o4iyall 4 ole > ’ : ‘ Spa } ie 4 a hot. , ‘ hay ieee + a4 vers : } fea rtaiheaansy sie ’ As Sto Apa et afta # poet iva aa 4 wwe ita a ont el J oper Tires ti ere ey 4, dr f ; ; arith Li pri y2adha ibe sg pts525 48 4 a4 ah ator awene t yp ended DLAPap ys WT By F } pUpeeyerrrere stor Sy) WAdias Hhautsdhan foes, Cert nics 4 fiat bed ADA vi la nye 304 8 dish sy abapilagneds eee 24 ait dijpeabiee Foe gh Ht ara Sod te Tearch einen abigee stony i fs i OM vis estat a7 a0 ble ners nearer? ; ait an Vent sth ceria es { Jaana a pose pSipeeneets | 4 re es aay Hi ik oh seed erN 4 a4 Sal 6.954% Syppine AP oer ib veeiTon sth 0h sh oie heathen Mi beaten atti hia tdi aasineh +t na a) oifol oti oe italy Jiggs or ames TAL paola oho wines $ 4G 4) 8aag t94 ef pe riba bed ashe 14 renter ty: > swine A siby er ere terre trrrc Co etireremeertu pure eet Wor eee or febetereretrr ener ri y rrner -teeeir renee Ts ks Laan a 70 WHE ABD ass ost tienes ris eke) ony) eps eet al ib ip BBN gh Mk ah hE EG a 9 3 41432148 15. dip ainda aiken 2 aamaaih > niys aks Seb agit sateen prs tna Bopanrrs Pai eategves nis) Bs M De PaO er EG eee Apis ihsa tip 0 GHNE cna etADh aM ol gh oh otie alt al aby 4b pathy oh ya vif od og F papncienn Pereee ty ty) ot Eee ibe uation ca Tinea gait ans rere ber ntl < eset w felt away eh af » wrrireperr nae ttre Le pee aerhous bapa Bh aeabtae he Ter 2AAD TH ~” “h 4S) SES HS FT SG Alok aba gage’: FADE CP NEI TSF TY Tosh obekedeyryteraenee ees tanh + ; mast geaewarseed * ab sheet te ing Aun ae daiped setne ng shay area eked abad ne Otis > alia drt Shad sb abe ssh sG ated eiaatnel abe Asosihon rte al gene: pen emunig pls papers rth Frets tpime UR ade waner porrastrert ipader “psa c ngnaile Piel ood ove ppeerts Taree dips bs by yy Hada SPM ays Seta Rte ai 0979 Aw ever vitmir sere | apt de pears 51 Pui tirt ans abide 1h av 90 90 seep eae 1 Pi 4AUA Dm dp pa priced ori brT ages Pe 9m 1e aaihats ath 3 bres Ante th aip saan ves ad ; 13M Seon aie i siegaabat-aaaahps aarrureh atta repent perros a) Tae te! abhi bhi) Ba vaepeni Heavy tareieriiepn raat bene Setet Baty ce Py MOBADAND aaib 4 yA Ae Weng ht RP £7 Sige bo pa amen Bore 9M wine m ii Uap ehwetier d papa nat batatt « danse si ma ne Le | " 4 * st) pry vee hereon) weber Adee jan 9it > 4 noi ana p epee? 4 Aci bed vilee ey oy ohos aja M8 TL) 1 ea URG Mab pA Si : menererrerir fiery n cy) veekors suit adeae 4 4 cyaheqeusaubedoba teil ek ek oti +08 Mhsttabeisea us ¢ eer rrr jeaw Tr enittepet Tete Ake oh onee bine let bias we $ ° sree ed etre bed it AUney a sali" vi hbk hatte eho otk Hoos apepoane npegoees -f 8 ed fea ve bats oe ’ kin hier ¥) pias ainioe shebe Fyne) ADM Gola hed egienrtorrry? me rote gamebs ’ 4 ’ ‘ ’ ryeouty re wiht) neg he: ' " theo a ais ine a sige phd ’ an my 2 297 bxee ae yal icdh N95) eaeg watt Pa a ee feed F cuties A pal ie ce i oneal's * Ginenees on della, Da- Hdward Brandus,.. on Looking for Prey;”” ‘anony- nous bIMdee. 2 eee os Great iam H. ‘se Uiananetb and Cattle” Collections Sold. ———__4¢—______- Was $1 eath,” sold tee which went ae : s the. Ford,” | \}seventy items. ‘nous snow picture: ‘showing a@ d was knocked | | picturesque roof lines, for ae on the first] | ait of the Marquis! ‘onby- $500. to an} me 6n Beach,” the} to ba offered at auc- ; $760 for another Barye bronze, Was bought by Mr. 3 buyers, Mr, Martin} rchases, Cazin's, ‘“Wind- i”. for $6,600 and Lher-} ers” for $7,500. Mr. John} a $5,200 for Gorot’s ‘“‘Bend $2,050 for Clays’ ‘‘A Calm t.? Mr, D. G. Dery paid eau’s “Song of the Shell—' | Cornish paid $5,600 for] “The Noontime Drink’ and|. 7 $2,100 for Dé Bock’s ‘‘Sun-| the Pool.” Among the miscellaneous a collector who kept hig name secret. the price, were sold as follows:— a Sean Oo 480 ae Bidder Gets It oe _traits for $35—Art from Several Other paintings which brought $400 or |more, with the name of the artist first, then the title, the name of the buyer and 1 A Tot of. paintings, Barye pron, a bal estates, was sold by the. AIAG, ‘Galleries at the Hotel Plaza last night, '|Thomas IE. Kirby, auctioneer, for. At the first session last night of a two} days’ sale of paintings and other art ob- Thunderstorm, tections! in the’ Picco of the oa || Hotel, under the auspices of the American {Art Association, $18,220 was realized for, The ‘highest price was) $2,075 pald by Mr. John Levy for Fritz|the late Charles Clark, Sue. McLure | iF | Thaulow's “Bridge at: Beaulieu,” a lumi-| stone bridge Mot many arches and ‘beyond it cottages of |, oynes ys. |stone, brick and plaster, with varied and ing at tiie Lectin sete The next Bigheet || Price, $1,500, was paid by an anonymous bidder for a Barye bronze, ‘“‘Panther. Seiz- Hing a Stag.” Mr. George B. Wheeler paid |, | | items was] | \|“Portraits and Lock of Hair of Queen Victoria,” which was acquired for $35 by. ithe Storm centre of thé*bidding lastnight | Romance, Jacquet: Edward Brandus..... oD Aa aa fy eo ies PL Ww. “Arabian Horsemen” 00 to the Holland Galieriés, | Fritz Thaulow, {Spanish School, William Hart, ‘Summertime’’; anonymous bidder ..... DARN E ges aaat a Tot ELON ig Urwieats enue $466 firm paid $4,000 for the same cai & pa ieatato “Landscape’’; Mr. Sey- ek b -Cavaliers+Chief’s | Staff. 29 D BLAS RAR Reece i aU R ede e ares esib eee ey ‘pictures. selling for more than! Me do ee Rural Courtship’’ Ae h the artist’s name first, then the} | Gustave ‘Jacquet, ‘‘Romance’; Mr. Edward’ buyer’s name and the pricé, were SOTAR ONS ria ane ae ene Mle eR IK ore a 600 “Sunset on the Riyer’’: t land; Gallery. bathe aaah ste tat eibrte sei g) ta) brews sig ts chabaes AEG “Saint Cecilia’?; M. Knoed- tet bae J OO Fh ic 5 5 || Robert C. Minor, “Cradle of the Hudeon’’: AN ee Hei Mi iwmep o eget | Eduard Schleich, “Thunderstorm’’; Mr. Henry wee etree rete keen ees en ses ne Schultheis CslaG LER tot thoes 2) 800 ce tesa vases 00) assent ting at Ancor in dui ete ie. 4, ics oe eave. 1.205 geo ae fo ete ne a 435 ak ae BE Khoedler é ||Jean Edward Goubie, ‘The eae Hol- ee bgh ee 1,200] pea tlt ot clo Aa ce 2 NE aR 405 M. | At to-night’s session. here will be sold Pick. saan 1,000}! Stuart’s portrait of General Knox and sev- eral Barbizon Pictures, including two by 550! | Corot. "S50, | ” "Sot 4 ps: lanes Figure... belonging to different individ oAFt ulow “f Bridge at. eee e highest price.of the hn Levy for $2,075. | ant, paid the second 220A Este Th lieu*’ brought | evening, going to, lw, W. Seaman, 4 highest | price’ - x = Barye bronze, ‘Panther Seizing a Stag,’? $1,500. wi | autograph. letters and memorials sold! at the close of the sale. There were a Renee of portraits An etchin MT THE PLAZA SALE Canvas om mn Wee: Sue McClure Clark Estate Bought for Paris Firm—Total Is $155,135. There was some brisk bidding last night at the final session of the sale by the American Art Association at the Hotel Plaza of the fifty-sevenpaintings remain- j | ing in the collections from the estates of ' pe, showing & ao eo aa Victor Newcomb, Péter Hassinger, Edwin it aes ee Pa al Thorne, Charles Clark, Sue McClure peasan ~~ (Clark and’ others. ee to step into a boat !¥-) ne choicest canvases had been re- wit, the Soft, feathery foliase; ..-yed for last night’s session, and the $6 fills in tne picture at the .ount realized was $136,915, making the ‘@ lesser cluster of foliage is at total for both evenings $155,135. Pleven and in the distance can be) | Wintings sold for more than $5,000 each church @pire and buildings Of onq thirty-one for more than $1,000 each. The feature of the evening was the sale of a Corot for $20,000. It was entitled “L’ Arbre Tombé en Travers de la Ri- viére,’’ showing one of the poetic land- { seapes of the French countryside, with a Se ee ear e3.500 river of cool, translucent depths and mPa 6k : Wailachian Convoy. in placid course passing across the land from or ar e's . Spa began ah alle cane, dims sishicg eters, b, ae ie «19° & 75) or was carried | | ere saree of ares” Net raret' estates eid nder. the auspices of | rt Association, Thomas | was twenty-two inches in’ .size, a charming ped on the Heath,” a cheractors Mauve, beronging to the same rousht the second highest price: Mi ‘cing to Knoedler & Co., er high prices paid by \ (the Teft foreground, disappearing beyond) ||He purchaséd the canvas, Which had be- || Clure Clark, for Messrs. Georges Petitt BD ae Poe, names || ee in 1888. Thé Knoedlers also gave $0,900 9|\for ‘‘The Rhone—Suburbs of Beaucaire,”’ la wooded point in the right middle dis-. | ‘The first bid was $5,000, and it soon ran. up .by $500 bids to $15,000. The next bid was $20,000, and the picture was knocked |\down to Edward Brandeis for that figure, longed to the estate of Mrs. Sue Mce- & Co., of Paris. It was painted by Corot ,|\for M, Beugniet. The next highest price—$11,200—was paid } iby the Knoedlers for a Mauye—“Sheep in the Heath’’—which was purchased by | Mrs. Clark from Boussod, Valadon & Co. ‘by Harpignies, which belonged to Stanley } P. Gifford and came originally from the | Alexander Young collection in London. |The Knoedlers also obtained for $5,500) “Under the Oak Trees,” by Jacque, and they gave the same price for “Horse} \Market’ in Algeria,” one of Fromentin’s | |canvases. Peter W. Rouss was an extensive buy- er. For $1,225 he obtained Henner’s “Teté Rouge’ and for $1,17 Thaulow’s} “River Arque in Autumn.” He gave $975 | \for “County Kerry,” by Wyant, showing ia low stone hut with a heavy thatched ‘roof, built high in the mountains. “The 'Gleaners s,” by Lhermitte, went to Martin |Beck for $7,500, and he also obtained a || \Cazin, entitled ‘‘Windmill and Cornfield,” for $6,600. Another Corot was sold to John C. Tom- linson for $5,200. He gave $2,050 for a ijcanvas by: Clays entitled “A Calm Day: 00) |on the Escaut.” The paintings sold last evening included: j Painting and artist. Buyer. Price, ‘County Kerry,’’ Wyant; Pr W. Rouss.. $975 “Sheep in. Winter .Quarters’’ (panel), | JACQUE Bi Js “Cornish cro rac aera 600 “Old Coach .in~ Snow’’ (water color), ‘ Marve) Hi (Gla erizersis acini caeectiecsiels, ote 1,625 ‘A Dutch Farmer’s Team,’ Mauve; N. PER GOOD oo cs ee ate divans Roe tee ae ee oer aur Bee 8,000 ‘Passing the Ford’’ (panel), Fromentin; Knoedler S| COn ais iids soles s ene e deen 120 /& Gaieses). ie a Somney pugs siege aaa vs), 120 | |G. Inness, “Sunshine and Shadow,” (12%x15), au } cht, ‘Rural Courtship,” (26x21), Sir GIA Tee st ee Wictihe soln oo» pieleaisteaes 3 ig: oN Beek oh es Sis stalveaipese 570 | 1A, i Wyant, “County Kerry,” (12x20), P. £ \ GO HL McCord, “Lighthouse—Moonlight,” (20x- 3 ee aaa ee 975 | - SS, | | oo ee) Le 1 yee eas "isis, essere. , 3,000) ae wee ee y 12 oa see ew ee see es ), Virgin’ and Chita, es eee eee eee ee ee ee ee ed CRC CeCe Le cmtnt ty thames eer ; oro Ee CO tenes a's on the Heath,’ * (18x31%), he Pathe Tombe en Travers } .oee Site “ae ‘ Ww oy & F tbh eo th * vse ‘ Piel) . i 2D sel Br ob “RF rz ra ’ otto l fg Saariet wl ‘ “ i rk & ney) s#e wu “a ediawtst 12 at P y ‘ ! ae ee - Oe TR et oe : ‘ rie os re < eee 3° , ~ aA a> + ¥ Fe rd Ps x & — > “i -_ ae 2 , 7, , ha a ( | 99. oO | a 4s 12 88 | 86 4 88 CREEL? st: Jean Richard Goubie Mdward Allan Schmidt Georges Inness dyent Minor Murphy Pokitonew | Creuse De La Pens Fortuny Y Carbo Jacque MAUVE Trouillebert Mauve Fromentin tenner De La Pena Corot Dupre Harpignics Knight | Roybet a Phaulow PGR. % 30. 45. 120. 350. 975. 285. 47S. 2O0s 158. nade 375. 600. 1,625. 90. 3,000. 2p h000 14 2a5-6 1,200.6 5,200. 5,600. 1,000. BOO. i ot ne ee twat el Plaga, April lath & 15th. Page 3. DEORE decerccmenenendl % Il. Knoedlier & Go. | Mrs. Ga A. Wood BH. ¥. Bonaventure He Ve. Howconb “He Ve Roweomb E. ¥. Eonaventure H.» Ve. Newsomb B. Fs Alber Jom J. Souney Ry. Singer P. W. Reuse Moses Tanenbaum Henry Schuitheie M. Tanenbaum Mrs. O. Mol. Clark PP. W. Rouse Ha Le. Auster BE. J. Commish Kugene Claenzer Aw Aw Yiealy li. Rnoediler & Co. FR #. Rouse iw Knoedler & Coe Jehn C. Torlinson . Knoedier & Co. li. Kneedior & Ode Mr. fhylvester John 7. Harris P. Ys Rouss John Js Souney Henry Schultheis Edw. Brandus cates 4 4 i PEE bee eke . De Sylva Y Velasquez 250. Mr. Sylvester . 116 Cayardh 800. Edw. Brandus u17- dervone 3,000. Mrs. C. MeL. Clark . 138 ; Clays 2,050. John C. Torlinson | 119 Schreyer 4,000. Holland Galleries : 120 he Book MyghOQe 8 Aw Aw Healy Nowe 975. My Hart Senreyor 6,200. Holland dalileries “7% sorolla Y Bastida 1,450. H. P. Relies _Bonguereay Sail: 3,200. De G. Dery | Fromentin — a Pian abr cigar 3 FS, Ma Knoedler & Co. | Stuart | VR 6000) Fy BITis Yrench School xvIL k beater 480. Edw. Brandus aes ones 800. Edw, Brandus toed attra! — .0OR,2. ODS Telboort ali Utd yt Wogmes engl OLS Tateer (eh oti Ostet? .whet drafty ola 4h) eel a. ae coo a oe ee ee Meroe): SEAM Tong Mi Py | yl La DK OOK 8 i 7 i es ae ae % % Ptng / cae | eel Pa Behe 6 hoa wad ait § te ee = Oak > - ux a etd ON FREE VIEW AT THE AMERICAN ART GALLERIES “MADISON SQUARE SOUTH, NEW YORK FROM WEDNESDAY, APRIL 91TH UNTIL THE MORNING OF THE DATE OF SALE, INCLUSIVE A VERY IMPORTANT COLLECTION OF VALUABLE PAINTINGS TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA Firru Avenug, 58TH To 59TH STREETS ON MONDAY AND TUESDAY EVENINGS APRIL 147TH AND 157TH AT 8.30 O°CLOCK "és Sek rin an Yi we ILLUSTRATED CATALOGUE OF VALUABLE PAINTINGS BY DISTINGUISHED MASTERS OF THE BAR- BIZON, CONTEMPORANEOUS AND AMERICAN SCHOOLS TOGETHER WITH SEVERAL BARYE BRONZES AND A NUMBER OF AUTOGRAPH LETTERS OF THE BARBIZON PAINTERS AND OTHER CELEBRITIES BELONGING TO SEVERAL ESTATES AND A WELL-KNOWN PRIVATE COLLECTOR TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON THE EVENINGS HEREIN STATED IN THE GRAND BALLROOM OF THE PLAZA THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY OF THe AMERICAN ART ASSOCIATION, MANAGERS MADISON SQUARE SOUTH NEW YORK 1913 CATALOGUE Prepared and ting and Binding by Tue - im Pr Photographs by LawRENcE X. ( ‘2 Ni tones by the WaLKEer E If Ha CONDITIONS OF SALE 1. The highest bidder to be the Buyer, and if any dispute arises between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. 2. he Auctioneer reserves the right to reject any bid which is merely a nominal or fractional advance, and therefore, in his judgment, likely to affect the Sale injuriously. 3. The Purchasers to give their names and addresses, and to pay down a cash deposit, or the whole of the Purchase-money, if required, in default of which the Lot or Lots so purchased to be immediately put up again and re-sold. 4. The Lots to be taken cway at the Buyer’s Expense and Risk within twenty-four hours from the conclusion of the Sale, unless other- wise specified by the Auctioneer or Managers previous to or at the time of Sale, and the remainder of the Purchase-money to be absolutely paid, or otherwise settled for to the satisfaction of the Auctioneer, on or before delivery; in default of which the undersigned will not hold them- selves responsible if the lots be lost, stelen, damaged, or destroyed, but they will be left at the sole risk of the purchaser. 5. While the undersigned will not hold themselves responsible for the correctness of the description, genuineness, or authenticity of, or any fault or defect in, any Lot, and make no Warranty whatever, they will, upon receiving previous to date of Sale trustworthy expert opinion in writing that any Painting)or other Work of Art is not what it is rep- resented to be, use every effort on their part to furnish proof to the contrary ; failing in which, the object or objects in question will be sold subject to the declaration of the aforesaid expert, he being lable to the Owner or Owners thereof for damage or injury occasioned thereby. 6. To prevent inaccuracy in delivery and inconvenience in the settlement of the Purchases, no Lot can, on any account, be removed during the Sale. 7. Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited; all Lots wncleared within one day from conclusion of Sale (unless otherwise specified as above) shall be re-sold by public or private sale, without further notice, and the deficiency (if any) attending such re-sale shall be made good by the de- faulter at this Sale, together with all charges attending the same. This Condition is without prejudice to the right of the Auctioneer to enforce the contract made at this Sale, without such re-sale, if he thinks fit. 8. The Undersigned are in no manner connected with the busi- ness of the cartage or packing and shipping of purchases, and although they will afford to purchasers every facility for employing careful carriers and packers, they will not hold themselves responsible for the acts and charges of the parties engaged for such services. Tue AMERICAN ART ASSOCIATION, Manacers. THOMAS E. KIRBY, AvcTIonEER. FIRST EVENING’S SALE MONDAY, APRIL 14, 1913 IN THE GRAND BALLROOM OF THE PLAZA FirtH AVENUE, 58TH TO 59TH STREETS BEGINNING AT 8.30 O'CLOCK ' SPECIAL NOTICE THIS SALE IS MADE FOR ACCOUNT OF THE FOLLOWING ESTATES, ATTORNEYS AND INDIVIDUALS ESTATES OF THE LATE CHARLES CLARK AND SUE MCLURE CLARK, MISSISSIPPI VALLEY TRUST COMPANY OF ST. LOUIS, EXECUTORS Estate OF THE Late H. Vicrorn NEWCOMB ESTATE OF THE LATE PETER HASSINGER Herr OF THE Late Epwin THORNE STANLEY P. Girrorp, Esa. W. Beacy Day, Esa. Messrs. CarpDozA & NATHAN, ATTORNEYS No. 1 RALPH A. BLAKELOCK AMERICAN 184'7— INDIAN ENCAMPMENT (Panel) Height, 216 cea length, 2, aie ae ne wee Ue Leon F1ve Indian tepees are grouped near thee center of the picture, on a broad plain. At the right some clothes are hanging on a line near one of the huts, and scattered about the camp are seen various figures, standing and seated on the ground. In the distance are mountains with irregular peaks. Signed at the lower left, R. A. B., in black, and at the lower right, R. A. BuaKe ocx, in red. Se Owner, Estate of the late H. Vicror Newcoms. No. 2 GEORGES MICHEL Frencu 1763—1843 THE APPROACHING STORM (Panel) < linet ear AN extensive landscape is pictured, with two round- -topped hills forming the skyline in the far distance. The land in the central part of the picture is dark under the shadow of a thick storm-cloud, as is the immediate foreground, while the sun- shine strikes down between the shadows, illumining a meander- ing river and a village on its bank toward the right. The village is a group of low buildings with picturesque roofs, largely surrounded by trees, and before it the Jand projects in long, irregular, low, flat points out into the river. ‘To the left a boat with figures in it appears in the stream, in the light, and in the cloud-shadow of ‘the central foreground a group of figures are seen on a low hummock of the shore, some of them in silhouette against the light beyond them: / Bens Height, 91% inches; length, rey: a wo) From the private collection of the late Evwin THorne. No. 8 BENJAMIN EUGENE FICHEL | Frencu 1826—1895 IC ‘A THE TOAST oe pe Height, 121% inches; width, 10 inches MA /66= be Dpanrty A Group of gentlemen are refreshing themselves in a tavern, / four of them seated about a table, smoking and drinking, and listening to one of their number who has risen and with his hand on the wine pitcher is delivering an address leading up to his toast. The speaker is in black, his companions in gray, green, red and maroon. On the right a serving maid fetches up a fresh pitcher of cheer, and back of her the drawers are busy at huge casks which appear in a shadowed corner of the room. In the background at the left a buxom housewife in white cap and short skirts is conversing with an elderly man in cocked hat and blue coat. All the figures are in a strong light against the gray and reddish-brown walls. | j Signed at the lower left, HK. Ficner, 1858. From the private collection of the late Kywin THORNE. & ow, iL \ : ' No. 4 \ THURE CEDERSTROM SwepisH 1843— j THE MUSICIAN (Panel) a3 Height, 141% inches; width, 9Y, inches 2 a eee ARS Sd “Hoahrsy | In the interior of a white walled room, with great doors elabo- rately ornamented in wrought ironwork, a stout monk of florid’ features is seated on a carved-wood chest, playing the pipes. He is in a brown habit, with a white rope girdle, and a bunch of large keys rests beside him on the chest, whose -carving is in religious motives. He faces the right, three-quarters front, his face in full light against the white plastered wall, and his cheeks puffed out as he blows into the bag, his fingers at the keys of the long, brown, wood pipes. Signed at the upper left, Tu. Ceperstrom, Mincuen. Go JO From the private collection of the late Eywix Tuorne. Shee Mlaoufer, Mmih Fel. § 25 oy. V4 ait i109 BAS No. 5 - | LADISLAUS BAKALOWICZ Po.utsH rs t™ THE CARDINALS PETS (Panel) . w/e ve Height, 81% inches; length, ee inches Ly fF “VA? IRAANCG A. CARDINAL in his: gorgeous robes, with gray hair, slight mus- * tache and goatee, is seated in a richly furnished and deco- \ rated interior, his feet resting on a velvet cushion, facing the spectator and watching with interest two small kittens on his lap, with which he is playing. One is on its back, clawing playfully at his fingers; the other crawls up his chest to grab at a feather which a young lady in a white satin décolleté gown who leans over the cardinal’s chair holds out toward it. On the other side of the cardinal an older woman in a similar rich gown is partly seated on a table. Signed at the lower left, BAxaLowicz, Parts. Owner, Estate of the late Mrs. Suz McLure Crark. No. 6 EMILIO SANCHEZ-PERRIER SPANISH —1907 a oe Oe VU DENEVE EAGh ow (Panel) 4) ee Height, 834 inches; length, 1024 inches ro i 3 0 6) a me ae; : f r ia Sale? <$~$hLp wv f iA A cLEAR and placid river flows across the picture, forming the foreground, and reflecting the clear blue sky in which a few white clouds float and the soft green of the stream’s high, grassy bank. Beyond a mass of low trees and bushes of thick foliage are seen the white walls and flat, red-tile roofs of Spanish houses, glistening in the brilliant southern sunshine, and toward the right appears part of a stone garden wall. On the river, near the bank, are two men in a rowboat. ‘The white walls of the houses are marked by the shadows of the projecting roofs. Signed at the lower left, E. Sancuez-Prrrier. Purchased from C. W. Kraushaar. Owner, STANLEY P. Grrrorp, Esa. No. 7 JEAN JACQUES HENNER Frencu 1829—1905 FEMALE HEAD Q % eal) Height, 11 inches; width, 81% inches ‘ é Ny) ¥, y lo. 4\o errs eh gO Open Heap and bust of a young woman of full figure, three- (Uist tells ex TOnt toward the left, her face turned squarely toward the spectator, at whom she looks steadily with deep- set, large dark eyes. Her rich brown hair, verging upon red, falls down over her shoulders, and is so thick over the fore- head as to throw the eyes into partial shadow, while the light strikes full upon her pale face and white, exposed bosom. Her waist is a dark brick-red, with a bow of the same hue in front. ‘The background is dark. Signed at the upper right, J. J. HENNER. Owner, Estate of the late H. Vicror Newcoms. wae Foal No. 8 LUIGI CHIALIVA Trauian 1842— CONTEMPLATION Height, 131% inches; width, 11 inches? Vhrar- (9- Vy re xe A. YOUNG peasant woman with a mass of red-brown hair is seated on a yellow- ish-green bank or low mound in the sunshine. She faces the right and is seen in profile. She rests her right elbow on her knee and with her right hand supports her face, which leans forward and toward it, the sun strik- ing her face full in front and throwing the nearer right cheek into trans- parent shadow. She has a dull-brown skirt, old- blue waist, and wears a bright red kerchief in her hair, and sabots, and she seems lost in contemplation over a dark, sug- gested sea. Signed at the lower left, L. Cutativa, 1889. Purchased direct from the artist. Owner, Estate of the late Mrs. Suz McLure Crark. No. 9 LUIS JIMENEZ SPANISH 1845— Pts COMPANIONS ~— Lf te (Panel) ne Height, 15 inches; width, 10 inches ca6 rec | Pr Vga ta A. BLOND and bare-footed young girl has caught up her pink- ish-white spotted skirt to hold a bundle of green sprigs which she has gathered, revealing her white petticoat against the green grass through which she is walking. About her shoul- ders and crossed on her breast is a red figured scarf which makes a bright note against the thick green woods that form the background. By her side walks her pet goat, nibbling at the fresh green leaves which she is carrying. Signed at the lower left, Luts Jimenez, Paris, 1890. Owner, Estate of the late H. Vicror Newcoms. ~ PARIS No. 10 JEAN BERAUD Frencu 1849— SCENE IN THE AVENUE ALEXANDEE III, (Panel) Height, 16 inches; width, 11 inches UA 5 sl | Vr J@ngcea Ae ih Ir is a breezy day in the gay capital. Pedestrians and cab drivers cling to their hats, and the playful breezes have taken liberties with the skirts of a chic Parisienne, bien jambée, in the foreground. She is out for a promenade and is clad in black, with a plumed hat and a long black feather boa, her waist adorned in pink and the color reappearing in- the edges of the exposed underskirt. A number of persons are seen beyond her in the spacious reaches of the handsome avenue, and two cabs in the roadway, while across the street appears the Palais des Beaux-Arts and a mass of green trees. Broad clouds spread out in the bright gray sky. Signed at the lower left, Jean BERAvD. Purchased from C. W. Kraushaar. Owner, STANLEY P. Grrrorp, Esa. No. Il A. SEGONI ITALIAN A DRINKING SCENE Height, 111% inches; ee 1614 jnches /e ae BEE OL OK AGAINST the wall of an inn cellar an Pebriated young man in mahogany-brown breeches and white stockings, a buff jerkin and old-rose slashed sleeves, leans back in his chair and with one arm stretched along the counter or wall-table grips in his hand his overturned wine bottle, whose contents is trickling to the floor. His broad-brimmed gray slouch hat has a red feather, his eyes are dull and his lips are parted in a maudlin smile. ‘The aged inn-keeper, in white apron, has come over to see what has happened, and stands leaning toward him at the end of the table. Signed at the lower right, A. SEGoNI, FLORENCE. Owner, Estate of the late H. Vicror Newcoms. Nos 2 UNKNOWN PORTRAIT OF A LADY (Panel) Height, 16 inches; width, 12 inches Y “5- Nane® A youne Dutch lady is portrayed at three-quarter length, seated, turned toward the left but seen almost in full face. She is gowned in black and sits in a red-leather upholstered chair against an olive-brown background. Her hair is bound in the formal, helmet-like headdress of the period—seven- teenth century; she wears elaborate pearl earrings, a very steeply sloping white collar reaching below her shoulders, and white, turned-back cuffs. She holds on her lap a work-box and a pair of white gloves. | ay - 6c —_—_ In the upper left corner: “Aetat 30, 1663.” Owner, Estate of the late H. Vicror Newcoms. No. 138 UNKNOWN HARBOR VIEW “yO ce Height, 11 inches; length, 18 inches ey ee 4, ae AL fit From the left two jetties project into the séa, and at the fight a bark under shortened sail is heading for the harbor en- trance between them. A well-manned shore-boat is putting out toward her, through choppy water whose crests glisten white in the sunshine, which falls also upon distant sails and a distant white cliff of the coast beyond the jetties. In the left foreground, within the basin of the nearer jetty, are various craft, some with their sails up and people aboard. ‘There is plenty of breeze and the sky is alive with active gray-white clouds. Owner, Estate of the late H. Vicror Newcoms. No. 14 ROBERT C. MINOR, N.A. American 1840—1904 \ LANDSCAPE—APPROACH OF EVENING = m Height, 121% inches; length, 1644 inghes 2 Be te, He Qe ee A HILLSIDE slopes gently down from the left to a meadow where the grass is deep, and occasicual low bush growths appear. It is darkening toward the close of day, and the figures of two countrywomen coming across the meadow home- ward are seen dimly in the gloaming, one with a touch of red in her costume. Along the horizon the white clouds are turned to pink by the sunset, which tinges also the clouds floating through the blue sky aloft. On the left of the foreground a small tree raises its foliage out of the picture, a small grove appears beyond it, and near the center and toward the right two detached trees are silhouetted against the sky. Signed at the lower right, Minor. Purchased from Homer Lea. | ee Owner, STANLEY P. Girrorp, Esa. No. 15 GEORGE INNESS, JR. AMERICAN 1854— SALTING THE SHEEP LU (Panel) o nee Secees Height, 18 eres Ws 14 mches Tr is late in the he the foreground and the Middie ee on the left are already in shadow, while the sunlight touches the green fields with yellow toward the central distance and the right, and tinges the horizon clouds with purple. In the immediate foreground, sheep, whose fleece is a grayish-brown in the half-light, are flocking to a trough where a robust farmer, bending over it from the right, is distributing salt from a large measure. Signed at the lower left, INNEss, JR. ‘Owner, Estate of the late H. Vicror NEewcoms. No. 16 4 WILLIAM HART, N.A. : American 1858—1894 ' a SUMMER-TIME > Height, 15 inches; length, 19 Vp inchg, : 4 Unper a sky full of gray and white clouds, with the blue showing in patches between, an American rural landscape is depicted, well wooded, and varied with sunshine and shadow. In the distance are hills, and in the middle distance among trees and pasture lands some cattle are seen grazing on the farther side of a smooth river which comes into the foreground. On the nearer side, in the immediate foreground, a line of five cows are coming down to the stream to drink. ‘The fore- most, a red cow, has entered the water, and immediately behind her a white cow with red spots appears in the sunshine, and the others follow, coming out of a grove which borders the water. Signed at the lower left, Ww». Hart, 1887. From the private collection of the late Eywiy TuHorne. No. 17 L’ENFANT DE METZ FRENCH Fas : reat | oe THE PERPLEXED MUSICIAN (Panel) ae Height, 1434 inches; length, 18 inches Maar neler Mere A youtH in buff-brown garb, with rose-pink waistcoat and green stockings, is seated facing the right, three-quarters front, between two young girls. On the left, in gray skirt and blue-green waist, one with light brown hair kneels behind him and rests her right hand and chin on his right shoulder, peeping over it with a whimsical smile. On the other side of him her darker sister, in soberer colors, sits resting her elbow back of his left arm and with her head on her hand looks up also with a joking smile toward him. The lad him- self, his pipes under his arm and fingers on the stops, looks abstractedly down as though in a daze, or wondering which of his charmers to suit. Signed at the lower left, L?>ENrant DE Merz. Owner, Estate of the late H. Vicror NEwcoms. 40 jt No. 18 F. SCHLEINGE GERMAN ae GETTING READY FOR DINNER Height, 19 inches; width, 19 Lo Gam Ho- inch 3 2 ae A SMALL Yor OL sturdy Saxon ap- pearance, St, Oullatt, florid, with flaxen hair, has trudged home with things for dinner. In his right hand he holds a bunch of radishes; a string of fat saus- ages is slung over his left shoulder; and pressed against this shoulder he clasps a loaf of bread half as large as himself, as he struggles along toward the left—fol- lowed by his dog, who sniffs at the sausages. He has entered the stone-floored kitchen, a wooden stair-rail of which is seen in the shadows behind him, and he appears in a full light against the gray and brown tones of the walls—the gray of with notes of red. He looks at the spect the floor interspersed ator as though ready to accept sympathy but in no sense ready to yield his task. Signed at the lower right, F. ScHLEINGER. Owner, Estate of the late Mrs. Suz McLure Cuarx. No. 19 vA F. CACHOUD FRENCH, CONTEMPORARY a 45 ASS VIEILLE GRANGE AU CLAIR DE LUNE Height, 14 inches; ON a pipes A De ee Ope ape es A smootH French road, white in the moonlight, entering the picture in the right foreground runs back and slightly toward the left, and finally disappears in a curve to the left beyond a building which is in the deep shadow of a clump of trees. Nearer by on the left two detached trees throw their shadows over the white road, and midway down the road is a solitary figure, walking. On the right the end of a broad barn with high gable and thatched roof is bright in the moonlight, its side being partly in shadow, and near it are other detached trees, both in the light and contributing their own shadows to the picture. Signed at the lower right, F. Cacnoun, 1905. Owner, Estate of the late H. Vicror Newcoms. - No. 20 THURE CEDERSTROM SwepisHh 1843— | L \. 4 GOOD STORY Height, 21 inches; width, 151% inches Uys y | aby Ui nataee Ages Two jolly, tonsured monks in white, with black capes—one lean, one rotund—are enjoying themselves in the library. The thin and younger man is perched upon a shelf, his feet on a carved-wood chair, facing the right, three-quarters front, and reading aloud from a thin black volume which he holds up before him, his head thrown back and his pleased eyes directed downward through his large nose-glasses. His thin lips are drawn into a smile. His florid and ampler brother stands be- side him at the right, facing the front and leaning back against the shelf, his hands piously clasped over his expansive waist, and his merry face wreathed in smiles as he cocks his head ever so little toward the reader. Back of them are many books and | documents on shelves from floor to ceiling. There is a bright hight on all. Signed at the lower left, Tu. CepeErstr6mM, MincuHen. From the private collection of the late Edwin Thorne. No. 21 : | Zt GEORGE H. McCORD _American 1840—1909 ON THE BEACH (Pastel) ee 14 inches; length, 20 inches Y, ' h ak Glee Hex cliffs on at right rise behind a broad, Gacy beach, a cluster of red-roofed cottages nestling at their foot, the cliffs ( in places sheer and white, with some broken slopes that are grass-covered. A group of fisher-folk are standing on the beach near some small boats, and others are seen on some heavy working-sloops which are in shallow water on the beach, waiting for the tide to rise. ‘The sea to the left of them, their own sails, and the clouds overhead are tinged in hues of the sunset, and the shadows of the sails fall toward the foreground. Signed at the lower left, G. H. McCorp. Owner, Estate of the late H. Vicror Newcoms. No. 22 EVERET SHINN AMERICAN 1873— THE RED DRESS (Pastel) cave Height, 18 inches; length, 22 inehes | | Sige Vo. I uy The Tuer front of a stage is shown, covered with aw olive-green carpet before a neutral, smudged back-drop or background of grayish-black with reflections of the carpet and of the red dress of a solitary woman performer, who stands in the center. Her dress is a bright scarlet. The woman, who stands with her arms extended at her sides, looking forward, holds high in her left hand a red paper lantern of the same hue as her gown. Signed at the lower right, EK. Sunn. Owner, W. Beacu Day, Esa. No. 28 JOSEPH H. BOSTON AMERICAN, CONTEMPORARY MOONLIGHT , es Rift he. 18 inches; Ue 22 inches y, Hee. Se pS = A sort, sandy road, -Inaking a fend: in the foreground, leads down to a group of cottages in the middle distance, near the © shore of a harbor which is bounded on the far side by a line of hills, where more houses are indicated. ‘The cottages are showing their evening lights, and lights appear on boats distant in the water, and the whole scene is bathed in the soft light of the moon, which is seen beyond the thinnest of misty cloud- veils. Signed at the lower left, Jos. H. Boston. Owner, Estate of the late H. Vicror Newcoms. No. 24 ARTHUR PARTON, N.A. AMERICAN 1842— A WOODLAND POOL ee Height, 24 inches; width, 18 ines y ( =a YU: “ OAM In the foreground of marshland are green reeds and a pool, and beyond the water trees of varied form extend in an open line across the landscape, the taller cones lifting their topmost branches above the picture. At the base of the trees, near the pool, a hunter is making his way toward a clump of under- growth, his dog a little in the lead. Signed at the lower right, ARTHUR Parton. From the private collection of the late Eywin THORNE. t. oe eee y Micaela it 5 ope te =e i a a No. 25 ANTONIO CASANOVA Y ESTORACH AMERICAN 1847—1896 ANTICIPATION ps 2 Height, 22 inches; width,.17 ae ; aa 7 H BEFORE a long table covered with a rich, Peeler loteate drawn-work ornamentation in its deep and elaborate borders, a fat and heavy monk stands facing the spectator as he draws. the reluctant cork from a promising bottle of wine. He is in a buff-gray habit and wears a long blue apron, which he has. pushed aside to grip the inviting bottle between his knees, and he smiles as he shuts his teeth to give a long, strong an- ticipatory pull. His broad pate is bald, a bit of his remaining gray hair curling over each temple, and he has the hardy complexion of a good liver. The light falls on monk and table, the room back of him being dark. /] ~ Signed at the lower left, ANronto Casanova y Esroracn, Paris, 1886. eS From the private collection of the late Eywin 'THorNE, | yee J3itle Lift 16 16 Ka SVS Ppov: 16 $6 fAixx aed, ee Height, 22 inches; width, 1734 we ce No. 26 C. VON BERGEN: GERMAN THE KNITTING LESSON (5- Ke A YOUNG peasant girl in a gray waist and blue apron, seated on a wooden bench against the gray wall of a humble cottage room, is teaching her younger sister—a flaxen-haired child—to knit. Each holds a piece of knitting and the needles, and the elder has paused to take her sister’s small hand and direct its work with the needle aright. The child is in brown with a red apron. Light from a window at the right, before which a flowering potted plant is seen on the sill, falls upon the chil- dren and brightens a spot of the floor and wall. Signed at the lower right, C. v. Bercren, 1886, MincHen. From the prvvate collection of the late Eywin Tuorne. oe 3 0 oe Height, 18 inches; length, 24 ib No. 27 ‘DOMINGO-MUNOZ y) ; SPANISH nee: RAE SPY (Panel) Wo a/l— BEswE a gray-walled inn with a red-tiled roof, over which pro- jects a green arbor, on the right, three officers are at déjeuner at a table spread with a snowy-white cloth and various refresh- ment, while sentinels stand near. ‘Two women, one in black, the other in a white mantilla, and in the bright colors of a happy southland—one of them carrying an opened fan which she holds in an attitude of coquettish defiance—approach near the center, eyeing the officers keenly and submitting in their turn to sharp inspection. On the left and in the middle dis- tance are various groups of soldiery and a few horses, and here and there are noticed stacked arms. Signed at the lower left, Dominco-MvNoz, Panis. From the private collection of the late Eywin THorRNe. No. 28 LUDWIG HARTMANN German 1835— PLOWING (Panel) Height, 151 inches; length, 27 inches oi (Bins fee Two men are plowing in a broad field, each with his own team. One old man at the left is bent over his plow handles, his team of a light horse and a brown one moving away from the spec- tator and toward the right. The other farmer is standing, fac- ing the onlooker, his team of one dark brown horse and one sor- rel resting and looking toward the observer as they are headed to the right. A part of the foreground is in the shadow of a cloud. Across the field, in sunshine, two women and a man are seen gossiping beside some cows which are coming out from the shadow of trees. The picture is bounded by a line of hills, a group of buildings seen on one distant crest. Signed at the lower right, Lupw. Hartmann, MUNCHEN. Purchased from D. Heineman, Munich. Owner, STanuey P. Girrorp, Esa. ‘ No. 29 HENRY W. RANGER AMERICAN 1858— LANDSCAPE 2 Height, 18 inches; length, 29/2 Wey 8 a | ee “spe! : THE head of a pond or small lake and its marshy borders are blue and green over a broad foreground, the wider part of the lake at the left being mottled with gray reflections of the fleecy clouds which are strewn thickly across a pale blue sky. On the farther side of the water two small farmhouses and a barn, among low trees, are built at the base of rolling uplands of the distance, which at the left mount to a high rugged hill. Toward the red and yellow farmhouse at the right a figure is approach- ing. The neighboring cottage, white, adds its reflection to the others mingled in the lake, and near it is a red boat which a farmer is entering. It is a hot, bright, sunshiny day of summer. Signed at the lower left, H. W. Raneer, 99. Owner, Estate of the late H. Vicrorn Newcomp. No. 30 GEORGE H. SMILLIE, N.A. American 1840— IN WESTCHESTER COUNTY, NEW YORK ie AAG ea Speen A. GREEN hill sloping from the left is bounded if/ the middle distance by a series of trees descending the hill, and toward the bottom following the line of a stone fence which at the right separates the hill’s slope from low, flat fields beyond. One of these is brown under cultivation, its neighbor a green meadow. In the distance, far beyond a brown wood with blue shadows in its depths, is the silvery-white line of a broad river near the horizon. In the foreground the slope of the hill is marked by some outcropping gray, flat rocks, and the shadows of trees and stumps which the sun from the right casts up the hill. Height, 181, inches; length, 261 inches } Signed at the lower left, Gzo. H. Smrurie, N.A. Owner, Hstate of the late H. Vicror Newcomen. y \ No. 31 - - DANIEL RIDGWAY KNIGHT American 1850— ; + x . () RURAL COURTSHIP | e* Height, 26 inches; width, 20 inches Jae Nitin A TALL wooden garden gate is swung open and a peasant maiden leans dreamily against it, listening to her tall and hardy lover who stands in heavy sabots in front of her, leaning on the opposite gate-post. At either side is seen the stone wall of the garden, the path down the center to the gate is dotted with fallen leaves, and beyond the wall is a green and tree-grown landscape. The girl is hatless, and wears a purple-lilac waist and rolled-up buff-gray skirt, and a white kerchief about her neck. She has brought her knitting with her and toys with it idly. The youth, who is coatless, is clad in rusty-brown of a rich, unctuous surface. Signed at the lower left, Ripeway Knicut, Paris, 1886. SSG From the private collection of the late Epwin Tuorne. BUC Gee nie hee f ve VEZ fp Uxx No. 82 GEORGE H. McCORD AMERICAN 1840—1909 THE LIGHTHOUSE—MOONLIGHT Height, 20 inches; length, 30 inches ee (oO — Dt . N) as lLaAr ON the right a round, white lighthouse, now gr eet i in the moon-— light, rises at the end of an attached group of low buildings on a low, rocky shore on which some rowboats lie, the tide being out. In front of the lighthouse, toward the left, the harbor waters are brilliant with reflections from the full moon, which is among some loose clouds aloft, mingled with touches of color reflected from the red flare of the lighthouse. Here and there boats, some with their sails up, appear in silhouette, and in the distance are seen projecting points of land at the harbor mouth. Signed at the lower left, Gzo. H. McCorp. Owner, Estate of the late H. Vicror Newcoms. No. 33 WILLIAM RITSCHEL AMERICAN 1864— THE HOUR BETWEEN (Water Color) | ean: Height, 20 inches; leng h, 294 inghes —() esa E Lae / ble “THE hour between” is the time between sunset and moonrise, or daylight and true night, and in this bright gloaming here a shepherd in a blue blouse is seen following his gray sheep, which he is driving in a flock down a wide, irregular road, away from the spectator. At either side low hills slope gently to the road, along which on the right runs.a narrow brooklet, and at a bend in the road, toward the distance, are peasants’ cott yes in the shelter of masses of trees. Signed at the lower left, Wm. RrrscHex, 1903. Owner, Estate of the late H. Vicror Newcoms. No. 34 \ FRANCESCO VINEA [ Irarian 1846— r) (ne, THE FORTUNE TELLER é Po, inches: lenoth. 2814 inches / . a sim Height, 231% inches; ey sat BS oi ee aie Four gallants are gathered about a table with a lace-bofdered white coverlet in an inn, where they have had refreshment. A 3 young nobleman with flowing locks, in a light blue costume | and white stockings, is seated beside the table, with his left . hand extended to a bent old woman leaning on a staff, w. » reads his palm and tells him his future. Two of his older companions—one in pink breeches, with turned-down drab j boots, and one in a mahogany-brown costume—have risen i from their seats and lean over the table to look on, while behind him stands one of his gay young friends, with flowing red locks and wearing a plumed hat, who flirts with a smiling serving maid. Signed at the lower right, F. Vinwa, Firenzr, 1890. | Purchased from Boussod, Valadon & Co. ° v4 A Owner, STanvey P. Girrorp, Ese. | ea, CLL. Oef 19¢/ ia hye } iq ee fac 702. £ INS Bas eisint = Gti ht Oe aa No. 35 SALVADOR BARBUDO-SANCHEZ SpanisH 1858— IN HONOR OF HIS EMINENCE) Height, 211% inches; length) 33% (inches CH - , IN a brilliant palace hall, elaborately ornate, three great ladies in massive white wigs and the richest of gowns are eritertain- ing an elderly cardinal. Seated in the center, he leans his chin upon his left hand, the elbow resting on the arm of his high-backed carved gilt chair. One of the ladies, seen in profile, looks straight at him; another, behind her, in back view, accompanies on the piano the third and youngest of the trio, who is playing for His Eminence on the violin, while his sober gaze is directed downward. A man stands by, waiting with refreshment. Signed at the lower left, BARBupo, Roma, 1901. Purchased from Fischel, Adler & Schwarz. Owner, STANLEY P. Girrorp, Esa. GUSTAVE JACQUET Frencu 1846—1909 i ROMANCE é oa Height, 29 inches; width, ce (3 ey Jy AL A. FAIR young woman of fresh complexion and roun tee fig- ure is seated in a blue velvet upholstered chair, playing the guitar. She is shown at three-quarter length, in a décolleté gown of golden yellow richly embroidered in lace work and floral patterns in white, pink, blue, green and other hues. The elbow sleeves finish with flowing lace and she wears pearl bracelets, and a pearl necklace of a single strand about her neck tied at the back with a black velvet ribbon. Her blond hair is decked with flowers and a black velvet pompon, and her head turned so that she is seen in full face. Signed at the lower right, G. Jacquet. By order of Carpvoza & NATHAN, ATTORNEYS. No. 37 FRITZ THAULOW Norwecian 1847—1906 SUNSET ON. THE RIVER Height, 251 inches; length, 32 inches | f) Pfs; — tt h pwede oe 4 L, A proab, rapidly flowing stream runs out of the foreground on the left, reflecting the tones of a sunset sky and the colors of the foliage of overhanging trees which grow on the right bank in the middle distance. Beside the trees is a rich meadow, which continues on the opposite side of the stream, where cattle are grazing and lying down. Beyond them is a moderate-sized, partly wooded hill, which, with a red-roofed and whitewashed cottage at its base, is glowing with the warm light of the setting sun. Signed at the lower right, Frrrz THautow. From the Julius O. Frank sale, American Art Association, 1907. +27 fo ( Owner, STANLEY P. Girrorp, Esa. PSG L ee Angee Bees g Becight f Mentar gree jo Fa WA ge AVA ed 5 GPs 29/98 Sie Joker. faek por HC. F 4 Z §/o3 fr PA est oleh, fi PRI ETE A Oct LIV G6 Ll (~F AWS % % op, SAZET ee FRENCH Ny AFTER THE REVIEW Height, 22 inches; length, inche /] ea p \ J} MAAV LY THE scene is in an open woods of eee {rough which a narrow highway runs, just here\ passing by a level bridge ¥ over a stream or ravine below, the bridge approach protected by low stone abutments and parapets. Grouped about these are officers and soldiers, seated on the ground or at tables, smoking cigarettes or refreshing themselves from their can- teens. Two country wenches in sabots, seated on a parapet, listen to the badinage of a bugler; officers who are standing near their horses in the road look on; and in the distance more of the troops, mounted and afoot, are seen on the plain and among the trees and along the road. Signed at the lower left, P. Jazer, 1883. Owner, Estate of the late Mrs. Suz McLure Crark. Rn je: Height, 30 inches;~width, 25 inches - AUP see CC oa e No. 39 ENGLISH SCHOOL PORTRAIT OF MARGARET BRYAN THe portrait of a dark-haired young woman with a wise and contained smile, facing the spectator, her figure turned shghtly to the right and her fair and oval face slightly to the left. She is shown at half-length, standing. Her left arm rests on a green-covered pedestal, almost shoulder-high, the hand gently clasping the folds of a black mantle which is draped over her shoulder. The right arm hangs gracefully at her side, with the elbow slightly flexed. The waist of her creamy-white, loosely clinging gown is crossed in graceful folds about her breasts, the low neck-opening edged with lace, and has lace shoulder-sleeves finishing with a narrow band of pyramidal ornament. Neutral background of brownish tone. By order of Carpoza & Natuan, ATTORNEYS. & ECILIA AINT C SCHOOL (SPANISH : SPANISH SCHOOL XViltru Century a : Wi a wy oe = Fal a 2 SAINT CECILIA : Pe al Height, 36 inches; width, 2834 ee i AGainst a dark brown background as of the dim interior of =~ some spacious edifice, the saint is pictured at three-quarter length, facing the right, striking with one hand the keys of an organ while in the other she holds a sheet of music. She turns her face three-quarters to the front and is singing. She is portrayed as a young girl, with full round face, large eyes, and creamy complexion faintly tinged with pink, and she gazes upward with a devoted expression. Her brown hair falling over her shoulders is adorned in red, and she is clad in rich red and blue garments, with a jeweled girdle. A — mantle or scarf over her shoulder, falling low, reveals one breast, and a strong light from above on the left illumines her face, the breast and one hand, and is reflected in a brilliant _ shimmer from the rich blue sleeve of many folds. } By order of Carvoza & NarHan, ATTORNEYS. PROS ASAE S - a des ik “ iat No. 41 FRENCH SCHOOL LOUIS XIV | | | a re. Height, 35 inches; width, 271 ee : | Y ay ‘asp Naa hb Vg f Le, Grand M onarque is depicted in full, day k periwigy royal € dress and partial armor, at half-length, load and ltacing | the right but having turned his head to look with majestic | condescension in the direction of the onlooker, his eyes from | the height of his august position directed just slightly down- ward. He is observed before a dark, conventional background of draperies and atmosphere. ‘The royal neck is enwound in _ white, with an ornate lace bow over the rich red coat which is largely concealed by the polished metal breastplate and sleeve armor. His shoulder is crossed by a blue sash, and a mantle of royal purple curls before his chest. By order of Carpoza & NatHan, ATTORNEYS. 9 (ee No. 42 ROBERT C. MINOR American 1840—1904 CRADLE OF THE HUDSON —— 6ot Height, 26 inches; lei 36 ase, THE noble river that becomes an estuary for (fhe Seva ’ merce 300 miles below is showry here a narrow blue stream, hardly more than a brook. Its waters are hurrying for a brief space through a sinuous lane or bed between sloping banks of dense, luxuriant green—herbage and foliage alike varying in their tones from a deep, dark green of density and shadows to a light, yellowish-green in the brighter places of a vast wilderness. Near the foreground at either side of the stream are trees detached or in groups, and on the right are some moss-grown gray rocks, above the water. Farther back all is green forest, against a distance of blue mountains under a gray and blue sky with some yellowish-gray clouds. Signed at the lower right, Minor. Owner, Estate of the late H. Vicror Newcoms. E, aa ne COTT AC H, ENG. 7 i SUSSE ~ ~ TY » BOR b ND bite i No. 43 “ROBERT W. VAN BOSKERCK AMERICAN (1855— SUSSEX COTTAGE, PULBOROUGH, ENGLAND Height, 24 inches; length, 36 igches oH 337 : y A HANDSOME cottage of ancient style, with exterior beams sail plastered walls, is perched upon a bank on the right of a road, its red brick chimneys rising above it at either end. Its lower roof is of red tile about the dormer windows, elsewhere of a deep thatch whose brown tone has been turned to green by moss. Behind it are greenish-brown trees, beside it the grass grows, and most of its front yard is a bright, blossoming, char- acteristically variegated humble English garden. Am old man leans on the gate watching some chickens that are Bune) in the road. Signed at the lower right, R. W. Van Boskerck. Owner, Estate of the late H. Vicror Newcoms. No. 44 CARLETON T. CHAPMAN AMERICAN, CONTEMPORARY THE BONHOMME RICHARD AND SERAPIS, SEPT. 23, 1779—“PAUL JONES’S GREAT VICTORY” ge oe THE great, high-sided ships are ee Cael ne one bod -on and headed to the left, the other stern-on and outside ofVher. It is getting dark in the skies above and on the waters below, but the ships are alight with the blaze of the American, and the figures of the men fighting them can be seen on the decks, in the light or in silhouette, with arms in their hands. The square sails aloft appear some in shadow, some in the glare from below. Height, 32 inches; Ae 26 es Signed at the lower left, CarteTron TT’. CHAPMAN. Owner, Estate of the late H. Vicror NEwcoms. No. 45 EDUARD SCHLEICH German 1812—1874 THUNDERSTORM —— veo / SS a Height, 181 inches Le 33 inches eae fields of green pasture-land the midale distance are in sunshine, as are patches of the landscape elsewhere, both near and far, while the shadows of gathering thunder-clouds darken lines of woods in the distance, and a stretch of the country across the middle distance. Here the land descends more or less abruptly from the sunlit pasture-plateau to a shallow stream crossing the foreground. Beyond the water is a loaded wagon, and a peasant woman in a blue skirt is walking up the slope toward the pastures. Half-buried in a sheltering clump of trees and bush, of rich, velvety foliage is a group of cottages whose red and brown roofs are seen in part in the sunshine. Beyond the pastures two old windmills with heavy arms rise above the light horizon, against bluish- gray clouds which are massing there, while the darker storm- clouds—driven by the winds—are assembling overhead, the blue sky visible in patches among them. Signed at the lower left, Ep. ScHLEICH. From D. Heineman, Munich. Owner, STANLEY P. Grrrorp, Esa. No. 46 F. SOULACROIX VJ Frencu 1825— “HERE I- AM!” DAM Height, 35 inches; width, epee eo nD) : T Reedhipcga rn STEPPING out between long, gray satin portieres, which she has just parted, and which still conceal portions of her gown about the feet, a tall, buxom lady comes toward the spectator. But she pauses and turns her head to her left to greet with a warm and happy smile someone not seen in the picture, as she announces: “Here I am!’ She wears an Empire gown of pink satin, sleeveless and low, with white lace showing at the laced corsage. She is plump and blond, and her blond hair, verging upon red, is done high and bound in pink bands. She catches the curtains with each hand, the left arm down at full length, the right a bit flexed, and she stands on a marble floor. Interest has been centered in the quality and texture of the broad surfaces of the lucent gray and pink fabrics. Signed at the lower right, F. Souvacrorx. Purchased of D. Heineman, Munich. Owner, Stantey P. Grrrorp, Esa. No. 47 A. PENOT ie, : FRENCH . 2 () 5 RIEUSE ) q ~ Height, 284% inches; length, 36 jnches 4 S06 | : Tue three-quarter length figure ae RAE ovine woman, nude, resting amid downy cushions and draperies on a divan, the light falling from the left full upon the supple torso. She is seated, facing the spectator, a rich dark robe wound about her limbs, and has thrown her body and head down upon the couch toward the right—her abundant dark hair curling loosely over the green cushion, ornamented in gold, on which her head lies, resting on her left arm. The right arm is raised straight up, and flexed at the elbow, bring- ing the hand down again to toy with her hair, while she looks at the spectator, smiling cheerily and half-mockingly, with parted lips. The play of the light, and the influence of the reflections of the draperies, upon the pliant flesh are care- fully studied and interestingly depicted. Signed at the upper left, A. PENoT. From the Salon of 1906 (No. 1299), where it was recorded as having already recevved previous mention. y1005 Owe, Srantey P. Grrrorp, Ese. Faxrxk~ ax Set]oe Fa mrs No. 48 é LUCIEN DOUCET FRENCH - FIVE OCLOCK TEA Height, 24 inches; length, 36} inches c7 Z 7 ea Bee C1 oe Glan, IN a rich interior of olive and mahogany tones with a ver- <= milion floor-covering a varied company are gathered. At the right a middle-aged man, hat in hand, bends over the chair of a ‘Titian-haired young lady in lace waist and lavender skirt, gallantly touching his lips to her finger-tips, while back of them another red-haired lady calls her excessively correct visitor's attention, in a whisper back of her hand. On the left a young man turns music for a young woman at the piano. Through a draped archway in the center two other ladies are entering the room, one with a teapot, and a lady in white at the side holds out her cup. Signed at the lower left, L. Doucer. Purchased from Messrs. Boussod, Valadon & Co., 1890. Owner, Estate of the late Mrs. Suz McLure Crark. No. 49 HUGH BOLTON JONES | American 1848— 4 A BROOK IN EARLY SPRING 4g Height, 24 inches; lenyth,p40 inches pe 33d = \ 4 A Broad hillside slopes from the’ right to nfeadows threaded by a winding brook. At the foot of the hill the landscape is ; crossed by a line of trees, brown and with little foliage, which : extends as a penetrable screen across the middle distance. The green landscape is glimpsed beyond, and in the distance are blue hills under a pale blue sky overspread by light gray clouds. The broad brook taking an irregular course about the foreground reflects the light tones of the sky and the darker brown shadows of the trees and bushes. ‘The meadow is green and yellow, with an occasional brown bush. Signed at the lower right, H. Boiron Jones. From the private collection of the late Enwtx THORNE. No. 50 HARRY CHASE / etree Ae 1853—1889 RIDING AT ANCHOR IN A GALE ES foe Boe TE Le Height, 40 inches; width, 30 inches / yew a YWrr- No. 64 HEAD AND SHOULDERS PORTRAIT oe OF SIR Bete. LAWRENC Sy aes (ani 9 Wir# an illustration of one of his Se and an antonrapte aan letter. Purchased from E. F. Bonaventure, New York. No. 65 ETCHING, PORTRAIT AND AUTOGRAPH Iai aay ge jab ave ‘EO Same H{AL¥F-LENGTH seated portrait age Hue facing oe ae slightly to the right, by De C. Motte, after Deveria (1829). AN etching of landscape and ruins, by Hugo. AN autograph letter of the poet’s. Purchased from E. F,. Bonaventure, New York. No. 66 PORTRAIT AND AUTOGRAPH Cm OF JOHN GREENLEAF WHITTIER 40> 5 4 ~ (OD Yrran ENGRAVED portrait of the ook Sea Wilcox, in head and shoulders, facing the right, three-quarters front. The Quaker is depicted in his age, with gray hair and beard, the upper lip shaven and his severe but kindly gaze directed down- ward, as in deep thought. AN autograph letter to “my dear Osgood” (the publisher) expressing thanks for a biographical sketch of Lowell. Purchased from E. F. Bonaventure, New York. : No. 67 PORTRAITS AND LOCK OF HAIR es _ OF QUEEN VICTORIA A porTRAIT of Victoria as the young queen, crowned, drawn by Sandoz and engraved by Tavernier. A wock of Victoria’s hair under glass in a medallion frame, and a letter dated Chelsea, Sept. 5, 1842, from the wife of the queen’s jeweler, enclosing the lock promised to a child. FULL-LENGTH portrait of the queen, crowned, standing on the dais before her throne, in a white satin, ermine-trimmed décolleté gown. Purchased from E. F. Bonaventure, New York. if-0 No. 68 PORTRAITS OF THE EMPRESS JOSEPHINE, WITH MEDALLIONS OF NAPOLEON ey ~ “AG ee - Buack and white engraving of a head and bust portrait of Josephine, crowned, within a heart and an elaborate frame. Heap and bust lithograph in color by Mersaldy after I. Isa- bey; the empress faces the left, three-quarters front, a fluffy drapery enwinding her. Two MEDALLION portraits of Napoleon, one in gold; one in gold and enamel in miniature, in an enameled star. Purchased from E. F. Bonaventure, New York. No. 69 PORTRAITS OF THE COMTESSE DU BARRY, WITH LETTERS Hf aU Ee Ge tds Ge Wane FULL-FACE engraved portrait by L. le Grand, turned slightly to night; head and shoulders, in plain dress, depicted as in a medallion bound with ribbons and floral strands and _ sur- mounted by two doves. Verses in French below. Heap and bust portrait, in elaborate Court dress, with low corsage, powdered curled wig and ostrich-feather headdress adorned with flowers. Slightly smiling. Engraved by Boni- vet. Below, memorial inscription reciting her decapitation. 2 i 4 ‘ 1 La > . a a P ~~ ™ eT ee ey ee ee ee Se ee ee ee ee ee ee ee ee ee ee ee Se ee ee se » —— ee eS No. 70 ELIZABETH 3 oe Hb. _Porrrarr engraved by W. T. Fry after the original by — Zucchero in the Marquis of Salisbury collection. Proof. The queen is in royal purple and white lace, with yellow brocaded waist very low cut, and wears a rope of pearls and a rich claret-red cloak. Three-quarter length, standing. | A COMMAND, on parchment, Sage by Elizabeth and addressed “To all Admiralls.”’ PORTRAIT AND STATE PAPER OF QUEEN ~*~ ‘ : a ; a i" * Peas ayy ~ Fela iy de - a) ay ‘ x x eT ale OF aly MY 1g sa : 4 . ieee @ * S ' > ‘Ge i 4 he iy p ~ AMERICAN — 1840—1904 vf Lon ? 4 SPRINGTIME Height, iy inches; length, 15145, inch BOB ile 2 A RIVER coming through a well-wooded country reflections of the i air sky, where it is not ae § time. Near one bank is a fla boat eth a peat it whose reflection adds its note to the water. — 7 wsacsyapeaiiiee® guage No. 77 J. FRANCIS MURPHY American 1853— | ee SUNSET | eu Hei. ches! aga da ee ll a 7 eee ‘meadow 7 Nicut is settling over a level plain or meadow which is bounded — toward the horizon by slightly higher land. VOn the right two — young trees rise out of the picture, and toward the left middle | BY distance is a small group of slender, sparse trees. The sun has gone down and the whole of the visible heavens is blazing — with reddened clouds, with a streak of yellow just over the horizon, the glow being reflected in a shallow pool of the foreground. | Signed at the lower left, J. F. Murpuy, 1904. Owner, Estate of the late H. Vicror Newcoms. Ee ee 7a ea a ee ae a henge tee No. 78 J. POKITONOW ff RusstIan rd THE DUTCH HUNTER \ : | ; : i ; jie (Panel) yb 45 Height, 4 Ze lengt » 18% inche TA BROAD flat landscape appears ilar a bright gray-blue sky. ee y Trees with a few leaves are growing in groups toward the left, while near the center of the picture three of them stand out in sharp individual outline against the clear sky of an inviting autumn day. ‘The meadow around them is brightened by ___ shallow gray water, and on marshy land in the foreground to the left a hunter is bending over, his gun across his arm, as though to pick up some proofs of his marksmanship. It is a picture of much atmospheric charm Signed at the lower right, J. Poxrronow, ’86. JFL From the private collection of the late Knywin THorne. Qe RLF fom. 117 Hea MM XX Feb 1557 £ esx pattie MEIC SE III Sy No. 79 JEAN BAPTISTE GREUZE Frencw 1725—1805 PENSIVENESS ( Panel) Height, 6 inches; width, 414 inghes mes YY: . Ye és Y A YOUNG woman of full face and plump arms is portrayed at three-quarter length, seated and turned toward the right, three- quarters front. Her feet resting somewhere higher than the floor raise her knees above the plane of her hips, and she throws herself carelessly forward, arms on knees, as she turns her broad face almost squarely toward the front. She has large, pale blue eyes and very pink lips, and she wears a pensive smile as she looks vaguely into space, her left cheek and temple resting on her left hand, whose elbow is on her knee. A white cap bound with a red ribbon conceals most of her yellow-mahogany hair, and she wears an old-rose waist with white sleeves, a turquoise-green skirt and a bluish-white apron. Owner, Estate of the late Mrs. Sur McLure Cuarx. seas ne No. 80 NARCISSE VIRGILE DIAZ DE LA PENA Frencu 1807—1876 THE BROOK IN THE WILDS (Water Color) Height, 5 inches; length, 7 inches Bx : —~ 79 — FoDeo Lac AL WATER-COLOR with the crispness and vigor in effect of the artist’s oil paintings, though very simple. A narrow brook comes in a winding course down through the center of a rough and wild landscape, passing in the middle distance between a green, bush-covered mound on the right, where a single brown tree at the water’s edge is silhouetted against the sky, and a rocky hummock on the left with brown bushes. Active yellowish-white clouds course before a bright blue sky, with suggestions of rain-clouds gathering. Signed at the lower right, N. D. Owner, Estate of the late Mrs. Sur McLure Crark. aed No. 81 MARIANO FORTUNY Y CARBO SpanisH 1838—1874 SPANISH LADY WITH FAN (Water Color) Height, 12 inches; width, 81 mches 7 | 1) Vv. a A DARK-HAIRED young woman of prominent features and full lips is seen at three-quar- ter length, her body turned three-quarters from the spectator but her face in pro- file toward the right. She is gowned in black with sugges- tions of color, the dress being short- sleeved and her lower arm covered by lace. Black lace hanging from her flat head- dress or cap falls low down her back, a touch of light purple appearing at the neck, and she carries an open fan decorated in white, dark red and green. Signed at the upper right, Fortuny, Roma. From the Mary J. Morgan Collection, 1886. 74 ‘eos jf 5€S Owner, Estate of the late H. Vicrorn Newcoms. et | eaahy & V Ea F ie No. 82 4 | Age —" CHARLES EMILE JACQUE ‘ oe Frenco 1813—1894 } 4 SHEEP IN WINTER QUARTERS | (Panel) | p Cl (eee Sore A TOs Height, 8 inches; length, 104. inches Z | Sas : 1 AAV In the corner of a sheepcote, or stable, whére a broad slant of sunshine strikes down, two sheep and a lamb are shown, one of the sheep, on the left, facing the spectator, the other stand- ing across the canvas near it and in the center, with the lamb beside it. ‘This one is nibbling at some greens which have been scattered on the straw-covered floor. A lantern hangs against the gray wall, above a feed-rack, a hen is pecking in the straw below, and two other chickens are perched in the semi-darkness on a clumsy wooden stairway on the right, leading to the loft above. | Signed at the lower right, Cu. Jacque. ee EE eeeEEeeEeEeEOEOEOEeEeeEeEeEeEeEEEEEEOEEEE_EOE_ eee |= y 3L0 From the private collection of the late Enwtn 'THoRNE. FT Aegree dons hfeh £5 6 ey Dac. SLEG BUIKX yo No. 83 ie ANTON MAUVE Dutrcu 1838—1888 OLD COACH IN SNOW (Water Color) Height, 1034 inches; length, 13 inches Wei Saoe a AN ancient coach, with a body of a pale oliye-green color, is /, ~ approaching over a snow-covered road which is scarcely to be “ — distinguished from the unfenced fields about it under the heavy snowfall. The storm has ceased, but a few vehicles have left trails along the road. The coach is drawn by a team of old = horses, one black, one white, and seems to be a mail or other — Government conveyance, the driver and a man on the seat — with him both being in a military uniform. In the distance buildings can be seen under a dull gray wintry sky. Signed at the lower right, A. Mauve. Owner, W. Beacu Day, Esa. UL DESIRE roe Wie . f £ » No. 84 PAUL DESIRE TROUILLEBERT Frenco 1829—1900 LANDSCAPE e Height, 1314 inches; width, hh imches VP ee CO ae A RIVER bisecting the landscape passes from sight un ik three-arch stone bridge in the middle distance, the water in the foreground reflecting shadows of bridge and bank and the white and blue of the sky. On the bank at the left is a line of low dwellings, seen against a mass of thick trees, and the bank on ~ the right is wooded, tall trees at the stream’s edge rising to the top of the picture. Signed at the lower left, TRovuILLEBERT. Owner, Estate of the late H. Victor Newcoms. No. 85 ANTON MAUVE iS Dutcu 1828—1888 ”) () A DUTCH FARMERS TEAM | “= *) Height, 914 inches; length, 15 inches rf: laa eee eae on. OL. ee A PEASANT farmer of the Low Countries, in a blue blouse, greenish-brown trousers, sabots and a black cap, stands in a field at the head of his team, holding them by the bridles for the artist to paint the picture, although they look as if they would stand willingly to rest from their labors. They are harnessed to an old-fashioned, crude farm implement which may be a sort of plow, that is seen against a low green hill rising to the left of the field. The nigh horse is black, the off — horse brown. The sky is a dull grayish-yellow. Signed at the lower right, A. Mavve. Purchased from Boussod, Valadon & Co., 1889. Owner, Estate of the late Mrs. Sue McLure Crark. ay Boat ox) Peek No. 86 3 EUGENE FROMENTIN il "Sd Frencu 1820—1876 A OQ PASSING THE FORD no O (Panel) _ Height, 1414 inches; width, 1034 ee ee Oe Cite ARABIAN horsemen, accompanied by runners on foot and som dogs, have come over a treeless stretch of hilly country to’ stream in the foreground at whose border is the beginning of wood. The leaders have passed the ford, while others of th company are pressing their horses through the water, and tw others are coming galloping up, still some distance out on the grassy trail. In the foreground on the near side of the stream a rider on a white mount stands out against the shadow cast by the trees over the water, and the light falls also on a ne afoot by his side, who is leading some dogs in leash. The riders in the shadows are accentuated by the red and other — colors in their costumes. ‘The sky is somber. (ae a Signed at the lower right, Eve. Fromentin, *65. Le Purchased of M. Knoedler & Co., Paris. (4 1S Owner, STantey P. Girrorp, Ese. Oet/67 SS KK — R. WG hon 84/67 Pakxkx by pee ce ge oh Oe Se Fe De 5 at ey poe eer tet ate are « ee No. 87 yr JEAN JACQUES HENNER IY Frencu 1829—1905 ir : y TETE ROUGE (oN Cayo eee ee cane Height, 17% inches; width, 1234-inches =~ sted f= WNAar*rA__ Heap and bust of a young woman, her fig- ure turned to the left, three-quarters front, her face turned full to the front. She is look- ing fixedly at the spec- tator. 9 She ‘wears a black dress, with a low, square neck-opening. Her red hair is parted in the center and is falling loosely over her shoulders, the mass of it taking the form of an arch about her face. She has dark, deep-set eyes, and white flesh, and her red lips have almost a purplish tinge. Dark background. Signed at the upper left, J. J. HENNER. Purchased of Julius Oehme. Owner, Sranitey P. Girrorp. Ese. \ Hh Te MOORISH CHILDREN Hoek 11 inches; length, 17 ee “y ae LY gether, three of them seated on ie aroun and two te and one of the latter holds a small green and red parrot. either side of the group are trees with scant foliage and acro: a lake in the middle distance is a low tract of country “y h “mountain peaks on the horizon. ae Signed at the left, N. Dias. .. From the George F. Tyler Collection, 1897. Ne J f f A cee Xk 4 From the Frederick S. Gibbs Collection, 1904. re 2 0 é AGSX Owner, Estate of the late H. Wioron Newcomn. Catal eae Sd O oor a No. 89 i JEAN BAPTISTE CAMILLE COROT Frencu 1796—1875 THE BEND OF THE RIVER a Clee 131% inches; length, 181 ee ee nw 4 A NARROW pastoral stream coming £6r ward on the left winds through a low and level stretch of the French countryside, bending to the right near the foreground. Here on the left a rowboat with a solitary figure standing upright in it is pushed against the low bank, and at the right of the foreground is a figure in red bending over and looking down into the long green grass. Wispy trees with silvery trunks and feathery foliage cross the picture on the nearer border of the river, and on the farther bank are cottages with brown and red roofs and white walls. ‘The whole under a gray sky with touches ‘of white cloud and an occasional patch of blue. Signed at the lower right, Conor. Purchased from Scott & Fowles. — ? . 7 e W-. he, eC f ILE Owner, Sranitey P. Grrrorp, Esa. No. 90 JULES DUPRE KY Frencn 1812—1889 Sg THE OLD OAK (LA RIVIERE) Height, 1514 inches; length, 2114 jnche o co — vy), U 4 Tuer foliage standing out darkly against the bles and of the sky, a thick clump of trees are seen on the right, gr ing on the bank of a reedy stream which runs through a marshy meadow. A cow stands knee deep in the sha water, back of her at the stream’s edge being a peasant who has driven her down to drink. A tangled mass of undergro about the trees obscures the outlines of the trunks, of wl bright patches are seen here and there. A grand old oak in the middle distance is silhouetted against the horizon, tary and alone, rearing its top above the low surrounding coun- try. Subtle contrasts of the deep blue sky and gray clou enliven interest in the vaporous masses and serve to harnoes the various colors of the landscape. Signed at the lower left, Dupre. From the collection of M. Charles Noel, Paris. 1841 ne 7 Je AO- i From M. Knoedler & Co., New York, 1893. ns 27a" p NSE From the collection of the late Henry Graves, New York, 1909. 7 2y, A ¢ 4 Owner, STantey P. Girrorp, Esa. ae #1 ; I Aa. “ a oa ye 7] 1018 | pt of slender and crooked trunks which grow both there and o No. 91 HENRI HARPIGNIES Frencu 1819— MENTON—CAP MARTIN Height, 141 chee length, 201% Mae Two trees with curled and knotted trunks grow at the left, a low hillside descending to the sea, among lesser, slighter tr the right. Between the groups one looks across the point o the green and broken hill of the left, and across the low fore ground at its base, to the blue water flecked with white and far indefinite hills beyond it. The thin foliage of the tr forms a broad, leafy arch against the sky—which is blue ov head and filled with clouds near the horizon—through whi one looks to the water and the distant landscape, some of the trees being touched with yellow. - . : Signed at the lower left, H. Harrientes, 190: Purchased from M. Knoedler & Co., Paris. Owner, Stantey P. Girrorp, Esa. Sfthe AUS X— At?Y Tuk, aos Fixx No. 92 DANIEL RIDGWAY KNIGHT.) : American 1850— eo | Jf HARVESTER GIRL x Height, 22 inches; width, 18 inché nn a J) VY, ce lon ‘TALL/ ‘ stout, arora eee peasant girl of light complexion and red cheeks is standing in a sunny harvest field which has been partly reaped, the yellowed grain still standing in a section of the middle distance toward the right. Her brick-red waist, unbuttoned, dis- closes her white under- waist, and her blue skirt is rolled up to the hips above the torn old-lav- ender petticoat. She has a pink-dotted white head-covering and stands with her right hand on her hip, the left resting in the crotch of an old wooden pitchfork—on which she leans—above her head. A river flows across the landscape back of her, along the edge of the field and before an opposite bank of green woodland. Signed at the lower left, Riveway Kwnicur, Paris. Purchased from Boussod, Valadon & Co., 1888. Owner, Estate of the late Mrs. Sur McLure Crark. i No. 93 FERDINAND VICTOR LEON ROYBET France 1840— _® THE GAME OF CARDS } | (Panel) | Ve Ae poate Height, 18 inches; bemasii 22 pnches me yas IN an se vneas furnished room of/a Poe or oe profile, wears high boots and spurs, i is ite a She . green velvet, with high upstanding ruff or collar. He seated, his cards in hand, eyeing his opponent—in rich ora The ‘standing player wears a tall-crowned hat with bro flexible brim which shadows his face; the new-comer, in silvery- | white satin coat, with a pale olive sash, plum-colored breeches and gray boots, studies the cards with smiling interest—a wiley b glass in his hand. . 74 ae 2 Signed at the lower right, F. Royser, Paris, Purchased from E. Le Roy & Company, Paris, 1889. Owner, Estate of the late Mrs. Sur McLure Crark. , a hae - “Eb: at . ym Sots Bs Ata: eel b \e 3 a | qe’ Ties om N One one FRITZ THAULOW | Norwecian 1847—1906 , THE MILL } Me (ae with gray from the sky and \ trees that line the banks, the surface of the some orange from bushes at the right and le at the center with coppery-red reflections of he a brick, plaster and shingle structure of var mill appears beyond the sluice-gates, the w Farther back toward the right, near a fence, ny woman stand oe in front of a white-walled Height, 2114 inches; length, 25s omen STAN DE Yaris, Guxons. Ksa. No. 95 GEORGE H. BOGERT AMERICAN 1864— » “ THE NEW MOON horizon, and reflect their light and cine in duatied wi the foreground. 15 ee Signed at the lower left, Gores Owner, Estate of the late H. Vicror Newcoms. No. 96 LUIGI CHIALIVA ‘ _Ivatran § 1842— «THE ~ SHEPHERDESS 3 4 Height, 28 inches; wi@th, 21 inches | Z O S, ae A TALL young: peas- ant woman, her light hair neatly parted under her red cap, wearing a white un- derwaist low at the neck, blue bodice, brown skirt and_ sa- bots, is standing with her back against a tree, looking down pleasantly at her brown sheep-dog, who looks up at her with open mouth. Around her and the tree are gathered her sheep | and their lambs, in the late afternoon. The | grass is a fresh green, the little group being seen on the | edge of a low meadow that is bordered by a winding stream t | at the left. Near the water a ewe suckles her lamb and in __the foreground another lamb is bleating. The sunlight from : beyond the trees reflects in the river the notes of red-roofed buildings of the farther bank, and glints across the backs of several of the sheep, warming their fleece to a yellow-white. Signed at the lower left, L. Cutauiva. | Purchased direct from the artist. Owner, Estate of the late Mrs. Suz McLure Crark. LOO ae Heap and shoulders of a eat ae man Tine mature years, ne a No. 97 se SCHOOL OF REMBRANDT PORTRAIT OF AN OLD MAN Height, 211% inch ie 19 % et figure turned to the right, but facing the spectator, his face more than three-quarters to the front. He is of dark, sandy, — = almost swarthy complexion, full-colored and strong-featured, © yet wearing a kindly air withal. He seems to have lived well, if not piously, and the brown eyes look down with the com- placency of the unworried. His indulgent mouth is more or -* less surrounded by a sparse mustache connecting at either tip with a hirsute festoon which, falling below the lower lip, fringes his chin. He wears a brown greatcoat and large cap, and is seen before a characteristically dark brown background, the light falling from the left on the sitter’s face and shoulder only. By order of Carpnoza & Natruan, ATTORNEYS. a = ee ms = © pea ee THE Virgin is clad in a deep-red tunic, over ich she wears. No. 98 ATTRIBUTED TO GHIRLANDAJO ~ Tuscan ScHooL VIRGIN: AND CHILD (Panel) Height, 28 inches; width, 22 inches a loosely flowing robe of rich, full, complementary green, the play of light brightening its folds. She is seated, facing slightly toward the left. The swathed and haloed Child lying between her knees reaches up toward the breast which the Mother is offering Him, while back of Him at the left the youthful St. John is portrayed as a worshipful figure, with long yellow hair, wearing an olive-brown tunic, over whose — shoulder a purple-red wing appears. The saint supports the Child’s shoulder tenderly with one hand, and with the other — points reverently to the Mother. The head and shoulders of another—a female—figure appear at the Mother’s elbow; she looks steadfastly at the Child. The Virgin has reddish-yellow hair which is partly concealed by an elaborate and jeweled lace headdress. Owner, Estate of the late Perper Hassincer. No. 99 JEAN SIMEON CHARDIN Frencu 1699—1779 PORTRAIT OF BERNARD RENE JOURDAN DE LAUNAY, MARQUIS DE LAUNAY, LAST 4-% 7 GOVERNOR OF THE BASTILLE Tite es Height, 281% inches; width, 23 fe SG0 = Var Solvrelyr A. PORTRAIT of the man who was to go downto fame as the last and fated governor of the Bastille, painted when he was a young man. (The artist died ten years before de Launay met his fate at the hands of the infuriate mob who had taken his stronghold.) The marquis is portrayed in the wig and dress of the young nobleman of his time—the gray wig with three formal curls over each ear. He is shown head and shoulders, turned slightly toward the right but seen in full face. His deep, steady blue eyes look straight at the spec- tator, as steadily calm as one can imagine the old de Launay looking, on that fourteenth of July when he held the taper ready to blow up the magazine rather than surrender. He has a high forehead, rather a long nose, and an oval face, and is clean-shaven, with the suggestion of a naturally stout beard. His greatcoat is a warm gray, with pale green binding and buttons, and set off by a short strip of red velvet where it buttons across his chest. He wears a white stock with a full bow under the chin, and the broad black bow tying his wig behind shows over his shoulder. His complexion is fresh. Neutral background, from olive-brown to light turquoise- green. Signed at the right below the center, J. S. Cuarpin; and dated, but the date is not now clearly decipherable. Owner, Estate of the late Perer Hassincer. pra d te MAD. 1-24- by hy UW Prier Wagtorvved /J. q- Wok Ay Oates deered Wi. olden MARQUIS DE LAUNAY JULY 14, 1789 “Qld Marquis de Launay, of the Bastille, has pulled up his drawbridge and ‘retired into his interior,’ soon after midnight of Sunday. . . . The Hétel de Ville ‘invites’ him to admit National soldiers, which is a soft name for surrendering. On the other hand, his Majesty’s orders were precise. His garrison is but eighty- two old Invalides, reinforced by thirty-two young Swiss; his walls are indeed nine ‘feet thick, he has cannon and powder; but alas, only one day’s provision of victuals. . . . Rigorous old de Launay, think what thou wilt do! .. . In such crack of doom, de Launay cannot hear them, dare not believe them. . . . Woe to thee, de Launay, with thy poor hundred Invalides! “What shall de Launay do? One thing only de Launay could have done; what he said he would do. Fancy him sitting, from the first, with lighted taper, within arm’s-length of the Powder-Magazine; motionless like old Roman Senator, or Bronze Lamp-holder; coolly apprising Thuriot and all men, by a slight. motion of his eye, what his resolution was. . . . The King’s fortress should in nowise — be surrendered, save to the King’s messenger; one man’s life is worthless, so it be lost with honor; but think, ye brawling canaille, how it will be when a whole Bastille springs skyward! . . . And yet withal he could not do it. . . . Great is the combined voice of many men. He who can resist that, has his footing somewhere beyond time. . “Victoire! La Bastille est prise! . . . De Launay, ‘discovered in gray frock | with poppy-colored ribbon,’ is for killing himself with the sword of his cane. He ~ shall to the Hétel de Ville. . . . Miserable de Launay! He shall never enter the Hotel de Ville; only his ‘bloody hair-queue, held up in a bloody hand’; that shall enter, for a sign. The bleeding trunk lies on the steps there; the head is off through the streets; ghastly, aloft on a pike. “Rigorous de Launay has died; crying out, ‘O friends, kill me fast! ”—The French Revolution, Tuomas Cartyitz, Book V, chapters VI and YII. ‘ No. 100 JOHN HOPPNER, R.A. EneusH 1758—1810 PORTRAIT OF ELIZABETH SUFNELL HALrF-LENGTH portrait of a young woman of sober mien and agreeable features, seated facing the right, three-quarters front. She wears a white gown, with elbow sleeves, which flows loosely about her neck, whence the long, free folds of the waist are drawn down and crossed low on her breast, revealing - her tall neck and a liberal expanse of the chest. The gown is bound at the waist by a narrow blue belt. She has light yel- lowish-brown hair, done in a mass of puffs and curls high on her head and coming low over the forehead, a luxuriant curl hanging back of her neck in the conventional fashion of the day. Her eyes are blue and her cheeks pink, and she looks straight ahead of her toward the right. One hand is seen in part only, the other is hidden in the folds of a black mantle. Background of rich red drapery and conventional landscape. By order of Carpoza & NatHan, ATTORNEYS. + RA Height, 301% inches; width, 25% inches a, | Sx a Nn 3 ce avr len- Pe. ea INTE LOL ¢ ENGLISH SCHOOL my THE HONOURABLE SHERSON f “0 {)} i .. Height, 30 inches; eee neues eo > je Th Oe _ A HALF-LENGTH portrait—including a cs a hae - some young man who is described as one of the first directors of the Kast India Company, with powdered hair or wig, large bright eyes and dark eyebrows, looking straight at the observer in almost full face, turned very slightly to the left. He is shown against an idealized background of sea and land, and tropical vegetation, under a blue sky alight near the horizon and wholly obscured by dark, dull gray clouds overhead. He holds in his hand an old-fashioned folded letter, superscribed: The Hon, The Court of Directors East India House London. He is garbed in dark blue, his coat having broad revers and metal buttons, and he wears a white stock, with a white and purple-pink neckerchief deftly disposed in loose folds. He 1s of pleasant expression, ready to smile. By order of Carpoza & NaTHANn, ATTORNEYS. Vetere No. 102 ! JAN VAN MABUSE Fremisu 1470—1541 VIRGIN AND CHILD (Panel) Height, 351 ioe width, a : Lay (POPE PaINnTING on a trilobate panel in an architectural frame. Be- fore a dark green drapery with yellow lining, held by winged aa cherubs, the Virgin is seated facing the front, turned very slightly toward the left, with her head leanmg toward her right shoulder, and holding in her right arm, on her lap, the nude Child, who looks at, without seeming to want to take it, an apple offered to Him by a winged angel on the left. Inthe other hand the angel, who wears a silvery-yellow tunic, holds a bunch of large, black grapes. The Virgin is clad in rich — 4 vermilion and green, with gold and pearl ornamentation at the — low neck. Over her waved and curling hair, of blond cendré hue, is a white veil. Through a window at the left is seen a green landscape with hills, buildings, and travelers along a_ road—a flight into Egypt. By order of Carvoza & NarHan, ATTORNEYS. A i vs é A ; Z gr > CO Ma g ai = } — } ‘ / Paci? dedi f 7 + if a os ae ee * eat fr A na PMR NTT N N - : “_ No. 103 eS “i FRITZ THAULOW Norwecian 1847—1906 RIVER ARQUE IN AUTUMN | .. Height, 23% inches; length; 2815 inches Ree 7 oy, & § Re 4 . \ ° A RAPIDLY coursing river passes about a grassy bank on the left and overspreads the foreground. The point is grown with __ numerous trees, some of them green, some in their autumn foliage, and the swirling waters of the river are a mirror of the varied hues. On the farther bank, beyond a grassy field green in the sunlight, are woods which have also turned to autumn’s colors, and before them are white buildings with — red roofs. Under the shade of the foreground trees at the left, a fisherman pursues his placid sport in a punt moored = at the edge of the bank near a small landing stair. The colors of the light sky are added to the many reflections in the — a water. kK . yi wd Signed at the lower left, Frrrz THautow. Purchased from M. Knoedler & Co., New York. AGLo Owner, STanuey P. Grrrorp, Esa. AT At pw Seer [oi tos» Vas fo 3 Mnx i 4 » J 2 US Clie No. 104 ADOLF SCHREYER GERMAN 1828—1899 WALLACHIAN CONVOY IN WINTER _ Height, 20 inches; eee inches ye G st autumn, in their still thick foliage. Coming forward: along the side of the wooded hill, over a snow-covered plain, i panied by their equally vigorous guards. The nearer horses, — clambering up a slope, breathe fiercely in the frosty air, and over the plain the snow is blowing in clouds that almost obscure the riders and their mounts alike. Signed at the lower right, Ap. ScHREYER 5 Purchased from E. Le Roy & Company, Paris, 1889. Owner, Scaniey P._ a a bas a ae a ; leans ‘ / 2098 i No. 105 FELIX ZIEM Ae: Frencu 1821—1911 x ae? GRAND CANAL, VENICE Height, 251% inches; FEE 31% inches UNDER a blue sky almost comp hidden Dy white and g head, and thicken into a condensed mass toward ihe a the broad waters of the Grand Canal are an intense greer blue, mottled with innumerable reflections along the cease ripples. Filling the foreground, the canal extends back to low horizon, where the cloud vapor is pinkening toward set. In the immediate foreground at the left appear a spiles, and just off them is a lugger with canvas up but - flapping, a numerous company aboard, and before her a g dola with passengers is being propelled across-the str ; toward the domes, towers and gables of the city. These rise | as a shimmering mass of suggestions at the right, and con- tribute their colorful reflections to the already many-hued a water. a | Signed at the lower right, ZreM, Purchased from Julius Oehme. Owner, Stantey P. Girrorp, Esa. yes” _ inspired by the borders of the Rhone. SO ae a n- J bask Grass of a rich emerald note, thick and lush, covers a fore- No. 106 yr 3 HENRI HARPIGNIES a Frencu 1819— THE RHONE—SUBURBS OF BEAUCAIRE Height, 26 inches; length, 32 ighG : y ground meadow, which is cut transversely by a depression that Se suggests the course of a rill. At right and left, thick, bushy trees are growing, with the crooked trunks of slender and — a a sparsely leaved ones standing out before their denser foliage. — Through an opening between the groups of trees is seen the — white face of the river, under a bright sunset sky full of light fleecy clouds, and beyond the stream are green hills of the a farther shore. e Signed at the lower left, H. rary eros, 1902. | From the Alexander Young Collection, London. Purnia! of M. Knoedler & Co., Paris. OwNeER, Sranuey P. Girrorp, Esa. oot [o7 tam x — AX: KMS In a letter to Mr. Gifford, M. Harpignies tells him that he found the motive of this picture in going to the Midi in 1902, when he was Bn No. 107 x ANTON MAUVE a ; Duren 1838—1888 a SHEEP IN THE HEATH / : // oie = oe Height, 18 inches; length, ie a A LARGE flock of sheep are wandering over a gree browsing there amongst tall, bare sprigs of brush plentifully and appear brown in the cold days of 1: or early spring. On the right, the shepherd in his cd 4 and is seen in profile, his dog beside him. The nearel 1 of the flock are approaching the spectator. ee Signed at the lower right, A. Maw Purchased from Boussod, Valadon & Company, 1888. Owner, Estate of the late Mrs. Sus McLure Crark. h { z: : Aw pe SIS LI IO . igs Wi ¢ Z No. 108 - OsteN BAPTISTE CAMILLE COROT Frencn 1796—1875 L’ARBRE TOMBE EN TRAVERS v a DE LA RIVIE eS 20 inches; i pnt 32 inc OnE of the poetic jade of the Fre a countryside whic Corot interpreted so characteristically and faithfully. A tiv of cool, translucent .depths and placid course passes acr the land from the left foreground, disappearmg beyond a wooded point in the right middle distance. From these woods a dead tree has fallen out over the water, and this side of the | bare, black trunk a rowboat has put into a little cove at the — base of an aged pollarded tree, which aloft now puts out — feathery leaves and branches—the nearest member of the — fy woods. Before the pollard a peasant woman and child stand ready to enter the boat, which already has one occupant. At a the left are a few low trees in a clump on the farther bank of _ ae the stream, and far in the distance the buildings of a town | a appear on a hill, under a blue sky all but filled with gray and cream-white clouds. Signed at the lower right, Corot. Recorded and illustrated in “L’Ciwore de Corot,” by Alfred Robaut and Etienne Moreau-Nélaton, Vol. III, page 340. No. 2282. From Dr. Hecksher, London. From Boussod, Valadon & Company, 1888. Painted by Corot for M. Beugniet. Owner, Estate of the late Mrs. Suz McLure Crark. i a retire C ie 4 T W No. 109 JEAN CHARLES CAZIN Ww on FRENCH 1841—1901 WINDMILL AND CORNFIELD Height, 25% inches; length, are inches Og ee (Sgt Brown in the light transparent shade of an unseen clouds over the foreground, and a bright yellow in the golden sunshine e that strikes broadly down in the middle distance, a ripened and 4 luxuriant grain field is depicted, on rising ground which in the 3 distance seems to fall away to lowlands. At the border of : the field in the foreground on the left appears the red-tiled — roof of a building which is partly hidden by the grain and — stands below the level of the cornfield. Beyond it are seen — the tops of a neighboring grove of trees—a white roof ee 4 amongst them—and farther on, near the center, on the 2 of the field, rises an ancient gray windmill with huge arms. | Approaching it through the field of waist-high grain a figure is discernible. The blue of the sky shows through the gray — which overspreads it, occasional floating tufts of white cloud — are seen, and over the whole landscape is the atmosphere and — the sentiment of the country which Cazin was so notably able to render. ft Signed at the lower left, J. C. Cazix. Purchased from Scott & Fowles. Owner, Strantey P. Gtrrorp, Esa. is a A coll * Sows OPP e ee V4 ie SOS _ | Arorticca.. hh, bst0c, (S79 Siege EE Al O 0 \ Orne, No. 110 CHARLES EMILE JACQUE Frencu 1813—1894 UNDER THE OAK TREES ce Height, 30 inches; width, mee of griseous clouds. In the nearer middle aise Ae oe the left the sunshine, through rifts in the cloudy curtain, f. upon the lower branches and trunks of two large oaks sta ing at the edge of a thick grove or forest, and upon a she] herdess seated on the ground at the foot of the nearer one She wears a purple-brown skirt, blue waist and white head- dress, and leans on one elbow, watching her sheep, her dog asleep beside her. ‘The sun-lighted grass about her is a bright green, and some of her sheep graze here in the light, others being in the shadow. oo Signed at the lower left, Cu. Jacque. From Mr. Van Gogh, The Hague. — / a » Purchased from Boussod, Valadon & Company, 1889. Owner, Estate of the late Mrs. Sue McLure Crark. Sk at. a, Cll ee tae at at aoe On ci tl ti No. 111 EMILE VAN MARCKE | 7) FRENCH 1827—1890 THE NOONTIME DRINK ae Height, 32 inches; width, 254 ee SEO Two stur ce cows and a calf are ee ing nde a shallow pool stream which fills the foreground, bordered on the left by risin land which is thickly grown with trees that rise out of the picture, and on the right of these woods by a far-extending green meadow. Nearest the spectator is a large white cow, which has been followed into the water by a black cow with a white face, who looks steadily at the spectator, as does t white one and the small yellow calf by her side. Coming out from amongst the trees are two brown cows, and at the a right of the trees, at the verge of the meadow, a red cow is walking away, out of the water, tramping through some reeds toward the inviting green feeding ground that the meadow _ affords. Near her a peasant girl in blue, with a white head- dress, is leaning over a Stile, facing the spectator and looking at the cows in the water. Signed at the lower left, Em. van Marcxe, © S334 From the private collection of the late Enwin THORNE. oe SEC Fe. ALKKX Bas LEP G fen al LEON AUGUSTIN LHERMITTE Frencu 1844— No. 112 | ts } THE GLEANERS / = Height, 3042 inches; length, 881 inches (3) Ve e en eae V Vig Ale Be We A‘GOLDEN harvest scene in Fr ance, under a bright sun. In a middle distance the yellow-brown grain is already stacked 4 high and is being piled higher by workers mounted on the stack, — beside which stands a partly laden two- wheeled cart, drawal by two sturdy white horses harnessed tandem. Beyond, in ieee ae distance down the field, the cone-shaped tops of completed — q stacks are seen, against tall green trees, and other trees grow a on a hillside bounding the field toward the right. There, in — the distance, farm buildings nestle amongst the trees and _ ‘aa glisten white in the sunshine. In the foreground, before ea 4 principal stack, three peasant women in sabots- and loose. dresses are gleaning amidst the stubble. Signed at the lower right, L. Luermirre. i Purchased from M. Knoedler & Co., New York. a q 24> Owner, STANLEY P. Girrorp, Esa. Reo, AX: XKK- 6413 AT bee [69 Fuxax GI yu kee Pape ¢ RTA bye keofe 6eYf/ro 6515 Pat Falnon had a CAL, MoLnen Tun fo RYN . | ; | : \ ——— From the Scott & Fowles Sale, 1907. A@ at Borxxe Noses CHARLES EMILE JACQUE ~ | Frencn 1813—1894 a THE APPROACHING STORM Height, 29 inches; length, 39% inches. aot ienignses storm clouds indicate the speedy appr violent tempest. Their dark masses obscure most of the Along a broad sandy road a shepherd is urging his floc sheep, going from the spectator, assisted by his active dog, barks vigorously at the heels of the laggards. A flash or s of vivid sunshine strikes upon the sheep and the sheph and flecks the landscape with spots of light. In the immec foreground on the left a sturdy oak tree with cam tr mer foliage. Seen against the horizon, a low ine ae Ww hills bounds the meadow toward which the gee is ha ing his flock. Signed at the bon left, CH. Tac Wig ei /EGeL MEIG Far OSS na = rom the collection of Sir Horatio Davis, London. Exhibited at the French Exhibition in the Guildhall, London, 1898. Owner, Srantey P. Girrorp, Esa. : * > is P hey ; " _ , Ls ‘ — Fas Crx5 = ; No. 114 GIOVANNI BOLDINI | | Irauian 1845— HIGHWAY OF COMBES-LA-VILLE ae eight, 27 inches; length, BREE inches de ALONG a ies flat Peas with i v of village of white walls and red roofs, a few wagons are going and coming, while on a side path people are slowly 5 i ing under a row of slender trees. 'To the right is a | stucco wall, showing the red brick at the entrance gat where several women stand talking. ‘To the left is a stret of slightly undulating country, and above is a sky filled wit brilliant cloud-forms. Nowhere has the artist evolved | O dexterity or more feeling for the realization of the sparkle | a burning summer day in France. The strong ee of ne conveyed. Signed at the 1a Dated From the W. H. Stewart Collection, 1898. REG J f N MX a Owner, W. Breacu Day, Esa. feck: a Soa . No. 115 DIEGO RODRIGUEZ DE SYLVA Y VELASQUEZ SPANISH 1599—1660 TEMPLE OF THE WINDS Height, 251% wmches; Mayes 42 % yt to Rs c THE vast, low, semicircular Cael of ade sical architecture, with broad arches, and statues in niches, and surmounted iy other statues and by urns and green shrubbery, occupies the entire width of the picture, about a circular fountain in th center from which it is separated by a broad court, which 0 the nearer side of the fountain takes up all of the foreground. — Back of the temple, all the way around, high and steep moun tains rise to a sky full of yellow-white clouds. The right half — of the picture is in a strong light, the left in transparent shadow. In the court, before the fountain, are several ladies — 3 and gentlemen in varicolored garb, a child running and two pet dogs—some of the figures in the full, bright light, others i Ing the shadow. ‘The tones of the canvas generally are amber and a dark emerald-green. EA = Owner, Estate of the late H. Vicrorn Newcoms. si mamas cain ia ir EE EE i, i _— ee —— ee ee /- ie No. 116 FRANCESCO GUARDI Irauian 1721—1793 VENICE—SANTA MARIA DELLA SALUTE 4 Height, 8214 inches; length, 41%, inc I mb eo "ee por Tue famous church and neighboring and adjoining balding extend in a varied architectural line across the picture, t et line receding a little in perspective toward the right. San Maria della Salute occupies the conspicuous and central posi- tion, the mass of the domes rising to left of the center before a blue sky, the heavens elsewhere being largely overspread by ‘ gray clouds whose edges are turned a reddish-yellow in the — glowing sunlight. The sunshine from the left and a little back makes radiant the domes and nearer side of the church, and — is reflected brightly from the numerous red roofs of the build- ings to the right, while the principal facade of the great edifice is in transparent shadow; the Piazza, at the left, is simile shaded by other buildings. The entire group is seen close at hand, across a portion only of the canal which forms the fore- — 4 ground. The blue-green water, cool in the shadows, is bright- _ ened toward the center and right by reflections from the warm, _ creamy-yellow and golden-brown buildings. Gondolas and sailing boats with figures dot the canal, and a number of — persons in costumes of bright colors are to be seen on the | church steps and on the Piazza and landing stairs. | By order of Carpoza & NatHan, ATTORNEYS. plas ae ee etck ye Sa Ce Peat cat on: i ee # = fons No. 117 | ma iy JEAN LEON GEROME ‘Frenco 1824—1904 oa LION LOOKING FOR PREY — Height, 241% inches; length, fe H a i E ot Picks naa blue sky thickly strewn with Mee. olan them the rocky and sandy foothills of the middle in sunshine. Up to the base of these, dark green wa in gentle ripples which break in low lines of eee and shows here and there lonely tufts of coarse grid a huge lion, his tail extended almost horizontally, stalks 1 jestically, his eye directed toward recesses of the cliffs. : a ~ Signed at the lower left, J. L. Purchased fun Boussod, Valadon s Co., 1889, who piechiee . from the artist. Owner, Estate of the late Mrs. Suz McLure Crark. 7 No. 118 PAUL JEAN CLAYS Brieran 1819—1900 A CALM DAY ON THE ESCAUT _, Height, 30 inches; length, 40 inches . “ee oO aaron as Wiig 2 ee l Tue broad river fills the foreground, extending from the right down toward the left to the sea in the distance, its blue surface mottled with many reflections of the sky that is full of light clouds, and of the colors of the varied boats and their sails. Tall, square riggers of great bulk, and heavy, smaller sailing boats, cluster in the river along the greater part of the length of the picture, all with their sails up but slack in the calm—the > canvas white, gray and reddish-brown. Gulls are flying low over the water. At the left a heavy rowboat in which two sturdy figures are seen is making its slow way down the stream. . Signed at the lower right, P. J. Cuiays, 1875. Purchased from Scott & Fowles. Owner, STantey P. Girrorp, Ese. No. 119 ADOLF SCHREYER Ta German 1828—1899 | pO ARAB. CAV ALIERS—CHIEF'S STAPF LO L} poo Height, 28 inches enatly Sp nate + re At the foot of a rugged slope, the hill visible above and behind _ them .at the right, and a vast, uneven country extending beyond them in the distance, a company of Arab horsemen in — S their picturesque garb are gathered about their chief. The halt is at the border of a river, an edge of which appears in a the foreground at the left. The standard is borne by a rider a . on a black horse, who stands nearest the onlooker, beside the chief who is mounted on a dappled gray. The others, seven in number, have reined up about and behind them, all armed and each alert, the light falling strongest on the foremost members of the group. The ground is a yellowish-brown, with suggestions of green, the sky revealing blue in - places but largely overborne by white and dusky-gray clouds which thicken and darken over the hilltop at the right. | Signed at the lower right, Ap. SCHREYER. Purchased from M. Knoedler & Co., New York. (12-1 ¢ Owner, STantey P. Girrorp, Ese. AK xYVK — The te dean Be fog Laxey No. 120 “ s THEOPHILE DE BOCK DutrcH 1850—1904 SUNSET—CATTLE BY THE POOL Height, 29% imches; length, 454 inches 93 O Ou (ie THE western sky, in front and founad the left, is alight wi the still bright rays of the sun, the thick white and crea yellow clouds over the hilly horizon reflecting their light in q the broad pool or shallow stream which nearly fills the fore- ground. The sky aloft is darkening, the clouds which fill it being a dark, brownish-gray, while faint touches of color warm — 3 ; the lighter clouds near the horizon. Standing in the pool near a its marshy edge are four cows—black and white, and red—in various attitudes, and reeds shoot up through the shallow water a in various places. The surrounding country is one of hills and — hummocks. At the right a detached tree of sparse foliage stands boldly against the sky, and at the left a dense grove — 7 shuts out the sunset brilliance and throws a deep, dark shadow over the pool’s water and its bank. Signed at the lower left, TH. p—E Bock. Purchased from M. Knoedler & Co., New York. 1282 0wwer, SranLey P. Girrorp, Esa. Fel/o7 N*XX = QA. Toolk Seno Tullo, Los 1924 CQ. Helkn Toso U SX- RT. Sdw ou Tan fy foxXx., | : i | ; RESELL No. 121 WILLIAM H. HOWE, N.A. — American 1846— LANDSCAPE AND CATTLE Height, $4 inches; length, 461% inches a A 9) : = as ; Low, flat, green meadow with wandering water-courses stretches for a long distance through the landscape, far away beyond its edge being seen an ancient windmill and an indis-— tinct tower rising against the horizon. Cows are in various parts of the meadow, and in the immediate front three of them — have paused to gaze solemnly at the spectator—or the in-— truding artist—on their way to drink from a stream an edge of which crosses the foreground. ‘Two are black and white and one is all white, and the gaze of the great bovine eyes is keen — and all but resentful, as the cows stand in sunlight, their shadows about their feet. To the left is a red and white cow, standing, and another is lying down. In the air flying birds are seen against the sky. | an Signed at the lower left, Wm. H. Hows, Paris. Purchased direct from the artist, 1889. Owner, Estate of the late Mrs. Suz McLure Cuarx. ee OY ee as yA No. 122 ey ae ADOLF SCHREYER> 3 German’ 1828—1899 ARABIAN HORSEMEN pes , Height, 34 inches; lengthyA6' inches £ . Vy Je ¥ ( dee ay to We rg %, AL : A LARGE company of Arabs, mounted and armed, are descend- — ing from the mountains at the right,.in close but confused order, their many-colored horses plunging wildly over the un- even slope of rocks and short herbage. Their guns are held 7 ready for instant use, and a number of the riders keep a sharp lookout back over the left shoulder, as though expecting an — attack from that quarter or to detect an appearance of an enemy over there. The nearest horsemen have fierce, dark, strongly: defined features, and their apparel is brilliant in color, _ y. F as is the caparisoning of their mounts. ee Signed at the lower right, Ap. SCHREYER. From Boussod, Valadon & Co., 1888, who purchased it direct from the artist. Owner, Estate of the late Mrs. Sur McLure Crark. toe No. 123 JOAQUIN SOROLLA Y BASTIDA Spanish 1865— CHILD ON BEACH Height, 321% inches; le gthe 530i ches Laie 4 V- on ; A LITTLE gitl, bare-footed and holding her short skirts up as though they would get wet, is coming toward the spectator — along a sandy beach, paddling not quite ankle-deep in the spent waves which crawl up the sands, coming in from toward the right. ‘The waves are full of many colors in the sunlight, with their crests and edges foam-white. The child wears a bluish-green skirt and drab waist, with a cream-yellow scarf crossed over her chest and a sun-bonnet of similar hue, and her arms and legs are copper-colored in the strong sunshine. Signed at the lower right, J. Sorouyia, 1907. Owner, W. Beacu Day, Ese. No. 124 WILLIAM ADOLPHE BOUGUEREAU Frencu 1825—1905 SONG OF THE SHELL—NUDE ». _ Height, 52 inches; width, 34 sg ya A BLOND maiden, painted with all of ae article academic mastery of the figure, kneels on one knee at the edge of the seashore, a huge projecting rock behind her toward the right, and the sunlight diffused about her in her sheltered grotto- entrance, as she faces the spectator directly. She has raised a whelk-shell to her ear, holding it with her right hand as she tilts her head toward her drooping left shoulder, and at the same time partly raises her left hand, with index finger pointing upward, to command silence as she listens to the far, mysterious whispering song of the shell. The pose is exquisitely graceful and easy, the flesh-tones delicately vary from a gentle, sunny warmth to cooling half-shadows, and the maiden seems to smile at what she hears the shell confiding. At the nearer edge of the foreground her knees are reflected in a bit of limpid water, and in the left distance violet mountains appear beyond the blue sea. Signed at the upper left, W. Boucurrgau, 1885. Purchased from E. Le Roy & Company, Paris, 1889. Owner, Estate of the late CHartEes CiarKk. * > wees No. 125 EUGENE FROMENTIN Frencu 1820—1876 HORSE MARKET IN ALGERIA _ Height, 40%4 inches; oe 5814 inches Z." © ce GRAY mountains with eee on es peaks, their lower ~ slopes covered with verdure, rise high in the background toward the right, falling away to foothills and plateaus on the left, ‘where there is a sense of great distance. ‘Thin, vaporous mists settle in recesses of the mountains, and the landscape is varied and agreeably mottled by shifting shadows of pearl-gray, white, and yellowish-brown clouds, which are active in a bright sky whose blue between them is veiled by tenuous expansions of the aerial vapor. In the broad, sandy and sunlit foreground valley, accentuated by slight cloud-shadows over the green middle distance, a concourse of the swarthy natives has assembled to trade in horses. In their long and flowing robes of white, buff, black, red, blue and other colors, and their varied Moorish headdresses, they are seated on the ground and stand- ing, and mounted, appearing singly and in groups. Some are dozing on the sunny sands, more of them keenly alert as they judge and discuss the horses, and an innumerable company seems still to be assembling from various directions. ‘The horses, standing or prancing, are gray, pale sorrel, cream, black and brown, with bright sunlight playing on their glossy coats and casting shadows at their feet. Signed at the lower right, Euc. Fromentin, ’67. By order of Carpoza & NaTHAN, ATTORNEYS. SA ea = va No. 126 p GILBERT STUART ae AMERICAN 1756—1828 is 4 enews as hee PORTRAIT OF GEN. HENRY KNOX oe Height, 50 inches; width, 391% inches ee 0 A Tuts solid portrait, firm, sure and free in handling, pure and brilliant in color, depicts the famous Revolutionary fighter and first American Secretary of War in his ripe prime, full of years, good living and happiness. He appears at three-quar- ter length, standing and turned to the right, three-quarters front, and wears his Continental dress uniform. The blue- black coat is deep and sonorous in tone, and finely set off by the high, turned-over collar, broad revers and the lining, all alike of a buff-white note which is repeated in the waistcoat and breeches. The general’s shoulders are decorated with heavy gold epaulettes, and he wears a white ruffled stock with lace edges. His right hand rests on his hip, holding back his coat and revealing his rotund waist and sturdy thighs, and his left hand rests upon a cannon. His gray hair or small peruke surmounts a broad forehead and full, kindly, florid face, with a strong mouth and firm chin, even with the heavy jowls of his years. His eyes are blue. Neutral background. Owner, Estate of the late Prerer Hassincer. GEN. HENRY KNOX This portrait of General Knox carries with it authentication based on personal knowledge and embodied in an affidavit, its story dating from the Knox home at Thomaston, Maine, when in possession of the general’s daughter, with whom the affiant was on terms of friendly intimacy. Knox’s first great exploit was bringing guns across bad roads in winter from Lake George and the Canadian border to General Washington before Boston, where they were much needed after the battle of Bunker Hill. Knox, who was born in Boston, July 25, 1750, and was educated in the schools of that town, before the Revolution was a captain of an independent artillery company in the Boston militia. After the outbreak of the war he was put at the head of the Artillery and became a great friend of Washington, who needed an artilleryman. In 1776, the corps having been increased to three regiments, he was promoted Brigadier-General, and after an active service throughout the war was promoted—following Cornwallis’s surrender—Major-General. He also served as Secretary of War from 1785, and Washington appointed him to the same office on the adoption of the Constitution. He resigned in 1794—owing to his small Cabinet salary—and retired to Thomaston, Maine, where his beautiful wife, who was the daughter of General Flucker, owned some property. On Knox’s retirement from the Cabinet, Washington assured him of his friend- ship and declared that he had “deserved well of his country.” General Knox died at Thomaston, October 25, 1806, from accidentally swallowing a chicken bone. ' In subsequent years Mrs. Knox, who had been with her husband in the war and many times cheered the wearied troops, and who also had been a most influential ad- viser of both her husband and General Washington—often entertained a hundred guests at a time in the mansion near the head of St. George’s River, her estate skirting the Penobscot Bay. Mrs. Sarah Frances Fales, who makes the affidavit, which bears date May 4, 1876, was the wife of Captain Arthur McLellan Fales, proprietor of Fales’ Steam Mills, in Carteret County, North Carolina, and resided at Hollywood, in that county and state. She was born at Thomaston, Maine, the daughter of the Hon. Edward Robinson, Member of Congress from Maine. In early life, while living at Thomaston, she was a frequent visitor at the Knox mansion, being an intimate friend of General Knox’s two daughters, Mrs. Thatcher and Mrs. Holmes. Mrs. Holmes, the younger daughter, was the wife of the Hon. John Holmes, United States Senator from Maine, who married her when she was a widow, her first husband being named Swan. Mrs. Fales continued to reside at Thomaston until the Knox family was broken up by death. In her affidavit she deposes that she well remembers the paintings in the Knox mansion, and where they hung in “the Oval room.” She particularizes the portrait of General Knox, which Mrs. Holmes and Mrs. Thatcher informed her was _ painted by Gilbert Stuart; the portraits of General Flucker and his wife, Mrs. Knox’s parents, by Copley; and the portrait of Mr. Swan, first husband of Mrs. Holmes, which she thought, but was not sure, was painted by a Mr. Hoyt of Boston. During the period of Mrs. Fales’ intimacy at the Knox house the property belonged to Mrs. Holmes, passing after her death to Mrs. Thatcher, who died in 1854, after which the furniture and other effects were sold and became scattered. At the time Mrs. Fales made her affidavit the Knox portrait belonged to Mrs. Augusta Oaksmith of Hollywood, N. C., and Mrs. Fales examined it and fully recognized it, and so swore in her affidavit, as the portrait by Gilbert Stuart, which formerly had hung in the Oval Room of the Knox Mansion at Thomaston, which Mrs. Holmes and Mrs. Thatcher had informed her was the first original portrait of General Knox painted by Gilbert Stuart. “Of this she is positive, and it was so known in the family,” says the affidavit. While the portrait was in Mrs. Oaksmith’s possession, and several years prior to Mrs. Fales’ affidavit, efforts were made to have it pass to the ownership of the Government, to hang in the Rotunda of the Capitol at Washington, but they were unsuccessful. In 1870 Henry A. Reeves of this (New York) State, then a member of the Forty-first Congress, wrote to Mrs. Oaksmith the following letter, under date of March 18: wrt eS “T shall be very glad to assist you in the matter of the picture, and have just spoken with Mr. Brooks on the subject. He tells me he has seen the picture hanging in the Knox mansion, that it is a work of great merit, and ought to be in the Rotunda, but that it is a matter of much difficulty to get such things carried through Congress. He suggests that you send me the lowest sum for which you will part with the picture, and then we can confer with the Library Committee (which generally takes charge of such matters) about the best mode of attaining our object. “Mr. Peters, of Maine, is the chairman of the Library Committee and no doubt would be interested for his State as well as for you. I will to-morrow evening (having a card of invitation to a series of Literary Reunions at Mr. King’s residence) speak with him about the case and note his suggestions.” Henry A. Reeves was well known to the Civil War generation, and had an active and varied career. Born at Sag Harbor, Long Island, in 1833, he studied at the University of Michigan; was graduated from Union College, New York, in 1852; taught school for two years; studied law, and was admitted to the bar in Brooklyn in 1857. Jn 1858 he bought the Republican Watchman, of Greenport, Long Island, and edited it. In 1561 Seward caused his arrest for alleged disloyalty and he was imprisoned at Fort Lafayette (in the Narrows) for five weeks. In 1868 he was elected a Representative in the Forty-first Congress, and served on the Committees of Agriculture and the Navy Department. For many years thereafter he made his home at Greenport. The Mr. Brooks referred to by Mr. Reeves was James Brooks, a Representative in that Congrss, who was born in Portland, Maine, November 10, 1810, only four years after General Knox’s death. He was a clerk in a store at eleven, a school teacher at sixteen, and was graduated from Waterville College before he was twenty- one, afterward traveling in Europe and America and publishing letters describing his journeys. He was elected to the Maine Legislature in 1835. The next year he established the New York Daily Hxupress, which he owned and edited. He went to the New York Legislature in 1847, and from 1849 to 1853 was a Member of Congress for New York City, serving on the Committee on Public Lands. Re-elected, he served in the Thirty-eighth Congress on the Committees of Ways and Means and the Pacific Railroad, but his seat was contested, successfully, by W. E. Dodge. He was a delegate to the Philadelphia “National Union Con- vention” of 1866, and was re-elected to the Fortieth Congress, in which he served on the Committees~-of Ways and Means, Reconstruction, and Rules. He was elected again to the Forty-first Congress and to the two succeeding ones also, and during one of the recesses he made a trip around the world and wrote a book about it. He died in Washington, April 30, 1873. Mr. Peters, mentioned by Mr. Reeves, was John A. Peters, who was born at Ellsworth, Hancock County, Maine, October 9, 1822, graduated from Yale Col- lege in 1842, and after a course at the Harvard Law School was called to the bar at Bangor, Maine, in 1844. He was State Senator of Maine in 1862 and 1893, and in 1864 was elected to the House of Representatives, Washington. At the close of 1864, and also in the two following years, he was elected by the Maine Legislature Attorney-General of the State, and subsequently was elected a Repre- sentative in the Fortieth Congress, where he was a member of the Committee on Public Expenditures and Patents. He was re-elected to the Forty-first and Forty- second Congresses, serving as Chairman of the Committee on Library and also on the Judiciary Committee. The Mr. King at whose home Mr. Reeves attended a social ‘gathering where he expected to find fellow Congressmen was doubtless William S. King, Postmaster of the House. Mr. King was a native of New York State, born at Malone, December 26, 1828. On a farm until his eighteenth year, he then went into insurance business. In 1852 he began to publish a Free Soil newspaper, The True Democrat, at Coopers- town, and in 1858 moved to Minneapolis and started The State Atlas. He was elected Postmaster of the National House of Representatives for the Thirty-seventh and Thirty-eighth, and the Fortieth, Forty-first and Forty-second Congresses, and in 1874 was chosen an M. C. from Minnesota to the Forty-fourth Congress. No. 127 FRENCH SCHOOL XViIrH Century CLEMENCY OF CORIOLANUS A Height, 39 inches; length, 53% i $ / 0 ot rie | Jt THE vengeful hero, pictured as a robust, sandy-haired man with full neck and immense arms and limbs, appears at the left under a canopy of foliage and draperies, with Aufidius and the Volscian forces as helmeted halberdiers about him, before Rome, where at the Volscian camp his wife, mother, child and friends beseech his mercy toward the city. Coriolanus stands extending open yet hesitant arms toward Volumnia kneeling before his dais, who with one hand at her breast and the other in a gesture of appeal pleads in fear and steadfast earnest, while a maiden at his feet seeks to hold him back. Behind the kneeling mother, Virgilia, in red, white, gray and golden robes, standing, holds forward the infant Marcius, nude, with arms outspread in appeal, while Valeria as a young maid in blue shrinks in fear back of her. At the right aged Menenius —‘“‘whom with a crack’d heart ve sent to Rome’—clasps his hands in helpless submission, and men and women point in awe. In the background are green hills and trees, and castel- lated palaces of the city, under a blue sky with white and gray clouds. More than a score of figures are shown, and large numbers more suggested. By order of Carpvoza & NaTHAN, ATTORNEYS. No. 128 ENGLISH SCHOOL - PORTRAIT OF NELL GWYNNE a < Height, 50 inches; width, 40 inches Le ae lo An he eet And , THE royal favorite is shown at three-quarter length, seate facing the left, three-quarters front, against a dark back- ground. She is pictured in her young days, with rosy cheeks and gently swelling bosom, and large, sagacious eyes. She is gowned in rich robes of a subdued golden-yellow, with flowing elbow sleeves slashed and adorned with jewels, and she holds in either hand red and ripening fruits—the left hand resting in her lap, its companion a little above it on the arm of her chair. Her nut-brown hair, smooth over the crown and waved over the low forehead, is done in an imposing mass of curls falling to her shoulders. She wears large pearl eardrops, a short pearl necklace of a single strand, and a pearl pendant at the corsage. She sits in youthful and haughty dignity, very straight, yet with grace, and her sumptuous robes in the form of a shoulder-train flow in amplitude over her chair. The calm, inflammable eyes look toward the spectator with unhesitating directness. By order of Carpoza & NATHAN, ATTORNEYS. AMERICAN ART ASSOCIATION, % ; MANAGERS. THOMAS E. KIRBY, AUCTIONEER. ee ey LIST OF ARTISTS REPRESENTED AND THEIR WORKS BAKALOWICZ, Lapisiaus The Cardinal’s Pets BARBUDO-SANCHEZ, Satvapor In Honor of His Eminence BARYE, Antoine Lovts Lion Crushing a Serpent (Bronze) An Elephant Crushing a Tiger (Bronze) Panther Seizing a Stag (Bronze) BERAUD, Jzan Scene in the Avenue Alexandre III, Paris BERGEN, C. von The Knitting Lesson BLAKELOCK, Ratpu A. Indian Encampment BOCK, THEOPHILE DE Sunset—Cattle by the Pool BOGERT, Gerorce H. The New Moon BOLDINI, Grovann1 Highway of Combes-la-Ville BOSTON, Josery H. Moonlight CATALOGUE NUMBER 5 10 BOUGUEREAU, WiiuiAm ADOLPHE Song of the Shell—Nude CACHOUD, F. Vieille Grange au Clair de Lune CASANOVA Y ESTORACH, ANTONIO Anticipation CAZIN, JEAN CHARLES Windmill and Cornfield CEDERSTROM, Tuvre The Musician A Good Story CHAPMAN, Carieton T. The Bonhomme Richard and Serapis, Sept. 23, 1779—‘‘Paul Jones’s Great Victory” CHARDIN, JEAN Simron Portrait of Bernard René Jourdan de Launay, Marquis de Launay, Last Governor of the Bastille CHASE, Harry Riding at Anchor in a Gale CHIALIVA, Luter Contemplation The Shepherdess CLAYS, Pau. JEAN A Calm Day on the Escaut CATALOGUE NUMBER 124 19 25 109 44 99 50 118 COROT, JEAN Baptiste CAMILLE The Bend of the River L’ Arbre tombé en travers de la Riviere DIAZ DE LA PENA, NARCISSE VIRGILE The Brook in the Wilds Moorish Children DOMINGO-MUNOZ The Spy DOUCET, Lucten Five O’Ciock TEA DUPRE, Jutes The Old Oak (La Riviere) ENGLISH SCHOOL Portrait of Margaret Bryan The Honourable Sherson Portrait of Nell Gwynne GEROME, Jean Lion Lion Looking for Prey GUARDI, FRANcEsco . Santa Maria della Salute Venice FICHEL, Bensamin EvUGENE The Toast FORTUNY Y CARBO, Mariano Spanish Lady with Fan CATALOGUE NUMBER 89 108 48 90 39 101 128 117 81 FRENCH SCHOOL Louis XIV Clemency of Coriolanus FROMENTIN, Evucene Passing the Ford Horse Market in Algeria GHIRLANDAJO (ArrrisutepD To) Virgin and Child GOUBIE, Jean RicHarp The Falconers The End of the Ride GREUZE, JEAN BaptisTE Pensiveness HARPIGNIES, Henri Menton—Cap Martin The Rhone—Suburbs of Beaucaire HART, Wim, N.A. Summer-time HARTMANN, Lupwiae Plowing HENNER, JEan Jacques Female Head Téte Rouge HOPPNER, Joun, R.A. Portrait of Elizabeth Sufnell CATALOGUE NUMBER 41 127 98 52 coe 79 91. 106 16 28 100 HOWE, Wim H., N.A. Landscape and Cattle INNESS, GerorcE Sunshine and Shadow INNESS, GeEorGE, JR. Salting the Sheep JACQUE, CuHartes Emite Sheep in Winter Quarters Under the Oak Trees The Approaching Storm JACQUET, GusTAvE Romance JAZET, P. After the Review JIMENEZ, Luts Companions JONES, Hucu Bouton A Brook in Early Spring KNIGHT, Dantet Ringway Rural Courtship Harvester Girl LELOIR, Maurice La Derniére Gerbe LYENFANT DE METZ The Perplexed Musician CATALOGUE NUMBER 121 TA 36 38 49 17 LHERMITTE, Lton Aveustin The Gleaners MAUVE, ANTON ~ Old Coach in Snow A Dutch Farmer’s Team Sheep in the Heath McCORD, Gerorcet H. On the Beach The Lighthouse—M oonlight MICHEL, GerorceEs The Approaching Storm MINOR, Roserr C. Landscape—Approach of Evening Cradle of the Hudson Springtime. MURPHY, J. Francis Sunset PARTON, ArtHuur, N.A. A Woodland Pool PENOT, A. Rieuse POKITONOW, J. The Dutch Hunter RANGER, Henry W. Landscape CATALOGUE NUMBER 112 107 Th AT 78 29 REMBRANDT (Scuoor or) Portrait of an Old Man RIBERA (ScHoor oF) The Anatomist RITSCHEL, Witu1amM The Hour Between ROYBET, FeEerpinann Vicror Lron The Game of Cards SANCHEZ-PERRIER, Eminio Vue d’un Village SCHLEICH, Epvuarp Thunderstorm SCHLEINGER, F. Getting Ready for Dinner SCHMIDT, Envwarp ALLAN The Armorer SCHREYER, Apbo.ir Wallachian Convoy in Winter Arab Cavaliers—Chief’s Staff Arabian Horsemen SEGONI, A. A Drinking Scene SHINN, Evererr The Red Dress CATALOGUE NUMBER 97 33 93 18 ll bo bo SMILLIE, Gerorce H., N.A. In Westchester County, New York SOROLLA Y BASTIDA, Joaquin Child on Beach SOULACROIX, F. “Here I Am!” SPANISH SCHOOL Saint Cecilia STUART, GILBERT Portrait of Gen. Henry Knox SYLVA Y VELASQUEZ, Dirco Ropricurz pE Temple of the Winds THAULOW, Fritz Sunset on the River Bridge at Beaulieu The Mill River Arque in Autumn TROUILLEBERT, Pau Désiré Landscape UNKNOWN Portrait of a Lady Harbor View VAN BOSKERCK, Roserr W. Sussex Cottage, Pulborough, England CATALOGUE NUMBER 30 123 f 46 40 126 115 37 51 94 103 84 12 13 43 CATALOGUE NUMBER VAN MABUSE, Jan Virgin and Child VAN MARCKE, Emite The Noontime Drink VINEA, FRANcEsco The Fortune Teller WATTIEAUX, N. Vulcan Hearkening to Venus WYANT, ALEexanper H. County Kerry ZIEM, Frvix . Grand Canal, Venice PRINT PORTRAITS WITH ORIGINAL ETCHINGS, AUTOGRAPHS, ETC. Etching Etching, Portrait and Autograph of J. L. E. Meissonier Etching, Portrait and Autograph of Jean Francois Millet Engraving by Charles Francois Daubigny, an Autograph Letter and a Portrait of Him Etching, Autograph Letter and Portrait of Jean Baptiste Camille Corot 102 Ill 34 58 75 is Etching, Portrait cand Portraits: and Lock of Hair of ( Portraits of the ee J osephine, w wi Lawrence Hugo Portrait. ‘and Autograph a Whittier | | a0 lions of Napoleon | Poe of the Comtesse ae Bary, witl eo taeterss Portrait one State Paper of Queen I Eliz 2 i eae a 3 3125 01663 0341 Pir aici ‘ hed ay en ate nah aay i 6 \ i I ry jay