The Private Library 
 
 \/ 
 r OF 
 
 | HERBERT L. ROTHCHILD 
 
 OF 
 
 SAN FRANCISCO, CALIFORNIA 
 
 _ TO BE SOLD ON THE AFTERNOONS AND EVENINGS OF 
  Aprit 30TH anp May Ist, AND THE AFTERNOON 
 oF May 2np, 1924 
 
 | AMERICAN ART ASSOCIATION, Ine. 
 
 _ MADISON AVENUE, 56TH TO 57TH STREET 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 
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 ROBERT LOUIS STEVENSON 
 THE Eps-Tive 
 Original Autograph Manuscript 
 [No. 1812] 
 
The Private Library Ne Arn 
 
 OF 
 
 HERBERT L. ROTHCHILD 
 
 OF 
 
 SAN FRANCISCO, CALIFORNIA 
 
 EXCEPTIONALLY COMPLETE SERIES OF 
 FIRST EDITIONS OF XIXth AND XXth CENTURY WRITERS, 
 INSCRIBED VOLUMES AND ORIGINAL MANUSCRIPTS 
 j 
 
 ORIGINAL WATERCOLOR BY WILLIAM BLAKE« — 
 
 THE BEAUTIFUL KELMSCOTT ‘‘CHAUCER”’ IN ORIGINAL FULL PIGSKIN, 
 
 THE ASHENDENE “‘MORTE D’ARTHUR’’? AND MANY OTHER FINE 
 
 VOLUMES FROM THESE AND OTHER FAMOUS MODERN PRESSES, 
 INCLUDING THE DOVES PRESS, VALE, BEAUMONT AND OTHERS 
 
 HANDSOMELY BOUND VOLUMES BY COBDEN-SANDERSON, THE DOVES 
 BINDERY AND OTHER FINE BINDERS 
 
 SERIES OF PUBLICATIONS OF THE BOOK CLUB OF CALIFORNIA AND 
 OTHER EQUALLY DESIRABLE VOLUMES 
 
 With reproductions 
 
 AMERICAN ART ASSOCIATION, INc. 
 MADISON AVENUE, 56TH TO 57TH STREET 
 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK 
 Telephone; Puaza 1270 
 
 1 
 Nae 
 
On Free Public Exhibition— 
 
 Commencing Saturday, April 26th, and 
 Continuing until date of sale 
 
 Unrestricted Public Sale— 
 
 Wednesday, Thursday and Friday 
 afternoons, April 30th, May Ist and 2nd, 
 and Wednesday and Thursday evenings, 
 April 30th and May Ist, 1924, at 2:30 in 
 
 the afternoons and 8:15 in the evenings. 
 
 Exhibition and Sale at the— 
 
 AMERICAN ART GALLERIES 
 MADISON AVENUE, 56TH TO 57TH STREET 
 ENTRANCE 30 EAST 57TH STREET, NEW YORK | 
 
 Telephone: Piaza 1270 
 
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CONDITIONS OF SALE 
 
 __L Rejection of bids: Any bid which is not commensurate with the value of the 
 article offered, or which is merely a nominal or fractional advance may be ,rejected by 
 the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 
 
 II. The buyer: The highest bidder shall be the buyer, and if any dispute arises 
 between two or more bidders, the auctioneer shall either decide the same or put up for 
 re-sale the lot so in dispute. 
 
 III. Identification and devosit by buyer: The name of the buyer of each lot shall 
 be given immediately on the sale thereof, and when so required, each buyer shall sign a 
 ecard giving the lot number, amount for which sold, and his or her name and address. 
 
 A deposit at the actual time of the sale shall be made of all or such part of the 
 purchase prices aS may be required. : 
 
 If the two foregoing conditions are not complied with, the lot or lots so pur- 
 chased may at the option of the auctioneer be put up again and re-sold. 
 
 IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer, 
 and thereafter the property is at the purchasers’ risk, and neither the consignor nor the 
 Association is responsible for the loss of, or any damage to any article by theft, fire, 
 breakage, however occasioned, or any other cause whatsoever. 
 
 V. Delivery of purchases: Delivery of any purchases will be made only upon 
 payment of the total amount due for all purchases at the sale. 
 
 VI. Receipted bills: Goods will only be delivered on presentation of a receipted 
 bill. A receipted bill presented by any person will be recognized and honored as an order 
 by the buyer, directing the delivery to the bearer of the goods described thereon. If a 
 receipted bill is lost before delivery of the property has been taken, the buyer should 
 immediately notify the Association of such loss. 
 
 _. VII. Storage in default of prompt payment and calling for goods: Articles not 
 paid for in full and not called for by the purchaser or agent by noon of the day following 
 that of the sale may be turned over by the Association to some carter to be carried te 
 and stored in some warehouse until the time of the delivery therefrom to the purchaser, 
 and the cost of such cartage and storage and any other charges will be charged against 
 the purchaser and the risk of loss or damage occasioned by such removal or storage will 
 be upon the purchaser. 
 
 In any instance where the purchase bill has not been paid in full by noon of the 
 day following that of the sale, the Association and the auctioneer reserve the right, any 
 other stipulation in these conditions of sale notwithstanding, in respect to any or all lots 
 included in the purchase bill, at its or his option, either to cancel the sale thereof or to 
 re-sell the same at public or private sale without further notice for the account of the 
 buyer and to hold the buyer responsible for any deficiency and all losses and expenses 
 sustained in so doing. 
 
 VIII. Shipping: Shipping, boxing or wrapping of purchases is a business in which 
 the Association is in no wise engaged, but the Association will, however, afford to pur- 
 chasers every facility for employing at current and reasonable rates carriers and packers; 
 doing so, however, without any assumption of responsibility on its part for the acts and 
 charges of the parties engaged for such service. 
 
 IX. Guaranty: The Association exercises great care to catalogue every lot cor- 
 rectly and endeavors therein and also at the actual time of sale to point out any error, 
 defect or imperfection, but guaranty is not made either by the owner or the Association 
 of the correctness of the description, genuineness, authenticity or condition of any lot and 
 no sale will be set aside on account of any incorrectness, error of cataloging or imper- 
 fection not noted or pointed out. Every lot is sold ‘‘as is’ and without recourse. 
 
 Every lot is on public exhibition one or more days prior to its sale, and the Asso- 
 ciation will give consideration to the opinion of any trustworthy expert to the effect that 
 any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot 
 as catalogued or make mention of the opinion of such expert, who thereby will become 
 responsible for such damage as might result were his opinion without foundation. 
 
 X. Records: The records of the Auctioneer and the Association are in all cases to 
 be considered final and the highest bid shall in all cases be accepted by both buyer and 
 seller as the value against which all claims for losses or damage shall lie. 
 
 XI. Buying on order: Buying or bidding by the Association for responsible 
 parties on orders transmitted to it by mail, telegraph, or telephone, if conditions permit, 
 will be faithfully attended to without charge or commission. Any purchases so made 
 will be subject to the foregoing conditions of sale, except that, in the event of a purchase 
 of a lot of one or more books by or for a purchaser who has not through himself or his 
 agent been present at the exhibition or sale, the Association will permit such lot to be 
 returned within ten days from the date of sale, and the purchase money will be refunded 
 if the lot differs from its catalogue description. 
 
 Orders for execution by the Association should be given with such clearness as 
 {o leave no room for misunderstanding. Not only should the lot number be given, 
 but also the title, and bids should be stated to be so much for the lot, and when the 
 lot consists of one or more volumes of books or objects of arts, the bid per volume 
 or piece should also be stated. If the one transmitting the order is unknown to the Asso- 
 ciation, a deposit must be sent or reference submitted. Shipping directions should also 
 be given. 
 
 Priced Catalogues: Priced copies of the catalogue, or any session thereof, will be 
 furnished by the Association at charges commensurate with the duties involved in copy- 
 ing the necessary information from the records of the Association. 
 
 These conditions of sale cannot be altered except by the auctioneer or by an officer 
 of the Association. 
 
 AMERICAN ART ASSOCIATION, INc., MANAGERS. 
 DEPARTMENT OF BOOKS AND PRINTS, ARTHUR SWANN, Director, 
 OTTO BERNET, 
 HIRAM H. PARKE, 
 AUCTIONEERS, 
 
First Session, Numbers | to 341, inclusive 
 
 WEDNESDAY AFTERNOON, APRIL 30th, AT 2.30 O’CLOCK 
 
 ADAMS (CHARLES Francis). An Autobiography. With a Memorial 
 Address delivered . . . by Henry Cabot Lodge. Second Edi- 
 tion. Portrait frontispiece. Square 8vo, cloth, gilt top, uncut. 
 
 Boston and New York, 1916 
 
 . ADDISON (JOSEPH). Remarks on several parts of Italy, &c. in the 
 
 years 1701-1703. 12mo, full contemporary calf, gilt back. 
 ; London, 1705 
 
 FINE Copy OF THE First EpIrion. 
 
 . ALASTAIR. Forty-three drawings by Alastair. With a Note of Expla- 
 
 nation by Robert Ross. Plates in color and black-and-white. 4to, 
 white buckram, gilt, gilt top, uncut. London, 1914 
 First Epition. Limited to 500 copies, of which this is, No. 161. 
 
 ANACREON. Odes d’Anacréon. . . . Traduction d’Amb. Firmin Didot. 
 With numerous illustrations by Girodet. 16mo, half red morocco, 
 gilt fillets on sides, gilt panelled back. Paris, 1864 
 
 ApuLkius. The Golden Ass of Apuleius. Newly Translated with In- 
 troduction and Notes by Francis D. Byrne. Hngraved title. 8vo, 
 half vellum, mottled sides, red top, uncut, worn. 
 
 London, no date 
 
 ORIGINAL EDITION. WITH SERIES OF SEVENTY PLATES. 
 
 GENUINE FIRST ISSUE—WITH ADDITIONAL ILLUSTRATIONS 
 
 ARABIAN Nicuts. Burton (Sir Ricuarp F.). A Plain and Literal 
 Translation of the Arabian Nights Entertainments, now entitled, 
 the Book of the Thousand Nights and a Night. With Introduc- 
 tion, Explanatory Notes on the Manners and Customs of Moslem 
 Men, and a Terminal Essay upon the History of the Nights. 10 
 vols.; | Also|—-The Supplemental Nights. 6 vols. Together, 16 
 vols. royal 8vo, original gilt cloth. Benares | 1885-1888 | 
 
 THE RARE ORIGINAL EDITION. Accompanied by a series of Seventy 
 Original Ulustrations to Captain Sir R. F. Burton’s “Arabian Nights,” 
 and a Portrait of Captain Sir Richard Burton. Reproduced from the 
 Original Pictures in Oils, Specially painted by Albert Letchford. S8vo, 
 original gilt cloth, uncut. London, H. 8S. Nichols, Ltd. [1897]. 
 
 The Genuine Issue of the first and complete translation into English 
 from the originals of these famous tales, printed by the Kamashastra 
 Society, for Private Subscribers Only. This is the most plain and 
 literal translation in the English language, and is accompanied by An- 
 thropological Notes of the most strange and private nature, which show 
 the translator’s intimate knowledge of the Private Life of Eastern So- 
 ciety. 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 
 te 
 
 10. 
 
 1S 
 
 12. 
 
 Art Pusiication. The Apple (Of Beauty and Discord). [A Quar- 
 terly Publication.]| 4 parts for the year 1920, and the 1st part 
 for 1921. Profusely wlustrated, a number of the plates in tint. 
 Bound in one vol. 4to, publisher’s cloth. Fly-leaf defective. 
 
 London [1920-1921] 
 
 A very fine publication. Containing contributions by well-known art 
 authorities. The reproductions include those of etchings, paintings- 
 and drawings. 
 
 FINE SERIES OF WORKS FROM THE ASHENDENE PRESS 
 
 ASHENDENE Press. Three Poems of John Milton. Small 4to, orig- 
 inal cloth, uncut. — Ashendene, 1896 
 Limited to 50 copies, of which this is, No. 27. 
 
 ASHENDENE Press. Three Elegies. Jycidas, by John Milton; Ado- 
 nais, by Perey B. Shelley; Thyrsis, by Matthew Arnold. Small 
 4to, new cloth, original wrappers bound in. Chelsea, 1899 
 
 Limited to 50 copies, of which this is, No. 18. 
 
 JAPANESE VELLUM PAPER ISSUE OF HORACE’S “ALCAICA” 
 
 ASHENDENE Press. Quinti Horati Flacci Carmina Aleaica. Initial 
 letters done by hand. 12mo, vellum, uncut. [London] 1903 
 
 EDITION LIMITED to 25 copies, beautifully printed throughout on 
 Japanese vellum paper in great primer type, modeled after the type 
 used at Subiaco by Sweynheym and Pannartz in the year 1465. 
 
 JAPANESE VELLUM PAPER ISSUE OF “SAPPHICA” 
 
 ASHENDENE Press. Quinti Horati Flacci Carmina Sapphica. Indtial 
 letters done by hand. 12mo, vellum, uncut. | London] 1903 
 
 EDITION LIMITED TO 25 COPIES, BEAUTIFULLY PRINTED THROUGHOUT ON 
 JAPANESE VELLUM PAPER in great primer type, modeled after the type 
 used at Subiaco by Sweynheym and Pannartz in the year 1465. 
 
 ONE OF THE MOST BEAUTIFUL BOOKS OF MODERN TIMES 
 
 ASHENDENE Press. Matory (Sir THomas). The Noble and Joyous 
 Book Entytled Le Morte D’Arthur. Notwythstondyng it Treateth 
 of the Byrth, Lyf, and Actes of the Sayd King Arthur, of His 
 Noble Knyghtes of the Rounde Table, Their Mervayllous En- 
 questes and Adventures, etc. Printed in blue, red and black, with 
 woodcuts drawn by Margaret and Charles M. Gere. Folio, full 
 russia, Jansenist, uncut. Chelsea [1913] 
 
 One of 145 copies printed at the Ashendene Press. This is one of the 
 most beautiful books printed in modern times, worthy to rank with the 
 Kelmscott “Chaucer” and the Ashendene Press “Dante.” 
 
 13. ASHENDENE Press. I] Libro di Messer Giovanni Boceaccio Cittadino 
 
 Fiorentino Chiamato il Decameron Cognominato Prencipe Ga- 
 leotto nel quale si Contengono Cento Novelle in dieci di dette da 
 sette donne e da Tre Giovani Uomini. Folio, boards, canvas back, 
 paper label, uncut. Chelsea, 1920 
 
 EDITION LIMITED to 125 copies, printed in three colors on handmade 
 paper. 
 
14. 
 
 16. 
 
 che 
 
 18. 
 
 1). 
 
 20. 
 
 a1. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 ASHENDENE Press. Vita di Santa Chiara Vergine Composta per Vgo- 
 lino Verino Cittadino Florentino. Reprinted from the Original 
 Manuscript with an Introduction and Notes by Walter W. Seton. 
 12mo, limp vellum, uncut, with ties. | London] 1921 
 
 EDITION LIMITED to 236 copies, printed in black and red on hand- 
 made paper. 
 
 . ASHENDENE Press. I Fioretti del Glorioso Poverello di Cristo S. 
 
 Francesco di Assisi. With woodcuts by J. Swain, designed by 
 C. M. Gere. 8vo, full limp vellum, uncut, with ties. 
 | London, 1922 | 
 
 EDITION LIMITED to 240 copies, printed on handmade paper in red 
 and black. 
 
 AsquitH (Marcor). The Autobiography of Margot Asquith. Illus- 
 trated. 2 vols. 8vo, original cloth, uncut. London, 1920-1922 
 FINE copy OF THE First Epition. 
 
 Bacon (Sir Franors). Cases of Treason. Complete in 35 pages. 
 Small 4to, full mottled calf, gilt, inner gilt dentelle borders, gilt 
 edges, title repaired, BY LLOYD. 
 
 London: Printed by the Assignees of John More, 1641 
 
 First Epirion. 
 
 Bauzac (Honoré pe). Nine Tales from the Contes Drolatiques. 
 Rendered into English of the. XIV. and XVI. Centuries, by 
 Robert Crawford. Frontispiece. 8vo, original cloth, vellum back, 
 paper label, uncut and UNOPENED, in original cloth dust wrappers. 
 
 London: Printed for Private Circulation and Sold Only to 
 Subscribers, 1921 
 
 Limited to 600 copies, printed on handmade paper, and signed by the 
 translator. AS NEW. 
 
 BANNING (KeENnpDALL). Bypaths in Arcady, a Book of Love Songs. 
 A Note of Comment by John W. Alexander. With photogravures, 
 full-page and head-jeces. Small folio, vellum boards, uncut. 
 
 Chicago: Brothers of the Book, 1915 
 
 LIMITED EDITION. One of 77 numbered copies printed on Japanese 
 vellum, of which this is, No. 31. 
 
 Barrie (Str James M.). Sentimental Tommy. The Story of his 
 
 Boyhood. 12mo, original cloth, gilt top, uncut. London, 1896 
 FINE copy oF THE First Epirron. 
 
 FINE COPY OF THE BASKERVILLE ISSUE OF ADDISON 
 
 BASKERVILLE Press. Appison (JosepH). 'The Works of the Late 
 Right Honorable Joseph Addison, Esq. With a Complete Index. 
 Plates by Hayman. 4 vols, 4to. full contemporary scored russia, 
 neatly rebacked. ! Birmingham, 1761 
 
 Fine copy of this esteemed editon. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 22. BAUDELAIRE (CHARLES). Les Fleurs du Mal. Small 4to, full medium 
 blue levant morocco, with a panel consisting of a floral border of 
 green, brown and wine-colored morocco, inlays and blind tooled 
 fillets on obverse cover, with a strap of olive morocco inlaid on 
 both sides; doublures of olive green crushed levant, bordered by 
 brown straps of levant, end leaves of green silk, wide inner borders . 
 of blue levant morocco, gilt top, uncut, By MemurtTy. Enclosed 
 in a green cloth, felt-lined slip-case. [ Paris, 1913] 
 
 EDITION LIMITED to 300 copies “sur papier de Batchelor.” 
 
 AUBREY BEARDSLEY: EXCEPTIONALLY LONG AND FINE SERIES OF 
 WORKS ILLUSTRATED BY HIM 
 
 23. BEARDSLEY (AUBREY). The Birth, Life, and Acts of King Arthur, of 
 His Noble Knights of the Round Table, their Marvellous En- 
 quests and Adventures, etc., by Sir Thomas Malory. Illustrated 
 by Aubrey Beardsley. 2 vols, 4to, original cloth, gilt, gilt tops, 
 uncut. London, 1893 
 
 First Two-voLUME EDITION WITH THE BEARDSLEY ILLUSTRATIONS 
 
 24. BEARDSLEY (AUBREY). Farr (FLORENCE). The Dancing Faun. 
 1894; Ecerton (GrEorGE). Keynotes, 1893; D’Arcy (Hua). 
 Monochromes, 1895; DAwEr (W. CarLETon). Yellow and White, 
 1895. All with title-pages and covers designed by Beardsley. 
 Together, 4 vols, 12mo, original cloth, uncut. 
 
 London, 1893-1895 
 
 Att First Epitions. The title-page and cover design on “The Danc- 
 ing Faun,” is a representation of James McNeill Whistler. 
 
 25. BEARDSLEY (AUBREY). JERROLD (WALTER). Bon-Mots of Charles 
 Lamb and Douglas Jerrold. With grotesques by Beardsley, 1893 ; 
 STACPOOLE (H. pE VERE). Pierrot.- With ilustrations on title 
 and endpapers and cover designed by Beardsley, 1896; Ross 
 (Roperr). Aubrey Beardsley. With siateen full-page ilustra- 
 tions and a revised iconography, by Aymer Vallance, 1909. 'To- 
 gether, 3 vols. 12mo, original cloth, uncut. London, 1893-1909 
 
 ALL First EpIrions. 
 
 26. BEARDSLEY (AUBREY). Lucian’s True History, translated by Francis 
 Hickes, with an Introduction by Charles Whibley. Illustrated 
 by Aubrey Beardsley, William Strang, and J. B. Clark. Small 
 4to, original buckram, uncut. | London: Privately Printed, 1894 
 
 First Eprrion. This is one of the Special Edition de Luxe, Printed 
 on Japanese Vellum, of which only 54 copies were issued. It also con- 
 tains the EXTREMELY RARE SUPPRESSED PLATE, loosely inserted as issued, 
 which was omitted from the ordinary edition. 
 
a 
 
 28 
 
 29. 
 
 30. 
 
 dl. 
 
 dX. 
 
 33. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 COMPLETE SET OF THE FIRST EDITIONS 
 
 . BEARDSLEY (AuBREY). The Yellow Book. An Illustrated Quarterly. 
 
 Vols. 1-13 (ALL PuBLisHED). From April, 1894 to April, 1897. 
 
 With dwlustrations by Beardsley and other artists of the day. To- 
 
 gether, 13 vols. small 4to, original yellow cloth with designs by - 
 
 Beardsley and others, uncut. London, 1894-1897 
 A COMPLETE SET. ALL First EpIrTions. 
 
 . BEARDSLEY PAMPHLETs. Prospectus of Keynotes Series. 1896; Pros- 
 
 pectus of The Yellow Book, 1895; Pamphlet entitled “Aubrey 
 
 Beardsley and the Yellow Book,” 1903. Enclosed in cloth slip- 
 
 case, morocco back; | Atso] Catalogue of Rare Books Offered for 
 
 Sale by Leonard C. Smithers, 1895. Together, 4 vols. 12mo, 
 
 original wrappers, uncut. London, 1895-1903 
 All contain illustrations by Beardsley. 
 
 IN ORIGINAL PARTS 
 
 BEARDSLEY (AuBREY). The Savoy. Nos. 1to8. January to Decem- 
 ber, 1896. Edited by Arthur Symons. Cover decorations and 
 illustrations by Beardsley. Together, 8 nos. royal 8vo, original 
 boards and wrappers, uncut. London, 1896 
 
 A COMPLETE SET. Rare. Contains contributions by Shaw, Symons, 
 Bilis, Dowson, Beerbohm, Yeats, William Sharp, Conrad, Rhys, Bliss 
 Carman, George Morley, Lionel Johnson, Ford Madox Hueffer, Crackan- 
 thorpe, Carpenter, George Moore, Frederick Wedmore, Vincent O’Sul- 
 livan, and others. 
 
 BEARDSLEY (AUBREY). The Savoy. Nos. 1 to 8, January to Decem- 
 ber, 1896. Edited by Arthur Symons. Cover decorations and 
 illustrations by Beardsley. 3 vols. royal 8vo, original cloth, gilt, 
 uncut. London, 1896 
 
 A COMPLETE SET. The cloth covers contain designs by Beardsley. Laid 
 in the first volume is the Rare “Prospectus,” in pink wrappers, as 
 issued. 
 
 BEARDSLEY (AuBREY). DovuGuas (Ropert B.) The Life and Times 
 of Madame Du Barry. frontispiece. 8vo, original decorated 
 cloth, uncut. London, 1896 
 
 First Epition. With cover design by Aubrey Beardsley. 
 
 BEARDSLEY (AUBREY). O’SULLIVAN (VINCENT). A Book of Bar- 
 gains. Frontispiece by Beardsley. 1896; Rupina (War). An 
 Evil Motherhood. Frontispiece by Beardsley. 1896; The Last 
 Letters of Aubrey Beardsley, with an Introductory Note by the 
 Rey. John Gray. 1904. Together, 3 vols. 12mo, original cloth, 
 uncut. London, 1896-1904 
 
 ALL First EDITIONS. 
 
 BEARDSLEY (AUBREY). O’SULLIVAN (VINCENT). The Houses of 
 Sin. Cover design by Beardsley. 8vo, original boards, uncut. 
 
 | London, 1897 
 First Epition. Limited to 400 copies.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 34. BrarpsteEy (Ausrey). A Book of Fifty Drawings. With an Icono- 
 
 eraphy by Aymer Vallance. With portrait of artist. 1897; A 
 Second Book of Fifty Drawings. 1899. Portrait of Beardsley and 
 14 of the plates hitherto unpublished. Together, 2 vols. 4to, cloth, 
 eilt, gilt tops, uncut. London, 1897-1899 
 
 oe EDITIONS. 
 
 WITH SIGNED AUTOGRAPH LETTER BY OSCAR WILDE REFERRING - 
 
 TO THIS WORK 
 
 35. BrarpDsLEY (AuBREY). Ben Jonson His Volpone: or The Foxe. 
 
 36. 
 
 ol. 
 
 38. 
 
 39. 
 
 With a Critical Essay on the Author by Vincent O’Sullivan. To- 
 gether with a Eulogy of the artist by Robert Ross. Frontismece, 
 five initial letters and cover design by Aubrey Beardsley. Ato, 
 cloth, gilt, uncut and unopened. 
 
 London: Leonard Smithers, 1898 
 
 First EDITION WITH THE BEARDSLEY ILLUSTRATIONS. Limited to 1,000 
 copies on Art Paper. 
 
 Mounted on end-leaf is an envelope containing an Autograph Letter 
 Signed: “Oscar Wilde.” 4pp. 16mo, Prés Cannes, [Jan. 12, 1899.] ‘To 
 Leonard Smithers, the publisher. A letter of intense interest, referring 
 to this work and to Beardsley’s illustrations. The envelope is also in 
 Oscar Wilde’s autograph and bears the stamp intact. 
 
 | BrarpsLEY (AuBREY).] The Book-Lover. The Autumn, Winter, 
 
 Spring and Summer Numbers for 1899-1900. 4 parts, 4to, in 
 cloth, original covers preserved. San Francisco, 1899-1900 
 
 Contains short article entitled “The Boyish Side of Aubrey Beards- 
 ley.” 
 
 FIRST EDITIONS; PRINTED ON JAPANESE VELLUM PAPER 
 BEARDSLEY (AuBREY). The Harly Work of Aubrey Beardsley. With 
 
 a Prefatory Note by H. C. Marillier. Portrait and plates. 1899; 
 The Later Work of Aubrey Beardsley. Plates. 1901. Together, 
 2 vols. 4to, original cloth, gilt tops. London, 1899-1901 
 
 First Epirions. BOTH VOLUMES PRINTED THROUGHOUT ON JAPANESE 
 Vettum. Of the first volume but 100 copies were printed of the Vellum 
 Hidition. 
 
 Brarpstey (Ausrey). The Story of Venus and Tannhauser. 4to, 
 
 cloth, paper label, uncut. London: For Private Circulation, 1907 
 
 First Eprrion. Limited to 50 copies printed throughout on’ Japan 
 Vellum. 
 
 BEARDSLEY (AUBREY). WILDE (Oscar). Salome. Tragédie in Hinem 
 
 Akte von Oscar Wilde. Ins Deutsche Ubertragen von Hedwig 
 Lachmann. Illustrated by Aubrey Beardsley, 4to, full limp un- 
 dressed calf, green silk linings, uncut. Leipzig, 1907 
 
 CONTAINS THE RARE SUPPRESSED PLATES. 
 
First Session, Wednesday Afternoon, April 30th 
 
 40. BEARDSLEY (AuBREY). Under the Hill, and Other Essays in Prose 
 and Verse. Illustrated by Beardsley. 4to, original cloth, gilt, 
 gilt top, uncut. London, 1913 
 
 First EDITION UNDER THIS TITLE. This, really the second edition of 
 the book, has a frontispiece, on India paper, tipped in, not in the First 
 Edition, which was issued under the title “Venus and Tannhauser,” 
 and which was not illustrated, nor did it contain the Table Talk and 
 two letters by Beardsley. 
 
 41. BrarpsLEy (AuBREY). Nineteen Early Drawings by Aubrey Beards- 
 ley. From the Collection of Mr. Harold Hartley. With an Intro- 
 duction by Georges Derry. 4to, sheets, in board portfolio. 
 
 No place, Privately Printed, 1919 
 One of 150 copies. 
 
 42. BEarpSLEY (AusBrEY). Fifty Drawings by Aubrey Beardsley. Se- 
 lected from the Collection owned by Mr. H. 8S. Nichols. 4to, 
 original cloth, gilt, gilt top. 
 
 New York: Published for Subscribers Only, 1920 
 Limited to 500 copies signed by Mr. Nichols. 
 
 43. BEARDSLEY (AuBREY). Drawings to Illustrate the Tales of Edgar 
 Allan Poe. With a portrait of the Author. 5 plates on vellum, 
 mounted on heavy gray cardboard, no date; Derry (GEORGES). 
 An Aubrey Beardsley Scrap Book. With an dlustration to Ibsen’s 
 “Ghosts.” London, 1920. Together, 2 vols. 4to, unbound, as 
 issued. New York and London, 1920 and no date 
 
 The latter is one of 200 copies, signed by the Author. 
 
 THE RARE FIRST EDITION: WITH “THE WILD-GOOSE CHASE” BOUND IN 
 
 44. BrauMonT (FRANCIS) AND FLETCHER (JOHN). Comedies and 
 Tragedies. Written by Francis Beaumont and John Fletcher, 
 Gentlemen. Never printed before, And now published by the 
 Authours Originall Copies. ‘With a brilliant impression of the 
 rare and choice portrait of Fletcher, surrounded by laurels and 
 emblematic designs, and with the verses at foot by Str John Bir- 
 kenhead, beautifully engraved by William Marshal. Folio, full 
 purple levant morocco, gilt panels and borders on sides, gilt pan- 
 eled back, inner gilt dentelle borders, gilt edges, BY DE COVERLY. 
 Margins of portrait skilfully repaired. 
 
 London: Printed for Humphrey Robinson, 1647-1652 
 
 First Cotitectep Epition, edited by James Shirley, and containing 
 thirty-six plays printed for the first time. 
 
 A COMPANION VOLUME TO THE FOLIOS OF SHAKESPEARE, JONSON, AND 
 DAVENANT. 
 
 Prefixed are numerous commendatory verses by the most renowned 
 Poets, including Ben Jonson, Sir Aston Cockraine, Robert Herrick, E. 
 Waller, R. Lovelace, W. Cartwright, W. Habingdon, T. Stanley, etc., 
 etc. The volume is dedicated to the Earl of Pembroke, to whom was 
 also dedicated the FIRST FOLIO EDITION OF SHAKESPEARE; and in the 
 dedication to the present volume is an interesting mention of this inci- 
 
 [Continued 
 
Kwmdly read Conditions of Sale m forepart of Catalogue 
 
 [ No. 44—Continued | 
 
 46. 
 
 4%. 
 
 49. 
 
 dl. 
 
 dent in which the great bard is termed “Sweet Swan of Avon Shakes- 
 peare.”’ 
 
 AT THE END OF THE VOLUME IS BOUND “The Wild-Goose Chase,” Lon- 
 don, 1652, which completes the series, and being published five years 
 later than the works it is seldom found with them. 
 
 From the Frederick R. Halsey Collection, with bookplate laid in. 
 
 FINE ISSUES FROM THE BEAUMONT PRESS 
 
 . BEAUMONT Press. NicHois (Ropert). The Budded Branch. 12mo, 
 
 decorative boards, art linen back, uncut, BY SANGORSKI & 
 
 SUTCLIFFE. : [London] 1918 
 EDITION LIMITED to 120 copies on handmade paper, of which this is, 
 No. 1038. : 
 
 BrAuMonr Press. NicHouts (Roperr). The Smile of the Sphinx. 
 Covers and decorations designed and cut on wood by Hthelbert 
 White. 8vo, decorative boards, vellum back, uncut. 
 
 [London] 1920 
 
 EDITION LIMITED to 35 copies printed throughout on Japanese vellum 
 paper, of which this is, No. 5, signed by the artist and author. 
 
 BEAUMONT Press. ALDINGTON (RicHARD). Images of War. A 
 Book of Poems. Illustrations by Paul Nash. 12mo, original 
 boards, cloth back, uncut. Westminster, 1919 
 
 First Epirrion. One of 120 copies on handmade paper. 
 
 . Beaumont Press. Reap (HERBERT). Eclogues. A Book of Poems. 
 
 With cover and woodcut illustrations designed by Ethelbert White. 
 12mo, decorated boards, buckram back, uncut. 
 | Westminster: The Beaumont Press, 1919 | 
 Edition limited to 200 copies, of which this is, No. 132, on handmade 
 paper. 
 
 BEAUMONT Press. GrisBson (WILFRED WILson). Home. 8vo, orig- 
 inal boards, canvas back, uncut. 
 Westminster: Beaumont Press, 1920 
 First Epirion. Limited to 260 copies, on handmade paper. 
 
 MAX BEERBOHM: FINE SERIES OF BEERBOHM’S WORKS 
 
 . BeErBoHM (Max). The Octopus. Nos. 1-6 (Att PUBLISHED). 8vo, 
 
 cloth, original wrappers bound in. Oxford, 1895 
 Contains “Merton,” and “Seen on the Towpath,” by Beerbohm. Rarer. 
 
 MAURICE BARING’S COPY 
 
 BEERBOHM (Max). The Works of Max Beerbohm. With a Biblio- 
 graphy by John Lane. 16mo, original cloth, uncut. 
 London, 1896 
 
 On back of title-page is pasted slip, in Beardsley’s handwriting, 
 “With love from all.” The edition has been erased from verso of title, 
 and the foregoing slip pasted over. 
 
 HONORABLE MAURICE BARING’S Copy, with his bookplate on inside of 
 front cover. 
 
52. 
 
 53. 
 
 D4. 
 
 56. 
 
 58. 
 
 59. 
 
 60. 
 
 61. 
 
 62. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 BEERBOHM (Max). The Pageant. 1896-1897 (Ati PUBLISHED). 
 Illustrated. Together, 2 vols. royal 8vo, original cloth, uncut. 
 London, 1896-1897 
 
 Literary contributions by Beerbohm, Yeats, Verlaine, etc., Art con- 
 tents by Whistler, Rothenstein, Rossetti, and others. 
 
 FIRST EDITION: EXCEEDINGLY RARE 
 BEERBOHM (MAx). The Happy Hypocrite. A Fairy Tale for Tired 
 
 Men. 16mo, original wrappers, uncut. New York, 1897 
 FINE COPY OF THE EXTREMELY RARE First EpitTion. Bodley Booklet 
 No. 1. 
 
 BrERBOHM (Max) More. 12mo, original cloth, paper label, uncut. 
 London, 1899 
 
 First Epirion. Rare. 
 
 . BrerspoumM (Max). The Poet’s Corner. Twenty Caricatures In 
 
 Cotor. Folio, original boards, back worn, hinges cracking. 
 New York, 1904 
 
 First AMERICAN EDITION. 
 
 BEERBOHM (Max). A Book of Caricatures. CoLorED FRONTISPIECE 
 and 47 portraits in black-and-white. 4to, original boards, cloth 
 back, paper label on side. London [1907 | 
 
 First Epirion. Caricatures of George Moore, Henry James, Bernard 
 Shaw, Lord Lytton, H. G. Wells, Lord Althorp, and others. 
 
 . BeernoHmM (Max). Yet Again. 12mo, original cloth, paper label, 
 
 uncut. London, 1909 
 First Epirion. Rare. 
 
 BEERBOHM (MAx). Zuleika Dobson. 12mo, original cloth, uncut. 
 
 | London, 1911 
 First Eprrion. Rare. 
 
 BEERBOHM (Max). Zuleika Dobson. 12mo, original cloth, uncut. 
 London, 1911 
 
 Tirst Epition. Rare. 
 
 BEERBOHM (Max). A Christmas Garland. 12mo, original cloth, 
 uncut. London, 1912 
 
 First Epition. Rare. 
 
 Brersoum (Max). Fifty Caricatures. Illustrated. Small 4to, orig- 
 inal cloth. London, 1913 
 FINE COPY OF THE SCARCE First Epition. Contains caricatures of Ber- 
 
 nard Shaw, John Masefield, Caruso, Thomas Hardy, George Moore, 
 Lord Roseberry, Lloyd George, Lord Charles Beresford, and others. 
 
 BEERBOHM (Max). Six Portraits of Sir Rabindranath Tagore, by 
 
 W. Rothenstein. Prefatory Note by Max Beerbohm. Folio, 
 original boards, canvas back, uncut. In original dust wrappers. 
 London, 1915 
 
 FINE copy OF THE First HDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 63. [BrERBoHM (Max).] Scorr (Drxon). Men of Letters. With an 
 Introduction by Max Beerbohm. Portrait frontispiece.  8vo, 
 cloth, uncut. London, 1916 
 
 First Epition. 
 
 64. BrErBonm (Max). Seven Men. 12mo, original cloth, uncut. 
 London, 1919 
 
 First Epttion. 
 
 65. BrErBouM (Max). And Even Now. 12mo, original cloth, paper 
 label, uncut. In original dust wrappers. London, 1920 
 First Epirion. As new. 
 
 66. BEERBOHM (Max). Seven Men. With 6 illustrations. Small Ato, 
 original cloth, uncut. In original dust wrappers. 
 New York, 1920 
 
 IMMACULATE Copy OF THE First AMERICAN Ppirion, containing an 
 Appendix and six drawings not published elsewhere. Limited to 1,000 
 copies, of which this is, No. 15. 
 
 67. BEERBOHM (Max). A Survey. With numerous caricatures IN Colors 
 and monochrome. Royal 8vo, original cloth, gilt edges, in original 
 dust wrappers. London, 1921 
 
 First Epition. One of 250 copies, signed by the Author. As new. 
 
 68. BrerBoHM (Max). LyNncu (BoHuN). Max Beerbohm in Perspec- 
 tive. With a Prefatory Letter by M. B. Cotorep FRONTISPIECE 
 and numerous other wlustrations. 12mo, original boards, cloth 
 back, paper label. In original dust wrappers. London, 1921 
 
 First Epition. As new. 
 
 69. BrernsoHmM (Max). Rossetti and His Circle. Twenty-three tlustra- 
 tions In Cotors by Beerbohm. 4to, original white cloth, gilt 
 
 edges. London [1922] 
 First Epirion. One of 380 copies, signed by the Author. 
 
 70. BrEersoum (Max). The Works of Max Beerbohm. Together, 7 vols. 
 8vo, variously colored cloth, uncut. In original dust wrappers. 
 London, 1922 
 
 LimitTrep To 780 srEtTs, the first volume of which is signed by the 
 Author. As new. All published to date; comprising: 
 
 Works; A Christmas Garland; More; Yet Again; Seven Men; And 
 Even Now; Zuleika Dobson. 
 
 71. Beersonm (Max). Things New and Old. Colored frontispiece and 
 numerous illustrations. 4to, original cloth. In original dust 
 wrappers. London, 1923 
 
 First Epirion. As new. 
 
 72. BrErsoumM (Max). Autograph Letter Signed, “Max Beerbohm.” 
 2pp. 12mo, 19, Hyde Park place, W. “Tuesday.” To Mr. 
 Smithers.” 
 
 A MOST INTERESTING LETTER from this gifted Author and Caricaturist, 
 relating to some works he had completed for Mr. Smithers, among 
 
 [Continued 
 
| No 
 
 73. 
 
 v4. 
 
 76. 
 
 cele 
 
 "8. 
 
 19.. 
 
 80. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 . 72—Continued | 
 which is a “study of Prince Edward,” and remarking :—I think it will 
 be more striking—for the occasion than would Romeo Coaks. For this 
 I cannot do a drawing without giving the subject away . . . if you 
 would care to have some caricature of someone for the first number 
 please let me know . 
 BEERBOHM (Max). Cartoons. “The Second Childhood of John 
 
 Bull.” 15 tinted illustrations. Imperial folio, original boards, 
 cloth back. London, no date 
 
 First EpIrion. 
 
 BEERBOHM (Max). Herbert Beerbohm Tree. Some Memories of 
 Him and of His Art. Collected by Max Beerbohm. With photo- 
 gravure frontismece and &7 illustrations. 8vo, original cloth, 
 uncut, very slightly worn. London, no date 
 
 First Epirion. 
 
 . BeerBpoum (Max). SievEKING (Carr. L. pe G.). Dressing Gowns 
 
 and Glue. With an Introduction about the Verses by G. F. Ches- 
 terton. With an Introduction about the Drawings by Max Beer. 
 bohm. And Something about all Concerned by Cecil Palmer. 
 With allustrations by John Nash. Small 4to, original boards, 
 contents ruffled by damp. London, no date 
 
 First EpItion. 
 
 Bewyt (Cuive). Art. [1913;] Since Cézanne. 1922. Illustrations. 
 Together, 2 vols. 12mo, cloth, uncut. London [1913 ]-1922 
 
 First Epirions. 
 
 Beuttoc (Hinatre). The Jews. 8vo, original cloth, uncut. 
 London [1922] 
 
 FINE Copy OF THE First Epirion. 
 
 BENNETT (ArNoLD). The Title. 1918; Judith. 1919; Our Women. 
 1920; The Love Match. 1922; Body and Soul. 1922; Lilhan. 
 [1922;] Things That Have Interested Me. 1923; How To Make 
 the Best of Life. Undated. Together, 8 vols. 12mo, original 
 boards and cloth, mostly uncut. London, 1918-19238 
 
 Att First Epirions. 
 
 [Bennert (ArNotp).] WapswortH (Epwarp). The Black Coun- 
 try. With an Introduction by Arnold Bennett. With 20 full-page 
 reproductions. Folio, cloth. [London] The Ovid Press, 1920 
 
 First Eprrion. 
 
 BENNETT (ArNnotD). Don Juan de Marana. A Play in Four Acts. 
 Frontispiece. 8vo, original cloth, vellum back, paper label, uncut. 
 In original cloth protecting wrapper. London, 19238 
 
 Fine Copy or THE First Eprrton. Limited to 1,000 Copies. S1anrep 
 BY THE AUTHOR. 
 
81. 
 
 82. 
 
 83. 
 
 85. 
 
 86. 
 
 87. 
 
 88. 
 
 89. 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 SERIES OF WORKS BY AMBROSE BIERCE 
 
 BiERCE (AMBROSE). Nuggets and Dust. Panned out in California 
 by Dod Grile. Collected and Loosely Arranged by J. Milton 
 Sloluck. 16mo, full olive-green levant, gilt, gilt top, original 
 wrappers bound in, BY BLACKWELL. London [1873] 
 
 First EDITION OF HIS FIRST BOOK. Rare. 
 
 PRESENTATION COPY 
 
 [Bierce (AmBrosE).] The Fiend’s Delight, by Dod Grile. 12mo, 
 original cloth. London [1873] 
 
 First Epition. Rare. PRESENTATION copy, with inscription, by 
 Bierce, on half-title: “William Sawyer, Esq. with compliments of The 
 Author (and the author’s collaborator).” Later in the collection of 
 Laurens Maynard, of Small, Maynard & Co., who has added his auto- 
 graph. Bierce presentation copies are EXTREMELY RARE. 
 
 | Brerce (AmBrosE).]| Cobwebs from an Empty Skull. Illustrated 
 with engravings by the Dalziel Brothers. 12mo, original cloth. 
 London, 1874 
 
 First Epirion. RARE. 
 
 . [Bierce (Amprose).] The Dance of Death. By William Herman. 
 
 16mo, original cloth. San Francisco, 1877 
 First Epirion. Rare. 
 
 BrercE (AmBroseE). Tales of Soldiers and Civilians. 1891; Shapes 
 of Clay. Frontismece. 1903. Together, 2 vols. 12mo, original 
 cloth, worn. San Francisco, 1891-1903 
 
 First Eprrions. In fair condition. 
 
 BrercE (AmBrosE). Black Beetles in Amber. Portrait of Bierce. 
 
 8vo, cloth. San Francisco and New York, 1892 
 First Epirron. A penciled note on the fly-leaf reads: “Large Paper 
 Copy.” 
 
 BrieRcE (AMBROSE) AND DanzicER (Gustav ApotpH). The Monk 
 and the Hangman’s Daughter. Illustrated. 12mo, original wrap- 
 pers, uncut. Chicago, 1892 
 
 FINE COPY OF THE First Epition. Extremely rare in the wrappers. 
 
 | Bierce (Amprose).| The Anti-Philistine. Nos. 1 June 15, 1897 
 to No. 4, September 15, 1897. 4 parts (Ati IssvED). 12mo, 
 original publisher’ s cloth, with designs by Will H. Bradley, un- 
 cut. | Edinburgh, 1897] 
 
 Contains the following original contributions by Ambrose Bierce— 
 “The Damned Thing,” and “Fables and other Stories.” Also contains 
 contributions by Bret Harte, Eugene Field, Saltus, Le Gallienne, and 
 and others. 
 
 Bierce (AmsBroseE). Fantastic Fables. 1899; The Cynic’s Word Book. 
 1906. Together, 2 vols. 12mo, original cloth, uncut. 
 New York, 1899-1906 
 
 First EpIrions. 
 
First Session, Wednesday Afternoon, April 30th 
 
 90. BrercE (AmBROSE). A Son of the Gods, and a Horseman in the Sky. 
 Introduction by W. C. Morrow. Frontispiece. [1907]; A Horse- 
 man in the Sky, A Watcher by the Dead, and The Man and the 
 Snake. 1920; Ambrose Bierce, by Vincent Starrett. 1920. To- 
 gether, 3 vols. 16mo and 12mo, original boards, uncut. 
 
 San Francisco and Chicago [1907 ]-1920 
 
 ALL LIMITED EDITIONS, on handmade paper. Of the first, 1,000 copies 
 were printed; of the second, 400 copies; of the third, 250 copies. 
 
 PRESENTATION COPY 
 
 91. Brerck (AmprosE). The Shadow on the Dial, and Other Essays. 
 8vo, original cloth. In original dust wrappers. 
 
 San Francisco, 1909 
 
 First Epition. As new. 
 
 PRESENTATION Copy, with inscription, by Bierce, on front endpaper,— 
 “For James D. Blake, with the cordial good will of Ambrose Bierce. 
 Washington, D. C. October 23, 1909.” Bierce Presentation Copies are 
 EXTREMELY RARE. 
 
 92. Brrrcke (AmBROSE). ‘Two Autograph Letters Signed, “Ambrose 
 Bierce.” (1) 3pp. 8vo, Washington, D. C. October 23, 1909. 
 With addressed envelope; (2) lp. 8vo, July 29, 1910. The La- 
 guna Vista, Oakland. With envelope. Both letters are written 
 to James D. Blake Esq. Together, 4 pieces. 
 
 VERY INTERESTING LETTERS, With an important reference to Mr. 
 Bierce’s “Collected Works,” in one of them reading as follows,—As to 
 my “Collected Works,” Vol. I is long out, and Vol. IT is now due from 
 the press. Of course I know little of Neal’s manner of putting it on the 
 market, except that it is a subscription work. 
 
 The second letter mentions a copy of his “Shapes of Clay,” desired 
 by a Mr. Stephens of Australia. 
 
 93. BrercE (AmBrosE). McCrackIN (JOSEPHINE CLIFFORD). The Wo- 
 man Who Lost Him. With Introduction by Ambrose Bierce. 
 Frontispiece. Pasadena, 1913; Tales from Town Topics. (Con- 
 tains “That Damned Thing,” by Bierce.) New York, 1896. 
 Together, 2 vols. 12mo, original boards and wrappers. 
 
 New York and Pasadena, 1896-1913 
 
 First Epitions. The latter is rare. 
 
 94. Brerck (AmBrosE). The Letters of Ambrose Bierce. Edited by 
 Bertha Clark Pope. With a Memoir by George Sterling. Frontts- 
 piece. 1922; Twenty-One Letters of Ambrose Bierce. Edited 
 with a Note by Samuel Loveman. 1922. Together, 2 vols. 8vo, 
 original boards, uncut. San Francisco and Cleveland, 1922 
 
 First Eprrion. Inserted in the former is a 3pp. Autograph Letter 
 Signed by Ambrose Bierce, dated Nov. 29, 1892, a Photograph of Bierce, 
 and a 1p. Autograph Letter Signed by Blanche Partington, the lady 
 to whom Bierce addressed several of the letters appearing in the book. 
 
 95. [Brerck (AmBrosE).] The Dance of Death, by William Herman. 
 12mo, original cloth. No place, printer, or date 
 
 ON THE TITLE-PAGE APPEARS ‘“AUTHOR’S Copy.” Undoubtedly, a speci- 
 men copy gotten out for Bierce’s own use. 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 
 BEAUTIFUL SPECIMEN OF THE COBDEN-SANDERSON-DOVES 
 BINDERY WORK 
 
 96. BINDING BY THE Doves BINDERY. SWINBURNE (ALGERNON 
 CuHarueEs). Songs Before Sunrise. 12mo, full Gobelin blue 
 crushed levant morocco, with gilt fillet panel in centers of sides, 
 double gilt fillets on border, connected in corners with a conven- 
 tional spray of tulips and leaves, connected with gilt dots, gilt 
 back with tulip design, inner levant borders with tulip spray in 
 corners connected by gilt fillets, gilt edges, partly gauffred, By 
 THE DOVES BINDERY, 18 C|obden]|-S|anderson]| 96. 
 
 London: F. 8. Ellis, 1871 
 
 First Epirion. This binding is.a beautiful representation of Cobden- 
 Sanderson’s. skill. ° 
 
 IN A HANDSOME BINDING BY THE DOVES BINDERY 
 
 9”. BINDING By THE DovEs BINDERY. SWINBURNE (ALGERNON C.). The 
 Tale of Balen. 12mo, full green crushed levant morocco, with 
 gilt panels on sides, cornered with a small and artistic motif, 
 bordered by triple gilt fillets, inner levant borders, with gilt design 
 in corners connected by fillets, gilt floreated back, with three-leaf 
 clover design, gilt edges, partly gauffred, back faded, BY THE 
 DOVES BINDERY, 19 Cl obden]-S] anderson] 00. 
 
 London, 1896 
 
 First Epirion. CHARMING SPECIMEN OF COBDEN-SANDERSON’S BINDING 
 DESIGNS. 
 
 MAGNIFICENT SPECIMEN OF MODERN BINDING; WITH AUTOGRAPH 
 INSCRIPTIONS BY COBDEN-SANDERSON AND BY AUGUSTE RODIN 
 
 98. BINDING BY COBDEN-SANDERSON. Dante. La Divina Commedia di 
 Dante Alighieri. Col Comento di Pietro Fraticelli. Portrait. 
 Thick 12mo, full peacock blue levant morocco, with a remarkable 
 gilt tooled pattern on sides consisting of a geometrical onlay of 
 the four-leaf clover, on a richly gilt background of stars, inter- 
 spersed with barely visible leaves. In the center of this design, 
 on the obverse cover, is the name of Dante, tooled in gilt. On 
 the reverse cover, appears the following: “18 E C 85,” bordered 
 by a strip of levant “parsemé d’étotles;” gilt paneled back, the 
 same design being enclosed in the panels, inner borders similar 
 to those on sides, with the exception of inner border of reverse 
 cover which has the name of Cobden-Sanderson worked in 
 amongst the stars, gilt edges, BY T. J. COBDEN-SANDERSON. En- 
 closed in a felt-lined, cloth box-case. Firenze, 1884 
 
 THE BINDING OF THIS VOLUME IS ONE OF THE RARE SPECIMENS OF THE 
 CRAFT OF THE FAMOUS ENGLISH BINDER, COBDEN-SANDERSON, WHO IS 
 UNIVERSALLY RECOGNIZED AS ONE OF THE GREAT MODERN MASTERS OF 
 BIBLIOPEGY. 
 
 On the end fiy-leaf, is the following notation, written in the auto- 
 graph of the binder: “This book was bound by me for Signorina Emilia 
 Cimino at Goodyers Hendon, Nov. 1885. T. J. Cobden-Sanderson.” 
 
 [Continued 
 
First Session, Wednesday Afternoon, April 30th 
 
 | No. 98—Continued | 
 On the front fly-leaf, written in the AUTOGRAPH OF THE CELEBRATED 
 FRENCH scuLptTor, Ropin, is the following comment: “Le Dante est un 
 Sculpteur, dans VEnfer de le Divine Comedie. A. Rodin. Aout, 1902.” 
 AN ACQUISITION OF RARE CONSEQUENCE NOT ONLY FROM THE POINT OF 
 VIEW OF BINDING, BUT ALSO BECAUSE OF ITS ASSOCIATION. 
 
 [See Reproduction of Binding] 
 
 [No. 98] 
 
 SUPERB COPY—VERY RARE, UNCUT 
 
 99. Brake (Witi1Am). Youne (Epwarp). The Complaint, and The 
 Consolation; or, Night Thoughts. With marginal dlustrations 
 by Blake. Imperial 4to, half green levant, gilt back, gilt top. 
 UNCUT, BY RIVIERE. London, 1797 
 
 First EpITION WITH THESE ILLUSTRATIONS. SUPERB COPY. EXTREMELY 
 RARE UNCUT. 
 
 100. Buaxe (Wittram). Hayrny (Witi1am). The Triumphs of Tem- 
 per. A Poem. With designs by Maria Flaxman, engraved by 
 
 William Blake. 12mo, full contemporary tree calf, gilt. 
 Chichester, 1803 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 101. Brake (Witt1AM). Buiair (Roperr). The Grave. A Poem. Illus- 
 trated by 12 etchings executed from original designs. Folio, con- 
 temporary mottled calf, rebacked. Light stains. | London, 1808 
 
 First EpitioN WITH THE BLAKE ILLUSTRATIONS. Unusually large 
 copy. . 
 
 102. BLAKE (WitttAM). Buatr (Ropert). The Grave. A Poem. Illus- 
 trated by 12 etchings executed from original designs. 4to, orig- 
 inal boards, cloth back, uncut. London, 1808 - 
 
 First EDITION WITH THE BLAKE ILLUSTRATIONS. 
 
 [No. 103] 
 
 BLAKE ORIGINAL WATERCOLOR DRAWING OF PLATE 20 OF HIS 
 “ILLUSTRATIONS OF THE BOOK OF JOB” 
 
 103. BuakE (WILLIAM). OrigiNaL WarErcotor Drawing of the illus- 
 tration for Plate No. 20, “Job and His Daughters,” of his “Tllus- 
 trations of the Book of Job.” In pencil outlines, washed with 
 watercolors in delicate tints, on drawing paper. Height, 754; 
 length 10% inches, tipped on folio sheet of bristol board ; accom- 
 panying this are the original engraved Proors on Inpra Paper 
 of the title-page, and of Plate No. 20, reproducing the drawing 
 above. Both these plates bear the full imprint,—“London Pub- 
 lished as the Act directs March 8, 1825 by William Blake No. 3 
 Fountain Court Strand,” Plate No. 20 having the word “proof” 
 in the lower right corner, which is an indication of the earliest 
 
 [Continued 
 
First Session, Wednesday Afternoon, April 30th 
 
 [ No. 1083—Continued | 
 state of the plate, as this word was erased in later impressions. 
 Hach sheet matted in bristol board. Together, 3 pieces, folio. 
 London, 1825 
 
 AN EXQUISITE ORIGINAL WATERCOLOR DRAWING BY BLAKE, IN BEAUTIFUL 
 STATE OF PRESERVATION, UNTOUCHED BY TIME. 
 
 The sketch shows the central group of Job and his three daughters in 
 practically the same attitude as the published print, with the exception 
 that the figure to the right has her hands crossed between her knees in 
 place of resting on Job’s knee as in the engraving, and the head of the 
 figure to the left of Job is more raised, with the eyes uplifted. To the 
 right and left of the group are shown sheep lying on the ground. These 
 do not appear in the engraving, in which the foreground is made to 
 represent an inlaid floor instead of the green grass of the drawing. 
 The background in the finished engraving shows various symbolic 
 designs on a paneled wall, these designs are only faintly indicated in 
 pencil and wash on the drawing. 
 
 The accompanying Inpta Proors of the title-page and of the plate 
 from the drawing are very fine impressions and in excellent preserva- 
 tion. THE COMBINATION OF THE ENGRAVED PROOF PLATE AND BLAKE’S 
 ORIGINAL SKETCH FOR THE SAME IS MOST EXCEPTIONAL. 
 
 [See Reproduction of Watercolor Sketch] 
 
 104. Buaxe (WitiiAm). Life of William Blake, with Selections from his 
 Poems and Other Writings, by Alexander Gilchrist. Portraits 
 and illustrations from Blake’s original plates; also many other 
 drawings by Blake, facsimiled by W. J. Linton. 2 vols. 8vo, 
 original cloth, uncut. Hinges splitting, plates slightly foxed. 
 
 London, 1863 
 
 First Epirion. 
 
 105. Buaxe (WittrAm). Life of William Blake. With Selections from 
 his Poems and Other Writings, by Alexander Gilchrist. A New 
 and Enlarged Edition, Illustrated from Blake's Own Works, with 
 Additional Letters and a Memoir of the Author. 2 vols. 8vo, 
 original cloth, uncut, one back slightly torn. London, 1880 
 
 SCARCE FIRST EDITION—WITH ERRATA SLIP 
 106. Brake (WitiiAm). The Works of William Blake. Poetic, Symbolic, 
 and Critical. Edited with Lithographs of the Illustrated “Pro- 
 
 phetic Books,” and a Memoir and Interpretation, by Edwin John 
 Ellis and William Butler Yeats. Illustrated. 3 vols. 8vo, original 
 
 gilt cloth, gilt tops, uncut. London, 1893 
 First Eprrion, with the slip of errata, of this most important work. 
 SCARCE. 
 
 107. Buaxe (WittraAm). The Prophetic Books of William Blake. ~ Jerusa- 
 lem. Edited by E. R. D. Maclagan and A. G. B. Russell. Lon- 
 don, 1904. Printed at the Chiswick Press; Pirrck (FREDERICK 
 E.). Selections from the Symbolical Works of William Blake. 
 New Haven: Yale University Press, 1915. First Eprrion. Only 
 500 copies printed. Together, 2 vols. royal 8vo, boards, uncut 
 and (1) unopened. London and New York, 1904-1915 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 108. 
 
 109° 
 
 110. 
 
 Las 
 
 te. 
 
 113. 
 
 114. 
 
 ae Pa. 
 
 Biake (WititAmM). The Book of Thel. Facsimile Edition of 1789. 
 With illustrations by William Mutr after William Blake, Aut 
 CoLtorep By HAnp. 4to, original wrappers. London, 1920 
 
 EDITION LIMITED to 50 copies, of which this is, No. 12, signed: “Wm. 
 Muir.” On the verso of front cover is the following notation in the auto- 
 graph of Muir: This Book is copied from a very richly coloured Orig- 
 inal which was lent to me by Mr. Bernard Quaritch of 15 Piccadilly in 
 1887. I now issue this edition of fifty copies of it through Messrs. 
 Quaritch of Grafton St. London, August 1920. Wm. Muir. 
 
 Buake (Witt1AM). Illustrations to the Divine Comedy of Dante. 
 Folio, sheets, unbound, enclosed in cardboard and canvas port- 
 folio. London: Privately Printed, 1922 
 
 Only 250 Sets were printed. 
 
 Buake (Witt1AM). Six Illustrations designed by William Blake for 
 Dante’s Divine Comedy. Plates CoLtorEpD By HANp. Folio, un- 
 bound, as issued, enclosed in paper portfolio. | London, 1922 | 
 
 This edition, which is No. 13 of 50 which have been hand-colored 
 by Frederick Hollyer, was issued in 1922 at No. 9 Pembroke Square, 
 Kensington, London. The first reproduction from Blake’s original 
 colored plates for Dante which have been faithfully reproduced. 
 
 Buake (Witi1aAmM). Wilham Blake’s Designs for Gray’s Poems. Re- 
 produced Full-Size in Monochrome or Colour, from the Unique 
 Copy belonging to His Grace the Duke of Hamilton. With an 
 Introduction by H. J. C. Grierson. Atlas folio, original cloth, 
 gilt top. London, 1922 
 
 Limited to 600 copies. 
 
 BuaAkeE (WILLIAM). Brnyon (Laurence). The Drawings and En- 
 eravings of William Blake. Profusely illustrated in color and 
 black-and-white. Folio, original vellum, gilt top, uneut. 
 
 London, 1922 
 
 Limited to 200 copies on handmade paper. 
 
 Buaker (Hue). The Ballad of Disdain. 12mo, original boards, 
 vellum back. London [1919] 
 
 First EpIrion. 
 
 Boccaccio (GiovANNI). The Decameron. ‘Translated by John 
 Payne. Illustrated after designs by Lows Chalon, Jacques Wa- 
 grez, OC. D. J. Hisen, and Leopold Flameng. 38 vols. 8vo, original 
 cloth, uncut. 
 
 London: Privately Printed for Subscribers Only, 1895 
 
 Limited to 66 Copies, printed throughout on Japan Vellum. 
 Laid in the first volume are the Six Additional Plates. 
 
 Bone (GERTRUDE). The Furrowed Earth. With woodcuts by Stephen 
 Bone. Square 8vo, cloth, uncut and unopened. London, 1921 
 First Epirion. 
 
First Session, Wednesday Afternoon, April 30th 
 
 116. Bonn (Murrugap). Children’s Children. By Gertrude Bone. With 
 drawings by Muirhead Bone. 4to, vellum paper, eilt, gilt top, 
 uncut. London, 1908 
 
 First Eprrion. Limited to 215 copies, printed throughout on Japan 
 paper, of which this is, No. 156, signed by the artist: “Muirhead Bone.” 
 
 117. Bong (Murrueap). Etchings & Dry Points by Muirhead Bone. I. 
 1898-1907. A Catalogue by Campbell Dodgson. Hitched portraat 
 of Bone by himself. 4to, cloth, calf back, uncut. 
 
 [London] 1909 
 
 EpIrion Limtirep to 275 copies, of which this is, No. 149. 
 
 FINE COPY OF THE FIRST EDITION 
 
 118. Boswett (James). The Life of Samuel Johnson, LL.D. Compre- 
 hending an Account of his Studies and Numerous Works. A 
 Series of his Epistolary Correspondence, and Conversations, with 
 many Eminent Persons; and various original Pieces of his Com- 
 position, Never Before Published. Engraved portrat by Heath, 
 after the painting by Sir Joshua Reynolds. 2 vols. 4to, original 
 full mottled calf, rebacked. Name written, in ink, on title- 
 pages. London: Henry Baldwin, 1791 
 
 Rare First Epirion. The typographical error on p. 135 “gve’’ for 
 “sive” in the First Issue, is herein corrected to “give.” 
 
 119. Braptey (Witt1am A.). French Etchers of the Second Empire. 
 Boston, 1916; GatiatTiIn (A. E.). Certain Contemporaries. A 
 Set of Notes in Art Criticism. New York, 1916; Dickins 
 (Guy). Hellenistic Sculpture. Oxford: At the Clarendon Press, 
 1920. All with illustrations. Together, 3 vols. 12mo, 8vo and 
 4to, cloth and boards. Various places, 1916-1920 
 
 120. Branawyn (Frank). Catalogue of the Etched Work of Frank 
 Brangwyn, A. R. A., with descriptions of 200 Etchings, Bibliog- 
 raphy, etc. Fine portrait, and nearly 200 reproductions. Im- 
 perial 4to, original buckram, uncut. London, 1912 
 
 121. Branawyn (Frank). Belgium. With Text by Hugh Stokes, and 
 an Introduction by Paul Lambotte. With 52 illustrations. Ato, 
 original boards, canvas back, uncut. New York, 1916 
 
 122. Branawyn Innusrrarions. Pxuinurorrs (Epen). The Girl and the 
 Faun. With plain and colored plates by Brangwyn. Ato, original 
 
 boards, vellum back, gilt top, uncut. London, 1916 
 First Eprrion. Limited Edition de Luxe, signed by the Author and 
 Artist. 
 
 123. BRANGWYN (Frank). Modern Woodcutters No. 2. Frank Brang- 
 wyn, A. R. A. Illustrations. 8vo, original boards, canvas back, 
 paper label. London: Morland Press, 1920 
 
 One of 75 copies signed by Brangwyn. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee Se eee 
 
 124. Brangwyn (Frank). Bookplates. Foreword by Eden Phillpotts. 
 
 126. 
 
 tet. 
 
 120. 
 
 130. 
 
 ee we 
 
 133. 
 
 Numerous reproductions. 4to, original cloth, uncut. In original 
 dust wrappers. Westminster: Morland Press, 1920 
 
 . Bronti (Eminy). Poems. Portrait. 8vo, decorative boards, Hol- 
 
 land back, uncut. London, 1923 
 
 EXpITION LIMITED To 500 corres. This collection comprises the poems 
 published in 1846 and 1850. 
 
 Brooxe (Rupert). New Numbers. By Wilfrid Wilson Gibson, Ru- 
 pert Brooke, Lascelles Abercrombie, John Drinkwater. Vol. 1, 
 Nos. 1 to 4 (Aut Issugp). ‘Together, 4 vols. 4to, original wrap- 
 pers, uncut. Ryton, Gloucester, 1914 
 
 First Eprtion. Immaculate Copies. EXTREMELY RARE. 
 
 Brooke (Rupgrt). Lithuania. A Drama in One Act. 12mo, original 
 wrappers, uncut. [Chicago] The Chicago Little Theatre, 1915 
 
 IMMACULATE COPY OF THE SCARCE First E/pITION. 
 
 . Brooke (Rupert). 1914 and Other Poems. Frontispiece portratt of 
 
 Brooke. 12mo, original cloth, paper label, uncut. In origina) 
 dust wrappers. London, 1915 
 IMMACULATE COPY OF THE SCARCE First Eprrion. 
 
 Brooke (Ruperr). John Webster and the Elizabethan Drama. 12mo, 
 original cloth, paper label. London, 1916 
 First Epition. 
 
 Brooke (Ruprrr). James (Henry). Letters from America, by 
 Rupert Brooke. With a Preface by Henry James. Frontispiece. 
 12mo, original cloth, paper label, in original dust wrappers. 
 
 London, 1916 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 Brooke (Rupert). Rupert Brooke’s Death and Burial. Based on the 
 Log of the French Hospital Ship Duguay-Trouin: Translated 
 from the French of J. Perdriel-Vaissiéres by Vincent O’Sullivan. 
 8vo, original wrappers, uncut. New Haven, 1917 
 
 First Eprrion. One of 300 copies printed by Will A. Bradley, at 
 Yale University Press. 
 
 . Brooxe (Rupert). Marsu (Epwarp). Rupert Brooke: A Memoir. 
 
 Frontispiece. 12mo, original cloth, paper label, uncut. 
 London, 1918 
 
 FIRST SEPARATE EDITION. 
 
 Brooke (Rupert). DE ta Mare (WALTER). Rupert Brooke and 
 the Intellectual Imagination. A Lecture by Walter de la Mare. 
 1emo, original boards, in original dust wrappers. London, 1919 
 
 FINE Copy OF THE First Eprrion. 
 
First Session, Wednesday Afternoon, April 30th 
 
 ROBERT BROWNING’S COPY OF AN EARLY BOOK BY HIS WIFE 
 
 134. [Brownine (ExizaperH Barrerr).| An Essay on Mind, and Other 
 Poems. 12mo, original boards, cloth back, paper label. Enclosed 
 in silk protection wrappers and full blue levant solander case, gilt 
 back, triple gold lines on sides, BY SANGORSKI & SUTCLIFFE. 
 
 London, 1826 
 
 VERY FINE COPY OF THE RARE First EDITION. 
 
 Presented by Mrs. Browning’s father to John Kenyon, with inscrip- 
 tion on title-page, in ink,—“EHdw’d. M. Barrett to John Kenyon. Tor- 
 quay. Nov’r. 1840,” under which is written presentation inscription to 
 Robert Browning, reading,—‘J. K. to R. B. Dec. 10, 1845.” Inserted 
 is a MSS. 4pp. 4to, in Kenyon’s handwriting, criticising the book. 
 
 135. BucHanan (Ropert). The Fleshly School of Poetry. 12mo, original 
 wrappers, slightly foxed. London, 1872 
 
 First Eprrion. With notes on Walt Whitman. 
 
 136. Burke (THomas). London Lamps. A Book of Songs. Narrow 8vo, 
 original cloth, uncut. London, 1917 
 FINE Copy OF THE First EDITION. 
 
 137. Burke (Tuomas). ‘Twinkletoes. A Tale of Chinatown. 1917; 
 Out and About. [1919;] Whispering Windows. 1921. To- 
 gether, 3 vols. 12mo, boards and cloth. London, 1917-1921 
 
 AtL First EDITIONS. 
 
 138. Burne-Jonzs (Sir Epwarp). The Beginning of the World. Twenty- 
 five pictures by Edward Burne-Jones. Small folio, original green 
 boards, holland back, UNcur. London, 1902 
 
 First Eprrion. Printed at the Chiswick Press. 
 
 “The Designs in this book were made for an illustrated edition of 
 Mr. Mackail’s ‘Biblia Innocentium,’ which was to have been produced 
 at the Kelmscott Press and to have contained upwards of two hundred 
 pictures. Many of these were begun, but none quite finished. The 
 twenty-five designs here given were so far carried out that, with the 
 help of Mr. Catterson Smith, it has been possible to complete and 
 reproduce them.”—PREFACE. 
 
 139. Burns (Roserr). Poems Chiefly in the Scottish Dialect. Portratt. 
 8vo, ORIGINAL Boarps, Paper LABEL, Uncut. Name, in ink, on 
 front cover and endpaper. Enclosed in blue cloth slip-case with 
 morocco back. Edinburgh: Printed for the Author, 1787 
 
 Tur First Eprnrurcn Eprrion. Seldom found in the original boards 
 and in as fine condition as the present copy. 
 
 This edition contains some 24 poems not in the Kilmarnock Hdition. 
 and which appear here for the first time. 
 
 140. Burns (Rosert). Poems, Chiefly in the Scottish Dialect. Frontis- 
 piece. 16mo, contemporary calf. Dubhn, 1787 
 THE First Dustin EDITION, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eS eee 
 
 141. 
 
 142, 
 
 143. 
 
 144. 
 
 146. 
 
 147. 
 
 148. 
 
 Burns (Rozerr). Poems ascribed to Robert Burns, the Ayrshire 
 Bard, not contained in any edition of his works. 8vo, half calf, 
 gilt top, uncut. Three lines of writing, in ink, on title-page, large 
 stain and embossed stamp, also on title-page. Glasgow, 1801 
 
 VERY RARE. Contains the Canceled Leaf and additional Epigram on 
 page 53. Not mentioned in Bibliography of Burns, by J. McKie, pub- 
 lished at Kilmarnock, in 1881. 
 
 Burns (Roserr). Burns Holograph Manuscripts in the Kilmarnock 
 Monument Museum. With Notes. Compiled and Edited by Da- 
 
 vid Sneddon. 16mo. Kilmarnock, 1889; [Aso] Harrrson 
 (Freperic). Among My Books. 12mo. London, 1912. Bore 
 First Eprrions. Together, 2 vols. original cloth, latter uncut. 
 Kilmarnock and London, 1889-1912 
 
 Burns (Rozserr). A Suppressed Ballad. [Edited by Clement Shor- 
 ter.]_ Small 4to, original wrappers, enclosed in cloth slip-case 
 
 with morocco back. No place, no date 
 LIMITED To 25 copies, of which this is No. 3, Signed by Clement 
 Shorter. 
 
 Burrovucus (Joun). Whitman. A Study. Portrait. 12mo, original 
 cloth, paper label, entirely uncut. Boston, 1896 
 
 First Epirion. Printed at the Riverside Press. 
 
 . Burron (Str Ricuarp F.). The Carmina of Caius Valerius Catullus.- 
 
 Now first completely Englished into Verse and Prose, the Metrical 
 Part by Capt. Sir Richard Burton . . . and the Prose Portion, 
 Introduction, and Notes Explanatory and Illustrative by Leonard 
 C. Smithers. With frontispiece. 8vo, boards, vellum paper back, 
 uncut. Enclosed in a board slip-case. Back slightly rubbed. 
 London: Privately printed, 1894 
 
 First Epirion, limited to 1000 copies printed on handmade paper. 
 
 Burron (Sir Ricwarp F.). Prenzer (Norman M.). An Annotated 
 Bibhography of Sir Richard Francis Burton. Preface by F. Gren- 
 fell Baker. Illustrations. Thick square royal 8vo, cloth, gilt 
 top, uncut. London, 1923 
 
 Edition limited to 500 copies, of which this is, No. 98. Signed by the 
 Author, “N. M. Penzer.” 
 
 FINE SERIES OF WORKS BY SAMUEL BUTLER 
 
 RARE FIRST EDITION OF “EREWHON” 
 ButLer (SAMUEL). Erewhon, or, Over the Range. 12mo, original 
 
 cloth. uncut. London, 1872 
 FINE COPY OF THE RARE First Eprrion. Seldom found in good con- 
 dition. 
 
 Butter (SAMvuEL). Ex Voto: An Account of The Sacro Monte or 
 New Jerusalem at Varallo-Sesia. Illustrated. 12mo, original 
 cloth, uncut. London, 1890 
 
 A REMARKABLY FINE COPY OF THE RARE FIRST EDITION, 
 
 i st 
 
First Session, Wednesday Afternoon, April 30th 
 
 3 
 
 149. Buripr (Samvug.). Shakespeare’s Sonnets Reconsidered, and in Part 
 
 Rearranged, with Introductory Chapters, Notes, and a Reprint 
 of the Original 1609 Edition. 8vo, original cloth, uncut. 
 London, 1899 
 
 FINE COPY OF THE RARE First EDITION. 
 
 150. Burter (Samvuet). Erewhon Revisited Twenty Years Later. Both 
 
 152. 
 
 153. 
 
 154. 
 
 155. 
 
 157. 
 
 by the Original Discoverer of the Country and by His Son. 12mo, 
 original cloth, gilt top, uncut. ‘ London, 1901 
 First Epirion. 
 
 . Burter (Samugt). The Way of all Flesh. 12mo, original cloth, gilt 
 
 top. London, 1903 
 THE RARE First HpIrion. Excessively Rare in good condition, as 
 above. 
 
 Burier (Samugrt). Unconscious Memory. 12mo, original cloth, un- 
 cut. London, 1910 
 FINE Copy OF THE First EDITION. 
 
 Burier (Samugt). The Note Books of Samuel Butler. Selections 
 arranged and edited by Henry Festing Jones. Mrontispiece por- 
 trait. 12mo, original cloth, uncut. London, 1912 
 
 VERY FINE COPY OF THE First EDITION. 
 
 Burter (Samvuet). Samuel Butler, Author of Erewhon. A Memoir, 
 by Henry Festing Jones. Illustrated. 2 vols. 1919; Samuel But- 
 ler, Author of Erewhon. The Man and His Work, by John F. 
 Harris. Frontispiece. 1916. Together, 3 vols. 8vo, original 
 cloth, uncut. London, 1916-1919 
 
 First Epirions. AS NEw. 
 
 Byron (GEorGE Gorpon, Lorp). Hours of Idleness. A Series of 
 
 Poems, Original and Translated, by George Gordon, Lord Byron, 
 
 A Minor. 8vo, OrtcinaL Boarps (no label), uncut. Name and 
 
 address written, in ink, on title-page. Enclosed in blue cloth slip- 
 
 case with morocco back. Newark, 1807 
 LARGE PAPER COPY OF THE First Epition. RARE ON LARGE PAPER. 
 
 SPLENDID RUN OF CABELL FIRSTS 
 
 . CaBeLt (James Brancu). The Eagle’s Shadow. Illustrated. 1emo, 
 
 original cloth. New York, 1904 
 
 FIne Copy OF THE First Epition OF HIS FIRST BOOK. Seldom found in 
 good condition. 
 
 CaBeLt (JAMES BrancH). The Eagle’s Shadow. Illustrated. 1904; 
 The Certain Hour. 1917; Figures of Earth. 1921; Domnei. 1920; 
 The Eagle’s Shadow. 1923. Together, 5 vols. 12mo, original 
 cloth, uncut. London and New York, 1904-19238 
 
 The three first mentioned are First EncriisH Hprrrons; the others 
 are First Revised Editions, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 158. 
 
 160. 
 
 16d: 
 
 162. 
 
 163. 
 
 164. 
 
 166. 
 
 LET: 
 
 168. 
 
 169. 
 
 % 
 
 CABELL (JAMES BraNcH). The Line of Love. Illustrated In Conor 
 by Howard Pyle. 8vo, original cloth, gilt top, uncut. 
 New York, 1905 
 
 PRISTINE COPY OF THE First EpIrTIon. 
 
 . CaBELL (JAMES Branow). Gallantry. An Eighteenth Century Di- 
 
 zain in Ten Comedies, with an Afterpiece. Illustrated In Conor 
 by Howard Pyle. 8vo, original cloth, uncut. New York, 1907 
 
 PRISTINE COPY OF THE First Epitton. 
 
 CABELL (JAMES BrancH). Chivalry. Illustrated In Cotor by How- 
 ard Pyle. 8vo, original cloth, uncut. New York, 1909 
 
 PRISTINE COPY OF THE First EpITIon. 
 
 CABELL (JAMES BrancH). The Cords of Vanity. Colored frontis- 
 piece. 12mo, original cloth. New York, 1909 
 
 FINE Copy OF THE First EDITION. 
 
 CABELL (JAMES Brancn). The Certain Hour (Dizain des Poetes). 
 12mo, original cloth. New York, 1916 
 
 A PRISTINE COPY OF THE First Eprrion. 
 
 CaBeLt (JAMES BrancH). From the Hidden Way. Being Seventy- 
 Five Adaptations in Verse. 12mo, original cloth. 
 New York, 1916 
 
 A PRISTINE COPY OF THE SCARCE First Eprrion. 
 
 CABELL (JAMES BrancH). The Cream of the Jest. A Comedy of 
 Evasions. 12mo, original cloth, uncut. New York, 1917 
 PRISTINE COPY OF THE First Eprrion. 
 
 . CABELL (JAMES Branon). Beyond Life. Dizain des Demiurges. 
 
 12mo, original cloth. New York, 1919 
 
 FINE COPY OF THE SCARCE First Eprrton. 
 
 CaBELL (James Branoit). Jurgen. A Comedy of Justice. 12mo, 
 original cloth, uncut. New York, 1919 
 First ISSUE OF THE First Eptrton. 
 
 CABELL (JAMES Branco). The Judging of Jurgen. 12mo, original 
 wrappers, uncut. Chicago: The Bookfellows. 1920 
 
 FINE Copy OF THE First EpirTron. 
 
 CABELL (JAMES BrancH). Jurgen and the Censor. Report of the 
 Emergency Committee organized to Protest Against the Suppres- 
 sion of James Branch Cabell’s “Jurgen.” Small 4to, original 
 boards, cloth back, uncut. New York, 1920> 
 
 LARGE PAPER COPY OF THE First Eprrion. One of the few copies 
 signed by the author in full, “James Branch Cabell.” 
 
 CABELL (James Brancr). Figures of Earth. A Comedy of Appear- 
 ances. 12mo, original cloth, uncut. New York, 1921 
 PRISTINE COPY OF THE First EDITION, 
 
170. 
 
 MeL. 
 
 172. 
 
 173. 
 
 174, 
 
 PLias 
 
 176. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 CABELL (JAMES BraANcH). The Jewel Merchants. A Comedy in One 
 
 Act. 12mo, original cloth, uncut. New York, 1921 
 PRISTINE COPY OF THE First Epition. Limited to 1,040 numbered 
 copies. 
 
 CABELL (JAMES Branor). Joseph Hergesheimer. An Essay in In- 
 terpretation. 8vo, original boards, uncut. 
 Chicago: The Bookfellows, 1921 
 
 LARGE PAPER COPY OF THE First Epirton. One of 99 copies only. 
 
 CaBELL (JAMES BraNcH). Joseph Hergesheimer. An Hssay in In- 
 terpretation. 12mo, original wrappers, uncut. Enclosed in cloth 
 slip-case with morocco back. Chicago: The Bookfellows, 1921 
 
 First Epition. One of 1,000 copies on smail paper. 
 
 PRESENTATION COPY TO GEORGE STERLING, With inscription, in Cabell’s 
 handwriting, on half-title, reading,—‘For George Sterling, with best 
 wishes, James Branch Cabell. 7 October, 1921.” A charming linking of 
 names, i.e., Cabell’s essay on Hergesheimer, presented to one of Amer- 
 iea’s leading poets. 
 
 CaBELL (JAMES BraANoH). Jurgen. A Comedy of Justice. Intro- 
 duction by Hugh Walpole. With wWlustrations and decorations by 
 Frank C. Pape. 8vo, original cloth, uncut. London, 1921 
 
 First EpITioN WITH THE PAPE ILLUSTRATIONS. Limited issue. 
 
 CaBeLL (JAMES BrancH). Taboo. A Legend Retold from the Dir- 
 ghic of Saevius Nicanor, with Prolegomena. Notes, and a Prelim- 
 inary Memoir. 12mo, original cloth, uncut. New York, 1921 
 
 First Epition. Limited to 100 copies signed by the Author. 
 
 CaBELL (JAMES BRANCH). Two Autograph Letters Signed, “James 
 Branch Cabell.” each 1p. 4to, dated respectively, August 6, 1921 
 and August 23, 1921. With addressed envelopes; [atso] Two 
 Typewritten Letters Signed, “James Branch Cabell.” One with 
 envelope. All addressed to George Sterling Esq. Together, 4 
 pieces. 
 
 INTERESTING COLLECTION COMPRISING: (1) August 6, 1921,—with men- 
 tion of The Reviewer, stating,—This is but a personal thanks for your 
 generosity to the Reviewer. You have very notably aided them to get 
 out an, I think, exceedingly praiseworthy little number . . . (2) 
 August 23, 1921, praises Mr. Sterling’s kindness, exclaiming,— .. . 
 TI write in the throes of “packing.” But I am unwilling to lose 
 moment in expressing my admiration alike for your verses and your 
 JIMGNESS 
 
 In one of the typewritten letters, Mr. Cabell suggests that Mr. Sterling 
 allow a magazine started in Richmond called The Reviewer, founded by 
 some very young people to publish the latter’s work, “In His Own 
 Country.” ‘The second typewritten letter praises Sterling’s work, “The 
 Lost Nymph,” and mentions a copy of the Hergesheimer pamphlet. 
 
 CasELL (James Brancu). The Lineage of Lichfield. An Essay in 
 Eugenics. 12mo, original cloth, uncut. New York, 1922 
 First Epition. Limited to 365 copies, each signed by the Author. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 i se: 
 
 178. 
 
 ee: 
 
 180. 
 
 LoTs 
 
 182. 
 
 183. 
 
 184. 
 
 CABELL (JAMES Brancn). The High Place: A Comedy of Disen- 
 chantment. With illustrations and decorations by Frank C. Pape. 
 8vo, original cloth, uncut. New York, 19223 
 
 First Epirion. Limited to 2,000 numbered copies. 
 
 CABELL (JAMES Brancn). Jurgen and the Law. A Statement. 
 With Exhibits, including the Court’s Opinion, and the Brief for 
 the Defendants on Motion to Direct an Acquittal. Edited by 
 Guy Holt. 12mo, original cloth. New York, 1923 
 
 First Epirion. Limited to 1,080 numbered copies. 
 
 DESIRABLE SERIES OF THE PUBLICATIONS OF THE BOOK 
 CLUB OF CALIFORNIA 
 
 CALIFORNIA Book Cius. LHcclesiastes, or the Preacher. Teat printed 
 in red and black, with ornamental initials in blue. Oblong royal 
 8vo, blue boards, paper label, uncut and unopened. 
 
 San Francisco, 1910 
 Edition limited to 300 copies, of which this is, No. 92. 
 
 CaLIrorNiA Book Crus. The Sermon on the Mount. [Printed in 
 red and black, with capitals in blue.| Narrow 8vo, boards, uncut 
 and unopened. [San Francisco, 1911] 
 
 No. 16 of 3800 copies printed. : 
 
 CaLIrorNIA Book Cius. Cowan (Rozert Ernest). A Bibliography 
 of the History of California and the Pacific Coast, 1510-1906. 
 Together with the Text of John W. Dwinelle’s Address on the 
 Acquisition of California by the United States of America. 4to, 
 original boards, cloth back, uncut. San Francisco, 1914 
 
 Limited to 250 Copies. 
 
 CALIrorNIA Book Crus. Harte (Bret). The Luck of Roaring 
 Camp; The Outcasts of Poker Flat; Tennessee’s Partner. 12mo, 
 boards, canvas back, paper label, uncut. San Francisco, 1916 
 
 EDITION LIMITED to 260 copies, of which this is, No. 48. 
 
 CALIFORNIA Book Crus. Marxuam (Epwin). The Man with the 
 Hoe. Written after Seeing Millet’s World-Famous Painting. 
 Portrait, title-page, and teat printed within broad decorative bor- 
 ders, by Ray F. Coyle. Royal 8vo, boards, cloth back, paper label, 
 uncut. San Francisco, 1916 
 
 Edition limited to 300 copies, of which this is, No, 222. 
 
 Accompanying the above volume is a beautiful photographic repro- 
 duction of Millet’s famous painting, mounted within decorative port- 
 folio. 
 
 CALIFoRNIA Book Cius. Hovey (RicHarp). Barney McGee. Fron- 
 tispece portrait by Ray F. Coyle, and title-page, both within 
 broad decorative borders; text printed within gilt fillet bands. 
 Ato, boards, uncut. San Francisco, 1917 
 
 Only 250 copies have been printed by John Henry Nash for his 
 friends. 
 
185. 
 
 186. 
 
 187. 
 
 188. 
 
 189. 
 
 190. 
 
 Ee be 
 
 192. 
 
 193. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 CaLirornia Book Cius. Appison (JosepH). The Vision of Mirzah. 
 Frontisprece. Small 4to, original boards, canvas back, paper label, 
 uncut. San Francisco, 1917 
 
 Limited to 800 copies, of which this is, No. 74. 
 
 CALIFORNIA Book Crus. Tagore (Str RasrypranatH). National- 
 ism. S8vo, boards, uncut. San Francisco, 1917 
 First Eprrion. Limited to 250 copies on Tuscany handmade paper, 
 
 of which this is, No. 242. 
 
 CaLiFoRNIA Book Cius. Cooxtsrirn (INA). California. Portrait 
 by Dan Sweeney, colored border decorations by Lawrence B. 
 Haste. 4to, boards, cloth back, paper label up back, uncut. 
 
 San Francisco, 1918 
 Only 800 copies printed. 
 Autograph Presentation Inscription written on fly-leaf, signed 
 “Albert.” ; 
 
 CauirorntA Book Crus. Burton (Srr Ricnarp F.). The Kasidah 
 (Couplets) of Haji Abdi El-Yezdi. A Lay of the Higher Law. 
 Translated and Annotated by his Friend and Pupil F.B. (Sir 
 Richard Burton). 4to, boards, vellum back, uncut and unopened. 
 
 San Francisco, 1919 
 EDITION LIMITED to 500 copies printed by John Henry Nash, of which 
 this is, No. 46. 
 
 CaLirorNIA Book Cius. Bynner (Wirrer). The New York. 
 Frontispiece by Ray F. Coyle, title-page within decorative border. 
 Imperial 8vo, decorative boards, uncut. 
 
 San Francisco: Printed by John Nash for his Friends, 1919 
 Kdition limited to 350 numbered copies, of which this is, No. 63, for 
 Private Distribution Only. 
 
 CattrorntA Book Crus. Fievp (Sara Barp). The Vintage Fes- 
 tival. A Play Pageant and Festivities celebrating the Vine in 
 the Autumn of Hach Year at St. Helena in the Napa Valley. 
 Woodcut frontismece and title-page. 12mo, boards, uncut and 
 unopened, paper label up back. San Francisco, 1920 
 
 No. 151 of 500 copies printed. 
 
 CaLiFoRNIA Book Crus. Dawson (Emma Frances). A Gracious 
 Visitation. With an Appreciation by Ambrose Bierce. 8vo, col- 
 ored boards, cloth back, uncut. San Francisco, 1921 
 
 No. 49 of 300 copies printed. 
 
 CaLirorNIA Book Crus. Frerp (C. K.). Prayer. With a Foreword 
 by David Starr Jordan. 12mo, boards, uncut. 
 [San Francisco] 1921 
 
 EDITION LIMITED to 330 copies, of which this is, No. 49. 
 
 CaLirorNIA Book Crus. WinuiAmMs (SamMueEt). The City of the 
 Golden Gate. A Description of San Francisco in 1875. Wood- 
 cuts. 8vo, decorative boards, uncut. 
 
 San Francisco: The Book Club of California, 1921 
 Edition limited to 350 copies, of which this is, No. 74. 
 
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 194. 
 
 195. 
 
 196: 
 
 197. 
 
 198. 
 
 100: 
 
 CALIFORNIA Book Cius. Dante. Life of Dante. Giovanni Boccac- 
 cio’s Enecomium on Dante. |Commonly known as the Life of 
 Dante.| Translated from the Italian by Philip Henry Wick- 
 steed. Imperial 8vo, decorative boards, uncut and unopened. 
 San Francisco: Printed by John Henry Nash for his Friends. 
 
 1922 
 
 Edition limited to 250 copies, of which this is, No. 97. 
 
 CaLIFORNIA Boox Cius. The Song of Songs. Being Love Lyrics 
 from Ancient Palestine. Translated by Morris Jastrow. Deco- 
 ration by H. von Schmidt, initials by Joseph Sinel. 12mo, 
 vellum paper boards, uncut. [San Francisco] 1922 
 
 Edition limited to 310 copies, of which this is, No. 14. 
 
 CALIFORNIA Book Crus. Harte (Brer). Dickens in Camp. Wath 
 facsimile of Poem, 10 stanzas of 4 lines each, reproduced on three 
 leaves, each mounted on separate leaf of paper on which ts printed 
 the poem. Imperial 8vo, decorative boards, paper label on front 
 cover, uncut. : San Francisco, 1923 
 
 This Facsimile has been printed by John Henry Nash as a gift to 
 the Book Club of California from the Manuscript now in the Bender 
 Collection at Mills College. 
 
 CaMERON’s Ercuines. MarTHer (GEorGE R.). Two Great Scots- 
 men. The Brothers William and John Hunter. Title and 4 etch- 
 ings by D. Y. Cameron, and several other wlustrations. Small 
 Ato, cloth, uncut. Glasgow: James Maclehose and Sons, 1893 
 
 First Epirion. SCARCE. 
 
 CANNAN (GiiBERT). LEverybody’s Husband. [1920;] Harrrras 
 (OwEN). Pistols for Two. 1917. Together, 2 pieces, 12mo, 
 wrappers. New York, 1917—-[1920] 
 
 First EpItions. 
 
 BEAUTIFUL SET OF THE LIBRARY EDITION 
 
 CARLYLE (THomAsS). Thomas Carlyle’s Collected Works. With Index. 
 31 vols. 1869-1874 and no date; Translations from the German. 
 By Thomas Carlyle. 3 vols. 1871. Together, 34 vols. 8vo, three- 
 quarter brown levant morocco, gilt paneled backs, gilt tops, uncut, 
 BY RIVIERE. 
 
 London: Chapman and Hall, and New York, 1869-1874 
 BEAUTIFUL SET OF THE LIBRARY EpITIoNn, comprising: 
 Sartor Resartus. No date; French Revolution. 3 vols. 1874; 
 Friedrich Schiller. No date; Essays. 6 vols. 1869; 
 Past and Present. No date; Heroes and Hero Worship. No date; 
 Latter-Day Pamphlets. 1870; Cromwell’s Letters and Speeches. 
 5 vols. 1870; 
 
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 Index. 1872; Translations from the German. 38 vols. 1872. 
 
First Session, Wednesday Afternoon, April 30th 
 
 200. CarMAN (Briss) AND Hovey (Ricwarp). Songs from Vagabondia ; 
 More Songs from Vagabondia; Last Songs from Vagabondia. 
 
 By Bliss Carman and Richard Hovey. Designs by Tom. B. 
 Meteyard. 16mo, half blue levant, full gilt back, gilt top, uncut. 
 
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 Inscribed, by Bliss Carman, on front flyleaf,—‘Very Sincerely yours, 
 Bliss Carman, April, 1916.” 
 
 201. CARPENTER (Epwarp). The Intermediate Sex. 1912. Frrsr Epr- 
 TION. Now out of print; The Story of Eros and Psyche. Fron- 
 tispiece. 1900. First Eprrion; An Unknown People. Second 
 Edition. [1905;] Chants of Labour. 2 designs. [1905.] To- 
 
 gether, 4 vols. 12mo and square 12mo, cloth and wrappers. 
 | London, 1900-1912 
 
 202. “Carrot (Lewis’—Rev. C. L. Dodgson). Phantasmagoria and 
 other Poems. First Eprrion. London, 1869; Brapiey (WIL- 
 LIAM A.). Dutch Landscape Etchers of the Seventeenth Cen- 
 tury. First Eprrion. New Haven, 1918; Porpuyry the Philos- 
 opher to his Wife Marcella. Translated with Introduction by 
 Alice Zimmern. Preface by Richard Garnett. First Eprrion. 
 London, 1896. Together, 3 vols. 12mo, cloth; binding of the 
 first mentioned is somewhat stained. 
 London and New Haven, 1869-1918 
 
 203. Carrer (Huntiy). The New Spirit in Drama and Art. Numerous 
 reproductions, many In Conors. 4to, pictorial cloth, gilt top, 
 uncut. New York, 1913 
 
 WORKS BY WILLA CATHER 
 
 204. CatHER (WitLA). Youth and the Bright Medusa. 12mo, original 
 cloth, uncut. New York, 1920 
 
 First Epirion. Signed by the Author, on front endpaper. As new. 
 
 205. CarHEer (WitLA). One of Ours. 8vo, original boards, canvas back, 
 paper label, uncut. New York, 1922 
 
 First Epirion. One of 310 copies on Perusia Handmade Italian 
 Paper, signed by the Author. As new, uncut and unopened. 
 
 206. CaTHER (WitLA). April Twilights, and Other Poems. 8vo, original 
 boards, vellum back, uncut. New York, 1923 
 
 First Epition. Uncut and unopened. One of 450 copies, each signed 
 by the Author. 
 
 207. CarHer (WitLA). A Lost Lady. 8vo, original boards, canvas back, 
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 First Epition. One of 200 copies on handmade paper, signed by the 
 Author, As new, uncut and unopened. 
 
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 gether, 2 vols. 12mo, original cloth. 
 Boston and New York [1918 |-1923 
 
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 PR D FOR Ep: BLOUNTE eT 
 ‘e— = — - 
 
 [No. 209] 
 
 FINE COPY OF THE FIRST COMPLETE EDITION IN ENGLISH 
 
 209. Cervantes (MicuEL pr). The History of Don Quichote. ['Trans- 
 lated by Thomas Shelton.] [Vol. I.] The History of Don 
 Quichote. The first parte. Printed for Ed. Blounte. [Vol. II.] 
 The Second Part of the History of the Valorous and witty 
 Knight-Errant, Don Quixote of the Mancha. Written in Spanish, 
 by Michael Ceruantes: And now Translated into English. 
 [Printer’s mark.| London, Printed for Edward Blount, 1620. 
 
 ‘ Engraved frontisyieces. 2 vols. Small 4to, full red crushed 
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 corners, on sides, richly gilt backs, inner gilt dentelle borders, 
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 First Epirion oF THE COMPLETE WORK, that is, the Second Edition 
 
 of the First Part, and the First Edition of the Second. 
 But FEW COPIES ARE KNOWN OF THIS FIRST COMPLETE [EDITION OF 
 [Continued 
 
First Session, Wednesday Afternoon, April 30th 
 
 | No. 209—Continued | . 
 THE FIRST ENGLISH TRANSLATION. AND THE FIRST TRANSLATION IN ANY 
 LANGUAGE. Part II, according to a letter tu the Atheneum (July 5, 
 1873) by Mr. Rawdon Brown, has traces both of “As you like it,” and 
 “Macbeth.” 
 
 No printed title was issued to the first volume, but only to the 
 second. Both the engraved frontispieces are bright perfect impressions. 
 
 Shelton’s translation of Don Quixote has become an English classic 
 for the vigor of its English, and is on this account the translation 
 selected by many of the modern book clubs for republication, as a 
 worthy companion to Florio and the Elizabethan translators and adap- 
 ters. The lost play “Cardenio” (ascribed to Fletcher) was evidently 
 founded on this translation by Shelton. 
 
 Duffield, in the preface to his own translation, shows that Shelton 
 based his work on the Brussels edition of 1607. He also shows by pa- 
 rallel passages how infinitely Shelton is preferable to the other trans- 
 lators of the Seventeenth and Highteenth Centuries, such as Phillips, 
 Motteux, Jarvis, and Smollett, all of whom defile the work with coarse. 
 ness and buffoonery not found in the original. Jarvis, in the preface to 
 his translation, accuses Shelton of having translated not from. the 
 original, but from the Italian version of Francoisini. That this accu- 
 sation was unjust is evident from the fact that Francoisini’s version 
 did not appear till nine years after Shelton’s had been published. 
 
 From the Robert Hoe collection, with bookplate in each volume. 
 
 [See Reproduction] 
 
 WITH THE DANIEL VIERGE ILLUSTRATIONS 
 
 #10. CERVANTES (MicuEL bE). The History of the Valorous and Witty 
 Knight-Errant Don Quixote of the Mancha. Translated by 
 Thomas Shelton. With an Introduction by Royal Cortissoz. 
 The Illustrations by Daniel Vierge. 4 vols.; accompanied by a 
 portfolio of plates, uniform with the books. Together, 5 vols. 
 8vo, original half vellum, gilt tops, uncut. New York, 1906 
 
 ONE OF 150 COPIES PRINTED THROUGHOUT ON JAPANESE VELLUM. 
 
 RARE FIRST EDITION OF LORD CHESTERFIELD’S “LETTERS” 
 
 211. CHESTERFIELD (PHinte Srannopsr, Eart or). Letters Written by 
 the Late Right Honourable Philip Dormer Stanhope, Earl of 
 Chesterfield, to His Son, Philip Stanhope, Esq., Late Envoy 
 Extraordinary at the Court of Dresden: Together with Several 
 Other Pieces on Various Subjects. Published by Mrs. Eugenia 
 Stanhope, from the Originals now in Her Possession. Frontis- 
 piece. 2 vols. 4to, half chocolate-colored calf, marbled edges. 
 
 London, 1774 
 
 FINE COPY OF THE RARE First EpItion. 
 
 212. CHESTERTON (GILBERT K.). A Collection of First Editions of His 
 Writings. Together, 9 vols. 12mo to 8vo, original cloth and 
 boards, uncut. London, various dates 
 
 Comprises: Magic. S8vo. original boards, uncut. Limited to 150 
 copies, printed on Japan vellum, and signed by the Author. N.d.; The 
 Ballad of St. Barbara, and Other Verses. S8vo, original boards, cloth 
 
 [ Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee, Oe 
 
 [ No. 212—Continued] 
 
 213 
 
 214 
 
 216 
 
 Q1% 
 
 back, uncut. [1922]; What I saw in America. 8vo, original cloth. 
 1922: The New Jerusalem. Svo, original cloth. N.d.; Eugenics and 
 Other Evils. 12mo, original cloth, uncut. 1922; The Man Who Knew 
 Too Much, and other Stories. 12mo, original cloth. [1922]; The 
 Great Inquiry (Only Authorized Version), Faithfully Reported by 
 H. B., Reporter to the Committee, and Ornamented with Sharp Cuts, 
 Drawn on the Spot, by G. K. C.  12mo, original wrappers, N.d.; — 
 fAtso] Irish Impressions. 12mo, original cloth. [1920]. Second Hdi- 
 tion; Appreciations and Criticisms of the Works of Charles Dickens. 
 Tilustrated. Svo, original cloth, uncut. New York, 1911. First Ameri- 
 can Edition. 
 
 . CutnEsE Porcetarns. Hopson (R.L.). The Wares of the Ming 
 
 Dynasty. With 128 illustrations of which eleven are IN Cotor. 
 4to, full brown pigskin, gilt top, uncut. London, 1923 
 
 Epririon Limirep to 256 copies on English handmade paper, signed 
 by the author and with an extra color plate. This is No. 219. 
 
 . CHISwIck Press. CospEN-SANpDERSON (T.J.). Hece Mundus Indus- 
 
 trial Ideals and The Book Beautiful. 1902; Macxamn (J. W.): 
 William Morris. 1902; The Parting of the Ways. 1903; Social- 
 ism and Politics. 1903; Homer. An Address delivered on behalf 
 of the Independent Labour Party. 1905. Together, 5 vols. 
 8vo, boards, with vellum backs, mostly unopened. 
 Hammersmith, 1902-1905 
 
 . Cuiswick Press. Gay (Joun). The Beggar’s Opera. With an 
 
 Introduction by Oswald Doughty. With 28 plates in collotype 
 and a facsimile title of the first edition. Imperial 8vo, boards, 
 cloth back, paper labels, gilt top, uncut. London, 1922 
 
 EDITION LIMITED to 1000 copies, of which this is, No. 136. 
 
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 . CremENs (Samuet L.). Roughing It. By Mark Twain. Fully wlus- 
 
 trated by eminent artists. 8vo, original cloth. Hartford, 1872 
 
 REMARKABLY FINE COPY OF THE SCARCE First EDITION. 
 
 FIRST ISSUE OF THE FIRST EDITION 
 
 . CLEMENS (Samuet L.). The Adventures of Tom Sawyer. By Mark 
 
 Twain. Illustrations. Square 8vo, original blue cloth, gilt. 
 Hartford, Conn.: American Publishing Co., 1876 
 First ISSUE oF THE First Eprrion, with 8 preliminary leaves, and 
 printed on a thinner and more highly calendered paper than used in 
 later issues. The half-title, frontispiece and Preface are on separate 
 leaves, with verso of each blank, as is, also, the verso of the second 
 leaf of Contents. XVI is thus the correct number of the final prelim- 
 inary page. 
 [See Reproduction] 
 
First Session, Wednesday Afternoon, April 30th 
 
 218. Cremens (Samuun L.). A Tramp Abroad. By Mark Twain. With 
 328 illustrations. 8vo, original cloth. Hartford, 1880 
 
 FINE COPY OF THE RARE FIRST ISSUE OF THE First EDITION, with title 
 to frontispiece “/oses,” changed, in later issues, to “Titian’s Moses.” 
 
 219. CLEMENS (SAMUEL L.). The Prince and the Pauper. A Tale. For 
 Young People of All Ages. By Mark Twain. With 192 illus- 
 trations. Square 8yo, original cloth. Boston, 1882 
 
 First Epirion. 
 
 THE ADVENTURES 
 
 POM SAWYER 
 
 BY 
 
 MARK TWAIN. 
 
 THE AMERICAN PUBLISHING COMPANY, 
 HARTFORD, CONN.: CHICAGO, ILL.: .CINCINNATI, OHIO, 
 A. ROMAN & CO., SAN FRANCISCO, CAL, 
 1876. 
 
 [No. 217] 
 
 220. CLEMENS (SAamMuEL L.). Adventures of Huckleberry Finn (Tom 
 Sawyers Comrade). By Mark Twain. With 174 illustrations. 
 
 Square 8vo, original cloth, slightly worn. New York, 1885 
 
 First ISSUE OF THE First Epirion, with page 283 pasted on a stub. 
 
 221. CLEMENS (SAmuEL L.). A Connecticut Yankee in King Arthur’s 
 Court. By Mark Twain. Square 8vo, original cloth. 
 New York, 1889 
 
 First Epirion. 
 
 222. CLEMENS (SAMUEL L.). The £1,000,000 Bank-Note, and Other New 
 Stories. Square 8vo, original pigskin. New York, 1893 
 First Epirion. 
 
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 223. 
 
 224. 
 
 220. 
 
 226. 
 
 R20. 
 
 220. 
 
 229. 
 
 CLEMENS (SaMvueEL L.). Tom Sawyer Abroad. By Huck Finn. 
 Edited by Mark Twain. With illustrations by Dan Beard. 
 Square 8vo, original cloth. New York, 1894 
 
 First Ep1Irion. 
 
 Cremens (Samugt L.). The Tragedy of Pudd’nhead Wilson, And 
 the Comedy Those Extraordinary Twins. By Mark Twain. 
 With marginal illustrations. 8vo, half blue morocco, gilt edges. 
 
 Hartford, 1894 
 
 First EDITION. 
 
 [CLemens (Samuet L.).] Personal Recollections of Joan of Are. 
 By the Sieur Louis de Conte (Her Page and Secretary). Freely 
 Translated out of the Ancient French into Modern English. . . . 
 By Jean F. Alden. Illustrated from original drawings by F. V. 
 Du Mond. 12mo, original red buckram, gilt. New York, 1896 
 
 A SUPERB COPY OF THE SCARCE First Eprtion. Mark Twain’s name 
 appears on back-strip and on front cover. 
 
 Cremens (Samuet L.). Following the Equator. A Journal Around 
 the World. By Mark Twain. Illustrated. 8vo, original half red 
 
 morocco, gilt top. Stamp, in ink, on title page. Hartford, 1897 
 FIRST ISSUE OF THE First EpIrion. 
 
 FINE COPY OF THE RARE PRIVATELY PRINTED ISSUE 
 
 [Chemens (Samuet L.).] What is Man? 8vo, original gray boards, 
 gilt stamped green label on back, uncut. In board slip-case. 
 New York: De Vinne Press, 1906 
 
 PRISTINE COPY OF THE VERY RARE Furst EDITION, LIMITED TO 250 
 COPIES, PRIVATELY PRINTED, Of which this is No. 197. Published anony- 
 mously, and distributed to personal friends only, public acknowledg- 
 ment of the authorship being withheld until after Clemens’ death. 
 
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 Bigelow Paine, the executor of the Clemens [state. 
 
 CremENs (Samuet L.). What is Man? (Issued for the Rationalist 
 Press Association, Limited.) By Mark Twain. 12mo, original 
 cloth, uncut. London, 1910 
 
 First Eneuisnh EpITION, and the First Eprrrion TO BEAR MARK 
 TWAIN’S NAME ON THE TITLE-PAGE. Suppressed by the Executors of 
 Mark’s Twain’s Estate. 
 
 Ciremens (Samus L.). Parne (AtBert BraEtow). Mark Twain. 
 A Biography. The Personal and Literary Life of Samuel Lang- 
 horne Clemens. With Letters, Comments and Incidental Writ- 
 ings Hitherto Unpublished; also New Episodes, Anecdotes, etc. 
 Illustrated. 4 vols. 1912; Mark Twain’s Letters. Illustrated. 
 2 vols. [1917.] Together, 6 vols. 8vo, original cloth and boards 
 with cloth back and paper label, uncut. 
 
 New York, 1912 and [1917] 
 
 First Epirion. The latter is one of 350 sets bound with uncut edges 
 and paper labels. 
 
First Session, Wednesday Afternoon, April 30th 
 
 230. CLemENS (Samuet L.). Europe and Elsewhere. By Mark Twain. 
 With an Appreciation by Brander Matthews, and an Introduc- 
 tion by Albert Bigelow Paine. Complete set of Proof-Sheets. 
 Enclosed in red cloth slip-case, with morocco back. With note, 
 in ink, on first page, stating that this is one of ten copies pulled. 
 | ACCOMPANIED By:] CLEMENS (Samuet L.). Europe and Else- 
 where. By Mark Twain. With an Appreciation by Brander 
 Matthews, and an Introduction by Albert Bigelow Paine. 
 Frontismece. 8yo, original cloth. New York [1923] 
 
 First Eprrion. 
 
 231. [CLEMENS (SAmuet L.).] 1901. Illuminated initials. 16mo, fawn- 
 colored undressed calf. No place: Privately Printed, no date 
 
 232. CLEMENS (SamugL L.). A Collection of First and Other Editions 
 of His Writings. Together, 16 vols. 16mo to 8vo, original cloth, 
 boards and wrappers. Various places and dates 
 
 Comprises: Adventures of Huckleberry Finn. /J/llustrated.  8vo, 
 original cloth. First Enerisu Eprtron. London, 1884; The American 
 Claimant. Jilustrated. 12mo, original cloth. Frrst Enerisu Epirion. 
 London, 1892, The Same. First Epition (Two copies). New York. 
 1892; The Innocents at Home. 16mo, original wrappers. First Enec- 
 LISH HpiT1onN. London [1903]; English as She is Taught. 12mo, orig- 
 inal cloth. First Epition. Boston [1900]; Mark Twain’s (Burlesque) 
 Autobiography and First Romance. /llustrated. 12mo, original cloth. 
 First Epirion. New York [1871]); The Stolen White Elephant, Ete. 
 12mo, original cloth. Frrst Eprrion. Boston, 1882; The Niagara Book. 
 Illustrated. 12mo, original cloth. First Epitron. Buffalo, 1893; A 
 Double-Barrelled Detective Story. Jllustrated. S8vo, original cloth, 
 uncut. First Epirion. New York, 1902; Eve’s Diary. Jllustrated. 
 First Epitron. New York, 1906; Is Shakespeare Dead? F'rontispicces. 
 S8vo, original cloth, uncut. First Epition. New York, 1909; Queen 
 Victoria’s Jubilee. Jllustrated. 8vo, original boards, cloth back. First 
 Epition. No place; Privately Printed, n.d.; After Dinner Speeches 
 at the Lotos Club. Jillustrated. S8vo, original cloth, uncut. First 
 EKpition. New York, 1901; CLremens (Witt M.). Mark Twain. His 
 Life and Work. 12mo, original wrappers. First Epirion. San Fran- 
 cisco, 1892. [WrireLtock (WILLIAM WALLACE).] The Literary Guillo- 
 tine. 12mo, original boards, cloth back, uneut. First Epition. New 
 York, 19038; Catalogue of First and Other Editions of Mark Twain and 
 of Lafcadio Hearn. S8vo, original wrappers. New York, 1914. 
 
 233. CoBDEN-SANDERSON (T. J.). The Ideal Book or Book Beautiful. 
 A tract on Calligraphy, Printing & Illustration & on the Book 
 Beautiful as a Whole. Royal 8vo, boards, uncut. 
 
 San Francisco: Privately Printed, 1916 
 
 Epition LIMitrep to 165 copies printed by J. H. Nash, of which this 
 is, No. 98. 
 
 234. Cotum (Papraic). Wild Earth. A Book of Verse. 12mo, original 
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 FINE copy OF THE First EDITION. 3 
 
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 238 
 
 239 
 
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 gilt top, uncut. London: T. Fisher Unwin, 1896 
 
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 castle. 12mo, original pictorial cloth, uncut. _ New York, 1897 
 First Iprrion. 
 
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 London: Willham Heinemann, 1858 
 First Epirion. Harty copy, with the letters “Heinemann” on the 
 back of uniform size. This copy contains the advertisements of books 
 to be issued in the autumn of 1897. The volume itself was printed 
 in 1898. 
 
 WITH CONRAD’S AUTOGRAPH SIGNATURE AND NOTES 
 
 240. Conrap (JosEPH). Preface to the Nigger of the “Narcissus.” 
 
 Printed for the Author, December, 1897. 8pp. 8vo, as issued. 
 Enclosed in a medium blue quarter levant morocco slip-case, 
 with inner cloth wrapper. [London] 1897 
 
 RarE Conrad Item. Only a limited number were printed for the 
 Author and his friends. This is a particularly interesting copy, because 
 on the first page appears the FULL SIGNATURE OF JOSEPH CONRAD AND 
 A CORRECTION IN THE TEXT, IN HIS AUTOGRAPH. Also, on the last page, 
 IN HIS AUTOGRAPH, is the following: This preface suppressed on pub- 
 lishers advice was printed by Mr. Henley at the end of serial pubn 
 in the N.R. as an afterword. J.C. Mr. Henley was the editor of the 
 “New Review.” 
 
 241. Conrad (JosePH). Tales of Unrest. 12mo, original cloth, gilt top. 
 
 unenie > London, 1898 
 
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 242. CONRAD (JosEPH). Lord Jim. A Tale. 12mo, original cloth, uncut. 
 
 Edinburgh, 1900 
 
 First Ep1trion. 
 
243, 
 
 244, 
 
 246. 
 
 R47. 
 
 248. 
 
 249. 
 
 250. 
 
 rave) 
 Or 
 caw) 
 
 253. 
 
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 Conrad (JosErpH) AND Hurrrer (Forp M.). The Inheritors. An 
 Extravagant Story. 12mo, cloth, uncut. London, 1901 
 First Epirion. Fine Copy. 
 
 Conrad (JosEpH). Typhoon. Illustrated by Maurice Greiffenhagen. 
 12mo, original green pictorial cloth, lettered in red. 
 New York: G. P. Putnam’s Sons, 1902 
 
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 . ConraD (Josep). Youth: A Narrative; and Two Other Stories. 
 
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 12mo, original cloth, uncut. New York, 19038 
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 Novel. 12mo, original cloth, uncut, binding shghtly rubbed. 
 London, 1903 
 
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 Conrad (JosEpH). Typhoon, and Other Stories. 12mo, gray cloth, 
 uncut. London: William Heinemann, 1903 
 
 First Enewisn Epirion. “This edition enjoys Copyright in all Coun- 
 tries signatory to the Berne Treaty, and is not to be imported into the 
 United States of America.” With 2pp. of advertisements bound in at 
 front, and 32pp. at end. 
 
 With bookplate of Robert Sedgwick. 
 
 Conrap (JosepH). Youth and Two Other Stories. 12mo, light green 
 embossed cloth, uncut. New York, 1903 
 First AMERICAN EDITION. 
 
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 London and New York, 1904 
 
 First Epirion. As new. 
 
 . Conrad (JOSEPH) AND HueErrer (F. M.). Romance. A Novel. 
 
 Illustrated by Charles R. Macauley. 12mo, original blue picto- 
 rial cloth, uncut. New York: McClure, Phillips and Co., 1904 
 
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 . Conrad (JosEPH). The Mirror of the Sea. Memories and Impres- 
 
 sions. 12mo, original green cloth, gilt top, uncut. 
 London: Methuen & Co. [1906] 
 
 First Eprrion. With 40pp. of advertisements of “A Catalogue of 
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 inal cloth, uncut. London: Methuen and Co. [1907] 
 
 First EDITION. 
 
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 ROA. 
 
 208. 
 
 209. 
 
 260. 
 
 261. 
 
 262. 
 
 263. 
 
 Conrad (Josep). The Point of Honor. A Military Tale. Full- 
 page tlustrations In Cotors by Dan Sayre Groesbeck. 12mo, 
 
 original green pictorial cloth. 
 New York: The McClure Company, 1908 
 
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 . Conrad (JosepH). A Set of Six. 12mo, original blue cloth covers, 
 
 uncut, binding faded. London: Methuen and Co. [1908] 
 First Eprrion. With the Methuen catalogue at end, dated, August, 
 1908. 
 
 3. Conrad (JosEPH). Under Western Hyes. 12mo, original cloth, 
 
 uncut. London [1911] 
 
 First Epition. With 32pp. of advertisements at end. 
 
 . Conrad (JosEpi). Some Reminiscences. 12mo, original blue cloth; 
 
 uncut. With 2pp. of advertisements at end. London, 1912 
 
 First EDIrTIon. 
 
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 binding slightly rubbed. London, 1912 
 
 First Epirion, First ISSUE. 
 
 Conrap (JosEPH). Chance. A Tale in Two Parts. 12mo, cloth. 
 Enclosed in a brown quarter levant morocco slip-case, with inner 
 cloth wrapper. Garden City, 1913 
 
 First AMERICAN Eprtrion. In the Bibliography of T. J. Wise, he 
 gives the date of the First American Hdition of this work as being 
 1914. According to the publishers, about 150 copies were issued to 
 secure copyright, bearing the date 1913. 
 
 This copy was sent to the author for revision and contains marks 
 throughout, executed by him in pencil, blue pencil and ink. Laid in, 
 is the mailing wrapper from Conrad, addressed to John Quinn. 
 
 Conrad (JosEpH). Chance. A Tale in Two Parts. 12mo, original 
 green cloth, fore and under edges uncut, as issued. 
 
 London [1914] 
 
 First Epition. Second Issue. With 8 pages of advertisements dated 
 Autumn, 1913, also the 3lpp. dated September, 1913. 
 FInE copy. AS NEW. 
 
 ConraD (JOSEPH). Chance. A Tale in Two Parts. 12mo, original 
 green cloth, fore and under edges uncut, as issued. 
 London [1914] 
 
 First Epition. Second Issue. With 8 pages of advertisements dated 
 Autumn, 1913, also the 5l1pp. dated July, 1913. 
 
 Conrap (JOSEPH). CuRLE (RicHARD). Joseph Conrad. A Study. 
 Photogravure portrait. 8vo, cloth, uncut. London, 1914 
 First EDItTIon. 
 
 ConraD (JOSEPH). Victory. An Island Tale. 12mo, original cloth, 
 uncut. London: Methuen & Co. [1915] 
 
 First Eneiisn Epirion. Issued in September, 1915. As new, 
 
264. 
 
 265. 
 
 266. 
 
 267. 
 
 268. 
 
 269. 
 
 270. 
 
 a1. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 Conrap (Josep). Wisdom and Beauty from Conrad. Selected and 
 Arranged by M. Harriet M. Capes. 12mo, cloth. London, 1915 
 
 First Epirion. Rare. This work was withdrawn from circulation 
 almost as soon as it was published, presumably because no acknowl- 
 edgments are made to the publishers of the various works, from which 
 the selections are taken. Consequently it is very rare. 
 
 Mounted on end-leaf is a slip of paper, containing the following, in 
 the autograph of Harriet M. Capes: My dearest love to you, I am and 
 shall always be, Affectionately yours, M. Harriet M. Capes. 
 
 Conrap (JosePH). Within the Tides. Tales. 12mo, original green 
 
 cloth. London and Toronto, 1915 
 First Eprrion. 
 
 Conrap (Josep). Warpote (Huai). Joseph Conrad. With por- 
 trait. 16mo, cloth. London [1915] 
 First EpDITIon. 
 
 ConraD (JosepH). Lord Jim. A Tale. Portrait. 12mo, cloth. 
 London [1917] 
 
 A new Author’s Notes, extending to three pages, was added to this 
 edition by way of preface. 
 
 AUTOGRAPH PRESENTATION COPY INSCRIBED BY CONRAD 
 
 ConraD (JOSEPH). One Day More. A Play in One Act. 4to, wrap- 
 pers, uncut. Enclosed in a half dark blue morocco slip-case, 
 with inner cloth wrapper. 
 
 London: Privately Printed by Clement Shorter, 1917 
 First EDITION IN BOOK FoRM. Limited to 25 copies. 
 Autograph Presentation Copy from Conrad to another English 
 
 author, with the following inscription on end-leaf: Macdonald Hast- 
 ings from Joseph Conrad, March, 1917. 
 
 Conrad (JosEPH). The Shadow-Line. A Confession. 12mo, orig- 
 inal green pictorial cloth, edges untrimmed. 
 London and Toronto: J. M. Dent and Sons [1917] 
 
 First EpitTion, First Issur. 
 
 ConraD (JosEPH). Garnerr (Epwarp). Turgenev. <A Study. 
 With a Foreword by Joseph Conrad. Photographic portrait. 
 12mo, cloth. London [1917] 
 
 First EpIrion. 
 
 Conrad (JosepH). The First News. 4to, wrappers, uncut and un- 
 opened. Enclosed in a quarter dark blue morocco slip-case, with 
 inner protecting cloth wrapper. 
 
 London: Privately printed by Clement Shorter, 1918 
 
 First Epition. Limited to 25 copies. 
 
 . CONRAD (JOSEPH). “Well Done!” 4to, wrappers, uncut and un- 
 
 opened. Enclosed in a quarter dark blue levant morocco slip- 
 case, with inner cloth wrapper. 
 London: Privately Printed by Clement Shorter, 1918 
 
 First Epition. Limited to 25 copies. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a i ne 
 
 2 [No. 273] 
 
 FINE CONRAD MSS. WITH NUMEROUS AUTOGRAPH INSERTIONS 
 
 273. Conrad (JOSEPH). AUTHOR’S OrIGINAL TYPEWRITTEN PREFATORY 
 Note ror “Tales of Unrest.” 6pp. 4to, typewritten on one side 
 of page only. WirH Asour Two Hunprep and Twenty Worps 
 IN THE AuTHoR’s AUTOGRAPH, signed at the beginning: “J. 
 Conrad” and at the end: “J.C.” Enclosed in a green cloth 
 folder, with inner cloth flaps. No place, 1919 
 
 A VERY DESIRABLE CONRAD MANUSCRIPT, for besides the words in the 
 author’s autograph, there are also numerous corrections and cancella 
 tions by him. et 
 
 [See Reproduction of Portion of First Page] 
 
 WITH NUMEROUS INSERTIONS AND CORRECTIONS BY THE AUTHOR 
 
 274, ConRaAD (JOSEPH). AUTHOR’s OrIGINAL TYPEWRITTEN PREFATORY 
 Note For “Typhoon.” ‘pp. 4to, typewritten on one side of page 
 only. WirnH Asour Two Hunprep aNp Frery Worps IN THE 
 AUTHOR'S AUTOGRAPH, signed at the beginning: “Joseph Con- 
 rad,” and at the end: “J.C” “Joseph Conrad.” Enclosed in a 
 green cloth folder, with inner flaps. No place, 1919 
 
 Besides the words in Conrad’s autograph, there are also numerous 
 corrections and cancellations by him. 
 
219. 
 
 276. 
 
 R207, 
 
 278. 
 
 279. 
 
 280. 
 
 281. 
 
 282. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 Conrad (JosepH). Anatole France. Small 4to, original wrappers, 
 uncut and unopened. 
 London: Printed for Joseph Conrad, 1919 
 
 First Epirion. Limited to 25 copies, of which this is, No. 19. 
 
 ConraD (JosEePH). The Arrow of Gold. A Story between Two 
 Notes. 12mo, original blue cloth, gilt, new as issued. 
 Garden City, New York, 1919 
 
 First EDITION. Previous to the English issue. Issued in April, 1919. 
 
 Conrad (JosEpH). The Arrow of Gold. A Story between Two Notes. 
 12mo, original green cloth. 
 London: T. Fisher Unwin Ltd. [1919] 
 
 First Enciisn Epirion. Issued in August, 1919. The text contains 
 corrections which were not embodied in the Original American Edi- 
 tion. 
 
 ConraD (JosEpit). Autocracy and War. 12mo, light gray wrappers, 
 uncut and unopened. Enclosed in black watered silk slip-case, 
 morocco back, gilt lettered, with inner silk protecting wrapper. 
 
 London: Printed for Private Circulation, 1919 
 
 First Epirion. One of 25 copies specially printed for T. J. Wise. 
 Signed in full by the Author. 
 
 ConraD (JosepH). Guy de Maupassant. 12mo, original green wrap- 
 pers, uncut and unopened. Enclosed in black moire silk slip- 
 case, morocco back, gilt lettered, with inner protecting wrapper 
 of black silk. London: Printed for Private Circulation, 1919 
 
 First Epirion. One of 25 copies printed for T. J. Wise. With the 
 Author’s full Autograph Signature. 
 
 Conrad (JosEPpH). Henry James. An Appreciation. 12mo, orig- 
 inal pink wrappers, uncut and unopened. Enclosed in black 
 watered silk slip-case, morocco back, gilt lettered, with inner pro- 
 tecting wrapper of black silk. 
 
 London: Printed for Private Circulation, 1919 
 
 First Eprrion. One of 25 copies printed for J. T. Wise. With the 
 Author’s full Autograph Signature. 
 
 Conrap (JosepH). Henry James. An Appreciation. 12mo, wrap- 
 pers, uncut and unopened. 
 
 London: Printed for Private Circulation, 1919 
 
 First Epition. Limited to 25 copies, printed for Thomas J. Wise. 
 
 Autograph in ink on half-title, by the author. 
 From the John Quinn collection, with bookplate. 
 
 Conrap (JosEepH). The Lesson of the Collision. A Monograph upon 
 the Loss of the “Empress of Ireland.” Small 4to, wrappers, 
 uncut and unopened. 
 
 London: Printed for Joseph Conrad, 1919 
 
 First Eprrion. Limited to 25 copies, of which this is, No. 2. With 
 Autograph Signature of Author on half-title. 
 From the John Quinn collection, with bookplate. 
 
 oH] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 283. 
 
 284, 
 
 2805. 
 
 286. 
 
 287. 
 
 288. 
 
 290. 
 
 Conrap (JosEpH). London’s River. 4to, wrappers, uncut and un- 
 opened. Enclosed in a quarter dark blue levant morocco slip- 
 case, with inner cloth wrapper. 
 
 London: Privately Printed by Clement Shorter, 1919 
 
 First Eprrion. Edition limited to 25 copies. Printed in “World’s 
 Work” in 1904. 
 
 Conrap (JosEPH). My Return to Cracow. 12mo, original red wrap- 
 pers, uncut and unopened. Enclosed in black watered silk slip- 
 case, morocco back, gilt lettered, with inner black silk protecting 
 wrapper. London: Printed for Private Circulation, 1919 
 
 First Epition. Limited to 25 copies privately printed for T. J. Wise. 
 With the Author’s full Autograph Signature. 
 
 ConraD (JosEPH). The North Sea on the Eve of War. 12mo, orig- 
 inal red wrappers, uncut and unopened. Enclosed in black watered 
 silk slip-case, morocco back, gilt lettered, with inner black silk 
 protecting wrapper. 
 
 London: Printed for Private Circulation, 1919 
 
 First Epirion. One of 25 copies printed for T. J. Wise. Signed in 
 full by the Author. 
 
 ConrAD (JOSEPH). One Day More. A Play in One Act. 8vo, dec- 
 orated boards, cloth back, paper label, entirely uncut. 
 London: The Beaumont Press, 1919 
 
 FIRST PUBLISHED EprTion. No. 163 of 250 copies on handmade paper. 
 
 ConraD (JosEPH). A Personal Record. 12mo, cloth, green top. 
 London [1919 } 
 
 A new Author’s Note extending to 16 pages was made for this 
 edition. 
 
 ConraD (JosEPH). The Polish Question. A Note on the Joint 
 Protectorate of the Western Powers and Russia. 4to, original 
 red wrappers, uncut and unopened. Enclosed in a quarter deep 
 blue morocco slip-case, with inner protecting cloth wrappers. 
 
 London: Privately Printed by Clement Shorter, 1919 
 
 EDITION LIMITED to 25 copies. 
 
 . ConraD (JosePH). The Shock of War. Through Germany to Cra- 
 
 cow. 12mo, original red wrappers, uncut and unopened. En- 
 closed in black moire silk slip-case, morocco back, gilt lettered, 
 with inner black silk protecting wrapper. 
 
 London: Printed for Private Circulation, 1919 
 
 First Epition. One of 25 copies printed for T. J. Wise. Signed in 
 full by the Author. 
 
 Conrad (JosepH). Some Aspects of the Admirable Inquiry into 
 the Loss of the Titanic. 12mo, original blue wrappers, uncut 
 and unopened. Enclosed in black watered silk slip-case, morocco 
 back, gilt lettered, with inner silk protecting wrapper. 
 
 London: Printed for Private Circulation, 1919 
 
 First Eprrron. One of 25 copies specially printed for T. J. Wise. 
 With the Author’s full Autograph Signature. 
 
Boks 
 
 292. 
 
 293. 
 
 294. 
 
 295. 
 
 296. 
 
 297. 
 
 298. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 Conrad (JosEPH). Some Reflections Seamanlike and Otherwise on 
 the Loss of the Titanic. 12mo, original blue wrappers, uncut 
 and unopened. Enclosed in dark red cloth slip-case, morocco back, 
 gilt lettered, with inner red cloth protecting wrapper. 
 
 London: Printed for Private Circulation, 1919 
 
 First Epirion. One of 25 copies printed for T. J. Wise. Signed in 
 full by the Author. 
 
 Conrad (JosEpH). The Tale. 4to, original wrappers, uncut. En- 
 closed in half dark blue levant morocco slip-case, with inner 
 cloth wrapper. 
 
 London: Privately Printed by Clement Shorter, 1919 
 
 First Epirion. Limited to 25 copies on handmade paper, of which 
 this is, No. 18, initialed by Clement Shorter. 
 
 ConraD (JosEpH). Tales of the Sea. 4to, original wrappers, uncut 
 and unopened. Enclosed in a quarter red levant morocco slip- 
 case, with inner cloth wrapper. 
 
 London: Printed for Joseph Conrad, 1919 
 First Eprrion. Limited to 25 copies, of which this is, No. 8. 
 
 Conrad (JosEPH). To Poland in War-Time. A Journey into the 
 East. 12mo, original red wrappers, as issued, uncut and un- 
 opened. Enclosed in black moire silk slip-case, morocco back, 
 gilt lettered, with inner black silk protecting wrapper. 
 
 London: Privately Printed, 1919 
 
 First Epition. One of 25 copies printed for Thomas J. Wise. With 
 the Author’s Autograph Signature on fly-leaf. 
 
 ConraD (JoOsEpH). Tradition. 12mo, original peach colored wrap- 
 pers, uncut and unopened. Enclosed in black watered silk slip- 
 case, morocco back, gilt lettered, with inner black silk protecting 
 wrapper. London: Printed for Private Circulation, 1919 
 
 First Epirion. One of 25 copies printed for T. J. Wise. With the 
 Author’s Autograph Signature in full. 
 
 Conrad (JosEpH). Alphonse Daudet. 4to, original wrappers, uncut 
 and unopened. London: Printed for the Author, 1920 
 
 First Epirion. Limited to 25 copies, of which this is, No. 2. With 
 Autograph Signature of the Author on half-title. 
 From the John Quinn collections, with bookplate. 
 
 Conrad (JosepH). Anatole France. “L’Ie des Pingouins.”  4to, 
 wrappers, uncut and unopened. Enclosed in a quarter green 
 levant morocco slip-case, with inner cloth wrapper. 
 
 London: Printed for the Author, 1920 
 
 First Epition. Limited to 25 copies, of which this is, No. 18. 
 
 ConraD (JosEPH). Books. 4to, original green wrappers, uncut and 
 unopened. Enclosed in a quarter green levant morocco slip-case, 
 with inner cloth wrapper. 
 
 London: Printed for the Author, 1920 
 First Epirion. Limited to 25 copies, of which this is, No. 15. 
 
pace 
 
 300 
 
 301. 
 
 302. 
 
 303. 
 
 304, 
 
 305. 
 
 306, 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 eee eee OEE 
 
 Conrap (JosepH). Confidence. 4to, original wrappers, uncut and 
 unopened. Enclosed in a quarter green levant morocco slip-case, 
 with inner protecting cloth wrappers. 
 
 London: Printed for the Author, 1920. 
 
 First Eprriox. Limited to 25 copies, of which this is, No. 8. 
 
 Conrap (JosEpH). Essays and Studies by Members of the English 
 Association. Collected by A. C. Bradley. Vol. VI. With a 
 chapter on Conrad by F. Melian Stawell. 8vo, cloth. 
 
 Oxford, 1920 
 
 Conrap (JosepH). “An Observer in Malay. 4to, wrappers, uncut 
 and unopened. Enclosed in a quarter maroon levant morocco 
 slip-case. ; 
 
 London: Printed for the Author for Private Circulation 
 Only, 1920 
 
 First Epition. Limited to 25 copies, of which this is, No. 10. 
 
 Conrad (Josep). One Day More. 12mo, boards, vellum back, 
 uncut. Garden City, New York, 1920 
 
 First AMERICAN Epirrion. Limited to 375 cepies, of which this is, 
 No. 364. With the Author’s Autograph Signature in full. 
 
 Conrap (JosEPH). Prince Roman. 4to, original wrappers, uncut 
 and unopened. Enclosed in a green quarter levant morocco slip- 
 case, with inner protecting cloth wrapper. 
 
 London: Printed for the Author, 1920 
 
 First Epirion. Limited to 25 copies, of which this is, No. 8. 
 
 ConraD (JosEPH). The Rescue. A Romance of the Shallows. 12mo, 
 original dark blue cloth. Garden City, New York, 1920 
 
 First Epirion. Issued in May, 1920. 
 
 FIRST ENGLISH EDITION: ONLY FORTY COPIES PRINTED 
 
 ConraD (JosepH). The Rescue. 12mo, light brick-red colored cloth 
 covers, uncut. London: J. M. Dent & Sons, 1920 
 THE EXTREMELY RARE First ENGLISH EDITION, OF WHICH ONLY 40 
 COPIES WERE PRINTED FOR PRIVATE DISTRIBUTION. The text differs mate- 
 
 rially from that which preceded it in America and that of the First 
 Published English Edition. 
 
 With bookplate of John Quinn pasted on the inside of the front 
 cover. 
 
 [See Reproduction of Title-page] 
 
 CONRAD (JosrpH). The Rescue. A Romance of the Shallows: 12mo, 
 original green cloth, uncut. 
 
 London and Toronto: J. M. Dent and Sons, 1920 
 
 FIRST PUBLISHED ENGLISH Epition, Issued in August, 1920. 
 
First Session, Wednesday Afternoon, April 30th 
 
 307. ConrAD (JOSEPH). The Warrior’s Soul. 4to, wrappers, uncut and 
 unopened. Enclosed in a quarter red levant morocco shp-case, 
 with inner cloth wrapper. 
 
 London: Printed for the Author for Private Circulation, 1920 
 
 First Epition. Limited to 25 copies, of which this is, No. 9. 
 
 JOSEPH CONRAD | 
 
 THE 
 
 RES @Uer 
 
 1920 
 LONDON & TORONTO 
 
 J. M. DENT & SONS LTD. 
 
 PARIS: J. M. DENT ET FILS 
 
 [No. 305] 
 
 308. Conrap (JosEPH). Wise (THomas J.). A Bibliography of the 
 Writings of Joseph Conrad (1895-1920). Portrait. Small 4to, 
 boards, uncut. 
 
 London: Printed for Private Circulation Only, 1920 
 
 First Epirion. Limited to 150 copies. 
 
 309. Conrad (Josep). Notes on Life & Letters. 12mo, cloth, uncut. 
 London, 1921 
 
 FIRST PUBLISHED IPDITION. 
 
 310. Conrap (JosEPH). Notes on My Books. 8vo, boards, vellum back, 
 paper label, uncut and unopened. London, 1921 
 
 First Eprrion. Limited to 250 copies, numbered and signed by the 
 author: “Joseph Conrad,” of which this is, No. 10. 
 
 311. Conrap (JosepH). The Secret Agent. Drama in Four Acts. 4to, 
 wrappers, uncut. Canterbury: Printed for the Author, 1921 
 First Epition. Specially printed for the Author. 
 PRESENTATION COPY FROM THE AUTHOR WITH HIS AUTOGRAPH INSCRIP- 
 TION, SIGNED, as follows,—‘‘7'o John Quinn. With regards and best 
 wishes. Joseph Conrad. Dec. 1921.” 
 This is the dramatized version of the novel, ‘The Secret Agent.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 Se a el ce Se 
 
 DESIRABLE SET OF THE HEINEMANN EDITION OF CONRAD’S WORKS 
 
 312. 
 
 J13. 
 
 314. 
 
 316. 
 
 O17. 
 
 318. 
 
 Conrad (JosEepH). The Works of Joseph Conrad. 18 vols. 8vo, 
 original boards, buckram backs, contents lettered, uncut and 
 unopened. London: William Heinemann, 1921 
 
 FINE set. NEw AS ISSUED. This Edition, printed from type that has 
 been distributed, is limited to 780 sets, of which this is, No. 237, with 
 the Author’s Autograph Signature. Comprises,— 
 
 Almayer’s Folly, Tales of Unrest; An Outcast of the Islands; 
 
 The Nigger of the “Narcissus :’’ Typhoon; Lord Jim; Youth; 
 
 Romance ; Nostromo; The Secret Agent, The Inheritors; A Set of Six ; 
 
 Under Western Eyes; A Personal Record, The Mirror of the Sea; 
 
 ’Twixt Land and Sea; Chance; The Shadow Line, Within the Tides; 
 
 Victory ; The Arrow of Gold; The Rescue; Notes on Life and Letters. 
 
 Conrap (JosEpH). Kinxeap (A. 8.). Landscapes of Corsica and 
 Ireland. With Foreword by Joseph Conrad. 8vo, wrappers. 
 London [1921] 
 
 Conrad (JosePH). Wisk (THomas J.). A Bibliography of the 
 Writings of Joseph Conrad. (1895-1921). Second Edition. 
 Revised and Enlarged. Square 8vo, boards, uncut. 
 
 London: Printed for Private Circulation Only, 1921 
 
 EDITION LIMITED to 175 copies, signed by Thos. J. Wise. 
 
 . ConRAD (JOSEPH). The Black Mate. A Story. 8vo, green cloth, 
 
 uncut and unopened. _[London:] Printed for the Author, 1922 
 
 FIRST EDITION. One of 50 copies printed for the author for private 
 distribution. 
 
 Conrap (JosEPH). The Dover Patrol. A Tribute. 12mo, original 
 light blue wrappers, uncut and unopened. Enclosed in blue 
 cloth slip-case, morocco back, gilt lettered, with inner protecting 
 cloth wrapper. 
 
 Canterbury: Printed for Private Circulation by H. J. Goulden, 
 1922 
 
 First EpIrion. 
 
 Conrad (JosEPH). John Galsworthy. An Appreciation. 12mo, 
 light blue wrappers, uncut and unopened. Enclosed in blue 
 cloth slip-case, morocco back, gilt lettered, with inner cloth pro- 
 tective wrapper. 
 
 London: Printed for Private Circulation by H. J. Goulden, 1922 
 
 First EDITIon. 
 
 ConraD (JosEPH). Travel. A Preface to Into the East. Notes on 
 Burma and Malaya, by Richard Curle. By Joseph Conrad. 
 12mo, wrappers. 
 
 No place: Privately Printed for Richard Curle, 1922 
 
 First Eprtion. Limited to 20 copies. Signed by the author and dated 
 
 on half-title. Accompanied by stamped addressed envelope to Mr. John 
 Quinn, in the autograph of Conrad. 
 
 From the John Quinn collection, with bookplate. 
 
319. 
 
 320. 
 
 321. 
 
 322. 
 
 320. 
 
 Or4, 
 
 © 
 ras) 
 Or 
 
 - First Session, Wednesday Afternoon, April 30th 
 
 ConraD (JOSEPH). STAUFFER (RurH M.). Joseph Conrad. His 
 Romantic-Realism. 12mo, cloth, uncut. Boston, 1922 
 First EDITIon. 
 
 Conrap (JosepH). At Sea with Joseph Conrad. By J. G. Suther- 
 land. With a Foreword by Joseph Conrad. Portrait and wlus- 
 
 trations. 8vo, boards, art linen back, uncut. London, 1922 
 First Epirion. Limited to 1250 copies printed for England and 
 America. It will not be reprinted in this or in any other form. 
 
 Conrad (JoserH). Laughing Anne. A Play. 8vo, full vellum, 
 uncut. Enclosed in a green cloth folding case. London, 1923 
 
 First Epitrion. Limited to 200 copies, numbered and signed by the 
 author, of which this is, No. 76, signed: “Joseph Conrad,” 
 
 Conrad (JosepH). The Rover. Portrait from an etching by Mur- 
 head Bone. 8vo, full vellum, gilt design on front cover, gilt 
 back and top, uncut. 
 
 Garden City, New York: Doubleday, Page and Company, 1923 
 First Eprrion. BEAUTIFUL copy. Limited to 375 copies, Signed by 
 
 the Author, printed from type which was distributed immediately after 
 printing, of which this is, No. 287. 
 
 Conrad (JosEpH). The Secret Agent. A Drama in Three Acts. 
 Portrait. 8vo, boards, vellum paper back, paper label, uncut and 
 unopened. London, 1923 
 
 Privately Printed for Subscribers Only. Edition limited to 1000 num- 
 bered and signed copies, of which this is, No. 760. Signed by the 
 Author,—“Joseph Conrad.” 
 
 Conrad (JosEPH). Brnpbz (Ernst). Joseph Conrad. An Appre- 
 ciation. 8vo, wrappers, uncut. Gothenburg, 1923 
 
 First Epirion. Limited to 500 copies. 
 From the John Quinn collection, with bookplate. 
 
 . Conran (JosEPH). Conrad (JESSIE). Simple Cooking Precepts 
 
 for a Little House. With Preface by Joseph Conrad. 12mo, 8pp. 
 Enclosed in purple cloth slip-case, dark blue morocco back, gilt 
 
 lettered, with inner cloth protecting wrapper. 
 No place, no date [1923]| 
 
 This is the Preface to a cookery book issued by Jessie Conrad, the 
 author’s sister, in 1923. These Prefaces, SIGNED BY JOSEPH CONRAD 
 were printed and sold previous to the issuing of the book. Only 100 
 were signed and subscribed for at the request of Jessie Conrad, of 
 which the above copy is No. 80. Mr. Conrad did this as a personal 
 favor. 
 
 326. Conrad (JosepH). Conrap (JEsstE). A Handbook of Cookery for 
 
 a Small House. With a Preface by Joseph Conrad. 12mo, cloth. 
 London [1923] 
 
 First EDITION. 
 
 327. Conrap (JosEpH). Cure (R.). Into the East. Notes on Burma 
 
 and Malaya. With a Preface by Joseph Conrad. Square 8vo, 
 boards, cloth back, uncut and unopened. London, 1923 
 
 First Epirion. Limited to 125 LARGE PAPER COPIES. 
 
328. 
 
 300. 
 
 dol. 
 
 332. 
 
 330. 
 
 d34. 
 
 330, 
 
 336. 
 
 Kindly read Conditions of Sale im forepart of Catalogue 
 AS OS 
 
 Conrap (JoserH). Hugh Walpole. Appreciations by J oseph Conrad, 
 Arnold Bennett, Joseph Hergesheimer. Together with Notes and 
 Comments on the Novels of Hugh Walpole by Grant Overton. 
 12mo, wrappers, uncut. New York, no date 
 
 . [Conrap (JosepH).]| A Hugh Walpole Anthology. Selected by the 
 
 Author with a Note by Joseph Conrad. [General Editor Sir 
 A. T. Quiller Couch.] 16mo, cloth. London, undated 
 
 First EDIrion. ; 
 From the Library of John Quinn, with his bookplate. 
 
 Conremporary AMERICAN Art. ‘Twelve Prints, by Contemporary 
 American Artists. With an Introduction by Carl Zigrosser. 
 Folio, unbound, as issued, enclosed in canvas protection covers. 
 
 , New York: E. Weyhe, 1919 
 
 The Artists represented are: Herter, Kent, Levy, Miller, Myers, Pach, 
 Robinson, Ruszicka, Sloan, Sterne, Sterner, Young. 
 
 Curie (Ricuarp). Aspects of George Meredith. Portrait. London, 
 1908. First Eprrion; Dantr. The Divine Comedy. Trans- 
 lated by Henry Johnson. New Haven, 1916; RANSoME 
 (ArTHUR). Portraits and Speculations. London, 1913, First 
 Epition. Together, 3 vols. 8vo, cloth, gilt tops, uncut. 
 
 London and New Haven, 1908-1916 
 
 Cox (Davin). A Treatise on Landscape Painting in Water Colours. 
 72 reproductions, many of the plates printed IN Cotors, and 
 mounted. Imperial 8vo, vellum, gilt lettering, gilt top, uncut. 
 
 London: The Studio, Edited by Geoffrey Holme, 1922 
 
 Edition limited to 250 copies, of which this is, No. 234. FinE copy. 
 
 CRANE (STEPHEN) Breer (THomAs). Stephen Crane. A Study in 
 American. Letters. With an Introduction by Joseph Conrad. 
 8vo, original boards, cloth back, paper label, uncut, in original 
 dust wrappers and cardboard protecting cover. New York, 1923 
 
 First Epition. Limited to 165 copies. 
 
 CuaLA Press. Complete Set of “A Broadside.” With numerous 
 woodcuts, mainly IN Conor. 84 numbers, June, 1908, to May, 
 1915. Royal 8vo, enclosed in 38 royal 8vo cloth portfolios, with 
 inner protecting paper flaps, ties. Dundrum, 1908-1915 
 
 EDITION LIMITED to 300 copies. 
 
 Cuaua Press. The Kiltartan Poetry Book. Prose Translations from 
 the Irish, by Lady Gregory. 12mo, original boards, canvas back, 
 uncut. Dublin, 1918 
 
 LIMITED TO 400 COPIES. 
 
 CUMBERLAND (GroRGP). Modern Science. A Criticism. 12mo, 
 original blue wrappers, slightly spotted. London, 1885 
 
 ies Epition. Scarce. With stencil stamp of Jules Bordollo on 
 itle. 
 
B37, 
 
 338. 
 
 339. 
 
 340. 
 
 341. 
 
 First Session, Wednesday Afternoon, April 30th 
 
 CUMBERLAND (GrorGE). Rosalys and Other Poems; Tales of a Cruel 
 Country; Set Down in Malice. Together, 3 vols. 12mo, cloth 
 and wrappers. London, 1919 
 
 ALL First EDITIONS. 
 
 CRUIKSHANK (GEORGE AND Ropert). Thomas’s Burlesque Drama. 
 Embellished with 62 engravings from original designs by George 
 and Robert Cruikshank. 12mo, original green cloth, gilt edges. 
 
 London: Joseph Thomas, 1838 
 
 CoMPLETE AS ISSUED; comprising :—The Tailors. 1836; Bombastes 
 Furioso. 1837; Midas, by Kane O’Hara. 1837; Tom Thumb, by Kane 
 O’Hara. 1837; The Mayor of Garratt, by Samuel Foote. 1837; The Beg. 
 gar’s Opera, by John Gay. 1837; and Shakespeare’s Katherine and 
 Petruchio. 18388. 
 
 Dante. SuHapweELt (CHartes L.—Translator). The Purgatory of 
 Dante Alighieri. Part I. With an Introduction by Walter Pater. 
 1892; Part IT. With an Introduction by John Earle. 1899; 
 The Paradise of Dante Alighieri. Introduction by John William 
 Mackail. 1915. Together, 3 vols. 12mo, white cloth, entirely 
 uncut. London, 1892-1915 
 
 DantE. The Divine Comedy of Dante Alighieri. The Italian Text 
 with a Translation in English Blank Verse and a Commentary, 
 by Courtney Langdon. 3 vols. 8vo, original cloth. 
 
 Cambridge, 1918 
 
 Daupet (ALPHONSE). Sappho. Memoir, Text, Selected Renderings 
 and a Literal Translation. By Henry Thornton Wharton. 
 Portrait engraved by J. Cother Webb, after L. Alma-Tadema. 
 12mo, vellum, gilt top, uncut, binding somewhat soiled. 
 
 London, 1885 
 
 First EpItion. SCARCE. 
 
Second Session, Numbers 342 to 693, inclusive 
 
 WEDNESDAY EVENING, APRIL 30th, AT 8:15 O’CLOCK 
 
 342. 
 
 343. 
 
 344. 
 
 345. 
 
 346. 
 
 B47. 
 
 348. 
 
 349. 
 
 Davipson (JoHN). Fleet Street Eclogues. 12mo, original cloth, 
 gilt top, uncut. London, 1893 
 
 First Epirion. Limited to 300 copies. 
 
 Davipson (Joun). Ballads and Songs. 12mo, original cloth, uncut. 
 London, 1894 
 
 FINE COPY OF THE First EDITION. 
 
 Davipson (JoHN). Plays. Frontispiece, cover decoration and title- 
 vignette by Aubrey Beardsley. Small 4to, original cloth, uncut, 
 worn. London, 1894 
 
 First EpDITI0n. 
 
 Davinson (JoHN). A Full and True Account of the Wonderful Mis- 
 sion of Earl Lavender, which Lasted One Night and One Day. 
 Frontispiece by Aubrey Beardsley. 12mo, original cloth, uncut. 
 
 ) London, 1895 
 
 FINE copy OF THE First EDITION. 
 
 Davipson (Joun). Self’s the Man. A Tragi-Comedy. 1%mo, orig- 
 inal cloth, uncut. London, 1901 
 FINE Copy OF THE First EDITION. 
 PRESENTATION copy, with inscription, on title-page, in Davidson’s 
 handwriting, reading,—“7'0 Lucy Cramb, from John Davidson. Jan. 
 1901.” Davidson presentation copies are scarce. 
 
 Davipson (JoHN). Testaments: Of a Vivisector, Of a Man Forbid, 
 Of an Empire-Builder. 3 vols. small 4to, original wrappers, 
 uncut. London, 1901-1902 
 
 First Epirions. Scarce. 
 
 Daviess (Witt1AM H.). Beggars. 1909; A Weak Woman. 1911; 
 The True Traveller. 1912; Foliage. Various Poems. 19138; 
 Forty New Poems. 1918. Together, 5 vols. 12mo and 16mo, 
 cloth and boards. London, 1909-1918 
 
 ALL First EDITIONS. 
 
 Davies (Wittiam H.). The Autobiography of a Super-Tramp. 
 1908; The Bird of Paradise and Other Poems. [1914;] A 
 Poet’s Pilgrimage. 1918; Nature Poems and Others. 1908; 
 Farewell to Posy and Other Poems. 1910; The Hour of Magic. 
 Decorated by William Nicholson. [1922.] Together, 6 vols. 
 16mo and 12mo, cloth and boards, some uncut. 
 
 London, 1908-1922 
 
 Att First Epitions, with the exception of the first named. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 pues At rca Seal ea ea cei 
 
 350. Davies (WittiAM H.). Raptures. [A Book of Poems.] 8vo, col- 
 
 ool, 
 
 ood, 
 
 30D. 
 
 306. 
 
 357. 
 
 d08. 
 
 359, 
 
 DE 
 
 . De 
 
 oO 
 es 
 
 Dr 
 
 DE 
 
 Dr 
 
 DE 
 
 Dr 
 
 zs 
 
 ored pictorial boards, cloth back, paper label on front cover. 
 | London, 1918] 
 
 First Epirron. Printed at the Beaumont Press. Only 250 copies 
 on handmade paper, of which this is, No. 151. 
 
 WORKS BY WALTER DE LA MARE: FINE SERIES 
 
 LA Mare (Water). The Three Mulla-Mulgars. Illustrated, 
 In Conor, by J. Rk. Monsell. 12mo, original cloth. 
 London, 1910 
 
 IMMACULATE COPY OF THE SCARCE First Eprrion. Seldom found in 
 such fine condition. 
 
 LA Mare (Watrer). Peacock Pie. A Book of Rhymes. 12mo, 
 original cloth, uncut. London, 19138 
 
 IMMACULATE COPY OF THE RARE First EXpition. Seldom found in such 
 fine condition. 
 
 LA Marge (Water). The Sunken Garden, and Other Poems. 
 8vo, boards, cloth back, with paper lettering label on front cover 
 and up the back strip. Westminster: Beaumont Press, 1917 
 
 One of 250 copies printed on handmade paper at the Beaumont 
 Press, and the second work to be issued from that press. 
 
 LA Marge (Water). Motley, and Other Poems. 12mo, original 
 
 boards, uncut. In original dust wrappers. London, 1918 
 IMMACULATE COPY OF THE SCARCE First EDITION. 
 
 LA Marge (Watrer). Poems. 1901-1918. 2 vols. 8vo, original 
 boards, canvas backs, leather labels, uncut and unopened. 
 London [1920] 
 
 IMMACULATE COPY OF THE First Eprrion. One of 210 copies on Large 
 Paper, SIGNED BY THE AUTHOR. 
 
 LA Mare (Water). Crossing. A Fairy Tale. With Musie by 
 
 C. Armstrong Gibbs. Woodcuts. 8vo, decorative boards, vellum 
 
 back, uncut. Westminster: Beaumont Press, 1921 
 ONE OF 56 COPIES PRINTED ON JAPAN VELLUM. Signed in ink by the 
 
 Author, Artist and Composer. 
 
 LA Mare (Water). Memoirs of a Midget. 12mo, original cloth, 
 
 In original dust wrappers. London [1921] 
 
 FINE COPY OF THE First EprIrron. 
 
 LA Mare (WALTER). Memoirs of a Midget. 8vo, original boards, 
 canvas backs, leather label, uncut. London [1921] 
 
 IMMACULATE COPY OF THE First Epirton. One of 210 copies on Large 
 Paper, SIGNED BY THE AUTHOR. 
 
 LA Mare (Water). The Three Mulla-Mulgars. Illustrated by 
 Dorothy P. Lathrop. New York, 1919; The Return. London 
 [1922]. Together, 2 vols. 12mo and 8vo, original cloth, uncut. 
 
 New York and London, 1919-[1922] 
 
 First AMERICAN EDITION OF THE FIRST, AND FIRST REVISED EDITION OF 
 THE SECOND. 
 
360. 
 
 362. 
 
 363. 
 
 364. 
 
 365. 
 
 366. 
 
 367, 
 
 Second Session, Wednesday Evening, Apri 30th 
 
 De tA Marz (Warren). The Veil, and Other Poems. 12mo, orig- 
 inal boards, cloth back, paper label, uncut. In original dust 
 wrappers. London [1921] 
 
 FINE Copy OF THE First EDITION. 
 
 . De wa Mare (Watrer). The Veil, and Other Poems. 8vo, original 
 
 boards, canvas back, leather label, uncut. London [1921] 
 
 IMMACULATE COPY OF THE First Epit1on. One of 250 copies on Large 
 Paper, SIGNED BY THE AUTHOR. 
 
 De LA Mare (Waxrer). Down-Adown-Derry. Illustrated by Dorothy 
 P. Lathrop. 8vo, original cloth, gilt top, in original dust 
 wrappers. London [1922] 
 
 IMMACULATE COPY OF THE FIRST EDITION. 
 
 De tA Mare (Watrer). The Return. 8vo, original boards, canvas 
 back, leather label, uncut and unopened. London [1922] 
 
 REVISED EDITION DE LUXE. One of 250 copies on Large Paper, SIGNED 
 BY THE AUTHOR. 
 
 Dre tA Mare (Water). Flora. A Book of Drawings by Pamela 
 Bianco. With Illustrative Poems by Walter de la Mare. Nwmer- 
 ous illustrations, including full-page plates in color. 4to, original 
 boards, uncut. In original dust wrappers. London, no date 
 
 FINE COPY OF THE First EDITION. 
 
 Dre tA Morn Press. Browne (Srr THomas). On Dreams. With 
 decorations by I. de B. Lockyer. 12mo, original wrappers, un- 
 cut. Enclosed in a purple cloth slip-case, morocco back, with 
 inner cloth wrappers. London: De la More Press, no date 
 
 Eprrion Limitep to 25 copies on Japanese vellum paper, of which 
 this is, No. 19. 
 
 Dr tA More Press. Forpe (H. A.). The Fruit of the Spirit. With 
 decorations by I. de B. Lockyer. 12mo, original wrappers, 
 
 uncut. In half morocco slip-case. London, no date 
 Edition limited to 25 copies on Japanese Vellum, of which this is, 
 No. 17. 
 
 FINE COPY OF THE FIRST ISSUE: IN ORIGINAL PARTS 
 
 Dickens (CHaruEes). The Life and Adventures of Nicholas 
 Nickleby. With portrait of the author by Maclise and 39 plates 
 by “Phiz.’ 8vo, IN THE OrIGINAL Parts (20 in 19), with 
 wrappers and advertisements, uncut, small portions of some 
 backs torn away, name in ink on some wrappers and also some 
 fox-marks. Enclosed in a green buckram case. 
 
 London: Chapman and Hall, 1838-1839 
 
 First Eprrion. First Issue, with the word “Visitor” instead of 
 “Sister” on page 123, line 17, and the words, “to the lodgings,” on 
 plate in Part XV. FINE copy, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 COMPLETE SET OF THE 88 WEEKLY PARTS 
 
 368. DicKENS (CHARLES). Master Humphrey’s Clock. With illustrations, 
 by George Cattermole and Hablot Kk. Browne. COMPLETE IN 
 THE ORIGINAL Roya 8vo, 88 WEEKLY NUMBERS, each in white 
 pictorial wrappers, uncut, wrappers of 3 parts loose. Enclosed 
 
 in three cloth pull-off cases. 
 London: Chapman and Hall, 1840-1841 
 
 First EDITION IN THE MOST DESIRABLE FORM, THAT OF THE WEEKLY 
 PARTS. Contains the Advertisements and the ‘‘Addresses,” which ap- 
 pear in numbers 9, 80, 81, 82, 883 and 87. “In the last number [87] a 
 postscript was added. Hxcepting in No. 9 the other notices were repe- 
 titions in the nature of a farewell in view of the author’s contemplated. 
 departure for America. A promise was also made that in November, 
 1842, he would publish a novel of English life, ete. This referred to 
 the story afterwards christened ‘Martin Chuzzlewit.’ The addresses 
 were dated September, 1841, and the postscript November, 1841.” 
 
 The inside of the front wrapper to Part 58 is quite interesting and 
 important. On it, is an advertisement of “written Caricatures” by 
 John Leech, with the vignettes illustrating this advertisement by him. 
 A different illustration for the same work by Leech will be found on 
 the back wrapper of Part 59, and repeated on wrappers of Parts 63 
 and 67. 
 
 From the time of the first issue until the end of “Barnaby Rudge,” 
 there were actually four forms of publication, namely: In 88 weekly 
 parts ; 20 monthly parts; the 3-volume edition, and the issue in sepa- 
 rately bound volumes of the two stories. 
 
 OF THE FOUR ISSUES THIS ONE, IN THE WEEKLY PARTS, IS THE MOST 
 DIFFICULT TO PROCURE. THIS COPY, WITH THE EXCEPTION OF THE ABOVE 
 MENTIONED DEFECTS, IS IN UNUSUALLY FINE CLEAN CONDITION. 
 
 GENUINE FIRST ISSUE 
 
 369. DickENs (CHARLES). American Notes for General Circulation. 
 2 vols. 12mo, original cloth, uncut. 
 London: Chapman and Hall, 1842 
 THE GENUINE FIRST ISSUE OF THE First Eprrron. With the prelimi- 
 nary pages being numbered to “XVI” this number appearing on the last 
 page of contents in Vol. I. 
 
 THE RARE FIRST ISSUE—IN ORIGINAL PARTS 
 
 3870. Dickens (Cartes). The Life and Adventures of Martin Ghuzzle- 
 wit, his Relatives, Friends and Enemies, comprising all his Wills 
 and Ways, etc. With 40 etchings by “Phiz.’ 8vo, IN THE OrRIG- 
 INAL Parts (20 in 19), with wrappers and advertisements. 
 Enclosed in a wine-colored levant morocco case, padded and lined 
 with white satin. London: Chapman & Hall, 1843-1844 
 
 First Epirion. ORIGINAL ISSUE. A SUPERB Copy. The familiar dis- 
 tinguishing “point” commonly accepted as evidence of the first issue is 
 the mistake of the artist in the sign on the mile-post in the vignette 
 title of some copies which reads 100£ Reward, transposed for £100. 
 This copy reads: “100£ Reward.” CoPIES WITH THIS ERROR, ARE SCARCE. 
 
Second Session, Wednesday Evening, April 30th 
 
 DICKENS’ “CHRISTMAS BOOKS”—COMPLETE SET 
 
 371. Dickens (CHARLES). A Compiere Ser or Dickens’ Famous 
 “CHRISTMAS Books,” as follows: 
 
 (I) A Curistmas Carnot. In Prose. Being a Ghost Story of 
 Christmas. With illustrations IN Cotor and vignettes by John 
 Leech. London: Chapman & Hall, MDCCCXLITI 
 
 THE GENUINE FIRST ISSUE OF THE First Epition. With the title in 
 red and blue, the date 1843 on same, Stave “I” and the green end 
 papers. 
 
 (II) THe Cuimes: A Goblin Story of some Bells that Ring an 
 Old Year Out and a New Year In. Engraved frontispiece, title 
 and teat alustrations. 
 
 London: Chapman and Hall, MDCCCXLV 
 
 THE GENUINE FIRST ISSUE OF THE First Epirion. With the pub- 
 lisher’s name as part of the engraved title. 
 
 (111) Tuer Cricket on THE Hearty. A Fairy Tale of Home. 
 Engraved frontispiece, title and teat illustrations. 
 London: Printed and Published for the author, MDCCCXLVI 
 
 First Eprrion. First 1ssur. With the name of the publisher below 
 the engraved title, and the leaf of advertisements. 
 
 (IV) Tue Barrre or Lirs. A Love Story. Engraved frontispiece 
 and title, and text illustrations. 
 London: Bradbury & Evans, MDCCCXLVI 
 
 First Epirion. Fourth Issue. With the omission of the entire im- 
 print from engraved title. 
 
 (V) THe Haunrep Man AND THE Guost’s Barcain. A Fancy for 
 Christmas-Time. Frontispiece, illustrated title and text allus- 
 trations. London: Bradbury & Evans, 1848 
 
 First Epirion. With leaf of advertisement. 
 Together, 5 vols. 16mo, original cloth, gilt edges. 
 London, 1843-1848 
 
 372. Dickens (Cuartes). The Life and Adventures of Martin Chuzzle- 
 wit. With illustrations by “Phiz.” 8vo, cloth, uncut. 
 London: Chapman and Hall, 1844 
 FINE copy OF THE First Epirion, with the sign-post marked correctly 
 £100.” 
 
 FINE COPY IN THE ORIGINAL PARTS 
 
 373. Dickens (CHartEs). Dealings with the Firm of Dombey and Son. 
 With illustrations by “Phiz.” 8vo, IN THE ORIGINAL Parts (20 
 in 19), with wrappers and advertisements, uncut, some backs 
 and wrappers skilfully repaired, some fox-marks. Enclosed in 
 a green buckram case. London: Bradbury & Evans, 1846-1848 
 
 First Epirion. With the mistake of the author, on page 284 in the 
 fifth and sixth lines from the bottom where he twice calls Mr. Toots’ 
 boat “Delight” instead of “Joy.” 
 
 With slip in No. 2 announcing a new Christmas book. A VERY FINE 
 COPY, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eel teatime tle, Sac ASAT Se 
 
 FINE COPY OF THE FIRST EDITION 
 
 374. Dickens (CHartEs). The Haunted Man and the Ghost’s Bargain. 
 A Fancy for Christmas-Time. 12mo, OrtcinaL Rep Cioran, gilt 
 edges. Name of former owner on fly-leaf. 
 
 London: Bradbury & Evans, 1848 
 
 First Epirion. AN EXCEEDINGLY FINE COPY IN IMMACULATE CONDITION. 
 
 375. Dickens (CHARLES). Bleak House. With 40 illustrations by “Phiz.” 
 Svo, ORIGINAL PARTS (20 in 19), with all but a few advertisements 
 which were torn away, uncut, small portions of most of the backs, 
 missing. London: Bradbury & Evans, 1852-1853 
 
 First Epirion. The earliest issue with the one plate only in Part IX 
 and the printed slip announcing the accident to the usual second plate, 
 and with Part X carrying three plates instead of two. The impressions 
 of the “dark” plates. ‘‘Tom All Alone,’ “Night,” “Morning,” ete., are 
 quite brilliant, thus betokening an early issue of the work. A name in 
 ink appears on some wrappers, while on others a name is erased. 
 
 ORIGINAL ISSUE IN THE PARTS 
 
 376. DICKENS (CHARLES). Little Dorrit. By Charles Dickens. With 40 
 illustrations, including engraved title-page, by H. K. Browne. 
 8vo, IN THE ORIGINAL PARTS (20 in 19), ORIGINAL BLUE PIC- 
 TORIAL WRAPPERS, with all advertisements, uncut, backs repaired. 
 Enclosed in a red cloth case. 
 
 London: Bradbury & Evans, December, 1855 to June, 1857 
 
 First EDITION, ORIGINAL ISSUE IN THE 20 PARTS. With the slip in- 
 serted at page 481 in part XVI, regarding the author’s oversight in 
 allowing the name “Rigaud” to be printed in place of “Blandois” in 
 part XV. WITH FINE, CLEAR IMPRESSIONS OF THE “DARK” PLATES. A 
 fine and desirable copy as the wrappers are in good condition, one 
 only being repaired. Very few fox-marks are present. A name in ink 
 appears on front wrapper of most of the parts. 
 
 377. DicKENS (CHARLES). The Uncommercial Traveller. 12mo, cloth, 
 uncut. London: Chapman and Hall, 1861 
 
 First Epirion. 
 
 FIRST EDITION, EARLIEST ISSUE: IN ORIGINAL PARTS 
 
 378. DickENS (CHARLES). Our Mutual Friend. With 40 illustrations by 
 Marcus Stone. 8yo, IN THE ORIGINAL PARTS (20 in 19), with 
 wrappers and advertisements, uncut, some backs skilfully re- 
 paired, with but a few light fox-marks on some pages, name writ- 
 ten in ink on front wrapper of two parts, portion of advertisement 
 torn away in Part XIII. Enclosed in a green half levant morocco 
 solander case, with inner cloth wrappers. London, 1864-1865 
 
 First Epition, and the earliest issue containing the little printed slip 
 “To the Reader” regarding the title of the book, inserted in the first 
 number, and the illustrated advertisement “The People’s Pickwick” in 
 Part XII. . 
 
 AN EXCEEDINGLY FINE CLEAN COPY, 
 
379, 
 
 380. 
 
 381. 
 
 382. 
 
 083. 
 
 B84. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Dickens (Cuaries). The Mystery of Edwin Drood. Portrait of 
 Dickens, and 12 illustrations by Luke Fudes. 8vo, cloth, uncut. 
 London: Chapman and Hall, 1870 
 
 First EDITIon. 
 
 DickENs (CHARLES). Old Lamps for New Ones and Other Sketches 
 and Essays. Hitherto uncollected. Kdited, with an introduction, 
 by Frederick G. Kitton. New York [1897]. Fimsr Eprrion; 
 Dickensiana. A Bibliography of the Literature relating to 
 Charles Dickens and his Writings. London, 1886. Only 500 
 copies printed. Portrait and facsimile. ‘Together, 2 vols. 12mo, 
 cloth, uncut. New York and London, 1886-[1897 | 
 
 DickENS (CHARLES). Eckert (JouHn C.). The First Editions of the 
 Writings of Charles Dickens and Their Values. A Bibliography. 
 With a portrat of Charles Dickens and. 36 wlustrations and fac- 
 similes. Thick 4to, art linen, vellum back, gilt, gilt top, uncut. 
 
 London, 1913 
 
 LARGE PAPER COPY, EDITION LIMITED to 250 copies, of which this is, 
 No. 192, signed by the author and publishers, in ink. 
 
 DostorErrsky (FEpor). Uncle’s Dream; and The Permanent Hus- 
 band. Translated from the Russian by Frederick Whishaw. 12mo, 
 cloth, uncut. London, 1888 
 
 First translation into English. 
 
 Dovetas (Lorp Atrrep). The Collected Poems of Lord Alfred 
 Douglas. 8vo, boards, paper label, uncut and unopened. 
 London: Martin Secker [1919] 
 
 First Eprtion. Limited to 250 copies, printed on Japan paper, of 
 which this is, No. 95, signed: “Alfred Douglas.” 
 
 SPLENDID RUN OF DOVES PRESS PUBLICATIONS 
 
 Doves Press. Cornelii Taciti de Vita et Moribus Iulii Agricolae. 
 8vo, limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1900 
 
 WITH AUTOGRAPH SIGNATURE OF COBDEN-SANDERSON 
 
 . Doves Press. [CoppEN-Sanperson (T. J.)] The Ideal Book or 
 
 Book Beautiful. A Tract on Calligraphy, Printing, and LIllustra- 
 tion & on the Book Beautiful as a whole. 8vo, full terra-cotta 
 niger morocco, gilt, inner morocco borders, gilt, gilt paneled back, 
 gilt over rough edges, BY THE DOVES BINDERY, 19 C[obden]- 
 S[anderson] 12. Hammersmith, 1900 
 
 EDITION LIMITED to 300 copies, signed at the end by the author: 
 “T, J. Cobden-Sanderson.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ie na nn SE 
 
 386. Doves Press. Macxart (J. W.). William Morris. An address de- 
 livered the XIth November MDCCCC at Kelmscott House, Ham- 
 mersmith, Before the Hammersmith Socialist Society. 8vo, limp 
 vellum, uncut, BY THE DOVES BINDERY. Hammersmith, 1901 
 
 Beautifully printed throughout ON VELLUM in black and red. 
 Pasted on inside of back cover, is the full autograph signature of Wil- 
 
 liam Morris. 
 
 ¥ PAIR 
 
 €:: 
 be) 
 
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 &, 
 
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 SINHAND THE 
 
 [No. 387] 
 
 IN BEAUTIFUL BINDING DESIGNED BY COBDEN-SANDERSON 
 
 387. Doves Press. Mitron (JoHn). Paradise Lost. A Poem in XII 
 Books. 1902; Paradise Regain’d. A Poem in IV Books to which 
 are added Samson Agonistes & Poems both English and Latin, 
 Compos’d on Several Occasions. 1905. Together, 2 vols. 8yvo, 
 full terra-cotta levant morocco, sides covered with a richly gilt 
 
 [Continued 
 
Second Session, Wednesday Evening, April 30th 
 
 [ No. 387—Continued | 
 floreated pattern, bordered with extracts from the text in gilt, 
 inner levant borders, gilt, richly gilt paneled back, gilt edges, 
 partly gauffred, By THE DOVES BINDERY. 19 C[obden |-S|ander- 
 son] 03-05. Hammersmith, 1902-1905 
 HXCEEDINGLY BEAUTIFUL EXAMPLES OF THE BIBLIOPEGIC CRAFT OF THIS 
 
 MASTER BINDER. 
 [See Reproduction of Binding] 
 
 388. Doves Press. The English Bible containing the Old Testament & the 
 New Translated out of the Original Tongues by Special Command 
 of his Majesty King James the First and Now Reprinted with the 
 Text Revised by a Collation of its Early and Other Principal Edi- 
 tions and Edited by the Late Rev. F. H. Scrivener, for the Syn- 
 dies of the University Press Cambridge. 5 vols. folio, full vellum, 
 uncut, BY THE DOVES BINDERY. Hammersmith, 1903-1905 
 
 One of 500 copies printed. The above, the Kelmscott Chaucer and the 
 Ashendene Dante are generally conceded to be the GREATEST EXAMPLES 
 OF MODERN TYPOGRAPHY. 
 
 389. Doves Press. CoppEN-SAnpDERSON (T.J.). London. A Paper read 
 at a Meeting of the Art Workers Guild, March 6, 1891. 8vo, limp 
 vellum, uncut, BY THE DOVES BINDERY. Hammersmith, 1906 
 
 390. Doves Press. Emurson (RatpH Watpo). Essays. With Preface 
 by Thomas Carlyle. 8vo, vellum, uncut, By THE DOVES BINDERY. 
 Hammersmith, 1906 
 
 391. Doves Press. GorTHE (J. W. von). Faust. Hine Tragoedie. 8vo, 
 limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1906 
 
 EDITION LIMITED to 300 copies. 
 
 Tipped on end-leaf is an Autograph Letter Signed: “7. J. Cobden- 
 Sanderson.” 2pp. 12mo, Hammersmith, Jan. 26, 1907. To Hrich Haenel. 
 In this communication, the master binder mentions the appearance of 
 the “Doves Press Bible.” 
 
 FINE EDITION OF “SARTOR RESARTUS” IN A HANDSOME BINDING 
 
 392. Doves Press. CartyLE (THomAs). Sartor Resartus: The Life 
 & Opinions of Herr Teufelsdroeckh. 8vo, full terra-cotta crushed 
 levant morocco, with a geometric pattern of interlaced gilt fillets 
 on sides, laurel wreath in centers, gilt paneled back, inner levant 
 borders, gilt, gilt edges, partly gauffred, By THE DOVES BINDERY. 
 19 Clobden]-S[anderson] 17. Hammersmith, 1907 
 
 EDITION LIMITED to 300 copies, printed in red and black. 
 
 393. Doves Press. Minton (JoHNn). Areopagitica; A Speech of Mr. 
 John Milton for the Liberty of Unlicenc’d Printing, to the Parlia- 
 ment of England. 8vo, vellum, uncut, BY THE DOVES BINDERY. 
 
 Hammersmith, 1907 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a ce ee 
 
 394. Doves Press. Ruskin (JoHn). Unto This Last. Four Hssays on 
 the First Principles of Political Economy. 8vo, full terra-cotta 
 niger morocco, gilt, gilt paneled back, inner morocco borders, 
 gilt, gilt edges, partly gauffred, BY THE DOVES BINDERY, 19 
 C[obden]-S[anderson] 16. Hammersmith, 1907 
 
 Laid in is an Autograph Letter Signed, “7’. J. Cobden Sanderson.” 
 2pp. 4to. 15 Upper Mall, London. February 8, 1921. To Mr. JoHN 
 Ruskin. With envelope. 
 
 DECORATED BY EDWARD JOHNSTON 
 395. Doves Press. Browninea (Roserr). Men & Women. With mar- 
 ginal flourishes by Edward Johnston, done by hand wm green and 
 blue opaque watercolors. 2 vols. 8vo, limp vellum, uncut, THE 
 
 DOVES BINDERY. Hammersmith, 1908 
 EDITION LIMITED to 250 copies on handmade paper, printed in black 
 and red. 
 
 IN A FINE SPECIMEN OF BINDING DESIGNED BY COBDEN-SANDERSON 
 
 396. Doves Press. Catalogue Raisonné of Books. Printed & Published at 
 the Doves Press. 8vo, full burnt orange niger morocco, gilt, gilt 
 paneled back, inner gilt morocco borders, gilt edges, BY THE DOVES 
 BINDERY. 19 Cj obden]-S[anderson] 08. Hammersmith, 1908 
 
 EDITION LIMITED to 250 copies, printed in black and red. 
 
 397. Doves Press. [CoBpEN-SANDERSON (T. J.).] Credo. 12mo, full 
 brown russia, inner russia borders, gilt, gilt edges, By THE DOVES 
 BINDERY. Hammersmith, 1908 
 
 IDITION LIMITED to 250 copies on handmade paper. 
 
 398. Dovns Press. SHAKESPEARE (WILLIAM). The Tragicall Historie 
 of Hamlet Prince of Denmarke. 8vo, limp vellum, uncut, By THE 
 DOVES BINDERY. Hammersmith, 1909 
 
 EDITION LIMITED to 250 copies, printed in black and red. 
 
 399. Doves Press. Shake-Speares Sonnets. Tercentenary Edition. 8vyo, 
 limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1909 
 
 EDITION LIMITED to 250 copies, printed in black and red. 
 
 400. Doves Press. WinsHip (Grorce Parker). William Caxton. A 
 Paper Read at a Meeting of the Club of Odd Volumes in Boston, 
 Massachusetts, U. S. A. in January MDCCCCVIII, By George 
 Parker Winship. 8vo, boards, vellum back, uncut, BY THE DOVES 
 
 BINDERY. Hammersmith, 1909 
 EDITION LIMITED to 300 copies. 
 
 401. Doves Press. Brownrne (Ropert). Dramatis Personae. 8vo, limp 
 vellum, uncut, BY THE DOVES BINDERY. Hammersmith, 1910 
 EDITION LIMITED to 250 copies, printed in black and red. 
 
Second Session, Wednesday Evening, April 30th 
 
 402. Doves Press. [Cospen-Sanperson T. J.).] The City Metropol- 
 itan. A Letter Addressed to the Times Nov. 26th, 1910. 8vo, 
 enclosed in brown wrappers, as issued. | Hammersmith, 1910 | 
 
 403. Doves Press. GorrHe (J. W. von). Faust. Eine Tragoedie. Zwei- 
 ter Theil. Small 4to, limp vellum, By THE DOVES BINDERY. 
 
 Hammersmith, 1910 
 EDITION LIMITED to 250 copies. 
 
 404. Doves Press. Pervigilium Veneris. Edited, Rearranged, and Sup- 
 plemented by J. W. Mackail. 8vo, limp vellum, uncut, By THE 
 DOVES BINDERY. Hammersmith, 1910 
 
 EDITION LIMITED to 150 copies, printed in black and red. 
 
 405. Doves Press. [Saint Francis.] From the Italian Text published by 
 Monsieur Sabatier, and from the English Translation by the late 
 Matthew Arnold. 16mo, full niger morocco, inner morocco bor- 
 ders, gilt, gilt edges, BY THE DOVES BINDERY. 
 Hammersmith, 1910 
 EDITION LIMITED to 200 copies, printed in black and red. 
 
 406. Doves Press. Catalogue Raisonné of Books Printed & Published at 
 the Doves Press. 1900-1911. Second Edition. 8vo, boards, linen 
 back, uncut, BY THE DOVES BINDERY. Hammersmith, 1911 
 
 407. Doves Press. [CospEN-SANpDERSON (T. J.).] The City Planned. 
 Reprinted from the Westminster Gazette 27 October 1910. 8vo, 
 
 enclosed in brown wrappers, as issued. [ Hammersmith, 1911 | 
 With autograph signature of “7. J. Cobden-Sanderson’” on title, in 
 ink. 
 
 408. Doves Press. In Principio. 16mo, full niger morocco, inner morocco 
 borders, gilt, gilt edges, By THE DOVES BINDERY. 
 
 Hammersmith, 1911 
 
 EDITION LIMITED to 300 copies on handmade paper, printed in black 
 and red. 
 
 409. Doves Press. Die Leiden des Jungen Werther von Goethe. 8vo, 
 limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1911 
 
 EDITION LIMITED to 250 copies on handmade paper, printed in black 
 and red. 
 
 410. Doves Press. |CoBpEN-SANDERSON (T. J.).] Shakespearian Punc- 
 tuation. A Letter Addressed to the Editor of “The Times.” 
 
 October 26, 1911. 8vo, enclosed in brown wrappers, as issued. 
 Hammersmith [1911] 
 
 With the autograph signature of, “7. J. Cobden-Sanderson” on title, 
 in ink. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 DO 
 
 HANDSOME SPECIMEN OF COBDEN-SANDERSON’S BINDING DESIGNS 
 
 411. 
 
 412. 
 
 413. 
 
 414. 
 
 415. 
 
 416. 
 
 ALT. 
 
 418. 
 
 Doves Press. WorpswortH (Wintt1aAm). A Decade of Years. 
 Poems by William Wordsworth. 1798-1807. 8vo, full red levant 
 morocco, an artistic conventionalized floral pattern on sides, gilt 
 tooled, gilt paneled back, inner morocco borders, gilt, gilt edges, 
 partly gauffred, BY THE DOVES BINDERY. 19 C[obden]-S[an- 
 derson] 16. Hammersmith, 1911 
 
 EDITION LIMITED to 200 copies on handmade paper, printed in black 
 and red. A BEAUTIFUL SPECIMEN OF COBDEN-SANDERSON’S CRAFT. 
 
 Doves Press. Iphigenie auf Tauris ein Schauspiel von Goethe. 
 
 8vo, limp vellum, uncut. Hammersmith, 1912 
 EpIrion LIMITED to 200 copies on handmade paper, printed in black 
 and red. 
 
 Doves Press. SHAKESPEARE (WittIAM). The Tragedie of Anthony 
 and Cleopatra. 8vo, limp vellum, uncut, By THE DOVES BINDERY. 
 Hammersmith, 1912 
 EDITION LIMITED to 200 copies on handmade paper, printed in black 
 
 and red. 
 
 Doves Press. SHAKESPEARE (WILLIAM). Venus and Adonis [ Edited 
 
 by T. J. Cobden-Sanderson . . . from the Text of the First 
 Edition imprinted by Richard Field, 1593.] 8vo, limp vellum, 
 uncut. Hammersmith, 1912 
 
 EDITION LIMITED to 200 copies, printed in black and red. 
 
 Doves Press. .[CosppEN-SANpDERSON (T.. J.).| Note on a Passage 
 in Anthony and Cleopatra. 8vo, enclosed in brown wrappers, as 
 issued. Hammersmith, 1913 
 
 With autograph signature of “7. J. Cobden-Sanderson” at end of 
 leaflet, in ink. 
 
 Doves Press. [CoBpEN-SanpErson (T. J.).| On a Passage in Julius 
 Caesar. A Letter Addressed to the Editor of “The Times,” July 
 
 17, 1918. 8vo, enclosed in brown wrappers, as issued. 
 Hammersmith, 1913 
 
 With autograph signature of “J. J. Oobden-Sanderson” at end 
 of leaflet in ink. 
 
 Doves Press. SHAKESPEARE (WiurLiAM).: The Tragedie of Julius 
 Caesar. 8vo, limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1913 
 
 EDITION LIMITED to 200 copies, printed in black and red. 
 
 Doves Press. Torquato Tasso. Hin Schauspiel von Goethe. 8vo, 
 limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1913 
 EDITION LIMITED to 200 copies, printed in black and red, 
 
419. 
 
 420. 
 
 421. 
 
 422. 
 
 423. 
 
 424, 
 
 425. 
 
 426. 
 
 427. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Doves Press. Amantium Irae. Letters to Two Friends. 1864- 
 1867. With a portrait. 8vo, limp vellum, uncut, BY TITE DOVES 
 BINDERY. Hammersmith, 1914 
 
 EDITION LIMITED to 150 copies, printed in black and red. 
 Below the portrait is the autograph signature of, “7. J. Cobden-San- 
 derson,” written in ink. 
 
 Dovus Press. [Cospen-Sanperson (T. J.).] Note on a Passage in 
 Shelly’s Ode to Liberty. 8vo, enclosed in brown wrappers, as 
 
 issued. | Hammersmith] 1914 
 With the autograph signature of, “7. J. Cobden-Sanderson’ on title, 
 in ink. 
 
 Doves Press. Coppen-Sanperson (T. J.). Shelley. 8vo, vellum, 
 
 uncut, BY THE DOVES BINDERY. Hammersmith, 1914 
 EDITION LIMITED to 200 copies on handmade paper, printed in red and 
 black. 
 
 Dovus Press. Kars (Jon). [Poems selected and arranged] By 
 T. J. Cobden-Sanderson. 8vo, vellum, uncut, By THE DOVES 
 BINDERY. Hammersmith, 1914 
 
 EDITION LIMITED to 200 copies. Printed in black and red. 
 
 Doves Press. The New Science Museum. <A Letter, with additions, 
 Addressed to the Editor of “The Times.” 16 September 1913. 
 8vo, enclosed in brown wrappers, as issued. Hammersmith, 1914 
 
 With autograph signature of “7. J. Cobden-Sanderson’ on title, in 
 ink. 
 
 Doves Press. SHAKESPEARE (WixLLIAM). The Tragedy of Corio- 
 lanus. 8vo, limp vellum, uncut, BY THE DOVES BINDERY. 
 Hammersmith, 1914 
 EDITION LIMITED to 200 copies, printed in black and red. 
 
 Doves Press. [CoBpEN-SanpErson (T. J.).] Wordsworth’s Cosmic 
 Poetry. Reprinted from the Westminster Gazette 28 December 
 1914. 8vo, enclosed in brown wrappers, as issued. 
 
 | Hammersmith, 1914] 
 
 With the autograph signature of, “7'. J. Cobden-Sanderson” written 
 in ink on title-page. 
 
 Doves Press. [CospEN-SANpDERSON (T. J.).] Wordsworth’s Cosmic 
 Poetry. Reprinted from the Westminster Gazette 28 December 
 1914. 8vo, enclosed in brown wrappers, as issued, uncut. 
 
 [ Hammersmith, 1914] 
 
 Doves Press. Catalogue Raisonné of Books Printed & Published at 
 the Doves Press, 1900-1916. With portrait. 8vo, boards, vellum 
 back, uncut. Hammersmith, 1916 
 
 EDITION LIMITED to 150 copies printed in black and red. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eg ee 
 
 428. Doves Press. [Cospen-Sanperson (T. J.).] Towards an Empire 
 of Science. The Doves Press. 8vo, enclosed in brown wrappers, 
 as issued. [Hammersmith] 1916 
 
 With autograph of signature of, “7. J. Cobden-Sanderson” on title- 
 page, also title and date in ink, in his autograph on front cover. 
 
 429. Doves Press. GorruEe (J. W. von). Auserlesene Lieder Gedichte 
 und Balladen ein Strauss. [Selected, Arranged, and Printed 
 ... By T. J. Cobden-Sanderson.] 8vo, full limp vellum, uncut, 
 
 BY THE DOVES BINDERY. Hammersmith, 1916 
 Eprrion Limrrep to 175 copies on handmade paper, printed in black 
 and red. 
 
 VELLUM COPY—BEAUTIFULLY BOUND AT THE DOVES BINDERY 
 
 430. Doves Press. SHAKESPEARE (Wriiram). Lucerece. | From the text 
 of the First Edition printed by Richard Field for John Harrison, 
 1594.] 8vo, full ultramarine crushed levant morocco, with name 
 of author, title and date on sides in gilt, with a gilt wreath of 
 flowers and leaves over Shakespeare’s name, inner gilt borders, 
 with floreated corners, gilt edges, partly gauffred, By THE DOVES 
 BINDERY, 19 C[obden]-S[anderson] 15. ._ Hammersmith, 1915 
 
 A BEAUTIFUL VOLUME. EprIrion LIMITED to 10 copies printed through- 
 out ON VELLUM in black and red. 
 
 HANDSOME BINDING, DESIGNED BY COBDEN-SANDERSON 
 
 431. Doves Press. Worpsworta (Wi~niAmM). The Prelude, An Auto- 
 biographical Poem. 1799-1805. 8vo, full red levant morocco, 
 with an artistically gilt tooled geometric pattern on sides, gilt 
 paneled back, inner levant borders, gilt, gilt edges, partly gaut- 
 fred, BY THE DOVES BINDERY. 19 C[obden]-S[anderson] 16. 
 
 Hammersmith, 1915 
 
 A BEAUTIFULLY BOUND VOLUME. Edition limited to 155 copies, printed 
 in black and red. r 
 
 432. Doves Press. A Collection of Broadsides and Pamphlets issued for 
 the purpose of selling or describing the following books: The 
 Ideal Book, or Book Beautiful; The Authorized Version of the 
 English Bible; Cornelii Taciti de Vita et Moribus Juli Agricolae 
 Liber; Notice of Publication 1911 of Miscellaneous Books; 
 Shakespeare’s Plays and Poems; Five Lists of Books Printed and 
 Published at the Doves Press; Preliminary List; Shakespeare’s 
 Sonnets. 2 comes; Anthony and Cleopatra, Venus and Adonis. 
 2 copies; List of Recent Publications 1911-1912; List of Publi- 
 cations. 1912; Catalogue of Books Printed and Published by 
 Doves Press. 1900-1911. 2 copies; List of Publications for July, 
 1912; Catalogue of Books Printed and Published 1900-1916; 
 Shakespearian Punctuation. Together, 22 pieces, 8vo. Enclosed 
 in a green cloth slip-case, with inner protecting wrapper. . 
 
 Hammersmith, various dates 
 
433. 
 
 434. 
 
 435. 
 
 436. 
 
 457, 
 
 438. 
 
 439. 
 
 440. 
 
 44]. 
 
 Second Session, Wednesday Evening, April 30th 
 
 WORKS BY ERNEST DOWSON 
 
 Dowson (Ernest). Dilemmas. Stories and Studies in Sentiment. 
 12mo, original cloth, uncut. London, 1895 
 FINE COPY OF THE RARE First EDITION. 
 
 Dowson (Ernest). Memoirs of Cardinal Dubois. Translated from 
 the French by Ernest Dowson. Frontispieces. 2 vols. 8vo, orig- 
 inal cloth, uncut. London, 1899 
 
 First Epirion. 
 
 Dowson (Ernest) anpD Moore (Artuur). Adrian Rome. 12mo, 
 original cloth, uncut. London, 1899 
 FINE COPY OF THE SCARCE First EpIrion. 
 
 Dowson (ERNEST). Poems of Ernest Dowson. With a Memoir by 
 Arthur Symons. Four illustrations by Aubrey Beardsley and a 
 portrait by William Rothenstein. 12mo, original cloth, gilt top, 
 uncut. London, 1905 
 
 Dowson (Ernest). The Confidantes of a King. The Mistresses 
 of Louis XV. Frontispieces. 2 vols. 8vo, original cloth, uncut 
 and unopened. | London, 1907 
 
 FINE copy OF THE First Epition. Seldom found unopened. 
 
 Dowson (ERNEsT). Puarr (Victor). Ernest Dowson. 1888-1897. 
 Reminiscences, Unpublished Letters and Marginalia. With a 
 Biblography compiled by H. Guy Harrison. 12mo, original cloth, 
 uncut. London, 1914 
 
 First EDITION. 
 
 WORKS BY THEODORE DREISER 
 
 DreIsER (THEODORE). Sister Carrie. 1912; The Genius. 1915; 
 Jennie Gerhardt, 1911; The Titan, 1914. Together, 4 vols. 12mo, 
 original cloth. New York, 1911-1915 
 
 “The Genius” is in binding, with “Gundy,” the Canadian Agent’s 
 name on back, and is bound upside down; “Jennie Gerhardt,” lacks 
 front endpaper, and binding is worn; “The Titan” is in the “remainder” 
 binding, lacks front endpaper, and has piece missing from half-title. 
 
 DretseR (THEODORE). A ‘Traveler at Forty. . Illustrated by W. 
 Glackens. 1913; The Financier. 1912; Plays of the Natural and 
 the Supernatural. 1916; The Hand of the Potter. 1918; Twelve 
 Men. 1919. Together, 5 vols. 12mo and 8vo, original cloth and 
 boards, uncut. New York, 1912-1919 
 
 ALL First Epitions. FINE copies. The first mentioned volume is 
 VERY SCARCE. 
 
 Dreiser (THEODORE). Autograph Letter Signed, “Theodore Dreiser.” 
 3pp. 8vo, Los Angeles, Cal. September 27, 1920. To “My dear 
 Sterling; (with envelope). [Auso] Typewritten Letter Signed 
 in pencil, “Dreiser.” Los Angeles, October 25, 1921, (with the 
 word, “Don’t” inserted in his Autograph in pencil). With en- 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 AON OE 
 
 [ No. 441—Continued] 
 velope. Both letters addressed to Mr. Sterling. Together, 4 
 
 pieces. 
 
 The Autograph Letter requests Mr. Sterling’s company as protection 
 from the importunate at a reception to be given in Mr. Dreiser’s honor. 
 The Letter Signed, attests his allegiance to San Francisco. 
 
 EXCEPTIONALLY FINE SERIES OF DRINKWATER’S WRITINGS 
 
 442. Drinkwater (JoHN). Cophetua. A Play in One Act. Iemo, orig- 
 
 inal wrappers, uncut. London, 1911 
 
 FIne copy OF THE RARE First Eprrion. Presentation Copy from the 
 
 Publisher, David Nutt, with stamp, in ink, on title-page, ‘“‘With the 
 Publisher’s Compliments.” 
 
 ae : 
 (Y: xe w) 
 AN EnNGLIsH MEDLEY 
 
 BY 
 
 JOHN DRINKWATER 
 
 CHORUSES SET TO MUSIC 
 BY 
 
 RUTLAND BOUGHTON 
 
 trinted for Private Circulation. 
 1911 
 
 [No. 443] 
 
 PRESENTATION COPY OF A RARE DRINKWATER FIRST EDITION 
 
 443. DrInKwatTEeR (JoHN). An English Medley. By John Drinkwater. 
 Choruses Set to Music by Rutland Boughton. 12mo, original 
 wrappers, uncut. 
 
 No place: Printed for Private Circulation, 1911 
 
 FINE COPY OF THE EXTREMELY RARE FIRST EDITION. 
 PRESENTATION COPY FROM DRINKWATER, With inscription, in his hand- 
 writing, on title-page, reading,—“‘7'0 W. F. L. from J. D. 1911.” 
 
 [See Reproduction of Title-page] 
 
444, 
 
 446, 
 
 447. 
 
 448, 
 
 449. 
 
 450. 
 
 452. 
 
 453. 
 
 454. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Drinkwater (JOHN). Puss in Boots. 12mo, original wrappers. 
 London [1911] 
 
 FINE Copy OF THE First Epirion. 
 
 AUTOGRAPHED BY THE AUTHOR: RARE FIRST EDITION 
 
 . DRINKWATER (JOHN). The Pied Piper. A Tale of Hamelin City. 
 
 By John Drinkwater. The Music Written by F. W. Sylvester. 
 12mo, original wrappers, uncut. 
 No place: Printed for Private Circulation, 1912 
 
 FINE COPY OF THE EXTREMELY RARE First EDITION. 
 SIGNED AND DATED BY THE AUTHOR, with inscription, in his handwrit- 
 ing, on title-page,—‘“John Drinkwater. 1922.” 
 
 DRINKWATER (JoHN). Poems of Love and Earth. 12mo, original 
 vellum, uncut. London, 1912 
 FINE COPY OF THE SCARCE First EDITION. 
 
 DRINKWATER (JOHN). Lines on the Opening of Birmingham Reper- 
 tory Theatre. 12mo, original wrappers, uncut. 
 Birmingham: Privately Printed, 1913 
 
 IMMACULATE COPY OF THE RARE First EDITION. 
 
 DRINKWATER (JoHN). The Only Legend. A Masque of the Scarlet 
 Pierrot. By John Drinkwater. The Music Composed by James 
 Brier. 12mo, original wrappers, uncut. 
 
 No place: Printed for Private Circulation, 1913 
 
 First Epition. Only a few copies were printed. 
 DRINKWATER (JOHN). Rebellion. A Play in Three Acts. 12mo, 
 
 original wrappers, uncut. London [1914] 
 IMMACULATE COPY OF THE First EDITION. 
 
 DRINKWATER (JOHN). Swords and Ploughshares. 12mo, original 
 cloth, paper label. London, 1915 
 
 FINE Copy OF THE First EDITION. 
 
 . DRINKWATER (JOHN). The Storm. 16mo, original wrappers, uncut. 
 
 Birmingham: Published by the Author, 1915 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 DRINKWATER (JOHN). Olton Pools. 12mo, original cloth, paper 
 label. London, 1916 
 
 FINE Copy OF THE First EDITION. 
 
 DRINKWATER (JOHN). Rupert Brooke. An Essay. 12mo, original 
 boards, paper label, uncut. 
 London: Printed for the Author at the Chiswick Press, 1916 
 
 FINE COPY OF THE RARE First Epirion. Limited to 115 copies. 
 
 Drinkwater (JouHN). Tides. A Book of Poems. 8vo, original 
 boards, cloth back, paper label, uncut. 
 Westminster: Beaumont Press, 1917 
 
 First Eprrion. The first book issued by the Beaumont Press. Lim- 
 ited to 270 copies. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eg eS EE 
 
 455. DRINKWATER (JOHN). Tides. 12mo, original cloth, paper label, un- 
 cut. In original dust wrappers. London, 1917 
 
 FINE Copy OF THE First EDITION. 
 
 456. DRINKWATER (JoHN). X-O. A Night of the Trojan War. A Play. 
 16mo, original wrappers, uncut. Enclosed in red cloth slip-case, 
 
 with morocco back. 
 Birmingham: Published by the Author. 1917 
 
 FINE COPY OF THE RARE First EDITION. 
 
 45”. DRINKWATER (JoHN). Pawns. 1917; Poems. 1908-1919. 1919. 
 Together, 2 vols. 12mo, original boards, paper labels, uncut. 
 London, 1917 and Boston, 1919 
 
 THE LETTER IS THE First AMERICAN EDITION. 
 
 SIGNED PRESENTATION COPY FROM JOHN DRINKWATER 
 
 458. Drinkwater (JoHN). Gowans (Apam L.). The Hundred Best 
 Poems (Lyrical) in the English Language. Selected by Adam 
 L. Gowans. 16mo, original wrappers. London, 1917 
 
 PRESENTATION COPY FROM JOHN DRINKWATER, with inscription on 
 half-title,—“Nancy Staples from John Drinkwater, Christmas, 1918.” 
 
 WITH LETTER SIGNED BY THE AUTHOR, RELATING TO THIS PLAY 
 
 459. Drinkwater (JoHN). Abraham Lincoln. A Play. 12mo, original 
 cloth, paper label, in original dust wrappers. London, 1918 
 
 IMMACULATE COPY OF THE SCARCE First EDITION. 
 
 Inserted is a 1p. 4to. Letter Signed by John Drinkwater, with several 
 words written in, in his handwriting, dated 17th October, 1918, entirely 
 regarding his play “ABRAHAM LINCOLN.” 
 
 460. Drinkwater (JouNn). Abraham Lincoln. A Play. 12mo, original 
 green wrappers. Enclosed in blue cloth slip-case, with morocco 
 back. London, 1918 
 
 First Epirion. Signed by Author on half-title. 
 
 461. Drinkwater (Joun). Loyalties. A Book of Poems. 12mo, original 
 boards, cloth back, paper label, uncut. 
 Westminster: Beaumont Press, 1918 
 
 First Epirion. The Fifth Book Issued by the Beaumont Press. One 
 of 200 copies. 
 
 462. DRINKWATER (JOHN). Loyalties. 12mo, original cloth, paper label. 
 
 In original dust wrappers. | London, 1919 
 IMMACULATE COPY OF THE FIRST EDITION. 
 
 INSCRIBED PRESENTATION COPY FROM DRINKWATER 
 
 463. Drinkwater (JoHN). Lincoln. The World Emancipator. 12mo, 
 original boards, cloth back, paper label. Boston [1920] 
 
 PRESENTATION copy, with inscription, by Drinkwater, on front flyleaf, 
 —“To Hamilton Fyfe from John Drinkwater, December, 1920.” 
 
Second Session, Wednesday Evening, April 30th 
 
 464. DRINKWATER (JouN). Cotswold Characters. With five engravings 
 on wood by Paul Nash. 12mo, original boards, paper label on 
 side. New Haven: Yale University Press, 1921 
 
 FINE copy OF THE First (AND ONLY) EDITION. 
 
 465. DRINKWATER (JoHN). Death and Funeral of Abraham Lincoln. 
 
 With some remarks on the state of America at the close of the 
 
 Civil War. A Contemporary Account contained in two long 
 
 descriptive letters from Mrs. Elen Kean, the Actress, while tour- 
 
 ing the United States in 1865. With Prefatory Note by John 
 Drinkwater. 4to, original wrappers, uncut. 
 
 London: Privately Printed, 1921 
 
 IMMACULATE COPY OF THE RARE First EpitTion. One of 50 copies only. 
 
 466. DRINKWATER (JOHN). Oliver Cromwell. 12mo, original cloth, paper 
 label, uncut. In original dust wrappers. London, 1921 
 
 FINE copy OF THE First Epition. Dedicated “To Bernard Shaw, 
 With Homage to the Master Dramatist of His Age, and with the grati- 
 tude that is His Due from Every Younger Writer for the English 
 Theatre.” 
 
 467. DRINKWATER (JOHN). Persuasion. 'T'welve Sonnets. 12mo, original 
 wrappers, uncut. Enclosed in red cloth slip-case, with morocco 
 back. London: Privately Printed for the Author, 1921 
 
 First Epition. One of 50 copies signed by Drinkwater. 
 
 468. DRINKWATER (JOHN). ‘Seeds of Time. 12mo, original cloth, paper 
 label. In original dust wrappers. London, 1921 
 
 IMMACULATE COPY OF THE Frrst EDITION. 
 
 469. DRINKWATER (JOHN). Selected Poems. Frontispiece. 16mo, orig- 
 inal cloth, uncut. In original dust wrappers. London, 1922 
 FINE Copy OF THE First EDITION. 
 
 470. DRINKWATER (JOHN). Robert EH. Lee. 12mo, original cloth, paper 
 label. In original dust wrappers. London, 19238 
 IMMACULATE COPY OF THE IFIRST EDITION. 
 
 A471. DRINKWATER (JOHN) AND RuTHERSTON (ALBERT). Claud Lovat 
 Fraser. By John Drinkwater and Albert Rutherston. With rep- 
 resentatwe examples of his work reproduced in collotype and line. 
 Ato, original cloth, uncut. London, 1923 
 
 IMMACULATE COPY OF THE First Eprrion. One of 450 copies, signed 
 by Drinkwater and Rutherston. 
 
 472. DrypEN (JoHN). All For Love: Or, The World well Lost. A Tra- 
 gedy, As it is Acted at the Theatre-Royal; And Written in Imita- 
 tion of Shakespeare’s Stile. Small 4to, new wrappers. Enclosed 
 in a quarter blue morocco slip-case, with inner protecting cloth 
 wrapper. In the Savoy: Printed by Tho. Newcomb. . .1678 
 
 First Epirion. Contains the unnumbered “Epilogue” leaf at end. 
 
473. 
 
 474. 
 
 475. 
 
 476. 
 
 AT. 
 
 478. 
 
 479. 
 
 480. 
 
 481. 
 
 482. 
 
 483. 
 
 484, 
 
 Kindly read Conditions of Sale im forepart of Catalogue 
 nA IS 
 
 FINE LONG SERIES OF FIRST EDITIONS OF LORD DUNSANY 
 
 Dunsany (Lorp). The Gods of Pegana. With alustrations in photo- 
 gravure by S. H. Sime. Small 4to, original boards, canvas back, 
 uncut. London, 1905 
 
 First EpiIrioN OF HIS FIRST BOOK. In this copy, the title-page is on 
 a darker shade of paper than the rest of the volume. 
 
 DunsaNy (Lorp). The Sword of Welleran, and other Stories. Wath 
 illustrations by S. H. Sime. Small 4to, original cloth, gilt top, 
 uncut. London, 1908 
 
 FINE COPY OF THE RARE FIRST EDITION. 
 
 Dunsany (Lorp). A Dreamer’s Tales. With illustrations by S. H. 
 Sime. 12mo, original cloth, uncut. London, 1910 
 FINE COPY OF THE SCARCE First EDITION. 
 
 Dunsany (Lorp). Five Plays. Frontismece by Ilbery Lynch. 12mo, 
 original cloth, uncut. London, 1914 
 FINE COPY OF THE First EpItion. 
 
 Dunsany (Lorp). Fifty-One Tales. Frontispiece. Small 4to, orig- 
 inal boards, canvas back, uncut. London, 1915 
 First Epitrion. Rare. 
 
 Dunsany (Lorp). ‘Tales of Wonder. With dlustrations by S. H. 
 Sime. Small 4to, original boards, canvas back, uncut. 
 London, 1916_ 
 
 FINE COPY OF THE SCARCE FIRST EDITION. 
 
 Dunsany (Lorp). A Night at an Inn. A Play in One Act. 12mo, 
 original wrappers, uncut. “~ New York: The Sunwise Turn, 1916 
 FINE COPY OF THE FIRST (AND ONLY) EDITION. 
 
 Dunsany (Lorp). Plays of Gods and Men. Frontispiece. 12mo, 
 original boards, cloth back. Dublin, 1917 
 
 FINE COPY OF THE FIRst EDITION. 
 
 Dunsany (Lorp). Tales of War. 12mo, original boards, cloth back, 
 uncut. Dublin and London [1918] 
 
 FINE Copy OF THE First ENGLISH Epition. The American Edition 
 is the Genuine First. 
 
 Dunsany (Lorp). ‘Tales of Three Hemispheres. 12mo, original 
 boards, cloth back, uncut. Boston [1919 ] 
 
 FINE COPY OF THE First AMERICAN EDITION. 
 
 Dunsany (Lorp). Unhappy Far-Off Things. Small 4to, original 
 boards, canvas back, uncut. London, 1919 
 
 FINE Copy OF THE First EneiisH Eprrion. The American Edition is 
 the Genuine First. 
 
 Dunsany (Lorp). If. A Play in Four Acts. 12mo, original cloth, 
 uncut. London [1921] 
 
 FINE COPY OF THE First Eprrion. 
 
485. 
 
 486. 
 
 487. 
 
 488. 
 
 489. 
 
 490. 
 
 491. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Dunsany (Lorn). The Chronicles of Rodriguez. With a frontispiece 
 in photogravure by 8. H. Sime. 8vo, original cloth, vellum back, 
 gilt top, uncut. London, 1922 
 
 FINE copy OF THE First Epition. Limited to 500 Copies, SIGNED BY 
 THE AUTHOR AND THE ARTIST. 
 
 Dunsany (Lorp). Plays of Near & Far. 12mo, original cloth, un- 
 cut. London [1922 | 
 
 FINE Copy OF THE First EDITION. 
 
 Dunsany (Lorp). Time & the Gods. With 10 dlustrations im pho- 
 togravure by S. H. Sime. Royal 8vo, cloth, vellum paper back, 
 gilt top, uncut and unopened. London, 1922 
 
 EDITION LIMITED to 250 copies, of which this is, No. 237, signed by 
 Lord Dunsany, each plate signed by the artist. 
 
 Dtrer (ALBRECHT). FRIEDLANDER (M. T.). Albrecht Direr der 
 Kupferstecher und Holzschnittzeichner. With numerous full- 
 page reproductions. Folio, decorative boards, cloth back. 
 
 Berlin, 1919 
 
 A SUMPTUOUS PUBLICATION OF THE WORKS OF ALBRECHT DUrer. Lim- 
 ited to 1500 copies. 
 
 Eppy (ARTHUR JEROME). Cubists and Post-Impressions. With 23 
 reproductions IN Coors, and 46 half-tone alustrations. Chicago, 
 1914; Hinp (ArtHur M.). Van Dyck. His Original Etchings 
 and his Iconography. Jllustrated. Boston, 1915. ‘Together, 2 
 vols. half boards, cloth backs. Chicago and Boston, 1914-1915 
 
 Eston Press. A Collection of 12 Announcements from the Elston 
 Press. Some with woodcuts. 8vo and 4to. Enclosed in a green 
 cloth slip-case, with inner cloth wrapper. 
 
 3 New Rochelle, various dates 
 
 Emerson (RatpH Watpo). Autograph Letter Signed, “Rk. W. Hmer- 
 son.” 21pp. 8vo, Occidental Hotel, San Francisco, April 28, 
 1871. To Mrs. Georgiana B. Kirby. With typewritten tran- 
 script of letter laid in. Together, 2 pieces. 
 
 VERY INTERESTING AND DELIGHTFUL LETTER, With mention of his 
 daughter Edith, his friend George Bradford, and regretting his in- 
 ability to accept Mrs. Kirby’s hospitable invitation to Santa Cruz, 
 reading in part,—. . . But between my helplessness as a traveler and 
 the formidable skill of my companions I am tamed down to an obe- 
 dience which would edify, if it did not shock you. . . . I fear T shall 
 not win from them any concession to visit Santa Cruz. My daughter 
 Edith is one of those tyrants . . . you say you declined my call in 
 the old times; and I brought with me a farewell note of my friend 
 George Bradford, charging me to bring you his affectionate greet- 
 08. 4 << 
 
 492. Enoravines. Suaver (J. Herpert). Engravings and their Value. 
 
 Fifth Edition Revised and Enlarged. Illustrated with 16 plates, 
 and 300 facsimile reproductions of engravers’ marks. Thick 
 12mo, cloth. London, 1921 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 oN OND eee 
 
 493. Essex Housn Press. A Collection of 14 Leaflets including Announce- 
 ments, Order Forms, etc. 8vo, enclosed in a rose-colored slip- 
 case, morocco back, inner cloth wrappers. 
 
 [London] Essex House Press, various dates 
 
 494. Ercutnas. The Charms of the Etcher’s Art. Parts 1, 2 and 3. With 
 36 reproductions of works by D. Y. Cameron, McBey, Salaman, 
 Muirhead Bone, F. W. Benson, Frank Brangwyn, W. Lee Hankey, 
 and others. 3 vols. oblong folio, wrappers. 
 
 London [1920-1922] 
 
 495, Evcutncs. Hotme (CHartes—Editor). Modern Etching and En- 
 graving, European and America. Being the Special Summer 
 Number of “The Studio” 1902. With about 225 reproductions, 
 mostly full-page. 4to, original wrappers. 
 London: The Studio, 1902 
 
 A very fine publication on etchers and their works of America, Great 
 Britain, France, Germany, Austria, Hungary, Holland, Belgium, Fin- 
 land, Italy, Denmark & Norway, Switzerland. Hach section with an 
 introductory chapter. 
 
 496. Erouines. Suort (Franx). On the Making of Ktchings. Hitched 
 reproductions and other illustrations. Square 8yo, boards, cloth 
 
 back. London: Robert Dunthorne, undated 
 497, Evans (Carapoc). My People. Stories of the Peasantry of West 
 Wales. 12mo, boards, cloth back, uncut. London, no date 
 
 First Epition. AUTOGRAPH PRESENTATION Copy, to Edith Shackleton 
 Heald, with author’s autograph inscription In WELSH on end-leaf. 
 
 FIRST EDITIONS OF EUGENE FIELD 
 
 498. Frrtp (Eugene). A Little Book of Profitable Tales. 12mo, original 
 boards, cloth back and corners, leather label, gilt top, uncut. 
 Chicago | Privately Printed for Subscribers Only] 1889 
 
 First Eprrion. LARGE PAPER, limited to 250 copies, of which this is, 
 No. 110. 
 
 499. Fretp (Hucene). A Little Book of Western Verse. 12mo, original 
 boards, cloth back and corners, leather label, gilt top, unent. 
 Chicago: Privately Printed for Subscribers Only, 1889 
 
 First Epirton. LARGE PAPER, limited to 250 copies, of which this is, 
 No. 110. 
 
 LARGE PAPER—WITH AUTOGRAPH PRESENTATION INSCRIPTION 
 BY FIELD 
 
 500. Firtp (HuGENE). Second Book of Verse. 12mo, original boards, 
 cloth back and corners, leather label, gilt top, uncut. 
 Chicago, 1892 
 
 First Epirion. LarGe paper, limited to 300 copies, each signed by 
 the Printers, of which this is, No. 62. 
 
 PRESENTATION COPY INSCRIBED BY Frexp, on front end-paper,—“Cor- 
 dially yours, Eugene Field, Dec. 23d. 1892.” 
 
501. 
 
 502. 
 
 503. 
 
 504. 
 
 508. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Frevp (Eucenr). Autograph Note Signed, “Hugene Field.” Ip. 
 
 8vo, Chicago, November 1. 1892. To Harvey W. Jenney; [| Atso| 
 Autograph Letter Signed, “H. W. Jenney.” 114pp. 8vo, Chicago, 
 November 8th, 92. To “My dear Kohn ;” Eugene Field’s name 
 on slip at head of letter in Mr. Jenney’s autograph. ‘Together, 
 3 pieces. 
 
 A DELIGHTFUL INSTANCE OF FIELDIAN HUMoR, reading,—I have dis- 
 covered a new kind of cheese which appears to be particularly virulent, 
 and I want you folks to come up and sample it this evening. I called 
 at your home today at 4.80, but nobody was at home... . 
 
 Mr. Jenny’s letter states that the cheese was a ‘cor ker” <a a OCLHNY 
 
 a sample of the most ancient Limburg. You cannot see it in this letter, 
 but you may smell it... . 
 
 FreLp (Eucenr). Echoes from the Sabine Farm, by Eugene and Ros- 
 well Martin Field. Royal 8vo, original cloth, gilt top, uncut. 
 Chicago, 1893 
 Limited to 500 copies on Large Paper. 
 
 Fretp (EucENE). The Love Affairs of a Bibliomaniac. 1896; Sharps 
 and Flats. 2 vols. 1900; Eugene Field. An Auto-Analysis. 1896. 
 Edition limited to 350 numbered copies. Together, 4 vols. 12mo, 
 
 and 16mo, original cloth and boards, uncut. 
 New York and Chicago, 1896-1900 
 
 ALL First EDITIONS. 
 
 Fietp (EucEne). Florence Bardsley’s Story. The Life and Death 
 of a Remarkable Woman. Portraits and initiuls COLORED BY 
 Hanp. 16mo, original boards, uncut. Chicago, 1897 
 
 First Epirron. One of 150 copies on Dutch handmade paper. 
 
 . Fietp (Eveene). The Tribune Primer, by Eugene Field. With a- 
 
 lustrations by his son Roswell F. Freld. To which is added An 
 Auto-Analysis. 1894. 12mo, original boards, paper label, un- 
 cut. Chicago, 1916 
 
 Limited to 150 copies on handmade paper, of which this is, No. 52, 
 signed by R. F. Field, F. R. Reilly, and Frank M. Morris,—The Editor, 
 the publisher, and the bookseller. 
 
 . Fisner (Henry W.). Abroad with Mark Twain and Eugene Field. 
 
 Tales They Told to a Fellow Correspondent. 8vo, original boards, 
 canvas back, paper label, uncut. ‘New York, 1922 
 
 First Eprrion. Limited to 325 copies. 
 
 . Fuavsert (Gustave). L’Education Sentimentale. Histoire d’un 
 
 Jeune Homme. 8vo, half medium blue levant morocco, gilt top, 
 uncut, original wrappers bound in. Paris, 1910 
 EDITION LIMITED to 50 copies on China paper. 
 
 WORKS BY JAMES ELROY FLECKER 
 
 Frecker (JAMES Etroy). The Bridge of Fire. Small 4to, original 
 wrappers, uncut. London, 1907 
 VERY FINE COPY OF THE First EpIrTIon or HIS First Book. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 eee 
 
 509. Frecxer (James Enroy). The Grecians. A Dialogue on Education. 
 12mo, original cloth, gilt top, uncut. London, 1910 
 FINE copy OF THE First EDITION. 
 
 510. Fiucxer (JAMus Evroy). Forty-Two Poems. 12mo, original cloth, 
 gilt top, uncut. London, 1911 
 
 FINE copy OF THE First EDITION. 
 
 511. Frecker (James Etroy). The Old Ships. Small 4to, original wrap- 
 pers, uncut. London [1915] 
 
 VERY FINE COPY OF THE SCARCE First EDITION. 
 
 512. Frecker (JAMES Entroy). Hassan: The Story of Hassan of Bag- 
 dad and how he came to make the Golden Journey to Samarkand. 
 A Play in Five Acts. 12mo, original cloth, uncut, in original dust 
 wrappers. London, 1922 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 513. Fuecker (James Ebroy). Gonprine (Doucias). James Elroy 
 Flecker. An Appreciation, With some Biographical Notes. I1- 
 lustrated. 12mo, original cloth, in original dust wrappers. 
 
 London, 1922 
 
 IMMACULATE COPY OF THE FIRST EDITION. 
 
 514. Frecker (JAMES Etroy). Hassan. J’rontispiece. 8vo, original 
 cloth, uncut and UNOPENED. London, 1923 
 LARGE PAPER EDITION, Limited to 380 copies on handmade paper. 
 
 515. Freuron (Tue). A Journal of Typography. Number One. With 
 ulustrations and facsimiles, SOME IN COLOR, specimens of type. 
 woodcut imitrals and borders. Large 4to, cloth, uncut. 
 
 London, 19238 
 
 Edition Limited to 110 copies on handmade paper, of which this is, 
 No. 70. Contains articles as follows: 
 
 T. J. Cobden-Sanderson, by Professor William Rothenstein; Claud 
 Lovat Fraser: Illustrator, by Holbrook Jackson; Initial Letters in the 
 Printed Book, by Percy J. Smith; and others. 
 
 516. Form. A Quarterly of the Arts. No. 1, Vol. 1, April, 1916. No. 2, 
 Vol 1, April, 1917. Copiously idlustrated. Together, 2 pieces, 
 folio, wrappers. London, 1916-1917 
 
 517. Fraser (Craupe Lovar—lIllustrator). The Beggar’s Opera. Written 
 by Mr. Gay. To which is Prefixed the Musick to each Song. 
 With 8 RicHiy Cotorep Piarus tipped on dark blue art paper, 
 done by C. Lovat Fraser. 4to, cloth, gilt top, uncut. 
 London, 1921 
 
 First EDITION WITH THE NOTABLE PLATES IN COLOR BY FRASER. Lim- 
 ited to 480 copies on handmade paper, of which this is, No. 326. 
 
 SCARCE. 
 518. FRASER (CLaupEe Lovar—Illustrator). Svernov (VALERIEN). Tha- 
 mar Karsavina. ‘Translated from the Russian by H. De Vere 
 [Continued 
 
[ No. 
 
 O19. 
 
 520. 
 
 b21. 
 
 O22. 
 
 D293. 
 
 524. 
 
 Second Session, Wednesday Evening, April 30th 
 
 518—Continued | 
 Beauclerk & Nadia Evrenov. Edited by Cyril W. Beaumont. 
 With 17% Hanp Cotorep and olher illustrations; 15 photogra- 
 vures ; and over 40 designs, hand-colored, by Claude Lovat Fraser. 
 Small folio, decorative boards, vellum back, uncut. 
 London: C. W. Beaumont, 1922 
 
 ONE OF 120 COPIES ON HAND-MADE PAPER, WITH THE DECORATIONS COL- 
 ORED BY HAND, AND AUTOGRAPHED BY MADAME THAMAR KARSAVINA. 
 This is the authorized and first account in any language of the career 
 of this world-famous prima ballerina. The 17 hand-colored and other 
 illustrations are by C. Lovat Fraser, A. P. Allinson, N. Hontcharova, L. 
 Kainer, Glyn Philpot, John S. Sargent, R. Schwabe, V. Seroff and Soud- 
 binin. The 15 photogravures are after camera portraits, being a photo- 
 graphic record of the Dancer’s characteristic rdles. The cover and pre- 
 liminary pages were decorated by Randolph Schwabe. 
 
 Fraser (CiAupe Lovatr—lIllustrator). MacFaun (Hanpane). The 
 Book of Claude Lovat Fraser. With numerous wlustrations in 
 color and black-and-white. 4to, boards, cloth back, gilt top, un- 
 cut. London, 1923 
 
 First Epition. 
 
 FRASER (CLAUDE Lovar). The Printed Work of Claude Lovat Fraser. 
 Edited by Christopher Millard. Reproductions. 8vo, original 
 boards, cloth back, paper label, uncut and UNOPENED. 
 
 London, 1923 
 
 First Epirion. As new. One of 275 copies signed by the editor. 
 
 GALSWORTHY FIRST EDITIONS: FINE SERIES 
 
 [GatswortHy (JoHN).] Villa Rubein. A Novel. By John Sin- 
 john. 12mo, original cloth, paper labels, uncut, worn. 
 London, 1900 
 
 First EpiItion. Rare. 
 
 Gatswortiy (JoHNn). The Man of Property. 12mo, cloth. 
 London, 1906 
 
 First EpIrion. 
 
 GALSwoRTHY (JoHN). Fraternity. 12mo, cloth, uncut. 
 London, 1909 
 
 First EDITIon. 
 
 GatswortHy (Joun). For Love of Beasts. 1912; Treatment of Ant- 
 mals. 1912; The Slaughter of Animals for Food [1913]; The 
 Spirit of Punishment, 1910. Together, 4 pamphlets, 12mo, orig- 
 inal wrappers, uncut. Enclosed in brown cloth slip-case, with 
 morocco back. London, 1910-1913 
 
 Axtxu First Epirions. Scarce. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 Meee eee eee ee eee ee eee eee aa aE RRR SEDI SS DSS SSE TTS TESST STITT TO 
 
 528. 
 
 529. 
 
 530. 
 
 534. 
 
 536. 
 
 GanswortHy (Joun). A Motley. 12mo, buckram, uncut. 
 London, 1910 
 
 First EDITION. 
 
 . GatsworrHy (JoHNn). The Patrician. 12mo, cloth. London, 1911 
 
 First EDITION. 
 
 . GatswortHy (Joun). The Little Dream. An Allegory in Six 
 
 Scenes. [1911;] A Bit 0’ Love. A Play in Three Acts. 1910; 
 Together, 2 vols. 12mo, wrappers and cloth. 
 London, [1911 ]-1915 
 
 First EDITION. 
 
 GatswortHy (Joun). The Inn of Tranquility. Studies and Essays. 
 12mo, buckram, uncut. London, 1912 
 First EDITION. 
 
 Gatswortuy (JoHN). The Pigeon. A Fantasy in Three Acts. 
 12mo, buckram. London, 1912 
 
 First EDITION. 
 
 GaLswortHy (JOHN). Plays: Vol. II. The Eldest Son, The Little 
 Dream, Justice. 1912; The Skin Game. [1920;]| Addresses in 
 America. 1919. Portrait. 1919. Together, 3 vols. 12mo, cloth 
 and boards. London, 1912-[1920] 
 
 First Eprrions, the last, with English imprint. 
 
 . GALSworTHY (JOHN). The Dark Flower. 12mo, cloth, uncut. 
 
 London, 1913 
 
 First EpDIvTion. 
 
 . GALSwortHyY (JOHN). The Freelands. 12mo, cloth. 
 
 London [1915] 
 
 First EDITION. 
 
 3. GALSworTHY (JoHN). The Little Man and Other Satires. [1915]; 
 
 In Chancery. 1920; Together, 2 vols. 12mo, cloth, the former un- 
 cut. London, [1915 ]-1920 
 
 First Epirion. 
 
 GALSworTHY (JoHN). A Sheaf. [1916]; Tatterdemalion. 1920; 
 Together, 2 vols. 12mo, cloth and boards. London, [1916]-1920 
 
 First EpItions. 
 
 . GALSwortTHY (JoHN). Beyond. [1917]; Captures. 1923; To- 
 
 gether, 2 vols. 12mo, cloth, the latter uncut. 
 London, [1917 ]-1923 
 
 First EpDITIons. 
 
 GALSWOoRTHY (JOHN). Five Tales. 12mo, cloth, uncut. 
 : London [1918] 
 
 First EDITIons. 
 
Second Session, Wednesday Evening, April 30th 
 
 537. GALSworTHY (JoHN). Reveille. Devoted to the Disabled Sailor and 
 
 540 
 
 542 
 
 543 
 
 544 
 
 Soldier. Edited by John Galsworthy. Nos. 1 to 3, August, and 
 November, 1918, and February, 1919. Illustrated. Together, 
 3 vols. 8vo, original wrappers. London, 1918-1919 
 
 CONTAINS CONTRIBUTIONS by Thomas Hardy, Rudyard Kipling, John 
 Galsworthy, Max Beerbohm, J. M. Barrie, BE. V. Lucas, Edmund J. Sul- 
 livan, Jerome K. Jerome, G. K. Chesterton, John Masefield, W. H. Hud- 
 son, Frank Brangwyn, Brieux, Owen Seaman, Leon de Smet, Robert 
 Bridges, Edith Wharton, Hilaire Belloc, Siegfried Sassoon, Joseph Con- 
 rad, and others. 
 
 . GatswortHy (Joun). Another Sheaf; Saint’s Progress; Together, 
 
 2 vols. 12mo, cloth and boards, uncut. London, 1919 
 First EDITIONS. 
 
 9. GALSworTHY (JoHN). The Foundations. An Extravagant Play in 
 
 Three Acts. [1920]; Loyalties. A Drama in Three Acts. 
 [1922]; Windows. A Comedy in Three Acts for Idealists and 
 Others. [1922]; ‘Together, 3 vols. 12mo, cloth. 
 
 London [1920-1922] 
 
 First EpItTIons. 
 
 _ Gatswortuy (JouNn). Six Short Plays. [1921]; To Let. 1921; 
 
 A Family Man. In Three Acts. [1922]; Together, 3 vols. 
 12mo, cloth. London [1921-1922 | 
 
 First Epirions. 
 
 ; GatswortHy (JoHN). The Forsyte Saga. 12mo, cloth, uncut. 
 
 London, 1922 
 
 First EDITION. 
 
 . GaLswortHY (JoHN). The Forsyte Saga. Frontispiece. 12mo, 
 
 original limp leather, gilt top. London, 1922 
 First Epirion. LARGE PAPER copy, Limited to 275, each SIGNED BY 
 THE AUTHOR. 
 
 . GatswortHy (JoHN). Awakening. Tilustrated by R. H. Sauter. 
 
 No date. First ENnettsu Eprrion; Memories. Illustrated by 
 Maud Earl. No date. Together, 2 vols. royal and imperial 8vo, 
 boards. London, no date 
 
 . GatswortHy (JoHN). A Collection of 6 pamphlets with Contribu- 
 
 tions by Galsworthy as follows: The Bells of Peace. Cambridge, 
 1921; Another Copy; Horses in Mines. London, no date; An 
 Appeal to all Horse Lovers. London, no date; Article on Sick 
 and Wounded Horses by Galsworthy. London, no date; A Justi- 
 fication of the Censorship of Plays. With a Prefatory Note by 
 John Galsworthy. London, 1909; [Anso] DrinKwaATErR (JOHN). 
 Christmas Eve. London, 1922. Together, 7 pieces, 8vo, some 
 with wrappers. London and Cambridge, various dates 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 aA etn ee SSS 
 
 545. GeoRGIAN Porrry. 1916-1917; The Same. 1918-1919. Boru 
 First Eprrions. Together, 2 vols. 12mo, original boards, gilt 
 tops, uncut. London: The Poetry Bookshop, 1917-1919 
 
 546. Grpran (KauHuiL). Twenty Drawings. With an Introductory Essay 
 by Alice Raphael. Woodcut on title, numerous ulustrations, fron- 
 tispiece IN Cotor. New York, 1919; [Atso] Art IN AUSTRALIA. 
 A Quarterly Magazine Devoted to Art, Music, Literature & Archi- 
 tecture. Vol. I. No. 1., February 1st, 1922. Wath numerous 1- 
 lustrations, and a plate IN Cotor by Frank Brangwyn. Together, 
 2 vols. 4to, boards, with cloth back, and wrappers. 
 
 New York and Sydney, 1919-1922 
 
 SERIES OF WORKS BY WILFRID W. GIBSON 
 
 547. Gipson (Witrrip W.). The Queen’s Vigil and Other Song. Square 
 16mo, wrappers, uncut and unopened. London, 1902 
 First EpItion. 
 
 548. Gipson (Witrrip W.). The Golden Helm and Other Verse. 16mo, 
 cloth, uncut and unopened. London, 1903 
 First EDITION. 
 
 549. Gipson (WiLFrIp W.). The Nets of Love. Square 16mo, wrappers, 
 uncut and unopened, London, 1905 
 First EpItTIon. 
 
 550. Gipson (Witrrip W.). Thoroughfares; Borderlands. Together, 2 
 vols. 12mo, cloth. London, 1914 
 
 First EDITIon. 
 
 551. Gipson (Witrrip W.). Akra the Slave. 12mo, boards. 
 London, 1915 
 
 First EpIrion. 
 
 552. Gipson (WILFRID W.). Battle. 12mo, wrappers, uncut. 
 London, 1915 
 
 First Epition. 
 
 553. Gipson (Witrrip W.). Friends. 12mo, wrappers, uncut. 
 London, 1916 
 
 First EpItion. 
 
 554. GiBson (WILFRID W.). Livelihood. Dramatic Reveries. 1917; 
 Whin. 1918. Together, 2 vols. 12mo, cloth, uncut. 
 London, 1917-1918 
 
 First EpItiIons. 
 
 DESIRABLE SERIES OF GISSING’S WORKS 
 
 . Gissina (GEORGE). Isabel Clarendon. 2 vols. 12mo, original cloth, 
 uncut. London, 1886 
 
 REMARKABLY FINE COPY OF THE First EDITION. 
 
 Cr 
 Or 
 or 
 
558. 
 
 559. 
 
 560. 
 
 561. 
 
 562. 
 
 563. 
 
 564. 
 
 565. 
 
 566. 
 
 567. 
 
 Second Session, Wednesday Evening, April 30th 
 
 . GissInG (GEORGE). The Emancipated. 3 vols. 12mo, original cloth, 
 
 worn, hbrary labels removed. London, 1890 
 First Eprrion. 
 
 . Gissina (Grorce). New Grub Street. 3 vols. 12mo, original cloth, 
 
 uncut, somewhat worn. London, 1891 
 First Epirion. 
 
 GIssING (GEORGE). Born in Exile. 8 vols. 12mo, original cloth, un- 
 cut, library labels removed. London, 1892 
 First Epirion. Scarce. 
 
 Gissina (GrorGE). In the Year of Jubilee. 3 vols. 12mo, original 
 cloth, worn, library labels removed. London, 1894. 
 First EDITION. . 
 
 GIssING (GEORGE). Eve’s Ransom. 12mo, original cloth, uncut. 
 London, 1895 
 
 FINE Copy OF THE First Epirion. Seldom found in good condition. 
 
 GIssING (GEORGE). ‘The Paying Guest. 16mo, original cloth, un- 
 cut. London, 1895 
 
 IMMACULATE COPY OF THE First EpitTion. Rare in this condition. 
 
 GissiInG (GEORGE). The Whirlpool. 12mo, original cloth, uncut. 
 London, 1897 
 
 FINE copy OF THE First Epirion. Seldom found in good condition. 
 
 GissING (GEORGE). Charles Dickens. A Critical Study. 12mo, 
 original cloth. London, 1898 
 
 FINE Copy OF THE First Epirion. Seldom found in good condition. 
 
 GissInG (GEORGE). The Crown of Life. 12mo, original cloth, uncut, 
 slightly spotted. London, 1899 
 
 First EpItTion. 
 
 GIssING (GEORGE). The Private Papers of Henry Ryecroft. 12mo, 
 original cloth. Westminster, 1903 
 
 First EpITiIon. Scarce. 
 
 Gissive (GroraE). Will Warburton. A Romance of Real Life. 12mo, 
 original cloth. London, 1905 
 
 FINE copy OF THE First Epirion. Seldom found in good condition. 
 
 Gissina (GEorGE). Letters to an Editor. Small 4to, original green 
 wrappers. | London: Privately Printed, 1915] 
 
 First EDITION. PRIVATELY PRINTED. Only 25 copies printed by 
 Clement Shorter, for distribution among his friends, each copy Num- 
 bered and Signed by him. This is copy, No. 138. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ie a a SR SIS 
 
 568. GissInc (GeoRGE). YaTEs (May). George Gissing. An Apprecia- 
 tion. 12mo, original cloth. London, 1922 
 First Epirion. As new. 
 
 569. GotpEN H1np (THE). A Quarterly Magazine of Art and Literature. 
 Edited by Clifford Bax & Austin O. Spare. Vol. I. Nos. 1-4 
 inclusive. Oct. 1922 to July 1923. Copitously illustrated. 4 
 vols. small folio, boards, cloth backs. London, 1922-1923 
 
 Bach volume contains an original lithograph, signed by the artist as 
 follows: the first: Laurence Bradshaw; the second: Haydn Mackey ; 
 the third: titled ‘“‘The Sacred of the Forest,” Cecil French; the fourth: 
 Grace E. Rogers. Each volume is numbered 52, and signed by Clifford 
 Bax and Austin O. Spare. 
 
 WAKEFIELD: 
 A Te Al eee 
 
 Suppofed to be written by HimseE tr. 
 
 Sperate miferi, cavete falices. 
 
 VOL I. 
 
 SALISBURY: 
 
 Printed by B. COLLIN S; 
 For F. Newbery, in Pater-Nofter-Row, London. 
 
 MDCCLXVI 
 [No. 571] 
 
 FIRST EDITION OF GOLDSMITH’S FIRST BOOK 
 
 570. [Gotpsmirn (Oxntver).] The Memoirs of a Protestant, condemned 
 to the Galleys of France for his Religion. Written by Himself. 
 Translated from the original, just published at The Hague. 2 
 vols. 12mo, contemporary calf. Enclosed in a brown crushed 
 
 [Continued 
 
Second Session, Wednesday Evening, April 30th 
 
 [ No. 570—Continued | 
 levant morocco solander case, gilt paneled back, with inner pro- 
 
 tecting cloth wrapper on each volume, BY WALTERS. 
 London, 1758 
 
 First Epition oF GOLDSMITH’S FIRST BOOK. These are the Memoirs 
 of Jean Marteilhe of Bergerac. Goldsmith took the name of James 
 Wellington, an old classmate at Trinity College, from “prudential mo- 
 tives,” and the book is actually a translation. 
 
 From the E. N. Lapham and Walter Thomas Wallace collections, the 
 latter collection having been sold by the American Art Association in 
 1920, and contains Mr. Wallace’s bookplate in each volume. 
 
 EARLIEST ISSUE OF THE FIRST EDITION IN ORIGINAL CALF 
 
 571. [GotpsmirH (Oxtver).] The Vicar of Wakefield: A Tale. Sup- 
 posed to be written by himself. 2 vols. 12mo, ORIGINAL CALF, 
 
 neatly repaired at backs. 
 Salisbury: Printed by B. Collins for F. Newbery, London, 1766 
 
 First Eprrion. EARLIEST ISSUE, with the Salisbury imprint, the mis- 
 print “Waeksfield” on page 95, and the erroneous pagination 165 for 
 159, both occurring in Volume II. 
 
 There is a later edition of the same year, but with the London im- 
 print. The Salisbury edition was issued on March 27, 1766, the London 
 edition on May 31, 1766. In the latter there are a few changes, not 
 very material perhaps, but implying some tampering with certain sen- 
 tences, which may or may not have been done by Goldsmith. 
 
 In the“Vicar” appears for the first time Goldsmith’s “The Elegy on 
 the Death of a Mad Dog.” 
 
 [See Reproduction of Title-page] 
 
 VOLUME OF RARE XVIIIth CENTURY ENGLISH WORKS 
 
 572. Gotpsmiri (Oxrver). Volume containing 12 works by Oliver Gold- 
 smith, Hannah More, and others, as below described. Together, 
 12 pieces, bound in one vol. 4to, boards, calf back, front cover 
 loose. Enclosed in a quarter blue morocco slip-case, with inner 
 cloth protecting wrapper, lettered on back. All are printed in 
 
 London, unless otherwise stated. 
 London and Birmingham, 1770-1786 
 
 Comprises,—GoLpsMITH (O.). The Traveller. A Poem. With vign- 
 ette on title. 1770. First Illustrated Edition; Retaliation. With vign- 
 ette portrait of Goldsmith on title. 1774. Second Edition; More 
 (Hannan). Sir Eldred of the Bower, and the Bleeding Rock. FIRst 
 Eprrion, 1776; Tuomas (Jostan). A Poetick Epistle to a Curate. 
 1786. First Eprrion; Exxior (N.). The Atheist. Birmingham, 1770; 
 Hutt (Mr.). Richard Plantagenet. A Legendary Tale. 1774; JENNER 
 (CHARLES). Town Eclogues. 1773; Second Hdition; CARTWRIGHT 
 (Mr.). Armine and Elvira, a Legendary Tale. In Two Parts. Fifth 
 Edition. Vignette on title. 1772; JernrineHaM (Mr.). The Funeral 
 of Arabert, Monk of La Trappe. A Poem. 1772; MARTIAL. Specimen 
 of the Translation of Martial’s Epigrams. No title-page; ANONYMOUS. 
 The Graces: A Poetical Epistle from a Gentleman to his Son. 1774; 
 Anonymous. Medico Mastix, or Physic Craft Detected. A Satirico 
 
 Didactic Poem. 1774. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ga en a a ee 
 
 FINE COPY OF THE SCARCE FIRST EDITION 
 
 573. GotpsmitH (Oniver). An History of the Earth, and Animated 
 Nature. Illustrated with brillant wmpressions of the fine plates 
 after Benjamin West and others. 8 vols. 8vo, full original tree 
 calf, as issued, sprinkled edges. 
 
 London: Printed for J. Nourse, 1774 
 
 FINE COPY OF THE RARE IT‘rrst EDITION. 
 From the Robert Stewart collection, with bookplate in each volume. 
 
 HAUNCH o VENISON, 
 
 A 
 
 POETICAL EPISTLE 
 
 eh 19) 
 
 LOR D> GL AlRee 
 
 By the late Dr. GOLDSMITH. 
 
 With a HEAD of th AUTHOR, 
 Drawn by HENRY BUNBURY, Efq; and Etched by BRETHERTON. 
 
 LON DON: 
 Printed for G. KEARSLY, in Fleet Street; and J. RIDLEY, in St. James’s Street, 
 
 MDCCLXXVI. 
 
 [No. 574] 
 
 LARGE COPY OF THE FIRST EDITION: FINE CONDITION 
 
 o74, GotpsMirH (OLivEeR). The Haunch of Venison, a Poetical Epistle 
 to Lord Clare. With a Head of the Author, drawn by Henry 
 Bunbury, Esq; and etched by Bretherton. Thin 4to, fuli mottled 
 calf, gilt back, triple gold lines on sides, inner gilt borders, gilt 
 edges, BY BEDFORD. London, 1776 
 
 First Epirion. LArGe cory, with the portrait, the rare half-title, and 
 the four pages of Signature D. at the end. 
 
 [See Reproduction of Title-page] 
 
 675. GOLDSMITH (OLIVER). Poems and Plays, by Oliver Goldsmith, M. 
 B. To which is prefixed, the Life of the Author. Oval vignette 
 on tulle, and a medallion portrait of Goldsmith. 12mo, original 
 calf as issued. Dublin, 1777 
 
 FIRST COLLECTED EDITION. 
 From the W. F. Morgan collection, with bookplate. 
 
576, 
 
 OT: 
 
 578. 
 
 579. 
 
 580. 
 
 581. 
 
 582. 
 
 583. 
 
 Second Session, Wednesday Evening, April 30th 
 
 GotpsmMitH (Oniver). Dr. Goldsmith’s Celebrated Elegy on that 
 Glory of Her Sex, Mrs. Mary Blaize. Illustrated with 11 plates 
 CotorED By Hann, done by a contemporary artist. 24mo, yellow 
 wrappers. Enclosed in a quarter dark blue morocco slip-case, 
 with inner cloth wrapper. | London| 1808 
 
 RARE. 
 
 GossE (EpMuND). Gossip ina Library. Portrait. Small 4to, boards, 
 uncut. London, 1892 
 
 LARGE PAPER EDITION, limited to 100 copies numbered and signed by 
 the author, of which this is, No. 28. 
 
 From the Edwin B. Holden collection, sold by the American Art 
 Association in 1920, with bookplate. 
 
 Gossze (Epmunp). The Unfortunate Traveller or the Life of Jack 
 Wilton: With an Essay on the Life and Writings of Thomas 
 Nash. Frontispiece portrait. 12mo, original boards, vellum back, 
 entirely uncut. London: Chiswick Press, 1892 
 
 First Epirion. Limited to 450 numbered copies on handmade paper. 
 W. E. HeNLEY’s copy, with numerous marginal comments, markings 
 and notes in pencil. 
 
 GossE (Epmunp). In Russet & Silver. 1894; The Secret of Nar- 
 cisse. 1892. Together, 2 vols. 12mo, cloth, uncut. 
 London, 1892-1894 
 
 First EDITIONS. 
 
 GossE (EpMUND). Questions at Issue. Small 4to, boards, uncut. 
 London, 1893 
 
 LARGE PAPER EDITION, limited to 60 copies, of which this is, No. 5. 
 From the Edwin B. Holden collection, sold by the American Art As- 
 sociation in 1920, with bookplate. 
 
 Gossz (EpmMunD). Vatera (J.). Dofia Luz. Translated from the 
 Spanish by Mary J. Serrano. With introduction by Edmund 
 Gosse. 12mo, cloth. London, 1893 
 
 First Epirion. AUTOGRAPH PRESENTATION copy from Edmund Gosse, 
 with the following inscription on end-leaf in ink: “Coventry Patmore 
 from Edmund Gosse.” 
 
 Gosse (EpmuNp). Inter Arma. Being Essays Written in Time of 
 War. New York, 1916. Second American Edition; Some Di- 
 versions of a Man of Letters. London, 1919; Aspects and 1m- 
 pressions. London, 1922. Together, 3 vols. 8vo and 12mo, cloth. 
 
 London and New York, 1916-1922 
 
 First Epirions except where otherwise mentioned. 
 
 Gosss (Epmunp). Books on the Table. [1921;] Three French 
 Moralists and the Gallantry of France. 1918. Together, 2 vols. 
 12mo, cloth, uncut. London, 1918-[1921]| 
 
 First EpItTIoNs. 
 
584. 
 
 Cr 
 ioe) 
 Or 
 
 586. 
 
 587. 
 
 588. 
 
 590. 
 
 o91. 
 
 592, 
 
 593. 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 Goupy (Freperic W.). The Alphabet. Pifteen interpretative de- 
 signs drawn and arranged with explanatory text and illustrations, 
 Imperial 8vo, cloth, uncut. New York, 1918 
 
 First EDITION. 
 
 WORKS OF R. B. CUNNINGHAME GRAHAM 
 
 . GraHAm (R. B. CUNNINGHAME). Hope. 1910; Progress and Other 
 
 Sketches. 1905; Father Archangel of Scotland and Other Es- 
 says. 1896. Together, 3 vols. 12mo, cloth. London, 1896-1910 
 
 First EDITIONS. 
 
 Granam (R. B. CunnrncHAmME). Aurora La Cujifii. A Realistic 
 Sketch in Seville. With a frontispiece. Square 12mo, wrappers, 
 uncut. London, 1898 
 
 First EDITION. 
 
 GRAHAM (R. B. CUNNINGHAME). Mogreb-El-Acksa. A Journey in 
 Morocco. With a portrait and map. 8vo, cloth, uncut. 
 London, 1898 
 
 First Epirion. With signature of author on half-title, in ink. 
 
 GrAHAM (R. B. CUNNINGHAME). Thirteen Stories. No date; Suc- 
 cess. 1902; Scottish Stories. [1914;] A Hatchment. 1913. 
 Together, 4 vols. 12mo, cloth. 
 
 London, 1902-[1914] and no date 
 
 First EDITIONS. 
 
 . GRAHAM (R. B. CUNNINGHAME). Charity. 1912; Brought For- 
 
 ward. [1916;] Bernal Diaz Del Castillo. 1915. Together, 3 
 vols. 8vo and 12mo, cloth. London, 1912-[1916 ] 
 
 First EDITIONS. 
 
 Granam (R. B. Cunnincuame). A Brazilian Mystic. Being the 
 Life and Miracles of Antonio Conselheiro. Royal 8yo, cloth, un- 
 cut. London, 1920 
 
 First EpIvion. 
 
 GraHamM (R. B. CunnincHAME). Cartagena and the Banks of the 
 Sint. Frontispiece. Royal 8vo, cloth, uncut. London, 1920 
 
 First EpIrtion. 
 
 GraHam (R. B. CunnincHameE). The Conquest of New Granada. 
 Being the Life of Gonzalo Jimenez de Quesada. 1922. First 
 Epirion ;  Mogreb-El-Acksa. A Journey in Morocco. [1921.] 
 Together, 2 vols. 8vo, cloth. London [1921]-1922 
 
 GRANDGENT (C. H.). The Ladies of Dante’s Lyrics. The McBride 
 Lecture Fund, Western Reserve University. Cambridge, 1917; 
 Hopson (J. A.). Richard Cobden. The International Man. 
 Portrait and other illustrations. New York, 1919. Together, 2 
 vols. 8vo, cloth. New York and Cambridge, 1917-1919 
 
Or 
 ao) 
 Cr 
 
 596. 
 
 597. 
 
 599. 
 
 600. 
 
 601. 
 
 Second Session, Wednesday Evening, April 30th 
 
 PRINTED AT THE BODONI PRESS 
 
 . Gray (THomaAs). Poems by Mr. Gray. Imperial 8vo, full corn 
 
 colored straight-grain morocco, with richly gilt and blind tooled 
 
 framework on sides, gilt back, inner gilt borders, gilt edges. 
 
 Parma: Printed by Bodoni, 1793 
 
 This is a special edition published by Bodoni including the ‘Elegy 
 Written in a Country Churchyard.” 
 
 BEAUTIFUL Copy in a binding in the manner of (and in all proba- 
 bility by) CHarLEes LEWIS. 
 
 . Greek Arr. Hoppin (Josep Criark). Euthymides and His Fel- 
 
 lows. 1917; A Handbook of Attic Red-Figured Vases. 1919; 
 Romer (Berrua Carr). The Greek House. 1916. With allus- 
 trations. Together, 3 vols. 8vo, cloth and buckram. 
 
 Cambridge, 1916-1919 
 
 Greek Art. Hampipce (Jay). Dynamic Symmetry. The Greek 
 Vase.- New Haven. [1920]; Herrorp (Mary A. B.). A 
 Handbook of Greek Vase Painting. Manchester, 1919. Wut/ 
 illustrations. Together, 2 vols. 8vo, cloth. 
 
 New Haven and Manchester, 1919-[1920| 
 
 Grotier Crus Pustication. Hewrerr (Maurice). Quattrocentis- 
 teria. How Sandro Botticelli saw Simonetta in the Spring. 
 Imperial 8vo, marbled board sides, canvas back uncut. 
 
 New York: Grolier Club, 1921 
 
 Eprrion timirep to 300 copies printed by John Henry Nash of San 
 Francisco, presented by him to Herbert Rothchild, with inscription 
 below colophon, reading: Printers Copy, to Herbert Rothchild from 
 John Henry Nash. 
 
 . Guingy (Louise Imocen). Patrins. To which is added an In- 
 
 quirendo into the Wit and Other Good Parts of His Late Majesty 
 King Charles the Second. 12mo, original cloth, gilt lettered, en- 
 tirely uncut. Boston, 1897 
 
 First EpItioN IN BOOK FORM. 
 
 Hamerton (Purp Ginpert). Etching & Etchers. A new Edition. 
 Illustrated with 12 etchings. 8vo, cloth, gilt design on front 
 cover and back, gilt top. | London, 1876 
 
 SPLENDID SERIES OF WORKS BY THOMAS HARDY 
 
 Harpy (Tuomas). The Hand of Ethelberta. A Comedy in Chap- 
 ters. Illustrated by Gzorce pu Maurigr. 2 vols. 8vo, original 
 cloth, uncut. London, 1876 
 
 First Epition. RARE. 
 
 Harpy (Tuomas). The Return of the Native. Map. 3 vols. 12mo, 
 original cloth, uncut, worn, library labels removed from outside 
 of covers, and library label inside of first volume. 
 
 London, 1878 
 
 First EpitTion. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee Oe EE 
 
 602. 
 
 603. 
 
 604. 
 
 605. 
 
 606. 
 
 607. 
 
 608. 
 
 609. 
 
 610. 
 
 Harpy (Tuomas). Two on a Tower. A Romance. 3 yols. 12mo, 
 original cloth, uncut, slightly worn, new endpapers. 
 co) ? ? 5 
 London, 1882 
 VERY GOOD COPY OF THE RARE First Epirion. Extremely rare in good 
 condition. 
 
 Harpy (THomas). The Mayor of Casterbridge: The Life and Death 
 of a Man of Character. 2 vols. 12mo, original cloth, uncut. 
 London, 1886 
 
 FINE Copy OF THE First Epition. Seldom found in good condition. 
 Library label on each fly-leaf. 
 
 Harpy (THomas). Wessex Tales. Strange, Lively, and Common- 
 place. 2 vols. 12mo, original cloth, uncut. London, 1888 
 
 REMARKABLY FINE COPY OF THE First EpITion. Excessively Rare in 
 such Fine Condition. 
 
 Harpy (Tuomas). Three Notable Stories: Love and Peril, by the 
 Marquis of Lorne; To be or Not to Be, by Mrs. Alexander; The 
 Melancholy Hussar, by Thomas Hardy. 12mo, original cloth. 
 
 London, 1890 
 
 THE FIRST APPEARANCE OF HARDy’S story, afterwards reprinted in 
 “Life’s Little Ironies.” 
 
 Harpy (Tuomas). A Group of Noble Dames. 12mo, original cloth, 
 uncut. [London, 1891] 
 
 First Eprrion. 
 RoBERT Ross’ (WILDE’S FRIEND) Copy, with his Autograph Signature 
 and address on front flyleaf. 
 
 Harpy (Tomas). Tess of the D’Urbervilles. A Pure Woman Faith- 
 fully Presented. 38 vols. 12mo, original cloth, uneut, worn and 
 covers stained, contents clean. London, 1891 
 
 I’irst EDITION OF HARDY’S GREATEST BOOK. 
 
 Harpy (THomas). Autograph Note, written in the third person, 1p. 
 12mo, Max Gate, Dorchester, March 10th, 1892. To the Editor 
 of the Athenzeum. 
 
 Mr. Hardy regrets his inability to accept a dinner invitation, due to 
 his not being in town on the day it is to take place. 
 
 Harpy (Tuomas). Stories in Black and White, by Thomas Hardy, 
 W. EE. Norris, J. M. Barrie, W. Clark Russell, and Others. Il/us- 
 trated. 12mo, original cloth. New York, 1893 
 
 IMMACULATE COPY OF THE RARE First AMERICAN EDITION. Hardy’s 
 Story, ‘To Please His Wife,” appeared in “Black and White,” for June 
 27, 1891, and was later included in “Life’s Little Ironies.” 
 
 Harpy (Tuomas). Life’s Little Ironies. A Set of Tales with Some 
 Colloquial Sketches, Entitled A Few Crusted Characters. 12mo, 
 original cloth, worn and edges of contents stained. 
 
 [ London, 1894] 
 
 First Epirion, 
 
B11. 
 
 612. 
 
 613. 
 
 614. 
 
 615. 
 
 616. 
 
 617. 
 
 618. 
 
 619. 
 
 620. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Harpy (Tuomas). Jude the Obscure. Frontispiece. 12mo, original 
 cloth, gilt top, uncut. [ London, 1896 | 
 
 FIRST ISSUE OF THE First Eprrion, with Osgood, McIlwaine & Oo. 
 lettered on back. 
 
 Harpy (Tuomas). The Well-Beloved. Frontispiece. 12mo, original 
 cloth, gilt top, uncut, back worn. | London, 1897 | 
 
 First EDITION. 
 
 Harpy (Tuomas). Wessex Poems and Other Verses. With thirty 
 illustrations by the Author. 12mo, cloth, gilt top, uncut and part- 
 ly unopened. [London and New York, 1898 | 
 
 First EpItion. 
 
 Harpy (THomAS). Poems of the Past and the Present. 12mo, orig- 
 inal cloth, gilt top, uncut. London [1902 | 
 
 FINE copy oF THE First Epirion. The First and Taller Issue, in 
 Green Cloth. 
 
 Harpy (THomas). The Dynasts. A Drama of the Napoleonic Wars, 
 in Three Parts, Nineteen Acts, and One Hundred and Thirty 
 Scenes. 3 vols. 12mo, original cloth, uncut. 
 
 London, 1904-1908 
 
 FINE COPY OF THE F'rrRST EpiTion. Rare. Part I is of the Second 
 Issue, with the new title-page. 
 
 Harpy (Tuomas). The Society for the Protection of Ancient Build- 
 ings. The General Meeting of the Society; Twenty-ninth Annual 
 Report of the Committee; and Paper Read by Thomas Hardy, 
 Esq., June, 1906. 12mo, original wrappers. Enclosed in purple 
 cloth slip-case, with blue morocco back. [ London, 1906] 
 
 FINE COPY OF THE First Epition. Rare. 
 
 Harpy (Tuomas). Time’s Laughingstocks, and Other Verses. 12mo, 
 original cloth, uncut. London, 1909 
 
 FINE COPY OF THE First EDITION. 
 
 Harpy (THomas). A Changed Man, The Waiting Supper, and Other 
 Tales, Concluding with The Romantic Adventures of a Milk- 
 maid. Frontispiece and map. 12mo, original cloth, gilt top, 
 uncut. London, 1913 
 
 First Epirion. 
 
 Harpy (Tuomas). The Oxen. 12mo, original wrappers, uncut. 
 
 Enclosed in red cloth, slipcase, with leather back. Hove, 1915 
 
 First EDITION. ONLY A FEW COPIES WERE PRINTED FOR PRIVATE CIR- 
 CULATION. Rare. 
 
 Harpy (THomas). Song of the Soldiers. 8vo, original wrappers, 
 uncut. Enclosed in red cloth slipcase, with leather back. 
 Hove, 1915 
 
 FINE Copy OF THE First Epition. Scarce. 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 ee a en 
 
 621. Harpy (Tuomas). Before Marching and After. Portrait. Small 
 4to, original purple wrappers, uncut. Enclosed in purple cloth 
 
 slipcase, with blue morocco back. [London, 1915] 
 First Eprrion. One of 25 copies printed for Clement Shorter, and 
 signed by him. Scarce. 
 
 THE CONVERGENCE OF 
 THE TWAIN 
 
 (Lines on the loss of the “Titanic.”) 
 
 T 
 GY in a solitude of the sea, 
 Deep from human vanity, 
 And the Pride of Life that planned her, stilly 
 
 os couches she. 
 -—_ 
 II 
 
 Steel chambers, late the pyres 
 Of her salamandrine fires 
 
 Cold currents thrid, and to rhymic tidal 5 
 lyres, lime fh : 
 [Megfhrse] 
 
 [ No. 622] 
 
 CORRECTED PROOF SHEETS OF THE RAREST OF ALL HARDY ITEMS 
 
 622. Harpy (Tuomas). The Convergence of the Twain. 14pp. 12mo, 
 sheets unbound, as issued. Enclosed in cloth protecting cover 
 and full green levant morocco solander case, Jansenist, BY 
 RIVIERE. London, 1912 
 
 THE CORRECTED PROOF SHEETS OF THIS, THE RAREST OF ALL HARDY 
 ITEMS, OF WHICH BUT 10 COPIES WERE PRINTED. ‘There appear correc- 
 tions, in Hardy’s handwriting, on eight pages. 
 
 [See Reproduction of First Page] 
 
 623. Harpy (THomas). Satires of Circumstance. Lyrics and Reveries, 
 with Miscellaneous Pieces. 12mo, original cloth, uncut and 
 UNOPENED. In original dust wrappers. London, 1914 
 
 FINE COPY OF THE First EpIrion. 
 
 624. Harpy (Tuomas). A Bibliography of the Works of Thomas Hardy: 
 1865-1916. By A. P. Webb. Portrait and facsimile. 8vo, orig- 
 inal cloth, gilt top, uncut. London, 1916 
 
 FINE COPY OF THE First EDITION. 
 
625. 
 
 626. 
 
 627. 
 
 628. 
 
 629. 
 
 630. 
 
 631. 
 
 632. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Harpy (Tuomas). Danrentson (Henry). The First Editions of 
 The Writings of Thomas Hardy and Their Values. A Biblio- 
 graphical Handbook for Collectors, Booksellers, Librarians, and 
 Others. 12mo, original cloth, uncut. London, 1916 
 
 First Epirron. Inscribed by the Author, with his autograph signa- 
 ture and date, “1916,” on title-page. 
 
 Harpy (THomas). Souvenir Programme of “The Dynasts.” Per- 
 formances at the Corn Exchange, Dorchester, on December 6th 
 and 7th, 1916. Illustrated. 4to, original wrappers. Enclosed 
 in purple cloth slip-case, with blue morocco back. 
 
 Dorchester, 1916 
 
 No. 12 of Twelve Copies in which THE porTRAIT OF HARDY IS SIGNED 
 BY HIM. Immaculate copy. Rare. 
 
 Harpy (Tuomas). A Call to National Service: An Appeal to 
 America; Cry of the Homeless. Small 4to, original wrappers, 
 uncut. Enclosed in red cloth slip-case, leather back. 
 
 London, 1917 
 
 First Eprrion. One of 25 copies printed at the Chiswick Press for 
 Florence Hardy, and initialed by her. Immaculate copy. 
 
 Harpy (Tuomas). England to Germany. The Pity of It. I Met 
 a Man. A New Year’s Eve in War Time. Small 4to, original 
 wrappers, uncut. In a red cloth slip-case, leather back. 
 
 | London, 1917] 
 
 First Epirion. One of 25 copies privately printed at the Chiswick 
 Press for Florence Emily Hardy, and initialled by her. The first poem 
 had not previously been printed. Immaculate copy. 
 
 Harpy (Tuomas). Moments of Vision, and Miscellaneous Verses. 
 12mo, original cloth, uncut. London, 1917 
 FINE COPY OF THE First EDITION. 
 
 Harpy (Tuomas). Later Lyrics and Earlier, With Many Other 
 Verses. 12mo, original cloth, uncut and UNOPENED. In original 
 dust wrappers. London, 1922 
 
 FINE COPY OF THE First Epirion. 
 
 Harpy (THomas). The Famous Tragedy of the Queen of Cornwall 
 at Tintagel in Lyonnesse. By Thomas Hardy. Frontispiece. 
 8vo, original boards, canvas back, paper label on side. Enclosed 
 in original cardboard protecting case. New York, 1923 
 
 Limited to 1,000 Copies. 
 
 Harpy (THomas). Domicilium. 4to, original wrappers. Enclosed 
 in purple cloth slip-case, with blue morocco back. 
 No place; printer, or date 
 
 First Epition. No. 2 of 25 copies privately printed for Clement 
 Shorter, and signed by him. Immaculate copy. 
 
633. 
 
 634. 
 
 636. 
 
 637. 
 
 638. 
 
 639. 
 
 640. 
 
 641. 
 
 642. 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 Neeee eerie eee eee eee ee eee ae ea AIST ESTE TST TESS TINTS TT 
 
 Harris (Frank). Elder Conklin and Other Stories. London, 1895; 
 Contemporary Portraits. London, 1915; Contemporary Por- 
 traits, Second Series. New York, 1919; Contemporary Por- 
 traits (Third Series). New York [1920]. The latter three with 
 portraits. Together, 4 vols. 12mo and 8vo, cloth. 
 
 London and New York, 1895-[ 1920] 
 
 ALL First EDITIONS. 
 
 Harris (Frank). Montes the Matador & Other Stories. 8vo, cloth. 
 London, 1900 
 
 First Epirion. PRESENTATION copy, inscribed,—‘To Mrs. Humphry 
 from Frank Harris. March 1902.” 
 
 . Harris (Frank). The Bomb. London [1908]; Shakespeare and 
 
 His Love. London [1910]; Unpath’d Waters. London, 1913; 
 Great Days. London, 1914; England or Germany. New York, 
 1915. Together, 5 vols. 12mo, cloth, some uncut. 
 
 London and New York, [1908-1915 
 
 ALL First EDITIONS. 
 
 WORKS BY BRET HARTE 
 
 [Harte (Brer).] Outcroppings: Being Selections of California 
 Verse. 12mo, cloth, faded, library stamp erased from title. 
 
 San Francisco, 1866 
 First Epition oF BRET Harte’s First Book. 
 
 Harte (Bret). The Lost Galleon and Other Tales. 12mo, cloth. 
 
 San Francisco: Towne & Bacon, 1867 
 First EpItion. 
 
 Harte (Bret). The Overland Monthly. Vol. I. No. IL. July, 
 1868. 8vo, wrappers. Enclosed in a quarter red morocco slip- 
 case, with inner cloth wrapper. San Francisco, 1868 
 
 ASSOCIATION copy, with autograph in pencil, indistinctly written on 
 cover, signed: “F.B.H.” 
 
 Harte (Bret). East and West Poems. 12mo, three-quarter red 
 morocco, gilt, gilt paneled back, gilt top. Boston, 1871 
 
 First EDITION. 
 
 Harte (Brer). “The Heathen Chinee.” With illustrations by S. 
 Hytinge, Jr. 16mo, original wrappers. Enclosed in a maroon 
 morocco slip-case, with inner cloth wrapper. Boston, 1871 
 
 First Epirion. 
 
 Harte (Brer). Poems. 12mo, cloth. Boston, 1871 
 
 First EDITION. 
 
 Harte (Bret). Dickens in Camp. With a Foreword by Frederick 
 S. Myrtle. Title-page and decorations by Joseph Sinel.  8vo, 
 boards, canvas back, uncut. San Francisco: John Howell, 1922 
 
 EpIt1ion Limirep to 350 copies, of which this is, No. 3. 
 
643. 
 
 644. 
 
 645. 
 
 646. 
 
 647. 
 
 648. 
 
 649, 
 
 650. 
 
 651. 
 
 Second Session, Wednesday Evening, April 30th 
 
 Hay (JoHn). Pike County Ballads and other Pieces. 12mo, cloth. 
 Back somewhat faded. Boston, 1871 
 
 First EpItTIon. 
 
 Hay (Joun). A Poet in Exile. Early Letters of John Hay. Edited 
 by Caroline Ticknor. 1910; The Complete Poetical Works of 
 John Hay. Including Many Poems now First Collected, with 
 an Introduction by Clarence L. Hay. 1916. Portrait frontis- 
 preces. ‘Together, 2 vols. boards, and boards with cloth back, 
 uncut. Boston and New York, 1910-1916 
 
 Limitep Epitions. A Poet in Exile is No. 400 of 440 copies, and The 
 Complete Poetical Works is No. 674 of a Large Paper Edition of 1,000 
 copies. Both printed at the Riverside Press. 
 
 Hearn (Larcapio). FrLausert (Gustave). The Temptation of St. 
 Anthony. Translated by Lafcadio Hearn. 12mo, original cloth. 
 In original dust wrappers. New York, 1910 
 
 IMMACULATE COPY OF THE First EpITIon. 
 
 HEARN (Laroapio). Karma. New York, 1918; Frencu (Nora 
 May). Poems. San Francisco, 1910; McFrr (Winurtam). A 
 Six-Hour Shift. Garden City, 1920; Poorm (HEnry R.). The 
 New Tendency in Art. Garden City, 1913. Two with frontis- 
 preces. ‘Together, 4 vols. 12mo, boards, with cloth backs, some 
 uncut. New York, San Francisco & Garden City, 1910-1920 
 
 WORKS BY JOSEPH HERGESHEIMER 
 
 HERGESHEIMER (JOSEPH). The Lay Anthony. 1914; Mountain 
 Blood. 1915; The Three Black Pennys. 1917; Gold and Iron. 
 1918; Hugh Walpole. An Appreciation. With Portrait. [1919]; 
 San Cristébal de la Habana. 1920. Together, 6 vols. cloth and 
 boards, some uncut. | New York, 1914-1920 
 
 ALL First EDITIONS. 
 
 HERGESHEIMER (JOSEPH). The Happy End. 12mo, green buckram, 
 
 paper label, uncut. New York, 1919 
 LARGE PAPER EDITION. One of 50 copies signed by the author, of which 
 this is, No. 5. 
 
 HIERGESHEIMER (JOSEPH). Java Head. 12mo, maroon buckram, 
 uncut and unopened. New York, 1919 
 LARGE PAPER EDITION. No. 31 of 100 copies signed by the author. 
 
 HERGESHEIMER (JOSEPH). San Cristdbal de la Habana. 8vo, boards, 
 vellum back, gilt top, uncut. New York, 1920 
 
 Edition limited to 100 copies on Old Stratford Laid Paper, signed by 
 the author, of which this is, No. 2. 
 
 HERGESHEIMER (JOSEPH). The Bright Shawl. 8vo, boards, vellum 
 back, uncut. New York, 1922 
 
 Edition Limited to 225 copies signed by the author, of which this is, 
 No. 136. . 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 shkence tack hardites BSc SOR 
 
 652. 
 
 653. 
 
 654. 
 
 656. 
 
 659. 
 
 660. 
 
 HercesuemrEr (JosepH). The Dark Fleece; Tubal Cain; Wild 
 Oranges. Together, 3 vols. 12mo, black buckram. 
 New York, 1922 
 
 AtL First SEPARATE EDITIONS. 
 
 Hercrsnermmer (JosepH). Cytherea. 8vo, buckram, paper label, 
 uncut and unopened. New York, 1922 
 Larce PAPER, Edition limited to 250 copies signed by the author, of 
 
 which this is, No. 141. 
 [Hercesnemmer (Josep) AND OTHERS.| The Novel of Tomorrow 
 and the Scope of Fiction. By Twelve American Novelists. 12mo, 
 
 boards. Indianapolis, 1922 
 PRESENTATION copy, inscribed on title;—“for John J. Newbegin from 
 Joseph Hergesheimer West Chester 1/23.” The volume contains ar- 
 
 ticles by Hergesheimer, James Branch Cabell, Zona Gale, Mary Austin 
 and others. 
 
 . Hercesuemmer (JosepH). The Presbyterian Child. Woodcut border 
 
 on title-page. 8vo, decorated boards, paper labels, uncut. 
 New York, 19238 
 First Epition. No. 106 of 950 copies signed by the author. 
 
 Hewrerr (Maurice). Extemporary Essays. 1922; In a Green 
 Shade. A Country Commentary. 1920; Mainwaring. [1920]; 
 Flowers in the Grass (Wiltshire Plainsong). 1920. ‘Together, 
 4 vols. 12mo, cloth. London, 1920-1922 
 
 ALL First EDITIONS. 
 
 . Hicuens (Ropert). The Spirit of the Time. [1921]; Locks 
 
 (Wittiam J.). The Tale of Triona. 1922; Moordius & Co. 
 [1923]. Together, 3 vols. 12mo, cloth, two uncut. 
 London, 1921-1923 
 
 ALL First EDITIONS. 
 
 . Hinp (C. Lewis). More Authors and I. 1922; A. R. P-M The 
 
 Burning Spear. 1919; Lorr (Pierre). The Sahara. With 
 frontispiece IN Conor. No date. Together, 3 vols. 12mo, cloth, 
 one uncut. London, 1919-1922 and no date 
 
 Horpein (Hans). The Dance of Death. With 31 small plates, en- 
 graved by W. Hollar and beautifully colored by a contemporary 
 hand, tipped on 16 sheets of heavy Bristol board. Enclosed in a 
 green cloth slip-case, with inner cloth wrappers. 
 
 X VITIth Century 
 
 FIRST (“POST EST”) EDITION OF PINE’S HORACE 
 
 Horace. Quinti Horatii Flacci Opera. Hngraved frontispieces and 
 numerous vignettes, including title vignettes; text engraved 
 throughout. 2 vols. 8vo, full red levant morocco, sides with 
 double gilt fillet borders, gilt inside borders, gilt backs, gilt edges. 
 
 Londini: Johannus Pine, 1733-1737 
 
 First EDITION, KNOWN FOR SUPERIOR IMPRESSIONS OF THE PLATES. The 
 words “Post est” appear in the medal on page 108 of Vol. II, which 
 was changed to “Potest” in later issues. <A beautifully engraved work. 
 
Second Session, Wednesday Evening, April 30th 
 
 661. Horne (HeErserr P.). The Binding of Books. An Essay in the 
 History of Gold Tooled Bindings. London, 1894; Snarer 
 (Hersert). How to Collect Books. London, 1905. With illus- 
 trations. Together, 2 vols. 12mo, cloth, uncut. 
 
 London, 1894-1905 
 
 A SHROPSHIRE LAD 
 
 BY 
 
 A. E. HOUSMAN 
 
 LONDON 
 KEGAN PAUL, TRENCH, TRUBNER, & CO. L? 
 MDCCCXCVI 
 
 [No. 662] 
 
 FIRST EDITION—VERY RARE 
 
 662. Housman (A. E.). A Shropshire Lad. 16mo, original boards, 
 vellum back, paper label, uncut. London, 1896 
 THE EXCESSIVELY RARE First EpIrion. 
 
 [See Reproduction of Title-page] 
 663. Housman (A. E.). Last Poems. 12mo, cloth. London, 1922 
 
 First EpItion. 
 
 FINE SERIES OF HUDSON’S WORKS 
 664. Hupson (W. H.). The Purple Land That England Lost. Travels 
 and Adventures in the Banda Oriental, South America. 2 vols. 
 _ 12mo, cloth, uncut. London, 1885 
 First Epirion. 
 
 665. [Hupson (W. H.).] A Crystal Age. 12mo, cloth, uncut. With 
 23 pages of the publisher’s advertisements, the last page being 
 pasted to the fly-leaf. London, 1887 
 
 First EDITION. VERY SCARCE. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 Ae en nc a a 
 
 666. Hupson (W. H.) anp Souarer (P. L.). Argentine Ornithology. 
 
 667. 
 
 668. 
 
 669. 
 
 670. 
 
 aye ts 
 
 672. 
 
 A Descriptive Catalogue of the Birds of the Argentine Republic. 
 By P. L. Sclater. With Notes on Their Habits by W. H. Hudson. 
 With numerous full-page plates In Conor. 2 vols. Royal 8vo, 
 light blue-gray boards, uncut. London, 1888-1889 
 
 First EpIvrioN, LIMITED ISSUE, No. 181 of 200 copies signed by the 
 authors. EXXCEEDINGLY SCARCE, this Limited Issue not listed in Wilson’s 
 
 Bibliography. 
 Hupson (W. H.). The Naturalist in La Plata. With ulustrations. 
 8vo, cloth, uncut. London, 1892 
 
 First EDITIon. 
 
 Hupson (W. H.). Birds in a Village. 8vo, buckram, uncut. Writ- 
 ing on half-title. London, 1893 
 
 First EDITIon. 
 
 Hupson (W. H.). Idle Days in Patagonia. Illustrated. 8vo, buck- 
 ram, uncut. London, 1893 
 
 First Eprrion. PRESENTATION copy, with the author’s personal card 
 pasted inside front cover, bearing the engraved name,—W. H. Hudson, 
 and above it, Hupson’s AUTOGRAPH INSCRIPTION.—“With the compli- 
 ments of.” 
 
 Hupson (W. H.). Lost British Birds. With illustrations in the teat 
 in black-and-white. 8vo, light green paper wrappers. 
 [London] 1894 
 
 Second Edition, with the date on title instead of the price, and a list 
 of eighteen advertisements on the reverse cover. 
 
 Hupson (W. H.). British Birds. With a Chapter on Structure and 
 Classification, by Frank E. Beddard, F. R. 8. With numerous 
 plates, some IN Cotor, three illustrations from photographs, and 
 many in the teat, in black and white. 8vo, cloth, gilt top, uncut. 
 
 London, 1895 
 
 First EpItTion. 
 
 Hupson (W. H.). Birds in London. With numerous illustrations 
 by Bryan Hook and others, and from photographs. 8vo, cloth, 
 gilt top, uncut. London, 1898 
 
 First EpItTIon. 
 
 . Hupson (W. H.). Birds and Man. 8vo, cloth, uncut. 
 
 London, 1901 
 
 First Eprrion. 
 
 . Hupson (W. H.). El Ombt. 12mo, cloth. London, 1902 
 
 First EDpIrTion. 
 
 . Hupson (W. H.). Hampshire Days. With illustrations. 8vo, cloth, 
 
 uncut. London, 1903 
 
 First EpItion, 
 
679. 
 
 680. 
 
 681. 
 
 682. 
 
 684. 
 
 685. 
 
 686. 
 
 687. 
 
 Second Session, Wednesday Evening, April 30th 
 et tin amc a Ee aE Sk nl ca 
 
 - Hupson (W. H.). Green Mansions: A Romance of the Tropical 
 
 Forest. 12mo, buckram. London, 1904. 
 
 First Ep1tion. 
 
 . Hupson (W. H.). A Little Boy Lost. With numerous illustrations 
 
 im black-and-white by A. D. McCormick. 12mo, buckram, gilt 
 top. London, 1905 
 
 First Eprrion. 
 
 . Hupson (W. H.). The Land’s End. A Naturalist’s Impressions in 
 
 West Cornwall. With numerous illustrations by A. L. Collins. 
 Svo, cloth, gilt top. London, 1908 
 
 First Eprrion. 
 
 Hupson (W. H.). Afoot in England. 8vo, cloth, gilt top, uncut. 
 London, 1909 
 
 First Eprrion. 
 Hupson (W. H.). South American Sketches. | HL Ombt.] 12mo, 
 cloth. London, 1909 
 
 Second Issue of the Firsr Eprrron, with a new title-page. 
 
 Hupson (W. H.). A Shepherd’s Life. Impressions of the ‘South 
 Wiltshire Downs. With a frontispiece In Cotor and numerous 
 black and white illustrations in the text, by Bernard C. Gotch. 
 8vo, cloth. London [1910] 
 
 First Ep1rion. 
 
 Hupson (W. H.). Birds and Man. With frontispiece IN Cotor. 
 8vo, cloth. London, 1915 
 
 Second Edition, with the alterations. 
 
 . Hupson (W. H.). Far Away and Long Ago. A History of My 
 
 Karly Life. With portrait. 8vo, cloth, green top. 
 London and Toronto, 1918 
 
 First EpIrion. 
 
 Hupson (W. H.). Birds in Town & Village. With illustrations In 
 Cotor. 12mo, cloth, green top. London and Toronto, 1919 
 First Epirion. 
 
 Hupson (W. H.). The Book of a Naturalist. 8vo, cloth, uncut. 
 London [1919] 
 
 First EpIrion. 
 
 Hupson (W. H.). Dead Man’s Plack and An Old Thorn. With 
 frontispiece. 12mo, cloth, green ‘top. 
 London and Toronto, 1920 
 
 First Ep1rion. 
 
 Hupson (W. H.). Birds of La Plata. With 22 illustrations Ix Cotor 
 by Hf. Gronvold. 2 vols. 8vo, cloth, buckram backs, green tops, 
 uncut. London and Toronto, 1920 
 
 First EpIrion, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee Ee 
 
 688. Hupson (W. H.). A Traveller in Little Things. 8vo, cloth, green 
 top. London and Toronto, 1921 
 
 First EDITION. 
 
 689. [Hupson (W. H.).] Witson (G. F.). A Bibliography of the Writ- 
 ings of W. H. Hudson. 8vo, cloth, uncut. London, 1922 
 
 With full collations of first editions (books, pamphlets, leaflets, ete.) 
 and full details of contributions to periodicals, prefaces to books, ete. 
 
 690. Hupson (W. H.). A Hind in Richmond Park. 8vo, cloth, green top. 
 London and Toronto, 1922 
 
 First EDITION. 
 
 691. [Hupson (W. H.).] Tomas (Epwarp). Cloud Castle and Other 
 Papers. With a Foreword by W. H. Hudson. 8vo, cloth. 
 London [1922] 
 
 First Epirron. The Foreword is unfinished, as Hudson was working 
 upon it at the time of his death. 
 
 692. Hupson (W. H.). Ralph Herne. With facsimile. 8vo, boards, cloth 
 back, uncut. New York, 19238 
 First AMERICAN Epitton. No. 211 of 950 copies printed from Mono- 
 
 type Caslon type, designed by Bruce Rogers. 
 
 693. Hupson (W. H.). A Collection of Pamphlets issued by the Royal 
 Society for the Protection of Birds. Hach one with an illustra- 
 tion IN Cotor on the first page. Together, 4 pieces, 8vo, stitched, 
 as issued, laid in a half morocco slip-case. [London] no dates 
 
 The collection comprises: A Tired Traveller; A Thrush that Never 
 Lived; A Linnet for Sixpence; and On Liberating Caged Birds. 
 
 Att Frrst Eprrions with the exception of A Linnet for Sixpence, 
 which is a Second Edition. 
 
Third Session, Numbers 694 to 1032, inclusive 
 
 THURSDAY AFTERNOON, MAY istrrn 220 O CLOCK 
 
 694. Huny (Monstrur). A Treatise of Romances, and Their Originals. 
 Translated out of the French. 16mo, old sheep, worn. 
 London, 1672 
 Scarce and curious work. Contains the leaf of License, preceding 
 title-page. 
 
 695. HuNeKer (JAMES). Painted Veils. 8vo, vellum and boards, uncut. 
 New York [1920] 
 No. 598 of 1,200 copies privately printed for subscribers only, and 
 
 signed by the author. 
 
 696. HuNEKER (JAMES). Steeplejack. Portraits. 2 vols. 8vo, cloth, 
 “ “oncut. New York, 1920 
 
 First EpItTion. 
 
 697%. Huxtgy (Atpous). The Defeat of Youth and Other Poems. With 
 woodcut wmitials. Square 8vo, decorated boards, paper labels, 
 uncut and unopened. London, 1917 
 
 First Epirion. 
 
 698. Huxuey (Anpous). Leda. With frontispiece. Square 8vo, boards, 
 with cloth back, paper label, gilt top, uncut and unopened. 
 London, 1920 
 
 Edition limited to 150 copies signed by the author, or which this is, 
 
 No. 85. 
 699. Huxiey (Atpous). Limbo. 1920; Mortal Coils. 1922. Together, 
 2 vols. 12mo, cloth, uncut. London, 1920-1922 
 
 First EpDItTIons. 
 
 700. Huxtey (Atpous). Crome Yellow. 12mo, cloth, paper label, uncut. 
 London, 1921 
 First EpItion. 
 
 701. Iss—N (HENrIK). The Emperor and the Galilean. A Drama in Two 
 Parts. Translated from the Norwegian by Catherine Ray. 12mo, 
 cloth, with leaf of notice in front, and 16pp. of advertisements 
 at end. London, 1876 
 
 First ENGiuisu Epirtion. . 
 
 702. Ipsen (Henrik). Nora. A Play. Translated from the Norwegian 
 
 by Henrietta Frances Lord. 16mo, wrappers, repaired. 
 London, 1882 
 
 AUTOGRAPH PRESENTATION copy from the translator, with the follow- 
 ing inscription in ink on end-leaf: Miss Lucy Toulman Smith. With 
 kindest regards from the translator. Frances Lord. Feb. 10, 1884. This 
 play is also known as “The Doll’s House.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 OY ON 
 
 703. InseEN (Henrik). Hedda Gabler. A Drama in Four Acts. Trans- 
 lated from the Norwegian by Edmund Gosse. Portrait. 12mo, 
 cloth, uncut. London, 1891 
 
 LARGE PAPER EDITION. Limited to 100 copies, of which 20 were re- 
 served for America. 
 
 04. Jackson (Horproox). The Eternal Now. A Quatrain-Sequence and 
 Other Verses. 12mo, wrappers, uncut. London, 1900 
 EXXCEEDINGLY SCARCE. 
 
 705. Jackson (Horproox). All Manner of Folk. Interpretations and 
 Studies. [1912]; Occasions. A Volume of Essays . . . 1922; 
 Great English Novelists. No date. Frontispieces, the latter with 
 32 illustrations. Together, 3 vols. 12mo, buckram and cloth, two 
 uncut. London, [1912]-1922 and no date 
 
 First EDITIONS. 
 
 706. Jackson (Horsrook). The Eighteen Nineties. A Review of Art 
 and Ideas at the close of the Nineteenth Century. With numer- 
 ous portraits and illustrations, 8vo, cloth, gilt top, uncut. 
 
 London, 1913 
 
 First Epition. FINE Copy. 
 
 707. Jackson (Hoxproox). Platitudes in the Making. Precepts and 
 Advices for Gentlefolk. 12mo, boards, uncut. 
 New York, no date 
 
 PRESENTATION COPY, INSCRIBED BY THE AUTHOR,—To A. M. Broadley 
 with the good regards of the author Holbrook Jackson. Nov: 4; 1911. 
 With A. M. Broadley’s bookplate. 
 
 SERIES OF WORKS BY HENRY JAMES 
 708. James (Henry). The American. 12mo, cloth. Boston [1877] 
 
 First EpItTion. 
 
 709. Jamus (Henry). Daisy Miller. A Study; An International Epi- 
 sode. Together, 2 vols. 32mo. Both volumes lack the front 
 covers of original wrappers. London [1878 | 
 
 First Eprrions. Nos. 82 and 91 in the “Harper’s Half-Hour Series.” 
 
 710. James (Henry). Picture and Text. Portrait. New York, 1893; 
 Hawthorne. London, 1879. Together, 2 vols. 12mo and 16mo, 
 cloth. New York and London, 1879-18938 
 
 First EDITIONS. 
 
 711. James (Henry). Confidence. Boston, 1880; French Poets and 
 Novelists. London, 1884. Together, 2 vols. 12mo, cloth. 
 Boston and London, 1880-1884 
 
 First EDITIONS. 
 
 712. James (Henry). The Bostonians. A Novel. 1886. Name on title; 
 Portraits of Places. 1883. Slightly worn. Together, 2 vols. 
 12mo, cloth. London, 1883-1886 
 
 First EDITIONS. 
 
2 
 =i 
 -~2 
 
 bv 
 
 720. 
 
 Tek 
 
 Third Session, Thursday Afternoon, May 1st 
 
 . JAMES (Henry). The Portrait of a Lady. Boston, 1883; The Middle 
 
 Years. London, no date. Together, 2 vols. 12mo, cloth, the 
 latter uncut. Boston and London, 1883 and no date 
 
 . JAMES (Henry). Portraits of Places. 8vo, cloth, uncut. 
 
 Boston, 1885 
 
 INSCRIBED BY THE AuTHOR,—-“The best thing therefore is not to go 
 back.” Henry James. May 27th 1904. 
 
 . JAMES (Henry). Partial Portraits. 12mo, cloth, uncut. 
 
 London, 1888 
 
 First Epition. 
 
 . JAMES (Henry). The Reverberator. 1888; The Sense of the Past. 
 
 With portravt. [1917]; Together, 2 vols. 12mo, cloth, the latter 
 uncut. London, 1888-| 1917 | 
 
 First EDITIoNs. 
 
 . JAMES (Henny). The Tragic Muse. 3 vols. 12mo, cloth. 
 
 London, 1890 
 
 First ENGLISH EDITION. PRESENTATION copy, inscribed by the au- 
 
 thor,—Mrs. Clifford from her friend & colleague Henry James. August 
 1890. 
 
 . JAMES (Henry). Essays in London and Elsewhere. London, 1893; 
 
 The Sacred Fount. New York, 1901. Together, 2 vols. 12mo, 
 cloth, uncut. London and New York, 1893-1901 
 First EDITIons. 
 
 James (HeENry). The Better Sort. 1903; The Outcry. [1911.] 
 Together, 2 vols. 12mo, cloth, uncut. London, 1903-[1911] 
 
 First ENGLISH EDITIONS. 
 
 James (Henry). The Wheel of Time. New York, 1893; The Finer 
 Grain. London [1910]. Together, 2 vols. 12mo, cloth, the 
 former uncut. New York and London, 1893-1910 
 
 First EDITIONS. 
 
 James (Henry). Theatricals. 2 vols. London and New York, 
 1894-1895; Terminations, New York, 1895; Together, 3 vols. 
 12mo, buckram and cloth, 2 uncut. 
 
 London and New York, 1894-1895 
 
 First EDITIONS. 
 
 . JAMES (Henry). What Maisie Knew. 12mo, cloth, gilt top, uncut. 
 
 Chicago and New York, 1897 
 
 First EpItTIon. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 Fe a 
 
 123. 
 
 Con, 
 
 James (Henry). The Spoils of Poynton. London, 1897; A Land- 
 scape Painter. New York, 1919; Together, 2 vols. 12mo, cloth, 
 the former uncut. London and New York, 1897-1919 
 
 First EDITIONS. 
 
 . JAMES (Henry). In the Cage. London, 1898; Gabrielle de Bergerac. 
 
 New York, 1918. Together, 2 vols. 12mo and 8vo, cloth and 
 
 cloth and boards, the former uncut. 
 London and New York, 1898-1918 
 
 First EDITIONS. 
 
 . JAMES (HeENry). The Two Magics. 1898; The Ivory Tower. With 
 
 portrait. [1917]; Together, 2 vols. 12mo, cloth, uncut, the latter 
 binding cockled. London, 1898-[1917| 
 
 First EpItTIon. 
 
 . JAMES (Henry). The Soft Side. 1900; The Sacred Hunt. 1901. 
 
 Together, 2 vols. 12mo, cloth, uncut. London, 1900-1901 
 
 First EpItions. 
 
 . JAMES (Henry). English Hours. With 92 illustrations by Joseph 
 
 Pennell. Square 8vo, cloth, buckram back, gilt top, uncut. 
 London, 1905 
 
 First EDITION. 
 
 . JAMES (Henry). The American Scene. London, 1907; Notes on 
 
 Novelists, with some Other Notes. New York, 1914; Together, 
 2 vols. 8vo, cloth, uncut. London and New York, 1907-1914 
 
 First EDITIONS. 
 
 . JAMES (Henry). The Letters of Henry James. Selected and Edited 
 
 by Perey Lubbock. With portrait frontispieces. 2 vols. 8vo, 
 cloth, uncut. New York, 1920 
 
 First AMERICAN EDITION. 
 
 . JAMES (WittiAm). The Letters of William James. Edited by his 
 
 son, Henry James. With portrait frontispieces. Rubricated title- 
 pages. 2% vols. royal 8vo, boards, buckram backs, paper labels, 
 gilt tops, uncut. Boston [1920] 
 
 LIMITED Epition. No. 136 of 600 sets. 
 
 JAPANESE Cotor Prints. Stewart (Basin). Japanese Colour- 
 Prints and the Subjects They Illustrate. A Guide for the Col- 
 lector & Student with Description of the Subjects Illustrated 
 in Landscape, Drama, Story and Portraiture. Illustrated by 
 numerous reproductions, in color and monochrome of prints in 
 the author's collection. 4to, half leather, gilt top, uncut. 
 
 London, 1920 
 
 _ Eprrron DE LUXE. Limited to 125 copies, of which this is, No. 36, 
 signed by the author. 
 
Third Session, Thursday Afternoon, May 1st 
 
 732. JOHNSON (SAMUEL). Johnsoniana; or, Supplement to Boswell: Being 
 Anecdotes and Sayings of Dr. Johnson. With portraits, land- 
 scape scenes and views, engraved by Finden and others, oN INDIA 
 Paper. 4to, cloth, gilt edges. London, 1886 
 
 LARGE PAPER COPY. 
 
 733. JoNES (Henry ArtHur). My Dear Wells. A Manual for the Haters 
 of England. Being a series of Letters upon Bolshevism, Collec- 
 tivism, Internationalism, and the Distribution of Wealth ad- 
 dressed to Mr. H. G. Wells by Henry Arthur Jones. 12mo, cloth. 
 
 London [1921] 
 
 First EpItion. 
 
 734. Jones (HENry Festinc). Diary of a Journey through North Italy to 
 Sicily in the spring of 1903 undertaken for the purpose of leaving 
 the MSS. of three books by Samuel Butler at Varallo-Sesia Aci- 
 Reale and Trapani. Cambridge: Printed for Private Circulation, 
 1904; Winsor (Justrn—Editor). Was Shakespeare Shapleigh ? 
 A Correspondence in Two Entanglements. Boston, 1887; ‘THE 
 Rusric. A Magazine-de Luxe. Vol. 1, No. 3. April 1902. 
 [New York, 1902.] Together, 3 vols. 12mo and 16mo, wrap- 
 pers. Various places, 1887-1904 
 
 735. JorDAN (Davin 8.). The Days of a Man. Being Memories of a 
 Naturalist, Teacher and Minor Prophet of Democracy. Illus- 
 trated. 2 vols. thick 8vo, quarter blue morocco, gilt tops, uncut. 
 
 Yonkers, 1922 
 First Epitrion. Limited to 390 sets only, printed on handmade paper, 
 of which this is, No. 78. 
 Laid in is an Autograph Quotation Signed, “David Starr Jordan.” 
 1p. 4to, Stamford, June 5, 1912, reading: 
 
 “Tf I were born a man I'd wish 
 I might associate with fish.” 
 
 736. Joyce (JAmEs). Chamber Music. 16mo, cloth. 
 London: Elkin Mathews [1907] 
 
 First EpItion. 
 
 737. Joyce (James). Dubliners. 12mo, cloth. London [1914] 
 
 First EDITION. 
 
 738. Joyce (James). A Portrait of the Artist as a Young Man. 1916. 
 First Eprrion; Exiles. A Play in Three Acts. 1918. First 
 American Epirion. Together, 2 vols. 12mo, cloth and boards. 
 
 New York, 1916-1918 
 
 739. Joyce (JamEs). Ulysses. Thick small 4to, original wrappers, un- 
 cut. Paris, 1922 
 
 First Epitron. One of 1,000 copies, of which this is, No. 928. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 740. [Kames (Henry Homes, Lorp).| Elements of Criticism. 3 vols. 
 8vo, three-quarter dark green levant morocco, gilt, gilt paneled 
 back, gilt tops, UNCUT. Edinburgh: A. Millar, 1762 
 
 First Epitrion. FINE copy. Very Rare uncut, as above. 
 
 FIRST EDITION, IN THE ORIGINAL BOARDS 
 
 741. Keats (JoHN). Endymion: A Poetic Romance. 8vo, original gray 
 boards, without the paper label, joint of front cover cracked, 
 uncut. In cloth slip-case, black morocco back, with inner cloth 
 protecting folder. London: Printed for Taylor & Hessey, 1818 
 
 First Epition. With the five-line leaf of ‘“Hrrata”’ and all the half- 
 titles. ‘“T. Miller, Printer, Noble Street, Cheapside,” at foot of first 
 half-title. No advertisements. Excessively rare in original boards. 
 
 742. Keats (Joun). Ode toa Nightingale. Edited, with an Introduction 
 by Thomas J. Wise. 12mo, uncut, printed parchment wrappers. 
 
 London: Printed for the Editor for Private Distribution Only, 
 
 3 1884 
 
 ONE OF 25 COPIES PRINTED ON PAPER. 
 
 A BEAUTIFULLY PRINTED VOLUME IN A BEAUTIFUL BINDING 
 
 743, Keats (JoHN). Poems. Introduction by Walter Raleigh. Jllustra- 
 tions by Robert Anning Bell. 8vo, full green levant morocco, 
 sides with a double gilt fillet border, with foliated festoons; gilt 
 paneled back, with tudor rose in gilt surrounded by floral sprays 
 and dotted background; inside borders of green morocco with 
 gilt fillets, leafy sprigs in corners; gilt edges, THE DOVES BINDERY, 
 19 C[obden|-S[anderson] 00. London, 1897 
 
 A BEAUTIFUL VOLUME. Printed at the Chiswick Press. 
 
 SPLENDID SERIES OF THE KELMSCOTT PRESS PUBLICATIONS 
 
 744. Ketmscorr Press. Morris (WiLLIAmM). Poems by the Way. Wood- 
 cut border and initials. 8vo, vellum, uncut, with ties. 
 Hammersmith, 1891 
 
 Edition limited to 300 copies. Printed in Golden type, in red and 
 black. 
 
 745. Ketmscorr Press. Morris (WititAm). The Story of the Glittering 
 Plain, which has been also called The Land of Living Men or 
 The Acre of the Undying. With woodcut border and initials. 
 8vo, full stiff vellum, uncut, with ties. Hammersmith, 1891 
 Edition limited to 200 copies. Printed in Golden type. 
 
Third Session, Thursday Afternoon, May 1st 
 
 746. Ketmscott Press. Biblia Innocentium: Being the Story of God’s 
 Chosen People Before the Coming of Our Lord Jesus Christ upon 
 Karth, written anew for Children by J. W. Mackail. With wood- 
 cut borders ang initials. 8vo, vellum, uncut, with ties. 
 Hammersmith, 1892 
 Edition limited to 200 copies. Printed in Golden type. 
 
 747. Ketmscott Press. Brunt (Witrrep ScawEen). The Love-Lyrics 
 & Songs of Proteus: with the Love-Sonnets of Proteus by the 
 same Author Now Reprinted in Their Full Text with Many Son- 
 nets omitted from the Earlier Editions. With woodcut border 
 and iwmitials. 8vo, full, stiff vellum, uncut, with ties. 
 
 Hammersmith, 1892 
 
 Edition limited to 300 copies. Printed in Golden type, in red and 
 black. 
 
 SUPERB COPY—BEAUTIFULLY BOUND: COBDEN-SANDERSON’S OWN COPY 
 
 748. Ketmscorr Press. Caxton (WiiitiAm). The Golden Legend of 
 Master William Caxton, done anew. Edited by F. 8S. Ellis. With 
 two woodcut illustrations designed by Sir Edward Burne-Jones, 
 woodcut borders and initials. 3 vols. 4to, full brown pigskin, 
 sides blind stamped with alternate rows of blocks and circles, 
 ornamented with small floriated designs, paneled backs, blind 
 stamped with a similar pattern, gilt lettered, gilt edges on the 
 rough, BY THE DOVES BINDERY, 19 C|obden]-S|[ anderson] 04. 
 
 Hammersmith, 1892 
 SUPERB COPY. 
 Edition limited to 500 copies. Printed in Golden type. Cobden-San- 
 
 derson’s own copy, with his bookplate and his autograph signature,— 
 “T. J. Cobden-Sanderson,’ written on the fly-leaf in each volume. 
 
 749. Ketmscorr Press. Caxton (Witt1AmM). The History of Reynard 
 the Foxe, done into English out of Dutch by William Caxton. 
 Corrected for the press by H. H. Sparling. Wath woodcut bor- 
 ders, ornaments, and initials. 4to, vellum, uncut, with ties. 
 
 Hammersmith, 1892 
 
 Edition limited to 300 copies. Printed in Troy type, in red and black, 
 with glossary in Chaucer type. 
 
 ”50. Ke~mscorr Press. [Caxton (Witt1aAm).| The Recuyell of the 
 Historyes of Troye. By Raoul Lefevre. Translated by William 
 Caxton. Done after the First Edition; corrected for the press 
 by H. Halliday Sparling. With woodcut borders, ornaments and 
 
 imtials. 3 vols. in 2, 4to, vellum, uncut, with ties. 
 Hammersmith, 1892 
 
 Edition limited to 300 copies. Printed in Troy type, in red and black, 
 with table of chapters and glossary in Chaucer type. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 "51. Ketmscotr Press. Morris (WititAm). The Defence of Guenevere, 
 and Other Poems. With woodcut border and imtials. Small 4to, 
 vellum, uncut, with ties. Hammersmith, 1892 
 HKdition limited to 800 copies. Printed in Golden type, in red and 
 black. 
 
 ONE OF ELEVEN COPIES ON VELLUM: HANDSOMELY BOUND 
 
 vo2. Kepmscorr Press. Morris (Winitam). A Dream of John Ball 
 and a King’s Lesson. With woodcut frontispiece designed by Sir 
 Hdward Burne-Jones, woodcut borders, ornaments and initials. 
 8vo, full brown crushed levant morocco, sides with semis of tiny 
 gilt leaves bordered by Tudor roses, with outer frame of rose 
 leaves, all in gilt, paneled back, with gilt rose and leaf design, 
 inside morocco borders with gilt fillets, leaf design at corners, 
 gilt edges, BY THE DOVES BINDERY, 19 C[obden]-S|anderson] 14. 
 Enclosed in marbled board slip-case, felt lined. 
 Hammersmith, 1892 
 
 ONE OF 11 COPIES PRINTED THROUGHOUT ON PURE VELLUM, in Golden 
 type, in red and black. From the Harry Alfred Fowler and Robert 
 Hoe collections, with the bookplate of each. 
 
 [See Reproduction of First Pages] 
 
Third Session, Thursday Afternoon, May 1st 
 
 753. Ketmscorr Press. Morris (Wittiam). News from Nowhere: or, 
 An Epoch of Rest, Being some Chapters from a Utopian Ro- 
 mance. With woodcut frontispiece, borders, and initials.  8vo, 
 
 vellum, uncut, with ties. Hammersmith, 1892 
 : Kdition limited to 300 copies. Printed in Golden type, in red and 
 lack. 
 
 vo4, KeLMscorr Press. Ruskin (Joun). The Nature of Gothic. A 
 Chapter of the Stones of Venice. With a Preface by William 
 Morris. Woodcut border and initials. 8vo, vellum, uncut, with 
 ties. Hammersmith, 1892 
 Hdition limited to 500 copies. Printed in Golden type. 
 
 755. Keumscorr Press. CAvENDISH (GrorGE). The Life of Thomas 
 Wolsey, Cardinal Archbishop of York. Transcribed after the 
 Autograph Manuscript of the Author, now in the British Museum, 
 by F. S. Elis. With woodcut border and witials. 8vo, vellum, 
 uncut, with ties. Hammersmith, 1893 
 
 Edition limited to 250 copies. Printed in Golden type. 
 
 756. KuumMscorr Press. Caxton (WittiAM). The Order of Chivalry. 
 Translated from the French by William Caxton. Edited by F. 8. 
 Ells. With woodcut frontismece designed by Sw Hdward Burne- 
 Jones, woodcut borders, ornaments and initials. 8vo, vellum, un- 
 
 cut, with ties. Hammersmith, 1893 
 Edition limited to 225 copies. Printed in Chaucer type, in red and 
 black. 
 
 757. Ketmscorr Press. The History of Godefrey of Boloyne and of the 
 Conquest of Iherusalem. Reprinted from Caxton’s edition of 
 1481. Edited by H. H. Sparling. Wath woodcut borders, orna- 
 ments and initials. 4to, vellum, uncut, with ties. 
 Hammersmith, 1893 
 Edition limited to 300 copies. Printed in Troy type, in red and 
 black. 
 
 GODEFREY OF BOLOYNE: AUTOGRAPH PROSPECTUS, ETC., BY MORRIS 
 AND ORIGINAL TRIAL PROOF PAGE 
 
 758. Keumscotr Press. Morris (Witiiam). AvTocRAPH MANUSCRIPT 
 and Proor SHEeErs in connection with the publication of “Gode- 
 frey of Boloyne,” comprising, the Or1cINAL MANUSCRIPT OF THE 
 Prospectus, written in ink on a 4to sheet; OrtGiInaL DRAFT OF 
 THE ANNOUNCEMENT, written in ink, pencil, and blue crayon on 
 one side of a folio sheet, with notations as to the arrangement of 
 the pages; two Press Proofs of the Prospectus, showing different 
 arrangements of the type, each with MANuscrIpT CORRECTIONS ; 
 Specimen Page of the Book, with woodcut initial and border; 
 and a Proof of an Order form, addressed to the Secretary of the 
 Kelmscott Press, to be used when entering Subscriptions, marked 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a a g  enkneaea 
 
 [ No. 758—Continued | 
 
 a3 
 Cr 
 Cc 
 
 760. 
 
 762. 
 
 763, 
 
 764, 
 
 with manuscript corrections and additions; Arn MANuscRIpr 
 DraFts, CorrECTIONS, AND AppITIoNS Brerne IN WiLL1AM Mor- 
 ris’ AuTOGRAPH. Together, 6 pieces. Laid in a large 4to brown 
 half morocco slip-case, gilt lettered on back. Circa 1893 
 
 AN EXCEEDINGLY INTERESTING COLLECTION, showing from a business 
 standpoint the method of procedure in launching new publications, 
 the manuscript material amounting to ABouT 575 worDS IN WILLIAM 
 Morris’ AUTOGRAPH. 
 
 . Ketmscorr Press. Mrrtnuoip (WitiiAm). Sidonia the Sorceress. 
 
 Translated by Francesca Speranza, Lady Wilde. Woodcut border 
 and initials. 4to, vellum, uncut, with ties. 
 Hammersmith, 1893 
 
 Edition limited to 300 copies. Printed in Golden type, in red and 
 black. 
 
 Ketmscorr Press. More (Str THomas). Utopia. Written in Latin 
 by Sir Thomas More and translated into English by Ralph Robin- 
 son. Revised by F. 8. Ellis. With a Foreword by William Mor- 
 ris. Woodcut borders, ornaments and wnitials. 8vo, vellum, un- 
 
 cut, with ties. Hammersmith, 1893 
 Edition limited to 300 copies. Printed in Chaucer type, in red and 
 black. 
 
 . Ketmscorr Press. Morris (Wittiam). Gothie Architecture: A 
 
 Lecture for the Arts and Crafts Exhibition Society. With wood- 
 cut initials and ornaments. 16mo, boards, with Holland back, 
 
 uncut. Hammersmith, 1893 
 Edition limited to 500 copies. Printed in Golden type, in red and 
 black. 
 
 Ketmsoorr Press. Rosserrr (DANTE GABRIEL). Ballads and Nar- 
 rative Poems. With woodcut borders and initials. 8vo, vellum, 
 
 uncut, with ties. Hammersmith, 1893 
 A Edition limited to 310 copies. Printed in Golden type, in red and 
 lack. 
 
 Kertmscorr Press. SHAKESPEARE (WILLIAM). Poems, printed after 
 the Original Copies of Venus and Adonis, 1593, Rape of Lucrece, 
 1594, etc. Hdited by F. S. Ellis. With woodcut border and 
 
 mitials. 8vo, vellum, uncut, with ties. Hammersmith, 1893 
 peers limited to 500 copies. Printed in Golden type, in red and 
 ack. 
 
 Ketmscorr Press. The Tale of King Florus and the Fair Jehane. 
 Translated by William Morris from the French of the Thirteenth 
 Century. With woodcut borders and initials. 16mo, boards, with 
 Holland back, uncut. Hammersmith, 1893 
 
 Edition limited to 350 copies, of which 85 were taken by the Ry- 
 lands Library. Printed in Chaucer type, in red and black. 
 
Third Sesston, Thursday Afternoon, May 1st 
 
 765. KetMscorr Press. Tennyson (AtLrrep, Lorn). Maud, a Mono- 
 drama. With woodcut borders, ornaments and initials. 8vo, vel- 
 
 lum, uncut, with ties. Hammersmith, 1893 
 Hdition limited to 500 copies. Printed in Golden type, in red and 
 black. 
 
 766. Ketmscorr Press. The Book of Wisdom & Lies, a Georgian Story- 
 book of the Highteenth Century, by Sulkhan-Saba Orbeliani: 
 translated, with notes, by Oliver Wardrop. With woodcut bor- 
 ders, ornaments, and inilials. 8yo, vellum, uncut, with ties. 
 
 Hammersmith, 1894 
 
 Edition limited to 250 copies. Printed in Golden type, in red and 
 black. 
 
 767. Ketmscorr Press. Keats (Joun). The Poems of John Keats. 
 Hdited by F. S. Ellis. With woodcut borders and initials. 8vo, 
 
 vellum, uncut, with ties. Hammersmith, 1894 
 Hdition limited to 300 copies. Printed in Golden type, in red and 
 black. 
 
 768. Ketmscorr Press. Morris (WitttaAm). The Story of the Glittering 
 Plain Which has been also called the Land of Living Men or the 
 Acre of the Undying. With twenty-three illustrations and bor- 
 ders designed by Walter Crane and engraved on wood by A. Lev- 
 erett, and numerous ornamental initials. 4to, vellum, uneut, with 
 ties. Hammersmith, 1894 
 Edition limited to 250 copies. Printed in Troy type, in red and 
 black, with list of chapters in Chaucer type. The only Kelmscott book 
 with illustrations by Walter Crane. 
 
 769. Ketmscorr Press. Morris (WittiAmM). The Wood Beyond the 
 World. With woodcut frontisprece designed by Sw Hdward Burne- 
 Jones, and woodcut borders, ornaments and initials. 8vo, vellum, 
 
 uncut, with ties. Hammersmith, 1894 
 Edition limited to 350 copies. Printed in Chaucer type, in red and 
 black. 
 
 770. Ketmscorr Pruss. Of the Friendship of Amis and Amile. Done out 
 of the ancient French into English, by William Morris. With 
 woodcut borders and initials. 16mo, boards, with Holland back, 
 
 uncut. Hammersmith, 1894 
 Edition limited to 500 copies. Printed in Chaucer type, in red and 
 black. 
 
 771. Keumscorr Press. Psalmi Penitentiales. An English rhymed ver- 
 sion of the Seven Penitential Psalms. Edited by F. 8. Ellis. 
 With woodcut borders, ornaments and initials. 8vo, boards, with 
 Holland back, uncut. Hammersmith, 1894 
 aie limited to 300 copies. Printed in Chaucer type, in red and 
 black. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a i A ce area ae as aha a I eh 
 
 772. Kenmscorr Press. Rosserrr (DANTE GABRIEL). Sonnets and Lyri- 
 cal Poems. With woodcut borders and inihals. 8vo, vellum, un- 
 
 cut, with ties. Hammersmith, 1894 
 Edition limited to 310 copies. Printed in Golden type, in red and 
 black. 
 
 773. Ketmscorr Press. SavoNnarotaA (GrrotamMo). Epistola de Con- 
 temptu Mundi di Frate Hieronymo da Ferrara dellordine de frati 
 predicatori la quale manda ad Elena Buonaccorsi sua madre, per 
 consolarla della morte del fratello, suo Zio. Edited by Charles 
 Fairfax Murray. With woodcut illustration on title-page, wood- 
 cul border, initials, and ornaments. 8vo, boards, with Holland 
 back, uncut. Hammersmith, 1894 
 
 Edition limited to 150 copies, none offered for sale. Printed in 
 Chaucer type, in red and black. 
 
 v4. Kenmscorr Press. SwinspurNE (ALGERNON CHARLES). Atalanta 
 in Calydon: A Tragedy. With woodcut ornaments, vmtials, and 
 specially designed title page, and with Greek letters designed by 
 
 Selwyn Image. 4to, vellum, uncut, with ties. 
 Hammersmith, 1894 
 
 Edition limited to 250 copies. Printed in Troy type, in red and 
 black. 
 
 775, Ketmscorr Press. The Tale of the Emperor Coustans and of Over 
 Sea. Done out of ancient French into English by Wiliam Mor- 
 ris. With woodcut borders and initials. 16mo, boards, with 
 
 Holland back, uncut. Hammersmith, 1894 
 Edition limited to 525 copies. Printed in Chaucer type, in red and 
 black. 
 
 776. Ketmscorr Press. Herrick (Roprerr). Poems Chosen out of the 
 Works of Robert Herrick. Edited by F. 8S. Ellis, from the Text 
 of the Edition of 1648. Woodcut border and initials. 8yo, vel- 
 
 lum, uncut, with ties. Hammersmith, 1895 
 Edition limited to 250 copies. Printed in Golden type, in red and 
 black. 
 
 INSCRIBED PRESENTATION COPY FROM WILLIAM MORRIS 
 
 (77, Ketmscorr Press. Morris (Witttam). Child Christopher and 
 Goldilind the Fair. Woodcut border and initials. 2 vols. 16mo, 
 boards, Holland back, uncut. Hammersmith, 1895 
 
 Edition limited to 600 copies. Printed in Chaucer type, in red and 
 black. Inscribed on fly-leaf in first volume,—to Theodore W. Watts 
 from William Morris Sept: 25th 1895. 
 
Third Session, Thursday Afternoon, May 1st 
 
 PRESENTATION COPY, SIGNED, BY MORRIS 
 
 778. KeLMscotr Press. Morris (WinutAm). The Life and Death of 
 Jason, A Poem. With woodcut illustrations designed by Sir Ed- 
 ward Burne-Jones, and woodcut borders, ornaments and initials. 
 Ato, vellum, uncut, with ties. Hammersmith, 1895 
 
 Edition limited to 200 copies. Printed in Troy type, in red and 
 black. Inscribed on fly-leaf,—to Theodore Walter Watts From William 
 Morris July 18th 1895. 
 
 779. Ketmscorr Press. Rosserrr (DANTE Gaprret). Hand and Soul. 
 With woodcut borders and initials. 16mo, full stiff vellum, un- 
 
 cut. Hammersmith, 1895 
 Edition limited to 525 copies. Printed in Golden type, in red and 
 black. 
 
 780. Ketmscorr Press. Rosserrt (DANrR Gaprien). Hand and Soul. 
 With woodcut borders and initials. 16mo, full stiff vellum, un- 
 cut. Hammersmith, 1895 
 
 Edition limited to 520 copies. Printed in Golden type, in red and 
 black. One of 300 printed for America, with note in the colophon 
 that it is sold by Way and Williams, Chicago. 
 
 BEAUTIFUL COPY OF THE KELMSCOTT “SHELLEY” 
 
 781. Ketmscorr Press. SHELLEY (PErRcy ByssHE). The Poetical Works 
 of Percy Bysshe Shelley. Edited by F. 8. Ellis. With woodcut 
 borders, ornaments and initials. 3 vols. 8vo, full red crushed 
 levant morocco, sides with center panel in gilt tulip and heart 
 design, double gilt fillet border and frame, paneled back, with 
 the tulip and heart design, and inside morocco borders with triple 
 gilt fillets and the tulip and heart ornament at corners, gilt edges, 
 BY THE DOVES BINDERY, 18 Cl/obden]|-S[anderson]| 98. 
 
 Hammersmith, 1895 
 
 Edition limited to 250 copies. Printed in Golden type, in red and 
 black. SUPERB COPY. 
 
 782. Ketmscorr Press. Syr Perecyvelle of Gales. Overseen by F. S. Ellis, 
 after the edition printed by J. O. Halliwell from the Manuscript 
 in the Library of Lincoln Cathedral. With woodcut frontispiece 
 designed by Sir Edward Burne-Jones, woodcut borders, initials 
 and ornaments. 8vo, boards, with Holland back, uncut. | 
 
 Hammersmith, 1895 
 Edition limited to 350 copies. Printed in Chaucer type, in red and 
 black. 
 
 783. Ketmscott Press. The Tale of Beowulf. Done out of the Old 
 English tongue by William Morris and A. J. Wyatt. Woodcut 
 border, initials and ornaments. 4to, vellum, uncut, with ties. 
 
 Hammersmith, 1895 
 Edition limited to 300 copies. Printed in Troy type, in red and 
 black. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 er  —— 
 
 MAGNIFICENT COPY IN FULL PIGSKIN BINDING: ONE OF THE FINEST 
 SPECIMENS OF MODERN TYPOGRAPHY 
 
 Ee TO SUI ORANG: 5 
 Te Ae eS 
 e { — i, an eS, = ee 
 iy oF. Ze. yess S 
 
 e 
 ep: 
 a oe we ESR a eteel Sa OY 
 
 “DE PROLOGE Of THE TALE OF THE MANNE Of LAGE ,& 
 Nog) SVG 
 Sasa eG 
 
 — as Th 
 ps ra RouetiscA LS ¥y 
 s | = —— = : 
 
 = =_—— 
 ame 
 
 a 
 
 ee 
 ss co 
 e 
 
 las Lage 
 Ae. 
 10 
 C2 
 
 cy, 
 ie 
 ES) 
 
 Thow blamest Crist, and seist ful bitterly, 
 Re mysdeparteth richesse temporal; 
 
 Thy neighebore thou wytest synfully, 
 And seist thou hast to lite, and be hath al. 
 Parfay, seistow, somtyme he rekene shal, 
 @han that bis tayl shal brennen in the gleede, 
 forhe noght helpeth needfulle in bir neede. 
 
 Rerkne what is the sentence of the wise: 
 Betis to dyen than have indigence; 
 Thyselve neighebor wol thee despise; 
 
 If thou be povre, farwel thy reverence! 
 
 Yet of the wise man take this sentence: 
 
 Hille the dayes of povre men been wikke; 
 
 Be war therfore, er thou come to that prikket 
 
 If thou be povre, thy brother hateth thee, 
 
 And alle thy freendes fieen from thee, allas! 
 = Oriche marchaunts, ful of wele been yee, 
 
 HRM! CONDICION Of POVERTEI Onobte,o prudent folk, as in this cas! 
 
 ith thurst, with coold, with hungersocon- ‘Youre baggces been nat filld with ambesas, 
 
 undid! : But with sys cynk, that renneth for youre 
 
 oasken help thee shameth in thyn berte; chaunce; 
 
 thou noon aske, 80 soore artow ywoundid, Ht Christemasse myrie may ye dauncet 
 
 Lg verray nede unwrappeth al thy wounde 
 
 Ye seken lond and see for yowre wynnynges; 
 
 augree thyn heed, thou most for indigence Hs wise folk ye knowen al thestaat 
 
 r stele, or begge, or borwe thy despence! Of reqnes; ye been fadres of tidynges 
 Se ee 
 
 \ —— 7 6 
 6 
 
 ASS oN 
 
 ESHA 
 
 —— 
 A 
 c 
 
 [No. 784] 
 
 784. KetmMscotr Press. CHaAucER (GHorFREY). The Works of Geoffrey 
 Chaucer. Hdited by F. S. Ells. Illustrated with 87 woodcuts 
 designed by Sir Edward Burne-Jones, and engraved by W. Hi. 
 Hooper, woodcut title, 14 borders, 18 different frames bordering 
 ulustrations and 26 large initial words designed by Wiliam Mor- 
 ris especially for this work. Folio, full white pigskin binding, 
 embossed with beautiful designs by William Morris, brass clasps, 
 
 [Continued 
 
Third Session, Thursday Afternoon, May 1st 
 
 | No. 784—Continued | 
 gilt over rough edges, BY THE DOVES BINDERY, 1897. 
 Hammersmith, 1896 
 
 Hdition limited to 425 copies, printed in Chaucer type, in red and 
 black, of which 48 copies were bound in white pigskin. 
 
 THE MOST IMPORTANT ACHIEVEMENT OF THE KELMSCOTT PRESS, AND 
 A MASTERPIECE OF TYPOGRAPHY. Years before its publication, Mr. 
 Morris had mentally projected an edition of Chaucer, which he hoped 
 to produce in black letter type of special design. An announcement 
 was circulated stating that there were to be 60 designs by Sir Edward 
 Burne-Jones and that the issue would be limited to 325 copies, but at 
 a later date, another circular was issued stating that the number of 
 illustrations would be increased and the limitation extended to 425 
 copies. Subscribers had the option of withdrawing their orders, but 
 no one did so and the extra 100 copies were subscribed for immediately. 
 
 [See Reproduction of One Page] 
 
 785. Ketmscorr Press. CoLermpee (SaAmuret Taytor). Poems chosen 
 out of the Works of Samuel Taylor Coleridge. Edited by F. S. 
 Hillis. Wath woodcut borders, ornaments and initials. 8vo, vel- 
 
 lum, uncut, with ties. Hammersmith, 1896 
 Edition limited to 300 copies. Printed in Golden type, in red and 
 black. 
 
 786. Ketmscorr Press. The Floure and the Leafe, & The Boke of Cu- 
 pide, God of Love, or the Cuckow and the Nightingale. Edited 
 by F. 8S. Hillis. With woodcut initials and ornaments.  8vo, 
 boards, with Holland back, uncut. Hammersmith, 1896 
 
 Edition limited to 300 ccpies. Printed in Troy type, in red and 
 black, with Note and Colophon in Chaucer type. 
 
 PRESENTATION COPY, INSCRIBED, FROM MORRIS TO BURNE-JONES 
 
 787. Ketmscotr Press. lLaudes Beatae Mariae Virginis. Latin poems 
 taken from a Psalter written by an English scribe, most. likely 
 in one of the Midland counties, early in the Thirteenth Century. 
 Hdited by 8. C. Cockerell. With woodcut ornaments and initials. 
 4to, boards, with Holland back, uncut. Hammersmith, 1896 
 
 Edition limited to 250 copies. Printed in Troy type, in red, black 
 and blue. The first book printed at the Kelmscott Press in three 
 colors. Inscribed on fly-leaf,—to Hdward Burne-Jones from William 
 Morris August 21st. 1896. 
 
 788. Ketmscotr Press. Morris (Wittiam). The Earthly Paradise. 
 Woodcut borders and initials. 8 vols. medium 4to, vellum, un- 
 cut, with ties. Hammersmith, 1896-1897 
 Edition limited to 225 copies. Printed in Golden type, in red and 
 black. This is the first publication of the Kelmscott Press on paper 
 with the apple watermark. None of the ten borders used in this book 
 appear in any other book. 
 
 789. Ketmscotr Press. Morris (Witt1Am). The Well at the World’s 
 End. With four woodcut illustrations designed by Sw Edward 
 Burne-Jones, woodcut borders, ornaments and initials. Ato, vel- 
 lum, uncut, with ties. Hammersmith, 1896 
 
 Edition limited to 250 copies. Printed in Chaucer type, in red and 
 black. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee nn 
 
 "90. Kenmscorr Press. The Romance of Sire Degrevaunt. Edited by 
 F. S. Ellis, after the edition printed by J. O. Halliwell from the 
 Cambridge manuscript. With woodcut alustration, borders and 
 initials. 8vo, boards, with Holland back, uncut and unopened. 
 
 Hammersmith, 1896 
 Edition limited to 350 copies. Printed in Chaucer type, in red and 
 black. 
 
 "91. Ketmscort Press. Spencer (Epmunb). The Shepheardes Calen- 
 dar: Conteyning Twelve Aeglogues, Proportionable to the Twelve 
 Monethes. With twelve woodcut illustrations and woodcut imi- 
 tials. S8vo, boards, with Holland back, uncut. 
 
 | Hammersmith, 1896 
 Edition limited to 225 copies. Printed in Golden type, in red and 
 black. 
 
 "92. Ketmscotr Press. Morris (Wini1Am). Love is Enough, or The 
 Freeing of Pharamond: A Morality. Woodeut border, ornaments 
 and initials, with two woodcut illustrations by Sir Edward Burne- 
 Jones. 4to, vellum, uncut, with ties. Hammersmith, 1897 
 
 Edition limited to 300 copies. Printed in Troy type, in red, black 
 and blue. The second book printed in three colors at the Kelmscott 
 Press. 
 
 793. Ketmscott Press. Syr Ysambrace. Edited by F. 8. Ellis after the 
 edition printed by J. O. Halliwell from the Manuscript in the 
 Library of Lincoln Cathedral, with a few corrections. With a 
 woodcut frontispiece designed by Sir Edward Burne-Jones, wood- 
 cut borders and initials. 8vo, boards, with Holland back, uncut 
 
 and unopened. Hammersmith, 1897 
 Edition limited to 350 copies. Printed in Chaucer type, in red and 
 black. 
 
 ONE OF ONE HUNDRED AND SIXTY COPIES ON PURE VELLUM 
 
 "94. Ketmscorr Press. ‘Trial Pages of the projected edition of Lord 
 Berner’s translation of Froissart. With woodcut borders, orna- 
 ments and initials. large folio, full brown morocco, gilt lettered 
 on front cover, uncut. | Hammersmith, 1897] 
 
 One of 160 copies On PURE VELLUM, printed in Chaucer type, in black 
 and red. These two trial pages were printed to preserve the designs 
 made for the work by William Morris. In the border on the first page 
 are the arms of France, the Empire, and England; on the second page 
 are those of Reginald Lord Cobham, Sir Walter Manny, and Sir John 
 Chandos. A BEAUTIFUL COPY. 
 
 795. Keumscotr Press. Morris (WittiAmM). The Sundering Flood. 
 With woodcut border, ornaments and initials. Thick 8vo, boards, 
 with Holland back, uncut. Hammersmith, 1897 
 
 Edition limited to 300 copies. Printed in Chaucer type, in red and 
 black. The last Romance written by William Morris. 
 
Third Session, Thursday Afternoon, May 1st 
 
 796. Ketmscorr Press. Morris (WrittaAm). Some German Woodcuts 
 of the Fifteenth Century. Edited, with a list of the principal 
 woodcut books in Morris’ Library, by S. ©. Cockerell. With 
 thirty-five reproductions. 4to, boards, with Holland back, un- 
 
 cut. Hammersmith, 1897 
 Hdition limited to 225 copies. Printed in Golden type, in red and 
 black. 
 
 797. Keumscorr Press. Morris (Winttam). The Water of the Wond- 
 rous Isles. With woodcut borders, ornaments and initials de- 
 signed by William Morris. 4to, vellum, uncut, with ties. 
 
 Hammersmith, 1897 
 
 Hdition limited to 250 copies. Printed in Chaucer type, in red and 
 black. 
 
 FINE COPY—BEAUTIFULLY BOUND 
 
 798. Ketmscorr Press. A Note by William Morris on his Aims in found- 
 ing the Kelmscott Press; together with a Short Description of 
 the Press by S. C. Cockerell, & an Annotated List of the Books 
 printed Thereat. Woodcut frontispiece designed by Sir Edward 
 Burne-Jones, woodcut borders and ornaments, and specimens of 
 border designs. 8vyo, full blue levant morocco, gilt edges, BY THE 
 DOVES BINDERY, 19 Cj{obden]|-S{anderson] 10. 
 
 Hammersmith, 1898 
 Edition limited to 525 copies. Printed in Golden type, in red and 
 black. Laid in is a photogravure portrait of William Morris. 
 
 799. Ketmscorr Press. Morris (Witt1aAm). The Story of Sigurd the 
 Volsung and the Fall of the Niblungs. With two illustrations 
 designed by Sir Edward Burne-Jones and engraved on wood by 
 W. H. Hooper, and woodcut borders, ornaments and. initials. 
 
 Small folio, vellum, uncut, with ties. Hammersmith, 1898 
 Edition limited to 160 copies. Printed in Chaucer type, in red and 
 black. 
 
 RARE SPECIMEN PAGES FROM THE “CHAUCER,” “FROISSART,” AND 
 OTHER KELMSCOTT PRESS WORKS 
 
 800. Ketmscotr Press. A Collection of Trial Pages of Six Works of the 
 Kelmscott Press. 37pp. folio and large 4to, laid in a green cloth 
 slip-case, gilt lettered on back. 
 
 A MOST IMPORTANT COLLECTION which comprises: (1) Twelve folio 
 pages of “The Works of Geoffrey Chaucer,” with the ornaments, 
 borders, initials and woodcut illustrations designed by Sir Edward 
 Burne-Jones. Chaucer type, in red and black; also, one folio page 
 of text, before the ornaments and illustrations were added; and a 
 blank folio quire of the Kelmscott Paper on which the Chaucer was 
 printed with WiLL1AM Morris’ PENCILLED INSCRIPTION, reading,—Head 
 a Section of my folios Perch paper trimmed Feb. 28 1893. 
 
 (2) Four large 4to pages of “The Well at the World’s End,” with 
 woodeut ornaments and initials, Chaucer type; (8) four large 4to 
 pages of “The Recuyell of the Historyes of Troy,” with woodcut 
 ornaments and initials, Troy type, in red and black; (4) four large 
 4to pages of “The History of Godefrey of Boloyne,”’ with woodcut 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 acetate Alt iether RAEN SESE si 
 
 [ No. 800—Continued] 
 
 ornaments and initials, Troy type; (5) twelve large 4to pages of 
 “The History of Reynard the Foxe,” with woodcut ornaments and 
 initials, Troy type, in red and black; (6) and one folio page of the 
 projected edition of “Froissart’s Chronicles.” With one woodcut in- 
 itial, and space for additional initials and ornaments. On KELMSCOTT 
 PAPER, in Chaucer type. Evidently from one of the thirty-two copies 
 of this passage of the work, distributed to Morris’ friends as a me- 
 mento before the specimen pages on vellum were planned. 
 
 RUDYARD KIPLING: A MOST EXCEPTIONAL SERIES OF FIRST 
 EDITIONS OF HIS WORKS 
 
 WITH NOTATIONS AS TO AUTHORSHIP OF THE VARIOUS PIECES, IN ALL 
 PROBABILITY IN THE AUTHOR’S AUTOGRAPH 
 
 801. Kiptina (Rupyarp). Quartette. The Christmas Annual of the Civil 
 & Military Gazette. By Four Anglo-Indian Writers. 8vo, orig- 
 inal wrappers. Enclosed in red cloth slip-case, with morocco 
 back. Lahore: The “Civil and Military Gazette” Press. 1885 
 
 FINE Copy OF THE EXTREMELY RARE First Hprtion, with the tinted 
 leaves of advertisement in the back. The “Four Anglo-Indian Writ- 
 ers” were Rudyard Kipling, his father, mother, and sister Beatrice. 
 
 In this copy, there has been written, in ink, in all probability in the 
 author’s autograph, on the page of contents, the initials of the dif- 
 ferent contributors, and he has also initialed each contribution. The 
 list is as follows: 
 
 The Mirror of Two Worlds. J. LZ. K. (His father). 
 
 Divided Allegiance. R. K. 
 
 An Anglo-Indian Episode. A. K. (His mother). 
 
 At the Distance. R. K. 
 
 The Unlimited “Draw” of “Tick” Boileau. WR. K. 
 
 A Tragedy of Teeth. R. K. 
 
 The Haunted Cabin. “Trix. K.” (His sister, Beatrice). 
 
 The Second Wooing. FR. K. 
 
 The Strange Ride of Morrowbie Jukes, C. E. R. K. 
 
 Two Sonnets. A. K. 
 
 The Phantom ’Rickshaw. Rk. K. 
 
 From the Hills. FR. K. 
 
 Mofussil Jurisdiction. J. L. K. 
 
 Parted A. K. 
 
 EXCEPTIONALLY FINE COPY: WITH THE PRINTED FLAP INTACT 
 
 802. Kiptine (Rupyarp). Departmental Ditties and Other Verses. Nar- 
 row 8vo, in the OrtIGINAL CREAM-COLORED WRAPPERS, and with 
 the flap lettered “Lahore, The Civil and Military Gazette Press.” 
 Enclosed in cloth protecting case. Lahore, 1886 
 
 FINE COPY OF THE EXCESSIVELY RARE First EDITION, ESPECIALLY SO 
 WITH THE FLAP. REMARKABLE AS TO STATE, THE FOLD ON THE FLAP IS 
 NEITHER CRACKED NOR WORN. 
 
 _ FIRST ISSUE IN OLIVE GREEN CLOTH 
 
 803. Kiptinc (Rupyarb). Plain Tales from the Hills. 12mo, OLIvE 
 __.____ GREEN original decorative cloth, name on title-page. 
 
 ee) Calcutta, 1888 
 
 THE RARE FIRST ISSUE OF THE First EpItIon, with the 32pp. of ad- 
 vertisements bearing the date, “Calcutta, December, 1887.” 
 
Third Sesston, Thursday Afternoon, May 1st 
 
 RARE FIRST EDITION 
 
 804. Kiprine (Rupyarp). Soldiers Three. 8vo, original pictorial wrap- 
 pers, rebacked and name on front cover. Enclosed in green cloth 
 slip-case, with morocco back. 
 
 Allahabad: Printed at the “Pioneer” Press, 1888 
 
 THE EXTREMELY RARE First Epirion, probably the rarest of the 
 series. No. 1 of the Indian Railway Library. 
 
 FIRST EDITION: EXTREMELY RARE 
 
 805. Kipninc (Rupyarp). The Story of the Gadsbys. 8vo, original pic- 
 torial wrappers, loose, back worn, and pieces missing from top 
 and bottom of back. Enclosed in red cloth slip-case, with morocco 
 back. Allahabad: A. H. Wheeler & Co. [1888] 
 
 THE EXTREMELY RARE First EDITION. 
 
 FIRST EDITION 
 
 806. Krerting (Rupyarp). In Black and White. 8vo, original wrappers, 
 rebacked. Name stamped, in ink, on front wrapper and title- 
 page. Enclosed in red cloth slip-case, with morocco back. 
 
 Allahabad: A. H. Wheeler & Co. [1888] 
 
 THE EXTREMELY RARE First EDITION. 
 
 FIRST EDITION—RARE 
 
 807. Kipting (Rupyarp). Under the Deodars. 8vo, original pictorial 
 wrappers, rebacked. Enclosed in cloth slip-case, with morocco 
 back. Allahabad: A. H. Wheeler & Co. [1888] 
 
 THE EXTREMELY RARE First EDITION. 
 
 FINE COPY OF THE FIRST EDITION 
 
 808. Kiprina (Rupyarp). The Phantom ’Rickshaw and Other Tales. 8vo, 
 original pictorial wrappers. Enclosed in purple cloth slip-case, 
 with blue morocco back. Allahabad: A. H. Wheeler & Co. [1888] 
 
 THE EXTREMELY RARE FIRST ISSUE OF THE First Epirron. Of the 
 edition without the apostrophe before the word “Rickshaw,” there 
 were but three copies issued, and it is unobtainable. IN THE VERY 
 FINEST CONDITION IMAGINABLE. 
 
 THE SCARCE FIRST EDITION 
 809. Krettna (Rupyarp). Wee Willie Winkie, and Other Child Stories. 
 8vo, original pictorial wrappers, rebacked. Enclosed in red cloth 
 
 slip-case, with morocco back. 
 Allahabad: A. H. Wheeler & Co. [1888] 
 
 THE EXTREMELY RARE First EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 810. Kiptinc (Rupyarp). The Courting of Dinah Shadd, and Other 
 Stories. With a Biographical and Critical Sketch, by Andrew 
 Lang. Frontispiece portrait of Kipling. 12mo, original wrap- 
 pers, greater portion of front wrapper missing, and replaced by 
 different colored paper. New York, 1890 
 
 INTERNALLY, AN EXCEPTIONALLY FINE AND CLEAN COPY OF THE FIRST 
 ISSUE OF THE First Hpirion, containing the story “The Incarnation 
 of Krishna Mulvaney.” The leaf of advertisements, missing in the 
 Quinn Copy, is here present. 
 
 THE EXCESSIVELY RARE EARLIEST ISSUE—UNKNOWN TO MARTINDELL 
 
 811. Krptine (Rupyarp). The Light That Failed. 12mo, original wrap- 
 pers. Name on front cover. 
 New York: The National Publishing Co., 6 Mission Place, 1890 
 FINE COPY OF THE EXCESSIVELY RARE EARLIEST ISSUE, appearing in 
 “The Red Letter Series,” No. 78, published Dec. 27, 1890. 'This issue 
 was unknown to Martindell, as he gives the first issue as Lippincott, 
 1891. BELIEVED TO BE THE FIRST APPEARANCE AT PUBLIC SALE OF THE 
 GENUINE FIRST ISSUE OF THE FIRST EDITION. 
 
 THE EXCESSIVELY RARE FIRST ISSUE—NOT LISTED BY MARTINDELL 
 
 812. Kiptinec (Rupyarp). The Record of Badalia Herodsfoot. Illus- 
 trated. Folio, original wrappers, uncut. Enclosed in brown cloth 
 
 slip-case, with morocco back. Detroit, 1890 
 
 THE EXCESSIVELY RARE First Eprrion—The Detroit Free Press 
 
 Christmas Number for 1890. UNKNOWN TO MARTINDELL. APPARENTLY 
 ITS FIRST APPEARANCE AT PUBLIC SALE. 
 
 813. Kiptina (Rupyarp). American Notes. 12mo, original wrappers. 
 Enclosed in red cloth slip-case, with morocco back. 
 New York, 1891 
 
 THE EXTREMELY RARE FIRST ISSUE OF THE First Eprition. No. 230 
 of the American Series, published by M. J. Ivers & Co., 86 Nassau 
 St., with the correct imprint and the Colgate advertisement on back 
 cover. This Number also contains “Tur Borrie Imp,” by Stevenson. 
 
 814. Krprina (Rupyarp). American Notes. 12mo, original wrappers, 
 somewhat worn, as usual. New York, 1891 
 
 First Epitron. No. 230 of the American Series, published by M. J. 
 Ivers & Co., 86 Nassau Street, with the correct imprint. This number 
 also contains “The Bottle Imp,” by Stevenson. 
 
 THE RARE, SUPPRESSED, FIRST EDITION 
 
 815. Krptina (Rupyarp). The City of Dreadful N ight, and Other Places. 
 8vo, new black cloth, original wrappers and advertisements bound 
 in. Allahabad: A. H. Wheeler & Co., 1891 
 
 First Epirion. This book was published without Kipling’s permis- 
 sion. His books were selling so well, that his publishers, in 1891, 
 published three volumes containing articles he had contributed to 
 Indian newspapers. The volumes were respectively entitled “The 
 City of Dreadful Night and Other Sketches,” “The Smith Administra- 
 tion,” and “Letters of Marque No. 1.” Accordingly, Kipling had these 
 three books suppressed, and only a few copies of each escaped when 
 the stocks were destroyed. 
 
816. 
 
 817. 
 
 818. 
 
 819. 
 
 820. 
 
 821. 
 
 822. 
 
 823. 
 
 824. 
 
 Third Session, Thursday Afternoon, May Ist 
 
 ONE OF THE EARLIEST COPIES ISSUED OF THE FIRST EDITION 
 
 Kretrne (Rupyarp). Letters of Marque. 8vo, original red and blue 
 cloth. Allahabad: A. H. Wheeler & Co. 1891 
 
 FIRST ISSUE OF THE First EpiTion, with the two leaves of adver- 
 tisements in the front, and the three pages of Press Notices, and page 
 of advertisements, at the end. The publisher’s stamp, appearing on 
 front fly-leaf, states “Issued 29 Oct. ’91.” This is one of the very 
 earliest issued. The Quinn copy was dated ‘20 Noy. ’91,” nearly a 
 month later than the present copy. RARE IN FINE CONDITION. 
 
 Kretine (Rupyarp). Life’s Handicap, being Stories of Mine Own 
 People. 12mo, original cloth. London, 1891 
 First EDITIon. 
 
 Krptine (Rupyarp). The Light that Failed. 8vo, original wrappers. 
 Enclosed in red cloth slip-case, with morocco back. 
 Philadelphia and London, 1891 
 
 FINE copy oF THE ENGLISH First Epition. The cover bears, in addi- 
 tion to J. B. Lippincott’s name, Ward, Lock & Co., and the price “One 
 Shilling.” This story first appeared in Lippincott’s Magazine for 
 January, 1891, and the American Edition is, of course, the Genuine 
 First Edition. 
 
 Kretinc (Rupyarp). Barrack-Room Ballads, and Other Verses. 
 12mo, original cloth, uncut. London, 1892 
 FINE copy oF THE First ENGLISH EDITION. 
 
 Kipetine (Rupyarp). The Naulahka, by Rudyard Kipling and Wol- 
 cott Balestier. 12mo, original cloth, uncut. London, 1892 
 VERY FINE COPY OF THE First EDITION. 
 
 Kirtinc (Rupyarp). Many Inventions. 12mo, original cloth, worn, 
 and stained. Sold as it. London, 1893 
 
 First EDItTIon. 
 
 Kirtine (Rupyarp). In Sight of Mount Monadnock. 12mo, orig- 
 inal wrappers, uncut. Enclosed in half red levant slip-case. 
 No place: Privately Printed: 1894 
 
 First SEPARATE Epition. This is a “fake” edition, issued later than 
 the date as printed on the cover and title-page, but it, nevertheless, 
 is the FIRST SEPARATE EDITION. 
 
 Kietrve (Rupyarp). The Jungle Book. Illustrated. 1894; The 
 Second Jungle Book. Illustrated. 1895. Together, 2 vols. 12mo. 
 original cloth, gilt, gilt edges. London, 1894-1895 
 
 VERY FINE COPIES OF THE RARE First EDITIONS. Laid in the first 
 volume is a 2pp. autograph letter signed by S. Anderson, Kipling’s 
 Secretary, to Francis W. Halsey, stating that Kipling had just sailed 
 for the Cape. 
 
 Kretine (Rupyarp). Out of India. Things I Saw, and Failed to 
 See, in Certain Days and Nights at Jeypore and Elsewhere. ~ 
 12mo, original cloth. London, 1895 
 
 IMMACULATE COPY OF THE SCARCE FirsT (PIRATED—AND ONLY) EDI- 
 TION. EXTREMELY RARE IN SUCH FINE CONDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 lie ae ea al A EE 
 
 825. Kipuinc (RupyArp). The Pocket Magazine for December, 1895, 
 and January and February, 1896. Together, 3 vols. 12mo, orig- 
 inal wrappers. New York, 1895-1896 
 
 Contains “The Miracles,” “The Devil and the Deep Sea,”-and “The 
 Liner She’s a Lady,’ by Kipling, as well as contributions by Hugene 
 Field, S. R. Crockett, Conan Doyle, Robert W. Chambers, Frank R. 
 Stockton, Opie Read, Amelia E. Barr, Louise Chandler Moulton, and 
 other well-known authors. 
 
 826. Kiptina (Rupyarp). The Seven Seas. 12mo, original cloth, gilt 
 top, uncut. London, 1896 
 
 Yirst EpDITion. 
 
 827. Kiptinc (Rupyarp). Soldier Tales. Illustrated. 12mo, original 
 cloth, gilt, gilt edges. London, 1896 
 
 FINE copy OF THE First EDITION. 
 
 828. Kipnina (RupyArp). The Seven Seas. 8vo, original cloth, gilt top, 
 uncut and UNOPENED. London, 1896 
 IMMACULATE COPY OF THE First Epition. One of 150 copies on 
 
 Large Paper. 
 
 829. Kiptina (Rupyarp). Captains Courageous. Illustrated. 12mo, 
 original cloth, gilt edges, foxed, and name written, in ink, on 
 title-page. London, 1897 
 
 First EDIrIion. 
 
 THE VERY RARE FIRST EDITION: ONLY A FEW COPIES ISSUED FOR 
 COPYRIGHT PURPOSES 
 
 830. Krprine (Rupyarp). White Horses. 12mo, original wrappers. En- 
 closed in red cloth slip-case, with morocco back. 
 London: Printed for Private Circulation, 1897 
 
 IMMACULATE COPY OF THE EXTREMELY RARE First Epitron. One of 
 a few copies, probably 10, issued for copyright purposes. 
 
 $31. Krpiine (RupyarD). An Almanac of Twelve Sports, By Wilham 
 Nicholson. Words by Rudyard Kipling. Illustrated in color. 
 
 4to, original pictorial boards, vellum back. London, 1898 
 VERY FINE COPY OF THE First EpitTion. Rarely found in good con- 
 dition. 
 832. Kiptinc (RupyArp). The Day’s Work. 12mo, original cloth, gilt 
 top. London, 1898 
 
 FINE COPY OF THE FirRST EDITION. 
 
 833. Kiptinc (Rupyarp). A Fleet in Being. Notes of Two Trips with 
 the Channel Squadron. 12mo, cloth, gilt top. London, 1898 
 
 First EpIrion. 
 
 8384. KrpLtine (Rupyarp). From Sea to Sea. Letters of Travel. 2 vols. 
 12mo, original cloth. New York, 1899 
 
 FIRST ISSUE OF THE First EpitTion, with error in Vol. 2, p. 153. 
 seventh line from bottom, where the word “tacked” is printed, instead 
 of “stacked,” as in later issues. Not published in England until the 
 following year, 
 
Third Session, Thursday Afternoon, May 1st 
 
 FINE COPY OF THE FIRST EDITION 
 835. Krpnine (Rupyarp). The Absent-Minded Beggar. Illustrated. 6pp. 
 folio, folded, as issued. Enclosed in half red levant. slip-case. 
 London, 1899 
 
 FINE COPY OF THE EXTREMELY RARE First Eprrron. Issued by the 
 Daily Mail Publishing Co. at the time of the Boer War, in 1899. 
 
 836. KipLine (Rupyarp). Stalky & Co. 12mo, original cloth, gilt top. 
 
 London, 1899 
 FINE COPY OF THE First EpITIon. 
 
 FIRST EDITION IN ORIGINAL WRAPPERS: RARE THUS 
 
 837. Krprinc (Rupyarp). The White Man’s Burden. 12mo, original 
 wrappers. Enclosed in red cloth shp-case, with morocco back, 
 wrongly lettered on back “1889”. 
 London: Printed for Private Circulation, 1899 
 FINE COPY OF THE EXCESSIVELY RARE First EDITION. 
 
 Fust So Stortes 
 
 The Sing-Song of 
 Old Man Kangaroo 
 
 By 
 
 Rudyard Kipling 
 
 Lonpon: 
 A. P. WATT 
 Hastings House, Norfollc Street, Strand 
 1900 
 {All rights reserved] 
 
 [No. 838] 
 
 ONE OF TEN COPIES ISSUED FOR COPYRIGHT PURPOSES PRIOR TO THE 
 FIRST REGULAR EDITION 
 
 838. Kiptine (Rupyarp). The Sing Song of Old Man Kangaroo. 16mo, 
 original wrappers. Enclosed in three-quarter green morocco slip- 
 case. London, 1900 
 
 IMMACULATE COPY OF THE EXCESSIVELY RARE First Epirion. Only ten 
 copies were issued for copyright purposes. 
 
 [See Reproduction of Title-page] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 , 
 
 839. Krptinc (Rupyarp). A Kipling Note Book. Anecdotes, Biblio- 
 graphical and Biographical Facts Anent this Foremost Writer 
 of Fiction. 12 numbers (ALL PusiisHED). Illustrations. 12mo, 
 
 original wrappers, uncut. New York, 1899-1900 
 First EpitioN. COMPLETE SETS, LIKE THE PRESENT, ARE EXTREMELY 
 RARE. 
 
 840. Krpnina (Rupyarp). Le GaLuienNe (RicHARD). Rudyard Kip- 
 ling. A Criticism, by Richard Le Gallienne. With a Biblio- 
 
 graphy by John Lane. Portrait. 12mo, original cloth, uncut. 
 London, 1900 
 
 FINE copy OF THE First EDITION. 
 
 WITH NUMBER THREE, 
 SURGICAL & MEDICAL, 
 AND NEW POEMS 
 
 BY 
 
 RUDYARD KIPLING 
 
 ALSO 
 
 LETTERS FROM JULIAN RaupnH, CHARLES Ii. HANDS 
 AND Dovueuas Story. 
 
 aps" 
 
 SANTIAGO DE CHILE 
 HUME & co. 
 LIBRERIA INGLESA 
 
 —_— 
 
 1900 
 [No. 841] 
 
 THE RAREST OF ALL KIPLING FIRST EDITIONS—ONLY THREE 
 COPIES KNOWN . 
 
 841. Krptinc (Rupyarp). With Number Three, Surgical & Medical, And 
 New Poems. By Rudyard Kipling. Also Letters from Julian 
 Ralph, Charles E. Hands, and Douglas Story. 12mo, original 
 wrappers, UNcur AND UNorenep. Enclosed in red cloth pro- 
 
 tecting wrappers and full red levant solander case. 
 Santiago de Chile: Hume & Co. Libreria Inglesa. 1900 
 
 AN IMMACULATE COPY OF THE EXCESSIVELY RARE First EDITION—THE 
 RAREST OF ALL Kiprine First Epitions. The First Appearance at Auc- 
 tion, in this country, of this item. There are, according to Martindell, 
 only three copies known. This copy is in the very finest condition 
 imaginable, both as to wrappers and contents, being as clean and 
 fresh as when issued. PAGES ARE UNCUT AND UNOPENED. Probably 
 UNIQUE IN THIS STATE. 
 
 [See Reproduction of Title-page] 
 
Third Session, Thursday Afternoon, M ay Ist 
 
 842. Kiptinc (Rupyarp). Kim. Illustrated by J. L. Kipling. 12mo, 
 original cloth, gilt top. London, 1901 
 FINE copy OF THE First Epirion. 
 
 843. KipLtinc (Rupyarp). Just So Stories for Little Children. Jilus- 
 trated by the AurHor. Small 4to, original cloth, title and design 
 in white on back almost obliterated. London, 1902 
 
 First Epition. 
 
 844. Kipnine (Rupyarp). The Five Nations. 12mo, original cloth, gilt 
 top, uncut. Name written in ink, on half-title. London, 1903 
 First EpIitrion. 
 
 THE MUSE 
 AMONG 
 THE MOTORS. 
 
 Rudyard Kipling. 
 
 ‘Daily Mail” Poblishing Office, 
 Carmelite Howse, Carmelite Street, London, B.C. 
 
 eee te aan eel 
 _PRICR OWE PRNNY, 
 Copyright 1004 by Radyand Kipling in U.8.2 
 
 [ No. 845] 
 
 ONLY TWO COPIES KNOWN 
 
 845. Kiptine (Rupyarp). Page Proofs of, —“The Muse Among the 
 Motors.” Printed on one side of seven unnumbered 8vo leaves, 
 including the Title-page. Enclosed in a quarter red morocco 
 slip-case, with inner protecting cloth folder. 
 
 [London] “Daily Mail” Publishing Office, Carmelite House, 
 Carmelite St., 1904 
 
 First EpItion. EXcEEDINGLY RARE.- CAPTAIN EK. W. MARTINDELL’S 
 copy, No. 109 in the catalogue of the sale of his library which was sold 
 [ Continued 
 
Kindly read Conditions of Sale im forepart of Catalogue 
 en 
 
 [ No. 845—Conlinued | 
 
 846. 
 
 847. 
 
 848. 
 
 849. 
 
 850. 
 
 852. 
 
 853. 
 
 April 4, 1921; bibliographical account of which will be found under 
 No. 88 in his “Bibliography of the Works of Rudyard Kipling.” ; 
 
 Two COPIES ONLY OF THIS PAMPHLET ARE KNOWN. THE ABOVE IS THE 
 ONLY ONE KNOWN IN SHEETS ;THE OTHER COPY, AS ISSUED, IS THE ONLY 
 KNOWN COPY, AND IS IN A PRIVATE COLLECTION IN AMERICA. 
 
 Captain Martindell in his “Bibliography of the Works of Rudyard 
 Kipling” states,—“The copy which was in my possession consisted of 
 12 8vo page proofs, the Title-page lettered as above. So far as I know 
 the only copy, as issued, which exists is in America.” Captain Mar- 
 tindell in giving the collation of the above has counted the blank sides 
 of the leaves. 
 
 [See Reproduction of Title-page] 
 
 ONLY ISSUE—EXCEEDINGLY RARE 
 
 Kiretrina (Rupyarp).. The Science of Rebellion: A Tract for the 
 Times. Specially written for the Imperial South African Asso- 
 ciation. 8vo, original wrappers. Enclosed in red cloth slip-case, 
 with morocco back. London: Vacher & Sons [1901] 
 
 First (AND ONLY) EpITion. EXCESSIVELY RARE. This piece has 
 never been incorporated in Kipling’s Collected Works, either in Eng- 
 land or America. But two other copies have apparently occurred at 
 auction. 
 
 Kirtine (Rupyarp). Traffics and Discoveries. 12mo, original cloth, 
 gilt top. London, 1904: 
 
 First EpIrion. 
 
 Kiptinc (Rupyarp). ‘They.’ Illustrated Ixy Conor. 8vo, original 
 cloth. London, 1905 
 
 FINE copy OF THE First EDITION. 
 
 Kretine (Rupyarp). Puck of Pook’s Hill. Illustrated. 12mo, orig- 
 inal cloth, gilt top. London, 1906 
 
 FINE copy OF THE First EDITION. 
 
 Kretina (Rupyarp). Doctors. An Address delivered at the Middle- 
 sex Hospital. With a Preface. Illustrated. 12mo, original cloth 
 wrappers. Enclosed in red cloth slip-case, with morocco back. 
 
 London, 1908 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 . Kretine (Rupyarp). Abaft the Funnel. 12mo, original cloth. 
 
 New York, 1909 
 
 First (PIRATED) Epition. Not issued in London. 
 
 Kipting (Rupyarp). Actions and Reactions. 12mo, original cloth, 
 gilt top. London, 1909 
 
 First EpItion. 
 
 Kipiine (Rupyarp). With the Night Mail. A Story of 2000 A. D. 
 Illustrated in color. 12mo, original cloth, uncut. 
 New York, 1909 
 
 FINE COPY OF THE SCARCE FIRST SEPARATE EDITION. 
 
854. 
 
 855. 
 
 856. 
 
 857. 
 
 858. 
 
 859. 
 
 Third Session, Thursday Afternoon, May 1st 
 
 Kipting (Rupyarp). Rewards and Fairies. 12mo, original cloth, 
 gilt top, worn. London, 1910 
 
 First EpItTion. 
 
 Kretine (Rupyarp). The Dead King. Square 12mo, original cloth. 
 
 London, 1910 
 First Eprrion. 
 
 Krptine (Rupyarp). A School History of England. By Rudyard 
 Kipling and C. R. L. Pictures In Conor and black and white, 
 by Henry Ford. 12mo, original cloth. Oxford, 1911 
 
 First EpItTIon. 
 
 ONE OF TEN COPIES ISSUED FOR COPYRIGHT 
 
 KIPLING (Rupyarp). Three Poems. 12mo, original wrappers, uncut, 
 Enclosed in red cloth slip-case, with morocco back. 
 Oxford and London, 1911 
 
 IMMACULATE COPY OF THE EXCESSIVELY RARE First Eprrion. One of 
 ten copies printed for copyright purposes. 
 
 [| Krprine (RupyarD).] Booxman (THE). Special Christmas Num- 
 ber. With plates IN Cotor and numerous text illustrations. 
 Imperial 8vo, canvas covers, shaken. London, 1912 
 
 AN INTERESTING AND DESIRABLE NUMBER OF THIS WIDELY READ LITER- 
 ARY AND ART PERIODICAL. Many of the color plates are tipped on an 
 artistic background and are suitable for framing. Laid in is a small 
 portfolio containing 4 plates in color by Dulac, illustrating ‘The 
 
 ’ Bells” and other poems by Poe. 
 
 This number contains FINE PHOTOGRAPHIC PORTRAIT OF RUDYARD 
 
 KIPLING. 
 
 KrpLine (RupyarD). Songs from Books. 12mo, original cloth, gilt 
 top, uncut and UNOPENED. London, 1913 
 FINE Copy OF THE First EDITION. 
 
 THE SCARCE BOMBAY EDITION OF KIPLING—SIGNED BY HIM 
 
 860. Krptine (Rupyarp). The Works of Rudyard Kipling. Rubricated 
 
 titles and initials. 26 vols. royal 8vo, boards with canvas backs, 
 
 paper title-labels, uncut. 
 London: Macmillan and Co., Limited, 1913 
 
 Tuer Bombay EDITION, WITH KIPLING’S AUTOGRAPH SIGNATURE, in ink, 
 on half title of Vol. 1. Edition limited to 1050 copies, printed from 
 the Florence Press type, designed by Herbert P. Horne and lent by 
 Chatto & Windus, the proprietors of the type. Comprises,— 
 
 Plain Tales from the Hills; Soldiers Three and other Stories ; 
 
 Wee Willie Winkie and other Stories; From Sea to Sea. 2 vols. ; 
 
 Life’s Handicap; The Light that Failed; Captains Courageous ; 
 
 Naulahka ; Many Inventions; The Jungle Book; The Day’s Work; 
 
 The Second Jungle Book; Kim; Stalky & Co.; Just So Stories ; 
 
 Traffics and Discoveries; Puck of Pook’s Hill; Rewards and Fairies ; 
 
 Actions and Reactions; The Five Nations and the Seven Seas; 
 
 Departmental Ditties and Barrack Room Ballads; Songs from Books ; 
 
 A Diversity of Creatures; The Years Between and Parodies; 
 
 Letters of Travel. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 en ee 
 
 861. 
 
 862. 
 
 863. 
 
 864. 
 
 865. 
 
 866. 
 
 867. 
 
 868. 
 
 869. 
 
 870. 
 
 Kietine (Rupyarp). The New Army in Training. 12mo, original 
 wrappers. Enclosed in purple cloth slip-case, with blue morocco 
 back. London, 1915 
 
 First EnGLisH EDITION. 
 
 Krerine (Rupyarp). The Fringes of the Fleet. 6 parts, 12mo, orig- 
 inal wrappers. Enclosed in red cloth slip-case, with morocco 
 
 back. Garden City, 1916 
 Fist Eprrion. One of a very few copies issued for copyright pur- 
 poses. 
 
 ComprIses: Parts I-II. The Auxiliary Fleet; Parts III-IV. Sub- 
 marines; Parts V-VI. Patrols. 
 
 KIPLING (Rupyarp). The Fringes of the Fleet. 16mo, original 
 wrappers. London, 1915 
 
 First ENGLISH “EDITION. 
 
 Kietinc (Rupyarp). The Neutral. 12mo, original wrappers. En- 
 
 closed in half red levant slip-case. Garden City, 1916 
 First Epirion. One of a very few copies issued for copyright 
 purposes. 
 
 Kretine (Rupyarp). Mesopotamia. 12mo, original wrappers. En- 
 closed in red cloth slip-case, with morocco back. 
 Garden City, 1917 
 
 First Eprrion. One of a very few copies issued for copyright 
 purposes. 
 
 Kirtine (Rupyarp). The War in the Mountains. 5 parts, 12mo, 
 original wrappers. Enclosed in red cloth slip-case, with morocco 
 back. Garden City, 1917 
 
 First Eprrion. CoMPLeETE sET. One of a very few copies issued for 
 copyright purposes. 
 ComprRIsEs: Part I. The Roads of an Army. 
 Part II. Podgora; Part III. A Pass, A King, and A Mountain ; 
 Part IV. Only a Few Steps Higher Up; Part V. The Trentino Front. 
 
 Kretine (RupyarpD). France at War. 16mo, original wrappers. 
 London, 1915 
 
 First EDITION. 
 
 Kiptine (Rupyarp). Destroyers at Jutland. 4 parts, 12mo, original 
 wrappers. Enclosed in red cloth slip-case, with morocco back. 
 Garden City, 1916 
 
 First Epitrion. One of a very few copies issued for copyright 
 purposes. 
 
 Kiptine (Rupyarp). Sea Warfare. 12mo, original cloth, uncut and 
 UNOPENED. . London, 1916 
 IMMACULATE COPY OF THE First EDITION. 
 
 Kretine (Rupyarp). A Diversity of Creatures. 12mo, original cloth, 
 gilt top, in original dust wrappers. London, 1917 
 
 IMMACULATE COPY OF THE FIRST EDITION. 
 
871. 
 
 873. 
 
 874. 
 
 87. 
 
 876. 
 
 877. 
 
 878. 
 
 879. 
 
 880. 
 
 Third Session, Thursday Afternoon, May 1st 
 
 Kretine (Rupyarp). The Holy War. 12mo, original wrappers. 
 Enclosed in red cloth slip-case, with morocco back. 
 Garden City, 1917 
 
 First Eprrion. One of a very few copies issued for copyright 
 purposes. 
 
 . Krprrne (Rupyarp). A Nativity. 12mo, original wrappers. En- 
 
 closed in half red levant slip-case. Garden City, 1917 
 
 First Epirion. One of a very few copies issued for copyright 
 purposes. 
 
 Krerine (Rupyarp). The Greek National Anthem. Rendered into 
 English by Rudyard Kipling. 12mo, original wrappers. En- 
 closed in red cloth slip-case, with morocco back. 
 
 Garden City, 1918 
 
 First Epirion. One of a very few copies issued for copyright 
 purposes. 
 
 RARE FIRST ISSUE—SIGNED BY KIPLING 
 
 Krprine (Rupyarp). The Irish Guards. 4to, original wrappers, un- 
 eut. Enclosed in red cloth slip-case, with morocco back. 
 No place: No Printer, March 18th, 1918 
 
 FINE COPY OF THE RARE FIRST ISSUE OF THE First Eprrion. Limited 
 to 100 Copies, each signed by Kipling. 
 
 Krprine (Rupyarp). Justice. 12mo, original wrappers. Enclosed 
 
 in red cloth slip-case, with morocco back. Garden City, 1918 
 First Epition. One of a very few copies issued for copyright 
 purposes. 
 
 Krprine (Rupyarp). A Pilgrim’s Way. 12mo, original wrappers. 
 Enclosed in red cloth slip-case, with morocco back. 
 Garden City, 1918 
 First Epirion. One of a very few copies issued for copyright 
 purposes. 
 Krerine (Rupyarp). The Song of the Lathes. 12mo, original wrap- 
 pers. Enclosed in red cloth slip-case, with morocco back. 
 Garden City, 1918 
 First Epirion. One of a very few copies issued for copyright 
 purposes. 
 Kiptine (Rupyarp). Twenty Poems from Rudyard Kipling. 16mo, 
 original wrappers, uncut. London [1918] 
 
 First Epition. Contains three poems which have never been pub- 
 lished before in book form. 
 
 Kretine (Rupyarp). Rudyard Kipling’s Verse. Inclusive Edition. 
 1885-1918. 3 vols. 8vo, original cloth, uncut. London, 1919 
 
 These volumes contain the first appearance in book form of Kip- 
 ling’s remarkable tribute to THEODORE RooSEVELT—“Great Heart.” 
 
 Kipiine (Rupyarp). The Years Between. 12mo, original cloth, un- 
 cut and UNOPENED. In original dust wrappers. London [1919] 
 IMMACULATE COPY OF THE First EDITION, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 881. 
 
 882. 
 
 883. 
 
 884. 
 
 885. 
 
 886. 
 
 887. 
 
 888. 
 
 889. 
 
 Kreuine (Rupyarp). The Years Between. 8vo, original boards, vel- 
 lum back, paper label, gilt top, uncut. London [1919 | 
 Fine copy or THE First EDITION.. Limited to 200 copies on hand- 
 
 made paper. 
 
 Kirtine (Rupyarp). The Feet of the Young Men. Photographically 
 illustrated by Lewis R. Freeman.  8vo, original cloth, vellum 
 back. Garden City, 1920 
 
 LimMIrep To 377 COPIES, EACH SIGNED BY KIPLING. 
 
 Kiptine.(Rupyarp). Letters of Travel. (1892-1913). 12mo, orig- 
 inal cloth, gilt top. In original dust wrappers. 
 | London, 1920 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 Kirtine (Rupyarp).- Q. Horati Flacci Carminum Librum Quintum. 
 A Rudyardo Kipling et Carolo Graves, Angelice Redditus, et 
 Variorum Notis Adornatum ad Fidem Codicum Mss.  Edidit 
 Aluredus D. Godley. 12mo, original boards. Oxonil, 1920 
 
 IMMACULATE COPY OF THE FIRst EDITION OF THIS TRANSLATION BY 
 KIPLING AND GRAVES. . 
 
 Kirtine (Rupyarp). Quinti Horati Flacci Carminum Librum Quin- 
 tum. A Rudyardo Kipling et Carolo Graves, Anglice Redditum. 
 Ft Variorum Notis Adornatum ad Fidem Codicum Mss. Edidit 
 Aluredus D. Godley. 8vo, original boards, vellum back, uncut 
 and UNOPENED. Oxonii, 1922 
 Larce Paper Copy oF THE First EDITION OF THIS TRANSLATION BY 
 Kiptinc AND GRAVES. Hdition-de-Luxe of 150 copies on handmade 
 paper. 
 
 Kretine (Rupyarp). Marrrnpevt (E. W.). A Bibliography of the 
 Works of Rudyard Kipling (1881-1921). Facsimiles. 8vo, orig- 
 inal cloth, uncut. London, 1922 
 
 LIMITED TO 400 COPIES ONLY. 
 
 Kretinec (Rupyarp). Independence. Rectorial Address delivered at 
 St. Andrews, October 10, 1923. 12%mo, original cloth. 
 ial London, 1923 
 First EncLisH EDITION. 
 Kietina (Rupyarp). The Irish Guards in the Great War. Maps. 
 2 vols. 8vo, original cloth. In original dust wrappers. 
 London, 1923 
 FINE Copy OF THE First EDITION. 7 
 Kipiina (Rupyarp). Mine Own People. With a Critical Introduc- 
 tion by Henry James. Frontispiece. New York [1891]; A Fleet 
 in Being. Frrst Eprrion. London, 1898; Kiplingiana. Bio- 
 graphical and Bibliographical Notes Anent Rudyard Kipling. 
 Frontispiece. New York [1899]; Knowzzs (F. L.). A Kipling 
 Primer. Frontispiece. Boston, 1899; Hopxrys (R. THURSTON ). 
 Rudyard Kipling. A Literary Appreciation. Illustrated. New 
 York, n. d. Together, 5 vols. 8vo, original cloth, boards and 
 wrappers. Various places, various dates 
 
THE 
 
 Third Session, Thursday Afternoon, May 1st 
 a na at a nN IR ts IEEE: 
 
 “SURPRIZE” ISSUE OF FIRST EDITION: IN ORIGINAL WRAPPERS 
 
 , 
 . 
 a 
 oi 
 yy 
 3 
 7 
 Lt 
 “y 
 
 [ No. 890] 
 
 890. |LaAmB (CHARLES).] Beauty and the Beast; or, A Rough Outside 
 
 with a Gentle Heart. A Poetical Version of an Ancient Tale. 
 Illustrated with a series of 8 engravings IN Coors. 16mo, OriG- 
 INAL GRAY STIFF Wrappers, with the cut on the back wrapper, 
 bound in full brown French levant morocco sides with triple gilt 
 fillet borders, lettered on front cover, gilt paneled back, gilt inside 
 borders, gilt edges, BY SANGORSKI & SUTCLIFFE. 
 [Imprint at bottom of last leaf:] London: Printed by B. M’Mil- 
 lan, Bow Street, Covent Garden [1811?] 
 
 First Eprrion. EXTREMELY RARE IN ANY CONDITION. This copy has 
 the cut with the inscription “Go be a Beast—Homer’” on the back cover. 
 The front cover of the present copy differs from any of the covers 
 of the three copies described by Mr. Livingston in his Bibliography of 
 Lamb, but is identical, as to type, with the reproduction of the title- 
 page of the “surprize”’ edition on page 112 of Mr. Livingston’s work. 
 The present copy lacks the title and sheet of music. 
 
 This is the so-called ‘‘Surprize’ variety. There were several edi- 
 tions of “Beauty and the Beast” printed within a few years. The 
 types were set throughout at least twice. Livingston in his Bibliog- 
 raphy of Lamb says: “I have seen three varieties of covers, all of 
 similar make-up and all apparently original. The variations in the two 
 
 [ Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 i aetna SE 
 
 [ No. 
 
 890—Continued | 
 
 settings are not sufficient to give any ground for granting priority to 
 either. The most obvious are: 
 
 Page 7, line 11 surprise—surprize 
 
 Page 12, line 7 lord—Lord 
 
 Page 17, line 4 journey’d—journied 
 
 Page 18, line 11 Father’s—father’s 
 
 Page 18, line 11 Heaven—heaven 
 
 Page 20, line 4 Sire—sire 
 Without hazarding any opinion as to priority, we may eall these the 
 “Surprise” and “Surprize” varieties. Of the three copies, examined, 
 one has the cut with the inscription,—‘Go be a Beast,—Homer,” on 
 the front cover, with the back cover plain. The other has this cut 
 on the back cover and a title set in type similar to the title-page, but 
 with the date 1813, the whole enclosed in border of rosettes. The 
 third has the same cut on the back cover and a type-printed cover of 
 different setting, enclosed in key border. The date of the book has 
 been usually ascribed to 1811.” 
 
 The plate “The Enchantment Dissolved” has the watermark 
 “TMAN/O” 
 
 Written, in pencil, on the fly-leaf, is the following note,—The 
 first printing is quite differently set up to that in subsequent issues. 
 Tt varies on almost every page. The signature on B6 is omitted. 
 The cover says “with Beauty’s song set to music” but only subsequent 
 issues contain the music. There is another form of the first issue, 
 with pink or yellow covers, containing a cut on the front cover of 
 the fairy turning the Prince into a beast, with a quotation from Hor- 
 ace “To be a beast” beneath. The setting up of the text is the same 
 in both these forms of the first issue. 
 
 [See Reproduction of First Two Pages] 
 
 FIRST ISSUE—EXCEPTIONALLY LARGE—ENTIRELY UNCUT AND IN 
 
 891. [Lamp (CHARLES). | 
 
 ORIGINAL BOARDS 
 
 Tales from Shakespeare. Designed for the 
 Use of Young Persons. Embellished with copperplates, engraved 
 by William Blake. 2 vols. 12mo, OrtcINAL Gray Boarps, En- 
 TIRELY Uncut, portions of backs remain. Enclosed in a full 
 brown morocco solander case, with inner protecting cloth wrap- 
 per, BY RIviirE. | London: Printed for Thomas Hodgkins, 1807 
 
 First ISSUE OF THE First EDITION OF EACH VOLUME IN ORIGINAL 
 BOARDS AND ENTIRELY UNCUT. Vol. 1 has the imprint of T. Davison on the 
 reverse of p. 235. Vol. II has the correct advertisements at the end, 
 “New Books for Children. Published by Thomas Hodgkins, at the 
 Juvenile Library, Hanway Street [etc.],” with the notes dated 1805 
 and 1806. 
 
 BuT FEW COPIES ARE KNOWN IN THE ORIGINAL BOARDS. Size of page: 
 736 by 414 inches. Livingston gives the size of a copy entirely un- 
 cut as: 73 by 4% inches. 
 
 The plates were designed by Mulready and engraved by William 
 Blake. They did not meet with Lamb’s approbation. He characterized 
 them as “damn’d beastly vulgarity,” and that the incidents depicted 
 by some of the pictures were not mentioned in the text. Mrs. God- 
 win, whom he called the “bad baby,” he blames as responsible for the 
 selection of the titles to the plates. 
 
 Charles Lamb, in writing to Manning, May 10, 1806, throws addi- 
 tional light on the composition of this now famous book: “She [Mary] 
 
 [Continued 
 
Third Session, Thursday Afternoon, M ay Ist 
 
 [ No. 891—Continued] 
 
 is doing for Godwin’s bookseller twenty of Shakespeare’s plays to be 
 made into children’s tales. Six are already done by her, to wit, ‘The 
 Tempest,’ ‘Winter’s Tales,’ ‘Midsummer Night,’ ‘Much Ado,’ ‘Two Gen- 
 tlemen of Verona,’ ‘Cymbeline,’ and the ‘Merchant of Venice’ is in for- 
 wardness. I have done ‘Othello’ and ‘Macbeth’ and mean to all the 
 tragedies. I think it will be popular among the little people, besides 
 money. It’s to bring in sixty guineas. Mary has done them capitally, 
 I think you’d think.” 
 
 FIRST ISSUE OF THE FIRST EDITION 
 WITH ORIGINAL TITLE-PAGE 
 
 892. [Lamp (CHariEs).] Elia. Essays which have appeared under that 
 Signature in the London Magazine. London: Printed for Taylor 
 and Hessey, fleet-Street, 1823. The Last Essays of Elia. A 
 sequel to Essays Published under that Name. London: Edward 
 Moxon, Dover Street. 1833. Together, 2 vols. 12mo, full ereen 
 French levant morocco, triple gilt fillets on sides, gilt inside bor- 
 ders, gilt backs and tops, UNCUT, BY RIVIDRE. 
 
 London, 1823-1833 
 
 FIRST ISSUE OF THE First Epirign. With three leaves of advertise- 
 ment at end of the first volume,—Taylor and Hessey, 1823. The sec- 
 ond volume has the two leaves of advertisement at the end,—Edward 
 Moxon, 1883. 
 
 After the first volume was published Taylor and Hessey, the pub- 
 lishers, opened another establishment in Waterloo Place. Wishing to 
 have this new address appear on the title-page, that leaf was reprinted, 
 a new line appearing below the old address, so that the imprint reads: 
 “London: Printed for Taylor and Hessey, 33 Fleet-Street and 13 Water- 
 loo Place 1823.” With the new title on the same quarter sheet was 
 printed a half-title. The first issue has no half-title. It is to the 
 credit of an American bibliographer (Luther S. Livingston), that the 
 fact became known that copies of the first series appearing with 
 the imprint 18 Waterloo Place were of a second issue, at which time 
 the half-title was inserted; therefore all copies with the half-title are 
 second issue. 
 
 FIRST EDITIONS OF D. H. LAWRENCE 
 
 893. LAWRENCE (D. H.). Sons and Lovers. 12mo, original cloth. 
 London, 1913 
 
 First EpItiIon. 
 
 894. LAwrENcE (D. H.). The Prussian Officer, and Other Stories. 12mo, 
 original cloth. London [1914] 
 
 FINE copy OF THE First EDITION. 
 
 895. LAwrENCE (D. H.). The Widowing of Mrs. Holroyd. A Drama in 
 Three Acts. 12mo, original cloth. In original dust wrappers. 
 London, 1914 
 First Eneuisu Epition. The American Edition is the Genuine First 
 edition, as the book was printed at The Plimpton Press, and the Eng- 
 lish title-page is inserted on a stub. Fine copy. 
 
896. 
 
 898. 
 
 899. 
 
 900. 
 
 OO t 
 
 904. 
 
 905. 
 
 906. 
 
 907. 
 
 Kindly read Conditions of Sale m forepart of Catalogue 
 AN Oe 
 
 Lawrence (D. H.). Look! We Have Come Through! Small 4to, 
 original cloth, paper label, uncut. London, 1917 
 
 FINE copy OF THE First EDITION. 
 
 _ Lawrence (D. H.). Bay: A Book of Poems. Decorations by Anne 
 
 Estelle Rice. 12mo, original boards, canvas back, uncut. 
 Westminster: The Beaumont Press, 1919 
 First Eprrion. Immaculate copy. One of 120 copies printed. 
 
 LAwrENCE (D. H.). The Lost Girl. 12mo, original cloth, uncut. 
 London [1920] 
 
 FINE COPY OF THE First EDITION. 
 
 Lawrence (D. H.) New Poems. New York, 1920; Tortoises. New 
 York, 1921; The White Peacock. London [1921]. Together, 
 
 3 vols. 12mo to 8vo, original cloth and boards. 
 New York and London, 1920-1921 
 
 THE FIRST TWO TITLES ARE First AMERICAN Epitions. All fine copies. 
 
 Lawrence (D. H.). Touch and Go. A Play in Three Acts. 12mo, 
 original boards, paper labels, uncut and UNOPENED. In original 
 dust wrappers. London [1920] 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 LAWRENCE (D. H.). Women in Love. 8vo, original cloth, uncut. 
 New York: Privately Printed for Subscribers Only, 1920 
 
 FINE Copy OF THE GENUINE First Eprrion, published a year before 
 the English Edition. Limited to 1,250 numbered copies. 
 
 . Lawrence (D. H.). The Rainbow. 8vo, original cloth, uncut and 
 
 UNOPENED. 
 
 . Lawrence (D. H.). Aaron’s Rod. 12mo, original cloth, uncut. 
 
 London [1922] 
 
 FINE COPY OF THE First EDITION. 
 
 LAWRENCE (D. H.). Sea and Sardinia. Colored illustrations. Small 
 4to, original cloth, uncut and UNOPENED. In original dust wrap- 
 pers. London [1923] 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 LAWRENCE (D. H.). Birds, Beasts and Flowers. 8vo, original boards, 
 uncut and UNOPENED. In original dust wrappers. 
 London [1923] 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 LAwrENCE (D. H.). The Ladybird. 12mo, original cloth. 
 London [1923 | 
 
 FINE COPY OF THE First EDITION. 
 
 LawrENCE (D. H.). Kangaroo. 12mo, original cloth. In original 
 dust wrappers. London [1923] 
 
 IMMACULATE COPY OF THE FIRST EDITION. 
 
Third Session, Thursday Afternoon, May 1st 
 
 908. Lawrence (D. H.). Amores. Poems. 12mo, original cloth, un- 
 cut. London, no date 
 FINE copy oF THE First Epirion. 
 
 G,O.N- TES 
 
 ET 
 
 Wee G) US Von, a be 
 EN VERS, 
 
 Par M. DE La FonTAINE. 
 
 TOME I. 
 
 Pe 
 A AMSTERDAM. 
 
 SSS ee MD 
 
 M. DCC, LXI1. 
 [No. 909] 
 
 THE FAMOUS “DES FERMIERS-GENERAUX” EDITION; WITH FOUR 
 “DECOUVERTE” PLATES 
 
 909. La FonTAINE (JEAN DE). Contes et Nouvelles en Vers. Portrait 
 of La Fontaine engraved by Ficquet (after Rigaud), and of Eisen 
 by Ficquet, of Choffard by himself, and nearly a hundred deli- 
 cately engraved plates by Alimet, Lemore, De Longue, Choffard 
 and others after Hisen, with vignettes in addition and all the 
 many additional charming “culs de lampe” by Choffard. 2 vols. 
 small 8vo, old French red morocco, the sides with gilt fillet lines, 
 the backs in small flowers and circles, the edges gilt, small piece 
 torn from blank margin of one page; light stamp “M. C.” on 
 each title. Amsterdam (Paris), 1762 
 
 Tuer Famous Epition known as “Des Fermiers-Généraux,” long 
 celebrated as one of the most beautiful books produced in the High- 
 teenth Century. Four of the plates are “découverte,” usually only 
 
 two are found. 
 From the Edwin B. Holden collection, with bookplate. 
 
 [See Reproduction of Title-page] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee AS 
 
 910. Lecky (W. E. H.). History of the Rise and Influence of the Spirit 
 of Rationalism in Europe. 2 vols. New York, 1866; LowrH 
 (Rozerr). Lectures on the Sacred Poetry of the Hebrews. A 
 New Edition with Notes by Calvin E. Stowe. Andover, 1829. 
 Together, 2 vols. 8vo and 12mo, cloth and boards. 
 
 New York and Andover, 1829-1866 
 
 911. Lincotn (ApraHAmM). TownsEeND (Witi1am H.). Abraham Lin- 
 coln Defendant. lLincoln’s Most Interesting Lawsuit. With 
 illustrations. 8vo, boards, paper label, uncut. Boston, 1923 
 
 First EDITION. ‘ 
 
 912. Linpsay (Norman). The Pen Drawings of Norman Lindsay. Nu- 
 
 merous reproductions. 4to, original boards, cloth back, uncut. 
 Sydney, 1918 
 
 First Epition. Limited to 200 copies only. 
 
 913. Linpsay (Norman). Creative Effort. itching of nude woman, 
 signed by Lindsay. 12mo, original boards, cloth back. 
 Sydney: Published for the Author, 1920 
 
 FInE copy oF THE First Eprrion, of which but 129 copies were 
 printed. 
 
 914. Linpsay (VacHet). Collected Poems. 8vo, original boards, cloth 
 back, paper label, uncut and UNOPENED. In original dust wrap- 
 
 pers. New York, 1923 
 First Epirion. Limited to 400 Copies, si¢nep By THE AUTHOR. AS 
 new. 
 
 FINE COLLECTION OF A. L. S. BY JACK LONDON, JOAQUIN MILLER AND 
 Cc. W. STODDARD 
 
 915. Lonpon (Jack). A Collection of 6 Autograph Letters Signed, 
 “Wolf,” “Jack London,’ and “Jack.” About 48pp. collectively. 
 8vo, 4to, and oblong 8vo. Ranging in dates from about 1903 to 
 1916; [Autso] Three Letters Signed, “Wolf.” (1) 3pp. 4to, Cali- 
 fornia, September 27, 1907; (2) 2pp. 4to, June 1, 1909; (3) 
 May 28, 1905, 2pp. 4to; Printed Ship’s Chronometer, 1p. 4to, 
 with autograph inscription Signed, “Jack” reading,—“With my 
 own hands I did- this.’ Autograph Duplicate of same in pencil; 
 [AnD] Two Autograph Letters Signed, “Joaquin Muller.’ (1) 
 California, 1p. 4to, February 28, 1909; (2) California, 5pp. 4to, 
 December 27, 1903; Two Autograph Letters Signed, “Chas. War- 
 ren Stoddard,” (1) 2pp. folio, (with poem) Cal. September 26, 
 1907; (2) California, November 14, 1907. 4pp. 8vo. All ad- 
 dressed to George Sterling and Mrs. George Sterling. Together, 
 19 pieces. 
 
 ComprRISE: (1) Noy. 27/07. On Board “The Snark” Hawaii to Ta- 
 haitai,—mentioning I never saw such Dolphins. 
 
 (2) Glen Ellen, California, July 8/03,—praises Mr. Sterling’s book, 
 “As It Was In the Beginning.” 
 
 (8) Glen Ellen, July 25, 1907,—Emerson is hopeless, he is no man. 
 
 [Continued 
 
Third Session, Thursday Afternoon, May 1st 
 
 [ No. 915—Continued | 
 
 (4) Sydney, Australia, March 3. Encloses sample of wool. (5) 
 Glen Hllen, Cal., November 21, 1916. Last letter of Jack London. (6) 
 Guadaleanar, Solomon Islands, On board “The Snark.” This is the 
 rawest edge of the world, head-hunting, cannibalism, murder are 
 rampant. , 
 
 The 3 Letters Signed, relate to his personal family affairs and his 
 works. The one with date California, June 9th, 1909. Refers to 
 royalties for his book “The Sea-Wolf,’ and his improvement refrain- 
 ing from alcoholic inhibitions. 
 
 The letters of Joaquin Miller refer to Mr. Sterling’s works. 'Those 
 from Mr. Stoddard praise them with a poem as tribute to their merits. 
 
 916. Lewis (SINCLAIR), GREELEY (Horace) AaNpd Sincuarr (Upton). 
 
 91%. 
 
 918. 
 
 919. 
 
 920. 
 
 Jel. 
 
 Autograph Letter Signed, “Sinclair Lewis.” 2pp. 8vo, Forest 
 Hills Gardens, L. I. May 4, no year. To George Sterling. With 
 envelope. Mentions his book “Main Street.” On the inner sheets 
 of the letter is a description and one stanza of a poem signed in 
 Mr. Sterling’s Autograph, “George Sterling” with title, “When 
 Father gets his Dagger out’ containing twenty-four words; 
 
 _ Autograph Letter Signed, “Horace Greeley.” 4pp. 12mo, New 
 York, July 17, 1852. To “Georgiana. Mentions a remittance 
 of $118.” With typed transcript; Printed Letter with typed 
 signature, “Upton Sinclair.’ 1p. oblong 4to, California, Janu- 
 ary 17%, 1924. To an unnamed firm. Regarding shipment of 25 
 cloth copies of “The Gosling.” Together, 3 pieces. 
 
 Lynp (RosErt). Old and New Masters. 8vo, cloth, uncut. 
 London [1919 | 
 
 First EDItTIon. 
 
 MacponacH (THomas). Songs of Myself. Dublin, 1910; Hopason 
 (RatpH). The Last Blackbird and other Lines. London, 1907; 
 MintiER (Joaquin). *49 The Gold-Seeker of the Sierras. New 
 York, no date. Together, 3 vols. 12mo, cloth. 
 
 Various places, 1907-1910 
 THE FIRST TWO NAMED ARE First EDITIONS. 
 
 MoFer (Wrtu1Am). Captain Macedoine’s Daughter. 12mo, original 
 cloth. London: Martin Secker | 1920] 
 
 First EDITION. 
 
 MoFre (Wituram). Harbours of Memory. 12mo, cloth, paper label. 
 Garden City, N. Y., 1921 
 
 First AMERICAN EDITION IN BOOK-FORM. 
 
 McFre (Winiuiam). Command. London, 1922; BoszEr (JOHAN). 
 God and Woman. London, no date; BurNer (Dana). Poems. 
 New York [1915]. Together, 3 vols. 12mo, cloth. 
 
 London and New York [1915 ]-1922 
 First EDITIONS. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 922. 
 
 923. 
 
 924. 
 
 920. 
 
 926. 
 
 ae 
 
 928. 
 
 929. 
 
 930. 
 
 FINE SERIES OF WORKS BY ARTHUR MACHEN 
 
 [| MacHEN (Artuur).}| The Anatomy of Tobacco: or Smoking Meth- 
 odised, Divided, and Considered after a New Fashion. By Leo- 
 linus Siluriensis. 12mo, vellum boards, lettered in red, entirely 
 uncut. London, 1884 
 
 First EDITION OF THE AUTHOR'S FIRST BOOK. RARE. FINE Copy. 
 
 MacHen (Artuur). The Three Impostors or the Transmutations. 
 Title-page and cover design by Aubrey Beardsley. 12mo, cloth, 
 entirely uncut. London, 1895 
 
 First Eprtion. Keynote Series. With 30pp. of advertisements. 
 
 Macuen (ArtHur). The Angels of Mons, The Bowmen and Other 
 Legends of the War. 1915; The Great God Pan. [1916]; 
 Each with an Introduction by the Author. Together, 2 vols. 
 16mo, wrappers. London, 1915-[1916] 
 
 First SEPARATE EDITIONS. 
 
 [MacuEen (ARTHUR)—AND OTHERS.| Gypsy (THE). For May, 1915 
 and May, 1916. Illustrations by Allan Odle, Nina Hamnett, Al- 
 bert Rothenstein and others. 'Together, 2 pieces, 4to, boards and 
 wrappers, wrapper loose and torn from last number. 
 
 London, 1915-1916 
 
 Contains contributions by Theodore Watts-Dunton, Arthur Symons, 
 Edmund Gosse, Richard Le Gallienne, Walter de la Mare, Arthur 
 Machen, Richard Middleton, Eden Phillpotts, Israel Zangwill, and 
 others. 
 
 MacHen (ARTHUR). The Terror. A Fantasy. London [1917]; 
 The Hill of Dreams. London [1922]); Srarrerr (VINCENT). 
 Arthur Machen, A Novelist of Eestasy and Sin. Chicago, 1918. 
 Together, 3 vols. 12mo, cloth and boards. 
 
 London and Chicago [1917-1922] 
 Vincent Starrett’s critical study is No. 137 of 250 copies, signed,— 
 “Vineent Starrett.” 
 
 MacHEen (ArtHur). War and the Christian Faith. Narrow 12mo, 
 
 original boards. London, 1918 
 
 First Epirion, 
 
 MacHEN (Arruur). Far Off Things. 8vo, boards, paper label, un- 
 cut. London [1922] 
 
 First Epirion. Larck Paper. Only 100 copies printed, of which 
 this is, No. 58, Signed by the Author. 
 
 MacueEn (ArtHur). The Secret Glory. 12mo, cloth, uncut. 
 London: Martin Secker [1922] 
 
 First Eprrion. 
 
 MacHEN (ArTHuR). Fantastic Tales or the Way to Attain—A Book 
 full of Pantagruelism now for the First Time Done into English. 
 8vo, boards, vellum back, gilt lettered, uncut and unopened. 
 
 Carbonnek: Privately Printed, 1923 
 
 This edition consisting of 1050 signed and numbered copies is 
 printed strictly for Subscribers. No more will be issued. This is 
 copy, No. 899, Signed in the Author’s Autograph. 
 
Third Session, Thursday Afternoon, May Ist 
 
 931. MacHEN (Artuur). A Bibliography. By Henry Danielson. With 
 Notes, Biographical and Critical, by Arthur Machen, and an 
 Introduction by Henry Savage. Portrait of the Author on Japan 
 paper, and facsimile. 8vo, boards, uncut and partly unopened. 
 
 London, 1923 
 First Epirion. Limited to 150 copies printed on English hand- 
 
 made paper, for both England and America, of which this is, No. 49. 
 Signed by the Author. 
 
 932. MacHEn (ArtTHuR). Original Galley Proofs of the 423 pages of 
 “Fantastic Tales or The Way to Attain—A Book Full of Panta- 
 gruelism, Now for the First Time Done into English.” Oblong 
 folio, bound in wrappers, folded and laid in 8vo boards slip-case, 
 gilt lettered on back. Carbonnek: Privately Printed, 1923 
 
 AN EXCEEDINGLY INTERESTING ITEM. 
 
 933. MacHen (ArtHuR). The Shining Pyramid. frontispiece. 8vo, 
 cloth, paper label, gilt top, uncut and partly unopened. 
 Chicago, 1923 
 First AMERICAN Epition. Limited to 785 copies, of which this is, 
 No. 120. 
 
 934. MacHEN (ArtTHuR). Things Far and Near. 12mo, cloth, uncut. 
 London: Martin Secker [1923] 
 
 First EDITION. 
 
 935. Maritiier (H. C.). University Magazines and Their Makers. By 
 H. C. Marillier . . . Secretary to Ye Sette of Odd Volumes 
 Delivered on . . . October 25, 1898. London, 1899. 
 Printed for private circulation only, and lumited to 245 copies, 
 this being a presentation copy from the Author; LEspruN (AL- 
 FRED). The Etchings and other Prints of Jean Frangois Millet. 
 Illustrated. New York, 1887. Only 250 copies printed; MACGILL 
 (Parrick). Songs of a Navvy. Windsor, no date. Together, 
 
 3 vols. 16mo, wrappers. 
 
 936. MarkHam (Epwin). Lincoln and Other Poems. Portrait. 12mo, 
 cloth, gilt top. New York, 1908 
 
 Many poems in this volume now appear in print for the first time. 
 
 WITH A FOUR-LINE STANZA, AUTOGRAPHED AND SIGNED BY THE POET, 
 DATED “Feb. 1915,” as follows,— 
 
 “And when he fell in whirlwind, he went down 
 As when a kingly cedar green with boughs 
 Goes down with a great shout upon the hills, 
 And leaves a lonesome place against the sky.” 
 
 Laid in is an Autograph Letter Signed, “Edwin Markham.” Ip. Ato, 
 San Francisco, May’ 25, 1915. To Mr. Albert M. Bender. Requests a 
 postponement of a contemplated trip to Chinatown, due to ‘an im- 
 pudent freak of fate....” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 A LONG AND FINE SERIES OF MASEFIELD “FIRSTS” 
 THE RARE FIRST EDITION OF HIS FIRST BOOK 
 
 937. MAsEFIELD (JoHN). Salt-Water Ballads. 12mo, cloth, gilt top, un- 
 cut. London, 1902 
 
 First EDITION OF THE AUTHOR’S FIRST BOOK. VERY RARE. 
 
 Pasted on fly-leaf is a large brown paper book-plate of Masefield’s. 
 
 Inserted is an Autograph Note Signed, by the Author, dated May 
 10, 1918, addressed to Elkin Mathews, stating that he intended to 
 borrow a copy of “Salt Water Ballads” within a few days, and re- 
 questing that the printers take good care not to soil the same. 
 
 [See Reproduction of Title-page] 
 
 SALT-WATER 
 
 BALLADS 
 
 BY 
 
 JOHN MASEFIELD 
 
 e 
 
 GRANT RICHARDS 
 @48 LEICESTER sQUARE 
 LONDON 
 1902 
 
 [No. 937] 
 
 938. MasrrietD (JoHN). Ballads. Square 12mo, original wrappers, en- 
 tirely uncut. Enclosed in green half morocco slip-case, gilt let- 
 tered, with inner cloth protective wrapper. London, 1903 
 
 First Epirrion. Very scarce. The Vigo Cabinet Series. 
 
 939. MaseFieLp (Joun). A Mainsail Haul. Frontispiece by Jack B. 
 Yeats. 12mo, original green cloth lettered in white, entirely un- 
 
 Cul. London, 1905 
 First Epition. First issur. Scarce. With bookplate of Allan 
 Wade. 
 
 940. MasErIELD (JoHN). Sea Life in Nelson’s Time. 16 illustrations. 
 12mo, cloth, uncut. London [1905] 
 First Epirron. 
 
941. 
 
 942. 
 
 943. 
 
 944. 
 
 945. 
 
 946. 
 
 947, 
 
 948. 
 
 949. 
 
 950. 
 
 951. 
 
 Third Session, Thursday Afternoon, May 1st 
 
 MASEFIELD (JOHN). Chap Books,—Essays Moral and Polite. 1660- 
 1714. Selected and Edited by John and Constance Masefield; 
 Lyrics of Ben Jonson, Beaumont and Fletcher. Edited by John 
 Masefield; The Poems of Robert Herrick. Edited, with a Bio- 
 graphical Introduction, by John Masefield. Together, 3 vols. 
 18mo, uniformly bound in limp cloth, paper labels, uncut. 
 
 London: E. Grant Richards, 1906 
 
 First EpItTIons. 
 
 MASEFIELD (JOHN). Damprer (Caprarin Witi1Am). Dampier’s 
 Voyages. Edited by John Masefield. Portrait and maps. 2 vols. 
 8vo, original cloth, gilt top, uncut, backs slightly faded. 
 
 London, 1906 
 
 First EDITION. 
 
 MASEFIELD (JOHN). A Sailor’s Garland. Selected and Edited by 
 John Masefield. 12mo, original cloth, gilt back, uncut. 
 London [1906 | 
 
 First EDITION. 
 
 MasrErieLp (JoHN). An English Prose Miscellany. Selected with an 
 Introduction by John Masefield. 12mo, cloth, uncut. 
 London [1907] 
 
 First EDITION. 
 
 MASEFIELD (JoHN). Masters of Literature. Defoe. Edited by John 
 Masefield. Portrait. 12mo, cloth, gilt top, uncut. 
 London, 1909 
 
 First EDITION. 
 
 Maserietp (JoHN). Multitude and Solitude. 12mo, cloth, entirely 
 uncut, binding slightly rubbed, recased. London, 1909 
 First Eprrion. With the Author’s Autograph Signature on fly-leaf. 
 
 MasEFIELD (JoHN). The Tragedy of Man and Other Plays. 12mo, 
 cloth, entirely uncut. London, 1909 
 
 First EDITION. 
 
 Maserietp (JoHN). Ballads and Poems. Square 12mo, original 
 green cloth, gilt lettered, uncut. London, 1910 
 
 First EDITION, FIRST ISSUE. 
 
 Maszrtetp (Joun). A Book of Discoveries. Illustrated by Gordon 
 Browne. Square 12mo, pictorial cloth. London [1910] 
 First EpIrion. 
 MAsEFIELD (JoHN). Vistax (E. H.). Buccaneer Ballads. With an 
 Introduction by John Masefield. Frontispiece by Violet Helm. 
 16mo, wrappers, uncut. London, 1910 
 First EpIrion. 
 Maserretp (JoHNn). Vistak (H. H.). Buccaneer Ballads. With an 
 Introduction by John Masefield. Frontispiece by Violet Helm. 
 16mo, cloth, uncut. London, 1910 
 
 First EDITION. 
 
952. 
 
 953. 
 
 954. 
 
 955. 
 
 956. 
 
 9o7. 
 
 958. 
 
 959. 
 
 960. 
 
 961. 
 
 962. 
 
 963. 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 
 MAsEFIELD (JOHN). Lost Endeavour. Colored frontispiece. 12mo, 
 cloth. London [1910] 
 
 Frrst EDITION. 
 
 MAsEFIELD (JoHN). My Faith in Woman Suffrage. 12mo, original 
 printed wrappers, slight stain on front cover. Enclosed in blue 
 cloth slip-case, morocco back, gilt lettered, with inner protecting 
 cloth wrapper. London |The Woman’s Press, 1910] 
 
 First Epirion. Name in ink on front cover, “[C]harles J. M.” 
 
 MASsEFIELD (JoHN). Martin Hyde. The Duke’s Messenger. Jilus- 
 trations by T. C. Dugdale. Square 12mo, pictorial cloth, gilt 
 top. London [1910] 
 
 First EDITION. 
 
 MASEFIELD (JOHN). The Tragedy of Pompey the Great. 12mo, orig- 
 inal cloth. London, 1910 
 First Epition. With bookplate of Allan Wade. 
 
 MASEFIELD (JOHN). The Everlasting Mercy. 12mo, cloth, binding 
 
 slightly spotted. London, 1911 
 First EpIrion. 
 MASEFIELD (JOHN). Jim Davis. 12mo, cloth. London, [1911] 
 
 First Epirion. With bookplate of Edgar F. Leo. 
 
 MASEFIELD (JOHN). The Street of To-Day. 12mo, original cloth, 
 gilt top, uncut, binding somewhat faded. London, 1911 
 
 First EpItTion. 
 
 MASsEFIELD (JoHN). William Shakespeare. 16mo, original cloth. 
 London [1911] 
 
 First Epirion. This is No. 2 of Messrs William and Norgate’s 
 “Home University Library,’ published on April 5, 1911. 
 
 MasErIELp (JoHN). The Widow in the Bye Street. 12mo, original 
 cloth. London, 1912 
 
 First EDITION IN BOOK-FORM. 
 
 MASEFIELD (JoHN). Dauber. A Poem. 12mo, original cloth. 
 London, 1913 
 
 First EpIrion. 
 
 MAsEFIELD (JOHN). The Daffodil Fields. 12mo, original cloth, gilt 
 lettered. London, 1913 
 
 First EDITION IN BOOK-FORM. 
 
 MASEFIELD (JoHN). A King’s Daughter. A Tragedy in Verse. 
 [1923;] A Mainsail Haul. Frontispiece by Jack B. Yeats. 
 1913. Second Edition; Puintimore (R. C.). Poems. With 
 an Introduction by Johri Masefield. 1913. Together, 3 vols. 
 12mo, cloth. London, 1913-[ 1923] 
 
 The first and last are First Eprrions. 
 
964. 
 
 965. 
 
 966. 
 
 967. 
 
 968. 
 
 969. 
 
 970. 
 
 971. 
 
 972. 
 
 Third Session, Thursday Afternoon, M ay Ist 
 
 MAsEFIELD (JOHN). Philip the King and Other Poems. Portrait 
 by William Strang. 12mo, cloth. London [1914] 
 
 First Epition. 
 
 MASEFIELD (JoHN). The Faithful. A Tragedy in Three Acts. 12mo, 
 cloth. London [1915] 
 
 First Epition. 
 
 MASEFIELD (JoHN). John M. Synge: A Few Personal Recollections. 
 with Biographical Notes by John Masefield. Vignette. 8vo, 
 gray boards, lettered in black, cloth back, uncut and unopened. 
 
 Churchtown, Dundrum: The Cuala Press, 1915 
 First Epitton. Only 350 copies printed, of which this is, No. 200. 
 
 FIRST ISSUE IN DULL BLUE CLOTH 
 
 MAsEFIELD (JOHN). Gallipoli. Maps and other illustrations. 12mo, 
 original dull blue cloth. London, 1916 
 
 FIRST ISSUE OF THE First Epirion. Rare. The early copies were 
 issued in dull light blue cloth, lettered on back and front in dark blue. 
 Afterwards issued in red cloth, lettered on back and front in black. 
 
 “PRESENTATION Copy” stamped on title-page. 
 
 Laid in is a Pen-and-Ink Sketch of John Masefield by James Mont- 
 gomery Flagg, with Autograph Inscription, presumably in Mr. Flageg’s 
 hand, reading,—“John Masefield. 26 in. 1918.” 
 
 MASEFIELD (JOHN). Gallipoli. Maps and other illustrations 12mo, 
 cloth. London, 1916 
 
 First EpIrion. 
 
 MASEFIELD (JOHN). Good Friday. A Play in Verse. 8vo, original 
 gray wrappers, entirely uncut. 
 Letchworth: Garden City Press Limited, 1916 
 
 First Epirion. One of the Privately Printed Series, each of which 
 is limited to 200 copies. 
 
 MAsEFIELD (JOHN). The Locked Chest. The Sweeps of Ninety- 
 Eight. Two Plays in Prose. 8vo, original gray wrappers, en- 
 tirely uncut. Letchworth: Garden City Press Limited, 1916 
 
 First Epition. Privately Printed Series, of which only 200 copies 
 were printed. 
 
 MASEFIELD (JoHN). The Locked Chest and the Sweeps of Ninety- 
 Hight. Two One Act Plays. Portrait. 8vo, boards, paper label 
 
 on front cover, uncut. New York, 1916 
 First AMERICAN Eprrion. Limited Issue, of which this is, No. 326. 
 
 MASEFIELD (JOHN). Sonnets. Portrait. 8vo, original boards, vel- 
 lum back, gilt lettered, gilt top, uncut. New York, 1916 
 
 First AMERICAN Epirion. Limited to 500 copies, of which this is, 
 No. 83. Signed by the Author. 
 
973. 
 
 974. 
 
 9795. 
 
 976. 
 
 Hes 
 
 978. 
 
 979, 
 
 980. 
 
 981. 
 
 982. 
 
 Kindly read Conditions of Sale in forepart of Catalogue 
 achibinaah Reape heapkbeaha teins SER eye ees et a a 
 
 MASEFIELD (JOHN). Sonnets and Poems. 8vo, original gray wrap- 
 pers, entirely uncut. 
 Letchworth: Garden City Press Limited, 1916 
 First Eprrion. First issur. One of the Privately Printed Series, 
 of which 200 copies-of each were printed. 
 
 MASEFIELD (JOHN). Sonnets and Poems. 12mo, original cloth, 
 
 paper label on back and front cover, entirely uncut. 
 Published at Lollingdon, Cholsey, Berkshire, Printed at Letch- 
 worth by the Garden City Press Ltd., 1916 
 
 In this edition Sonnets XXIV and XXXIV-XXXVI are new pieces 
 replacing those appearing in the Letchworth edition. 
 
 MAsEFIELD (JOHN). Enslaved and Other Poems. London, 1920; 
 Good Friday. A° Play in Verse. Letchworth, 1916. ‘Together, 
 2 vols. cloth and boards. London and Letchworth, 1916-1920 
 
 First EpItions. 
 
 MASEFIELD (JOHN). The Cold Cotswolds. 4pp. 8vo. Enclosed in 
 
 blue cloth portfolio, gilt lettered. Cambridge [1917] 
 
 First Epition. Reprinted from “The Cambridge Magazine” for 
 March 8rd, 1917. : 
 
 MAsEFIELD (JoHN). Lollingdon Downs and Other Poems, with Son- 
 nets. 12mo, cloth, back gilt lettered. London [1917] 
 
 First EDITION. 
 
 MASEFIELD (JoHN). Lollingdon Downs and Other Poems. Portrait. 
 8vo, original boards, paper label on front cover, uncut. 
 New York, 1917 
 
 First AMERICAN EpitTion. Limited number printed. 
 
 MAsEFIELD (JoHN). The Old Front Line. Map and wlustrations. 
 12mo, cloth. London, 1917 
 
 First EpIrion. 
 
 MASEFIELD (JOHN). Poems by John Masefield. Selected by Henry 
 Seidel Canby, Frederick Erastus Pierce, Willard Higley Durham. 
 
 [| Published with the consent of Mr. Masefield.] 12mo, cloth. 
 New York, 1918 
 
 With the Author’s Autograph Signature, “John Masefield, July 20, 
 1918,” on p. 308. 
 
 MASEFIELD (JOHN). Rosas. Square 12mo, original boards, vellum 
 back, gilt lettered, uncut. New York, 1918 
 First Epition. Published the year previous to the English edition. 
 950 copies printed, and the type distributed, of which 750, numbered 
 and signed by the author, are for sale. This is copy, No. 651, Signed 
 
 by the Author. 
 
 MASEFIELD (JoHN). Liveine (E. G. D.). Attack. With Introduc- 
 tion by Masefield. [1918;] Public School Verse. 1919-1920. An 
 Anthology. With Introduction by Masefield. 1920; Hamiiton 
 (W. H.). John Masefield. A Critical Study. [1922.] Together, 
 3 vols. 12mo, boards. London [1918-1922] 
 
 First EpITIoNs. 
 
983. 
 
 984. 
 
 985. 
 
 986. 
 
 987, 
 
 988. 
 
 989. 
 
 990. 
 
 991. 
 
 Third Session, Thursday Afternoon, May 1st 
 enn trea adn io Si gh ta ES Slang A Oa 
 
 MASEFIELD (JOHN). The Battle of the Somme. 8vo, original boards, 
 vellum back, gilt lettered, gilt top. London, 1919 
 
 First Epirion. LAaArGE pAprer, limited to 250 numbered copies, of 
 which this is, No. 28. 
 
 MASEFIELD (JoHN). A Poem and Two Plays. 12mo, cloth. 
 London [1919] 
 
 First EpIrion. 
 
 MASEFIELD (JoHN). Reynard the Fox or the Ghost Heath Run. 
 8vo, boards, vellum back, gilt lettered, gilt top, uncut. 
 
 London [1919] 
 
 First Epition. LArcre PAPER. Edition printed on English handmade 
 
 paper, limited to 250 copies for sale, of which this is, No. 169. Signed 
 by the Author. 
 
 MAsEFIELD (JOHN). St. George and the Dragon. 12mo, original 
 cloth. London [1919] 
 
 First EDItTIon. 
 
 MASEFIELD (JOHN). Enslaved and Other Poems. 8vo, original 
 boards, vellum back, gilt lettered, gilt top, uncut. 
 London, 1920 
 
 First Epirion. LaArGE paper. Only 250 copies printed for sale, of 
 which this is, No. 145. Signed by the Author. 
 
 MASEFIELD (JOHN). Right Royal Map. 8vo, original boards, vellum 
 back, gilt lettered, gilt top, uncut, and partly unopened. 
 London, 1920 
 First EpiTion. LARGE PAPER. Only 500 copies for sale, printed on 
 English handmade paper, of which this is, No. 95. Signed by the 
 Author. 
 
 MASEFIELD (JOHN). Ruskin the Prophet and Other Centenary 
 Studies. By John Masefield, Dean Inge, Charles F. G. Master- 
 man and Others. Edited by J. Howard Whitehouse. 8vo, cloth. 
 
 London [1920] 
 
 First EDItTIon. 
 
 MASEFIELD (JOHN). John Ruskin. 4to, uncut, stitched as issued. 
 Enclosed in a half olive green levant morocco slip-case, with inner 
 cloth wrapper. No place: Yellowsands Press, 1920 
 
 This essay, which is now printed for the first time was originally 
 delivered by Mr. Masefield as a lecture at the Ruskin Centenary Exhi- 
 bition held at the Royal Academy in the Autumn of 1919. 
 
 EDITION LIMITED to 150 copies, of which this is, No. 3. 
 
 MASEFIELD (JoHN). Right Royal. 12mo, boards. London, 1920 
 
 First EpDITIon. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 doe. 
 
 994. 
 
 996: 
 
 oa 
 
 998. 
 
 yoo, 
 
 MasEFIELD (JOHN). A Foundation Day Address [delivered by Mr. 
 Masefield on July 20, 1921, at Bembridge School.] 16pp. nar- 
 row 12mo, sheets folded, unstitched. | Bembridge, 1921 | 
 
 Only 250 numbered copies have been printed at the Yellowsands 
 Press, being the private press of Bembridge School, of which this is, 
 No. 79. Signed by J. H. Whitehead and Edward Daws. 
 
 . MaserieLp (JoHN). King Cole. With drawings in black and white 
 
 by Judith Masefield. 8vo, original boards, vellum back, gilt top, 
 uncut. London, 1921 
 
 First Epirion. LARGE PAPER. Only 780 copies printed, of which this 
 is, No. 196. Signed by the Author. 
 
 MASEFIELD (JOHN). Reynard the Fox or the Ghost Heath Run. 
 Black and white text illustrations, and full-page photogravures 
 mounted on dark green drawing paper, by G. D. Armour. Ato, 
 vellum boards, gilt lettered, gilt top, uncut. London, 1921 
 
 Edition limited to 380 copies, of which this is, No. 285, Signed by the 
 Author and Artist. 
 
 . MASEFIELD (JoHN). The Dream. [ llustrated in black and white by 
 
 Judith Masefield. 8vo, boards, cloth back, paper label on front 
 cover, uncut and unopened. 
 London: William Heinemann, undated [1922] 
 
 First Epition. Limited Issue, of which this is, No. 487. Signed 
 by the Author and Illustrator. 
 
 MASEFIELD (JoHN). The Dream. 8vo, original boards, cloth back, 
 paper label on back and front cover, gilt top, uncut. 
 New York, 1922 
 
 First AMERICAN Epirion. Of this Limited, Autographed Edition 
 only 750 copies have been printed, of which this is, No. 94. Signed 
 by the Author. 
 
 MASEFIELD (JOHN). Melloney Holtspur. 12mo, boards, gilt let- 
 tered. London, 1922 
 
 First EpIrion. 
 
 MASEFIELD (JOHN). Melloney Holtspur or the Pangs of Love. 8vo, 
 original boards, cloth back, paper label on front cover. 
 New York, 1922 
 
 First AMERICAN EpITION. LIMITED AUTOGRAPH ISSUE, of which 
 1000 copies have been printed, this being copy, No. 420. Signed by the 
 Author. 
 
 MASEFIELD (JOHN). Selected Poems. Portrait of the Author by 
 L. Anning-Bell. 12mo, vellum boards, vellum back, gilf let- 
 tered, gilt top, uncut. London, 1922 
 
 FINE copy. Edition printed on English handmade paper, limited to 
 530 copies, of which this is, No. 346. Signed by the Author. Contains 
 the poem “Nireus,”’ hitherto unpublished. 
 
1000 
 
 1001 
 
 1002 
 
 1003 
 
 1004. 
 
 1005. 
 
 1006. 
 
 1007. 
 
 1008. 
 
 1009. 
 
 Third Session, Thursday Afternoon, May 1st 
 ee es beret Me AG hg Oe eS ee 
 
 MASEFIELD (JOHN). Esther. A Tragedy; Berenice. A Tragedy. 
 Translated from the French of Jean Racine. Together, 2 vols. 
 12mo, boards, uncut. London, 1922 
 
 First Epirions. 
 
 MASEFIELD (JOHN). Scene. By E. Gordon Craig. With a Fore- 
 word and an Introductory Poem, by John Masefield. Ato, orig- 
 inal boards. In original dust wrappers. London, 1923 
 
 FINE Copy OF THE First Epirion. 
 
 MASEFIELD (JoHN). Collected Poems. 12mo, cloth, uncut. 
 London, 1923 
 
 First Epirion. All the poetry that Mr. Masefield has written has 
 been gathered together, for the first time, in this volume, from “Salt- 
 water Ballads” down to the most recent books of verse. 
 
 MASEFIELD (JOHN). Selected Poems. 8vo, board sides, cloth back, 
 leather labels, gilt lettered on back and front cover, gilt top, 
 uncut and partly unopened. 
 
 London: Macmillan Company, 1923 
 
 AUTOGRAPH EDITION, limited to 400 copies, of which this is, No. 323. 
 Signed by the Author. 
 
 MASEFIELD (JOHN). The Taking of Helen. 8vo, original boards, 
 vellum back, gilt lettered, gilt top, uncut. London, 1923 
 
 First Epirion. Issue limited to 780 copies printed on English hand- 
 made paper, of which this is, No. 288. Signed by the Author. 
 
 MASEFIELD (JOHN). RxryNoxtps (Joun H.). The Fancy. With a 
 Prefatory Memoir and Notes by John Masefield. With 13 illus- 
 trations by Jack B. Yeats. 16mo, wrappers. London, no date 
 
 First Epirion. 
 
 MASEFIELD (JOHN). ReyNoLps (JoHN Hamiuron). The Fancy. 
 With a Prefatory Memoir and Notes by John Masefield. 13 alus- 
 trations by Jack B. Yeats. 12mo, original cloth. 
 
 London, no date 
 First EpItion. 
 
 MASEFIELD (JOHN). King Cole and Other Poems. 12mo, cloth. 
 London [1923] 
 
 First EDITIon. 
 
 [MasErretp (JoHN).| A Little Fleet. By Jack B. Yeats. Wood- 
 cuts. 12mo, wrappers, uncut. London, no date 
 
 MASEFIELD (JOHN). Martin Hyde. 12mo, cloth. 
 London, no date 
 
 First EDIrTIon. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 0, ES eee eee 
 
 1010. 
 
 1011. 
 
 1012. 
 
 1013. 
 
 1014. 
 
 1015. 
 
 1016. 
 
 1017. 
 
 1018. 
 
 1019. 
 
 1020. 
 
 THE SCARCE FIRST EDITION 
 Masrers (Epaar Ler). Spoon River Anthology. 12mo, original 
 
 cloth. London, 1915 
 FINE COPY OF THE EXTREMELY RARE First EDITION OF THIS FAMOUS 
 BOOK. 
 
 FIRST EDITIONS OF SOMERSET MAUGHAM 
 
 Maucuam (W. Somerspr). Liza of Lambeth. 12mo, cloth. 
 London, 1897 
 
 Frrst EDITION. 
 
 Maveuam (W. Somerser). The Trembling of a Leaf. 1921; 
 Orientations. 1899. Together, 2 vols. 12mo, cloth. 
 | London, 1899-1921 
 
 First EDITIoNns. 
 
 Maucuam (W. Somersrer). Mrs. Craddock. 1902; The Moon and 
 Sixpence. 1919. Together, 2 vols. 12mo, cloth. 
 London, 1902-1919 
 
 First EDITIONS. 
 
 Mavucuam (W. Somerset). On a Chinese Screen. 1922; The Land 
 of the Blessed Virgin. Frontispiece. 1905. Together, 2 vols. 
 12mo, cloth and boards, uncut. London, 1905-1922 
 
 First EDITION. 
 
 Mavucuam (W. Somerser). Of Human Bondage. 12mo, cloth, 
 uncut. London [1915] 
 
 First Epitron. Inscription on fly-leaf, “Mrs. Fanny from Kit.” 
 
 MavucHam (W. Somerser). The Unknown. 1920; The Circle. 
 1921. Together, 2 vols. 12mo and 16mo, wrappers and. boards. 
 London, 1920-1921 
 
 First EDITIONS. 
 MaucHam (W. Somerset). The Land of Promise. 1922; Our 
 Betters. 1923; Casar’s Wife. 1922; Hast of Suez. 1922. To- 
 gether, 4 vols. 12mo, cloth. London, 1922-1923 
 
 First EpItTiIons. 
 
 FIRST EDITIONS OF HERMAN MELVILLE 
 
 MELVILLE (HERMAN). Mardi: and a Voyage Thither. 2 vols. 
 12mo, original cloth. New York, 1849 
 
 First EDITION. 
 
 MELVILLE (HERMAN). Redburn: His First Voyage. 12mo, cloth. 
 Back faded, text spotted. New York, 1849 
 
 First EDITION. 
 
 MELVILLE (HermMAN). Moby-Dick; or, The Whale. 12mo, original 
 cloth. New York, 1851 
 
 First Epirion. This edition contains 35 passages omitted from the 
 Kinglish edition. 
 
1021. 
 
 1022. 
 
 1023. 
 
 1024. 
 
 1025. 
 
 1026. 
 
 1027. 
 
 1028. 
 
 1029. 
 
 1030. 
 
 1031. 
 
 1082. 
 
 Third Session, Thursday Afternoon, M ay 1st 
 
 Metvitte (Herman). White-Jacket; or, The World in a Man-of- 
 War. 12mo, original cloth. New York, 1850 
 
 First Epirion. First 1ssur. 
 
 MELVILLE (HERMAN). Pierre; or, The Ambiguities. 12mo, cloth. 
 Back faded. New York, 1852 
 
 First Epirion. This work contains much autobiographical work con- 
 cerning Melville’s childhood. 
 
 MeEtvItLe (Herman). Battle-Pieces and Aspects of the War. 12mo, 
 original blue cloth. New York, 1866 
 
 First Epirion. Never reprinted. 
 
 MELVILLE (HERMAN). The Apple-Tree Table and other Sketches. 
 With an Introductory Note by Henry Chapin. 8vo, boards, 
 cloth back, uncut. 
 
 Princeton: Princeton University Press, 1922 
 First Eprrrion. One of 175 copies on French handmade paper. 
 
 MELVILLE (HERMAN). John Marr and other Poems. With an Intro- 
 ductory Note by Henry Chapin. 8vo, boards, cloth back, uncut. 
 Princeton: Princeton University Press, 1922 
 
 First Epirion. One of 175 copies on French handmade paper. 
 
 MELVILLE (HERMAN). MuInNicEROD (MéEApR). Some Personal 
 Letters of Herman Melville and a Bibliography. Portrait. 12mo, 
 boards, canvas back, uncut. New York, 1922 
 
 This bibliography was published by the Brick Row Book Shop. 
 
 FINE SERIES OF WORKS BY H. L. MENCKEN 
 Menoxen (H. L.). Ventures into Verse. With illustrations by 
 Charles S. Gorden and John Siegel. 12mo, boards, with cloth 
 back, paper label. New York, 1903 
 
 First EpIrion. PRESENTATION copy, inscribed by the author,—fFor 
 C. K. Bonestell with the best regards of H. L. Mencken. 
 
 MencKEN (H. L.). The Gist of Nietzsche. Arranged by Henry L. 
 Mencken. 12mo, boards, paper labels. Boston, 1910 
 
 First EDITION. 
 
 Menoxen (H. L.) anp La Monte (Roperr Rives). Men versus 
 The Man. 12mo, cloth. New York, 1910 
 
 First EDIri0n. 
 Mencken (H. L.). The Artist. A Drama without Words. 16mo, 
 boards. Boston, 1912 
 
 First EDITION. 
 
 Mencken (H.L.). A Little Book in C Major. 12mo, cloth. 
 New York, 1916 
 First EDITION. 
 Mencken (H. L.). A Book of Burlesques. 12mo, cloth. 
 New York, 1916 
 
 First EDITION. 
 
Fourth Session, Numbers 1033 to 1374, inclusive 
 
 THURSDAY EVENING, MAY Ist, AT 8:15 O’CLOCK 
 
 1033. Menoxen (H. L.). A Book of Prefaces. 12mo, cloth. 
 New York, 1917 
 
 First Epirion. INscrinep on the title-page,—‘Sincerely yours in 
 A+, H. L. Mencken. 1917.” 
 
 1034. Mencken (H. L.). Damn! A Book of Calumny. 12mo, cloth. 
 New York, 1918 
 
 First EDITION. 
 
 1035. Mencken (H. L.). In Defense of Women. 12mo, cloth. 
 New York, 1918 
 
 First EprtIon. PRESENTATION COPY FROM THE AUTHOR, with his Auto- 
 graph Inscription, “To C. K. Bonestell of Fresno, Calif. H. L. Mencken. 
 1918.” 
 
 1036. Mencken (H. L.). The American Language. 8vo, cloth, uncut. 
 New York, 1919 
 
 First Epirion. Limited to 1500 copies, and the type distributed, of 
 which this is, No. 318. 
 
 1037. Mencxren (H. L.). Prejudices. First Series. 12mo, cloth: 
 New York [1919] 
 
 First Epirion. Enclosed is a typewritten letter, signed with the 
 initials of the Author. 
 
 1038. Menoxen (H. L.). Prejudices. Second Series. 12mo, cloth. 
 New York [1920] 
 
 First EDITION. 
 
 1039. Mencken (H. L.). anp NarHan (Georce Jean). The American 
 Credo. A Contribution Toward the Interpretation of the Na- 
 tional Mind. 12mo, cloth, uncut. New York, 1920 
 
 First EDITION. 
 
 1040. Mencken (H. L.) anp NatHan (Grorce JEAN). Heliogabalus. 
 A Buffoonery in Three Acts. 12mo, boards, gilt top, uncut. 
 New York, 1920 
 
 First Eprrion. Limited to 60 copies on IMPERIAL JAPAN VELLUM, of 
 which this is, No. 59. With the Autograph Signatures of the Authors. 
 
 1041. Mencken (H. L.) anp NatHan (GEORGE Juan). Heliogabalus. 
 A Buffoonery in Three Acts. 8vo, cloth, uncut. 
 New York, 1920 
 First Epirion. Edition Limited to 2,000 copies, of which this is, 
 No. 1954. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1042. 
 
 1045. 
 
 1044. 
 
 1045. 
 
 1046. 
 
 1047. 
 
 1048. 
 
 1049. 
 
 1050. 
 
 1051. 
 
 [MenckEN (H. L.).] Rascozk (Burton) ann OrHers. H. L. 
 Mencken. [Two Critical Studies and a Bibliography.] With 
 portraits and a facsimile. 12mo, wrappers. New York, 1920 
 
 First Epition. Two critical studies—‘Fanfare” by Burton Rascoe, 
 “The American Critic” by Vincent O’Sullivan, and a “Bibliography” 
 by F. C. Henderson. MENCKEN’S AUTOGRAPH SIGNATURE appears on the 
 title-page,—“‘H. L. Mencken.” Inside the front cover is the following 
 inscription in pencil, probably written by Meredith Janvier who made 
 the portrait photograph of Mencken, which appears as the frontispiece, 
 —“For C. K. Bonestell Esq. Aug. 31 1920 from H. L, M./M, J.” 
 
 Mencken (H. L.). The American Language. An Inquiry into the 
 Development of English in the United States. 8vo, cloth, uncut. 
 New York, 1921 
 Second Edition. 
 Menprs (Catuntie). Les Oiseaux Bleus. Cinquiéme Edition. 
 12mo, full dark blue levant morocco, gilt back and edges. 
 Paris, 1888 
 
 MENKEN (ApDAH IsAdcs). Infelicia. Portratts, facsimile of a let- 
 ter from Dickens, and numerous woodcut vignettes. Square 
 16mo, cloth, gilt edges. London, 1868 
 
 TVirst EDITION. 
 
 FINE SERIES OF GEORGE MEREDITH’S WORKS 
 RARE FIRST EDITION OF “POEMS” 
 
 MEREDITH (GEORGE). Poems. 12mo, original cloth, uncut. 
 London: John W. Parker and Son [1851] 
 
 FINE COPY OF THE VERY RARE First Epition. With the half-title and 
 slip of Errata. Name of Ada Phippen on title. 
 
 MEREDITH (GEORGE). The Shaving of Shagpat. An Arabian Enter- 
 tainment. 12mo, original cloth, name in ink on title, binding 
 somewhat worn. London, 1856 
 
 First Epirion. The author’s first novel. 
 
 MsREDITH (GEORGE). Parina. A Legend of Cologne. 12mo, orig- 
 inal cloth, uncut, binding faded. London, 1857 
 
 First EpItion. 
 
 MEREDITH (GEORGE). The Ordeal of Richard Feverel. A History 
 of Father and Son. 3 vols. 12mo, original cloth, entirely uncut, 
 backs slightly faded, several pages spotted. London, 1859 
 
 First Epition. With 32pp. of advertisements bound in at end of 
 Vol. III. 
 
 MEREDITH (GEORGE). Modern Love and Poems of the English 
 Roadside; with Poems and Ballads. 12mo, original cloth, uncut, 
 some leaves slightly spotted. London, 1862 
 
 First Epirion. Name on fly-leaf scratched out. 
 
 MerrEpITH (GEORGE). Emilia in England. 3 vols. 12mo, original 
 lavender cloth, bindings faded. London, 1864 
 
 First EpItion. 
 
1052. 
 
 1053. 
 
 1054. 
 
 1056. 
 
 1057. 
 
 1058. 
 
 1059. 
 
 1060. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 MEREDITH (GuORGE). Beauchamp’s Career. 3 vols. 12mo, original 
 cloth, backs slightly faded. London, 1876 
 
 First Epition. From the Edwin B. Holden collection, with book- 
 plate in each volume. 
 
 MerepiTH (GrorcE). The Hgoist. A Comedy in Narrative. 3 vols. 
 12mo, original cloth, uncut, library labels removed; loose in 
 covers. London, 1879 
 
 oa Epition. With 32pp. of advertisements bound in at end of 
 ol. II. 
 
 From the Edwin B. Holden collection, with bookplate in each volume. 
 
 MerepirH (GrorcE). The Amazing Marriage. 2 vols. 12mo, orig- 
 inal cloth, uncut. Westminster, 1895 
 First EpIrion. 
 
 . Merepiru (GEorcE). 1909. By J. M. Barrie. Plate. 24mo, orig- 
 
 inal white cloth, gilt lettered, uncut and unopened. 
 London [1909 | 
 
 First Eprrion. Printed at the Chiswick Press. Text within red- 
 ruled line border. 
 
 Merepiru (Grorcr). Last Poems. 12mo, original cloth, uncut. 
 London, 1909 
 
 First EDITION. 
 
 Merrepiru (Grorcr). Bibliography and Various Readings.  8vo, 
 cloth, buckram back, gilt top, uncut. London, 1911 
 
 Editioni limited to 1025 copies. 'The above is Vol. XXXVI of the 
 Works of Meredith. 
 
 Merepira (GEorcE). Letters from George Meredith to Edward 
 Clodd and Clement K. Shorter. 12mo, original wrappers, uncut 
 and unopened. Enclosed in red cloth slip-case, morocco back, 
 gilt lettered, with inner protective wrapper. 
 
 London: Printed for Private Circulation, 1913 
 Edition limited to 30 copies. Specially Printed for Thomas J. Wise. 
 
 Merepity (Grorcr). Exuis (8. M.). George Meredith. His Life 
 and Friends in Relation to his Work. With 41 illustrations. 
 8vo, cloth, uncut. London, 1920 
 
 First Eprrion. This volume is one of the frankest revelations of 
 Meredith’s forebears and birth ever published. William M. Meredith, 
 the author’s son, obtained an injunction to restrain the publication of 
 this work. It was accordingly withdrawn from circulation and subse- 
 quently issued in a much abridged form. 
 
 Merepirx (Joun). The Tale of Chloe—The House on the Beach— 
 The Case of General Ople and Lady Camper. Full-page portrait 
 and illustration. Svo, board sides, vellum back, entirely uncut, 
 binding slightly soiled. London, 1894 
 
 First Eprrron. Larce PAPER, Only 250 copies printed, of which this 
 is, No. 11. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1061. Meryon (CHARLES). WeEpMorE (FREDERICK). Meryon and Mer- 
 yon’s Paris: With a Descriptive Catalogue of the Artist’s Work. 
 12mo, uncut, vellum boards. London, 1879 
 
 EDITION LIMITED TO 113 copIES. RARE. 
 
 1062. Meryon (CHARLES). Dopason (CAMPBELL). The Etchings of 
 Charles Meryon, Edited by Geoffrey Holmes. With 47 full-page 
 ulustrations. 4to, boards, vellum back, gilt top, uncut. 
 
 London: The Studio, 1921 
 
 FInE copy of this important work. 
 
 1063. Moprrn AurHors, DANiELsoN (Henry). Bibliographies of Mod- 
 ern Authors. 8vo, cloth, uncut. London, 1921 
 
 Includes the bibliographies of Max Beerbohm, Rupert Brooke, Walter 
 De la Mare, Lord Dunsany, John Masefield, and others. 
 
 1064. MonrEsquiru (CHARLES DE SEcONDAT DE). Persian Letters. 
 Newly Translated into English with Notes and Memoir of the 
 Author, by John Davidson. With illuminated title-pages, por- 
 trait and 8 etchings by Ed. de Beaumont, engraved by EB. Voilvin. 
 % vols. square 8vo, cloth, paper labels, gilt tops, uncut. 
 London: Privately printed, 1892 
 
 Edition limited to 500 copies printed for England and America, of 
 which this is, No. 55. Type distributed. 
 
 GEORGE MOORE: SERIES OF FIRST EDITIONS OF HIS WORKS 
 
 PRESENTATION COPY OF THE EXCESSIVELY RARE FIRST EDITION, WITH 
 THE GENUINE TITLE-PAGE, MOORE’S AUTOGRAPH 
 CORRECTIONS, AND AN ADDITIONAL INSCRIPTION 
 
 1065. Moore (GrorcE). Pagan Poems. 12mo, original cloth, somewhat 
 worn. London: Newman and Co., 1881 
 THE EXCESSIVELY RARE First EDITION, WITH THE GENUINE TITLE-PAGE, 
 FORMING PART OF THE FIRST SIGNATURE IN THE BOOK, and on which 
 Moore has written “7'0 my friend P. Beatty, I affectionately send this 
 book as a token of the time I have given to the service of an art we 
 both love and in which I, at least, have failed. G. M.” Moore has also 
 corrected printer’s errors in several places throughout the book, and 
 marked parts he particularly wished Beatty to read. Moore later 
 inscribed the book, on the reverse of the front end-paper, “IJ am glad 
 that I did not proceed further into an art in which I was was (sic) not 
 destined to succeed. George Moore. September, 1921.” The excessive 
 rarity of this volume, with the title-page, is well known, as Moore 
 tore out the title-pages of practically all copies in existence. 
 
 [See Reproduction of Inscriptions] 
 
 1066. Moore (Grorce). A Mummer’s Wife. 12mo, original cloth, worn, 
 name on half-title. Sold not subject to return. London, 1885 
 First Epirion. 
 
 1067. Moore (Grorce). A Drama in Muslin. A Realistic Novel. Fron- 
 lisprece. 12mo, original cloth, worn, London, 1886 
 First Epirion, 3 
 
Fourth Session, Thursday Evening, May 1st 
 
 1068. Moore (Grorce). Zona (EmiLe). Piping Hot. A Realistic Novel. 
 [With an Introduction by George Moore.] With 104 dlustra- 
 tions. 12mo, original cloth. London, 1886 
 
 First EpIrion. SCARCE. 
 
 1069. [Moorz (GeorcE).] Zora (Eine). The Rush for the Spoil. 
 Translated by Henry Vizetelly. Illustrated with 12 engravings. 
 12mo, original pictorial cloth, uncut. 
 
 London: Vizetelly & Co., 1886 
 
 First EDITION OF THE VIZETELLY TRANSLATION. With preface by 
 
 GEORGE MOoRE. 
 Lier Yaak 
 
 Fan. ghoot ee ee ee 
 
 ~“, 
 
 = JAG a 
 pre en pre ny arr PAGAN ROTIN Ss 
 
 gat « whcl Jusaa vas Ane Lavregeee & 
 aA teak rat leew Len pan ar tare Fok 
 re Breanna J ats 
 
 se 
 
 bop inter 1944 GEORGE .MOORE. —_—_ 
 
 [ No. 1065] 
 
 1070. Moorr (Grorce). A Mere Accident. 12mo, original cloth, uncut. 
 London, 1887 
 
 FINE COPY OF THE First EDITION. 
 
 1071. Moorr (Grorcr). Parnell and His Island. 12mo, original cloth. 
 London, 1887 
 
 Hirst EDITION. 
 
 RARE FIRST EDITION—FINE COPY 
 
 1072. Moorr (GrorcEe). Confessions of a Young Man. Frontispiece por- 
 trait of Moore by Wit11aM Srrane. 12mo, original pictorial 
 cloth. London, 1888 
 
 FINE COPY OF THE RARE First EDITION. 
 1073. Moor (Guorce). Spring Days. A Realistic Novel. 12mo, original 
 cloth. London, 1888 
 
 First Epirion. Scarce. 
 
 1074. Moorr (Grorcr). Mike Fletcher. A Novel. 12mo, original cloth. 
 London, 1889 
 
 A SUPERB COPY OF THE RARE First Epirion. Rarely found in good 
 
 condition. 
 1075. [Moorn (Guorce).] The Magazine of Art. October, 1890. Royal 
 4to, wrappers. [London, 1890] 
 
 Contains “Degas, the Painter of Modern Life,” by George Moore, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1076. 
 
 1078. 
 
 1079. 
 
 1080. 
 
 1081. 
 
 1082. 
 
 1083. 
 
 1084. 
 
 1085. 
 
 1086. 
 
 1087. 
 
 1088. 
 
 Moork (GuorGE). Vain Fortune. Illustrated by Maurice Greiffen- 
 hagen. 12mo, original cloth. London [1890] 
 
 First EDITION. 
 
 . Moore (GeEorcE). Vain Fortune. Illustrated by Maurice Gretffen- 
 
 hagen. Small 4to, original cloth, uncut. London [1890] 
 FINE COPY OF THE RARE First Epition. One of 150 copies on Large 
 Paper. 
 Moore (GEORGE). Impressions and Opinions. 12mo, original cloth, 
 uncut. London, 1891 
 
 First EDITION. 
 
 Moore (GEORGE). Modern Painting. 12mo, original cloth, uncut. 
 London, 1893 
 
 First EDITION. 
 
 Moore (GxrorGE). The Strike at Arlingford. Play in Three Acts. 
 12mo, original cloth, gilt top, uncut. London, 1893 
 
 VERY FINE COPY OF THE First EDITION. 
 
 Moore (GxrorGE). English Review. July, 1914. Contains: “Hu- 
 phorian in Texas”; The English Illustrated Magazine. Feb- 
 ruary, 1894. Contains: “My Impressions of Zola.” The latter 
 ulustrated. Together, 2 pieces, 8vo, wrappers. 
 
 London, 1894-1914 
 
 Moore (GEORGE). Esther Waters. A Novel. 12mo, original cloth, 
 gilt top. London, 1894 
 
 First EpItTion. 
 
 [Moorz (GxEoRGE).] Poor Folk, A Novel, by Fedor Dostoievsky. 
 Translated from the Russian, by Lena Milman. With a Critical 
 Introduction, by George Moore. Cover and title-page by AUBREY 
 BEARDSLEY. 12mo, original cloth, uncut. London, 1894 
 
 First Epirion. 
 
 Moore (GeorGE). Celibates. 12mo, original cloth, gilt top. 
 London, 1895 
 FINE COPY OF THE First EpIrIon. 
 Moore (GrorcE). Evelyn Innes. 12mo, original cloth, gilt top. 
 London, 1898 
 First Epirion. 
 Moore (GxrorGE). Martyn (Epwarp). The Heather Field and 
 Maeve. With an Introduction by George Moore. 8vo, cloth. 
 London, 1899 
 First Epition. FINE copy. 
 Moorz (GrorcE). The Bending of the Bough. A Comedy in Five 
 Acts. 12mo, original cloth, uncut. London, 1900 
 
 First EpIrion. 
 
 Moore (GerorcE). Sister Teresa. Frontispiece portrait of Moore. 
 12mo, original cloth, gilt top, uncut. In original dust wrappers. 
 London, 1901 
 
 FINE Copy OF THE First Epirion, 
 
1089. 
 
 1090. 
 
 1091. 
 
 1092. 
 
 1093. 
 
 1094. 
 
 1095. 
 
 1096. 
 
 LOg7. 
 
 1098. 
 
 L099. 
 
 1100. 
 
 1101. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 Moor (Grorce). The Untilled Field. 12mo, original cloth. 
 London, 1903 
 
 FINE Copy OF THE First EpIrTion. 
 
 Moorz (GrorcE). Memoirs of My Dead Life. 12mo, original 
 
 cloth. London, 1906 
 IMMACULATE COPY OF THE First Epirion. Seldom found in such fine 
 condition. 
 
 Moore (GuorcE). Reminiscences of the Impressionist Painters. 
 16mo, original wrappers, uncut. Dublin, 1906 
 
 FINE COPY OF THE RARE First Epirion. Laid in is slip “For Review. 
 With the Publishers’ Compliments.” 
 
 Moore (GekorGE). The Apostle. A Drama in Three Acts. 8vo, 
 cloth, uncut. Dublin [1911] 
 
 First EDITIon. 
 
 Moore (GEORGE). The Apostle. A Drama in Three Acts. 12mo, 
 original cloth. Dublin, 1911 
 
 First EDITION. 
 
 Moore (GeEorGE). Hail and Farewell. Ave. 1911; Salve. 1912; 
 Vale. [1914]. Together, 3 vols. 12mo, original cloth. 
 London, 1911, 1912 and [1914] 
 
 First EDITIONS. 
 
 Moore (GrEorGE). Elizabeth Cooper. A Comedy in Three Acts. 
 12mo, original cloth. London, 1913 
 
 FINE COPY OF THE First EDITION. 
 
 Moore (GrorGE). Esther Waters. A Play in Five Acts. 8vo, orig- 
 inal boards, paper label. London, 1913 
 
 FINE COPY OF THE First EDITION. 
 
 Moors (GrorcE). Muslin. 12mo, cloth, uncut. London [1915] 
 
 New Edition, but the first with this title. Originally published under 
 the title of “A Drama in Muslin,” 1886. 
 
 Moore (GrorcE). The Brook Kerith. A Syrian Story. 8vo, orig- 
 inal boards, vellum back, paper label, uncut. Edinburgh, 1916 
 First Epirion. Limited to 250 copies, signed by the Author. 
 
 MoorE (GrorGe). The Brook Kerith. A Syrian Story. 8vo, orig- 
 
 inal boards, cloth back, paper label, uncut, somewhat worn. 
 Edinburgh, 1916 
 
 First EpIrion. 
 Moorr (Grorcp). MrircHent (Susan L.). George Moore. 12mo, 
 cloth, uncut. Dublin, 1916 
 
 First EDITION. 
 Moore (GEorcE). Lewis Seymour and Some Women. 1%mo, orig- 
 inal cloth, in original dust wrappers. London [1917] 
 
 FINE Copy OF THE First EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 iD en 
 
 1102. 
 
 1103. 
 
 1104. 
 
 1105. 
 
 1106. 
 
 LO 
 
 1108. 
 
 1109. 
 
 1110. 
 
 LUCE. 
 
 sie. 
 
 Moore (Grorce). A Story-Teller’s Holiday.  8vo, original boards, 
 vellum back, uncut and UNOPENED. In original dust wrappers. 
 London, 1918 
 
 First Epirion. Limited to 1,000 copies, signed by the Author. 
 
 Moors (Grorce). Avowals. 8vo, original boards, vellum back, 
 paper label, uncut. In original cloth dust wrappers. 
 London, 1919 
 
 First Eprrion. Limited to 1,000 copies, signed by the Author. 
 
 Moors (Grorcr). Baxpersron (J. L.). The Genius of the Marne. 
 With an Introduction by George Moore. 1919; The Same. To- 
 gether, 2 vols. 12mo, boards. New York, 1919 
 
 First Eprtions. The bindings are different. 
 
 Moorn (Gzorce).© The Coming of Gabrielle. A Comedy. 8vo, 
 original boards, vellum back, paper label, uncut and UNOPENED. 
 In original dust wrappers. London, 1920 
 
 First Eprrion. Limited to 1,000 copies, signed by the Author. 
 
 Moore (Grorcr). Esther Waters. 8vo, original boards, vellum 
 back, uncut. In original dust wrappers. London, 1920 
 
 LIMIrep To 750 COPIES, SIGNED BY THE AUTHOR. 
 
 Moors (Gxorce). Heloise and Abelard. 2 vols. 8vo, original boards, 
 vellum backs, uncut and UNOPENED. In original dust wrappers. 
 
 London, 1921 
 
 First Eprrion. Limited to 1,500 copies, signed by the Author. 
 Accompanied by the pamphlet, “Fragments from Heloise & Abelard.” 
 
 Moors (GEorce). Memoirs of My Dead Life. Colored frontispiece. 
 8vo, original boards, vellum back, paper label, uncut. In orig- 
 inal dust wrappers. London [1921] 
 
 LIMITED To 1,030 COPIES, SIGNED BY THE AUTHOR. 
 
 Moorn (GEorcE). In Single Strictness. 8vo, original boards, vel- 
 lum back, paper label, uncut. In original dust wrappers. ! 
 London, 1922 
 
 First Eprrion. Limited to 1,030 copies, signed by the Author. 
 
 Moorr (GrorcE). Freeman (Joun). A Portrait of George Moore 
 in a Study of His Work. Frontispiece. 8yo, original boards, vel- 
 lum back, paper label, uncut. In original cloth dust wrappers. 
 
 London, 1922 
 First Epirion. Limited to 600 copies signed by the Author. 
 
 Moore (Grorce). The Apostle. A Drama. 8vo, original boards, 
 vellum back, uncut. In original dust wrappers. London, 19238 
 First Eprrion. Limited to 1,030 copies, signed by the Author. 
 
 Moorr (Marianna). Poems. London, 1921; McCraz (Huet). 
 Colombine. With 11 illustrations by Norman Lindsay. Australia, 
 1920; Fox (Frank). The King’s Pilgrimage. Numerous tlus- 
 trations. London, 1922. Together, 3 vols. royal 8vo and 12mo, 
 wrappers and boards. London and Australia, 1920-1922 
 
Fourth Session, Thursday Evening, May 1st 
 
 FINE LARGE COPY: COMPLETE: VERY RARE 
 
 corde Chauncellour of E 
 ———_ghyjh tonge. 
 
 LR aR NES 
 
 [No. 1113] 
 
 1113. Morn (THomas). The vvorkes of Sir Thomas More Knyght, some- 
 tyme Lorde Chauncellour of England, wrytten by him in the 
 Englysh tonge. [Colophon:| Imprinted at London in Flete- 
 strete at the sygne of the handle and starre, at the coste and 
 charge of John Cawod. ... Finished in Apryll, the yere of our 
 Lorde God, 1557. Printed in Buack Lerrer. Title within wood- 
 cut border and with woodcut initials. Thick small folio, full 
 brown morocco, blind tooled, the sides with border of fillets en- 
 closing a floreated border, with a center panel design of fillets 
 forming diagonal compartments, each compartment with a design 
 of either an acorn, rosette, or rampant lion, the border compart- 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 Pe et en re 
 
 [ No. 11183—Continued] 
 
 1114. 
 
 1115. 
 
 TAG. 
 
 aR arg: 
 
 LiL. 
 
 1119. 
 
 1120. 
 
 ments of the design have portions of a fleur-de-lis, paneled back 
 
 with similar designs as in the panels on the covers; gilt edges, 
 
 BY F. BEDFORD. 
 
 Printed at London at the costes and charges of John Cawod, 
 John VValy and Richard Tottell, anno 1557 
 
 CoMPLETE. FINE LARGE COPY. VERY RARE. Contains the rare extra 
 leaf “Sir Thomas More Knighte to the christen reader” between pages 
 1138-1139, also the eight unpaged leaves, containing More’s youthful 
 poems, which are sometimes missing, entitled, “These fowre thinges 
 here followyng Mayster Thomas More wrote in his youth for his 
 pastime.” 
 
 From the libraries of Sir Henry Savile and Lord Chief Justice Sir 
 John Duke Coleridge. On the fly-leaf is the following inscription,— 
 “de dono H. Savile anno 1600 [beneath which is written in another 
 hand] found by Mary Savile, Dec. 12, 1635, amongst other books at 
 Methby, for my daughter Mary Savile.” On the first fly-leaf, in the 
 autograph of Lord Chief Justice Coleridge, is written,—‘J. D. Cole- 
 ridge, Humes Square, 1871.” 
 
 [See Reproduction of Title-page] 
 
 Mortry (C. D.). The Eighth Sin. Oxford, 1912. Presentation 
 Copy from the Author; Munaroz (R. L.). Personal Poems. 
 London, 1919; Scorr (C.—Translator) Baudelaire. The Flowers 
 of Evil. London, 1909. Together, 3 vols. 16mo and 12mo, 
 wrappers. Oxford and London, 1909-1919 
 
 WORKS BY VISCOUNT MORLEY 
 
 [| Mortey (JoHN).| Modern Characteristics. A Series of Short 
 Essays from the Saturday Review. .12mo, cloth, uncut. Binding 
 somewhat shaken. London, 1865 
 
 MORLEY’S OWN copy. With his name and the date written IN HIS 
 HANDWRITING on the half-title,—John Morley. November. 1865, and 
 numerous notations in ink made by him throughout the volume. 
 
 Mortey (JoHn). Edmund Burke: A Historical Study. 8vo, 
 cloth, uncut. London, 1867 
 
 First EpIrion. 
 
 MortEy (JoHN). Critical Miscellanies. 1871; Critical Miscel- 
 lanies. Second Series. 187%. Together, 2 vols. 8vo, cloth, uncut, 
 
 both somewhat worn. London, 1871-1877 
 First EDITIONS. 
 MorLey (JoHN). Voltaire. S8vo, cloth, uncut. London, 1872 
 
 First EpIrion. 
 
 MoruEy (JoHN). Rousseau. 2 vols. 8vo, cloth, uncut. 
 London, 1873 
 
 First EpIrion. 
 
 Mortry (JoHN). The Struggle for National Education. 8yo, cloth, 
 uncut. London, 1873 
 
 First EpIrTIon. 
 
Tizt. 
 
 1122. 
 
 1123. 
 
 1124. 
 
 1125. 
 
 1126. 
 
 1127. 
 
 1128. 
 
 L129; 
 
 1130. 
 
 1131. 
 
 Fourth Session, Thursday Evening, May 1st 
 ee en a Ry REE AL as 
 
 Mortgy (JoHN). On Compromise. 8vo, cloth, uncut. 
 London, 1874: 
 
 First Eprrion. 
 
 MortEy (JoHN). Diderot and the Encyclopedists. 2 vols. 8vo, 
 cloth, uncut. London, 1878 
 
 First Epition. 
 
 Mortey (Joun). The Life of Richard Cobden. With portrait. 
 ® vols. 8vo, cloth, partly uncut. Upper part of half-title torn 
 away. Text not impaired. London, 1881 
 
 First EpItTIon. 
 
 Morigy (Joun). Walpole. 12mo, cloth, uncut. London, 1889 
 
 First Epirion. The title-page is stamped, “Presentation Copy.” 
 
 Mortry (JoHN). Oliver Cromwell. With portrait. 8vo, cloth, 
 uncut. London, 1900 
 
 First EpItTion. 
 
 Mortry (Joun). The Life of William Ewart Gladstone. Many 
 fine portraits. 3 vols. 8vo, cloth, uncut. London, 1903 
 
 First EpIrion. 
 
 Mortry (JouHn). Miscellanies. Fourth Series. 8vo, cloth, uncut. 
 London, 1908 
 
 First EpIrion. 
 
 Mortey (JoHNn). Recollections. 2 vols. 8vo, cloth, uncut. 
 London, 1917 
 
 First EpIrion. 
 
 Morris (Witt1aAm). The Story of Gunnlang, the Worm king and 
 
 the Skald. Small 4to, boards, cloth back, uncut. 
 [London] Printed at the Chiswick Press for William Morris, 
 1866 
 
 ASSOCIATION copy. From the library of Sir Edward Burne-Jones, 
 with label on verso of front cover to that effect. 
 
 Morris (WitLIAM). The Roots of the Mountains wherein is told 
 somewhat of the Lives of the Men of Burgdale, their Friends, 
 their Neighbours, their: Foemen and their Fellows in Arms. 
 Square 8yvo, chintz covers, uncut. 
 
 London: Reeves and Turner, 1890 
 
 ONE OF 250 COPIES ON LARGE WHATMAN PAPER. 
 
 Morris (Wittiam). Arts and Crafts Essays by Members of the 
 Arts and Crafts Exhibition Society. With a Preface by William 
 Morris. 16mo, boards, canvas back, uncut and unopened. 
 
 London, 1899 
 
 First Epition. A series of articles by Walter Crane on the Revival 
 of Design and Handicraft, Decorative Painting and Design, Wall- 
 paper; William Morris on Textiles; Printing by William Morris and 
 Emery Walker; Bookbinding, by T. J. Cobden-Sanderson; Mural- 
 Painting by F. Madox Brown; and others, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1132. Morris (Wrtt1AmM). Macxain (J. W.). The Life of William Mor- 
 ris. New Impression. Portraits. 2 vols. 8vo, uncut. 
 Tiondon, 1899 
 
 1133. Morris’s (WitttiAmM) Copy. The Spanish Letter of Columbus to 
 Luis de Sant? Angel . . . dated 15 February, 1493. Reprinted 
 in reduced facsimile, and translated from the Unique Copy of 
 the Original Edition. Illustrations. Small 4to, boards, canvas 
 back, uncut. London, 1893 
 
 From the library of William Morris, Kelmscott House, Hammer- 
 smith, with label on verso of front cover, to this effect. 
 
 1134. NicHoLson ILLusTRATIONS. GAy (JOHN). Polly. With scenes and 
 costumes by William Nicholson. 4to, boards, cloth back, gilt top, 
 uncut. London, 1923 
 
 EDITION LIMITED to 380 copies printed on handmade paper, of which 
 this is, No. 342, signed: “William Nicholson.” 
 
 1135. Norris (Frank). Yvernelle. With numerous illustrations. Phila- 
 delphia, 1892; The Octopus. New York, 1901; A Deal in Wheat. 
 With frontismece. New York, 1903. Together, 3 vols. 12mo 
 and 8vo, cloth, two uncut. . 
 
 Philadelphia and New York, 1892-1903 
 First EDITIONS. 
 
 1136. Norris (FRANK). The Moran of the Lady Betty. New York, 1898; 
 The Pit. One of a Special Presentation Edition of the Pub- 
 lishers. New York, 1903; The Responsibilities of the Novelist. 
 New York, 1903; The Surrender of Santiago. San Francisco, 
 1917. Some with frontispieces. Together, 4 vols. 12mo and 16mo, 
 cloth, boards and wrappers, some uncut. 
 
 New York and San Francisco, 1898-1917 
 
 Mainly First EpIrions. 
 
 1137. Norris (Frank). McTeague. A Story of San Francisco. 1900; 
 A Man’s Woman. 1900; The Joyous Miracle. With frontispiece. 
 1906; Vandover and the Brute. 1914. Together, 4 vols. 12mo, 
 cloth and boards, one uncut. New York, 1900-1914 
 
 Mainly First EDITIONS. 
 
 11374. Norris (FRANK). Originan AUTOGRAPH MANuSCRIPT PAGE FROM 
 Frank Norris’ “McTeague.” Manuscript of about Two Hun- 
 DRED AND SEVENTY-FIVE Worps, written on one side of a folio 
 sheet, in ink. With corrections, cancellations and additions also 
 in the author’s autograph. 
 FRANK Norris MANUSCRIPTS RARELY OCCUR FOR SALE. 
 
 1138. OPPENHEIM (JAMES). The Mystic Warrior. New York, 1921; 
 New Patus. Verse, Prose, Pictures, 1917-1918. Edited by 
 
 C. W. Beaumont and M. T. H. Sadler. Decorated by Anne 
 
 Estelle Rice. London [1918]. Together, 2 vols. 4to and square 
 
 8vo, boards with cloth back, and boards with paper label, uncut. 
 
 New York and London [1918]-1921 
 
 First Epirions. “The Mystic Warrior’ is No. 228 of 500 copies 
 printed on Strathmore Blandford paper. 
 
1139 
 
 Fourth Session, Thursday Evening, May 1st 
 
 . OsBouRNE (LiLoyp—Brother-in-law of Robert Louis Stevenson). 
 
 Letter Signed, “Lloyd Osbourne.” Ip. oblong 4to, London, De- 
 cember 11th, 1922. To Newbegin’s. With addressed envelope. 
 
 Letter reads,—In answer to your kind note of Nov. 24th; if you 
 would have half a dozen of the sheets photographed and sent to me 
 I shall be very happy to pass judgment on them... 
 
 1140. Ovip Press. A Bestiary by Roald Kristian. Woodcuts. 8vo, cloth, 
 
 1141 
 
 1142 
 
 1143 
 
 uncut and unopened. [London] 1920 
 EXpITION LiMiTED to 110 copies, of which this is, No. 61. 
 
 . Ovrp Press. Ropker (JoHn). Hymns. With woodcut initials and 
 
 colophon by EH. Wadsworth. 8vo, boards, cloth back, paper label, 
 uncut. London, 1920 
 
 Kdition Limited to 190 copies on handmade paper. 
 
 . Own (THE), A Miscellany. Nos. 1 and 2, May and October, 1919. 
 
 2 vols. 4to, one in wrappers and one in boards. London, 1919 
 
 Contains contributions by Galsworthy, Hardy, Masefield, Sassoon, 
 de la Mare, Bianco, Robert Graves, Max Beerbohm, H. M. Tomlinson, 
 John Freeman, and others. 
 
 . OXFORD AND CLARENDON Press Pupiications. The Oxford Book 
 
 of French Verse, ximth Century—xrxth Century. Chosen by 
 St. John Lucas. New York, no date; The Oxford Book of Eng- 
 lish Verse. 1250-1900. Chosen & Edited by Arthur Quiller- 
 Couch. Oxford, 1912; The Oxford Book of Italian Verse. 
 xtuth Century—xrxth Century. Chosen by St. John Lucas. 
 Oxford, 1910; The Oxford Book of Victorian Verse. Chosen by 
 Arthur Quiller-Couch. Oxford, 1912; The Dublin Book of Irish 
 Verse. 1728-1909. Edited by John Cooke. Dublin, 1909. To- 
 gether, 5 vols. 16mo, full brown niger morocco, onlays of green 
 morocco in blind tooled framework on sides, gilt edges. 
 
 Oxford, ete., various dates 
 
 ALL PRINTED ON INDIA PAPER. 
 
 1144. Page (Watrer). Henprick (Burton J.). The Life and Letters 
 
 of Walter H. Page. Illustrated. 2 vols. 8vo, cloth, vellum paper 
 backs, gilt tops, uncut. Garden City, 1922 
 
 EDITION LIMITED to 375 copies, of which this is, No. 350. 
 
 FIRST EDITIONS OF WALTER PATER 
 
 1145. Parer (Watrer). Studies in the History of the Renaissance. 8vo, 
 
 cloth, uncut. London, 1879 
 
 First Eprrion. With inscription, in ink, on fly-leaf, reading,—‘‘From 
 the Writer.” 
 
 1146. Parer (Watrer). Marius the Epicurean. His Sensation and Idea. 
 
 2 vols. 8vo, cloth, uncut. London, 1885 
 First EpIvrion, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee Oe ES Err 
 
 1147. 
 
 1148. 
 
 1149. 
 
 1152. 
 
 1154. 
 
 Parer (Waurer). Appreciations. With an Essay on Style. 8vo, 
 cloth, uncut. London, 1889 
 
 Frrst Eprrion. From the library of Frederick H. Evans, with book- 
 plate. 
 
 THE PRIVATELY PRINTED DANIEL PRESS ISSUE 
 Parer (Waurer). An Imaginary Portrait. Square 12mo, original 
 
 wrappers, uncut. [Oxford, 1894] 
 PRIVATELY PRINTED AT THE DANIEL Press. No. 150 of 250 copies 
 printed. 
 
 Parer (Wauter). Greek Studies. A Series of Essays. Prepared 
 for the Press by Charles L. Shadwell. Portrait. 8vo, cloth, uncut. 
 London, 1895 
 
 First EDITION. 
 
 . Parer (Watrer). Miscellaneous Studies. A Series of Hssays. 
 
 Prepared for the press by Charles L. Shadwell. 8vo, cloth, uncut. 
 London, 1895 
 
 First EDITIon. 
 
 FIRST EDITION—PRIVATELY PRINTED 
 
 . Parer (Waurer). Essays from the “Guardian.” Portrait. 12mo, 
 
 boards, uncut, paper label. 
 London: Printed for Private Circulation, 1896 
 Tirz RARE First Eprrion. One of 100 copies privately printed at the 
 Chiswick Press. 
 Parrr (Watrer). Gaston de Latour. An Unfinished Romance. 
 Prepared for the Press by Charles L. Shadwell. 8vo, cloth, 
 uncut. London, 1896 
 
 Frrst EDITION. 
 
 SCARCE FIRST SEPARATE ENGLISH ISSUE 
 
 . Paver (Waurer). Emerald Uthwart. 12mo, original cloth, uncut. 
 
 Canterbury: Privately Printed for the King’s School, 1905 
 
 First SEPARATE ENGLISH EDITION. VERY SCARCE. This piece originally 
 appeared in the New Review for June and July 1892, and in book-form 
 for the first time in Miscellaneous Studies, London, 1895. 
 
 Parrr (Watrer). The Very Pleasant & Delectable Tale of Cupid 
 and Psyche. Translated from the Latin of Lucius Apuleius by 
 Walter Pater. With a woodcut frontispiece, and decoratwe bor- 
 der on first page, by Ray F. Coyle. 12mo, boards, Holland back, 
 paper label, uncut. [San Francisco, 1914] 
 
 EDITION LIMITED TO 250 copies, printed by Taylor, Nash & Taylor, 
 San Francisco. 
 
 . Pater (WALTER—English Writer). Autograph Card Signed, “Wal- 
 
 ter Pater.’ Square 4to, 12 Earl’s Terrace, no date. To “My 
 dear Symons.” 
 
 Regrets not to see his friend passing through London, as he is com- 
 pelled to be away, due to multitudinous engagements, 
 
1156 
 
 1157. 
 
 ities 
 
 1160. 
 
 BL OL 
 
 1162. 
 
 1163. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 PENNELL (JOSEPH AND Exizanern R.). Lithography and Lithog- 
 raphers. Some Chapters in the History of the Art. With Tech- 
 nical Remarks and Suggestions. Over 150 reproductions of the 
 work of numerous artists. 4to, boards, gilt top, uncut. 
 
 London: T. Fisher Unwin, 1898 
 
 The book contains ORIGINAL LITHOGRAPHS by Whistler, A. Legros, W. 
 Strang, C. H. Shannon, A. Lunois, J. M. Hamilton and T. R. Way. 
 
 PENNELL (Josepi). Htchers and Etching. Numerous etched repro- 
 ductions. Small folio, boards, leather back, gilt top, uncut. 
 New York, 1919 
 
 First Epition. Only 105 copies printed, of which 100 are for sale, 
 this being, No. 14. 
 
 . PENNELL (JosepH). Pen Drawing and Pen Draughtsmen. Their 
 
 Work and their Methods. Hatensively illustrated with full-page 
 and teat reproductions. Small folio, cloth, uncut. 
 New York, 1920 
 
 PENNELL (JosEpH). The Graphic Arts. Modern Men and Modern 
 Methods. Profusely wWlustrated. Royal 8vo, vellum paper boards, 
 cloth back, gilt top, uncut. Chicago [1921 | 
 
 First Epirion. Limited to 150 copies, of which this is, No. 60, 
 signed in the autograph of, Joseph Pennell. Printed throughout on 
 Japanese vellum paper. 
 
 Prpys (SAMUEL). The Diary of Samuel Pepys. For the First Time 
 fully Transcribed from the Shorthand Manuscript in the Pepy- 
 sian Library. . . . Edited with additions by Henry B. Wheatley. 
 Iilustrations. 18 vols. 12mo, light brown art linen, gilt tops, 
 uncut. New York, no date 
 
 LLLUSTRATED LIBRARY FEpITION, limited to 100 copies, of which this 
 is, No. 262. 
 
 PHILLIPS (STEPHEN). Christ in Hades and Other Poems. 16mo, 
 wrappers, uncut and unopened. London, 1896 
 
 PHILLIPS (STEPHEN). Marpessa. With dlustrations by Philip Con- 
 nard. 1910; Poems. 1898. Together, 2 vols. 12mo and 16mo, 
 cloth, uncut. London, 1898-1910 
 
 First EDITIONS. 
 
 RARE FIRST ISSUE OF POE’S TALES 
 
 Por (Epaar Auttan). Tales of the Grotesque and Arabesque. 2 
 
 vols. 12mo, cloth, paper labels. 
 Philadelphia: Lea and Blanchard, 1840 
 THE EXTREMELY RARE First Epirion. Only 750 copies were printed. 
 Page 213 in volume II is correctly numbered. This ‘work though 
 adjudged an esteemed production from Poe’s pen was remunerative 
 neither to the publisher nor the author. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a sa ee 
 
 1164. Por (Enaan Atan). Mesmerism. “In Articulo Mortis.” An 
 Astounding & Horrifying Narrative, Shewing the Extraordinary 
 Power of Mesmerism in Arresting the Progress of Death. 8vo, 
 stitched, as issued. Enclosed in a quarter morocco purple slip- 
 case, with inner cloth wrappers. London, 1846 
 
 First Eprrion. The original. pamphlet form as issued in Hngland, 
 being an adaptation of the “Case of Mr. Valdemar” as published in the 
 American Whig Review. An interesting letter of Poe’s, dated Dee. 30, 
 1846, and now in the New York Public Library, refers to this London 
 issue: The Valdemar Case still makes a talk, and a pamphlet edition 
 of it has been published by Short & Co., of London, under the title of 
 “Mesmerism in Articulo Mortis.” It has fairly gone the rounds of the 
 London Press, commencing with the London Post . 
 
 1165. Por (Epcar Attan). The Works of the Late Edgar Allan Poe. 
 With Notices of His Life and Genius. By N. P. Willis, J. R. 
 
 Lowell, and R. W. Griswold. Portrait. 2 vols. 12mo, cloth. 
 New York, 1850 
 
 First Epition. UNUSUALLY FINE COPY. 
 
 FINE AUTOGRAPH MANUSCRIPT BY POE 
 
 1166. Pon (Encar ALLAN). Oriaivat AutocrapH MANUSCRIPT, consist- 
 ing of ONE Hunprep AND T'weNnTy-THREE Worps, written on 
 one side of a 12mo sheet, tipped to a sheet of Whatman paper 
 of 8vo size; Two fine portraits of Poe, each with his signature 
 in facsimile beneath. All bound into an 8vo volume, full red 
 straight-grain morocco, gilt fillets on sides, with gilt lettering on 
 obverse cover, inner gilt dentelle borders. 
 
 A RARE SPECIMEN OF THE CLARITY AND NEATNESS OF POE’S SCRIPT. 
 This fragmentary reminiscence of his great genius reads: The simple 
 negative injunction of the Latin law and proverb—the injunction not 
 to do ill to the dead—seems, at a first glance, scarcely susceptible of 
 improvement in the delicate respect of its terms. I cannot help think- 
 ing, however, that the sentiment, if not the idea intended, 1s more 
 forcibly conveyed in an apopthegm by one of the old English moralists, 
 James Puckle. By an ingenious figure of speech he contrives to imbue 
 the negation of the Roman command with a spirit of active and 
 positive beneficence. “When speaking of the dead” he says, in his 
 “Grey Cap for a Green Head,” “so fold wp your discourse that their 
 virtues may be outwardly shown, while their vices are wrapped up m 
 silence.” 
 
 [See Reproduction] 
 
 1167. Pounp (Ezra). Exultations. London, 1909; Personae. London, 
 1909; Indiscretions; or, Une Revue de Deux Mondes. With 
 woodcut ornaments. Paris, 1923. Together, 3 vols. 12mo and 
 Svo, boards, uncut. London and Paris, 1909-1923 
 
 ALL First Eprrrons. “Indiscretions” is No. 160 of 300 copies printed 
 on handmade paper. 
 
 1168. Pounp (Ezra). Gaudier-Brzeska. A Memoir, Including the Pub- 
 lished Writings of the Sculptor, and a Selection from His Letters. 
 
 With 38 illustrations. Ato, original cloth, uncut. 
 London, 1916 
 
 FINE Copy OF THE First EDITION. 
 
Fourth Session, Thursday Evening. May 1st 
 
 1169. Prevosr (Marcen). Les Demi-Vierges. Illustrations by Rosst. 
 12mo, half terra-cotta levant morocco, gilt top, uncut, original 
 wrappers bound in. Paris, no date 
 
 Phe tonnple rug alive inyunolion of. 
 Ms latn lau and jroverk — He iugun - 
 cham not. 6 do Ad Lb Mee dead —sems 
 at a fost plancee , Vearcely ruscepbille op 
 \G tans. J cannot hal funkeng , how- 
 Rewer, Hat He sonlommnt , ¢ not He 
 Vida ntndedd, 4 mow foley con- 
 Seeyed tn One cLhopthegm by one of Me 
 Sold Prgbish moretl , James /uckl. 
 Lop EIEN ite ORY Ce 
 confines & imbue ha negation of he 
 Aonan command wih a vfurel of ae- 
 hie and froin Cenefrance . " Whom 
 speaing of Me. decd" he says, ine his Guy 
 Cap fra Gren Head, ‘0 fot up 
 our discourse Malt her vurlins 
 
 ’ y 
 Ch art wrahhed mn Stone. 
 
 [No. 1166] 
 
 1170. Prryvince. Early Printing in America. Being a reprint from the 
 American Encyclopedia of Printing, edited by J. Luther Ring- 
 walt and published in the city of Philadelphia in 1871. 12mo, 
 original boards, uncut. San Francisco, 1921 
 
 Printed throughout on handmade paper. 
 
 1171. Pyte (Howarp). Book of Pirates. From the Writing and Pictures 
 of Howard Pyle. Compiled by Merle Johnson. Hatensively tllus- 
 trated with photogravure reproductions, colored and plain, each 
 plate mounted. Royal 4to, pictorial boards, cloth back, uncut. 
 
 New York, 1921 
 
 This edition PRINTED ON VELLUM stock, the first printing from new 
 
 plates, is limited to 50 copies, of which this is, No: 2%. -Signed,-— 
 “Merle Johnson.” 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 Lie. 
 
 1173. 
 
 1174. 
 
 1175. 
 
 1176. 
 
 L178. 
 
 1180 
 
 RackHAM Ittusrrations. Little Brother and Little Sister. By 
 the Brothers Grimm. full-page CoLoRED plates and numerous 
 text tlustrations in black and white by Arthur Rackham. Ato, 
 cloth, gilt design on front cover, gilt top, uncut. 
 
 London [1917] 
 
 LARGE Paper. No. 418 of 525 copies signed by the artist. 
 
 RackHAM IxLLustTRATIONS. The Sleeping Beauty. Told by C. S. 
 Evans. Full-page CoLorep plates and numerous teat illustrations 
 in black and white by Arthur Rackham. 4to, vellum back and 
 boards, gilt design on front cover, gilt top, uncut. 
 
 London [1920] 
 
 LARGE Paper. No. 858 of 600 copies signed by the artist. 
 
 RACKHAM ILLUSTRATIONS. STEPHENS (JAMES). Irish Fairy Tales. 
 Full-page CotorED plates and numerous teat illustrations in 
 black and white by Arthur Rackham. 4to, vellum back, gilt 
 design on front cover, gilt top, uncut. London, 1920 
 
 LARGE PAPER. One of 520 copies signed by the artist. 
 
 RAEMAEKERS (Louis). The Great War. <A Neutral’s Indictment. 
 100 cartoons by Lows Raemaekers, IN Cowor, tipped on sheets. 
 With an Introduction by H. Perry Robinson and Descriptive 
 Notes by E. Garnett. Folio, half white cloth, gilt top, uncut. 
 
 London: Fine Arts Society, Ltd., 1916 
 
 EDITION DE LUxE. Limtrep To 1050 coprzs. 
 
 Renan (Ernest). The Life of Jesus. 8vo, cloth, uncut. 
 London, 1864. 
 
 First ENGLIsH EDITION. 
 
 . RicHarp Press. “Carrotn (Lewis).” Alice’s Adventures in 
 
 Wonderland. With the original illustrations by John Tenniel. 
 8vo, original boards, cloth back, paper label, gilt top, uncut. 
 London, 1914 
 
 LIMITED TO 1000 coPiEs. 
 
 Rosinson (Epwin Artineron). The Collected Poems of Edwin 
 Arlington Robinson. Frontispiece portrait. 2 vols. 12mo, boards, 
 with canvas backs, uncut and partly unopened. 
 
 New York, 1921 
 
 No. 141 of a Special Edition of 200 copies, signed by the Author. 
 
 toBINSON (EHpwrn Arnineton). Roman Bartholow. 8vo, boards, 
 with buckram back. New York, 1923 
 Hdition limited to 750 copies signed by the Author,—“H. A. Robinson.” 
 
 THE MAGNIFICENT “MONTAIGNE” BY BRUCE ROGERS 
 
 Rogers (Bruce—Typographer). MonvTarcne (MicHEL DE). Es- 
 says of Michael Lord of Montaigne. Written by him and done 
 into English by John Florio. Frontispiece portraits and en- 
 
 [Continued 
 
Fourth Session, Thursday Evening, May 1st 
 
 | No. 1180—Continued | 
 graved titles on wood within floreate borders; large decorative 
 woodcut initials in the manner of Geofroy Tory. 3 vols. small 
 thick folio, original buckram, uncut. 
 Boston: Printed at the Riverside Press, 1902-1904 
 
 THE MASTERPIECE OF THE RIVERSIDE Press. Only 265 copies were 
 printed, in the Montaigne type. The paper is handmade, and the bind- 
 ing handsewn. G. B. Ives has written copious notes and a biblio- 
 graphical description of all known editions, English and French, 
 illustrated with facsimiles: 
 
 Florio’s is one of the books known to have been used by Shakespeare, 
 he copying the description of an ideal commonwealth into “The Tem- 
 pest,” and a copy is known with a contested autograph of the dramatist 
 on the title-page. 
 
 THE MOST BEAUTIFUL OF BRUCE ROGERS’ RIVERSIDE PRESS 
 PUBLICATIONS 
 
 1181. Rogers (Bruck — Typographer). Burier (Isasen — Translator). 
 The Song of Roland. Illuminated page-heading and _ several 
 medallions in the text. Folio, boards, uncut. 
 
 Cambridge: Riverside Press, 1906 
 
 Edition limited to 220 copies printed in two columns on heavy hand- 
 made paper, in the French Gothic type. 
 
 This is considered the most beautiful of the Riverside Press publica- 
 tions. AS NEW. 
 
 HANDSOME EDITION OF GEOFROY TORY—DESIGNED BY 
 BRUCE ROGERS 
 
 1182. Rogers (Bruce—Typographer). Tory (Grorroy). Geofroy Tory, 
 Painter and Engraver, First Royal Printer, Reformer of Orthog- 
 raphy and Typography under Frangois I. An account of his 
 Life and Works, by Auguste Bernard. Translated by George B. 
 Ives. Facsimiles of borders, initial letters, monograms, lustra- 
 tions from Books of Hours, etc. Imperial 8vo, boards, with de- 
 sign in gilt on covers from a binding in the British Museum, 
 uncut. Cambridge: Riverside Press, 1909 
 
 Edition limited to 377 copies, printed in the Riverside Caslon type. 
 One of the most beautiful of the Riverside Press publications. 
 
 IN AN APPROPRIATE BINDING BY BELLE McMURTRY 
 
 1183. Rors (Féuicren). Lemonnrer (CAMILLE). Etudes sur quelques 
 Artistes originaux. Félicien Rops Homme et l’Artiste. Lully 
 illustrated with etchings, photogravures and half-tone prints. 
 4to, full light brown morocco, front cover with a panel design 
 onlaid in dark brown morocco, with corner designs of coiled 
 snakes onlaid in cordovan morocco, doublures of seal-brown 
 levant morocco with a border of cordovan morocco; gilt top, 
 uncut, original paper covers bound in. In cloth slip-case. 
 
 Paris, 1908 
 EDITION LIMITED TO 175 COPIES ON HANDMADE PAPER. The volume was 
 bound by hand by Belle McMurtry. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1184. Rossprrt (Crristrna G.). Time Flies: A Reading Diary. 12mo, 
 
 cloth. London, 1885 
 
 First Epitrion. 
 
 1185. Rosserrr (Curistrna G.). A collection of 5 Autograph Letters 
 
 1186. 
 
 Ley 
 
 1188. 
 
 1189. 
 
 1390} 
 
 1191. 
 
 Signed, “Christina G. Rossetti.” 8vo, 12mo, 16mo. 121,4pp. 
 collectively. No year. All addressed to Mrs. Heimann. Each 
 letter with envelope. Enclosed, in red cloth slip-case, with inner 
 cloth protecting folder. Together, 5 pieces. 
 
 IXXCEEDINGLY INTERESTING LETTERS, with mention of the “Protection” 
 Petition to both Houses of Parliament; a letter of introduction; and 
 much else of interest. .Comprisinc: (1) 45 Upper Albany St. N. W. 
 “Tuesday Morning”. (Written on mourning note-paper) stating,— 
 I fear 4 French stamps are quite unworthy to be offered Golde for 
 her collection . . . (2) 88 Torrington Square—W. C. May 11.—I am 
 trying to get signatures to the “Protection” Petition to both Houses of 
 Parliament, and must send in my papers at least by the end of this 
 month . . . (3) 38 Torrington Square, December 15th.—After all I am 
 asking leave to drop our little engagement for the 21st . . . (4) No 
 Place, no date,—Many thanks for the beautiful little gift . . . (5) 45 
 Upper Albany Street N. W. Saturday evening. I have the pleasure in 
 forwarding you a Shanghai introduction . . . 
 
 [RussELL (GEorcE W. — “A. E.”).] The Renewal of Youth. 
 12mo, wrappers, uncut. [ London, 1911] 
 
 Virst EpItrion. 
 
 [RussELL (Grorcze W.—“A. E.”).] The Hero in Man. 12mo, 
 wrappers, uncut. Hale and London, no date 
 First Epirion. 
 
 [Russet (Grorce W.—“A. E.”’).] The Mask of Apollo and Other 
 Stories. Dublin, no date; Imaginations and Reveries. New 
 York; no date; Ficcrs (Darren). A. E. (George W. Russell). 
 A Study of a Man and a Nation. Dublin, 1916. Together, 3 
 vols. 12mo, cloth and boards, one uncut. 
 
 Dublin and New York, 1916 and no date 
 
 First EpItions. 
 
 [Russrtt (GrorcE W.—“A. E.”).] The Dublin Strike. . . . A 
 Speech delivered in the Royal Albert Hall, London, November 1. 
 1913. . . . 8vo, wrappers. [Dublin] no date 
 
 First Epirion. 
 
 SADLEIR (MicnAgn). Excursions in Victorian Bibliography. 8vo, 
 buckram, gilt top, uncut. London, 1922 
 
 First EpItTion. 
 
 SAINTSBURY (GEORGE). Notes on a Cellar-Book. Trine. Small 4to, 
 boards, cloth back, uncut and unopened. London, 1921 
 
 EXpITION LIMITED to 500 copies, autographed by the author: “George 
 Saintsbury.” 
 
ed Be dod 
 
 5 betes 
 
 1194. 
 
 1195. 
 
 LIBS. 
 
 119%. 
 
 1198. 
 
 ee: 
 
 1200. 
 
 1201. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 SAINTSBURY (GEORGE). A Scrap Book. 12mo, cloth, uncut. 
 London, 1922 
 
 First EDITION. 
 
 WORKS BY EDGAR SALTUS 
 
 Sattus (Ep@ar). The Philosophy of Disenchantment. Chicago 
 [1885]; A Transaction in Hearts. New York [1889]; The 
 Truth About Tristrem Varick. Chicago [1888]. Together, 3 
 vols. 12mo, cloth. Chicago and New York [1885-1889 | 
 
 First EpIrions. 
 
 Sattus (Epaar). Mr. Incoul’s Misadventure. 12mo, cloth, uncut. 
 
 New York, 1887 
 First EDITION. 
 
 Saurus (Epcar). Imperial Purple. Chicago, 1892; Eden. Chi- 
 cago [1888]; Daughters of the Rich. New York. Colored fron- 
 tispiece. [1909]. Together, 3 vols. 12mo, cloth. 
 
 Chicago and New York, 1892-[1909 | 
 
 First EDITIONS. 
 
 Saurus (Epear). The Story Without a Name. By Jules Barbey 
 D’Aurevilly. Translated by Edgar Saltus. 12mo, wrappers. 
 Chicago, 1892 
 
 First EDItTion. 
 
 Saurus (Epaar). When Dreams Come True. [1895;] Purple 
 and Fine Women. 19038. Together, 2 vols. 12mo, -wrappers, 
 back and portion of front wrapper of first item, torn away. 
 
 New York [1895 ]-1903 
 
 First EDITIONS. 
 
 Satrus (Epaar). The Monster. 1912; The Perfume of Eros. 1906; 
 The Lords of the Ghostland. 1907. Together, 3 vols, 12mo, cloth. 
 New York, 1905-1912 
 
 First EDITIONS. 
 
 Sanrrus (Epear). Vanity Square. Philadelphia, 1906; Historia 
 Amoris. New York, 1906. Together, 2 vols. 12mo, cloth. 
 Philadelphia and New York, 1906 
 
 First EDITIONS. 
 
 Saurus (Epcar). The Pomps of Satan. 1906; The Imperial 
 Orgy. 1920. Together, 2 vols. 1%mo, cloth. 
 New York, 1906-1920 
 
 First EDITIONS. 
 
 Sanrus (Epaar). The Gardens of Aphrodite. With vignette on 
 title-page by Joseph Pennell. Royal 8vo, boards, cloth back, un- 
 cut and unopened. 
 
 Philadelphia: Privately Printed for the Pennell Club, 1920 
 
 Limirep EDITION of 68 copies, of which this is, No. 46. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1202. 
 
 1203. 
 
 1204. 
 
 1205. 
 
 1206. 
 
 1207. 
 
 1208. 
 
 1209. 
 
 Sattus (Hpear). The Pace that Kills. Chicago [1889]; Balzac. 
 Boston, 1887; Saurus (Francis 8.). Flasks and Flagons. Buf- 
 falo, 1892. First Eprrion, limited to 500 copies, of which this 
 ws, No. 140. Together, 3 vols. 12mo, wrappers, cloth and half 
 leather. New Wrappers on first item, binding worn on last item. 
 
 Chicago, ete., 1887-1892 
 
 SALTus (Francis 8.) Honey and Gall. Poems. 12mo, cloth. 
 Philadelphia, 1873 
 
 First Epition. Tipped on end-leaf is a card with the following nota- 
 tion in ink by the son of the author: All the poems in “Honey & Gall” 
 (with exception of three) were written by the author prior to his 
 eighteenth year. F. H. Saltus. 
 
 Tipped on fly-leaf is an Autograph Sonnet Signed: “F. 8S. Saltus,” 
 titled: “Adelina Patti.” 1p. 4to, written in Italian. 
 
 AUTOGRAPH] PRESENTATION COPY FROM THE AUTHOR to A. O. Castel- 
 lanos, with autograph inscription in red ink on fly-leaf. 
 
 POEMS BY SIEGFRIED SASSOON—ALL “FIRSTS” 
 
 Sassoon (SIEGFRIED). The Old Huntsman and Other Poems. 8vo, 
 boards, uncut. London [1917] 
 First Eprrion. Dedicated to Thomas Hardy. 
 
 SASSOON (SIEGFRIED). Counter-Attack and Other Poems. 12mo, 
 wrappers. London, 1918 
 
 First Epition. Tipped on end-leaf is an Original Autograph Poem 
 Signed: “Siegfried Sassoon.” Comprises 12 lines, written July 1918 
 titled: ‘The Dug-Out.” 
 
 SASSOON (SIEGFRIED). Picture Show. 8vo, boards, uncut and un- 
 opened. [Cambridge] Privately Printed, 1919 
 First Epirion. Limited to 200 copies, signed by the author. 
 
 SASSOON (SIEGFRIED). The War Poems of Siegfried Sassoon. 16mo, 
 cloth, uncut. London, 1919 
 
 First EDITION. 
 
 Scott (Tempre). The Pleasure of Reading. New York, 1909; 
 War Poems sy “X”. London [1916]. Together, 2 vols. 12mo, 
 cloth, and boards with paper label. 
 
 7 New York and London, 1909-[1916] 
 
 First EpDITIons. 
 
 Scorr (Str Warrer). A Complete Collected Set of the Waverley 
 Novels, as below described. Together, 74 vols. 12mo, in the orig- 
 inal bindings of boards, cloth, or boards with cloth backs, and 
 all with the original paper labels, a few of which may be rubbed. 
 ALL ARE ENTIRELY Uncut, Edinburgh, 1814-1832 
 
 A FINE SET OF First Epirions. UNCUT AND IN THE ORIGINAL BIND- 
 Ings. Comprises,— 
 Waverley. 3 vols. 1814. Contains the separately printed pages 
 bearing the printer’s names in Vol. 1 and 2. 
 
 [ Continued 
 
Fourth Session, Thursday Evening, May 1st 
 
 [ No. 1209—Continued] 
 
 Guy Mannering. 3 vols. 1815. Contains the separately printed 
 “Errata” in Vol. 8. 
 
 The Antiquary. 38 yols. 1816. Contains the “Glossary.” 
 
 Tales of My Landlord. [First Series.] 4 vols. 1816. With the 
 4pp. of advertisements in Vol. 1. Comprises “The Black 
 Dwarf” and “Old Mortality.” Lord Radcliffe’s copy with his 
 hame in ink on covers and title-pages. 
 
 Tales of My Landlord. Second Series. 4 vols. 1818. Com- 
 prises “The Heart of Mid-Lothian.” 
 
 Tales of My Landlord. Third Series. 4 vols. 1819. Contains 
 the advertisements; name on titles. Comprises “The Bride 
 of Lammermoor” and “Legend of Montrose.” 
 
 Tales of My Landlord. Fourth Series. 4 vols. 1832. Comprises 
 “Count Robert of Paris” and “Castle Dangerous.” 
 
 Rob Roy. 8 vols. 1818. 
 
 Ivanhoe. 38 vols. 1820. Contains the advertisements. 
 
 The Monastery. 3 vols. 1820. 
 
 The ae 3 vols. 1820. Leaf of advertisement at end of 
 
 ol. 3. 
 
 Kenilworth. 3 vols. 1821. Contains advertisements. 
 
 The Fortunes of Nigel. 3 vols. 1822. Contains advertisements. 
 
 The Pirate. 3 vols. 1822. 
 
 Peveril of the Peak. 4 vols. 1822. With the slip of “Hrratum” 
 in Vol. 3, and 12pp. of advertisements in Vol. 1. 
 
 Quentin Durward. 3 vols. 1823. 
 
 Red Gauntlet. 3 vols. 1824. Contains the advertisements. 
 
 St. Ronan’s Well. 3 vols. 1824. With advertisements. 
 
 Tales of the Crusaders. 4 vols. 1825. Comprises “The Be- 
 trothed” and “The Talisman.” With advertisements. 
 
 Woodstock. 3 vols. 1826. 
 
 Chronicles of the Canongate. [First Series.] 2 vols. 1827. 
 Contains the advertisements ; name in ink on titles. 
 
 Chronicles of the Canongate. Second Series. 3 vols. 1828. 
 Contains the advertisements. Comprises “St. Valentine’s 
 Day” and “The Fair Maid of Perth.” 
 
 Anne of Geierstein. 8 vols. 1829. Contains the advertisements. 
 
 Assumed and believed to be entirely complete with all half-titles 
 but sold not returnable if it should be found that it lacks one or more 
 half-titles. 
 
 1210. Suncur (AuAN). Letters and Diary of Alan Seeger. London, 1917; 
 FRANK SwiInNeERTON. Personal Sketches by Arnold Bennett, H. 
 G. Wells, Grant M. Overton. New York [1920.] ach vol. with 
 portrait. Together, 2 vols. 12mo, boards and cloth, uncut. 
 London and New York, 1917-[ 1920] 
 
 EXCEPTIONALLY FINE SERIES OF BERNARD SHAW’S WORKS 
 
 1211. SHaw (GrorcE Bernarp). An Unsocial Socialist. 12mo, cloth, 
 some edges uncut. London, 1887 
 First EDITION. 
 
 1212. Saw (Georcze BerNarp). Fabian Essays in Socialism. Edited by 
 G. Bernard Shaw. Frontispiece. 8vo, cloth, uncut. 
 London, 1889 
 
 First Eprrron. In addition to Shaw’s essay there are contributions 
 by Sidney Webb, William Clarke, Annie Besant, and others. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1213. 
 
 1214 
 
 1215 
 
 1216 
 
 1227. 
 
 1218. 
 
 1219, 
 
 1220. 
 
 1221. 
 
 1222. 
 
 SHAW (GEORGE BERNARD). The Quintessence of Ibsenism. 12mo, 
 cloth, gilt top, uncut. London, 1891 
 
 First EpItTion. 
 
 SHAW (GEORGE BERNARD). Widowers’ Houses. A Comedy. First 
 Acted at the Independent Theatre in London. 12mo, cloth, un- 
 cut. London, 1893 
 
 First EpIrion. 
 
 SHAW (GEORGE BERNARD). Plays: Pleasant and Unpleasant. With 
 portrait. 2 vols. 12mo, cloth, gilt tops, uncut. 
 London, 1898 
 
 First EpIrion. 
 
 SHAW (GEORGE BERNARD). Fabianism and the Empire: A Mani- 
 festo by The Fabian Society. Edited by Bernard Shaw. Lon- 
 don, 1900; Socialism and Superior Brains. A Reply to Mr. 
 Mallock. With portrait. New York, 1910; Together, 2 vols. 
 in one, 12mo, in green half morocco cover, gilt top, uncut. Back 
 somewhat faded. London and-New York, 1900-1910 
 
 First Epirion of Fabianism and the Empire. 
 
 SHAW (GEORGE BernarD). Fabianism and the Empire: A Mani- 
 festo by the Fabian Society. Edited by Bernard Show. 12mo, 
 cloth and boards, gilt top. London, 1900 
 
 First EpIrion. 
 
 SHAW (GEORGE BERNARD). Love Among the Artists. 12mo, cloth, 
 gilt top, uncut. Chicago, 1900 
 
 First EpIrion. 
 
 SHAW (GEORGE BERNARD). Three Plays for Puritans: The Devil’s 
 Disciple, Caesar and Cleopatra, & Captain Brassbound’s Conver- 
 sion. 12mo, cloth, gilt top, uncut. London, 1901 
 
 First Epirion. 
 
 SHAW (GEORGE Bernarp). Mrs. Warren’s Profession: A Play in 
 Four Acts. Portrait. 12mo, original cloth. London, 1902 
 
 First EpIrion. 
 
 SuAw (GEorcE Bernard). The Common Sense of Municipal Trad- 
 ing. 1904; Heartbreak House, Great Catherine, and Playlets of 
 the War. 1919. Together, 2 vols. 12mo, original cloth, uncut. 
 
 London, 1904-1919 
 
 Boru First EpIrions. 
 
 SHAW (GEORGE BerNarD). The Irrational Knot. Being the Second 
 Novel of his Nonage. 12mo, cloth, uncut. London, 1905 
 
 First Epirion. 
 
1223. 
 
 1224, 
 
 1225. 
 
 1226. 
 
 1227. 
 
 1228. 
 
 1229. 
 
 1230. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 [SHAW (GEORGE Brernarp).| Harry Furniss’s Christmas Annual 
 for 1905. Ato, original wrappers. Enclosed in cloth slip-case, 
 with inner protecting cloth wrapper. | London, 1905 | 
 
 Contains the first appearance of “Passion, Poison and Petrifaction” 
 by Shaw. Also contains contributions by H. Rider Haggard, Max 
 Pemberton, George R. Sims, and others. 
 
 SHAW (GEORGE BerNarpD). On Going to Church. Boston, 1905; 
 Ruskin’s Politics. [London] 1921; Press Cuttings. A Topical 
 Sketch. Compiled from the Editorial and Correspondence Col- 
 umns of The Daily Papers. New York, 1909. Together, 3 vols. 
 12mo, boards, cloth and wrappers; the last mentioned being en- 
 closed in a cloth folder. Various places, 1905-[1921] 
 
 The second mentioned is First Edition; the last mentioned is First 
 American Hdition. 
 
 SHAw (GEORGE BERNARD). Captain Brassbound’s Conversion: An 
 Adventure. 12mo, cloth, uncut. London, 1906 
 First Separate Edition. 
 
 SHAW (GEORGE Bernarp). John Bull’s Other Island and Major 
 Barbara; also How He Lied to Her Husband. Square 12mo, 
 cloth, gilt top, uncut. _ London, 1907 
 
 First Epition. With inscription on inside of front cover, not how- 
 ever in autograph of the author. 
 
 [SHaw (GrEorRGE BerNARD).] Davins (W. H.). The Autobiogra- 
 phy of a Super-Tramp. With a Preface by Bernard Shaw. 12mo, 
 cloth. London, 1908 
 
 First Eprrion. Pasted on fly-leaf is a facsimile of Shaw’s Autograph 
 Note which appeared on the manuscript sent to the Publisher, reading 
 —I recommend this most remarkable Autobiography of a Supertramp to 
 your special attention. G. Bernard Shaw. 
 
 SHaw (GEORGE BERNARD). The Sanity of Art: An Exposure of the 
 Current Nonsense about Artists being Degenerate. 16mo. 1908; 
 On Going to Church. An Essay from The Savoy. 12mo. Bos- 
 ton, 1909. Together, 2 vols. in one, 12mo, half green morocco 
 
 cover, gilt top, some edges uncut, back faded. 
 London and Boston, 1908-1909 
 
 Suaw (Grorce Bernard). Press Cuttings: A Topical Sketch com- 
 piled from the editorial and correspondence columns of the Daily 
 Papers, by Bernard Shaw, as performed by the Civie and Dra- 
 matic Guild at the Royal Court Theatre, London, on the 9th July 
 1909. 12mo, original wrappers, uncut. London, 1909 
 
 First EpIrion. 
 
 Suaw (Grorce Bernarp). Socialism and Superior Brains. A 
 Reply to Mr. Mallock. Portrait. 12mo, cloth and boards, gilt 
 top. London, 1910 
 
 Second Edition. 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 
 1231. SHaAw (GkEOoRGE BERNARD). The Doctor’s Dilemma, Getting Mar- 
 
 1232. 
 
 1233. 
 
 1234, 
 
 12305, 
 
 1236. 
 
 1237. 
 
 1238. 
 
 ried, & The Shewing-up of Blanco Posnet. 12mo, cloth, gilt top, 
 uncut. London, 1911 
 
 First EDITION. 
 
 [|SHAaw (GEORGE BerRNARD).] Pygmalion: A Play in Five Acts: by 
 a Fellow of the Royal Society of Literature. 12mo, wrappers. 
 London, 1913 
 
 ROUGH PROOF—UNPUBLISHED. WITH NUMEROUS CORRECTIONS AND 
 NOTATIONS BY SHAW in pen and ink. The half-title is inscribed,—Sir 
 H. B. Tree, His Majesty’s Theatre, Haymarket, S. W., in an unknown 
 hand. 
 
 SHAw (GrEorRGE Bernarpd). Misalliance, The Dark Lady of the 
 Sonnets, and Fanny’s First Play. With a Treatise on Parents 
 and Children. 12mo, cloth, gilt top, uncut and unopened. 
 
 London, 1914 
 
 First EpItTion. 
 SHAW (GEORGE Bernard). Androcles and the Lion, Overruled, 
 Pygmalion. 12mo, cloth, uncut. London, 1916 
 
 First EpItrion. 
 
 SHAW (GEORGE BERNARD). Peace Conference Hints. London, 1919; 
 How to Settle the Irish Question. Dublin and London, 1917. 
 Together, 2 vols. 12mo and 8vo, wrappers. 
 
 London and Dublin, 1917-1919 
 
 First EDITIONS. 
 
 SHAW (GEORGE Bernard). Back to Methuselah. A Metabiological 
 Pentateuch. 12mo, cloth, uncut. London, 1921 
 
 First EpIrion. 
 
 [SHAw (GrEorGE BERNARD).| WeBB (SrpNey and Buarrice). Eng- 
 lish Prisons under Local Government. 8vo, cloth, uncut. 
 London, 1922 
 
 First Epirion. 
 
 SHELLEY (PErcy ByssHe). In Memoriam. Adonais. An Elegy 
 on the Death of John Keats. With tinted lithographic portrait 
 of Keats mounted within decorative border, as frontispiece, title 
 within similar border, blue double-ruled margins. Printed for 
 William Andrews Clark, Jr. By John Henry Nash; [Atso] 
 SHELLEY (Percy B.). Adonais. Pisa, with the Types of Didot, 
 MDCCCXXI._ [Facsimile reprint for William Andrews Clark, 
 Jr. By John Henry Nash.] Together, 2 vols. small folio, boards, 
 gilt top, uncut; and square 8vo, wrappers. In single board slip- 
 case, with fitted pockets. San Francisco, 1922 
 
 PRINTED FOR PRIVATE DISTRIBUTION and limited to 150 copies of each, 
 ns erica of the Hundredth Anniversary of the Death of 
 e Poet, 
 
1239, 
 
 1240. 
 
 1241. 
 
 1242. 
 
 1243. 
 
 1244. 
 
 1245 
 
 1246 
 
 1247 
 
 Fourth Session, Thursday Evening, May 1st 
 tin ANES REO aC al RN SSE ati A ate Ct ak 
 
 SHELTON (WitttAm Henry). The Jumel Maison. Being a Full 
 History of the House on Harlem Heights built by Roger Morris 
 before the Revolution. Together with some account of its more 
 notable occupants. With illustrations. Royal 8vo, cloth, gilt 
 top, uncut. Boston, 1916 
 
 SHERINGHAM (GEORGE). Drawings in Pen and Pencil. From 
 Diirer’s Day to Ours. With Notes and Appreciations. Numerous 
 reproductions. 8yvo, original vellum, leather label, gilt top, un- 
 cut. London, 1922 
 
 LIMITED TO 250 COPIES. 
 
 SMitH (Cnark AsuTon). The Star-T'reader and other Poems. 
 Rubricated title-page. 12mo, boards, uncut. 
 
 San Francisco, 1912 
 First EpItion. 
 
 SMITH (CLARK AsHTON). Ebony and Crystal. Poems in Verse 
 and Prose. 8vo, cloth. [ Auburn, Cal., 1922] 
 
 Laid in is an Autograph Letter Signed,—“Clark Ashton Smith,” 3pp. 
 12mo, Auburn, Cal., April 12th, 1917. To My dear Mr. Blake. [Also] 
 A poem, 3 verses of 4 lines each, typewritten on a 4to sheet, with cor- 
 rections by the author, and his autograph signature, “Clark Ashton 
 Smith.” 
 
 Sommer (H. O.). The Recuyell of the Historyes of Troye. Writ- 
 ten in French by Raoul Lefevre. Translated and Printed by 
 William Caxton (about A. D. 1474). The first English printed 
 book, now faithfully reproduced with a critical introduction, in- 
 dex and glossary and eight pages in photographic facsimile. 2 
 vols. small 4to, boards, cloth backs, uncut and partly unopened. 
 
 London: David Nutt, 1894 
 
 Squire (J. C.). The Gold Tree. Woodcut border on title, with int- 
 tials designed by Austin O. Spare and engraved on wood by W. 
 Quick. 8vo, buckram, gilt top, uncut. London, 1917 
 
 Edition Limited to 500 copies signed by the author, of which this 
 is, No. 55. 
 
 Squire (J. C.). The Lily of Malud and Other Poems. 4to, wrap- 
 pers, uncut. Hnclosed in blue half morocco slip-case, gilt let- 
 tered on back. London, [1917] 
 
 First EpItTIon. 
 
 StracHEy (Lyrron). Eminent Victorians. With portraits. 8vo, 
 cloth, paper label, uncut. London, 1918 
 
 First EpItion. 
 
 StracHey (Lyrron). Queen Victoria. With portraits. 8vo, cloth, 
 
 paper label, uncut. London, 1921 
 First EpItTIon. 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 ahh SE chet a Seb a 
 
 1248. Srracury (Lyrron). Books and Characters, French & English. 
 With portraits. 8vo, buckram, paper label, uncut. : 
 London, 192 
 
 First EDITIon. 
 
 1249. SrepHENS (A. G.). AND Linpsay (Norman). Oblation. Profusely - 
 illustrated. Small folio, original wrappers. [Sydney, 1897] ~ 
 
 One of 99 copies on “larger white paper” initialed by the authors. 
 
 FINE SERIES OF FIRST EDITIONS BY JAMES STEPHENS—RARE 
 
 1250. Srepnens (JAMES). The Charwoman’s Daughter. 12mo, original 
 cloth. London, 1912 
 
 IMMACULATE COPY OF THE RARE First Eprrion. Of particular inter: 
 est, aS bearing, on title-page, publisher’s embossed stamp, “PRESENTA- 
 TION COPY.” 
 
 1251. SrepHENns (James). The Crock of Gold. 12mo, original cloth. 
 London, 1912 
 
 FINE COPY OF THE First EDITION. 
 
 1252. SrepHENS (JAMES). The Hill of Vision. 12mo, original boards, 
 cloth back, gilt top. Dublin, 1912 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 1253. STEPHENS (JAMES). Here are Ladies. 12mo, original cloth. 
 London, 19138 
 
 FINE COPY OF THE FIRST EDITION. 
 
 1254. STEPHENS (James). The Demi-Gods. 12mo, original cloth. 
 London, 1914 
 
 VERY FINE COPY OF THE First EDITION. 
 
 1255. STEPHENS (JAMES). Songs from the Clay. 12mo, original cloth, 
 uncut and UNOPENED. London, 1915 
 VERY FINE COPY OF THE FIRST EDITION. 
 
 1256. StepHENS (JAMES). The Insurrection in Dublin. 12mo, original 
 cloth, cover stained. Dublin, 1916 
 
 First EDITION. 
 
 1257. STEPHENS (JAMES). Reincarnations. 12mo, original cloth, uncut 
 and UNOPENED. In original dust wrappers. London, 1918 
 VERY FINE COPY OF THE First EDITION. 
 
 FIRST EDITIONS OF GEORGE STERLING 
 
 1258. STERLING (GEORGE). Ode on the Opening of the Panama-Pacific 
 International Exposition . . . Square 8vo, boards, Holland 
 back, uncut. San Francisco, 1915 
 
 First Epition. Laid in is a Manuscript Poem “Jo Life,” 2 verses, 
 written on a 4to sheet and signed,—“George Sterling ;’ [Also] A poem, 
 “To Leopold of Belgium,” written on a 4to sheet, and signed by the 
 author, “George Sterling.” 
 
Fourth Session, Thursday Evening, May 1st 
 ie eae at Ee 
 
 1259. SteRLING (GkrorcE). The Caged Eagle and Other Poems. 1916; 
 Jilth. A Dramatic Poem. 1919. Together, 2 vols. 12mo, 
 cloth and wrappers, uncut. San Franciseo, 1916-1919 
 
 First Epirion. 
 
 1260. Stertine (GrorcE). Rosamund. A Dramatic Poem. 8vo, wrap- 
 pers, uncut. San Francisco, 1920 
 
 First EpIrron. PRESENTATION copy, inscribed by the author,—For 
 Herbert Rothchild, with the best wishes of his friend, George Sterling. 
 San Francisco, Dec. 14th, 1920. 
 
 A MOST REMARKABLE SERIES OF WORKS BY STEVENSON—UNUSUALLY 
 COMPLETE 
 
 VERY RARE FIRST EDITION 
 
 1261. STEVENSON (Roxpert Louis). Notice of a New Form of Intermit- 
 tent Light for Lighthouses. 8vo, stitched as issued. Enclosed 
 in a full red straight-grain morocco solander case, with inner 
 cloth wrapper. Edinburgh: Printed by Neill and Company, 1871 
 
 First EDITION. VERY RARE. ONLY A FEW COPIES WERE ISSUED. The 
 following inscription in ink appears on title: With the Author’s Com- 
 pliments. 
 
 SOME OF THE EARLIEST STEVENSON ARTICLES PUBLISHED 
 
 1262. STEVENSON (Roserr Louis). The Edinburgh University Magazine. 
 Nos. I to IV, January to April, 1871, inclusive. Bound in an 
 8vo volume, cloth. Edinburgh, 1871 
 
 Stevenson’s contributions are as follows: No. I. College Papers, 
 No. I. Edinburgh Students in 1824; No. II. College Papers, No. 2. 
 The Modern Student Considered Generally; The Philosophy of Um- 
 brellas; No. III. College Papers, No. 3. Debating Societies; An Old 
 Seotech Gardener; No. IV. The Philosophy of Nomenclature. See 
 PRIDEAUX’S “Bibliography of Stevenson.” 
 
 RARE FIRST SEPARATE ISSUE IN ORIGINAL WRAPPERS 
 
 1263. STEVENSON (RopeErt Louis). On the Thermal Influence of Forests. 
 By Robert Louis Stevenson, Esq. 14pp. 8vo, OrigInaL PALE 
 BiuE Wrarpers, with title-page reproduced on front cover, un- 
 cut. Edinburgh: Printed by Neill and Company, 1873 
 
 RARE FIRST SEPARATE ISSUE. 
 
 “This essay was reprinted from the Royal Society of Edinburgh, 
 Vol. VIII. (1875). It was read before the Society on May 19, 
 18738 . . . It is generally supposed that only 26 or 27 copies were 
 printed.”—PRIDEAUx’s Bibliography of Stevenson. 
 
 1264. [Stevenson (Ropert Louts).] The Cornhill Magazine. Vols. 
 XXIX and XXX, from January, to December, 1874. Contain- 
 ing Stevenson’s article, “Victor Hugo’s Romances.” in Vol. XXX, 
 pp. 179-194, August, 1874. Illustrations. 2 vols. thick 8vo, half 
 ealf. London,1874 
 
 ORIGINAL APPEARANCE OF STEVENSON’sS “Victor Hugo’s Romances.” 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 
 1265. Stevenson (Ropert Louis). Temple Bar. A London Magazine. 
 Vol. 51. No. 203. October, 1877. Contains: “A Lodging for 
 the Night: A Story of Francis Villon,” by Stevenson. 8vo, orig- 
 inal wrappers. London, 1877 
 
 1266. SrevENson (Ropert Louris). Temple Bar. A London Magazine. 
 Vol. 52. No. 206. January, 1878. Contains: “The Sire de 
 Maletroit’s Door,” by Stevenson. 8vo, original wrappers. 
 
 London, 1878 
 
 1267. Stevenson (Rosert Louis). An Inland Voyage. Hngraved title. 
 12mo, original cloth, slightly worn. London, 1878 
 
 First EpITion. Very scarce. 
 
 SPLENDID COPY OF THE RARE FIRST EDITION 
 
 1268. SrEvENsSoN (Ropert Louis). Travels with a Donkey in the Ce- 
 vennes. Frontispiece by Walter Crane, showing Stevenson in the 
 foreground, I ying on the ground, with a blanket over him, smok- 
 ing, while the donkey is browsing nearby. 12mo, original cloth, 
 uncut. London, 1879 
 
 A REMARKABLY FINE COPY OF THE RARE First EDITION. 
 
 FINE COPY—FIRST EDITION—WITH SOME CORRECTIONS POSSIBLY BY 
 STEVENSON 
 
 1269. SrnvENson (Ropert Louis). Deacon Brodie, or, The Double Life: 
 A Melodrama, founded on Facts, in Four Acts and Ten ‘Tableaux. 
 By Robert Louis Stevenson and William Ernest Henley. 12mo, 
 half maroon morocco, gilt, gilt paneled back, gilt top. 
 [ Edinburgh] 1880 
 First Eprrion. VERY FINE copy. On p. 66 there are a few words 
 
 crossed out and other words substituted in the margin, in ink, in a 
 hand that resembles Stevenson’s. 
 
 VERY RARE PROOF SHEET WITH CORRECTIONS IN STEVENSON’S HAND 
 
 1270. StEvVENSON (Ropert Louis). Frrsrt Proor SHEET oF: “The Ama- 
 teur Emigrant.” Wirt CorRRECTIONS IN STEVENSON’s AUTO- 
 GRAPH. Four columns on one large folio sheet. 
 
 A RARE AND INTERESTING STEVENSON ITEM, Which was intended for 
 the publication of “The Amateur Emigrant” in 1880. According to 
 Prideaux, ONLY A FEW COPIES WERE PRINTED AND THEN RIGOROUSLY SUP- 
 PRESSED. The authorised book was not published until a year after 
 Stevenson’s death, 1895. 
 
 The proof shows passages marked out by Robert Louis Stevenson 
 at the direction of Sidney Colvin. One word in the second column and 
 a whole line, written in Stevenson’s autograph appears in the third 
 column of the proof sheet, with the initials “R. L. S.—K. O.” appended, 
 as a verification of the authenticity of the autograph. Besides numer- 
 ous proof corrections there are also notations by “OC. K. P.” 
 
 1271. STEVENSON (Rosert Louis). Virginibus Puerisque, and Other 
 
 Papers. 12mo, original cloth, somewhat worn. London, 1881 
 
 First EpItTIon. Tats the Library of George Barr McCutcheon, with 
 his bookplate by Spenceley. 
 
Fourth Session, Thursday Evening, May 1st 
 
 1272. STEVENSON (Ropert Louis). Familiar Studies of Men and Books. 
 12mo, cloth, uncut. London, 1882 
 
 First Epition. Very FINE copy. With the 32 pages of advertise- 
 ments at end. 
 
 From the Dorothy Furman collection, with bookplate. 
 
 MORAL 
 EMBLEMS 
 
 Collection of Cuts and Verses. 
 By 
 
 ROBERT LOUIS STEVENSON. 
 Author of 
 The Blue Scalper, Travels with a Don- 
 key, Treastire Island, Not i etc. 
 
 Printets: 
 6. b. OSBOURNE & COMPANY, 
 Davow-Platz: 
 [No. 1273] 
 
 FINE COPY OF THE RARE ORIGINAL ISSUE 
 
 1273. StEvVENSON (Rosert Louis). Moral Emblems. A Collection of 
 Cuts and Verses. By Robert Louis Stevenson. Woodcuts by 
 Stevenson. 16mo, 12 unnumbered pages. Enclosed in a quarter 
 red straight-grain morocco slip-case, with inner cloth wrapper. 
 
 Printers: S. L. Osbourne & Company, Davos-Platz [1882 | 
 
 RARE ORIGINAL ISSUE OF ONE OF THE SCARCE JUVENAL Toy-BooKs, the 
 woodeuts of which were executed by Stevenson with a pen-knife. 
 
 [See Reproduction of Title-page] 
 
 THE RARE FIRST EDITION 
 
 1274. Stevenson (Ropsrr Louis). New Arabian Nights. 2 vols. 12mo, 
 
 original sage-green cloth, entirely uncut, flowered end-papers. 
 London: Chatto & Windus, 1882 
 
 EXTREMELY RARE First Epition and a copy much above the average 
 in condition. With the correct pagination, the author’s note on sepa- 
 rate leaf following dedication in first volume, and the 32 pages of 
 advertisements at end of second volume. VERY RARE IN ANY CONDITION. 
 Name in ink on fly-leaf of Vol. 1. 
 
 The Edwin B. Holden copy, with bookplate in each volume. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 UNCUT COPY OF THE SCARCE FIRST PRINTING 
 
 1275. Stevenson (Ropert Louis). The Story of a Lie. 12mo, as issued, 
 uncut. London, 1882 
 
 RARE First Epition. “The Story of a Lie was prepared for issue 
 in 1882, but in consequence of a dispute which arose with the proposed 
 publishers upen the question of Copyright, the project was abandoned, 
 and the book withdrawn before publication. The work was never 
 ‘made up’ for issue, and the few copies that have survived are merely 
 such sets of the sheets as chanced to have been preservd by the pub- 
 lishers and printers. It is necessarily extremely rare.”—PRIDEAUX’S 
 Bibliography of Stevenson. 
 
 This copy must have been bound in wrappers at some time or 
 other as is apparent from the paste on the back. 
 
 THE 
 GRAVER® THE PEN, 
 Scenes from Nature with 
 
 Appropriate Verses 
 BY 
 ROBERT LOUIS STRVEN SON 
 author of 
 
 ‘The New Arabian Nights,’ ‘Moral Emblems, 
 ‘Not I,’ ‘Treasure Island,’ etc. 
 
 Illustrated. 
 
 EDINBURGH 
 
 S.L. Osbourne § Company 
 No. 17 Herrot Row. 
 [It was only by the kindness of Mr. CRERAR of Kingussie 
 
 that we are able to issue this little work—having allow- 
 ed us to print with his own press when ours was broken. | 
 
 [No. 1276] 
 
 FINE COPY IN ORIGINAL WRAPPERS 
 
 1276. StEvENSON (Roserr Lours). The Graver & The Pen, or Scenes 
 from Nature with Appropriate Verses. By Robert Louis Steven- 
 son. Illustrated with woodcuts. 16mo, original. French-grey 
 wrappers, with the title “The Graver & The Pen” in red letters. 
 Enclosed in a quarter red straight-grain morocco slip-case, with 
 inner cloth wrapper. 
 
 Hdinburgh: 8. L. Osbourne & Company [1882] 
 ORIGINAL EDITION OF ONE OF THE RARE JUVENAL Toy-BooKs, with the 
 woodcuts executed by Stevenson with a pen-knife. 
 
 [See Reproduction of Title-page] 
 
Fourth Session, Thursday Evening, May 1st 
 
 1277. STEVENSON (Rosert Louis). The Silverado Squatters. Frontis- 
 piece. 12mo, original pictorial green cloth, uncut. 
 London, 1883 
 
 First Epition. With the 32 pages of advertisements at end. VERY 
 FINE COPY. 
 
 FIRST EDITION IN ORIGINAL CRIMSON CLOTH 
 
 1278. STEVENSON (Roserr Louris). Treasure Island. Map. 12mo, orig- 
 inal crimson cloth, covers somewhat stained. London, 1883 
 First Epirion. 
 
 RARE FIRST ISSUE IN ORIGNAL WRAPPERS 
 
 1279. STEVENSON (Ropert Louis) anp HENLEY (W. E.). Admiral Gui- 
 nea. A Melodrama in Four Acts. 8vo, ORIGINAL CREAM-COL- 
 ORED WRAPPERS, uncut. Enclosed in a maroon levant morocco 
 solander case, blind tooled on sides, gilt lettered on back, inner 
 
 cloth wrapper, BY RIVIERE. 
 [Edinburgh] Printed by R. & R. Clark, for Private Circulation 
 Only, 1884 
 
 THE EXCEEDINGLY RARE FIRST ISSUE OF THE First Epition. This play 
 was not published until 1892 and one of a very small number were 
 printed for copyright purposes. 
 
 AUTOGRAPH PRESENTATION COPY FROM W. HE. HENLEY to Sidney Colvin, 
 with Henley’s initials on front cover and the following inscription on 
 title: Sidney Colvin. From the Authors. 29/10/84. SEVERAL MANU- 
 SCRIPT CORRECTIONS APPEAR IN THE TEXT. 
 
 THIS IS A VERY RARE STEVENSON ITEM, RENDERED DOUBLY INTERESTING 
 BY ITS AUTOGRAPHIC INSCRIPTIONS AND ASSOCIATION. 
 
 The Coggeshall copy. 
 
 1280. Srevenson (Roserr Louis). A Child’s Garden of Verses. 1%mo, 
 OrtgInaL Crorn, gilt top, uncut, binding worn. 
 London, 1885 
 Rare First Epirion. With library label of Lahore Institute inside 
 front cover. 
 
 1281. Srevenson (Rosert Louis). The Dynamiter. By Robert Louis 
 Stevenson and Fanny Van de Grift Stevenson. 12mo, original 
 paper wrappers. Enclosed in a light brown quarter morocco slip- 
 case, with inner cloth wrapper. London, 1885 
 
 First Epirion. FINE CLEAN COPY. 
 
 UNCUT COPY OF FIRST EDITION 
 
 1282. Srpvenson (Rosert Louis). Macaire. A Melodramatic Farce in 
 Three Acts. By William Ernest Henley and Robert Louis Steven- 
 son. 12mo, original wrappers, uncut. Enclosed in a quarter 
 maroon morocco slip-case, with inner cloth wrapper. | 
 
 Edinburg: Printed by R. & R. Clark for Private Circulation 
 Only, 1885 
 First EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1283. STEVENSON (RoperT Louis). . Prince Otto. A Romance. 12mo, 
 
 original cloth. London, 1885 
 
 FINE Copy oF THE First EprrTion. 
 
 1284, STEVENSON (RosBert Louris). Unwin’s Annual. 1886. The Broken 
 
 1285 
 
 Shaft. Tales in Mid-Ocean. Edited by Henry Norman. Tllus- 
 trations. 4to, pictorial gray-green wrappers. Enclosed in cloth 
 wrapper. London: T. Fisher Unwin, 1886 
 
 Contains the FIRST ISSUE of “Markheim,” by Robert Louis Stevenson, 
 pp. 27 to 40, with a full-page illustration by Harold Copping. After 
 the publication of “Markheim” in the above work, it was not reprinted 
 until 1887, when it found a place in the collection of stories published 
 under the title of “The Merry Men,” pp. 111-134. 
 
 Though this Annual is dated 1886, it was published in December, 
 1885. 
 
 The above publication also contains contributions by F. Marion 
 Crawford, F. Anstey, W. H. Pollock, William Archer, T. Hopkins, and 
 Henry Norman. 
 
 . STEVENSON (Roperr Louts). Kidnapped. Being the Memoirs of 
 
 the Adventures of David Balfour in the year 1751. Map. 12mo, 
 cloth, uncut. [London] 1886 
 
 FIRST PUBLISHED EDITION. 
 
 1286. STEVENSON (Rogsert Louis). The New Amphion. Illustrated. 
 
 1287 
 
 1288 
 
 *4mo, original vellum, gilt tooled ornamental design on sides, 
 gilt back, red edges, ties, rebacked. Edinburgh, 1886 
 
 First Epirion. Contains. the first issue of “Some College Memories,” 
 with portrait of Prof. Kelland, by W. Hole, facing page 236. Without 
 the added slip of David Douglas. 
 
 . StevENSON (Ropert Louis). Strange Case of Dr. Jekyll and Mr. 
 
 Hyde. 12mo, original fawn colored wrappers, with title on front 
 wrapper and advertisements on back. Enclosed in a light brown 
 quarter morocco slip-case, with inner cloth wrapper. 
 
 London, 1886 
 
 RARE First EDITION IN THE ORIGINAL WRAPPERS. Fine copy and very 
 hard to obtain in this condition. The leaf of advertisement is at end. 
 
 . STEVENSON (Ropert Louis). Some College Memories. Vignette 
 
 portrait on title. 16mo, original grey handmade wrappers, un- 
 cut. Hnclosed in a half green levant morocco slip-case, gilt back, 
 inner cloth wrapper. 
 
 Edinburgh: Printed for Members of the University Union 
 
 Committee, 1886 
 
 First Epirion. 
 
 “It has been stated that this brochure was printed at the instance, 
 and at the cost, of Mr. W. H. Hepworth, Examiner in Art at South 
 Kensington, and that it was produced with its author’s consent and 
 approval. On the other hand doubts have been thrown on its authen- 
 ticity.”—PrIDEAUx’s Bibliography of Stevenson. 
 
 Tipped in on verso of front wrapper, is a check made out to E. Price 
 & Sons for £2.5.6., with the date, name and amount of money, written 
 out in the autograph of Stevenson in ink, and signed: “Robert Louis 
 Stevenson.” 
 
 From the John W. R. Crawford collection, with armorial bookplate. 
 
1289. 
 
 1290. 
 
 LU. 
 
 1292. 
 
 1293. 
 
 1294, 
 
 1295. 
 
 1296. 
 
 1297. 
 
 Fourth Session, Thursday Evening, May 1st 
 
 STEVENSON (Ropert Louis). Alma Mater’s Mirror. Edited by 
 Thomas Spencer Baynes and Lewis Campbell.  Ilustrations. 
 Square 16mo, vellum, richly gilt, flaps and ties. 
 
 Edinburgh, 1887 
 
 Contains “The House Beautiful” by Stevenson, also contributions by 
 A. Lang, J. A. Froude, Austin Dobson, Edmund Gosse, and others. 
 
 STEVENSON (Ropert Louis). The Misadventures of John Nichol- 
 son. A Christmas Story. | Published in Cassell’s Christmas 
 Annual, “Yule Tide.” 1887.] Folio, pictorial wrappers. n- 
 closed in blue cloth slip-case, morocco back, gilt lettered, with 
 inner cloth folder. [London, December, 1887] 
 
 ORIGINAL PUBLICATION. First EDITION IN ANY FORM. 
 
 STEVENSON (Rozperr Lours). Memories and Portraits, 12mo, orig- 
 inal cloth, gilt top, uncut. London, 1887 
 
 FINE COPY OF THE SCARCE First EDITION. 
 
 SPLENDID COPY OF FIRST EDITION IN ORIGINAL CLOTH 
 
 Stevenson (Ropert Lours). The Merry Men, and Other Tales and 
 Fables. 12mo, original cloth. London, 1887 
 
 IMMACULATE COPY OF THE SCARCE Firs? EDITION. 
 
 RARE FIRST EDITION 
 
 SreveNsoN (Rospertr Lours). Thomas Stevenson. Civil Engineer. 
 24mo, original blue wrappers, lettering on cover enclosed in heavy 
 ruled frame, front cover skilfully repaired. Enclosed in a quar- 
 ter deep blue morocco slip-case, with inner cloth wrapper. 
 
 No place: Printed for Private Distribution, 1887 
 First EpIvIonN. SCARCE. 
 
 Srevenson (Rosert Louis). Underwoods. 12mo, original cloth, 
 uncut. London, 1887 
 
 FINE copy OF THE First EDITION. 
 
 Stevenson (Rosert Louis). Voluntaries for an Hast London Hos- 
 pital. Frontispiece. 12mo, cloth, uncut. London, 1887 
 
 First Eprrion. Contains “Ad Matrem,” by Robert Louis Stevenson, 
 pp. 199-201. Other contributors are: The Earl of Lytton, Mrs. W. K. 
 Clifford, Austin Dobson, T. Gordon Hake, Mrs. Heckford, W. E. Hen- 
 ley, Andrew Lang, Clement Scott, and others. 
 
 Srevenson (Rosert Louis). The Black Arrow. A Tale of the 
 Roses. 12mo, original cloth, loose in covers. London, 1888 
 First ENGLISH EDITION. 
 
 Srevenson (Rosert Lours). Familiar Studies of Men and Books. 
 
 4to, original white buckram, uncut and unopened. 
 London, 1888 
 
 Epition timrrep to 100 copies on LarcE Paper, of which this is, 
 No. 97, signed: “R. € R. Clark.” 
 
 ea _ this edition is identical with the original edition on small 
 paper which was published in 1882. It was printed from the existing 
 stereotype plates,”—PRIDEAUX’S Bibliography of Stevenson, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1298. 
 
 Leo. 
 
 1300. 
 
 1301. 
 
 1302. 
 
 1303. 
 
 1304. 
 
 1305. 
 
 1306. 
 
 1307. 
 
 STEVENSON (Roserr Louis). The Master of Ballantrae. A Win- 
 ter’s Tale. 12mo, original cloth. London, 1889 
 
 FINE COPY OF THE First Eprrion. 
 
 STEVENSON (Roserr Louis). The Wrong Box. By Robert Louis 
 Stevenson and Lloyd Osbourne. 12mo, original cloth, uncut. 
 London, 1889 
 
 FINE COPY OF THE First EprIrtion. 
 
 STEVENSON (Roperr Louis). Ballads. 4to, white buckram, uncut 
 and unopened. London, 1890 
 
 First Epirion. Limited to 100 copies on LarcE Paper, of which this 
 is, No. 76, signed by R. & R. Clark. 
 
 STEVENSON (Roperr Louis). Ballads. 12mo, original cloth, gilt 
 top, uncut. London, 1890 
 
 FINE COPY OF THE First Epirion. 
 
 STEVENSON (Ropert Louis). Father Damien. An Open Letter to 
 the Reverend Dr. Hyde of Honolulu from Robert Louis Stevenson. 
 8vo, original brown paper wrappers, with printed title, entirely 
 uncut. Enclosed in a quarter red morocco slip-case, with intier 
 cloth wrapper. London, 1890 
 
 FIRST PUBLISHED EDITION. FINE COPY. 
 
 STEVENSON (Roserr Louis). Across the Plains, with Other Mem- 
 ories and Essays. 12mo, original cloth, gilt top, uncut. 
 London, 1892 
 
 First EpIrion. 
 
 STEVENSON (Rosert Louis). A Footnote to History. Eight Years 
 of Trouble in Samoa. Map. 12mo, original cloth, uncut. 
 London, 1892 
 
 FINE COPY OF THE First EpIrion. 
 
 STEVENSON (Rosert Louts). Three Plays. Deacon Brodie, Beau 
 Austin, Admiral Guinea. By W. E. Henley and R. L. Stevenson. 
 8vo, vellum paper boards, uncut and unopened. 
 
 London: David Nutt, 1892 
 
 First Epirion. Limited to 30 copies printed throughout on Japanese 
 vellum paper. 
 
 STEVENSON (Roserr Louris). Three Plays, by W. E. Henley and 
 R. L. Stevenson. 12mo, original cloth, gilt top, uncut, back faded, 
 as usual. London, 1892 
 
 First Epirion. 
 
 STEVENSON (Rosert Lours). The Wrecker, by Robert Louis Steven- 
 son and Lloyd Osbourne. Illustrated. 12mo, original cloth, un- 
 cut. London, 1892 
 
 First EpItTion, 
 
Fourth Session, Thursday Evening, May 1st 
 
 1308. StEvENsoN (Roserr Lovurs). Catriona. A Sequel to “Kidnapped.” 
 Being Memoirs of the Further Adventures of David Balfour at 
 
 Home and Abroad. 12mo, original cloth, uncut, somewhat worn. 
 
 London, 1893 
 
 First Epirion. 
 
 1309. StEvENsoN (Rozserr Louis). Island Night’s Entertainments, con- 
 sisting of The Beach of Falsea, The Bottle Imp, The Isle of 
 
 Voices. With illustrations by Gordon Browne and W. Hatherell. 
 
 8vo, cloth, uncut. London, 1893 
 
 First EDITION. EARLIEST ISSUE, with the pen correction of the price 
 on the leaf before half-title. 
 
 FIRST EDITION—FINE COPY 
 
 1310. Srpvenson (Ropert Louis). War in Samoa. 8vo, original red 
 wrappers with title reproduced on front wrapper. Enclosed in 
 a red quarter straight-grain morocco slip-case, with inner cloth 
 wrapper. London, 1893 
 
 VERY FINE COPY OF THE RARE First EDITION. 
 
 1311. SrEveNson (Rosert Louis). Virginibus Puerisque, and Other Pa- 
 pers. Htched frontismece portrait by Mercier. 12mo, original 
 boards, vellum back, uncut. New York, 1893 
 
 ONE OF 212 COPIES ON HOLLAND HANDMADE PAPER. 
 
 ORIGINAL MSS. OF THE EBB-TIDE: CONTAINING ABOUT THIRTY-SIX 
 THOUSAND WORDS IN STEVENSON’S AUTOGRAPH 
 
 1312. STEVENSON (RopeErt Louis). OrtcinaL AUTOGRAPH MANUSCRIPT 
 SIGNED oF: “The Ebb-Tide.” Manuscript of about Fortry-THov- 
 SAND Worps, about THirTy-stx THOUSAND OF WHICH ARE WRIT- 
 TEN BY STEVENSON and Four THousaNnp By LLOYD OSBOURNE, 
 written on one side of 115 small folio sheets, signed at the begin- 
 ning: “Robert Louis Stevenson and Lloyd Osbourne” in STEVEN- 
 sons AurocraPpH; Beautifully etched portrait of Stevenson in 
 sepia. Bound into a small folio volume, full midnight blue levant 
 morocco, gilt fillets on sides, with gilt lettering on obverse cover, 
 gilt back, inner gilt borders, uncut. 
 
 Vailima, Samoa, June 5, 1893 
 
 THROUGHOUT STEVENSON’S PORTION OF THE MANUSCRIPT ARE NUMER- 
 OUS CORRECTIONS, ADDITIONS AND ELISIONS IN HIS AUTOGRAPH. 
 
 It is interesting to note the methods pursued by the Scotch author 
 when a story was written by him in collaboration with Lloyd Osbourne. 
 The latter has written that after a long discussion over some tale 
 imbedded in their fancies, a complete list of the chapters were finally 
 drawn out, after carrying it from one invention to another. In all the 
 collaborations of these two writers, Osbourne almost always wrote 
 the first draft “to break the ground.” Reticence was one of the char- 
 acteristics of Stevenson which even extended to his meagre lavishing 
 of praise, yet for the early chapters in this tale, he was very profuse 
 in his expressions of its meritorious qualities. Though the composition 
 of the first chapters really belong to Osbourne, IT IS WRITTEN ENTIRELY 
 
 IN STEVENSON’S AUTOGRAPH. 
 A VERY IMPORTANT) MANUSCRIPT BY STEVENSON AND EXCEEDINGLY DE- 
 
 SIRABLE BECAUSE OF ITS COMPLETENESS. 
 
 [See Frontispiece for Reproduction] 
 
Kindly read Conditions of Sale m forepart of Catalogue 
 
 1313. STEVENSON (Roserr Louis). The Ebb-Tide, by Robert Louis Ste- 
 
 venson and Lloyd Osbourne. 12mo, original cloth, uncut. 
 London, 1894 
 
 FINE Copy OF THE First EpITIon. 
 
 BEAUTIFUL SET OF THE EDINBURGH EDITION 
 
 1314. STEVENSON (Roperr Louis). The Works of Robert Louis Steven- 
 
 1315. 
 
 1316. 
 
 131%. 
 
 1318. 
 
 son. Portraits, illustrations and rubricated title-pages. 34 vols. 
 8vo, half green levant morocco, gilt backs and tops, uncut. 
 Edinburgh: Printed by T. and A. Constable, 1894 
 
 COMPLETE SET OF THE EDINBURGH EDITION, limited to 1035 copies, 
 of which this is, No. 916. 
 
 ComPpRISES,—Edinburgh Memories and Portraits ; Inland Voyage, etc. ; 
 Amateur Emigrant, Silverado Squatters; New Arabian Nights; 
 Familiar Studies of Men and Books; Treasure Island; 
 
 More New Arabian Nights, The Dynamiter, Story of a Lie; 
 
 Prince Otto; The Black Arrow; Virginibus Puerisque, Later 
 Essays; 
 
 Adventures of David Balfour; Child’s Garden, ete. ;. 
 
 The Master of Ballantrae; The Wrecker. 2 vols.; Fleeming 
 Jenkins, ete. ; - 
 
 Island Nights, The Ebb-Tide; In the South Seas; Juvenilia, ete. ; 
 
 John Nicholson, The Wrong Box, Fables; Deacon Brodie, ete. ; 
 
 Vailima Letters; A Footnote to History, etec.; Weir of Hermis- 
 ton; 
 
 St. Ives; Miscellanea, Moral Emblems; Letters. 2 vols.; 
 
 Life of Stevenson by Graham Balfour. 2 vols.; 
 
 Bibliography, by Prideaux; Stevensoniana, by Hammerton; 
 
 Dramas; Kidnapped. 
 
 [Stevenson (Rozsert Lovis).] My First Book. The Experiences 
 
 of Walter Besant, James Payn, . . . Rudyard Kipling, Conan 
 Doyle, . . . Robert Louis Stevenson. With an Introduction 
 by Jerome K. Jerome. 185 illustrations. 8vo, cloth, upper edges 
 uncut, binding slightly rubbed. London, 1894 
 
 First Epirion. With 32pp. of advertisements bound in at end. 
 
 STEVENSON (Rogpert Louis). The Idler. Contains: “My First 
 Book. ‘Treasure Island.” Illustrations by A. 8. Boyd.  8vo, 
 wrappers. Enclosed in a red quarter morocco slip-case, with in- 
 ner cloth wrapper. London, 1894 
 
 STEVENSON (Rozsert Lours). Vailima Letters. Portraits. 2 vols. 
 1895; SrgevENson (R. L.) anp OspournE (Lioyp). The Ebb 
 Tide. 1894. Both Frrsr American Eprrions. Together, 3 vols. 
 12mo, cloth, gilt tops, uncut. Chicago, 1894-1895 
 
 STEVENSON (Roperr Lovurs). Vailima Letters. Being Correspond- 
 ence Addressed by Robert Louis Stevenson to Sidney Colvin. 
 November, 1890-October, 1894. Htched portrait by Wiuu1amM 
 STRANG, and other illustrations. 8vo, original cloth, paper label, 
 uncut and UNOPENED. London, 1895 
 
 FINE COPY OF THE First Epirion. One of 125 Large PAPER CoPIES, 
 on handmade paper. 
 
1319; 
 
 1320. 
 
 1321. 
 
 1322. 
 
 1323. 
 
 1324. 
 
 1325 
 
 1326 
 
 Fourth Session, Thursday Evening, May 1st 
 
 STEVENSON (Ropert Louis). The Amateur Emigrant. From the 
 Clyde to Sandy Hook. 12mo, original cloth, gilt top, uncut. 
 Chicago, 1895 
 
 First SEPARATE EDITION. 
 
 STEVENSON (Ropert Lours). A Child’s Garden of Verses. Illus- 
 trated by Charles Robinson. 12mo, original decorated cloth, gilt 
 top, uncut. New York, 1895 
 
 First AMERICAN ILLUSTRATED EDITION. 
 
 STEVENSON (Ropert Lours). Le Roman du Prince Othon. Traduit 
 de Anglais par Egerton Castle. Etched frontispiece and title by 
 by D. Y. Cameron. 12mo, cloth, gilt top, uncut. 
 
 London, 1896 
 
 First Epirion. Fine copy. 
 
 STEVENSON (Ropert Louis). The Studio. Special Winter Num- 
 ber, 1896-7. Contains: A Mountain Town in France; Robert 
 Louis Stevenson, by Joseph Pennell. In the first mentioned, are 
 4 lead-pencil drawings reproduced, in tint, in the same size as 
 the orvginals, also reproductions of several woodcuts in the second. 
 4to, cloth, brown pigskin back, uncut. London, 1896 
 
 An interesting Stevenson item. Pennell’s article gives a very good 
 account of Stevenson, accompanied by several facsimiles of the tiny 
 pamphlets printed at Davos-Platz. 
 
 The first-named article was intended to serve as the opening chapter 
 to “Travels with a Donkey”; but the intention was abandoned in favor 
 of a more abrupt beginning, and the fragment is here printed for the 
 first time. 
 
 STEVENSON (Rosperr Louis). Familiar Epistle in Verse and Prose. 
 Facsvmile. 8vo, sheets. Enclosed in a cloth slip-case, red morocco 
 back, with inner cloth protecting folder. 
 
 London: Printed for Private Distribution, 1896 
 
 First Eprrion, limited to a few copies and printed for private dis- 
 tribution. This is a letter written by Stevenson from Boulogne in 
 1872. Stencil stamp on the half-title. 
 
 STEVENSON (Rozpert Louis). Songs of Travel, and Other Verses. 
 12mo, original cloth, gilt top, uncut. London, 1896 
 FINE Copy OF THE First EDITION. 
 
 Stevenson (Rosert Louis). Weir of Hermiston. An Unfinished 
 Romance. 12mo, original cloth, gilt top, uncut. London, 1896 
 FINE Copy OF THE First EDITION. 
 
 Stevenson (Ropert Lovis) anp Henuey (W. E.). Plays: Com- 
 prising,—Deacon Brodie. Beau Austin. Admiral Guinea. Rob- 
 ert Macaire. Portraits on India paper of each author. 12mo, 
 red cloth, paper label, gilt top, uncut. London, 1896 
 
 Edition limited to 250 copies, of which this is, No. 238. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 cashed fetta a iesechiuirchstencetitars Racer tient cca 
 
 1327. Srevenson (Roserr Lovuts). St. Ives. Being The Adventures of 
 a French Prisoner in England. 12mo, original cloth. 
 New York, 1897 
 
 FINE Copy OF THE GENUINE First Eprrron, published before the Hng- 
 lish Edition. 
 
 1328. Stevenson (Rosert Lovuts). Pan’s Pipes. [Boston: Riverside 
 Press,] 1910. Edition limited to 550 comes, of which thas 1s No. 
 113; Talk and Talkers. First Separate Eprrion. London, 
 1910; Books Which Have Influenced Me. London, 1897. To- 
 gether, 3 vols. 12mo and 16mo, cloth, some uncut. 
 Boston and London, 1897-1910 
 
 1329. Srrvenson (Rosert Louts). An Inland Voyage. Frontispiece by 
 Walter Crane. 12mo, pictorial cloth. London, 1898 
 
 Nintu EDITION, BUT THE FIRST ILLUSTRATED BY WALTER CRANE. 
 
 1330. StEvenson (Rosert Lours). St. Ives. Being the Adventures of a 
 French Prisoner in England. 12mo, cloth, uncut. 
 London, 1898 
 
 First EncruisH EDITION. 
 
 1331. Srevenson (Roperr Louris). The Letters of Robert Louis Steven- 
 son to his Family and Friends. Selected and Edited with Notes 
 and Introductions by Sidney Colvin. Portraits. 2 vols. 8vo, 
 cloth, gilt tops, paper labels, uncut. London, 1899 
 
 First EDITION. 
 
 1332. Stevenson (Ropertr Louis). A New Friendship’s Garland. Front- 
 ispiece portrait of Andrew Lang. 12mo, original wrappers, un- 
 cut, in original protection case. 
 
 [London] Privately Printed, 1899 
 
 Contains poems, addressed to Lang, selected from the writings of 
 various Authors, including Stevenson, Dobson, Pollock, Gosse, 
 McCarthy, Mackail, Bridges, and others. One of 60 copies. 
 
 1333. Srnvenson (Rosert Louts). A Stevenson Medley. Portrait, wood- 
 cuts and facsimiles. 8vo, cloth, leather back, gilt top, uncut. 
 London, 1899 
 First Eprrrion. The Limited Issue of 300 copies with the facsimile 
 booklets (mounted at end) printed by Stevenson and Lloyd Osbourne 
 at their Davos Platz Press. The cuts in; these booklets are printed 
 from the original blocks cut by Stevenson with a pocket-knife. THE 
 VOLUME IS NOW BECOMING EXCEEDINGLY SCARCE. 
 
 From the collection of Sir Jonathan E. Backhouse, Bart., with 
 booklabel. 
 
 1334. StEvENSoN (Ropert Louis). In the South Seas. 12mo, cloth, gilt 
 top, uncut. London, 1900 
 
 First Epition. FINE Copy. 
 
Fourth Session, Thursday Evening, May 1st 
 
 1335. STEVENSON (Ropert Louis). Essays of Travel. 12mo, original 
 cloth, gilt top, uncut. London, 1905 
 
 First EpItion. 
 
 1336. STEVENSON (Rozert Louis). Essays in the Art of Writing. 12mo, 
 original cloth, gilt top, uncut. London, 1905 
 First EpIrion. 
 
 1337. STEVENSON (Ropert Louis). Tales and Fantasies. 12mo, original 
 cloth, gilt top, uncut. London, 1905 
 FINE COPY OF THE First Epirron. 
 
 1338. STEVENSON (Ropert Louis). The Sea Fogs. With an Introduction 
 by Thomas Rutherford Bacon. Photogravure frontispiece after 
 a painting by A. R. Wheelan. Square 12mo, boards, vellum back, 
 gilt top, uncut. San Francisco: Paul Elder and Company [1907] 
 
 Of this First Eprrrion, 1000 copies have been issued printed upon 
 Fabriano handmade paper. Text printed within fillet borders. 
 
 1339. STEVENSON (RopeRt Louis). Lay Morals and Other Papers. 12mo, 
 cloth, gilt top, uncut. London, 1911 
 
 First EpITion. FINE CLEAN COPY. 
 
 1340. STEVENSON (RosBerT Louis). Edinburgh. With 24 beautiful Cox- 
 ORED PuatEs, by James Heron, tipped on heavy dark greenish art 
 paper. Ato, decorative cloth, gilt top, uncut. 
 
 New York, 1912 
 
 1341. STevENsSoN (Roperr Louis). Records of a Family of Engineers. 
 12mo, original cloth, gilt top, uncut. London, 1912 
 FIRST SEPARATE EDITION. 
 
 1342. STEVENSON (Ropert Louris). Poems. Underwoods, Ballads, Songs 
 of ‘Travel, A Child’s Garden of Verses. 4to, vellum paper boards, 
 
 gilt, gilt top, uncut. London, 1913 
 EDITION LIMITED to 500 copies on handmade paper, of which this is, 
 No. 249. 
 
 LIMITED ISSUE: PRINTED FOR THOMAS WISE AND WITH HIS 
 PRESENTATION INSCRIPTION 
 
 1343. Stevenson (Ropert Louis anp Fanny VAN DE Grirt). The 
 Hanging Judge. A Drama in Three Acts and Six Tableaux. 
 With an Introduction by Edmund Gosse. 12mo, original boards, 
 entirely uncut. London: Printed for Private Circulation, 1914 
 
 Printed for Thomas J. Wise. Edition limited to 30 copies. 
 PRESENTATION COPY FROM THOMAS J. WISE with his Autograph In- 
 scription, as follows,—“Arnold Bain Esq. From Thos. J. Wise.” 
 
 1344. Stevenson (Rosert Louis). New Poems and Variant Readings. 
 12mo, cloth, uncut. London, 1918 
 First COLLECTED EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1345. 
 
 1346. 
 
 134%. 
 
 1348. 
 
 1349. 
 
 1350. 
 
 1351. 
 
 [Stevenson (Rogvert Louis).] Verses by R. L. 8. 12mo, original 
 wrappers, uncut. Enclosed in a quarter red leather slip-case, 
 with inner cloth wrapper. [|New York] Privately Printed, 1912 
 
 The following printed note appears on verso of title: “The pieces 
 reprinted in the following pages formed a part of the little trial book 
 ‘Penny Whistles’ printed in 1883. They were not included in the 
 volume ‘A Child’s Garden of Verse’ issued in 1885, and have, I believe, 
 never been published.” 
 
 Only a few copies, probably not more than 50, of the above were 
 issued. 
 
 Autograph Presentation Copy from Mr. & Mrs. Luther 8. Livingston, 
 to Col. W. F. Prideaux, with inscription by the former, on fly-leaf. 
 
 SrEvVENSON (Rosert Louis). Diogenes at the Saville Club. Decora- 
 tive title-page. 8vo, original boards, uncut. 
 Chicago: Frank M. Morris [1921] 
 
 Edition limited to 150 copies printed on handmade paper. 
 Printed for Private Circulation from the hitherto unpublished manu- 
 script for David G. Joyce. 
 
 STEVENSON (Rosert Louis). Hitherto Unpublished Prose Writ- 
 ings. Edited by Henry H. Harper. Portrait of Stevenson from 
 bas-relief by St. Gaudens, another portratt and several facsimiles. 
 Square 8vo, half vellum paper, gilt top, uncut. 
 
 Boston: The Bibliophile Society, 1921 
 
 STEVENSON (Ropert Louris). Poems. Hitherto Unpublished with 
 Introduction and Notes by George S. Hellman and William P. 
 Trent. Portrait of Stevenson, pictorially engraved title and sev- 
 eral facsimiles. 8vo, half vellum paper, gilt top, uncut. 
 
 Boston: The Bibliophile Society, 1921 
 
 EDITION LIMITED to 450 copies. 
 
 STEVENSON (Rospert Louis). Stevenson’s Workshop. Edited by 
 William P. Trent. With 29 Ms. facsimiles. Square 8vo, half 
 vellum paper, uncut. Boston: Bibliophile Society, 1921 
 
 EDITION LIMITED to 450 copies. 
 
 STEVENSON (Rosperr Louis). When the Devil Was Well. Portrait 
 of Stevenson, pictorially engraved title and facsimile. 8vo, half 
 vellum paper, uncut and unopened. 
 
 Boston: Bibliophile Society, 1921 
 
 EDITION LIMITED to 450 copies. 
 
 STEVENSON (Rosert Louis). The Silverado Squatters. Vignette 
 portrait and ulustrative head-bands by Howard Whitford Willard. 
 4to, boards with a colored fruit pattern, paper label, uncut and 
 unopened. New York, 1923 
 
 EDITION LIMITED to 3880 copies, printed by John Henry Nash, of San 
 Francisco, of which this is, No. 80. 
 Laid in, are notices of the publication. 
 
1352. 
 
 1353. 
 
 1354, 
 
 1355. 
 
 1356. 
 
 1357 
 
 Fourth Session, Thursday Evening, M ay Ist 
 I NIRS SUE Te ER irl ge adit file cing eae 
 
 [Stevenson (Rosert Lours).] The Windmill: Stories, Essays, 
 Poems & Pictures by Authors & Artists whose Works are pub- 
 lished at the Sign of the Windmill. Edited by L. Callender. 4to, 
 boards, cloth back, uncut. London, 1923 
 
 EDITION LIMITED To 500 copies. With contributions by R. L. Steven- 
 son, Galsworthy, Max Beerbohm, Gosse, Hearn, Jack London, Denis 
 Mackail, John Masefield, Zangwill, and others. The illustrations in- 
 clude the work of Max.Beerbohm, Arthur Rackham, and others. 
 
 STEVENSON (Roserr Louis). Poetical Fragments. Small Ato, 
 wrappers. Enclosed in a quarter red niger morocco solander 
 case, inner cloth wrapper, BY SANGORSKI & SUTCLIFFE. 
 
 3 No place, no date 
 
 EpITION LIMITED to 25 copies privately printed by Clement Shorter. 
 
 STEVENSON (Roperr Louis). A Lowden Sabbath Morn. First 
 Eprtton. Illustrations by A. 8. Boyd. Wondon, 1898; Masson 
 (Rosatrne). I Can Remember Robert Louis Stevenson. .Idus- 
 trations. Edinburgh, 1922; Srevensonrana. Being a Reprint 
 of Various Literary and Pictorial Miscellany associated with 
 Robert Louis Stevenson, the Man and his Work. Portrait and 
 wlustrations. New York [1900]. Together, 3 vols. square 8vo, 
 8vo and 12mo, cloth, some uncut. London, ete., 1898-1922 
 
 STEVENSON (Ropert Louris). Father Damien. Portraits. Oxford, 
 1901. JAPANESE VELLUM PapErR Epition, limited to 299 copies; 
 STEVENSONIANA. R. I. W. Baby’s Record. [The Record of the 
 Sayings and Doings of Robert Louis Stevenson . . . | Pho- 
 tostat Copy. [London] undated; Black Canyon, Not I, and 
 Other Stevensoniana. A Fac-Simile Reprint. New York, 1899. 
 Together, 3 vols. narrow and square 16mo, wrappers and boards, 
 some uncut and unopened. Oxford, etc., 1899-1901 
 
 STEVENSON (Ropert Louis). Prayers Written at Vailima. With 
 an Introduction by Mrs. Stevenson. First AMERICAN EpITION. 
 New York, 1904: A Christmas Sermon. First AmErRIcAN EptI- 
 TION. New York, 1900; R. L. Stevenson. Memories. A Col- 
 lection of 25 Portraits and other Illustrations of the LInfe of 
 Stevenson, each one separately mounted. Boston: Le Roy Phil- 
 lips, undated. Together, 3 vols. 16mo and 12mo, leather, gilt 
 
 boards, and pictorial wrappers, some uncut. 
 New York, etc., 1900-1904 
 
 . StevENSoN (Ropert Louis). A Christmas Sermon. First SEpPa- 
 
 RATE Eprrion. London, 1906; OspourNE (KATHARINE D.). 
 Robert Louis Stevenson in California. First Eprrion. With 69 
 illustrations. Chicago, 1911; SiarEer (J. Hersert). Robert 
 Louis Stevenson. A Bibliography of His Complete Works. Lon- 
 don, 1914. Together, 3 vols. 12mo, boards and cloth, uncut. 
 
 . London and Chicago, 1906-1914 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 tills A elt ARO acces ss USS se NRT SENT LSE Se 
 
 1358. Srevenson (Rozsert Louis). On the Choice of a Profession. 18mo, 
 London, 1916. It is now for the first time issued in book form; 
 A Child’s Garden of Verses. Done into Latin by T. R. Glover. 
 Frontispiece portrait by A. G. Dew-Smith. 12mo. Cambridge, 
 England, 1922; Simpson (E. Buantyre). Robert Louis Steven- 
 son. Illustrations. Narrow 12mo. Edinburgh, 1906. PRESEN- 
 TATION Copy, FRoM THE AuTHoR, with Autograph Inscription, 
 “From the author. With best wishes for the New Year.” First 
 Epirion. Together, 3 vols. cloth, wrappers, and boards, un- 
 cut. London, etc., 1906-1922 
 
 1359. Stevenson (Ropert Louis). The History of Moses. Colored front- 
 
 ispiece, and facsimile page from the author's original manuscript. 
 
 A. Edward Newton, Oak Knoll, Daylesford, Pa., 1919. Prwately 
 
 Printed. Presentation Copy, with Signed Autograph Inscrip- 
 
 tion, by A. Edward Newton, author of “Amenities of Book Col- 
 
 lecting;’ Eaton (CHartorre). Stevenson at Manasquan. Por- 
 
 trait. Chicago, 1921. Frrsr Eprrion. Only 300 copies printed. 
 Together, 2 vols. 12mo, wrappers, stitched, and boards, uncut. 
 
 Daylesford, Pa., and Chicago, 1919-1921 
 
 EXTREMELY RARE FIRST EDITION 
 
 1360. [SrevEeNson (Ropert Lovuis).] [Hacearp (Bazerr M.).| Objects 
 of Pity; or, Self and Company. By A Gentleman of Quality. 
 16mo, original wrappers, gilt edges. 
 
 Imprinted at Amsterdam [1892 | 
 FINE COPY OF THE First Epition. WXTREMELY RARE. 
 
 Written by Mr. Bazette M. Haggard, in reply to Stevenson’s “An Ob- 
 ject of Pity, or The Man Haggard.” 
 
 1361. Stevenson (Ropert Louts). Le GALLIENNE (RicHArD). Robert 
 Louis Stevenson, An Elegy, and Other Poems, Mainly Personal. 
 Vignette Portrait of Stevenson on title-page. 12mo, original 
 cloth, uncut. London, 1895 
 
 FINE Copy OF THE First Epirion. Scarce. 
 
 1362. StEvENson (Ropert Louis). Simpson (E. Buanryre). Robert 
 Louis Stevenson’s Edinburgh Days. London, 1898; GENUNG 
 (JoHN F.). Stevenson’s Attitude to Life. With Readings from 
 His Essays and Letters. New York, 1901. Together, 2 vols. 
 12mo, cloth, gilt tops, uncut. London and New York, 1898-1901 
 
 First Epirion. 
 
 FIRST EDITION WITH AUTOGRAPH NOTES BY LLOYD OSBOURNE 
 1363. STEVENSON (RopErtT Lours). Memories of Vailima, by Isobel Strong 
 and Lloyd Osbourne. Frontispiece. 12mo, original cloth, gilt 
 
 top. Westminster, 1903 
 First Epition. On pp. 14 to 17, containing the Poems, “Mother and 
 
 [Continued 
 
Fourth Session, Thursday Evening, May 1st 
 $$$ ee et 
 
 [No. 1863—Continued] 
 
 1364. 
 
 1365. 
 
 1366. 
 
 1367. 
 
 1368. 
 
 1369. 
 
 1370 
 
 Daughter,” and “The Daughter, Teuila, Her Native Name The Deco- 
 rator,” Lloyd Osbourne has profusely changed and added to the printed 
 text—in all about 50 lines in his handwriting ; also noting that the title 
 ‘Mother and Daughter,” was not the original title given, by Stevenson, 
 to this poem, but “MaTER PULCHRA NEC Finta PuLcurior.” 
 
 STEVENSON (Rosert Louis). JouHNnsronr (ArTHUR). Recollec- 
 tions of Robert Louis Stevenson in the Pacific. With a portrait 
 and facsimile letter. 12mo, original cloth. London, 1905 
 
 First Epirion. 
 
 STEVENSON (Roperr Louis). Prrpeavx (Cot. W. F.). Stevenson 
 at Hyeres. 8vo, stitched, uncut. Enclosed in red cloth slip-case, 
 with morocco back, BY THE SCROLL CLUB. No place, 1912 
 
 First Eprrion. ExtrReMELY RARE. One of 20 copies printed for Pri- 
 vate Distribution. Printed on paper watermarked “RLS.” 
 
 PRESENTATION Copy TO AUSTIN Dosson, with inscription, on half-title, 
 —‘Austin Dobson, Esq. with kind regards.” 
 
 STEVENSON (Rozert Lours). Simpson (H. BLANTYRE). The Rob- 
 ert Louis Stevenson Originals. Portrait and illustrations. 1912: 
 SWINNERTON (Frank). R. L. Stevenson. A Critical Study. 
 Portrait. 1914. Together, 2 vols. 8vo, cloth, gilt tops, uncut. 
 
 London, 1912-1914 
 
 Botu First Epirion. 
 
 STEVENSON (Rozert Louris). First Editions of the Works of Robert 
 Louis Stevenson. 1850-1894. With Other Stevensoniana. Ex- 
 hibited at the Grolier Club, November 5-28, 1914. 16mo, wrap- 
 pers, rebacked, front cover and some pages stained. Enclosed in 
 a cloth slip-case, with inner cloth wrapper. 
 
 New York: Grolier Club, 1914 
 
 STEVENSON (Rosert Louis). Haminron (Chayron). On the 
 Trail of Stevenson. With pictures from drawings by Walter Hale. 
 Royal 8vo, boards, cloth back, paper labels, uncut. 
 
 Garden City, 1915 
 
 First Epition. Scarce. This edition was immediately suppressed 
 after publication, and a second edition containing 146 pages of text, 
 with a small portion of the section “Hngland” and one chapter of 
 “France,” omitted, was issued. 
 
 STEVENSON (Ropert Louis). Prmraux (Con. W. F.). A Biblio- 
 graphy of the Works of Robert Louis Stevenson. A New and 
 Revised Edition. Edited and Supplemented by Mrs. Luther S. 
 Livingston. Portrait. 8vo, cloth, gilt top, uncut, some pencil 
 markings in text. London, 1917 
 
 STEVENSON (Ropert Louis). Brown (Grorce E.). A Book of 
 R. L. 8S. Works, Travels, Friends, and Commentators. Tilus- 
 
 trated. 12mo, original cloth, paper label, uncut. 
 New York, 1919 
 
 First EpItTIon. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee Oe 
 
 1371. Srevenson (Ropert Louis). Bay (J. Curist1An). Echoes of 
 Robert Louis Stevenson. Frontispiece. 12mo, original boards, 
 cloth back, uncut. (2 copies.) 
 
 Chicago: Walter M. Hill, 1920 
 
 First Eprrion. The First copy is one of fifteen printed throughout 
 on Japan paper; the second copy is one of 500 on ordinary paper. 
 
 1372. Srevenson (Rosert Louis). Barris (J. M.). Scotland’s Lament. 
 A Poem on the Death of Robert Louis Stevenson. December 
 3rd, 1894. 8vo, stitched as issued. 
 
 London: Privately Printed, no date 
 Eprrion Lrm1rep to 12 copies, printed for T. J. Wise. 
 
 1373. Stevenson (Ropert Louis). [Hunt (Haywoop H.).], The San 
 Francisco of Robert Louis Stevenson. [With an Introduction by 
 Perry Epsten.] Frontispiece, and decorations by W. F. Rausch- 
 nabel, designed by H. H. Hunt. San Francisco, 1923. Privately 
 printed. This little volume especially made for Herbert L. Roth- 
 child. Accompanied with photogravure portrait of Stevenson 
 mounted separately; Low (Writ H.). Stevenson and Margarita. 
 Etched portrait by A. N. Hosking. New Rochelle, N. Y., 1922. 
 Edition limited to 210 numbered copies; [HarpEr (HENRY 
 H.).] Robert Louis Stevenson. An Appreciation. Portrait. 
 No place, no date. Together, 3 vols. 1emo, wrappers and boards, 
 uncut. 
 
 WORK BY ROBERT LOUIS STEVENSON’S FATHER 
 
 1374. Srnvenson (THomAs). The Design and Construction of Harbours. 
 Reprinted and Enlarged from the Article ‘Harbours’ in the 
 Eighth Edition of the Encyclopedia Britannica. Illustrated. 
 8vo, cloth, uncut, stamp erased from title. Edinburgh, 1864 
 
Fifth and Last Session, Numbers 1375 to 1722, inclusive 
 
 FRIDAY AFTERNOON, MAY 2 nda l= 23 0 O'CLOCK 
 
 WRITINGS AND MSS. OF SWINBURNE 
 FINE SWINBURNE AUTOGRAPH MSS. 
 
 1375. SWINBURNE (ALGERNON CHARLES). Oricgrnan AurograpH Manv- 
 Scripts. “De Monumentis Kpilaphiisque Mortuorum” (A Col- 
 lege Exercise). 5 pages, written in ink on one side of leaf only. 
 “Limits of Experience” (A College Essay). 5.pages, written in 
 ink on one side of leaf only. Unsigned. Together, 10 leaves, 
 4to, each leaf neatly inlaid. With special title-page to volume in 
 red and black ink. Accompanied by neat typewritten transcripts 
 of the originals, with captions and underlines in red. Bound 
 in 4to volume, full olive green crushed French levant morocco, 
 gilt lettering on front cover and back, inside borders of morocco 
 and gilt fillet bands, gilt edges, By RIVIERE. [1857-1858] 
 
 THE RARE FIRST ISSUE WITH HALF-TITLE, ADVERTISEMENTS, ETC. 
 
 1376. SWINBURNE (ALGERNON CHarLEs). The Queen-Mother: Rosa- 
 mond. Two Plays. 12mo, original slate colored cloth, with a 
 portion of the paper label on back, uncut and unopened. 
 
 London: Basil Montagu Pickering, 1860 
 
 RArE First EDITION AND FIRST ISSUE, WITH THE HALF-TITLE, THE 
 TWO LEAVES OF ADVERTISEMENTS, THE VERY RARE “ERRATA” LEAF, AND 
 ALL END-PAPERS AND FLY-LEAVES INTACT, with the exception of the 
 front fly-leaf which has the upper half torn off. Less than 20 copies 
 of the volume passed into circulation before it was withdrawn. The 
 paper label has the erroneous middle initial of Swinburne’s name and 
 reads: “A. G. Swinburne,” instead of “A. ©.” 
 
 FINE COPY OF FIRST EDITION—WITH STAMPED BINDING 
 
 1377. [SWINBURNE (ALGERNON CHARLES).] The Childen of the Chapel. 
 | A Tale. By the Author of “Mark Dennis.” 12mo, original red 
 cloth, with the stamped fleur-de-lis binding. Enclosed im full 
 
 crimson levant morocco slip-case with inner cloth protecting fol- 
 der. London: Joseph Masters, MDCCCUXTV. [1864] 
 
 FINE COPY OF THE GENUINE First EDITION, WITH THE EIGHTEEN 
 LEAVES OF ADVERTISEMENTS AT END AND THE ORIGINAL END-PAPERS AND 
 FLY-LEAVES INTACT. The hinges and lower corner of binding slightly 
 rubbed. Inscription in ink on front fly-leaf. 
 
 A. MOST DESIRABLE COPY OF THIS VERY RARE AND EARLY SWINBURNE 
 ITEM. ‘The numerous interludes in verse were contributed by Swin- 
 burne. The tale was written by his cousin, Miss Gordon, afterwards 
 Mrs. Disney Leith. 
 
 This is the earliest binding, later copies being without the fleur- 
 
 de-lis. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ene eee OE 
 
 ORIGINAL ISSUE OF THE FIRST TWO NUMBERS—EXCEEDINGLY RARE 
 
 1378. [SwINBURNE (ALGERNON CHarues).] Undergraduate Papers. No. 
 I. December ist, 1857; [and] No. II. March, 1858. Together, 
 2 parts, 8vo, original printed wrappers. Enclosed in a full brown 
 levant morocco solander case, with inner cloth protecting wrap- 
 per, BY THE ROSE BINDERY. 
 Oxford: Printed and Published by W. E. Mansell, 1857-1858 
 
 DECEMBER Ist, 1857 
 
 UNDERGRADUATE PAPERS. 
 
 No. I. 
 
 PRICE ONE SHILLING 
 
 “ And gladly wolde be learn and gladly teach.” 
 Cwaccea. 
 
 ‘CONTENTS 
 
 | MEREDITARY INFLUENCES UN CHARACTER 
 9 THE EARLY ENGLISH DRAMATISTS. 
 
 3 THB REPUBLIC AND CHRISTIANITY 
 
 4. THE TEMPLE OP JANUS, PART 1. 
 
 5 THE STORY OF THE PRINCESS BLANCHBLYS. 
 6 LOUIS NAPOLEON, PART I. 
 
 7 MODERN HELLPNI3M 
 
 8 QUERN YSPULT. 
 
 OXFORD: 
 
 PRINTED AND PUBLIRHED BY W. MANSELL, HIOH STREET. 
 LONDON WHITTAKER & Co., AVE MARIA LANE. 
 CAMBRIDGE H. WALLIS, 24, SIDNEY STREET. 
 
 GLASGOW; MESSRS. GRIFFIN & Co. 
 
 [ No. 1878] 
 
 THE EXCESSIVELY RARE ORIGINAL ISSUE OF THE FIRST TWO NUMBERS , 
 the first with both the front and back wrapper and the leaf of adver- 
 tisement at end, the second with the front wrapper intact but lacking 
 the back wrapper. 
 
 This short-lived periodical (only three numbers were issued) was 
 edited by Prof. John Nichol. Swinburne was one of the chief con- 
 tributors. In point of interest it stands second only to “The Germ’ 
 in the list of Privately and Semi-Privately Printed magazine rarities. 
 In the matter of scarcity it passes them all, especially so in the original 
 parts, as above. 
 
 This periodical was the official organ of ‘Old Mortality,’ a society 
 
 founded at Oxford in November, 1856. Swinburne contributed four 
 articles to it, the second of these, ‘Queen Iseult, Canto I,’ being his 
 first published verse. 
 
 Of the first number, in the original wrappers, only two copies are 
 
 [Continued 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 [ No. 1878—Continued]| 
 known, the second being in the collection of Mr. James H. Aitken of 
 Falkirk. Of the second number only this SINGLE COPY IS KNOWN, 
 while of the third no copy has, up to the present time, been discovered. 
 Besides these there are five copies containing the three numbers 
 complete, but without the wrappers, that were bound up for the 
 publisher. 
 [See Reproduction of Wrapper] 
 
 THE GENUINE FIRST EDITION—IN ORIGINAL WRAPPERS 
 
 1379. SWINBURNE (ALGERNON CHARLES). Dead Love. Small 8vo, orig- 
 inal printed wrapper of a brick-red with a distinct trace of orange. 
 Enclosed in a full brown levant morocco slip-case, with inner 
 cloth protecting folder, By THE ROSE BINDERY. 
 
 London: John W. Parker and Son, 1864 
 
 AN EXCEPTIONALLY FINE AND WELL-NIGH IMMACULATE COPY OF THE 
 EXCEEDINGLY SCARCE GENUINE ORIGINAL FIRST EDITION, NOT THE FRAUDU- 
 LENT REPRINT. HENTIRELY UNCUT. Owing to its scarcity and the well- 
 executed reprint, this is one of the most difficult of all Swinburne items 
 to obtain in its genuine original state, as above. Laid in is a long cata- 
 logue description going into minute detail as to the various points of 
 difference of this original and the spurious reprint of the same. 
 
 A very carefully executed but fraudulent reprint of the pamphlet was 
 made about 1904. There are numerous very slight differences in 
 spite of the care taken to make the reprint correspond with the origi- 
 nal, but perhaps the most conclusive test is that in the genuine copies 
 the L in London in the imprint at the foot of the title-pege comes 
 directly over the final r in Parker, while in the reprint it comes di- 
 rectly above the blank space between the words Parker and and. 
 
 1380. SWINBURNE (ALGERNON CHARLES). Atalanta in Calydon. A Tra- 
 gedy. Small 4to, original white cloth, gilt medallions on sides, 
 lettered in gilt on back, gilt top, other edges, uncut; binding 
 shghtly soiled. London: Edward Moxon & Co., 1865 
 
 GENUINE FIRST ISSUE OF THE First EDITION, with the name “Richard 
 Barrett,” on verso of title-page. With the original end-papers and 
 
 fly-leaves intact. 
 From the Major Bryan Palmes collection, with bookplate. 
 
 FINE COPY OF THE FIRST EDITION 
 
 1381. SwrinpuRNE (ALGERNON CHARLES). lLaus Veneris. 8vo, original 
 sheets, folded to three signatures of 16, 8 and 4 pages, uncut, 
 first signature unopened. In cloth folder and full red levant 
 morocco slip-case, BY THE ROSE BINDERY. 
 
 London: Edward Moxon & Co., 1866 
 
 FINE COPY OF THE RARE First Epirion. But few copies were printed, 
 as “Moxon was terribly nervous in those days,’ and most of the 
 copies were distributed among the private friends of the author. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 ORGINAL MSS. BY SWINBURNE 
 
 1382. SWINBURNE (ALGERNON CHARLES). Manuscript of “The Masque 
 of Queen Bersabe.” THE OrtGInAL MANuscRIPT of one of the 
 principal poems of “Poems and Ballads,” entitled “The Masque 
 of Queen Bersabe,” written by Swinburne on 13 quarto and folio 
 sheets of paper, many of the pages being covered on both sides, 
 the manuscript showing many evidences of the way in which 
 Swinburne rewrote lines and verses until he arrived at the one 
 which suited him. Accompanied by part of the printed poem ex- 
 tracted from the American edition of the “Laus Veneris.” En- 
 closed in a full red morocco folder, with blue morocco lettering 
 piece on front cover, cloth protecting flaps. | 1866] 
 
 THE MANUSCRIPT IS COMPLETE, containing the first draft of the en- 
 tire poem. <A very fine example. Swinburne has full play for his 
 genius in the description each Queen or Beautiful Woman gives of 
 herself as she appears before King David. And as Sappho, Cleopatra, 
 Semiramis, Thomiris, Herodias, Messalina and Queen Bersabe ap- 
 pear, the imagination is stirred by the beauty and melody of the poem. 
 
 THE SUPPRESSED FIRST ISSUE 
 
 1883. SwrnpurNE (ALGERNON CHARLES). Poems and Ballads. 12mo, 
 original green cloth. London: Moxon, 1866 
 
 First Epirion. A rare Swinburne item, THE FIRST, SUPPRESSED ISSUE. 
 Contains the 8pp. of “Opinions of the Press” relative to Atalanta. 
 
 1384. SWINBURNE (ALGERNON CHARLES). Notes on Poems and Reviews. 
 Two copies. 1 vol. stitched; 1 vol. stitched in leather folder. To- 
 gether, 2 vols. 8vo. . London, 1866 
 
 First Epirion. The one stitched is the Genuine First Issue, with 
 the imprint “Saville and Edwards” on verso of title; the other is the 
 ordinary issue. 
 
 WITH TWO AUTOGRAPH LETTERS BY SWINBURNE INSERTED 
 
 1385. SWINBURNE (ALGERNON CHARLES). A Selection from the Works 
 of Lord Byron. Edited and Prefaced by Algernon Charles Swin- 
 burne. 12mo, in a special binding of green morocco, the sides 
 in a diamond pattern enclosing fleur-de-lis in gold, surrounding 
 a centre medallion, within a border of conventional flower-heads 
 and oak-leaves with acorns, gilt edges, binding rubbed. 
 
 London: Edward Moxon & Co., 1866 
 
 Moxon MINIATURE POETS SERIES, with two very fine Swinburne let- 
 ters inserted, relating to his preparation of these Byron selections. (1). 
 spp. 12mo, Holmwood, Dec. 30, no year. To J. D. Payne; (2). Ip. 
 16mo, Arts Club, Hanover Square, Feb. 21st, no year. To an unnamed 
 person. An extract of the first letter reads: As I want to have the 
 opinion of another as to my choice, I have sent my copy of Byron, 
 marked and with leaves doubled at the proposed extracts, with num- 
 bered list of contents as I propose they shall stand to Mr. Rossetti re- 
 questing him to revise . . .” Swinburne refers rather sarcastically to 
 his name figuring in a series which counts among its “Poets,” Tupper 
 and Locker: “Jt is only the recollection that Palgrave with Wordsworth 
 came after Locker which would make me willingly. consent to come 
 after Tupper with Byron,’ ete. In the second letter he thanks him 
 for cheque and says he is very impatient to see the book. 
 
 From the Edwin B. Holden collection, with bookplate. 
 
Fifth and Last Session, Frida y Afternoon, May 2nd 
 
 EXCEPTIONALLY LONG SWINBURNE AUTOGRAPH MSS. 
 
 [0k gmailes 
 A) ae op byercthord) oe | 
 Man Hs i frpretaate tat donpere bruccl, | 
 7 Uf these: ‘ Miedo 10h, al drtodfedll driv dL; | 
 AV Na {Cc f 
 
 | hertarchB Huh rmight brand likecartes!” aE copy, 
 
 [No. 1386] 
 
 1386. SwINBURNE (ALGERNON CHARLES). OriGINAL AuTOGRAPH MANU- 
 SCRIPT, unsigned, of his important article,—“Wordsworth and 
 Byron.” Written in ink on 113 folio leaves, of blue paper, one 
 side only, containing about TWENTY-FIVE THousAND Worps, with 
 numerous emendations and corrections. Folio, full red French 
 levant morocco, sides with triple gilt fillet borders, gilt panelled 
 back, lettered in gilt on front cover. 
 
 THE COMPLETE MANUSCRIPT OF ONE OF THE POET’S MOST BRILLIANT 
 AND MASTERLY CRITICAL ESSAYS, AND POSSIBLY THE MOST IMPORTANT 
 SwINBURNE MANUSCRIPT NOW PROCURABLE. Written in a clear, regular, 
 easily read handwriting, with numerous changes, revisions, and modi- 
 fications showing the development of the writer’s thought and feeling 
 as the essay shaped itself under his hand and in his white-hot mind. 
 
 As readers of the text know, this essay was called forth by Mat- 
 thew Arnold’s publication of selections from the poetry of Byron and 
 Wordsworth with accompanying critical articles in which Arnold 
 placed these two at the head of all 19th century poets. Swinburne 
 passionately asserts the rights of Shelley and Coleridge to this high- 
 honour if it is to be awarded at all, and his argument in support of 
 his contention is one of the finest pieces of literary criticism in the 
 language. Swinburne’s intimate and exact—in the case of a profes- 
 sional scholar it would be called erudite—knowledge of English liter- 
 ature from Chaucer to Tennyson, is drawn upon and displayed on 
 
 [ Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [| No. 1886—Continued | 
 
 every page; it is almost impossible to resist the logic and force of his 
 reasoning as step by step he refutes Arnold’s position: while his mar- 
 vellous command of language is everywhere apparent. The sentences 
 rise and fall in tune with the thought and they range from the fieriest 
 denunciation to the tenderest and most beautifully expressed appre- 
 ciation and sympathetic understanding. As an illustration of his 
 sterner mood the following passage may be cited: 
 
 “Let me have leave, as a loyal and life long admirer of Mr. Arnold, 
 to remark that no critical reputation can possibly survive much more 
 of this sort of thing; that it is annually becoming more and more 
 dificult for the most devoted and sincere good will to regard him as 
 a serious judge or authority on questions of literature, or to answer 
 those who think it impossible to be considered by steady-going and 
 rational students as other than the most brilliant and the most hare- 
 brained of all eccentric dealers in self-willed and intemperate paradox: 
 and that surely no scholar, and still more surely no poet, can regard 
 with equanimity such a risk of being confounded with the Carlyles 
 and Emersons of his day as must inevitably be incurred by a writer 
 whose estimate of Shelley is such as hitherto has found utterance 
 only from Craigenputtock or from Bedlam, from Concord or from 
 Earlswood.” 
 
 As an example of another kind of writing, the closing sentences of 
 the article are well worth quoting: 
 
 “At the sound of the Ode to the West Wind, the stars of Words- 
 worth’s heaven grow fainter in our eyes, and the nightingale of Keats’ 
 garden falls silent in our ears. The poet who wrote that, and the 
 poet who wrote Christabel,—but these alone of their generation—are 
 indeed to be counted among the very chiefest glories of English poetry ; 
 and it is surely no inadequate reward for the noble labour of a long 
 and strenuous life, to stand where Wordsworth stands—but a little 
 lower than these.” 
 
 [See Reproduction] 
 
 FINE COPY OF THE FIRST SEPARATE EDITION IN BOOK FORM 
 
 1387. SWINBURNE (ALGERNON CHARLES). An Appeal to England Against 
 the Execution of the Condemned Fenians. Small 8vo, original 
 gray printed wrappers, in cloth folder, enclosed in a full blue 
 levant morocco slip-case, lettered, BY THE ROSE BINDERY. 
 
 Manchester: Reprinted from the “Morning Star,” 1867 
 
 A EXCEPTIONALLY FINE COPY OF THE First SEPARATE EDITION IN BOOK 
 FORM. This issue was preceded by a Broadside of the poem, of which 
 only one single example is known. 
 
 1388. SWINBURNE (ALGERNON CHARLES). Dolores. 12mo, sheets (3 sig- 
 natures, 4 leaves each), folded, uncut. In cloth folder, enclosed 
 in red cloth slip-case with red morocco back. 
 
 London: John Camden Hotten, 1867 
 
 First Eprrion. This pamphlet was reserved for Private Circula- 
 tion only. The poem first appeared in “Poems and Ballads,” 1866. 
 
 1389. SWINBURNE (ALGERNON CHARLES). A Song of Italy. 12mo, orig- 
 inal green cloth, top margins uncut. 
 London: John Camden Hotten, 1867 
 
 AN EXCEPTIONALLY FINE COPY OF THE RARE First Epirion, With the 
 end-papers, fly-leaves, the 8-page press-notices at front, and the 8, 
 2 and 6-page advertisements at end intact. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 PRACTICALLY IMMACULATE COPY OF THE FIRST EDITION—ONLY SIX 
 COPIES PRINTED 
 
 1390. SWINBURNE (ALGERNON CHaruEs). Siena. 12mo, Ortarnan Corn 
 CoLORED WRAPPERS. 
 
 London: John Camden Hotten, Piccadilly, 1868. (All Rights 
 
 Reserved.) 
 
 FINE AND PRACTICALLY IMMACULATE COPY OF THE EXCEEDINGLY RARE 
 GENUINE FIRST ISSUE, and according to Mr. Wise, ONE OF THE RAREST 
 OF THE First) EDITIONS oF SWINBURNE’S WRITINGS, AS BUT SIX COPIES 
 WERE PRINTED FOR COPYRIGHT PURPOSES. 
 
 This First Issue of six copies was printed in order to secure the 
 English copyright. Soon after this Hotten reprinted the poem with- 
 out authority, and copies of the spurious issue are frequently met 
 
 ‘ with. Perhaps the easiest method of distinguishing the two issues, 
 that resemble each other quite closely, is the fact, that in the genuine 
 copies a period follows the final word of the imprint at the foot of the 
 title-page which is absent in the reprint. 
 
 1391. SWINBURNE (ALGERNON CHARLES). William Blake. <A Critical 
 Essay. With dlustrations from Blake’s designs in facsimile, col- 
 ored and plain. 8vo, original blue cloth, slight break in joint of 
 front cover, top and bottom of back-strip frayed. | London, 1868 
 
 First Eprrron, Second Issue. Moncure D. Conway’s copy, with auto- 
 graph on fly-leaf, reading,—Moncure D. Conway, 14 Milborne Grove, 
 Brompton. With bookplate of “Philip Sawyer Mildred Conway” on 
 inside of front cover. 
 
 1392. SWINBURNE (ALGERNON CHARLES). Ode on the Proclamation of 
 the French Republic, September 4th, 1870. 12mo, original wrap- 
 pers. Enclosed in quarter blue morocco slip-case, with inner pro- 
 tecting cloth wrapper. London: F. 8. Ellis, 1870 
 
 First Eprrion. One of the most outspoken of Swinburne’s Revolu- 
 tionary, and Republican utterances. 
 
 1393. SWINBURNE (ALGERNON Cartes). Laus Veneris, and other Poems 
 and Ballads. 12mo, original cloth. 
 New York: Carleton, Publisher, Madison Square, 1871 
 
 A VERY RARE PIRATED EDITION OF THE FIRST SERIES (1866) oF THE 
 POEMS. 
 
 1394. SWINBURNE (ALGERNON CHARLES). Songs Before Sunrise. Small 
 8vo, original blue cloth, with seven gilt medallion gilt designs by 
 D. G. Rossetti, on sides, uncut. London, 1871 
 
 First Epirion. FINE uncut copy, with the original end-papers and 
 fly-leaves intact, and the eight-page list of advertisements at end. 
 
 ONE OF TWO KNOWN COPIES: WITH THREE A.L.S. BY SWINBURNE AND 
 MSS. NOTES BY LOCKER-LAMPSON 
 
 1395. SWINBURNE (ALGERNON CHARLES). Rough Sketch of Act I of 
 Bothwell [Privately Printed: London, 1871.] Wira Manuscript 
 NotEes By LockEr-Lampson. 8vo, full mottled calf; [Anso] 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 | No. 1895—Continued | 
 Bothwell: A Tragedy. First Eprrion. London, 1874. Small 
 8vo, original purple cloth, entirely uncut. Together, 2 vols. 
 London, 1871-1874 
 
 UNIQUE SWINBURNE ITEM. OF FINE ASSOCIATION INTEREST. 
 
 The “Rough Sketches” is the FREDERICK LOCKER-LAMPSON copy, with 
 his bookplate. Inserted at the end are THREE SIGNED AUTOGRAPH LET- 
 TERS BY SWINBURNE RELATING TO THE WORK. (1). 4pp. 12mo, Holmwood, 
 Henley on Thames, Aug. 4 [1871;] (2). lp. 12mo, Holmwood, Henley 
 on Thames Aug. 9th [1871;] (38). 2pp. 12mo0, Holmwood, Henley on 
 Thames Noy. 7th, no date. All addressed to Frederick Locker and 
 each accompanied by the addressed envelope in Swinburne’s auto- 
 graph, with the original cancelled stamp. Laid in also, is an Auto- 
 graph Letter Signed: “Hdmund Gosse.” 3pp. 12mo, 17 Hanover Ter- 
 race, Regent’s Park, Dec. 20, ’18. To Mr. Birnell, referring to his 
 published Correspondence of Swinburne, with mention of “Bothwell.” 
 On the front fly-leaf is a pencilled note in the autograph of Locker- 
 Lampson, and on the following leaf a visiting card of Swinburne’s, 
 with mourning border. 
 
 The “Rough Sketches” consists of 57 pages comprising five Scenes of 
 Act I and twelve pages of the first Scene of Act IJ. It was issued 
 stitched without title-page or bindnig. 
 
 It was Mr. Frederick Locker-Lampson’s own copy, and has his 
 bookplate and the following note written on fiy-leaf—‘J got these 
 pages printed for Swinburne by Davy from his MS. as he feared he 
 might lose it; he had half a dozen copies printed. It is full of errors. 
 Do not cut it!!” 
 
 Only some half dozen copies of “Rough Sketches” are believed to 
 have been printed and of these but a single copy beside the present 
 one is known to be in existence. 
 
 WITH SUPPRESSED LEAF INTACT, AS WELL AS HAVING THE SUBSTITUTED 
 LEAF TIPPED IN 
 
 1396. SWINBURNE (ALGERNON CHARLES). Under the Microscope. Small 
 8vo, ORIGINAL WRAPPERS, uncut. Enclosed in a full red levant 
 morocco box-case in the style of a bound volume, gilt fillets on 
 sides, gilt paneled back, doublures of red watered-silk. 
 
 London, 1872 
 
 FINE COPY OF THE First EDITION, AND ONE OF THE VERY RARE COPIES 
 OF THE EARLIEST ISSUE WITH THE ORIGINAL LEAF, pp. 41-42, INTACT AS 
 ISSUED. It is believed that only about four copies of this Suppressed 
 Leaf were preserved. The above copy contains both this cancelled 
 leaf, intact, and has the substituted one tipped in. This leaf, pp. 
 41-42, was suppressed as certain of the expressions used in relation to 
 the characters of Tennyson’s “Idylls of the King” were exceedingly 
 coarse. Has the leaf of “Errata” tipped in at end. 
 
 “Under the Microscope’ was Swinburne’s reply to Buchanan’s at- 
 tack of Rossetti and himself in “The Fleshly School of Poetry,” first 
 published in the Contemporary Review for October, 1871. In 1872 
 Buchanan answered this by a poem called “The Monkey and the 
 Microscope,” published in 1872, and finally in December, 1875, Swin- 
 burne wrote “The Devil’s Due,” in reply to Buchanan’s last attack. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 MOST INTERESTING LETTER ON PRINTERS BY SWINBURNE 
 
 1397. SWINBURNE (ALGERNON CHaruEs). Autograph Letter Signed, 10pp. 
 12mo, Henley-on-Thames, Dec. 26th [1875]. To his publishers 
 Messrs. Chatto and Windus.; Also, letter from E. H. Clowes of 
 Wm. Clowes & Sons, to Messrs. Chatto & Windus, 1p. 12mo, 
 Dec. 30th, 1875. Accompanied by a report from their Proof 
 Reader. Together, 3 pieces in a cloth folder enclosed in a cloth 
 slip-case with a red morocco back. [1875 | 
 
 SWINBURNE’S LETTER TO Mr. CHATTO IS A VIOLENT LETTER ON THE IN- 
 COMPETENCE OF PRINTERS, and refers to his poem “‘“Erechtheus.” 
 
 Throughout the letter, and particularly on the last page, both style 
 and handwriting of the letter betray a perfect frenzy of agitation 
 with which the frigid comments of the printers,—‘“‘not marked in press 
 proof,” “Not marked distinctly for alteration,” make an amusing con- 
 trast. The following is an excerpt from Swinburne’s letter: 
 
 “Perhaps a week's hard work will enable me to find out all the 
 blunders of those—the printers; who have done their utmost to dis- 
 figure my book & misuse the good type & paper you have given it... . 
 Again, & again, & yet again have I corrected them, & seen you do the 
 same—é these dogs pay no more heed than at first. It is insufferable 
 —no human patience could stand it . . . these hounds can see noth- 
 ing. The appearance of the page is disgraceful—a chaos. But I begin 
 to despair—it seems useless to write or speak.” 
 
 The letter from William Clowes & Sons, Printers, to Messrs. Chatto 
 & Windus, publishers, reads,—‘We are sorry that Mr. Swinburne 
 should be annoyed with such curs of printers, but we forward the 
 reader’s explanations and can assure you that he is one of the best 
 in the trade.” 
 
 The explanation by the Proof Reader of Clowes & Sons, bears the 
 heading “The errors named by Mr. Swinburne as disfiguring his poem 
 ‘Erechtheus’ arose principally from the following causes .. .” 
 
 FIRST EDITION, WITH PAGE OF ORIGINAL MSS. INSERTED 
 
 1398. SwINBURNE (ALGERNON CHARLES). LHssays and Studies. 12mo, 
 original cloth, uncut. London, 1875 
 
 First EpITion. ‘TIPPED IN, IS THE ORIGINAL AUTOGRAPH MANUSCRIPT 
 BY SWINBURNE of the footnote on page 1538 of the volume. Written on 
 both sides of a 12mo leaf, in a very small hand, and is headed ‘Ar- 
 nold’s Poems.” 
 
 ONE OF ONLY ABOUT FIFTEEN COPIES PRESERVED 
 
 1399. [SwinBuRNE (ALGERNON CHaRLES).| The Devil’s Due. A Letter 
 to the Editor of “The Examiner.” By Thomas Maitland. 1875. 
 
 For Private Circulation. 12mo, 1lpp., sheets, as issued. In 
 
 cloth slip-case, half morocco: back, with inner cloth protecting 
 
 folder. [ London, 1875 | 
 
 AN EXCESSIVELY RARE PRIVATELY PRINTED BROCHURE. 'The pamphlet 
 
 was rigidly suppressed in consequence of the unexpected result of the 
 
 action for libel brought by Mr. Robert Buchanan against Mr. A. P. 
 
 Taylor, M.P., the proprietor of the “Examiner” where it likewise ap- 
 
 peared. 
 Accompanying the above is a Signed Autograph Memorandum by 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [ No. 1899—Continued | 
 Mr. Thomas J. Wise author of the Swinburne Bibliography, which 
 reads,—‘This example of the First Edition of Swinburne’s ‘The Devil's 
 Due’ is one of the copies—about fifteen in number—preserved by 
 Watts-Dunton, and sold by him to me in April 1900. See my Swin- 
 burne Bibliography, Vol. 1, p. 250. Thos. J. Wise.” 
 
 1400. SwInBuRNE (ALGERNON CHARLES). Songs Before Sunrise. 12mo, 
 original cloth, with gilt medallions on sides and back, uncut. 
 London, 1875 
 
 New Edition. Pasted on the inside of the front cover and on the 
 fiy-leaf, are two memoranda in the Autograph of Arthur Symons, one 
 being signed and dated 1916, regarding “Figures of Several Centuries.” 
 
 1401. SwInBuRNE (ALGERNON Crrartzs). Auguste Vacquerie. 8yo, orig- 
 inal salmon colored wrappers, uncut and unopened. Paris: Michel 
 Lévy Fréres, 1875. Firsr Eprrion. This Essay which had ap- 
 peared in English in “The Examiner’ for November 6, 1875, was 
 not included by Swinburne until 1886, when it was published in 
 “Miscellanies” ; [Auso] Note of An English Republican on 
 the Muscovite Crusade. 8vo, original gray wrappers. London: 
 Chatto & Windus, 1876. First Eprrron. Together, 2 pamph- 
 lets. London, 1875-1876 
 
 FINE COPIES, IN ALMOST IMMACULATE STATE. 
 
 1402, SWINBURNE (ALGERNON CHARLES). Miscellanies. 1886; Marino 
 Faliero. A Tragedy. 1885; lLocrine. A Tragedy. 1887; 
 Mary Stuart, A Tragedy. 1881; George Chapman. 1875 To- 
 gether, 5 vols. 12mo, original cloth, uncut. | London, 1875-1887 
 ALL First Epitions. 
 
 WITH AUTOGRAPH CORRECTIONS BY SWINBURNE 
 
 1403. SWINBURNE (ALGERNON CHARLES). Erechtheus: A Tragedy. 12mo, 
 cloth, uncut. London, 1876 
 
 CORRECTED copy, sent to Swinburne by the publishers for his final 
 revision. He has made numerous corrections as to spelling and punctu- 
 ation, and has written in the margins A NUMBER OF ANNOTATIONS BE- 
 ING INSTRUCTIONS TO THE PRINTERS. 
 
 1404. SWINBURNE (ALGERNON CHartEs). Note of an English Republican 
 on the Muscovite Crusade. 8vo, original gray wrappers. En- 
 closed in quarter blue morocco slip-case, with inner protecting 
 cloth wrapper. London: Chatto & Windus, 1876 
 
 First Epirion. FrIne copy. 
 
 1405. SwInBuRNE (ALGERNON CHARLES). Charles Dickens. With Pref- 
 ace and Illustrative Notes by the Editor [T. Watts-Dunton]. 
 
 1913; A Study of Ben Jonson. 1889; Studies in Song. 1880; 
 
 A Channel Passage and other Poems. 1904; The Age of Shake- 
 
 speare. 1908; Tristram of Lyonesse and other Poems. 1882; 
 [Continued 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 [No. 1405—Continued] 
 Joseph and his Brethren. By Chas. Wells. With an Introduction 
 by Algernon Charles Swinburne. 1876. First Edition with in- 
 troduction. Together, 7 vols. 12mo, original cloth, all are en- 
 
 tirely uncut with the exception of two which have gilt tops. 
 London, 1876-1913 
 
 ALL First Epirions. 
 
 MOST INTERESTING AND IMPORTANT SWINBURNE ITEM AND OF 
 SUPERLATIVE IMPORTANCE 
 
 1406. SwinBuRNE (ALGERNON CHartzs). First Trial Undivided Galley 
 Proofs of,—(1) Lesbia Brandon. Galleys 25-97 of this unfinished 
 and suppressed Novel; (2) Mary Stuart. Galleys, 1-24; John 
 Jones. Galleys, 98-101. In all 103 Galleys imposed two on a 
 sheet, printed on one side of sheet only. The proofs of each is 
 described below. Enclosed in a brown cloth portfolio, with cloth 
 protecting flaps. London [1877] 
 
 A SWINBURNE ITEM OF UNUSUAL INTEREST. ONLY FIVE SETS OF THESE 
 PROOFS WERE PRINTED, AND OF WHICH ONLY THREE SETS OF EACH ARE 
 KNOWN. AS STATED ABOVE THESE PROOFS ARE UNDIVIDED. 
 
 In the autumn of 1877 Swinburne one day entered the office of his 
 publishers, Messrs. Chatto and Windus, and handed to the late Mr. 
 Andrew Chatto a parcel of Manuscript, informing him that this con- 
 tained the Ms. of a novel, and instructing him to have it at once set 
 up in type. It then became apparent that the poet had by some means 
 got his manuscripts mixed up, for the proofs turned out to be, not those 
 of a novel, avowedly unfinished, but a mixture of “Mary Stuart,”. 
 “Lesbia Brandon” and “John Jones.” 
 
 These galleys comprise the following,— 
 
 (1) Lespia BRANDON. Galleys number from 25 to 97, inclusive of 
 97a and 97b. A SWINBURNE ITEM OF SUPERLATIVE INTEREST AND IN IM- 
 MACULATE STATE OF PRESERVATION. ‘THESE GALLEYS COMPRISE THE 
 PROOFS OF AN UNFINISHED AND UNPOPULAR NOVEL. They commence 
 with four lines of poetry beginning “Dis moi done, la blonde,” and 
 close with the unfinished sentence, “At any minute some evil and hor- 
 ror nameless.”’ 
 
 As stated above these galleys are printed on one side of the leaf 
 only, two galleys or columns to the page, the full length of galley 
 being 13% inches and the width 314 inches. 
 
 One of three known sets of these proofs. Until quite recently this 
 work has been entirely unknown to most Swinburne collectors. Mr. 
 Wise says of it in his Bibliography of Swinburne: ‘“Lesbia Brandon 
 was a serious attempt to write a sustained novel upon conventional 
 lines. It differs altogether from Love’s Cross Currents, for that is a 
 romance cast in the form of letters, and is of a class by itself. The 
 novel was in all probability planned and commenced in or about 1859, 
 and was continued at intervals until the beginning of 1867, when 
 Swinburne advised Burton that he had it in hand. The story is un- 
 questionably autobiographical, and the hero is a distorted image of the 
 youthful Algernon. As such it is of interest, but the whole thing is 
 morbid and unwholesome, and no regret need be felt that Swinburne 
 failed to continue and complete the work. But the point of greatest 
 interest attaching to these proofs of Lesbia Brandon is that they in- 
 cluded, introduced into the text as said or sung by the several char- 
 
 [ Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 | No. 1406—Continued | 
 acters, a number of poems with the majority of which we have long 
 been familiar in Swinburne’s published works.” 
 
 (2) Mary Sruart. Galleys number 1 to 24 inclusive. Printed on 
 one side of the leaf only, two galleys or columns to the page. 
 
 One of three known copies that were struck off by mistake at the 
 same time as the Lesbia Brandon proofs. These proofs comprise Act 
 I and a small portion of Act II of this play, afterwards published in 
 1881. It is quite evident that the type set for these galleys was dis- 
 tributed, and that the whole was set up afresh when the time came 
 to print and publish the Tragedy, as neither types nor leads employed 
 in the galleys are identical with those used in 1881. : 
 
 (3) JoHN JONES. Galleys number 98 to 101, inclusive, comprising 
 the IV chapters, in all 44 stanzas of four lines each. Printed on one 
 side of the leaf only, two galleys or columns to the page. 
 
 One of three known copies struck off at the same time as the Lesbia 
 Brandon proofs. The poem was afterwards published in The Hep- 
 talogia 1880, but this first printed draft differs greatly from the final 
 version. 
 
 WITH CORRECTED PROOF SHEET INSERTED 
 
 1407. SwINBURNE (ALGERNON CHARLES). Poems and Ballads. Second 
 Series; [Auso|] Third Series. Together, 2 vols. 12mo, original 
 dark green cloth. London, 1878-1889 
 
 First Eprrions. The Second Series has top and lower edges uncut, 
 the Third Series is entirely uncut. 
 
 THE SECOND SERIES has inserted the Proof Sheet of the Poem ‘“7'o 
 Louis Kossuth,’ with corrections in ink in the Autograph of A. C. 
 Swinburne and dated by him “Jan. 1878.” 
 
 1408. SWINBURNE (ALGERNON CHARLES). OrigiInAL AuTrograPH MaNnv- 
 SCRIPT of,—“Christmas Antiphones.” 52 stanzas of five lines 
 each, written on 6 folio sheets. Each sheet is tipped on beveled 
 mount, with linen guard. Bound in a folio, full red levant mo- 
 rocco volume, sides with a border design of fillets with a lily pad 
 in corners, lettered in gilt on front cover, doublures and fiy-leaves 
 of blue silk, gilt edges. 
 
 A VERY DESIRABLE SPECIMEN, With several manuscript corrections in 
 Swinburne’s hand. The Poem is divided into three parts; “In Church ;” 
 “Oustide Church;” ‘Beyond Church.” 
 
 1409. SwINBURNE (ALGERNON| CHARLES). Songs of the Springtides. 
 1880; The Sisters. 1892; Rosamund, Queen of the Lombards. 
 A Tragedy. 1899; A Study of Victor Hugo. 1886; Studies 
 in Prose and Poetry. 1894. Together, 5 vols. 12mo, original 
 cloth, uncut, one vol. with gilt top. London, 1880-1899 
 
 ALL First EDITIONS. 
 
 * 
 
 1410. SWINBURNE (ALGERNON CHARLES). Love’s Cross-Currents. 1905; 
 The Heptalogia. 1880; A Century of Roundels. 1883. To- 
 gether, 3 vols. 12mo and small 4to, cloth, uncut. 
 
 London, 1880-1905 
 
 First EDITIons., 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 SIGNED PRESENTATION COPY FROM SWINBURNE 
 
 1411. SwiInBuRNE (ALGERNON CHARLES). A Midsummer Holiday and 
 other Poems. 12mo, original cloth. London, 1884 
 
 First Epirion. SIGNED AUTOGRAPH PRESENTATION COPY FROM THE 
 AUTHOR, With the following inscription on half-title—Wiéilliam Bell 
 Scott from his friend A. C. Swinburne. 
 
 From the library of Ch. Fairfax Murray, with his label. 
 
 1412. SWINBURNE (ALGERNON CHARLES). Gathered Songs. Small 4to, 
 original pale green paper wrappers, uncut. In cloth folder, en- 
 closed in cloth slip-case with blue morocco back. 
 
 London: Charles Ottley, Landon, & Co., 1887 
 
 First Epirion. One of 25 copies printed on paper, only four copies 
 printed on vellum. IMMACULATE COPY. 
 
 1413. SWINBURNE (ALGERNON CHARLES). The Question MDCCCLXXX- 
 VII. A Poem. Small 8vo, pp. 16, original pale green wrappers, 
 tear-in front wrapper. 
 
 London: Charles Ottley Landon & Co., 1887 
 
 First Eprrion. One of 25 copies on paper, four being printed on 
 vellum. This piece was dropped by the author and is not included in 
 any of his collected writings. 
 
 1414. SWINBURNE (ALGERNON CHARLES). A Word for the Navy. By 
 Algernon Charles Swinburne. Vignette on title. Small 8yo. 
 pp. 16, including half-title and title-page, stiff mottled gray wrap- 
 pers. Enclosed in cloth slip-case, red morocco back, inner cloth 
 protecting wrapper. London: George Redway, 1887 
 
 First Epirion. One of 250 copies issued. There were six proof 
 copies drawn off by the publisher in 1886, and they are considered the 
 Genuine First Issue, but only three of the copies are known to exist. 
 Redway temporarily gave up the idea of publishing the poem and after 
 having the six proof copies struck off did not publish the work until 
 1887. 
 
 1415. SWINBURNE (ALGERNON CHARLES). The Bibliography of Swin- 
 burne. A Bibliographical List arranged in Chronological Order 
 of the Published Writings in Verse and Prose of A. C. Swinburne 
 (1857-1887). London: George Redway, 1887. New Edition, 
 revised and considerably enlarged, limited to 250 copies; Shake- 
 speare. By A. C. Swinburne. Written in 1905 and now first pub- 
 lished. First Eprrion. London, 1909. Together, 2 vols. 12mo, 
 vellum and cloth. London, 1887-1909 
 
 The first named was written by R. H. Shepherd. 
 
 1416. SWINBURNE (ALGERNON CHARLES). Unpublished Verses (1866). 
 Leaflet, 4pp. 12mo. | London, 1888 | 
 A pirated work, issued by Richard H. Shepherd. 
 
 1417. SWINBURNE (ALGERNON CHARLES). The Ballad of Dead Men’s Bay. 
 12mo, original pale buff paper wrappers, uncut. In cloth folder, 
 enclosed in red cloth slip-case with red morocco back. 
 
 London: Privately Printed, 1889 
 
 First Epitron. One of 40 copies privately printed. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1418. SWINBURNE (ALGERNON CHARLES). A Sequence of Sonnets on the 
 Death of Robert Browning. Small 4to, original blue wrappers, 
 uncut. London: Printed for Private Circulation, 1890 
 
 First Epirion. FINE copy. “A few copies only have been printed 
 in this separate form more befitting the occasion.” 
 
 1419. SWINBURNE (ALGERNON CHartEs). The Ballad of Bulgarie. Por- 
 trait of the author. 12mo, original pale orange colored wrappers. 
 In cloth folder, enclosed in red cloth slip-case with red morocco 
 back. London: Printed for Private Circulation, 1893 
 
 First Epition. One of 25 copies printed for private circulation, and 
 has never appeared in any of Swinburne’s collected writings. Im- 
 MACULATE COPY. 
 
 1420. SWINBURNE (ALGERNON CHARLES). Page Proof Copy of his work 
 “Grace Darling.” 4to, sheets. Enclosed in green cloth folder. 
 London: Printed Only for Private Circulation, 1893 
 
 First Epition. A copy of the page proofs of this rare item, wanting 
 the blank end fly-leaf. With a correction of a transposed letter on the 
 leaf containing the certificate of issue. 
 
 There were only 30 copies issued. 
 
 1421. SWINBURNE (ALGERNON CHARLES). Grace Darling. 4to, original 
 parchment boards, uncut. 
 London: Printed Only for Private Circulation, 1893 
 
 First Eprrion. One of 30 copies printed on LARGE Paper, three copies 
 were printed on vellum. AN EXCEPTIONALLY FINE COPY. 
 Issued by Mr. Wise with Swinburne’s permission. 
 
 1422. SWINBURNE (ALGERNON C.). The Duke of Gandia. 1908. With 
 embossed blind stamp “Presentation Copy” on title-page; Astro- 
 phel and other Poems. 1894. Together, 2 vols. original blue 
 cloth. London, 1894-1908 
 
 First EDITION OF EACH VOLUME. 
 
 1423. SWINBURNE (ALGERNON CHARLES). Robert Burns. A Poem. 12mo, 
 full red French levant morocco, sides with triple gilt fillet bor- 
 ders, gilt paneled back, gilt top, original terra-cotta wrappers 
 bound in, BY THE CLUB BINDERY.. 
 
 Edinburgh: Printed for Members of the Burns Centenary 
 Club, 1896 
 
 First Epition. One of 30 copies printed. Not for sale. IMMACULATE 
 COPY. 
 The E. B. Holden Copy, with bookplate. 
 
 1424, SWINBURNE (ALGERNON CHartus). The Heptalogia. Small 4to, 
 Japan vellum wrappers, uncut. 
 Portland: Thomas B. Mosher, 1898 
 
 One of 50 copies printed on Japanese vellum, and the type distributed. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 FINE AUTOGRAPH MSS. BY SWINBURNE 
 
 1425. SWINBURNE (ALGERNON CHARLES). OrigINAL AuTograpH MANU- 
 
 ScRipT, Signed, of his Essay,—“William Rowley.” Signed in 
 full,—Algernon Charles Swinburne. Written in ink on 14 quarto 
 sheets of blue paper, one side only, consisting of about THrrry- 
 THREE HuNprep Worps, with numerous emendations and cor- 
 rections; [Atso] Excerpt from “Harper’s Magazine” of April, 
 1907, where it was first printed. Neatly inlaid to size. Bound 
 in a 4to volume, full brown French levant morocco, triple gilt 
 fillet borders on sides, gilt paneled back, gilt inside borders, 
 BY SANGORSKI & SUTCLIFFE. 
 
 A VERY FINE MANUSCRIPT. This is one of the essays in “The Age of 
 Shakespeare.” 
 
 1426. SWINBURNE (ALGERNON Cuaries). The Age of Shakespeare. 8vo, 
 
 original blue cloth, gilt top, uncut. London, 1908 
 First Eprrion. LARGE PAPER ISSUE, of which only 110 copies were 
 printed, of which 100 were for sale, this being, No. 48. 
 The H. Buxton Forman copy, with bookplates. 
 
 1427. SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 
 1428 
 
 1429 
 
 1430 
 
 1431 
 
 Swinburne to T. J. Wise. 12mo, original wrappers. Enclosed in 
 quarter red morocco slip-case with inner cloth protecting wrapper. 
 London: Printed for Private Circulation, 1909 
 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 . SWINBURNE (ALGERNON CHarLeEs). Letters on the Works of George 
 
 Chapman. With a Prefatory Note by Edmund Gosse. 12mo, 
 
 original wrappers, uncut. Enclosed in quarter red morocco slip- 
 case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1909. 
 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 . SWINBURNE (ALGERNON CHARLES). Lord Scales. A Ballad by a 
 
 Borderer. 12mo, original pale green wrappers. In cloth folder, 
 enclosed in cloth slip-case with brown morocco back. 
 London: Printed for Private Circulation, 1909 
 
 First Epition. One of 20 copies printed by Theodore Watts-Dunton 
 for circulation amongst his friends. 
 
 . SWINBURNE (ALGERNON CHaruEs). Of Liberty and Loyalty. 12mo, 
 
 original wrapper, uncut. Enclosed in quarter black morocco 
 slip-case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1909 
 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 . SWINBURNE (ALGERNON CHARLES). The Saviour of Society. Two 
 
 Sonnets and a Controversy. 12mo, original pink wrappers, uncut. 
 Enclosed in quarter black morocco slip-case with inner cloth pro- 
 tecting wrapper: London: Printed for Private Circulation, 1909 
 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 14382. 
 
 1433. 
 
 1434. 
 
 1435. 
 
 1436. 
 
 143%. 
 
 1439. 
 
 SWINBURNE (ALGERNON CHARLES). Three Plays of Shakespeare. 
 12mo, full red French levant morocco, triple gilt fillet borders 
 on sides, gilt paneled back, aut top, uncut, BY ADAMS BINDERY. 
 
 New York, 1909 
 
 First EDITION. 
 
 SWINBURNE (ALGERNON CHARLES). The Worm of Spindleston- 
 heugh. A Ballad by a Borderer. 12mo, original pale green 
 wrappers. In cloth folder, enclosed in cloth slip-case, with brown 
 morocco back. London: Printed for Private Cireulation, 1909 
 
 First Epirion. One of 20 copies printed by Theodore Watts-Dunton 
 for circulation amongst his friends. 
 
 [SWINBURNE (ALGERNON CHARLES).] To W. T. W. D. Written 
 upon the fly-leaf of a copy of Sympathy, and Other Poems, by 
 S. J. Pratt, 8vo, 1807. Leaflet, 4pp. 12mo. Enclosed in a 
 quarter brown morocco slip-case, with inner protecting cloth 
 cover. | London, 1909] 
 
 ONLY 12 COPIES WERE PRINTED, for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). The Ballade of Truthful 
 Charles and other Poems. 12mo, original wrappers, uncut. En- 
 closed in quarter red morocco slip-case, with inner protecting 
 cloth wrapper. London: Printed for Private Circulation, 1910 
 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). A Criminal Case. A Sketch. 
 12mo, original wrappers, uncut. Enclosed in quarter blue mo- 
 rocco slip-case, with inner cloth protecting wrapper. 
 
 London: Printed for Private Circulation, 1910 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). A Criminal Case. A Sketch. 
 12mo, original wrappers, uncut. | 
 
 London: Printed for Private Cireulation, 1910 
 
 First Eprrion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 . SWINBURNE (ALGERNON CHARLES). Letters to Thomas Purnell 
 
 and other Correspondents. 12mo, original wrappers, uncut. 
 Enclosed in quarter red morocco slip- -case, with inner cloth pro- 
 tecting wrapper. London: Printed for Private Circulation, 1910 
 
 mae EpitTion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to John Churton Collins, 1873-1886. 12mo, original 
 wrappers, uncut. Enclosed in a quarter red morocco ‘slip- -Case, 
 with inner cloth protecting wrapper. 
 
 London: Printed for Private Circulation, 1910 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
1440. 
 
 1441. 
 
 1442. 
 
 1443. 
 
 1444, 
 
 1445. 
 
 1446. 
 
 1447, 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to A. H. Bullen. 12mo, original wrappers, uncut. 
 Enclosed in quarter red morocco slip-case, with inner protecting 
 cloth wrapper. London: Printed for Private Circulation, 1910 
 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHartEs). Letters on William Morris. 
 Omar Khayyam and other Subjects of Interest. 12mo, original 
 wrappers, uncut. Enclosed in quarter red morocco slip-case, with 
 inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1910 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CrarLEs). A Record of Friendship. 12mo, 
 original wrappers, uncut. Enclosed in quarter black morocco 
 slip-case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1910 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Blest and the Centenary of 
 Shelley, etc. 12mo, original wrappers, uncut. Enclosed in quar- 
 ter black morocco slip-case, with inner cloth protecting wrapper. 
 
 London: Printed for Private Circulation Only, 1912 
 First Epition, Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to Frederick Locker Lampson and other Correspon- 
 dents. 12mo, original wrappers, uncut. 
 
 London: Printed for Private Circulation, 1912 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Letters from Algernon C. 
 Swinburne to Sir Richard F. Burton and other Correspondents. 
 12mo, wrappers, uncut. Enclosed in quarter red morocco slip- 
 case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1912 
 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Letters to the Press. With an 
 Introduction by Edmund Gosse. 12mo, original blue boards, 
 paper label, uncut. Enclosed in quarter black leather slip-case, 
 with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1912 
 First Epirion. Limited to 32 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Les Fleurs du Mal and other 
 Studies. Edited with an Introduction by Edmund Gosse. 12mo, 
 blue boards, uncut, paper label. Enclosed in quarter black mo- 
 rocco ship-case, with inner cloth protecting wrapper. 
 
 London: Printed for Private Circulation, 1913 
 First Epirion. One of 32 copies, printed for Thomas J. Wise. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1448. SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to Frederick Locker. November, 1871. 12mo, orig- 
 inal wrappers, uncut. Enclosed in quarter black morocco slip- 
 case, with inner protecting cloth wrapper. | London] 1913 
 
 First Epirion. TWENTY COPIES ONLY PRINTED, for private circulation. 
 
 1449. SWINBURNE (ALGERNON CHARLES). Letters from Algernon C. 
 Swinburne to Sir Edward Lytton-Bulwer (First Lord Lytton) 
 and other Correspondents. 12mo, original wrappers, uncut. En- 
 closed quarter black morocco slip-case, with inner cloth protect- 
 ing wrapper. London: Printed for Private Circulatioon, 1913 
 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 1450. SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to Stéphane Mallarmé. 12mo, original blue wrappers, 
 uncut. Enclosed in quarter red morocco slip case, with inner 
 protecting cloth wrapper. 
 
 ; London: Printed for Private Circulation, 1913 
 First Epririon. Limited to 30 copies, printed for Thomas J. Wise. 
 
 1451. SWINBURNE (ALGERNON CHARLES). olus. 12mo, original wrap- 
 pers, uncut. Enclosed in quarter black morocco slip-case, with 
 inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1914 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
 GALLEY PROOF WITH SWINBURNE’S AUTOGRAPH CORRECTIONS 
 
 1452. SWINBURNE (ALGERNON CHARLES). Galley Proofs of his Biograph- 
 ical Sketch “Victor Maria Hugo.” Printed in two columns to 
 the page, and comprising three pages. WITH NUMEROUS COR- 
 RECTIONS IN THE AUTOGRAPH OF SWINBURNE.  [ London, 1914] 
 
 The above was printed in ‘Pericles and other Studies,” and had 
 previously been printed in The Encyclopaedia Britannica, Ninth Edi- 
 tion, 1902. 
 
 1453. SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to John Morley (Afterwards the Viscount of Black- 
 bur, O.M.). Edited by Edmund Gosse. 12mo, original wrap- 
 pers, uncut. Enclosed in quarter black morocco slip-case, with 
 inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1914 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 1454. SWINBURNE (ALGERNON CHARLES). A Study of Victor Hugo’s “Les 
 Misérables.” Edited with an Introduction by Edmund Gosse. 
 12mo, original wrappers, uncut. Enclosed in quarter black 
 morocco slip-case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1914 
 First Epirion. Limited to 20 copies, printed for Thomas J. Wise. 
 
1455. 
 
 1456. 
 
 1457. 
 
 1458. 
 
 1459. 
 
 1460. 
 
 1461. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 SWINBURNE (ALGERNON CHARLES). Letters from Algernon Charles 
 Swinburne to Richard Monckton Miles (afterwards Lord Hough- 
 ton) and other correspondents. Edited by Thomas J. Wise. 12mo, 
 original boards, uncut. Enclosed in quarter black morocco slip- 
 case, with inner protecting cloth wrapper. 
 
 London: Printed for Private Circulation, 1915 
 First Epition. Limited to 20 copies, printed for Thomas J. Wise. 
 
 SWINBURNE (ALGERNON CHARLES). Poetical Fragments.  4to, 
 original wrappers. Enclosed in a quarter blue morocco slip-case, 
 with inner protecting cloth wrapper. [ London, 1916] 
 
 EDITION LIMITED TO 25 copies, printed for Clement Shorter for cir- 
 culation among his friends, of which this is, No. 21, signed,—Clement 
 Shorter. 
 
 SWINBURNE (ALGERNON CHARLES). Poems from “Villon” and 
 other Fragments. 4to, wrappers. Enclosed in a quarter red 
 morocco slip-case, with inner protecting cloth wrapper. 
 
 [London, 1916] 
 
 EDITION LIMITED TO 25 copres, printed for Clement Shorter for cir- 
 culation among his friends, of which this is, No. 5, signed,—Clement 
 Shorter. 
 
 SWINBURNE (ALGERNON CHARLES). Posthumous Poems. Edited 
 by Edmund Gosse and Thomas James Wise. 8vo, boards, vellum 
 
 back, uncut. London, 1917 
 HANDMADE PAPER EDITION, limited to 300 copies, of which this is, 
 
 No. 7. 
 SWINBURNE (ALGERNON CHARLES). Contemporaries of Shake- 
 
 speare. Edited by Edmund Gosse and T. J. Wise. London, 
 1919; Gossze (Epmunp). The Life of Algernon Charles Swin- 
 burne. Illustrations. New York, 1917. Together, 2 vols. 12mo 
 and 8vo, cloth, uncut. London and New York, 1917-1919 
 
 The first mentioned contains the first publication of most of these 
 essays on the Elizabethan writers. The second is the First AMERICAN 
 EDITION. 
 
 SwinpurneE (AtcERNoN CuHartEs). The Letters of Algernon 
 Charles Swinburne. Edited by Edmund Gosse, C. B. and Thomas 
 James Wise. 2 vols. 8vo, cloth, uncut, and unopened. 
 
 London, 1918 
 
 First EDITIoNn. 
 
 SwINBURNE (ALGERNON CHarLEs). Wise (THomas J.). A Bib- 
 liographical List of the Scarcer Works and Uncollected Writings 
 of Algernon Charles Swinburne. Facsimiles of title-pages and 
 MSS. Square 8vo, cloth, uncut. 
 
 London: Printed only for Private Subscribers, 1897 
 
 ONE or 50 COPIES PRINTED. Signed Autograph Presentation Copy 
 from Mr. Wise to Colonel W. F. Prideaux, with inscription on half-title. 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ———— Le SS ES eee 
 
 [ No. 1461—Continued | 
 
 1462. 
 
 1463. 
 
 1464. 
 
 1465. 
 
 1466. 
 
 1467. 
 
 1468. 
 
 Accompanying the above are the following,—Two Autograph Letters 
 Signed, from Edmund Gosse; Letter Signed from Theodore Watts 
 Dunton; and an Autograph Letter Signed from Thomas J. Wise, ac- 
 companied by a leaflet to which he refers. . All addressed to Colonel 
 Prideaux; also 3 pages of manuscript in the autograph of Colonel 
 Prideaux, being “Additions and Corrections” in the volume. 
 
 [SwrnBurNE (ALGERNON CHARLES).] Butwer-Lyrron (Epwarp, 
 Lorp Lyrron). Lucretia or The Children of Night. 12mo, 
 original cloth. London, 189% 
 
 AUTOGRAPH PRESENTATION copy from Swinburne to Watts-Dunton, 
 with the following inscription, on half-title, reading,—_W. T. Watts- 
 Dunton from A. C. Swinburne, May 6th, 1903. 
 
 [SwrnpurNE (AtcpRNON CHaruEs).] Warrs-Dunton (Ciara). 
 The Home Life of Swinburne. With 11 illustrations. London, 
 1922; [GauTipr (T.).] Le Tombeau de Théophile Gautier. 
 Hitched portrait. Paris, 1873. Original issue with the portrait 
 of Gautier; and containing 6 poems by Swinburne. 
 
 London and Paris, 1873-1922 
 
 Boru First Epitions. 
 
 SWINBURNE (ALGERNON CHARLES). REUL (Paun pE). L’Cuvre 
 de Swinburne. Portrait. 8vo, cloth. Bruxelles, 1922 
 One of the publications of the Fondation Universitaire de Belgique. 
 
 SWINBURNE (ALGERNON CHARLES). Wise (THomas J .)» A Bib- 
 hiography of the Writings in Prose and Verse of Algernon Charles 
 Swinburne. Portraits and facsimiles of title-pages and manu- 
 scripts. 2 vols. Small 4to, boards, uncut. 
 
 London: Printed for Private Circulation Only, 1919 
 
 ONLY 120 COPIES PRINTED. 
 
 SWINNERTON (FRANK). Nocturne. [19175] September. [1919.] 
 Together, 2 vols. 12mo, cloth, uncut. [London 1917-1919 | 
 
 First Epirion of the first named. 
 
 SERIES OF JOHN ADDINGTON SYMONDS’ WORKS 
 
 SyMonps (JoHN Appineron). The Escorial. A Prize Poem, re- 
 cited in the Theatre, Oxford, June 20, 1860. 12mo, sewn. En- 
 closed in red cloth slip-case, morocco back, gilt lettered, with 
 inside cloth folder. ; Oxford, 1860 
 
 First Epirron. A VERY FINQ FRESH COPY OF THIS RARE PAMPHLET. 
 For this poem, Symonds obtained the double first class in classics, the 
 Newdigate prize. The author’s earliest work. 
 
 Symonps (JoHn Apprneron). An Introduction to the Study of 
 Dante. Death mask frontispiece. 12mo, cloth. London, 1872 
 
 First Eprrion. Name and address, in ink of “G. HE. Johnstone” on 
 fly-leaf. 
 
1469. 
 
 1471. 
 
 1472. 
 
 1473. 
 
 1474. 
 
 1477. 
 
 1478. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 Symonps (JOHN AppINGTON). Studies of the Greek Poets. | First 
 and] Second Series. 2 vols. 12mo, cloth, top edges uncut. 
 London, 1873-1876 
 First Epirion. Vol. I bound in blue cloth, Vol. II bound in black 
 cloth, both as issued. 
 
 . SymMonps (JoHN AppINGTON). Sketches in Italy and Greece. 12mo, 
 
 cloth, uncut. London, 1874 
 
 First Epirion. From the library of G. Lewis, London, with book- 
 plate. 
 
 COMPLETE SET OF SYMONDS’ “RENAISSANCE IN ITALY” 
 
 Symonps (JoHn Apprneron). Renaissance in Italy: Comprising,— 
 The Age of the Despots. 1875; The Revival of Learning. 1877; 
 The Fine Arts. 1877; Italian Literature. With fine portrait 
 engraved by Joseph Brown. 2 vols. 1881; The Catholic Reac- 
 tion. 2 vols. 1886. Together, 7 vols. thick 8vo, original cloth, 
 uncut. London, 1875-1886 
 
 Aut First Epirions. ComMpieEte set. With Autograph Signature of, 
 “0. EH. Norton,” on fly-leaves of two volumes. 
 
 Symonps (JoHn Appineton). Many Moods. A Volume of Verse. 
 12mo, cloth, uncut. London, 1878 
 
 First EDITION. 
 
 Symonps (JoHn ApprneTron). The Sonnets of Michael Angelo 
 Buonarroti and Tommaso Campanella. Now for the First Time 
 Translated into Rhymed English. 12mo, cloth, uncut. 
 
 London, 1878 
 
 First EDIrTIon. 
 
 Symonps (JouHn Apprnaton). Sketches and Studies in Italy. 
 Frontispiece. 12mo, cloth, uncut. London, 1879 
 First EpItrion. 
 
 . Symonps (JoHn Appinaton). New and Old. A Volume of Verse. 
 
 12mo, cloth, uncut and partly unopened. London, 1880 
 First EpIrion. 
 
 . Symonps (JoHn Appineron). Animi Figura. 16mo, cloth, uncut. 
 
 London, 1882 
 
 First Ep1IrTion. 
 
 Symonps (Joun Appineton). Italian Byways. 12mo, cloth, back 
 faded, top edges uncut. London, 1883 
 
 First EpItTIon. 
 
 Symonps (Joun Apprncron). Shakespeare’s Predecessors in the 
 English Drama. 8vo, cloth, upper edges uncut. London, 1884 
 
 First EDITION, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a eS 
 
 1479. Symonps (JoHN ApbINGTON). Vagabunduli Libellus. 8vo, cloth, 
 
 uncut. London, 1884 
 First Epirion. 
 
 1480. [Symonps (Joun Apprneron).] Wine, Women, and Song. Medi- 
 eval Latin Students’ Songs now First Translated into English 
 Verse. With an Essay by John Addington Symonds. 12mo, 
 vellum boards, uncut. London, 1884 
 First Epirion. 
 
 FIRST EDITION OF SYMONDS’ BENVENUTO CELLINI 
 
 1481. Symonps (Joun Apprneron). The Life of Benvenuto Cellini. 
 Newly Translated from the English by John Addington Symonds. 
 With engraved portrait, 8 etchings by F. Laguillermie, all India 
 Proofs, and 18 reproductions of the works of the Master. 2 vols. 
 imperial 8vo, cloth, paper labels, entirely uncut. London, 1888 
 First Epirion. LARGE PAPER. Only 100 numbered copies printed. 
 
 1482. Symonps (Jon Apprnaton). Kssays Speculative and Suggestive. 
 ® vols. 12mo, cloth, entirely uncut. : London, 1890 
 First Epition. From the library of Royal Cortissoz, with his book- 
 
 plate in each volume. 
 1483. Symonps (Joun Appineron). The Memoirs of Count Carlo Qozzi. 
 Translated into English by John Addington Symonds. With 
 Essays on Italian Impromptu Comedy, Gozzi’s Life, the Dra- 
 matic Fables, and Pietro Longhi, by the Translator. With por- 
 trait and 6 original etchings by Adolphe Lalauze; and 11 sub- 
 jects illustrating Italian Comedy by Maurice Sand, engraved on 
 copper by A. Manceau, and CoutoreD By Hanp. 2 vols. square 
 8vo, cloth, leather backs, gilt tops, uncut, bindings slightly rubbed. 
 London, 1890 
 First Epition. 520 copies of this book printed for England, and 260 
 for America. Type distributed. Each copy numbered. This is copy, 
 
 No. 370. 
 
 1484. SymMonps (JoHN Appineron). Our Life in the Swiss Highlands. 
 By John Addington Symonds and_his daughter Margaret. 
 
 Frontispiece. 12mo, cloth, top edges uncut. London, 1892 
 First Epirion. From the Edwin B. Holden Collection, with book- 
 plate. 
 
 1485. Symonps (JoHN AppinGron). In the Key of Blue and Other 
 Essays. 12mo, cloth, gilt, uncut. London and New York, 1893 
 
 First EpItion. 
 
 FINE COPY OF THE FIRST EDITION 
 
 1486. Symonps (JoHN ADDINGTON). The Life of Michelangelo Buonar- 
 roti. With etched portrait and 50 reproductions of the works 
 of the master. 2% vols. 8vo, cloth, gilt tops, uncut. 
 
 London, 1893 
 
 First Epition, 
 
1487. 
 
 1488. 
 
 1489. 
 
 1490. 
 
 1491. 
 
 1492. 
 
 1493.” 
 
 1494, 
 
 1495. 
 
 1496. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 SYMONDS (JOHN AppINGTON). Walt Whitman. A Study. With 
 portrait and 4 illustrations. Royal 8vo, cloth, paper label, uncut. 
 London, 1893 
 
 First Epirion. LARGE PAPER. Only 208 copies printed on Arnold’s 
 Unbleached handmade paper, of which this is, No. 22. 
 
 SymMonps (JoHN AppINGTON). Walt Whitman. A Study. Por- 
 trait and 4 illustrations. 8vo, cloth, gilt top, uncut. 
 London, 1893 
 First Epition. With bookplate of Hugh Verner Dobson. 
 
 Symonps (JoHN Apprneton). A Biography. Compiled from his 
 Papers and Correspondence, by Horatio F. Brown. With por- 
 traits and other illustrations, on Japan paper. 2 vols. Square 
 8vo, cloth, gilt tops, uncut. London, 1895 
 
 First EpItTIon. 
 
 Symonps (Joun Appineron). Giovanni Boccaccio as Man and 
 Author. 8vo, cloth, uncut. London, 1895 
 
 First EpItion. 
 
 Symonps (JoHN Appineron). Blank Verse. 8vo, cloth, uncut 
 
 and unopened. London, 1895 
 First EpItIon. 
 
 SyMonpDs (JoHN Apprnaton). A Problem in Modern Ethics. 8vo, 
 cloth, upper edges uncut. London, 1896 
 
 First Epirion. One of 100 copies privately printed. 
 
 SyMonbDs (JOHN Appina@tTon). The Life of Benvenuto Cellini. 
 Translated from the Italian by John Addington Symonds. Dec- 
 orated by CU. S. Ricketts. 2 vols. imperial 8vo, boards, cloth 
 backs, paper labels, uncut. | London: Vale Press, 1900] 
 
 One of 300 copies printed at the Vale Press. 
 
 Symonps (JoHn Appineton). A Problem in Greek Ethics. 8vo, 
 cloth. London, 1901 
 
 First Epirion. Limited to 100 copies, printed for Private Circulation 
 only, after the author’s death; type distributed. 
 
 SYMONDS (JOHN Appineton). Last and First. Being Two Essays: 
 The New Spirit and Hugh Clough. 12mo, cloth. 
 New York, 1919 
 
 First EpIrion. 
 
 SymMonps (JoHN AppineTon). Letters and Papers of John Adding- 
 ton Symonds. Collected and Edited by Horatio F. Brown. Por- 
 trait. 12mo, cloth. London, 1923 
 
 First Epirion. For many years Symonds lived during the autumn 
 ‘in the house of his friend, Horatio F. Brown, on the Zattare, in Venice, 
 and he left his papers and Autobiography-in Mr. Brown’s hands, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1497. Symonps’ (J. A.) Copy. Parrison (Marx). Essays by the Late 
 Mark Pattison, Sometime Rector of Lincoln College. Collected 
 and Arranged by Henry Nettleship. 2 vols. 8vo, cloth. 
 
 Oxford: At the Clarendon Press, 1889 
 
 JOHN ADDINGTON SyMOoNDs’ copy, with numerous annotations in his 
 autograph, written in pencil throughout the volumes. 
 
 With the bookplates of John Addington Symonds and Arthur B. 
 Spingarn. . 
 
 FIRST EDITIONS OF ARTHUR SYMONS 
 
 1498. Symons (Arruur). An Introduction to the Study of Browning. 
 T2mo, clothia.-. London, 1886 
 
 First Eprrion. 
 
 1499. Symons (ArrHur). Philip Massinger. Edited, with an Introduc- 
 tion and Notes by Arthur Symons. Portrait. 12mo, cloth, uncut 
 and unopened. . 7 London: Vizetelly & Co., 1887 
 
 FIRST UNEXPURGATED EpITIon with the Symons’ Introduction and 
 Notes. Mermaid Series. 
 
 1500. Symons (ArrHuR). Essays: By Leigh Hunt. Edited, with Intro- 
 _ duction and Notes, by Arthur Symons. 12mo, cloth, paper label, 
 uncut and unopened. London, 1888 
 
 First Epirion with Introduction by Symons. 
 
 1501. Symons (ArrHur). Days and Nights. 12mo, cloth, uncut and 
 unopened. London, 1889 
 
 First Epirion. With the Author’s Autograph Signature, “Arthur 
 Symons,” on fly-leaf. 
 
 1502. Symons (ArruHur). Silhouettes. 12mo, boards, entirely uncut. 
 London, 1892 
 
 First Epition. Only 250 copies issued. 
 
 1503. Symons (ArTHuR). London Nights. Royal 8vo, cloth, uncut. 
 London, 1895 
 
 First Epirion. Larce paper. No. 14 of 50 copies printed, with the 
 Author’s Autograph Signature. 
 
 1004. Symons (ArrHur). London Nights. 8vo, cloth, uncut. _ 
 London, 1895 
 
 First EpItion. 
 
 1505. Symons (Arruur). A Selection from the Poems of Mathilde Blind. 
 Kdited by Arthur Symons. Portrait. 12mo, vellum, gilt, gilt top, 
 uncut. London, 1897 
 
 First EpItion. , es 
 
 1506. Symons (ArTrHuR). Studies in Two Literatures. 8vo, cloth, uncut. 
 London, 1897 
 
 First EpIrion, 
 
1507. 
 
 1508. 
 
 1509. 
 
 1510. 
 
 1512. 
 
 1513. 
 
 1514. 
 
 1515. 
 
 1516. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 Symons (ArtHurR). Aubrey Beardsley. Portraits, and illustrations 
 by Beardsley. Small 4to, boards, cloth back, uncut. 
 London, 1898 
 
 First EpItTIon. 
 
 Symons (ArrHurR). The Dawn. By Emile Verhaeren. Translated 
 by Arthur Symons. 12mo, cloth, uncut. London, 1898 
 First Epirion. 
 
 Symons (ArtTHur). Boule de Suif. From the French of Guy de 
 Maupassant. With an Introduction by Arthur Symons. 56 wood- 
 engravings from drawings by F. Thévenot. Royal 8vo, boards, 
 uncut. London, 1899 
 
 JAPANESE VELLUM PAPER EDITION, limited to 500 copies. 
 The first and best translation into English of this masterpiece of de 
 Maupassant. 
 
 Symons (ArTHuR). Francesca da Rimini. By Gabriele d’Annunzio. 
 Translated by Arthur Symons. Portrait. 12mo, cloth, uncut. 
 London, 1902 
 
 Frrst ENGLISH EDITION. 
 
 . Symons (ArrTHuR). Cities. With 8 photogravure reproductions 
 
 from old pictures. 8vo, cloth, gilt top, uncut. London, 1903 
 
 First Epirion. With the James Pott & Co. imprint on title-page. 
 With book label of Edward Anthony Beck. 
 
 Symons (ArtTHur). Plays, Acting, and Music. Illustrations. 12mo, 
 cloth, paper label, uncut. London, 1903 
 
 First EDITIon. 
 
 Symons (ArrHur). A Book of Twenty Songs. Square 12mo, orig- 
 inal wrappers, uncut and unopened. Enclosed in light brown 
 cloth slip-case, morocco back, with inner cloth folder. 
 
 London, 1905 
 
 First EDIrion. 
 
 Symons (Arruur). The Golden Threshold. By Sarojini Naidu. 
 With an Introduction by Arthur Symons. Frontispiece. Square 
 12mo, boards, cloth back, entirely uncut. London, 1905 
 
 Symons (ArtHuR). Poems in Prose from Charles Baudelaire. 
 Translated by Arthur Symons. Square 12mo, original wrappers. 
 Enclosed in hight brown cloth slip-case, morocco back, with inner 
 cloth folder. London, 1905 
 
 First EDITIon. 
 
 Symons (ArTHur). CoLertpce (SamMuEL Taytor). Poems of 
 Coleridge. Selected and arranged, with an Introduction and 
 Notes, by Arthur Symons. Frontispiece. 12mo, original cloth, 
 gilt top, uncut. London [1905] 
 
 First Epit1on with Symons’ Introduction and Notes. 
 
Kindly read Conditions of Sale in forepart.of Catalogue 
 
 1517. 
 
 1518. 
 
 1519. 
 
 1520. 
 
 1521. 
 
 1522. 
 
 1523. 
 
 1526. 
 
 1527. 
 
 Symons (ArtHuR). The Fool of the World and Other Poems. 8vyo, 
 cloth, uncut. London, 1906 
 
 First EpItion. 
 
 Symons (ArrHur). A Pageant of Elizabethan Poetry. Frontis- 
 prece portrait of Queen Elizabeth. 12mo, boards, vellum back, 
 gilt top. London, 1906 
 
 First EpItion. 
 
 SyMons (ArTHuR). Cities of Italy. 12mo, cloth, gilt top, uncut. 
 London, 1907 
 
 First EpItion. 
 
 Symons (ArTHuR). Great Acting in English. 12mo, brown wrap- 
 pers, uncut. Enclosed in half dark red morocco slip-case, gilt 
 lettered on back, with inner cloth folder. 
 
 Privately Printed, 1907 
 
 One of a very few copies privately printed. 
 
 Symons (ArtHur). William Blake. 8vo, cloth, gilt top, uncut. 
 London, 1907 
 
 First EpDITIon. 
 
 WITH AN AUTOGRAPH MSS. BY THE AUTHOR LAID IN 
 
 Symons (ArtHur). London. A Book of Aspects. 12mo, wrap- 
 pers. Minneapolis: Privately Printed, 1908 
 
 First Epition. This work was privately printed by Edmund D. 
 Brooks of Minneapolis. 
 
 Laid in, are 9 pages of Manuscript in the autograph of the author, 
 written on 6 leaves, the first sheet being signed by him. The notes 
 all have a literary significance and are written, in ink in Symons’ 
 characteristic autograph. These notes refer to Goncourt, Yvette Guil- 
 bert, Borel, Browning, Stendhal, Balzac, Sir Henry Taylor, and others. 
 
 The first sheet is mounted down on the page which bears the “Note.” 
 
 Symons (ArrHur). CiarE (JoHN). Poems by John Clare. 
 Edited with an Introduction by Arthur Symons. 12mo, original 
 cloth, gilt top. : London, 1908 
 
 First Epition with Symons’ Introduction. 
 
 . Symons (ArTHUR). Spiritual Adventures. Second Edition. 8vo, 
 
 cloth, gilt top, uncut. London, 1908 
 
 . Symons (ArTHuR). Plays, Acting, and Music. A Book of Theory. 
 
 8vo, cloth, gilt top, uncut. London, 1909 
 
 Second Edition. The whole form of the book has been remodelled 
 in this edition. 
 
 Symons (ArrHur). ~The Romantic Movement in English Poetry. 
 8vo, cloth, gilt top, uncut. London, 1909 
 
 First EpItion. 
 
 Symons (ArTHuR). Knave of Hearts. 1894-1908. 12mo, cloth, 
 uncut. London, 1913 
 
 First EpItion. 
 
1528. 
 
 1529. 
 
 1531. 
 
 1533. 
 
 1534. 
 
 1535. 
 
 1536. 
 
 1537. 
 
 1538. 
 
 1539. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 Symons (Artuur). Figures of Several Centuries. 8vo, cloth, gilt 
 top, uncut. London, 1916 
 First Epirion. 
 
 SyMons (ArTHuR). Tragedies. 8vo, cloth, paper label, uncut. 
 London, 1916 
 
 First EpItrion. 
 
 . Symons (Arrnur). Tristan and Iseult. 12mo, cloth, paper label, 
 
 uncut, and unopened. London, 1917 
 First Epirion. 
 
 SyMons (ArrTHuR). Cities and Sea-Coasts. Portrait. 12mo, cloth, 
 paper label. London, 1918 
 
 First EpItion. 
 
 . Symons (ArTHuR). Colour Studies in Paris. Illustrations. 12mo, 
 
 cloth, paper label, lower edges uncut, front cover slightly stained. 
 London, 1918 
 
 First EpItrion. 
 
 Symons (ArTHUR). Images of Good and Evil. 12mo, cloth, uncut 
 and unopened. London, 1919 
 
 First Epirion. 
 
 Symons (ArTHur). The Toy Cart. A Play in Five Acts. 12mo, 
 boards, cloth back, paper label, uncut. Dublin, 1919 
 
 First EpDItTIon. 
 
 Symons (ArrHur). Charles Baudelaire. A Study. Portrait and 
 facsemiles. Square 12mo, cloth, paper label, gilt top, uncut. 
 London, 1920 
 
 First EpIrTion. 
 
 Symons (ArrHur). Lesbia and Other Poems. 12mo, boards, vel- 
 lum back, uncut. New York [1920] 
 
 First Ep1Irion. 
 
 Symons (Arruur). Love’s Cruelty. 8vo, cloth. 
 London [1923] 
 
 First EpIrTion. 
 
 Symons (ArTHuR). Autograph Manuscript of the article On Polish 
 Jews and Others, signed,—“Arthur Symons,” and written on one 
 side of 9 4to pages, [Atso] A typewritten copy of the same arti- 
 cle, on 5 4to sheets, with numerous corrections IN THE AUTHOR’S 
 Hanp. Together, 2 pieces. 
 
 SyncE (J. M.). The Well of the Saints. With an Introduction by 
 W. B. Yeats. Being volume four of Plays for an Irish Theatre. 
 12mo, boards, cloth back, uncut. London, 1905 
 
 First LONDON EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1540. Synece (J. M.). The Tinker’s Wedding. A Comedy in Two Acts. 
 12mo, cloth, uncut. Dublin, 1907 
 
 First EpItTIon. 
 
 1541. SyncE (J. M.). The Playboy of the Western World. Dublin, 1907. 
 Second Edition; John M. Synge: A Few Personal Recollections 
 with Biographical Notes. Letchworth, 1916; Another copy. To- 
 gether, 3 vols. 8vo and 12mo, wrappers and cloth, uncut. 
 
 Dublin and Letchworth, 1907-1916 
 
 1542. Synce (Joun M.). Deirdre of the Sorrows: A Play. 12mo, 
 boards, art linen back, uncut. Churchtown ; Cuala Press, 1910 
 First Hpirion. Limited to 250 copies, printed in black and red. 
 
 VERY SCARCE. 
 
 WORKS BY THACKERAY 
 FINE COPY OF THE FIRST ISSUE 
 
 1543. [THackERAY (Wit~t1AM MaKkeEprEace).| The Second Funeral of 
 Napoleon: In Three Letters to Miss. Smith, of London. And 
 the Chronicle of the Drum. By M. A. Titmarsh. With front 
 wrapper containing picture of Napoleon by Thackeray, frontis- 
 prece and 3 full-page woodcuts. Square 16mo, full dark blue 
 levant morocco, gilt, gilt paneled back, gilt top. 
 
 London: Hugh Cunningham, 1841 
 
 First EpIirion. THE EXCEEDINGLY RARE AND SCARCE ORIGINAL 
 ISSUE. FINE PERFECT Copy. This copy is entirely of the original issue 
 as shown by the following identifying marks: (1) The picture of 
 Napoleon on the wrapper has six lines on the cheek, the reprint having 
 only four; (2) The frontispiece has the title “Tomb in the Chapel of 
 the Invalides,” the reprint without title; (3) On page 120 are five 
 stars, the reprint having but four. 
 
 The leaf at the end advertises “Dinner Reminiscences” by Mr. M. 
 A. Titmarsh as “preparing for immediate publication.” 
 
 Thackeray had not yet finished writing “Vanity Fair,” and so had 
 not become famous at the time of writing this pamphlet. He was in 
 Paris at the time Napoleon’s body was brought there from St. Helena, 
 and though it is one of his finest pieces of descriptive writing, he 
 realized nothing from the sale of it, and it became lost to circulation 
 almost immediately. 
 
 H. 8. Van Duzer. A Thackeray Library. No. 193. 
 
 1544, THackeray (Wit~1am Maxepracn). Mrs. Perkins’ Ball. By 
 M. A. Titmarsh. With 22 full-page plates In Cotor, including 
 the frontispiece and title-page, by the author. Square 8vo, full 
 dark green levant morocco, gilt fillets on sides, gilt paneled back, 
 inner gilt borders, gilt edges, original pink wrappers bound in, 
 BY ZAEHNSDORF. | London, 1847] 
 
 First Epirion. SECOND ISSUE, with the advertisements on page 47, 
 and the list of illustrations. Frontispiece without lettering. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 pe ge a EI EO a_i en halla lat Niel Milhdeiad 
 
 FINE SET OF THE ORIGINAL PARTS 
 
 1045. THACKERAY (WILLIAM M.). Vanity Fair. A Novel without a 
 Hero. With illustrations on steel and wood by the Author. 8vo, 
 20 ORIGINAL Parts IN 19, in wrappers, as issued. Enclosed in 
 red morocco solander case with inner cloth wrapper. 
 London: Bradbury and Evans, 1847-8 
 
 First Eprrion. Fine copy, with only one back repaired, and two 
 others slightly damaged. With the following exceptions, each part 
 is of the FIRST IssuE, and agrees with the collation published in the 
 Boston Evening Transcript, Sept. 2, 1908. Part. I. Page 2 of cover, 
 the collation calls for “Content of No. I [etc.],” while this copy has only 
 “Contents” on the first line. No. XVI has “(Price 1s. for “Price, 
 1s” as required by the collation. No. XVII. has no date below the im- 
 print, and the first iine of the advertisement on p. 8 reads “To Ladies,”’ 
 which, according to the collation should be on page 4, but this is a 
 printer’s error in the collation. No. XVIII lacks 4 pages of advertise- 
 ment in front, and the Waterloo & Son advertisement, Spp. in back. 
 Hight parts contain the original tissue paper between the plates, show- 
 ing the offset from the plates. 
 
 This copy contains all other points of the first issue; the “Vanity 
 Fair” on p. 1 in rustic type, the suppressed woodcut of the Marquis 
 of Steyne, the advertisement of “The Great Hoggarty Diamond,” ete. 
 etc. In only two numbers are the plates at all foxed, and those very 
 slightly. 
 
 1546. [THackeray (Wintiam Maxeprace).] “Our Street.” By Mr. 
 M. A. Titmarsh. With 16 Cotorep Puarss, including frontis- 
 prece and title-page, and one woodcut, all by Thackeray. Square 
 12mo, full dark green levant morocco, gilt fillets on sides, gilt 
 paneled back, inner gilt borders, gilt edges, original covers bound 
 in, BY ZAEHNSDORP. London: Chapman and Hall, 1848 
 
 First Epirion. First Issuk, WITH THE PLATES COLORED. COMPLETE 
 WITH THE LEAF OF ADVERTISEMENT WITH IMPRINT ON VERSO, AT END. 
 Printed by Vizetelly. The illustration on cover is not repeated in the 
 book; there was no plain title-page. Thackeray’s second “Christmas 
 Book.” No list of illustrations was issued with the work. 
 
 1647, [TuHackeray (WittiaM Maxeprace).] Doctor Birch and His 
 Young Friends. By Mr. M. A. Titmarsh. With 16 CotorEp 
 Puatss, including engraved title vignette on printed title wncol- 
 ored. Square 12mo, full dark green levant morocco, gilt fillets 
 on sides, gilt paneled back, inner gilt borders, gilt edges, original 
 wrappers bound in, BY ZAEHNSDORF. 
 
 London: Chapman & Hall, 1849 
 
 First Hpirion. First IsSur, WITH THE COLORED PLATES. COMPLETE 
 WITH THE LEAF OF ADVERTISEMENT AT END. This was the third of 
 Thackeray’s “Christmas Books.” The illustration on the cover is a 
 reproduction of that on the printed title. The plates appear in both 
 colored and uncolored state, but the vignette on printed title should not 
 be colored. This copy is complete with the uncolored printed title, and 
 
 the 16 plates in color. 
 H. 8S. Van Duzer: A Thackeray Library, No. 51. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1548. [Tuackeray (Witt1aM Maxkepnace).| The Kickleburys on the 
 Rhine. By Mr. M. A. Titmarsh. Wth 15 illustrations In CoLor, 
 including vignette title-page by Thackeray. Square 12mo, full 
 dark green levant morocco, gilt fillets on sides, gilt paneled back, 
 inner gilt borders, gilt edges, original wrappers, one with hole 
 in center, bound in, BY ZAEHNSDORF. 
 
 London: Smith, Elder & Co., 1850 
 
 First Epirion. With 2 pages of advertisements at end. 
 
 1549. [Tuackeray (WintrAm Maxeppace).] Rebecca and Rowena. A 
 Romance upon Romance by Mr. M. A. Titmarsh. With 8 CoL- 
 orED Puatss, including frontispiece, illustrated title, and 2 wood- 
 cuts in the teat, all by Richard Doyle. Square 12mo, full dark 
 green levant morocco, gilt fillets on sides, gilt paneled back, inner 
 gilt borders, gilt edges, original wrappers bound in, BY ZAEHNS- 
 DORF. London, 1850 
 
 First EpItion, WITH THE COLORED PLATES. WITH THE LEAF OF AD- 
 VERTISEMENT AT END. The illustration on front cover, also by Doyle, 
 is not repeated in the book. The vignette on title is never found col- 
 ored. This is one of the Christmas books. 
 
 Owing to the illness of Thackeray the illustrations were made by 
 Richard Doyle. Written as a burlesque continuation to Scott's “Tvan- 
 hoe.” the foundation of the story appearing in “Fraser’s Magazine” 
 1846. It was reprinted in “Littell’s Living Age” the same year, and 
 translated into Spanish and published in Madrid in 1882. The present 
 work in book form differs greatly from the original. 
 
 H. S. Van Duzer: A Thackeray Library, No. 181. 
 
 IN THE ORIGINAL PINK BOARDS—UNCUT AND UNOPENED 
 
 1550. [Tuackrray (Winn1am MaKepnacr).] The Kickleburys on the 
 Rhine. By Mr. M. A. Titmarsh. Second Edition. Wath fifteen 
 plates, including vignette title-page, In Cotors, by Thackeray. 
 12mo, original pink boards, uncut. Enclosed in a green levant 
 morocco solander case, gilt fillets on sides, richly gilt backs, 
 inner cloth wrapper. London: Smith, Elder & Co., 1851 
 
 IN THE ORIGINAL PINK BOARDS, ENTIRELY UNCUT AND UNOPENED, AND A 
 LITTLE LARGER THAN THE covers. Second Hdition. 
 
 Contains “An Essay on Thunder and Small Beer,” and inserted is 
 a separate leaf as in first edition, with an India Proof from the block 
 of the cut on the advertisement leaf. 
 
 The “Essay on Thunder and Small Beer” was written in answer to 
 his famous criticism which appeared in the “Times,” probably from 
 the pen of Samuel Phillips, the author of the novel “Caleb Stukely.” 
 The “Times’” review was absurd, and Thackeray replied to it. 
 
 From the Henry S. Van Duzer collection, with bookplate. 
 
 1551. [THackeray (WintiaAm Maxepgace).] The Rose and the Ring; 
 or, The History of Prince Giglio and Prince Bulbo. A Fire- 
 
 side Pantomime for Great and Small Children. By Mr. M. A. 
 Titmarsh. With 8 plates (including frontispiece) and 48 wood- 
 
 cuts in the teat by Thackeray. Square 12mo, full green levant 
 [Continued 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 [ No. 1551—Continued | 
 
 1552. 
 
 1553. 
 
 1554. 
 
 1557. 
 
 1558. 
 
 morocco, gilt fillets on sides, gilt paneled back, inner gilt bor- 
 ders, gilt edges, original covers bound in, with advertisements, 
 BY ZAEHNSDORF. London: Smith, Elder and Co., 1855 
 
 First Epirion. This is the fifth and last of Thackeray’s “Christmas 
 Books.” There is no list of plates, and they are never found colored. 
 A second and a third edition appeared the same year, and it was also 
 published by Harper Bros. New York, in 1855. 
 
 H. 8S. VAN Duzer: A Thackeray Library, No. 185. 
 
 ORIGINAL ISSUE IN THE PARTS 
 
 THACKERAY (Wintiam Maxepracr). The Virginians. A Tale of 
 the Last Century. With illustrations on steel and wood by the 
 author. 8vo, IN THE OricInaL 24 Parrs, with the yellow pic- 
 torial wrappers, uncut. Enclosed in a blue cloth box-case. 
 London: Bradbury and Evans, November, 1857, to October, 1859 
 
 First EDITION, ORIGINAL ISSUE IN THE PARTS, WITH ALL, THE WRAP- 
 PERS INTACT. The first word of line 33, page 207, part No. 7 is here 
 misprinted “actresses,” which is corrected in later editions to “An- 
 cestresses.” and Chapters XLVII-XLVIII in same volume misnum- 
 bered XLVIII-XLIX, both mistakes corrected in later printings. Fink 
 CLEAN COPY THROUGHOUT. 
 
 THACKERAY (WILLIAM MaAxKppEAce). HANNAY (JAMES). Studies 
 on Thackeray. Vignette portrait. 16mo, cloth. 
 London [1869] 
 
 First EpItion. 
 
 THACKERAY (WiLt1AM Maxepsracn). The Chest of Cigars. 8vo, 
 decorative boards, vellum paper back, uncut. 
 [San Francisco] Privately Printed, 1918 
 
 EDITION LIMITED to 250 copies. 
 
 . THomPsonN (Francis). Shelley. New York, no date; Scorr- 
 
 James (R. A.). Personality in Literature. London [1913]. 
 Together, 2 vols. 8vo and 12mo, cloth, uncut. 
 London and New York, [1913] and no date 
 
 - Tomuinson (H. M.). The Sea and the Jungle. [1912]; London 
 
 River. 1921. Frontispiece. Together, 2 vols. 8vo, cloth. 
 London, [1912]-1921 
 
 First EpItrions. 
 
 Tomuinson (H. M.). Old Junk. 1918; Waiting for Daylight. 
 1922. Together, 2 vols. 12mo and 8vo, cloth. 
 London, 1918-1922 
 
 First EpItTiIons. 
 
 Tretawny (EH. J.). Recollections of the Last Days of Shelley and 
 Byron. Portraits. 12mo, cloth, uncut. 
 London: Moxon, 1858 
 First EpItion, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 See eo ce el Ne eS a ee a 
 
 1559. Vate Press. Drayton (MicuarL). Nymphidia and the Muses 
 Elizium. By Michael Drayton, Esquire. Edited from the Har- 
 liest Editions by John Gray. With woodcut frontisptece, borders 
 and initials designed by Charles Ricketts. 8vo, boards, paper 
 label, uncut and partly unopened. London, 1896 
 
 Epition Limitrep to 210 copies. 
 
 1560. Vate Press. Brake (Witttam). The Book of Thel. Songs of 
 Innocence. And Songs of Experience. With decorations de- 
 signed and cut on wood by Charles Ricketts. 8vo, boards, paper 
 labels, uncut. London, 1897 
 
 Eprrion Limirep to 210 copies. 
 
 1561. VAte Press. A Collection of Eleven Leaflets and Pamphlets in 
 connection with Vale Press Publications. With numerous wood- 
 cut ornaments and initials designed by Charles Ricketts. 'To- 
 gether, 11 pieces, 12mo and 4to, laid in a 4to green cloth slip- 
 case, gilt lettered on back. 
 
 AN INTERESTING COLLECTION, Which includes, two 12-page 12mo pam- 
 phlets, each containing “A List of Books Issued by Messrs. Hacon & 
 Ricketts, The Vale Press” . . . one being dated 1898 and the other 
 1899; A 4-page 4to leaflet, “The List of Books to be Published by 
 Messrs. Hacon and Ricketts, at the Sign of the Dial” . . . with three 
 notations in red ink as to when various publications will be ready— 
 no date; a Special Notice, with Order Form, in connection with the 
 “Avon” fount of small pica type and the forthcoming edition of the 
 Vale Shakespeare; and various other Order Forms and announcements. 
 
 1562. Vara Press. CHarrerron (Tuomas). The Rowley Poems of 
 Thomas Chatterton. Edited by Robert Steele. With woodcut 
 borders, ornaments and initials designed by Charles Ricketts. 
 2 vols. 8vo, boards, paper labels, uncut. London, 1898 
 
 EDITION LIMITED to 210 copies. 
 
 1563. Vate Press. Buaxe (Wrti1aAm). Poetical Sketches. With wood- 
 cut borders, initials and ornaments designed by Charles Ricketts. 
 8vo, boards, paper labels, uncut. London, 1899 
 
 EDITION LIMITED to 210 copies. 
 
 1564. Vate Press. A Bibliography of the Books Issued by Hacon & 
 Ricketts. With woodcut frontispiece, borders and initials en- 
 graved by Charles Ricketts. 8vo, boards, with Holland back, 
 paper label, uncut. | London,| 1904 
 
 Printed in red and black, in the three founts—‘The Vale,” “The 
 Avon,” and “The King’s.” 
 
 1565. Vinton (Francois). Sundry Ballads. [Translated by John Payne 
 out of the Old French.] Cover, title-page and initials by Joseph 
 Sinel. Royal 8vo, boards with all-over fleur-de-lis design, cloth 
 back, uncut. San Francisco, 1922 
 Edition limited to 210 copies, 
 
1566. 
 
 1569. 
 
 1570. 
 
 ve 
 
 1572. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 SA A APIS ES A US ES et el I A a a eld 
 
 Vourarre (J. F. M. Arovet pe). La Pucelle the Maid of Orleans. 
 An Heroie-Comical Poem in Twenty-one Cantos. A New and 
 Complete Translation into English Verse, Revised, Corrected and 
 Augmented from the Earlier English Translation of W. H. Tre- 
 land and the one Attributed to Lady Charleville with the variants 
 now for the first time Translated by Ernest Dowson. 2 vols. 
 square 8vo, cloth, uncut. 
 
 London: Printed for the Lutetian Society, 1899 
 
 EDITION LIMITED TO 500 COPIES, AND THE TYPE DISTRIBUTED. 
 
 WORKS BY HUGH WALPOLE 
 
 . WALPOLE (HuaH). The Wooden Horse. 12mo, cloth. 
 
 London, 1909 
 First Epirion of Walpole’s first book. 
 
 . WALPOLE (H UGH). The Dark Forest. 12mo, cloth, uncut. 
 
 London [1916] 
 
 First Epition. 
 
 WaLpote (HucH). The Dark Forest. 12mo, cloth. 
 New York, [1916] 
 First AMERICAN Eprtron. PRESENTATION Copy, inscribed by the 
 author,—To George Sterling. With admiration and gratitude from 
 his friend Hugh Walpole. Feb. 20. ’20. Underneath, it is inscribed by 
 Sterling,—Dear Jack: May your shadow be long on the trail! Yours 
 ever, George Sterling. With George Sterling’s bookplate. 
 
 WALPOLE (HucH). The Green Mirror. 1918; The Cathedral. A 
 Novel. 1922; Jeremy and Hamlet. [1923]. Together, 3 vols. 
 12mo, cloth. London, 1918-[ 1923] 
 
 First EpItrions. 
 
 WatLpoLb (Huan). The Thirteen Travellers. [1921]; The Captives. 
 A Novel in Four Parts. 1920; The Young Enchanted. <A Ro- 
 mantic Story. 1921. Together, 3 vols. 12mo, cloth. 
 
 London, 1920-1921 
 
 ALL First Dpirions. 
 
 WepMorE (Sir Freprrick). Fine Prints. New and Enlarged Edi- 
 tion. With 15 illustrations. Edinburgh, 1910; Hupparn (EH). 
 On Making & Collecting Etchings. Jllustrated. London, 1920; 
 RoTHENSTEIN (W.). Goya. With 20 plates. London, 1920. 
 First Eprrion. Together, 3 vols. 8vo and 12mo, cloth and 
 boards. Edinburgh and London, 1910-1920 
 
 FIRST EDITIONS OF H. G. WELLS 
 
 . Wetis (H. G.). Tono-Bungay. 12mo, cloth. London, 1909 
 First Eprrion, 
 . Wetts (H.G.). Mr. Britling Sees It Through. 12mo, cloth, uncut. 
 
 London [1916] 
 
 First Epirion. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ee ee Ee eee eee 
 
 1575. Wetts (H. G.). The Soul of a Bishop. [1917]; Joan and Peter. 
 [1918]; The Undying Fire. No date. [1919]; The Secret Places 
 of the Heart. [1922.] Together, 4 vols. 12 mo, cloth. 
 
 London [1917-1922 ] 
 
 ALL First EDITIONS. 
 
 1576. Wutts (H. G.). The Salvaging of Civilization. 1921; The New 
 Teaching of History. With a Reply to some Recent Criticisms 
 of The Outline of History. 1921; Russia in the Shadows. With 
 frontispiece. No date; Men Like Gods. [1923.] Together, 4 
 vols. 12mo and 8vo, cloth and wrappers. 
 
 London, 1921-[1923] 
 
 ALL First EDITIONS. 
 
 1577. Wetts (H. G.). The Outline of History. Being a Plain History 
 of Life and Mankind. Numerous illustrations, many IN Cotor. 
 In the original 24 parts, 4to, pictorial wrappers, i half morocco 
 slip-case, gilt lettered on back. | London, no date 
 First EDITION, IN PARTS. : 
 
 1578. Wetis (H. G.). Autograph Letter Signed, “H. G. Wells.” 544pp. 
 8vo, Spade House, Sandgate (England), no date. To “My dear 
 Sinclair”; [aso] Photographic Post Card written in the Auto- 
 graph of Henry Wells, 125 Whitehall Court, London, S. W. 
 To George Sterling, Esq. Together, 2 pieces. 
 
 DELIGHTFULLY ENTERTAINING LETTER, with mention of the recipient’s 
 book “Joyce,” and Mr. Wells’ firm intention to prove a better corre- 
 spondent, but,—While there is a kick left in the pen I stick to work— 
 for I want to get some novels done; & it takes me an age to write a 
 few thousand. ‘'There is also a reference to Sir Edmund Grey, and 
 an allusion to Leopold’s responsibility for the Congo (presumably 
 King Leopold of Belgium). 
 
 WORKS BY AND ABOUT WHISTLER 
 
 1579. Wuistter (James McNerty). Whistler v. Ruskin: Art & Art 
 Critics. With lotus decoration on title, repeated on last leaf. 
 
 Square 12mo, bound in marbled board sides, leather back, orig- 
 
 inal covers bound in, blind stamp on some pages, binding worn. 
 
 London: Chatto & Windus [1878] 
 
 SrveNtH Eprrion. Printed on heavy deckle-edge paper, by Spottis- 
 woode and Co. and authorised by Whistler. With his name, address 
 
 and date on front cover. 
 
 1580. Wuistter (James MoNertz). Venice Pastels. Catalogue of 53 
 Examples. 4pp. square 16mo, original brown wrappers, with 
 the butterfly. [London] Printed by T. Way [1881] 
 
 First EDITION. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 1581. Wuistter (JAMES McNeiLu). Etchings and Dry Points. Venice. 
 Second Series. Shows 51 Examples. Square 8vo, original brown 
 wrappers, uncut. | London: No Printer’s Name, 1883] 
 
 THE RARE First EDITION, ISSUED BY WHISTLER HIMSELF. WITHOUT 
 THE PRINTER’S NAME. 
 
 The exhibition was given early in 1883. Whistler himself prepared 
 the catalogue and issued it without the printer’s name in the covers, 
 form and size now established. 
 
 1582. WHIsTLER (JAMES McNett). Cecil Lawson. A Memoir. By 
 Edmund W. Gosse. With illustrations by Hubert Herkomer, 
 J. A. McNeill Whistler and Cecil Lawson. Royal folio, vellum 
 paper boards, uncut. London: The Fine Arts Society, 1883 
 
 FINE copy. Scarce. The frontispiece to this volume has been etched 
 by Mr. Herkomer, from his water-color portrait of Cecil Lawson. 
 painted in, 1876. “The Swan and the Iris” has been etched by Mr. 
 Whistler, from lLawson’s unfinished picture of that name. Mr. 
 Herkomer has etched the first rough study of the “Hop-Gardens of 
 England,” and the steel plate gives the final scheme of the same pic- 
 ture. The remaining illustrations are cuts of sketches drawn on 
 wood by Cecil Lawson, or facsimiles of studies by his own hand, and 
 must be considered merely as indications of the general character of 
 some of his less known work. 
 
 1583. WHIsTLER (JAMES MoNerit). Mr. Whistler’s “Ten O’Clock.” 
 Small 4to, original brown wrappers, uncut, covers loose. 
 London |[Spottiswoode and Co.| 1888 
 
 First Epirion of Whistler’s famous lecture on Art which is, per- 
 haps “the most interesting profession of artistic faith ever made 
 by an; artist.” 
 
 The odd title was bestowed upon the lecture because of the fact 
 that Whistler delivered it before his audience at the late hour noted 
 as he said “he did not wish people rushing from their dinners to 
 hear him.” 
 
 HEINEMANN’S FIRST LARGE PAPER EDITION 
 
 1584. WuistteR (JAMES MoNerui). The Gentle Art of Making Enemies, 
 as Pleasantly Exemplified in Many Instances, wherein the Seri- 
 
 ous Ones of Earth . . . have been Prettily Spurred On to Un- 
 seemliness and Indiscretion. . . .4to, half brown boards and 
 cloth, entirely uncut. London: William Heinemann, 1890 
 
 HEINEMANN’S First EpITION ON LARGE PAPER. SCARCE. 
 
 One of 250 copies printed with the No. “33” and “butterfly” MARKED 
 IN INK BY WHISTLER. 
 
 Whistler’s Authorized Edition, and the so-called First Edition, but 
 not the first circulated. The sheets of this edition were printed at the 
 Ballantyne Press, London and Edinburgh. 
 
 1585. WuistLer (JAMES McNeILui). Catalogue of a Collection of Litho- 
 graphs. With a Prefatory Note by Joseph Pennell. Exhibited 
 at the Fine Art Society, December, 1895, and January, 1896. 
 8vo, wrappers. Enclosed in a quarter morocco slip-case, with 
 inner cloth wrapper. London, 1895-1896 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1586. WHISTLER (JAMES McNeriu). Eden versus Whistler. The Baronet 
 and the Butterfly. A Valentine with a Verdict. 81lpp. Square 
 8vo, brown boards, cloth back, uncut and unopened. 
 
 Paris: Louis-Henry May, no date [1899] 
 
 ORIGINAL EDITION ON SMALL PAPER. 
 
 1587. WuHisTLerR (JAMES McoNerLi). Eden versus Whistler. The Baronet 
 and the Butterfly. A Valentine with a Verdict. S81pp. Square 
 8vo, brown boards, cloth back, uncut. 
 
 Paris: Louis-Henry May, no date [1899] 
 
 First EDITION ON SMALL PAPER. 
 
 1588. | Wuistter (JAMES McNuerut).| Wolverhampton Art and Indus- 
 trial Exhibition, 1902. Catalogue of the Exhibits in the Fine 
 Art Section. 8vo, wrappers. Wolverhampton [1902 | 
 
 First Epirion. Contains a list of 14 prints lent by Whistler. Also 
 contains a preface ‘“‘Remarks on the Greater Movements in English 
 Art.” 
 
 1589. WuHIsTtLER (JAMES McNeiui). The Peacock Room. Painted for 
 Mr. F. R. Leyland by James McNeill Whistler. Removed in 
 its entirety from the late owner’s residence and exhibited at 
 Messrs. Obach’s Galleries. Illustrated. 4to, wrappers, uncut. 
 
 London, 1904 
 
 1590. | WuistLer (James McNeiuz).| Keppsn (Freperick). The Gen- 
 tle Art of Resenting Injuries, Being some Unpublished Corre- 
 spondence addressed to the Author of “The Gentle Art of Making 
 Hnemies.” With facsimile of letter and envelope, with mourning 
 borders, from Whuastler to Keppel in which the latter is attacked 
 by the former. 16pp. 12mo, original wrappers, uncut. 
 
 New York: Privately Printed, 1904 
 
 One of a very limited number of copies printed on Japanese paper 
 for presentation to the writer’s friends. The text is on one side of 
 paper only and contains the suppressed portion of Keppel’s pamphlet: 
 “One Day with Whistler.” 
 
 1591. WHIsTLER (JAMES McNett). Menprs (Mortimer). Whistler 
 as I Knew Him. Over 100 reproductions of Whistler's etchings 
 and drypoints from proofs in the possession of Mr. Menpes, many 
 In Cotors, and with a colored frontismece of Whistler. Thick 
 4to, decorative cloth, gilt top, uncut. 
 
 London: A. and C. Black, 1904 
 
 1592. WHIsTLER (JAMES McNEILL). Catalogue of Exhibition of Etchings. 
 Frontismece of etched portratt of himself, by Whistler. |Lon- 
 don| no date; Loan Collection. Oil Paintings, Water Colors, 
 Pastels, & Drawings. Boston, 1904. Together, 2 pieces, square 
 12mo, wrappers, uncut. 
 
 | London] and Boston, no date and 1904 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 1593. Wuistter (JAMES MoNurti). Catalogue of Etchings and Dry- 
 Points . . . 1904; Art Property of the late Otto H. Bacher, 
 containing Painter- Etchings, Original Drawings, ‘Rare Whistler 
 Items, ete. Illustrated. 1910. Together, 2 pieces, 8vo and 12mo, 
 wrappers, uncut. New York, 1904-1910 
 
 1594. WuistLer (JAMES McNerui). The International Society of Sculp- 
 tors, Painters and Gravers. Memorial Exhibition of the Works 
 of the late James McNeill Whistler, . . . London, April, 1905. 
 Full-page reproductions. Ato, full brown crushed morocco, gilt 
 lettering on back and front cover, with “butterfly” design, gilt 
 
 Bee inside gilt and morocco borders, uncut, by ZAEHNSDORF 
 London: Printed at the Ballantyne Press [1905] 
 
 EDITION DE LUXE. 
 
 1595. WuistLeR (JAMES McNuiii). Mr. Whistler’s Lithographs. The 
 Catalogue Compiled by Thomas R. Way. Second Edition. 8vo, 
 
 boards, vellum paper back, uncut. London, 1905 
 IDITION LIMITED to 250 copies, of which this is, No. 148, initialed 
 ES nT 
 
 1596. WuHisttEr (JAMES McNeriu). Wilde y Whistler. Being an Acri- 
 monious Correspondence on Art between Oscar Wilde and James 
 
 A. McNeill Whistler. Square 8vo, wrappers, uncut. 
 London: Privately Printed, 1906 
 
 Only 400 copies on small paper printed. 
 
 FIRST EDITION—ON JAPANESE VELLUM PAPER WITH 2 A.L.S. BY 
 WHISTLER LAID IN 
 
 1597. WHISTLER (JAMES McNEILL). PENNELL (KE. R. anp J.). The Life 
 of James McNeill Whistler. Wath upwards of 175 full- “page 
 plates and text wllustrations, chiefly reproductions of Whistler’s 
 works. 2 vols, imperial 8vo, half light brown morocco, board 
 sides, gilt tops, uncut. London: William Heinemann, 1908 
 
 First Epition. No. 13 oF 150 Copres PRINTED THROUGHOUT ON JAPAN- 
 ESE PAPER AND SIGNED BY THE PUBLISHERS. 
 
 The authoritative biography of Whistler by the Pennells, to whom 
 the artist imparted much data not previously incorporated in any 
 similar work. 
 
 Laid in are Two FINE AUTOGRAPH LETTERS SIGNED By WHISTLER, 
 franked, one fastened to reverse of each front cover. Both letters are 
 addressed from Paris to Gleeson White, and are very charactristic of 
 the writer. From the first (4p.) 1893, we quote,—To put a shot in 
 the leg of a friend, when aiming at the scampering rabbit, I have 
 always thought a damnable awkwardness not to be pardoned—yet the 
 friend I am told forgives—il a le beau réle—and admits that the game 
 
 - may be scarce—and that the principle remains the same, ete. 
 
 In the second letter, 4pp., Signed with the “Butterfly,” and written 
 in 1894, Whistler praises Gleeson White’s article, refers to his 
 (Whistler’s) pictures having left England, also to a collector who 
 refused to consider any larger sum than he gave for one, and many 
 other points of interest. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1598. 
 
 1600. 
 
 1601. 
 
 1602. 
 
 1603. 
 
 1604. 
 
 1605. 
 
 1606. 
 
 1607. 
 
 WuistLeR (JAMES McNett). Eppy (A. J.). Recollections and 
 Impressions of James A. McNeill Whistler. Illustrated. 8vo, 
 boards, cloth back, paper labels, uncut. Philadelphia, 1908 
 
 . WHISTLER (JAMES McoNeILL). Bacusr (O. H.). With Whistler 
 
 in Venice. Illustrated with many reproductions of Whistler’s 
 work, and of etchings and photographs by the author. 4to, gilt 
 
 top, uncut. New York, 1908 
 First EpITion. OUT OF PRINT AND SCARCE. First issue was sup- 
 pressed. 
 
 WuistLeR (JAMES MoNerut). Writings By and About James 
 Abbott McNeill Whistler. A Bibliography by Don C. Seitz. 
 12mo, cloth, uncut. Edinburgh, 1910 ~ 
 
 First Epition. Only 350 copies printed. Contains a number of 
 pencil markings on margins. 
 
 WHuisTLer (JAMES MoNerui). Greaves, Whistler, and Chelsea. A 
 Personal Note. Illustrations. 12mo, wrappers, uncut. Name 
 on cover. London, 1911 
 
 WHIsTLER (JAMES McNEILL). Oils, Water Colors, Pastels & Draw- 
 ings. Lent by Mr. Richard Canfield. Illustrated. 8vo, wrap- 
 pers. No place [1911] 
 
 WHISTLER (JAMES McoNeitL). Way (T. R.). Memories of James 
 McNeill Whistler the Artist. Numerous illustrations, several 
 colored. Square 8vo, cloth, uncut. London [1912] 
 
 First EDITION. 
 
 WHISTLER (JAMES McNEILL). GatuatTin (A. E.). Whistler’s 
 Pastels and Other Modern Profiles. New Edition. Illustrations. 
 8vo, cloth, uncut. : New York, 1913 
 
 EDITION LIMITED to 400 copies printed at the Merrymount Press. 
 
 WHISTLER (JAMES McNerti). Gauiatin (A. E.). Notes on Some 
 Rare Portraits of Whistler. With 6 examples hitherto unpub- 
 lished. 8vo, boards, cloth back, uncut. New York, 1916 
 
 First Epirion. Limited to 100 copies, initialed by the author. 
 
 WHISTLER (JAMES McNertL). Gauuatin (A. E.). Portraits of 
 Whistler. A Critical Study and an Iconography. With 40 tlus- 
 trations. Imperial 8vo, boards, cloth back, uncut and unopened. 
 
 New York, 1918 
 
 First EDITION. 
 
 WHISTLER (JAMES McoNeEILt). Brooxs (Atrrep M.). From Hol- 
 bein to Whistler. Notes on Drawing and Engraving. Numerous 
 reproductions of the works of the noted artists. Royal 8vo, boards, 
 cloth back, paper label, gilt top, uncut. 
 
 New Haven: Yale University Press, 1920 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 1608. WuistLER (JAMES MoNerti). The Whistler Journal. By E. R. & 
 J. Pennell, Authors of the Authorized Life of James McN. Whist- 
 ler. I llustrated. Thick 8vo, boards, vellum paper back, gilt top, 
 uncut. Philadelphia, 1921 
 
 In this edition the portraits of the authors are autographed. The 
 volume contains, in addition to the illustrations of the regular edi- 
 tion, photogravures and a color plate from etchings, drawings, and 
 pastels by the late Mr. Whistler and by Mr. Pennell. 
 
 1609. WHIsTLER (JamMES McNuitt). Dopason (CampseLi). The Etch- 
 ings of James McNeill Whistler. Edited by Geoffrey Holme. 
 Numerous reproductions. Imperial 4to, original vellum, leather 
 label, gilt top, uncut. London, 1922 
 
 LIMITED TO 200 copies. AS new. 
 
 1610. WHistLER (JAMES McoNeiLi). Autograph Letter Signed in full, 
 “Jam. A. Whistler,’ and with “Butterfly”. 1p. 8vo, The White 
 House, Chelsea Embankment (England). No date. To “My 
 dear Baddeley.” (2) 1p. 12mo, 28 Wimpole Street. No date. 
 Also to the above named person. Together, 2 pieces. 
 
 The letter written from Chelsea, acknowledges the compliment paid 
 him in the dedication of his friend’s work. In his second letter he 
 regrets his inability to accept his friend’s invitation. 
 
 WORKS BY WALT WHITMAN 
 
 1611. Wuirman (WaAtrT). Leaves of Grass. Frontispiece portratt on buff 
 tinted background. Thick 12mo, light brown embossed cloth, 
 with title and ornamental designs, stamped in blind on sides, 
 title m gilt on back strip, light greenish grey end-papers. 
 
 Boston: Thayer and Eldridge, 1860-61 
 
 THE GENUINE THAYER AND ELRIDGE EDITION, with the inscription: 
 “Blectrotyped at the Boston Stereotype Foundry. Printed by George 
 C. Rand & Avery,” below the copyright notica on verso of title, and 
 with the embossed and heavily blind-stamped covers. ; 
 1612. Wuirman (Watt). Leaves of Grass. 12mo, cloth. 
 Philadelphia: Rees Welsh & Co., 1882 
 Scarce. Suppressed edition of 1881-1882. 
 
 1613. Wuirman (WALT). Autobiographia or the Story of a Life. Selected 
 from his Prose Writings. New York, 1892; Specimen Days & 
 
 Collect. Philadelphia, 1882-83. Together, 2 vols. 12mo, cloth. 
 
 New York and Philadelphia, 1882-1892 
 
 First EDITIONS. 
 
 ORIGINAL AUTOGRAPH MSS. BY WHITMAN 
 
 1614. WHITMAN (Watt). OriGiInaL AvuTogRAPH MANUSCRIPT WITH 
 
 SIGNATURE AT Heap, entitled “Walt Whitman’s Birthday.” Dated 
 
 May 31, [1884]. Manuscript of about Two HunbRED AND Firry 
 
 Worps. Written in ink, on one side of 214 8vo sheets, with 
 alterations and corrections in the autograph of the author. 
 
 ONE OF THE FINEST WHITMAN MANUSCRIPTS EXTANT. It was written 
 
 [Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 | No. 1614 
 
 Continued | 
 
 by himself for insertion in the newspapers on the anniversary of his 
 65th Birthday. It bears his signature in the headline, and also in the 
 body of the manuscript. 
 
 “To-day is Walt Whitman’s 65th birthday, as he was born at Hunt- 
 ington, Long Island, May 31, 1819. . . . He commenced his famous 
 ‘Leaves of Grass’ in 1855, and thenceforward adding new instalments 
 every few years, completed it in 1882. He engaged in the Secession 
 War as a volunteer nurse of the army wounded, working practically 
 and ardently (but ‘on his own hook’) on the battle fields and in the 
 hospitals, for over three years. . . . Besides the poems of ‘Leaves of 
 Grass’ he has written and published a book of prose, ‘Specimen Days 
 and Collect. . . . The Poet now lives in a little old house he has 
 lately bought near the Delaware river, in Camden. Though crippled 
 permanently from his war paralysis, appearing at first sight much 
 older than he really is and averaging two or three pretty bad spells 
 of sickness every year, he writes a little all the time, retains his 
 buoyancy and cheeriness without the least diminution, is thankful for 
 every word and deed of kindness from his friends, loves the open air 
 and the sights of active life, and manages to get out in them almost 
 every day. He sells his books himself (‘to keep a certain animal from 
 the door,’ as he expresses it). .. .” 
 
 FINE COPY OF THE LARGE PAPER ISSUE 
 
 1615. WHirman (Watt). November Boughs. Imperial 8vo, original 
 
 dark green cloth, gilt lettered title on front cover and back strip, 
 gilt top, uncut. Philadelphia: David McKay, 1888 
 First Epirion. LARGE PAPER COPY. ONLY A FEW ISSUED IN THIS 
 FORM. No portrait was issued with this edition. 
 VERY FINE COPY AND EXCEPTIONALLY RARE IN THIS FORM. 
 
 1616. WHirman (Watt). Calamus. A Series of Letters written during 
 
 the years 1868-1880 by Walt Whitman to a Young Friend (Peter 
 Doyle). Edited with an Introduction by Richard Maurice Bucke, 
 M.D. . . . Boston, 1897; Leaves of Grass. Boston, 1897; 
 [TrauBeL (Horace L.).| Camden’s Compliment to Walt Whit- 
 man. May 31, 1889. Notes, Addresses, Letters, Telegrams. 
 Kdited by Horace L. Traubel. Philadelphia, 1889. Hach volume 
 with portraits. Together, 3 vols. 12mo and 8vo, the two latter 
 uncut. Philadelphia and Boston, 1889-1894 
 
 1617. Wuirman (Watr). The Wound Dresser. A Series of Letters Writ- 
 
 ten from the Hospitals in Washington during the War of the 
 Rebellion. Edited by Richard Maurice Bucke. Portraits. 12mo, 
 cloth, gilt top, uncut and unopened. Boston, 1898 
 
 First Epition, limited to 60 copies. 
 
 1618. WHitman (WALT). Lucier (H. E.). Walt Whitman. Yesterday 
 
 & Today. Chicago, 1916. Eprrion Limirep to 600 copies, of 
 which this is, No. 124; Binns (H. B.). A Life of Walt Whit- 
 man. With 33 dlustrations. London [1905.| Together, 2 vols. 
 8vo, cloth and boards. Chicago and London [1905 ]-1916 
 
 First EDITIONS. 
 
1619. 
 
 1620. 
 
 1621. 
 
 1622. 
 
 1623. 
 
 1624. 
 
 1625. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 WuHiITMAN (War). Memories of President Lincoln and Other Ly- 
 rics of the War. Portland, Maine, 1906. Eprrion timirep to 
 950 comes; CARPENTER (Epwarp). Days with Walt Whitman. 
 With Some Notes on his Life and Work. London, 1906. First 
 HpiTion; SHAy (FRANK). The Bibliography of Walt Whit- 
 man. New York, 1920. Firsr Eprrion, limited to 500 copies, 
 of which this 1s No. 207. With portraits. Together, 3 vols. 
 12mo and 16mo, boards and cloth. Portland, ete., 1906-1920 
 
 WHITMAN (Watt). The Gathering of the Forces. Edited by Cleve- 
 land Rodgers and John Black. With a Foreword and a Sketch 
 of Whitman’s Life and Work during two unknown years. I/lus- 
 trations in photogravure. 2 vols. 8vo, boards, uncut. 
 
 New York, 1920 
 
 LIMITED LETTERPRESS EDITION. This is one of 1250 sets. 
 
 WHITMAN (WaLT). Maynarp (M. T.). Walt Whitman. The Poet 
 of the Wider Selfhood. Chicago, 1903; Prrry (Buss). Walt 
 Whitman. His Life and Work. Boston, 1906; Kennepy (W. 
 S.). Reminiscences of Walt Whitman. London, 1896. One 
 vol. wllustrated. Together, 3 vols. 12mo, cloth and boards. 
 
 Chicago, ete., 1896-1906 
 
 First EpITIons. 
 
 Wurman (Watt). SuHay (Frank). The Bibliography of Walt 
 Whitman. New York, 1920; Wetts (C.) AnD GoLpsmITH (A. 
 F.). A Concise Bibliography of the Works of Walt Whitman, 
 with a Supplement of Fifty Books about Whitman. Boston, 1922. 
 Portrait. Together, 2 vols. 12mo, boards, uncut. 
 
 New York and Boston, 1920-1922 
 
 First EDITIONS, LIMITED. 
 
 OSCAR WILDE’S “FIRSTS” AND AUTOGRAPH MSS. 
 
 WiupE (Oscar). Newdigate Prize Poem. Recited in the Theatre. 
 Oxford, June 26th, 1878. 12mo, wrappers. [Enclosed in dark 
 green cloth slip-case, morocco back, gilt lettered, with inner pro- 
 tective cloth wrapper. * Oxford, 1878 
 
 First Epirion. With the University Arms on wrapper and title-page. 
 
 WITH AN AUTOGRAPH QUOTATION INSERTED 
 
 WitpE (Oscar). Poems. 12mo, vellum, gilt back and sides, gilt 
 top, uncut. London: David Bogue, 1881 
 
 First Eprrion. Only 250 copies issued. 
 
 At page 21 is inserted an Autograph Manuscript transcription by 
 Wilde, Signed, of a portion of one of the verses on the “Garden of 
 Eros,” ,—“ ‘creamy meadow—sweet, whiter than Juno’s throat, and 
 odorous as all Arabia.’ April ’87.” 
 
 WitpE (Oscar). Poems. 12mo, cloth, yellow edges. 
 Boston: Roberts Brothers, 1881 
 
 First AMERICAN EDITION. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1626. [WinpE (Oscar).| Shakespearean Show-Book. Oblong 8vo, pic- 
 torial boards. London [May, 1884] 
 Inserted in the above volume is a 4pp. Autograph Note Signed by 
 Wilde, promising to contribute something to the book. On p. 23 of 
 this volume, is an Original Poem by Wilde, entitled ‘“‘Under the Bal- 
 cony,” later reprinted in “Poems,” 1908. 
 The Shakespearean Show of which this book forms the program, 
 was held on May 29, 30, and 31, 1884, at Kensington, the first day of 
 which was Wilde’s wedding day. 
 
 LES PASTORALES 
 DE LONGUS 
 
 bo 
 
 DAPHNIS ET’CHLOE 
 
 [1627] 
 
 OSCAR WILDE’S COPY—AUTOGRAPHED 
 
 1627. WiLpE’s (Oscar) Copy. Courter (Paut-Lours). Les Pastorales 
 de Longus ou Daphnis et Chloé. Traduction de Messire J. Am- 
 yot. Revue, Corrigée, Complétée par Paul-Louis Courier. 8vo, 
 vellum paper boards, gilt, gilt top, uncut. Paris, 1878 
 
 EDITION LIMITED to 50 copies on Whatman paper. 
 
 AUTOGRAPH PRESENTATION COPY FROM A FAMOUS AUTHOR TO A GREAT 
 ARTIST, with the following inscription in ink on half-title: To Alma 
 Tadema, in admiration of the great Beauty of his art, from Oscar 
 Wilde. : 
 
 [See Reproduction of Half-title with Inscription. ] 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 EXCEPTIONALLY FINE WILDE AUTOGRAPH MSS. 
 
 1628. WiLpE (Oscar). Originan AurograpH Manuscript SricNnep of: 
 
 “The Happy Prince.” Manuscript of about THreE THOUSAND 
 THREE Hunprep Worps, written on one side of 34 4to pages, 
 signed at the end: “Oscar Wilde;’ [Atso|] Two pages of an 
 Autograph Manuscript of another work. Bound into a 4to volume 
 of full red levant morocco, gilt fillets on sides, with gilt lettering 
 on obverse cover, gilt lettered back; doublures and end-leaves of 
 red silk, inner gilt dentelle borders, By zAEHNSDORF. 
 
 — As 
 
 Bow 
 25 2 : 2 pe \ A 
 mote ee: eA 
 
 aed SEES oo 
 
 ¢ 
 
 Bena. mika be 0K es ef ot a mee 
 
 CoLemn Veen "Ki Va rme oF ox 
 Ma obs ie oe Me boas IteF 
 ALL Chen OUR hanes ferme 
 i Gee), jo t5 <9 ee Aad Wo 
 OMe Veh hake tid Ladys 
 5 2 Cre, , = e7édcro- 
 UD tbs Gord m Ar! 
 het: 2 
 ete Div Gory Aruwckh Ad Ar uD 
 A tted A 
 ve a ae beartfe aa a 
 V4 a ean 
 kee atteq., Cech Ne ra bed) ia 
 
 Bux 
 
 Laotes '01b, At Juire du Ke: 
 a ape Lar ben ht, HXoned 
 ty ey ae babi nawmicne OkccL 
 Ke Cerkly ae AT. 
 
 [ No. 1628] 
 
 A VERY DESIRABLE MANUSCRIPT, WRITTEN ENTIRELY IN WILDE’S HAND 
 AND SIGNED BY HIM, WITH SEVERAL CORRECTIONS AND INTERPOLATIONS 
 ALSO IN HIS AUTOGRAPH. ONE OF THE FINEST WILDE MANUSCRIPTS EVER 
 OFFERED FOR PUBLIC SALE. 
 
 This manuscript was presented to Leonard Smithers, the publisher, 
 by Oscar Wilde, for the following notation in black, ink [the manu- 
 script being written in purple ink] appears on the first page of MS.: 
 To Leonard Smithers, from his friend & a grateful friend, Oscar Wilde. 
 
 The two pages mentioned above, which were bound in at the end 
 of volume, is the manuscript of a play written by Wilde, having sey- 
 eral corrections. The title was to have been “Lady Caroline.” 
 
 [See Reproduction of First Page] 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1629. 
 
 1630. 
 
 1631. 
 
 1632. 
 
 1633. 
 
 1634. 
 
 1635. 
 
 1636. 
 
 | WrLpE (Oscar).| Ye Soul Agonies in ye Life of Oscar Wilde. 
 Illustrated by Charles Kendrick. Small 4to, original blue pic- 
 torial wrappers. Enclosed in green cloth slip- case, gilt lettered 
 up back, with inner protective wrapper. [New York, 1882 | 
 
 Wiupe (Oscar). Ina Good Cause. A Collection of Stories, Poems 
 and Illustrations. Containing Oscar Wilde’s “Le Jardin des 
 Tuileries.” 1885; The Soul of Man under Socialism. With a 
 Preface by Robert Ross. 1912; Oscariana. With engraved head- 
 and tail-piece. 1914. Tecate 3 vols. 4to, 12mo, and 16mo, 
 boards and wrappers, the latter uncut. London, 1885-1914 
 
 LARGE PAPER COPY—SIGNED BY WILDE 
 
 Wipe (Oscar). The Happy Prince and Other Tales. Illustrated 
 by Walter Crane and Jacomb Hood, with wlustrations Ix Two 
 SvTavres, black and sepia. Imperial 8vo, boards, uncut and un- 
 opened. London: David Strand, 1888 
 
 LARGE PAPER COPY OF THE First Epirron, limited to 75 copies, of 
 which this is, No. 44, signed by the publisher and author: “D. Nutt” 
 and “Oscar Wilde.” 
 
 Witpe (Oscar). The Happy Prince and Other Tales. Illustrated 
 by Walter Crane and Jacomb Hood. Square 8yo, original boards, 
 entirely uncut. London, 1888 
 
 First Epirion. Fair copy. 
 
 WiLpE (Oscar). To M. B. J. 16mo pamphlet of 2 leaves. En- 
 closed in a quarter blue levant morocco slip-case, with inner cloth 
 wrapper. Hampstead: John Rodker | 1888 | 
 
 The following note appears on verso of first leaf, in part: “. . . It 
 is inscribed to M. B. J. and must have been written before September 
 4th, 1888, on which day Margaret, only daughter of Edward Burne- 
 Jones, became the wife of John William Mackail, the friend and 
 biographer of William Morris . . . the edition limited to 65 num- 
 bered copies, of which this is No. 48.” 
 
 WinpE (Oscar). The Happy Prince and Other Tales. Illustrated 
 by Walter Crane and Jacomb Hood. Small 4to, boards, uncut. 
 
 London, 1889 
 Second Edition. 
 
 WiLpE (Oscar). The Nineteenth Century. A Monthly Review. 
 For January 1889. Contains: “The Decay of Lying,” by Oscar 
 Wilde. 8vo, with original front wrapper [loose]. Enclosed in 
 a quarter dark blue morocco slip-case, with purple inner cloth 
 wrapper. London, 1889 
 
 FIRST APPEARANCE. This was reprinted in “Intentions” 1891,. pp. 3-55, 
 the two versions differing considerably. 
 
 WitpE (Oscar). Intentions. The Decay of Lying; Pen, Pencil 
 and Poison; The Critic as Artist; The Truth of Masks. 8vo, 
 original cloth, uncut. London, 1891 
 
 First EpItion. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 Oo acer eta ee el ln a LI el ad 
 
 1637. WitpE (Oscar). Lord Arthur Savile’s Crime and Other Stories. 
 12mo, original boards, uncut. London, 1891 
 First Epirion. 
 
 LARGE PAPER COPY OF FIRST PUBLISHED EDITION—WITH 
 PRESENTATION INSCRIPTION BY WILDE 
 
 1638. WiupE (Oscar). The Picture of Dorian Gray. 4to, boards, parch- 
 ment back, gilt top, uncut, outer hinges broken, binding worn. 
 Enclosed in a quarter grey levant morocco slip-case, with inner 
 cloth wrappers. London: Ward, Lock and Co., 1891 
 
 LARGE PAPER COPY OF THE FIRST PUBLISHED EDITION, limited to 250 
 copies, of which this is, No. 76, signed by the author: “Oscar Wilde.” 
 
 AUTOGRAPH PRESENTATION COPY FROM THE AUTHOR, with the follow- 
 ing inscription in ink on title: To Lancelot: from his friend: the 
 author. Now. 94. 
 
 AUTOGRAPH PRESENTATION COPY FROM WILDE 
 
 1639. WiLpE (Oscar). The Picture of Dorian Gray. 12mo, full new 
 fawn calf, gilt, richly gilt back, inner gilt dentelle borders, gilt 
 top, uncut, original covers bound in, BY RIVIERE. 
 
 London [1891] 
 
 AUTOGRAPH PRESENTATION COPY FROM THE AUTHOR, with the follow- 
 ing inscription in ink on verso of half-title: Roy, from his friend the 
 author. May 91. The recipient is believed to be Roy Horniman the 
 novelist, actor and dramatist. 
 
 Though this book is commonly called the first edition and is ex- 
 ceedingly rare, there is an earlier issue of which only a few copies 
 were printed for private distribution the year before the regular pub- 
 lication. 
 
 1640. Winpr (Oscar). A House of Pomegranates. Designs and decora- 
 tions by CU. Ricketts and Ch. Shannon. Square, 8vo, decorative 
 
 cloth, uncut. , London, 1891 
 First Epirion. With name of “McDougall Scott,’ written on fly- 
 leaf. 
 
 1641. WinpE (Oscar). Poems. Decorative title by Charles Ricketts. 
 12mo, original cloth, ornamentation in gilt on sides by Ricketts, 
 gilt top, uncut. Enclosed in linen slip-case, with inside folder. 
 
 London, 1892 
 
 Edition limited to 220 copies, AUTOGRAPHED BY THE AUTHOR, of which 
 
 this is, No. 174. Name of “Lionel Hawes, 9. 1. 93” written in ink on 
 fly-leaf. 
 
 1642. [Wipe (Oscar).] The Spirit Lamp. An Oxford Magazine with- 
 out News. ‘Together, 10 vols. 8vo and small 4to, wrappers, un- 
 cut. Oxford, 1892-1893 
 
 Contains numerous contributions by Oscar Wilde and Lord Douglas. 
 Lord Douglas edited the last eight numbers. The collection comprises, 
 Nos. 3, 4, 5 and 6 of Vol. I; Nos. 1 (2 copies) 2, and 4 of Vol. II; 
 No. 3 of Vol. III; and No. 1 of Vol. IV. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1643. WiLtpB (Oscar). Lady Windermere’s Fan. A Play about a Good 
 Woman. Square 8vo, original cloth, uncut. London, 1893 
 First Epirion. . 
 
 1644. WinpE (Oscar). Salomé. Drame en Un Acte. 12mo, original 
 purple wrappers, uncut, front cover and fly-leaf slightly stained. 
 Enclosed in dark green half morocco slip-case, with inner cloth 
 folder. Paris: Librairie de ’Art Indépendant, 1893 
 
 First EpIrion. 
 
 1645. WintpE (Oscar). Aristophanes at Oxford. O. W. By Y. T. O. 
 8vo, original wrappers, uncut. Enclosed in a quarter deep blue 
 morocco slip-case, with inner cloth wrappers. Oxford [1894] 
 
 EDITION LIMITED to 750 copies. 
 
 “The authors, represented by the last letter in the name of each, 
 were: Leopold Charles Maurice Stennett Amery, Exhibitioner of 
 Balliol (M.P. for South Birmingham since 1911). Francis Wrigley 
 Hirst, Scholar of Wadham (Editor of The Economist since 1907). 
 Henry Alford Antony Cruso, Exhibitioner of Balliol.”.—Mason’s Biblio- 
 graphy of Oscar Wilde. 
 
 Ale . the motive of this production . . . is an honest dislike for 
 ‘Dorian Gray,’ ‘Salomé,’ the ‘Yellow Book,’ and the whole of the lack-a- 
 daisical, Opium-cigarette literature of the day. Our attack, however, 
 is one on principles and not on persons . . .” [Extract from the 
 Preface, p. vi.] 
 
 1646. [WiLpE (Oscar).] Phrases and Philosophies for the Use of the 
 Young. [Published in] The Chameleon, Vol. I. Number 1. De- 
 cember, 1894. [Edited by John Francis Bloxam.] 4to, dark 
 green printed wrappers, uncut and unopened. 
 
 London: Gay and Bird [1894] 
 
 First Epririon. Edition of each number [of the Chameleon] limited 
 to 100 copies. FINE Copy. 
 
 Three numbers a year were to have been issued to subscribers, but 
 the publication ceased after the first number. This magazine also con- 
 tains the first publication of “The Priest and the Acolyte’ wrongly 
 attributed to Wilde. 
 
 FIRST EDITION IN ENGLISH 
 
 1647. Wipe (Oscar). Salomé. A Tragedy in One Act: Translated from 
 the French. Illustrated with 10 full-page plates, frontismece, and 
 title-page, pictured by Aubrey Beardsley. 8vo, blue buckram, un- 
 cut. London, 1894 
 
 First Epition IN EneruisH. With the extra plate, “The Toilet of 
 Salome,” at page 48, of which only 75 impressions were made. Only 
 500 copies printed for England. 
 
 1648. WinpE (Oscar). The Sphinx. Full-page decoration in tints by 
 Charles Ricketts. Small 4to, vellum, gilt, uncut. 
 London, 1894 
 
 First Epition. Printed at the Ballantyne Press. Only 200 copies 
 printed for England. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 AN UNPUBLISHED MANUSCRIPT “COMMONPLACE BOOK” OF OSCAR WILDE 
 
 s ——or Stat * * 
 & ha ee cero : Ay Pp kt C a4. ir or e747 : 
 Ot Ge 0 tt poe Abme 2 RS 
 
 2 Eg ett need Yn Crt Th eg ar of 
 uly te : & arg as sa a ne AA e he & oe 
 Ce Ob thar, §=6fh 
 
 tcf{a- Come ol), ¢0.. old. Hae o 
 
 (1s fo Ot He hE 
 
 Pidck a4 of Ar uraree tex 
 
 Tat ger, ( fl § 4 
 
 Corto g Lhe hip ie pk 
 O41. TV ane of G bs 
 tee cn bo 
 
 [No. 1649] 
 
 1649. WinpE (Oscar). OriaginaL AuToGRAPH Manuscript “Common- 
 place Book.” Manuscript of about TwretvE THousanp Worps, 
 written in ink on 134 pages, in a 4to blank book. Enclosed in 
 a full red levant solander fire-proof case, with inner cloth covers. 
 
 SUPERB WILDE MANUSCRIPT OF UNUSUAL INTEREST, Wherein Wilde’s 
 intellectuality is graphically portrayed. <A description accompanying 
 the item reads: “Both from the literary and the personal point of 
 view this unpublished Commonplace Book is of very great interest. 
 It reflects his intellectual life, illustrates his wide culture and is full 
 of personal touches revealing his strange character. 
 
 “On page 3 his large point of view is indicated; in connection with 
 the tragedy of Wilde’s own life which came from his oversimplification 
 of the problem of life. On page 5 we find his interest in sociology. On 
 page 37 there is a French quotation of utmost personal significance. 
 “Dans la vle morale il est beau de quelquefois faire naufrage. 
 
 “One may mention his thoughts on Italian art (page 37); On 
 punishment (page 39); On Roman Literature (page 41); On Law 
 (page 49); On Poetry (page 55); On English Thought from Bacon 
 (page 59) ; On Slavery (page 63) ; On the Renaissance and the Hmpire 
 
 [ Continued 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 [ No. 1649 
 
 1650 
 
 1651 
 
 1654 
 
 Continued | 
 (page 77); These references will give some idea of the wide range of 
 interest of this unpublished book. 
 
 “The short essays on Idealism and Realism (page 101); Necessity 
 (page 171); Beauty (page 185) ; and Philosophy (page 189), are all 
 especially good. On page 69 Wilde writes ‘Progress is the assertion 
 of individualism’; and on page 197 he quotes: . . . ‘The condemnation 
 which a great man lays upon the world is to explain him.’ It is mani- 
 fest that Wilde was thinking of himself when he wrote these words.” 
 
 The recto of the leaves of this manuscript have been written upon 
 while the verso was used for afterthoughts and interpolations. Not 
 having been published, there is an absence of corrections, written in 
 a fluent vein, with evidences of interruption either in thought or ex- 
 pression here and there. 
 
 From the J. B. Stetson collection, with his book-label. 
 
 [See Reproduction of Portion of Page 3] 
 
 . WILDE (Oscar). A Woman of No Importance. Square 8yvo, orig- 
 
 inal cloth, uncut. London, 1894 
 First EpITIoN. LARGE PAPER. Only 50 copies printed. 
 
 . [WinpeE (Oscar).] Oscariana. Epigrams. Small 4to, original 
 
 wrappers, uncut and unopened. 
 London: Privately Printed by Arthur Humphreys, 1895 
 Contains extracts from Wilde’s Writings, the name of the book from 
 which each is taken being printed in the margin. The selection was 
 made by Mrs. Oscar Wilde. 
 
 . WILDE (Oscar). The Soul of Man [under Socialism.] Small 4to, 
 
 original brown wrappers, uncut and unopened. Enclosed in board 
 slip-case, leather back, with inner folder. 
 London: Privately Printed, 1895 
 
 First EpITIOoN IN BOOKFORM. Only 50 copies printed. 
 
 . WILDE (Oscar). The Ballad of Reading Gaol. By C. 3. 3. 8vo. 
 
 cloth sides, vellum back, gilt lettered, gilt top, uncut. 
 London, 1898 
 First Epirion. No. 20 or 30 COPIES PRINTED THROUGHOUT ON JAPANESE 
 
 VELLUM. 4 
 With the bookplate of Johann and Dora Kruse. 
 
 . [|WiLpE (Oscar).| Children in Prison, and Other Cruelties of Pri- 
 
 son Life. 12mo, original wrappers. Enclosed in dark blue cloth 
 
 slip-case, morocco back, gilt lettered, with inner cloth folder. 
 London: Murdoch & Co. [1898] 
 
 First EpItion. 
 
 . [WiLpE (Oscar).] An Ideal Husband. By the Author of Lady 
 
 Windermere’s Fan. Square 8yo, original cloth, gilt ornaments 
 on sides, entirely uncut. London, 1899 
 First Eprrion. 1000 copies printed. 
 
Fifth and Last Session, Friday Afternoon, May 2nd 
 
 1656. Winpge (Oscar). The Importance of Being Earnest. A Trivial 
 Comedy for Serious People. Square 8vo, original cloth, entirely 
 uneut. | London, 1899 
 
 First Epirion. Only 1000 copies printed, of which this is, No. 95. 
 
 1657. Winpg (Oscar). Essays, Criticisms and Reviews. Now First Col- 
 lected. Square 8vo, boards. 
 London: Privately Printed, 1901 
 
 First EpIrion. 
 
 1658. WILDE, (Oscar). Vera; or, The Nihilists. A Drama in a Pro- 
 logue and Four Acts. 1902; The Sphinx without a Secret. The 
 Canterville Ghost. The Model Millionaire. 1904. To- 
 gether, 2 vols. 4to, wrappers, uncut. Binding of former some- 
 what shaken. No place: Privately Printed, 1902-1904 
 
 BoTH LIMITED EDITIONS. “Vera” is one of 200 copies of a pirated 
 issue, for which the publishers were prosecuted by Robert Ross. 
 
 1659. WinpE (Oscar). Phrases and Philosophies for the use of the Young. 
 18mo, wrappers, uncut and unopened. London: 1903 
 EDITION DE LUXE limited to 125 copies. Privately printed. 
 
 1660. Witpg (Oscar). Rose-Leaf and Apple-Leaf. L’Envoi. 12mo, 
 original dark green wrappers. 
 
 London: Printed for Private Circulation, 1904 
 
 These pages contain a Reprint of Mr. Oscar Wilde’s Introduction 
 
 (L’Envoi) to “Rose-Leaf and Apple-Leaf,” a book of poems by Mr. 
 
 Rennell Rodd, published in Philadelphia, U. S. A., 1882. THIS IS-THE 
 
 FIRST PUBLICATION IN ENGLAND OF Mr. WiLpr’s Essay. The issue con- 
 sists of 200 copies, of which this is, No. 187. 
 
 1661. WitpE (Oscar). De Profundis. 8vo, white buckram, gilt top, un- 
 cut. London [1905] 
 
 First Eprrion. Only 200 copies printed on LARGE handmade paper. 
 Inserted is a card bearing Wilde’s Autograph Signature in pencil, 
 “Oscar Wilde. Feby. 14. ’82.” 
 
 1662. WitpE (Oscar). Epigrams & Aphorisms. Boston, 1905; For 
 Love of the King. A Burmese Masque. One of 1,000 copies on 
 hand-made paper. London, [1922]. Together, 2 vols. boards 
 and buckram, gilt tops, uncut. 
 
 Boston and London, 1905-[1922] 
 
 1663. Wintpr (Oscar). De Profundis. 12mo, original blue buckram, gilt 
 top, uncut. London: Methuen & Co. [1905] 
 
 First EpItTIon. 
 
 1664. WintpE (Oscar). Impressions of America. Edited, with an Intro- 
 duction by Stuart Mason. 12mo, wrappers. Enclosed in a quar- 
 ter purple morocco slip-case, with inner cloth wrapper. 
 
 Sunderland: Keystone Press, 1906 
 
 First Epirion. Limited to 500 copies. Contains the two poems “Le 
 Jardin” and “La Mer” from “Our Continent,” Feb. 1882. The text of 
 Wilde’s lecture, delivered at Wandsworth on Sept. 24, 1883, is on 
 pp. 21-86. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1665. 
 
 1666. 
 
 1667. 
 
 1668. 
 
 1669. 
 
 1670. 
 
 16715 
 
 1672. 
 
 1673. 
 
 Witpr (Oscar). Recollections of Oscar Wilde. By Ernest La Jeu- 
 
 nesse, André Gide and Franz Blei. Translation and Introduction 
 
 by Percival Pollard. 16mo, cloth, uncut. Boston, 1906 
 
 A reprint of the Literary Collector Press edition, the mistakes re- 
 maining uncorrected. 
 
 Wiupe (Oscar). Miscellanies. S8vo, white buckram, gilt top, un- 
 cut. London: Metheun & Co. [1908] 
 
 First EDITION PUBLISHED IN BOOKFORM. Only 1000 copies printed on 
 handmade paper. 
 
 WILDE (Oscar). Resurgam. Unpublished Letters. 4to, wrappers, 
 uncut. Enclosed in a half green levant morocco slip-case, with 
 inner cloth wrapper. [London: Privately Printed, 1917] 
 
 EDITION LIMITED to 25 copies, of which this is, No. 9, signed by 
 Clement Shorter. 
 
 Wiupe (Oscar). A Critic in Pall Mall. Being Extracts from Re- 
 views and Miscellanies. 12mo, original cloth, uncut. 
 London: Methuen & Co. Ltd. [1919] 
 
 First EpIrion. 
 
 Witpr (Oscar). The Sphinx. Illustrated and decorated with strik- 
 ing designs IN Cotor by Alastair. 4to, white pictorial cloth, gilt, 
 gilt top, uncut. London, 1920 
 
 EDITION LIMITED to 1000 copies, and cannot be reprinted, as the stones 
 
 from which the offset plates were printed were in Belgium at the 
 time of the German invasion, and were destroyed. 
 
 Witpe (Oscar). After Reading. Letters of Oscar Wilde to Robert 
 Ross. With cover and woodcut decorations designed by Ethelbert 
 White. 8vo, boards, with buckram back, uncut. 
 
 Westminster, 1921 
 
 No. 474 of 475 copies printed on handmade paper, by the Beaumont 
 Press. 
 
 Wiupe (Oscar). The Portrait of Mr. W. H. With facsimile of the 
 last page of the manuscript. 8vo, cloth, gilt top, uncut. 
 New York, 1921 
 
 Edition limited to 1000 copies, of which this is, No. 331. 
 
 Written by Oscar Wilde, some time after the publication of his 
 essay, of the same title, and now first printed from the original manu. 
 script which for twenty-six years has been lost to the world. 
 
 Wipe (Oscar). After Berneval. Letters of Oscar Wilde to Robert 
 Ross. With cover and decorations designed by Randolph Schwabe. 
 
 8vo, boards, with buckram back, uncut. Westminster, 1922 
 No. 92 of 475 copies, printed on handmade paper at the Beaumont 
 Press. 
 
 WiLpE (Oscar). Lord Arthur Saville’s Crime. A Study of Duty. 
 Square 8vo, original blue printed wrappers, entirely uncut. 
 Privately Printed, no plate, no date 
 Edition limited to 300 copies, of which this is, No. 180. 
 
1674. 
 
 1675. 
 
 1676. 
 
 yee 
 
 1678. 
 
 1680. 
 
 1681. 
 
 1682. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 Witpr (Oscar). Three Times Tried. 8vo, cloth, uncut. 
 London, no date 
 
 This story of a great trial throws sidelights on Wilde and his con- 
 temporaries not to be found elsewhere and supplies material for the 
 study of his remarkable personality. 
 
 [Witpe (Oscar).| [Hicnmns (Rosert).| The Green Carnation. 
 
 12mo, cloth, uncut. London, 1894 
 
 First Epition. This is the satirical portrait of Wilde, written 
 anonymously by Robert Hichens. 
 
 Witpe (Oscar). Gipp (Anpré). Oscar Wilde. A Study. From 
 the French of André Gide. With Introduction, Notes and Biblio- 
 graphy by Stuart Mason. TIlustrated. Square 8vo, original 
 
 boards, paper label on back and side, uncut and unopened. 
 
 Oxford, 1905 
 Edition limited to 500 copies. 
 
 Witpp (Oscar). Mason (Sruart). A Bibliography of the Poems 
 of Oscar Wilde. Illustrations. Square 8vo, cloth, uncut. 
 New York, 1908 
 
 First Epitron. Only 475 copies printed. The type of the whole 
 edition has been distributed. Inserted between the frontispiece and 
 title-page is a printed slip, reading, ‘““As we go to press I learn that 
 the publication of Messrs. Methuen’s complete edition of The Poems of 
 Oscar Wilde on which this bibliography is based, has been postponed 
 until January, 1908.” 
 
 [Wipe (Oscar).| Ransome (ArTHUR). Oscar Wilde, A Critical 
 Study. 1912; Inc epy (LeonarD CRESSWELL). Oscar Wilde. 
 No date. Hach with a frontispiece portrait. ‘Together, 2 vols. 
 
 8vo, cloth, and boards with vellum back, uncut. 
 London, 1912 and no date 
 
 . [Witpz (Oscar).] Dovenas (Lorp Atrrep). Oscar Wilde and 
 
 Myself. With portraits, illustrations and facsimiles. 8yo, cloth, 
 gilt top. London, 1914: 
 
 Witpe (Oscar). Birnspaum (Marry). Oscar Wilde. Fragments 
 and Memories. I’rontispiece. 12mo, vellum boards. 
 New York, 1914 
 
 First Epririon. Printed throughout on imperial Japanese vellum, 
 this being No. 37 of 50 copies so issued. 
 
 Winpe (Oscar). Harris (Frank). Oscar Wilde. His Life and 
 Confessions. Portraits and facsimile. 2 vols. 8vo, quarter leather 
 gilt tops, uncut. New York: Printed by the author, 1916 
 
 PRINTED THROUGHOUT ON JAPANESE VELLUM PAPER, With autograph in- 
 scription by the author on fly-leaf of Vol. I, giving his opinion of that 
 writer who tells the truth about men. 
 
 Winpe (Oscar). Brrnpaum (Martin). Oscar Wilde. Fragments 
 and Memories. Frontispiece. 8vo, cloth, gilt top, uncut. 
 London, 1920 
 
 LARGE PAPER. No. 30 of 50 copies printed. FINE Copy. 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 ag 
 
 1683. [WinpE (Oscar).] The Library of William Andrews Clark, Jr. 
 Wilde and Wildeiana. Collated and Compiled by Robert Ernest 
 Cowan and William Andrews Clark, Jr. Cora Edgerton Sanders 
 and Harrison Post, Assistant Librarians. 2 vols. 192250 -Por- 
 trait in colors of Wilde reproduced from a portrait made by an 
 unknown artist. Bound in separate volume. 1923. Together, 
 3 vols. 4to, boards, cloth backs, paper labels, uncut. 
 San Francisco: Printed by John Henry Nash, 1922-1923 
 
 Edition limited to 100 numbered copies. 
 
 1684. |WinpE (Oscar).] Mason (Stuart). Bibliography of Oscar Wilde. 
 With a Note by Robert Ross. Tllustrated. 8vo, cloth, gilt top. 
 London, no date 
 
 THOMAS J. WISE’S FINE ASHLEY LIBRARY CATALOGUE 
 
 1685. Wise (THomas Jamus). The Ashley Library. A Catalogue of 
 Printed Books, Manuscripts and Autograph Letters Collected by 
 Thomas James Wise. The first three volumes. With an Intro- 
 duction to each volume, as follows: Vol. I, Richard Curle; Vol. 
 II, Augustine Birrell; Vol. III, Edmund Gosse. With frontis- 
 preces, and over 500 facsimiles. 3 vols. 4to, cream colored buck- 
 ram, gilt tops, uncut. London, 1922-1923 
 
 Kdition Limited to 200 copies, Printed for Private Circulation. 
 
 A MOST IMPORTANT CONTRIBUTION TO BIBLIOGRAPHY, Which already has 
 taken its place among the standard reference works of English Litera- 
 ture. The contents of the catalogue is evidence of the literary knowl- 
 edge and untiring industry of this collector—who now numbers among 
 his possessions not only items which are of excessive rarity, but 
 which are actually unique—and the completeness and accuracy of his 
 record of these items have made the work one of superlative im- 
 portance in its field. 
 
 The collection is composed of First Editions of English poetry and 
 drama, from Elizabethan times to the present day, and Mr. Wise has 
 not omitted any author whose work has constituted a worthy contri- 
 bution to this literature. In several instances the collections of indi- 
 vidual authors recorded in the catalogue form complete biblio- 
 graphies, and a few among those to whom this statement may be 
 best be applied are, Ben Jonson (the plays), Milton (poetry and 
 tracts), Dryden, Pope, Gay, Gray, Coleridge, Shelley, Keats, Byron 
 and Swinburne. 
 
 There is a careful collation for every volume represented—a feature 
 which in itself speaks the praise which the work so well deserves. 
 
 The catalogue is to be completed with the issue of Vols. IV and V. 
 
 FIRST EDITIONS OF J. B. YEATS 
 
 1686. YHAts (JoHN BuriEer). Passages from the Letters of John Butler 
 Yeats: Selected by Ezra Pound. 8vo, original boards, canvas 
 back, uncut. Dundrum: The Cuala Press, 1917 
 
 First Epirion. As new. 
 
1687. 
 
 1688. 
 
 1689. 
 
 1690. 
 
 1691. 
 
 1692. 
 
 1693. 
 
 1694. 
 
 1695. 
 
 1696. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 YeEAts (JoHN Burier). Essays, Irish and American, by John But- 
 ler Yeats, R. H. A. With an Appreciation by AE. Frontispiece. 
 12mo, original cloth, paper label. 
 
 Dublin: The Talbot Press, 1918 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 YeEATs (JoHN Buriter). Further Letters of John Butler Yeats. 
 Selected by Lennox Robinson. 8vo, original boards, canvas back, 
 paper label, uncut and unopened. 
 
 Dundrum: The Cuala Press, 1920 
 
 ONE oF 400 copies. AS new. 
 
 FINE SERIES OF THE WORKS OF WILLIAM BUTLER YEATS 
 
 Yeats (WittiAmM Burter). The Wanderings of Oisin, and Other 
 
 Poems. 12mo, original cloth, uncut. London, 1889 
 FINE COPY OF THE FIRST EDITION OF YEATS’ FIRST VOLUME OF POETRY. 
 RARE. 
 
 Inscribed by the Author on half-title—‘W. B. Yeats.” 
 
 [Yeats (WittiAM Burier).] The Book of the Rhymers’ Club. 
 1892; The Second Book of the Rhymers’ Club. 1894. To- 
 gether, 2 vols. 12mo, boards and cloth, uncut. 
 
 London, 1892-1894 
 
 Numerous poems by Yeats, in addition to poems by Ernest Dowson, 
 Arthur Symons, Lionel Johnson, Richard Le Gallienne, and others. 
 
 Yeats (WiLtLiAM BurLER). Poems. 12mo, original gilt decorated 
 cloth, uncut. London, 1895 
 
 FINE COPY OF THE SCARCE First EDITION. 
 
 Yeats (WittraAm Burier). The Secret Rose: Wrath illustrations 
 by J. B. Yeats. 12mo, original gilt decorated cloth, uncut. 
 London, 1897 
 
 VERY FINE COPY OF THE First EDITION. 
 On inside of back cover is pasted a one-page autograph letter signed 
 by Yeats, inviting his correspondent to dine with him. 
 
 YeEATS (WitttAmM Butter). The Wind Among the Reeds. 12mo, 
 original gilt decorated cloth, uncut. London, 1899 
 
 First ISSUE OF THE First Eprrion, without the Hrrata Slip, which 
 appeared only in the later copies. 
 
 Years (WittiAmM Burier). The Shadowy Waters. 8vo, original 
 cloth, gilt top, uncut. London, 1900 
 
 FINE Copy OF THE First ENGLISH EDITION. 
 
 Yeats (WintiAmM Burter). Poems. Frontismece. 12mo, original 
 gilt decorated cloth, uncut and UNOPENED. London, 1901 
 First Epirion. 
 
 Yeats (Wint1AmM Burter). Ideas of Good and Evil. 12mo, original 
 boards, cloth back, paper label, uncut, London, 1903 
 
 First EpItTion, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 
 1697. Years (Wini1AM Burier). Plays for an Irish Theatre. 3 vols. 
 
 1698. 
 
 1629. 
 
 1700. 
 
 1701, 
 
 1702. 
 
 1703 
 
 1704. 
 
 1706 
 
 12mo, original boards, cloth backs, paper labels, uncut. 
 London, 1903-1904. 
 
 FINE COPIES OF THE First EpITION OF EACH VOLUME. 
 
 Years (Wiii1AM Butter). Poems. 1899-1905. 12mo, original 
 cloth, gilt decorated back, uncut. London, 1906 
 
 FINE COPY OF THE First EDITION. 
 
 Yeats (WintrAm Butter). Deirdre. 12mo, original boards, cloth 
 back, paper label, uncut. London, 1907 
 
 First Epitrion. Loosely laid in is the EXCESSIVELY RARE “Alterations 
 in ‘Deirdre, ” a-4pp. leaflet, issued separately. 
 
 Yeats (WittraM Burier). Responsibilities: Poems and a Play. 
 8vo, original boards, canvas back, uncut. 
 Dundrum: The Cuala Press, 1914 
 
 First Epirron. One of 400 copies. As new. 
 INSCRIBED BY YEATS, on title-page,-—“W. B. Yeats. Feb. 15, 1920.” 
 
 Yeats (WiLL1AM Butter). Reveries over Childhood and Youth. 
 8vo, original boards, canvas back, uncut. 
 Dundrum: The Cuala Press, 1915 
 
 First Epirion. ONner or 425 corres. This is accompanied by the 
 portfolio containing two portraits, a colored view of “Memory Har- 
 bour,” by Jack B. Yeats, and a Note by Yeats on “Memory Harbour.” 
 Cuala Press, 1915. 
 
 Yeats (WILLIAM Burner). Certain Noble Plays of Japan: From 
 the Manuscripts of Ernest Fenollosa, chosen and finished by Ezra 
 Pound, with an Introduction by William Butler Yeats. 8vo, 
 original boards, canvas back, uncut and unopened. 
 
 Dundrum: The Cuala Press, 1916 
 
 ONE OF 350 copIEsS. AS new. 
 
 Years (Witt1am Burter). Responsibilities, and Other Poems. 
 12mo, original gilt decorated cloth, designed by Srurcz Moorz, 
 uncut. London, 1916 
 
 IMMACULATE COPY OF THE First Eprrron. 
 
 Yeats (Wint1Am Butter). The Wild Swans at Coole, Other Verses, 
 and a Play in Verse. 8vo, original boards, canvas back, paper 
 label, uncut. Dundrum: The Cuala Press, 1917 
 
 ONE oF 400 copies. AS new. 
 
 Yeats (WILLIAM BurLer). Per Amica Silentia Lunae. 12mo, orig- 
 inal gilt decorated cloth, designed by Sturge Moors, uncut. In 
 original dust wrappers. London, 1918 
 
 FINE Copy OF THE First Epirion. 
 
 Yeats (Witt1AM BurLer). The Cutting of an Agate. 12mo, orig- 
 inal cloth, uncut. London, 1919 
 
 FINE Copy OF THE First Epition, 
 
1707. 
 
 1708. 
 
 1709. 
 
 1710. 
 
 tt. 
 
 1712. 
 
 1713. 
 
 1714. 
 
 1716. 
 
 Fifth and Last Session, Friday Afternoon, May 2nd 
 
 YEATS (Witit1AM Burver). Two Plays for Dancers. 8vo, original 
 boards, canvas back, paper label, uncut. 
 Dundrum: The Cuala Press, 1919 
 
 First Epirion. One of 400 copies. As new. 
 
 Yeats (Wittiam Burier). The Wild Swans at Coole. 12mo, 
 original gilt decorated cloth, designed by Sturce Moors, uncut. 
 
 London, 1919 
 VERY FINE COPY OF THE First EDITION. 
 
 Yeats (Witt1AM Butuer). Michael Robartes and the Dancer. 8vo, 
 original boards, canvas back, paper label, uncut and UNOPENED. 
 
 Dundrum: The Cuala Press, 1920 
 OnE oF 400 copies. AS new. 
 
 Yeats (WiLt1AmM Butter). The Green Helmet, and Other Poems. 
 8vo, original boards, canvas back, paper label, uncut. 
 Dundrum: The Cuala Press, 1920 
 
 First Epition. ONE oF 400 copies. AS new. 
 
 Laid in are: 2pp. autograph letter signed by Elizabeth C. Yeats, 
 regarding “The Green Helmet ;” receipt signed by her for subscription 
 for a copy of this book, and 8pp. prospectus of THE CUALA PRESS. 
 
 Yeats (Witt1AM Butter). Four Plays for Dancers. Illustrations 
 and music. Small 4to, original pictorial boards, paper label. In 
 original dust wrappers. London, 1921 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 Yeats (Wrti1AM Butier). Four Years. 8vo, original boards, can- 
 vas back, paper label, uncut and unopened. 
 Dundrum: The Cuala Press, 1921 
 
 First Epirion. ONE or 400 coprtes. AS new. 
 
 Years (Wittiam Burter). Later Poems. 12mo, original cloth, 
 
 uneut and unopened. In original dust wrappers. 
 London, 1922 
 
 IMMACULATE COPY OF THE First EDITION. 
 
 Yrats (WILLIAM Burter). Plays in Prose and Verse. Written for 
 an Irish Theatre and generally with the help of a Friend. 12mo, 
 original cloth, uncut and unopened. In original dust wrappers. 
 
 London, 1922 
 
 IMMACULATE COPY. 
 
 . Years (Witt1am Burrer). The Player Queen. 12mo, original 
 
 wrappers, uncut. London, 1922 
 IMMACULATE COPY OF THE First EDITION. 
 
 Yeats (WittiamM Butter). Seven Poems and a Fragment. 8vo, 
 
 original boards, canvas back, uncut and unopened. 
 
 Dundrum: The Cuala Press, 1922 
 ONE oF 500 copies, As new, 
 
Kindly read Conditions of Sale in forepart of Catalogue 
 a ak a 
 
 1717. Yeats (Witi1AM Burier). The Trembling of the Veil. Portrait 
 by Charles Shannon. 8vo, original boards, vellum back, uncut, 
 in original cloth dust wrappers. 
 
 London: Privately Printed for Subscribers only, 1922 
 
 IMMACULATE COPY OF THE First Epirion. One of 1,000 copies, signed 
 by the Author. 
 
 1718. Years (WittraAm Burier). Eight Poems. Transcribed by Edward 
 Pay.. With illustration of a nude woman by Charles Shannon. 
 4to, original wrappers, uncut. ; 
 
 London: Published by “Form,” no date 
 
 First Epirion. One of 122 copies Privately Printed on Italian 
 Handmade Paper. Rare. 
 
 1719. Zota (Eine). The Attack on the Mill, and Other Sketches of War. 
 With an Essay on the Short Stories of M. Zola by Edmund Gosse. 
 12mo, cloth, uncut. London, 1892 
 
 I'irst Eprrion. 
 
 1720. Zota (Euite). Paris. Thick 12mo, three-quarter dark green 
 crushed morocco, gilt panelled back, uncut. Paris, 1898 
 
 First Eprrion. One of 300 copies on Holland paper. With the 
 Author’s Autograph Signature on half-title. Exrra-ILLUSTRATED by the 
 insertion of 19 mounted photographic views of Paris. 
 
 FINE WORK—SCARCE 
 
 1721. Zorn (Anpers). AspLuND (Karu). Engraved Work of Zorn. A 
 Descriptive Catalogue, translated by Edward Adams-Ray. Hach 
 plate reproduced by the heliotype process. 2 vols. 4to, original 
 wrappers, uncut. Enclosed in original board slip-cases. 
 
 Stockholm, 1920 
 One of 275 copies printed on handmade paper, of which this is, No. 
 174. 
 
 1722. Zorn (ANDERS). AspLUND (Kart). Anders Zorn, His Life and 
 Work. With numerous illustrations in photogravure and mono- 
 tone, and many In Conor. 4to, boards, with vellum back, gilt top, 
 uncut. London: Published by “The Studio,” Ltd., 1921 
 
 AMERICAN ART ASSOCIATION, Inc., 
 DrpartMENT or Books Anp Prins, 
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 AUCTIONEERS. 
 
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