ye Sith Oe ee ae ve 2 fe os Gre pine si S poss Sey is rat 4 e ‘ 4 ; RATS PE So Catalogue of Pictures by Howard Pyle A TRIBUTE TO HOWARD PYLE Howard Pyle was distinguished by marked individual peculi- arities from all the other artists of his time. Indeed, for any so peculiar type of genius we must revert to William Blake. Pyle was most like Blake in this—that in the representation of life and things he caught native aspects and meanings. He had no interest in the institutional fabric of our civilization, or of any other. Of Quaker parentage and an enthusiastic disciple of Swedenborg, it was natural that he should listen to the inner voice and reject the traditions of men and the authority of the schools—also that he should seek the inward and spiritual meanings of all things. Yet, _ without being at all picaresque, he often chose to portray the ele- mental passions of our human nature. Pyle * * * was first of all and always an illustrator. Because he was transcendently that, he was something more than that, especially in his sense and handling of color and in the spirit which animated and informed his creations. He never failed to give his meaning in the picture itself, whether illustration or mural painting; but he delighted in correlating his meanings by means of the written story, which was always virile, significant, and charmingly antique and idiomatic. His work as author and artist was, for us all, and a good part of it especially for the youth, a fresh revival of the Romantic. But, though it occupied the field of wonder, it had no Rosetti-like trans- figuration and exaltation, no vagueness. Without any loss of the wonder, his meanings were plain. We shall not see his like again. H. M. Alden From Harper’s Magazine, 1912 BIOGRAPHICAL Howard Pyle was born in Wilmington, March 5th, 1853. He died in Florence, November 9th, 1911. His art education was acquired in Philadelphia and New York, and at an early age he became a regular contributor to Harper’s Weekly. Although his illustrations have appeared in every im- portant American Magazine, he remained throughout his career, chiefly identified with the Harper periodicals. In addition to his illustrative work a number of mural decor- ations stand to his credit, some allegorical, others historical in nature. Most of these are privately owned. There are however, notable examples of his historical decorations in the Hudson County Court House, N. Y., the Essex County Court House, N. J., and at the State Capitol, St. Paul, Minn. Howard Pyle’s reputation as a writer is quite as assured as his reputation as a painter. He was the author and illustrator of The Merry Adventures of Robin Hood, 1883; Pepper and Salt, 1885; Within the Capes, 1885; The Wonder Clock, 1888; The Rose of Paradise, 1888; Otto of the Silver Hand, 1888; Men of Iron, 1892; A Modern Aladdin, 1892; Jack Ballister’s Fortunes,1895 ; The Garden Behind the Moon, 1895; Twilight Land, 1895; Rejected of Men, 1903; The Story of King Arthur and His Knights, 1903; The Story of the Champions of the Round Table, 1905; The Story of Sir Launcelot and His Companions, 1907; The Story of the Grail and The Passing of Arthur, 1910, and of many shorter magazine articles and stories. Howard Pyle possessed an exhaustive knowledge of the life of the age he pictured, a knowledge the result of personal research and years of study. Quite apart from the many other artists who have attempted to reconstruct in picture the life of a time in which they did not live, he stands a unique and distinguished figure, the only realist. In 1894 he became Director of Illustration at the Drexel Institute, Philadelphia, and shortly afterwards opened summer classes for his pupils at Chadd’s Ford, Pa. In 1900 he built a school beside his own studio in Wilmington and started the Howard Pyle School of Art, with classes limited to twelve pupils, although a greater number were admitted to the composition lectures. To these classes there was no tuition charge. He was a member of the National Institute of Arts and Letters, the American Federation of Arts, the Society of Illustrators, the Century Association, The Salmagundi and Franklin Inn Clubs, A. N. A., 1905 and N. A., 1907. Clifford W. Ashley a oe ‘ ¥ 7 * - ’ . 4 , ’ * § . > ry ’ a Zz bi + oh) ae - ed : : . > Yor ah ae ; . , * > ; » ‘ Lae e : ; : . q . 3 vl é y 7 = * “ 7 a : q ~ . f - . Md ° ie i od i va “ss : ; uo? . b p: 5 . ae Ae a , ; aN - ' ' ri a x v es ~~ fh _ #7 at : r , er © - z : ve J oi . ui ¥ = ; ‘ - a” A. Toe a 4 a = ‘ ~ * . ¢ ‘ ‘ . y ee ee 4 " > ; * » : i z J x oes 1 hy \ e | u : iy ¥ ‘ » ' , z 1 - « , * a . - = ® 2 ' 7 * - rs . 7 ‘ y Ny 7 4 x 4 » ‘7 . ‘ 3 / J 2. P . F = ’ . ~ & “ TaN, a r oe mw |= P = - ‘ a * ‘4 . ‘ = ; a ts oe . eee : z F , F’ ‘ Ny | Me: ‘ ay 5 9 Pi , : rn ~ 7 , . i. p A Ts r ” ‘ if ‘ “ 5 ¥ ¥ ‘ ' A a - 3 », j z e - “ . u Si he Pua 5 7 rim e ’ 5 ’ 1 Pe * rn 7 ‘ : a 4 z e wy z : 3 ‘ z . a bal rit Ca Pid. 4 ‘ a 3 7 i aay . , J araais 4 ‘ a “8 j f er ah @ : } ap oy ' Hi F; y nig q . ' ' » , ‘ 7 a ¢ Ae Z _ 7 1% a ‘ + i m hae . 4 ‘ q ; * = ‘ p as i ‘ ; ee ¥ \e '— ‘ ‘a ~ s ‘ te eck Oe ‘ i a Peal \ a 4 =? i f a "y vi te ma a ay Sy a ; i ro . . " ti Ly we tag, Ow GE L y ’ Yen: ry Ot ak. Oe ae ae ’ > fe ] as “tLe it-w* : cy: sy At - c=. 4a th os ey A Lust of those individuals who contributed to the original fund for the purchase and endowment of the Collection of Pictures by Howard Pyle, and who, in order to further the interests of Art in Delaware, formed the Wilmington Society of the Fine Arts in the year 1912. Mr. P. S. duPont Miss Violet Oakley Mr. C. Gibson Mr. T. C. duPont Mr. Douglas Duer Mr. J. D. Kelley Miss Smyth Mrs. Frank Taylor Mr. W. E. Hawkins Mrs. Eugene duPont Mrs. Bruce Ford Mr. W. M. Kennard Mrs. Lammot duPont Mr. W. L. Dockstader Mrs. Russell Gilpin Mrs. T. C. duPont Mr. R. R. M. Carpenter Mrs. George Bates Mr.&Mrs.Chas.Copeland Miss G. Brinckle Mr. S. D. Townsend Col. H. A. duPont Mrs. B. G. duPont Mrs. J. W. Bissell Mr. H. M. Barksdale Mrs. S. Phelps Dr. & Mrs. Speakman Mr. W. H. Swift Mrs. Preston Lea Mr. A. D. Warner, Jr. Mr. Irénée duPont Mr. F. T. Gause Mr. George Hardcastle Mrs. G. A. Elliott Mr. A. T. True Mr. Henry Pyle Mr. William Sellers Mr. Preston Lea Delaware Roofing and Mrs. F. G. duPont Mr. J. Raskob Heating Co. Mr. F. L. Connable Miss Jessie Wilcox Smith Mrs. A. D. Warner Mr. George P. Bissell Mr. Hall Dr, Jos. P. Wales Mr. H. P. Scott Mrs. Jos. Bancroft Mr. Philip R. Goodwin Mr. C. L. Patterson Mr. J. Ernest Smith Miss Ida M. Dougherty Miss Latimer Mr. H. G. Haskell Dr. J. P. Pyle Mrs. E. T. Warner Mr. N. C. Wyeth Miss E. L. Bringhurst Mr. Lammot duPont DRS a i Mrs. C. I. Kent Mr. William Francis Mr. Curtis Chandler Mrs. J. M. T. Miss Paulina duPont Mr. C. P. Rumford Mrs. C. Gawthrop Mr. & Mrs. W. W. Laird Mrs. Nowland Mrs. L. C. Kent Mrs. Willard Saulsbury Mrs. L. Topkis Mr. He RUE: Mr. Willard Saulsbury Mrs. Morgan Miss Webb Mr. Benjamin Nields Mr. J. S. Brennan Mrs. J. F. Ball Miss Bissell Mr. J. P. Nields Every Evening Mrs. Job Jackson Mrs. F. W. Curtis - Mrs. R. Reese Mrs. W. K. duPont Mr. W. J. Aylward Mr. C. B. Palmer Mrs. C. R. Miller Mr. George Harding Mrs. H. B. Bradford Mrs. Spottswood Garland Mr. Harry E. Speakman OD. B. Jones & Co. Mr. & Mrs. W.G. Ramsay Miss Olive Rush Dr. L. Rumford Mr. W. G. Mendinhall Mr. R. H. Dunham Mrs. E. H. Ford Mrs. A. L. Foster Miss Ethel P. Brown Mr. W. T. Penniman, Jr. Mr. T. A. Hilles Miss Sarah R. Smith Mrs. Eli Garrett Mr. Thornton Oakley Mr. Herbert Moore Miss H. Garrett Mr. H. B. Thompson Mr. E. Roscoe Shrader Mr. W. F. Weed Mrs. T. F. Bayard Mrieli. heck Mr. W. P. Johnston Mr. & Mrs. W.S. Hilles Mr. P. V. E. Ivory Mr. H. Howell Mrs. Huxley Harvey Mr. Chas. A. MacClellan Miss A. T. Canby Mr. C. W. Ashley Mr. Gayle Hoskins Miss Emma Worrall Mr. S. M. Arthurs Dr. & Mrs. Jas. A. Draper Mrs. Henry Bancroft Mr. F. E. Schoonover Mr. W. H. Fenn Miss Eleanor Crownfield Mr. A. Demorest Dr. & Mrs. J. A. Ellegood Miss M. D. Sisson Mr. H. T. Dunn Mrs. Jas. A. Draper, Sr. Miss Wales Mr. G. M. McCooch Mr. Clyde O. Deland Miss McClafferty | Mr. Francis Newton Mr. J. H. Danby Miss Shearman Mr. W. M. Canby Mr. D. M. Bates Miss Crawford Chas. Scribner’s Sons Miss Beaman Mr. D. T. Rayner GIFTS AND PURCHASES After the death of Howard Pyle, a memorial exhibition of his work was held at Wilmington, in March, 1912. At the same time a spontaneous movement was started to acquire a public collection of his pictures. About eighty paintings and pen drawings were purchased by general subscription, and The Wilmington Society of the Fine Arts was founded and empowered to act as custodian. In 1915, 69 black and white illustrations were purchased from Charles Scribners’ Sons, and added to this nucleus. In 1919, 50 pen drawings were secured through the kind offices of Mr. Willard S. Morse. : In 1920, 11 vignettes and pen drawings were purchased from Mrs. Howard Pyle. In 1920, Mrs. Howard Pyle donated the original pen drawing frontispiece, “‘King Arthur of Britain’’ from ‘“The Story of King Arthur and His Knights’’—Scribners’, 1903. In 1923, upon the completion of the Wilmington Society of the Fine Arts’ Gallery in the Wilmington Institute Free Library Building, Mrs. Charles Copeland, President of the Society, presented and installed the mural decorations ‘The Genus of Art’, by Howard Pyle, which were removed from the original setting in his house, and placed in a similar room reproduced for their reception. Mrs. Howard Pyle donated at this time, the easel, palette, stool and costume chest, which were utilized in furnishing the room. In 1923, Mr. Willard S. Morse gave to the society his collection of approximately two hundred drawings and paintings, including many early examples of the work of Howard Pyle, and also donated a complete set of autographed first editions of Howard Pyle’s writings, and a complete set of reproductions of all his book and magazine illustrations. In 1925 Mr. Morse donated a series of sketch books covering a period of thirty-five years and containing the initial embodiment of most of Howard Pyle’s pictorial work. Many of the sketches have been identified and mounted beside reproductions of the finished pictures. Cases have been built for the display of these sketches. ADDITIONAL ACQUISITIONS By the will of Dr. Joseph Pyle the Wilmington Society of the Fine Arts acquired in 1919 two etchings and a pen drawing by the late Robert Shaw of Wilmington, and a portrait of George Washing- ton attributed to Rembrandt Peale. The following paintings have been acquired by purchase from the Society’s annual exhibitions: 1920 Little Girl of the Southwest by Robert Henri 1920 The Old Saw Mill dy Cees F. Ryder. 1920 A Sailor’s Fantasy by N. C. Wyeth. 1921 Girl Combing Her Hair by William M. Paxton. 1921 Flowers and Old China by Herbert D. Stitt. THE WILMINGTON SOCIETY OF THE FINE ARTS OFFICERS Mrs. CHARLES COPELAND, President Mr. WILLIAM F. SELLERS, Vice-President Miss GERTRUDE BRINCKLE, Secretary Mr. H. Ropney SHARP, Treasurer DIRECTORS Mrs. JosepH T. HILLEs Mr. GEorGE P. BISSELL Mrs. IRVING WARNER Mr. FRANK E. SCHOONOVER ’ Mr. STANLEY M. ARTHURS Mr. CHRISTOPHER WARD PATRON MEMBERS Mr. and Mrs. Pierre S. duPont Mrs. Charles B. Holladay Mr. H. J. Krebs Mr. & Mrs. Willard Saulsbury Mr. & Mrs. Joseph Bancroft Mr. Christopher Ward Mr. Lammot duPont Mrs. William G. Mendinhall Mrs. Coleman duPont Mrs. Wm. G. Ramsay Mrs. N. P. Rood Mrs. Charles Rupert Mr. George A. Elliott Mr. & Mrs. Charles Copeland Mrs. Irénée duPont Mrs. John B. Bird Mr. Ernest duPont Mrs. W. K. duPont Mr. H. F. duPont Mrs. Charles L. Patterson Mrs. H. M. Barksdale Mr. Wm. F. Sellers Mr. Richard Sellers Mrs. Hollyday S. Meeds MEMBERS A Dr. & Mrs. Julian Adair Miss Elizabeth Amory Miss Laura Amory Mr. Stanley M. Arthurs Mr. Clifford W. Ashley Mr. & Mrs. Donald Ashbrook Mrs. David C. Aspril B Mrs. Henry Bancroft Mr. & Mrs. John Bancroft Mrs. Samuel Bancroft Mr. William Bancroft Mr. & Mrs. J. Thompson Brown Mr. & Mrs. Arthur L. Bailey Dr. & Mrs. Boyd H. Baker Mr. Samuel B. Bird Mr. & Mrs. Caleb E. Burchenal Dr. Albert W. Barker Mrs. Daniel M. Bates Hon. & Mrs. Thomas F. Bayard Miss Grace Beadenkopf Miss Marion Beadenkopf Mrs. William S. Bergland Mrs. E. T. Betts Mr. & Mrs. Dorrance Beyea Miss Emily P. Bissell Mr. & Mrs. George P. Bissell Mr. Walter Blackson Mr. & Mrs. Henry B. Bradford Mr. Sidney G. Bradford Mr. & Mrs. F. J. Byrne Miss Gertrude Brinckle Mr. Edward Bringhurst Miss Elizabeth Bringhurst Mr. & Mrs. Roberts W. Brokaw Miss Ethel Pennewill Brown Mrs. F. Donaldson Brown Mr. Walter Stewart Brown Mrs. Edmund G. Buckner Mr. William T. Budd Mr. & Mrs. Philip Burnet Mr. & Mrs. W. C. Blatz Mr. & Mrs. C. Marshall Barton Mrs. Charles W. Baker, Jr. Mr. F. D. P .Balch Mrs. Wm. N. Bannard Mr H. V. Berg Miss Ellen Cannon Buckelew Mr. James Buckelew Mr. & Mrs. Frederick Blatz Miss Mabel E. Baird Miss Mary B. Bergland Mrs. C. Douglas Buck Miss Mary H. Brinton Mr. & Mrs. John Biggs C Mr. and Mrs. Henry M. Canby Mr. & Mrs. George S. Capelle, Jr. Mr. & Mrs. R. R. M. Carpenter Mr. Walter S. Carpenter Mr. & Mrs. W. S. Carpenter, Jr. Rev. Charles Clash Mr. & Mrs. Denver Coppage Chancellor Charles M. Curtis Miss Mabel Coppage Miss A. L. Crawford Miss Eleanor F. Crownfield Mrs. W. G. Crichton Major & Mrs. K. K. V. Casey Mrs. W. G. Coxe Miss L. Beatrice Corkran Mr. Fred F. Chapman Mrs. A. D. Chambers Mr. Wm. Coyne Mr. & Mrs. F. G. Cox Mrs. Edward Glenn Cook D Mrs, J. A. Draper Mrs. J. A. Draper, Jr. Mr. & Mrs. R. H. Dunham Miss Amy duPont Mr. & Mrs. Coleman duPont Mr. & Mrs. Francis I. duPont Col. H. A. duPont Mrs. Henry F. duPont Mr. Irénée duPont Mr. & Mrs. E. Paul duPont Mrs. J. Simpson Dean Mrs. J. W. DeBlois Mr. Lewis A. DeBlois Mrs. George W. Dorsey Mrs. Franklin Duane Miss Aileen duPont Mr. & Mrs. A. Felix duPont Mrs. Elizabeth D. Davies Mrs. Lammot duPont Miss Natalie duPont Mr. & Mrs. Eugene duPont Mr. & Mrs. Francis B. Davis Miss Evelina duPont Mrs. E. L. Duer Miss Wilhelmina H. duPont Miss Mary B. duPont Miss Constance duPont Mr. & Mrs. Eugene E. duPont Mrs. F. V. duPont E Mr. & Mrs. Herman Eisenmenger Mrs. J. Atkinson Ellegood Mrs. George A. Elliott Mr. William Shewell Ellis Mr. & Mrs. J. B. D. Edge Mrs. Alfred S. Elliott Mr. & Mrs. Charles B. Evans Mrs. H. C. Evans Mrs. W. L. Edison Miss Georgia C. Enos F Mr Burton P. Fowler Mr. & Mrs. W. H. Fenn Mrs. Bruce Ford Mrs. Edward H. Ford Mrs. A. Lentilhon Foster Mr. & Mrs. W. B. Foster Mrs. Clarence Fraim Mr. Chas. V. Ferriday G Mr..& Mrs. James N. Ginns Miss Helen S. Garrett Mrs. Alfred Gawthrop Miss Mabel Golding Miss Carolyn Golding Mr. J. Stewart Groves Miss Eleanor B. Gillespie Mr. E. B. Griffenberg Mrs. C. Ingersoll Gause H Mr. John Haderer Mr. Edwin J. Hardcastle Mr. & Mrs. H. G. Haskell Mrs. Clarence I. B. Henning Mr. & Mrs. Charles A. Higgins Mrs. Joseph T. Hilles Mr. T. Allen Hilles Mr. & Mrs. W. S. Hilles Mr. & Mrs. MacMillan Hoopes Mr. & Mrs. LeRoy Harvey Mrs. W. E. Hawkins Miss Miriam Hawkins Miss Katherine Hilles Mr. & Mrs. W. F. Harrington Miss Lucile Howard Mr. & Mrs. James H. Hughes, Jr. Mrs. Lewis A. Hudgins Mr. & Mrs. Henry Hoopes Miss Irene Hortman Miss Elizabeth D. Hanson Mrs. Mary Canby Hoffecker Mr. Joseph S. Hamilton Miss Alice H. Harvey J Mrs. Francis deH. Janvier Miss Louise B. Johnson Mrs. Frank Morton Jones K Miss Frances Kennard Mr. & Mrs. A. Sonnin Krebs Mrs. H. J. Krebs Mr. Walter Kumme Mrs. Charles I. Kent L Mrs. William H. Laird Mr. W. W. Laird Mr. & Mrs. Arthur LaMotte Mrs. Gamble Latrobe Mrs. Preston Lea Mr. & Mrs. Charles M. Levis Mrs. David Lindsay, Jr. Miss Jane Mintzer Longmire Mrs. Philip D. Laird Mr. & Mrs. Caleb Sipple Layton M Mr. & Mrs. F. C. McCormick Miss Edith N. McConnell Mr. E. C. McCune Hon. David T. Marvel Mr. & Mrs. Josiah Marvel Hon. Charles R. Miller Miss Margaretta Miller Mrs. Thomas W. Miller Miss Constance Moore Mr. Willard S. Morse Mr. Edward B. Mode Mr. J. A. Montgomery Mrs. Hugh Morris Mr. Nathan Miller Mrs. H. K. Miller Miss Mary Miller Mr. Charles MacLellan Mr. Leslie P. Mahony N Dr. Eli Nichols Mr. & Mrs. John P. Nields Mr. Frances Newton Mrs. Otho Nowland Miss Louise Nowland O Mr. Thornton Oakley Miss Violet Oakley Dr. & Mrs. Joseph H. Odell Mrs. Frank N. Overdeer Mr. John O’Connell Mr. & Mrs. Julien Ortiz aa Mrs. Gertrude Pyle Mrs. William Prickett Mrs. Joseph M. Pusey Mr. Charles L. Patterson Miss Elsie L. Patterson Mrs. Sheffield Phelps Mr. F. W. Pickard Miss Katharine Pyle Mrs. Walter Pyle Mrs. Howard Pyle Mrs. Willard Hall Porter Mrs. Charles A. Patterson Mr. H. M. Pierce Mr. & Mrs. Joseph E. Plumstead R Mr. & Mrs. J. J. Raskob Mr. & Mrs. J. Edgar Rhoads Dean Winifred J. Robinson Mr. Norman P. Rood Dr. & Mrs. Charles L. Reese Mr. & Mrs. Richard Reese Mrs. D. J. Reinhardt Mr. & Mrs. Robert H. Richards Mrs. Charles G. Rumford Mr. Charles G. Rupert Mr. Laussat Rogers « Miss Bertha Riley Mrs. Edmund G. Robinson Mr. Henry B. Robertson Mrs. Frank L. Reynolds Mr. George A. Rhoads Mrs. Frank Rupert Mr. John Rennie 3 S Miss Blanche Swayne Mr. & Mrs. J. J. Satterthwaite Mr. Frank E. Schoonover Miss Alice P. Sellers Mr. & Mrs. H. P. Scott Mr. & Mrs. Harlan G. Scott Mrs. William Sellers Mr..& Mrs. Howard L. Seaman Mr. & Mrs. H. Rodney Sharp Miss Henriette L. Stadelman Miss Sarah K. Smith Miss Alice P. Smyth Mr. Harry E. Speakman Mr. Willard Speakman Mr. H. S. Schutt Miss May Sharp Mr. Charles Warner Smith Mr. Ellwood Souder Mr. & Mrs. W. C. Spruance Mr. & Mrs. Gerald B. Street Mrs. H. J. Stubbs Dr. W. O. Sypherd Mr. George Schafer Mrs. Galt Smith Mr. Herbert D. Stitt Mrs. Arthur Spruance Miss Edith Spruance Dr. & Mrs. Charles M. Stine Mrs. Robert W. Smith Mr. & Mrs. James T. Skelly Mrs. Wm. C. Speakman Mr. John L. Sexton Mrs. Julia M. Story Mrs. Alice Hastings Smith Mrs. C. A. Sutherland Mrs. Ethel Ball Staniar T Mr. Frank G. Tallman Mrs. Charles Topkis Mrs. Frank Taylor Mr. & Mrs. Henry B. Thompson Mrs. William H. Thomson Mrs. L. Scott Townsend Mr. & Mrs. S. D. Townsend Dr. & Mrs. Robert Tomlinson Miss Mary Thornton Mr. & Mrs. C. M. Turner } Vv Mr. & Mrs. J. Findlay Van Lear WwW Miss Isabelle B. Wales Mrs. Christopher L. Ward Mrs. Alfred D. Warner, Jr. Mrs. Alfred D. Warner Mrs. Irving Warner Miss Miriam W. Webb Mr. & Mrs. W. J. Webster Miss Grace Weldin Mr. G. Morris Whiteside Mr. & Mrs. T. W. Wilson Mr. N. C. Wyeth Mrs. John Temere DeBlois Wack Mr. & Mrs. Joseph S. Wilson Mr. John G. Weller Dr. Victor Washburn Mrs. H. W. Whittaker Mrs. Charles Warner Mrs. Charles K. Weston Mr. & Mrs. E. H. Worth Mrs. Henderson Weir Hon. & Mrs. Victor B. Woolley Mrs. Peter T. Wright HONORARY MEMBERS Mrs. Howard Pyle Mr. Willard S. Morse Mr. Willard S. Morse, assisted by Miss Gertrude Brinckle, has compiled a chronological list of the work of Howard Pyle, and this list was published by the Society in 1920 under the title, ““Howard Pyle, a Record of His Illustrations and Writings.” This chronological list was used as a basis for the present catalogue. The items were numbered consecutively 1 to 3330 and each exhibit of the Society’s collection bears its corresponding number, which indicates its relative position in the sequence of Howard Pyle’s work. Catalogue of Pictures by Howard Pyle IN THE PERMANENT COLLECTION OF THE WILMINGTON SOCIETY OF THE FINE ARTS PUBLIC LIBRARY BUILDING WILMINGTON - DELAWARE fe 69. 71. 86. 96. 211. 285. 309. 345. Pictures by Howard Pyle Heading and Title, from THE CONSTITUTION’S LAST FIGHT, by J. J. Roche,—Century, Sept. 1895. (Willard S. Morse Collection) LOOT, from POISONED ICE, by “Q”’, Collier’s Dec. 10, 1898. “On the edge of the ring, guarded, stood Brother Bartolome and the Carmelite’. Pen and Ink Oil, Two Colors THE SPIES, fro THE PRICE OF BLOOD, by Howard Pyle, “Upon the last stage of the Journey, they stopped for Dinner at a Tavern’”’. Oil, Two Colors THE FLYING DUTCHMAN, No text, Collier’s Dec. 17, 1898. Oil, Two Colors THE BURNING SHIP, No text, Collier’s, Dec. 10, 1904. Black and White, Oil UNCLE SAM, from THE OLD NATIONAL PIKE, by W. H. Rideing, Harper’s, Nov. 1879. (Willard S. Morse Collection) JACQUES CARTIER SETTING UP A CROSS AT GASPE, from THE FRENCH VOYAGEURS, by Thomas Wentworth Higginson.—Harper’s, March, 1883, (Willard S. Morse Collection.) AT MRS. WASHINGTON’S RECEPTION, from OUR Pencil Drawing Gouache COUNTRY’S CRADLE, by Thomas Wentworth Higginson. —Harper’s, Feb. 1884. Pen and Ink THE SACKING OF PANAMA, from BUCCANEERS AND MAROONERS OF THE SPANISH’ MAIN, by Howard Pyle.—Harper’s, August, 1887. (Willard S. Morse Collection.) : Gouache 356. 443. 448. 684. THE INAUGURATION, from WASHINGTON’S IN- AUGURATION, by John Bach McMaster.—Harper’s, 1889. Black and White Oil TURPIN AND KING, from CHAPBOOK HEROES, by Howard Pyle.—Harper’s, June, 1890. Black and White Oil THE QUAKER LADY. Headpiece, from THE QUAKER LADY, by S. Weir Mitchell—Harper’s, Nov. 1890. (Willard S. Morse Collection.) A series of four paintings and four illustrated texts for BY LAND AND SEA, by Howard Pyle.—Published in Harper’s, Dec. 1895:— IN THE WOOD-CARVER’S SHOP. Oil, Black and White with Red 685, 686, 687. Marginal Illustrations. Page 1. 688. Pen and Ink A SAILOR’S SWEETHEART. ~ Oil, Black and White with Red 689, 690, 691. Marginal Illustrations. Page 2. 692. Pen and Ink THE SAILOR’S WEDDING. Oil, Black and White with Red 693, 694, 695. Marginal Illustrations. Page 3. 696. Pen and Ink A WRECK FROM THE SEA. Oil, Black and White with Red 697, 698, 699. Marginal Illustrations. Page 4. 780. 781. 840. 845. Pen and Ink Headpiece, from LOVE AND DEATH, by Howard Pyle.— Harper’s, March,1897. (Willard S. Morse Collection.) Tailpiece for same. (Willard S. Morse Collection.) Headpiece, from THE YELLOW OF THE LEAF, by Bliss Carman.—Harper’s, Dec. 1900. Pen and Ink Pen and Ink Pen and Ink Series of six pictures for THE PILGRIMAGE OF TRUTH, by Eric Bogh.—Harper’s, Dec. 1900:— TRUTH LEAVES THE FAIRIES’ WONDERLAND. Oil on Mahogany Panel pe 846. 847. 848. 849. 850. 896. 915. 925. 929. 960. 962. 967. 9382. TRUTH BEFORE THE KING. Oil on Mahogany Panel TRUTH IN THE TEMPLE. Oil on Mahogany Panel TRUTH BEFORE THE SEER. Oil on Mahogany Panel TRUTH WENT ON HER WAY ALONE. Oil on Mahogany Panel TRUTH IN THE FOOL’S LODGE. Oil on Mahogany Panel THE FISHING OF THOR AND HYMIR, from NORTH Palin LEGENDS. OF THE SEA, by Howard Pyle.— Harper’s, Jan. 1902. Water Color KIDD ON THE DECK OF THE “ADVENTURE” Pest vaetrom LUE TRUE CAPTAIN. KIDD, by John D. Champlin, Jr., —Harper’s, Dec. 1902. Crayon (Color) MieAGRASSHOPPER AND THE ANT, “At the Gate of the Castle’ from PEIRE VIDAL, TROUBADOUR, by Olivia Howard Dunbar, Harper’s, Dec. 1903. me THE ARTIST, “This last picture’, from THE STAIR- WAY OF HONOR, by Maud Stepney Rawson,—Harper’s, Jan. 1904. Oil Pee ote AND LOUIS: XIV, from THE .GREAT LA SALLE, by Henry Loomis Nelson, Harper’s, Feb. 1905. “LaSalle petitions the King for permission to explore the Mississippi.” Oil ARMED PEACE from SPECIAL MESSENGER, by Robert W. Chambers.—Harper’s Feb. 1905. ‘“‘Are you ever lonely here?’ he enquired.”’ Oil, Two Colors Poe oULCIDE, from “CARLOTTA, by VSustus Mules Forman.—Harper’s, May 1905. “Crown Prince Karl, dead by his own hand.” Oil, Two Colors Four Illustrations from THE FATE OF A TREASURE TOWN, by Howard Pyle——Harper’s, Dec. 1905 :— THE BUCCANEERS. ‘The buccaneer was a picturesque fellow.” i il 3 983. 984. 985. 997. 998. 1001. 1002. 1003. 1029. 1032. 1039. 1043. AN ATTACK ON A GALLEON. = SO THE TREASURE WAS DIVIDED. 2 THE SACK OF CARTHAGENA. “Extorting tribute from the citizens.” a THE DIPLOMATS from IN THE SECOND APRIL, by James Branch Cabell.——Harper’s, April, 1907. ‘Who is the lucky miss, my little villain?”’ ee THE FIGHT IN THE FOREST from IN THE SECOND APRIL, by James Branch Cabell—Harper’s, April, 1907. “The duel between John Blumer and Cazaio.” a THE FAIR SUPPLIANT, from THE NOBLE FAMILY OF BEAUPERTUYS, by Stephen F. Whitman.—Harper’s, July, 1907. “The king glared down upon her.” Oil THE FIGHT FOR THE LADY, from THE NOBLE FAMILY OF BEAUPERTUYS, by Stephen F. Whitman.— Harper’s, July, 1907. “ il THE LADY WITH THE SILVER VEIL, from THE RUBY OF KISHMOOR, by Howard Pyle.—Harper’s, August, 1907. “I am the daughter of that unfortunate Captain Keitt.” FLEUR DE LIS, from THE RAT TRAP, by James Branch Cabell.—Harper’s, Dec. 1907. ““Meregrett, daughter of Philippe the Bold.” ss THE TORY, from A SIGN FROM HEAVEN, by Basil King.—Harper’s, Jan. 1908. “Take care, my friend, take care.” il LORD OF THE EARTH, from THE SCABBARD, by James Branch Cabell.—Harper’s, May, 1908. “The Coming of Lancaster.” Oi THE MAGIC HARPER, from EDRIC AND SYLVAINE, by Brian Hooker.—Harper’s, August, 1908. “Edric the Singer.”’ Oil 1066. 1074. 1078. 1080. 1084. 1086. 1088. 1089. 1096. 1104. 112. THE GUARDIAN. (Also called Winter and Summer), from THE MYSTERIOUS CHEST, by Howard Pyle. Harper’s Dec. 1908. “Old Jacob van Kleek had never favored our hero’s visit.”’ Oil Vignette for THE MYSTERIOUS CHEST, by Howard Pyle.—Harper’s, Dec. 1908. “He was greatly addicted to little supper parties of his own sex’, Oil, Two Colors Vignette for THE MYSTERIOUS CHEST, by Howard Pyle.—Harper’s, Dec. 1908. “Our young gentleman of the law’’. Oil, Two Colors Vignette for THE MYSTERIOUS CHEST, by Howard Pyle-—Harper’s, Dec. 1908. “Tf this dreadful thing is not taken away, I shall go mad Oil, Two Colors A SPANISH DANCER, from LOLA, by Perceval Gibbon. Harper’s, Jan. 1909. “The Dancer.” Oil THE TALISMAN, from THE APPLE OF VENUS, by Marjorie Bowen.—Harper’s, Feb. 1909. “In place of the apple hung a little gilded skull.”’ Bs Illustration from THE GRAIN SHIP, by M See Robertson. Harper’s, Mar. 1909 “He watched me as a cat watches a mouse.’ ie Illustration from THE GRAIN SHIP, by Morgan Robertson. Harper’s, Mar. 1909. “He lost his hold and fell, taking me with him.” Oil SPRINGTIME.—Harper’s, August, 1909. “When All the World Was Young.” No text. os THE SALEM WOLF, from THE SALEM WOLF, by Howard Pyle.—Harper’s, Dec. 1909. “A wolf had not been seen at Salem for thirty Fears ie 5; Vignette from THE SALEM WOLF, by Howard Pyle. Harper’s, Dec. 1909. “Old Patrick and Little Ichabod.” Oil, Two Colors 5 1135: 1118. 1128. 1199. 1279. 1370. 1372. 1S 73% 1374. 1381. 1382. Vignette from THE SALEM WOLF, by Howard Pyle. Harper’s, Dec. 1909. “Hell hound, let go!’’ Oil, Two Colors THE KING, from SWANHILD, by Brian Hooker. Harper’s, Jan. 1910. “T grow old, having no son but Randver.”’ Ee THE BLACK NIGHT, from THE BLACK NIGHT, by James Hopper.—Harper’s, June, 1910. “They questioned him with malevolent persistence.” Bs ILLUSTRATION, from THE BUCCANEERS, by Howard Pyle.-—Harper’s Round Table, June 29, 1897. “He leaped to the wheel’”’. (Willard S. Morse Collection.) A BALLROOM ENTANGLEMENT, from “THE STRANGE ADVENTURES OF CARL SPICH”, by Howard Pyle-—Harper’s Weekly, Jan. 3, 1885. ‘“‘He stopped when he had come close to Carl”’. Pen and Ink Pen and Ink TWO OPINIONS, illustrated Verse by Howard Pyle. Harper’s Young People, Oct. 9, 1883. eS. en and In Headpiece with title, from THE REVOLT OF THE HOLI- DAYS, by E. I. Stevenson, Harper’s Young People, Dec. 18, 1883.0, (Willard S. Morse Collection, in portfolio) FRED, from THE REVOLT OF THE HOLIDAYS, dy E. I. Stevenson. WHarper’s Young People, Dec. 18, oe Pen and Ink DORA-DOROTHY, from THE REVOLT OF THE HOLIDAYS, by E. I. Stevenson.—Harper’s Young People, Dec. 18, 1883. Pen and Ink Pen and Ink ENTER NEW YEAR’S DAY, SALUTING, from THE REVOLT OF THE HOLIDAYS, by E. JI. Stevenson.— Harper’s Young People, Dec. 18, 1883. se Pen and In SANTA CLAUS, from THE REVOLT OF THE HOLI- DAYS, by E. I. Stevenson, Harper’s Young People, Dec. 18, 1883. (Willard S. Morse Collection, in portfolio) 6 Pen and Ink 1384. 1386. 1387. 1388. 1389. 1390. 1391. 1395. 1396. 1397. 1398. 1399. THE ACCIDENT OF BIRTH. Illustrated Verse, by Howard Pyle—Harper’s Young People, Jan. 29, 1884. Pen and Ink ILLUSTRATION, from FACING A GIANT, by David Ker.—Harper’s Young People, March 11, 1884. “TI am the Grand Duke.” Pen and Ink A TALE OF A TUB. Illustrated Verse, by Howard Pyle. Harper’s Young People, April 8, 1884. Pen and Ink PRIDE IN DISTRESS. Illustrated Verse, by Howard Pyle-—Harper’s Young People, May 6, 1884. (Willard S. Morse Collection.) Pen and Ink MORAL BLINDNESS. | Illustrated Verse by Howard Pyle. WHarper’s Young People, June 3, 1884., Pen and Ink SERIOUS ADVICE. Illustrated Verse by Howard Pyle. Harper’s Young People, June 24, 1884. Pen and Ink THREE FORTUNES. | Illustrated Verse, by Howard Pyle. WHarper’s Young People, July 15, 1884. (Willard S. Morse Collection.) Pen and Ink Nine illustrations, from THE ACCOMMODATING CIR- CUMSTANCE, by Frank R. Stockton.:— “Blow ye horn for ye ferryman.’’—Harper’s Young People, July 15, 1884. Pen and Ink “Ye school for men’’.—Harper’s Young People, July 22, 1884. Pen and Ink “Then they began to pull’’.—Harper’s Young People, July 22, 1884. Pen and Ink “Instantly there stood by her side a school trustee’’— Har- per’s Young People, July 22, 1884. (Willard S. Morse Collection.) “Fitting a long arrow to his bow, he sent it directly through the foremost horseman.’’—Harper’s Young People, July 22, 1894. Pen and Ink Pen and Ink 1400. 1401. 1402. 1404. 1405. 1406. 1407. 1408. 1409. 1419. 1420. 1421. “They sat down under a tree.’—Harper’s Young People, July 29, 1884. (Willard S. Morse Collection). “To Zisk.’’—Harper’s Young People, July 29th, 1884. Pen and Ink Pen and Ink Tailpiece, ‘“To Zisk.”’—Harper’s Young People, July 29, 1884. Pen and Ink (Willard S. Morse Collection.) VENTURESOME BOLDNESS, Illustrated Verse, by Howard Pyle.—Harper’s Young People, Aug. 26, 1884. Pen and Ink YE SONG OF YE FOOLISH OLD WOMAN. Illustrated Verse, by Howard Pyle-—Harper’s Young People, Sept. 16, 1884. Pen and Ink (Willard S. Morse Collection.) YE SONG OF YE RAJAH AND YE FLY. Illustrated Verse, by Howard Pyle-—Harper’s Young People, Oct. 21, 1884. Pen and Ink (Willard S. Morse Collection.) YE TWO WISHES. Illustrated Verse, by Howard Pyle. Harper’s Young People, Nov. 4, 1884. Pen and Ink SUPERFICIAL CULTURE. Illustrated Verse, by Howard Pyle-——Harper’s Young People, Nov. 18, 1884. Pen and Ink PLAY AND EARNEST. Illustrated Verse, by Howard Pyle. Harper’s Young People, Dec. 2, 1884. Pen and Ink OVERCONFIDENCE. _ Illustrated Verse, by Howard Pyle.—Harper’s Young People, Feb. 10, 1885. (Willard S. Morse Collection.) Initial and Title, from HANS HECKLEMANN’S LUCK, by Howard Pyle, Feb. 24, 1885. (Willard S. Morse Collection, in portfolio) Hans Hecklemann, from HANS HECKLEMANN’S LUCK, by Howard Pyle. Harper’s Young People, Feb. 24, 1885. Pen and Ink Pen and Ink Pen and Ink 1422. 1423. 1426. 1427. 1435. 1436. 1438. 1441. 1443. 1447. 1458. Catherine, from HANS HECKLEMANN’S LUCK, by Howard Pyle—Harper’s Young People, Feb. 24, 1885. Pen and Ink Hans Hecklemann goes to the Cottage of the Old Woman, from HANS HECKLEMANN’S LUCK, by Howard Pyle. Harper’s Young People, Feb. 24, 1885. (Willard S. Morse Collection.) Hans Hecklemann Ploughs for Gold, from HANS HECKLE- MANN’S LUCK, by Howard Pyle.—Harper’s Young People, Feb. 24. 1885. (Willard S. Morse Collection.) PROFESSION AND PRACTICE. Illustrated Verse, by Howard Pyle-——Harper’s Young People, Mar. 10, 1885. Pen and Ink A NEWSPAPER PUFF. Illustrated Verse, by Howard Pyle—Harper’s Young People, March 24th, 1885. Pen and Ink Pen and Ink Pen and Ink Headpiece with title, CLEVER PETER AND THE TWO BOTTLES, by Howard Pyle, Harper’s Young People, April 7, 1885. (Willard S. Morse Collection, in portfolio) Clever Peter Rides to the King’s Palace, from CLEVER PETER AND THE TWO BOTTLES, by Howard Pyle.— Harper’s Young People, April 7, 1885. Pen and Ink Pen and Ink Clever Peter Opens the Unlucky Bottle, from CLEVER PETER AND THE TWO BOTTLES, by Howard Pyle.— Harper’s Young People, April 7, 1885. Pen and Ink FARMER GRIGG’S BOGGART. Title of story by, Howard Pyle-—Harper’s Young People, April 28, 1885. Pen and Ink The Departure, from FARMER GRIGG’S BOGGART, by Howard Pyle-——Harper’s Young People, April 28, 1885. Pen and Ink CLAUS AND HIS WONDERFUL STAFF. Title of story by Howard Pyle—Harper’s Young People, July 14th, 1885. Pen and Ink 1465. 1467. 1468. 1470. 1472. 1473. 1479. 1480. 1482. 1483. THE APPLE OF CONTENTMENT. Title of Story by Howard Pyle.—Harper’s Young People, August 18, 1885. Pen and Ink Christine’s Mother and Sisters Wish for the Apple, from THE APPLE OF CONTENTMENT, by Howard Pyle. Harper’s Young People, Aug. 18, 1885. (Willard S. Morse Collection.) Christine and the Apple, from THE APPLE OF CON- TENTMENT, by Howard Pyle—Harper’s Young People, Aug. 18, 1885. Pen and Ink Pen and Ink The King Reaches for the Apple, from THE APPLE OF CONTENTMENT, by Howard Pyle—Harper’s Young People, Aug. 18, 1885. (Willard S. Morse Collection.) Christine Gives the Apple to the King, from THE APPLE OF CONTENTMENT, by Howard Pyle—Harper’s Young People, Aug. 18, 1885. (Willard S. Morse Collection.) Headpiece and title, THE BIRD IN THE LINDEN TREE, by Howard Pyle—Harper’s Young People, Sept. 15,9385. Pen and Ink Pen and Ink Pen and Ink The Prince looks through the Magic Key, from THE BIRD IN THE LINDEN TREE, by Howard Pyle—Harper’s Young People, Sept. 15, 1885. Pen and Ink The Old King Rejoices at his new Daughter-in-law.— Harper’s Young People, Sept. 15, 1885. (Willard S. Morse Collection.) The Swan Carries the Prince Away, from THE SWAN MAIDEN, by Howard Pyle—Harper’s Young People, Oct. 13, 1885. (Willard S. Morse Collection.) The Prince and the Old Witch, from THE SWAN MAIDEN, by Howard Pyle.——Harper’s Young People, Oct. 13, 1885. (Willard S. Morse Collection.) Pen and Ink Pen and Ink Pen and Ink 10 1488. 1489. 1518. 1519. 1520. 1521. 1543. 1544. 1545. 1546. The Jolly Red-faced Man comes to Town, from THE BOOK OF BALBO, by Sherwood Ryse—Harper’s Young People, Nov. 3, 1885. Pen and Ink Rambustius Reads the Book of Balbo, from THE BOOK OF BALBO, by Sherwood Ryse.—Harper’s Young People, Nov. 3, 1885. Pen and Ink Peterkin’s Brothers Marvel at his Fine Trappings, from PETERKIN AND THE LITTLE GREY HARE, by Howard Pyle.—Harper’s Young People, Mar. 23, 1886. Pen and Ink Peter Makes off with the Giant’s Goose, from PETERKIN AND THE LITTLE GREY HARE, by Howard Pyle.— Harper’s Young People, Mar. 23, 1886. (Willard S. Morse Collection.) Peterkin brings the Silver Bell to the King, from PETER- KIN AND THE LITTLE GREY HARE, by Howard Pyle.—Harper’s Young People, March 23, 1886. Pen and Ink Pen and Ink Peterkin, Dressed as a Lass, and the Giant, from PET- ERKIN AND THE LITTLE GREY HARE, by Howard Pyle——Harper’s Young People, March 23, 1886. Pen and Ink “Give the poor old Woman a penny or two’, in THE STAFF AND THE FIDDLE, by Howard Pyle.—Harper’s Young People, August 31, 1886. Pen and Ink “Rub a Dub Dub,” says the Fiddler, from THE STAFF AND THE FIDDLE, by Howard Pyle—Harper’s Young People, August 31, 1886. Pen and Ink A Princess as Pretty as a Ripe Apple, from THE STAFF AND THE FIDDLE, by Howard Pyle.— Harper’s Young People, August 31, 1886. (Willard S. Morse Collection.) Pen and Ink “What do you want, Master?”’, fom THE STAFF AND THE FIDDLE, by Howard Pyle. Harper’s Young People, August 31, 1886. Pen and Ink 11 1554. 1555. 1556. 1565. 1580. 1581. 1609. 1611. 1612. 1613. 1614. The Princess starts for the Witch’s House, from KING STORK, by Howard Pyle—Harper’s Young People, Nov. 30, 1886. Pen and Ink The Drummer with his Cap of Darkness, from KING STORK, by Howard Pyle—Harper’s Young People, Nov. 30, 1886. (Willard S. Morse Collection.) The Drummer Captures the One-eyed Raven, from KING STORK, by Howard Pyle-——Harper’s Young People, Nov. 30, 1886. Pen and Ink Pen and Ink “What are you doing here, Father Goat?”’, from HOW TWO WENT INTO PARTNERSHIP, by Howard Pyle.— Harper’s Young People, Jan. 25, 1887. tS So the Rich Man left him, from WHICH IS BEST? by Howard Pyle-—Harper’s Young People, Apr. 19, 1887. Pen and Ink (Willard S. Morse Collection.) The Poor Brother opens the Chest, from WHICH IS BEST? by Howard Pyle-——Harper’s Young People, Apr. 19, 1887. Pen and Ink (Willard S. Morse Collection.) THE THREE FORTUNES, Title of Story by Howard Pyle—Harper’s Young People, June 26, 1888. Pen and Ink “The Angel and the Youngest Brother’, from THE THREE FORTUNES, by Howard Pyle—Harper’s Young People, June 26, 1888. Pen and Ink “A great ugly, poisonous Snake’, from THE THREE FORTUNES, by Howard Pyle.—Harper’s Young People, June 26th, 1888. Pen and Ink ‘They set before him a loaf of bread and a bowl of milk,” froom THE THREE FORTUNES, by Howard Pyle.— Harper’s Young People, June 26, 1888. 2 ee THE PRINCESS ON THE GLASS HILL. Title and initial for story by-Howard Pyle.—Harper’s Young People, ly 24, 1888. Ju y Pen and Ink 12 1616. 1642. 1649. 1656. 1658. 1666. 1670. 1677. 1686. 1690. 1697. The Prince bathes in the Fountain, from THE PRINCESS ON THE GLASS HILL, by Howard Pyle-——Harper’s Young People, July 24th, 1888. Pen and Ink “An old man looked down into the water,’ from THE SALT OF LIFE, by Howard Pyle—Harper’s Young People, Jan. 7th, 1890. (Willard S. Morse Collection.) “He had a noble feast set for them,” from THE “NEGF OF LIFE, by Howard Pyle—Harper’s Young People, Jan. 14th, 1890. Pen and Ink Pen and Ink Heading and Title for WHERE TO LAY THE BLAME, by Howard Pyle ——Harper’s Young People, March 25th, 1890. Pen and Ink “He caught something that weighed heavily as lead,’ from WHERE TO LAY THE BLAME, by Howard Pyle. Harper’s Young People, March 25th, 1890. (Willard S. Morse Collection.) “There was a passageway yawning before him’’, from NOT A PIN TO CHOOSE, by Howard Pyle.—Harper’s Young People, June 10, 1890. Pen and Ink Pen and Ink “The Princess looked over the edge of the balcony”, from NOT A PIN TO CHOOSE, by Howard Pyle.—Harper’s Young People, June 17th, 1890. (Willard S. Morse Collection.) ‘“‘Then prepare to die’, from WOMAN'S WIT, by Howard Pyle.-—Harper’s Young People, July 29, 1890. Pen and Ink Pen and Ink Heading and Initial for ALL THINGS ARE AS FATE WILLS, by Howard Pyle—Harper’s Young People, Oct. 14, 1890. (Willard S. Morse Collection.) “The beggar crawled out’, from ALL THINGS ARE AS FATE WILLS, by Howard Pyle.—Harper’s Young People, Oct. 14th, 1890. Pen and Ink Pen and Ink Heading with Initial, for THE STOOL OF FORTUNE, by Howard Pyle—Harper’s Young People, Dec. 23, 1890. Pen and Ink 13 1698. 1702. 1/32; 1736. 1740. 1764. 1768. 1798. 1816. 1817. “If the shot had cracked the sky, he could not have been more frightened’’, from THE STOOL OF FORTUNE, by Howard Pyle-——Harper’s Young People, Dec. 23, 1890. Pen and Ink (Willard S. Morse Collection.) “What are my lord’s commands?” from THE STOOL OF FORTUNE, by Howard Pyle—Harper’s Young People, — Dec. 23, 1890. Pen and Ink “Selim the Fisherman finds a leaden box’’, from THE ENCHANTED ISLAND, by Howard Pyle.—Harper’s Young People, Dec. 15, 1891. Pen and Ink “Selim the Baker lands on the desert island’’, from THE ENCHANTED ISLAND, by Howard Pyle.—Harper’s Young People, Dec. 22, 1891. (Willard S. Morse Collection.) Pen and Ink Tailpiece, Part II., from THE ENCHANTED ISLAND, by Howard Pyle.—Harper’s Young People, Dec. 22, 1891. Pen and Ink ‘“‘Next morning the Prime Minister looked like a shorn sheep”, from A PIECE OF GOOD LUCK, by Howard Pyle-—Harper’s Young People, April 17, 1894. : Pen and In ‘The Genius snatched the Minister up and flew away with him.” from A PIECE OF GOOD LUCK, by Howard Pyle-—Harper’s Young People, Apr. 17, 1894. Pen and Ink Illustration, from THE SECOND CLASS PASSENGER, by Perceval Gibbon.—McClure’s, Oct. 1906. “The tall man was lying at his feet, huddled hideously on the floor.” Black and White, Oil “The Gosling states his opinion of the Cock”, from THE CRAFTY FOX, by Howard Pyle.—St. Nicholas, Feb. 1877. Pen and Ink (Willard S. Morse Collection.) The Gosling is punished, from THE CRAFTY FOX, by Howard Pyle.-—St. Nicholas, Feb. 1877. Pen and Ink 14 1818. 1819. 1821. 1833. THE FOX AND THE TABLET. Illustrated fable, by “P. Howard’”’.—St. Nicholas, April, 1877. (Willard S. Morse Collection.) The Swineherd who knew curious things, from HANS GOTTENLEIB, THE FIDDLER, by Howard Pyle.— St. Nicholas, April, 1877. (Willard S. Morse Collection in portfolio.) PICTORIAL PUZZLE.—St. Nicholas, July, 1877. Pen and Ink Pen and Ink Pen and Ink (Willard S. Morse Collection, in portfolio) “The King sat on a Chair of State’ from WISE CATH- ERINE AND THE KABOUTERMANNEKEN, by Howard Pyle.—St. Nicholas, April, 1878. (Willard S. Morse Collection, in portfolio) Pen and Ink 1835-6-7 Three silhouettes for ‘HOW WILLY WOLLY WENT 1838. 1839. 1841. 1843. 1844. 1845. A-FISHING”, by Howard Pyle.—St. Nicholas, June, 1878. Pen and Ink (Willard S. Morse Collection.) Heading for THE FOX, THE MONKEY AND THE PIG, by Howard Pyle—St. Nicholas, Sept. 1878. (Willard S. Morse Collection, in portfolio) Tailpiece for ABOUT VIOLINS, by Howard Pyle.—St. Nicholas, Feb. 1879. (Willard S. Morse Collection, in portfolio) Heading for THE GOURD AND THE OAK, by Howard Pyle.-—St. Nicholas, May, 1879. (Willard S. Morse Collection, in portfolio) Three illustrations from ROBIN GOODFELLOW AND HIS FRIEND BLUETREE, by Howard Pyle.—St. Nicholas June, 1879:— Pen and Ink Pen and Ink Pen and Ink Pen and Ink ‘“‘Bluetree declines Lord Diddledaddles offer.”’ (Willard S. Morse Collection, in portfolio) ‘“A bowl of milk for Robin Goodfellow.”’ “A great black bear came out of the woods.” 15 1848. 1849. 1851. 1852. 1878. 1882. 1886. 1899. 1911. 1919. 1926. 1932, ‘“A Person of Consequence, Carefully Fed and Attended to’, from A FABLE, by Howard Pyle.—St. Nicholas, Dec. 1879. (Willard S. Morse Collection, in portfolio) “Edmund Burton, you are a genius!”’, from PHAETON ROGERS, by Rossiter Johnson.—St. Nicholas, Jan. 1881. Gouache (Willard S. Morse Collection.) JUPITER AND THE PHILOSOPHER, from A FABLE FROM DEACON GREEN, by Howard Pyle.—St. Nicholas, Feb. 1881. (Willard S. Morse Collection, in portfolio) Pen and Ink Penand Ink | One of the policemen produced a bull’s eye lantern”, from PHAETON ROGERS, by Rossiter Johnson.—St. Nicholas, Jan. 1881. Gouache (Willard S. Morse Collection.) BLACKBEARD’S LAST FIGHT, from JACK BAL- LISTER’S FORTUNES, by Howard Pyle.—St. Nicholas, July, 1895. (Willard S. Morse Collection.) Nine illustrations from THE STORY OF KING ARTHUR AND HIS KNIGHTS, by Howard Pyle:— The Enchanter Merlin—St. Nicholas, Nov. 1902. Pen and Ink Sir Kay overthroweth his Enemies. St. Nicholas, Nov. 1902. Pen and Ink Black and White, Oil King Arthur of Britain. St. Nicholas, Jan. 1903. (Presented by Mrs. Howard Pyle.) Two Knights do battle before Camilard. St. Nicholas, Mar. 1903. Pen and Ink The Gardener Lad takes off his Cap. St. Nicholas, May,1903. Pen and Ink Sir Pellias, the Gentle Knight. St. Nicholas. June, 1903. Pen and Ink Headband, THE STORY OF KING ARTHUR AND HIS KNIGHTS. St. Nicholas, Aug. 1903. Pen and Ink 16 1936. 1937. 1946. 1949. 1950. 1951. 1953. 1954. 1956. 1959. 1960. 1961. 1964. 1966. 1967. The Lady of the Lake finds Sir Pellias wounded, from THE STORY OF KING ARTHUR AND HIS KNIGHTS. St. Nicholas, Aug. 1903. Pen and Ink Headband, THE STORY OF KING ARTHUR AND HIS KNIGHTS. St. Nicholas, Sept. 1903. Pen and Ink Sir Kay interrupts the Meditations of Sir Percival. St. Nicholas, Oct. 1903. Pen and Ink GAMBETTA PROCLAIMING THE REPUBLIC OF FRANCE, from THE SIEGE AND COMMUNE OF PARIS, by £. B. Washburne.—Scribner’s Magazine, Jan. 1887. Black and White, Oil LOOKING INTO THE PRUSSIAN LINES, from THE SIEGE AND COMMUNE OF PARIS, by E. B. Wash- burne.—Scribner’s Magazine, Feb. 1887. Black and White, Oil TARPEIA, from TARPEIA, by Louise Imogen Guiney. Scribner’s Magazine, Dec. 1887. “‘Then faced her the leonine chief.” ; Black and White, Oil Nine illustrations froom IN THE VALLEY, by Harold Frederic, appearing in Scribner’s Magazine; Black and White, Oil “Five red-coated soldiers on horseback.” Sept. 1889. “Within sound of the shouting waters.’’ Oct. 1889. “This is Enoch Wade, gentlemen.’ Nov. 1889. “At sight of me the good soul gave a guttural exclamation.” Dec. 1889. “The negro boy, arms whirling wide, shot over the cliff.” Jan. 1890. “The blow—the whole crushing series of blows—had fallen.” Jan. 1890. “While his eyes still glowed fiery wrath.”” Mar. 1890. “Who are you? and off with your hat!’ Apr. 1890. “Is your hanging party ready?” Apr. 1890. iF 1972. THE PARDON OF STE. ANNE D’AURAY, from THE PARDON OF STE. ANNE D’AURAY, by Wiliam P. Northrup.—Scribner’s Magazine, Dec. 1890. “Breton Peasants at a Wayside Cross.” 3 Black and White, Oil A series of 11 illustrations from A PASTORAL WITHOUT WORDS, by Howard Pyle.—Scribner’s Magazine, Dec. 1890. Wash with pen decorations 1973-4. Title and illustration. 1975-6. Verse I., and illustration. 1977-8. Verse II., and illustration. 1979-80. Verse III., and illustration. 1981-2. 1984. 1988. 1991. 199%: 1994. 1999. 2003. 2006. Verse IV., and illustration. Illustration, for l’Envoy. Four illustrations from PETER RUGG YE BOSTONIAN, by Louise Imogen Guiney. Scribner’s Magazine, Dec. 1891. Vignette, The Old Chaise. Pen and Ink Vignette, In the Rain. Pen and Ink Vignette, Bear Ye to Larboard. Pen and Ink Vignette, By Moonlight. Pen and Ink BRADDOCK’S CAMPAIGN, from AN UNPUBLISHED AUTOGRAPH NARRATIVE BY WASHINGTON.— Scribner’s Magazine, May, 1893. “Seeing no enemy, and themselves falling every moment from the fire.’’ Black and White, Oil JANUARY AND MAY, from JANUARY AND MAY, by W. W. Gilcrist—Scribner’s Magazine, Dec. 1893. Decorative border and title, music inserted. Wash Three Vignettes illustrating McAndrew’s Hymn, by Rudyard Kipling.—Scribner’s Magazine, Dec. 1894:— Heading (An Ocean Liner) Wash 18 2009. 2010. 2013. 2014. 2015. 2016. 2019. 2020. 2023. 2024. 2025. Heading (An Iceberg). Wash Tailpiece (A Pilot). Wash Three illustrations from A HISTORY OF THE LAST QUARTER CENTURY, by E. B. Andrews :— THE BROOKS FORCES EVACUATING THE STATE HOUSE AT LITTLE ROCK.—Scribner’s Magazine, May, 1895. Black and White, Oil THE RUSH FROM THE NEW YORK STOCK EX- CHANGE on September 18, 1873.—Scribner’s Magazine, July 1895. Black and White, Oil DENNIS KEARNEY BEING DRAWN THROUGH THE STREETS OF SAN. FRANCISCO.—Scribner’s Magazine, Oct. 1895. Black and White, Oil NOVEMBER, 1776. SOME THANKSGIVING TIME FANCIES, by Howard Pyle.—Scribner’s Magazine, Nov. 1895. ‘‘November, 1776.”’ Oil, Two Colors UNDERGRADUATE LIFE IN 1679 AT HARVARD, from UNDERGRADUATE LIFE AT HARVARD, by Edward §S. Martin.—Scribner’s Magazine, May, 1897. Oil, Two Colors THE BIRDS OF CIRENCESTER, from THE BIRDS OF CIRENCESTER, by Bret Harte.-—Scribner’s Magazine, Jan. 1898. “Bringing fire and terror to rooftree and bed.” | Oil, Two Colors Tailpiece, THE BIRDS OF CIRENCESTER, by Bret Harte.—Scribner’s Magazine, Jan. 1898. Pen and Ink Seven illustrations for THE STORY OF THE REVOLU- ‘TION, by Henry Cabot Lodge.—Scribner’s Magazine :— THE BATTLE OF LEXINGTON.—Jan. 1898 “The Fight on Lexington Common.”’ Oil, Two Colors THE BATTLE OF BUNKER HILL.—Feb. 1898. Oil 19 2026. 2027. 2029. VAUD 2032. 2036. 2037. 2039. 2040. 2043. THOMAS JEFFERSON WRITING THE DECLARA- TION OF INDEPENDENCE.—Mar. 1898. Oil WASHINGTON’S RETREAT.—April, 1898. “The Retreat Through the Jerseys.” B THE BATTLE OF GERMANTOWN.—June, 1898. “The Attack upon the Chew House.” a THE MEETING OF GREENE AND GATES AT CHARLOTTE NC Aug 1598: Oil, Two Colors THE EVACUATION OF CHARLESTON BY THE BRITISH, Dec. 14, 1782.—Sept. 1898. a ‘His niece had found him lying dead”, from A LIFE FOR A LIFE, by Howard Pyle——Scribner’s Magazine, Jan. 1900. Black and White, Oil ‘‘Another rush of breakers, pitching the boat, corklike, into the air,” from A LIFE FOR A LIFE, by Howard Pyle. Scribner’s Magazine, Jan. 1900. Black and White, Oil GENERAL WAYNE, from THE UNITED STATES ARMY, by Francis V. Greene—Scribner’s Magazine, Sept. 1901. “General Wayne endeavoring to quell the mutiny of the Pennsylvania Regiments at Morristown, N. J.” Black and White, Oil GENERAL ANDREW JACKSON, from THE UNITED STATES ARMY, by Francis V. Greene.—Scribner’s Maga- zine, Oct. 1901. “General Andrew Jackson receiving the plaudits of his motley army after the victory of New Orleans.” Black and White, Oil A series of six illustrations from SINBAD ON BURRATOR by A. T. Quiller Couch, appearing in Scribner’s Magazine, August, 1902:— THE BURBURLANGS. ‘‘We started to run back to the raft for our lives.”’ Oil 20 2044. 2046. 2047. 2048. 2049, 2051. 2054. 2055. 2056. 2057. 2058. 2059. 2060. 2061. 2062. INTO STRANGE WATERS. “The boat and I went by him with a rush.” Oil AN EXTRAVAGANZA. “I began to play.” Oil THE THINGS YOU CAN LEARN FROM THE YELLOW AND BROWN. “T sat at her feet while she drilled the island language into me.”’ Oil THE INTRUDER. “If I catch you here again, you'll need someone to sew you up.” Oil Al THE EDGE OF THE PRECIPICE. “T clutched at his ankle.’’ Oil THE NATURAL BORN PREACHER, from THE NATURAL BORN PREACHER, by Nelson Lloyd. Scribner’s Magazine, Apr. 1903. “Humility is the fountain of all virtue.” Oil, Two Colors The twelve silhouettes from PAPA HOORN’S TULIP, by R. V. C. Meyers, appearing in Scribner’s Monthly, Jan. 1877:— ‘Peter asks the fatal question.” Pen and Ink “Grief and indignation.”’ “Tl do it!” ‘Do you see this knife?’’ “The Notary beckons.”’ “She’s yours.”’ “Why don’t you show him?” “The reconciliation.” “The sailor from Constantinople.” 21 2063. 2064. 2065. 2078. 2081a. 2081b. 2085. 2088. 2089. 2090. 2091. 2092. 2096. 2097. 2099. 2100. 2209. 2254. “Horror! Devastation! Agony!” “The Sailor is saved.”’ “The End.” (Willard S. Morse Collection.) BLISS. Illustration on Bric-a-brac page.—Scribner’s Monthly, May, 1877. (Willard S. Morse Collection.) Six drawings from AMONG THE THOUSAND ISLANDS, by Howard Pyle.—Scribner’s Monthly, April, 1878. GENERAL VIEW, BLUFF ISLAND. Pencil Drawings DEVIL’S OVEN. CAMPING OUT, McCUE. COOKING A CAMP DINNER. GEORGE CAMPBELL. (Willard S. Morse Collection, in portfolio) Six of the Silhouettes from THE STORY OF LESKEN, by Anna Exichberg, appearing in Scribner’s Monthly, June, 1878 :— “Young DeLesken.”’ “Mistress Betty.” “Jan’s Courtship.” Pen and Ink Pen and Ink “DeLesken Entertaining.”’ “Jan Returns.” “Tailpiece.” (Willard S. Morse Collection.) Five decorated initial letters from THE WONDER CLOCK, by Howard Pyle, published by Charles Scribner’s Sons, 1888 :-— Initial Letter O, Second Story, p. 17. Initial O, Twelfth Story, page 151. Pen and Ink 22 2262. 2294. 2301. 2316. Jr od a fiePeay (REY 2340. 2346. 2347. 2350. oo.. 2353. 2355. 2500. 2362. 2366. 124 2379. 2387. Initial T, Fourteenth Story, page 177. Initial T, Twenty-second Story, page 281. Initial T, Twenty-fourth Story, page 307. Thirteen illustrations from OTTO OF THE SILVER HAND, by Howard Pyle, published by Charles Scribner’s Sons, 1888 :— Pen and Ink Heading to Chapter I. The Dragon’s House. “Away they rode, with clashing hoofs and ringing armor.” Heading to Chapter IV. The White Cross on the Hill. Vignette, page 54. Monk by crossroads. “Poor Brother John came forward and took the boy’s hand.” “Slowly raising himself upon the narrow foothold, he peeped cautiously within.”’ “Schwartz Carl, holding his arbelast in hand, stood silently watching.” Heading to Chapter VIII. The House of the Dragon Scorner. ‘Then dost thou not know why I am here?’ said the Baron.” Heading to Chapter IX. How One-eyed Hans came to Trutz-Drachen. “Fritz, the swineherd, sat eating his late supper of porridge.” “Hans held up a necklace of blue and white beads.”’ “In an instant he was flung back and down.”’ “The next moment they were hanging in mid-air.” ‘For a moment they stood swaying backward and forward.” “It was the great Emperor Rudolph.”’ Twelve illustrations from THE GARDEN BEHIND THE MOON, by Howard Pyle, published by Charles Scribner’s Sons, 1895:— “In the garden behind the moon.” Pen and Ink ss 2390. 2392. 2396. 2398. 2400. 2402. 2403. 2409. 2413. 2415. 2419. 2442. 2450. 2451. 2490. 2521: 2051 Heading, The Princess Aurelia. Pen and Ink Heading, The Moon Angel. Pen and Ink “David looked up into Hans Krout’s face.” Black and White, Oil “Suddenly a half-door opened, and there stood a little man.” Black and White, Oil ‘David sat down on the wooden bench and took up a big blue star.’’ Black and White, Oil “He was standing at an open window.” Black and White, Oil “Where did you come from, little boy?” Black and White, Oil “Quick as a flash, David leaped out and upon it.” Black and White, Oil “Fast flew the black winged horse.” Black and White, Oil “The giant fell crashing upon the stones.” Black and White, Oil “She placed her hands on his shoulders.”’ Black and White, Oil Two illustrations from THE STORY OF KING ARTHUR AND HIS KNIGHTS, by Howard Pyle, which did not appear serially in St. Nicholas, but were drawn for the book published by Charles Scribner’s Sons, in 1903:— Pen and Ink The Lady of Ye Lake. Heading, Page 107, the story of Sir Tristran. Queen Morgana loses Excalibur his sheath. Four illustrations from THE STORY OF THE CHAM- PIONS OF THE ROUND TABLE, by Howard Pyle, published by Charles Scribner’s Sons, 1905. Sir Launcelot climbs to catch the lady’s falcon. Sir Kay and the Forest Madman. King Mark broods mischief. Four illustrations fom THE STORY OF SIR LAUNCE- LOT AND HIS COMPANIONS, by Howard Pyle, published by Charles Scribner’s Sons, 1907 :— Pen and Ink Pen and Ink 24 2590. 2600. 2610. 2612. 2644. 2662. 2666. 2676. 2878. ZOLA. 2927. 2936. 2947. 2948. 2949. 2955. 2956. 2958. Sir Gawaine knoweth the Shield of Sir Launcelot. The Lady Elaine the Fair knoweth Sir Launcelot. The Lady of the Fountain. A Damsel bringeth aid unto Sir Ewaine. Four illustrations from THE STORY OF THE GRAIL AND THE PASSING OF ARTHUR, by Howard Pyle— Published by Charles Scribner’s Sons, 1910. Heading, page 9. Sir Galahad meets Sir Melyas. Sir Percival rideth the black horse. Sir Mador de la Porte. Pen and Ink “The Screeching Woman of Marblehead,”’ illustration from THE ONE HOSS SHAY AND OTHER POEMS, by Oliver Wendell Holmes, published by Houghton Mifflin and 0;,4892. Pen and Ink Nine illustrations from GRANDMOTHER’S STORY OF BUNKER HILL BATTLE, from DOROTHY Q AND OTHER POEMS, by Oliver Wendell Holmes, published by Houghton Mifflin & Co., 1893:— Half title, Grandmother’s Story. “The Mohawks killed her father.”’ “The barges gliding onward.” Pen and Ink ‘“‘We can see each massive column.” “The ominous calm is broken.” “The frightened braves of Howe.” “They say I fainted.” ‘“‘Here’s a soldier bleeding.” “I saw his eyes were blue.”’ The forty-four heading and tailpieces for THE AUTOCRAT OF THE BREAKFAST TABLE, by Oliver Wendell Holmes. —Riverside Press, 1894. (Willard S. Morse Collection, in portfolio) Wash Drawings 25 2995. 29906. 2997. 2998. 2909. 3001. 3003. 3004. 3005. 3007. 3008. 3009. OU La. 3012. 3013. 3015. 3016. 3017. 3019. 3020. 3021. 3022. SU2a: 3024. 3026. S02 i 3029. 3030. 3032. Heading, List of Illustrations. Headpiece to Preface. Headpiece to The Autocrat’s Autobiography. Tailpiece. Headpiece to Part I. Album Verses. Latter-Day Warnings. Tailpiece. Headpiece to Part II. Sun and Shadow. This is it. Headpiece to Part III. The Old Man Dreams. Tailpiece. Headpiece to Part IV. The Chambered Nautilus. Tailpiece. Headpiece to Part V. *Mare Rubrum. Tailpiece. Headpiece to Part VI. THE CLOSED DOOK What We All Think. Tailpiece. Headpiece to Part VII. The Last Blossom. Black and White, Oil The Living Temple. Headpiece to Part VIII. Spring Has Come. 26 3033. AGE 3036. 3037. 3038. 3040. 3041. 3042. 3043. 3044. 3046. 3047. 3048. 3049. 3050. 3051. 3052. 3097. 3098. Headpiece to Part IX. A Good Time Going. The Two Armies. Tailpiece. Headpiece to Part X. Musa. Tailpiece. Headpiece to Part XI. The Deacon’s Masterpiece. Aestivation. Contentment. Tailpiece. Headpiece to Part XII. Decoration, Parson Turell’s Legacy. PARSON TURELL’S LEGACY The Voiceless. Black and White, Oil Tailpiece. KIDNAPPED, from THE NOVELS AND TALES OF ROBERT LOUIS STEVENSON, published by Charles Scribner’s Sons, 1895. “I saw him pass his sword through the mate’s body.” Black and White, Oil DR. JEKYLL AND MR. HYDE, from THE NOVELS AND TALES OF ROBERT LOUIS STEVENSON, published by Charles Scribner’s Sons, 1895. “He put the sonar to his lips and drank at one gulp.”’ Black and White, Oil Two illustrations from IN OLE VIRGINIA, by Thomas- Nelson Page, published by Charles Scribner’s Sons, 1896: 27 3100. 3101. 3109. ARS 3114. SLi is Sis Late S159 3142. 3145. Site 3163. 3167. 3170. SLITS NO HAID PAWN. “The gigantic monster dragged the hacked and headless corpse of his victim up the staircase.” Oil, Black and White with Red ‘‘A man in it, standing upright, and something lying in a lump at the bow.” Oil, Black and White with Red “Then Winfried told the story of Bethlehem,” from THE FIRST CHRISTMAS TREE, by Henry Van Dyke, pub- lished by Charles Scribner’s Sons, 1897. Oil, Black and White with Red Two illustrations for QUO VADIS, by Henryk Sienkiewicz, published by Little Brown & Co., 1897. THE PUNISHMENT OF CHILO BY VINICIUS. Oil, Two Colors THE CONVERSION OF CHILO. (Willard S. Morse Collection.) THE BATTLE OF YORKTOWN, from JANICE MERE- DITH, by Paul Leicester Ford, published by Dodd Mead & Company, 1899. “They scrambled up the parapet and went over the crest, pell mell, upon the British.” Oil, Black and White with Red Ten illustrations for THE MAN WITH THE HOE, by Edwin Markham, published by Doubleday McClure Co., 1900 :-— Song of the Followers of Pan. A Meeting. A Leaf from the Devil’s Jest Book. In the Storm. The Poets. At Dawn. In Poppy Fields. The Climb of Life. An Old Road. The Old Earth. Oil, Two Colors Pen and Ink 28 3189. S191. Lhe 3301. 3302. 3303. 3304. 3305. 3306. 3307. 3308. oon2. SEY AP 3326. HERCULES AND ATLAS, from Vol. XIII of the COM- PLETE WRITINGS.OF NATHANIEL HAWTHORNE, published by Houghton Mifflin & Co., 1900. “Who are you?’ thundered the giant.” Black and White, Oil “Let me go to him!” she shrieked, in her anguish of soul”, an illustration from SIR CHRISTOPHER, by Maud Wilder Goodwin, published by Little Brown & Co., 1901. Black and White, Oil (Willard S. Morse Collection.) to 3279. Sixty-eight prints illustrating THE ONE HOSS SHAY, by Oliver Wendell Holmes.—painted by Howard Pyle in water color for a new edition by the Riverside Press, 1905. (Willard S. Morse Collection, in portfolio) Poster for TO HAVE AND TO HOLD, by Mary Johnston, published by Houghton Mifflin & Co., 1900. Pen and Ink MURAL DECORATIONS made for Howard Pyle’s House, presented to the Wilmington Society of the Fine Arts by Mrs. Charles Copeland. fieebIR TH OF LITERATURE. PANEL. THE GENUS OF ART. MUSIC. PANEL. PANEL. DRAMA. MAROONED. An easel painting by Howard Pyle never reproduced. Oil Oil *Copyrighted by the Wilmington Society of the Fine ~ Arts. Salmagundi Club Mug, decorated by Howard Pyle. (Willard S. Morse Collection.) Pen Drawing of a boy and a monk, purchased from Charles Scribner’s Sons. Apparently never reproduced. 29 3327. $320. 5529, 3330, $331. 33352. Small Painting purchased from Charles Scribner’s Sons, representing a Court Martial. Apparently never repro- duced. Photograph of Howard Pyle, with pen drawing on the margin. (Willard S. Morse Collection.) Blue China Plate, decorated with a reproduction of the Battle of Lexington, by Howard Pyle. (Willard S. Morse Collection) Unpublished sketches, by Howard Pyle. Early Work. (Willard S. Morse Collection in Portfolio) The Crafty Fox. Pencil Drawing Chubby Urchin Angling. Pencil Drawing Solitary Heron. Pencil Drawing 30 4000. 4001. 4002. 4003. 4004. Paintings by American Artists PURCHASED BY The Wilmington Society of the Fine Arts NUDE GIRL COMBING HER HAIR. William Paxson. Oil SAILOR’S FANTASY. N. C. Wyeth. Oil mee OLD) MILL. Chauncey F. Ryder. Oil LITTLE GIRL of THE SOUTHWEST. Robert Henrt. Oil FLOWERS AND OLD CHINA. Herbert D. Stitt. Oil 31 Pictures Bequeathed to The Wilmington Society of the Fine Arts by Dr. Joseph P. Pyle 5001 PORTRAIT OF WASHINGTON Rembrandt Peale. . Oil 5002 OLD MILL Robert Shaw. Etching 5003 OLD BRIDGE Robert Shaw. Etching 5004 LANDSCAPE Robert Shaw. Pen and Ink PRINTED BY CHAS. L. STORY CO. WILMINGTON, DEL. 1926 AL