1922 Mar.15 | NeAmW | ENGLISH AND FRENCH LITERATURE “ LIBRARY SETS AND FIRST EDITIONS ART AND COLORED PLATE BOOKS INCLUDING THE EXTENSIVE COLLECTION OF CRUIKSHANKIANA FORMED BY THE LATE MR. JOHN P. WOODBURY MEMBER OF THE CLUB OF ODD VOLUMES, BOSTON, MASS, AND OF THE GROLIER CLUB OF NEW YORK CITY ge Fo TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON WEDNESDAY EVENING, AND THURSDAY AFTERNOON AND EVENING, MARCH I 5TH AND I OTH, I Q2 2 " | | UNDER THE MANAGEMENT OF THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK CITY * fe es f re ano See owe ae ie - -& eas, “4 aN THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY ON PUBLIC EXHIBITION AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK ENTRANCE, 6 EAST 23RD STREET BEGINNING MONDAY, MARCH I 3TH, 1922 AND CONTINUING UNTIL THE TIME OF SALE ENGLISH AND FRENCH LITERATURE INCLUDING THE EXTENSIVE COLLECTION OF CRUIKSHANKIANA, FORMED BY THE LATE MR. JOHN P. WOODBURY OF BOSTON, MASS. MEMBER OF THE CLUB OF ODD VOLUMES, BOSTON AND OF THE GROLIER CLUB OF NEW YORK CITY TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF OWNERS HEREINAFTER DESIGNATED ON WEDNESDAY EVENING, AND THURSDAY AFTERNOON AND EVENING, MARCH I 5TH AND LOTH, 1922 AT 8:15 IN THE EVENINGS AND 2:30 IN THE AFTERNOON AT THE AMERICAN ART GALLERIES WILLIAM MUDFORD itle-Page ile of T 202] m1 Reduced Facs [No ILLUSTRATED CATALOGUE OF AG LIBRARY SETS AND FIRST EDITIONS ART AND COLORED PLATE BOOKS INCLUDING THE EXTENSIVE COLLECTION OF CRUIKSHANKIANA FORMED BY THE LATE MR. JOHN P. WOODBURY MEMBER OF THE CLUB OF ODD VOLUMES, BOSTON, MASS, iat AND OF THE GROLIER CLUB OF NEW YORK CITY TO BE SOLD WITHOUT RESERVE OR RESTRICTION BY ORDER OF OWNERS HEREINAFTER DESIGNATED ON WEDNESDAY EVENING, AND THURSDAY AFTERNOON AND EVENING, MARCH I §TH AND 16TH AT 8:15 IN THE EVENINGS AND 2:30 IN THE AFTERNOON THE SALE TO BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF THE AMERICAN ART ASSOCIATION, MANAGERs 4 ; NEW YORK CITY PY gene 1922 nf Le ‘ — | ay STATEMENT OF OWNERSHIP An Extensive Collection of First Editions of George, Robert, Isaac, and Percy Cruikshank, together with an unusual Collection of Illustrated American and English Annuals, collected by the late Mr. JOHN P. WOODBURY, of Boston, Mass., and sold by order of his son, Mr. John Woodbury of Boston, Mass., are herein catalogued under items, Numbers,—27 to 94 inclusive, 142, 164, 184 to 540 inclusive, 664, 707, 871, and 872. Literary Property from the Estate of the late Mr. HERBERT GRESHAM of Mt. Vernon, N. Y., is herein catalogued under items, Numbers,—1, 13, 95, 105, 177, 181, 542, 545, 565, 569, 608, 611, 633, 675, 689, 706, 716, 734, 745, 756, 758, 781, 875, 885, and 937. Literary Property from the Estate of the late Mrs. JOSEPHINE BROOKS, sold by order of Mr. Marshal Stearns, attorney, of the firm of Duer, Strong & Whitehead, New York City, is herein catalogued under items, Numbers,—19, 126, 120, I4I, 149, 170, 598, 693, fate 719, 736, 746, 769, 774; 787; 799; 813, 814, 821, 836, 874, 900, 911, 912, and 921. A Consignment of Literary Property, sold by order of Mr. J. GUNNING, of New York City, acting in behalf of an English Consignor, is herein catalogued Wace, mens, Numbers,—o, 11, 12, 18, 20, 25, 26, 98, 118, 128, 130, 131, 134, 135, 136, 138, 140, 146, 147, 148, 151, 154, 155, 156, 160, 168, 541, 557, 558, 571, 575; 576, 580, 581, 582, 585, 589, 591, 594, 595, 596, 597, 603, 604, 610, 614, 615, 616, 627, 629, 632, 637, 638, 640, 641, 642, 647, 650, 651, 654, 658, 660, 661, 662, 677, 680, 681, 684, 687, 697, 699, 700, 701, 705, 708, 709, 710, 711, 712, 713, 714, 715, 720, 724, 727; 739; 731; 732; 739; 741, 749; L515 760, 761, 762, 767, FTO, 779; OSn 785, 786, 793, 803, 804, 808, 811, 823, 824, 825, 826, 827, 828, 829, 831, 837, 841, 844, 849, 854, 856, 859, 860, 861, 873, 876, 878, 881, 882, 887, 888, 889, 891, 892, 893, 897, 899, 905, 909, 913, 915, 916, 917, 919, 920, 922, 926, 933, 935, 940, 943, 944, 949, 950, and 953. A Consignment of Literary Property from Miss ELEANOR FITZGIBBON of Laurel, Md., sold by her order, is herein catalogued under items, Numbers,— 562, 628, 877, 896, 948, 954, 955, 956, 957, 958, and 959. The Property of a NEW YORK LADY, is herein catalogued under items, Numbers,—6, 23, 123, 593, 606, 619, 656, 673, 755, 765, 780, 794, 802, and 853. A Collection of Fine Art Books, the property of a LONG ISLAND GENTLE- MAN, sold by his order, is herein catalogued under items, Numbers,—16, 24, 96, 101, 125, 162, 171, 173, 174, 175, 176, 179, 584, 599, 617, 618, 625, 631, 635, 636, 644, 659, 666, 672, 678, 721, 725, 742, 747, 748, 750, 751, 752, 754, 764, 772, 782, 790, 795, 796, 797, 798, 800, 805, 809, 815, 816, 819, 838, 840, 843, 850, 855, 880, 886, 890, 904, 906, 908, 923, 925, 927, 928, 929, 931, and 951. The Property of a LADY formerly of New York City, is herein catalogued under items, Numbers,—674, 696, 789, and 807. The Property of a NEW YORK LADY, sold by her order, is herein catalogued under item, Number,—682. A Consignment of Books from Mr. ALBERT BERTHEL of London, England, sold by his order, is herein catalogued under items, Numbers,—17, 106, 119, 121, me 158, 548, 570, 583, 601, 602, 623, 679, 726, 768, 845, 846, 857, 934, 936, 946, and 947. The Property of a NEW YORK GENTLEMAN, sold by his order is herein catalogued under items, Numbers,—120, 612, 667, and 694. An Extensive Collection of English and French Literature, sold by order of an undisclosed agent, is herein catalogued under items, Numbers,—2, 3, 4, 5, 7, 8, 10, 14, 15, 21, 22, 97, 99, 100, 102, 103, 104, 107, 108, 100, 110,)Dit-snt 2a eee £15; 116, Il]; 122, 124, 127, 132, 133, 137; 139, 143, 144, 145, 150, 152, 153, 159, I6I, 163, 165, 166, 167, 169, 172, 178, 180, 182, 183, 543, 544, 546, 547, 549, 550, 551, 552, 553, 554, 555, 556, 559, 560, 561, 563, 564, 566, 567, 568, 572, 573, 574, SAE 578, 579, 586, 587, 588, 590, 592; 600, 605, 607, 609, 613, 620, 621, 622, 624, 626, 630, 634, 639, 643, 645, 646, 648, 649, 652, 653, 655, 657, 663, 665, 668, 669, 670, 671; 676, 683, 685, 686, 688, 690, 691, 692, 695, 698, 702, 703, 704, 717, 722, 723, 728, 729, 733) 735: 737) 739 740; 743, 744: 753; 759) 703s 700; fr fee 715) 776, Tits 784, 788, 791, 792, 8ol, 806, 810, Siro S17, 818, 820, 822, 830, 832, 833, 834, 835, 839, 842, 847, 848, 851, 852, 858, 862, 863, 864, 865, 866, 867, 868, 869, 870, 879, 883, 884, 894, 895, 898, 9OI, 902, 903, 907, 910, 914, 918, 924, 930, 932, 938, 939, 941, 942, 945, and 952. Conditions of Sale 1. Rejection of Bids. Any bid which is not commensurate with the value of the article offered or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or more bidders, the auctioneer shall either decide the same or put up for resale the lot so in dispute. 3. Identification and Part Payment by Buyer. The name of the buyer of each lot shall be given immediately on the sale thereof and when so required, each buyer shall sign a card giving the lot number, amount for which sold, and his or her name and address. Payment at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and resold. 4. Risk After Purchase. Title passes upon the fall of the auctioneer’s hammer and thereafter neither the consignor nor the Association is responsible for the loss or any damage to any article occasioned by theft, fire, breakage or any cause. 5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of the total amount due for all purchases at the sale. Deliveries will be made at the place of sale or at the storage warehouse to which purchases may have been removed. Deliveries at the American Art Galleries will be made only between the hours of nine a. m. and one p. m. on sales’ days and on other days—except holidays, when no deliveries will be made—between the hours of nine a. m. and five p. m. Deliveries at places of sale other than the American Art Galleries will be made only during the forenoon following the day of sale unless by special notice or arrangement to the contrary. Deliveries at the Storage warehouse to which goods may have been sent will be made on any day other than holidays between the hours of nine and five. Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the discretion of the auctioneer during the session of the sale at which they were sold. 6. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid for in full and either not called for by the purchaser or delivered upon his or her order by noon of the day following that of the sale will be turned over by the Association to some carter to be carried to and stored in some warehouse until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage will be charged against the purchaser and the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. Note: The limited space of the Delivery Rooms of the Association makes the above require- ments necessary, and it is not alone for the benefit of the Association, but also for that of its pa- trons, whose goods otherwise would have to be so crowded as to be subject to damage and loss. 7. Shipping. Boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 8. Guaranty. The Association exercises great care to catalogue every lot correctly and endeavors therein and also at the actual time of sale to point out any error, defect or imperfec- tion, but guaranty is not made either by the owner or the Association of the correctness of the description, genuineness, authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error of cataloguing or imperfection not noted or pointed out. Every lot is sold “as is” and without recourse. Every lot is on public exhibition one or more days prior to its sale, and the Association will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion of such expert, who thereby will become responsible for such damage as might result were his opinion without foundation. 9. Buying on Order. Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without charge or commission. Any purchases so made will be subject to the foregoing conditions of sale except that in the event of purchases consisting of one or more books for one who has not himself or through his agent been personally at the exhibition or sale, any book may be re- turned within ten days of the date of sale and will be refunded the purchase money therefore, if the book in any material manner differs from its catalogue description. Orders for execution by the Association should be written and given with such plainness as to leave no room for misunderstanding. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should be also stated. If the one transmitting the order is unknown to the Association, a deposit should be sent or reference submitted. Shipping directions should also be given. Priced copies of the catalogue of any sale or any session thereof, will be furnished by the Association at charges commensurate with the duties involved in copying the necessary information from the records of the Association. AMERICAN ART ASSOCIATION American Art Galleries Madison Square South New York City At THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK UNRESTRICTED PUBLIC SALE. OF LITERARY PROPERTY BY ORDER OF OWNERS HEREINBEFORE DESIGNATED INCLUDING THE EXTENSIVE COLLECTION OF CRUIKSHANKIANA FORMED BY THE LATE MR. JOHN P. WOODBURY OF BOSTON, MASS. First Session, Numbers 1 to 320, inclusive WEDNESDAY EVENING, MARCH 15th, AT 8:15 O’CLOCK 1. Abus CLassics: Comprising,—MAsTER FRANCIS RABELAIS. Completely Translated into English by Urquhart and Motteaux. 2 vols.; LA FONTAINE (JEAN DE). Tales and Novels. 2 vols.; MARGARET OF NAVARRE. The Hep- tameron of the Tales of Margaret Queen of Navarre. Newly translated from the authentic text, with an Essay upon the Heptameron by George Saintsbury. 2 vols.; ROUSSEAU (JEAN JACQUES). The Confessions of Jean Jacques Rousseau. ‘Now first completely translated into English. 2 vols.; Masuccio. The Novellino of Masuccio. Now first translated into English by W. G. Waters. 2 vols.; Boccaccio (G.). The Decameron of Giovanni Boccaccio. Now first completely done into English Prose and Verse, by John Payne. 2 vols. Full-page illustrations and title-pages on Japan paper. Together, 12 vols. 8vo, half crimson morocco, gilt panelled backs with floral designs, contents lettered, gilt tops, uncut, backs faded, corners and joints of some volumes rubbed. London: Privately Printed for Members of the Aldus Society, 1903 EDITION DE GRAND LUXE, limited to 250 numbered and registered copies, of which this is, No. 5. 2. ALKEN COLORED PLATES. [APPERLEY (C. J.).] The Life of a Sportsman. By . Nimrod. With 38 colored illustrations by Henry Alken. Royal 8vo, half red calf, gilt back, gilt edges. A few pages thumbed. London, 1874 Next to the original issue, this is the finest edition of this celebrated sporting book. The illustrations, while not to be compared with the original impressions, are nevertheless good. The four plates (as in the original issue) are as usual, mounted. 3. ALMANACS. Almanach des Dames, pour l’An 1823. Portraits and pretty views. 24mo, full contemporary morocco, gilt, gilt edges. Paris, 1823; KALEN- DARIO MANUAL y guia de Forasteros en Madrid . . . 1807. Portraits and maps. 24mo, full contemporary red morocco, gilt, gilt edges. No place, probably Madrid, 1807. Together, 2 vols. . Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 4. AMERICAN BroGrAPHy. The Biographical Dictionary of America. Brief Biographies of Authors, Editors, Jurists, Statesmen, etc. Editor-in-chief, Rossiter Johnson. Numerous portraits. 10 vols. thick royal 8vo, half red morocco, gilt, gilt tops. Boston, 1906 Limited to 350 copies. 5. AMERICAN SPORTSMAN’S LIBRARY. Edited by Caspar Whitney. Illustrated with photogravure plates on Japanese vellum paper, colored plates, portratts, views, woodcuts, etc. 16 vols. thick 8vo, half green morocco, gilt backs, gilt tops, uncut. New York: The Macmillan Company, 1904 etc. FINE AND COMPLETE SET of this celebrated series ON LARGE PAPER, of which only 100 sets were printed, this being, No. 39. Each volume was written by a specialist. CONTENTS The Big Game Fish of the United States, by C. F. Hodder; The American Thoroughbred, by C. E. Trevathan; The Sporting Dog, by J. C. Graham; Rowing and Track Athletics, by S. Crowther and A. Ruhl; Guns, Ammunition and Tackle, by Capt. A. W. Money etc.; The Trotting and the Racing Horse in America, by H. Busby; The Deer Family, by Theodore Roosevelt, etc.; Musk Ox, Bison, etc., by Casper Whitney, etc.; Salmon and the Trout, by Dean Sage, etc.; Driving and Riding, by E. L. Anderson; American Yachting, by W. P. Stevens; Big Game Fishes of the United States, by C. F. Holder; The Water Fowl Family, by L. C. Sanford, etc.; Photography for the Sportsman Naturalist, by L. W. Brownell; Lawn Tennis, by W. Maddren; Upland Game Birds, by E. Sandys, etc., and Bass, Pike, etc., by J. Henshall. 6. AMERICAN AND OTHER VIEWS, ETc. View of Brooklyn, A Scene from Trinity Church, New York. Lithograph by Smith Brothers, after the painting by J. W. Hill. Height, 29; length, 42 inches. New York, 1852; View of Albany, New York. Lithograph by Hatch, after J. W. Hill. Height, 29; length, 37 inches. New York, undated; View of New York. Jn colors. Height, 23; length, 38 inches. New York, 1902; and others. Together, 7 pieces. 7, ANCIENT MONARCHIES. RAWLINSON (GEORGE). The Five Great Monarchies of the Ancient Eastern World; or, the History, Geography, and Antiqui- ties of Assyria, Babylon, Media, and Persia. Wzth maps and illustrations. 3 vols. 8vo, full tree calf, gilt backs, neatly rebacked. London, 1871 Library Edition of this celebrated work. 8. ANGLO-SAxoNS, HIsTORIC AND ROMANTIC. Numerous illustrations, on Japan- ese vellum paper, some in color. 15 vols. 8vo, three-quarter violet crushed levant morocco, floral gilt backs, gilt tops, uncut. New York, 1900 BEAUTIFUL SET of the Republic Edition, limited to 100 numbered and registered copies, of which this is, No. 13. Comprises,—America, by Joel Cook, 6 vols.; England, by the same author, 5 vols.; Scotland, by M. H. Lansdale, 3 vols.; Ireland, by Charles Johnston, one volume. BOER ae 10. Il. JUe2 T2. 14. 15. First Session, Wednesday Evening, March 15th ANSTEY (CHRISTOPHER). The Poetical Works of the late Christopher Anstey, Esq. With Some Account of the Life and Writings of the Author, by his Son, John Anstey. First Epition. Portrait of the author on India paper, and engravings by Reading. 4to, mottled calf, narrow gilt borders on sides, full gilt panelled back, leather label, rebacked. London, 1808 ANTIQUITIES OF GREAT BRITAIN. STORER (JAMES) AND GREIG (J.). Anti- quarian and Topographical Cabinet, containing a Series of Elegant Views of the Most Interesting Objects of Curiosity in Great Britain. Accom- panied with Letter-Press Descriptions. With numerous engraved plates by J. Storer. 10 vols. 16mo, full green straight-grain morocco, gilt and blind tooling on sides, gilt panelled backs, contents lettered, gilt edges, edges of bindings rubbed. London, 1807-1811 ANTIQUE VASES. MILLIGEN (J. V.). Peintures, Antiques et Inédites de Vases Grecs. With 64 engraved outline plates. Folio, half brown morocco, gilt tops. Rome, 1813 RARE AND VALUABLE WORK ON THE ANTIQUITICES OF GREECE. ARABIAN Nicuts. The Thousand Nights and One Nights, commonly called, in England, The Arabian Nights’ Entertainments. A New Translation from the Arabic, with copious notes. By Edward William Lane. Edited by his Nephew, Edward Stanley Poole. A New Edition, from a copy annotated by the Translator. With numerous woodcuts. 3 vols. 8vo, half green morocco, gilt panelled backs, gilt tops, By BAYNTUN. London: John Murray, 1859 FINE SET. ARABIAN Nicuts. A Plain and Literal Translation of the Arabian Nights’ Entertainments, now entitled The Book of The Thousand Nights and a Night, with Introduction, Explanatory Notes on the Manners and Cus- toms of Moslem Men and a Terminal Essay upon the History of the Nights, by Richard F. Burton. 10 vols.; Supplemental Nights, with Notes Anthropological and Explanatory, by Richard F. Burton. 7 vols. Illus- trated with a series of 113 beautiful plates, remarque proofs on Japanese paper, by Letchford, Boulanger, Gerome, Lalauze, Batten, Gavarnt, Dubufe, and Beda; also a portrait of Burton. Together, 17 vols. royal 8vo, half red morocco, gilt backs, gilt tops, uncut. Printed by the Burton Club for Private Subscribers only, 1906 LIMITED EpDITION. No. 896 of 1000 sets printed. Verbatim reprint facsimile of the Original Edition. ARCHITECTURE. RUSKIN (JOHN). The Stones of Venice. Wath numerous illustrations drawn by the author. 3 vols. royal 8vo, original cloth, gilt, gilt tops, uncut. London: Smith, Elder, 1874 One of the best editions of this celebrated work. The end of the Preface reads: “I sign each with my own hand, certifying it as containing the best states of the old plates now procurable.” (Signed in the autograph of) John Ruskin. ARCHITECTURE. RUSKIN (JOHN). The Seven Lamps of Architecture. Wath illustrations, drawn by the author. Royal 8vo, half crimson morocco, gilt, gilt edges. Orpington, 1880 This edition contains a lengthy preface written specially for it, by the author. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 16. ARCHITECTURE. VIOLLET-LE-Duc (M.). Dictionnaire Raisonne de 1’Archi- tecture Francaise du XIe au XVIe Siécle. Etched portrait of the author by L. Massard, and numerous woodcuts in text of plans and architectural illus- trations. 10 vols. 8vo, half morocco, gilt tops, uncut, . Paris, 1858-1868 17. Ariosto (Lupovico). Orlando Furioso. With brilliant impressions of the numerous full-page plates by and after Fanbrini, Zuliant, Navell1, Zuliant, and others, also engraved head and tail pieces, portrait of Artosto, etc. 4 vols. royal 4to, contemporary full calf, gilt, bindings poor. In Venezia, 1772 An uncommon edition of this celebrated work. ' 18. Artosto (Lupovico). Orlando Furioso. Translated from the Italian . with Notes, by John Hoole. Wazth frontispieces to each volume by Bartolozz1, Heath, Anker Smith, and others. 5 vols. 8vo, full old autumn-leaf calf, blind tooled center ornaments on sides, gilt panelled backs, leather labels, skilfully and neatly rebacked with green calf. London, 1799 19. ARNOLD (MATTHEW). Poetical Works. London, 1890; SCHILLER (FRIEDRICH). Works. 4 vols. London, 1879-1881; SAINT-PIERRE (BERNARDIN DE). Paul et Virginie. Paris, 1890; BOHN (HENRY H.). Hand-Book of Proverbs. London, 1872; BULLSTRODE (H. T.—Editor). The Prevention of Disease. From the German. 2 vols. New York, 1893; METCHNIKOFF (ELIE). The Prolongation of Life. New York, 1908; [SCHERMERHORN (W. KELLOGG).| Renascent Christianity. New York, 1898; GREGORY (CASPAR RENE). Canon and Text of the New Testament. New York, 1907; MARSHALL (Emma). Lady Alice. New York, undated; OLIPHANT (Mrs.). A House in Bloomsbury. New York, 1894; CAMPBELL (Loomis J.). Webster’s Handy Dictionary. New York, 1877. Some illustrations. 8 vols. cloth, 5 vols. full tree calf, 2 vols. half calf. Together, 15 vols. 12mo, and 8vo, some uncut. 20. ARNOLD (THOMAS). Works. 5 vols. 8vo, full red morocco, double gilt fillet border on sides, gilt panelled backs, gilt edges. London, 1843-1845 CONTENTS History of Rome. 3 vols. 1843-1844. History of the later Roman Commonwealth. First EDITION. 2 vols. 1845. 21. ART AND LETTERS. An Illustrated Review. With a large number of full-page reproductions, some of which are in color. 8 vols. (Vols. 1 and 2, in 4 each), royal 4to, three-quarter old-rose crushed levant morocco, backs richly tooled, gilt tops, uncut, BY BLACKWELL. London and New York, 1888-1889 MAGNIFICENT SET OF THIS FINELY PRODUCED AND SHORT-LIVED ART PERIODICAL. The above comprises all that was ever issued. Produced in the highest form of artistic production, by Boussod, Valadon and Co., successors to Goupil, with the cooperation of Charles Scribner’s Sons of New York. ° 22. ARTISTS OF SPAIN. STIRLING (WILLIAM). Annals of the Artists of Spain. | Portraits and facsimiles. 3 vols. 8vo, full sage-green morocco, gilt, gilt edges, arms of an English earl on sides, BY WHITE. Light spots on some pages. London, 1848 THE RARE First EDITION of this celebrated work, with the colored title-pages, sometimes missing, First Session, Wednesday Evening, March 15th 23, Atuas. Rand, McNally & Co.’s New Standard Atlas of the World, containing Large Scale Maps of every Country and Civil Division upon the face of the Globe, together with Historical, Descriptive, and Statistical matter relative to each . . . Accompanied by a New and Original Compilation, forming a Ready Reference Index. With many double-page maps in colors, Large folio, cloth,” Chicago and New York, 1898 24. AUBERT (CHARLES F.). Le Littoral de la France. Deuxiéme Partie. Du Mont 25 Saint-Michel a Lorient. Extensively illustrated with woodcuts in text, and a few colored costume plates, from drawings by Henry Scott, Brun, Toussaint, and others, from Nature, and from sketches by Armand Paris, engraved by Rognon, Smeetan, Puyplat, and Bellenger. Imperial 8vo, half morocco, gilt back and top, uncut. Paris, 1885 . AUSTEN (JANE). Letters of Jane Austen. Edited with an Introduction and Critical Remarks by Edward, Lord Brabourne. First Epition. Portrait and view. 2 vols. 8vo, half blue morocco, gilt panelled backs, gilt tops, uncut, BY BAYNTUN. London: Richard Bentley & Son, 1884 26. AYTOUN (WILLIAM EDMONDSTOUNE). Lays of the Scottish Cavaliers and other Poems. Illustrations by Joseph N. Paton. Small 4to, full crushed French levant morocco, Janseneste, morocco inside border, with gilt fillets, corner ornaments in gilt: gilt edges, BY BAYNTUN. Edinburgh: William Blackwood and Son, 1885 AMERICAN, ENGLISH AND FRENCH ANNUALS 27. ANNUALS. Almanach des Spectacles. 1874 to 1877, inclusive. Etched por- traits by L. Gaucherel. 4 vols. 16mo, original wrappers, uncut. Paris, 1875-1878 THE LATE Mr. JOHN P. WoopBuRY OF Boston, MAss:, FORMED THE COLLECTION oF ANNUALS HEREIN CATALOGUED, UNDER THIS AND THE FOLLOWING 66 ITEMS, WITH THE PURPOSE OF PROCURING EXAMPLES OF THE FINE LINE-ENGRAVED WORK OF AMERICAN, ENGLISH AND FRENCH ENGRAVERS OF THE EARLY AND MIDDLE NINE- TEENTH CENTURY. Altho some of the bindings are worn, as is to be expected in works of this kind, the plates and text, with a few exceptions, are in fine condition, and in most cases free from the bad fox-marks and tears so often found in works of this character. On account of the general condition of the entire collection, and the exceptional interior state of the more important items, it has been assumed that the volumes are perfect as to plates and text. They are however sold as are, NOT SUBJECt TO RETURN. 28. ANNUALS. The Amaranth. Philadelphia, 1842: New York, 1850; Boston, 1852, 1853 (2 copies), [1854]; New York, [1864]. Engravings by Glover, Smuth, Pelton, and others. Together, 7 vols. I2mo, roan, bindings worn, a few pages spotted on margins, _ Various places and dates See Note to No. 27. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 29. ANNUALS. AMERICAN. The Annualette. Boston, 1840; The. Amaranth. Newburyport [1831]; The Casket. Boston, 1829; The Dahlia. New York, 1842; The Annual of the Board of Education. Philadelphia, 1832 and 1835 (2 copies) ; The Forget-Me-Not. New York [1845]; The Gift. Philadelphia, 1837; The Gem. Philadelphia, 1842; The Gift of Friendship. Philadelphia, 1840; The Hyacinth. Philadelphia, 1851 and 1854; The Juvenile Forget- Me-Not. NewYork, nodate. Steel plates by Durand and others. Together, 14 vols. 16mo, original roan or cloth, bindings rubbed, two worn, a few plates spotted, though generally above the average. See Note to No. 27. 30. ANNUALS. AMERICAN. Atlantic Souvenir. Philadelphia, 1831. Plate missing; The Amulet. Boston, 1846; Appletons’ Juvenile Annual. New York, 1869; The Biographical Annual. New York, 1841; The Boston Book. Boston, 1836; Budsand Blossoms for the Young. By Mrs. Hughs. Philadelphia, 1850; The Christmas Annual. Edited by Frances Brown. Cleveland, 1860; The Christian Keepsake. Boston, 1847; The Christian Souvenir. Auburn, 1851. Lacks plate; Christ’s Messengers. New York, 1847. Steel engravings and woodcuts. Together, 10 vols. I2mo, cloth and roan, some bindings worn or shaken. Interiorly most copies are above the average. See Note to No. 27. 31. ANNUALS. AMERICAN. The Christian Souvenir. Boston, 1843; The Dew- Drop. Philadelphia, 1852 and 1853; The Excelsior Annual. New York, 1849; The Forget-Me-Not. New York, 1848; Friendship’s Gift. Lynn, Mass., 1852; The Gift. Philadelphia, 1840; The Gem Annual. Philadel- phia, 1854; The Girls’ Parlor Scrap Book, 1839; The Christian Keepsake. Philadelphia, 1838; The Hawthorn. New York, 1845 (3 copies); The Irving Gift. Buffalo, 1853. The Keepsake. New York, 1845. Engraved plates and woodcuts. Together, 15 vols. 12mo, original roan, gilt, some bindings worn, interiorly, most of the copies above the average. See Note to No. 27. 32. ANNUALS. AMERICAN. The Evergreen. New York, 1850; The Flowers of Loveliness. Philadelphia, 1852; The Fountain. Philadelphia, 1847; Scenes in the Lives of the Patriarchs and Prophets. Philadelphia [1847]; The Literary Souvenir. Philadelphia, 1838; Ladies’ Casket. New York [1850]; The Ladies’ Wreath. New York, no date. Jllustrations by Sartain and others. Together, 7 vols. 8vo, original roan or cloth, gilt, bindings worn, plates in some vols. foxed, in others above the average. See Note to No. 27. 33. ANNUALS. AMERICAN. The Irving Offering. New York, 1852; The Literary Souvenir. Philadelphia, 1845; The Ladies’ Scrap-Book. Hartford, 1854 (2 copies, one imperfect); The Lady’s Cabinet Album. New York, 1832; The Laurel Wreath. Hartford [1845]; The Ladies’ Gift. Boston, 1850; The Lady’s Book of Flowers and Poetry. New York, 1842 and 1858; The Magnolia. Boston, 1855; The Marriage Offering. Boston, 1849; The Memento of Friendship. Hartford, [1851]; The Oasis. Boston, 1856; An Offering to Beauty. Lowell, 1853; The Poetic Wreath. New York, 1840. Engraved plates by Sartain, Cheney and others. Together, 15 vols. 12mo, original roan or cloth, gilt, some bindings worn, one lacks covers, some of the plates are slightly spotted, but as a rule they are above the average. See Note to No. 27. First Session, Wednesday Evening, March 15th 34. ANNUALS. AMERICAN. The Juvenile Gem. New York, 1845; The Lily. New York, 1832; Moral and Religious Souvenir. Boston, 1828; The Memorial. Boston, [1826]; The Rosette. Boston, 1846; The Spirit of Annuals. Phila- delphia, 1831; Youth’s Keepsake. Boston, 1839; The Young Lady’s Gift. Providence, 1836; The Talisman. New York, 1830 (2 copies, one with plate missing); The Union Annual. Philadelphia, 1837; The Wreath. New York, 1821; The Golden Gift. Nashua, N. H., 1847; The Hare-Bell. Hartford, 1844. Steel plates by Cheney, Illman, and others, and other illus- trations. Together, 14 vols. 16mo and 18mo, original roan and cloth, some bindings worn, plates as a rule above the average. See Note to No. 27. 35. ANNUALS. AMERICAN. The Lady’s Oracle. Philadelphia, 1860; The Remem- ber Me. Philadelphia, 1851 and 1854; The Ruby. Philadelphia, 1849; The Sabbath School Annual. Boston, 1847; The Token. New York, no date. Title missing; The Wintergreen. New York, 1853; The Wide-Awake Gift. New York, 1855; The Youth’s Historical Gift. New York, 1844. Engraved plates and other illustrations. Together, 9 vols. 12mo, cloth or roan, some bindings worn. see Note to No. 27. s 36. ANNUALS. AMERICAN. The Mirror of Life. Philadelphia [1847]; The Opal. New York, 1847; The Parlor Annual. New York, 1846; The Opal. New York, 1846; The Parlor Magazine. New York, 1848; The Rosary. Bos- ton, [1848]; Scenes in the Lives of the Apostles. Philadelphia [1846]; The Winter-Bloom. Philadelphia [1850]; Friendship’s Offering. New York, no date. Engraved plates by Sartain, Pollock, Ormsby, and others, colored plates and woodcuts. Together, 9 vols. 8vo, original roan or cloth, gilt, bindings worn, plates as a rule above the average. Among the contributors of a few of the volumes were, Longfellow, Whittier, Schoolcraft, and Oakes Smith. see Note to No. 27. 37. ANNUAL. American Comic Annual. Edited by Henry Ginn. Illustrated by D.C. Johnston. 16mo, original illustrated boards, roan back, 2 copies, one fine, the other shaken in binding. Boston, 1831 The only year ever issued for this annual. See Note to No. 27. 38. ANNUALS. The Amulet; or, Christian and Literary Remembrancer. For 1826 to 1836, inclusive. Illustrated with many fine steel engravings. One vol. roan, one vol. original boards, 4 vols. original silk cloth, and 5 vols. mo- rocco. Together, II vols. 16mo and 12mo, gilt edges, three of the bindings somewhat worn. London, 1826-1836 COMPLETE SET. Interiorly all are in exceptionally fine state, free from the bad fox marks and tears so often found in volumes of this character. It is seldom that a complete series of this Annual is offered at public sale. Scattered throughout the volumes are original contributions by S. T. Coleridge, Hannah More, Mrs. Hemans, James Montgomery, Miss Mitford, Lucy Aikin, John Bowring, William Howitt, Thomas Hood, R. Cattermole, S. C. Hall. With the fourth volume, S. C. Hall’s name appears as editor. Among the engravers represented are, Finden, Rolls, Robinson, Heath, Shenton, Wallis, Greatback, OOS Se and Le Keux. _See Note to No. 27. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 39. ANNUALS. The Anniversary; or, Poetry and Prose for MDCCCXXIX. Edited by Allan Cunningham. Engraved plates by Goodall, Sangster, Rolls and others. Royal 8vo, half leather, uncut, one signature loose. London, 1829 LARGE PAPER. See Note to No. 27. 40. ANNUALS. The Atlantic Souvenir; a Christmas and New Year’s Offering. For 1827 to 1832, inclusive. With many fine steel engravings. 2 vols. original boards in original board slip-cases, one vol. rebound in half leather, and 3 vols. original roan. Together, 6 vols. 16mo, gilt, gilt edges. : Philadelphia, 1827-1832 The above comprises Vols. 2 to 7 of the series; after 1832 the same was incor- porated with “The Token,” and published as “The Token and Atlantic Souvenir.” The last three volumes of the present series have some of the margins with light fox marks, but the first two volumes are in exceptionally fine condition, having only slight crack at hinges. Among the engravers represented are, Longacre, Ellis, P. Maverick, Kearney, and Childs, Durand. Among the authors represented by Contributions are, Longfellow, Irving, Clarke, Paulding, W. L. Stone, and others. See Note to No. 27. 41. ANNUALS. The Atlantic Souvenir for 1859. Engraved portraits of Mitchell, Bryant, Irving, Holmes, Longfellow, Halleck, and others, from original pic- tures. Royal 8vo, original red cloth, gilt, gilt edges, edges of binding slightly rubbed. New York, 1859 Interiorly a fine copy. The volume was issued as a Memorial to Louis Gaylord Clark, and contains contributions by D. G. Mitchell, W. C. Bryant, Washington Irving, O. W. Holmes, H. W. Longfellow, and others. See Note to No. 27. 42. ANNUALS. The Bijou; an Annual of Literature and the Arts. For 1828, 1829, and 1830. Fine engravings on India paper, by Finden and others. One vol. original boards with leather back, and 2 vols. original silk, edges slightly rubbed. Together, 3 vols. 16mo, gilt edges, name in ink on titles. London: William Pickering, 1828-1830 FINE COPIES OF THE COMPLETE SERIES. See Note to No. 27. 43. ANNUALS. A Charming Collection of French Annuals. Beautifully alustrated with line or stipple engravings by Lambert, Delvaux, Bovinet, and other en- gravers of the period. Together, 12 vols. 18mo, in original silk or boards, as issued, some with slip-case. Paris, various dates An unusually fine collection of these French Almanacs, all are in exceptionally fine state, free from spots, except where otherwise mentioned. CONTENTS ALMANACH DES DAMES. I8II and 1826. Engraved portraits and plates by Lam- bert and Delvaux. 2 vols. 18mo, morocco and calf. Tubingue, et Paris [1811-1826] MADEMOISELLE DE LA FAYETTE. Petit Souvenir des Dames. Stipple portrait and plates by Leroux. 18mo, original red straight-grain morocco, in morocco slip-case. Paris [1814] PeTiIr ALMANACH de La Cour de France, 1821. Engraved plates. Original boards, back missing, in slip-case. Paris [1821] [ Continued First Session, Wednesday Evening, March 15th [ No. 43. ANNUALS.—Continued | MADAME DE SEVIGNE. Portrait and charming stipfle plate engravings, and vig- nettes at the head of the months, by Massol after Le Roy. 18mo, original pink boards, gilt, gilt edges, in original slip-case. Paris [1821] Le MERITE DES JEUNES MERES ou Leur Bonheur dans |’Education de leurs Enfants. Stipple plate engravings, unsigned. 18mo, original boards, back missing. Paris [1817] ALMANACH Dédié aux Dames. 1816. Stipple plate engravings, unsigned. 18mo, original green silk, gilt decoration, and colored vignette on sides, gilt edges, in original slip-case; The Same. 1827. FEngravings by Gossard and Bovinet. Original green decorated boards, gilt, in original slip-case; The Same. 1838. Portrait and charming engravings by Lambert and Delvaux. 18mo, original green decorated boards, gilt edges, in original slip-case. Together, 3 vols., the last two EXCEPTIONALLY FINE COPIES. Paris [1816-1838] LA VOLIERE DES DAMES. Par Charles Malo. With charming colored plates of birds. 18mo, original green silk, gilt, in original slip-case, the latter worn. Paris [1816] HOMMAGE AUX DAMES. Fingravings by Janet and others. 18mo, original green boards, gilt edges, in original slip-case. Paris [1813] L’EcHOo DES BARDES, ou Chansonnier dedie aux Demoiselles. Charming stipple plates by Bovinet. 18mo, original pink silk, in original slip-case, slightly worn. Paris [1816] See Note to No. 27. 44. ANNUALS. Christian Keepsake. For 1838, 1839, 1840, 1848, and 1849. Engraved plates. 5 vols. 12mo, roan, gilt, edges of bindings worn, and some plates foxed. Philadelphia, 1838-1849 See Note to No. 27. 45. ANNUALS. Christmas Blossoms. For 1847, 1848; Christmas Roses. For [1848] and 1849; The Floral Year. For 1847; The Golden Gift. For 1850; The Ivy Wreath. By Mrs. Hughs. Philadelphia [1849]. Plates by Sartain and colored plates. Together, 7 vols. small 4to, original cloth, various colors, gilt, bindings slightly worn. Boston and Philadelphia, 1847-1849 All but the last are Boston imprints. See Note to No. 27. 46. ANNUALS. The Comic Annual. By Thomas Hood. For 1830 to 1839, and 1842. Illustrations by George Cruikshank, Leech, and others, including the author. First ten vols. original illustrated boards, leather backs; last vol. in cloth. Together, 11 vols. 16mo, some bindings slightly shaken. London, 1830-1842 COMPLETE SET. Seldom offered at public sale. See Note to No. 27. 47. ANNUALS. ENGLISH. Dramatic Annual. 1831. Woodcuts by W. H. Brooke; The Literary Souvenir. Edited by A. A. Watts. 1830 and 1833; Forget- Me-Not. 1828. Original boards; The Anniversary Christmas Story. Illustrations by Onwhyn. 1856; Amulet. 1827; The Winter’s Wreath. 1828; The Amulet. Edited by S. C. Hall. 1835; The Gem, 1830 and [1831]; Souvenir of Literature—Art. 1834; The London Carcanet. 1831; Acker- mann’s Juvenile Forget-Me-Not. 1830; Original boards. Fine copy; [Falstaff’s] New Comic Annual. 1831. AJl illustrated with steel engravings or woodcuts. Together, 17 vols. 16mo, cloth, morocco, half leather and roan, a few bindings worn, interiorly most of the copies are above the average. London, various dates See Note to No. 27. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 48. ANNUALS. ENGLISH. The Keepsake. Edited by F. M- Reynolds. 1830; The Remembrance. Edited by Thomas Roscoe. 1831. Plates on India paper; Friendship’s Offering. Edited by T. K. Hervey. 1826; The Juvenile Scrap-Book. Edited by Jane Strikland. 1849; The English Annual [1828]; The Imperial, 1839. All allustrated with steel engravings. Together, 6 vols. 8vo, original cloth, boards or roan, bindings slightly worn, interiorly clean and above the average. See Note to No. 27. 49. ANNUALS. Forget-Me-Not, a Christmas and New Year’s Present. For 1823 to 1845, inclusive, and 1847. Extensively illustrated with fine line engravings. 8 vols. original boards (7 in the original board slip-cases), one vol. green calf, 3 vols. original red silk, 11 vols. claret morocco, and one vol. green cloth. Together, 23 vols. 16mo and 12mo, gilt, gilt edges. London: Published by R. Ackermann, 1823-1847 FINE CLEAN SET, especially interiorly, seldom appearing at public sale in the present long series, the volumes being generally broken or badly foxed. This set lacks the issue for 1846 to make the series complete. The last volume issued being that for 1847. Illustrated by over 250 fine line engravings by Agar, Corbould, Fry, Heath, Lekeux, Winckles, Finden, Graves, Robinson, Davenport, Shenton, Wallis, Romney, Marr, Rolls, Engleheart, Lacey, Goodall, Goodyear, Cochran, and others. Edited by Frederic Shoberl. The Literary contributions and articles are by H. Nelle, W. B. Clarke, John Bowring, Mrs. Hemans, R. B. Sheridan, J. P. Collier, Thomas Hood, James Hogg, Barry Cornwall, Lord Byron, Sir Walter Scott, Francis Jeffrey, James Montgomery, John Galt, Mrs. Hofeland, W. H. Harrison, T. H. Bay- ley, Miss Pardoe, Charles Swain, H. F. Chorley, W. L. Stone (the American), Mrs. Gore, Douglas Jerrold, L. H. Sigourney, G. P. R. James, Countess of Blessington, Mary R. Mitford, and numerous others. The bindings are only slightly rubbed at corners. The volumes in the original boards are particularly fine, only three of them being cracked at hinges. See Note to No. 27. 50. ANNUALS. Friendship’s Offering. For 1825, 1829 (2 copies), 1831, 1833, 1834, 1835, 1836 (2 copies), and 1839. Steel plates by Stothard and others. Together, 10 vols. 16mo, original roan, bindings somewhat worn, interiorly clean, but some plates loose. London, 1825-1839 See Note to No. 27. 51. ANNUALS. Friendship’s Offering. For 1825, 1828 to 1837 inclusive, 1839, 1842, and 1844. Steel plates by Stothard and others. Together, 14 vols. 16mo (one vol. 8), morocco and roan, gilt, two bindings worn, interiorly in unusually fine conditions, generally free from the usual fox marks. London, 1825-1844 Very rarely found in as long a series as the above. See Note to No. 27. 52. ANNUALS. Friendship’s Offering, a Literary Album. Edited by Thomas K. Hervey. Engravings by Finden and others. 8vo, original boards and leather label, uncut. London, 1826 LARGE PAPER. Plates on India paper. The binding rubbed, but interiorly a fine copy. See Note to No. 27. First Session, Wednesday Evening, March 15th 53. ANNUALS. Friendship’s Offering. For 1845 to 1850 inclusive, 1852 and 1853. Engraved plates by Sartain. Together, 8 vols. 12mo, roan, gilt, bindings somewhat worn, text and plates clean, but a few fox marks on some leaves. Boston, 1845-1853 See Note to No. 27. 54. ANNUALS. The Garland. For 1831, 1840, 1848, 1850, and 1852. Engravings by Pelton and others. 5 vols. 12mo and 16mo, roan and cloth, bindings worn, a few plates spotted. New York, 1831-1850 See Note to No. 27. 55. ANNUALS. The Gem of the Season. Edited by N. P. Willis. For 1850 and 1852. Engravings after Bartlett and other artists. Engraved by Finden and others. 2 vols. royal 8vo, original roan, gilt, gilt edges, bindings slightly rubbed, interiorly clean and free from spots. New York, 1850-1852 Articles by Willis, Leigh Hunt, J. Fenimore Cooper, Dickens, Morris, and others. See Note to No. 27. 56. ANNUALS. The Gift: a Christmas and New Year’s Present. J/lustrations from steel engravings. 11 vols. 16mo and 8vo, roan (one vol. cloth), bindings slightly rubbed, one back missing. Philadelphia, 1836-1845 Interiorly the volumes are in exceptionally clean state, all but one being above the average, free from the very bad fox marks and tears so often found; the first volume is somewhat spotted, and one or two plates in three of the volumes have light spots on margins hardly to be mentioned. 1836. Edited by Miss Leslie. Contains, Poe’s “Manuscript Found in a Bottle.” Irving’s “Unwritten Drama of Lord Byron,” etc. 1837. Edited by Miss Leslie. FINE Copy. 1839. Edited by Miss Leslie. Contains Poe’s “William Wilson.” 1840. Edited by Miss Leslie. 1842. Contains, Poe’s “Eleonora.” 1843. Two different issues, one with date, the other without date. Two copies of the one with date, 1843, both of which lack a plate, but the two together make a perfect copy. Contains, Poe’s “The Pit and the Pendulum.” 1844. Contains, Lowell’s “A Requiem,” and Emerson’s “The Garden of Plants.” 1845. Both the first and second issues, the one with date, the other without. Contains, Longfellow’s “A Gleam of Sunshine;” Poe’s “The Purloined Letter;” Emerson’s “Dirge.” Besides the contributions mentioned above the volumes contain articles by W. G. Simms, Park Benjamin, and other American authors. No volumes were published for the years 1838 and 1841. Among the engravers represented are, Cheney, Tucker, Lawson, and Illman. See Note to No. 27. 57. ANNUALS. Heath’s Picturesque Annual. For 1832, 1833, 1834, 1835, and 1836. With numerous fine steel engravings. Together, 5 vols. royal 8vo and 8vo, red morocco, gilt, gilt edges. London, 1832-1836 Of the above, the first four are all LARGE PAPER COPIES, with plates on India .. . paper. Fine clean copies, and exceptionally so interiorly. Only the corners of bind- ings are somewhat rubbed. See Note to No. 27. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 58. ANNUALS. Heath’s Picturesque Annual. For 1832 to 1844, inclusive. Ex- tensively illustrated with numerous fine steel engravings. 7 vols. red morocco, 3 vols. cloth, and 3 vols. green morocco. Together, 13 vols. royal 8vo, gilt, gilt edges. London, 1832-1844 COMPLETE SET. LARGE PAPER COPIES, WITH PLATES ON INDIA PAPER. Interiorly all fine clean and spotless copies; two of the backs have been repaired, one back broken and three bindings slightly rubbed. RARELY met with in above state. Illustrated by over 300 engravings after original drawings by Stanfield, Vickers, M’Clise, Creswick, Allom, and other artists, the plates being fine examples of the work of Cousen, Carter, Smith, Lewis, Willmore, Varall, Wallis, Jordan, Radcliffe, Cook, Fisher, Brandard, Heath, and other engravers of the day. The literary por- tion of the work comprises the following,— 1832. Travelling Sketches in the North of Italy, the Tyrol, and the Rhine. By Leitch Ritchie. 1833. Travelling Sketches on the Rhine, and in Belgium and Holland. By Leitch Ritchie. 1834. Travelling Sketches on the Sea-Coasts of France. By Ritchie. 1835. Scott and Scotland. By Ritchie. 1836. A Journey to St. Petersburg and Moscow. By Ritchie. 1837. Ireland, Picturesque and Romantic. By Ritchie. 1838. Ireland. By Ritchie. [Continuation of preceding.] 1839. Versailles. By Ritchie. 1840. Windsor Castle. By Ritchie. 1841. Belgium. By Thomas Roscoe. 1842. Paris in 1841. By Mrs. Gore. 1843. The American in Paris. By Jules Janin. 1844. The American in Paris. By Janin. [Continuation of preceding.] See Note to: No-127: 59. ANNUALS. The Humourist. By W. H. Harrison. For 1831 and 1832. Wood- cuts from designs by T. Rowlandson. 2 vols. small 8vo, morocco, gilt edges, slightly soiled on some leaves. London [1831|-1832 See Note to No. 27. 60. ANNUALS. The Iris, a Religious and Literary Offering. Edited by Thomas Dale. For 1830 and 1831. Engravings by Graves, Smith, Raddon, and others. 2 vols. 16mo, original silk, gilt edges, bindings rubbed, interiorly fine and free from spots. London, 1830-1831 See Note to No. 27. 61. ANNUALS. The Iris, an Illuminated Souvenir. Edited by John S. Hart. For 1851, 1852, and 1853. Colored lithographs by Duval, engravings by Heath, and other plates. 3 vols. royal 8vo, morocco and calf, gilt, bindings rubbed, interiorly clean, above the average. Philadelphia, 1851-1853 See Note to No. 27. 62. ANNUALS. The Keepsake. For 1828 to 1847, inclusive. The first 10 vols. 12mo, the last 10 vols. 8vo. Extensively illustrated with fine steel plates. Together, 20 vols. original red cloth, gilt edges, bindings somewhat worn. London, 1828-1847 An unusually long series of this Annual, edited by Frederic M. Reynolds, Mrs. Norton, Lady Emeline S. Wortley, and the Countess of Blessington. The series was discontinued in 1857. Although the bindings are somewhat worn, interiorly all the volumes are excep- tionally clean and free from the bad fox marks and tears so often found in volumes of this character. Only a few plates have slight spots, hardly noticeable. [ Continued First Session, Wednesday Evening, March 15th [ No. 62. ANNUALS.—Continued | Among the Literary contributors are, Sir Walter Scott, Sir James Mackintosh, Lord Holland, W. Wordsworth, R. Southey, S. T. Coleridge, William Roscoe, P. B. Shelley, J. G. Lockhart, C. B. Sheridan, Lady Lamb, Lady Blessington, Agnes Strick- land, Coleridge, Mrs. Charles Gore, Mrs. Shelley, Sir Egerton Brydges, Richard Westmacott, Edward Lytton Bulwer, J. H. Jesse, Walter Savage Lander, Captain Marryat, Albert Smith, and other noted authors of the day. The Illustrations include fine line engravings by Heath, Finden, Rolls, Goodall, Goodyear, Engleheart, Edwards, Miller, Mitan, Wallace, Bacon, Stocks, Brandard, as other contemporary engravers, mostly after drawings by the best artists of the ay. See Note to No. 27. 63. ANNUALS. The Keepsake of Friendship. Edited by G. S. Munroe. For 1853, [1854], and 1855. Engraved plates by Sartain. 3 vols. 12mo, original roan, gilt, gilt edges, bindings slightly rubbed, stencilled stamp on one title. Boston and New York, 1853-1855 See Note to No. 27. 64. ANNUALS, The Landscape Annual. For 1830 to 1839, inclusive. Illustrated with many fine line engravings. 10 vols. small 8vo, original green morocco, gilt, gilt edges. London: Robert Jennings, 1830-1839 COMPLETE SET. FINE Copiers. The text free from the usual spots, and only a few of the plates with slight marginal fox marks. Edges of bindings slightly rubbed. The text of the first nine volumes is by Thomas Roscoe, and includes, The Tourist in Switzerland and Italy, Italy (3 vols.), France, Spain (3 vols.), and Morocco. The last volume comprises, The Tourist in Portugal, by W. H. Harrison. The illustrations are after originals by Prout, Harding and Roberts, as engraved by Lewis, Heath, Willmore, Wallis, Tingle, Westwood, Carter, Goodall, Adlard, and other engravers of the time. See Note to No. 27. y 65. ANNUALS. Leaflets of Memory. For 1849, 1850, and 1855. LHngraved plates by Sartain. 3 vols. royal 8vo, calf and roan, gilt, bindings rubbed, only slight spots on few margins. Philadelphia, 1849-1855 See Note to No. 27, 66. ANNUALS. The Legendary, consisting of Original Pieces, principally Illus- trative of American History, Scenery and Manners. Edited by N. P. Willis. 2 vols. in one, I2mo, original cloth, uncut, shaken. Boston, 1827-1828 Interiorly a fine clean copy. The volumes for 1827 and 1828 are all that were issued, the annual being the predecessor of “The Token.” Contains original contributions by Willis, Clark, Lunt, and others. See Note to No. 27. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 67. 68. 69. 70. cate ANNUALS. The Liberty Bell. By Friends of Freedom. For 1839, 1841 to 1849 inclusive, 1851, 1852, 1853, 1856, and 1858. Wuth engraved frontispiece or title in most of the volumes, some have woodcut vignettes. 5 vols. original boards, 9 vols. original cloth, and one vol. morocco. Together, 15 vols. I2mo, some with gilt edges, two of the board volumes have backs missing, the other board volumes have new backs, a few of the corners of cloth volumes are rubbed. Boston, 1839-1858 COMPLETE SET: Comprising, Vols. 1 to 15, no volumes being issued for the missing years. The volumes are exceptionally clean interiorly, and far above the average copy, with the exception of one volume, which is somewhat spotted. One of the most popular American Annuals of the day, containing original contri- butions by noted American Authors, among them, James Russell Lowell, William Lloyd Garrison, William H. Channing, Henry W. Longfellow, Maria Lowell, James Freeman Clarke, Ralph Waldo Emerson, Mary Weston Chapman, and others of note. The volume for 1848 contains THE First APPEARANCE of Elizabeth Barrett Browning’s poem “The Runaway Slave at Pilgrim’s Point,” and the volume for 1856, her poem “A Curse for a Nation.” The earlier volumes were published under the auspices of the “Boston Anti-Slavery Society,” later changed to the “National Anti-Slavery Society.” They were issued in the interest of the emancipation of the slave. A complete series of these volumes is hard to obtain, as it is only at irregular times that even separate yearly issues appear. See Note to No. 27. ANNUALS. The Liberty Bell. By Friends of Freedom. Engraved title. 12mo, original red cloth, gilt edges. Boston, 1846 Contains the first appearance of Elizabeth Barrett Browning’s poem “A Curse for a Nation.” See Note to No. 27. Annuats. The Lily, a Coloured Annual. For 1831 and 1832. Engravings by R. F. Soper, those in the first volume FINELY COLORED, those in the second volume on yellow paper. Together, 2 vols. 16mo, roan and boards with leather back, bindings slightly rubbed, but interiorly fine copies. New York [1831-1832] See Note to No. 27. ANNuALS. The Lilly of the Valley. For 1851, 1853, 1854, 1855, 1856, 1857, and 1859. Engraved plates. 7 vols. 12mo, original roan, gilt, gilt edges, bindings slightly rubbed, plates and text free from fox marks. Boston, 1851-1859 See Note to No. 27. ANNUALS. The Literary Souvenir; or Cabinet of Poetry and Romance. Edited by Alaric A. Watts. For 1825 to 1834, inclusive. With many fine line engravings. 10 vols. 8vo, half red morocco, gilt tops, uncut. London, 1825-1834 FINE AND COMPLETE SET OF THIS SERIES, ALL LARGE PAPER, with plates on India Paper. Unusually choice copies, only a very few plates have light spots. Seldom found in Large Paper Issue. In the ordinary issue the plates are generally badly foxed or torn. The engravers represented include, Baker, Heath, Rolls, Goodall, Finden, Wallis, Romney, Robinson, Danforth, Edwards, and others. Among the Literary Contributions, the following authors are represented,—Allan Cunningham, Mrs. Hemans, James Montgomery, Thomas Campbell, W. Sotheby, Barry Cornwall, Robert Southey, John Galt, William Roscoe, J. Bowring, T. K. Hervey, Coleridge, J. S. Knowles, W. Wadsworth, a “Song” by W. C. Bryant, and “The Indian Girl’s Lament” by Whittier. See Note to No. 27. Furst Session, Wednesday Evening, March 15th 72. ANNUALS. Literary Souvenir.. For 1838, 1840, 1844, and 1845. Plates by Cheney and others. Together, 4 vols. 8vo and 16mo, roan, half morocco and cloth, bindings worn. Philadelphia, 1838-1845 See Note to No. 27. .73. ANNUALS. The Magnolia.. Edited by H. W. Herbert. For 1836, 1837, and 1843. Plates by Smillie, Prudhomme, and others. 3 vols. 12mo, roan, gilt, bindings shaken and somewhat foxed. New York [1836-1843] See Note to No. 27. 74. AnnuaLs. The Mayflower. For 1846, 1847, 1848, and 1854. Engravings by | Sartain and others. 4 vols. 12mo, roan, gilt, bindings rubbed and some plates foxed. Boston, 1846-1854 See Note to No. 27. 75. AnNuALS. The Memorial, a Christmas, New-Year’s and Easter Offering for 1828. Edited by Frederic S. Hill. Steel plates. 16mo, original boards, binding broken, but interiorly clean. Boston [1828] Among the plates is a fine early lithographic view by Cheney, of “Blennerhassett’s Island,” also another lithograph by the same artist of “On the Mohawk”; and an early lithograph by Pendleton. See Note to No. 27. 76. ANNUALS. The Moss Rose, a Gift for the Season. For [1846], 1847, 1848, and 1854. Engravings by Cheney and others. 4 vols. 12mo, roan, worn and somewhat soiled, one plate missing. New York, 1846-1854 See Note to No. 27. 77. ANNUALS. The Odd Fellows’ Offering. For 1846, 1847, 1848, and 1851. Steel engravings. 4 vols. 8vo, original roan, gilt, bindings rubbed, one vol. slightly stained. New York, 1846-1851 See Note to No. 27. 78. ANNUALS. The Oriental Annual. For 1834 to 1840, inclusive. With numerous fine engravings after drawings by William Daniell and others. 7 vols. small 8vo, original green morocco, gilt, gilt edges. London: Edward Bull, 1834-1840 COMPLETE SET. FINE COPIES, above the average, and with one exception free from the usual spots found on plates in volumes of this period. Edges of bindings slightly rubbed. The text, descriptive of India, is by Rev. Hobart Caunter; the last two volumes however are by Thomas Bacon, and contain Tales, Legends, and Historical Romances. The engravers represented include, Taylor, Cooke, Starling, Lee, Hollis, Woodman, Brandard, Humphrys, Redaway, Higham, Armytage, and others. See Note to No. 27. 79. ANNUALS. The Pearl; or, Affection’s Gift. For 1829, 1830, 1832, 1833, 1834, 1836, 1837, and 1840. Engraved plates by Sartain, Finden, and others. Together, 8 vols. 16mo, original boards and roan, bindings somewhat worn, a few plates spotted, and one plate with text to same missing. Philadelphia, 1829-1840 This series lacks the issue for 1831, none was published for 1835, and 1840 was the last. See Note to No. 27. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 80. ANNUALS, The Rainbow. Edited by A. J. McDonald. For 1847 and 1848. Engraved platesby Duthie and Nichols, 2 vols. 8vo, original calf, gilt, bindings slightly shaken, and a few light fox markings. Albany, 1847-1848 See Note to No. 27, 81. ANNUALS. The Religious Souvenir. For 1833, 1834, 1836, and 1840 (2 copies). Steel engravings. Together, 5 vols. 16mo, roan, one back broken, one plate missing in first volume, Philadelphia, 1833-1840 See Note to No. 27. 82. ANNUALS. The Religious Souvenir, a Christmas, New Year’s and Birth Day Present. For 1833 to.1847. Engravings.. 10 vols. 16mo roan, gilt, gilt edges, one back missing, and four bindings rubbed, a few light spots on some margins. Philadelphia and Hartford, 1833-1847 The Complete Series. Copies above the average, illustrations engraved by Cheney, Smillie, Ellis,. Tucker, Neagle, Longacre, Lawson, and others... As follows,— F 1833. Edited by G. T. Bedell. Philadelphia. 1834. Edited by G. T. Bedell. Philadelphia. 1835. Edited by G. T. Bedell. Philadelphia. . 1836, Edited by Chauncey Colton. Philadelphia. 1837. Edited by Chauncey Colton. New York. | 1839. Edited by Mrs. L. H. Sigourney. New York. 1840. Edited by Mrs. L. H. Sigourney. New York. 1845. Edited by Mrs. L. H. Sigourney. Hartford. A re-issue of the 1839, with variation in plates. 1845. Edited by Mrs. L..H. Sigourney. Hartford. A re-issue of the 1840, with variation in plates. : Sha 1847. Edited by Mrs. L. H. Sigourney. Hartford, S. Andrus and Son. This has the same number of plates and pagination as called for by Faxon, in his 1846 issue. Under No. 681 Faxon describes this same volume, but with one less plate. See Note to No. 27. 83. ANNUALS. The Rose: or, Affection’s Gift.. For 1842, 1846 and on En- graved plates. 3 vols. 16mo, original roan, bindings rubbed; one shaken. New York, 1842-1847 See Note to No. 27. 84. ANNUALS. The Rose of Sharon: a Religious Souvenir. For 1840 to 1857, inclusive. Illustrated with many line engravings by American engravers. One vol. original cloth and 18 vols. original roan. Together, 19 vols. 12mo, gilt edges. _ Boston; Tompkins, 1840-1857 CoMPLETE SET OF THESE ANNUALS. Interiorly all but one are copies ‘above the average, free from the very bad fox marks and tears usually found in works of this kind. The bindings, as is to be expected, are somewhat rubbed at edges, two volumes are loose in binding, and three hinges are cracked, one of two plates in a few of the volumes show slight time stain on margins, the engraved surface however being free from the usual fox marks. There are two copies of the 1848 issue, each in different binding. Collected and complete sets of this Annual are hard to obtain, the volumes usually offered being in very poor condition. Among the engravers represented are, O. Pelton, Gallaudet, H. W. Smith, Hobart, and McRae. See Note to No. 27. 85. ANNUALS. The Snow-Flake. Philadelphia, 1846 and 1852; New York [1855 and 1856]. Engravings by Sartain and others. Together, 4 vols. 12mo and 8vo, roan, gilt, bindings worn. Philadelphia and New York, 1846-1856 See Note to No. 27, First Session, Wednesday Evening, March 15th 86. ANNUALS. The Souvenir Gallery, an Illustrated Gift Book. Edited by Emily Percival. Steel engravings. Three different issues, the illustrations vary ineach. Together, 3 vols. royal 8vo, original roan or cloth, gilt. Boston, 1850, 1851, [1853] The articles are by Byron, Scott, Moore, and other English writers. * See Note to No. 27. 87, ANNUALS. The Talisman. For 1828, 1829, and 1830. Engravings by Paul Maverick and others. 3 vols. 16mo, original calf or roan, gilt, gilt edges. New York, 1827-1829 COMPLETE SET. No more published. The authors of this work were, William Cullen Bryant, Robert C. Sands, and G. C. Verplank. See Note to No. 27. 88. ANNUALS. Taschenbuch und Almanach zum geselligen Vergniigen. Von W. G. Becker. For 1796, 1800 to 1807 inclusive, 1812, 1813, 1816, and 1818 to 1832 inclusive. Extensively illustrated with many fine line and partly stipple engraved plates. Together, 27 vols. 16mo, original decorative heavy wrappers or boards, gilt edges, one or two wrappers loose and one volume rebound in half leather. Leipzig, 1796-1832 FINE SERIES OF THESE RARE ALMANACS. The illustrations depict scenes and events of historical importance in late 18th and early 19th century European history. The set is an unusually choice one, only two volumes being somewhat defected, those for 1805 and 1807, both of which lack the plates. Among the engravers represented are, Wagner, Walther, Schwerdgeburth, Kohl, Bohn, Darnstadt, Kriiger, Frommel, Schmidt, Jury, Kovatsch, Fleischmann, and Miiller. It is seldom that so long a series appears for public sale. See Note to No. 27. 89. ANNUALS. The Token, a Christmas and New Year’s Present. For 1828 to 1842. Extensively illustrated with fine line-engravings. One vol. original boards (in original board slip-case), 3 vols. original cloth, and 11 vols. original roan, Together, 15 vols. 16mo and 12mo, gilt edges, back of first vol. missing and four backs slightly chipped, other edges of bindings slightly rubbed. Boston, 1828-1842 FINE COMPLETE SET OF THIS, ONE OF THE MOst IMPORTANT AMERICAN ANNUALS OF THE NINETEENTH] CENTURY, with contributions by many of the noted American writers of the day. Many of the volumes contain one or more contributions by Nathaniel Hawthorne, others contain contributions by Longfellow, Lowell, Willis, Holmes, Sigourney, J. Neal, Park Benjamin, W. L. Stone, J. K. Paulding, A. B. Street, Harriet Beecher Stowe, and other authors. The Editors were N. P. Willis, and later S. G. Goodrich. Among the engravers represented by some of their best work are, Cheney, John- stone, Pelton, Ellis, Andrews, Gallaudet, Tucker, Durand, Keenan, Smillie, I1lman, and Jewett. ; A complete set, as above, seldom appears at public sale, and very rarely so in as fine condition, interiorly, as the above, the volumes generally being badly broken, and with plates soiled or torn. With the year 1833, “The Token” absorbed the “Atlantic Souvenir,” continuing as “The Token and Atlantic Souvenir” until its last publication in 1842. See Note to No. 27. 90. ANNUALS, The Token. For 1829, 1830 (2 copies), 1835 (2 copies), 1836, 1840 (2 copies, different bindings), and 1842 (3 copies, different bindings). Illustrated with steel engravings. One vol. original boards and slip-case, 2 vols. original cloth, and 8 vols. original roan. Together, 11 vols. 16mo and 12mo, gilt edges, one vol. shaken, one back broken, apparently one or two plates missing. Boston, 1829-1842 See Note to No. 27. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. gt. ANNUALS. The Violet, a Christmas and New Year’s Gift. For 1837, 1839, 1840, and 1842. Engravings by Forrest, Pease, Tucker and others. 4 vols. 16mo, original roan, gilt, bindings worn. Philadelphia, 1837-1842 Comprises the first four volumes. No volumes were issued for the years 1838 and 1841. Two subsequent volumes for 1850 and 1869 were issued later. See Note to No. 27. . 92. ANNUALS. The Winter’s Wreath. For 1830 (3 copies), and 1832. Engraved plates. Together, 4 vols. 16mo, original red silk, gilt edges, two bindings shaken. London, 1830-1832 See Note to No. 27. 93. ANNUALS. Youth’s Keepsake; a Christmas New Year’s Gift for Young People. For 1830, 1831, 1835, 1836, 1838, 1840, 1841, and 1842. Engraved plates by Gallaude, Cheney, and others. One vol. original boards, 5 vols. original boards with leather backs, and 2 vols. original cloth. Together, 8 vols. 16mo. Boston, 1830-1842 Good copies, only a very few pages soiled. The volume for 1840 however is stained. Contains original contributions by O. W. Holmes, Willis, Hawthorne, Whittier, and others. See Note to No. 27. 94. ANNUALS. FAXON (FREDERICK W.). Literary Annuals and Gift-Books. A Bibliography, with descriptive introduction. 8vo, boards, cloth back. Boston, 1912 95. BatzAc (HONORE DE). The Comédie Humaine of Honoré de Balzac. Edited, with a General Introduction and Preface, by Prof. George Saintsbury. Translated by Ellen Marriage, James Waring, and others; including Droll Stories. 2 vols. London, Privately Printed. Illustrations on Japan vellum paper. Together, 38 vols. 8vo, half leather, gilt backs, contents lettered, uncut, edges of backs slightly rubbed. Philadelphia: Avil Publishing Company, 1902 96. Bauzac (HONORE DE). Les Contes Drolatiques, Colligez ez Abbayes de Tou- raine. Septiesme Edition. Numerous woodcut illustrations by Gustave Doré. 8vo, dark green morocco, sides ornamented with gilt fillet bands and large corner designs of floral sprays, onlaid with red morocco, rebacked. Paris: Garnier Fréres, undated 97. [BarHAM (R. H.).] The Ingoldsby Legends; or, Mirth and Marvels. With atllustrations by George Crutkshank. 3 vols. 8vo, original brown cloth, uncut, vol. I rebacked, new joints. Autograph of (Sir) Percy F. Shelley, on one title. Fair copy. London, 1840—1842-1847 First EpDITIONs of all three series, second issue of the first series however, with page 236 printed on. 98. BARRAS (VICOMTE PAUL). Memoirs. Edited, with a General Introduction, Prefaces and Appendices, by George Duruy. Translated by Charles E. Roche. Wauth portraits, facsimiles and plans. 4 vols. 8vo, half red crushed French levant morocco, lettered on backs, gilt tops, uncut. London, 1895-1896 First Session, Wednesday Evening, March 15th 99. BARRAS (VICOMTE PAUL). DuRuy (GEORGE). Memoirs of Barras, Member of the Directorate. Edited, with a general Introduction, Prefaces and Appendices, by George Duruy. Translated by Charles E. Roche. With portraits, facsimiles and plans. 4 vols. thick 8vo, cloth, gilt tops, uncut. London, 1895 The cloth covers on this copy are those with the Harper imprint thereon. 100. BARRow (Isaac). The Theological Works of Isaac Barrow. Edited by Alexander Napier. Portrait. 9 vols. 8vo, full tree calf, gilt backs, probably BY HAYDAY. Cambridge, 1859 Best Library Edition of the works of this celebrated theologian, printed at the University Press. 101. BATAILLE (HENRY). Tétes et Pensées. A collection of 22 full-page lithographed portraits 1n various colored tints, from original sketches, of contemporary French writers and artists. Folio, marbled boards, straight-grain morocco back, uncut. Paris: Librairie Ollendorff, 1901 The portraits include those of,—Catulle Mendés; Jean Lorrain; Henri de Regnier; André Gide; Jules Renard; Paul Fort; Pierre Louys; Maurice Donnay; Octave Mirbeau; Willy; Alfred Capus; André Picard; Edmond Sée; and others. 102. BATTLE OF WATERLOO. Pollock’s Juvenile Drama. The Battle of Waterloo. A Grand Military Melodrama. With a series of 26 highly colored plates, on separate sheets, many of which contain portraits. Text 12mo, unbound, plates as issued, the whole enclosed in a half crimson morocco solander case, with inner protecting cloth cover. London, circa 1839 Included in the characters are Wellington, Napoleon, Blucher, Marshal Ney, and many others. 103. BEAUMONT (EDOUARD DE). Les Aventures Merveilleuses de Fortunatus. Avec une Préface par Henry Fouquier. Cent vingt dessins dans le texte. Small folio, half crimson straight grained morocco, richly gilt back, silk brocade sides, gilt top, original covers preserved, BY THE CLUB BINDERY. Paris, 1887 FINE Copy. One of 35 copies printed throughout on Japanese vellum paper, each numbered, this is, No. 19. From the Robert Hoe collection. 104. BEAUMONT (FRANCIS) AND FLETCHER (JOHN). The Dramatick Works of Beaumont and Fletcher; Collated with all the Former Editions, and Cor- rected, with Notes, critical and explanatory. With portraits of both authors, and 54 full-page scenes from plays. 10 vols. 8vo, full old russia, gilt backs, contents lettered, yellow edges, corners of bindings rubbed, and joints of two volumes weak. London, 1778 FINE Lisrary EDITION of the works of these two authors. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 105. BEAUX AND BELLES OF ENGLAND. Illustrated with etchings and photogravures 106. 107. 108. 109. on Japan paper, frontispieces on plain paper in colors. 14 vols. green buck- ram, gilt tops, uncut, paper labels. London: Printed for the Grolier Society, no date IMPERIAL EDITION, limited to 1000 copies for England and America, of which this is, No. 502. CONTENTS Lord Chesterfield, by W. Ernst. 2 vols.; Lady Blessington, by Molloy; Lady Hamilton and Lord Nelson, by Jeaffreson. 2 vols.; Count de Grammont, by Hamilton; Beau Brummell, by Jesse. 2 vols.; The Sheridans, by Fitzgerald. 2 vols.; Nell Gwyn, by Cunningham; Mrs. Sarah Siddons, by Boaden. 2 vols.; Mary Robinson, by Herself. BERQUIN (M.). Romances, par M. Berquin. Wzuth engraved title, 13 plates (unsigned), and 44 pages of engraved music. 12mo, modern boards, figured silk back, ENTIRELY UNCUT. Paris: Chez Moutardier, 1796 Thick Holland paper copy, with brilliant impressions of the illustrations, IN Proor STATE, and with the half-title, generally missing. Berry (Miss). Extracts of the Journals and Correspondence of Miss Berry, from the year 1783 to 1852. Edited by Lady Theresa Lewis. Portraits. 3 vols. 8vo, half brown morocco, gilt backs, gilt tops. London, 1865 Best EDITION of this celebrated work. Bewick (THomas). A General History of Quadrupeds. Wauth numerous woodcuts by Bewick. 1811; The Fables of A’sop, and others. With numerous woodcuts by Bewick. 1818. Together, 2 vols. 8vo, full old calf, rebacked. Newcastle-on-Tyne, 1811-1818 BINDING. Berwick (THomAs). The Fables of A’sop, and others. Wuth designs on wood, by Thomas Bewick. Large 8vo, full maroon crushed levant morocco, the sides inlaid with four circular panels (2 on each side), with representa- tions from the fables, in red, blue, black, green, brown, white and other levants, surrounded with bunches of purple grapes and leaves, corner inlays on inside borders, green watered silk linings, gilt edges, BY KELLY. In cloth case. Newcastle, 1818 First EDITION AND A BEAUTIFUL Copy, the inlaid panels singularly effective. 110. BrnpInc. [Dopcson (C. L.).] Through the Looking Glass, and what Alice found there. With 4o illustrations by John Tenniel. 12mo, full dark green crushed levant morocco, both sides inlaid with representations of characters mentioned in the work, in different colors,—old-rose, white, green, brown, slate blue, etc., watered silk linings, original cloth covers preserved, gilt edges, BY KELLY. In cloth case. London, 1873 [See Illustration of Binding] AN EXCEEDINGLY ATTRACTIVE SPECIMEN. Inlaid on the covers are the figures of the Red Queen, the White King, Humpty Dumpty, and 7 others. ELLY od <- o bm jays. he ro) 6B, oe ay Ae; te Sa wl=, om et Seen De 3} O74 ele ta a curs mM = | — _— Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. . 111. BrinpING. Dopcson (C. L.). Alice’s Adventures in Wonderland. Wauth 42 illustrations by John Tenniel. 12mo, full dark green crushed levant morocco, both sides inlaid with representations of the characters mentioned in the work, in different colors,—violet, white, brown, blue, yellow, etc., orange watered silk linings, gilt edges, original cloth covers preserved, BY KELLY. In cloth case. London, 1877 [See Illustration of Binding] A Most ATTRACTIVE SPECIMEN OF INLAID BINDING. Inlaid on the covers are figures of the rabbit, the owl, the dodo, the cat, and six others. 112. BINDING. GASKELL (Mrs.). Cranford. With a Preface by Anne Thackeray Ritchie. Illustrated by Hugh Thomson. 12mo, full dark green crushed levant morocco, full length figure of the Squire, inlaid with brown, white, blue and other levants, on front cover, inlaid with varying colored levants on the back cover is a representation of the sedan chair, old-rose watered silk linings, gilt edges, original cloth covers preserved, gilt edges, BY KELLY. In cloth case. London: Macmillan, 1891 [See Illustration of Binding] A VERY ATTRACTIVE SPECIMEN OF BINDING. The volume is the first edition with the Hugh Thomson illustrations. 113. BrnpING. HuGHEs (WILLIAM R.). A Week’s Tramp in Dickens-Land, to- gether with Personal Reminiscences of the “Inimitable Boz” therein col- lected. With more than 100 illustrations by F. G. Kutton and other artists. 8vo, full dark green crushed levant morocco, the front side inlaid with a representation of the entrance to Gad’s Hill, in slate levant, the full length figure of Dickens standing on the top step in varying colored levants; around the sides of each cover are entwined garlands of flowers in red, green, brown and old-rose levants; on the centre of the back cover is inlaid in brown levant the empty chair, red silk linings, original cloth covers preserved, gilt edges, BY KELLY. In cloth case. London, 1893 A Most ATTRACTIVE SPECIMEN, THE DETAILS WELL EXECUTED. 114. BrnpING. KEATS (JOHN). The Poetical Works of John Keats. With a Memoir by Lord Houghton. J/lustrated by 120 designs, original and from the antique, drawn on wood by George Scharf, Jr. 8vo, full sage-green crushed levant morocco, the front side covered with garlands of interlaced leaves and small dots, within intertwined borders, in the centre are two panels inlaid with scenes from the works, the figures executed in green, red, brown, slate, blue and maroon levants, back tooled in the manner of the side, dentelle inside borders, orange watered silk linings, gilt edges, original cloth covers preserved, BY KELLY. In cloth case. London: Moxon, 1866 [See Illustration of Binding] AN EXCEEDINGLY HANDSOME MODERN BINDING, THE DETAIL CAREFULLY EXE- CUTED. * PAIL SoS°RRSTRSHORTASABL TO € ILLUSTRATIONS OF BINDINGS BY KELLY 115] 112] | No. 114] 116] [No. [No. [No. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. I15. BINDING. KINGSLEY (CHARLES). The Water-Babies: A Fairy Tale for a Land-Baby. With «illustrations by J. Noel Paton. 12mo, full dark blue crushed levant morocco, the front cover inlaid with a central figure of a water baby in brown levant, who is seated in the middle of a large leaf of grey levant, and is surrounded by flowers, leaves and rushes of green, dark green, terra-cotta, and maroon levants, richly gilt back, old-rose watered silk linings, gilt edges, original cloth covers preserved, BY KELLY. In cloth case. London, 1864 [See Illustration of Binding] A Most ATTRACTIVE SPECIMEN OF INLAID BINDING. 116. BINDING. WALTON (IZAAK) AND COTTON (CHARLES), The Complete Angler. . Introductory Essay . . . and Illustrative Notes. Copiously illus- trated. 1t2mo, full dark green crushed levant morocco, sides with panels containing representation of five fish, with six lines of text (different) from the work itself above, gilt corner ornaments, emblematical dentelle borders, green silk linings, gilt edges, By KELLY. In cloth case. London: John Major, 1824 [See Illustration of Binding] A BEAUTIFUL Copy of this esteemed edition. 117. BrirDS OF AMERICA. WILSON (ALEXANDER) AND BONAPARTE (CHARLES L.). American Ornithology; or, the Natural History of the Birds of the United States. The illustrative Notes by Sir William Jardine. With a large number of BEAUTIFULLY COLORED PLATES. 3 vols. 8vo, full calf, gilt. London and Edinburgh, 1832 FINE COPY OF THE ORIGINAL ISSUE of this edition, with brilliant examples of the colored plates. 118. BLACKIE (JOHN STUART). Homer and the Iliad. First EDITION. 4 vols. 8vo, dark green crushed morocco, gilt backs and tops, uncut. j Edinburgh: Edmonston and Douglas, 1866 119. Boccaccio (GIOVANNI). The Novels and Tales of the Renowned John Boccacio, the first Refiner of Italian Prose, containing a Hundred curious Novels, by Seven Honourable Ladies, and Three Noble Gentlemen, Framed in Ten Days. Fifth Edition, much Corrected and Amended. Engraved portrait of Boccaccio by White, after painting by Titian, Small folio, half mottled calf, yellow edges. London, 1684 120. Boccaccio (GIOVANNI). The Decameron. J/lustrated. 4 vols. I12mo, cloth, gilt, gilt tops, uncut. London: Gibbings & Co., 1902 The plates are reproductions from the plates engraved for the celebrated edition of 1757, and designed by Gravelot, Eisen, Boucher, and others. E21 122. $23; 124. 125. 126. First Session, Wednesday Evening, March 15th BorLeau (NicoLas). Les Guvres de M. Boileau Despréaux, avec des eclair- cissemens historiques. Brilliant portrait, fleurons for both titles, and vignettes by Ravenet, after Tremoliéres, 38 tatlpieces and 6 ornamental letters, not signed. 2 vols. thick small folio, contemporary mottled calf, marbled edges. Paris, 1740 Believed to be a LARGE PAPER Copy. Lewine, in his Bibliography of Eighteenth Cen- tury Illustrated Books, says, “This edition is invested with a special interest, inasmuch as the original orthography of Boileau is therein preserved intact, while in the other editions it has been modernized.” SPECIAL INTEREST ATTACHES TO THIS Copy, in that there is bound in the series of six plates (all brilliant impressions within historiated borders) by Picart for “le Lu- trin. Books ABouT Books. Dippin (THoMAS FROGNALL). A _ Bibliographical, Antiquarian and Picturesque Tour in France and Germany. Portraits (several lightly spotted), and illustrations, some of which are on India paper. 3 vols. 8vo, original brown cloth, somewhat worn. London: Jennings and John Major, 1829 BOOKPLATES. SATTLER (JOSEPH). Art in Book-Plates. With an Introduction *on Artists, Literature and Collectors of Ex-Libris in England, the United States, Germany, and France by Frederick Warnecke. With 42 original bookplates designed by Joseph Sattler, each mounted on heavy paper, many tinted. Enclosed in 4to portfolio, boards. London, 1895 LIMITED EDITION. BOSWELL (JAMES). The Life of Samuel Johnson, including a Journal of his Tour to the Hebrides . . . New Edition, with numerous additions and notes, by John Wilson Croker . . . the supplementary volumes of John- soniana. Illustrated with upwards of 50 engravings, including portraits and views. IO vols. 12mo, half maroon calf, gilt backs, marbled edges. London: John Murray, 1839 ORIGINAL ISSUE of this esteemed edition. EXTRA-ILLUSTRATED by the insertion of about fifty portraits and plates. BouCHER (FRANCOIS). NOLHAV (PIERRE). Francois Boucher, Premiere Pein- tre du Roi, 1703-1770. With 52 full-page photogravure reproductions, 4 of which are in colors, mounted on heavy brown paper, and 8 vignettes. Royal Ato, half green crushed French levant morocco, gilt back, gilt top, uncut. Paris: Goupil & Cie, 1907 EDITION LiMiTED to 500 copies “sur papier a la main des Manufactures de Rives,” of which this is, No. 222. One of the fine Goupil Monographs. The Catalogue of the artist’s work extends from page 106 to 172. BourGEo!s (EMILE). France under Louis XIV (Le Grand Siécle). Its Arts —Its Ideas. From the French, by Mrs. Cashel Hoey. Extensively tllus- trated with full-page portraits engraved on copper, and numerous full-page and text photogravure reproductions. Imperial 8vo, cloth, gilt, gilt edges, slightly shaken at hinges. New York: Charles Scribner’s Sons, 1897 Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 527, 128. 129. 130. I3Ts 132. 133. 134: BriTISH Essayists (THE). With Prefaces, Historical and Biographical, by A. Chalmers. Engraved portraits. 45 vols. 12mo, half red morocco, gilt backs, gilt tops, uncut. London, 1817 COMPLETE SET of this fine old English publication, including,—The Tatler, The Spectator, The Guardian, The Rambler, The Adventurer, The World, The Idler, The Mirror, The Lounger, The Observer, and The Looker-On. British Essayists (THE). With Prefaces, Historical and Biographical, by A. Chalmers. [With Index.] Portrait frontispieces. 38 vols. 12mo, full yellow calf, gilt backs, leather labels, sprinkled edges, skilfully and neatly rebacked. London, 1823 UNIFORM EDITION. Vol. 38 is the General Index to the work. BRONTE (CHARLOTTE). The Life and Works of Charlotte Bronté and Her Sisters. Illustrations. 7 vols. 8vo, half calf, gilt backs, leather labels. London: Smith, Elder, & Co., 1889-1891 CONTENTS Shirley; Tenant of Wildfell Hall; Wuthering Heights; Jane Eyre; The Professor; Villette; Life of Charlotte Bronté, by Mrs. Gaskell. BROWNE (HABLoT K.—IIllustrator). DICKENS (CHARLES). Dealings with the Firm of Dombey and Son, Wholesale, Retail, and for Exportation. First EpITIONn. With 40 etchings, including etched title, by H. K. Browne. 8vo, half green crushed levant morocco, gilt panelled back, gilt edges, By BAYNTUN. London, 1848 Brown (JoHN). Hore Subsecive. New Edition. First, Second and Third Series. Portraits. 3 vols. 12mo, half polished calf, gilt backs, leather labels, contents lettered, gilt tops, BY BAYNTUN. Edinburgh: David Douglas, 1884-1889 Comprises,—John Leech, and other Papers; Lock and Sydenham, and other Pa- pers; Rab and his Friend, and other Papers. BROWNE (Sir THOMAS). Pseudodoxia Epidemica; or, Enquiries into Very many Received Tenents, And commonly presumed Truths. The Third Edition, Corrected and Enlarged by the Author. . . . Table Alphabetically at the end. Small folio, old calf, considerably worn. London. . . . at the Gun in Pauls Church-Yard, 1658 From the Lord Foley collection, with bookplate. BROWNE (Sir Tuomas). The Works of Sir Thomas Browne, including his Life and Correspondence. Edited by Simon Wilkin. Portrait, coat-of-arms, facsimile autograph, etc. 4 vols. 8vo, full tree calf, gilt backs and sides, BY HAYDAY. London, 1836 Best EDITION of the writings of Brown printed by William Pickering. BROWNING (ELIZABETH BARRETT). Elizabeth Barrett Browning’s Poetical Works. 5 vols. 12mo, full red-straight grain morocco, double gilt fillet border on sides enclosing a gilt floral border, gilt inside border, gilt edges, BY BAYNTUN. London: Smith, Elder Co., 1877-1883 First Session, Wednesday Evening, March 15th 135. BROWNING (ROBERT). The Poetical Works of Robert Browning. 6 vols. 12mo, half brown morocco, gilt panelled backs, gilt tops. London: Smith, Elder and Co., 1878-1886 136. BROWNING (ROBERT). The Poetical Works of Robert Browning. 6 vols. 12mo, half brown morocco, gilt panelled backs, gilt tops. London: Smith, Elder and Co., 1878-1886 137. [BuNBURY (HENRY).]| An Academy for Grown Horsemen; containing the Completest Instructions for Walking, Trotting, Cantering, Galloping, Stumbling and Tumbling. Caricature portrait of the author and 11 full-page plates, in sepia, by Bunbury and engraved by Dickinson. 1808; [ALso] Annals of Horsemanship, containing Accounts of Accidental Experiments and Experimental Accidents, both Successful and Unsuccessful, communi- cated by various correspondents to Geoffrey Gambado. With 17 full-page plates, in sepia, by Dickinson. 1808. Together, 2 vols. bound in one, folio, half red morocco, gilt top, uncut. London, 1808 Choice copies of these most desirable editions, printed in very large type, and with the plates in fine condition. 138. BUNYAN (JOHN). The Pilgrim’s Progress from this World to that which is to come. With numerous full-page and text illustrations, engraved by Dalziel Brothers, after paintings by Frederick Barnard and others. 4to, half claret crushed French levant morocco, gilt back, gilt edges, By BAYNTUN. London, 1886 EDITION DE LUXE, printed on Special Hand-made Paper, with Proofs of Illus- trations on Japanese paper. Limited to 500 copies, of which this is, No. 37. 139. BURKE (EDMUND), The Writings of Edmund Burke. 7 vols. 12mo, full tree calf, gilt backs, marbled edges. London, 1854 FINE SET of the Bohn edition, containing, in addition to the writings, the Life of Burke, by James Prior. 140. BuRKE (J. BERNARD). Anecdotes of the Aristocracy and Episodes in Ancestral Story. Second Edition. 9 vols. 8vo, half blue morocco, gilt panelled backs, gilt tops, BY BAYNTUN. London: Henry Colburn, 1849-1861 I41. BURNEY (FRANCES). Cecilia, or Memoirs of an Heiress. 2 vols.; Evelina. [Both] With Preface, Notes, and Introduction, by Annie Raine Ellis. Together, 3 vols. 12mo, half calf, full gilt backs, leather labels, gilt tops, uncut, BY TOUT. London: George Bell and Sons, 1890 142. [BYRON (GEORGE GorDON, LorD).]| Don Juan. Cantos VI to XVI inclusive. First EpITION. 3 vols. 8vo, half calf, binding rubbed. London: Printed for John Hunt, 1823-1824 143. ByRON (GEORGE GorRDON, LorD). The Poetical Works of Lord Byron. A New Edition. With engraved portrait by Finden. 6 vols. 8vo, full diamond calf, gilt panelled backs, marbled edges. London: John Murray, 1855-1856 FINE Copy of the First COLLECTED LIBRARY EDITION in octavo. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 144. 145. 146. 147. 148. 149. CALDECOTT (RANDOLPH). The Complete Collection of Pictures & Songs by Randolph Caldecott. Engraved and Printed by Edmund Evans. With a Preface by Austin Dobson. Profusely illustrated, many in colors. 1787. Limited to 800 copies, signed by Edmund Evans; Complete Collection of Randolph Caldecott’s Contributions to the “Graphic” Printed by Edmund Evans. With a Preface by Arthur Locker. Portrait and illustrations, many in color. 1888. Limited to 1250 copies, signed by Edmund Evans and the publishers. Together, 2 vols. folio, cloth, gilt tops, uncut. SCARCE. London: George Routledge and Sons, 1877-1888 CALIFORNIA AND OREGON, ETC. WILKES (CHARLES). Narrative of the United States Exploring Expedition, during the years 1838-1842. Numerous fine steel portraits and plates, and engravings on wood. Text, 5 vols. and Atlas of maps, I vol. Together, 6 vols. imperial 8vo, three quarter blue morocco, richly gilt backs, gilt tops, uncut, binding very slightly rubbed. Philadelphia, 1845 ONE OF THE LIMITED EDITION ON LARGE PAPER. This expedition was sent out under the direct auspices of the United States Government during the term of President Martin Van Buren, and consisted of six vessels. The narrative contains comprehensive and valuable accounts of Madeira, Terra del Fuego, CALIFORNIA, OREGON, etc., their climate, the inhabitants, their customs and legends. This work is especially important in its treatment of the details concerning the INDIANS OF CALIFORNIA, Oregon and the vast Northwest coast. CARICATURES. WRIGHT (THOMAS). A History of Caricature & Grotesque in Literature and Art. First Ep1T1on. Numerous illustrations in the text drawn and engraved by F. W. Fairholt. Square 8vo, half red morocco, gilt panelled back, gilt top, BY BAYNTUN. London, 1865 CARLETON (WILLIAM). Tales and Sketches, illustrating the Character, Usages, Traditions, Sports and Pastimes of the Irish Peasantry. First EDITION. Illustrations by “Phiz.” 8vo, half green crushed levant morocco, gilt back, gilt top, uncut, BY BAYNTUN. Original cloth sides and back-bone bound in at end of volume. Dublin: James Duffy, 1845 CARELTON (WILLIAM). Traits and Stories of the Irish Peasantry. A New Edition. With an Autobiographical Introduction, Explanatory Notes, and numerous illustrations on wood and steel. Illustrations by Phiz, Harvey, Gilbert, and others. 2 vols. 8vo, half green crushed levant morocco, gilt panelled backs, gilt tops, BY BAYNTUN. London: George Routledge & Co., 1852 CARLYLE (THOMAS). Past and Present. New York, 1897; MAXWELL (SIR HERBERT—Editor). The Creevey Papers. 2 vols. New York, 1903; DE MONTMORENCY (J. E. G.). Thomas 4 Kempis, His Age and Book. New York, 1906; McCaBE (JosEPH). Talleyrand, a Biographical Study. New York, 1907; Haggard (Andrew C. P.). The Real Louis the Fifteenth. 2 vols. New York, 1907; [BYRNE (Mrs. WILLIAM Pirrt).] Gossip of the Cen- tury. 2 vols. New York, 1892. Illustrations. Together, 9 vols. 8vo and royal 8vo, cloth, all but one with gilt tops, mainly uncut. 150. 153. 154 155. 56, 157. 158. Furst Session, Wednesday Evening, March 15th CARMAN (BLIss). Poems. Portrait, 2 vols. royal 8vo, boards, leather labels, _ uncut, top edges unopened. Boston: L. C. Page & Company, 1905 LIMITED EDITION DE LUXE. Of this edition of the Complete Collected Poems of Bliss Carman, 500 copies have been printed, of which 350 copies are for sale in the United States of America, and 150 copies for sale in Great Britain and Ireland, of which this is, No. 136. Signed by the author, in ink. . CATHEDRAL CHURCHES. WINKLEs’s Architectural and Picturesque IIlustra- tions of the Cathedral Churches of England, and Wales. Numerous fine engraved plates, and plans. 3 vols. royal 8vo, half brown morocco, gilt panelled backs. London, 1836 . CATHERINE AND PETER OF RussIA. MOoTLEy (JOHN). The History ‘of the Life of Peter I. Emperor of Russia. Portraits and numerous folding views, plates and maps. 3 vols. London, 1739; The History of the Life and Reign of the Empress Catherine. Portraits and other illustrations. 2 vols. London, 1744. Together, 5 vols. 8vo, contemporary full calf, neatly rebacked and richly gilt, arms of an English earl on sides of each volume. FINE SET. London, 1739-1744 CELEBRATED CHARACTERS IN History. The Pantheon of the Age; or, Memoirs of 3000 contemporary public Characters, British and Foreign. Numerous portraits, in outline. 6 vols. 16mo, contemporary half violet morocco, gilt backs. London, 1825 CERVANTES-SAAVEDRA (MIGUEL DE). Don Quixote de la Mancha. Trans- _ lated from the Spanish by Charles Jarvis. Illustrations by Tony Johannot. 3 vols. royal 8vo, full old polished calf, gilt panelled backs, leather labels, marbled edges, each volume skilfully and neatly rebacked. London, 1837-1839 CERVANTES-SAAVEDRA (MIGUEL DE). Don Quixote dela Mancha. Translated from the Spanish . . . by Charles Jarvis. Illustrations by Johannot and others. 2 vols. royal 8vo, half blue crushed levant morocco, gilt panelled backs, BY BAYNTUN. London: Henry G. Bohn, 1842 CERVANTES-SAAVEDRA (MIGUEL DE). Don Quixote dela Mancha. Translated from the Spanish . . . by Charles Jarvis. Illustrations by Tony Johannot, and others. 2 vols. royal 8vo, half dark red morocco, gilt panelled backs, gilt tops, uncut, BY BAYNTUN. London: Henry G. Bohn, 1842 [CHARITON.] Les Aventures de Choeree et de Callirrhoe. Traduites du Grec, par M. Fallet. First Epition. With full-page engraved plates, after drawings by Desrais. 8vo, half mottled calf, sprinkled edges. Amsterdam, 1775 [CHODERLOS DE LA Cros (P. A. F.).] Les Liaisons Dangereuses. Lettres Recueillies dans une Societe, et Publiees pour I’Instruction de Quelques Autres. ParC....deL... With & plates by Simonet, LeMire, Panquet, Patas, Langlois, Bertaux, Criere. 2 vols. 8vo, full old mottled calf, marbled edges, binding rubbed. Londres, 1796 The author was secretary to the Duke of Orléans during the Revolution. In the army he served as maréchal-de-camp, under the Republic. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 159. 160. 161. 162; 163. 164. 165. CHURCHILL (CHARLES). The Rosciad and The Apology. Edited by Robert W. Lowe. With § illustrations (portraits of David Garrick, Mrs. Chive, Mrs. Yates and others). London, 1891; BIBLE GALLERY (THE). Illustrated by Gustave Doré. London, circa 1879; SHAKESPEARE GALLERY. Romeo and Juliet. Illustrations on China paper. New York, undated. Together, 3 vols. 4to, cloth, boards, and half leather. London and New York, various dates Of the former only 400 copies were printed. The plates in the latter are proofs. CicERO. ForsyTH (WILLIAM). Life of Marcus Tullius Cicero. Jlustrations. 2 vols. 12mo, half dark green crushed levant morocco, gilt backs, gilt tops, uncut, BY BAYNTUN. London: John Murray, 1864 Manuscript note on back of frontispiece. CLEMENS (SAMUEL L.). The Gilded Age, a Tale of Today. By Mark Twain and Charles Dudley Warner. First Epition. Illustrated. Hartford, 1874; RoBINS (EDWARD). The Palmy Days of Nance Oldfield. Portraits. Chi- cago, 1898; SWINBURNE (ALGERNON CHARLES). Tragedies. Portrait. Philadelphia, no date. Together, 3 vols. 8vo, half blue morocco, and half calf. Hartford, Chicago and Philadelphia, 1874-1898 CoLor PRINTS. FRANKAU (JULIA). Eighteenth Century Colour Prints: an Essay on certain Stipple Engravers and their Work in Colour. Compiled, arranged, and written by Julia Frankau. Illustrated with 52 characteristic pictures printed in monochrome, and one in colors. Folio, shot silk, entirely uncut. London, 1900 Edition limited to 60 copies. Without the portfolio of Proof impressions usually accompanying this work. CoLoRED PLATES. The Tour of Doctor Syntax through London; or, the Pleasures and Miseries of the Metropolis. A Poem. Wath 19 plates (includ- ing the title-page) in colors, in the manner of Thomas Rowlandson. 8vo, half brown morocco, gilt, gilt top, OTHER EDGES UNCUT. London, 1820 Third Edition. Uncut copies are rare. This is one of the several imitations of the famous Syntax Tours. CoLorED PLATES. A volume containing 11 Chap-Books, all with folding frontispieces in color. Bound together, 12mo, half calf, some pages soiled. London, circa 1825 Contains the Life and Adventures of Three-fingered Jack, The Beautiful Indian, etc. The frontispieces are somewhat in the manner of Robert Cruikshank. COLORED VIEWS OF THE THAMES. The Panorama of the Thames from London to Richmond, Exhibiting every Object on both Banks of the River, with a concise description of the most remarkable places, and a general View of London. With the MAGNIFICENT FOLDING VIEW IN COLORS, SIXTY FEET IN LENGTH, and the Colored View of London from the Adelphi, 51% feet in length. Folded into small oblong 4to, original cloth, paper label on side. London: Samuel Leigh, circa 1825 One of the finest works of its kind ever produced. Special interest attaches to this copy in that it is accompanied by the separate volume of descriptive text, in 8vo, which is seldom found with the panoramic view. 166. 167. 168. 169. 170. ry i, First Session, Wednesday Evening, March 15th COLUMBIAN EXPOSITION. JOHNSON (RossITER—Editor). A History of the World’s Columbian Exposition, held in Chicago in 1893. With numerous full-page portraits on India paper, and views; text portraits and other illustra- tions. 4 vols. 4to, half brown morocco, gilt backs, gilt tops, uncut. New York: D. Appleton and Company, 1897 [ComMBE (WILLIAM).] The Dance of Life. A New Edition. With 26 plates in color by Rowlandson. London: Methuen and Co., 1903. Large Paper, printed throughout on Japanese vellum paper, and limited to 50 copies for England. This tssue 1s founded on the original Edition published by R. Ackerman in the year 1817; HERBERT (GEORGE). The Temple. Sacred Poems and Private Ejaculations. Portrait. New York: Scott-Thaw Co., 1904. Printed at the Chiswick Press. Together, 2 vols. 8vo, cloth, and boards, uncut. London and New York, 1903-1904 CONGREVE (WILLIAM). Works of Mr. William Congreve. 2 vols. 8vo, mottled and panelled calf, blind-tooled fillet bands on sides, gilt backs, leather labels, backs repaired, a few leaves have margins water-stained. London: Printed for Jacob Tonson, 1710 » First COLLECTED EpiTion. A Large Paper Edition was issued at the same time, the latter in 3 vols. The Works include the following plays, each with a separate title-page, dated 1710,—The Old Batchelor; The Double Dealer; Love for Love; The Mourning Bride; The Way of the World; The Judgment of Paris; Semele. CooKkE (CAPTAIN JOHN Henry). A Narrative of Events in the South of France and of the Attack on New Orleans in 1814 and 1815. London, 1835; BANCROFT (AARON). Life of George Washington, Commander in Chief of the American Army through the Revolutionary War, and First President of the United States. London, 1808; DEwEy (ADELBERT M.). The Life and Letters of Admiral Dewey. Profusely illustrated. New York, 1899. Authorized Edition. Together, 3 vols. royal 8vo and 8vo, half calf and half morocco, New York and London, 1808-1899 COOPER (JAMES FENIMORE). Cooper’s Novels. Illustrations. 16 vols. square 12mo, half calf, full gilt backs, leather labels, gilt tops. New York: John W. Lovell Company, undated FINE LIBRARY SET. CONTENTS Lionel Lincoln; Wept of Wish-Ton-Wish; Deerslayer, Pathfinder; Homeward Bound, Home As Found; Pilot, Red Rover; Mohicans; Chainbearer, Redskins; Crater, Miles Wallingford; Heidenmauer; Precaution, Ways of the Hour; Wing and Wing; Sea Lions; Oak Openings, Satanstoe; Water Witch, Two Admirals; Prairie; Bravo, Mercedes of Castile. CosTuME PLATES IN Coors. A series of 40 engraved plates, in colors, by Piattioli, showing the costume and manners of the Italians of the Eighteenth Century. Bound in one volume folio, boards, sheep back. Circa, 1770 Rare, The descriptions in the lower margin of the plates are in Italian. The work is highly interesting from its illustrations of the various fashions, and follies of the Eighteenth Century in Italy. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 172. COSTUME PLATES IN CoLor. SAND (MaAuvrIcE). Masques et Bouffons (Comédie Italienne). Texte et dessins par Maurice Sand. Préface par George Sand. With a large number of full-length portraits, 1n costume, all finely colored. 2 vols. royal 8vo, full maroon morocco, gilt backs and sides, gilt edges. Paris, 1860 FINE Copy oF THIS IMPORTANT WoRK, with brilliant impressions of the colored plates. 173. COSTUME PLATES. JACQUEMIN (RAPHAEL). [Histoire Général du Costume Civil, Religieux, et Militaire du [Ve au XI Xe Siécle.] A collection of 74 miscellaneous costume plates, full-page etchings, including § 1n colors, 4 of which are duplicates of plain etchings, illustrating civil, military, and relagious costumes of all nations, from the 4th to the roth centuries. Folio, marbled boards, morocco back, uncut, edges slightly rubbed, margins of several plates soiled, margin of one plate stained. Paris: Delatre [1876-1879] These plates have evidently been extracted from the above-mentioned work, Each plate bears a number, and nearly all are signed by Jacquemin. Among the subjects illustrated are the following,—Pope at Mass. 15th century; French military costumes of the 19th century; Male National Costumes of Poland, and Hungary. 16th century; Military Costumes. 4th century; Women of the Nobility. Flanders, 16th century; Evening Dresses worn by French Women during the First Empire; Frederic Augustus. First King of Saxony, 1811; Charles VIII, of France; Italian Ladies. 1572; Military Costumes of the Orient; and many others. 174. COSTUMES. RACINET (A.). Le Costume Historique. Types Principaux du Vétement et de Parure rapprochés de ceux de I’Intérieur de |’Habitation dans tous les Temps et chez tous les Peuples, avec de nombreux détails sur le Mobilier, les Armes, les Objets Usuels, les Moyens de Transport, etc. Recueil publié sous la direction de M. A. Racinet, avec des Notices Ex- plicatives, une Introduction Générale, des Tables et un Glossaire. Illus- trated with nearly 500 full-page plates, representing about 8000 different sub- jects, a very large proportion of them being beautifully colored, many heightened in gold and silver. One vol. of Index and Glossary, and 5 vols. of Plates. Together, 6 vols. small 4to, three-quarter red morocco, gilt backs and tops, uncut, BY PFISTER, binding very slightly soiled. Paris: Firmin-Didot et Cie, 1888 COMPLETE SET, WITH ALL THE PLATES AND TEXT, OF THE SMALL PAPER EDITION. Although the title-page calls for 500 plates, there are only 473 separate plates, the printer having in some cases given two numbers to a double-page plate, while in others, he has given one number to two plates. THE ABOVE Copy IS PERFECT. 175. COSTUMES OF FRENCH COMEDIANS. Costumes de la Comédie Frangaise XVITe-XVIIIe Siécles. Avec une Préface de G. Monval. 50 etchings, in colors, after the original designs, by A. Gutllaumot fils. Folio, half maroon morocco, gilt top, uncut. Paris: Jules Lemonnyer, Editeur, 1885 First EpiTion. Each plate mounted on heavy blue paper, preceded by a fawn colored sheet with description of the plate. The plates depict the costumes worn by the French comedians during the 17th and 18th Centuries. 176. COSTUMES OF THE FRENCH OPERA. Costumes de L’Opéra XVIIe—XVIIle Siécles. Avec une Préface de Ch. Nuitter. Wath 50 plates, facsimiles of etchings, in colors, by A. Guillaumot fils. Folio, half maroon morocco, gilt top, uncut, binding slightly faded. [Paris] 1883 First Epition. Each plate mounted on heavy blue paper, preceded by a fawn colored sheet with description of the plate. The plates depict the costumes worn by French Opera players during the 17th and 18th Centuries. Furst Session, Wednesday Evening, March 15th 177. Court Memoirs. Memoirs and Secret Chronicles of the Courts of Europe. With photogravures on Japanese paper, autograph seals in facsimile, hand- painted reproductions of famous paintings, and full-page portraits. 11 vols. 8vo, full leather, various colors, gilt backs and front covers, with centre inlays in various colored morocco, gilt tops, uncut,—“St. Dunstan” binding. New York: M. Walter Dunne [1901] TALLEYRAND EDITION, limited to 1000 sets, of which this is, No. 517, signed by the Editor, Robert Arnot. CONTENTS Diary of John Evelyn. 2 vols.; Napoleon, by Madame Junot. 3 vols.; Louis XIV. and the Regency, by Saint-Simon. 3 vols.; Court of Berlin, by Comte de Mirabeau; Comtesse De Barry; Princess Lambelle, her Journals, Letters, etc. 178. COURT OF CHARLES THE SECOND. HAMILTON (Count ANTONY). Memoirs of the Count de Grammont: containing the amorous history of the English Court under the Reign of Charles II. Edited by Henry Vizetelly. Idlus- trated with 17 etchings and 34 portraits of court beauties. 2 vols. royal 8vo, three-quarter crimson crushed levant morocco, gilt backs, with floral onlaid ornaments, gilt tops, uncut. London, 1889 CHOICE COPY OF THE ORIGINAL VIZETELLY ISSUE, now entirely out of print and VERY SCARCE. 179. Court of Louis XVTH OF FRANCE. STRYIENSKI (CASIMIR). Mesdames de France, Filles de Louis XV. Documents Inédits. Full-page photogravure reproductions of portraits of the royal family from originals by Gobert, Nattier, Lemoyne, Bevalet, and Mme. Labille-Guiard, and a few other allustrations. Thick 4to, original wrappers, uncut and unopened. Paris: Emile-Paul, 1910 Edition limited to 300 copies on “papier vélin d’Arches,” of which this is, No. 82. 180. COURTIERS AND FAVOURITES OF Royalty. With numerous portraits, scenes, facsimiles of autographs, etc., mainly from contemporary sources, on Japanese paper, the frontispieces in color on plain paper. 19 vols. (should be 20), half red morocco, gilt backs, contents lettered, gilt tops, uncut cover of one volume loose. Paris: New York: Société des Bibliophiles, and Merrill and Baker, no date EDITION DE GRANDE LUXE. Limited to 487 sets, of which this is, No. 113. CONTENTS Memoirs of Duke de Richelieu. 2 vols. (should be 3, lacks Vol. 1); History of Henry IV.; Memoirs of Madame du Barry. 4 vols.; Memoirs of Marmontel. 2 vols.; Memoirs of Joseph Fouché. 2 vols.; Memoirs of Cardinal de Retz; Memoirs of Madame d’Epinay. 3 vols.; Talleyrand. 2 vols.; Josephine. 2 vols. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 181. COURTIERS AND FAVOURITES OF ROYALTY. Wuth numerous portratts, scenes, facsimiles of autographs, etc., mainly from contemporary sources, and on Japanese vellum paper, some ‘of the frontispieces beng on plain paper and colored. 20 vols. 8vo, cloth, gilt tops, uncut, paper labels. Paris: New York: Société des Bibliophiles, and Merrill and Baker, no date EDITION DE LUXE, limited to 500 numbered and registered sets, of which this is, No. 494. CONTENTS Memoirs of Duke de Richelieu. 3 vols.; History of Henry IV.; Memoirs of Madame du Barry. 4 vols.; Talleyrand. 2 vols.; Josephine. 2 vols.; Memoirs of Marmontel. 2 vols.; Memoirs of Cardinal de Retz; Memoirs of Joseph Fouché. 2 vols.; | Memoirs of Madame d’ Epinay. 3 vols. 182. CowLeEy (ABRAHAM). The Works of Abraham Cowley . . . with the Cutter of Coleman-Street. Adorn’d with.cuts (portraits and plates). 3 vols. 8vo, half calf, gilt, marbled edges. London, 1707 With good impressions of the illustrations. 183. CuvrIER’s ANIMAL KINGDOM. CUVIER (BARON). The Animal Kingdom, arranged in conformity with its Organization. With additional descriptions of all the species hitherto named, and of many not before noticed, by Edward Griffith. With hundreds of illustrations, mainly beautifully colored. 16 vols. thick royal 8vo, full tree calf, gilt backs. London, 1827 FINE SET OF THE BEST EDITION OF THIS CELEBRATED WorRK. Comprises,— Mamalia, 5 vols.; Aves, 3 vols.; Reptilia; Pisces; Fossil Remains; Mollusca Radiata; Annelida, Crustacea, etc.; Insecta, 2 vols.; Index and Synopsis. 184. CRUIKSHANK (GEORGE AND ISAAC). SULLIVAN (W. F.—Translator). Emily and Henrietta. 1818; ANONYMOUS. Encyclopedia of Wit, or, Momus’s Cabinet of Amusement. 1811; ANONYMOUS. Savillon’s Elegies, or Poems. Written by A Gentleman. 1795; MEEKE (Mrs.). Elizabeth, or, The Exiles of Siberia. 1814; All with illustrations by G. or I. Cruikshank; The following bound in one volume,—HAMILTON (WALTER). George Cruik- shank. 1878; WEDMORE (FREDERICK). Cruikshank. No place, no date; Day (THomAs). Account of the Life and Writings of Thomas Day. 1791; Together, 7 vols. bound in 5 vols. half calf and boards, bindings worn. London, 1791-1878 185. CRUIKSHANK (GEORGE). ANDREWES (GEORGE). A Dictionary of the Slang and Cant Languages: Ancient and Modern. Folding colored frontispiece, “The Beggar’s Carnival,” by G. Cruikshank. 12mo, wrappers, uncut. London: George Smeeton [1809] FIRST EDITION WITH THIS ILLUSTRATION. RARE. Some of Cruikshank’s earlier work. 186. CRUIKSHANK (GEORGE). Munchausen at Walcheren. 6 etched plates, of which 3 are by Isaac and 3 by George Cruikshank. 12mo, original boards, uncut, broken at hinges. London, 1811 First EDITION. Douglas, No. 1; Cohn, No. 559. Furst Session, Wednesday Evening, March 15th 187. CRUIKSHANK (GEORGE). The Scourge; or, Monthly Expositor, of Imposture and Folly. Volume one to ten inclusive. 10 vols. 8vo, contemporary half calf, slightly rubbed, and one page torn, needs repairs. ‘eee London, 1811-1815 With the exception of four, all the plates have been extracted, and form a collec- tion in a separate volume. [See following item.] The plates that are in the above volumes are.both for “Alice Grey,” and two for “Progress of Bankrupcy.” The volumes are presumed to be perfect as to text, but, as with all periodicals are sold not returnable. 188. CRUIKSHANK (GEORGE). A collection of CARICATURES IN CoLor. Many of the plates laid down on sheets of cream drawing paper, others loosely attached. The whole bound in a large oblong folio volume, half red morocco, lettered on the side and back “Cruikshankiana.” A Most IMPORTANT AND INTERESTING SERIES OF CARICATURES, COMPRISING NINETY-FIVE IN CoLor, NINE PLAIN, AND A FINE IMPRESSION OF THE VERY RARE PLATE, “A Long String of Resolutions for the New Year,” By ISAAC CRUIKSHANK, AFTER G. M. Woopwarp (plate uncolored). This plate is one of the longest of its kind, being 6 feet, 6 inches in length: It is the original impression, published January 2, 1702. Many of the Caricatures in color are extracted from “The Scourge,” and comprise no less than SIxTy-TWO PLATES from that celebrated periodical. The importance of this collection will be apparent, when it is pointed out that a complete set of plates (including the New Series “The Scourge and Satirist”) only comprises 74 plates. A , few of the plates are cut close, as is usual. Among the more important plates may be mentioned the following,—“British Cookery.” Of great Napoleonic interest. “The Examination of a Young Surgeon;” “Interior of the House of God;” “Princely Piety,” with a full length portrait of Napoleon in uniform; “Princely Amusements,” with portraits of the reigning royal family; “The Antiquarian Society,” containing portrait of George the Third; “The Court of Love,” with portraits of the reigning royal family; “Quadrupeds, or Little Boney’s Last Kick,” of great Napoleonic interest; “The Phenix of Elba,” of Napoleonic interest; “Napoleon’s trip from Elba to Paris,” one of the most important of the Napoleonic plates in the series, and others. In addition to the plates from “The Scourge,” the volume contains a number of RARE CARICATURES that were issued separately, including,— “Twelfth Night, or What You Will.” Douglas, No. 714 (fine impression, with full margins); “Les Savoyards,” Not in Douglas. Fine impression, with full margins; “Very Unpleasant Weather.” Douglas, No. 1124; “The Dandies Coat of Arms.” Douglas, No. 1191; “Farmer George’s Daughter Polly.” Douglas, No. 819; “Female Lancers.” (By Isaac Cruikshank. Fine impression, very rare); “Results of the Northern Excursion.” Douglas, No. 858; “Bang Up Dinner; or, Love and Lingo.” Unknown to either Reid or Douglas, and containing a portrait of the notorious “Jemmy Gordon;” “The Blue Devils.” Not in Douglas; “Mad Tom’s first Practical Essay on the Rights of Man.” (By Isaac Cruikshank, and one of the rarest of Isaac’s caricatures); “Night” and “Morning,” by Robert Seymour. Original impression (1824) and many others of interest and importance. See Preceding Item for Text of “The Scourge.” 189. CRUIKSHANK (GEORGE). [EGAN (PIERCE).] Boxiana, or, Sketches of Ancient and Modern Pugilism, from the Day of the Renowed Broughton and Slack, to the Heroes of the Present Miling Ara. With 3 etchings by G.Crutkshank. 8vo, half calf, binding worn. London, 1812 This, the first volume is the only one with illustrations by George Cruikshank. There were five volumes issued in all. This is First ISSUE OF THE FIRST EDITION. Cohn, No. 84; Douglas, No. 12. 190. CRUIKSHANK (GEORGE). Metropolitan Grievances; or, A Serio-comic Glance at Minor Mischiefs in London and Vicinity. Etched folding frontispiece signed G. Cruikshank. 12mo, three-quarter blue levant morocco, gilt back and top, uncut, BY TOUT. London, 1812 First EpITION. Douglas, No. 9; Cohn, No. 538. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. IOI. 192. 193. 194. 195. 196. 197. CRUIKSHANK (GEORGE). DoppriIpGE (P.). The Life of the Hon. Colonel Gardiner, who was Slain at the Battle of Prestonpans. With an Appendix relating to the Ancient Family of the Munroes of Fowlis. Portrazt, vignette on title, and 5 plates, some signed by Crutkshank. 8vo, original boards and label, uncut, back strengthened, name on title. London [1813] FirST EDITION WITH THESE ILLUSTRATIONS. With the slip to the binder regarding the plates, often missing. Cohn, No. 236. CRUIKSHANK (GEORGE). The History of the Manners and Customs of the Cossacks . . . also the Life of the brave Hettman of the Cossacks, Count Platoff. Embellished with a representation of the celebrated charge on the French army by the Cossacks, and a faithful portrait of Count Platoff (by George Cruikshank). 8vo, unbound. In cloth case, lettered. London: Printed and published by G. Smeeton [1813] ONE OF THE RAREST OF THE EARLY CRUIKSHANK PAMPHLETS. The plate of the charge Is In Coors. It is unsigned, but the original watercolor drawing was in the Gough collection. The present copy is the Sixth Edition, and the plate in colors Is A FINE IMPRES- SION. Douglas, No. 379; Cohn, No. 376. WE BELIEVE THAT THIS IS THE FIRST TIME THIS WoRK HAS APPEARED IN AN AMERICAN PUBLIC SALE. CRUIKSHANK (GEORGE). Select Comic Tales From the Best Authors. 6 etched plates, including title-page, all in colors, by George and Robert Crutkshank. 16mo, original printed board covers. Edinburgh: Oliver & Boyd, 1813 The cover bears the date 1813, two of the plates have date, 1819 and 1821, which suggests that the same are insets from another work. CRUIKSHANK (GEORGE). The Satirist, or Monthly Meteor, Vols. 13 and 14, July Ist, 1813 to June Ist, 1814. Wzth 8 folding colored caricatures by G. Crutkshank. Together, 2 vols. 8vo, half calf, binding rubbed. London, 1813-1814 First Epitrion, Douglas, No. 2; Cohn, No. 695. These plates are some of Cruik- shank’s earliest works. CRUIKSHANK (GEORGE). The School of Love; or, Original and Comic Valen- tine writer, for Trades, Professions, &c. Colored frontispiece by G. Crutk- shank, 12mo, original printed wrappers, uncut, slight soil on some margins. London: For Mr. Perks [1814] FIRST EDITION WITH THIS ILLUSTRATION. RARE. Some of Cruikshank’s earlier work. CRUIKSHANK (GEORGE). The Tripod; or, New Satirist. For July and August, 1814. 2 colored folding plates by George Cruikshank. The two parts in one vol. 8vo, half calf. [London] 1814 First EDITION. Douglas, No. 3; Cohn, No. 775. There were only two numbers, as above, issued of this magazine. CRUIKSHANK (GEORGE). The Modern Dunciad, a Satire. With Notes, Biographical and Critical. First EpiTion. 1814. Half red morocco; The same. Second Edition. 1815. Original boards, uncut; The same. Third Edition, with a new Preface, and considerable additions. 1815. Etched frontispiece in each volume by George Cruikshank. Together, 3 vols. I2mo. London, 1814-1815 First Session, Wednesday Evening, March 15th 198. CRUIKSHANK (GEORGE AND ROBERT). CLARKE (FRANCIS L.). The Life of His Grace Arthur, Duke, Marquis, and Earl of Wellington. Portraits and numerous engravings by Chapman after G. and R. Cruikshank. 3 vols. 8vo, boards, paper labels, uncut, bindings worn, some plates spotted and tears in two maps. London: J. and J. Cundee [1814-1816] The George Cruikshank plate is, Reid, No. 5238. 199. CRUIKSHANK (GEORGE). The Greeks: a Poem. 6 colored plates by George Crutkshank. 12mo, original marbled boards, calf back. London, 1817 The first edition was without the plates, several were subsequently issued with the Cruikshank plates. 200. CRUIKSHANK (GEORGE). [COMBE (WILLIAM).] The Life of Napoleon, a Hudi- brastic Poem, in Fifteen Cantos. Wzth 30 aquatint plates in sepia by George Cruikshank. 8vo, half calf, a few of the margins slightly soiled. London, 1817 Twelve of the plates are accompanied by a colored impression of the same, laid in. 201. CRUIKSHANK (GEORGE). Memoirs of The Life and Death of the Lamented Princess Charlotte, and her Infant. Folding frontispiece by G. Crutkshank. » _12mo, original printed wrappers, uncut. London: J. Bailey [1817] First EDITION WITH THIS ILLUSTRATION. 202. CRUIKSHANK (GEORGE). Muprorp (WILLIAM). An Historical Account of the Campaign in the Netherlands, in 1815, under His Grace the Duke of Wellington. Wzth 28 colored plates (including the engraved title, in colors), a plan of the batile and a map. 4to, contemporary diamond calf, gilt, tear in fold of map, back strengthened. London, 1817 [See Frontispiece for Illustration] First EpITion. Douglas, No. 18; Cohn, No. 556. Four of the plates were drawn by George Cruikshank, and he is supposed to have drawn the figures in the other plates. Interiorly a good copy, with the date and imprint on engraved title-page. 203. CRUIKSHANK (GEORGE). The Pigeons. Dedicated to All the Flats. 6 colored plates by G. Cruikshank. 12mo, wrappers, uncut. London: Stockdale, 1817 Lettered “Eighth Edition.” Douglas, No. 20; Cohn, No. 6109. 204. [CRUIKSHANK (GEORGE).] WooLeErR (T. J.—Editor). The Black Dwarf, a London Weekly Publication, Vols. 1 and 2, January 29, 1817 to December 30, 1818. With steel portratt of the editor, 4 colored caricatures, 2 of which are by George Cruikshank. 1817-1818; [ALso, bound in at end of Vol. 1,] YELLOw Dwarr (THE). A Weekly Miscellany. 21 numbers, January 3, 1818 to May 23, 1818 [All published]. 1818. 2 vols. 4to, contemporary half calf, ENTIRELY UNCUT. London, 1817-1818 The plates by George Cruikshank, are,—“Outwitted at Last—or Big Wig in the Wrong Box,” Reid, No. 710; “The R—1 Masquerade,” Reid, No. 954. ALL Ever ISSUED OF BOTH THE ABOVE PERIODICALS. Both are rare, “THE YELLOW DwarF” EXCEEDINGLY SO. “The Yellow Dwarf” contains original contributions by William Hazlitt. Begin- ning with page 30 and continuing thereafter is an extraordinary article of “The Anglc- Americans,” which opens with an account of a sermon delivered by an American, and: “. . . After the show was over, one of his auditors, the lady of a man of for- tune, expressed her disappointment at finding that he was not a Black Man, ‘for I thought all Americans were black.’” Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 205. CRUIKSHANK (GEORGE OR ROBERT?). Dandymania; being a dissertation of Modern Dandies . . . By A Jackey Dandy. Wiauth frontispiece, “A Genuine Dandy,” in colors, signed “Cruikshank fecit,” 8vo, unbound. In cloth case, lettered. London: Published by Duncombe, circa 1817 “This (plate) is either by Robert or George (Cruikshank). In the earlier editions it is unsigned, in the later (the above is the fourth) ‘Cruikshank fecit’ has been added. Douglas inclined to the opinion that it may be by G. C.”—Cohn’s Bibliograph- ical Catalogue of the Works of George Cruikshank. 206. CRUIKSHANK (GEORGE). A Collection of Political Tracts, Published by Hone and others. With woodcuts by G. Cruikshank. 16 pamphlets, stitched. London, 1817-1821 Comprises,—Queen’s Budget Opened. 1820; The Acts of Adonis the Great. [1820]; Loyalist’s House that Jack Built. No date; Nero Vindicated. [1820]; The Protestant House that Jack Built. No date; The Theatrical House that Jack Built. 1819; The “Greatest Happiness” Principle. No date; Royal Letter-Bag. 1820; Hone’s Poor Humphrey. 1829; The Queen That Jack Found. 1820; Noble Lord’s Bite! 1817; Trial of the Dog. 1817; The Political Showman—at Home! 1821; The Miraculous Host. 1822; Thoughts on Wheels. No date; Slop’s Shave at a Broken Hone. 1820, 207. CRUIKSHANK (GEORGE). HONE (WILLIAM). Full Annals of the Revolution in France, 1830. 1830; ANONYMOUS. Trial of the Rev. Alexander Fletches. 1825; ANONyMOUS. Catholic Miracles . . . To which is added, A Reply to Cobbett’s Defence of Catholicism and his Libel on the Reforma- tion. 1825; ROBERTS (SAMUEL). The State Lottery, a Dream. [and] Thoughts on Wheels. 1817. Wauth full-page plates, one folding, many in colors, and woodcuts, by G. Crutkshank. Together, 4 vols. wrappers, the last mentioned without wrappers. London, 1817-1830 208. CRUIKSHANK (GEORGE). A Collection of Pamphlets, including over 20 of the “Hone Tracts,” some of which contain illustrations by George Cruikshank. London, 1820, etc.; The Three Trials of William Hone. London, 1818, and other pamphlets, some of a political nature. Together, 3 vols. 8vo. One volume half bound, the other two without covers. London, 1818-1820 Not the least interesting work in the collection is the scarce “Horrida Bella. Pains and Penalties versus Truth and Justice,” which contains 24 satirical alphabeti- cal plates illustrating events at the time of the attempted divorce of Queen Caroline. The “Queen’s Matrimonial Ladder” (one of the pieces in the collection) is accom- panied by a copy of the scarce cardboard “Ladder.” 209. CRUIKSHANK (GEORGE). Billets in the Low Countries, 1814-1817. Wauth 6 colored plates by Cruikshank. 12mo, original boards and label, uncut and partly unopened. London, 1818 First EDITION. Douglas, No. 33; Cohn, No. 70. The plates were later repudiated by George and attributed to Robert Cruikshank. 210. CRUIKSHANK (GEORGE). Don Phantissima; or, Fortune and Folly. A Spanish Tale. Colored frontispiece by G. Cruikshank. 16mo, original printed wrap- pers. London: D. Carvalho, circa 1818 First EDITION WITH THIS ILLUSTRATION. RARE, 211. CRUIKSHANK (GEORGE). Dophinique, and His Mandoline; or, The Captive 7 of the Hollow Oak. A French Tale. Colored frontispiece by G. Cruikshank. 16mo, original printed wrappers. London: D. Carvalho circa 1818 First EDITION WITH THIS ILLUSTRATION. RARE. First Session, Wednesday Evening, March 15th 212. CRUIKSHANK (GEORGE). Fashion. Dedicated to All the Town. With 6 humorous colored plates by George Cruikshank. 12mo, full polished calf, uncut, gilt back, BY RIVIERE. London, 1818 213. CRUIKSHANK (GEORGE). The Ton: Anecdotes, Chit-Chat, Hints and On-Dits. Second Edition. 6 colored plates attributed to G. Cruikshank. 12mo, full light polished calf, gilt back, sides and top. London, 1818 The plates in this work were afterwards repudiated by George and attributed to Robert Cruikshank. 214. CRUIKSHANK (GEORGE). FISHER (J. B.). Poetical Rhapsodies. 1818; Moore (Francis). The Age of Intellect. 1819. First Epitions. Each volume with frontispiece by George Cruikshank. Together, 2 vols. 12mo, original boards, one back broken. London, 1818-1819 Cohn, Nos. 298 and 553. 215. CRUIKSHANK (GEORGE). The Age of Intellect; or Clerical Showfolk and Wonderful Layfolk. Aquatint frontispiece by George Cruikshank. 12mo, half yellow morocco, gilt back and top. London, 1819 First EDITION. Douglas, No. 37; Cohn, No. 553. N 216. CRUIKSHANK (GEORGE). The Englishman’s Mentor. The Picture of the Palais Royal. Folding colored frontispiece by George Cruikshank. .12mo, full light polished calf, gilt back, sides and top, By TouT. Plate backed with linen. London, 1819 First Epirion. Douglas, No. 36; Cohn, No. 260. A work on the fashionable dissipation of Paris. 217. CRUIKSHANK (GEORGE). [FISHER (J. B.).] Plaintive Tales. Engraved frontis- piece by George Cruikshank. 16mo, contemporary calf and label. Chelsea, 1819 First EpITIon: Cohn, No. 300. Not in Douglas. 218. CRUIKSHANK (GEORGE). Modern Beaux. Third Edition. 6 colored plates by George Cruikshank. 12mo, half calf, marbled board sides. London, 1819 219. CRUIKSHANK (GEORGE). Patriot Allegory, versus Anarchial Fable, and Licen- tious Parody. Faithfully reported by Peregrine Castigan. Eiched frontis- piece by George Cruikshank. A. Beugo, invt. 4to, original printed wrapper, slight tear in last leaf and wrapper, no text missing. [London:] Published, April 2d, 1819 First EpITION. Douglas, No. 439. A political squib on the Westminster election 220. CRUIKSHANK (GEORGE). The New Bon Ton Magazine; or, Telescope of the Times. Nos. 19, 20, 21, 24, 25 and 30 [November and December, 1819; January, April, May and October, 1820.] Each part with a fine colored frontispiece, not signed, one by G. Cruikshank. Together, 6 parts, original wrappers, uncut. London, 1819-1820 Copies OF THIS MAGAZINE IN THE ORIGINAL PARTS ARE HARD TO FIND. The illustrations in the above are,—The Old Stag of Bond Street; The Royal Russian Safety Carriage; The Freeborn Englishman, by G. Cruikshank; The Landing of the Queen that Jack Loves; Dover Cliff, or The Bomb Remove; The Champions. Has the title-pages and Indexes for Vols. IV and V. Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 221. CRUIKSHANK (GEORGE). The Loyalist; or, Anti-Radical; consisting of three departments: Satyrical, Miscellaneous, and Historical. With 6 engravings (should have ten), tucluding 3 by George Cruikshank (should have four), one in colors. 8vo, half calf, marbled board sides. London: James Wright, 1820 First Epit1ion: Douglas, No. 40; Cohn, No. 504. This copy has bound in at end,— The Royal Wanderer; The Loyalist Investigation and the Radical Non Mi Ricordo; Saint Caroline’s Pilgrimage to St. Paul’s, her Devout Parade; and The Radical Ladder, or Hone’s Political Ladder. All with imprint and date, London, 1820. 222. CRUIKSHANK (GEORGE). NIGHTINGALE (J.). Memoirs of the Public and Pri- vate Life of Her Most Gracious Majesty Caroline, Queen of Great Britain, and Consort of King George the Fourth. 2 vols. 1820-1821; Report of the Proceedings before the House of Lords, on the Bill of Pains and Penalties Against Her Majesty, Caroline Amelia Elizabeth, Queen of Great Britain. Vol. I. Charges; Vols. 2 and 3, Defence. 1821. Illustrated with engraved portraits and plates, after sketches by George and Robert Cruikshank and others. Together, 5 vols. 8vo, half calf, marbled edges. London, 1820-1821 223. CRUIKSHANK (GEORGE). The Political Quixote; or, The Adventures of the Renowned Don Blackibo Dwarfino. Woodcut vignette on title by G. Crutk- shank. 12mo, full light polished calf, gilt back and top, gilt fillet border, uncut, BY RIVIERE. London, 1820 First EpiTion. Douglas, No. 519; Cohn, No. 637. Has leaf of advertisements at end; also, inserted, the original lettered label. 224. CRUIKSHANK (GEORGE). Catalogue of the Works of George Cruikshank. London, 1875; An Extensive Collection of the Political Tracts issued by William Hone, some of which contain illustrations by George Cruikshank, and other pamphlets. Together, 2 vols. one cloth, one half morocco, and a number of pamphlets unbound. Asa lot. | London, 1820 and no date Interesting collection, including a good copy of “The Radical Harmonist; or, a Collection of Songs and Toasts given at the late Crown and Anchor Dinner.” Col- lected by Old Tom of Oxford, with the frontispiece. 225. CRUIKSHANK (GEORGE). British Regalities. The Coronation Reporter .. . Connected with the Coronation of His Majesty King George IV. July 19, 1821. Engraved title and 2 folding plates by G. Crutkshank. 16mo, original boards, uncut, rebacked and slightly soiled on margins. [London:] Dolby [1821] First EpITION. Douglas, No. 44; Cohn, No. 88. 226. CRUIKSHANK (GEORGE). EGAN (PIERCE). Life in London; or the Day and Night Scenes of Jerry Hawthorn, Esq. and his Elegant Friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis. With 36 colored etchings by I. R. and George Cruikshank, and several vignette woodcuts. 8vo, full light polished calf, gilt back and edges, gilt tripple fillets on sides, By ZAEHNSDORF. London, 1821 FINE Copy of the issue with the note relative to “Second Edition” at foot of page 9. Inserted at end are 22 pages (each leaf inlaid to size) of the tract “Corinthian Paro- dies,” by Tom, Jerry, and Logic. London, 1823. First Session, Wednesday Evening, March 15th 227. CRUIKSHANK (GEORGE). The History of Mary, The Maid of the Inn; a Melancholy and Affecting Narrative, detailing her Unfortunate Attach- ment. Her singular Courage, and showing the Miraculous Manner in which she Discovers her Lover to be both a Robber and a Murderer; with an Account of his Trial and Execution. Folding colored frontispiece, “Mary the Maid of the Inn,” by George Cruikshank, signed in pencil, in corner, probably in the autograph of the artist, “G. CK.” 12mo, original printed wrappers, uncut. Derby: Thomas Richardson, circa 1821 First EDITION. EXCEEDINGLY RARE, FINE IMPRESSION OF THE PLATE. The inside of last cover advertises “The History of Beauty and the Beast,” with a vi- gnette. 228. CRUIKSHANK (GEORGE). Hunt (HENRY). Investigation at Ilchester Gaol? in the County of Somerset, into the Conduct of William Bridle, the Gaoler’ before the Commissioners appointed by the Crown. The Evidence taken by H. B. Shillibear. 6 etched portratts, that of Biddle by G. Cruikshank, the others probably by R. Cruikshank. 8vo, half calf. London, 1821 First EpiTion. Douglas, No. 458; Cohn, No. 408. This copy contains, pp. 271; verso of last advertisement of “Memoirs of Henry Hunt.” After the preliminary mat- ter are four pages containing Index of Witnesses, etc., and Books printed by T. Dolby. Inserted at end are two tracts, viz,—To Mr. Baron Graham [Letter] by Hunt, 1821. 7pp., and To the Sheriff, etc., of the County of Somerset. 8pp. 229. CRUIKSHANK (GEORGE). Memoir of the Late Captain Joseph Huddart, F. R. S. [Dedication by his son, Joseph Huddart.| Portrazt, vignette on title by G. Cruikshank, and folding copperplate at end. 4to, original boards and label, uncut. London, 1821 First EpITION. Douglas, No. 46; Cohn, No. 4or. FINE Copy. Back strengthened. With autograph inscription of the author’s son, “To Jas. Weston, Esq. with Sir Joseph Huddart’s compts.” 230. CRUIKSHANK (GEORGE). Memoirs of the Public and Private Life of Her 234; Most Gracious Majesty Caroline, Queen of Great Britain. 2 vols. 1820; THE Book oF WoNDERS, in Fourteen Chapters. Dedicated to Queen Caroline. 1821. Engraved portraits and numerous woodcuts by G. and R. Cruikshank and others. Together, 3 vols. 8vo, sheep and calf, bindings broken at hinges. London, 1821 The second work has bound in, “A Description of Fonthill Abbey,” with engravings by James Storer, 1812; also “Graphical Illustrations of Fonthill Abbey.” By J. P. Neale, 1824. CRUIKSHANK (GEORGE). Original Tales, from my Landlord. [Derby] 1822; SouTHEY (RosBEerT). The Life of Nelson. London, 1831; IrvinG (WASH- INGTON). The Beauties of Washington Irving. London, 1835; [DICKENS (CHARLES).| Sketches by Boz. London, 1854; BATCHELORS OWN BooK. Philadelphia, no date; MUNCHAUSEN (BARON). The Travels and Surprising Adventures of Baron Munchausen. London, no date; SMEDLEY (FRANK). Frank Fairleigh, or Scenes from the Life of a Private Pupil. London, no date. All illustrated by George Crutkshank. Together, 7 vols. 8vo, 12mo and 16mo, various bindings. London and Philadelphia, 1821-1854 Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 232. CRUIKSHANK (GEORGE). CAREY (DaAvip). Life in Paris; comprising the Rambles, Sprees, and Amours of Dick Wildfire, of Corinthian Celebrity, And his Bang-up Companion, Squire Jenkins and Captain O’Shuffleton; with the Whimsical Adventures of the Halibut Family; Including Sketches of a Variety of other Eccentric Characters in the French Metropolis. Wath 21 colored plates representing scenes from real life, designed and engraved by George Crutkshank. 8vo, half green morocco, gilt back and top. London, 1822 First EDITION. Douglass, No. 43; Cohn, No. 104. The plates in this copy are good impressions. The text shows slight soils on few margins. The copy has been slightly cut down. 233. CRUIKSHANK (GEORGE). The Humourist: Collection of Entertaining Tales. Anecdotes, Repartees, Witty Sayings, Epigrams, Bon Mots, Jeu d’esprits, &c. Carefully selected. Illustrated with 4o finely colored etchings, including 4 title-pages with vignettes, all by George Cruikshank. 4 vols. 12mo, half brown levant morocco, gilt backs and edges. London, 1822, 1819, 1819, 1820 FINE Copy. First Editions of Vols. 2, 3, and 4. Vol. 1 is the second issue, with the printed title-page bearing date of 1822. Douglas, No. 34; Cohn, No. 405. 234. CRUIKSHANK (GEORGE). Kilts and Philibegs! ! The Northern Excursion of Geordie, Emperor of Gotham; and Sir William Curt-his. COLORED frontis- piece,—“Geordie and Willie keeping it up,” by George Cruikshank; |Avso] The Second Act of Kilts and Philibegs or Geordie and his Northern Lassie. CoLoRED frontispiece,—“Doves and Turtle Soup,” by George Cruikshank. 8vo, unbound. Enclosed in cloth case, lettered. London, 1822 First EpITIONS, and RARE to find together. The first part unknown to Cohn; but Douglas, No. 460. The “Second Act” Cohn, No. 448; Douglas, No. 46. Fore edge of one plate very slightly shaved. 235. CRUIKSHANK (GEORGE). The Political and Private Life of the Marquess of Londonderry . . . Last Moments and Death, with numerous Anecdotes and Reflections. By T. P. Fitzgerald. Wzth frontispiece in colors. Death of the Marquis of Londonderry, by George Cruikshank. 8vo, unbound. Dublin, 1822 ONE OF THE RAREST OF THE EARLY POLITICAL TRACTS ILLUSTRATED BY CRUIK- SHANK. The frontispiece, although not signed is by him. The London Edition is described, by Douglas, under No. 466. This Dublin edition is much rarer (especially with the colored plate) than the London edition. 236. CRUIKSHANK (GEORGE). “A Slap at Slop.” Wazth illustrations by George Cruik- shank. Large folio, pp. 10 (including both blanks), as issued. [London, 1822] Douglas, 530; Cohn, 718. The rare original issue in newspaper form, published before the death of Queen Caroline, containing 26 woodcuts by George Cruikshank. After her death it was re-issued, and formed one of the Tracts printed by William Hone. [are *ON] so}ze[d oy} JO auO Jo o[IUlIsoRy poonpoy UNVHSUINU) “D) AM SHLVIG GaYOTO)—'[ NOUTOdVN' 40 GAVT CGNVIAULI “H MM se ne aE, Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 237. CRUIKSHANK (GEORGE). Smiles For All Seasons. Second Edition, 1825. BAe) 2309. 240. 241. 242. Etched plate by G. Cruikshank; Sixty Curious and Authentic Narratives and Anecdotes. New Edition, 1822. Engraved plate by G. Cruikshank; Every Night Book, or Life After Dark. 1827. Vignette on title by G. Cruikshank, colored plate from “The Pigeons” inserted; Mornings at Bow Street. By J. Wight. New York, 1826. Illustrations by G. Cruikshank. Together, 4 vols. 12mo, boards, two with uncut edges, bindings worn, text of last soiled. London and New York, 1822-1827 CRUIKSHANK (GEORGE). Sixty Curious and Authentic Narratives and Anec- dotes. Engraved frontispiece by G. Crutkshank. New Edition, 1822; Punch and Judy. Second Edition. Illustrations by G. Crutkshank. 1828; Christmas Stories. [By M. Behrens.] Etchings by G. Crutkshank. Second Edition. Oxford, 1827. Together, 3 vols. 12mo, half morocco, cloth and calf. London and Oxford, 1822-1828 CRUIKSHANK (GEORGE). The Story of Pigou, a Malay Boy. [1822;] Walks in Kent. By W. Gardiner. [1822;] The New Year’s Gift. Edited by Mrs. A. Watts. 1829. Woodcuts and other allustrations by G. Crutkshank and others. Together, 3 vols. 16mo, boards, worn, some leaves soiled. London, 1822-1829 CRUIKSHANK (GEORGE). [DEFOE (DANIEL).] The Life and Most Surprising Adventures of Robinson Crusoe. New Edition. Wzth 6 engraved plates by Cruikshank. Small 8vo, original boards, uncut, margins of plates slightly foxed. London: Hughes, 1823 First EDITION with these six plates. Cohn gives an edition of 1819 by the same publisher as the above, but with a frontispiece only. CRUIKSHANK (GEORGE). GREENWOOD (T.). The Death of Life in London; or, Tom & Jerry’s Funeral. An entirely new Satirical, Burlesque, Operatic Parody, in One Act. . . . Performed for the First Time, at the Royal Coburg Theatre, On Monday, June 2, 1823. Colored folding frontispiece, in two scenes, showing “Tom & Jerry's Funeral,” by G. Cruikshank. 8vo, original wrappers, with advertisements on inside covers. [London:] For John Lowndes [1823] RARE First EpDITION.- As IssuED. Cohn, No. 353. CRUIKSHANK (GEORGE). IRELAND (W.H.). The Life of Napoleon Bonaparte. With all the 24 finely colored folding plates by George Cruikshank, being accurate views of Napoleon’s battles, etc., from original designs by Vernet, Denon and others; and the three folding uncolored plates of Marie Louise, the Duc de Reichstadt, and Napoleon’s Generals. 4 vols. 8vo, original diamond calf, marbled edges, backs strengthened. - London: John Fairburn, 1823; and [Vols. II, III, and IV] John Cumberland, Ludgate Hill, 1828 [See Illustration] First EDITION OF THE CUMBERLAND ISSUE, but with the titlé to the first volume bearing the Fairburn imprint. All the plates in the first three volumes have the Fairburn imprint and date. The plates in last volume have the Cumberland imprint with the exception of the colored view of “Napoleon Terminating His Military Ca- reer,” and the plate of “Generals,” both of which have the Fairburn imprint. There is an Index of plates for the first two volumes at the end of Vol. 2, and a full index of plates in the last volume. The second volume has the substitute pages (149-150) inserted in proper place, as called for in index in first volume. THE PLATES ARE ALL BRILLIANT IMPRESSIONS, WITH GOOD MARGINS, AND FREE FROM THE USUAL CRACKS AT FOLDS SO OFTEN FOUND IN ALL ISSUES OF THIS WORK. 243. 244. 245. 246. 247. 248. 249. First Session, Wednesday Evening, March 15th CRUIKSHANK (GEORGE). Kenilworth; or, The Golden Days of Queen Bess, Part I. [All published.] Folding colored frontispiece by G. Cruikshank. 12mo, original printed wrappers, uncut, slight tear in fold of frontispiece. London: For W. Cole [1823] FIRST EDITION WITH THIS ILLUSTRATION. RARE. CRUIKSHANK (GEORGE). The Literary Humbug; By Jaspero, the Younger, Esq. Illustrated with engravings, by artists of the first eminence, after the Designs of Cruikshank . . . representing The Dance of Devils. 8vo, original wrappers, uncut. In cloth case. London, 1823 Part 1 only (complete in 2 parts) of this rare Cruikshank item. Not in Douglas. Cohn, 476, who makes mention of a woodcut in part 2 (page 131) as being by Cruik- shank. CRUIKSHANK (GEORGE). Points of Humour; Illustrated by the Designs of George Cruikshank. With 20 full-page etchings and 20 vignettes, all by George Cruikshank. 2 vols. 8vo, full polished calf, gilt backs and edges, triple gilt fillet border, BY LARKINS. London: C. Baldwin, 1823 First EDITION. INDIA PRooF Copirs. With the plates in Part I in duplicate, the second set being also PROOFS ON INDIA PAPER, and with 4of the vignettes of the same volume repeated in duplicate, on India paper. FINE Copy. The second part con- tains the leaf of “Notice,” and the 8-page leaflet of advertisements. Douglas, No. 54; Cohn, No. 173. \ o CRUIKSHANK (GEORGE). [TAYLOR (REv. C. B.).] A Fireside Book, or the Account of a Christmas Spent at Old Court. Etched frontispiece by G. Crutk- shank. 16mo, half vellum. London, 1823 First EDITION. Douglas, No. 101; Cohn, No. 753. This copy contains the leaf “L’Envoy” at end. CRUIKSHANK (GEORGE). HONE (WILLIAM). The Every-Day Book; or, Ever- lasting Calendar of Popular Amusements. Wath 320 engravings, 11 of which are by George Crutkshank. 2 vols. in 4. 1826-1827; The Table Book. With 116 illustrations. 2 vols. 1827-1828; The Year Book. With 114 engravings. 1832; Ancient Mysteries Described. Illustrations, including 2 full-page etchings by G. Cruikshank. 1823. First Epitions. Together, 8 vols. 8vo, half calf, not uniform, bindings rubbed at hinges, one back broken. London, 1823-1832 CRUIKSHANK (GEORGE). Der Freischiitz Travestie: By Septimus Globus. With twelve etchings by George Cruikshank, from drawings by an amateur; and the Original Tale whereon the German Opera is Founded. 12 plates, etched by G. Cruikshank. 8vo, full polished mottled calf, gilt back, sides and edges, BY TOUT. London, 1824 First EDITION. FINE Copy. Douglas, No. 63; Cohn, No. 312. CRUIKSHANK (GEORGE). The Family Oracle of Health; Economy, Medicine, and Good Living. By A. F. Crell and W. M. Wallace. Fine aquatint plate “Martin’s Bill in Operation,” by G. Cruikshank. 2 vols. 8vo, half calf, binding rubbed. London: Published by J. Walker, 1824 First Epirion, Cohn, No. 282. One of the copies bound from the original parts. This work was first published in monthly numbers, from August 1823 to July 1824, and later issued as a volume. The title-page cites this issue as the “Sixth Edi- tion.’ Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 250. CRUIKSHANK (GEORGE). Forty Illustrations of Lord Byron. By George Cruikshank. Portrait, fascimile and 38 woodcuts. First EDITION. 8vo, printed front wrapper, uncut, back wrapper missing, front wrapper slightly soiled. [London:] J. Robins and Co. [1824] 251. CRUIKSHANK (GEORGE). Italian Tales. Tales of Humour, Gallantry, and Romance. 16 illustrations by G. Cruikshank. Small 8vo, original boards and label, uncut, edges of binding rubbed. London, 1824 First EpITIon. With the half-title and the 8 pages of advertisements at end. Has the correct plate “The Dead Rider.” Douglas, No. 66; Cohn, No. 430. 252. CRUIKSHANK (GEORGE). The Sportsman’s Magazine; or, Chronicle of Games and Pastimes. Vol. 1. [September, 1823 to January, 1824]. With Supple- ment to same, having separate title-page. Colored etching by George Crutk- shank, engraved title, folding engraved frontispiece, engraved portraits, and several fine woodcut vignettes. 16mo, original pink boards, uncut, strengthened at hinges, London: Hodgson & Co., 1824 First EpITION. Interiorly a fine large uncut copy. With the plate by G. Cruik- shank, “Billy Winning the Match of Killing 100 Rats in Six Minutes,” [Reed, No. 5122]. Bound in at end, with separate title-page is, a reprint of the 1657 edition of “Barker’s Delight: or, The Art of Angling.” 253. CRUIKSHANK (GEORGE). Tales of Humour, Gallantry, & Romance, Selected and Translated from the Italian. Wzth 16 illustrations by G. Cruikshank. Small 8vo, half red morocco, gilt back and top, uncut. London, 1824 Second Issue. With the plate “The Elopement,” which does not appear in the first issue, the same being a substitute for “The Dead Rider” plate of the first edition. 254. CRUIKSHANK (GEORGE). [WuitTTy (I.).] Tales of Irish Life, Illustrative of the Manners, Customs, and Condition of the People. 6 woodcuts by G. Cruikshank. 2 vols. 12mo, half green morocco, gilt tops, uncut, one plate inlaid. London, 1824 First EpiTion. Douglas, No. 72; Cohn, No. 752. The first volume is with leaf of advertisement at end, the second without same. 255. CRUIKSHANK (GEORGE). Mornings at Bow Street. A Selection of the Most Humorous and Entertaining Reports which have Appeared in the Morning Herald. By Mr. Wright. 1824; More Mornings at Bow Street. 1827. Illustrated with full-page plates and vignettes by George Cruikshank. Together, 2 vols. 8vo, full brown polished calf, gilt backs, fillet borders, gilt tops, uncut. London, 1824-1827 First EDITION OF EACH VOLUME. Douglas, Nos. 67 and 68; Cohn, Nos. 803 and 804. The first volume has 21 full-page vignettes by Cruikshank, each without the title, a point of the first issue, each plate is accompanied by A PROOF ON INDIA PAPER of the same. The second volume has one etched plate, 8 full-page woodcuts and 16 woodcut vignettes by Cruikshank. FINE LARGE UNCuT Copy. 256. CRUIKSHANK (GEORGE). The Spirit of the Public Journals, for the year MDCCCXXIII. 1824; BuTLER (SAMUEL). The Genuine Poetical Re- mains of Samuel Butler. With Notes by Robert Thyer. 1827; Hoop (Tom—Editor). Cassell’s Penny Readings. No date. A/I illustrated by G. Crutkshank. Together, 3 vols. royal 8vo cloth, boards and half calf, bindings worn. London, 1824-1827 257, 258. 250. 260. 261% 2ty2, 262: First Session, Wednesday Evening, March 15th CRUIKSHANK (GEORGE). The Ladies’ Pocket Magazine. 1824, 1825, 1826, and 1835. Wauth vignette on titles of those for 1824, 1825 and 1826, and wood- cut in text for 1835. 8 vols. 1824-1835. Cohn, No. 459, Douglas, No. 604; THE POCKET MAGAZINE. Robins’ Series. 1827, 1828, 1829 [Vol. 1 only]. Each with a woodcut by G. Crutkshank, except Vol. 2 for 1827. 5 vols. 1827- 1829. Cohn, No. 627; Douglas, No. 95. Together, 13 vols. 16mo, full morocco, half calf, and boards. London, 1824-1835 CRUIKSHANK (GEORGE). The Collective Wisdom, or, Sights and Sketches in the Chapel of St. Stephen. 1824; Stop Thief, or, Hints to Housekeepers to Prevent Housebreaking. No date; The Political Alphabet. The Betting- Book. 1852; A Slice of Bread and Butter. No date. All with woodcuts by G, Cruikshank. Together, 5 pamphlets, stitched. London, 1824-1852 CRUIKSHANK (GEORGE). DUNCOMBE’s EIGHTH EDITION. Life of Mary Kent, alias Mrs. Bertram, Well known in the Fashionable Circles as Mother Bang. Folding colored frontispiece, in the manner of Cruikshank, “Set-To between Mrs. Bertram . . . & Jewbella, At the Notorious Titchfield Street Hop.” 12mo, original printed wrappers, uncut. London [1825] FINE Copy. BRILLIANT IMPRESSION OF THE PLATE. CRUIKSHANK (GEORGE). [HuGo (VicTor).] Hans of Iceland. 4 etchings by G. Cruikshank. Small 8vo, original boards and label, label slightly chipped, uncut and unopened. London, 1825 First EDITION. FINE Copy. Douglas, No. 73; Cohn, No. 367. This copy contains the leaf advertising new books by Cruikshank, and the 2-page advertisement at end. CRUIKSHANK (GEORGE). Memoirs of Harriette Wilson. Written by Herself. XVII Portraits to Illustrate. 27 colored plates. 16mo, three-quarter crimson crushed levant morocco, gilt back and top. London: J. J. Stockdale, 1825 RARE First EpITION. Cohn, No. 811, where the statement is made that “these plates are usually attributed to R. C., but it seems probable that G. C. had a good deal to do with them. They were published separately to the volumes in wrappers.” Cohn calls for 28 plates, the present copy contains but 17, as called for on the original printed wrappers, which are bound in. CRUIKSHANK (GEORGE). [WeEsTMAcoTT (W. A.).] Fitzalleyne of Berkeley. By “Bernard Blackmantle.” Woodcut vignettes by G. Cruikshank. 2 vols. small 8vo, original boards, uncut, back of one vol. missing, other chipped. London, 1825 First EDITION with these cuts. The story relates, under a thin disguise of fiction, the romantic history of Colonel Berkeley, Maria Foot, the celebrated actress, and “Pea Green Haynes.” CRUIKSHANK (GEORGE). The Universal Songster; or, Museum of Mirth: Forming the Most Complete, Extensive, and Valuable Collection of Ancient and Modern Songs in The English Language: With Copious and Classified Index. Hitched frontispiece, drawn and etched by George Cruikshank, in each volume, and numerous woodcuts throughout, of which 24 are by George Cruikshank, 57 by Robert Cruikshank, and 6 by other artists. 3 vols. 8vo, half calf, backs strengthened and two slight tears repaired. London: John Fairburn, 1825, 1826, 1826 First Epit1on. Douglas, No. 76; Cohn, No. 784. The latter gives date of last volume as 1828, which is apparently a printer’s error, as the present copy has date 1826, the same as given by Douglas. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 264. CRUIKSHANK (GEORGE). The London Stage; a Collection of the Most Re- puted Tragedies, Comedies, Operas, Melo-Dramas, Farces, and Inter- ludes. Accurately printed from the Acting Copies as Performed at the Theatres Royal, and carefully collated and revised. Engraved frontispieces and numerous woodcuts, 6 of the latter by G. Cruikshank. 4 vols. 8vo, half calf. London [1825-1827] First EDITION WITH THESE ILLUSTRATIONS. Cohn, No. 494. 265. CRUIKSHANK (GEORGE). [BARKER (M. H.).] The Log Book; or, Nautical Miscellany. 35 woodcuts, three by G. Cruikshank. 8vo, original pink pic- torial boards, back missing. London [1826] First EpiTion. Cohn, No. 51. 266. CRUIKSHANK (GEORGE). The Cream of the Jest; a Fund of Chaste Wit and Humour. Colored frontispiece, in five compartments, by G. Crutkshank. 16mo, original printed boards, uncut, slightly rubbed at hinges. Derby: Henry Mozley [1826] First EDITION. VERY RARE IN THIS STATE. Douglas, No. 21; Cohn, No. 168. 267. CRUIKSHANK (GEORGE). [BARKER (M. H.).] Greenwich Hospital, a Series of Naval Sketches, Descriptive of the Life of a Man-of-War’s Man. 172 uncolored etchings and 16 woodcuts by G. Cruikshank. 4to, boards, morocco back, uncut. London, 1826 First EDITION. FINE Copy. Douglas, No. 80; Cohn, No. 47. 268. CRUIKSHANK (GEORGE). GRIMM (J. AND W.). German Popular Tales. Translated from the Kinder and Haus M§archen, Collected by M. M. Grimm, From an Oral Tradition. Wzth 22 etched plates, including engraved title-page to each volume by George Cruikshank. 2 vols. 12mo, full orange levant morocco, sides with gilt fillets enclosing a framework of fillets, gilt backs and edges, BY RIVIERE. London: C. Baldwin, 1823; [Vol. II] James Robbins & Co., 1826 [See Illustration] “iy FINE Copy. Vol. I is the second issue with the dots over the “a” in “Marchen.” Vol. II is the first edition. Douglas, No. 53; Cohn, No. 354. See Douglas for full account of the second issue of Vol. I with which this copy agrees. 269. CRUIKSHANK (GEORGE). Paul Pry, in which are all the Peculiarities, Irregu- larities, Singularities, Pertinacity, Loquacity, and Audacity of’ Paul Pry, as Performed by Mr. Liston, at the Theatre Royal, Haymarket. Folding colored frontispiece by G. Cruikshank. 12mo, original wrappers, uncut. London: Hughes [1826] First Epition. Douglas, No. 607; Cohn, No. 604. FINE Copy. VERY RARE IN THIS STATE. WITH FINE IMPRESSION OF THE PLATE. The inside of back wrapper advertises “The Death Fetch.” 270. CRUIKSHANK (GEORGE). [SOANE (G.).] Specimens of German Romance. Selected and Translated from Various Authors. With 3 etchings by G. Crutkshank. 3 vols. small 8vo, half polished calf, bindings rubbed at edges. London: G. B. Whittaker, 1826 First Epit1on. Douglas, No. 81; Cohn, 729. as ee Sto ) es 29. fe Pp 2 oe : LO. Swe. < — \7 is 4 2 Uf, Oe G5 Os : = Feat ee ae es, # Gancpet ae Sans Maire they, ee wnt > ‘Danse = Mires ) SS gente hen 9). SS OG COLLECTED By ye ae ] oe & Se i) —<— ee aa De Fstiooa ) Ce OL. a, GRIMM’S FAIRY TALES PLATES BY G. CRUIKSHANK Reduced Facsimile [No. 268] Kindly read the conditions under which every item is offered and sold. They are printed in the forepart of the catalogue. 27%. 273, 274. 276. 27, CRUIKSHANK (GEORGE). Facatiz and Miscellanies. With 120 engravings by George Cruikshank. 8vo, old boards, later cloth back, original label, uncut. London, 1827 This is really the first collected-edition of some of the celebrated Hone Tracts, with a general title-page. Includes “The Right Divine of Kings to Govern Wrong,” etc. CRUIKSHANK (GEORGE). Fairy Tales, from the German of A. L. Grimm. Woodcuts by G. Cruikshank. 12mo, original boards, with printed title on same, uncut, back chipped. London: Tilt, 1827 First EDITION OF THIS COLLECTION OF TALES. RARE. Not mentioned by Doug- las or Cohn. CRUIKSHANK (GEORGE). John Harcourt’s Original Jests. Etched frontispiece by G. Cruikshank. 16mo, half morocco. London, 1827 First EpiTrion. Douglas, No. 485; Cohn, No. 369. This copy has the original front wrapper, with caption, “The Shilling Comic Annual,” and with vignette, bound in. CRUIKSHANK (GEORGE). Illustrations of Time. By George Cruikshank. Etched title-page and 6 plates, several designs on each, on India paper, by George Cruikshank. Oblong 4to, sheets, wrappers missing. London: Published May Ist, 1827, by the Artist One of the sets with plates on India Paper. CRUIKSHANK (GEORGE). KosEwitTz (W. F. Von). Eccentric Tales. 20 full- page aquatint etchings by George Cruikshank, after sketches by Alfred Crowquall. 8vo, half brown polished morocco, gilt top, uncut. London, 1827 First EDITION. FINE Copy. Douglas, No. 86; Cohn, No. 456. CRUIKSHANK (GEORGE). London Characters. Designed and Etched by George Cruikshank. 24 colored plates by G. and R. Cruikshank. 16mo, half calf, some uncut edges. London: Joseph Robins, 1827 First EpiT1on. Cohn, No. 485. These plates appeared in the Gentleman's Pocket Magazine for 1827 and 1829. The present is the First ISSUE, and is VERY SCARCE. It consists of a printed title and the 24 colored plates. This copy has inserted an ORIGINAL PEN AND INK SKETCH BY GEORGE CRUIKSHANK of one of the Characters— Tax Gatherer. The etchings are in Cruikshank’s earlier and better style; the style of the Humourist and the German Stories. CRUIKSHANK (GEORGE). PETTIGREW (THomAs J.). Bibliotheca Sussexiana. A Descriptive Catalogue, Accompanied by Historical and Biographical Notices, of the Manuscripts and Printed Books contained in the Library of his Royal Highness the Duke of Sussex. Portrait by Skelton after painting by Lonsdale, and facsimiles of the illuminations of the Hebrew and Chaldee Pentateuch, by George Cruikshank and tracings of the Italian MSS. History of the Old Testament by I, R. Cruikshank. 3 vols. Imperial 8vo, boards, cloth back, paper labels, uncut. London, 1827-1829 Only a limited number of copies printed. Contains many valuable bibliographical notes. The collection was rich in the finest examples of early Hebrew, Greek and Latin books. 278. 279. 280. 2381; B03 S64: 284. 285. 286. First Session, Wednesday Evening, March 15th CRUIKSHANK (GEORGE). CERVANTES (MIGUEL DE). The Life and Exploits of Don Quixote de la Mancha. Translated by Charles Davis. Portrait, engraved titles, and woodcuts by Sears after designs by Cruikshank. 2 vols. small 8vo, full blue polished calf, gilt panelled backs. cana a London: Jones and Co., 1828 CRUIKSHANK (GEORGE). [COWPER (WILLIAM).] The Diverting History of John Gilpin. With 6 allustrations by George Cruikshank, engraved on wood by Thompson, Branston, etc. Square 16mo, original printed boards, re- cased. London, 1828 First EDITION. Douglas, No. 107; Cohn, Nos. 165 and 166. This copy has inserted a set of the six INDIA PROOF plates. CRUIKSHANK (GEORGE). The Dublin and London Magazine for MDCCC- XXVIII. Engraved portraits and woodcut vignettes. 8vo, boards, uncut, broken at hinges. London [1828] Contains article on George Cruikshank by Rory O’Rourke, illustrated by Cruik- shank with woodcut vignettes. CRUIKSHANK (GEORGE). Scraps and Sketches. A series of 24 plates (a number on each), by George Cruikshank. Oblong folio, half morocco. London, 1828-1832 Somewhat later impressions. The entire series of plates well colored by hand at a later period. A most attractive copy, on thick paper. CRUIKSHANK (GEORGE). Hoop (THomAs). The Epping Hunt. 6 illustrations on wood after designs by G. Crutkshank. 16mo, original printed boards. London, 1829 First Epition. Douglas, No. 110; Cohn, No. 390. CRUIKSHANK (GEORGE). The History of Napoleon Buonaparte. Steel por- traits, 4 woodcuts by G. Cruikshank in each volume. First EDITION. 2 vols. ; The Court and Camp of Buonaparte. Steel portraits. Together, 3 vols. 16mo, cloth, uncut. London: John Murray, 1829 CRUIKSHANK (GEORGE). The Young Lady’s Bock: A Manual of Elegant Recreations, Exercises, and Pursuits. Numerous woodcuts, one by G. Cruikshank. 12mo, original red silk, gilt, original glazed front wrapper bound in, cover worn. London, 1829 First EpiTion. Douglas, No. 109; Cohn, No. 820. CRUIKSHANK (GEORGE). [AKERMAN (J. Y.).] Tales of Other Days. 6 full- page woodcuts and vignette on title, all by G. Cruikshank. Small 8vo, half morocco, gilt back and top, uncut, margins somewhat soiled. London, 1830 First EpITION. Douglas, No. 118; Cohn, No. 22. CRUIKSHANK (GEORGE). [CLARKE (WILLIAM).| Three Courses and a Dessert. 51 woodcuts by G. Cruikshank, including 8 full-page plates. 8vo, cloth, leather back, uncut, title and margin of plates slightly foxed. London, 1830 First EpiTion. Douglas, No. 125; Cohn, No. 137. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 237. 288. 289. 290. 201. 202. 202) 294. CRUIKSHANK (GEORGE). Illustrations of Popular Works, by George Cruik- shank. Part I. (All Published.) Wauth 6 etchings by G. Cruikshank. Small folio, original wrappers, with printed title on front, and advertisement on back. London: Published for the Artist, by Longman (etc.) [1830] First EDITION. LARGE PAPER. INDIA PRooF Copy. Douglas, No. 117; Cohn, Nos. 175; CRUIKSHANK (GEORGE). Illustrations of Popular Works, by George Cruik- shank. Part. I. (All Published.) Wauth 6 engravings by G. Cruikshank. 8vo, original wrappers, with printed title on front, and advertisement on back. London: Published for the Artist, by Longman (etc.) [1830] First EDITION. Douglas, No. 117; Cohn, No. 175. CRUIKSHANK (GEORGE). The same as preceding. With 6 engravings by George Cruikshank. Two CopPigEs. 2 vols. 8vo, original wrappers, with printed title on front, and advertisement on back, wrappers of one copy slightly torn, and plates lightly foxed. . London: Published for the Artist, by Longman (etc.) [1830] FIRST ‘EDITION. Douglas, No. 117; Cohn, No. 175. CRUIKSHANK (GEORGE). O’HARA (KANE). Tom Thumb; RHopEs (W. B.). Bombastes Furioso. Woodcuts by G. Cruikshank. 2 vols. 12mo, morocco and calf. London: Thomas Rodd, 1830 First EpitTions. Cohn, Nos. 587 and 662. CRUIKSHANK (GEORGE). SCOTT (SIR WALTER). Letters on Demonology and Witchcraft, addressed to J. G. Lockhart. 12 colored etchings by George Crutkshank, and engraved frontispiece, uncolored. 16mo, half calf. } : London: Murray, 1830 First EpiTrion. Cohn, No. 702. The colored plates were not issued until some months after the book. CRUIKSHANK (GEORGE). History of Napoleon Buonaparte. Third Edition. 2 vols. 1835; [TAYLOR (C. B.).] A Fireside Book. 1830. Illustrations by G. Cruikshank and others. Together, 3 vols. 16mo, half morocco, gilt backs and tops, uncut. London, 1830-1835 CRUIKSHANK (GEORGE). The Comic Annual. By Thomas Hood. For 1830 and 1838. Illustrations by George Cruikshank and others. 2 vols. 16mo, original illustrated boards, leather backs. London, 1830-1838 CRUIKSHANK (GEORGE). Seaside Reminiscences. No date; Valpurgis, or, The Devil’s Festival. 1831; The Original Comic Magazine. No date; The Two Friends. No date; The Shadowless Man, or The Wonderful History of Peter Schlemihl. No date; How Sam Adams’ Pipe Became a Pig. No date; Tom Thumb. 1830; Martin’s Vagaries. 1843; A Lost Laddie, by George R. Sims. No date. CRUIKSHANK (ROBERT). Another copy of the preceding work. With the series of 36 plates in color by Robert Cruikshank. 8vo, rebound in cloth, uncut. [London .. . W. Strange, undated, circa 1830] This copy contains a reprinted title-page, that of John Camden Hotten, (circa 1870), and not the title-page like the preceding copy. CRUIKSHANK (GEORGE). Another copy of the preceding work. With 34 plates an color, by Robert Crutkshank. 8vo, half bound. ‘ London ... W. Strange, undated, circa 1830 Imperfect’ lacking two plates, and part of the text of one page. Some plates and text much worn. Not returnable. CRUIKSHANK (ROBERT). Six Hints to Batchelors, or, Wherein Does True Happiness Consist? By a Volunteer. No date; Kidd’s Comic Scrap-Book. [1837;] Cruikshank v, The New Police. No date; Walks about Town. 1830. King Richard II. By William Shakespeare. No date; Readings from Dean Swift, his “Tale of a Tub.” 1836. All illustrated by R. Cruikshank. Together, 6 vols. wrappers. London [1830-1837] CRUIKSHANK (ROBERT). Facetiae: Being a collection of the Jeux d’Esprits, which have been illustrated by Robert Cruikshank. Numerous illustrations. 2 vols. 16mo, original half roan, gilt edges, very slightly rubbed. London, 1831 This is really the first collected edition of this interesting series containing,—The High-Mettled Racer, Monsieur Tonson, The March of Intellect, and others. CRUIKSHANK (ROBERT). A’BECKETT (GILBERT—Editor). Figaro in London, Vols. 1 to 6 inclusive, December 10, 1831 to December 23, 1837. With numerous woodcuts in the text by Robert Cruikshank, Robert Seymour, and others. 6 vols. half straight-grain blue morocco. London, 1831-1832 ALL EVER ISSUED OF THIS INTERESTING PERIODICAL. A’ Beckett was the original editor, and was succeeded by Henry Mayhew. In addition to the illustrators above mentioned WILLIAM MAKEPEACE THACKERAY made several illustrations for it. Gra- ham Everitt, in his valuable work “English Caricaturists” gives a long and interest- ing account of this work. At page 370 he says: “. . . Thackeray was in London when Seymour shot himself in 1836. The death of the latter caused a vacancy in the post of illustrator as well as ‘Pickwick,’ and such vacancy was supplied by Thack- eray, who I think, continued to illustrate it until the paper died a natural death.” FINE Copy, assumed to be perfect, but as with all periodicals, it is sold not return- able. Kindly read the conditions under which every item rs offered and sold. They are printed in the forepart of the catalogue. 520. 522. 023: 524. 526. CRUIKSHANK (ROBERT). Popular Poems from Goldsmith, Cowper and Bloom- field. London, 1834; “No!” A Farce. By Francis Reynolds. London, circa 1832; Cruikshank’s Humorous Illustrations of The Unknown Tongues. London, circa 1832. All tllustrated by Robert Cruikshank. Together, 3 vols. 16mo, half morocco and boards, not uniform. London, 1832-1834 . CRUIKSHANK (ROBERT). Cruikshank v. the New Police, showing the Great Utility of that Military Body, their Employment, &c. First EDITION. [1833;] The Knights of the Cross, or, The Hermit’s Prophecy. No date; Cruikshank’s Trip to Greenwich Fair. London: William Kidd, no date; Cruikshank’s Comic Alphabet. London: Barton and Clark, no date; The Comic Alphabet. By W. R. Macdonald. London: D. Martin, no date. All with illustrations by R. Cruikshank, one in colors. Together, 5 vols. 12mo, half morocco and half calf. London, [1833] and no date CRUIKSHANK (ROBERT). HorrMAN (C. F.). Wild Scenes in the Forest. With frontispiece by R. Cruikshank. 2 vols. in I, 12mo, original cloth. London, circa 1839; ANONYMOUS. Men and Manners in America. With frontispiece by R. Cruikshank. London, circa 1833. Together, 2 vols. thick I2mo, original cloth. London, circa 1833-1839 The first named is believed to be the first edition, although it is not dated 1839. [CRUIKSHANK (RoBERT).] The Idler . . . New and Fashionable Journal. Vol. 1, numbers 1-37, and vol. 2, numbers 38-51. With cuts, believed to be by Robert Cruikshank; Aso, Actors by Daylight. Numbers 1-51 (55 were published). Numerous portraits of eminent actors and actresses. Bound in one volume, 8vo, old half calf. London, 1837, etc. The first named (a very scarce periodical) is all that was ever published. Assumed to be complete, but, as with all periodicals, sold not returnable. CRUIKSHANK (ROBERT). Sketches of Mr. Mathews’s Celebrated Trip to America. Folding plate in colors. No date; Sketches of Mr. Mathews’s Celebrated Trip to Paris. Folding plate in colors. No date; Pickwick Comic Almanac for 1838. 12 engravings, no date; The Comic Magazine. 7 engrav- ings. No date. All illustrated by R. Cruikshank. Together, 4 vols. wrappers and boards. London [1837] and no date The “Pickwick Comic Magazine,” and “The Comic Magazine,” are both in original wrappers and in this condition are rare. . CRUIKSHANK (ROBERT). ABRICHT (JOHANN). Divine Emblems. Embellished with etchings on copper, after the fashion of Master Francis Quarles. With 13 etchings by R. Cruikshank. 12mo, full light polished calf, gilt fillets on sides, gilt back, gilt top, uncut. | [London:] Thomas Ward and Co., 1838 First EDITION WITH THESE ILLUSTRATIONS. FINE Copy. Not in Marchmont. CRUIKSHANK (ROBERT). Cruikshank At Home: a New Family Album of Endless Entertainment. With many full-page plates and numerous vignettes by Robert Cruikshank, a few by Seymour engraved by Samuel Slader. The four series complete, in 4 vols. 12mo, original green cloth, gilt, gilt edges. London: W. Kidd [1838] First COMPLETE*COLLECTED EDITION OF THE ENTIRE SERIES, as follows,— [Vol. I.] Title as above, and “First Series.” [Vol. II.] The Humorist, a New Family Album of Endless Entertainment; being the Second Series of Cruikshank at Home. [Vol. III.] Cruikshank at Home. Third Series. [Vol. IV.] The Odd Volume; or Book of Variety. Second Session, Thursday Afternoon, March 16th 527. CRUIKSHANK (ROBERT). James Hatfield and the Beauty of Buttermere. 3 vols. 1841. First EpITION; Pry (PAUL). Oddities of London Life. Frrst EDITION. 2 vols. 1838. Both with illustrations by R. Cruikshank. Together, 5 vols. small 8vo, half calf. London, 1838-1841 528. CRUIKSHANK (ROBERT). BuRTON (REv. NATHANIEL). Narrative of a Voyage from Liverpool to Alexandria. Dublin, 1838; REEvEs (B.—Editor). Col- burn’s Kalendar of Amusements in Town and Country, for 1840. London, 1840; THOMAS’S BURLESQUE DRAMA. London, 1838; LONDON MELODIST (THE), or, Songster’s Companion. A Selection of Popular English, Irish, and Scottish Songs, by Celebrated Authors. No date; [CoLEs (C. B.).] Short Whist, its Rise, Progress, and Laws. 1858. All illustrated by R. Crutkshank. Together, 5 vols. 12mo, cloth and half cloth. London, 1838-1858 529. CRUIKSHANK (ROBERT). Bacchus and the Tee-Totallers. By Rumfusticus Bibulus, Esq. President of the Anti-Temperance Society. Wuth 6 finely colored plates by Robert Cruikshank. Square 8vo, original cloth. London, 1841 THE RARE First EDITION AND A VERY FINE Copy. The cover was designed by Robert Cruikshank. : This is perhaps the rarest of the books illustrated by this artist. The plates are all dated 1840. The descriptive text is in verse. 530. CRUIKSHANK (ROBERT). Bacchus and the Tee-Totallers. By Rumfusticus Bibulus, Esq. The series of 6 plates only, uncolored, and without text. Square 8vo, contemporary blue wrappers. [London, 1840] Similar to the preceding, with the exception that the plates are uncolored, and there is no text. 531. CRUIKSHANK (ROBERT). Playfair Papers, or Brother Jonathan, the Smartest Nation in All Creation. Wzth 7 colored and 2 plain etchings, all signed by Robert Cruikshank. 3 vols. small 8vo, original green cloth, gilt, uncut, backs strengthened. London: Saunders and Otley, 1841 First COMPLETE COLLECTED EpITION. The work was originally published in parts, during the years 1840-1841. It contains Sketches of American Life, selected from the papers of “Hugo Playfair” an officer in the Royal Navy of England. The author states in his preface, that “Hugo Playfair’s expedition to America was to ascer- tain the truth by impartially viewing men and things in that extra-ordinary and great republic.” The plates are illustrative of American life and scenery, and include,— Liberty Hall Dining Parlor, Liberty Hall Drawing Room, and others. RARE Work. See, Marchmont, No. 70. 532. CRUIKSHANK (ROBERT). MANBY (CHARLES W.). Tom Racquet and his Three Maiden Aunts. Illustrated by Robert Cruikshank. First Epition. London, 1844; CHAMEROVzOW (L. A.). Chronicles of the Bastile. First Series. Illustrated by Robert Cruikshank. London, 1846. Together, 2 vols. 8vo, half morocco, gilt tops. London, 1844-1846 533. CRUIKSHANK (ROBERT). The Adventures of Mr. Obadiah Oldbuck, and The Comical Adventures of Beau Ogleby. Both volumes fully tllustrated. To- gether, 2 vols. oblong 8vo, original cloth. Loose in covers. Stucco binding. London: Tilt and Bogue, c7rca 1845 Botu First Epirions. While there is no actual evidence that these volumes are illustrated by Robert Cruikshank, it is generally supposed that they