UNTIL DATE OF SALE
FROM 9 A.M. UNTIL 6 P.M.
A LARGE COLLECTION
gle OF
OLD AND MODERN
OIL PAINTINGS
UNRESTRICTED PUBLIC SALE
_ AT THE AMERICAN ART GALLERIES
EVENINGS OF THURSDAY AND FRIDAY
MARCH 20TH AND 21st
BEGINNING AT 8.15 O’CLOCK
eae ete
Sane
~ * pp Saja A
¢ a - 7 Oe Ses + des
rhe oe al ' po See < ta 7
“MAK ZG 191s
da = ioe) aes re,
ere
i “
Tos Sew
Spee :
e¢
i: mS pe Gs
ce
a
ie
rs.
a
“a
«
2
2,
atl
Ae oe =
igs "CATALOGUE
OF
ns FOR ACCOUNT OF WHOM IT MAY CONCERN
oN” THE ‘EVENINGS HEREIN STATED
i”
“AT THE AMERICAN ART GALLERIES
5 MADISON SQUARE SOUTH
THE SALE WILL BE CONDUCTED BY
MR. THOMAS E. KIRBY
ASSISTED BY
Soave: OTTO BERNET AND MR. H. H. PARKE
THE AMERICAN ART ASSOCIATION, Manacers
6 EAST TWENTY-THIRD STREET
MADISON SQUARE SOUTH
NEW YORK
1919
‘DESIGNS TEs: CATALOGUE } AND DI.
ALL DETAILS OF ILLUSTRATION oe
TEXT AND TYPOGRAPHY =
CONDITIONS OF. SALE
1. Any bid which is merely a nominal or fractional advance
may be rejected by the auctioneer, if, in his judgment, such bid
would be likely to affect the sale injuriously.
2. The highest bidder shall be the buyer, and if any dispute
arise between two or more bidders, the auctioneer shall either de-
cide the same or put up for re-sale the lot so in dispute. ~
3. Payment shall be made of all or such part of the pur-
chase money as may be required, and the names and addresses of
the purchasers shall be given immediately on the sale of every lot,
in default of which the lot so purchased shall be immediately put
up again and re-sold.
Payment of that part of the purchase money not made at
the time of sale shall be made within ten days thereafter, in de-
fault of which the undersigned may either continue to hold the
lots at the risk of the purchaser and take such action as may be
necessary for the enforcement of the sale, or may at public or
private sale, and without other than this notice, re-sell the lots
for the benefit of such purchaser, and the deficiency (if any) aris-
ing from such re-sale shall be a charge against such purchaser.
4, Delivery of any purchase will be made only upon pay-
ment of the total amount due for all purchases at the sale.
Deliveries will be made on sales days between the hours of
9 A. M. and 1 P. M., and on other days—except holidays—
between the hours of 9 A. M. and 5 P. M.
Delivery of any purchase will be made only at the American
Art Galleries, or other place of sale, as the case may be, and only
on presenting the bill of purchase.
Delivery may be made, at the discretion of the Association,
of any purchase during the session of the sale at which it was sold.
5. Shipping, boxing or wrapping of purchases is a business
in which the Association is in no wise engaged, and will not be
performed by the Association for purchasers. ‘The Association
will, however, afford to purchasers every facility for employing
at current and reasonable rates carriers and packers; doing so,
however, without any assumption of responsibility on its part
for the acts and charges of the parties engaged for such service.
6. Storage of any purchase shall be at the sole risk of the
purchaser. Title passes upon the fall of the auctioneer’s hammer,
and thereafter, while the Association will exercise due caution in
caring for and delivering such purchase, it will not hold itself
responsible if such purchase be lost, stolen, damaged or destroyed.
Storage charges will be made upon all purchases not removed
within ten days from the date of the sale thereof.
7. Guarantee is not made either by the owner or the Asso-
ciation of the correctness of the description, genuineness or au-
thenticity of any lot, and no sale will be set aside on. account of
any incorrectness, error of cataloguing, or any imperfection not
noted. Every lot is on public exhibition one or more days prior
to its sale, after which it is sold “as is” and without recourse.
The Association exercises great care to catalogue every lot
correctly, and will give consideration to the opinion of any trust-
worthy expert to the effect that any lot has been incorrectly cata-
logued, and, in its judgment, may either sell the lot as catalogued
or make mention of the opinion of such expert, who thereby would
become responsible for such damage as might result were his
opinion without proper foundation.
AMERICAN ART ASSOCIATION,
American Art Galleries,
Madison Square South.
root tae
-
-
FIRST EVENING’S SALE
THURSDAY, MARCH 20, 1919
AT THE AMERICAN ART GALLERIES
BEGINNING AT 8.15 O'CLOCK
ROMAN SCHOOL
SEVENTEENTH CENTURY
1—ST. PETER, IN PRISON AW. i 0D srrane
} ae Height, 9 inches; length, 12%, inches
St. Prerer, with a red mantle across his knees, is seated in prison.
A figure on the left pours water over his outstretched hands, an-
other on the right offers him food.
we ,
MATTIA PRETI
CALABRESE: 1613—1699
2—CAIN AND ABEL (OE nate
vs ae
Height, 1314, inches; width, 101, inches
Tue slain figure of Abel lies on the ground, and over it kneels
Cain in regretful contemplation. Another male figure stands by
the rocks in the left background.
FRANCESCO TREVISANI
Roman: 16 Rees eS rE
3—THE MUSE OF POETRY
oi es | Height, 16 inches; width, 91, itches
Berore a recessed niche is seated the poetical figure in gray, blue
and yellow robes. Her eyes are raised. Neutral background.
ROMAN SCHOOL
4—ST. MATTHEW Pare Wr WD earner
3 as (Companion picture to Nos. 5, 6 and 7)
Height, 114% inches; length, 16 inches
Tue saintly figure in white and green robes, on clouds, has his
left hand raised. An angel is on the left, and a reclining bearded
figure on the right. A white dove in the right foreground.
ROMAN SCHOOL
5—ST. MARK Rav . 7) ie Vn
> ot (Companion picture to Nos. 4, 6 and 7)
Height, 11% inches; length, 16 inches
Tue bald-headed and bearded Evangelist, in gray and white
robes, is seated between two angels on clouds. The lion crouches
in the right foreground.
ROMAN SCHOOL
6—ST. LUKE AD 8. rg,
GAAEL.
i (Companion picture to Nos. 4, 5 and 7)
Height, 1114 inches; length, 1534 inches
Tue Evangelist, in white and saffron robes and seen on a bank
of clouds, regards the picture held before him by an angel. On
the right is a bearded figure with a scroll and book. In the left
foreground crouches the emblematic ox.
. ROMAN SCHOOL
7—ST. JOHN ee ik $ Oe
mas (Companon picture to Nos. 4, 5 and 6)
Height, 111% mches; length, 16 imches
In green robe and red overmantle he is seated on clouds, on
which is a book held up by angels; an angel is astride the sym-
bolic eagle. On the left is a reclining figure with harp and scroll.
ATTRIBUTED TO GIUSEPPE CESARI
Rome: 1568—1640
8ST. JOHN THE BAPTIST Ky. & Adachi
Poe * inde Height, 1314 imches; length, 1634 mches
In a cave the youthful Saint, nude but for a large red mantle
round his loins, reclines on the ground, on which, by his side,
is his emblematic cross. He points to the landscape seen outside
the cave.
PIETER VAN LAAR
DutcH: 1582—1642
9—RETURNING FROM MARKE Q
ae 5 ? | ;
’ sees Height, 121% inches; width, 9Y% inches
A PpEasANnT in tattered but gaudy attire walks toward the front
by the side of his ass. Neutral background.
DUTCH SCHOOL
EIGHTEENTH CENTURY
10—PORTRAIT OF A GIR). YV gah gre
(Wood)
ye
: 7 ere Height, 14 inches; width, 1014, inches
SmaLu, three-quarter-length figure, three-quarters to the left.
She wears a brocaded dress, a lace cap, ruff and cuffs, is seated
and holds an apple in her left hand on her lap. Dark back-
ground.
Apparently based on a reading of some larger picture by Frans Hals
or one of his group.
ITALIAN SCHOOL
em C.F Aare
) 6 yas
Height, 17 inches; width, 138% inches
11—THE NATIVITY
Tue Virgin and a shepherd kneel in the foreground before the
Child, who, in the cradle, is illuminated with a strong light.
In the left background kneels St. Joseph; another figure in the
right background. Angels in the clouds above.
BOLOGNESE SCHOOL
EIGHTEENTH CENTURY
.
MG ei ONY IN GLORY’ E. Therreur
sh —- Height, 1734 wmches; width, 1214 inches
St. AntHony, with hands extended in ecstasy, kneels on clouds.
Putti with a sword, a crown and palms are in the foreground.
ROMAN SCHOOL
13—_THE ASSUMPTION OF ee a)
be oe Height, 18 inches; width, 114% inches
Tue Virgin, in white tunic and-blue mantle, is accompanied by
the heavenly host while passmg upward from the tomb. By the
side of it St. Ambrose, bearded and wearing his ecclesiastical
robes and the mitre, stands in the left foreground; a book on the
ground at his feet.
GIOVANNI ANDREA SIRANI
Booena: 1610—1670
14—THE NATIVITY Oe aan
(J “Height, 14 inches; length, 18 inches
Ix the center, in a gloomy interior, the Virgin bends over the
body of the Infant Christ. St. Joseph is in the left background;
shepherds kneel on the right and make their offerings; angels
in the sky.
SCHOOL OF VAN DYCK
15—CHRIST IN THE TOMB
hh Wiel
a P Height, 181% inches; width, 1414 inches
7 —_
Tue Dead Christ, reclining on a grave sheet, is ministered to by
the Virgin, who kneels on the left. Nearby are St. Joseph of
Arimathea, St. John and St. Mary Magdalen in sorrowful con-
templation.
ITALIAN SCHOOL
SEVENTEENTH yee
Ente
16—THE APPARITION OF CHRIST
~~
3 fas Height, 19 inches; width, 14 mches
In the right foreground the Virgin, ministered to by other fig-
ures, swoons as she regards the apparition of the Crucified on
the left. Architectural setting.
ITALIAN SCHOOL Ss
Wee
17—THE BAPTISM OF cane he a |
Dos Height, 26 inches; width, 914 inches
Curist, wearing a loin-cloth, inclines His body over the waters
of the River Jordan. Farther back stands St. John, with the
reed cross in his hand. The Dove and angels in the sky.
SIMONE CANTARINI
Botoena: 1612—1648
18-THE LAST JUDGMENT C- Lach G Manrec
6% Height, 21 inches; width, 111, inches
Curist, with orb and scepter in His left hand, is enthroned on
clouds. His right hand is upraised. Below are many figures in
the flames, and angels descend toward them on the right.
ROMAN SCHOOL
SEVENTEENTH CENTURY 2 | ° ,
19-THE MADONNA AND CHILD
WITH ST. ANTHONY OF PADUA
Cs AND CATHERINE OF SIENA
Height, 21 inches; width, 16 inches
Tue Virgin, enthroned under a baldacchino, holds the Infant in
her arms. On her left and right kneel St. Anthony and St.
Catherine of Siena.
ATTRIBUTED TO MARCO RICCI
VENETIAN: 1679—1729 ee , 4 La hereey
20—ST. ANTHONY IN GLORY
8. Height, 24 inches; width, 1381/4, inches
St. AntHuony of Padua, in Dominican robes, is supported by
angels on clouds, as he gazes upward at the Eternal in the sky
above.
GIOVANNI ANDREA SIRANI
Botoana: 1610—1670
21—-THE HOLY ae hla
Rf Sa Height, 21 inches; width, 16 inches
Sr. JosepuH, with the Child on his knee, is turned toward the
right, where, in the foreground, sits the Virgin, wearing a red
tunic and blue mantle. God the Father and angels, with the
Holy Ghost, in clouds.
A good picture of its school.
a
ITALIAN SCHOOL
KIGHTEENTH OFF R ee tnt
22—A CLASSICAL SUBJECT
DAs — Height, 12% inches; length, 25 inches
A warrior, his shield on the ground by his side, is asleep in the
open country. A river runs through the left background, the
water issuing from the vessel held by the river god seated on
the right.
ANDREA LOCATELLI
Rome: ee C WW
23—-ABRAHAM DRIVING FORTH
oes HAGAR AND ISHMAEL
Monochrome: Height, 17 inches; length, 25 imches
ABRAHAM, who has just descended the steps of his house, sends
forth Hagar, by whose side walks Ishmael. Sheep, cattle and
herdsmen are gathered round the well on the right.
FRENCH SCHOOL
24—A SCENE OF MARTYRDOM is
’ \A2A_Lvet-
oS aa Height, 19 inches; length, 211% inches
Tue symbolic figure of a woman draped in white, having been
rescued by a warrior, descends the steps of the funeral pyre.
On it a man has been bound by the executioner, while his as-
sistant is preparing to apply the lighted torch to it. Other -
figures in armor in the left foreground. A walled city in the
background.
FLEMISH SCHOOL
E1icHreentu CEentury © See & & pt htraee
25—_THE STIGMATIZATION OF ST. FRANCIS
i Of eight, 23 mches; width, 18 mches
THE scene is set in a retired spot where St. Francis is in ecstasy
before the large crucifix set on rocky ground. The imprints of
the stigmata are on his hands, and the clouds above to the left
are brilliantly lit. In the left background Brother Leo is seated
near a waterfall.
ATTRIBUTED TO
MICHELANGELO CERQUOZZI
Rome: Zi PA te of >
- 0. MUnerrrwwe
26—THE ADORATION OF THE MAGI
Of Height, 17 inches; length, 24 inches
Tue Magi are grouped round the Virgin, who is enthroned with
the Child. Camels in the right background. An architectural
setting on the left.
SPANISH SCHOOL
27—_ST. JOHN Oe
VRAOYaete
3 << Height, 24 inches; width, 181% inches
Tue Saint, in ecclesiastical robes and with hands outstretched,
is supported by angels as he passes upward in the sky. Below
is a bridge, apparently that of Prague, which leads from a city
with domed buildings. In the center of the bridge is the Bohemian
legendary incident of St. John Nepomucen, of Prague, falling
headlong into the river.
FRANCESCO GUERCINO
Botoena: 1591—1666
28_-CHRIST IN GLORY tha Ke. 1 ie
/ a-s® Height, 26 inches; width, 154% inches
Tue dead Saviour, wearing a loin-cloth, reclines on clouds at the
foot of God the Father, who, with outstretched hands, sends
forth the Dove. Angels on either side minister to Christ.
GIROLAMO MAZZUOLA
Parma: 1500—156 ¢
29-THE MADONNA AND CHILD |
yy Ba Lissa WITH SAINTS
Height, 28% inches; width, 1514 inches
Tue Virgin, seated on clouds, holds the Infant in her arms; on
the left is St. Catherine of Siena, and on the right St. Lucy. In
the foreground are St. Anthony of Padua and St. Augustine.
GIACINTO CORRADO
Napres: 1693—1765 £ p uy. ee
30—THE MADONNA AND CHILD jee
WITH SAINTS AND ANGELS
a
vA g Height, 25 inches; width, 19 inches
Tue Virgin, enthroned on the right, holds the Infant in her arms.
At the foot of the throne are angels with books. In the left
foreground kneels a saint holding a quill pen in his right hand.
MARCEL RIEDER
FrencH: CoNTEMPORARY
ES: i f j ;
31—THE TRIO Vin. Chee bx.
As / gogo Height, 20 inches; length, 24 inches
An interior; a young woman plays with one hand at the piano,
which is lit by candles and a lamp. Near her sits a man with a
violoncello. To the left a young man is tuning up his violin.
Pictures on the walls. A man and a woman in the right back-
ground.
Awarded a Médaille de Bronze.
ANDREA SACCHI
Rome: 1598—1660
{)
32ST. GREGORY THE nite. H.} Teg
ge
DURING THE PLAGUE ‘*
Pore Grecory THE GREAT, in full raanaials. kneels in the fore-
Height, 25 inches; width, 19 inches
ground as he prays for the abatement of the Plague. Behind him
an acolyte holds the papal tiara, and a priest holds the Cross at
the moment that the procession, seen through an arch in the
background, passes toward the Holy City. In front are the papal
arms; a curtain is looped up to frame in the composition.
FRANCESCO SOLIMENA
NAPLES: Rees Lbuwth
33—THE MADONNA AND CHILD
/. se aS Height, 28 inches; width, 16 mches
Tue Virgin is enthroned, with the Child standing beside her,
wth a Franciscan and Dominican monk kneeling on either side.
Among the other figures is an angel holding the chalice. A red
curtain hangs in the background.
SPANISH SCHOOL
SEVENTEENTH CENTU VY oe PRE i,
34—THE MADONNA AND CHILD
/ 5S — Height; 26 inches: width, 10 amd
Tue Virgin, seated on a cloud, holds the Infant in her arms;
angels surround her. In the foreground the Apostles are as-
sembled round the empty tomb from which the Virgin has
ascended.
MARC ANTONIO BASSETI
VENETIAN: ee i a
35—THE ASCENSION OF CHRIST isin:
2 yeahs Height, 281% inches; width, 171% inches
CuristT, surrounded by a brilliant light, ascends into heaven.
Moses, with the Tablets of the Law, and angels are in the upper
sky. The Apostles are grouped on the earth.
BOLOGNESE SCHOOL
86—THE APPARITION oe eee
ace hae Height, 29 inches; width, 18 inches
Monks, grouped in the foreground, contemplate the Divine, who
appears in the brilliant light of heaven. Angels in the sky.
EDOUARD ROSSET-GRANGER
FRENCH: CONTEMPORARY
37—CURIOSITY LS are 4
Y got Height, 2734 inches; width, 2134 inches ae
A LiTT Le girl, dressed in black, stands in a wet street at night
and looks in at a shop window.
Signed in the bottom left corner.
WILLIAM BASTIAAN THOLEN
Dutcu: Contemporary (Born 1850)
388—AN INTERIOR
Ke Oo te Height, 27% mches; width, B14, inches
é
A sMALL boy is seated at the far side of a table, with a meal
set before him. With his left hand he feeds the jackdaw on the
perch on the right, beyond which is an open door. A birdcage
hangs near the curtain on the left.
G. RICARD-CORDINGLEY
Frencu: Contemporary (Born 1873)
39_NIGHT IN CANCALE 2 G cacl.
Gi (ae Height, 24 inches; width, 18 inches
A MAN and a woman are passing down the street; a lamp hangs
outside a large house, with a balcony, on the right. Starry sky.
Signed in the right bottom corner.
FRANCOIS LE MOYNE
FRENCH: fe tb. «
40—THE ASSUMPTION OF THE VIRGI
2 A pia Octagonal: Height, 24 inches; length, 29 inches
Tue Virgin, in pink tunic and light blue mantle, is seated on
clouds and in ecstasy amid the heavenly host.
JEAN JOUVENET
FRENCH: ee 2 y 4
41—ABRAHAM SACRIFICING ISAAC
=2 6 °> Height, 38 wmches; width, 17 mches
Aw angel is seen at the moment that Abraham, with upraised
hand, is about to slay Isaac, who, with head bound and hands
tied, kneels on the right. God the Father and the heavenly host
are in the sky.
ITALIAN SCHOOL
EIGHTEENTH CENTURY
rons ta theates
oS — Height, 303% inches; width, 251% inches
Tue Goddess of Flowers, with roses in her hair, is seen at full
length and seated. A Cupid brings flowers and two others are
in the sky on the left.
PIEDMONTESE SCHOOL
Nortu ITAnian
43—ST. ONOFRIO (?) bea. pe
Des Height, 25 inches; length, 80 inches
¢
THE Saint, an ecclesiastic in full canonicals, kneels in contempla-
tion of the Cross; on the ground in front are a book and a lily-
stem. Angels and the Holy Dove are in the clouds.
LOUIS PICARD
Frencu: Born 1850
44—THE VIOLET GIRL Z isa og Pr 4
3 ASO Height, 32 inches; width, 25% mches (
A err in brown dress, and long brown hair falling over her bare
shoulders, has a basket by her right side as she holds in her left
hand a bunch of violets for sale. She stands on a balcony. A
river in the background; a bridge and the lamps lit to the left.
ITALIAN SCHOOL
EIGHTEENTH CENTURY
45—A SAINT IN ee Z GQ tories
J 2 — — Height, 3614 inches; width, 2014, inches
Tue Saint in full canonicals kneels on clouds on which are angels,
one of whom holds the Crown of Thorns for his contemplation.
More angels are in the upper sky.
FLEMISH SCHOOL
EIGHTEENTH CENTURY
(Panel) Je
46—CHRIST ON THE CROSS
a a Height, 845% inches; width, 25 inches |
Curist is on the Cross in the center; the Virgin and St. John
stand on either side. Mary and Magdalene near. St. Jerome and
a Carthusian kneel in the foreground. Angels with chalices in
the sky.
An archaistic version of a Jan Provost type of composition.
SPANISH SCHOOL
eee CO
47—CHRIST BEARING THE CROSS //
* a %& - Fy eight, 37 inches; width, 2814 inches
Hazr-Leneru figure of Christ, bearded and wearing a white robe
and the crown, holds the Cross against His right shoulder.
Pe. » ..
car
aw
ITALIAN SCHOOL
SEVENTEENTH CENTURY
48—A CLASSICAL COMPOSITION
F cee Height, 2834, inches; length, 39/in
Matz figures move toward the left, with pwttt grouped round a
candelabra. Perhaps a portion of a larger composition.
SCHOOL OF BASSANO
SEVENTEENTH CENTURY
-49—ECCE HOMO Life ie pe
ri ay Se Height, 39 inches; width, 31 inches
Curist, crowned with thorns and His hands bound, gazes out
fixedly. ‘Two male figures on either side of him.
DANIELE RICCIARELLI
VoLTerRRA: 1509—1566 (?
46 Ae fie 06\
50—THE DESCENT FROM THE CROSS Viam
Height, 39 inches; width, 29 inches
Tue Virgin, swooning in the foreground, is supported by the
three Marys. St. Joseph of Arimathea and Nicodemus are taking
down the body of Christ; numerous subsidiary figures.
SCHOOL OF TINTORETTO
51—AN ALLEGORY oy, yA (9
PD. ae ean, 24 inches; length, 4114 inches
A scENE in which numerous persons, dressed in gorgeous robes
of office, are seen in a Venetian palace. A curtain hanging on the
right.
LOUIS GRANER-ARRUFI
SPANISH: CONTEMPORARY
52—MEDIT ATION User 8
Height, 28 inches; length, 40 inches ‘ |
A PEASANT seated, and leaning his left arm on the back of his
chair as he smokes a cigar, looks out meditatively. A decanter
and a glass on the table on the left.
LEANDRO RAMON GARRIDO
Frencu (Died 1908) |
583—THE ART CRITIC Ck neck’ Y Lh
/b s— Height, 40 inches; width, 30 mches
A may, in black coat and green muffler, is seated in a chair and Da
turned three-quarters to the left. He looks to the front, as he
holds before him a framed picture. On a table in the foreground
are sketches on panel, a decanter and a glass. Strongly lit back-
ground,
wf ance
“4
PAUL BELLANGER-ADHEMAR
Frency: ConTEMPORARY
54—BOATS
: Qty Bart Og ina—
ae Height, 821, inches; length, 461, inches (—
e (
SaILine vessels are moored in the foreground on the left and the
right; a rowboat passes between them. Houses on the shore in
the center distance. Blue sky with clouds.
Signed in the right bottom corner.
ITALIAN SCHOOL
EIGHTEENTH CENTURY
55—PORTRAIT (supposed) VA Y rw p Vaae
75° OF PIERO VETTOR
(Wood) -
Height, 48 inches; width, 34 inches
THREE-QUARTER length, turned three-quarters to the left, an old
man with gray beard, in a black robe trimmed with fur, is seated
in an armchair and holds an open book in both hands.
SPANISH SCHOOL
EIGHTEENTH CENTURY
56—A MUSICIAN ie Y/ Soon A
“Le
as Height, 4434 inches; width, 355 inches
A man, in black doublet slashed with white and white sleeves,
stands behind a parapet on which is an open music book. He is
singing and playing on his guitar.
SPANISH SCHOOL
EIGHTEENTH CENTURY
sI-THE GLUTTON §=£ fh, uf he
faa Height, 45 inches; width, 8534 inches
A MAN, standing behind a parapet, has before him a dish full
of viands.
SCHOOL OF BASSANO
SEVENTEENTH CENTURY ‘
58—THE BUFFETING OF CHRIST
. cere Height, 35 wmches; length, 47 wmches
Curist in the center is seated in prison and is being buffeted by
a figure on the right. In the left foreground kneels an old man,
before whom is a page holding a lighted candle.
?
ITALIAN SCHOOL
SEVENTEENTH CENTURY
59—THE COURTESAN (called. “The Flagellation’ )
Sah
| p- Height, 3834 inches; length, 52 g imches j
A Capucuin monk, with a scourge in his right hand and a book
in his left, threateningly approaches a half-nude woman who lies
on the bed on the left.
NORTH ITALIAN SCHOOL
60—PORTRAIT (supposed) mb
OF THE DUCHESS OF MODENA
J/ 0 ‘_—_ Height, 521/, inches; width, 891 inches
Lire size, three-quarter length, three quarters to the left. In
black, low-cut dress embroidered with gold, and lace collar; fair
hair ornately done. Her right hand on the chair.
GUSTAVE ALFRED GUIGNERY
Frencuo: ConTEMPORARY
61—MOONLIGHT SEEGER LEGS PE
SO a Height, 45 inches; length, 58 inches
From a river bank, which projects out on the right, we look
across a low moving river to the far bank with the trees of
_ the background dimly seen by moonlight.
Signed in the right bottom corner.
A “Mention Honorable” has been awarded to this picture.
NORTH ITALIAN SCHOOL
Late SIXTEENTH CENTURY
62—THE DEATH OF HERO
/ 7S Height, 44 mches; length, 64 inches TG ae
Iw the left distance, Hero, the priestess, disconsolate at the death
of her lover Leander, the famous youth of Abydos, is diving from
the light-house of Sestos into the waters of the Hellespont. In
the foreground the river god bears on his shoulders the drowned
form of Hero, and is about to place it in the arms of a nymph
seated on the left on a rock in mid-stream. Three other nymphs
hasten through the water to help. Figures on the coast of Sestos.
Foliage landscape background on the right.
Leander, her lover, had swum across every night to see Hero, guided
by the light-house. One stormy night, the light failed and he was drowned.
Overcome with grief, Hero took her life, as here rendered.
a
Ps i
ANDRE DAUCHEZ
FRENCH: Contemporary (Born 1870)
63—UNDER THE OAK CHER < Xo (gue
6 <— Height, 431% inches; length, 64 inches (
A GNARLED oak on the high bank, on the right, of an inland lake
is seen with its wide-spread branches mirrored toward sunset in
the waters on the left. A young woman, nude, walks out from the
right to swim.
Signed, and dated 1904, in the left bottom corner.
ANNIBALE CARRACCI
BoLocneEsE ScHoou: 1560—1609
64—THE DEAD Coe C Mmwren-
Circular: 60 inches by 60 inches
Curist, nude but for a purple mantle spread across His loins,
and wearing the Crown of Thorns, reclines in death on clouds
borne aloft by angels. On the left is a Franciscan monk in
ecstasy; another monk kneels on the right.
SPANISH SCHOOL
SEVENTEENTH pe):
65—PORTRAIT OF A GENTLEMAN
eee
Height, 7314 inches; width, 4514 inches
Fut length, life size. In black doublet and trunk hose embroid-
ered with gold. Bearded, middle-aged and wearing a ruff. The
right hand grasps a lance. Green curtain in the right back-
ground.
JUSTUS SUSTERMANS
1597—1681 (Mrprecn
66—PORTRAIT OF A NOBLEMAD
lA ss ts Height, 76 inches; width, 5014, inches
In black robe trimmed with gold, lace collar and cuffs. FRIDAY, MARCH 21, 1919
AT THE AMERICAN ART GALLERIES
BEGINNING AT 8.15 O'CLOCK
BARTOLOMMEO MANFREDI
Roman: 1580—1617 Pa Z, Og s
75—_THE EDUCATION OF THE VIRGIN
ce
Height, 1314 inches; width, 914 mches
Tue youthful Virgin, standing by the side of St. Anne, on whose
knee rests a book, is reading. The bearded Joachim is seated
in the left background. Angels are in the sky above. Architec-
tural setting.
CARLO MARATTI
Roman: 1625—17138
,.76-THE HOLY FAMILY nt Lael :
Monochrome: Height, 1434 inches; od, Y, mcehes Pa
&e
Tue Virgin, with the Child on her lap, is seated on a throne on
the right. In the right foreground stands St. Francis, while
St. Joseph is on the left. Shepherds in the left background... An-
gels in the sky.
BOLOGNESE SCHOOL
SEVENTEENTH CENTURY
77—THE LAST SUPPER H,
poate Height, 17 inches; width, ney
Y/Y
In the center, and at the far side of a table, Christ is seated be-
tween the Apostles. His right hand is raised; His left grasps
the chalice. Two figures, with a flagon and bowl between them,
are in the foreground. Angels in the clouds. Dark background.
ROMAN SCHOO |
*, ¥. Lor
78—THE ASSUMPTION OF THE VIRGIN
SUR Height, 18 inches; width, 10 inches
Tue Virgin, in red tunic and blue mantle, is borne upward on
clouds by angels. Below, in the foreground, are St. Francis and
St. Anthony in ecstatic contemplation of the sheet, strewn with
roses, that covers the tomb and is at one end held up by an
angel.
SCHOOL OF FERRARA R
79—CHRIST AMONG THE DOCTORS ;
rhooo \
Height, 19 mches; width, 1814 inches
Curist, enthroned, is disputing in the Temple, the Doctors being :
grouped around the throne.
ITALIAN SCHOOL
EIGHTEENTH CENTURY 4 ake G , ]
80—THE ASSUMPTION OF THE VERGIN
pee Height, 19 inches; width, 12 inches
Tue Virgin, supported on clouds, is borne aloft from her tomb
by angels.
BOLOGNESE SCHOOL
81—_THE WAY TO i TOSS SER pan wat : W,
g Height, 19 inches; width, 1834 imches
Curist falls under the weight of the Cross as He moves toward
the left. In the right foreground is St. Veronica with the su-
darium. 'Two Roman soldiers, mounted, in the right background.
SCHOOL OF JACQUES LOUIS DAVID
FRENCH ML
¢ fe ae ede
82—A4A MYTHOLOGICAL SUBJECT
Ft
eae Height, 1914 inches; width, 1414, inches
A BATTLE rages in the foreground, while a figure in classical attire
is borne aloft by putti.
FRENCH SCHOOL
83ST. SEBASTIAN 9 | ee (? LlrAa
pa ee: 2114 inches; width, 1014 mches
THE vate saint is bound to the tree on the right, his body
already transfixed by arrows as he gazes upward to Christ in
Glory. A black-robed figure kneels in the left foreground.
ITALIAN SCHOOL
aes ee f YG Ga
84 CHRIST PREACHING
oie
Curist, in his robe of office, is preaching to a cobbler, seated by
a table at work on the left, and to a man with folded hands on
the right. Other figures are in the left background. An angel
in the sky.
PIETRO DA CORTONA
Tuscan: 1596—1669
85—4 PROPHET *L ee (1
(Companion picture to Nos. 86, 87 and 88)
BL Gh
Height, 151% inches; length, 21 inches
A BEARDED figure in blue tunic and white mantle and accom-
panied by a putto holds tablets in his left hand and gazes up-
ward as he sits on a cloud placed on the spandrel of an arch.
PIETRO DA CORTONA
Tuscan: 1596—1669
86—4A PROPHET Cig Bugle:
xf ae Coampenion picture to Nos. 85, 87 and 88)
Height, 151% inches; length 21 inches
THE prophet, wearing a crown, a cuirass and a red mantle, with
his harp, is seated on a cloud which obscures part of the spandrel
of an arch.
PIETRO DA CORTONA
Tuscan: 1596—1669
87—A PROPHET ad
VG
el
(Companion picture to Nos. 85, 86 and 88)
Height, 151% inches; length 21 imches
A Heroic figure, fully draped in green and mauve, is seated on
a cloud seen against the spandrel of an arch. A putto on the
right.
PIETRO DA CORTONA
Tuscan: 1596—1669
88—d PROPHET
Beek _
slog (Companion picture to Nos. 85, 86 and 87)
Height, 151% inches; length 21 inches
A neroic figure, draped across the knees, is seated on a cloud
against the spandrel of an arch. Two putti are behind him
SIMON VOUET
Frencu: 1590—1649
8s9—A SAINT IN Oe (3 i=
760 Height, 14 inches; length, % inches
é
Tue sketch for a ceiling painting. 'The bearded saint is seated
among angels on a bank of clouds and gazes on high.
EUSTACHE LE SUEUR
FRENCH: ee aft
90—MONKS IN CONTEMPLATION
(Companion picture to No. 91)
Gee
: Height, 17 inches; length, 24 mches
Two Carthusian monks are seated in rocky ground, in a deserted
spot at the end of a valley, in religious contemplation. A city
in the left distance.
EUSTACHE LE SUEUR
Frencu: 1616551655 Fee Ca
91—MONKS IN CONTEMPLATION
ie aA (Companion picture to No. 90)
Height, 17 inches; length, 24 inches
A Carruusian and another monk, in the left foreground in a re-
tired spot on the bank of a river, contemplate the Cross. Cattle
on the far side of the river on the right, and a castle set on a
hill.
4
er
LUCA GIORDANO
Napres: 1682—1705
92—d STUDY FOR A See hee ae TING
‘a Height, 151% inches; length, 26 inches
Tux hosts of heaven, seated or standing on clouds, play on mu-
sical instruments. In the center is the legend: “Vocatum est
nomen ejus Jesus.”
JOHANN BAPTISTE LAMPI
Trrou: aor Z Yrltle ky,
ANAMAF f
9838—_THE DEATH OF ACHILLES ic
5 = Height, 181% inches; length, 24 inches
ACHILLEs is outstretched on his mortal couch, while an assembly
of men and women stand about in the classically appointed cham-
ber, in unconcealed grief.
SCHOOL OF SEVILLE
94-THE NATIVITY Thanh Reichs:
3 oad Height, 194% inches; length, 241% inches
Tue Virgin reclines on her side in bed and receives the Infant into
her arms from a handmaid. Another woman holds aside a cur-
tain, while a third is seated near the bed. St. Joseph is on the
left.
FRENCH SCHOOL
95—A CLASSICAL SUBJE
S — Height, 24 inches; ad inches
A wounpvep hero, wearing only his helmet, oe on a bed to
the right, while a physician tends his wound. Other figures are
nearby.
ATTRIBUTED TO SIR GODFREY KNELLER
96—PORTRAIT OF A MANZ X (3 gee
os = Height, 24 inches; width, 20 inches.
In black robe, edged with gold trimming; red turban; neutral
background.
ITALIAN SCHOOL
EIGHTEENTH omic) ( | AG
97—A BIBLICAL SUBJE
) sb
Height, 191% wmches; length, 2514 inches
A composition of several small figures gathered round a well-
head. A man brandishes his sword on the right.
GIROLAMO MAZZUOLA
Parma: 1500—1569
98-HOLY FAMILY €f / Cthiie,
SA
S —~ Monochrome: H eight, 28 inches; width, 1614 inches
Tue Child is by the side of the Virgin, who is seated in the center.
On the right, St. Joseph is at the carpenter’s bench. Archi-
tectural background. The Eternal, surrounded by the heavenly
host, is in the sky.
SEBASTIANO CONCA
Napres: 1679—1 aig f . Z, ROE AG.
99 THE APPARITION OF CHRIST ,
TO ST. CAMILLUS OF ‘LELLIS
tag SE
Height, 27 inches; width, 19 wmches
TuE Saint, seated in the foreground, with a crutch resting against
his leg and ministered to by angels, sees in a vision the crucified
Christ, who stretches out an arm to embrace him. Angels in
the sky.
GIACOMO GUERRINI
Lomparp: 1718—1798
100—THE LAST SUPPER Va I Oe
J a Height, 26 inches; width, 194 inches
Curist, wearing His traditional robes, is seated in the center
and at the far side of the table; He administers the Sacrament to
one of the Apostles; the other Apostles are grouped round the
table. Angels are in the sky.
CRISTOFORO CREO >
Naptes: Circa 1711
101—F 4ITH AND. TIME xX. oe SC on
/2— « Height, 261 inches; width, 20 inches
Time, winged and with books in hand, holds a chalice in an up-
lifted left hand above the head of Faith, who, with wafer uplifted,
reclines on a step. To the right are a bleeding heart, a book, a
mask, a serpent and flowers.
Signed: Creo F.
JEAN BERAUD
Frencu: Born 1849
102—THE ADIEUX
ye 7# Height, 26 imches; wilth, 21Y% inches
OvuTsIDE a convent, on a road with a factory in the right fore
ground, gendarmes are arresting two nuns, to the great grief of
a group of school-children.
ALESSANDRO TIARINI
Botoena: 1577—1668
1083—A HISTORICAL CORO NES ON
og Monochrome: Height, 21 inches; engi
OursIDE a classical edifice, and at the oe of steps that lead up
to another temple, is a strangely disorderly scene. Some figures
already massacred lie on the ground. An ox is held ready for
sacrifice by a man in the right foreground. Buildings and in- ~
numerable figures in the background.
EMILE BENEDICKTOFF HIRSCHFELD
FreNcH: CONTEMPORARY
104—THE STORM ‘4G. -
wees, ¢
Pai ema Height, 29 inches; width, 2114 inches
Unoer a dark and rain-swept sky sailing vessels with dark sails
are seen by the faint rays of the moon. Lights are lit in some
of the windows of the house in the center background.
: FRANCESCO TREVISANI
Rome: 1656—174 24 Lok
rs
105—CHRIST IN THE HOUSE
OF MARY AND MARTHA
ot
+ Height, 2614 inches; width, 191% wmches
CurisT is seated, in the center, near Mary and Martha and sev-
eral male figures. Through an arch in the right background we
see a table set with viands. .
ITALIAN Be tac :
106—THE FOUR DOCTORS OF THE CH
'
af ov Height, 35 inches; width, 161% inches
St. Grecory, St. Ambrose, St. Augustine and St. Jerome are
seated on clouds. Perhaps a sketch for a ceiling painting.
EMILE FRIANT
Frencu: Contemporary (Born 1863)
107—4 NUDE YOUNG WOMAN
3 poe Circular: Height, 30 inches; width, 25 imches
A youne woman, nude and seen to the waist, with her hair
disheveled as she knots it under her chin, looks seductively toward
the right. The background is red and flower-patterned.
NEAPOLITAN SCHOOL
ns ees Cae a at.
108—THE MADONNA AND CHILD A
(Wood, rounded at the top) : a p
7 ) a
Height, 33 inches; width, 2114 mches
Tue Virgin, in a dark blue mantle that frames in her head, wears
a high and jeweled crown, which has a circular nimbus deco-
rated with figures in the compartments and inscribed. Seraphim
are in the sky. On her left arm she holds the Infant who is fully
draped and has a circular nimbus.
Painted under the influence of Spanish tradition.
PIERINO DEL VAGA
Rome: 1500—1547 _
109—A ROMAN BATTLE NE
of ge Monochrome: Height, 214 inches; length, 364% inches
TuHE battle is arranged with elephants, horses, mounted soldiers
and infantry in great confusion. 'The scene is set on a a seashore,
with vessels in the offing. Cloudy sky.
SANTIAGO RUSINOL
SPaNIsH: CoNTEMPORARY
110—THE GARDEN
rea Height, 33 inches; width, 241 inches
A FORMAL garden with the box hedges cut and trimmed; the path
ways seen in springtime, the moon rising.
CHARLES LE BRUN
Frencu: 1619—1690 9 SY R we
111—A STUDY FOR A CEILING PAINTING
Vid Height,.36 inches; width, 27 inches
In the central compartment Christ is enthroned; the Holy dove
appears in the bright light of heaven. A composition of numer-
ous figures.
ROMAN SCHOOL
112—PORTRAIT OF AN ee ed
? y of Height, 88 inches; width, 29 inches
In ecclesiastical robes, turned three-quarters to the left, bearded,
seen at half length and seated in a green chair. Neutral back-
ground.
ATTRIBUTED TO GABRIEL BLANCHARD
FRENCH: 1630—1704
1183—AN ALLEGORY SG. ee
Bs o- SF Height, 27 inches; length, 38 inches”
Aw allegorical figure is seated upon a throne, with books in a :
basket at her feet. She is surrounded on all sides by female —
figures. : : 3 Sc
SCHOOL OF TIEPOLO
114—A STUDY FOR A a |
+ Height, 881% inches; width, 29 inches /
oa ae
Curist, in the clouds, holds a crown in either hand, and is sur-
rounded by angels and Saints, some of whom have emblems.
GIOVANNI LANFRANCO
BoLocna geeks
115—THEH ASSUMPTION OF pe Tomah VIRGIN
JD Height, 39 inches; width, 29 mches
Tue Virgin, in red tunic and blue mantle, is borne aloft by angels —
on clouds. The Apostles are grouped upon an arch in the fore-
ground.
ATTRIBUTED TO ANTONIO MORO
116—PORTRAIT OF A NOBLEM
¥Z2 — — Height, 40 inches; width, 30 inches Y
Hatr length; in a black robe trimmed with gold and lined with fur,
and a black cap with a white feather. The right hand rests on
the gloves placed on the table on the left; the left hand on the
sword hilt.
NORTH ITALIAN SCHOOL
SEVENTEENTH CENTURY
117-THE WOMAN TAKEN IN ADULTERY
(Wood) 1G: ba
1 ee
Height, 311% inches; length, 4134 inches
THE woman in blue robe open at the neck, and with arms crossed,
looks with downcast gaze at Christ, who, on the right, raises His
left hand. Composition of nine half-length figures smaller than
life’ size.
Possibly a copy, in reverse, of an earlier composition.
OTTO VAN VEEN
- Fremiso: 1558—1629
TWELVE SCENES FROM THE LIFE OF CHRIST
| I
118—CHRIST RIDING INTO JERUSALEM
. (Woo {Q ;
Cees oe
Height, 42 inches; width, 30 inches
CuristT, in a purple robe, is seated on the ass which moves toward
the right. The Apostles are gathered round, while three of their —
number strew the ground with their garments. The city of
Jerusalem in the background.
II -
119—CHRIST WASHING THE FEET
OF THE APOSTLES
'é F ve | (Wood) |
Height, 42 inches; width, 30 inches
Curist, in purple robe, washes the feet of the Apostles, one of
whom is seated in the left foreground. Others await their turn.
A man-servant approaches from the hall in the center back-
ground, holding a vessel full of water.
Ill
1200—THE BETRAYAL
[ ae (Wood)
A) —-
Height, 42 inches; width, 30 inches
Jupas, in green robe and orange-yellow mantle, gives the traitor’s
kiss to Christ, who is about to be arrested. Behind is a man
holding a torch. A man on the right strikes off the ear of Mal-
chus, who grasps a lantern in his left hand.
IV
121—_CHRIST BEFORE THE
JUDGMENT SEAT
ia
Curist stands before the judgment seat on which, on the right,
is Herod enthroned; standing on the steps to the left of the
throne is the High Priest. More to the left are a soldier and
the executioner; other soldiers in the background.
- (Wood)
Height, 42 inches; width, 30 inches
Vv
122—_CHRIST BOUND
(Wood)
t< &
: i e Height, 42 inches; width, 30 inches
Wiru His hands bound and in charge of armed soldiers, Christ
stands in the left foreground before the enthroned Herod. A
green curtain hanging behind the throne.
wt
123—PILATE WASHING HIS HANDS
0 ae (Wood) i
Height, 42 inches; width, 80 inches
Pinate, on the judgment seat, is washing his hands in the water
poured out of a ewer by a man-servant. In the left foreground
Christ is escorted by the executioner and a soldier.
ae
124-CHRIST AT THE COLUMN
. (Wood 4 |
ene Cin 8
GQ —~ . — Height, 42 inches; width, 80 inches
CuristT, bound and wearing the ee nus is being scourged while
a Roman official surveys the scene. ty
Vill
125—CHRIST MOCKED
e y ge | (Wood) oh ‘
Height, 42 inches; width, 30 inches
Curist, seated in the center foreground, is being mocked by the: ie
old man, who, kneeling on the left, presents Him witha reed. The
executioner superposes the Crown on His head. Soldiers and i
officials in the background. s
IX
126—CHRIST BUFFETED
(Wood)
Pak
BS ff purse Height, 42 inches; width, 30 inches
Curist, whose head is enveloped in a white kerchief, is seated in
the prison, with figures in various threatening attitudes surround-
ing him. Soldiers in the background.
4
xX
127—CHRIST CARRYING HIS CROSS
(Wood)
e*
co =~ Height, 42 inches; width, 80, inches
_ Curist, as He moves toward the right, faints under the load of
the Cross; the executioner is about to strike Him. Groups of
figures in the background; some of them mounted.
xI
128—_ASCENSION
(Wood)
(g*
Height, 42 inches; width, 30 inches z
Curist, with the banner of the Resurrection, ascends into heaven;
soldiers are asleep and angels are near the tomb. The City of
Jerusalem in the left background.
XII
129—PEHENTECOST
b) ie (Wood)
Height, 42 inches; width, 80 inches * > e
Tue Virgin is seated in the center of a group of the Apostles
in the middle distance; tongues of fire are on their heads. Other
Apostles are gathered in the foreground and in a half-circle on
either side. Angels are in the sky. The clouds are open to emit
the Holy Ghost.
ROBERT LEE MacCAMERON
American: 1866—1912
180—THE HABITUES of, %. (Semel _
Fy J ae Height, 491% inches; length, 65 inches
A
THREE men are seated round a table in a café dimly lit by a
lamp. The one on the left grasps his glass of absinthe; in the
center sits a man smoking his pipe; the old man to the right is
reading the paper.
Signed in the right bottom corner.
NEAPOLITAN SCHOOL
EIcgHTEENTH Century (?)
131_V ANITY (fh, [3
vr Height, 541% inches; length, 581% mches
aire os
Aw old woman, wearing Spanish spectacles and seated before a
black-framed mirror held on a table by an attendant, looks at
herself in it. Another attendant places a feather in her hair.
(Injured in the center.)
SCHOOL OF CHAR} ge LEBRUN ;
‘
182—MICHAEL PURSUING LUCIFER
sie a
ai ae ;
ae “eel Height, 411% inches; length, 6052 inches
Tue Archangel Michael, as Lord of the Heavenly Host, clad in
armor and buskins, is about to throw a thunder bolt on the dis-
comfited Lucifer and his companions. (Injured at the top.)
BERTHOLET FLAMAEL
_ Friemiso: 1614—1675
1388—A PAGAN SACRIFICE ( [7, (3 Ce Cp
;
va 4) 4f - Height, 47% inches; length, 591% inches
A prisst stands before the altar on the left, and two other figures
are prostrate before it. More to the right are executioners, with
the ox, a group of men and two soldiers. A temple in the back-
ground.
The style recalls that of Nicholas Poussin, but characterizes the art of
Bertholet Flamael, who was thus inspired.
ANTOINE PONCHIN
Frencuo: ConTEMPORARY
134—_SUNSET ON THE LOIRE OF :
V3 ee Height, 491% inches; length, 78 inches - bre Ge,
A FisHine boat is moored in the left foreground, with two others ha
in shallow water on the right near the bank, on which is a row
of houses seen in the bright sunlight. In the left distance are
small yachts; beyond, the bank rises abruptly.
Signed in the right bottom corner.
SPANISH SCHOOL
SEVENTEENTH CENTURY
185—PORTRAIT OF ALOYSIUS IKLLZZ Oprue Age...
/ Ha + _ Height, 8014 imches; width, 477 inches ¢
Fut length, life size, in armor, the right hand grasping his
lance. ‘The same man is seen on horseback in the right back-
ground. Inscribed in the right foreground:
“ALOYSIUS III COMPSIA
COMES V VENVSII
PRINCEPS PRIMUS” yv
Ve
Jo a dese AN
oo Shar Yat eh
FRENCH SCHOOL
SIXTEENTH CENTURY
: / ee
iss—porTRaiT or (Ut Sern
CHRISTOPHER DE LIGNIVILLE :
Pd 353 “— Height, 7434 inches; width, 50 inches
In a white and gold doublet, cloak and trunk hose, and gold chain.
A coat-of-arms high up on the right; inscribed low down on the
right: 7
“Christophe de Ligniville chevr de lordre du Roy, Conseiller et Cham-
bellan de S. A. Gnal de l’artillerie de Lorraine, A° de 28, 1564.”
RAOUL DU GARDIER
FRENCH
187—THE YACHTING RH Oe (J |
oF ¢ Height, 59 inches; length, 98 inches
A apy, dressed in white, reclines on the left on deck; more to
the right, a sailor talks to a man lying on top of the hatchway.
Signed in the left bottom corner.
LOUIS BEROUD
Frencu: 1852—
& om
188—_THE RUBENS GALLERY
IN THE LOUVRE MUSEUM
G
Height, 72%, mches; width, 7024 inches
& ef
: oa artist, with an attendant at his side, is painting the interior
of the Salle Rubens in the Louvre. Rubens’s pictures of “The
Marriage of Henry IV to Marie de Medici,” “The Marriage by
Proxy” and the “Triumph of Truth over Time” are seen on
the left. In the distance a view of the Salle Van Dyck.
Signed, and dated 1908, m the left bottom corner.
A characteristic work by this painter of French interiors. This gallery
was only opened in May, 1900. |
SCHOOL OF TIEPOLO
139—BANQUETING SCENE OUT, EGEGIEL
i
se Ot Height, 931% inches; length, 9834 inches
A Lapy in court attire is seated on the left; a dwarf stands by
her side; attendants are grouped behind her. Two warriors are
seated on the right. Architectural setting.
ATTRIBUTED TO GUIDO RENI
140—THE E IRT Z
SEVEN VIRTUES OPAL
io 2 —— H eight, 79 inches; length, 100 inches
Lire-sizE figures in a group. From left to right they may per-
haps be described as Justice, Hope, Prudence, Faith, Charity,
Temperance and Fortitude. They are seated on clouds and have
distinguishing accessories.
FLEMISH SCHOOL
SEVENTEENTH a Das
141—THE ADVENTURES OF PHILOPQiMEN
v6 2 8 co Height, 9314, inches; length, 11244 wmches
PHiILoP@MEN, a red-robed bearded man (B.C. 253-184), who is
famous as the liberator of his country, is busy chopping wood in
the left foreground; a woman places her hand on his arm. The
scene is set outside the house, the interior of which on the right
is hung with cooking utensils. A dead swan, deer, peacock, fruit
and vegetables in the right foreground.
CHARLES HOFFBAUER _
| _ Frencu: (Born 1875)
142—A FLEMISH RISING a
o ot 2 Height, 8214 inches; length, 12742
A croup of peasants, ill clad and armed with rude Bn. tr
disconsolately out of a bleak, snow-covered village. An old
stands at his garden gate on the left.
—
Signed, and dated 1902, in the left bottom m comer
Bénézit: “Dictionnaire,” 1910, p. 624,
BHUE AAG ART ASSOCIATION,
“Maxacens.,
THOMAS E. KIRBY,
AUCTIONEER.
AR
_ THEIR WORKS se |
a
LIST OF ARTISTS REPRESENTED AND
THEIR WORKS
CATALOGUE
on NUMBER
BASSANO (School of) |
Ecce Homo 49
The Buffeting of Christ 58
BASSETI, Marc AntTontio
The Ascension of Christ | 35
BASTIEN, THeopore JosErpH ALFRED
Portrait of a Sculptor, or of the Sculptor
Kerfyzer 67
BELLANGER-ADHEMAR, Pav.
Boats 54
BERAUD, Jean
The Adieux | 102
BEROUD, Louis :
The Rubens Gallery in the Louvre Museum 188
BIBIENA, FErRNAnpdo
An Architectural Design 72
BLANCHARD, Gapsriet (Attributed to)
An Allegory 113
BOGGIO, Emrz
Ploughing 74
BOLOGNESE SCHOOL
St. Anthony in Glory = 12
The Apparition of Christ See
A Plague-stricken City 70
The Last Supper if
The Way to Calvary 81
CANTARINI, Sone
The Last Judgment 3 18°
CARRACCI, ANNIBALE
The Dead Christ 64
CERQUOZZI, MicueLancELo (Attributed to)
The Adoration of the Magi 3 26
CESARI, Gruserre (Attributed to) |
St. John the Baptist 8
CONCA, SEBASTIANO
The Apparition of Christ to St. Camillus —
of Lellis 99
CORRADO, GIAcIntTo
The Madonna and Child with Saints and
Angels 30
CORTONA, PIETRO DA
A Prophet 85
A Prophet 86
A Prophet 87
A Prophet 88
CREO, Cristororo : ,
Faith and Time 101
i
a -
on
e
YF
: a
‘
3
=.
; |
ed
i
ga
Be
se F “f
te
DAUCHEZ, ANpRE:
Under the Oak Tree
DAVID, Jacques Louis (School of)
3 A Mythological Subject
DEL VAGA, PrErIno
A Roman Battle Scene
- DUTCH SCHOOL
Portrait of a Girl
FERRARA (School of)
Christ among the Doctors
FLAMAEL, Bertuo.er
A Pagan Sacrifice
FLEMISH SCHOOL
The Stigmatization of St. Francis
Christ on the Cross
The Adventures of Philopoemen
FRENCH SCHOOL
A Scene of Martyrdom
St. Sebastian
A Classical Subject
Portrait of Christopher de Ligniville
FRIANT, Emir
A Nude Young Woman
GARDIER, Raovut pu
The Yachting Party
CATALOGUE
NUMBER
63
82
109
10
79
133
25
46
141
24
83
95
136
107
137
GARRIDO, LEANDRO Ramon |
The Art Critic
GHISOLFI, Giovannt ~
Pyramid of Caius Cestius
GIORDANO, Luca
A Study for a Ceiling Painting
GRANER-ARRUFI, Lovis
Meditation
GUERCINO, Francesco
Christ in Glory
GUERRINI, Giacomo
The Last Supper
GUIGNERY, GustTAveE ALFRED
Moonlight
HIRSCHFELD, Ei.e BENEDICKTOFF
The Storm te
HOFFBAUER, CHartezs
A Flemish Rising
ITALIAN SCHOOL
The Nativity
The Apparition of Christ
The Baptism of Christ
A. Classical Subject
Flora
A Saint in Glory
CATALOGUE
NUMBER
ITALIAN SCHOOL—Continued
A Classical Composition 48
Portrait (supposed) of Piero Vettori 55
The Courtesan (called “The Flagellation”) 59
The Assumption of the Virgin 80
Christ Preaching 84.
A Biblical Subject 97
The Four Doctors of the Church 106
JOUVENET, JEan
} Abraham Sacrificing Isaac 41
KNELLER, Sm Goprrry (Attributed to)
ae Portrait of a Man 96
LAGRENEE, Lovuts Juan FRANCOIS
Nymphs. and Satyrs 73
LAMPI, Jowann Baptiste
The Death of Achilles 93
LANFRANCO, Giovanni
The Assumption of the Virgin ARS
LEBRUN, CuHartezs
A Study for a Ceiling Painting 111
LEBRUN, Cuartrs (School of)
Michael Pursuing Lucifer 132
LE MOYNE, Francois
The Assumption of the Virgin 40
LE SUEUR, EvustacHe
Monks in Contemplation
Monks in Contemplation
LOCATELLI, ANnpREA
Abraham Driving Forth Hagar and Ishmael 23
MacCAMERON, Rogpert LEE
The Habitués Bee
MANFREDI, Bartrotommero |
The Education of the Virgin 75
MARATTI, Carto
The Holy Family 76
MAZZUOLA, GrroLamo
The Madonna and Child with Saints 29
Holy Family 298
MORO, Antonio (Attributed to)
Portrait of a Nobleman : 116
NEAPOLITAN SCHOOL
The Madonna and Child 108
Vanity | 131
NORTH ITALIAN SCHOOL
Portrait (supposed) of the Duchess of
Modena 60
The Death of Hero 62
The Woman Taken in Adultery 117
PICARD, Louvuts
~The Violet Girl
__- PIEDMON'TESE SCHOOL
a St. Onofrio (7?)
PONCHIN, AnrToINnE
Sunset on the Loire
Ls ie og eS, fe a 7
* ve :
Ps \
A ‘> 7] z
PRETI, Marria
Cain and Abel
RENARD, Emie ~
‘ 2
} : :
4 ee
4
ve...
i :<
pe
: aa
: - ital
an
: .-
ee
’ 4 -
Ff
=
a
+
= 2
| ——. “
Te
es -4
.- ;
zr
¥
=" ’ 7
: =
BY
£- -
#
; ey:
al
i
*
Their First Communion
RENI, Guino (Attributed to)
The Seven Virtues
4 8 Fe, ay, Fe
RICARD-CORDINGLEY, G.
Night in Cancale
RICCI, Marco (Attributed to)
St. Anthony in Glory
RICCIARELLI, DANIELE
The Descent from the Cross
RIEDER, Marcer
The Trio
ROMAN SCHOOL
St. Peter, in Prison
St. Matthew
St. Mark
Breakfast of the Orphans on the Day of
CATALOGUE
NUMBER
44
43
134
68
140
39
20
50
31
i
ROMAN SCHOOL—Continued
St. Luke
St. John
The Assumption of the Virgin
The Madonna and Child, with St. Anthony
of Padua and Catherine of Siena 19
The Assumption of the Virgin Be
Portrait of an Ecclesiastic 112
ROSSET-GRANGER, Enovarp :
Curiosity 37
RUSINOL, Santiaco
The Garden 110
SACCHI, ANDREA
St. Gregory the Great during the Plague 32
SEVILLE (School of)
The Nativity _ 94
SIRANI, Giovanni ANDREA ae
The Nativity 14
The Holy Family |
SOLIMENA, Francusco
The Madonna and Child 33
SPANISH SCHOOL
St. John Nepomucen 27
The Madonna and Child 34
Christ Bearing the Cross AT
A Musician 56
The Glutton 57
Portrait of a Gentleman 65
Portrait of Aloysius ITI 135
EPOLO- (School of )
aes tae | Study for a Ceiling
| a Soon Scene
ORETTO. (School Of)
“The a of Poetry
~ Christ i in the House of Mary and Martha
aa DYCK (School of)
ee *Christ in the Tomb
VAN LAAR, PIETER
~ Returning from Market
VAN VEEN, Orro
I—Christ Riding into Jerusalem
Apostles
I1I—The Betrayal
IV—Christ before the Judgment Seat
V—Christ Bound
TWELVE SCENES FROM THE LIFE OF CHRIST
II—Christ Washing the Feet of the
CATALOGUE
“NUMBER
66
38
103
Lid
139
105
15
118
119
120
121
122
om VIUL_Christ Meta
i CRP se is Buffeted
| X—Christ Carrying His
XI—Ascension .
XII—Pentecost
; 0 / ae i
4 ‘ rie
-
\
f
i
t
‘iii
,
" r
4 ri PY
. nF
plate eer rer oeeer. ht k hs 4 vad VC PERL AE "
[+5 * ig Orare a eee aT Tpke tear ae Me Matas, > AD)
Tarare? ea? Py MET It Pasar bf ek OO, +e *.?
»* Pe 1 te + * ay a 4s 2 ¥ nip eee tet 44 ¢ U : y
aed a'e eas ‘ a t ‘ ‘ Ri
‘ — a Te" $3 ¢ “*
? ae siete , '
. e > * bi . ‘
<2 ie @ etree.” ‘
‘ o:4.? >! . w¢ ke
, " Firs 8 Hee. rei ‘ : Moe |
Ve ae ,
* . 9 ra ee
<4 > =e} 4 . % rn 4 >
arece 478 $)eL* ee OO é : 4 % }
IRL Pas ee heat DOCTOR rte Se DT Be ; eit: é i .
#4, ar 44 ; +e" < 4 ¢ z
DAs ne BOLT ee Bi Nh ae tea 9 . e : +
ae aY ATM: ’ aie" ' .
ee fertrale: fe t , " s
5 ete
:
if é ‘ ’
t ’ ' i
4 tf E
’ ‘ 2 :
7 ? " ;
\® seis
He 4 , ‘
Mite: ih, ®
¥ TY : F t .
+ Py He) *,> ;
Mt PLY fh, —~ . -
raf ' 1,* ri
Line SL bat, hed
nk f Oy § wie) 1" , .
‘ ; SET Eg! ‘ Na oteen rt ae ix 4, :
4 hie) Oa & ticle ; see hy: Retin Rela!
Th A tee 62 Ye St PERT ALD 5 t eae Bi ch 3
pie eiaie 7 : vi ‘a4 ,
: 7s § ;
4) wv)? rye rae ta: »
. *4 ‘
[3 ‘ ; Te
rai ¢ rere
im) Me ta.
: * + M a?
a7 = 7) eh, ara ies i i
‘ i . . } res | ‘ “ty
bE aL Teitetigied eR Shiota th 9 baci :
} Me f eb hy : te 434 4.9)
: pia’ » 5 RPSEH ERE pe abah ee! i wee 3
Ae rraraies es Pete ALL ats ¢
Lee bee TI ivi? ate. j
? $F, eye shit ry ty Hiteredatys aera 7
; reeeete re Peaks a haR ie te BE tae
tage Tages stat j i +) Tp teta ey ny :
eitrt Fa es
Sore ace
: ‘2ke
nel Veh 7.8
¢
: eres Af
praltereats te caiat
Sea earerer cle hr eels
rer er ye heks inl}; :/ Tae
SMiME ence Netetes
mabss te aoe ae he
case re Tee pet ii rhe st tt ek ek
i? ere tials ae hy shits fptete ts:
+4 fossirisdrtiniares + ate ; oT tt)
i 5 7+
ae
wel
later
. Pept AS tee BF Se SS .
paeiacs ited oie tit ile = he | pe Re Ret) i “aye Thea ert Ot . Ppt} er} ‘ ie ;
pa gase iy i fay rhe sue NRL Re anh We peegeyes? +ietyn? RAAT Metis Pach Gd ir ag ake Pe TERRE EE mE oy re reste it ‘ ih
aa tate Td edge pers ek ty al peleivatest a pible ay TUN Tdtees ler aie ele rt sedi ptar abies oi teak {OCT eel weihes { }
sree elt Saga ae sasneaanat iad HiT sattnenuunils Gti RINT eae Miserdteigie ssc sith Mt Brice
ae apaey! PERE RIT. Te) eie N 34. oH 9o0) jal exer’ ; Te aaes are PET a terest Mi tlti Me larcli lectin te yara5 hate * iat : 5
iqgeieier eet ite] Jyieie)e iietaalé js pee ort? 3) # ats pre ot at bh Eee eee Ds Pe sea ere hi TLE, teh fs Tal is MM earte hs eat hit, Theat be tae
ate de rraittele TOTEM Raia reise Hatiat ey Tea bce" sab heSAD Lita te Tagg lave tie eities pater reat ss MRO Caa tata rqiae Sts tatate TA eck, hy :
yPAtOTaT tMALACHLGED eas TaR SHS LRRDO SN SOSEHAIS ADRES PE PSPyEMt OTL PR OCHUACARERSLOLSS RSE COND Sn
rarer erat AbD tateren sfaquigiel Oley Ht PATEL DA erie 9 me hy yeh heal RiSre Ee Phe ese arta fe a? t Tieavaracdet hh:
; ad P She lel Rhee 64505 erase eles asm ents # iF ah eieth Telesis DEAE AT ET OE PAL eS UM, 24a t OO Id Ni dage: Pay far? Nk
Hee faie He ii { q % Raith insurer ates A eifaat XSi Soa unre
tarecaata tly ele satatieat Saharan
SRSA EE I RO
oat Lyd eae Vie eee OL 1S x ’ lppae & -
iaaleteutateteniteast eta tan (iaciesents. fiat an ares AN
* Pte OF VER Te ra! i 1 THO alt $ ' Pme Ss ae Me
he: ait pat
Lead
; Tag ;
rh Gtishe ah . bee. ‘ i 5
La bitst
baat ia
Lee
' J
en
44h i ‘
. 3
asa
is H! anitith isi He HG ut
siteaatvancnnsatetith
=
ieee F
a5
te
rt ts ‘pire
eareses Br Sees
ae
ves
.
Sie Wee
€ oe mae
eek Thad oe
Asari tatsat
eee
Ss
ee
al
tate! -
es
=
ae ee
='s :
Qe a -
meer erat bak
HY p AY 7a Ht ayes
Se Pat Pore Cyataeay
4
fi
‘ vay pi
f= Vth 9G ~. fe
Ore By
Pit ea
aio
ry :
fe inp a
rer pers
+] i +. ay. 1
-
3
a
rie ete
Soe 5
Sy a ee BEY
baxee
st
OS eee Ee
oa
ie eee xs
Fmt Re her a OT at
ot ee lt era wr ee
St rd SainRnn de M-den some B
> eee ee =
te ae oa
Capa abe
ae as
ie
> Be
ay
2
Peta)
sey.
ee ee
a oe oe
A
y =e
f
v3
wed
—
»
Ak
b i hin!
ty Bate ieee d ;
rate tt ATRENES CA DANES Fa Mue te EE
Hire THR Net Senn era
Hage ata pty im te a H i i ‘4 : EMA Tero er hot bier
< ; » j sable Lt 13 t 5 Hh Tae,
Tricsdae bitch be not) hy iy : os et Fbect sities
ewan let i Pied: aye) brat) f rev aial
ae hy
agtatye sty: trier,
} b 3 i if
ee
2
Aim oh aE po ne a ayes?
Sel Me a te
“eA lt
4
eter
aera
“Tait
arte tts al arte
pal ew
ie eaak ed
hed,
dt
week
rn tl osb
ny?
F
4 3
2
. S 4
y A a ee hereon = Sen ae eee
. aa Y ae ee
a » ae
. - Pete wif SE pei ne a ke
1 ri a < 5 a Be eA at
: Fe dna eee - == a_i
Tea - - aes dhe Seer tars oe — or
fad 7 eet: . < © Puen te + eS -
ie) esd
* PY a * ele i i , : . Ml
eter HEME IRE Ee
Heine Nat RI ni ih
Lani st Hane i Haile
eats WEAR Mahe brea pera cai ' ' ;
Laven uty ait i | ae
ot eeeta eMUTAES GT ARR at adi ut
HRA RT ty iit i ‘
43 is hedgarenanetss i {
iw ‘
: 5
4
Pll mt Ty aap,
Al aa en Si
ea te Ea
ate on™ >
eee a =
ed 4
= pe
—
SO ee et