‘Ni Bir i GLEN G. MOSHER at OX FRONTISPIECE = \ HN PUBBEA Clive, OF 7PUBBEA (Dextean Architecture DOMESTIC. GIy Ti & PEC LESH Ns iG alk + +¢ +4 PHOTOGRAPHS © TEXT BY A TLEE Beasgiis FOUR HUNDRED AND TWENTY-SIX ILLUSTRATIONS WILLIAM HELBURN, INC. 15 EAST ssth STREET - NEW YORK Copyricut 1926 Wi1am Hexpurn, Inc. New Yorke “This book is dedicated to the Memory of my Mother, through whose interest and efforts I was able to secure my Architectural Schooling.” ne lew York, Garamond Press, Inc The Moss Photo: inters Plate Makers MEE CAINS © na Ee We pRoe ENO DIU © ean KAMEXICO, though at our door, is one of the few countries that contains a wealth of interest for the architect, and which has been so little ex- ploited by them. It is a most colorful and pic- turesque country and with its delightful climate and hospit- able people, it makes a most attractive place to visit. One can spend quite a length of time in Mexico City, as it contains an unusual amount of early type of Spanish Architecture. ’ 7 A The suburbs of Mexico City and the small towns nearby, such as Coyoacan, San Angel, Xochimilco, Tacubayo, Gua alupe and many others, afford splendid opportunities to the student of Architecture. Most of these places can be reached by electric railway; however, some of the rural dis- tricts are almost inaccessible, owing to the condition of the roads. Diligence is rewarded by a wealth of architectura subjects, especially churches. These are of primitive design, their ornamentation being principally at the entrances and carried out in a modeled plaster. Nearly every church in Mexico has a dome, many of which are covered with glazed tile, the predominating colors being a golden yellow with an occasional note of white and dark blue. There is usually a course of black or dark blue tile carried out in a diagona pattern. Sometimes we find stars or sunbursts worked out in a blaze of color, the bizarre effect subdued by time anc the elements. No more charming picture could be imagined than one of these old churches, its stucco walls half hidden by shrubbery, its dome piercing the blue skies of the south. Notable examples of this kind are found around Puebla, Texcoco, etc. An interesting type is found in some of the rural churches, which are faced with a red volcanic rock, the color note having been further strengthened by rubbing red pigment into the face of the wall. Small tile inserts are placed in the intersections of these stones, giving a rather unusual wall treatment. A splendid example of this style of wall facing is found in the church of San tepec, near Puebla *rancisco at Aca- , 7 ; \ large number of buildings are constructed of adobe, then plastered, and finished in various colors of water paint. In stone houses are found, the architecture of which is carried out in a very or- the cities, anumber of handsome brick and nate French type of design. Most of the buildings are on the street line, and with few exceptions, are planned with a patio in the center. Massive wooden doors are placed at the portals with a small door about two feet six inches opening inde- pendently of the larger doors. Back of these wooden doors, about ten or twelve feet, are the ornamental wrought iron gates leading directly onto the patio. In the morning these wooden doors are opened, and the wrought iron gates re~ main locked. The patios are most attractive, having arcades on all side The balcony is usually carried and on the wrought iron railings flower pots. These are and are filled to overflowing wi cling to the iron gratings and fa not used extensively y in floorin being the materials most emp first floor are protected by w guards usually extend beyond t and are sometimes very ornate. th flowe g@; tile, brick and rought iron guar he wall about twe Behind the: d V s, fountains and an abundance of tropical flowers. around the upper stories, are placed loops for holding aced continuously around the patio, and vines which | in wild profusion. Wood is terra O oyed. All windows on the is. These e inches are solid wood folding blinds. As a rule the windows in the upper stories are provided with wrought iron balconies. Plastered ceilings are not practical in Mexico on lieu of this, canvas is used, this that it cannot be told from pla account of earthq being put up with u stered ceilings. T akes. In such skill he canvas ceiling is usually dropped about six inches below the wood construction, being tacked to the edge of the walls on all sides and stretched in such a manner that it is impos- sible to see a wrinkle. Small ventilators are placed in each corner and these together with the high ceilings, make a very cool and comfortable room. ceiling Contrary to general belief, the tile roof is not common in Mexico. When they are found, it is usually on sheds and small buildings. Most of the roofs are flat, being constructed with heavy timbers about seven by nine, spaced fourteen inches on centers, on top of which are placed a thin brick. This forms the platform for dirt fill, which is put down about two or three feet in thickness. On top of the dirt fill is placed a heavy coat of mortar in which brick are em- bedded to form finished roof. , , , The author has travelled extensively throughout the Re- public of Mexico, visiting the chief cities, small towns and Indian Villages, for the express purpose of photographing typical examples of the Architecture of that country. Un- fortunately, not arriving ahead of the rainy season, which usually starts in June and continues until December, was limited, to a large extent, to the bright sunlight of the morning hours for taking out views. This made it necessary to depend on photographs taken by others for some after- noon views shown in this book. , ’ , The trip was made more pleasant by the companionship of George Willis and I wish to thank him for his assistance. o wish to thank Mr. J. A. Mullins, photographer of Mexico City, for his many kindnesses and assistance, which, with the spirit of helpfulne found manifested everywhere in the Republic, made it possible for me to secure the photo- graphs for this book. ATLEE B. AyYREs. MIE IKE EOIN Sacer. kOe TEE Ge PIR JE IE ACS Ie INE cannot be in Mexico long without being im- pressed by the great influence of Spain in what now constitutes the Architecture of the country. It can be truthfully said that the Architecture began with the conquest of that country by the Spaniards. With the exception of the very massive and in- teresting prehistoric ruins, little remains of the work done previous to their arrival and much that then existed was demolished and rebuilt. Historically, Mexico has been a war-torn country. Politi- cally, religiously, socially and economically, it has not been unlike Europe. The driving force of the conquerors and the religious zeal of the church seems to have dominated every- where and the natives became ready converts to the new religion. The resultant aristocracy kept the great mass of the people submerged with practically f expression. no chance of self 2 F y , Under these conditions, it was but natural that the Ar- hitecture of Mexico should be brought from Spain, just as Architecture in turn, was the Orient. As it has been with most conquests, the church followed and worked in conjunction with the army. Practically all of the early work was ecclesiastical. Even to this day the buildings built by the church are the outstanding features of the country. The Franciscan Order were the architectural pioneers and in the early years were very active. Their buildings, probably of necessity, were virtually fortresses No panish Rome and argely derived from and strictly utilitarian, and for the most part Romanesque in their treatment. Their and the low segmental up formed a rudimentary dc the beautiful domes tha duction of the cruciform Other orders followed t of the Spaniards greatly metals that they found of labor. Undoubtedly almos the Spaniards were fan churches were usually rectangular ift of the ceiling over the sanctuary yme that seems the forerunner of t later appeared with the intro- plan. he Franciscan, the mining activity added to the wealth of precious in the possession of the natives. Sculptors and artisans were brought from Europe and the vast population of Indians furnished an inexhaustible supply , many of these were trained to a con- siderable degree of skill. Material for masonry was plentiful everywhere. All these factors made possible the great- est activity in the construction of churches, palaces bridges, aqueducts and such other forms of construction hous: niliar ‘with. The ever increasing amount of Architectural enrichment of the Spanish styles of Gothic, Renaissance, Baroque, the lavish Churugueresque followed Moorish, Mudejar and the Early Romanesque of the Franciscans. The greater part of all the interesting architecture of Mexico is the accomplishment of the first two centuries, after the conquest. ’ , 7 The great bulk of mass is the most characteristic feature of the early work and seems to fit in well with the moun- tainous character of the country. With walls, domes, arched ceilings and heavy buttresses to take the thrusts, all built of masonry, much of the work has a very pronounced ex- pression of structural stability, permanence and honesty of design. False ceilings and domes are practically unknown, except in later work. Domes were very seldom stilted and usually sprang from an octagonal base at top of roof arches, the light entering through the lantern at the top andsometimes augmented by dormers occurring in the side sections. The Architectural embellishment was basically classic and gen- erally concentrated at salient points, such as doors, windows and upper portions of towers, producing a strong contrast with the plain simple wall surfaces. This was done in carved stone or modeled in plaster and a most striking effect was gained either at a close view or at a distance. Topographically, Mexico varies from the hot, dense, jungle country along the coasts to the dry desert country of the north. The main central portion is high and very mountainous, with many broad rich valleys between the ranges. This wide variation of country produces a great variety of building material. Building stone, either of a sedi- mentary or volcanic nature and timber were readily avail- able. The manufacture of burnt clay products, such as tile and brick and also sun-dried adobe brick was very extensive. With all these basic materials at hand, the introduction of the different Spanish styles into the new country was not difficult. To some extent variations from the original are found in some localities, due to varying resources and condi- tions. 1 , é The Renaissance is the predominating style of the country and is usually the underlying influence where other st have been used. The recent exploration of the Rockefeller Expedition seems to indicate that aboriginal Indian tribes in Mexico may have had an origin in Egypt, or parts of Northern Africa. Also Greek influence is shown in friezes and decorations on early Temples and Palaces recently un- earthed. The Mudejar style, the development of the Chri tianized Moors, with its Arabic motives combined with European forms, has some examples of note, such as the House of Tiles” in Mexico City and the Church of San Francisco at Acatepec, near Cholula. The Plateresque was largely used in public and private buildings and to some extent in church work. MEE GI @roaN Meceko Gels Eee a W har A subordinate style, the Churugueresque, has been most extensively used and is perhaps the most conspicuous style in the treatment of ecclesiastical work, both externally and internally. It has been severely criticized by those who hold for purity of style and is very much admired by others. It is a very free and unconventional form of the Renaissance. With its broken lines and broken pediments, heavily scrolled and its highly decorated pilasters and panels, interspersed with niches filled with sculpture, it produces a wild riot of intricate detail. The individuality of the designer had a wide range in which to express itself. Withal, it has a high degree of magnificence and undoubtedly was a strong influence in the religious life of the people. , , , Ever since the conquest and probably before, Mexico has been torn by warfare. Civil wars and wars with other nations have been most frequent. The destruction of property at these times, coupled with certain renovations, has lost to us many examples of the early work. In the restorations, much of the Churugueresque has been replaced by the more orderly classic. Unfortunately this, for the most part, is of little interest. GeoRGE WILLIS. PLATE LATE LATE LATE PLATE PLATE PLATE PLATE PLATE >LATE PLATE ?LATE PLATE PLATE PLATE >OLATE LATE LATE PLATE LATE PLATE PLATE 1 5 6. 16 17 2OFa 5 2 ICN) JD) Je; OX IDE SIGNS eG tS cele Ube RONTISPIECE. View of the City of Puebla TEXAS San Antonio, Old Spanish Block House (upper) San Antonio, The Alamo (lower) San Antonio, San Juan Capistrano (third mission), (left) San Antonio, San Francisco Espada (fourth mission), (right) San Antonio, Cloister at Mission San Jose (upper) San Antonio, Mission Concepcion (lower) San Antonio, Mission San Jose, Window in Baptistry (left) San Antonio, Mission San Jose, Side View (center) San Antonio, Mission San Jose, Detail of Front (right) San Antonio, Mission San Jose, Chapel Interior, before restoration (upper) San Antonio, Mission San Jose, Chapel Interior, after restoration (lower) San Antonio, Second Mission San Jose, Doorway (le/t) san Antonio, Mission Concepcion, Front Entrance (center) San Antonio, Mission San Jose, Chapel Doorway (right) San Antonio, Mission San Jose, Cloister (left) San Antonio, Mission Concepcion, Interior (center) San Antonio, Mission Concepcion, Cloister (right) FEDERAL DISTRICT Mexico City, Municipal Palace Mexico City, Church of the E Mexico City, Church, La Profesa (ri; Mexico City, Church of San Francisco (le/t) Mexico City, Detail of the National Library (right) Mexico City, The Cathedral, two views Mexico City, Church of St. Anthony (left) Mexico City, Sagrario of the Cathedral (center) Mexico City, Cathedral Window (right) . Mexico City, Convent de la Merced, three views y, Church of San Hipolito (upper) Mexico City, Church of San Hipolito (lower left) Mexico City, Church of Regina (lower right) Mexico City, Rural Church and Parochial House (upper) Mexico City, A Church in the City (lower) Mexico City, Church of Santa Vera Cruz (upper) Mexico City, Church of Santisima (lower left) Mexico City, Church of Perdido (lower right) Mexico City, Church of Santa Inez (upper left) Mexico City, Church of Santa Rosa (lower left) exico Cit hurch of San Domingo (upper right) exico City, Methodist School (lower right) N N Mexico City, Church of San Antonio (left) Mexico City, Baptistry (right) N N N exico City, El Parque del Conde (left) exico City, National Bank (right) exico City, La Casa de los Azulejos (The House of Tiles), three views a exico City, La Casa de los Azulejos (The House of Tiles), three views Mexico City, House of the Descendants of Montezuma (upper) Mexico City, Spanish Building (lower) PLATE OLATE PLATE PLATE PLATE PLATE PLATE PLATE LATE PLATE PLATE PLATE PLATE PLATE LATE PLATE LATE PLATE LATE LATE PLATE LATE LATE LATE PLATE PLATE 39 40 41. 46 47. 48 Mexico City, College of the Vizcainas (upper, lower right) Mexico City, House of the Count of Santiago (lower left) N Mexico City, House of the Count of Santiago, Fountain in the Patio (upper) Mexico City, House of the Count of Santiago, Patio (cen- ter) Mexico City, College of the Vizcainas (lower) Mexico City, Typical Patios, three views Mexico City, Patios, three views Mexico City, Doorways, four views Mexico City, Entrances, three views Mexico City, Wrought Iron Grilles, two views fexico City, Fountains, three views exico City, Residences, two views anish Interior (left) Carved Stone Corner (right) exico City, N NM Mexico City NV N exico City, Doorways, three views MEXICO Environs of Mexico City, Convent El Carmen, two views Environs of Mexico City, Rural Churches, two views Environs of Mexico City, Rural Churches, three views Environs of Mexico City, Church of Saint Francis, In- terior (upper) Environs of Mexico City, A Village (lower) Environs of Mexico City, Chapel Doorways (upper left and right) Environs of Mexico City, Belfries (lower left and right) =nvirons of Mexico City, Doorways, Portal and Cloister, four views Santa Cruz, Gateway (upper) : Tultenango, Virgin de Candelaria (lower left) -apalotia, Rural Church (lower right) Santa Cruz, Gateway (upper) Old Spanish House (lower left) Papalotia, Rural Church Interior (lower right) . Coyoacan, House of Cortes, two views Coyoacan, House of Cortes, Fireplace Coyoacan, Casa Antigua, Patio (upper left) Coyoacan, House of Cortes, Doorway (lower left) Coyoacan, Church of Concepcion, Chapel (upper right) Coyoacan, Archway to Plaza (lower right) Coyoacan, House of Alvarado (upper) rchway on Plaza (center) Coyoacan, A Did Spanish House (lower) Coyoacan Guadalupe, A Church (upper) Guadalupe, The School (lower) Guadalupe, Chapel del Pocito (Chapel of the Holy Well), three views Guadalupe, Niche in the Holy Shrine (left) Guadalupe, Church Entrance (center) Guadalupe, Chapel del Pocito (right) LATE PLATE >LATE PLATE PLATE PLATE PLATE PLATE PLATE PLATE wt 76 N Si 7 . Metepec, A Church . San Ange . San Ange 8. San Angel, Convent El Carmen, three views , Convent El Carmen, Domes and Belfries, four views , The Inn, two views , The Inn, Roof Garden (upper left and lower) San Ange R , Convent E] Carmen Courtyard (upper right) San Ange San Angel, A Private Residence (upper) San Angel, Old Spanish Wall (lower) A Residence (upper left) San Angel, Window in Residence (upper right) Churubusco, Convent El Carmen Entrance (lower le/t) Churubusco, Convent El Carmen Patio (lower right) San Ange Churubusco, Convent El Carmen, three views . Churubusco, Convent El Carmen, Patio and Doorway Tepotzotlan, The Convent, four views Tepotzotlan, The Convent, two views Tepotzotlan, The Convent, Interior Tepotzotlan, The Convent, Interiors, three views Teotchuacan, Pyramid of San Juan Teotchuacan, Rural Churches, two views ‘eotchuacan, Church San Luis (left) Texcoco, Rural Church (center and right) Texcoco, Church of Pentecortes, three views Texcoco, Gateway to Church (upper) excoco, Rural Church (center) excoco, Church of San Juan (lower) Texcoco, Rural Churches, Entrances, three views coco, Church of San Augustin Acolman (upper) xcoco, Rural Church of San Antonio (lower left and sco, Church of San Augustin Acolman, colonnade, two views Texcoco, San Augustin Acolman, Patio and Cloister (upper and lower) Texcoco, Church of San Augustin Acolman, three views Texcoco, Church Entrances, three views Texcoco, Molina de Flores (upper) rexcoco, Spanish Doorway (lower left) excoco, Doorway to Chapel (lower right) Texcoco, Molina de Flores, Interior of Chapel, three views Xochimilco, A Church (upper) Xochimilco, A Residence (center) Xochimilco, A Rural Church (lower) Xochimilco, A Primitive Church, three views MEXICO-GUANAJUATO Santo Tomas, Gateway (upper) Celaya, El Tercer Orden (lower left) Celaya, El Carmen (lower right) GUANAJUATO Guanajuato, Street Scenes and Entrance to Spanish House, three views MEXICO-NUEVO LEON Amecameca, Churches, two views Monterey, Bishop's Palace NUEVO LEON Monterey, The Cathedral (upper) Monterey, The Municipal Palace (lower) PLATE PLATE PLATE OLATE PLATE PLATE PLATE PLATE LATE PLATE PLATE PLATE LATE >LATE >LATE PLATE PLATE PLATE LATE PLATE PLATE 80. 82 Cy. 99 100. 101 . Guadalaja MEXICO-TLAXCALA Amecameca, Chapel (lower right) Tlaxcal M Poluc LATE 103. Cuernavaca, A Garden Wall (upper) Cuernavaca, Patios (center and lower) Sh AG Grr Be : 4 5 si LATE 104 Guemay aca, GEINNEN, Borda Jardin Hotel (upper) Pate 130, Puebla, Patio of The American Methodist School (upper) Juernavaca, Patios (center and lower) SARA Eas SDSL ra CE a, Pa c sft and rig MORELOS-QUERETARO LATE 131. Puebla, Patio of the American Methodist School (upper mts ve ines’ P and lower left) LATE 105. Querétaro, Church Built by Maximilian (upper) Puebla, Entrance to Old Spanish House (lower right) Cuernavaca, Hotel Borda Jardin, two views LATE 132. Puebla, Patio, Convent of San Antonio (upper left and QUERETARO lower right) Puebla, Fountains (upper right and lower left) PLATE , Portales (upper) g , The Federal Palace Patio (lower left) Querétaro, A Stone Balcony (lower right) >LATE 133. Cholula, Church of San Francisco MICHOACAN PLATE 107. Querétaro, Patio ina Residence (upper) Querétaro, Walls of the Monastery (lower left) >LATE 134. Morelia, The Church of San Francisco (upper) Querétaro, A Fountain (lower right) Morelia, The Cathedral (lower) Pate 108. Querétaro, Church of San Augustin, two views >LATE 135. Morelia, A Church (upper) Querétaro, Church of San Antonio, two views Morelia, Detail of the Cathedral (lower left) 2 He Morelia, Side Entrance to the Cathedral (lower right) PLATE 109. Que El Sagrario (upper le/t) = m2 " Que ro, A Church (lower left) PLATE 136. More’ emple de las Monjas Catarinas (upper) Que =ntrance to a Church (upper right) More -athedral Entrance Door (lower left) Querétaro, The Cathedral Tower (lower right) More Shurch of Columna (lower right) PLATE 110. Querétaro, Spanish House (upper) PLATE 137. Morelia, A Church (upper left) Dome of San Augustin (lower left) Morelia, Church of San Juan (lower left) Querétaro, Patio in a Private Home (lower Right) Morelia, Temple of San Augustin (upper right) P ay es Morelia, Dome of San Jose (lower right PLATE 111. Querétaro, The Federal Building (upper) J y gm) Querétaro, Santuario (center) >LATE 138. N , A Church Spire (upper left) ‘ Querétaro, Church of Santa Rosa (lower) Morelia, Church of the Carmelites (lower left) Morelia, Church of Guadalupe (upper right) >LATE 112. Querétaro, Residence of Sr. D. Rosendo Rivera Morelia, Main Entrance, Church of San Pedro (lower SLATE 113. Environs of Querétaro, Church of Santa Clara, three views Environs of Qu aro, Temple of Santa Rosa (lower right) Pate 139 orelia, Templo El Carmen (upper left) orelia, Church of Santa Nino (lower left) orelia, Templo de San Jose (upper right) forelia, Church of Morelia (lower right) rate 114. Querétaro, Entrance, Church of San Domingo (upper left) Querétaro, Doorway to El Sagrario (lower left) Querétaro, Entrance, Casa Antigua (upper right) Juerétaro, Entrance Spa 2 (lower rig Querétaro, Entrance, Old Spanish House (lower right) See 0 orelia, Patio of the Art School (upper) orelia, Bishop's Palace (center) >LATE 115. Querétaro, Doorways, three views lia, A Building on the Plaza (lower) PLATE 116. Querétaro, Doorways, three views ZZ 2m Be Bee Bee Ze 3 SLATE 141 lorelia, Doorway to Churchyard, Carmelitas (left) PUEBLA orelia, Art School, Interiors (center and right) Bs SLATE 142 relic Residence (left) PLate 117. Puebla, Plaster Mouldings (left and right) LATE 142 oreli 1 A Residence (lef . 5 7 suas Be aor orelia, Wrought Iron Gate (center) uebla, Temple de la Compania (center) ‘ ae orelia, A Balcony (right) >LATE 118. Puebla urch of Guadalupe (upper) Es é + P wasn 1 ili, (Clnvsticncoa Caeiseloyone (oes PLATE 143. Morelia, Wrought Iron Gates, three views C uebla, Church of San Francisco (lower left) >uebla, Church of Loreto (lower right) MICHOACAN-AGUASCALIENTES Late 119. Puebla, Church of La Concordia (upper) Puebla, Church of San Juan Dios (lower left) >uebla, Church Front (lower right) >LaTE 144. Aguascalientes, The Governor's Palace (upper) Morelia, A Residence (lower left) Aguascalientes, Paroquia del Encino (lower right) ai >LATE 120. Puebla, Church near Puebla (upper) >uebla, Church Spire (lower right) SAN LUIS POTOSI-MICHOACAN Acatepec, Church of San Francisco (lower left) : ie 4 2 yr eee 5 aE 5 ; Sey cil nn Fe Pate 145, San Luis Potosi, Window, Church of San Francisco (le/t) Late 121. Puebla, Main Entrance an Francisco (upper left) San Luis Potosi, Baptismal Font, San Augustin (center) Puebla, Side Entrance, San Francisco (upper right) Morelia, Doorway, Art School (right) Acatepec, Church of San Francisco (lower left) ie eae Ra Cholula, A Church (lower right) SAN LUIS POTOSI SLATE 122. Puebla, Church of Puerte de Loreto (upper) >uebla, A Church Front (lower left) uebla, Entrance to Church of San Domingo (lower right) Piate 146. San Luis Potosi, Guadalupe Church (left) San Luis Potosi, The Cathedral (right) aa . 5 Piate 147. San Luis Potosi, Entrance, The Cathedral (left) LATE 123 s=huacan, Church of El Carmen, four views =e pee Net e= SA 4 TATE 1275) Vehuacan, Churchiot Ela nit 2 San Luis Potos{, Church of El Carmen (center and right) 2 24. Pueble 2s in the City, four views 4 & 2 2 f LaTE 124. Puebla, Domes in the City, fc ue Piate 148, San Luis Potosi, Church of San Augustin (left) ig 4 >LATE 125. Puebla, Tile Domes, three views San Luis Potosi, A Church Entrance (right) Cholula, Tile Domes (lower right) ‘ SAN LUIS POTOSI-ZACATECAS acatecas, Cathedral Entrance (left) Potosi, A Residence (right) Piate 126. Puebla, Domes in the City, three views PLATE 149. PLATE 127. Acatepec, Gateway to Church of San Francisco (upper) >uebla, House of Alfenique (lower left) Puebla, Old Spanish Residence (lower right) RELICS OF THE NATIONAL MUSEUM, MEXICO CITY LATE 128. Puebla, A Private Home (upper) >uebla, The Federal Building (lower left) Piate 150. A Calendar Stone (left) Puebla, House of Alfenique (lower right) Aztec Ornament (right) ERRATA QUERETARO PLATE 106. Querétaro, The Federal Palace Patio (left) Querétaro, A Stone Balcony (right) MEDIC AIN FUR EMe C 1sGiKe TOES) SAN » ANTONIO, » OLD » SPANISH + BLOCK » HOUSE SAN + ANTONIO, » THE » ALAMO (EAI Ge) NOISSIIN * GUIHL * ‘ONVULSIdvo * Nwaf * NVS * ‘OINOLNV * NVS SY ead Fee Oa Ory INV OD aia MES ITUCISUN, UME JSUMIN EC Isle TEXAS PLATE 3 SAN + ANTONIO, + CLOISTER ~ AT + MISSION + SAN + JOSE SAN » ANTONIO, * MISSION » CONCEPCION aSOf + NVS * NOISSIN ¢ ‘OINO.LNV * NVS ENOUESIOM aT AMAIA * ACIS AMLSILdVd * NI * MOCNIM SEVeexe ells PUTO OUyY NV ODay MEXICAN AR Crh Ci Uke MEDGATS PLATE 5 BEFORE + RESTORATION Be AFTER + RESTORATION SAN » ANTONIO, » MISSION + SAN + JOSE, » CHAPEL « INTERIOR OINO.LNY * NVS AONVULNa* LNOYd * ~NOIOdHONOD * NOISSINN eA aes ESE = ee (O21 + LIN) PS css : AWAUOOC © “ASO? NVS * NOISSIIN * NODS 9 ALVId mo) hal Gh sU BOUL SOBs. 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