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 ENGRAVINGS, ETCHINGS | 
 ss WATER COLORS, PAINTINGS, Etc pa igi 
 We (ya enion | BELONGING TO THE LATE | 
 OF BALTIMORE mo | 
 
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 No. 19— Reduced 
 
Catalogue No. 878 
 
 THE MAGNIFICENT COLLECTION. 
 
 OF 
 
 ENGRAVINGS avo ETCHINGS 
 
 Water-color and Oil Paintings, Autotypes, etc. 
 
 BELONGING TO THE ESTATE OF 
 THE LATE 
 
 THOMAS. WILLIAM HALL. ESQ. 
 
 OF BALTIMORE 
 
 Embracing the Finest Examples, in. the Choicest Possible State, of 
 the most noted Artists of the Burin, in Line, Stipple, 
 . Mezzotint and: Etching: 
 
 2. 
 
 AS WELL, AS 
 
 MANY CHOICE WATER- COLOR AND OIL PAINTINGS 
 
 BY NOTED FOREIGN. ARTISTS 
 
 Many of the Engravings are Handsomely Framed 
 
 TO BH SOLD 
 Thursday and Friday*Afternoons, April 24 and 25, 1902 
 
 AT 3 O'CLOCK EACH DAY 
 
 ON EXHIBITION APRIL 22 ano 23 1 a.- 
 
 CATALOGUE COMPILED AND SALE AT THE BOOK AUCTION ROOMS OF 
 CONDUCTED BY DAVIS & HARVEY, 
 
 STAN. V. HENKELS. 1112 Walnut Street, Philadelphia, Pa, 
 
NOTICE. 
 
 Bids will be executed by the Auctioneers “without 
 charge. Le ors eee rer Cae. 
 
 Bids are always so rae per volume or ieee, 
 otherwise stated in catalogue. _ 
 
 TERMS OF SALE—CAsH. 
 
REMARKS. 
 
 HE late owner of the choice Collection of Engravings, Etchings and Water-color 
 Paintings described in this Catalogue was Thomas William Hall, Esq., of Baltimore, 
 who was well known asa prominent lawyer and journalist. He was also a member 
 
 of the Board of Trustees of the Peabody Institute of Baltimore, and a recognized connois- 
 seur of art, and an authority on engravings. 
 
 The Collection was made during the last quarter of the nineteenth century. The 
 discriminating judgment displayed, and the excellence of the examples selected, alone 
 attest to Mr. Hall’s extraordinary good taste and knowledge of the subject. His object 
 was not to gather together a hetrogeneous mass of prints by all engravers, but to make a 
 representative collection of the best works of the most noted masters of the burin of all 
 ages. A glance through the catalogue will fully attest how well he carried out his purpose— 
 untiring in his search for, and selecting no prints but those in the finest possible state to be had, 
 is the reason we are now able to present to the public a collection, although of not very 
 large proportions, yet, for its size, unequalled, in the general excellence of the examples 
 selected, by any other in the country. ‘The water-color paintings and autotypes included 
 in the catalogue are equally indicative of the high standard which alone received the 
 approval of the owner. 
 
 To some of the most noted EHngravings herein described we wish to draw particular 
 attention—Bervic’s Education of Achilles, proof before letters; Blooteling’s Hieronymus 
 van Beverningk, first state, Desnoyer’s Napoleon le Grand, second state, and Belisarius, 
 choice artist’s proof; Drevet’s (the younger) Cardinal du Bois, and Claude Drevet’s Cardinal 
 d’ Auvergne, both noted as magnificent specimens of engraved lace work; Durer’s St. Jerome 
 in his Cell, 42s masterpiece and a beautiful impression ; Edelinck’s Moses with the Tablets, 
 and Martinus Vanden Baugart; Forster’s St. Cecilia with two Angels, proof before the in- 
 scription ; Valentine Green’s Miss Hunter, proof before letters ; Loughi’s Dandolo, Doge of 
 Venice, jirst state, before the border; Mandels’ La Madonna della Sedia, a grand trial proof; 
 Massard’s Homer, chotce open-letter proof; Masson’s Grey-Haired Man, second state, and Le 
 Cadet a la Perle, second state; Muller’s La Madonna di San Sisto, fourth state, before the 
 retouch, THE MASTERPIECE OF THE NINETEENTH CENTURY; Nanteuil’s Pomponne de Bel- 
 lievre, second state, and his masterpiece ; Nordheim’s La Madonna di San Sisto, proof before 
 all letters; Pether’s The Standard Bearer, superb brilliant proof; Paul Pontius’ Rubens, with 
 the hat, saperb proof; Rembrandt’s The Mill, very fine, The Death of the Blessed 
 Virgin, very fine, and Jan Asselyn, grand impression, third state ; Richomme’s Triumph of 
 Galatea and Thetis Bearing the Weapons of Achilles, both brilliant impressions ; Schmidt’s 
 Jewish Bride, /firs¢ state ; Strange’s Henrietta Maria, Queen of England, with her children, 
 proof before all letters ; Toschi’s Descent from the Cross, beautiful trial proof, before cleansing 
 the plate; Visscher’s Great Cat, splendid impression; Waterloo’s Great Mill, very fine; 
 Watson’s Countess of Ossory, one of the Windsor beauties ; Wierix’s Melancholia, very fine, 
 
 and Wille’s Louis Phelypeaux, brilliant impression. 
 
iv 
 
 Of Etchings, of the modern school, some of the most notable are, Bartley’s Henry 
 Irving and Ellen Terry, vemarque proof, signed; Brunet-Debaines’ Chill October, artist's proof, Se 
 signed; Flameng’s Christ Appearing in a Vision to Boers, artist's proof, signed; Gilbert’s 
 Foraging Party, and On the Alert, doth artist’s remarge proofs, signed ; Gravesande’s Au bord ~ 
 du Gein, artis?’s proof on vellum, and one of the most perfect etchings of the modern school ¢ os 
 Seymour Haden’s Sunset in Ireland and Fulham on the Thames, both artist's proofs, signed ; 
 Haig’s Series of Etchings of Westminster Abbey and Spanish Churches, a// artist's proofs, é 
 signed; Frederick Jacque’s Le Retour, artist's remarque proof, signed ; Jacquet’s Cavalry § 
 Care and ‘‘ ueta. both artist's prey: signed ; Law’s bade and Windsor or 
 
 Tomb, artist’s remarque proof; Palmer’s Early Ploughman, proof; Rajon’s Cardinal 1 
 man, qere proof, Sb oeae! ; win gee Return ye a Had es hips 
 
 Paes and Lady Camden, ad/ he proofs, signed ; ea Whistler’s Blackie 
 “Wharf, The uatreneees and ae meds bie all fine proofs. = 
 a Sees at the names of artists iad eet in this Siena! on the page opposite 
 
 convey an idea a ie great sparen i and ee of the collection. 
 
 April 21st and 22d, where I will have the pleasure of conducting the sale. 
 
 STAN V. HENKE 
 
 water-color and oil paintings. 
 
ARTISTS 
 
 REPRESENTED 
 
 ENGRAVERS AND ETCHERS 
 
 Aldegrever, Henry 
 Anderloni, Pietro 
 Audran, Benoit 
 
 Balechou, John James 
 Bankel, Johannes 
 Bartolozzi, Francesco 
 Bartley, Henry W. 
 Bause, John Frederick 
 Beauvarlet, James Firmin 
 Beham, Hans Sebald 
 Berghem, Nicholas 
 Bervic, Charles Clement 
 Blanchard, Auguste Thomas Meee 
 Blooteling, Abraham 
 Bockman, G. 
 
 Bolswert, Sheltius A. 
 Bosse, Abraham 
 Boissieu, Jean Jacques de 
 Buchot, Felix 
 
 Cantarini, Simone 
 
 Caronni, Paolo 
 
 Carpioni, Guilio 
 
 Caracci, Agostino 
 
 Chauvel, Theophile Narcisse 
 Corbutt, Charles ; 
 Claessens, Lambertus Antonius 
 Couwenberg, Henrik Wilhelm 
 
 Dalen, Cornelius Van . 
 Danguin, Jean Baptiste 
 
 Daulle, Jean 
 
 Debaines, Alfred Louis ‘Br unet- 
 Desnoyers, A. G. L. Boucher . 
 Dicksee, Herbert 
 
 Dietrich, Christian William Pernce: 
 Dixon, John 
 
 Drevet, Pierre, the ides 
 Drevet, Peter, the younger 
 Drevet, Claude 
 
 Diirer, Albrecht 
 
 Dupont, Louis Pierre THegHaubl 
 Dusart, Cornelius 
 
 Dyke, Antonio Van 
 
 PAGE 
 
 I Harlom, Richard . 
 I Edelinck, Gerard 
 I Elten, Kruseman Van . 
 
 Edwards, S. Arlent 
 
 Farrer, Henry . 
 Felsing, Geo. Jacob 
 Ferris, Stephen J. 
 Ficquet, Etienne 
 Flameng, Leopold 
 Forster, Francois 
 Fortuny Mariano 
 Francois, Alphonse 
 Freidhoff, Johann Joseph 
 
 Gaillard, Claude Ferdinand 
 Garavaglia, Giovita 
 
 Gelée, Claude (Lorrain) 
 Gelée, Francois Antoine . 
 Gilbert, Achille 
 
 Goltzius, Hendrik 
 
 Goya, Francesco . 
 
 GS Go Gs 6, CA ONT Nh tN ey I et 
 
 Green, Valentine 
 Gunst, Peter Van 
 Guttenberg, Carl 
 
 Haden, Francis Seymour 
 Haid, John Gottfried 
 Haig, Axel H. 
 Halpin F. 
 
 Hecht, W. 
 Herkomer, Herbert 
 Hodgetts, Thomas 
 Holl, Wim. 
 
 Hollar, Wenceslaus 
 Houbraken, Jacob 
 Hoovenden, Thomas 
 
 Jacque, Charles 
 
 Jacque, Frederick 
 
 Jacquet, Jules 
 
 Jesi, Samuele 
 
 Jode, Peter de, the younger 
 Jode, Peter de, the elder 
 
 NSIVN DDAUNUNNNN SF HF F BRP HD PWW WwW W 
 
 Gravesande, Charles Storm Van 
 
 PAGE 
 
 i) 
 NN nunNN 
 
 ommaonnwnwo non 
 
 ow oO OO OO 
 
 = 
 
Koepping, C. 
 Kratke, D. 
 Krug, Lucas 
 
 Lamotte, Alphonse 
 Lalanne, Maxime 
 Law, David 
 
 Le Beau, Pierre Adrien 
 Le Couteux, Lionel 
 L, Hermite, Louis 
 Lévy, Gustave 
 Lewis, Charles G. 
 Leyden, Lucas Van 
 Longhi, Guiseppe 
 Lucas, John 
 
 Mandel, John August Edward 
 Manfeldt, B. \ 
 Maratti, Carlo . 
 
 Margelidon, L. : 
 Martinet, Achille Louis 
 
 Massard, Jean Baptiste Raphael Ur bata 
 
 Massard, Leopold 
 Massard, Jules . 
 Masson, Antoine 
 Mathey, Armand 
 McArdell, James 
 Meryon, Charles 
 Milius, F. : 
 Mielatz, Charles F. Ww. 
 Moncks, J. A. S. 
 Moran, Peter 
 Morghen, Raphael 
 Morin, Jean 
 
 Miller, Jan ‘ 
 Miller, Christian Friedrich von 
 Murray, Charles O 
 Nanteuil, Robert 
 
 Nordheim, John George 
 Ostade, Adrian Van 
 
 Palmer, Samuel 
 
 Parkes, Robert Bowyer 
 Parrish Stephen 
 
 Pentz, Gregory, called Genrve 
 Pether, Wm. ; 
 Piercy, Frederick 
 
 Pigeot, Francois, 
 
 PAGE 
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 13 
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 18 
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 19 
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 vi 
 
 Piranesi, Giovanni Battista 
 Pontius, Paul ; 
 Porporati, Carlo Antonio 
 
 Rajon, Paul Adolph 
 
 Rasp, Carl Gottlob 
 Rembrandt, Paul Van Ryn 
 Reyher, Robert 
 
 Reynolds, William S. 
 Richomme, Joseph Théodore 
 Rousseau, E. 
 
 Rivet. i: 
 
 Ruysdael, Jacob 
 
 Sandrart, Jacob von 
 Schmidt, George Frederick 
 Schongauer, Martin 
 Schultheiss, Albrecht F. 
 Sharp, William 
 
 Slocombe, C. P. 
 
 Strange, Sir Robert 
 Steinla, Moritz 
 
 Tardieu, Pierre Alexandre 
 ‘Teyssonniéres, Pierre 
 Tissot, Jacques Jean 
 Toschi, Paolo 
 
 Varin, Amedée and Eugéne 
 Visscher, Cornelius 
 Visscher, Lambert 
 
 Vivares, Francois 
 
 Vogel, Johann Friedrich 
 Volpato, Giovanni 
 
 Vortsterman, Lucas, the elder 
 
 Wagner, Carl 
 
 Waltner, Charles 
 Waterloo, Anthony 
 Watson, Thomas 
 Wellstood, George 
 Whistler, James McNeill 
 Wierix, Jan 
 
 Wierix, Jerome 
 
 Wierix, Anton 
 
 Wilkie, Sir David 
 
 Wille, John George 
 Williams, Robert, Junior 
 Woollett, William 
 Water-color Paintings, etc. 
 
 PAGE 
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No. 59—Reduced 
 
Io 
 
 pte § 
 
 CATALOGUE. 
 
 ALDEGREVER (HENRY) 
 One of the *« Little Masters.” 1502-1562. Engraver. German. 
 (His plates are finished with great precision and delicacy in the style of Durer.) 
 
 Adam. 1529. Small. Bartsch, 9 
 Eve. 1529. Small. Bartsch, 10 
 
 ANDERLONI (PIETRO) 
 1734-1840. Engraver. German. 
 
 The Judgment of Solomon. After Raphael. Line. Open-letter proof. Fourth state. 
 Andresen, 3. Apell, 2. Folio. Framed and glazed 
 
 AUDRAN (BENOIT) 
 
 1661-1721. Engraver. French. 
 
 Jean Baptiste Colbert. After C. La Fevre. Zzme. Oval. Brilliant early impression. 
 Folio 
 
 BALECHOU (JOHN: JAMES) 
 1715-1764. Engraver, French. 
 
 Sainte Geneuieve, Patrone de Paris. After C. Vanloo. Line. Folio. Third state, 
 before the horizontal lines in title... Andresen, 1. Very rare ; 
 
 BANKEL (JOHANNES) 
 1837 
 
 Castor. and Pollux Carrying off Phoebe and Elaira, Daughter of, ie ae After 
 Peter Paul Rubens. Line. India proof before all letters. Folio. 
 
 Engraver. German, 
 
 BARTOLOZZI (FRANCESCO) 
 
 1730-1813. Engraver. Italian. 
 
 Oliver Sougell. Portrait. . After R. Walker: .. Open-letter oe Stipple. Pub- 
 lished, 1802. Fine. Framed and glazed 
 
 Rachel Hiding the Idols of Laban. After Cortona. Line, in brown. Folio. Andresen, 2 
 
 The Harl of Mansfield, in robes of office. After Sir Joshua Reynolds. Line and 
 . stipple.- Published, 1786. Fine impression 
 
 Three Heads. After Cipriani. In red. Folio | 
 
 BARTLEY (HENRY W.) 
 
 Etcher and Engraver. English. 
 
 Henry Irving and Ellen Terry, as Mephistopheles and Margaret. Mezzotint. Japan 
 paper remarque proof. Signed. Folio 
 
I2 
 
 13 
 
 14 
 
 15 
 
 16 
 
 17 
 
 18 
 
 19 
 
 20 
 
 21 
 
 22 
 
 23 
 
 2 
 
 BAUSE (JOHN FREDERICK) - 
 1738-1814. Engraver. German. 
 
 Peter the Great. Portrait. After §. Le Roy. Line. Folio. Proof before all letters 
 and border. Andresen, 11. Apell, 66. K., 119. 
 
 BEAUVARLET (JAMES FIRMIN) 
 1733-1797. Engraver. French. 
 
 The Marquis de Pombal. Seated on a terrace overlooking the harbor of Lisbon. Por- 
 trait. After J. Vernet and L. M. Vanloo. Lime. Large folio. Proof before all 
 letters, Only fifty impressions taken. Very rare. Andresen, 18. Apell, 44 
 
 BEHAM (HANS SEBALD) 
 
 One of the « Little Masters.” 1500 ——. Engraver. German. 
 
 Adam and Eve. 1543. Very fine and rare. Small. Bartsch, 6 
 
 BERGHEM (NICHOLAS) 
 1624-1683. Etcher. Dutch. 
 
 Crossing the Brook. Third state. 4to. Bartsch, 12 
 
 BERVIC (CHARLES CLEMENT) 
 1756-1822. Engraver, French. 
 The Education of Achilles. After J. B. Reynault. Very fine and rare. Proof before 
 all letters. First state. Andresen, 3; Apell, 2 
 
 Elénvement de Dejanire. After Guido Reni. Third state, before the inscription. Line. 
 Folio. Andresen, 3; Apell, 2. Framed and glazed 
 
 BLANCHARD (AUGUSTE THOMAS MARIE) 
 1819 ——. Engraver, French. 
 
 The Descent from the Cross. After Peter Paul Rubens. Line. Remarque proof. 
 Eleventh impression. Apell, 2. Framed and glazed 
 
 BLOOTELING (ABRAHAM) 
 1634-1685. Engraver and Etcher. Dutch. (One of the earliest mezgotint engravers.) 
 Hieronymus van Beverningk, Ambassador to London. Portrait. After Maes. Jezzo- 
 tint. First state, before the letters. Folio. Very fine. Brilliant impression. An- 
 dresen, 12 
 SEE REDUCED FACSIMILE, ; 
 A. Bidloo, surgeon. Portrait. After Maes. Line. First state, before all letters. Very 
 fine. Folio. Andresen 1. Fyrom the Didot Collection 
 Cornelius de Wit, brother of the Grand Pensionary of Holland. Portrait. After de 
 Bane. Aezzotint. Brilliant impression. Folio 
 John de Wit, Grand Pensionary of Holland. Portrait. After de Bane. JA/ezzotint. 
 Brilliant impression. Folio 
 Michael Adriaensz Ruyter, Admiral. Portrait. Avching. Brilliant im pression. Very 
 fine. Folio 
 
Ne. 71—Reduced 
 
24 
 
 25 
 
 26 
 
 27 
 28 
 
 29 
 
 30 
 31 
 aa 
 33 
 34 
 35 
 36 
 
 37 
 
 38 
 
 39 
 
 40 
 41 
 
 3 
 
 BOCKMAN (G) 
 Eighteenth Century. Engraver. English, 
 
 The Right Honorable Sir Thomas Reeve, Lord Chief Justice of the Court of Common 
 Pleas. Portrait. After Amiconi. Mezzotint. Folio. Fine impression. Very rare 
 
 BOLSWERT (SHELTIUS A) 
 1586 ——.. Engraver. Flemish. 
 
 Haymakers Returning from the Field. After Peter Paul Rubens. Zine. Folio. Fine 
 
 BOSSE (ABRAHAM) 
 1603-1676. Engraver. Frerch. 
 
 Printing from Copperplate. Zzme. Andresen 11 (4) 
 
 DE BOISSIEU (JEAN JACQUES) 
 1736-1810, Painter and Etcher. French. 
 St. Jerome. itching. Folio. Framed and glazed. Andresen, 1 
 
 A View near Tivoli, with aman and a woman mounted on a mule, driving cattle 
 through a rivulet. itching. Folio. Framed and glazed. Andresen, 17 
 
 Wood Gatherers Pulling Down an Old Tree. Ziching. Folio. Framed and glazed. 
 Andresen, 16 
 
 BUCHOT (FELIX) 
 Etcher. French. 
 
 Landing at Trouville, 1877. Before the inscription. Folio. K., 127 
 La Féte Nationale du 30 Juin, au Boulevard Clichy, 1878. Folio 
 A la Place Breda, 1879. Folio 
 A la Place Pigalle, 1878. Folio. With artist’s seal in red 
 Debarquement en Angleterre, 1879. Folio. With artist’s seal in red 
 Les Petites Chaumiéres. With artist’s seal in red 
 Banks of River Medway, near Rochester. Folio. With artist’s seal in red 
 
 CANTARINI (SIMONE) 
 1612-1648. Etcher. Italian. 
 The Repose in Egypt. Falsely marked G. Renus, in, & fec. Etching. 4to. Bartsch 
 3. Fine 
 
 CARONNI (PAOLO) 
 1779-1842. Engraver. Italian. 
 
 Raphael Morghen. Portrait. Line. Proof before all letters. Folio. Andresen, 14 
 
 CARPIONI (GIULIO) 
 1611-1674. Etcher. Italian. 
 
 Holy Family. ching. Folio. Second state. Andresen, 14; Bartsch, 8 
 
 CARACCI (AGOSTINO) 
 
 1558-1601. Engraver. Italian. 
 Titian. Portrait. Folio. Second state. Andresen, 20; Bartsch, 154 
 Pan Overcome by Love. 1577. itching. Bartsch, 116 
 
42 
 
 43 
 
 44 
 
 46 
 
 47 
 
 48 
 
 49 
 50 
 51 
 52 
 
 53 
 54 
 
 4 
 
 CHAUVEL (THEOPHILE NARCISSE) 
 1831 ——. Etcher. Freneh. 
 
 L’Etang. After Corot. Ztching. Folio. Fine 
 
 CORBUTT (CHARLES) 
 1736 ——. Engraver. English, 
 
 Jean Jacques Rousseau. Portrait. After A. Ramsay. JJezzotint. Brilliant impres- 
 sion. Folio. Andresen, 3. One of his masterpieces 
 
 CLAESSENS (,AMBERTUS ANTONIUS) 
 1764-1834. 
 La Femme Hydropique. After Gerard Dow. JLzme. Folio. Brilliant impression. 
 Andresen, 6; Apell, 7 
 
 COUWENBERG (HENRIK WILHELM) 
 1814-1845. Engraver, Dutch. 
 
 La Menagére Hollandaise. After Gérard Dow. (Drawn by Couwenberg and finished 
 by J. W. Kaiser.) Zzwe. Folio. Andresen, 1; Apell, 2. Framed and glazed 
 
 DALEN (CORNELIUS VAN) 
 1620 ——. Engraver, Flemish. 
 
 CHARLES II. of England, in armor. After P. Nason. Line. Proof before all letters, 
 Very fine and rare. Andresen, 12 
 
 DANGUIN (JEAN BAPTISTE) 
 1823 ——. Engraver. French. 
 Portrait of a Lady. After Rembrandt. Line. Artist’s proof. Presentation copy. 
 ‘‘Offert a M. Reiset, Directeur des Musées, l’hommage de l’Auteur, Danguin.”’ 
 Folio. Apell, 6. Framed and glazed. 
 
 DAULLE (JEAN) 
 1709-1763. Engraver, French. 
 
 Mile. Pelissier, as Flora (of the Theatre Francaise). After H. Drouaise. Choice early 
 impression. ZLzze. Folio. Andresen, 25 
 
 DEBAINES (ALFRED LOUIS BRUNET-) 
 1845. Etcher, French. (One of the most noted of modern French etchers.) 
 The Valley Farm. After Constable. Chozce open-letter proof. Folio. Framed and 
 glazed 
 Chill October. After Millais. Artist's proof, signed by both painter and etcher. Folio. 
 Framed and glazed 
 
 At Eventide there shall be Light. After B. W. Leader. <Artis?’s proof, signed by 
 both painter and etcher. Folio. Framed and glazed 
 
 The Burial of Wilkie. After J. M. W. Turner. Artists proof, signed. Second state. 
 Of which only one hundred and fifty were printed. Folio. 
 
 Thatched Cottage. After Corot. Small but beautiful etching, on parchment 
 
 * The Heath. After Corot. Small but beautiful etching on parchment 
 
dln as 6 CULE ou ie i Yeah RESS O He Peccsglle 
 
 « pat Deseky Sane 4 VRE 
 ig Conits a) ers Sehr ee oo ugh Fn: eR en ES en 
 
 Le. 72—Reuced 
 
i 
 
 She) 
 
 56 
 
 57 
 
 58 
 
 59 
 
 60 
 
 62 
 
 63 
 
 64 
 
 65 
 66 
 
 67 
 
 68 
 
 69 
 
 7O 
 
 5 
 
 Rouen Cathedral (South Portal). Artist's proof. Inscribed ‘‘A Mr. Max Lalanne, son 
 eléve, Brunet-Debaines. Folio 
 
 On the Strand, London. Artist's proof, signed. Folio 
 
 DESNOYERS (A. G. L. BOUCHER) 
 1779-1857. Engraver. Wrench. (One of the most eminent engravers of his time.) 
 La Vierge de la Maison D’Albe. After Raphael. Line. Choice copy. Second state. 
 With monogram stamp of the engraver. Folio. Andresen, 9; Apell, 9 
 
 Napoleon the Great, in coronation robes. After F. Gérard. Line. Magnificent copy. 
 Second state. With stamp of Imperial eagle. Folio. Andresen, 28; Apell, 4o. 
 Framed and glazed 
 
 One of the most noted prints of the Nineteenth Century. 
 
 Belisarius. After F. Gérard. Chotce artist’s proof. ‘‘Epreuve de Choix. B. Des- 
 noyers.’’? With stamp. JZzme. Folio. Andresen, 22; Apell, 25 
 
 One of the most sought alter engravings, and a magnificent copy. SEE REeDUCED FACSIMILE. 
 
 Charles Maurice de Talleyrand. Portrait. After F. Gérard. Zine. Folio. Andre- 
 sen, 29; Apell, 44 
 
 DICKSEE (HERBERT) 
 Etcher. English. 
 
 Roused. (Lion and lioness in a cave.) Artist's proof, signed. Folio. 
 
 DIETRICH (CHRISTIAN WILLIAM ERNEST) 
 1712-1774. Eicher. Germah. 
 Nymphs Bathing in a Grotto. 1741. Beautiful specimen. First state. Folio. An- 
 dresen, 34; Linck, 136 
 The Vender of Rat-Poison. 1757. Very fine. 8vo. Andresen, 25; Linck, 70 
 
 DIXON (JOHN) 
 1740-1780. Engraver. English. 
 Betty. Young girl with a basket of fruit. After Falconet. Jfezzotint. Proof before 
 all letters. Folio. Very fine. Andresen, 6 
 
 ¢ 
 
 DREVET (PIERRE, THE ELDER) 
 1664-1739. 
 Alexandre de Bourbon, Comte de Toulouse, with the Glove. After H. Rigaud. Live. 
 Brilliant impression. Folio. Andresen, 16 
 Alexandre de Bourbon, Comte de Toulouse, without the Glove. After H. Rigaud. 
 Line. Brilliant impression. Folio. Andresen, 17 
 
 René Francois de Beauvau, Archbishop of Narbonne. After H. Rigaud. Line. Beau- 
 tiful impression. arly state. Folio. Andresen, 19 
 Noted for the beautiful engravinz of lacework. 
 
 Pierre Gillet, with Gray Hair. After H. Rigaud. Live. Fine impression. Firsé state. 
 Folio 
 
 Mary de Neufchatel, Duchess de Nemours. After H. Rigaud. Zzwe. Fine early im- 
 pression. Folio. Andresen, 29 
 
 Louis Hector, Duc de Villars, in armor. After H, Rigaud. Zzve. Finecopy. Second 
 state. Folio. Andresen, 11 
 
71 
 
 72 
 
 73 
 
 74 
 
 75 
 76 
 ih 
 78 
 79 
 80 
 8I 
 82 
 83 
 84 
 85 
 86 
 87 
 88 
 89 
 
 go 
 gi 
 92 
 93 
 94 
 
 95 
 96 
 
 97 
 98 
 
 6 
 
 DREVET (PETER, THE YOUNGER) 
 1697-1739. Engraver. French. 
 
 Adrienne le Couvreur, in the Character of Cornelia. After Charles Coypel. Lzne. 
 Superb impression of the second state, before the ‘‘e’’ in ‘‘ modele.’’ Extremely 
 rare. Folio. Andresen, 23 
 SEE REDUCED FACSIMILE. oF ae 
 
 Guillaume, Cardinal du Bois, Archbishop of Cambray. After H. Rigaud. Lane, 
 
 Magnificent brilliant impression. Folio. Andresen, 12 
 
 Censidered his masterpiece, and affording one of the most beautiful examples to be had of engraving of 
 Fur and Lace. ; 
 
 SEE REDUCED FACSIMILE, 
 
 Samuel Bernard, Conseiller d’Estat. After H. Rigaud. Zzme, Fine. Folio. Andre- 
 
 sen, IO 
 
 DREVET (CLAUDE) 
 1710-1768. Engraver.. French. 
 
 wou Oswald, -Cardinal d'Auvergne. ” After H. Rigaud. Magnificent specimen of 
 lace work. Brilliant 1 {en DF eSon, Line. Folio. Andresen, 2 
 
 DURER (ALBRECHT) 
 1471-1528, Engraver and Etcher. (Founder of the German School.) oes 
 
 aes eek: | 3 PASSION SERIES 
 The Man of Sorrows. Very fine: Bartsch, 3. ~ Andresen, 3 
 Christ Praying Upon the Mount of Olives. Very fine. Bartsch, 4; Andresen, 3 
 Christ Siezed by the Jews.. Very fine. Bartsch, 5; Andresen, 3 ° 
 Christ Before Caiaphas. Very fine. Bartsch, 6;.Andresen, 3 
 The Scourging of Christ. Very fine. Bartsch, 8: Andresen, 3 
 Christ Crowned with Thorns. Very fine. Bartsch, 9; Andresen, S45 
 Pilate.Washing his Hands. Very fine. Bartsch, 11; Andresen, 3 
 The Bearing of the Cross. Bartsch, 12; Andresen} 3 
 The Bearing of the Cross. Very fine. Bartsch, 12; Andresen, 3 
 The Crucifixion. Very fine. Bartsch; 13; Andresen, 3 
 The Descent from the Cross. ° Very fine. Bartsch, 14; Andresen, 3 
 The Entombment of Christ. Very fine. Bartsch, 15; Andresen, 3 
 The Resurrection. Very fine. Bartsch, 17;.Andresen, 3 
 The Prodigal Son. Very fine. Bartsch, 28; Andresen, 10 
 
 St. Jerome in his Cell. .1514 | Magnificent i impression, Bartsch, 60; Andresen, 22 
 
 May well be considered Durer’s masterpiece. re says it would be difficult to select a more perfect 
 specimen of executive excellence than this print. 
 SEE REDUCED FACSIMILE. « 
 
 Idleness : or the Dream. Bartsch, oes 
 
 Les Offres d’ Amour. Bartsch. 93. eee) hone 
 
 The Cavalier and the Lady.’ Fine. Bartsch, 94 
 
 The Great Horse. Very fine. Bartsch, 97 
 
 Christ Presented to the People by Pilate. _ (Great Passion Series. > Woodeut. Bartsch, 9. 
 Andresen,’ 40 
 
 The Angel Appearing to St. Joachin. (Life of the, Virgin Series: ) Woodcut. Bartech: 78. 
 Andresen, 44 
 
 The Circumcision. (Life of the Virgin Series), with Latin text. Woodcut. Bartsch, 86, 
 Andresen, 44 
 
 Hercules. Woodcut. Bartsch, 127. (From the Haussmann Collection. ) 
 
 The Warrior on Horseback followed by a Halberdier. Woodcut. Bartsch, 131 
 
IR HE NTI Na NORE Sea oS NTR RMR et or We 
 
 No. 89—Reduced 
 
~ 
 
 / 
 
 DUPONT (LOUIS PIERRE HENRIQUEL) 
 1797 ——. Engraver. French. 
 
 99 Lord Stafford, on his way to the Scaffold, receiving the Blessing of Archbishop Laud. 
 
 100 
 
 Io! 
 102 
 103 
 
 104 
 105 
 
 106 
 
 107 
 
 108 
 
 109 
 
 IIo 
 
 PET 
 
 112 
 
 113 
 
 After Paul Dela Roche. Ofen-letter proof. Line. Andresen, 10; April 9 
 
 DUSART (CORNELIUS) 
 1665-1704. Etcher. Dutch. 
 
 The Great Village Festival. Zvching. Beautiful copy of the first state. Folio. 
 Very rare. Andresen, 9 
 
 VAN DYKE (ANTONIO) 
 1§99-1641. Painter and Etcher. Dutch. 
 Johannes Snellinx, Artist. Portrait. itched. Fifth state. Folio. Andresen, 14; 
 Weber, 10 
 Antonius Cornelissen. Portrait. itched. Second state. Rare. Andresen, 5; 
 Weber, 3 
 Johannes Breughel, Artist. Portrait. itched. Fifth state. Very rare. Andresen, 
 3; Weber, 1 
 Adam van Noort, Artist. Portrait. itched. Fifth state. Andresen, 12; Weber, 8 
 Justus Suttermans, Artist. Portrait. Atched. Andresen, 17; Weber, 12 
 
 EARLOM (RICHARD) 
 1726-1822. Engraver and Etcher. English. 
 
 Flower Piece. After Van Huysum. Mezzotint. Brilliant impression. Folio. An- 
 dresen, 41. Framed and glazed 
 
 EDELINCK (GERARD) 
 1627-1707. Engraver. French. (One of the greatest of line engravers.) 
 Moses. Half length, holding the tables of the law. After P.de Champagne. En- 
 graved conjointly with Nantueil. Zzze. Folio. Andresen, 1 
 
 Philip de Champagne. Portrait. After P. de Champagne. JLzmze. Folio. Brilliant 
 
 impression. Second state. Rare. Andresen, 18; R. D., 164 
 SEE REDUCED FACSIMILE. 
 
 Martinus Vanden Baugart. Portrait. After H. Rigaud. Magnificent, velvety im- 
 pression. Live. Folio. Andresen, 20; R. D., 162 
 SEE REDUCED FACSIMILE. 
 
 Nathanael Dilgerus, Pastor in Danzig. Portrait. Zzve. Fine impression. Rare. 
 Andresen, 21; R. D., 185 
 
 Antoine Arnauld. Portrait. After P. de Champagne. First state, before Chereau’s 
 address. Line. Folio. R.D., 140 
 
 VAN ELTEN (KRUSEMAN) 
 
 1829 —— Etcher. American. 
 
 A Gust of Wind. Scene near New Milford, Conn. Zéching. Folio. Proof before 
 letters 
 
 FARRER (HENRY) 
 1843-1891, Etcher, American. 
 
 The Night Serene and Still. A¢ching. Folio. Proof before letters 
 
114 
 
 115 
 
 116 
 
 117 
 
 118 
 
 119 
 
 120 
 
 I2I 
 
 122 
 
 123 
 
 124 
 
 125 
 
 126 
 
 127 
 
 8 
 
 FELSING (GEO. JACOB) 
 1802 ——- Engraver. German. 
 
 Salvater Mundi. After Leonardo da Vinci. Line. Remargque proof. White fringe 
 on collar. Signed. Andresen, 19; Apell, 6 
 
 FERRIS (STEPHEN J) 
 Etcher. American. 
 Fortuny Dead. Eiching. Artist's proof, signed. No. 13 of only sixty impressions. 
 Folio 
 The Mandolin Player. After Fortuny. Eiching. India proof. Folio 
 
 FICQUET (ETIENNE) 
 1719-1794. Engraver. French. 
 
 Mme. de Maintenon. Portrait. After Mignard. JLzze. Second state. Folio. 
 Andresen, II 
 
 FLAMENG (LEOPOLD) 
 1831 —— Etcher. French. 
 Professor Huxley. Portrait. After Sir J. Collier. Atching. Artist's remarque 
 proof. Signed by both painter and etcher. Folio. Framed and glazed 
 
 Christ Appearing in a Vision to Boers Drinking in a Tavern. Artist’s proof, signed. 
 1861. Large folio 
 
 FORSTER (FRANCOIS) 
 
 1730 —— Engraver. French. 
 
 La Vierge, au bas-relief. After Leonardo da Vinci. Line. Choice proof before the 
 inscription. With Forster’s stamp. Impression No. 101. Very rare. Andresen, 2; 
 Apell, 1. Large folio : 
 
 St. Cecilia with two Angels. After Paul de la Roche. Proof before the inscription. 
 Line. Warge folio. Andresen, 6; Apell, 8 ; 
 
 Aurora and Cephalus. After P. Guerin. Choice open-letter proof. Line. Varge folios 
 Andresen, 10; Apell, 9 
 
 Titan’s Mistress. After Titan. With address of Artaria and Fontaine. Superb old 
 impression. ZLzve. Folio. Andresen, 15; Apell, 18 
 
 The Duke of Wellington. Full length, in uniform. Portrait. After F. Gérard. 
 Line. Brilliant impression. Folio. Andresen, 20; Apell, 28 
 
 FORTUNY (MARIANO) 
 1836-1874. Etcher. Spanish. 
 
 Arab Watching the Body of his Dead Friend. L¢ching. Proof before letters. Rome, 
 1866. Folio. Rare 
 
 FRANCOIS (ALPHONSE) 
 
 1811 ——. Engraver. French. 
 
 Marie Antoinette Leaving the Tribunal. After Paul dela Roche. Line. Superb 
 proof, before all letters, on India paper. First state. Andresen, 5; April 7. Folio. 
 Framed and glazed 
 
 The Birth of Venus. After A. Cabanel. Line. Artist's proof on India paper, signed. 
 Folio : 
 
pons O ha 
 Pirie yh 
 
 No. 108—Reduced 
 
128 
 
 129 
 
 130 
 
 131 
 
 132 
 
 133 
 
 134 
 
 135 
 
 136 
 
 137 
 
 — 
 
 9 
 
 FREIDHOFF (JOHANN JOSEPH) 
 1768-1813. Engraver, German. 
 
 Joseph and Potiphar’s Wife. After C. Cignani. Mezzotint. Rich and brilliant im- 
 pression. Folio. Andresen, 1 
 
 GAILLARD (CLAUDE FERDINAND) 
 1789-1863. Engraver. Frnch. 
 
 CHdipus. After Ingres. Artist’s proof. Signed by painter and engraver. Folio. 
 Andresen, 4 
 
 St. George and the Dragon. After Raphael. Chozce artist’s proof on India paper, 
 signed. Very fine. Folio 
 Gaillard’s last plate. 
 
 L’Homme a L’Oeillet. After Van Eyck. Jndia proof. Folio. Andresen, 6 
 
 GARAVAGLIA (GIOVITA) 
 
 1790-1835. Engraver. Italian. 
 
 Giovanni Boccaccio. Portrait. After Longhi. Line. Proof before letters, with en- 
 graver’s stamp. Folio. Andresen, 14; Apell, 14 
 
 GELEE (CLAUDE [LORRAIN]) 
 1600-1682. Painter and Etcher. French. 
 
 The Wooden Bridge. itching. Third state. (No. 100n margin.) 4to. Andresen, 
 14; Apell, 14 
 
 GELEE (FRANCOIS ANTOINE) 
 1796-1860. Engraver. French. 
 
 Daphne and Chloe. After L. Hersent. Line. Magnificent artist’s proof. 1824. 
 First state. From the Louvre collection. Folio. Andresen, 2; Apell, 4 
 
 GILBERT (ACHILLE) 
 
 1828 ——. Etcher. French, 
 
 Foraging Party (Boars in a Wood). After Rosa Bonheur. ELiching. Artist's re- 
 marque proof (head of etcher). Signed by painter and etcher. Varge folio. Framed 
 and glazed 
 
 On the Alert. (Stag in a Wood.) After Rosa Bonheur. Artist’s remarque proof. 
 Head of Bonheur. Signed by both painter and etcher. Warge folio. Framed and 
 glazed 
 A magnificent pair of etchings. 
 
 The Young Prince. (Head of lion, full face.) After Rosa Bonheur. Artist's proof. 
 Signed by painter and etcher. ‘‘ Kpreuve d’art avant la remarque. A. Gilbert’’ 
 
138 
 
 139 
 
 140 
 141 
 
 142 
 
 143 
 
 144 
 
 145 
 
 147 
 
 148 
 
 149 
 
 10 
 
 GOLTZIUS (HENDRIK) 
 1558-1616, Engraver. Dutch. 
 The Murder of the Innocents. C. Visscher exc. First state, before J. C. Visscher’s 
 
 address. Very fine andrare. Line. Large folio. Andresen, 8; Bartsch, 8 
 The plate was not finished. 
 
 The Great Dog of Goltzius with the Son of the Painter Frisius. Zzze. Splendid 
 early impression. From the Baron Liphart Collection. Veryrare. Andresen, 32; 
 Bartsch, 179 
 
 Johannes Zurenus. Portrait. Fine and rare. /zwe. Andresen, 31; Bartsch, 189 
 
 Catherine Deker. Portrait. Fine and rare. From the Marietta Collection, 1670. 
 Bartsch, 210 
 
 GOYA (FRANCESCO) 
 1746-1848. Etcher. Spanish. 
 
 D. Gaspar de Guzman, Conde de Olivares on horseback. Portrait. After Velasquez. 
 Etching. Andresen, 11 
 
 VAN GARVESANDE (CHARLES STORM) 
 1841. Etcher. Dutch. 
 
 Au bord du Gein, prés d’Abcoude. Artist's proof on vellum, signed. Hammerton, 135 
 
 Of this beautiful etching Hammerton says: “This is one of the most perfect etchings produced by the 
 modern schools; so perfect indeed, that if I were restricted to the possession of six modern etchings, this 
 should be one of them, The material is nothing but a river shore, with a few trees and bushes, and a 
 windmill. The sky and the water are both great tranquil spaces of white paper, etc. This etching is in- 
 deed a perfect model for three great qualities, whose union is rare indeed, It is both very tender and very 
 strong, and at the same time very reserved in the best and wisest way.” 
 
 Village of Zandvoort. Artists proof, signed. On Holland paper. Folio. Very fine. 
 
 GREEN (VALENTINE) 
 One of the most noted Mezzotint Engravers. 1739-1831. Engraver. English. 
 
 Miss Hunter. Portrait. After E. F. Calbe. MMezzotint. Superb impression. First 
 
 state, before letters. Folio. Very rare. 
 SEE FACSIMILE. 
 
 VAN GUNST (PETER) 
 1667-1724. Engraver. Dutch. 
 
 John Churchill, Duke of Marlborough. Portrait. After Sir G. Kneller. Line. 
 Brilliant impression. Folio. Andresen, 8 
 
 GUTTENBERG (CARL) 
 1743-1792. Engraver. German. 
 
 John Paul Jones. Half length, on board a man-of-war in action. After a drawing 
 by C.J. Notté. Zine. First state. Folio. Andresen, 8. Very rare 
 
 HADEN (FRANCIS SEYMOUR) 
 1818 ——,. Etcher. English. 
 
 Sunset in Ireland. 1863. Superb artist's proof, signed. Folio. Very rare 
 A magnificent work of art. 
 
 In reference to this etching, Messrs. Frederick Keppel & Co. say, “About the Haden « Sunset in Ireland,’ 
 we beg to assure you that it is a,unique state, simply a trial taken before the plate was finished, or rather 
 before it reached the condition in which it was published. There were other trials taken, with more or 
 less work, but they are described in Drake’s Catalogue. This proof escaped Mr. Haden’s notice when he 
 was supplying information for that book.” 
 
 Fulham on the Thames. Swzperdb artist's proof, signed. Folio, Very rare 
 
No. rog—Reduced 
 
150 
 
 151 
 
 152 
 153 
 
 154 
 
 155 
 156 
 
 157 
 158 
 
 159 
 
 160 
 161 
 162 
 163 
 164 
 165 
 166 
 167 
 168 
 169 
 170 
 171 
 172 
 
 173 
 174 
 
 175 
 
 176 
 
 EE 
 
 HAID (JOHN GOTTFRIED) 
 1710-1776. Engraver. German. 
 Right Honorable Charles Pratt, Baron Camden, Lord High Chancellor of Great Brit- 
 
 ain. After Sir Joshua Reynolds. Mezzotint. Beautiful impression. Folio. 
 Very rare and fine 
 
 HAIG (AXEL, H.) 
 1835 —— Etcher. Swedish, (The most noted etcher of architectural subjects of the day.) 
 
 Westminster Abbey. View from St. Edmund’s Chapel. Artist’s proof, signed. 
 Large folio. Framed and glazed 
 
 Westminster Abbey. Entrance to Poet’s Corner. Artist's proof, signed. Folio 
 
 Westminster Abbey. North Chancel Aisle. Artisi’s proof, signed. Large folio. 
 Framed and glazed 
 
 Westminster Abbey. A Dark Corner, Entrance to S. Aisle of Henry VIII’s Chapel. 
 Artist’s proof, signed. Folio 
 Westminster Abbey. Poet’s Corner. Artist’s proof, signed. Folio 
 
 Westminster Abbey. View of the Chancel from the South Transept. Artist's proof, 
 signed. Folio 
 
 Westminster Abbey. The Cloisters. <Artist’s proof, signed. Folio 
 
 Mont St. Michel. Artist's proof, signed. Large folio. Framed and glazed 
 
 see Cathedral—La Giralda. Artis?’s proof, signed. large folio. Framed and 
 gla X 
 
 Gate of Seville Cathedral. Artzst’s proof, signed. Warge folio. Framed and glazed 
 
 Alcazar at Segovia. <Artist’s proof, signed. Large folio 
 
 Magdalen College, Oxford, Artist's proof, signed. Large folio 
 
 South Aisle, Chapel Royal, Holyrood. Artist's proof, signed. Folio 
 
 Cathedral of Upsala. Artist’s proof, signed. Large folio. Framed and glazed 
 
 Interior of the Cathedral of Upsala. Artist's proof, signed. Large folio 
 
 Pulpit at Verona. Artist's proof, signed. Large folio 
 
 Moorish Archway, Toledo. Artist's proof, signed. Folio 
 
 In the Arab Quarter, Cairo. Artist's proof, signed. Large folio 
 
 The Lace Makers of Mechlin (Flemish lace makers). Artist's proof, signed. Folio 
 
 In Rhineland. Artist's proof, signed. Folio 
 
 Waiting for the Ferry. Ljtibeck. Artist's proof, signed. Large folio 
 
 The Sailor’s Guild. Liibeck. Artist's proof, signed. Large folio 
 
 HALPIN (F) 
 Etcher. American. 
 
 Oliver Wolcott. After Earle, in 1782. Mixed. 4to 
 Frederick Wolcott. After Waldo, in 1835. Mixed. 4to. 
 
 HECHT (W) 
 Nineteenth Century. Etcher, German. 
 Altar Piece in Church in Karnthen. After Jan. Schoreel. Juda proof etching. Warge 
 folio. 
 
 HERKOMER (HERBERT) 
 1849 —— Etcher. English. 
 
 Henry M. Stanley. Portrait. Artist’s proof, signed. Folio 
 
177 
 
 178 
 
 179 
 180 
 
 181 
 182 
 
 183 
 
 184 
 
 185 
 
 186 
 
 187 
 
 188 
 
 12 
 
 HODGETTS (THOMAS) 
 Engraver. English. 
 
 Horatio, Lord Viscount Nelson, K. B., Duke of Bronte. After Sir Wm. Beechey. 
 Mezzotint. Open-letter proof. Folio. 
 
 HOLL (WM) 
 1845 —— Engraver. English. 
 
 Lloyd, Lord Kenyon. Lord Chief Justice of England. Portrait, in robes of office. 
 After G. Romney. S#ple. Brilliant impression. Large folio. Very rare. 
 
 HOLLAR (WENCESLAUS) 
 1607-1677. Etcher and Engraver, English. 
 A Muff. Ziching. 1647. Parthey, 1951 
 
 Pietro Aretino. In profile. Portrait. After Titan. itching. Early state. ato. 
 Andresen, 26; Parthey, 1346 
 
 Pietro Aretino. Full face. Portrait. After Titan. itching. 4to. Parthey, 1348 
 
 Thomas Howard. Earl of Arundel. In armor, by the column. After Van Dyke. 
 Etching. First state. Very rare. 4to. Andresen, 27; Parthey, 1353 
 
 Proclamation of the Treaty of Peace between Spain and the Netherlands, before the 
 
 ~ ‘Town Hall, Antwerp, 1648. Line. Folio. Andresen, 15; Parthey,. 561 
 
 HOUBRAKEN (JACOB) 
 1698-1780, Etcher and Engraver. Dutch. 
 
 Cornelius Eversdyk. Portrait. After W: Eversdyk. From the W. Drogulen Col- 
 
 lection, Leipzig. Zive. Brilliant impression. Folio 
 In Holland they claim that this portrait is as fine as Nantueil’s « Poempone.” 
 
 Duke of Marlborough, Prince Eugene, and Prince of Orange. ule portraits in 
 ovals on one sheet, surrounded by emblems of war. Line. Fine proof before all 
 letters. Very rare, Folio 
 
 HOOVENDEN (THOMAS) 
 
 Etcher. American. 
 
 A Morning Shave. Artis?’s remarque proof, on Japan paper, signed. Folio 
 
 JACQUE (CHARLES) 
 
 1813 ——. Painter and Etcher. French. 
 
 ‘Early Ploughman with Horses. Pvoof, before letters, on India paper. Folio 
 
 JACQUE (FREDERICK) 
 
 1859 ——._Etcher. French. 
 Le Retour (Sheep piece, Evening). After C. Jacque. <Artist’s remarque proof, signed 
 by painter and etcher. ‘‘ Pour me rappeler A son bon Souvenir. F. Jacque.” 
 
 Large folio. Framed and glazed 
 
No, 145—-Reduced 
 
189 
 
 190 
 
 IgI 
 
 192 
 
 193 
 
 194 
 
 195 
 
 196 
 
 197 
 
 198 
 
 199 
 
 13 
 JACQUET (JULES) 
 
 1841 ——. Etcher. French, 
 
 Cavalry Charge. Battle of Friedland. 1807. After Meissonier. Artist’s proof, 
 on Japan paper, signed by painter and etcher. Large folio. Rare 
 
 “1814.” After Meissonier. Artist's proof, signed. Large folio. Framed and glazed 
 Rare 
 
 JESI (SAMUELE) 
 1789-1853. Engraver Italian. 
 
 Pope Leo X, with the Cardinals de Medici and de Rossi. Portraits. After Raphael. 
 Line. Chotce remarque proof, with white cuff buttons. Warge folio. Andresen, 8. 
 Framed and glazed 
 
 DE JODE (PETER, THE YOUNGER) 
 1606-1660. Engraver. Dutch. 
 
 Charles I. of England. In Armor. After Van Dyke. Line. Superb impression, 
 Folio. Very rare 
 
 DE JODE (PETER, THE ELDER) 
 1570-1634. Engraver. Dutch. 
 L’Espagne. Live. Fine impression. Very rare 
 
 KOEPPING (C.) 
 1848 ——. Etcher. German. 
 
 Munkacsy and his Wife in his Studio. After Munkacsy. Artist’s remarque proof, on 
 parchment, signed by painter and etcher. Rare and fine. 
 
 Andreas Hofer. -After Munkacsy. Artists remargque proof, signed by painter and 
 etcher. Fine and rare. Framed and glazed 
 
 KRATKE (L,) 
 Nineteenth Century. Etcher. French. 
 
 The Arquebusier. After Fortuny. <Artist’s remargque proof, on parchment, signed. 
 Folio. Very fine. 
 
 KRUG (LUCAS) 
 1535 ——- Engraver. German, 
 
 The Adoration of the Magi. In the style of Lucas of Leyden, 1516. Extremely 
 rare. Andresen, 2; Apell, 2 
 
 LAMOTTE (ALPHONSE) 
 1844 —— Engraver. French. 
 La Source. After EK. Munier. Line. Artist's proof, on India paper, signed by painter 
 and engraver. Large folio 
 
 A Daughter of Eve. After Falero. Line. Artist's remarque proof, on Japan paper, 
 signed. Folio ; 
 
200 
 
 201 
 202 
 
 203 
 204 
 
 205 
 
 206 
 
 207 
 
 208 © 
 
 209 
 
 210 
 
 14 
 
 LALANNE (MAXIME) 
 1827 —— Etcher. French. 
 
 View of Haarlem. itching. Proof before letters. Folio 
 
 LAW (DAVID) 
 1831 —— Etcher. English. 
 View of Hawthorndon. Artis?’s proof, on Japan paper, signed. Folio. Very fine 
 
 View of. Windsor Castle. Artist's proof, on Japan paper, signed. Large folio. Very 
 ane Se ; 
 
 Whitby by Moonlight. Artist's proof, signed. Folio. Framed and glazed 
 Ellen’s Isle. <Artis?’s remarque proof, signed. Folio. Framed and glazed 
 
 LE BEAU (PIERRE ADRIEN) 
 , 1744 —— Engraver. French. 
 
 Benjamin Franklin. After Desrayes. With Lavater’s autograph characterization. 
 Line. 8vo. Rare 
 
 LE COUTEUX (LIONEL) 
 1847 —— Eftcher. French, — 
 Marshal Prim. Onhorseback. Portrait. After H. Regnault. Artists proof, signed. 
 Folio ia ead tae 
 L’ HERMITE (LOUIS) 
 Etcher. French. 
 
 ~ Rouen’ .Cathedral. | -Artist’s’ proof, signed. - (First state, limited to three hundred 
 
 copies.) Large folio 
 
 LEVY (GUSTAVE) 
 Nineteenth Century. Engraver. French. 
 
 Rembrandt. Portrait: After Rembrandt. . Line. “Artist's proof, signed. Presenta- 
 tion copy. Andresen, 8; Apell, 15 eae 
 
 Racine. Portrait. After A. Sandoz. Line. India paper proof 
 
 _ LEWIS (CHARLES G.) 
 Nineteenth Century. Engraver.- English, — . 
 
 Huntsman Taking Hounds to Cover. After Rosa Bonheur. Artist's proof, on India 
 paper, signed by painter only. Folio. Framed and glazed 
 
 LEYDEN (LUCAS VAN) 
 1499-1533. Engraver. German. 
 
 The Dairymaid. itching. Bartsch, 158 
 
No. 240— Reduccad 
 
212 
 
 213 
 
 214 
 
 215 
 
 216 
 
 2x7 
 
 218 
 
 219 
 
 220 
 
 221 
 
 222 
 
 223 
 
 224 
 
 225 
 
 226 
 
 T5 
 
 LONGHI (GUISEPPE) 
 1766-1831. Engraver and Etcher. Italian, 
 
 Dandolo, Doge of Venice. Portrait. First state, before the border, with Longhi's 
 stamp, Line. Folio. Andresen, 26; Apell, 39 
 
 Eugene de Beauharnais. Portrait. Full length. (‘‘Il ritratto del piume.’’) Zine. 
 Choice proof, before letters. Andresen, 18; Apell, 35. Rare in this state 
 
 The Beheading of St. John, the Baptist. After G. Dow. Choice proof, before letters. 
 From Longhi’s collection. Very rare. Zzze. Andresen, 29; Apell, 13 
 
 The Entombment. After D.Crespi. Line. Fine proof before letters. From Longhi’s 
 collection. Andresen, 28; Apell, 11. Folio 
 
 LUCAS (JOHN) 
 
 1800 ——., Engraver. English. 
 
 Right Hon. Lord Chief Justice Tyndal. Portrait. Half length, in robes of office. 
 After John Lucas. MMezzotint. Fine impression. Folio 
 
 MANDEL (JOHN AUGUST EDWARD) - 
 
 1810-1884, Engraver. German, 
 
 La Madonna di San Sisto. After Raphael. Lene. Choice open-letter proof, on India 
 paper. Large folio. Apell,5. Framed and glazed. 
 A beautiful repreduction of Raphael’s most famous painting. 
 
 La Madonna colle Stelle. After Carlo Dolci. Line. Magnificent proof, on India 
 
 paper. Second state, before the inscription and border. Varge folio. Andresen, 20; 
 Apell, 11 
 
 La Madonna della Sedia. (The Madonna of the Chair.) After Raphael. Lane. 
 Magnificent trial proof, with the white fillet on the Agnus Det of St. John. Folio. 
 Andresen, 18; Apell, 3. Framed and glazed. 
 
 A beautiful work of art, and one of Mandel’s most famous. 
 
 Charles I. of England. ‘Three-quarter length. Portrait. After Van Dyck. Lune. 
 Choice India-paper proof. Third state. Folio. Andresen, 15; Apell, 33 
 
 The Warrior with his Child. After T. Hildebrand. Ziuz:. Early impression. Folio. 
 Andresen, 3; Apell, 16 
 
 La Bella di Titiano. After Titian. Line. Choice proof before letters. Folio, Andre- 
 sen, 19; Apell, 38. Framed and glazed. 
 
 MANFELDT (B.) 
 
 Nineteenth Century. Etcher. German. 
 
 Heidelberg Castle Court. Open-letter proof, on India paper. Very fine. Elephant 
 folio. Framed and glazed 
 
 Rathaus at Cologne. Open-letter proof, on India paper. Very fine. Elephant folio. 
 Framed and glazed 
 A magnificent pair, and twe of the largest etchings of the modern school. E 
 
 The Lorelei. (View on the Rhine.) Remarque proof, on India paper. Large folio. 
 Framed and glazed 
 
 Rheingrafenstein. (Nahe Valley.) Remargue proof, on India paper. Large folio. 
 Framed and glazed 
 
227 
 
 228 
 229 
 
 230 
 
 231 
 
 e372 
 
 233 
 
 234 
 
 235 
 
 236 
 
 237 
 
 238 
 
 16 
 
 MARATTI (CARLO) 
 1625-1713. Painter and Etcher. Italian. 
 
 The Visit of the Blessed Virgin to St. Elizabeth. Etching. Folio. Andresen, 
 Bartsch, 3 
 
 MARGELIDON (L.) 
 1857 —— Etcher. Frerch. 
 
 The Angelus. (Small.) After Millet. Artist's proof, on Japan paper, signed 
 
 The Sign Painter. After Meissonier. Artist’s remarque proof, on parchment, signed. : 
 Folio : 
 
 MARTINET (ACHILLE LOUIS) 
 1806 
 
 Rembrandt, with the Gorget. After Rembrandt. Brilliant impression. Lzve. 
 Andresen, 15; Apell, 24 
 
 Engraver. French. 
 
 MASSARD (JEAN BAPTISTE RAPHAEL URBAIN) 
 1775 ——- Engraver. French. (One of the greatest Engravers of the French school.) a 
 Homer, the blind Poet, led by a Youth. After Gérard. Line. Choice Pe letter Fine 
 proof. “Folio. Andresen, 6 
 
 A worthy companion to Desnoyers’ great engraving of Belisarius. 
 
 MASSARD (LEOPOLD) 
 \ 1866 —— Engraver. French. * 
 
 The Young Widow. After Greuze. Artist's remarque proof (head of a seas 
 Folio. 
 
 MASSARD (JULES) 
 Engraver. French. 
 
 Mme. Le Brun and her Daughter. After Vigée Le Brun. Line. Aritist’s remarqu a 
 proof. Folio. Rie ie 
 
 MASSON (ANTOINE) 
 1636-1700, Engraver. French. (One of the greatest masters of the French school, » 
 Guillaume de Brisasier. Secretary to the Queen. (The Grey Haired Man.) — 
 nificent impression. Second state. With ‘‘ Brisasier’”’ and ‘‘ Serretate 
 Folio. Andresen, 7; R. D., 15 ea 
 
 Has never been surpassed, and, as ese says, is a model of lightness and precision. 
 
 Comte d’Harcourt. (Le Cadet a la Perle.) Portrait. After Mipnard; 5 
 Choice brilliant impression. Extremely fine. Second state, with figure 4. ; 
 Andresen, 6; R. D., 34 ; ue 
 
 Olivarius le Fevre d’Ormesson. Portrait. Magnificent impression. Line. Fi 
 Folio. Andresen, 9;R. D., 58 
 
 Marin Curzeus. Portrait. After Mignard, 1665. Line. Furst state, before 
 on left cheek. Folio. Andresen, 11; R. D., 24 é 
 
 MATHEY (ARMAND) 
 1854 ——. Etcher. French. 
 
 Last Night of the Condemned. After Moka koe saihiae tiiet da proof, sg 
 painter and etcher. Folio. 
 
239 
 
 240 
 
 241 
 242 
 
 243 
 
 244 
 
 245 
 
 246 
 
 247 
 
 248 
 
 249 
 
 250 
 
 17 
 
 Charles I. Attended by the Marquis of Hamilton. Portrait. After Van Dyck. 
 Artist’s proof, signed. Framed and glazed 
 
 McARDELL (JAMES) 
 1710-1765. Engraver. English. 
 
 Portrait of Pine, the Engraver. Mezzotint. Magnificent proof, before all letters. Very 
 rare. Folio 
 SEE REDUCED FACSIMILE. 
 
 MERYON (CHARLES) 
 1821-1868. Etcher. French. 
 La Morgue. itching. Very fine impression. Folio. Very scarce 
 Rue Pirouettes des Halles. 1860. itching. Folio. Very rare 
 
 (MILIUS (F.) 
 Etcher. French. 
 
 lL. Merignac, the Famous Fencing Master. Portrait. Artists’ proof, signed. Folio 
 
 MIELATZ (CHARLES F. W.) 
 
 Etcher. American. 
 
 Fishing Boat, Morning Star, at Low Tide. Artist’s remarque proof, signed, on Japan 
 paper. Folio 
 
 MONCKS (J. A. S.) 
 
 Nineteenth Century. Etcher. American, 
 
 Sheep Resting in an Orchard. Artist's remarque proof, signed. Folio. 
 
 MORAN (PETER) 
 
 1842 —— Etcher. American, 
 
 On the Road to Santa Fé. Proof before letters. Folio. 
 
 MORGHEN (RAPHAEL) 
 1758-1833. Engraver. Italian. 
 La Fornarina. After Raphael. Zzze. Fine old and brilliant impression, with 
 Morghen’s stamp. Folio. 
 Francesco di Moncada, Duke of Ossono, on horseback. After Van Dyck. Fine itn- 
 pression. Second state, before the title; the dedication in open letter. Folio. 
 Andresen, 43; Apell, 124 
 
 MORIN (JEAN) 
 1612-1666. Etcher. French. 
 Henry IV. of France. After Ferdinand. Zéching. Superb impression. rst state. 
 From Baron Liphart’s collection. Folio. Andresen, 13; R. D., 60 
 St. Charles Borromeo. Portrait. After P.de Champagne. iching. Choice early 
 state, before letters. From the Firmin Didot collection. Folio. Andresen, 11 ; 
 R. D., 45 
 
252 
 
 253 
 
 254 
 255 
 
 256 
 
 257 
 
 258 
 
 259 
 
 260 
 
 261 
 262 
 263 
 264 
 
 18 
 
 MULLER (JAN) 
 1570-1625. Engraver. Dutch. 
 
 Infanta Isabella Clara Eugenia. Portrait. After Rubens. Lime. Fourth state. 
 Very fine. Folio. Andresen, 14; Bartsch, 63 
 
 MULLER (CHRISTIAN FRIEDRICH von) 
 
 1782-1816. Engraver. German. 
 
 La Madonna di San Sisto. After Raphael. Magnificent brilliantimpression. Fourth 
 state, before the retouch. Varge folio. Andresen, 5; Apell, 3 
 Considered by connoisseurs to be the masterpiece of the nineteenth century. Miiller completed the 
 plate, but died before seeing an impression from it. This copy has been damaged, in the lower part, by 
 broken glass, but has been neatly repaired. 
 
 MURRAY (CHARLES 0.) 
 1843 —— Etcher. English. 
 
 Shakespeare’s Tomb, Church at Stratford-on-Avon. Artist's remarque proof, signed. 
 Folio 
 
 Porch of St. Mary’s Church, Oxford. Artist's remarg uel, signed. Folio 
 Durham Cathedral. Artist's remarque proof, signed. Large folio 
 
 NANTEUIL (ROBERT) 
 
 1630-1678. Engraver. French. 
 Pomponne de Bellievre. President of Parliament. Portrait. After C. Le Brun. 
 Line. Grand impression. Second state. Rare. Andresen, 6; R. D., 37. Folio. 
 
 Nanteuil’s masterpiece 
 SEE REDUCED FACSIMILE. 
 
 Michel le Tellier. Portrait. After C. Le Brun. Zine. Superb impression. First 
 state. From the Firmin Didot collection. Folio. Andresen, 25; R. D., 157 
 
 William Egon. Prince of Furstenberg. Cardinal. Portrait. Zzve. Brilliant impres- 
 sion. From the Firmin Didot collection. Folio. Andresen, 20; R. D., 100 
 
 NORDHEIM (JOHN GEORGE) 
 
 1804-1853. Engraver. German. 
 
 La Madonna di San Sisto. After Raphael. Line. Magnificent proof before all letters, 
 with stamp of E. Arnold, Dresden. V,arge folio. Andresen, 1; Apell, 1 
 
 OSTADE (ADRIAN VAN) 
 1610-1685. Etcher. Dutch. 
 
 Le Coup de Couteau. ching. Splendid impression. From the Schloessen collec- 
 tion. Bartsch, 16 
 
 Grace Before Meat, 1653. Lfching. Andresen, 5; Bartsch, 34 
 The Father of the Family. 1648. Second state. Etching. Andresen, 10; Bartsch, 33 
 Rustic Tenderness. fching. Brilliant impression. Bartsch, 11 
 
 Hog-Killing by Night. ichzmg. Brilliant impression. Circular. From the Esdale 
 collection. Andresen, 8; Bartsch, 41 
 
 , a} 
 
Fas Se 
 DS 
 ER =H 
 
 Ne. 7-56—Reduced 
 
265 
 266 
 
 267 
 
 268 
 269 
 
 270 
 
 271 
 
 272 
 
 273 
 
 274 
 
 19 
 
 PALMER (SAMUEL) 
 _ Nineteenth Century. Etcher. English. 
 The Early Ploughman. Proof, before letters. Folio. Hammerton, 329 
 The Bellman. Artists’ remarque proof, signed. Folio 
 
 PARKES (ROBERT BOWYER) 
 Nineteenth Century. Engraver. English. 
 
 Mrs. Siddons. Three-quarter length, seated. After Gainsborough.  Mezzotint. 
 India paper proof. Large folio 
 
 PARRISH (STEPHEN) 
 
 1846 —— Etcher. American. 
 Low Tide, Bay of Fundy. Artist's proof, signed. Folio 
 Mills on the Schroon. Artist's proof, signed. Folio 
 
 PENTZ (GREGORY, cattup GEORGE) 
 
 1500-1550, Engraver. German. (One of the “ little masters,’’) 
 
 Christ Blessing Little Children. Fine. Andresen, 4; Bartsch, 56 
 
 PETHER (WM.) 
 1731-1795. Engraver. English. (One of the most eminent of English merzotint engravers.) 
 
 The Standard Bearer. After Rembrandt. Mezzotint. Superb brilliant proof, before 
 
 the inscription, with artists’ names etched in. Folio 
 Considered by many to be his masterpiece. 
 
 SEE REDUCED FACSIMILE. 
 
 Officer in Cuirass and Plumed Hat. After Rembrandt. Mezzotint. Magnificent 
 brilliant impression. Folio. Andresen, 14 
 A worthy companion to “ The Standard Bearer,” 
 
 PIERCY (FREDERICK) 
 Nineteenth Century. Engraver. English. 
 
 Judah P. Benjamin. Portrait. Mixed. Jndia proof. Folio 
 
 PIGEOT (FRANCOIS) 
 1707-1778. Engraver. French. 
 
 Le Ménage Hollandais. After G. Dow. (Engraved by Pigeot and Lacour.) Live. 
 Superb brilliant proof, on India paper. Andresen, 7; Apell 2. Framed and glazed. 
 
 PIRANESI (GIOVANNI BATTISTA) 
 1707-1778. Etcher. Italian. 
 (De Romanorum Magnificentia et Architectura, Rome, 1760, Andresen, 2.) 
 Exterior View of the Coliseum. iéching. Brilliant impression. Large folio. 
 Framed and glazed 
 Interior of the Coliseum. ching. Brilliantimpression. Large folio. Framed and 
 glazed 
 The Arch of Constantine. Ziching. Brilliant impression. Large folio. Framed and 
 glazed 
 The Arch of Septimus Severus. tching. Brilliant impression. Large folio. 
 Framed and glazed 
 
20 
 
 PONTIUS (PAUL) 
 1596-1658. Engraver. Dutch. 
 
 279 Henry, Count Vandenbergh. In armor. ‘Three-quarter length. After Van Dyck. 
 Fine impression of the first state, before Bonenfant’s address. Folio. Andresen, 30 
 
 280 Daniel Mytens. Portrait. After Van Dyck. Sixth state. Folio. W., 56 
 
 280% Rubens, with the hat. After Rubens. Line. Superb proof. Folio. Excessively 
 rare. Andresen, 18 ; 
 
 PORPORATI (CARLO ANTONIO) 
 1740-1816. Engraver. Italian. 
 
 281 Leda Bathing. After Correggio. . Line. A superb proof before Eiatp with Meas 
 arms, First state. Folio. Andresen, 4; Apell, 6. Rare 
 
 RAJON (PAUL ADOLPH) 
 Nineteenth Century. Etcher. French. 
 282 Le Serment de Vaga. Etching. India’ proof. beset a copy. “A ’ Mercier, 
 Rajon.”’ 4s oan 
 283 Victor Hugo. . Portrait. After Bonnat. Jndia proof. Folio 
 
 284 Cardinal Newman. Portrait. After W. W. Ouless. “Artist's proof, ipa by painter 
 and etcher. Framed and gtazéd. 
 
 The same. Proof before letters. Folio 
 
 285 
 286 Alexandre Dumas. . Portrait. Artist's proof, signed. ~ Folio - 
 
 287 The Reverie. Proof before cleansing thé plate. From Rajon’ s eatlestiees (With white 
 ‘crayon marks on the print, and drawings on the Tange by Rajon himecits ) Folio 
 
 288 Le Peintre. After C. F. Watts.  4to. 
 
 289 .John Stuart Mill. Portrait. After G. F. Watts. Senet! by Raji: ‘Folio. 
 290 Relais de Chiens dans le Desert. After Gérome. Folio. Framed and glazed 
 291 Corps de Garde d’Arnauts au Cairo. - Folio. _ Framed and elued 
 
 RASP > (CARL GOTTLOB) 
 
 1753-1807. Engraver. German. 
 
 292 Ryckaert, called the Transylvanian. In arinchair: © Portrait. After Van: Dyck. Line. 
 Proof, before inscription. First state. _ Folio. Andresen, 2 
 
 REMBRANDT (PAUL VAN RYN) | 
 1606-1675. Painter and Etcher. Dutch. (The great father of etching). 
 
 293 .The Mill, formerly called. ‘‘ Rembrandt’s’ Mill.” Very fine inipression.’ BL. 3333 
 B. 233; Cl. 230; W. 2303. A. 38°, : : . i Sigs 
 
 294 St. Philip, Baptizing the Eunuch. Fine. B. a Cl, 101; W. 103;° Bl. 69 
 
 295 The Death of the Blessed. Virgin. Magnificent impression. Second state. Folio. 
 B. 99; Bl. 70; Cl. 102; W. 104 
 
 296 The Woman of Samaria, called ‘‘Aux Ruines.’”’ Fine. Bl. 46; B. 71; W. 75; Cl. 75; 
 Andresen, 9 
 
 297 Rembrandt and Saskia. Fine. Bl. 203; B. 19; Cl. 19; W. 19 
 298 Uytenbogaert (The Gold-weigher). Bl. 189; B. 281; Cl. 278; W. 283 
 299 The Schoolmaster. 1641. Bl. 99; B. 128; Cl. 129; W. 131 
 
No, 271—Reduced 
 
We Ace eas 
 
 einen es crete 
 
 4% 
 
 eet ee ee a 
 
 v 
 
 ¥ 
 
300 
 
 301 
 302 
 303 
 
 304 
 
 395 
 
 306 
 
 307 
 
 308 
 
 309 
 
 310 
 
 311 
 
 313 
 
 314 
 
 21 
 
 A Woman, naked, seated on a bank. Fine impression. From the Brentano col- 
 lection. Bl. 162; B. 198; Cl. 195; W. 195 
 
 Old Man with Short Beard. (The Beggar.) BI., 115; B., 151; Cl., 148; W., 149 
 Dion Tint.” Bly) 386;)B., 114; Ch, 116; W., 118 
 
 Adoration of the Shepherds. /7/th state. From the Prince de Paar collection. BI., 
 19; B., 46; Cl., 55; W., 50 
 
 Jan Asselyn. Very fine. 7Zhirvd state. Bl., 171; B., 277; Cl., 274; W., 279 
 
 REYHER (ROBERT) 
 1883 —-—. Engraver. German. 
 
 The Countess Potocka. Portrait. After a pastel in the Berlin Museum. /?77s¢ state. 
 Proof before the inscription. Folio. Andresen, 11; Apell, 13. Framed and glazed 
 
 REVNOLDS (WILLIAM 8.) 
 1730 —— Engraver. English. 
 
 Dr. Harrington. After Thomas Beach. 1779. Mezzotint. Chotce proof before all 
 letters. Folio 
 
 RICHOMME (JOSEPH THEODORE) 
 
 1785 —— Engraver. French. 
 
 The Holy Family. After Raphael. Painted for Francis I (The Louvre). Line. 
 Elegant proof. First state. Folio. Andresen, 2; Apell, 5 
 
 Napoleon, as First Consul. After Gérard. Line. Open-letter proof. 1835. Folio. 
 Apell, 30. 
 
 The Triumph of Galatea. After Raphael. Zzze. Brilliant impression, with artist’s 
 stamp. Inscribed ‘‘a mon bon ami, J. Richomme.’’ Folio. Andresen, 8 ; 
 Apell, 9 
 
 Thetis Bearing the Weapons of Achilles. 1827. After F. Gérard. Lene. Brilliant 
 impression. Folio. Andresen, 9; Apell, 1o 
 
 ROUSSEAU (E.) 
 Etcher. French. 
 
 Marie Marquise de Sevigné. Portrait. After Nanteuil. Lue. India paper proof. 
 Folio. 
 RUET (L.) 
 Etcher, French. 
 ‘1814.’ After Meissonier. Small. Artist’s proof, signed. Folio. 
 
 RUYSDAEL (JACOB) 
 1635-1681. Etcher. Dutch. 
 
 The Little Bridge. (Cottage by the stream.) itching. Magnificent impression, of 
 the greatest rarity. Folio. Andresen, 1; Bartsch, 1 
 
 SANDRART (JACOB von) 
 
 1630-1708. Engraver. German, 
 
 Frederick, Duke of Saxony. 1677. Portrait. Zzve. Large folio. Andresen, 5 
 
B15 
 316 
 
 317 
 318 
 319 
 
 320 
 
 227 
 322 
 
 323 
 
 324 
 
 325 
 
 326 
 327 
 
 328 
 
 329 
 
 339° 
 
 c 22 
 
 SCHMIDT (GEORGE FREDERICK) 
 
 1712-1775. Engraver and Etcher. German. 
 
 Hirsch Michel. Portrait. itching, from life. Berlin, 1762. Fine. Andresen, 37 
 William II, of Orange, and his Tutor, Cats. After G. Flink, 1772. Andresen, 64 ; 
 J. 152 | 
 Young Lady with Fan. Portrait. After and in the style of Rembrandt. 
 Jacobi, 129 < 
 Jewish Bride. After and in the style of Rembrandt. Very fine. Firsé state. 
 dresen, 68; J. 130 ayes 
 Father of the Jewish Bride. After and in the style of Rembrandt. Fine impressi 
 First state. Andresen, 67 ; Jacobi, 129 
 
 Louis de la Tour d’Auvergne, Comte d’Evreux. After H. Rigaud. Portrai 
 armor. Line. Folio, Andresen, 31; Jacobi, 42 , a 
 
 SCHONGAUER (MARTIN). 
 
 1420-1488. Engraver. German. 
 The Entombment. (Sufferings of Christ Series. ) Andresen, 18; Bartsch, 18 — 
 Christ at the Gates of Hell. (Sufferings of Christ Series.) Andresen, 19; Barts 
 
 SCHULTHEISS (ALBRECHT F.) 
 
 1823 ——. Engraver. German. 
 
 Rembrandt and Saskia. After Rembrandt. Ziéching. Artist's remargue proof, s ig 
 Folio. Framed and glazed ; 
 
 A Tyrolean Dance. After Defregger. Etching. Artist's Kidde Ce proof, sig 
 both painter and etcher. Framed and glazed 
 
 SHARP (WILLIAM) ; 
 1746-1827. Engraver. English. (The Father of English Line Engravers.) ; 
 Doctors of the Church Disputing about the Dogma of the Immaculate Goss 
 
 After Guido Reni. Line. Magnificent proof before letters, with coat-of-arn 
 Second state. Folio. Andresen, 9; Apell, 6. Framed and glazed 
 
 Diogenes in Search of an Honest Man. After Salvator Rosa. Lzwne. ee imp 
 Folio . 
 
 Dr. John Hunter. Portrait. After Sir Joshua Reynolds. Livze. Splendid p 
 Sore the inscription. Folio. Very rare. Andresen, 31; Apell, 38 ; 
 
 Joanna Southcote. Portrait. Line. Proof before letters. First state. Folio. — 
 dresen, 37; Apell, 46 
 
 SLOCOMBE (C. P.) Wace 
 
 1850 —— Etcher. English. E 3 pig 
 
 His Grace. After J. Pettie. itching. Artist’s proof, signed by Lae mer et 
 Framed and glazed 
 
 Her Grace. J. Pettie. itching. Artist's SPY, ened by painter and etcher. rr 
 and glazed : 
 
33! 
 
 332 
 
 333 
 
 334 
 
 335 
 
 336 
 337 
 
 338 
 339 
 340 
 
 341 
 
 342 
 
 343 
 
 344 
 
 23 
 
 STRANGE (SIR ROBERT) 
 1721-1792. Engraver. English. 
 
 Henrietta Maria, Queen of England, with her Children, the Prince of Wales and the 
 Duke of York. After Van Dyck. Line. A superb proof, before all letters. Very 
 rare. Andresen, 40; Apell, 48; Bl., 48 
 
 Mary Magdalene, ina Cave. After Guido Reni. Zzme. Brilliant impression. Folio. 
 Andresen, 13; Bl., 16. Framed and glazed 
 
 STEINLA (MORITZ) 
 1791-1858. Engraver. German. 
 
 Madonna and Child. (From Madonna di San Sisto). After Raphael. Zine. Magnifi- 
 cent proof, before all letters, on India paper. Folio. Andresen, 3; Apell, 3 
 
 TARDIEU (PIERRE ALEXANDRE) 
 1756-1844. Engraver, French. 
 
 Paul Barras. Portrait. Full length. Line. Choice open-letter proof. Folio. An- 
 dresen, 12; Apell, 11 
 
 TEYSSONNIERES (PIERRE) : 
 1834 Etcher. French. 
 The Return from Fishing. After A. Feyen-Perrin. Etching. Artist’s remarque 
 
 proof, with heads and signatures of painter and etcher, on parchment, of which only 
 Zoo impressions were taken. Folio 
 
 Mary, Queen of Scots. Eiching. Artist's remarque proof, signed. Folio 
 Au Bord de L/Oise. itching. Artists proof, signed. Folio 
 
 TISSOT (JACQUES JEAN) 
 1836. Etcher. French. 
 Boating Party on the Thames. Liching. Artist’s proof, signed. Folio 
 The Captain’s Daughter. Liching. Artist's proof, signed. Folio 
 Winter. itching. Artist's proof, signed. Framed and glazed 
 
 TOSCHI (PAOLO) 
 1788-1854. Engraver. Italian. 
 
 The Descent from the Cross. After D. da Volterra. Line. Beautiful trial proof, with 
 square white space on the arm of the cross, and before cleansing the plate. With 
 autograph inscription, ‘‘ per ’illmo, Barone de Paganini, Paolo Toschi.’’ Folio. 
 Andresen, 5. Framed and glazed 
 
 The Bearing of the Cross. (La Spasimo di Sicilia.) After Raphael. Zzve. Bril- 
 liant impression, with script title. Large folio 
 
 Entrance of Henry IV into Paris. After F. Gérard. Zine. Largefolio. Andresen, 
 12; Apell, 11. Framed and glazed 
 
 VARIN (AMEDEE anp EUGENE) 
 
 Nineteenth Century. Engravers. French. 
 
 Springtime. (Youth and Maiden in a Swing.) After P. A. Cot. Lue. Open- 
 letter proof, on India paper. Large folio 
 
345 
 346 
 347 
 
 348 
 
 349 
 
 35° 
 
 351 
 
 352 
 
 353 
 
 N. B. 3. The Following priate are after Frescoes i in Sistine Chapel. 
 
 354 
 355 
 356 
 357 
 358 
 359 
 
 24 
 
 VISSCHER (CORNELIUS) 
 
 1610-1670. Engraver. Dutch. ; 
 
 Gellius de Bouma. Inanarmchair. Ze. Fine. Second state. Folio. Andresen, — 
 
 4; W., 8 ; Bes: 
 
 Peter Scriverius. Portrait. After P. Soutman. Zzve. Brilliant impression. Third — 
 
 state. Folio. Andresen, 13; W., 42 rraiee is 
 
 The Great Cat, with a Rat Behind Her. Lime. Splendid impression. First state. 
 Andresen, 32; ‘W. 152 a 
 
 The Rat Catcher. (Vender of rat poison.) Zzve. Fine impression. Fourth si 
 
 Folio. Andresen, 39; W., 160 : +e ec 
 
 VISSCHER (LAMBERT) 
 1633-1690. Engraver. Dutch. 
 Anne of Austria, Queen of France. JLzme. Choice brilliant impression. — 
 
 before any verses. Signed on back, ‘‘ P Mariette oe $2 May rare. 
 reser, yu W sei TS 
 
 Jan and Cornelius de Witt, with Scene of Murder. (The portrait of C f 
 graved on plate in place of the Town Hall.) Line. Bigs pone 
 Andresen, 155 W..;120°: 9 
 
 The Laughing Boy, with the Cat. After Vanloo. Line. ‘Biiliants t impr sic mn. 
 state. Andresen, 18; W., 27 , Pig, <3 
 
 VIVARES. (FRANCOIS) © Grae 
 1709-1782. Engraver and Etcher. French. a , . 
 
 The Sea near Naples. After Claude Lorrain. Line. Choice Preah ‘afore letter 
 Andresen, 2 ae 
 
 VOGEL (JOHANN FRIEDRICH) 
 
 1829 ——. Engraver. German, sh > 
 
 Marie Louise de Tassis. Povkeaite After Van Dyck. Line. 5 
 on India paper, signed. Tose ‘« Hpr. d'art. J. s cee ne 
 Framed and glazed 
 
 ‘ VOLPATO (GIOVEMN1: 
 AT IE ahO3 Engraver. Italian, : 
 
 Michael Angelo. 
 
 Daniel, the Prophet. Lzme. Folio 
 Zacharius, the Prophet. Zzze. Folio 
 Joel, the Prophet. Lzne. Folio 
 
 The Crimean Sibyl. Zine. Folio 
 The Delphic Sibyl. Zzze. Folio 
 The Erithrean Sibyl. Lue. Folio 
 
\ 
 
 ae 5 
 esha SS id VCuer 
 
 Acai asatrihy cae Ordres du R oy 
 
 Ate 
 
 1 Pin 
 
 pene et ag 5 TOE 
 
 hes Cohmombouents de ty € tigi cher diel Reme 
 
 Seis eG 
 
 MMS Malate balsa ir aia: Togheene 
 
 LS pp 
 C onile Ov oat 
 
 Vhniitre Secneudtine dF ca 
 
 neo torent 
 
 Maat 
 
 “ 
 
 1 By Se 
 
 No. 395—Reduced 
 
360 
 361 
 
 362 
 363 
 
 364 
 365 
 
 366 
 
 367 
 
 368 
 369 
 
 370° 
 371 
 
 372 
 373 
 
 374 
 
 375 
 
 25 
 
 VORTSTERMAN (LUCAS, THE ELDER) 
 1573 ——. Engraver. Dutch. 
 Return of the Holy Family from Egypt. After Rubens. Line. Andresen, 12 
 
 Judocus de Momper. Portrait. After Van Dyck. Zine. Fine impression, before 
 the name of the engraver. Very rare. From the Wolff collection. Folio. 
 Andresen, 54 
 
 WAGNER (CARL) 
 1796-1867. Etcher. German. 
 
 Im Wald. 1854. fine proof, before the inscription. Folio 
 Abend im Wald. 1853. sine proof, before the inscription. Folio 
 
 WALTNER (CHARLES) 
 1847 —— Etcher and Engraver. German. 
 The Philosopher. After Rembrandt. Zvtching. <Artist’s proof, signed. Large folio 
 
 Portrait of an Old Lady. After Rembrandt. Fvching. Artist's remarque proof, on 
 parchment, signed. ‘Yenthimpression. Large folio 
 
 Rembrandt. Half-length portrait. After Rembrandt. Etching. Artist’s proof, 
 signed, and one of the two impressions, taken on Flolland paper. "Extremely fine. 
 Folio 
 
 Lady Camden. ‘Three-quarter length, seated. After Sir Joshua Reynolds. L¢ching. 
 Artist's proof, on parchment, signed. Folio 
 
 Oliver Cromwell. (Head.) Portrait. Ltching. Artist's proof, signed. Folio 
 
 Romeo and Juliet. After T. Dicksee. itching. Artist's proof, on parchment, signed 
 by both painter and etcher. Folio 
 
 WATERLOO (ANTHONY) 
 1618-1662. Etcher. Dutch. 
 The Great Mill. Beautiful impression. Folio. Andresen, 39; Bartsch, 119 
 
 Two Travellers Resting in a Wood. Fine impression. Folio. Andresen, 37; 
 Bartsch, 123 
 
 Peasant with a Spade. Brilliant impression. Folio. Andresen, 30; Bartsch, 110 
 Le Petit Pont de bois tortueux. Fine 
 
 WATSON (THOMAS) 
 1748-1781. Engraver. English. 
 
 Amelia, Countess of Ossory. Three-quarter length. After Sir Peter Lely. (One of 
 the Windsor Beauties.) Mezzotint. Splendid impression. Folio. Very rare 
 
 WELLSTOOD (GEORGE) 
 
 Nineteenth Century. Etcher. American. 
 
 The Artillery Charge. After Schreyer. Zitching. India proof, before letters. Folio 
 
376 
 377 
 378 
 379 
 380 
 381 
 
 382 
 
 383 
 
 384 
 385 
 
 386 
 
 387 
 
 388 
 
 389 
 
 390 
 
 oot 
 
 392 
 
 393 
 
 26 
 
 WHISTLER (JAMES McNEILL) 
 
 1834 —— Etcher. American. 
 
 Black Lion Wharf. 1859. Fine proof. Rare 
 
 The Limeburners. 1859. Fine proof. Rare 
 Wapping. 1860. fine proof. Rare 
 
 Hurlingham. fine proof. Rare 
 
 Becket, the Violinist. -Portrait. /7e proof. Rare 
 
 The Little Mast. (Venetian). Fine proof. Rare 
 Whistler may well be called the Father of American Etchers. 
 
 WIERIX (JAN) 
 
 1550 —— Engraver. Dutch, 
 
 Melancholia. After A. Durer. A beautiful impression of a faithful and painstakin 
 copy from the original. Bartsch (Durer), 74a; Andresen, 20; A., 1576 — 3 
 
 WIERIX (JEROME) | 
 1551-1619. Engraver. Dutch. 
 Les Armoiries A la Tete de Mort. (After A. Diirer). Brilliant impression. 1 
 (Diirer), 101 a 
 Baptism of Christ in the River Jordan. Fine 
 The Martyrdom of St. Sebastian. Very fine © 5 
 
 WIERIX (ANTON) 
 1553 —— Engraver. Dutch. 
 Rosario Gaudioso. Very fine. Alvin, 477 
 
 WILKIE (SIR DAVID) 
 1785-1841. Painter and Etcher. English. 
 
 A Man in Dressing Gown, Sitting at a Writing Table. Dyry-point etching 
 proof on India paper. Very rare. Andresen, 6 : 
 
 Old Woman and Child at Door of Cottage. Fine proof on India paper. 
 Andresen, 2 
 
 WILLE (JOHN GEORGE) 
 1717-1808. Etcher and Engraver, French. 
 
 The Wandering Musician. After Dietricy. Zzve. Brilliant impression. 
 the final ‘‘e’’ in the word electoral. Folio. Andresen, 7; Apell, 
 and glazed 
 
 Tricateuse Hollandoise (Dutch woman knitting.) After F. Mieris. Zz: 
 sen, 19; Apell, 18; Bl., 64 2 aft 
 
 Instruction Paternelle, better known as the Satin Gown. After Terbu 
 Brilliant impression. Fourth state. Andresen, 10; Apell, 9; BI., 55. 
 Framed and glazed. sa 
 
 La Devideuse, (the spinner) Mother of Gérard Dow. After G. Dow. Line 
 state. Folio. Andresen, 16; Apell, 15; Bl., 61 
 
 Charles Louis Auguste Fouquet de Belle-Isle (Maréchal de France). After H. I gat 
 Line. Fine impression. Folio. Andresen, 32 Apell 47 s-Bl 126.7 See 
 
 yy 
 
as 
 
 394 
 
 395 
 
 396 
 
 397 
 398 
 
 o79 
 
 400 
 
 401 
 402 
 403 
 404 
 405 
 406 
 407 
 
 408 
 
 409 
 
 27 
 
 Maurice de Saxe, Maréchal de France. After H. Rigaud. Zinze. Folio. Andre- 
 sen, 33; Apell, 69; BI., 121 
 
 Louis Phelypeaux, Comte de Saint Florentin. Three-quarter length, seated, with 
 richly embroidered coat. After L. Tocque. ZLzve. Brilliant impression, Fifth 
 state. Folio. Andresen, 34; Apell, 84; Bl., 124 
 
 SEE REDUCED FACSIMILE. 
 
 WILLIAMS (ROBERT Jr.) 
 1696-1730. Engraver. English. 
 
 Right Hon. Sir George Rook, Vice-Admiral of England. Inarmor. Portrait. After 
 Dahl. Mezzotint. Choice impression. Folio. Andresen, 7 
 
 WOOLLETT (WILLIAM) 
 1735-1785. Etcher and Engraver. English. 
 Landscape, with Dido and Ajneas. After Jones and Mortimer. Figures by Bartolozzi. 
 Line. Third state. Folio. Andresen, 6 
 The Temple of Apollo. Landscape, with Temple and Ancient Sacrifice. After 
 Claude Lorrain. Zize. Folio. Andresen, 11 
 Landscape, with the figure of the sketcher. After G. Smith. Zzve. Fine impres- 
 sion. (The First Premium Print.) Folio. Andresen, 18. Framed and glazed. 
 Landscape, with Three Shepherds. After G. Smith. Zzvze, Fine impression. (The 
 Second Premium Print.) Folio. Andresen, 19 Framed and glazed 
 
 EDWARDS (S. ARLENT) 
 Etcher and Engraver. American. é 
 
 Nell Gwyn. After Sir Peter Lely. Mezzotint, in colors. Artist's remarque proof, 
 signed. Folio : 
 
 Madame Recamier. After P. Gérard. Mezzotint, in colors. Artist's remarque proof, 
 signed. Folio 
 
 Peg Woffington. After A. Pond. Mezzotint, in colors. Artist's remarque proof, 
 signed. Folio 
 
 Princess Elizabeth. After Mme. Vigée-Lebrun. Mezzotint, in colors. Artist’s re- 
 marque proof, signed. Folio 
 
 Princess Lamballe. After Rioult. Mezzotint, in colors. Artist's remarque proofs 
 signed. Folio 
 
 Marie Antoinette. After Mme. Vigée-Lebrun. Mezzotint, in colors. Artist's re- 
 marque proof, signed. Folio 
 
 Empress Josephine. After P. Gérard. Mezzotint, in colors. Artist’s remarque proof, 
 signed. Folio 
 
 Napoleon, Josephine and Marie Louise. On one plate. Mezzotint, in colors. Artists 
 remarque proof, signed, Folio 
 
 Mrs. Storace. Celebrated English Actress. Jn colors. 4to 
 
410 
 41I 
 
 412 
 
 413 
 414 
 
 415 
 416 
 
 417 
 
 418 
 
 420 
 
 421 
 422 
 
 423 
 
 424 
 
 425 
 
 426 
 
 427 
 
 428 
 
 28 
 
 FINE WATER-COLOR PAINTINGS 
 ALL APPROPRIATELY FRAMED. 
 
 THOMPSON 
 English. 
 View of English Lake and Mountains 
 View on Konig-see in Tyrol 
 
 RAYNER (LOUISE) 
 English. 
 
 Street Scene, York Minster. Cathedral in the eieeees 
 
 CHAFFEE (S. R.) 
 English, 
 English Meadow and Stream 
 
 Landscape. Autumn 
 
 MOSER (H.) 
 Lake and Mountains 
 Moonlight Scene in Autumn 
 Negro Boy Selling Flowers. (Trailing Arbutus) 
 
 WUSMULLER (J. H.) 
 
 German. 
 
 Canal in Holland. The lock, with view of buildings on the right 
 
 , - ONGANIA (N.) 
 
 Italian. 
 
 Canal, with Bridge and Balcony, Venice. 
 
 PARSONS (P.) 
 
 English. 
 English Landscape, with view of Sterling Castle in the distance 
 Firth of Clyde 
 
 BALL (WILFRED) 
 
 English. 
 View of an English Village, in the style of Birket Foster 
 Ann Hathaway’s Cottage, in the style of Birket Foster 
 
 BRADFORD (WM.)_ mi 
 English. 
 
 Coast of Labrador. 
 
 LISCOL (L.) 
 
 Trees on the Border of a Lake, Cloudy Morning 
 
 Two Yachts s 
 
 COLEMAN (W. S.) 
 
 English. 
 The Pottery Decorator 
 
429 
 
 430 
 431 
 
 432 
 
 433 
 
 434 
 435 
 436 
 
 437 
 438 
 439 
 
 440 
 
 441 
 442 
 443 
 444 
 445 
 446 
 447 
 448 
 449 
 
 29 
 
 OIL PAINTINGS. 
 
 MARROLINI (G.) 
 Italian. 
 
 Peasant Girl ina Sterm. A copy after de Bruls 
 
 SRAHLER Clo F.) 
 Dutch. 
 View of the Grand Canal in Holland 
 Old Houses and Canal in Holland 
 
 COLT (LISETTE pE WOLF) 
 Pink and White Roses 
 
 CORNER: (7,6. } 
 Holly and Winter Apples 
 
 COLORED PRINTS. 
 
 L’Eté. After F. H. Kaemmerer. Colored photogravure 
 Olivia and the Vicar. After Ll. Emile Adan. Colored photogravure 
 
 The Birthday Team. Drawn and engraved by Charles S. Hunt. Colored aquatint. 
 Reprint 
 
 The Tandem. After Herring, by Charles Hunt. Colored. Reprint 
 The Drag. Companion 
 
 The Road. 1825. Colored aguatint. Reprint 
 
 Le Depart. After V. Corcos. Colored phatogravure 
 
 AUTOTYPES, PHOTOGRAPHS, ETC. 
 ALL APPROPRIATELY FRAMED. 
 
 A Warrior. After Rembrandt 
 
 Robertus Cheeseman. Portrait. After Holbein. Aztotyfe. By Braun 
 
 Paul Potter. Portrait. After Van der Helst. Autotype. By Braun 
 
 Christ before Pilate. After Munkacsy. Signed by Munkacsy. Autotype. By Braun 
 Prince William II, of Nassau. After Van Henthorst. Azfotype. By Braun 
 
 Prince Bismarck. Portrait. Autotype. By Braun 
 
 Queen Louise of Prussia. After Gustave Richter. Photograph 
 
 The Bay of Naples. Photogravure 
 
 Fishing Fleet. Aching. By William Bradford. Remarque proof, signed