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THE AMERICAN ART ASSOCIATION 
 Metts 11S CATALOGUES AND: DIRECTS 
 Pole E PAIS OF ILLUSTRATION 
 eer SND, LY POGRAPHY 
 
ON PUBLIC EXHIBITION mee, 
 
 See AMERICAN ART GALLERIES U1 AC 
 MADISON SQUARE SOUTH, NEW YORK Ko Aw 
 ENTRANCE, 6 EAST 23RD STREET | = 
 
 fee NING SATURDAY, MARCH 5TH, 1921, 
 ee PeCONTINUING UNTIL THE TIME OF SALE 
 
 ETCHINGS BY MASTERS OF THE NEEDLE 
 
 Pe eoDING THE COLLECTION OF 
 
 MR. TROWBRIDGE HALL 
 
 SEAN EOV YORE CITLy. 
 
 TO BE SOLD AT UNRESTRICTED PUBLIC SALE|\_4{4\33. 
 
 BY ORDER OF OWNERS HEREINAFTER DESIGNATED 
 ON WEDNESDAY AND THURSDAY EVENINGS 
 
 pee i AND-IOTH, 1921, AT 8:00 O'CLOCK 
 
 Peet AVERICAN ART GALLERIES 
 
ANDERS ZORN 
 SELF-PORTRAIT WITH FUR CAP, 
 [No. 434] 
 
ILLUSTRATED CATALOGUE OF 
 ETCHINGS BY MASTERS OF THE NEEDLE 
 MyCLUDING THE COLLECTION OF 
 MR. TROWBRIDGE HALL 
 OPNEW YORK CITY 
 
 POE SOLD WITHOUT: RESERVE OR’ RESTRICTION 
 BY ORDER OF OWNERS HEREINAFTER DESIGNATED. 
 
 ON WEDNESDAY: AND THURSDAY EVENINGS 
 ReRCH OH AND: 10TH, AL 800<.0’CLOCK 
 
 THE-SALE TO BE CONDUCTED BY 
 Peeves FE KIRBY AND HIS ASSISTANTS, OF 
 Pee ey PE RICAN ART. ASSOCIATION, MANaGErs 
 NEW YORK CITY 
 1921 
 
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STATEMENT OF OWNERSHIP 
 
 The Property of MR. TROWBRIDGE HALL, of New York City, sold by his 
 Geeereeiss ete catalogued under items, Numbers—4, 5, 6, 41, 45, 47, 51, 52, 
 eyo. 100, 100 114 116, 117, 122, 210, 231,.233, 234, 235, 236, 237, 238, 
 Pees ieee zoo, cov, 29), 293, 295, 296, 299 305, 307, 308, 326, 334, 335, 
 Baysooe, 304, 340, 341, 342, 343, 344, 345, 346, 347, 348, 349, 350, 351, 352, 353, 
 eee 7,005, 399, 366, 367, 368, 376, 378, 381, 382; 388, 392, 393, 401. 
 
 Part or a NEW YORK COLLECTION, sold by order of owner, is herein 
 Catalogzued under items, Numbers,—20, 40, 50, 71, 73, 74, 94, 95, 110, 111, 115, 
 eee io G5, 20/7, 208, 209, 216, 217, 218, 219, 220, 228, 232, 247, 283, 
 Bee eo 257, 292, 294, 304, 311, 323, 365, 374, 377, 379, 383, 391, 402-409, 
 412, 413, 415, 416, 417, 418, 419, 420, 421, 422, 426, 427, 428, 429, 431, 432, °433, 
 434, 435, 436, 437, 438, 439, 440, 441, 442, 443, 444, 
 
 Etchings from a CONSIGNMENT. RECEIVED FROM ABROAD, and sold 
 by order of owner, are herein catalogued under items, Numbers,—8, 9, 10, 11, 12, 
 15,14, 42, 43, 44, 46, 48, 49, 53, 54, 56, 57, 58, 60, 104, 106, 112, 124, 128, 138, 143, 
 ete 2 00)20/, 208, 269. 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 
 Pele 262.) 324, 325,- 327, 336. 
 
 Etchings consigned by THE MISSES HANSON of Woodstock, New York, and 
 sold by their order, are herein catalogued under items, Numbers,—403 and 404. 
 
 Etchings consigned by MRS. GANO. DUNN of New York City, and sold by 
 her order are herein catalogued under items, Numbers,—103, 154, 162, 170, 173. 
 
 The Property of MR. R. C. SOMERVILLE, of Batesville, Arkansas, sold by 
 his order, is herein catalogued under items, Numbers,—l, 2, 3, 21, 22, 23, 38, 
 eee eer, 84, 65, 98, 99, 164, 188, 196, 199, 201, 214, 215, 313, 314, 315, 
 SO 317,. 
 
 Etchings forming a part of a NEW YORK COLLECTION, and sold by order 
 of the owner, are herein catalogued under items, Numbers,—27, 28, 29, 30, 31, 32, 
 i 00, 67, 68, 105, 113, 119, 121, 123, 126, 130, 132, 133, 137, 144, 
 Me et ge) 222 223, 224 225, 226, 227, 230, 253, 254, 255, 256, 257, 258, 
 Bee 202, 203, 205, 329, 361, 364, 371, 395, 397. 
 
 The Property of A BOSTON COLLECTOR, sold by his order, is herein 
 catalogued under items, Numbers—7, 59, 72, 79, 90, 91, 92, 107, 129, 135, 136, 
 140, 141, 142, 204, 246, 250, 264, 297, 298, 300, 303, 318, 328, 360, 394, 396, 398, 414, 
 424, 
 
 The Property or MR. V. WINTHROP NEWMAN, of New York and London, 
 sold by his order, is herein catalogued under items, Numbers,—362, 363, 369, 370, 
 
 373, 375, 380, 384, 386, 390. 
 
 Etchings consigned from a SOUTHERN COLLECTION, and sold by order 
 of the owner, are herein catalogued under items, Numbers,—149, 150, 151, 152, 
 ees? 150° 159 160 161, 165, 166, 167, 168, 169, 171, 172, 174, ese AV ke pes URE 
 Pete eye at 162 183, 184, 185, 186, 187, 189, 190, 191, 192, 195, 194, 195, 
 197, 198, 200, 202, 203, 205, 206. 
 
 Etchings consigned by HON. ARTHUR WHITNEY of Mendham, New Jersey, 
 and sold by his order are herein catalogued under items, Numbers,—86, 88, 387, 
 
 389, 400, 405. 
 
 The Property of A PRIVATE OWNER, sold by his order, is herein catalogued 
 under items, Numbers,—15, 18, 36, 69, 70, 93, 101, 243, 251, 252, 312, 322, 408, 423. 
 
 Etchings consigned by MR. HANS HINRICHS, sold by order of owner, are 
 herein catalogued under items, Numbers,—108, 118, 120, Poteei 34 212 229.) S01; 
 319, 320, 321, 372, 406, 407, 410, 411, 430. 
 
 Etchings sold by order of RICHARD ELY, Attorney, are herein sold, catalogued 
 under items, Numbers,—16, 17, 19, 75, 80, 89, 102, 244, 245, 291, 302, 306, 309, 310, 
 Peal, oo2, 333, 
 
 Etchings consigned by MR. ADAM TINDEL of Philadelphia, and sold by 
 his order, are herein catalogued under items, Numbers,—24, 2.20, 96, 97. 
 
 Consignments from THREE PRIVATE PARTIES, are herein catalogued under 
 items, Numbers—87, 211, 385, 399, 425. 
 
Conditions of Sale 
 
 1. Any bid which is merely a nominal or fractional advance may be rejected by the auc- 
 tioneer, if, in his judgment, such bid would be likely to affect the sale injuriously. 
 
 2. The highest bidder shall be the buyer, and if any dispute arise between two or more 
 bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 
 
 3. Payment shall be made of all or such part- of the purchase money as may be required, 
 and the names and addresses of the purchasers shall be given immediately on the sale of every 
 lot, in default of which the lot so purchased shall be immediately put up again and re-sold. 
 
 Payment of that part of the purchase money not made at the time of sale, shall be made 
 within ten days thereafter, in default of which the undersigned may either continue to hold 
 the lots at the risk of the purchaser and take such action as may be necessary for the enforce- 
 ment of the sale, or may at public or private sale, and without other than this notice, re-sell 
 the lots for the benefit of such purchaser, and the deficiency (if any) arising from such re-sale, 
 shall be a charge against such purchaser. 
 
 4, Delivery of any purchase will be made only upon payment of the total amount due for 
 all purchases at the sale. 
 
 Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on 
 other days—except holidays—between the hours of 9 A. M. and 5 P. M. 
 
 Delivery of any purchase will’ be made only at the American Art Galleries, or other place 
 of sale, as the case may, be, and only on presenting the bill of purchase. 
 
 Delivery may be made, at the discretion of the Association, of any purchase during the 
 session of the sale at which it was sold. 
 
 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in 
 ao wise engaged, and will not be performed by the Association for purchasers. The Associa- 
 tion, will, however, afford to purchasers every facility for employing at current and reasonable 
 rates carriers and packers; doing so, however, without any assumption of responsibility on 
 its part for the acts and charges of the parties engaged- for such service, 
 
 6. Storage of any purchase shall be at the sole risk of the purchaser. Title passes upon the 
 fall of the auctioneer’s hammer, and thereafter, while the Association will exercise due caution 
 in caring for and delivering such purchase, it will not hold itself responsible if such purchase 
 be lost, stolen, damaged or destroyed. 
 
 Storage charges will be made upon all purchases not removed within ten days from the 
 date of the sale thereof. 
 
 7. Guarantee is not made either by the owner or the Association of the correctness of the 
 deseription, genuineness or authenticity of any lot, and no sale will be set aside on account 
 of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on 
 public exhibition one or more days prior to its sale, after which it is sold ‘‘as is’ and without 
 recourse. ‘ 
 » The Association exercises great care to catalogue every lot correctly, and will give con- 
 sideration to the opinion of any trustworthy expert to the effect-that any lot has been incor- 
 rectly catalogued, and, in its judgment, may either sell the lot as catalogued or make mention 
 of the opinion of such expert who thereby would become responsible for such damage as might 
 result were his opinion without proper foundation. 
 
 SPECIAL NOTICE 
 
 Buying or bidding by the Association for responsible parties on orders transmitted to it by 
 mail, telegraph or telephone, will be faithfully attended to without charge or commission. 
 Any purchase so made will be subject to the above Conditions of Sale, which cannot in any 
 manner be modified. The Association, however, in. the event of making a purchase of a lot 
 consisting of one or more books for a purchaser who has not, through himself or his agent 
 been present at the exhibition or sale, will permit such lot to be returned within ten days from 
 the date of sale, and the purchase money will be returned, if the lot in any material manner 
 differs from its catalogue description. 
 Orders for execution by the Association should be written and given with such plainness as 
 to leave no room for misunderstanding. Not only should the lot number be given, but also 
 the title, and bids should be stated to be so much for the lot, and when the lot consists of one 
 or more volumes of books or objects of art, the bid per volume or piece should also be stated. 
 If the one transmitting the order is unknown to the Association, a deposit should be sent or 
 reference submitted. Shipping directions should also be given. 
 
 Priced copies of the catalogue of any sale, or any session thereof, will be furnished by the 
 Association at a reasonable charge. 
 AMERICAN ART ASSOCIATION- 
 American Art Galleries 
 
 Madison Square South 
 New York City 
 
At THE AMERICAN ART GALLERIES 
 MADISON SQUARE SOUTH,-NEW YORK 
 
 UNRESTRICTED PUBLIC SALE OF ETCHINGS BY MASTER ARTISTS 
 
 BY ORDER OF OWNERS HEREINBEFORE DESIGNATED 
 
 First Session, Numbers 1 to 227, inclusive 
 WEDNESDAY EVENING, MARCH 9TH, AT 8:00 O’CLOCK 
 
 ANDREW F. AFFLECK 
 
 Contemporary English etcher. 
 
 FFLECK, ANDREW F. 
 6 1. BaALtTIMorE CATHEDRAL, Exterior. Etching. 
 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION, 
 Height, 111%; length, 1734 inches. 
 
 AFPLECK, ANDREW F. 
 2. THE Doces PaLace, VENIcE. Etching. 
 
 [0 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 Height, 16%; length, 24 inches. 
 
 AFFLECK, ANDREW F. 
 ToLepo CATHEDRAL, INTERIOR. Etching. 
 
 Ib’ Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 Height, 2436; width, 16% inches. 
 
 ADOLPHE APPIAN 
 
 French etcher. Born at Lyons, in 1819. A pupil of Corot and of Daubigny. 
 
 JOPIAN, ADOLPHE 
 < 4. Souvenir. Painter-etching. 
 Beraldi, No. 1. 
 Proof on Japanese vellum. Attached by the upper corners to a cardboard 
 and framed in ¥% inch gilt frame. 
 Height, 5; length, 934 inches. 
 
 SEriaN ADOLPHE 
 5. CHEMIN DE L’ETANG DE FRIGNON A Creys (LSERE). Painter-etching. 
 heraldeeevo, 1.. V. 
 St Signed in the left upper corner of the plate and dated 1864. Proof on 
 Y. - etching paper laid down on cardboard and framed in ™% inch gilt frame. 
 Height, 514; length, 10% inches. 
 
First Session, Wednesday Evening, March 9th 
 ’ 2. 
 
 APPIAN, ADOLPHE 
 
 6. Source DE L’ALBARINE. Painter-etching. 
 Beraldi, No. 2. 
 ‘f Signed in the left upper corner of the plate and dated 1870. Proof on 
 If) | soft Japan paper, signed in pencil in the lower margin by the artist. 
 nS Hinged from the upper corners on cardboard and framed in 34 inch 
 ( eilt frame. 
 Height, 734; length, 14% inches. 
 FRANCESCO BARTOLOZZI, 1727-1815 
 Born in Florence, died in Lisbon. Pupil’ of Jos: Wagner at Venice,” (Came ste 
 London in 1764. where he did most of his finest plates. One of the original 
 members of the Royal Academy. 
 BARTOLOZZI, FRANCESCO 
 7. MerrEKNESS, BEAUTY. Stipples. 
 Tuer, LI, pp. 85-86, Nios, 15 and 16. 
 ~ 0) After G. B. Cipriani. Superb proofs before letters, printed in red. With 
 j ) S large margins. Two lovely plates in fine condition. 
 oy Height of each, 6%; width, 5 inches. 
 
 EUGENE BEJOT 
 
 Contemporary French etcher. Born at Paris in 1865. 
 BEJOT, EUGENE 
 wv /8. Le Pont Neur, Paris. Etching. 
 
 Signed in lower margin, in pencil, 
 IN PERFECT CONDITION. 
 
 / 
 
 i 
 
 Height, 654; length, 10 inches. 
 AS BEJOT, EUGENE 
 / 9, Le Quart ve L’Hortoce, Paris. Etching. 
 ee , 
 
 Signed in lower margin, in pencil—E&. Bejot. 
 IN PERFECT CONDITION. 
 
 Height, 1034; width, 93¢ inches. 
 / BEJOT, EUGENE 
 
 ‘¢ 10. L’EspLaNAbDE DES INVALIDES, Parts. - Etching. 
 ig : 
 
 Signed in lower margin, in pencil—E. Bejot. 
 IN PERFECT CONDITION. 
 
 Height, 9; width, 734 inches. 
 
 ! 
 
 E. Bejot. Beautiful impression. 
 
 Beautiful impression. 
 
 Beautiful impression. 
 
 BEJOT, EUGENE 
 4) A. Pont Neur, Quart Des OrFEvres, Paris. 
 a Signed in lower margin, in pencil, 
 
 | IN PERFECT CONDITION. 
 Height, 9%; length, 956 inches. 
 
 Etching. 
 E. Bejot. 
 
 Beautiful impression. 
 
 BEJOT, EUGENE 
 
 J iz. ST. BERNARD. Etching. : 
 Signed in lower margin, in pencil—E. Bejot. Beautiful impression. 
 | (7 . IN PERFECT CONDITION. 
 Height, 814; length, 9 inches. 
 QM 
 
 / BEJOT, EUGENE 
 13. Satnr Séverin. Etching. 
 
 x Signed in lower margin, in pencil—. Bejot. 
 \ IN PERFECT CONDITION. 
 
 Beautiful impression. 
 Height, 614; length, 934 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 BEJOT, EUGENE 
 
 1 St. Mato. Etching. 
 ee Signed in lower margin, in pencil—E. Beyot. Beautiful impression. 
 () IN PERFECT CONDITION, 
 a Height, 634; length, 7% inches. 
 BEJOT, EUGENE 
 j15. Saint Picotas, Paris. Etching. 
 With two other etchings, views of Paris, by this artist, published 
 
 J at 
 ) / different times in Art magazines. 
 ss 
 
 Together, 3 pieces, various sizes. 
 
 JACQUES FIRMIN BEAUVARLET 
 
 Born at Abbéville, about 1731; died in Paris, 1797. 
 
 BEAUVARLET, JACQUES FIRMIN 
 16. La FAMILLE pU FERMIER. Engraving. 
 After the painting by Fragonard. Very fine proof before all letters. Had 
 few tears in margins, all mended. 
 9 Height, 127%; length, 163¢ inches. 
 of BEAUVARLET, JACQUES FIRMIN 
 \ 17. L’Hymen et L'Amour. Engraving. 
 After the painting by Boucher. Very fine impression, margins stained, 
 
 otherwise in fine condition. 
 Height, 1754; width, 1334 inches. 
 
 BESNARD AND STEINLAN 
 FESNARD AND STEINLAN 
 os 18. La Tomerre. Etching. 
 With (3) other etchings by this artist and an etching by Steinlan, pub- 
 Jo" lished at various times in Gazette des Beaux-Arts. Together, 5 pieces, 
 various sizes. 
 
 GIULIO BONASONE 
 
 Early Italian. Flourished from 1531 to 1574. 
 
 BONASONE, GIULIO 
 19. Younc Maw SLayinG A SEA-Monster. Engraving. 
 / Bartsch, No. 178. 
 Signed on the plate—Julio Bonasone. Very fine and early impression, 
 » in fine condition. 
 
 Height, 105<; length, 1634 inches. 
 
 FELIX BRACQUEMOND 
 
 French etcher. Born at Paris in 1833; died in 1915. 
 
 BRACQUEMOND, FELIX 
 tee DucKS. 2Ktching. 
 Fine impression, printed on Japan paper. IN PERFECT CONDITION, 
 
 al Height, 1054; length, 1534 inches. 
 
 FRANK BRANGWYN 
 Contemporary English painter and etcher. Born in London in 1867. 
 BRANGWYN, FRANK ; 
 / 21. Hor Pickers (Cannon Street Station). Etching. 
 Signed Artist Proof. Beautiful impression, IN PERFECT CONDITION. 
 
 36 Height, 2434; length, 37 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 Pee FRANK 
 oy, 22. ST.+RETER’S;GENOA. : Etching. & 
 + es Signed Artist Proof. ‘Beautiful impression. IN PERFECT CONDITION. 
 Height, 2214; length, 2534 inches. 
 
 BRANGWYN,- FRANK 
 23. ABBEY OF St. Leonarpo. Etching. 
 ‘ye Signed Artist Proof.. Beautiful impression: IN PERFECT CONDITION. 
 Lv Height, 2934; width; 2334. inches. 
 
 BRANGWYN, FRANK 
 24. Tue TracuHetto, VENICE. Etching. 
 Signed in lower margin, in pericil—Frank Brangwyn. Beautiful impression. 
 
 i In PERFECT CONDITION. 
 | Height, 15%; width, 1434 inches. Framed. 
 
 ‘Artist’s own proof sent over for exhibition at Philadelphia Academy of Fine Arts. 
 
 BRANGWYN, FRANK 
 25. CHURCH oF St. NicHoLtAs, DixmupeNn. Etching. 
 “e, Signed in lower margin, in pencil,—Frank Brangwyn. Beautiful impression. 
 | IN PERFECT. CONDITION. ee 
 
 ia Height, 2134; length, 2614 inches. Framed. 
 
 Attistés own proof’ sent over for exhibition at Philadelphia Academy of Fine Aid, 
 
 ei 
 
 / BRANGWYN , FRANK 
 26. THe Brince or SicHs, Venice. Etching. x 
 U Siened in lower margin, in pencil,—Frank Brangwyn. Beautiful impression. 
 IN PERFECT CONDITION. mr , 
 Height, 271%4; width, 1734 inches. 
 
 Arhist’s own proof sent over for exhibition,at the Phitadeiphia Academy, of Fine Arts. 
 
 BRANGWYN, FRANK 
 27. Tue Monument, Lonpon: Etching. 
 Signed in lower margin, in pencil, —Frank BY Rea: Beautiful impression. 
 
 " In PERFECT CONDITION. 
 Height, 2774; width, 1734 inches. ia E 
 [See Ilustration. | oe) 1 Rafter ese 
 
 BRANGWYN,*FRANK 
 
 f 28. Gate oF Naptes. Etching. : 
 Signed in lower margin, in pencil—Frank Brangz Ty. Very fine impression, 
 B. printed on a-bluish inlaid paper. JN PERFECT CONDITION. ; 
 Height, 2034; width, 1734 inches. 
 
 BRANGWYN, FRANK 
 29. Tour pE°Faure. Etching. eae ; 
 e Signed 1 in lower margin, in pencil, —Frank Brangs wy. Beautiful impression, 
 nae fe “et 
 
 a in fine condition. 
 | Height, 934; length, 13% inches. Framed. ~ 
 
 BRANGWYN, FRANK 
 
 \ 30. Breaxinc Up or THE DUNCAN. (Small). Etching. : 
 : Signed in lower margin, in pencil,—Frank Brangwyn. Beautiful impression. 
 In PERFECT CONDITION. 
 a\ Height, 117%; length, 15% inches. 
 
 \ \ 
 t 
 
N 
 
 ANGWY 
 
 NK BR 
 
 RA 
 THE MONUMENT 
 
 F 
 
 , LONDON 
 BI24A 
 
 [ NO 
 
First Session, Wednesday Evening, March 9th 
 
 BRANGWYN, FRANK \ 
 ~ 31. CHuRCcH AT TAoRMINA. Etching. 
 ay Ae 
 
 Signed in lower margin, in pencil, 
 IN PERFECT CONDITION. 
 Height, 10; width, 8 inches. 
 
 Frank Brangwyn. Beautiful impression. 
 
 | 
 
 A) BRANGWYN, FRANK 
 
 S 32. Tour bE Faure. Etching. 
 Y Signed in lower margin, in pencil—Frank Brangwyn. Beautiful impression. 
 ” IN PERFECT CONDITION. 
 
 Height, 10; length, 1356 inches. 
 
 v ARANGWYN, FRANK 
 33. Tree HAMMERSMITH. Etching. 
 
 Signed in lower margin, in pencil,—lrrank Brangwyn. Beautiful impression. 
 
 \bv IN PERFECT CONDITION. 
 
 Height, 15; width, 12 inches. 
 
 2-RANGWYN, FRANK 
 34. FarMeER OF Porterocue. Etching. 
 
 \O Signed in lower margin, in pencil,—Frank Brangwyn. Beautiful impression. 
 _IN_ PERFECT CONDITION. 
 Height, 1074; length, 1476 inches. 
 
 BRANGWYN, FRANK 
 35. Tie Vittace Green. Etching. 
 if. Signed in lower margin, in pencil,—Frrank Brangwyn. Beautiful impression, 
 IN PERFECT CONDITION. 
 
 \L Height, 1034; length, 14% inches. 
 
 BRANGWYN, BONNAT, GAILLARD 
 /36. Original etchings, engravings and drypoints, published in the various Art 
 ne Pd Magazines at different times, included are also examples by Goeneutte. 
 righ Dupont, Desboutin, Karl Daubigny, and others. Together, 23 pieces, 
 
 \9 Af various Sizes. 
 
 J. ALPHEGE BREWER 
 
 Contemporary English etcher. 
 
 BREWER, J. ALPHEGE. 
 37. EXxeTER CATHEDRAL. . Etching. 
 ty Signed in lower margin, in pencil_J. Alphege Brewer. Beautiful im- 
 pression, printed in colors. IN PERFECT CONDITION. 
 
 A Height, 1934; width, 14% inches. 
 H. SCOTT BRIDGEWATER 
 
 Modern English mezzotint engraver. Born August 28, 1864. 
 
 BRIDGEWATER, H. SCOTT 
 38 Tue Moruer, (The Dawn of Love). Mezzotint. 
 After the painting by F. Dicksee. Signed in lower margin, in pencil, by 
 both painter and etcher. Superb impression, printed on India paper. 
 IN PERFECT CONDITION. | 
 Height, 1814; width, 143¢ inches. 
 
 BRIDGEWATER, H. SCOTT 
 39. Mrs. THornton. Mezzotint. 
 After the painting by Lawrence. Signed Artist Proof. Beautiful im- 
 
 pression, printed on India paper. Has few rust- stains, otherwise in 
 
 perfect condition. 
 Height, 17%; width, 14 inches. 
 
First Session, Wednesday Evening, March 9th 
 NN Raat al ee LE hr 
 
 FELIX BUHOT 
 
 French etcher, born at’ Valognes,’ Normandy, in* 1847; died at Paris in 1898. 
 “Let us say at once that Buhot—painter and etcher, is above all a poet. His 
 technique. is assuredly far from being simple. But he is free. He is not the 
 slave of rules and formulae. The world at large cannot fail to admire the form 
 of his message.”-—L&once B&NEDITE. g : 
 
 BUTOT. FELIX 
 40. Les Garpes pu Logis. Etching and drypoint. 
 Bourcard, No. 76. 
 Second State. Signed in the plate, and with the red owl stamp on the 
 <d back. Beautiful impression, IN PERFECT CONDITION. 
 Ve Height, 33; length, 414 inches. 
 IXx-Lipris L’ENsorceLte. Etching. 
 \ Bourcard, No. 116. 
 Second State. Fine impression, IN PERFECT CONDITION. 
 Height, 85¢; width, 6 inches. 
 Together, 2 pieces. 
 
 drypoint, aquatint and roulette work. 
 
 Bourcard, No. 123. 
 
 FourtH State; the remarques of the lower margin have been burnished 
 out and the height of the plate reduced. Signed on the plate and dated 
 1876. Proof on etching paper. 
 
 Height, 9144; length, 125% inches. 
 
 BUHOY, FELIX 
 41. NE Matinée p’Hiver au Qual ve LW Horer-Diev. Painter-etching with 
 
 BUHOT, FELIX 
 42./La Fete Nationare Au Bourevarp Ciicuy. Etching. 
 < Bourcard, No. 127. 
 ‘ Signed in lower margin, in pencil_—Felix Buhot, and with the red owl] 
 6) stamp. Beautiful impression. IN PERFECT CONDITION. 
 Height, 1254; width, 93¢ inches. 
 
 BUHOT, FELIX 
 43. L’Hiver A Paris ou ta Neice A Parts. (A la Place Bréda.) Etching and. 
 aquatint. 
 oe, Fe card. No. 128. 
 iy 2 Signed in lower margin, in pencil—Felix Buhot, and with the red owl 
 stamp. Beautiful impression. IN PERFECT CONDITION. 
 Height, 10; length, 1354 inches. 
 
 BUHOT, -FELIX . , 
 44, \L’Hiver A Paris ou LA NeEice A Paris. (A la Place Bréda.) Etching and 
 
 ia. oS EO tea iar DAM Tak se NETS lvl ATRL TS ar ember mane Ee ae 
 
 \ Bourcard, No. 128. are: : 
 | Signed in lower margin, in pencil—Felix Buhot, and with the red owl 
 stamp. Beautiful impression. IN PERFECT CONDITION. . 
 
 Height, 10; length, 135¢ inches. 
 
 BYUBOT. FELIX 
 5. L’Hiver A Paris ov La NErceE A Paris. Painter-etching with drypoint and 
 aquatint. 
 NG Bourcard, No. 128. 
 
 FirtH STATE; in the immediate foreground there appear now only 
 three dogs instead of four, as in the preceding state. Signed on the 
 plate and dated ‘Paris X”"® 1879.” Proof on etching papers. 
 
 Height, 9%; length, 14 inches. 
 
First Session, Wednesday Evening, March 9th 
 ce a eee 
 
 BUHOT, FELIX 
 / 46. La Prace Picatte. Etching and aquatint. 
 ( Bourcard, No. 129. : 
 Signed in lower margin, in pencil—Felix Buhot, and with the red owl 
 \ stamp. Beautiful impression. IN PERFECT CONDITION, © = 
 Height, 976; length, 135¢ inches. - ‘ 
 
 oO 
 
 BUHOT, .FRELIX. = re wots = | es Pa 
 47. UNE JETTEE*.EN’ ANGLETERRE. Painter-etching, with drypoint and aquatint. 
 Bourcard, No. 132. . aoa ES ‘ Noe ay 
 
 SEconp State (of 4); the. sketches in the left margin have not been ~ 
 
 changed and on the lower margin appears an-escutcheon flanked by 
 1 two dolphins. Signed. on. the. plate and dated 1879. ‘Proof: o: India 
 
 paper laid.on plate paper, with. the big owl stamp. in red. n the 
 margin, directions for the printer by the -artist.<i.= + RON. Se. 
 Height, 1134; width, 77 inches. ' 
 
 BUHOT, FELIX 
 
 La Dame Aux:Cyenes.. Etching.~2= > “7= 2) % ‘ 
 
 Bourcard, No. 144. . 3) hal (en ee ett 
 
 Signed in lower margin, in pencil,—felix Buhot, and with the red owl 
 stamp. Very fine impression. IN. PERFECT CONDITION. 
 
 Height, 534; length, 714 inches. ae 
 
 BUHOT, FELIX 
 49. L’OracE. Drypoint. ~ +1 
 Bourcard, No. 145. as ee = 
 | After the painting by Constable. Signed with the red.owl stamp. Beau-» 
 tiful impression. “IN PERFECT CONDITION. - “ae ‘ 
 Height, 6; length, 87¢ inches... 
 
 BUHOT; FELIX Pe eh sede ho ay. 
 y, 50. <Le Peinrre pE Marine. - Etching and drypdint: .2) 222. 2 2. 
 | Bourcard, No. 146. ered (ee ee 
 , Signed in the plate, and with the red owl stamp in lower margin. Beatti- 
 ful impression. IN PERFECT CONDITION, — ; i Ba A se 
 Height, 5%; length, 8% inches. - 
 
 BUHOT, FELIX eric ekc ire 
 
 / 51.. Les Votsins pE.CAMPAGNE, Painter-etching, with aquatint and drypoint.’ ~ 
 Bourcard, No. 148. Bec ee SS et 
 
 \\ Fourtu State (of 5); before the sketches on the right margin. Signed 
 
 \} \ on the plate and dated ‘November 18.” Proof on buff etching paper 
 with the big owl stamp in red. ch 
 
 Height, 514; length, 7 inches. 
 
 [See Illustration] 
 
 UHOT,; FELIX 
 52. Les Petites CuAumitres. Painter-etching, with aquatint and drypoint, 
 ’ Bourcard, No. 149. 
 
 {) \ Fourtu State; two small clouds in aquatint appear over the building with 
 the smoking chimney. Signed and dated 1878, on the plate. Proof 
 on buff etching paper, with the small owl stamp in red. 
 
 Height, 4; length, 536 inches. 
 
[I$ ‘ON] ANDVdNWVO Ad SNISIOA SAT 
 LOANEex blast 
 
 ee 
 
 iy 
 : 
 
First Session, Wednesday Evening, March 9th 
 
 BUHOT, FELIX 
 53. La CHAPELLE Sarint-MicHet A L’Estre. Etching. 
 
 Pg Bourcard, No. 152. 
 ee Signed in lower margin, in pencil—Felix Buhot, and with the red owl 
 Zo \ stamp. Beautiful impression. IN PERFECT CONDITION. 
 
 Height, 514; length, 1034. inches. 
 
 BUHOT) FELIX 
 co 54, Le Petit ENTERREMENT. Etching and aquatint. 
 
 ye pl ~ Bourcard, No. 154. 
 As Signed in lower- margin, in pencil,—/Felix Buhot, ionid Satin the red owl 
 ap : stamp. Beautiful impression. IN. PERFECT CONDITION. 
 
 Height, 336; length, 45¢ inches. 
 
 BUHOT, FELIX 
 55. Westminster Brice or W ESTMINSTER CLOCK TOWER Pamisr- etching “with 
 drypoint, aquatint and roulette work. 
 Bourcard, No.-156. 7 
 é SIXTH STATE: the sky has been cleaned up aaa the borders lightened. 
 \ Proof on etching paper. ” 
 Height, 1144 ;-length, 1534 inches. .. 
 
 BUHOT,* FELIX: . 
 oe Les Esprits pes VILLEs Mortes. Etching and aquatint. 
 A ie No. 160. 
 
 a7 YA Fine impression, printed on heavy paper, margins cracked along bottom 
 and sides. 
 
 Height, 127%, length, 1734 inches. 
 
 BUHOT,- FEELS . 
 pee LA PLace pes Martyrs et TAVERNE DU BAGNE: Etching. 
 Bourcard, No. 163. 
 iy Signed in lower margin, in pencil,—Felixr Bahor and with the red ow! 
 5 stamp. Beautiful impression. IN PERFECT CONDITION. ~~ . 
 etal: 13%4; length, 17% inches. 
 [See Illustration] 
 
 BUHOT, FELIX 
 / 58. La Favatse, Bate pe SAINT-MALo. Etching and aquatint. 
 
 Bourcard, No. 165. 
 
 i\ Signed in lower margin, in pencil—Feliv Buhot, and with the red ow} 
 stamp. Very fine impression of the Fourth State, with symphonic 
 margin. IN PERFECT CONDITION. 
 
 Height, 1134; length, 1554 inches. 
 [See Illustration] 
 
 UHOT, FELIX . . 
 59. Tue Marine Parnter. Painter-etching, with drypoint and roulette work. 
 Signed artist’s proof on essenced paper with the artist's owl stamp in 
 ( \ red and. the words “épreuve d’artiste’ written in pencil by the etcher. 
 With good margins. Fine. 
 Height, 51%; length, 8% inches. 
 
 BUHOT, FELIX 
 60. EMBARKATION AT TROUVILLE. Etching. 
 &/ Signed on the plate. Good impression. IN PERFECT CONDITION, 
 Height, 10; length, 151% inches. 
 
 \" 
 
b 
 
 RR 
 
 [ZS 
 
 * 
 
 a et eS 
 Satodisie ead Deak 
 
 seo ng 
 
 “wala mrile oh; yak Gos 
 
 ON 
 
 ] SUALIVIN Sad qOVId VI 
 bOnN a XPT = 
 
 2 
 
 wi 
 
 “4 
 
 Seat 
 
Tirst Session, Wednesday Evening, March 9th 
 
 DAVID YOUNG CAMERON 
 
 Celebrated contemporary Scotch painter and etcher. Born at Glasgow in 1865. 
 
 /-AMERON, DAVID YOUNG 
 f 61. Tue Unicorn, STIRLING. .Painter-etching. 
 VA Rinder, No. 89. . 
 Cy THe Onty. State. . Signed and~dated:.,1891,” on the plate, lower leit 
 7 corner. Proof on ribbed paper, closely trimmed at top and sides. 
 Signed below the plate-mark near the right lower corner, in pencil, 
 by the artist. Near the edge of the paper, towards the left corner, 
 “The Unicorn, Stirling” also in pencil and by the same hand. 
 Height, 77g; width, 3 inches. 
 
 CAMERON, DAVID. YOUNG 
 62. Tue Crucirix. Painter-etching. 
 Rinder, No. 281. 
 Ly Tuirp State; cross-hatching darkens shafts to extreme right of plate and 
 FS ¢ above pulpit. Psalter on lectern darkened. Signed on the plate in the 
 } y left lower corner. Proof on soft Japan paper, signed below the plate- 
 mark near the right lower corner, in pencil, by the artist. An important 
 plate and very rare. 
 Height, 1114; width, 67 inches. 
 
 CAMERON, DAVID YOUNG 
 63. HeENRY THE SEVENTH’S CHAPEL. Etching. 
 Rinder, No, 298. 
 Le Signed in lower margin, in pencil—D. Y. Cameron. Beautiful impres- 
 < 4 sion, printed on Japan paper. Margins slightly rubbed. 
 | Height, 634; width, 55¢ inches. 
 
 CAMERON, DAVID YOUNG 
 64...Srena. Painter-etching. 
 Rinder, No. 304. 
 “of Sreconp State: the horizontal line; 54 mm. from bottom of plate intersects 
 the second line from the left below the base of the doorway. Signed 
 ; and dated “1900” on the plate in the right lower corner. Proot on 
 / \ soft Japan paper. Signed below the plate-mark near the right lower 
 corner in pencil by the artist. VERY RARE. 
 Height, 11%; width, 55¢ inches. 
 
 AMERON, DAVID YOUNG Ss 
 65. Rue. SAINT JULIEN LE Pauvre.-Etching. 
 
 ‘ b Rinder, No. 366. Ae 
 Signed in lower margin, in pencil—D. Y. Cameron. Beautiful impression, 
 
 printed on ribbed paper. IN PERFECT CONDITION. 
 Height, 81%; width, 63¢ inches. 
 
 66: Orn Wuirsy Brince. ~ Drypoint. 
 : Rinder, No. 403. 
 
 ce 010 DAVID YOUNG 
 \ 
 
 Signed in lower margin, in pencil—D. Y. Cameron. Beautiful impres- 
 sion, printed. on ribbed paper. IN PERFECT CONDITION. 
 Height, 77%; length, 1254 inches. 
 / 
 
 AMERON, DAVID YOUNG 
 67. THe Boppin. Drypoint. 
 
 Rinder, No. 428. use ‘ 
 N Signed in lower margin, in pencil—D. Y. Cameron. Beautiful impres- 
 
 sion. IN PERFECT CONDITION. 
 Height, 5; length, 67g inches. 
 
FELIX BUHOT 
 
 LA FALAISE [No. 58] 
 
 . 
 p= 
 
First Session, Wednesday Evening, March 9th 
 
 CAMERON, DAVID YOUNG 
 
 68., DinNETMOOoR.  Drypoint. 
 fe Rinder, No. 431. 
 Signed in lower margin, in pencil—D. Y. Cameron. Beautiful impression, 
 
 \. printed on ribbed paper. IN PERFECT CONDITION. 
 Height, 674; length, 117@ inches. 
 
 CAMERON, DAVID YOUNG 
 69. AmpoiseE. Etching. 
 Rinder, No. 352. 
 s 74 Signed on the plate in lower right corner,—D. Y. Cameron. Good im- 
 \L _ pression. One of an edition printed for illustration in the “Studio” ; 
 part IV., 1902-3. 
 Height, 1034; width, 6% inches. 
 
 CAMERON, DAVID YOUNG 
 70, A NorMan Vitiace.. Etching. 
 Rinder, No. 359. 
 
 ra Signed in the plate in upper left corner—D. Y. Cameron. Fine impres- 
 (). sion, in perfect condition.’ Published in “The Artist Engraver,’ No. 1,’ 
 Jan., 1904. 
 
 Height, 514; length, 7 inches. 
 
 CAMERON, DAVID YOUNG 
 71. Ypres. Photogravure. 
 Reproduction made by T. & R. Annan & Sons, of a wash drawing by 
 Cameron. Signed in lower margin, in pencil—D. Y. Cameron. 
 
 ae Height, 7; length, 10% inches. 
 Ks 
 \ 
 
 KLINGER, MAX 
 Portrait. Soft-ground. 
 First State. Very fine impression. IN PERFECT CONDITION, 
 Height, 934; width, 534 inches. 
 Together, 2 pieces. 
 
 DOMENICO CAMPAGNOLA 
 
 About 1482—after 1563. 
 Born in Padua and worked there in the earlier half of the sixteenth century. Pupil 
 of Titian. 
 CAMPAGNOLA,. DOMENICO 
 72. Tue: Vircin Aporep BY SAINTS. ** Painter-etching. 
 
 Bartsch, XIII., No. 5. Fine impression, in good condition, closely trimmed. 
 
 Very rare. 
 Height, 554; width, 41% inches. 
 
 From. the Brayton Ives Collection. 
 
 Y 
 r"\ , MARY CASSATT 
 
 Born at Pittsburgh in 1855. She studied at the Pennsylvania Academy of Fine 
 Arts and later with Degas. She has won for herself the position of one of the 
 foremost depicters of child life in France and America. 
 
 fire MARY 
 74. ENFANT AU FauteuiL. Drypoint. 
 
 : 73, Mere er l’Enrant. -Drypoint. ; | 
 Signed in lower margin, 1n pencil—Mary Cassatt, No. 18. Superb. im- 
 0 Bas 
 Signed in lower margin, in pencil—Mary Cassatt, No. 35. Superb im- 
 \ pression. IN PERFECT CONDITION. 
 
 _..» pression, IN PERFECT CONDITION. 
 Height, 1674; width, 127 inches. 
 Height, 1174; width, 914 inches. 
 
 TiN MARY 
 
First Session, Wednesday Evening, March 9th 
 ee aA Ce ee 
 
 GIOVANNI JACOPO CARAGLIO 
 
 Early Italian designer and engraver. Born at Parma in 1498 or 1500. Pupil of 
 Marcantonio Raimondi. 
 
 CARAGLIO, GIOVANNI JACOPO 
 73. Tue Battie or THE BUCKLER AND THE LANCE. Engraving. 
 Bartsch, No. 59. 
 After the painting by Raphael. Fine old impression, in fine condition, 
 S Height, 13%; length, 19 inches. 
 
 From the D, G. de Arozarena and Alfred Morrison collections. 
 
 MRS. MINNE CORMACK 
 
 Modern English mezzotint engraver; born June 7, 1862. 
 
 » ZORMACK, MRS. MINNE 
 4 76. Miss Farren, Countess or Dersy. Mezzotint. 
 After the painting by Lawrence. Signed Artist Proof. Superb impres- 
 
 sion, printed on India paper. IN PERFECT CONDITION. 
 _ Height, 24; width, 157% inches. 
 
 CORMACK, MRS. MINNE 
 77. THe Countess oF Gower AND CuHiLp. Mezzotint. 
 7 After the painting by Lawrence. Signed Artist Proof. Superb impres- 
 | é sion, printed on India paper. IN PERFECT CONDITION. 
 \\ Height, 26; width, 16%4 inches. 
 
 CAMILLE COROT 
 
 Celebrated French painter and etcher. Born in Paris, 1796; died there in 1875. 
 
 BOR “CAMILLE 
 78. ENvirons De Rome. Painter-etching. 
 Delteil, No. 6. 
 
 Tuirp STATE; the inscriptions are burnished out and the plate is gen- 
 erally retouched. Proof on Japan paper, signed on the plate, in the 
 left lower corner. Hinged from the upper corners on cardboard and 
 framed in 34-inch gilt frame. 
 
 Height, 1136; width, 834 inches. 
 
 CHARLES FRANCOIS DAUBIGNY, 1817-1878 
 
 Born ia Paris and died there. 
 One of the celebrities of the ‘Barbizon school.’ Intimate friend of Corot. 
 
 DAUBIGNY, CHARLES FRANCOIS 
 79. VoyAGE EN Bateau. 1862. A set of 16 etchings. 
 Henriet, Nos. 90-105, inclusive. 
 Superb impressions on loose India paper and in perfect condition. From 
 the Jules Gerbeau Collection; all proofs bearing its stamp. 
 Average size, height, 44g; length, 6 inches. 
 
 Sh A charming series of pure etchings illustrating his roamings up and 
 
 down the rivers Oise and Seine on_his floating studio; in company 
 with his son Karl—the cabin-boy. Following are the titles and sub- 
 4 jects of the plates. 
 
 VoyaGE EN Bateau (A trip by boat).—Title page. Henriet No. 90. 
 Le D£yJEUNER DU DEPART A ASNIERES (The farewell-breakfast). Henriet No. 91. 
 “All things, here below, commence with a banquet; our sailors are careful not to 
 neglect this fundamental principle.” 
 3. Le Mosirier pE Bateau. (Furniture for the boat). Henriet No. 92. 
 “Instead of calling on the Maison Bailly to move in the boat’s furniture, the 
 captain accepted the services of a band of youngsters full of good will.” 
 4, Les Enrants A La voiture. (Children drawing a baby carriage). Henriet No. 93. 
 “The children having done their part, go off with their spoils.” 
 TrraGeE A LA CorpdE. (Hauling the Rope). MHenriet No. 94. 
 “Where the cabin-boy makes himself useful.” 
 6. La Nuit en Bateau. (The Night on the Boat). Henriet No. 103. 
 “One is not as comfortable as he might be.” 
 
 bor 
 
 Un 
 
 [Continued 
 
ae 
 
 a7 
 
 | 
 
 )E 
 
 é 
 
 v 
 
 1” 
 
 First Session, Wednesday Evening, March 9th 
 
 [No. 79—Continued | 
 
 We 
 8. 
 
 16. 
 
 La [RECHERCHE D’UNE AUBERGE. (Seeking an Inn.) MHenriet No. 97. 
 
 “So the night following, we start out to seek an inn.” 
 
 Lr CorRIDOR DE L'AUBERGE, Effet de nuit. (The Inn Corridor, Night), NHenriet 
 No. 98. 
 
 “It is mediocre in appearance, but one sleeps here well enough.” 
 
 Le BaTEAU—ATELIER. (Daubigny painting in his Boat-studio). Henriet No, 101. 
 “Work holds the soul in Joy.” 
 
 Le DEJEUNER DANS LE BaTEAu. (Lunching on the Boat). Henriet No. 95. 
 
 “The cooking leaves something to be desired, but what an appetite.” 
 L’ApostroPpHE. (The Colloquy). Henriet No. 96. 
 
 “Where the cabin-boy by some well-felt words avenges the honor of the flag, com- 
 promised by some impudent wags.” 
 
 La P&cHE A LA LIGNE. (Fishing with a Line). Henriet No. 100. 
 
 “The cabin-boy gathers provisions.” 
 
 La P&cHE AU FILET. (Fishing with a Net). Henriet No. 99. 
 
 “Another kind of fishing, less innocent than the foregoing. 
 
 GarE AUX vAPEURS! (Look out for steam-boats!) Henriet No. 102. 
 
 “Here are the steamers! Look out for waves! There are some hard strokes of 
 the oar to give.” 
 
 Les Poissons. (The Fish). Henriet No. 104. 
 
 “The fish give themselves up) to insensate wrigglings and execute a thousand leaps; 
 rejoicing over the departure of the cabin-boy, who too often revictualed the crew 
 at, the expense of the finny tribe.” 
 
 Le Retour. (The Return to Paris). Henriet No. 105. : 
 ‘Return to Paris by swifter road, the Bottin, faithful to his maritime convictions, 
 follows modestly in the wake of a tug-boat, The “Skipper” and his “Middy” 
 restored to civilization and coal-smoke salute their old companion in passing and 
 unfeelingly triumph over its leisurely progress.” 
 
 JOHANN THEODOR DE BRY 
 
 Early German engraver. Born at Liuttich, in 1561; died in Frankfort, 1623. 
 
 DE BRY, JOHANN THEODOR 
 80. Tue TrrumMpH oF DreatH. Engraving. 
 
 Signed on the plate. Fine early impression, in good condition. 
 Height, 254; length, 107% inches. 
 
 HERBERT THOMAS DICKSEE 
 
 Celebrated English animal painter and etcher. Born at London, 1862. 
 
 DICKSEE, HERBERT THOMAS 
 
 81. 
 
 PERIL, 
 Signed Artist Proof, Beautiful impression, printed on parchment. IN 
 PERFECT CONDITION. 
 Height, 1114; length, 21% inches. 
 
 Etching. 
 
 DICKSEFE, HERBERT THOMAS 
 
 8 
 
 Prace. Etching. 
 Signed Artist Proof. Beautiful impression, printed on parchment. IN. 
 PERFECT CONDITION. 
 Height, 13; length, 21% inches. 
 
 DICKSEE, HERBERT THOMAS 
 
 83. 
 
 Tue Kring WatcHEs. Etching. : 
 After the painting by Rosa Bonheur. Signed Artist Proof. Beautiful 
 impression, printed on parchment. IN PERFECT CONDITION. 
 Height, 1834; length, 2514 inches. 
 
 DICKSEE, HERBERT THOMAS 
 84. Tue Op SENTINEL. Etching. 
 
 Signed Artist Proof. Beautiful impression, printed on parchment. IN 
 
 PERFECT - CONDITION. 
 Height, 1314; length, 2434 inches. 
 
 DICKSEE, HERBERT THOMAS 
 
 85. 
 
 Tue Rutnep Tempe. Etching. 
 Signed Artist Proof. Beautiful impression, printed on parchment. IN 
 PERFECT CONDITION. 
 Height, 1714; length, 2514 inches. 
 
 OO Se 
 
first Session, Wednesday Evening, March 9th 
 a Sa ate OO dare a 
 
 ALBRECHT DURER 
 
 Born at Nurnberg in 1471; died there, 1528. He was of Hungarian descent; his 
 father coming from the little village of Eytas in Hungary. In 1486, Albrecht entered 
 the studio of Michael Wolgemut, the best Nurnberg painter of the day. He worked 
 
 there four years, and then spent several others traveling about, probably for the 
 most part in Germany, 
 
 URER, ALBRECHT 
 
 86. VIRGIN witH CHILD IN SwappLING CLOTHES. Engraving. 
 Bartsch, No. 38. 
 
 Signed with the monogram,—4. D. 1520. Good impression. Has been 
 iy torn and mended in two places, along upper right margin and one 
 ) running up through the centre on lower margin. 
 
 Height, 554; width, 334 inches. Framed. 
 
 RER, ALBRECHT 
 87. THE Vircin CrowNep By Two ANGELS. Engraving. 
 iS Bartsch, No. 39. 
 Ly Signed with the monogram,—A. D. 1518. Beautiful impression, slightly 
 __ stained along top margin, otherwise in fine condition. 
 Height, 534; width, 374 inches. Framed. 
 
 DURER, ALBRECHT 
 , 88. A Satyr ann His Famiry. Engraving. 
 
 v/ Bartsch, No. 69. 
 
 Signed with the monogram, 4. D. 1505. Very fine impression, has small 
 y tear along upper margin 1% inch long. 
 
 4 Height, 414; width, 234 inches. 
 
 DURER, ALBRECHT 
 
 ~) . THE Rape oF AMyMoNeE. Engraving. 
 S via Bartsch, No. 71. 
 Signed with the monogram, 4. D. Fine impression, has been torn along 
 upper left margin and repaired, otherwise in fine condition. 
 Height, 9 3/16; width, 7 7/16 inches. 
 [See Illustration. ] 
 
 DURER; ALBRECHT 
 90. THE BerroTHAL OF THE VirGiN, from “the Life of the Virgin.” Woodcut. 
 Bartsch, No. 82. } fC 
 Without the text. Very good impression on paper with the watermark 
 “crowned shield with fleur de lis.” A variation of Hausmann, No. 52. 
 
 closely trimmed. 
 Height, 115g; width, 834 inches. OL. BR 
 
 DURER, ALBRECHT 
 91. THE ASSUMPTION OF THE ViRGIN. From “The Life of the Virgin.” Woodcut. 
 
 Bartsch, No. 94. Na 
 Without the text. Very good impression, unnecessarily laid down. Closely 
 trimmed ¢a ish : i . ; 
 Height, 11144; width, 8% inches. 
 oB.B86 
 
 \ DURER, ALBRETCH 
 2. PORTRAIT OF THE ENGRAVER. Etching. 
 Parthey, No. 1390. 
 By W. Hollar after A. Durer. Good impression. With small margin. 
 
 | Slightly foxed. 
 : Height, 754; width, 614 inches. 
 
First Session, Wednesday Evening, March 9th 4 
 
 FANTIN-LATOUR, ROTHENSTEIN, NICHOLSON 4 
 
 ae LATOUR, ROTHENSTEIN, NICHOLSON ; 
 /p. 93. Original lithographs, wood-cuts and etchings, published in the Gazette des i 
 / Beaux Arts, and other Art Magazines at various times; included are j 
 
 also examples by Mary Renan, Lunois, French and others. Together, 
 15 pieces, various sizes. 
 
 HEDLEY FITTON 
 
 \ Contemporary English etcher, born in 1859. 
 
 PITTON PvE 
 94, CHATEAU DE ComTEs, GHENT. .Etching. 
 Signed in lower margin, ;in pencil,—Hedley Fitton. Beautiful 
 A / | IN PERFECT CONDITION. 
 
 ‘Signed in lower margin, in pencil—_Hedley Fitton. Beautiful impression, 
 printed on Japan paper. IN PERFECT ae 
 Height, 11%; width, 11 inches. AL <4 7 
 
 is | Height, 1434; length, 1514 inches. LB. 3B £ 
 ) FIFFON; HEDLEY 
 | 95. St. ANDREW’s CASTLE. Etching. 
 
 po | 
 
 A FIFTON, HEDLEY 
 
 f 96.° St.. Ermenne, Beauvais... Etching. ee 
 \ | Signed in lower margin, in pencil, —Hedley Fitton. Beautiful impression. 
 S hn a IN. PERFECT CONDITION. 
 (wv Height, 1734; width, 11 inches. Framed. ve uf F 
 
 aut FILTON PE DLEY 
 i 97.. Rue Pirovettz, Paris. Etching: ; : 
 Signed. in lower margin, in pencil—Hedley Fitton. Beautiful impression. 
 
 ) IN PERFECT CONDITION, 
 Nn? Height, 1514; width, 8% inches. cts tira’ 
 | wt 
 FITTON, HEDEEY 
 
 98. Gateway, Genoa. Etching. 2 
 ~ Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. ~ 
 
 ) | ~ Height, 18%; width, eas inches. : + AL. BB 
 
 | FITTON, HEDLEY 
 99: Pont St. ETIENNE. RiGiins 
 
 / \) 2 Signed Artist Proof. Beant fagoression. IN PERFECT CONDITION. 
 eee dy mee Height, 1356; length, 1634 ingle’ LY Ks 
 
 FITTON, «HEDLEY 
 100: SAINT BARTHOLOMEW THE GREAT, SMITHFIELD. Painter-etching. 
 Dunthorne, No. 24. 
 
 One State Only. Proof on Japan paper ‘signed in per by the artist. 
 } a; Stretched on a cardboard and framed in she inch a a frame. 
 (AVP < Height, 12; width,-7%4 inches. 
 
 hd 
 
 GEROME, LUNOIS, LETHEUTRE 
 
 GEROME, LUNOIS, LETHEUTRE ; é 
 
 101. Original etchings and drypoints, published in the various Art Magazines 
 at different times, included are also examples by LeGrand, Lepic, Monk 
 and Michetti. Together, 10 pieces, various sizes. 
 
 tS Pee 
 
ALBRECHT DURER 
 THE RAPE OF AMYMONE 
 [No. 89] 
 
First Session, Wednesday Evening, March 9th 
 el Aldeieba cee BOC et Si cst 
 
 GIORGIO GHISI 
 
 Early Italian engraver. Born at Mantua, 1520; died there in 1582. 
 
 GHISI, GIORGIO 
 102. Tue Birto or Memnon. Engraving. 
 ve Bartsch, No. 57. : ¢ 
 aff Signed and dated on the plate——“Ghisi, 1568.” Fine early impression, in 
 good condition. 
 Height, 11; length, 1614 inches. 
 
 HENDRIK GOLTZIUS 
 Born at Milbrecht, 1558; died at Haarlem, 1616. 
 
 GOLTZIUS, HENDRIK 
 103. THe Son or Fristus ann His Doc. Engraving. 
 Bartsch, No. 190. 
 Signed in the plate with the initials—H. G. Fine impression, has small 
 tear in upper left margin, otherwise in fine condition. 
 Height, 14%; width, 103¢ inches. 
 
 This is considered to be one of the artist’s finest plates. 
 
 SIR FRANCIS SEYMOUR HADEN 
 
 Eminent English etcher and surgeon. [Born at London, 1848; died there in 1910. 
 President of the “Royal Society of Painter Etchers.” Few artists of the nineteenth 
 century are more certain of abiding fame than he; because he excelled all the 
 other artists of his epoch in the important career of an etcher of landscape. No 
 other etcher has given us such true presentations of the beautiful, quiet land- 
 scapes of England.’’—-FREDERICK KEPPEL. 
 
 HADEN, SIR. FRANCIS SEYMOUR 
 104. KENSINGTON GARDENS, (Small plate.) Etching. 
 Harrington, Nov 12: 
 Signed in lower margin, in pencil_—Seymour Haden. Fine impression. 
 IN PERFECT CONDITION. 
 Height, 61%; width, 434 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 105. Kensincton GarDENS, (Small plate). Etching. 
 Harrington, No. 12. 
 Signed in the plate, and with the Seymour Haden Estate stamp. Fine 
 
 impression, IN PERFECT CONDITION. 
 Height, 614; width, 45% inches. 
 
 { HADEN, STR FRANCIS SEYMOUR 
 * 106. Ecuam Locx. Etching. 
 Harrington, No. 16. 
 Signed in lower margin, in pencil—Scymour Haden. Beautiful impres- 
 sion. IN PERFECT CONDITION. 
 Height, 574; length, 834 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 107. Sus TeEGMINE—or GREENWICH Park. Etching and drypoint. 
 Harrington, No~ 17. 
 Seconp Strate. The man’s feet and “F. S. Haden” are removed, and 
 instead, “Seymour Haden” in drypoint, added in left lower corner. 
 Signed proof, on thin Japan paper, only about 30 impressions in all 
 were taken from the plate. Very FINE. 
 Height, 614; width, 57 inches. 
 The signature of the trial proofs and the title, “Greenwich Park, 1859” on 
 all states of the plate are in Whistler’s hand. The plate was etched on 
 the same day as that gentleman’s “Greenwich Pensioner.” 
 
First Session, Wednesday Evening, March 9th 
 
 HADEN, SIR FRANCIS SEYMOUR 
 108. Out or Stupy Winpow. Etching. 
 Harrington, No. 18. 
 Signed in lower margin, in pencil—Seymouwr Haden. Beautiful impres- 
 
 sion. IN PERFECT CONDITION. 
 Height, 414; length, 10% inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 109. On tHE Test. Painter-etching and drypoint. 
 Harrington, No. 20. 
 First AND ONLy FinisHep State. Signed on the plate. Proof on yellow 
 Japan paper. Rich impression. 
 Height, 6; length, 9 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 M0, On tur Test. Etching. 
 Harrington, No. 20. 
 Signed in lower margin, in pencil—Seymour Haden. Superb impression, 
 printed on thin Japan paper. IN PERFECT CONDITION. 
 Height, 6; length, 87g inches. 
 [See Illustration. ] 
 
 HADEN, SIR FRANCIS SEYMOUR 
 111. A Castiz, County Wickiow. Etching. 
 Harrington, a2°Z2 1, 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful impres- 
 sion. IN PERFECT CONDITION. 
 Height, 4; length 5% inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 112. Tue Warer Meapow. Etching. 
 Harrington, No. 21. 
 Signed in lower margin, in pencil—Seymour Haden, Fine impression. 
 IN PERFECT CONDITION. 
 Height, 6; length, 9 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 113. Kipwetity Castie. Etching. 
 Harrington, No. 25. 
 Signed in lower left corner in pencil—Seymour Haden. Beautiful im- 
 
 pression, cut down just inside plate mark. 
 Height, 3; length, 534 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 114. SHere Mux Ponp. (The Larger Plate). Painter-etching. 
 Harrington, No. 38. 
 Impression from the cancelled plate on etching paper. 
 Height, 674; length, 13 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 115. Dunprum River. Etching. 
 
 Harrington, No. 49. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful impres- 
 
 sion, printed on India paper. IN PERFECT CONDITION. 
 Height, 6; width, 514 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 HADEN, SIR FRANCIS SEYMOUR - 
 116. WutstLer’s House, OL_p CHELSEA.. Painter-etching. 
 Harrington, No. 54. 
 Seconp State; all the foreground boats have ‘vertical reflections added 
 to the horizontal of the first state. Signed on the plate and dated 1865. 
 Proof on ‘Aqua Fortists” paper, signed in pencil by the artist. 
 Height, 67%; length 13% inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 117. Tuames Ditfon—withH «a Saiv.- Painter-etching and drypoint. 
 HarringtomeNo. 73. 
 First Pu BLISHED STATE. There are two men in the boat added in dry- 
 point, but before the plate was reduced to height 5%, length 8% inches. 
 Signed and inscribed on the plate in reverse: “Thames Ditton Sey- 
 mour Haden, 1864.” Proof on thin Japan paper, signed in pencil by the 
 artist. About 15 impressions taken in this state. 
 Height, 6; length, 93¢ inches. 
 
 HADEN, -‘SIR FRANCIS SEYMOUR 
 118. SHEpPERTON. Etching. 
 Harrington, No. 80. 
 Signed in lower margin, in pencil—Seymouwr Haden. Very fine impres- 
 sion, printed on ribbed paper. IN PERFECT CONDITION. 
 Height, 544; width, 434 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 119. Tue Moat House. Etching: 
 Harrington, No. 114. - 
 Signed in lower margin, in pencil,—Seymour Haden. Beautiful impression. 
 IN PERFECT CONDITION, 
 Height, 534; length, 836 inches. 
 
 HADEN, SIR. BRANCIS SEYMOUR 
 120. Sonninc Bank. Etching. 
 Harrington, No. TiO 
 Signed in lowet margin, in pencil Seymour Haden. Extremely fine im- 
 pression, printed on heavy ribbed paper. IN PERFECT CONDITION. 
 Height, 534; length, 8% inches. 
 
 +“ 
 
 HADEN, SIR FRANCIS SEYMOUR 
 T21~-& ’ CASTLE, CouNTY WICKLOW. Etching. : 
 Harrington, No.-121. 94 
 Signed: in lower margin, in panes —Seymour Haden. Beautiful impres- 
 sion. IN PERFECT. CONDITION. 
 Height, 4; length, 53 inches. 
 
 HADEN, SIR: FRANCIS:SEYMOUR 
 122. Tur THREE Sisters. Painter-etching. ~ 
 Harrington, ~No. 129. a: 
 SECOND STATE. There are a Fea _drypoint touches added here and there. 
 Signed on the plate. Proof on thin Japan paper. 
 Height, 5%; length, 83° inches. 
 Paes ieee Illustration. | 
 
 HADEN, SIR FRANCIS SEYMOUR 
 123. Tue THREE SISTERS. Etching. 
 Harrington, No. 129. 
 Signed in the plate, and with the Seymour Haden Estate stamp. Fine 
 impression. IN PERFECT CONDITION. 
 Height, 5%4; length, 8% inches. 
 
[OIT ON] Sal aHL NO | 
 NHGVH YNOWAHS SIONVYH MIS 
 
 7 ee ntehinn en sence kere eater rtateaie 
 
 eee 
 
First Session, Wednesday Evening, March 9th 
 ee ne ere 
 
 HADEN, SIR FRANCIS SEYMOUR 
 124. Tue Istanp Opposite Boyie’s Farm. Etching. 
 
 Harrington, No. 138. 
 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful impres- 
 sion. IN PERFECT CONDITION. 
 
 Height, 7; length, 97g inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 125. A Likety PLace FoR SALMON. Etching. 
 Harrington, No. 141. 
 Signed in lower margin, in pencil—_ Seymour Haden. Beautiful impres- 
 sion. IN PERFECT CONDITION. 
 Height, 414; length, 101% inches. 
 
 HADEN, SIR FRANGIS SEYMOUR 
 126. Tue Two SHEEP. Etching. 
 Harrington, No. 144. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful impres- 
 sion. IN PERFECT CONDITION. 
 Height, 4%4; length, 57% inches. 
 
 HADEN, SIR. FRANCIS SEYMOUR 
 127. Tuer Two SHeep.- Etching. 
 Harrington, No. 144. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful impres- 
 . sion. IN- PERFECT CONDITION. 
 Height, 414; length, 534 inches. 
 
 HADEN,. SIR. FRANCES: SEYMOUR 
 128. BreAKinG Up oF THE AGAMEMNON. Etching. 
 _ Harrington, No. 145. 
 Signed in lower margin, in pencil,—Seymour Haden. Very fine impres- 
 sion, printed by Goulding, signed in pencil—/ should consider this a 
 fine copy. F. Goulding, imp. IN PERFECT CONDITION. 
 Height, 7%: length, 161% inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 129. Bric at ANCHOR. Etching and drypoint. 
 Harrington No, 147.— 
 First FINISHED STATE. Portfolio 1876, P. 116. The only published state. 
 On van Gelder paper. Fine. 
 Height, 534; length, 8%. 
 
 There ate a number of poor impressions in circulation, evidently printed after the 
 issue of the magazine, x : 
 
 HADEN, SIR- FRANCIS SEYMOUR 
 130. Tue Mitt-WuHeeL. Etching. 
 Harrington, No. 153. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression, IN -PERFECT CONDITION. | 
 Height, 7; length, 1036 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 131. AN Essex Farm. Etching. 
 Harrington, No. 155. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression, IN PERFECT CONDITION. 
 Height, 7; length, 103¢ inches. 
 
 a ee? 
 
[ZZI ‘On] 
 SYHYLSIS AMYHL AHL 
 NHGVH MNOWAHS SIONVUA MIS 
 
First Session, Wednesday Evening, March 9th 
 
 - 
 
 HADEN, SIR FRANCIS SEYMOUR 
 
 132. GaLAIsSy Pigg Michme: 
 
 Harrington, No. 157. . 
 
 After the painting by J. M. W. Turner. Signed in lower margin, in 
 pencil,—Seymour Haden. Beautiful early trial proof, printed on heavy 
 paper. IN PERFECT CONDITION. 
 
 Height, 2334; length, 3234 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 133. Ye CompLeat ANGLER. Etching. 
 Harrington, No. 166. 
 Signed in lower margin, in pencil,—Seymour Haden. Beautiful im- 
 pression. IN PERFECT CONDITION, 
 Height, 53g; length, 77 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR . 
 134. Nine Barrow Down, Etching. 
 Harrington, No. 167. 
 Signed in lower margin, in pencil,—Seymour Haden. Fine impression. 
 IN PERFECT CONDITION. 
 Height, 534; length, 834 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 135. Tue Keer. Drypoint. 
 
 Harrington, No. 168. 
 
 Second State: the trunk of the large tree in the foreground has been 
 remodelled, in which process “Haden” has been scraped out, and fresh 
 shading has been added on the cows, especially upon the more distant 
 one. Signed proof on Dutch paper. FINE. 
 
 Height, 6; length, 87 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 136. Tue Canin. Drypoint. 
 Harrington, No. 170. . 
 THE ONLY PUBLISHED STATE. Proof with Haden’s stamp on heavy buf, 
 “R. P. E.”” paper. Fine, rich impression. 
 Height, 534; length, 8 inches. 
 
 HADEN, SIR FRANCIS SEYMCUR 
 137. Dusty Mitiers. Etching. 
 Harrington, No. 182. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 534; length, 83¢ inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 138. Grim, SPAIN. Etching. 
 Harrington, No. 186. 
 Siened in lower margin, in pencil,—Seymour Haden. Beautiful and 
 brilliant impression. Margin cut to within 14 inch of plate mark, in 
 fine condition. 
 Height, 6; length, 9 inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 139. THames FisHERMAN. Etching. 
 Harrington, No. 198. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 6; length, 87% inches. 
 From the Seymour Haden, Jr., Collection, 
 
First Session, Wednesday Evening, March 9th 
 
 HADEN, SIR FRANCIS SEYMOUR 
 140. THe Hepcerow. Drypoint. 
 Harrington, No. 203. 
 First AND ONLy PuBLisHED State. Signed proof on etching-paper. 
 Height, 5%; length, 8% inches. 
 Done during a lecture at the Royal Institution, to illustrate the process of ‘‘dry- 
 pointing.” 
 
 From -.the W. E. L. Dillaway Collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 141. Tue Turret. Etching on Zinc. 
 Harrington, No. 204. 
 First AND ONLY PUBLISHED STATE. Signed proof on etching-paper. FINE. 
 Height, 6%; width, 4% inches. 
 Plate improvised to illustrate etching on zine by the continuous process. 
 Prom the W. EE. L. Dillaway Collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 142. ‘HREE-TREE Farm. Painter-etching. 
 Harrington, No. 206. 
 First AND ONLY PuBiisHED STATE. Signed proof on etching-paper. FINE. 
 Height, 556; length, 834 inches. 
 Impromptu sketch to illustrate a lecture on the continuous method of etching. 
 From the W. E. L. Dillaway Collection. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 143. LANCASHIRE River. Etching. 
 Harrington, No. 215. 
 Signed in lower margin, in pencil—Seymour Haden. Fine impression. 
 IN PERFECT CONDITION. 
 Height, 11; length, 1534 inches. 
 
 Pae NN olk FRANCIS SEYMOUR 
 144. Cownpray CASTLE, WITH Cows. Etching. 
 Harrington, No. 220. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression; lower margin’ slightly rubbed, otherwise in perfect condition. 
 Height, 6; length, 9 inches. 
 
 HAVEN, SIR FRANCIS SEYMOUR 
 145. CowprAy CASTLE, WITH GEESE. Etching. 
 Harrington, No. 221. 
 Signed in lower margin, in pencil—Seymour Haden.. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 6; length, 93¢ inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 146. THE Four Cows. Etching. 
 Harrington, No. 223. 
 Signed in lower margin, in pencil—Seymour Haden. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 51%4; length, 83¢ inches. 
 
 HADEN, SIR FRANCIS SEYMOUR 
 147. BREAKING UP OF THE AGAMEMNON. (2nd plate.) Etching. 
 Harrington, No. 229. 
 Trial Proof B. Signed in lower margin, in pencil,—Seymour Haden. 
 Beautiful impression, printed on heavy paper. IN PERFECT CONDITION. 
 Height, 1014; length, 1834 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 HADEN, SIR FRANCIS SEYMOUR 
 148. GrayLtine Fisninc. Mezzotint. 
 Harrington, No. 241. 
 Signed in lower margin, in pencil—Scymour Haden. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 734; length, 1114 inches. 
 
 AXEL HERMAN HAIG 
 
 Born at Katthamara, in the Swedish island of Gotland, in the Baltic. Educated 
 to be an architect, he practiced in that profession for a number of years. Almost 
 a half century ago he renounced that profession for that of an etcher—since then 
 he has consistently exercised his powers upon the noblest examples of architecture 
 in England, France, Sweden, Spain and Italy. 
 
 HAIG, AXEL HERMAN 
 149. Verona. Etching. 
 Armstrong, No. 3. Boland Catalogue, No. 203. 
 Signed in lower margin, in pencil—Asxel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 334; length, 5% inches. 
 
 HAIG, AXEL HERMAN 
 150. Metrose Appey. Etching. 
 Armstrong, No. 11. 
 Signed in lower margin, in pencil—Axel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 654; length, 834 inches. 
 
 HAIG, AXEL HERMAN 
 151.. Happon- Hany Eitchime: 
 Armstrong, No. 21. Boland Catalogue, No. 72. 
 Signed in lower margin, in pencil,—Avel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 10%; width, 7 inches. 
 
 HAIG, AXEL HERMAN 
 152; A Swepise: Purrit. Etching: 
 Armstrong, No. 25. Boland Catalogue, No. 190. 
 Signed in lower margin, in pencil—dA. H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 10; width, 7 inches. 
 
 HAIG, AXEL HERMAN 
 153. Verona: Tue Puvpir or SAN FerMo Macciore. Etching. 
 Armstrong, No. 26. . 
 Signed in lower margin, in pencil—A. H. Haig. Beautiful impression. 
 printed on Japan paper. IN PERFECT CONDITION. 
 Height, 1774; length, 12% inches. 
 
 HAIG, AXEL HERMAN 
 154. CHARTRES: STREET SCENE AND CATHEDRAL. Etching. 
 Armstrong, No. 29. 
 Signed in lower margin, in pencil,—Advel H. Haig. Fine impression, in 
 fine condition. | 
 Height, 2214; width, 1334 inches. 
 
 HAIG, AXEL HERMAN 
 155. PrTreRBOROUGH CATHEDRAL. Etching. | 
 Armstrong, No. 33. Boland Catalogue, No. 139. 
 
 7 IN PERFECT CONDITION. | 
 an Height, 22; width, 1634 inches. 
 
 \ 
 
 Signed in lower margin, in pencil—Avrel H. Haig. Beautiful impression. 
 
First Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN 
 
 156. WrESTMINSTER ABBEY: ViEW FROM St. EpMuND’s CHAPEL. Etching. 
 Armstrong, No. 40. Boland Catalogue, No. 218, 
 Signed in lower margin, in pencil —A rel H. Haig. Beautiful impression. 
 
 Slightly stained, otherwise in fine condition. 
 Height, 2514; width, 15% inches. 
 
 HAIG, AXEL HERMAN 
 157. WESTMINSTER ABBEY: A Dark Corner. Etching. 
 Armstrong, No. 43. Boland Catalogue, No. 213. 
 Signed in lower margin, in pencil—A. H. Haig. Fine impression. IN 
 PERFECT CONDITION. 
 Height, 1234; width, 754 inches. 
 
 HAIG, AXEL HERMAN 
 158. Winpsor CastLe: THe Rounp Tower. Etching. 
 Armstrong, No. 58. Boland Catalogue, No. 223. 
 Signed in lower margin, in pencil—A. H. Haig. Fine impression. IN 
 PERFECT. CONDITION. 
 Height, 10%; width, 7 inches. 
 
 HAIG, AXEL HERMAN 
 159. Wrssy CaTHepRAL. Etching. 
 Armstrong, No. 60. Boland Catalogue, No. 225. . 
 Signed, in lower margin, in, pencil,—A. H. Haig. Beautiful impression. IN 
 PERFECT CONDITION. 
 Height, 10; width, 7 inches. 
 
 HAIG, AXEL HERMAN 
 160. Wisspy CatTHEpRAL. Etching. 
 Armstrong, No. 60. Boland Catalogue, No. 225. 
 Signed in lower margin, in pencil,—A. H. Haig: Beautiful impression. IN 
 PERFECT COND*TION. 
 Height, 10; width, 6% inches. 
 
 HAIG, AXEL HERMAN 
 161. STOCKHOLM : THe FrLoatinc Marker. Etching. 
 Armstrong, No. 61. Boland Catalogue, No. 183. 
 Signed in lower margin, in pencil—A xel H. Haig. Beautiful impression. 
 
 IN PERFECT CONDITION. | 
 Height, 2334; width, 1534 inches. 
 
 HAIG, AXEL HERMAN 
 162. Inrertor, Burcos CaTHEDRAL. Etching. 
 Armstrong, No. 65. 
 Signed in lower margin, in pencil,—Awxel H. Haig. Fine impression. IN 
 
 FINE CONDITION. 
 Height, 27%; width, 1734 inches. 
 
 “This etching of the Interior of Burgos Cathedral, one of the many famous ecclesi- 
 astical buildings in Spain, may fairly be described as the best known and most 
 highly valued of Mr. Haig’s etchings of cathedral interiors.’””—ARMSTRONG. 
 
 [See Illustration ] 
 
 HAIG, AXEL HERMAN 
 163. Torepo CATHEDRAL: INTERIOR. Aquatint and etching. 
 Armstrong, No. 66. Boland Catalogue, No. 195. 
 Signed in lower margin, in pencil,—Aavel H. Haig. Very fine impression. 
 
 IN PERFECT CONDITION. 
 Height, 2614; width, 1734 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN 
 
 164. Tue Basitica St. Gites at Artes. Etching. 
 Armstrong, No. 68. 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 Height, 2934; width, 2014 inches. 
 
 HAIG, AXEL HERMAN 
 165. FLopa. Etching. 
 Armstrong, No. 74. Boland Catalogue, No. 61. 
 Signed in lower margin, in pencil—A-rel H. Haig. Very fine impression. 
 IN PERFECT CONDITION. : 
 Height, 87; width, 57% inches. 
 
 HAIG, AXEL HERMAN 
 166. IN tHE PyreNeEES.~ Etching. 
 Armstrong, No. 76. Boland Catalogue, No. 82. 
 Signed in lower margin, in pencil—A. H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 814; width, 5% inches. 
 
 HAIG, AXEL HERMAN 
 167.. Carro: Aras Stupents. Etching. 
 Armstrong, No. 79. Boland Catilesae No. 21. oan tr 
 Signed in lower margin, in pencil, —A vel H.-Haig. Beautiful impression. 
 IN PERFECT CONDITION, 
 ~ Height, 153g; length, 237% inches. 
 
 HAIG, AXEL HERMAN 
 168. KirkstALL ApBey: THE CHApTER-House. Etching. 
 Armstrong, No. 101. Boland Catalogue, No..93. 
 Signed in lower margin, 1 i 1 
 IN PERFECT CONDITION, 
 Height, 97%; length, 151% inches. 
 
 Beautiful impression. 
 
 HAIG, AXEL*>HERMAN 
 169. LeceNp oF THE Betts. Etching. 
 Armstrong, No. 115. Boland Catalogue, No. 96. 
 Signed in lower margin, in pencil—A-vrel H. Haig. Beautiful impression. 
 Margins stained, otherwise in fine condition. 
 Height, 2334; width; 165% inches. 
 
 HAIG, AXEL HERMAN 
 170. TARRAGONA CATHEDRAL, INTERIOR. Etching. 
 Armstrong, No. 116. 
 Signed in lower margin, in pencil—Awvel Herman Haig. Fine impression, 
 in fine condition. 
 Height, 234%; width, 15% inches. 
 
 HAIG, AXEL HERMAN 
 171. Burcos: VIEW FROM THE SoutH. Drypoint. 
 Armstrong, No. 121. Boland Catalogue, No. 14. 
 Signed in lower margin, in pencil—A rel H. Haig. Beautiful impression. 
 ' IN PERFECT CONDITION. 
 Height, 914; length, 1554 inches. 
 
 HAIG, AXEL HERMAN 
 172. DaLtHEeM, GoTLAND, SweEDEN. Etching. 
 Armstrong, No. 125. Boland Catalogue, No. 44. 
 Signed in lower margin, in pencil—Azel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION, 
 Height, 1034; length, 1354 inches. 
 
bce 
 
 = 
 8 
 2 
 2 
 : 
 s 
 H 
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 & 
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 AIG 
 ATHEDRAL 
 
 N H 
 
 MA 
 tc 
 
 AXEL HER 
 
 INTERIOR 
 
 BURGOS 
 
 [ 
 
 9 
 
 ] 
 
 162 
 
 NO. 
 
First Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN 
 173. St..MarrK’s, VENICE:. Extertor. Etching 
 Armstrong, No. 1206. 
 Signed in lower margin, in pencil—A-rcl H. Haig. Fine impression. IN 
 FINE CONDITION. 
 Height, 2314 ; length 3134 inches. 
 
 HAIG, AXEL HERMAN 
 
 174. Wunpsor Castie. Etching and aquatint. 
 Armstrong, No. 139. Boland Catalogue, No. 222. | Bs 
 Signed in lower margin, in pencil_4rel H. Haig. Fine impression, 
 slightly stained. 
 Height, 8144 length, 11% inches. 
 
 HAIG, AXEL HERMAN 
 
 175. WrSTMINSTER ABBEY: *NortH PorcH. Etching. 
 Armstrong, No. 149. Boland Catalogue, No. 216. ee 
 Signed in lower margin, in pencil—A-rel H. Haig. Beautiful impression. 
 
 _. IN. PERFECT CONDITION. 
 Height, 2874; width, 21 inches. 
 
 HAIG, AXEE HERMAN 
 
 176. CASTLE oF ViITRE (THE). Etching. 
 Armstrong; No. 152... Boland: Catalogue, No. 30. aIS 
 Signed in lower margin, in pencil—Awvel H. Haig. Beautiful impression. 
 _. IN. PERFECT CONDITION. 
 Height, 974; length, 14% inches. < 
 The Castle was formerly inhabited by the Seigneurs de Ja Trémouille, and 7s on 
 
 the road which leads from Vitré to Rennes. 
 
 HAIG, AXEL HERMAN 
 177. Srrassspure. Etching. 
 Armstrong, No. 153. Boland Catalogue, No. 185. 
 Signed in lower margin, in pencil—Avel Herman Haig. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 1344; width, 85% inches. 
 
 It is the Cathedral of St. Thomas which is seen in the distance. 
 
 HAIG, AXEL HERMAN 
 178. ANTWERP: Purace St. Nicuoras. Etching. 
 Boland Catalogue, No. 6. 
 Signed in lower margin, in pencil—Avxel H. Haig. Beautiful impression. 
 
 In PERFECT CONDITION. | 
 Height, 1074; width, 734 inches. 
 
 HAIG, AXEL HERMAN 
 179. Arcetoz. Etching and aquatint. 
 Boland Catalogue, No. 7. 
 Signed in lower margin, in pencil,—A rel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 1034; length, 1454 inches. 
 
 HAIG, AXEL HERMAN 
 180. CANTERBURY CATHEDRAL AND THE Town. Etching. 
 Boland Catalogue, No. 24. 
 Signed in lower margin, in pencil—Avel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION, 
 Height, 17; length, 24 inches. 
 
Furst Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN 
 181. CaAstLe GieRsTEIN. Etching. 
 Boland Catalogue, No. 28. 
 
 Signed in lower margin, in pencil,—A vel H. Haig. 
 
 _IN PERFECT CONDITION. 
 Height, 207%; width, 14% inches. 
 
 AALG, AXEL HERMAN 
 °182. CuHorr ScreEN, AMIENS. Etching. 
 Boland Catalogue, No. 34. 
 
 Signed in lower margin, in pencil—Avel H. Haig. 
 
 IN PERFECT CONDITION. 
 Height, 14; length, 175 inches. 
 
 HAIG, AXEL HERMAN 
 183. CHorR SCREEN, AMIENS. Etching. 
 Boland Catalogue, No. 34. 
 
 Signed in lower margin, in pencil—4 vel H. Haig. 
 
 In PERFECT CONDITION. 
 Height, 14; length, 175¢ inches. 
 
 HAIG, AXEL HERMAN 
 184. CoLtoGNE CaTHEDRAL: INTERIOR. Etching. 
 Boland Catalogue, No. 38. 
 
 Signed in lower margin, in pencil—A-rel H. Haig. 
 
 IN PERFECT CONDITION. 
 Height, 20%; width, 145¢ inches. 
 
 HAIG, AXEL HERMAN 
 
 185. East AmBuLatory: Burcos. Etching. 
 Boland Catalogue, No. 49. 
 
 Signed in lower margin, in pencil—A rel H. Haig. 
 
 ___IN PERFECT CONDITION, 
 Height, 16%; width, 1134 inches. 
 
 HAIG, AXEL HERMAN 
 
 186. Ety CATHEDRAL: INTERIOR. Etching. 
 Boland Catalogue, No. 52: 
 
 Signed in lower margin, in pencil—Avel H. Haig. 
 
 IN PERFECT CONDITION. | 
 Height, 2554; width, 16% inches. 
 
 HAIG, AXEL HERMAN 
 
 187. Ety CaAtTHeprRAL: INrTerior. Etching. 
 Boland Catalogue, No. te 
 
 Signed in lower margin, in pencil—Awvel H. Haig. 
 
 IN PERFECT CONDITION. ; 
 Height, 2554; width, 1614 inches. 
 
 HAIG, AXEL HERMAN 
 
 188. Hoar Cross: CuHaret Hoty Ancers. Etching. ° 
 Boland Catalogue, No. 76. 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 Jeautiful 
 
 Beautiful 
 
 Beautiful 
 
 impression. 
 
 impression. 
 
 impression. 
 
 impression. 
 
 impression. 
 
 impression. 
 
 impression. 
 
 Signed Artist Proof. Beautiful impression, IN PERFECT CONDITION. Only 
 
 150 proofs. 
 Height, 2314; width, 155¢ inches. 
 
First Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN ' 
 189. IN THE CLOISTER GARDEN. Etching. 
 Boland Catalogue, No. 86. 
 Signed in lower margin, in pencil,—A vel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 1354; width, 836 inches. 
 
 HAIG, AXEL HERMAN 
 190. MonuMENT: VeErRoNA. Etching. 
 Boland Catalogue, No. 112. 
 Signed in lower margin, in pencilAvxel Herman Haig. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 1914; width, 1314 inches. 
 
 —.- so 
 
 HAIG, AXEL HERMAN 
 191. NortHern Museum, StockHotm. Etching. 
 Boland Catalogue, No. 118. 
 Signed in lower margin, in pencil,—Awel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 6%; length, 934 inches. 
 
 HAIG, AXEL HERMAN 
 192. PaLerMo CATHEDRAL. Etching. 
 Boland Catalogue, No. 136. 
 Signed in lower margin, in pencil, —Axel H. Haig. Beautiful impression. 
 
 IN PERFECT CONDITION. 
 Height, 19; length, 24 inches. 
 
 HAIG, AXEL HERMAN 
 193. Puupirr, Parma, Etching: 
 Boland Catalogue, No. 145. 
 Signed in lower margin, in pencil,—A rel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 1534; length, 21% inches. 
 
 Palma is the capital of "the Balearic Isles off the coast of Spain. 
 
 HAIG, AXEL HERMAN 
 194. St. EtreENNE CATHEDRAL, Bources: Exterior. Etching. 
 Boland Catalogue, No. 157. 
 Signed in lower margin, in pencil,—Axrel Herman Haig. Beautiful im- 
 pression. IN PERFECT CONDITION. 
 Height, 16%; length, 223 inches. 
 
 The Cathedral at Bourges is one of the five greatest in France. 
 
 HAIG, AXEL HERMAN 
 195. St. EtrENNE CATHEDRAL, Bources: Exterior. Etching. 
 Boland Catalogue, No. 157. 
 Signed in lower margin, in pencil,—Avel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 16%; length, 2234 inches. 
 
 HAIG, AXEL HERMAN 
 196. St. EtreENNE CATHEDRAL, Bources, EXTERIor. Etching. 
 Boland Catalogue, No. 157. 
 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 Height, 16%; length, 2234 inches. 
 
 HAIG, AXEL HERMAN 
 197. Sr, Ours; Locnes: Etching, 
 Boland Catalogue, No. 167. 
 Signed in lower margin, in pencil—Azrel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 10; width, 7 inches. 
 
‘First Session, Wednesday Evening, March 9th 
 
 HAIG, AXEL HERMAN 
 198. SALAMANCA, SPAIN. Etching. 
 Boland Catalogue, No. 168. 
 Signed in lower margin, in pencil,—drel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 23; width, 14% inches. 
 
 HAIG, AXEL HERMAN 
 199. Burcos CATHEDRAL, SoutH ArsLtE Looxinc West. Etching. 
 Boland Catalogue, No. 177. 
 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 Height, 28%4; width, 19% inches. : 
 
 HAIG, AXEL HERMAN 
 200. SoutH TRANSEPT, St. Marx’s. Etching. 
 Boland Catalogue, No. 178. 
 Signed in lower margin, in pencil —A+rel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 1714; length, 221% inches. 
 
 HAIG, AXEL HERMAN 
 201. Totepo CATHEDRAL, VIEW OF THE SOUTH AISLE. Etching. 
 Boland, Catalogue, No. 196. 
 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION. 
 . Height, 283g; width, 1954 inches. 
 
 HAIG, AXEL HERMAN 
 202. Wispy. Etching. 
 Boland Catalogue, No. 226. 
 Signed in lower margin, in pencil —Azel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 18; length, 26 inches. 
 
 This etching, though done in 1888, is not included in Armstrong’s catalogue. 
 
 HAIG, AXEL HERMAN 
 203. Carpet or St. ANNA, Burcos. Etching. 
 Signed in lower margin, in pencil—Awvel H. Haig. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 734; width, 5% inches. 
 
 HAIG, AXEL HERMAN 
 204. FremisH Lace Workers. Etching. 
 
 ONLY ONE STATE. Signed artist’s proof on heavy, buff Whatman paper, 
 limited to 100 impressions. The plate has been destroyed. Fine and 
 very rare. 
 
 Height, 714; length, 11 inches. 
 
 HAIG, AXEL HERMAN 
 205. ENTRANCE To NortH TRANSEPT, WESTMINSTER. Drawing. 
 Signed and dated in lower left corner,—Arel H. Haig, June 19, 1903. 
 Beautiful pencil drawing, in perfect condition. 
 Height, 1334; width, 10 inches. 
 
 HAIG, AXEL HERMAN 
 206. Krrxstatt ApBey, YORKSHIRE. Drawing. 
 Signed and dated in lower left corner—A. H. H. 15 July 1879. Beautiful 
 pencil drawing, in perfect condition. 
 Height, 674; length, 934 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 E.G) HALL 
 HALT. “BG, 
 207. Nites Ponp. Etching. 
 Signed in lower margin, in pencil—Il. G. Hall. Beautiful impression. 
 
 IN PERFECT CONDITION. 
 Height, 834; width, 654 inches. 
 
 PIAL pe. 
 208. Orn Houses, Vicenzia. Etching. 
 Signed in lower margin, 
 IN PERFECT CONDITION. 
 
 Height, 8'4; width, 6% inches. 
 
 F. G. Hall. Beautiful impression. 
 
 PAL Are 
 
 209. Wiritow’s East GLovcester. Etching. 
 Signed in lower margin, 1 i 
 
 IN PERFECT CONDITION. 
 
 leight, 654; length, 10% inches. 
 
 G. Hall. Beautiful impression. 
 
 W. LEE HANKEY 
 HANKEY, W. LEE 
 210. Moonrise. Painter-etching in color. 
 
 Proof No. 31 printed in color at one printing by the artist himself. Signed 
 in pencil in the right lower margin,—“lV. Lee Hankey, sc et imp.” and 
 in the left corner “31.” Laid, down on cardboard and framed in 34 inch 
 bronze frame. 
 
 Height, 12; width, 10 inches. 
 
 CHILDE HASSAM 
 
 American painter and etcher. Born at Boston in 1859. 
 
 HASSAM, CHILDE 
 211. Tue ATHENAEUM, PorTsmMouTH. — Etching. 
 Proof printed by Hassam, and signed in ‘lower margin, in pencil,—C. H. imp. 
 
 in circle. Fine mee IN PERFECT CONDITION, 
 Height, 836; width, 57% inches. 
 
 SIR HUBERT HERKOMER 
 
 Contemporary English painter and etcher. Pupil of Legros. 
 
 HERKOMER, SIR HUBERT 
 212. Roaps or ENGLAND.. Soft-ground. 
 Signed in lower margin, in pencil—Hubert Herkomer. Very fine impres- 
 
 sion, printed on Japan paper. IN PERFECT CONDITION. 
 Height, 101%; length, 14 inches. 
 
 SIR CHARLES HOLROYD 
 
 Contemporary English etcher. 
 
 HOLROY D,SIR CHARLES 
 213. VeENIcE. Etching. 
 Signed in lower margin, in pencil, Bares by Holroyd. . Beautiful impres- 
 
 sion. IN PERFECT CONDITION, 
 Height, 4; length, 8% inches. 
 
First Session, Wednesday Evening, March 9th 
 
 ALBANY E. HOWARTH 
 
 Contemporary English etcher. 
 
 HOWARTH, ALBANY E. 
 214. Rosze Winpow, Roven. Etching. 
 Signed Artist Proof. Beautiful impression. IN PERFECT CONDITION, 
 Height, 2414; width, 17 inches. 
 
 HOWARTH, ALBANY E. 
 @io- ST, MarxK’s, VENICE. Etching. 
 
 Signed Artist’s Proof. Beautiful impression. IN PERFECT CONDITION, 
 Height, 21%; length, 3114 inches. 
 
 HOWARTH, ALBANY E. 
 
 216. AsoLa, ITALY. Etching. 
 Signed in lower margin, in pencil,—dlbany E. Howarth. Beautiful im- 
 pression. JN PERFECT CONDITION. 
 Height, 734; length, 117% inches. 
 
 HOWARTH, ALBANY E. 
 217. CARNARVON CASTLE, WALES. Etching. 
 Signed in lower margin, in pencil,—Albany E. Howarth. Beautiful im- 
 
 pression. IN PERFECT CONDITION. 
 Height, 1054; length, 14 inches. 
 
 HOWARTH, ALBANY E. 
 218. Gateway, Kincs COLLEGE, CAMBRIDGE. Etching. 
 Signed in lower margin, in pencil,—Albany E. Howarth. Beautiful im- 
 
 pression. JN PERFECT CONDITION. 
 Height, 1174; width, 734 inches. 
 
 HOWARTH, ALBANY E. 
 
 219. THe Market. Etching. 
 Signed in lower margin, in pencil,—Albany E. Howarth. Beautiful im- 
 pression. JIN PERFECT CONDITION. 
 Height, 10; width, 6% inches. 
 
 HOWARTH, ALBANY E. 
 
 220. THE O_p Wei. Etching. 
 Signed in lower margin, in pencil—Albany E. Howarth. Beautiful im- 
 pression. JIN PERFECT CONDITION. 
 Height, 10%; width, 7% inches. 
 
 HOWARTH, ALBANY E. 
 221. CARNAVRON CASTLE. Etching. 
 Signed in lower margin, in pencil—dlbany Howarth. Beautiful_impres- 
 
 sion. IN PERFECT CONDITION. 
 Height, 1054; length, 135% inches. 
 
 HOWARTH, ALBANY E. 
 222. CARNAVRON GaTE. Etching. 
 Signed in lower margin, in pencil,—Albany Howarth. Beautiful impres- 
 sion. JIN PERFECT CONDITION. 
 Height, 8: width, 6 inches. 
 
First Session, Wednesday Evening, March 9th 
 
 HOWARTH, ALBANY E. 
 - 223. Corre.CAsTLe. Etching. 
 
 Signed in lower margin, in pencil—dAlbany Howarth. 
 
 sion. IN PERFECT CONDITION. 
 Height, 74%4; width, 63 inches. 
 
 HOWARTH, ALBANY E. 
 224. DurRHAM CATHEDRAL (Exterior). Etching. 
 
 Signed in lower margin, in pencil—Albany Howarth, 
 
 sion. IN PERFECT CONDITION. 
 Height, 1154; length, 14 inches. Framed. 
 
 HOWARTH, ALBANY E. 
 225. Gourock. Etching. 
 
 Signed in lower margin, in pencil—Albany Howarth. 
 
 sion. [IN PERFECT CONDITION. 
 Height, 534; length, 84 inches. 
 
 HOWARTH. ALBANY E. 
 226. Kine’s CoLLEGE CHAPEL. Etching. 
 
 Signed in lower margin, in pencil—Albany Howarth. 
 
 sion. IN PERFECT CONDITION. 
 Height, 137; width, 9% inches. 
 
 HOWARTH, ALBANY E. 
 227. VENICE NicHT. Etching. 
 
 Signed in lower margin, in pencil—dAlbany Howarth. 
 
 sion. IN PERFECT CONDITION. 
 Height, 574; width, 4% inches. 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 impres- 
 
 impres- 
 
 impres- 
 
 impres- 
 
 impres- 
 
AT THE AMERICAN ART GALLERIES 
 
 MADISON SQUARE SOUTH, NEW YORK 
 
 Peo RICTED PUBLIC SALE OF ETCHINGS BY MASTER ARTISTS 
 BY ORDER OF OWNERS HEREINBEFORE DESIGNATED 
 
 Second Session, Numbers 228 to 444, Inclusive 
 THURSDAY EVENING, MARCH 10TH, AT 800 O’CLOCK 
 
 JOSEF ISRAELS 
 
 Celebrated Dutch painter and etcher. Born at Gréningen in 1824. 
 
 / 
 SRALLS sTOSEF 
 228, GIRL WITH BASKET, SEATED ON THE SHorRE. Etching. 
 « Signed in lower margin, in pencil,—Josef Israels. Beautiful impression, 
 printed on India paper. Margins slightly stained. 
 Height, 6; length, 9 inches. 
 
 ISRAELS, JOSEF 
 Jf 729. CHILD IN THE CRADLE. Etching. 
 \ Signed in lower margin, in pencil_—Josef Israels. Beautiful impression, 
 | 0 printed on Japan paper. IN PERFECT CONDITION. 
 Height, 3%; length, 57% inches. 
 
 Poms JOSEE 
 
 230. CHitp IN ‘CHarr. Etching. 
 . QO, Signed in lower margin, in pencil,—Josef Israels. Beautiful impression. 
 ac IN PERFECT CONDITION. 
 
 Height, 57; width, 4 inches. Framed. 
 
 CHARLES JACQUE 
 
 Celebrated French painter and _ etcher. Jom in Parisein 1813 = ‘dreds at + Bar- 
 bizon in 1894, 
 
 JACQUE, CHARLES 
 231. PocHER SURVEILLANT SON TROUPEAU. Effet de Soir. Painter-etching. 
 Guiffrey, No. 92. 
 Fg SECOND STATE. Signed on the plate and dated 1850. Proof on India .- 
 a paper; small margin. Hinged from the upper corners to a cardboard and 
 framed in % inch gilt, frame. 
 Height, 534; length, 876 inches. 
 
 JACQUE, CHARLES 
 
 232% La BeErceRIE. Etching. 
 e Guiffrey, No. 161. 
 Signed in lower margin, in pencil,—Cherles Jacque. Beautiful impression. 
 : ‘py Margins slightly stained, otherwise in perfect condition. 
 Height, 1134; length, 17% inches. 
 
 \) This plate and La Bergerie Béarnaise are usually considered Jacque’s masterpiece. 
 “Cette estampe célébre.’’—DBERa.pt. 
 
Second Session, Thursday Evening, March 10th 
 
 JACQUE, CHARLES 
 
 233. La RENTREE. Brebis et agneaux, rentrant surveillés par un berger. Painter- 
 
 etching. 
 7) z Guiffrey, No. 191. 
 al AY, SECOND State. Signed on the plate. Proof on India paper, slightly foxed. 
 | Attached to the mat at the uppe corners and framed in % irich gilt frame. 
 Height, 5; length, 7% inches. 
 
 JACQUE, CHARLES 
 234. Coo ET PouLes. Painter-etching. 
 Guiffrey, No. 201. 
 
 ~() SECOND STATE. Signed on the plate. Proof on India paper, slightly foxed. 
 NA Hinged from the upper corners on cardboard and framed in % inch 
 | gilt frame. 
 Height, 434; length, 634 inches. 
 
 JACQUE, CHARLES 
 / 235. Le Retour pes CHamps. Painter-etching. 
 / Guiffrey, No. 210. 
 q : FourtH State. Signed on the plate. Proof on India paper, hinged from 
 hi the upper corners on cardboard and framed in % inch gilt frame. 
 Height, 454; length, 7 inches. 
 
 JAGOUE, CHALE 
 286. TROUPEAU DE VACHES ET BOEUFS. Painter-etching. 
 
 vA Beraldi, No. 422. 
 Signed on the plate and dated 1866. Proof on India paper, ineed from 
 (ESS the upper corners on a cardboard and framed in % inch gilt frame. 
 
 ca Height, 434; length, 111% inches. 
 JACQUE, CHARLES 
 
 237. CHAUMIERES. Painter-etching. 
 ay, Beraldi, No. 456. 
 
 .) Signed on the plate and dated 79. Proof on Japanese vellum, hinged from 
 the upper corners on cardboard and framed in ™% inch gilt frame. 
 Height, 634; length, 836 inches. 
 
 JACQUE, CHARLES 
 
 A) 248. TroupeAu pve VacHes A l’AsBreuvorr. Original Drypoint and roulette work. 
 > Beraldi, No. 458. 
 Signed on the plate and dated 1878. Proof on Japanese vellum, hinged 
 from the upper corrers to a cardboard and framed in ™% inch silver- 
 eilt frame. 
 
 Height, 5; length, 9% inches. 
 
 MAXIME LALANNE 
 
 French etcher. 3orn at Bordeaux in 1827; died in 1886. 
 
 LALANNE, MAXIME 
 
 Vur prRIsE DU Pont Satnt-MicHer (Le Pont-Neuf et le Louvre). Painter- 
 etching. 
 
 Beraldi, No. 8. 
 
 Signed on the plate. Proof on “Aqua fortisto” paper with full margin, 
 decked edges. Hinged from the upper edge on cardboard and framed 
 in 34 inch gilt frame. 
 
 Height, 77%; length, 11% inches. 
 
 From the Philippe Burty and Sir Wm. Drake collections. 
 
Second Session, Thursday Evening, March 10th 
 ea a a nel St 
 
 LALANNE, MAXIME 
 240. RICHMOND, PRES LonpreEs. Painter-etching. 
 Beraldi, No. 57, [0 
 Signed on the plate and dated 1871. Published in the “Portfolio” Proof [2a — 
 on “Aqua fortisto” paper. Hinged from the upper corners on card- 
 board and framed in % inch gilt frame. 
 Height, 8; length, 914 inches. 
 
 LALANNE, MAXIME 
 241. SOUVENIR DE BorpEAUx. Painter-etching. 
 
 Beraldi, No. 98. CU. 
 signed on the plate “M. L.” Published in “Traité de la Gravure a l’Eau- 
 Forte,” edition of 1878. Proof on “Aqua fortisto” paper, signed in ink. pe. 
 Hinged from the upper corners on a cardboard and framed in TY inch 
 gilt frame. 
 Height, 53¢; width, 334 inches. 
 
 LALANNE, MAXIME SY 
 242. Un ViEUx QUARTIER DE ViTRE (Ille et Vilaine). Painter-etching. /é a 
 
 Berald:,, No. 112. 
 Signed on the plate. Proof on thin Japanese vellum. 
 Height, 654; length, 10 inches. 
 
 LALANNE, MAXIME 
 243. UNr RUE ve Roven. Etching. Ig / 
 
 Signed in the plate, together with Lalanne’s Rue de la Tonnellerie, an 
 etching by Appian and (12) etchings by Jacquemart, some of which 
 have been published in the Gazette des Beaux Arts. 
 
 Together, 15 pieces, various sizes. 
 
 NICOLAS DE LAUNAY 
 
 Botm at Paris, 1739: died there in 1792, 
 
 PAaNAY, NICOLAS DE 
 244. ANGELIQUE ET Mépore. Engraving. 
 
 After the painting by Raoux. Very fine impression, slightly stained 1S 
 otherwise in fine condition. Z 
 Height, 18; width, 135< inches. Framed. 
 
 LAUNAY, NICOLAS DE 
 245. MarcHE DE SILENE. Engraving. 
 
 After the painting by P. P. Rubens. Very fine proof of the Second State 4. 
 
 before the inscription. IN PERFECT CONDITION. 
 
 Height, 1334; length, 18 inches. tt, 
 - 
 LG 
 
 LAUNAY, NICOLAS DE 
 246. La Letrre Envoyvér. Line-engraving. After J. B. Le Prince, 1768. 
 Portalis and Beraldi II p. 547. No. 30. Very fine proof with the coat-of- 
 arms, the artist’s name and the title only. With small margins on top i 
 and sides, but showing the entire blank inscription space at the bottom. => ; 
 
 Extremely rare in this state. A slight stain in the lower margin. 
 Height, 1454; width, 1134 inches. 
 
Second Session, Thursday Evening, March 10th 
 2 ____ Ee 
 
 ALPHONSE LEGROS 
 
 Celebrated French painter and etcher. Born at Dijon in 1837; died at London 
 in 1911 
 
 LEGROS, ALPHONSE 
 fa. BEGGAR WITH A CRUTCH, HIS Hat IN HIS HAND. Etching. 
 Signed in lower margin, in pencil—A. Legros. Beautiful impression, 
 
 16 \ with etched remarque. me PERFECT CONDITION. 
 > Height, 874; width, 67% inches. 
 
 LEGROS, ALPHONSE 
 7 / 248. L’ARBRE DE SALUT. Etching. 
 Signed in lower margin, in pencil—4d. Legros. Beautiful impression. 
 
 a 
 y IN PERFECT CONDITION, 
 Height, 10; width, 8%4 inches. 
 
 LEGROS, ALPHONSE 
 a) 249. Le Rerour pes Cuamps. Etching. 
 4 Signed in lower margin, in pencil—A. Legros. Beautiful impression. 
 
 ny - V4 IN PERFECT CONDITION. 
 Height, 614; length, 71% inches. 
 
 LEGROS, ALPHONSE 
 250. THe PropicaAL Son. Etching and drypoint. 
 / } yy Signed proof on old paper, with large margins. Fine. 
 
 A Height, 7; width, 5. 
 
 LEGROS, ALPHONSE 
 Zo\s FISHERMAN In Boat. Etching. 
 Signed in the plate in lower left corner,—A. L. Fine impression, together 
 
 ‘with small landscape etching. 
 i 5), Height, 734; length, 1034 inches. 
 
 AUGUSTE LEPERE 
 
 Contemporary French etcher. 
 
 LEPERE, AUGUSTE : 
 W 52. L’ABREUVOIR AU Pont MARIE, Paris. Etching. 
 Signed in the plate, with (6) other etchings and (2) wood-cuts by 
 
 ye this artist, published at various times in the Gazette des Beaux Arts 
 and other magazines. 
 
 Together, 9 pieces, various sizes. 
 
 ERNEST LUMSDEN 
 
 Famous contemporary English etcher. 
 
 LUMSDEN, ERNEST 
 253. Apeypur Morninc. Etching. 
 Signed in lower margin, in pencil—E. Lumsden, Fine proof, printed on 
 
 Japan paper. Margins and sky rubbed. 
 
 a ee! Height, 84 length, 107% inches. 
 belt t 
 LUMSDEN; ERNEST 
 254.. CHIEN MeN FROM WirHouT. Etching. 
 ; i i in, 1 i trnest Lumsden. Beautiful impression. 
 Oe ae IN PERFECT CONDITION. 
 7°) Height, 874; width, 67% inches. 
 
Second Session, Thursday Evening, March 10th 
 
 LUMSDEN, ERNEST 
 255. Empress GovERNMENT Buitpines, Vicrorta, B. C. Etching. 
 
 Signed in lower margin, in pencil_—Ernest Lumsden. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 7; length, 9 inches. 
 
 LUMSDEN, ERNEST 
 256. Fort Street, Vicroria, B. C. Etching. 
 
 Signed in lower margin, in pencil_—Ernest Lumsden. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 6; length, 83g inches. 
 
 LUMSDEN, ERNEST 
 Y 25/7. Fort AND City. Etching. 
 
 Signed in lower margin, in pencil—Ernest Lumsden. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 97g; width, 734 inches. 
 / 
 LUMSDEN, ERNEST 
 258. InpIAN Reserve. Etching. 
 Signed in lower margin, in pencil—Ernest Lumsden. Beautiful impression. 
 ou IN PERFECT CONDITION. 
 Height, 6%; length, 9 inches. 
 
 LUMSDEN, ERNEST 
 X y 259. PatH By Gunca. Etching. 
 
 Signed in lower margin, in pencil—Ernest Lumsden. Beautiful impression, 
 margins slightly rubbed. 
 Height, 8%; width, 6 inches. 
 
 LUMSDEN, ERNEST 
 
 “ 260. PrkinG SHops. Etching. 
 | . Signed in lower margin, in pencil,—Ernest Lumsden. Beautiful impression. 
 
 IN PERFECT CONDITION. | 
 Height, 434; length, 93¢ inches. 
 
 MSDEN, ERNEST 
 
 sae THe Great WaLL. Etching. 
 , Signed in lower margin, in pencil,—Ernest Lumsden. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 9; width, 7 inches. 
 
 LUMSDEN, ERNEST 
 ToMB IN THE PALMS. | Etching. 
 
 Signed in lower margin, in pencil,—Ernest Lumsden. Beautiful impression, 
 margins slightly rubbed. 
 ‘\ Height, 414; length, 6 inches. 
 
 LUMSDEN, ERNEST 
 263 THe Dean Brinvce. Etching. 
 
 Signed in lower margin, in pencil—Ernest Lumsden. Beautiful impression. 
 & IN .PERFECT CONDITION. 
 Height, 83¢; width, 6 inches. 
 
Second Session, Thursday Hvening, March 10th 
 
 ANTOINE MASSON 
 1636-1700 
 
 Born at Loury near Orleans and died at Paris. One of the most skilful French 
 masters of the buriu. 
 
 MASSON, ANTOINE 
 264% Marin CuRCAU DE LA CHAMBRE. Physician to the King. Line-engraving. 
 After P. Mignard. 
 Robert Dumesnil I], p. 116, No. 24. 
 
 { : First State (of 5). Before the cross-hatchings on the left cheek. With 
 ex very small margin, trimmed just at the plate-mark. Fine. 
 , Height, 105¢; width, 834 inches. 
 “One of the chefs-d’oeuvres of the engraver.” R. D. 
 From the Boston Museum Collection. 
 J. HAMILTON MACKENZIE 
 Contemporary Scotch etcher. 
 MacKENZIE, J: HAMILTON 
 265. L’ANCIEN GREFFE, BruGES. Etching. 
 *. / Signed in lower margin, in pencil, J. Hamilton MacKenzie. Fine proof. 
 bie IN PERFECT CONDITION. — 
 }U \ Height, 1334; width, 656 inches. 
 
 DONALD SHAW MacLAUGHLAN 
 
 Contemporary American etcher. Born in Canada in 1876; living abroad. “I know 
 of no modern etcher who has ‘arrived’ (in the best critical sense) more rapidly 
 than Donald Shaw MacLaughlan. In 1900 this young Canadian, of Scottish an- 
 cestry, who had studied painting in Boston, was making his best experiments on 
 the copper under the spell of ‘Old Paris.’ But already only eleven years after his 
 modest début A. M. Hind has called him one of the few etchers of to-day whose 
 architectural and landscape etchings are comparable in a sense of style with those of 
 Cameron and Bone, betraying. the same touch of the artist of conviction.”—CLEVE- 
 LAND PALMER. 
 
 MacLAUGHLAN, DONALD SHAW 
 f 266. MELONCELLO. Etching. 
 a ¢ Signed in lower margin, in pencil—D. Shaw MacLaughlan: Very fine 
 impression. IN PEREFCT CONDITION. 
 Height, 614; length, 8% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 267. SAINT SEVERIN. Etching. 
 
 1) Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 ‘ W impression. IN PEREFCT CONDITION. 
 y Height, 74%; width, 43% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 268. Tour DE SAINT-LAURENT, ROUEN. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Very fine 
 
 impression. JN PEREFCT CONDITION. 
 Height, 83g; width, 4% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 / 269. Tue Great Gate. Etching. 
 ; Signed in lower margin, in pencil—D. Shaw MacLaughlin. Fine im- 
 xy / pression. JN PERFECT CONDITION. 
 \ Height, 874; width, 6 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 270. Houses on THE Aare, SCOTLAND. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Very fine 
 
 impression. Margins cut close to plate mark. IN PERFECT CONDITION. 
 ) Height, 77%; length, 854 inches. 
 
Second Session, Thursday Evening, March 10th 
 oe ane a AE ae 
 
 MacLAUGHLAN, DONALD SHAW 
 /27\. Frevps or Asoro. Etching. 
 Signed in lower margin, in pencil,—D. Shaw MacLaughlan. Fine im- 
 } / pression. IN PERFECT CONDITION, 
 | Height, 10% ; length, 1314 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 272. “IN GIORGIONES LAND. Etching. 
 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 ; impression. IN PEREFCT CONDITION. 
 Height, 97g; length, 12 inches. 
 
 73.- Tue Boat Burtpers. Etching. 
 
 Signed in lower margin, in pencil,—D. Shaw MacLaughlan. Fine im- 
 pression. JN PERFECT CONDITION. 
 
 P25 tng Boia 3 DONALD SHAW 
 §\ Height, 87; length, 107% inches. 
 
 | 
 
 MacLAUGHLAN, DONALD SHAW 
 ae LA VILLE DE MArpre. Etching. 
 
 s/ Signed in lower margin, in pencil—D. Shaw MacLaughlan. Fine im- 
 pression, left margin slightly stained, otherwise IN PERFECT CONDITION. 
 Height, 1134; width, 95% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 (5/ Tue Poot, Lonpon. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Fine im- 
 pression, margins cut to plate mark, IN FINE CONDITION. 
 
 |0 Height, 15; width, 10 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 276. SUMMER DREAMS. Etching. 
 Signed in lower margin, in pencil,—_D. Shaw MacLaughlan. Fine im- 
 pression. IN PERFECT CONDITION. 
 
 s/ Height, 10; length, 12 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 27/7. SUNLIGHT AND SHapows. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Fine im- 
 pression. IN PERFECT CONDITION. 
 Height, 12; width, 97% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 278. Rio Verona. Etching. | 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 \) impression. IN PERFECT CONDITION. 
 | Height, 1134; width, 95% inches. 
 
 9. Tue Market, Venice. Etching. 
 Signed in lower margin, in pencil,—D. Shaw MacLaughlan. Beautiful 
 
 On Se DONALD SHAW 
 
 impression. IN PEREFCT CONDITION. 
 
 he Height, 1054; length, 147@ inches. 
 
 280. La Saute, VENIcE. Etching. ae 
 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Fine im- 
 pression. IN PERFECT CONDITION. 
 
 Height, 734; width, 4 inches. 
 
Second Session, Thursday Evening, March 10th 
 
 MacLAUGHLAN, DONALD SHAW 
 1, La FLEcHE, RouEN. Etching. 
 
 y Signed in lower margin, in pencil—D. Shaw MacLaughlan. Very fine 
 / f) : impression, JIN PEREFCT CONDITION. 
 
 / Height, 634; width, 3 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 282. RurE DE CHASSEURS, RovuEN. Etching. 
 y Signed in lower margin, in pencil—D. Shaw MacLaughlan. Fine early 
 a ee proof of the First Stare, printed on old paper. IN PERFECT CONDITION. 
 Height, 654; width, 45¢ inches. 
 
 p } MacLAUGHLAN, DONALD SHAW 
 Sl 7°283 SUNLIGHT AND SHapows, No.‘3. Efehing. 
 ja / Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 1 impression. IN PEREFCT CONDITION. ; 
 Height, 14%; width, 1014 inches. 
 
 (D Me€ELAUGHLAN, DONALD SHAW 
 ad 84. Houser or Ceres. Etching. 
 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 Y impression. IN PEREFCT CONDITION. 
 
 Height, 14%; width, 107 inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 
 / ¢ 285. THe Market VENIceE. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful . 
 impression. IN PEREFCT CONDITION. oe Nd 
 ly Height, 1054; length, 15 inches. oas 
 
 MacLAUGHLAN, DONALD SHAW 
 286. TREVISO WATERS. Etching. . 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 I impression. IN PEREFCT CONDITION. 
 Height, 10; length, 121% inches. 
 
 MacLAUGHLAN, DONALD SHAW 
 Gr78/. NENETIAN NOONTIDE. Etching. 
 Signed in lower margin, in pencil—D. Shaw MacLaughlan. Beautiful 
 (2 Le impression. IN PERFECT CONDITION. 
 Height, 934; length, 115% inches. 
 
 MacLAUGHLAN, D. SHAW 
 , / 288. FisuHine Boats, BouLocNe. Painter-etching. eae. 
 4 Proof on thin Japan paper, signed on the lower margin, in pencil, by the 
 
 6) / artist. : 
 Height, 4%; length, 53¢ inches. 
 
 flacLAUGHLAN, D. SHAW 
 a) 289. THE Force oF THE Wuite Horse; one of the Paris set. Painter-etching. » 
 Proof on thin Japan paper, signed on the lower margin, in pencil, by the 
 
 artist. 
 
 h, Height, 6; width, 55% inches. 
 
 MacLAUGHLAN, D. SHAW 
 290. THE WINpMILL. Painter-etching. 
 ray SECOND STATE; with the clouds in the sky. 
 yk Proof on thin Japan paper, signed on the lower margin, in pencil, by the 
 artist. 
 
 « 
 \p Height, 314; length, 4 inches. 
 
Second Session, Thursday Evening, March 10th 
 
 PIERRE MALEUVRE 
 Born at Paris, 1740; died there, 1803. 
 MALEUVRE, PIERRE 
 291, LEnrant GAré. Engraving. 
 
 After the painting by J. B. cee Very fine impression, has a few /9 
 printer’s folds, otherwise in good condition. I iat 
 Height, 167%; width, 13% inches. Framed. ffs 
 
 MORTIMER MENPES 
 
 Contemporary English etcher. Born in Australia in 1860; living in London. 
 
 MENPES, MORTIMER 
 292. La GrossE Horioce, Roven. Etching. By St 
 
 Signed in lower margin, in pencil,—Mortimer Menpes. Beautiful im- / 
 pression. IN PERFECT CONDITION. 
 Height, 1534; width, 936 inches. 
 S ’ ) 
 
 CHARLES MERYON 
 
 Celebrated French etcher. Born in Paris, 1821; died there in 1868. 
 
 MERYON, CHARLES 
 293. ANCIENNE PorTE pU PaLais DE Justice. Painter-etching. // ii, © 
 Delteil, No. 19. Sat, 
 Tuirp State; the plate is cut down, shows only one subject and the let- 
 
 tering is put oni, Proof-on “aquafortis” paper with good margin. Laid 
 
 loosely in a % inch gilt frame with brass stand on back, 
 Height, 314; width, 334 inches. 
 
 MERYON, CHARLES 
 | 294. ARMS OF THE City or Paris. Etching. 
 ? Delteil, No. 21. [/] Ss ‘ 
 : Signed s the plate. Beautiful impression, IN PERFECT CONDITION. / 
 Height, 3g; width, 43¢ inches. Z, if 
 Xe ; ¥g As) C ir BR 
 
 MERYON, CHARLES 
 295. La Garerie Notre-Dame.  Painter-etching. 
 
 Delteil; No. 26. 
 
 FourtH STATE; with Meésyon’s monogram in the left upper corner and 
 with 5 small crows added between “the thin columns to the right and 
 with “La Galerie N:. D.” in’ the lower margin. Proof on India paper = pry 
 laid on “A quafortists” paper. Full margin. Two printer’s creases in 
 the lower right margin on one in the upper margin just stopping at the 
 border-line. Hinged from the upper corners on a cardboard and 
 framed in 14-inch gilt frame. SS Ee 
 
 Height, 11; width, 634 inches. ~e 
 
 MERYON, CHARLES 
 296. LA Pompe dE Notre-DAmeE.  Painter-etching. 
 Delteil, No. 31. 
 SEVENTH STATE; before the inscriptions in the lower margin were burn- 
 ished out and the title and date put on in engraved letters. Also before of 
 “C, Méryon D. S.” in the right upper corner. Proof on dark India paper, 7 ry, 
 laid on plate paper. Pub lished in “P Artiste.” A trifle foxed. Good 
 margin. Hinged from the upper ey on : cardboard ede: framed 
 
 in %-inch gilt frame. 
 Height, 634; length, 934 inches. Peas oe 
 
Second Session, Thursday Evening, March 10th 
 
 MERYON, CHARLES 
 297. La Pompe Norre-DaAme_. Paris, 1852. Painter-etching. 
 Delteil, No. 31. / 
 Burty, No. 45. at 
 TuHirp State (of 5, not counting the trial proof). 
 SEVENTH STATE (of 9, including all known trial proofs). 
 | Before the inscriptions were taken off and replaced by: “C. Méryon D. S.” 
 15 ae in the upper right, and in the lower margin “La Pompe Notre-Dame, 
 | 1852” in capitals. One of the 600 impressions published in “L’Artiste” 
 of 1858. The plate is destroyed. Fine impression on deep yellow 
 India paper, with margin. 
 Height, 634; length, 934 inches. 
 
 MERYON, CHARLES 
 298. Le Grand CHATELET veRS 1780. Etching from a contemporary drawing. 
 Delteil, No. 52. At 7 
 Burty, No. 29. 
 TuHird State, with the lettering. One of 100 impressions taken, on 
 “D. C. Blauw” paper, after which the plate has been destroyed. . With 
 very large margin. 
 
 Height, 6 15/16; length, 9 13/16 inches. th ACHE: 
 
 CHARLES F. W. MIELATZ 
 Born in Breddin, Germany, 1864; died in New York, 1919. 
 
 MIR LATA, GHARLES SE awe 
 299. WINTERLANDSCAPE, 1888. Painter-etching. 
 
 Hts on Japan paper. Signed in pencil by the artist. In % inch silver-gilt 
 ‘ rame. 
 “Vv Height, 854; length, 171% inches. 
 
 ? OLtp WomMAN FANNING A KITCHEN Fire. Painter-etching by S. G. Mc- 
 \ V Cutcheon. Proof on thin Japan paper hinged to the original mat and 
 | L framed in 34-inch bronze frame. 
 Height, 814; width, 57< inches. 
 
 Together, 2 pieces. 
 
 JEAN FRANCOIS MILLET 
 1814-1875 
 
 Born in the village of Gruchy on the coast of Normandy; died in Barbizon. One 
 of the most celebrated painters of the Barbizon school. 
 
 MILLET) JEAN FRANCOIS 
 300. La CousEusE. Peasant woman mending clothes. Painter-etching. 
 
 Delteil, No. 9. 
 Wy Turrp State. Fine impression on “Pro patria’ paper, an English paper 
 ia of the early part of XIX century. With very large margins. The 
 y paper is cracked along the right edge of the plate from the heavy pres- 
 sure in printing. 
 Height, 374; width, 234 inches. 
 
 WILLIAM MONK 
 MONK, WILLIAM 
 301. NewGate Prison, Lonpon. Etching. 
 / Signed in lower margin, in pencil—W. Monk. Fine impression. IN PER- 
 
 / FECT CONDITION. 
 | Mo Height, 7; length, 124 inches. 
 
Second Session, Thursday Evening, March 10th 
 a re a a ai le 
 
 AGOSTINO DE MUSI 
 
 Flourished at Venice and Rome from 1514 to 1536. 
 
 MUSI, AGOSTINO DE 
 502. ApoLto AND DAPHNE. Engraving. 
 Parise, No. 317. Vol. XIV. 
 SECOND STATE, with the date 1518 changed from 1515, but before the 
 address of Salamanca was added. Good impression, in fair condition. 
 Height, 87; width, 654 inches. Framed. 
 
 With unidentified collector’s mark “S.R.” in lower right corner. Fagan, | 4 
 No. 482. bg 
 
 ROBERT NANTEUIL 
 1623-1678 
 Born in Reims; died in Paris. 
 The most important of the French portrait engravers of all centuries. Pupil of N. 
 
 Regnesson, whose sister he married when he was only 17. His portraits from life 
 are his best works and among them those of Louis XIV. 
 
 NAN LT EUIL, ROBERT 
 303. FRANGoIs SERVIEN, BisHop or Bayeux. Line-engraving. After Philippe de 2 
 Champaigne. Vy, ) 
 Robert-Dumesnil IV, pp. 176-177, No. 225. LOT Ge 
 First State (of 3); before the name and rank of the personage appears 
 
 on the base. Fine impression on paper with the watermark “I.H.S. cross 
 and three nails in circle.” 
 
 . Height, 1314; width, 1014 inches. 
 
 SAMUEL PALMER 
 
 English watercolor painter and etcher. Born in 1805; died at Regate in 1881. 
 
 PALMER, SAMUEL 
 304. THE SkytarKx. Etching. yU 
 Hardie, No. 2. - 
 Artist’s name and number etched in lower margin. Fine impression. Le 
 Printed on India paper. IN PERFECT CONDITION. 
 _ Height, 434; width, 37% inches. 
 SUNSET; oR THE HerpsMAN’s Cottace. Etching. 
 Hardie, No. 3. 
 Artist’s name and number etched in lower margin. Fine impression, 
 printed on India paper. IN PERFECT CONDITION. 
 Height, 4%; width, 4% inches. 
 Together, 2 pieces. 
 
 PALMER, SAMUEL 
 
 305. THE EArLty PLoUGHMAN. Known also as THE MorNING SPREAD UPON THE 
 MOUNTAINS. 
 
 Hardie, No. 9. 
 
 FINISHED STATE, the first published. Appeared in “Etching and Etchers” 
 by P. G. Hamerton, Ist:edition, 1868. Proof on Whatman paper, with 
 good margin, deckel edges. Hinged from the upper corners and 
 framed in %-inch gilt frame. 
 
 Height, 54%; length, 734 inches. 
 
 MARC ANTONIO RAIMONDI | 
 
 Early Italian engraver. Born at Bologna about 1480; died there about 1530. Z 7 
 RAIMONDI, MARC ANTONIO oe 
 306. ADAM AND Eve. Engraving. 
 
 Barisen, No. 1, Vol. XIV. es 
 After Raphael, good impression, in fair condition. 
 Height, 93g; width, 7 inches. Framed. 
 
Second Session, Thursday Evening, March 10th 
 
 REMBRANDT VAN RIJN 
 
 Celebrated Dutch painter and etcher. Born at Leyden in 1607; died at Amsterdam 
 in 1669.- Pupil of Swanenburch and Lastman, but largely selftaught. “The opinion 
 among etchers which enthrones Rembrandt as king of his craft is the most recent 
 instance of perfect unanimity among people of all nationalities. As we all say that 
 Phidias was the greatest sculptor, Homer the greatest epic poet, and Shakespeare 
 the greatest dramatist, so we are all agreed on the world wide supremacy of Rem- 
 brandt. In his own lines of work there is no one in all history to be compared 
 with Rembrandt.’’—P. G, HamerrTon. 
 
 REMBRANDT, VAN RIJN 
 ‘4 307. JosepH TerLiinc His Dream. _ Painter-etching. 
 7 Bartsch, No. 37; Hind, No. 160. | 
 VS Tuirp STATE, curtain and heads in the background covered with shading. 
 1m Height, 434; width, 3% inches. | 
 \ 
 
 REMBRANDT, VAN RIJN \ 
 308. ADORATION OF THE SHEPHERDS: A Nicur Piece. \Painter-etching. 
 Bartsch, «No; 46;:.Hind, No. 255: 
 \ TA EIGHTH |. STATE; further lines of shading (perpendicular). Cross the 
 se Virgin’s forehead and face. The: plank partition is now scarcely visible. 
 Y Printed on thin Japan paper. . 
 ; Height, 576; length, 734 inches. 
 
 REMBRANDT, VAN- RIJN 
 4) ,309. Homme A CuHevat. | Etching. 
 
 ~) 
 
 , » 
 
 f 
 wy, 
 
 ol Bartsch, -No. 139. 
 ai Signed on the plate in upper right corner. Fine early proof, before the 
 Vt plate was cut so as to make it rectangular. In fine condition. 
 v Height, 314; width, 2% inches.- 
 
 REMBRANDT, VAN RIJN 
 310. THe Great JewrsH Brine. Etching. 
 . Rovinski, No. 340. 
 FINAL STATE OF Four. Signed, R. 1634. FINE IMPRESSION, IN PERFECT 
 
 r 
 ZO) Hh). CONDITION. Has marrow margin all around outside plate mark. 
 i WNI4 - Height, 814; width, 6% inches. Framed. 
 y KY PP From the Boehm. collection, : 
 Wh. | [See Illustration. ] 
 ‘ % ¥ ) Baad 
 
 W. RENISON 
 RENISON, W. 
 
 ) /.8li.--Joun-Knox’s House,: Lonnon.. © Etching. ie fs 
 ee Signed in lower margin, in pencil,—lV. Renison. Beautiful impression. 
 > By, IN PERFECT CONDITION. Ka 
 
 VY Height, 1734; width, 1336 inches. 
 
 AUGUSTE RODIN 
 RODIN,“ AUGUSTE = ie : 
 y 312.. Vicror Huco.. Drypoint. 
 
 KW With two other drypoints by Rodin, published at various times in Art 
 
 . magazines. 
 \) Together, 3 pieces, various sizes. 
 
 W. DENDY SADLER 
 
 Famous English historical painter. Born at Dorking, 1845. Pupil of the Dussel- 
 dorf School. Became a member of the Society of British Artists in 1889. 
 
 zy) SADLER W. DENDY 
 V $13, Vittace Gossip. Etching. 
 \ Etching by Dobie after the painting by W. Dendy Sadler. Remarque 
 Proof. Signed in the lower margin, in pencil by both painter and 
 ) etcher. Beautiful impression, printed on Japan paper. IN PERFECT 
 / CONDITION. 
 Height, 1614; length, 23 inches. 
 
f 
 i 
 t 
 
 SS: 
 bare 
 
 wa 
 aS 
 
 REMBRANDT VAN RIJN 
 THE GREAT JEWISH BRIDE 
 
 [No. 310] 
 
 vepatoe Bese 
 
 ase 
 
 LA 
 
 = 
 as 
 
 - 
 
 SAN 
 
 ras 
 
 [ec 
 
Second Session, Thursday Evening, March 10th . 
 
 SADLER, W. DENDY 
 314. Tue Swine. Etching. 
 Etching by Dobie after the painting by W. Dendy Sadler. Remarque 
 
 Proof, Signed in the lower margin, in pencil by both painter and etcher. 
 p A Beautiful impression, printed on Japan paper. IN PERFECT CONDITION. 
 » eae. Height, 1334; length, 19'4 inches. 
 
 SADLER, W. DENDY 
 315. Ir Micut Have Bren You, Joun. Etching. 
 Si Etching by J. Dobie after the painting by W. Dendy Sadler. Remarque 
 
 - Proof. Signed in lower margin, in pencil by both painter and etcher. 
 VY Beautiful impression, printed on Japan paper. IN PERFECT CONDITION. 
 Ap Height, 14; length, 195¢ inches. 
 
 SADLER We DiENIO’N 
 ,316. Love Letter. Etching. 
 
 Pe f Etching by J. Jacquet after the painting by W. Dendy Sadler.’ Remarque 
 ae Proof. Signed in lower margin, in pencil by both: painter and etcher. 
 rs Beautiful impression, printed on Japan paper. IN PERFECT CONDITION, 
 
 Height, 1434; width, 10% inches. 
 
 SADILEIGR DVWue) aN 
 317. THe Answer. Etching. 
 Etching by J. Jacquet after the painting by W. Dendy Sadler. Remarque 
 Proof. Signed in lower margin, in pencil by both painter and etcher. 
 rh, Beautiful impression, printed on Japan paper. IN PERFECT CONDITION. 
 ng / Height, 15; width, 11 inches. 
 
 GEORG FRIEDRICH SCHMIDT 
 1712-1775 
 
 3orn in the little village of Schonerlinde near Berlin; died in Berlin... Pupil of G, 
 P. Busch and Larmessin. The most celebrated German line-engraver (principally 
 portraits) of the eighteenth century and intimate friend of Ville. 
 
 SCHMIDT) GEORG FRIEDRICH 
 318. /ELIsABETH PETROwNA, Empress oF Russia. 
 ; Full length, standing in coronation robes. 1761. The engravers chef- 
 doeuvre. Line-engraving after L. Tocqué.. 
 L. D. Jacoby, No. 82. J. E. Wessely, No. 30. 
 SECOND STATE, with full inscription, unusually fine impression with margin. 
 The upper part of the margin slightly foxed. 
 Height 25; width, 20 inches. 
 
 From the celebrated Brentano-Brockenstock collection in Frankfort. 
 
 CHARLES H. SHANNON 
 
 Contemporary English painter and lithographer. 
 
 Ant ee CHARLES FH: 
 Y $19. Caresses. Lithograph. 
 Signed in lower margin, in pencil_—C. H. Shannon. Fine impresstons. 
 IN PERFECT CONDITION, 
 
 \ 
 v, 
 s Height, 83¢; width, 6% inches. 
 
 AHANNON, CHARLES H. 
 / { 320. Summer. Lithograph. 
 | Signed in lower margin, in pencil—C. H. Shannon. Fine impression. 
 
 IN PERFECT CONDITION. 
 * Height, 1414; width, 1034 inches. 
 
 Cy 
 
Second Session, Thursday Evening, March 10th 
 a et RE 
 SHANNON, CHARLES H. 
 
 21. Tue Waite Wartcu. Lithograph. 
 Signed in lower margin, in pencil—C. H. Shannon. Fine impression. 
 ia IN PERFECT CONDITION. 
 
 Heicut, 13%4; width, 91% inches. 
 
 SHANNON, CHARLES H. 
 322. THE SHEEPFOLD. Lithograph. 
 > With (3) other lithographs by this artist, published at various times in 
 ) 
 
 Art magazines. 
 Together, 4 pieces, various sizes. 
 
 EK. SHAULAND 
 Set UUAND, E. 
 
 » 323. RwHEIMS CATHEDRAL. Etching. 
 
 “\/ Signed in lower margin, in pencil—E. Shauland. Beautiful impression. 
 er, IN PERFECT CONDITION. 
 a / Height, 2334; width, 1534 inches. 
 - - 
 \ FRANK SHORT 
 Contemporary English etcher, aquatinter, and mezzotinter. Born at London in 1857. 
 
 SHORT, FRANK 
 of THE CHuRCH AT KAmMpEN. Etching. 
 £ 
 
 Signed in lower margin, in pencil—Frank Short. Beautiful impression. 
 IN PERFECT CONDITION. 
 
 Height, 554; length, 8 inches. 
 
 324% THE Dijk at VoLeNDAM, HoLiaNnp. Etching, 
 Signed in lower margin, in pencil—Frank Short. Beautiful impression. 
 
 \ IN PERFECT CONDITION. 
 QW) Behe 754 ieneth, 1034 inches. 
 
 J. ANDRE SMITH 
 
 Peat eaitnter y American etcher. 
 
 SMITH, J. ANDRE 
 4) 26. WuHuitsy, ENGLAND. Painter-etching. 
 . Proof on Japan paper, printed by the artist himself and signed in pencil 
 in the lower margin, “J. André Smith, imp.” Laid down on cardboard 
 ‘\ and framed in %-inch “Whistler Pattern” gilt frame. 
 Height, 634; width, 434 inches. 
 
 By Ts FRANK 
 
 H. M. STONE 
 [sZONE. H. M. 
 327. Simpsons, CorNHILL. Etching. . 
 / Signed in lower margin, in pencil—H. M. Stone. Beautiful impression. 
 L ‘ IN PERFECT CONDITION. . 
 
 Height, 6%; width, 57% inches. 
 
 WILLIAM STRANG 
 
 Contemporary painter-etcher. 
 
 wot RANG, WILLIAM 
 ry 328. WaAaLLs oF THE ALHAMBRA. Painter-etching. 
 
 Signed proof on “A. B. C.” paper, with full margin. Very fine. 
 eX Height, 12; width, 117 inches. 
 
Second Session, Thursday Evening, March 10th ‘ : 
 
 EDWARD MILLINGTON SYNGE 
 
 Contemporary English etcher. Born at Malvern in 1860; died in 1912. 
 
 SYNGE, EDWARD MILLINGTON 
 329. Doorway, Docre’s PALAcE, VENICE. Etching. 
 Signed in lower margin, in pencil—E. M. Synge. Beautiful impression. 
 
 IN PERFECT CONDITION. 
 WA Height, 1314; width, 734 inches, 
 
 LUCAS VAN LEYDEN 
 
 Early German engraver. Born in Leyden in 1494; died in 1533. 
 
 VAN LEYDEN; LUCAS 
 330. ApAM AND Eve. Engraving. 
 
 Wry Bartsch, No. 8. 
 ST/ Signed and dated on the plate—-“L. 1519.” Beautiful impression. 
 ) IN PERFECT CONDITION. 
 \V Height, 454; width, 234 inches. 
 From the Alfred Morrison collection. 
 
 VAN LEYDEN, LUCAS | 
 /331. ApAmM AND Eve AFTER THE EXPULSION. Engraving. 
 
 ray Bartsch, No. 11. 
 Signed and dated on the plate——“L 1519.” Good impression, in good 
 Y condition. 
 Height, 6%; width, 47 inches. 
 
 VAN LEYDEN LUCAS 
 332. St. Grorce LIBERATING THE PRINCESS. Engraving. 
 Bartsch, No. 121. 
 
 fo Signed on the plate with the initial “L.” Fine impression. Few marks 
 Jon 4 through center which show on surface, print at some time having been 
 ) (\ ‘ folded, otherwise in fine condition. 
 : Height, 63¢; width, 4% inches. 
 Vi From the Alfred Morrison collection. 
 
 VAN LEYDEN, EUGAS 
 333. ORNAMENT WITH Two DoLpHIns. Engraving. 
 Bartsch; No: 161. 
 Signed on the plate with the initial “ZL.” Fine impression. IN PERFECT 
 
 =| hy CONDITION. 
 
 Height, 414; width, 314 inches. 
 
 HENRY VION 
 
 VION,, HENRI 
 334. La CuHanson. Etching. 
 After a painting by J. L. E. Meissonier. Remarque proof on vellum, 
 
 oe signed on the lower margin in pencil by the etcher. Laid down on a 
 
 cardboard and framed in 34-inch gilt frame. 
 Height, 11; width, 854 inches. 
 
 CADWALADER WASHBURN 
 
 Contemporary American etcher. 
 WASHBURN, CALWALADER 
 
 335. Casa CECCHINO, VENICE. Painter-etching. . 
 Proof on thin Japan paper. Signed in pencil below the right lower 
 
 / | corner of the plate. Hinged from the upper corners on cardboard and 
 \ "A "a framed in 3-inch Whistler pattern gilt frame. 
 is r Height, 934; width, 67% inches. 
 YQ 
 
Second Session, Thursday Evening, March 10th 
 era ge ey a ere ee Sv A 
 
 CHARLES J. WATSON 
 
 Contemporary English etcher. Lived at Norwich and London. 
 
 WATSON, CHARLES J. 
 
 336. Saint Lo, Norre Dame. Etching. 144 
 ; ; : : : ‘ hand 
 Signed in lower margin, in pencil—Charles J. Watson, Beautiful im- y / 
 
 pression. IN PERFECT CONDITION. / Y 
 
 Height, 9; width,, 774 inches. or fe 
 
 HERMAN A. WEBSTER 
 Contemporary American etcher. Born in 1878. Pupil of Laurens, Paris. 
 
 WEBSTER, HERMAN A. , ” 
 376 ‘Tae A: :M he hey 
 
 . HE ALHAMBRA: MIRADA DE LAS REINAS. Painter-etching. (f/f, 
 
 Proof on “F. I. Head & Co.” paper, signed on the lower margin, in 
 pencil, by the artist. Laid down on cardboard and framed in 3%-inch 
 black hardwood frame. 
 
 Height, 6%; width, 4% inches. 
 
 WEBSTER, HERMAN A. 
 338. OLtp Butter Market, Bruces. Painter-etching. aS 
 Proof on “F. J. Head & Co.” paper. Signed.on the lower margin, in i), o* 
 pencil, by the artist. Laid down on cardboard and framed in ™%-inch f 
 silver-gilt frame. : 
 Height, 614; width, 534 inches. 
 
 WEBSTER, HERMAN A. 
 339. PaySANNE, Painter-etching. 
 Proof on “F. I, Head & Co.” paper. Signed on the lower margin, in 
 pencil, by the artist. Laid down on cardboard and framed in 14-inch a Pe 
 silver-gilt frame. f ) 
 Height, 4%; width, 17% inches. 
 “. . . Paysanne, a clever and direct figure-study of an old peasant at Mar- 
 lotte, comes as an episode of pleasing variety in Mr. Webster’s work, and tends 
 
 to show that, though he has a preference, he is not really fettered by any lim- 
 itation of subject or treatment.’—Martin Harvie. 
 
 WEBSTER, HERMAN A. 
 340. La Rue Haute, Pont pe v’ArcHe. Painter-etching. UV 
 Proof on “F. I. Head” paper. Signed on the lower margin, in pencil, <2) 
 se the artist. Laid down on cardboard and framed in %-inch silver- . 
 gilt frame. 
 
 Height, 4; width, 2% inches. 
 
 WEBSTER, HERMAN A. 
 341. La Rue GRENIER suR L'Eau, Paris. Painter-etching. 
 Proof on Japan paper. Signed on the lower margin, in pencil, by the 
 artist. Laid down on cardboard and framed in ¥%-inch  silver-gilt 
 frame. wr , 
 Height, 854; width, 454 inches. Lé a 
 
 “A fourth plate, perhaps even finer than any of those in force, directness, and con- 
 
 é ws L : na Fs s es f 
 
 centrated simplicity, is the Rue Grenier sur l’Eau. There is much of Méryon in 
 its clear, crisp line-work.”—MartTin HarpDiIeE, 
 
 WEBSTER, HERMAN A. 77) 
 342. La Rue DE LA PARCHEMINERIE, Paris. Painter-etching. @ 
 Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in x 9) aS 
 pencil, by the artist. Laid down on cardboard and framed in %-inch i/ 
 silver-gilt frame. PFs 
 Height, 107%; width, 67 inches. 
 “Very akin to it in restful balance of composition and in fine shadow effect is the 
 (Rue de la Parcheminerie—of special value now, for the old street has disappeared 
 largely since the making of the plate.’—Marrin Harptre. 
 
Second Session, Thursday Evenng, March 10th 
 
 WEBSTER, HERMAN A. 
 343. La Route pe Louviers. Painter-etching. 
 Proof on “F. I. Head & Co.” paper, signed on the lower margin, in 
 pencil, by the artist. Stretched from the edges on cardboard and 
 
 r0 framed in %-inch silver-gilt frame. 
 . a Height, 6; length, 8% inches. 
 v eclsty landscape, as in his architectural work, Webster sets his theme upon the plate with 
 fine skill of arrangement and with exquisite draughtsmanship.”—MarTiIn HARDIE. 
 WEBSTER, HERMAN A. 
 344, Oxp Houses, Rouen. Painter-etching. 
 f Proof on Japanese vellum. Signed on the iower margin, in pencil, by 
 p the artist. Laid down on cardboard and framed in %-inch silver-gilt 
 fi 
 / | frame. : 
 
 Height, 434; length, 5% inches. 
 
 WEBSTER, HERMAN A. 
 345. La CaATHEDRALE, ROUEN. Painter-etching. 
 Dy Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 Dey, pencil, by the artist. Laid down on cardboard and framed in %-inch 
 [ vA silver-gilt frame. 
 
 Height, 814; width, 414 inches. 
 
 WEBSTER, HERMAN A. 
 Pr. An Op Court, SACHSENHAUSEN.  Painter-etching. 
 
 : Proof..on “P. 1. THeadvcs Lo. paper Signed on the lower margin, in 
 yA pencil, by the artist. Stretched from the edges on cardboard and 
 2) \ framed in 14-inch silver-gilt frame. 
 
 Height, 874; width, 67% inches. 
 
 Soy ae One of the plates that the collector of future days will most desire to 
 possess. . , . The etcher has overcome a natural fear of blank spaces, and 
 his reticence and more summary execution have lent to the plate much of the 
 unconscious and unpremeditated charm that is one of the finest qualities which 
 an etching can possess.”—MartTiIn HARDIE. 
 
 WEBSTER) HERMAN-A: 
 347. BENDERGASSE, FRANKFURT. Painter-etching. 
 rf Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 
 f) pencil, by the artist. Stretched from the edges on cardboard and 
 A) f } ° I ° . : 
 Uy framed in ™%-inch silver-gilt frame. 
 fi Height, 774; width, 47% inches. 
 
 “Then there are the Street of the Three Kings (Dreikoenig Strasse), the Bendergasse 
 and Sixteenth Century Houses, all of them felicitous in charm of theme, in play 
 of light and shade, and in the suggestion of life given by the animated fig- 
 ures.”’—Martin HARDIE. 
 
 WEBSTER, HERMAN A. 
 348. DrEIKOENIG STRASSE, FRANKFURT. Painter-etching. 
 “Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 ai pencil, by the artist. Stretched from the edges on cardboard and 
 ). framed in %4-inch silver-gilt frame. 
 ce. Height, 534; width, 434 inches. 
 
 WEBSTER, HERMAN A. 
 349. Der LANGE.FRANZ, FRANKFURT. Painter-etching. ae 
 Proof on “F, I. Head & Co.” paper. Signed on the lower margin, in 
 pencil, by the artist. Stretched from the edges on cardboard and 
 
 f/f framed in 14-inch silver-gilt frame. 
 (/ Height, 5; width, 334 inches. , 
 => b “Der lange Franz, a view of the Rathaustower that took its nickname from a 
 tall burgomaster of the town, is a little gem, brilliant with light, and rich in 
 
 the mystery of shadow.’—Martin I[JArDIE, 
 
Second Session, Thursday Evening, March 10th 
 a aE i 
 
 WeeeonoleR, HERMAN A. 
 @ VA 350. Ku ostercasse, FranKrurt. Painter-etching. 
 Proof on “F, I. Head & Co.” paper. Signed on the lower margin, in 
 
 pencil, by the artist. Stretched from “the edges on cardboard and 
 / framed in ¥%-inch silver- me frame. 
 / Height, 814; width, 534 inches. 
 
 WEBSTER, HERMAN A. 
 351. La Rue Carpinate, Paris. Painter- etching. 
 Y / Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 
 af pencil, by the artist. Laid down on cardboard and framed in %4- inch 
 silver-gilt frame. 
 ay Height, 1034; width, 714 inches. 
 
 WEBSTER, HERMAN A. 
 352, La Rue Sr. JACQUES, Paris. Painter-etching. 
 Eroot on “FP. 1: Head & Co.” paper. Stoned on the lower margin, in 
 
 0 pencil, by the artist. Stretched from “the edges on cardboard and 
 framed in %-inch silver-gilt frame. 
 iy Height, 854; width, 57% inches. 
 ane of the best etchings he has ever made. . It ig not merely fine in its 
 pattern of light and shade, but it has a direct ‘force and simplification that are 
 rich with promise for the future.”—Martin Harpe. 
 
 EBSTER, HERMAN A. 
 353. Bruces, FETE pE L’ARBRE D’OrR. Painter-etching. 
 Proof on Japan paper. Signed on the lower margin, in pencil, by the 
 artist. Laid down on cardboard and framed in %-inch_ silver-gilt 
 
 f) \ frame. 
 | Height, 634; width, 37% inches. 
 
 ALTE MAINBRUCKE, FRANKFURT. Painter-etching. 
 Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 | } pencil, by the artist. Laid down on cardboard and framed in '%4-inch 
 
 fe STER, HERMAN A. 
 4 
 
 silver-gilt frame. Fine. 
 Height, 4. length, 554 inches. 
 
 WEBSTER, HERMAN A. 
 355. LOWENPLATZCHEN, FRANKFURT.. Painter-etching. 
 Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 ic pencil, by the artist. Laid down on cardboard and framed in '%-inch 
 Ue silver-gilt frame. 
 Height, 8; width, 614 inches. 
 
 STER, HERMAN A 
 356. THe OLp Brince, FRANKFURT. Painter-etching. 
 Proot on “F, 1. Head & Co.” paper. Siened and dated “1911” on. the 
 lower margin, in pencil, by the artist. Stretched from the edges on 
 f cardboard and framed in %-inch silver-gilt frame. 
 | Height, 554; length, 85% inches. 
 WEBSTER, HERMAN A. 
 357. fr. OueN, Roven. Painter-etching. ee 
 Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 pencil, by the artist. Laid down on cardboard and framed in %-inch 
 
 w silver-gilt frame. 
 \ \ Height, 514; width, 4 inches. 
 
Second Session, Thursday Evening, March 10th 
 
 WEBSTER, HERMAN A. 
 358. Le Pont Neur, Paris, 1908. Painter-etching. 
 Proof on “F. I. Head & Co.” paper. Signed on the lower margin, in 
 (v . pencil, by the artist. Laid down on cardboard and framed in %-inch 
 12 se silver-gilt frame. 
 
 Height, 8; length, 11% inches. 
 
 WEBSTER, HERMAN A. 
 359. Moriarx. Etching. 
 After M. Lalanne’s plate. Proof on Japan paper. Signed on the lower 
 / margin, in pencil, by the artist. Laid down on cardboard and framed 
 /( in 14-inch silver-gilt frame. 
 : Height, 734; width, 55% inches. 
 
 WEBSTER, HERMAN A. 
 360. Pont Notre-Dame, 1913. Painter-etching. 
 Signed proof on paper watermarked “Arches,” with good margin. Fine 
 
 yy clear impression. 
 Pi) gh Height, 654; length, 1134 inches. 
 
 | ‘7, JAMES ABBOTT McNEILL WHISTLER 
 
 Celebrated American painter and etcher. Born at Lowell, Mass., in 1834; died at 
 London in 1903. 
 
 “All his work is alike perfect. It has only been reproduced under different cir- 
 cumstances and is an attempt to render different effects or situations. Therefore 
 the methods vary, but the results are always the same—great. The greatest, most 
 perfect, as a whole, that any etcher has ever accomplished.’’—JosmrpH PENNELL. 
 
 _+ WHISTLER, JAMES ABBOPMSWena ee 
 aj}; 361. Annie. Etching. 
 ee | Kennedy, No. 190. 
 ) Signed in the plate——IJVhistler. Beautiful impression. IN PERFECT CONDI- 
 i TION. 
 Height, 454; width, 3% inches. 
 
 « WHISTLER, JAMESVABBOTI Wich Eis 
 {U 362. ANNigz. Etching. 
 
 f Kennedy, No. 10. 
 , / Signed in the plate,—Whistler. Beautiful impression, printed on thin 
 j Japan paper and mounted down. 
 Height, 454; width, 3% inches. 
 
 WHISTLER, JAMES ABBOT Meni iis 
 663. En, PLern SoLem. Etching. 
 
 ray, 
 S/ Kennedy, No. 15. 
 \ Signed in the plate—Whistler. Beautiful impression, printed on ribbed 
 - paper. IN PERFECT CONDITION. 
 Height, 4; length, 5% inches. 
 
 WHISTLER, JAMES ABBODT MceNeiee 
 864. THe UNSAFE TENEMENT. Etching. 
 
 WV Kennedy, No. 17. 
 $v Signed in the plate,—Whistler. Beautiful impression, printed on heavy 
 Japan paper. IN PERFECT CONDITION. 
 Height, 6%4.; length, 87% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 365. Doc on A KENNEL. Etching. 
 i Kennedy, No. 18. 
 547 Signed in the plate—Wbhistler. Beautiful impression, printed on Japan 
 
 AB ee paper. IN PERFECT CONDITION. 
 / Height, 234; length, 3% inches. 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 366. StTRYET AT SAVERNE. Painter-etching. 
 ‘Aennedy, No. 19. 
 x of the “Twelve Etchings from Nature,” also known as the “French 
 ais 
 ey) “ Mirth State; the name and address of the printer have been removed. 
 S Printed with an ink of a slight greenish hue on a yellow Japan paper. 
 Laid on a smooth faced Japan paper of buff color. A small printers 
 crease in the foreground. 
 Height, 83g; width, 61% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 367. LA MARrCHANDE DE Moutarpbe. Painter-etching. 
 
 “Kennedy, No. 22. 
 WA va One of the “Twelve Etchings from Nature,” also known as the “French 
 
 Sets 
 . ig ) irra State; the name and address of the printer has been removed. 
 Fine and clear impression on thin Japan paper. 
 
 Height, 644; width, 3% inches. 
 
 ro week, JAMES ABBOTT McNEILL 
 _ , 368.. THe Rac GaTHerers. _ Painter-etching. 
 =e Kennedy, No. 23. j 
 
 FirtH STATE: with the figures of the boy and the girl in the back- 
 A ground and “Whistler, 1858,” and not as mentioned by Kennedy, “Under 
 Whistler, at right, there is an indistinct date, 1881, which should be, 
 | x doubtless, 1857.” On the lower part of the wall to the right, written in 
 ) two lines running up and down. Very fine impression on yellow India 
 
 paper backed with plate paper. 
 Height, 6; width, 3% inches. 
 
 Wristlek, JAMES ABBOTT McNEILL 
 369. Tue Wine-Giass. Etching. 
 
 paper. Mounted down. 
 
 Kennedy, No. 27. 
 @ Signed in the plate—Whistler. Beautiful impression, printed on Japan 
 / Height, 334; width, 214 inches. 
 
 WIsTEER, JAMES ABBOTT McNEILL 
 370. READING IN Bep. Etching. 
 
 rv4) Kennedy, No. 28. eae 34 . 
 i Signed in the plate—WdJustler. Beautiful impression, printed on ribbed 
 . paper. IN PERFECT CONDITION. 
 
 Height, 454; width, 3% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 371. A Littte Boy, (Seymour Haden). Etching. 
 Kennedy, No. 29. 
 ie Beautiful impression, printed on ribbed paper. IN PERFECT CONDITION. 
 y Height, 534; width, 37% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 372. SrymMour STANDING UNDER A TREE. Etching. 
 Kennedy, No. 31. : 
 Signed in the plate——Whistler. Very fine proof, printed on Holland paper, 
 4) a has scratch on surface 1 inch long on bank to the left. 
 5 ze Height, 514; width, 334 inches. 
 \7 With the blind stamp of the collector C. J. D, 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 73. READING By Lampuicut. Etching. 
 Kennedy, No. 32. 
 
 C Signed in the plate——Whistler. Beautiful impression, printed on French 
 ) \ ribbed paper. IN PERFECT CONDITION. 
 Wg Height, 61%; width, 454 inches. 
 
 JWHISTLER, JAMES ABBOTT McNEILL 
 
 ( 374. Lanpscare witH A Horse. Etching, 
 Kennedy, No. 36. 
 
 \ Signed in the plate, Whistler, 1859. Beautiful impression, printed on 
 a} Japan paper. Small printers fold in lower margin, otherwise in fine 
 i condition. 
 
 Height, 5; length, 8 inches. 
 
 WHISTLER, JAMES ABBOTT MceNEILE 
 
 / 75. NuRSEMAID AND CHILD. Etching. 
 : ( Kennedy, No. 37. 
 ae) \ Signed in the plate—Whistler. Beautiful impression, printed on ribbed 
 L paper. IN PERFECT CONDITION. . 
 
 Height, 37%; length, 5% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 376. Eacte Wuarr, (Tyzag, Whiteley & Co.). Painter-etching. 
 Kennedy, No. 41 
 
 / One of the “Sixteen Etchings,” also known as the “Thames Set.” 
 / f) sf THe Onty. State. Signed on the plate—WMistler 1859. Very fine im- 
 (9 Y | pression on thin Japan paper. 
 
 - Height, 51%; length, 77% inches. 
 
 WHISTLER, JAMES ABBOdW f McN Ero 
 377. Brack Lion Wuarr. ° Etching. 
 
 ay “ Kennedy, No. 42. : 
 a V4 ') / Signed in the plate——Whistler, 1859. Beautiful impression, printed on 
 LH Uv ribbed paper. Margins slightly stained, otherwise in perfect condition. 
 
 One of the Thames Set. 
 Height, 6; length, 87% inches. 
 [See Illustration. ] 
 
 WHISTLER, JAM FSUABBO LT Men elise: 
 378. Brack Lion Wuarr. Painter-etching. 
 
 oe. Kennedy, No. 42. —_ 
 / : One of the “Sixteen Etchings,” also known as the “Thames Set.” 
 KM Tuirpd State; signed on the plate—Whuistler, 1859. The black mark on 
 Wg the lower left “edge has been removed. Very fine impression on thin 
 
 Japan paper. 
 Height, 554; length, 83¢ inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 379. Tuames Porice. Etching. 
 Kennedy, No. 44. 
 
 Q Signed in the plate——Whistler, 1859. Extremely fine and early impression, 
 y printed on ribbed paper. IN PERFECT CONDITION. One of the Thames 
 ot: 
 Height, 6; length, 9 inches. 
 
[Z7¢ ‘ON] AUYVHM NOIT MOVIE 
 UATLSIHM THAN LLOGAV SANE 
 
 ¢ 
 eee eo a a oe ot 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER) JAMES ABBOT Wen ei: 
 380. LoNGSHOREMEN. Etching. 
 Kennedy, No. 45. 
 a & id Signed in the plate-—IVhistler, 1859. Fine impression, printed on Japan 
 a | paper. IN PERFECT CONDITION, 
 Height, 6; length, 9 inches. 
 
 WHISTLER, JAMES ABBOTT McNETeL 
 381. THe Lime-Burner.  Painter-etching. 
 Kennedy, No. 46. 
 
 AW a teed One of the “Sixteen Etchings,” also known as the “Thames Set.” 
 VJ \ SECOND STATE; signed on the plate——Whistler, 1859. With the light 
 perpendicular lines at the right of the shoulder of the Lime- Burner. Very 
 fine impression on thin Japan paper. 
 Height, 9144; width, 6% inches. 
 WHISTLER, JAMES ABBOTT MeNeIES 
 382. BILLINGSGATE. Painter-etching. 
 Kennedy, No. 47. 
 | Published in “The Portfolio,” January, 1878. 
 Pe . SEVENTH StTaTE (of 8). Signed on the plate-—Wdistler, 1859. The 
 “<i diagonal lines between the two masts at the right, slanting from right 
 te ) \ to left, are still visible and there is crosshatching on the skirt of the 
 coat of the seated man at the right of the group, underneath the elbow. 
 Strong PETES. on etching paper. 
 Height, 6; width, 8% inches. 
 WHISTLER, JAMES ABBOTT McNEILL 
 383, BILLINGSGATE. Etching. 
 / Kennedy, No. 47, ; : 
 A Signed in the plate,—Whistler, 1859. Beautiful impression, slightly stained 
 3 ) ) around margin, under mat. 
 Height, 6; length, 834 inches. 
 WHISTLER; JAMES ABBOTT Wehawiie 
 4 384. Soure A Trois Sous. Etching. 
 > / Kennedy, No. 49. 
 ZY Signed in the plate,—Whistler. Beautiful impression, printed on Japan 
 paper. IN PERFECT CONDITION. 
 Height, 6; length, 9 inches. 
 WHISTLER, JAMES ABBOTT McNEILL 
 (385. Brpr LALovette. Etching. 
 Ye Kennedy, No. 51. 
 ( ( ee Signed in the plate——Whistler, 1859. Beautiful impression, IN PERFECT 
 CONDITION, 
 Height, 9; width, 6 inches. 
 
 WHISTLER, JAMES ABBOTY McNEILE 
 386. Brat Latourette. Etching. 
 ‘ Kennedy, No. 51. 
 4 ah Signed in the plate,—lVhistler, 1859. Beautiful impression, printed on 
 + ; Japan paper. Few water and rust stains, otherwise in fine condition. 
 Height, 9; width, 6 inches. 
 
Second Session, Thursday Evening, March 1oth 
 sce aeentinnantnt inven ana ated at Ake aac amahr eAAL 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 
 387. BecQuet, THE Frpp.er. Etching, 
 
 Kennedy, No. 52. 
 
 Fourth State. Fine impression, printed on Japan paper. IN PERFECT 
 CONDITION. One of the Thames Set. 
 
 Height, 10; width, 754 inches. \ ay RB 
 [See Illustration] hey Vis, I> 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 388. RorHerHite. Published as “Wapping.® Painter-etching. 
 Kennedy, No. 66. 
 One of the “Sixteen Etchings,” also known as the “Thames Set.” 
 Tuirp State. Signed on the plate—lV ustler, 1860, with diagonal lines, 
 running from left to right, cross the arm and shoulder of the man in 
 the center and other additional work on the sky and the bow of the sail 
 4s boat. Fine and strong impression on thin Japan paper. 
 ae 
 
 Height, 1074; width, 774 inches. 
 
 WHASTLER, JAMES ABBOTT McNEILL 
 389. THE Force. Drypoint. 
 Kennedy, 68. 
 Signed in the plate—Whistler, 1861. Fine impression. IN PERFECT 
 5U ) CONDITION. One of the Thames Set. 
 
 Height, 754; length, 1214 inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 390. VAUXHALL Brince. Etching. 
 Kennedy, No. 70. 
 / Signed in the plate——Whistler. Good impression, printed on Japan paper. 
 Has a rubbed spot along bottom plate mark. 
 4S Height, 234; length, 414 inches. 
 TITLE TO THE FRENCH Ser. Etching. 
 Kennedy, No. 25. 
 Signed in the plate. Fine impression, printed on thin Japan paper. 
 Mounted down. 
 Height, 4%; length, 534 inches. 
 Together, 2 pieces. 
 fiotlik JAMES ABBOTT McNEILL 
 [5 MitiBank. Etching. 
 Kennedy, No. 71. 
 
 < Beautiful impression printed on French ribbed paper. IN PERFECT 
 CONDITION. One of the Thames Set. 
 V Height, 4; length, 5 inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 392. OLp HuNGERForD Brince. Painter-etching. 
 Kennedy, No. 76. One of the “Sixteen Etchings,” also known as the 
 ? “Thames peti | t. = ess 
 ) Tuirp State. Signed on the plate——Whistler. Fine and clear impression 
 on thin Japan paper. 
 Height, 544; length, '83¢ inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 393, Orn THuNGrRForD Bringer.  Painter-etching. 
 Kennedy, No. 76. One of the “Sixteen Etchings,” also known as the 
 
 on thin Japan paper. 
 
 “Thames Set.” 
 
 ( Tuirp State. Signed on the plate—Whistler. Fine and clear impression 
 
 ' 
 Height, 514; length, 834 inches. 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 394. Tue Storm. Drypoint. 
 / Kennedy, No. 81. Mansfield, No. 83. Wedmore, No. 77. 
 On old ribbed paper of: a slightly greenish hue; evidently from an old 
 vf scrapbook; the left lower. corner of the blank margin is torn off and 
 Of) . the opposite corner somewhat lacerated in tearing off a print once 
 Dp fastened to it. fe 
 
 The plate has been destroyed. 
 Height, 6; length, 11% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 395./ CHELSEA BripGE AND CHurcH. Etching. 
 
 A) / Kennedy, No. 95. . i . 
 Pa Og Fine impression, printed on Japan paper. Margin slightly rubbed and 
 O V/ f stained: One-of the Thames Set. 
 iz, ; Height, 4; length, 65¢ inches. 
 
 Pw 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 ,) / 396. Frorence Leytanp. 1873. Etching. ~ 
 
 Saf Kennedy, No. 110. Mansfield, No. 109. Wedmore, No.. 96. 
 se Ped Ninth State; on “Van Gelder” paper. With good margin. 
 A _. Height, 834; width, 53% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 397.. FLorENCE LEYLAND. Etching. 
 
 / / Kennedy, No. 110. 
 7 Ws Signed in the plate, with the “Butterfly.” Good impression, in fine condi- 
 fj \ dition 
 a 2 ; - : Ne t 
 > Height, 814; width, 53g inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL oie 
 398. .WHISTLER WITH THE WHITE LOcK. 
 4 Dry-point. Kennedy, No. 172. Mansfield, No. 169. Wedmore, No. 142. 
 “ We The only state. On old paper of a slightly greenish hue with the water- 
 ,) matk “Fleur-de Lis.” With large margin. Only about 100 im- 
 SA \ pressions taken and the plate destroyed. ea? 
 Height, 454; width, 3% inches. 
 
 / WHISTLER, JAMES ABBOTT: McNEILL 
 3909, ADAM AND Eve TAVERN, O_p CHELSEA. Etching.- 
 | Kennedy, No. 175. eee ee yt 
 \ - Signed onthe plate with the “Butterfly.” Very fine impression. IN PERFECT 
 en, CONDITION. ~ ae Sane . 
 oe Height, 674; length, 12 inches. 
 . 
 
 x 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 400. ApAM AND Eve. T/Avern, Orv Cuetsra. Etching. 
 Kennedy, No.-175.. . . . 
 Signed on the plate with the “Butterfly.” _Fine impression, printed on 
 7 Japan paper. Has been torn in two places and mended, each extending 
 into the etched surface 1 inch from upper plate mark. 
 Height, 7; length, 117 inches. Framed. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 401. Tue “ApAm ANp Eves,” Otp Cuetsea. Painter-etching. 
 Kennedy, No. 175. 
 we Seconp STATE; with the “Butterfly” and with other additional work. Fine 
 | ) } and clear impression on thin Japan paper. 
 Height, 674; length, 12 inches. 
 
we 
 
 JAMES ABBOTT McNEILL WHISTLER 
 BECQUET, THE FIDDLER 
 
 [xo. 387] 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER, JAMES ABBOTT McNeieL 
 402. Lirtte VeENIce. Etching. 
 Kennedy, No. 183. : 
 Only State. Proof printed by Whistler and signed on the tab with the,— 
 Butterfly imp, in pencil. Extremely fine impression, of this rare and 
 beautiful print. IN PERFECT CONDITION. 
 
 Height, 714; length, 1036 inches. CTNL ; 3 73 
 
 [See Illustration] 
 
 J _JWHISTLER, JAMES ABBOTT MeNELILL 
 J's. Nocturne. Etching. 
 Kennedy, No. 184. 
 
 eX) \ Fifth State of Five. Proof printed by Whistler and signed on the tab 
 ' with the,—Butterfly imp., in pencil. Beautiful rich impression in nut- 
 
 \ , brown ink, marked on the back in Whistler’s hand- writing,—Selected 
 OD j OS proof. IN PERFECT CONDITION. Rare. 
 ! \} a ‘aN Height, 774; length, 115% inches. 
 XS [See Illustration | 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 404. Tue TracHerro, No. 2.. Etching. 
 Kennedy, No. 191. 
 
 Fourth State of Six. Proof printed by Whistler and signed on the tab 
 
 os. with the,—Butterfly imp., in pencil. Extremely fine impression, of this 
 a rare and beautiful print. Had a small tear to the right of the tab 
 
 AN 
 
 AY _ at bottom which has been mended, otherwise in perfect “condition, 
 Jw Height, 914; length, 12 inches. 
 
 WHISTLER, JAMES ABBOTT. MeNEILG 
 405/ Lone Venice. Etching. 
 7 Kennedy, No. 212. 5 
 V4 Iifth State of Five. Proof printed by Whistler and signed on the tab 
 
 NS \ with the,—Butterfly imp. in pencil. Very fine impression. IN PERFECT 
 y CONDITION. 
 Height, 5; length, 12% inches. 
 
 From the Ellingwood collection. 
 
 WHISTLER, JAMES ABBOTT MeENEILEL 
 406/ \WHEELWRIGHT. Etching. 
 
 We Kennedy, No. 233. 
 / Proof printed by Whistler and signed on the tab with the—Butterfly imp. 
 j ’ in pencil. Extremely fine impression. IN PERFECT CONDITION. 
 Height, 47%; length, 67, inches. 
 
 WHISTLER JAMES: ABBOTT McNEILL 
 407. Tue Menpres Cuitpren.. Etching. 
 
 4) ~ Kennedy, No. 261. 
 \ Signed in the plate with the butterfly. Beautiful impression. IN PERFECT 
 CONDITION. 
 
 Height, 25¢; length, 4 inches. 
 
 WHISTLER, JAMES, ABBOTT McNEILL 
 408. Tue Lirtte Putney, No. 1. Etching. 
 ‘ Kennedy, No. 179. , 
 Signed on the plate with the “Butterfly.” Good impression, in good 
 condition. Published in ‘Four Masters of Etching’ in 1883. 
 
 yal Height, 514; length, 8% inches. 
 
[ZOp ON] SOINSA ATLLIT Pa 
 : . / YATLSIHM TIHANPW LLOgdv SHNVE | 
 
Second Session, Thursday Evening, March 10th 
 
 WHISTLER, JAMES ABBOITA MeNELCE 
 A09. Earty Mornine Bartrersea.  Lithotint. 
 4 Way, No. ie : 
 an Signed with the butterfly drawn on the stone. Beautiful impression. 
 IN PERFECT CONDITION. 
 Height, 6%; length, 10% inches: 
 
 WHIS PEER, JAMESABBOLT MeN Hai 
 410. Vuicrorra. Crus. Lithograph. 
 Way, No. 11. 7 
 ) Signed with the butterfly drawn on the stone. line impression. 
 DP - IN PERFECT CONDITION, 
 3 Height, 8; width, 53¢ inches. 
 
 ‘WHISETLERS JAMES ABBOWT Men Sie 
 411./ Orp BatrerseEA Brince. Lithograph. 
 Way, No: 12. 
 
 L/L Ҥ Wes Signed with the butterfly drawn on the stone. Beautiful impression. ~~~ 
 tN ae i PERFECT CONDITION. 
 Height, 5% length, 13 inches. 
 WHISTLER, JAMES ABBOTT. MeNEILE% 
 412. Op BatrerseA Brince. Lithograph. 
 / Way, No. 12. 
 Ys ] Signed with the butterfly drawn on the stone. Beautiful impression. . 
 / IN PERFECT CONDITION. . 
 Height, 514; length, 13 inches. 
 WHISTLER, JAMES-ABBOTT McNEILL 
 413. Drury: Lane. Racs. Lithograph. 
 Way, No..21. . 
 LS: Signed with the butterfly drawn on the stone, and in pencil, in lower 
 margin. Beautiful impression. IN PERFECT CONDITION, . 
 
 Heipht, 57%; length, 636 inches. 
 
 WHISTLER; JAMES: ABBOTT McNEILL . 
 414. Cnetsea Racs. A shop in Milman’s Row in the neighborhood of Chelsea. 
 ‘. Painter-lithograph.- Way, No. 22:- : 
 
 yy . Published in. “Albemarle.” 
 /) Height, 74%; width, 63¢ inches. 
 
  WHISTLER,- JAMES ABBOTT ON ELLs 
 415. Gants DE SuEpE. Lithograph: 
 Way, No. 26. . 
 14 Signed with the butterfly drawn on thee stone, and in pencil, in margin. 
 Q \ Beautiful impression. IN PERFECT CONDITION, 
 Height, 844; width, 4 inches. 
 
 WHISTLER,. JAMES ABBOTT McNEILL 
 416. / Cocks AND HEwns, Horet Cotpert. Lithograph. 
 
 ‘Way, No. 36. 
 
 / Signed with the butterfly drawn on the stone, and in Ketel in lower 
 
 Yh i) 3 margin. Superb impression.. IN PERFECT CONDITION. . 
 hi _ Height, 1585. width, 554 inches. 
 
 { 
 Bi Ties JAMES ABBOTT McNEILL 
 TETE-A-TETE IN THE GARDEN. Lithograph. 
 Way, No. 54. 
 WW ; Signed with the butterfly drawn on the stone. Beautiful impression. 
 IN PERFECT CONDITION. 
 / Height, 754; width, 614 inches. 
 
[fOh ON] ANAALOON 
 UATLSIHM TIIANOIW LLOGdV SAWVL . 
 
 { 
 | 
 
Second Session, Thursday Evening, March 10th 
 a a 
 
 « WHISTLER, JAMES ABBOTT McNEILL 
 418. Tue Sisters. Lithograph. 
 ~~ Way Noo 
 
 fe i Signed with the butterfly drawn on the stone. Very beautiful impression. 
 2 IN PERFECT CONDITION. 
 
 Height, 574; length, 9% inches. 
 
 WHISTLER, JAMES ABBOTT McNEILL 
 Ald. GirL witH A Bow. Lithograph. 
 
 / Way, No. 82. 
 
 [ = Signed with the butterfly drawn on the stone. Superb impression. 
 of J \ IN PERFECT CONDITION. VERY RARE, 
 
 VA 
 
 Height, 53g; width, 25% inches. 
 
 WHISTLEER, JAMES ABBOTT McNEILI 
 f/ 420. Tue Strong Arm. Lithograph. 
 
 ee f Way, No. 89. 
 ry f Signed with the butterfly drawn on the stone. Beautiful impression. 
 SIS \ IN PERFECT CONDITION. 
 AH Height, 734; width, 614 inches, 
 
 WHISTLER, JAMES ABBOTT. MceNEIE: 
 421. Srupy—Mr. THomas Way, No. 1. Lithograph. 
 Way, No. 107. 
 
 ) q) Signed with the butterfly drawn on the stone. Superb impression. 
 aS) \ IN PERFECT CONDITION. 
 
 Height, 73g; width, 434 inches. 
 
 WHISTLER- JAMES ABBOTT MeNEILEG 
 422./ UNFINISHED SKETCH oF Lapy Hapen. Lithograph. 
 
 AD Way, No. 143. 
 ¢ Signed with the butterfly drawn on the stone. Beautiful impression. 
 ay IN PERFECT CONDITION. 
 Height, 117; width, 734 inches. 
 
 WIER, RENOUARD, STRANG 
 WIER, RENOUARD, STRANG 
 423. Original etchings and drypoints, published in the various Art magazines 
 at different. times, included are also examples by Burridge, Roll, Roy, 
 Raffaelli, and Vierge. 
 Together, 8 pieces, various sizes. 
 
 (<) ‘JOHANN GEORG WILLE 
 
 * 1715-1808 
 Born in the obermihle Bierberthal near Koenigsberg (Granduchy of Hesse); died 
 in Paris: 
 
 First apprenticed to a gunsmith who taught him engraving on steel and silver. 
 In 1736 he went to Paris. On his way met G. F. Schmidt and they decided to 
 travel together. In this manner a fast friendship sprang up between them which 
 lasted all their lives. Wille first worked for Odieuvre, but soon received the favor- 
 able notice of Hl. Rigaud. After that he rose rapidly and became the most celebrated 
 engraver of his time. 
 
 WILLE, JOHANN -GEORG 
 424. L’Osservareur Distrarr, Line-engraving. 
 After Fr. Mieris. Le Blanc pp. 51%. No. 65. Second State. The 
 plate is terminated; in the upper margin “Will” and “Zwélfte Platte” 
 
 ae / reversed, In the lower margin the Coat-of-arms and the small sketch 
 / a> s only. With margin showing the plate-mark. Very fine. With an 
 [vu unidentified collector’s mark—“head of stag in oval border,” dry stamp. 
 
 Height, 9; width, 8 inches. 
 
Second Session, Thursday Evening, March 10th 
 ci tal NE BS lla a 8 oil al 
 
 ANDERS ZORN 
 
 Swedish painter and etcher. Born at Mora in Delcarlia in 1860. 
 
 “But it is in his etchings that the art of Anders Zorn is seen in its highest vigor, 
 creativeness and sureness of hand, whether these etchings be done directly from 
 nature or are transcriptions of his masterly paintings. Lines apparently scribbled at 
 random, and which might seem to harshly gash the copper-plate, result in a whole 
 which is strong, clear, and vivid, and the etchings present pictures expressing the 
 most delicate and fleeting phases of expression and gesture.”’—HeEnrt MARCEL, 
 
 ZORN, ANDERS 
 425. RosiraA Maur. Etching. 
 Delteil, No. 34. 
 
 . c Signed in lower margin, in pencil—Zorn. Very fine impression, printed 
 y AO ‘| in ees ink on heavy Japan paper. Margins along plate-mark badly 
 ‘oie rubbed. 
 
 Height, 854; width, 554 inches. 
 
 ZORN, ANDERS 
 
 426.. Joun Hay. Etching. 
 A Delteil, No. 178, 
 
 ‘om Signed in lower margin, in pencil—Zorn. Beautiful impression. 
 ow is IN PERFECT CONDITION. 
 Height, 774; width, 6 inches. 
 
 ZYRN, ANDERS 
 
 7. PorTRAIT OF THE Artist. Etching. 
 Delteil, No. 180. 
 \ Signed in the plate. Beautiful impression. IN pERFEctT CONDITION, 
 © Height, 7; width, 5 inches. 
 
 ZORN, ANDERS 
 J 428. Miss Emma Rassmussen. Etching. 
 
 S° Delteil, No. 182. 
 Y Signed in lower margin, in pencil,— Zorn, Beautiful impression. 
 3 IN PERFECT CONDITION, 
 
 Height, 77; width, 57 inches. 
 [See Illustration] 
 
 ZORN, ANDERS 
 429. Dance at Gopsmor. Etching, 
 /  Delteil, No. 192. 
 oh Signed in lower margin, in  pencil_—Zorn. Beautiful impression. 
 ) IN PERFECT CONDITION, 
 Height, 1134; width, 734 inches. 
 
 ZORN, ANDERS 
 
 430. Ture Turee Sisters. Etching. 
 Delteil, Supplement, No. 259. 
 re Signed in lower margin, in pencil—Zorn, Beautiful impression. 
 IN PERFECT CONDITION, 
 f) Height, 934; width, 7 inches. 
 
 ZORN, ANDERS 
 431. Crown Princess or Swepen. Etching. 
 Delteil, Supplement, No. 260. 
 Signed in lower margin, in pencil,—Zorn, Beautiful impression. 
 \0 ' IN PERFECT CONDITION, 
 we Height, 934; width, 7 inches. 
 
Second Session, Thursday Evening, March 10th 
 
 ZORN, ANDERS 
 432. Brersak. Etching. 
 Delteil, Supplement, No. 261. 
 
 Signed in lower margin, in pencil—Zorn. Beautiful impression. 
 IN PERFECT CONDITION. “ 
 for 
 
 Height, 934; width, 7 inches. Res Cw 3» BB 
 
 ZORN, ANDERS 
 433. Frma. Etching. 
 Delteil, Supplement, No. 262. 
 Signed in lower. margin, in — pencil,—Zorn. Beautiful impression.. 
 IN PERFECT CONDITION. 
 Height, 734; width, 534 inches. 
 
 ZORN, ANDERS 
 434. Serr-Portrair witH Fur Cap. Etching. 
 
 / Delteil, Supplement, No. 269. 
 < . Signed in lower margin, in pencil,—Zorn. Beautiful | impression. 
 s \ IN PERFECT CONDITION, ae 
 Height, 7; width, 45% inches. ae = 
 [See Frontispiece for Illustration | 
 
 ZORN, ANDERS 
 455. . Bust. Ktching. 
 
 / Delteil, Supplement, No. 270. 
 | 0) Signed in lower margin, in penctl—Zorn. Beautiful impression. 
 VY *° IN PERFECT CONDITION, 
 
 Height, 934; width, 7 inches. 
 
 ZORN, ANDERS 
 
 436. . Tue Two. Etching. 
 Delteil, Supplement, No. 4/1, pe 
 Signed in lower margin, in pencil—Zorn. _ Beautiful impression. 
 IN PERFECT CONDITION. . 
 Height, 734; width, 57% inches. 
 
 ZORN, ANDERS 
 vA pase DANCE AT Gopsmor. Etching. 
 \V, Delteil, Supplement, No. 272. . 
 Wes Signed in lower margin, in pencil—Zorn. Beautiful impression. 
 oe ' IN PERFECT CONDITION, Pie a torn . 
 Height, 11%; width, 7% inches. 
 
 ZORN, ANDERS 
 / _ 438; My Two Movers. Etching. 
 / j Delteil, Supplement, No. 21S 
 : ‘ Signed in lower margin, in pencil,—Zorn. Beautiful impression. 
 \ IN PERFECT CONDITION. 
 . Height, 734;. width, 534 inches. 
 
 ‘ZORN> ANDERS 
 439, Pa Hamso. Etching. 
 Delteil, Supplement, No. 274. 
 gee Signed in lower margin, in  pencil,—Zorn. Beautiful impression. 
 | IN PERFECT CONDITION. 
 Height, 754; width, 514 inches. 
 
GEREN ETL ETL EP IME LT 
 
 i 
 i 
 
 TTS ee = 
 
 eta 
 f 
 i 
 
 f 
 
 ANDERS ZORN 
 MISS EMMA RASSMUSSEN 
 [No. 428] 
 
. f #4 
 Second Session, Thursday Evening, March foth 
 
 ZORBN, ANDERS 
 440 Avper. Etching. 
 Delteil, Supplement, No. 279. 
 ; Signed in lower margin, in 
 \ IN PERFECT CONDITION. 
 i Height, 674; width, 45% inches. 
 
 ZORN, ANDERS 
 441. DaLecARLIAN Peasant. Etching. 
 ADelteil, Supplement, No. 280. 
 () / Signed in lower margin, in 
 /\ _IN_ PERFECT CONDITION. — 
 } > ow Height, 614; width, 45% inches. 
 4 
 
 ZORN, ANDERS 
 
 442, Pinot. Etching. 
 Delteil, Supplement, No. 283. 
 Signed in lower margin, in 
 
 IN PERFECT CONDITION. 
 KO: Height, 674; width, 4% inches. 
 
 ZORN, ANDERS 
 A43. Batance. Etching. 
 Ps Delteil, Supplement, No. 285. 
 \ Signed in lower margin, in 
 Ay ae IN PERFECT CONDITION. 
 Height, 614; width, 4% inches. 
 
 ZORN, ANDERS 
 444., AGAINST THE Current. Etching. 
 / Delteil, Supplement, No. 286. 
 
 pencil,— Zorn. 
 
 pencil,—Z orn. 
 
 pencil,—Zorn. 
 
 pencil,—Z orn. 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 Beautiful 
 
 impression. 
 
 impression. 
 
 impression, 
 
 impression. 
 
 Signed in lower margin, in  pencil,—Zorn. Beautiful impression. 
 
 ¢ 
 f ( ) IN: PERFECT CONDITION. | 
 at Height, 414 length, 614 inches. 
 
 THE AMERICAN ART ASSOCIATION, 
 
 THOMAS EE: KIRBY: 
 AUCTIONEER. 
 
 MANAGERS. 
 
INTELLIGENT APPRAISALS 
 FOR 
 UNITED STATES AND STATE TAX 
 
 INSURANCE AND OTHER. PURPOSES 
 
 THE AMERICAN ART ASSOCIATION 
 
 Poort | PONALLY WELLE” KQUIPPED 
 2 -PURNISH 
 
 APPRAISEMENTS AND INVENTORIES 
 
 OF 
 
 ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
 AND PERSONAL EFFECTS OF 
 EVERY DESCRIPTION 
 
 AT CHARGES COMMENSURATE 
 WITHTHE DUTIES INVOEVED 
 
 THE AMERICAN ART ASSOCIATION 
 MADISON SQUARE SOUTH 
 NEW YORK 
 TELEPHONE, 3346 GRAMERCY 
 
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