. Lady Burton’s Edition of Her Husband’s Arabian 
 Nights. Translated literally from the Arabic. Prepared for 
 Household Reading by Justin Huntly McCarthy. 6 vols. original 
 white cloth, gold stamped, gilt tops, uncut, somewhat thumbed, 
 as usual. London, 1886 
 
 EXCEPTIONALLY INTERESTING AUTOGRAPHS INSERTED 
 
 8. ArcHER (FrAnNK). An Actor’s Notebooks. Being Memories, Friend- 
 ships, Criticisms, and Experiences of Frank Archer. With 42 illus- 
 trations. 8vo, new three-quarter crimson levant, elaborately gilt 
 tooled back, with inlays of blue levant, gilt top, uncut. 
 
 London, no date 
 
 First Eprrion. Fine copy. 
 
 ExtTrA-ILLUSTRATED by the insertion of an exceptionally choice collection 
 of AUTOGRAPH LETTERS SIGNED, and Signed Cards of persons mentioned in 
 the text. The autographs are placed opposite the mention of the writers in 
 the text of the book, and comprise: 
 
 Rossetti (CHRISTINA). lp. A. L. S.; GLADSTONE (W. E.). 2p. A. L.S.: 
 SoutHey (RopertT). 3%p. A. L. S.; Proctor (B. W.-—‘Barry Corn- 
 WALL,” to whom Thackeray dedicated his “Vaniry Farr’). 2p. A. L. 8. to 
 James T. Fields, his American Publisher, regarding publication of his books; 
 Stroker (Bram). 1p. A. L. S., presenting a friend with a copy of his “THE 
 JEWEL OF SEVEN StTars;” JEFFERSON (JOSEPH). 2p. 4to. A. L. S. To 
 WILLIAM WINTER (with addressed envelope endorsed by Winter), regarding 
 Elsie Leslie, (the original “Lirrte Lorp FAUNTLEROY’’) who later married 
 Winter’s son. An exceptionally fine, interesting, and lengthy letter; HaG- 
 GARD (Sir H. Riper). 1p. A. L. S.; Risrorr (ADELAIDE). Autograph sen- 
 timent, signed and dated; CUSHMAN (CHARLOTTE). 4p. A. L. S.; Mar- 
 TIN (Sir THEODORE). 2p. A. L. S.; Moutron (Louise CHANDLER). Ip. 
 A. L. S. to CAROLYN WELLS; ARGYLL (DUKE oF). Ip. A. L. 8.; PHt1- 
 potrs (Epen). lp. A. L. S.; Bennocn (FRANcIs—great friend of Na- 
 thaniel Hawthorne). Original photograph portrait signed; and many others, 
 including John T. Raymond, Kate Field, G. Ravel, Laurence Barrett, etc. 
 
First Session, Monday Afternoon, November 10th 
 
 EXTRA-ILLUSTRATED WITH FINE AUTOGRAPH LETTERS, ETC. 
 
 9. ArcHER (FRANK). An Actor’s Notebooks. Being some Memories, 
 
 10. 
 
 11. 
 
 12. 
 
 13. 
 
 14. 
 
 15. 
 
 16. 
 
 Friendships, Criticisms and Experiences of Frank Archer. With 
 42 illustrations. 8vo, original cloth, uncut. London, no date 
 
 First Epirion. Extrs-ILLustRratTepD by the insertion of a very fine series 
 of AUTOGRAPH LETTERS SIGNED, etc., of celebrated persons mentioned in 
 the text, as detailed below: Tree (Sir Hersert BeersouM). 2p. A. L. S8.; 
 SrokrrR (Bram). Ip. A. L. S.; Terry (Marion). 2p. A. L. S., with 
 original addressed envelope; TERRY (HLLEN). Autograph Postcard. 
 Signed with initials; Terry (Epwarp). Four lines in his handwriting, 
 signed; WyNDHAM (Sir Cuaries). Ip. A. L. S., with original addressed 
 envelope; Hare (Sir Joun). Autograph inscription, signed and dated; 
 Bancrorr (Sir Squire). ip. A. L. S.; GrossmirH (GrorGE). 2p. A. L. 
 S.;: Burnanp (Sir F. F.). Four lines in his handwriting, signed: Woop 
 (Mrs. JouHn). 1p. A. L. S.; Dike (Sir Cuaries W.). 3p. A. L. S. to 
 William Black; Mutock (Miss—D. M. Craik). 2p. A. L. S. to William 
 Black; Compron (Henry). 2p. A. L. 8.; Cottins (WILKIE). Ip. A. J. 
 §. Fine lengthy letter to Harper & Brothers, his publishers, regarding his 
 novel “MAN AND WIFE;” BoucicAutt (Dion). 1p. A. L. S.; Prnero (SiR 
 ArtTHuR W.). 1p. A. L. S.; Lyrron (Lorp). 1p. A. L. (third person) ; 
 Bismarck (PRINCE OrTo von). ‘Two lines in his handwriting, signed ; 
 Brooks (SHIRLEY). 2p. A. L. S.; Hoop (Tom). Ip. A. L. 8.; LORNE 
 (Marquis or). 2p. A. L. S.; Pacer (Sim James). Ip. A. L. S.; Ricu- 
 MOND (GrorcE). Ip. A. L. S.; Watts (G. F.) 1p. A. L. S.; BLACKIE 
 (Pror. JoHN Stuart). 2p. A. L. S.; Satispury (Lorp). 1p. D. S.; YATES 
 (Epmunp). 1p. A. L. S.; Taytorn (Tom). 2p. A.L.S. 
 
 All of the letters are fine, lengthy and interesting communications on liter- 
 ary or dramatic matters. 
 
 Arcuitecturn. Bipwna (F. G.). L’Architettura Civile preparata 
 
 su la Geometria, e ridotta alle prospettive considerazioni Pratiche. 
 Numerous plates. Folio, vellum, worn. Parma, 1611 
 
 Arcuitecturs. Abbildungen zur Allgemeinen Bauzeitung. Folio, 
 
 plates laid in loosely in cloth portfolio, with flaps and ties. 
 No place, 1842 
 
 ARCHITECTURE. Das Hof- und Nationaltheater in Miinchen. Plates. 
 
 Oblong folio, marbled boards, foxed. Wien, 1842 
 
 ARCHITECTURE. SEMPER (G.). Das Kénigliche Hoftheater zu Dres- 
 
 den. 12 plates. Folio, cloth. Braunschweig, 1849 
 
 ArcuitecturE. Sammlung von Theater-Decorationen. Erfunden von 
 
 Schinkel. With 32 plates. Oblong folio, marbled board sides, 
 leather back, spotted. Potsdam, 1849 
 
 Arcuirecturr. Geschichte der Oper und des Koeniglichen Opern- 
 
 hauses in Berlin. Mit den architektonischen Planen des 1740 vom 
 Freiherrn von Knobelsdorf. With numerous fine plates, some In 
 Coxtor. Atlas folio, letterpress and plates laid in board portfolio. 
 
 Berlin, 1852 
 
 Arcuirecturr. Currr (Grorce). Wanderings and Pencillings 
 
 Amongst Ruins of the Olden Time. With Descriptive Letterpress. 
 A Series of 73 etchings. Folio, half morocco, gilt, gilt back and 
 edges; binding worn. London, 1855 
 
 Beautifully reproduced from the original plates, many being India paper 
 proofs of exceedingly fine examples of the architecture of the Middle Ages 
 and the picturesque scenery in England and Wales. 
 
Ni yall 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 17. ArcuirecturE. ScuHInKeL (Cart F.). Sammlung architektonischer 
 Entwiirfe enthaltend theils Werke, welche ausgefiihrt sind, theils 
 Gegenstinde, deren ausfiihrung beabsichtigt Wurde. With 174 fine 
 plates. Atlas folio, cloth portfolio, leather back and ties. Letter- 
 press and plates laid in loosely. Berlin, 1858 
 
 18. Arcuirecrurr. Fruierr (JosepH DE). Paralléle des Principaux Thé- 
 atres Modernes de ’Europe et des Machines Théatrales. Illustra- 
 tions by Clément Contant. 2 vols. elephant folio, cloth, leather 
 backs. Paris, 1860 
 
 19. Arcuirecturn. Erskam (G.). Atlas zur Zeitschrift fir Bauwesen. 
 Herausgegeben unter mitwirkung der K6nigl. Technischen Bau- 
 Deputation und des Architekten-Vereins zu Berlin. Plates. Folio, 
 laid in loosely in 3 portfolios. Berlin, 1863-1870 
 
 290. ArncutitecturrE. Paralléle des Maisons de Bruxelles et des prin- 
 cipales Villes de la Belgique, construites depuis 1830 jusqu’A nos | 
 jours. Vol. 2. With 117 fine plates. Folio, boards, half cloth, ties. 
 
 Paris, 1864 — 
 
 Not collated, assumed to be perfect, sold not returnable. Na 
 
 21. ArcuitecturE. Intime Club. Croquis d’Architecture. Publication 
 Mensuelle. [For the Years:] 1866-67; 1869-70; 1872 to 1877; 1879; 
 1882 to 1884. 12 vols. in 4 large board and cloth portfolios; [Aso] 
 Table Générale des Volumes I a X (1866-1876). 1878. 8vo, boards, 
 cloth back. Together, 16 vols. The plates in portfolios, laid in 
 loosely. Paris, 1866-1884 
 
 Not collated but assumed to be perfect and sold not returnable. 
 
 99, ArncuiTecturE. Macne (M. A.). Monographie du Nouveau Théatre 
 du Vaudeville Erigé par la Ville de Paris sous la Direction de 
 M. A. Magne. Numerous fine plates. Atlas folio, marbled board 
 sides, leather back, gilt top, uncut. Paris, 1873 
 
 99. ARCHITECTURE. Wu.LuIAM & Farce (MM.). Le Recueil d’Architecture 
 Choix de Documents Pratiques. Illustrated. Folio, plates laid in 
 loosely in cloth portfolio, ties. Paris, 1874 
 
 24. ARCHITECTURE. GARNIER (CHARLES). Le Nouvel Opéra de Paris. 
 Sculpture Ornementale. With 45 large and fine plates. Atlas folio, 
 board portfolio, cloth back and ties, plates and letterpress laid in. 
 
 Paris, 1875 
 
 95. ARCHITECTURE. GARNIER (CHARLES). Le Nouvel Opéra de Paris. 
 With 100 exceedingly fine plates. 2 vols. in one, atlas folio, board 
 portfolio, half cloth, ties, plates laid in loosely. Paris, 1880 
 
 96. ArncHITEcTURE. Lesstne (O.). Ausgefiihrte Bauornamente der Neu- 
 zeit. With 100 plates. Folio, plates laid in loosely in board port- 
 folio, ties. Berlin, 1884 
 
 Not collated, assumed to be perfect and sold not returnable. 
 
 27. ArcHITECTURE. VIENNA. Monumental-Bauten. With a great number 
 of plates, small letterpress. Atlas folio, half morocco, inside board 
 flaps, gilt edges. Wien, 1885 
 
 Volume one only, complete in itself. 
 
28. 
 
 29. 
 
 30. 
 
 81. 
 
 oo. 
 
 34. 
 
 30. 
 
 36. 
 
 37. 
 
 38. 
 
 First Sesston, Monday Afternoon, November 10th 
 
 ARCHITECTURE. GossET (A.). Traité de la Construction des Théatres. 
 Illustrated. Imperial 4to, cloth, binding and a few pages spotted. 
 Paris, 1886 
 
 ARCHITECTURE. Taxit (L.). Le Culte du Grand Architecte. [1886]; 
 Lanor (J.). Les Habitations 4 Bon Marché. TJllustrated. N.d. 
 Together, 2 vols. 12mo, quarter morocco, gilt tops, uncut. 
 
 Paris [1886] and no date 
 
 ARCHITECTURE. BeLCcHER (J.) AND Macartney (M. E.). Later Renais- 
 sance Architecture in England. <A Series of Examples of the 
 Domestic Buildings erected subsequent to the Elizabethan Period. 
 With 144 exceedingly fine architectural plates. 5 vols. folio, text 
 and plates laid in loosely in 5 board portfolios, half cloth. 
 
 London, 1897-1901 
 This work when complete should have 6 parts. Part III is missing in 
 this set. Sold not returnable. 
 
 ARCHITECTURE. SacHus (KE. O.). Modern Opera Houses and Theatres. 
 With Descriptive Text, a Treatise on Theatre Planning and Con- 
 structions, and Supplements on Stage Machinery, Theatre Fires, 
 and Protective Legislation. Vol. 3, including 3 supplements. With 
 28 plates and 860 illustrations. Atlas folio, cloth, gilt top. 
 
 London, 1898 
 
 . ARCHITECTURE. BLOMFIELD (Recinatp). A History of French Archi- 
 
 tecture, from the Reign of Charles VIII till the death of Mazarin. 
 With nearly 200 illustrations. 2 vols. royal 8vo, cloth. 
 London, 1911 
 
 ARCHITECTURE. Bars (JEAN). Théatre Flamand 4 Bruxelles. With 
 16 large fine plates. Board portfolio, atlas folio size, letterpress 
 and plates laid in. Bruxelles, recent 
 
 ARCHITECTURE. DrespeN. Dresdener Architektur-Album. Bauten und 
 Entwiirfe. Herausgegeben vom Dresdener Architekten-Verein. 
 With 150 exceedingly fine plates. Folio, text and plates laid in 
 loosely in a cloth portfolio with flaps. Dresden, no date 
 
 ARCHITECTURE. Daty (C.) AND Davioup (G.). Les Théatres de la 
 Place du Chatelet. Théadtre du Chatelet—Théatre-Lyrique. Numer- 
 ous fine plates. Folio, marbled board sides, leather back. 
 
 Paris, no date 
 
 ARCHITECTURE. Frissarp (P. F.). Thédtre de Dieppe. 20 plates with 
 explanatory text. Atlas folio, boards, uncut, slightly spotted. 
 Paris, no date 
 
 ARCHITECTURE. GUADET AND Pascat. Réimpression de l’Architecture 
 Francaise de Jacques-Francois Blondel. Richly illustrated. 4 
 vols. thick folio, half red morocco, gilt tops. Paris, no date 
 
 SUPERB SET OF THIS IMPORTANT Work, which is seldom offered for public 
 sale in this country. 
 
 ARCHITECTURE. GERMANY. Das Prinzregenten-Theatre in Miinchen. 
 Erbaut vom Baugeschéft Heilmann & Littmann. Miinchen, 1901; 
 ScHILLInNG (B.). Das neue Stadttheater in K6éln. Berlin, 1904; 
 Stadt-Theatre fiir Halle. Berlin, 1885. All profusely illustrated. 
 Together, 3 vols. folio, cloth and boards. 
 
 raed 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 
 39. ARCHITECTURE. FLEIscHER (E.). Architektonische und bildnerische 
 Ueberreste des Alten, 1838 bis 1841 von Gottfried Semper er- 
 bauten, 1869 zerstérten. K6éniglichen Hoftheaters zu Dresden. 
 [Dresden, n.d.;] StrockHotm. Operabyggnaden i Stockholm 
 Festskrift. [Stockholm, 1898;] Tirz (E.). Das Victoria-Theater 
 zu Berlin. Berlin, 1861. Hach richly illustrated. Together, 3 
 vols. folio, wrappers, board and paper portfolio. 
 
 40. ArcuitecturE. Sturcis (RussELtt). The Interdependence of the Arts 
 of Design. Chicago, 1905; BLomrretp (Reernatp). Studies in Archi- 
 tecture. London, 1905; Cotiert-Sanpers (W.). Hand-book of 
 Architectural Styles. New York, 1876; Loupon (J. C.). Cyclopedia 
 of Cottage, Farm and Villa Architecture. London, 1835. All 
 illustrated. Together, 4 vols. 8vo, 3 cloth, one half morocco, 
 
 41. Arcuitecturr. Littmann (Max). Das grossherzogliche Hoftheater 
 in Weimar. Miinchen, 1908; Hupr (H. von per) AND H&NNICKE 
 (J.). Das Lessing-Theater in Berlin. Berlin, 1889; Runer (G.). 
 
 Das neue Opernhaus in Philadelphia. Berlin, 1882; Das Stadt-— : 
 Theater in Leipzig. Berlin, 1870. All illustrated. Together, 4S 
 
 vols. folio, cloth and wrappers, 3 vols. waterstained. 
 
 42, Arms AND Armor. Hocenserc (J.-N.) AND Brunine (E.). Gratae et 
 
 Labo Ribus aequae Posteritati Cesareas . . . A panoramic view 
 of the crowning of Charles V as emperor, consisting of 38 plates. 
 4to, boards, slightly worn. [ Antwerp, 1532] 
 
 First Eprrion, without arms at the head of the plates. 
 
 43. ARMS AND ArRMoR. GHEYN. (JACQUES DE). Maniement d’Armes d’Ar- 
 quebuses, Mousquetz et Piques en conformite de Ordre de Mon- 
 seigneur le Prince Maurice, Prince d’Orange. Illustrated by de 
 
 Gheyn. Small folio, calf, gilt, binding broken. Amsterdam, 1608 
 
 A VERY RARE WoRK. 
 
 44, Arms AND Armor. BurcHMarER (Hans). Der Weiss Kunig. Eine 
 Erzehlung von den Thaten Kaiser Maximilian des Ersten, von 
 Marx Treitzsaurwein, auf dessen angeben zusammengetragen. 
 With 237 original large spirited woodcuts by Hans Burghmair. 
 Thick small folio, full contemporary mottled calf, binding worn, 
 rebacked, original back preserved. Wien, 1775 
 
 The fine woodcuts of this work are invaluable for the light they throw upon 
 the Military Art, Manners and Customs at the end of the Middle Ages. The 
 engravings were executed in 1516-1519, but owing to the death of the Hm- 
 peror were never published, and lay unused till 1775. Unfortunately 15 
 blocks were then missing, and were searched for in vain. Der Weiss Kunig 
 contains the Life of Maximilian as written by himself in allegorical and 
 chivalric strain, Treitzsaurwein having only put’ the papers in order. He 
 represents the various Princes of Europe by such titles as the Red King (of 
 England), the Blue King (of France). An interesting fact told by him is 
 that of his having learned the English language from a number of English 
 bowmen with whom he exercised soon after his marriage with Mary of 
 Burgundy. 
 
 45. ARMS AND ARMOR. JOLIMONTE (T. DE) AND Cacniet (J.). Recueil 
 dObjets d@Art & de Curiosités. Dessinés d’aprés nature. Htched 
 by Caroline Naudet. Folio, boards, slightly foxed. Paris, 1837 
 
 Contains many fine plates of arms and armor. 
 
 i” 
 
46. 
 
 47. 
 
 48, 
 
 49, 
 
 50. 
 
 51. 
 
 52. 
 
 54. 
 
 First Session, Monday Afternoon, November 10th 
 
 ARMS AND ArMoR. SKELTON (JosEPH). Engraved Illustrations of 
 Antient Arms and Armour . . . after the drawings, and with the 
 descriptions of Sir Samuel Rush Meyrick. Illustrated through- 
 out, accompanied by a descriptive letterpress. 2 vols. small folio, 
 half red morocco, gilt, gilt backs with emblematic tooling, gilt 
 edges. London, 1854 
 
 ARMS AND Armor. Arsenal de Tsarskoé-Sélo ou Collection d’Armes 
 de Sa Majesté ’Empereur de Toutes les Russies. Numerous plates, 
 some In Cotor. Plates and text laid in folio board portfolio, very 
 slightly foxed. [St. Petersburg] 1869 
 
 An important and very rare work, seldom offered at public sale in this 
 country. 
 
 ARMS AND ArMorR. DeLAuNAy (L.-A.). Etude sur les Anciennes Com- 
 pagnies @’Archers d’Arbalétriers et d’Arquebusiers. With plates 
 In Two Sratss, one being Proors Brerore Lerrers, also a great 
 number of illustrations. Thick royal 8vo, half red morocco, gilt 
 top, uncut, slightly rubbed. Paris, 1879 
 
 Eprr1on Limirep to 100 copies on “papier Vergé,” this being, No. 52. 
 
 ARMS AND ARMOR. LeITNER (QUIRIN von). Freydel. Des Kaisers 
 Maximilian I. Turniere und Mummereien. Herausgegeben mit 
 allerhochster Genehmigung seiner Majestat des Kaisers Franz 
 Joseph I. unter der leitung des K.K. Oberstkammerers, Feldzeug- 
 meisters Franz Grafen Folliot de Crenneville. With 255 helio- 
 gravures, depicting tournaments and other scenes, showing arms 
 and armor, and court dress; also facsimile handwritings. Thick 
 folio, half morocco, gilt top, uncut, rubbed. Wien, 1880-1882 
 
 This important work is seldom offered for public sale in this country. 
 
 ARMS AND ARMOR. Beaumont (E. pe). Fleur des Belles Epées. 
 Numerous large plates, on vellum. Letterpress and plates laid in 
 loosely in a large folio portfolio, boards and ties. Paris, 1885 
 
 EpiTi0on Limirep to 50 copies, on Holland paper, this being, No. 16. 
 
 ARMS AND Armor. DeLAuNaAy (L.-A.). Etude sur les Anciennes Com- 
 pagnies d’Archers d’Arbalétriers et d’Arquebusiers. Profusely illus- 
 trated. 4to, half leather, gilt top, uncut, original front wrapper 
 bound in, text and plates foxed. Paris, 1885 
 
 ARMS AND Armor. Manspere (R. von). Wafen unde Wicgewaete der 
 Deutschen Ritter des Mittelalters. With 9 full-page plates, each 
 containing numerous subjects. Royal folio, original wrappers, 
 wrappers torn at corners. Dresden, 1890 
 
 Pertains to the arms and armor of the German nobility of Medieval times. 
 
 - ARMS AND ARMOR. ZSCHILLE (F.) AND Forrer (R.). Der Sporn in 
 
 seiner Formen-Entwicklung. With 20 plates and 188 illustrations. 
 1891; Die Pferdetrense in ihrer Formen-Entwicklung. With 20 
 plates and 200 illustrations. 1893. Together, 2 vols. folio, boards. 
 
 Berlin, 1891-1893 
 
 ARMS AND Armor. KuppetMayr (Max). Waffensammlung Kuppel- 
 mayr. With 30 full-page plates, each plate containing numerous 
 illustrations of arms and armor. Folio, wrappers, covers broken. 
 
 Miinchen, 1895 
 
 Sales catalogue of the collection of armor owned by Max Kuppelmayr, 
 sold at auction on March 26-28, 1895. 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 
 55. ARMS AND ArmMor. Le Cabinet d’Armes de Maurice de Talleyrand- 
 
 56. 
 
 oT. 
 
 58. 
 
 59. 
 
 60. 
 
 61. 
 
 62. 
 
 Périgord, Duc de Dino. Etude Descriptive par le Baron de Cosson. 
 
 Reproduction of 210 pieces by Paul Dujardin. Folio, boards, sheep 
 
 back, uncut. Paris, 1901 
 Epirion Limirep to 200 copies, this being, No. 24. 
 
 ARMS AND ArMor. Armes et Armures de la Collection du Comte de 
 Nesselrode au Chateau de Tzarevtchina. Numerous plates. Square 
 8vo, three-quarter blue levant morocco, gilt, blind paneled back, 
 gilt top, uncut. No place, 1904 
 
 Eprition Limitep to 200 copies, this being, No. 58. The volume consists 
 chiefly of plates, with but an ‘‘Avant-Propos” and a table of ieee ona. 
 The plates are mounted on guards. 
 
 Ss: 
 
 ARMS AND Armor. FouLKES (CHARLES). The Armourer and his Craft 
 from the XIth to the XVIth Century. With 32 plates, each con- 
 taining several subjects, and 69 diagrams in the text. Royal 4to, 
 cloth, uncut. London: Methuen & Co., Ltd. [1912] 
 
 A Very FINE PUBLICATION. Contains a list of Armokene marks, and a 
 polyglot glossary of words dealing with armor and weapons. 
 
 Arms AND ArRMoR. Le Musée de Armée. Armes & Armures An- 
 ciennes et Souvenirs Historiques les plus précieux. Publie sous la 
 direction du Général Niox. Tome Premier [all published]. With 
 96 full-page plates, depicting coats-of-mail, swords, powderhorns, 
 etc. Folio, sheets, laid in a cloth portfolio, with ties. 
 
 Paris: Hotel des Invalides, 1917 
 ALL PUBLISHED, of this important publication. Edition limited to 400 
 copies. 
 
 ARMS AND Armor. Forrer (R.). Die Waffensammlung des Herrn 
 Stadtrath Rich.Zschille in Grossenhain (Sachsen). With 233 illus- 
 trative plates. 2 vols. royal 4to, cloth, roan backs, gilt edges, por- 
 tion of back of Vol. I torn. Berlin, no date 
 
 Art. Scumipt (Orto). Kunstschatze aus Tirol. Mit erlauterndem 
 Texte von Prof. John W. Deininger. With about 30 full-page helio- 
 gravures. 3 vols. folio, in sheets, each volume enclosed in a board 
 portfolio. Wien, 1891 
 
 A VERY FINE WorK ON THE ARTS OF TyRoL. Vol. 1 is a treatise on Pic- 
 turesque Interiors, Vol. 2 on Works of Art, Vol. 3 on Paintings and Sculp- 
 ture. 
 
 Art. Baspeton (E.), Bananite (L.), anp OtHers. L’Art a Exposition 
 Universelle de 1900. Numerous gravures and lithographs, plates 
 mounted on guards. Thick imperial 8vo, half morocco, gilt, gilt 
 top, uncut, original wrappers bound in. Paris, 1900 
 
 Art. Rocrr-Mitks (L.). Le Style dans les Arts Décoratifs. Paris, 
 1896; Dumo.tarp (H.). Le Japon. 1903; Cuevatier (E.). Histoire 
 de la Marine Francaise de 1815 a 1870. Paris, 1900; CataLocur 
 Illustré de la Société Nationale des Beaux-Arts. Paris, 1897; 
 CATALOGUE of the Renowned Collection of Works of Art, chiefly 
 formed by the late Hollingworth Magniac. (Known as the Col- 
 worth Collection). Illustrated. London, 1892. Together, 5 vols. 
 8vo and 12mo, half and quarter morocco, half and full cloth, 3 
 vols. gilt tops. 
 
First Session, Monday Afternoon, November 10th 
 
 63. ArT. WINCKELMANN (J.). The History of Ancient Art. 2 vols. Bos- 
 ton, 1872; Broun (G. B.). The Fine Arts. N. Y., 1891; Bry 
 (R. H.). Art Talks with Ranger. N. Y., 1914; Wepmore (Sir F.). 
 On Books and Arts. London, 1899; Smrin (O.). Essentials in Art. 
 London, 1920. Mainly illustrated. Together, 6 vols. 8vo and 12mo, 
 cloth. 
 
 64. AupuBON (JOHN JAMES) AND BacHMAN (JOHN). The Viviparous 
 Quadrupeds of North America. With 150 plates in atlas folio, of 
 animals, many in lifesize, beautifully depicted in their natural 
 colors and appropriate scene settings. 3 vols. atlas folio, half 
 leather, slightly spotted, binding in poor condition. 
 
 New York: J. J. Audubon, 1845-1848 
 
 First Epirion. Plates only, which are brilliant in coloring. The color- 
 
 ing and exactness of the drawing of the animals, depicted in their natural 
 surroundings, especially of the smaller species, can scarcely be surpassed. 
 
 65. Bancrorr (Husrert Howe). Achievements of Civilization. The Book 
 of Wealth. Wealth in Relation to Material and Intellectual 
 Progress and Achievement; being an Inquiry into the Nature and 
 Distribution of the World’s Resources and Riches. Jllustrated 
 with full-page plates, including original etchings signed by the 
 artists, watercolor facsimiles of views of noted places photo- 
 gravures on Japanese paper; also many hundred text illustrations. 
 10 vols. large folio, cloth, with a full-size watercolor sketch inset 
 on front cover of each volume (different on each volume) ; accom- 
 panying each, is a golden silk portfolio containing the plates, each 
 plate with a heavy mat, the portfolio with an embroidered design 
 in silk on front cover. Making in all 20 separate volumes and 
 portfolios. New York: The Bancroft Co., 1896-1900 
 
 EDITION Cy@NE Noir, limited to 150 copies, this being, No. 4, printed for 
 the purchaser. Signed by the author. 
 
 A Sumpruovus PusuicaTion. Each one of the plates has a heavy vellum 
 mat, and is suitable for framing. Among the etchers are, James Fagan, 
 C. A. Vanderhoof, C. F. W. Mielatz, T. R. Manley and W. H. W. Bicknell. 
 The plates include reproductions of celebrated paintings and scenes of noted 
 places, among the etchings are the following of American interest: New York 
 Waterfront, Alaska Seal Fisheries, Levee at New Orleans, Citadel of Quebec, 
 Congressional Library, Hydraulic Mining in California, Battle of Manila Bay, 
 Cathedral of St. John the Divine, etc. Tur Most MAGNIFICENT AND ELAB- 
 ORATE WoRK OF ITS KIND EVER PUBLISHED. 
 
 66. Banes (JoHn Kenprick). Mephistopheles. A Profanation. 1889; 
 Tiddledywink Tales. 1891; Coffee and Repartee. 1893; Half-Hours 
 with Jimmieboy. 1893; Three Weeks in Politics. 1894; The Water- 
 Ghost and Others. 1894; A Prophecy and a Plea. Limited to 250 
 copies on handmade paper. Privately Printed, 1897; The Booming 
 of Acre Hill. 1900; Uncle Sam, Trustee. 1902; Songs of Cheer. 
 1910. Mainly illustrated. Together, 10 vols. 12mo, original cloth, 
 
 boards and wrappers, uncut. New York and Boston, 1889-1910 
 Att Fine Corres or THE First Epitions. Some of the volumes are 
 searce. 
 
 EAacnH VOLUME CONTAINS PRESENTATION INSCRIPTION FROM THE AUTHOR 
 to His Cousins. Some of the inscriptions are of a humorous nature. A 
 very fine collection of Personal Association Copies. 
 
Wey aco a 
 
 i. 
 
 _ 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 67. Banes (JoHn Kenprick). A Collection of First Editions of His 
 
 Writings. All illustrated. Together, 7 vols. 12mo, original cloth. 
 
 New York and Boston, 1897-1916 
 
 Au First EpIriIons, AND FINE Copies, comprising: Paste Jewels, 1897 ; 
 
 Ghosts I Have Met. 1898; The Dreamers. A Club. 1899; Mr. Munchau- 
 
 sen. An Account of Some of His Recent Adventures. 1901; The Inventions 
 
 of the Idiot. 1904; Alice in Blunderland. 1907; From Pillar to Post. 
 1916. . 
 
 68. BeecHer (Henry WaArD). Beecher Memorial. Contemporaneous 
 
 Tributes to the Memory of Henry Ward Beecher. Compiled and 
 Edited by Edward W. Bok. Frontispiece and illustrations. 8vo, 
 original cloth. — Brooklyn: Privately Printed, 1887 
 
 Fine Copy. Contains original contributions by Holmes, Whittier, Bur- 
 roughs, Booth, Cable, Duke of Argyll, Will Carleton, W. E. Gladstone, 
 Emma Abbott, Robert J. Burdette, Geo. W. Curtis, Julia Ward Howe, Noah 
 Brooks, and many others. ; 
 
 Ex?rA-ILLUSTRATED by the insertion of the following autographs of per- 
 sons contributing articles on the death of Beecher to this volume: CABLE _ 
 (GrorcE W.). 1p. A. L. S.; SmirH (Rev. S. F.—Author of “AMERICA”). — 
 Ip. A. L. 8.; BURDETTE (Rosert J.). 3p. A. L. S. to Will M. Clemens, 
 on the death of his wife. A remarkable letter of sympathy; GREENWOOD 
 (Grace). 4p. A. L. 8. to William Winter ; Brooke (Noa). tp, AL. 3. 
 to William Winter; Croty (JANE CunnINGHAM—‘“Jenny June”). 1p. A. 
 L. S. to BE. C. Stedman; Larcom (Lucy). Autograph Couplet, signed and 
 dated; ARGYLL (DUKE OF). Card Signed; Hayes (RUTHERFORD B.). Card 
 Signed; ABBOTT (Emma). Card Signed. 
 
 With bookplate of Alfred Henry Lewis. 
 
 69. Berry (Duc DE). DURRIEU (PauL). Les Trés Riches Heures de Jean 
 
 de France, Duc de Berry. Accompanied by 64 plates in helio- 
 gravure. Small folio, embossed cloth, morocco back, uncut, original 
 
 covers and backbone bound in. Paris, 1904 
 A BeautTiruL WorK IN IMMACULATE ConpiTion. Only 300 copies were 
 issued. 
 
 70. Bewick (Tuomas). History of British Birds [Land and Water]. 
 
 With numerous beautiful woodcuts by Thomas Bewick. 2 vols. 
 royal 8vo, OricINAL Boarps, Uncut, back strip of each volume 
 missing, front cover of Vol. I loose. Newcastle, 1797-1804 
 
 Larce Copy or THE First EDITION. The cut on p. 285, Vol. 1, has been 
 inked over. 
 
 71. Bewick (Tuomas). History of British Birds [Land and Water]. 
 
 With numerous beautiful woodcuts by Thomas Bewick. 2 vols. 
 imperial 8vo, original boards (one marbied, one green), uncut, 
 back-strip of Vol. II missing, Vol. I has original paper label on 
 back. | Newcastle, 1797-1804 
 
 LARGEST AND THICK PAPER Copy OF THE First ISSuE OF THE FIRST 
 Eprrion. One of the rarest of Bewick’s works, as on paper of this size 
 only 24 copies were printed. The cut in Vol, I, p. 285, has been lightly inked 
 over. 
 
 A supplement was issued at a later date. It is not present. 
 
 79. Bipuiocrapuica. Vols. 1 to 3. With reproductions of illuminated 
 
 manuscripts, text, title-pages, bindings, etc. 3 vols. in the original 
 12 parts, royal 8vo, original wrappers. London, 1895-1897 
 
 ALL PUBLISHED. Very fine work, being articles on books, their history 
 and art. With title-pages, contents leaves, and indexes. 
 
“Sip. i 
 ~~ nay a? a 
 
 First Session, Monday Afternoon, November 10th 
 
 73. BrstiotHbguE Nationate. Boucnort (Henri). Les Deux Cents In- 
 cunables Xylographiques du Département des Estampes. Jllustra- 
 tions, mounted on heavy sheets which are guarded at hinge. [Vol.] 
 If. Atlas. Small folio, boards, vellum paper back, leather label, 
 uncut. Paris, no date 
 
 Part 2 only, consisting of a CompLeTe Set or PLATES. 
 
 74, Brnpinec. [Moorr (JouHn)?] Edward. A Novel. Dedicated (by Per- 
 mission) to Her Majesty. 2 vols. 12mo, in fine contemporary full 
 red morocco, sides with gilt tooled dentelle borders, gilt paneled 
 backs, gilt edges. London, 1774 
 
 Fine EXAMPLE of contemporary binding. 
 
 7. Brake (WitLiAM). Brnyon (Laurence). The Drawings and Engrav- 
 ings of William Blake. Edited by Geoffrey Holme. With numerous 
 reproductions. 4to, original boards. London: The Studio, 1922 
 
 76. Book CiuB or CatirorniA. Dawson (Emma F.). A Gracious Visita- 
 7 tion. With an Appreciation by Ambrose Bierce. 8vo, boards, 
 uncut. San Francisco, 1921 
 
 Eprr1on Limrrep to 300 copies, this being, No. 118. 
 
 77. Book Crus or Catirornia. Witriams (SamvugEt). The City of the 
 Golden Gate. A Description of San Francisco in 1875. 8vo, boards, 
 uncut. San Francisco, 1921 
 
 Edition limited to 350 copies. 
 
 78. Book or Beauty (Late Vicrortan Era). A Collection of Beautiful 
 Portraits, with Literary, Artistic, and Musical Contributions by 
 Men and Women of the Day. Edited and Arranged by Mrs. F. 
 Harcourt Williams. Hatensively illustrated with full-page por- 
 traits on India paper and portraits in text on India and China 
 paper, with facsimile signatures beneath, of reigning English 
 beauties and distinguished women of the English court. Folio, 
 cloth, gilt, entirely uncut, binding soiled. 
 
 London: Hutchinson & Co., 1896 
 
 First Eprrion pe Luxe, limited to 300 copies for sale, signed by the 
 
 publisher in ink. The illustrations include “The Yellow Buskin” after 
 James McNeill Whistler. 
 
 79. BorpEN Book Catatocur. Borven (Marruew C. D.). A Catalogue 
 of the Printed Books, Manuscripts, Autograph Letters, Etc. Col- 
 lected by Matthew C. D. Borden. Frontispiece. 2 vols. 4to, three- 
 quarter blue French levant morocco, full gilt backs, gilt edges, py 
 STIKEMAN, New York: Privately Printed, 1910 
 
 LIMITED To 50 Copies, printed throughout on handmade paper, WirH 
 Mr. BorRDEN’s HANDSOME BooOKPLATE IN EACH VOLUME. 
 
 80. Borricett1. GrsHart (E.). Sandro Botticelli et son Epoque. With 
 a great number of exceedingly beautiful plates In Cotor and in 
 sepia, also numerous vignettes. Vol. 2, with Aut PLATES AND 
 _VicneTTes DUPLICATED IN Sepia. 2 vols. imperial 4to, full brown 
 levant morocco, with heavily gilt decorative borders on sides, 
 richly gilt paneled backs, inner gilt dentelle borders, gilt tops, 
 uncut, BY DURVAND. Enclosed in fleece-lined marbled board slip- 
 cases, back of one missing. Paris, 1907 
 
 A Very Sumprvous Pusuication. Eprrion Limitep to 50 Corrs, 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [No. 80. Borricerti—Continued] 
 
 81. 
 
 82. 
 
 83. 
 
 84. 
 
 85. 
 
 86. 
 
 Si. 
 
 88. 
 
 Tus Berne, No. 19, Vou. I, Prinrep TurougHout ON JAPANESE VELLUM 
 Paper. The plates in both volumes are guarded and the duplicate set of 
 illustrations are mounted on heavy ecru art paper. 
 
 THe Most ImMporTANT WorK ON BorrTiceELyi. IN PRISTINE CONDITION. 
 
 Boucuer (Franoors). Mantz (P.). Francois Boucher, Lemoyne et 
 Natoire. Profusely illustrated. Folio, cloth, uncut. Paris, 1880 
 
 Bovucuer (Frangois). Micnen (Anprf). Francois Boucher. With 
 a great number of exceedingly fine plates, many being In Cotor. 
 Thick, small folio, white cloth, gilt top, uncut. Paris, no date 
 
 Epition Limirep to 500 copies on “papier vélin vergé,” this being, No. 218. 
 It is seldom that this important work occurs for public sale in this 
 country. e 
 
 BraNTOME (Pierre DE BourDeILie, Seigneur DE). Lives of Fair and 
 Gallant Ladies. Translated from the Original [by A. R. Allinson], 
 Frontispieces. 2 vols. 8vo, original black cloth, elaborately gilt 
 stamped, uncut. London: The Alexandrian Society, 1922 
 
 UNEXPURGATED TRANSLATION of Brantéme’s celebrated book. Limited to 
 1250 sets on handmade paper. 
 
 British Birps. Bewick (THomas). A History of British Birds. 
 With many hundred woodcuts by Thomas Bewick. 2 vols. New- 
 castle, 1832; Yarretn (Wim11AM). <A History of British Birds. 
 With 520 woodcuts. 3 vols. London, 1843. First Edition in book- 
 form. Together, 5 vols. 8vo, full polished calf, gilt, gilt tops, uncut; 
 front cover of one vol. of first mentioned work is loose, somewhat 
 rubbed. London and Neweastle, 1832-1843 
 
 Buppuist Temeies. Dourine (Kart). Buddhistische Tempelanlagen 
 in Siam. With numerous full-page and text illustrations. 3 vols. 
 small folio, boards. [Berlin, 1901] 
 
 Believed to be the first copy of this important work that has been offered 
 at public sale in this country. 
 
 [Butter (Samvus.).] Hudibras. A Poem Written in the Time of 
 the Civil Wars. [Text in English and French.] Portrait of the 
 Author, a number of full-page copperplates. 3 vols. 16mo, full old 
 mottled calf, gilt backs. London, 1757 
 
 FINE Copy. 
 
 Caunu (T.). Richelieu. Copiously illustrated In Coror by Maurice 
 Leloir. 1901; Histoire de Jeanne d’Arc. Racontée 4 mes Enfants. 
 Illustrated In Cotor by Paul de Sémant. N.d. Together, 2 vols. 
 4to and oblong 4to, pictorial cloth, gilt edges. 
 
 Paris, 1901 and no date 
 
 CaLpEcoTt (RanpotpH). Randolph Caldecott’s “Graphic” Pictures. 
 1883; More “Graphic” Pictures. 1887; Last “Graphic” Pictures. 
 1888; Gleaning from the “Graphic.” 1889. All with numerous 
 illustrations, IN Cotor. Together, 4 vols. bound in two, oblong 
 4to, uniformly bound in half red morocco, gilt backs, gilt edges, 
 original colored covers and backbones bound in. 
 
 London, 1883-1889 
 Att First Epirions. A Very FINE CoLLecrion. 
 
89. 
 
 90. 
 
 91. 
 
 92. 
 
 93. 
 
 94, 
 
 95. 
 
 96. 
 
 97. 
 
 98. 
 
 First Session, Monday Afternoon, November 10th 
 
 Caricatures. Political Cartoons. |New York] no date; Goutp 
 (F. C.). Political Caricatures. London, 1903. Both profusely 
 illustrated. Together, 2 vols. oblong 4to, cloth, one vol. gilt edges. 
 
 Caruso (Enrico). Original Crayon Drawing, Signed and Dated, of 
 Stenor P. Amato. Size, 18 by 36 inches. Matted. 
 
 A VERY FINE DRAWING BY THE GREAT TENOR, and of especial interest, 
 
 as being a drawing of another great Italian Singer. Drawings by Caruso 
 of this size and of a brother singer, are seldom met with. 
 
 CAWTHORNE (GEORGE J.) AND Hurop (RicHarp S.). Royal Ascot. Its 
 History and its Association. With numerous plates and illustra- 
 tions in the text. London, 1900; Coormr-King (Cotonren C.). The 
 British Army and Auxiliary Forces. Vol. I only. With 90 full- 
 page plates from original photographs, depicting soldiers and 
 officers in uniform. London [1893]. Together, 2 vols. 4to, cloth 
 and half morocco. London [1893]-1900 
 
 CreraAMio ArT. Chinesische Frukkeramik. Eine Hinfiihrung von Dr. 
 Oscar Rucker-Embden. With 46 full-page plates, many of which 
 contain two illustrations, some plates IN Coors; and 42 text 
 illustrations. Ato, cloth. Leipzig, 1922 
 
 Ceramic Art. Rivibre (Henri). La Ceramique dans l’Art d’Extréme- 
 Orient. Préface de Charles Vignier. With 100 full-page plates, 
 containing 162 subjects, IN Coors, reproduced from the original 
 pieces. Hach plate matted. 2 vols. atlas folio, sheets, uncut. Each 
 volume laid in a decorative cloth folder with ties. Paris, 1923 
 
 Epit1ion Limitep To 300 Copies on “papier de Rives,” of which this is, 
 No. 261. Frne Copy of this exceedingly important and authoritative pub- 
 lication. 
 
 CuiLp (Francis JAMzEs). English and Scottish Ballads. Selected and 
 Edited by Francis James Child. 8 vols. 12mo, half yellow calf, 
 full gilt backs. Boston, 1858-1859 
 
 First Epirion oF ONE OF THE GREATEST COLLECTIONS OF OLD BALLADS 
 EvER PUBLISHED. 
 
 CHINESE ArT. Three plates of script and 45 scenes representing the 
 different phases of the rice industry. In black and white, with wide 
 yellow border. Laid in loosely between 2 figured cloth covers. 
 
 No place or date 
 
 CHINESE Cotor Prints. Kurta (Juitus). Der Chinesische Farben- 
 druck. With 30 full-page plates of which 6 are IN Cotors, and 
 illustrations in the text. 4to, boards. Plauen im Vogtland, 1922 
 
 CHINESE PorceLaIn. Bonpy (Water). Kang-Hsi, eine Bliite-Epoche 
 der Chinesischen Porzellankunst. With 115 full-page plates, six 
 of which are In Cotors, and illustrations in text. Royal 8vo, 
 boards. Miinchen [1923] 
 
 Cuaretige (J.). La Vie a Paris, 1895. 1896; Watpreckx-RoussEaAv. 
 Questions Sociales. 1900; Hourmn (A.). L’Américanisme. 1904; 
 Morin (L.). Carnavals Parisiens. Profusely illustrated. N.d.; 
 Demouins (E.). <A quoi tient la supériorité des Anglo-Saxons. 
 N.d.; p’AvENEL (G.). Les Francais de Mon Temps. 1904. To- 
 gether, 6 vols. 12mo, quarter and half morocco, gilt tops, mainly 
 uncut. Paris, various dates 
 
‘eg 
 
 Kindly read Conditions of Sale im forepart of Catalogue 
 
 99. CoHEN (H.). Guide de Amateur de Livres 4 Gravures du XVIIIe 
 
 Siecle. 1886; R#prrtorre Méthodique de la Librairie Damascéne 
 Morgand. 1893; Caratocus de la Bibliothéque de feu M. le Baron 
 Jérdme Pichon. 1897. Together, 3 vols. royal 8vo and 8vo, half 
 cloth and half morocco, 2 vols. gilt tops, all uncut. 
 
 Paris, 1886-1897 
 
 100. CoLtorED AQUATINT Puiates. The Martial Achievements of Great 
 
 Britain and Her Allies, from 1799 to 1815. Engraved title with 
 colored vignette, colored frontispiece having title to series on face 
 of rock, Arms of the Duke of Wellington in colors, and 51 full- 
 page FINELY CoLorep aquatint plates. Royal 4to, in the original 
 half red straight-grain morocco binding, Entmety Uncut, slightly 
 rubbed, as usual. 
 London: Printed for J. Jenkins, by L. Harrison [1815] 
 BRILLIANT IMPRESSIONS. ‘THE FIFTY-ONE CoroRrep AQUATINT PLATES 
 are engraved by Sutherland after paintings by W. Heath, and depict the 
 
 more famous battles in which Great Britain was engaged; included are views — 
 
 of the battles of,—Badajos, Maida, Storming of St. Sebastian, Quatre Bras, 
 Waterloo, Leipsic and others. 
 
 Many of the plates contain portraits of eminent soldiers, including 
 Wellington and his Staff, Sir John Moore, Sir Thos. Picton, Marshal Beres- 
 ford, and others. 
 
 A companion book to the ‘Naval Achievements of Great Britain” (see 
 following entry). 
 
 101. Cotorep AQguatint Puates. The Naval Achievements of Great 
 
 102. 
 
 Britain, from the Year 1793 to 1817. Engraved title with colored 
 vignette, and 55 full-page FineLty Covorep aquatint plates. Royal 
 4to, in the original half red straight-grain morocco binding, En- 
 TIRELY Uncut, slightly worn, as usual. 
 
 London: Printed for J enkins, by L. Harrison [1818} 
 
 THe Firry-FIvE FINELY COLORED AQUATINT PLATES throughout the volume, 
 graphically portraying the more important naval engagements of Great 
 Britain, since the American Revolution, are from drawings by T. White- 
 comb. Of the engravings, 46 are by T. Sutherland, 3 by J. Jukes, and 6 by 
 J. Bailey. 
 
 THe Priates ARE ALL BRILLIANT IMPRESSIONS, BEAUTIFULLY COLORED. 
 They depict for the most part incidents in the war with France, in which 
 French Squadrons were defeated; or engagements between single vessels of 
 war in which the British were victorious. Two of the plates are of especial 
 interest as relating to the war with America in 1812; they are,—‘Capture 
 of the Chesapeake by the Shannon, June I; 1813," and “Capture of the 
 Argus by the Pelican, August 181 
 
 An admirable companion volume to “The Martial Achievements of Great 
 Britain” (see preceding entry). 
 
 RARE CARICATURES—INCLUDING A SERIES BY BUNBURY 
 
 Cotorep Caricatures. <A Collection of about 100 Caricatures, In 
 
 Cotor, by Rowlandson, Heath, George Cruikshank, Seymour, Digh- 
 ton, John Doyle and others. Tipped in on sheets in an album. 
 Royal folio, half green morocco, binding rubbed. 
 
 SPLENDID COLLECTION, MANY OF THE PLATES BEING RARE. UNUSUALLY 
 FINE IMPRESSIONS OF MANY. 
 
 The collection comprises Caricatures of a political and humorous nature. 
 Included is a series of 20 undivided proofs (on 5 sheets) of illustrations 
 after designs by H. Bunbury, depicting humorous episodes in riding a horse. 
 A number of the plates are cut to the plate. 
 
 WW 
 
os 
 
 First Session, Monday Afternoon, November 10th 
 
 FINE COLLECTION OF RARE BRITISH CARICATURES 
 
 103. CoLorEep Caricatures. A Collection of about 51 Caricatures, Mostiy 
 In Corors, by William Heath, Seymour, Hunt, Doyle, Williams, 
 Leach, and others. Tipped in on sheets in an album. Royal folio, 
 half calf, binding worn. 
 
 A Very Fine CoLLection—MAInty BritLiAnt IMPRESSIONS. The plates 
 are mostly of a political nature, and include about 20 plates by William 
 Heath. Among them may be mentioned,—Protestant Descendency, St. Stephen’s 
 Fair, The Apparition, John Bull in Perplexity or Ascendancy versus Union, 
 Keeping the Child Quiet, A Small Tea Party of Superannuated Politicians, 
 Termination of the Row in Parliament Street, The Man Wot Drives the 
 Sovereign, The Guard Wot Looks Arter the Sovereign, Leaving the House 
 of Lords—through the Assembled Commons, Oh What a Fallin’ Off was 
 There, Dressing for the House on the—March 1829, Funeral of the Con- 
 stitution, Arthur’s Seat, and many others. 
 
 WITH SEVERAL RARE CRUIKSHANK CARICATURES 
 
 104, CoLorep Caricatures. A Collection of about 50 Caricatures, and a 
 few engraved plates, Mostty In Cotors, by George Cruikshank, 
 H. Heath, James Gillray, Crowquill, John Doyle, William Heath, 
 Seymour, and a great number which are anonymous; a number of 
 the plates are after designs by Woodward. Tipped in on sheets 
 in an album, some loosely laid in. Oblong royal 4to, half roan, 
 binding rubbed. 
 
 UnusuAL COLLECTION, MAINLY RicH IMPRESSIONS. 
 
 The collection comprises humorous and political caricatures. Among some 
 of the plates may be mentioned —A La Mode 1828, The Presentation of 
 Dollalalla (Wellington, George III, Duke and Duchess of St. Albans), A 
 Charm for a Democracy (1799), The Harmonic Society (Rowlandson), A 
 Moving Scene (W. Heath), and others. Included, is an original water- 
 color drawing of a Frenchman and a German. There are seven plates by 
 Cruikshank, including, CoLorep frontispiece to Fairburn’s Laughable Song 
 Book for 1813; Correct View of the Spot where the body of Mary Ashford 
 was found murdered, 1817; Portrait of Abraham Thornton, tried for the 
 Murder of Mary Ashford, 1817. Scarce; “To Calais;”’ and others. 
 
 105. Cotorep Caricatures. A Collection of about 105 Political and Hu- 
 morous Caricatures, Many In Cotors. Mounted on sheets of heavy 
 grey paper and bound in a folio volume, half green morocco. 
 
 A Very FINE CoLLecTion (including some very rare examples), some of 
 the plates being by Isaac Cruikshank. Among others may be mentioned the 
 following,—The Ghost of Bonaparte, A Sacrifice to Ambition (aquatint), 
 The Dutch in an Uproar or the Batavian Republic crying for Winter, Politi- 
 cal Jugglers, A Standing Toast in the Army, The Great Swallowall Dis- 
 gorging of French Bullie too hot for the Bear’s Stomach [Geroge IV], 
 Traveling in Germany, Britannia the Political Egotist and the Old Woman 
 of Botley, Repeal of the Test Act, Boney at Brussels, and others. 
 
 VERY RARE COLORED AQUATINTS OF SWISS SCENERY 
 
 106. CoLoreD Views. SwirzernAnp. Merkwurdige Prospekte aus den 
 Schweizer Geburgen und derselben Beschreibung. Erste Ausgabe. 
 With 10 Cotorep AQquatint Views of “Canton de Berne,’ after 
 paintings by OC. Wolf. Folio, boards, morocco back. Light marginal 
 stains. Berne, 1776 
 
 AN EXCEEDINGLY RARE AND BEAUTIFUL VOLUME. 
 Believed to be the first copy to be offered at public sale in this country. 
 
ne alll 
 in 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 107. Conrucius. La Morale de Confucius, Philosophe de la Chine. Por- 
 
 trait. 1783; L’Ami des Vieillards. Presente au Roi, par M. ’PAbbé 
 
 Roy. 2 vols. 1784. Together, 3 vols. 18mo, full contemorary red 
 morocco, gilt fillet borders on sides, gilt backs, gilt edges. 
 
 Paris, 1783-1784 
 
 108. Cook (Dutton). A Book of the Play. Studies and Lllustrations of 
 Histrionic Story, Life and Character. 2 vols. 12mo, half green 
 morocco, gilt backs, gilt tops, By Root. London, 1876 
 
 FINE Copy. 
 FRoM THE LIBRARY OF WILLIAM WINTER, with his bookplate, by Gordon 
 Craig, in each volume. 
 
 109. CoRNEILLE (Pierre). Théatre de P. Corneille, avec des Commentaires, 
 et autres Morceaux Intéressans. Nouvelle Edition, augmentee. 
 Engraved frontispiece by Wateler, and 33 full-page engravings 
 after Gravelot, by Le Mire, Lempereur, Rodigues, and other artists: 
 text printed within ornamental borders. 8 vols. 4to, full mottled 
 calf, gilt, bindings worn. Geneve, M.DCC.LXXIV 
 
 SECOND EDITION, with additions, of the edition printed under the deton 
 
 of Voltaire for the benefit of the great-granddaughter of Corneille. 
 
 110. CostumE Puiates 1n Cotor. Les Souvenirs et les Regrets du Vieil 
 Amateur Dramatique ou Lettres d’un Oncle a son Neveu sur 
 PAncien Théatre Francais. With 49 engravings, in colors. 8vo, 
 boards, morocco back, gilt top, uncut. Paris, 1861 
 
 The plates depict French actors and actresses in various roles and are FINE 
 CosTuME PLATES; the name of each performer is given above the character 
 depicted. 
 
 111. CostuME PLatTEs IN CoLtor. Dupiessis (G.). Costumes Historiques 
 des XVIe, X VIIe et XVIIIe Siécles dessinés par E. Lechevallier- 
 Chevignard. Gravés par A. Didier, L. Flameng, F. Laguillermie, 
 Etc. Avec un texte Historique et Descriptif. With 75 fine large 
 plates Cotorep By Hann. 4to, boards, cloth back, uncut, somewhat 
 foxed. Paris, 1867 
 
 Vol. I only of this fine publication. The plates depict the costumes of 
 many countries. 
 
 112. CostuME Puates In CoLor. JACQUEMIN (RAPHAEL). Iconographie 
 Générale et Méthodique du Costume du IVe au XI Xe Siécle. (315- 
 1815). Collection Gravée a V’Eau Forte d’aprés des Documents 
 Authentiques & Inédits. Avec Introduction et Table Méthodique. 
 With 200 plates containing 420 figures, many plates being CoLoRED 
 
 By Hanp. Folio, cloth, half leather, plates mounted on guards. 
 Paris [1869] 
 AN EXCEEDINGLY DESIRABLE PUBLICATION ON THIS SUBJEOT, copies of 
 
 which seldom occur for public sale in this country. 
 
 113. CostuME Piatrs In Cotor. BobrumM (Max von). Die Mode, Menschen 
 und Modern im Neunzehnten Jahrhundert. Nach Bildern und 
 Kupfern der Zeit ausegewahlt von Dr. Oskar Fishel. Profusely 
 illustrated with full-page and teat illustrations, including repro- 
 ductions of fine paintings by noted artists, Many In Cotors. 4 
 vols. 12mo, boards. Enclosed in a board case, with lettered back. 
 
 Miinchen [1905-1919} 
 A FINE PUBLICATION ON THE COSTUMES OF ENGLAND, FRANCE AND GER- 
 MANY, From 1790 To 1914. 
 
114. 
 
 Lib; 
 
 116. 
 
 118. 
 
 a19; 
 
 120. 
 
 121. 
 
 122. 
 
 First Session, Monday Afternoon, November 10th 
 Rees Dias eck of C0 gee eee Rea cae AR 
 
 CostuME PLATES IN CoLor. LAMESANGHRE (PiprrRe). Costumes des 
 Femmes Francaises du XIIe au XVIIIe Siécle. With 70 fine large 
 plates, engraved by Ch. Wittmann, Hanp-cotorep By Nervet. Royal 
 4to, half wine colored straight-grain morocco, gilt, gilt top, uncut, 
 original wrappers bound in. Paris, 1900 
 
 A Fine AND ImporTANT WorK ON FRENCH COSTUME. CHOICE Copy. 
 
 CostuME PLAtTes In Cotor. Ronursacu (Dr. Kari). Die Trachten 
 der Vélker vom beginnen der Geschichte bis zum 19 Jahrhundert. 
 With 104 plates IN Coors, each plate depicting from 14 to 20 dif- 
 ferent costumes. 4to, half leather. Leipzig, 1906 
 
 FINE PUBLICATION ON THE COSTUMES OF THE VARIOUS COUNTRIES. 
 
 CostuME PLATES IN CoLor, OrIENTAL, TILKE (Max). Le Costume en 
 Orient. With 128 plates In Coors. 4to, cloth. Paris [1922] 
 Fine PUBLICATION ON THE COSTUMES OF THE ORIENT. 
 
 . CostuME Puiates 1N Coton. HorrenrotH (Frieprico). Deutsche 
 
 Volkstrachten von XVI. bis zum XIX. Jahrhundert. With 144 
 Cotorep Piates, and 215 text illustrations. Small 8vo, cloth. 
 Frankfurt am Main, 1923 
 Fine PusiicATION on the costumes of Germany from the 16th to the 
 19th century inclusive. 
 
 Costump Piates IN Cotor. Zur Geschichte der Costume. Nach Zeich- 
 nungen von Wilh. Diez, C. Frohlich, C. Haberlin, M. Heil, And. 
 Muller, F. Rothbart, J. Watter. With 125 folding plates IN Cotors, 
 containing 500 illustrations. Folio, cloth. Miinchen, no date 
 
 Depicts the costumes of the various countries. 
 
 CostuME Puarres 1x Cotor. Rosenperc (Apotr). Geschichte des Kos- 
 tiims. Text by Prof. Dr. Eduard Heyck. With a great number of 
 plates In Cotors and black and white. 5 vols. small folio, boards, 
 half morocco. New York, recent 
 
 MoNUMENTAL WorK ON THIS SUBJECT, representing costumes from an- 
 tiquity to the present day. 
 
 CourRTELINE (G.). Les Femmes d’Amis. Illustrated. N.d.; Moiinart 
 (G. pp). Comment se Résoudra. La Question Sociale. 1896; 
 Scuprer (J.). Philosophia. 1897; Sapatier (M.). Historie de la 
 Législation sur les Femmes Publiques et les Lieux de Débauche. 
 1828; NorccrratnH (R.). La Survie. 1897. Together, 5 vols. 8vo 
 and 12mo, half and quarter morocco, gilt tops, uncut. 
 
 CourTELINE (G.). Ah! Jeunesse! N.d.; Le Train de 8 H.47. Jllus- 
 trated. N.d.; Marcuerirtme (P. anp V.). Les Troncons du Glaive. 
 [1900]; Le Désastre. [1897]; Fuaupert (G.). Madame Bovary. 
 1896; Cuarrentier (G.). Louise. 1900; Stpmie (H.). Toute la 
 Troupe. Illustrated. N.d. Together, 7 vols. 12mo, half and quarter 
 morocco, gilt tops, uncut. Paris, various dates 
 
 Coutts (THomas). Life of the Late Thomas Coutts, Esq. Banker, 
 in the Strand, with Biographical and Entertaining Anecdotes, of 
 his First Wife, Betty Starky, and of the Present Mrs. Coutts. 
 By a Person of the First Respectability. To which is added, An 
 Account of the Manner in which his Immense Property has been 
 Bequeathed. London [1822] 
 
 This pamphlet was suppressed. 
 
a; al 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 123. CRUIKSHANK (GrorGE). The Greeks: a Poem. Thirteenth Edition. 
 6 colored plates by G. Cruikshank. 1817; Fashion. Dedicated to 
 All the Town. Third Edition. 6 colored plates by G. Cruikshank. 
 1818. Together, 2 vols. bound in one, 12mo, half contemporary 
 calf. London, 1817-1818 
 
 124, CRUIKSHANK (GrorGE). CrRVANTES (M. pe). Don Quixote de la 
 Mancha. Vol. 2 only. With 5 aquatints in color. 8vo, boards, 
 uncut. London, 1819 
 
 GEORGE CRUIKSHANK’S Copy, with his Autograph Signature and the 
 date “1819” on title-page. On one of the plates is an annotation, in the 
 autograph of Cruikshank,—‘The Don should be dressed. See p. 33.” On 
 the fly-leaf are several pencil sketches by Cruikshank. 
 
 125. CruIKSHANK (GeEoRGE). Four Colored Caricatures by George Cruik- 
 shank,—The Cholic. Pubd. Feby. 12, 1819; Jealousy. Pubd. No- 
 vember 1st, 1825; The Blue Devils. Pubd. . . . Jany. 10, 1823; 
 
 The Headache. Pubd. Feby. 12, 1819. Hach plate mounted on 
 heavy brown paper. Bound in one vol. oblong small folio. ee: 
 London, 1819-1825. _ 
 A Very FiInE Humorous CoLiecTion. PARTICULARLY FINE IMPRESSIONS. Wy 
 
 126. CrUIKSHANK (GeEoRGE). The Loyalist; or, Anti-Radical; consisting 
 of three departments: Satyrical, Miscellaneous and Historical. 
 With 7 engravings (should have ten), including 3 by G. Oruik- 
 shank (should have four), one in colors. 8vo, half calf, worn. 
 Lacks pp. 201-256 inclusive. London, 1820 
 
 First Epirion. This copy has bound in at end,—The Loyal Investigation 
 and Radical Non mi Ricordo, or,, The History of the Snug Family; The 
 Palace of John Bull. With 8 copperplates; The Radicals Unmasked and 
 Outwitted. With a full-page engraving by G. Cruikshank; The Royal 
 Wanderer Beguiled Abroad and Reclaimed at Home, or, A Sketch of St. 
 Caroline’s Pilgrimage to the Holy Land; Mother Red Cap’s Public House 
 (caption title). With plate by G. Cruikshank; St. Caroline’s Pilgrimage 
 to St. Paul’s. With a plate, lacks the Cruickshank plates; The Radical 
 Ladder, or, Hone’s Political Ladder and his Non mi Ricordo Explained and 
 Applied. All with imprint and date, London, 1820. 
 
 127. CRUIKSHANK (GEorGE). [Dre For (Danier).] The Life and Ad- 
 ventures of Robinson Crusoe. Written by Himself. Vol. 2 only. 
 16mo, boards. Chiswick, 1822 
 
 GEORGE CRUIKSHANK’S Copy. On the inside of the front cover are six 
 sketches of men, with initials “G.C.K.’”’; on the fly-leaf is a full-page sketch, 
 beneath which Cruikshank has written “By me, Geo. Oruikshank,;”? on the 
 half-title are two sketches of sailing boats, beneath which Cruikshank has 
 written “By me. Geo. Cruikshank.” Sketches and notes in ink. 
 
 128. CruUIKSHANK (GuorGE). Grimm (J. anp W.). German Popular 
 Stories. Translated from the Kinder and Haus Mirchen, Col- 
 lected by M. M. Grimm, From Oral Tradition. [Vol. I]. With 
 12 etchings by George Cruikshank, printed in brown. 12mo, full 
 red straight-grain morocco, single fillet border on sides, gilt 
 edges, original covers bound in, BY BEDFORD. 
 
 London: C. Baldwyn, 1823 
 
 First Epirion, Third Issue. ‘The Tale of the Travelling Musicians” has 
 
 the words added ‘‘or Waits of Bremen,” and there is no Plate List. This is 
 
 sometimes called a Second Edition. Cohn, No. 354. For differences from 
 
 the above occurring in the Second Edition (or First Edition, Third Issue, 
 according to Cohn’s collation), see Douglas, Appendix, pp. 264-265. 
 
 ~ 
 
First Session, Monday Afternoon, November 10th 
 
 ORIGINAL SKETCHES OF ILLUSTRATIONS FOR “PETER SCHLEMIHL” 
 
 129. CrurIKSHANK (GeorGE). THE CompLeTe Ser or EicHt OriIcInan 
 SKETCHES IN WATERCOLOR AND PENCIL, executed by George Cruik- 
 shank, for,—‘Peter Schlemihl.” Together, 8 pieces, 12mo size, 
 matted as one piece in an oak frame. Size of frame: Height, 35 
 inches; width, 14 inches. 
 
 A FINne SERIES OF ORIGINAL SKETCHES. “Peter Schlemihl’”’ was published 
 in 1823. Each plate is signed, in ink, “George Cruikshank,” and in the top 
 margin Cruikshank has written “A First Swetch” or “Original Sketch,” 
 and in the lower margin of each plate he has written the title. In the mar- 
 gins of five of these drawings the artist has drawn pencil sketches. 
 
 130. CrurkKsHANK (GerorcE). Phrenological Illustrations, or An Artist’s 
 View of the Craniological System of Doctors Gall and Spurzheim. 
 First Epition. Printed title with the woodcut of three individuals, 
 and 6 CoLtorEeD Puiatss, each of the plates with five or six illustra- 
 tions, by G. Cruikshank. Oblong 4to, inlaid to oblong folio, cloth, 
 leather back. London, 1826 
 
 131. CrurkKSHANK (GerorcE). Illustrations of Time. By George Cruik- 
 shank. Hitched title-page, and 6 plates containing several illustra- 
 tions on each, colored by hand. Title-page and plates, tipped on, or 
 inlaid to, folio sheets. Bound in one vol. folio, cloth, morocco 
 back. London: Published May 1st, 1827, by the Artist 
 
 Bound in, inlaid to size, is an excerpt from Blackwoods’ Magazine, June 
 1827, 16pp., “Cruickshank on Time.” One of the plates bears the water- 
 mark “1829” and the last plate in the volume has been neatly and skilfully 
 repaired. 
 
 132. CruIKSHANK (GerorGE). Illustrations to Punch and Judy. 24 full- 
 page etchings on India paper mounted on sheets of heavy paper, 
 and 4 woodcuts on one sheet of India paper, drawn and engraved 
 by George Cruikshank. Royal 8vo, enclosed in board portfolio, 
 with printed title as above. 
 
 London: Printed for Septimus Prowett, 1828 
 
 FINE IMPRESSIONS. ALL PROOF IMPRESSIONS ON INDIA PAPER. THE 
 RAREST STATE OF THESE PLATES. The frontispiece has title “Mr. 
 Punch. Etched by George Cruikshank. From the original Miniature in the 
 possession of the Publisher. London Pubd. by 8S. Prowett, 55 Pall Mall.” 
 
 PROOF PLATES OF “SCRAPS AND SKETCHES” 
 
 133. CRUIKSHANK (GEORGE). COMPLETE SERIES OF 24 PLATES, each con- 
 taining several designs, by George Cruikshank for “Scraps and 
 Sketches.” Ati Proors on InpiA Paper. 24 plates, bound in one 
 vol. royal 4to, half green morocco. [London, 1828-1832] 
 
 FINE AND CoMPLETE SET. IN EXCEPTIONALLY FINE CONDITION. 
 VERY RARE IN PROOF STATE. 
 
 FIRST ISSUE WITH PROOF PLATES ON INDIA PAPER 
 
 134. CRUIKSHANK (GEORGE). Twelve Sketches Illustrative of Sir Walter 
 Scott’s Demonology and Witchcraft. 12 plates, Proors on Inp1a 
 Paper. 12mo, neatly and skilfully inlaid to 4to, half blue morocco. 
 
 [London] Published for the Artist . . . 1830 
 First Epirion, First Issuz, WITH THE PLATES ON INDIA PAPER. 
 
 The text and plates are skilfully inlaid to size, with ruled line borders in 
 blue ink. Cohn, No. 177; Douglas, 115. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 135. CrurksHANK (GeorGE). Scorr (Str WALTER). Letters on Demonology 
 and Witchcraft, addressed to J. G. Lockhart, Esq. With engraved 
 frontispiece and 12 etchings by George Cruikshank, the latter all 
 In Turee States, one set on India paper, one plain and one col- 
 ored. 16mo, full crimson levant morocco, sides, back and inner 
 borders, with emblematic designs in gilt, gilt top, By Woop. 
 
 London: Murray, 1830 
 Fine Copy OF THE First EDITION WITH THE CRUIKSHANK PLATES. 
 
 136. CruikKSHANK (GxEorGE). Hogarth Moralized; A Complete Edition of 
 all the Most Capital and Admired Works of William Hogarth. 
 Accompanied with concise and comprehensive explanations of their 
 moral tendency, by Rev. Dr. Trusler. Numerous plates and wood- 
 cuts, including 4 cuts on two plates by G. Cruikshank. 12mo, full 
 straight-grain citron morocco, gilt back. & 
 
 London: John Major, 1831 
 First Eprrion. PLAates oN InpIA PAPER. a 
 ae 
 
 FINE SET OF PROOFS ON HEAVY PAPER— PROBABLY 
 
 CRUIKSHANK’S OWN SET 
 
 137. CrurksHANK (GrorGE). <A Collection of 26 etchings, being Proors 
 of plates which appeared in “Roscoe’s Novelist’s Library.” Bound 
 in a 4to volume, cloth, leather back. [1831] 
 A Very Fine Set oF Proors ON HeAvy Paper. This collection appar- 
 ently belonged to George Cruikshank, as on two of the plates are memo- 
 randums “bite head” and “Wants more biting.” On several of the plates 
 
 are markings in pencil, showing that the plate was not bitten enough. 
 
 138. CrurksHANK (GrorcE). [Hoce (James).] Altrive Tales. Collected 
 among the Peasantry of Scotland, and from Foreign Adventurers. 
 By the Ettrick Shepherd. Vol. I (all published). First Eprrion. 
 With etching by G. Cruikshank, and a portrait by Edwards. 12mo, 
 half citron morocco, gilt back and top. London, 1832 
 
 139. CrurksHANK (GrorcE). Sunday in London. First Eprrion. 11 full- 
 page woodcuts and 8 vignettes by G. Cruikshank. 12mo, half red 
 morocco, gilt back and top, uncut. London, 1833 
 
 140. CrurksHANK (Grorce). Sunday in London. First Eprrion. 11 full- 
 page woodcuts and 3 vignettes, all by G. Cruikshank. 12mo, orig- 
 inal pink boards, uncut, portion of back-strip missing. 
 
 London, 1833 
 
 141. CrurksHanK (Grorce). Sunday in London. 11 full-page woodcuts 
 and 8 vignettes, by G. Cruikshank, In Coxtors. 12mo, half maroon 
 morocco, gilt back and top, uncut. London, 1833 
 
 First Epirion. The plates are colored by hand. 
 
 142. CrurksHANK (Grorcp). Compietre Series of 36 etchings, several sub- 
 jects to each plate, by George Cruikshank, for “My Sketch Book.” 
 All the plates IN Cotor. Small oblong folio, inlaid to folio, half 
 red morocco. 
 London: Published for the Artist, by Charles Tilt . . . [1833-1836j 
 CoMPLETE SET OF THE PLATES AS THEY APPEARED IN THE ORIGINAL 
 IssuE PuBLISHED IN 9 Parts. One of the front wrappers is inlaid to size 
 and serves as a title-page. 
 
First Session, Monday Afternoon, November 10th 
 
 INDIA PROOFS OF THE PLATES FOR “MY SKETCH BOOK” 
 
 143. CrurksHANK (GerorcE). CompLetTe Series of 36 etchings, several 
 subjects to each plate, by George Cruikshank for “My Sketch 
 Book.” Att Proors on Inpra Paper. Bound in one vol. folio, cloth, 
 morocco back. [London] Sold by Charles Tilt, 1833-1836 
 
 LARGE PArerR. COMPLETE SET of the plates which appeared in the Original 
 Issue published in 9 parts, with 4 plates to each part, including the engraved 
 title representing a proscenium having four shelves, with workmen placing 
 letters, as large as themselves, under the direction of George Cruikshank 
 himself, whose likeness is represented. The plates were published from 
 August 1, 1836, to June 25, 1836. 
 
 EXCEEDINGLY RARE IN PROOF STATE. 
 
 UNDIVIDED PROOFS BEFORE LETTERS—RARE STATE 
 
 144. CrurksHANK (GeEorcE). Illustrations to “The Comic Almanac.” A 
 collection of 152 etchings, designed by George Cruikshank, Ati UN- 
 DIvIDED Proors on InpIA Paper; and 16 full-page woodcuts, proofs 
 on India paper. Enclosed in a half green morocco folio portfolio, 
 
 with ties. [London, 1835-1853 | 
 FINE IMPRESSIONS. UNDIVIDED PrRoors BEFORE LETTERS ON INDIA PAPER 
 or THese ILLUSTRATIONS TO “THE Comic ALMANAC.” ‘There are four 
 
 etchings to each sheet, mounted on sheets of heavy paper. Some of the 
 mounts are foxed. VrERY RARE IN THIS STATE. 
 
 ORIGINAL WATERCOLOR SKETCH AND PROOF ETCHINGS BY 
 CRUIKSHANK 
 
 145. CrurksHANK (GerorGE). Landscape-Historical [lustrations of Scot- 
 land, and the Waverley Novels. 35 etchings by George Oruikshank, 
 and one plate after him engraved by Goodyear. Bound in one 
 vol. small folio, half red morocco. 
 
 [London and Paris: Fisher, Sons and Co., 1836-1838] 
 
 Proors BeroreE Lerrers. Thirty of the above etchings are printed on 15 
 undivided sheets. RARE. 
 
 Accompanying the above is the ORIGINAL WATERCOLOR SKETCH by George 
 Cruikshank of ‘‘Rebecca on the Ramparts,” which was engraved on steel by 
 Goodyear. 
 
 146. CruIKSHANK (GeEorGE). A Comic Alphabet. Designed, Etched and 
 Published by G. Cruikshank. 24 Cotorep Puiates, illustrative of 
 the alphabet, and the original illustrated wrappers. Each plate, 
 and the original wrappers, mounted on separate sheets, to royal 
 4to. Bound in a royal 4to volume, half red morocco. 
 
 Pentonville, 1887 
 
 FINE Copy of the Second Issue, following closely on the first which was 
 issued the preceding year. 
 
 ARTIST’S PROOFS ON HOLLAND PAPER 
 
 147. CRUIKSHANK (GeEorGE). A series of 12 etchings executed by George 
 Cruikshank for “Memoirs of Joseph Grimaldi,” by Charles Dickens. 
 Aut Proors. 12 pieces neatly hinged and bound in one vol. 4to. 
 
 half brown morocco. [ London, 1838] 
 COMPLETE SET OF THE ARTIST’S PROOFS ON HOLLAND PAPER, BEFORE 
 LETTERS, WITH THE ARTIST’S SIGNATURE ENGRAVED ON PLATE. Ex- 
 
 CEEDINGLY RARE IN THIS State. A number of the plates are foxed. 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 
 UNDIVIDED PROOFS OF ETCHINGS FOR “LOVING BALLAD OF LORD 
 BATEMAN” 
 
 - 148. CruIKSHANK (GerorGE). Complete Series of 11 etchings and etched 
 sheet of music On 4 Unprvipep Puatss, executed by George Cruik- 
 shank for “The Loving Ballad of Lord Bateman.” ALL Proors oN 
 Inpr1A Paper. The 4 plates (11 etchings, and sheet of music) bound 
 in one vol. folio, half red morocco. Margins somewhat spotted. 
 
 [London, 1839] 
 EXXCEEDINGLY RARE SET oF THESE PLATES, believed to be the only set 
 of undivided proofs that has been offered at public sale in this country. 
 
 ORIGINAL SKETCHES FOR “STORY OF BARBER COX” 
 
 149. CrUIKSHANK (GEORGE). SEVEN OF THE ORIGINAL SKETCHES IN ‘Pen- 
 cIL AND Sepia, executed by George Cruikshank, for,—“The Story of 
 Barber Cox, and the Cutting of his Comb.” Together, 7 pieces, 12mo 
 size, matted as one piece in an oak frame. Size of frame: Height, 
 38 inches; width, 12 inches. 
 
 FINE ORIGINAL SKETCHES. “The Story of Barber Cox, and the Cutting 
 of his Comb” appeared in “The Comic Almanack, 1840.” <A plate was 
 executed for each month of the year. Each plate is signed, in ink, “G. 
 Cruikshank,” and in the top margin Cruikshank has written the title of the 
 plate, and in the lower margin has written a description of the scene de- 
 picted. 
 
 The following is a list of the above seven sketches,—February—First 
 Rout; April—The Finishing Touch; May—A New Drop Scene at the Opera ; 
 July—Down at Beulah; August—A Tournament; October—Notice to Quit; 
 December—Christmas Bustle. 
 
 CRUIKSHANK’S OWN PROOFS, SIGNED IN AUTOGRAPH 
 
 150. CruIkKSHANK (GrorGE). Complete series of the 22 steel engravings 
 by George Cruikshank for “George Cruikshank’s Omnibus.” ALL 
 Proors on InptA Paper. 22 pieces, bound in one vol. folio, half 
 green morocco. [London, 1842] 
 
 LARGE PAPER. FINE AND COMPLETE SET OF THE ENGRAVINGS. 
 CRUIKSHANK’S Own SET oF Proors, with his autograph signature in the 
 lower margin of the first plate. VERY RARE IN PROOF STATE. 
 
 151. CruriksHANK (GeorGE). Marryat (Frepertck). Percival Keene. 
 Vols. I and III only. 12mo, original boards, back-strip of each 
 volume missing. London, 1842 
 
 First Epirion. GEORGE CRUIKSHANK’S Copy, with his Autograph Sig- 
 nature, and the date “1842,” in ink, on the title page’/of each volume. On 
 the fly-leaf of Vol. III, in the autograph of Cruikshank, and signed, is the 
 following, “Presented by Captn. Marryat to Geo. Cruikshank” and above 
 this inscription is a pencil sketch by Cruikshank of a man’s head. 
 
 152. CruIKSHANK (GrorGE). Complete series of 10 etchings by George 
 Cruikshank for Samuel Lever’s “Arthur O’Leary.” Ati Proors 
 oN Inpr1A Paper. 10 pieces, bound in one vol. folio, half green 
 morocco. [London, 1844] 
 
 FINE AND COMPLETE Set. IN EXCEPTIONALLY FINE CONDITION. 
 Believed to be the only complete set of proofs that has been offered for 
 public sale in this country. 
 
First Session, Monday Afternoon, November 10th 
 
 RARE PROOFS OF ENGRAVINGS FOR “THE TABLE BOOK” 
 
 153. CRUIKSHANK (GxorGE). Complete series of the 12 steel etchings by 
 George Cruikshank for “The Table Book. Edited by Gilbert A. 
 A’Beckett.” Att Proors on Inpia Paper. 12 pieces, bound in one 
 folio, half red morocco. [London, 1845] 
 
 Larce Paper. FINE AND CoMPLETE SET oF THE STEEL ENGRAVINGS ONLY. 
 which appeared in the 12 parts, one plate to each part. EXTREMELY RARE 
 IN ProoFr STATE. 
 
 154. CruIKSHANK (GroRGE). Complete series of plates “1851, or, The 
 Adventures of Mr. and Mrs. Sandboys” also a plate, “The Open- 
 ing of the Great Exhibition, etc.” Proors on InpIA Paper, except 
 last mentioned. Together, 11 pieces, bound in a royal folio volume, 
 cloth, roan back. Some margins lightly foxed. [ London, 1851] 
 
 FINE SERIES AND RaRE IN Proor STate. 
 
 AUTOGRAPHED PRESENTATION SET OF PROOFS 
 
 155. CRUIKSHANK (GuorGE). Complete series of 6 etchings by George 
 Cruikshank for “Hop-O-My-Thumb.” Att Proors on InprA Paper. 
 Bound in one vol. 4to, boards, morocco back. [ London, 1853] 
 
 FINE AND ComPLeTE Ser. In ExcerrionaLLy FINE Conprrion. Pre- 
 sented by George Cruikshank to the Rev. Thomas Hugo, with the following 
 Signed Autograph Inscription, on the first plate-—“To the Rev. Thomas 
 Hugo. With the best regards of Geo. Cruikshank. August 9th, 1853.” 
 
 EXTREMELY RARE IN Proor Strate. 
 
 COMPLETE SET OF PROOFS, WITH AUTOGRAPH PRESENTATION 
 INSCRIPTION 
 
 156. CrurksHANK (Gorey). Complete series of 6 etchings. by George 
 Cruikshank for “Cinderella and the Glass Slipper.” Att Proors 
 ON Inp1A Paper. Bound in one vol. 4to, boards, morocco back. 
 [London, 1854] 
 FINE AND CoMPLETE Set. Presented by George Cruikshank to the Rev. 
 Thomas Hugo, with the following Signed Autograph Inscription on the first 
 plate,—“Rev. Thos. Hugo with the regards of Geo. Oruikshank.” Bound in, 
 is an Autograph Letter Signed, 2pp. Svo, March 25, 1855, from Cruikshank 
 to the Rev. Thos. Hugo, relative to the above series of plates. 
 EXTREMELY RARE IN Proor SraAte. 
 
 RARE PROOF PLATES, WITH CRUIKSHANK’S AUTOGRAPH PRESENTATION 
 INSCRIPTION 
 
 157. CRUIKSHANK (GrorGE). Complete series of 6 etchings by George 
 Cruikshank for “Jack and the Bean Stalk.” Att Proors on InpIA 
 Paper. Bound in one vol. 4to, boards, morocco back. 
 
 [ London, 1854] 
 
 FINE AND ComMPLeTE Ser. Presented by George Cruikshank to the Rey. 
 Thomas Hugo, with the folowing Signed Autograph Inscription on the first 
 plate,—“Rev. Thos. Hugo—with the regards of Geo. Cruikshank.” Bound in 
 is an Autograph Letter Signed, 2pp. 8vo, Nov. 22, 1854, from Cruikshank 
 to the Rev. Thomas Hugo, stating that he is sending him a “copperplate and 
 a proof the etching,” and that he is sending him copies of “The Bottle” and 
 “The Drunkard’s Children.” 
 
 EXTREMELY RARE IN Proor Strate. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 158. CRUIKSHANK (GrEoRGE). George Cruikshank’s Magazine. Edited by 
 Frank E. Smedley (Frank Fairlegh). Nos. 1 and 2, January and 
 February, 1854.. Att Pusiisuep. Illustrations, including those on 
 wrappers, by George Cruikshank. 2 parts, 8vo, OrtcInaAL YELLOW 
 WRAPPERS, uncut. In half crimson morocco solander case, with 
 inner protecting cloth folder. London: D. Bogue, 1854 
 
 First Eprrion. Scarce. Douglas, No. 264; Cohn, No. 195. 
 
 No. 1, January, 1854, contains 2 folding etchings, one glyphograph, and 3 
 woodcuts by G. Cruikshank, and 8 pages of advertisements; No. 2, Feb- 
 ruary, 1854, contains one folding etching, one folding glyphograph, and 4 
 woodcuts by G. Cruikshank. 
 
 159. CruIKSHANK (GrorGE). George Cruikshank’s Magazine. Edited by 
 Frank E. Smedley. Parts 1 and 2 (all issued). With 3 folding 
 etchings, 2 glyphographs and 7 woodcuts by G. Cruikshank. Bound 
 in one vol. with the original front wrapper to Part I serving as a 
 title-page. 1854; Points of Humour. Part I only. Third Edition. 
 With 10 full-page etchings and 8 woodcuts by G. Cruikshank. 
 1823; Stenelaus and Amylda. A Christmas Legend. With woodcuts 
 in text and on wrappers by G. Cruikshank. 1858. Two copies, 
 one plain and one colored; Sunday in London. Woodeuts by G. 
 Cruikshank. 1833; Barker (H. M.). The Old Sailor’s Jolly Boat. 
 Illustrations by George and Robert Cruikshank. WLondon [1845]. 
 Not First Edition; [Fraser (Sir W.)] Coila’s Whispers. With 4 
 reproductions of plates by George Cruikshank and Gustave Dore. 
 Edinburgh, 1869. Together, 8 vols. in 7, 8vo and 12mo, half mo- 
 rocco, cloth, boards and wrappers. London, 1823-1869 
 
 160. CruIKSHANK (GroRGE). <A Collection of Proors of 37 etchings by 
 George Cruikshank, 19 being on India paper. Together, 34 pieces, 
 sheets. 
 
 FINE COLLECTION. 12 of the etchings are undivided proofs on three sheets, 
 12 etchings undivided proofs on six sheets, 4 etchings undivided proofs on 
 two sheets. Includes illustrations to ‘The Bee and the Wasp” (4); 
 Sketches by Boz, Second Series (12); Frontispiece to “Poems by Frede- 
 rick Locker,” of which 120 proofs were struck off; Title-page to ‘York- 
 shireman, a Religious and Literary Journal’ with the following, in the 
 autograph of Cruikshank,—“First Proof. George Cruikshank ;” and others. 
 We believe that the last mentioned was a projected issue of a work which 
 was never published. 
 
 161. CrurKSHANK (GrEoRGE). TRACING FROM THE ORIGINAL SKETCH,—“Blind 
 Man’s Buff.” Signed, in ink. Height, 644; width, 4 inches. In oak 
 frame, matted. 
 
 This sketch was drawn for Mayhew’s “Whom to Marry and How to Get 
 Married.” In the top margin, in the autograph of Cruikshank, is the follow- 
 ing,—‘“‘Tracing from the Original Sketch.’ In the lower margin, in the auto- 
 graph of Cruikshank is written,—‘Young Love. Blind Man’s Buff at a Board- 
 ing School.” ‘This sketch is executed in ink and watercolors. 
 
 162, CRUIKSHANK (GEORGE). ORIGINAL WATERCOLOR AND PencIL SKETCH,— 
 “New St. Giles. Morals for the Million.” Signed, in ink. Height, 
 8°34; width, 7144 inches. In oak frame and matted. 
 
 This sketch was drawn and etched by George Cruikshank for “The Comic 
 Almanack, 1843.” Beneath the sketch are two lines, in pencil, and beneath 
 these two lines are 12 lines, in ink, in the autograph of Cruikshank, being 
 the conversation taking place between the subjects in the sketch; in the mar- 
 gins are notes, in pencil, in Cruikshank’s autograph. 
 
First Session, Monday Afternoon, November 10th 
 
 163. CruIKSHANK (GEORGE). ORIGINAL WATERCOLOR AND PENCIL SKETCH,—. 
 A Lady of Considerable Attractions.” Signed, in ink. Height, 844; 
 width, 7 inches. In oak frame, matted. 
 
 This sketch was drawn and etched by George Cruikshank for Mayhew’s 
 “Whom to Marry, and How to Get Married.” Cruikshank has signed his 
 name in full in the sketch. At the top of the sketch are the words “Original 
 Sketch” and in the lower margin “Whom to Marry,” all in the autograph 
 of Cruikshank. Immediately beneath the sketch Cruikshank has written, in 
 pencil, the title he originally gave the sketch, “The Heiress.” In the left 
 and right-hand margins of the sheet are seven pencil sketches by Cruikshank. 
 
 164, CruIKSHANK (GeEoRGE). OriGInAL Pen-aAnD-INK Sxetcu, “The Pillars 
 of a Gin Shop.” Signed. Height, 9; width, 744 inches. In oak 
 frame, matted. 
 
 A Most INTERESTING ITEM. This sketch was drawn and etched by George 
 Cruikshank for part 2 of “My Sketch Book” Cruikshank has written the 
 
 F following in the right-hand margin of the sheet,—“This was done 14 years 
 before I became a total abstainer. George Cruikshank, Agt. 3d, 1873.” 
 In the upper margin he has written “First Sketch for ‘My Sketch Book’ 
 Part 2,” beneath which is the title, “The Pillars of a Gin Shop.” In the 
 lower margin of the sketch there is a four-line note, in Cruikshank’s auto- 
 graph, relative to the subject of the sketch. 
 
 165. CRUIKSHANK (GroRGE). ORIGINAL WATERCOLOR AND PENcIL SKETCH,— 
 “The Gross of Green Spectacles.” Signed, in ink. Height, 4; width, 
 4 inches. In oak frame, matted. 
 This sketch was drawn and etched by Cruikshank for Goldsmith’s ‘‘The 
 Vicar of Wakefield.” The sketch is signed, twice,—in pencil,—“Painted € 
 etched by G. Cruikshank’, in ink,—“George Cruikshank.’ In the margin 
 are several sketches of heads of persons. 
 
 166. CRUIKSHANK (GrEoRGE). OrIGINAL Watercotor Drawine,—‘Mr. Wat- 
 kins Tottle and Miss Lillerton.” Signed, in ink,—George Cruik- 
 shank. . 
 
 FinrE DrAwine. This is one of the plates appearing in the set executed 
 for “‘Sketches by Boz.” 
 
 167. CRuIKSHANK (GEORGE). ORIGINAL 'WATERCOLOR AND PEN-AND-INK 
 SxetcH,—‘“The Doctor Makes a Discovery.” Signed, in ink. 
 Height, 7; width, 4 inches. In oak frame, matted. 
 
 This sketch was drawn and etched by George Cruikshank for Smedley’s 
 “Frank Fairlegh.” Signed, in full,—George Cruikshank. 
 
 168. CRUIKSHANK (GEORGE). ORIGINAL WATERCOLOR AND PEencin SkETCH,— 
 “Lawless Finds his Level.” Signed, in ink. Height, 614; width, 5 
 inches. In oak frame, matted. 
 
 This sketch was drawn and etched by George Cruikshank for Smedley’s 
 “Frank Fairlegh.” Beneath the sketch Cruikshank has written,—“‘Frank 
 Fairligh [sic] Geo. Cruikshank.” 
 
 ORIGINAL WATERCOLOR SKETCHES—PROBABLY UNPUBLISHED 
 
 169. CRUIKSHANK (GEORGE). ELEVEN ORIGINAL SKETCHES IN PENCIL AND 
 Watercotors, entitled,—“The Court of Queene Anne.” Together, 
 11 pieces, 8vo, matted as one piece in an oblong oak frame. Size 
 
 of frame: Length, 40 inches; height, 1314 inches. 
 A BEAUTIFUL SERIES OF ORIGINAL SKETCHES, WHICH ARE APPARENTLY 
 UNPUBLISHED. Each plate is signed, in ink, by the Artist, and he has 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [No. 169. CrurksHanK—Continued] 
 
 written in the lower margin of each plate “The Court of Queene Anne,” 
 and in the top margin of each plate he has written “Original Sketch.” In 
 the margin of four plates are pencil sketches of characters depicted in the 
 original drawing. 
 
 170. CruIkKSHANK (GrORGE). Two OriciInAL WATERCOLOR AND PEncuIL 
 
 SKETCHES, without titles——(1) Crowd of men entering a room sup- 
 porting a man on their shoulders, and waving their hats; (2) 
 Scene in a dining room depicting two men fighting. Each plate 
 signed,—George Cruikshank. Together, 2 pieces, 12mo size, each 
 matted, in oak frames. 
 
 BotH SKETCHES ARE BELIEVED TO Br UNPUBLISHED. 
 
 % 
 
 te, 
 
 171. CruIKSHANK (GEORGE). Two OricinaL WarterRcoLoR AND PENCIL 
 
 SKETCHES,—(1) Rebecca. This was intended for Scott’s “Tvanhoe;” 
 (2) The Witches’ Frolic. Each plate is signed in full,—“George 
 Cruikshank” and the words “Original Sketch” in the autograph | 
 of Cruikshank appears at the top of each plate. Together, 2 pieces, 
 12mo size, each matted, in oak frames. fs 
 BotH Test SkercHes Are BeLievepD to BE UNPUBLISHED. 
 
 172. CrUIKSHANK (GroRGE). THREE ORIGINAL WATERCOLOR AND PENCIL 
 
 SkKeETCHES,—(1) “Extraordinary Storm of Lightning. 1835.” 
 Signed,—George Cruikshank; (2) “A Chimpanzee Walking in the 
 Grounds of the Zoological Gardens with one of the Keepers.” 
 Signed,—G'eo. Cruikshank; (3) Sketch of a rooster, and the head 
 of a hen. Signed,—Geo. Cruikshank. Together, 3 pieces, 4to and 
 Svo size, each matted, in oak frames. 
 
 THESE SKETCHES ARE BELIEVED TO BE UNPUBLISHED. 
 
 173. CrurkKsHANK (GrorcE). THREE OrtcInaAL SxketcHus, IN Pan-anp-InkK 
 
 AND Pencit,—(1) Four portrait sketches of himself, on one sheet, 
 Showing different facial expressions. Signed,—Geo. Oruikshank; 
 (2) Sheet containing 15 sketches in pencil and sepia, including 
 three-quarter length portrait of himself, “Mr. Mathews at home,” 
 “Mr. Mathews Making Mouthes from ear to ear,” and others. 
 Signed,—George Cruikshank; (3) Pen-and-ink and sepia sketch of 
 a thatched cottage. With the following inscription, in ink, in 
 the autograph of Cruikshank,—“Drawn by me when a boy. Geo. 
 Cruikshank.” Together, 3 pieces, 4to size, each matted, in oak 
 frames. 
 THESE SKETCHES ARE BELIEVED TO BE UNPUBLISHED. 
 
 174. CRUIKSHANK (GxoRGE). Four OrtciInAL WATERCOLOR, AND PEN-AND- 
 
 Ink SketcuEs,—(1) “Sketch of Grimaldi being Shaved by a Girl 
 at Preston.” Signed,—Geo. Cruikshank; (2) “Deer Stalking.” 
 Signed,—Geo. Cruikshank; (3) Sheet containing two sketches (a) 
 Napoleon astride a horse. With a description in pencil in the 
 autograph of Cruikshank, (b) Woman at a window, admiring the 
 moon, with a candle in her hand, with the following in the auto- 
 graph of Cruikshank—“Oh! Sally do come & see what a beautiful 
 moonlight night it is!” The sheet is signed,—Geo. Oruikshank; 
 (4) Seven sketches on one sheet (4 in colors) of chickens. Signed, 
 —Geo. Cruikshank. Together, 4 pieces, 4to and 8vo size, each 
 matted, in oak frames. 
 THESE SKETCHES ARE BELIEVED TO BE UNPUBLISHED. 
 
First Session, Monday Afternoon, November 10th 
 
 175. CrurksHANK (GEORGE AND Rogert). Macponatp (W. R.). The Comic 
 Alphabet. With 26 illustrations in color by Robert Cruikshank. 
 16mo, full red morocco, gilt fillets on sides, lettered in gilt on 
 front cover. London: D. Martin, no date 
 
 EXTRA ILLUSTRATED by the insertion of 26 CoLorED PLATES BY GEORGE 
 CRUIKSHANK, being the plates of the “Comic Alphabet” published in 18386. 
 
 176. CruIKSHANK (GroRGE AND Ropert). A’Brckertt (G. A.). The Comie 
 Blackstone. Part I. Frontispiece and vignette on title, by G. 
 Cruikshank, London, 1844; [Irvine (Wasnincton).] Salmagundi. 
 With 7 woodcuts by G. Cruikshank. London, 1839; Matuews 
 (CuarLEs). Selections from Mr. Mathews’ Celebrated Memoran- 
 dum Book . . . With the most laughable of the Stories and Ad- 
 ventures. With colored folding frontispiece, containing 4 subjects, 
 by R. Cruikshank. 1825; Dramatic Magazine. With 11 plates, 
 of which 7 are by R. Cruikshank. 1829. Together, 4 vols. 8vo and 
 12mo, full calf (worn), cloth and boards. London, 1825-1844 
 
 g 
 P 
 
 bagi 177, CRurKSHANK (GrorGE AND Rosert). A collection of 8 Comic Songs. 
 Lach with a caricature song-head, one by G. Cruikshank and one 
 
 by k. Cruikshank. Together, 8 pieces bound in one vol. 4to, half 
 
 green morocco. London, circa 1816 
 
 FINE CoLLEcTION. WirH Music. Comprises,—The General Election. 
 
 Caricature by R. Cruikshank; Barney Buntline and Billy Bowling. Cavri- 
 
 cature by G. Cruikshank; Der Freischutzism; The Village Deserted to Fol- 
 
 low the Drum; Nelly Gray, or Ben Battle was a Soldier Bold; and others. 
 
 RARE CARICATURES BY THE CRUIKSHANKS 
 
 178. CruIKSHANK (GrORGE AND Rosert). A Collection of 41 Political and 
 other Caricatures, Mostty In Conor. 36 by George Cruikshank and 
 5 by Robert Cruikshank. Laid in, between the blank leaves of an 
 album. Royal folio, full green morocco, gilt, binding rubbed. 
 
 A Frne CoLLection or CARICATURES, MAINLY Goop IMPRESSIONS. Some 
 of the caricatures depict the early efforts of both artists. Among some of 
 the plates by George Cruikshank, may be mentioned,—The Cholie, The 
 Headache, Jealousy, The Blue Devils, The Cato Street Conspirators, Media- 
 tion among the Tombs, Death of Liberty, An Irish Epitaph, A Brighton Hot 
 Bath, The Beggar’s Carnival (Scarce), State Miners, Results of the North- 
 ern Excursion, The Mother Red Cap Public House (first and second state), 
 Mrs. Fig’s Card Party Disturbed (2 copies), and others. The plates 
 by Robert Cruikshank are,—Waltzing or a Peep into the Royal Brothel, 
 Quadrilles (series of 3: plates), and, ‘By St. Peter this is no Sham, etc.” 
 
 179, CRUIKSHANK AND OrnHeErR ILLustraTors. A Collection of etchings, en- 
 gravings, leaves of text from early printed volumes, caricatures, 
 etc. Together, about 125 pieces. 
 
 GoopD COLLECTION FoR ExtTraA-ILLUSTRATION. 
 
 The collection includes,—20 etchings by John Leech being the illustra- 
 tions to Douglas Jerrold’s “The History of St. Giles and St. James;” Illus- 
 trations by George and Robert Cruikshank to “Bibliotheca Sussexiana” (7 
 plates containing 9 illustrations) ; 12 Biblical subjects; The Tortoiseshell 
 Tom Cat (caricature) ; 3 plates by George Cruikshank ; The Phantasmagoria, 
 or a Review of old Times, by Isaac Cruikshank; and about 35 original 
 and facsimile leaves of text of early printed works. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 180. CRUIKSHANK (Isaac AND Ropert). Two OrIGINAL WATERCOLOR 
 SxetcHes,—(1) Sketch of an old man playing a violin. With the 
 following note, in ink, by George Cruikshank“Drawn by Isaac 
 Cruikshank. Father of Robert & George;” (2) A man passing 
 along a road, astride a horse, comes upon a man holding in his 
 arms the limp form of a woman, with another man in the rear. 
 In the lower margin is the following note, in ink, by George Cruik- 
 shank,—“This drawing made by my brother Robert Cruikshank. 
 G. Ck. 1875.” Together, 2 pieces, each separately matted and in an 
 oak frame. 
 
 181. CrurKSHANK (Rosert). The Commercial Tourist; or, Gentleman 
 Travellers. A Satirical Poem, in Four Cantos. With 5 FIneiy 
 CoLorEeD engravings by R. Cruikshank. 8vo, original boards, uncut, 
 tear in title pages, back worn. London, 1822 
 
 THe First ILLustratTep EDIrIon. % 
 
 . 
 
 182. CRUIKSHANK (Ropert). Shakespeare, and Honest King George, — 
 versus Parson Irving and the Puritans; or, Taste and Common 
 Sense, refuting Cant and Hypocrisy. By an Actor. With colored 
 frontispiece etched by Robert Cruikshank. 8vo, plain wrappers, 
 uncut. London, 1824 
 
 RARE IN WRAPPERS, and with the colored plate. 
 
 FINE COLLECTION OF ROBERT CRUIKSHANK CARICATURES 
 
 188. CRUIKSHANK (Ropert). A Collection of about 35 caricatures, Mostiy 
 In Coors. 26 signed Robert Cruikshank and 9 signed I. R. Cruik- 
 Shank. Laid in, between the blank leaves of an album. Royal folio, 
 half calf, binding rubbed. 
 
 IMPORTANT COLLECTION, MANY OF THE EXAMPLES BEING RARE. UN- 
 USUALLY BRILLIANT IMPRESSIONS. 
 
 The collection comprises caricatures of a political and of a humorous na- 
 ture. Among some of the plates may be mentioned,—A Dandy Shoemaker 
 in a Fright or the effects of Tight Lacing, Dandies Having a Treat (2 
 copies), A Late Arrival at Mother Wood’s; John Bull Flourishes in a Dignified 
 Attitude of strict Neutrality, King Gourmand XVIII and Prince Posterior, 
 in Fright (2 copies) ; The Master Cook and his Black Scullion composing 
 a Royal Hash, Tread Mill, Public Opinion, The Tetbury Duel or the 
 Bully Brought Down, Thoughts on the Invasion, All the Talents Upset or 
 the Highmettled Hanovarian Grown Restive, Doctor Sangrado relieving John 
 Bull of the Yellow Fever, two pugilistic scenes, The Great Match between 
 Randal and Martin, and Baker Kneading Sammy’s Dough, and others; also, 
 two Caricature Song-heads. 
 
 184. CuaLta Press. “A Broadside” for October 1913 and January 1914, 
 Nos. 5 and 6. Hach with three woodcuts, of which two are in colors. 
 Together, 2 leaflets, 4pp. each. Dundrum, 1913-1914 
 
 EpIt1on LimireD To 300 Copies. Contains the poems “Brennan on the 
 Moor”, “The Drinaun Donn” and ‘A Ballad.” 
 
 185. Curtis (George Witit1AM). Orations and Addresses of George Wil- 
 liam Curtis. Edited by Charles Eliot Norton. First Eprrton. 3 
 vols. 8vo, half green morocco, gilt, gilt tops, uncut. With slip of 
 “Errata.” New York, 1894 
 
First Session, Monday Afternoon, November 10th 
 
 186. Daciny Iniustrations. Death’s Doings; Consisting of Numerous 
 Original Compositions, in Prose and Verse, the Friendly Contri- 
 butions of Various Writers, Principally Intended as Illustrations 
 of Twenty-Four Plates Designed and Etched by R. Dagley. 24 
 plates. 8vo, half blue calf. London, 1826 
 
 First Eprrion. Seldom found in such fine condition, being clean and 
 spotless throughout. 
 
 187. Decmarpen (G.). La Béte Mystique. 1896; Rirraup (C. pe). Veneurs 
 
 et Braconniers. 1896; Courtetine (G.). Messieurs les Ronds-de- 
 
 Cuir. Illustrated. N.d.; Brunetizre (F.). Honoré de Balzac. 
 
 N.d.; Perrin (P.). On n’est pas des Grues . . . Illustrated. 1902; 
 
 Bac (F.). Les Maitresses. Illustrated. 1897. Together, 6 vols. 
 12mo, half and quarter morocco, gilt tops. 
 
 4 Paris, various dates 
 
 188. Decorative Arts. Micron (Gaston). Exposition des Arts Musul- 
 ; mans au Musée des Arts Décoratifs. Beautifully and profusely 
 illustrated throughout. Small folio, half red levant morocco, gilt 
 top, uncut. Paris, no date 
 
 Epirion Limirep to 200 copies, this being No. 107. ‘Treats on ceramics, 
 tapestries, wood carvings, ete. 
 
 189. [De Prystrr (J. Warts).] Mary Queen of Scots. A Study. New 
 York, 1882; A Vindication of James Hepburn, Fourth Earl of 
 Bothwell, Third Husband of Mary, Queen of Scots. Philadelphia, 
 1882; An Inquiry into the Career and Character of Mary Stuart 
 
 . and a Justification of Bothwell. Portrait. New York, 1883. 
 First Epition or Eacn. Together, 3 vols. in one, royal Svo, cloth. 
 Philadelphia and New York, 1882-1883 
 
 EXTRA-ILLUSTRATED BY DESIRABLE AUTOGRAPH MATERIAL 
 
 190. [Dickens (CuHartes—Editor).] Bentley’s Miscellany. Edited by 
 Boz. Illustrated by George Cruikshank. No. 1, January 2, 1837. 
 Svo, inlaid to 4to, sheets. London, 1837 
 
 EXTRA-ILLUSTRATED by the insertion of 14 Autograph Letters Signed, 
 Autograph Manuscript by “Father Prout” (Rev. F. Mahony), Bill ren- 
 dered for the engraving of the illustrated front wrapper; and a few etchings, 
 one by Leech. 
 
 Among the AurograpH LeTrersS SIGNED may be mentioned,—DIcKENS 
 (CHARLES). 1p. 8vo, [1887]. To Richard Bentley requesting him to re- 
 ject an advertisement in the Miscellany, re “Gabriel Vardon,” which Ma- 
 crone would send in; CrurkSHANK (GkEoRGE). 1p. 8vo, September ats 
 1836. To R. Bentley, stating that he could not go to dinner with him ; LOVER 
 (SAMUEL). 1p. 12mo, London, No date. To BH. Moran, requesting a ticket 
 of admittance to Drury Lane Theatre; Another, 1p. Svo, no place or date. 
 To E. Moran, stating that he cannot send him the line of “The Land of the 
 West” as it is to appear in his book; Manony (Rev. Francris—‘“Father 
 Prout”). To HE. Moran, Jan. 19, 1837. Written in the margins and be- 
 tween the printed lines of a portion of a broadside announcing the ascent 
 of the balloon at Vauxhall Gardens; Another, to E. Moran. spp. 4to, Paris, 
 Hotel de Malte [January 7, 1837]. A fine letter in which he asks about 
 Bentley’s Miscellany and requests him to collect the money for his contribu- 
 tion to the first number, also writes about Macrone the publisher, mentions 
 that Thackeray has lost patience with etching; the other letters are by 
 Richard Bentley, Thomas Haynes Bayley, Charles Ollier, R. H. Barham, 
 Dr, Maginn. The Original Manuscript by Francis Mahony (Father Prout), 
 1p. 4to, is of,—‘Our Song of the Month. The Bottle of St. Januarius,” 
 which appears on the first page of text. 
 
le 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 en _ Snatch neiicina! icra uid Dandatiatmacnties mata stale Ot 
 
 191. DickENS (CHarRLES). Dealings with the Firm of Dombey & Son. 
 
 With illustrations by “Phiz.” Thick 8vo, full green morocco, gilt, 
 gilt top, uncut. London, 1846-1848 
 
 First Eprrion. Bound from the original 20 in 19 parts, with the original 
 green wrappers and advertisements bound in. With the mistake of the 
 author, on page 284, in the fifth and six lines from the bottom where he 
 twice calls Mr. Toot’s boat “Delight” instead of “Joy.” 
 
 192. Dickens (CHARLES). The Haunted Man and the Ghost’s Bargain. 
 
 193. 
 
 194. 
 
 195. 
 
 196. 
 
 First Eprrion, Second Issue. London, 1848; Dickmnstana. Oliver 
 Twist; or, The Parish Boy’s Progress.. Otley, no date; Durum — 
 (Witt1aM). A Tramp’s Wallet. Dedicated by permission, to 
 Charles Dickens. London, 1858; Marruews (E. V. B.—Translator). 
 Master-Tales. Parisian Points of View. By Ludovic Haélevy. In- 
 troduction by Brander Matthews. New York [1894]; Einr1or 
 (GEorcr). Romola. Second Edition. 2 vols. London, 1863; Buins- 
 SINGTON (CounTESs or—EKditor). Heath’s Book of Beauty. 1840. 
 
 With numerous full-page steel engravings. London [1839]. To- — 
 
 gether, 7 vols. 8vo and 12mo, cloth and wrappers, one binding 
 worn. Various places [1839-1894] 
 
 Dickrns’ (CHARLES) Copy. THe Wao. Procerprncs on the King’s 
 Commission of the Peace, Oyer and Terminer, and Gaol Delivery 
 for the City of London . . . held at Justice Hall in the Old Bailey, 
 on Wednesday the 8th of December 1779 . . . 4to, boards, worn. 
 
 London, 1779 
 
 CHARLES DickENS’ Copy, with his bookplate on the inside of the front 
 
 cover, also with the Gadshill certificate stating that the volume came from 
 Charles Dickens’ Library. 
 
 Dixon (WitLt1AM HepwortH). Her Majesty’s Tower. 4 vols. 1869- 
 1871; Brncuam (D.). The Bastille. Jllustrated. 2 vols. 1888. 
 Together, 6 vols. 8vo, half red morocco and half blue calf, gilt 
 backs and tops, uncut. London, 1869-1888 
 
 First AND Best Epitions of both works. The latter is scarce. 
 
 Drama. Cuetwoop (W. R.). A General History of the Stage; (More 
 particularly the Irish Theatre) From its Origin in Greece down 
 to the Present Time, with the Memoirs of Most of the Principal 
 Performers that have appeared on the Dublin Stage. Hngraved 
 portrait of the author, engraved title. 12mo, full green morocco, 
 gilt, rubbed, name on title. Dublin, 1749 
 
 Drama. Mites (Wu11Am A.). A Letter to Sir John Fielding, Knt., 
 occasioned by His extraordinary Request to Mr. Garrick for a 
 Suppression of the Beggars Opera. To which is added a Post- 
 script to D. Garrick, Esq. The Second Edition, with Additions. 
 16mo, full red straight-grain morocco, gilt fillet borders on sides. 
 
 London, 1773 
 
 . Drama. The Drama, or, Theatrical Pocket Magazine. Vols. 1, 3, 4, 5, 
 
 and 7. May 1821 to May 1825. 5 vols. 1821-1825; New Series, Vols. 
 1 and 2, 2 vols. [1825-1826]; The Stage, or Theatrical Inquisitor. 
 August 1828 to February 1829. 1 vol. [1828-1829]. All with finely 
 engraved portraits of actors and actresses, mostly in characters. 
 Together, 8 vols. 16mo, half calf. London, 1821-[1829] 
 
, 
 
 First Session, Monday Afternoon, November 10th 
 a an at aaa i Mle esi le Re li seach at acta 
 
 198. Drama. Banister (Doucias). Life of Mr. John Reeve, with Orig- 
 inal Anecdotes. Portrait by Wageman. Svo, half green morocco. 
 
 | London [1888] 
 
 First Eprrion. Extrra-ILLusrratep by the insertion of 5 plates, four of 
 
 which are colored, one an engraved portrait of Reeve, the other depicting 
 
 Reeve in various characters; also inserted, inlaid to size, is a Memoir of 
 “Mr. John Reeve” one page, and an article on “Mr. Reeve, in Lurline.” 
 
 199. Drama. Letters on the Drama. 1796 ; Penn (Joun). The Battle of 
 Kiddington, or British Liberty. <A Tragedy. 1796; Critical and 
 Poetical Works. 1797; Poetical Miscellanies. Including Transla- 
 tions from Petrarch. 1797; A Reply to the Strictures of the 
 Monthly Reviewers, in February, 1797, on the Tragedy of The 
 Battle of Eddington. 1797. 5 vols. in one. London, 1796-1797; 
 | BickErstTarre (Isaac).] The Padlock: A Comic Opera: As it is 
 Perform’d . . . at the Theatre-Royal in Drury Lane. New Edition. 
 London [1768]; Lives or Britis Dramatists. By T. Campbell, 
 
 ; Leigh Hunt [and others]. 2 vols. in one. Philadelphia, 1846; 
 
 Vestris’ (MapAmE) Copy. Manuscript Copy of “The Sentinel.” 
 Written on one side of 69 octavo leaves. With “Madame Vestris” 
 Stamped in gold on front cover; Wrwirzer (RateH). Theatrical 
 Pocket Book or Brief Dramatic Chronology. London, 1814; Rowe 
 (Nicnonas). The Fair Penitent; O’Hara (K.). Tom Thumb the 
 Great; ALLIncHAM (J. T.). Fortune’s Frolic. 3 vols. in one. With 
 woodcuts by Anderson. New York, 1824. Together, 18 vols. in 6, 
 Svo, 12mo and 16mo, full morocco, half calf, cloth and boards. 
 
 RARE AND FINE PORTRAITS OF DRAMATIC INTEREST 
 
 200. Drama. A collection of portraits of Actors and Actresses, mostly in 
 character, Playbills, Caricatures, Songheads, etc. Together, about 
 50 pieces, laid in between the leaves of an album. Folio, full black 
 morocco, gilt, binding rubbed. 
 
 A FINE Cottectrion, INcLupING MANY PIEcES OF Rarity. The plates 
 include mezzotints, copperplates, etchings, etc. and comprise about 27 por- 
 traits, 9 playbills, 2 colored caricatures, 4 song-heads, two accompanied by 
 words; and other plates. 
 
 The portraits include,—Nell Gwyn, painting on ivory; Margaret Woffing- 
 ton, mezzotint by J. Faber, 1745; Miss O’Neill, etching; Mrs. Bellamy and 
 Mr. Woodward, one plate; Mrs. George Anne Bellamy, Mrs. Pritchard, Mrs. 
 Cibber, Harry Woodward, Garrick ; the following in characters,—Mrs. Clive 
 as the fine Lady in Lethé; Mr. Woodward as Mercutio in Romeo and Juliet ; 
 Mr. Foote as Instructor Puzzle; Buck Metamorphos’d or Mr. Foote as “The 
 Englishman return’d from Paris;’ Mr. Woodward and Mr. Shuter as Capt. 
 Bobodil and Master Stephen in “Every Man in his Own Humour;” Garrick 
 as Don Felix; Mrs. Kennedy as Eleanor; Miss Pope as Corinna; Elliston 
 and Mrs. Jordan as Belinda and Beverley ; and others. 
 
 Playbills are of the Theatre Royal in Drury Lane,—School for Scandal. 
 For Benefit of Mr. Dodd. Wednesday, March 30, 1785; Much Ado About 
 Nothing. March 19 [1789]. Benedict by Mr. Garrick; Cymbeline. Novem- 
 ber 28 [1756]. Characters include Garrick; The Seventh Day. December 
 11 [1769]. The Mourning Bride. Osmyn to be performed by Mr. Garrick: 
 Benefit of Mrs. Cibber. March 23 [1784]. The Wonder. Don Felix by 
 Garrick ; The Orphan or the Unhappy Marriage. November 17 [1781]. Cha- 
 mont by Garrick; Provok’d Wife. January 8 [1794]. Sir John Brute by 
 Garrick. Among others whose names appear on these playbills may be men- 
 tioned—Yates, Mrs. Clive, Mrs. Cibber, Grimaldi, Mrs. Kennedy, Miss Pope, 
 Berry, Peg Woffington, Mrs. Hamilton. 
 
 The other plates include a scene from “The School for Scandal,” mezzo- 
 tint, in two states; colored caricatures (2); Songheads (4) ; ete. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 201. 
 
 203. 
 
 204. 
 
 205. 
 
 206. 
 
 207. 
 
 208. 
 
 209. 
 
 Dumas (ALEXANDRE). Les Trois Mousquetaires. Avec une Lettre 
 d’Alexandre Dumas Fils. With about 250 illustrations by Maurice 
 Leloir, engraved on wood by Huyot. 2 vols. imperial 8vo, three- 
 quarter crimson morocco, gilt tops, uncut, original wrappers bound 
 in. Paris, 1894 
 
 PRINTED THROUGHOUT ON INDIA PAPER, only 100 copies so printed. 
 
 . Dumas (ALEXANDRE, Fins). La Dame aux Camélias. Préface de 
 
 Jules Janin. Nouvelle Préface inédite de Auteur. Several fine 
 
 etchings, two of which are in color, vignette on title and numerous 
 
 head-pieces in different tones by A. Lynch. 4to, half citron levant 
 
 morocco, gilt top, uncut. Paris, no date 
 A beautiful publication of this well-known novel. ‘ 
 
 Durer (Apert). Epurusst (C.). Albert Diirer et ses Dessins. 
 Frontispieces and plates In Two Status, some on Japanese vellum 
 paper, some on plain paper, some in sepia, etc. also numerous illu 
 trations. Thick imperial 8vo, half red morocco, gilt top, uncut. 
 
 Paris, 1882 
 EpiTion Limirep to 100 copies on Holland paper, this being, No. 21. 
 FINE Copy of this important work. A 
 
 Durvuy (Victor). Histoire du Moyen Age. Illustrated. 1902; Lucur 
 (L.). Histoire de ’Autriche-Hongrie. 1895; Duruy (V.). His- 
 toire Grecque. Maps and illustrations. 1902; Hatptrine-KAMINSKY 
 (K.). France et Russie. N.d.; Prnon (R.). Origines et Résultats 
 de la Guerre Russo-Japonaise. 1906; Together, 5 vols. 12mo, 
 quarter morocco, gilt tops, uncut. Paris, 1895-1906 and no date 
 
 Eaypt. Prensa (H.). L’Egypte et le Soudan Egyptien. 1895; Miry 
 (G.). La Voyante. N.d.; Vausany (H. pr). Histoire de ’Egypte. 
 1885. Together, 3 vols. 8vo and 12mo, half and quarter morocco, 
 gilt tops, uncut. Paris, 1885-1895 and no date 
 
 Eeypt. Bruton (8S. A.). Ancient Egypt or Mizraim. Profusely illus- 
 trated with fine engravings and colored plates by the best artists. 
 2 vols. large folio, half red morocco, gilt, gilt edges. 
 New York [1887] 
 EDITION DE LUXE, limited to 800 copies, this being, No. 653. 
 
 Eeypt. Exsprs (G.). Egypt: Descriptive, Historical, and Picturesque. 
 Translated from the Original German by Clara Bell. With an 
 Introduction and Notes by S. Birch. Profusely illustrated. 2 vols. 
 folio, cloth, decorative covers, gilt edges. London, no date 
 
 ORIGINAL ISSUE, with superior impressions of the illustrations. 
 
 Ecyret. Two albums containing about 200 views taken in Hgypt. 
 Oblong folio, half leather. [Egypt] no date 
 A SpLenpip Series. Each view titled. 
 
 EncuisH Homes. Famous Homes of Great Britain and their Stories. 
 Edited by A. H. Malan. New York, 1900; More Famous Homes of 
 Great Britain. Edited by A. H. Malan. New York, 1900; Old © 
 Cottages and Farmhouses in Kent and Sussex . . . With some 
 descriptive notes and sketches by E. G. Dawber. London, 1900. 
 Each volume profusely illustrated with full-page plates. 2 vols. 
 imperial 8vo, full leather (one broken); 1 vol. royal 8vo cloth, 
 pages loose. Together, 3 vols. New York and London, 1900 
 
Mis ’ 
 
 210. 
 
 211. 
 
 213. 
 
 214. 
 
 215. 
 
 216. 
 
 217. 
 
 First Session, Monday Afternoon, November 10th 
 
 ENGuiisH Buitpines. Unpr (CoNSTANTIN). Baudenkmaeler in Gross- 
 britannien. A series of 92 photographic reproductions of exterior 
 and interior views of buildings, including castles, public build- 
 ings, homes, etc., in Great Britain. Folio, in cloth portfolio, with 
 ties. Berlin, no date 
 
 ENnerAvine. Ortiny (W. Y.). An Inquiry into the Origin and early 
 History of Engraving, upon Copper and in Wood, with an account 
 of Engravers and their Works, from the invention of Chalcography 
 by Maso Finiguerra to the time of Mare Antonio Raimondi. With 
 numerous full-page plates and many finely executed facsimiles of 
 early engravings. 2 vols. 4to, full morocco, decorated gilt borders 
 and backs, gilt edges. London, 1816 
 
 FINE Copy. 
 
 . Penctne. Grrarp (P. J. F.). Traité des Armes. Numerous copper- 
 
 plates. Oblong 4to, boards, leather back, binding worn. 
 The Hague, 1740 
 
 An excellent explanatory work on fencing. Ir 1s ExTREMELY RARE. 
 
 WITH ORIGINAL DRAWINGS BY FORAIN AND AUTOGRAPH 
 INSCRIPTION 
 
 Foran (J.-L.). La Comédie Parisienne. With 250 drawings. 12mo, 
 full blue crushed levant morocco, Jansenist, inner gilt dentelle 
 borders, gilt top, uncut, original covers bound in. Paris, 1892 
 
 AUTOGRAPH PRESENTATION Copy from the author to Oliver Belmont, with 
 INSCRIPTION and OrigINAL DRrawinG in ink on half-title; there are also 
 EieHt OricgINAL DRAWINGS BY ForRAIN bound in the front of the volume, 
 one in ink, the rest in pencil. 
 
 Foran (J.-L.). Psst... ! Premiére Année. 1898; Seconde Année. 
 1899. Bound into one volume, small folio, half green morocce, gilt, 
 gilt top, original wrappers bound in. Paris, 1898-1899 
 
 Frencu Art. Mo.tnier (E.) anp Marcovu (F.). Exposition Rétro- 
 spective de Art Francais des Origines A 1800. With a great 
 number of exceedingly choice plates on India paper and numerous 
 text illustrations. Folio, half red levant morocco, gilt top, uncut. 
 
 Paris [1900] 
 
 This fine publication treats on Ivories; Bronzes; Ceramics; Marble Stat- 
 uary, ete. 
 
 Frencuo Art. Boucnot (Henri). L’Exposition des Primitifs Fran- 
 cais. La Peinture en France sous les Valois. With 100 beautiful 
 plates. Imperial 4to, half red levant morocco, gilt top, uncut. 
 
 Paris, no date 
 Epirion Limirep to 10 Copies, Printep THrovuagHout ON IMPERIAL 
 JAPANESE VELLUM Paper, Tus Berne, No. 9. 
 The plates and descriptive letterpresses are reinforced at hinge by guards. 
 In FINE ConpirTIon. 
 
 FRENCH AUTOGRAPHS. Conpf-Bourson Faminy. Collection of 5 Let- 
 ters and Documents Signed, and one Signature, of members of the 
 Princely House of Condé-Bourbon. 1727-1785. With 18 portraits 
 including contemporary copperplates and later engravings. To- 
 gether, 24 pieces. 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 reer aerate onan nessa 
 
 [No. 217. Frencu Avutocrapus—Continued] 
 
 218. 
 
 219. 
 
 220. 
 
 221. 
 
 222. 
 
 223. 
 
 INTERESTING GROUP OF RARE AUTOGRAPHS, comprising :— 
 
 LovUISE FRANGOISE DE Bourgon, wife of Louis III, Prince de Condé, daugh- 
 ter of Louis XIV and Mme. de Montespan. D. S., 3pp. folio. No place, 
 January 1, 1727. 
 
 Louis Henri, Prince pe Conpk, Duc pe Bourson, President of Council 
 of Regency after death of Louis XIV, and Prime Minister under Louis 
 XV. L.S., 1p. 4to, Chantilly, July 27, 1734. Letter of HisTorIcaL 
 IMPORTANCE, ordering a Te Deum to be sung to celebrate the French 
 victory at Philipsbourg in Germany. 
 
 LovIsE ELISABETH DE Bourson. L.S., 1p. 4to, Paris, January 20, 1750. 
 
 Louis DE Bourson, Comte DE CLERMONT, General. L. S., 1p. 4to, Paris, 
 November 7, 1751. a 
 
 Louis Francois JOSEPH DE Bourson, PRINCE DE Contr. I. S., 1p. 4to, 
 
 Paris, June 19, 1785. . ee. 
 The separate signature, written at head of a 4to sheet of writing paper, reads 
 “M le Prince de Conty.” It is probably not autographic. Se 
 
 ee, 
 
 Frencu Avutocrapus. Du Barry (Mmp.). L.S.: 1p. 8vo, Paris, April 
 12, 1777. Relates to financial matters; Ricuetmu (F. A. Duc pr). 
 L.S.: dpp. small folio, Montpellier, Dec. 24, 1739. Relates to finan 
 cial matters; Louis XV. L.S. 1p. small folio, Versailles, October 
 12, 1723. Refers to the liberty of M. de Belleville, detained by the 
 king’s orders in the Chateau de la Bastille. Together, 3 pieces. 
 
 FreNcH Caricatures. Pages d’Histoire. Illustrated by Caran d’Ache. 
 N.d.; Les Maitres de l’Affiche. Préface par M. Roger Marx. Repro- 
 ductions of posters in colors. 1896; La Caricature. Illustrations 
 in colors and black-and-white. 1881. Together, 3 vols. small folio. 
 quarter and half red morocco and decorative cloth, gilt tops. 
 
 Paris, 1881-1896 and no date 
 
 Frencu Caricatures. Bac (F.). Belles de Nuit. Préface de P. Veber. 
 N.d.; GuittAume (A.). Pour vous Beaux Yeux. Préface de C. 
 Cadet. N.d.; Mon Sursis. Préface de R. O’Monroy. Hach volume 
 illustrated in colors. Together, 3 vols. 4to, half morocco, gilt, gilt 
 tops, uncut, original wrappers bound in. Paris, no dates 
 
 FrencH CARICATURES. GERBAULT (H.). Boum, Voila. Préface de 
 Sully Prudhomme. N.d.; Baritc. Ces Bonnes Petites Femmes. 
 N.d.; Atpum Crarry. Les Chiens. N.d.; All illustrated, one being 
 in colors. Together, 3 vols. 4to, half morocco, gilt, gilt tops, uncut, 
 original wrappers bound in. Paris, no dates 
 
 FreNcH Caricatures. Collection of 122 large plates In Cotors by Lem. 
 Folio, in 4 board portfolios, cloth backs and ties. 
 [Paris] recent 
 
 Frencn Cotor Encravine. Gravures en Couleurs, Galantes et Classi- 
 ques Frangaises. With 48 full-page reproductions, Aun In Coxors, 
 of engravings by French engravers; each plate being tipped onto 
 a sheet of stiff paper. Folio, half leather. 
 
 Bale: Neufeld & Henius, Editeurs, no date 
 
 Epition LimitrED To 260 Corres. Supers REepropvuocTions after the rare 
 originals. 
 
 . Frencu Eneravers. Dirke (LApy). French Engravers and Draughts- 
 
 men of the XVIIIth Century. With about 50 full-page plates. 
 Royal 8vo, cloth. London, 1902 
 
226. 
 
 227. 
 
 229. 
 
 230. 
 
 231. 
 
 232. 
 
 233. 
 
 First Session, Monday Afternoon, November 10th 
 
 . Frencu Pastetiists. Macratt (Hatpanr). The French Pastellists 
 
 of the Eighteenth Century, Their Lives, Their Times, Their Art 
 and Their Significance. Edited by J. Leman Hare. With 52 full- 
 page fine plates, mostly colored, with a few in black. 4to, cloth, 
 gilt, gilt top. London, 1909 
 
 Frencu Revotution. Dayor (Armanp). La Révolution Francaise. 
 N.d.; Journées Révolutionnaires 1830-1848. N.d.; Le Second Em- 
 pire. N.d.; Gitte (P.). Une Promenade & Versailles et aux 
 Trianons. 1892. All illustrated profusely, the last having 40 fine 
 etchings by Hugéne Sadoux. Together, 4 vols. oblong 4to, cloth, 
 half leather, gilt tops, 3 vols. uncut. 
 
 Paris, no date and 1892 
 
 Fry (R.). Vision and Design. Numerous illustrations. London, 
 1920; Van Dirren (B.). Epstein. With 50 reproductions in collo- 
 type of the sculptor’s work. London, 1920; Farrrneron (M. V.). 
 Fra Lippo Lippi. With 14 illustrations. New York, 1890. 'o- 
 gether, 3 vols. 4to and 8vo, cloth. 
 
 . Furniture or Mepinvay Times. Farxe (Jacosp von). K. K. Osterreich- 
 
 isches Museum fiir Kunst und Industrie. Mittelalterliches Holz 
 mobiliar. With 40 illustrations in photogravure. Folio, sheets, 
 in board portfolio. Wien, 1894 
 
 Furniture. The Furniture Designs of George Hepplewhite. Ar- 
 ranged by J. Munro Bell. With an Introduction and Critical Esti- 
 mate by Arthur Hayden. With 59 plates, many with several de- 
 signs on a page. Imperial 8vo, cloth, preface and page of contents 
 loose. London, 1910 
 
 Furniture. Nurrne (Watuace). Furniture of the Pilgrim Century 
 1620-1720, including Colonial Utensils and Hardware. Jllustrated 
 with 1000 photographs by the author, hitherto unpublished. Ato, 
 cloth. Boston: Marshall Jones Co. [1921] 
 
 Fine Copy, with the slip of “Corrections and Additions.” 
 
 Furniture. Cornetius (Cuaries O.). Furniture Masterpieces of 
 Duncan Phyfe. With 56 full-page illustrations. Royal 8vo, boards, 
 vellum back, uncut. Garden City, New York, 1922 
 
 First Epirion. This work was published for the Metropolitan Museum 
 of Art. A very fine publication on the furniture of this early American 
 craftsman. 
 
 Furniture. English Chairs, with Specimens Illustrating the Various 
 Periods from the Fifteenth to the Nineteenth Century. With an 
 Introduction by Herbert E. Binstead. With 84 plates, each plate 
 containing several illustrations. Royal 4to, cloth. 
 
 London: John Tiranti and Company, 1923 
 Epition Limirep ro 500 Coptss. 
 
 Furniture. Hunter (Grorce L.). Decorative Furniture. With more 
 than 900 illustrations, and 23 colored plates. Royal 4to, cloth. 
 uncut. Philadelphia and London, 1923 
 
 Fine Copy or Turis Important Book. Eprrion Limirep. Printed from 
 type and the type distributed. Treats on the furniture of all ages and 
 periods. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 234. 
 
 237. 
 
 238. 
 
 239. 
 
 240. 
 
 241. 
 
 242, 
 
 243. 
 
 GaINsporoucH (THoMAS). ArMstTRONG (Sir Water). Gainsborough 
 et sa Place dans l’Ecole Anglaise. Traduction de B.-H. Gausseron. 
 Illustrated with 62 heliogravures and 10 lithographs im colors. 
 Thick small folio, floreated cloth, uncut. Paris, 1899 
 
 . GALLATIN (A. E.). American Water-Colourists. With 30 fine illus- 
 
 trations, some In Cotor. Imperial 8vo, boards, paper labels, uncut 
 and unopened. New York, 1922 
 
 Ep1tion Limirep to 950 copies, printed by Bruce Rocers at the William 
 Edwin Rudge Press. 
 
 . Gautier (Hiprotyte). L’An 1789. Evénements, Meurs, Idées, 
 
 (Euvres et Caractéres. With 650 reproductions. Thick royal 4to, 
 half red morocco, richly gilt paneled back, gilt top, uncut. 
 Paris, circa 1890 
 
 GENEALOGY, GERMAN’ SpANGENBERG (C.). Hennebergische Chr mica 
 . . . Genealogia Stammenbaum und Historia . . . Small folio, full 
 mottled calf, gilt back. Strassburg, 1599. 
 
 GERMAN LITERATURE. STacKE (L.). Deutsche Geschichte. In Ver- 
 bindung mit Underen. 2 vols. Bielefeld und Leipzig, 1880-1881; 
 Virmar (A. F. C.). Geschichte der Deutschen National-Litteratur. 
 Marburg und Leipzig, 1890. Together, 3 vols. 8vo, half morocco. 
 
 Gippons (Epwarp). Miscellaneous Works. With Memoirs of His 
 Life and Writings . . . Illustrated from his Letters, With Occa- 
 sional Notes and Narrative, By John, Lord Sheffield. A New Edi- 
 tion, with considerable additions. Portrait. 5 vols. 8vo, half 
 polished blue calf, gilt, gilt backs and tops, uncut, some pages 
 slightly spotted; 2 pages neatly repaired. 
 
 London: John Murray, 1814 
 
 GILPIN (JoHN). The Diverting History of John Gilpin: showing how 
 he went Further than he Intended, and came safe Home again. 
 With 10 full-page illustrations, 5 of the plates being in two states, 
 plain AND CoLorep. Oblong 4to, sheets. London, 1845 
 
 GREAT Britain. Select Views in Great Britain. With descriptions. 
 Engraved by 8S. Middiman, from pictures and drawings by the most 
 eminent artists. Oblong 4to, boards, roan back, uncut, slightly 
 foxed. London: John & Josiah Boydell [1812] 
 
 GRrEUZE (JEAN-BapTisTE). Maucnarr (CAMILLE). Jean-Baptiste 
 Greuze. Introduction de Henry Marcel. Jllustrated throughout 
 with a great number of beautiful plates, several being In Cotor. 
 Thick small folio, white cloth, gilt top, uncut. Paris, no date 
 
 Epition Limrrep to 500 copies on “papier velin vergé.’ In splendid con- 
 dition. Seldom offered for public sale in this country. 
 
 Gronow (Captain). The Reminiscences and Recollections of Captain 
 Gronow, being Anecdotes of the Camp, Court, Clubs, and Society, 
 1810-1860. With engraved portrait of Captain Gronow; 4 woodcuts, 
 and 20 etched and aquatint illustrations from contemporary 
 sources. Puiates In Two Startzs, one on plate paper, proofs before 
 letters, and the other on Whatman paper, with titles, and colored 
 by hand. 2 vols. royal 8vo, cloth, gilt tops, uncut. 
 
 New York, 1889 
 
 EpITIonN LimitTep to 875 copies printed for England and America. 
 
First Session, Monday Afternoon, November 10th 
 
 244, HALLIWELL (JAMES OrcHARD—Editor). The Nursery Rhymes of Eng- 
 land, collected principally from Oral Tradition. London: Printed 
 for the Percy Society, 1842; [Ricuarps (W.).] Postscript to the 
 Child’s Own Book. London, 1842. Together, 2 vols. in one, 8vo. 
 half green morocco. London, 1842 
 
 William Durrant Cooper’s, the antiquary, copy, with his autograph signa- 
 ture on both titles. In the first mentioned Cooper has made several anno- 
 tations and corrections; and in the second he has made annotations. Also, 
 bound in, are two autograph letters to Cooper, one from J. P. Collier and 
 one from W. Richards. 
 
 245. HamertTon (Putte Girpert). Unknown River. With 37 illustrations 
 etched from nature, by the author. 1871. First Epition; Philip 
 Gilbert Hamerton. An Autobiography and a Memoir by his 
 Wife. Portrait. 1897. Together, 2 vols. 8vo and royal 8vo, cloth. 
 
 London, 1871-1897 
 
 This first named is scarce. A name is written on the half-title. 
 
 246. Hamiuton (Ancus). En Corée. Traduit de PAnglais par L. Bazal- 
 gette. Paris, no date; Garnier (E.). Histoire de la Verrerie et de 
 l’Emaillerie. Tours, 1886. Both profusely illustrated. Together, 
 2 vols. royal 8vo, quarter and half morocco, gilt tops, uncut, orig- 
 inal wrappers bound in each vol. Paris and Tours, no date and 1886 
 
 247. Hamitton (JoHN C.—Editor). The Federalist: A Commentary on 
 the Constitution of the United States. A Collection of Essays by 
 Alexander Hamilton, Jay, and Madison. Also, The Continentalist, 
 and other Papers, by Hamilton. Vol. II. Philadelphia, 1865. 
 Limited to 100 copies; CuINToN (Str Henry). Observations on 
 Earl Cornwallis’ Answer. Philadelphia, 1866. One of 25 copies 
 printed in folio. Together, 2 vols. 4to and folio, cloth and wrappers, 
 the latter worn. Philadelphia, 1865-1866 
 
 248. Hazuirr (WinuiAm). A Collection of His Writings, including several 
 ‘First Epitions. Together, 11 vols. 12mo, uniformly bound in half 
 green calf. London and New York, various dates 
 
 CoMPpRISES: Notes of a Journey through France and Italy, 1826; Lectures 
 on the English Comic Writers, and Lectures on the English Poets. 1854; 
 Criticisms and Dramatic Essays of the English Stage. 1854; Essays on the 
 Fine Arts. 1873; Sketches and Essays. 1872; Lectures on the Dramatic 
 Literature of the Age of Elizabeth, and Characters of Shakespeare’s plays. 
 1845; The Round Table, Northcote’s Conversations, Characteristics. 1871; 
 Table-Talk; Opinions on Books, Men, and Things. First Series. 1845; 
 Second Series. 1859; Memoirs of William Hazlitt. With Portions of His 
 Correspondence, by W. Carew Hazlitt. Frontispieces. 2 vols. 1867. 
 
 249. Henri (Ropert). Robert Henri: His Life and Works. Edited by 
 William Yarrow and Louis Bouche. Portrait, and 40 reproduc- 
 tions of paintings by Henri. Royal 4to, boards, vellum back. 
 
 New York: Boni & Liveright, 1921 
 
 PRIVATELY PRINTED FOR SUBSCRIBERS ONLY. Edition limited to 999 
 copies. 
 
 250. Heraupry. Guititrm (Joun). A Display of Heraldry. Sixth Edition. 
 Copiously illustrated throughout. Folio, boards, leather back, the 
 latter worn, title and several pages remounted and repaired. 
 
 London, 1724 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 SS 
 
 251, Heratpry. Fox-Davims (A. ©.) anp Crooks (M. BE. B.). The Book 
 of Public Arms. A Cyclopedia. Copiously illustrated. 4to, cloth. 
 Edinburgh, 1894 
 
 252, Hpratpry. Geiot (L.). La Vraye et Parfaite Science dés Armoiries 
 ou l’Indice Armorial. Copiously illustrated. 2 vols. small folio, 
 half wine-colored levant morocco, gilt, gilt tops, uncut. 
 
 Paris . . . reproduite en fac-simile, 1895 
 FINE Copy of this important work. 
 
 253. Heratpry. Fox-Davins (A. ©.). The Art of Heraldry. An Encyclo- 
 pedia of Armory. Numerous plates, several being In Conor, also 
 a large number of text illustrations. Small folio, decorative cloth, 
 gilt top, uncut. London, 1904 
 FINE Copy of this important work. 7" 
 
 204. History. Rampaup (A.). Histoire de la Russie. 1900; Lrroy-Brav- 
 LIEU (P.). La Rénovation de Asie. 1901; Jonquimre (A. DE). His- 
 toire de ’Empire Ottoman. Maps. 1897; Donton (H.). La Fayette 
 dans la Révolution. 1904; Zertmr (J.). Histoire Résumée d’Italie. — 
 
 1901; Duruy (V.). Histoire de France. Illustrated. 2 vols. 1898. 
 
 Together, 7 vols. 12mo, quarter morocco, gilt tops, mainly uncut. 
 Paris, 1897-1904 
 
 255. Hocartu (Witttam). [Trustier (J.).] The Works of Mr. Hogarth 
 Moralized. With numerous illustrations. London, no date; Hopprr 
 (G.). Sketches of Life and Character. First Eprrion. Illustra- 
 tions by Leech, Kenny Meadows and others. 1845; Porrry. Pieces 
 of Ancient Popular Poetry. First Eprrion. Woodcuts by John 
 Bewick. 1791; [Cuarke (W.).] Every Night Book. First Epr- 
 TION. Vignette on title. 1827. Together, 4 vols. 12mo, cloth, full old 
 calf, and boards. London, 1791-1845 
 
 256. HocartH (Wititiam). The Genuine Works of William Hogarth ; 
 Illustrated with Biographical Anecdotes. A Chronological Cata- 
 logue, and Commentary; By John Nichols and the Late George 
 Steevens. Numerous fine plates. 2 vols. 1808-1810; [Aso] The 
 Genuine Works of William Hogarth; with Biographical Anecdotes. 
 Containing Clavis Hogarthiana, and other IDlustrative Essays. 
 With 50 additional plates. 1817. Together, 3 vols. 4to, full and 
 half calf. London, 1808-1817 
 
 257. HocartH (Wi1iAM). Dosson (Austin). William Hogarth. Avec 
 une Introduction sur Art de Hogarth. Traduit par B.-H. Gaus- 
 seron. Profusely illustrated throughout. Thick small folio, red 
 art linen, gilt top, uncut. Paris, 1904 
 
 Fine Copy. French text. 
 
 FINE COPY OF A RARE BOOK ON HOLBEIN, WITH REPRODUCTIONS 
 
 258. Hotpern (Hans). CHAMBERLAINE (JOHN). Imitations of Original 
 Drawings in the Collection of his Majesty, for the Portraits of 
 Iilustrious Persons of the Court of Henry VIII. With Bio- 
 graphical Tracts. Published by John Chamberlaine. A series of 
 beautifully tinted portraits engraved by Bartolozzi. Folio, full 
 russia, gilt, with the arms of Frederic Perkins in gilt on sides, 
 wide inner gilt borders, gilt edges, binding rubbed, worn at joints, 
 small piece of back missing. London, 1792 
 
 [Continued 
 
First Session, Monday Afternoon, November 10th 
 
 [No. 258. Hotsern—Continued | 
 A Scarce VOLUME, IN FINE ConpiTion INTERNALLY. INCLUDES THE Por- 
 TRAITS OF HOLBEIN AND His WIFE AND THE Two MINIATURES OF THE DUKE 
 OF SuFFOLK. These beautiful portraits are done on flesh colored paper, 
 mounted on dark brown art paper. Some of the plates are dated later than 
 1792. The date 1800 appears at the end of a note preceding the List of 
 portraits. 
 
 259. Hoisern Socrery Facsimite Reprint. The Triumphs of the Emperor 
 Maximilian I. by Hans Burgmaier. Edited by Alfred Aspland. 
 Plates only. 2 vols. oblong folio, cloth, loose. 
 
 London: Published for the Holbein Society, 1883 
 
 260. Home (Joun). The Dramatic Works of John Home. With frontis- 
 prece “Mr, Lewis in the Character of Douglas.” 12mo, full sprinkled 
 calf, gilt fillet borders on sides, gilt back, gilt top, uncut. 
 
 London, 1760 
 CoMPRISES,—Douglas; Agis; and The Siege of Aquileia. 
 
 261. Homes ann Garpens. Ditcuriep (P. H.). Picturesque English Cot- 
 7 tages and their Doorway Gardens. 1905; Ossorne (C. F.). His 
 “J toric Houses and Their Gardens. Introduction by F. M. Day. 
 1908. Both vols. profusely illustrated with photographic reproduc- 
 tions. ‘Together, 2 vols. 4to, cloth, boards and quarter rough calf. 
 
 Philadelphia, 1905-1908 
 
 262. Honn (WituiaM). The Every-Day Book and Table Book, or Ever- 
 lasting Calendar of Popular Amusements, Sports, Pastimes, Cere- 
 monies, Manners, Customs and Events. With 436 illustrations. 3 
 vols. 8vo, half green morocco, gilt backs and tops, uncut. 
 
 London, 1831-1839 
 
 263. Horace. <A Collection of Editions of the Works of Horace. Many 
 with fine copperplate engravings. Together, 38 vols. 4to, 8vo and 
 12mo, full old calf, full polished calf, full morocco, vellum, and 
 cloth, some bindings worn. Various places, 1550-1883 
 
 ImporTANT CoLLEcTION, ConTAINING SoME Rare ISSUES. 
 
 Among others, may be mentioned the following,—[ Works] ecvm Commen- 
 tariis. [Antwerp] 1611; Emblemata. With full-page copperplates, corner 
 of one plate torn, Antwerp, 1612; Poémata. Engraved title. Amstelodami, 
 1676; De Arte Poetica Jacobi Grifoli Lucinianesis interpretations expli- 
 catus. Florentiae, 1550; Selected Parts of Horace, Prince of fyricks fs. 
 Now newly put into English. London, 1652; The Odes, Satyrs, and Epistles 
 of Horace. Done into English. London, 1684; Odes . . . Selected, trans- 
 lated, reviewed, and enlarged with many more. By Sr. T. H. London, 1638; 
 The Odes, Epodes, and Carmen Seculare of Horace, translated into English 
 Prose .. . for the Use of Schools . . . The Third Edition. London, 
 1746; Works . . . in English Verse, by Mr. Duncombe, Sen. J. Duncombe, 
 and other hands. 4 vols. Two copies. Together, 8 vols. London, 1767; 
 [Works] cum Commentariis Selectissimis . . . integrig Johannis Bond. 
 Hingraved title. Ludg. Batay. et Roterod. 1670; Cluvres, 10 vols. Paris, 
 1709; [Works] cum editionibus optimis accuratissime collatus et correctus. 
 Glasguae, 1777. In a fine contemporary red morocco binding; and others. 
 
 264. Hueco (Victor). Les Quatre Vents de l’Esprit. With plates In Two 
 States, one set being Proors Brrore Lerrers, head-pieces also in 
 duplicate. Thick 4to, half red morocco, gilt, gilt paneled back, 
 gilt top, uncut, original covers and backbone bound in. 
 
 Paris, 1889 
 Eprt1on Limrrep to 200 copies, printed on Japanese vellum paper through- 
 out, this being, No. 77. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 265. Humpert (Gustave). Gustave Humbert. Le Ministere de la Justice, 
 
 La Cour des Comptes, Le Tribunal de Rambouillet, Les Affaires 
 
 de Surtainville. [Paris, 1902;] Tue MAUvsER Magazine Rifle. 
 
 Caliber 7 mm. Model 1893-95, and its Ammunition. Illustrated. 
 Wurttemberg, n.d. Together, D} vols. 4to, half morocco, gilt tops. 
 
 266. ILLUMINATED LEAVES ON VELLUM. XVtTH CENTURY. 5 vellum leaves 
 from early Books of Hours, comprising 4 beautifully illuminated 
 miniatures (2 with fine floral borders), and a leaf of text with 
 large initial letter of burnished gold and colors extended into a 
 semi-border. Together, 5 pieces, each in inlaid tortoise-shell frame; 
 glazed. XIVth to XVth Century 
 
 DESIRABLE COLLECTION. The miniatures are delightful specimens of XVth 
 Century work. One, probably of Italian workmanship, is a bearmapally exe- 
 cuted painting, 24% by 134 inches, of a Nun and the Holy Child, in black, 
 white and natural tints, surrounded by a broad floral border, in del cate col- 
 ors, skilfully cut out and mounted on a full gold background, giving ‘a most 
 charming relief effect. The other miniatures are probably of French or 
 Flemish origin, of the usual subjects, and all in good preservation. The mam 
 script text leaf is of a much earlier period, probably early XIVth Centur ? 
 of the Anglo-Norman school, and is a fine example of this period. 
 
 267. ILLUMINATED LrEAvES ON VELLUM. DutcH, XVTH CrEntTurRy. 4 vellum 
 leaves, each 4 by 5 inches, from a Dutch Book of Hours. Hach 
 leaf with large initial letter, beautifully illuminated in burnished 
 gold and colors, and with full foliated and floral borders, similarly 
 illuminated. Framed as one piece in inlaid tortoise-shell frame; 
 glazed. XVth Century 
 
 268. ILLUMINATED LETTERS ON VELLUM. XVtTH CENTURY. 3 large initial 
 letters, each about 38 inches square, from a Choral or Gradual, 
 probably of the Flemish school, late XVth Century. Painted in 
 rose and vivid blues, with beautifully colored floral designs, on 
 burnished gold backgrounds. Tipped to mat and framed as one 
 piece. Finn Preservation; [Auso] Large initial letter “A” on 
 vellum, 5 by 9 inches, from a Choral, probably of Anglo-Norman 
 workmanship of XIVth or early XVth Century. Painted in red 
 and blue and elaborately decorated with grotesques, floral scrolls 
 and tendrils in colored inks. Mounted and framed. ‘Together, 2 
 pieces, each in inlaid tortoise-shell frame; glazed. 
 
 269. INTERNATIONAL LiprARY OF Famous LirrrAture (THE). Selections 
 from the World’s Great Writers, Ancient, Mediaeval, and Modern, 
 with Biographical and Explanatory Notes and with Introductions 
 by Donald G. Mitchell (Ike Marvel) and Andrew Lang. Compiled 
 and Arranged by Nathan Haskell Dole, Forrest Morgan and Caro- 
 line Ticknor. With over 500 full-page illustrations. 20 vols. royal 
 8vo, half red leather, gilt backs and tops, uncut, bindings slightly 
 rubbed. Sold not subject to return. 
 
 New York: Merrill and Baker [1898] 
 
Second Session, Numbers 270 to 542, inclusive 
 
 MONDAY EVENING, NOVEMBER 10th, AT 8:15 O’CLOCK 
 
 270. Irvine (Str Henry). Stoker (Bram). Personal Reminiscences of 
 Henry Irving. Colored frontispiece and numerous other illustra- 
 tions. 2 vols. 8vo, original cloth, gilt top, uncut. 
 
 New York, 1906 
 THE STANDARD BroGRAPHY OF THE GREAT AcToR, written by his Manager. 
 HxtRA-ILLUSTRATED by the insertion of a large number of Autograph Let- 
 ters, and Signatures of Celebrated Persons Mentioned in the Text, including: 
 STOKER (Bram). Ip, A. L. S., referring to Sir Henry Irving; Toor (JOHN 
 LAWRENCE—to whose Memory the book is dedicated). 1p. A. L. S.; SuLLI- 
 VAN (Barry). ip. A. L. S.; Vezin (HERMANN). 2p. A. L. S.; Terry 
 (ELLEN). Autograph New Year’s Greeting. Signed; Hicuens (Roperr). 
 Ip. A. L. S., referring to his books on Wilde, “Tue GREEN CARNATION ;” 
 WASHINGTON (Booker T.). 1p. L. S.; Put~MaNn (GEORGE M.). 1p. Ii: 8:: 
 Frith (W. P., R. A.). 1p. A..L. S.; Winton (Gen. Siz F. De). Ip. A. 
 L. S.; Reeves (Sims). 2p. A. L S.; Wittarp (FRANcss G.). sho. Cae On 
 S.; Ape (GrorcE). ip. L. S.; Davis (L CiarKe). 2p. A. L. S. to Wil- 
 liam Winter; BLackiE (JoHN Sruartr). 4p. A. L. S.; CotLins (WILKIE). 
 2p. A. L. S.; Puayram (F.L.). 2p. A. L. S.; BigeLow (POULTNEY). 8p. 
 A. L. 8. to William Winter; OrcHAaRDSON (W.Q.). 2p. A. L. 8. to William 
 Black; RatpH (JuLian). 1p. A. L. S.; WmxKens (Mary BE.). 1p. A. L. S.; 
 CASTLE (HeEeRTON). ip. A. L. (third person); and others. 
 
 271. James II. Sanprorp (Francis). The History of the Coronation of 
 the most High, most Mighty, and most excellent Monarch James II, 
 by the Grace of God, King of England, Scotland, France and Ire- 
 land, Defender of the Faith, &c. and of His Royal Consort Queen 
 Mary. Solemnized in the Collegiate Church of St. Peter in the 
 City of Westminster, on Thursday the 23 of April, being the Fes- 
 tival of St. George, in the Year of Our Lord 1685. With a series 
 of 29 engravings, being illustrations of the coronation chair, the 
 crowns worn by the King and Queen; the procession, 19 plates, 
 plan of Westminster Abbey, etc. Folio, full old calf, worn. 
 
 London, 1687 
 
 272. JAPAN. WENCKSTERN (F. von). A Bibliography of the Japanese 
 Empire [1477-1906]. 2 vols. 8vo, cloth. Leyden, 1910 
 
 273. JAPANESE ArT. AvupsLEY (Guorce ASHDOWN) AND Bowers (JAMES 
 Lorp). Keramic Art of Japan. Illustrated with about 100 beauti- 
 plates and engravings, many of them printed in Gop anv Cotors, 
 exactly representing the originals. 2 vols., folio, full decorated red 
 morocco, gilt tops. London, 1875 
 
 Those who have not viewed this book have no idea whatever of the beauty 
 of the plates. They are gems of the art of chromo-lithography, executed 
 at great expense by Paris artists, and represent the finest specimens of Japa- 
 nese Ceramic Art, ancient and modern, with a faithfulness quite equal to 
 the specimens themselves—every shade and tint being reproduced with a 
 wonderful exactnes. The book is the best on the subject, every kind of 
 Japanese Ceramic ware being treated with an authority born of long expe- 
 rience and study. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 274, JAPANESE ArT. ANDERSON (W.). The Pictorial Arts of Japan, with 
 a Brief Historical Sketch of the Associated Arts, and some re- 
 marks upon the Pictorial Art of the Chinese and Koreans. Illus- 
 trated with 80 very fine plates, executed in chromolithography and 
 photogravure, and 146 woodcuts by native artists, of ancient wood- 
 carvings, bronzes, screens, fans, Japanese drawings and paintings, 
 the costumes and occupations of the people, etc. Folio, half mo- 
 roceo, gilt edges. - London, 1886 
 
 THe Most VALUABLE AND EXHAUSTIVE WORK ON THE PICTORIAL ARTS 
 oF JAPAN Ever Issuep. It is a magnificent treatise, most comprehensive 
 in design, masterly in execution, beautifully illustrated, and quite indispen- 
 sable to the student, who could only at the cost of years of travel and 
 inquiry obtain the knowledge and information contained in this volume. 
 
 275. JAPANESE Prints. Brnyon (Laurence). A Catalogue of Japanese 
 and Chinese Woodcuts. Preserved in the Sub-Department of Ori- 
 ental Prints and Drawings in the British Museum. Colored and 
 plain engravings on India paper, facsimiles of artists’ signatures, 
 etc. Ato, cloth. London, 1916 ¥ 
 
 276. JAPANESE Prints. Kurtsy (Junius). Sharaku. With 86 plates, 3 
 of which are In Cotors, of reproductions of Japanese prints. Royal 
 8vo, boards, cloth, back. Miinchen, 1922 
 
 HANDSOMELY EXTRA-ILLUSTRATED 
 
 277. JEAFFRESON (JOHN Corby). Victoria, Queen and Empress. With 2 
 
 portraits. 2 vols. 8vo, original cloth, uncut. London, 1893 
 
 First Epirion. Fine Copy. . 
 
 EXxTRA-ILLUSTRATED by the insertion of a large number of Autograph 
 Letters Signed, Signatures, etc., of Royal and Noble Persons mentioned in 
 the text, including: Queen Victoria, the Prince Consort, Duke of Kent (father 
 of Queen Victoria), Duchess of Kent (mother of Queen Victoria), Duke of 
 Cumberland, Duke of Sussex, Landgravine of Hesse-Homberg, Duke of Wel- 
 lington, Lord Malmesbury, Marquis of Hertford, Infanta Isabel of Spain, 
 Prince Esterhazy, Jane Porter, Archbishop of Canterbury, Lord Grey, Lord 
 Powis, Sir Roderick Murchison, General Grenville, Lord Hardwicke, Duke 
 of Northumberland, Duke of Bedford, Duke of Richmond, Duke of Norfolk, 
 Duke of Devonshire, Lord Albermarle, Duke of Buccleuch, Henry Hallam, 
 Sir David Brewster, Princess Helena, King George III, King William IV, 
 King George IV, Duke of York, Princess Charlotte of Wales, Duchess of 
 Gloucester, and others. 
 
 An interesting fact about the autographs inserted in this volume, is that 
 several of them are addressed to the Duke of York. 
 
 278, Jesse (JOHN HeneacE). Memoirs of the Life and Reign of King 
 George the Third. 3 vols. 8vo, new half yellow calf, elaborately gilt 
 tooled backs, with brown and blue lettering pieces. 
 
 London, 1867 
 VerY Fine Copy. 
 
 279. Jesse (JoHN Heneace). George Selwyn and His Contemporaries. 
 With Memoirs and Notes. 4 vols. 8vo, new half yellow calf, full 
 gilt backs, with crimson and lavender lettering pieces. 
 
 London, 1848 
 First EDIrion. 
 
 EXTRA-ILLUSTRATED by the insertion of a large number of portraits 
 of persons mentioned in the text; some neatly inlaid to size. 
 
Second Session, Monday Evening, November 10th 
 
 280. Knats (JoHN). Poetical Works. With a Memoir by Richard Monck- 
 ton Milnes. A New Edition. Portrait. 12mo, full ultramarine 
 levant morocco, gilt decorative panels on both covers, on obverse 
 one of Keats’ characters, inlaid in several values of brown, and 
 white morocco, beneath, the name “Jsabella” in gilt, the panel is 
 bordered by red morocco, tooled in gilt in an artistic conventional 
 design of roses; gilt paneled back with inlays, doublures and end- 
 leaves of blue watered silk, inner gilt tooled levant borders, gilt 
 edges, BY BAYNTUN. Enclosed in a blue watered silk slip-case. 
 
 London: Edward Moxon, 1854 
 An artistically bound copy of the “Moxon” Edition. 
 
 281. Laces. Album de l’Exposition de ’Art Ancien. Bruxelles 1884. La 
 Dentelle. Accompagnées d’une Notice par Mr. le Chanoine Reusens. 
 With 30 photographs after the originals reproduced in phototype 
 by J. Claesen. Folio, letterpress and plates laid in loosely in a 
 board portfolio, cloth back, ties. Paris, circa 1880 
 
 FingE Work ON LACE. 
 
 282. Laces. Wuitine (Gurtrupe). A Lace Guide for Makers and Col- 
 lectors. With Bibliography and Five Language Nomenclature. 
 Profusely illustrated with halftone plates and key designs. Small 
 4to, cloth. New York [1920] 
 
 FINE PuBLICATION. At the end of the volume, in a linen pocket, is large 
 folio chart, mounted on linen, being an “Indexed, Comparative Sample of 
 145 Bobbin Lace Grounds and Fillings made to the scale of No. 70 D.M.C. 
 linen thread and joined by pillow-wrought bands of cloth-stitch. Made in 
 New York, 1912-1917.” 
 
 283. Laces. LANTSHEERE (A. CaARLIER DE). Trésor de Art Deniellier. 
 Répertoire des Dentelles 4 la main de tous les Pays, depuis leur 
 origine jusqu’a nos jours. Preface de M. A. Lefébure. With 96 
 full-page plates, some plates with as many as 12 subjects, being 
 reproductions of lace work. Royal 4to, wrappers, uncut. 
 
 Paris, 1922 
 AN EXCELLENT Work, published under the patronage of “La Chambre 
 Syndicale de la Dentelle de Bruxelles.” Fine Copy. 
 
 284. Lacrorx (Pau). Sciences & Lettres au Moyen Age. 1877; Mazurs, 
 Usages et Costumes au Moyen Age. 1877; Les Arts au Moyen Age. 
 1877; Vie Militaire et Religieuse au Moyen Age. 1877; XVIIme 
 Siécle. Institutions, Usages et Costumes. France. 1590-1700. 1880; 
 XVIIme Siécle. Lettres, Sciences et Arts. France. 1590-1700. 1882; 
 XVIIIme Siécle. Lettres, Sciences et Arts. France. 1700-1739. 1878. 
 Each vol. with numerous chromolithographic plates and wood en- 
 gravings. Together, 7 vols. thick imperial 8vo, morocco backs and 
 gilt decorated cloth, gilt edges. Paris 1877-1882 
 
 Fine Set, Se~tpom Founp 1n Sucu PeErFect CONDITION. 
 
 285. LA FONTAINE (JEAN DE). Contes et Nouvelles en Vers. With 80 
 full-page plates, after Hisen, several of which bear the signature 
 of Boily in the plate, flewron on titles (first signed by C. Boily), 
 large vignette and head-piece to each volume and 60 tail-pieces. 2 
 vols. 8vo, full blue morocco, Jansenist, gilt inside borders, gilt 
 edges. Amsterdam, 1764 
 
 VeRY FINE Copy. ALL THE PLATES IN PROOF STATE, AND BRILLIANT 
 IMPRESSIONS. Both half-titles are present, seldom found thus, on each of 
 which is written the name “M. Short,” in ink. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 286. LaconpiE (J. dE). Le Cheval et son Cavalier. N.d.; Ramfe (D.). La 
 Locomotion. 1856; Le Bon (G.). Equitation Actuelle et ses Prin- 
 cipes. 1892. All illustrated. Together, 3 vols. 12mo, half and 
 quarter morocco, 2 vols. gilt tops, 2 uncut. 
 
 Paris, 1856-1892 and no date 
 
 287. LANG (ANDREW). A Collection of First Eprrions of His Writings. 
 Together, 15 vols. 16mo, 12mo, and 8vo, original cloth, boards and 
 wrappers, one volume half morocco. London, no date 
 
 A Very FINE CoLLecTION. Mainly with the John Quinn bookplate. 
 
 COMPRISES: XXXII Ballades in Blue China. 1883; Much Darker Days, 
 by A. Huge Longway (Lang.). 1884; Euterpe; Being the Second Book of 
 the Famous History of Herodotus. Englished by B. R. 1584. Edited by 
 Andrew Lang. Frontispiece in duplicate. 1888. Large-Paper Edition, lim- 
 ited to 60 copies on handmade paper; Theocritus, Bion, and Moschus. Ren- 
 dered into English Prose, With An Introductory Essay by A. Lang, 1889; 
 Letters on Literature, 1889; Life, Letters, and Diaries of Sir Stafford North- 
 cote, First Earl of Iddlesleigh. Jllustrated. 2 vols. 1890; A Batch of 
 Golfing Papers, by Andrew Lang and Others. Edited by R. Barclay. 
 [1892]; Théophile Gautier, by Maxime Du Camp. ‘Translated by J. BE. 
 Gordon. Preface by Andrew Lang. Frontispiece portrait. 1893. Limited 
 to 30 copies, printed throughout on Japanese Vellum; Homer and the Epic. 
 1893 ; A Collection of Ballads. Edited by Andrew Lang. Illustrated. 1897; 
 The Making of Religion. 1898; Social Origins. 1903; Homer and His Age. 
 1906 ; Prince Ricardo of Pantouflia. Being the Adventures of Prince Prigio’s 
 Son. Illustrated by Gordon Browne. Bristol, n.d. 
 
 288. LAVALLEE (T.). Histoire de ’TEmpire Ottoman. Finely illustrated. 
 1855; La France Evficants. ler Avril 4 21 Octobre 1855. With 
 several plates CoLoreD By HAnp. 1855; GranpmMaison (C.). Dic- 
 tionnaire Héraldique. 1852. Together, 3 vols. royal 8vo, cloth, 
 leather backs. Paris, 1852-1855 
 
 289. Letom (Maurice). Une Femme de Qualité au Siécle Passé. [XVIIIth 
 Century.] With 100 beautiful plates in facsimile of the original 
 watercolor drawings by Leloir, reproduced by the Goupil method, 
 each tipped on artistic pebbled paper, with a protective covering. 
 10 parts, large folio, original wrappers, enclosed in 2 white 
 morocco portfolios, the obverse covers of which are richly gilt 
 tooled; doublures of white brocaded silk, satin ties. Paris. 1900 
 
 ’ 
 
 Epirion Limirep to 200 copies of this monumental and beautiful work, 
 this being, No. 78. The engraving, costumes, architecture, decoration, fur- 
 niture and rich coloring impart an accurate conception of the reign of 
 Louis XV. 
 
 290. Linton (W. J.). Bob-Thin, or the Poor House Fugitive. Illustrated 
 by T. Sibson, W. B. Scott, EH. Duncan and W. J. Linton. 8vo, orig- 
 
 inal brown wrappers, uncut, wrappers loose. | London] 1845 
 PRIVATELY PRINTED. Accompanied by a signed memorandum by John 
 
 Wilson the English bookseller, reading—Bob Thin was privately printed 
 
 and not published for sale. This is one of six copies left with me by Mr. 
 W. Jd. Linton. [Signed] John Wilson. 
 
 291. Louris XIV. Festiva ad capita annulumque de cursio a Rege Ludo- 
 vico XIV Principibus summisque avle Proceribus. Paris, 1670; 
 Becano (G.). Serenissimi Principis Ferdinandi Hispaniarum In- 
 fantis S.R.E. Cardinalis. Antwerpe, 1636. Both profusely illus- 
 trated. Together, 2 vols. folio, original calf and vellum binding, 
 former having the arms of Louis XIV stamped in gilt on sides, 
 binding worn, title of latter, rebacked. 
 
w/ 
 
 Second Session, Monday Evening, November 10th 
 
 292. Louys (Piprre). La Femme et le Pantin. With numerous illustra- 
 
 tions by P. Roig, colored by hand; text within decorated borders 
 designed by Rion, some being colored by hand. Square 8vo, full 
 emerald green French levant morocco, extending from the top of 
 the front cover are lemon tree branches, the lemons onlaid in fawn 
 colored morocco, the leaves onlaid in olive-green morocco, with a 
 similar design onlaid on back; doublures of dark green French 
 levant morocco, with a geometrical border design onlaid in lavender 
 morocco; decorative silk fly-leaves; gilt top, uncut, original wrap- 
 pers bound in, By purvAND. Enclosed in a board slip-case, cloth 
 lined. Paris, 1903 
 
 L’Epirion D’ART. One of 260 copies printed on vellum paper. 
 
 293. LoweLL (JAMES RussetL). Democracy and Other Addresses. Boston, 
 
 1887. Rare First Epition; Lance (ANpDREw—translator). Aucassin 
 & Nicolete. Frontispiece. Portland, 1897. Third Edition, limited; 
 Hazurr (Wmu1Am). Liber Amoris or the New Pygmalion. With 
 an Introduction by Richard Le Gallienne. London, 1893. To- 
 gether, 3 vols. 12mo and 16mo, cloth, soft and stiff boards, two vols. 
 uncut. Back of last volume worn. 
 
 WITH A VERY FINE SERIES OF FULL AUTOGRAPH LETTERS, ETC. 
 294. Macreapy (Witiiam CuHaries). ToyNnBre (WiLL1AM). The Diaries of 
 
 William Charles Macready, 1833-1851. Edited by William Toynbee. 
 With 49 portraits. 2 vols. 8vo, original cloth, gilt tops, uncut. 
 New York, 1912 
 
 WrtLtiAM WINTER’s Copy, witH His BooKPLATE, BY GORDON CRAIG, IN 
 EAacH VOLUME. 
 
 PxtTrRA-ILLUSTRATED by the insertion of a very fine series of AUTOGRAPH 
 LETTERS, E'rc., as detailed below: 
 
 AINSworTH (WILLIAM Harrison). ip. A. L. 8.; JERRo~tp (DovucLas). 
 1p. A. L. 8S. Baruam (R. H.—Author of ‘“Ingoldsby’s Legends’). 4p. A. L. 
 S.; Braptey (Epwarp-“CuruBert Bene’). 3p. A. L. 8.; LAWRENCE (SIR 
 THOMAS). 3p. A. L. (third person, with his full signature appearing at 
 the commencement) ; Norton (Lapy CAROLINE—Poetess, Granddaughter of 
 Richard Brinsley Sheridan, and the ORIGINAL OF GEORGE MEREDITH'S “DIANA 
 OF THE Crossways”). 3p. A L. S. An extremely interesting letter entire- 
 ly regarding the famous Yelverton Divorce Case; SourHEY (ROBERT). 2p. 
 Autograph Manuscript; BroucutTon (JoHN Cam Hosnovuse, Lorp—Byron’s 
 Friend). 1p. A. L. S.; Apams (JoHN QuiNcy). 1p. Document signed. 
 Also signed by James Monroe; Burpetr (Sim RopertT). 3p. A. L. 8.; 
 Euuis (Sir H.). 3p. A. L. S.; Davis (THomas). 4p. A. L. 8.; Louis 
 Puimurere (Kine oF France). 2p. A. L. S.; GASKELL (DANIEL). 3p. 
 A. L. S.; Dumas (ALEXANDER, Spr.). 2p. 4to. A. L. S.; CHortey (HENRY 
 F.). Original Autograph Manuscript, Signed, of his fine poem “THE 
 EneuisuH Moruer’s Picrurn,” 2p. 4to; Cortins (Witkie). 4p. A. L. S. 
 
 All of the autograph letters inserted in these volumes are exceptionally 
 fine, lengthy, and interesting. 
 
 295. Manuscript. Manuscript in Persian, probably the Koran. Written 
 
 in Persian characters on 615 pages, native glazed paper, within 
 ruled margins of gold and red, illuminated borders on first two 
 pages. 12mo, leather, gilt, gilt edges. Nineteenth Century 
 
 296. Manuscript In Sanscrit, Nineteenth Century. Very neatly written 
 
 in red and black on 104 leaves of oriental glazed paper. Oblong 
 12mo, in silk brocade covers with flap. Nineteenth Century 
 
 Interesting specimen of a modern Oriental manuscript. From the Walter 
 Thomas Wallace collection, with bookplate. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee FE 
 
 297. Marte AnTornerte. Samnt-A MAND (I. pp). Les Femmes des Tuileries. 
 Les Derniéres Années de Marie-Antoinette. J llustrated. Thick 
 imperial 8vo, half maroon morocco, gilt top, uncut, original wrap- 
 pers bound in. Paris, 1889 
 
 298. Marin ANTOINETTE, NoLHACc (Pierre DE). La Reine Marie-Antoinette. 
 Profusely illustrated. Ato, three-quarter citron morocco, gilt pan- 
 eled back, gilt top, uncut, original covers bound in. Paris, 1890 
 
 A fine monograph on this unfortunate queen. 
 
 299. Marte ANTOINETTE. Marry (ANDRE). La Derniére Année de Marie- 
 Antoinette. Le Temple, la Conciergerie, l’Exécution, la Mort. 14 
 Aofit 1792. 16 Octobre 1793. Précédés d'une introduction par 
 Maurice Tourneaux. Facsimile of 63 documents and engravings 
 of the times. Royal 4to, full Gobelin blue levant morocco, with the 
 arms of Marie-Antoinette in gilt on sides, gilt fleur-de-lis in each 
 corner, with a triple gilt fillet border, gilt paneled back with 
 fleurs-de-lis, wide inner gilt dentelle borders, gilt top, uncut, By 
 
 DURVAND, Paris, 1907 
 
 Epition Limrrep to 200 copies, this being, No. 74. A sumptuous work. 
 
 300. MarLeoroucH (DuxKE or). The Letters and Dispatches of John 
 Churchill, First Duke of Marlborough, from 1702-1712. Edited by 
 General the Right Hon, Sir George Murray. First Eprtion. Por- 
 trait. 3 vols. 8vo, half blue morocco, gilt tops, uncut. 
 
 London, 1845 
 
 301, Marquanp Cotiection. Illustrated Catalogue of the Art and Literary 
 Property collected by the late Henry G. Marquand. Edited by 
 Thomas E. Kirby. Numerous reproductions of paintings, rugs, 
 sculpture, etc. Royal 4to, boards, uncut.. New York, 1903 
 
 SUBSCRIBER'S copy, No. 217, of 250 copies printed. One of the most 
 Sumptuous catalogues ever issued in this country. Tur FACSIMILES oF THE 
 Rues ARE InN Coors. 
 
 302. MatHews (ANNE). Tea-Table Talk, Ennobled Actresses, and others. 
 By Mrs. Mathews. 2 vols. 12mo, cloth. London, 1857 
 First Eprrion. Presentation Copy from the Author to Horace Mayhew, 
 with her Autograph Inscription on title-—Horace Mayhew, Esq. With Mrs. 
 Mathews’ kindest compliments.” Pasted in on the inside of the front covers, 
 are three Autograph Letters addressed to Horace Mayhew from the author, 
 
 who was the mother of Charles James Mathews the famous actor. 
 
 303. MarnHews (CHartes). Mr. Mathews’ Comic Annual for 1830, 1831, 
 1832, and 1833. [1830-1833]; The Theatrical Olio, or, Actor’s Ways 
 and Means . . . With Sketches from Mathews at Home. No date; 
 Mr. Mathews Memorandum Book. No date. 6 vols. in one; Collec- 
 tion Fourth. The Theatrical Olio, or, Actor’s Ways and Means. 
 No date; Second Collection. The Theatrical Olio. No date; Mr. 
 Mathews at Home! In his Youthful Days. No date. All, except 
 one, with a colored frontispiece depicting Mathews in character. 
 Together, 9 vols. in four, boards and original wrappers. 
 
 London, various dates 
 Unusual collection, mainly in good condition. 
 
 304, McNaventon (J. H.). Onnalinda. A Romance. Illustrated. 4to, 
 full brown morocco, gilt, inner gilt borders and edges. 
 
 London, 1886 
 
 EpIT1ion Limirep to 111 copies, of which this is, No. 37. A romance of 
 the Iroquois Princess and the French General, Denonvile. 
 
305. 
 
 306. 
 
 307. 
 
 308. 
 
 309. 
 
 310. 
 
 S11. 
 
 312. 
 
 Second Session, Monday Evening, November 10th 
 
 Moorr’s (Tuomas) Copy. Tooke (Joun H.). EIIEA IITEPOENTA, 
 or, The Diversions of Purley. Part II. Second Edition. 4to, full 
 scored calf, weak at joints. London, 1815 
 
 THOMAS Moore’s Copy, with his Autograph Signature, in full, in ink, on 
 fly-leaf. This volume was presented to the poet by his eldest son, Thomas 
 Lansdowne Parr Moore, and has the following signed Autograph Inscrip- 
 tion on the same fly-leaf as the Poet’s signature,—‘For My dear papa with 
 the affectionate love of his son. Thomas L. P. Moore. Charterhouse, 
 August 11th, 1837.” 
 
 With Thomas Moore’s bookplate on inside of front cover. 
 
 Moror (Arm#). L’Ciuvre de Aimé Morot. Avee une Introduction de 
 M. Ch. Moreau-Vauthier. Frontispiece portrait of artist and 58 
 plates (should be 60). Folio, art linen, gilt top, uncut. Plates 6 
 and 7 missing. Paris, 1906 
 
 Eprr1on Limirep to 500 copies, this being, No. 8, signed by the artist. 
 
 Morris (WituIAM). The Decorative Arts, their Relation to Modern 
 Life and Progress. 1878; The Tables Turned; or Nupkins Awak- 
 ened. 1887; The Story of the Glittering Plain. London: Reeves and 
 Turner, 1891; Symonps (J. A.). Walt Whitman, A Study. With 
 portrait and 4 illustrations. 1893. Att First Eprrions. Together, 
 4 vols. 8vo, small 4to and 12mo, cloth and wrappers. 
 
 London, 1878-1893 
 
 Morris (WitttAM) AND Macntsson (Emixr). The Saga Library: 
 comprising,—Howard the Halt, The Banded Men, Hen Thorir; The 
 Ere-Dwellers; The Heimskringla. 3 vols. Done into English out 
 of the Icelandic. Maps. Together, 5 vols. 12mo, cloth with leather 
 backs, gilt tops, uncut. London: Bernard Quaritch, 1891-1895 
 
 Mosuer Press. Wipe (Oscar). The Happy Prince, and Other Tales; 
 The Young King and the Star Child; Len (Vernon). The Legend 
 of Madame Krasinka; Rosserrt (Dantp GasrieL). Hand and Soul. 
 Reprinted from “The Germ”; Barrie (Sir JAMES M.). George Mere- 
 dith, 1909. Together, 5 vols. 16mo, original wrappers, four in orig- 
 inal board protection cases. Portland: Mosher Press, 1900-1912 
 
 Aut Limitrep Epirions; the first three on Japanese vellum; the latter two 
 on handmade paper. 
 
 Motitey (Joun Lorurop). The Rise of the Dutch Republic. Portrait. 
 3 vols. New York [1883]; The Life and Death of John of Barne- 
 veld. With illustrations. 2 vols. New York [1874]; Correspon- 
 dence . . . Edited by George William Curtis. First Eprtion. Por- 
 trait. 2 vols. royal 8vo. New York, 1889. Together, 7 vols. royal 
 Svo and 8vo, uniformly bound in half polished calf. 
 
 New York [1874]-1889 
 
 MytHoLocy. Harfvy (M. K.). Mythology and the Siege of Troy. 
 With illustrations after paintings in the great galleries in Amer- 
 ica and Hurope. 9 sections (should be 10, lacks section 10), in half 
 morocco portfolios, binding broken. Philadelphia, no date 
 
 JAPAN Paper Epirion, of which there have been printed for sale, fifty 
 
 copies, this being No. 15, “subscribed for by Mr. Oliver H. P. Belmont, New 
 York.” 
 
 Napoteon I. Grorrroy (L.). Napoléon Apocryphe. 1812-1832. Paris, 
 n.d.; Corner (L.). Mémoires de Fleury de Chaboulon . . . Avec 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [3812. Napotron I—Oontinued] 
 
 Annotations Manuscrites de Napoléon Ier. Paris, 1901; Dussmux 
 (L.). Généalogie de la Maison de Bourbon de 1256 a 1871. Paris, 
 1872; Masson (F.). Napoléon Chez Lui. Illustrated. Paris, n.d.; 
 LE LIBUTEN ANT- CoLoNEL X. Napoléon. Illustrated. Sceaux, n.d.; 
 MapeLin (L.). Fouché. 1759-1820. Portrait. 2 vols. Paris, 1903. 
 Together, 7 vols. royal 8vo, 8vo and 12mo, half and quarter morocco, 
 gilt tops, uncut. 
 
 313. NEwGATE CALENDAR. JACKSON (WiLLIAM). The New and Complete 
 Newgate Calendar; or, Malefactor’s Universal Register. A New 
 Edition with Great Additions. With a number of fine full-page 
 copperplates. 3 vols. 8vo, half brown polished calf, gilt backs and 
 tops, uncut. London, 1818 
 
 Contains accounts of all the lives, adventures, exploits and last dying- 
 speeches, confessions, etc. of the most notorious criminals, and the violators 
 of the laws of their country who have suffered death and other exet lary 
 punishments, for murders, burglaries, swindling, perjuries, etc. and is inter- 
 spersed with notes, reflections and remarks, arising from the several subjects, 
 moral, useful, and entertaining. 
 
 314, Newspapers. A collection of English Daily Newspapers, 1815 to 1821, 
 giving particulars of Victory of Waterloo, and Occupation of 
 Paris, full reports of Trial of Queen Caroline day by day. With 
 a specially printed title-page. Bound in one vol. royal folio, half 
 green morocco. London, 1815-1821 
 
 FINE COLLECTION OF NEWSPAPERS. In all there are about 199 issues, 
 comprising,—The Morning Herald, The Salisbury and Winchester Journal, 
 The Morning Post, The New Times, The Observer, etc. Bound in is a letter 
 addressed to Mr. Belmont, presenting the volume to him. 
 
 315. NINETEENTH CrentTURY. Le Dix-Neuviéme Siécle. Les Moeurs, Les 
 Arts, Les Idées. Profusely illustrated. Thick imperial 8vo, half red 
 levant morocco, gilt, gilt top, uncut, original wrappers bound in. _ 
 
 [Paris] 1901 
 
 316. Norvins (L. pe). Les Milliardaires Américains. Jllustrated. N.d.; 
 Fraux (L.). La Police des Mceurs en France. 1888; Hervez (J.). 
 Les Sociétés d’Amour. 1906; Caron (G.). Les Petites Maisons 
 Galantes de Paris au XVIIIe Siécle. 1902. Limited to 400 copies; 
 VezeE (R.). La Galanterie Parisienne au XVIIIe Siécle. 1905. 
 Together, 5 vols. 8vo and 12mo, half and quarter morocco, gilt 
 tops, uncut. Paris, various dates 
 
 317. ORNITHOLOGY. LEVAILLANT (FRANcoIS). Histoire Naturelle des 
 Oiseaux de Paradis et des Rolliers, suivie de Celle des Toucans et 
 des Barbus. With numerous fine plates by Barraband after nature, 
 one set being Proors Brrore Letters, the other being BrituiANTLYy 
 CoLorep BY Hanp. 2 vols. large folio, boards, leather backs, uncut, 
 binding worn, some pages slightly foxed. Paris, 1806 
 
 RarE. A Fine Work With BEAUTIFULLY COLORED PLATES AND DsE- 
 SCRIPTIVE LETTERPRESS. 
 
 318. Parnters. East (Smr Aurrep). The Art of Landscape Painting in 
 Oil Color. London, recent; Brrurnte (A. A. bE). Velasquez. Lon- 
 don [1906]; Bryan (Micwasn). Dictionary of Painters and En- 
 gravers. London, 1849; Buane (C.). Grammar of Painting and 
 Engraving. Chicago, 1891. All illustrated. Together, 4 vols. royal 
 8vo and 8vo, cloth. 
 
319. 
 
 320. 
 
 oa. 
 
 322. 
 
 323. 
 
 324. 
 
 320. 
 
 326. 
 
 Second Session, Monday Evening, November 10th 
 
 Parnters. Crowe (J. A.) AND CAvALCASELLE (G. B.). The Life and 
 Times of Titian, with some Account of his Family. Second Edi- 
 tion. Portrait and illustrations. 2 vols. 1881; Raphael, His Life 
 and Works, with particular reference to recently discovered records 
 and an exhaustive study of extant drawings and pictures. First 
 and Best Edition. 2 vols. 1882. Together, 4 vols. 8vo, cloth, uncut. 
 
 London, 1881-1882 
 
 Painters. Senster (Atrrep). Jean-Francois Millet. Peasant and 
 Painter. Boston [1880]; Gonsp (M. L.). Hugeéne Fromentin. 
 Painter and Writer. Boston, 1883; Tuappeus (H. J.). Recollec- 
 tions of a Court Painter. London, 1912; Brerunte (A. A. DE). 
 Velasquez. London, 1906; Ricu (A. W.). Watercolor Painting. 
 London, 1918. All illustrated. Together, 5 vols. 12mo, cloth. 
 
 Parnters. Sera (A. D.). Religion and Art. N. Y., 1914; BALCARRES 
 (Lorp). Donatello. London, 1903; Drier (L.). French Painting 
 in the Sixteenth Century. London, 1904; Hunt CE yen Pe: 
 Raphaelitism and the Pre-Raphaelite Brotherhood. All illustrated. 
 2 vols. London, 1905. Together, 5 vols. royal 8vo, 8vo and 12mo, 
 cloth. 
 
 Parntinc. Crown (J. A.) AND CAvALcASELLE (G. B.). A History of 
 Painting in Italy from the Second to the Fourteenth Century. 3 
 vols. 1864; A History of Painting in North Italy, Venice, Padua, 
 Vicenza, Verena, Ferrare, Milan, Friuli, Brescia, from the Four- 
 teenth to the Sixteenth Century. With illustrations. 2 vols. 1871. 
 Together, 5 vols. Svo, original green cloth, uncut. 
 
 London, 1864-1871 
 
 Drawn up from fresh materials after recent researches in the Archives of 
 
 onl and from personal inspection of the works of art scattered throughout 
 urope. 
 
 ParntTiInc. WoitTMANN (ALFRED) AND WOERMANN (Karu). History of 
 Painting. Edited by Sidney Colvin. With hundreds of illustra- 
 tions. 2 vols. royal 8vo, uncut. London, 1880-1887 
 
 Vol. I, Ancient, Early Christian and Mediaeval painting; Vol. II. The 
 painting of the Renaissance. 
 
 Parntinc. DewHurst (Wynrorp). Impressionist Painting, its Genesis 
 and Development. With numerous full-page reproductions. Im- 
 perial 8vo, cloth. London, 1904 
 
 Parntinc, Scutprurr, Erc. Catalogue de Tableaux Modernes.. . 
 Collections de M. Jean Dollfus. 1912; Catalogue des Objets dArt 
 et @Ameublement des XVIIe et XVIITe Siécles .. . Collections 
 de Mme. D. Lelong. 1903; Catalogue des Tableaux Anciens et Mo- 
 dernes .. . Collection de M.D....deG.. . 1896. 2 vols. All 
 profusely illustrated. Together, 4 vols. folio and 4to, boards, cloth 
 backs and wrappers. Paris, 1896-1912 
 
 Peruvian Art. The Art of Old Peru. Under the Editorship of Walter 
 Lehmann, assisted by Heinrich Doering. With 128 full-page collo- 
 types, some with two subjects to the page, and 12 full-page plates 
 In Cotors. Royal 4to, cloth. New York, 1924 
 
 A Very Fine PusiicaTion on the pottery, and other works of art of 
 Peru. 
 
Kimdly read Conditions of Sale in forepart of Catalogue 
 a 
 
 327. PLINY, THE Exper. The Historie of the World. Commonly called, 
 
 528. 
 
 329, 
 
 330. 
 
 331. 
 
 332. 
 
 338. 
 
 304. 
 
 The Naturall Historie of ©. Plinius Secundus. Translated into 
 English by Phileomon Holland. 2 vols. small folio, full red levant 
 morocco, blind tooling on sides and back, inner wide morocco bor- 
 ders, gilf tooled, gilt tops, By SANGORSKI & SUTCLIFF. Some pages 
 very skilfully repaired. London, 1601 
 First ENGLisH TRANSLATION. Fine Copy. 
 
 Portry, Prose AND EPIstuys. Elegant Extracts from the Most Emi- 
 nent,—Prose Writers. 6 vols.; British Poets. @ vols.; Elegant 
 Epistles . . . from the Most Eminent Epistolary Writers. 5 vols. 
 only (lacks vol. 6). Engraved vignettes. Together, 17 vols. 18mo, 
 full green straight-grain morocco, sides with gilt tooled borders, 
 gilt backs, gilt edges. London: John Sharpe [1810] 
 
 Pretty Set of this well-printed edition. Th 
 
 Porcetain. The Soft Porcelain of Sévres. With an Historical Intro- 
 duction by Edouard Garnier. With 50 plates In Cotor represent- 
 ing 250 watercolor subjects after the originals. Folio, cloth, gilt 
 
 edges. London, oth 
 
 The most beautiful work on Sévres, the plates in brilliant colors after the 
 originals. Long out of print and scarce. 
 
 PorceLaIn. Auscuer (E. §.). A History and Description of French 
 Porcelain. Translated and Edited by William Barton. With 24 
 plates In Cotors, together with reproductions of marks and numer- 
 ous illustrations. Royal 8vo, cloth, gilt top. London, 1905 
 
 Portraits. The Biographical Magazine containing Portraits, with 
 Lives and Characters of Eminent and Ingenius Persons of Every 
 Age and Nation. Nos. 4, 6, 7, 10-24 inclusive. About 135 portraits, all 
 proofs on India paper except those in parts 6 and 7. 18 parts. 
 1818-1819; BrocrapuicaL Casinet, containing a collection of Por- 
 
 _ traits . . . with Memoirs of their Lives and Characters. Nos. 2, 3, 
 5, 6. With 32 portraits, proofs on India paper. 4 parts. 1823. 
 Together, 22 parts, 8vo, original wrappers. London, 1818-1823 
 
 Only 50 copies printed of the first mentioned work. 
 
 Portraits. The Gallery of Portraits. With Memoirs. Numerous fine 
 steel portraits. 7 vols. royal 8vo, full straight-grain maroon mo- 
 rocco, richly gilt, gilt edges. London, 1833-18387 
 
 UNUSUALLY Fine Set or THE CELEBRATED KnigutT’s GALLERY. 
 
 PotTery AND PorceLaAIn. Sartre, (O. pu). La Porcelaine de Chine. 
 Origines, Fabrication, Décors et Marques. La Porcelaine de Chine 
 en Europe. Classement Chronologique, Imitations, Contrefacons. 
 With 32 plates in color and black-and-white and a great many illus- 
 trations in the text. Royal 4to, full dark green levant morocco, 
 Jansenist, inner gilt dentelle borders, gilt edges. Paris, 1881 
 
 BEAUTIFUL Copy of this scarce and important book. 
 
 Portery, Porcerain, Scutpture, Etc. Industrial Arts of the Nine- 
 teenth Century at the Great Exhibition, 1851. By M. Digby Wyatt. 
 With a large number of plates showing designs of pottery, porce- 
 lain, sculpture and several specimens of industrial arts, many 
 finely colored. 2 vols. folio, half morocco, gilt. London, 1851 
 
338. 
 
 309. 
 
 540. 
 
 341. 
 
 342. 
 
 343. 
 
 344. 
 
 Second Session, Monday Evening, November 10th 
 
 . PRINTING. GroLimR Crus. A Decree of Star Chamber Concerning 
 
 Printing. Made July 11, 1637. Reprinted by the Grolier Club from 
 the First Edition by Robert Barker, 1637. 8vo, wrappers, uncut. 
 [New York, 1884} 
 Edition limited to 150 copies. Tur First AND Rarest of the Club’s 
 publications. 
 
 . Prints. WuHitMAN (Atrrep). The Print-Collector’s Handbook. Nu- 
 
 merous full-page plates. S8vo, cloth. London, 1902 
 
 . Proctor (B. W.—‘Barry Cornwatu”). The Life of Edmund Kean. 
 
 Frontispiece. Inserted in Vol. 2 is a hand-colored portrait of Ed- 
 mund Kean as Count Bertram. 2 vols. 12mo, half crimson morocco, 
 gilt backs, gilt tops. London, 1835 
 
 FINE Copy oF THE First EpITIoNn. 
 
 PRESENTATION Copy FROM THE AUTHOR, with two inscriptions in his hand- 
 writing. On the half-title to Vol. 1, he has written: “Mrs. Montagu from 
 B.W.P.” ; on the title-page of the same volume, he has written: “Mrs. Mon- 
 tagu with the affectionate regards of The Author.” 
 
 RapBurN (Sir Henry). Armstrong (Sir Water). [Life, etc.] With 
 an introduction by R. A. M. Stevenson and a biographical and 
 descriptive catalogue by J. L. Caw. Portrait and numerous plates. 
 Folio, original cloth. London, 1901 
 
 THis ImporTANT MonoGrarpH 1s Now ENTIRELY OvT oF PRINT AND 
 SCARCE. 
 
 RarespurN (Sir Henry). Armstrong (Sir W.). Sir Henry Raeburn. 
 Avee une Introduction par R. A. M. Stevenson et un Catalogue 
 Biographique et Descriptif par J. L. Caw. With a great number 
 of fine plates. Small folio, cloth, gilt top. Paris, 1902 
 
 French text (printed however in London) of the most important work 
 on the great painter. 
 
 ReMBrRaANDT. Micuet (Emire). Rembrandt. His Life, his Work and 
 his Time. Translated by Florence Simmonds. Edited by Frederick 
 Wedmore. Numerous full-page plates and text illustrations. 2 
 vols. imperial 8vo, cloth, gilt tops. London, 1895 
 
 THis Important Work 1s Now ENTIRELY OvuT oF PRINT AND SCARCE. 
 
 REMBRANDT. Complete Etchings of Rembrandt. With Authentic 
 Copies Edited with an Introduction by H. W. Singer. With 312 
 reproductions of Rembrandt’s works. 3 vols. folio, sheets, in board 
 portfolios. New York, recent 
 
 Repton (Humpury). Odd Whims; and Miscellanies. With 10 col- 
 ored aquatints, drawn by H. Repton and engraved by J. Stadler. 
 2 vols. 12mo, full old tree calf. London, 1804 
 
 Reynotps (Sir JosHua). Armstrone (Sir Waurer). Sir Joshua 
 Reynolds. Premier Président de Académie Royale de Londres. 
 Traduit par B.-H. Gausseron. With 78 photogravures and 6 fac- 
 similes, lithographs in color. Thick, small folio, red art linen, 
 gilt top, uncut. Paris, 1901 
 
 A BEAUTIFUL VOLUME, with the French text. 
 
 Rorre (A. J.). A Collection of 20 OrternaL Pen-AND-INK humorous 
 and other sketches. All are about 24mo size. Each sketch mounted 
 on sheets, in a 16mo vol. boards, cloth back. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 345. 
 
 346. 
 
 347, 
 
 348. 
 
 349, 
 
 dol. 
 
 302. 
 
 O00. 
 
 Rousset (P. D.). Diane de Poitiers et son Chateau d’Anet. Précédé 
 d’une Notice sur la Ville d’Anet, terminée par un Sommaire Chrono- 
 logique sur tous les Seigneurs qui ont habité le Chateau et sur 
 ses Propriétaires, et Contenant une Etude sur Diane de Poitiers. 
 With numerous full-page illustrations of tapestries, objects of art, 
 etc. Small folio, half light-blue morocco, gilt top, original wrappers 
 bound in. | [Paris, 1875] 
 
 Row.anpson (THoMAsS). Four Sketches by Thomas Rowlandson, two 
 in watercolor, and two in pencil. Together, 4 pieces. 
 All signed. Only fair examples of the artist’s work. 
 
 RowLanpson Co.orep Piates. [ENncrenpacn (L.).] Naples and the 
 Campagna Felice. In a Series of Letters, addressed to a Friend 
 in England, in 1802. 2 maps, engraved title and 15 plates In Cot- 
 ors, mainly by Thomas Rowlandson. S8vo, half morocco, marbled 
 edges, somewhat rubbed. London: R. Ackermann, 1815 
 
 First EDITION. 4 
 
 RowLanpson Cortorep PiatEs. [Compe (Winur1AM).| The Tour of Dr. 
 Syntax in Search of the Picturesque; In Search of Consolation; 
 and In Search of a Wife. Profusely illustrated In Cotor by Thomas 
 Rowlandson. 3 vols. 16mo, half yellow calf, full gilt backs, gilt 
 tops, uncut, BY RIVIBRE. London: Ackermann, 1823-1828 
 
 A Supers Ser oF THE MINIATURE EDITION oF THE Famous SYNTAX 
 Tours, with wide margins and clean bright impressions of the beautiful 
 plates. 
 
 Row.Lanpson Puates. Stevens (Grorce A.). A Lecture on Heads. 
 With Additions, as delivered by Mr. Charles Lee Lewes. To which is 
 added, An Essay on Satire. Hmbellished with 25 humorous char- 
 acteristic prints, from drawings by G. M. Woodward, etched by T. 
 Rowlandson, frontispiece in color. 12mo, original boards, uncut, 
 paper label on front cover. London, 1808 
 
 First Eprrion. FINeE Copy. 
 
 . RowLanpson Puates. [Combe (Wiit1AM).| The Tour of Doctor Syn- 
 
 tax Through London, or the Pleasures and Miseries of the Me- 
 tropolis. A Poem. Third Edition. With 19 plates and vignette 
 on title, by T. Rowlandson. 8vo, original cloth, faded, uncut, por- 
 tion of paper label on back. London: J. Johnston, 1820 
 
 Roy (JuLes). Turenne, sa Vie. Les Institutions Militaires de son 
 Temps. With plates and numerous illustrations, several of the 
 former being IN Cotor. Thick imperial 8vo, half red morocco, gilt 
 top, uncut, original wrappers bound in. Paris, 1884 
 
 Rucs. Hour (Rosa Bette). Rugs, Oriental and Occidental, Antique 
 and Modern. Numerous reproductions, some in color. 4to, three- 
 quarter green morocco, gilt top, uncut. Chicago, 1901 
 
 LimitED EpITiIon, printed on handmade paper, of which only 100 copies 
 were issued, each numbered and signed by the author. 
 
 Rues. Humpuries (Sipney). Oriental Carpets, Runners and Rugs, 
 etc. Numerous reproductions, some in color. Imperial 8vo, cloth, 
 glit top, uncut. London, 1910 
 
 The Walter Thomas Wallace copy with bookplate. 
 
do4 
 
 300 
 
 356 
 
 Second Session, Monday Evening, November 10th 
 
 . Rugs. Bone (WiruEetmM). Antique Rugs from the Near East. Third 
 
 Revised Edition with contributions by Ernst Kiihnel. Translated 
 by R. M. Riefstahl. Frontispiece in colors and numerous illustra- 
 tions in black-and-white. 8vo, boards. New York, 1922 
 
 . Rues. Cuark (Harriry). Bokhara, Turkoman and Afghan Rugs. 
 
 With 25 plates, 17 or Wuicu are IN Coor, and numerous others 
 in black and white. 4to, cloth, uncut. 
 London: John Lane [1922] 
 
 . Rucs. Grors-Hasenpatc (WERNER). Der Orient-teppich. Seine 
 
 Geschichte und seine Kultur. One vol. text; 2 vols. plates. With 
 
 120 Cororen plates, tipped to larger sheets, in Vols. II and ITT: 
 
 and Vol. I extensively illustrated with full-page plates In Cotor 
 
 and black-and-white, and text illustrations. 3 vols. 4to, cloth. 
 
 Berlin, 1922 
 
 An extensive series of plates, accurately depicting the designs and color- 
 ing in Oriental rugs. 
 
 _ 807. Rugs. J acosy (Hemnricu). Eine Sammlung Orientalischer Teppiche. 
 
 308 
 
 With 47 full-page plates depicting rugs. 4to, half cloth. 
 Berlin, 1923 
 Fine Copy of this important work. 
 
 . Rugs. Ricarp (Prosper). Corpus de Tapis Marocains. Tapis de 
 
 Rabat. With 64 fine plates. Laid in loosely in an imperial 8vo 
 board portfolio, cloth back and ties. Paris, 1923 
 Besides the letterpress, the plates have descriptive legends. 
 
 359. Russex (W. C.). The Book of Authors. Frontispiece. London, no 
 
 date; [Lone (Proressor).] Hannibal’s Passage of the Alps. lLon- 
 don, 1830; Hoop (THomas). The Plea of the Midsummer Fairies, 
 Hero and Leander, Lycus the Centaur, and other Poems. London, 
 1827; Tynte (Cuartes K.—Translator). Leonora. From the Ger- 
 man of Burger. No place, no date; Sperry (H. T.). Country Love 
 vs. City Flirtation. Illustrations by A. Hoppin. New York, 1865 ; 
 Micxir (W. J.). The Lusiad, or the Discovery of India. An Epic 
 Poem. Frontispiece, vignette on title. London, 1809; AUGUSTINE 
 Manvuat. 8S. Avgvstines Manuell. London, 1577 (Reprint). To- 
 gether, 7 vols. 8vo, 12mo and 16mo, cloth, 1 vol. calf. 
 
 London, 1809-1865 
 
 360. Russia. Histoire Physique, Morale, Civile et Politique de la Russie 
 
 Ancienne. Par M. Le Clerc. 2 vols. 1783; Histoire Physique, 
 Morale, Civile et Politique de la Russie Moderne, par MM. Le Clere 
 pére et M. Le Clerc fils. 3 vols. 1783-1785. Both illustrated. To- 
 gether, 5 vols. 4to, full mottled calf, gilt, marbled edges, bindings 
 somewhat worn. Not returnable. Paris, 1783-1785 
 
 361. Scarron (PauL). Le Roman Comique de Scarron. Nouvelle Edition. 
 
 Extensively illustrated with 350 humorous sketches wm the text by 
 Gillot, from drawings by Edouard Zier, Thick royal 4to, full 
 crimson levant morocco, Jansenist, gilt inside borders, gilt top, 
 uncut. Paris, 1888 
 
 Eprrion DE GRAND LUXE, PRINTED THROUGHOUT ON JAPAN PAPER, lim- 
 ited to 60 copies, of which 58 copies, numbered from 3 to 60 contain each 
 Five ORIGINAL PEN-AND-INK DraAwines, SIGNED BY THE ARTIST, with pen- 
 cil notation in lower margin, being the originals of illustrations reproduced 
 in the text; also, AN OrniGINAL WATERCOLOR DRAWING OF THE HaAr-TiIT.Le, 
 SIGNED BY THE ARTIST,—Hd. Zier. This is copy, No. 15. 
 
Kwmdly read Conditions of Sale in forepart of Catalogue 
 Sa nna eclataniiaiat Mnidnnichmeanten Matlin 9 AN ie oh 
 
 362. ScuEurELEIN (Hans). La Danse des Noces. I llustrated. Paris, 1865; 
 Cortége Historique des Moyens de Transport. Illustrated, with 
 plates in color. Brussels, 1890; Bassirilievi della Chiesa dei SS. 
 Gio: e Paolo in Venezia. 10 plates. N.p., n.d.; Fourteen mounted 
 photographs of the Russian Imperial Yacht “Livadia.” Exterior 
 and Interior views. Together, 4 items, small folio, 3 items bound 
 in cloth, the fourth loose. . 
 
 EXTRA-ILLUSTRATED BY A FINE SERIES OF AUTOGRAPHS 
 
 363. Scorr (CLEMENT). The Drama of Yesterday and Today. Profusely 
 illustrated. 2 vols. 8vo, original cloth, uncut. London, 1899 
 
 FInE Copy or THe First Eprrion. EXtTRA-ILLUSTRATED by the insertion 
 
 of a fine series of Autograph Letters, Letters Signed, etc., of persons promi- 
 
 ‘ 
 
 nently mentioned in the text, including the following: fs 
 Clement Scott, Ip. A. L. S.; Sidney Colvin, 38pp. A. L. S.; Dion Bouci- 
 cault and Mrs. Dion Boucicault, card inscribed and signed by both; Sir An- 
 thony Hope Hawkins, 2pp. A. L. S.; Mary Anderson, 1p. A. L. S.; Lord 
 Lytton, Ip. A. L. S.; Sir F. CG. Burnand, Autograph Postcard Signed ; Jo- 
 seph Jefferson, 3pp. A. L. S.; Wilkie Collins, 2pp. A. L. S., (with addressec la 
 envelope) ; Emily Soldene, Card Signed; William Winter, 1p. A. L. S.; ‘tind 
 Hilen Terry, 2pp. A. L. S., on Correspondence Card; John Braham, 1p. 
 A. L. 8.; Wilson Barrett, 3pp. A. L. S.; Henry J. Byron, 1p. A. L. S.: 
 Robert Buchanan, 3pp. A. L. S. to W. Hepworth Dixon; Louis N. Parker, 
 2pp. A. L. S. to William Winter; and others. 
 All of the letters are interesting literary or dramatic specimens. 
 
 364. SHAKESPEARE (WILLIAM). WIvELL (ABRAHAM). An Inquiry into the 
 History, Authenticity, & Characteristics of the Shakspeare Por- 
 traits, in which the Criticisms of Malone, Steevens, Boaden, & 
 others are Examined, Confirmed, or Refuted. First Eprrion. With 
 numerous portraits of Shakespeare, on India paper. London, 
 1827; FarrHott (F. W.). The Home of Shakspere Illustrated and 
 Described. With 33 illustrations. London, 1847; Crarkn (Mary 
 C.). Shakespeare Proverbs. First Eprrion. 1848. Presentation 
 Copy from the author, with inscription on half-title. Together, 
 3 vols. 8vo and 12mo, half calf, cloth and wrappers. 
 
 London, 1827-1848 
 
 365. SHAKESPEARE (WILLIAM). WILLIAMS (J. L.). The Home and Haunts 
 of Shakespeare. With an Introduction by H. H. Furness. Jilus- 
 trated by 15 plates in watercolor, 45 full-page photogravures and 
 more than 150 other illustrations. Thick folio, half red levant 
 morocco gilt, gilt paneled back, gilt top, uncut. 
 
 New York, 1892 
 
 366. SHaw (Grorce Bernarp). HENDERSON (ARCHIBALD). George Bernard 
 Shaw, His Life and Works. A Critical Biography (Authorized), 
 by Archibald Henderson, M.A., Ph.D. With 33 illustrations, in- 
 cluding Two Puates In Cotor (one from an autochrome by Alvin 
 Langdon Coburn, the other from a watercolor by Bernard Part- 
 ridge), two Photogravures (Coburn and Steichen), and numerous 
 facsimiles in the text. Svo, original cloth, gilt top, uncut. 
 London, 1911 
 
 Fine Copy or THE First Eprrion. Very Scarce. : 
 EXTRA-ILLUSTRATED by the insertion of a large number of Autograph Let- 
 ters Signed, Letters Signed, and Cards Signed, by persons mentioned in the 
 
 [Continued 
 
Second Session, Monday Evening, November 10th 
 
 [| No. 366. Saaw—Oontinued] 
 
 307. 
 
 368. 
 
 369. 
 
 870. 
 
 371. 
 
 372. 
 
 373. 
 
 text, including: George Bernard Shaw. Autograph Signature; Paul Bourget. 
 1p. A. L. 8.; Mrs. George Bernard Shaw. 2p. A. L. S. regarding George 
 Bernard Shaw; Ellen Terry. Her Visiting Card, on reverse of which she 
 has written: “Miss Hilen Terry, as Portia (To be raffled for).’”’ Emile 
 Zola. 1p. A. L. S.; Frank Harris. 1p. L. 8.; Mrs. Annie Besant. 3p. A. L. 
 S.; Brander Matthews. 2p. A. L. S.; Edward Bellamy (Author of “Looking 
 Backward’). 4p. A. L. S.; Robert Hichens. 1p. A. L. 8.; Archibald Hen- 
 derson. Ip. A. L. S.; William Winter. 2p. Autograph Manuscript, entitled 
 “Beautiful Women;” EH. B. Lytton, Thomas A. Edison, and George Ade. 
 
 Suaw-Sparrow (W.). John Lavary and His Work. Numerous illus- 
 trations, some in color. London, n.d.; Apams (H.). Mont-Saint- 
 Michel and Chartres. Illustrated. Boston [1905]; THomas (T. H.). 
 French Portrait Engraving of the 17th and 18th Centuries. IJllus- 
 trated. London, 1910; Kinean (S. L.). The Nature of Landscape. 
 Illustrated. Chicago, 1920. Together, 4 vols. 4to and 8vo, cloth 
 and half cloth. 
 
 UNUSUAL COLLECTION. The last named has been privately printed. 
 
 Smxs. Cox (Raymonp). Les Soieries @Art. With 100 full-page 
 plates, some with more than one subject, and colored frontispiece. 
 Thick 4to, paper covers, uncut. Paris, 1914 
 
 A Very FINE PUBLICATION on the various designs in silk, of Italy, France, 
 Spain, Japan, and other countries. 
 
 Sitks. Soieries Marocaines. Les Ceintures de Fés. Introduction de 
 Lucien Vogel. With 50 beautiful plates IN Cotor. Laid in loosely 
 in a folio figured board portfolio, cloth back, flap and ties. 
 
 Paris, recent 
 The plates are in brilliant color and tipped on heavy art paper. 
 
 Smitu (Apam). An Inquiry into the Nature and Causes of the 
 Wealth of Nations. With a Life of the Author, an Introductory 
 Discourse, Notes, and Supplemental Dissertations by J. R. McCul- 
 loch. Engraved portrait. 3 vols. 8vo, half red morocco, gilt, gilt 
 tops, uncut. Edinburgh, 1828 
 
 Fine Copy oF THE Brest Larce Type EDITION. 
 
 Soctotogy. Commence (O.). La Prostitution Clandestine a Paris. 
 1897; VILLENEUVE (B. bE). Le Baiser. En Gréce. Illustrated. N.d. 
 Limited edition; Le Baiser. Babylone & Sodome. Illustrated. N.d. 
 Limited edition; Caron (G.). Les Maisons Closes au XVIIIe 
 Siécle. Htchings by Robida. 1903. Limited edition; The Same. 
 Together, 5 vols. 8vo, half and quarter morocco, gilt tops, uncut. 
 
 Paris, various dates 
 
 SoutHry (Ropert). Chronicle of the Cid, from the Spanish. Map. 
 1808; Pennant (THomas). Some Account of London. Fifth Edi- 
 tion, with Considerable Additions. Illustrated, and including an 
 interesting engraved map of London as it was in Queen Elizabeth’s 
 reign. 1813. Together, 2 vols. 4to and 8vo, full calf. 
 
 London, 1808-1813 
 
 SPANISH ARCHITECTURE. JUNGHANDEL (Max). Die Baukunst 
 Spaniens in ihren hervorragendsten Werken. With numerous full- 
 page illustrations. 2 vols. in the original 8 parts, folio, sheets. 
 Enclosed in 8 half cloth portfolios. Dresden, no date 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 o74, SPARKS (JARED). A Reply to the Strictures of Lord Mahon and 
 others. Cambridge, 1852; Letter to Lord Mahon. Boston, 1852; 
 Reprint of the Original Letters from Washington to Joseph Reed. 
 By W. B. Reed. Philadelphia, 1852; Remarks on'a Reprint of the 
 Original Letters from Washington to Joseph Reed. Boston, 1853. 
 A holograph letter of Samuel Batchelder inserted. All the fore- 
 going, bound in one volume; A Reply to the Strictures of Lord 
 Mahon and Others. Cambridge, 1852; CurmstHam (J.). A Reply 
 to Aristides. New York, 1804; Rosmen (P.). Pa-Ha-Sa-Pah, or the 
 Black Hills of South Dakota. JTJllustrated. St. Louis, 1895. To- 
 gether, 4 vols. 8vo, cloth and half calf. 
 
 375. STHPHANY (A.). Les Scandales Allemands en Alsace-Lorraine. N.d.; 
 Louis XVII Reconnu. Portrait. 1902; Bauprer (M.). Histoire de 
 la Vie et de ?Administration du Cardinal Ximénés. 1855; Watis- 
 ZEWSKI (K.). La Crise Révolutionnaire. 1584-1614. 1906; Sayanre 
 (A.). Le Drame de Meyerling. N.d.; Le Cygne des Wittelsbach. 
 N.d. Together, 6 vols. 8vo and 12mo, full, half and quarter mo- 
 rocco, gilt tops, one vol. gilt edges, others uncut. ~*~ 
 
 Paris, various dates 
 
 376. STEVENSON (Rosert Louris). Diogenes in London. 8vo, boards, uncut. 
 San Francisco, 1920 
 
 Epition LimiteD To 150 Copiss, printed from the original manuscript by 
 Edwin & Robert Grabhorn for John Howell. 
 
 377. STEVENSON (Rozert Louis). A Collection of his Writings. Together, 
 10 vols. 12mo, original cloth, wrappers and full leather. 
 Various places, various dates 
 Comprises: Weir of Hermiston. First Eprrion. New York, 1896; The 
 Wrong Box. First American Edition. New York, 1889; Island Nights’ 
 Entertainments. First American Edition. New York. 1898: Fables. New 
 York, 1910; A Child’s Garden of Verses. New York, 1895; The Same. 
 Illustrated by Charles Robinson. New York, 1895; Virginibus Puerisque 
 Boston, 1902; Edinburgh. London, 1906; Morse (Capt. H. G.). Robert 
 Louis Stevenson as I Found Him in His Island Home. First Epririon. 
 N. p., 1902; CHALMERS (STEPHEN). Enchanted Cigarettes, or Stevenson 
 Stories that Might Have Been. First EpitTion. Boston, 1917. 
 
 378. STEVENSON (Ropert Louis). A Collection of First American Editions 
 of his Writings. Together, 14 vols. 12mo, original cloth and boards. 
 Boston and New York, various dates 
 
 ALL First AMERICAN EDITIONS AND EXCEPTIONALLY FINE COPIES; com- 
 prising : 
 
 An Inland Voyage, 1888; Kidnapped. 1886; The Merry Men. 1887; 
 Underwoods. 1887; The Wrong Box (By Stevenson and Osbourne). 1889; 
 A Foot Note to History. 1892; Island Nights’ Entertainments. 1893; 
 Familiar Studies of Men and Books. 1894; A Christmas Sermon. 1900; 
 Aes Triplex. 1901; Fables. 1902; Prayers Written at Vailima. 1904; 
 Watt (Francis). R. L. S. 1918; CHALMERS (STEPHEN). Enchanted 
 Cigarettes, or Stevenson Stories that Might Have Been. First Epirion. 
 1917. 
 
 379. Swiss Art. Baup-Bovy (DanieL). Peasant Art in Switzerland. 
 Translated by Arthur Palliser. With hundred of reproductions, a 
 few in colors. Imperial 8vo, cloth. 
 
 London: “The Studio” Ltd, 1924 
 A FIne PUBLICATION on the furniture, costumes, textile art, metal work, 
 pottery and glassware, etc., of Switzerland. 
 
380. 
 
 os. 
 
 382. 
 
 383. 
 
 384. 
 
 385. 
 
 386. 
 
 387. 
 
 388. 
 
 Second Session, Monday Evening, November 10th 
 
 Tapestries. Tapisseries du Roi, ou sont representez les Quatre Ele- 
 mens et les Quatre Saisons. Illustrated by fine engravings. Folio, 
 full red morocco, wirH THE ARMS oF THE City oF Parts in gilt on 
 sides, wide gilt borders, gilt paneled back, gilt edges, foxed, and 
 very slightly rubbed. . Paris, 1670 
 
 A Very Rare Work. 
 
 TAPESTRIES. _ GersPacH (E.). Répertoire détaillé des tapisseries des 
 Gobelins exécutées de 1662 a 1892. S8vo, half medium blue mo- 
 rocco, gilt top, uncut. Paris, 1893 
 
 Tapestries. Gerspacu (M.). Les tapisseries Coptes. Reproductions. 
 Ato, cloth. Paris, 1900 
 
 Taprstriss. Gdépet (Hernricn). Wandteppiche. Die Niederlande. 
 
 Colored frontispieces and illustrations. Vol. I, Text; Vol. II, Plates. 
 
 2 vols. thick 4to, cloth. Leipzig, 1923 
 
 Fine Copy of this important work. Apparently the first copy to be 
 offered at public sale in this country. 
 
 TAVERNIER (JEAN-BaptisteE). Les Six Voyages de Monsieur Jean- 
 Baptiste Tavernier . . . en Turquie, en Perse, en aux Indies. Nou- 
 velle Edition. With numerous full-page and folding copperplates. 
 6 vols. 12mo, full contemporary red morocco, sides with triple 
 fillet borders, gilt tooled backs, gilt edges. Paris, 1713 
 
 Fine Copy. Gives an account of religion, government, costumes, com- 
 merce, ete., of Turkey, Persia and the Indies. The plates depict views of 
 cities, religious ceremonies, dress, ete. 
 
 THACKERAY (Wi~ut1AM Maxkeprace). Thackerayana: Notes and Anec- 
 dotes. Illustrated by hundreds of sketches by Thackeray, depict- 
 ing humorous incidents in his school life, and favorite scenes and 
 characters in the books of his every-day reading. 12mo, full crim- 
 son levant morocco, floreated panels and fillets in gilt on sides, gilt 
 back with one of Thackeray’s humorous characters inlaid in vari- 
 colored moroccos, the figure represents a young man sitting on a 
 stile, playing a musical instrument; doublures and end-leaves of 
 green watered silk, inner morocco borders, gilt, gilt edges, original 
 covers and backbone bound in, By KELLY & Sons. Enclosed in a 
 fleece-lined hinged box-case. London, 1875 
 
 First Eprrion. This was immediately suppressed on account of con- 
 taining copyright matter. 
 
 TuEaTER. Die Theater Wiens. Illustrated. Small folio, marbled 
 board sides, half cloth. [Wien, 1895] 
 PXxTRA-ILLUSTRATED by the insertion of a large number of portraits, scenes, 
 
 ete. 
 
 TrpateR. Die Theater Wiens. Beautifully and richly illustrated. 
 Folio, pictorial cloth, metal clasp. Wien, 1903 
 
 Trpater. Le ThéAtre. Revue Mensuelle Ilustrée. Premiére Année. 
 1898; Sixiéme Année. 1903; Figaro Ilustré. 1896. All profusely 
 illustrated. Together, 3 vols. folio, 2 vols. decorative cloth, one, 
 boards, cloth back. Paris, 1896-1903 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee _ Raiententatenea tna haacnniieintate eu Oe 
 
 389, THeatricaL Scraps. A Collection of 15 volumes, pertaining to Plays 
 and Actors, mostly humorous. With 11 colored plates of prominent 
 actors. Together, 15 vols. in one, half calf. London, circa 1823 
 
 A Fine CoLiectTIon, comprising,—Williams’s Visits . . . an entirely 
 new entertainment, as now performing by W. H. Williams at Sadler’s Wells 
 Theatre . . . Oolored Plate; Paul Pry . . . As performed by Mr. 
 Liston, at the Theatre Royal, Haymarket. Lacks plate; Bob Logic’s Mem- 
 oranda: an Original Budget of Staves. By J. Beuler. Colored plate depict- 
 ing Mr. Wilkinson as Bob Logic; Comedian’s Note-Book. Two vols. ; Lon- 
 don Drolleries, or, Comedian’s Pocket-Book. (Colored plate depicting Mr. 
 Liston as Dominie Sampson in Guy Mannering; The Theatrical Olio, or, 
 Actor’s Ways & Means. With colored plate of Mr. Mathews as the French 
 Valet by George Cruikshank; Selections from Mr. Mathews’ Memorandum 
 Book. With colored plate “Mr. Mathews as the old Scotch Woman,” by 
 I. R. Cruikshank ; Liston’s Drolleries. With colored plate “Mr. Lviston as 
 Sam Swipes ;” The-Actor’s Regalio. With plate “Mr. Mathews, as the Lec- 
 turer” by I. R. Oruikshank; Comic Scraps, or The Actor’s Pocket Book. 
 With plate “Mr. John Reeve as Captn. Bluster” by I. R. Cruikshank ; The 
 
 Actor’s Regalio. Second Collection. With plate “Mr. Mathews as Hezekiah Nia: 
 
 Hulk” by I. R. Cruikshank; London Oddities, or, The Theatrical Cabinet. 
 With colored plate by I. R. Oruikshank; Fairburn’s Description of the 
 Popular and Comic New Pantomime called Mother Goose, or the Golden 
 Egg. Lacks the plate; The Adventurers of a Ventriloquist . . . contain- 
 ing the following entertainment, so successfully performed by Mons. Alexandre, 
 at the Adelphi Theatre, Strand. With colored folding plate, by Marks, 
 
 390. Toys. D’Attemacne (H. R.). Histoire des Jouets. With 250 text 
 illustrations and 100 plates, of which 50 are CoLorEp BY HAanp. 
 Thick 4to, gilt top, uncut. Paris, no date 
 
 391. Trrats. Select Trials for Murder, Robbery, Burglary, Rapes, So- 
 domy, Coining, Forgery, Pyracy, and other Offences and Misde- 
 meanours, at the Sessions-House in the Old-Bailey, to which are 
 added Genuine Accounts of the Lives, Exploits, Behaviour, Con- 
 fessions, and Dying Speeches of the most Notorious Convicts, from 
 the year 1741 to the present year, 1764, inclusive. 4 vols. 12mo. 
 full old calf, bindings broken. London, 1764 
 
 392, Trrats. Trials for Adultery: or, The History of Divorces. Being 
 Select Trials at Doctors Commons, for Adultery, Fornication, 
 Cruelty, Impotence, &c. from the year 1760 to the present Time. 
 Including the whole of the Evidence on each cause. Together with 
 the letters, &c. that have been intercepted between the amorous 
 parties. Vols. 1, 2, 3, 4, 5, and 7 (lacks vol. 6). Together, 6 vols. 
 contemporary calf, bindings worn, name on titles, in ink, also with 
 stencil stamp on title, verso of title, or on first leaf of text. 
 
 London, 1779-1780 
 
 393. TurRNER (CHARLES). WHITMAN (ALFRED). Nineteenth Century Mezzo- 
 tinters: Charles Turner. Portrait and numerous plates. Royal 
 8vo, cloth. London, 1907 
 
 3934. Unitep States. ARMY AND Navy or THE Unitep Statns (Tue). Con- 
 tains 22 plates Beautirutty CoLorep By Hann mounted in mats, 
 and 22 plates, proofs on Japan paper; numerous illustrations in 
 the text, proofs on India paper; these represent all the costumes of 
 the United States Army and Navy from the year 1776 to the year 
 1898. 11 parts, folio, each part enclosed in a half cloth portfolio. 
 
 Philadelphia: George Barrie [1890-1896] 
 
 [Continued 
 
Second Sesston, Monday Evening, November 10th 
 
 [No. 39384. Unrrep Starrs—Continued | 
 IMPERIAL JAPAN Hprrion, limited to 500 copies, of which this is, No. 51, 
 “subscribed for by Mr. Oliver H. P. Belmont.” The text is printed through- 
 out on Japan paper. The only extant publication showing the costumes of 
 the United States Army and Navy at various times. 
 
 394. Van Dyck (AnTHONY). Rooses (M.). Antoine Van Dyke. Publiées 
 sous le Patronage de la Commission de Exposition d’Anvers, Ac- 
 compagnées d’un Texte Explicatif et Historique et d’une Notice 
 Biographique de l’Artiste. Reproductions in heliogravure of 50 
 masterpieces. Small folio, red art linen, gilt top. Paris, 1902 
 
 395. VELAzqubz (Dinco). Introduction par Paul Lafond. With 50 plates 
 after his most celebrated works. Folio, three-quarter green levant 
 morocco, gilt, blind paneled back, gilt top, back slightly faded, 
 original covers bound in. Paris, 1906 
 
 HEpiT1i0on Limitep to 500 copies, this being, No. 153. Printed throughout 
 on Japanese vellum paper. Plates tipped in, each having a protective tissue. 
 
 a A BEAUTIFUL WoRK. 
 
 nal 
 
 396. VERSAILLES. NonHac (Pierre pe). Les Jardins de Versailles. With 
 numerous full-page and text illustrations. Folio, quarter blue mo- 
 rocco, gilt back and top, original wrappers bound in. 
 
 Paris: Goupil & Cie., 1906 
 Fine Copy or Tuis Important Work. 
 
 397. VERSAILLES. NoLHAc (Pierre dE). Les Jardins de Versailles. Beautt- 
 fully illustrated throughout. . 4to, full cyan blue straight-grain mo- 
 rocco, with the arms of Louis XIV in gilt on sides, with heavy gilt 
 borders of oak leaves and fleurs-de-lis, richly gilt back, gilt top, 
 uncut. Paris, 1906 
 
 A sumptuous publication. 
 
 398. VERSAILLES. Vues du Chateau de Versailles. With 21 beautiful line 
 engravings, CoLoreD By Hann, designed and engraved by J. Rigaud. 
 
 Atlas folio, marbled board sides, mottled calf back, gilt, gilt top. 
 
 No place, no date 
 
 Exceedingly fine views. This work is apparently incomplete, as the plates 
 are numbered as follows: 43 to 56; 59 to 61; 64; 65; 70; and 72. 
 
 399. WauuAce CoLuectTion. Mouinier (E.). La Collection Wallace. Meu- 
 bles et Objets @Art Francais des XVII et XVIII Siécles. Numer- 
 ous fine large plates, with descriptive letterpress, mounted on 
 guards. ‘Thick folio, half red morocco, gilt top, uncut. 
 
 Paris, no date 
 BEAUTIFUL Copy of this important work. 
 
 400. WASHINGTON (GroRGE). Fir~tpInc (Mantie). Gilbert Stuart’s Por- 
 traits of George Washington. Numerous full-page illustrations. 
 Royal 8vo, half cloth, uncut. Philadelphia, 1923 
 
 LARGE PApER. The edition is limited to 350 copies, printed for subscrib- 
 ers, of which 100 copies were printed on large paper, this being, No. 162. 
 Signed by the author,—“Mantle Fielding.” 
 
 401. WatTreau (ANTOINE). Josz (V.). Antoine Watteau. Avec une Intro- 
 duction de Léonce Bénédite. With a great number of fine plates 
 and vignettes. Thick small folio, white cloth, gilt top, uncut. 
 
 . Paris, no date 
 Epition Limited to 500 copies on “papier vélin vergé,’ this being, No. 
 382. This important work is seldom offered for public sale in this country. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 402. WHITEHEAD (CHARLES). Richard Savage. First Eprtion. Jllustra- 
 tions by Leech. 3 vols. London, 1844; [Haut (Rey. Preter).] The 
 Crypt, or, Receptacle for Things Past: An Antiquarian, Literary, 
 and Miscellaneous Journal. August 1827 to December 1828. 3 
 vols. Ringwood, 1827-1828. Together, 6 vols. 12mo, original boards, 
 with original paper labels on back. § 
 
 London and Ringwood, 1827-1844 
 
 403. WiDENER CoLLEcTION. Catalogue of Paintings forming the Private 
 Collection of P. A. B. Widener. Part I. Modern Paintings; Part 
 
 II. Early English and Ancient Paintings. J illustrated through: 
 
 out. 2 vols. folio, full green morocco, gilt, wide inner morocco 
 borders, gilt, gilt edges, binding faded. No place, 1885-1900 
 EpiIr1ion LimitepD to 250 copies, this being, No. 19, printed o Japanese 
 
 vellum paper, Autograph Presentation Copy from P. A. B. Widener t 
 
 P. Belmont, with inscription on fiy-leaf. This important catalogue i 
 
 offered for public sale. 
 
 404, Winp (JoNATHAN). The Life of Jonathan Wild, from his Birth to 
 his Death. By H. D. 12mo, calf. . 
 London: Printed for T. Warner, 1725 
 EXTRA-ILLUSTRATED by the insertion of 9 centemporary copperplates, be- 
 ing views and scenes connected with the trial of Wild, etc.; also excerpts 
 from newspapers. On the front fly-leaf is a pen-and-ink sketch of “The 
 Effigie of Jonathan Wild,” after the original sketch by Pailthorpe. 
 A RARE VOLUME and specially desirable with the extra illustrations. 
 
 405. WitKINnson (Tate). Memoirs of his Own Life. 4 vols. 12mo, half 
 brown calf, leather labels. 
 York: Printed for the Author, 1790 
 Scarce First Epirion. Fine set of this extremely racy and interesting 
 work. The author was lessee of the Theatres Royal at York and Hull, and 
 knew all the principal actors and actresses of Great Britain. 
 
 406. Winter (Witi1AmM). Henry Irving. Frontispiece. 1885; Old Shrine 
 and Ivy. 1892; Shadows of the Stage. First Series. 1892; Shadows 
 of the Stage. Second Series. 1893. Together, 4 vols. 12mo, original 
 boards, uncut. New York, 1885-1893 
 
 First Epirions. The three last volumes are each limited to 250 copies 
 on handmade paper. All of these books are very scarce. 
 
 EXTRA-ILLUSTRATED BY A FINE SERIES OF AUTOGRAPHS 
 
 407. WintER (WiLuIAM). Other Days. Being Chronicles and Memories 
 of the Stage. Profusely illustrated. S8vo, original cloth, gilt top, 
 uncut. New York, 1908 
 
 AUTHOR'S Own Copy, with his bookplate. Exrra-ILLusTRATED by the in- 
 sertion of a fine series of Autograph Letters, ete., of persons mentioned in 
 the text, including the following:—Joseph Jefferson, 4pp. A. L. S.; Laura 
 Keene, 1p. A. L. 8.; Blanche Bates, 4pp. A. L. S. to William Winter; Wil- 
 liam Warren, 1p. A. L. S.; Sir John Hare, 2pp. A. L. S.; Grover Cleveland, 
 Card Signed and Dated; Richard Mansfield, 1p. A. L. S.; Thomas Bailey 
 Aldrich, Card subscribed, signed and dated; Dion Boucicault, 1p. A. L. S.; 
 Mary Anderson, Card subscribed and signed; Wilson Barrett, 4pp. A. L. S.; 
 W. C. Macready, Ip. A. L. S.; Ellen Terry, 1p. A. L. S., and many others, 
 including John Gilbert, Bayard Taylor, Lester Wallack, Tommaso Salvini, 
 ete. 
 
Second Session, Monday Evening, November 10th 
 
 EXTRA-ILLUSTRATED BY A FINE SERIES OF AUTOGRAPHS 
 
 408. Winter (Witiiam). Old Friends. Being Literary Recollections of 
 Other Days. Profusely illustrated. S8vo, original cloth, gilt top, 
 uncut. . New York, 1909 
 
 First Eprrion. AvTHOR’S BooKepLATe INSIDE FRONT COVER. 
 
 EXxTra-ILLUSTRATED by the insertion of a very fine series of Autograph 
 Letters, ete., of persons prominently mentioned in the text, including the 
 following :— 
 
 Henry Wadsworth Longfellow, 1p. A. L. S.; Richard Henry Stoddard, 
 Ip. A. L. 8S. to William Winter; Bayard Taylor, 2pp. A. L. S. to THEODORE 
 RoosEvEttT; W. D. Howells, Autograph Postcard Signed, to CAROLYN WELLS; 
 Lucey Larcom, 2pp. A. L. S.; Wilkie Collins, 83pp. A. L. S. to W. Hepworth 
 Dixon; George William Curtis, 3pp. A. L. S. to William Winter; Wilkie 
 Collins, 38pp. A. L. S. to George W. Childs (with addressed envelope) ; E. C 
 Stedman, 2pp. A, L. S. to William Winter; W. J. Linton, 1p. A. L. S., 
 presenting one of his books to a friend; Prof. Albert Pees Smith, 4pp. 
 A. L. S. to William Winter; Mary Anderson, 2pp. A. L. S. to Laurence Hut- 
 ‘ton; Julia Ward Howe, Card Signed and dated; Laurence Hutton, 4pp. A. L. 
 
 ~~ S. to William Winter; Coventry Patmore, lp. A. L. S.; Richard Monckton 
 Milnes (Lord Houghton), 4pp. A. L. S., and others. 
 
 It will be noted that there is an exceptional run of association letters 
 among the above. All of the letters are fine and interesting literary speci- 
 mens, 
 
 WITH A MAGNIFICENT SERIES OF FULL AUTOGRAPH LETTERS SIGNED 
 
 409. WintER (Wi11AmM). The Poems of William Winter. Porrtait. 8vo, 
 newly bound in three-quarter brown levant, elaborately gilt tooled 
 back, with inlays of blue levant, gilt top, uncut. 
 
 New York, 1909 
 
 First CoLiectep Epirion. Limited to 150 copies, printed throughout on 
 Japanese Vellum. PRESENTATION Copy FROM THE AUTHOR, WITH AUTOGRAPH 
 INSCRIPTION SIGNED. Winter has also signed his full name underneath the 
 frontispiece portrait. 
 
 EXxtTRA-ILLUSTRATED by the insertion of a very choice series of Autograph 
 Letters Signed by the persons to whom Winter has addressed poems in the 
 book. The autographs are placed opposite the poems, each laid down to size 
 on a sheet of vellum, and comprise :— 
 
 BrouGHaM (JOHN). 1p. Autograph Letter Signed. Scarce autograph. 
 
 HoLMES (OLIVER WENDELL). 1p. Autograph Letter Signed, to his pub- 
 lisher, regarding one of his essays. 
 
 Booty (Epwin). 2p. Autograph Letter Signed “E. B.” To “Dear L. H.” 
 (Laurence Hutton). A fine and scarce autograph. He says he called on 
 Hutton, but failed to find him at home; invites Hutton to be his guest at 
 the Globe Theatre, that night, where he has a box, etc. 
 
 BARRETT (LAWRENCE). 2p. Autograph Letter Signed. To George L. 
 Frankenstein, regarding a play which he has submitted for his consideration. 
 
 LONGFELLOW (HENRY WapDSworTH). 3p. Autograph Letter Signed. A 
 very fine and interesting letter, of unusual length, in which he mentions “Nor- 
 man’s Woe,” the scene of “The Wreck of the Hesperus,” and “The Coast 
 of Acadie,” the scene of “Evangeline.” 
 
 WARREN (WILLIAM). 1p. Autograph Letter Signed. 
 
 RAYMOND (JOHN T.). 2p. Autograph Letter Signed “Johnny.” A fine 
 and interesting letter, regarding his future engagements. Scarce. 
 
 WALLACK (LESTER). 2p. Autograph Letter Signed. To WitLt1AM WIN- 
 TER. A very fine and interesting letter. 
 
 Rep (WHITELAW). Ip. Autograph Letter Signed, ‘“W. R.” To WimLiAmM 
 WINTER, regarding his obituary on Hackett, the Actor. 
 
 CoLLINS (WILKIE). 3p. Autograph Letter Signed. A fine and interest- 
 ing letter by this celebrated Novelist. 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [No. 409. WintEr—Continued | 
 
 FLORENCE (W. J.). 1p. Autograph Letter Signed. Regarding his acting 
 in “Our Destiny.” 
 
 BroMLey (Isaac H.). 1p. Autograph Letter signed, “B”’. To WiILLIAM 
 WINTER. ; 
 
 Daty (AvueuSsTIN). 2p, Autograph Letter Signed. To WILLIAM WINTER. 
 A very fine and interesting letter, regarding ‘The Middy,” his plans for the 
 immediate future, ete. 
 
 STEDMAN (EpMUND CLARENCE). 8p. Autograph Letter Signed. Very 
 nice letter. : 
 
 JEFFERSON (JOSEPH). 3p. Autograph Letter Signed “Jor.” To WILLIAM 
 WINTER. With endorsement by Winter that it is regarding his poem “THE 
 Sceprre.’”” A remarkably fine and interesting letter by this celebrated 
 Actor. 
 
 Irvine (Sir een 1p. Autograph Letter Signed. Full autograph let- 
 ters signed by this Great Actor are scarce. 
 
 CuRTIS (GEORGE WILLIAM). Tp. Autograph Letter Signed 
 
 Author, regarding the Civil War, President Johnson’s policy, im 
 after the death of Lincoln, his plans for the future, etc. 'The letter is 
 August 1, 1866. 
 
 ALDRICH (THOMAS BAILEY). 1p. Autograph Letter Signed. To W1mLLIAM 
 WINTER. A very fine letter of condolence on the death of WINTER’S Son. 
 
 410. WorrincTton (PEG). Daty (Aveustin). -Woffington. A Tribute to 
 the Actress and the Woman. Illustrated. Folio, gilt stamped cloth, 
 gilt top, uncut. [New York:] Printed for the Author, 1888 
 Ep1T1Ion Limitrep to 150 copies of this size, of which this is, No. 98, 
 
 signed by the author,—Augustin Daly. 
 
 411. Wricut (G. N.). Life and Campaigns of Arthur, Duke of Welling- 
 ton, K.G. Illustrated. 4 vols. London [1841]. Name on title of 
 each vol.; ParKes (J.) AND Merivate (H.). Memoirs of Sir Philip 
 Francis, ‘with Correspondence and Journals. Jllustrated. 2 vols. 
 London, 1867; Horner (L.—Editor). Memoirs and Correspondence 
 of Francis Horner. Frontispieces. 2 vols. Boston, 1853. Together, 
 8 vols. 8vo, full and half calf, gilt backs. 
 
 London and Boston [1841 ]-1867 
 
 412. Zorn (ANDERS). ASPLUND (Karu). Anders Zorn. His Life and 
 Work. With numerous reproductions IN Cotors and black-and- 
 white. 4to, boards, vellum paper back, gilt top, uncut. 
 
 London, 1921 
 A VALUABLE WORK ON ZORN. 
 
 413. Zorn (AnvDERS). Rompaut (Axet L.). Anders Zorn, Aquafortiste. 
 Portrait of Zorn, and 119 reproductions of his etchings. Ato, 
 wrappers, uncut. Paris, 1923 
 
 FINE Work on this eminent etcher and his works. 
 
Second Session, Monday Evening, November 10th 
 
 Sporting Books, Prints and Originals Drawings 
 Numbers 414 to 541, inclusive 
 
 This section of the catalogue (Nos. 414 to 541) is comprised of a most 
 interesting group of sporting items arranged mainly under subject, in- 
 cluding a number of CHARMING ORIGINAL WATERCOLORS BY Henry ALKEN as 
 well as some of the Rarer PustisuHep Prints by him, some fine issues of 
 the Compiete ANGLER, various works on horses, horse racing, ete., hunt- 
 ing both of large and small game, and fine impressions of scarce sporting 
 prints, both English and French, the whole forming a most desirable col- 
 lection of Sportrnc MATERIAL. 
 
 HENRY ALKEN 
 
 SUPERB ORIGINAL WATERCOLOR SPORTING DRAWINGS BY THIS 
 FAMOUS ENGLISH ARTIST 
 
 THE OrIGINAL Drawines listed below comprise Ten BrautTiruL AND 
 Sprritep WaTERCOLOR AND PeNcIL Drawines of driving and fox-hunting 
 _ scenes depicted with all the verve and charm which belongs to all of 
 
 _ Alken’s work, and which is always specially noteworthy in his drawings 
 of the hunter and the rider to hounds. The wonderful action which he 
 depicted in his delineations of the horse—and especially the hunter—is 
 Shown to Spitenpip ApvantTAcEe in these sketches of driving and cross- 
 country riders to hounds. Att Arr SigNep AND ARE IN SPLENDID STATE OF 
 PRESERVATION, aside from a few fox-marks on some of the drawings, and 
 the delicate coloring is exceptionally well-preserved. They can truly be 
 termed some of the Most DrstraBLe OricInAL Work By THIS Master ArTISt 
 that has been offered in public sale in many years. 
 
 414, ALKEN (Henry). Ortcinat Drawine in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 10; length, 1314 inches. Laid 
 down on bristol-board and matted. 
 
 DELIGHTFUL RENDERING OF A CHARMING SuBJECT, depicting a gentleman 
 driving a tilbury tandem at a rapid pace along a country road, a post-boy 
 mounted on a third horse standing at the side of the road. A crossroads 
 sign above and stone marker in the herbage at the right foreground. Trees 
 dimly defined in the background, with a light hazy sky. 
 
 415. ALKEN (Henry). OricinaL Drawine in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 10; length, 1314 inches. Laid 
 down on bristol-board and matted. 
 
 A companion piece to the drawing described above, showing a gentleman 
 driving a single horse in a tilbury, accompanied by a lady in large poke bon- 
 net and cloak. He is moving along a country road at a quick pace, a mounted 
 huntsman overtaking him at a gallop, two hounds running beside them in full 
 cry. Herbage and a stone road marker in left foreground, trees on the far 
 side. A rolling country lightly depicted in the background, with a pale sky 
 and light clouds. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 416. ALKEN (Henry). Ortcrnat Drawine in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 12; length, 18 inches. Laid down 
 on bristol-board and matted. Light fox-marks. 
 
 CHARACTERISTIC DRAWING by Alken, showing the beginning of the hunt, 
 the Master of the Hounds having just opened the door of the kennel which 
 is shown at the left of the picture, the door-posts decorated with foxes’ heads. 
 Some of the hounds are already out on the grass, others appearing in the 
 open doorway. The saddled horse of the Master of the Hounds stands 
 in the center foreground with several mounted huntsmen immediately be- 
 hind him. A large tree in the near background with a fence and fields 
 beyond ; faintly indicated sky with birds on the wing. , 
 
 a . 
 ho 
 
 : ag, ° . 
 417. ALKEN (Henry). OrtciInaL DRAWING in watercolor and pencil, signed 
 in lower lett, fe Alken. Height, Pe length, 1814 inches. Laid 
 
 of unlatching the first gate, the others on their mounts waiting for the s a i“ 
 
 Some of the dogs beyond or passing under the gate, the others running about 
 the horses’ feet. Bushes, a fence and an old tree without foliage back of 
 the figures, with a rolling country and lightly tinted sky in the background. 
 
 418. ALKEN (Henry). OrtcInAL Drawine in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 1214; length, 18% inches. Laid 
 down on bristol-board and matted. 
 
 A Strrering Huntine Scene pictured with all the dash and life charac- 
 teristic of Alken’s best work. Showing the riders in the act of vaulting a 
 fence, the nearest figure having fully cleared it, the second one half over, the 
 third, whose mount apparently refused the jump, on the further side, and 
 the farthest rider about to take the jump. Some distance behind two other 
 huntsmen are approaching at full gallop and on the near side of the fence 
 the hounds are in full cry on the scent. Low bushes and other leafage 
 border the corded fence. Several trees, bare of foliage, show in the further 
 field, with a rolling country and a church spire in the background. 
 
 419, ALKEN (Henry). OrtctnaL Drawinc in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 12; length, 18 inches. Laid down 
 on bristol-board and matted. Some fox-marks. ; 
 
 A picture full of action, showing three mounted huntsmen, two in the 
 act of vaulting an old fence of rails in a hedge devoid of foliage; the third, 
 slightly behind his companions, is about to take the jump, three hounds in 
 the near foreground of grass, ground and old tree stump. Another fence and 
 fields lightly indicated in the background. The Sprritep ACTION OF THE 
 Horses IN THIS SKETCH IS MARVELOUSLY PICTURED. 
 
 420. ALKEN (Henry). OricInAL DRAWING in watercolor and pencil, signed 
 in lower left, H. Alken. Height, 1214; length, 181% inches. Laid 
 down on bristol-board and matted. 
 
 A BEAUTIFUL HuntTING SCENE, PropAsLty. AS Fins As ANYTHING EVER 
 DoNneE BY ALKEN, showing seven mounted huntsmen, the two foremost having 
 just vaulted an old stone wall, with two others close behind him in the act of 
 
 jumping this wall, the three other riders at some distance back to the left. . 
 
 In front of the hunters are the hounds, close on the scent of the fox which 
 is running only a few feet ahead of the nearest dogs. Sparse herbage and a 
 few scattered trees, with rolling country and pale sky, in the background. 
 
Second Session, Monday Evening, November 10th 
 
 421. ALKEN (Henry). OrreInaAL Drawine in watercolor and pencil, signed 
 
 in lower left, H. Alken. Height, 1214; length, 1814 inches. Laid 
 down on bristol-board and matted. 
 
 “THe Finish.” Depicts a group of six huntsmen, four mounted, one dis- 
 mounted at his horse’s head, another standing on the topmost bar of a gate 
 holding aloft the dead fox, several hounds grouped about him. An old picket 
 fence divides the fields through the center, with rolling country and a few 
 trees beyond. — 
 
 422. ALKEN (Henry). OricInAL Drawine in watercolor and pencil, signed 
 
 4 
 
 4 
 
 in lower left, H. Alken. Height, 1214; length, 18 inches. Tipped 
 to bristol-board and matted. Light fox-marks. 
 
 Another scene of the finish of the hunt, showing four huntsmen, two 
 mounted and two dismounted, one of whom holds a fox triumphantly aloft, 
 the hounds at his feet, the riders at the left with upraised hats signalling 
 other unseen companions. The horses, tired out from their run, stand with 
 
 drooping heads. Grass in the foreground and bushes and some trees on 
 
 rising ground beyond are lightly indicated. 
 
 423. ALKEN (Henry). OriciInaL Drawinc in watercolor and pencil, signed 
 
 in lower left, H. Alken. Height, 12; length, 18 inches. Tipped to 
 bristol-board and matted. Light fox-marks. 
 
 “The Return of the Huntsmen.” A DELIGHTFUL SKETCH of the weary 
 huntsmen and their jaded mounts returning home at the end of the day. 
 The two foremost riders droop over their horses’ necks; the horses also 
 express weariness in every carefully delineated muscle; the third rider shows 
 extreme fatigue, resting limply in his saddle, his face hidden by his upraised 
 arm, as if he were half asleep. The fourth figure, on the contrary, is still 
 full of energy, riding erect with upraised whip, his horse prancing its fore 
 feet in the air. At the side of the road are bare trees and other trees and 
 bushes shown in the rising ground beyond, with a pale sky above. 
 
 ORIGINAL IMPRESSIONS OF A RARE ALKEN SERIES 
 
 424, ALKEN CoLorEeD PLates. The Cockney’s Misfortune. A series of 6 
 
 scenes, ALL FineLy CoLorep AQuatints, after designs by Henry 
 Alken. Each plate measures: Height, 7; length, 10% inches. Each 
 plate is tipped on sheet of bristol board, and matted. 
 Cambridge, Published Octr. 1817 
 
 ORIGINAL IMPRESSIONS. A VERY RARE SERIES, VERY SPIRITED AND FINE 
 IN CoLorInG. The series comprises :— 
 
 (1) Going In & Out Clever; 
 
 (2) Topping a Flight of Rails; 
 
 (a) Swishing a Rasper; 
 
 (4) Charming an Ox Fence; 
 
 (5) Going Along a Slapping Pace; 
 
 (6) Facing a Brook. 
 
 This series at a later date (1850) was reissued by Messrs. Fores, and the 
 above very rare originals must not be confounded with the re-issues. 
 
 425. ALKEN CoLorEeD Piates. Symptoms of Being Amused. A series of 
 
 42 CotoreD PuLatEs (frontispiece included), with numerous figures 
 on most of the plates by Henry Alken. Oblong 4to, half red mo- 
 rocco, leather lettering piece on front cover, gilt edges. 
 London, 1822 
 First Epirion. Although marked on the illustrated title-page “Vol. I,” 
 no other volume was ever completed. A second volume was begun, but only 
 about a dozen plates were issued for it. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 FINE SET—RARE FIRST IMPRESSIONS 
 
 426. ALKEN CoLorED PLaATEs. Hunting, or Six Hours’ Sport [by Three 
 Real Good Ones, from the East End, and without seeing a hound.] 
 A delightful series of 6 Cotoren Sportirnc Prints, depicting the mis- 
 adventures of three amateur huntsmen. Each measures: Height, 
 834; length, 12144 inches. Each plate is mounted on cardboard, 
 and matted. London: Thomas McLean, 1823 
 
 First IMPRESSIONS oF A Very RARE Series, THE PLATES BEING BriL- 
 
 LIANTLY COLORED AND FREE FROM Foxmarks. The titles of the plates are 
 as follows :— — 
 
 . Going to Hunt ... 8 o’clock ... An Basy Job; 
 
 . Throwing Off ... 9 o’clock ... Not so easy; 
 
 . Breaking Cover ...10 o’clock ... Rather difficult ; 
 
 . In full Cry ... 11 o’clock ... Hard work; 
 
 . A Check... 12 o’clock ... Tipping for the Swine; 
 
 . Going home... making a Blunt... Apology for damage done. 
 
 D> OU CON 
 
 EXCESSIVELY RARE FIRST EDITION, ONLY ONE OTHER COPY RECORDED 
 AT PUBLIC SALE . 
 
 427, ALKEN CoLorED PLates. Comparative Meltonians, as they are and as 
 they were. By Ben Tally-Ho. A series of 6 plates, At Frneiy 
 CoLorED, AND BriLLiant Impressions, drawn by Henry Alken and 
 engraved by G. Hunt. Oblong folio, half brown morocco, Or1Grn AL 
 Printed Wrappers and title-page bound in. 
 
 London: Published by Thomas M’Lean, 1823 
 First Epirion. OF Great Rartry. With THE EXCEPTION oF A Copy 
 Sotp at Soruesy’s, Aprit 24, 1899, TuerrE Seems to Be No Recorp IN 
 ENGLISH BoOK-PRICES CURRENT (1887-1923), on 1n AMERICAN Book PRICES 
 CURRENT (1895-1922), or ANoTHER Copy Berne Sotp at Pustic SALE IN 
 ENGLAND OR AMERICA. 
 The plates are executed in the artist’s best manner and each plate has 
 the publisher’s imprint in the lower margin. The plates comprise,—‘A 
 
 Meltonian, as he was;” “A Meltonian, as he is;” “Gone Away, a Meltonian 
 as he us’d to be;” “Gone away, A Meltonian as he is;” “Going home, Mel- 
 tonians as they were;”’ “Going home, Meltonians as they are.” In the 
 
 lower margin of each plate is a line of text. 
 
 428, AtKEN CoLoreD Puates. Illustrations to Popular Songs. With 41 
 CoLoreD PLatEs, on each of which are numerous droll figures. 
 Oblong 4to, half red morocco, leather lettering piece on front 
 cover. London, 1826 
 
 First Epition. The plates abound in jocularity and sportiveness. A 
 very interesting example of Alken’s fine style of caricature. 
 
 429. ALKEN CoLoreD Piatus. Fores’s Steeple Chase Scenes. Complete set 
 of 6 plates, ALL Fineiy Coxorep, drawn by Henry Alken, engraved 
 by J. Harris. Bound in one volume, oblong imperial folio, half 
 maroon morocco, leather lettering piece on front cover, front cover 
 slightly faded, one plate loose. 
 
 London: Messrs. Fores, April 24th, 1848 
 FINE IMPRESSIONS. 
 Set comprises,—“‘The Starting Field; “Wattle Fence with a deep drop ;” 
 “In and out of the Lane;”’ “The Warren Wall;” “The Brook;” “The Run 
 In,” 
 
Se A ed Se 
 
 Second Session, Monday Evening, November 10th 
 
 430. AtkEen Cotorep Piates. Fores’s Hunting Accomplishments. Complete 
 set of 6 scenes, Attu Finety Couorep, drawn by Henry Alken, en- 
 graved by J. Harris. Bound in an oblong folio volume, half ma- 
 roon morocco, leather lettering piece on “side. 
 
 London: Messrs. Fores, November Ist 1850 
 FINE IMPRESSIONS. 
 Set comprises,— ‘Going along at a Slapping Pace;” “Topping a Flight of 
 Rails and coming well into the next field” “Swishing a Rasper;” “In and 
 Out = an Ox Fence;” “Pacing a Brook.” 
 
 431. Atken Conorep Puates. Fores’s Hunting Casualties. Complete set of 
 6 Scenes, Aut Frnety Cotorep, drawn by Henry Alken, engraved by 
 J. Harris. Bound in one volume, oblong folio, half maroon mo- 
 TOCCo, leather lettering piece on front cover. 
 London: Messrs. Fores, January 1st, 1850 
 _ Frne IMpressSIONs. 
 - Set comprises,—‘A Turn of speed over the flat;” “A strange Country ;” 
 “Dispatched to Head Quarters; “Up to Sixteen Stone; ;’ “A Rare sort for 
 
 the Downs;” “A Mutual Determination.” 
 
 432. ALKEN CoLorep PLatres. Hunting Sketches. Complete set of 6 scenes, 
 Aut Finety Conorep, drawn by Henry Alken, engraved by J. 
 Harris. Oblong imperial folio, half maroon morocco, worn, leather 
 lettering piece on front cover, loose in binding. 
 
 London: Messrs. Fores, November Ist 1859 
 
 FINE IMPRESSIONS. The sub-title of this series, which is in the lower 
 
 margin of each plate, is “The Right and Wrong Sort, or a Good and Bad 
 Style of going across Country.” 
 
 433. ALKEN CoLorep Puates. The High Mettled Racer. Set of six prints: 
 The Foal; In Training; The Racer; The Hunter; The Post Horse; 
 The Death: After Henry Alken. Together, 6 pieces, framed. All 
 late impressions. 
 
 434, ALKEN CoLorED PLATES. Biew (WiuiiAm C. A.). The Quorn Hunt 
 and its Masters. With 24 illustrations drawn by Henry Alken, 12 
 of which are colored; also a colored map of the Quorn and sur- 
 rounding countries. 1899; A History of Steeple-Chasing. With 
 28 illustrations chiefly drawn by Henry Alken, 12 of which are 
 colored by hand. 1901. Together, 2 vols. royal 8vo, cloth, gilt, 
 gilt tops. London, 1899-1901 
 
 435. AMERICAN TurF REGISTER AND SportinG Macazing. Vols. 1 to 10, in- 
 clusive. With numerous engraved and lithographed plates. 10 
 vols. 8vo, half leather, worn; some plates torn, text and plates 
 foxed. Baltimore, 1829-1839 
 
 An PXcEEDINGLY Rare Work. This important and early American 
 Sporting Periodical was founded in September 1829 by John S. Skinner, 
 and he sold the publication in 1835 to Gideon B. Smith who continued it 
 for four years, and he in turn sold it to W. T. Porter. The original front 
 wrappers to the parts in Vols. 6 and 7 are bound in. 
 
 Assumed to be perfect as to text and plates, but as with all periodicals, 
 sold not subject to return. 
 
 436. ANGLING. WALTON AND Corron. The Complete Series of 77 woodcuts 
 to illustrate Major’s 1824 edition of Walton’s Complete Angler. 
 Proors oN InpIA Paper. Bound in an 8vo volume, half green 
 morocco. [London, 1824] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 uauants. Suinionncineuadninniubi sii Mentamiiaini Maine Gen kk 
 
 437. ANGLING. Watton AND Corron. The Complete Angler. Edited by 
 John Major. Portrait of Walton, and numerous full-page engrav- 
 ings. Boston, 1866. Limited to 100 copies; [Boosry (THomas).] 
 Piscatorial Reminiscences and Gleanings. By an Old Angler and 
 Bibliopolist. To which is added a Catalogue of Books on Angling. 
 First Eprtion. Frontispiece, and woodcuts in the text. London, 
 18386; Rennie (James). Alphabet of Scientific Angling, for the 
 use of Beginners. Illustrations in text. London, 1833. Together, 
 3 vols. 8vo and 16mo, boards (back broken), cloth, and half mo- 
 rocco. Boston and London, 1833-1866 
 
 438. ANGLING. Watton AnD Corton. The Complete Angler, b | the Contem- 
 
 plative Man’s Recreation, Being a Discourse of Rivers, Fish-Ponds, 
 
 Fish and Fishing written by Izaak Walton and Instruction how 
 
 to angle for a Trout or Grayling in a Clear Stream by Charles 
 
 Cotton. With Original Memoirs and Notes by Sir Harris Nicolas. | 
 
 Embellished with about 61 portraits, views, fishing scenes, vignettes, | 
 
 etc., by Stothard, Inskipp, and Hixon, exquisitely engrave a “y 
 
 Worthing, Fox, and others, all fine impressions; rubricated titles. 
 
 2 vols. royal 8vo, half green morocco, gilt tops, uncut. 
 
 London: William Pickering, 1836 
 PICKERING’S HANDSOMELY PRINTED Eprrion or Tuts Famous ANGLING 
 
 Work. It is one of the most notable editions of “The Complete Angler” 
 
 ever issued. The text is printed by Whittingham, in a large and beautiful 
 
 type, and is that of the Fifth Edition, with the variations of the four pre- 
 
 vious editions indicated at the foot of each page. The embellishments after 
 
 Stothard and Inskipp, all beautifully engraved on copper and steel, are splen- 
 
 did examples of the best English engraving by some of the foremost engravers. 
 
 The edges of a few leaves in Vol. 2 are slightly foxed, and there are off- 
 sets of some of the plates. 
 
 439. ANGLING. WaLToN AND Cotton. The Compleat Angler. Edited by 
 Richard LeGallienne. Illustrated by Edmund H. New. 12mo, full 
 olive green levant morocco, with piscatorial inlays on each cover 
 consisting of a group of white and gilt water-lilies, with green 
 and gilt leaves, two fish encircling the design, gilt paneled back, 
 inner borders with gilt emblematic tooling, gilt edges, By rivire. 
 
 London, 1904 
 
 A Fine Epirion IN A BEAUTIFUL BINDING. 
 
 440. AneLInc. Watton anp Corton. The Complete Angler, or Contem- 
 plative Man’s Recreation. Edited by George A. B. Dewar, with an 
 Essay by Sir Edward Grey. With numerous etchings by William 
 Strang and D. Y. Cameron. 2 vols. square 8vo, full green levant 
 morocco, triple gilt fillet borders on sides, gilt paneled backs, gilt 
 tops, uncut, By rIvibRE, slightly rubbed. London, 1904 
 
 WINCHESTER EpiTion. The text of this Edition is an exact reprint in 
 
 spelling and punctuation of the Fifth (1676) Edition; the last published in 
 Walton’s Lifetime. 
 
 441, Coacninc. Mauer (Caprarn). Annals of the Road, or, Notes on Mail 
 and Stage Coaching in Great Britain. To which are added Essays 
 on the Road, by Nimrod. With numerous full-page illustrations, 
 In Cotor. 8vo, cloth, uncut. London, 1876 
 
 First Eprtion. VERY FINE PUBLICATION ON Mart, AND STAGE CoAcHING 
 IN GREAT Brirarn. The plates are very interesting, depicting scenes in 
 snowstorms, coaches, stage-coach dépots, ete. 
 
Second Session, Monday Evening, November 10th 
 
 COMPLETE SET OF COLORED PLATES ON COCK-FIGHTING 
 
 442. Cocx-Ficutine. A Series of 6 Finety Coxorep engravings depicting 
 scenes in Oock-Fighting. Drawn and engraved by N. Fielding. 
 “Pubd. July 1, 1853, by R. Ackerman.” Each engraving neatly 
 mounted on linen hinges. Bound in one vol. oblong small folio, 
 three-quarter blue morocco, leather lettering piece on front cover. 
 
 London, 1853 
 we Set. Very finely executed. The titles of the plates are,— 
 
 Set Too, - ight, Throat, Knock Down, Recovery, Death. 
 
 443. CoLorEp Puate. Virw or Bricuton. The Chain Pier at Brighton with 
 Characters. Aquatint, In Cotor. Drawn and engraved by Brighty. 
 Good impression with the inscription. Size, height, 944; length, 
 1814 inches. 
 
 444, Cotorep Piates or Roap Scenes. Fores’s Road Scrapings. A_ series 
 of 12 oblong plates, each containing several scenes, VERY FINELY 
 Gotorep. Bound in one vol. oblong folio, original half roan and 
 boards, with design on front cover, binding worn. 
 
 London: Published by N. Calvert, 1840 
 
 Depicts road scenes in England, France, Spain, and other countries. 
 
 ose 
 
 ORIGINAL DRAWINGS BY EISEN AND OTHERS 
 
 445. Ersen (CuHartes). OrtcinaL Penci, Drawine of a pair of lovers 
 seated on a bank with a cupid above, trees and wreaths of roses 
 surrounding them. Unsigned. Oval, 534 by 4 inches. Laid down 
 on a gray mat; [Auso] OrtcrnaL Penciy Drawine of a scene in an 
 oriental court showing the turbaned ruler with attendants and 
 slaves entertaining a French lady with numerous attendants. 
 Signed, J. J. Hoch, 1775. 6% by 8 inches, laid down on gray mat; 
 [AND] OriciInaL Wasu Drawine in sepia of the symbolic crowning 
 with laurel wreath of a poet or writer. Unsigned, but probably 
 late XVIIIth Century work. 714 by 41% inches, matted. Together, 
 3 pieces, each in gilt frame (one damaged), glazed. 
 
 ORIGINAL DRAWINGS BY EISEN ARE EXXCEEDINGLY rare and the one here 
 described is an EXceprioNALLyY Fine EXAMPLE, charmingly and delicately 
 depicting this favorite subject of the period. The other drawings are also 
 desirable specimens. 
 
 446. Encuisn Country Lire. Mines (Henry D.). English Country Life; 
 a Valuable Work of Reference for the Gentleman, the Sportsman, 
 the Farmer, etc. Illustrated with 52 plates, 16 of which are col- 
 ored. Imperial 4to, half calf, marbled edges. 
 
 London, circa 1860 
 
 447. Excuisu Country Scenz. Morianp (Grorce). The Country Butcher. 
 Mezzotint, engraved by J. R. Smith, after the painting by Morland. 
 Good impression, with inscription; [Auso] Mezzotint, “Phaeton,” 
 engraved by Green, after Stubbs. Together, 2 pieces, size about 
 18 by 22 inches. 
 
 448, ENcrAveD Portraits. Portrait of Pierce Egan, Author of “Life in 
 London.” Mezzotint, engraved by Turner, after Sharples; Portrait 
 of the Famous George Taylor, after Hogarth; Portrait of F. 
 Buckle, the Jockey. Together, 3 pieces. Size about 10 by 18 inches, 
 each, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 pe aa a 
 
 449, Ercuine. Santer (W. Denny). London to York. Etched by James 
 
 Dobie, after the painting by W. Dendy Sadler, remarque proof. 
 Signed in pencil, by both painter and etcher. Fine impression, on 
 Japan paper; [Axso] Large photogravure portrait of “Don Bar- 
 tholzar Carlos” after Velasquez. Together, 2 pieces, size about 
 24 by 30 inches. Framed. , 
 
 450. Fenctnc. THipaurr ( GIRARD). Académie de VEspée de Girard Thi- 
 
 451 
 
 452 
 
 453 
 
 . Foxnounps. Trarrorp (Str Humpurey F. ppe—Editor). The Fo: 
 
 bault d’Anvers ou se demonstrent par Reigles Mathematiques sur 
 le fondement d’un Cercle Mysterieux la Theorie et Pratique des 
 vrais et jusqu’a present incognus Secrets du Maniement des Armes 
 a Pied et A Cheval. With large finely engraved plates by A. Bols- 
 wert. Atlas, folio, old calf. No place, 1628 
 EXTREMELY RARE. Fine impressions of the plates, which are very illus- 
 trative in detail, of the art of fencing. 
 
 hounds of Great Britain and Ireland, Their Masters and Hunts: 
 men. Several full-page photogravures, one in colors; and several 
 hundred illustrations in the text. Folio, half red morocco, gilt 
 back and top. London, 1906 
 
 . Frencu Cortor Prints. Vue du Char Funébre, de la translation 3 
 
 St. Denis, des Corps de Louis XVI et de la Reine Marie Antoinette. 
 Line engraving, colored. Good impression, with inscription. Also 
 engraving by Dupreel, Procession passing a Cathedral. Together, 
 2 pieces. Size, about 12 by 20 inches. 
 
 - Horse Harness. Tun Spur. Zscniie (R.) anp Forrer (R.). Der 
 
 Sporn in Seiner Formen-Entwicklung. Ein Versuch zur Charac- 
 terisirung und Datirung der Sporen unserer Kulturviélker. With 
 “0 plates, containing 188 illustrations. Folio, sheets, enclosed in 
 board portfolio. Berlin, 1891 
 
 A treatise on the development and shape of the Spur through all the ages, 
 and is an effort to date and characterize the spurs of the civilized countries. 
 
 454. Horse Harness. Zscuiutute (R.) AND Forrer (R.). Die Pferdetrense in 
 
 Jhrer Formen-Entwicklung. Ein Versuch zur Characterisirung 
 und Datirung der Mundstiicke der Pferdezaumung unserer Kul- 
 turvolker. With 20 full-page plates containing about 200 illus- 
 trations of bits worn by horses in the early days. 1893; Die 
 Steigbiigel in Ihrer Formen-Entwicklung. Characterisirung und 
 Datirung der Steigbiigel unserer Kulturvélker. With 20 full-page 
 plates containing 167 illustrations of stirrups used in the early 
 days. 1896. Together, 2 vols. folio, boards, cloth backs. 
 
 Berlin, 1893-1896 
 
 455. Horse Racine. A collection of 35 Finriy Cororsp AQUATINTS of 
 
 English race horses, painted by J. F. Herring, J. Ferneley, Han- 
 cock, F. C. Turner, H. Hall and engraved by Charles H unt, Suther- 
 land, R. G. Reeve, J. Harris and Edelman. Bound in an oblong 
 imperial folio volume, full blue morocco, gilt fillet borders on 
 sides enclosing a border of double gilt fillets with scroll-work 
 corner ornaments, with emblematic design in each corner, lettered 
 in gilt on front cover. ‘London, 1815-1845 
 
 [Continued 
 
Second Session, Monday Evening, November 10th 
 
 [No. 455. Horse Racinc—Continued] 
 
 A Very Fine AND Rare SERIES OF PRINTS DEPICTING RACE HORSES, 
 Most or WHICH HAVE THE JocKEY Up, VERY SPIRITED, AND FINELY COLORED. 
 A NuMBER OF THE PLATES ARE “Proors.” The following is a list of the 
 plates; they are listed under the name of the races, and the year in which 
 it was won,— 
 
 Great St. Lecer: Philo da Puta. 1815; The Duchess, 1816; Ebor. 1817; 
 
 Reveller. 1818; Antoni. 1819; St. Patrick, 1820; Theodore. 1822; Barefoot. 
 1823; Jerry. 1824; Tarrare. 1826; Matilda. 1827; Velocipede. 1828; Row- 
 ton. 1829; Rockingham. 183838; Elis. 1886; Mango. 1887; Don John. 18388; 
 Launcelot. 1840; Nutwith. 1848; Foig-a-Ballagh. 1844. 
 
 Derpy STAKES: Mameluke. 1827; Dangerous. 1833; Phosphorus. 1837; 
 Amato. 1838; Little Wonder. 1840; Attila. 1842; Cotherstone. 1843; The 
 Merry Monarch. 1845. 
 
 - Oaks STAKES: Cyprian. 1836; Deception. 1839. 
 _ Newmarker WHIP: Sultan. 1823; NEWMARKET STAKES: Riddlesworth. 
 1881; Royat Sraxkes at Ascot: Glencoe, 1835. 
 al No Races RecorpDED: Bessy Bedlam; Euclid. 
 
 456. Horse Racine. Dusost (A.). A Collection of Eleven Plates, executed 
 in Lithography; Representing a View of Newmarket and the Life 
 of the Race Horse, from the Moment of his entering the Stud until 
 that of his sale. [Text in French and English.] With 11 plates by 
 Dubost. Oblong folio, boards, rubbed, text and plates slightly 
 spotted. Paris, 1818 
 
 A VERY RARE VOLUME. 
 
 457. Horse Racine. Fores’ Turf Companion: consisting of Forty Por- 
 traits, with Pedigrees and Performances of the most eminent Race 
 Horses and Stallions of the Old School. 40 engraved copperplates. 
 each a portrait of a horse with his pedigree below, engraved by 
 James and Henry Roberts. 4to, half red morocco, gilt edges, By 
 ZAEHNSDORF. [London] circa 1830 
 
 VERY RARE. 
 
 458. Horse Racine. Woop (Rev. J. G.). Horse and Man. Their Mutual 
 Dependence and Duties. Jllustrated. 1885; Watson (A.Frep E. 
 T.—Editor). The Racing World and its Inhabitants. Full-page 
 illustrations in color. 1904; Day (Witi1Am). The Racehorse in 
 Training, with Hints on Racing and Racing Reforms to which 
 is added a chapter on “Shoeing.” Seventh Edition. 1892; PENNELL- 
 Eumurrst (Captain E.). The Best of the Fun. 1891-1897. With 8 
 colored plates. 1908. Together, 4 vols. 8vo, cloth. 
 
 London, 1885-1904 
 
 459. Horse Racine. The British Turf and the Men who have made it. 
 Being an Historical and Contemporary Work on Racing in the 
 British Isles from its earliest inception to the present day .. . 
 Together with an International Section containing articles, ete. 
 on Racing in all parts of the World. Compiled by “The Sporting 
 Life.” With numerous engravings and half-tone illustrations, in- 
 cluding all Derby Winners from the year 1860 to 1906. Thick 
 folio, full green morocco, Jansenist, gilt inside borders, gilt edges, 
 somewhat rubbed. London, 1906 
 
 460. Horsr Racine. Cook (THEoporr A.). A History of the English Turf. 
 With numerous fine plates and illustrations. 3 vols. 4to, decorative 
 cloth, gilt edges. London, no date 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 461. HorsEMANSHIP. AMMAN (Jost). Artliche und Kunstreiche Figurn 
 qu der Reutterey, sampt jrem musterhafften Geschmuck, Der- 
 gleichen nie aussgangen. With 97 woodcuts by Jost Amman. 
 Oblong small 4to, full old calf, blind stampd. 
 
 Frankfort a.M.: 8S. Feyrabend, 1584 
 
 First Epirion. ExTreMety Rare. A fine series of plates on eques- 
 
 trianism. The plates depict kings, princes, noblemen, captains, soldiers, 
 etc., on horseback, and figures of horses. 
 
 i 
 462. HorseMANSHIP. Fouquet (Samuveu). Traitté des Emboucheures. 
 Illustrated. 4to, full old calf, gilt, sprinkled edges, binding worn. 
 Paris, 1668 
 RARE Work. With bookplate of Lud. de Maneval. C.M.fecit. 
 
 463. HorspMANSHIP. Esenperc (LE Baron D’). Description du Manage 
 Moderne. 60 plates engraved by B. Picart. Oblong small folio, 
 three-quarter green morocco, gilt, morocco lettering piece on ob- 
 
 verse cover, [London] 1727 
 
 ORIGINAL EpITION, with the first impressions of the plates. Although 
 the title is dated 1727, the date appearing at the end of the dedication is 
 1728. 
 
 464, HorseMANSHIp. CAVENDISH (WiLLIAM). A General System of Horse- 
 manship in all its Branches: containing a Faithful translation 
 of that most noble and useful work of his Grace, William Caven- 
 dish. With all the 43 original copperplates which were engraved 
 by the best foreign masters, also head-pieces and initial letters. 
 2 vols. in 1, folio, full calf, roan back, binding somewhat worn. 
 
 London, 1743 
 
 An excellent treatise on this favorite sport. 
 
 465. HorsemMANsuHIp. LA Guerintre (M. ve). Ecole de Cavalerie, conte- 
 nant la Connoissance, l’Instruction et la Conservation du Cheval. 
 Numerous copperplates. Small folio, full mottled calf. 
 
 Paris, 1751 
 It is seldom that copies of this important and rare work occur for public 
 sale. 
 
 466. HorseMANSHIP. THOMPSON (CHARLES). Rules for Bad Horsemen; 
 Hints to Inexpert Travellers, and Maxims worth Remembering 
 by the most Experienced Equestrians. New Edition, with modern 
 additions by John Hinds. With two plates. 1830; Jounson (T. 
 B.). The Shooter’s Companion. Second Edition, improved and 
 very considerably enlarged. With plates. 1823. Together, 2 vols. 
 12mo, full yellow calf and full maroon calf, gilt, gilt tops, uncut. 
 
 London, 1823-1830 
 
 467. HorseEMANSuHIP, ALLEN (JOHN). Principles of Modern Riding, for 
 Gentlemen; in which the Late Improvements of the Manege and 
 Military Systems are applied to Practice on the Promenade, the 
 Road, the Field, and the Course. Numerous descriptive plates. 
 Royal 8vo, half brown levant morocco, gilt top, uncut, By Tour. 
 
 London, 1825 
 
 468. HorsEMANSHIP. Herbert (H. W.). Frank Forester’s Horse and 
 Horsemanship of the United States and British Provinces of North 
 America. With steel-engraved original portraits of celebrated 
 horses. 2 vols. imperial 8vo, half green levant morocco, gilt, gilt 
 backs, with emblematic tooling, gilt tops. New York, 1857 
 
Second Session, Monday Evening, November 10th 
 
 469. HorspmMansuip. Finis (J.). Principes de Dressage et d’Equitation. 
 1890; Levesque (D.). En Déplacement. N.p. Both illustrated. 
 Together, 2 vols. 8vo, half morocco, gilt tops, uncut, second volume 
 with original eeeppers bound in, one plate loose in first volume. 
 
 3 Paris, 1890 and no place 
 
 470. HorsEMANSHIP. © Prcarp (L.). Origines de l’Ecole de Cavalerie et de 
 ses Traditions Equestres. Nwmerous fine plates, mounted on 
 guards. 2 vols. thick royal 8vo, three-quarter green levant mo- 
 rocco, gilt paneled backs, gilt tops, uncut, original wrappers bound 
 in, F Saumur, no date 
 
 471. Horses. Equile . . . Pictore Johane Stradamo. . . ac Studio Marci 
 Sadeleri in lucem editi. With 14 engravings belonging to the work 
 and 19 additional plates, all mounted. Oblong royal 8vo, boards, 
 worn. [Antwerp] circa 1570 
 
 A Very RARE SERIES. 
 
 472. Horsms. Soiitpysen (Smur pe). Le Parfait Mareschal qui enseigne 
 a conoistre la Beauté, la Bonté & les Deffauts des Chevaux. 2 
 vols. in 1. 1677; Fouqurr (S.). L’Art de monter a Cheval. 1664. 
 Both with engravings. Together, 3 vols. in 2, 8vo, calf, bindings 
 worn, the first being damaged. Paris, 1664-1677 
 
 473. Horses. NbEwcastLtE (DUKE or). Methode et Invention Nouvelle de 
 dresser les Chevaux . . . Seconde Edition. Nwmerous fine plates. 
 Folio, calf, worn. London, 1737 
 
 474, Horses. Autuen (M.). The Farrier’s Assistant . . . London, 1737; 
 Dupaty bE CLuAM. La Science et Art de ’Equitation. Hngravings. 
 Yverdon, 1777. Together, 2 vols. 12mo, sheep and boards, the 
 former, gilt edges, several pages of text of the latter, stained. 
 
 475. Horses. Larossp (M.). Cours d’Hippiatrique, ou Traité Complet de 
 la Médecine des Chevaux. Ornamented with 65 finely engraved 
 plates, mainly Cotorep By Hanp. Folio, full red morocco, gilt, 
 gilt back and edges, binding rubbed. Paris, 1772 
 
 A FIneLty Executep Work which for a long time has been considered 
 the best authority on this science. Several of the folding plates show ex- 
 ceedingly fine dissections of the horse, which are not usually found in books 
 of this nature. 
 
 476. Horses. MANuscript JourNAL. Journal de distribution des Four- 
 rages pour l’Ecurie de S. A. S. E. Mgr. le Cardinal de Rohan... ; 
 [Auso] Etat du prix de Strasbourg concernant tous les Objets, 
 qui ont rapporte a la partie des Ecuries. Inserted on guards are 
 10 HAND-PAINTED PLATES IN WATERCOLORS representing several types 
 of carriages ‘of this period, also a plate of drawings in ink. All 
 bound into a small folio volume, vellum sides, vellum paper back. 
 No place, 1782-1785 
 An interesting journal, very legibly and painstakingly written. The draw- 
 ings are finely executed in detail. 
 
 477. Horses. OnsscHetwitz (L. W. F.). De Nederlandsche Stalmeester, 
 of Grondige Onderrichting . . . With numerous folding copper- 
 plates of horses. Der Haage, 1803; Ricutrer (C. G.). Anweisung 
 zur guten Pferdezucht und Wartung auch wie man ein guter Pfer- 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [| No. 477. Horses—Continued| 
 
 denkenner . . . With 2 folding plates at end. Halle, 1795. With 
 
 arms in gilt on sides; Quast (W. F. L. von). Das Reitpferd dar- 
 
 gestellt und durch 23 kupfertagelm erlautert. With 22 folding 
 
 plates. Berlin, 1809. Together, 3 vols. 8vo and 12mo, boards and 
 
 half calf, worn. Various places, 1795-1809 
 ALL Rare Works. a 
 
 EXCEKEDINGLY RARE, BEAUTIFULLY ILLUSTRATED WORK 
 
 478. Horses. VERNET (CARLE AND Horace). Recueil de Cieyaux de tous 
 
 479. 
 
 480. 
 
 481. 
 
 482. 
 
 483. 
 
 484. 
 
 Genres. With title and 36 Finn AQuaATINT ENGRAVINGS, drawn by 
 Carle and Horace Vernet and engraved by Levachez. Oblong folio, 
 original boards, very slightly foxed. Paris, ¢ cured 1828 
 
 ONE OF THE RAREST AND Most BEAUTIFUL oF ALL Books oF ITs CLAss. 
 THE PLATES ARE ALL BRILLIANT IMPRESSIONS, representing: “Chevaus 
 Militaires, de Mameluck, de Chasse, de Course et de Manége avec les figures — 
 analogues soit d’>homme ou de femme, chacune dans le costume particulier q i 
 lui appartient.’”’ Brunet gives the number of plates as 50. The plates in the 
 present copy are numbered 1 to 36. 
 
 WeE BELIEVE THIS IS THE ONLY Copy THAT HAS BEEN OFFERED FOR 
 Puspiic SALE IN THIS COUNTRY. 
 
 Horses. GericAuLt. Etudes de Chevaux. Frontispiece, 25 litho- 
 graphs on India paper and a portrait. Large folio, boards. 
 Paris, circa 1838 
 A fine series of lithographs, and a work seldom offered for public sale. 
 
 Horses. Stusss (Grorce). The Anatomy of the Horse. Jllustrated. 
 Folio, cloth, uncut. London, 1853 
 
 Horses. Percivan (Witut1AM). Hippopathology. [With a copious 
 Index to the entire work.| Numerous plates. 4 vols. in 7, 8vo, half 
 blue morocco, gilt backs and tops, uncut. London, 1871-1876 
 
 New Epirion. Contains treatises on the disorders and lamenesses of the 
 Horse with Methods of Cure; Diseases of the chest and air-passages; dis- 
 eases of the digestive organs; glanders and farcy, ete. 
 
 Horsts. Fournier (P.) AnD Curot (E.). Le Pur Sang. Illustrated. 
 1906; Dr Vaux (Baron). Les Hommes de Cheval. Profusely illus- 
 trated, many being in color, several plates IN Two States. 1888. 
 Together, 2 vols. thick 8vo, half red morocco, gilt, gilt tops, uncut. 
 
 Paris, 1888-1906 
 
 Horses. Dr Vaux (Baron). Les Hommes de Cheval. Numerous 
 illustrations, several being in color. 1888; Fournier (P.). Le 
 Demi-Sang. Trotteur et Galopeur. 26 illustrations. 1907. To- 
 gether, 2 vols. 8vo, half and quarter morocco, gilt tops, uncut. 
 
 Paris, 1888-1907 
 
 Horses. Montigny (ComMTE DE). Comment il faut choisir un Cheval. 
 Illustrated. N.d.; Comment il faut dresser un Cheval. Jllustrated. 
 N.d.; CoutruLx (Le Comte pe). De la Condition des Chevaux de 
 Chasse en France. N.d.; Hermant (A.). Le Cavalier Miserey. 
 Illustrated. 1901; D’Ocacne (M.). Le Mail-Coach en France. 
 1891. Together, 5 vols. 12mo and 16mo, half and quarter morocco, 
 gilt tops, some uncut. Paris, various dates 
 
Second Session, Monday Evening, November 10th 
 
 485. Horses, Erc. Barrom (E.). L’Art Equestre. Jllustrated. 1889; 
 Masson (KE. te). Traité de la Chasse Souterraine du Blaireau 
 et du Renard. TJllustrated. 1865; Montoux (A.). Extérieur et 
 Anatomie. 1901; Crarry. Sur le Turf. Profusely illustrated by 
 Orafty. 1899. Together, 4 vols. royal 8vo and 8vo, half morocco, 
 cloth, boards with cloth and leather backs, one vol. gilt top, one 
 gilt edges. A Paris, 1865-1901 
 
 486. Horsns, Ere. | Ayes (M. H.). Among Men and Horses. Illustrated. 
 London, 1894; Tuermeter (W. B.) AND SuTHERLAND (C. L.). Horses, 
 Asses, Zebras, Mules, and Mule Breeding. TJllustrated. London, 
 1895 ; “TAYLOR (H. R.). The Old Surrey Fox Hounds. A History 
 of the Hunt from its earliest days to the present time. Edited by 
 H. G. Harper. Full-page illustrations, one in color. London, 
 1906; [Yonem (Cuartorre M.).] The Lances of Lynwood. Illus. 
 
 y trated. London, 1864; Curzon (Louis H.). The Blue Ribbon of 
 
 fam the Turf. A Chronicle of the Race for the Derby. Frontispiece. 
 
 se] Philadelphia, 1890; Srrinecrietp (J. K.—Compiler). Catalogue of 
 
 the Thoroughbreds belonging to the Hurstbourne Stud Farm, the 
 
 property of Norwin T. Harris. Jllustrated. [Louisville, 1890]. 
 Together, 6 vols. royal 8vo, 8vo and 12mo, cloth. 
 
 487. Horsrs, Etc. ARMATAGE (GroRGE). The Horse, its Varieties and Man- 
 agement in Health and Disease. London, 1898; Hints on Horse- 
 MANSHIP, to a Nephew and Niece. By an Officer of the Household 
 Brigade of Cavalry. London, 1889; Barnum (H. L.). The Amer- 
 ican Farrier. Philadelphia, 18382; Hinps (JoHn). Conversations 
 on Condition. The Grooms’ Oracle, and Pocket Stable-Directory 
 . . . With a folding aquatint plate in colors by Alkin. London, 
 1829; Pemproke (Karu or). Military Equitation: or, a Method of 
 Breaking Horses, and teaching Soldiers to Ride. Third Edition. 
 With 17 copperplates. Sarum, 1788; Goopwin’s Official Stake 
 Entries for 1890-1891-1892 . . . Together with a Complete and 
 Carefully Compiled Index. New York [1890]; Hinps (Joun). The 
 Grooms’ Oracle, and Pocket Stable Directory . . . From the second 
 London Edition. With colored folding aquatint plate.  Phila- 
 delphia, 1831; The Veterinary Surgeon, or, Farriery Taught on a 
 New and Easy Plan . . . Folding plates, one with portion torn 
 away. Philadelphia, 1880. Together, 8 vols. 12mo, full sheep, full 
 calf, half calf, half morocco, and cloth, some bindings worn. 
 
 488. Horses, Etc. Brcokrorp (WititiAM). Thoughts on Hunting. In a 
 Series of Familiar Letters to a Friend. With full-page engravings 
 by John Scott. [London] 1810; Wuirenursr (Frep. F.). Hark 
 Away. Sketches of Hunting, Coaching, Fishing, etec., etc. Lon- 
 don, 1879; Mirus (Joun). The Life of a Foxhound. Second Edi- 
 tion. Illustrated. London, 1861; Stimpson (JosepH Carrn). Horse 
 Portraiture: embracing Breeding, Rearing, and Training Trotters, 
 with their Management in the Stables and on the Track, and 
 Preparation for Races: including Histories of the Horse and 
 Horsemen. Plates. New York, 1868; GmmMan (W.). Saddle and 
 Sentiment. Frontispiece. New York [1892]; Mason (R.). The 
 Gentleman’s New Pocket Farrier . . . also, Annals of the Turf, 
 or Virginia Stud Book. Richmond, 1828; GunrHer (F. A.). New 
 Manual of Homeopathic Veterinary Medicine. Frontispiece. Bos- 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [No. 488. Horses, Erc.—Continued] 
 
 ton, 1847; Kuape (H. M.—EKditor). Krider’s Sporting Anecdotes, 
 illustrative of the habits of Certain Varieties of American Game. 
 Plate. Philadelphia, 1853; Dotuar (J. A. W.). Moller’s Operative 
 Veterinary Surgery. Translated and edited from the Second En- 
 larged and Improved Edition of 1894. Edinburgh, 1895. Together, 
 9 vols. 8vo and 12mo, cloth, full sheep, full calf and half morocco, 
 some bindings worn. 
 
 489. Huntinc. Ripincrr (JoHann E.). Genaue und richtige Abbildungen 
 der wundersamsten Hirschen, welche von grossen Herren selbst 
 gejagdt und geschossen wurden. Engraved title and a series of 
 100 finely engraved plates, with descriptive text engraved in lower 
 margin of each plate. Bound in one vol. folio, half red leather, 
 binding rubbed. Augsburg | 
 
 VeRY Rare. A FINE SERIES OF ENGRAVED PLATES depicting scenes from —_ 
 the Chase in the German forests in the 18th century. Ridinger was an qi = 
 nent German designer and engraver, and his delineations of animals, espe- 
 cially wild ones, are unsurpassed for accuracy and fidelity to nature. 
 
 490. Hunting. CHasot (Le Comte pe). La Chasse du Chevreuil et du 
 Cerf. Avec lHistorique des Races les Plus Célébres de Chiens 
 Courants. 1891; Jaquimr (L. bE). La Vénerie Moderne. N.d. Both 
 illustrated. Together, 2 vols. royal 8vo, half morocco, gilt tops, 
 uncut. Paris, 1891 and no date 
 
 491. Huntinc. CHariton (JoHN). Twelve Packs of Hounds; being a 
 collection of Sketches of some of the Hounds, and their Masters, 
 that I have seen. With numerous illustrations, mostly full-page, 
 some in colors. Oblong folio, cloth. London, 1891 
 
 492, Hunting. Lignivinte (JEAN DE). Les Meuttes et Veneries. Introduc- 
 tion et Notes par Ernest Jullien et Henri Gallice. Some facsimiles. 
 2 vols. medium 4to, half blue morocco, gilt tops, uncut, original 
 
 vellum covers bound in. Paris, 1892 
 Epition Limirep to 100 copies on “papier de Hollande,” this being, 
 No. 61. 
 
 493. Huntine. L’Armorial de la Vénerie. Les Grands Veneurs de France. 
 Suivis dune Etude sur les Principaux Equipages de lEtranger 
 par le Baron de Vaux. With 20 chromolithographs artistically 
 mounted, and 108 illustrations. Oblong, small folio, full dark blue 
 morocco, gilt lettering on obverse cover, inner gilt borders, gilt 
 edges. Paris, 1895 
 
 494, Hunting. Les Chasses et le Sport en Hongrie. D’Aprés lOriginal 
 Hongrois de Mrs. Mrs. les Comtes Emman, Andrasy, and others. 
 Traduit par J. B. Durringer et F. A. Schwiedland. With 25 col. 
 ored lithographs. lUarge folio, half roan, gilt edges, a few fox 
 marks. Pest, no date 
 
 A BEAUTIFUL WoRK, which seldom occurs for public sale in this country. 
 
 495. IcutHyoLocy. Game Fishes of the United States, by S. A. Kil- 
 bourne, text by G. Brown Goode. With 20 large and beautiful 
 plates IN Cotor, also other illustrations and a map. Giant folio, 
 cloth, half leather. New York, 1879 
 
 A fine work treating upon the Salmon, the Speckled Trout, the Spanish 
 Mackerel, the Black Basses, the Striped Bass, the Red Snapper, ete. 
 
496. 
 
 498, 
 
 499 
 
 500. 
 
 5OL. 
 
 502. 
 
 Second Session, Monday Evening, November 10th 
 
 IcutHyoLtocy. Hovucuton (W.). British Fresh-Water Fishes. IJllus- 
 trated with a colored figure of each species drawn from nature by 
 A. F. Lydon and numerous engravings. Small folio, leather back, 
 gilt top, uncut. London, no date 
 
 . OrteINAL WartercoLtor Parntinc. “A Coast Scene.” Original water- 
 
 color by William T. Richards. Signed. Height, 634; length, 1314 
 inches. In a fine gold frame, with a very wide gold mat, and 
 glazed. rd 
 
 Row.anpson Drawine. Coacutne Scenes. English Landscape, with 
 Coach in foreground marked “Canterbury and Dover.” OricrInaL 
 Prncit AnD WasH Drawine, sy THomas Rowianpson; [Atso] An 
 old English drawing, Landscape with Coach in foreground.  To- 
 gether, 2 pieces. Size about 1214 by 19 inches. 
 
 Ww 
 . Sport. Prnnevy-E:muirst (Captain). The Cream of Leicestershire. 
 
 Eleven Seasons’ Skimmings. Notable Runs and Incidents of the 
 Chase (selected and republished from “The Field.”) With illus- 
 trations, some colored. 1883; “WaANDERER”—pseudonym. A Loose 
 Rein. With illustrations by G. Bowers. 1887. Together, 2 vols. 
 Svo, uniformly bound in half maroon levant morocco, gilt backs 
 and tops, uncut. London, 1883-1887 
 
 The work “A Loose Rein’ was issued in 11 original parts, the original 
 wrappers being bound in. 
 
 Sport. Rarmonpt (Eveento). Della Caccie di Eugenio Raimondi 
 Bresciano libri quattro agguioui’n questa nuoa’ impressione il 
 quinto libro della villa. With 19 finely engraved plates. Small 
 4to, full green morocco, gilt fillet borders on sides, gilt panelled 
 back, gilt edges. [In Venetia, 1630] 
 
 RARE AND A VERY FINE Copy. The plates depict Boar Hunting, Hawking, 
 Hare Shooting, Sea Fishing, etc. There is no date on the title-page, but the 
 Dedicatory Epistle is dated “Di Venetia li 14 di Settembre 1630.” 
 
 Sport. TuHayer (F. S.—Editor). Hoofs, Claws and Antlers of the 
 Rocky Mountains. By the Camera. Photographic reproductions 
 of wild game from life, with an Introduction by Hon. Theodore 
 Roosevelt. Numerous full-page plates. Denver, 1894. Edition de 
 Luxe, limited to 1000 copies; Brown (J. M.). “In the Days When 
 We Went Hog-Hunting.” With 12 full-page illustrations. Lon- 
 don, 1891; Bowers (G.). Leaves from a Hunting Journal. A series 
 of 20 lithographs in colors of hunting scenes, with teat, in script, 
 in margin. London, 1880; Cromer (CuHaArLEs). The Rules of Golf 
 Tlustrated. A series of 24 plates, in colors, each with a “rule.” 
 [London] no date. 1 vol. 4to, 3 vols. oblong folio. Together, 4 
 vols. cloth and boards. 
 
 Sport. LAspruyerre (L.). Les Ruses du Braconnage. Paris, 1886; 
 Lacour (Crs. B. pe). Traité sur ?Art de Chasser avec le Chien 
 Courant. Paris, 1883; PrneLais (B. pk LA). Menus Propos d’un 
 Chasseur. Illustrated. Paris, 1891; Maneart (Sip MoHAmMeED EL). 
 Traité de Vénerie. Traduit de ’Arabe. [Text in French and 
 Arabic.] Paris, 1880; Faure (E.). La Sauvagine. Jllustrated. 
 Bordeaux, 1889. Together, 5 vols. half morocco, gilt tops, uncut, 
 one vol. spotted. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 503. Sport. Fur, Feather & Fin Series. Edited by Alfred E. T. Watson. 
 Profusely illustrated. 12 vols. 8vo, cloth, vellum backs, uncut and 
 partly unopened. London: Longmans, Green & Co., 1893-1905 
 
 LARGE PAPER, limited to 157 copies, of which this, No. 70. This series of 
 monographs is on the various English birds, beasts and fishes which are 
 generally included under the head of “Game.” Each volume is devoted to a 
 bird or beast, and is divided into three parts,—Natural History, the View 
 Point of Sport, and Gastronomically. The illustrations are a prominent fea- 
 ture of the volumes, and after original drawings by Stuart-Wortley, A. 
 Thornburn, and others. This set comprises the following volumes,— 
 
 The Partridge, the Grouse, The Pheasant, The Hare, Red Deer. By 
 Macpherson, Stuart-Wortley, George Saintsbury and othe 5 vols. 1893- 
 1896 ; 
 
 Wild Fowl, Snipe and Woodcock. By L. H. De Visme Shaw, and others. 
 2 vols. 1903-1905 ; 
 
 The Fox. By Dale. 1906 ; 
 
 The Trout. By Marquess of Granby and others. 1898; Fe 
 
 The Rabbit. By Harting and others. 1898; Gs y 
 
 Pike and Perch. By Senior and others. 1900; 
 
 The Salmon. By Gathorne Hardy and others. 1898. 
 
 504. Sport. CANTELEU (CTE. DE). Manuel de Vénerie Francaise. 1890; 
 Satnt-ALBIN (A. DE). Les Courses de Chevaux en France. 1890; 
 Privost (C.) AND Joxuutver (G.). L’Escrime et le Duel. 1891. 
 All illustrated. Together, 3 vols. 12mo, half crimson morocco, gilt, 
 emblematical gilt tooling on backs, gilt tops, uncut. 
 
 Paris, 1890-1891 
 
 505. Sport. [Appreryey (C. J.).] Remarques sur la Condition des Hun- 
 ters. Illustrated. Bruxelles, 1862; Las Curens Courants Francais 
 pour la Chasse du Liévre. Paris, 1890; Snos a Paris. Illustrated 
 by Crafty. [Paris] n.d.; [Canretnu (Ctr. pE).] Quelques Notes 
 sur l’Entretien du Cheval. Jllustrated. N.p., 1890. Together, 4 
 vols. oblong 8vo, 8vo and 12mo, half and quarter morocco, 2 vols. 
 gilt tops, 3 uncut. 
 
 506. Sport. DE Vaux (Baron). Les Femmes de Sport. Préface par 
 Arséne Houssaye. 1885; Toucustone (S.-F.). L’Elevage du Pur 
 
 Sang en France. 1893. Limited to 465 copies. Both illustrated. 
 
 1885. Together, 2 vols. royal 8vo, half morocco, gilt tops, one uncut. 
 Paris, 1885-1893 
 
 507. Sport. Taprin (Witi1aAm). The Sporting Dictionary, and Rural Re- 
 pository of General Information upon every subject appertaining 
 to the Sports of the Field. Illustrated. 2 vols. 8vo, half blue 
 levant morocco, gilt, gilt emblematic tooling on backs, gilt tops, 
 uncut. London, 1803 
 
 First Eprtion oF THis FAMOUS Work, which describes at length the 
 methods of cock-fighting, coursing, shooting and all branches of British sport. 
 It is an authority on the horse, his training, breeding, racing, and all that 
 pertains thereto. 
 
 508. Sport. Scorr (Joun). The Sportsman’s Repository; comprising A 
 Series of Highly Finished Engravings, representing the Horse and 
 the Dog, in all their Varieties. From original paintings by Mar- 
 shall, Reinagle, Gilpin, Stubbs, and Cooper. 4to, half maroon 
 morocco, gilt, gilt backs with emblematic tooling,.gilt top, uncut. 
 
 London, 1845 
 
o 
 
 Second Session, Monday Evening, November 10th 
 
 509. Sport. Le Livre du Roy Modus et de la Royne Racio. Nouvelle Edi- 
 tion. Avec une Préface par Elzéear Blaze. With numerous illus- 
 trations and initial letters CoLtorrep By Hanp. Royal 8vo, full mo- 
 rocco gilt, gilt top, uncut. Paris, 1839 
 
 510. Sporting Macazinus. The Sporting Magazine. Second Series [so 
 called, but really the 3rd]. Vol. 11, May to Oct. 1835, Nos. 61 to 
 
 66; Vol. 18, May to September 1836, Nos. 73 to 77; Vol. 14, April 
 
 to September, 1887, Nos. 84 to 89. London, 1835-1837; Tun New 
 Sportine Macazinn. Vols. 1-7 and 9 to 15 (lacks vol. 8), May 1831 
 
 to October 1838. 15 vols. London, 1831-1838; Volume containing 
 
 odd issues of: The Sporting Magazine, New. Series,—Vol. 17, 
 Nos. 101 and 103; Vol. 19, Nos. 109 and 113, Vol. 20, No. 115; New 
 Sporting Magazine: Vol. 16, No. 97; Vol. 17, No. 99; Vol. 18, No. 
 
 101. With numerous engraved plates. Together, 18 vols. uni- 
 
 _formly bound in green morocco, bindings worn. 
 re London, 1831-1838 
 
 Assumed to be perfect, but as with all periodicals sold not subject to 
 return. 
 
 511. Sportine Prints. Nevins (Rate). Old English Sporting Prints and 
 their History. Numerous reproductions in color and in black-and- 
 white. Royal 4to, buckram, gilt top, edges scraped. 
 
 London, 1923 
 First Eprrion. No. 978 of an edition of 1500 copies. 
 
 512. Sportine Print. Cheval de Retour de la Chasse. Aquatint, engraved 
 by L. Debucourt after the painting by Carle Vernet. Size, height, 
 2214; length, 30 inches. 
 
 Good impression, with the inscription. 
 
 513. Sportinc Print. Exercice de Franconi Aquatint, engraved by P. L. 
 Debucourt, after Carle Vernet. Size, height, 14; length, 18 inches. 
 
 Good impression, with inscription. 
 
 514. Sportinc Print. The Father of the Turf, portrait of Tregonwell 
 Trampton. Mezzotint, engraved by John Jones, after the painting 
 by Wootten. Size, height, 18; width, 1334 inches. 
 
 FINE IMPRESSION, with the inscription. 
 
 515. Sportine Print. Fencing, Intérieur d’un Atelier. Aquatint, engraved 
 by Jazet, after the painting by Vernet. Good impression, with 
 the inscription; [ALso] Aquatint in color, The Duel, after Vernet. 
 Fine impression, margins stained. Together, 2 pieces. Size, about 
 2014 by 2514 inches. 
 
 516. Sportine Print. French Racing Scene. Aquatint, engraved by P. L. 
 Debucourt, after the design by Carle Vernet. Size, height 2014; 
 length, 3414 inches. 
 
 Good impression, with inscription in French and English. 
 
 517. Sportine Print. French Racing Scene. Course du Grand Prix Eaite 
 au Champ de Mars, A Paris. Aquatint. P. L. Debucourt, sculpt.,— 
 Carle Vernet, del. Size, height, 2014; length, 3414 inches. 
 
 Good impression, with the inscription. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 518. Sportinc Print. Nonpareil trotting one-hundred miles on Sunbury 
 
 519. 
 
 520. 
 
 5238. 
 
 524, 
 
 525. 
 
 526. 
 
 Common, April 27th, 1836. Aquatint, engraved by George Hunt, 
 after the painting by F. C. Turner. Size, height, 1234; length, 
 22 inches. 
 
 Good impression, with inscription. 
 
 SportTinG Print. Pavilion rode by Chifney. Mezzotint, engraved by 
 W. Ward, after the painting by H. B. Chalon. Size, height, 16; 
 length, 22 inches. 
 
 Good impression, with the inscription. 
 
 Sportinc Print. The Race for the Welter Stakes, run on the 16th, 
 June 1801. Adquatint, engraved by C. Turner, after the painting 
 by H. B. Chalon. Size, height, 21; length, 3334 inches, — 
 
 Good impression with the inscription, in French and English, ™ 
 
 . SportTinG Print. The Race Horse Orville. Mezzotint, engraved by 
 
 William Ward, after the painting by H. B. Chalon. Size, height, 
 16; length, 22 inches. 
 
 Good impression, with the inscription. 
 
 . Sportinc Print. Race Horse, Sir David. Mezzotint, engraved by 
 
 William Ward, after the painting by H. B. Chalon. Size, height, 
 16; length, 22 inches. 
 
 Good impression, with the inscription. 
 
 Sportinc Print. The Rub Down after the Race. Aquatint, engraved 
 by P. L. Debucourt, after the painting by C. Vernet. Size, height, 
 2214; length, 80 inches. 
 
 Good impression, before the title. 
 
 Sportinc Prints. Départ du Chasseur. Aquatint, by Jazet, after 
 Vernet. Good impression, with inscription; [Atso] Engraving by 
 Coqueret, after Vernet, Couple riding through the woods. Good 
 impression, before the title. Together, 2 pieces. Size, about 21 
 by 28 inches. 
 
 SportTinc Prints. The Portrait of the Prize Fighter. Mezzotint, en- 
 graved by Turner; [Autso] Pen-and-ink drawing, by Davenport; 
 Plan, engraving by Muller; and set of six colored reproductions 
 after Goodwin Kilburne. Together, 9 pieces. Size, about 18 by 23 
 inches and smaller. 
 
 SPoRTING Prints IN Cotor. Oriental Field Sports; Wild Sports of 
 the East; and exhibiting in a Novel and Interesting Manner the 
 Natural History of the Elephant, the Rhinoceros, the Tiger, etc., 
 etc. With 40 Cotorep Encravincs by H. Merke, re-drawn from 
 Thomas Williamson’s designs, by Samuel Howett. Oblong royal 
 folio, half contemporary calf, binding broken and poor, corner of 
 one plate torn away; illustrated title is cut and mounted. 
 
 London, 1807 
 
 ONE OF THE FINEST SERIES OF SporTING PLATES EveER PUBLISHED AND 
 
 EXTREMELY Rare. A fascinating series of plates depicting various stages 
 of the hunt and of the shooting and trapping of wild beasts. 
 
es eee ee te 
 
 Se ee ee See 
 
 Second Session, Monday Evening, November 10th 
 
 THE VERY RARE ORIGINAL IMPRESSIONS 
 
 527. Sporting Prints in Coton. Hare Hunting. A series of four CoLorEep 
 
 Eneravines, after designs by J. Pollard. Each plate mounted on 
 bristol board, and matted. Size of each plate: Height, 714; length, 
 1014 inches. — Circa 1806 
 
 AN EXCESSIVELY RARE Series. ALL ORIGINAL IMPRESSIONS. Undated 
 but about 1806. The plates are all numbered, and with title in lower mar- 
 gins. Hach plate has an oil stain in the lower right-hand corner. The 
 captions are as follows :— 
 
 1. The Meeting ; 
 
 2. The Finding; 
 
 3. The Chase ; 
 
 4. The Death. 
 We believe the above to be the first complete set of this attractive series 
 that has been offered at public sale in this country. 
 
 SPLENDID PROOF IMPRESSIONS—RARE 
 
 528. Sportinc Prints In Conor. Two finely CoLtorep SportTinG PRINTS IN 
 
 Coors, “The Meet,” and “Breaking Cover,” drawn and engraved by 
 Charles Hunt. Size of each: Height, 1214; length, 1714 inches. 
 Each plate is mounted on cardboard, and each is matted. 
 Circa 1826 
 BotnH PLATES ARE PROOF IMPRESSIONS; AND ARE EXXCEEDINGLY RARE. 
 Both are undated, but about 1826. CHARACTERISTIC SCENES OF THE HUNTER 
 AT His Sport. 
 
 529. Sporting Prints in Cotor. Chances of the Steeplechase. A series of 
 
 8 plates, In Cotors, painted by J. Pollard and engraved by Rosen- 
 burg and C. Hunt. Bound in one vol. oblong imperial folio, half 
 red morocco. London, circa 1830 
 
 A Very ScARCE AND FASCINATING SERIES OF CoLOoRED AQUATINTS DE- 
 PICTING VARIOUS SCENES IN STEEPLECHASE Ripine. Plates 7 and 8 have 
 the sub-titles, the sub-titles on the other plates have been cut away. 
 
 We believe this to be the only set that has been offered at public sale in 
 this country. 
 
 RARE SERIES OF FINE HUNTING PRINTS 
 
 530. Sportinc Prints 1x Cotor. Hunting Recollections. A series of 6 
 
 CoLtorep Aquatints by J. Ferneley, engraved by EH. Duncan. Each 
 plate hinged on sheet of bristol board. Size of plates: Height, 
 1014; length, 1834 inches. [1833] 
 
 AN EXTREMELY Scarce SERIES OF HUNTING PRINTS, ALL FINE IMPRES- 
 SIONS. These plates were formerly in frames, and the margins show creases 
 owing to the same having been folded in order that the plates would fit the 
 frames. The series comprises :— 
 
 (1) Smooth Glides the Water Where the Brook is Deep; 
 
 (2) Larking—More Dirt, the Less Hurt! 
 
 (3) Taking it Cooly, Very Like a Whale; 
 
 (4) Doing it Well; 
 
 (5) A Floorer—Pick up the Pieces! 
 
 (6) A Flying Leap. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 531. 
 
 D380. 
 
 534. 
 
 Doo. 
 
 536. 
 
 537. 
 
 538. 
 
 509. 
 
 540. 
 
 Sporting Print 1n Cotor. Panoramic View of British Horse Racing; 
 The Race for the St. Leger Stakes of 1812, on Doncaster Course. 
 Aquatint, Printep In Coors, engraved by Olark and Dobourg, of 
 London, after the painting by Clifton Thomson, of Nottingham,— 
 Published and sold May 1st, 1815 by Edw. Orme. Stretched on 
 mounting board, has small margins. Size, height, 2334; length, 
 561% inches. : London, 1815 
 
 Or GREAT Rarity. Fine IMPRESSION, with inscription in French and 
 English. ' 
 
 . SporTING Print 1n Conor. Colonel Mordaunt’s Cock Match, at Luck- 
 
 now, in the Province of Oude, in the year 1786. Merzzorrnt IN 
 Cotors. Engraved. by Richard Earlom, after the “painting by 
 Zofany. Size, height, 1814; length, 26 inches. a 
 
 Goop IMPRESSION with inscription. 
 
 SPORTING Print In Cotor. The Hampshire Hunt, Aquatint, in colon 
 Engraved by O. Turner, after the painting by T. Smith. Size, 
 height, 19; length, 30 inches. 
 
 FINE IMPRESSION, with the inscription. 
 
 SPORTING Print rn Cotor. Philip Payne, on his favorite (Cherring- — 
 ton) with hounds. Mezzotint, In Cotors. Engraved by O. Turner, 
 after the painting by T. R. Davis. Size, height, 18; length, 26% 
 inches, 
 
 Good impression, with the inscription. 
 
 Sportinc Prryt 1n Coror. The Earl of Darlington and his Fox 
 Hounds. Stipple In Cotor, engraved by J. Dean after the painting 
 by B. Marshall. Size, height, 1834; length, 2314 inches. 
 
 Good impression, with inscription. 
 
 SPporTING Print 1n Cotor. Francis Buckenfield Astley Esq., and. his 
 Harriers. Stipple, in colors, engraved by R. Woodman after the 
 painting by B. Marshall. Good impression, with the inscription. 
 Size, height, 19; length, 24 inches. 
 
 Sporting Print 1n Coror. The Procession of His Majesty King 
 George IV, to Ascot Heath Races. Aquatint, In Cotors. R. G. 
 Reeves sculp.,—Pollard Pinat. Size, height, 10; length, 3014 inches. 
 
 FINE IMPRESSION, with inscription. 
 
 Sportinc Print ry Coror. Saddling before the Race. Agquatint In 
 Coors. Size, height, 1914; length, 35 inches. 
 Probably a view at one of the French Courses. Good impression, stained 
 and repaired. 
 
 Sports. D’ArtemMacGNeE (H. R.). Sports et Jeux d’Adresse. Contain- 
 ing 328 illustrations in the text and 100 plates, of which 29 are 
 CoLorep By Hann. 4to, decorative boards, gilt top, uncut. 
 
 Paris, no date 
 
 Sports. Moreau (P.). anp Vourguin (G.). Les Sports Modernes 
 Illustrés. Encyclopédie Sportive. Paris, no date; Parran (W.— 
 Editor). The Book of Sport. New York, 1901. Limited to 450 
 copies. Both profusely illustrated. Together, 2 vols. 4to and small 
 folio, cloth, leather back and three-quarter green morocco, gilt 
 top, uncut. Paris and New York, no date and 1901 
 
Second Session, Monday Evening, November 10th 
 
 541. Sportsman (Tux). Second Series, Vols. 14, 15, 16, 18 and 19. With 
 
 a number of fine copperplate engravings. 5 vols. 8vo, half cloth, 
 original pape labels, some plates spotted. 
 
 London, 1845-1850 
 
 Assumed to y perfect, as to text, but as with all periodicals sold not 
 
 subject to return. Vol. XIX has no title-page, the title-page in Vol. XVIII 
 
 has been substituted from Vol. XIV; Vol. XIV, has a title-page belonging 
 to ‘‘The > Sporting Magazine.” 
 
 542. Opp Votumegs. A collection of Odd Volumes, including History, Fic- 
 tion, Travel, Drama, etc. Together, 84 vols. 4to, 8vo and 12mo, 
 half alf, half morocco, cloth, boards. 
 
 Includes, 7 vols. of Pictorial History of England; 6 vols. of Bancroft’s 
 History of the United States; Vol. 2 of Huishes “Memoirs of her late 
 Majesty Caroline;” Vol. 1 of Lossing’s Civil War in America; Part 1, of 
 Vol. 1 of Biographia Dramatic; and odd volumes (about 15) of dramatic 
 works by Addison, Lillo, Murphy, and other dramatic writers; Works of 
 H. W. Longfellow, Vols. 1, 3, 4 and 7. Boston, 1866. 100 copies printed; 
 Reign of King Philip IJ. By W. H. Prescott. Vol. 2 Boston. 1855; Tradi- 
 
 tions and Recollections. By R. Polwhele. Vol. 1. London, 1826; and 
 others. 
 
 AMERICAN ART ASSOCIATION, Inc., MAnaczrs, 
 DEPARTMENT OF BooKs AND PRINTS, 
 
 ARTHUR SWANN, DiReEcror. 
 OTTO BERNET anp HIRAM H. PARKE, 
 
 AUCTIONEERS. 
 
- 
 i e 
 | 
 & 
 \ 
 > P) 
 
INTELLIGENT APPRAISALS 
 
 FOR 
 
 UNITED STATES AND STATE TAX 
 INSURANCE AND OTHER PURPOSES 
 
 AND 
 
 CATALOGUES OF PRIVATE COLLECTIONS 
 
 APPRAISALS AND CATALOGUES. Together with the increase in 
 its exhibition and sales rooms, the American Art Association, Inc., will expand its 
 service of furnishing appraisements, under expert direction, of art and literary 
 property, jewelry and all personal effects, in the settlement of estates, for in- 
 heritance tax, insurance and other purposes. It is prepared also to supplement 
 this work by making catalogues of the contents of homes or of entire estates, such 
 catalogues to be modelled after the finely and intelligently produced catalogues 
 of the Association’s own Sales. 
 
 The Association will furnish at request the names of many Trust and Insur- 
 ance Companies, Executors, Administrators, Trustees, Attorneys and private 
 individuals for whom the Association has made appraisements which have not only 
 been entirely satisfactory to them, but have been accepted by the United States 
 Revenue Department, State Comptroller and others in interest. 
 
 THE AMERICAN ART ASSOCIATION, Inc. 
 AT ITS 
 AMERICAN ART GALLERIES 
 MADISON AVENUE, 56TH To 57TH STREET 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
 Telephone: PLAZA 1270 
 
THE AMERICAN ART ASSOCIATION, INC. 
 DESIGNS ITS CATALOGUES AND DIRECTS 
 ALL DETAILS OF ILLUSTRATION 
 TEXT AND TYPOGRAPHY 
 
- COMPOSITION, PRESSWORK 
 AND BINDING BY 
 
LIBRARY | 
 GETTY CENTER 
 
 SLAP 94087 ‘_— 
 
oe rk 
 Pe i Pe La, 
 
 maj Aras ete ee 
 
 : : bi aes ¢ 
 
 “s ', 
 Se ae 
 
SPORTING BOCKS AND PRINTS 
 ’ PART OF THE RENOWNED COLLECTION 
 OF THE LATE 
 OLIVER H.P. BELMONT AND OTHER PROPERTIES. 
 SOLD-NOVEMBER 10TH, 1924 
 
 we THE MANAGEMENT OF THE AMPRICAN ART ASSOCIATION, INC.OF Naw YOR CI? 
 
 GRAND TOTAL 
 $10.00 
 
 136 
 137 
 138 
 
 pe 
 
 140 
 141 
 142 
 143 
 144 
 145 
 146 
 147 
 148 
 149 
 150 
 151 
 152 
 153 
 154 
 155 
 
 156 
 
 17,00 
 £200 
 5.00 
 5.00 
 
 10.00 
 
 22,00 
 
 12.50 
 
 10.00 
 
 25.00 
 5 .0O 
 
 17.00 
 
 40 .00 
 
 200 ,00 
 
 25.00 
 15.00 
 ae 
 10 .00 
 
 7.50 
 27.50 
 35.00 
 32.50 
 15.00 
 
 11,565.00 
 $11.00 
 
 5.00 
 50.00 
 1.00 
 4.00 
 Cee 
 £450 
 11.00 
 2.00 
 45,00 
 22 .50 
 3.00 
 8.00 
 11.00 
 1.50 
 2..00 
 5.00 
 4,00 
 5 .00 
 40 ,00 
 40 .00 
 11.00 
 
on 
 
 her 
 
#11.00 392 925.00 446 $2.50 
 Paue0 | 393 7.00 447 2.50 
 jae 893A 10.00, 448 7.00 
 1ae00. «394 10.0 “449 2,50 
 1m 50) 6 | 395 21.00 450 15.00 
 17.00. . 396 132008 "45% 9,00 
 TeEO 7 S97 22,50 452 3.00 
 
 6.00 398 gnuO0. 55". 25-00 
 Sono 399 164007 464 . 67.50 
 
 13.00 ° 400 15.00 455 250.00 
 
 410.00 401 20.00 456 25.00 
 
 27 aw 402 2.450 457 O50 
 Teo 403 37.50 458 10.00 
 9.00 4.04 8.00 459 TT 
 3.00 £05 7.50 460 G00 
 a) 406 5.00 461 32.50 
 7.00 407 27250 462 BOO 
 
 3.00 408 55.00 463 20.00 
 7.00 409 67.50 464 sO 
 
 16.00 410 8.00 465 40.00 
 5.00 411 9.00 466 13.00 
 3.00 412 10.00 467 15.00 
 3 OO 4135 8.00 468 £7.00 
 
 4,00 414 110.00 469 13.00 
 27.50 415 90.00 470 5.00 
 3.00 416 45.00 471 15,00 
 24600, 417 35.00 472 2050 
 5.00 418 50.00 473 5.00 
 6.00 419 45.00 474 3.00 
 £7.50 420 65.00 475 5. WG 
 12.00 . 4e1 BOLGO. A796 205.00 
 6.00 422 45.00 477 15.00 
 13.00 4236 50.00 478 460.00 
 22.50 424 80.00 479 13.00 
 10.00 425 37.50 480 10.00 
 6.00 426 90.00 481 5.00 
 27.50 427 425.00 482 7.00 
 W-s= 428 55.00 483 4.00 
 2.50 429 72.50 484 2. 60 
 
 5.00 431 85-00 486 8.00 
 10.00 432 f 85.00 487 15.00 
 4.00 433 35.00 488 Se 50 
 22.50 434 15.00 489 105.00 
 2e00 435 300.00 490 ou 
 2.00 436 7,50 491 2.50 
 10.00 437 2.50 492 5.00 
 
 12.00 438 rf oie 8 493 2.50 
 37.50 439 28.00 494 20.00 
 2.50 440 22.00 495 22 .50 
 Zr 00 441 17.00 496 4,. OO 
 £'. BO 442 125.00 497 5.00 
 5.00 443 9.00 498 25.00 
 8.50 444 17.50 499 14.00 
 17.50 445 47.50 500 Liev 
 
 . oth sO: 430 , 90.00 485 11.00 © acti 
 
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 ALSO WORKS ON ARMS AND ARMOR, ART 
 FURNITURE, COSTUME, ETC. 
 
 PART OF THE RENOWNED COLLECTION 
 OF THE LATE 
 
 OLIVER H. P. BELMONT 
 
 SOLD BY ORDER OF MRS. BELMONT 
 
 MONDAY, NOVEMBER 10, 1924 
 
 AMERICAN ART ASSOCIATION, Inc. 
 MADISON AVENUE, 50TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK