» Ee’, od. yh hs Srey tg JAWAD SS es ee LPs sae “ ARS Ny ion pyibnt he + Ny Nel “i Ay as 4h r\ > oir. pe ty i A pasa Lge Air” wn g io t a ‘ « q 2 al el gee Ga ee isis oro A ins: pe eo . ¢ t _— os =: = ig ere hte ME ay Soe Sp aT PRE ~ Se) ee ae ae a Np ee ed ee Ee ee Ng aa : — ee ee pe ah rol Se Se Fe Sr gary eg oP Tee LS a= 5 at arr IN Y ye aie, ae Ree ee a aS le ia Oe eae ere ade) ae sO Ce | SY c ty ea a ee Po =. = Os ~ ion, Si “ aa aid Ses a Se i oe aa cf TE, = : Fn ee : Pes Se 2a aa ae Z fANe eae = 4 Sa = = Re eel ek ee ws a a VON GROTA. GEBORNE WIDMANN AETATIS XVIII.” PortTRAIT OF SUSANA VON GROTA (Canvas) pa ee Height, 37 inches; width, 32 inches. No. 177 EVERETT SHINN AMERICAN: CONTEMPORARY (7 Portrait oF Crype FircH Uy phy (Millboard) Standing figure of Clyde Fitch, with his back to table and bookcase. In colored pastel. Signed, E. Suinn, 1911. Height, 41 inches; width, 3014 inches. 3 First Afternoon ee el [ oo No. 178 GERMAN SCHOOL OF THE FIFTEENTH CENTURY 3 7 5 : Mawn’s Porrrair | ‘ e Ad ae Reerras) NYanner L, eV JOneee _ ‘Three-quarter-length seated figure of -a man with curling _ dark brown beard, seated with his arm resting on a table. In his right hand he holds his gloves, in his left an apple. On the left, in the distance, is an arched corridor with figures dancing and an elderly man in red cap drawing a curtain. Unframed. Height, 43 inches; width, 41 inches. No. 179 ITALIAN SCHOOL OF THE SEVENTEENTH CENTURY . ~ View or Rutiys J (Canvas) Seascape, with rocky headland and group of buildings .on the right. In the foreground, on the right, are a statue and a group of figures; in the center, three men with a slaughtered pig; and on the left, classic ruins of a group of Doric columns with figures. Height, 18 inches; length, 53 inches. First Afternoon oo Se 2p ITALIAN SCHOOL OF THE EIGHTEENT CENTURY o/ i) << det Ture ANGLER (Canvas) In the center a boy, wearing only knee breeches, with a gourd over his shoulder, fishes in a stream, while seated near him are a young girl and a child. On the right a foun- tain, and on the left a waterfall, with figure of a young girl carrying a basket. Landscape background, with view of buildings in the distance. In old molded and gilded wood frame. Height, 19 inches; length, 58 inches. No. 181. FRENCH SCHOOL OF THE EIGHTEENTH - CENTURY , THe Piprnc SHEPHERD 4 / ( er See (Canvas) /] Under a tree on a mossy bank are seated a trio of two young women in eighteenth century costumes, one of whom holds a basket of flowers, and a shepherd boy playing to. them on his bagpipes. Near them are sheep reclining. Landscape background. Height, 53 inches; width, 30 inches. Se Shan “7 = First Afternoon No. 182 ITALIAN SCHOOL OF THE EIGHTEENTH CENTURY } oy Portrair oF Countess Basi +t 3 Es (Canvas) ei ao Three-quarter-length portrait of a young woman, seated __with her face toward the right. Her dark ringleted hair is surmounted by a large hat trimmed with roses; she wears a purple dress, holds a fan in her right hand, her ~ left on an open book which lies on a table and on a letter addressed “A son Eminence Julie Bon Balbi.” Near the book is a glass bottle with a rose. In the distance an amphi- theatre with statues. In painted and gilded frame. Height, 51 inches; width, 39 inches. No. 1838 ATTRIBUTED TO NICOLAS MIGNARD 1606—1668 Two Portraits oF Lapirs OF THE Cotrr Per ATR o on %% (Canvas) i AN, (3 AANLD Oval shape. One, portrait of a young woman, seated and holding a bouquet of flowers. She wears an embroidered bodice and purple mantle. On the left stands an Amorino holding up an oval mirror in which is seen the reflection of her face. The other, three-quarter-length portrait of middle-aged woman, seated and holding a floral festoon. She wears an embroidered and jeweled bodice and a red mantle. At her left side stands a fair-haired Amorino. Landscape background. Heights, 37 inches; lengths, 50 inches. First Afternoon No. 14 © i FLEMISH SCHOOL OF THE SEVENTEEN f/ CENTURY Overpoor PANEL F 4 Ll ye (Canvas) Rectangular panel, painted with a Teniers-like subject of a village street. On the right is the door of an alehouse, with group of drinkers seated at a table outside. In the center, a man and woman, and on the left, a group of three figures and a distant landscape. In carved and molded wood frame. Height, 14 inches; length, 65 inches. No. 185 FRENCH SCHOOL OF THE EIGHTEENTH CENTURY : : Sige Mae ie J ge REBECCA AT THE WELL (Canvas) Figure of a young woman in yellow robe, with red mantle and blue turban. She stands at a brick well-head holding a rope in one hand and resting the other on a wooden bucket. On the ground is a majolica ewer. Landscape background. Carved, painted and gilded wood frame. Height, 60 inches; width, 45 inches. — First Afternoon No. 186 fe) . FRENCH SCHOOL OF THE EIGHTEENTH if | “" CENTURY | 4 ie Overpoors (Canvas) Painted with scenes from Fénelon’s ‘*Télémaque.” In one, a young woman bearing a helmet approaches an old man who is weaving a basket and surrounded by children. On the right is a farmyard with cattle. Landscape background. In the other, a warrior with helmet is persuading another to enter a boat in which sits a maiden, while another war- rior dissuades him. On the right a young woman lies at full length unconscious. Seascape background. Height, 27 inches; length, 70 inches. No. 187 EVERETT SHINN AMERICAN: CONTEMPORARY es (2 Critinc DECORATION (Canvas) Rectangular shape, painted with clouds, baskets of flowers and stone vases. Groups of roses and floral festoons. Width, 53 inches; length, 71 inches. First Afternoon No. 188 ITALIAN SCHOOL OF THE SIXTEENTH CENTURY me () vd JOSEPH AND PorTipHar’s WIFE (Canvas) a Biblical subject, with figures in contemporary Italian cos- tumes. Joseph, in plumed hat, dark jerkin with rose-colored sleeves and purple mantle, is escaping from Potiphar’s wife, who lays her left hand on his shoulder and seizes his mantle with her right. She is dressed in an amber-colored bodice and skirt, with full white sleeves and a red mantle. Her auburn hair is drawn back from her forehead. Dark back- ground. , Height, 69 inches; length, 59 inches. No. 189 DUTCH SCHOOL OF THE SEVENTEENTH CENTURY R f AS rege LANDSCAPE LO ae Wooded landscape, with blue sky banked with clouds and distant hills. In the middle distance is a shepherd, piping, ‘ and with a flock of sheep. In the immediate foreground, on the right, is a peasant, and on the left a cavalier on horse- back and a group of beggars. Height, 54 inches; length, 89 inches. a ees First Afternoon No. 190 EVERETT SHINN AMERICAN: CONTEMPORARY 6 . CEILING Wine : % (Canvas) Oval medallion in the center, occupied with subject sits stream on the banks of which are young women, some nude, some in eighteenth century costumes, and in the middle distance the prow of a boat laden with others in brightly colored costumes. On the right is a statue, a stone vase of flowers and trees, and on the left a fountain and trees. Surrounded by scrollings, floral festoons and vases of flow- ers on a black ground. Unframed. Signed, Everetr Surnn, 1905. Height, 54 inches; length, 110 inches. SECOND AND LAST AFTERNOON’S SALE WEDNESDAY, FEBRUARY 6, 1918 AT THE AMERICAN ART GALLERIES BEGINNING AT 2.30 O'CLOCK Catalogue Nos. 191 to 305, inclusive 191—-FivEe CusnHions | Covered in green cut velvet embroidered in gold, and silk brocade. 192—ParrTr or CHaAsuBLE AND T'wo Sirk ManipLes The chasuble of Italian silk brocade, in colors, with floral pattern and bordered with gold galloon, and the maniples of white and flowered silks. THREE Pieces or IratiAN EMBROIDERY Seventeenth Century 193 Chalice cover, embroidered in colored silks and gold, with chalice and cherubim. ‘Two scrolled escutcheons, embroidered in colored silks and gold with coats-of- arms. 194—Fovur Smautu Taste Covers (a) Silk damask. (es) Silk brocade. (c) Woolen needlework. (>) Blue Italian silk, with silver lace border. Second and Last Afternoon 195—Two Iranian Srtk Damask Taste Covers Respective lengths, 45 and 39 inches; widths, 42 and 23 inches. 196—Irauian Lact Taste Cover Worked with figures of Madonna and Child and An- gels. Lace border. | Length, 55 inches; width, 37 inches. 197—Two Piecrs or Cur VELVET One of red and one of green velvet, cut in diapered patterns. ; Length, 50 inches; widths, 49 and 27 inches. 198—Iratian Sink Damask Taste Cover Red damask, with center medallion bordered with gold galloon. Length, 55 inches; width, 38 inches. 199—Iratian SitK Damask TABLE CovER Of red silk damask, bordered with gold galloon. Length, 68 inches; width, 47 inches. 200—CuHINESE SILK SHAWL Of dark green silk, with deep knotted fringe of silk. Length, 66 inches; width, 64 inches. 201—Irauian Sirk Brocape Patterned on a yellow ground with blue scrollings. Length, 60 inches; width, 60 inches. 202—Two Irartian Lack Winpow CurtTaAIns Of cut and drawn work, with fringe. Length, 55 inches; width, 31 inches. Second and Last Afternoon 203—Lacr Door PAner Patterned with animals and bordered. Length, 53 inches; width, 34 inches. h " a or ‘SP 204—Irarian Lace anp Linen Hanecine . | Of cut and drawn work finished with fringe. Height, 32 inches; length, 78 inches. 205—Frencu Corron Brepspreap Eighteenth Century , White ground printed in pinks and browns, with sub- jects of figures in eighteenth century and classic cos- tumes. Height, 78 inches; width, 62 inches, 206—Iratian Lace Curran = Of cut and drawn work, in panels of diamond medal- hons and dragons. Length, 78 inches; width, 70 inches. 207—CotTron BeEpsPpREAD Printed in carmine, with Amorini and wreaths. Length, 88 inches; width, 50 inches. 208—Bepspreap AND Net Taste Cover (a) Bedspread of linen, with embroidery and drawn work in a pattern of scrolls. Length, 69 inches; width, 62 inches. (3) Table cover of net, with braid appliqué. 209—Siix Brepspreap AND Two CusHIoNs Patterned with green and yellow stripes. Length, 76 inches; width, 49 inches. Second and Last Afternoon 210—SiLk SPREAD Patterned with green, yellow and red stripes. Length, 86 inches; width, 50 inches. 211-—SEer oF Sirk Damask Haneines Of yellow silk damask, the curtains with tasseled bor- ders. Set consists of pair of curtains, pair of por- tiéres, one bedspread, two pillows, one portfolio cover. Lengths of curtains and portiéres, 84 inches; widths, 48 inches. 212—Two Parr or Sirk Damask Portreres Of red silk damask, bordered with silk braid. Length, 88 inches; width, 40 inches. 213—Two Pairs or Sink Currarns Patterned in figured stripes of yellow, red and green. Length, 84 inches; width, 48 inches. 214—Iranian Srttx Damask BrEpsPREAD Of red silk damask, with applied heraldic escutcheon embroidered in colored silks. Length, 88 inches; width, 78 inches. 215—Ser or Sitk Brocape Curratins, Taste Cover AND CusHIONS Of yellow silk, brocaded, in cream color, with a pat- tern of floral stripes. Lengths, 96 inches; widths, 46 inches. 216—Pair or FLtemisH Taprstry Panes Stateenth Century Rectangular shape. Woven, one with the figure of a man in sixteenth century costume with curled beard, and portions of other figures, and one with figures of two women wearing ruffs and with voluminous skirts. Height, 6 feet; width, 2 feet 6 inches. | ao Second and Last Afternoon 217—Portion oF FiemisnH Tapestry Seventeenth Century Rectangular shape. Woven with figure of a herald in Roman warrior’s costume, with plumed _ helmet, blowing a trumpet with heraldic standard and leading a horse. Height, 6 feet 8 inches; width, 4 feet. 218—Fremisu Verpure Tapestry Paner Seventeenth Century Rectangular panel, woven in a subject of a tree with foliage and a bird, in greens, browns. and yellows. Various borders of flowers and scrollings in colors on dark grounds. Height, 7 feet 5 inches; width, 5 feet. 219—Fiemiso Tapestry Paneu Siateenth Century Rectangular shape, woven with a subject of Alexander and the Wife of Darius. On the left stands Alexander, with upraised hands, while in front of him, on the right, kneels a woman with a basket of fruits. Three women stand behind her, and a fourth kneels on the extreme right of the picture. Architectural back- ground, with windows fitted with leaded panes of glass. Color scheme of yellows and blues, with passages of red. Height, 6 feet 9 inches; width, 7 feet 10 inches. 220—FiemisH Tapestry Pane Seventeenth Century Rectangular shape. Woven with the subject of Apollo pursuing Daphne. Apollo, on the left, in Roman costume and carrying his lyre, reaches out to seize Daphne, who stands on the right with up- raised hand. Foliage background and distant hilly landscape. Color scheme of greens, browns and yel- lows. Height, 7 feet 3 inches; length, 7 feet 1 inch. Second and Last Afternoon 221—Fiemiso Verpure Tapestry Seventeenth Century Rectangular shape. Woven with a subject of a hound pointing a pheasant and surrounded by foliage and verdure. In the distance a round pavilion reached by a flight of steps, mountains and buildings. Color scheme of greens, blues and browns. Border of floral pendants in colors on a black ground. Height, 7 feet; width, 11 feet 9 inches. 222—F emis Tapestry Sixteenth Century Rectangular shape. Woven with a subject of “The Quarrel.” On the right in an open arched doorway, stands a young man with drawn dagger in his hand restrained by two elderly women. In the center an- other youth is urged forward by two women, one of whom holds an upraised stick. On the right stands a nobleman with plumed cap and drawn sword. All the figures wear the sixteenth century Flemish cos- tumes. Border of scrolled acanthus leaves and flow- ers on a black ground. Height, 8 feet 9 inches; width, 11 feet 6 inches. 223—F.LemMisH VERDURE ‘TAPESTRY Eighteenth Century Rectangular shape, with subject of pool surrounded by birds and verdure. In the distance a pavilion with flag and fountain. Border of twisted blue ribbon and floral scrolls on a black ground. Height, 7 feet 2 inches; length, 13 feet. 224—AntiqueE Kazax Rue Field with blue ground, patterned with two cross- shaped medallions of red and yellow. Inner guard of double looped pattern, outer guard of Saracenic counter-change and border of conventional stepped pattern in red, blue and yellow and white ground. Length, 4 feet 9 inches; width, 2 feet 11 inches. Second and Last Afternoon 225—AnTievE Kazax Rue _ Field with black ground, diapered with pear-shaped figures in rose-color and light blue. Border of black, yellow and red stars on a white ground. Length, 4 feet; width, 3 feet 1 inch. 226—AnTIQUE SHIRVAN RucG Field with blue ground, dotted with colored fleurettes and patterned with four diamond-shaped medallions in red, green, blue and white, with red palmettes at top and bottom. Inner and outer guards of floral : sprays on a black ground, and border of green and yellow interlaced leaves on a white ground. Length, 8 feet 9 inches; width, 3 feet 8 inches. 227—ANTIQUE KaAzpistTan Rue Field with brown ground, patterned with four oc- tagonal medallions in red, yellow and white, with borders of floral scrollings and Saracenic counter- change patterning in white and black. Length, 9 feet 7 inches; width, 3 feet 5 inches. 228—ANTIQUE KaBistan Rue Red field, diapered in blue and light green with a diamond-shaped pattern of conventional figures. In- ner and outer guards of angular meander pattern and border of flowers and leaves on a black ground. Length, 11 feet 5 inches; width, 3 feet 11 inches. 229—ANTIQUE SARABAND Rue Field with red ground, diapered with conventional vases of flowers in light blue and black. Inner guard of three bands of checkered, fleuretted and _ floral meander and Saracenic counter-change pattern and border of angular meander, palmettes and flowers in red, black and yellow on a white ground. Length, 10 feet 2 inches; width, 5 feet. Second and Last Afternoon 230—KERMANSHAH Rue Field with white ground, patterned with a central cusped diamond-shaped medallion, with red ground occupied with varicolored floral and leaf scrollings, surmounted by a scrolled diaper of flowers and leaves and with palmette-shaped medallions and _ scrolled leaves and flowers at the angles. Inner and outer guards of floral meanders on red and black grounds, separated by stripes of twisted ribbon pattern and border of a varicolored floral meander on a white ground. Length, 12 feet; width, 7 feet 6 inches. 231—Kunorassan Rue Field with a dark ground, diapered with palmettes and leaves, red, yellow and blue. Inner and outer guards of meander and floral pattern, and border of palmette-shaped leaves and flowers in blue, black and white on a red ground. Length, 14 feet; width, 6 feet 8 inches. | 232—ANTIQUE KHORASSAN CARPET Field with red ground, diapered with large diamond- shaped medallion of black, with red and yellow ros- etted centers and with trefoiled leaf terminations. In- ner and outer guards of yellow and black fleurettes on red grounds, and border of a floral meander in red, yellow, blue and white on a black ground. Length, 16 feet; width, 7 feet 2 inches. 233—ANTIQUE FERAGHAN CARPET Center with a black ground, diapered in a pattern of interlacements, flowers, leaves and palmettes, and red, blue, yellow and white. Inner and outér guards of three bands of floral and rosetted meanders and bor- der of pear-shaped rosettes in red, white and green with vari-colored scrolled leaves and flowers on a red ground. Length, 14 feet 2 inches; width, 12 feet 4 inches. —— Second and Last Afternoon 234—SPANISH SAMPLER Nineteenth Century Rectangular sampler worked in colored silks on linen sampler cloth with figure of a woman, parrots and quatrefoils. Dated “1866.” Height, 11 inches; width, 13 inches. 235—VENETIAN Gitt Haneinc CABINET Eighteenth Century Rectangular form, with shaped and molded shelf sup- ported by four acanthus-leaf carved columns and with diapered gallery at side, with inner shaped and brack- eted shelf. Shaped and molded top, supported by carved and voluted scrolls, and shaped bracket sup- port carved with acanthus-leaf scrollings. Painted red and gilded. Height, 3114 inches; width, 27 inches. 236—ITatian Carvep, Paintep anp Girt Woop MantTeE. Mirror Eighteenth Century Broken tablet shape, with pierced cresting surmounted by “Sun” medallion, festoons of leaves and loose rib- bons. Frame painted, enriched with carved husk pat- terning and flanked by detached vases of flowers. Acanthus-leaf scrolled and paw feet, and pierced acanthus-leaf carved apron. Painted red and gilt. Height, 40 inches; width, 42 inches. 237—VENETIAN PaInTED AND GILT CHAIR Eighteenth Century Oval back. Serpentine seat front, carved with lotus- leaf pattern and tapering fluted and acanthus-leaf carved legs. Seat and back upholstered. Second and Last Afternoon 238—Frencu Gitr Bencu Style of Eighteenth Century Rectangular shape, with molded top paneled with ~ canework, seat front carved with guilloche pattern and turned tapering fluted legs. Completely gilt. Height, 18 inches; length, 35 inches. 239—Iratian Girt CANE-sSEATED ARMCHAIR 5 Eighteenth Century _ _ Shield- hen back, with molded arms and curved legs. Seat and back in woven cane. Completely gilded. 240—Irarian Gitt ConsoLte Taste LHighteenth Century Rectangular table, with apron carved with eagle sup- | ¢ porting leaf festoons, and one turned tapering fluted and acanthus-leaf carved leg. Completely gilt. Mar- ble top missing. | Height, 32 inches; length, 20 inches. 241—Oax TABLE Rectangular shape, on turned legs and fitted with drawer. Height, 1 foot 91% inches; length, 2 feet 2 inches. 242—Intaip Manocany WasHstTanp Rectangular shape, the top with two hinged flaps, pierced for basin; lower part fitted with drawer and cupboard; on square tapering legs. Inlaid with lines of satinwood. Height, 2 feet 9 inches; width, 1 foot 51% inches. Second and Last Afternoon 243—Irauian Intaip Watnut Correr | Eighteenth Century Rectangular shape, with domed hinged lid, inlaid with bands of acanthus scroll inlay in light woods. Front and sides paneled with raised moldings, inlaid with scrollings and a pear-shaped scrolled escutcheon, with coat-of-arms of rampant lion. On four feet. Height, 1 foot 51%, inches; width, 2 feet 4 inches. 244—ITatian Intatp Watnut CABINET Eighteenth Century Rectangular shape, with chamfered angle marble top, and square tapering legs, fitted with two drawers with fronts inlaid with panels bordered by lined satinwood and with knobs with painted enamel fronts. Marble cracked and one knob front missing. Height, 2 feet 9 inches; width, 1 foot 9 inches. 245—ITatiAN InLAID-WaLNutT CaBINET Style of Eighteenth Century Rectangular shape, with marble top on.square taper- ing legs, fitted with drawer and cupboard. Drawer and hinged cupboard door inlaid with panels sur- rounded by indented borderings of light wood inlaid. Marble top broken. Height, 2 feet 8 inches; width, 1 foot 3 inches. 246—Parr or Irarian [niaip Tasers Style of Eighteenth Century Rectangular shape, the aprons fitted with drawers on square tapering legs. Top inlaid, in light and dark woods, with counter-cut oval panels of shepherdess with sheep and cow drinking in landscapes with acanthus-leaf scrolls in the angles. Aprons with acan- thus-leaf scrolls in etched dark wood, legs with acan- thus-leaf scrollings in colored woods. Glass tops. Height, 2 feet 5 inches; length, 2 feet 2 inches. Second and Last Afternoon 247—Intaip Manocany TABLE Rectangular top and square tapering legs. Inlaid with lines of satinwood. Height, 2 feet 5 inches; length, 1 foot 11 inches. ?48—Iratian IntAip Watnut Dressine TABLE Style of Eighteenth Century Rectangular shape, with broken front. Fitted with hinged center flap, with mirror on interior surface, and two side compartments with hinged flaps, the apron with drawer. On square tapering legs. Top inlaid in hght woods with military trophy, and apron with panel of acanthus-leaf scrollings. Height, 2 feet 71/4 inches; length, 2 feet 8 inches. 249—Parr or Irarian ParquETRY CABINETS Style of Eighteenth Century Semicircular shape, with molded marble tops and square tapering legs, each fitted with two drawers. Drawer fronts and sides inlaid with panels of par- quetry flanked by bands of kingwood. Height, 2 feet 11 inches; width, 2 feet. 250—Iratian Mareauretry Dressinc TABLE Exghteenth Century Rectangular shape, with kneehole front and square tapering legs. Fitted with central hinged flap, with mirror on inner surface. ‘Two side compartments with hinged covers, and three drawers. Top inlaid with band of scrolled seaweed marquetry, drawer front with panels of marquetry, inlaid views of buildings and legs with bands of geometrically patterned parquetry. Compartments and drawers lined with red silk dam- ask. Height, 2 feet 7 inches; length, 2 feet 614 inches. Second and Last Afternoon 251—PaintTED Oak GateE-LEc TABLE Oval top, with two hinged flaps, carved with band of scrolled leaves. Turned cylindrical legs and gate with turned stretchers. Painted blue. Height, 2 feet 4 inches; length, 2 feet 8 inches. 252—Irauian Intaip Watnut Dressinc TaBsLe Eighteenth Century Rectangular shape, with broken front. Top fitted with center compartment having hinged flap, with mirror on inner surface, two side compartments with hinged tops, and apron with drawer. On square tapering legs. Top inlaid with oval dragon-surrounded panel enclosing a scrolled escutcheon, sides with sphinxes and scrolled acanthus leaves, and legs with husk pat- ternings. Height, 2 feet 61%, inches; length, 2 feet 81 inches. 253—Earty American Manocany Mirror Rectangular deep molded frame. Height, 3 feet 1 inch; width, 2 feet 1 inch. 254—IrTatian Intarp Waxtnout Writine Tasie Style of Eighteenth Century Rectangular top, fitted with large pull-out leather paneled writing slab and three drawers, and with square tapering bracketed legs. Top inlaid with square panel and circular medallion center in line of satinwood. Drawer fronts with panels enclosed. by bands of kingwood and satinwood. Height, 2 feet 6 inches; length, 3 feet 6 inches. Second and Last Afternoon 255—VENETIAN InLaip Watnut Tasie Style of Eighteenth Century Rectangular top; apron fitted with two drawers and square tapering legs. Top inlaid with diam@nd me- dallion and corners of scrolled acanthus leaves in etched satinwood, apron with vertical bands of par- quetry and legs with spear-shaped panels of light and dark woods. Glass top. Height, 2 feet 9 inches; width, 3 feet. 256—UPuHoLsTERED ARMCHAIR Square back, straight arms and turned legs. Up- holstered with silk damask. 257—Turee UrnoiustTeErRED ARMCHAIRS Square backs, straight arms and square tapering legs. Seats, backs and arms upholstered, two with cut velvet and one with silk damask. 2?58—DutrcH Intain Manocany Drop-LeaFr TABLE Rectangular shape, with two hinged drop leaves, drawer, square tapering hinged legs and turned stretcher. Inlaid in colored woods, with Amsterdam marquetry of flowers and leaf scrolls. Height, 2 feet 1 inch; length, 2 feet 1 inch. 259—Inuaip Manocany Carp TasLe Style of Eighteenth Century Rectangular shape, with hinged leaf supported on hinged legs and apron fitted with drawer. Square tapering legs. Top inlaid in etched- colored wood and ivory, with quatrefoil medallions enclosing sym- bolic figures of women, dolphins and floral scrolling, the apron with scrolled leaves and flowers. Height, 2 feet 9 inches; width, 3 feet. : Second and Last Afternoon 7 260—Earty American Manocany Cuest or Drawers Rectangular shape, flanked by carved, pineapple pilasters on paw feet, fitted with one shallow and two deep drawers. Brass looped handles. Height, 3 feet 4 inches; width, 3 feet. 261—Irauian Intaip Warner Cuest or Drawers 4 . Eighteenth Century Et Rectangular shape, with molded top, three long drawers and square tapering legs. Entirely inlaid, the top and sides with oval shell medallions of satin- wood and scrolled border, the drawer fronts with pointed-leaf rosettes and circular medallions. Brass, swinging ring handles and circular keyhole escutch- eons. Height, 3 feet 1 inch; length, 3 feet 6 inches. 2962—Earty AMERICAN Manocany CueEst oF DRAWERS \ Rectangular shape, with lower part of front bowed and flanked by fluted composite columns, on four bracketed feet. Top fitted with two, lower part with three drawers. Oval twisted hanging ring handles of brass with embossed plates. Height, 3 feet 7 inches; width, 3 feet 9 inches. : 263—Initaip Manocany Dror-Lear TABLE : Oval top, apron fitted with drawer, square tapering : legs and two hinged drop leaves. Inlaid with lines of i satinwood. Height, 2 feet 414, inches; length, 3 feet 8 inches 264 Manocany Wine CuHair Square back, with shaped wings and arms and square tapering legs. Upholstered in silk damask. Second and Last Afternoon 265—Iratian Girt anp Manocany Dressing TaBLE Eighteenth Century Rectangular shape, with hinged mahogany top, and — interior fitted with compartments. Apron carved with lotus leaves, turned tapering and fluted legs, curve and carved cross stretchers, with finial formed | as Cupid’s bow and quiver. Entirely gilt. : Height, 2 feet 9 inches; width, 2 feet 1 inch, 266—VENETIAN Parnrep ArmcHarR LKighteenth Cennana : Shield-shaped back, with curved flat arms on curved — supports, serpentine seat front and square tapering — legs. Carved with masks and rosettes, and painted, on a red ground, with foliage scrolls upholstered in cut velvet. , 267—Pair or Irarian PainTEpD anp GILT ARMCHAIRS —"@ Eighteenth Century q Oval back, with voluted upholstered’ arms on curved © supports. Bowed seat fronts and tapering fluted legs. — ; Seats and backs upholstered in cut velvet. Painted — and gilt. | 268—Setr or Four Iranian Gitt ARMCHAIRS Eighteenth Conan Square backs, carved arms on fluted columnar sup- ports, square tapering legs and _ pear- shaped feet. Two upholstered in yellow silk damask and two in rose- _ colored cut velvet. 269—Parm or Traian Parnrep anp Girt ArMcHAIRS |. Eighteenth Century Oval backs, carved, voluted and upholstered arms on | curved supports, bowed carved seat fronts and taper- ing fluted legs. Seats and backs upholstered. Painted — and gilt. | Second and Last Afternoon 270—Iratian Painted anp Gi_tt ARMCHAIR Eighteenth Century Oval back, with scrolled upholstered arms on scrolled supports, shaped seat front and scrolled legs with vo- luted feet. Painted white, picked out in gold. Seat and back upholstered. 271—Parr or Iratian PaintTED CuHarrs Style of Eighteenth Century Square backs, pierced and carved with oval medallions, crossed torches and fluted spindles. Straight seat fronts and turned tapering and fluted legs. Backs and seats of canework. Painted white and green. 272—Pair oF Irauian PainTtED ARMCHAIRS Eighteenth Century Square backs, straight reeded arms on fluted col- umnar supports, straight seat fronts and turned, ta- pering, fluted acanthus-leaf carved legs. Seats and backs upholstered. Painted white, picked out with green, and decorated with husk patternings painted in green. 273—Frencu Girt ARMCHAIR Style of Seventeenth Century Square back, with carved, voluted and acanthus-leaf carved arms on acanthus-leaf carved supports. Bul- bous fluted and carved legs, with scrolled and carved side rails and center stretcher. Seat and back uphol- stered. Second and Last Afternoon Be: 274—Irattan Carvep anp Gitt Woop Bang@uETTE Style of Eighteenth Century — Rectangular shape, with upholstered top, pierced and — carved seat front, six cabriole legs carved with masks, voluted feet and curved carved cross stretchers. Up- — holstered with cut velvet. Frame completely gilded. Height, 20 inches; length, 45 inches. x 275—Parr or Irarian Painrep anv Gir Woop Torcubkres Style of Seventeenth Century Hexagonal baluster-shaped stems, molded and carved with pointed leaves, circular bobéches carved with lotus leaves, hexagonal incurved pedestals carved with acan- _ thus leaves and four scrolled acanthus-leaf feet. Painted red and gilded. Height, 561/, inches. 276—Frencu Trumeau Mirror Eighteenth Century Rectangular shape, with molded frame divided into two panels, the upper one occupied with painting, in the Boucher manner, of Nymph with tambourine and Amorino with garland of flowers. Height, 5 feet 11 inches; width, 2 feet 4 inches. 277—Frencu Inuaip Watnut Faui-Frront Desk ' Eighteenth Century Rectangular shape, with chamfered angles, marble top and straight legs. Arranged with drawer, desk. with fall front paneled with leather, and fitted with four drawers and shelves, and three drawers below. — Drawer and fall front inlaid with panels of lght- color wood, bordered by bands of satinwood. Height, 4 feet 6 inches; width, 2 feet 114 inches. —— al Second and Last Afternoon ~278—Dourcw Intai Manocany Fart-rront Desk Eighteenth Century Rectangular shape, with molded marble top, beveled angles and cabriole legs. Arranged as a fall-fronted desk with drawer above, interior fitted with six inlaid front drawers and four pigeon-holes, and cupboard below with two hinged doors. Inlaid with kingwood and border of “‘barber’s pole” pattern in light and dark woods. Marble cracked. Height, 4 feet 71% inches; width, 2 feet 61/, inches. 279—Pair oF Irarian Intaip Manocany CommMopEs Eighteenth Century Rectangular shape, with molded top, three long drawers and square tapering legs. ‘Tops and sides inlaid in kingwood and satinwood, with circular dia- pered medallions and lined with satinwood; drawer fronts with handles of parquetry bordered by double looping of satinwood. Swinging looped handles, with shuttle-shaped plates, embossed with masks, of brass. Height, 3 feet 11% inches; length, 4 feet 3 inches. 280—Dutcu Manocany Fari-rront DEsk Early Nineteenth Century Rectagular shape, with gray white-veined marble top. Flanked by two detached columns with stamped brass capitals. Frieze fitted with drawer, lower portion with fall-down front forming desk, the compartment arranged with six drawers, two secret drawers and arched receptacle. Below are three long drawers. Handles and keyhole escutcheons of contemporary stamped brass. . Height, 4 feet 8 inches; width, 3 feet 2 inches. Second and Last Afternoon Ble Iran Intaip Watnut ComMMopE Eighteenth Century Heian alee shape, with molded top and short cabri- ole legs. Fitted with three drawers and inlaid in light — and dark woods, the top with shaped panel enclosing | a heraldic shield supported by Putti and flanked — by scrolled acanthus leaves. The drawer fronts, — with rectangular panels, etched with landscapes and seascapes and flanked by panels of burr veoh inlaid with etched festoons and scrollings. Contem-— 4 porary oval swing handles, with stamped plates of brass. Height, 3 feet 2 inches; width, 4 feet 5 inches. 4 282—Carvep Oax Writine TABLE Rectangular shape, with kneehole front on spirally 3 turned legs with spirally turned stretcher. Fitted — a with five drawers, the fronts carved with masks be — scrolls. ~ Height, 2 feet 6 inches; length, 4 Be 288—WoopEN CuiotTHEs CHEST Rectangular shape, with hinged lid. Of wood, coy- ered with canvas and painted. The front decorated with old carved oak console brackets and fruit pen- dants. Height, 2 feet 214 inches; length, 5 feet 2 inches. iS 284—Oax Dininc Tasie Rectangular extension top, the apron carved with i ; scrollings, carved columnar pedestal and four scrolled _ acanthus-leaf carved legs with paw feet. Five addi- tional leaves. Height, 2 feet 1 inch; length when closed, 4 feet 9 inches. Second and Last Afternoon 285—Parr or Irarian Watnutr ARMCHAIRS Armchairs with square backs, gilt carved acanthus- leaf finials, straight arms and twined legs on straight base rail. Side chairs with square backs, voluted finials and turned legs. Backs and seats upholstered in crimson velvet finished with silk fringe. 286—Pair or Irarian Watnut SipE CwHairs Square backs, with oak finial. Backs and seats up- holstered in crimson velvet finished with silk fringe. 287—Six Iratian Watnot Sipe CuHairs Square backs, with acanthus-leaf finials. Seats and backs upholstered in crimson velvet. 288—Iratian Carvep AND GitpED Woop Tas Le Eighteenth Century Rectangular shape, with peachbloom marble top, apron carved with festoons of flowers and leaves tied by knotted ribbon and turned tapering and fluted legs with acanthus-leaf feet. Entirely gilded. Height, 2 feet 9 inches; length, 5 feet 6 inches. 289—Dutcu Painted FourroLtp SCREEN Style of Eighteenth Century Four leaves, with arched tops, painted with scrolled panels, the upper ones occupied by figures of itinerant vendors and dancing master, in eighteenth century costumes. Height, 6 feet; width, 7 feet 8 inches. Second and Last Afternoon 290—Itratian ParntEp anp Gitt Day Berp Early Nineteenth Century Curved ends, with pierced and rosetted splats. Ser- pentine seat front and square tapering fluted legs. Webbing. seat, with loose cushion. Painted black, picked out with gilding. Length, 6 feet 6 inches. 291—Oax Berp Style of Eighteenth Century Rectangular headboard with carved top rail, open top panel fitted with carved acanthus-leaf scrollings and knotted ribbon, and flanked by. tapering fluted columns. Footboard with two low posts of tapering fluted baluster. Beaded side rails. Fitted with box spring and mattress. Length, 6 feet 8 inches; width 3 feet. 292—-Frencu Gitt Woop Bep witu Sirk Damask Cur- TAINS Style of Eighteenth Century Rectangular head and foot boards, with top rail carved with laurel-leaf bases, flanked by fluted columns with carved finials and paneled with canework. Side rails carved with guilloche patterning. Entirely gilt. The curtains are of rose silk damask bordered with fringe. Fitted with box spring and mattress. Length, 7 feet 6 inches; width, 3 feet 9 inches. 293—Iratian Paintep Woop Day Bep Eighteenth Century Straight square ends. Molded and carved with bands of twisted ribbon pattern, rosette carved seat front and eight turned tapering and fluted legs. Seat and arms upholstered, with loose cushion. Frame painted. Length, 76 inches. Second and Last Afternoon 294—Frencn Painted Bep, Two Cuairs anp CABINET Bed with square head and foot boards, flanked by baluster-shaped fluted columns, and with curved top rails paneled and enriched with carved fluted vases, and pear-shaped feet. Armchair with curved arms, side chair with pierced splat and cabinet with marble top and hinged paneled doors, all to match. Painted white, picked out with green. 295—Irauian Patntep anp GitpED Woopen NIcHE Seventeenth Century Semi-hexagonal niche of wood, painted in tempera with quatrefoil. medallion and bold acanthus-leaf scrollings. Semicircular canopy, carved with acan- thus-leaf and gilded. Voluted gilded side brackets. Height, 7 feet 4 inches; width, 3 feet 1 inch. 296—Earty AmERIcAN Manocany Sora Rectangular back, with straight molded mahogany head rail, straight upholstered arms with front of twin half-round Ionic pilasters, straight seat front and molded pedestal feet, back and arms upholstered with loose cushion to seat. Height, 2 feet 9 inches; length, 2 feet 5 inches. 297—HarpmMan Granp PIANO Case of white mahogany, painted in oils by Everett Shinn. The lid with landscape and group of dancers in Watteau style, surrounded by band of rose blos- som and leaf ornamentation. The sides and back of keyboard with floral festoons, the latter flanked by vases of flowers. Second and Last Afternoon 298—Iratian Carved anp GittT Woop Door ArcH . Flat arch, with broken outlines and moldings carved with acanthus leaves. Frieze and jambs enriched — with carved cherub’s head, floral festoons and fruit a pendants tied with knotted ribbons. Painted and — gilded. % ' Height, 9 feet 7 inches; width, 8 feet. 299—Iratian Marsie GarpEN ConsoLEe a Rectangular molded top, with square baluster-shaped _ stem and square base. Of red-grained marble. Height, 2 feet 101% inches; width, 2 feet 4 inches. 300—ITALIAN Meni GARDEN TABLE Circular molded top, with baluster-shaped stem on square base. Of white marble. Height, 2 feet 10 inches; diameter, 2 feet 44% inches. _ 3 301—Parir or Iratian CotorEpD MarsitE Memoria Tas- LETS Style of Seventeenth Century — 3 Rectangular panels, occupied by figures of sorrowing Amorini with inverted torches. Partially colored. Height, 2 feet 4 inches; width, 1 foot 2 inches. 302—Iratian Marsie Tonno Style of Sixteenth Century Circular-medallion, carved, in low relief, with a half- length figure of the Virgin standing and supporting the undraped Child Christ. Above are two four- winged cherubim. Surrounded by a banded wreath of fruits and leaves in low relief. Diameter, 35 inches. Second and Last Afternoon 303—Iratian Carvep Limesronr Maponna Style of Sixteenth Century Seated figure of Virgin, crowned and supporting the Child Christ on her left arm. On throne with drapery back, late Gothic arched top and flanked by square _ quatrefoil paneled Gothic pilasters. On molded base. Height, 30 inches; width, 21 inches. 304—Sert or Four Limestone Garpen Ficures Standing figures of Putti holding grapes and a floral garland. On circular bases. Height, 2 feet 11 inches. 305—Irarian Marsie Bencu Rectangular molded seat on two lyre-shaped sup- ports carved with masks and volutes. Cushion, to fit seat, covered with crimson velvet. Height, 1 foot 9 inches; length, 7 feet 6 inches. BOOKS 306—Wetuts (H. G.). The Sea Lady. First Edition. London, 1902; SHipman (L. E.). Urban Dia- logues; Witiramson (C. N.). The Lightning Conductor; Morris (Cxara). sh, bis recto, be ve wed at) rua aaa Paarl We, PP Ws. i a rae, yur i thnk bh hoe . 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