mugen . Color Prints 
 2  Etehings and Engravings 
 . \ fo | Srom 
 
 CA. T. Gooch 
 
 of South Orange, N, J. | 
 
 €. ©. Postlethwaite hoy ‘il | 
 of Philadelphia | 
 
 The Estate of Seth Rich 
 
 of Boston, Mass. 
 
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COLOR PRINTS 
 ETCHINGS AND ENGRAVINGS 
 
 FROM 
 
 Cal. T. Gooch 
 
 OF SOUTH ORANGE, N. J. 
 
 €. T. Postlethwaite 
 
 OF PHILADELPHIA, PA. 
 
 Che Estate of Seth Rich 
 
 OF BOSTON, MASS. 
 AND OTHER OWNERS. 
 
 AMONG THE IMPORTANT PRINTS ARE: 
 Ciaube’s “Le Bouvier,” “Durwam CarTrHEpRaL’ BY AXEL 
 HaAic, MOLiERE, FIRST sTATE, “EMMA RASMUSSEN” AND 
 “My MoprEL anp My Boat’ sy Anpres Zorn, 
 “LADY Musters,’ “Lapy Hamiriton,” “ANN 
 BINGHAM” By S. ARLENT EDWARDS, 
 “CROSSING THE Brook” By W. Say, 
 
 “LaDy TAYLOR” BY SYDNEY WILSON 
 
 i AND 
 REMBRANDT’S ETCHINGS IN EXCEPTIONAL IMPRESSIONS 
 AND STATES 
 
 TO BE SOLD 
 
 WEDNESDAY ann THURSDAY EVENINGS 
 APRIL 14th and 15th, 1915 
 | AT 8.15 O’CLOCK 
 
 On Public Exhibition from Tuesday, April 6th 
 
 AT 
 
 Che Anderson Gallerivs 
 
 Metropolitan Art Association — 
 
 ‘Mapison AVENUE AT FortTieEtTH STREET 
 New York 
 
COLOR PRINTS 
 ETCHINGS AND ENGRAVINGS 
 
 FROM 
 
 Cal. T. Gooch 
 
 OF SOUTH ORANGE, N. J. 
 
 €. T. Postlethwaite 
 
 OF PHILADELPHIA, PA. 
 
 Che Estate of Seth Rich 
 
 OF BOSTON, MASS. 
 AND OTHER OWNERS. 
 
 AMONG THE IMPORTANT PRINTS ARE: 
 
 Ciaube’s “Le Bouvier,” “Durwam CATHEDRAL” BY AXEL 
 HAtG, MoOLIERE, FIRST sTATE, “EMMA RASMUSSEN” AND 
 “My Moprn anp My Boar’ sy ANpbrReES Zorn, 
 “LaDy Musters,’ “Lapy Hamirttron,” “ANN 
 BInGHAM” By S. ARLENT EDWARDS, 
 “CROSSING THE Brook” By W. Say, 
 
 “LADY TAYLOR” BY SYDNEY WILSON 
 
 AND 
 REMBRANDT’S ETCHINGS IN EXCEPTIONAL IMPRESSIONS 
 AND STATES 
 
 TO BE SOLD 
 
 WEDNESDAY ann THURSDAY EVENINGS 
 APRIL 14th and [5th, 1915 
 
 AT 8.15 O’CLOCK 
 
 On Public Exhibition from Tuesday, April 6th 
 
 AT 
 
 Che Anderson Galleries 
 
 Metropolitan Art Association —°- 
 
 Mapison AVENUE AT ForTIETH STREET 
 New York 
 
Conditions of Sale 
 
 l. All bids to be per Lot as numbered in the Catalogue. 
 
 2. The highest bidder to be the buyer; in all cases of disputed bids 
 the lot shall be resold, but the Auctioneer will use his judgment as to 
 the good faith of all claims and his decision shall be final. He also re- 
 serves the right to reject any fractional or nominal bid which in his 
 judgment may delay or injuriously affect the sale. 
 
 3. Buyers to give their names and addresses and to make such cash 
 payments on account as may be required, in default of which the lots 
 purchased to be immediately resold. 
 
 4. The lots to be taken away at the buyer’s- expense and risk within 
 twenty-four hours from the conclusion of the sale, and the remainder of 
 the purchase money to be absolutely paid on or before delivery, in de- 
 fault of which the Metropolitan Art Association will not be responsible 
 if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
 left at the sole risk of the purchaser, and subject to storage charges. 
 
 5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
 ment of purchases, no lot will be delivered during the sale. 
 
 6. All lots will be exposed for public exhibition in The Anderson 
 Galleries before the date of sale, for examination by intending pur- 
 chasers, and the Metropolitan Art Association will not be responsible, 
 for the correctness of the description, authenticity, genuineness, or for 
 any defect or fault in or concerning any lot, and makes no warranty 
 whatever, but will sell each lot exactly as it is, without recourse. 
 But upon receiving before the date of sale expert opinion in writing 
 that any lot is not as represented, the Metropolitan Art Association will 
 use every effort to furnish proof to the contrary, and in default of such 
 proof the lot will be sold subject to the declaration of the aforesaid 
 expert, he being liable to the owner or owners thereof for damage or 
 injury occasioned by such declaration. | 
 
 7. Terms Cash. Upon failure to comply with the above conditions 
 any sum deposited as part payment shall be forfeited, and all such 
 lots as remain uncleared after twenty-four hours from the conclusion 
 of the sale, will be re-sold by either private or public sale at such 
 time as the Metropolitan Art Association shall determine, without 
 further notice, and if any deficiency arises from such re-sale it shall be 
 made good by the defaulter at this sale together with all the expenses 
 incurred thereby. This condition shall be without prejudice to the 
 right of the Metropolitan Art Association to enforce the contract with 
 the buyer, without such re-sale. 
 
 8. We make no charge for executing orders for our customers and 
 use all bids competitively, buying at the lowest price permitted by other 
 bids. | 3 | 
 
 9. The Metropolitan Art Association will afford every facility for 
 the employment of carriers and packers by the purchasers, but will not 
 be responsible for any damage arising from the acts of such carriers 
 
 and packers. 
 Che Anderson Galleries 
 
 METROPOLITAN ART ASSOCIATION, 
 MADISON AVENUE AT FORTIETH STREET, 
 TELEPHONE Murray HItt 7680. New York. 
 
 Priced Copy of this Catalogue may be secured for $1.00 
 
 THE GETTY CENTER 
 LIBRARY 
 
COLOR PRINTS 
 ETCHINGS AND ENGRAVINGS 
 
 FROM 
 
 W. T. GOOCH 
 
 OF SOUTH ORANGE, N. J. 
 
 Pool POSTLETHWAITE 
 
 OF PHILADELPHIA, PA. 
 
 THE ESTATE OF SETH RICH 
 
 OF BOSTON, MASS. 
 
 AND OTHER OWNERS. 
 
 FIRST SESSION 
 Wednesday Evening, April 14, 1915, at 8:15 o’clock 
 
 LOTS 1- 181 
 
 M. ACHENER. 
 Contemporary French Etcher. 
 1. MADONNA DEL MONTE, VENICE. Painter etching. 
 Signed proof. Only 30 prints and the plate de- 
 stroyed. 
 
 HENRY ALKEN. 
 
 2. SPORTING ANECDOTES. In colors after Alken. 
 Jorrock’s Hunt Breakfast, The Hunted Tailor, David 
 Crockett?s. Elk Hunt, David Crockett’s Bear Hunt, 
 etc. Small folio. (11 pieces). 
 
 3. NOTIONS.. -In colors after Alken. 
 A series of fifteen color prints. .Small 4to. (15). 
 
 3 
 
a 
 
 paiP 
 
 S18 
 
 13. 
 
 14. 
 
 HENRY ALKEN—Continued. 
 
 MORNING, A FEW OF THE RIGHT SORT, ETC. 
 Five color prints of riding, after Alken. Small folio. 
 
 (9). 
 
 . A STEEPLE CHASE. Set of gix. 
 
 In colors after Alken. Small 4to. (6). 
 
 . HOW TO QUALIFY FOR A MELTONIAN. 
 
 Set of six in color after Alken. Small folio. (6). 
 
 THE HIGH METTLED RACER. 
 Set of six in color after Alken. Small folio. (6). 
 
 . A SPORTING TANDEM; CROWDING AT A GAP. 
 
 ‘wo color prints after Alken. Small folio. (2). 
 
 AMERICAN ETCHERS. 
 
 . LANDSCAPES, MARINE VIEWS, ETC. 
 
 Etched by T. Moran, 8. J. Ferris, E. H. Miller, R- 
 Lovewell, F. De B. Richards, and others. Proofs, 
 small 4to, mounted on Satin Mats. (10). 
 
 AMERICAN PORTRAITS. 
 
 DANIEL WEBSTER: Engraved by Wagstaff & Andrews. 
 After Lawson. Large folio, India proof. 
 
 WASHINGTON IRVING: After Powell. 
 Engraved by Paul Leprix. Large folio, proof before 
 the title. 1853. 
 
 . BENJAMIN WEST: After Lawrence. 
 
 Engraved by C. Rolls. Large folio, India proof. 
 
 ANTHONY J. DREXEL. 
 Original mezzotint by Max Rosenthal. Signed proof. 
 Ato. 
 
 GEN. ANDREW JACKSON. 
 Lithograph by N. Currier. 
 
 THOMAS G APPLETON. 
 
 . MRS. TICKELL: After Romney. 
 
 Half-length, nearly life size. Signed India proof, 
 printed in brown. Large folio. 
 
 4 
 
LS? 
 
 a 
 
 1s: 
 
 26. 
 
 ae 
 
 ARUNDEL SOCIETY COLOR PRINTS. 
 
 First Annual publications with one exception. The Society 
 
 having closed, the prints have become scarce. All are in 
 the colors of the original paintings. 
 
 ST. ANTHONY OF PADUA. 
 Healing the Foot of a Young Man. After Titian. 
 Drawn by EH. Kaiser. 
 
 THE CRUCIFIXION: After Fra Angelico. 
 From the Fresco. 2nd Annual Publication, Arundel 
 Society. 
 
 THE DEPOSITION FROM THE CROSS: After Lor- 
 enzetti. 1875. 
 
 . THE RESURRECTION OF CHRIST: After Pietro 
 
 della Francesca. 1879. 
 
 . ST. BLAISE AND ST. JOHN THE BAPTIST: After 
 
 Hans Memling. 1878. 
 
 . ST. GILES AND ST. JEROME: After Hans Memling. 
 
 1878. 
 
 , CHRIST BEARING THE CROSS: THE INTER- 
 
 MENT AND RESURRECTION: After Mem- 
 ling. 1877. 
 
 . THE CRUCIFIXION: After Hans Memling. 1876. 
 . ANGEL GABRIEL, VIRGIN ANNUNCIATE: After 
 
 Memling. Monochrome. 1877. 
 
 JOHNSTONE BAIRD. 
 
 . WESTMINSTER ABBEY DOORWAY. Painter etching. 
 
 Signed proof of 75 issued by Johnstone Baird. On 
 soft Japan paper. Small folio. 
 
 H. H. BANNER. 
 
 MISS FARREN (Countess of Derby). 
 Full-length, after Lawrence. SIGNED ARTIST'S PROOF 
 
 PRINTED IN COLORS. 
 *Only 250 issued and the plate to be destroyed. 
 
 J. BASTIEN-LEPAGE. 
 
 REAPER SHARPENING HIS SCYTHE. 
 Etching. Japan proof. 4to. - 
 
 5 
 
28. 
 
 cae 
 
 30. 
 
 ol. 
 
 32. 
 
 dd. 
 
 J4. 
 
 OD. 
 
 30. 
 
 HENRY W. BATLEY. 
 
 HENRY IRVING AND ELLEN TERRY. 
 As the Vicar of Wakefield and Olivia. Etching. 
 Signed proof on India paper. Scarce. 
 
 J. F. BEAUVARLET. 
 French Engraver, 1731-1798. 
 J. B. POQUELIN DE MOLIERE: After Bourdon. 
 Three-quarter length, seated. Folio, framed. 
 
 *PROOF BEFORE ALL LETTERS with the title in ink in com- 
 temporary writing. 
 
 HANS SEBALD BEHAM. 
 One of the Early Sixteenth century “Little Masters.” 
 
 THE FOUR EVANGELISTS. B. 55-58. 
 Engraved 1541. Very fine impressions. (4). 
 
 FORTUNE. B. 140. 
 Engraved 1541. Very fine; the landscape and ship 
 in the distance perfectly clear and sharp. 
 
 CHARLES BIRD. 
 
 SYMPATHY: After J. B. Greuze. 
 [Girl with doves]. Circular mezzotint printed in 
 colors, signed proof. 4to, decorative gilt frame. 
 *Only 300 impressions and the plate destroyed. 
 CHRISTINA, QUEEN OF SWEDEN: After Holbein. 
 Mezzotint, printed in colors. Signed proof. Small 
 folio. 
 
 WESTMINSTER: CHAPEL OF THE KNIGHTS OF 
 THE BATH. 
 Etching, signed proof on vellum paper: 4to. 
 
 MICHELE BISI. 
 
 VENUS AND CUPID: After Appiani. 
 Line engraving, folio. 1823. 
 *Fine early proof with pencilled inscription by the en- 
 graver. 
 
 SIMON BOLIVAR. 
 
 TWO LITHOGRAPH PORTRAITS. 
 By C. Charles and Villain. 4to. (2). 
 
 6 ‘ 
 
37. 
 
 38. 
 
 39. 
 
 40). 
 
 41. 
 
 AR. 
 
 43. 
 
 44, 
 
 FELIX BRACQUEMOND. 
 
 DUCKS AT PLAY. Painter etching. 
 - Signed proof, on untrimmed hand-made paper. 
 Folio. | 
 
 H. SCOTT BRIDGWATER. 
 
 MIRANDA (Miss Vane): After Hoppner. 
 Mezzotint in color. Large folio, India proof. 
 
 ARTHUR B. BROOK. 
 
 LA FEMME AU MANCHON: After Mdme. Le Brun. 
 Three-quarter length. Mezzotint printed in colors, 
 signed proof. 4to, decorative frame. 
 
 *Beautifully printed. Only 225 impressions were taken. 
 
 A. BRUNET-DEBAINES. 
 
 ST. PETER’S AT CAEN. Painter etching. 
 Signed remarque proof on parchment. Folio. 
 
 THE HAY WAIN: After Constable. 
 Signed proof on vellum paper. Large folio. 
 *Fine impression of one of the masterpieces of Brunet- 
 Debaines. 
 
 J. H. BUFFORD. 
 
 American Artist. 
 
 ANDREW JACKSON. 
 Full-length, with hat and cane, standing in a land- 
 scape. Folio lithograph by Pendleton, Boston, about 
 1832. R. E. W. Harl, pinxit. A brilliant impres- 
 sion of this rare portrait, but it has been torn and 
 repaired near the bottom. 
 
 -H. W. BUNBURY. 
 
 PEASANTS OF THE VALE OF LLANGOLLEN, 
 Circular stipple engraving by J. Baldrey. ‘Two 
 views (different). 4to. London, 1794. (2). 
 
 WALTER W. BURGESS. 
 
 GOMSHALL MILL. Etching. Signed proof, on parch- 
 ment. Small folio. 
 
 7 
 
45. 
 
 47. 
 
 ol. 
 
 ee 
 
 Dd. 
 
 b4, 
 
 DAVID YOUNG CAMERON. 
 WINCHESTER CATHEDRAL. Painter etching. R. 
 333, : 
 One of the “20 etchings” for Walton’s “Compleat 
 Angler.” 1902. 
 
 - BEAUFORT’S TOWER. ST. CROSS. R. 349. 
 
 From the same series. 
 
 CHAPEL & FOUNDER’S TOMB, CHARTERHOUSE. . 
 R. 240. wm tr ; 
 Painter etching from “Charterhouse Old and N ew,” 
 on Japan paper. 
 
 *This and the three following form a complete set of — 
 the series, 
 
 . UPPER GREEN CHARTERHOUSE. R. 241. 
 . CHARTERHOUSE SCHOOLS, GODALMING. R. 242. 
 . TOWERS OF CHARTERHOUSE.  R. 243. 
 
 ANTONIO CANALE AND OTHERS. 
 
 ITALIAN SEAPORT: TEMPLE: CUMEAN SIBYL: 
 DEATH.OF ORPH EU ae 
 
 Aquatints, ete., after the rare originals, etchings by 
 Jacquemart, ete. ‘(7). 
 
 ANNIBALE CARRACCI. 7 
 Italian Painter. engraved a few plates, 1560-1609. 
 
 THE VIRGIN WITH THE BOWL. B. 9. 
 Original impression before the address of Van Aelst. 
 
 *“Cette estampe est une de celles de l’oeuvre d’Annibal 
 qui a le plus de reputation.”—Bartsch, 
 
 THOMAS CHAMBERS. 
 
 A CONCERT: After Caravaggio. 
 Line engraving published in 1764. Folio. 
 
 FRANZ CHARLET. 
 
 THE ROSE WINDOW OF NOTRE DAME, PARIS. 
 Etching, folio. No. 15 of 100 signed proofs. 
 
 8 
 
R, S. CHATTOCK AND J. LUMSDEN PROPERT. 
 
 55. LANDSCAPE. View of a private park in winter. Etch- 
 ing, by Chattock. Signed proof. Richmond 
 Bridge, etching by Propert. Signed proof. Small 
 folio. (2). 
 
 TH. CHAUVEL. 
 
 56. AUTUMN LEAVES: After Vicat Cole. 
 Vellum proof etching, signed by both artists. Folio, 
 fine impression. Framed, | 
 
 THE CIVIL WAR. 
 sv. THE FALL OF RICHMOND. 
 
 Colored lithograph by Currier & Ives, 1865. Large 
 folio. ‘The Battle of Roanoke Island, colored music 
 sheet, litho. 1862. (2). 
 
 poe FURTRAITS. 
 3 Frank P. Blair, by J. Sartain. signed proof mezzo- 
 tint; Admiral A. H. Foote, litho:; Gen. Fitzhugh 
 Lee, litho., 1898. Folio. (38). 
 
 59. MEZZOTINT PORTRAITS. 
 
 Gens. Sherman and Thomas and Col. Ellsworth, by 
 W. Sartain; Gen. Thomas, by Max Rosenthal, proof; 
 with Gen. Sheridan, engraved by Buttre. (5). 
 
 60. GRAND ARMY IN WASHINGTON. 
 Colored drawing, signed J. F.; Photographs of the 
 Sinking of the Alabama, Gen. Scott and his Staff, 
 and another military group. (4). 
 
 Pee CARICATURES, — 3 
 Jeff Davis on his Own Platform; John Bull makes 
 a Discovery; Distinguished Militia General during 
 an Action; A Disloyal British Subject. Lithographs, 
 two by Currier & Ives. (4). 
 
 9 
 
62. 
 
 63. 
 
 64. 
 
 65. 
 
 66. 
 
 G7. 
 
 68. 
 
 69. 
 
 CLAUDE GELEE DE LORRAIN. 
 
 LE BOUVIER. 
 Landscape etching by the painter, 1636. With 
 margin. 
 
 *Splendid impression of this masterpiece of Claude. Three 
 states of the plate are known, both the second and third 
 having the number “4” in the margin, but in the latter the 
 small bird at the extremity of the bough in the centre of 
 the plate is almost obscured by dry-point work forming a 
 cloud. In this copy only a few scratches of the point are 
 seen and the bird is quite distinct. 
 
 “Of the Bouvier you are lucky if you can get a second 
 state. Sir Seymour Haden, who would never tolerate a bad 
 impression, long contented himself with a Third.’—Wed- 
 more. P. G. Hamertom characterized this plate as “the 
 finest landscape etching ever executed.” 
 
 CATTLE AND HERDER CROSSING A FORD. 
 Mezzotint, by R. Earlom. Published in 1775. 
 
 COACHING SCENES. 
 
 CAR TRAVELLING IN THE SOUTH OF IRELAND. 
 Set of 6 plates in color. . 
 By J. Harris, after M. A. Hayes. Oblong 4to,. 
 framed. (6). 
 
 NEW YORK AND BOSTON MAIL. Color print. 
 Starting from the Bull’s Head Hotel. Folio. 
 
 DISCOVERIES. Three color prints by Fuller. 
 Vauxhall after Rowlandson; Football after R. Cruik- 
 shank by Hunt. Small folio. (5). 
 
 ENTERPRISE STHAM OMNIBUS. In color. 
 After the Hunt-Summers print. The early steam- 
 carriage of 1833. Folio, framed. 
 
 FAVORITE ET FIACRE. 
 Voiture a 60 Places; Une Citadine et ma Derniere 
 Voiture, and other European coaching scenes. Early 
 colored lithographs after Victor Adam. Small 4to. 
 (deh 
 
 COLOR PRINTS. 
 
 BETSY IN TROUBLE. Stipple in colors. 
 By Schiavonetti after Russell. Small folio, gilt 
 frame. 
 
 10 
 
1. 
 
 (ee 
 
 reas 
 
 to, 
 
 74. 
 
 yeciks 
 
 10, 
 
 Lay 
 
 ask 
 
 79. 
 
 80. 
 
 81. 
 
 COLOR PRINTS—Continued. 
 
 THE SERENADE. In colors. 
 Two etchings, one of a woman, signed proof by T. 
 Hovenden, the other two men by Harburger. Framed. 
 (3). 
 THE FORTUNE TELLER: After Reynolds. 
 Engraved by Sherwin, colored. Folio, framed. 
 *A very rare print, but is rubbed and stained. 
 MINERVA: By Bartolozzi after Cipriani. 
 Small oval, printed in brown, 1783 ; The Reverie, by 
 Cheesman after Reynolds. Framed. eae 
 
 VAUXHALL, 1732. With key. 
 After Rowlandson. Small oblong folio, gilt frame. 
 
 AT DEAL: After Prout. 
 
 On the Windermere, after Craig; Nuremberg, by 
 Martens; and other similar early prints in colors. 
 Small 4to. (6). 
 
 FRUITS OF INDUSTRY AND ECONOMY. In color. 
 After the Ward-Morland print. Folio, framed. 
 MISS KEMBLE: By Jones, after Reynolds. 
 Miss Kemble in a white dress. Folio. (2). 
 
 LOVE DREAMS: After Tofano. 
 Bo Peep, after Wichera. 4to. (2). 
 
 WAYSIDE CONVERSATION. 
 In color, after the original water colors, by Ridgway 
 . Knight; Banks of the Medway, after Wyllie. (2). 
 
 CONFEDERATE GENERALS. 
 
 GENERAL G. T. BEAUREGARD. 
 Full-length, on horseback on the seashore. Large 
 foho. On India paper. 
 
 “STONEWALL” JACKSON. 
 Joseph KE. Johnston: Two different, by Sartain, ete. 
 (3). 
 M. CORMACK. 
 
 DOVES: After Greuze. , 
 Mezzotint, printed in colors. Signed proof. 
 
 11 
 
82. 
 
 83. 
 
 84. 
 
 85. 
 
 86. 
 
 Sis 
 
 88. 
 
 89. 
 
 SU" 
 
 1. 
 
 CHARLES COURTRY. 
 CATTLE AT A FORD. Etching. Signed proof. Folio. 
 
 SAMUEL COUSINS. . 
 
 THE INFANT SAMUEL: After James Sant. 
 Mezzotint, folio. New York, 1854. 
 
 WwW. A. COX. 
 
 MRS. LAWZUN: After Raeburn. Signed proof. 
 Mezzotint, printed in colors. 4to. 
 
 *Only 250 copies and the plate destroyed. Three-quarter 
 length, dark curls, in a white dress seated under a tree. 
 
 T. HAMILTON CRAWFORD. 
 A BOY AND RABBIT: After Raeburn. 
 Mezzotint, with all Raeburn’s rich coloring. SIGNED 
 ARTIST'S PROOF, PRINTED IN COLORS ON INDIA PAPER. 
 Limited edition, and the plate destroyed. 
 
 LADY HAMILTON AS A BACCHANTE: After Rom- 
 ney. 
 Mezzotint, printed in colors. Signed proof. 
 
 HERBERT DICKSEE. 
 
 THREE KITTENS. Oval mezzotint. 
 
 Signed proof, published in Bristol, England, 1903. 
 Small folio, framed. 
 *Rare mezzotint by Dicksee. 
 
 ON THE THRESHOLD. (Girl with water bucket). 
 Etching on Japan paper. Signed proof. Folio, gilt 
 frame. . | : 
 
 PEACE. Painter etching. (Lioness and cubs). 
 
 Signed proof on parchment. Small folio. 
 
 [IN THE ENEMY’S COUNTRY]. Lion and mate 
 watching travellers from a cliff. Htching, in colors. 
 Folio, cut close and mounted. 
 
 JOHN DOWNMAN. 
 
 LADY CLARGES: In color, after Downman. 
 Half-length, in oval. India proof. 4to. Only 300 
 impressions. , 
 
 12 
 
JOHN DOWNMAN—Continued. 
 
 92. MRS. ABBOTT: In color, after Downman. 
 Half-length, in oval. India proof. 4to. 
 
 93. MISS BYFIELD: In color, after Downman. 
 Half-length, in oval. India proof. Small 4to. 
 
 CARLE DUPONT. 
 
 93a. MRS. YOUNG: After John Downman. 
 Stipple, in colors. Oval, half- -length. Signed proof 
 on Japan paper, in decorative gilt frame. 4to. 
 
 RICHARD EARLOM. 
 
 93b. A FRUIT MARKET: After Snyders & Long John. 
 Mezzotint. Oblong folio. 1775. 
 
 _ *Brilliant impression of one of the prints for which the 
 artist is famous. 
 
 > aides iw EDWARDS. 
 PAs } After Ghirlandaio. B. 38. 
 
 Signed ek Se in 1 color. Decorative gilt frame. 
 
 *Esteemed as one of the most beautiful of the Italian 
 plates. 
 
 95. 
 
 Sioned near printed in aoe Decorative dull gilt 
 frame. 
 96. LADY SOPHIE MUSTERS: After Reynolds. B. 33. 
 Full-length, on a balcony with her spaniel. Sr@neEp 
 \k dv ARTIST'S PROOF, FRINTED IN COLORS. Decorative gilt 
 Ayo? frame. 
 . *One of the rare ca early narrow folio prints. 
 97. MRS. (PERDITA) ROBINSON: . After Romney. B. 18. 
 y ‘ye - Half-length, in oval. SIGNED ARTIST’s PROOF, PRINT- 
 As, / ED IN cotors. Small 4to, decorative gilt frame. 
 
 SA ORT ——A fter-Remneye B39, 
 
 Half- eat me hat, in oval, folio. Sr@nep art- 
 IST'S PROOF, PRINTED IN coLoRS. Decorative gilt 
 frame. : 
 
 99. MASTER LAMBTON: After Gainsborough. B. 40. 
 5 . Signed artist’s Nes printed in eolere Small 4to, 
 wy 9 oilt frame, 3 
 
 100. MRS. WELLS: After Romney. B. 6, 1902. 
 | Small oval, nearly three-quarter length, seated. Signed 
 » tist? f, printed in colors 
 \ artist’s proof, printed in colors. 
 
 ,Q 
 
 ‘eee 13 
 
101. 
 
 S. ARLENT EDWARDS—Continued. © 
 
 MISS ANN BINGHAM: After Reynolds. B. 10. 
 
 ors. 4to, framed. 
 
 *Unusually fine impression of a rare and early Edwards 
 color print, one of the most popular of this series of 
 English plates. 
 
 1027 °SE-MONBELASVESPUCET? After Pollajuolo. B. 67. 
 
 Signed artist’s proof, printed in colors. Folio. 
 
 03 POREZEA-LORNABEONIL:Atter-Botticelli. B. 73. 
 
 105. 
 
 106. 
 
 107. 
 
 108. 
 
 LOD. 
 
 110. 
 
 its 
 
 Signed proof, printed in colors. 4to, gilt frame. 
 *One of the scarce Italian plates. 
 
 . LADY HAMILTON AS NATURE: After Romney. 
 
 Full bust, in oval. Printed_on rice paper, colored 
 and signed by Edwards. Small 4to, gilt frame. 
 NAPOLEON, JOSEPHINE AND MARIE LOUISE. 
 
 Three medallions printed on one sheet, on rice paper, 
 colored and signed by Edwards. Small 4to, gilt 
 frame. 
 
 EDWIN BOOTH. Bust, in oval. 
 
 Signed remarque proof, printed in monochrome. 
 
 Small 4to, gilt frame. 
 
 MADAME DE POMPADOUR. Signed proof. 
 Full bust in oval, printed on rice paper with remarque 
 of the head of Louis XV. and colored by Edwards. 
 Small 4to, gilt frame. 
 
 HENRIETTE DE BOURBON. 
 Full bust in oval, printed on rice paper, colored and 
 signed by Edwards. Small 4to, gilt frame. 
 
 DUCHESS OF DEVONSHIRE: After a miniature. 
 Printed on rice paper, tinted and signed by Edwards. 
 Small 4to, gilt frame. 
 
 J. FALCK. 
 VULCAN’S FORGE: After Caravaggio. 
 A very rare proof, before letters. Time stained. 
 Folio. 
 JOHN FINNIE. 
 
 RIVER LANDSCAPE, SUMMER NOON. 
 Mezzotint, fine signed proof. Oblong folio, gilt 
 frame. Bristol, England, 1892. 
 
 14 
 
 ty 
 aes a 
 Half-length, in oval. Signed proof, printed in col- Se 
 
HEDLEY FITTON. 
 
 J12. RUE BARBETTE, PARIS. D. 26. 
 Scene of the murder of the Duke of Orleans, 1407. 
 
 Signed proof, 1909. Small folio. 
 
 FOX HUNTING SCENES. 
 113. THE MEET; BREAKING COVER, ETC. 
 Four large color prints after Charles Hunt. (4). 
 
 114. THE FOX CHASE. Three color plates 
 By Hunt, after Turner. The Stage Coach, by Hunt, 
 after Jones. The Trial of “Bill Burn,’ by Hunt, 
 after Mathews. Large color prints. (5). 
 
 115. FORES’S HUNTING ACCOMPLISHMENTS. Set 
 of 6. 
 Aquatints in color by J. Harris, after H. Alken. 
 Small 4to, plates 1 to 6. Framed. 
 *“Going Along a Slapping Pace,” “Topping a Flight of 
 
 Rails,” etc. 
 
 116. [ALKEN SPORTSMEN]. 4 plates in color. 
 H. Alken del et se. Small 4to, framed, one glass miss- 
 ing. (4). 
 ™“Dreakine Cover,” “At Him, Hannibal,” etc. 
 
 117. J. F. HERRING’S SEN. FOX HUNTING. 
 Set of four color prints by Harris and Summers. 
 Folio. 
 
 118. MORNING, NOON. By Jeakes. 
 After Wolstenholme. The Fore Horse of the Team, 
 Proof of Bottom and others, after Loraine Smith. 
 Color prints. 4to, ete., 7 pieces. 
 
 119. FOX HUNTING. ‘Ten color plates. 
 “We must be off to Melton,” “Bull and Mouth Inn,” 
 “Struggle for a Start,” and others similar. Narrow 
 oblong folio. (10). 
 
 FRENCH EIGHTEENTH CENTURY ENGRAVING. 
 
 120. LA PAYSANNE INDUSTRIEUSE. Stipple engrav- 
 ing. Oval folio. Paris, chez Depueille. 
 
 FERDINAND GAILLARD. 
 
 121. LA VIERGE ET LYENFANT JESUS. 
 j Engraved in 1873, after Botticelli. 4to, India proof. 
 
 15 
 
122. 
 
 123. 
 
 124. 
 
 125. 
 
 126. 
 
 er ae 
 
 128. 
 
 LUCIEN GAUTIER. 
 
 NOTRE DAME. - Signed proof etching. — 
 On parchment with remarque. The view made nota- 
 ble by Meryon. Oblong folio, 1884. 
 
 ERNEST GEORGE. 
 
 Contemporary English Architect. 
 ETCHINGS IN BELGIUM, 1878. 10 pieces. 
 Bruges, Ghent, Tournai, Dinant, Brussels, and other 
 places made notable by the present Huropean War. 
 Many of the buildings (Hotel de Ville, etc.) are said 
 to have been irremediably destroyed. Small 4to. 
 (10). 
 
 F. GEORGE. 
 
 LADY SCOTT: After Reynolds. 
 Seated in a landscape, white dress, holding gloves on 
 lap. Signed proof mezzotint printed in colors. Large 
 folio. 
 *Beautifully printed. 
 
 J. GODBY. 
 
 INNOCENT RECREATION: After Miller. 
 Stipple engraving. Folio. London, 1799. 
 
 HEINRICH, GRAF VON GOUDT. 
 Dutch amateur, patron of Elsheimer. 1585-1630. 
 
 CERES CHANGES STELLION INTO A LIZARD. 
 Engraved to resemble a chiaro-oscuro. After Els- 
 heimer. Very fine impression with margin. 
 
 *Duplicate from the British Museum and from the Sheep- 
 shanks collection. Count Goudt engraved only seven plates. 
 
 GENERAL U. S. GRANT. 
 
 GRANT AND HIS FAMILY. 
 Mezzotint, by William Sartain. Signed India proof. 
 Large folio, 1867. 
 
 BUST PORTRAITS. 
 Engravings by Perine; J. C. Buttre, two different. 
 
 (3), 
 16 
 
129. 
 
 130. 
 
 oe 
 
 132. 
 
 133. 
 
 134. 
 
 135. 
 
 136. 
 
 137. 
 
 GENERAL Us2S: GRANT—Continued. 
 
 GRANT AND HIS GENERALS. 
 Colored lithograph by Currier & Ives, two copies; 
 . Military Memorial; Grant as a boy hauling wood, 
 colored; Grant and his Generals in a group gallop- 
 ing, colored. Folio. (5). 
 
 CHAS, STORM VAN ’S GRAVESANDE. 
 NEAR KATWYK. Signed proof before plate was cut. 
 
 W. GREATBATCH. 
 
 THE CHILDREN IN THE WOOD: After J. H. Ben- 
 well. ad 
 Engraving. Folio. London, 1825. Name in ink 
 inside of plate mark. 
 
 GUIDO RENI. 
 Famous Italian Painter. 1575-1642. 
 
 PrrenOoGY FAMILY. Beto: 
 Fine original impression with the verse beneath. 
 
 ELIZABETH GULLAND. 
 Distinguished Contemporary Mezzotint Engraver. 
 
 LADY SELINA MEADE: After Lawrence. 
 Half-length, mezzotint in colors. Signed proof. 
 London, 1910. , 
 
 PAMELA: After Lariviére. 
 
 Half-length, portrait. Mezzotint. Signed proof, 
 printed in colors. 
 
 AGH OF INNOCENCE: After Sir Joshua Reynolds. 
 SIGNED ARTIST’S PROOF, PRINTED IN coLors. folio. . 
 London, 1913. | | 
 
 *A famous portrait of a child and one of the best prints 
 of the artist. 
 
 MRS. PERDITA ROBINSON: After Romney. 
 SIGNED PROOF MEZZOTINT, PRINTED IN coLors. Lon- 
 don, 1912; 
 
 THOMAS J. GULLICK. 
 
 [CHRISTOPHER COLUMBUS SEATED WITH 
 MAPSI. 
 Mezzotint, folio, fine signed proof. Framed. 
 
 17 
 
138. 
 
 139. 
 
 140. 
 
 141. 
 
 142. 
 
 143. 
 
 144. 
 
 145. 
 
 146. 
 
 147. 
 
 SIR FRANCIS SEYMOUR HADEN. 
 
 THE VILLAGE FORD. H. 216. Etching and dry- 
 point. Signed proof. Second state, showing a 
 man with ladder. Small folio. 
 
 THE TWINS, SARAH AND ANNE HADEN. H. 228. 
 Dry-point. Small folio. Scarce. 
 
 A BRIG AT ANCHORME Hs Ite 
 Etching. (From nature by moonlight). 
 
 AXEL HERMANN HAIG. 
 
 DURHAM CATHEDRAL SHOWING THE ROSE 
 WINDOW. 
 Signed proof etching, showing the altar and altar 
 screen of Lord Neville, with the great circular win- 
 dow above. Large folio, gilt frame. 1893. 
 
 *Beautifully printed, showing the light on the round col- 
 umns supporting the lofty arches. One of the most desir- 
 able of the Haig etchings and rarely offered for sale. 
 
 ENTRANCE TO MOSQUE MAHOMET BEY, CAIRO. 
 Etching, signed proof. Folio, printed in brown on 
 toned paper. 1890. 
 
 CHAPETF OF ST. CLEMENTS Htching, 1899. 
 Signed proof, clearly printed. Small folio. 
 
 THE*BAPTISTRY. Etching, 1899. 
 
 Signed proof. Small folio. 
 
 A. HANDFORD. 
 
 THE GLEBE FARM. 
 Mezzotint. Signed proof on India paper. 4to. 1888. 
 
 THE FIGHTING TEMERAIRE. 
 Mezzotint. Signed proof on India paper. 
 
 PAUL HELLEU. 
 
 PORTRAIT BUST OF A WOMAN. In color. 
 After Helleu. Printed in Paris by Manzi & Cie. 
 Folio. 
 
 18 
 
148. 
 
 149. 
 
 150. 
 
 151. 
 
 152. 
 
 153. 
 
 154. 
 
 155. 
 
 156. 
 
 157. 
 
 WILL HENDERSON. 
 
 MADEMOISELLE DE BLIVES: After J. M. Nat- 
 tier. ; 
 MEZZOTINT IN COLORS. SIGNED INDIA PROOF. Lon- 
 don, 1912. 
 
 MADAME LA PORTE: After J. M. Nattier. 
 MEZZOTINT IN COLORS. SIGNED INDIA PROOF. Lon- 
 don, June 1, 1914. 
 
 *A decorative portrait for which Nattier is noted. 
 
 WHISPERS OF LOVE: After Rosa Bonheur. 
 MEZZOTINT, PRINTED IN COLORS in exact fac-simile of 
 the original. Sie@Nep proor. Plate destroyed. Lon- 
 don, 1914. 
 
 HUBERT HERKOMER, 
 
 WOMAN RETURNING WITH A LOST LAMB. Etch- 
 ing. Signed proof. 4to. 
 
 E. M. HESTER. 
 
 NATURE (The Calmady Children): After Lawrence. 
 Mezzotint, printed in colors. Signed proof. 
 
 THE FRUIT BARROW. SIGNED PROOF. 
 MEZZOTINT, PRINTED IN COLORS, INDIA PROOF. 
 
 THE MASK: After Reynolds. 
 Mezzotint, printed in colors on India paper. Signed 
 proof. | 
 THE GHOST: After Westall. 
 Mezzotint, printed in colors on India paper. Signed 
 Drool, =~ 
 
 WILLIAM HOLE. 
 CANTERBURY PILGRIMS. Etching. 
 
 Signed proof in brown on Japan paper. Long nar- 
 row folio. 
 
 F, LEO HUNTER. 
 
 ON THE BEACH, SCHEVENINGEN. Water color. 
 Signed. 914 x 7 inches. 
 
 19 
 
158. 
 
 159. 
 
 160. 
 
 161. 
 
 162. 
 
 163. 
 
 164. 
 
 165. 
 
 GEORGE INNESS. 
 
 AUTUMN, MONTCLAIR, N. J. In color. 
 From a water color by Inness of 1882. 4to. 
 
 JOSEPH ISRAELS. 
 
 DAY’S LABOR DONE. [A peasant girl seated on the 
 seashore]. Etching, by J. M. van Rogge, after Is- 
 raels. Proof signed by etcher and ae Vel- 
 lum. Small folio. 
 
 JULES JACQUEMART. 
 
 BUIRE ORIENTALE DE CRISTAL DE ROCHE. 
 Proof of the first state before the lettering at the 
 top. In the Monastery (two monks), etching, by 
 KE. Burnand. (2). 
 
 CLIFFORD R. JAMES. 
 
 SURPRISE: After R. Westall. ! 
 Young girl wearing a white dress seen at half-length 
 in a landscape. Mezzotint, printed in coals. Seo 
 artist’s proof on India paper. _ 
 
 LADY WILLOUGHBY D’ERESBY: After Hoppner. 
 Full-length, walking on the seashore. Mezzotint, 
 printed in colors. Signed proof on India paper. 
 
 THE IRISH GRACES: After Reynolds. 
 The beautiful Guenter of Sir Wm. Montgomery 
 ‘offering a sacrifice to Hymen. Mezzotint, printed 
 in colors. Signed proof on India paper. 
 
 GEORGE P. JAMES, 
 
 ‘THE FORTUNE TELLER: After Reynolds. 
 
 MEZZOTINT PRINTED IN COLORS. SIGNED INDIA PROOF. 
 
 R. JOSEY. 
 
 “MISS MARTINDALE: After George Romney. 
 
 Little girl with lamb. Mezzotint. 4to. "1878. 
 20 
 
166. 
 
 EtG. 
 
 168. 
 
 169. 
 
 130. 
 
 171. 
 
 172. 
 
 173. 
 
 LOUIS JOURNOT. 
 ROUGET DE LISLE DECLAIMING “LA MARSEIL- 
 
 LAISE.” 
 
 tching. | Signed remarque oe on India paper. 
 
 Folio. 
 
 C. RIDGWAY KNIGHT. 
 
 STEPPING STONES: Water coLor DRAWING. 
 The original from which the oo prints were made. 
 Small folio, signed. 7 
 
 a 
 
 KRATKE. 
 
 THE SHOWER. Etching, after Rousseau. 
 
 Parchment proof, 
 
 signed. 4to. 
 
 F, A. LAGUILLERMIE. 
 
 HAPPY FAMILIES: After M. de Munkacsy. 
 Ktching. Remarque proof on vellum paper, signed 
 
 by both artists. 
 
 Small folio. 1881, 
 
 MAXIME LALANNE. 
 
 SOUVENIR DUN PORT—TROUVILLE (Calvados). 
 Etching. Signed proof. Fine impression. Folio. 
 
 AUGUSTE LANCON_ 1836-1885. 
 
 THE KING DRINKS. (Lion). Etching. 
 Signed proof. Folio. 
 
 TOULOUSE LAUTREC. 
 
 PORTRAIT OF A FRENCH ACTRESS. 
 OF Original sean aaa 
 
 DAVID LAW. 
 
 RIVER LANDSCAPE WITH BIRCH TREES. 
 Etching, after J. McWhirter. Proof on Japan paper, 
 
 signed by both. 
 
 Folio, gilt frame. 
 
 London, Fine Art Society, 1888. 
 
 21. 
 
 =k 
 
 * 
 
174. 
 
 175. 
 
 WAS ye 
 
 da 
 
 Lid: 
 
 179. 
 
 180. 
 
 ISL: 
 
 B. W. LEADER. 
 
 IN THE EVENING THERE SHALL BE LIGHT. 
 Ktching, by Brunet Debaines. 
 Proof signed by both artists. Large folio, gilt frame. 
 AN OLD ENGLISH MANOR HOUSE. Etching, by 
 Th. Chauvel. 
 
 Proof on vellum, signed by both artists. Large folio, 
 gilt frame. 
 
 GENERAL ROBERT E. LEE. 
 
 ENGRAVED PORTRAITS. . 
 Full-length, on horseback, by D. Tesselin. India 
 proof; bust portraits, by W. Sartain and A. B. Wal- 
 ter. Folio and 4to. (3). 
 
 GEN. R. E, LEE’S VISIT TO THE GRAVE OF GEN. 
 JACKSON. 
 
 Folio lithograph, published by W. E. Lloyd, Savan- 
 nah, Ga., 1869. 
 
 THE SURRENDER OF GENERAL LEE. 
 Folio lithograph, drawn by E. Valois. Slight repair. 
 
 ALPHONSE LEGROS. 
 THE BEGGAR. Etching. Signed proof, small folio. 
 
 A. LEPIC. 
 Contemporary Etcher. 
 FISHING NETS. Painter etching. 
 Signed proof on China paper. 
 
 FREDERICK C. AND GEORGE LEWIS. 
 English Engravers at the close of the 18th Century. 
 LANDING OF AZNEAS; TEMPLE OF APOLLO 
 And others; after Claude (3). (M. Annibale, after 
 Meissonier, in colors; Vanity Fair Caricatures of the 
 House of Commons (3). 7 pieces. 
 
 22 
 
SECOND SESSION 
 
 Thursday Evening, April 15, 1915, at 8:15 o’clock 
 LOTS 182—362 
 
 ABRAHAM LINCOLN. 
 
 182. ABRAHAM LINCOLN. 
 Bust, oval in rectangle with seals of the States. Paint- 
 ed and etched by Max Rosenthal. Signed Japan 
 proof. Large folio. 
 183. ABRAHAM LINCOLN. 
 Three-quarter length, seated to left. Etched by J. 
 S. King. Signed India proof. Large folio. 
 184. LINCOLN AND HIS FAMILY. India proof by W. 
 Sartain. 
 Union, engraved by H. 8. Sadd, containing portraits. 
 _ eS of Lincoln, Webster, Clay, etc.; LincoLn’s Home at 
 es SPRINGFIELD, engraved by Serz. (3). 
 
 185. ABRAHAM LINCOLN. 
 Mezzotint portraits by John and Samuel Sartain; 
 Linconn’s Home av SPRINGFIELD, published by W. 
 H. Woodworth, colored. (3). 
 
 S. LOPISGICH. 
 
 186. THE OLD MILL. Remarque proof etching. 
 On parchment, signed by the artist. 4to. 
 
 EDWARD McINNES. 
 
 187. THE DEW BRANCH: After Lawrence. 
 | Mezzotint. Small folio. 
 
 GASTON A. MANCHON. 
 
 188. THE PAINTING LESSON: After Metzmacher. 
 Remarque proof etching on vellum paper, signed by 
 both artists. Small folio. 1889. 
 
 23 
 
139: 
 
 POO 
 
 os 
 
 192. 
 
 193. 
 
 194. 
 
 LOS: 
 
 196; 
 
 197. 
 
 198. 
 
 198. 
 
 200. 
 
 JOHN MARIN. 
 CASA D’ORO, VENICE. Painter etching. 
 Signed proof, delicately printed on hand-made paper. 
 TOUR ST. GERMAIN. Painter etching 
 Proof signed and named, No. 12 of 30 printed. 
 
 CATHEDRALE DE -MEAUX. Painter etching. 
 Proof signed and named, No. 16 of 26 printed. 
 
 CAMPANILE. Painter etching. 
 Signed proof on untrimmed hand-made paper. 
 
 THE GONDOLIERS, VENICE. Painter etching. 
 Signed proof, No. 19 of 25 on Japan paper. 
 
 PONTE GHETTO. Painter etching. 
 Signed proof on soft Japan: paper. 
 PALACE DARIUS, VENICE. Painter etching. 
 
 Signed and untrimmed proof on soft Japan paper. 
 
 BAL BULLIER, PARIS. Painter etching. 
 Signed and untrimmed proof. | 
 
 WM. E. MARSHALL. 
 
 ABRAHAM LINCOLN. Bust in oval. 
 Engraved portrait. Fine impression. Large folio. 
 
 V. MARTIAL. 
 
 GATHERING FAGGOTS. Etching. Signed proof. 
 Folio. ° 
 
 PERCY H. MARTINDALE, 
 
 MRS. LAWRENCE LEWIS. (Nelly Gustis). After 
 Stuart. 
 Engraved in ‘mezzotint in colors. -Signed proof. 
 
 MRS. GEORGE WASHINGTON: After Chappel. 
 Engraved in mezzotint in colors. Signed proof of 
 250 copies and the plate destroyed... 
 
 24 
 
201. 
 
 202. 
 
 203. 
 
 204. 
 
 205. 
 
 0%. 
 
 208. 
 
 FOSTER MAYNE. 
 
 LADY HAMILTON AS ARIADNE. Signed proof. 
 Mezzotint, printed in colors on India paper. 4to. 
 Gilt frame. | 
 *Only 300 prints and the plate destroyed. 
 
 J. L. E. MEISSONIER. 
 
 POLICHINELLE. 
 Fac-simile of the very rare original etching, on large 
 paper. . 
 
 MORTIMER MENPES. 
 
 JAPANESE VILLAGE. Painter etching. 
 Signed proof, printed in brown. Mounted. 
 
 JAPANESE VILLAGE. Another view. 
 Signed painter etching. Mounted. 
 
 G. MERCIER. 
 
 CHARLES DARWIN: After Ouless. 
 Bust portrait etching. Proof. Large folio. 
 
 CHAS. F. W. MIELATZ. 
 
 _ IN THE GLOAMING. Painter etching. 
 
 Signed proof on thin Japan paper. 
 
 SIR J. E. MILLAIS. 
 
 ALFRED TENNYSON. Engraved by T. O. Barlow. 
 Open letter proof on India paper. Large folio. 
 
 FRED. MILLAR. 
 Contemporary Mezzotint Engraver. 
 LADY HAMILTON AS “EMMA”: After Romney. 
 ~ Mezzotint, printed in colors. Signed proof. Small 
 Ato. No. 189 of only 200 proofs. With a cancelled 
 plate of the same. (2). 
 
 25. 
 
209. 
 
 Loe 
 
 211. 
 
 214. 
 
 215. 
 
 216. 
 
 PL 
 
 eh De MILEER, 
 
 SURPRISE: Mezzotint, after Seymour. 
 Bust of a young girl holding gauze round her bare 
 shoulders; Young woman, bust, by A. Dale, after 
 Calderon, mezzotint. 4to, gilt frames, one glass 
 damaged. (2). 
 
 SYLVIA: After Frank Dicksee. 
 Mezzotint. Signed India proof. Folio. 
 
 J. F, MILLET. 
 
 END OF THE DAY. Etching, by Coutil. 
 
 Parchment proof, signed by Coutil and stamped 
 “Epreuve d’Ktat.” 
 
 . YOUNG SHEPHERDESS. In color. 
 
 After the original drawing. Small 4to. 
 
 . DUCK PON B= Ir ‘color. 
 
 After the original water color drawing. Small 4to. 
 
 EK. E. MILNER. 
 
 MASTER LAMBTON: After Sir Thomas Lawrence. 
 One of the best known portraits of children. En- 
 GRAVED IN MEZZOTINT AND PRINTED IN COLORS. 
 SIGNED PROOF. 
 
 LADY ANNE LAMBTON AND FAMILY: After 
 Hoppner. 
 Engraved in mezzotint and printed in colors. Signed 
 proof. Folio. 
 
 MRS. CURRIE: After Romney. 
 Mezzotint. India proof. Folio. London, 1900. 
 
 COUNTESS SPENCER AND HER SON: After Rey- 
 nolds. 
 Seated in a landscape, with a spaniel. Mezzotint, 
 printed in colors. Signed proof on India paper. 4to. 
 *Only 300 impressions and the plate destroyed. 
 
 26 
 
218. 
 
 mle, 
 
 220. 
 
 221. 
 
 R22. 
 
 220. 
 RRA, 
 
 R20. 
 226. 
 
 Wad 
 
 RAPHAEL MORGHEN. 
 
 IMMAGINE DELI’ ARCANGIOLO 8S. GABBRIELLO. 
 Stipple in carmine, after Sabatelli. Oval. 4to. The 
 figure was made notable by the miracle of its eyes 
 moving in January, 1798. 
 
 *From the Burleigh James Collection, with stamp. The 
 only plate engraved by Morghen in the “crayon manner.” 
 
 GEORGE MORLAND. 
 
 THE FRUITS OF INDUSTRY AND OECONEMY. 
 Engraved by Darcis in stipple AND PRINTED IN COL- 
 ors. Margins shortened, mounted on plate paper. 
 Folio, gilt frame. London, 1800. 
 
 COTTAGERS IN WINTER. 
 Engraved by Thomas Williamson and PRINTED IN 
 coLtors. Oblong folio, mounted on plate paper. It 
 has a small margin. Gilt frame. 
 
 RUSTIC SCENE; COTTAGERS AND SHEEP. By 
 _ M. Cormack. 
 Mezzotint, printed in colors. S1cNep pRoor No. 2. 
 Oblong folio, gilt frame. 
 
 *The herder is standing near a woman seated on the 
 grass; two sheep are near the open door of a barn. 
 
 FOX HUNTING. Set of six color plates 
 After Morland. Oblong 4to. (6). 
 
 FOX HUNTING. In color. Folio. 
 From a picture by Morland, by C. Knight and H. 
 Merke. 
 
 INSIDE OF A. COUNTRY ALEHOUSE. 
 In colors, after the Ward-Morland print. Oblong 
 folio, ebony frame. 
 
 COW HOUSE. Similar print in colors. Framed. 
 
 MORNING, EVENING. The First of September. 
 A pair of color prints after the Ward-Morland stip- 
 ple engravings. Small oblong folio, bronzed frames. 
 (2). 
 
 LATITIA WITH HER PARENTS. Set of six. 
 In colors, after the Smith-Morland series. Small 
 folio, gilt frames. (6). 
 
 *“The Tavern Door,” “The Elopement,” “Fair Peni- 
 tent,” etc. 
 
 pf: 
 
R28. 
 
 R29. 
 
 230. 
 
 234, 
 
 235. 
 
 206. 
 
 nods 
 
 ROBERT NANTEUIL. 
 
 ANNE INFANTE D’ESPAGNE. ET REINE DE 
 FRANCE. 
 R. Nanteuil ad vivum. . . 1666. Large folio. 
 Cut close, 
 
 V. WINTHROP NEWMAN. 
 
 Contemporary American Engraver. 
 
 GEORGE WASHINGTON. Bust, after Stuart. 
 Dry-point, printed in colors. Signed proof. — 4to. 
 
 THE NURSE GIRL. 
 Etching, printed in color. No. 2 of 100 signed proofs. 
 Small 4to, decorative frame. 
 
 - PRESIDENT WOODROW WILSON.  Dry-point. 
 
 Printed in colors. Signed proof. Small 4to, hand- 
 carved frame. 
 *Only 150 impressions and the plate destioyed. 
 
 . SALLY IN OUR ALLEY: After Fred Pegram. 
 
 Dry-point, printed in colors. No. 45 of 150 signed 
 proofs. to. 
 
 NEW YORK CITY. 
 
 - WINTER SCENE IN BROADWAY: After H. Sebron. 
 
 Mezzotint, by P. Girardet. Large oblong folio, 1857. 
 Repaired. 
 
 *Showing the Prescott House, Buckley’s, etc., with the 
 Broadway Line Sleighs, hand fire- -engine, etc. 
 
 THE DEWEY ARCH. Etched by Mielatz. 
 New York in 1792, from Valentine’s Manual, two 
 copies. Proofs. (3). 
 
 CURRIER & IVEY’ “VIEW OF NEW YORK.” 
 ‘T'wo colored lithographs, n. d. and 1869. (2). 
 
 NORTH FORT AND FRIGATE CONSTITUTION. 
 Ktched by 8. Hollyer, signed proof; Astor House, 
 1838, by the same; Produce Exchange, by J. F. Sa- 
 bin, signed proof. (3). 
 
 MUSIC SHEET VIEWS. 
 Interior of Niblo’s, 1840; Costume of the N. Y. Light 
 Guard, 1840; Little Oharch around the Corner, 1871; 
 Tammany Tiger, 1863. (4). 
 
 28 
 
R38. 
 
 239. 
 
 240. 
 
 241. 
 
 R42. 
 
 243. 
 
 r44, 
 
 NEW YORK CITY—Continued. 
 
 MURRAY HILL, SUBURBAN GOTHIC VILLA. 
 Lithograph, by P. Palmer, after A. J. Davis; Uni- 
 versalist Church, Murray Street; Bowling Green, by 
 Magnus; Stewart Mansion; St. Paul’s, from the N. 
 em atror,» (07); 
 
 THE OLD POST OFFICE. 
 After the lithograph by Briem; Interior of the Chat- 
 ham Theatre, 1825; Magnus’ Bowling Green, etc., in 
 colors; portraits of Philip Hone, P. J. van Berckel, 
 Gulian Verplanck, Robert Morris and other noted 
 New Yorkers. (27). 
 
 COUNTRY HOUSE OF J. W. SCHMITT. 
 
 At Bloomingdale Road and 116th Street. Pencil 
 drawing, about 1830. 
 
 WHEN KOSSUTH RODE UP BROADWAY (1851). 
 Colored lithograph; Monument of the N. Y. Fire 
 Department, Greenwood Cemetery, 1849; Panorama 
 of the Catskill Mountains, lithograph by .H. Schile. 
 Folio. (8). 
 
 NEW YORK STATE. 
 
 ALBANY: GENERAL VIEW AND VIEW OF THE 
 COURT HOUSE. 
 Colored lithographs by Kollner and Deroy; Court 
 House, Troy, by the same; Military Academy, West 
 Point, early etching; Facsimile of Major Andre’s 
 drawing of his landing at Haverstraw Bay; etc. (11). 
 
 DRAWINGS DATED 1802. 
 A quarto drawing book containing six India-ink draw- 
 ings of buildings, farm buildings and a roadside 
 tavern apparently on the Highlands of the Hudson. 
 Two of the drawings have the date “Dec. 1802.” 
 
 M. NICHOLSON. 
 
 UNIVERSITY COLLEGE, OXFORD. 
 Original lithograph printed in color. Signed Japan 
 proof. Small oblong folio. 
 
 ae 
 
245. 
 
 246. 
 
 R47. 
 
 248. 
 
 249. 
 
 200. 
 
 R55. 
 
 206. 
 
 H. NORMAN. 
 
 “MIRANDA”: After Hoppner. 
 Mezzotint, printed in colors. One of 300 signed 
 proofs, and the plate destroyed. 
 
 MRS. CROUCH: After Romney. 
 Mezzotint, printed in colors. Signed proof. 
 
 LADY CARMICHAEL: After Raeburn. 
 Mezzotint, printed in colors. Signed India proof. 
 
 JOHN OGBORNE. 
 
 HLEANOR GWYNN: After Lely. 
 Oval stipple engraving, printed in colors. Small 4to. 
 
 JULES PAYRAU. 
 
 LADY ISABELLA HUNTER. Signed proof. 
 Mezzotint, engraved and printed in colors. Oval, 
 folio, descr gilt frame. 
 
 *This and the follows framed as a pair, 
 
 MARY COUNTESS OF HARCOURT: After Reynolds. 
 Mezzotint, engraved and printed in colors. Oval, 
 folio, decorative gilt frame. 
 
 JOSEPH PENNELL. 
 
 . ON THE RIVER. Original etching. 
 . PITTSBURGH. Original aquatint. 
 
 Signed proof No. 67 on thin Japan paper. 
 
 . ENGLISH VILLAGE. Original lithograph. 
 
 Signed proof. 
 
 . TIMBER MILLS, ZAANDAM. Original lithograph. 
 
 Signed proof, only 15 issued. 
 ZAANDAM, No. 3. Original lithograph. 
 
 G. H. PHILLIPS. 
 
 THE HON. MRS. ASHLEY. 
 Mezzotint after Lawrence. 4to. Proof. 1842. 
 
 30 
 
a 
 
 257. 
 
 258. 
 
 209. 
 
 260. 
 
 261. 
 
 R62. 
 
 263. 
 
 E. A. PIPES. 
 
 STRATFORD CHURCH. Painter etching. 
 
 Interior showing the Chancel, Shakespeare’s Bust, 
 ete. Signed proof. 4to. 
 
 PAUL POTTER. 
 
 GOATHERD AND FLOCK. 
 On a rocky mountain side. Engraving. Folio. Cut 
 close and mounted. 
 
 J. LUMSDEN PROPERT. 
 
 GREENWICH. Painter etching. 
 Signed proof on vellum paper, 50 proofs only. 
 
 RACING SCENES. 
 
 ACKERMANN’S RACING SCRAPS. Set of 4. 
 Colored aquatints. By Harris after Alken. Small 
 4to, framed. (4). 
 
 ACKERMANN’S INDIAN SPORTING SCRAPS. 
 Colored aquatints (of East India) by Harris after 
 Alken. Small 4to, framed. (4). 
 
 PAUL RAJON. 
 ROUGET DE LISLE DECLAIMING “LA MARSEIL- 
 LAISE.” 
 Etching. Proof, oblong folo. 
 
 S. F. RAVENET. 
 
 SOPHONISBA ACCEPTING THE NUPTIAL PRES- 
 SENT SENT BY HER HUSBAND MASINISSA: 
 
 After Giordano. 
 Engraving, colored. Folio, margins shortened. Lon: 
 don, 1764. 
 
 31 
 
264. 
 
 265. 
 
 266. 
 
 267. 
 
 268. 
 
 REMBRANDT VAN RHYN. 
 
 REMBRANDT AND HIS WIFE. Bartsch 19. 
 
 Etching 1636. Fine and clearly printed proof of the 
 First State, with margin. Very rare in this state. 
 *From the Scheikevitch Collection. 
 
 REMBRANDT WITH A FLAT CAP AND SLASHED 
 VEST. 8. 26. 
 
 Etching about 1638. First state before the re-etching 
 of Rembrandt’s signature. Very beautiful impres- 
 sion of this scarce etching. 
 
 ABRAHAM ENTERTAINING THE ANGELS. B. eo, 
 Ktching 1656. Very beautiful proof of the only 
 state, the burr showing on the deep lines and acid 
 marks on the extremity of the plate. Rarely met 
 with in such fine condition and with margin, 
 
 THE ANGEL APPEARING TO THE SHEPHERDS. 
 B. 44. . 
 
 Etching, 1634. Third state (the completed state. ) 
 With margin and on paper with a water-mark of a 
 coat of arms. Unusually fine proof; the arches of 
 
 the bridge, the distant landscape and the reflection 
 in the water clearly seen; in later states these are 
 obscured. Very rare in this state. From the Webster 
 Collection. 
 
 *“In the earliest and best impressions the arches of the 
 bridge in the left distance are well defined. There is a 
 singular beauty about the whole of this background which 
 is entirely lost in impressions from the worn plate; the 
 water, the wooded bank, and the town on the hill are all 
 exquisitely rendered, and the effect of the unnatural light 
 in which they are seen, a reflection of the Heavenly Glory 
 like a flash of summer lightning, is most wonderful” ae 
 “There is an intense reality of conception about the whole 
 which at once removes it from vulgarity and shows the 
 consummate powers of the master.”—Middleton. 
 
 THE STAR OF THE KINGS. _B, 113. 
 Ktching about 1652. -Good impression, rich in the 
 shadows but yet allowing the background of Amster- 
 dam houses to be seen. Impressions usually met with 
 have this background obscured. 
 *From the Artaria Collection. 
 
 Ne 
 
REMBRANDT VAN RHYN—Continued. 
 
 269. REMBRANDT DRAWING FROM A MODEL. B. 192. 
 Etching about 1647. Superb impression of the second 
 state on paper with the fool’s-cap water-mark. 
 
 *From the Dighton, Chalon and. Danby Seymour Collec- 
 lections. 
 
 270. ACADEMIC FIGURES OF MEN,, _B. 194. 
 
 Etching about 1646. Very fine impression of the 
 first state showing the acid marks and failures in bit- 
 ing in places. On soft Dutch paper with water-mark 
 of a large coat of arms crowned. With margin. 
 
 *Rembrandt for this used an early copper on which he 
 had etched a very charming Dutch interior with a mother 
 playing with a child in a go-cart. In later and worn im- 
 pressions this scene can be scarcely distinguished, and the 
 importance of early proofs is in having this background 
 clear and distinct, as in this copy. It is scarcely necessary 
 
 - to point out that the scene of the mother and child is one 
 of the most beautiful etchings of Rembrandt and much more 
 valuable and interesting than the two academic figures, 
 etched on the left side. From the Peoli Collection. 
 
 2%1. AN OLD MAN LIFTING HIS HAND TO HIS CAP. 
 
 Bacoy, 
 
 Etching about 1639. Early and fine impression with 
 
 burr on the deep strokes. With collector’s mark. 
 
 272. REMBRANDT’S HUNDRED GUILDER PRINT. 
 Etching by Leopold Flameng. Jfolio. 
 
 *An unusually good impression on large Japan paper. 
 EDWIN ROFFE. 
 273. MADAME RECAMIER: After Cosway. 
 Stipple engraving printed in color. Japan proof. 4to. 
 GEORGE ROMNEY. 
 
 974. PORTRAIT OF AN ENGLISH COUNTRY BEAUTY. 
 Mezzotint, three-quarter length, shade hat and 
 plumes, white dress, leaning on a rock. Cut to oval 
 and framed. , 
 
 FELICIEN ROPS. 
 
 275. MA TANTE JOHANNA. DANS LA PUSTA. 
 “Britis Similes Deo.” Three original etchings. (3). 
 
 be 
 
276. 
 
 av. 
 278. 
 Bie. 
 
 280. 
 
 281. 
 
 284. 
 285. 
 
 286. 
 
 ANTHONY ROSS. 
 NATURE (THE CALMADY CHILDREN): After 
 
 Lawrence. 
 Circular mezzotint in colors, signed proof limited to 
 300 copies and the plate destroyed. India proof, 1913. 
 
 THOMAS ROWLANDSON. 
 
 RURAL SPORTS. 
 
 Five caricature etchings in color. -4to. (5). 
 
 SPORTS OF A COUNTRY FAIR. 
 Similar series. (3). 
 NINE SMALL ETCHINGS OF SPORTING SCENES. 
 
 In colors, cut loose and mounted. (9). 
 
 BARTHOLOMEW FAIR. In color. 
 Etching by Rowlandson after Nixon. 4to. 
 GILLES SADELER. 
 
 VIRGIN AND CHILD. In a rich landscape. 
 After Durer. Fine and scarce engraving but a worn 
 impression. 
 
 W. DENDY SADLER. 
 
 . FROM LONDON TO YORK. Etching by Jas. Dobie. 
 
 Fine proof on Japan paper signed by both Sadler and 
 Dobie. Large oblong folio, gilt frame. 
 
 . HEARTS ARE TRUMPS. Etching by W. Boucher. 
 
 Signed proof with remarque. Folio, framed. 
 
 AT THE WAYSIDE INN. - Etching by A. Chiquet. 
 Remarque proof on vellum paper signed by both 
 artists. Mahogany frame. 
 
 HABET (Monk with fish). Etching by L. Muller. 
 
 Remarque proof on vellum paper signed by both Sadler 
 and Muller. Framed. 
 
 THE LAWYER. Etching by C. H. Boucher. 
 Remarque proof on vellum paper signed by both 
 artists. Small foho, mahogany frame. 
 
 34 
 
eS, ee ag ee 
 es “ 
 . 
 
 289. 
 
 mol. 
 
 202. 
 
 293. 
 
 294. 
 
 295. 
 
 W. DENDY SADLER—Continued. 
 
 . TO MINE HOSTESS: After the painting. 
 
 Signed Japan proof by Sadler. Large oblong folio. 
 
 . OLD FOLKS AT HOME: After the painting. 
 
 Signed Japan proof. Large oblong folio. 
 
 LEON SALLES. 
 
 MRS. SIDDONS. Mezzotint. 
 _ Three-quarter length seated at a window. Oval, 
 folio. Signed proof printed in colors. Folio, deco- 
 rative gilt frame. 
 
 W. SAY. 
 
 . CROSSING THE BROOK: After H. Thomson. 
 
 Mezzotint, printed and touched in colors. Folio, Lon- 
 don, 1813. 
 
 - *Original impression of a very beautiful print showing 
 a mother with her son. 
 *“VYou'll tell your Brothers where you’ve been 
 And what you’ve done and what you’ve seen 
 How gay the fair was on the green ,, 
 And how the day past merrily.” 
 
 SHAKESPEARE. 
 
 MUCH ADO ABOUT NOTHING. Act. 4, Sc. 2. 
 Engraved by John Ogborne after Smirke. 1791. 
 
 TWELFTH NIGHT. Act 5, Sc. 1. 
 Engraved in stipple by Bartolozzi. 1797. 
 
 TWO GENTLEMEN OF VERONA. Act. 5, Se. 3. 
 Engraved in stipple by Schiavonetti. 1792. 
 
 COMEDY OF ERRORS. Act. 5, Se. 1. 
 Engraved in stipple by C. G. Playter. 1800. 
 
 CHARLES H. SHANNON. 
 
 LE FUMEUR. Original lithograph. 
 Signed proof printed by the artist. Mounted. 
 
 *Scarce. Only 15 said to have been printed. 
 
 . THE MORNING VISIT. Original lithograph. 
 
 Signed proof printed in green. 
 
 . WHITE NIGHTS. Original lithograph. 
 
 Signed proof. 
 35 
 
298. 
 
 Pals 
 
 300. 
 
 oO. 
 
 307. 
 
 SIR FRANK SHORT. 
 
 President of the Royal Society of Painters and Engravers. 
 
 GOLDSTONE. Mezzotint. : 
 Fine impression on India paper. 
 
 ALFRED J. SKRIMSHIRE. 
 
 THE SETTING SUN: After Hoppner, 
 Mezzotint, printed in colors. Signed proof. 
 
 *A lady and two children in a landscape. [M. Godsall’s. 
 children]. 
 
 NATURE (THE CALMADY CHILDREN) : After — 
 Lawrence. 
 Mezzotint, printed in Re Signed proof. 
 
 FRED SLOCOMBE. 
 
 HILLSIDE LANDSCAPE WITH BIRCH TREES. 
 Etching after J. McWhirter. Proof on Japan paper 
 signed by both artists. Folio, framed. 
 
 SPORTING SCENES. 
 
 . BULLDOGS AND BADGER. « Mezzotint in color. 
 
 By Earlom after Town. Oblong folio, framed. 
 
 3. THE ROADSTERS ALBUM. Title and 12 plates. 
 
 Colored aquatints after Newhouse, published by 
 Fores. 4to, framed. (13). 
 
 . ACKERMANN’S COACHING SCRAPS. Set of +t. 
 
 Colored aquatints. By Harris after Shayer. Small 
 4to, framed. London. (4). 
 
 . CUTHBERT BRADLEY’S POLO INCIDENTS 
 
 Set of four plates in color. Folio. (4). 
 
 . RACING INCIDENTS. Color print. 
 
 By E. G. Hester after Thayer. Out for a Scamper,. 
 by F. C. Boult. Color print. Folio. (2). 
 
 COCK FIGHTING. Set of 6 in colors. 
 By N. Fielding and R. Ackermann. Small 4to,. 
 framed. (6). 
 
 36 
 
308. 
 
 309. 
 
 310. 
 
 311. 
 
 d1L2. 
 
 J13. 
 
 314. 
 
 315. 
 
 316. 
 
 318. 
 
 SPORTING SCENES—Continued. 
 
 WIE DAS WILD-SCHWEIN GHEHAEZT, ete. 
 By Ridinger. Large oblong folio. 
 *Wild Boar Hunt. One of Ridinger’s largest plates. 
 [DEATH OF THE STAG.] : 
 Companion print. 
 
 DREAD NOUGHT (Bull dog): After M. Earl. 
 Bloodhounds by De Penn (2). The Long and the 
 Short of it, after Walker. Color prints, folio. (4). 
 
 F. G. STEVENSON. 
 
 Contemporary Mezzotint Engraver and Color Printer. 
 
 MASTER LAMBTON: After Sir Thomas Lawrence. 
 The boy in a red velvet suit seated on a bank. India 
 proof mezzotint printed in colors and signed, 
 
 LITTLE MARY: After Sir Wm. Beechey. 
 Mezzotint, printed in colors. Signed proof. Small 
 Ato. 
 
 MRS. PAYNE GALWAY AND CHILD: After Reynolds, 
 She carries the ‘child pick-a-back. Half length in 
 a landscape. Signed India proof printed in colors, 
 London, 1905. — 
 
 *Written on is “Impression No. 26.” 
 
 FLORENTINE PORTRAIT: After Fr. Buonsignori. 
 Young girl, red gown, wearing a bandeau of pearls. 
 Signed proof printed in colors. 4to. London, 1912. 
 
 MADONNA OF THE CHAIR: After Raphael. 
 Mezzotint, printed in colors. Signed proof on India 
 paper laid in plate paper. Crease high to left skil- 
 fully treated. Folio. 
 
 PRINCESS LOUISE OF PRUSSIA. 
 
 Half length in oval. Mezzotint, printed in colors. 
 Signed proof. 
 
 - MADEMOISELLE HELVETIUS: After Drouais. 
 
 Half length carrying fruit. Mezzotint, printed in 
 colors. Signed proof on India. London, 1913. 
 
 GIOVANNA TORNABOUNI: After Botticelli, 
 Mezzotint, printed in colors. Signed proof, 
 
 37 
 
9 he 
 
 320. 
 
 yo 
 
 O22. 
 
 O25. 
 
 326. 
 
 327. 
 
 328. 
 
 329. 
 
 F. G. STEVENSON—Continued. 
 
 LA BELLE FERRONNIERE: After L. Da Vinci. 
 Mezzotint, printed in colors. Signed proof. 
 
 GIOVANNA ALBIZZI: After Ghirlandaijo. 
 Mezzotint, printed in colors. Signed proof. 
 
 JACQUELINE DE BOURGOGNE: After Mabuse. 
 Half length, to left, holding a sphere, mediaeval dress. 
 Mezzotint, printed in colors. Signed proof. 
 
 THE SALAD GIRL. (Phoebe Hoppner): After Hop- 
 pner. 
 Mezzotint, printed in colors. Signed proof. 
 
 . PRINCE OF WALES. (Edward VII. as a child). 
 
 Mezzotint, printed in colors. Signed proof. 
 
 . MADAME DE POMPADOUR: After Boucher. 
 
 Mezzotint, printed in colors. Signed proof. 
 
 E. STODART. 
 
 MRS. ROBINSON. ‘Half length. 
 Engraved in stipple and printed in colors with 
 vignette effect. Signed proof. Folio. 
 
 SISTERLY AFFECTION: [The Mildmay Twins]: 
 After Eldridge. 
 Engraving, printed in colors. Small folio. London, 
 1901. 
 
 THE FAIR STEPMOTHER. (Ladies of the Loftus 
 Family): After Cosway.: 
 Engraving, printed in colors. Small folio. London, 
 1890. 
 
 MISS WOOD. 
 Stipple engraving, printed in colors. Signed proof. 
 Folio. London, 1904. 
 
 LADY COCKBURN AND CHILDREN: After Reynolds. 
 Engraving, printed in colors. Signed India proof. 
 Folio. London, 1906. . 
 
 38 
 
aa ial bat ae Rae al 
 
 330. 
 
 ols 
 
 332. 
 
 338. 
 
 O34. 
 
 “336. 
 
 ry ae 
 
 J. THEVENIN. 
 
 MRS. CAZALET: After Downman. 
 Engraved in stipple and printed in colors. Oval 
 half-length. Signed proof on Japan paper in deco- 
 rative gilt frame. 4to. 
 
 EUGENE TILY. 
 
 MISS KEMBLE: After Downman. 
 Stipple engraving, tinted, on vellum. Signed proof. 
 Oval, 4to. London, 1908. 
 
 JAMES J. TISSOT. 
 
 ENGLAND AND AMERICA. Etching. 
 Remarques in color. The Bruiser, by Hogarth. Folio, 
 framed. (2). 
 
 IN THE SUN. Etching. , 
 Signed and stamped proof. Small folio. 
 
 J. H. TWACHTMAN. 
 American Painter, who etched a few plates. 
 ON THE MAAS. Signed proof on Japan paper. 
 Etching, folio. 
 
 *Rare etching of the well-known landscape painter. 
 
 W. UNGER. 
 
 5. PRINCESS LOUISE WILHELMINA: HON. MRS. 
 
 GRAHAM: After Gainsborough. 
 Etchings in color. India remarque proofs. Folio. 
 
 (2). 
 KRUSEMAN VAN ELTEN. 
 
 LANDSCAPE WITH RIVER AND BOY HUNTING. 
 Etching, signed proof on Japan paper. Folio. 
 
 VIEWS. 
 
 HAVANA, 1854. Panoramic engraving. 
 By Ed. Willmann,. with remarque. Proof before the 
 title. Very fine impression. Long oblong folio. 
 
 39 
 
338. 
 
 J43. 
 
 348. 
 
 CHARLES WALTNER. 
 
 ROMEO AND JULIET: After Frank Dicksee. 
 Vellum proof, signed by both artists. Small folio, 
 framed. 
 *Only 100 copies were issued in this state. 
 
 WILLIAM WARD. 
 
 . MR. JOHNSTONE AS SIR CALLAGHAN IN LOVE 
 
 A LA MODE; “Irish Johnstone,” father of Mrs. J. W. 
 Wallack, Sr. Mezzotint, after Shee. 4to, margins 
 shortened. 
 
 . THE GIPSY FORTUNE TELLER: After Reynolds. 
 
 Mezzotint. Small 4to. London, 1825. 
 
 . HESITATION, 
 
 Hngraving, printed in colors. Oval, folio. 
 
 . THE CHOICE. 
 
 Engraving, printed in colors. Oval, folio. 
 
 GEORGE WASHINGTON. 
 
 G. WASHINGTON. Oval bust. 
 Stipple engraving by Rollinson, published by I. Reid, 
 IN ok I Te 
 
 _ PINE’S PORTRAIT OF WASHINGTON. 
 
 Half length, fac-simile in color. Folio. 
 
 . MARTHA WASHINGTON. Bust in oval. 
 
 Engraved by Girardet, after Jalabert. Folio. 
 
 . THE SHADE AT THE TOMB. Lithograph. 
 
 Tinted blue, by Sarony, Major & Knapp, with con- 
 cealed portrait of Washington by moonlight. Sma!! 
 Ato. 
 
 . THE PROVISION TRAIN: After I. Robinson. 
 
 Revolutionary scene, with portrait of Washington en- 
 graved by C. Tomkins. Large oblong folio, India 
 proof. | 
 
 CHARLES J. WATSON. 
 CHELSEA. Etching, untrimmed proof, 1879. 
 40 
 
349. 
 
 850. 
 
 ae 
 
 352. 
 
 BRS. 
 354. 
 355. 
 
 = O56. 
 
 JAMES WATSON. 
 
 MRS. ABINGTON: After Reynolds. 
 Photogravure, in colors. Folio. 
 
 THOMAS WATSON. 
 
 LADY (CATHERINE) BAMFYLDE: After Reynolds. 
 Photogravure, in colors. 
 
 J. ALDEN WEIR. 
 PORTRAIT OF A LADY. Etching. Signed proof. 4to.. 
 
 JOHN WHESSELL. 
 
 THE BLIND HERMIT: After Stothard. 
 
 Stipple engraving. Large folio. 
 
 JAMES McNEILL WHISTLER. 
 
 ST. ANNE’S; SOHO. Way 126. 
 The reproduction from the Architectural Review. 
 
 NURSEMAIDS “Les Bonnes du Luxembourg.” Way 48. 
 Lithograph from “The Art Journal.” 
 
 THE DOCTOR (DR. W. WHISTLER). Way 78. 
 
 Lithograph from “The Pageant.” 
 
 FULHAM (wrongly lettered “Chelsea”). M. 179. 
 The photogravure copy. 
 
 SYDNEY E. WILSON. 
 
 Distinguished Contemporary English Mezzotint Engraver 
 and Color Printer. 
 
 . ELIZABETH, LADY TAYLOR: After Reynolds. 
 
 Half length in a landscape. Small folio, signed 
 proof, printed in colors. 
 
 . MRS. BELL: After Sir Henry Raeburn. 
 
 Seated in a landscape wearing a white gown with 
 black lace. Mezzotint, printed in colors. Signed 
 proof. 
 
 ate 
 
359. 
 
 360. 
 
 t 361. 
 
 362. 
 
 ANDERS ZORN. a 
 
 MLLE. EMMA RASSMUSSEN : Delteil 182, 4 
 Etching, 1904. Superb proof of ‘the 0 
 
 _ SIGNED. 
 
 *One of Zorn’s rare etchings and one of his 
 tive plates. . 
 
 MY MODEL AND MY BOAT. D. 90. 
 Etching, 1894. SIGNED PROOF. — a si ae 
 *Very rare. Only about 30 proofs were ublishe 
 
 SEAWARD SKERRIES. Not in Delteil. pe a8 
 Etching, 1913. SIGNED PROOF. Bee 
 
 *One of Zorn’s best a of this class and 1 now, 
 very rare. 
 
 THE ARTIST’S MODEL. Not in . Delteil. 
 Etching, 1810. Sor PROOF. | 
 
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