ateie ex, 7
eh tess. 92 eA, 2
ae OLLECTION, SALE.
Lt Uy, 0-44
“Stock7of the late aH! rm of
am Schaus, comprising paintings,
-colors and drawings, sold at
on at the Hotel Plaza ballroom,
. 15, 16 and 17, by the American
Association, realized $154,082.50. |
sale was well attended by col-
s frequently seen in auction fl
mm pV. dealers)
three old masters in the ele i
and Horse,’ by A. Cuyp; “Land- !
with Canal,” by P. Breughel, the |
sr, and “Landscape with Figures,” by |
nisdael, brought $360, $400 and $600
ctively. :
significant feature of the lack of |
sm of American collectors was |
t out at the second night’s sale,
a portrait of the great American >
nan, the late John Hay, by an.
rican artist, went to an i ietean | .
for $65, and the portrait of the
German statesman, Bismarck, by a.
nan artist, went to a German buyer
3,600.
lowing is a list of the pictures
brought $500 or over, with artist’s |
é, title of picture, buyer and price:
~“Calme sur E-eseaut, A+B. Johnson.. $525 ;
“Mother and Baby,” Pi Wvikouss; os. 925 |
P\Wasnine Day,’ P, W. Rouss...J..... 700
s, “View of Delft,” Knoedler & Co.... 1,150 |
mers, “Minding the Baby,” Tooth &; Sons. 800
Maris, “Ducks and Ducklings,’ Knoedler
eee STS ians wits Sak a aosis ctsle wwessxd oko see's os 710 |
“Degel- Norway,” F. A. Ames... 600
ismarck,’ T, Heinemann......... - 3,600
ie over Cadore, ANY eICOUSS si 6s 15125 4
>. Dieterle, “Cows and Pool, ” F, Layton... 1,400
ite ee pubee wetter,” T. Heinemann ens ate 575
ameng, ‘With Bonaparte mitaly,’’ O.
RE IROSC SIG ra raya. oi'ajais aus gah bce 6c be op ccs ss 1,650
yme, “The Tulip Craze, a J. (en Poyvarisio si 1,650
1} Kaulbach, “Day Dreams,” T. Heinemann. 750
1: Uhde, “The Flight,” T. Heinemann Spee ae 1,800
__ Inundation, Place St. Marc,’ Georges
m, 1ew Of c ; eti
Galleries. cere CemM RAINS 8 ice grace 608, DOO)
Mme. Dieterle, “La mets ah Troupeau ; George. ee
Ay STI MEMO eG cst vicki ss Yok teat $52,000
Mme. Dieterle, “lL Etang de nee poersane eZ
ACR. Murray, kd o\ cei g em yee tiga eee nS 3,600
berg & Little piece
a
oe ee G@tlberpaip, F: Draz...... 600
Batoses,) Mrs: A. Plake...:. 52.5. 625
. Cachaud, “Village Street, Moonlight ;’”
Ww. eae ae $550
. Bonheur, “A Mountain Donkey;” A. B.
Re stele x isPo 2 as ose ose sins oie eo hs cs 600
issonier, “Esquisse d’Une Troupe;’’ O. Ber- I
J BYEG)0ID" G10 006 GAG ae Cee ae 550
Maris, “‘Pasture and Cows ;” Knoedler & Co, 1,675
feeeeseh, Mista Canal Near Baskop;” N.
PE So ge 5 05, | SS SD a ar 1,050
Maris, “Goose and Goslings;’’ W. W. Sea-
No FOG Sac Gog ha Gee 2 900
Maris, eA Pink on Shore at Scheveningen;’ '
ga ie AS) 3,400
‘Ruisdael, “Landscape with Figures;” A. B.
aot (on Son ab Drain eae eee eee 600
m, “Public Gardens, Venice, Moonlight;” A.
Be gobneon WERT EMI TEs orc lé ecco ete Fi ek oe 1,650
n Marcke, “Sheep in Pasture;’ B. Johnson ~ "850
‘Troyon, “Sheep in Pasture; ae I. ee 825
Jacque, “Feeding Time;’’ Boussod Valadon
| Sr Aion DA See 650
omentin, “Hunting with Falcons; Georges
| Petit Uo rice cscs tice es 5,300
lion, “The Fisherman’s Return;” Georges
| Petit Galleries CEMENT tn oec oy lo ln sis stbynie bo 500
Dupre “The Pond;” Boussod Valadon & a. 1,050 |
‘rot, “Morning ;” Georges Petit Galleries. ; 6,500
Dupre, Pemormne;: Knocdier & Co........ 3,600
tubigny, river landscape, ‘‘Harvest Moon;”
Ie ao ose cbs dics oi vols so sans dae as 2,000
az, “Edge of the Forest;’” W. W. Seaman, ;
Teele 5 cia abies A> vg: susie mee ae oh 12,000 |
‘Dupre, “The Old Oak;’’ Holland Galleries.. 1,150 ©
irpignies, “The Brook; ”? Knoedler & Soe 3,850
Zin, “The Thaw ;” Knoedler (eal tore 8 Bieter sees 1,450
Jaques, ‘‘The Shepherd ;’ R. Murray, agent 8,100
Shreyer, “Arab Riders ;” Mr Schultheis..... 5,800
hermitte, “The Reaper’s Lunch;” A. R. Mur-
ay, See, co iualain ie a isacdie. 0s heb F Oe acs 6% 11,500
2 Bock, “Milking Time Near Voorburg ;” BR
W, Os ain gil ors sais + « 2,500
|eissenbruch, “On the Shore;’’ Knoedler &
Gok ase 3 ee ee 3,300
Israels, ‘Domestic Troubles;” Wallis &
ENGLIS 1 AGENT FORCED TO PAY
HIGHEST PRICE AT SCHAUS SALE
e Jeet eee e Bametie Trouble” Brings $13, 900 in)
Battle of Bids—Collection es $154, oo
O40 in Three ae
jand_ buyers that f
f pat the Plaza at.
: | collection of oil
was done at the third evening of the sale gee a Buisdael. fLandookpe with Fig-
of pictures of the collection of the late Hr hes ao B. Fohnson- frente a Weta Wahi ae . 600 |
f Hermann Schaus, which was held in the|" Moonlight? A.B. Johnsons). +. 1,650)
Brand ball room of the Plaza last night.}Emile-Van Marcke, Sheep: in Pasture;’’
* A, By Johnson,.... iia 8 hoy Hansen 850 |
‘The room was crowded, and at times the ‘Constant “PeSRON, “Sheep. in. Pasture;”
: ‘offers came so rapidly that ‘the bidding ap-i J. Glendining. ..........0... 5+. sees eee 825 |
Charles Emile Tacque, “Feeding” Time;"” .
_ proached the frenzied stage. / Mf Boussol Walladon & Cos efoovic een aces - 650 |
| | The proceeds from last night’s sale far|Eugene Fromentin, “Hunting with : Fal:
ire Cons! Stollbere & ie, abe 5,300
_ exceeded the total for the two previous} Antoine Vollon, ‘The Fisherman’s Re- .
_ ‘mights. The highest price of the night and|, turn;’’! Georges (Petit Galleries.......... 500 |
bj the week was paid for a picture by Josef’ Sules ‘Dupre, “The Pond,” Boussol Val- : Ba
_ ‘Israéls, which went to Wallace & Sons, of |_ /adon Meme da ie ee SE ES RN LE ea aa tata
Tender, tor $13,000. Thotr agent haa eome/e%®, eantiste Camille Cofot, "Mornings"
L to New York especially for the sale to/Jules Dupre’s ‘‘Morning;’’. Knoedler & Co.. 3,600 |
‘ ie this work, which was called ‘‘Domes-| Charles rascals. Fedral A land- vo
tie Trouble... The bidding against the|, cape, “Harvest Moon;’’ R, C. Vose..... 2, |
° ‘was lively, Messrs. Knoedler & Co., re Rovents”” ee -12,000
_ the Georges Petit Galleries and Mr. Theo-} jules Dupre, ‘’fhe Old Oak;’’ Holland - |
| ‘dore Heinnemann, of Munich, taking part) Art Galleries.....,......-..+- ++ SR is wel)
ec ha ae Harpignie, “The Brook; 7 Knoedier sand
' The total for the night was $117,335, mak- |. cnc Bind a eh tgY Lavoe epee Cente e
ing the amount realized on the sale $154,- Jean Charles Cazin, the ‘Dhaw-Ks a!
ECopee ate teen ee Sea ee
082.50. The pictures offered last night! phates Pmile Jacques, “the Shepherd;”?
brought good prices with few exceptions.| A. R. Murray... (0... nc. c eee eee tenes . . 8,100
“Sheep in the Pasture,’ by Emile Van pe rere “Arab. Blaers;" Henry
Marcke, was sold for $850. Mr. Schaus paid|, © Thess sueee sa errata tiReea GY Stars
$4,000 for this a few years ago. The lowes
price paid for a picture last night was $46. |: B : ng Tim
Herewith is a list of the pictures which; V. ROWSS. 0.0. seer ee es 2s
brought $500 or more, giving first the name|: 4
of the artist, then the name of the picture,
that. of the new owner and the price:—
Francols Charles Cachaud, “Village Ba el
Moonlight;’’ W- A. Granier...........0.. $550
Mile. Rosa Marie ‘Bonheur, “A Mountain
{ Donkey;’* A. B. Jobngon.
_ Jean Louls Ernest Metssondir,. Bsa
‘D'une Lroupe;’? O. Bernet..........
William Maris, “Pasture
Knoedier. & Co.. Ue BBE Eee
‘Johannes Hendrik. _Welsserbruch, “The
Canal Near Baskop;’’ N, A. Gr Bt i
Johan Barthold Jongkind, “Moonlight On si
a.Canal;’? W. W. Seaman. .
; William ‘Maris, “Goose and pesiner, Ww.
¥
f
!
|
|
|
ON FREE PUBLIC VIEW
AT THE AMERICAN ART GALLERIES
MADISON SQUARE SOUTH, NEW YORK
BEGINNING WEDNESDAY, JANUARY 10rn, 1912
BELONGING TO THE ESTATE OF THE LATE
Semen acp efor ME ST EI ‘
OF NEW YORK
UNRESTRICTED PUBLIC SALE BY ORDER OF
THE EXECUTORS
On Monpay, TurspAy, AND WEDNESDAY EVENINGS,
JANUARY 15TH, 16TH AND 17TH
BEGINNING EACH EVENING AT 8.00 O’CLOCK
FIFTH AVENUE, 581n TO 591TH STREETS
“
ts Se
fg eh OF
u jf /
/
7 f /
ILLUSTRATED CATALOGUE
OF
THe VALUABLE PAINTINGS
AND OTHER ART PROPERTY
RECENTLY CONTAINED IN THE
WILLIAM SCHAUS ART GALLERIES
FIFTH AVENUE, NEW YORK
TO BE SOLD AT
UNRESTRICTED PUBLIC SALE
~ By OrperR oF Mrs. Sopuiz J. ScHAuUS, EXECUTRIX, AND
ADOLPHE ScHAUS, EXECUTOR, OF THE LATE
HERMANN SCHAUS
ON THE EVENINGS HEREIN STATED
IN THE GRAND BALL ROOM OF THE PLAZA
FIFTH AVENUE, 58Tru TO 59TH STREETS
THE SALE WILL BE CONDUCTED BY
MR. THOMAS E. KIRBY, OF
THE AMERICAN ART ASSOCIATION, Manacers
NEW YORK
1912
Press of Tue LENT & GRAFF Company
137-139 East 25th Street, New ‘York.
‘
CONDITIONS OF SALE
1. The highest Bidder to be the Buyer, and if any dispute arises between
two or more Bidders, the Lot so in dispute shall be immediately put up again
and re-sold. 5
2. The Auctioneer reserves the right to reject any bid which is merely
a nominal or fractional advance, and therefore, in his judgment, likely to affect
the Sale injuriously.
3. The Purchasers to give their names and addresses, and to pay down
a cash deposit, or the whole of the Purchase-money, if required, in default of
which the Lot or Lots so purchased to be immediately put up again and re-
sold. :
4. The Lots to be taken away at the Buyer’s Expense and Risk within
twenty-four hours from the conclusion of the Sale, unless otherwise specified
by the Auctioneer or Managers previous to or at the time of Sale, and the
remainder of the Purchase-money to be absolutely paid, or otherwise settled
for to the satisfaction of the Auctioneer, on or before delivery; in default of
which the undersigned will not hold themselves responsible if the lots be lost,
stolen, damaged, or destroyed, but they will be left at the sole risk of the
purchaser.
5. While the undersigned will not hold themselves responsible for the
correctness of the description, genuineness, or authenticity of, or any fault
or defect in, any Lot, and make no Warranty whatever, they will, upon re-
ceiving previous to date of Sale trustworthy expert opinion in writing that
any Painting or other Work of Art is not what it is represented to be, use
every effort on their part to furnish proof to the contrary; failing in which,
the object or objects in question will be sold subject to the declaration of
the aforesaid expert, he being liable to the Owner or Owners thereof for
damage or injury occasioned thereby.
6. To prevent inaccuracy in delivery, and inconvenience in the settle-
ment of the Purchases, no Lot can, on any account, be removed during the Sale.
7. Upon failure to comply with the above conditions, the money de-
posited in part payment shall be forfeited; all Lots uncleared within one day
from conclusion of Sale (unless otherwise specified as above) shall be re-sold
by public or private sale, without further notice, and the deficiency (if any)
attending such re-sale shall be made good by the defaulter at this Sale, together
with all charges attending the same. This Condition is without prejudice to
the right of the Auctioneer to enforce the contract made at this Sale, without
such re-sale, if he thinks fit.
8. The Undersigned are in no manner connected with the business of the
cartage or packing and shipping of purchases, and although they will afford
to purchasers every facility for employing careful carriers and packers, they
will not hold themselves responsible for the acts and charges of the parties
engaged for such services.
Tur AMERICAN ART ASSOCIATION, Manacers.
THOMAS E. KIRBY, AvcTIoneEeEr.
FIRST EVENING’S SALE
MONDAY, JANUARY 15tx, 1912
IN THE GRAND BALL ROOM OF THE PLAZA
Firta AvENvE, 58TH To 59TH STREETS
Brcinnine at 8 O’cLtock
MLLE. ROSA MARIE BONHEUR
FRENCH (1822-1899)
No. 79— CHEVAL ATTELE
is PENCIL DRAWING oe ) oy
ne 8 ee eee
Height, 334 inches; length, 434 inches
Tue drawing represents a sturdy cart-horse almost in profile, facing to the
right. It is distinguished by its careful study of the harness, which includes
a breast-band instead of a collar and a string of bells attached to the headgear.
Signed at the lower left, “Rosa B.” __
MLLE. ROSA MARIE BONHEUR
FRENCH (1822-1899)
No. so0— TOMBEREAU ATTELE D’UN CHEVAL
PENCIL DRAWING () Si a
JO = V4i ©. Onarnmne
Height, 5 inches; length, 914 inches /
Tue drawing, made with pencil on white paper, presents a careful study of
the side view of a Parisian trash-cart and of the horse’s harness. The animal’s
head, which faces to the right, is indicated sketchily.
Signed at the lower left, “Rosa BonHEvR.”
MLLE. ROSA MARIE BONHEUR
FRENCH (1822-1899)
No. 81— CHEVAL | ee
PENCIL ve tee. YYVL- A 6
- oe"
/ 2 Vi: Cae
A Bookcase of rococo design, decorated with a festoon of carved and gilded
flowers, occupies the background. In front of it is a table, covered with a
silvery-blue velvet cloth, embroidered with silver. At the right of it a young
lady sits in profile, reading. Pink ostrich plumes adorn ae. blond hair, while
her figure is elegantly attired in a pompadour skirt of pearly-gray with dainty
rose stripes enclosing floral sprays, over a petticoat of alternate bands of
rosy cream and pale olive-blue, sprinkled with little flowers. Resting his elbow
on the left side of the table, an old gentleman in a magenta-colored costume
sits listening to the story.
Signed at the lower right, “Guiser. SicNorin1, Paris, 262.”
BERNARDUS JOHANNES BLOMMERS
HOLLAND (1845- )
No. 133— MINDING BABY
WATERCOLOR
or : . . a A
) aw) 7 bat Height, 16 inches; length, 201% inches -
\ U tt 6 GS Y
A wicker cradle, draped over the hood with a black and gray shawl, occupies
the center of the composition. The pink-faced baby is lifting its left hand
to the young mother, as she stands at the right watching it. Her figure
is seen in profile, the back bent forward, the hands resting on the knees. In
the rear of the scene appears a large fireplace, paneled at the side with blue
and white tiles, while a blue bureau stands at the left, with a row of three
plates leaning against the wall.
Signed at the lower right, “BLiomMers.”
JOHAN HENDRIK VAN MASTENBROEK
HOLLAND (1865- »)
No. 134— SUNSET
WATERCOLOR
a) ve Height, 19 inches; length, 28% Beg Ss ' 3
pans . 7 hppa
Tue water stretches from the front to a low horizon, fringed with purple :
woods. Over the center of these the sun’s half-orb shows yellow under level
strata of purplish-orange cloud, surmounted by a confused mass of darkening
vapor. Along the left of the canal extends a quay on which appear a clump
of trees and some red-roofed houses; while across the water spreads a mossy-
green pasture. Two boats lie off the bank, in one of which stands a man with
a pole.
Signed and dated at the lower right, “J. H. V. Mastensroex, 1905.”
WILLEM MARIS
HOLLAND (1844-1910)
No. 135— DUCKS AND DUCKLINGS
WATERCOLOR
ef / 7A “e Height, 1414 inches; length, 231%, inches ;
L = a 4
Tue scene presents a spot of bright
green grass in front of a little pond,
the surface of which is boldly dap-
pled with light and shade, under
branches clothed with long yellowish
leaves. Six yellow ducklings are
sprinkled near a white duck, who is
preening her feathers. At her left
stands another white one, while at
the right a bluish duck is lying be-
side a yellowish-brown one with scarlet on her head.
Signed at the lower right, “Wi111rm Manis.”
WILLEM STEELINK
HOLLAND (1856- )
No. 136— SHEEP ON THE HEATH
WATERCOLOR
Akos Son Height, 15 inches; length, 25% eanedg ec vf ee
Over the drab _ fore-
ground, scantily spotted
with short herbage, the
sheep are spread in a fan,
the point of which is
toward the _ spectator.
The shepherd, in blue
blouse and brown trous-
ers, stands at the left of
his flock, propped upon
his stick, the upper part
—_ eee of his body showing
against the horizontal line of a scrubby, bare hedge. The latter terminates at
the center of the composition in three almost leafless trees, to the right of which
extends the dark, olive-buff-black mass of a long thatched roof. Over the top of
it appear three posts of a rick roof.
Signed at the lower right, “Wittem STEELINK.”
Af OHAN HENDRIK VAN MASTENBROEK
HOLLAND (1875- )
No. 137— MORNING FROST
ip ‘gar Height, 191/, inches; length, 28, inches ha ae
burr
Axsove the horizontal line of trees which bounds the view of the haf\bor, the
sun glimmers white in the dove-gray vapory sky, and trails its reflection over
the water to the front. At the left of the latter five rowboats, containing
fishermen, are sprinkled in a group. A laden barge is being towed by a tug
toward a wharf in the middle distance at the right. Beyond the wharf ex-
tends a row of houses. A man operating a pole, stands in the stern of a
barge, which has a rowboat with a single occupant in tow.
_ Signed and dated at the lower right, “J. H. V. Mastensroex, 1904.”
ra FRANCOIS PIETER TER MEULEN
HOLLAND (1843- )
No. 138— A SHEPHERDESS
WATERCOLOR
LC
ra) ee Height, 27, inches; width, 21 inches Sa
LL yo Ug _ ght, 4l/2 Y 3 aed J
A Rosy-FACED girl is knitting as she sits on a bank, in profile to the left.
Yellow leaves are strewn around her and a sapling, from which the top is
broken, shows at her back. In the distance, at the left, is a thicket of young
trees amid which the flock is feeding, while a sheep and a lamb appear in the
middle distance. The girl is dressed in a white cap and blue apron that
reaches from her neck to her feet.
Signed at the lower left, “KF. P. Ter Mruren.”
WILLEM CORNELIS RIP
HOLLAND (1856- )
No. 139— MOLENS NEAR ZEVENHUYOEN
WATERCOLOR
ef ; OG f :
/ a Height, 1914 inches; length, 2814 inches A ' oak
Ow a road that winds through the center of the foreground a cart approaches,
with a white horse in the shafts. The driver wears a dark blue blouse. The
road leads back to a mill, which is seen across a sheet of water that occupies
the left of the foreground. Under the far bank appears a punt, containing a
man in a blue blouse. In the distance on this side are seen four windmills,
and another overtops a cluster of brown roofs at the right.
Signed at the lower left, “W1ttem Rip.”
FRITZ THAULOW
NORWEGIAN (1847-1906)
No. 140— DEGEL—NORWAY
PASTEL ; )
ib 00 — Height, 19% inches; length, 29%, inches
A ¥ew stars show in the blue
sky, but the village street is
wrapt in gloom. The snow
on the roofs of the cottages
along the right is a vague
gray-blue, and the drab walls
pierced with the rosy, creamy
light from four windows and
a transom, glimmer uncer-
tainly. Before a dark door-
way a man and a woman
stand conversing. Out in the
roadway, where the glare from the windows is reflected in some puddles, a man
comes forward with his hands in his pockets, followed by a girl leading a child.
At the left of the roadway stands a row of poplars.
Signed at the lower right, “Frrvz TuHautow.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 141— UNE FEMME PEINTRE
WATERCOLOR
f)
iy 3 U oe Height, 18 inches; length, 23 weg , BAP. eh UY
Ar the right of an easel, whose edge occupies almost the center of g. com-
position, a young lady leans forward on her seat, diligently painting. She
is elegantly attired in a gown of pale blue damask, besprinkled with purple,
golden yellow and rosy blossoms, down the front of which descends a panel of
pearly-gray with an arabesque design in gold, rose, green and blue. Her
subject is seated at the left of the easel—an oldish gentleman, whose knees
embrace a large chaufferette. Above his head hangs a picture of two loves,
while on the wall behind the lady is a series of panels, each containing the
figure of a saint.
Signed at the lower right, “Guisrr. S1cNor1n1, Paris, 262.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 142— RETOUCHE DU PROFESSEUR
WATERCOLOR
ey 70 beds Height, 18°, inches; length, 241, inches | ty 4 ia
Tue profile of an easel divides the composition about the center. Ag the right
an old gentleman, facing the spectator, sits posing for his portrait. Mean-
while, on the other side of the easel, the lady-artist has yielded her chair to
a young professor, and leans on the back of it as she watches the process of
retouching. Her gown is of pale blue satin, trimmed with silver embroidery,
while the young man’s costume consists of a white tie-wig, crimson, gold-
bedecked coat and breeches and scarlet stockings.
Signed at the lower right, “Guisep, SicNortni, Paris, 266.”
PIERRE J. PELLETIER
FRENCH
LA FOLIE NANTELLE
PASTEL
Height, 20 inches; length, 29% inches F 5G OQ
From the foreground a road-
way leads back to the green-
ish-blue door of a drab house,
the roof of which is fantasti-
cally embellished with red
coping tiles and a number of
red chimney pots. A woman
approaches the door. At the
left of the roadway is a
stretch of sandy earth, strewn
with stones and bordered by a
mossy wall, over the top of
which shows a row of trees.
On a bank at the right of the foreground stands the dark gable end of a house,
surmounted by a high chimney and light red roof.
Signed at the lower right, “PELLETIER.”
LUIGI CHIALIVA
ITALIAN (1842- )
No. 144— SPRING LANDSCAPE
WATERCOLOR
4 a? Height, 15 inches; length, 211, inches [Qa (33-0 (9
“a nee Lf
h
Tue pasture slopes up from the foreground, having at the right of the sum-
mit a group of straggling young peach trees, laden with pink and white blos-
soms. A shepherdess is seated on the left of the slope, clasping her knees
with folded hands as she watches three lambs which stand in advance of the
sheep. ‘The rest of the flock is grouped at the right, where the sheep-dog
stands on the alert, with quivering tongue hanging out. The girl wears a
reddish-purple handkerchief around her head and a pinkish-brown dress with
a creamy-drab tippet over the shoulders. An umbrella lies by her side.
Signed at the lower left, “L. Cutativa.”
AUGUST FRANZEN, A. N. A.
AMERICAN (1868- )
No. 145— CALLING ON THE SQUIRE
WATERCOLOR
a ——— Height, 201, inches; width, 134% inches t, 6
In a garden, gay with flowers, a gentleman with gray hair and beard, sits
sideways on a green bench. He rests his head on his hand, as he faces a
young man and woman seated at the left. The youth wears a white yachting
cap and scarlet tie and holds his hand on the back of his chair with a cigar-
ette between the fingers. His companion is dressed in a blue hat, yellow
waist, and rose and buff figured skirt.
Signed at the lower right, “Franzen.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 146— #RICHE ARABE DANS SON FUMOIR
WATERCOLOR
a BS of Height, 27 inches; width, 20 inches\ , a
: . MOLMAL_
A BLACK-BEARDED Arab is seated on a bench, holding“his long pipe unsmoked,
while he leans against the green and gray tiled wall in an attitude of reverie.
At his side is a tabouret with sweetmeat box and coffee cup, and behind it
stands a Nubian slave in a long, plain yellow silk tunic, elevating a per-
forated brass sphere from which fragrant smoke-wreaths issue. The gentle-
man’s garb comprises a rosy-crimson jacket, embroidered, like the yellow vest,
with silver, and crimson-damask trousers; a salmon-pink drapery being laid
over his pale blue turban.
Signed at the lower right, “Gutser. Sienorin1, Paris, 305.”
.
oe,
Ras
PIERRE J. PELLETIER
FRENCH
No. 147— BILLANCOURT
PASTEL
a ‘4 Se Height, 22 inches; length, 36 inches ce fe Kea
ts a eae gy tee ss a C soa
In the paling light of a stormy sky a roadway extends from the foreground
toward the left. Here two carts interrupt its monotony. Near the sidewalk
stands a telegraph post, the wires cutting the sky diagonally. Then ap-
pears a lamp-post, past which two women are walking. On the opposite side-
walk, two women stand in conversation, and a man, carrying a basket, is
hurrying along beside a woman who holds a child by the hand. The walk is
bounded by a wall, over which appear the roofs of two sheds and a couple of
house-boats, with a view of the river beyond, reaching back to a factory
and smokestack in the left distance.
Signed at the lower left, “J. PELLETIER.”
ALBERT LOREY GROLL, A. N. A.
AMERICAN (1866- )
No. 148— THE DESERT
PASTEL
es 37 tale Height, 21 inches; length, 331, NES Ca ae Care The Y 4 vi
Tue level of the desert is interrupted near the foreground at the left by an
eminence that rises to its highest point by successive undulations. This
almost waye-line formation is swept with tones of purple, orange, green and
cream. The desert, yellow-green and studded with sage-brush in the middle
distance, pales to cream as it approaches a blue and rosy mountainous bar-
rier on the horizon. Its contours, partly rounded, partly serrated, show
against a pale blue sky, in which soar two conspicuous white clouds with
ragged edges.
Signed at the lower right, “A. L. Groxt.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 149— MARCHAND DE CURIOSITES
WATERCOLOR
: Co Height, 301, inches; width, 19 eae
ae
An Arab, swathed in crimson, with a rosy, crimson i Ae in
stands offering for sale an instrument which has two rows of eight strings,
strained over a kettle-drum body, covered with sheepskin. A gray-bearded
merchant, seated on the floor beside some brass lamps, a brass dish embossed g
with a horse and rider, a tabouret, inlaid with mother-of-pearl, and other =a
articles, is passing his left hand over the body of the instrument. An almost ‘a
feminine elegance distinguishes the old man’s costume which comprises a
crimson turban, pink silver-embroidered robe, yellow vest and a drapery shawl
of yellow, crimson and blue stripes.
Signed at the lower right, “Guisep. SicNorint, Paris, 294.”
CONSTANT BROCHART
FRENCH
No. 150— | MAUD MULLER
PASTEL
ee — oo Height, 471% inches; width, 321, pe ~~ y,
g
A youne girl, holding the handle of a rake with one hand and a tin mug in
the other, sits beside a runnel of water. Her straw hat is trimmed with
pinkish-brown ribbon and decked with marguerites and poppies. Round her -
neck lies a silk handkerchief of old rose, gray and light blue plaid; while her
white chemisette is confined by a black bodice, above a blue skirt, turned up
and bunched over the hips.
Signed on a stone at the lower right, “Constant Brocwart.”
PIERRE J. PELLETIER
FRENCH
No. 151— ISSY LES MOULINEUX
PASTEL
— ; I iy )
lA 3 Height, 221, inches; length, 351%, inches Be 163 Onolrerig
sor | ~=From the left of the fore-
: ground a. street stretches
back to the center of the
middle distance, while a
roadway descends to the
riverside at the right. Here
there is a wharf, heaped
with sand, with a_ black
barge moored alongside.
The water extends back to
where two red roofs and a
factory chimney show
against a sky filled) with rain-clouds. The sidewalk at the left of the street is
bordered with a paling, over the top of which appear a tree and the brick walls
and brown roofs of houses. A lady in red dress walks beside a man.
Signed at the lower right, “J. PE tirtier.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 152— ANTICHAMBRE DU. HAREM
WATERCOLOR
/O Ae athe Height, 34 inches; width, 22%, inches ; ~ a Ee oe
A Brass lamp hangs above a large bowl, from which fans out a profusion of
pampas blossom, the plumes on the left spreading across a Moorish-Gothic
grille. Beneath this display appear a standing and a seated musician. The
latter, distinguished by a handsome pink silk drapery, the lining of which is
embroidered in silver and pale-olive green, rests his foot on a tabouret, while
he sings to the accompaniment of a lute-shaped instrument. His companion,
whose crimson robe reveals the apple-green velvet sleeves of a jacket, is
drawing a bow across the two strings of an instrument consisting of a very
small circular body and long slender neck.
Signed at the lower right, “Guiser. SicNorint, Paris, 301.”
GUISEPPE SIGNORINI
ITALIAN (1857- )
No. 153— DOGE DE VENISE
S ntetee
-+/O6— Height, 49%, inches; widkh, 294% inches, ~ A ye
a@, OS ie G
A MAN, superbly costumed, stands facing the ahh As 1% ane peat iste Bl
a rolled document, while his right turns the illuminated page of a large book,
supported on a revolving desk. His figure is enveloped in the voluminous
folds of a rose silk robe, over which descends from his right shoulder a broad
stole of cream and purplish-red brocade. Two men, similarly attired, are -
seated in the shadow of the background, against an oak-paneled wall. The
scene represents the interior of the Hall of the Council of Ten.
Signed at the lower right, “Guiser. St¢Nortnt.”
SECOND EVENING’S SALE
TUESDAY, JANUARY 16ru, 1912
IN THE GRAND BALL ROOM OF THE PLAZA
Firru Avenue, 58TH to 59TH STREETS
Becinnine at 8 O’cLocK
JULES ALEXIS MEUNIER
FRENCH
Contemporary
No. 154—FISHERMEN ON THE EDGE OF THE QUAY
ae ? oop CL Oo ee
ec
/ [a Height, 6 inches; length, 914 inches
Tue quay extends back from the left of the foreground, rosy-white in the sun-
shine. Near the front two fishermen are seated on the edge, their feet dang-
ling over the water. The nearer one, an old man in brown cap and a slaty-
drab coat, leans forward with his hands on his knees, while his companion
turns to him, mouth open, gesticulating. Facing the men are the bows of
three boats, which project horizontally from the right with a diminishing
amount of the hull in view. ‘The one most in sight is painted pale green, the
next darker green, with “Villefranche” lettered on the gunwale, while the last
is white; the colors of all being reflected in the mauve water.
Signed at the lower left, “J. A. Mrunter.”
H. BRELING
GERMAN
No. 155— RIDING PILLION 3
PANEL rt : |
oars ao Height, 6 inches; width, 4 inches : 7
A wurre horse has one foreleg raised in the act of stepping out of a narrow
stream that it has forded. It is mounted by a man in a buff tunic and brown
boots with flaps reaching above the knees. With her right arm round his
waist, a woman rides behind him, pillion fashion. She wears an old-rose jacket,
drawn in at the waist. A chateau, with a round tower at one of the angles
of its outer wall, shows in the distance at the left.
Signed and dated, “H. Bretine, 1887.” =
LUIGI LOIR
AUSTRIAN
No. 156— A PARIS STREET—EVENING
Fo = Boa (3 Ar AAA - ly
In the waning light the roadway, which extends back from the foreground, is
damp with rain. ‘The sky is heavy with dull drab vapor, gathered over a
glaring white horizon, against which show the umbrellas of passengers on the
top of an omnibus. It has halted beside a boutique for tickets, situated at
the left on the sidewalk, where also appear a lamp post and newspaper kiosk.
On the opposite side of the street yellow lights flare in the shop windows. A
cart, drawn by a white horse, is coming down the street, followed by a hansom.
Walking toward them from the right of the foreground is a boy in white
apron, coat and cap, carrying a red can.
Signed at the lower right, “Lor, Lutet.”
LUIGI LOIR
AUSTRIAN
No. 157— THE HARBOR—NIGHT
| a
a es Thi hee
Tue foreground shows a triangle of drab-colored roadway with a strip of pale
green grass that separates it from a reversed triangle of slaty-purple water.
On the latter lies a houseboat with two windows, glowing red; beyond which
the horizon line is interrupted by a puff of smoke and dotted with yellow lights.
A green light glimmers at the top of a pole beside a building in the middle
distance at the right, from which a wharf projects. A carriage, with lighted
lamps, and three female figures spot the road.
Signed at the lower right, “Lom, Luter.”
SIEKERZ SZY KIER
POLISH
No. 158— WINTER
PANEL ad We
i Ce ein
a Height, 91 inches; width 7 inches
Snow, shaded with bluish-gray, covers the scene, which in the foreground
presents the summit of a slight hill. The top has just been reached by a
black horse, advancing at a gallop. His head is encircled with a large horse-
shoe yoke, attached to the shafts of a sleigh. The latter is being driven by
a woman, who stands leaning back on the reins. She is dressed in a plum-
red jacket and reddish-brown skirt, while a dark kerchief surrounds her
plump, smiling face. Another face appears in the bottom of the sleigh. Close
behind follows a second sleigh, drawn by a white horse in charge of a man.
Signed and dated at the lower left, “Szyxier Sirkerz, Munachium, 1890.”
H. BRELING
GERMAN
No. 159— THE PRISONER
PANEL Be p ra
.3 eS aa Height, 5 inches; length, 6 inches
In front of the gabled end of a thatched cabin at the left of the foreground
a woman stands with her baby in her arms. She is watching her husband,
as with hands tied behind his back he is being led off by a mounted trooper
who holds a gun upright before his saddle. The prisoner casts a look back,
as he is about to disappear behind a bank at the right of the composition. —
Signed at the lower right, “H. Brexine.” -
ALFRED THOMPSON BRICHER, A. N. A.
AMERICAN ( 1839-1908)
No. 160— THE BROOK ‘Gs aa
PANEL ‘Be : ye re cotton a | !
tee nase Height, 11%, inches; width, 934, inches )
TAAL YR WF mf hae
(
fa
I
OLAS
FELIX ZIEM
FRENCH (1821-1911)
No. 181— SUNSET OVER CADORE
PANEL
Rie Height, 15 inches; length, 21°, inches :
Tope Saris (2)
A une of blue mountains, in which nestles the mountain-valley town of Pieve
de Cadore, the birthplace of Titian, extends horizontally across the distance.
Over it hangs a primrose sky, greenish above until it passes into faint blue. The
sunset is seen from across an expanse of beautiful blue water, which reaches to
the foreground. Here, at the right, a long gondola containing several figures,
one of which is in blue, while another makes a spot of geranium scarlet, is
putting out from the bank. The latter is covered with brownish and rosy grass
and occupied by a tree with a sprinkle of reddish foliage.
Signed at the lower right, “Ziem.”
RENE BILLOTTE
FRENCH (1846- )
No. 182— ROUTE D’ASNIERES
ee Height, 181/, inches; length, 241% inches“, Vg ,
ZO 44—— ALS get Se AYA
Ir is a gray day, coldly lighted, and the scene shows sharply against a dove-
gray horizon, surmounted by blue. From the left of the foreground a roadway
leads back, bordered at the right by a paling fence, over the top of which appear
the black hat and the blue shoulders of a solitary pedestrian. At the right
spreads a level of gray-green and buff grass which in the middle distance is cut
into by a rectangular fenced yard, adjoining some pale-green trees. Beyond
the enclosure is a horizontal row of houses, dark red in their lower stories and
white above, with roofs that are colored variously drab, grayish-lavender and
red. The line is continued at the left of the roadway by a house with a slate
mansard roof, next to which are two conspicuously white buildings.
Signed at the lower right, “Rene Bitiorre.”
LEON GERMAIN PELOUSE
FRENCH (1838-1891)
No. 183— THE LOIRE AT VUILLA FAUX
-ve Height, 181%, inches; length, 25°4 inch
eee hatin
THE scene is cee
with gray; the water which
flows back from the left. of
the foreground being a gray-
blue, stained with grayish-
green reflections. It passes
out of sight in the middle
distance at a point marked by
a tall poplar which cuts
against the gray-buffs and
slaty-grays of a grassy
hillside, while the brown, dead
top of the tree shows against the sky. At the left of the poplar a cottage
with reddish wall stands beside an arched bridge. Nearer to the front on the
left bank appears the bright rosy-cream wall of a mill, from which a water-—
wheel projects over the stream.
Signed at the lower left, “L. G. PELovuss.”
GEORGES MICHEL
FRENCH (1763-1843)
No. 184— AN OLD OAK
Height, 24 inches; width, 19 inches
5 / 0 - ripe ; Sidereve
‘On the left of the foreground of brownish-buff earth stands the aia bi
very trunk of an oak, which leans toward the right and spreads its torn, etd
and leafless limbs against the sky. At its foot lies another trunk, the sawn
end toward the front and its splintered top reaching back to the right. Dark
olive-green trees are massed in the rear and crown a knoll at the left. Above
them float white clouds in a sky that grows to slaty-gray at the zenith.
W. HUGHES
BRITISH
No. 185— STILL-LIFE
PANEL
— ec Height, 20 inches; length, 23 inches
ald nr (r Ae OLD. AQ
A warce red-glazed earthenware crock with a lid stands on the floor in the
foreground beside a bunch of celery. On a settle behind, partly covered with
a white cloth, are disposed a bowl, containing lettuce, radishes and onions, an
English “cottage” loaf and an oil flask, bound with straw. In the back-
ground, at the left, a door opens into a cellar, where a barrel appears.
|
Signed and dated at the lower right, “W. Huaurs, 1869.”
ANT. MOLKENBOER
HOLLAND
No. 186— A CITY GARDEN
aes Height, 24 inches; width, 18 Ea
Sam
Ristye from the left of the foreground, a bare treé=stem cuts the/composition —
diagonally. A path, curving horizontally, divides the foregrotnd from a
lawn, yellow with light. It is occupied by the statue of a child, while to the
left grows an elm. In the rear a well, surmounted by a cupola, adjoins a vine
arbor, which extends along the fagade of a red brick house. of Height, 32 inches; len 44 inches 7 pene
oO ree oo ey ; ee
Yirr. - Lee
Tue sea spreads a smooth green surface, tinged with tones of sapphire in the
ripples of the foreground. A few little puffs of dove-gray vapor float in the
lower part of the gray-blue sky. Near the front, at the right, is a French
fishing-smack with two creamy sails and one blackish-red. Over at the left are
two other boats, distinguished, respectively, by the red and the blue of their
hulls. In the central distance appears a packet-steamer with red funnel.
Signed at the lower right, “G, LaTenay.”
LEON GERMAIN PELOUSE
FRENCH (1838-1891)
No. 223— STUDY OF TREES
ce Height, 434% inches; width, 31% inghas Pa ;
30 — St 9 etna
A urtLe knoll on the coast is occupied by three scraggy trees, driven over
and wrenched into tortuous shape by wind. Their upper limbs are tufted with
foliage, while the greenish-black trunks, apparently overgrown with ivy, show
dark against a farther mass of soft, silvery, brownish-gray leafage. A strip
of lavender-pink sea appears at the left, beneath a gray sky, curdled with
cream, that passes above to dove-pink and at the zenith to pale blue. At the
right of the trees a peasant woman, in white winged cap, olive-slaty skirt and
rough drab apron, stands leaning over a little child who is seated on the
ground.
Signed at the lower left, “LL. G. Prtouse.”
THOMAS CRESWICK
BRITISH (1811-1869)
No. 224— A MOORLAND STREAM
/ b Height, 341, inches; length, 441/,, inches SY See; .
fo o— : ‘is 4 : Yn .kKeanrl PSS
Tue scene is a rocky glen, running up into the side of a moor, the summit of
which shows in the extreme background against the blue and white sky. The
foreground presents a picturesque confusion of boulders which form irregular
banks to a stream. The latter in the middle distance spreads to an olive-
brown golden pool, whence it descends in two falls and brawls among the
stones in the foreground. A fisherman is casting a fly over the pool, while his
companion stoops toward the water. Behind them grows a cluster of young
beech trees, with autumn foliage of golden reddish hue.
=
PAUL WAGNER
GERMAN
No. 225— CHILDREN FISHING
v~ ae Height, 35 inches; length, 51% inches | 7] p ri pis
~oo0 — 4. Jb OWA
From some reeds at the left a boat projects diagonally across the foreground.
A girl is seated in the stern, scraping a fish before putting it into a tub at‘the
bottom of the boat. She is dressed in a straw hat, a bodice of green, pink,
drab and slaty plaid, a grayish-blue apron and a brown skirt. A little child
holds her arm with one hand, while the other grasps a fish. In the bow a boy,
whose trousers are turned up over bare legs and feet, stands fishing with a
stick for a rod. Beside him are two smaller children, one holding a piece of
bread and butter and pointing at the float, the other gazing into the water.
The group is seen against a pleasant background of greenish-yellow hillside,
sprinkled with trees.
Signed at the lower left, “Pau Wacner, Miinchen.”
a AS me
a agit? a
2 a
ee
JEAN BAPTISTE ROBIE
FLEMISH (1821-1899)
No. 226— ROSES
PANEL
9
A. ol
a a>
So FRANCOIS CHARLES CACHOUD
| FRENCH (CONTEMPORARY)
No. 242— VILLAGE STREET, MOONLIGHT
ne eG isthe Height, 91, inches; ons ae ‘5
SILENT in the moonlight, a village street slopes gently up from the foreground.
It is barred with patches of shadow, cast by a cottage and trees at ‘the left,
which are separated by three posts. At the right of the foreground appears
a high gate-post with a portion of the gate. It adjoins a building with one
window, which is built against the taller gable of a cottage that has two win-
dows, raised high from the ground, and a funnel-shaped opening in the roof.
The latter is of tawny-brown thatch, projecting upon beams over the plastered
wall, which is greenish-cream in the moonlight. Three trees, and a structure
with a pointed roof, vaguely seen, close in the vista at the rear.
Signed and dated at the lower right, “F. Cacuoun, 1905.”
<<.
a ALBERT LYNCH
PERUVIAN (CONTEMPORARY )
No. 243— THE BLACK NIGHTINGALE
: : cy Bea ©,
ee Height, 163, inches; width, 14 inches va Ae Weel
Tue head and bust of a young lady are shown three-quarters to the left. The
face is refined in expression, with gray-blue eyes fixed on the spectator. The
chestnut hair, rolled back over the forehead and streaming down onto the
shoulders, appears beneath a nightingale. The latter is of black silk, sprigged
with little violet blossoms on short stems. Its design involves a mob crown,
a curtain at the neck and a quilled border, lined with lavender-pink, that rises
toa peak in front. A bit of yellow chemisette appears on the bosom.
Signed near the center of the left, “Atpert Lyncu.”
30 FRANCOIS CHARLES CACHOUD
a
FRENCH (CONTEMPORARY )
No. 244— ROUTE DE NEUFCHATEL, PAS DE CALAIS
To Ce Height, 15 inches; length, 2134 inches jprbcavnwt YL Cee7 er
ys
A FULL moon of butter-color, surrounded with a faint rosy aura, hangs in a (4
drab sky, interrupted by three flots of pale yellow cloud, hovering over the
lavender-rosy flush of the horizon. The latter is crossed by a drab-green range
of hill. Seen against it is a yellowish mossy-green bank that slopes up toward
the left, where a pollard willow spreads its soft blue-green foliage. Below the
bank a road crosses diagonally from the left, disappearing behind a knoll of
bright green grass. It is surmounted by a dark olive stem, the almost leafless
branches of which slant to the left and show against the sky.
Signed and dated at the lower right, “F. Cacuoup, 1906.”
5 a
(4 S PIERRE EMMANUEL DAMOYE
oo FRENCH (1847- _——) ; ;
No. 245— LANDSCAPE
PANEL
ie aT RES Height, 12%, inches; length, cee : 40 %
Tue foreground is filled with marshy water whic eK blue of
the sky in tones of gray. Its surface is interrupted by spiky reeds, pale —
yellow growth and a sprinkle of white flowers. Some distance back, at the left, —
a duck is swimming, while in the same plane at the right appear the reflections
of four branchless trunks that grow on the farther bank. ‘They are inter-
spersed with three trees, crowned, respectively, with yellow, green and yellowish-
brown foliage. In the middle distance, at the left, the seated figure of a woman
in a white hat is seen against a strip of creamy green.
Signed and dated at the lower left, “I. Damoyg, 88.”
io" EDOUARD ROSSET-GRANGER
FRENCH (1853- __)
No. 246— THE JEWEL CASE
o ( & be Height, 18 inches; length, ie ee
A youne lady, seen as far as the waist, sits looking down at a pearl necklace, of
which she holds the ends with extended hands, as it lies across an open jewel
box. The latter rests upon a table at her right, which also supports an electric
light standard, fitted with a yellow shade. Meanwhile, a rosy glow comes from
the right and illumines one side of her face and touches here and there the
lavender-pink of her teagown, which is embellished with lace at the neck
and sleeves.
Signed at the lower left, “EX. Rosset-GRraNcER.”
GABRIEL CORNELIS VON MAX
AUSTRIAN (1840- )
No. 247— SUSANNE
a ye 7 ne Height, 19 inches; width, 151% inches EL
Facrne three-quarters to. the right are shown the
head and bust of an attractive young woman. Her
black, rather wiry, hair is parted on the crown,
whence it waves over the sides of the head and
streams down behind the neck, one of the curls en-
croaching upon the right shoulder. The complex-
ion is of ivory whiteness, faintly suffused with rose
on the cheeks, while the lips are carmine, and the
eyes, which gaze at the spectator, are hazel-brown.
The shoulders and bust are nude, save for a bit of
yellow-green drapery which the girl holds over her
bosom with the left hand.
Signed at the upper right, “G. Max, Susanne.”
6) © ~
-~ Mes
of
JEAN LOUIS ERNEST MEISSONIER
FRENCH (1815-1891)
No. 248— JOUEUR DE BOULES, ANTIBES
PANEL
7 SS. — Height, 54%, inches; width, 4 VE t, ;
ea ye one of the artist’s
Tue sketch is a recor
visits to the picturesque town of Antibes, on
the Mediterranean coast, between Nice and-
Cannes. It is made on a panel of polished
wood, the grain of which is exposed, except
where the figure is painted. The latter repre-
sents a man of sturdy build, facing in profile
toward the right, as he stands with the left foot
shghtly advanced. His rubicund face, fur-
nished with graying side-whiskers, is sur-
mounted by a white hat that is trimmed with a
brown band. The man is in his shirt-sleeves,
dressed in creamy-white trousers and a drab
waistcoat, at the armhole of which appears a
glimpse of his yellow suspenders. His hands are
held behind his back, as he grasps two bowls, preparatory to rolling them.
Stamped at the back, “Ventre Metssonter, 1893.”
Signed at the lower right, “K. M.”
JEAN LOUIS ERNEST MEISSONIER
FRENCH (1815-1891)
No. 249— LA VIEILLE FEMME FILEUSE, ANTIBES
PANEL
a ) 3 ae Height, 7 inches; width, 5 inches / Z &
v ~ VD __
; a
- Tuer sketch is executed o panel of polished
wood. It represents an old peasant woman of
Antibes, seated facing three-quarters to the
right. A distaff is fixed under her left arm and
her hands are disposed in the gesture of spin-
ning. Her head is covered with a cap which
runs back to a peak and is furnished with
flounces over the ears. She wears a pale blue
handkerchief, dotted with white, fastened round
her neck. The sleeves and body of the gown are
merely indicated by reddish shadows, the skirt
being touched in sketchily with white. Mean-
while the rendering of the apron has been
carried further, the folds being developed in
tones of olive drab.
Stamped at the back, “Vente MEtssonier.”
Signed at the lower left, “KK. M.”
res EUGENE BOUDIN |
Y
FRENCH (1825-1898)
No. 250— QUAI DE LA DOUANE, VENISE
PANEL
a i Height, 121% inches; width, 9 inchon 7 (
SEEN beyond the foregroundfof water, the Cus-
tom House Quay extends from some brown-
roofed buildings at the left nearly across the
middle distance. A picturesque tangle of ship-
ping is moored in front of it. The mass in-
cludes some barges with single masts, from one
of which flies a gray flag with a touch of scar-
let, and an ocean-going, square-rigged craft,
against whose black hull shows the top of a
green mooring post. Alongside the larger ves-
sel lies a barge with a man in the end of it,
who seems to be hailing a rowboat, containing a
seated and a standing figure. In the distance
at the right are indications of buildings, under
a gray, weathery sky.
Signed and dated at the lower left, “Venise, 98, E. Bouprn.”
MLLE. ROSA MARIE BONHEUR
FRENCH (1822-1899) x
No. 251— A MOUNTAIN DONKEY
Cea
ee Height, 13 inches; width, 91% inches (e
3 Sj 3 ef 3 2 y j {
Bee = Uktn
r ;
Acainst a background of bright green moyntain,
which is succeeded by another of violet green hue, a
reddish-brown donkey, of Spanish breed, stands
three-quarters in view, facing away from the spec-
tator. The beast’s head is free of gear; but on its
back is a rosy scarlet saddle, furnished front and
rear with a padded roll. Stirrup irons hang from it
and a red strap passes round the quarters under
the tail. Over the root of the latter lies an orna-
ment, composed of scarlet string and fringe. The
head is seen against a shaded hollow in the moun-
tain’s side.
Stamped on the back, “Vente Rosa BonHEwrR.”
Signed at the lower right, “Rosa BonHeEvr.”
4 ha Ojo
EMILIO SANCHEZ-PERRIER
SPANISH ( -1907)
No. 252— RIVER LANDSCAPE
ats
3 “7 ue o> | Height, 1034 inches; length, 14 inche 0 :
—
Pate blue water whitened with reflections of the sky, ge from the right
of the foreground and indents irregularly the ground which occupies the left
of the composition. At the edge of the water a woman, seated in a rectangular
box, 1s washing laundry. ‘Two pieces are spread near her. In the middle
distance a couple of washerwomen appear hard by a group of four, whose
costumes comprise spots of lavender and geranium-red. ‘The riverside which
is of sand, stony and sprinkled with rushy growth, is bounded in the rear by
a gray hedge of willows, over the top of which rise some trees with yellow
foliage.
Signed at the lower left, “E. SancuEz-PErnier.”
4> JEAN LOUIS ERNEST MEISSONIER
E i : FRENCH (1815-1891)
No. 253— ESQUISSE D'UNE TROUPE
"3 eo oe
A pras road, sketchily rendered, leads back diagonally from thq right of the
foreground. It surmounts an embankment which is indicated pt the left by V
pale blue and green brush-strokes over an underpainting of reddish buff. A
single horseman approaches on a bay mount. He is distinguished by a scarlet
tunic. Behind him ride a couple of troopers, respectively on a white and
dark brown charger. These are followed by the rest of the troop, riding two
and two. One of them, mounted on a white horse, is apparently carrying the
colors. The sky is sapphire-blue, crossed by fleecy rollers of dove-gray.
Stamped on the back, “Vente MEIssoNiIEr.”
Signed at the lower right, “KE. M.”
Height, 5 inches; length, 8 inches Y Lf Titles
gL cd / Noe ye iia
LUIGI CHIALIVA
ITALIAN (1842- )
No. 254— SHEPHERDESS
y, 1, ee Height, 14 inches; width, 1034 inches
In the foreground a shepherdess faces us, as ade with her left hand,
holding a stick, resting on her hip and the forefinger and thumb of the other
hand placed upon the forehead of a black-and-tan dog. Her chestnut hair is
partly covered with a bluish-white cap, while her figure is clad in a drab cloak
with olive-yellow collar, a lavender body, dull blue apron and dull salmon-
colored petticoat. Her sheep are dispersed around her, conspicuous at the
right being an ewe with her lamb nestling at her side. In the rear appears a
man on horseback, stooping to talk to a girl.
Signed at the lower left, “LL. Cutariva.”
2 EUGENE BOUDIN
“al FRENCH (1825-1898)
No. 255— TROUVILLE \
PANEL
eo
3b A, = Height, 91, inches; length, 12% inches (eo. A of VY Wh ya
From the left, where
there are indications of
buildings overhung with ie
soft masses of green trees,
a quay extends back diag-
onally to the middle dis-
tance, where a_ metal
bridge of two spans
crosses horizontally to
the right. The quay-side
is crowded with sailing
barges, whose dark brown
and olive-drab hulls are
reflected in the fore-
ground of water, along
with a little blue from the upper sky. Conspicuous amidst the confusion is a
white sail, over the top of which appears a spot of rose. Farther back a large
hull displays a green band round the gunwale. At the right of it two gray
mooring posts rise above the water. Beyond the bridge are visible drab and
white sails and the square yards of a vessel. White masses of cloud float above
the pale, dove-gray horizon.
Signed at the lower left, “Kuve. Bouviy, Trouville.”
5
~ ¥
> ‘
¥
\
¥
sas | JACOB MARIS
/ i" HOLLAND (1838-1899)
No. 260— _A PINK ON SHORE AT SCHEVENINGEN
el Os Sinn
A Hoxranp “pink,” its creamy-yellow sail lowered nearly to the gunwale, lies
beached-in the foreground. Blue, white and red stripes decorate the tip of
her mast, from which a red pennon flies. The bow shows the painted device
of a gray semicircle, marked with two blue chevrons. A cart is drawn up
alongside, with a white horse in the shafts. The driver is dressed in yellow
oilskins. The olive-buff and greenish coloring of the boat’s hull is reflected on
the damp sand, which elsewhere is broken up into tones of silvery drab.
Signed at the lower right, “J. Marts.”
Collection of N. W. Van Delden, Amsterdam.
Height, 19 inches; width, 16 inches.
aa
C-
ARTHUR HOEBER, A. N. A.
,
\
AMERICAN (1854- )
No. 261— THE SEA
y i a Height, 14 inches; length, 22 inches -) —f
¥ Hun A_
A HEAVE of water, sliding across the middle distance, lobs up at the left to a
white crest, and along its line is flicked into lesser points. Its hue of greenish-
blue is streaked with cream and faint rose and lavender. The horizon is suf-
fused with primr se-drab vapor, slightly tinged with rose. |
Signed at the lower left, “Arvruur Hoeser.”
A \
Ee . ARTHUR HOEBER, A. N. A.
AMERICAN (1854- )
No. 262— UPON A SUMMER’S DAY
rf o.—tvv Height, 25 inches; length 30 inches
3 fi: oe rr - YWLa
Across the foreground extends a rude wall of rocks, greenish-gray and amber
in the light, and in the shadows violet and bluish. Beyond this extends the (
green, faintly blue, sea, interrupted in the distance at the right by a schooner
with white sails, one with her masts bare, and a boat with a single sail. Layers
of creamy cloud bar the pale blue sky, which deepens to slate at the right.
CO UVL
a
A
Signed at the lower right, “Arvuur Horser.”
HENRI REGNAULT
FRENCH (1843-1871)
No. 263— . THE HEAD OF AN ARAB
cy 00 v.& Height, 18%, inches; width, 16 tr . ) ft, Pe
THE swarthy face, reddish-brown, gray and glossy in the Kigh lights, wears a
black moustache and short, thin, curling beard around the cheeks and chin.
The head is very slightly inclined to the left, the eyes looking down. A whitish
drab cloth covers the crown, a touch of yellow showing over the black curls at
the left, while behind the hair at the right hangs a golden creamy neck-covering.
A little of the pale, slaty-gray robe appears at the base of the long neck. The
whole is sketchily but vividly rendered against a white background.
Sedelmeyer stamped on the back.
Signed at the lower right, “A mon ami, Vayson, H. R.”
From the HE. Lyon Collection, Paris, 1903.
; Py
JA“ ADELBERT CUYP
HOLLAND (1605-1691)
No. 264— LADY AND HORSE
PANEL
Oe Height, 14%, inches; width, 111% ALLA (3 ( p us
Oo e 0 < R_ se Seow
A DAPPLE-GRAY palfrey, with scarlet ribbons hanging from the sites of his
bridle, occupies the center of the foreground. He stands beside a lady who
turns her head to look at him, as she sits on a mounting-block at the left. Her
hair is decorated with a jewel from which a rose and a gold scarf hangs,
the ends being crossed over her bosom. Her body is encased in a short-
sleeved, tight-fitting tunic, like a cuirass, of pale creamy green and rose
striped material. A rose-colored drapery covers her lap, on which her right
hand rests, while an orange-tawny and white spaniel, standing on his hind legs,
licks it. In the shadow behind the lady a negro holds a crimson cloak, bunched
on his head. Elevated in the rear are a statue of a figure, clad in a toga, and
a terminal surmounted by the wreathed head of Priapus.
Black seal on the back.
Signed at the lower right, “A. Cuye.”
rf
on Al
Wo
PIETER BREUGHEL, THE ELDER
FLEMIsH (1525-1569)
No. 265— _ LANDSCAPE WITH CANAL
PANEL
l ad Height, 18 inches; lengiHry 29 inches Vy
Woo Peo EVE VY
~
A cana stretches from the
left of the foreground to a
single-arch bridge, furnished
with a toll-house, in the
middle distance. Near its
right extremity stands a red-
gabled tavern, in front of
which appear a hooded
wagon and a crowd of people.
In the immediate foreground
on this side a woman is
seated in a cart drawn by a
single horse, on which a man is riding. Among the figures which animate the
front plane, and present in their costumes hues of scarlet, blue, gray and
olive, are three men, toward the left of the center, who are forking what looks
like hay into a wagon. Sail boats are drawn up on the edge of the canal while
in midstream is a ferry-boat, laden with cows.
| y wt ,
vat JACOB VAN RUISDAEL |
‘4
\, \ HOLLAND (1628-1682)
No. 266— LANDSCAPE WITH FIGURES
oe ae
G ES a Height, 29 inches; width, 251%, inghes. f” \ {i} 77
A seg sy 7 oF
nm! 3- Mots
A u0e lies across the left of the foreground. A few feet back some(Bushes grow
at the base of a greenish-brown oak trunk, with corrugated bark, which leans
slightly to the left. Near it is another, with grayish-green stem, similarly
inclined. In front of it a man is seated with his back to us. He is dressed
in a black felt hat, a buff coat, and high boots with scarlet flaps. Beside him,
on a roadway, stands another man whose costume comprises a drab hat, dark
green belted coat, red stockings and white flaps to his boots. Farther back in
the roadway, in the shadow of some trees on a knoll at the left, a figure in black
approaches.
An imperfect signature near the log suggests, “RuisparL, fet.”
JAN MONCHABLON
FRENCH (1855-1903)
No. 267— VUE DE CHATILLONS, VOSGES
ys oe F ; rt . :
Pi a PS a Be tirtli-wv4 f- Lith
/
Aw elongated triangle of very yellow herbage, sprinkled with g—little green
vegetation and some small boulders, stretches across the nel from the
right. Its diagonal line is paralleled by a pinkish-brown strip of newly plowed
soil, at the right extremity of which a shepherdess and her flock are seen in
front of a wall that fronts a shed. The parallelism is continued by a strip of
green, where some cows are feeding. After this the ground, broken up into
patches of cultivation, slopes up to an eminence, crowned by a village of red-
roofed houses. Above them rises a tower, surmounted by a spire.
Signed and dated at the lower right, “Jan Moncuasion, 1891.”
JEAN FRANCOIS RAFFAELLI
FRENCH (1850- )
No. 268— LE CHIFFONIER
PANEL
ot v4 Fos aed Height, 19 inches; width, 13%; es: ro 4
roe oo Tue rag-picker sits three-quarters to the
zs right on the rim of a tall basket, balanc-
ing his body by resting his right hand on
the opposite edge. Behind him, at the left,
is a bank of sandy soil, tufted with scanty
vegetation, while at the right the low
ground extends back along a sheet of
water, the monotony of which is broken by
a small boat. Across the water are indi-
cations of a red roof and a factory smoke-
stack. A black soft felt hat covers the
man’s head, which is turned to the specta-
tor, revealing a face shaggy with brown
side-whiskers and beard and a moustache
and patch under the lower lip of buff color.
Round his neck is knotted a blue handker-
chief; the rest of his attire consisting of
an olive-slaty coat over a white shirt, a pair of bluish-yellow trousers and
low shoes.
Signed at the lower left, “J. F. Rarrar it.”
Ce ca! al
SL su =
FELIX ZIEM
No. 269— PUBLIC GARDENS, VENICE, MOONLIGHT
FRENCH (1821-1911)
Height, 1614, inches; length, 25 inches 3 (| bee
A section of the parapet of the Public Gardens of Venice pfojects from the
left of the middle distance, interrupted.near the center of the composition by
the steps and balustrades of the water entrance. The trees of the garden present
masses of golden-brown tones which are reflected in the deep blue water that
reaches to the foreground. ‘Toward greenish-blue mooring posts, grouped
near the landing, a black-hooded gondola is approaching. Two passengers are
visible, one of them being distinguished by a white headdress and a scarlet
cloak. Another gondola, with a red light attached to the front of its hood, is
crossing to the right, cleaving the dripping reflections of a waning moon that
hangs in gray vapor over the brown shore of the Lido. The upper sky at the
left is blue, diagonally streaked with cirrus.
Signed at the lower left, “Ziem.”
ae ARTHUR HOEBER, A. N. A.
AMERICAN (1854- )
No. 270— THE FLOWING TIDE
| }
a oe Height, 22 inches; length, 30 inches J VL i / uy,
/ — "4 v So i L- y
In the middle distance, at the right, the square-rigged”sails of a vessel, and,
near to the center, the still farther sail of a fishing boat, loom phantom-like
against the faint lavender vapor which is banked over the horizon. Above it
emerges the upper half of a full moon. Its reflections form a path to the
front, where the greenish-gray sea becomes pale sapphire, mottled with rose
and lavender, as it winds its way over the sandy foreground.
Signed at the lower right, “Arraur Horser.”
> D
ARTHUR HOEBER, A. N. A.
, AMERICAN (1854- )
No. 271— WOODLAND SOLITUDE
cee
i’
SF rs Height, 25 inches; length, 30 inches zy hes Td
1 ae GRIN Sola ae
7 & = oO = te Vw Ut MU""—__
Tue water, at the right of the foreground, is striped with the oli¥e-green
reflections of some oaks which are clustered on a projecting point of ground.
A smaller point at the left is distinguished by three tree-trunks, growing close
together. In the rear the pool is bounded by a horizontal screen of woodland,
where the foliage glows with yellow light, as if there were an opening beyond.
Signed at the lower left, “Arruur Horner.”
EMILE VAN MARCKE
FRENCH (1827-1890)
No. 272— SHEEP IN THE PASTURE
PANEL
Besa aig Pana: Height, 13; inches; oye a ( Reo
Turee sheep are lying in the foreground of a pasture, eS at the right
being half in shadow. Behind the other two stands a blackish¢brown sheep, at
the left of which a white one is feeding, its body seen in profile, enveloped: in
shadow. ‘The field is bounded in the middle distance by a horizontal line of
fence, about the center of which rises a young tree, bushy with yellow foliage.
At the right of it a man in a sapphire-blue blouse leans on the top rail, talking
to a woman in a white cap and rosy bodice, who stands on the farther side
of the fence. The shepherd’s black dog has left him and is racing toward
the right.
Signed at the lower right, “km. Van Marcxe.”
CONSTANT TROYON
FRENCH (1813-1865)
No. 273— SHEEP IN THE PASTURE
PANEL
Yas Height, 13 inches; width, 10 inches
0 as Ue bie “MN WL. Leo Lee
Tue face of a sheep, lying beside another in the foreground, catches the light
and forms the focus point of a scheme of golden yellow-brown tonality. At “the
left of the foreground a stick lies on the grass beside a dark green bush. Over
the top of the latter appears the back of a sheep, seen in profile, which is
paralleled by another. A fifth sheep stands, cropping the grass, at the right;
while still another faces us, lying down at the back of the scene.
A seal at the back, also a statement in writing, “I FRIES: this painting an original work
by C. Troyon—WitiiaAM Scuavus.”
Signed at the lower left, “C. 'Troyon.”
t—
b
Cee EMILE VAN MARCKE
YL yRENCH (1827-1890)
No. 274— CATTLE RETURNING HOME
PANEL
~ -) q fied
Pie age ah) Height, 81, inches; width, Wyle wy: Aen He. Ura
7 A ities marke iy A+ 4
ruts and bordered with deep
green stubbly grass, curves
back from the center of the
foreground. It leads back to
a belt of sandy soil that cuts
the composition horizontally.
Above the edge of it appear
the upper parts of two cows
and of a woman in white cap
and pale blue garment, as
they descend the opposite
side. The woman is followed
by other cows which are fully visible, the procession being concluded by a
woman who bends beneath the load of a faggot. She is seen at the left of a
willow that has greenish-brown foliage, growing from a dark olive trunk which
reflects a little gray light. At the right of the foreground is a stretch of
buff, overgrown with some tall reedlike growth. The sky is gray, with one
globule of light, floating over a few streaks.
Signed at the lower left, “Em. Van Marcxe.”
a :
Yop)!
CHARLES EMILE JACQUE
FRENCH (1813-1894)
No. 275— _ FEEDING TIME
ss) wb Height, 184, inches; width, 15%, inches NS
eo O¢ (/ f-4A4a oe "a ‘4 Lacltn
ly the foreground of the stable a black cock with a wealth of gold feathers
around his throat stands proudly among his hens. Some are picking at what
appears to be bright yellow corn, while a reddish hen and a gray one are
attacking some curly cabbage leaves which le near a drinking trough. Mean-
while, as if in response to the cock’s summons, two hens are hurrying down a
ladder, which leads to an upper door at the right; the foremost bird having
sprung into mid air with extended wings. The angle of the stable walls is
wreathed with cobwebs, at the left of which a lantern hangs beside a small
window, the sill of which is strewn with straw.
Signed at the lower left, “Cu. Jacque.”
ANTOINE VOLLON
FRENCH (1833-1900)
No. 276—_ THE FISHERMAN’S RETURN
SU a) to Height, 18 inches; length, 22 neh ess fs
face Lye Ye
A FISHERMAN and his little child, followed by the wife carrying a basket, advance
to the front along a roadway that leads directly from the sea. The latter,
shows in a pale blue band between the cottages which flank the extremity of the
road. At the right appears a gable end, above which a flock of gulls is flying.
Adjoining it is an olive-brown thatched roof, cut by a rose-red chimney. An-
other chimney rises at the left beside a bit of reddish-brown roof and a creamy
white gable that catches the ight. They show above a mass of greenery. The
sky is of robin’s egg blue, silted over with a little sooty vapor.
Signed at the lower left, “A. Vouton.”
aie Ne pie 6 ie
a 2 ( EUGENE FROMENTIN ; eE
oe FRENCH (1820-1876) Ay ~ ie
No 277 HUNTING WITH FALCONS Je Re
ot = = rae Height, 151% inches, length, 26% inches //
<5 :
Turee mounted Arabs are stationed at the right of the foreground, on the
edge of a shallow marsh which occupies the middle distance. Here, toward the
left, a horseman is coming forward at the gallop with hand upraised, as he fol-
lows the course of two falcons which are hovering above a heron. Farther
back, another rider gallops forward and other horsemen are dotted around the
edge of the swamp. ‘The leader of the group in the foreground, wearing a
white burnoos and swathed about the body with scarlet, is mounted on a
lavender-roan steed. At the right of him, his back to the spectator, an
attendant, with a falcon on his shoulder, sits a blue roan, while facing us is
another, mounted on a dove-colored horse, who holds a bird on his uplifted
wrist.
Signed at the lower left, “Kuc. Fromentin.”
Vi - \ FRENCH (1827-1890) Vat
No. 2
(4 9 EMILE VAN MARCKE " a
Shook A THE PASTURE—EVENING
bh, & i“ "
2/7 g “Ps, +, * — _ Height, 20 inches; length, 25%, UNS rr
a wi =n the foreground of the past a
pale reddish cow, marked (with
creamy white, stands a trifle inclined
from the front, but turning her head
to the spectator. One horn shows
against the rich red-brown coat of
another cow, as she looks back toward
a brown with white face and chest
which stands in the middle distance.
Still farther back a yellow cow is
lying under a tree which crowns the
slope of the pasture at the right.
Over at the left of the summit is a continuous mass of amber-brown foliage.
SIMONS, Marcius Prvcxnry
Gathering Shadows
STEELINK, WILLEM
Sheep in Pasture
Return of the Flock
_ Sheep Returning Home
Sheep on the Heath
SWAN, C. E. |
Lion’s Head
TER MEULEN, Francois Pirrer.
A Shepherdess
THAULOW, Fairz
Degel—Norway
TORREZ, Antonio
A Spanish Beauty
TRAVER, G. A.
Landscape
TROYON, CONSTANT
Sheep in the Pasture
VAN ESSEN, Jan
A Woodland Pond
VAN MARCKE, Emite
Sheep in the Pasture
Cattle Returning Home
The Pasture—Evening
VAN VUUREN, Jan
Entrance to the Wood
Serbocelss oven
VOIGT, A.
Cows in Pasture
VOLLON, AnrToINE
The Fisherman’s Return
Still Life
I, Jouannes Henpunx
Near ee
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