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 SALE NUMBER 1739 
 ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-FIRST 
 
 ETCHINGS, ENGRAVINGS 
 COLOR-PRINTS, LITHOGRAPHS 
 AND DRAWINGS 
 
 FROM THE COLLECTIONS OF 
 
 THE LATE 
 
 JOHN NADAY 
 
 OF NEW YORK 
 
 AND-THE LATE 
 
 JOHN W. TILTON 
 
 OF BRADFORD, MASS. 
 
 WITH ADDITIONS FROM OTHER 
 PRIVATE SOURCES 
 
 TO BE SOLD BY AUCTION 
 WEDNESDAY EVENING, APRIL TWENTY-FIFTH 
 AT EIGHT-FIFTEEN O’CLOCK 
 
 THE ANDERSON GALLERIES 
 
 [MITCHELL KENNERLEY, PRESIDENT] 
 PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
 
 1923 LE 85 15% 
 
& heh 
 My af 
 
 weit ae : 
 
 eat 
 
 PRUE 
 
 a 
 
‘ 
 
SALE NUMBER 1739 
 ON PUBLIC EXHIBITION FROM SATURDAY, APRIL TWENTY-FIRST 
 
 ETCHINGS, ENGRAVINGS 
 COLOR-PRINTS, LITHOGRAPHS 
 AND DRAWINGS 
 
 FROM THE COLLECTIONS OF 
 
 THE LATE 
 
 JOHN NADAY 
 
 OF NEW YORK 
 
 AND THE LATE 
 
 _ JOHN W. TILTON 
 
 OF BRADFORD, MASS. 
 
 WITH ADDITIONS FROM OTHER 
 PRIVATE SOURCES 
 
 TO BE SOLD BY AUCTION 
 WEDNESDAY EVENING, APRIL TWENTY-FIFTH 
 AT EIGHT-FIFTEEN O’CLOCK 
 
 THE ANDERSON GALLERIES 
 [MITCHELL KENNERLEY, PRESIDENT] 
 PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
 1923 
 
ADELINE 
 BAG, F. 
 
 BARIG, J. - 
 
 BARKER, T. (ATT, TO) 
 BEITEN, A. 
 
 BEJOT, E. 
 
 BENSON, F. W. 
 BERTHON, P. 
 
 BLAKE, W. 
 
 BLAKE, W. (ATT. TO) 
 BOND, W. 
 
 BOUCHER, F. 
 BOWYER, 
 
 BOYLE, G. M. 
 BRESDIN, R. 
 BROWNE, L. 
 BUCHLER 
 
 BUHOT, F. 
 
 BUNBURY, H. W. 
 BURGESS, H. 
 
 CHANT 
 COCHIN 
 CORBUTT, C. 
 COUSINS, S. 
 COX, D. 
 CROSSMAN, M. 
 DAUBIGNY, C. F. 
 
 DAUMIER, H. 
 DE BERENGER 
 DEBUCOURT, P. L. 
 DECHAMPS 
 DESCAVES, A. 
 DETAILLE, E. 
 DICKSEE, H. 
 DORE, G. 
 DOWNMAN, J. 
 DUNKARTON 
 
 EARLOUR 
 EISEN 
 
 EVANS, J. 
 
 FANTIN LATOUR, H. 
 FIELDING, C. 
 FISHER, E. 
 
 FITTON, H. 
 FITZGERALD, F. R. 
 FORRESTER, A. H. 
 FOWLER, H. 
 GABRIELI 
 GAILLARD, F. 
 GAUTIER, L. 
 GILPIN 
 
 GOODALL, E. A. 
 GOTTLOB, F. 
 GRAVELOT 
 GREENE, N. E. 
 GRIMM, 8. H. 
 
 2 
 
 LIST OF ARTISTS 
 
 NUMBER 
 119 
 
 74 
 
 25 
 
 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39 
 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50 
 
 54 
 
HAAG, C. 
 HADEN, SIR F. 8. 
 HANKEY, W. L. 
 HARDING, G. P. 
 HARLOW, G. H. 
 HAYTER, SIR ©. 
 HEILBUTH, R. 
 HOPPNER, J. 
 HOUSTON, R. 
 HUNT, G. & ©. 
 IBBETSON, J. ©. 
 JACQUEMART, J. 
 JONGKIND, J. B. 
 KAULBACH, W. 
 KEMPLEY, C. H. 
 KNIGHT, ©. 
 
 LABARDIE 
 LALAUZE 
 LAWRENCE, SIR T. (ATT. TO) 
 LEGRAND, L. 
 
 LEGROS, A. 
 
 LEIGHTON, LORD (ATT. TO) 
 LEITCH, W. L. 
 LEPERE, A. 
 
 LEVY, W. A. 
 
 LEWIS, J. F. 
 
 LINNEL, J. 
 MACKRELL, J. R. 
 MACLAUGHLAN, D. 8. 
 McLAREN, W. 
 MAPLESTONE, H. 
 MARILLIER 
 
 MARIS, J. 
 
 MEYER 
 
 MILLAIS, J. E. 
 MISCELLANEOUS 
 
 MONNET 
 MOORPACK, W. 
 MOREAU LE JEUNE 
 MORLAND, G. (AFTER) 
 MUNKACSY, M. 
 
 NIEMAN 
 
 PALMER, 8. 
 PENNELL, J. 
 PERRIN 
 
 PETHER, W. 
 ‘‘PHIZ?? (ATT. TO) 
 PRADIER 
 PREJELAN, R. 
 PRICE, E. 
 
 RASSENFOSE, A. 
 REMBRANDT VAN RIJN 
 REMINGTON, F. 
 RENARD, J. 
 
 REYNOLDS, SIR J. (AFTER) 
 REYNOLDS, 8. W. 
 RICHARDSON, T. M. 
 RIPLEY, J. T. 
 
 RODIN, A. 
 
 ROEBOTHAM 
 
 ROPS, F. 
 
 ROTH, E. D. 
 ROTHENSTEIN 
 ROWLANDSON, T. 
 
 120, 121, 122, 
 
 128, 
 131, 
 
 14, 26, 65, 69, 73, 115, 119, 137, 138, 
 156, 157, 190, 214, 215, 216, 
 
 147, 148, 149, 150, 
 
 164, 165, 166, 167, 168, 169, 170, 
 
 NUMBER 
 
 103, 
 106, 
 
 110, 
 
 118, 
 
 123, 
 125, 
 129, 
 
 132, 
 
 141, 
 217, 
 
 145, 
 151, 
 
 178, 
 
 162, 
 171, 
 
 84 
 85, 86, 87, 88, 89, 90, 91, 92, 98, 94, 95, 96, 97 
 
SADELER, J. 177 
 SHARP, W. 154 
 ‘SMITH, J. A. 182, 183 
 SMITH, J. R. (ATT. TO) 184, 185, 186 
 SPILLIAERT, L. 187, 188, 189 
 STAAL, G. 191 
 STOTHARD, T. 192 
 SWANN, N. 136 
 TANJE, P. 193 
 THACKERAY, W. M. (ATT. TO) 67 
 TURNER, C. 62 
 TURNER, J. M. W. (ATT. TO) 194 
 UNKNOWN 66, 67, 70, 195 
 VAN HAANEN 64 
 VIBERT, J. G. 197 
 VISSCHER, C. 199 
 WATSON, J. 200 
 WESTALL, R. 201 
 WHISTLER, J. A. McN. 202, 203, 204, 205, 206, 207, 208, 209, 210, 211 
 WILKINSON, ©. A. 212 
 WILLE, J. G. 213 
 WILLETTE, A. 220, 221 
 WRIGHT, J. M. (ATT. TO) 196 
 ZADORISTEIN 219 
 
 ZORN, A. 222, 293, 224, 295, 226, 227, 228, 229, 230 
 
. 
 
“SALE WEDNESDAY EVENING, APRIL TWENTY-FIFTH, AT 8:15 
 
 o—_ 
 
 NUMBERS 1-230 
 AMERICAN CARICATURE 
 
 PHILADELPHIA FASHIONS 1837 
 Original American lithographs colored by hand, published 
 by H. R. Robinson, New York. 
 
 FERDINAND BAC 
 MODERN PAINTER-ILLUSTRATOR 
 PASSAGE INTERDIT 
 
 Original colored pencil drawing retouched in water-colors. 
 Signed in the upper right corner. Size, 16 x 11 inches 
 
 J. BARIC 
 
 CARICATURES 
 Four pen and ink caricatures of military subjects on French 
 blue mount. Size of each not over 8 x 6 inches 
 
 EUGENE BEJOT 
 
 PLACE DES VICTOIRES, PARIS 
 Original etching. Rich proof. 
 
 RUE DU FAUBOURG-MONTMARTRE, PARIS 
 Original etching. Proof. 
 
 JARDIN DES TUILERIES, PARIS 
 Original aquatint etching. Signed artist’s proof. 
 
 FRANK W. BENSON 
 
 DEAD GOOSE 
 
 Original drypoint. Signed artist’s proof. Beautiful early 
 impression with drypoint burr, the fifteenth impression from 
 the plate. 
 
8 
 
 10 
 
 11 
 
 12 
 
 13 
 
 PAUL BERTHON 
 
 (a) SYMBOLIC PORTRAIT 
 Process plate, colored by hand, full margins, signed by the 
 artist. 
 (6b) BALZAC 
 Original pencil drawing retouched in water-color, showing 
 the portrait of the master in a symbolic design. : 
 Size, 9 x 6% inches 
 
 (c) FAIRY TALE 
 Original water-color by André des Gachons, signed with the 
 artist’s initials in the lower right corner. (3) 
 
 Size, 1434 x 1034 inches. 
 
 WILLIAM BLAKE 
 
 CANTERBURY PILGRIMS 
 Original engraving. Russell, No. 24. Beautiful proof on 
 India paper. 
 
 “THEN A SPIRIT PASSED BEFORE MY FACE”’ 
 Original engraving. Russell, No. 33 (X). Fine proof of 
 the first state of two. 
 
 WILLIAM BLAKE 
 
 | ATTRIBUTED | 
 
 THE EVIL KNIGHT AND THE VISION 
 Pen and ink and wash drawing. A note on the mat by A. 
 Macmillan described this as an original drawing by Blake 
 and as having been identified by D. G. Rossetti. 
 
 Size, 1834 x 1114 inches. 
 
 WILLIAM BOND 
 
 THE SPINNING WHEEL 
 Stipple after Henry Singleton. Colored by hand. Margin 
 eut to plate-mark. Slight crease. 
 
 FRANCOIS BOUCHER 
 
 LES FACHEUX (MOLIERE) 
 Line engraving by L. Cars. Brilliant impression with large 
 margins. 
 
14 
 
 15 
 
 16 
 
 17 
 
 18 
 
 19 
 
 20 
 
 BOX TOPS 
 
 ENGRAVINGS 
 
 Of the 1830 period used for the top of bonbons boxes or 
 snuffboxes, representing Paul and Virginie, Prise du Troca- 
 dero, Combat de Navarin, Les hommes en miniatures, ete. 
 Line engravings colored by hand. (5) 
 
 GEORGE M. BOYLE 
 
 TWO VIEWS OF THE ARUN NEAR ARUNDEL 
 Water-colors. Signed. (2) Size of each, 18 x 1114 inches 
 
 RODOLPHE BRESDIN 
 
 ALLEGORICAL INDIAN DRAWING 
 Pen and ink drawing representing a sitting Indian, looking 
 at a ladder on which are standing some Indian vases. This 
 drawing was probably executed at the time when Bresdin, a 
 great admirer of Jas. F. Cooper, was living in a hut and 
 used the name of ‘‘Chingachgook’’. Signed in the lower 
 centre of the drawing and dated in one of the flower orna- 
 ments, ‘‘Ier Nov. 1878’’. On French blue mount. 
 
 Size, 65£ x 53% inches 
 Bresdin drawings and lithographs are very rare. 
 
 FELIX BUHOT 
 
 SEQUEL TO COUNTRY NEIGHBORS 
 Original etching. Fine impression, one of 20 proofs. With 
 the artist’s stamp in red on the margin. 
 
 THE CAB STAND 
 Original etching. Boureard, No. 123. 
 
 ROUTE DE GREVILLE 
 Original etching. Beautiful proof signed in pencil and with 
 the red stamp. 
 
 PORTRAIT OF HIS SON JEAN BUHOT 
 Original lithograph. Signed artist’s proof. Very scarce, 
 only 30 proofs printed and stone destroyed. 
 
 3 
 
21 
 
 22 
 
 23 
 
 24 
 
 25 
 
 26 
 
 (a) UN GRAIN A TROUVILLE 
 Original etching. Bourcard, No. 122. 
 
 (b) PALAIS DES CHAMPS ELYSEES 
 Original etching. (2) 
 
 (a) LES GARDIENS DU LOGIS 
 Original etching. Bourecard, No. 76. Proof on Japan paper. 
 
 (6) VILLAGE CHURCH 
 Original etching. (2) 
 
 H. W. BUNBURY 
 
 COMFORTS OF AN ALEHOUSE 
 
 Printed in colors. Depicts Dr. Johnson and cronies enjoying 
 the comforts of an alehouse. Early state before inscription. 
 Mounted on stretcher. (Small tear). In old Hogarth frame, 
 no glass. | 
 
 CHARLES CORBUTT 
 
 SPRING, SUMMER, AUTUMN, WINTER 
 Mezzotints after R. Pyle. Nice impressions. Cut down and 
 mounted. (4) 
 
 M. CROSSMAN 
 
 LA MARCHANDE DE COCO 
 Brilliant water-color of one of the famous Parisian trene. 
 signed in the lower left corner, on French blue mount. 
 
 Size, 10 x 714 inches 
 
 DANSES 
 
 ~DANSES 
 
 Advertisements, souvenir cards, valentines of the French 
 Second Empire period in line and wood engravings, chromo- 
 lithograph, ete., colored by hand. (36) 
 
 4 
 
27 
 
 28 
 
 29 
 
 30 
 
 31 
 
 32 
 
 33 
 
 34 
 
 9) 
 
 CHARLES FRANCOIS DAUBIGNY 
 
 LA COURONNE DE FLEURS DES CHAMPS (F. H. 60- 
 L. D. 66) 
 
 Original painter etching. This etching and the following 
 ones are all in the most brilliant condition, printed on India 
 paper and with large margins. Proof before the address of 
 Delatre was erased from the plate. 
 
 LE LEVER DU SOLEIL (F. H. 61-L. D. 67) 
 Original painter etching. Proof with the ase of Beillet 
 replaced by that of Delatre. 
 
 LES CHEVAUX DE HALAGE (F. H. 62-L. D. 68) 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre. 
 
 LES BORDS DU COUSIN (F. H. 63-L. D. 69) 
 Original painter etching. Proof with the address of Delatre,. 
 but before the ‘‘3’’ in the upper right corner. 
 
 LES PETITS OISEAUX (F. H. 65-L. D. 70) 
 Original painter etching. Proof before the address of Delatre 
 was erased from the plate. 
 
 L’AUTOMNE (F. H. 66-L. D. 71) | 
 Original painter etching. Proof before the address of Del-. 
 atre was erased from the plate. 
 
 L’ANE A L’ABREUVOIR (F. H. 64-L. D. 72) 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre. 
 
 LE SATYRE (F. H. 67-L. D. 73) 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre. 
 
 LE BAC. SOUVENIR DES ILES BEZONS (F. H. 68-L. 
 D. 74) 
 
 Original painter etching. Proof with the name of Beillet 
 replaced by that of Delatre. 
 
 5 
 
36 
 
 oT 
 
 38 
 
 39 
 
 40 
 
 41 
 
 42 
 
 43 
 
 44 
 
 45 
 
 46 
 
 LES ILES VIERGES A BEZONS—LA PECHERIE (F. 
 H. 69-L. D. 75) 
 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre. 
 
 LES CHARRETTES DE ROULAGE (F. H. 70-L. D. 76) 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre. 
 
 LES RUINES DU CHATEAU DE CREMIEUX (F. H. 71- 
 L. D. 77) 
 Original painter etching. Proof with Delatre’s address. 
 
 LES CERFS AU BORD DE L’EAU (F. H. 72-L. D. 78) 
 Original painter etching. Proof with the address of Beillet 
 replaced by that of Delatre.: 
 
 LE BAC DE BEZONS (F. H. 74-L. D. 81) 
 Original painter etching. Proof with Beillet’s address. 
 
 LES CERFS SOUS BOIS (F. H. 75-L. D. 82) 
 Original painter etching. Proof with Beillet’s address. 
 
 LES VACHES AU MARAIS (F. H. 76-L. D. 83) 
 Original painter etching. Proof with Beillet’s address. 
 
 LE MARAIS AUX CIGOGNES (F. H. 77-L. D. 84) 
 Original painter etching. Proof with the words ‘‘ Gazette 
 des Beaux Arts’’ erased from the plate. 
 
 L’ONDEE (F. H. 78-L. D. 85) 
 Original painter etching. Proof with the name of Quantin 
 erased from the plate. 
 
 LA PLACE DE VILLERVILLE (F. H. 80-L. D. 88) 
 Original painter etching. Proof with the words ‘‘Gazette des 
 Beaux Arts’’ erased from the plate. 
 
 LE GUET DU CHIEN (F. H. 82-L. D. 90) 
 Original painter etching. Proof with the word ‘‘L’Artiste’’ 
 erased from the plate. 
 
47 
 
 48 
 
 49 
 
 50 
 
 LE GRAND PARC A MOUTON (F. H. 86-L. D. 95) 
 Original painter etching. Proof between the 3d and the 4th 
 state. 
 
 LE COCHON DANS UN VERGER (F. H. 87-L. D. 96) 
 Original painter etching. Proof before Beillet’s address. 
 
 LA POULE ET SES POUSSINS (F. H. 88-L. D. 97) 
 Original painter etching. Proof with Beillet’s address re- 
 placed by that of Delatre. 
 
 LE VOYAGE EN BATEAU (F. H. 90 to 105-L. D. 99 to 
 115) 
 Original painter etchings. 
 
 TITRE FRONTISPICE de l’album du voyage en bateau 
 99—3rd state. 
 
 DEJEUNER du Départ 4 Asniéres 100—3rd state. 
 L’EMMENAGEMENT du Botin 101—3rd state. 
 L’HERITAGE de la voiture 102—3rd state. 
 LE MOUSSE tirant le cordeau 103—3rd state. 
 AVALLANT 104—3rd state. 
 LE MOT de Cambronne 105—8rd state. 
 LA RECHERCHE d’une auberge 106—7th state. 
 INTERIEUR d’une auberge 107—8rd state. 
 VOYAGE de nuit 109—3rd state. 
 LE MOUSSE 4 la péche 110—3rd state. 
 LE BATEAU Atelier 111—2d state. 
 LES BATEAUX 4 vapeur 112—3rd state. 
 COUCHER a bord du Botin 1138—8rd state. 
 
 REJOUISSANCHES des poissons du départ du mousse 
 114—3rd state. 
 
 LE DEPART 115—3rd state. 
 
 With four pages of text by Henriet. (16) 
 7 
 
ol 
 
 o2 
 
 03 
 
 o4 
 
 5D 
 
 56 
 
 A. DESCAVES 
 
 (a) GIRL CRYING 
 (b) GIRL IN A ““DEBARDEUR”’ COSTUME 
 
 Two very clever drawings in Gavarni’s manner executed in 
 lithographic pencil. The first one signed in the lower right 
 corner, the second signed with the initials in the lower left 
 corner. On French blue mount. (2) 
 
 Size of each, 714 x 5 inches 
 
 SCENE AT THE TIME OF CARNIVAL 
 
 Brilliant drawing in Gavarni’s manner treated in litho- 
 
 graphic pencil, a medium very seldom used by artists. Signed 
 
 in the lower left corner with the initial of the artist. On 
 
 French blue mount. On the back of the mount ‘‘Dessin au 
 
 erayon lithographique par Descaves, donné par 1’auteur’’. 
 Size, 7144 x 534 inches 
 
 EDOUARD DETAILLE 
 
 Original etchings by Detaille, Lalauze, Chapelin, Brunet Des- 
 baines, Chauvel, ete. after Meissonier, Leloir, Corot, Alma 
 Tadema, ete. Mostly proof on Japan or Holland paper. (51) 
 
 HONORE DAUMIER 
 
 SIX SHEETS OF OIL SKETCHES 
 Caricatures, character studies, ete. Done in oil. Six sheets 
 on two mounts. 
 
 DE BERENGER 
 
 MIDSHIPMAN’S BERTH; SCENE ON THE MAIN DECK 
 Aquatints in color. A scarce pair. (2) 
 
 P. L. DEBUCOURT 
 
 LES PLAISIRS PATERNELS 
 Aquatint in colors after the engraver’s own design. Trimmed 
 to the engraved surface, inscription partly cut away. 
 
 8 
 
o7 
 
 58 
 
 59 
 
 60 
 
 61 
 
 62 
 
 63 
 
 DECHAMPS 
 
 RIVER LANDSCAPE 
 Original etching. Signed artist’s proof. Black frame. 
 
 HERBERT DICKSEE 
 
 LION DRINKING . 
 Painter etching. Signed artist’s proof on Japan paper. Gilt 
 frame. 
 
 J. DOWNMAN 
 
 LORD BARHAM 
 Pen and ink portrait. Bust length, turned slightly to right. 
 Signed with initials. 
 
 GUSTAVE DORE 
 
 THE BULL FIGHT 
 Five colored lithograph plates. (5) 
 
 ENGLISH MEZZOTINTS 
 
 (a) CAROLINE 
 By H. Fowler after Reynolds. Fine impression. 
 
 (6) SIMPLICITY 
 By S. W. Reynolds after Joshua Reynolds. 
 And two others. (4) 
 
 PORTRAITS 
 
 A series of 60 portraits of English nobles, statesmen, and 
 divines, engraved by C. Turner, Earlom and Dunkarton. 
 Published by Woodburn, 1811-15. (60) 
 
 ENGLISH SCHOOL 
 
 WATER-COLORS 
 Old Farm Buildings, signed Isabey; Tintern Abbey by J. T. 
 Ripley; Landscape with Ruins by A. Beiten. Various sizes. 
 
 (3) 
 
64 
 
 65 
 
 66 
 
 67 
 
 68 
 
 69 
 
 70 
 
 71 
 
 LANDSCAPES — 
 View on the Devonshire, water-color by C. H. Kemplay; Farm- 
 house, sepia by Van Haanen; Landscape, sepia, unknown. 
 Various sizes. (3) 
 
 LANDSCAPES 
 Water-color Landscape in India, by Bakar; The Returning 
 Flock, sepia wash. (2) 
 
 PENCIL, INK, AND WATHR-COLOR 
 
 Country Fair, pencil by H. Maplestone; Courtship in the 
 Olden Time, pen-and-ink by J. E. Millais, signed; Coaching 
 Scene, water-color, unknown. 
 
 PENCIL AND INK SKETCHES 
 Two sheets of Cattle Studies by E. Price; Two pencil draw- | 
 ings of Cows by Gilpin; Barnyard Scene, unknown. Vari- 
 ous sizes. (5) 
 
 WATER-COLORS 
 
 Stepping Stones, by E. A. Goodall; Woman Writing, attrib- 
 uted to W. M. Thackeray ; Landscape signed David Cox. Vari- 
 ous sizes. (3) 
 
 LANDSCAPES 
 Water-color and ink. One attributed to Copley Fielding, an- 
 other to Thomas Barker. Various sizes. (5) 
 
 ENGRAVER UNKNOWN 
 
 CHARLES LEE, ESQR. 
 
 Mezzotint portrait, three-quarter length. After Thomlinson. 
 Brilliant impression, second state. Margins trimmed almost 
 to plate mark. Inlaid. 
 
 J. EVANS 
 
 PORTRAIT OF A MAN 
 Crayon and water-color. Signed and dated, Eton, 1796. 
 Size, 914 x 13 inches 
 
 10 
 
72 
 
 73 
 
 74 
 
 79 
 
 76 
 
 717 
 
 78 
 
 H. FANTIN LATOUR 
 
 VISION (H. 122-MME F. L. 1609) 
 
 Original lithograph printed on India paper mounted. Bril- 
 liant impression before the lettering was erased from the 
 stone. 
 
 FEMINISM 
 
 (a) THE AGE OF IRON 
 Man as he expects to be. 
 
 (6b) THE AGE OF BRASS 
 Or the triumphs of Woman’s rights. 
 
 Original lithographs published by Currier and Ives in 1869. 
 
 Rare; original impressions. (2) 
 
 FIGURE STUDIES 
 
 RETURNING SPORTSMAN; STUDY OF A MAN 
 Unfinished water-color by Buchler; and red and black chalk 
 drawing by Rothenstein. (2) 
 
 EEISHER 
 
 THE HONOURABLE AUGUSTUS KEPPEL 
 Mezzotint portrait, three-quarter-length. After Sir Joshua 
 Reynolds. Cut down and inlaid. 
 
 HEDLEY FITLTON 
 
 LONDON BRIDGE 
 Painter etching. Signed proof. Fine rich impression. Gilt 
 frame. 
 
 F. R. FITZGERALD 
 
 NORUNGFIORD, NORWAY 
 Water-color. Signed. Size, 1934 x 13 inches 
 
 A. H. FORRESTER 
 
 ‘ALFRED CROWQUILL’”’ 
 
 HASTINGS 
 Pen and ink drawing. Size, 6 x 414 inches 
 
 a1 
 
79 
 
 80 
 
 81 
 
 82 
 
 83 
 
 84 
 
 85 
 
 86 
 
 FERDINAND GAILLARD, ETC. 
 
 Original etchings by Gaillard, Boissieu, Jacquemart, Chauvel, 
 ete., after Meissonier, J. P. Laurens, Chapelin, Millet, ete. 
 Mostly proof before letter on Japan, vellum or Holland 
 paper. (50d) 
 
 LUCIEN GAUTIER 
 
 SHEEP IN THE FOLD 
 Etching after the painting by Charles Jacque. Remarque 
 proof signed by both artists. Guilt frame. 
 
 F. GOTTLOB 
 MODERN PAINTER ILLUSTRATOR 
 LES BONS AMIS 
 
 Very fine original water-color signed in the upper right corner. 
 Size, 1514 x 1134 inches 
 
 N. E. GREENE 
 NEUCHATEL 
 Water-color. Signed lower left. Size; 2114 x 13 inches 
 SAMUEL H. GRIMM 
 FURNESS ABBEY 
 
 Water-color and ink drawing. Size, 1714 x 111% inches 
 
 CARL HAAG 
 
 THE ENTRANCE TO ANCIENT SAMARIA | 
 Water-color. Signed and dated 1870. Gilt frame. 
 Size, 24 x 12 inches 
 
 SIR FRANCIS SEYMOUR HADEN 
 
 KENSINGTON GARDENS (The Smaller Plate) 
 Original etching. Third state. Signed proof on thin paper. 
 Rich impression. Harrington, No. 12. Gilt frame. 
 
 EGHAM LOCK 
 Original etching. Signed artist’s proof. Early impression 
 of the second state. Harrington, No. 16. 
 
 12 
 
87 
 
 88 
 
 89 
 
 90 
 
 91 
 
 92 
 
 93 
 
 94 
 
 95 
 
 96 
 
 97 
 
 FULHAM 
 Original etching. Signed proof, second state. Rich impres- 
 sion. Harrington, No. 19. Guilt frame. 
 
 ON THE TEST 
 
 Original etching. Signed proof of the first and published 
 state. Harrington, No. 20. Gilt frame. 
 
 A brilliant impression of this beautiful drypoint. 
 
 BATTERSEA REACH 
 Original etching. Harrington, No. 52. Beautiful impression 
 of the first state. 
 
 NEWCASTLE IN EMLYN 
 Original etching. Signed proof. First state, fine impression. 
 Harrington, No. 62. 
 
 THAMES DITTON—WITH SAIL 
 Original etching. Second state (without inscription). Har- 
 rington, No. 73. 
 
 KEW RAILWAY ENCROACHMENT 
 Original etching. First state. Harrington, No. 74. 
 
 HORSLEY’S ROOF 
 Original etching. Signed proof. First and Ses state. 
 Harrington, No. 100. 
 
 CHALLOW FARM 
 
 Original etching. Signed proof of the first state on old paper. 
 A beautiful impression. Harrington No. 175. Gilt frame. 
 Inscribed on the margin by the printer: ‘‘ This is curious old 
 paper. Gives good proofs. F. Goulding.’’ 
 
 WAREHAM BRIDGE 
 Original etching. Signed proof, first state. Harrington, No. 
 176. Gilt frame. 
 
 GRIM SPAIN 
 Original etching. Harrington, No. 186. Brilliant impression. 
 
 A SALMON RIVER 
 Original mezzotint. First state. Signed proof. Harrington, 
 No. 226. 
 
 13 
 
98 
 
 99 
 
 100 
 
 101 
 
 102 
 
 103 
 
 104 
 
 W. LEE HANKEY 
 
 THE CAVE 
 Original etching. Signed artist’s proof, limited to 25 copies. 
 Framed. 
 
 G. P. HARDING 
 
 MRS. W. SAVAGE LANDOR WHEN A GIRL 
 Water-color. The face executed in beautiful miniature style. 
 Framed. Size, 634 x 834 inches 
 
 GEORGE H. HARLOW 
 
 THE SISTERS 
 Water-color wash drawing. Unsigned. Size, 10 x 12 inches 
 
 SIR CHARLES HAYTER 
 
 PORTRAIT OF A LADY OF THE VICTORIAN PERIOD 
 Water-color. Three-quarter length, turned slightly to the 
 right. Oval. | Height, 7 inches 
 
 R. HEILBUTH 
 
 CAVALRY CHARGE | 
 Water-color drawing of a spirited charge of mounted troops 
 of the Cromwellian period. Signed. Size, 14 x 10 inches 
 
 JOHN HOPPNER 
 
 [ ATTRIBUTED | 
 
 PORTRAIT OF A LADY 
 Pencil drawing. Subject seen full length, reading a book 
 and holding a closed parasol. Trees and foliage in the back- 
 ground. From the Fairfax-Murray Collection. 
 
 Size, 5144 x 81% inches 
 
 A FAMILY GROUP 
 Unfinished water-color. Size, 17 x 1214 inches 
 
 14 
 
105 
 
 106 
 
 107 
 
 108 
 
 109 
 
 110 
 
 111 
 
 RICHARD HOUSTON 
 
 GEORGE III; and CHARLOTTE 
 Mezzotint portraits after J. Meyer. Partly tinted by hand. 
 A pair in gilt frame. (2) 
 
 G. & C. HUNT 
 
 THE SPORTSMAN PREPARING; THE SPORTSMAN’S 
 VISIT 
 Aquatints, colored after E. F. Lambert. Margins foxed. (2) 
 
 J. C. IBBETSON 
 
 [ ATTRIBUTED | 
 
 PORTRAIT OF A YOUNG WOMAN 
 Crayon drawing. Bust length in profile to right with sun- 
 shade hat. Size, 111% x 161% inches 
 
 JULES JACQUEMART 
 
 Original etchings by Jacquemart, Jeanniot, Gravesand, Chap- 
 elin, Falguiére, ete., after Detaille, Millet, Courbet, Watteau, 
 Chardin, ete. Mostly proof before letter on Japan, vellum or 
 Holland paper. (55) 
 
 J. B. JONGKIND 
 
 SOLEIL COUCHANT, PORT D’ANVERS 
 Original etching. Rich proof printed in brownish ink. From 
 the F. Goulding collection. 
 
 W. KAULBACH 
 
 WILHELM AND BISMARCK 
 
 Very fine caricature in pen and ink showing the King and 
 Bismarck dancing together after the battle of Sadowa. On 
 French blue mount. Size, 65g x 534 inches 
 
 (a2) DER OBER-LIEUTENANT 
 
 (6b) KAISER FRANZ-JOSEPH OF AUSTRIA 
 
 Two clever pen and ink caricatures. On French blue mount. 
 (2) Size, 7 x 4144 and 514 x 4% inches 
 
 15 
 
112 
 
 113 
 
 114 
 
 115 
 
 116 
 
 117 
 
 C. KNIGHT 
 
 LOVE IN A MILL; THE RETURN FROM MARKET 
 Stipples after Wheatley. Colored by hand. Margins trimmed 
 to engraved border. (2) 
 
 LABADIE 
 
 [CALLED PILOTELL | 
 
 NINE ETCHINGS 
 
 Printed on India paper representing caricatures of the of- 
 ficers of the sanitary corps, from his set of ‘‘ Avant, pendant 
 et aprés la Commune’’, mounted on bristol boards. (9) 
 
 SIR THOMAS LAWRENCE 
 
 [ATTRIBUTED TO] 
 
 LADY MELBOURNE 
 Pencil drawing, touched with color. After Sir Joshua Rey- 
 nolds. Gilt frame. Size, 834 x 11 inches 
 
 SIR THOMAS LAWRENCE 
 
 | AFTER | 
 
 CHILDREN’S HEADS 
 Charming pencil drawing from one of Lawrence’s most fa- 
 mous pictures. Size, 1114 x 9 inches 
 
 LOUIS LEGRAND 
 
 1864. MODERN FRENCH PAINTER ETCHER 
 
 FIN (E. R. 35.) 
 Original painter etching and aquatint. Printed on hand- 
 made paper and signed by the artist in the lower margin. 
 
 SIR FREDERIC (LORD) LEIGHTON 
 
 [| ATTRIBUTED | 
 
 AN INDIAN PRINCE 
 Sepia wash drawing. Size, 9 x 13 inches 
 
 16 
 
118 
 
 119 
 
 120 
 
 » 121 
 
 122 
 
 123 
 
 124 
 
 125 
 
 126 
 
 127 
 
 ALPHONSE LEGROS 
 
 MONKS CHANTING 
 Original etching. Signed proof. Gilt frame. 
 
 ORIGINAL ETCHINGS 
 
 By Legros, Feyen Perrin, Adeline, Lalauze, ete., after Frag- 
 onard, Barye, Watteau, Regnault, Roybet, ete. Mostly proof 
 before letter, on Japan or Holland paper. (53) 
 
 AUGUSTE LEPERE 
 
 LA ROUTE DE BILLANCOURT 
 Original etching. Signed artist’s proof. Scarce, only 30 
 proofs printed. 
 
 LA PETITE MARE 
 Original etching. Fine impression. Framed. 
 
 A PROVINS 
 Original etching. Beautiful proof on Japan paper. 
 
 QUARTIER DES GOBELINS 
 Original etching. Beautiful proof on Japan paper. 
 
 FIN DE JOURNEE 
 Original chiaroscuro woodcut in 2 colors. Framed. Scarce. 
 
 WILLIAM AUERBACH LEVY 
 
 THE VIOLONCELLIST 
 Original soft-ground etching. Signed artist’s proof. Framed. 
 
 POLISH YOUTH 
 Original soft-ground etching. Signed artist’s proof. 
 
 J. F. LEWIS 
 
 LIONS AND TIGERS 
 A series of six mezzotints from the engraver’s own designs. (6) 
 
 17 
 
128 
 
 129 
 
 130 
 
 131 
 
 132 
 
 133 
 
 134 
 
 135 
 
 136 
 
 JOHN LINNEL 
 
 MISS ISABEL COCHRAN 
 Water-color. Bust portrait to right. Signed. 
 Oval. Height, 9 inches 
 
 PORTRAITS 
 
 Water-color portraits of John Cochran, Mary Imray, Eliza 
 
 Imray, and Mary Imray Jun. All signed and dated 1817. (4) 
 Size of each, 814 x 11 inches 
 
 PORTRAIT OF A GENTLEMAN 
 Water-color. Signed and dated 1821. Size, 10 x 12 inches 
 
 DONALD SHAW MACLAUGHLAN 
 
 VENETIAN NOONTIDE 
 Original etching. Signed artist’s proof. Nice impression. 
 Gilt frame. 
 
 ROAD SONG NO. I 
 Original etching. Signed artist’s proof. Fine impression in 
 brown ink. Guilt frame. 
 
 TUSCAN LANDSCAPE 
 Original etching. Signed artist’s proof. Very scarce early 
 
 trial proof, only 2 impressions printed. 
 
 WALTER McLAREN 
 
 MOTHER AND CHILD 
 Red chalk drawing. Signed. Size, 914 x 914 inches 
 
 JACOB MARIS 
 
 DUTCH SKATING SCENE 
 Water-color. Signed. Size, 1114 x 71% inches 
 
 MISCELLANEOUS 
 
 LANDSCAPES AND VIEW 
 
 African Landscape, in oil, by N. Swann; A French River 
 Town, water-color by Nieman; Alnwick Castle, sepia by T. M. 
 Richardson. Various sizes. (3) 
 
 18 
 
137 
 
 138 — 
 
 139 
 
 140 
 
 141 
 
 142 
 
 143 
 
 MORNING, NOON, EVENING, NIGHT 
 Engraved by Gabrieli after Hamilton. And two others. (6) 
 
 THE VESPER BELL 
 Fine pen-and-ink drawing after Haig’s famous etching; Land- 
 scape, large finished pencil drawing by H. W. Burgess. (2) 
 
 W. MOORPACK 
 
 MODERN ENGLISH LITHOGRAPHER 
 
 MARECHAL FOCH 
 Original lithograph, printed on hand-made paper and signed 
 by the artist. Only 100 copies printed. 
 
 MOREAU LE JEUNE 
 
 CELEBRATED FRENCH PAINTER-ENGRAVER 
 
 CEREMONY OF THE TE DEUM BY THE ALLIED 
 ARMIES ON THE SQUARE OF LOUIS XV, AT PARIS 
 THE 10TH APRIL 1814 
 
 Aquatint by Bowyer after a drawing of Moreau. Brilliant 
 impression carefnlly colored by hand, with large margin 
 trimmed to the plate mark. 
 
 XVITIth CENTURY FRENCH VIGNETTES 
 
 Engraved by or after Moreau le Jeune, Monnet, Marillier, 
 Cochin, Gravelot, Eisen, ete. Line engravings, some proof 
 in pure etching and some proof before letter. (10) 
 
 GEORGE MORLAND 
 
 [IN THE MANNER OF | 
 
 GYPSIES RESTING 
 Water-color and ink drawing. Size, 15 x 18 inches 
 
 M. MUNKACSY 
 
 CELEBRATED HUNGARIAN PAINTER 
 
 WOMAN READING 
 Very fine pencil drawing signed in the upper left corner, ‘‘M. 
 Munkaesy-1872.’’ Size, 12144 x 91% inches 
 
 19 
 
144 
 
 145 
 
 146 
 
 147 
 148 
 149 
 150 
 
 151 
 
 152 
 
 153 
 
 NAPOLEON 
 
 Portraits of Napoleon, the Roi de Rome and others, mostly 
 from Gavard, ‘‘Galerie de Versailles’’; also a view of New 
 York. (14) 
 
 SAMUEL PALMER 
 
 FIVE ETCHINGS 
 
 The Skylark; Sunset; The Early Ploughman; The Herdsman; 
 The Morning of Life. Original etchings. All fine early im- 
 pressions. (5) 
 
 THREE ETCHINGS 
 The Skylark; and The Early Ploughman. Two impressions 
 of the latter. (3) 
 
 JOSEPH PENNELL 
 
 ST. MARY LE STRAND 
 Original etching. Signed artist’s proof. Printed in brown 
 on Japan paper. 
 
 ST. MARTIN’S BRIDGE, TOLEDO, SPAIN 
 Original etching. Fine impression on laid paper. 
 
 PONTE VECCHIO, FLORENCE 
 Original etching. Fine impression on Holland paper. 
 
 NIAGARA FALLS 
 Original etching. Signed artist’s proof. Fine impression. 
 
 ART AND SCIENCE MUSEUM, CHICAGO 
 Original etching. Signed artist’s proof. 
 
 FLAGS FLYING, WASHINGTON 
 Original etching. Signed artist’s proof. Fine impression. 
 
 WILLIAM PETHER 
 
 AN ALCHYMIST 
 
 Mezzotint after the painting of J. Wright. Brilliant impres- 
 sion with the inscription and large margins at top and sides, 
 trimmed to plate mark at the bottom. 
 
 20 
 
154 
 
 155 
 
 156 
 
 157 
 
 158 
 
 159 
 
 PORTRAITS 
 
 (a) GEORGIANA, DUCHESS OF DEVONSHIRE 
 Stipple by Meyer after Gainsborough. 
 
 (b) JOHN HUNTER 
 Line by W. Sharp after Reynolds. Both framed. (2) 
 
 (a) ELIZABETH, DUCHESS OF DEVONSHIRE 
 Mezzotint by Chant after Reynolds. 
 
 (6) MISS MACDONALD 
 Mezzotint by Samuel Cousins after Lawrence. Both in gilt 
 frames. (2) 
 
 (a) NAPOLEON PREMIER 
 Engraved by Pradier. 
 
 (b) MARIE-ELISABETH DE BOURBON 
 Aquatint portrait. (2) 
 
 (a) LADIES OF THE ELIZABETHAN PERIOD 
 A pair. Oil paintings on academy board. 
 Size of each, 7 x 9 inches 
 
 (b) GENERAL BOLIVAR 
 Oil painting on academy board. (3) Size, 734 x 934 inches 
 
 R. PREJELAN 
 MODERN PAINTER ILLUSTRATOR 
 LES BONNES AMIES 
 
 Original pen and ink drawing signed in the lower part. 
 Size, 1214 x 9 inches 
 
 A. RASSENFOSE 
 MODERN BELGIAN ETCHER 
 COQUETTERIE 
 
 Original etching, on Japan paper. Signed by the artist and 
 with his remarque, ‘‘Ier Etat. Unique’’. 
 
 24 
 
160 
 
 161 
 
 162 
 
 163 
 
 164 
 
 165 
 
 166 
 
 167 
 
 JULES RENARD 
 
 [CALLED DRANER | 
 
 SKETCHES 
 
 Six pencil sketches on one sheet retouched with China white; 
 
 10: A walk in the Bois; 20: Citoyen candidat; 30: Mobile 
 
 immobile; 40: Baigneur surpris; 50: Cupidon; 60: Trav- 
 
 ailleurs sans travail travaillant. On French blue mount. 
 Size, 11144 x 168% inches 
 
 SIR JOSHUA REYNOLDS 
 
 [ AFTER | 
 
 THE CAPTIVE BIRD; MUSCIPULA 
 Water-colors after the famous pictures by Reynolds. (2) 
 Size of each, 814 x 634 inches 
 
 AUGUSTE RODIN 
 
 LE PRINTEMPS 
 Original drypoint. Delteil, No. 4. Fine impression of the 
 only state. Framed. 
 
 AMES DU PURGATOIRE 
 Original drypoint. Delteil, No. 11. Second state with the 
 signature, ‘‘Rodin’’. Framed. 
 
 FELICIEN ROPS 
 
 L’AFFUTEUR (0. M. 593-R. 57-D. 13) 
 Original painter etching, on hand-made paper before the 
 signature of Rops appears on the plate. Delteil, No. 13. 
 
 LE BONHEUR DANS LE CRIME (0. M. 856-R. 507-D. 72) 
 Soft-ground etching printed on Japan paper. 
 
 MORS SYPHILITICA (O. M. 568-R. 167-D. 148) 
 Original etching on thin Japan paper. 
 
 LA MORT AU BAL MASQUE (0. M. 983) 
 Heliogravure by A. Bertrand, printed in colors on Japan 
 paper. No. 22 of 100 copies printed. 
 
 22 
 
168 
 
 169 
 
 170 
 
 171 
 
 172 
 
 173 
 
 174 
 
 175 
 
 176 
 
 L’OLIVERADE-AMONACO (0. M. 592-R. 55-D. 459) 
 Original painter etching, printed on hand-made paper, before 
 the name of Cadart was erased from the plate. 
 
 LES SATANIQUES—SATAN SEMANT L’IVRAIE (0. M. 
 657-R. 223-D. 577) 
 
 Original etching with heliographic background. On Japan 
 paper. 
 
 WILLIAM LESLY (0. M. 527-R. 72-D. 701) 
 Original etching, printed on fine old Japan paper. 
 
 LE GANDIN IVRE, OU UN CAFE AU RIDYCK (OQ. M. 
 1025) 
 
 Original engraving by A. Bertrand after the design of F. 
 Rops. Printed in colors and limited to 150 copies. 
 
 LA GARDE CIVIQUE (0. M. 177-R. LITH. 126-D. 1100) 
 One of the most amusing original lithographs of the great 
 Belgian artist, printed on mounted India paper. 
 
 ERNEST D. ROTH 
 
 PONT NEUF, PARIS 
 Original etching. Signed artist’s proof. Beautiful impression 
 on Japan paper. 
 
 THOMAS ROWLANDSON 
 
 A LITTLE GIRL 
 Water-color and ink drawing. Size, 4 x 8 inches 
 
 ROEBOTHAM 
 
 TWO LANDSCAPES 
 Water-colors. (2) Sizes, 814 x 1314 and 614 x 91% inches 
 
 REMBRANDT VAN RIJN 
 
 REMBRANDT AND SASKIA 
 
 Original etching. B.19. From the Lord Lansdowne Collec- 
 tion, with his stamp in upper corner. Framed. 
 
 Formerly in the Lord Northington and famous ‘‘Bruhl’’ col- 
 lections. 
 
 23 
 
177 
 
 178 
 
 179 
 
 180 
 
 181 
 
 182 
 
 J. SADELER 
 
 GENESIS, Ch. 6: God finds the earth corrupt, and says to 
 Noah: ‘‘I will destroy the Earth.’’ 
 
 Original engraving. Nagler, 19. Brilliant impression with 
 large margin. 
 
 FREDERIC REMINGTON 
 
 IN TOW—FAST TO A WHALE 
 
 Monotone in oil on canvas. Signed in full. A spirited illus- 
 tration of an incident in whale-fishing. The whaleboat is. 
 seen being towed at terrific speed after the whale has been 
 harpooned. Framed. Size, 1714 by 11 inches 
 
 AN INCIDENT IN FRONTIER SURVEYING 
 Monotone in oil. An Indian seen peering through the sur- 
 veyor’s instrument. Framed. Size, 18 by 1014 inches: 
 
 SPORTING PRINTS 
 
 ST. ALBANS GRAND STEEPLECHASE. MARCH 8th, 
 1832 
 
 A set of six colored aquatint plates. Engraved by G. and C. 
 Hunt, after the paintings by J. Pollard. Original impressions. 
 and colorings. Spotted and three repaired. In old mahogany 
 frames. 
 
 This rare set comprises the following titles: Plate 1, ‘‘Pre- 
 paring to Start’’; Plate 2, ‘‘ First Leap’’; Plate 3, ‘‘Turning 
 an Angle’’; Plate 4, ‘‘Struggle at the Bank’’; Plate 5, 
 ‘‘Within View’’; Plate 6, ‘‘The Winning Post’’; and the 
 Key plate naming the horses, riders, and colors. (7) 
 
 THE MEET 
 
 Colored engraving by J. R. Mackrell after F. C. Turner. 
 Published 1839 by Ackerman. Gilt frame, showing margins. 
 and inscription. 
 
 J. AUDRE SMITH 
 
 COURT OF THE KING’S ARMS, OXFORD 
 Original etching. Signed artist’s proof. Rich impression. 
 Gilt frame. 
 
 24 
 
183 
 
 184 
 
 185 
 
 186 
 
 187 
 
 188 
 
 189 
 
 190 
 
 THE MILL, ABBEVILLE 
 Original etching. Signed artist’s proof. Gilt frame. 
 
 J. R. SMITH 
 
 [ATTRIBUTED TO] 
 
 THE STORM 
 
 In colors. London, W. Humphrey. With inscription from 
 Thomson’s ‘‘Seasons.’’ Fine impression with small margin. 
 In old Hogarth frame, no glass. 
 
 THE CROSSING SWEEPER 
 
 In colors. London, R. Sayer & J. Bennett, 1781. With in- 
 scription. Fine impression with small margin. In old Ho- 
 garth frame, no glass. 
 
 LOVE IN A BOAT 
 In colors. London, R. Sayer & J. Bennett, 1783. Fine im- 
 pression with small margin. In old Hogarth frame, no glass. 
 
 LEON SPILLIAERT 
 
 [YOUNG BELGIAN ARTIST BORN IN OSTEND IN 1889. 
 KILLED IN 1914 AT THE DEFENCE OF LIEGE | 
 
 CREATURES OPPRESSEES 
 Original pen and ink drawing finished with brush shading. 
 Size, 1314 x 1034 inches 
 
 LA SOUFFRANCE | 
 Original water-color. Signed at the bottom ‘‘L. Sp.’’ 
 Size, 1134 x 714 inches 
 
 MISERY 
 Original water-color, cut and mounted on white background. 
 Signed on the lower margin. Size, 11 x 814 inches 
 
 SPORTING PRINT 
 
 OTTER HUNTING 
 In colors. Brilliant impression. Rare proof before all letters. 
 Circa 1820. Mounted. 
 
 25 
 
191 
 
 192 
 
 193 
 
 194 
 
 195 
 
 196 
 
 GUSTAVE STAAL 
 
 BERANGER 
 
 One page of pencil sketches used afterwards in the illustra- 
 tions of ‘‘The Chansons de Beranger’’. The head of the poet 
 appears in the lower part of the page. On French blue 
 mount. Size, 11144 x 834 inches 
 
 THOMAS STOTHARD 
 
 SHEPHERD PIPING TO MAIDENS 
 Pen and wash drawing. Although unsigned a characteristic 
 specimen. Oval. Size, 1014 x 71% inches 
 
 PETER TANJE 
 
 DUTCH ENGRAVER 
 CHAMBRE D’ACCOUCHEE HOLLANDAISE (A. 10) 
 Etching finished with the graver after a painting by C. Troost. 
 
 Brilliant impression with the inscription trimmed to the plate 
 mark. 
 
 J. M. W. TURNER 
 [ATTRIBUTED TO | 
 SHIPYARD 
 
 Original pencil drawing attributed to J. M. W. Turner. 
 Size, 1114 x 8 inches 
 
 UNKNOWN 
 
 WOODED LANDSCAPES 
 Three charcoal studies of trees and foliage. (3) 
 Size of each, 914 x 71% inches 
 
 UNSIGNED DRAWINGS 
 
 OBERON AND TITANIA 
 
 Sepia wash drawing attributed to J. M. Wright; Lady in 
 Garden with Two Children, pencil and ink drawing, attributed 
 to **Phiz’?) (2) 
 
 26 
 
197 
 
 198 
 
 199 
 
 200 
 
 201 
 
 202 
 
 203 
 
 J. G. VIBERT 
 
 UNE CAUSE CELEBRE 
 Etching by Vibert after his own painting. Signed proof, 
 with inscription by the artist. Framed. 
 
 VIEWS 
 
 WATER-COLOR LANDSCAPES 
 Campagna de Roma, by W. L. Leitch; St. Moritz, by Lennox 
 Browne, signed, dated and inscribed ; Mexico, signed J. H. (3) 
 
 CORNELIS VISSCHER 
 THE PANCAKE WOMAN 
 Proof before all letters. Guilt frame. 
 
 JAMES WATSON 
 
 SIR JEFFREY AMHERST 
 
 Mezzotint portrait, three-quarter length in armor, after Sir 
 Joshua Reynolds. Proof before all letters, with full margin. 
 Margin foxed. | 
 
 Very rare. 
 
 RICHARD WESTALL 
 
 [ATTRIBUTED TO | 
 
 (a) SCENE FROM MACBETH 
 
 Water-color, unsigned. Size, 7 x 1014 inches 
 (ob) AN ITALIAN LEGEND 
 Sketch in oils, unknown. (2) Size, 1014 x 14 inches 
 
 JAMES A. McNEILL WHISTLER 
 
 THE WINEGLASS 
 Original etching. Second state, on Japan paper. The only 
 still life ever done by Whistler. 
 
 BLACK LION WHARF 
 Original etching. Third state. Brilliant impression. Mans- 
 field, No. 41. Gilt frame. 
 
 27 
 
204 
 
 205 
 
 206 
 
 208 
 
 209 
 
 210 
 
 211 
 
 212 
 
 213 
 
 214 
 
 BILLINGSGATE 
 Original etching. Sixth state, proof on Japanese paper. Mans- 
 field, No. 46. Gilt frame. 
 
 VAUXHALL BRIDGE 
 Original etching. Second state. Brilliant impression on old 
 paper. Mansfield, No. 70. 
 
 SKETCHING 
 Original etching. Kennedy, No. 86. Framed. 
 
 CHELSEA BRIDGE AND CHURCH 
 Original etching. Fifth state. 
 
 LA ROBE ROUGE 
 Original lithograph. Kennedy, No. 68. Fine impression. 
 
 SAVOY PIGEONS 
 Original lithograph. Kennedy, No. 118. Fine impression. 
 
 LITTLE EVELYN 
 Original lithograph. Kennedy, No. 110. Fine impression. 
 Framed. 
 
 COUNT ROBERT DE MONTESQUIEU 
 Original lithograph. Kennedy, No. 139. Rare proof on 
 China paper. 
 
 C. A. WILKINSON 
 
 MODERN ENGLISH WOOD ENGRAVER 
 
 THE REVENGE (Flag Ship of Admiral Grenville) 
 Original wood engraving colored by hand, printed to 100 
 copies signed and numbered by the artist. 
 
 J. G. WILLE 
 
 ELIZABETH DE GOUY; MARQUIS DE MARIGNY 
 Line engravings after Tocque and Rigaud. Gilt frames. (2) 
 
 INSTRUCTION PATERNELLE 
 After Terburg; Sarah Giving Hagar to Abraham. Proof 
 before all letters. Both framed. (2) 
 
 28 
 
215 
 
 216 
 
 217 
 
 218 
 
 219 
 
 220 
 
 221 
 
 MUSICIENS AMBULANS 
 After Dietricy ; Le Concert de Famille, after Schalken. Both 
 framed. (2) 
 
 TRICOTEUSE HOLLANDOISE 
 After Mieris; Repos de la Vierge, after Dietricy; Jeune 
 Joueur d’Instrument, after Schalken. All framed. (3) 
 
 GAZETTIERE HOLLANDOISE 
 After Terburg; Portrait of an Old Woman, after Dow; Bonne 
 Femme de Normandie, after P. A. Wille. All framed. (8) 
 
 LE MENAGERE HOLLANDOISE 
 
 After Dow; Le Petit Physicien, after Netscher; Petite Eco- 
 liére, after Schenau; L’Observateur Distrait, after Mieris. 
 All framed. (4) 
 
 ZADORISTEIN 
 
 (a) VENISE, 1911 
 
 Original painter etching, printed in sepia, signed by the 
 artist. One of 50 copies printed. | 
 
 (b) FLORENCE, 1911 
 
 Original painter etching, printed in sepia, signed by the ar- 
 tist. Creased in the centre. One of 50 copies printed. (2) 
 
 A. WILLETTE 
 
 MODERN FRENCH PAINTER-LITHOGRAPHER 
 
 ADDRESS OF A. BLAIZOT 
 
 Original lithograph, one of 100 copies printed, signed, and 
 numbered by the artist. Brilliant impression on Japan paper, 
 with an impression with the letter printed on mounted India 
 
 paper. 
 
 LA MUSE DU DESSIN 
 Original lithograph printed on mounted India paper. Bril- 
 liant impression, with untrimmed margins, 
 
 29 
 
222 
 
 223 
 
 224 
 
 220 
 
 226 
 
 227 
 
 228 
 
 229 
 
 230 
 
 ANDERS ZORN 
 
 ROSITA MAURI 
 
 Original painter etching. Asplund, No. 34. Brilliant im- 
 pression of the fourth state, before the lettering was erased 
 and new work added to the background. 3 
 
 MADAME SIMON 
 Original etching. Asplund, No. 67. Fine impression on 
 Holland paper. Framed. 
 
 PORTRAIT OF VERLAINE 
 Original etching. Asplund, No. 94. Fine impression on Hol- 
 land paper. 
 
 EMMA, A GIRL FROM MORA 
 Original etching. Asplund, No. 117. Framed. 
 
 SENATOR BILLY MASON 
 Original etching. Asplund, No. 159. Fine impression on 
 Arches paper. 
 
 ANNA. PEASANT GIRL OF MORA 
 Original etching. Asplund, No. 170. Fine impression on 
 Holland paper. 
 
 DAGMAR 
 Original etching. Signed proof. Subsequent to Delteil, No. 
 245. Gilt frame. 
 
 SHALLOW 
 Original etching. Asplund, No. 259. Signed artist’s proof. 
 Beautiful impression. 
 
 THE PILOT 
 Original etching. Signed proof. Only state. Asplund, No. 
 285. 
 
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