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 Catalogue 
 
 of a 
 Collection of Rare and Valuable 
 Engravings and Etchings (some 
 | finely colored by hand), compris- 
 ing many choice examples of the 
 great masters, Fine Early Views 
 of New York City, Portraits of 
 Celebrated Personages, American 
 and Foreign Views, etc., etc. 
 
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 For Sale at Auction © 
 
 Tuesday Evening, May 28th, 1901 
 
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 MMMM scciutsitinittinn Set 
 Sale begins at 7.30 o'clock 
 
 \ONSEPORIEORE f 
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bids, the lot shall be popiediateie re-sold. ‘ 
 2Books are sold per volume, other articles per piece, Be . ‘ 
 otherwise stated in Catalogue, and bids must be made 
 cordingly. 
 3—Deposits, in part payment of the purchase-money, must b 
 made, if required. 
 4—Goods for City purchasers must be removed at ther own S 
 expense, within 48 hours; those for out-of-town p r- nee 
 chasers, ee one shige in | default = which, the Au : 4s 
 
 benefit of the owner. 
 5—Bids will be faithfully executed by the Auctioneer, wine a: . 
 out charge, and will be used only in competition. All un-— * 
 limited bids should come through Agents. ; “ 
 6—Books are presumed to be perfect, unless otherwise stated. 
 To purchasers who have had opportunity for examination, 
 they are sold as they are. On mail orders, an intelligent 
 discretion will be used as to purchase. Imperfect books _ 
 (not so described) may be returned within three days. 
 Y-—Claims for errors must be made within three days of receipt 
 of goods. y 
 8—No charge is made for the Catalogues sent, nor for the‘send- 
 ing. Nocharge for packing, but there will be a nominal — 
 one for boxes and cartage. 3 ; 
 9—To prevent confusion and inaccuracy, customers are re- ; 
 quested to refrain from calling for ees of goods dur- 2 
 ing the sale. - ies: 
 10—Terms Cash. Bills to be paid bateee delivery of goods; : oe 
 when ordered from out-of-town, upon receipt of goods. — ) 
 
 JOHN ANDERSON, Jr. 
 34 West 30th Street, ; 
 New York City. 
 
- 
 
 CATALOGUE 
 
 AS: eno AND THE ANGEL, after Gubbiani, by 
 Bartolozzi (slightly stained and margins cut off); 
 Christ and the Cross, by Bolswert, after Vandyck (cut down 
 and slightly stained); Rare View of the Interior of Hampton 
 Court, showing Raphael’s Cartoons (slightly damaged), and 
 others. 4to and 8vo. (15 pieces) 
 2. ACTORS. Owen McSwiny, Actor and Manager. Rare 
 mezzotint portrait by J. Faber, 1752, after Vanloo. 4to. 
 
 3. ADMIRAL LORD RADSTOCK. Fine engraving by Thomas 
 Landseer, after Hayter, 1820, proof; Jenny Lind, lithograph 
 by Brandard, colored; Raphael’s Portrait of Dante by Cam- 
 panella, fine impression (slightly touched by damp). 4to and 
 folio. (3 pieces) 
 
 4. “‘AFTER THE BALL.” Fine Genré Chromo Picture by 
 W. Heydemann, carefully colored, 1895; Study of a Woman 
 and Child, fine colored lithograph. Folio. _ (2 pieces) 
 
 5. ANCIENT GREEK CITy, by Appleton, after W. Linton; 
 A Bazaar in Cairo, proof; Italian Scene after Turner, proof; 
 Fine steel engravings. Folio. (3 pieces). 
 
 6. ANDRE. The Capture of Major André. Line Engraving, 
 by Smillie and Hinshelwood, after the painting by A. B. 
 Durand. Folio. 1846 
 
 7. ANGLING. Sketches by a French Artist. 12mo. (18 pieces) 
 
 8. ANNE BOLEYN, by Houbraken, 1738, after Holbein; 
 Queen Elizabeth, by Vertue; Duchess d’Angouléme, by 
 Audouin, brilliant impression; and other portraits. 4to. (7 pcs.) 
 
 9. ANSELL (C.) Two pretty illustrations after this artist, 
 drawn on copper and tinted in the style of Bartolozzi, by 
 Edward Scott. Oval 4to. 
 
 10. AuToGRAPHS. Mary Howitt. A. L.S. 3 pp. 8vo. 
 
 Nottingham, 1855 
 
 11. —— George Wyllis, Secretary of Connecticut, 1734 to 
 1795, and Colonel in the Revolution. Two documents, with his . 
 signatures, dated 1786 and 1791. (2) 
 
 12. —— Jesse Roots, Chief Justice of Connecticut, Member 
 of the Old Congress, and Officer in the Revolution. Summons, 
 signed. 2 pp. 4to. 
 
 13. —— Robert Dale Owen, Motto and Signature. 1 p. 8vo. 
 Dated from New Harmony, Ind., Nov., 1875, with newspaper 
 cuttings concerning his death. 
 
 14. —— Thurlow Weed. A.N.S. 1 p. 8vo. With news- 
 paper sketch of his life. 
 15. —— William Cobbett: a Political Programme in his 
 
 handwriting. 1 p. 4to. 
 
 16. Miscellaneous Parcel, containing numerous signa- 
 tures of Revolutionary Officers; two Confederate Documents 
 signed, and an Autograph Confederate Song; A. N. 8., by 
 Samuel’ Adams Drake; Maryland Judges and Celebrities, 
 letters, etc., signed, dating from 1803; A. N. S., by Parke 
 Godwin, etc. (As 100) 
 
2 
 17, BAALBEC, by John Pye, after David Roberts; Trent 
 in the Tyrol, by J. B. Allen, after Sir W. Callcott. 
 
 Fine steel engravings. Folio. (2 pieces) 
 
 18. BACCHANALIAN (A), after Rubens, by Cypriani and - 
 Fauci, fine original engraving on copper, 4to. . . . Boy- 
 
 dell, 1768; Ancient Roman Rite (Flagellation), by Pisarri, after 
 Carracci, on copper, early impression; and others. 4to. 
 . (5 pieces) 
 19. BARBIERI’S David with the Head of Goliath, fine engray- 
 ing by Lorenzini; Verdier, Apparition de l Ange, by Haussart; 
 David and Goliath, by Torelli, engraved by Camerata; and 
 others. Early and original impressions. 4to. (7 pieces) 
 20. BARTOLOZZI. Two pretty tinted Medallion Vignettes, 
 by Bartolozzi, 1798; another, by Ryder, after’ Westal, in the 
 same style; Greek Vase, by Heath, after Stothard; Sleeping 
 Women, etching by Laurent. Early impression. 4to. (95 pcs.) 
 
 21. —— Fine impression of a drawing after Cipriani, 
 colored, 1776; Study of a Head, colored, unsigned; and two 
 others. 4to. (4 pieces) 
 
 22. Two oval tinted Vignettes, 1798; and two others in 
 
 the same style, by Marcaurd, after Cipriani. 4to. (4 pieces) 
 
 23. BIBLICAL SCENES. Fine steel engravings, after Raphael, 
 David Roberts. Picart, Vanderwerf, Rubens, Da Vinci; and 
 others. 4to. (48 pieces) 
 
 24. BLAKE (WILLIAM). Original Water-Color Drawing. 
 Group of seated figures, in the centre a female with hair 
 floating in the wind. Good specimen. 
 
 This drawing was exhibited at the Boston Fine Arts Exhibition 
 1891, and formed portion of the well-known West collection. It is 
 the ORIGINAL DESIGN for the headpiece of page 5 of ‘‘ VISION OF THE 
 DAUGHTERS OF ALBION,” published 1793. 
 
 25. Boors aT Carps, after Teniers, by Goldar, early copper 
 engraving; La Féte des Rois, fine engraving, after Metzu, by 
 Thelott; two copper-plate engravings, after Coypel, to illus- 
 trate Don Quixote. 4to. (4 pieces) 
 
 26. BROOKLYN IN 1854. Fine steel engraving, after B. F. 
 Smith, by Wellstood and Peters, and published by Fern & Co., 
 N. Y. View taken from the river and embracing the whole 
 of Brooklyn as it then was, and showing many of the old 
 buildings (margin stained). Ina neat frame, 4344 in. x 35 in. 
 
 27. BunBuRY (J. W.) The Delights of Islington, etching, 
 1772; The Damnation of Obadiah; and miscellaneous, political 
 and humorous caricatures by various artists, three colored. 
 8vo and 4to. (11 pieces) 
 
 28. BURDETT (SIR FRANCIS). Fine engraved portrait by 
 William Sharp, 1811, from the painting by Northcote made 
 during his imprisonment. Brilliant impression. Folio. 
 
 29. BURIAL OF CHRIST, by Cochin, tinted; the Gods Instruct- 
 ing aSon of Jupiter,after Oudry ; St. Jerome, after Spagnoletto, 
 etching; and other engravings on copper. 4to. (14 pieces) 
 
 30. BURNS (ROBERT), Fine engraved portrait on steel, after 
 Nasmyth, by W. Walker, same size as the original, folio, 1842; 
 Gen. Graf Carl van Alten, auf dem Schlachtfelde von Water- 
 loo, tine mezzotint by C. F. Hornemann, atlas folio. (2 pieces) 
 
 4 
 
rs 
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 ol. ARAVAGIO. Death of the Virgin; Vandyck’s The 
 Dead Christ; Rembrandt’s Jacob; and_ others. 
 Etchings and engravings. Fine impressions. 4to. (6 pieces) 
 32. CARDINALS. Portraits. Cardinal Bellarmine, by Bolswert, 
 fine impression (margins trimmed) ; Cardinal Spada, by Cluet ; 
 and others. Engraved on copper. 4to and 8vo. (11 pieces) 
 33. CARICATURES, Political Squibs, etc., in the Style of Row- 
 landson and Gilray, mostly colored by hand, and including a 
 portrait of George Wilson, the famous pedestrian, finishing 
 his 600 miles walk. 4to and 8vo. (11 pieces) 
 34, CARICATURES OF Society. Amusing Caricatures of So- 
 ciety Manners and Proverbial Sayings; English by Sharpe, 
 French by Pigal. Lithographs, colored by hand. 8vo (one or 
 
 two duplicates. Circa 1820-80. (22 pieces) 
 35. CHARLET. ‘‘ Elle a le Coeur Francaise,” scarce original 
 lithograph by Fromentin, after Charlet; View of Glenfinlas, 
 lithographs by R. P. Bonington; and others. (5 pieces) . 
 36. CHINESE. Colored prints on rice paper; Scenes; Artist's 
 Painting; Women’s Costumes; etc. 4to. (12 pieces) 
 37. —— Another lot, colored, including a singer, domestic, 
 scenes, etc. (12 pieces) 
 38. —— Another lot. (9 pieces) 
 39. —— Another lot. (10 pieces) 
 40. —— Another lot, including view of a Chinese House 
 and Garden, Chinese Dancer, etc. (10 pieces) 
 41, —— Another lot. (12 pieces) 
 42, —— Another lot. (11 pieces) 
 
 43. CHRIST WALKING ON THE SEA, mezzotint by R. Mitchell, 
 after Robert Scott Lauder, 1854; The Saviour, by G. S. Shury, 
 after Henry Barraud. Folio. (2 pieces) 
 
 44, CLauD. Early etchings, after Claud, by Barriére; and 
 others. 4to. (6 pieces) 
 
 45. CLAY (HenRy).° Fine mezzotint full-length portrait, by 
 H. 8. Sadd, after J. W. Dodge. Folio. 1843 
 
 46. CUMBERLAND (DUKE OF), line engraving by l’Empereur, 
 after D. Morier, 1751; Francis Beaufort, mezzotint by Jas. 
 Scott, after Stephen Pearce, proof; Vandyck’s Charles I., and 
 Henrietta Maria, 1634, fine impression (repaired); Francis 
 Baily, mezzotint by Lupton, after Phillips. Folio. (4 pieces) 
 
 47. ‘Tue LEADER OF THE PARISIAN BLOOD RED REPUBLIC, ” 
 1871, clever etching by George Cruikshank, colored, fine im- 
 pression, inlaid; also, two early English Political Caricatures, 
 1821 (reprints), colored. (3 pieces) 
 
 48. Die (W.) View of the United States—Historical, 
 Geographical and Statistical. Numerous colored 
 maps. Thick 12mo, half cloth. Phil. 1828 _ 
 49. DA ViINcI (LEONARDO). His Famous Painting of the 
 Last Supper, finely engraved on steel by A. L. Dick. Proof. 
 Atlas folio, in mat. 
 50. DELAROCH#s (PAUL). Famous Painting, ‘‘ Les Girondins, ” 
 finely engraved on steel by Eduard Girardet. Brilliant im- 
 pression (margin slightly stained). Atlas folio. Paris, 1858 
 
' 4 < 4 
 
 51. Democritus, the Laughing Philosopher, etching after 
 Coypel; Fine Portrait on copper of Alvarez of Toledo, after 
 Rafael Mengs; Head of Bartolo Sassoferrato, after Raphael; 
 Admiral Gambier, engraved by Bartolozzi; and others. 4to 
 and folio. (23 pieces) 
 
 52. DESCENT (THE) FROM THE Cross. Fine line Engraving 
 by Dorigny 1710, after Ricciarelli Large folio (margins 
 trimmed). | 
 
 58. DEUCHAR (D.) Collection of Etchings, after Eminent 
 Masters of the Dutch and Flemish Schools, particularly Rem- 
 brandt, Van Ostade, Cornelius Bega, and Van Vliet, with — 
 original designs. 167 etchings mounted in 4to, half morocco 
 (clothing slightly spoiled). Edinburgh, 1803 
 
 54. DoMINICHINO. David Dancing before the Ark, and Judith 
 “with the Head of Holofernes, fine and early engravings on 
 copper by Jacob Frey; Early Engraving by Dorigny, after 
 Carlo Maratus. 4to. (3 pieces) 
 
 55. DouaLas (EpwIin). ‘‘Alderny,” and *‘ Evangeline.” 
 Fine Steel Engravings by A. C. Alais. 1882-4 
 
 56. Drama. Lablache as Falstaff, fine lithograph by Sala- 
 bert on India Paper; Madame Malibran, Lithographic Portrait 
 by C. Basche; Ellen Tree as Ion, on copper, by Dick; ‘‘ Captain 
 Macheath,” mezzotint by Ward, 1882. Ato. (4 pieces) 
 
 57. Scene from the Beggar’s Opera, from the painting 
 by G. Clint, engraved by Conrad Cooke, and giving portraits 
 of Mr. Blanchard as Peachum, Mrs. Davenport as Mrs. 
 Peachum, Miss M. Tree as Polly. On India Paper. 4to. 
 
 58. Lady Macbeth. Fine copper-plate engraving by 
 
 J. Parker, after Westall. Colored by hand. Scarce. Folio. 
 Lond.: Boydell, 1800 
 
 59. —— Fanny Wyndham. Fine colored lithographic full- 
 length portrait, in character. By W. Taylor, after A. E. 
 Chalon. Folio. Lond. 1838 
 
 60. Faucir (HELEN) and JENNY Linp. Fine litho-. 
 graphs. Folio. Sc (2 pieces) 
 
 61. Portraits from the ‘“ Interviewer’s Album ”—C. R. 
 
 Thorne, Cornelius Matthews, Anna Bishop, and others. 8vo, 
 some duplicates. (61 pieces) 
 62. Digging and Delving. Song sung by Mr. Incledon 
 in his Entertainment, with a carefully-drawn illustrative en- 
 graving on copper, colored by hand, 4to, Lond. 1806; with 
 other scraps. (4.pieces) 
 63..—— Garrick as King Lear. Fine mezzotint by J. Mc- 
 Ardell, after B. Wilson. Brilliant Impression. Folio. Scarce. 
 Lond. 1761 
 64. —— Mr. Bannister, Junr., and Mr. Parsons as Scoul and 
 Sheepface in the Village Lawyer. Mezzotint by J. R.: Smith, 
 after S. de Wilde. In frame, 31 in. x 24% in. 
 65. Reminiscences of Thomas Dibdin, of the Theatres 
 Royal, Drury Lane, Covent Garden, Haymarket, etc. 2 vols. 
 in one. &8vo, sheep (cover loose). N. Y. 1828 
 66. DyCKMAN’s Famous Picture of the Blind Beggar. Fine 
 steel Engraving by W. H. Simmons, 1860. Brilliant Im- 
 pression. In neat frame, 33 in. x 30 in. 
 
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 67. ARLY AMERICAN NEWSPAPER. New York Ga- 
 zette and General Advertiser, Monday, Sept. 27, 
 1813. 4 pp folio (front edges frayed). 
 ens long and detailed account of Perry’s Victory on Lake 
 rie, 
 68. The National Intelligencer, Washington City, Tues- 
 day, June 29, 1813. 4 pp. folio (fine state). 
 
 Contains, by Lieut. Budd, commencing: ‘The unfortunate death 
 of Capt. Jas. Lawrence and Lieut. Augustus C. Ludlow has rendered 
 it my duty to inform you of the capture of the Jate U.S. Frigate 
 ee. Also account of the capture of Hampton (Va.) on the 
 
 th inst., ete. 
 
 69. EDWIN (D.) Peter Francisco’s Gallant Action with 
 Tarleton’s Cavalry in the Revolutionary War, 1781. Fine cop- 
 per-plate, after Warrell and Barralett. (Reprint. ) 
 
 70 EGYPTIAN (THE) OBELISK in the Piazza St. John Lateran, 
 Rome, fine copper Engraving by Piranesi; Lithographic View 
 of the Thames Tunnel, London; Newstead Abbey (Lord By- 
 ron’s Home), fine mezzotint Engraving. Folio. (3 pieces) 
 
 71. EMBLEMATIC Print on copper, after Angelica Kauffman, 
 by J. Collyer; La Sculpture by Friquet, after Peter Schenck; 
 Mercury by P. Simon, after Pietro da Cortona; and others. 
 4to and 8vo. (15 pieces) 
 
 72. ErcHines. Notre Dame, Paris. By C. Meryon. Rare 
 Etching. Folio, in mat. 
 
 73. —— Le Pont au Change, Paris. By Meryon. Rare 
 Etching. Folio, in mat. 
 74, -— Galerie de Notre Dame, Paris. By Meryon. Rare 
 Etching. Folio, in mat. 
 75. —— Rustic Scenes, Landscapes, Ruins, etc. Etched by 
 F. E. Weirotter, Paris, 1760. 8vo. (20 pieces) 
 76. —— Another lot, similar. 8vo. Paris, 1760. (20 pieces) 
 77. —— Another lot, similar. 8vo and 4to. Paris, 1760. 
 (20 pieces) 
 78. —— Another lot. 8vo and 4to. (20 pieces) 
 79. —— Another lot. 8vo and 4to. (20 pieces) 
 80. —— Les Douze Mois de |’Année. A Series of 12 Etch- 
 ings by Weirotter, after P. Molyn. 8vo. Paris, 17— 
 81. —— Another lot, similar, including a fine etched por- 
 
 trait of Weirotter by Schmuzer. 8vo and 4to, Paris, 1760. 
 : (20 pieces) 
 82. ——- Another lot, similar, including a fine etching of a 
 Village near Brussels, after Basan. 8vo and 4to. Paris, 1760. 
 (25 pieces) 
 83. Another lot (including a View in Flanders by Boy- 
 dell, after Teniers). 8vo and 4to. (15 pieces) 
 84. ETCHINGS AND ENGRAVINGS ON COPPER. Various Sub- 
 jects by Carlo Maratus, John Visscher, John Smith of Col- 
 chester, and others. Early and original impressions. Various 
 
 Sizes. (39 pieces) 
 85. —— After Lanfranco, Rubens, Palma, and others. 4to 
 and 8vo. (81 pieces) 
 86. —— After Raphael, Michael Angelo, Marco da Ravenna. 
 
 and others. Mostly 4to, (8 pieces) 
 
6 
 
 87. ETCHINGS AND ENGRAVINGS ON COPPER. Landscapes by 
 Rousseau, Titian, Both, and others. Early impressions. (28 pes.) 
 
 88. —— Hercules and the Centaurs, after Caravaggio; 
 Madonna, after Titian; and others. Early and original im- 
 pressions. (8 pieces) 
 
 89. After Van Ostade, Hogarth, Teniers and Angelica 
 Kauffmann. Early impressions. (10 pieces) 
 
 90. —-- After Salvator Rosa, Paulus Naldinus, S. Voiiet, 
 and others. 4to and 8vo. (30 pieces) | 
 
 91.— After Gerard de Jode, Caracci, and others. Various 
 sizes. (19 pieces) 
 
 92. —— After Van Dyck, Rubens, Laurent de la Hire, Bar- 
 bieri, and others. 4to. (14 pieces) 
 
 93. —— After Bourdon, Rembrandt, John Strada, Michael 
 Angelo, and others. 4to and 8vo. (18 pieces) 
 
 94, —— After Cosway, Carlo Maratus, Coster. Gribelin, and 
 others. Miscellaneous lot. Various sizes. (40 pieces) 
 
 95. EUROPEAN Views. The Parthenon at Athens: the 
 Alcazar, Seville; Granada; Saint Sulpice, Paris; and others. 
 
 Heliogravures and steel engravings. 4to (some stained). (10 pes) — 
 
 96- Dunkerque, Cairo, Leyden, Dresden, Whitby Abbey, 
 St. Mark’s, Venice; and Wiesbaden. Lithographs and two old 
 
 etchings after Peter Schenck. 4to. (7 pieces) 
 97. Another lot. Containing Views of Pompeii, Pisa, 
 Lago Maggiore, Venice, etc. 4to. (17 pieces) 
 
 98. FACING THE ENEMY. By T. Doney, after F. W. 
 : Edmonds. Proof on india paper. Rare. Fol. 1846 
 
 99. Farp(THOS.) Home and the Homeless; and The ‘‘ Mither- 
 less” Bairn. Engraved on steel by J. B. Pratt and R. Josey. 
 Fol. 2 pieces. Lond. 1879-80. 
 
 100. FaED’s ‘‘From Dawn to Sunset.” Engraved on steel 
 by Samuel Cousins. Brilliant impression. Atlas fol. 1864. . 
 
 101. Famous AMERICANS. John Adams, on copper, 1823; 
 engravings on steel by Durand, Longacre, Buttre, Scriven, and 
 others, of Anthony Wayne, General Jackson, Washington 
 Irving, Daniel Webster, Edward Livingston, Thomas Jefferson, 
 etc. 8vo (slightly stained). (84 pieces) 
 
 102. Famous DivineEs. Portraits of the Bishop of Salisbury, 
 by Bartolozzi; Sydney Smith, by Freeman; Bishop Watson, 
 after Romney, by Meyer; Rev. W. Mason, after Reynolds, by 
 Scriven; and others. Engraved on copper. Large 4to. Lond.: 
 Cadell, 1810, ete. (21 pieces) 
 
 103. Famous FRENCHMEN. Fine lithographic portraits by 
 Mauraisse and Belliard of Talleyrand, Pichegru, Banas, Georges- 
 
 Cadoudal, Tallien, and others. Large 4to. (12 pieces) 
 104. —— Another lot. Including portraits of Marshal Mor- 
 tier, Camille Desmoulins, Toussaint L’Ouverture, Sieyes, Petion, 
 etc. (17 pieces) 
 105. —— Another lot. Including portraits of Malesherbes, 
 Lamennais, General Custine, Bailly, etc. (12 pieces) | 
 
 106. Another lot. Portraits of Marshal Bessieres. 
 Desaix, Suchet, Moreau, Ste. Pierre, La Perouse, and others. 
 Large 4to. (12 pieces) 
 
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 107. Famous FRENCHWOMEN. Fine lithographic portraits by 
 Maurin and others of Madame De Genlis, Madame Campan, 
 Mile. de Berry, Duchess d’Aumale, Princess Mathilde, etc. 
 
 Large 4to. (11 pieces) 
 108. FarapDay (?), fine folio mezzotint portrait, proof; Rev. 
 James Finlayson, mezzotint after Reddoch. 4to. (2 pieces) 
 
 109. Fimpinc (HENRY) Joseph Andrews, and Amelia. Iilust, 
 by Cruikshank. Bohn’s Editions. 2 vols. post 8vo, cloth. 
 Lond. 1877, 1882 
 110. FIREMAN’s Lire. Six Illustrative Pictures of Scenes in 
 a Fireman’s Life. Mostly under the Old System. Highly- 
 colored Lithographs by Currier & Ives, 1854. 
 
 111. FLemisH, ETc., PaINnTEerRS. Heliotypes of Famous 
 Painters by Jos. Maes: Sir Anthony More; Cornelius Schut; 
 Van den Broeck; Lucas and Cornelius de Wael; and others, 
 mostly of the Flemish school. 8vo, mounted. (63 pieces) 
 
 112. FRANCOIS THE ELDER (LUCAS). Rare Original Engrav- 
 ing of an Interior, after this scarce master, by Fletcher; 
 Susannah and the Elders, early engraving on copper by Du 
 Bosc after De Troy; and others, on copper. 4to and 8vo. 
 
 (14 pieces) 
 
 113. FRANKLIN BEFORE THE LORDS IN CouncIL. Fine Steel 
 Engraving by Robert Whitechurch after C. Schuessel, 1860. 
 Carefully colored by hand. Large folio. 
 
 114. FreNcH REvo.LuTion. A spirited series of etchings by - 
 Vinkeles, after Duplessis Bertaux and other Artists of the 
 Principal Events in the French Revolution and Directory. 
 Small 4to. . (75 pieces) 
 
 115. FritH (W. P.) Salon D’Or. Large Group Picture of 
 the Gilded Saloon at Monte Carlo. Engraved by C. G. Lewis, 
 1876. Large folio. Fine impression. 
 
 116. FURNITURE DESIGNS. Copper Engravings, with designs 
 of Cabinets, Chairs, Bureaus, etc. Carefully colored. From 
 Ackermann’s Repository, 1828. 8vo. (22 pieces) 
 
 11%: (ee ee SIR THOMAS PICTON, by Cooper, after 
 Shee; Marquis of Anglesey, by Meyer, after 
 Beechy; General Cathcart, by Bestland, after Hoppner; and 
 other portraits. Engraving on copper. Large 4to. (8 pieces. ) 
 Lond.: Cadell, 1809, etc. 
 118. GinRaAy (JAMES). LeTrésorier. Original print, colored 
 by hand. 4to. Lond. 1798 
 119. “‘GuapstonE Addressing the House.” Fine Photo- 
 gravure after R. Ponsonby Staples, giving portraits of Sir W. 
 Harcourt, Chamberlain, Balfour, Mundella, and other promi- 
 nent members, folio; Installation of the Nabob of the Car- 
 natic, 1846, engraving by F. C. Lewis (repaired). Folio. 
 (2 pieces) 
 120. GorETHE. Scene from Goetz von Berlichingen, by Carl 
 _ Becker, engraved on steel by T. Zimmermann; mezzotint by 
 Javet, ‘Russians carrying off Bulgarians ;” Crimean Expedition, 
 private plate by W. Walker; Group of the Aberdeen Cabinet, 
 with portraits of Palmerston, Gladstone, Earl Granville, Sid- 
 ney Herbert, Lord John Russell, and the others. Folio. 
 - (3 pieces) 
 
8 
 
 121. GREAT Frres, The Burning of Chicago, lithograph by 
 Currier & Ives, 1871; the Great Fire at Boston, highly-colored , 
 lithograph by the same, 1872. 4to. (2 pieces) 
 
 122. Great Musicians. Fine Lithographic Portraits by 
 Kurz and Allison, Chicago; of Bach, Beethoven, Meyerbeer, 
 Wagner, and Rossini. Large folio. (5 pieces) 
 
 123. Gurpo’s Beatrice Cenci, fine engraving by Caravaglia; 
 Raphael's La Fornarina, engr aved by Raphael Morhgen.  Bril- 
 liant and original impression. Folio. (2 pieces) 
 
 124. —— St. Peter, etching by De Wit; St. Jerome, by 
 Sabatelli; Holy Family,by Audran; and others. 4to. 14 pieces. 
 
 125. Fy AND-COLORED. Four beautifully-colored engrav- 
 ings on copper and steel, after Rubens, West, Sir 
 David Wilkie, and W. Hamilton (?). Small 4to. 
 
 126. HANDKERCHIEF OF 8. VERONICA, fine and early etching 
 by Troyon; Judith with the head of Holofernes, early etching 
 by Troyon; Saint Catherine, engraving by Basan; and others. 
 4to and 8vo. (10 pieces) 
 
 127. HOLBEIN’s Sir Thomas More, steel engraving; Ceesar 
 Borgia, after Titian, early impression (damaged); Antoine 
 Godeau, fine engraving, by Peter Landry; and others. 4toand 
 8vo. Mostly on copper. (17 pieces) 
 
 128. HOLLAND. Gezicht van Scheveninge; Gezicht van 
 Inkome in Gravenhage, two rare engravings on copper by H 
 Scheurleer, colored by hand. Folio. 1 
 
 129. Hoty FaAmILy, by Worthington, after Reynolds; The 
 Oxford Window; Flora, by F. Bleyswick; Agrippina, by Van 
 den Berghe, 1789; and others. 4to and 8vo. (7 pieces) 
 
 130. HoTEL DE VILLE, LOUVAIN. Fine lithograph by G. 
 Simonau, giving the whole of the architectural details; State 
 Opening of the Crystal Palace, London, lithograph by Louis 
 Hagbe. Folio. (2 pieces) 
 
 131. Hupson RIVER Steamboat ‘‘St. John,” lithograph by 
 Currier & Ives, 1864; Houses of Parliament, London, steel 
 engraving by J. Bannister; Bird’s-Eye View of the Seat of 
 War in Virginia, etc., by Sarony & Co., 1861, colored. Atlas 
 
 folio. (3 pieces) 
 132. Humorous. Etchings and Engravings on copper, circa 
 1820. to. (6 pieces) 
 133. HUMOROUS PRINTS AND CARICATURES. A miscellaneous 
 lot. (30 pieces) 
 134. Huntineton (D.) The Annunciation. Fine Steel 
 Engraving. Proof on india paper. Large folio. "1864 
 
 135. ieee GARDEN, etching by Meulen,after Genoels; 
 The Young Herdsman, by Lerpiniére, after Cuyp, 
 
 1788; Le Matin, by Le Bas, after Berghem ; and others. 
 (7 pieces) 
 
 136. IraLy. Lithographic Views of Milan, Naples, Florence, 
 Como, Palermo, etc, 4to. (20 pieces) 
 
9 
 
 13%. 7 ae iaeaas (ANDREW), Military Portrait, fine engitav- 
 ing by J. B. Longacre, after Thomas Sully: View 
 
 of the Bronze Statue at Washington, lithograph by B. F. 
 Smith. Folio. (2 pieces) 
 138. JAMAICA. Landscape, engraved on copper by T. Vivares, 
 after a painting by G.-Robertson. Brilliant impression. Folio. 
 Lond.: Boydell, 1778 
 
 139. JAPANESE PRINTS. Legendary Subjects, Actors, Cos- 
 tumes, Comic Scene, etc. Mostly well drawn and colored. 4to. 
 (12 pieces) 
 
 140. —— Another lot, including Chinese Actors, Garden 
 Scene, etc. (12 pieces) 
 141. —— Another lot, comprising execution of a criminal, 
 Japanese Jugglers, Japanese Warriors, etc. (23 pieces) 
 
 142. Jews WEEPING AT THE WALL OF JERUSALEM. Proof 
 engraving. Unsigned. Large folio. 
 
 143. JOHNSON (ANDREW). Fine mezzotint half-length Por- 
 trait, by Sartain. Proof. Folio. 
 
 144. —— Mezzotint by Sartain, 1865; General Grant, fine 
 woodcut, large folio, by Currier and Ives, 1885; President 
 Garfield, steel, by Dudensing, 1881; T. B. Florence, lithograph 
 by Newsam; J. A. Logan, lithograph. Folio. (5 pieces) 
 
 145. JOHNSON (ANDREW), SCHUYLER CoLFax, General R. E. 
 Lee. Mezzotints by Sartain and Walter. Folio. (38) 
 
 146. —— Another set of 3. 
 
 147. JOHNSON (DR.) Fine mezzotint Portrait, by W.Doughty, 
 after Sir Joshua Reynolds, 1793; RoBERT BURNS, Portrait on 
 steel, by T. Kelley, after Nasmyth. Folio. (2 pieces) 
 
 148. AULBACH. Homer und die Griechen, and Die 
 
 ; Kreuzfahrer. Fine and brilliant impressions. 
 
 ‘Engraved by E. Eichens. 1855-60 
 
 149. Krausse (A.) Allegorical Engraving. Proof on india 
 paper. Signed by the Engraver. Large folio. 
 
 150. te (?). Early colored print of Carnival Cos- 
 tumes: the Young Soldier, genré picture. Colored. 
 
 Ato. (2 pieces) 
 151. LANDSCAPE after Rubens, by G. Hubert; Dutch In- 
 terior, by Peter de Hooge: Ruins de l Abbaye de Saint Maur; 
 and others. Etchings and Engravings on copper. (9 pieces) 
 
 152. —— Two fine Etchings, after Rembrandt, by Wood, 
 1752, and Fortier, n. d.; Etching after Salvator Rosa, 1762: 
 and two aquatints. - (5 pieces) 
 
 158. LANDSEER’S (SIR EpwIn) ‘‘ None but the Brave Deserve 
 the Fair.” Fine engraving on steel by G. Zobel, 1870. In 
 frame, 23 in. x 19 in. 
 
 154. —— ‘‘ Waiting for the Countess.” Fine engraving, by 
 C. W. Wass, published by Agnew. In frame, 24 in. x 30%, in. 
 
 155. The Shepherd’s Prayer, engraved on steel by T. L. 
 Atkinson, folio; Raphael’s La Maddona dei Ansidei, fine en- 
 graving. Folio, (2 pieces) 
 
10 
 
 156. LanpsEER’s (StR Epwin.) Morning, Night, and High- 
 land Nurses. Engraved on steel by Thomas Landseer. Brillant 
 
 impressions. Large folio. (3 pieces) 
 157. —— Highland Drovers, on steel by J. H. Watt, fine 
 impression; The First Trial by Jury, by H. 8. Sadd, after C. 
 W. Cope. Folio. (2 pieces) 
 158. «The Otter Hunt.” On steel, by C. G. Lewis. Fine 
 impression, mounted on muslin. Folio. 1847 
 159. ‘The Maid and the Magpie,” by 8. Cousins, 1862; 
 
 Faed’s ‘‘ His Only Pair,” by W. H. Simmons, 1862. Steel en- 
 gravings. Fine impressions. Folio. (2 pieces) 
 160. ‘‘Pen, Brush, and Chisel,” engraved by Thomas 
 Landseer, fine impression, 1861; Thomas Faed’s ‘‘ Conquered 
 but Not Subdued,” engraving in stipple by J. J. Chant, 1866, 
 fine impression. Folio (2 pieces) 
 161. Laneman (C.) Adventures of an Angler in Canada, 
 Nova Scotia, and the United States. Jllust. (portrait dam- 
 aged). Presentation copy from the author to V. G. Audubon, 
 with autograph. Post 8vo, cloth. Lond. 1848 
 162. LEAR AND CORDELIA, by G. S. Hatfield, after Newton, 
 1845; Str ROGER DE COVERLEY AND THE GYPSIES, by C. Rolls 
 after Leslie, 1840. Fine steel engravings. -Folio. 2 pieces. 
 163. L’ART DE LA Mops. Reproduction en Noir et en Cou- 
 leurs de Costumes, d’Ameublements, etc. Fine woodcuts and 
 heliogravures colored in aquatint. Folio, half calf. Tome 
 Deuxiéme. Paris, 1881 
 
 164. Lz Brun. L’Assomption de la Vierge, fine engraving — 
 
 on copper by Simonneau, 1690; The Massacre of the Innocents, 
 mezzotint by Vindel after Kilian, circa 1670; Triumph of 
 Mordecai, by Parrocel after Rubens (?), etching. Folio. 3 pieces. 
 
 165. LE Brun’s Hagar in the Desert, engraved by Picart, 
 1707; Correggio’s Mater Amabilis, fine etching by Coelemans; 
 Fine Impression of an Etching after Gerard Seghers; and 
 others. 10 pieces. 
 
 166. Ley (SIR PETER). Portrait of the Duke and Duchess of 
 Lauderdale, mezzotint by R.Tompson; Peg Woffington, mezzo- 
 tint, 1875, proof. 4to. 2 pieces. 
 
 167. LINCOLN (ABRAHAM). Full-length mezzotint portraits 
 by Sartain, anda proof, by another artist. Folio and 4to. 3 
 pieces. 
 
 168. Full-length portrait on steel, published by W. 
 Pate: First Reading of the Emancipation Proclamation, group 
 picture with portraits of Lincoln, W. H. Seward, 8S. P. Chase, 
 E. M. Stanton, and others. By A. H. Ritchie, after EK. B. 
 Carpenter. Folio. 2 pieces. : 
 
 169. —— First Reading of the Emancipation Proclamation. 
 Group Engraving by A. H. Ritchie, after F. B. Carpenter, 
 giving portraits of Lincoln, E. M. Stanton, 8. P. Chase, W. H. 
 Seward, and others. (Margin stained.) In neat frame, 4344 in. 
 x 314 in. 
 
 170. -—— Proclamation of Emancipation. Designed and 
 executed by A. Kidder, Chicago. Engraved and printed by 
 C. Shober. Large folio sheet, containing the Proclamation in 
 script. Portrait of Lincoln and vignettes. 
 
 LS, ee 
 
11 
 
 171. LINCOLN’s DEATH BED. (By Littlefield.) Engraved on 
 steel by A. H. Ritchie. Proof, signed by the engraver. Large 
 folio. 
 
 172. LONGFELLOW. Fine steel engraving, by. ©. K. Burt, 
 proof; Sir Walter Scott, mezzotint, by Thomas Hodgetts, after 
 Sir Frederick Grant, 1836. Folio. (2 pieces) 
 
 173. SSS seep (GEN.) Fine equestrian portrait, en- 
 graved on steel, by W. L. Ormsby. Colored by 
 
 hand. Folio. 
 174. MaraTra (CAROLO). Fine emblematic engraving on 
 copper; A Similar, by Jaques Flipart, after Michel-Ange 
 
 Slodtz; and others. Folio, on copper. _(5 pieces) 
 175. MEDIAEVAL Germany. Etchings by Jean Marot and 
 others; and other old copper-plates. (6 pieces) 
 
 176. MELANCHTON (PHILIP), portrait by R. Houston; Ad- 
 miral Russell, by 8. Boyce; Duke of Cumberland, by G. Scotin, 
 1747; W. Defesch, musical composer, after Soldi, 1751. En- 
 gravings on copper. 4to. (4 pieces) 
 
 177. MENDICANTS, by J. Peake, after Bourgognone, on 
 copper, 1777; Dutch Merry Making, by Ryland, after Brucken- 
 berg, 1775; Le Chanteur en Foire, by Romanet, 1766; and 
 others. Engravings on copper. 4to. (6 pieces) 
 
 178. «“Mmexican News,” by R. C. Woodville, engraved 
 by Alfred Jones, folio, 1853, in nat (margin repaired); Cin- 
 cinnati, bird’s-eye ,view, proof on steel, about 1860 (slightly 
 stained), folio. (2 pieces) 
 
 179. ‘“‘MILKMAIDS GOING TO IZAAK WALTON,” on steel, 
 by J. J. Chant, after W. Field, 1875, folio; (Young) Izaak 
 Walton, engraved in stipple, by J. Faed, after James Sant, 
 folio. ; (2 pieces) 
 
 180. Minton IN His.Stupy, steel engraving, by James 
 Faed, after John Faed, 1859 (slightly stained); Large photo- 
 graph of Piloty’s famous picture of Nero after the Burning of 
 Rome, folio. (2 pieces) 
 
 181. MISCELLANEOUS. Paris Dress, 1804; Portraits of John 
 Randolph, William Penn, and Thomas Jefferson; View of 
 Wood’s Museum, Broadway, and other prints. 12mo and 8vo. 
 
 (33 pieces) 
 
 182. —— Original engraving, after Tintoretto. by Giacomo 
 Franco; Pastoral Scene, etching, after Van Bloom; and 
 others. (12 pieces) 
 
 183. Montcatm, by Varin, after Sergent; Surrender of 
 Cornwallis, by Hamilton (1790) (slightly damaged); Litho- 
 graph of a Girl’s Head. catefully colored by hand, in crayon 
 and water color; Portrait of Josephine; and others. (19 pieces) 
 
 184. MonTREAL. Tinted Lithographic View of the City, 
 about 1850, folio; View of St. Bernard’s Church, W. 14th St., 
 N. Y., lithograph, folio. (2 pieces) 
 
 185. Moore (THomas), fine portrait on steel, by A. G. 
 Campbell, after Sir Thomas Lawrence; The American Chris- 
 tian Union, composition picture, with portraits of 41 eminent 
 American Divines, engraved by Thomas Doney, 1855, folio 
 and atlas folio. (2 pieces) 
 
12 
 
 186. MORGHEN (RAPHAEL). La Fornarina, after Raphael, 
 original and brilliant impression; Princess of Saxony, after 
 Gozzini, original impression, folio. (2 pieces) 
 
 187. MovuLin (LE), par Ruysdael, fine etching (stained), 
 1774; Teniers’ La Fuite en Egypte, etched by C. Weisbrod; 
 Le Repos, by Wouvermans, etched by Beaumont; Teniers’ 
 Depart pour le Sabat; and others. 4to. (9 pieces) 
 
 188. Mrs. RUNNINGTON’S WIG, Comic poem, with hand- 
 colored ilust., 1806: and other comic sketches, various dates. 
 Ato, etc. (14 pieces) 
 
 189. MuRILLO’s Moses Striking the Rock, engraved by 
 R. Esteve, india paper (slightly spotted); Raphael, La Madonne 
 de Foligno, fine engraving on copper, by Schenker (slightly 
 torn), folio. (2 pieces) 
 
 190. —— Madonna. Fine engraving, by A. Lefevre, 1859. 
 Brilliant impression. In handsome gilt frame, 3214 in. x 41 in. 
 
 19: N AVAL ACTION. Le Combat, engraved on steel, 
 by Jazet, after Morel Fatio. Colored by hand 
 after the original and varnished. In gilt frame, 29 in. x 34in. 
 192. NAVAL PorTRAITS. Admiral Keppel, by Scriven, after 
 Reynolds; Lord Hood, by Picart, after Abbot; Sir Hyde 
 Parker, by Watson, after Evans; and others. Engraved on 
 copper. Large 4to. (12 pieces.) Lond.: Cadell, 1809, etc. 
 193. NAPOLEON. Views of the Battles of Austerlitz, Fried- 
 land, Moskwa, Surrender of Ulm, ete. After Carlo Vernet, 
 Baugean, and others. Etchings. 4to. (8 pieces) 
 194. —— Another lot, including- Views of Crossing the 
 St. Bernard, Battle of Hohenlinden, the Bridge of Lodi, ete. 
 Ato. (12 pieces) 
 195. Another lot, including Views of the Battle of 
 Dresden, Bridge of Arcola, Battle of Wagram, etc. 4to. 
 (12 pieces) 
 196. Another lot, including Views of the Entry of the 
 French into Berlin, Battle of Eylau, Battle of Marengo, Battle 
 of the Pyramids, etc. Ato. (12 pieces) 
 
 197. NAPOLEON PORTRAITS. Bonaparte crossing the Alps, 
 after David’s picture, colored; Portraits of Louis Napoleon 
 (by Charlet), Empress Eugenie, Jerome Bonaparte, Lucien 
 Bonaparte, and others. Lithographs. 4to. (9 pieces) 
 
 198. —— Another lot, including Portraits of Soult, Davoust, 
 Drouot, Massena, Foudre, etc. Large 4to. (12 pieces) 
 
 199. —— Fine Lithographic Portraits by Grevedon, Mau 
 raisse, and others, 1824, of Marshals Lannes, Marmont, Jour- 
 dan, Junot, Berthier, Generals Foy, Kellerman, St. Cyr, etc. 
 Large 4to. _ (18 pieces) 
 
 200. NAPOLEON AT BOULOGNE. Fine engraving, by A. Art- 
 lett, after John Absolon, 1857; The Field of Agincourt in 1857, 
 by H. Robinson, after the same artist (stained); Boulogne, 
 1855, by Artlett, after Absolon, 1857 (stained). Folio. 
 
 (3 pieces) 
 
 201. NAVAL HEROES OF GREAT BRITAIN, fine steel engray- 
 ing, after Douglas Cooper, 1859, giving portraits of Lord 
 
18 
 
 Nelson, Admiral Rodney, and other famous admirals; Watt 
 discovering the Power of Steam, by James Scott, after Marcus 
 Stone, 1869, folio. . (2 pieces) 
 
 202. NEW YORK IN 1792 (from Valentine’s Manual 1850), litho- 
 graph; Master James, lithograph, by A. von Deinert, after 
 Hunt, folio. | (2 pieces) 
 
 203. NEw YORK AND ITS ENVIRONS. Bird’s-Eye View, en- 
 graved on steel, by R. Kupfer, and colored by hand; Eques- 
 trian Portrait of Gen. McClellan, by A. B. Walter, after C. 
 Schussele, 1868, folio. (2 pieces) 
 
 204. NEw YorkK City. View of the Federal Hall, as it 
 appeared in 1797, with the adjacent buildings, colored 
 facsimile of the original drawing. by G. Holland, expressly 
 for Valentine’s Manual, in gold frame, 2214 in. x 27% in. 
 
 205. —— New York from heights near Brooklyn, by T. 
 Hill, after W. G. Wall, fine aquatint engraving, with 
 Figures, Ships, Buildings, etc., published by Bourne and 
 Carvill, N. Y., 1828, in gilt frame, 25 in. x 824% in. 
 
 RARE. 
 
 206. —-—— Topographical Map of the City and County of 
 New York and the adjacent Country, with Views on the 
 Border of the Principal Buildings, and Reproduction of the 
 View of 1659, on rollers, varnished (rather worn), 72 in. x 30 in. 
 
 N. Y.: J. H. Colton, 1837 
 
 207. A large parcel of Historical Maps and Plans, 
 
 Portraits, Facsimiles, etc., mostly from Valentine’s Manuals. 
 (as a lot) 
 
 208. Spirited Colored Lithograph, by D. Benecke, 1855, 
 of Winter Scene, with Sleighs, and Numerous Figures, and a 
 View of Barnum’s Museum, atlas, folio. 
 
 209. —— Central Park. Fine colored Bird’s-Eye View, litho- 
 graph, by F. Heppenheimer, 1863; the Produce Exchange, 
 fine etching, by F. Leo Hunter, 1887, remarque proof signed 
 by the artist, folio. (2 pieces) 
 
 210. NEWSPAPERS. Various Numbers of the New York 
 Times, dating from 1853 to 1881, 9 being numbers containing 
 Rebellion News, Operations of the Army of the Potomac, etc., 
 the others containing accounts of the Burning of Barnum’s 
 Museum, Death of Garfield and other topics. (15 pieces) 
 
 211. —— New York Herald. Various original numbers 
 from 1868 to the Death of Garfield, 1881 (some only portions). 
 (as 12 pieces) 
 
 212. —— New York World. 5 numbers containing War 
 News and the Funeral of Lincoln. 
 213. —— Harper’s Weekly, New York Illustrated News, 
 
 and other papers, containing illustrations and narratives of 
 the Assassination and Funerals of Lincoln and Garfield, War 
 News, etc., and Form of Prayer and Thanksgiving for use on 
 the Centennial of Washington’s Inauguration. (as 10 pieces) 
 
 214. -—— The Boston Columbian Centinel, two numbers for 
 1813; Philadelphia Political and Commercial Register, a 
 number for 1806; New England Courant, 1723; and other old 
 
 newspapers, originals and facsimiles, (11 pieces) 
 
-14 
 
 215. Newspapers. New-York Tribune, 6 numbers for 1860 
 and 1861, containing War News, and a portion of the issue con- 
 taining the Assassination of Garfield. (7 pieces) 
 
 216. NIAGARA FauLs. Fine and beautifully colored litho- 
 graph by John Bornet, 1855 (slight tear in margin repaired), 
 atlas folio. ; 
 
 217. LD MAPS. America, Denmark, Austrian Empire, 
 the World, etc., by Homann, 1739-1741; Map of 
 the World, by Lotter, 1782; and other maps, folio, colored. 
 
 (9 pieces) 
 
 218. —— Series of Maps, by J. B. Homann, Nurimberg, 
 1739: Great Britain, Poland, France and Navarre, etc., colored, 
 folio (corner of one damaged). (9 pieces) 
 
 219. Orbis Terrarum Tabula Recens. Emendata et in 
 Lucem Edita per N. Visscher. Finely colored map; insets in 
 the margins, heightened with gold. In neat frame, 16% in. x 
 23 in. 1649 
 
 220. «‘OuTcasT (THE) OF THE PEOPLE,” on steel, by TS 3s 
 Atkinson, after J. R. Herbert, 1863; The Orphans, on steel, 
 by S. Bellin, after T. Brooks, 1855; The Sacrifice, on steel, by 
 W. H. Simmons, after W. C. T. Dobson, 1878, folio. (3 pieces) 
 
 221. ipa by Geissler, after Berghem; The Toper> 
 after Gerard Dow; Un Forét, after Ruisdael, by 
 Geissler; and others, on copper, 4to. (8 pieces) 
 222, Peru. Verdadera Imagen del SSMO. Christo de Guam- 
 antanga, fine copper engraving, beautifully colored by hand, 
 circa 1700, 4to; Two Studies, by F. Grenier; and other miscel- 
 laneous, 8vo and 4to. . (7 pieces) 
 223. PHEASANT SHOOTING, steel engraving, by T. O. Barlow, 
 after R. Ansdell, colored, folio. 
 924. PHILADELPHIA. Interior of Independence Hall, steel en- 
 graving, by J. B. Neagle; Two Views of the Centennial Exhi- 
 bition, tinted lithographs; Proposed Design for Washington 
 
 National Monument, lithograph by C. Parsons; View of Bos- - 
 
 ton, with insets of the Old State Hous2, City Hall, etc., en- 
 graved on steel, by J. Poppel, Munich, folio. (5 pieces) 
 
 225. PHOTOGRAPHS. Fine Reproduction in Permanent Pho- 
 tographs of Kaulbach’s famous Painting, The Destruction of 
 Jerusalem; Fine large photograph of a telescopic view of the 
 Moon; and other photographs, after Michael Angelo, etc., 4to 
 and folio, mounted. (15 pieces) 
 
 226. PILGRIM FATHERS. Signing the Compact on board the 
 Mayflower, group picture with portraits, mezzotint by W_ W. 
 Rice, after Edwin White, 1858; The Departure, engraved by 
 W. H. Holbrooke (slightly damaged). Fol. (2 pieces) 
 
 227. Pont RUSTIQUE, etching by Weirotter, after Dietrich; 
 The Castle of Cards, on copper, after Chardin, 1762; The Dead 
 Mouse, after Van der Werff; and others. 4to and 8vo. (12 pieces) 
 
 228. PortTRAIts. Abraham Cowley, by Faithorne (slightly 
 damaged): Dr. Francis White, by Moutin; Rev. James Town- 
 
 ley, on copper, 1794. 4to. (3 pieces) © 
 
* 
 : 
 q 
 ‘ 
 4 
 { 
 
 15 
 
 229. Portraits. Mezzotints. Charles Napier, by J. Smith, 
 after Sommer; Samuel Whitbread, by S. W. Reynolds, after Sir 
 Joshua Reynolds, 1803; W. Sclater, by J. R. Smith, after Hone, 
 1777.‘ Fol., mounted. (3 pieces) 
 
 230. —— General Elliot, Bengo, 1794; Duke of Marlborough, * 
 
 by Goldar, after Sir Godfrey Kneller, 1786; Old Parr, etching 
 . by G. Fowle; and other portraits, etc. On copper. 8vo and 
 
 Ato. (7 pieces) 
 
 281. Sir Ralph Abercromby, by D. Edwin (stained) ; 
 Thomas Prior, by Massard; Bishop Hopkins, by Sturt; Mr. 
 Winston, by Ridley; Four Historical Scenes after Stothard ; 
 and others. Mostly on copper. 8vo. (19 pieces) 
 
 232. —— Sir Joseph Banks, after Lawrence, by W. Evans; 
 R. Payne Knight, after Lawrence, by Evans; Sir William 
 Hamilton, after Grignon, by W. T. Fry; and others. Engraved 
 on copper. Large 4to. Lond.: Cadell, 1810-17. (9 pieces) 
 
 233. —— John Ferriar, by Bartolozzi, after Stothard ; William 
 Hunter, by Smith; Francis Jeffrey, after Raeburn, by Free- 
 
 man; Sir James Mackintosh, by Wilkin, after Lawrence; and 
 
 others. Engraved on copper. Large 4to. Lond.: Cadell, 
 
 1809, ete. (9 pieces) 
 
 _ 234. —— Lord Macartney, by Bartolozzi, after Edridge; 
 Duke of Bridgewater, by Picart; Earl of Carlisle, by Meyer, 
 after Hoppner; and others. Engraved on copper. Large 4to. 
 Lond.: Cadell, 1810, etc. (20 pieces) 
 
 235. —— Frederick V., King of Bohemia, 1619, mezzotint 
 by Charles Turner, fine impression; Admiral Sir Nicholas Had- 
 dock, mezzotint by Faber, after T. Gibson; Robert Milligan, 
 mezzotint by J. Minasi, after L. F. Abbot, 1795; Revd. John 
 
 Abernethy, by Faber, after Latham, 1741, mezzotint. Large 
 
 Ato. (4 pieces) 
 
 236. —— John, Duke of Bedford, Regent of France, rare 
 portrait by Vertue; Sir Walter Blackett, after Reynolds, by 
 Fittler; Sir Francis Bourgeois, by Vendramini; and others. 
 Mezzotints and engravings on copper. Large 4to, etc. (8 pieces) 
 
 237. Maréchal de Tallard, Habillement d’un Chevalier 
 des Ordres du Roy, fine engraving; portrait of Carlo Vanloo; 
 Bishop Boulter, mezzotint; and others. 4toand fol. (7 pieces) 
 
 238. Samuel Smiles, proof etching on india paper by 
 Ragon; Burns, by William Holl; Newton at the Age of 12, 
 mezzotint by Atkinson, after Newenham. Fol. (8 pieces) 
 
 239. —— William Mitford, by Picart; Henry Grattan, by 
 Godby ; John Wilson Croker, by Meyer; and others. Engraved 
 on copper. Large 4to. Lond.: Cadell, 1810, etc. (9 pieces) 
 
 240. —— Mrs. Piozza, engraved by Meyer; Mrs. Anne Grant, 
 Mrs. Hannah More. and others. Engraved on copper. Large 
 4to. Lond.: Cadell, 1810, etc. (5 pieces) 
 
 241. —— John Thurlow, Secretary to Cromwell, fine en- 
 graving on copper by Houbraken, 1738; Maximilian I, rare 
 and early engraving on copper; Louis Napoleon, early portrait 
 when President; and others. 8vo and 4to. (8 pieces) 
 
 242. Mdlle.’s Julia Bartet and Suzanne Samary, of the 
 Comedie Francaise; Miss Lucy Lee Robbins, by herself; and 
 others. Photogravures. 4to. (8 pieces) 
 
16 
 
 243. Portraits. Fine lithographic portraits of Jefferson Davis, 
 Whitelaw Reid, Generals Sherman, Meade, McClellan, Burn- 
 side, and other Generals of the Rebellion; portraits of Wash- 
 ington, Admiral Dewey, etc., etc. Large fol. (some duplicate). 
 
 (30 pieces) — 
 
 244, —— Another lot. With portraits of Washington, 
 
 Grover Cleveland, Garfield, Martha Washington, etc. (some 
 
 duplicates). Large fol. (50 pieces) 
 
 245. Another lot. With portraits of Generals Grant, 
 Ben. Butler, McPherson, Phil Sheridan, etc. Large fol. (some 
 duplicates). (32 pieces) 
 
 246. PRESIDENTS. Large finely colored lithographic por- 
 traits, Washington to Lincoln, by A. Feusier, 1861; Washing- 
 ton and his Family, colored lithograph; Battle of Antietam, 
 colored lithograph by L. N. Rosenthal, 1865; Panic Season, 
 humorous lithograph by C. Magnus, 1858. Fol. (4 pieces) 
 
 247. PRINCESS Mary. Beautifully engraved and tinted por- 
 trait by Caroline Watson, after Hoppner, 1785; The Vintage, 
 steel engraving by Garner, after Stothard; and two others. 
 Ato. (4 pieces) 
 
 248. PRODUCE EXCHANGE, New York, fine etching by F. Leo 
 Hunter, 1887, remarque proof signed by the artist; The Little 
 Fireman, lithograph by F. Maurer, 1857. Fol. (2 pieces) 
 
 249. UEEN ELIZABETH, lithograph by F. Brown, 1848; 
 Mary I., on copper, by Trotter, 1793; Josephine, 
 steel engraving; and other portraits. S8vo and 4to. (6 pieces) 
 
 250. AMSGATE SANDS. By W. P. Frith. Heliotype 
 R after a steel engraving. Atlas fol. 
 
 251. RAPHAEL, Adam and Eve, on copper, by F. Muller; 
 Pentecdte, after Gaudentio Ferrara; Judith with the Head of 
 Holofernes, by Gandoifi, after Allori. 4to. (3 pieces) 
 
 252. Le Triomphe de Galatée. Fine steel engraving by 
 Biot. . Brilliant impression. Atlas fol. 
 
 253. RAPHAEL'S SISTINE MADONNA. Fine steel engraving by 
 H. Droehmer. Brilliant impression. In a handsome frame, 
 40 in. x 382 in. 
 
 254. Rat-Figut. The celebrated terrier ‘‘Major” killing 
 100 rats in 8 m. 58 secs. Facsimile. Fol. 
 
 255. REscUE (THE). Mezzotint. In neat frame, 24 in. x 
 
 30 in. 
 
 256. REVOLUTION. View of the West Bank of the Hudson 
 3 miles above Still Water, upon which the Army under Gen- 
 eral Burgoyne took post, Sept., 1777. Scarce engraving on 
 copper by Barlow. Showing the encampment, Indians on the 
 river bank, etc. Fol., inlaid. Lond. 1789. 
 
 257. Rosa (SALVATOR). The Witch of Endor. , Engraved on 
 steel by Guttenberg. Fine and brilliant impression.  4to, 
 mounted. 
 
 258. Rossi (GiAcoMO). Two early engravings by him; and 
 three early Dutch Etchings. Bible scenes. 4to. (5 pieces) 
 
 enter) Seta 
 
Le 
 
 259. RUBENS, Descent from the Cross; Carlo Marati’s Judith 
 and Holfernes: Rafael’s Transfiguration; and others. Early 
 
 etchings and engravings. 4to. (11 pieces) 
 260. —— His famous picture of filenus. Fine mezzotint by 
 C. H. Hodges. Folio. Lond.: Boydell, 1789 
 
 261. ee O. Tinted oval Vignette on copper, by Mannin, 
 after Cipriani; Ball at Ranelagh, design for an 
 
 admission ticket, after Smirke: 4 Mythological designs, by 
 Dagley; Vignette, after Bartolozzi (margins cut off). 4to and 
 12mo. (7 pieces) 
 262. ScorrT (SiR WALTER), fine engraved Portrait on steel, by 
 A. G. Campbell, after Sir J. W. Gordon, 1868; Loid Byron. 
 after Phillips, by the same. Folio. (2 pieces) 
 
 263. SCRAP Book containing Stories and Sketches cut out 
 out from Newspapers and mounted. By John Brougham, N. P. 
 Willis, andothers. Folio, half-bound. 
 
 264. —— containing many Illustrations from Annuals, Por 
 traits, Views of Places, etc. 4to, half morocco. 
 
 265. SELOUS (H. CouRTNEY). Events in the Life of Robert 
 Bruce. Seven Outline Illustrations, etched by J. Horsburgh, 
 _ with letterpress. Oblong folio, paper. n. d. 
 
 266. SEyMouR’s Sketches, engraved by H. Wallis. First 
 two parts, containing 23 plates (should be 24). Subscribers’ 
 copy. 4to, paper. Lond. 18386 
 267. SENATE CHAMBER. Large Group Picture. By T. Doney, 
 -after J. Whitehorne. Onsteel, proof. Date about 1840. Among 
 the portraits are S. L. Southard (presiding), Henry Clay, John 
 Quincy Adams, Webster, Buchanan, etc. The spectators in- 
 clude Audubon, Albert Gallatin, W. C. Bryant, and others 
 (slightly damaged and the engraving she hily stained). In gilt 
 frame, 40 in. x 47 in. 
 
 268. SHAKSPEARE. Scene from Richard III. Fine copper- 
 plate engraving by B. Smith, after M. Brown. Colored. Folio. 
 
 Lond.: Boydell, 1801 
 
 269. —— Scene from Cymbeline. Fine engraving on copper 
 by T. Burke, after W. Hamilton. Beautifully colored. Folio. 
 Lond.: Boydell, 1795 
 
 270. —— Scene from Henry VIII. Fine copper engraving 
 by Isaac Taylor, after Stothard. Beautifully colored. Folio. 
 Lond.: Boydell, 1798 
 
 271. —— Scene from Henry IV., by Ryder, after J. Durno; 
 Scene from Cymbeline, by Robt. Thew, after Heppner. Folio. 
 Colored. Lond.: Boydell, 1798-1801. (2 pieces) 
 
 272. Love’s Labour’s Lost. Fine engraving on copper 
 
 by Ryder, after W. Hamilton. Colored. _ Folio. 
 Lond.: Boydell, 1793 
 273. —— Scene from the Two Gentlemen of Verona. En- 
 graved on copper by Schiavonelli, after Angelica Kauffmann. 
 Finely colored. Folio. Lond.: Boydell, 1792 
 274. SHAKESPEARE’S COURTSHIP, fine steel engraving by J. 
 J. Chant, after Thomas Brooks, 1861, brilliant impression; 
 Queen Victoria, by H. 8. Sadd, after A. E. Chalon, 1846 
 (slightly stained). Folio, (2 pieces) 
 
18 
 
 275. SHAKSPEARE AND HIS FRIENDS, on steel by James Faed, 
 after John Faed; fine Group Engraving, giving portraits of 
 Shakspeare, Ben Jonson, Bacon, Beaumont, Fletcher, Raleigh, 
 Dekker, and others: Leslie’s Anne Page, Slender and Shallow, 
 on steel, by C. 8S. Burt. Folio. (2 pieces) 
 
 276. SHEPHERDESS, oval, on copper, in the Bartolozzi style; 
 The Arms of Cupid Restored, by Tomkins, 1795; and two 
 others. (4 pieces) 
 
 277. SHERIDAN (GEN. PHIL), Portrait on steel, by A. H. 
 Ritchie, 1864; Rev. Francis Asbury, on copper, by Tanner, 
 1814 (Reprint 1876); Mezzotints (fine impressions) of John 
 Tyler and M. Fillmore, by Sartain. Folio. (4 pieces) 
 
 278. SHOEING THE HorsE, etching by J. Vischer; Recreation 
 Flamande, by J. Moyreau, after Brugle; Cattle, after Van 
 Bloom; and others. Etchings and Engravings on copper. 4to. 
 
 (9 pieces) 
 
 279. SOLDIER’S (THE) RETURN, Line Engraving, published 
 by McRae, margins trimmed and mounted; General Winfield 
 Scott, steel engraving by Dudensing. Folio. (2 pieces) 
 
 280. SPAIN AND PORTUGAL. 6 fine Engravings on copper, 
 colored by hand, including View of Salamanca, Castle of 
 Benevente, Villa Franca, Mountain Passes, etc. 4to. Lond.1809 
 
 281. Another lot, including Views of Cintra, Torres 
 Vedras, Lisbon, etc. (6 pieces) 
 
 282. Another lot. Interior of the Cathedral of Sala- 
 manca, View on the Tagus, etc. (7 pieces) 
 
 283. SPANISH AND PORTUGUESE COSTUMES. 12 fine copper- 
 plate engravings of Military Costumes, Shepherds, Monks, etc. 
 
 ‘Mostly Spanish. Colored by hand. 4to. Lond. 1809 
 284. —— Another lot, including ecclesiastical costumes, 
 police, armed peasants, etc. (12 pieces) 
 
 285. STATEN ISLAND. Summer Residence of J. F. D. Lanier, 
 Esq., at Clifton, on the South Side of Staten Island. Large 
 lithographic view by W. R. Miller of the house and grounds, 
 with the surrounding country and sea. In gilt frame, 33 in. x 
 21 in. 
 
 286. ‘STEALING A Kiss.” Humorous Engraving from an 
 original painting in Vauxhall Gardens. Engraved on copper 
 by B. Cole. 1753. In the style of Hogarth. Rare. 4to. 
 
 287. STEAMSHIPS. The Morro Castle, 1864, and the R. M. S. 
 Asia, 1851. Colored lithographs. Folio. (2 pieces) 
 
 288. STOTHARD. His famous picture of the Canterbury Pil- 
 grimage, the original engraving on copper by Schiavonetti 
 and Heath, in 1817, from the painting and the same size as the 
 original. Brilliant proof impression. In neat frame, 13 in. x 
 42in. Rare. 
 
 289. SuETONIUS. Lives of the Twelve Czesars. Done into 
 English by several hands. Old copper portraits. 8vo, half 
 calf. Lond. 1698 
 
 290. ‘‘SURRENDER OF THE BRITISH AT YORK TOWN,” engrav- 
 ing on copper, by Tanner, Wallance, Kearney, & Co., and W. 
 Allen, and designed by J. F. Renault, giving portraits of 
 Washington, Rochambeau, De Lauzun, Lafayette, Tarleton. 
 Cornwallis, and others (margins slightly stained), In gilt 
 frame, 281g in. x 388% in. RARE. 1819. 
 
 “yeaa a 
 
19 
 
 291. ENIERS’ Spring and Summer, on copper, by Morin ; 
 The Fisherman, by the same, etched by Benazech; 
 
 Vent Frais, by Vandervelde, engraved by Canot, 1751, fine im- 
 pression (repaired); and others. Landscapes, etc. 4to and 8vo. 
 ; (12 pieces) 
 
 292. TERBORCH, Quarrel at Cards, on copper, by F. de Wit: 
 Satisfaction, by J. Halpin, after Buss; The Last In, by Smyth, 
 _ after Mulready; and others. 4to and 8vo. (5 pieces) 
 
 _ 293. TITIAN, fine steel engraving, by J. Burger, of Titian’s 
 Flora, beautiful impression, folio; fine engraving, after Gior- 
 gione, by Stoelzel, 4to. (2 pieces) 
 
 294. Tomy (THE), steel engraving, by J. C. Webb, of the 
 painting by P. R. Morris. In gilt frame, 38 in. x 40 in. 
 
 295. TROLLOPE (MRS.), portrait, engraved by W. Holl, 1835; 
 Eliza Cook, mezzotint, by Sartain; and two others. 4to, 
 mounted. (4 pieces) 
 
 296. TRUMBULL’S Declaration of Independence, steel engrav- 
 ing (margins trimmed); mezzotint portrait, by Sartain, of 
 Thomas Wildey, founder of the Odd Fellows in the U. §8.; 
 Canvassing for a Vote, fine lithograph, by Regnier, after G. 
 C. Bingham, on india paper, 1853; folio. (3 pieces) 
 
 297. TURNER. Ancient Italy. (His famous picture in imi- 
 tation of Claude Lorraine), engraved on steel, by J. T. Will- 
 more, 1856. Folio, fine impression. 
 
 298. Zurich, engraved on steel, by T. A. Prior, 1864. 
 Fine impression, folio. 
 
 299. TYLER (JOHN), mezzotint portrait, by Sartain; ‘‘A 
 Saloon Bar,” lithographic group, by A. Fay, 1854, the portraits 
 including Mayor F. Wood of N. Y. Rare, folio. (2 pieces) 
 
 300. N DUEL, by A. Durand, after Vigneron; Wash- 
 ington at Valley Forge, after Darley; Facing the 
 Enemy, by T. Doney, after T. W. Edmonds. Proof, folio. 
 ; } (3 pieces) 
 301. ‘‘UNION,” group engraving on steel, by H. S. Sadd, 
 after T. H. Matteson, open letter proof, giving portraits of 
 Clay, Webster, Lincoln, Gen. Scott, and others (slightly 
 stained). In neat frame, 27 in. x 35 in. 
 
 302. ANDYCK. Portraits of the Duchess of Havre and 
 the Princess of Phalsbourg; Queen Mary II., by 
 Godfrey Kneller; and others; 4to and 8vo, on copper. 
 (12 pieces) 
 _ 808. VELASQUEZ, fine etching after; Abdel-Kader, colored 
 lithograph; Alexander I., steel engraving, by Tardieu; and 
 other portraits. 8vo and 4to. (8 pieces) 
 304. VENUS AND ADONIS, by Poilly, after Caracci, and the 
 ' same subject by Francis de Neue; Imps and Witches, by Le 
 Parmesan, engraved by Picart; Rapine, by Pisarri; and others; 
 old engravings on copper and etchings; various sizes. 
 (82 pieces) 
 305. View of Sir Walter Scott’s Residence, Abbotsford; 
 Natural Arch in the Isle of Skye, by A. Durand, after H. Mc- 
 Culloch; View in Normandy; and other lithographs. Folio and 
 4to. (5 pieces) 
 
20 
 
 306. VULCAN, PAN AND BACCHANTES. Fine copper-plate 
 engraving after P. M. Eques, by De Poilly. Brilliant impres- 
 sion. Folio. 
 
 307. ALL MAPS. Watson’s Map of Kings County and 
 
 Brooklyn, 1879, 31 in..x 45 in.; Kiepert’s Map of 
 
 the Environs of Ancient Rome, 36 in. x44 in.; Lord’s Prayer 
 
 in 50 Languages, 26 in. x 21 in.; Spectra of Metals, by Kirch- 
 hoff and Bunsen, 26 in. x 36 in. (4 pieces) - 
 
 308. Davey’s Map of Buffalo, 1872, 31 in. x42 in.; 
 Mathews and Northrup’s Map of Buffalo, 1890, 36 in. x 45 in. ; 
 and another, on rollers. (3 pieces) 
 
 309. Conspectus of the History of Political Parties and 
 the Federal Government, by W. Houghton, 1880, on rollers, 
 varnished, 61 in. x 49 in., 1880. (2 copies) 
 
 310. WASHINGTON AND HIS FAMILY, steel engraving pub- 
 lished by Thomas Kelly, N. Y. In neat frame, 2714 in. x 
 3416 in. | 
 
 311. Official Letters to the American Congress, written 
 during the War by George Washington. 2 vols. post 8vo, 
 original sheep. N. Y.: Samuel Campbell, 1796 
 
 312. Facsimiles of his letters to Sir John Sinclair on 
 Agriculture, etc.; with the Physician’s Account of his Death. 
 4to, half roan. Phil. 1889 
 
 318. WaTER CoLor. Steamship Roanoke. Built by Wester- 
 velt and Co., and designed by Capt. W. Skiddy. A very care- 
 fully drawn and accurately colored painting, in water-colors, 
 of the steamer at sea. In gilt frame, 251g in. x 35 in. 
 
 314. WEBSTER (DANIEL). Etched portrait by S. Hollyer and 
 A. Barry, after Ames. Brilliant impression (one corner slightly . 
 stained). -Folio in mat. N. Y. 1884 
 
 315. WESTAL AND WHEATLEY. Three pretty medallion vign- 
 ettes, tinted and engraved in the style of Bartolozzi, on cop- 
 per. 4to. (3 pieces) 
 
 316. West INDIES AND CENTRAL AMERICA. Dutch Map-by | 
 Cornelius Danckerts, colored, folio, circa 1700; Member’s Cer- 
 tificate of the San Francisco Fire Department, engraved on 
 steel, 1855, folio. (2 pieces) 
 
 317. WESTMINSTER ABBEY, by A. L. Dick, St. Paul’s Cathe- 
 dral, by C. Burt, steel engravings; Sheldon Theatre and 
 Library, Oxford, copper-plate. (3 pieces) 
 
 318. WESTWARD Ho! engraved on steel by T. D. Booth, after 
 J. H. Beard; The Perils of Our Forefathers, spirited engraving 
 by J. G. MacRae, after F. A. Chapman. Folio, 1859. (2 pieces) 
 
 319. WRECK OF THE STEAMER ATLANTIC, 1846. Narrative 
 by Capt. Cullum, and Sermon by the Rev. T. J. Greenwood, pub- 
 lished at New-London, 1847, 8vo, pp. 35; Colored lithographic 
 -print of the Wreck, by N. Currier, 1846, folio. (2 pieces) 
 
 320. WouVERMAN, Garde Avancée de Hulans, fine engraving 
 on steel by Aliamet (margin slightly torn); Landscape after 
 Rubens by Hendericks; L’Abreuvoir, by Pelletier, after Berg- 
 hem; and others, 4to and folio. (8 pieces) 
 
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 821. WouVERMAN, Pillage des Reitres, etched by Moyreau, 
 
 Paris, 1740; Fine and characteristic Battle Scene by this cele- 
 
 brated artist. Brilliant impression, folio. 
 
 322. —— Le Retour du Marché, engraved by Strange; La 
 
 - Chasse aux Eperviers; Les Dames allant a la Chasse, and other 
 
 etchings after Wouvermans. 4to and folio. (5 pieces) 
 3238. —— La Moisson, landscape by Wouvermans, etched by 
 Laurent, same size as the original Fine impression, folio. 
 324. —— Les Maquignons a la Foire, fine etching by Moy- 
 reau, 1739; Characteristic Scene of Dutch Merrymaking, by 
 
 ~ Wouvermans, brilliant impression, folio. 
 
 325. —— L’Hyver. Fine etching by Moyreau. Paris, 1739. 
 
 _ Fine impression, folio. 
 
 326. ORK CATHEDRAL, fine etching; Kenilworth 
 Castle, lithograph; London Bridge, steel engrav- 
 ing by E. W. Cooke, 1883; and others. (6 pieces 
 
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