HISPANIC NOTES & MONOGRAPHS ESSAYS, STUDIES, AND BRIEF BIOGRAPHIES ISSUED BY THE HISPANIC SOCIETY OF AMERICA CATALOGUE SERIES DANIEL URRABIETA VIERGE Barcelona. The Turkey Market LIST OF WATER COLOURS AND DRAWINGS IN THE COLLECTION OF THE HISPANIC SOCIETY OF AMERICA THE HISPANIC SOCIETY OF AMERICA NEW YORK 1926 —— SO COPYRIGHT, 1926, BY THE HISPANIC SOCIETY OF AMERICA 661% CORNELL PUBLICATIONS PRINTING CO. ITHACA, NEWYORK Pewee h COLOURS WATER COLOURS AND DRAWINGS BYNE, Arthur, 1884- Tomb of the Duchess of Alburquerque A313 SOROLLA Y BASTIDA, Joaquin, 1863- 1923 Sketches for Columbus Leaving Palos The Santa Maria from the Starboard Side A314 A Royal Standard A315 The Santa Maria from the Port Side A316 The Poop of the Santa Maria A317 The Santa Maria from the Port Side A318 A Falconet Mounted A319 Sketches A320-A322 The Santa Maria from Stern to Bow A323 The Gonfalon A324 Sketches pg25 327 Peete NIG NOTES WATER CODOT a. Sketch of a Detail of the Painting, Virgen de los Conquistadores, attributed to Alejo Ferndéndez A328 The Poop of the Santa Maria A320 The Admiral’s Lantern A330 A Royal Standard Aaa% Sketches A332-A333 Sketches of Details of the Painting, Virgen de los Conquistadores, attributed to Alejo Ferndéndez A334-A335 The Santa Maria from the Port Side A336 The Santa Maria Outward Bound A237 A Shoe A338 A Falconet A339 Sketches A340-A 343 The Nina A344 The Santa Maria A345 The Pinta A346 East Exhibition Room BONSOR, George Edward, 1855- Excavations at Carmona. Sketches North A347-A398 Wall ; BAILEY, Vernon Howe, 1874- Segovia. General View A4oo Segovia. Cathedral from the Arroyo Clamores A4o1 HISPANIC NO AND DRAWINGS 3 Segovia. The Cathedral A4o2 eee Segovia. Alcdzar, Cathedral, and San| room Esteban A403] North Segovia. The Alcazar A4oq| Wall Segovia A4o05—A406 Segovia. Arrabal San Marcos and Church of Vera Cruz A407 Segovia A408 Segovia. Patio of House of ‘‘ Uncle Daniel” Zuloaga A409 Segovia. Houses with Arcades A4tIo Segovia. Plaza San Martin from Priest’s Balcony A4II Segovia. Plaza San Martin from Window of Juan Bravo’s House Aat2 Segovia. El Parral A413 Segovia. Plaza Mayor A4r4 Segovia. Houses with Arcades A415 Sepulveda A416—-A418 Sepulveda. Side View of Town A419 Sepulveda. Heart of Town A420 Sepulveda A421-A424 Sepulveda. Houses on Old Wall A425 Sepulveda. Traveling Players in Plaza A426 AND MONOGRAPHS East Exhibition Room North Wall WATER COLOURS Sepulveda. The Town from the Wall along Main Street Sepulveda. Side View of Town Castilnuevo Sepulveda. Below the Cliffs Sepulveda | A431-A432 Sevilla. Novedades A433-A436 Sevilla. Giralda Tower from Patio Banderas . Giralda Tower . Triana Bridge . Passage to Patio . Calle Villegas . Patio near Mercado . Plaza Jests de la Pasién . Church of San Salvador . The Cathedral Alcdzar Sevilla. The Macarena Gate Castillo San Martin de Montalbén HISPANTO NO AND DRAWINGS 5 Tariego. View over Church with River and} East Bridge A4s1-A452 Sears Tariego. View of Bridge, Town, and Watch- north tower A453-A454| Wall Tariego. Side View of Town A455 Tariego. View of Bridge, Town, and Watch- tower A456 Toledo. Sketch of a Mule and Cart A457 Toledo. Slight Note of Balcony over Patio A458 Tariego A459 Toledo. Patio A460 Toledo. Saint Martin’s Bridge A461-A462 Toledo. Alcantara Bridge | A463 Toledo. Saint Martin’s Bridge A464-A466 Toledo. Alcéntara Bridge A467-A468 Toledo. Alcantara Bridge and Alcdézar A469 Toledo A470 Toledo. Alcantara Bridge AA7I Toledo. Banks of the Tajo A472 Toledo. Alcdéntara Bridge A473 Toledo. Bend in River A474 Toledo. Alcantara Bridge A475-A476 Toledo. Alcazar from River A477 Toledo. General View from Road to Guada- mur A478 AND MONOGRAPHS 6 WATER COLOG@ES ae AN E Toledo. General View from across Tajo A479 aon *" |Toledo. General View from Road to Guada- North mur A480 Wall Toledo. Posada de la Sangre A481 Navahermosa. The Castle A482 Toro. Small Street A483 Toro. The Mercado Tower from Plaza A484 Toro. The Mercado Tower and Street A485 Turégano. Church and Fountain A486 Toro from the River Duero A487 Turégano. Houses on Plaza Mayor A488 Turégano A489 Turégano. Castle Cubos A490 Turégano. Turégano Castle A4ol Villacastin A4g2 Turégano. The Castle from Small Street A493 Turégano. Plaza and Castle A494 Zamora. A Hill Street A495 Zamora from the River Duero A496 Vitoria. Church and Plaza A497 BONSOR, George Edward, 1855- La Canada Honda (Gandul). Sketches A498-A504 Excavations at Carmona. Sketches Aso5—A542 HISPANIC NG AND DRAWINGS Scene in a Park A543 FORTUNY Y CARBO, Mariano José Maria Bernardo, 1838-1874 Water Colour Painted at Night after Dinner in the House of Luis de Madrazo A544 MADRAZO Y GARRETA, Ricardo de, r8si- A Street in Granada A545 JIMENEZ ARANDA, José, 1837-1903 (Attributed) ‘“He Detained Her and Did: Not Let Her Take a Step”’ A546 VARGAS, J. Original Drawings of Sandars’s Espada Fal- cata A547-A548 MADRAZO Y KUNTZ, Juan de, d. 1880 Chapel of Malmaison. Gargoyle A549 A Capital A550 URRABIETA VIERGE, Daniel,1851—1904 Skeiches As551-A552 A Gypsum - Kiln in Getafe A553 A Sketch A554 Pee VONOGRAPHS RICO Y ORTEGA, Martin, 1833-1908 East Exhibition Room North Wall East Exhibition Room North Wall ANGLADA-CAMARASA, Hermen, 1872- WATER COLOURS Charcoal Drawing of a Man’s Back A555 BAILEY, Vernon Howe, 1874- | Aguilar de Campéo. The Castle Hill over Houses As56 Aguilar de Campéo. Street and Houses with Arcades A537 Aguilar de Campéo. Street and Farm W agons As58 Aguilar de Campéo. The Bridge and Castle A559 Aguilar de Campéo. Street and Castle A560 Aguilar de Campéo. The Castle Hill A561 Aguilar de Campé6o. The Church A562 Aguilar de Campé6o A563-A566 Almodéver del Rio. The Castle A567 Avila. San Nicolés A568 Almodéver del Rio. Station Diligence A569 Avila. General View A570 Avila. Barrio de las Vacas As7I Avila. Cathedral Silhouette A572 Avila. General View A573 Avila. Old and New Bridges and Walls A574 Avila. Calle de San Esteban A575 HISPANIC WN Gi PeePDeORAWINGS 9 Burgos. Travesia del Mercado As576| Hast Burgos. Slight Note of Cathedral and Gate eee from Bottom of Hill AST North Burgos. View of the Cathedral from the| Wall South A578 Burgos. Cathedral and San Esteban Gate A579 Burgos. Small Drawing from the River Meadows As58o Coca. Tower and Entrance to Patio As581 Coca. Close General View of the Castle from the Main Road A582 Coca. General View of the Castle A583 Coca. The Castle from Stream A584 Coca. General View of the Castle of Coca A585 Coca. View from the Town Walk A586 Coca. General View. Castle and Church AS37 Coca. General View A588 Coca. Castle from across River A589 Coca. Castle Tower and Gate A590 Coca. Castle Walls and Moat Asgl Coca. View of Castle from Hillside Asg2 Coca. The Inner Walls A593 Coca. The Tower, Walls, and Moat A594 Zee NON OGRAPHS LO East Exhibition Room North Wall WATER COLOURS Cérdoba. Cathedral and Bridge Cérdoba. Mercado Arch Cérdoba. Plaza outside Mercado Cérdoba. End of Patio Cérdoba. Patio of a House facing Mercado Cérdoba. Calle San Fernando Cérdoba. Type on Bench, Paseo del Gran Capitén Cordoba. Beggar Cérdoba. Portillo Cérdoba. Cérdoba. Cérdoba. Public Carriages General View of Cuenca from Left Side A609 Cuenca. General View from Right A6t1o Cuenca. General View from Above (Cliffs in Shadow) Cuenca. Bridge, Town, Mountain Cuenca. Ravine of the Huécar Cuenca A614-A615 Cuenca. Bridge, Town, and Mountain A616 Province of Cuenca. First Village from Cuenca A617 Cuenca. Cliff Houses A618 HISPANTO NG AND DRAWINGS Cuenca. Women at Fountain, Church in Background A619 Cuenca A620 Cuenca. Ravine of the Jucar Ao21 Cuenca A622-A623 Hernani. Church and Plaza A624 Cuenca A625 Cuenca. Ravine of Huécar from Below A626 El Escorial A627 El Escorial. General View A628 Huete, Province of Cuenca. General View A629 Guadamur A630 Huete. Plaza and Clock Tower A631 Huete. Clock Tower and Fountain A632 Huete, Province of Cuenca. Houses on Hill Street A633 Madrid. Church of San Sebastién A634 Madrid. The Toledo Bridge A635 Medina del Campo. The Church of San Antolin A636 Medina del Campo. Castilla de la Mota A637 Madrid. Plaza Mayor A638 Navahermosa. Parador de Obelar A639 Navahermosa. Street Scene A640 East Exhibition Room North Wall AND MONOGRAPHS I2 WATER COLG@rs. East Exhibition Room North Wall Pancorbo. View toward Pancorbo Tunnel A641 Pancorbo between Jagged Peaks A642 Pancorbo. Town Hall and Fountain A643 Pasajes. San Juan from San Pedro A644 Pasajes. San Juan from SeaWall A645 Pasajes. Extensive View of Harbour A646 Pasajes. General View of Harbour Salamanca. Plazuela del Corrillo Salamanca. San Martin and Arches of Plaza Mayor A649 Salamanca. Calle Garcia de Barrado A650 San Sebastidn. Monte Igueldo A651 Salamanca from the River Tormes A652 Salamanca. General View from across River A653 Segovia. Alcdzar from Bridge near Mint A564-A655 San Sebastidn. The Old Port A656 MADRAZO Y KUNTZ, Juan de, d. 1880 Corneto. Etruscan Sepulchre Weapon Supports Church of Saint Waast, Soissons HISPANIC ND ae AND DRAWINGS 13 Design for a Presidential Chair and Bench| East for the Meeting Place of the Order of the pees Knights of Calatrava A660} North Glazed Tiles, or Azulejos A661| Wall Plan for a Sepulchre for a Magistrate A662 Gable End of the House, Calle Ancha de San Bernardo A663 Church of San Alejandro de Lucquel A664 Project for an Entrance Door for a Building A665—-A666 Project for an Armory A667 awrc of los S. 3S. ea Athens A668 A Window A669 Church of los S. S. Angeles in Athens A670 URRABIETA VIERGE, Daniel,1851—1904] East A Skeich A671 ee Getafe A672 Study of a Beggar, Spain A673 VERGARA, José, 1726-1799 Sketch of Two Angels A674 CAMARON Y BORONAT, José, 1730- 1803 Saint John the Baptist A675 Saint Theresa A676 POON OGRA PHS 14 WATER GODOMieS East i ee URRABIETA VIERGE, Daniel, 1851- Room IQO04 East A Spanish Shepherd A677 xe Festival A678 MADRAZO Y KUNTZ, Federico de, 1815- 1894 A Sketch A679 MADRAZO Y AGUDO, José de, 1781-1859 Don Antonio Sota, the Sculptor A680 A Sketch A681 PINELLI Don José Madrazo y Agudo A682} MADRAZO Y KUNTZ, Federico de, 1815- 1894 Pelayo in Covadonga A683 ARTIST UNKNOWN Don Quixote and Sancho Panza A684 BYNE, Arthur, 1884- Central Motif of the Colossal Iron Reja of the Royal Chapel at Granada A685 HISPANIC NOTES AND DRAWINGS 15 MADRAZO Y GARRETA, Ricardo de, | East facie ane Sketches of a Bronze Effigy of a Grandee of} past Spain, Chamberlain of Charles the Fifth | Wall A686-A688 RAMOS MARTINEZ Sketch of Goya’s Tapestry Cartoon, “ Blind- man’s Buff” A689 GOYA Y LUCIENTES, Francisco José de, 1746-1828 Drawings in Sepia A690-A759 BECQUER, Valeriano Dominguez, 1834- Me 1870 The Blessing A760 VEGA, Francisco Preciado de la, 1713-1789 Coronation of the Royal Infante of Spain, Don Carlos Borbén, in the Metropolitan Church of Palermo A761 URRABIETA VIERGE, Daniel, 1851-1908 A Sketch A762 PEIXOTTO, Ernest Clifford, 1869- An Aymaré Musician, Bolivia A763 AND MONOGRAPHS 16 WATER COLOURS East Exhibition Room South Wall A Bullock Wagon, Salina Cruz, Mexico A764 Pottery Venders, Pucaré, Peru A765 URRABIETA VIERGE, Daniel,1851—1904 Sketches for Illustrations in “‘The Sculptor and the Duke” by Juan Zorrilla A766-—A767 Barcelona. The Turkey Market A768 Sketch Drawn for the Album Published for the Benefit of the Victims of the Flood at Murcia A769 SANGER, William, 1875- Saint Matthew, Glorieta of Santiago Cathe- dral A770 Moses and Isaiah, Gate of Glory, Santiago Cathedral Fa eh fi Saint John and Santiago, Santiago Cathedral Av7e Two Prophets, Gate of Glory, Santiago Cathedral A773 URRABIETA VIERGE, Daniel,1851—1904 Costumes of Leén and Céceres A774 Unfinished Sketch for Picture, “Festival” A775 HISPANTL GIN © i Mee RAWINGS 17 Costumes of Ciudad Real and Toledo A776) East Wine Jars A777 sieney rit A Sketch A778) south Wall EDWARDS, George Wharton Saint Mary’s Cathedral, Sevilla A1865 Fountain and Court of the Lions, Alhambra, Granada A1866 Toledo. Ox Teams A1867 Saint Martin’s Bridge, Toledo A1868 Convento de Santa Paula, Sevilla A1869 Alcdzar, Sevilla | A1870 The Great Bridge and Gorge, Ronda A1871 Cérdoba. Entrance Gateway A1872 SANGER, William, 1875- An Angel, Santiago Cathedral A779 Saint Peter and Saint Paul, Gate of Glory, Santiago Cathedral A780 Daniel and Jeremiah, Santiago Cathedral A781 Column of Jesse, Gate of Glory, Santiago Cathedral A782 Figures, Great Arch, Gate of Glory A783-A788 Saint Luke, Gate of Glory A789 Two Figures, Gate of Glory A790 DeNeoeeou ON OG RAPHS 18 East Exhibition Room South Wall WATER COO Ga Saint John, Gate of Glory Saint Mark, Gate of Glory A792 The Christ A793 Prophets, Gate of Glory A794-A796 Motherhood, Gate of Glory A797 Two Angels, Gate of Glory A798 Inferno, Gate of Glory A799 Motherhood, Gate of Glory A8o0o Inferno, Gate of Glory A8o1 Arch Detail, Gate of Glory A802 URRABIETA VIERGE, Daniel,1851—1904 Sketches for Illustrations in “Don Pablo de Segovia” by Quevedo A803-A808 The Muleteer Singing a Malagueta A809 The Schoolmaster; or, A Manchegan Boy’s School A810 Sketch for an Illustration in “Don Pablo de Segovia’ by Quevedo A811 A Sketch A812 Sketches for Illustrations in “Don Pablo de Segovia” by Quevedo A813-A814 Sketches A815-A818 RICO Y ORTEGA, Martin, 1833-1908 Sketches . A819-A820 HISPANTO NO Tee PeNsveiA WINGS ROTH, Ernest David, 1879- An Old Corner, Segovia HASSAM, Childe, 1859- Outer Gate, Toledo SMITH, André — The Cliffs of Cuenca A823 ROTH, Ernest David, 1879- Toledo. A824 Gerona | A825 Cuenca A826 PEIXOTTO, Ernest Clifford, 1869- Avila. An Outlying Street A827 Valldemosa. Cathusian Monastery A828 Sevilla. Gardens of the Alcazar A829 Sevilla. Pavilion of Charles the Fifth, Alcazar Gardens A830 Aranjuez. The Fountain of Apollo A831 La Granja. The Carrera de Caballos A832 La Granja. The Royal Palace and Terrace Cobblers A834 The Cobbler and Maker of Hats A835 Montserrat. The Monastery Buildings A836 APNDe MONOGRAPHS 19 East Exhibition Room South Wall 20 East Exhibition Room South Wall WATER COG a Montserrat Gerona from the Banks of the Ona Gerona. ‘San Feliu’s Truncated S pire” A839 Gerona Tarragona. Palace Now a Prison Tarragona. Cathedral Almudaina in Mallorca Seo Pollensa. A House Interior Pollensa, Mallorca. Fisherman’s from Porch of Anglada’s House A846 Pollensa, Mallorca. Ascent to the Calvary Entrance Vestibule of Villa at Raxa Palma. Patio of the Casa Sollerich Palma. The Harbour Valldemosa. Old Olive Trees Xauxa, Peru. Market Place . Panama. The Cathedral Urcos, Peru Cuzco, Peru. Arco di Santa Clara Miramar Puno, Peru. The Plaza and Church Braga. Church of Séo Joao HISPANIGQ }’ Ge mn We RAWINGS 21 The Monumental Scala, a Wilderness of| ¥4st Stairs (Bom Jesus) A859 even Bom Jesus. Corner of a Romeria A860! gouth Porto. An Ox-Team A861| Wall Braga. “Whose Jalousies Recall the Days of Moorish Occupation” A862 Guimaraes. The Town Hall A863 A Wine Boat on the Douro A864 Porto. Terraces overlooking the Douro A865 The Gorge of the Douro at Porto A866 Leir1a. The Market A867 “Sitting Sideways upon Their Patient Donkeys”’ A868 Porto. The Cathedral A869 Batalha A870 Batalha. An Angle of the Cloisters A871 Leiria., The Castle A872 Coimbra. Choir Stalls in the Church of Santa Cruz A873 Bussaco. The Monastery and Palace A874 Alcobaga. The Tomb of Dom Pedro A875 Coimbra from the Banks of the Mondega A876 Coimbra. Arco de Almedina A877 Coimbra. Quinta de Santa Cruz A878 Cintra. Entrance to the Pena A879 AND MONOGRAPHS WATER COLOURS Bast Cintra. Castello da Pena same Thomar. Church of the Templars A881 South Belém. The Cloister of the Jeronymos A882 Wall Belém. West Door of the Jeronymos A883 Cintra. Old Royal Palace A884 Lisboa. Rua Augusta A885 The Torre de Belém A886 Belém. Church of the Jeronymos A887 The Garden of the Linderaxa, Alhambra The Lisbon Water Front A889 Lisboa. The Older Quarters of the City Spared by the Terrific Earthquake of 1755 A8go Toledo. Patio of anInn A891-A892 Granada. Upper Gardens of the Generalife A893 Avila. An Old Palace A894 Avila. Interior of the Cathedral A895 Avila. ‘‘Emerged with its Crosses and Banners” A896 Avila. A Corner of the Feria A897 Avila. A Hill Town in Old Castilla A808 Avila. “Massive Walls and Towers That Girdle It Without a Breach” A899 HISPANIC NOTES A Exhibition 9°°} Room and Battlement Agot| Wall Segovia. The Peasants Bartered and Gos- stped Ago2 Segovia. “The Town Piled up Grandly from This Side, too” A903 Segovia. The Twelve-sided Church of Vera Cruz Ago4 Segovia. The Roman Aqueduct Ago5 Salamanca. “The Matador, too, Was a Competent Fellow”’ Ago6 Salamanca. Patio of the Casa de las Con- chas Ago7 Fagade of the University of Salamanca Ago8 “The Lace-Like Towers of Burgos’ Agog Salamanca from the Puente Romano Agito Salamanca. The Great Palace of the Monterreys AgI1 GONZALEZ GOMARRA, Francisco, 1890- Cuzco. Fortress of Sacsaihuamén. Sunset Agi2 A Group of Llamas Ag13 meee ONOGRAPHS 24 East Exhibition Room South Wall WATER COLOURS Cuzco. Dome of the Chapel del Triunfo Ag14 Cuzco. La Merced Church AgI5 Lima. The Convent of San Francisco Ag16 Convent of San Francisco of Lima. Sun Effect Aogti7 Convent of San Francisco of Lima. The Stairs Ag18 Lima. House of the Marquis of Torre Tagle Agig Convent of San Francisco of Lima. A Door Ag20 An Alcalde from Husac Ag2i} “La Perricholv’’, Illustration for ‘Tradiciones Peruanas”’ by Ricardo Palma Ag22 DUMONSTIER, Daniel, 1574-1648 Philip the Third, King of Spain Ag23 ARTIST UNKNOWN Lord Nelson Ag24 Asin go Fray Bartolomé de las Casas Ag25 ARTIST UNKNOWN | Choir Stalls, Toledo Cathedral Ag26 URRABIETA VIERGE, Daniel,1851—1904 Don Quixote and His Helmet Ag27 HISPANTOC&N Os AND DRAWINGS 25 Don Quixote Sallies Forth Ag28| East Don Quixote and His Helmet Ag29 Pree Sketches for “‘A Room in the House of Don} gouth Quixote” Ao030-A931| Wall ARTIST UNKNOWN A Sketch Ag32 ARTIST UNKNOWN A Skeich A933 ARTIST UNKNOWN A Sketch A934 ARTIST UNKNOWN A Sketch Ag35 URRABIETA VIERGE, Daniel,1851—1904 View of Toboso from the Plain A936 Toboso A937 A Street of Toboso Ag38 Toboso Ag39-Ag41 A Street of Toboso Ag42 Toboso Ag43-A944 The Kitchen of the Posada in Toboso Ag4s5 Toboso. Posada. Entrance to the Wine Cellar Ag46 Powe NOGRAPHS 26 WATER - CODOMsS poem Toboso. Juana, the Other Daughter of the a. ‘““Amo”’ of the Posada Ag47 South The Well in the Courtyard of the Posada at Wall Toboso ( Ag48 Sierra Morena Road. Viso del Marqués A949 Viso del Marqués. Dona Teresa Washing Ag5o A Road of Marqués. A Bit of El Viso Ag5I Sierra Morena. Episodes of the Artist’s Journey Ag52-A953 A Scene at the Venta de Cardenas Ag54 Venta de Cardenas AQ55 Sierra Morena. Los Organos Ags56-A957 Sierra Morena. Los Organos Ag58 Sierra Morena Ags59 Sierra Morena. Pico del Panaero (sic; Ag6o Sierra Morena. Highroad of Andalucia. Des petaperros Aog61 Sierra Morena. A Sad Night Ag62 Sierra Morena Ag63-A964 Road to the Cave of Monturin Ag65 A Sketch for the Dance at Herencia Ag66 Sketches Ag967—A969 A Bit of Montiel Ag7c HISPANIC NOW ia MeNOeDRAWINGS 27 Montiel aye ape ; : Exhibition A Street in Montiel 1072) Boon Castle of Peter the Cruel from a Street in| South Montiel Ao73| Vall Ploughing in the Highlands between Montiel and Villahermosa Ag74 Toboso. Maria, One of the Daughters of the ‘““Amo’”’ of the Posada Jays Gregorio’s Wife Buying from a Street Peddler Ag76 Tomelloso. Grapes Ao77 City Hall of Alcdézar de San Juan Ag78 The Facade of the Fonda at Alcdézar de San Juan A979 A Corner of the Courtyard in the Fonda of Alcazar de San Juan Ag8o Alcazar de San Juan. Santa Maria. Ag81—Ag82 Alcazar de San Juan Ag983-A985 A Peasant of Puerto-Lépiche Peddling Fruit in a Street of Alcdézar de San Juan Ag86 On the Outskirts of Alcézar de San Juan A087 A Road of Alcazar de San Juan Ag88 A Bit of Alcazar de San Juan Ag89 AND MONOGRAPHS 28 WATER CODON a> East Exhibition Room South Wall Courtyard of a Chalk Mill at Manzanares Aggo Campo de Criptana. Corner of the Plaza AggI Toboso. A Glimpse of the Big Church Agg2 Toboso. Entrance to Posada A993 The Windmills of Criptana as Seen from the Distance Ago94 One of the Ancient Windmills of Criptana Ag95 Campo de Criptana Ago96 A Typical Bit of Scenery at the Mills of Criptana A997 Fagade of a House at Campo de Criptana Ago98 Campo de Criptana Agg99 One of the Upper Streets of Criptana A1ooo Campo de Criptana A1oo1—A1005 Campo de Criptana. In Honour of the Master A1006 Argamasilla. Feminine Curtosity A1007 Campo de Criptana A1008 The Dance of Herencia Atoog Campo de Criptana AtIo1o Argamasilla. The Return Trip AIoIlI Argamasilla de Alba Ato12 HISPANIC NOT Es AND DRAWINGS The Little Plaza behind the Church at Argamasilla A1o013 Argamasilla de Alba. The Return Trip A1or4 Argamasilla. A Tobosan Woman Cart Peddler on Market Day AI0oI5 Argamasilla de Alba A1o16 Castillo de Argamasilla AIo17 Argamasilla. The Return Trip A1o18 Argamasilla de Alba Ato1g Balcony of the Posada of Argamasilla de Alba A1020 The Posada of Argamasilla. Feminine Curtosity Aro21 Argamasilla de Alba. The Kitchen of the Parador del Carmen A1022 Argamasilla. A Scene in the Posada A1023 Argamasilla de Alba Ato24 Argamasilla. Scene in the Posada Stables A1025 Argamasilla. Muleteers in the Posada A1026 Manzanares. Dinner Time in the Bodega A1027 Argamasilla. Cave Where Cervantes Wrote Don Quixote A1028 29 East Exhibition Room South AND MONOGRAPHS 30 East Exhibition Room South Wall WATER COUWOtiteS Argamasilla de Alba. Cave Where Cervantes Was Imprisoned and Wrote the Book Argamasilla de Alba A030 Argamasilla. A “‘Galena’, a Sort of Farm Wagon in General Use in the Castillas AIo3I1 Ruidera. The Beehives A1032 A Road of Ruidera A1033 A Road of Ruidera. The Place Where We Dined AI034 A Characteristic Bit of Scenery on the Way to Ruidera A1035 A Road of Ruidera. The Evergreen Oaks A1036 A Woman of Ruidera A1037 Ruidera. Cortijo de San Pedro A1038 Near the Cortujo de San Pedro AI039 The Cave of Montesinos A1o4o Cortijo de San Pedro. The Ruined Interior of the Hermitage of Saelices AIo4I Cortyjo de San Pedro A1042 A Road of Villahermosa. The Return Trip ; A1o43-A1044 A Road of Viullahermosa. An Upper Valley of the Guadiana Ato45 HISPANTO NG aN RAWINGS 31 A Road of Villahermosa. The Return Trip| East Exhibition A1046 Room The Entrance to Villahermosa A1I047| South Villahermosa A1048| Wall Infantes Picking Saffron Flowers Atoa4g Approaching Villahermosa A1o50 RICO Y ORTEGA, Martin, 1833-1908 Sketches Atos51—A1056 ARTIST UNKNOWN A Sketch A1057 ARTIST UNKNOWN A Sketch A1o58 RICO Y ORTEGA, Martin, 1833-1908 Sketches Atos59—A1068 ROBINSON, Florence, 1874- Generalife Garden, Granada A1o69 Alhambra, Granada A1o070 Generalife Garden, Granada A1o7I Alhambra, Granada A1o72-A1074 Segovia AIo75 Torre de los Picos, Alhambra, Granada A1076 Bridge at Toledo A1o77 AND MONOGRAPHS 32 East Exhibition Room South Wall — WATER COTO iss Alhambra, Granada A1078 Church Door, Guetaria A1o79 Street in Guetaria A1080 Guetaria Ato81 Bay of Biscay, Guetaria A1o082 FUCHS, Emil, 1866-— Skeiches for the Medal of The Hispanic Society of America A1083-A1085 Sketches for the Medal of Arts and Letters of The Hispanic Society of America A1086-A 1092 VIVES Y ESCUDERO, Antonio, 1859- 1925 Sketches of Pre-Roman and Roman Bronzes A1093—A1133 CARDERERA Y SOLANO, Valentin, 1796-1880 Sketches for his “‘Iconografia espafiola”’ Ferdinand, el Magno A134 Don Alonso the Sixth AI135 Head of Don Alonso the Seventh, el Em- perador A1136 Bishop San Florencio. Alonso the Seventh, el Emperador A1137 HISPANIC NOTES AND DRAWINGS 33 Tomb of Don Alonso, el Batallador Ax138} ast Exhibition Tomb of an Infanta of Aragén EOC Ons Don Sancho the Third, el Deseado —Axr140| South Bas-Relief of the Tomb of his Wife, Dona| Wall Blanca of Navarra AIrqi Tomb of Dota Urraca, of Dona Sancha, Countess of Tolosa, and of Dona Teresa, Countess of Provence, Daughters of Don Ramiro the First, King of Aragén Ar142 Detail from the Tomb of Don Alonso the Eighth, He of Las Navas A1143-A1144 Tomb of Don Alonso the Eighth, He of Las Navas. Tomb of Eleanor of England, his Wife AIlI45 Tomb of Eleanor of England A146 Headpiece of the Sepulchral Urn of Don Alonso, He of Las Navas AII47 Statue of a King or an Emperor A148 Don Diego Martinez de Villamayor A1149 Dota Berenguela, la Grande Atts5o-A1151 Henry the First AI1I52 Don Bernaldo Guillen de Mombpeller; or, Entenza —~_ Alrs3 Ferdinand the Third, el Santo ©