a ee atl ee Ce, Aa LIBRARY | M. Knoedler & Co. NO. es [> 8S 14 East 57th St. New York ACC. Curalt —- . Ke : Sa. os ee it. Lt ae Sale ef an important collection of Wat er Colour pad cidade wiraeDones by Members of THE ROYAL SOCIETY oF PAINT IRS IN WATER COLOURS, LONDON, at the at the American Art Galleries, New Y@: i, ‘Thursday. and Prktay: OTRARES, ...._ Nevember 9th 4 ag Both, 1916, | NUMBER BUYER as Fae std Oo, Ba We Fredericks "a ae ae 32,50 Wm. 8. Cox » 3 2a J. Austin ey § 45. WW, Seaman, Agent ae Pas J. Austin , 8 ag pemannecn oe ee 4) 7 Plunkett | not de TT. Plunkett Tp | T. Plunkett »~ 14 T. Plunkett ae) R. Glendenning vo lT tT, Plunkett » 19 Edw. 8. Whitney “20 L. B. Sanderson Md. Tf. Plunket+ 22 -E. T. Dillingham ~ 23 ‘Wa. T. Baird (24 oF. J. Finlay 35 Mo. F, M@lliken 26 T. Plunkett - 27 We. R. Strehl 28 Mrs, EH, Kline » 29 B, Abrey 30 T, Plunkett 31 Mrs. BE. Kline 32 Wa. T. Baird 33 R. Glendenning 34 Mrs. Hutchins, Jr. 35 G. Sturgis 36 L. B. Sanderson 37 The Resenbach Ce. 38 E. 8, Whitney 39 B. Springer 40 M. F. Milliken Al Mrs. Levis Frey AZ R. Glendenning 43 L, B. Sanderson a4; W.W.Seaman, Agent 45 0. Griffith 46 T, Plunkett 47 E. 8 Whitney 48 Mre,. Levis Frey 49 Win. 5. Cox $0 Mr. Brice ol W. W. Seaman, Agent | 52. Mrs. Hutchins, Jr, o4 Wm, Sleicher 55. Mrs. L. Frey 36 T. Plunkett 57 Vin. T. Baird 38 | O. Griffith .. 59. M. €, Migel 60 a W. s. Cex 61. G. Springer | 62. Jehn Wanamaker 63 Mrs. Le. Frey 64 Vn, T. Baird 65). Mre, Hutchins, Jr. 665. R. Glendenning 67. L. B. Sanderson 68 Geo, A. Traver 69 Mre. Hutchins, Jr. 1G». Mre. L. Frey 7h » irs. Hutehins, Jr. 12°. J. C. Green 73 F. D, Finlay 75 Gee. A. Traver 76 °.: J, W. Linde TF =x Nrew L. Frey... TE.c2 R. Glendenning | 19 J, Wanamaker | 80... E. 5. Whitney | 81 Mrs. L. Frey - 82 J. BE, Bags 83 Mrs. L. Frey 84. T. Plunkett 85 The Resenbach Ce, 86 - The Resenbach Ce. 87 W. W. Seaman, Agent 88 O. Griffitne 89 Mrs, Hutchins, Jr; 90 Mre. L. Frey 91 J. Ps Remington 92. E. 8. Whitney 93 T. Plunkett 94 B. Springer 95. T. Plunkett 96. Win. T, Baird 97 R. Glendenning 98 Wm, Sleicher 99 The Resenbach Ce. 100. The Resenbach Ce. 101 A. M. MacDenald 102 The Resenbach Ce. 103 W.-W. Seaman, Agent 104 Wm. S. Cex 105 R. Glendenning 106 0. Griffiths W. W. Seaman, Agent Edw. §, ‘Whitney Mre. L. Frey The Resenbach Ces Mrs. L. Frey J. Wanamaker fhe Resenbach Ce; The Resenbach Co. W. W. Seaman, Agent B.D. Davis Wm, T. Baird fT. Plunkett — T. Plunkett R. Glendenning Jehn Wanamaker Brice A. Frey tT. Plunkett A. A, Murphy Scoetsen Clark John Wanamaker M. C, Kingsbury — D. 5, Newall D, E. Newall Mrs, Hutchins, Jr. James Marwick Jonn Wanamaker Wm. P. Schell Stenley Fullwood H. W, Wearne Jonn Wanamaker A. A. Murphy H. W. Wearne Brice A, Frey Wn. §. Cex H. ¥. Wearne Jehn Wanamaker W. YW, Seman, Agent H. V¥. Wearne A, As Murphy Janes Marwick Wm. P, Schell James Marwick We. T. Baird J. T. Howard J. ¥. MoCarthy A. A. Murphy W..W. Seaman, Agent tT, Plunkett W. C. Kingsbury W W. Ranken Mr, Brice A. A. Murphy Wa, T. Baird B. Springer T. Nelligen W. Ranken Es We ‘Seaman, Agent rane ot a Heward | ; a John Wenameker — nee i : _ W. W, Seaman, Agent Wm. 8. Cox . fhe Frederick layten 3 Miss Re A, lerens ag sina si ss ti lhe Murphy — Peay et Wy ¢, W. Ashley | John Wenamaker » H. V. Wearne A. A. Murphy — W. Ranken _ Wo Renken James Marwick . He a a Wearne oW. L. Green Frederick Layton | fT. EB, Kangsland Jemes Marwick ify Belgian art Galleries Frederick Layton Geq. H. Taber We L... Greene H, V¥. Wearne The Resenbach Coe. . WLW, Seaman, sient WY, L. Greene Mes. W. D. Ellwanger — A. A. Murphy john Wanamaker Tae Roesenbach Co. John Wanamaker | dats He ward ‘J. Me MeCarthy M, KNOSDLER & 00. | YinxxsxtaxFred'k, Layten Wa. S. Cox I, uM. MeCarthy A. S. Cochrane James Marwick W..Seaman, Agent W.W. Seaman, Agent A. A. Murphy Edw, J. Nally James B. Rey John Wanamaker Belgian Art Galleries W.W. Seaman, Agent Edw. $. Whitney W. Ranken gdw, J. Nally ad, ¥. Wearne 218 219 22G 221 222 223 224 225 226 227 228 229 230 231 $260. 165, 109, 130. 45, 30. 454 Th 340. 65. 63. 90, He 2 11.0. OOS ere GO HS CEE ea ee Oe er 2a on ORS GD. OR Came EE gate em ED W. W. Seaman, Agent Edw. §. Whitney The Resenbach Ge. Mra. Ne Frey te A. A, Murphy v.40. Seaman, Agent Janes By Rey . W. Ranken — W. PB. Schell W. C. Kingsbury — The Resenbach Ce, W. M. Graham -- Rc tan a Wear yet he ts Pe sath a AO PUL eb > eee TARRY CY x 5 3/ 4 Lay HOT) yep ys SP oh POs eV wo Ue OIG ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK BEGINNING SATURDAY, NOVEMBER 4rTu, 1916 FROM 9 A.M. UNTIL 6 P.M. AN IMPORTANT COLLECTION OF WATER COLOUR PAINTINGS CONTRIBUTED BY MEMBERS OF THE ROYAL SOCIETY OF PAINTERS IN WATER COLOURS LONDON, ENGLAND % TO BE SOLD AT UNRESTRICTED PUBLIC SALE FOR THE BENEFIT OF THE ARTISTS AT THE AMERICAN ART GALLERIES “ON THURSDAY AND FRIDAY EVENINGS NOVEMBER 9TH AND 10TH BEGINNING EACH EVENING AT 8 O’CLOCK CATALOGUE pas OF fed AN IMPORTANT COLLECTION OF WATER COLOURS BY THE MEMBERS OF THE ROYAL SOCIETY OF PAINTERS IN WATER COLOURS LONDON TO BE SOLD AT UNRESTRICTED PUBLIC SALE FOR THE BENEFIT OF THE ARTISTS AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK ON THE EVENINGS HEREIN STATED THE SALE WILL BE CONDUCTED BY Mr. Tuomas E. KIirsy, OF THE AMERICAN ART ASSOCIATION, ManaceErs NEW YORK 1916 ALL DETAILS OF ILLU STRATION TEXT AND TYPOGRAPHY is Dy 9) ts j j , me ) %, + La = ve . é at Ragin # ‘ Ay , y i i ( | i , x The ROYAL SOCIETY OF PAINTERS IN WATERCOLOURS When the Royal Academy was founded in Lon- don in 1768 the art of painting in watercolours was in its infancy, and though drawings were admitted to the exhibitions at Somerset House small en- couragement was given to watercolour painters,a law of the newly formed body excluding from member- ship artists who worked in that medium only. Cos- way and Collins were then painting their lovely miniatures, but Girtin and Turner were still to come, and it is easy to understand that the deli- cately outlined and tinted monochrome drawings of that period must have been seen to little advantage when hung on the same walls as the powerful master- pieces of Reynolds and Gainsborough. It appears, however, that the Council Room of the Royal Acad- emy at Somerset House was afterwards devoted ex- clusively to this branch of art and it is stated in a biography of Robson, written by Thomas Uwins, R.A., in 18338, that it was the fascination of this room, where drawings by Turner, Callcott, Girtin and others were collected, that led to the idea of forming an exhibition of watercolours only. In the first years of the nineteenth century William Wells, a landscape painter, and Samuel Shelley, a painter of figures and miniatures, were joined, after much discussion and consultation, by eight more artists who worked entirely or mostly in watercolours: Hills, Pyne, Pocock, Nicholson, John and Cornelius Var- ley, Nattes and Gilpin; these ten met at the Strat- ford Coffee House in Oxford Street on the 30th of November, 1804, and then and there formed them- selves into an associated body, drew up a set of rules, and formally assumed the title of the Society of Painters in Watercolours, the number of members being fixed at twenty-four. The anniversary meet- ing of members of the Society has been held ever since on that date and some of the rules then drawn up are still in force, but the roll of membership has been increased to forty. During the following months the original ten were joined by six more—George Barret, Joshua Cristall, John Glover, William Havell, Holsworthy and Rigaud—and the first exhibition of the infant society, consisting of 275 watercolours by these six- teen artists, was opened to the public on Monday, 22nd of April, 1805, at Tresham’s Rooms in Brook Street. It proved a success beyond the most san- guine expectations of its projectors, being daily crowded with visitors; during the seven weeks the exhibition remained open nearly 12,000 persons paid for admission, it was highly praised by critics and connoisseurs, and most of the watercolours were sold. In the following year the members decided to add to their strength a few selected artists to be called “Fellow Exhibitors” (now called “Associates’’), from whom the ranks of the members were to be augmented, and among the first of these was Miss Ann Frances Byrne, a flower painter, the precursor of many ladies who have since adorned the walls with their work. The exhibitions were continued annually in vari- ous galleries and with ever-increasing success until the climax was reached in 1809, when the Society moved into “Wigley’s Rooms” in Spring Gardens which they made their home until 1820. Some diminution in the popularity of the shows led to a reorganization of the Society, and in 1812 what was practically a new one under the old name endeav- oured to regain public favour by adding oil pictures painted by the members to the attractions of their work in watercolour, but after eight years this ex- periment was abandoned and the Society reverted to its original purpose. By doing so it lost one of its distinguished members, John Linnell, who was at that time painting exclusively in oil, but the majority remained adherents after the change was made, and among those best known to lovers of art were George Barret, David Cox, Copley Fielding, William Hunt, John Varley, Augustus Pugin and Samuel Prout. After exhibiting for two years at the Egyptian Hall, Piccadilly, the Society obtained the lease of the premises in Pall Mall East which they still hold, and where their exhibitions have been seen continuously from the year 1823 to the present day. Shortly after the acquisition of this Gallery Peter de Wint returned to the Society and in 1831, on the retire- ment of Joshua Cristall from the presidency, Copley Fielding was elected to take his place, a position which he held until his death in 1855. During this period there was no such radical change in the aims or methods of watercolour painters as there had been in the first decade of the Society’s exis- tence, when the tinted outline or monochrome draw- ing was gradually abandoned and an attempt was made to give in watercolours the true local colours . . and values of nature, the effort of earlier artists in this direction reaching its climax in the drawings of — Cox and de Wint. At the same time William Hunt — showed that the medium could be used in those more subtle ways afterwards practised with such brilliant — success by Fred Walker, Pinwell and their followers. The great Art Movement in England connected largely with the Pre-Raphaelite Brethren still fur- ther developed the use of watercolour as a competitor with oil paint for obtaining strong colour and effect in pictures, and among the members of the Society who were specially influenced by it, though in dif- ferent ways, we may name Burne-Jones, Holman Hunt, Boyce, Stacey Marks and Walter Crane. At the death of Copley Fielding, John Frederick Lewis, himself an early follower of the Brotherhood’s ideas, was elected to the presidency; this post he resigned after two years on the plea that he no longer painted in watercolours, and he was succeeded by Frederick — Tayler, a painter of dexterous sketches of figures and animals who presided over the Society from 1858 to 1870. ‘The success of the British water- colours in the great Paris Exhibition of 1855 had further increased the popularity of works in that medium and the position of the artists who worked in it, and other bodies had been formed during these years to meet the needs of the ever-growing number of those who wished to exhibit, but the “Old So- ciety,’ as it was and is usually called, did not fail to keep the lead or to attract at least its fair share of the best talent of the day. During the earlier years of its existence the rule of the Royal Academy which prevented members or candidates for membership from being members of any other Art Society had caused some friction be- tween the two bodies and the retirement from the Society of several members who, working principally in oil, were desirous of Academic honours, but during the later years of Tayler’s presidency this rule had been relaxed; with the accession of Sir John Gilbert to the Chair in 1871 the last trace of antagonism between them came to an end and later records show an increasing number of artists who were members of both bodies; among them Lord Leighton, Sir Lawrence Alma-Tiadema, Robert Macbeth, Her- komer, and Edwin A. Abbey may be mentioned, and to-day we find in the same category Sir Edward Poynter, President of the Royal Academy, John S. Sargent, Anning Bell, D. Y. Cameron, Clausen, Cadogan Cowper, Napier Hémy, North, Charles Sims, Lionel Smythe, Tuke, David Murray and the two last presidents of the Society, Sir Ernest Water- low and Alfred Parsons. In 1881, during Sir John Gilbert’s presidency, by a grant of Queen Victoria, the “Old Society” be- came “The Royal Society of Painters in Water- colours” and the members were given diplomas signed by Her Majesty, privileges which have been re- newed by her successors on the throne: Queen Alex- andra and the Princess Louise, Duchess of Argyll, are Honorary Members. The story of the Society from its birth to the year 1890 is told exhaustively in a book written by John Lewis Roget, published by Longmans in 1891, entitled “The History of the Old Watercolour Society,” which is practically a history of watercolour painting in England. Sir John Gil- bert lived to a good old age and during the later years of his life the affairs of the Society were largely managed by the vice-president, Hubert Herkomer. When the end came in 1897 the members elected Ernest A. Waterlow to fill the vacant chair, a | position which he held till his retirement in 1918. In these later years the Society has maintained its catholicity, and among its members are found repre- sentatives of many schools, though none of those, such as Post-Impressionists and Cubists, which are ~ generally referred to by modern art critics as “‘ad- vanced.” | | The Society has always been keenly interested in the materials on which the permanence of water- colour drawings depends: as far back as 1821 in reply to some letters on the subject the Council issued a manifesto pointing out that those used by watercolour painters were the same as those of Raphael’s cartoons which still retained their bril- liancy, and of the illuminated manuscripts of the twelfth and thirteenth centuries. In 1886 the ques- tion of permanence was again raised and a contro- versy arose as to the effect of ordinary daylight on watercolours: an exhibition of works by deceased masters of the British School, all in a state of ex- cellent preservation, was held in London and was a practical demonstration of the fact that they did not fade when exposed in the light of an ordinary room, and an elaborate scientific enquiry by a Com- mittee of Chemists and Artists into the stability of pigments showed that though some of those formerly used were fugitive, there remained a full gamut of permanent colours which could be used with con- fidence. In later years the Society has turned its ~ attention to the question of paper, on the purity of which the lasting quality of watercolour largely de- pends, and a drawing paper is now obtainable manu- factured under its supervision, stamped by the Society with its initials, R. W. S., and guaranteed to be made solely of linen rags in the bleaching of which no chemical has been employed. The conditions produced by the European War have naturally affected artists in all the belligerent. countries, together with others whose productions come in the category of luxuries, but the Society has not relaxed its energies; its annual exhibitions in Summer and in Winter have been continued with considerable success and, in addition to these, two Special exhibitions have been held, the profits from one of them being given to “The Artists’ General Benevolent Society.”” The other Special exhibition was a collection of watercolours given by the mem- bers in aid of the Red Cross and St. John’s Ambu- lance Societies; these were afterwards removed to Messrs. Christie’s Galleries and sold by auction, realizing a sum of over two thousand pounds, which, owing to the generosity of Messrs. Christie in charg- ing nothing for their services, the Society was able to hand over intact for the relief of the wounded. Although in past years it has been represented officially at most of the great exhibitions and world’s fairs, this is the first occasion on which the Society has exhibited as a body anywhere but in its own Gal- lery in London; the collection of watercolours now sent to the Galleries of the American Art Association is a representative one, and it is submitted to the American public with confidence in its taste and discrimination. ALFRED Parsons, President R.S.W.C. CONDITIONS OF SALE 1, Any bid which is merely a nominal or fractional advance may be rejected by the auctioneer, if, in his judgment, such bid would be likely to affect the sale injuriously. 2. The highest bidder shall be the buyer, and if any dispute arise between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the purchase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. Payment of that part of the purchase money not made at the time of sale shall be made within ten days thereafter, in default of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforcement of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such purchaser, and the deficiency (if any) arising from such re-sale shall be a charge against such purchaser. 4. Delivery. of any purchase will be made only upon payment of the total amount due for all purchases at the sale. Deliveries will be made on sales days between the hours of 9 A. M, and 1 P. M., and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. Delivery may be made, at the discretion of the Association, of any purchase during the session of the sale at which it was sold. ’ 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. * 6. Storage of any purchase shall be at the sole risk of the purchaser. ‘Title passes upon the fall of the auctioneer’s ham- mer, and thereafter, while the Association will exercise due caution in caring for and delivering such purchase, it will not hold itself responsible if such purchase be lost, stolen, damaged _or destroyed. x Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. 7. Guarantee is not made either by the owner or the Associa- tion of the correctness of the description, genuineness or authen- ticity of any lot, and no sale will be set aside on account of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. The Association exercises great care to catalogue every lot correctly, and will give consideration to the opinion of any trust- worthy expert to the effect that any lot has been incorrectly cata- logued, and, in its judgment, may either sell the lot as catalogued or make mention of the opinion of such expert, who thereby would become responsible for such damage as might result were his opinion without proper foundation. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South, New York City. FIRST EVENING’S SALE THURSDAY, NOVEMBER 9, 1916 AT THE AMERICAN ART GALLERIES BEGINNING AT 8 O'CLOCK 1—HEnnry HEnsHaL, R.W.S. 7} - Vo Trad urthcheg The Bitter-sweet 30 Height, 81, inches; width, 51/4, inches. Signed at lower right, Henry Henswatt. Hie Oa 2-Heren ALLINcHAM (Mrs. WitiiaAM ALLINGHAM) 92.4% Old Kentish House Height, 9 inches; width, 63, inches. Signed at lower left, H. ArtincHam. a A. Payne, A.R. ae or Sg % The Sunset Height, 10 inches; width, 61 inches. First Evening 4—AnicE MAcALLAN S ; A.R.W.S. oe : The Feast of the Red Admirals | ” af) ere Height, 1014 inches; width, 8 inches. Signed at lower right, A. Macattan Swan, 1915. 5—CuTHBERT RicBy The Coniston Fells Keer 6 Ue : Height, 71%, wnches; width, 11 inches. Signed at lower left, Curnperr Ricsy, N22. 6—Henry A. Payne, A.ReW'.S. The Nuns 7// » Vv Bland ron : Height, 7 inches; length, 10 inchés. all Signed at lower left, H. A. P., 1912. 7—ReEGINALD Barratt, R.W.S. Piazzetta, Venice Qiive te fee aoe LRT: Height, 9 inéhes; length, 11% inches.’ Signed at lower right, R. Barrart. 8-——Henry A. Payne, CY R.W:.S. Bergen, Norway} nach a | Abe HQ Heigth, 914 inches; length, 1234 inches. Signed at lower right, H A. Payne. First Evening | Bee cour CiaAusen, R.A., R.W. 22 e3 The Shot Tower, Lambeth Height, 914 inches; length, 12 inches. Signed at lower right, G. CuausEeNn. "acne ie -10—Oniver Hatz, A.R.W:S. SS (Ap rra hot Old Ash-trees, Bardsea Forest “IA Z oo —— Height, 9°4, inches; length, 12% inches. Signed at lower right, Or1ver Hatt. 11— ALICE MacaLLan Swan, A.R.W.S. The Kissing Bridge Ty aA 0: Le ir o~ a aces : Height, 91%, inches; length, 121% inches. Signed at lower right, A. Macarran Swan. 12—Wiuiam T. Woop, A.R.W.S. OO hee ; a RS A Night of Stars on aces Height, 1214 inches; width, 101%, inches. | Signed at lower right, W. T. W. A Dancer / eae Height, 12%, inches; width, 1014, inches. 13—Lavura Knicut, A.R.W.S. OF. bree Signed at lower right, Lavra Kwnicut. First Evening © @, 14—A. S. Harrrick, 4: R. W:.S. A Fisher Laddie from Banff, N. B. —~ 9 0 : Ss ie vi o Tana | Height, 13 inches; width, 7%, inches. Signed at lower left, A. S. Harrricx. ie 15—Minprep A. Boe ARW. 5. _ Campanula Grandis / 5 SO : Height, 934, inches; length, 181%, inches. Signed at lower right, Mitprep A. Bouruer. 16—J. Wartrer West, R.W.S. ea / Sunset on the Nile i ve BO ier Height, 10 inches; length, 134, inches. 7 Rleeadiale 17—Lavura Knicut, A.R.W.S. The Butterfly | a lene Height, 1214 inches; width, 1014 inches. i Signed at lower right, Laura Kyicnt. : Pe YV: (2. Stich : 18—Henry HensHarz, R.W:.S. h 17 The Idler Height, 12 inches; width, 11 inches. Signed at lower left, Henry Henswatt. First Evening 19—REGINALD Barratt, R.W. Gln. of Yb ie Venetian Balcony oF SS Height, 1414, inches; width, 934 inches. Signed at lower left, R. Barrarr, 1908. 20—J. Warter West va (S. of ry. BOA Bayeux, France JU Height, 10 inches; length, 14 inches. Signed at lower right with monogram. : f, | 21—Lavura Knicut, A.R.W.S. oy : Re pere We... La Mort du Cygne y, 0g Apes Height, 1414, inches; width, 924 inches. Signed at lower right, Laura Kynicut. 22—Ropert Lirrir, R.W.S. b? ey, 1G, Nd Loe In St. James’s Park, London eek. ae Height, 9°/, inches; length, 14 inches. Signed at lower right, R. Lrrri. 23—-Mitprep A. Butier, A.R.W5S. } A Duck Pond Tr nn Ne ta. Gh oe 5 it Height, 10 inches; length, 14 inches. Signed at lower left, Muprev A. Burien. First Evening | An Old Water Mill at Hemingférd— VEER Grey on the River Ouse, Huntin donshire Height, 10 inches; length, 14 inches. Signed at lower right, J. J. Harpwick. 25—Rosrt Barton, Mist Churchyard of St. Bartholomew the | eect Great, Smithfield io : . Height, 10 inches; length, 14 inches. | Signed at lower left, Rose Barton, 1905. 26—_ALBERT GOODWIN, fe haw ho Afterwards C ot ‘—- Height, 10 inches; length, 14 inches. Signed at lower right, AtBerr Goonwin, biases 27—JoHN R. WEGUELIN Ne op bude | Springtime 3 U > Height, 141, inches; width, 101%, inches. Signed at lower right, J. R. WEGUELIN. VV. Et ans 28—Rosert Lirr tr, R.W.S. Richmond Yorks from Easby o oe ian Height, 10%, inches; length, 144% inches. Signed at lower right, R. Lirtre. First Bvening ih fi Pee Sins, RA, R.w.s. (/2- A French Fisherwife a yy sclae Height, 141, inches; width, 1014 inches. Signed at lower right, Srms. 30—Otiver Hai, A.R.W.S. ae (o PAV iso's Bignor Mill, Sussex G4 og = Height, 101, inches; length, 141/, inches. Signed at lower left, Ot1ver Hatt. 31— ALBERT GOODWIN, R.W.S. Va (Vr S af CL Moonlight on the Citadel, Cairo g¢ od —— Height, 10 inches; length, 143/, inches. Signed at lower right, ArBert Goopwin. Vis Ode 32—CuUTHBERT Ricpy A CMY VA BANAL Blea-tarn and the Langdale Pikes mle ie ee me Height, 1034 inches; length, 1434 inches. Signed at lower left, Curupert Ricsy, K33. 388—EpmuNpD J. SULLIVAN, A.R.W. “ee ae My Last Duchess (Browning) eo bn Height, 15 inches; width, 104, inches. Signed at upper right, Epmunp J. Suutivan, 06. First Evening | YN pr 34—A. S. Harrrick, A. R. WS. 3 Maurice Hewlett’s Garden at Broad et Ry z Chalk, Wilts (in 1909) | ~ ee Height, 10 inches; tength, 151% inches. Signed at lower right, A. S. Harrricx. 35—KATHARINE TuRNER, A.R.W.S. | White Roses LY. of p- Le Se sae hoe Height, 11 inches; length, 141 inches. Signed at lower left, KarHEertne TURNER. 36—J. Water WEsT, Rode et Sy Firelight ede | Height, 14 inches; width, 12 inches. ad ite ~~ Signed at lower right with monogram, No. 77. o~ Oh di Height, 14 inches; length, 1414, inches. Signed at lower right, Henry E. Crocker. 38—ALBERT GoopwINn, R.W.S. Canterbury Close ea of Vf 3 Vie , Height, 101% inches; length, 14% inches. Signed at lower right, ArBert Goopwin, 1915. First Evening 39—A. S. Harrricx, A.R.W.S. ge Prosper and the Countess (Forest es pill Lovers) | | Height, 1514, inches; width, 10 inches. Signed at lower right, A. S. Harrricx. 40—W. Russet Fuint, Lizut. R.N., V.R., A.R.W:S. rf 7 ASS Wind Height, 101% inches; length, 15 inches. Signed at lower left, W. Russert Frnt. if j 41—C. Sims, R.A., R.W.S. (Qian ee =~ PLY Study for “Syria and Pattatos” f Height, 151% inches; width, 1214 inches. Signed at lower righi, Sims. 42—_KpMUND J. SULLIVAN CP. Lede Bishop Blongram’s Apology (Brown- on wt ing) nlaae Height, 15 inches; width, 1014 inches. Signed at upper right, Epmunp J. Suiivan. 43-—W. MatrrHew Harz, R.W.S. of. (y. Havcbhirg The Abbey Church, Bath, Somerset- 3 0 shire | ie Height, 101, inches; length, 151, inches. Signed at the lower right. First Evening 44 H ENRY Hipaseenss R.W. S. The White Rose —Laemy Ob oe s oy —_— Height, 1514 inches; width, 11 inches. Signed at upper right, Henry HeENsHALL. , 45—C. Sims, R.A., R.W.S. The Garden Croft >) ae Height, 1414 inches ; length, 16% inches. 46—Francis Epwarp Ae R.W.S. et Dahlias, A Collaretti in Chinese Bowl / Wess Height, 1514 inches; width, 12 inches. Signed at lower left, Sims. Signed at lower right, Francis E. JAMES. 47—EpmMuNpD J. SULLIVA i ae Porphyria’s Lover ¢. @° VA Height, 1514, inches; width, 11 inches. me ‘Signed at lower right, Epmunp J. SULLIVAN. ‘ f : J 48—-GEORGE CLAUSEN, R.A., R.W.S. Demolition of the Old Post Office, | London of ae Height, 13 inches; length, 161%, inches. Signed at lower right, G. CLAUSEN. First Evening 49—A. S. Harrricx, A.R.W.S. Alms House at Cobham, Kent: Old fs t— Cricketer with a Wooden Leg Height, 1714, inches; width, 11 inches. : Signed at lower right, A. S. Hanrrricx. On back: From the Alms houses at Cobham in Kent. Said to have been a country cricketer in his day, but lost a leg and had to get a wooden one. When he became a umpire » “He were a umpire, but he always got ’em out—The other humpires knowed he!!” Remarked by another inmate who had known him from boyhood. : ee ee 50—Francis Epwarp JAamMeEs, R.W.S. Zinnias ‘an eg Height, 12 inches; length, 16 inches. 51—C. Sims, R.A., R.W.S. / CB Clips oi The Transit of Venus Yv V7. sapieoatin c: i ene 4 Height, 17 inches; width, 1214, inches. 52—J AMES Paterson, R.S.A., R.W.S. The Tea Urn — oy U6 ) d wares Height, 17 inches; width, 15 inches. Signed at lower right, Sts. Signed at lower left, James Paterson, 1913. First Evening A Wi ‘ 58—Harry WartsonLaA.R.W.S. fe: Autumn ee : 3 ee Se Height, 17 inches; width, 15 inches. — Signed at lower right, H. Watson. Vi on: 54—W. Kyre WatkeEr, R. fe A Pool in a Galloway River Bae dite Height, 124 inches; length, ai inches. Signed at lower right, W. Eyre Waker. Via eee 55—Henry S. Tuxe, ne R.W.S. Waiting for Orders at Falmouth ma e ' a) ioe Height, 11 inches; length, 18 inches. Signed at lower right, H. S. Tuxe, 1916. 56—Henry E. Crocker Milkmaid Oy RA oy _ Height, 18 inches; width, 114 inches. peal Signed at lower right, Henry E. Crocker, /15. 57—Henry Hensuary, R.W.S. Angel Whisper CS Ue z Pere 7 Wea: 0 579 AN Height, 1834 inches; width, 11 inches. Signed at lower right, Henry Henswait, 1908. First Hvening 58—Harry Watson, A.R.W.S. (0. & ph | Sketch Lf ee | Height, 151% inches; length, 18 Sichas 7 i Signed at lower right, H. Warson, 1915. 59—AnLicE MAcaLLAN oe A.R. W. S. Wallflowers 6. a Height, 15% ae fn 18 inches. / eet, Signed at lower right, A. Macattan Swan, 1913. 60—ARTHUR Hoprxins, R.W.S. // - of Moe A Playground by the Sea Height, 13 inches; length, 191, inches. vc “jp ies Signed at lower right, Arruur Hopxins. 61—W. Eyre Waker, R.W.S. le Welsh Hillside Yo; prraneg er 278 Height, 18 inches; length, 18, inches. (/ eR Signed at lower right, W. Eyre WALKER. 62—R. THornE-WaAITE Cornfield with Gleaners Hap Nae 3 oa el Height, 18%, inches; length, 21%, inches. Signed at lower right, R. Tuorne-Warre, /16. First Evening 683—Francis Epwarp James, R.W, Fuchsia Tree eo: 3 an b be Height, 134, inches; length, 194, inches. — Signed at lower right, Francis E, James. 64—Henry HeEnsHatt, oO W. a Love Birds — : Height, 101%, inches; length, 20 inches. fra Signed at lower right, Hynry Hensuarn, 1905. 65—W. RussELL Fit, Lircvrt. R.N., A.R.W.S. Amalfi: Morning Mists Rising Height, 20 inches; width, 131/, inches. Signed at lower right, W. Russerx Fut. 66-—W. Eyre Waker, R.W:.S. Corfe Castle, from the S.W. a Height, 13 inches; length, 181/, inches. = Signed at lower right, W. Eyre Waker. 67—R. THornE-WAITE : IN a Bolton Castle, Yorkshire a r se we. Height, 141, inches; length, 211% inches. ; Signed at lower right, R. THorne-Warre. First Evening 68—Rosrt Barron, R.W:S. Leg a. Cpa Chapter Lane, St. Patrick’s, Dublin 3 a A ae Height, 201% inches; width, 13 inches. Signed at lower right, Ros—e Barron, 1910 69—REGINALD Barratt, R.W.S. ( 52% Under the Library, Venice y aie Height, 21 inches; width, 18 inches. Signed at lower left, R. Barrart, "F Gate: 70—H. Hucurs-Stanton, ee R.W.S. ae The River Height, 131% inches; length, 1914 inches. 71—W. Russet FLInt, gid | rage N., V. glib Sh The Cloisters of San Giovanni degli m6. Eremiti, Palermo Signed at lower left, Hueues ee 1915. Boe Height, 201, inches; width, 14 inches. Signed at lower left, W. Russern Frurntr, Parermo, 1913. 72—W. Evrn Watxer, R.W.S. VY Dee Corfe Castle, in Sea Mist / G J 5 58 Height, 13 inches; length, 181% inches. Signed at the lower left, W. Eyre Warxer. First Evening 73—R. 'THorne-W AiIrTE A Sussex Village rota AAR | a —— if Height, 1454 inches; length, 214, inches. Signed at lower right, R. THorne-Warre, 1916. _ 74— ALFRED yah Kg P.R.W.S [ee By the River Lee, County Cork — / i ,¢ Height, 14 inches; length, 201% inches. Signed at lower right, Atrrep Parsons. | | } ng ST ppt 75—Ropert W. ALLAN, R.W. S. A Dutch Harbor Height, 14 inches; length, 20 inches. ~ ges Signed at lower right, Roperr W. ALLAN. 76—Henry S. Tuxe,(K.A., R.W.S. . Rasaaa Day, Falmouth Harbor , $F vt Height, 14 inches; length, 20 inches. Signed at lower left, H. S. Tuxr, 1914, 4 77—J ames Paterson, R.S.A., R.W.S. R) ~The Plaza, San Antonio, Teneri i aad Height, 1414, inches; length, 21 inches. Signed at lower right, James Paverson 1 First Evening 78—Rosert W. ALLAN, R.W.S. Ca 2 450 In Japan eet Height, 14 inches; length, 20 inches. i Signed at lower right, Roperr W. Avan. 79——R. - THoRNe-WAITE The Road to Cambri OS so Height, 21 inches; width, 14 inches. Signed at lower left, R. THorne-Warre. : Cy 4, Pas 80—ALFRED Parsons, R.A.., yeas : Catrcen Cherry-trees on a Buckinghamshire i / O79 fe. Common . | Height, 14 inches; length, 201, inches. Signed at the lower left, Atrren Parsons. ie 81—JameEs Paterson, R.S.A., R.W.S. Melrose Abbey from the East Vv ce See Height, 21 inches; width, 141/, inches. Signed at lower right, James PaTerson. Cy | 82—Lexstiz THomson, R.W.S. E a Clee), | MM hriade Site foal aay pert Height, 91% inches; length, 271/, inches. Signed at lower left, Lestrzr Tuomson. First Evening : Whe ¥ 83—S. J. Lamorna Bircu, R.W.S. Bolton Abbey, Yorks Se ale Ein Height, 161, inches; length, 204, inches. Signed at lower left, S. J. Lamorna Bircu TG 84—AnicE Macattan Swan, A.R.W.S. Roses: “Lady Hillingford” Height, 141, inches; length, 224, inches. / ioe : a Signed at lower left, A. Macattan Swan. _ a Flower Market, Paris | ? nn a4 / % Height, 14 inches; length, 20 inches. ae Signed at lower right and left, Rosert W. ALLAN. Ok (oeboeh bee 86—JoHN R. WEGUELIN a Nympha fugitiva — OF ) )S recy Height, 21 inches; width, 14 inches. Signed at lower right, J. R. WEGUELIN. ne Ty 7. df ABA Y 87—TuHomas MatrHews Rooks, R.W.S : Place Attalah, Kairouan, Tunisia a ~ bo . i : / 6 sone Height, 15 inches; length, 22 inches. rey Signed at lower left, T. M. Rooxe, Karrovan, 1913. First Evening 88—Epmunp J. Suiivan, A.R.W.S. () L, of Ls | Juno 9 4 oe Height, 16 inches; length, 21 inches. aa Signed at lower right, Epmunp J. Suizivan, 1904. 89—Witt1aAm T. Woop, A.R.W. oat hac boa te ig Dawn on the Dorset Coast | of” de Height, 1414, inches; length, 20%, inches. Signed at lower right, Wi111am T. Woop. y, 90—S. J. Lamorna Bircu, nk L— From the Door of My Studio f o oe Height, 161/, inches; length, 21 inches. Signed at lower left, S. J. Lamorna Bircn. A Pe 91—Mitprep A. ButiEr, A.R.W'S. 9 TOL) A Spring Morning (" i? Veena va Height, 211%, inches; width, 151/, inches. i Aad Signed at lower right, Mityrep A. Burier. 92—EpmMuUND J. SULLIVAN, A.R.W Ss. Autumn & & od Vy OW pr y => oy Height, 21 inches; width, 15 inches. a — ye é) Signed at lower right, Kymunv J. Surzivan, 1906. Verse on back: On a half reaped furrow, sound asleep, Drowsed with the fume of poppies. —Kears. First Evening 93—W. Marruew Hatz, R.W.S. Early onamen in the West of Eng- RUINS gate land Height, 15 inches; length, 22 inches. Signed at lower right, W. Martuew Hate. 94—Henry E. Crocker(/ 9. d In Cornwall | Bein se : Height, 1% inches; length, 22 inches. Signed at lower are nee E. Crocxer, MB. gs ene WATSON, A. Or a “Ruins” at Beaulieu, New Forest, / 0 ee Hampshire ‘eecagener / Height, 18 inches; length, 22 inches. Signed at lower left, H. Watson. cork YY n>! ane 96—WiLuiAM T. Woop, A.R.W.S. Autumn in the Vale Height, 14 inches; length, 23 inches. aise! / 8 Signed at lower right, Witt1am T. Woon, /15. } : ait 97—AticE MACALLAN Swan, A.R.W:5S. | Poppies Height, 17 inches; length, 191% inches. { Reni ga @ 4 4 ———— f Signed at lower right, A. Macatian Swan, 1915. First E'vening 98—Rosrt Barton, R.W.S. Van hy ce Home, Sweet Home eg . ad ar Height, 2114 inches; width, 171% inches. Signed at lower right, Rosk Barron. 99—W. Matruew Hats, R. Morte Point, N. Devon C4 Pa _ Height, 15 inches; length, 22 inches. Signed at lower right, W. M. Hate. y BPs CREEKS, 100—Ernest A. WaTERLOW, RAE R.W.S. Bolton Abbey, Yorkshire va Td a ee Height, 171, inches; length, 231% inches. Signed at lower left, K. A. Warvertow. "iG a0, ean /) 101—Wuu1am T. Woon, ay 3 (Vat Lyre Thames Embankment ry ) 30 Height, 17 inches; length, 24 inches. Signed at lower left, W1111am T. Woop, 1912. On back: “From Hungerford Bridge, Charing X, pan; 1912.” (Phe le l crenrbarh o 102—D. Y. Cameron, A.R.A., R.W.S. is Uplands in Menteith 0 Go Height, 151%, inches; length, 25 inches. Signed at lower left, D. Y. Cameron. First Evening ok Ae) ae GIP PROP Lae. "Sey 103—S. J. Lamorna Bircyu, R.W.S. The Crook o Lane, Lancaster l 24 U — Height, 1814 inches; length, 23 inches. Signed ¢ at lower right, S. J. Lamorya Brrcu. 104—THomas MatrHews Rooks, R.W.S. _ Tombs of the Crusaders, Westminster _ ef ji Abbey Ben HS Height, 26 inches; width, 1814, inches. — Signed at the laaee left, T. M. Rooke, West Minster, — : % ay 1904. Sere: 105—C. Narrer Himy, R.A. Bay at A Bad Leak phe ) ote: Height, 18 inches; length, 27 inches, = Signed at lower left, C. N. H., 1916. , lai: 106—S. Curnow Vosper, R.W. he | Le Drap Mortuaire Dt : Height, 26%, inches; width, 20 #nches. | Signed at lower left, S. Curnow Vosper. 107—CHARLES Gamneee. VM. Sead “i yh: Marlow-on-Thames, from “The Com-’ Age plete Angler’ Gardens Height, 19 inches; length, 28 inches. Signed at lower left, C. Grecory. ‘ First Evening We Borin Horxins, R.W.S. Cis a yl Lh bx. f fe) Adrift Ss Ss” pore: Height, 20 inches; length, 28 inches. Signed at lower right, Anruur Horxrns, 1915. Tre LF 109—JamEs Paterson, R.S.A., R.W.S. Saint George’s, Edinburgh S72 ae Height, 21 inches; length, 28 inches. Signed at lower left, James Paterson, Epinsuren, 1913. 110—C. Napier Heémy, mae Rrenhech Cr Blue Weather iy Height, 1714 inches; length, 27 inches. ac beet Signed at lower right, C. N. H., 1916. 111—S. J. Lamorna Bircu, R,W.S. | In the West MAN: ede TALL Height, 21 inches; length, 28 inches. he a ‘ad ed Signed at lower left, S. J. Lamorna Bircu. C BL hic 112—Tuomas Marruews Roo OKE, R.W.S. The Temple Church, “London . oe SG a Height, 29 inches; length, 21 inches. Signed at lower left, T. M. Rooxg, 1915. First Evening ‘Was es : 118—Witiiam T. Woop, A.R.W.S. aoe | Moonlight, Brixham, Devon, Eng- : JS land _ Height, 24 inches : lomaehs 2934, jachahe i Es Signed at lower left, Wi111am T. Woop, 19138. 3 W4—J AMES PATERSON, R. S. “8 R. W. Ss. Eyed Goldfish Height, 27 inches; width, 19 lacker ne Signed at lower right, James Paterson. Wy VY Toman 115—-RosBert cae RWS. a Chateau Gaillard: From the Scan & : SORA Height, 25 inches; width, 30 inches. — Signed at lower right, R. Lrrrzux. SECOND EVENING’S SALE FRIDAY, NOVEMBER 10, 1916 AT THE AMERICAN ART GALLERIES BEGINNING AT 8 O CLOCK ain | 116—Henry A. Payne, A.R.W.S. The Rainbow ot, /] ae Height, 91% inches; width, 63/4 inches. 117—Murprep A. Butter, A.R.W.S0 (Las Winter Grazing ee 3 Ms) ie Height, 6%/, inches; length, 9%, inches. Signed at lower left, Mitprep A. Burien. 118—Henry Hensuarr, R.W.S. “7 (> i he Bie The Widow o ao? Height, 614 inches; length, 1014, inches. Signed at the lower left, Henry HensHatt. ri Second Evening 119—GrEoRGE CLAUSEN, R. RAL R.W.S.. Mondello in Sicily Sy (padon | ot) Height, 81, inches; length, 1114 inches. Signed at lower right, G. CravsEen. — 120—AniceE MacaLLan ge MK ve Ss. The Siesta i Height, 91/, inches; length, 11 inches. if pe A Signed at lower left, A. Macattan Swan. 121—GrEorGE CLAUS Limehouse Gf os Height, 914 inches; length, 12 inches. — each: Evening Signed at lower right, G. CLausEn. nec WF 122—ALrreD Parsons, P.R.A., R.W.S. The Chimney Campanula Height, 1114 inches; width, 834 inches. ie d =———. Signed at lower he ALFRED Parsons. 123—-CUTHBERT RiGBy SF () Lew het ar) Stepping-stones at Rydal f : pS oa Height, 714 inches; length, 1214 inches.’ Signed at lower right, Curupert Riary, 02. Second Evening 7 124—REGINALD Barratt, R.W.S. : 30 rie Corner of Ducal Palace, Venice ce Height, 121, inches; width, 8%, inches. Signed at lower right, R. Barrart, 1911. 125—A. S. Harrnice, arnwsdetatlrf poe Planting Potatoes with a _ Breast ee Plough (Cotswolds) . Hf. eight, 7%, inches; length, 1234 inches. Signed at lower right, A. S. Harrrick. On back: “This drawing was made at Fresham, Wolton- under-Edge, Gloucestershire. The breast plough, which has come straight down from medieval times, is still to be seen -in Gloucestershire and Wiltshire, and is used chiefly on the shallow light soil on the top of the Cotswolds. . The old man who owned the one here painted said that he could remember twenty men working abreast in a field with these ploughs. It is very hard work indeed. The plough is put in from breast high, then strapped to the wooden beaters on the thighs, which gives it a push forward of six or eight inches, then it is turned over by the handle to the side where the soil has been freshly worked.” we 126—GrorGE CLAUSEN, R.A., R.W.S. Ae Mounts Bay: Evening Height, 91/, inches; length, inches. Signed at lower right, G. CLausEN. 127—Laura Knicut, A.R.W.S. , | In the Bath MM. , a Cane tarey o- p-ee__-- Height, 101, inches; width, 10 ieee. (/ Signed at lower right, Laura KnicHrt. Second Evening - : ie Sg eeTER 128—-KaTHARINE TURNER, A.R.W.S. Carnations — oe SNe Height, 124 inches; width, 10 inches. " Signed at lower right, KatHARINE TURNER. 129-3. Water West, B.W.5.)) ae Forget-me-nots wth Height, 1381, inches; width, 9Y, inches. — He Signed at lower left with monogram, No. 73. — . ae 130—AxiIcE MacatLtan Swan, A.R.W. Ne The Harvest Moon _ Height, 10 inches; length, 12 inches. — ak * O2o8_ Signed at lower right, A. Macattan Swan, 1915. 1381—HeEnry HEnNsSHALL, The Wonder-boo Heigh 760 Signed at lower left, Henry HensHatu. -W.S. 132—Laura Knieut, A.R.W.S. A Dancer Height, BS inches; width, 1014, inches. | nes eae LZ, inches; wr 74, inches. , Signed at lower left, Laura Kwnicurt. Second Evening 133—Rosert Lirrir, R.W.S. tT ann Vv | Ph tl Julius Shaw’s House, Stratford-on- og ea ll Avon Height, 14 inches; width, 9, inches. Signed at lower right, R. Lrrrze. Bee. Ware Wer, Rw.s., ae, Ful Beverley Minster, England Pe, vi aie if Height, 10 inches; length, 14 inches. Signed at lower left with monogram. 135—Rosrt Barron, R.W.S. | o, Kensington Palace 4 Vy PAR AMAL SO o4 _Height, 10 inches; length, 14 inches. | Signed at lower right, Rosr Barron, 1915. 136—GerorGE CLAUSEN, R.A., ee Sunset after Rain Ve ing ae y Height, 1014, inches; Ve 14 We anasarsether W Jet id _ Signed at lower right, G. CLausEen. Seem 187— ALBERT Goopwin, R.W.S. Hastings, Susex a Yoel Height, 10 inches; length, 14 inches. [/ j Signed at lower right, ArtseErr Goopwin, 1914. Jy 42 Second Evening 1388—Francis Eywarp JAMES, A Pattern: Dahlias and Brocade wee 5 st Height, 14 inches; width, 10%, inches. e a Signed at lower left, Francis E. James. aa 1389—LaurA Knicut, A.R.W.S. La Mort du Cygne — Height, 1314, inches; width, 9%, iy ee / p= —=—— Signed at lower right, Laura KnicHt. 140—Rost Barron, ay S. Chilly! Diigais: eg alk 14 oe width, 10 inches. yook $s Signed at lower left, Roszk Barton, 19138. Re Oat : 141—Oniver Hatz, A.R. om” Shap Moors, eae ‘ Pana gt Height, 101, inches; length, see inches. ” Signed at lower left, eee Hatt. 142—Ropert Littiz, R.W.S a Richmond Castle and ‘phase York- ; Bae te shire 3 his Seana Height, 934, inches; width, 14 inches. Signed at lower left, R. Larrtix. i } Second Evening 143—J. Waxter West, R.W.S. The Bouquet Vuvy. of yOu a ¢? ic | ———— Height, 14 inches; width, 10 inches. (/ Signed at lower left with monogram, No. 84. 144—Oniver Hati, A.R.W.S. a Ay. H, V APA he.. A Sandstone Cutting, Westmoreland J 'f Height, 1014 inches; length, 141/, inches. GA Signed at lower right, Oriver Hatt. co 145—A.pert Goopwin, R.W.S s. Ch. Gd. Vans ray. oe er a Si eee Cashel, Co. ‘Tipperary, ‘eorde / he rs] ; o~ (FFG Height, 10 inches; léngth, 141/ inches. Signed at lower right, Apert Goopwin. 146—Recinatp Barratt, R.W.S. View from Giudecca, Venice Height, 1034, inches; length, 143, inches. t o” ihe Signed at lower right, R. Barrarr, VENICE, 1908. 147—Henry E. Crocker Vigo! (Y a4 Lu bh In the South Downs ond? ee Height, 111 inches; length, 14°, inches. Second Evening 148—J. Waxter/West, R.W.S. Sugar? | ene / at wig Height, 14 inches; width, 12 inches. Signed at lower left with monogram, No. 1%. 149—KaTHARINE Tiare A.R.W.S. ek 2 Single and Double Peonies ro tr De Height, 12 duchar length, 14, inches. Signed at lower left, KarHantne Turner, 1915. OT. rhe 150—ALBERT Geant R.W:.S. “ai Vitznan, Lake Lucerne 3 pS \ Height, 101%, inches; length, 14%, inches. Signed at lower right, ALBERT Goones 151—RoBeErt commie »+ ~» Richmond Yorks Hh the Tetras | . ra b ahi Height, 10 inches; length, 1414, inches. Signed at lower left, R. L. 152—Epmunp J. SULLIVAN aes The Golden Age Height, 15 inches; width, 1014 inches. / ih $B Signed at lower right, Epmunp J. Sutiivan, /06. a * Second Evening ) 158—Cutuserr Ricsy "% /. ae piel gl The River Derwent and Skiddaw Height, 83/, inches; length, 1534 inches. Signed at lower right, Curusertr Ricsy, J 07. 154—A. S. Harrricx, A.R.W.S. Y- i binhily : The Meeting of Maulfry and Isoult (Forest Lovers) : Dr he Height, 1514 inches; width, 10 inches. Signed at lower right, A. S. Harrricx. 155—Curusert Ricsy gist aac Harvest in om t KS” se Height, 9 inches; length, 16 inbiides Signed at lower left, Cutrupert Ricsy. 156—C. Sms, RA, RWS. 7 nick A Fight on the Tow Path Height, 101, inches; length, 16 inches. pe Signed at lower right, Sims. 157—F rancis Epwarp JAMES, cag Se e Auratum Lily ee VA do Height, 15%, inches; width, 11% inches. Signed at lower left, Francis E. James. Second Hvening 158—Epmounp J. SULLIVAN La Belle Dame sans Merci Height, 15 inches; width, 101/, inches. Signed at lower left, Eymunv J. SULLIVAN. WV WL - a arte eo Area Parsons, R.A., P.R.W.S. Willows by the Ouse, Bedfordshire / as ae . Height, 15 inches; width, 12 inches. Signed at lower right, ALFRED oa Bray wen 160—REGINALD Barratt, R.W The Abbey, Middelburg, Holland 2 ase Height, 11 inches; length, 16 inches. Signed at lower left, Recinatp Barratt, 1905 . 161—F rancis EKnywarp James, R.W.S. Carnations Cy, a Height, 111, inches; length, 151, inches. 162—A. S. Harrricx, A.R.W.S. The Marriage of Gar and” Isoult /Q 2 (Forest Lovers) Height, 15 inches; width, 10 inches. Signed at lower right, A. S. Hartrrick. Second Evening 168—W. RusseEvu Furnt, Lizut.~R.N., V.R., A.R.W:S. GEE Pp .. Tuileries Gardens, Paris, July, 1914 Af 7 —. Height, 161, inches; width, 14 inches. Signed at lower right, W. Russett Fut. Vinnie Mm NP. 164—A. S. Harrricx, A.R.W:.S. Alms Houses at Cobham, Kent: The Two Pollies 4 < Pirey Height, 171%, inches; width, 11 inches. Signed at lower left, A. S. Harrricx. 165—Francis EKnywarp James, R.W.S. African Marigolds Ar. ay Oa. Height, 11% inches; length, 151/, inches. a4 Signed at lower right, Francis E. James. 166—ArtTHuUR Hopkins, R.W.S. of “Shall I Make the Salad#l “VV . Ceaser 3 1 ici Height, 17 inches; width, 13 inches. Signed at lower left, Arruur Horxrns. 167—Harry Watson, A.R.W.S. Sun’s Reflections Th ne Se Height, 15 inches; length 1 inches. —— Signed at lower right, Harry Watson. Second Kvening 168—H. Hucues-Sranton, A.R.A., R.W.S. — Near Hasleniere Pte ; at —_— . Height, 11 inches; length, 181, inches. Signed at lower left, HucuHes-Sranton. :V). eee 169—REGINALD Barratt, R.W.S. Interior of St. Mark’s, Venice 5 Ot _ Height, 18%, inches; width, 10% inches. Signed at lower right, R. Barratt, 1912. | 170—ALBERT ey RW W. S. 7 toae The Gate of Sodom ene be jaa Height, 114, inches; length, 18°, inches. Signed at lower right, ALBERT Goopwin, 1916. Frrddfl 171—W. Eyre Waker, R.W.S. Ullswater, Cumberland (/ yh ny _ Height, 13 inches; length, 1814, inches. Signed at lower left, W. Eyre WALKER. 172—Witi1amM T. Woop, A.R.W:.S. Showers at Sunset 0° Height, 14 inches; length, 1814 inches. oo 7 Signed at lower right, W1tt1am T. Woop. 5 Second Evening 173—Harry Watson, AR.W.S. (4g 7 ih 0g go. The Garden Wall Height, 1714, inches; width, 15 inches. Signed at lower right, Harry Watson. 174—S. Curnow VosPer, ate” Cable, Interior of Breton Windmill le Height, 15 inches; length, 18 inches. Signed at lower left, Curnow Vosrrr. 175—J. C. Dotuman, R.W.S. Springtime in Sussex Height, 131, inches; length, 19 inches. Signed at lower right, J. C. Dotiman. 176—H. Hueues-Stanton, A.R.A., R.W.S. Windermere Height, 131% inches; length, 191/, inches. | Signed at lower left, Hucues-Stanton, 1914. ber W Eyre Waker, R.W.S. AA oy Poole Harbor, from Purbeck Downs Height, 13 inches; length, 1814, inches. Signed at lower right, W. Eyre Waker. Second Evening 178—Francis Epwarp James, R.W-S. was White Azaleas Height, 1814 inches; length, 1914, inches. Signed at lower right, Francis E. James. Vi 179—Lavura Knicut, A.R.W.S. — : Columbines | Rees 3 Ce Height, 19 inches; width, 18 inches. Signed at lower left, RA KwicuHrT. 180—ALFRED Parsons, R.A., P.R.W. S. The Ouse at Milton Ernest, Bedford- shire : 7 x, bog Ailalaty Height, 14 inches; length, 2014 inches. Signed at lower left, IB iN. Parsons. 181—J. C. Dottman, R.W.S. A Sussex Cornfield wi Aas Height, 12°, inches; length, 20% inches. Signed at lower right, J. C. yee. 182—W. Eyre wi fess S. On the Upper Severn, Montgomery- shire 7. a 00 Height, 13 inches; length, 181, inches. Signed at lower right, W. Eyre WALKER. Second Evening eG Vol 183—Ernest A. Water.Low, R.A., R.W.S. A Fishing Village, Stonehaven, Scot- CN bb land ot 7 Height, 1314 inches; length, 201/ inches. Signed at lower left, E. A. Watrrtow. —184—Lesitiz THomson, R.W.S.(7 : fa pe. : Holyhead Mountain pay : U Newer y y) o¢ Height, 131% inches; length, 221%, inches. Signed at lower right, Lestre THomson. (\ eo 185—ReEGINALD Barratt, R.W.S. ZR View from Public Gardeng, / Venice . dd. Sue Height, 1314, inches; length, 21 inches. | . } Signed at lower right, Recinaty Barrarr, 1907. 186—H. HUGHES-STANTON, A. RAS RW .S.: Evening _ (3 Tye 2- 2 ably Height, 18 inches; length; 19%, ap aee | 2 ame is z Signed at lower left, Huecuers-Sranton, W14. . Snowdon, N. Wales 3 2.60 Height, 114 inches; length, 231/, inches. (/ Signed at lower left, Lestm 'THomson. 187—Lestiz THomson, R.W.S. F as ah ee es =e | : ie pay Ae ne | Second Evening 188—Laura Knicut, A.R.W.S. The Pool AL j Q¢ Height, 20% inches; width, 14 inches. — Signed at lower right, Laura yo. , 189—W. Russe. FLINT, ee R. Ns V. R. A.R.W.S. yaa ene a: Subiaco in the Sabines AN Height, 20 inches; width, 131 inches. Signed at lower left, W. Russeti Furr. We tbhat 190—ALFRED Parsons, . A., P.R-W.S. | The Road to the Shore, Norfolk a, Coast js ee Height, 14 inches; length, 201/, inches. Signed at lower right, ng Parsons. 191—Rosert W. ALLAN, R.W.S. Perugia, Italy - Le Jet Height, 14 inches; length, 20 inches. Signed at lower right, Rosert W. Arian. 192—Curupert Riery Vr. Jiu tcee (i ae ( Blea-tarn and Lingmoor . Height, 12%, inches; length, 21% inches. AL 0 — Signed at lower left, Curmpert Ricsy, N. 36. Second Evening 193—W. Rousseix Furnt, Lieut. R.N., V.R A.R.W.S. VE g A Fountain, Villa Aldobrandini, [ Frascati | Height, 131%, inches; length, 20 inches. Signed at lower right, W. Russett Fun. 194—CHARLES GREGORY /) Wha 7h a) The Coldwell Rocks, Wye Valley Height, 21 inches; width, 14 inches. 195—ALFRED Parsons, R.A., P.R.W:S. Tall Hollyhocks Height, 1414, inches; length, 21 inches. Signed at lower right, C. Grrcory. Signed at lower left, Atrrep Parsons. 196—J AMES Paterson, R.S.A., i. Greyfriars Churchyard, Edinburgh Height, 141/, inches; length, 21 inches. Signed at lower right, James Paterson. 197—Wristamt T. Woon, ARW.ST/ y, | Willows at Twilight 7 AYN bdo teh G) Height, 15 inches; length, 191% inches. . Signed at lower right, Wi1tt1am T. Woop. Second Evening vs 198—LesLic THomson, R.W.S. The Needles, Isle of Wight Height, 91% inches; length, 271/, inches. Signed at lower left, Lestr: THomson. | 199—S. J. Lamorna Bircy, R. | es 5 inches; length, 20 inches. — .AJAMORNA BircH. 4 Jerusalem from Mount Olive | 3 > % Height, 14 inches; length, 20 inches. “Signed at lower left, Ropert W. Atuan, 1914. 201—JouN SincEr Sargent, R.A., N.A., n R.W.S. wae ek 4, a The Looking Glass > Dd 0 ae Height, 20 inches; length, 25 inches. Signed at the lower left. trate 201A—ALFRED Parsons, R.A., P.R.W. On the North Esk, Forfarshire / 46 Height, 14 inches; length, 201, inches. 7 oj ‘Signed at lower right, Aurnen Parsons. 202—Ernest A. WaterLow, H.A., R.W.S. Arundel Castle, Sussex : pe a3 Height, 1414, inches; length, 21 inches. /3 d, boss Signed at lower right, E. A. Watertow. Second Evening 203—Roszert Lirriz, R.W.S. AW A é Warwick Castle: Cesar’¥ Tower ay/! Sao Height, 21 inches; width, 15 inches. Signed at lower right, R. Lrrrte. 204—J. Water West, R.W. i. vo Lael rant| /) so Santa Catarina, Lago Maggiore Height, 151/, inches; length, 20 inches. Signed at lower right with monogram, No. 4. - 205—-Jamus Paterson, R.W-S. Ce harurik | Water of Urr, Kirkcudbrightshire , / y) fae , Height, 141/, inches; length, 21 inches. ; | . Signed at lower left, James Paterson, Roven Firru. | eee Ries, | 1 ' 7. Peano Atal A Glimpse of Esthwaite Lake : ul ee Fe Height, 1534, inches; length, 2134 inches. ( Ww Signed at lower right, Curuzrert Ricsy, G 05. 207—Henry A. Payne, A.R.W.S. WV Gee ~# The Choosing of the Red and White Waa Roses in the Temple Gardens 20 inches square. Signed at lower left, H. A. Payne, 1911. Second Evening — 208—Witii1am T. Woop, A.R.W.S. {/ | A Sad Gray Day eos ie bh U on Height, 14 inches; length, 2114 inches. ; ‘ Signed at lower left, W11t11am T. Woon. ae 209—Henry Hensuatt, R. Milestones PS ra olan? Height, 22 inches; width, 14 inches. Signed at lower right, Henry HensHatt. — 210—W. MatTrHEew E, R.WSS. Bolton Abbey, Yorkshire yo TE vi val eight, 15 inches; length, 22 inches. Signed at lower right, W. Marruew Hate. 211—Harry Watson, Spring Flowers | bh i Height, 211% inches; width, 18 inches. Signed at lower left, Harry Watson, 1915. . po aa : 212—AticeE MAcALLAN SN A.R.W.S. | , Anemones 3 Se Height, 17 inches; length, 191 inches. Signed at lower right, A. Macatuan Swan. Second Evening 213—Tuomas Mattruews Rooks, R.W:S. St. Bartholomew’s, Smithfield # A, ee Height, 21, inches; width, 17 inches. Signed at lower left, T. M. Rooxe, St. BartrHotomew, On back: “St. Bartholomew’s, Smithfield, London. With tomb of Rahera, Founder of the Hospital and Monastery.” 4 214—EpmunpD J. SULLIVAN, Ati gaad | The Pied Piper of Hamelin 3S Height, 21 inches; width, 141% inches. f ee Signed at lower left, Envmunn J. SULLIVAN. 215—S. J. Lamorna Bircy, R.W;S. . 4 Penzance Beach VV. (e ee J 7 evil Height, 17 inches; length, 22 inches. Signed at lower left, S. J. Lamorna Bircn, PENZANCE BEAcH. 216—Henry E. Crocker aN Whispering Grove Age « ne d a Height, 231/, inches; width, 17%, inches. Signed at lower right, Henry E. Crocxet, /16. 217—Jamers Paterson, R.S.A., R.W:S. , Roses So 4 i ken : Height, 17 inches; length, 24 inches. Signed at lower left, James PaTerson. BO : YY, Ay Wi; AAAAK_ Second Evening : oe AOANMWAVE 218—CHARLES GREGORY nr *“Symond’s Yat” on the Wye ot () Coe Height, 17%, inches; length, 251, inches. Signed at lower left, C. Grecory. 219—S. J. Lamorna Bircu, R.W.S. | The Old Mills at Montreuil-sur-Mer Height, 18 inches; length, 24 inches. — / 0 So Signed at lower right, S. J. Lamorna Bircu. Oh dW 220—Henry A. Payne, A.R.W.S. . _-The Day of the Daughter of Hades ‘ Height, 19 inches; length, 25 inches. Aree, Bil! Signed at lower right, H. A. Payne, 1914. he fe Rema '221—C. Napier Hitmy, R The Fisherman’s Retain 7 "4 e ge Height, 1814 inches; length, 2714, inches. d Signed at lower left, C. N. H., 1916. 222—R. THorNE-WAITE Mary and Her Lamb Aaa | 4 (a Height, 2614, inches; width, 20 inches. - Signed at lower left, R. THorne-Watrre. 7 i Second Hvening 223—C. Sims, R.A., R.W.S. VW ge eae | A Basket of Flowers A dice od e he oe ¢ Go « -—Height, 211% inches; length, 25 inches. ( | Signed at lower right, Sims. aoe) 224 Arruur Hopkins, R.W.S. (A4 The Short Cut down the Cliff i { sw ee 3 Height, 271, inches; width, 1914, inches. Signed at lower left, ArrHur Horpxrns. 225—CHARLES GREGORY YY Wy Jf Grange in Borrowdale ¢ deg Dake! Height, 19 inches; length, 28 inches. Signed at lower left, C.. Grecory. 226—C. Napier Himy, R.A. In the Race off the Cap Height, 18 inches; length, 27 inches. ie Signed at lower left, C. N. H., 1916. 2207S. J. Lamorna Birch /;- Ay Trees Trembling in the Summer ~re é Ss =— Breeze Height, 29 inches; width, 22 inches. Signed at lower right, S. J. Lamorna Bircu. \ ‘ Second Evening : 228—H. Piece see As R. a i. W. Ss. Eskdale, Cumberland age _ b Height, 21¥, inches; length, 30 inches. fh Signed at lower left, Hvenes-Sranron, 1916. Wy hy 229—RoBERT LittLtr, R.W.S. 7 Warwick from the Avon ae aa emer Height, 241, inches; length, 281%, inches. Signed at lower left, R. Lrrrie. | 230—W. Russe.u FLINT, Lreor, R. N V. i . A.R.W.S. Three Damsels ao : Height, 211% inches; length, 3114 inches. Signed at lower left, W. Russetx Fury. Th 231—S. Curnow Vosprer, R.W.S. | Le Gardien Height, 35 inches ; width, 221/, inches. J / jj (a Signed at lower left, S. Curnow Vosper. AMERICAN ART ASSOCIATION, MANAGERs. THOMAS E. KIRBY, AUCTIONEER. BIOGRAPHIES OF ARTISTS AND THEIR WORKS BIOGRAPHIES OF ARTISTS AND THEIR WORKS ALLAN, ROBERT W. No. 62 BucxincHam Garter, Lonpon, S.W., ENGLAND. Born at Glasgow, Scotland. Studied in Paris. Elected Associate of R.W.S. in 1887, and a full member in 1897. Represented in the following public galleries: Glasgow, Leeds, Liverpool, Hull, Manchester, Venice, New South Wales, Sydney, New Zealand, Birmingham and Aber- deen. Honours received at Dunedin, Melbourne, In- ternational Paris Exposition, “Silver Medal” 1889. 75. A DUTCH HARBOR 78. IN JAPAN 85. FLOWER MARKET, PARIS 191. PERUGIA, ITALY 200. JERUSALEM FROM MOUNT OLIVE ALLINGHAM, HELEN (Heten Mary Evizasetr) Epon Hovse, Lynpuvurst Roap, Hampstrran, Lonnon, N.W. Born near Burton-on-Trent, September 26, 1848. Studied at School of Art, Birmingham, Royal Academy Schools. Elected Associate of R.W.S. in 1875, and a full member in 1890. Represented in the following public galleries: Birmingham Public Gallery and Sydney, Australia. Mrs. Cumb, Laura Herford, sister of Dr. Brooke Her- ford, Unitarian minister at Chicago and then at Boston, U. S. A., was the first woman student at the R.A. Schools. She was admitted in 1860. While still a stu- dent there, she obtained work on the wood from Messrs. Cassell, and for Once a Week. Later she was on the staff of the Graphic. She also did some work for the Cornhill, *. but gave up wood-drawing when she married in 1874. 2. OLD KENTISH HOUSE BARRATT, REGINALD Tue ArHEeNnsAEUM, Patt Matt, Lonpon, S.W., ENGLAND © Born in London, July 25, 1861. Studied at Julien’s — Atelier, Paris. Painted and made drawings for Ruskin (now chiefly in Sheffield Museum) in Florence, Siena — and Venice. Painted by command for late Queen Vic- toria and King Edward VII, etc. Exhibited for thirty years in Royal Academy and New Gallery, London, and _ all the provincial galleries in Great Britain. Salon, Paris, Venice, Italy, etc. Elected Associate of R.W.S. in 1901, and a full member in 1912. Represented in the following public galleries: Manchester, Birmingham, Hamburg, S. Australia, ete. ‘ 7 PIAZZETTA, VENICE 19. VENETIAN BALCONY 69. UNDER THE LIBRARY, VENICE 124. CORNER OF DUCAL PALACE, VENICE 146. VIEW FROM GIUDECCA, VENICE 160. THE ABBEY, MIDDELBURG, HOLLAND 169. INTERIOR OF ST. MARK’S, VENICE ‘ 185. VIEW FROM PUBLIC GARDENS, VENICE | BARTON, ROSE No. 79 Park Mansions, KnicurspripceE, ENGLAND : Born in Dublin, 21st April, 1857. Studied in ended under Paul J. Naftel, R.W.S. Brought out a colour book on London called “Familiar London” in 1904. Elected Associate of R.W.S. in 1893, and a full member in 1911, and is also a member of Watercolour Society of Ireland. Represented in the following public gal- leries: Modern Art Gallery, Dublin, and Cape Town. 25. CHURCHYARD OF ST. BARTHOLOMEW THE GREAT, SMITHFIELD 68. CHAPTER LANE, ST. PATRICK’S, DUBLIN 98. HOME, SWEET HOME 135. KENSINGTON PALACE 140. CHILLY! BIRCH, SAMUEL JOHN LAMORNA LamorNA NEAR PENZANCE _Born at Egremont, Cheshire, June %, 1869. Self taught with the exception of a term of two months in Paris, 1896. Fond of outdoor life, chief hobby being trout and salmon fishing; also fond of shooting, etc. Elected Association of R.W.S. in 1912, and a full member in 1914, and is also a member of The Royal British Colonial Society. Represented in the following public galleries: The Brown Memorial, Providence, Rhode Island, U. S. A.; The National Art Gallery (Toronto, Canada) ; The Art Gallery, Washington, New Zealand; Liverpool Corporation, Art Gallery; Manchester Art Gallery (2 oil and water colours); Rochdale Corporation Art Gal- lery; Oldham Corporation Art Gallery; Plymouth Art Gallery; Lancaster Art Gallery; Preston Corporation Art Gallery; Glasgow Corporation Art Gallery; Brighton Art Gallery; Reading Art Gallery. Gold medal, German-British Exhibition, Crystal Palace, London. 83. BOLTON ABBEY, YORKS 90. FROM THE DOOR OF MY STUDIO 103. THE CROOK O’ LANE, LANCASTER 111. IN THE WEST 199. APRIL, MORNING 215. PENZANCE BEACH 219. THE OLD MILLS AT MONTREUIL-SUR-MER 227. TREES TREMBLING IN THE SUMMER BREEZE BUTLER, MILDRED ANNE Kitmurry, THomastown, County KILKENNY, IRELAND Born at Kilmurry, Thomastown, County Kilkenny, Ire- land, 1858. Studied in London and Newlyn. Her pic- ture, title “Morning Bath,” was selected and purchased by President and Council of Royal Academy for Chantry Collection. Elected Associate of R.W.S. in 1896, and is. also a member of The Watercolour Society of Dublin. Represented in the following public galleries: Society of Women Artists; Modern Art Gallery, Dublin; Tate Gallery, London; Municipal Art Gallery, Belfast. 15. CAMPANULA GRANDIS 23. A DUCK POND 91. A SPRING MORNING 117. WINTER GRAZING see CAMERON, D. Y. Duin Eactats, Kippen, STIRLINGSHIRE, SCOTLAND Born at Glasgow, 28th June, 1865. Studied in Glasgow and Edinburgh. Elected Associate of R.W.S. in 1904, and - a full member in 1914. Is also a member of the A.R.A., A.R.S.A., International Society. Represented in the following public galleries: Glasgow, Edinburgh; Tate, London; Victoria and Albert Museum, London; British Museum, Melbourne, Adelaide; Abo, Finland; Man- chester; Liverpool; Stirling; Aberdeen; Dublin; Ottawa, Canada; Munich; Budapest. Medals: Antwerp, 1893; Chicago, 1893; Brussels (silver), 1895; Dresden (gold), 1897; Paris (gold), 1900; Munich (gold), 1905. LL.D., Glasgow University, 1911. 102. UPLANDS IN MENTEITH CLAUSEN, GEORGE No. 61 Carteton Hitz, Sr. Jonn’s Woon, N. W., Lonpon, ENGLAND Born in London, April 18, 1852. Studied in South Ken- Sington and Paris. Elected Associate of R.W.S. in 1889, and a full member in 1898. Is also a member of Royal Academy, London. Represented in the following public galleries: Tate Gallery, London; Preston; Manchester; Bradford; Aberdeen; Cape Town; Melbourne; Sydney; — New Zealand. Medals: International Exhibition, Paris; Brussels; Chicago. Formerly Professor of Painting in the Royal Academy, London. 9. THE SHOT TOWER, LAMBETH 48. DEMOLITION OF THE OLD POST OFFICE, LON- DON 119. MONDELLO IN SICILY : a Se 121. LIMEHOUSE REACH: EVENING * 126. MOUNTS BAY: EVENING 136. SUNSET AFTER RAIN ae | CROCKET, HENRY EDGAR BarcomsBe, Lewes, Sussex, ENGLAND Born at London, 1870. Studied at Royal College of Art and “Julien’s,” Paris. Elected Associate of R.W.S. in 1905, and a full member in 1913. 37. THE OLD HARBOR 56. MILKMAID 94. IN CORNWALL 147, IN THE SOUTH DOWNS 216. WHISPERING GROVE DOLLMAN, J. CHARLES - Hove Hovse, Newton-Grove, Beprorp Park, Lonpon Born at Brighton, Sussex, May 6, 1851. Studied in the Schools of Royal Academy, London. Elected Associate of R.W.S. in 1906, and a full member in 1913. Repre- sented in the following public galleries: Royal Acad- emy; Royal Society of Painters in Water Colours. Honours received: Bronze medal, Adelaide Exhibition; bronze medal, Paris International Exhibition. 175. SPRINGTIME IN SUSSEX 181. A SUSSEX CORNFIELD FLINT, WM. RUSSELL No. 12 Queens Street, EninpurcH, SCOTLAND Born at Edinburgh, April 4, 1880. Studied in Edin- burgh School of Art. At present serving in the Airship Section of the Royal Naval Air Service with rank of Lieutenant, Royal Naval Volunteer Reserve. Elected Associate of R.W.S. in 1914. Is also a member of Royal Scottish Water Colour Society, Royal Institute of Oil Painters, etc. Represented in the following public galleries: Pictures in Permanent Collections at Liver- pool and Cardiff, in H.M. King of Italy’s Collection and in Japan. Honours received: Silver medal for Water Colour, Paris Salon, 1913. 40. WIND 65. AMALFI: MORNING MISTS RISING 71. THE CLOISTERS OF SAN GIOVANNI DEGLI EREMITI, PALERMO 168. TUILERIES GARDENS, PARIS, JULY, 1914 189. SUBIACO IN THE SABINES 198. A FOUNTAIN, VILLA ALDOBRANDINI, FRAS- CATI 230. THREE DAMSELS GOODWIN, ALBERT ELLerstiz, BEXHILL-ON-SEA, SUSSEX Born at Maidstone, Kent, in 1844. Studied under Arthur Hughes and Ford Madox Brown. Elected Associate of R.W.S. in 1871, and a full member in 1881. Represented in the following public galleries: Tate Gallery; Guild- hall, S. Kensington Museum, eA eae Museum, etc. 26. AFTERWARDS 31. MOONLIGHT ON THE CITADEL, CAIRO 88. CANTERBURY CLOSE 137. HASTINGS, SUSSEX 145. CASHEL, CO. TIPPERARY, IRELAND 150. VITZNAN, LAKE LUCERNE 170. THE GATE OF SODOM . GREGORY, CHARLES Grevitte House, Grevittxe Pracr, Mama Vatze, Lonpon, W. Born in London, 1850, but spent the early part of his life in Melbourne, returning to London at the age of twenty-three; he worked at black and white for some time, not only for illustrated papers, but for books and magazines, but quickly achieved rapid distinction in water-colour painting when he adopted this medium. (Quoted from Huish, “British Water-Colour Art.) Studied in Melbourne, Australia, and Royal Academy, London. Elected Associate of R.W.S. in 1882, and a full member in 1883. Represented in the following pub- lic galleries: Walker Art Gallery, Liverpool, and Public Art Gallery, Adelaide, Australia. 107. MARLOW-ON-THAMES, FROM “THE COMPLETE ANGLER” GARDENS 194. THE COLDWELL ROCKS, WYE VALLEY 218. “SYMOND’S YAT” ON THE WYE 225. GRANGE IN BORROWDALE HALE, WILLIAM MATTHEW No. 5a Patt Matt E., Lonnon, S.W. Born in Bristol, August 27, 1837. Studied under I. D. Harding and Collingwood Smith and at the Langham Life School, but mostly out-of-doors from _ nature. Educated at Bath Grammar School, Rugby School and at Balliol College, Oxford. M.A. degree. Lieutenant, Oxford University Rifle Corps, 1859. Elected Associate of R.W.S. in 1871, and a full member in 1881. Is also a member of The Royal West of England Academy. Represented in Christchurch Art Gallery, New Zealand. 43. THE ABBEY CHURCH, BATH, SOMERSETSHIRE 938. EARLY SUMMER IN THE WEST OF ENGLAND 99. MORTE POINT, N. DEVON 210. BOLTON ABBEY, YORKSHIRE HALL, OLIVER Sutron NEAR PouLsoroven, Sussex, ENGLAND Born March 29, 1869. Studied at South Kensington, Westminster School of Art, Lambeth School of Art. Elected Associate of R.W.S. in 1916, and is also a mem- -ber of International Society of Sculptors, Painters and Gravers, Royal Society of Painter-Etchers. Represented in the following public galleries: Budapest; Sydney, N. S. W.; Auckland, N. Z.; Luxembourg, Paris; Johan- nesburg; Brighton; Birkenhead, etc. Gold medalist of Budapest, also gold medal at Munich and Milan. 10. OLD ASH-TREES, BARDSEA FOREST 80. BIGNOR MILL, SUSSEX 141. SHAP MOORS, YORKSHIRE 144, A SANDSTONE CUTTING, WESTMORELAND HARDWICK, JOHN JESSOP THe Horus, THames Dirron, Surrey, ENGLAND . Born in Middlesex, September, 1881. Studied at the School of Design, Somerset House, under the Royal Academicians Redgrave and Houbert. He was commis- sioned by Lady Stafford, Lady-in-waiting to Queen Vic- toria, to illustrate the Children’s Address to Her Majesty — which was graciously accepted on her Diamond Jubilee. Picture given by him to the Royal Academy War Fund was purchased by H.R.H. Princess Victoria. Picture exhibited at Moscow was purchased by a Russian Prin- cess. A friend of the late John Ruskin and assisted him in teaching at the Working Man’s College, Great- Orman Street, London. 24. AN OLD WATER MILL AT HEMINGFORD GREY ON THE RIVER OUSE, HUNTINGDONSHIRE HARTRICK, ARCHIBALD STANDISH No. 75 Crancarry Roap, FutnHam 1 W., ENcianp Born near Bangalore, India, of Scotch parentage. Studied at the Slade School, London (under Legros) and in Paris (Boulanger, Lefebre and Cormon). Elected Associate of R.W.S. in 1910. Member of International Society of Sculptors, Painters and Gravers, Senefelder Club, London. Represented in the following public gal- leries: British Museum, London, set of drawings of country types (presented by the National Arts Collec- tion Fund and some friends); drawings, National Gal- lery, Melbourne; Sydney Gallery, N. S. W.; Aberdeen Gallery; Lithographs, Manchester, Liverpool, Aberdeen; Royal Gallery, Stuttgart. Honours received: Silver medal, Milan International Exhibition, 1906; two medals for painting, oil and water colour, Chilean Centenary Exhibition, 1910. 14. A FISHER LADDIE FROM BANFF, N. B. 34. MAURICE HEWLETT’S GARDEN AT BROAD CHALK, WILTS (IN 1909) 39. PROSPER AND THE COUNTESS (FOREST LOV- ERS) 49. ALMSHOUSE AT COBHAM, KENT: OLD CRICK- ETER WITH A WOODEN LEG 125, PLANTING POTATOES WITH A BREAST PLOUGH (COTSWOLDS) | 154. THE MEETING OF MAULFRY AND ISOULT (FOREST LOVERS) | 162. THE MARRIAGE OF GAR AND ISOULT (FOREST LOVERS) 164. ALMSHOUSES AT COBHAM, KENT: THE TWO POLLIES HEMY, CHARLES NAPIER CHURCHFIELD, FatmoutH, ENGLAND Born in Newcastle-on-Tyne, 1841. Paternal grand- father Dutch, other grandparents Scotch. Name first written Van Hemme (which gives the right pronuncia- tion), then Hemmy, and changed to Hemy by his father. The name of Napier was given him by his paternal grandmother, a cousin of Sir Charles Napier “of the Baltic.” It was a voyage round the world as a boy which decided him to become a marine painter. Studied at the Antwerp Academy, pupil of Baron Lap. Elected Associate of R.W.S. in 1890, and a full member in 1897. Is also a member of the Royal Academy. Represented in the following public galleries: Tate Gallery, Liver- pool; Birmingham, Manchester, Sydney and Brisbane, Ss. W. 105. A BAD LEAK 110. BLUE WEATHER 221. THE FISHERMAN’S RETURN 226. IN THE RACE OFF THE CAPE HENSHALL, HENRY Tue Corracrt, BosHaEN, Sussex, ENGLAND Born at Manchester, 1856. Studied in the Royal Acad- emy of Arts, London. Elected Associate of R.W.S. in 1884, and a full member in 1897. Is a member of Manchester Academy of Arts. Represented in the fol- lowing public galleries: Leeds, Birmingham, Hull, Man- chester and Bristol. Honours received: Medals, Royal Academy, International Expositions, Paris, and Chicago, Il. 1. THE BITTER-SWEET 18. THE IDLER 44. THE WHITE ROSE 57. ANGEL WHISPERS 64, LOVE BIRDS 118. THE WIDOW 131. THE WONDER-BOOK 4 209. MILESTONES HOPKINS, ARTHUR No. 42 Arxwricut Roap, Hampsrean, Lonvon, N.W. Born in London, 1848. Studied in the Schools of the at Royal Academy. Formerly on the staff of the London Graphic, Punch and other illustrated newspapers and books. Elected Associate of R.W.S. in 1877, and a full member in 1896. Is a member of The Royal — British Colonial Society of Artists and des Beaux Art et des Lettres, Paris. Represented in the following pub- lic galleries: Boothe Municipal Art Gallery And Art Gallery of Melbourne. 60. A PLAYGROUND BY THE SEA 108. ADRIFT 166. “SHALL I MAKE THE SALAD?” 224. THE SHORT CUT DOWN THE CLIFF HUGHES-STANTON, HERBERT ScarspaLE Lopcr, Wricuts LANE, Hane were W., Enc- © LAND ) Born in London, 1870. Elected Associate of R.W.S. in 1909, and a full member in 1915. Is also a member of R.A., R.O.L, R.W.A., R.B.C. Represented in the fol- lowing public galleries: Tate Gallery, London; Man- chester, Liverpool, Bradford, Bristol, Brighton, Cardiff, | Aberdeen, Blackburn, Oldham, Sydney, Adelaide, Wel- | lington, Auckland, Toronto, Buenos Ayres, Rome, Bar- celona; Luxembourg, Paris. Honours received: Two gold ~ medals, Paris; second, Barcelona; gold medal, San — Francisco; honorable mention, Paris. “Pasturage among the Dunes” bought by the Royal Academy, London, for the Chantry Bequest. Three pictures purchased by the French Government for the Luxembourg Museum. 70. THE RIVER 168. NEAR HASLEMERE 176. WINDERMERE 186. EVENING 228. ESKDALE, CUMBERLAND JAMES, FRANCIS EDWARD No. 42 Sours Srreer, Torrincton, N. Devon Born at Willingdon Rectory, Sussex, February 16, 1849. Self taught and studying in all the chief galleries abroad and at home. Elected Associate of R.W.S. in 1908, and a full member in 1916. Member of New Eng- glish Art Club. Represented in the public galleries of Old Queen, Johannesburg and Wellington. . DAHLIAS, A COLLARETTI IN CHINESE BOWL . ZINNIAS . FUCHSIA TREE . A PATTERN: DAHLIAS AND BROCADE - AURATUM LILY . CARNATIONS . AFRICAN MARIGOLDS . WHITE AZALEAS KNIGHT, LAURA Oaxuitt St., Buryan, CornwaLy Born at Long Eaton, Derbyshire, England. Studied in No. Hingham School ot Art. Elected Associate of R.W.S. in 1909. Member of International Society Sculptors, Painters and Gravers; Royal British and Colonial Society; Royal Western Academy; Royal Water Colour Society. Represented in the following public galleries: Pittsburg, Johannesburg, Ottawa, Man- chester, Newcastle, Oldham, Rochdale, Brighton, Cape Town, Leeds. Honours received: Gold medal, San Francisco; gold, silver and bronze medal, South Ken- sington; honorable mention, Pittsburg. . A DANCER . THE BUTTERFLY . LA MORT DU CYGNE . IN THE BATH . A DANCER ~LA MORT DU CYGNE . COLUMBINES . THE POOL LITTLE, ROBERT ARDENLEA, NorrHwoop, Minpiesex, ENGLAND i Born at Greenock, 1854. Studied at the Royal Scottish Academy, Edinburgh, and at Paris. Elected Associate of R.W.S. in 1892, and a full member in 1897. Is also a ; member of The Royal Scottish Society of Painters in — Water Colours. Represented in the following public galleries: Guildhall Gallery, London; Manchester; Hud- dersfield, and Watt Museum, Greenock. Honours re- ceived: Honourable mention, Société des Artistes Fran- cais, Paris, 1897; bronze medal, Paris International Ex- hibition, 1900. se 22. IN ST. JAMES’S PARK, LONDON 28. RICHMOND, YORKS, FROM EASBY . a 115. CHATEAU GAILLARD: FROM THE SEINE 133. JULIUS SHAW’S HOUSE, STRATFORD-ON-AVON 142, RICHMOND CASTLE AND BRIDGE, YORKSHIRE 151. RICHMOND, YORKS, FROM THE TERRACE 208. WARWICK CASTLE: C/ESAR’S TOWER 229. WARWICK FROM THE AVON PARSONS, ALFRED Broapway, WORCESTERSHIRE, ENGLAND Born at Beckington, Somerset, December 2, 1847. Studied for a short time at South Kensington in the Slade School. For some years drew for Harper’s Maga- zine and other illustrated publications. Special exhi- bitions in London of the Warwickshire Avon, etc., and in New York of water colours painted in Japan and of English flower gardens. Elected Associate of R.W.S. in 1899, and a full member in 1905. Is also a member of Royal Academy, Royal West of England Academy and other societies. Represented in the following public galleries: National Gallery of British Art, Public Gal- leries at Liverpool, Manchester, Oldham, Hull, etc., in England; Corcoran Art Gallery, Washington, and Mil- waukee in America; National Gallery in Tokyo. Hon- ours received: Honorable mention at Paris Salon, and medals at several international exhibitions. 74. BY THE RIVER LEE, COUNTY CORK 80. CHERRY-TREES ON A BUCKINGHAMSHIRE COMMON 122. THE CHIMNEY CAMPANULA 159. WILLOWS BY THE OUSE, BEDFORDSHIRE 180. THE OUSEK AT MILTON ERNEST, BEDFORD- SHIRE 190. THE ROAD TO THE SHORE, NORFOLK COAST 195. TALL HOLLYHOCKS 2014. ON THE NORTH ESK, FORFARSHIRE PATERSON, JAMES 52. 77. 81. 109. 114, 196. 205. 217. No. 17 Invra Srreer, Eprnsurcu, Scor.anp Born in Glasgow, 21st August, 1854. Studied in Glas- gow, Paris and Italy. Elected Associate of R.W.S. in 1897, and full member in 1912. Is also a member of Royal Scottish Academy, Royal Scottish Society Painters in Water Colours, Royal British Colonial So- ciety. Represented in the following public galleries: Glasgow, Scottish Modern Arts, Leipsic, Stuttgart, Weimar, Munich, Buffalo, St. Louis, Brussels, Barce- ak Winnipeg, etc. Received honorable mention, Salon, aris. THE TEA URN THE PLAZA, SAN ANTONIA, TENERIFFE MELROSE ABBEY FROM THE EAST SAINT GEORGE’S, EDINBURGH GOLDFISH GREYFRIARS CHURCHYARD, EDINBURGH WATER OF URR, KIRKCUDBRIGHTSHIRE ROSES PAYNE, HENRY ALBERT oo © 220. Sr. Lors House, AmBertey, GLOUCESTERSHIRE Born in Birmingham, 1869. Studied in The School of Art, Birmingham. Exhibitor at the Salon and other exhibitions. Painted many frescoes and also one in the House of Lords. Elected Associate of R.W.S. in 1912. Is also a member of Royal Society of Artists, Birming- ham, Arts and Crafts Society. Represented in the public gallery of Birmingham. . THE SUNSET . THE NUNS . BERGEN, NORWAY 116. 207. THE RAINBOW -THE CHOOSING OF THE RED AND WHITE ROSES IN THE TEMPLE GARDENS THE DAY OF THE DAUGHTER OF HADES RIGBY, CUTHBERT { Spy Hr, AmstzsingE, Encianp 3 ‘Born at Liverpool, 14th May, 1850. No systematic — training (art learned chiefly in lonely broodings among _ the Cumberland Fells). Elected Associate of R.W.S. in 1877. Is also a member of Lake Artists’ Society; honorary retired member Liverpool Academy. Fepres sented in S. Kensington. = 5. THE CONISTON FELLS 82. BLEA-TARN AND THE LANGDALE PIKES 123. STEPPING-STONES AT RYDAL 153. THE RIVER DERWENT AND SKIDDAW 155. HARVEST IN WESTMORELAND 192. BLEA-TARN AND LINGMOOR 206. A GLIMPSE OF ESTHWAITE LAKE ROOKE, THOMAS MATTHEWS No. 7 QvuEEN ANN’s GARDENS, BEDFORD Park, CHISWIcK, Lonpon : Born in London, 1842. Studied in South Kensington and Royal Academy. Worked under Sir Edward Burne- Jones and on his mosaics in the American church in Rome. Made water colour drawings for Professor Rus- kin which are now in the Museums at Oxford and Sheffield. The collection of architectural subjects at Birmingham is the best known of his work in this kind. Elected Associate of R.W.S. in 1891, and a full mem- ber in 1902. Is also a member of Art Workers’ Guild, Arts and Crafts until recently. Represented in the following public galleries: Birmingham, Oxford, Shef- field, Manchester, Liverpool; Tate Gallery, London; South London Gallery (Chantry Fund). 87. PLACE ATTALAH, KAIROUAN, TUNISIA 104. TOMBS OF THE CRUSADERS, WESTMINSTER ABBEY ey 112. THE TEMPLE CHURCH, LONDON 213. ST. BARTHOLOMEW’S, SMITHFIELD SARGENT, JOHN SINGER No. 31 Trre Srreet, Cuetsea, S.W. Born at Florence, 1856. Studied under Carolus Duran. Mr. Sargent exhibited at the Salon in 1879 and since then has exhibited continually at the Salon, and in London, etc., etc. Among his principal works are: “Fishing for Oysters at Cancale”; “En Route pour la Péche”; “Nea- politan Children Bathing”; “El Juleso,” and portraits: —“Carolus Duran”; “ ilen Terry”; “Rt. Hon. Joseph Chamberlain”; “Mrs. Carl Meyer and Children”; “Oc- tavia Hill”; “Mrs. Fandel Phillips”; etc., etc. Elected Associate of R.W.S. in 1904, and a full member in 1908. Is also a member of Royal Academy, 1897. Honours received: D.C.L. Hon. Oxford; Hon. D.D., Cambridge. 201. THE LOOKING GLASS SIMS, CHARLES 29 Al 45 51 No. 1 Sr. Pavt’s Srvupios, Baron’s Court, Lonpon, Enc- LAND Born in London, 1873. Studied in Paris and London. Elected Associate of R.W.S. in 1911, and a full mem- ber in 1914. Is also a member of Royal Academy. Represented in the following public galleries: Galerie du Luxembourg, Paris; National Gallery of British Art, London. Honours received: Medal, Salon, Paris, 1900; gold medal, Amsterdam, 1912; gold medal of the first class, Pittsburgh, 1912. . A FRENCH FISHERWIFE . STUDY FOR “SYRIA AND PATTATOS” . THE GARDEN CROFT . THE TRANSIT OF VENUS 156. A FIGHT ON THE TOW PATH 223 . A BASKET OF FLOWERS SULLIVAN, EDMUND J. No. 18 Hitz Roan, St. JoHn’s Woop, Lonnon, N.W. Born in London, September 8, 1869. Studied at Hast- ings. Has illustrated many books, including Carlyle’s “Sartor Resartus” and “French Revolution,’ Tennyson’s “Dream of Fair Women,” Fitzgerald’s “Omar Khay- yam.” His latest book, a series of satirical cartoons on the war, called “The Kaiser’s Garland,’ was published recently by Heinemann in London. Has contributed much to illustrated periodicals both in England and abroad—in America notably to The Century and McClure’s Magazine. A large bulk of his work is “hung up” by the war in the cellars of Leipsig, Paris and Venice—notably in Leipsig a series of drawings of “The French Revolution.” Has played a part in the revival of artistic lithography in England, and is the godfather of the “Senefelder Club.” Elected Associate of R.W.S. in 1903. Member of International Society of Sculptors, Painters and Gravers, Art Workers’ Guild (Member of Council), etc. Represented in the following public galleries: New York, Barcelona, Ministry of Public In- struction, Vienna; Rome, Melbourne, Adelaide, Sydney, Bradford. Honours received: Medals, Milan, 1906; Barcelona (gold), 1907, and again (gold), 1911. Re- ceived the thanks of the City of Barcelona (1907). 383. MY LAST DUCHESS (BROWNING) 42. BISHOP BLONGRAM’S APOLOGY (BROWNING) 47. PORPHYRIA’S LOVER 88. JUNO 92. AUTUMN 152. THE GOLDEN AGE 158. LA BELLE DAME SANS MERCI 214. THE PIED PIPER OF HAMELIN SWAN, ALICE MACALLAN No. 40 Mitson Roap, West Kenstncton, Lonpon Born in Worcester, 1872. Studied with brother only, John Macallan Swan, R.A. Student at School of Art, Cork, three years. Obtained medals for figure and still life. Afterwards trained by brother, John Macallan Swan, R.A., in Paris and London. Exhibitions held in Glasgow and Edinburgh. Made an Associate of the Old Water Colour Society in 1902. Represented in Glas- gow Collection. 4. THE FEAST OF THE RED ADMIRALS 11. THE KISSING BRIDGE 59. WALLFLOWERS 84. ROSES: “LADY HILLINGFORD” 97. POPPIES 120. THE SIESTA 130. THE HARVEST MOON 212. ANEMONES THOMSON, JOHN LESLIE Arts Crus, 40 Dover Street, Lonpnon, W. Born in Aberdeen, Scotland, 1851. Studied in London. Elected Associate of R.W.S. in 1909, and a full mem- ber in 1911. Is also a member of Royal Institute of Oil Painters, Royal British Colonial Society of Artists. Represented in the following public galleries: Manches- ter, Leeds, Bradford, Cork, National Gallery, New South Wales. Honours received: Medal, Chicago; honourable mention, Paris International Exhibition. 82. LOCH BRACADLE, SKYE 184. HOLYHEAD MOUNTAIN 187. SNOWDON, N. WALES 198. THE NEEDLES, ISLE OF WIGHT THORNE-WAITE, ROBERT “Greta,” QuEEN’s Park, West Drive, BournemMoutH, ENc- — LAND ' _ Born at Cheltenham, 1842, Studied at South Kensing- ton Schools. Elected Associate of R.W.S., 1876, and a full member in 1886. Is also a member of The Royal British Colonial Society of Artists. Represented in the following public galleries: Manchester Corporation, Leeds Corporation Galleries. Honours received: Cross _ of “The League of Mercy.” 62. CORNFIELD WITH GLEANERS, BOREHAM ; 67. BOLTON CASTLE, YORKSHIRE . 73. A SUSSEX VILLAGE 79. THE ROAD TO CAMBRIDGE 222, MARY AND HER LAMB TUKE, HENRY SCOTT Lynpon Lopez, Hanwetz, W., ENGLanp Born in York, 12th June, 1858. Studied at Slade School and Paris under J. P. Laurens. Elected Associate of R.W.S. in 1904, and a full member in 1911. Is also a member of The Royal Academy, Royal British Colonial. Represented in the following public galleries: Tate Gal- lery, London (2); Nottingham, Bradford, Leeds, Munich, Guildhall, London. Honours received: Medals at Paris, Munich, Chicago, ete. 55 WAITING FOR ORDERS AT FALMOUTH 76. BREEZY DAY, FALMOUTH HARBOR TURNER, KATHARINE Tue Grance, CuurcH Street, Stroke Newineton, Lonpon Born in London, December, 1864. Studied at Bushey and Paris. Elected Associate of R.W.S. February 5, 1914. Member of Royal Water Colour Society Art Club. 35. WHITE ROSES 128. CARNATIONS 149. SINGLE AND DOUBLE PEONIES VOSPER, SYDNEY CURNOW Bupe, Cornwart, Encrianp Born in Plymouth, October 29, 1866. Studied in Paris. Elected Associate of R.W.S. in 1905, and a full mem- ber in 1914. Is also a member of Royal West of Eng- land Academy, Bristol. Represented in the following public galleries: Museum at Merthyr-Tydvil, S. Wales; also National Museum of Wales; Cardiff; viii Municipal Art Gallery. 106. LE DRAP MORTUAIRE 174. INTERIOR OF BRETON WINDMILL 231. LE GARDIEN 4 “WALKER, WILLIAM EYRE Broomianps, West Byrreer, Surrey, ENGLAND Born in Manchester, 19th July, 1847. Studied from — nature. Elected Associate of R.W.S. in 1885, and a full member in 1897. Member of Royal British Colonial. Represented in the following public galleries: Manches- ter, Wellington, N. Z.; Melbourne. 54. A POOL IN A GALLOWAY RIVER 61. ON A WELSH HILLSIDE 66. CORFE CASTLE, FROM THE S.W. 72. CORFE CASTLE, IN SEA MIST 171. ULLSWATER, CUMBERLAND 177. POOLE HARBOR, FROM PURBECK DOWNS 182. ON THE UPPER SEVERN, MONTGOMERYSHIRE WATERLOW, ERNEST ALBERT No. 1 Maresrietp Garpens, Lonpon, N.W. Born in London, May 24, 1850. Studied at Lausanne and Royal Academy, London. Elected Associate of R.W.S. in 1880, and a full member in 1895. A member of Royal Academy, etc. Represented in the following public galleries: Liverpool, Manchester, Preston, Hull, Melbourne, Sydney, Adelaide, Auckland, Cape Town, etc. Honours received: Elected President Royal So- ciety of Painters in Water Colours, 1897-1913; obtained Turner Gold Medals, Royal Academy, 1873; gold medal, Berlin; Knighted at the Coronation of King Edward VII; silver medal, Paris, 1900. 100. BOLTON ABBEY, YORKSHIRE 188. A FISHING VILLAGE, STONEHAVEN, SCOTLAND 202. ARUNDEL CASTLE, SUSSEX WATSON, HARRY No. 18 Kenstneton Court a W, Kensinorow, Lon- pon, W. Born in Scarborough, Vonkenttes June 13, 1872. Studied at Scarborough, Lambeth School and Royal College of Art and in Italy. Elected Associate of R.W.S. in 1915. Represented in Tate Gallery, London. Honours received: Gold medal, some silver medals and several bronzes, and Travelling Scholar at the Royal College of Art; Royal Exhibitions for three years at Royal College of Art; holder of North Riding of Yorkshire — Scholarship for three years; also at the Royal College of Art. 53. AUTUMN 58. SKETCH 95. “RUINS” AT BEAULIEU, NEW FOREST, HAMP- SHIRE 167. SUN’S REFLECTIONS 173. THE GARDEN WALL 211. SPRING FLOWERS WEGUELIN, JOHN REINHARD Tue Otp Recrory, Hic Street, Hastines, ENGLAND Born in South Stoke Rectory, Sussex, 1849. Studied in Rome and Slade School. Elected Associate of R.W.S. in 1894, and a full member in 1897. Represented in the following public galleries: Public Galleries of Cape Town and Adelaide, Australia, and others. Honours re- ceived: Medal for illustrations (Chicago Exhibition, 1893). | 27. SPRINGTIME 86. NYMPHA FUGITIVA WEST, JOSEPH WALTER 16. Nortuwoop, Mippirsex, ENGLAND Born in Hull, 1860. Studied at the Royal Academy School, London, also painter in oil, lithographer, de- signer of bookplates, etc.. Elected Associate of R.W.S. in 1901, and a full member in 1904. Represented in the following public galleries: National Gallery of British Art (Tate Gallery), London; Liverpool, Hull and Reading Corporation Galleries. Honours received: Mention honorable, Paris Salon. SUNSET ON THE NILE 20. BAYEUX, FRANCE 36. 129. 134. 143. 148. 204. FIRELIGHT FORGET-ME-NOTS BEVERLEY MINSTER, ENGLAND THE BOUQUET SUGAR? SANTA CATARINA, LAGO MAGGIORE WOOD, WILLIAM T. No. 21 Giese Priace, Cueitsea, Lonpon 12. 89. 96. 101. 113. 172. 197. 208. Born in Ipswich, Suffolk, 1878. Studied in London and Italy. Exhibitor at the Royal Academy, Paris Salon, International Society of Painters, etc., Venice Interna- tional and Provincial Exhibitions, an exhibition entitled “Evening, Night and the Dawn,” of fifty works at the Fine Art Society, New Bond Street, London. Paint- ing master (landscape and still life) at the Polytechnic Art School, Regent Street, London. Now in the Royal Flying Corps for duration of war. Elected Associate of R.W.S., 1913. Represented in the following public galleries: London Museum, Hull Corporation Art Gal- lery; Perth Art Gallery, Australia. A NIGHT OF STARS DAWN ON THE DORSET COAST AUTUMN IN THE VALE THAMES EMBANKMENT MOONLIGHT, BRIXHAM, DEVON, ENGLAND SHOWERS AT SUNSET WILLOWS AT TWILIGHT A SAD GRAY DAY FOR INHERITANCE TAX AND OTHER PURPOSES THE AMERICAN ART ASSOCIATION IS EXCEPTIONALLY WELL EQUIPPED TO FURNISH INTELLIGENT APPRAISEMENTS OF ART AND LITERARY PROPERTY JEWELS AND PERSONAL EFFECTS OF EVERY DESCRIPTION IN CASES WHERE PUBLIC SALES ARE EFFECTED A NOMINAL CHARGE ONLY WILL BE MADE _ THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK TELEPHONE, 3346 GRAMERCY COMPOSITION, PRESSWORK AND BINDING BY f * RESEARCH INSTITUTE GETTY Fi wa +i) tee Ty | rl Yes ; i | if } , | | 4 {e>,,) ‘ i} i| hg Clara } i Eat ( et Hei | i] i hy + y t Ve Hi i] | r 5) Fes : Ly ey 4" i | i} , j Soe vi HH , i. fe is f f } ve . While ny if , ty ee , ‘ fw Loe Wigs 4 ij , , det Fae) ciiey Ms ; ng FS je AY TE i a SALA Hep bac OAL LAE I aiid J nN r A J te ty Se te Pare! oa , 535 me , * See ee pees oy: tifes eae ae is eset 255 + = ya: hoi Spiata| arate doe SESS + ‘ me aie me os 53 cinisistared ee pea 4 Hi * ae] si