CATALOGUE 
 
 OF 
 
 FINE ETCHINGS, ENGRAVINGS 
 WATER COLORS AND 
 OIL PAINTINGS 
 
 THE ANDERSON GALLERIES 
 
 Mapison AvENUE AT FortieTH Street, New York 
 
LIBRARY 
 
 M. KNOEDLER & €0. 
 556-8 FIFTH AVE. 
 NEW YORK 
 
Fn aT EO 
 
 ea ee ee 
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 y i ) 
 Tt ester nt ey etn 
 
No. 387. MIDSUMMER 
 By James M. Hart, N.A. 
 
———E 
 
 No. 1195 
 
 AN IMPORTANT COLLECTION 
 
 Etchings, Engravings, Water 
 Colors and Oil Paintings 
 
 To be Sold by Order of the United States 
 District Court under the Direction of Frank 
 M. McKey, Esq., of Chicago, Trustee in 
 Bankruptcy for Robb R. Ricketts, trading as 
 
 MOULTON & RICKETTS 
 
 ON THE 
 Evenings of Wednesday, Thursday and Friday 
 January 26, 27, and 28, 1916 
 
 At 8:15 o’clock 
 
 On Public Exhibition from Wednesday, January 19th 
 
 The Anderson Galleries 
 
 Madison Avenue at Fortieth Street, New York 
 
i 
 aa 
 3 
 
 CONDITIONS OF SALE 
 
 1. All bids to be Perr tor as numbered in the Catalogue. 
 
 2. The highest bidder to be the buyer; in all cases of disputed bids 
 the lot shall be resold, but the Auctioneer will use his judgment as to 
 the good faith of all claims and his decision shall be final. He also 
 reserves the right to reject any fractional or nominal bid which in 
 his judgment may delay or injuriously affect the sale. 
 
 3. Buyers to give their names and addresses and to make such 
 cash payments on account as may be required, in default of which 
 the lots purchased to be resold immediately 
 
 4. The lots to be taken away at the buyer’s expense and risk with- 
 in twenty-four hours from the conclusion of the sale, and the re- 
 mainder of the purchase money to be absolutely paid on or before 
 delivery, in default of which The Anderson Galleries, Incorporated, 
 will not be responsible if the lot or lots be lost, stolen, damaged, or 
 destroyed, but they will be left at the sole risk of the purchaser, and 
 Subject to storage charges. 
 
 5. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of purchases, no lot will be delivered during the sale. 
 
 6. All lots will be exposed for public exhibition in The Anderson 
 Galleries before the date of sale, for examination by intending pur- 
 chasers, and The Anderson Galleries, Incorporated, will not be re- 
 sponsible for the correctness of the description, authenticity, genu- 
 ineness, or for any defect or fault in or concerning any lot, and 
 makes no warranty whatever, but will sell each lot exactly as it is, 
 WITHOUT RECOURSE. But upon receiving before the date of sale ex- 
 pert opinion in writing that any lot is not as represented, The An- 
 derson Galleries, Incorporated, will use every effort to furnish proof 
 to the contrary, and in default of such proof the lot will be sold sub- 
 ject to the declaration of the aforesaid expert, he being liable to the 
 owner or owners thereof for damage or injury occasioned by such 
 declaration. 
 
 7. Terms CasH. Upon failure to comply with the above condi- 
 tions any sum deposited as part payment shall be forfeited, and all 
 such lots as remain uncleared after twenty-four hours from the con- 
 clusion of the sale, will be resold by either private or public sale at 
 such time as The Anderson Galleries, Incorporated, shall determine, 
 without further notice, and if any deficiency arises from such re- 
 sale it shall be made good by the defaulter at this sale together with 
 all the expenses incurred thereby. This condition shall be without 
 prejudice to the right of The Anderson Galleries, Incorporated, to 
 enforce the contract with the buyer, without such re-sale. 
 
 8. Brps. We make no charge for executing orders for our cus- 
 tomers and use all bids competitively, buying at the lowest price per- 
 mitted by other bids. 
 
 9. The Anderson Galleries, Incorporated, will afford every facility 
 for the employment of carriers and packers by the purchasers, but 
 will not be responsible for any damage arising from the acts of such 
 carriers and packers. 
 
 Priced Oopy of this Catalogue may be secured for $1.50 
 
 The Anderson Galleries 
 
 Incorporated 
 
 Mapison AVENUE AT Fortier STREET, New York. 
 TELEPHONE, Murray Hint 7680 
 
Artists Represented 
 
 No. No. 
 Artz, DeAne Gimk cose ten ents Sol Weviora, (C. Wieieaen, oh eoecsoos 244 
 Barkers Gaaacac ae aee na ae olom Sharrer Fama pean aun 245 
 Beker AN, Sn skeodcss on souer ZISeae erin viele yee ec ee 246 
 Benawothorwal, WI -cogsouarcesanc 30), TMowrenatioy, We soaccoccascesdas 247 
 Begawan, Ie Cegoossssbavcnde ZNO BBO Ul dae A a rae eee eee 373 
 Bellet i Gace ic veces eaters S80 — Maser, I, Accs dosoaudoscosccs 248 
 Bellows, J) Noel Be tn ere Sic AO 220 Freer, (Hie S\N Fo Ret Sere 249 
 Be oe: ee IS ait 22 Gibson, W. Hamilton........ 250 
 akelock, Ralph A..347, 358, Grtetae OK. EE 251 
 
 i sloe is Mee aa Cao Pera anise 374 ; Rp i iN on aaa 
 Bice Ce 272 Griswold Gre Ge. eee nian 252 
 Aad ML de ee Grollerongelulene Neeser rer 340 
 TRyoyeersy. lebeevelre! NEG a gonnoeuccs 223 amend 394 
 
 Texoma, (Cy Io ospooossenac 224 By ea a ea a 
 Byes, INOS cooucasned ull Soe) lalenaaleynleyet, Ig ossooacoddeoe es 253 
 richer mes beri ern ee ere Dos — lnlenavilioy,, elavimtili@s 3o.o00ccr 254 
 isyeraleges, JPWGISGE) -coasonenacdss 226. pclae ras) alec eee ee 255 
 IBmokexacnenn, 18, Moataconacenac 3851 Salant wise Wise erst eety ete 257, 387 
 Bristoly libata terre Wiis mlalchos NES eee traomy hae 256 
 Behn (Cy Lean accannons SVAsj. lalS uses MoU panne daae Soobs 258 
 IBemmeerKS, IM, Gooeodgatyuaeosce 22S luirshbergacAliceprneeesee een 259 
 Burners Aw share eaant csr oan Dye) labels (Gy Geanonecs osocnc 260 
 Burroughs, Bryson .......... 230s celioeber mA urate nace 261 
 Carrs diyellitaeenn. cea taseies 231 Holmes, Ww. re 262 
 Caravaecicnia Minn tne 263 lehoxaltoyay edbge seca nn eae Sana. 382 
 Casilear, John W............232 Humphrey, Maud ........... 263 
 Church, F. S.......--+.. G45;2590 — ibteteld; Ei, e. jesnes econ: 264 
 Copeland, C. .....-++- sees e ee 235 MNES SG; | Grathrete aes Seon eee 265, 
 eae as ae Tnness,o]ity Geena 334, 369 
 Craig; ie Bare sc fee saree 23502600) sJacguet eI, Gin cery sae esnaerr 349 
 (eine, IANS sonooconcacs 237, SOOM anissenss Cavan ©aaa eee 370 
 Curran, C. C..........6.. eee 238 Johnson’ Reza ce tee arse ee 328 
 (DEIN, Ls cacanaonnoreesecsua ee  d@acss Ia siolliewl.«. aseancsun® 266 
 Devil, Wi. casoadasseuooe 352 Sone statin Caraaa ete ae eee 267 
 Davis, W. B.......-..+.-+0+. ve ICAP DES: Ady doe Men Sores eS, 268 
 ERG ARB ont aE Sp a oo" 5 Reeiiees Bink ee mee ee 269 
 
 De arlaviens ele cays ces tear 348 K 
 
 DeLee ae) 742 BGI e All DE seit at aren TRO CRR 270 
 Del Mhulstrips heen eeee DA Sie sea cca Sere Ht scekra een eaters 271 
 Deville Wie ces ee eae ier BSOis Leader. Bae Went wee 337 
 WieteriewMiariesye eee B7Onamalee lym wSits dive cieenciepsncucntents teeta 359 
 Douglass Womans: 240 SbiebschermuG. cose toe ears 272 
 Muprate Ate. comet errer BOT Neiticlentitnin emrivase aerator 355 
 Dyer eh Att eat reac eceeces esl Teryeyeniaveciie, WG Ilene oceucaaace 273 
 
Artists Represented -Continued 
 
 No No. 
 AY Weitere UAC ee er aces ae 361 Schneider, W. G.............. 301 
 LH} Wucae es Desirer ee eee nee ne Baas SO SCOtES Pas Mapes ecient nts creer ct 302 
 tf Tinley: sAcucteer eos 274 Sharp, L. R.................. 303 
 
 aa Shirlaw, W..... S55, 
 a Macy, W. C.....+-01s-eeeee es 28 see, GH eo : : : : ae 
 1 Martine lometueerrereerr 346 Sunsclen We TPs cb eee 305 
 I WicChesneyan ©laraderme etter 276 Sle (eo, ost 306 
 i i Nic Conds Alicemeny reer: 277 Snell H B (iE ap eai ae 307 
 McCord, George ........ 345, 354 oa A. ea ety as 308 
 Millar, A. Te..see cesses hs Gicclinks Why ieee 383 
 ee 2 A EAE a SCO 33g Stephens, A. B......-. 0.0. 309 
 ya : cp ata eae Stewante Melb ceeeae meen esr a 390 
 
 po ato Gous Bueno oO oor , Symingt eas ee AS ar ae: 
 
 | Moran: ee ewes. Foe eons) eo l0 
 i NES Eero y coe A ete x ivory Va KCantenenamoouddance 311 
 | Mosler Eh sueeaeocle ote en: 284 Tracy, C. M................. 312 
 eal: Mioaling, A@e Cocccsccnceaseos 285 aoe Pic Misecistaerctacn ate nnecis 313 
 ees t UGMER KGa Ve cheerios eck 314 
 i Nicholls, R. H........---.+-- 286 Inne, IROSS soocaoocssanoone 315 
 = iL Ochtman, L. .......-..--.++5. 287 Van Alsschiese iin centre iene 351 
 tt Omalsn, tab Twcansbosonsqnsdo00 BS ee TB 342 
 H| CULES IG wave Sremeoun a aaa onaee 289 Volk ; D. is Sp ait bide ies: 316 
 . | Parsons eC soso Rene ea ZOO Voller s Oye Genie ren ee, 317 
 . | IM Ohad Mi lepot a oaeme oF Erab Witte 2 ie arctan 360 
 | (| Pio teeta Ae cnes erica CI et ane 9 J 350 
 : LH Ranier Eee Ghe 1 use 292 Wicteand Geer aat ee 320, 335 
 mm IRemminetior, 1%, cpooccopacasens 23 WISI, Vo PANIC, Gocouccwsaeoce 318 
 ‘| JenicarGls, Wo Wocesancose 29453895 AWVICISS wlOSGunten | ieee 388 
 Al iRise, Wh sucosocscvsnaoone 378 Weissenbruck, J. H...... 377, 381 
 IR JMEUEIN coos odes skh), Slots, S72 \Wiawniwssemverts, WW Ionaacosnose 319 
 | Robinson, Theodore ..... Ay, oso) Watleomle, (Cn 1B onc conusoouncass 371 
 HI Rolo, Ws Soctsnocacconns 2 Ome Vit ita on ene ae een ee 321 
 IRewemorerdes, IB, Wes ooeuaoncscs Aye Nilstaloeniy 135 sooccesosunpeanue 322 
 Riidelin SPae Eee eer Oe ana BSS NINOS Sy IX, Boonacnacasnoos 323 
 Spingloetin, Ial, sdasosotossgseoc 299 Wyant, Mrs. A. L............ 329 
 SHSM AWEY Gan baba mees sans SOOURVardeSs Vion eee ern ee 324 
 
 zi 
 e 
 4 
 - 
 
 List of Illustrations 
 
 Midsummer. James M. Hart, N.A 
 
 Blind Man’s Buff. Achille Fould 
 
AN IMPORTANT COLLECTION OF 
 ETCHINGS, ENGRAVINGS, 
 WATER COLORS, OIL PAINTINGS 
 
 FIRST SESSION 
 Wednesday Evening, January 26, 1916, at 8:15 o’clock 
 Los Mga GG 
 
 COPLEY PRINTS. 
 
 ) 1. SIX COPLEY PRINTS. 
 es Of various sizes, after Edwin H. Blashfield, Henry O. 
 Walker and Francis Day. 
 
 2. FOURTEEN ASSORTED COPLEY PRINTS, PHO- 
 
 Cy, TOGRAPHS, ETC. 
 ee Of various sizes, after Sir E. Burne Jones, E. A. Ab- 
 bey, etc. 
 
 CARBON PRINTS. 
 
 ye 38. SEVEN CARBON PRINTS. 
 
 \ faces After Carl Melchers, P. E. T. Rousseau, George In- 
 ness, etc. 
 
 aie 4. THREE LARGE CARBON PRINTS. 
 After Rembrandt, Corot and J. Dupré. 
 4{v, 5. THREE MORE, SIMILAR. 
 After Corot, Gainsborough and Rousseau. 
 6. THREE MORE, SIMILAR. 
 After Hoffmann, Raphael, etc. 
 
 in 7. THREE MORE, SIMILAR. 
 ; After Plockhort and W. Strutt. 
 8. THREE MORE, SIMILAR. 
 
 After Plockhart, Strutt and Zimmermann. 
 
 5 
 
 SS TE eS 
 
I} }y- A 
 i 12 
 iN ie 
 Bi 13; 
 | 
 Wie AS 
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 { HH 15. 
 1 HE q 
 2 
 my) 16 
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 | 
 17. 
 Ne 
 18. 
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 , 20. 
 X 
 
 (ee ary 
 
 ima —. 10. 
 | J 
 
 ETCHINGS AND PHOTO-ENGRAVINGS. 
 
 THREE PHOTO-ENGRAVINGS. 
 
 Two after Peter Graham and one after Farquharson. 
 
 THREE ASSORTED PRINTS. 
 After Herbert Dicksee, Peter Graham, etc. 
 
 . THREE MORE, SIMILAR. 
 
 After John Constable, Fred Morgan, ete. 
 
 - TWO ETCHINGS BY JAMES DOBIE. 
 
 After W. Dendy Sadler. “The Cellar’s Best,” and 
 “The Doubtful Bottle.” 
 
 TWO MORE. 
 By Herbert Dicksee after Frank Dicksee. “A Rev- 
 erie’ and “Memories.” 
 
 TWO MORE, SIMILAR. 
 
 THREE ORIGINAL ETCHINGS. 
 By Herbert Dicksee. “Good-bye,” “Fire Worship- 
 pers” and “Should Auld Acquaintance.” 
 
 . THREE MORE, SIMILAR. 
 
 “Silent Sympathy,” “Her First Love” and “Good-bye.” 
 THREE MORE, SIMILAR. 
 
 “Where’s Master,’ “Raiders” and “Anxious Hearts.” 
 TWENTY MISCELLANEOUS ENGRAVINGS, LITH- 
 OGRAPHS, ETC. 
 
 Representing Portraits of Martha Washington, Lee, 
 Grant, Wagner, ete. 
 
 COLORED PHOTO-ENGRAVINGS 
 AND ETCHINGS. 
 
 . SIX COLORED PHOTO-ENGRAVINGS 
 After Alma Tadema, Prescott Davies, Maisson, ete. 
 
 SIX MORE, SIMILAR. 
 After Alma Tadema, Defregger, Blommers, etc. 
 6 
 
er 
 
 is PAD 
 r (v 237 
 / 
 yp ek 
 Seah 25. 
 /Q 
 
 20. 
 
 33. 
 
 34, 
 
 35. 
 
 (hx aalie 
 
 . SIX MORE, SIMILAR. 
 
 After Leader, Schmid, Lautenschlager, etc. 
 SIX MORE, SIMILAR. 
 
 After Tadema, Payer, Brack, ete. 
 SIX MORE, SIMILAR. 
 
 After Blair, Leighton, Vinea, Bahieu, ete. 
 SIX MORE, SIMILAR. 
 
 After Volkhart, Garland, Robandi, etc. 
 SIX MORE, SIMILAR. 
 
 After Kiesel, Netileship, Farquharson, ete. 
 
 SIX MORE, SIMILAR. 
 MeWhirter, Schmid, Sir F. Leighton, ete. 
 
 . SIX MORE, SIMILAR. 
 
 After Joseph Israels, Van der Meer, R. de Bruycker, 
 ete: 
 
 . SIX MORE, SIMILAR. 
 
 After Sir Alma Tadema, Andreotti, Claus Meyer, ete. 
 
 . SIX MORE, SIMILAR. 
 
 After Jacob Maris, Harry Payne, Charles Stuart, etc. 
 
 . SIX MORE, SIMILAR. 
 
 After Volkhart, Van Poorten, H. von Bartels, etc. 
 
 SIX MORE, SIMILAR. 
 After Sir Alma Tadema, Andreotti, Claus Mayer, ete. 
 
 . THREE MORE, SIMILAR. 
 
 After Erdmann, S. L. Fildes, etc. 
 
 FOUR MORE, SIMILAR. 
 After W. Hamacher, H. Schlimarski, ete. 
 THREE COLORED ETCHINGS AFTER W. DENDY 
 SADLER. 
 “Constancy,” “The Christening” and “The Morning 
 Gossip.” 
 THREE MORE, SIMILAR. 
 “Constancy,” “For All Time” and “My Love to You.” 
 
 7 
 
 re - = Sey —— 
 
 ee re 
 
36. 
 il /6- 
 =A) =~ 87. 
 ii 
 aii {oh 88 
 HI c~ 39. 
 {il Q 
 i 
 | 41 
 Hi} a : 
 il ( 
 tik 
 | O, 42. 
 | (oe 
 | i) 43. 
 i ti 
 | il 6 - 44, 
 tH r 
 i 
 ii gt 45. 
 aes. 
 | 46. 
 | es 47. 
 ii 
 i 
 +f, 48. 
 + Vv 
 1g 49 
 
 51. 
 
 THREE ORIGINAL COLORED ETCHINGS. 
 
 By Herbert Dicksee, “Raiders,” “Maternal Care” and 
 “Oh, For the Touch of a Vanished Hand.” 
 
 TWO MORE, SIMILAR. 
 “The King,” “In the Enemy’s Country.” 
 
 - FOUR COLORED PRINTS. 
 
 After Romney, Cosway, etc. 
 FOUR MORE, SIMILAR. 
 
 After Sir Joshua Reynolds, Sir Edwin Landseer, ete. 
 FOUR MORE, SIMILAR. 
 
 After George Morland, Wheatley, etc. 
 FOUR MORE, SIMILAR. 
 
 After Sir Joshua Reynolds, Watts, etc. 
 FOUR MORE, SIMILAR. 
 
 After John Hoppner, Gainsborough, etc. 
 FOUR MORE, SIMILAR. 
 
 After Sir Joshua Reynolds, Morland, etc. 
 FOUR MORE, SIMILAR. 
 
 After John Hoppner, Rembrandt, etc. 
 FOUR MORE, SIMILAR 
 
 After Sir Thomas Lawrence, Greuze, etc. 
 FOUR MORE, SIMILAR. 
 
 After George Romney, Gainsborough, ete. 
 FOUR MORE, SIMILAR. 
 
 After Mme. Le Brun, Romney, etc. 
 
 FOUR MORE, SIMILAR. 
 After Sir Joshua Reynolds, Romney, etc. 
 
 . FOUR MORE, SIMILAR. 
 
 After Linnell, Ziem, etc. 
 
 . THREE MORE, SIMILAR. 
 
 After Rembrandt and Raphael. 
 
 FOUR MORE, ASSORTED. 
 After Raphael, Reynolds, ete. 
 
 8 
 
~— 
 
 52. 
 
 53. 
 
 54. 
 
 55. 
 
 56. 
 
 57. 
 58. 
 
 59. 
 
 60. 
 
 61. 
 
 62. 
 
 63. 
 
 64. 
 
 FIVE MORE, SIMILAR. 
 
 After Reynolds, Hoppner, Gainsborough, etc. 
 TWO MORE 
 
 After George Morland. 
 
 TEN MISCELLANEOUS COLORED ETCHINGS, 
 PHOTOGRAPHS, ETC. 
 
 NINE MORE, SIMILAR. 
 
 SPORTING PRINTS. 
 
 SIX HUNTING SCENES. 
 After Tom Blinks, Heywood Hardy and Strutt. 
 
 SIX MORE, SIMILAR. 
 
 FOUR MORE. 
 Representing Hunting and Racing, after Tom Blinks. 
 FOUR COLORED COACHING SCENES. 
 Two McQueen’s coaching prints, and one each after H. 
 Alken and Gilbert S. Wright. 
 FOUR COACHING SCENES. 
 
 Aquatint by C. Hunt, after W. Summers. Another by 
 Pyall after G. Morton. Two McQueen’s Coachings by 
 C. A. Stock, after H. Alken. Modern impressions, 
 colored. 
 
 THE QUORN HUNT. 
 Seven of a set of eight. By F. C. Lewis, after H. 
 Alken. Modern impressions in color. 
 
 HUNTING SCENES. 
 Set of four. Aquatints by C. Bentley, after H. Alken. 
 Modern impressions in color. 
 
 THE FIRST STEEPLE CHASE ON RECORD. 
 
 Set of four. Aquatints by J. Harris, after H. Alken. 
 Also another coaching print. Modern impressions in 
 color. 
 
 COACHING SCENES. 
 Three colored prints, after E. L. Henry. 
 9 
 
yx 
 
 65. 
 
 66. 
 
 67. 
 
 68. 
 
 69. 
 
 70. 
 
 Whe 
 
 72. 
 
 73. 
 
 74. 
 
 75. 
 
 76. 
 
 nie 
 
 78. 
 
 COLORED FAC-SIMILES. 
 
 FOUR COLORED FAC-SIMILES. ; 
 
 After Charles Sprague Pearce, Henner, ‘etc. 
 
 FOUR MORE, SIMILAR. 
 After Perrault, Hernandez, etc. 
 
 FOUR MORE, SIMILAR. 
 After William Maris, Rosa Bonheur, etc. 
 
 FOUR MORE, SIMILAR. 
 After Edward Moran, E. L. Henry, etc. 
 
 FOUR MORE, SIMILAR. 
 After Charles Sprague Pearce, Hitchcock, etc. 
 
 FOUR MORE, SIMILAR. 
 After Rosa Bonheur, C. C. Curran, etc. 
 
 FOUR MORE, SIMILAR. 
 
 After Fournier, etc. 
 
 THREE MORE, SIMILAR. 
 After W. L. Tylor, B. Fuchs, etc. 
 
 ORIGINAL COLOR LITHOGRAPHS. 
 
 FOUR LITHOGRAPHS. 
 In color, after K. Dielitz, George Kampmann, etc. 
 
 FOUR MORE, SIMILAR. 
 After Franz Hein, Theodore Hermann, etc. 
 
 FOUR MORE, SIMILAR. 
 After A. Boecklin, Eugen Osswald, ete. 
 
 THREE MORE, SIMILAR. 
 After Karl Bohme, F. Kallmargen, etc. 
 
 THREE MORE, SIMILAR. 
 After Karl Bohme, A. Zick, etc. 
 
 TWO MORE. 
 After A. Schinnerer and Schmidt Danzig. 
 
 10 
 
yok 
 ce 
 
 a 
 
 79. TWO MORE. 
 After Fritz Thaulow. 
 
 80. TWO MORE. 
 After Fritz Thaulow. 
 
 81. TWO MORE. 
 After Murillo and Mme. Le Brun. 
 
 COLORED ARTIST-PROOF MEZZOTINTS 
 AND ENGRAVINGS. 
 
 CHARLES BIRD 
 82. CASSANDRA (Lady Hamilton), after George Romney, 
 
 Mezzotint engraving, printed in color at one printing. 
 Proof signed by the engraver. Limited edition, and 
 plate destroyed. 
 
 83. ANOTHER, SIMILAR. 
 
 A. CHABANIAN 
 84. SHRIMPERS. 
 Etching, printed in colors. Proof signed by the en- 
 graver. 
 85. HAVEN OF REST. 
 
 Etching, printed in colors. Proof signed by the en- 
 graver. 
 
 M. CORMACK 
 86. MRS. SCOTT MONCRIEFF, after Hoppner. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 87. TUSCAN ROSES. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 11 
 
‘ae 
 
 ~ 
 
 88. 
 
 89. 
 
 90. 
 
 91. 
 
 92. 
 
 93. 
 
 94. 
 
 W. A. COX 
 MRS. DRUMMOND SMITH, after Gainsborough. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 CARL DUPONT 
 
 MRS. WELLS, after John Downman. 
 Mezzotint engraving on parchment, printed in colors. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 MRS. YOUNG, after John Downman. 
 Mezzotint engraving on parchment, printed in colors. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 L. EDWARDS 
 JUVENILE RETREAT, after Wheatley. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 CHILDREN BATHING, after Wheatley. 
 Mezzotint engraving, printed in colors. Proof signed 
 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 GILBERT GERRY 
 PORTRAIT OF WASHINGTON, by Gilbert Stuart. 
 
 Mezzotint engraving, printed in colors at one printing. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 H. T. GREENHEAD 
 CHLOE, after George Morland. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 
 by the engraver. Limited edition and the plate de- 
 stroyed. 
 
 12 
 
95. JANET, after George Morland. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 
 a by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 E. M. HESTER 
 96. LADY CHARLOTTE CAMPBELL. 
 
 Ne Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 97. LISTENING, after Greuze. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 
 L}_ by the engraver. Limited edition, and the plate de- 
 stroyed. 
 WALLACE HESTER 
 98. THE ORPHANS, after Greuze. 
 rc Mezzotint engraving, printed in colors. Proof signed 
 Q by the engraver. Limited edition, and the plate de- 
 stroyed. 
 JULES JACQUET 
 99. THE BILLET DOUX, after Fragonard. 
 07 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 ABEL JAMAS 
 100. MISS BENNETT, after John Downman. 
 
 l Mezzotint engraving, printed in colors on parchment. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 101. LADY ELIZABETH LAMBERT, after John Downman. 
 
 Se Mezzotint engraving, printed in colors on parchment. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 13 
 
102. 
 
 104. 
 
 105. 
 
 106. 
 
 107. 
 
 108. 
 
 109. 
 
 PERCY H. MARTINDALE 
 
 THE MILL, after Rembrandt. 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited to 233 copies, and the plate 
 destroyed. 
 
 . MRS. GEORGE WASHINGTON, after Chappell. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited to 250 copies, and the plate 
 destroyed. 
 
 MAURICE MILLIERE 
 FEMALE FIGURES. 
 
 Two original colored etchings. 
 engraver. 
 
 Proof signed by the 
 
 JULES PAYRAU 
 LADY ANN CULLING SMITH, after John Downman. 
 
 Mezzotint engraving on parchment, printed in colors. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 ANOTHER, SIMILAR. 
 MRS. FRAGONARD, after Reynolds. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 SAILOR BOY’S RETURN, after Singleton. 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 THE SHIPWRECKED SAILOR, after Singleton. 
 Mezzotint engraving, printed in colors. Proof signed 
 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 14 
 
110. 
 fe 
 iia 
 6/ 
 112 
 G. 
 118. 
 (2 
 114. 
 jy 
 115. 
 ( 
 116. 
 i- 
 117. 
 5 
 Vv 
 
 M. SAMANAS 
 
 LA VOUR VERDEM. 
 
 Etching, printed in colors. Proof signed by the en- 
 graver. 
 
 HERBERT SEDCOLE 
 THE PROFFERED KISS, after Lawrence. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited edition, and the plate de- 
 stroyed. 
 
 F. G. STEVENSON 
 
 . MASTER HOPPNER, after Hoppner. 
 
 Mezzotint engraving, printed in colors. Proof signed 
 by the engraver. Limited to 25 copies, and the plate 
 destroyed. 
 
 EUGENE TILY 
 MRS. SHERIDAN, after Gainsborough. 
 
 Mezzotint engraving, printed in colors on parchment. 
 Proof signed by the engraver. Limited edition, and 
 the plate destroyed. 
 
 MISCELLANEOUS. 
 
 THREE MISCELLANEOUS ARTISTS’ PROOFS IN 
 COLORS. 
 
 Signed by Ridgway Knight, Hans Herrmann and Tris- 
 tan Richards. 
 
 THREE MORE. 
 Signed by B. Bielefeld and L. P. Lobin. 
 
 THREE MORE. 
 Signed by V. Winthrop Newman. 
 
 TWO MORE. 
 Signed by Claude H. Rowbotham and E. L. Laurenson. 
 15 
 
LiGe 
 
 118. 
 
 119. 
 
 120° 
 
 121. 
 122. 
 
 124. 
 
 125. 
 
 126. 
 
 127 . 
 
 128. 
 
 WATER COLORS. 
 
 R. S. BROWER 
 SIX MISCELLANEOUS WATER COLORS of various 
 
 sizes. 
 
 FIVE MORE, SIMILAR. 
 
 FRANCIS DRUMMOND 
 
 IN THE CATHEDRAL, Oxford. 
 Water color, signed. 18 x 12 inches. 
 
 FIVE ASSORTED COLORED PRINTS, FRAMED. 
 SIX MORE, SIMILAR. 
 
 ORIGINAL ETCHINGS, FRAMED. 
 AXEL HAIG 
 
 3. VERONA. 
 
 Original etching. Signed proof on Japan paper. 
 Framed in Flemish oak. 
 
 CATHEDRAL OF CHARTRES, No. 6. 
 Original etching. Signed proof on Japan paper, in 
 gold frame. 
 
 CORNER OF SEVILLE. 
 
 Original etching. Signed proof on Japan paper. 
 Framed in Gothic carved wood gold frame. 
 
 ALBANY E. HOWARTH 
 
 INTERIOR OF DURHAM CATHEDRAL. 
 Original etching. Signed proof on Japan paper, in 
 ebonized frame. 
 
 ORIGINAL ETCHINGS, UNFRAMED. 
 ANDREW F. AFFLECK 
 
 OLD CATHEDRAL OF BALTIMORE. 
 Original etching. Signed proof on Japan paper. 
 
 ANOTHER, SIMILAR. 
 16 
 
me 
 
 No. 373. BLIND MAN’S BUFF 
 
 By AcHILLE Foutp 
 
JOHNSTONE BAIRD 
 
 129. ON THE DEE. 
 
 Original etching. Signed proof on thin English laid 
 ly paper. 
 
 FRANK BRANGWYN 
 
 130. FEAST OF LARAZUS. 
 Ww Original etching. Signed proof on Japan paper. 
 
 H. SCOTT BRIDGWATER 
 
 131. THE MOTHER. 
 
 Etching, after Frank Dicksee. Proof signed by both 
 artists. 
 
 C. CHAUVEL 
 
 132. LOCH KATRINE. 
 
 A Original etching, after J. McWhirter. Signed proof 
 on parchment. 
 
 133. WOODED BANKS OF THE THAMES. 
 
 Original etching, after B. W. Leader. Signed proof 
 on parchment. 
 
 A. BRUNET-DEBAINES 
 
 134. A PEACEFUL DAY. 
 Original etching. Signed proof on parchment. 
 
 HERBERT DICKSEE 
 135. THE ROAD TO THE VILLAGE. 
 
 Original etching. Signed proof on vellum. 
 
 FRANK L. EMMANUEL 
 
 136. ST. VALIERE SUR SOMME. 
 Original etching. Signed proof on O. W. P. & A. C. L. 
 A paper. 
 
 iW 
 
<a) 
 
 138. 
 
 139. 
 
 140. 
 
 141. 
 
 142. 
 
 143, 
 
 144, 
 
 145. 
 146. 
 
 147. 
 
 - LA VIEILLE BOUCHERIE, ANVERS. 
 Original etching. Signed proof on O. W. P. & A.C. L. 
 
 paper. 
 
 FRED A. FARRELL 
 LOWER ARGYLSHIRE. 
 
 Original etching. Signed proof on thin Japan paper. 
 
 Limited to 100 copies, and the plate destroyed. 
 ANOTHER, SIMILAR. 
 
 HANSLIP FLETCHER 
 OLD HOUSES, GLOUCESTER ST. 
 
 Original etching. Signed proof on F. J. Head paper. 
 
 Limited to 75 copies and the plate destroyed. 
 SHREWSBURY MONUMENT. 
 
 Original etching. Signed proof. Limited to 50 copies. 
 
 JOHN FULLWOOD 
 THE HOUSE BOAT. 
 Original etching. Signed proof. 
 
 PERCIVAL GASKELL 
 ST. MARIE. 
 Original etching. Signed proof on thin J apan paper. 
 
 AXEL HAIG 
 
 AMIENS. 
 Original etching. Signed proof on Whatman paper. 
 
 ANOTHER SIMILAR. 
 ANOTHER. 
 
 EXTERIOR OF CANTERBURY CATHEDRAL. 
 Original etching. Signed proof on Japan paper. 
 18 
 
148. 
 
 149. 
 
 152. 
 
 153. 
 
 154. 
 
 156. 
 
 157. 
 
 158. 
 
 159. 
 
 IN THE ARAB QUARTER, CAIRO. 
 Original etching. Signed proof on Whatman paper. 
 
 INTERIOR OF CEFALU CATHEDRAL. 
 Original etching. Signed proof on Japan paper. 
 
 HERBERT HILLIER 
 
 . PARIS FROM THE MADELAINE. 
 
 Original etching. Signed proof on English laid paper. 
 
 . THE ASTROLOGICAL COLUMN. 
 
 Original etching. Signed proof on English laid paper. 
 
 PONT DU NEUF, PARIS. 
 Original etching. Signed proof on English laid paper. 
 
 ALBANY E. HOWARTH 
 
 PONT DELLA GUGLIE. 
 Original etching. Signed proof on English laid paper. 
 
 THE BARROW-MAKER’S SHOP. 
 Original etching. Signed proof on thin English laid 
 paper. 
 
 . WILLIAMS COLLEGE, YORK. 
 
 Original etching. Signed proof on thin English laid 
 paper. 
 
 CARNARVON GATE. 
 Original etching. Signed proof on thin English laid 
 paper. 
 
 ANOTHER. 
 
 BLACK GATE, NEWCASTLE. 
 Original etching. Signed proof on thin English laid 
 paper. 
 WHITEHOUSE CLOSE, EDINBOROUGH. 
 Original etching. Signed proof on O. W. P.& A.C. L. 
 paper. 
 1/9 
 
Ly 
 
 160. 
 
 161. 
 
 162. 
 
 163. 
 
 167. 
 
 168. 
 
 169. 
 
 170. 
 
 VENETIAN FRUIT STALL. 
 Original etching. Signed proof on thin English laid 
 paper. 
 
 ANOTHER. 
 
 WILFRED HUGGINS 
 MONASTERY OF SAN FRUTTUOSO. 
 
 Original etching. Signed proof on Whatman paper. 
 
 RAYMOND JONES 
 
 LA RUE ZACHARIAS, PARIS. 
 Original etching. Signed proof on English laid paper. 
 
 . RUE DE TOUR, PARIS. 
 
 Original etching. Signed proof. 
 
 . PONT HENRI, PARIS. 
 
 xe : nenorers 
 Original etching. Signed proof. 
 
 . HOTEL DE VILLE, PARIS. 
 
 Original etching. Signed proof. 
 PONT NEUF, PARIS. 
 Original etching. Signed proof. 
 
 ST. GERMAINE, PARIS. 
 Original etching. Signed proof. 
 
 F. KROSTEWITZ 
 THE ALLEY. 
 
 Original etching, after Corot. Signed remarque proof 
 on parchment. 
 
 THE ANGLER. 
 
 Original etching, after Corot. Signed remarque proof 
 on parchment. 
 
 20 
 
Tf 
 
 172. 
 
 183. 
 
 184. 
 
 187. 
 
 E. LUMSDEN 
 MAPLE DURHAM. 
 Original etching. Signed proof on thin Japan paper. 
 
 EMPRESS AND GOVERNMENT BUILDINGS, VIC- 
 TORIA, B. C. 
 
 Original etching. Signed proof on thin Japan paper. 
 
 . TOMB IN THE PALMS. 
 
 Original etching. Signed proof. 
 
 . ANOTHER. 
 . ANOTHER. 
 - PARIS IN CONSTRUCTION, No. 1. 
 
 Original etching. Signed proof. 
 
 . LUMBER MILL, VICTORIA, B. C. 
 
 Original etching. Signed proof. 
 
 . LITTLE BENARES. 
 
 Original etching. Signed proof. 
 
 9. ANOTHER. 
 . ANOTHER. 
 . A BENARES GHAT. 
 
 Original etching. Signed proof. 
 
 . THE FIGURE OF EIGHT. 
 
 Original etching. Signed proof. 
 EVENING, JAPORE. 
 Original etching. Signed proof. 
 
 THE PEEPUL TREE. 
 Original etching. Signed proof. 
 
 . THE MOSQUE. 
 
 Original etching. Signed proof. 
 
 3. BENARES, No. 3. 
 
 Original etching. Signed proof. 
 EVENING, JAPORE, No. 2. 
 Original etching. Signed proof. 
 
 21 
 
188. 
 
 189. 
 
 190. 
 
 191. 
 
 192. 
 
 193. 
 
 194. 
 
 195. 
 
 196. 
 
 D. C. McLAUGHLIN 
 THE LITTLE POOL. 
 Original etching. Signed proof on thin Japan paper. 
 
 THE FOUNTAIN. 
 Original etching. Signed proof. 
 
 FRANK H. MASON 
 
 THE HARBOUR LIGHT. 
 Original etching. Signed proof on Japan paper. 
 
 TOM MAXWELL 
 
 AN AYRSHIRE VILLAGE. 
 Original etching. Signed proof. 
 
 MORTIMER MEMPES 
 
 EAST INDIA DOCKS, No. 5. 
 Original etching. Signed proof on Japan paper. 
 
 C. O. MURRAY 
 
 THE CHURCH OF ST. GERMAIN, ARGENTAN. 
 
 Original etching. Signed proof. Limited to 60 copies, 
 and the plate destroyed. 
 
 CHAPEL OF EDWARD THE CONFESSOR, WEST- 
 MINSTER ABBEY. 
 
 Original etching on Japan paper. Limited to 60 cop- 
 ies, and the plate destroyed. 
 
 MALCOLM OSBORNE 
 INTERIOR, ST. PAUL’S. 
 Original etching. Signed proof. 
 NATIONAL GALLERY, EXTERIOR. 
 
 Original etching. Signed proof. 
 
 22 
 
ju 201. 
 
 197. 
 
 198. 
 
 199. 
 
 200. 
 
 202. 
 203. 
 204. 
 
 205. 
 
 206. 
 
 207. 
 
 208. 
 
 PERCY ROBERTSON 
 HOLYROOD PALACE. 
 Original etching. Signed proof on F. J. Head paper. 
 
 W. DENDY SADLER 
 FRIDAY. 
 
 Etching by W. Boucher. Remarque proof on Japan 
 paper, signed by both artists. 
 
 FOR ALL TIME. 
 
 Etching by Albert Ardail. Remarque proof on Japan 
 paper, signed by both artists. 
 
 NATHANIEL SPARKS 
 
 ST. CLEMENT DANES, STRAND, LONDON. 
 
 Original etching. Signed proof on O. W. P. & A. C. L. 
 paper. 
 
 A. P. THOMPSON 
 
 DOORWAY, ROTHENBURG. 
 
 Original etching. Signed proof on F. J. Head paper. 
 ANOTHER. 
 ANOTHER. 
 A ROTHENBURG GATE. 
 
 Original etching. Signed proof. 
 SCOTT’S MONUMENT, EDINBURGH. 
 
 Original etching. Signed proof on thin Japan paper. 
 THE WELL. 
 
 Original etching. Signed proof on Japan paper. 
 AN OLD CORNER, PORTUGAL. 
 
 Original etching. Signed proof on thin Japan paper. 
 NOCTURNE, PORTUGUESE. 
 
 Original etching. Signed proof on Japan paper. 
 
 23 
 
209. 
 
 210. 
 
 211. 
 
 212. 
 
 213. 
 
 214. 
 
 215. 
 
 216. 
 
 Pileies 
 
 A GERMAN GATE. 
 
 Original etching. Signed proof on Japan paper. 
 GREEK CHURCH, GLASGOW. 
 
 Original etching. Signed proof on thin Japan paper. 
 OLD HOUSE, GLASGOW. 
 
 Original etching. Signed proof. 
 ANOTHER. 
 
 V. TROWBRIDGE 
 PONT ST. ETIENNE, LIMOGES. 
 
 Original etching. Signed proof on Japan paper. 
 
 F. 8S. UNWIN 
 FISHMONGERS’ HALL. 
 Original etching. Signed proof on Japan paper. 
 
 BUCKINGHAM PALACE. 
 Original etching. Signed proof on thin English laid 
 paper. 
 
 ST. FRANCIS OF PAOLO, NICE. 
 Original etching. Signed proof on thin Japan paper. 
 
 WILLIAM WALKER 
 
 ST. SULPICE, PARIS. 
 Original etching. Signed proof on F. J. Head & Co.'s 
 paper. 
 
 24 
 
SECOND SESSION 
 
 Thursday Evening, January 27, 1916, at 8:15 o’clock 
 Lots 218 to 325 
 
 WATER COLORS. 
 
 NOTE.—The following Water Colors by prominent Ameri- 
 can Artists formed part of a Collection of 185 examples which 
 was originally made by Mr. Gustav H. Buek, of New York. 
 
 The pictures were chosen not alone because of the importance 
 of the artists represented, but in order to preserve a line of Ameri- 
 can Water Colors from the early period of the Hudson River 
 School down to the present day. 
 
 The complete Collection was exhibited in the Art Museums 
 of Brooklyn, Chicago, St. Louis, Toledo and other cities, where 
 thousands of visitors were afforded an opportunity to study and 
 enjoy these beautiful specimens. 
 
 The remaining examples which are now offered are very in- 
 teresting in many respects. In a majority of cases it would be 
 impossible to duplicate them. Some are by men who made few 
 Water Colors, and some are single examples in this medium by 
 artists celebrated as painters in oil. 
 
 W.S. BARRETT 
 
 American. 
 218. THE OCEAN. 
 ” Signed. Height, 16 inches; width, 21 inches. 
 J. CARROLL BECKWITH, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 219. STUDY OF A GIRL’S HEAD. 
 Signed and dated 1883. 
 . dv Height, 20 inches; width, 14 inches. 
 Yu 4 
 A. F. BELLOWS, N.A.; A.W.C.S. 
 American, 1829-1883. 
 220. PATH TO THE WOODS. 
 “i Height, 414 inches; width, 614 inches. 
 q¥ 
 
 Lv - 25 
 
¢ 
 
 221. 
 
 222. 
 
 223. 
 
 224. 
 
 226. 
 
 E. M. BICKNELL, N.Y.W.C.C. 
 
 Contemporary American Painter. 
 
 MAINE COAST. 
 
 Signed. Height, 1614 inches; width, 814 inches. 
 
 CARLE J. BLENNER 
 
 Contemporary American Painter. 
 
 READY FOR THE PROMENADE. 
 
 Signed. Height 26 inches; width, 20 inches. 
 
 FRANK M. BOGGS 
 
 Contemporary American Painter. 
 
 OFF THE COAST OF HOLLAND. 
 Signed and dated 1895. 
 
 Height, 8 inches; width, 1114 inches. 
 
 CHARLES EDWARD BOUTWOOD 
 
 Contemporary American Painter. 
 
 MEDITATION. 
 
 Signed. Height, 14 inches; width, 10 inches. 
 
 ALBERT T. BRICHER, A.N.A.; A. W. C. S. 
 American, 1837-1908. 
 
 - WHAT THE TIDE LEFT. 
 Signed. Height, 1834 inches; width, 1314 inches. 
 
 FIDELIA BRIDGES, A.N.A.; A.W.C.S. 
 
 American. 
 
 IN THE MARSHES. 
 Signed. Height, 10 inches; width, 14 inches. 
 26 
 
JOHN B. BRISTOL, N.A.; A.W.C.S. 
 American, 1826-1909. 
 
 227. AT LAKE GEORGE. 
 Signed. Height, 10 inches; width, 14 inches. 
 
 FRANCES BRUNDAGE 
 
 Contemporary American Painter. 
 
 228. THE SEA NYMPH. 
 
 Signed. Height, 20 inches; width, 1514 inches. 
 a) 
 yw 
 A. F. BUNNER, A.N.A.; A.W.C.S. 
 American, 1847-1897. 
 229. VENICE. 
 
 Signed. Height, 10 inches; width, 18 inches. 
 
 BRYSON BURROUGHS, A.N.A. 
 
 Contemporary American Painter. 
 230. THE LANDING PLACE. 
 
 Inscritpion, “To my friend, J. H. Moser, Bryson Bur- 
 / roughs, 1890.” 
 
 Height, 7 inches; width, 13%4 inches. 
 
 LYELL CARR 
 
 American. 
 231. PREPARING FOR THANKSGIVING. 
 Signed. Height, 181% inches; width, 1314 inches. 
 
 JOHN W. CASILEAR, N.A. 
 American, 1811-1893. 
 
 232. IN THE WOODS. 
 Monogram, “J. W. C.” 
 Height, 914 inches; width, 1314 inches. 
 
 27 
 
 ery 
 
233. 
 
 234. 
 
 235. 
 
 to 
 o9 
 lop 
 
 237. 
 
 238. 
 
 CHARLES COPELAND 
 
 Contemporary American Painter. 
 
 NEAR ORR’S ISLAND. 
 Signed. Height, 8 inches; width, 19 inches. 
 
 FRED COZZENS 
 
 American. 
 
 IN THE FOG. 
 Signed and dated 1906. 
 Height, 19% inches; width, 2914 inches. 
 
 THOMAS B. CRAIG, N.A. 
 
 Contemporary American Painter. 
 CATTLE. 
 Signed. Height, 7 inches; width 10 inches. 
 
 THOMAS B. CRAIG, N.A. 
 
 Contemporary American Painter. 
 
 ). CATTLE DRINKING. 
 
 Signed. Height, 18 inches; width, 28 inches. 
 
 BRUCE CRANE, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 A GOLDEN FIELD. 
 Signed. Height, 8 inches; width, 1414 inches. 
 
 CHARLES C. CURRAN, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 THE WOOD NYMPH. 
 Signed and dated 1898. 
 
 Height, 512 inches; width, 534 inches. 
 
 28 
 
FRANCIS DAY, A.N.A. 
 
 Contemporary American Painter. 
 
 239. THE CIGARETTE. 
 
 Signed. Height, 10 inches; width, 5 inches. 
 B 
 WALTER DOUGLAS 
 Contemporary American Painter. 
 240. THE CHICKEN YARD. 
 Signed. Height, 7 inches; width, 10 inches. 
 H. ANTHONY DYER 
 Contemporary American Painter. 
 241. HAMILTON, R. I. 
 Signed. Height, 1314 inches; width, 914 inches. 
 0) ¢ 
 
 PERCIVAL DE LUCE, A.N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 242. THE OLD HOME. 
 Signed. Height, 20 inches; width, 14 inches. 
 
 T. DE THULSTRUP, A.W.C.S. 
 American. 
 243. A DRUMMER BOY. 
 Signed and dated 1888. 
 Height, 15 inches; width, 10 inches. 
 
 CHARLES WARREN EATON, A.W.C.S. 
 
 Contemporary American Painter. 
 
 244. THE WOODS IN SPRING. 
 Signed, with inscription “Greenwich, 1896.” 
 Height, 15 inches; width, 10 inches. 
 
 29 
 
24D. 
 
 246. 
 
 248 . 
 
 249. 
 
 250. 
 
 HENRY FARRER, A.W.CS. 
 
 American. 
 
 A GRAY DAY. 
 Signed. Height, 18 inches; width, 25 inches. 
 
 HARRY FENN, A.W.C.S. 
 
 American. 
 
 THE SWEETWATER, CONSTANTINOPLE. 
 Monogram, “H. F.” Height, 7 inches; width, 6 inches. 
 
 W. FORSYTH 
 
 American. 
 
 . THE OLD BARN. 
 
 Signed. Height, 1314 inches; width, 15 inches. 
 
 J. A. FRASER, A.W.C.S. 
 
 American. 
 THE RIVER BANK. 
 Signed. Height, 12 inches; width, 20 inches. 
 
 FREDERICK W. FREER, A.N.A.; A.W.C.S. 
 American, 1849-1908. 
 
 BREEZY MARCH. 
 Signed. Height, 1634 inches; width, 1114 inches. 
 
 W. HAMILTON GIBSON 
 
 American. 
 
 THE RUNNELL. 
 Signed. Inscription, “Washington, Conn., 1882.” 
 Height, 814 inches; width, 114 inches. 
 30 
 
251 
 
 252 
 
 253 
 
 254. 
 
 256. 
 
 KATE H. GREATOREX 
 
 Contemporary American Painter. 
 « FLOWERS. 
 Signed. Height, 12 inches; width, 18 inches. 
 
 C. C. GRISWOLD, N.A. 
 
 Contemporary American Painter. 
 . A WESTCHESTER STREAM. 
 Signed. Height, 814 inches; width, 11% inches. 
 
 JAY HAMBRIDGE 
 
 Contemporary American Painter, 
 . A LETTER FROM THEIR BOY. 
 Signed. Height, 16 inches; width, 12 inches. 
 
 HAMILTON HAMILTON, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 
 THE OLD CEDARS. 
 Signed. Height, 17 inches; width, 28 inches. 
 
 JOHN J. HAMMER 
 
 American. 
 
 . SUNLIGHT AND SHADOW. 
 Signed. Height, 21 inches; width, 15 inches. 
 
 WILLIAM HART, N.A.; A.W.C.S. 
 American, 1823-1894. 
 
 IN THE ADIRONDACKS. 
 Signed. Height, 434 inches; width, 734 inches, 
 31 
 
258. 
 
 259. 
 
 260. 
 
 261. 
 
 262. 
 
 JAMES M. HART, N.A. 
 American, 1828-1901. 
 
 . APPROACHING STORM. 
 
 Signed. Height, 23 inches; width, 15 inches. 
 
 ALBERT HERTER, A.N.A.; A.W.CS. 
 
 Contemporary American Painter. 
 
 SUPERSTITION. 
 Signed. Height, 12 inches; width, 614 inches. 
 
 ALICE HIRSHBERG 
 Contemporary American Painter. 
 AN OLD WOMAN. 
 Signed and dated, 1884. 
 Height, 1014 inches; width, 7 inches. 
 
 GEORGE HITCHCOCK, N.A. 
 Contemporary American Painter. 
 THE PENITENT. 
 Pastel. Signed. Height, 1314 inches; width, 17 inches. 
 
 ARTHUR HOEBER, A.N.A. 
 
 Contemporary American Painter. 
 THE MEADOWS. 
 Signed. Height, 614 inches; width, 10 inches. 
 
 WILLIAM H. HOLMES 
 Contemporary American Painter. 
 EASTER MORNING. 
 Signed and dated, 1890. 
 Height, 29 inches; width, 20 inches. 
 
 32 
 
— 
 
 — 
 
 oe 
 oe 
 — 
 
 No. 383. THE RETURN TO THE FOLD 
 
 By WILLIAM STEELINK 
 
263. 
 ne 
 
 264. 
 / J 
 
 265 
 
 266. 
 
 267. 
 
 268. 
 
 MAUD HUMPHREY 
 
 American. 
 THE BIG HAT. 
 Signed and dated, 1893. 
 Height, 13 inches; width, 9 inches. 
 
 HENRY IHLEFELD 
 
 American. 
 THE YOUNG HOPEFUL. 
 Signed. Height, 19% inches; width, 1414 inches. 
 
 GEORGE INNESS, N.A. 
 American, 1825-1894. 
 
 . BLACK AND WHITE DRAWING. 
 
 Signed and dated, 1882. 
 Height, 6 inches; width, 9 inches. 
 
 H. BOLTON JONES, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 EARLY SPRING. 
 Signed. Height, 714 inches; width, 12 inches. 
 
 FRANCIS C. JONES, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 
 THE SUMMER GIRL. 
 Signed. Height, 15 inches; width, 1014 inches. 
 
 ALFRED KAPPES, A.W.C.S. 
 American, 1850-1894. 
 
 PICCANINY. 
 
 Signed. Height, 16 inches; width, 13 inches. 
 
 33 
 
i Nf 7 
 
 269. 
 
 270. 
 
 271. 
 
 272. 
 
 273. 
 
 274. 
 
 P. R. KOEHLER 
 
 American, 
 WINTER IN THE ADIRONDACKS. 
 Signed. Height, 1144 inches; width, 1714 inches. 
 
 DANIEL KOTZ 
 
 Contemporary American Painter. 
 
 A GOLDEN GLOW. 
 Signed. Height, 714 inches; width, 11 inches. 
 
 BANCEL LAFARGE 
 
 Contemporary American Painter. 
 SURF AT NARRAGANSETT. 
 Height, 15 inches; width, 21 inches. 
 
 C. LIEBSCHER 
 
 American. 
 THE OLD GARDEN. 
 
 Signed. Inscription, “My garden, Milwaukee, Sept. 
 10th, ’97.” Height, 714 inches; width, 10% inches. 
 
 WILLIAM H. LIPPINCOTT, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 A PURITAN MAIDEN. 
 Signed and dated, 1885. 
 Height, 10 inches; width, 74 inches. 
 
 ARTHUR LUMLEY 
 
 American. 
 
 THE NUN. 
 Signed. Height, 1114 inches; width, 9 inches. 
 34 
 
275. 
 
 la 
 
 276. 
 I- 
 277. 
 278. 
 279. 
 A 
 280. 
 
 W. C. MACY 
 
 American. 
 WINTER SUNSET. 
 Signed. Height, 9 inches; width, 13 inches. 
 
 CLARA T. McCHESNEY, N.Y.W.CS. 
 Contemporary American Painter. 
 THE CARPENTER SHOP. 
 Signed. Height, 1614 inches; width, 14 inches. 
 
 ALICE McCORD 
 
 American. 
 A VENETIAN DOORWAY. 
 Height, 10 inches; width, 7 inches. 
 
 ADDISON T. MILLAR 
 
 Contemporary American Painter. 
 THE BOAT HOUSE. 
 Signed. Height, 1314 inches; width, 10 inches. 
 
 FRANK D. MILLET, N.A.; A.W.C.S. 
 American, 1846-1912. 
 STUDY FOR A LUNETTE. 
 Signed. Height, 814 inches; width, 17 inches. 
 
 THOMAS MORAN, N.A.; A.W.C.S. 
 American, 1837— 
 INCIDENT FROM “SINBAD THE SAILOR.” 
 Signed and dated, 1897. 
 Height, 17 inches; width, 27 inches. 
 35 
 
rf) 
 
 Wipes 
 
 WU 
 
 / 0° 
 
 281. 
 
 282. 
 
 283. 
 
 284. 
 
 285. 
 
 THOMAS MORAN, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 THE FEUDAL TOWER. 
 Signed and dated, 1880. 
 Height, 13 inches; width, 10 inches. 
 
 E. PERCY MORAN, A.W.C.S. 
 
 Contemporary American Painter. 
 SPRING. 
 Signed. Height, 1814 inches; width, 1114 inches. 
 
 EDWARD MORAN, A.W.C.S. 
 
 Contemporary American Painter. 
 STUDY OF THE SEA. 
 Signed. Height, 914 inches; width, 7 inches. 
 
 HENRY MOSLER, A.N.A. 
 
 Contemporary American Painter. 
 SUNNY ITALY. 
 Signed. Height, 11}4 inches; width, 9 inches. 
 
 ADA C. MURPHY 
 
 Contemporary American Painter, 
 AN ARKVILLE SUNSET. 
 Signed. Height, 5 inches; width, 7 inches. 
 
 RHODA HOLMES NICHOLLS, A.W.CS. 
 
 American. 
 
 . LOBSTER POTS. 
 Signed. Height, 12 inches; width, 914 inches. 
 36 
 
LEONARD OCHTMAN, N.A.; A.W.CS. 
 
 Contemporary American Painter. 
 287. WHEN EVERYTHING HAS COLOR. 
 Signed. Height, 13 inches; width, 18 inches. 
 
 H. A. OGDEN 
 
 American. 
 288. MOLLY PITCHER. 
 Signed. Height, 1414 inches; width, 11 inches. 
 
 ALOYSIUS O’KELLY 
 
 Contemporary American Painter. 
 289. A STREET IN THE ORIENT. 
 Signed. Height, 20% inches; width, 1314 inches. 
 
 CHARLES PARSONS, A.N.A.; A.W.C.S. 
 American, 1821-1910. 
 
 290. SEA GIRT,N. J. 
 Signed. Height, 10 inches; width, 18 inches. 
 
 JAMES WILLIAM PATTISON 
 Contemporary American Painter. 
 291. THE POETRY OF THE COAST. 
 Signed. Height, 1414 inches; width, 2314 inches. 
 
 HENRY W. RANGER, N.A. 
 
 Contemporary American Painter. 
 292. A CANADIAN LANDSCAPE. 
 Signed and dated, 1895. 
 nae Height, 1714 inches; width, 2314 inches. 
 37 
 
Per ees ate ale Bebe iS ihm 
 
 a 
 
 V)- 
 
 293. 
 
 294. 
 
 295. 
 
 206. 
 
 207. 
 
 298. 
 
 FREDERIC REMINGTON, N.A. 
 American, 1861-1909. 
 ON THE GREAT SOUTH BAY. 
 Signed. Height, 2114 inches; width, 13 inches. 
 
 W. T. RICHARDS 
 American, 1833-1905. 
 ON THE IRISH COAST. 
 Signed and dated, 1893. 
 Height, 10 inches; width, 17 inches. 
 
 THEODORE ROBINSON, A.W.C.S. 
 American, 1852-1896. 
 
 THE WISTERIA. 
 Signed and dated, 1880. 
 Height, 92 inches; width, 1214 inches. 
 
 WILLIAM S&S. ROBINSON, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 A NEW ENGLAND HARBOR. 
 Signed. Height, 514 inches; width, 814 inches. 
 
 H. M. ROSENBERG 
 
 American. 
 THE BEE HIVES. 
 Signed. Height, 834 inches; width, 13% inches. 
 
 P. E. RUDELL 
 
 American. 
 THE BROOK. 
 Signed. Height, 12 inches; width, 15 inches. 
 38 
 
> 
 
 <<) 
 ‘ 
 
 299. 
 
 300. 
 
 301. 
 
 302. 
 
 303. 
 
 304. 
 
 HENRY SANDHAM, R.C.A. 
 American, 1842-1912. 
 
 ROCKY COAST. 
 Signed. Height, 10 inches; width, 14 inches. 
 
 WALTER SATERLEE, A.N.A.; A.W.C.S. 
 American, 1844-1908. 
 
 MENDING THE NET. 
 Signed. Height, 1914 inches; width, 13% inches. 
 
 W. G. SCHNEIDER 
 American, 1863-1912. 
 AUTUMN. 
 Signed. Height, 12 inches; width, 9 inches. 
 
 E. M. SCOTT, N.Y.W.C.C. 
 
 Contemporary American, Painter. 
 
 JUNE ROSES. 
 Signed. Height, 15 inches; width, 11 inches. 
 
 LOUIS R. SHARP 
 Contemporary American Painter. 
 IN THE CATSKILLS. 
 Signed. Height, 7 inches; width, 10 inches. 
 
 E. G. SIEBER 
 American. 
 AT THE POOL. 
 Signed and dated, 1897. 
 Height, 10 inches; width, 14 inches. 
 
 39 
 
WILLIAM T. SMEDLEY, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 305. AT BAT HARBOR. 
 Signed and dated, 1892. 
 Height, 10 inches; width, 13 inches. 
 
 GEORGE H. SMILLIE, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 306. REZZONICO, LAKE COMA. 
 Signed. Height, 9 inches; width, 20 inches. 
 
 HENRY B. SNELL, N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 307. A BREEZE IN THE BAY. 
 Signed. Height, 8 inches; width, 14 inches. 
 
 A. H. SONN 
 
 American. 
 308. THE MOOR. 
 Signed and dated, 1894. 
 Height, 74 inches; width, 614 inches. 
 
 A. BARBER STEPHENS 
 Contemporary American Painter. 
 309. ELAINE. 
 Initials, “A. B. S.” 
 Height, 13 inches; width, 84 inches. 
 
 JAMES SYMINGTON, A.W.C:S. 
 
 Contemporary American Painter. 
 310. A PORTRAIT. 
 Signed. Height, 14 inches; width, 10 inches. 
 40 
 
J. C. THOM 
 American, 1835-1898. 
 
 311. GATHERING FLOWERS. 
 
 Signed. Height, 10} inches; width, 1514 inches. 
 hb 
 C. M. TRACY 
 Contemporary American Painter. 
 312. A SETTER. 
 Signed. Height, 9 inches; width, 13 inches. 
 iC 
 A. M. TURNER, A.W.C.S. 
 American. 
 313. OCTOBER. 
 Signed and dated, 1899. 
 If Height, 1334 inches; width, 1014 inches. 
 CHARLES Y. TURNER, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 314. IN THE ORCHARD. 
 Signed and dated, 1882. 
 ; Height, 20 inches; width, 14 inches. 
 /yY- 
 ROSS TURNER 
 Contemporary American Painter. 
 315. THE OLD GARDEN. 
 Signed and dated, 1910. 
 Height, 2714 inches; width, 21 inches. 
 )- 
 
 DOUGLAS A. VOLK, N.A. 
 
 Contemporary American Painter. 
 316. GATHERING MISTLETOE. 
 : Signed. Height, 9 inches; width, 734 inches. 
 ae 41 
 
CHARLES VOLKMAR 
 Contemporary American Painter. 
 317. THE DUCK POND. 
 Signed. Height, 11 inches; width, 17 inches. 
 
 J. ALDEN WEIR, N.A.; A.W.C.S. 
 Contemporary American Painter. 
 318. THE HILLSIDE IN SPRING. 
 Signed. Height, 1014 inches; width, 17 inches. 
 
 WILLIAM J. WHITTEMORE, A.N.A.; A.W.C.S. 
 
 Contemporary American Painter. 
 319. CAPE ANN. 
 Signed. Height, 16 inches; width, 24 inches. 
 
 GUSTAVE WEIGAND 
 
 Contemporary American Painter. 
 
 320. EDGE OF THE WOOD. 
 Signed. Height, 14 inches; width, 10 inches. 
 
 J. THOMPSON WILLING 
 Contemporary American Painter. 
 321. NIGHT-BLOOMING CEREUS. 
 Signed and dated, 1889. 
 Height, 24 inches; width, 1614 inches. 
 
 EDMUND WINHAM 
 
 American. 
 822. THE ROAD IN WINTER. 
 Signed and dated, 1907. 
 Height, 12 inches; width, 10 inches. 
 42 
 
K. WITKOWSKI 
 American, 1859-1910. 
 
 823. THE STREET URCHIN. 
 
 Signed. Height, 734 inches; width, 434 inches. 
 } ‘G 
 SIDNEY J. YARD 
 American. 
 324. LIVE OAKS NEAR MONTEREY. 
 Signed. Height, 12 inches; width, 1714 inches. 
 yy 
 ENGLISH SCHOOL. 
 GEORGE BARKER 
 Contemporary English Painter. 
 325. CLEFT ROCK, SCOTLAND. 
 aa Signed and dated, 1904. 
 by - Height, 25 inches; width, 3614 inches. 
 
 43 
 
THIRD SESSION 
 Friday Evening, January 28, 1916, at 8:15 o’clock 
 Lots 326 to 390 
 
 OIL PAINTINGS. 
 
 M. BARTOLUZZI 
 English. 
 326. AUTUMN. 
 Canvas. Signed. Height, 22 inches; width, 15 inches. 
 
 A. DUPRAT 
 
 French. 
 
 327. VENICE. 
 Canvas. Signed. Height, 32 inches; width, 21 inches. 
 
 R. L. JOHNSON 
 
 American. 
 
 828. CATTLE GRAZING, SPRINGTIME. 
 Canvas. Signed. Height, 20 inches; width, 30 inches. 
 
 MRS. A. L. WYANT 
 
 Contemporary American Painter. 
 
 829. AUTUMN. 
 
 Canvas. Inscribed with monogram, “A. L. W.” 
 Height, 22 inches; width, 16 inches. 
 
 G. BELLEI 
 French. 
 330. A GOOD DRINK. 
 
 Canvas. Signed. Height, 21 inches; width, 16 inches. 
 44 
 
DFA. CloARTLZ 
 Dutch, 1837-1890. 
 
 331.. DUCKS. 
 Panel. Signed. Height, 814 inches; width, 13 inches. 
 
 i. ; 
 LEON DABO 
 Contemporary American Painter. 
 332. 23rp STREET FERRY, HUDSON RIVER. 
 Canvas. Signed. Height, 27 inches; width, 36 inches. 
 eee 
 JULIAN RIX 
 American, 1851-1903. 
 333. SILVER BIRCHES. 
 Canvas. Signed. Height, 36 inches; width, 18 inches. 
 /wv~ 
 GEORGE INNESS, Jr., N.A. 
 American, 1854— 
 334. CATTLE AT THE POOL. 
 Canvas. Signed. Height, 12 inches; width, 14 inches. 
 jim 
 
 GUSTAVE WEIGAND 
 
 Contemporary American Painter. 
 835. THE OLD OAK. 
 Yor Canvas. Signed. Height, 40 inches; width, 48 inches. 
 45 
 
ROBERT C. MINOR, N.A. 
 
 Contemporary American Painter. 
 
 336. ROCKY HILL SIDES. 
 Canvas. Signed. Height, 22 inches; width, 30 inches. 
 
 Ge 
 
 B. W. LEADER, R.A. 
 British, 1831— 
 
 337. LANDSCAPE. 
 Academy board. Signed and dated 1878. 
 Height, 11 inches; width, 15 inches. 
 
 yn 
 
 E. A. PIOT 
 
 Contemporary French Painter. 
 
 338. THE BRIDESMAID. 
 Canvas. Signed. Height, 26 inches; width, 20 inches, 
 
 / Ss 
 
 THEODORE ROBINSON 
 
 American. 
 
 339. STREET SCENE. 
 Canvas. Signed. Height, 24 inches; width, 18 inches. 
 
 ony 
 
 P. L. N. GROLLERON 
 French, 1850-1901. 
 340. THE FALLEN STANDARD BEARER. 
 
 : Canvas. Signed. Height, 814 inches; width, 12 inches. 
 6 0- a 
 
343. AUTUMN. 
 
 ROSA BONHEUR 
 French, 1822-1899, 
 
 FAWN AT REST. 
 
 Canvas. Signed. Height, 634 inches; width, 10 inches. 
 Seal of the Rosa Bonheur Sale on the back. 
 
 FRANCESCO VINEA 
 
 Italian, 1846— 
 
 IDEAL FIGURE. 
 
 Canvas. 
 
 Signed. 
 Height, 1814 inches; width, 
 
 F. S. CHURCH 
 
 American, 1842— 
 
 1414 inches. 
 
 Canvas. Signed. Height, 1514 inches; width, 23 inches. 
 
 DESIRE LUCAS 
 
 Contemporary French Painter. 
 
 344. DUTCH INTERIOR. 
 Canvas. Signed. Height, 2114 inches; width, 17 inches. 
 
 GEORGE H. McCORD 
 American, 1848-1909. 
 
 345. GLOUCESTER, MASS. 
 Canvas. Signed. Height, 34 inches; width, 4372 inches. 
 
 341. 
 4s 
 842. 
 “ii 
 ,. VI 
 ay, 
 A £4 
 VEN 
 
 47 
 
HOMER MARTIN, N.A. 
 American, 1836-1897. 
 346. TREES. 
 
 Canvas. Height, 12 inches; width, 12 inches. 
 Purchased directly from the artist. 
 
 RALPH A. BLAKELOCK 
 American, 1847— 
 347. FISHING. 
 
 Canvas. Signed. Height, 8 inches; width, 12 inches. 
 1 
 
 FRANK DE HAVEN 
 Contemporary American Painter. 
 
 348. MOONLIGHT. 
 Canvas. Signed. Height, 2014 inches; width, 24 inches. 
 
 JEAN GUSTAVE JACQUET 
 French, 1846-1909. 
 349. HEAD OF GIRL. 
 Panel. Signed. Height, 13 inches; width, 9 inches. 
 ye” 
 
 F. J. WAUGH 
 
 Contemporary American Painter. 
 350. DAYBREAK. 
 Canvas. Signed. Height, 29 inches; width, 201% inches. 
 ie 7 48 
 
H. VAN ASSCHE 
 Belgian, 1774-1841. 
 
 351. A LANDSCAPE. 
 Canvas. Height, 22 inches; width, 26 inches. 
 
 Lye 
 
 ELLIOTT DAINGERFIELD, N.A. 
 Contemporary American Painter. 
 852. THE DESCENT FROM THE CROSS. 
 
 Academy board. Height, 10 inches; width, 12 inches. 
 Purchased directly from the artist. 
 
 WALTER SHIRLAW, N.A. 
 American, 1838-1909. 
 
 353. WOOD INTERIOR. 
 Canvas. Signed. Height, 13 inches; width, 24 inches. 
 
 GEORGE H. McCORD 
 American, 1848-1909. 
 354. SUNSET, CORNWALL COAST. 
 Canvas. Signed and dated 1907. 
 Height, 20 inches; width, 30 inches. 
 
 R. LINDERUM 
 
 German. 
 
 355. THE CHART. 
 Panel. Signed. Height, 24 inches; width, 1714 inches. 
 
 49 
 
F. S. CHURCH 
 Contemporary American Painter. 
 356. MARSHY LANDSCAPE. 
 Canvas. Signed. Height, 12 inches; width, 25 inches. 
 
 W. B. DAVIS 
 
 Contemporary American Painter. 
 
 357. DREAMING. 
 Canvas. Signed. Height, 40 inches; width, 30 inches. 
 
 RALPH A. BLAKELOCK 
 American, 1847— 
 358. LANDSCAPE AND FIGURES. 
 Canvas. Signed. Height, 414 inches; width, 7 inches. 
 
 SIR PETER LELY 
 English, 1617-1680. 
 359. THE DUCHESS OF BEDFORD. 
 Canvas. Height, 49 inches; width, 40 inches. 
 Purchased from Arthur Tooth & Sons. 
 
 F. W. WATTS 
 English, 1817-1904. 
 
 360. OLD CHELSEA BRIDGE. 
 Panel. Signed. Height, 10 inches; width, 14 inches, 
 
 50 
 
A. P. LUCAS 
 
 Contemporary American Painter. 
 
 361. NOCTURNAL LANDSCAPE. | 
 Canvas. Signed and dated 1902. 
 Height, 25 inches; width, 30 inches. 
 
 WALTER SHIRLAW, N.A. | 
 American, 1838-1909. | 
 
 362. CHEYENNE INDIANS. 
 
 Panel. Signed. Height, 16 inches; width, 12 inches. 4 
 WY 
 : 
 MICHAEL ANGELO DA CARAVAGGIO | 
 Italian, 1569-1609. 
 363. MOTHER AND CHILD. 
 Canvas. Height, 18 inches; width, 22 inches. 
 J. B. C. COROT 
 French, 1796-1875. 
 364. PORT DE DINAN. 
 Canvas. Signed and dated 1868. 
 Height, 1414 inches; width, 10 inches. 
 us 
 
 ROSA BONHEUR 
 French, 1822-1899. 
 
 365. THE TIGER. 
 ye * Canvas. Signed. Height, 26 inches; width, 31 inches. 
 Seal of the Rosa Bonheur Sale on the back. 
 
 51 
 
: 
 
 367. 
 
 ‘1 
 
 368. 
 
 yl0- 
 
 869. 
 
 ay 
 
 366. 
 
 RALPH A. BLAKELOCK 
 
 American, 1847— 
 A LANDSCAPE. 
 Canvas. Signed. Height, 5 inches; width, 714 inches. 
 
 WALTER SHIRLAW, N.A. 
 American, 1838-1909. 
 
 THE CANAL BOAT. 
 Canvas. Signed. Height, 19 inches; width, 40 inches. 
 
 JULIAN RIX 
 American, 1851-1903. 
 
 LANDSCAPE—MAINE FOREST. 
 Canvas. Signed. Height, $2 inches; width, 42 inches. 
 
 GEORGE INNESS, Jr. 
 Contemporary American Painter. 
 IN THE STABLE. 
 Academy board. Signed. 
 Height, 22 inches; width, 18 inches. 
 
 CORNELIS VAN CEULEN JANSSENS 
 Flemish, 1590-1664. 
 
 370. PORTRAIT OF A LADY. 
 
 Canvas. Dated 1629. 
 Height, 28 inches; width, 33 inches. 
 
 52 
 
G. B. WILCOCK 
 
 English. 
 371. NORWICH OAKS. 
 Canvas. Height, 25 inches; width, 36 inches. 
 ) 40 | 
 JULIAN RIX 
 
 American, 1851-1903. 
 
 372. MARINE. 
 Canvas. Signed. Height, 32 inches; width, 42 inches. 
 
 /00- 
 
 ACHILLE FOULD 
 French 
 
 373. BLIND MAN’S BUFF. 
 Canvas. Signed. Height, 26 inches; width, 20 inches. 
 (See Illustration). 
 
 RALPH A. BLAKELOCK 
 
 American, 1847— 
 
 374. WOODLAND, MOONLIGHT. 
 Panel. Signed. Height, 10 inches; width, 6% inches. 
 
 f \ 
 bN 
 
 GEORGE ELMER BROWNE 
 
 Contemporary American Painter. 
 
 375. STREET SCENE, MOONLIGHT. 
 Canvas. Signed. Height, 33 inches; width, 40 inches. 
 
 /y Has 53 
 
MARIE DIETERLE 
 
 Contemporary French Painter. 
 376. CATTLE. 
 Canvas. Signed. Height, 1414 inches; width, 21 inches. 
 
 J. H. WEISSENBRUCK 
 Dutch, 1824-1903. 
 
 377. RIVER VIEW. 
 Panel. Signed. Height, 12 inches; width, 1814 inches. 
 
 WILLIAM RITSCHEL 
 
 Contemporary American Painter. 
 378. THE SEA WEED GATHERERS. 
 Canvas. Signed. Height, 20 inches; width, 24 inches. 
 
 WALTER SHIRLAW 
 American, 1838-1909. 
 
 379. THE PERGOLA. 
 Canvas. Signed. Height, 17% inches; width, 30 inches. 
 
 G i ra Fa 
 
 BRUCE CRANE, N.A. 
 Contemporary American Painter. 
 380. AUTUMN MEADOWS. 
 {407 Canvas. Signed. Height, 12 inches; width, 16 inches. 
 
 54 
 
381. 
 
 / bo~ 
 
 382. 
 
 yo rf 
 
 383. 
 
 S 
 S 
 
 384. 
 
 J. H. WEISSENBRUCK 
 Dutch, 1824-1903. | 
 
 LANDSCAPE. 
 Panel. Signed. Height, 9 inches; width, 15 inches. 
 
 THOMAS HUDSON 
 English, 1701-1779. 
 PORTRAIT. 
 Canvas. Height, 50 inches; width, 4614 inches. 
 Purchased from Arthur Tooth & Sons. 
 
 WILLIAM STEELINK 
 Dutch, 1856— 
 
 THE RETURN TO THE FOLD. 
 Canvas. Signed. Height, 25 inches; width, 39 inches. 
 
 (See Illustration). 
 
 GASTON GUIGNARD 
 
 Contemporary French Painter. 
 
 CATTLE HOMEWARD BOUND. 
 Canvas. Signed. Height, 26 inches; width, 40 inches. 
 
 FREDERICK A. BRIDGEMAN, N.A. 
 
 American, 1847— 
 
 . MONACO. 
 Canvas. Signed. Height, 43 inches: width. 56 inches. 
 
 55 
 
hr7 
 
 Cus 
 
 fra- 
 
 V. DEVILLE 
 Contemporary English Painter. 
 386. SALMON POACHERS. 
 Signed and dated 1905. 
 Height, 3714 inches; width, 49'4 inches. 
 
 JAMES M. HART, N.A. 
 American, 1828-1901. 
 
 387. MIDSUMMER. 
 Canvas. Signed. Height, 32 inches; width, 45 inches. 
 (See Frontispiece). 
 
 JOSE WEISS 
 
 Contemporary English Painter. 
 388. LANDSCAPE. 
 Canvas. Signed. Height, 39 inches; width, 61 inches. 
 
 WILLIAM T. RICHARDS 
 American, 1833-1905. 
 
 389. ROCK BOUND COAST. 
 Canvas. Signed and dated 1884. 
 Height, 35 inches; width, 61 inches, 
 
 JULIUS L. STEWART 
 
 Contemporary American Painter. 
 390. LANDSCAPE. 
 Canvas. Signed. Height, 34 inches; width, 60 inches. 
 56 
 
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