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ON FREE PUBLIC VIEW 
 FROM 9 A.M. UNTIL 6 P.M. 
 
 AT THE AMERICAN ART GALLERIES 
 
 MADISON SQUARE SOUTH, NEW YORK | 
 
 FROM SATURDAY, JANUARY 10th, 1914 
 UNTIL THE MORNING OF THE DATE OF SALE 
 
 FURNITURE, PAINTINGS 
 
 AND OTHER OBJECTS 
 
 FROM AN OLD COUNTRY MANSION 
 IN THE VICINITY OF NEW YORK 
 
 TO BE SOLD 
 AT UNRESTRICTED PUBLIC SALE 
 AT THE AMERICAN ART GALLERIES 
 
 ON THURSDAY AND FRIDAY AFTERNOONS 
 JANUARY 15TH AND 16TH, AT 2.30 O’CLOCK 
 
 AND ON 
 
 FRIDAY EVENING, JANUARY: 16rxn, AT 9 O’CLOCK 
 
“CATALOGUE 
 
 OF 
 
 EMPIRE AND OTHER FURNITURE 
 OLD PAINTINGS 
 
 SILVER, BRONZES, PORCELAINS 
 | NAPOLEONA 
 
 ENGRAVINGS, AND OTHER OBJECTS 
 
 TO BE SOLD 
 
 AT UNRESTRICTED PUBLIC SALE 
 BY ORDER OF ADMINISTRATOR 
 
 AT THE AMERICAN ART GALLERIES 
 
 MADISON SQUARE SOUTH 
 
 ON THE DATES HEREIN STATED 
 
 THE SALE WILL BE CONDUCTED BY 
 MR. THOMAS E. KIRBY 
 ASSISTED BY MR. OTTO BERNET, OF 
 
 THE AMERICAN ART ASSOCIATION 
 
 MADISON SQUARE SOUTH 
 
 NEW YORK 
 1914 
 
CONDITIONS OF SALE 
 
 1. Any bid which is merely a nominal or fractional advance 
 may be rejected by the auctioneer, if, in his judgment, such bid 
 would be likely to affect the sale injuriously. 
 
 2. The highest bidder shall be the buyer, and if any dispute 
 arise between two or more bidders, the auctioneer shall either de- 
 cide the same or put up for re-sale the lot so in dispute. 
 
 3. Payment shall be made of all or such part of the purchase 
 money as may be required, and the names and addresses of the 
 purchasers shall be given immediately on the sale of every lot, in 
 default of which the lot so purchased shall be immediately put up 
 again and re-sold. 
 
 Payment of that part of the purchase money not made at the 
 time of sale shall be made within ten days thereafter, in default of 
 which the undersigned may either continue to hold the lots at the 
 risk of the purchaser and take such action as may be necessary 
 for the enforcement of the sale, or may at public or private sale, 
 and without other than this notice, re-sell the lots for the benefit 
 of such purchaser, and the deficiency (if any) arising from such 
 re-sale shall be a charge against such purchaser. 
 
 4. Delivery of any purchase will be made only upon pay- 
 ment of the total amount due for all purchases at the sale. 
 
 Deliveries will be made on sales days between the hours of 9 
 A. M. and 1 P. M., and on other days—except holidays—be- 
 tween the hours of 9 A. M. and\5 P. M. 
 
 Delivery of any purchase will be made only at the American 
 Art Galleries, or other place of sale, as the case may be, and 
 only on presenting the bill of purchase. 
 
 Delivery may be made, at the discretion of the Association, 
 of any purchase during the session of the sale at which it was sold. 
 
 5. Shipping, boxing or wrapping of purchases is a business 
 in which the Association is in no wise engaged, and will not be 
 performed by the Association for purchasers. The Association 
 will, however, afford to purchasers every facility for employing at 
 current and reasonable rates carriers and packers; doing so, how- 
 ever, without any assumption of responsibility on its part for the 
 acts and charges of the parties engaged for such service. 
 
 6. Storage of any purchase shall be at the sole risk of the 
 purchaser. Title passes upon the fall of the auctioneer’s hammer, 
 and thereafter, while the Association will exercise due caution in 
 caring for and delivering such purchase, it will not hold itself 
 responsible if such purchase be lost, stolen, damaged or destroyed. 
 
Storage charges will be made upon all purchases not removed 
 within ten days from the date of the sale thereof. : 
 
 7. Guarantee is not made either by the owner or the Asso- 
 ciation of the correctness of the description, genuineness or au- 
 thenticity of any lot, and no sale will be set aside on account of 
 any incorrectness, error of cataloguing, or any imperfection not 
 noted. Every lot is on public exhibition one or more days prior 
 to its sale, after which it is sold “as is” and without recourse. 
 
 The Association exercises great care to catalogue every lot 
 correctly, and will give consideration to the opinion of any trust- 
 worthy expert to the effect that any lot has been incorrectly 
 catalogued, and, in its judgment, may either sell the lot as cata- 
 logued or make mention of the opinion of such expert, who thereby 
 would become responsible for such damage as might result were 
 his opinion without proper foundation. 
 
 SPECIAL NOTICE 
 
 Buying or bidding by the Association for responsible parties 
 on orders transmitted to it by mail, telegraph or telephone, will 
 be faithfully attended to without charge or commission. Any 
 purchase so made will be subject to the above Conditions of Sale, 
 which cannot in any manner be modified. The Association, how- 
 ever, in the event of making a purchase of a lot consisting of 
 one or more books for a purchaser who has not, through himself 
 or his agent, been present at the exhibition or sale, will permit 
 such lot to be returned within ten days from the date of sale, 
 and the purchase money will be returned, if the lot in any 
 material manner differs from its catalogue description. 
 
 Orders for execution by the Association should be written 
 and given with such plainness as to leave no room for misunder- 
 standing. Not only should the lot number be given, but also the 
 title, and bids should be stated to be so much for the lot, and 
 when the lot consists of one or more volumes of books or objects 
 of art, the bid per volume or piece should also be stated. If the 
 one transmitting the order is unknown to the Association, a de- 
 posit should be sent or reference submitted. Shipping directions 
 should also be given. 
 
 Priced copies of the catalogue of any sale, or any session 
 thereof, will be furnished by the Association at a reasonable 
 charge. 
 
 AMERICAN ART ASSOCIATION, 
 American Art Galleries, 
 Madison Square South, 
 New York City. 
 
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FIRST AFTERNOON’S SALE 
 THURSDAY, JANUARY 15, 1914 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 2.30 oO’cLOCK 
 
 ANTIQUE AND MODERN SILVER 
 DUTCH, ENGLISH, FRENCH AND AMERICAN SPECIMENS 
 
 1—Two Dotrcu Sitver Toys 
 
 A boat of sloop type with sails set and a figure of lady 
 in seventeenth century costume, which when inverted 
 forms a liqueur. 
 
 9—THree DutcH: Sinver MINIATURE CHAIRS 
 
 One, a Colonial square style armchair with rush seat; 
 one, high back with twisted frame; the other, Em- 
 pire style side chair. 
 
 3—Turee DutcH Sitver Miniature Musicau Instru- 
 MENTS 
 
 A filigree violin, a guitar and a bass viol. 
 
 4—Two Dutcu Siuver Toys 
 
 A miniature tazza and a tripod candlestick. 
 
 5—Doutcu Sitver MINIATURE HARPSICHORD 
 
 Case decorated with figures in relief. 
 
 6—Turee Dutcu Sitver Toys 
 
 A teakettle with fluted body, and two miniature vases, 
 slightly different in pattern. 
 
7—Sitver Weppine BapcEe 
 
 French production. 
 
 S—EIGHTEENTH CENTURY SILVER SNUFFBOX 
 
 Of oval form, engraved with garlands and panel orna- 
 ment. On cover, an oval miniature under glass of a 
 dancing couple and an old man standing on a tub. 
 Paris mark, 1786. 
 
 9—Two AntievE WatTcHEs 
 Eighteenth century. A silver bull’s-eye pattern, 
 with loose outer repoussé silver cases (mythological 
 subjects) and painted dials. 
 
 10—Dutrcu Sitrver Frower VAsE 
 
 Small hexagonal body, decorated with pastoral 
 scenes in relief. Pierced neck and beaded rim and 
 foot. 
 
 11—Dvtcu Sinver SPECTACLE CASE 
 
 Long, narrow oval form, with cover and sides deco- 
 rated with landscape views in relief. 
 
 12—-Sirver Atconort Crear LAMP 
 
 Urn-shaped body, decorated with wave indentation. 
 Small finger grip handle and teakettle snout. Mark, 
 Gorham Co. 
 
 13—Sriver Ciear LAMP 
 
 Of antique form, with oval ash tray in center. 
 
 Turn-up handle, of Roman type. Tiffany & Co.’ 
 
 14—-Turee DutcH Sirver Boxrzon DisHEs 
 
 A set of three die-struck oval dishes, decorated with 
 crimped edges and floral ornament in relief. 
 
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 7 
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15—Duvrcn Strver Powper Box 
 
 Eighteenth century. Repoussé floral ornament. On 
 cover a group of two figures and a dog. 
 
 16—Rwvsstan Srtver Pruayinc-carp Box 
 
 Made to contain two packs. The outside is very care- 
 fully engraved and filled with niello. The front a 
 Queen of Diamonds (full-size card), the back a Nine 
 of Hearts, and on the cover a group of four Eights 
 and the Ace of Diamonds. <A very strong and beau- 
 tifully made silver box; bears the Moscow mark, with- 
 out date. 
 
 17—Doetrcu Sirver WaceEer Cup 
 
 Curious deep cup-shaped body, decorated with eagles 
 and panels; the handle a bell-buoy cage containing a 
 small sleigh-bell. On the top of handle is a small 
 figure of Neptune riding a dolphin, the latter forming 
 a whistle which, when blown, revolves a small wheel 
 which keeps in motion while the cup is filled and — 
 emptied. 
 
 : Height, 91/4, inches. * 
 
 18—Eic¢nTEENTH CENTURY FRENCH SitveR PowpeErR Box 
 
 Decorated with rose panels in relief. On cover, Venus 
 at the bath attended by cupids. Paris mark, 1767. 
 
 19—Fvut-sizE Sirver SLipPeR 
 
 French, of eighteenth century. Finely modeled and 
 ornamented with repoussé figures in costumes of the 
 period. Paris mark, 1757. 
 
 20—Dututcu Sitver Boxnson DisH 
 
 Of oval form with slanting sides, decorated with scroll 
 
 and floral ornament and reticulated outline. 
 
91—FrencH SILVER JEWEL Box 
 
 Oval form with hinged cover, sides decorated with 
 rococo scroll in high relief. On cover, Triumph of 
 
 Cupid. Inside gilt. 
 
 22—Two SItver CANDLE EXTINGUISHERS 
 In the form of miniature coaching horns. 
 Length, 15 inches. 
 
 938—SILVER MATCH-HOLDER AND SHEFFIELD CANDLESTICK 
 
 Match-holder in form of a wall bracket with reticu- 
 lated back. 
 
 94—EneusH Siuver TortEr Powprer Box 
 
 Chased with flower and line ornament. Late Victorian 
 period. 
 
 25—ENGLISH SILVER CIGARETTE Box 
 With cedar-wood lining. ‘London letter date, 1891. 
 Length, 7 inches. 
 
 26—SILVER PAPETERIE 
 Upright form, resting on small feet at corners; par- 
 titions for different sized stationery. Front deco- 
 
 rated with rococo scroll in relief. 
 Height, 5 inches. 
 
 27—Five Sitver Desx UTEnsILs 
 A long, narrow pen-tray with oval ends and reticu- 
 lated sides, a Dutch silver stamp box, pin-cushion; 
 paper cutter, and round ash-tray. 
 
 28—RusstIan SILVER CHILD’s Cup 
 Made in form of a section of a birch log with bark 
 attached and small limb bent to form the handle. 
 Moscow mark, 1886. 
 
; 
 : 
 : 
 
 29—Sitver Cicar Vase and Two MarcuH-HoLprers 
 The vase, round cylindrical body with wave-dentillated 
 ornament; one match stand with spreading rim and 
 repoussé ornament, the other of English make with 
 pierced decoration. 
 
 380—Dutcu Sitver ReEtTicuLATED VAsE FRAME 
 For a glass amphoral flower vase (glass lacking). 
 
 Height, 9 inches. 
 
 31—Dutcn Sitver MuUFFINIER 
 
 The body in form of a two-handled vase, decorated 
 
 with chased floral ornament in relief. 
 Height, 934, inches. 
 
 32—EncLisH SitveR Sucar Box 
 Of nearly square form, with round corner and hinged 
 cover, resting on ball feet. Sides decorated with views 
 of buildings, and on cover, chased in high relief, is 
 an interior of/an old-time inn, with figures. Maker’s 
 mark, A.K. london letter date, 1810. 
 Size, 8%, by 71% by 4% inches. 
 
 33—ANTIQUE HAMMERED SILVER BRaAZIER 
 
 A cone-shaped cup of thin hammered sheet silver, with 
 wide turnover rim, resting on three small dolphins, 
 which in turn are supported by three turned ebony 
 (heat-insulating) balls. These ebony balls stand upon 
 a raised boss in center of a shallow saucer, which 
 stands on three feet. Stamped BTON, and Strass- 
 burg mark of seventeenth century. 
 
 Height, 484, inches; diameter of saucer, 7 inches. 
 
 34—Sitver Frower VAsE 
 
 Beaker form, with flaring rim and round foot. Em- 
 bossed twisted fluting extends from base and covers 
 
part of lower body. Above the fluting is a band of 
 
 dent punch marks of acorns and Maltese crosses. 
 
 Howard & Co. 
 
 Height, 914 inches. 
 
 35—AnTIQUE ENGLISH SILVER TANKARD 
 
 Plain body, with slightly receding sides. Relief hoop 
 ornament and enlarged base; dome-shaped hinged cover 
 with high thumb-rest; half round handle with lower 
 part curving out and terminating in a flat plate in 
 form of a heart. Maker’s mark, crowned, R.G. 
 
 London letter date, 1750. 
 Height, 7 inches. 
 
 36 
 
 ANTIQUE SILvER Mvue 
 
 Cylindrical body, repoussé, with rococo scroll and 
 flower motif in high relief. Gilt inside. 
 
 Height, 5 inches. . 
 
 37—SiLver Lovine Cup 
 Smooth, bright-finished kit-shaped body, hooped with 
 three ribbon bands of Persian ornament. Three plain 
 
 curved handles. Tiffany & Co. 
 Height, 7 inches. 
 
 38—EncuIsH Srtver Fuower VAsE 
 
 Beaker-shaped body and hemi-spherical base, weighted 
 with lead, the body ornamented with chased garlands 
 and sunken-twist flutes. Flaring rim. Dated 1892. 
 
 Height, 11%, inches. 
 
 39—Pair SILVER-GILT COMPOTIERS 
 Oval in form, standing on hollow oval bases. The 
 center is an elaborate reversed monogram ADB under 
 a ducal crown, surrounded by roses and other flowers 
 conventionally treated in high relief. 
 Length, 111% inches; width, 814 inches. 
 
 Se 4 — ny 
 
40—Larcer Sinver Giut LAmMeERIE Cup 
 
 An Elkington reproduction of the celebrated Lamerie 
 cup preserved at Goldsmiths’ Hall, London, which is 
 dated 1739. This cup and cover represent the very 
 ornate type of rococo ornament of that period, con- 
 sisting of satyr masks and garlands on thé lower half 
 of the cup and on the cover. The cup is divided into 
 two sections by a raised band; in the upper section on 
 both sides there is a very elaborately mantled heraldic 
 
 arms. 
 Width across handles, 13 inches; height, 131% inches. 
 
 41—Antievuzt DutcH Sinver Prize Cur witnH Cover 
 
 Very ornate in form and decoration. Gothic panels 
 representing cathedral windows alternating with 
 naval trophies and colonial products. On the flags 
 are the names of the Dutch colonial possessions. 
 Large ornate handles of acanthus leaves and mermaid 
 heads. The base stands on eight feet in design of 
 leaves. 
 
 ' Total height, 16 inches. 
 
 42—Sitver Ouive Disx 
 Shallow oval bowl, with running scroll border and 
 Egyptian leaf handles. Rests on low foot. Gorham 
 Co. | 
 Length, 1014 inches. 
 
 ¥ 
 
 438—TripticaTE TaspLe SCREEN 
 Used to shield an alcohol flame. Made in miniature 
 
 of a French eighteenth century threefold fire screen. 
 Plain, bright surface, with raised borders. Howard 
 
 & Co. 
 Height, 6 inches. 
 
 44—Two SPECIMENS OF SILVER 
 
 One is an old English silver creamer of helmet-shaped 
 body, with thin, flat handle. Decorated with engraved 
 
floral ornament. Maker’s mark, A.B. London letter 
 date, 1794. The other is a hot-milk pitcher of low 
 oval body, with wide spout and perforated handle, by 
 Tiffany & Co. 
 
 45—Four EncuisH SILVER SCALLOP SHELLS 
 
 Large-size, plain-finished shells standing on ball feet, 
 
 engraved with lion crest. London letter date, 1872. | 
 
 46—Oxup EncuisH SILVER ALE Tosy 
 
 Plain spherical body, with a raised three-line band 
 equator, short neck and spout, two-finger grip handle. 
 Maker’s mark E.M. London letter date, 1791. 
 
 47—Sitver Curip’s Bown ann Spoon 
 
 The bowl is in Japanese style, with smooth surface, 
 decorated with relief bamboo and figure ornament. 
 Inside surface gilt. The spoon is hand-wrought, with 
 applied maple leaf and copper bug ornament. ‘Tiffany 
 & Co.; period, 1876. 
 
 48—Four Dutcu Sitver Bonspon DIsHEs 
 
 Small shallow wave-edge dishes with low bases; pierced 
 rococo pattern. 
 
 49-——_Patr SMALL SILVER COMPOTIERS 
 
 Square form plates, with wave-edge line and embossed 
 floral ornamented rims; square bases of similar design. 
 
 Tiffany & Co.; period, 1875. 
 
 50—Onup EnciusH Siitver Foupine Dish STAND AND 
 Lampe 
 
 Consisting of four arms socketed at center around a 
 double-wick urn-shaped lamp. On each arm is an ex- 
 tension foot and dish rest, that slides on the arm. 
 Maker’s mark, W.P. (William Plummer). London 
 letter date, 1777. 
 
 Length, 12%, inches. 
 
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51—SitvErR Sucar Bown AND CREAMER 
 
 Greek type bodies, engraved with conventional orna- 
 ment. Arboreal handles, decorated with cones -and 
 
 leaves. Tiffany & Co.; period, 1875. 
 
 52—-Sirrver Sucar Bown anp CREAM JUG 
 
 Low bodies; repoussé rose ornament; bamboo section 
 
 handles. Tiffany & Co. (about 1880). 
 
 53—SILVER AFTER-DINNER COFFEE-POT 
 Plain, bright, truncated cone-shaped body, with hinged 
 cover and tall narrow tube spout. Plain handle, with 
 
 ivory insulators. Tiffany & Co.; period, 1876. 
 
 | 54—Siiver Fruit Disu 
 
 Shallow bowl-shaped dish, with fluted center and an 
 outer rim of pierced work and garlands and fruit in 
 
 embossed relief. 
 Diameter, 9 inches. 
 
 55—Pair Sirver Fruir Disues 
 Oval side dishes to match preceding lot. 
 
 56—Pair Sitver Girt ComPporiers 
 
 Round tray-tops, with fluted centers, pierced rims, and 
 beaded borders. Gorham Co. 
 
 Diameter, 81, inches; height, 41% inches. 
 
 57—SILvER Tray 
 Square form, with raised repoussé rim, engraved in 
 
 center with lion crest. Gorham Co. 
 9 inches square. 
 
 58 SirverR Breaxkrast T'RAy 
 
 Square form, with upright reticulated rim. Four ball 
 and claw fect. Howard & Co. 
 
 Il ches square. 
 
59—SItver SERVICE TRAY 
 
 Plain-finished center, surrounded by an elaborately 
 pierced and relief border of rococo scroll, vine, and 
 
 cupid heads. 
 
 Diameter, 12 inches. 
 
 60—Parr EncuisH Sitver Fruit Trays 
 
 Pointed, oval bodies. Plain centers with pierced and 
 embossed sides of scroll ornament in relief; narrow 
 rococo rims in relief. Victorian period. 
 
 Length, 11 inches; width, 81, inches. 
 
 61—Siiver Froir Disa. 
 
 Deep round shape with raised boss in center. Rests 
 on a conical section foot. Small side handles with 
 butterflies standing in relief. Satin-finished surface. 
 Tiffany & Co.; period, 1872. 
 
 Diameter, 91/, inches. 
 
 62—Sintver Tray 
 
 Square form, with rounded corners; floral ornament 
 repoussé border (engraved with crest in center). 
 Tiffany & Co.; period, 1875. 
 
 10 inches square. 
 
 63—Pair Siiver Comporiers 
 
 Round form, with very elaborate chased floral orna- 
 ment on rims and bases. Centers of plates satin 
 
 finished. Tiffany & Co.; period, 1875. 
 
 Diameter, 9 inches; height, 51% inches. 
 
 64—Siiver Fruit Disu 
 
 Large oval shape with plain center; reticulated and 
 embossed sides; very elaborate scroll ornamented rim. 
 Oval foot, also of pierced and embossed ornament. 
 
 Howard & Co. 
 Length, 14 inches; width, 11 inches. 
 
65—SILveER EPERGNE 
 
 Shallow plate-form dish, with raised center boss and 
 ornate ribbon border. Gilt inside. The stand is of 
 an antique tripod form with claw feet resting on ob- 
 long raised plates. Each leg is decorated with a female 
 mask and other ornament in relief. Satin-finished sur- 
 face. Tiffany & Co., 1874. 
 
 Height, 13 inches. 
 
 66—Cor1n Sinver TEA-sET 
 
 Consisting of teapot and hot-water pot with ivory in- 
 sulated handles, cream pitcher with hinged cover, sugar 
 bowl with loose cover, and breakfast bowl. Decorated 
 
 with raised dot ornament and engraved with conven- 
 tional ornamental panels. Gorham Co. 
 
 67—AmeErican SILveR TEA-sET 
 Consisting of a teapot, sugar bowl with cover, and 
 cream pitcher. Large-swell oval bodies with reeded 
 borders. The cover knobs are grape clusters and 
 leaves. Plain, bright-finished surfaces. Each piece 
 engraved with a monogram E. C. entwined cipher. 
 
 Maker’s stamp: T. Richards, New York (about 1810). 
 
 68—AMERICAN SrILvER KeTTLe, STAND Aanp Lamp 
 Plain, bright-finished body with hinged cover; deco- 
 rated at top rim and foot with a twist rope; high 
 hinged handle with ivory insulators; curved spout. 
 The handle, spout and legs of stand decorated with 
 riffle ornament in relief. Ball, Black & Co. (about 
 
 1850). 
 Height, 17 inches. 
 
 69—Sitver Tureen 
 Oval plain-finished body, with high-domed cover. 
 Greek ornamental border on foot and rim. Large 
 side handles. Tiffany & Co.; period, 1875. 
 
 Length, 16%, inches; height, 12 inches. 
 
70—Massive Sinver PuncH-Bowit AnD LADLE 
 
 A deep bowl with bright gilt inside. The handles are 
 detachable and are finely modeled busts of Bacchus 
 clothed in lion skins. Beneath the rim is a dado of 
 grape clusters and leaves in applied relief. Encircling 
 the bowl, where joined to base, are ribbon bands of 
 Greek and beaded ornament, and groups of tam- 
 bourines, with ribbons in applied relief. The base 
 rests on four conventional Greek lion heads and paw 
 feet. Engraved on the curved surface in ten lines 
 is the following inscription: ‘‘A Testimonial to John > 
 M. Furman, Pres!., by the Directors of the Farragut 
 Fire Ins. Co. In token of their appreciation of his 
 ability and services as an officer and of his worth as 
 a man and a friend. Feby., 1875.” Tiffany & Co., 
 
 makers. 
 Diameter, 18 inches; height, 16 inches. 
 
 OLD SHEFFIELD AND OTHER PLATED WARE 
 
 (1—Parr THREE-LIGHT SHEFFIELD CANDELABRA | 
 
 Massively made and of the English type of the eigh- 
 teenth century; used in the West Indies. The two- 
 branch arms are detachable, the candle sockets pierced 
 for ventilation, and fitting into them are tall bell glass 
 wind-shades. Perfect and in extra fine condition. 
 
 Total height, 35 inches. 
 
 (2—Extra Larce Five-ticht PLatep CANDELABRA 
 
 The central column is made in sections, but put to- 
 gether in one piece. The four massive arms are 
 socketed into the column and are detachable. Large 
 square-form base, standing on claw feet; very ornately 
 decorated with acanthus leaf motif in high relief. 
 Silver-plate on copper. 7 
 Spread of arms, 26 inches; height, 33 inches. 
 
ell LEN So Ses Ta oe 
 
 .78—MassiveE SHEFFIELD CrircuLaR TRAY rd 
 
 The center chased with poppy flower and leaf orna- 
 ment. High raised arm, decorated with grape clusters 
 and leaves in relief. Stands on four rococo scroll feet. 
 
 Diameter, 241%, inches. 
 
 74—Pratep Warrer 
 
 Oval form with end handles, standing on four feet. 
 Raised wave-edge rim, decorated with roses in relief. 
 Center chased with scroll and floral ornament. 
 
 Length, 281%, inches. 
 
 {5—PuatTep TEA SERVICE WAITER 
 
 Oval upright reticulated metal rim, with hand grips 
 in ends. Polished oak bottom, standing on ball feet. 
 
 Gorham Co. 
 Oval, 22 by 16% inches. 
 
 T6—SHEFFIELD TUREEN 
 
 Massive oval urn-shaped body, with side handles and 
 high domed cover.. Decorated with floral rococo orna- 
 ment in high relief. Stands on four short solid feet. 
 
 Silver-plate on copper. 
 Length, 16 inches; height, 12 inches. 
 
 - 77—SuHEFFIELD PuNcH-BOowL 
 
 A deep fluted side bowl, suitable for ice, salad, or 
 - punch; the rim decorated with a rococo border, with 
 Bacchus heads. Silver-plate on copper. 
 
 Diameter, 11°4 inches; height, 8 inches. 
 
 (8—Pair SHEFFIELD WINE COOLERS 
 Urn-shaped bodies, with side handles; decorated with 
 conventional floral and reeded ornament applied in 
 
 bands. Silver-plate on copper. 
 Height, 91 inches. 
 
19—Pair Encuisu PLatrep THREE-LIGHT CANDELABRA | 
 Style of George IV period, with square bases and 
 slender columns; detachable two-branch arms. Elk- 
 
 ington & Co., makers. 
 Height, 1914 inches. 
 
 80—Puatep Rounp SALVER 
 Plain-finished, with wave-edge reeded border and en- 
 
 graved crest. 
 Diameter, 21 inches. 
 
 81—Puatep WAITER 
 Oval form with attached end handles; flat engine 
 turned center; Greek ornament and beaded border. 
 Length, 25 inches. 
 
 82— ANTIQUE SHEFFIELD WINE CRUET 
 Trefoil frame with diamond cross-bar reticulated sides ; 
 decorated with grape cluster and leaves in applied 
 ornament; standing on three feet of similar orna- 
 ment. Center handle a twisted grapevine, with grape 
 clusters and leaves attached. Fitted with three quart 
 
 cut-glass bottles with stoppers. 
 Height, 17 inches. 
 
 83—SHEFFIELD WINE COOLER 
 Vase-shaped body, bright-finished surface, four orna- 
 mental feet; movable top rim, decorated in relief 
 with conventional flower and leaf ornament. Silver- 
 
 plate on copper. 
 Height, 81, inches. 
 
 84—Pair Banquet CANDLESTICKS 
 With massive large bases; engraved with a crest. Tif- 
 
 fany & Co. electro-plate. 
 Height, 141% inches. 
 
85—EnewisH Hor-water Disu 
 Rococo border in relief. High dome cover, the knob 
 handle in design of a group of vegetables. Silver- 
 _ plate on copper. 
 
 Diameter, 13 inches. 
 
 S6—SHEFFIELD Piatep Tray 
 
 Round form, standing on three feet; high raised ro- 
 coco border; center chased with floral outline orna- 
 
 ment. Electro-plate on nickel. 
 Diameter, 17 inches. 
 
 87—SILVER-PLATED Hawnap 
 
 Standing on a wide base. Slender, fluted stem and 
 large cylindrical cup, with cover that fits over the 
 top edge of the cup. The cup is embossed with elon- 
 gated bosses and acanthus ornament in alternate 
 panels. The top of cover is a flattened sphere and 
 has a stained ivory knob representing a pineapple. 
 
 Electro-plate on copper. 
 | Height, 24 inches. 
 
 88—Parr Russian Piatep FLower Vases 
 Beaker form, with straight rim, standing in inverted 
 saucer-shaped bases, repoussé in high relief, with 
 flower and’ leaf ornament. Plated on copper. 
 Height, 17 inches. 
 
 S9—SHEFFIELD Roast-BEEF PLATTER 
 
 Deep oval dish, with raised reeded border. Applied 
 to rim, a half-round silver shield on which are en- 
 
 graved two heraldic bird crests. 
 Oval, 21 by 1634 inches. 
 
 90—Puatep Meat Puatrer 
 
 Deep oval shape, with wave edge and reeded border. 
 Tiffany & Co. electro-plate. 
 Oval, 1814 by 131% inches. 
 
91—Pair Piatrep CHuop DisHEs 
 Deep round shape, decorated with a raised four-corded 
 border. Engraved with lion crest. Tiffany & Co. 
 
 Diameter, 13 inches. 
 
 92—Ex.xtncron REepropuctTion OF THE WarRDALLES ROsE- 
 WATER Ewer 
 
 The body divided by a raised band. In upper section 
 is engraved an elaborate heraldic arms, inscribed on 
 ribbon: “Gift of Thomas Wardalles, Master, AN® 
 1864." Lower section is hemispherical and decorated 
 with the ‘‘cut card” ornament of the period. Small 
 spout; large high handle and round foot.  Silver- 
 plated on copper. } 
 
 Se. 125 a 
 
 Height, 11% inches. 
 
 93—SHEFFIELD CakE BASKET 
 Round form body, with leaf and scroll rim in relief. 
 Folding or bale handle, decorated with leaf and shell 
 ornament in relief. Engraved in center with elab- 
 
 orate heraldic arms. 
 Diameter, 12 inches. 
 
 94—PrLatTrEeD CHAFING-DISH SET 
 Consisting of the chafing dish with carved ebony 
 handle. Hot-water dish, and high stand with three- 
 burner alcohol lamp.. Gorham Co. (One extinguisher 
 
 lacking. ) 
 Height, 9 inches. 
 
 95—Pair or THREE-LIGHT CANDELABRA 
 
 The bases and central columns of solid castings (can 
 be used as candlesticks); the two arm branches de- 
 tachable. A small flame ornament fits in center socket. 
 
 Height, 22 inches. 
 
+ 
 
 96—Set or Six Baneurt CANDLESTICKS 
 
 Heavy solid bell-metal castings. Silver-plated. Bases 
 and central columns in one piece, decorated with 
 acanthus-leaf ornament of the style of Louis XVI, 
 
 in high relief. 
 Height, 10 inches. 
 
 97—Pratep Erercne 
 
 Oval metal frame of openwork, consisting of garlands, 
 with a Greek border of comedy masks. The body 
 rests on four feet. End handles, terminating in 
 winged dragons. Contains original blue glass lining. 
 
 Oval, 13 by 7 inches. 
 
 Q8—SHEFFIELD WINE COOLER 
 
 Etruscan urn-shaped body, with small side handles. 
 Lower part of body melon-fluted; upper part plain, 
 with reeded rim. Movable top cover. Silver-plated 
 
 on copper. ) 
 Height, 8 inches. 
 
 ~99—Parr PLATED wee DisHEsS 
 
 Deep oval shape, with wave-edge reeded border. En- 
 graved with lion crest and motto. . Tiffany & Co. 
 
 electro-plate. 
 Oval, 16 by 111% inches. 
 
 100—SuHeErFrietp Meat Disu 
 
 Oval deep shape, with reeded border and plain sur- 
 face. Stamped Mappin, Webb & Co. 
 Length, 16 inches; width, 12%, inches. 
 
 101—Puatep Cuor Disu 
 
 Deep round shape, with reeded wave-edge border. 
 
 Tiffany & Co. electro-plate. 
 
 Diameter, 14 inches. 
 
102—Turee Puatep Fern DisoH FRAMES 
 
 With reticulated sides. Two have wood bottoms; the 
 
 other, a rim to set a dish inside. 
 Diameter, 81, inches. 
 
 103—Set or Four Puatep Banevet CANDLESTICKS 
 
 Decorated with scroll and leaf motif, style of Louis 
 
 XVI. Tiffany & Co. electro-plate. 
 Height, 10 inches. 
 
 104—-SHEFFIELD SourFLeE DisH, STtanp anp Lamp 
 
 Stand of heavy round wire, with four claw feet. Small 
 
 cup-shaped alcohol lamp. | 
 Height, 9 inches. 
 
 105—SHEFFIELD Brazier 
 Consisting of an oval fire-holder, standing on four 
 wooden ball feet. The inside has raised partitions to 
 give draft to the burning charcoal. End _ handles. 
 
 Silver-plate on copper. 
 Length, 13 inches. 
 
 106—Pair SHEFFIELD PLATED VEGETABLE DisHES 
 
 Deep oval shape, plated on copper. Corded border 
 
 and plain finish. 
 Oval, 12 by 8 inches. 
 
 107—Parr Sitver Entree DiIsHEs 
 
 Oval bodies and cover; handles detachable. Tiffany 
 & Co. 
 
 108—Pair Piatep FLowerR Vases 
 Amphora-shape. Bodies decorated with conventional 
 palm-tree panels, alternating with elongated boss 
 
 ornament in relief. 
 Height, 94 inches. 
 
 . Ss 
 
109—Puatep FLrower Vase 
 Beaker-shaped body, flaring rim and round foot, deco- 
 rated with conventional flower ornament in relief. 
 
 Silver-plate on copper. 
 Height, 121%, inches. 
 
 110—Parr Fovur-ticut Gitt CANDELABRA 
 Very ornate bases and central columns. The branches 
 are curved. Detachable center can be used for single 
 
 candles. Gorham Co. 
 Height, 13 inches. 
 
 111—Pair Smatt Gitt Four-Licht CANDELABRA 
 
 Base, central column and the three curved arms cast 
 in one piece. Rococo scroll ornamentation in high 
 relief. Detachable bobéches. Gorham Co. 
 
 Height, 81% inches. 
 
 112—Pairr Piatep Service Trays 
 Oval form, with chased ornament on flat surface. 
 Raised rococo borders. Sheffield silver-plate on nickel. 
 5 Oval, 16 by 13 inches. 
 113—Puatep Breap Tray ) 
 Oval reticulated spreading metal rim, enclosing a 
 bird’s-eye maplewood bottom. Gorham Co. 
 Oval, 12% by 7 inches. 
 
 114—SHEFFIELD Service Tray 
 Round form, standing on three feet; narrow beaded 
 
 border. Silver-plate on copper. 
 Diameter, 14 inches. 
 
 115—Puatep Service Tray 
 Round form, on three feet; center chased with straw- 
 berry leaves and fruit; raised rococo border applied 
 
 to rim. Silver-plate on copper. 
 Diameter, 12 inches. 
 
116—De tui Sitver-pLaTeD Ewer Tray 
 Hammered brass tray, with wide flange and scalloped 
 rim. Surface chased with conventional human figure, 
 
 animal and floral ornament. 
 Diameter, 1534 inches. 
 
 117—Pair Pruaten Fruit Disues 
 
 Oval form, with reticulated sides; bright-finish plain 
 surface. Gorham Co. 
 
 Oval, 10 by 6% inches. 
 
 118—Oup SHEFFIELD Fruit Basket 
 
 Round form. Body constructed of folded wire; fluted 
 
 rim, twisted-rope bale handle. | 
 Diameter, 9 inches. 
 
 119—Puatep Two-HANDLE STANDING Cup 
 Of antique form, with projecting Egyptian leaf orna- 
 ment at rim; handles decorated with lion heads; short 
 
 stem and wide foot. Gorham Co. 
 Height, 91% inches. 
 
 120—Puatep Cracker Box 
 Cylindrical body, engraved with fern-leaf ornament. 
 Height, 8 inches. 
 
 121—Puatep AFTER-DINNER COFFEE-POT 
 Oval fluted body, with a narrow half-round spout and 
 hinged cover with ebony top. Carved ebony handle. 
 Tiffany & Co. 
 Height, 81%, inches. 
 
 122—-PLaTED AFTER-DINNER COFFEE-POT 
 Plain cylindrical body; tall curved spout; ivory insu- 
 
 lated handle. Gorham Co. 
 
 Height, 8 inches. 
 
 ee ee ee ee eee ee ee 
 
123—P.LatTeD COFrFEE-POT 
 Oval body, decorated with shield and dentilated orna- 
 ment. Carved ebony handle. Gorham Co.; dated 1888. 
 : Height, 81%, inches. 
 
 124—Parr Biscuir PLates 
 
 Round form, with reticulated borders and reeded edges. 
 Gorham Co. 
 
 Diameter, 8 inches. 
 
 125—Parr Tart PLatep CANDLESTICKS 
 
 Colonial style. Large flat bases; slender columns, with 
 
 fluted sides and detachable bobéches. 
 Height, 11 inches. 
 
 126—Puatep CaNDLESTICK 
 Round wave-edge base, with rococo decorated column 
 in high relief. Gorham Co.; dated 1888. 
 Height, 101% inches. 
 
 127—Puatep TEA-sET 
 Consisting of teapot with hinged cover and ebony 
 handle, sugar bowl, cream pitcher and breakfast bowl. 
 Engraved with floral garlands. Gorham Co. 
 
 5 pieces. 
 
 128—Two SHEFFIELD Trays 
 
 One round, with reeded edge; the other, with scalloped- 
 shell border and three ball feet. 
 
 Diameter, 8 inches. 
 
 129—Two Carp Trays ; 
 One, a Sheffield small round tray on three feet, with 
 raised border of rococo and shell ornament; the other, 
 of silver, with wave edge and reeded border. 
 
 Diameter, 7 inches. 
 
1380—S1x Puatep Botrrie STAanps 
 
 Reeded borders and satin-finished surfaces. Gorham 
 Co. 
 
 131—Puatep Gravy Boat 
 
 Deep oval body, with fluted sides, beaded handle and 
 
 fluted border. Tiffany & Co. 
 Length, 7 inches. 
 
 132—Pair Puiatep Gravy Boats 
 Oval plain bodies, standing on tripod feet. 
 Length, 634, inches. 
 
 1383—Patr Puatep Gravy Boats 
 
 Low, wide oval bodies, resting on four feet and with 
 reeded borders. Gorham Co.; dated 1891. 
 Length, 734 inches. 
 
 134—Parr Puatep Bonson DIsHES 
 
 Gilded shallow round-form bowls, with reticulated 
 
 sides. Gorham Co. 
 Diameter, 6 inches. 
 
 185—Two Puatep Toast Racks 
 
 Plain wire frames. Tiffany & Co. 
 
 186—ELEvEeN PLATED ScaLLore SHELLS 
 
 Solidly made small shells standing on three feet, en- 
 graved with crest. Tiffany & Co. 
 
 187—Pair SHEFFIELD COASTERS 
 
 Round gilt frames, with reticulated sides; turned 
 
 wooden bottoms. 
 Diameter, 54 inches. 
 
 138—Parr Oup SHEFFIELD CHAMBER CANDLESTICKS 
 With oval weighted bases and plain columns. 
 
 Height, 6 inches. 
 
 SS ee TS eee Sle eee - —— as 
 
189—Parr Puatep CHAMBER CANDLESTICKS 
 
 Empire style. Square bases, round columns, drapery 
 and tassel decoration. Gorham Co. 
 Height, 6 inches. 
 
 140—Pair SHEFFIELD COASTERS 
 
 Reticulated in diamond cross-bar pattern; scroll edge; 
 
 turned wood bottoms. 
 Diameter, 6 inches. 
 
 141—Puatrep Sucar Bown 
 
 Oval fluted body and cover with small end handles. 
 
 Tiffany & Co. 
 Height, 41%, inches. 
 
 142—SHEFFIELD PLATED TEA-cADDY 
 
 Empire style. Jar shape, decorated with garlands in 
 relief. 
 Height, 5 inches. 
 
 143—Two Pratep Musrarp Ports 
 
 One, surface cup with side handle and hinged cover; 
 the other, with cut glass body and handle. | 
 
 144—Fovur SHEFFIELD COASTERS 
 
 Heavy fluted frames, reed and _ scallop-shell rims; 
 wood bottoms. 
 
 145—SHEFFIELD PLATED INKSTAND 
 
 An oblong tray with rack, holding two cut-glass 
 
 bottles. 
 ; Length, 94 inches. 
 
 146—Gatvano-pLastic Box 
 Silver-plated copper box, resting on ball feet; sides 
 chased, and on cover in high relief a group of cupids 
 fishing. 
 Length, 7%4 inches. 
 
147—GaLvaAno-PLaAstTic Box 
 
 Silver-plated round corner oblong box with hinged 
 cover; sides and top decorated with festive scenes in 
 
 relief, 
 Length, 10 inches. 
 
 TABLE SILVER AND PLATED WARE 
 
 148—Fovur InpivinvayL Sitver Butrrer PLATtTEs 
 
 Square form, with round corners; repoussé rose-pat- 
 tern borders. Tiffany & Co. 
 
 149—Parr Sitver PEPPERS 
 
 Slender cone-shaped bodies with round bases. 
 
 150—Seven Doutcu Sitver LieuEuR Cups 
 
 Frames decorated with pierced work and repoussé 
 
 landscape ornament in low relief; fitted with plain . 
 
 cylindrical glasses. 
 
 151—NineE Dutrcu Sinver LievEur Cup FRAMES 
 
 Similar to the preceding lot, without the glass cups. 
 
 152—Parr Dutcu Lieveur BoTTLEs 
 
 The bottles and corks incrusted with silver. Chased 
 
 in low relief. 
 Height, 734 inches. 
 
 153—Srx Sirver Lievevur CuPrs 
 
 Decorated with wave-crest twist. Guilt inside. 
 
 154—Two Frencnu Sitver TAasrteE SAtt STANDS 
 
 Urn-shaped oval fluted bodies, with solid feet; inside 
 gilt. Period of Louis Philippe. 
 
: 
 t= 
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 j 
 : 
 
 155—Pair Sitrver Taser Sats 
 
 Frames and glass of similar pattern to preceding lot, 
 but round in shape. 
 
 156—Fovur Sitver Taste Saut Sranps 
 
 Small oval pierced frames, resting on six feet, con- 
 taining rose-color glass salt-holders. Howard & Co. 
 
 157—Two Dutrcu Sitver Sucar BAsKetTs 
 
 Oval form, reticulated in straight-line gratings. Twist- 
 rope border and bale handles. 
 
 158—Outp Eneuisu Sitrver Perrer Box 
 
 Vase-shaped body. Decorated with repoussé flower. 
 ornament. Maker’s mark, R. P. (Robert Piercy). 
 London, 1771. 
 
 159—Oup Enecuisu Sitver Perper Box 
 
 Vase-shaped body, ornamented with low-relief flower 
 repoussé decoration. London letter date, 1756. 
 
 160—Two Strver Taste Sart StTanps 
 
 Oblong reticulated frames, standing on four feet. Gor- 
 ham Co. 
 
 161—T'wo Dutcu Sritver Cream PITCHERS 
 
 One decorated with landscapes in panels, the other 
 with children and scroll ornament in relief. 
 
 162—Sitver Bonzson Dtsu 
 
 Decorated with doves and garlands in relief. Blue 
 glass lining. 
 
 163—Oup EnceuisH Sitver Musrarp Por 
 
 Reticulated sides, with side handle and flat-top hinged 
 cover. Original blue glass lining. Maker’s mark, 
 
 P. E. London letter date, 1776. 
 
164—SiLvVER PorRRINGER 
 Shows the hammer marks after the manner of antique 
 Japanese metal-work. Tiffany & Co.; period, 1876. 
 
 165—Cut Guass Humipor 
 Hexagonal straight-side cut-glass jar, with silver 
 cover. 
 
 166—Two Antique Sitver Soup Lapies 
 Large plain bowl, with scallop-shell embossed fiddle- 
 back long handle. Maker’s stamp, PENFIELD. 
 
 167—Sitver Saad SERVICE 
 Handles of Persian pattern. Tiffany & Co. 
 
 168—ANTIQUE SALAD SERVICE 
 Hollow embossed silver handles, with carved ivory fork 
 and spoon. Handles engraved with a crest. Dutch, 
 about 1840. - 
 
 169—Two Opp Sitver Pieces 
 Small silver bowl punch ladle, with an English shilling 
 of George III, dated 1787, inserted in bowl. Long, 
 slender, twisted whalebone handle. Salad spoon with 
 fluted silver bowl, and carved ebony handle. 
 
 170—Sinver AnD ENAMEL TEA-STRAINER 
 Interstices filled with tr ansparent colored enaiele: 
 
 171—Cappy-sPoon 
 Pierced and filled in with colored transparent enamels. 
 
 172—F ive Sirver AposTLE Spoons 
 With small oval bowls and slender crudely cast handles. 
 
4 
 
 173—-Four Durcu Sitver Cappy-spooxs 
 With deep oval fluted bowls and short handles; one 
 gilt. 
 
 174—F ive Porripce Sroons 
 
 Of Dutch and German origin, with large oval bowls 
 and decorated handles, each of a different pattern. 
 
 175—MisceELLANEovus Lor SmALL SILVER 
 
 Consisting of child’s knife, fork and spoon, butter 
 knife, and three sugar-tongs. 
 
 176—MisceELLANeEous Lor or SILvER 
 
 Sugar sifter, bonbon scoop, three nut-picks and an- 
 tique English sugar-tongs. 
 
 177—MisceELLANeEous Lot or SILver 
 
 Pair gravy ladles, two sugar sifters and sugar spoon. 
 
 178—Two GrRaPrE Beeons 
 
 One, plated gilt, with ornamental handles, Tiffany & 
 Co.; the other, with straight handles, Gorham Co. 
 
 179—Misce_taneous Lor 
 Extra long-handle claret-cup spoon; pair Sheffield 
 whipped-cream spoons. 
 
 180—Nine Fancy Sitver Sat SPoons 
 
 Silver-gilt European spoons of various patterns. 
 
 181—Lor AFrTrEeR-DINNER COFFEE-SPOONS 
 Five of silver, with oval gilt bowls and embossed flower 
 handles, one silver spoon with filigree handle, and five 
 plain electro-plated spoons. : 
 
182—Lortr Sait Spoons 
 
 Eight with gilt bowls and four of electro- ate en- 
 graved with crest. Tiffany & Co. 
 
 183—TwetLve Srtver Oyster Forks 
 Two-tine Persian pattern. Tiffany & Co. 
 
 184—TweLtve Sitver LEMONADE Spoons 
 
 With perforated round bowls, and slender long tube 
 handles. Tiffany & Co. 
 
 185—SinveER IcE-cREAM SERVICE 
 
 Consisting of serving knife and twelve spoons, chased 
 handles and satin-finished bowls. Antique engraved 
 _ pattern. Tiffany & Co. 
 
 186—SitvEer IcE-cREAM SERVICE 
 
 Consisting of serving knife and twelve spoons, leaf- 
 shape bowls, hollow handles, copies of antique Japanese 
 knife handles, with applied ornament, each different, 
 in gold, silver and colored metals. 
 
 187—ELeEveN SILVER COFFEE-SPOONS 
 
 Large-size coffee-spoons with gilt bowls and Japanese 
 
 bird-pattern handles. Tiffany & Co. 
 
 188—ELeven Sivver Fruit Knives 
 
 With slender pointed blades, each chased with different 
 ornament. Japanese pattern handles. Tiffany & Co. 
 
 189—Sinver Cream LADLE 
 
 Gilt bowl, with slender Japanese pattern handle. 
 Tiffany & Co. 
 
 190—Sinver Cake KNIFE 
 
 Wide flat blade with saw-tooth back, engraved with 
 figure of a Greek warrior and conventional ornament. 
 
 Tiffany & Co.; period, 1870. 
 
191—Ser Sitver Servine Spoons 
 
 Consisting of salad fork and spoon, pie knife, berry 
 scoop and sugar sifter. Japanese pattern handles. 
 Tiffany & Co. 
 
 192—Sitver TasiLe SERVICE 
 Consisting of a large long-handled gravy spoon, ice- 
 cream knife, vegetable fork, pie knife, waffle server 
 and crumb knife. The handles are of the ‘‘antique en- 
 graved” pattern and only made to order. Tiffany & 
 Co.: period, 1876. 
 
 193—Twewtve Puan Larcer-size Forks 
 
 Silver-plated. 
 
 194—Tirrany’s Recent Parrern TaspLEwaRe 
 
 Plated on hard metal consisting of soup ladle, gravy 
 ladle, large serving spoon, twelve coffee spoons, four- 
 teen dessert spoons, fourteen table spoons, eighteen 
 oyster forks, six orange spoons, four salt spoons, one 
 mustard spoon, forty-two table forks, twenty dessert 
 forks, twenty-two dessert knives and thirty-two dinner 
 knives. 
 
 195—Goruam’s Kine’s Parrern TaBpLewareE 
 Plated on hard metal, consisting of thirty-six tea- 
 spoons, thirty coffee-spoons, fifty-five dessert spoons, 
 forty-one table forks, sixty-seven dessert forks, thirty- 
 six oyster forks, seventeen dessert knives, thirty-seven 
 flat-handle fruit knives and twenty-three dinner knives. 
 All engraved with monogram. 
 
 196—GoruaAm’s Kine’s Parrern TapLeware 
 Plated on hard metal, consisting of twelve table spoons, 
 seventeen dessert spoons, twenty dessert forks and 
 fifty-six table forks—all engraved with a crest. 
 
SECOND AFTERNOON’S SALE 
 
 FRIDAY, JANUARY 16, 1914 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 2.30 oO’cLOCK 
 
 NAPOLEONA 
 
 197—SMALL STATUETTE OF NAPOLEON 
 
 A standing figure in iron on a quadrangle pedestal. 
 First Empire period. 
 
 Height, 5% inches. 
 
 198—Napotron, His:Consort AND THE DavPuin 
 Three statuettes, finely modeled in gilt bronze, on 
 ‘quadrangular bases of bronze, finished with an antique 
 green patina and applied ornament of an eagle in gilt 
 ormolu. First Empire period. 
 Respective heights, 4144, 5 and 51% inches. 
 
 199—Bronze Bust or NAapoLEeon 
 In general’s uniform, mounted on a Sienna marble shaft 
 
 with bronze moldings. First Empire period. 
 Height, 12 inches. 
 
 200—Bronze STATUETTE OF NAPOLEON 
 Standing figure on a rose antico marble base. First 
 
 Empire period. 
 Height, 13 inches. 
 
201—Emprre Bronze STATUETTE OF NAPOLEON 
 
 Standing figure without hat. Signed, A. Barre. Pink 
 marble base. 
 Height, 15 inches. 
 
 902—Larce First Emprre Vase 
 
 French. Green glaze, with painted panels of “Na- 
 poleon and his Generals,’ and bust-portrait of ‘“Na- 
 poleon.”” Signed “Maglin.” Gilt scroll handles. 
 
 Height, 20 inches. 
 
 203—Larce Empire VAsE 
 Urn-shaped, with loop handles terminating in masks. 
 White glaze, decorated with a portrait of Napoleon 
 in regal robes and an imperial coat-of-arms; framed 
 in gilt. 
 Height, 171%, inches. 
 204—Emrire Covered VASE 
 
 Coated with a green glaze, with two panels in reserve 
 on which are portraits of Napoleon and Josephine. 
 
 Gilt scroll handles and ormolu base. 
 Height, 17 inches. 
 
 205—CoLoreED PRINT 
 Napoleon. After David. Guilt frame. - 
 
 206—ENGRAVING 
 
 Napoleon in coronation robes. Gilt frame. 
 
 207—Two Encravines 
 “Napoleon” and “Josephine.” After Isabey. Gilt 
 
 frames. 
 
 208—ETCcHING 
 Napoleon. After Paul Delaroche. White and gilt 
 
 frame. 
 
209—ETcHINnG 
 
 Napoleon. By Jules Francois. After Paul Delaroche. 
 Gilt frame. | 
 
 210—Co.uorep PRINT 
 
 Napoleon. By Richomone. After Gerard. Gilt 
 frame of the period. 
 
 211—Conorep Print 
 
 Napoleon. By Rinaldi. After Lambert. Gilt frame 
 of the period. 
 
 212—Co.xorEep Print 
 Napoleon. By F. Bartolozzi. After Appian. Gilt 
 
 frame. 
 
 213—Two Op Cotorep Priyts 
 Napoleon on horseback. Gilt frames of the period. 
 
 214—-Pen anp Ink Drawinc 
 
 Napoleon. Gilt frame. 
 
 215—Two PHoToGRAPHS 
 
 Napoleon. Gilt frames. 
 
 216—Cotorep Print 
 Martha Washington. Gilt, oval frame. 
 
 CERAMICS, EMPIRE BRONZES, CLOCKS AND 
 MISCELLANEOUS OBJECTS 
 
 217—Turee Drespen FIcuRINES 
 
 Representing dancers and a flute player. 
 Height, 4 inches. 
 
918—Pair oF DreEspEN FIGURINES 
 
 German. Courtier and lady. Mark, crossed swords. 
 Height, 41% inches. 
 
 219—Patir or DrespeEN FIcuRINEsS 
 
 “Ballet Dancers.” . 
 Height, 4 inches. 
 
 290—Pair or DrespEN STATUETTES 
 
 Monkey musicians. 
 Height, 51%, inches. 
 
 221—Drespen FIGurine 
 
 Courtier with rose. (Repaired.) 
 Height, 6 inches. 
 
 222—Par or Drespen FicurineEs 
 Flower seller and lady with cup. Mark, crossed 
 swords. 
 
 DRESDEN GROUP 
 “'The Lovers.” 
 
 223 
 
 Height, 5 inches. 
 
 224—DrEsDEN GROUP 
 Nude boy with birds and cage. Mark, crossed swords. 
 Height, 5 inches. 
 
 295—DrEsDEN GROUP 
 
 German. “The Maid and the Man.” 
 Height, 7 inches. 
 
 226—Two PorceLtaIn ORNAMENTS 
 A box, miniature violin and small table, the top deco- 
 rated with a pastoral subject. Mark on the latter, 
 crossed swords. 
 
 Height, 51% inches. 
 
2297—FrencH PorcCELAIN SNUFFBOX 
 
 Shell-shaped. Floral decoration. Gilt mounting. 
 Mark, crossed arrows. 
 Diameter, 234, inches. 
 
 2298—DrespEN SNUFFBOX 
 
 Quatrefoil-shaped. Decoration in colors and gilding, 
 ‘of figures, gardens and landscapes. Mark, crossed 
 swords. 
 
 Length, 314 inches. 
 
 229—DreEsDEN SNUFFBOX 
 Rectangular, with hinged lid. Decoration of hunting 
 subjects. Mark, crossed swords. 
 Length, 3 inches; width, 24, inches. 
 
 230—Oxip DrespEN SNUFFBOX 
 Rectangular, with hinged lid. Gilt metal mounting, 
 with bridge, castles and street scenes in brown tones; 
 border of fish-scale designs in pink. Mark, a crown. 
 : Length, 314, inches; width, 21%, inches. 
 
 231—Oup DrespEN SNUFFBOX 
 Rectangular with hinged lid and gilt lined. The ld 
 decorated with a Teniers subject, and the sides with 
 landscapes and river views. Mark, crossed swords. 
 
 Length, 3% inches; width, 23/4 inches. 
 
 232—Oxip DrespEN SNUFFBOX 
 Rectangular, with hinged lid. The outer surface deco- 
 rated with landscapes, castles and river scenes. The 
 inside of the lid has a decoration of a lady and gentle- 
 man and pet dog. 
 
 Length, 314 inches; width, 2°, inches. 
 
933—FrRENcH PoRCELAIN CANDLESTICK 
 
 Figure of a young woman beside a tree trunk. The 
 
 trunk and base entwined with roses. (Repaired.) 
 Height, 10%, inches. 
 
 234—Parr or Drespen CANDLESTICKS . 
 Nude and half-draped figures at the base. Tinted with 
 pink and gilded. (Damaged.) 
 
 Height, 11% inches. 
 
 235—BoTTLE-sHAPED VASE 
 With two gilt handles. Floral decoration on a cream- 
 white ground. Blue band about the neck and foot on 
 which are flowers in color and gilding. 
 Height. 12% inches. 
 
 236—Louvis QuinzE Crock 
 Decorated with landscapes, flowers and scrolls in colors 
 
 and gilding. 
 Height, 13 inches. 
 
 93—JAPANESE BOTTLE-SHAPED VASE 
 
 Cloisonné on Kioto faience. Reserve panels decorated 
 
 with butterflies and insects. 
 Height, 12%, inches. 
 
 238—DreEspEN JEWEL Box 
 Oblong, with hinged lid. Decorated with pastoral 
 
 subjects and gilding. 
 Length, 13 inches; width, 81%, inches. 
 
 239—Pair or Empire VASES 
 Royal blue glaze, with bands of flowers, swans, vases 
 and scrolls in gilt. Two gilt, scroll handles. (One 
 repaired. ) 
 Height, 11 inches. 
 
 ee 
 
240—Pair or Drespen Vases 
 
 Clear white porcelain. ‘Twisted loop handles of ser- 
 pent design. Painted decoration of hunting and 
 equestrian subjects. Gilding and tinting. Mark, 
 
 crossed swords. 
 Height, 19 inches. 
 
 241—Par or Tati Empire Vases 
 Ovoid shape, with painted decoration of ‘Cupid in 
 Duress,” flowers and other subjects. Winged snake 
 handles, which are gilded, as are the neck and base. 
 
 (One damaged.) 
 Height, 28 inches. 
 
 242-_L.ARGE JAPANESE VASE 
 
 Decoration of storks, birds, bamboo and _ flowering 
 
 trees in blue on a white ground. 
 ; Height, 37 inches. 
 
 243—LarcEe JAPANESE VASE 
 
 Storks, Howo birds, trees and scepter heads in blue 
 
 on a white ground. 
 Height, 43 inches. 
 
 944—MINIATURE TORCHERE 
 
 Empire. ‘The standard and base are of cut glass. 
 
 Gilt ormolu mounts. 
 Height, 8 inches. 
 
 2945—Parr or First Empire Guass VASES 
 
 Oviform, with square bases and flaring mouths. (One 
 damaged. ) 
 Height, 11 inches. 
 
 246—EmPIRE INKSTAND 
 
 Circular base of burl walnut, in which are set inkwells, 
 sandbox and shaker. Guilt ormolu mounts and paw 
 feet. 
 
 Diameter, 7 inches. 
 
Q947—Framep MINIATURE 
 “Marie Antoinette.” Signed Doiebeau? 
 
 248—Four Framep MINIATURES 
 
 ‘Marie Stuart,” ‘Marie Antoinette,” ‘“‘Mrs. Robin- 
 son” and “Louis XIV.” 
 
 249—MiniaTurRE CLock 
 Figure support of metal on a circular base, in which 
 are set circular enamel panels, painted with classical 
 subjects, as is the back and interior of the case. Works 
 
 by Le Roy, Paris. 
 Height, 7%, inches. 
 
 250—Muiniature Tasir Crock 
 Easel frame of gilt and pierced brass. Silvered dial. 
 Height, 6 inches. 
 
 951—JAPANESE PEwTeR Tra JAR 
 
 Carved decoration in low relief of dragon and waves. 
 The top has been bored and a lamp-well inserted. 
 
 Height, 121% inches. 
 
 952-Four Mirrors 
 
 Pierced frames of brass. 
 Height, 22 inches; width, 16 inches. 
 
 253—BELL-SHAPED CLOCK 
 Case of cast brass, decorated with figures, scrolls and 
 
 angels in low relief casting. Bands of inscriptions. 
 By Howard and Co., Paris and New York. 
 
 Height, 13 inches. 
 
 954—Fovur Empire CANDLESTICKS 
 
 Gilt ormolu. ‘Twisted column design with chiseled 
 
 ornamentation. Circular bases. 
 Height, 13 inches. 
 
. 
 
 255—Four CANDELABRA : 
 Match the preceding. ‘lwo for three candles and two 
 
 for four. 
 Height, 18 inches. 
 
 256—Pair oF Empire Coverep Urns 
 Brass, on white marble bases. Openwork covers, sur- 
 
 mounted by leaves and tufts. 
 Height, 16 inches. 
 
 257—Parr or Empme Canpenapra 
 Gilt ormolu. For four candles. Fluted column sup- 
 
 ports, with chiseled ornamentation. 
 Height, 19 inches. 
 
 - 
 
 — 258—Pair or Empire CANDELABRA 
 
 Gilt ormolu, for three lights and a central ornament 
 terminating in a basket of fruit. Chiseled and applied 
 ornamentation. ‘The bases are triangular and rest on 
 
 paw feet, below winged lion-heads. 
 Height, 201% inches. 
 
 259—Parr or Gitt ORMoLU CANDELABRA 
 First Empire. By Thomire. Three female figures in 
 classic draperies, placed back to back, uphold torchére- 
 shaped. candle brackets. The round pedestal bases 
 are decorated with cupids and festoons of blossoms. 
 Signed, Thomire, Paris, on the round base. 
 Height, 181%, inches. 
 
 260—EmpireE CENTERPIECE 
 Cut-glass bowl and base. The supports are of classic 
 figures in gilt ormolu, which rest on glass bases. Three 
 
 paw feet. . 
 Height, 17%, inches. 
 
261—Pair or Empire Frvir DisHes 
 Gilt ormolu. Six candle brackets rise from an oblong 
 basket which is lined with ruby glass. The supports 
 are two cupids holding wreaths. Oblong base resting 
 
 on four winged paw feet. 
 Height, 18 inches. 
 
 262—Parr or Empire Bronze CANDELABRA 
 
 For four candles. The fluted column supports rise 
 from three legs terminating in paw feet, and are deco- 
 rated with acanthus leaves and ormolu bands. Trian- 
 
 gular bosses. 
 Height, 22 inches. 
 
 263—Par or Girt Merat CAanpELABRA 
 Old French. For six candles. The scroll-shaped 
 brackets are upheld by nude figures of children. 
 Shaped bases with an applied decoration of grapes and 
 
 vines. 
 Height, 24 inches. 
 
 264—Parr oF Empire CANDELABRA 
 Five candle brackets of gilt ormolu are upheld by 
 kneeling winged figures of green bronze. Rose antico 
 
 marble bases mounted with ormolu. 
 Height, 26 inches. 
 
 265—Turee Empire Girt Ormotv Tazzas 
 Wide-spreading, shallow bowls, with column supports 
 decorated with acanthus leaves and palmettes. ‘Three 
 paw feet on triangular bases. 
 
 Height, 16 inches; diameter, 10 inches. 
 
 266—Parr or Gitt Ormotvu EmpirE CANDELABRA 
 
 The square bases are topped by globes, on which stand 
 classic figures, which in turn support the five cornu- 
 
 copia-shaped candle brackets. 3 
 Height, 36 inches. 
 
267—Larce Ormoivu anp Girt Taste Piareau 
 Empire period. The rail is of grapes and leaves, 
 chiseled and pierced; with a band of blossoms below. 
 Three winged lion feet. 
 
 Diameter, 281/, inches. 
 
 268—Pair or Cast Brass APpPiieuks 
 Louis Quinze. Leaf scroll design. For two candles 
 each. 
 Height, 17 inches. 
 
 269—Pair oF Empire Watt Licuts 
 Green bronze and gilt ormolu. Lamp-shaped, with five 
 candle-holders, joined to the central portion by mask 
 ornaments. 
 
 270—Niné Wuite Merat Apruiiavuks 
 Louis Quinze style. Scroll and leaf design for two 
 
 candles each. 
 Height, 131% inches. 
 
 271—Pair oF Gitt Brass Appriauks 
 Empire design. The central section in the form of a 
 quiver of arrows. ‘Two scroll brackets fitted for gas. 
 Height, 17 inches. 
 
 272—Four Girt Brass AppiiquEs 
 Seven candle-holders, from which hang festoons of 
 crystal glass beads. The horizontal section terminates 
 in vase, from which rises a flame-shaped ornament. 
 Height, 2014 inches. 
 
 273—Pair oF Orv Brass Hart Lanterns 
 Octagonal, with frosted glass panels and leaf bases. 
 The brackets for hanging are of a later date. Fitted 
 
 for gas. 
 Height, 27 inches. 
 
24%4—Oxup Priatep CHancet Lamp 
 
 Italian Renaissance design. Repoussé ornamentation 
 of cartouche, scrolls and shells, and has chains and 
 
 canopy. 
 Height of lamp, 19 inches. 
 
 27Y5—AnTIQUE FRENCH CLOCK 
 
 The circular case is of brass and surmounted by a 
 cupid. White marble supports, with applied orna- 
 mentation of caryatids, flowers and blossoms in 
 ormolu, and surmounted by seated figures of children 
 in bronze. Shaped ebonized base, with an ormolu 
 
 plaque and masks. 
 Height, 20 inches; width, 18 inches. 
 
 276—Lovis QuinzE Bunwt Bracket Ciock 
 
 Upright case, with canopied top surmounted by angel 
 in gilt brass. The base is shaped and rests on four 
 feet. The case, brackets and top are ornamented 
 with designs in brass inlaid on tortoise-shell, and busts, 
 masks, draperies and lion-heads cast and chiseled. 
 Gilt dial, and white enamel chapters of shield shape; 
 
 black numerals. 
 Height, 59 inches. 
 
 277—Buut Crock with Bracket 
 
 French. (Louis Quinze period.) ‘Balloon-shaped case 
 with a canopied top, having for a terminal the figure 
 of a child. Ornamented with brass and gilt bronze 
 arabesques, scrolls and an eagle. Ornamented gilt 
 bronze dial with enameled hour medallions, and the 
 minutes incised on the rim. ‘The bracket has gilt brass 
 masks and other decoration to correspond. 
 
 Height, 53 inches. 
 
_ EMPIRE AND OTHER FURNITURE 
 
 278—Two Pititows 
 Covered with yellow brocade. 
 
 2979—Patr or CARVED AND Gitt Woop Brackets 
 
 Louis Quinze design. 
 Height, 20 inches; width, 16 inches. 
 
 280—Parr Manocany Empire Sroots 
 X-supports, and covered with yellow brocade. 
 | Height, 18 inches. 
 
 2981—CarRveEpD-woop PrprEsTAL TABLE 
 
 Indian. Curved edge, carved and pierced. An inner 
 
 band of carving in low relief, of elephants, birds, leaf 
 
 sprays and grotesque figures. Six carved legs. 
 Height, 20 inches; diameter, 26 inches. 
 
 282—CaRVED AND GILT-woop CONSOLE 
 Louis XV style. Shaped polyglot marble top. 
 Height, 32 inches; width, 28 inches. 
 
 283—Prano Sroo1 ; 
 Walnut. Carved pillar support and base of foxes’ 
 heads and paw feet. 
 
 284—EmpPirE SEAT 
 Mahogany. With side rests and without back. 
 
 285—Mirror Sconce 
 Gilded and molded frame. Brackets for three candles. 
 Height, 36 inches; width, 24 inches. 
 
 286—Teraxkwoop PEDESTAL 
 Marble top. Straight legs. 
 
 Height, 32 inches; diameter, 134, inches. 
 
287—Carvep AND Gitt FramEep Mirror 
 Louis Seize style. Side-pieces of twisted design; the 
 top and base of leaves, flowers and bow knots. (Re-_ 
 
 paired. ) 
 Height, 4 feet 2 inches. 
 
 288—Parr or Flower STANDs 
 Carved wood. The leaf-bordered bowl is supported by 
 a stork and long-leaved plants. Shaped and carved 
 
 base of rocks, flowers and plants. 
 Height, 48 inches. 
 
 289—Gun CaBINET 
 Louis Seize style. Mahogany, with brass mounts. 
 Shaped top, with beveled glass sides, door and shelf. 
 Mirror back. Base mirror lined, with beveled glass 
 front and lid. Fluted legs. 
 Height, 52 inches; width, 3214 inches. 
 
 290—Manocany Drop-Lear TABLE 
 Colonial period. Square column support, with a 
 shaped base and four scroll feet. 
 Height, 31 inches; length, 57 inches; width, 39 inches. 
 
 291—Larce Manocany Drop-Lear TABLE 
 Colonial period. Square vase-shaped support, resting 
 on a shaped base with four square bracket feet. 
 Height, 25 inches; width, 354, inches; length, 50 inches. 
 
 292—-Pair or Rosewoop anp Gitt ConsoLe TasLes 
 Empire period. Folding tops, the upper half having a 
 brass edge. Supports of carved and gilt caryatid and 
 two turned, carved and gilded columns. The shaped 
 bases rest on four legs with paw feet. 
 Height, 30 inches; diameter, 36 inches. 
 
~293—Oxup Oak Tati Crock 
 
 Carved with leaves and scrolls in low relief, and the 
 door ornamented with a figure of the angel Gabriel. 
 
 Height, 6 feet 11 inches. 
 
 294—THREE-FOLD SCREEN 
 
 Louis Quinze style. Carved-wood frame enameled 
 
 white. The upper panels are shaped and fitted with 
 
 beveled glass, and the lower with yellow brocade. 
 Height, 6 feet; width, 4 feet. 
 
 995—CarVED AND GILT-woop SIDE-CHAIR 
 
 Louis Quinze style. 
 
 296—FovurFroutp ScREEN 
 Covered with red plush, fastened by brass nails. 
 Height, 5 feet 8 inches; width, 6 feet. 
 
 297—Tatu Peprstat TaBLe 
 
 Empire period. Mahogany, circular top, with three 
 plain column supports which rise from a triangular 
 base on three paw feet. Ormolu mounts. 
 
 Height, 48 inches; diameter, 19 inches. 
 
 298—EmpirE ARMCHAIR 
 Mahogany, upholstered in green plush. 
 
 299—Pair or ARMCHAIRS 
 Italian style. Tooled leather seats and backs fastened 
 by large brass-headed nails. Carved arm rests, turned 
 supports, legs and underbraces. 
 
 300—Oxp EneuisH Empire Taser 
 “‘Pillar-and-claw” design. One drop-leaf, which when 
 raised and fitted to a companion forms a long dining- 
 
 table. 
 Height, 28 inches; length, 50 inches. 
 
301—Drawinc-room SviTE 
 Louis Quinze style. Carved-wood, frames finished in 
 white enamel. Seats and backs covered with figured, 
 yellow brocade. Comprises sofa, one arm and two 
 side chairs. 
 
 302—Drawinc-R00M SUITE 
 Louis Seize style. Carved and gilt frames; upholstered 
 in figured yellow brocade. Comprises sofa and two 
 armchairs. 
 
 303—Manocany Empire Coucn 
 Shaped back and end pieces. The lower end is hinged 
 
 and drops down. Ormolu mounts. 
 
 304—Manocany Empire Sora 
 Curved arms, which terminate in gilt bronze dolphin- 
 heads. Loose cushion seat, back and side pieces cov- 
 ered with yellow brocade, with Empire designs. 
 Length, 58 inches. 
 
 305—Oxtp Oak Liprary TABLE 
 The skirt carved with scrolls, dolphins and lion heads. 
 Four carved bulbous supports on dolphin feet. Under- 
 brace carved with scroll, egg and leaf designs. 
 Height, 2 feet 7 inches; length, 4 feet 7 inches; width, 3 feet. 
 
 306—Two Lone Narrow Srats 
 Louis Seize style. Carved frames finished in light 
 gray enamel. One upholstered in yellow brocade. 
 Length, 5 feet and 5 feet 8 inches. 
 
 307—Lone SrEat 
 Empire. The frame of carved wood finished in gray 
 enamel, and upholstered in figured yellow satin. 
 Length, 9 feet 10 inches. 
 
308—Larcrt Manocany Bookcase 
 
 Empire period. The upper portion has three divisions, 
 with glass doors, and mounted in ormolu. The base 
 has a draw-top, three drawers and three cupboards; 
 and applied decoration of winged griffins, lyre and 
 classic figures in ormolu. 
 
 Height, 6 feet 10 inches; width, 5 feet 10 inches; depth, 1 foot 7 
 inches. 
 
 309—Woop Carvine 
 Elk’s head in carved walnut mounted with a pair of 
 ten-tine antlers of extraordinary size. 
 Spread, 42 inches. 
 
 310—MarsieE STATUE 
 
 Life-size standing figure of Venus. At her side, dol- 
 phins and cupids. (Repaired.) 
 Height, 5 feet 2 inches. 
 
 $11—Gitt Bronze FENDER 
 Louis Seize. Vase-shaped ornaments at either end. 
 
 Length, 47% inches. 
 
 312—Empire FENDER 
 Lacquered and gilded iron; with lions at either end. 
 
 Length, 43 inches. 
 
 313—Manocany Four-prost BrEpsTEAD 
 
 English. Eighteenth century. (Chippendale period.) 
 The posts are turned and fluted with a bulbed band 
 of acanthus-leaf carving. The headboard curved, with 
 scroll ends, and the top rail carved with leaf designs. 
 
\ 
 
 COLOR PRINTS, ETCHINGS AND OTHER 
 PICTURES 
 
 $14—Turee Framep Prints 
 
 After noted paintings. 
 
 $15—PRINT | 
 By F. Bartolozzi. “Hope” and “Charity.” Gilt 
 frame. . 
 
 316—PrInT 
 
 By F. Bartolozzi. “Charity” and ‘‘Marie Antometten 
 in color. Guilt frame. 
 
 317—Two Cotorep PHoToGRAPHS 
 “The Finishing Touch” and “A Kiss First.” After 
 
 Meyer von Brunen. Gilt frames. 
 
 318—Two CoLorEep PHOTOGRAPHS 
 
 One after Sohn. Bronzed frames. 
 
 319—PuHoTocGRAPH 
 “Magdalene.” 
 
 320—Co.xorep Print 
 “Up the Thames.” Gilt frame. 
 
 321—Warer Coror 
 The Footman. By Thom. Gilt frame. 
 
 322—Two EncRAvVINGS 
 “Priscilla” and “Evangeline.” After Geo. H. Bough- 
 
 ton. Guilt frames. 
 
 323—Two ENGRAVINGS 
 By Samuel Cousins. After Sir John E. Millais. 
 
 Bronzed frames. 
 
324—Two ETCHINGS 
 “The Foraging Party” and “The Stag.” By F. Gil- 
 bert. After Rosa Bonheur. Bronzed frames. 
 
 825—PHOTOGRAPH 
 
 “Marie Louise.” Guilt frame. 
 
 326—Two MezzotTints 
 
 “Mrs. Bailey” and “The Duchess of Devonshire.”’ 
 After Gainsborough. Guilt frames. 
 
 $27—ENGRAVING 
 
 “Princess Elizabeth.” By F. L. Atkinson. After 
 Sir John E. Millais. 
 
 328—PHOTOGRAVURE 
 “Return from the Hunt.” After E. Walker. Bronzed 
 frame. 
 
 329—ENGRAVING 
 
 “Effie Deans.” _By T. P. Barlow. After Sir John 
 E. Millais. Guilt frame. 
 
 330— ENGRAVING 
 Similar to the preceding. 
 
 331—ENGRAVING 
 
 “Jerseys.” By A. C. Allais. After E. Douglass. 
 Signed proof. Gilt frame. 
 
 332—Two ENGRAVINGS 
 “Health” and “The Dance.” By A. Lamotte. After 
 Moreau. Gilt frames. 
 
 333—ENGRAVING 
 “The Horse Fair.” By Thomas Landseer. After 
 Rosa Bonheur. Gilt frame. 
 
Wi sk< 
 
 2 ears 
 
 334—Two CoLorEep jeoruafrwiee 
 Race Horses. Guilt frames. 
 
 335—CoLoRED SPORTING PRINTS 
 
 By J. Harris. “All Right.” “Pulling up to the in 
 Unskid.” ‘The Olden Time.” nee Horses.” 
 
 336—Fovur Prints mS mee 
 By W. Summers. “Fox Hunting, Plate sls? 2 Fos 
 Hunting, Plate 2.” . “Fox Hunting, Plate 37 “foxes 
 Hunting, Plate 4.” | sa os 4 
 
 337—CoLoRED PHoresinen 
 
 Jerome Park. After Ed. P. San eutneres With key. 7 
 
OLD PORTRAITS IN OIL: 
 AND OTHER PAINTINGS 
 
 TO BE SOLD 
 
 ON FRIDAY EVENING, JANUARY 16, 1914 
 
 AT THE AMERICAN ART GALLERIES 
 
 AT THE CONCLUSION OF THE SALE OF THE PAINTINGS 
 BELONGING TO THE ESTATES OF B. R. REDMAN, DE: 
 CEASED, AND DANIEL O’DAY, DECEASED, AND WHICH 
 ARE DESCRIBED IN A SEPARATE CATALOGUE. 
 
 UNKNOWN 
 
 338—FISHING 
 (Water Color) 
 
 Height, 8%, inches; length, 14%, inches 
 A blue stream makes a circular bend about a grassy point 
 where tall trees grow and cattle graze. Off the point is a 
 
 solitary sailboat moving slowly, and on the opposite bank 
 of the stream a man is fishing. 
 
 LAURA WOODWARD 
 
 AMERICAN 
 339—SURF 
 (Water Color) 
 / 
 7) $s? 5 
 vA J —— Height, 11 inches; lay 6a a eae | 
 DO Wend ne 
 
 Under a pale blue sky filled with billowing white clouds a 
 gray sea comes up in moderate motion and breaks in a light 
 spray on gray and red-brown rocks. Here and there a wave 
 reveals a pale green note. In the distance are sails. 
 
 / 
 
UNKNOWN. 
 
 340—ALONG THE MEADOWS 
 
 gre 
 
 (Water Color) 
 
 Height, 171% inches; width, 8% WUT 
 
 In a stream bordering green meadows where cattle graze, 
 with a church steeple visible beyond them, a boy is poling 
 a punt or scow near a reedy bank. 
 
 THON 7 
 341—A FUNCTIONARY sy a Pe a 
 un —— (Water Color) Fite y Pe 
 
 Height, 174%, inches; width, 114% inches 
 
 Against a blue-gray wall a satisfied man in a long-tailed scar- 
 let coat brightly trimmed, and an elaborate waistcoat and 
 blue breeches, with white stockings, is seen standing facing 
 the front, his head turned to observe something far to his 
 left. Apparently he was about to take a pinch of snuff 
 when his attention was distracted. 
 
 Signed at the lower right, THon. 
 
 UNKNOWN 
 342—_WILLOWS 
 ‘ <—— Height, 61% inches; length, 91, inches 
 Cas 
 
 | L“~VYVIAN 1 
 Low, rounded willow trees, close-growing and of dese % 
 foliage, appear in a long line near the edge of a shallow ¥iver,  __ 
 against a gray sky whose distant light throws shadows at 
 
 their bases and on the water. Elsewhere the current reflects 
 the lighter clouds, and on the bank are touches of color. 
 
FOSTER MUNRO 
 
 AMERICAN 
 
 343—SUNSET 
 Height, 7 inches; length, 10 inches 
 
 / 0 oS Fale v2) Lary etre. 
 Over the horizon the sky is rose-pink and yellow Avhere sun- 
 set hues have not been closed out by rapidly | De sonchine 
 dark gray clouds that threaten evening rain and have already 
 moistened a landscape of fields and trees. In the foreground 
 
 | a rushing blue brook is whitened by reflections of the 
 
 | diminishing light. 
 
 UNKNOWN 
 
 344—IN A SHELTERED RIVER 
 6. O.< Height, 7 inches; eg 10 inches , () 
 
 ay eee a mM / pel LG. 
 Silvery-gray ona light gray day, a placid str ean resembling 
 narrower parts of the Hudson among the Highlands passes 
 between rounded bluffs of wild, indefinite surface, and splits 
 about a double-tree that stands in the immediate foreground. 
 In the distance a single boat with tall white sails moves 
 serenely on the gray mirror surface. 
 
 UNKNOWN 
 345—MARINE 
 
 tad Height, 7 inches; length, 10 aed 
 / QQ, Qh rg te 
 A sketch of the blue sea, darkening in the distance, the 
 foreground a mottled expanse of blue-gray reflections mingled 
 with white and faint orange, under an after-sunset sky who 
 gray and white clouds retain faint rose and yellow tinges. 
 
FOSTER MUNRO — 
 AMERICAN le 
 
 346—LANDSCAPE — 
 
 (Oval) | | 4 
 
 ‘ 
 
 / / oe Height, 8, inches; width, 5%, es lon trchle 4 
 
 A sketch of slender trees at either side, and a wild fore- 
 ground of colorful vegetation on a sloping bank between 
 them. Beyond are fields, and in the distance green-blue hills. 
 
 Signed at the lower right, Foster Munro. 
 
 UNKNOWN 
 347—LANDSCAPE WITH FIGURE 
 [ pia Height, 934 inches; width, 6%, inches , | / 
 
 A narrow farm road cuts acrosseArite amongst hills and 
 passes a group of slender trees with light foliage. In the 
 foreground, in subdued sunlight, a young woman in a red 
 waist and blue skirt is seen at the gray roadside. 
 
 UNKNOWN 
 
 348—LANDSCAPE 
 oe Height, 7 inches; length, 10 inches 
 
 Ca “ ee 
 Shadows of summer storm-clouds gather ‘over the landscape 
 and the vaporous visitors have turned the sky gray, save 
 straight ahead where banks of white cloud in dense mass 
 fail as yet to be obscured. A river coming through the 
 center of the picture is white with their reflections and mir- 
 rors the forms of trees near its banks. 
 
UNKNOWN 
 
 349—THE WATERFALL 
 
 go Height, 7 inches; length,'10 inches ; : 
 a : ; Vel 
 A blue lake cradled among round-topped hills oy/mountains 
 lies under a gray sky filled with clouds. In the middle 
 distance gray rocks of its hither shore open and its waters 
 emerge in a low cascade to an outlet-brook whose banks 
 in the foreground are bordered by wildflowers. 
 
 FOSTER MUNRO 
 
 AMERICAN 
 
 350—LANDSCAPE 
 
 Height, 8 inches; length, res 
 
 2. a oe xe es WA 
 
 : OO Wee Ze \: 
 A narrow gray river threads a landscape of green fields 
 and low hills. In the foreground is a bank of wild grasses, 
 and beyond a line of dark trees along a fence, entering from 
 the left, are sunlit acres extending down to the water, on 
 which are perceived distant sail. 
 
 Signed at the lower left, Foster Munro. 
 
 vas ae re SO Ae P Lanrdarre os Vp 3 Me uiges 
 
Cc. D. S. (UNKNOWN) 
 
 351—A PORTRAIT 
 
 (Oval) 
 
 / gO Height, 13%, mea VW y 
 
 A young woman with brown hair, pink cheeks and a ready 
 
 smile, in the dress of the ’60’s, is standing at a portfolio of 
 
 engravings in a room with gray walls and flowered carpet. 
 
 She wears a dark waist, lace-trimmed and embroidered, and 
 
 a bright blue skirt, and is seen at full length, figure facing 
 _ the left and head turned to look benignly at the beholder. 
 
 Signed at the lower left, C. D. S., Apr. ’61. 
 
 GEORGE H. BOUGHTON, R.A., N.A. 
 AMERICAN: 1834—1905 
 
 352—WINTER 
 re Height, 1434 inches; width, 11%, inches 
 , Cer Gore MOoweey 
 
 Flat fields wear a thin carpet of snow, through which sgrag- 
 gly weeds and bushes shoot their withered stems. Scattered 
 about the landscape are patches of leafless woods or de- 
 tached trees, in the distance is a building, and in the fore- 
 ground a heavy scow-like rowboat lies on the low bank of 
 
 a shallow and partly frozen stream. 
 Signed at the lower right. 
 
UNKNOWN 
 
 3853—AUTUMN LANDSCAPE 
 
 Ws 4- oe Height, 16 haga as ges Lt 
 
 Woods in autumn colors surround a corner of a lake or pond, 
 the trees growing to the water’s edge amid huge mossy 
 boulders. There is a glimpse of blue sky with gray clouds, 
 and in the water are varicolored reflections. 
 
 UNKNOWN 
 
 354—THE INUNDATION 
 
 Diameter, 19 inc Y eran ; 
 Pon mL tax 
 
 Four brown and white shaggy-haired dogs, parent(and three 
 puppies, are being borne away by a flood which has swept 
 their house with it. ‘The old dog, chained to the structure, 
 howls helplessly, and one pup is in the water swimming. In 
 the distance appear buildings partly submerged and two 
 persons in a. boat. 
 
 DUTCH SCHOOL 
 Asour 1850 
 
 , (Copy after Jan Van Ravesteyn) 
 
 355—DUTCH LADY WITH RUFF . 
 5 ped Height, 2134 inches; width, 17}, inches 
 
 A woman of the Low Countries, with hardy complexion and 
 alert eyes, is portrayed head and shoulders, facing the left, 
 three-quarters front. She is gowned in black velvet bro- 
 cade, wears a deep, fluted white ruff, and her brown hair done 
 in wide-expanding puffs about her ears is edged with white 
 lace in the fan-shaped headdress of her period. 
 
SPANISH SCHOOL 
 SIXTEENTH CENTURY 
 
 356—PHILIP II 
 (Panel) 
 
 Dh A oo Height, 22%, Mg inches a ff 
 
 ete S 
 
 The Spanish king is pictured at half-length, facing the right, 
 three-quarters front. He has the protruding chin of the 
 ancient. ruling family, thin blond mustache and light beard 
 of the “Van Dyck” trim, and he wears rich, fur-trimmed 
 black robes and a high cylindrical cap tilted well back. His 
 white ruff is short but deep, with spiral fluting. 
 
 At the upper right is an inscription, awa’ legible, as follows: 
 Philippus ilia .. . 
 Filius, Hispan .... 
 Indiarum, nea . . 
 Ao. 1586. Aetatis’s 2)... 
 
 ENGLISH SCHOOL 
 1840—1860 
 
 357—BRIGANDAGE 
 
 0° Height, 2334 inches; width, 274% inches ) 
 
 In a cave or recess of a mountainous country a traveler, 
 who looks more or less like a gipsy, with his wife, daughter 
 and infant, has been held up by a romantically costumed 
 band, most of whom are reveling in the shadows while one 
 stands guard. ‘The travelers look dejected and the daughter 
 crouches behind her mother. In the distance armed men 
 are seen coming in haste down a defile which is screened from 
 the sight of those in the grotto. 
 
oO =— 
 
 / 
 
 4 
 
 AARON D. SHATTUCK, N.A. 
 
 AMERICAN: CONTEMPORARY 
 
 358—_LANDSCAPE—THE SUNLIT VALLEY 
 
 Height, 24 inches; length, 36 inches 
 
 ) 
 Broad, flat, green and generously wooded, ~ d by a 
 meandering stream, a valley between broken hills and a chain 
 of rugged mountains lies in the sunlight, mainly under a 
 bright sky, the foreground in partial shadow of somber 
 clouds amid which the sun is “drawing water.” On a bank 
 of the foreground are numerous sheep. 
 
 FRENCH SCHOOL 
 Axsovutr 1800 
 
 359—A YOUTH IN UNIFORM 
 
 Z jo Height, 25 inches; width, ge Ce 
 QV 
 
 Half-length figure of a brown-haired young man with blu 
 eyes and pink cheeks, whose fuzzy mustache and short side- 
 burns are beginning to be noticeable. He faces slightly 
 toward the left and looks at the spectator with the sugges- 
 tion of a characteristic or habitual smile, and wears a dark 
 uniform, green-trimmed, and with silver epaulettes, cords and 
 tassels. 
 
 MWehlAnr 
 
FRENCH SCHOOL — 
 
 NINETEENTH CENTURY 
 
 360—PORTRAIT OF A LADY 
 
 Height, 26 inches; width, 20 inches 
 
 ope 
 
 Standing and facing front, with hands clasped at her waist, 
 a lady with high forehead and red cheeks is seen beneath 
 dull red draperies against a neutral ground. Her costume 
 discloses a mingling of colors, she wears a deep ruff of 
 sinuous fluting and a lace headdress with spangles or jewels. 
 At the upper left is an armorial device with “Attatis sua 
 30; anno 1646.” | 
 
 UNKNOWN 
 Axsout 1840 
 
 361—PORTRAIT OF THOMAS JEFFERSON (? ) 
 
 vy, ie Height, 26 inches; width, 21 inches” 
 
 Head and shoulders portrait of a middle-aged mah with a 
 carefully curled white wig, white stock, and dark goat with 
 high collar. He is clean-shaven after the fashion of his 
 day, and has placid blue eyes and a firmly pursed mouth. 
 Brown background. 
 
 By order of Administrator. 
 
 i eee ee 3 
 
A MODERN COPY OF FLEMISH SCHOOL 
 
 362—A BURGOMASTER 
 
 | / 4 Ce. Height, 27 ae width, 21% inches oo: &y x 
 of AA Lier AKI 
 
 With head held erect and dignified aspect, a/white-ruffed 
 man is depicted at half-length, turned to the/right, three- 
 quarters front. He wears a long gold chain from which 
 a medal is suspended, and the jeweled hand of another per- 
 son appears in the picture, reaching up gently as though 
 to touch the chain and present a folded petition or letter, 
 while the sitter looks studiously away in the direction of the 
 spectator. | 
 
 THOMAS DOUGHTY 
 AMERICAN: 1793—1856 
 
 363—HARBOR HILLS 
 
 9 pe eek Height, 26 inches; length, 36 pee 
 CV 
 Round-topped hills guard the entrance to a circular hapbor 
 or inlet which indents a low and undulating country from a 
 distant sea. Woods, green fields and gray and rusty rocks 
 vary the land, and the water of the harbor and the open 
 beyond is dotted with white sail. The whole has a Massa- 
 chusetts semblance. 
 
 Signed at the lower right, T. Dovcury, 1834. 
 
J. HOPE 
 
 AMERICAN 
 
 364—CASTLETON LAKE FROM WALLACE CLIFF, 
 RUTLAND, VERMONT 
 
 ae Height, 2934 inches; length, 40 inches 
 Ae as Far he f- Veblen 
 
 A part of a silver-gray lake, with meandering shores and a 
 wooded island, is revealed in the center of a varied land- 
 scape of hill and valley, wood and field, and gray, inhos- 
 pitable cliffs, the woods green, the undulating fields a lighter 
 green and yellow in a kindly sunlight. - Over the crest of 
 gray, foreground rocks, figures are seen sauntering near 
 a winding brook. | 
 
 Signed at the lower left, J. Horr, prnx., 1857. 
 
 ENGLISH SCHOOL 
 Axsout 1800 
 
 365—PORTRAIT OF KING GEORGE II 
 (A companion to No. 366) 
 
 50 
 / Height, 31 inches; width, 25 inches 
 
 Head and shoulders Bee of vhe King in ermine robes 
 and wearing an order suspended across his breast. He is 
 a portly man with smooth face and warm complexion, and 
 faces front with head turned slightly to his left. His wig 
 is white, curling up at the ears. He wears a white stock 
 and his garb beneath the ermine is a Pe and 
 brown. 
 
ENGLISH SCHOOL 
 Axsout 1800 
 
 366—PORTRAIT OF THE QUEEN OF GEORGE II 
 
 (A pendant to the foregoing) 
 
 6 7 so » Height, 30 inches; width, 24_jinches 
 ge — VY ( or-te__ 
 
 Against a neutral ground of olive hue, the Queen, a smiling 
 lady with an abundant wig of powdered curls, is shown head 
 and bust, facing forward with head turned to her right. 
 Her robin’s-egg blue bodice is lace-trimmed and adorned 
 with pearls, over it she has a cloak of pinkish-brown lined 
 with ermine, and she wears pearls about her neck, at her 
 ears and in her hair, and also a tiara of diamond stars. 
 
 FRENCH SCHOOL 
 
 NINETEENTH CENTURY 
 
 367—PORTRAIT OF A YOUNG WOMAN 
 
 Height, 301, inches; width, 24 inches 
 
 ba VY NO v2 f 
 Ife f. 0 RAZEman 
 
 Half-length portrait of a young woman in a High? Sting 
 rose-colored bodice, décolleté, trimmed in blue and with lace 
 flowing sleeves, who wears at the corsage a bouquet of pink 
 roses and lilies of the valley. Pearls adorn her ears and 
 nut-brown hair, and she wears a shallow and rakish hat of 
 plaited straw, the brim faced in rose-red. Olive and brown 
 background. 
 
FRENCH SCHOOL 
 
 368—PORTRAIT OF A MAN IN ARMOR 
 rae eee Height, 31 inches; width, inches a, 
 DPSVA ’ 
 A man with high forehead and bulbous features appears at 
 half-length, turned to the right and facing front, wearing 
 bright plate armor with golden ornamentation, under gor- 
 geous robes of blue, rose and yellow, ermine-lined. 
 
 FRENCH SCHOOL 
 
 EIGHTEENTH CENTURY 
 
 369—PORTRAIT OF A COURT LADY 
 
 oe atu Height, 313/, inches; width, 0 inches 
 IAAL ; 
 
 Young, with gray wig and long curls, a large-eyed beauty of 
 the days of powder is pictured at half-length in a décolleté 
 waist of gray figured damask, over which is thrown a rich 
 red cloak lined with pale gray-blue. 
 
 MODERN COPY OF SPANISH SCHOOL 
 
 870—PORTRAIT OF A LADY IN HIGH HEADDRESS 
 
 Poy ¥ Height, 32 inches; width, 244% inches wth 
 4 SS / i 
 
 Three-quarter length portrait of a woman in a black velvet 
 gown, with an elaborate lace collar, jeweled necklace, and 
 an enormous headdress of conical build, holding in her ; 
 hands a clasped prayer-book or album. 
 
ow © hl 
 oe < 
 ej 
 
 cx) Height, 3334, inches; width, /201 inches // 
 BPS e g ) Bs 
 
 UNKNOWN MODERN COPY 
 
 S7T1_FEMALE PORTRAIT 
 
 3 ee ee 32 inches; width, 2434 inches 
 Wyn «Wee 
 
 Three-quarter length figure of a young woman of Spanish 
 or Italian aspect, in a black brocade dress with golden- 
 yellow stomacher, and revers with golden and floral em- 
 broidery. She has powdered hair and a cap in agreement 
 with the revers, and faces the onlooker, holding a green- 
 
 bound book. 
 
 FRENCH SCHOOL 
 
 EIGHTEENTH CENTURY 
 
 872—PORTRAIT OF A NOBLEMAN 
 1 A is meet Height, 32 inches; cea inches 
 
 ee 
 Half-length figure of a young man with large blue ey¢s ; and 
 pink cheeks, wearing a gray wig, and clad in a gold-em- 
 broidered scarlet coat over rich blue and black apparel 
 with more embroidered ornamentation. 
 
 ENGLISH SCHOOL 
 
 EIGHTEENTH CENTURY 
 
 373—PORTRAIT OF A MAN WITH SNUFFBOX 
 
 With an affable smile of anticipatory pleasure a large man 
 of ripe years has just dipped into his open snuftbox and 
 holds his hand with the “pinch” poised before his breast, 
 as he looks contemplatively and serenely toward the ob- 
 server. He is seated, seen at three-quarter length, with left 
 arm resting on a small table. He wears a waistcoat of black 
 velvet and a.gray-blue coat. 
 
UNKNOWN MODERN COPY 
 
 374—PORTRAIT OF A LADY 
 (Panel) 
 
 g yy aoe Height, 341/, inches; width, 241, inches 
 
 A dignified woman in youthful maturity, with reddish-blond 
 hair, stands facing the spectator, her head turned a little 
 toward her right shoulder; she is seen at three-quarter 
 length. Her black gown has fore-sleeves of reddish-brown 
 brocade, and she wears a headdress and high lace collar of 
 pre-Elizabethan suggestion. Her jeweled hands are folded 
 over her waist and she has a long linked necklace. At the 
 top of the panel at either hand are coats-of-arms. 
 
 A MODERN COPY OF OLD SPANISH SCHOOL 
 
 375—PORTRAIT OF A YOUNG WOMAN 
 
 / &U Height, 341, inches; width, 27 inches i, 
 aK 
 
 Seated and appearing at three-quarter length, turned toward 
 the left but facing the spectator is a yellow-haired and pink- 
 cheeked young woman with a yellow metal Dutch headdress, 
 and gowned in red, yellow, white and green of Spanish 
 luxuriance. 
 
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ENGLISH SCHOOL 
 
 EIGHTEENTH CENTURY 
 
 376—A LADY IN GRAY AND BLACK 
 
 ra Height, 34 inches; width, pore ae 
 Stout and genial, past her youth but perennially merry, a 
 blond matron in a gray brocade waist with elbow sleeves and 
 , black satin skirt is seated, seen at three-quarter length, ob- 
 | serving the beholder steadily with her happy, quizzical smile. 
 She wears a white embroidered kerchief about her shoulders 
 and an ornate gray mob cap trimmed with white lace, and 
 clasps a small leather-bound gilt-edged volume. 
 
 CZ 
 
 FLEMISH SCHOOL 
 
 EaGHTEENTH CENTURY 
 
 3877—_MALE PORTRAIT 
 (Panel) 
 
 G Y a Height, 354% inches; width, 49 ohes / 
 Three-quarter length portrait of a tall, lean man with large 
 blue eyes and sandy hair, mustache and beard, directly 
 painted. He is standing turned somewhat toward the right 
 before a low table and faces front, red-lined tan gloves in 
 one hand resting on his hip, the other hand holding his 
 sword. His apparel is black and he wears a large ruff with 
 flowing folds. In the upper corners of the panel are armorial 
 bearings; at the lower right is painted: “Attatis sue 33.” 
 
A. R. VERON 
 
 FrenNcH 
 
 318—LE CHATEAU DU NID DE L’AIGLE, FON- ~ 
 T AINEBLEAU . a a 
 
 eae Height, 311, inches; length, 46 inches on ee 
 
 oe (OL vee ae 
 On the left and in the foreground is a broad plain, thickly __ 
 grown with rich grass and wild field flowers, now sharing in 
 autumn colors with the tall thick trees of the forest on the __ 
 right. On the plain are many cattle of different colors, — 
 mainly seen along the edge of the wood, and near the fore 
 ground are their peasant attendants. , ; 
 
 Signed at bottom, to right of center, A. R. Veron, 1856. 
 
 On the stretcher is written, “Fontainebleau, October, 1856; le Chateau — 
 du nid de Vaigle”; and records that the painting was shown at the Paris 
 Exposition of 1857 and the Rouen Exposition of 1859, and that it re- 
 ceived silver medals. 
 
 “EARLY FRENCH SCHOOL 
 (A Modern Copy) 
 
 379—PORTRAIT OF A PRINCESS 
 
 Height, 35 inches; width, 245, inches 
 
 Une dame trés chic, with long-pointed tight bodice and 
 narrow waist, décolleté, and with a bright blue bow at her 
 throat clasped with a red brooch, is depicted at three-quarter 
 length, facing the observer. Her richly worked and jeweled 
 gown is of lace over rose-pink, and she wears a scarlet cloak 
 with coronets embroidered in gold and ermine lining. Her 
 curled and powdered wig is decked with flower sprays. 
 
 nd 
 ji Rest 
 La aes 
 
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 FLEMISH SCHOOL 
 
 EIGHTEENTH CENTURY 
 
 3880—PORTRAIT OF A NOBLEMAN WITH SWORD 
 
 (Panel) 
 
 rode Y eee Height, 39 inches; width, 35 ae oe 
 
 A haughty young man with cold, immobile but. sensuous face 
 stands with one hand on his hip, the other resting on an 
 olive-colored table, and is seen at three-quarter length. He 
 wears an elaborate corselet, a Medicean ruff and a dark 
 shoulder cape, and pearl-drop earrings, the hilt of his sword 
 appearing below his cape. Dark olive background and in 
 the upper left corner a coat-of-arms. 
 
 LOUIS R. MIGNOT, N.A. 
 
 1831—1870 
 
 } . 
 381—LANDSCAPE 
 
 Height 36 inches; length, 493/, inches 
 SO ’ 
 Sa oe Veale 
 
 A castellated fortress on a tall brown cliff at the left com- 
 mands a broad valley of diversified surface. Red-brown and 
 gray and yellow clouds lie along the horizon, and higher up 
 in a sky paling in a yellowish-green light. 
 
EMIL FINKERBAGH 
 
 Earty AMERICAN 
 
 382—MOONLIGHT RIVER VIEW 
 
 Be Height, 3934 inches; length, 52 inches 
 a WN. Ng 
 Along the foreground and on the right a broad river is dark 
 green, with various light reflections. Its farther shore is 
 partly wooded, incomplete buildings appear there, and boats 
 below them on which are figures. In the distance a town 
 is seen and the full moon is coming up over the hills, golden- 
 yellow in a blue sky with many clouds overhead. : 
 
 Signed at the lower right, Emi, Finxersacu, New York, 1853. : 
 
 UNKNOWN 
 383—RAPIDS 
 
 . y wy, 3C Height, 38 inches; length, 62 inches : 
 nee : VA ee 
 A broad river, very likely the St. Lawrence, rushes on its 
 course in foaming rapids which almost fill the picture. On 
 the shore at the left are high American frame buildings, and 
 toward the right are numerous small islands covered thickly 
 with trees. Pale blue sky with gray and white cloud billows. 
 
 Signed at the lower right. 
 
ATTRIBUTED TO BRONZINO 
 
 3884—A FAMILY GROUP 
 
 Height, 45 inches; width, 401, inches 
 ef ee oe Spi Ire p> 
 Standing in dignity of paternal pride and station, a full- 
 bearded man of the South European nobility is portrayed 
 between his two bright-faced small sons, one of them stand- 
 ing, one seated at a table with olive-covering on which a 
 pet dog squats on its haunches. All three are in brocades 
 and wear ornate lace collars and cuffs, and finger-rings. 
 Warm, subdued tones; neutral background. (Canvas split.) 
 
 UNKNOWN 
 385—-LANDSCAPE 
 
 je Height, 40 inches; length, 5134 inches - + 
 os Vy Vr LLCGED, 
 A broad valley is pictured among forbidding mountains, a 
 stream winding an irregular way through it and in the fore- 
 ground passing down a slight fall. On the right a man and 
 a woman seated on the grass, with a red sun umbrella, are 
 conversing, and ahead of them cattle wander in the sun- 
 shine toward gray and brown buildings which stand in the 
 
 shelter of a group of tall conifers. 
 
F. N. BREDT 
 
 GERMAN 
 
 386—DREAM OF THE SOUTHLAND 
 
 aye Height, 46 inches; lengthy 63%, inche 
 SS ne Ve 
 
 In a sunny sunken garden where venerable cypresses gyOw, 
 and shrubs and vines blossom in purple and yellow, a lan- 
 guorous beauty reposes in seductive attitude on a violet 
 cushion, a dark-eyed musical sister seated on a well-curb- 
 beside her. <A black-skinned servant is fetching coffee, and 
 on a terrace near a low gray building with green tiled roof 
 other embodiments of fair frailty are seen against a palm 
 tree. 
 
 Signed at the lower left, F. N. Brenpz, MuncuHen. 
 
 MODERN COPY AFTER GUIDO RENI 
 
 387—_THE NATIVITY 
 
 ge Height, 56 inches; width, 3334, inches ~ 
 
 The Child, lying nude on a white blanket over His bed of 
 straw, is surrounded by shepherds in marveling adoration, 
 their faces illumined by the brilliant light radiating from 
 His lowly cradle. Their cloaks are brown, yellow, lavender 
 and red. The Virgin, in rose-pink and blue-green, as a simple 
 peasant maiden, raises the corners of the cradle-blanket and 
 shares in the adoring tribute. Overhead, cherubim flutter. 
 
FLEMISH SCHOOL 
 Axsout 1560 
 
 3$88—LIFE-SIZE MALE PORTRAIT 
 
 ee Height, 75 inches; Ne His £4 
 
 Full-length portrait of a brown-haired young ma 
 aquiline nose and the shadow of a mustache, mild blue eyes 
 and sharp-oval face, standing and facing the right, three- 
 quarters front. He is in a sixteenth-century gray silk-bro- 
 cade costume, with fluffy lace ruff, white stockings and 
 slashed shoes, and he holds gloves and hat, while a dark 
 cloak hangs carelessly on one shoulder. At the upper left 
 is a coat-of-arms. Dark neutral background. 
 
 FLEMISH SCHOOL 
 
 SEVENTEENTH CENTURY 
 
 3889—LORD ST. MAUR AS A CRUSADER 
 
 Z ye Height, 791% inches; width, 42 inches " 2 
 
 Full-length, life-size portrait of a serious man, in chain and / 
 plate armor, helmet with vizor raised, wearing his spurs and | 
 carrying the crusader’s sword. Over his armor is a rich 
 olive-green cloak, ermine-lined. He faces somewhat toward 
 the right and looks thoughtfully downward. Neutral back- 
 
 ground of olive tones. 
 
 AMERICAN ART ASSOCIATION, 
 
 MANAGERS. 
 THOMAS E. KIRBY, 
 
 AUCTIONEER. 
 
SEARCH INSTITUT 
 
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