oy oderh schools, constituting the eollection Po by Mr, Nicholas M. Matthews, of } coer Md., were placed on view yes- in ‘the American Art Galleries, No. Square South, preparatory to a, are dn next Tuesday and Wednes- day evenings in the Plaza Hotel, The col-| lection, while it contains ho paintings of the fitst importance, is of uniformly high f uvality, | Perhaps the most interesting is Franz | Snyders’ “Dogs Attacking a Stag,” a large ; showing eight dogs which have d upon a stag. The staf has caught: eye his antlers and tossed it over , but the others are pressing i This ani- nat _bainting was once in the collection of . Bonaparte, King of Naples and. Te. and was presented to Jerome l aS a Wedding sift. It formerly ih the Netional Gallery, of Madrid. : 1 geet important work by Snyders, Was a contemporary of Rubens, is King Is Dead—Long Live the King!” F a humorous bird picture, showing the stout | yrown stump of a blasted tree around '. which are gathered the birds of the ground ‘the birds of the air, their beaks open, | he oY chattering to the top of their: Ahothet notable work is Jordaens’) i i earirait Group—the Stoic. and the Epi- | eure,” whith is somewhat similar to “The ! Philosophers, ” 4 work by the same artist in the Metropolitan Museum of Art. ua the older works especial interest at- ' taches to “Portrait of the Artist’s Fa- | ther”? by Teniers the Younger; “Portrait ef a Lady” by Netccher; “The Conflagra- | tion,” a furid picture- by Vanderpoel; Birds and Fowl” by Hondecdeter; “‘The Market Vendor’ by Ribera; ‘‘Bird’s- Hye | View in Holland’ by De Koninck, and | two fine Venetian scenes by Caneletto. q ~~ eeu Sa Ber aiak ee 8 perenne re nner ner ee | One of the most beautiful works is | “Landscape with Figures’ by Paul Bril, A Seventeenth century Flemish painter, _whieh evidently ae the carton for a | tapestry. _ -Among the American paintings chief interest attaches to’ “The Juniata River Near Harrisburg, Pa.,” by George Innéss, one of the artist’s earliest works, signed ‘Jn mohograni on a@ tree and dated 1856. | It was painted to order for the late Au- | Bustus Albert, of Baltimore. A “Still Life and pied) antes bi Jan Weenijx, Sold for $1,140. — ig sale gfvsthe collection of Nich M. Matthews: e, under tie auspices of the merican Art Assodiation, at the Plaza. Hotel last evenin ought $14,330, mak- ing a total Of ABST, ,490. °A ‘Still Life and Landscap by: Jan Weenix, fruit flowets, ttle dog and a squirrel \ with landscape in the backgrownd, a large painting 58 by 31, for which Mr. |Matthews had been offered $3,000 at different times, went to Bernet, MEOH, for, $1,140. “The King ‘Is Dead,” \Long Live the King,” an interesting picture by Frans Snyders of a bird conclave with a tiny owl presiding and a few domestic fowls jtaking part, went to a buyer giving the name of Mori for $650. Another picture iby Snyders, “‘ Dogs Attacking a Stag,” iene to Stillwager. for $500, the first wy * Landscape and Old. White Horse,” signed by the artist: with the. date, 1640, {went to Philip J. Brett for $260. Aart | Van Der Neer’s “‘ River Scene in Moon- light ” went to Bohler & Steinmeyer for \$400, and the charming little picture by |\Hglon Hendrik Van Der Neer, .“ Por- [trait of a Young Lady at Her Toilet,”) ‘a pretty, fair young woman, with 2: lround but delicate face, wearing a cap, ‘sitting before a mirror, went to IKnoed- ‘ler & Co. for $650. The chair in the’ |picture, a bright red, made a pretty itouch of color. ‘ Poelenburg’s ‘‘ Diana, Calypso and Others’’ went to F. HB. Claiborn for $300. |Netscher’s ‘‘ Portrait of a Lady’ went ito Williams for $900. “A Basket of | Flowers,’ by Justus Van Huysum, went ‘to Bernet, agent, for $400, and another “Basket of Flowers,” by Jan Van Huy= \sum, which cost $1,000 in Amsterdam, in \1842, went to Chester for $350. Ferdi-, inand Bol’s.‘‘ Portrait of a Lady,” went) {to Wilhams for #300, and a, Kitchen Interior,” by. Zorg, went to the same ibuyer for $430. ‘ | A-nice littl portrait by Pierre Mig- jnard, surrounded by blossoms by Segh- ers, went to Beck for $110. bee ae “i abc eel ae ae Pa ns ea ay ae , - f aes aay Ale Nh =) eu ‘XSr) Pt ina ? <, | abba OLE Saye 1b ages Were AGRE i GRR DER Rew ar Americal me ap NS SSRN ri i nme cud Sa a ca tw A | | ait Cox ON FREE PUBLIC VIEW FROM 9 A.M. UNTIL 6 P.M. } )3/ AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK - FROM “~ —_—-auRSDAY, FEBRUARY 12TH (LINCOLN’s BIRTHDAY), 1914 ~) UNTIL THE MORNING OF THE DATE OF SALE ) ~) —_ THE COLLECTION OF VALUABLE PAINTINGS FORMED BY MR. NICHOLAS M. MATTHEWS OF BALTIMORE TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58TH TO 59TH STREET ON TUESDAY AND WEDNESDAY EVENINGS FEBRUARY 17TH AND 18ru, 1914 BEGINNING EACH EVENING AT 8.15 0’CLOCK No. 134. “THE KING IS DEAD—LONG LIVE THE KING!” ~ By Frans Snypers. w/ 4 ILLUSTRATED CATALOGUE OF THE VALUABLE PAINTINGS BY THE GREAT AND LITTLE MASTERS OF THE OLD AND MODERN SCHOOLS FORMED BY MR. NICHOLAS M. MATTHEWS OF BALTIMORE TO BE SOLD AT UNRESTRICTED PUBLIC SALE IN THE GRAND BALLROOM OF Pie PLAZA FIFTH AVENUE, 58th TO 59th STREET ON THE EVENINGS HEREIN STATED THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY OF THE AMERICAN ART ASSOCIATION, MANAGERS MADISON SQUARE SOUTH NEW YORK 1914 CONDITIONS OF SALE 1. Any bid which is merely a nominal or fractional advance may be rejected by the auctioneer, if, in his judgment, such bid would be likely to affect the sale injuriously. - 2. The highest bidder shall be the buyer, and if any dispute arise between two or more bidders, the auctioneer shall either de- cide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the purchase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. Payment of that part of the purchase money not made at the time of sale shall be made within ten days thereafter, in default of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforcement of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such purchaser, and the deficiency (if any) arising from such re-sale shall be a charge against such purchaser. ‘4. Delivery of any purchase will be made only upon pay- ment of the total amount due for all purchases at the sale. Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on other days—except holidays—be- tween the hours of 9 A. M. and 5 P. M. Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. Delivery may be made, at the discretion of the Association, of any purchase during the session of the sale at which it was sold. 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, how- ever, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 6. Storage of any purchase shall be at the sole risk of the purchaser. Title passes upon the fall of the auctioneer’s hammer, and thereafter, while the Association will exercise due caution in caring for and delivering such purchase, it will not hold itself responsible if such purchase be lost, stolen, damaged or destroyed. Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. 7%. Guarantee is not made either by the owner or the Asso- ciation of the correctness of the description, genuineness or au- thenticity of any lot, and no sale will be set aside on account of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. The Association exercises great care to catalogue every lot correctly, and will give consideration to the opinion of any trust- worthy expert to the effect that any lot has been incorrectly catalogued, and, in its judgment, may either sell the lot as cata- logued or make mention of the opinion of such expert, who thereby would become responsible for such damage as might result were his opinion without proper foundation. SPECIAL NOTICE Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph or telephone, will be faithfully attended to without charge or commission. Any purchase so made will be subject to the above Conditions of Sale, which cannot in any manner be modified. The Association, how- ever, in the event of making a purchase of a lot consisting of one or more books for a purchaser who has not, through himself or his agent, been present at the exhibition or sale, will permit such lot to be returned within ten days from the date of sale, and the purchase money will be returned, if the lot in any material manner differs from its catalogue description. Orders for execution by the Association should be written and given with such plainness as to leave no room for misunder- standing. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a de- posit should be sent or reference submitted. Shipping directions should also be given. Priced copies of the catalogue of any sale, or any session thereof, will be furnished by the Association at a reasonable charge. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South, New York City. FIRST EVENING’S SALE TUESDAY, FEBRUARY 17, 1914 IN THE GRAND BALLROOM OF THE PLAZA BEGINNING AT 8.15 o’cLOcK No. 1 J. DEARMAN ENGLISH (Exhibited at the Royal Academy, 1842 to 1856. Died 1856.) RURAL LANDSCAPE ps. oe S Walleains Height, 5 inches; length, 7 inches In a land of rolling hills and sunny green valleys a humble farm center is seen on a lazy late-summer day, when the trees have begun to drop some of their leaves, grass is yellow, and other leaves are turning brown. In the middle distance, nestling in a broad hollow, is a gray cottage with brown thatch roof, and near it are low barns and outbuildings whose ancient thatch is mingled with green mossy growths. On a knoll in the foreground, in the shelter of two venerable oaks, a country maid in a blue skirt and red waist is milking a white cow, while a dun cow and a white cow with black head and spots lie lazily by on the carpet of leaves. On the back, under seal, is the following writing: “This picture is by Dearman, an English artist of high repute. It is a beautiful little picture, and was presented to me by Mr. L. Warrington Gillet, Aug. 30, 1845. (Signed) “Brantz Mayer, Balto., 5th June, 1853.” From the Brantz Mayer Collection, Baltimore. No. 2 ARTHUR QUARTLEY AMERICAN: 1839—1886 : HO4 LANDSCAPE 4. Gi Height, 41%, inches; length, 71, inches Hicuuanps rise boldly on either side of a broad valley which winds irregularly between them. In-the distance the face of those on the far side is obscure, in shadow, while the sunlight, striking down forward of them, il- luminates a silvery-gray river which threads the valley, its distant surface seen through a light haze. The beholder looks from a high and narrow foreground, where trees and rocks show autumn hues; the sky afar also reveals colors in its streaks of cloud. Signed at the lower left, A.Q., in monogram. No. 3 WILLIAM M. HARNETT AMERICAN: 1851— SMOKERS DEN /007 (Panel) LM ela Height, 634, inches; length, 9 inches A patntine of still life. A brown table or bench stands in the light in a room with dark walls. On it are placed in careless confusion a half dozen or more ob- jects of different character and varying surfaces. P PORTRAIT OF A YOUNG ig LADY AT HER TOILET Height, 15 inches; width, 11%4 inches A FAIR young woman with large eyes, pink cheeks, and light hair curled, is sitting at her toilet table, facing the right and shown to her knees. She wears a rich gown with puffed and slashed sleeves and white satin skirt, and a black kerchief is thrown about her shoul- ders. In the intervals of a leisurely toilet she has been & reading a book, from which her attention has been 9 momentarily diverted by someone or something not . visible to the onlooker. An exquisite in its class. — i Signed on the table: E. Van der Neer, 1665. Purchased from Boussod, OE oS & Co., New York. x ‘ yco : MamchalZ Q i \ SA Ven y b yb i Sie te Bo Gee 4 ee olr_ | PUP. Qu Cabin Vue he bas Vord Ar /F2 | oar pes he Soe L6F 3-0 ae Arowelel. /857) Tiron. uct, Arye Chat, RureL Sel Chhh, frag 1875 Las - Simlk Ca¥ Rowe 2 ee PLE 7s. Papen Arle a 292. No. 90. PORTRAIT OF A YOUNG LADY AT HER TOILET. By Ecton Henprik Van ver NEER, Seotgo Gld Lalo tbautins fom 10/6438) 262-10 Vrtirned. i am b Balad do Seoile balaliqu f Auth fens Volyv fag UES Lo.XJa 00" No. 91 JAN WYNANTS Detcu: 1615—(after) 1679 THE CLAY BANK « em LF Clauntin Height, 114% inches; length, 15%, inches A country road curving out of the middle distance comes forward past a high clay bank on the right, and in front of it in the foreground crosses a ford in a shallow stream where cattle and sheep are drinking. Behind the animals comes a woman on horseback who is accompanied by a man afoot with a dog. Up the road other figures are seen, and a gipsy wagon is turning into a field. On top of the bank is a hunter with his dog, and far in the distance low hills are blue. From the Gilmore Collection, Baltimore. No. 92 DAVID TENIERS (THE YOUNGER) DurcH: 1610—1690 THE APPROACHING STORM‘ (Panel) 7 Height, 12%, inches; length, 1634 inches A gray and brown castle with several round towers stands on a green hill in the central middle distance, which commands a river winding about its base on the left. The sky behind it is still bright, but a heavy rain- storm swiftly coming in darkens the heavens on the left, and in the foreground clumsy peasants watch its approach and talk of it, a dog sharing in their observa- tion. On the green slope of the castle hill where sheep are grazing a shepherd hastens after them. Signed at the lower left with the artist’s monogram: D.T. From the Gilmore Collection, Baltimore. A . 4,\ No. 93 CANALETTO (ANTONIO CANALE) VENETIAN: 1697—1768 44 Wis, CANAL, VENICE Height, 13°4 inches; length, 211% inches Numerous gondolas, conspicuous with their balda- chinos, spot the bluish-green water, which is mottled on the left by reflections from the palaces, and darkened somewhat on the right by shadows of the buildings on that shore. Besides the gondoliers some of the boats have passengers, and people are seen on a landing at the right, and in doorways. The color everywhere is subdued. The picture seems to be a composition made up. from a bend in the Grand Canal, with a dome of the Salute and the top of the Dogana indicated over the buildings on the right. From the Gilmore Collection, Baltimore. i | 20" No. 94 PAUL BRIL Beucian: 1554—1626 LANDSCAPE WITH FIGURES es de (Pant) OUfy Kam, Mgonk : Height, 141 inches; length, 221% inches Trees of twisted trunks grow at right and left of the immediate foreground, a thick group of them on the right, detached ones on the left, and between them is the end of a pond, or an offshoot of a broad river whose main body continues in the middle distance and beyond. Just at the left a man in red and green is on one knee with gun aimed, about to shoot a duck on the water, and a boy in a red jacket hides behind a tree opposite. On the stream in the middle distance swans are swim- ming, horses, a cart and people afoot are seen in various roads, and a diversified landscape cut by streams contains houses and other buildings of Nether- landish architecture, and in the distance a castle on a hill. ~ No. 95 KLAAS MOLENAER Dourci: —1676 SKATING IN HOLLAND : (Panel) 44.9 Height, 1534 inches; length, 201%, inches Aut about a substantial red-brick cottage, partly gray- plastered and with thatched -roof, now somewhat whitened with snow, the water has frozen in streams and over fields—and the countryside is out on skates. Men, women and children, warmly wrapped, are en- joying themselves, and two horses have been brought to the meeting-place. Around the house leafless trees rise above the roofs, and at the right is the inevitable wind- mill. ‘The sky is gray and cold, as the day fades to the gloaming, and far down at the horizon there lingers a faint, pinkish suggestion of departed sunset. Signed at the lower left: K. Molenaer. lo" No. 96 JAN VAN DE VELDE DurcuH: SEVENTEENTH CENTURY STILL LIFE—BERRIES AND CHERRIES (Panel) Height, 20 inches; width, 15 inches Acatnst a dense dark background a white shallow fluted dish and a piece of soft white silk are represented in rare quality, each respectively emphasizing and em- phasized by small red fruit. The dish contains wild strawberries, dark of hue, and on the silk lie a few cherries whose ruby skin is brilliant in the light, which falls from the left. All are on a yellow polished table. Signed at the right, on the table: J. Van de Velde, 1651. Purchased from William Macbeth, New York. f\7 a No. 97 KLAAS MOLENAER DoutcuH: —1676 WINTER LANDSCAPE WITH FIGURES (Panel) nun hich Height, 22 inches; width, 1?%, inches Snow covers the ground and housetops of a Dutch land- scape, lightly, and small icicles depend from tree- branches and eaves. In the foreground an elderly peasant couple, well muffled, are coming slowly forward, walking in the roadway, and beyond them a horseman and an old man afoot are going in the opposite direc- tion, wending their slow way towards the village, where a high windmill and a church steeple are conspicuous under a cold winter sky. Signed at the lower right: K. Molenaer, 1657. From the Gilmore Collection, Baltimore. No. 98 ~ “™ CASPAR NETSCHER go 4 aX a DurcH: 1639—1684 PORTRAIT OF A LADY, ,* , Height, 21 inches; width, 11 inches S Ulan Turee-quarter length portrait of a lady of ample proportions, with abundant blond curls, and pink cheeks, who is seated facing the onlooker and bestowing upon him a not unkindly glance. Her gown is of gray satin, with low corsage, and flowing elbow-sleeves edged with delicate white filmy material, and lightly about her shoulder is thrown a rich blue cloak or mantle. She wears pearls and holds on her lap a basket of flowers. Conventional background of draperies, statuary and : Rew : landscape. No. 98. PORTRAIT OF A LADY. By Caspar NETSCHER. - | yv chy No. 99 GERRIT ann HIOB BERCKHEYDE aX DvutcH: Fu. 1638—1698 _ CHURCH IN AMSTERDAM, | HOLLAND y (Panel) $o- Sihnaciller bc Height, 1734 inches; length, 221 inches A waree gray church with wide buttresses, dark slate roof, and square red-brick tower supporting its pointed steeple, extends across the canvas on the farther side of a green lawn. At left and right are typical Holland buildings with step gables, and small but flourishing trees in front of them, and a brick or tile walk sepa- rates them from the fenced-in lawn, which the walks surround. Within the enclosure three women are spreading linen on the grass to bleach, and a small child accompanies them. ‘The landscape is by Gerrit Berckheyde and the figures are by his brother Hiob. bo * No. 100 KAREL VAN FALENS Bexcian: 1683?—1733 HUNTING SCEN, (Panel) N Shak Height, 171% inches; length, 25%, inches Aw extensive landscape is spread before the eye, with mountains in the distance, green hills in front of them sloping down to a broad river with island castles. At the left of the river is a palace, projecting into the stream; on the nearer shore, comprising the foreground and right of the canvas, is a hunting party, “in at the death.” The hunters are great ladies and gentlemen accompanied by children, on horseback, and are fol- lowed by men on foot. They have swept down from the right and are closing in on a stag which the hounds have tired out, and are preparing to despatch him. A frightened shepherdess strives to gather and protect her sheep, fishermen quit their work to get out of the way, and people from the palace hasten across the river to be present at the finish. A \\O No. 101 | o% GABRIEL METSU DurcH: 1630—1667 SCHOOLMASTER CHASTISING WaeROYEn, Height, 22%, inches; width, 191, inches AYO Tue ancient Dutch pedagogue, grim and gray, trying to look sorrowful, wields a baluster-ferrule on the palm of a sturdy boy with long, pale, curling hair, behind whom a dejected schoolmate awaits his turn at correc- tion of the corporal variety. In a corner of the room classmates are carrying on rather strenuous exercise under the observation of a young woman who stands in a doorway through which the village church is to be seen. On the walls and suspended from rafters of the olive-brown schoolroom interior, with leaded-glass win- dows, are Delft plates, and bowls and mugs, with hams and other carnal provender, and on a chimney-shelf is a bunch of quills, while at the teacher’s elbow is an hour- glass. The costumes are in various softened colors, mellowing into the brown harmony that envelops the whole scene. 0° No. 102 ADOLF ULRICH WERTMULLER SwepisaH: 1751—1811 I. buildin e PORTRAIT OF A BRIGAND Height, 23%, inches; width, 19 inches Heap and shoulders portrait of a self-satisfied, de- termined man, of not many years but of maturity of life, his figure facing the left, three-quarters front, his face turned directly to the front; he eyes the onlooker steadily from under full, slightly-drooping lids. His white shirt of soft material, with flowing collar, is open at the throat, and he wears wrapped about his shoulders loosely a black cloak. His dark hair is long and wavy, and his broad-brimmed soft black hat is placed with a careless confidence which accords with the not-easily- disturbed intentness of his facial expression. Dark neutral background. Signed at the upper right: A. Wertmuller, Suede, P— in Roma, 1778. “No. 103 JAN BAPTIST WEENIX Durcu: 1621—1664 fomenboach PORTRAIT OF LUDOLF BACK- HUYSEN AND HIS DOMESTIC Height, 231, inches; width, 1914, inches Tue sitter, of portly figure, is portrayed at three- quarter length, seated and turned slightly toward the left but looking over his left shoulder at the spectator, with calm, penetrating glance and affable expression. He wears a huge brown periwig, lavender and dark- olive robes, the cloak having a blue lining. He leans with his left arm on a balcony railing, and his domestic, a young man, is handing him a letter. Conventional composite background. Signed at the lower left: J. Weenix, with date (very faint). No. 104 A 0° y- JUSTUS VAN HUYSUM \! ae (Father of Jan Van Huysum) ~ ; Dutcu: 1659—1716 A BASKET OF FLOWERS 4 Height, 1914 inches; length, 24 inches A wicker basket, yellowish-brown, of open weaving, stands on a mottled gray and brown marble pedestal, filled to overflowing with flowers from an old-fash- ioned garden. Tulips and roses, a dahlia, lilacs and asters, and various others, smile in the sunlight in blossomy profusion, against an olive and olive-yellow background. Signed at the lower right: Justus van Huysum fecit. No. 105 JAN BRUEGHEL it O A FiemisH: 1568—1625 ? AND | JOHANN ROTTENHAMMER GeRMAN: 1564—1623 THE KINDLY FRUITS OF THE EARTH (Panel) HU. Seaman Ajai Height, 1934 inches; length, 26 inches A sroap point of land, sunlit at the outskirts of a dark and thick wood, is bordered by flowering plants growing at the edge of a river which curves around it. Against the deep green background of the trees two allegorical female figures standing and a third seated, all in brilliant draperies of rose and yellow, green, brown and blue, are grouped about an overflow- ing cornucopia of pearly, rose, golden, green and rus- set fruits of many varieties, and hold more in arms and baskets, while winged amorini approach with further store, and amid vines on neighboring tree trunks gather more. In the distance at the right is a blue- green landscape under a sky spread with white and gray clouds. Landscape painted by Brueghel and the figures by Rotten- hammer. \9° A No. 106 P, BALTHASAR OMMEGANCK Berean: 1755—1826 LANDSCAPE WITH PEASANTS AND CATTLE (Panel) A hh te, Height, 1914 inches; length, 26 inches A scene of bucolic life in a kindly country. At a fountain on the left a herdsman and two stocky women have gathereed with cows, sheep and goats, to drink. A woman in an emerald skirt leans over the wide stone basin; another, in a yellow skirt and barefoot, has her head tilted back and is drinking from a jug. In the foreground a man leans an arm on a white and yellow ox, surrounded by other animals; and various people are moving on a bridge over a wide stream that passes at the right. Beyond it are gabled houses, and in the distance are flourishing trees on a plain and on broad hillsides. The light blue sun-lit sky is bestrewn with white fleece, tinged a pale yellow; and the tone of the landscape is warm. Signed on the fountain: P. B. Ommeganck, f. 1780, Purchased from C. W. Kraushaar, New York. ee | ~~ ann f jo" No. 107 GERARD HONTHORST Dutcu: 1590—1656 v REFLECTION A Muth, (Panel) Height, 20 inches; length, 25 inches Haur-Leneru portrait of a studious young man, with somewhat effeminate features, intently contemplating a skull which lies upon a table before him, in front of an illuminated volume of holy writings. He is at the left of the canvas, facing the right, three-quarters front, and the light from a candle which he holds in his left hand, while falling upon the pages of the book and on the reminder of death, more strongly illuminates his own face. Its light is screened from the spectator by the student’s right hand, which it renders trans- lucent at the finger-tips. He is wrapped in a dark green robe and wears a brightly-colored headdress. The background is the blackness of darkness. 5 es No. 108 9,00" ai AW ) “ QUILLEM VAN AELST : oo" —.,4 Durex: (cirea) 1626—1683 STILL LIFE—FLOWERS (Panel) Ih Height, 251, inches; width, 20 inches ~ ee ScaRLeT poppies with leaves and seed-pods, large pink roses and just-unfolding buds, with other flowers of varying colors, make up a tall bouquet held in a glass dish and standing on a balustrade or heavy table. Be- side the flowers is a purple coverlet with gold fringe, which has been pushed back, and on it lies an open watch to which a gold key is attached by a blue ribbon. A butterfly is fluttering toward the tallest poppy. _ Signed on the table: Guil’m van Aelst. . O io No. 109 ,| EGBERT VAN DER POEL Dutcu: 1621?—1664 THE CONFLAGRATION (Panel) A. Vd Height, 2034 inches; length, 26 inches Tue central open space of a medieval town is pictured at night, when a fierce fire is raging at one end of it— perhaps an historical event. On the left, beyond a high house, rises the mass and tall spire of a Gothic cathedral, and beyond that the conflagration bursts forth. At the head of the square the yellow flames can be seen eating up a red dwelling, while aloft the red- dened clouds of smoke obscure the sky and bring out the delicate lines of the Gothic ornamentation of the cathedral spire. Across the way an important polyfoil building with a tall round tower is seen, and the square is full of people hurrying in efforts to rescue goods or with loot, while several lie dead; and down near the fire, men are shooting at each other and at a departing company of soldiers. go a No. 110 ANGELICA KAUFFMANN_ . GrerMan-Swiss: 1741—1807 Su dtllavragen PORTRAIT OF CARDINAL PORTA Height, 26 inches; width, 201, inches Heap and shoulders portrait of a sturdy-looking middle-aged man with wavy gray-black hair, and a slightly nervous or startled expression in his dark brown eyes. He is turned towards the right but faces the spectator with his intent and anxious look. He is clad in his white-edged cardinal cloak and wears a cap in the same colors and an inner white fluted collar. Dark neutral background. This portrait was signed on the back by the artist. The sig- nature was recorded before the picture was relined; it does not now, of course, exist. 3507 No. 111 FERDINAND BOL Dutrcu: 1611—1680 PORTRAIT OF A LADY “Uh, ; ee Height, 261, inches; width, 211% inches HaL¥-LeENGTH portrait of a brown-eyed and warm- colored, comfortable-looking woman of Flemish type, in her prime, turned toward the left, three-quarters front. She has a high and broad forehead and a slight double-chin, sensitive nostrils, and a mouth at once firm and forgiving, and her expression is thoughtfully pene- trating as she looks directly into the eyes of the ob- server. Her gown of rich material in dark olive hue hangs in loose folds, and she wears a white kerchief drawn tightly about her neck and shoulders, tied in a bow at her breast and fastened with a jeweled clasp. Her right hand comes into view, holding lightly a fold of her dress. The painting has been said to be a por- trait of the mother of Sir Anthony Van Dyck. yo” No. 112 KAREL DU JARDIN DutcH: 1622—1678 aoe, LE BPE rOUNT Siak Height, 1934 inches; length, 2934 inches A FOUNTAIN adorned by a sculptured group stands in the left foreground, at the edge of a dark wood which extends back to the distance along the border of a lake. At the fountain have gathered numerous persons, some younger ones indulging in endearments. Oxen are drinking from the basin, while more cattle and goats are being driven up by a heavy peasant woman, who, barefoot, wades after them across the shallow stream which flows from the fountain to the lake. On a mound a little back, several more persons are seated and stand- ing about a fire which has been built of fagots. yo" No. 118 SALVATOR ROSA Iratran: 1615—1673 PORTRAIT OF AN OLD MAN Sung A olght: 28 inches; width, 24 inches Yu. oy a Tue head and shoulders of an aged man of powerful build and indicated intellectuality, although with the marks of free living. He is broad-shouldered and has a high forehead and prominent nose, with high cheek- bones and knit brows, and he wears a full, bushy gray beard; his hair is sandy-gray. He faces the observer, head turned slightly toward his left shoulder, throwing that side of his face into transparent shadow, while a strong light strikes the right side of his face. The fiesh tones are warm and fresh, and the old man’s features are full of rosy color. He is turning the pages of a large parchment volume, and cogitating. Vague neutral background of brown tone. No. 114 GEORGE SMITH (Known as SMITH OF CHICHESTER) EneuisH: 1714—1776 NEAR SOUTHAMPTON, mae 472) .5- PLUM Height, 211% inches; length, 30 inches A capacious building with smoking red chimney and yellow thatch roof, very likely providing housing both for people and cattle, stands on the left at the edge of a forest whose large thick trees overshadow the fore- ground. Cows and sheep are assembled in front of it, a woman is standing in the doorway, and another woman and children are in conversation with the driver of a covered two-wheeled cart in the winding farm road which passes before it. Ground and foliage are green, yellow and brown, and varied with sunshine and shadow. In the distance are other buildings, fields and trees. Quite possibly in the environs of the New Forest. No. 115 AN VAN HUYSUM Durcu: 1682—1749 BASKET OF FLOWERS (Panel) Height, 301, inches; width, 214% inches Sranpine on a richly-colored mahogany table, a basket- ful of brilliant flowers are seen in a shaft of sunlight, against a darkened background of olive tones. ‘They are red and white, pink, yellow and blue, and other colors, and on green leaves amongst them are crystal drops of water, while up one long frond a large fly is crawling. ‘The surfaces of the petals are soft and delicate, and on these, too, are visible drops of the freshly-sprinkled water. Signed at the lower left: Jan Van Huysum. From the McKim Collection, Baltimore. Purchased by Dr. McKim at Amsterdam, Holland, in 1842. No. 116 4,0° 9, CASPAR NETSCHER DutrcH: 1639—1684 PORTRAIT OF A LADY WITH A GREYHOUND . ; z Height, 28 inches; width, 23 inches. FULL-LENGTH portrait of a large-eyed and round-faced, light-complexioned young lady in a fashionable pow- dered wig of long curls, who stands against a conven- tional background of dark-brown rock formations, facing the spectator, with her left elbow resting on a ledge. She wears a gown of rich blue velvet, with tight waist and amplitudinous skirt, the stomacher-bodice defined by a girdle of pearls, and other jewels at corsage and shoulders. The waist is broadly décolleté, edged with filmy white material which also forms the flowing elbow-sleeves. Her right hand caresses the head of a sleek greyhound which thrusts its slender nose affec- tionately against her skirt. Plants spring up at the foot of the rocks, and vines overhang the edges, and at the left a distant landscape with great trees comes into view. From the Blakeslee Galleries, New York. gto" JAN BAPTIST WEENIX Dutcu: 1621—1664 STILL LIFE O blewtd ) Height, 35 inches; width, 29 inches No. 117 AcainsT a dense growth of trees in front of which poppies blossom, some dead game birds are displayed, fruits of the hunt, one hanging, two on the ground. Lying near is an ornate belt, with other objects of attractive surface-quality in accompaniment with the soft breast-feathers of the birds. A subdued light plays upon the group, against the dark background of the wood on the right, while in the distance at the left a landscape seen in a half-light discloses tall cypress trees, a pylon and a shrine. From the Gilmore Collection, Baltimore. A qe No. 118 NICOLAAS PIETERSZ BERCHEM Dutcu: 1620—1683 ITALIAN LANDSCAPE Height, 25 inches; length, 30 inches Me. Stal. Rocks and hills of a rugged country are pictured, and in the foreground a group of people and animals who have come to a ford in a shallow stream. ‘Two men are mounted—the beast of one well-laden—and a shep- herdess in orange, blue and white is on foot. All have entered the shallow water, accompanied by a white cow and two brown ones, and a number of sheep and goats, besides a dog. In the distance is a mountain which looks like Vesuvius. It is the sunset hour and the light is dim, and gray cloud-masses in the pale greenish-blue sky are tinged with a warm yellow. Signed at the lower left, in monogram: N. B. From the Bishop Collection, London. Rue , vy A cau 5 en ae ~4 if No. 118. By N ITALIAN LANDSCAPE. ICOLAAS Pirrersz BercHem. as 1Y No. 119 JAN DAVIDSZ DE HEEM Durcu: 1606—1683 (84) STILL LIFE—FRUIT , Height, 3114 inches; length, 39 inches bb Meow GOLDEN pears and a ripe red apple are grouped in a blue and white dish on a brown carved table. At hand are opened and uncracked nuts, and glasses of sparkling beverages. To the right, where the walnut wood is covered by a rich green fabric with gold fringe, lies a luscious peach, near a tall, brilliant glass cup of ruby wine and a basket of lustrous grapes overlain by a stem of their ample leaves. Veiled or screened light on the group; dark neutral background. From the Gilmore Collection, Baltimore. No. 120 A 9° J. CORNELISZ DROOGSLOOT Durcu: 1616—1660 THE BEGGARS’ INN Height, 28 inches; length, 411, inches do. Mial, Beccary speaks loud and high from the sign of the old brown gabled inn with green roof which stands at the left of the picture, hard against a thick wood. The. sign, carried on a mended pole on which an old garment is knotted, projecting from an upper window, consists of crossed crutches tied with a handy kerchief or bandage-cloth, hanging suspended with a bag and basket high against the sky. In front of the inn, below, a parcel of hardy mendicants who have been putting their provender and the inn’s to the profit of the inner system have developed a quarrel, and menace each other with knife and stick. Beyond, on the right, are rolling green fields of common land, bordered by trees and houses, and about them people are strolling, uncon- cerned. Signed at the lower left, on a wall: Droogsloot, with a date not readily decipherable. vo" DAVID TENIERS (THE YOUNGER) Dutcu: 1610—1690 A : No. 121 INTERIOR OF THE ARCHDUK LEOPOLD’S GALLERY Height, 30%, inches; length, 3734 inches One wall of a picture gallery with high, vaulted ceiling, is presented before the spectator, exhibiting more than a score of canvases, among them being portraits by Van Dyck and others, landscapes, still life paintings, group pictures, and scenes of Bacchic merriment and amorous dalliance. In front of them the Archduke Leopold and his mentor are seated in converse, their costumes displaying colors of pale buff, vermilion, pearl-white, black, brown, and ermine, and before the great man and his companion an artist is at work on a landscape canvas which rests on an easel. The artist has turned from his work and looks at the beholder, his attitude all action and professional pose. From the Governor Aiken estate, Aiken, S. C. No. 122 4 49° HENDRIK MARTENSZ ZORG ) DutcnH: 1611—1670 KITCHEN INTERIOR » (Panel) J Uf | Mano 7 Height, 31 inches; length, 4314 inches A capacious, seventeenth century Dutch kitchen, with shadowy recesses, avd a busy corner brought to view in a mellow light. Here are assembled vegetables and fruits, and sundry utensils, a heterogeny of edibles and articles of service, from carrots to cabbages, and from stone and copper jugs to a meat-axe. A demure mddchen in pink, yellow, green, brown and white is seated, peeling some of the store, and through a door back of her a man is entering with further additions to the supply; the whole homely composition in quiet tones, with brilliant surface and affectionate treatment. Signed at the lower left on a barrel: M. Zorg. From the McDonald Collection, Baltimore. Formerly in the Meade Estate Collection, Philadelphia. No. 122. KITCHEN INTERIOR. By Henvrik Marrensz Zorc. a No. 123 Co } J. CORNELISZ DROOGSLOOT Durcu: 1616—1660 THE VILLAGE FESTIVAL Height, 31%, inches; length, 4534 inches Tatu and shorter gabled houses with thatch as well as tile roofs stand on either side of a village common through which a highroad winds, and trees detached or in groups overtop the buildings. The open place is peopled with a merry peasant company in medieval revels, who have come afoot and in vehicles and con- gregate about an inn on one side and a religious spec- tacle or morality play on the other. The lame and halt, the old and the young, appareled in a prodigality of color, betake themselves to serious or frivolous amuse- ment with equal purpose, or disport themselves amor- ously in bucolic innocence, and unabashed. The day is fair, with silver-gray and fleecy white clouds in a robin’s- egg sky, the atmosphere is soft and mollifying, and the colors are time-chastened and social. From the Gilmore Collection, Baltimore. No. 124 iy i (IL BORGOGNONE) Ivartan: 1621—1676 ww BATTLE Sy Sigh Height, 32 inches; length, 4534, inches 60 A GIACOMO CORTESE Unper a partly demolished fortress on the left, from whose ramparts men are still fighting, a terrific hand- to-hand conflict is going on between horsemen and foot soldiers who are mingled in a tangled heap of men and horses, the living and the victims of the struggle. A riderless horse is escaping. A river cuts the landscape, and on the farther side of it are other forces, fighting in front of an important building with a high square tower; and still other warriors are seen in and crossing the water. The sky is a turmoil of brown, blazing yel- low, mauve and dark-green cloud effects. Signed at the lower right, on a silenced cannon: Cortese. From the Augustus Albert Collection, Baltimore. 48 A ver CANALETTO (ANTONIO CANALE) VENETIAN: 1697—1768 ~ rience oh Sarnare Apeuk Height, 29 inches; length, 49 inches Tue spectator looks straight from the Molo to the Clock Tower, between St. Theodore on the crocodile and the Winged Lion. The canal facade of the Libreria on the left is in sunshine, the beautiful face on the Piazzetta in deep shadow, and the building throws a transparent shadow almost to the arcade of the Ducal Palace on the right. The palace, church, Clock Tower and Campanile, and the part of the Piazza that can be seen, all are in bright sunlight. Something going on in the Piazzetta has attracted a large circle of men to observe it, and men, women and ecclesiastics are seen singly and in groups in various places. The sky is a clear, greenish-blue, with white cloud-banks coming up over the Adriatic. From the Governor Aiken Collection, Aiken, South Carolina. \\e A No. 126 GIUSEPPI RIBERA (LO SPAGNO- LETTO) SpaNniIsH anp NEAPOLITAN: 1588—1652 THE MARKET VENDOR Ih. deal Height, 351% inches; length, 481, inches A BROWN-SKINNED Spaniard, smooth-shaven and wrinkled—though with no great burden of years—with hardy breast exposed by his loosened drab-white blouse, seen at three-quarter length, faces the spectator and offers for barter his produce of succulent melons. One, cut, he holds in his left arm, with the excised tranche upraised in his extended right hand to tempt the thirsty and anhungered, its yellow pulp and seeds juicily ex- posed. To right and left of him are other melons, with corrugated surface undisturbed, their ripe yellow skins tinged in a pale olive tone. He wears a dull-red and loose leather belt, and a pliant hat of plaited straw rakishly poised. Signed on the handle of the knife. From the Gilmore Collection, Baltimore. t, 4,0 “ No. 127 MELCHIOR HONDECOETER DoutcH: 1636—1695 BIRDS AND FOWL Mo. Height, 3734, inches; length, 5134 inches Part ty in the sunlight and partly in the shade of trees, an assemblage of birds and chickens is depicted. A crested, proud and noisy white hen is seated in the foreground, small chicks perched on her back, nestling under her wing, and pecking on the ground around her. Beyond her are other fowl of varying colors. On the left, on the ground and in the air, are game and other birds of brilliant plumage, and in a distant landscape classic buildings are seen. In a green-blue sky masses of white clouds are tinged in warm sunset tones. Signed at the lower left: M. Hondecoeter. Purchased from William Macbeth, New York. p po” No. 128 PHILIP DE KONINCK DurcH: 1619—1688 BIRD’S-EYE VIEW IN HOLLAND : ' Height, 48 inches; length, 54 inches J luilin Ancient Holland in epitome is displayed on a broad and high canvas, in sunshine and shadow, land and sea. On a stream in the foreground are small boats of sail and man power with various people in them. “Two swans are swimming near by and people look on from the shore. At right and left on higher planes, venerable woods of bushy trees shadow the land, and people are walking or resting; one person, approaching, carries a headload. In the middle distance in a valley is a city of low, gabled buildings, with others with high towers and arches, and on a hill is a castle, while on a river there are more sailing boats; and the lowlands beyond reveal windmills and more settlements. Beyond all is the distant sea, under a blue sky varied by many light gray and dark clouds. J es No. 128, BIRD’S-EYE VIEW IN HOLLAND. By Putte pe Konincr, \O S No. 129 LUDOLF BACKHUYSEN Durcu: 1631—1708 NAVAL PARADE BEFORE AMSTERDAM Height, 36%, inches; length, 51 inches bY. Yhoow In a choppy sea a single-masted gunboat with a full complement of Hollanders is coming on in the right foreground, a huge lee-board flopping on the weather side and a small-boat trailing. The sunlight strikes her gray-white and orange canvas and illumines her officers and crew. Beyond her in cloud-shadows are large men-o’-war with sails full and flags and pennants streaming. The sky is filled with rolling masses of dark clouds with light edges; in the left foreground is a round harbor-buoy; and far off, beyond careening smaller sailboats, is the low coastline of the land of windmills and dikes. From the Gilmore Coilection, Baltimore. No. 1380 s JAKOB JORDAENS Bexueran: 1593—1678 Oo \ PORTRAIT GROUP—THE STOIC AND THE EPICURE (Dividing the World) I Height, 44% inches; width, 441/, inches SF bla Two ropust men, painted with characteristic vigor and warm color, are depicted at three-quarter length against a dark background of neutral brownish tone, a globe before them. One, on the right, his figure three- quarters to the left but his head turned to face front, is an old man bald on the crown but with plenty of hair back of the temples and a full gray beard. He is nude to the waist, a cloak thrown over one shoulder, and rests his head on his right hand, chin against chest, in an attitude of philosophic and analytical contem- plative thought. Leaning on his right shoulder and talking earnestly to him is a vigorous man of the world, with gray tousled hair and ruddy complexion, wearing rich robes of green-blue, brown and golden yellow. With one hand on the elder’s shoulder, he extends the other hand in front of him, in emphasis of declamation ; and he smiles, with a smile of confidence and conviction that life as he lives it is good. A similar painting is in the Metropolitan Museum of Art, New York, the older man being quite the same, and the globe being utilized; the other man appears in different aspect. Its title is “The Philosophers”; catalogue number, 43. From the Dr, Morris Collection, Baltimore. =| No. 130. PORTRAIT GROUP—THE STOIC AND THE EPICURE (Dividing the World). By Jaxos JORDAENS. BAPTIST WEENIX \ NX \ No. 131 JAN BAPTIST WEENIX 0) As V ben oe Durcn: 1621—1664 . STILL LIFE AND LANDSCAPE 0% Height, 58 inches; width, 51 inches A paintine big and comprehensive, with a wealth of color, rich but subdued, a brilliant display of technic, and enriched with imaginative and romantic elements. In the foreground a low stone parapet crosses the can- vas, surmounted at the left by a huge sculptured column. On the ledges of this, white and red grapes in large bunches are grouped with peaches and purple and golden plums, an oak branch with green and partly-dried leaves crossing over the group. At the end of the branch a white-breasted red squirrel on the para- pet is attacking it for acorns. On the ground or ter- race below is a profusion of cut flowers and leaves, a butterfly fluttering over them, which has caught the attention of a small curly-haired white dog standing near; and at one side is a ripe cantaloupe, from which a wedge has been cut. Beyond the parapet is a basin or canal in a noble garden, surrounded by buildings of classical architecture amongst which tall Italian cypress trees are seen. On the water there are people in pleas- ure boats, and also white swans; and other persons are standing in a portico at the water’s edge. Signed at the right, midway: J. Weenix, 1701. From the Gilmore Collection, Baltimore. Purchased by Mr. Gilmore in 1823 from the Chevalier Apostool, at Amsterdam, who was the Director of the Museum there. yp at Soa a seas , se : = SS Re BRIBES fo) ANS con ae No. 131. STILL LIFE AND LANDSCAPE. By Jan Bapristr WEENIX. 5 << biz . . : va No. 182 FRANS SNYDERS oe 60° Bereran: 1579—1657 fk, DOGS ATTACKING A STAG . we” Height, 56 inches; length, 76 inches Yo dilluager Tue pack—eight dogs visible—have been pursuing a stag across a rolling country of grassy meadows and tall, thick trees, running to the left, and in the fore- ground have overtaken and pounced upon him. He has caught one dog on his antlers and tossed it over his head, and one dog which has fallen on its back under him has seized his leg in its teeth. Just as he has cleared his horn from the tossed dog one of the others, leaping to his shoulder, has bitten his ear and holds on, while others attack from front and rear and more are seen coming up at full run. “A glorious picture in perfect preservation and untouched by a strange hand. “No mere words can describe the magnificent vitality of this picture, the expressiveness and sentiment and the impeccable execution of which must rank it among the masterpieces of the artist. It is immeasurably superior to the fine Snyders in the Dureal Collection, which is now owned in Boston.”—The late AuFrepD Trumsie, in The Collector. From the collection of the King of Naples and of Spain, Joseph Bonaparte. Formerly hung in the National Gallery, Madrid. Presented to Jerome Bonaparte as a wedding gift. 0 Th A No. 133 ALDERT VAN EVERDINGEN DutcH: 1621?—1675 SNOW IN THE NORSE MOUNTAINS Auth Height, 49 inches; length, 68 inches WINTER is come in the Northland but sleighs are not out nor is water frozen. Snow whitens the tall moun- tains which on the right loom high in the background, their peaks and slopes lessening and receding toward the left, and is sifted in a powder-like coating over tall evergreens and on the windward side of trees which have long since shed their leaves. Large buildings are perched high on the slopes. In the foreground is a humble home and inn, hollowed out in the face of a sheer cliff and fronted with a wooden lean-to. Here are seen some peasant maids and children, a man playing a bagpipe, and another man on horseback drinking. A caléche and two persons walking are proceeding up a road, and at the side of the inn cattle and sheep are drinking at a pool in a mountain stream. From the McGuire Collection, Howard County, Maryland. 4 ‘NOONIGUIAG NVA Lagaty Ag ‘SNIVINOQOW HSUON HHI NI MONS ‘8&8 ‘ON No. 134 q Se FRANS SNYDERS Lt Brrctan: 1579—1657 “THE KING IS DEAD— 2 0” LONG LIVE THE KING!’ , \p Height, 72 inches; width, 60 inches o. Ue YWtlw One of the artist’s favorite pictures, as broadly humor- ous in subject as serious in painting. In the central foreground is the stout brown stump of a blasted tree, with a few small branches still sustaining a leaf-stem here and there, and in the background are green fields and many flourishing trees. Around the stump and perched on its scraggly branches are birds of the ground and birds of the air, all with beaks open, sing- ing or chattering to the top of their bent. Yellow- breasts and red-breasts, parrots and peacocks, a big white rooster and a little speckled hen, a gobbler and a crow, and small chickens two of which strut in fight- ing spirit and glare at each other, all share in the re- joicing; while, perched on a parchment proclamation spiked at the top of the stump, an owl oversees the proceedings. From the Gilmore Collection, Baltimore. (Illustrated—see Frontispiece) AMERICAN ART ASSOCIATION, MAnaAGERs. THOMAS E. KIRBY, AUCTIONEER. LIST OF ARTISTS REPRESENTED AND THEIR WORKS ARTISTS REPRESENTED AND THEIR WORKS ARMFIELD, GEORGE: English. 40—LanpscaPre with Does Catcuine A Hare. BACKHUYSEN, LUDOLF: Dutch; born 1631; died 1708. 129—Navat PARADE BEFOKE AMSTERDAM. BERCHEM, NICOLAAS PIETERSZ: Dutch; born 1620; died 1683. %6—Tue Fortune Teer. 118—Iratian LANDSCAPE. BERCKHEY DE, GERRIT anv HIOB: Dutch; flour- ished 1638 to 1698. 99—CuurcH In AmsTERDAM, Hoxuuanp. BERNE-BELLECOUR, E. P.: French; born 1838; died 1910. 19—TuHeE SENTINEL. 35—En SELLE. 36—Lr CHEMIN LE PLUS COURT. BIERSTADT, ALBERT: American; born 1830; died 1902. $2—YosEMITE VALLEY, CALIFORNIA. BOL, FERDINAND: Dutch; born 1611; died 1680. 111—Porrrair or a Lapy BONHEUR, MLLE. ROSA: French; born 1822; died 1899. 28—Wixp Boar. BRIDGMAN, FREDERICK A.: American; born 1847. 55—STREET IN CONSTANTINE. BRIL, PAUL: Belgian; born 1554; died 1626. 94—LANDSCAPE WITH FIGURES. BROWN, J. G.: American; born 1831; died 1913. 43—‘CLevER Doe!’ 46—GetTTING ACQUAINTED. BRUEGHEL, JAN: Flemish; born 1568; died 1625; and ROTTENHAMMER, JOHANN: Ger- man; born 1564; died 1623. 105—Tue Kinpty Fruits oF tHe Earth. CANALETTO (ANTONIO CANALE): Venetian; born 1697; died 1768. 93—CanaL, VENICE. 125—VENICE. CHAIGNEAU, FERDINAND: French; born 1830. Y—SHEEP AND SHEPHERD. 48—SHEEP AND HaAysTACKs. COLE, THOMAS: American; born 1801; died 1848. 61—Carski1tt Mowunrarns. CONSTABLE, JOHN: English; born 1776; died 1837. 4—Nor¥FoLtk LANDSCAPE. 94_LANDSCAPE WITH Doc Cuasine Ducks. 50—Hamesteap Heatu. ( Attributed.) CORTESE, GIACOMO (IL BORGOGNONE): Italian; born 1621; died 1676. 124—In Batrtte. COURBET, GUSTAVE: French; born 1819; died 1878. 16—Oup Mitt. DEARMAN, J.: English; died 1856. 1—Ruvrawt LAnpscarPe. DE CAUWER, EMIL: Belgian; born 1828; died 1873. 18—InTeERiIorn OF A CATHEDRAL. DE. HAAS, M. F. H.: Dutch-American; born 1832; died 1895. 57—Oup Fort anp Beacu at Friusuine, Hor- LAND. DE HEEM, JAN DAVIDSZ: Dutch; born 1606; died 1683(84). 119—Sritt Lire: Fruit. DE KONINCK, PHILIP: Dutch; born 1619; died 1688. 128—Birp’s-EYE View 1n Howuanp. DIAZ DE LA PENA, N. V.: French; born 1808; died 1876. 10—Poou anp LANDSCAPE. 14—Forest or FontTAINEBLEAU. DIETRICH, ADELAIDE: Contemporary. 5—Stitt Lire: FLrowers. DOUGHTY, THOMAS: American; born 1793; died 1856. 41—Laxe GrorGE. DROOGSLOOT, J. CORNELISZ: Dutch; born 1616; died 1660. 120—Tue Becears’ Inn. 123—TxHer Vittace FEsTIvat. DU JARDIN, KAREL: Dutch; born 1622; died 1678. 112—AtT tHe Founrarn. ELSHEIMER, ADAM: German; 1578?; died 1620. 66—ConFLAGRATION: THE Burnine or Troy. GERICAULT, J. L. A. THEODORE: French; born 1791; died 1824. 15—BatTrLe SCENE. HARNETT, WILLIAM M.: American; born 1851. 3—Smoxer’s Den. HART, WILLIAM: American; born 1823; died 1894. 51—LanpscaPE AND Cows. HENRY, EDWARD L.: American; born 1841. 23—Leravinc Home. 389—Nearine Home. HERRING, JOHN FREDERICK: English; born 1795; died 1865. 11—A Grovr or ANIMALS. HONDECOETER, MELCHIOR: Dutch; born 1636; died 1695. 127—Birps anp Fowt. HONDIUS, ABRAHAM: Dutch; born 1638; died 1695. “7—Curist Breaxinc Breap at Emmaus. HONTHORST, GERARD: Dutch; born 1590; died 1656. 107—REFLECTION. HOREMANS, JAN JOZEF (THE YOUNGER): Belgian; born 1714; died (after) 1790. 85—ArtTIisT’s STuDIO. INNESS, GEORGE: American; born 1825; died 1894. 62—Tue Juntata River NEAR Harrissure, PENNSYLVANIA. JOHNSON, DAVID: American; born 1827; died 1908. 17—ScEne 1n Livineston County, New York. 26—Ropcers Super, Laxe Georce. JONES, H. BOLTON: American; born 1848. 31—LANDSCAPE. JORDAENS, JAKOB: Benn born 1598; died 1678. 70O—Maponna AND- CHILD. 130—Porrtrair Group: THe Stoic AND THE Epicure (Dividing the World). KAUFFMANN, ANGELICA: German-Swiss; born 1741; died 1807. 110—Porrrait or CarpiInaL Porra. KEITH, WILLIAM: American; born 1839; died 1911. 33—TueE Op San FRANCISCO Mission. KOEKKOEK, BAREND CORNELIS:- Dutch; born 1803; died 1862. 9—SKATING In HoLuanp. 21—MarIne. 44—THer SHEPHERDESS. LANCE, GEORGE: British; born 1802; died 1864. 20—Stitt Lire. LAUERS, T. T.: Dutch. 79—PortrRAiT oF AN ACTOR. MAGRATH, WILLIAM: American; contemporary. 30—“‘ComeE to Your Danppy.” MARIS, WILLEM: Dutch; born 1844; died 1910. S—CHICKENS. METSU, GABRIEL: Dutch; born 1630; died 1667. 101—ScuooumastTER CHAstisinc A Boy. MICHEL, GEORGES: French; born 1763; died 1843. 53—W oopcHOPPERS. 58—A Srorm. MIGNARD, PIERRE: French; born 1610; died 1695; and SEGHERS, DANIEL: Flemish; born 1590; died 1661. 83—PorrTrait or A Lapy. MOLENAER, KLAAS: Dutch; died 1676. 88—SKATING. 95—SxatTine In Houuanp. 97—WintTerR LAnpscAPE wITH Ficures. MORLAND, GEORGE: English; born 1763; died 1804. $8—Tue Ovv Wuarire Horse. 45—SHEEP AND CHILDREN. 54—Tue Vittace Pump. NEEFFS, PIETER (THE YOUNGER): Belgian; born 1601; died 1675. 87—InTERIOR OF ANTWERP CATHEDRAL. NETSCHER, CASPAR: Dutch; born 1639; died 1684. 98—PortTrRAIT oF A Lapy. 116—Porrrair or a Lapy wirH A GREYHOUND. NOTERMAN, EMANUEL: Belgian; born 1808; died 1863. 92—-MonxkeEys Puayine witH Dice. OMMEGANCK, P. BALTHASAR: Belgian; born 1755; died 1826. 106—LANDSCAPE WITH PEASANTS AND CATTLE. PAIL, EDOUARD: French. 59—FrErpING THE CHICKENS. PARTON, ARTHUR: American; born 1842. 37—Cows 1n A CREEK. POELENBURG, CORNELISZ VAN: Dutch; born 1586; died 1667. 78—Diana, Catyrpso AND OTHERS. POTTER, PAULUS: Dutch; born 1625; died 1654. 72—LANDSCAPE AND Otp Wuitrt Horse. QUARTLEY, ARTHUR: American; born 1839; died 1886. 2—LAnDSCAPE. QY%—LANDSCAPE. RIBERA, GIUSEPPI (LO SPAGNOLETTO) : Span- ish and Neapolitan; born 1588; died 1652. 126—Tue Market Venpor. RICHARDS, WILLIAM TROST: American; born 1833; died 1905. $4—Marine: Misty WEATHER. 52—ScENE ON THE New Encuanp Coast. ROMNEY, GEORGE: English; born 1734; died 1802. 60—Porvtrair or Lorp Byron. ROOS, PHILIPP PETER: German; born 1655; died 1705. 81—LaAnpDscAPE wiTH FicurREs AND CATTLE. 86—LANDSCAPE WITH CATTLE. ROSA, SALVATOR: Italian; born 1615; died 1673. 113—Porrtrair oF AN Otp Man. ROTTENHAMMER, JOHANN: See under Brut- GHEL. RUBENS, (SCHOOL OF) 89—Portrair oF A Man. SCHWEICKHART, HENRY. 84—LanpDscAaPE wiTH FIGURES. SEGHERS, DANIEL: See under Mienarp. SIEBOLD, CHRISTIAN: Austrian; eighteenth cen- tury. 29—PortTRAIT OF THE ARTIST BY HIMSELF, SMITH, GEORGE (xnown as SMITH OF CHI- CHESTER): English; born 1714; died 1776. 114—Near SouTrHAmpTon, ENGLAND. SNYDERS, FRANS: Belgian; born 1579; died 1657. 1382—Docs ATTACKING A STAG. 1384—“Tue Kine 1s Derapn—Lone Live THE Kine!” SULLY, THOMAS: American; born 1783; died 1872. 56—Porrtrait oF Georce Wasuineton (After Charles Wilson Peale). TENIERS, DAVID (THE YOUNGER): Dutch; born 1610; died 1690. 68—Monkeys: A Satrre on THE ENGLISH Navy. 74—Porrrair OF THE ARTIsST’S FATHER. 92—THe APPROACHING STORM. 121—Inrerion OF THE ARCHDUKE LEOPOLD’s GALLERY. THAULOW, FRITZ: Norwegian; born 1847; died 1906. 47—Tuer Mitt Stream 1x WINTER. TOORNVLIET, JACOB: Dutch; born 1641; died 1719. 64—PorrTrRaAlItT OF A GIRL. 71—Porrrait or A FIsHERWOMAN. UNKNOWN CONTEMPORARY ARTIST. 49—Sir JosHvua REYNOLDs. VAN AELST, GUILLEM: Dutch; born (circa) 1626; died 1683. 108—StitL Lire: FLowers. VAN DER NEER, AART: Dutch; born 1603; died . 1677. 75—River Scene in Moon.icur. VAN DER NEER, EGLON HENDRIK: Dutch; born 1643; died 1708. 90—Portrair or A Youne Lapy aT HER ToImLet. VAN DER POEL, EGBERT: Dutch; born 1621?; died 1664. 109—TuHEr CoNnFLAGRATION. VAN DE VELDE, WILLEM: Dutch; seventeenth cen- tury. 80—DutcH Fisutne Boars. 96—Stitt Lire: Berries AND CHERRIES. VAN EVERDINGEN, ALDERT: Dutch; born 1621?; died 1675. 1383—Snow 1n THE Norse Mountains. VAN FALENS, KAREL: Belgian; born 1683?; died 1733. 100—Huntine ScENE. VAN GOYEN, JAN: Dutch; born 1596; died 1656. 65—Tue Bruivecr. VAN HUYSUM, JAN: Dutch; born 1682; died 1749. 115—Basxet or FLoOwERs. VAN HUYSUM, JUSTUS: Dutch; born 1659; died L716: 104—A Basket or FLowers. VAN LIL, T.: Dutch. 73—Eacie Devourine a Birp. VAN OSTADE, ADRIAEN: Dutch; born 1610; died 1685. 6%7—Man Smoktne. VERBOECKHOVEN, EUGENE: JOSEPH: Belgian ; born 1799; died 1881. 25—AtT THE Barn Door. WEENIX, JAN BAPTIST: Dutch; born 1621; died 1664. : 103—Porrrait or Lupotr BackHuysEN AND His DomEsTICc. 117—Srit Lire, 131—Stitt Lire anp LAnpscaPpr. WERTMULLER, ADOLF ULRICH: Swedish; born 1751; died 1811. 102—PorTrAIT OF A BriGAnp. WILLAERTS, ADAM: Dutch; born 1577; died 1664. 69—Marine. WILSON, RICHARD: English; born 1713; died 1782. 42—Virw or THE Lake, AtBano, ITAty. WOUWERMAN, PHILIPS: Dutch; born 1619; died 1668. 82—HawkIne Parry. WYNANTS, JAN: Dutch; born 1615; died (after) 1679. 91—Tue Cray Bank. ZIEM, FELIX: French; born 1821; died 1905. 6—Venice. ZIMMERMAN, R. S.: Contemporary. 12—Tue Puitosorpuer: A Porrrait. 18—Tue Connoisseur: A Portrait. ZORG, HENDRIK MARTENSZ: Dutch; born 1611; died 1670. 63—Drinxrine Parry. 122—Kitrcuen Interior. bul - 77 - Yo - qq- 108—- Seber aeeare Pike sae rar earn ies el, Beas rie Ruy atte =