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EXHIBITION AND UNRESTRICTED PUBLIC SALE AT THE 
 
 AMERICAN ART GALLERIES 
 
 DNIADISON AVENUE $6TH zo (7TH SERBEET 
 NIE DV ORK 
 
 ae Achillito Chiesa Collection + Part III 
 
 Will Be Sold on Friday and Saturday 
 
 PyuleeOrandimn7, 1926, at 2!15 (p.m, 
 
 The Collection Will Be On Free Public 
 
 View from Sunday, April 11, Until Time 
 
 Gioalcer Weekdays 9 a.m. to 6 p.m. 
 Sunday from 2 to 5 p.m. 
 
 Sales Conducted By Mr. O. Bernet and Mr. H. H. Parke 
 AMERICAN ART ASSOCIATION - INC. 
 Managers 
 
Mik COLLECTION OF 
 
 SR. ACHILLITO CHIESA 
 OF MILAN 
 
 APLAR IE JOEL 
 
 XV-XVI CENTURY MAJOLICAS 
 Sa eel Cae LV OR TE Se se ARRAY, 
 FRENCH AND ITALIAN ENAMELS 
 Rel NG oeles On N CG hea V Bevery 
 DROCADES AND LACES*” TVAUTAN 
 SV-XVI CENTURY FURNITURE 
 
 Pe 
 % 
 
 sales Conducted By Mr. O. Bernet S Mr. H. H. Parke 
 AMERICAN ART ASSOCIATION .- Inc. 
 Managers 
 
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 The AMERICAN ART ASSOCIATION, Inc. | 
 ' Designs its Gatalogues ; 
 and Directs ~All Details of Illustration 
 
 ; Text and Typography 
 
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CONDITIONS OF SALE 
 
 I. REJECTION OF BIDS: Any bid which is not commensurate with 
 the value of the article offered, or which is merely a nominal or fractional 
 advance, may be rejected by the auctioneer if in his judgment such bid would 
 be likely to affect the sale injuriously. 
 
 II. THE BUYER: The highest bidder shall be the buyer, and if any 
 dispute arises between two or more bidders, the auctioneer shall either decide 
 the same or put up for re-sale the lot so in dispute. 
 
 III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
 buyer of each lot shall be given immediately on the sale thereof, and when so 
 required, each buyer shall sign a card giving the lot number, amount for 
 which sold, and his or her name and address. 
 
 A deposit at the actual time of the sale shall be made of all or such part 
 of the purchase prices as may be required. 
 
 If the two foregoing conditions are not complied with, the lot or lots so 
 purchased may at the option of the auctioneer be put up again and re-sold. 
 
 IV. RISK AFTER PURCHASE: ‘Title passes upon the fall of the 
 auctioneer’s hammer, and thereafter the property is at the purchaser’s risk, 
 and neither the consignor nor the Association is responsible for the loss of, 
 or any damage to any article by theft, fire, breakage, however occasioned, or 
 any other cause whatsoever. 
 
 V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
 made only upon payment of the total amount due for all purchases at the sale. 
 
 VI. RECEIPTED BILLS: Goods will only be delivered on presentation 
 of a receipted bill. A receipted bill presented by any person will be recog- 
 nized and honored as an order by the buyer, directing the delivery to the 
 bearer of the goods described thereon. If a receipted bill is lost before 
 delivery of the property has been taken, the buyer should immediately notify 
 the Association of such loss. 
 
 VIl. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
 CALLING FOR GOODS: Articles not paid for in full and not called for by 
 the purchaser or agent by noon of the day following that of the sale may 
 be turned over by the Association to some carter to be carried to and stored 
 in some warehouse until the time of the delivery therefrom to the pur- 
 chaser, and the cost of such cartage and storage and any other charges will 
 be charged against the purchaser and the risk of loss or damage occasioned 
 by such removal or storage will be upon the purchaser. 
 
 In any instance where the purchase bill has not been paid in full by 
 noon of the day following that of the sale, the Association and the auctioneer 
 reserve the right, any other stipulation in these conditions of sale notwith- 
 standing, in respect to any or all lots included in the purchase bill, at its or 
 his option, either to cancel the sale thereof or to re-sell the same at public 
 or private sale without further notice for the account of the buyer and to 
 hold the buyer responsible for any deficiency and all losses and expenses sus- 
 tained in so doing. 
 
 VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
 ness in which the Association is in no wise engaged, but the Association will, 
 
however, afford to purchasers every facility for employing at current and 
 reasonable rates carriers and packers; doing so, however, without any assump- 
 tion of responsibility on its part for the acts and charges of the parties engaged 
 for such service. 
 
 IX. GUARANTY: The Association exercises great care to catalogue 
 every lot correctly and endeavors therein and also at the actual time of sale 
 to point out any error, defect or imperfection, but guaranty 1s not made either 
 by the owner or the Association of the correctness of the description, genu- 
 ineness, authenticity or condition of any lot and no sale will be set aside on 
 account of any incorrectness, error of cataloguing or imperfection not noted 
 or pointed out. Every lot is sold “as is” and without recourse. _ 
 
 Every lot is on public exhibition one or more days prior to its sale, and 
 the Association will give consideration to the opinion of any trustworthy expert 
 to the effect that any lot has been incorrectly catalogued and in its judg- 
 ment may thereafter sell the lot as catalogued or make mention of the opinion 
 of such expert, who thereby will become responsible for such damage as might 
 result were his opinion without foundation. 
 
 X. RECORDS: The records of the auctioneer and the Association are 
 in all cases to be considered final and the highest bid shall in all cases be 
 accepted by both buyer and seller as the value against which all claims for 
 losses or damage shall lie. 
 
 XI. BUYING ON ORDER: Buying or bidding by the Association for 
 responsible parties on orders transmitted to it by mail, telegraph, or tele- 
 phone, if conditions permit, will be faithfully attended to without charge or 
 commission. Any purchases so made will be subject to the foregoing condi- 
 tions of sale, except that, in the event of a purchase of a lot of one or more 
 books by or for a purchaser who has not through himself or-his agent been 
 present at the exhibition or sale, the Association will permit such lot to be 
 returned within ten days from the date of sale, and the purchase money will 
 be refunded, if the lot differs from its catalogue description. 
 
 Orders for execution by the Association should be given with such clear- 
 ness as to leave no room for misunderstanding. Not only should the lot num- 
 ber be given, but also the title, and bids should be stated to be so much for 
 the lot, and when the lot consists of one or more volumes of books or objects 
 of art, the bid per volume or piece should also be stated. If the one trans- 
 mitting the order is unknown to the Association, a deposit must be sent or 
 reference submitted. Shipping directions should also be given. 
 
 PRICED CATALOGUES: Priced copies of the catalogue, or any session 
 
 thereof, will be furnished by the Association at charges commensurate with 
 
 the duties involved in copying the necessary information from the records of 
 the Association. 
 
 These conditions of sale cannot be altered except by the auctioneer or 
 by an officer of the Association. 
 
 AMERICAN ART ASSOCIATION, Inc. 
 
 OTTO BERNET MANAGERS 
 HIRAM H. PARKE 
 AUCTIONEERS 
 
Oe 
 
 CATALOGUE 
 
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 FOREWORD 
 
 HE Chiesa Collection, Part III, now to be offered at 
 public sale by the American Art Association, Inc., com- 
 prises an important offering of some one hundred 
 majolicas from the principal Italian craft centres of the 
 XV and XVI centuries; exquisite French and Italian 
 carved ivories of the XIV and XV centuries; a small 
 
 group of Limoges and Italian enamels of the XVI century, early 
 Pisan wood carvings; two hundred superb velvets, brocades and 
 other fabrics from the Gothic period to the culmination of the 
 Venetian Renaissance; a small group of Milanese and Venetian laces 
 and a collection of Italian furniture of the XV and XVI centuries. 
 It forms an appropriate setting for and complement to Part II of 
 the Collection, composed of Italian primitives and Renaissance 
 paintings. 
 
 The majolicas are of great beauty, with many important speci- 
 mens of the Deruta, Gubbio, Castel Durante, Caffaggiolo and Ur- 
 bino wares, while in Hispano-Moresque fabric there are two rare 
 alberelli dating from the first half of the XV century. Two ex- 
 amples, one by Luca and the other by Giovanni della Robbia, are 
 exceedingly fine, the figure of St. John by the latter artist being a 
 truly beautiful expression of sentiment. 
 
 Among the Gothic and Renaissance carved ivories are fine dip- 
 tychs, plaquettes and small coffers of Embriachi art and a very rare 
 Italo-Byzantine cassetta of the XI-XII century, resembling the one 
 in the Carrand Collection in the Bargello at Florence and a very in- 
 teresting plaque of Carolingian workmanship of the IX century. 
 
 Two Gothic velvet chasubles with appliqué embroidery, 
 Broussa and other Gothic cut velvet hangings are features of the col- 
 lection of textiles, all of which it may be said are of superb quality. 
 
 The furniture is replete with fine examples, including a small 
 ByzantiMescircular table of the greatest rarity, three carved and 
 gilded walnut cassoni and a stipo a bambocci which is a perfect 
 specimen of its type. Among the sculptures is an exquisite figure 
 of the Madonna and Child, undoubtedly of the XIV century. 
 
 One of the most important objects in the collection is the ex- 
 tremely rare XVI century Persian manuscript, magnificently 
 illuminated; it is indeed a work of great beauty and artistic value. 
 
 AMERICAN ART ASSOCIATION, Inc. 
 
FIRST SESSION 
 BiG AYeeA PRIM STG, Al e158 PM. 
 
 Catalogue Numbers 1 to 265 Inclusive 
 o—~—_9@_ 
 LIMOGES AND ITALIAN ENAMELS 
 
 1. EIGHT POLYCHROME ENAMEL CRUCIFORM PLAQUES 
 Florentine, Early XV Century 
 {7° —Depicting four symbolic figures, of which three are the evan- 
 gelists, the fourth the pelican; the others represent the Virgin 
 Mother and three saints. In fine translucent enamel on silver. 
 
 2 inches square. 
 
 2. VERRE EGLOMISE PLAQUE Venetian, XVI Century 
 
 Oval rock crystal frame, with appliqué floral and rosetted mo- 
 
 //a- tives; ruby-red border, enclosing charming rendering of Saint 
 Chiara. 
 
 Height, 334 inches; width, 3 inches. 
 
 3. POLYCHROME ENAMEL ARCHED PLAQUE 
 — Limoges, XVI Century 
 SO __PreTA. Painted in fine colors of blues, greens and aubergines. 
 | Height, 34 inches; width, 2% inches. 
 From the San Giorgi Collection. 
 
 4. POLYCHROME ENAMEL ARCHED PLAQUE 
 French, XVI Century 
 O—Tur DESCENT FROM THE CROSS. Before a black background, 
 Christ is being taken from the Cross, supported by the Virgin 
 Mother; St. John and St. Mary on either side. In crimson 
 velvet frame. 
 Height, 3 inches; width, 2% inches. 
 
 From the San Giorgi Collection. 
 
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 5. SMALL ENAMEL ARCHED PLAQUE | 
 By Martial Reymond, Limoges, XVI Century 
 
 Representing St. John in the desert; enameled in polychrome. 
 
 aa — ‘iss In gilded bronze frame. 
 
 (Illustrated) 
 
 Height, 3% inches; width, 234 inches. 
 
 6. THREE POLYCHROME ENAMEL PLAQUES 
 Limoges, XVI Century 
 
 Superbly enameled colors, depicting, before an architectural 
 
 a OO pacer enriched by gilding, three scenes from the Life of 
 | Christ: CHRIST MOCKED, DRIVING THE MONEY CHANGERS 
 
 FROM THE TEMPLE, and ‘THE FLAGELLATION. 
 Height, 4 inches; width, 3 inches. 
 Very rare and interesting specimens. ; . 
 
 (Illustrated) 
 
(4unquay [AX ‘saboutT) 
 SANOVId TANVNA ANOUHOATOd AHAHL “9 ON 
 
7. POLYCHROME ENAMEL ARCHED PLAQUE 
 
 8. 
 
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 Limoges, XVI Century 
 Representing THE CRUCIFIXION, with Our Lady and Saint 
 John; in the background is a mediaeval castle. In bronze and 
 
 gilded frame surmounted by a cross. 
 Height, 3% inches; width, 234 inches. 
 
 Two POLYCHROME ENAMEL SILVER PLAQUES 
 
 French, Late XVI Century 
 Beautifully chiseled and painted in brilliant colors of golden- 
 browns, emerald-green and blues, depicting THE VISITATION 
 and THE NATIVITY. Arched panels. Charming naiveté of 
 
 sentiment. 
 Height, 6 inches; width, 3% inches. 
 
 9. POLYCHROME ENAMEL PLAQUES 
 
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 LO; 
 
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 By Jean Limousin, Limoges, XVI Century 
 ST. AGNES. Enameled on copper in the characteristic colors 
 
 «of Limoges. Signed at lower right, J. L., interrupted by a 
 
 fleur-de-lys. 
 Height, 4% inches; width, 3 inches. 
 POLYCHROME ENAMEL PLAQUE Limoges, XVI Century 
 
 ST. MATTHEW, THE EVANGELIST; before a background semé 
 with stars. Enameled in fine colors of royal-blue, emerald- 
 
 greens and deep blues. 
 Height, 44% inches; width, 3 inches. 
 
 FOUR POLYCHROME ENAMEL PLAQUES 
 
 Limoges, XVI Century 
 Convex plaque, enameled on copper. Displaying in fine blues, 
 greens, aubergine and gold, the four evangelists with their 
 symbols. 
 
 Height, 51% inches; width, 4 inches. 
 From the A. Imbert Collection. 
 
 (Two illustrated) 
 
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 SHNOVW Id TANVNA ANOUHOATOd UNO “Tt “ON 
 
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 14. 
 
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 ENAMEL PLAQUE By Jehan Limosin, Limoges, 1571 
 Rectangular, enameled en grisaille, representing THE TOIL- 
 ETTE. A perfectly drawn semi-draped female figure in her 
 bedchamber, receiving attention from her handmaidens. In 
 fine translucent enamel, enriched with gilding. Signed on 
 
 back, Jehan Limosin, and dated 1571. 
 Height, 5 inches; length, 634 inches. 
 
 POLYCHROME ENAMEL PLAQUE Limoges, XVI Century 
 The scene, represented in an architectural setting, is Pontius 
 Pilate enthroned, in the act of washing his hands after pro- 
 nouncing his judgment upon Christ, Who is seen to the right 
 being dragged away by Roman soldiery. Painted in very fine 
 colors of blues, aubergine, greens and browns, illuminated by 
 gilding. In crimson velvet gilded bronze contemporary frame, 
 
 with appliqué leaf motives. 
 Height, 7% inches; width, 6% inches. 
 
 (I/lustrated) 
 
 POLYCHROME ENAMEL -PLAQUE 
 Probably Limoges, XVI Century 
 
 Portrait bust of the Virgin Mother, with her head slightly 
 bowed to the left, hooded and with mantle of a deep fluctuating 
 blue, with gilt nimbus, on a black background. In contem- 
 porary tabernacolo frame. 
 
 Height, 834 inches; width, 634 inches. 
 
 ENAMEL COPPER COUPE Limoges, Late XVI Century 
 
 Allegorical representation en grisaille of CHRIST AS THE FONT 
 OF LIFE; on tapering stem and circular foot richly decorated in 
 the Renaissance manner with cartouches, mascarons, festoons 
 of fruit, flowers and scrollings in gold. Inscribed on ban- 
 derolle: Quis sitit veniat et bibat. (Restored. ) 
 
 Height, 6 inches. 
 
SS aie a eee 
 
 No. 13. POLYCHROME ENAMEL PLAQUE 
 (Limoges, XVI Century) 
 
16. ENAMEL PLAQUE By Jean Courtois, 1586 
 Oval; depicting in brilliantly painted golden-browns, greens, 
 
 ee it blues and aubergine, THE MURDER OF ABSYRTUS, on the galley 
 “Sw © "translucent enamel. Signed on lower left rim, I. C. (Restored.) 
 translucent enamel. Signed on lower left rim, I. C. (Re- 
 
 stored.) 
 Height, 74 inches; length, 934 inches. 
 
 From the Amherst and the San Giorgi Collections. 
 (Illustrated) 
 
ie No. 16. ENAMEL PLAQUE 
 = (By Jean Courtois, 1586) 
 
ITALIAN FAIENCE AND HISPANO-MORESQUE 
 LUSTRE WARE 
 
 17. FoUR HISPANO-MORESQUE PLATES XVI Century 
 
 CP Circular; exhibiting highly conventionalized and varied mo- 
 ‘ie tives. Deep gold lustre. 
 Diameters, 734 and 634 inches. 
 
 18. HISPANO-MORESQUE SMALL VASE XVII Century 
 
 _~ --—- Inverted pear-shape, with expanding lip; displaying a foli- 
 Z » .— ated design on a white ground. Fine copper lustre. 
 
 Height, 5 inches. 
 
 19. CASTEL DURANTE ALBERELLO XVI Century 
 
 OG Waisted cylindrical, depicting within a cartouche Saint Ce- 
 
 f y “ cilia; on the obverse side trophies. Painted in blues, golden- 
 
 yellows and greens. 
 
 Height, 11%4 inches. 
 
 20. DERUTA MAJOLICA PLATE XVI Century 
 
 e, ~~~ Circular, lobed deep plate with fluted cavetto; the centre deco- 
 co —) trated with foliage. Mother-of-pearl lustre. 
 
 | Diameter, 9% inches. 
 
 21. URBINO MAJOLICA PLATE XVI Century 
 
 -— . Circular deep plate, exhibiting a representation of the VISITA- 
 
 H~ {, ... TION OF SAINT ANN in the characteristic colors of Urbino. 
 (Repaired. ) 
 
 Diameter, 9% inches. 
 
 22. CAFFAGGIOLO MAJOLICA VASE XVI Century 
 
 4 Oviform, with tapering neck; exhibiting in a foliated car- 
 
 Dae, ( _ touche a female portrait bust, painted in characteristic colors, 
 
 finely glazed. The obverse side having the Caffaggiolo mark 
 (Repaired.) 
 
 Height, 10% inches. 
 
 23. Nove DisH on Low Foor Venetian, XVIII Century 
 
 a Grayish-blue; with central design of floral motives in poly- 
 
 SFO - chrome, and a narrow border of geometrical design. 
 
 Diameter, 13 inches. 
 
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24. CAFFAGGIOLO MAJOLICA EWER XVII Century 
 
 - Oviform, with tapering neck and short straight spout; scrolled 
 
 A — strap handle; circular foot. Enriched on an ivory ground in 
 royal-blue with scrollings. Inscribed: So d Betonica. 
 
 Height, 9 inches. 
 
 s. HISPANO-MORESQUE PLATE XVI Century 
 
 The wide rim modeled with leaves in relief on a ground of 
 
 © _-floral motives and the centre with a boss, on which is the 
 
 cross of Malta in white. Copper-gold reffets. 
 
 Diameter, 15 inches. 
 
 26. HIspANO-MoRESQUE LUSTRE PLATE XVI Century 
 VF Circular, with embossed fondo, the whole enriched with con- 
 -~ ventionalized foliage and scrollings. Fine deep gold reflets. 
 
 (Repaired.) 
 Diameter, 1434 inches. 
 27. Pairk ITALIAN FAIENCE LARGE PLATES 
 Ce eo broad rims with Raphaclesque designs and the centres 
 occupied by allegorical subjects. 
 Diameter, 18 inches. 
 28. HIspANO-MORESQUE LUSTRE PLAQUE XVI Century 
 .~= Circular, with embossed tondino ; decorated with complex 
 ofS _ arabesque design. (Repaired.) 
 Diameter, 16% inches. 
 29. HispANO-MorESQUE LUSTRE PLATE XVI Century 
 _— The central boss occupied by a flower and encircled by bands. 
 ) —The rim with various conventionalized floral designs; the 
 
 lustre of golden iridescence. 
 Diameter, 12% inches. 
 
 30. HispaNo-MorEsQUuE LUSTRE PLATE XVI Century 
 0 Deep plate; exhibiting a highly conventionalized motive. 
 wee ine gold reflets. Diameter, 14 inches. 
 31. HrspANo-MorESQUE LUSTRE PLAQUE XVI Century 
 
 tre with boss occupied by the coat of arms of the Gondi family. 
 In soft copper reflets on a white ground. 
 
 Y ( -—~ The rim with conventional floral and leaf motives and the cen- 
 7 
 
 Diameter, 15% inches. 
 
 us an a7 / 7 AY Ce fro iww0 - 7H Ue 
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 34. 
 
 35: 
 
 36. 
 
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 37: 
 
 38. 
 
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 ‘i gold mother-of-pearl lustre . 
 
 4 . . 
 «~~ ized arabesque design. 
 
 HISPANO-MORESQUE LUSTRE PLATE XVI Century 
 Wide rim with alternating designs of leaves and conventional- 
 ized flowers with touches of blue. The centre occupied by a 
 boss with the Maltese cross in white and surrounded by geo- 
 
 metrical designs. Copper lustre. 
 Diameter, 1534 inches. 
 
 HIspANO-MORESQUE LUSTRE DEEP PLATE XVI Century 
 Designs of conventional flowers and arabesques decorating the 
 rim, with a leaf pattern in relief. Copper lustre. 
 
 Diameter, 15% inches. 
 
 ITALIAN MAJOLICA LARGE PLATE XVII Century 
 
 Deep blue, with central coat of arms in gray and blue and the 
 
 rim with floral decoration in gray. 
 Diameter, 17 inches. 
 
 HISPANO-MORESQUE BASIN XVI Century 
 The centre with a peacock and three detached bunches of car- 
 nations amid other floral motives. Copper lustre. | 
 
 Diameter, 15% inches. 
 
 HISPANO-MORESQUE LUSTRE PLAQUE XVI Century 
 Circular, with embossed tondino,; decorated with conventional- 
 ized floral motives and lotus blooms, outlined with blue. (Re- 
 paired.) 
 
 Diameter, 1534 inches. 
 
 HISPANO-MORESQUE LUSTRE PLAQUE XVI Century 
 
 Circular, with embossed tondino, decorated with conventional 
 floral motives and leafage, enriched with shaded blues. Rich 
 (Repaired. ) 
 
 Diameter, 1534 inches. 
 
 HISPANO-MORESQUE LUSTRE VASE XVI Century 
 
 Oviform, with high collar, and four strap handles at the shoul- 
 der. Of fine iridescent gold lustre exhibiting a conventionai- 
 (Repaired. ) 
 
 Height, 834 inches. 
 
39. 
 
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 40. 
 
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 42. 
 
 43. 
 
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 CASTEL DURANTE PLATE XVI Century 
 
 Circular, with deep tondo, enriched with female portrait fac- 
 ing to the right, the marli with voluted foliage. In fine blues, 
 green and golden-browns. (Repaired.) 
 
 Diameter, 834 inches. 
 
 URBINO MAJOLICA PLATE Italian, Late XVI Century 
 
 Scene representing PELEUS AND TETHYS; finely drawn and 
 showing excellent perspective, in characteristic colors of the 
 Urbino. Inscribed on back: Peleo et Tettise. (Repaired.) 
 
 Diameter, 10% inches. 
 
 CALTHAGIRONE MAJOLICA VASE XVII Century 
 Oviform, with incurving short neck; displaying in character- 
 
 ms. istic colors a portrait medallion and scrolled leafage. 
 
 Height, 834 inches. 
 
 UrBINO MAJOLICA PLATE AVI Century 
 Deep cavetto, with finely drawn representation before an archi- 
 tectural background of THE KING RECEIVING HELEN OF TROY. 
 The marli enriched with figures of sporting putti. 
 
 Diameter, 17 inches. 
 
 URBINO MAJOLICA PLATE Italian, XVI Century 
 Circular, with deep cavetto; glazed with scene representing 
 ULYSSES AND AJAX IN DEADLY COMBAT; distance view of me- 
 diaeval castles. (Repaired.) 
 
 Diameter, 12 inches. 
 
44. 
 
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 CAFAGGIOLO MATOLICA PLATTER 
 
 Italian, Early XVI Century 
 Circular; the marli enriched with highly conventionalized 
 trees and flowers, the centre with a domino motive enclosed by 
 circles. In variegated blues, greens, golden-browns and brick- 
 red. Caffaggiolo mark “S” on back. 
 
 . . a 
 Diameter, 1234 inches. 
 
45. DERUTA-MAJOLICA PLATE XVI Century 
 Deep plate, exhibiting within a sunburst motive a female por- 
 trait, holding a lily branch. In deep gold and blue. 
 
 - Diameter, 9% inches. 
 
46. 
 
 CO — 
 
 URBINO DEEP PLATE XVI Century 
 
 A subject from Virgil portrayed in polychrome. Fine exam- 
 ple. 
 
 Diameter, 14 inches. 
 
 Pe eee ee ee ae 
 
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 ——————oer rr 
 
47. 
 
 Z 
 
 40. 
 
 49. 
 
 PESARO PLATE XVI Century 
 With the figure of a horseman, with plumed helmet and sword, 
 
 riding a white steed; in the background are seen groups of 
 _ houses and hillocks. The rim with alternating decoration 
 of fish-scales and conventional flower and leaf designs in 
 colors. 
 
 Diameter, 14% inches. 
 PESARO PLATE XVI Century 
 
 The rim richly decorated with lilies and floral scrolls. In 
 the centre a youthful warrior in fifteenth century costume, 
 leaning on his lance and holding a shield with armorial bear- 
 ings. Hilly landscape and flowering plants in the background. 
 
 Diameter, 15 inches. 
 
 PESARO PLATE XVI Century 
 The centre is occupied by the figure of St. Barbara, holding her 
 
 in attributes, a palm branch and a tower. The wide rim has 
 f. 
 a O.. 
 
 50. 
 
 panels of fish-scale design, flowering scrolls and conventional 
 
 leaves. 
 Diameter, 141% inches. 
 
 DERUTA PLATE XVI Century 
 The wide rim decorated with conventional leaves and pine- 
 
 a, ~~ cones in deep yellow, and an inner band of pearls and tiny 
 J 
 
 flowers; the centre decorated with a geometrical device formed 
 
 —_ . ° ° 
 of two squares, one within the other, and centred with a blue 
 
 wi: 
 
 shield with a wide band and flowing streamers. Beautiful iri- 
 
 descence and mother-of-pearl reflexes. 
 Diameter, 15 inches. 
 
 DERUTA MAaJOLICA PLATE XVI Century 
 Circular; the fondino in relief bears a coat of arms with the 
 
 EVO inscription, C. H. Amiila, surrounded by a roulean motive; 
 - —_ 
 
 the flange with conventional foliage. In the characteristic 
 colors of Deruta which have been lustred at Gubbio. 
 
 Diameter, 13 inches. 
 
ea 
 
 56. 
 
 / SO - 
 
 URBINO DEEP PLATE XVI Century 
 Depicting in brilliant colors the subject of Muzio-Scevola 
 burning his right hand. Inscribed on the reverse: Muzio che 
 
 la sua destra erante chocie, 1548. . 
 Diameter, 1034 inches. 
 
 PESARO PLATE XVI Century 
 The cavetto with a half-length figure of ‘a woman, in profile, 
 and surrounded by flowering branches. ‘To the right of the 
 figure is a scroll with the inscription: La Antoni-Abell-A. 
 Wide rim with panel decoration of floral ornaments. 
 
 Diameter, 15 inches. 
 
 LARGE URBINO MAJOLICA PLATE XVI Century 
 
 Flat rim and deep cavetto, within which is represented the 
 legendary PASIPHAE AND THE BULL, in brilliant colors. 
 
 Diameter, 15 inches. 
 
 URBINO MAJOLICA PLATTER AVI Century 
 
 Three-lobed deep dish, the centre displaying a seated Emperor 
 with his vassals, enclosed within a fine Raphaelesque design 
 
 . of three sea divinities, grotesques, dolphins and the like. In 
 
 the characteristic colors. ‘The back decorated in relief with 
 pelicans affrontés. 
 Diameter, 18 inches. 
 
 PESARO PLATE AVI Century 
 Wide rim with panel decoration of fish-scales and floral scrolls. 
 The centre with a three-quarter length female figure, standing, 
 holding a heart in her left hand. The background, a land- 
 scape. In blue, yellow and white. 
 
 Diameter, 16 inches. 
 
57. URBINO Majo.ica DISH Italian, XVI Century 
 
 Circular deep dish on splayed foot; representing in the char- 
 
 a a acteristic colors of Urbino, SAMSON IN COMBAT WITH THE 
 4 / bs __PHILISTINES, in an architectural setting, showing fine per- 
 
 spective and drawing. 
 Diameter, 10 inches. 
 
58. URBINO DEEP PLATE XVI Century 
 Portraying an historical scene of homage being paid the con- 
 queror by the presentation of the head of the vanquished, in 
 
 a brilliant colorings. ‘The reverse inscribed: I1 Richo do de 
 
 ( ... lonorata testa, 1548. 
 Diameter, 12 inches. 
 
59. URBINO PLATE Early XVI Century 
 
 Wide marli. The cavetto with scene in brilliant colors of three 
 
 J men fording a stream, going towards a rock on which is a 
 
 OC O woman kneeling between two children. In the background, 
 view of acity. The reverse inscribed: La Dea Latona. 
 
 Diameter, 10 inches. 
 
60. 
 he ae, 
 we 
 61. 
 Litho s 
 y, 
 62. 
 
 63. 
 
 fy f 
 ae 
 64. 
 
 PESARO PLATE XVI Century 
 The centre occupied by the head and shoulders of a youthful 
 warrior, turned slightly to the left and wearing a fantastic 
 Oriental helmet. From side to side is a scroll with the in- 
 scription, M. Marcho Turcuo. The wide rim with alternat- 
 ing decoration of flowering scrolls and fish-scales. In the 
 characteristic Pesaro colorings, blue, yellow and white. 
 Diameter, 151% inches. 
 
 CASTEL DURANTE PLATE XVI Century 
 
 Representing on a blue ground, bust portrait of a young woman 
 
 in profile to right, with banderolle inscribed: Portia Bella. 
 Diameter, 8% inches. 
 
 CASTEL DURANTE “AMATORIO” PLATE : 
 Italian, XVII Century 
 The broad marli with characteristic trophies; the cavetto with 
 portrait bust of Talanta Bella. In fine yellows, blues and 
 
 browns. 
 Diameter, 16 inches. 
 
 DERUTA ‘[WO-HANDLED VASE XVI Century 
 Circular, with tapering neck and flaring lip; on splayed foot. 
 Decorated in characteristic Deruta colors of golden-yellow and 
 blue with leafage and armorial bearings. Fine mother-of- 
 
 pearl reflets. (Repaired.) 
 Height, 10% inches. 
 
 DERUTA PLATE XVI Century 
 
 Decorated in the characteristic Deruta colors and having fine 
 iridescence. In the centre is represented Judith brandishing 
 her sword and holding the head of Holofernes in her left 
 hand. The rim with panel decoration of leaves, flowers and 
 lattice design. (Repaired.) 
 
 Diameter, 16 inches. 
 
6c. LARGE URBINO MAJOLICA PLATE XVI Century 
 Depicting the biblical legend of Moses and the Drazen serpent. 
 
 3 13 A beautiful specimen, in a good state of preservation. 
 _ Diameter, 17 inches. 
 
66. CASTEL DURANTE TWO-HANDLED VASE 
 
 caus 
 
 Italian, XVI Century 
 
 Oviform, with expanding lip and circular foot; spiraled loop 
 
 handles. Paneled in girali motives enclosing an animalistic 
 
 subject; on the reverse side a sunburst. In fine colors of blue, 
 yellow and green. (Repaired.) 
 
 Height, 9 inches. 
 
67. CASTEL DURANTE ANIMALISTIC EWER 
 Italian, XVI Century 
 
 Me Oviform, with scrolled strap handle; the spout formed of a 
 \ O— dragon’s head. Enameled in fine blues, greens and brick-red, 
 depicting two portrait busts, a bearded man and a maiden. In- 
 
 scribed at the base: Ox Baccara. A fine specimen. 
 Height, 9% inches. 
 
68. 
 
 A ye 
 wt ‘en : 
 ? , 7 \ 
 va err! > 
 
 69. 
 
 FAENZA MAJOLICA VASE XVI Century 
 
 Oviform, with slender neck and slightly flaring lip. Deco- 
 rated in fine blues, golden-yellows and greens and depicting 
 the semi-draped figure of Strength. Inscribed at base: A— 
 Scabiosa. Height, 16 inches. 
 FAENZA PHARMACY VASE Italian, XVI Century 
 
 Oviform; with central portrait medallion inscribed: Faustin 
 A. B., and further inscribed on the banderolle, Ceceb d. Yaga- 
 ritis with diagonal motives of scrolled leafage and dolphins, 
 in blues, yellows, greens and brick-red. Very interesting speci- 
 men. Height, 14 inches. 
 
 HISsPANO-MORESQUE LUSTRE PLAQUE XVI Century 
 
 Circular, the embossed fondino decorated with a spiral motive; 
 the fondo and flange with arabesque scrollings, leafage and 
 lotus blossoms, outlined in blue. Fine gold lustre. (Re- 
 
 paired.) Diameter, 197% inches. 
 HISPANO-MoRESQUE LUSTRE PLAQUE XVI Century 
 
 Circular, with embossed tondino, decorated with highly con- 
 ventionalized floral motives, outlined in blue. Deep gold 
 
 lustre. Diameter, 151% inches. 
 
 STANNIFEROUS ENAMEL TONDO 
 School of Della Robbia, Florentine, XV Century 
 
 Modeled in bas-relief, depicting before a blue background the 
 seated three-quarter length figure of the Madonna, gracefully 
 draped, with the Child in her arms; both figures are haloed 
 and brilliantly glazed in soft white. Enclosed in a frame of 
 wreaths of fruit and leaves, in yellows, greens and blues. 
 
 Diameter, 19 inches. 
 URBINO OVAL PLATTER XVII Century 
 
 The embossed centre depicting the JUDGMENT OF PARIS; 
 around are four lobed cartouches enriched with grotesques and 
 Raphaelesque designs interrupted by mascarons and masks in 
 relief. ‘The back lavishly decorated with encarpa and flowing 
 ribbons, inscribed within a cartouche: Alfons Pata Nacci Fecit 
 Vrbini in Bote Gadi Ios Batis Bocioni 1607. 
 
74. HIspANO-MORESQUE LUSTRE PLAQUE XVI Century 
 
 Circular, with embossed tondino; decorated with conven- 
 
 CO tionalized floral motives and panels of lattice-work, outlined 
 in blue. Fine gold lustre. (Repaired.) 
 
 Diameter, 151% inches. 
 
75. POLYCHROME TERRA-COTTA BAS-RELIEF 
 
 School of Rossellino, Florentine, XV Century 
 
 / ¢ MADONNA AND CHILD. Three-quarter length figure of the Vir- 
 
 J 
 
 “gin Mother, wearing a crimson tunic and blue mantle, sup- 
 
 porting the Divine Infant, Who stands on a cushion at her side. 
 Beautifully modeled conception. 
 Height, 23% inches; width, 12% inches. 
 
 76. GLAZED TERRA-COTTA STATUE 
 
 By Giovanni della Robbia, Florentine, 1469- ae 
 ST. JOHN THE BAPTIST. Erect full-length figure facing the ob- 
 
 \ ™ server, with head slightly inclined to the left; habited in the 
 
 proverbial sheepskin, girdled at his waist and partly covered 
 
 by a flowing mantle depending from the left shoulder, draped 
 
 and held around the body. The figure is beautifully modeled 
 
 and has a soft creamy-white yet luminous glaze; on pale green 
 
 base. 
 
 Height, 30% inches. 
 (Illustrated ) ; 
 
No. 76. GLAZED TERRA-COTTA STATUE 
 (By Giovanni della Robbia, Florentine, 1469-1529) 
 
77. ITALIAN SCULPTURED Woop Bust Florentine, XV Century 
 
 TS 
 cle 
 
 So. 
 
 Portrait bust of a patrician youth of classic profile, wearing 
 a simple garment; beautifully colored and enriched with gild- 
 ing. On angular gilded base. 
 
 Height, 17% inches; width, 16% inches. 
 
 POLYCHROMED SCULPTURED Woop FIGURE 
 
 Italian, XVI Century 
 MADONNA AND CHILD. Standing graceful figure draped in a 
 gold tunic, over which is a flowing embroidered mantle. The 
 Child, in a crimson robe, is supported on His Mother’s arm, 
 in the attitude of benediction, with a fluttering bird on His 
 
 knee. Both figures are haloed. 
 Height, 39% inches. 
 
 CARVED PEARWOOD STATUE Southern France, XV Century 
 MADONNA. The erect full-length figure of the Holy Mother 
 with flowing hair, and gracefully draped robes with her hands 
 extended. A very fine figure; rich brown patina. 
 
 Height, 53% inches. 
 
 IMPORTANT SCULPTURED PEARWOOD GROUP 
 “Arte Pisana,’ XIII-XIV Century 
 
 MADONNA AND CHILD. Erect figure of the Virgin Mother in 
 
 ot é é 7 -~flowing robes richly draped and hanging in fine folds, holding 
 
 the apple towards the Child on her left arm, Who is alk robed 
 and regarding His Mother with Ur Plt 
 Height, 56 inches. 
 Note: The above is generally known as a work of Pisa of the epoch; it 
 has the characteristics and the fine proportions of Arnolfo di Cambio and the 
 primitive sentiment of Giovanni Pisano. 
 
 (Illustrated) 
 
No. 80. IMPORTANT SCULPTURED PEARWOOD GROUP 
 (“Arte Pisana,’ XIII-XIV Century) 
 
SI. 
 
 VG Or 
 
 POLYCHROMED ‘TERRA-COTTA BUST 
 
 Attributed to Luca della Robbia, Florentine, 1400-1482 
 The youthful female head facing slightly to the left, is mod- 
 eled with all the charm and technique of this master, having 
 delicate contours and beautiful expression. (Lower portion 
 restored. ) 
 
 Height, 13 inches. 
 
 Note: This work has always been attributed to Luca della Robbia. 
 (Illustrated) 
 
 ae 
 
REV Reeve EAN ACES 
 
 82. POINT DE VENISE HEADDRESS Late XVII Century 
 
 x; Exquisite floral design of varied blossom forms and foliated 
 7) scrolls in fine punto relievo, edge picoteé. 
 —_— 
 
 83. PAIR POINT DE VENISE LAPPETS AND STRIP OF POINT PLAT 
 
 DE VENISE XVIIT Century 
 
 B20 (A) Beérain design of vases and floral forms and scrolling 
 
 leaves on a ground of brides picotées, dainty floral dentelé 
 edge. 
 
 (B) Strip of point plat de Venise in floral and scroll design. 
 
 (4) Length (each), 15 inches; width, 4 inches; (B) Length, 24 
 inches; width, 134 inches. 
 
 84. POINT DE VENISE BORDER XVIII Century 
 «~~ Dainty design of scrolling leaves and flowers with varied and 
 -~ interesting edge. 
 
 Length, 1 yard 9 inches; width, 3% inches. 
 85. BORDER OF ITALIAN TAPE LACE XVII Century 
 Interesting design of archaic floral scrollings with very beau- 
 
 0 tiful brides, border of tiny S-scrolls; edge ajouré. 
 Y — Length, 2 yards; width, 5 inches, 
 
 86. BORDER OF ITALIAN BOBBIN LACE XVIII Century 
 
 Bold pattern of star-shaped floral forms surrounded by in- 
 o ier tricate scrolling; brides resembling coral branches. 
 
 Length, 2 yards 18 inches; width, 14 inches. 
 
 87. STRIP OF POINT DE GAZE : 
 Very charming design of leaves and blossoms on a filmy réseau ; 
 
 3 v deeply indented edge. 
 a ; Length, 1 yard 9 inches; width, 234 inches. 
 
88. BORDER OF POINT PLAT DE VENISE XVIII Century 
 Exquisite and intricate design in point de neige of a formal 
 arrangement of lily and leaf device; border of similar pattern 
 
 with straight edge. 
 Depth, 5 inches; length, 2 yards 12 inches. 
 
 (Illustrated ) 
 
 89. BORDER OF PoINT DE MILAN XVII Century 
 
 : With design of delicate leaf scrolls on very beautiful réseau. 
 
 SO - Depth, 7 inches; length, 3 yards. 
 NR (Illustrated ) 
 
Ae if 
 ae ss 
 
 bs 
 ee J 
 Rites ~ gees. 3 
 . d is 
 SF Need shir 
 es Bie Bese 
 SNe 
 
 Ag 
 >) %e ae 
 0 0.04458, 
 ORS SAG 
 
 No. 88. BORDER OF POINT PLAT DE VENISE 
 No. 89. BORDER OF POINT DE MILAN 
 
Ql. 
 Z O 
 92. 
 oR 
 oo > se 
 93: 
 
 So 
 
 BORDER AND CUFFS OF POINT DE VENISE A BRIDES PICOTEES 
 
 XVIII Century 
 The toile of picoté displays a meandering scrolling of leatage 
 and dainty floral forms, edge with tiny supplementary blos- 
 som. Edges of cuffs slightly different. 
 
 Length of border, 1 yard 17 inches; width, 5Y2 inches. 
 Length of cuffs, 11 inches; depth, 7 inches. 
 
 POINT DE VENISE BORDER XVII Century 
 A marvelous piece of needlepoint, the jours and tiny star-like 
 brides with the delicacy of frost flowers. A museum speci- 
 men. 
 
 Length, 25 inches; width, 3 inches. 
 
 BORDER OF POINT PLAT DE VENISE Early XVIII Century 
 Delicate pattern of small scrolls and tiny star-like flowers. 
 Edge a jour. | 
 Length, 4 yards 9 inches; width, 5% inches. 
 
 POINT. DE VENISE BORDER XVIIT Century 
 Rarely lovely border of punto a relievo, having formal pattern 
 of tiny per/es, floral ornament and foliated scrollings; beautiful 
 light brides and straight edge of similar design in miniature. 
 Length, 4 yards 9 inches; depth, 5% inches. 
 
 (Illustrated) 
 
- 
 
 reer 
 
 oP Hee 
 bad 
 
 Sore. 
 tan 
 
 SMES 
 < . 
 “ 
 
 ee )~ : 
 
 WEN i ry 
 
 Sad 
 Sato 
 
 Ciel We 6 Se Saal 
 na ee “ears: are Nels 
 eg Ee a ee 
 
 Cry) 
 oe 
 
 mee. 
 
 mavsttes e 3 
 > . v Kae 
 
 Fea ee atin, = * 
 ie Mpc 6 2 wl 
 
 ot 
 
 et 
 “a 
 
 Be ad ree 
 my 
 der 
 
 Sud 
 3 
 
 No. 93. POINT DE VENISE BORDER 
 (XVIII Century) 
 
 neh 
 bg A Tae 
 ~e e 
 
 se 
 
 re a 
 Bnd te 3 
 Pam ae 
 
 ts eet e 
 
 we 
 ae 
 
 tel 
 
 bigmel S_/ 
 P= ) BS 
 <> 
 
 Ay te 
 Py 
 i 
 
94. POINT DE. VENISE PLASTRON- ek 
 Tiny roses amid scrollings and leaves forming 
 
 ey sign, oe ees 5 , hs ae 
 i Depth, 13 inches; widt 
 
 re relief so. renege aes ze the Aone a 
 : duced in Venice during the latter half o: 
 tury; brides picotées, beautiful edge a jo 
 
 Depth, 
 (Illustrated) 
 ra =~ f = ‘i, 
 =a aN 
 . i he : J 
 ) = rs 3 ; . ’ oh 
 Eee - 
 , : . Toate 
 = ? Po > 
 3 i” * 7 
 
a 
 
 Les 
 Vist 
 
 \ 
 96) 
 
 LIN Ohm 
 See 
 
 DAD 
 
 sz 
 we 
 a 
 
 8 6t¥ Wed ee wr of 
 
 #, 
 ro 
 
 =~ 
 
 ys 
 
 SofSz 
 Pros 
 
 cay 
 t 
 
 re 
 Rey ie) 
 
 No. 95. SUMPTUOUS GROS POINT DE VENISE BORDER 
 
 (Late XVII Century) 
 
+ hed ow 
 
 i = ee DE VENISE. ee FRONTAL 
 
 Exquisite pattern of trumpet- and acieoal 
 foliated scrollings of great beauty, with brides 
 ness. Made in one piece with Gn ales bras 
 
 Gx 
 
 Ps 
 
 ~ 
 
 corners. 
 
 od 
 4 
 ~ 
 » 
 . 
 ~. 
 > 
 > 
 “t r 
 >» | 
 =~ 
 * 
 ~e 
 ' 
 - 
 —e 
 
 . Depth, 12 ee approxima 
 | Ullustrated) 
 - od 
 4 ies FY es 
 
. s 
 bas 
 , 
 
 fig . t a nae OMe 
 y PE 
 
 & ox. 
 s ft) pe eee: 
 ; : 
 
 . 
 LS 
 
 iy 
 
 aad 
 
 a” 
 
 "s 
 5: 
 
 Pl ok 
 
 EFS 
 
 ra es 
 
 he 
 
 x 
 7 4 
 
 <3.0 
 ae ¢ 
 
 rie 
 zt 
 “em, 
 rhs 
 Del. 
 
 pees 
 at 
 shebe 
 
 44 
 
 No. 96. POINT DE VENISE ALTAR FRONTAL 
 (XVII Century) 
 
f #4 
 98. 
 99: 
 
 BORDER OF POINT DE VENISE A LA ROSE XVIII Century 
 Designed in the style of point de France, with a pattern of 
 
 floral scrollings and fine floral edge. 
 
 Depth, 3 inches; length, 5 yards. 
 (Illustrated ) , . 
 
 Pair PuNTo Gotico LACE COVERS 
 
 Old Cluniac design of star-centred circles divided into squares; 
 
 narrow edge a jour. , 
 Length, 18 inches; width, 14 inches. 
 
 BORDER OF VENETIAN NEEDLEPOINT XVII Century 
 
 An infinity of stitches make up this extraordinarily beautiful 
 example of Venetian point a l’aiguille, the intricate floral and 
 
 - rocaille scrollings in minute relief resembling delicate carving 
 
 in ivory; the brides and tricots must be seen through a glass 
 to be appreciated. 
 Length, 18 inches; width, 14 inches. 
 
 (Illustrated) 
 
Sin’ sheeede 
 
 bY 
 aed 
 oe 
 
 0-8 
 
 97 
 
 ISE A. LA ROSE 
 
 99 
 
 Nowo7e BORDER OF POINT D 
 
 Ei VEIN 
 
 EEDLEPOINT 
 
 NN 
 
 No. 99. BORDER OF VENETIA 
 
IOO. 
 
 MOL. 
 
 LOZ. 
 
 RETICELLA AND GOTHIC LACE BORDER 
 
 Band of reficella of interesting design in beautiful ivory tone. 
 edged by dentelé Gothic lace. Evidently the border for a bed 
 
 cover. Length, 9 feet 11 inches; width, 6 feet 10 inches. 
 
 GUIPURE DE FLANDRE FLOUNCE Late XVII Century 
 Bold design of intricately interlacing scrolls and floral forms 
 and a large mesh. (In two pieces.) 
 
 Length, 4 yards 15 inches; width, 16 inches. 
 
 POINT DE MILAN TRIMMING FOR AN ALB 
 Late XVIII Century 
 
 Flounce and pair of cuffs. Design of beautiful foliated scroll- 
 ings and blossoms with an infinite variety of jours on very fine 
 clear réseau, narrow scrolling edge. 
 
 Length, 2 yards 12 inches; depth, 31 inches. 
 
 BROCADES, DAMASKS AND VELVETS 
 
 RUBY VELVET CUSHION 
 Deep wine-crimson velvet, mounted with galloon and gold 
 tassels. 
 
 GENOESE CRIMSON CUT VELVET CUSHION 
 
 Genoese, XVII Century © 
 
 Design of horn-shaped ee with scrolling floral pendants © 
 
 and leaf festoons. 
 
 PAIR CRIMSON VELVET CUSHIONS 
 Mounted with gold galloon. 
 
 Two SMALL CRIMSON VELVET CUSHIONS 
 Italian, XVII Century 
 
 One with central band of crimson twill silk. 
 
 = 
 
 GENOESE RUBY VELVET CUSHION XVI Century . 
 
 Rich lustrous deep crimson velvet; mounted with galloon and 
 tassels. 
 
 GENOESE RUBY VELVET CUSHION XVII Century 
 Oblong; mounted with dull gold galloon. 
 
109. GENOESE RUBY VELVET CUSHION XVIT Century 
 
 AI ee Similar to the preceding. 
 
 110. GENOESE CRIMSON VELVET CUSHION AVI Century 
 “EK __Mellow rose-crimson velvet, mounted with gold galloon. 
 
 TIT, PAIR GENOESE RUBY VELVET CUSHIONS AVITI Century 
 ae - «Impressed with small single medallion displaying female 
 figures. 
 
 112. IwO CRIMSON VELVET CUSHIONS Genoese, XVII Century 
 j Fal . . 
 2 , One oblong, the other square, with inset corners. 
 
 113. EMBROIDERED CRIMSON AND MOSS-GREEN VELVET CUSHION 
 ; Italian, XVII Century 
 
 Kh J Lente with appliqué gold-embroidered escutcheon; bordered 
 ag in rich moss-green velvet and mounted with gold becca 
 
 114. WELVET CUSHION Italian, XVI Century 
 
 220 Oblong; central panel in crimson Renaissance velvet with gold 
 “appliqué coat of arms. Green velvet border of a later date. 
 
 bis VELVET CUSHION Italian, XVI Century 
 oF @ Similar to the preceding. 
 
 116. Two VELVET CUSHIONS Italian, XVII Century 
 
 Ln Oblong; the centre in amber velvet with gold appliqué coat 
 », “of arms. Border in crimson Renaissance velvet. 
 
 117. THREE VELVET CUSHIONS Italian, XVII Century 
 Vos — Rectangular; in amber velvet with narrow gold lace. The 
 
 —“centre embroidered with appliqué coat of arms. 
 
 118. Two VELVET CUSHIONS Genoese, XVI Century 
 0 om Rectangular; in crimson Genoese velvet with narrow gold gal- 
 loon appliqué to form squares. 
 
 119, Iwo VELVET CUSHIONS Italian, XVII Century 
 
 0 Rectangular; the centre in amber velvet with gold appliqué 
 ez = coat of arms. Border in green velvet. 
 
120. VELVET CUSHION Italian, XVII Century 
 Oblong; the central panel in taupe velvet with five gold ap- 
 
 / “ = pliqué crosses. Border in amber velvet. 
 121. VELVET CUSHION Italian, XVI Century 
 oy, Rectangular; the central panel in amber Renaissance velvet; 
 “~~ “the border in crimson velvet. 
 122. VELVET CUSHION Italian, XVI Century 
 
 / - Rectangular; the centre in crimson Genoese velvet with em- 
 = ‘ : f , 2 
 rf ¥ «broidered appliqué coat of arms; the border in amber velvet. 
 
 123. Two GENOESE CRIMSON VELVET CUSHIONS 
 ~~ Italian Renaissance 
 
 (fs ppm 
 
 * SS | Oblong; in crimson velvet, with wide gold galloon border. 
 
 124. WELVET CUSHION Italian, XVI Century 
 | Oblong; in crimson Renaissance velvet with gold embroidered 
 v appliqué coat of arms. 
 
 125. [WO GENOESE CRIMSON VELVET CUSHIONS 
 XVI and XVII Centuries 
 
 od * Oblong; rich fluctuating ruby velvet. 
 
 126. TOPAZ AND CRIMSON VELVET CUSHION . 
 ty, hs Italian, XVII Century 
 Cot 
 
 ™ Golden-brown centre, bordered in crimson and mounted with 
 gold guimpe and tassels. 
 
 127. EMBROIDERED BEIGE AND. EMERALD VELVET CUSHION 
 ig Italian, XVII Century 
 
 \& C@_ Brownish-ivory with appliqué coroneted silk escutcheon ; bor- 
 dered in emerald velvet and mounted with tassels. 
 
 128. EMERALD SILK DAMASK CUSHION French, XVII Century 
 
 Bold design of serpentine scrolling branches of leaves and 
 coe small blossoms. 
 
129. Two CRIMSON DAMASK OCTAGONAL CUSHIONS 
 i Italian, XVI Century 
 One displaying affrontés putti and pendent leaves; the other a 
 
 jardiniére of leaves within a leaf-scrolled frame. 
 
 130. PAIR CRIMSON DAMASK CUSHIONS 
 Ys Italian, Late XVI Century 
 
 - Square with incurved corners; design of bold beribboned leaf 
 scrollings. 
 
 131. PAIR CRIMSON DAMASK OCTAGONAL CUSHIONS 
 
 ~ Italian, Late XVI Century 
 UF = Design of leaf-scrollings and poles of medallions with putto 
 
 supporting coronet. 
 
 132. GENOESE RUBY VELVET PANEL XVI Century 
 / ..~ Rich ruby-crimson velvet, worn down in parts to the ivory 
 
 ‘ew magaesr 
 ground. Length, 17 inches; width, 16 inches. 
 
 133. DRAP D’ARGENT CISELE VELVET PANEL 
 Italian, XVII Century 
 — ilver ground, enriched with swaying rows of small carnations 
 ciselé in brown and greenish-black a deux hauteurs. 
 Length, 20% inches; width, 19 inches. 
 
 134. IVORY AND PEACH-TONED CUT VELVET VEST 
 may French, circa 1830 
 a2 wweeFnriched in raised ivory velvet pile with borders of leaf fes- 
 toons and semé with stellate motives. 
 
 135. CUT JADE-GREEN SAINT JOHN VELVET COVER 
 cok Genoese, XVII Century 
 y) S eeBeautiful drap d’or field of stitches of gold, enriched in cut 
 jade-green velvet with bold floral design. 
 Height, 26 inches; width, 22 inches. 
 
 136. VARY RARE GOTHIC CUT VELVET PANEL 
 Venetian, XV Century 
 
 Jive Bees ttous sapphire field, cise/é with trefoil leaves, small blos- 
 
 soms and pomegranates outlined in a lighter tone. 
 Height, 27 inches; length, 54 inches. 
 
| iss AY j 
 CRIMSON WELVET GOLD-EMBROIDERED PANEL 
 
 Italian, XVI Century 
 Rich crimson field, the centre with appliqué panel enclosing 
 the Greek cross with the extremities composed of fleur-de-lys 
 flory, the borders of rinceau motive embodying the cornu- 
 copiae. 
 
 Length, 28% inches; width, 22 inches. 
 
 CUT GREEN VELVET COVER Italian, XVII Century 
 
 Fluctuating gold-green tones; patterned to a diamond design 
 
 enclosing palmate motives. Edged with gold lace galloon. 
 Height, 29 inches; width, 20 inches. 
 
 EMBROIDERED JADE-GREEN SILK COVER 
 Italian, XVIII Century 
 Square; in gold and ivory silk embroidery, a central medallion 
 of scrolls and foliations, the border of similar design in the 
 same media. 
 2314 inches square. 
 
 Two EMERALD CUT VELVET FRAGMENTS — XVIII Century 
 The one an oblong panel, the other a cushion; minute design 
 of diapered blossoms within diamond trellis reserves composed 
 of leaf scrolls. 
 
 Length, 36 inches; width, 18% inches. 
 Length, 17 inches; width, 14% inches. 
 
 DRAP D’OR CRIMSON DAMASK PANEL 
 Italian, Late XVI Century 
 Woven in gold thread with wreathed ogivals of leaves enclos- 
 ing scrolled frames surrounding leaved pomegranate designs. 
 Length, 3 feet 7 inches; width, 3 feet 2 inches. 
 
 GOLD-EMBROIDERED APPLIQUE THREEFOLD SCREEN 
 
 Spanish, XVI Century 
 Richly embroidered in gold and silken threads and lined with 
 crimson damask, exhibiting needlepainted figures of SS. Peter, 
 
 Jacopo and Paul. At the base are horizontal crimson velvet 
 panels. 
 
 Fleight, 20% inches; width extended, 32 inches. 
 
LA8: 
 
 GOLD-EMBROIDERED APPLIQUE "THREEFOLD SCREEN 
 Spanish, XVI Century 
 
 Cher, _Similar to the preceding, but depicting the Madonna and 
 
 144. 
 
 =) 
 
 Dae. 
 
 = 
 146. 
 
 pao 
 
 LL 
 
 147. 
 
 Child and SS. Andrew and John. 
 
 Height, 20% inches; width extended, 32 inches. 
 
 SCumaR? CUT VELVET MAT 
 
 Ivory field, displaying in jade-green and mulberry-crimson a 
 central medallion emitting conventionalized floral motives, the 
 borders of similar design. 
 
 Length, 45 inches; width, 23 inches. 
 
 SCUTARI CUT VELVET MAT 
 Similar to the preceding. 
 Length, 45 inches; width, 23 inches. 
 
 CUT AND FRAPPE VELVET CHASUBLE 
 
 Orphrey cut with scrolled leaf ogivals, enclosing small pome- 
 granate figures; chasuble similarly, and stamped with borders 
 of pendented scroll leaves. 
 
 CISELE VELVET CHASUBLE Italian, Late XVII Century 
 Ivory ground, with symmetrical design of floral sprays sur- 
 
 © «rounded by serpentine scrolling branches of flowers woven in 
 
 148. 
 
 a 
 
 149. 
 
 Yo 
 
 crimson velvet @ deux hauteurs. .Mounted with gold galloon. 
 
 WINE-RED CUT VELVET TABLE COVER 
 Italian, XVI Century 
 Design of cut leaf-shaped medallions headed by and enclosing 
 symmetrical floral devices of pomegranates, carnations and 
 violets. 
 Length, 40 inches; width, 28 inches. 
 
 GENOESE LOUIS QUATORZE CISELE VELVET PANEL 
 
 XVII Century 
 Ivory ground, with pattern in raised crimson velvet a deux 
 hauteurs of symmetrical leaf spreads. 
 
 Length, 36 inches; width, 21 inches. 
 
150. SCUTARI VELVET PANEL 
 
 ‘ 
 fre 
 
 nei. 
 
 Jo - 
 ie 
 
 LS 3: 
 
 JAI 
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 # 
 
 4 yan 
 oe OV & 
 
 GL 
 
 154. GOLD-WOVEN SILK BROCADE COPE 
 
 A central medallion and corners with pendent bunches of 
 grapes and border of vines and blossoms in crimson and green 
 
 raised velvet on a ground of golden-tan. 
 Length, 45 inches; width, 23 inches. 
 
 SCUTARI VELVET PANEL 
 Similar to the preceding. - 
 
 ScUT. ARI VELVET’ PANEL XVIII Century 
 
 fie Developing in crimson and leaf-green velvet a symmetrical 
 
 design of a jardiniére of roses, carnations and tulips, within an 
 oval trail of blossoms secant ok by a border of flowers and 
 undulating leaves. Gold-woven ground. 
 
 Length, 48 inches; width, 23 inches. 
 OLD-ROSE VELVET TABLE COVER French, XVIII Century 
 
 Bordered in silver galloon. 
 Length, 53 inches; width, 41 inches. 
 
 Venetian, Louis XV Period 
 
 Developing thick swaying branches of leaves woven in gold 
 and emitting serpentined stems of blossoms in delicate pastel 
 colored silks; the ground of écru, shaded with silver. 
 
 Rose- CRIMSON VELVET PANEL beens XVIII Century 
 
 O Light velvet with rose-pink bloom; mounted with green velvet 
 
 ae | “oie passementerte. 
 
 Length, 52 inches; width, 37 inches. 
 
 I 50. CRIMSON AND GOLDEN-YELLOW BROCATELLE TABLE COVER 
 
 Italian or Spanish, XVII Century 
 
 an “ Design of gigantic-leaved ribbon ogivals enclosing sym- 
 
 oe 
 
 metrical floral spra 
 pitdA & a ee ff /s ye gth, 42 inches; width, 50 inches. 
 
 157.04 SCULARE Oa PANEL 
 
 Late XVII Century 
 
 Design, in crimson and sage-green on a ground of dull gold, 
 of an oval patera surrounded by scrolling branches of carna- 
 tions and phlox. 
 
 Length, 49 inches; width, 23 inches. 
 
158. SCUTARI VELVET PANEL Late XVII Century 
 
 we Developing in crimson and green velvets an oval medallion 
 
 Jf? eee with pendent bunches of grapes within an undulating border 
 of leaves, tendrils and vines. 
 Length, 48 inches; width, 22% inches. 
 
 159. THREE LENGTHS OF SILVER PASSEMENTERIE 
 —. French, XVIII Century 
 0-3: Nek: | | ; 
 Réseau supporting an irregular design of vermiculate branches 
 
 sustaining leaves and rococo shell motives; mounted on crim- 
 son silk. 
 
 Lengths, 6 feet © inches, 9 feet and 10 feet 10 inches; width, § inches. 
 
 160. CLOTH-OF-GOLD CHASUBLE 
 
 Lustrous ground of gold thread brocaded with rococo design 
 7 «of ribbons interlacing with leaf forms, and delicate sprays of 
 flowers. 
 
 161. RUBY VELVET AND BROCATELLE CHASUBLE 
 
 / Deep lustrous velvet, with orphreys of sixteenth century bro- 
 b Se catelle developing quatrefoils enclosing leaf devices in crim- 
 ~ son and golden-yellow in ivory field. 
 
 162. GOLD-EMBROIDERED CRIMSON SATIN CHASUBLE, MANIPLE 
 
 AND STOLE _  Régence Style 
 JS J —Symmerical design of interlacing leaf scrollings festooned 
 with latticed rocaille ornament and enriched with an escut- 
 
 cheon surmounted by a cardinal’s hat. 
 
 163. Ivory SILK DAMASK DALMATIC Louis XIII Period 
 
 ~~ Baroque design of interlacing scrolling branches with pendent 
 ~’ = blossoms. Mounted with gold galloon. 
 
 164. SALMON-PINK GOLD BROCADE ECCLESIASTICAL SET 
 French, XVIII Century 
 
 ae Comprising: Chasuble, pair stoles, pair maniples and missal 
 | cover. Close allover floral design. 
 
SILVER-EMBROIDERED ORANGE SILK CHASUBLE 
 
 Venetian, Régence Period 
 Beautiful symmetrical design of large scrolling leaves and 
 blossoms, linked by arabesques of branches and rococo orna- 
 ment. 
 
166. RUBY VELVET AND APPLIQUE EMBROIDERY CHASUBLE 
 Italian Renaissance 
 
 A Ce Lustrous deep crimson velvet with orphrey of clair de lune 
 silk, embroidered with symmetrical Renaissance scrollings and 
 
 chimerae and sacred monograms, MR and IHS. 
 
CYPRESS-GREEN VELVET PANEL Italian, XVII Century 
 
 Deep, rich sombre green deepening almost to black; mounted 
 
 with narrow galloon. 
 40 inches square. 
 
 FRAPPE VELVET PANEL French, XVIII Century 
 
 Indigo-blue velvet with graceful swaying design of branches 
 with pendent leaves and blossoms. 
 Length, 32 inches; width, 22 inches. 
 
 RUBY VELVET CHASUBLE 
 Deep lustrous crimson velvet, braided with gold galloon. 
 
 E/MERALD-GREEN CISELE VELVET CHASUBLE 
 
 Design of small symmetrical leaf lattice enclosing tiny floral 
 sprays; orphrey with tan ground enriched in raised velvet pile 
 with a chain of ogivals enveloping sprays of leaves. . 
 
 CRIMSON VELVET AND CUT VELVET ‘TABLE COVER 
 French, Empire Period 
 
 _ Central panel with design of ogivals enclosing floral devices 
 
 on ivory ground; border of crimson velvet. 
 Length, 51 inches; width, 36 inches. 
 
 EMERALD CUT VELVET CHASUBLE PATRON 
 Lattice design of interlinked stellate rosettes. 
 
 ITALIAN SILK-EMBROIDERED MOSS-GREEN VELVET PANEL 
 
 Appliqué border of interlacing branches of tulips and forget- 
 me-nots with a symmetrical scrolled floral medallion enclosing 
 the figure of a bird. 
 
 Length, 3 feet 7 inches; width, 26 inches. 
 
 CuT VELVET TABLE COVER Italian, XVII Century 
 
 Exhibiting parallel rows of delicate leaf-scroll borders in 
 golden-yellow, lavender and Vandyke brown respectively; on _ 
 an ivory ground; bordered in gold galloon. 
 
 Length, 3 feet 8 inches; width, 3 feet 5 inches. 
 
175. BOIS-DE-ROSE CUT VELVET TABLE COVER 
 Italian, XVII Century 
 AO __ Delicate design of undulating ribbon lattice supporting sway- 
 ing oak-leaves, in a ruddy fawn; bordered with peach velvet, 
 
 mounted with contemporary tassels. 
 Length, 4 feet; width, 2 feet. 
 
 176. AMBER CUT VELVET PANEL Louis XVI Period 
 Graceful composition of vertical meandering, bow-knotted 
 
 Yo ribbon bands, cords and tassels and zig-zag filets. Lower hori- 
 | zontal frieze of tasseled draperies enclosing flower-baskets and 
 
 tied with bow-knots. 
 Height, 3 feet; length, 9 feet 3 inches. 
 
 Late XV Century 
 
 Yo _— Woven with a coroneted ogival enclosing a palmette and inter- 
 lacing with scrolling branches of tulips on a crimson ground. 
 Length, 3 feet; width, 2 feet. 
 
 177. GOLD- AND SILVER-WOVEN SCUTARI VELVET PANEL 
 
 P7oee@UT VELVET [TABLE COVER Touts XV Period 
 
 Golden-brown field with basketed ground composed of small 
 
 67 _ shaped lozenges, semé with blossom forms, pointing in oppo- 
 site directions. Gold galloon edge. 
 
 Length, 4 feet 3 inches; width, 3 feet 4 inches. 
 
 179. CUT VELVET TABLE COVER Italian Renatssance 
 
 5 @ Lustrous olive-green field, covered with a repeating design of 
 
 “large quaint archaic leaf motives under Near Eastern in- 
 fluence. Fringed gold thread border. 
 
 Length, 5 feet 7 inches; width, 4 feet 5 inches. 
 
 180. EMBROIDERED BROCADE COVER Italian, XIX Century 
 Emerald silk damask ground woven with four vertical wave 
 O-bdands from which project varicolored blossom sprays, executed 
 
 in pastel silks and gold thread. 
 Length, 49% inches; width, 42 inches. 
 
181. GOLD AND’ SILVER BROCADE COVERLET 
 Venetian, Louis XV Period 
 
 —, Vermilion silk damask ground covered with a graceful pattern 
 Vi - of vertical meandering bands of rocaille scrollings, placed 
 closely together and enhanced with projecting flower sprays. 
 
 Gold galloon border. 
 Length, 8 feet 6 inches; width, 6 feet 8 inches. 
 
182. BROCADE COVERLET Venetian, Late XVII Century 
 
 ’ 
 
 - Silver thread ground adorned with allover repeating design 
 oR of fruits and leaves, executed in natural colorings. Gold gal- 
 0 
 
 loon border. 
 Length, 6 feet; width, 5 feet 1inch. 
 
Cut VELVET AND CLOTH-OF-SILVER BANNER 
 Genoese, XVII Century 
 Silver ground, cise/é with horizontal arched bandeaux of leaf 
 and blossom arabesques in apricot velvet. At top and base a 
 border of gold lace; gold galloon border. Antique tassels. 
 Height, 58% inches; width, 22% inches. 
 
 MOoss-GREEN VELVET ARCHED PANEL 
 Italian, Late XVII Century 
 Lustrous velvet of fluctuating tone, impressed with natural- 
 istic sprays of gaillardia. 
 Length, 6 feet 6 inches; width, 3 feet 6 inches. 
 AMBER VELVET COVERLET Italian, XVIII Century 
 Striated surface covered with a golden-brown sheen. Com- 
 posed of three widths. ( Pieced.) 
 Length, 6 feet 2 inches; width, § feet 1 inch. 
 DraAP D’ARGENT CUT VELVET TABLE RUNNER 
 Composed of alternate panels of sapphire-blue and peach-col- 
 ored velvet with silver ground and sixteenth century design ~ 
 of tiny swaying floral sprays; border of eighteenth century 
 bois de rose velvet. 
 Length, 6 feet 3 inches; width, 2 feet 2 inches. 
 VELVET COVERLET 
 Composed of four widths and various smaller sections of crim- 
 son velvet having a lustrous sheen. Contemporary gold gal- 
 loon border. 
 
 Italian, Renatssance 
 
 Length, 6 feet 7 inches; width, 6 feet 3 inches. 
 DEEP AMBER VELVET FRONTAL Italian, XVII Century 
 Deep golden sheen. ‘rimmed with antique silver galloon 
 at border. 
 Length, 6 feet 9 inches; width, 1 foot 7 inches. 
 ITALIAN POWDER-BLUE CUT VELVET APPENDIUM 
 XIII Century 
 Drap d’or field, the velvet cut to a small floral design; the end 
 paneled and enriched with cartouched Cardinal’s coat of arms. 
 Banded with gold galloon and fringe. 
 Length, 54 inches; width, 21Y% inches. 
 
190. 
 
 W/o. 
 
 beyt 
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 192. 
 4/0 - 
 193. 
 
 fio- 
 
 194. 
 
 CLARET VELVET COVERLET Italian Renaissance 
 Lustrous satin-like sheen. Composed of four widths sub- 
 divided into various smaller sections. Elaborate contem- 
 porary gold galloon border, depicting scrolls and blossoms. 
 Length, 6 feet 8 inches; width, 6 feet. 
 CISELE VELVET PANEL Italian Renaissance 
 Apricot field depicting horizontal bands of blossom-enhanced 
 cinquefoils, surmounted by leaf-scrolled pinnacled arches. 
 The entire design delicately outlined on the old-ivory ground. 
 Silver and gold lace border. (Discolorations.) 
 Length, 44% inches; width, 27 inches. 
 
 VELVET COVER Italian, Early XVII Century 
 Characteristic blue velvet with beautuiful sheen. Border of 
 gold galloon. In very good condition. 
 Length, 7 feet 11 inches; width, 6 feet 10 inches. 
 APRICOT VELVET COVER Italian, XV IIL Century 
 Superb fluctuating tones, banded with lace galloon and lined 
 with a golden-yellow silk. 
 Length, 7 feet 7 inches; width, 6 feet 1 inch. 
 VELVET COVERLET Italian, XVIII Century 
 Silky peach-colored ground dappled with a silvery sheen. 
 
 JOd —Composed of six small oblong panels. 
 
 195. 
 
 Ba 
 
 196. 
 
 = 
 
 197. 
 
 foe 
 
 Length, 6 fect 3 inches; width, 5 feet 3 inches. 
 
 THREE PANELS OF CRIMSON VELVET 
 French, XVIII Century 
 
 Delicate garnet velvet fluctuating to deeper tones. 
 Lengths, 36 (one) and 23 inches; widths, (two) 23 and 18 inches. 
 
 VELVET TABLE RUNNER Italian, XVII Century 
 Amber velvet with a brilliant sheen. 
 
 Length, 6 feet 5 inches; width, 21 inches. 
 VELVET HANGING Italian, XVIII Century 
 
 Composed of four panels in beautiful plum-colored velvet. 
 Length, 7 feet 9 inches; width, 3742 inches. 
 
CRIMSON VELVET AND NEEDLEPAINTED CHASUBLE 
 
 Spanish, Early XVI Century 
 The orphrey and cross depict, respectively, the crucified Christ 
 with attendant angels, Saint Francis, an unknown saint, a 
 deacon, Christ and Nicodemus, and St. Peter with an at- 
 tendant, enshrined within arched traceried porticos, exqui- 
 
 sitely wrought in rich blues, greens and crimsons and gold 
 thread. 
 
3 
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 a 
 s 
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 Be 
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 4 
 64 
 Bad 
 
 199. SUPERB CUT VELVET AND NEEDLEPAINTED CHASUBLE 
 
 hod 0 O 
 
 XV Century 
 
 Beautiful Botticelli-green ground, with applique cross and 
 
 _.otphrey depicting within niches the figures of the Virgin and 
 
 Child, St. Elizabeth, St. John, St. Peter, St. Bartholomew, St. 
 
 Catherine and St. Andrew. The cross bears a quatrefoil me- 
 
 dallion at intersection representing Ja Madonna Misericordia. 
 In a splendid state of preservation. 
 
200. CUT BLACK VELVET PANEL Venetian, XVII Century 
 
 ; Drap d'or silk ground exhibiting bold design of ogival arched 
 Fe . bands of black cut velvet centring a conventionalized floral 
 
 ) 
 
 motive. Length, 7 feet 3 inches; width, 3 feet 4 inches. 
 
 201. DRAP D’OR CUT VELVET RUNNER Italian, XVII Century 
 Lustrous gold field very beautifully enriched with a Louis 
 45 v) Quinze design in cut two-toned mulberry-crimson velvet. 
 Trimmed with tasseled fringe. 
 
 Length, 44 inches; width, 20% inches. 
 
 202. UNUSUAL CUT VELVET PANEL 
 Genoese, Early XVII Century 
 Le wd, Woven with five rows of graceful palmettes, emitting scrolled 
 Ys branches bearing tulips and leafage, in veil or, cobalt-blue, 
 bois de rose and emerald; border of sky-blue silk overlaid with 
 
 filigree gold galloon. 
 Length, 4 feet 9 inches; width, 2 feet 9 inches. 
 203. DRAP D’OR TABLE COVER Venetian, XVIII Century 
 uo ve I< brocade of splendor in which the pattern is floral, woven in 
 « gold threads. Banded with gold galloon. 
 
 Length, 6 feet 5 inches; width, 4 feet 10 inches. 
 
 204. CUT AND UNCUT BOTTICELLI-GREEN VELVET TABLE RUNNER 
 Italian, XVII Century 
 fs O owe Ground of ivory silk and golden threads, semé with conven- 
 tionalized floral motives in rich toned cut velvet; the end 
 panels of uncut velvet. Edged with silver lace galloon. 
 Length, 6 feet 6 inches; width, 1 foot 8 inches. 
 
 205. CUT SAPPHIRE-BLUE VELVET PANEL 
 Italian, XV Century 
 i ‘tarp _— Superb old velvet portion of a chasuble, cut to a pointed Gothic 
 eee design. 
 Height, 41% inches; width, 26% inches. 
 206. Two LENGTHS OF PEACH-TONED VELVET 
 Italian, XVI Century 
 Superb tones fluctuating from flame-red to golden-yellows, 
 
 / f CO ™ with traces of a scrolled appliqué design. 
 . Length, 19 yards. 
 
207. EMERALD-GREEN VELVET PANEL Italian, XVIII Century 
 
 Lustrous tones varying with the light; with impressed Louis 
 
 tZ _ Seize design of entwined scrollings from previous embroidery. 
 Edged with gold galloon. 
 
 Length, 12 feet 9 inches; width, 3 feet 5 inches. 
 208. AMBER CUT VELVET COVERLET Genoese, Renaissance 
 Three joined panels, bearing an allover design of blossoms, 
 
 qb _— ©sscrolls, meandering sprays, and leafage wrought in an in- 
 tricate ensemble. 
 
 Length, 7 feet 8 inches; width, 4 feet 9 inches. 
 209. BOTTLE-GREEN VELVET COVERLET Italian, XVIII Century 
 Striated ground and rich soft sheen. Composed of four even 
 7 /0- widths. Narrow gold galloon border. 
 Length, 8 feet 1 inch; width, 6 feet 10 inches. 
 210. LARGE AMBER VELVET COVERLET 
 Italian, Late XVII Century 
 
 eZ / 6 _- Composed of five panels of the finest golden-amber velvet. 
 Contemporary gold galloon border. 
 
 Length, 10 feet; width, 8 feet 5 inches. 
 
 211. WELVET COVERLET Italian, Late XVIII Century 
 Composed of five widths of deep sky-blue velvet; brilliant 
 
 a / p _-sheen. Gold galloon border of meandering ribbons and blos- 
 
 som motives. 
 Length, 8 feet 8 inches; width, 8 feet 4 inches. 
 
 212. BLEU-DE-CIEL VELVET PANEL Italian, XVIII Century 
 The field is composed of three widths of lustrous sky-blue 
 
 iW 20) __velvet. Gold galloon floral border at three sides. 
 
 Length, 9 feet 8 inches; width, 5 feet 1 inch. 
 213. VELVET COVERLET Italian, XVII Century 
 
 Beautiful garnet-colored field of lustrous sheen. Serpentined 
 
 ae -inner border of silver galloon; straight outer border of the 
 ofS cx same material. 
 
 Length, 6 feet 10 inches; width, 6 feet 6 inches. 
 
 214. WELVET COVERLET Italian, XVIII Century 
 
 Soft sea-green velvet covered with a brilliant, silvery sheen. 
 
 Length, 9 feet 5 inches; width, 7 feet 5 inches. 
 16 0.— 
 7 A 2 
 
215. BEAUTIFUL APRICOT VELVET COVERLET 
 Italian, XVII Century 
 / ~ Unusually soft texture of deep rich orange tonation, dappled 
 ee with a brilliant silvery sheen. Gold galloon border of inter- 
 secting meandering ribbons. ‘Three widths. 
 Length, 7 feet 1 inch; width, 6 feet 2 inches. 
 
 216. FLAME-COLORED VELVET RUNNER Italian, XVII Century 
 Lustrous rich velvet, bearing outlines of a coronet surmounting 
 
 a scrolled oval escutcheon; bordered in narrow gold galloon. 
 ee uss Length, 7 feet; width, 1 foot 9 inches. 
 
 217. SUPERB DRAP D’OR CRIMSON VELVET PANEL 
 Broussa, Late XV Century 
 if / ©. Woven with lavish ogivals of leaves emitting tulips and en- 
 | closing fan-shaped palmettes, in silver thread. 
 Length, 6 feet 3 inches; width, 4 feet 3 inches. 
 
 218. UNUSUAL GOLD BROCADE AND VELVET COVERLET 
 caer Italian, XVI Century 
 ae: The striated claret field is woven with a latticed leaf spray 
 pattern; the reserves thus formed, are occupied by large many- 
 petaled blossoms. Crimson velvet border. 
 Length, 7 feet 10 inches; width, 6 feet 7 inches. 
 
 219. LARGE VELVET COVERLET Italian, Late XVII Century 
 
 Composed of four widths of lustrous crimson velvet of bril- 
 
 ad ry fy ant sheen. Fine cntemporary border of gold galloon featur- 
 > ing conventional floral motives. 
 
 Length, 8 feet; width, 6 feet 10 inches. 
 
 220. SUPERB CUT VELVEF AND BROCADE PANEL 
 Broussa, XV Century 
 
 Fawn ground of lustrous sheen, bearing a magnificent bold 
 — composition of arched meandering branches with coronets at 
 / .4 intersections. The reserves, thus formed, are occupied by tulip 
 m™/ . . 
 blossoms and leaf motives. The whole woven in gold and 
 silver thread. 
 
 Length, 5 feet; width, 2 feet. 
 
221. CRIMSON GOLD-WOVEN BrocaDED HANGING 
 Venetian, XVII Century 
 Developing a symmetrical design of scrolling leaves embrac- 
 ) bo -~ ing chrysanthemums, tulips, peonies and other flowers sug- 
 gestive of a strongly Oriental influence and woven in sky-blue, 
 green, pink, fawn and ivory; joined by a triple band of silver 
 
 filigree galloon. Length, 8 feet 9 inches; width, 6 feet 1 inch. 
 
 222. AQUAMARINE VELVET HANGING Genoese, XVII Century 
 
 2, Oblong panel, fluctuating from deep greenish-blue to sky-blue, 
 
 4 0 “and bearing traces of former arabesqued scroll appliqués; 
 bordered with silver galloon. 
 
 Length, 10 feet 9 inches; width, 4 feet 10 inches. 
 
 223. SKY-BLUE VELVET HANGING Italian, XVII Century 
 
 Superb rich velvet, with lavish warm cerulean-blue tones; 
 
 lb ¢ _~bordered in silver galloon. 
 
 Length, 9 feet 5 inches; width, 5 feet 1 inch. 
 
 224. BEAUTIFUL APRICOT VELVET PANEL Italian, Renaissance 
 Brilliant sheen, giving it the aspect of cloth-of-silver. Com- 
 
 nosed of six small oblong joined panels. 
 Length, 6 feet 8 inches; width, 5 feet 1 inch. 
 
 225. IMPORTANT CUT VELVET AND SILVER BROCADE PANEL 
 French, Louis XV Period 
 
 Silver ground, superimposed by diapered blossoms in apricot 
 2 a ; ; : : 
 
 > “velvet. Narrow central panel, identical in design but exe- 
 cuted in sapphire velvet. 
 
 Length, 6 feet 8 inches; width, 2 feet 10% inches. 
 226. EMERALD VELVET COVERLET Genoese 
 )S0. The field is composed of three vertical panels, intact. 
 
 Length, 7 feet 2 inches; width, 4 feet 7 inches. 
 
 227. PAIR VELVET AND APPLIQUE EMBROIDERY PORTIERES 
 Italian, XVII Century 
 Beautiful apricot velvet field superimposed with an embroid- 
 ered border composed of bold, blossom-wreathed scrollings. 
 ¥ _-Phe ends are formed by arches enriched with flower, vase and 
 54. shell motives. Height, 7 feet; width, 4 feet 8 inches. 
 
228. LARGE VIEIL-OR VELVET COVERLET 
 Italian, Early XVIII Century 
 
 G Consisting of four and one-half widths of golden-colored 
 / ¥ / + velours de Génes. Imprints of an appliqué scroll and blos- 
 
 som border are still visible. Gold galloon edge. 
 Length, 14 feet 3 inches; width, 7 feet 11 inches. 
 
 229. AMETHYST VELVET TABLE COVER Italian, XVII Century 
 Delicate purple velvet with lustrous sheen; braided with gold 
 
 Q —galloon. 
 | Length, 5 feet 4 inches; width, 4 feet 8 inches. 
 230. VIEUX-ROSE VELVET HANGING French, XIX: Century 
 _~ Four widths of light silk velvet fluctuating to shell-pink. 
 c 4 “~ Length, 6 feet 11 inches; width, 5 feet 9 inches. 
 231. VELVET HANGING Italian, Early XVII Century 
 
 In a beautiful amethyst color of brilliant sheen. 
 Length, 5 feet; width, 39% inches. 
 
 232. SILVER-WOVEN SALMON-PINK SILK HANGING 
 Italian, XVII Century 
 
 / ). , ,  Brocaded in silver thread with allover design of undulating 
 cm vermiculate branches bearing tiny upstanding flowers and- 
 leaves. 
 
 Length, 5 feet 10 inches; width, 3 feet 10 inches. 
 
 233. PEA-GREEN FLOSS VELVET HANGING 
 Italian, XVIII Century 
 “Ge Pale lime-green ground, woven with shaggy velvet pile applied 
 Lf ~. © in horizontal lines in the weft direction. Four widths. 
 Length, 6 feet 10 inches; width, 7 feet. 
 
 234. CRIMSON BROCATELLE ALTAR FRONTAL 
 Italian, XVI Century 
 Design of double ogivals enriched with spirally twisted ribbon 
 _-¢) <~ motives and enclosing pomegranate figures. 
 Length, 6 feet 5 inches; width, 2 feet 9 inches. 
 
 <> 
 
235. CRIMSON AND GOLDEN-YELLOW CuT VELVET PANEL 
 
 Design of small lattice formed of scrolling leaves enclosing 
 
 y) 6 rosettes, tiny jardinieres and leaf devices in crimson velvet 
 : on a ground of pale gold. 
 
 Length, 6 feet 2 inches; width, 1 foot 10 inches. 
 230. CRIMSON AND GOLDEN-YELLOW CUT VELVET PANEL 
 Similar to the preceding. 
 a a : 
 ¢ a Length, © feet 2 inches; width, 1 foot 9 inches. 
 237. GOLDEN-AMBER VELVET COVERLET = Italian, XVII Century 
 Rich amber-yellow shading to brownish-topaz with the play of 
 ISG gate light; bordered with gold galloon. 
 
 Length, 7 feet 1 inch; width, 5 feet 1 inch. 
 
 238. AMETHYST VELVET TABLE CoveR French, XVIII Century 
 Magnificent silk velvet with soft fluctuating surface deepen- 
 
 Lo ing to purple. 
 a Length, 6 feet 3 inches; width, 4 feet 10 inches. 
 
 239. BOUCLE GOLDEN-YELLOW DAMASK PANEL 
 Italian, XVII Century 
 
 of » «Design of interlacing ribbon ogivals enclosing leaf-shaped 
 
 é pomegranate figures and leafage and bouclé with loops of gold 
 thread. 
 
 ‘ Length, 7 feet 6 inches; width, 2 feet. 
 
 240. GOLDEN-AMBER VELVET COVERLET Italian, XVII Century 
 
 _-Rich amber-yellow shading to brownish-topaz with the play of 
 /?- the light; bordered with gold galloon. 
 
 Length, 6 feet 11 inches; width, 5 feet © inches. 
 
 241. LouIS TREIZE CRIMSON DAMASK COVERLET 
 
 Crimson satin ground damassé in ivory with ogivals of inter- 
 linked leafage enclosing jardiniéres of tulips and carnations 
 
 /¢ Be arented with mascarons. 
 
 Length, 8 feet 4 inches; width, 7 feet 2 inches. 
 
 242. AQUAMARINE VELVET COVERLET French, XVIII Century 
 Heavy lustrous greenish-gray velvet in four widths; mounted 
 “with gold galloon. (Needs repair.) 
 
 Length, 7 feet 5 inches; width, 8 feet 9 inches. 
 
243. 
 
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 244. 
 
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 246. 
 
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 248. 
 
 250. 
 
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 exer 
 
 AMBER-YELLOW VELVET COVERLET French, XVIII Century 
 
 Mellow golden-amber velvet with yellow bloom; bordered 
 
 with gold galloon. 
 Length, 9 feet 8 inches; width, 8 feet 2 inches. 
 
 DRAP D’OR YELLOW SATIN COPE Italian, XVIII Century 
 
 Golden-yellow satin shaded with gold thread in lines run- 
 
 ning in the weft direction. 
 Length, 9 feet 7 inches; width, § feet. 
 
 CRIMSON BROCATELLE COPE Italian, circa 1600 
 
 Design of interlinked leaf ogivals enclosing symmetrical de- 
 vices of pomegranates emitting serrated leaves, and sprays of 
 carnations. Length, 8 feet 5 inches; width, 4 feet 4 inches, 
 
 ROSE-CRIMSON CUT VELVET ALTAR FRONTAL 
 French, Empire Period 
 Interlacing double ribbon design of ogivals clasped with coro- 
 nets and enclosing pomegranate devices. Fringed. 
 Length, 9 feet 8 inches; width, 2 feet 7 inches. 
 BOIS-DE-ROSE SILK VELVET COVER French, XVIII Century 
 Lustrous silk velvet with shell-pink bloom. Mounted with 
 silver galloon. Length, 9 feet 9 inches; width, § feet. 
 
 JADE-GREEN VELVET COVERLET French, XVIII Century 
 Soft lustrous silk velvet fluctuating to bluish-jade tones. 
 Mounted with gold galloon. 
 
 Length, 9 feet 2 inches; width, 7 feet 4 inches. 
 GOLDEN-AMBER VELVET COVERLET French, XVIII Century 
 Lustrous velvet with pale yellow sheen; bordered with gold 
 galloon. Length, 7 feet 7 inches; width, 5 feet. 
 
 PLUM VELVET COVERLET French, Empire Period 
 Deep wine-red velvet; bordered with gold galloon. 
 Length, 7 feet 10 inches; width, 6 feet 6 inches. 
 APRICOT VELVET COVERLET French, XVIII Century 
 Rich silk velvet with golden-yellow sheen; bordered in gold 
 galloon. 
 Length, 8 feet 2 inches; width, 7 feet. 
 
252. 
 
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 EMERALD-GREEN VELVET HANGING 
 Spanish or Italian, Late XVII Century 
 Brilliant metallic-green velvet with traces of original appliqué 
 
 of broad strap-work and leaf design. 
 
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 Length, 10 feet 8 inches; width, 1 foot 7% inches. 
 GOLD AND SILVER BROCADE COVERLET 
 Italian, Louis XV’ Period 
 Lavishly enriched with florid design of undulating gold and 
 silver branches, supporting flowers woven in soft-colored silks 
 and enclosing bunches of flowers and vines. 
 Length, 7 feet 2 inches; width, 5 feet 4 inches. 
 VANDYCK-BROWN VELVET HANGING 
 French, Empire Period 
 Lustrous golden-brown velvet; mounted with silver galloon. 
 Length, 9 feet; width, 3 feet 9 inches. 
 DRAP D’OR ET D’ARGENT BROCADE PANEL 
 Lous Philippe Period 
 Cloth-of-gold ground woven with ogivals formed of broad un- 
 dulating silver ribbons, enriched with blossoms and shell mo- 
 tives and enclosing symmetrical floral sprays in colored silks 
 enriched in raised velvet pile. 
 Length, 9 feet 10 inches; width, 1 foot 9 inches. 
 
 PEACOCK-BLUE VELVET COVERLET French, XVIII Century 
 Rich pale bluish-green velvet with brown ground; mounted 
 with gold galloon. 
 
 Length, 9 feet 3 inches; width, 6 feet 10 inches. 
 SICILIAN LINEN DAMASK COVERLET Early XVIII Century 
 Developing in greenish-blue on a beige ground a bold design 
 f interlacing leaf scrolls with pomegranate and pendent 
 blossoms enclosing large ogival medallions of leaves and fruit. 
 
 Length, 8 feet 11 inches; width, 4 feet 3 inches. 
 
 INDIGO-BLUE VELVET HANGING French; Empire Period 
 Large panel of rich greenish-blue velvet fluctuating to steel- 
 blue and bearing traces of border appliqué of interlacing 
 scrollings with shell figures at the corners. 
 
 Length, 12 feet 8 inches; width, 9 feet 8 inches. 
 
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 Two ORANGE VELVET VALANCES French, XVIII Century 
 With traces of appliqué of broad ribbon scrolling. 
 
 Lengths, 7 feet 3 inches and 11 feet 5 inches; width, 1 foot 8 inches. 
 PLUM-COLORED VELVET PANEL French, Empire Period 
 
 Mellow velvet fluctuating from purple to wine-red; bordered 
 
 in gold galloon. 
 Length, 9 feet 4 inches; width, 9 feet 6 inches. 
 
 BoOUCLE BOIS-DE-ROSE CUT VELVET HANGING 
 French, Empire Period 
 
 Bold design of large symmetrical clasped leaf scrolls sur- 
 
 Fo — mounted by canopies of leafage and enriched with tiny gold 
 
 262. 
 
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 Length, 11 feet; width, 7 feet § inches. 
 
 STEEL-BLUE VELVET COVERLET Italian, XVII Century 
 Large panel of fine metallic-blue velvet bearing traces of broad 
 
 __ original leaf-scroll appliqués at the ends. 
 
 Length, 14 feet 5 inches; width, 7 feet 1 inch. 
 ORANGE VELVET VALANCE WITH GOLD APPLIQUE 
 French, XVIII Century 
 Length of lustrous tawny-orange velvet, enriched with a heavy 
 gold running appliqué of scrollings. 
 Length, 14 feet 7 inches; width, 1 foot 7 inches. 
 
 264. PLUM-COLORED VELVET BALDACCHINO 
 French, Empire Pertod 
 Deep wine-purple velvet with traces of border appliqué of 
 Tee it _~ interlacing scrolled strap-work design. 
 
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 Length, 11 feet 6 inches; width, 10 feet 8 inches. 
 
 265. ANTIQUE RESHT PATCHWORK EMBROIDERY MOSQUE HANGING 
 
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 Divided into six panels with arched compartments enriched 
 with mosaic designs and headed by plaquettes with inscriptions 
 
 _alternating with arabesqued roundels; worked in appliqués 
 
 of colored linens surrounded by woolen cordonnets. 
 Length, 22 feet 6 inches; width, 6 feet 7 inches. 
 
 {END OF FIRST SESSION 
 
SECOND AND LAST SESSION 
 SATURDAY, APRIL 17, AT 2:15 P.M. 
 
 Catalogue Numbers 266 to 528 Inclusive 
 6S 
 MISCELLANEOUS OBJECTS 
 
 CARVED BOxXWwooD GREEK CROSS 
 
 266. 
 is Monte Athos, XVI Century 
 [2 “ Minutely carved and reticulated, exhibiting scenes from the 
 ; life of Christ. 
 Height, 47% inches. 
 267. Two CARTHUSIAN FRAMES 
 -® ~ With inlays of olive- and rose-wood. 
 Length, 634 inches; width, 5 inches. 
 268. VERRE EGLOMISE DIPTYCH Venetian, XIV Century 
 Depicting in the cusped arches The Annunciation; in the 
 B7 / (© —pPanels The Nativity and The Crucifixion; in the spandrels 
 ’ are representations of the Apostles and symbols of the Evan- 
 gelists. 
 Height, 8 inches; width extended, 91/4 inches. 
 269. CARVED WALNUT AND BEECHWOOD MINIATURE CHEST 
 Italian, Late XVI Century 
 .. Rectangular molded hinged top; the front panel having ap- 
 - =< plied escutcheon, polychromed and charged; deeply gadrooned 
 and leaf-carved base, on embryonic claw feet. 
 Height, 10% inches; length, 15% inches. 
 
 270. BYZANTINE TRIPTYCH Early XVI Century 
 Painted panels, depicting in the characteristic manner twelve 
 scenes in the life of Christ, mounted at the corners and sides 
 
 fb in brass. Folding to form one panel with the sudarium on 
 
 —_— 
 the back and an apostle on the front. 
 Extended length, 14 inches. 
 
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 GILDED FRAME WITH MINIATURES 
 French, XVIII Century 
 Gilded frame containing five French miniatures, a small Bat- 
 tersea enamel and two French enamels. 
 Height, 11 inches; width, 8% inches. 
 
 MURANO GLASS COVERED VASE XVII Century 
 Coniform, with domed cover. Of iridescent slate color flecked 
 with silver. (Cracked.) Height, 5 inches. 
 
 SICILIAN NIELLO COVERED COUPE AND PLATE 
 Cylindrical; on slightly domed foot; circular plate; enriched 
 
 with an arabesque design of leafage ate rosettes. 
 
 Height, 7% inches. 
 BrASS INCENSE BURNER XV Century Style 
 Globular, on foot with spreading base, with heads and trefoils, 
 repousseés. Height, 9 inches. 
 IMPORTANT BRONZE MORTAR Italian, XVI Century 
 
 Bell-shaped, with flaring lip and circular foot, enriched by 
 horizontal double moldings and acanthus leafage. The han- 
 dles formed of human heads modeled in full relief. 
 
 Height, 934 inches. 
 
 GOTHIC BRONZE PESTLE AND MORTAR 
 Italian, XV Century 
 Deep bowl-shaped, the sides enriched with ridged projections, 
 
 and ring drop-handles. Height, 34 inches. 
 BRONZE PESTLE AND MORTAR Italian, XVI Century 
 
 Tapering sides, with molded rim and foot; enriched with out- 
 
 __.standing bossed and scrolled lugs enclosing fleurs-de-lys, at the 
 
 rim is a chain of fleurs-de-lys. Height, 414 inches. 
 
 GOTHIC BRONZE PESTLE AND MorTAR’- French, circa 1500 
 Round tapering body, paneled with rinceau motives enclosing 
 a species of the Tudor rose, at the base a banding of Gothic 
 tracery. Curious rope-molded handle. Fine patina. 
 
 Height, 5% inches. 
 
— 
 
 ITALIAN BRONZE-MOUNTED AGATE BOWL 
 Circular faceted bowl of translucent dove-gray-blue agate; on 
 
 tripod base composed of sphinxes. (Reconstructed base.) 
 
 Diameter, 4% inches. 
 BRONZE CUPIDON By Roccatagliata, Italian, XVI Century 
 Erect winged figure, partly draped and supporting a coronet. 
 On bronze plinth. 
 
 Height, 734 inches. 
 
 Two GILDED BRONZE STATUETTES Italian Renaissance 
 (A) MADONNA. Erect figure of the Holy Mother, classically 
 draped and hooded, with her hands clasped. (B) SAINT JOHN. 
 Erect figure, with flowing habit. (Hand missing.) 
 
 Heights, 6% and 634 inches. 
 
 GILDED BRONZE COUPE Italian Renaissance 
 Circular bowl, repoussé with leafage; on chased balustered 
 stem and splayed circular foot. Height, 7/4 inches. 
 REPOUSSE BRAssS DISH Venetian, XVII Century 
 
 Circular, with broad flange stamped with trefoils and quatre- 
 foils, the centre having bossed medallion emitting convention- 
 alized leafage and thistles. 
 
 Diameter, 15 inches. 
 
 SMALL COPPER CAULDRON Italian, XVIII Century 
 Circular bowl, enriched with incised floral and fan motives; 
 on circular molded foot. Bail handle. Height, 1014 inches. 
 COPPER CAULDRON Italian, XVII Century 
 Circular lobed body, having astragal molded collar and round 
 foot. Bail handle. Height, 10% inches. 
 
 _ PatR BRONZE PRICKET ALTAR CANDLESTICKS 
 
 Italian, XVIII Century 
 Vase baluster stem, on trilateral base with claw feet. Circular 
 er1easc-tray. Height, 7% inches. 
 
 Pair CUIVRE Doré CANDLESTICKS Florentine, XV Century 
 Columnar stem, on splayed circular foot in two sections; 
 repoussé with cartouches containing fleur-de-lys flory. 
 
 “Ys— Height, 8% inches. 
 
a, 
 LO -~orease-tray. 
 
 288. PAIR VENETIAN BRONZE CANDLESTICKS XV Century 
 
 Molded base and knopped stem; circular flaring foot and 
 Height, 10% inches. 
 
 289. PAIR BRONZE ALTAR PRICKET CANDLESTICKS 
 
 Italian, XVII Century 
 
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 aD .Knopped baluster stem, on circular incurving molded foot. 
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 290. 
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 291. 
 
 294. 
 
 295. 
 
 » « various colors. 
 
 Circular grease-tray. Height, 1334 inches. 
 
 GoTHIC WROUGHT IRON CANDLESTICKS 
 Slender baluster and screw shaft, with arm for candle; on six 
 scrolled feet. 
 Height, 18% inches. 
 BRONZE FIGURE OF A BULL 
 In the manner of Giambologna, Florentine, XVI Century 
 The animal in attitude of combat; well modeled and with 
 beautiful patina. On small oval base. 
 Height, 8% inches. 
 BRONZE FIGURE OF A HORSE Florentine, XVI Century 
 Classically modeled figure; on rectangular marble base. 
 Height, 10 inches. 
 
 Note: Possibly the work of a follower of Leonardo da Vinci who was 
 in his studio when Leonardo was preparing the monument of Sforza e Tri- 
 vulzio. 
 
 MILANO MAJOLICA FIGURINE — XVIII Century 
 
 -Naturalistically modeled figure of an elephant, glazed in soft 
 
 white. The ears are painted a rich mauve and the tusks a 
 golden-yellow. 
 
 Length, 10% inches. 
 PAIR CAPO DI MONTE GROUPS Early XVIII Century 
 NEPTUNE AND VENUS. On rock base, around which are sirens 
 
 -and further ornamentation of conch-shells and masks. 
 
 Height, 9 inches. 
 
 PAIR CAPO DI MONTE GROUPS Early XVIII Century 
 
 Representing bacchanals on rock bases, around which are 
 youthful bacchanalians and grape and vine decoration, in 
 
 Height, 15% inches. 
 
296. WALNUT CHAMBER CANDLESTICK 
 Northern Italian, XVII Century 
 ? f/f}. Baluster stem, having a revolving central member, emitting 
 7. one bobéche,; on circular foot. 
 Height, 22% inches. 
 297. SMALL TORTOISE-SHELL CASKET Italian, XVII Century 
 f- Rectangular, with faceted domed hinged top. 
 Length, 7% inches. 
 298. CARVED WALNUT MINIATURE CHEST 
 Italian, Late XVI Century 
 jt _« Oblong molded hinged top; the front having recessed panel 
 C of finely figured burl walnut; on gadrooned base and claw 
 feet. 
 Height, 8% inches; width, 16% inches. 
 299. CARVED WALNUT MINIATURE CHEST 
 Italian, XVI Century 
 “ate Rectangular molded hinged top, having notched cornice mold- 
 . ing, the front panel flanked by voluted leaf pilasters. On 
 molded base with claw feet. 
 Height, 12% inches; length, 2334 inches. 
 300. GILDED BRONZE BASE OF A CHALICE 
 Florentine Renaissance 
 d x Repoussé balustered stem, on circular foot enriched with 
 / ro scrollings and cherubic masks. 
 Height, 7 inches. 
 301. REPOUSSE SILVER CHALICE Italian, XVI Century 
 Bell-shaped coupe; on balustered stem and hexagonal lobed 
 foot; enriched with winged cherubim-heads within finely 
 led cartouches; the base exhibiting the Virgin Mother, 
 Saint Joseph and a mitred Bishop, alternating with palmette 
 motives. With plate. 
 
 Height, 8% inches. 
 302. REPOUSSE SILVER-GILDED GHAMICE Italian, XVI Century 
 
 Bell-shaped coupe, supported by a bossed baluster shaft; on 
 splayed circular foot; the whole repousseé with cherubim-heads 
 
 ou amidst scrolled leafage. Height, 8% inches. 
 
303. 
 
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 304. 
 
 300. 
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 GILDED COPPER CHALICE Italian, XV Century 
 Knopped stem, with six enameled medallions, exhibiting the 
 Latin and Moline crosses, and cinquefoils. Inverted cone- 
 shaped coupe, on circular lobed foot finely repoussé with tulip 
 forms. Height, 8 inches. 
 
 GOTHIC GILDED COPPER CHALICE Italian, XIV Century 
 Knopped stem, with six medallions incised with mystic Chris- 
 tian symbols; the coupe with expanding lip and finely chiseled 
 perifery; on polygonal dome foot with enameled medallions. 
 (Enamel damaged. ) Height, 8 inches. 
 
 GILDED COPPER BASE OF CHALICE Venetian, XVI Century 
 Vase baluster stem, on circular splayed foot, richly repoussé 
 with Renaissance motives and having silver appliqué heads 
 
 of angels modeled in the manner of Sansovino. 
 Height, 8 inches. 
 
 GOTHIC GILDED COPPER MONSTRANCE Italian, circa 1500 
 
 Knopped stem, with six enameled medallions depicting saints; 
 hexagonal glazed arcaded top with polygonal dome and ter- 
 minal figure; on circular lobed base with finely chiseled 
 leafage. 
 
 Height, 13% inches. 
 
 CUIVRE DoRE RELIQUARY Italian, XVI Century 
 Cylindrical; enriched with reticulated quatrefoils; the glass 
 
 _ container having a pyramidal hinged lid, surmounted by a 
 
 fimbriated cross; on hexagonal knopped stem and incurving 
 foot. 
 Height, 12 inches. 
 
 GILDED BRONZE MONSTRANCE Italian, XVI Century 
 Of architectural form, the dome in two degrees, repoussé with 
 scrollings and having crucifix finial, supported by four fluted 
 and quilled half columns surmounted by figures of SS. Cath- 
 erine and Mary Magdalene and two further saints, having at 
 the base winged cherubim-heads. On vase baluster stem and 
 splayed circular foot, incised with leafage and scrollings. Foot 
 and stem of a later period. 
 
 Height, 1414 inches. 
 
309. GILDED BRONZE MONSTRANCE Italian, XVI Century 
 
 Of architectural form; the dome in two degrees, repoussé with 
 arcadings and having crucifix finial, supported by tapering 
 
 Lf 5S fluted columns with caryatid capitals, and having at the base 
 female masks. On vase baluster stem and splayed circular 
 foot, incised with leafage and scrollings. Foot and stem of 
 a later period. 
 
 Height, 15 inches. 
 
 310. SILVER GILT MONSTRANCE Italian, XVI Century 
 
 Of architectural form; the domed top with terminal figure 
 yj p _vepoussé with winged putto-heads, and emblems of Christ’s 
 - Passion, supported by fluted columns with caryatid capitals; 
 
 on balustered stem and circular lobed foot. 
 
 Height, 15% inches. 
 
 311. CUIVRE DORE MONSTRANCE Italian, Late XV Century 
 
 Architectural; having spherical knopped stem with six medal- 
 _ lions inscribed with I H S and floral motives. Domed top with 
 / 0 “. terminal figure supported by flying buttresses of Gothic con- 
 tour. On hexagonal lobed base with enameled medallions. 
 (Enamel damaged.) 
 Height, 16% inches. 
 
 312. SCULPTURED DUOMO MARBLE GROUP 
 Northern Italian, XV Century 
 PIETA. Classically draped seated figure of the Holy Mother 
 uf y, with the emaciated figure of Christ upon her lap; she supports 
 
 “~~ His thorn-crowned head by her right hand. 
 Height, 13% inches. 
 By one of the “Maestri Comacint” and ascribed to Giovanni of 
 
 Como. 
 
 313. GILDED SILVER PEDESTAL Italian Renaissance 
 
 Vase baluster stem, having a flattened spherical knop, and an 
 
 urn finial, upon which are superimposed two cornucopiae set 
 
 _—— saltirewise. On lobed cruciform base. The whole repoussé 
 E and chiseled with acanthus leafage and anthemion motives. 
 
 Height, 17 inches. 
 
314. SILVER GILT VOTIVE RELIQUARY Spanish, XVI Century 
 Irregular octagon-shape, on vase baluster stem and hexagonal 
 Peer p _lobed foot. The Teliquary proper finely repoussé and having 
 tif in niches appliqués figures of SS. Peter, Paul, Andrew, Jerome 
 and others; hinged top of pyramidal form, emitting scrolled 
 dolphins; the foot also repoussé and finely chiseled with em- 
 blems of Christ’s Passion. Inscribed and dated on border: 
 
 En el Ainio: 1546—and the names of donors. 
 Height, 16° inches. 
 
 (Illustrated ) 
 
 315. WROUGHT IRON PRICKET TORCHERE Italian, XVI Century 
 
 Slender square shaft, on scrolled base; the horizontal member 
 
 oe fitted with thirteen prickets for candles, and supported by 
 0) graceful C- and S-scrollings in triangular form. 
 
 Height, 46% inches. 
 
 CARVED IVORIES, SMALL COFFERS AND BOXES 
 
 316. ‘Two Ivory PLAQUETTES Embriacht Art, XV Century 
 
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 ni y mF d Fail 
 
 317. Ivory PLAQUETTE AND BONE HUNTING-KNIFE HANDLE 
 
 z The former with carving of Christ pronouncing the benedic- 
 Ss _— tion; and the latter with scenes of the hunt. 
 
 _ Each carved with two female figures. 
 
 318. CARVED IvoRY STATUETTE Spanish, XVI Century 
 - Minute figure of Saint Francis of Assisi with tonsured head, 
 
 / ) . garbed in the habit of his order. On ebonized base. 
 Height, 3% inches. 
 
 319. KNIFE AND Fork WITH CARVED Ivory HANDLES 
 Augsburg, XVI Century 
 _» 9» The handles carved with putti surmounted by a musical fawn 
 | and a nymph, in a characteristic pose. 
 
No. 314. SILVER-GILT VOTIVE RELIQUARY 
 (Spanish, XVI Century) 
 
320. 
 
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 CARVED Ivory DIPTYCH French, XIV Century 
 Rectangular hinged panels which close to box form; beneath 
 Gothic arched canopies. The Crucifixion with naively por- 
 trayed figures of the pious women, Saint John and Nicodemus. 
 At the right Saint John between the Archangel Michael and 
 Saint Christopher. 
 
 Height, 3% inches; length, 5% inches. 
 
 A very interesting miniature specimen. 
 
 (Illustrated ) 
 
 CARVED IVORY FIGURINE Spanish, XV Century 
 
 Erect figure of a saint, with flowing hair and beard, wearing a 
 
 girdled tunic and draped mantle. On pearl-molded base. 
 Height, 4% inches. 
 
 CARVED Ivory DIPTYCH Spanish, Late XIV Century 
 
 The left panel represents the Crucifixion, with the tragic weep- 
 ing figures of the Virgin Mother and Saint John; the right 
 panel the three Marys at the sepulchre. Traces of polychrome 
 and gilding. 
 
 Height, 4 inches; width, 5 inches. 
 
323.. CARVED IVORY PLAQUE Spanish, XV Century 
 Rectangular ivory plaque, representing the incredulity of Saint 
 
 Thomas. Colored and gilded. 
 pe Height, 334 inches; width, 2% inches. 
 
 (L/lustrated ) 
 
 324. CARVED IvoRY PLAQUETTE French,-XIV_ Century 
 Rectangular; representing within Gothic arcading, two scenes 
 
 _ from the Passion of Christ: The Crucifixion, with Saint John, 
 
 £O _and the pious women grouped around, and The Deposition, 
 
 ‘ with the traditional personages of this event. 
 Height, 4 inches; width, 2% inches. 
 (Illustrated) 
 325. CARVED Ivory SPINDLE German Renaissance 
 
 _«~ Slender stem with a dolphin’s head and other minute figures. 
 
 326. SMALL CARVED IvoRY PLAQUE | French, XIV Century 
 | Rectangular, with carvings of the Crucifixion and St. John 
 
 aim the Madonna, beneath a Gothic trilobed arch. 
 
 Height, 3% inches; width, 2% inches. 
 
327. SMALL CARVED Ivory DIPTYCH French, XIV Century 
 
 The wings depict: (the left) The Annunciation to the Holy 
 
 Virgin, who is seen seated upon a Gothic throne in front of a 
 
 ( So _~ lectern with a flowering lily in the foreground; (the right) 
 The Madonna and Child between SS. Catherine and Agnes. 
 
 Height, 2 inches; length, 3% inches. 
 
 Note: This exceptionally fine work in miniature reveals great skill in 
 execution and a perfection of composition. 
 
 (Illustrated ) 
 
 328. CARVED IVORY PLAQUETTE French, XIV Century 
 
 Minutely carved. Beneath a triple Gothic arched canopy is 
 <i; -— the erect figure of the Virgin Mother with the Infant Christ 
 in her arms; at the sides are St. John the Baptist and a Virgin 
 
 Martyr. 
 Height, 334 inches; width, 2% inches. 
 329. CARVED IVORY PLAQUE French, XIV Century 
 Portion of a diptych; rectangular, with carving of the Christ 
 a, ,~ being laid in the tomb. Above, a Gothic architectural motive. 
 Feat Height, 3% inches; width, 2% inches. 
 330. CARVED IvoRY CONVEX PLAQUE Spanish, XV Century 
 
 Depicting Christ on the cross, St. John and the blessed 
 Mother; beneath a Gothic arch. 
 
 tte, o Height, 4% inches; width, 234 inches. 
 
331. CARVED Ivory TripTycH Lombardian, End of XIV Century 
 Primitive conception of the Nativity; at the right, behind Saint 
 Joseph, the unusual small figure is probably a follower of the 
 BS Court of the Magi, two of whom are shown in the right panel; 
 
 at the left is the standing figure of an angel in an attitude of 
 admiration. 
 Height, 4 inches; length, 434 inches. 
 
 332. CARVED IvoRY PLAQUETTE 
 French, XIV Century 
 
 Minutely carved depiction of The 
 DL, Adoration of the Magi. 
 feOnte 
 
 Height, 2% inches; width, 2 inches. 
 
 Note: ‘This work is a great artistic 
 achievement of Gothic craftsmanship. The 
 side of a diptych. 
 
 (I/lustrated ) 
 
 333. CARVED IvoRY CONVEX PLAQUE Burgundian, XV Century 
 With carvings of Christ on the cross, the Madonna and Saint 
 
 Sips John, and two Roman soldiers. 
 
 Height, 434 inches; width, 334 inches. 
 
 334. CARVED Ivory PLAQUE French, XIV Century 
 
 Beneath carved Gothic arches is represented Christ on the 
 A cross with the Blessed Virgin and the two Marys at the left 
 *© —~ and St. John, Nicodemus and others at the right. 
 
 Height, 4% inches; width, 3 inches. 
 
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 ees Che Ivory PLAQUETTE 
 
 French, Second Half XIV Century 
 
 wa ‘Rectangular; with Gothic triple-arched canopy, surmounting 
 
 an interesting and superbly carved rendition of the oe: 
 Mother with the Child; she is crowned as the “spouse” of 
 Scripture allegory, St. Michael at the left symbolized as an 
 Archangel, and St. Catherine at the right, having both the sym- 
 bol of martyrdom and the attribute of her royal rank as Prin- 
 cess. The erect figures are classically draped) ins thes@oanume 
 manner. Mounted on cushion. 
 
 Height, 4% inches; width, 3 inches. 
 
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 336. TRIPTYCH OF EMBRIACHI SCULPTURES XIV-XV Century 
 
 bo — 
 
 The central panel displays the classically draped full-length 
 figure of the Virgin Mother and Child, on either side are 
 beatified female figures; in the left wing, St. Stephen; in the 
 right, St. Francis of Assisi robed in the habit of his order. 
 The pointed arches and rectangular base are enriched with 
 geometrical intarsia. 
 
 Height, 8% inches; total length, 7 inches. 
 
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 340. 
 
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 341. 
 
 CARVED IvORY STATUETTE Italian, XVI Century 
 Anthropophagus figure of Saturn, beautifully carved and 
 with fine patina. On Veronese marble base. 
 bud é POS aS Height, 6 inches. 
 CARVED IvORY ‘TRIPTYCH Italian, XIV-XV Century 
 Sculptures of the Embriachi art, representing the Madonna 
 and Child against an arcaded background and between two 
 saints; in the wings St. Stephen and St. Francis. (The intar- 
 siata frame restored.) 
 Height, 8% inches; width, 7 inches. 
 CARVED IVORY FIGURINE German, XVII Century 
 Naturalistically carved, a stag in the attitude of grazing; the 
 antlers and base tinted. 
 Height, 3% inches. 
 CARVED IvoRY HEAD OF A CROZIER 5 
 Italian Byzantine, XIII Century 
 The reticulated centre enclosing the symbolic Lamb. Traces 
 of gilding and polychrome. 
 
 CARVED IvorY DIPTYCH French, XIV Century 
 
 Two rectangular panels interestingly sculptured with supreme 
 primitive naiveté. Depicting the Nativity, with angels an- 
 
 ~nouncing the tidings to the shepherds and the Final Judgment; 
 
 our Lord seated between angels bearing the signs of the Pas- 
 sion; below are those awaiting judgment; above the triple 
 
 arches are glorified angels. 
 Height, 5 inches; length, 7% inches. 
 Note: A very rare work. 
 
 (Illustrated ) 
 
 CARVED BONE FIGURINE Roman, VI-VII Century 
 Erect female figure classically draped; on low base. Fine 
 patina. 
 
 Height, 534 inches. 
 CARVED IVORY STATUETTE Italian, XVI Century 
 
 Erect figure of an Evangelist, with flowing robes and holding 
 a missal. On walnut and ivory base. 
 Height, 7% inches. 
 
No341. GARVEDSLVORY DIPTYCH 
 (French, XIV Century) 
 
344. CARVED IvoRY PLAQUETTE Carolingian, IX Century 
 Rectangular; primitive portrayal of the Crucifixion, at the left 
 is the grief-stricken Mother with St. John to the right. Above 
 
 ft SSO _~the Saviour’s head is the inscription: IHS Nazars Rex Ivde; 
 F on either side are medallions bearing profile heads, a saint and 
 
 a prophet. Fine patinay | | 
 
 Height, 434 inches; width, 234 inches. 
 
 Note: Very rare object of vertu, of great importance by reason of its 
 antiquity, origin, and the great sentiment shown in execution. 
 
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 ee OO eee ee 
 
 —_—-- - 
 
345. CARVED IVORY STATUETTE German, XVI Century 
 | OUR LoRD. A bearded figure, seated, holding a chalice and 
 5 ye pronouncing benediction. In voluminous draperies. On cir- 
 
 - cular base. 
 Height, 534 inches. 
 
 346. CERTOSINA POWDER FLASK German, XVII Century 
 Circular molded body, with minute inlay of stellate and other 
 
 » Ce motives. 
 
 347. CARVED IVORY STATUETTE Haut Rhin. XV-XVI Century 
 _ Finely modeled erect figure of St. Mary Magdalene, volumin- 
 
 [¢ = ously robed and with flowing hair. On circular base. 
 Height, 8% inches. 
 
 348. CARVED IVORY COUPE German Renaissance 
 Vase-shaped, with curiously lobed lip; on circular foot, en- 
 
 Fo ” riched with classic Greek key motive; the perifery carved in 
 relief, exhibiting hounds hunting a stag in a wooded country. 
 
 Height, 5% inches. 
 
 349. JAPANESE IvorRY CARVING XVII Century 
 
 Two warriors amid floral motives, surmounted by an eagle. 
 », La Character mark on the base. 
 
 Height, 10 inches. 
 
 350. SCULPTURED IvORY GROUP Umbrian, XVI Century 
 Superbly modeled seated Virgin, her head veiled and bound 
 by a fillet, robed in flowing draperies; with the Child on her 
 
 oy, / —Tap, a standing figure of St. John, and a seated putto. 
 Se Height, 7% inches. 
 
 351. CARVED Ivory MorTaR AND PESTLE Italian, XVI Century 
 
 Deep vase-shaped bowl, with moldings at rim and about centre, 
 
 enclosing an arabesque design composed of griffins affrontés, 
 
 IS; i lower perifery with sporting and musical amorini among 
 >O the clouds carved in low relief. On echinus-molded base. 
 
 Height, © inches. 
 Note: Rare specimen. 
 
| 
 7 
 ‘ 
 
 352. 
 
 354- 
 
 355: 
 
 256, 
 
 CARVED IVORY VASE South German, XVI Century 
 Cylindrical, with baccello base and slightly expanding lip; the 
 perifery carved in relief with a bacchanalian procession of 
 infant amorini and oxen bearing baskets of fruit, under a grape 
 
 vine. 
 Height, 7 inches; diameter, 4% inches. 
 
 CARVED IvoORY PLAQUE Spanish, XVI Century 
 The coroneted Virgin within the mandorla, supported by three 
 angel-heads; surmounted by the Holy Trinity and the emblems 
 of Christ’s passion; below are two angels flanking a classic urn. 
 In tortoise-shell tabernacolo frame with appliqués mounts and 
 
 clasp. 
 Height, 9% inches; width, 534 inches. 
 
 OcTAGONAL PLAQUE WITH EMBRIACHI SCULPTURES 
 Italian, XIV Century 
 Depicting in the centre St. Paul with the sword fashioned as 
 a cross, flanked by a warrior and two classic figures, enclosed 
 within various similar sculptures. 
 Height, 1034 inches; width, 1034 inches. 
 
 Ivory MORTAR AND PESTLE Italian, XV Century 
 
 Cylindrical, tapering slightly to the base; on circular foot, 
 having a series of horizontal moldings of differing contours. 
 
 Molded pestle. 
 Height, 8 inches. 
 
 IvoRY MorTAR WITH PESTLE Italian, XV Century 
 
 Cylindrical; on circular foot in two degrees, the perifery 
 banded with horizontal moldings of varying contours. 
 Height, 8 inches. 
 
 From the San Giorgi Collection. 
 
357: 
 
 3fo- 
 
 CARVED IVORY STATUETTE French, XV Century 
 Fullilength figure of the Madonna facing the spectator, with 
 the Child in her arms. She is robed in a long tunic, slightly 
 open at the neck, which falls in large folds to the ground; a 
 mantle depends from her shoulders. Her gilded crown 1s 
 studded with turquoises. On detachable circular base. 
 
358. CARVED IVORY STATUETTE Italian, XVI Century 
 
 Curiously draped figure of the Virgin Mother with the Child 
 
 a “8 C), mon her right arm; standing on a cartouche base inscribed: 
 | Gloriosissima Virginis Maria. Ebonized base. 
 
 Height, 1134 inches. 
 (Illustrated ) 
 
 359. CARVED IVORY STATUETTE German, XVI Century 
 Erect figure of Saint Margaret, robed in a girdled tunic and 
 | (0 flowing mantle, bearing the cross with the dove; the demon 
 
 appearing from behind. On ebonized base. 
 Height, 8% inches. 
 
 360. CARVED Boxwood GROUP Northern Italian, circa 1450 
 
 Superly carved erect crowned figure of the Virgin Mother, 
 / OS fe ith the draped Child in her arms, in the hieratic attitude of 
 benediction. 
 
 Height, 9 inches. 
 (Illustrated) 
 
 361. CARVED AND POLYCHROMED PLANEWOOD STATUETTE 
 Ife Erect figure of the Madonna, hooded and voluminously robed. 
 
 Height 13y2 inches. 
 
 Jee aole — Qrrd. O&te CL; peyote 
 COLLECTION OF SMALL COFFERS 
 
 362. SMALL CERTOSINA CASKET 
 Italian, First Half XIV Century 
 |S — Oblong; the top of pyramidal form; interestingly inlaid with 
 ivory, olive- and king-wood developing a lozenge design. ‘The 
 base simulating dominoes. Trimmed with copper mounts. 
 . Height, 3 inches; length, 5 inches. 
 
 363. CARTHUSIAN COFFRETTE ~ XV Century 
 Rectangular with hinged cover. Inlaid geometrical designs 
 
 } 2.4 ee in ivory, bone and wood, tinted. 
 Length, 6 inches; height, 2% inches. 
 
358 360 
 
 INor 358. CARVED IVORY SPATUETIE 
 No. 360. CARVED BOXWOOD GROUP 
 
3073 
 
 40 _ terns in black and white. 
 
 368. 
 
 foe 
 
 369. 
 
 CARTHUSIAN COFFRETTE XV Century 
 
 Similar to the preceding. 
 Length, 5 inches; height, 3 inches. 
 
 CARTHUSIAN COFFRETTE XV Century 
 Rectangular, with hinged pyramidal cover and extending base. 
 Inlays of horn, ivory and wood. 
 
 Length, 5% inches; height, 4% inches. 
 
 CARTHUSIAN COFFRETTE XV Century 
 Rectangular, with hinged cover. Inlays of olivewood, horn 
 and ivory in geometrical designs. 
 
 Length, 4 inches; height, 2% inches. 
 
 ITALIAN BONE AND HORN COFFRETTE XIV-XV Century 
 Rectangular, with hinged pyramidal cover; geometrical pat- 
 
 Length, 6 inches; height, 5 inches. 
 
 INLAID IvoRY CASKET Norman Sicilian, circa 1200 
 Rectangular riveted box; the iron bound cover in the form of 
 a truncated pyramid, and with the sides is finely decorated 
 with conventional flowers, animalistic figures and geometrical 
 motives. 
 
 Height, 4 inches; length, 6% inches. 
 
 (Illustrated) 
 
 JEWEL CASKET WITH SCULPTURES OF EMBRIACHI ART 
 Italian, XIV Century 
 
 3 I _ Oblong, hinged domed top enriched with certosina inlay. The 
 
 carved ivory plaques depict angels bearing a shield; the sides 
 with seventeen small plaquettes also carved in bas-relief with 
 mediaeval figures. (Restored.) : 
 Height, 7% inches; length, 7% inches. 
 
 (Illustrated) 
 
 ee a eee Se a, 
 
CLALPAPL SSS?! LS 
 
 . 
 
CARTHUSIAN COFFRETTE XV Century 
 
 370. 
 Rectangular, with hinged cover. Inlaid geometrical designs 
 me Lege in various woods and ivory. 
 Length, 6 inches; height, 234 inches. 
 371. IvoRY AND TORTOISE-SHELL COFFRETTE XIV-XV Century 
 a Rectangular, with truncated pyramidal cover. Geometrical 
 -\.~) - designs in horn with circular inlays in ivory. Guilloche border. 
 Length, 7% inches; height, 5 inches. 
 372. JEWEL CASKET WITH SCULPTURES OF EMBRIACHI ART 
 Italian, XIV Century 
 zy OHO -" Oblong hinged dome top, the convex ivory plaques carved with 
 leet flying angels; the sides having ten small plaquettes with me- 
 diaeval figures in bas-relief. (The box is reconstructed.) 
 Height, 6% inches; length, 7 inches. 
 373. SMALL IvoRY CASKET Moorish-Sicilian, XV Century 
 Rectangular; enriched with a fretted design and having inlaid 
 
 374: 
 
 TT atl 
 / /¢ 
 
 375: 
 
 borders of geometrical patterning, suggesting the Moorish- 
 Sicilian epoch (1400). . 
 Height, 2 inches; length, 5 inches. 
 CARVED BONE AND HORN COFFRETTE 
 Embriachi Art, Italian, XIV Century 
 Rectangular, with hinged pyramidal cover. On the four sides 
 are carved bone figures showing traces of polychrome and at 
 each angle, a spiraled column. ‘The cover, with inlays of bone 
 in horn; the front and back carved with angels. 
 Length, 7 inches; height, 6 inches. 
 (Illustrated) 
 
 BYZANTINE CARVED Ivory CASKET Italian, X-XI Century 
 Rectangular; the sliding top and sides having recessed panels 
 
 7 . » «finely carved with grotesque dancing figures and animalistic 
 AY oO 
 
 subjects, enclosed by moldings enriched with stellate and ro- 
 setted motives within connecting circles. 
 Length, 11% inches. 
 
 Note: A very rare casket, similar to one in the Carrand Collection, Bar- 
 gello Museum, Florence. 
 
 (I/lustrated) 
 
 ee 
 
 —_— 
 
No. 375. BYZANTINE CARVED IVORY CASKET 
 
 No. 374. CARVED BONE AND HORN COFFRETTE 
 
 —- 
 
 AS. 
 
 CERTOSINA JEWEL CASKET Italian, XV Century 
 
 Oblong; the hinged top and sides decoratively inlaid with 
 ivory, olivewood and ebony, displaying geometrical designs, 
 the chief motives of which are stars and chequering. Lined 
 with old-crimson velvet. 
 
 Length, 8% inches; height, 334 inches. 
 
 CARVED BONE AND HORN COFFRETTE 
 
 Embriachit Art, XIV Century 
 Rectangular, with hinged pyramidal cover; the sides with 
 carvings of figures in bone, showing traces of gilding. 
 
 Length, 734 inches; height, 6 inches. 
 
 CARTHUSIAN COFFRETTE XV Century 
 Rectangular, with geometrical and lattice designs in bone, 
 ivory and various woods. 
 
 Length, 7% inches; height, 4 inches. 
 
 CERTOSINA CASKET Italian, XV Century 
 
 Rectangular; the hinged top and sides inlaid with various 
 fruit-woods, ivory, etc., exhibiting an interesting stellate and 
 geometrical design. 
 
 Height, 8% inches. 
 
 380. JEWEL CASKET WITH SCULPTURES OF EMBRIACH ART 
 
 Oe 
 
 381. 
 
 [10 
 
 Italian, XV Century 
 
 Oblong, with hinged dome top with certosina inlay; the small 
 ivory plaques exhibiting interestingly carved erect figures. 
 
 Height, 6% inches; length, 634 inches. 
 
 CARVED IvoRY CASKET German, XVI Century 
 Oblong, with hinged dome top and two small drawers, banded 
 with pearl and rosetted moldings and richly decorated with 
 reticulated girali1 motives, containing fantastic figures, gro- 
 tesques, birds, lions, and squirrels. Trimmed with bail handles. 
 
 Height, 634 inches; length, 9% inches. 
 
382. GOTHIC WROUGHT IRON CASKET 
 French, XIV-XV Century 
 7/0 —“Rectangular, with reticulated design of Gothic tracery. 
 Slightly domed cover with original iron hasp. 
 Height, 4 inches; length, 634 inches. 
 
 (Illustrated ) 
 
 383. VELVET CASKET MOUNTED IN CuIvRE DoRE 
 French Renaissance 
 Oblong, with hinged top; paneled with exquisite bands re- 
 
 2s poussés, and chased to an arabesque design depicting hunting 
 scenes, connected by interlacing lattice scrolls. Resting on 
 
 ball feet and trimmed with bail handles. 
 Height, 3% inches; length, 614 inches. 
 
INLAID WALNUT MINIATURE CHEST Italian, XV Century 
 Oblong hinged top with minute intarsio inlay exhibiting the 
 Latin cross amid a chequered motive. ‘The sides with geo- 
 metrical designs. (The splayed base is repaired.) 
 
 Height, 7% inches; length, 16% inches. 
 
 . WALNUT MINIATURE CHEST Italian, XVI Century 
 
 Sarcophagus-shaped; molded domed hinged top, the front and 
 sides paneled with applied moldings; claw feet. 
 Height, 91% inches; length, 19% inches. 
 
 SMALL WALNUT AND CARVED IvoRY CABINET 
 Italian Renaissance 
 
 . Rectangular; fitted with eleven drawers, the three central ones 
 
 simulating an architectural door with spiraled half columns 
 and broken pediment, having below a winged cherub-head, the 
 side drawers carved with mascarons, cartouches and scrolled 
 
 leafage. 
 Height, 15% inches; length, 19 inches. 
 
 ITALIAN MAJOLICA, HISPANO-MORESQUE 
 ; PLAQUES AND VASES 
 
 URBINO MAJOLICA PLATTER 
 
 Oval; the tondo in relief, exhibiting an erect bearded figure 
 surrounded by a Raphaelesque design of cupidon, dolphins 
 and grotesques. In characteristic coloring. 
 
 Length, 15 inches. 
 URBINO MAJOLICA PLATTER 
 
 Similar to the preceding, with slight variation in details. 
 Length, 15 inches. 
 
 URBINO MAJOLICA PLATTER 
 Similar to the preceding. 
 
 Length, 15 inches. 
 URBINO MAJOLICA PLATTER 
 
 Similar to the preceding. 
 Length, 15 inches. 
 
: 391. FAENZA MAJOLICA PLATE DU gia entary 
 
 Ae Circular; the tondo with decoration in blue, exhibiting clasped 
 é _~ hands surmounted by a crown, the symbol of Fidelity; the rim 
 
 with lozenge motives. Diticteeee ae hee 
 
 392. FAENZA MAJOLICA EWER XVI Century 
 
 as Oviform, with tapering neck and short spout; loop strap han- 
 <t- dle. Richly decorated in blues, brick-red and green, the. re- 
 * serve exhibiting a recumbent wolf. Height gninches. 
 
 393. MAjJOLICA VASE Florentine, XV Century 
 Cylindrical, with four embryonic handles at shoulder; the 
 SD perifery decorated on ivory ground with floral motives within 
 
 [0d scrollings in fine greens and yellows. Height, 74 inches. 
 394. DERUTA MAaAjOLiIcA VASE XVI Century 
 Pineapple form; on splayed circular foot. Glazed in ivory- 
 
 — white. (Restored.) Fight astinches. 
 
 395. FAENZA MAJOLICA VASE 
 
 Bottle-shaped, with slender neck; decorated in blues, golden- 
 g y— browns and yellows, with a portrait medallion, grotesque masks 
 
 and animalistic figures. (Repaired.) Height, 1234 inches. 
 396. FIRENZE PLAQUE XV Century 
 
 Circular; the deep cavetto enriched with a large fleur-de-lys 
 uo b within a shield, the rim with conventional motives. In deep 
 jade-green. Diameter, 12 inches. 
 
 397. FIRENZE PLAQUE XV Century 
 
 Circular; the deep cavetto enriched with a shield semé with 
 fleurs-de-lys, surrounded by conventional floral motives. In 
 
 (8 ais jade-green. (Restored.) Dianeternt3 anche 
 398. SMALL URBINO PLATE XVI Century 
 
 Circular, with deep cavetto; in brilliantly enameled colors ex- 
 _hibiting the Legends of Perseus; the head of Medusa and a 
 ISD, depiction of Andromeda. Very fine drawing and perspective. 
 
 Diameter, 7 inches. 
 
399. SMALL CASTEL DURANTE PLATE XVI Century 
 
 Deep cavetto, exhibiting a profile female portrait inscribed, 
 
 ae oo, _ Margarita Bella; the marli enriched with grotesques and tro- 
 ~~ ““ ©.“ phies, dated 1546. In fine enameled blues and shaded yellows. 
 
 Diameter, 7 inches. 
 
 400. URBINO MAJOLICA PLATE XVI Century 
 JOSEPH BEING DRAWN FROM THE WELL. Circular; the back 
 
 4 () = enriched with girali motives. Diagnose 
 401. URBINO MAJOLICA PLATE XVI Century 
 
 Serrated circular plate, of undulating surface; exhibiting a 
 
 P nely drawn depiction of the LEGEND OF METTUS CURTIUS, in 
 
 rs a which the mounted Roman youth is seen about to plunge into 
 the volcanic lake. In characteristic enameled colors. } 
 
 Diameter, 934 inches. 
 
 402. FAENZA MAJOLICA PLATE XVI Century 
 
 _ Lobed circular deep plate of undulating surface, with central 
 
 js oa medallion portraying a cupidon holding a cornucopia, in varie- 
 Es gated blues and browns; the tondo enriched with girali 
 motives. Diameter, 10% inches. 
 
 403. DERUTA MAJOLICA PLAQUE XVI Century. 
 Circular, with deep cavetto, depicting a profile female portrait 
 he + bust; to the left is an inscribed banderolle. The broad rim in 
 panels, which enclose scrolled leafage alternating with roulean 
 
 motives. Fine metallic reflections. (Repaired.) 
 Diameter, 15% inches. 
 404. URBINO MAJOLICA PLATE XVI Century 
 Circular, with upturned rim; displaying interesting depiction 
 bev of Moses in the wilderness with the Israelites. In the finely 
 enameled colors of Urbino. Inscribed at back: 1544 Moises 
 
 co el popolo, Urbino. (Repaired.) 
 
 Diameter, 1034 inches. 
 
 405. URBINO MAJOLICA PLATE XVI Century 
 Circular, on molded foot; exhibiting in the characteristic col- 
 
 7 ee ors, ‘CHE LEGEND OF CIPARISSE. Dated at back, 1547. 
 jase 0 ae Diameter, 107% inches. 
 
406. URBINO MAJOLICA PLATE XVI Century 
 
 Circular deep plate, finely enameled in the characteristic 
 colors, portraying THE LEGEND OF APOLLO AND CIPARISSE and 
 
 JOA ~~ dated at back, 1547. 
 
 Diameter, 11 inches. 
 
 407. URBINO MAJoLicA DISH XVI Century 
 
 Circular; exhibiting in charming landscape, an erect female 
 
 é figure bearing a bowl; with her is a cupid. Of characteristic 
 0 coloring. (Restored.) 
 
 Diameter, 8% inches. 
 
 408. MAJOLICA PLATE Painted by Giovanni da Udine 
 Before a black ground, the central medallion of sporting putt; 
 Lo. —" around are oval medallions with variously legendary scenes, 
 alternating with naturalistic flowers. The whole enriched by 
 
 gilding. 
 Diameter, 1734 inches. 
 409. DERUTA MAJOLICA RATE XVI Century 
 
 Circular; the deep tondo exhibiting ST. FRANCIS OF ASSISI RE- 
 CEIVING THE STIGMATA; the broad marli paneled to enclose 
 =. © 6 —various conventional motives. In characteristic colors, with 
 
 mother-of-pearl lustre. 
 Diameter, 15% inches. 
 
 410. LARGE FAENZA MajoLica VASE XVI Century 
 Waisted cylindrical, with incurving collar and foot. Depict- 
 ing St. Phillipo, and conventional floral motives. In finely 
 
 Uf >, =~ clazed blues, greens and golden-browns, displaying metallic 
 reflections. 
 
 Height, 14% inches. 
 
 411. GUBBIO MAJOLICA PLATE XVI Century 
 
 Deep plate; the centre enriched with the arms of the Visconti 
 
 ff _family of Milan, surrounded by foliage in relief. In fine 
 OO: 
 
 golden-brown having a rich ruby-red lustre. 
 Diameter, 834 inches. 
 
os 
 ee 
 
 CB) 
 we: 
 NE 
 Pog 
 
 cB) 
 
 ) 
 
 On the fondo is a representa- 
 amily and an indecipherable 
 
 Ss 
 
 rS 
 
 co 
 
 S 
 5 
 QE 
 ey oa 
 Begs 
 fa sche bp 
 oye acho peo = 
 EA ae 0 
 3a 3 
 
 % Fo 
 Sg 
 
 og 
 gee ere 
 BES 
 ee aren 
 See E ae re 
 Ba eS Se 
 Sees 
 = -f oe 
 O93 35 
 ES a 
 <I, Pe) 
 a oO, v 
 nM 0D « 
 et eS 
 6 fan oe 
 A 
 _— 
 Sietae 
 
 AS 
 
 f 
 f 
 = 
 
 /¢ 
 
 Restored.) 
 
 ( 
 
 inscription. 
 
 Diameter, 18% inches. 
 
ore tt 
 
 e 
 
 413. HISPANO-MoRESQUE LUSTRE PLAQUE XV Century 
 
 | The cavetto and broad rim minutely decorated with arabesque 
 
 bmotives and nullings and centring an escutcheon charged with 
 ¢ 
 
 an eagle abaissé. 
 Diameter, 19% inches. 
 
 A rare specimen with fine golden-yellow lustre. 
 
414. 
 
 Fat | be PD. 
 ‘ mare gee 
 Y bl ae ny i bebtdeLELg 17 
 Sg EPO irae, 
 Te 
 
 HISPANO-MORESQUE LUSTRE PLAQUE Late XV Century 
 
 Conical centre edged with blue; the deep tondo and flaring rim 
 enriched with conventionalized floral motives. Executed in 
 golden-yellow invested with opal lustre. 
 
 Diameter, 17% inches. 
 Fine specimen of an early period. 
 
x ORO 
 
 415. HiIspANO-MORESQUE LUSTRE PLAQUE XVI Century 
 Embossed centre, which, with the broad rim, has small circular 
 
 uw OD _— cavities; the whole enriched with checker motives and con- 
 
 ventionalized flowers. Fine metallic lustre. 
 Diameter, 20 inches 
 
419. 
 
 420. 
 
 O60 
 
 HISPANO-MORESQUE DISH XVI Century 
 Deep tondo, with embossed centre and broad marli; enriched 
 with a varied arabesque and foliated design. ‘The metallic 
 
 ~ golden-yellow lustre relieved by a fine blue. 
 
 Diameter, 15% inches. 
 
 HISPANO-MORESQUE LUSTRE PLAQUE AVI Century 
 Circular, the tondino in relief; enriched with a spiral motive, 
 conventionalized lotus blooms and scrolling, outlined with 
 blue. Deep gold lustre. 
 
 Diameter, 16 inches. 
 
 HISPANO-MORESQUE LUSTRE PLAQUE XVI Century 
 Tondino in bold relief, nulled in deep blue and golden-yellow 
 teflets, the tondo with heart-shaped devices alternating with 
 conventionalized trees and foliage; broad flange with recurring 
 design. 
 
 Diameter, 16% inches. 
 
 HISPANO-MorESQUE LUSTRE PLAQUE XVI Century 
 Circular dish, with domed centre; richly decorated with 
 arabesque and scrolled floral motives, the golden-yellow lustre 
 
 relieved with touches of fine blue reflets. 
 Diameter, 18 inches. 
 
 DERUTA MAJOLICA PLATE XVI Century 
 
 Circular; in the deep fondo is portrayed in profile facing to the 
 left, a maid of classic contour with draped head. The ban- 
 derolle inscribed: Chi Ben Guida—. The broad marli paneled 
 to enclose various conventional motives. 
 
 Diameter, 15% inches. 
 
421. SMALL DERUTA PLATE AVI Century 
 Circular, with deep cavetto and broad marli; enriched with 
 
 i s turbaned portrait bust, the banderolle inscribed: Faust-ina .B; 
 ¥ ‘around are harpies and trophies. In richly glazed colors of 
 
 golden-yellows and blues. 
 Diameter, 814 inches. 
 
422. DERUTA MAJOLICA PLATE. XVI Century 
 Decorated in golden-yellow outlined in blue, with a fine 
 
 ba C— Renaissance design in relief, of leafage, dolphins and mas- 
 ] aad carons; the cavetto with highly conventionalized floral motives. 
 
 .A very rare example. 
 Diameter, 1434 inches. 
 
 From the Jamiello Sale, April, 1911. 
 
423. CASTEL DURANTE DISH XVI Century 
 Circular, with deep cavetto and broad marli; enriched with 
 / j S military trophies in sepia on a blue ground, highly glazed. 
 
 Diameter, 8% inches. 
 
426. 
 
 DERUTA MAJOLICA PLATE XVI Century 
 Circular, with deep cavetto; enriched with a profile portrait 
 bust of a maiden holding a floral branch; the marli displaying 
 a sun ray motive. Beautiful iridescent glaze of golden-yellow 
 
 outlined in blue. 
 Diameter, 9 inches. 
 
 FAENZA FRUIT DISH Italian, XVI Century 
 Circular lobed dish, with undulating surface; the embossed 
 centre depicting the scene of the CARITA ROMANA; around are 
 dolphins and leafage in blues, greens, yellows and reds, 
 
 Diameter, 11 inches. 
 
 SUPERB URBINO PLAQUE, LUSTRED AT GUBBIO Dated 1533 
 The scene represented is taken from the story by Velerio Mas- 
 sinio, entitled —ITHE SCHOOLMASTER. An aged preceptor, nude 
 but for a helmet, is pursued by jeering school children with 
 birches. On the left three male figures are commenting upon 
 the scene. ‘The background with excellent perspective shows 
 to the right, spired edifices and to the left bell tents. On the 
 back, within a wreath of flowers summarily sketched in ruby- 
 red, is inscribed: 1533 Delli falischi il preciettore igiusti. Nel 
 Vo Libro di Vale Mass. Cap. 5 in Urbino. The initials L. 
 has not yet been identified, but it suggests an artist possessed 
 
 of great technical ability. 
 Diameter, 10% inches. 
 
 (Illustrated) 
 
No. 426. SUPERB URBINO PLAQUE, LUSTRED AT GUBBIO 
 
427. FAENZA MAJOLICA PLAQUE XVI Century 
 Lobed circular fruit dish; the tondo, in relief, depicts a seated 
 cy e rs female figure holding a heart in one hand, a dagger in the 
 : other, symbolic of conjugal fidelity; around, on a blue ground, 
 are dolphins, foliage and flowers in white and pale yellow. 
 Inscribed with the date, 1538. 
 
 Diameter, 11 inches. 
 
428. FAENZA FRUIT DISH Italian, XVI Century 
 Lobed circular dish, on splayed foot; the tondino in relief de- 
 picting a youth playing the lute, habited in yellow, against a 
 ™ ey blue background. The fondo enriched with leafage and 
 floral motives in yellow, jade-greens and blues. The back 
 ribbed and glazed. 
 
 Diameter, 9% inches. 
 
 From the Collection of C. Damiron, Lyon, France. 
 
429. 
 
 a po Rat 
 
 CASTEL DURANTE MAJOLICA PLATE XVI Century 
 
 Amatorio plaque, depicting on a blue ground the profile por- 
 trait bust of a youth facing to the right, richly habited and 
 wearing a helmet of fantastic design. On the banderolle is 
 inscribed: GLAvCcO. (Repaired.) nee 
 Diameter, 81% inches. 
 
 (Companion to the following) 
 
430. CASTEL DURANTE MAJOLICA PLATE XVI Century 
 Amatorio plaque, bearing a: beautifully drawn bust-length 
 
 JL 66 _female portrait with characteristic headdress. The banderolle 
 ' inscribed: Liv-IA BELLA. In the finely enameled colors of 
 
 Castel Durante. 
 Diameter, 8% inches. 
 
 (Companion to the preceding) 
 
431. URBINO MAJOLICA PLATE XVI Century 
 
 Circular deep dish, exhibiting in the vivid colors of Urbino, 
 } THE MEETING OF AENEAS AND DIDO. The latter, having fallen 
 = LG _~~ in love with the former, endeavors to keep him with her. In 
 ast: Dahl the background is a view of a city, probably Carthage, founded 
 by Dido. On the back is inscribed: Enea Che Parlaua Colla 
 
 Regina Dido, 1551. 
 
 Diameter, 10% inches. 
 
 From the Collection of C. Damiron, Lyon, France. 
 
432. GUBBIO MAJOLICA DISH XVI Century 
 
 Deep dish, decorated in relief with a central portrait of Mary 
 4 SO Magdalene, in profile facing to the left; around are oak leaves 
 ' and conventionalized floral motives in fine blues and rich gold 
 
 and ruby lustre. 
 Diameter, 8% inches. 
 
433. IMPORTANT DERUTA PLATE XVI Century 
 
 A Circular; the rim enriched with highly conventionalized leaf- 
 2, —J /) © age, enclosing a beautifully painted profile female bust, with 
 eee ee her name, BERNARDINA, inscribed upon a banderolle; on white 
 
 ground in fine yellows and outlined in blue; around the figure 
 are flowering branches. : 
 Diameter, 15 inches. 
 
 Note: An exquisite example of Deruta ware of this period. 
 
434. 
 
 435. 
 
 Bee” 
 
 CAFFAGGIOLO MAJOLICA PLATE AVI Century 
 
 Circular; the tondino enriched with the Medici coat of arms 
 Te 0 _-in relief; the marli with a conventional floral motive. On the 
 
 back within a series of circles is enclosed the Caffaggiolo mark. 
 Fine iridescent glaze. 
 
 Diameter, 9% inches. 
 (Illustrated ) 
 MAJOLICA PLATE ON FOOT Urbino, XVI Century 
 Representing in brilliant colors ALEXANDER IN THE CONQUEST 
 OF ASIA. Surmounting the domed cupola of a classic temple, 
 is the coat of arms of the Forteguerri family. 
 
 Diameter, 10% inches. 
 
pe 
 
 436. URBINO MAJOLICA PLATE 
 
 Se” “> 
 
 By Fra Xanto Avelli, Worked at Urbino, 1530-1543 
 Circular deep dish, representing Saint Jerome seated in a 
 wood, in the act of extracting a thorn from the lion’s paw while 
 a group of terrified monks seeks shelter in the Saint’s cave. 
 Through a richly wooded scene is a distant view of the city. 
 Under the lion’s paw is the artist's monogram. On the back 
 is inscribed: 1542 Come Sa Jeronimo Caua la Spina alla Zapa 
 al Lione. In finely enameled yellows, blacks and greens. (Re- 
 paired.) 
 
 Diameter, 10% inches. 
 
437: 
 
 [500.% 
 
 DERUTA MAjJOLICA PLATE XVI Century 
 
 _Circular; the fondino in relief depicting the profile portrait 
 bust of a maid facing to the left; the fondo enriched with a 
 roulean motive, and the marli wodh conventionalized leafage 
 
 and cones. 
 
 Diameter, 12% inches. 
 
438. GUBBIO PLATE XVI Century 
 
 Circular; the cavetto and broad marli molded in relief, de- 
 picting the Lion of St. Mark and a conventional leaf design; 
 in the brilliant blue, yellow-gold and ruby lustre of Gubbio. 
 
 Diameter, 10 inches. 
 
439. GUBBIO MAJOLICA PLATE _. XVI Century 
 | Circular; the embossed tondo representing a male figure dig- 
 00. ing with a spade; around in relief are oak leaves and conven- 
 tionalized floral motives in blue, yellow and ruby lustre. 
 
 Diameter, 9% inches. 
 
440. GUBBIO MAJOLICA PLATE XVI Century 
 
 Circular, with deep cavetto exhibiting on a gold ground a 
 / bo OD ~“ficure of Cupid with his arrow and quiver. The marli en- 
 riched with masks, rams’ heads, military trophies and other 
 devices on a blue ground. In superbly enameled colors. 
 
 Diameter, 9 inches. 
 
 Note: Assuredly of Gubbio handiwork from a Castel Durante design. 
 
vibe 
 
 in 
 
 —_ 
 
 ae 
 ~ air asesteriien 
 
 441. GUBBIO MAJOLICA PLATE XVI Century 
 Circular; simulating a concave wheel with alternate yellow 
 A300 eadach white spokes, radiating from the tondino of finely enameled 
 ' blue with a conventionalized floral motive, enclosed by ruby- 
 red pearls. The marli with strap patterning of circles and 
 
 ovals in lustred ruby-red and vellow. On splayed foot. 
 
 Diameter, 10 inches. 
 
442. DERUTA MAJOLICA PLATE XVI Century 
 
 Circular; the deep tondo enriched with a shield charged with 
 Jf 60 the arms of the Medici and Filicaia families, flanked by cor- 
 nucopiae. The border paneled and having imbricated motives, 
 leafage and conventional flowers in fine golds, brick-red and 
 variegated blues with fine iridescent glaze. (Restored.) 
 
 Diameter, 17% inches. 
 
443. DERUTA MAJOLICA PLATE XVI Century 
 Circular; the tondo exhibiting before a blue ground the profile 
 
 2 EDO Portrait bust of a galeated warrior, facing to the left, with a 
 * cloak draped about his shoulders. The banderolle bears the 
 inscription: Alesandero M S. ‘The border painted and en- 
 
 closing conventional floral and imbricated motives. In 
 
 superbly enameled yellows and blues. 
 Diameter, 16% inches. 
 
444. URBINO MAJOLICA FIASCA XVI Century 
 
 Hunting bottle with scrolled branch handles and screw stopper; 
 57 : on oval splayed foot. Depicting in the brilliant enamel colors 
 of Urbino, ORPHEUS SLAIN BY THE BACCHANTE; on the re- 
 verse, ORPHEUS CHARMING THE ANIMALS. 
 Height, 14 inches. 
 
444A. URBINO MAJOLICA FIASCA XVI Century 
 Similar to the preceding. Depicting VULCAN FORGING THE 
 Cm § 2), ROWS FOR CUPID’S BOW and on the reverse another mytho- 
 
 "logical subject. 
 Height, 14 inches. 
 
445. PAIR CAFFAGGIOLO ALBERELLI XV Century 
 
 H Sd. 
 
 Incurved sides; richly enameled colors of fine golds, brown 
 and variegated blues, with scrolled and voluted leafage and the 
 
 Medici ring, enclosing the lon rampant surmounted by a 
 
 crown. - Heights, 934 inches. 
 
 Very rare specimens of majolica bearing the Caffaggiolo mark. 
 
440. 
 
 5/00. 
 
 Pairk HIspANO-MORESQUE VASES Early XV Century 
 
 Incurving cylindrical, with tapering high neck; richly enam- 
 
 led in gold and blue with girali motives and ivy leafage. 
 Height, 12% inches. 
 
 Very rare specimens with beautiful metallic lustre. A similar vase appears in 
 the fine painting by Hugo van der Goes in the Uffizi Gallery at Florence. 
 
447. PERSIAN ILLUMINATED MANUSCRIPT. POETICAL WORKS OF 
 
 DJ AMI Circa 1550-75 
 uf THE FINEST PERSIAN ILLUMINATED MANUSCRIPT WHICH 
 Ve 7 — HAS EVER BEEN SOLD IN AMERICA 
 FO. 
 
 4 
 
 The Complete Works in Verse of the Persian Poet, Djami 
 (Jami—Born at Jam in 1414, lived at Herat, died in 1492). 
 It is composed of seven Poems entitled “Haft Awrang,’—The 
 Seven Stars, z.e. the stars of the “Great Bear) Welteisomne ane 
 the name of ‘“Sab’a” which also means “seven” in Arabic. 
 Folio, original Oriental binding of lacquered paper orna- 
 mented in panel effect with floral border and triple centre 
 pieces painted in natural colors on a background of bronze 
 color sprinkled with gold in iridescent effect; red leather doub- 
 lures with bronze lacquered edge (rebacked with leather and 
 rehinged). 
 The manuscript is written in Persian characters on 304 leaves 
 of white Samarcand text paper, 4 columns of 20 lines each to 
 the page, averaging 8% to g inches tall by 5% inches wide. 
 Each leaf is skilfully inlaid in Dowletabad margin paper of 
 various shades of cream, yellow, blue and green, elaborately 
 decorated with floral and other designs in gold. The volume 
 contains 27 full-page and one three-quarter page BEAUTIFUL 
 MINIATURES of excellent design and brilliant coloring with a 
 lavish use of gold leaf; in some cases the entire background 
 is of gold, which is also used in numerous mosaic wall designs, 
 arches, etc., trappings of horses and decorations on the cos- 
 tumes. In most of the miniatures the design is extended into 
 the marginal paper, in many cases without the usual sepa- 
 rating band of gold and colored lines. 
 In addition to the miniatures there are 9 Sarlows, or headbands. 
 [ Continued 
 
447. Continued 
 
 of elaborate mosaic, geometrical and floriated designs in dull 
 and burnished gold and vivid colors, also hundreds of large 
 and small chapter heads similarly ornamented, and a large 
 number of pages which are composed entirely or to a large 
 extent of small block designs similarly illuminated in gold 
 and colored mosaics. ‘There are guard sheets of thin glazed 
 paper to each of the miniatures and the other specially deco- 
 rated leaves. 
 The manuscript is composed of the following works, each 
 with separate colophon: (1) SILSILAT-AZ-ZABAH (The 
 Golden Chain), composed of three quires of paper, the copy- 
 ing having been done, as it is mentioned, by Malek Deilami, 
 who began his work at Meshed and finished it at Kasvin for 
 iemieintary of Fi. H. Aboul Fath Sultan Ibrahim Mirza, 
 Sevefide. The first quire bears inscription as- follows: “Fin- 
 ished in the month of Zilihadjé of the year 963 [in letters] at 
 Meshed,’ and the second quire: “Finished in the month of 
 Ramazan of the year 964 [in figures]; (2) YOUSSEF VA 
 ZULEIKA. At the end there is the indication: “By the scribe 
 Mohebb-Ali, Librarian at Meshed, the 12th. Radjeb of the 
 year 964 [in letters] for the Library of H. H. Aboul Fath 
 Sultan Ibrahim Mirza.’ |Mohebb-Ali, or Mouhibb-Ali, is 
 mentioned in Huart (p. 340) as being a pupil of Hasan of 
 Bagdad]; (3) SABHAT AL ABRAR (The Chaplet of the 
 Saints). At the end there is: “By the scribe Shah Mahmoud 
 of Nichabour for the Library at the Sevefide Sultan Ibrahim 
 Mirza, finished the ist. Zil V'hadjjat of the year 963 [in let- 
 Jers}; (4) SOLEIMAN VA ABSAL. At the end the fol- 
 lowing mention is made: “By the scribe Aichi ben Ichrati 
 [ Continued 
 
447. Concluded | 
 
 [fictitious name signifying ‘the dissolute son of the libertine’ ] 
 in the year 968 [in figures] for the Library of H. H. Aboul 
 Fath Sultan Ibrahim Mirza’; (5) TOHFAT AL AHRAR 
 (the gift to the freed). Written “by the scribe Roustem Ali, 
 finished the ist. Sha’wal of the year 963 [in letters] for the 
 Library of Sultan Ibrahim Mirza Sevefide.’” Roustem Ali 
 of Khorassan, pupil of Meshehedi, had been employed in the 
 Library of Behram Mirza and of his son Sultan Ibrahim 
 Mirza; he was a nephew of the master painter of miniatures, 
 Behzad; he died in 970 (1562-63) and was put in a grave at 
 the side:of his uncle. Cf. Huart, p. 223; (6) DEI A hae 
 MADJNOUN. “By the scribe Mohebb Ali, in the month 
 of Sha’wal of the year 972 at Herat for the Library of Sultan 
 Ibrahim Mirza’; (7) AINE ISKANDERI (Alexander’s 
 Mirror). ‘The end (the last page only) is missing, as the last 
 chapter refers to the transportation of Alexander’s coffin to 
 Alexandria. Following the last poem is an additional leaf of 
 manuscript, its text in no way connected with the poem. ‘This 
 is signed by the scribe Sultan Mohammed Khan Dan who was 
 a pupil of Meshehedi and died in 950 (1543) leaving a pupil, 
 Yari of .Cheraz (see Huart paconye 
 
 A number of official stamps and manuscript notations are on last page, 
 a translation of which accompanies the volume. 
 
 Ir Is IN AN ADMIRABLE STATE OF PRESERVATION, comes from the Library 
 of ARDEBIL, and bears on several pages the seal of ‘‘Wagqf’s Astaneh-i-Mota- 
 barrekeh-i-Safiyeh-i-Safaviyeh,” which means ‘‘Pious Foundation on the blessed 
 and chosen Sefevide threshold.” 
 
 Shah Abbas collected at Ardebil, for the pious institution he had created 
 as a memorial of his ancestor, Sheik Safty ed Din, and of his grandfather, Shah 
 Ismail, the founder of the Sefevides Dynasty, the most famous library of the 
 whole East, and included in it 166 manuscripts, being the richest in illumina- 
 tion, most beautiful, best painted, and the most famous Eastern manuscripts 
 which he could procure, AMONG THEM THE ONE ABOVE DESBRIBED. 
 
 a ie ie, at eee 
 
 as we ee ee 
 
 Nae ee a ee 
 
($4-08$1 7949) Td YOSANVW GALVNINNTT NVISUdd “477 ON 
 
 abrir 
 i 9 ‘f 
 
ITALIAN FURNITURE 
 
 448. CARVED WALNUT WooL WINDER 
 Northern Italian, XVI Century 
 10. -— Notched supports on embryonic claw base; the four arms 
 radiating from a baluster-turned hub. 
 Height, 25 inches; width, 16% inches. 
 
 449. INLAID WALNUT WRITING CASE Italian, XVI Century 
 Rectangular; fitted for writing materials; enriched with certo- 
 
 / 4) sina inlay, exhibiting an intriguing geometrical design. 
 Length, 14 inches. 
 
 450. INLAID WALNUT MINIATURE CHEST Italian, XVI Century 
 Oblong molded hinged top, with central applied panel de- 
 picting in zntarsia animalistic and floral motives; the front and 
 
 ba .~ side panels enriched with various landscape scenes inlaid and 
 incised. ‘The front panel with central escutcheon flanked by 
 
 unicorns and other animalistic figures. Claw feet. 
 Height, 13 inches; length, 24 inches. 
 
 451. CARVED AND POLYCHROMED CASSETINA 
 Veronese, First Half XV Century 
 So. — Rectangular hinged top; the front decorated with incised de- 
 piction of THE ADORATION OF THE MAGI; polychromed in green 
 and red, while on the back is the monogram of the painter, 
 Stefano da Zevio. On molded arcaded base. 
 Height, 111% inches; length, 20% inches. 
 
 452. CARVED WALNUT LOW CHAIR Tuscan, XVI Century 
 Arcaded open back, scrolled bar slats, flat-carved, with hexa- 
 ei Say connected by five slender spindles; quadrangular seat 
 having two rosetted projections; on block and turned stretch- 
 
 ered legs. 
 
 453. CARVED WALNUT SIDE CHAIR Italian, XVII Century 
 
 Canted open back, with S-scrolled finials, two scrolled bar 
 
 ) slats connected by a single spindle; square seat, on ring-turned 
 
 / 00, and block stretchered legs, bun feet. The seat covered in crim- 
 son velvet. 
 
454. 
 0, “ 
 
 455. 
 
 WALNUT Low CHAIR Italian, XVII Century 
 
 Open canted back, leaf-carved finials, scrolled bar slat and 
 lower slat connected by five slender spindles; rush seat, on 
 columnar box stretchered legs. 
 
 ITALIAN WALNUT SMALL CABINET XVII Century 
 With drop-front enclosing numerous drawers and a central 
 
 / 3 et008 of architectural design; at either side, carved figures. The 
 
 Sa 
 
 456. 
 7 - 
 é 
 
 457. 
 
 2a 
 
 458. 
 / 0. 
 
 459. 
 
 460. 
 
 70. 
 
 apron with central carving of two putti supporting an escut- 
 cheon. A drawer in the upper portion of each side. 
 Height, 24 inches; length, 30 inches. 
 
 CARVED WALNUT SIDE CHAIR 
 
 Northern Italian, Antique Period 
 Open canted back, with leaf finials, the uprights having im- 
 bricated motives; scrolled bar slat carved with leafage; molded 
 square seat, on columnar box stretchered legs. 
 
 CARVED WALNUT AND PINE Low CHAIR 
 
 Abruzzi, XVI Century 
 Open back, with two bar slats archaically flat-carved and hav- 
 ing gorged imbricated motives; rectangular seat; on quad- 
 rangular box stretchered legs. 
 
 CARVED WALNUT AND PINE LOW CHAIR 
 Abruzzi, XVI Century 
 
 Similar to preceding, with slight variation in details. 
 
 SMALL WALNUT TABLE Italian, XVII Century 
 Oblong hinged top; deep box frieze, on lyre-shaped end sup- 
 
 ports. 
 Height, 28 inches; width, 24 inches. 
 
 CARVED BEECHWOOD SAVONAROLA CHAIR 
 
 Italian, XVII Century 
 
 Arched back, enriched with gorged rosetted medallion; eight 
 spindle curule arms and legs; lifting seat, folding on a pivot. 
 
461. 
 f 
 462. 
 > rn 
 SA 
 463. 
 
 466. 
 
 53 
 
 CARVED WALNUT SGABELLO CHAIR Italian, XVI Century 
 Scrolled panel back, enriched with carved stellate motives; 
 angular massive seat with trifid projection at back; on three 
 splayed rectangular legs. 
 
 ITALIAN WALNUT SMALL CABINET XVII Century 
 The body composed of numerous drawers in the centre of 
 which is a door with two carved figures. 
 
 Height, 2534 inches; length, 2534 inches. 
 
 ITALIAN WALNUT CABINET XVII Century 
 Rectangular. The apron with two drawers having figure knobs 
 and sculptures at the corners; the drop-front enclosing many 
 drawers and a small door in architectural design, flanked by 
 figures. 
 
 Height, 37%4 inches; width, 3634 inches. 
 
 CARVED BEECHWooD Low CHAIR Florentine, XVI Century 
 Open back, with series of balusters; rectangular imbricated 
 side supports, with channeled and voluted finials; rectangular 
 seat covered in deep peach-toned velvet trimmed with fringe; 
 on turned and block box stretchered legs. 
 
 CARVED WALNUT Low CHAIR Italian, Late XVI Century 
 Open back, with five baluster spindles crowned by a scrolled 
 pediment carved with a central cartouche and flanked by im- 
 bricated leafage; square side supports with scrolled finials; 
 rectangular seat covered in crimson cut velvet; on quadrangu- 
 lar box stretchered legs. 
 
 CRIMSON VELVET WALNUT ARMCHAIR Italian Renaissance 
 Slightly canted open square back, with gilded acanthus finials; 
 molded straight arms projecting beyond ball-turned supports; 
 rectangular seat, on quadrangular stretchered legs; carved 
 frontal stretcher. Velvet of a later date. 
 
467. 
 
 2 pt 
 
 468. 
 
 Two CRIMSON VELVET WALNUT ARMCHAIRS 
 
 Italian Renaissance 
 Slightly canted open back, with gilded acanthus finials; 
 scrolled arms projecting beyond quadrangular supports; rect- 
 angular seat, on quadrangular stretchered legs; the frontal 
 
 stretcher pierced with a geometrical design. Velvet of a later 
 date. 
 
 PAIR GILDED AND POLYCHROMED PEDESTALS 
 Venetian Renatssance 
 Rectangular; molded at top and base; the front of one depict- 
 
 ing before a gold background, St. George, the other a mitred 
 Bishop. 
 Height, 21% inches; length, 21% inches. 
 Two CRIMSON VELVET WALNUT ARMCHAIRS 
 Italian Renaissance 
 
 _ Slightly canted open square back, with large gilded leaf finials; 
 
 molded straight arms projecting beyond turned baluster sup- 
 ports; rectangular seat on four quadrangular stretchered legs; 
 the frontal stretcher richly carved. Velvet of a later date. 
 
 WALNUT SGABELLO CHAIR Italian, XVI Century 
 Canted back, silhouetted in the form of a lyre sustaining a 
 lily, with a sunken heart-shape device; molded and massive 
 angular seat, on three splayed legs and frontal stretcher. 
 
 WALNUT CENTRE TABLE Tuscan, XVI Century 
 
 Rectangular overhanging top; the frieze fitted with drawer 
 having a bronze cherub-handle; supported by reel-turned box 
 stretchered legs and block feet. 
 
 Height, 25 inches; length, 32 inches. 
 ITALIAN BEECHWOOD SAVONAROLA CHAIR AVI Century 
 Formed of eight double curved supports with straight base 
 rails. Shaped back with three incised rosettes. 
 
 ITALIAN BEECHWOOD SAVONAROLA CHAIR XVI Century 
 
 Formed of eight double curved supports, the front ones carved; 
 on square base rails. Shaped back with incised central rosette. 
 
480. 
 
 PAIR WROUGHT IRON PRICKET TORCHERES 
 , Italian, XV Century 
 Slender hexagonal shaft, enriched with clustered scrollings. 
 Circular grease-tray. On scrolled Gothic tripod. 
 
 Height, 50 inches. 
 
 PAIR WROUGHT IRON PRICKET TORCHERES 
 Italian, XV Century 
 
 Similar to the preceding. 
 Height, 50 inches. 
 
 WROUGHT IRON TORCHERE Italian Gothic Period 
 
 Circular knopped shaft on arched tripod support; large cylin- 
 
 drical candle-holder. 
 Height, 53 inches. 
 
 INLAID CARVED WALNUT CREDENZA Italian 
 Oblong molded top, with nulled cornice molding; the front 
 fitted with frieze drawer and central cupboard door enriched 
 with panels of burl walnut, flanked by grotesque masks and 
 sculptured caryatid pilasters. 
 Height, 3714 inches; width, 24% inches. 
 CARVED WALNUT CREDENZA Northern Italian 
 Oblong molded top; the cornice molding carved with lunettes, 
 opening as shallow drawer; the central cupboard door carved 
 with armorial bearings. On leaf-carved base with drawer and 
 molded plinth, claw feet. 
 Height, 38 inches; width, 27 inches. 
 CARVED WALNUT CASSONE Central Italian, XVI Century 
 Rectangular; molded, wrought iron bound top; the front bold- 
 ly carved with a central scrolled cartouche and flanked by 
 female masks enclosed within cartouches. The torus-molded 
 base carved with leafage, fruit and cross ribbons. 
 Height, 20 inches; length, 361% inches. 
 WALNUT CENTRE ‘TABLE North Italian, XVII Century 
 Rectangular molded top, supported by four block and turned 
 splayed legs with bun feet and connected by flat box stretcher 
 and two molded side stretchers. 
 
 Height, 29% inches; length, 43% inches. 
 
ASI. 
 
 482. 
 
 483. 
 
 484. 
 
 485. 
 
 CARVED WALNUT CREDENZA Val d’Aosta, XVI Century 
 Rectangular molded top; the front with double enclosing doors 
 exhibiting coat of arms carved in cavo-relievo,; the shield party 
 per fess and charged with crenolated tower with the lion 
 couchant; to the left is a rampant lion. On molded end supports. 
 
 Height, 38% inches; length, 37% inches. 
 
 CRIMSON CUT VELVET WALNUT ARMCHAIR 
 
 Florentine, XVI Century 
 Rectangular slightly canted back, with leaf-carved finials; 
 straight flat arms projecting beyond turned supports; rectangu- 
 lar seat, on block and ball-turned stretchered legs. Seat and 
 back covered in fine Renaissance drap d’or cut crimson velvet. 
 
 FIVE INLAID CARVED WALNUT SIDE CHAIRS 
 
 Northern Italian, XVII Century 
 Open canted back, with carved acanthus finials; two scrolled 
 bar slats; fan-shaped seat with carved lambrequin; on quad- 
 rangular stretchered legs; the frontal stretcher in recurring 
 design. With loose leather seats. 
 
 CRIMSON VELVET WALNUT ARMCHAIR Italian Renaissance 
 Slightly canted open square back, with gilded acanthus finials; 
 molded straight arms projecting beyond vase baluster supports; 
 rectangular seat, on quadrangular stretchered legs; carved and 
 pierced frontal stretcher centring cartouche. Velvet of late 
 date. 
 
 CARVED WALNUT REFECTORY TABLE AVI Century 
 Oblong molded top, having a notched valance; on lyre-shaped 
 end supports with claw feet connected by central serpentined 
 traverse, securely mortised and tenoned. (Traverse restored.) 
 
 Height, 2 feet 10% inches; length, 6 feet 10 inches. 
 
486. 
 
 490. 
 
 491. 
 
 Two GREEN VELVET WALNUT ARMCHAIRS 
 Italian Renaissance 
 
 | Slightly canted open square back, with large gilded leaf finials; 
 
 molded straight arms projecting beyond baluster supports; 
 rectangular seat, on block and turned front legs and ball feet 
 connected by double frontal stretcher and lower side stretchers. 
 Contemporary velvet and fringe. 
 
 (Illustrated ) 
 
 Two GREEN VELVET WALNUT ARMCHAIRS 
 Italian Renatssance 
 
 Similar to the preceding. 
 
 Two GREEN VELVET WALNUT ARMCHAIRS 
 Italian Renatssance 
 
 Similar to the preceding. 
 
 CRIMSON VELVET CARVED WALNUT ARMCHAIR 
 
 Italian, XVI Century 
 Slightly canted back with leaf-carved finials; molded flat arms 
 projecting beyond vase balustered supports; rectangular seat, 
 on quadrangular stretchered legs with frontal stretcher pierced 
 to a geometrical design; rudimentary claw feet. Back and 
 seat covered in crimson velvet and trimmed with galloon and 
 fringe. . 
 
 Two. CRIMSON VELVET CARVED WALNUT ARMCHAIRS 
 Italian, XVII Century 
 
 ~ High canted back with leaf-carved finials; flat straight afms 
 
 projecting beyond turned supports; rectangular seat, on block 
 and turned legs connected by two side stretchers and frontal 
 stretcher reticulated and centring a cartouche. Back and seat 
 covered in crimson velvet, trimmed with tasseled fringe. 
 
 CRIMSON VELVET CARVED WALNUT ARMCHAIR 
 Italian, XVII Century 
 
 “Similar to the preceding. 
 
No. 486. TWO GREEN VELVET WALNUT ARMCHAIRS 
 (One illustrated) 
 
492. 
 
 Ib 
 
 HG 
 493. 
 
 j 
 
 y, l b 
 
 Jb: 
 
 495. 
 
 a ~ 7 } 
 Ci 
 
 496. 
 
 BEECHWOOD FOLDING MONASTERY CHAIR 
 
 Northern Italian, XVI Century 
 the open back with seven molded and slightly 
 the back sur- 
 
 X-shape; 
 spooned supports continuing into frontal legs; 
 mounted by an arched pediment. 
 
 mnAm~ Char 
 
 “TTALIAN WALNUT SMALL CREDENZA AVII Century 
 The body, a cupboard enclosed by two doors, which are sepa- 
 rated and flanked by three pilasters with carved escutcheons. 
 Above, two drawers separated by carving of a cherub and with 
 leaf carvings at the ends. Gadrooned base. Supported on lion 
 
 paws. 
 
 Height, 40 inches; length, 41% inches. 
 
 PAIR WALNUT FOLDING MONASTERY CHAIRS 
 
 Northern Italian, XVI Century 
 X-shape; the open back with five molded supports continuing 
 into frontal legs; the back surmounted by an arched pediment 
 centred with a cartouche in relief. 
 
 THREE CARVED WALNUT SIDE CHAIRS 
 
 Piedmontese, XVI Century 
 Open canted back, with leaf-carved finials; the carved bar slat 
 embodying the Savoia knot; rectangular seat, on quadrangular 
 stretchered legs. 
 
 RARE BYZANTINE CARVED Woop TripoD TABLE 
 Italian, XII-XIII Century 
 
 Circular top, with interesting notching; beneath, simulating 
 
 supports, are voluted modillions interrupted by grotesques; the 
 quadrangular central support rests upon an archaically mod- 
 eled symbolic Lamb and three animalistic feet. 
 Height, 22 inches. 
 Note: The table is probably of liturgic origin and may have served as a 
 baptismal font support. The notched cornice molding is probably an addi- 
 tional ornamentation during the XVI century; the remaining carving un- 
 doubtedly of the XII-XIII century and therefore of incomparable rarity. 
 
 (Illustrated) 
 
No. 496. RARE BYZANTINE CARVED WOOD TRIPOD ‘TABLE 
 
497: 
 
 499. 
 
 4/) 
 NJ] & 
 
 500. 
 
 : 
 ret 
 
 iowa 
 
 CuT VELVET CARVED WALNUT ARMCHAIR 
 
 Italian, XVII Century 
 Serpentined oblong back; scrolled and voluted arms carved 
 with leafage, on turned supports; quadrangular seat, supported 
 by block and turned H-stretchered legs, claw feet. Covered 
 in crimson jardiniére cut velvet, trimmed with fringe. 
 
 Cut VELVET CARVED WALNUT ARMCHAIR 
 
 Italian, XVII Century 
 Canted oblong back; scrolled and voluted leaf-carved arms 
 projecting beyond turned supports; turned and box stretchered 
 legs, the frontal stretcher carved with a mascaron; the front 
 legs terminating in claw feet. Back and seat covered in drap 
 d’or cut green velvet exhibiting a fine floral design. 
 
 BEECHWOOD SAVONAROLA ARMCHAIR Italian, XVI Century 
 X-shape; the arched panel back, enriched with gorged ro- 
 
 » setted medallions; seven spindle curule arms and legs, with 
 
 lifting seat folding on a pivot. 
 
 ITALIAN WALNUT STIPO A BAMBOCCI XVII Century 
 In two sections. The frieze with two drawers separated by 
 
 vg e~ carved figures of putti supporting an escutcheon and flanked by 
 
 putti. The hinged drop front when opened discloses interior 
 fitted with numerous drawers and carved with figures and 
 architectural designs; flanking these, and at the sides, are 
 groups of sculptured figures. The lower portion has one door 
 with fluted pilasters having Corinthian capitals. 
 
 Height, 64 inches; width, 33 inches. 
 
 ITALIAN WALNUT CREDENZA Brescia, XVI-XVII Century 
 Rectangular. The apron with two wide and three narrow 
 drawers with heavy carvings of acanthus and leaf scrollings. 
 The body arranged as a cupboard with two wide doors and one 
 narrow door with carved fruits and flowers. The base on 
 animal-head supports, fitted with one drawer. 
 
 Height, 47 inches; length, 67 inches. 
 
yas 
 
 ‘4 
 
 503. 
 
 505. 
 
 ~~ 
 
 ITALIAN WALNUT SMALL CREDENZA AVI Century 
 
 The upper portion with two carved pilasters with disks, ro- 
 settes and masks and two drawers with brackets at each end. 
 The central portion with two doors enclosing a cupboard hav- 
 ing pilasters at each side. 
 
 Fleight, 37 inches; width, 35 inches. 
 
 GOTHIC CHESTNUT AND Cypress MONEY CHANGER’S TABLE 
 
 Lombardian, circa 1500 
 
 Massive oblong sliding top; the under portion in hutch form; 
 
 the frieze and drawer with horizontal panels; on arched end 
 
 supports, having two central stretchers securely mortised and 
 tenoned with retaining wedges. 
 
 Height, 29 inches; length, 43% inches. 
 
 CARVED WALNUT Strpo A BAmMpBocct Italian, XVI Century 
 Rectangular molded top with leaf-carved edges; the front fitted 
 with three frieze drawers, the central one a box drawer carved 
 with putti supporting a Viscount’s coroneted escutcheon; drop- 
 front revealing architecturally sculptured interior with nu- 
 merous small cupboards, drawers and secret compartments. 
 The front and side pilasters carved in high relief with various 
 figures, putti and satyrs. With original wrought iron clasp 
 and lock. In good condition. 
 
 Height, 34 inches; length, 37% inches. 
 
 CARVED WALNUT CHEST-OF-DRAWERS ~— Italian Renaissance 
 Rectangular molded top; the front fitted with five drawers 
 paneled in burl walnut and having reeded moldings, and han- 
 dles formed of sculptured heads in relief; the top drawer cen- 
 tring a baron’s coroneted escutcheon. The stiles are also carved 
 in relief with putti, caryatids and an imbricated motive. On 
 
 scrolled supports. 
 Height, 42 inches; length, 52 inches. 
 
506. 
 
 DLE 
 
 CARVED WALNUT STIPO A BAMBOCCI 
 
 Florentine, XVI Century 
 Rectangular molded top, with leaf-carved edges; the frieze 
 fitted with two drawers and carved in full relief with groups 
 of putti, the central group bearing a shield. The drop-front of 
 beautifully patterned burl walnut with original wrought iron 
 escutcheon and clasp, and when open reveals interestingly fitted 
 and superbly carved interior, with drawers and cupboards ar- 
 chitecturally conceived. The movable front and the side 
 pilasters are sculptured to portray ABRAHAM’S SACRIFICE. 
 
 Height, 34 inches; width, 38 inches. 
 
 An excellent specimen, in a perfect state of preservation and fine patina. 
 
 (Illustrated closed) 
 
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 Thee Vee hae Ne ihe Leis 
 
 No. 506. CARVED WALNUT STIPO A BAMBOCCI 
 
 (Florentine, XVI Century) 
 (Illustrated closed) 
 
507: 
 
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 IMPORTANT CARVED WALNUT AND GOLD ILLUMINATED 
 CASSONE Italian, XVI Century 
 
 Rectangular hinged top, having a central raised panel with 
 leaf-carved cyma molding. The chest of curvilinear contour, 
 the front superbly carved in high relief with acanthus foliage 
 and grotesques, centring a charged cartouched escutcheon 
 flanked by griffins. On massive claw feet. 
 
 Height, 28 inches; length, 64 inches. 
 
 (Illustrated) 
 
 IMPORTANT CARVED WALNUT AND GOLD ILLUMINATED CAS- 
 SONE Italian, XVI Century 
 
 Similar to the preceding. 
 Height, 28 inches; length, 64 inches. 
 
 BEAUTIFULLY CARVED WALNUT AND GOLD ILLUMINATED 
 CASSONE Italian, XVI Century 
 
 Rectangular hinged top, having a central raised panel with 
 leaf-carved cyma molding. The chest of classic urn-shape, the 
 stiles with acanthus carving, the top rail deeply rosetted, bold 
 nullings, volutes and imbrications centring a cartouched shield 
 charged with the lion rampant, in a framing of fruit carved 
 
 well in relief. 
 Height, 26 inches; length, 68 inches. 
 
 CARVED WALNUT CREDENZA Tuscan, XVI Century 
 
 Rectangular molded top, the frieze fitted with two paneled 
 drawers and three mascaron box drawers; supported by pilas- 
 ters of sculptured armored warriors on voluted corbels which 
 enclose double paneled doors; the doors and drawers having 
 cherubim-heads carved in relief as handles. Gadrooned base 
 and claw feet. 
 
 Height, 40 inches; length, 55% inches. 
 
 In a fine state of preservation and having an excellent patina. 
 
 WALNUT SGABELLO CHAIR North Italian, XVI Century 
 Scrolled panel back, with central rosette and piercing; massive 
 square seat with trifid projection at back, on three spreading 
 legs. 
 
No. 507. IMPORTANT CARVED WALNUT AND GOLD 
 ILLUMINATED CASSONE 
 (Italian, XVI Century) 
 
512: 
 
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 CARVED WALNUT CREDENZA Central Italian, XVI Century 
 Rectangular top with notched cornice molding, supported 
 by voluted and horizontally molded corbels enclosing carved 
 torus-molded drawer with knop handle. ‘The central cup- 
 board door with a mascaron in relief, flanked by fluted and 
 and quilled pilasters. On gadrooned base with claw feet. 
 
 Height, 36 inches; width, 31 inches. 
 
INLAID WALNUT CREDENZA Tuscan, XV Century 
 Oblong molded top, the front with two paneled enclosing 
 
 “drawers inlaid with briarwood and having at the corners and 
 
 sides rosetted dies, flanked by pilasters decorated in the same 
 media; on deeply nulled base and claw feet. 
 
 . Height, 44 inches; width, 43% inches. 
 ITALIAN WALNUT CABINET XVI Century 
 Rectangular, in two sections. The upper portion is arranged 
 
 ‘as a cupboard enclosed by two doors and above, one drawer 
 
 with four brackets, flanked by pilasters. The lower portion 
 with two doors and a drawer. Gadroon carving on the base. 
 
 Lion paw supports. Height, 65 inches; width, 32 inches. 
 WALNUT LECTERN Northern Italian, XV Century 
 Rectangular columnar support, on square molded base; ob- 
 long missal support. 
 
 Height, 56 inches; width, 21% inches. 
 CARVED WALNUT. LECTERN Umbrian, XVI Century 
 Rectangular pedestal, carved with a rou/ean motive; on square 
 
 -molded box base; the revolving pyramidal top with rosetted 
 
 sides supported by four voluted corbels. 
 Height, 67% inches; width, 20 inches. 
 
 CARVED WALNUT CASSONE Florentine, Late XVI Century 
 Rectangular molded hinged top; the frieze guilloche-molded, 
 supported by four voluted modillions simulating pilasters en- 
 closing three panels carved in cavo relievo with elongated 
 quatrefoils and a central cartouche; on nulled base. ‘The whole 
 structure supported by carved and polychromed kneeling 
 
 angels. 
 Height, 37% inches; length, 58 inches. 
 
 CARVED WALNUT CREDENZA  Piedmontese, XVII Century 
 Rectangular molded top; the front fitted with two frieze 
 drawers and double enclosing doors, which, with the massive 
 stiles and rails, are modeled and gouged to a diamond or loz- 
 enge design, characteristic of an earlier period. 
 
 Height, 43 inches; length, 51 inches. 
 
519. 
 
 523. 
 
 GOTHIC INLAID CARVED WALNUT CASSONE 
 
 Central Italian, circa 1500 
 Rectangular paneled hinged top; the front richly carved and 
 reticulated, enclosing four mirror panels inlaid with sycamore 
 parqueterie and having circular medallions of imbricated leaf- 
 age, centring rosettes in relief. ‘The stiles and rails enriched 
 with pointed Gothic tracery; on cyma-molded carved plinth. 
 (Restored. ) Height, 2 feet 8 inches; length, 6 feet 7 inches. 
 EBONIZED SAVONAROLA CHAIR . 
 
 Northern Italian, XVI Century 
 
 Arched panel back, enriched with central medallion com- 
 posed of stamped stellate motives; five curule arms and legs; 
 with lifting seat, folding on a pivot, cross stretchers. 
 
 CARVED BEECHWOOD SAVONAROLA CHAIR 
 
 Tuscan, XVI Century 
 Oblong back, with incurving corners; punched to a circular 
 medallion and stellate design; five spindle curule arms and 
 legs, with lifting seat folding on a pivot. Claw feet. 
 CARVED WALNUT SAVONAROLA CHAIR 
 
 Italian, XVI Century 
 Scrolled back, enriched with central coat of arms; ten spindle 
 curule arms continuing and crossing as legs; the front carved 
 with oak leafage. Claw feet. 
 
 CARVED WALNUT CREDENZA Tuscan, XVI Century 
 
 - Oblong hinged top with leaf-carved edges; the front fitted 
 
 524. 
 
 ta 
 
 with central paneled cupboard door with a carved rosette and 
 knop handle, enclosed by an astragal molding. The frieze 
 and pilasters molded and nulled. 
 
 Height, 36% inches; width, 31 inches. 
 CARVED WALNUT CASSONE 
 
 District of the Etsche, circa 1450 
 
 Rectangular molded hinged top; the front sgraffito-carved and 
 enclosing within niches, male and female figures arrayed in 
 mediaeval costumes, above which are animalistic figures; 
 carved recumbent lions act as supports. Wrought iron side 
 handles. ‘Traces of polychrome exist. 
 
 Height, 22 inches; length, 60% inches. 
 
 4B eile LE 
 
5203 
 
 CARVED OAK CABINET Italian, XVI Century 
 
 Rectangular molded top, the cornice molding and_ frieze 
 carved with voluted leafage, centring a human mask, supported 
 
 - by half columns, fluted and having capitals of Doric form; the 
 
 central cupboard door with raised central panel enclosing 
 within a cartouche a winged cherubic head; beneath, a drawer. 
 The whole supported on stand with bulbous ringed legs. (Re- 
 constructed. ) 
 Height, 5 feet 2% inches; width, 2 feet 4% inches. 
 CARVED WALNUT SANSOVINO CASSONE 
 Liguria, XVI-XVII Century 
 Rectangular molded top, the edges enriched with foliated 
 lunettes; front and sides panels sculptured in relief and de- 
 picting in scrolled cartouches groups of winged pufti and a 
 central cherubic figure supporting a basket of flowers upon his 
 
 head. On boldly gadrooned base. 
 
 Height, 23 inches; length, 53 inches. 
 
 POLYCHROMED AND GOLD ILLUMINATED CASSONE 
 Sienese, XVI Century 
 
 Domed, lifting top; the chest of incurving contour; the front 
 
 panel richly decorated in pastiglia with a fine Renaissance de- 
 sign of dolphins enclosing numerous quartered escutcheons and 
 mascarons, bordered by guilloche molding; on bracket feet. 
 Height, 20% inches; length, 58% inches. 
 CARVED WALNUT CASSONE 
 
 Northern Italian, XVI-XVII Century 
 Rectangular hinged top, with nulled cornice molding; the 
 front panel carved in relief with scrolled vine and leafage, the 
 
 pilasters boldly rosetted; on scrolled bracket feet. 
 Height, 24 inches; length, 64% inches. 
 
 | END OF SECOND AND LAST SESSION fete 
 
PM glee AOE Nels 
 DOTS UNITED STATES AND STATE TAX 
 INSURANCE AND OTHER PURPOSES 
 CATALOGUES OF PRIVATE COLLECTIONS 
 
 ¢ APPRAISALS. The American Art Association, Inc., 
 will furnish appraisements, made by experts under its direct 
 supervision, of art and literary property, jewelry and all 
 personal effects, in the settlement of estates, for inheritance 
 tax, insurance and other purposes. 
 
 CATALOGUES. The Association is prepared to supple- 
 ment this appraisal work by making catalogues of private 
 libraries, of the contents of homes or of entire estates, such 
 catalogues to be modeled after the fine and intelligently 
 produced Sales catalogues of the Association. 
 
 Upon request the Association will furnish the names of 
 many Trust and Insurance Companies, Executors, Admin- 
 istrators, Trustees, Attorneys and private individuals for 
 whom the Association has made appraisements which not 
 only have been entirely satisfactory to them, but have been 
 accepted by the United States Estate Tax Bureau, the 
 State Tax Commission and others in interest. 
 
 The AMERICAN ART ASSOCIATION 7 INC. 
 MADISON AVENUE, s6rx to 57TH STREET 
 
 New York (ity 
 
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