} ACC. LIBRARY M.KNOEDLER & 60. 556-8 Fifth Ave. New York 4 t “PANS AT PAINTING SALE American Art Association Disperses a Miscellaneous Collection of Eighty- three Pictures for Total of $93,940 Low prices prevailed at the American Art Association’s sale of foreign and paintings from various estates and private col- lectors on the evening of February 16 at the | Plaza Hotel, where eighty-three pictures brought $93,940. The highest price was $9,000 paid by M. Knoedler & Co. for Corot’s “Paturage: Bord’de Saules,” and the next high- est $8,000 for Largilliere’s “Portrait of a Gentleman.” Mr. Thomas E. Kirby knocked down for $900 Corot’s “La Tour de Crecy,” which the Ander- son Galleries once sold at auction for $7,485. He let the hammer fall on Zamacois’ “Check- mated” at $1,225, a picture he sold at the Stewart sale for $10,700. Bouguereau’s “The Nut Gatherers,” that brought ” $2 950 at the Brady sale, went for $750. SPonitaite onc Lady” and “Portrait of a Gentleman,’ which Mr. Kirby announced had cost the owner $14,000 each each, were sold for $1,500 and $1,000, respectively. 2 complete report of the sale is as follows — “On the Beach,” by Vincente Palmaroli; Heb eeeatbee 2—“Fishing at the Mill,” by Lambinet; P. Thompson 3—“The Finishing Touches,” by Escosura; J. Chien 4—“Arabian Fountain,” W. Taylor 5—“‘Donkey and_Cart,’’ by Anton Mauve; Mrs. B. Von Gerbig 6—‘“‘A Game of Cards,” by Viber 2 W. Taylor 4 Fh. 85,1942, American 7—“Young Woman,” by G. C. von Max; Helen G. Rebe 2.065050. sesemececcnnes 150 8—“‘Feeding Time” by A. T. Ribot; Seaman, AVENE. Sade vewuesscoerincrerccienssescrc? 520 9—“At Poissy: ‘Your Health,’ ” by Ridgway Knight; J. J. Campbell .......-+.-++-+- 525 10—‘Street Scene,” by Emile Carlsen; Mrs. J. PP a Balers sa veleveceistlahesrsuorsiey er adele togener siezenene 110 11—“L’Arive des Invites,” by Isabey; M Knoedler & Co. wc. ececeeee cr teeesreteee 450 12—“The Trumpeter,” by Roybet; Seaman, AGENT Seas esis clelure sie elolniclo ee sinjoleionls csslaie iat 375 —_“Checkmated” by Zamacois; Seaman, agent 1225 —The Turkey Girl,’ by F. P. Michetti; Seaman, agent ......e.eee cece ener eteee 650 15—“‘A Lord of the Forest,’ by Rosa Bonheur; Mrs. M. H. Dodge ...---+eseeeeereescee 425 16—“The Treasure Cabinet,” by Franz Verhas; Wo Fy CAMB ee eo eains eters ance wlevele's orsiarojevsierelsine 180 17—“Lovers,” by Gaston la Touche; P. W. French & Co. ...-ecccscctrccscccsceees 210 18—“In the Studio,” by Antonio Casanova Y Estorach; Seaman, agent ...+---+-++--+> 525 19—“On the Terrace,” by Alfred Stevens; C. Kraushaar Galleries ea seer dciernste clea 1200 20—“Young Girl in Directoire Costume,” by Raimundo de Madrazo; Bernard S. Deutsche | Be, TR resto ass Pe teeac erin av ads pelo egsay = 150 } 21—“‘Venice,” by Ziem; E. 1050 22—“The Gateway, Segovia,’ son; W. Taylor .....-::.ceeeeeeeeeers 310 23—" Venice,” by Martin Rico; Seaman, agent 2400 24—“Landscape: Sunset,” by Harpignies; N. Golemaniehcture seiieemice leer 650 25—“The Bridge,” (GASES “Goacdueageoun gens 675 26—*The Luxembourg Gardens,”’ by Jacob and | Matthys Maris; Mr. B. Von Gerbig...... 410 27—“La Halte,’ by J. B. J. Pater; Jacques Seligman ....c.ceecre eee cet e se sete ate 4100 28—Horse and Sheep in Pasture,’ by Jacque INN sig tsiebhallsm a guenboobcoDgoe tepUbedG 375) 29—*Duck Shooting: by Decamps; Seaman, Eile peor de abuUn sun. somo oce Jano Unonee 190 30—‘‘Landscape,” by Theodore Rousseau; M Knoedler & Co. ....2.-2 reser ee etecees 1000 31—“La Chatelaine,” by Diaz; Durand-Ruel. 725 32—“‘Landscape and Stream: The _ W. asher- woman,” by Daubigny; Scott & Fowles. . 2000 Poo“ Iia Tour de’ Crecy, Pres Esbly,” by (Coroteusn Chien Fae stents lens 4 ease, Foe ee 34—"The Pa goda,” by Diaz; Scott & Fowles.. 35—*‘ ‘Landscape: Farm by the River,” by Daubigny; Mirinoedlen 1a On teenies 36—“The Sheepfold,” by Jacque; Mrs, M. H. IDLY eg sheen Bee ntn Gees Sonar utd pemeire ae 37—“ The Normany Ox,” by Troyon; Jacques Seligman Hamioanuenase souuactn-soegccs 38—“‘Etang de Gillieu, Dauphine: Solitude,” by Daubigny; Richard D. Bripey ............ 39—‘The Pool, ” by Corot; Mrs. J. D. Baker. 40—“La Visite aux Pauvres,’ * by: Diaz; Scott * PERN COD CHOON SOLD On eban Cuan adnoe —‘‘Paysage”’’ by Corot; O. Bernet, agent. 42—“Marine: Fishing Boats,” b 1 Wik. Hage vou Se 43—“In the Forest,” by Diaz; Mrs. M. H Od wei Siley seepaieysts soaps miarsceeare see cnees 44— ieee Bord de Saules,” by Corot; M. Knoedler & Co. Sr are eee 46— poe Landscape,” by Boudin; D. Al- ELL: axayate cagais Rie ons apoie stavovetorstets eyes. tale eretohare es 47—“Holland Landscape,” by Jougking; Ber- MLC Lym AR CHL oferaletstaleteiercs aie isteletetela alavelsinie'e<faly —A Riverside Village,” by Thaulow; Sea- Mam, agen es wesc ees ero ss 49—“Grand Canal, Venice,” by Zion; Re’ + Hyman 2... cece cece ree e esse seer cess, Se iew of Argenteuil,” by Renoir; Durand- CLs oar DObomsnnB Ooo nubo choo don in 51—“In the Garden of the Cloister of Moret,” by Sisley; Durand-Ruel ...-..++.++e++e 52—“Environs of Pontoise by Pissarro; Durand-Ruel ...-..ceees sere essen ete ene %53—“‘Waiting for the Chief,’ by Mm W. Knoedler ......ceecsereecsseescere 54%On the Grand Canal, Veni M. Knoedler & Co. ......-. 55—‘“‘An Interesting Chapter,” Jourdan; Seaman, agent -......+-++..:- 56—‘Winter in the Forest,” by Ludvig Munthe; Mrs. M. H. Dodge .......-... 57—“The Lake,” by Ernest Lawson; Scott & IRtagdles pe cicse ase ne romeo DOE 58“‘Fassing Shower,’ by George Mrs. Je Chien .2.50. 2. eee tains 59,—“‘A Florentine Lady,” by Edwin Austin Abbey; Seaman, agent .--.++-.++-ress7ss 60—“A Girl of Capri,” by J Scott & Fowles ......+essesececeeeeare 61—“‘Peonies,”” by John W. ward H. Bindley .........-++eess-- 62—“Nature Morte,’ by Emile ie Aileen writers sien 63—“‘Colder than Snow,” by George H. Bough- ton; Seaman, agent «..ce®seec-ssseeues 64—“The Nut Gatherers,” by Bouguereau; W. R. RG ArSta ais citcotarevetolclsy shot eiialscabetstar=iaga) stetape 65—“Portrait of a Gentleman,” French School; Seaman, agent ......ee eect ee ee ete ene 66—“‘Portrait of the Princess of Wales,” by R. Cosway; A. Ion eens oie OOO ROes 67— ‘Landscape with Figures, Goats and Sheep,” by Johannes Lingelbach; W. R. Jager Cee Bees DoS ON GHOat aouh SocmmRUD eS 68—‘‘Netherlands Landscape,” by Van de Capelle; Ae IS Cee SINTON. neg phere tescr- cele oer 69—“Landseape and Figures,’ by David Teniers, the younger; D. Teniers ......-. 70—“The Ford,” by Morland; Mrs. J. D. Bake rte peticcpersieisieisteveasl sfateve\ ere eterera deve nier-Dsia's 71—“Landscape with Figures,” by Jakob Ruysdael; Mrs. M. H. Dodge .........- "The Violinist,” by Frans van Mieris; Seamon, agent. 2.0000 seeee sss cee enne 73—Marriage of the V German School Mr. Jones ..+.s espe ects eee eee teen ete es 74“Portrait of a Gentleman,” School of Antonis Mor; Seaman, agent ..........-- 75— "Portrait jot 2 Prince,” by Alonzo San- chez-Coello; W. R. Hearst ......-+++.+- 76—‘‘Portrait of a Lady,” by Antonis Mor; Jacques Seligman ....-.+-seeeseeeeeeee 77—“Portrait of a Gentleman,” by Antonis Mor; Bernet, agent .......+..+-+s.se0% 78—“Portrait of a Gentleman,”’ by Largilliere; Geamany agent ne tiveness sport olepniereeie este aint 79—“Portrait of a Gentleman,” by Vallee; Mrs. M. H. Dodge ............- s0—‘‘Allegory,” School of WNiattier; V lsksyeie ootochon SaoraouoAoLsaeaudoude 400 8i—‘‘Allegory,’’ School of Nattier; Hearst RASH eo COTDcCUEOY Supe odpc ue Sedo» 82—‘“‘Les Petits Oiseaux,” School of Boucher; Wie uk: Hearst be peto 6 obonabodonar 05 83—‘“‘La Jeunesse,” School of Boucher; W. R. lslaeyaoy eomecine none OObOD jo vos opoo CH oUG 84—“‘Still Life,’ by Jan Ween son ; Fred Pear- 900 750 3700 1250 800 2800 1800 950 5000 1000 2550 9000 250 1350, 1275 1650 3800 | 900 | 2000 | 200 | 600 | 130} 725 | 000 | 950, 300 2700 475 500 250 750 35 | 1 } ! THE PROPERTY OF ESTATES AND PRIVATE OWNERS VALUABLE PAINTINGS BY MASTERS OF THE FOREIGN AND AMERICAN SCHOOLS TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA HOTEL UNDER THE MANAGEMENT OF THE’ AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK CITY /Sol{tude— + $2,890 . $1,800 atten Poel orot;. Mrs. re Baker. -|/40—La Visite “aux ‘Pauvres—Diaz; ‘Scott & “Paturege: Bord te Sanles” oe by Knoedler—84 Pic- yz Bring $93,940 At ‘t re Ystirthhes ¢ and fofeign artists. belonging to:"differ-: ent estates and owners, under. the aus- pices of the American Art Association, at the Hotel Plaza last evening, there was a good. attendance and the re- | turns for the eighty-four pictures were | $93, 940. A‘ Corot, No. 44, ‘' Paturage: Bord de Saules,” brought the highest \price of the evening, gcing to Knoedler |& Co. for $9,000. The second highest’ -price was given.for No. .78, .a° large decorative ‘‘ Portrait of a Gentleman,’’. by Largilliere, which soid ‘to Seaman, agent, for $8,000. J Many. of ‘the pictures were ‘by. artists | whose work has gone out:of fashion. for. the time being, and the prices were much under those given for them’ twenty or more years ago. Among these was a beautifully painted Zamacois, No. 13 in the catalogue, ‘‘ Checkmated.’’ This showed a court jester seated at a table on which was a chess board near which were perched, in gay costumes, a couple} of dwarfs with one of whom he was playing the game, .'This sold to Seaman, agent, for $1,125; famous W. H.: Stewart collection in 1598 it brought $10,700. One of the {atoreatine pictures'of the ‘sale was a-:tiny. canvas 914 inches by 1214, a beautiful’ little picture by Jean Baptist: ‘Joseph Pater, . ‘‘ La: Haite,’’ which was the first picture by the artist ever sold at public sale in this country. It brought $4,100, going to Jacques Selig- man. William Throckmorton and a companion mp2 . at the sale of the} 7 it was from the collection of Sir | sale’ brought’ 110, 000 francs, or $55,00 The Pictures and Prices. Following :is»a..list of titles, artists and buyers of the higher priced pictures: 6A. cae Gi Caner Meare as _ Tay- See dlt | } | to a picture which at the famous See | | athe. Turkey” My sissibatiesace: Paolo: -chetti; Seaman, ABENt ... cee eee reese ee 35 15--A. Lord’ of. the Forest—Rosa Bonheur, Mrs. M. H, Dodge.....-+0++s+er perce $425 16—In ‘the rb. eas asahad aah Searithms Od ay 25 Kraushaar. , 21+Venice—Zie 23—Venice—Martin. “Rico; : 11, 050 ‘agent. ‘$2,400 Cole- . 8650: Seaman, 34—Landacape: Sunset—Harpignies;. N. 25 The ‘Bilder Hadas “Mari Ps eae ee Seeley Se Le Spanner be obs Lendacans aia aeenaahts man—Daubigny; Scott & Fowles. 33—La ‘Tour de ©reey, Pres Esbly—Cot tals ‘Chien .. $900 34—The Pagoda—Diaz; Scott & Fowles. TH Farm by the River—Dau- 85-—Landscope: sbigny ; Ms: Knoedler.& Co. Rai vialateal he SorstaeDy he 36—The Sheepfold—Jacque Mrs. M, B Dode@il Apiseincs se nee woe visser onlen dss ae "51,956 87—The. Normandy Ox—Consta Troyon ; Tacaves Seligman. 0D... eee. Sot Rae £800: Fowles... yo $950 41—Paysa. $5,000 42—Marine: Fishing Boats—Jules Dupre; W. Ri HOarst: . ccc cee ect nase ee dee cnet }43—In the Fore iaz;° Mrs: M. Dodge: $2, 550 44—Paturage: Bord de Sauies—Corot; M.: Epo ene Se COL ie cctihee 5 ce ep ebis aay 060° —Holland Land: ,Bernet. ae Aaee ~ $1,350 | 48—A. Riversi Seaman, agent. sy. . ' ate 49—Grand, coe 2 ity. WOGM veces a1 680 ee urand- WEVRWO] cp pinta n'e s,niels « $8,809 shin the Garden’ df the ‘Cloister of: Moret— * Sisley; Durand-Ruel ...-seyeeeseeeee $1,900 52—Environs: of ° “Pontoise—Pissarro; Durand- RUC] oe eevee eis ened $2,000, 53—Waiting: for the- ini 59 EW. Kaede rierelces nig ecetecest es aes Mees wae $1,200 54—-On the’ Grand “Canal, Venice—Zlem ; M. . Knoedler® . is). sien 56—Winter in ihe. Mrs. M. ‘HH, Dodge 57—The Lake—lynest Laweon, y As: £ t & WOwles Oi sas Lele vow Sew oe te seas ,000 58—Passing Shov r—_George Inness, N.. A.; Mrs, J. Chien. .'c00 seein s eras ie ae aie $950 6(—A Girl of Capri—John Singer Sargent, N, A., R. Av; "Scott &-Fowles.....3.¢ $2,700 61—Peonles—John White Alexander, P. N. A.; coo Bindley, cessic ciga't os i <a peete “$475 2—Nature Morte gape Carisen, N. A nen) Albee 4... ee A oo }64—The Nut at Adolphe Bouguereau; W. R. 8750 “68—Nrtherlands Gandstape—V: Lewis & Simmons. 69—Landscape and (the younger) j)+--— -..... T1—Landacane With ears Mrs. M. H. Dodge.. 73—Martlase26 th Seligman’... 0600. Ti—Portrait: of @ Bernet,, agent %8--Portrait of’ Seaman, agent 79—Portrait. of a Gentieman—Louis Vallee; Mire M,. Dodgers. das oss ote wre $3,300 82—-Les Petits) Oiseaux—School of Boucher; $480 84—Sil Life—Jan. “Weenix; Bred Pearson.§ . Well. known -people “present were. Mr. and Mrs. Emil MU ECTe Mr. “Mrs.. “firskine | Ho’ ‘and . CR: “Thomas* a .Kirby.. was if the : auctioneer’ s, bench. . E F 84 Painting 3 for $93,940; Highest at $9,000 Foreign and American Pictures at Auction Include Can- vas ky Pater. id A Nercatac—2 7/29. Wighty-four paintings ie 6 ae of ‘various foreign’ and American schoois, ‘ago, the property of various private owners and estates, were auctioned last nignt in the Plaza by the American Art Associs tion, Thomas E. Kirby presiding, $93,940. The sale was well attendel and had. some interest as a demonstr¢ tion of the changes in Several pictures were of a type that commanded high prices a decade or 89 but which went last night for moderate sums. A small canvas by Jeti Baptiste Joseph Pater of-the eighteenta century French school was the ‘only example of this artist ever sold at pub- lic auction in this country. The highest price fetched by a beau- tiful Corot landscape, “Pasturage: Bord de Saules,” 22% by 271% inches, which was bought by M. Knoedler & Co. for $9,000. A quite magnificent ‘Portrait of a Gentleman” by Nicolas de Largilliere brought the second highest price, selling to Seaman, agent, for $8,000. Bernet, agent, paid $5,000 for another Corot, “Paysage.” The Pater ‘La Halte,” a very small canvas was bought by Jacques Seligman of Paris for $4,100, A Daubigny, “Landscape: Farm by the River,’ was purchased by M. Knoedler for $3,700, and a Renoir “View of Argenteuil’ went to Durand-Ruel for $3,800. Other pictures, the purchaser and the | price follows: Feeding Time, by Augustin Theodule Ribot; Seaman, agent......... At Poissy: ‘‘Your Health,’’ by Daniel Ridgway Knight; J. J. Camphbell..... L’Arrivee des ‘Invites, by Lo s eat Bugene Isabey; M. Knoedler a lo ee Checkmated, by duardo Zamacois; Seaman, agent Aiea cre ea er esti The Turkey “Girl, by Francesco pag Michetti; Seaman, ageni.. In the Studio, by ‘Antonio Ca anova es Mstorah; Seaman, agent......... On the Perrace, by ae St ©. W, Kraushear.......... Venice, by Feiix Zier : Venice, by Martin, Rico; ow, agent Landscape, Sunset, by ISEpIEDIGS Ocleman . The Bridge, by Jacob Krauschaar .. ++ ++ Landscape. by Rouss22u; M. Ole ee Swe reer s react ‘ tua, Chatelaine,, by “Na A rirgtle Diaz de la Penna; Durand-Ruel..... Landscape and Stream; The Washer- woman, by Charles. Francois Dau- bigny; Scott and Mowler,...--.+-+.- La Tour de Crecy, Pres Esbly, hv Jean Baptiste Camille Corot: J. Chien. The Pagoda, Narcisse Virgile Viaz de ja Pena; Scott and Fowles. The Sheepfold, by Charles Jacque; M. H. Dodge... The Normandy Ox, by Constant Trqyon, 1,200 “Albee. Seaman, Knoedler Emile Jacques Seligman. ...--++-+-+++ 800 BKtang de Gillieu, Dauphi solitude, by Charles Francois Daubigny ; Rich- ard Brixey..... Hinod ) araed fae oetiik GeO 2,800 for | art fashions. | .The Pool, Camille Narcisse by Jean Banptisie Corot; Mrs. J. Baker.. lla. Visite aux Pauvres, Virgile Diaz de la Pena colt and FOw16S 9 fea e cece e eee tomes tens Marine: Fishing oats, by Jules Du- pre; W. R. Hearst. SH Iv. the Forest, by Diaz de la Pena; Mrs. Dodge...-...- Holland Landscape, by John Barthold Jongkind; Bernet, agent..-...+--.-+- A Riverside Village, by F low; Seaman, agent......-s+-+-+++ Grand Canal, Venice, by Felix Ziem ; Rob Hyman.....--1-005 crereeccires In the Garden of the Cloister of Moret, by Alfred Sisley; Durand & Ruel. Bech R tiaverd Environs “of Pontoise, by ‘Camille Pis- sarro; Durand & Ruel.....- Waiting for the Chief, by Pasini; EH. W. Knoedler.. On the Grand Canal, Venice, by Felix Ziem; M. Knoedler....+ Winter in the Forest, Munthe; Mrs. M.' Dodge.. The Lake, by Ernest Lawson, N Scott & FowlesS...-+--++++-+ Passing Shower, by George N, A.; Mrs. J. Chien.. A Girl of Capri, by John Singer ‘Sar- gent, N. A., R. A.: Scott & Fowles.. Nature Morte, by mile Carlsen, N. ENE A Dra Albee. . : The. Nut Gather by Lindvig "Innes, by Adolphe Bouguereau; W. R, Hearst. Netherlands Landscape, by Van de Capelle; Lewis Simmons...---.- Marriage of the Virgin, German School; Mr, Jones ..---sseee+++seees Portrait of a Lady, by “Antonis Mor; Jacques Seligmann ..-..---++-reese- Portrait of a Gentleman, by Antonis Mor; Bernet, agent .---+s-ssryseces Ugpirate of a. Gentleman, by Louis alee; Mrs. M. Dodge ..-++-++-+++++ stil Life, by SON wees Jan Weenix; Fred Pear- 3,300 550 ONS ERD ie U Bie Val EW Ak GEE save REOAN FART GALE RIES MADISON SQUARE SOUTH, NEW YORK BEGINNING SATURDAY, FEBRUARY llrx, 1922 AND CONTINUING UNTIL THE DATE OF SALE FROM 9 A.M. UNTIL 6 P. M. VALUABLE PAINTINGS BY MASTERS OF THE FOREIGN AND AMERICAN SCHOOLS TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF EXECUTORS AND PRIVATE OWNERS ON THURSDAY EVENING, FEBRUARY 16TH BEGINNING AT 8.15 O’CLOCK IN THE GRAND BALLROOM OF THE PLAZA HOTEL ENTRANCE, No. 9 WEST 58TH STREET ILLUSTRATED CATALOGUE OF VALUABLE PAINTINGS BY MASTERS OF THE FOREIGN AND AMERICAN SCHOOLS BELONGING TO THE ESTATE OF ELIZABETH MILBANK ANDERSON OF GREENWICH, CONNECTICUT THE ESTATE OF DR. FRANCIS Po SPRAGUE BOSTON, MASSACHUSETTS THE SSTATE OF ERIZABETH Re SPRAGUE BOSTON, MASSACHUSETTS EUGENE GLAENZER & CO., IN LIQUIDATION PARIS AND NEW YORK AND TO SEVERAL PRIVATE COLLECTORS TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF EXECUTORS AND PRIVATE OWNERS IN THE GRAND BALLROOM OF THE PLAZA HOTEL (ENTRANCE, NO. 9 WEST 58TH STREET) ON THE EVENING HEREIN STATED THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE THE AMERICAN ART ASSOCIATION, ManaGers MADISON SQUARE SOUTH NEW YORK THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY CONDITIONS OF SALE I. Rejection of bids: Any bid which is not commensurate with the value of the article offered or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. Il. The buyer: The highest bidder shall be the buyer, and if any dispute arises between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. Ill. Identification and part payment by buyer: The name of the buyer of each lot shall be given immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot number, amount for which sold, and his or her name and address. Payment at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and re-sold. 1V. Risk after purchase: Title passes upon the fall of the auctioncer’s hammer and thereafter neither the consignor nor the Association is responsible for the loss or any damage to any article occasioned by theft, fire, breakage or any other cause. V. Delivery of purchases: Delivery of any purchases will be made only upon payment of the total amount due for all purchases at the sale. Deliveries will be made at the place of sale or at the storage warehouse to which purchases may have been removed. Deliveries at the American Art Galleries will be made only between the hours of 9 A. M. and 1 P. M. on sales’ days and on other days—except holidays, when no deliveries will be made— between the hours of 9 A. M. and 5 P. M. Deliveries at places of sale other than the American Art Galleries will be made only during the forenoon following the day of sale unless by special notice or arrangement to the contrary. Deliveries at the storage warehouse to which goods may have i | been sent will be made on any day other than holidays between the hours of 9 and 5. 1] Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the discretion of the auctioneer during the session of the sale at which they were sold. VI. Storage in default of prompt payment and calling for goods: Articles not paid for in full and either not called for by the purchaser or delivered upon his or her order by noon of the day following that of the sale will be turned over by the Associa- | tion to some carter to be carried to and stored in some warchouse | until the time of the delivery therefrom to the purchaser, and the i] cost of such cartage and storage will be charged against the pur- chaser and the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. | NOTE: The Limited space of the Delivery Rooms | of the Association makes the above requirements necessary, and it is not alone for the benefit of the Association, but also for that of its patrons, whose goods otherwise would have to be so crowded as to be subject to damage and loss. VII. Shipping: Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and tl will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers ; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. VIII: Guaranty: The Association exercises great care to catalogue every lot correctly and endeavors therein and also at the actual time of sale to point out any error, defect or imperfec- tion, but guaranty is not made either by the owner or the Association of the correctness of the description, genuineness, authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error of cataloguing or imper- fection not noted or pointed out. Every lot is sold “as is” and without recourse, Every lot is on public exhibition one or more days prior to its sale, and the Association will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incor- rectly catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion of such expert, who thereby will become responsible for such damage as might result were his opinion without foundation. IX. Buying on order: Buying or bidding by the Associa- tion for responsible parties on orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without charge or commission. Any purchases so made will be subject to the foregoing conditions of sale except that, in the event of a purchase of a lot of one or more books by or for a purchaser who has not through himself or his agent been present at the exhibi- tion or sale, the Association will permit such lot to be returned within ten days from the date of sale and the purchase money will be refunded if the lot in any manner differs from its catalogue description. Orders for execution by the Association should be written and given with such plainness as to leave no room for misunderstand- ing. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one trans- mitting the order is unknown to the Association, a deposit should be sent or reference submitted. Shipping directions should also be given. Priced Catalogues: Priced copies of the catalogue or any session thereof, will be furnished by the Association at charges commensurate with the duties involved in copying the necessary information from the records of the Association. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South, New York City. CATALOGUE EVENING SALE THURSDAY, FEBRUARY 16, 1922 IN THE GRAND BALLROOM OF y: THE PLAZA HOTEL Entrance, No. 9 West 58rxH Srreer BEGINNING AT 8.15 O'CLOCK VICENTE PALMAROLI & Al Qthee Spaniso: 1835—1896 Gi 5 1—ON THE BEACH i (Panel) Height, 18 inches; width, 131% inches A apy dressed in the fashion of the eighties, with light blue wrap and white parasol, walking on the beach of a French seaside resort. At left, beach chairs and the wreck of a small vessel; on right, in distance, another lady and a little girl; glimpse of the ocean and gray sky. Signed at the lower left, V. Patmarors. Property of the Estate of the late ExizanrrH Mitpanx ANDERSON. EMILE CHARLES LAMBINET Wes Frencu: 1815—1878 of 2 FISHING AT THE MILL p Lifer a (Panel) Jeet Height, 1014, inches; length, 16 inches Poutarp willows lean their branches out of the picture, at left, and cast shadows on the lush and sunny grass before an old mill of creamy walls, whose big water-wheel is dripping glistening silvery streamlets. High trees rise above its roof, and groups of others stand near a farm- house in the middle distance beyond it. At a point projecting into the blue mill stream, in the foreground, are two figures in blue and red and gray, fishing @ la ligne. Signed at the lower right: 1864, Eire Lameryet. Purchased from R. C. and N. M. Vose, Boston. Property of the Estate of the late Dr. Francis P. Spracue, Boston, Massachusetts. LEON Y ESCOSURA SpanisH: 1834—1901 ; . 3—THE FINISHING TOUCHES f Wt (Panel) A406 é Height, 181% inches; width, 15 inches Aw interior with two figures. Seated beside his great curtained and canopied bed is a gentleman whose morning toilet has just been com- pleted. He is sipping his chocolate and reading a book while his valet, an elderly man, probably long in his service, is on his knees in front of him, brush in hand, polishing the master’s boots. A character genre of historical correctness. Signed at the lower left, LL. Escosura, and dated 1871. Property of the Estate of the late KrazanerH Mitpank ANDERSON. VICTOR PIERRE HUGUET yee Frencu: 1835—1902 See 4— ARABIAN FOUNTAIN Poa A ? a OO ee oo TH ALP eee UAC an ht, 14 inches; width, 10 inches Ser at a corner of the creamy, gray and russet wall of a garden is a round-arched fountain with angular basin. Here two white-robed horsemen have halted. Their horses also are white, and one is drinking at the trough, as his master, who has dismounted, stands beside him. Beside his comrade stands a woman clad in rose red. All are in the bright light of the noon-tide sun, while two other figures rest on the ground near by, in the shade of a tree whose green boughs project over the wall from the garden within. Signed at the lower right, V. Hucurt. Property of the Estate of the late Dr. Francis P. Spracur, Boston, Massachusetts. )~\ 4—DONKEY AND CART 7, (Panel) i oo : Height, 12 inches; length, 1534 inches Sranprne in sunlight in the green dooryard of a cottage, part of which appears in the right background, is a dun color and white donkey patiently waiting between the shafts of a wagon with blue body. Tree trunks and foliage, a bit of distance and a glimpse of sky are seen in the upper left. The humble donkey is a beautiful specimen of animal painting. Signed at the lower right with initials, A. M. Collection of the late Mrs. S$, D. Warren, Boston and New York, 1903; Catalogue No. 34.— B £00. f- Ve Boussod, Valadon & Co., New York. Property of a Private Owner. JEHAN GEORGES VIBERT ~ ‘ Frencu: 1840—1902 _——— A file: f 5 i MUL Aa be ona - 6—A GAME OF CAR Height, 15 inches; length, 18%4 inches A youne Spaniard who by the accouterments about him is seen to be a mender and restorer of trappings and bric-a-brac and plies his trade in a courtyard is seated, at right, before a low table. Opposite him is an elderly monk with whom he is playing a game of cards. The young tinker is in doubt what to do next and the father awaits his decision with patient expression. Signed at the lower left, J. G. Vinerv, and dated 1874. Property of the Estate of the late Exizaprru Mirpanx ANDERSON. GABRIEL CORNELIUS VON MAX German: 1840— dattee ra tc, “Rake. 7—_YOUNG WOMAN f Height, 19 inches; width, 15 inches Heap of a young woman with brown hair and pale complexion, in full face. The head is covered by a closely drawn white drapery which J J per) falls over the shoulder on the right and over the bust is a white shawl. Property of the Estate of the late K1izanerH Mirnanx AnprErson, NY: + re — an AUGUSTIN THEODULE RIBOT Frencu: 1823—1891 8S—FHEDING TIME Tae ) Height, 281% inches; width, 231 inches = Two peasant girls, whose gray garments are relieved by notes of blue, are feeding some rabbits which are grouped together in the left fore- ground. <A hen is among the rabbits and all are busy with the food the two girls are providing. At the right, on its side, a large empty cask. Property of the Estate of the late ExizanerH Mitpank ANDERSON. LS) \ e 2) DANIEL RIDGWAY KNIGHT AMERICAN: 1838— 9—AT POISSY: “YOUR HEALTH’ (Canvas) "a S| F Oprup hee Height, 211% inches; width, 18 inches A youne girl is standing in front of a bed of poppies, whose gray- green crinkly leaves are interspersed with pink, purple and crimson flowers. In the act of raising a wooden water-bottle to her lips, she turns to look at front. She is dressed in a pale blue skirt which is tucked up over an olive brown petticoat. Beyond the picket gate of the garden a meadow extends to a river. Signed at the lower left, Ripaway Kyteut, Parts. From the Dr. Leslie D. Ward Collection, American Art Association, 1911; Catalogue No. 30. - 8/700 + lomind & bmith Property of a Private Owner. EMILE CARLSES, b SAN American: 1853 10—STREET SCENE Mm | ight, 251 inches; width, 2114 inches {[1é, AA OC. /] eu ht, 25 » ches; width, 2 i mcnes | aa Big" Just curving into new in the foreground, a narrow Paris street leads away straight before the eye toward a structure hazy in the distance, which suggests the twin towers of Notre Dame. At either side of the way, gray and pinkish buildings, garden wall and fence, and women walking, and in the roadway a vehicle the whole street hot, humid and hazy, in sunshine and partial shadow. Signed at lower left, Emire Cartsen, Parts, ’76. Property of the Estate of the late ExizannrH R. Spracur, Boston, Massachusetts. LOUIS GABRIEL EUGENE ISABEY Frencu: 1803—1886 ( | 11I—L’ARRIVEE DES INVITES M.K 4 Coe, | 15D Height, 18 inches; width, 13 inches ‘ Tue grand stairway of a chateau leads upward to left from the fore- ground to a landing where two ladies are receiving arriving guests, | one of whom is a lady in black near the landing and another in pink | on the lower steps. In a corner, at right, are two male figures and a spaniel. Signed at the lower right, E. Isanry, and dated °55. Property of Eucenr GiaEnzer & Company, of Paris and New York, in liquidation. Se FERDINAND VICTOR LEON ROYBET Eiecr: 1401920 2 ee 12-THE TRUMPETER a (Panel) ee Loa CLA tr cc eight, 24 inches; width, 16 inches 3 V6. Tue stately figure of a man-at-arms in the picturesque costume of the Louis XIII period standing near the doorway of a castle and summoning with his trumpet, from which depends a rich velvet banner, the retainers of his lord. His head, turned to the left so that his face is seen in profil perdu, is crowned with a wide-brimmed hat with plumes. Signed at the lower left, F. Rovner. Property of the Estate of the late EnizasetaH Minnank ANDERSON. EDUARDO ZAMACOIS SpanisH: 1842—1871 CHECKMATED Height, 20 inches; length, 24 inches Se ALD A courr jester in dress of cherry red is seated, at left, at a table on which is a chess board and pieces, while seated on the table itself are 13 two dwarfs, one in red, the other, who is the jester’s opponent, in brilliant costume of white and gold. The jester has been brought to checkmate by the latter of the two, and he confronts him with shrewdly smiling face. The setting for the figures is an apartment with tapestry on the wall and a large Henri Deux armchair. This picture by both the extreme rarity of works of this celebrated artist and the unsur- passable mastery of its execution is a notable example. Signed at the lower right, E. Zamacois, and dated °6%. From the famous W. H. Stewart Collection Sale, February 4, 1898; Catalogue No. 101.- P/0. 700 + A A. luderwny Property of the Estate of the late Exizannrn Minpanx ANDERSON. 14-THE TURKEY GIRL Height, 26 inches; length, 391% inches S 0 AAM AML, A prerry Italian peasant girl tending her flock of turkeys in an olive orchard has been caught by a young man near the foot of one of the wide-spreading trees, and holding her tight he is trying to kiss her. The turkeys, quite undisturbed by the vigorous lovemaking, are seen coming forward in the immediate foreground, the gobblers spreading their wings and ruffling their glowing red necks. Beyond the orchard are buildings and a glimpse of the sea and an evening sky completes the idyl. Signed at the lower left, F. Micuerri, and dated aor From the famous W. Stewart Collection, New York, 1898; Cata- logue No. 60. — Paes KV. F Gf. Lorde Property of the ee of the late Exuzaperu Miteank ANDERSON. ROSA BONHEUR Frencu: 1822—1899 a ni | a jY MA 4 Al Oak L 15—A LORD OF a FOREST yen. 4, s ( 4 (Water Color) Height, 25) oO) inches; length, 28 inches In the centre of the composition and arresting the eye by his graceful and impressive pose stands a handsome stag, his body seen in side view and his head crowned with splendid high-reaching antlers turned to face the spectator. The environment is in keeping with the lordly animal as it shows a well cared for park land or wood with fine trees standing in herbage and casting shadows under bright autumn sun- light. Signed at the lower right, Rosa Bonnevr. Property of Kucenr Guarnzer & Company, of Paris and New York, in liquidation. FRANZ VERHAS Fiemisu: 1827—1897 16—THE TREASURE CABINET (Panel) - 4 i ] wy Height, 34 inches; width 231, inches A FULL-LENGTH, standing figure of a lady wearing a pale green kimono with pattern of birds and flowers, her head inclined to left as she looks at a chased silver cup which she holds up before her with her right hand, Her left hand rests on the back of a gilt chair and in front of her, on the left of the picture, is a carved wooden armoire, with one of its doors standing open, from which she has taken the cup. In the richly furnished room a marble mantelpiece is seen on the right. Signed at the upper right centre, Franz Veruas, and dated 1881. Property of a Private Owner. GASTON LA TOUCHE Frencu: 1854—1913 17—LOVERS Za Oi gtarued (Pastel) eo Height, 31 inches; width, 181% inches OxsERvED nearly at full-length, a Titian-haired young lady with figure in profile to right and her fair face turned forward, as her head is poised over her right shoulder, and a young man facing left, three- quarters front, in whose embrace she is. He bends to kiss her; she interposes gently, a raised hand just at his lips. She wears a brown skirt and her waist is of a soft bluish-white suggestion. Sgined at the lower left, Gastron La Toucue, 793. From the Dr. Leslie D. Ward Sale (under, the title “Thwarted’), January, 1911; No. 6. b 300 ~6& Gare Property of Kucenre Grarnzer & Company, of Paris and New York, in liquidation. A> ANTONIO CASANOVA Y ESTORACH 4 Spaniso: 1847—1896 18—IN THE STUDIO Height, 21% inches; length, 32 inches / Ny eee uve THE scene is a sumptuously furnished studio with tapestries on the walls and arious “properties,” including a collection of costumes heaped in disorder on a carved chest. On the right the artist is seated at his easel with two visitors beside~him, and at left is another group composed of two ladies and a friendly friar. Signed at the lower left, A. Casanova, and dated, Panis, 1878. Property of a Private Owner. ALFRED STEVENS - Bexician: 1828—1906 [ | AA | 19—ON THE TERRACE @.W, kraut | 1a ot, Height, 3934 inches; width, 26 inches A zapy whose dress of white tinged with pink is of the mode of the eighties and whose black hat is ornamented by a single blossom, stands on a terrace in the foreground with her left hand resting on the low enclosing wall. Her face is comely and her attitude is full of grace. Occupying the central portion of the composition is a view from the terrace of the sea, with boardwalk, and promenaders at left and, at right, cliffs and green hills; overhead, a sky of warm gray-blue. Signed at the lower left, A. Svevens, and dated 1882. Property of the Estate of the late KxizanerH Mitpank ANDERSON. RAIMUNDO, DE MADRAZO “BL A ALAA A S: pe ented, 1841—1920 / 20—YOUNG GIRL IN DIRECTOIRE COSTUME Height, 421% inches; width, 23 inches A THREE-QUARTERS-LENGTH, life-size, standing figure of a young girl of brunette type, the head in full face and the hands lightly clasped, wearing a directoire costume with black bodice faced with pink, white skirt, blue sash and wide-brimmed black hat with pink bow and white feathers. Signed at the upper right, R. Maprazo. Property of the Estate of the late Kiizanrru Mirpanx ANnpERSON. FELIX ZIEM Frencu: 1821—1911 1 | - a 21—_V ENICE = (Panel) g a Qf { 6, | Height, 141% inches; length, 25 inches 1] (050. : ‘ Ar right the gray Priggione comes to view, above the crowded crim- son, orange and brown sails of boats massed before it, and beyond it the Doge’s Palace presents its rose fagade, with the Campanile towering above, before a sky of dense blue. Beyond the Molo the city buildings recede indefinitely, as the spectator looks up the Grand Canal, and well in the distance the Dogana and the Salute appear on the left. Forward on the left are seen the masts of sailing craft, and in the foreground a gondola is crossing the water. Signed at lower left, Zrem. Property of the Estate of the late Exiwaneru R. Spracur, Boston, Massachusetts. \ 1 ' ERNEST LAWSON, N.A. oa AMERICAN: 1873 22 THE GATEWAY, SEGOVIA lecectiref bay bot ( DDL Height, 1814 inches; length, 2134 inches Near the central middle-distance the gray arch of the gateway and its creamy quadrangular tower with red-brown roof stand out in bright sunshine, under a brilliant sky. To right, before them, a high wall, full of many colors, to left the buildings of the city atop a hillside which is as colorful as the opposite wall, and in the foreground between these highly chromatic masses a roadway, creamy yellow and buff, and in it some leisurely figures in the broad sunlight. Signed at the lower left, HE. Lawson. Property of a Private Owner. MARTIN RICO SpanisH: Before 1850—1908 23—V HNICE soit, 20 nehes: ae Qe an a cg, Leight, 0 inches; length, 27 inches A CHARMING spot in Venice where a street leads into a small square in the centre of which stands the famous equestrian statue of Colleoni by Verrocchio, and is bordered in the foreground by a canal. On the left are the walls and dome of a church and, at right, houses and shops along the street and the green foliage of a few trees. Above, with the statue on its pedestal in bold relief, is a sky of tempered blue. This example of Rico, while embodying his well known qualities of pic- turesque treatment, is notable for a certain severity of style that makes of it a work of exceptional charm. Signed on the wall at right, Rico. Property of the Estate of the late ExizanerH Mitpanx ANDERSON. HENRI JOSEPH HARPIGNIES Frencu: 1819—1916 il aoe 24—_LANDSCAPE: SUNSET Height, 191% inches; length, 2484 inches bs oO: | Caltirua A LANDSCAPE of great dignity as well as charm in which the rich foliage ee of large trees, on the right, is balanced by similar masses at left. | Beyond a sloping foreground of herbage and boulders, between the eroups of trees, over a stretch of country, appears the lower part of ts bs © is gradated with the same subtle warmth into modified blue. | the sky with tempered tints of pink and yellow. Higher up the sky Signed at the lower left, H. Harpicnies, and dated 98. From Boussod, Valadon & Co. Collection of John W. Simpson, New York. Property of Eugene GuaEnzer & Company, of Paris and New York, in liquidation. JACOB MARIS Durcu: 1837—1899 Gat, 25—THE BRIDGE crareckact ir (Water Color) 15 f Height, 9 inches; length, 11 inches A scynn in the docks of a Dutch port with a man propelling a barge in foreground; walls on left and right enclosing basin which is crossed by a bridge near middle of picture; early evening sky of fine grays accented by pale warm tints. Signed at the lower left, J. Maris. Property of Eucenrn Guarnzer & Company, of Paris and New York, mm liquidation. J. anp M. MARIS Jacop Maris Marruys Maris ; Dutrcu: 1838—1899 Dutcu: 1839—1917 v4 26—THE LUXEMBOURG GARDENS an (ID. Height, 7 inches; length, 94 inches In the foreground/a corner of a terrace with marble balustrade, and statues on pedestals guarding steps to a lower level, one supporting a jardinitre of flowers in bloom. Brown and green branches of a tree overspread the stairs, and with the nearer statue throw mto shadow a small figure seated on a coping ledge, while sunshine lights the terrace and brings into relief a young woman and a child with a toy balloon standing opposite at the balustrade. Below in the middle-ground the green lawns of the Gardens, brilliant in sunshine, and a fountain play- ing, and in the distance buildings of the city grayish in shadow and with sunshine flashing from their roofs. Signed at lower right, J. Manis. Property of the Estate of the late Dr. Francis P. Spracur, Boston, Massachusetts. JEAN BAPTISTE JOSEPH PATER Frencu: 1695—1736 2 HALTE = KA AL SEL Lyd G Height, 91% inches; length, 12% tnches A composition of many figures, men, women and children, and others arriving in a covered wagon, observed in a clearing with ancient woods at either side, where tents are pitched. The principal figures include a horseman, men in ancient dress with swords and carrying guns, and a lady with an infant im arms and another child standing by her side. At right and left others are variously engaged or idling. The costumes of all are in varied soft tones. In the distance a tower. From the collection of Sir William Throckmorton, and a companion picture to the one which at the famous Doucet sale sold at 110,000 francs. Property of Evcenre GuAENzER & Company, of Paris and New York, in liquidation. CHARLES EMILE JACQUE 4 Frencu: 1813—1894 - f Brew url 283—HORSE AND SHEEP IN PASTURE (Panel) Height, 614, inches; length, 81% inches Aw excellent small example distinguished by the presence of a white horse near the middle of the picture cropping grass. At left, in the shade of trees, a shepherd and sheep; a pool in foreground; windmill in distance; fine sky of gray clouds. Signed at the lower right, Cu. J. Collection Galerie Georges Petit, Paris. Property of Evcene Guarnzer & Company, of Paris and New York, in liquidation. ALEXANDRE GABRIEL DECAMPS Frencu: 1803—1860 Qe ai a qT 29 DUCK SHOOTING |Go (Water Color) — Height, 121% inches; length, 18 inches / Go. TureE men and two dogs in a swampy country with reeds, water and water gate, flats beyond and sky of gray clouds. High up one duck is seen fallimg and others are flying away. Signed at the lower left, DecAmps. From Boussod, Valadon & Co. Property of Evcrne GiaEnzer & Company, of Paris and New York, in liquidation. PIERRE ETIENNE THEODORE ROUSSEAU Frencu: 1812—1867 30—LANDSCAPE (Panel) 4A Vn.Ww.¢ & Height, 71 inches; length, 91% inches Autumn browns, varying from reddish iron-rust to deep seal and al- most to black, and relieved by an occasional note of red, make up the colors of earth and herbage in a more or less level stretch of wild land. A straggling path, worn and hardened to a lighter note, wanders along the edge of a short but dense wood which stands on the right, green as to its higher leafage, and brown in the lower brush. At a certain distance the land declines and falls away, leaving a corner of the woods on the right of the path and detached trees on the left of it strong in silhouette before a sky of creamy, white and gray clouds, with a bluish suggestion back of them. In the left middle-ground the suggestion of a kneeling fagot gatherer. Signed at the lower right, Tu. Rovssrav. Collection of the late Royal Crocker, Boston. Purchased from Frank W. Bayley & Son, Copley Gallery, Boston. Property of the Estate of the late Dr. Francis P. Spracur, Boston, Massachusetts. NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1807—1876 31—_LA CHATELAINE (Panel) f ( ged. KE ol Height, 161% inches; width, 1284 inches A croup painting of five figures, accompanied by two dogs, assembled in the foreground beside a gnarled tree of mahogany- thou trunk and a modicum of fused green foliage, which stands at the left, while high at right in the background the gray towers of a castle appear Above a green hill. The lady, in a décolleté gown of blue and white, with silver trimmings on the blue, is supported by a youth in topaz and sil- ver-gray on her left, and by an older, bearded man in scarlet on her right, and the plumed chapeaux of the three are respectively white, mauve and red. The lady has a creamy complexion and rich Titian hair. At her side are a girl in pink and a boy in bluish-gray. Signed at the lower right, N. Draz, ?64. Purchased from Messrs. Durand-Ruel, Paris. Property of the Estate of the late Dr. Francis P. Spracve, Boston, Massachusetts. pie eS 3 a ee ae eae CHARLES FRANCOIS DAUBIGNY Frencu: 1817—1878 32—LANDSCAPE AND STREAM: THE WASHERWOMAN (Panel) Sindee. Se Ut ew) ) Height, 91% inches; length, 191% inches Tx the foreground, the shallow waters of a quiet stream with some women, in left centre, on the bank washing clothes; groups of trees at right and in middle distance; wooded hills beyond and sky of tempered blue-gray with one or two white clouds. Signed at the lower right, Davnreny. Purchased from Boussod, Valadon & Co., Paris. Collection of Benjamin Perkins. /899 7. ho 22.00. Mtiy rs Z, Collection of E. S. Burke, Jr. Property of Evcene Guarnzer & Company, of Paris and New York, in liquidation. JEAN BAPTISTE CAMILLE COROT Frencu: 1796—1875 ie AA (a CA_L 33—LA TOUR DE CRECY, PRES ESBLY Height, 20 inches; length, 24 inches One of the “silvery Corots,” engaging in surface quality as in charm of composition—a landscape at once pastoral and sylvan, with a delicately analyzed play of sunlight on the greens of lawn and rough field and willowy foliage. At left in the foreground a bend of a stream, and a peasant in a punt there, drawn up at the foot of a group of pollards, with rugged trunks and feathery leafage. Beyond stream and trees the quadrangular tower of a gray church, which the foliage largely obscures. To right other pollards and a level sunny green, under the lightly clouded sky of a fair day. Signed at the lower left, Conor; at lower right, stamp of the Vente Corot; on stretcher, seal of the Vente Corot. From the Estate of Mrs. Saran B. Conxutnxe, Sale of Valuable Modern Paintings, New York, February, 1905; No. 146. 8 //00 4 Property of a Private Owner. rohit tedlbey > be 4 hialis G. doe ual 19/6 X69, $7560 ak the Mudra Fells pov colt aed nates yes gee CU NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1807—1876 | 34—THE PAGODA Soath + pei Height, 17 inches; length, 2134 inches Wiru its white walls shinmg in sunlight and trees bending over its roofs a pagoda stands on the edge of a pool, in the foreground, the water reflecting the white surfaces and some of the bright tints of the draperies of a group of women of the Orient on the porch. In the distance a stretch of country with hills ; blue sky with some white clouds. Signed at the lower right, N. Draz. Purchased from Boussod, Valadon & Co., Paris. Property of EvceNE GuaENzER & Company, of Paris and New York, in liquidation. 4 f CHARLES FRANCOIS DAUBIGNY Frencu: 1817—1878 35—LANDSCAPE: FARM BY THE RIVER (Panel ) Height, 1114, inches; length, 21 inches A stretcu of the French countryside bordering a river, its rich ver- dure gilded by sunshine and softened in shadow, the stream pale blue under a turquoise sky and green with the reflections of its surroundings. At left gray, creamy and reddish cottages with thatch roofs, and on the sloping bank before them a woman, a cow and some ducks. Another woman washes linen at the water’s edge, and farther off a man in a boat. Bushy trees are in the distance, and two tall poplars point to the zenith from among the cottages. Signed at the lower left, Daustexy, 1869. Property of Evcene Giarnzer & Company, of Paris and New York, in liquidation. CHARLES EMILE JACQUE Frencu: 1813—1894 Twa. Mi Ke, . dee. Height, 18% inches; length, 261 inches 36—_THE SHEEPFOLD Aw excellent and characteristic example depicting a flock of sheep, twenty or more in number, in the fold, most of them eating at the racks while others are reposing in the straw. Water tubs and a white hen at left, a doorway in the gray walls above the racks. Notable throughout for masterly rendering. Signed at the lower left, Cu. Jacaur. From Boussod, Valadon & Co., Paris. Property of Evcrnr Guarnzer & Company, of Paris and New York, in liquidation. CONSTANT TROYON Frencu: 1810—1865 ( 37—THE NORMANDY OX lat 1 » Seth: Height, 171% inches; length, 231% ‘inches A Fine, well-fed ox, dark red with white points, seen in side view in the foreground, is passing to left through a ravine which probably leads to a watering place. Over his back we see an orchard and pasture with a peasant farmer. a stick in his hand, coming forward and some cows pasturing. Signed at the lower left, C. Troyon, and dated 1855. From the collection of the late Oliver Ames, Boston. Property of Evcene Guannzer & Company, of Paris and New York, in liquidation. CHARLES FRANCOIS DAUBIGNY Frencu: 1817—1878 38—ETANG DE GILLIEU, DAUPHINE: SOLITUDE Grass and water plants give a narrow foreground border to a shallow pool on the by-water of a stream, and several crane appear among them at the evening feeding hour. At the further side of the water green hills slope to its edge on the right and left, while from a central hollow between the hills rise green trees whose reflections are mirrored in the stream. Beyond hills of the distance, a sky of darkening gray, with rose and mauve tinges lingering at the horizon. Signed at the lower right, Davureny, 1876. Property of the Estate of the late Dr. Francis P. Spracun, Boston, Massachusetts. J (Panel) ¢ v. Dp, ia Af Height, 16 inches; length, 261% inches t JEAN BAPTISTE CAMILLE COROT Frencu: 1796—1875 39—THE POOL g A Height, 16 inches; length, 211% inches Busny willows in the middle distance, in a receding line from the left, flank a cottage which is but obscurely seen between them, and connect with a line of trees on the right rising out of the picture. The sun is high, and its light infiltrates the fluffy green foliage and silvers the grass, where a red cow and a black one with a white face are grazing, and it glints from wildflowers, red, yellow and white, dotting the grass in the foreground. Between the tree lines a pond is gray and silver, and at its nearer end a pollarded willow stands, detached, and by the water’s edge beneath it a woman in scarlet and rose and with a yellow cap is seated on the ground. Signed at the lower left, Conor. Collection Ottoz, Paris (Corot’s colorman and an intimate friend). Collection of Shepherd Brooks, Boston. Purchased from R. C. Vose, Boston. Property of the Estate of the late Dr. Francis P. Spracur, Boston, Massachusetts. NARCISSE VIRGILE DIAZ DE LA PENA | Frencu: 1807—1876 ‘(| ae RENCH (0 Wore +! ACN 40—LA VISITE AUX PAUVRES Height, 29 inches; width, 231% inches A composition of sixteen figures depicting a lady wearing a gown of light blue with her son, richly dressed, beside her, accompanied by ladies and gentlemen of her suite, descending a slope and about to pass between two women, in the foreground on either side and both seated. The landscape setting comprises a peaked hill and trees with a sky of clouds and blue. Many tints—pink, blue, brown, red, white —in the costumes are harmonized in a brilliant ensemble. Signed at the lower left, N. Diaz, and dated 1862. Property of Eugene Guarnzer & Company, of Paris and New York, in liquidation. JEAN BAPTISTE CAMILLE COROT Frencu: 1796—1875 ft 41—PAY SAGE ott Bernd Height, 22 inches; width, 1814 inches Ar right and left are tree-crowned knolls, marking edges of a wood, the foliage at either side dense, while the clearing of a slight hollow between the knolls opens a vista to a far horizon and to white and creamy clouds banked and billowing in a sky of pale turquoise-blue. To left of the hollow and midway of the gentle slope of the mound a 5S birch sapling, standing detached, relieves by the silvery-white of its bark the soft depths of green of the neighboring dense leafage. In | the cleared, rough and uneven foreground the tones of earth and herb- age are soft brown and yellow and green, and a sylvan quiet and the balmy atmosphere of summer, or of early autumn, pervades the clear- ing. Here, at left, a peasant woman stands holding an infant to her shoulder, and a woman beside her kneels to gather something from the ground. Signed at the lower right, Coror. Purchased from Messrs. Durand-Ruel, Paris. Property of the Estate of the late Dr. Francis P. Spracve, Boston, Massachusetts. ho barF P= Waa Are 1c | JULES DUPRE Frencu: 1812—1889 42—M ARINE: FISHING BOATS Height, 231% inches; length, 27 inches, 2 Own a tossing, white-capped sea two fishing boats are seen in the lower center of the picture making headway with sails well filled by a snapping breeze. On the horizon, a white sail makes a telling accent against the dark clouds which fill the sky on the left, and other cloud masses of varied grays and spaces of strong blue above them form an impressive ensemble. Signed at the lower left, Jutus Dupre. Purchased from the late Gustave Reichard, New York. Property of Eucenr GuaEnzer & Company, of Paris and New York, in liquidation. . th da A ws or, NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1807—1876 [a AU, M: ¥, L¢ £ les 483—IN THE FOREST Height, 211% inches; length, 29 inc Turee female figures, with draperies of blue, yellow, pink and white covering the lower part of their bodies, are seen in the foreground beside a placid stream in a forest. A spaniel, on the grass in the cen- tral foreground, has accompanied them to the bathing place and the landscape environment includes trees in early autumn foliage on either side of the group of figures, a vista of distance beyond the stream and a sky of clouds. Signed at the lower left, N. Diaz, and dated °67. Property of the Estate of the late Etizanern Mitpanx ANDERSON. JEAN BAPTISTE CAMILLE COROT 1875 Frencu: 1796 44—PATURAGE: BORD DE SAULES,, )) y 0p AM Me i Height, 221% inches; length, 271% inches Av right, on the bank of a river where a roadway passes and a few figures are seen, willow trees lift their branches covered with silvery leaves to the upper part of the picture. Some cows are in the shal- lows of the stream in the middle distance and the summer sky is flecked with white clouds. Signed at the lower right, Conor. Described and illustrated in Robaut’s “L’Giweore de Corot,” No. 1118. Exposition Centenaire Corot, 1895. (No. 54.) Purchased from Messrs. Goupil & Co., Paris. Property of the Estate of the late Kiizannpru Mrrpanx ANDERSON. vit: palit 4 ble q lhe eight, 20 inches; length, 2414 inches "f EUGENE BOUDIN Frencu: 1825—1898 46—SUMMER LANDSCAPE ‘ At ky tt G A RARE example of the favorite painter of harbors and ships. A broad and level open way appears in an informal park land, its spaciousness extending over the entire foreground, its surface gray and broadly patched with fresh green grass. Extending back along cither side, great trees in the rich greens of full summer leafage, meeting in distant perspective. At right and left and in the distant centre, women and children, strolling. Signed at lower left, E. Bounry. Collection of J. Mancini. Purchased from R. C. Vose, Boston, Massachusetts. Property of the Estate of the late Dr. Francis P. Spracukr, Boston, Massachusetts. 1os© JOHAN BARTHOLD JONGKIND Durcu: 1819—1891 4 F + ph ; 47—HOLLAND LANDSCAPE (3 Lr041f Xf, Height, 1284 inches; length, 181% inches A cana leads from the right foreground into the distance where sev- eral windmills are seen; at left, on the bank, the towpath and trees; in the waters of the canal a sloop with sails hauled down, and on the bank, at right, trees and buildings with red-tiled roofs. The sky is composed of clouds of subtle grays and in the upper part is some at- mospheric blue. Signed at the lower right, Joncxixv, and dated 1866. From the John Levy Galleries, New York. Property of a Private Collector. FRITS THAULOW Norwecian: 184+7—1906 48—A RIVERSIDE VILLAGE (On Canvas) A) Law U4 l Aa Height, 20 inches; length, 26 inches & | A groan rippling river flows from distant left to breadth of the fore- ground; at right, several red-tiled and blue slate-roofed cottages, standing amid ancient trees not yet in leaf and interspersed with apple- trees in blossom, cast their many reflections on the limpid stream. Overhead is a robin’s-egg blue sky modulated toward the centre with flaky white clouds. Signed on the lower right, Frivs THaunow. Property of a Private Owner. FELIX ZIEM Frencu: 1821—1911 49—GRAND CANAL, VENICE Height, 22 inches; length, 30 inches ; Bett dye Bive-cRreen water, ruffled lightly and full of polychromatic Bas occupies the foreground and sweeps far away to right and a distant horizon, which is pinkish beneath a zenith of deep blue. To right in the foreground, a gondola in motion, and boats with crimson sails. To left in middle distance, a great church in rose and buff and cream and blue, adding its color notes to the waters, and other buildings, and sailboats in front of them, their line receding to the horizon. Signed at lower right, Zim. Purchased from Messrs. Durand-Ruel, Paris. Property of the Estate of the late Dr. Francis P. Spracve, Boston, Massachusetts. AR pO: aS ,— acy , AL WK ARYQS lo ORD IN 2) PIERRE AUGUSTE RENOIR Frencu: 1841—1819 50—VIEW OF ARGENTEUIL Height, 211% inches; length, 2514 inches 10 Cu thek ICL A sprinc landscape of Argenteuil depicting a river flowing around a bend near the centre of the canvas and a tower and buildings on the farther shore. The foreground consists of grass, herbage and bushes and there is a group of trees beyond at right. On the left a group of trees with red foliage and overhead a sky of tempered blue. En- semble of varied tints harmoniously combined. Signed at the lower right, Renoir, and dated °88. Exhibited May—September, 1921, in Metropolitan Museum, New York. Property of a Private Collector. ALFRED SISLEY xc 4 Frencnu: 1840—1899 5I—IN THE GARDEN OF THE CLOISTER OF MORET a Du AA ud Re 19 po: Height, 29 inches; width, 211% inches i A wipe, gravelled pathway occupies the foreground and is bordered by masses of bushes, which cross the canvas, all in full sunlight. At left, a paling barrier and, rising above it, the spreading branches of a tree. Over the tops of the shrubbery are seen the upper walls of a church and the red tile roofs of neighboring houses. Over all is a sky of tempered blue. The wife of the painter occupies the centre part of the picture. She is seated on a garden-chair, reading, and a parasol is protecting her from the bright sunshine. Signed at the lower right, Sisuxy, and dated ’83. Reproduced in Theodore Duret’s “The Impressionists.” Purchased from Messrs. Durand-Ruel, Paris. g Property of a Private Collector. CAMILLE PISSARRO Frencu: 1830—1903 52—ENVIRONS OF PONTOISE Height, 29 inches; width, 2314 inches 4 BJ i) ; a, ) MLL | Leapine from the right foreground is a roadway bordered by trees in summer foliage and on it are two peasants, a man and a woman. In the middle distance are the houses of a village. The sky is composed of broken gray clouds, distinguished throughout by quict harmonies of color. Signed at the lower right, C. Prssarro. Purchased from Messrs. Durand-Ruel, Paris. Property of a Prwate Collector. [ree ALBERTO PASINI Irauian: 1826—1899 58-WAITING FOR THE CHInEe.LW. Kurd Height, 82 inches; width, 26 inches Berore the arched doorway of a marble building in the East stands an attendant holding the bridle reins of a fine chestnut saddle horse while grouped together on the right of the picture is a company of mounted men, some of them with lances held upright and including one who is seen in back view and who wears a white turban and a red cloak. Signed at the lower left, A. Pastxr, and dated 1883. Property of a Private Owner. FELIX ZIEM Frencu: 1821—1911 ) 54—ON THE GRAND CANAL, VENICE (Panel) } Lo. Height, 22°, inches; length, 3114 inches Tue Palace of the Doges, St. Mark’s, the Campanile and other struc- tures are seen in the middle distance on the borders of the canal, the waters filling the foreground. On the right are houses and a landing place, vessels and gondolas, the whole in gentle sunlight under a sky of modified blue. A picture of stately charm. Signed at the lower right, ZimM. From Boussod, Valadon & Co., Paris. Property of Kucenrn Guaenzer & Company, of Paris and New York, in liquidation. ADOLPHE JOURDAN Pr a Frencu: 1825—1866 and 5S —AN INTERESTING CHAPTER Height, 32 inches: width, 26 inches g > Se AtCte ser a s Hatr-tenern, seated figure of a young girl with blond hair, in side view to left and with head inclined, wearing gray dress with white fichu. On her lap is a large open book and in her hands, resting on the farther page, are her knitting needles and the work she has been busy with up to the moment depicted when as shown by the direction of her eyes she has stopped to read. Signed at the lower left, A. Jourpan. Property of a Private Owner. LUDVIG MUNTHE Norwecran: 1841—1896 56—WINTER IN THE FOREST Vy. ky Wy h Och Height, 21 inches: length, 35 inches Larecr beech trees, with their bare branches in the upper part of the canvas, stand in the snow-covered foreground and the wood extends beyond to where it meets an evening sky suffused with yellow light and varied by clouds of gray. In the central foreground a little dachshund is picking his way through the snow. Signed at the lower right, L. Munrnn. From the Henry T. Cox Sale, January, 1902; Catalogue No. 538/980 Ad dudbree, Property of the Estate of the late Exizanern Minpanx ANDERSON. (See illustration on opposite page) | = aD, one. Height, 25 inches; length, 30 inches » cay ERNEST LAWSON, N.A. AMERICAN: 1873— 57—THE LAKE A row foreground shore, its green herbage spotted with yellow and brown, supports a fringe of slender saplings, whose light leafage only enhances the spectacle and the charm of the lake lyig beyond them —-its ruffed waters a maze of reflections in the verdant notes of the background hills. On the hill slopes and alongshore at their foot, old houses and other farm buildings, in a softened sunlight under a color- ful and breezy sky. In a cove in the foreground an anchored boat. Signed at the lower left, KE. Lawson. Property of a Private Owner. \ | ' \ GEORGE INNESS, N.A. AMERICAN: 1825—1894 58—PASSING SHOWER Height, 20 inches; length, 30 inches \ é 0 WL Le V Broap pasture lands are gray-green and yellowish, and almost level. over the greater area of the picture, extending far away on the left and in the central distance. In the foreground and rising gently as it recedes toward the right the earth and most of its herbage is brown. with patches of rich green. Here a large flock of sheep is watched by its shepherd, in a blue coat, who is seated on a hillock. In the sky but a corner of blue appears, the rest a mass of gray and white clouds and of black shower clouds, drifting away. Signed at the lower right, G. Innxss, 1875. Property of the Estate of the late Exizaperu R. Spracver, Boston, Massachusetts. EDWIN AUSTIN ABBEY, N.A., R.A. American: 1852—1911 59—A FLORENTINE LADY RE oe oe ae Height, 26 inches; width, 21 inches FuLn-Lencru, seated figure of a blond young woman wearing an ample gown of red with wide, hanging sleeves; her head in contemplative attitude resting on her left hand and her right hand on a lute which she holds beside her chair. Background of pale blue curtain. Signed at the lower left, E. A. Anpry. Property of the Estate of the late Kiizannern Minpanx ANDERSON. = ——— Sr Sig ee ee — Be = : Se a at ne ————— = == { JOHN SINGER SARGENT, N.A., R.A. AMERICAN: 1856— 60—A GIRL OF CAPRI doatt y t , ry Height, 301% inches; width, 25 1, inches / hs 4, g) 2 A youne peasant girl of Capri, wearing dark blue bodice, white blouse and pink skirt, is seen standing in back view as she leans against the bent trunk of an olive tree. Her head is turned to the right so that her face appears in profile. The setting for this graceful figure com- prises a stone wall, enclosing the orchar , and foliage beyond. Marked by the skilful treatment of the celebrated artist. This painting was exhibited by Mr. Sargent at the Second Annual Exhibition of the Society of American Artists, New York, 1879, and was purchased by the late Daniel Cottier, At the time the above picture was exhibited in the Ichabod T. W illiams Collec- tion the late Carroll Beckwith, N.A., stated that “the model w as the famous beauty ‘Rosina of Capri, who afterward married very brilliantly a distinguished artist.” In 1878, when Mr. Carroll Beckwith came home to America to begin his artistic career, Sargent went to Capri and painted the above picture and wrote to Mr. Beckwith de seribing the beautiful model and mentioned this particular picture. Signed at the lower right, JoHn S. Sarcent, and dated Capri, 1878. From the Ichabod T. Williams Sale, February 3 and +, 1915; Cata- logue No. 101— BL950.I:- Lnocdla)» *@O Cae ZQ Liuderrgn Property of the Estate of the late Exizannrn Mitsanx ANpERSON. JOHN WHITE ALEXANDER, P.N.A. American: 1856—1915 ¢ ) Height, 48 inches; width, 3614 inches ,/ A PLEASING composition of decorative effect in its combination of green and black in the gown of a young woman and the pink of a bunch of peonies over which she is leaning as she lifts from the floor the glass bowl in which the blossoms repose. The head of the figure with its dark hair is seen in profile and graceful movement is indicated by the flowing lines of the gown. Signed at the lower left, J. W. ALEXANvER, and dated ’96. Exhibited at the Carnegie Institute International Exhibition, Pitts- burgh. Property of the Estate of the late KxizaserH Mitpanx Anprrson. Se EMILE CARLSEN, N.A. AMERICAN: 1858 JY 62—NATURE MORTE pee et Height, 26 inches; length, 44 inches Ow a table of golden notes and before a wall still richer in its hues, a large brass dish filled with great yellow-white roses in the full richness of their bloom, and relieved by clusters of their green leaves which cling to the stems. Before the dish a mandolin with strings down, and near by opalescent glasses and a greenish-amber glass ewer and even more of the fascinating roses, scattered over the table. Signed at the lower left, Emit Cartsen, Parts, ’84. Property of the Estate of the late Exizazeru R. SpracuE, Boston, Massachusetts. GEORGE HENRY BOUGHTON American-BritisH: 1884—1905 63 COLDER THAN SNOW DOLsaure ( Height, 30 inches; length, 60 inches “The winter wind is not more chill Than the cold smile they fain would win.” Own the snow-covered terrace of a castle, proceeding from the great doorway on the right, where stands an armored sentinel, is a young chatelaine escorted by two gentlemen, walking on cither side of her, the one on her right with brown fur-bordered cloak being of mature age and the other a young gallant in vestments of blue and gold. A page follows holding up the lady’s train, with another walking beside him bearing her books of hours on a cushion. Descending a stairway at left are brown monks leading the way to the city which hes below, its roofs and towers mantled with snow. The lady’s face is comely but wears no sympathetic expression and the propos of her escorts as they take their way to mass seem to be wasted. Signed at the lower right, G. H. Boucuron, and dated 1871. Property of the Estate of the late E1izanerH Mitpanxk ANDERSON. Sere AEE SS EER WILLIAM ADOLPHE BOUGUEREAU Frencu: 1825—1905 eee tel 64—THE NUT GATHERERS Height, 631% inches; width, 45 inches Two young cherry-faced sisters, one dark and one fair, are at the edge of a wood, gathering pecan nuts. Both are barefoot, and the older, in gray and blue and white and plum-brown, is standing plucking the nuts from a slender branch, and dropping them into the already well-filled basket held by her kneeling sister, who is in gray, white and mahogany brown. They are in a soft, sifted light, and the background of foliage varies from dimly lighted leafage to the deep, dark shadows of woodland recesses. Ylg3 = Signed at the lower right, W. Boucurrrav. Soll From the sale of Judge Samuel L. Bronson, 1907, Catalogue No. 35, P2000 - and the James B. Brady Sale, 1918, Catalogue No. 13. CLS, 4 Property of a Private Owner. ( Yltew bh gli J Wire Sanat Ire bald Nerden yoo #2 X86 - A. Tooth » Sore “198A penecqrron fhm IX Manon, tahuiig One. WR KKK 0867 - Cordlih, Jp g MK ) Mee’ 1966 - BRUM ee LO i PASE Leb-sifigol «fo Kuxx FRENCH SCHOOL EIGHTEENTH CENTURY 65—PORTRAIT OF A GENTLEMAN (Drawing) OL hA*AtAc- - fh. Height, 1014 inches; width, 714 inches THREE-QUARTERS-LENGTH portrait of a gentleman with curled wig, richly dressed and wearing body armor under cloak and various noble orders; body in side view, head three-quarters to left, right hand on head of cane. A carefully executed drawing of superior quality. Purchased from P. Vigna, Paris. Property of Eugene Guarnzer & Company, of Paris and New York, in liquidation. RICHARD COSWAY, R.A. Bririsu: 1742—1821 Pa z} RE. Obst, 66—PORTRAIT OF THE PRINCESS OF WALES (Pencil drawing tinted with water color) Height, 11 inches; width, 8 inches Sranpine figure of a young lady in side view with head in three- quarters to left; white gown and high white hat, powdered hair; land- scape background. Inscription in pencil on margin at bottom, gvving title and signature, RicHarp Cosway, R.A., Fecir 1775. Purchased from P. Vigna, Paris. Property of Eucrenr GuaEnzer & Company, of Paris and New York, in liquidation. JOHANNES LINGELBACH Si . German: 1625—1687 o) / ie | 67—LANDSCAPE WITH FIGURES, We. FRANK af GOATS AND SHEEP i Qe ot, Height, 18 inches; width, 151 inches lj Iw a pasture, on a plateau high up in the Swiss Mountains, a peasant maiden is depicted in the centre foreground milking a white nanny goat while a young shepherd with red cap standing beside her pro- i vides a musical diversion by playing the flute. Near the milkmaid, at right, some goats, awaiting their turn, are lying down with a few ti) sheep. On the left stands a dead tree and in the distance mountain Hh tops rise before a sky of gray-blue with a floating mass of cloud. 1] Hi ! Property of EucENE GuaEnzeR & Company, of Paris and New York, i in liquidation. J VAN DE CAPELLE Frencu: 1625—1679 eY 68 NETHERLANDS LANDSCAPE / Cie + Gi = Height, 131% inches; length, 16% inches i 50-0. Iw the foreground a neck of the sea with sailboats of diverse riggings ; wooded opposite shores with church and windmill; in immediate fore- ground, on a strip of shore, two figures ; high sky of clouds and blue. Signed at the lower right, V. CAPELLE. Purchased from Wertheimer, Paris. Property of EvucENE GLAENZER & Company, of Paris and New York, | in liquidation. | | SSR ae RE ws Nc RS NR Rew me ale ee DAVID TENIERS, THE YOUNGER Friemisuo: 1610—1690 69—LANDSCAPE AND FIGURES ; (Panel) CAL 4 Leo oe Oe 4 Height, 8 inches; length, 10 inches CO, : Two peasants and a dog on a road, at right, which leads into the distance, where a church and other buildings are seen. In fore- ground a high bank with trees and the roofs of a chateau. Sky of gray clouds agreeably diversified in form. Purchased from J. Bohler, Munich. Property of Evcenr Guaenzer & Company, of Paris and New York, an liquidation. Hi Hi li j | | i val | dl GEORGE MORLAND » 9 D, | AM | EncuisH: 1763—1804 a | 70—THE FORD | (Panel) | AMA. a ‘ hk (Ask on_ | } oY) Bs ae nas | Q bt : Height, 10 inches; length, 12 inches Ar left in the middle distance of a green countryside, on a summer day, / a white and cream colored cottage with gables and thatched roof. In it the midst of rolling, uncultivated brownish land before it, a shallow blue | 1 stream, and a rough and wandering road crossing it and mounting to Ii slightly higher and bush-grown land on the right. An old man on a | brown horse has paused in the stream to let his horse drink, while his | two dogs having slaked their thirst run gaily ahead of him to catch up iW with a covered wagon housing gypsies or other travelers, and drawn by three horses tandem. | Signed on a felled tree trunk at lower right, G. M. Property of the Estate of the late Dr. Francis P. Spracur, Boston, | Massachusetts. | a RES RE REE NL RE Sm JAKOB RUYSDAEL DutcHu: 1625—1682 71—_LANDSCAPE WITH FIGURES ; (Panel) : Md: : MW, % ‘ YA = Height, 11 inches; length, 16%4 inches w) s Ar left the bend of a stream, and off a point of land in the middle dis- tance a fisherman in a boat. Short trees with dense foliage and thickly grouped mark the land, which reaches to the right, and the principal group, at the centre of the composition, is dominated by a veteran of rugged trunk, the top of one branch blasted. Two figures recline on the grass in a hollow, and a red-coated man on a white horse is ap- proaching around a knoll. Purchased from Asher Werthewmer, London. Property of Hucene Guannzer & Company, of Paris and New York, in liquidation. SS FRANS VAN MIERIS Durcu: 1635—1681 (AQ VY 72 THE VIOLINIST ayt y Bos, (Panel) OL ALUL.ALL } 4 0, Height, 9 inches; width, 7 inches A youne man with long, curling hair, wearing loose upper garments of dull red and flat brown velvet cap, seated beside a table on which are a music book and a lighted candle, and tuning up a violin. Property of Eucenr Guannzer & Company, of Paris and New York, in liquidation. GERMAN SCHOOL FirrrentH CENTURY a lars 73—MARRIAGEHE OF THE VIRGIN (Panel) | er <Seee, 57] cS Height, 1714, inches; width, 121, inches Brrore the porch of a gray church with red-tiled roof the ceremony is depicted, with Mary in blue and Joseph in rose clasping hands and recelving the episcopal benediction. The witnesses, men and women, are in robes of varied soft colors and the apparel of all has gold orna- mentation. A composition of eight figures in a soft diffused light. From the Manzi Collection, Paris. Property of KEucEné GLAENZER & Company, of Paris and New York, in liquidation. (Illustrated on opposite page) 160. ANTONIS MOR (SCHOOL OF) (Sir Antonro Moro) Durer: 1512—1578 Se Arig te 74—PORTRAIT OF A GENTLEMAN A ot | (Panel) Height, 20 inches; width, 174 inches Heap and bust portrait of a gentleman in finely wrought armor, the head in three-quarters to left; dark hair, mustache and beard; narrow white ruff, emblem of the Golden Fleece pendent by red ribbon. Property of Eucenn Guarnzer & Company, of Paris and New York, in liquidation. | EE RSS SERS SRL RAS mde ee ALONZO SANCHEZ-COELLO SpanisH: 1515—1595 ivi tae ] oe qt at a 75—PORTRAIT OF A PRINCE = (Panel ) A 50 ‘ Height, 181% inches; width, 14 inches Heap and shoulders portrait of a light-complexioned young man, with 8 I A § ’ extremely blond mustache and chin beard just asserting themselves, and with rosy cheeks and large dark eyes, and hair bordering upon the golden. He faces slightly to the right. He wears a semi-trans- parent ruff of sinuous loops, and armor with highly ornate gold em- bellishment, and the order of the Golden Fleece. Dark neutral back- 2 ground. From the Manzi Collection, Paris. Property of KucENE Guarnzer & Company, of Paris and New York, in liquidation. ANTONIS MOR (Sir An'ronto Moro) DutrcH: 1512—1578 te 76-—PORTRAIT OF A LADY Va es icld Se f May Height, 441% inches; width, 251 inches jb b- (Companion to No. 77) "THREE-QUARTERS-LENGTH, standing, portrait of a lady in nearly full face; coiffe, ruff and sleeves of white; black gown, heavy gold girdle; left hand dropped at side and holding bag; right hand touching medal- lion at bottom of bodice; dark background. Purchased from F. Bohler, Munich. Property of Evcrne GuiaEnzer & Company, of Paris and New York, in liquidation. 3 SR Se SR NS Rc ig mun iain vs a ANTONIS MOR ; (Str Antonio Moro) Dutcu: 1512—1578 77—PORTRAIT OF A GENTLEMAN Height, 45 inches; width, 2534 inches g 1A. Companion to No. 76 { poo : ( 2 ) THREE-QUARTERS-LENGTH, standing, portrait of a gentleman, body to S> | g : front, head three-quarters to right ; brown closely cropped hair, blond mustache and beard; black costume, white ruff at neck and the same at wrists; right hand resting on balustrade and left holding gloves. Purchased from J. Bohler, Munich. Property of Kucene Guarnzer & Company, of Paris and New York, in liquidation. Peels SS ES AN RR Ke Se emi NICOLAS DE LARGILLIERE Frencu: 1656—1746 78—PORTRAIT OF A GENTLEMAN aa Height, 531% inches; width, 41 inches 'THREE-QUARTERS-LENGTH, seated, portrait of a gentleman, about thirty-five, head in three-quarters to left; high, white curled wig, blue and gold embroidered cloak over right shoulder, lace neck ruffles and cuffs; right hand at hip, left arm resting on pedestal. Originally purchased from Boussod, Valadon & Co., Paris. From the collection of Benjamin Perkins. From the collection of S. E. Burke, Jr., Cleveland. Property of KuceNr GuaEnzer & Company, of Paris and New York, in liquidation. 33 A. LOUIS VALLEE Dutcu: 1700— 79—PORTRAIT OF A GENTLEMAN Height, 58 inches; width, 44 inches I. THREE-QUARTERS-LENGTH, seated, portrait of a gentleman about forty, dressed in black, large black hat, head to left in nearly full face, slight, blond mustache and goatee; white collar with cord and tassel, white ruffs at wrists; left hand on table, right hand at hip holding gloves; architectural background. Indistinct signature and a date on the watnscot to the right. Purchased from Boussod, Valadon & Co., Paris. Described and illustrated in “Les Arts,” April, 1911. Property of Evcenn Guarnzur & Company, of Paris and New York, in liquidation. AN UNKNOWN ARTIST Louis VALLE “To-day, a name which was unheard of yesterday, suddenly appears in the history of Dutch art, and at once demands our homage with particular authority. This artist becomes known to us through a painting which for many years was hidden away in England, then returned to its native land for a brief instant, after which it passed through the hands of a Parisian expert, and finally emigrated to America. On the opposite page is a reproduction of the painting. It represents a male figure, of natural height, admirable in psychological penetration, and beauty of composition, and in every way worthy of our richest museums. An inscription appears in the corner of the painting which we take to be Vallé (or Vallée), the title of this article. “Who is this new-comer? “No dictionary mentions his name; Wurzbach’s ‘Niederlaendisches Kiinstler- Lexicon, which publication is in course of completion, and which is at the present moment the best and most complete source of information available regarding Dutch artists, does not mention him. It seems (but there is no authority to support this) that a certain Louis Vallé was a pupil of Rembrandt, and that besides his painting, he worked as a carpenter for his livelihood; just as Jan Steen was an inn-keeper, and that he was a ‘sergeant’ on board a sail-boat bound for India. And that is all. If, perchance, some erudite has in his possession documents containing information on this artist, may these few words help bring them to light, and so complete the reparation due to this great artist, this mysterious Vallé. [Continued es ee Sa Ea CELT AE PSS TE [ No. 78—Continued | “For—our readers cannot deny it—we are concerned indeed with a great painter, one who is not an imitator of Rembrandt merely, as so many of his pupils were, but an original creator, anxious above all for the truth, and who is the equal, at least, of his fellow-artists, Ferdinand Bol (whom he excels in penetration), or Fictoor. It is true that there is lacking here that magic atmosphere in which Rembrandt seems to bathe his subjects, and about which, to use Fromentin’s expression,—there is an indefinable something of the other world which makes the present one seem cold and grow pale beside it: but the keenness of observation, the intensity of life, the sweeping strokes, the beauty of the composition, which one feels is soft and rich, all the characteristics of a great artist, where can one find them more completely, more in abundance, if not here? We are concerned with an artist, who is not only accustomed to the difficulties to be met with in his work, for he is complete master of his brush, but and this is no less essential for a portraitist—with one who is a keen observer, well trained, taught to scrutinize and search for the inmost, hidden truth, from external appearances. Less skilled, indeed, than Frans Hals, but in his order and simplicity, his deep and touching manner, consider and admire how he has made the features, lacking in beauty, express bright intelligence, and made us see, in this Dutch bourgeois, a man of means, but without vain display or self- conceit, a pleasant looking man, mentally alert, prudent in judgment, probably the founder or ‘regent’ of some hospital: the high vaulted gallery and building resem- bling a chapel which can be seen through the bay window of the room where he is standing, would warrant this supposition. Notice, too, the sombre distinction in the arrangement of the picture, in the pose and dress of the figure, where the broad and delicate strokes of white showing the lingerie collar and cuffs just relieve the severity of the dark garments, which are a rich and soft black, according to those who have seen the original. The excellent photographic reproduction which we see here enables us to guess at the harmony in values, the richness of the composition, and must afford an unusually fine treat to amateurs in good painting. The more one studies the picture, the more it grows on one. Since this striking figure was revealed to us, and we study it trying to fathom the provoking enigma there concealed, we discover deeper beauty in it day by day. And so we appreciate the thought of the dealer who had the painting in his possession for a short time: although he was used to parting with treasures, the thought of this painting still haunts him, and he admits he regrets having let it go. “All this but arouses our curiosity the more, and the question we asked our- selves, a little while ago, returns more insistently, and we write: Who is Louis Vallé? and who will give us the information which we have a right to desire con- cerning so great an artist.” (Translated from the French of Avet E Marcuiirirr.) Les Arts, April, 1911. American Edition. NATTIER (SCHOOL OF) AO? 80—ALLEGORY Leight, 22 inches; length, 48 inches RAO, lh’ (2 it and (Companion to No. 81) A DECORATIVE composition of four figures, the principal group formed by a young woman, at the foot of a tree, a cupid nearby and a young man prone in the foreground. Their attitudes are expressive of grief. At left, in clouds, a martial god with shield and sword, and in centre two flying swans. Color notes of pink, blue, white and green. Property of Eucenr Gua‘nzer & Company, of Paris and New York, in liquidation. NATTIER (SCHOOL OF) Oo * 81—_ALLEGORY Height, 22 inches; length, 48 inches 4 pe accra | | = DP i LW. Ie W tata 7s Companion to No. 80 ie t I ) A DECORATIVE composition with two principal figures, a young woman seated and a young man on bended knee beside her and five cupids. At left, a winged figure in flight, with shining star, at whom one ef the i} cupids is shooting an arrow. Property of Evernr GuaEnzer & Company, of Paris and New York, Hy | in liquidation. u Oi BOUCHER (SCHOOL OF) Francois BOUCHER Frencu: 17083—1770 82—LES PETITS OISEAUX Height, 311% inches; length, 5114, inches (4 companion to No. 83) au A We At at” Decorative panel depicting an amorous youth beside a maiden fair and beguiling, to whom he has brought some nestlings which she holds somewhat diffidently as she regards them. The youthful pair are seated, he on the ground, under the boughs of leaning trees; their costumes are variants of rose and green relieved by white, and the foliage back of them is of soft greenish tones. At their feet a goat and sheep, beside a stream. Property of Evcene Guarnzer & Company of Paris and New York, in liquidation. BOUCHER (SCHOOL OF) Francois BoucHER Frencu: 17083—1770 88—_LA JEUNESSE Height, 314% imches; length, 5114 inches (4 companion to No. 82) 1A), e ; \ Ca tot. Decorative panel portraying a smiling maiden in a décolleté costume of old-gold, rose and white, with flowers in her hair and in a basket beside her, reclining beneath a tree, and a plump curly-haired boy whom she is beguiling. In the background a stream and viaduct, and a pair of doves, in low and soft tones. Property of Eucrnr GuaEnzer & Company, of Paris and New York, in liquidation. JAN WEENIX Durcu: 1640—1719 4~ oO CO: , { 7p Ty, Fi ow { Zi nae 84 STILL LIFE 4 rtateA a a aa) Height, 581% inches; length, 70 inches —————— A FINE group of trophies of the chase, suspended from the lower branches of a tree, includ‘ng a white swan with one wing extended, a hare, pheasant and grouse. At right, a black and white setter and, on the rim of a large vase, a magpie. In left foreground, a gun and hunter’s trappings. Purchased from W. J. Abraham, London. Property of Evcenr GuaEnzer & Company, of Paris and New York, im liquidation. AMERICAN ART ASSOCIATION, MaAnacers. THOMAS E. KIRBY, AUCTIONEER. Ee a aa LIST OF ARTISTS REPRESENTED AND THEIR WORKS LIST OF ARTISTS REPRESENTED AND THEIR WORKS ABBEY, Enwin Austin, N.A., R.A. A Florentine Lady ALEXANDER, Jonun Wuitt, P.N.A. Peonies BONHEUR, Rosa A Lord of the Forest BOUCHER (School of) Les Petits Oiseaux La Jeunesse BOUDIN, EucEnr Summer Landscape BOUGHTON, Grorcrt Henry Colder than Snow BOUGUEREAU, Wuiuu1am AnoLPHE The Nut Gatherers CARLSEN, Emus, N.A. Street Scene Nature morte CASANOVA Y ESTORACH, Awnrontio In the Studio CATALOGUE NUMBER 59 61 46 63 64 10 62 18 COROT, Jean Baptiste CAMILLE La Tour de Crécy, pres Esbly The Pool Paysage Paturage: Bord de Saules COSWAY, Ricuarp, R.A. Portrait of the Princess of Wales DAUBIGNY, Cuarrrs Francois Landscape and Stream: The Washerwoman Landscape: Farm by the River Ktang de Gillieu, Dauphiné: Solitude DECAMPS, Arexannre GABRIEL Duck Shooting DIAZ DE LA PENA, Narcissr Vircine La Chatelaine The Pagoda La Visite aux Pauvres In the Forest DUPRE, Jurxs Marine: Fishing Boats FRENCH SCHOOL Portrait of a Gentleman GERMAN SCHOOL Marriage of the Virgin canary 33 39 4] 44 66 32 B85 38 29 HARPIGNIES, Henri Josrru Landscape: Sunset HUGUET, Vicror Pierre Arabian Fountain INNESS, Georcr, N.A. Passing Shower ISABEY, Lovuts Gaprien EuGENE L’ Arrivée des Invités JACQUE, CHar.is EMILE Horse and Sheep in Pasture The Sheepfold JONGKIND, Jonan BarrHoip Holland Landscape JOURDAN, AnoLtrHE An Interesting Chapter KNIGHT, Daniet Ringway At Poissy: Your Health LAMBINET, Eun CHaries Fishing at the Mill LARGILLIERE, Niconas vE Portrait of a Gentleman LA TOUCHE, Gaston Lovers CATALOGUE NUMBER 24 11 Ke) 78 LAWSON, Ernest, N.A. The Gateway, Segovia The Lake LEON Y ESCOSURA The Finishing Touches LINGELBACH, Jonannes Landscape with Figures, Goats and Sheep MADRAZO, Ratmunpo pr Young Girl in Directoire Costume MARIS, Jacon The Bridge MARIS, J. ann M. The Luxembourg Gardens MAUVE, Anton Donkey and Cart MAX, GasrieL CorNnELIus von Young Woman MICHETTI, Francesco Paoro The Turkey Girl MOR, Antonis Portrait of a Lady Portrait of a Gentleman CATALOGUE NUMBER 67 25 26 14 bes s CATALOGUE NUMBER MOR, Antonis (School of) Portrait of a Gentleman 74, MORLAND, Grorcr The Tord 70 MUNTHE, Lupvie Winter in the Forest 56 NATTIER (School of) Allegory 80 Allegory 81 PALMAROLI, Vicente On the Beach 1 PASINI, Arserro Waiting for the Chief 53 PATER, Jean Baptiste Josery La Halte 27 PISSARRO, Camitye Environs of Pontoise 52 RENOIR, Pierre Avucuste View of Argenteuil 50 RIBOT, Avceustin THropuLE Feeding 'Time 8 RICO, Marri Venice ROUSSEAU, Prmerere Evienni THrtopvore Landscape ROYBET, Frerpinann Vicror Lron The ‘Trumpeter RUYSDAEL, Jaxos Landscape with Figures SANCHEZ-COELLO, Atonzo Portrait of a Prince SARGENT, Joun Srncer, N.A., R.A. A Girl of Capri SISLEY, Arrep In the Garden of the Cloister of Moret STEVENS, ALrrep On the Terrace TENIERS, Davin (tHE YouNGER) Landscape and Figures THAULOW, Frits A Riverside Village TROYON, Constant The Normandy Ox CATALOGUE NUMBER 23 30 71 ~ Or 60 19 69 CATALOGUE D NUMBER VALLEE, Lovuts Portrait of a Gentleman 79 VAN DE CAPELLE Netherlands Landscape 68 VAN MIERIS, Frans The Violinist 72 VERHAS, Franz The Treasure Cabinet 16 VIBERT, Jenan Grorcers A Game of Cards 6 WEENIX, Jan Still Life 84 ZAMACOIS, Enuarno Checkmated 13 ZIEM, Fru Venice 21 Grand Canal, Venice 49 On the Grand Canal, Venice 54 INTELLIGENT APPRAISALS FOR UNITED STATES AND STATE TAX INSURANCE AND OTHER PURPOSES THE AMERICAN ART ASSOCIATION IS EXCEPTIONALLY WELL EQUIPPED TO FURNISH APPRAISEMENTS AND INVENTORIES OF ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS AND PERSONAL EFFECTS OF EVERY DESCRIPTION AT CHARGES COMMENSURATE WITH THE DUTIES INVOLVED THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK TELEPHONE, 3346 GRAMERCY COMPOSITION, PRESSWORK AND BINDING BY RNS Chay, KN 4s SIR { \ i { i ee Se ee ee RAS RP AN inne rey RIS HAS: resi" ia rvs s i N eRe At ng PR sm Peis a ne NPE, FS a &. & re e ‘ < bated ea eee Vie tek ar ty PHATE SETAE ee PRR PP ieah 2 ee Sessa