K. D. ELLSWORTH LIBRARY FINE SETS OF STANDARD AUTHORS MODERN FIRST EDITIONS EARLY PRINTED WORKS HANDSOMELY BOUND VOLUMES FORE-EDGE PAINTINGS NAPOLEONANA DESIRABLE WORKS ON ART COLORED AQUATINT VIEWS, COSTUME AND OTHER COLORED PLATES TO BE SOLD ON THE AFTERNOON AND EVENING OF JANUARY 5 AND THE AFTERNOON OF JANUARY 6, 1925 AMERICAN ART ASSOCIATION, Inc. MADISON AVENUE, 50TH TO 57TH STREET ENTRANCE 30 EAST 57TH STREET, NEW YORK ov THE K. D. ELLSWORTH LIBRARY FINE SETS OF STANDARD AUTHORS FIRST EDITIONS OF MODERN AUTHORS EARLY PRINTED WORKS HANDSOMELY BOUND VOLUMES FORE-EDGE PAINTINGS SPLENDID SERIES OF WORKS ON NAPOLEON I DESIRABLE WORKS ON ART SPECIAL PRESSES & SOCIETY PUBLICATIONS COLORED AQUATINT VIEWS, COSTUME BOOKS Oioimen COLORED PLATES “With some additions from other sources AMERICAN ART ASSOCIATION, Inc. MADISON AVENUE, 56TH LOS 71H STREET ENTRANCE 30 EAST 57TH STREET, NEW YORK Gelephone: PLAZA 1270 On Free Public Exhibition— Commencing New Year’s Day (January 1), and Continuing until date of sale Unrestricted Public Sale— Afternoon and evening of Monday, January 5, and afternoon of Tuesday, January 6, 1925, at 2:30 in the afternoons and 8:15 in the evening Exhibition and Sale at the— AMERICAN ART GALLERIES MADISON AVENUE, 56TH TO 57TH STREET ENTRANCE 30 EAST 57TH STREET, NEW YORK ©elephone: PLaza 1270 Conditions of Sale 1. Rejection of Bids. Any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 2 The Buyer The highest bidder shall be the buyer, and if any dispute arises between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. . 3. Identification and Deposit by Buyer. The name of the buyer of each lot shall be given immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot number, amount for which sold, and his or her name and address. A deposit at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and re-sold. 4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer, and thereafter neither the consignor nor the Association is responsible for the loss or any damage to any article occasioned by theft, fire, breakage or any other cause. 5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of the total amount due for all purchases at the sale. 6. Keceipted Bills. Goods will be delivered only on presentation of a receipted bill. A receipted bill presented by any person will be recognized and honored as an order by the buyer, directing the delivery to the bearer of the goods described thereon. If a receipted bill is lost before delivery of the property has been made, the buyer should immediately notify the Association of such loss 4. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid for in full and not called for by the purchaser or agent by noon of the day following that of the sale may be turned over by the Association to some carter to be carried to and stored in some warehouse until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage and any other charges will be charged against the purchaser and the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. In any instance where the purchase bill has not been paid in full by noon of the day following that of the sale, the Association reserves the right, any other stipulation in these conditions of sale notwithstanding, in respect to any or all of lots so purchased to cancel the sale thereof or to re-sell the same at public or private sale without further notice for the account of the buyer and to hold the buyer responsible for any losses and costs sustained in so doing. 8. Shipping. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, but the Association will, however, afford to pur- chasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 9. Guaranty. The Association exercises great care to catalogue every lot correctly and endeavors therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty is not made either by the owner or the Association of the correctness of the description, genuineness, authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error of cataloguing or imperfec- tion not noted or pointed out. Every lot is sold ‘as is’? and without recourse. Every lot is on public exhibition one or more days prior to its sale, and the Associa- tion will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion of such expert, who thereby will become responsible for such damage as might result were his opinion without foundation. 10. Records. The records of the Auctioneer and the Association are in all cases to be considered final and the highest bid shall in all cases be accepted by both buyer and seller as the value against which all claims for losses or damage shall lie. 11. Buying on Order. Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph, or telephone will be faithfully attended to without charge or commission Any purchases so made will be subject to the foregoing conditions of sale, except that, in the event of a purchase of a lot of one or more books by or for a purchaser who has not through himself or his agent been present at the exhibition or sale, the Association will permit such lot to be returned within ten days from the date of sale, and the purchase money will be refunded if the lot in any manner differs from its catalogue description. Orders for execution by the Association should be given with such clearness as to leave no room for misunderstanding. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a deposit must be sent or reference submitted. Shipping directions should also be given. Priced Catalogues. Priced copies of the catalogue, or any session thereof, will be fur- nished by the Association at charges commensurate with the duties involved in copying the necessary information from the records of the Association. No person other than the auctioneer or an official of the Association is authorized to arrange conditions of sale different in any way from those herein contained. AMERICAN ART ASSOCIATION, INc., MANAGERS. DEPARTMENT OF BOOKS AND PRINTS, ARTHUR SWANN, Director. OTTO BERNET, \ HIRAM H. PARKE, © AUCTIONEERS. ¥ : ; ! #7) [Notice: The Americana portion of the K. D. Ellsworth Library will be sold in a separate sale at a later date. AMERICAN ART ASSOCIATION, INC.] First Session, Numbers 1 to 380, inclusive MONDAY AFTERNOON, JANUARY 5, AT 2:30 O’CLOCK 1. Appey (Epwin Austin). Lucas (E. V.). Edwin Austin Abbey, Royal Academician. The Record of His Life and Work [1852-1911]. With 200 illustrations. 2 vols. 4to, boards, holland backs, uncut. New York and London, 1921 WITH AN ORIGINAL DRAWING BY ABBEY BOUND IN. Tipped in the front of the volume is a printed slip by the publishers, stating that this is one of fifty copies for which Mrs. Abbey has supplied an original drawing. 2. ApBoTTt (JoHN S. C.). The French Revolution of 1789 as viewed in the light of Republican Institutions. 2 vols.; The History of Na- poleon Bonaparte. 4 vols. Hach volume extensively illustrated with maps, portraits and other engravings. Together, 6 vols. royal 8vo, gilt tops, uncut. New York: Harper and Brothers [1883] 3. ADAM (Paut—Contemporary French Writer, Author of “Chair molle”’). OrtginaL AvutTocRAPH Manuscript of:—‘L’Instinct.” Manuscript of over a thousand words, written in ink on one side of sheets of paper ranging from 12mo to 24mo, with numerous cor- rections, additions and cancellations by the author. Enclosed in a board case, with inner flaps. This French author is noted for the novel sequence he began in 1899, giv- ing the history of the Napoleonic campaigns, the restoration and the govern- ment of Louis Philippe, etc. “RIGHT OF SEARCH ON THE HIGH SEAS” PROTESTED BY EX-PRESIDENT J. Q. ADAMS—HIGHLY IMPORTANT A.L.S. 4, ADAMS (JOHN QuIncy—Sixth President of the United States). Autograph Letter Signed, 4pp. 4to, Washington, 17 March, 1841. To Messrs. Simeon 8S. Jocelyn, Joshua Leavitt and Lewis Tappan, New York. Most IMPORTANT HISTORICAL LETTER, being a legal discussion of the “right of the visitation and seizure by Lt. Gedney upon the high seas over the Amistad, a foreign vessel in time of Peace; by what Law of Nations or of the Land did he board the vessel, take her by force, and bring her into the harbor of New London? .. . by what right did he seize, without warrant from a civil magistrate more than twenty freemen on the soil of the State of New York and transport them to Connecticut?’ Stating and commenting upon the action of the Supreme Court, closing his letter with a promise to write out in full extent his argument before the Court attending to this matter, and sounding a warning to the public to watch the executive administration of the land in regard to all matters pertaining to the Slave Question. Kindly read Conditions of Sale m forepart of Catalogue 5. 10. it, 13. ADDISON (JOSEPH). Miscellaneous Works. Frontispiece portrait and plates. 4 vols. 16mo, full gray calf, gilt. Oxford: D. A. Talboys, 1830 A beautifully printed edition—now scarce. . Aisor’s Fansites. The Fables of Asop and Others. With designs on wood by Thomas Bewick. Royal 8vo, full calf, gilt, gilt back, inner borders and edges. Newcastle, 1818 CHOICE LARGE PAPER Copy. Binding in the manner of Roger Payne. . AInswortH (WiLLIAM Harrison). Windsor Castle. An Historical Romance. New Edition. Jllustrated by George Cruikshank and Tony Johannot. With designs on wood by W. Alfred Delamotte. 8vo, full new polished fawn calf, gilt fillets on sides, richly gilt paneled back, inner gilt dentelle borders, gilt top, uncut, original wrappers bound in, BY MORRELL. London, 1843 First Ocravo Epirion. Portrait of the author after Lane inserted in place of the portrait after Maclise. . ALLEN (GRANT). Twelve Tales. London, 1900; Lowniti (J. R.). Bibliography. Compiled by G. W. Cooke. Portrait., Boston, 1906; CLEMENS (S. L.). A Tramp Abroad. JIJllustrated. Hartford, 1888; Ritey (H. H.). Puddleford and Its People. Illustrated. N. Y., 1854; Wynne (M. Y.). The Little Room and Other Stories. Decorations. Chicago, 1906; Firzcrratp (F. 8.). This Side of Paradise. N. Y., 1920; The Queen’s Gift Book. With plates in color and illustra- tions. London, n.d. Together, 7 vols. small 4to, 8vo and 12mo, cloth. . ALMANACS. CHAMPIER (Victor). Les Anciens Almanachs [lustrés. Histoire du Calendrier depuis les Temps Anciens jusqu’a nos Jours. With 50 finely engraved plates by Gaultier, de Passe, Bosse, de Larmessin, Lepautre, Audran, Gravelot, Cochin, ete. Small folio, unbound. Enclosed in a half morocco portfolio, bind- ing rubbed. Paris, 1886 EDITION LIMITED to 10 copies printed throughout ON IMPERIAL JAPAN PAPER, this being, No. 5. Laid in at back is a duplicate set of the plates on fine plate paper. Perhaps the most important work of its kind ever issued. AMERICAN Book Prices Current. 1921 and 1922. Together, 2 vols. 8vo, cloth, gilt tops. New York, 1921-1922 Limited to 650 copies. As NEw. ANAcREON. Anacreon: with Thomas Stanley’s Translation. Edited by A. H. Bullen. Jllustrated by J. R. Weguelin, with frontispiece and 9 fine plates. Square 8vo, half blue morocco, gilt, gilt paneled back, gilt top, uncut. London, 1893 No. 542 of a limited issue. . ANCIENT Cuassics, for English Readers. Edited by W. L. Collins. 27 vols. 12mo, cloth. Edinburgh, 1876 [etce.] Comprises :—Livy, Plato, Ovid, Cesar, Cicero and others. [ANDREWS (WitiiAmM L.).] Hatieck (Fitrz-Grepne). Fanny: A Poem. Portrait, on India paper. Royal 8vo, wrappers, uncut, loose. New York, 1866 EDITION LimiTeD to 70 copies privately printed for William Loring An- drews. Signed Autograph Presentation Copy from Mr. Andrews to H. Donne, with inscription on the half-title. First Session, Monday Afternoon, January 5th 14. [Anprews (WituiAm L.).] Durr (Witiiam A.). Reminiscences of an Old New Yorker. Imperial 8vo, cloth, uncut. New York: Printed for W. L. Andrews, 1867 Hdition limited to 35 copies, of which this is, No. 1. Signed,—“‘W. L. A.” AUTOGRAPH PRESENTATION Copy, with inscription,—“Mr. J. B. Morgan from his friend W. L. Andrews. New York, Mch 25/67.” 15. AnceLo (Henry). Angelo’s Pic Nic. With a Prefatory Note on the Angelo Family by Rev. Charles Swynnerton. With 26 illustrations from contemporary drawings and prints in the collection of Joseph Grego, some colored. Imperial 8vo, half brown morocco, gilt top, uncut. London, 1905 EDITION LIMITED to 50 copies on handmade paper, this being, No. 49. 16. AnetiInc. The Oarsman’s and Angler’s Map of the River Thames from its Source to London Bridge. One Inch to a Mile. Length, 104; width, 644 inches. Backed with linen, in a cloth folder. London: C. Smith & Son, 1891 17. ANTIQUE ScutpturE. Le Jupiter Olympien, ou l’Art de la Sculpture Antique. Considéré sous un Nouveau Point de Vue; Ouvrage qui Comprend un Essai sur le Gout de la Sculpture Polychrome, l’Ana- lyse Explicative de la Toreutique, et ’ Histoire de la Statuaire en Or et Ivoire . . . par M. Quatremére-de-Quincy. With colored frontispiece and 31 fine plates. Thick folio, marbled board sides, quarter morocco, uncut; light stains. Paris, 1814 A FINE WoRK ON THIS SUBJECT, and a work seldom offered for public sale in this country. 18. AptHore (WiLiIAM F.). Paris Theatres and Concerts. [From Scrib- ner’s Magazine, 1892.] Jllustrated. 8vo, inlaid to 4to, half crim- son, morocco, gilt back and top. New York, 1893 HxTRA-ILLUSTRATED by the insertion of 106 Portraits, Views, &c., among the former being,—colored lithographs of Mlle. Reichemberg, M. Worns, M. Leloir, M. Prudhon, and several others; Adrienne Lecouvreur by Schmidt after Fontaine; colored full-length lithograph of Mlle. Rejane; together with a few playbills, and plans of the Paris playhouses. SUMPTUOUSLY EXTRA-ILLUSTRATED SET OF THE “PICTORIAL EDITION” 19. ARABIAN Nicuts. LANE (Epwarp WituiAmM—Translator). The Thou- sand and One Nights, commonly called, in England, The Arabian Nights’ Entertainments. A New Translation from the Arabic with Copious Notes. With hundreds of wood engravings from original designs by William Harvey. 6 vols. royal 8vo, half citron levant morocco, gilt paneled backs, gilt tops, uncut, By BRADSTREET. London: Charles Knight, 1840-1841 THE ORIGINAL PICTORIAL EDITION. EXxTRA-ILLUSTRATED AND EXTENDED FROM THREE TO Srx VOLUMES by the insertion of about 100 additional plates, many inlaid to size, including tinted plates by Fromentin, and plates by Stothard, Westall, Marillier, the Jouast etchings, and others, including repro- ductions by Lalauze, INDIA Proors; with specially printed title-pages. A BeaAvuTiruL Set. The first accurate version of the celebrated Arabic stories, and the best translation for professed students. The Augustin Daly copy, sold by the American Art Association in 1900. Kindly read Conditions of Sale in forepart of Catalogue 20. ARABIAN Nieuts. Burton (Sir Ricuarp F.). The Book of the Thou- sand Nights and a Night. Reprinted from the Original Edition and Edited by Leonard C. Smithers. Jllustrated. 12 vols. royal 8vo, cloth, gilt, gilt tops, uncut. London, 1894 This well produced edition has long been out of print and has become scarce. The Samuel Henry Austin copy, with bookplate. 21. ARABIAN Nicuts. Burton (Sir RicHarp F.). A Plain and Literal Translation of the Arabian Nights’ Entertainments, now entituled the Book of the Thousand Nights and a Night. With Introduc- tion, Explanatory Notes on the Manners and Customs of Moslem Men and a Terminal Essay upon the History of the Nights. 10 vols.; [Together with] Supplemental Nights, with Notes Anthropo- logical and Explanatory. 7 vols. Hatensively illustrated with beautiful plates, all proofs on Japan paper, Many ReMARQUE Proors, by Letchford, Boulanger, Jerome, Lalauze, Gavarm, and other artists; rubricated titles on Japanese paper. Together, 17 vols. royal 8vo, gray buckram, paper labels, gilt tops, uncut. [Denver] Printed by the Burton Club for Private Subscribers Only [1906] BagpAD EDITION, limited to 1000 numbered sets, of which this is, No. 250. Verbatim reprint facsimile of the Original Edition. 22. ARBER’S ENGLISH Reprints. Carefully Edited by Edward Arber. To- gether, 27 vols. small 4to, boards, uncut, a few backs slightly worn. London, 1869-1870 LARGE PAPER EDITION, comprising :—ThHe School of Abuse, by S. Gosson. 1579; The Revelation to the Monk of Evesham. 1482; His Trauailes, by E. Webbe. 1590; Areopagitica, by Milton. 1644; Poems, by Thomas Wat- son. 1582-1598; Instructions for Forreine Travell, by J. Howell. 1642; Eglogs, Epytaphes, & Sonnettes, by B. Googe. 1563; Sermons, by T. Lever. 1550; Seven Sermons before Edward VI, by Hugh Latimer. 1549; The Schoolmaster, 1570, and Toxophilus, 1545, by R. Ascham; An Apologie for Poetrie, by Sir Philip Sidney. 1595; Huphues, by John Lyly. 1579; Table- Talk, by John Selden. 1689; The Essayes of a Prentise . . . by James VI of Scotland. 1604; The Rehearsal, by the Duke of Buckingham. 1671; The Arte of English Poesie, by Geo. Puttenham. 1589; Castara, by Wm. Bab- ington. 1634-40; and several other reprints of old English works. 23. ARCHITECTURE. PrrraAutT (M.). Les Dix Livres d’Architecture de Vitruve. Corrigez et Traduits nouvellement en Francois, avec des Notes & des Figures. Illustrated. Folio, full old calf, gilt back, uncut, some pp. loose, binding worn. Paris: Jean Baptiste Coignard, 1684 24. ARCHITECTURE. Swainson (H.). The Church of Sancta Sophia, Con- stantinople. A Study of Byzantine Building. Illustrated. Royal Svo, cloth, uncut. London, 1894 25. ArcHITEcTURE. L’Architecture & la Décoration Francaises. XVIIIe & XIXe Siécles. With 80 fine plates, some text illustrations. Let- terpress and plates laid in an atlas folio board portfolio, cloth back, ties. Paris, circa 1895 Fine publication on French architecture, 26. 27. 28. 29. 30. dl. 32. oo. First Session, Monday Afternoon, January 5th ARCHITECTURE. RascHporrr (Orro). Palast-Architektur von Ober- Italien und Toscana vom XIII bis XVIII Jahrhundert. With numerous full-page line-engravings and photographs. Folio, board portfolio, plates loose, piece torn off lower right corner of port- folio and half-title. Berlin, 1903 ARCHITECTURE. MartTiIN (CAMILLE). La Renaissance en France. L’Architecture et la Décoration. (Srconp Serres Onty.) With SO fine plates. 4 vols. wrappers, unbound as issued. Enclosed in a folio board portfolio. Paris, recent ARMSTRONG (Sir Water). Gainsborough and his Place in English Art. With 48 plates. New York, 1904; Hinp (C. Lewis). Turner’s Golden Visions. With 50 of the paintings and drawings of Turner reproduced In Cotors. London, recent. Together, 2 vols. 8vo and 4to, cloth, gilt, uncut. HANDSOMELY EXTRA-ILLUSTRATED ARNOLD (BENEDICT). Stimson (F. J.). My Story: Being the Mem- oirs of Benedict Arnold. Portraits and map. 2 vols. 8vo, half green morocco, gilt, gilt edges. New York, 1917 First Epirion. FINE Copy. ExtTrA-ILLUSTRATED by the insertion of about 100 engraved portraits and views. The portraits are of Officers who fought in the Revolution, Americans and others, and of Statesman who parti- cipated in the Cause. Among the portraits may be mentioned,— Washington, Hancock, Patrick Henry, John Marshall, Maj. Gen. Charles Lee, General St. Clair, General Lincoln, Benedict Arnold, Baron Steuben, Lord Howe, Robert Morris, General Greene, General Schuyler, Elias Boudinot, Lafayette, Gen- eral Marion, Henry Laurens, Lord Cornwallis, and others. Art. Les Chef-d’Giuvre des Grands Maitres. Notices de Ch. Moreau- Vauthier. With 66 beautiful reproductions of paintings by famous masters. Folio, half morocco, gilt top, uncut. [Paris] circa 1885 Both plates and text are hinged. The plates are tipped on blue art paper each with a frame of brown art paper and letterpress. Art. Wivpert (G.). La Cripta dei Papi e la Cappella di Santi Cecilia nel Cimetero di Callisto. Roma, 1910; Scuiossrr (J.). Die Sammlung Alter Musikinstrumente. Wien, 1920. Hach volume extensively illustrated. Together, 2 vols. folio and 4to, buckram, leather labels. Art. Reser (F.). History of Ancient and Mediaeval Art. 2 vols. N. Y., 1882-1887; Hirn (Y.). The Origins of Art. London, 1900; BERENSON (B.). Lorenzo Lotto. London, 1901; Srory (W. W.). Conversations in a Studio. 2 vols. Boston, 1899. Mainly illus- trated. Together, 6 vols. 8vo and 12mo, cloth. ArT. Morris (WILLIAM). Hopes and Fears for Art. Boston, 1882; Newspaper Pictures. Illustrations by F. Holme. Chicago [1899]; Batpry (A. L.). Burne-Jones. 8 reproductions in color. London, n.d.; Binns (H. B.). Botticelli. 8 reproductions in color. Lon- don, n.d.; and another; [Atso] Kerrrri, Booklets, Series 1-3. In slip-cases. Together, 8 vols, 8vo to 16mo, cloth, boards and wrap- pers, Kindly read Conditions of Sale m forepart of Catalogue o4. ArT. Bayard (Emme). Le Style Anglais. With 146 engravings. Paris, 1922; DumMont-WiLpEN (L.). Le Portrait en France. Illus- trated. Bruxelles, 1909; Gracomrmrtr (G.). Le Statuaire Jean- Antoine Houdon et son Epoque (1741-1828). 38 vols. Paris, 1918; ARBELET (P.). La Jeunesse de Stendhal. 2 vols. Paris, 1919; Cook (T. A.). Leonardo da Vinci, Sculptor. Jlluwstrated. Lon- don, 1923; Secarp (A.). Mary Cassatt. Illustrated. Paris, 1913; Peintres d’Aujourd’hui. Les Décorateurs. Jllustrated. Paris, 1914. Together, 10 vols. small 4to, 8vo and 12mo, canvas, cloth and quarter morocco. | 30. ART. Metssner (F. H.). Veronese. Bieleseld, 1897; “The Studio.” Drawings in Pen and Pencil from Diirer’s Day to Ours. London, 1922; Pennett (J.). Exhibit of Lithographs of Munition Works by Pennell. N. Y., 1917; Gorrne. L[lustrations to Goethe’s Faust. Boston, 1871; and others. All illustrated. Together, 10 vols. 4to to 12mo, cloth, boards and wrappers. 36. ArT AND Lerrers. Vol. II, Nos. 1-4 (last in duplicate). Together, 5 pieces, small 4to, wrappers. London, 1919 37. ART MAGAZINE. Emporium. Rivista Mensile Illustrata d’Arte, Let- teratura, Scienze e Varieta. Vols. 51 to 57, inclusive (January, 1920, to June, 1923). Hach volume extensively illustrated with engraved reproductions in text, and full-page plates, some colored, of sculptures, paintings, and other art works. 7 vols. royal 8vo, half leather, gilt tops, uncut. Bergamo, 1920-1923 As with all periodicals, assumed and believed to be perfect. Sold however not returnable. 38. AstLE (THomaAs). ‘The Origin and Progress of Writing, as well Hieroglyphic as Elementary . . . also some Account of the Origin and Progress of Printing. Second Eidtion, with additions. Por- trait and 31 full-page plates, exhibiting some hundred of engraved facsimiles from marbles, manuscripts and charters. Folio, full brown morocco, gilt fillet borders on sides, gilt paneled back, gilt edges, BY J. WRIGHT. London, 1803 LARGE PAPER Copy, WITH SOME OF THE PLATES IN CoLors, of which 100 copies were so printed. The best book on the subject. The binding is slightly worn on edges. With bookplate of Samuel Chick. 39. ATKINSON (GroRGE F.). “Curry & Rice,” on Forty Plates; or, the Ingredients of Social Life at “Our Station” in India. With 40 lithographic plates In Cotors. Royal 8vo, half brown levant mo- rocco, gilt, gilt back and edges, original wrappers pasted on verso of front cover, BY ROOT. London, circa 1860 Fine Copy of this celebrated illustrated work. 40. AureLtius. The Thoughts of the Emperor Marcus Aurelius Antoninus. Translated by George Long. 8vo, full dark green levant morocco, double band of gilt fillets on sides enclosing elaborate framework of scrolls in heavy gilt, full gilt paneled back, inner morocco and gilt borders, gilt top, uncut, BY STIKEMAN. ‘New York, 1923 FINE Copy. The text of this edition is the final revised version. First Session, M onday Afternoon, January 5th 41, AuTtocrapus.