- 
 
 Pr riced Cata/o pue 
 1922 
 May 1 
 NeAmA 
 
 Larly Printing 
 
 Rare Manuscripts 
 
 : FR RAE ORME 
 
 THE FAMOUS 
 WILLIAM C.VAN ANTWERP 
 COLLECTION 
 
 UNRESTRICTED PUBLIC SALE 
 MONDAY EVENING, MAY IsT, 1922 
 
 UNDER THE MANAGEMENT OF 
 
 THE AMERICAN ART ASSOCIATION 
 
'S ITS CATALOGUES AND DIRECTS 
 ESUETAILS OF ILLUSTRATION 
 
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ONS PUBLIC EXTIBITION 
 
 meet AMERICAN ART GALLERIES 
 MADISON SQUARE SOUTH, NEW YORK 
 ENTRANCE, 6 FAST 23RD STREET 
 BEGINNING MONDAY, APRIL 24H, 1922 
 AND CONTINUING UNTIL THE TIME OF SALE 
 
 EARLY PRINTED BOOKS, RARE MANUSCRIPTS 
 ROYAL DOCUMENTS, AND REFERENCE BOOKS 
 THE FAMOUS 
 WIEEIAM C. VAN ANTWERP COLLECTION 
 
 OF SAN FRANCISCO, CALIFORNIA 
 
 TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
 BY ORDER OF MR. WILLIAM C. VAN ANTWERP 
 ON MONDAY, MAY IST, 1922 
 
 AT 8:15 O CLOCK IN THE EVENING 
 AT THE AMERICAN ART GALLERIES 
 
 NILA wf 54 
 L% 
 
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 ee fore safe perere 
 
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 ILLUMINATED XIVTH CENTURY MANUSCRIPT 
 FROISSART—CHRONICLES 
 
 Reduced Facsimile of First Page 
 [No. 19] 
 
é a 
 ILLUSTRATED CATALOGUE OF J 
 
 FARLY PRINTED BOOKS, RARE MANUSCRIPTS 
 ROYAL DOCUMENTS, AND REFERENCE BOOKS 
 
 THE FAMOUS 
 WILLIAM C. VAN ANTWERP COLLECTION 
 
 OF SAN FRANCISCO, CALIFORNIA 
 
 TO BE SOLD WITHOUT RESERVE OR RESTRICTION 
 BY ORDER OF MR. WILLIAM C. VAN ANTWERP 
 ON MONDAY, MAY IST, IQ 22 
 AT 8:15 O CLOCK IN THE EVENING 
 
 THE SALE TO BE CONDUCTED BY 
 MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF 
 THE AMERICAN ART ASSOCIATION, Manacers 
 NEW YORK CITY 
 1922 
 
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Conditions of Sale 
 
 1. Rejection of Bids. Any bid which is not commensurate with the value of the article 
 offered or which is merely a nominal or fractional advance may be rejected by the auctioneer 
 if in his judgment such bid would be likely to affect the sale injuriously. 
 
 2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
 more bidders, the auctioneer shall either decide the same or put up for resale the lot so in dispute. 
 
 3. Identification and Part Payment by Buyer. The name of the buyer of each lot 
 shall be given immediately on the sale thereof and when so required, each buyer shall sign a 
 card giving the lot number, amount for which sold, and his or her name and address. 
 Payment at the actual time of the sale shall be made of all or such part of the purchase 
 prices as may be required. 
 If the two foregoing conditions are not complied with, the lot or lots so purchased may at 
 the option of the auctioneer be put up again and resold. 
 
 4. Risk After Purchase. Title passes upon the fall of the auctioneer’s hammer and 
 thereafter neither the consignor nor the Association is responsible for the loss or any damage 
 to any article occasioned by theft, fire, breakage or any cause. 
 
 5. Delivery of Purchases. Delivery of any purchases will be made only upon payment 
 of the total amount due for all purchases at the sale. 
 
 Deliveries will be made at the place of sale or at the storage warehouse to which purchases 
 may have been removed. 
 
 Deliveries at the American Art Galleries will be made only between the hours of nine a. m. 
 and one p. m. on sales’ days and on other days—except holidays, when no deliveries will be 
 made—between the hours of nine a. m. and five p. m. 
 
 Deliveries at places of sale other than the American Art Galleries will be made only during 
 the forenoon following the day of sale unless by special notice or arrangement to the contrary. 
 
 Deliveries at the Storage warehouse to which goods may have been sent will be made on any 
 day other than holidays between the hours of nine and five. 
 
 Deliveries of any purchases of small articles likely to be lost or mislaid may be made at the 
 discretion of the auctioneer during the session of the sale at which they were sold. 
 
 6. Storage in Default of Prompt Payment and Calling for Goods. Articles not 
 paid for in full and either not called for by the purchaser or delivered upon his or her order by 
 noon of the day following that of the sale will be turned over by the Association to some carter 
 to be carried to and stored in some warehouse until the time of the delivery therefrom to the 
 purchaser, and the cost of such cartage and storage will be charged against the purchaser and 
 the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. 
 
 Note: The limited space of the Delivery Rooms of the Association makes the above require- 
 ments necessary, and it is not alone for the benefit of the Association, but also for that of its pa- 
 trons, whose goods otherwise would have to be so crowded as to be subject to damage and loss. 
 
 7. Shipping. Boxing or wrapping of purchases is a business in which the Association is in 
 no wise engaged, and will not be performed by the Association for purchasers. The Association 
 will, however, afford to purchasers every facility for employing at current and reasonable 
 rates carriers and packers; doing so, however, without any assumption of responsibility on its 
 part for the acts and charges of the parties engaged for such service. 
 
 8. Guaranty. The Association exercises great care to catalogue every lot correctly and 
 endeavors therein and also at the actual time of sale to point out any error, defect or imperfec- 
 tion, but guaranty is not made either by the owner or the Association of the correctness of 
 the description, genuineness, authenticity or conditicn of any lot and no sale will be set aside 
 on account of any incorrectness, error of cataloguing or imperfection not noted or pointed 
 out. Every lot is sold “as is” and without recourse. 
 
 Every lot is on public exhibition one or more days prior to its sale, and the Association will 
 give consideration to the opinion of any trustworthy expert to the effect that any lot has been 
 incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make 
 mention of the opinion of such expert, who thereby will become responsible for such damage 
 as might result were his opinion without foundation. 
 
 9. Buying on Order. Buying or bidding by the Association for responsible parties on 
 orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without 
 charge or commission. Any purchases so made will be subject to the foregoing conditions of 
 sale except that in the event of purchases consisting of one or more books for one who has not 
 himself or through his agent been personally at the exhibition or sale, any book may be re- 
 turned within ten days of the date of sale and will be refunded the purchase money therefor, 
 if the book in any material manner differs from its catalogue description. 
 
 Orders for execution by the Association should be written and given with such plainness as 
 to leave no room for misunderstanding. Not only should the lot number be given, but also the 
 title, and bids should be stated to be so much for the lot, and when the lot consists of one or 
 more volumes of books or objects of art, the bid per volume or piece should also be stated. If 
 the one transmitting the order is unknown to the Association, a deposit should be sent or 
 reference submitted. Shipping directions should also be given. 
 
 Priced copies of the catalogue of any sale or any session thereof, will be furnished by the 
 Association at charges commensurate with the duties involved in copying the necessary 
 information from the records of the Association. 
 
 AMERICAN ART ASSOCIATION 
 American Art Galleries 
 Madison Square South 
 New York City 
 
At THE AMERICAN ART GALLERIES 
 MADISON SQUARE SOUTH, NEW YORK 
 
 UNRESTRICTED PUBLIC SALE OF THE FAMOUS 
 WILLIAM C. VAN ANTWERP COLLECTION 
 OF EARLY PRINTED BOOKS, ILLUMINATED MANUSCRIPTS 
 ROYAL DOCUMENTS, AND REFERENCE BOOKS 
 TO BE SOLD BY ORDER OF MR. VAN ANTWERP 
 
 ON MONDAY EVENING, MAY Ist, AT 8:15 O’*}CLOCK 
 
 Revi/s ed 
 O-K, WILLIAM CAXTON 
 WESTMINSTER, Circa 1475-1478 
 
 FWS50\001. CHAUCER (GEOFFREY). THe CANTERBURY TALES. 
 
 Small folio, full brown crushed French levant morocco, lettered in 
 gilt on front and back, with L. W. Hodson’s initials within gilt 
 ornament in center of front cover, BY D. COCKERELL, 1900. 
 
 [See Illustration on second page following] 
 
 First EDITION. 
 
 COLLATION: Type 2; fragment of 65 leaves, 29 lines; 236 by 185 mm. 
 
 ConpiTIon: Three leaves are defective. 
 
 REFERENCES: Blades, No. 9; Hain, No. 4921; Copinger, Vol. I, p. 154; 
 Ames-D1ibdin, Vol. I, pp. 291-295; De Ricct, No. 22. 
 
 Corres LocaTep: No perfect copy of Caxton’s first edition of the Can- 
 terbury Tales exists, although the British Museum copy, which was James 
 West’s and afterward King George's, lacks only the blanks. The Oxford 
 (Merton College) copy has been made complete with leaves from the Spencer 
 copy. 
 
 This is the copy listed by De Ricci as No. 22 under item No. 22 (page 27), 
 as formerly owned by L. W. Hodson of Compton Hall, Wolverhampton, and 
 comprises the following portion of the work: 
 
 The Second Nonnes Tale, 
 
 The Tales of the Canon’s Yeoman, 
 The Doctor of Physick’s Tale, 
 The Pardoner’s Tale, 
 
 The Ryme of Sir Topaz, 
 
 The Prioresse’s Tale, and 
 Chawcer’s Tale 
 
THE 
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 / 
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 ' 
 
 WILLIAM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 WILLIAM CAXTON 
 WESTMINSTER, JULY 2, 1482 
 
 1700\002. HIGDEN (RANULPH). Potycuronicon. [A .] Prohemye | Grete 
 
 : 
 ’ 
 
 3400\003. G 
 
 thankynges lawde & honoure we merytoryous- |ly ben bounde to 
 yelde and offre vnto wryters of hys- |toryes, whiche gretely haue 
 prouffyted oure mortal |lyf . .. |[449% Colophon.] . . . Ended the 
 second day of Iuyll the xxii yere of |the regne of kynge Edward the 
 fourth & of the Incarnacion of |oure lord a thousand four honderd 
 foure score and tweyne, |Fynysshed per Caxton. 
 
 Folio, full brown crushed levant morocco, blind tooled, gilt letter- 
 
 ing, BY WALTERS. In full claret crushed French levant morocco 
 solander case. 
 
 First Epition of John of Trevisa’s English translation of Higden’s Poly- 
 chronicon. 
 
 COLLATION: Type 4; 303 leaves, 40 lines; 277 by 205 mm. 
 
 ConpDlITION: Of the 450 original leaves this copy contains 301 genuine leaves 
 and facsimiles of the first leaf of Prohemye and of the last leaf with colophon. 
 The missing leaves, exclusive of the two facsimile leaves, comprise the first 
 blank leaf, folios 3 to 77 (including 2 blank leaves), folios 4 and 5 of signature 
 20; folio 5 of signature 23; folio 8 of signature 26; folio 2 of signature 28 bis 
 (blank leaf); folio 1 of signature 29; folios 3 and 4 of signature 41; folio 7 
 of signature 45, the last 58 leaves of text and the final blank leaf. 7 leaves 
 have entire lower margin restored, a few other margins repaired, and a number 
 of corners strengthened. 
 
 REFERENCES: Blades, No. 46; Proctor, No. 9645; Hain, No. 8659; Cop- 
 inger, Vol. I, p. 259; Ames-Dibdin, Vol. I, pp. 138-152; De Ricct, No. 49. 
 
 Corres LocaTep: Of the recorded copies of the Polychronicon listed by 
 De Ricci, only three are perfect, three have been made perfect by adding 
 leaves from other copies, and two lack only some of the blank leaves. Of 
 these eight copies; only one is in a private collection. 
 
 The present is the Walter T. Wallace copy, formerly from the Henry W. Poor 
 library, and containing many annotations in a Sixteenth Century hand. 
 
 Higden, a monk of Chester, originally compiled the Polychronicon in Latin. 
 It was translated into English by John of Trevisa. That part of the history 
 which covers the years from 1387 to 1460 and forms the eighth and last book 
 was compiled by Caxton himself and constitutes his Most IMPORTANT CON- 
 TRIBUTION TO ENGLISH LITERATURE. 
 
 WILLIAM CAXTON 
 WESTMINSTER, SEPTEMBER 2, 1483 
 
 OWER (JOHN). Conressio AMANTIS. [2%.] This book is 
 intituled confes- |sio amantis, that is to saye |in englysshe the con- 
 fessyon of |the louer maad and compyled by |Iohan Gower squyer 
 borne in Wayls. . . [221».] Enprynted at westmestre by me | 
 willyam Caxton and fynysshed the ii |day of Septembre the fyrst 
 yere of the |regne of Kyng Richard the thyrd, the |yere of our 
 lord a thousand, CCCC, |Ixxxxiii |[error for 1483.] 
 
 [ Continued 
 
But atic ay in ply us faidy Be 
 (Muvely fardy He & Giah god) afoue 
 PoE Wo! FT araunte fo & pour Loue 
 Spw J fe pou fo préouflp complepne 
 Boke Whe wp fro Enalondy to Britatrane 
 Pe vemene ab the wckis (oon & foo 
 Tha€ they ne Kotte Bap me Boot fo goo 
 J fap Thay pe Bruce mare thre cofte fo clene 
 OF wockis thé the 18 no toon J feen, 
 Thay Wol 4 loue pou Kfé of onp may 
 Iaue frre mp trout mn al EBa€ ever J cay 
 Kor J Woot hat cé Hal neuer Képr 
 Bet fue folpe out of pour Krée a (Cpr 
 Mohaé repre (Bolae a mar fae wt Gio Pyf 
 AForto oo foue anoéGir mamnps Tyf- 
 Ordo ber Bad, Bey fo at Spry Hire 
 Muribus ful fore of te be fikieB 
 
 ob® Eee nore other crace mt pou quod 
 (No Bp txt Lordy Ca€ rare me 
 Wo Ras Muraly Wha be Gre Geroe 
 Md) With a fortbful bree & Cus anfihere 
 Maramre quod he Chis Bere npoffibel 
 Thay mufte J dpe nrforpy wh Soxnbee 
 Mind) WieG Chae Word)-fe uernedy Syry canon 
 Tho corny Bor offer fren nranp oy 
 Qtnd) wt the alepes vomedpy Sp ay wuy 
 Ord 110 Hing Wilepy of hrs conclufioy 
 indy fornly Kocomien veucl neBe 
 Tub Che BrraHe forme loft bie Bebe 
 
 CHAUCER CANTERBURY TALES 
 Exact Facsimile of First Page 
 [No. 1 
 
THe Witutiam C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 3. GOWER (JOHN). Confessio Amantis, 1483.—Continued.| 
 
 Folio, original oak boards with pigskin back, marks of old clasps, 
 leather thongs of the hinges unbroken. 
 
 [See Illustration on opposite page] 
 
 COLLATION: Type 4 and 4*; 217 leaves, 2 columns, 44 and 46 lines with 
 headlines and foliation; 323 by 230 mm 
 
 ConpiT1Ion: The largest copy known. Many of the edges of this book have 
 never been trimmed. Lacks the blank folios 1, 8, 9 and 222, also folio 14 in 
 Prologus, and has folios a, a‘, a>, a® (consisting of table of contents), p', p?, 
 p’, p§, r‘, r®, B4, B®, C2, C3, C4 and C® supplied in facsimile. A number of other 
 leaves repaired. The British Museum copy measures only 302 by 217 mm., the 
 Morgan copy 302 by 214 mm., and the John Rylands copy 295 by 211 mm. 
 
 REFERENCES: Blades, No. 53; Hain, No. 7385; Copinger, Vol. I, p. 234; 
 Ames-Dibdin, Vol. I, pp. 177-185; De Ricci, No. 48; Duff, No. 59. 
 
 Copies LocaTEpD: De Ricci has located 19 copies, none perfect, of which 
 eight copies are in private hands. 
 
 The present copy of this book is a delightful example despite its defects, for in 
 addition to its wide margins it is in the original binding and presents an appear- 
 ance charming to the eye of the antiquary. It affords a fine example of Caxton’s 
 mastery of the art of printing and of the infancy of English bookbinding. 
 
 Inserted are seven vellum leaves of an ancient manuscript that once formed 
 a part of the inner cover, and six fragments still in place as tougheners for 
 the hinges. These manuscript leaves have been pronounced by Dr. Joseph 
 Martini to be portions of a manuscript written in England toward the end 
 of the 13th Century, containing a Latin poem, apparently a Doctrinale similar 
 to that composed by Alexander de Villa Dei in the early Thirteenth Century. 
 
 John Gower, scholar, courtier and friend of Chaucer, belonged to the Gowers 
 of Brabourne, Kent. We do not know when he was born, but he was mar- 
 ried in 1397, and died in 1408. His biographers fix the date of his birth at 
 1330. He is buried in the nave at St. Saviour’s, Southwark,—the church con- 
 nected with the priory in which he lived for many years. The effigy shows 
 the poet reclining, his head pillowed on the three folio volumes which were 
 his contributions to literature,—Speculum Meditantis (written in French), 
 Vox Clamantis (in Latin) and Confessio Amantis (in English). Chaucer and 
 Gower were friends, each paying compliment to the other in his pages. When 
 Chaucer went to Italy in 1378, he left Gower as one of his “attornies.” Their 
 subsequent estrangement had its origin in Gower’s opposition to Richard II. 
 and Chaucer’s loyalty to that king, to whose kindness Chaucer owed a lucra- 
 tive employment. For two centuries Gower’s reputation in literature was 
 held equal to that of Chaucer. 
 
 Confessto Amantis was written by Gower at the command of the King, who, 
 while entertaining the poet as his guest on his barge, enjoined him to write 
 “some new thing.” This poem of 30,000 lines was accordingly completed in 
 1390 and dedicated to the King. Subsequently that dedication was removed 
 and one to Lancaster, the future Henry IV, substituted, a fact which throws 
 light on Gower’s political foresight and on the forbearance of the King whose 
 reign was even then heading toward revolution. 
 
 The prologue is written in a spirit of intense pessimism born of Gower’s 
 discontent with the tendencies of his day. The times are out of joint; the 
 church is corrupt; professions and trades are dishonest; strife and discord 
 reign in all classes of society. Through this gloomy portal the poet escapes 
 into more ideal conditions by resorting to the Muse. He gives us no less than 
 I12 stories in narrative poetry of octosyllabic metre, mostly from classical 
 mythology, Scripture and medieval legend, although two ecclesiastical his- 
 tories are included. 
 
 The Confessio Amantis is entitled to these special distinctions: it was one of 
 the first poems written in the English language, and it was the first English 
 poem to be translated into other languages, notably into Spanish and Portu- 
 guese. : 
 
Uturatus amoz nature Cogiby 
 ork. SuBGdit ¢ Bnanimes co 
 —atateffe feras / uius ent 
 MuUuNDt prncps amoze effe Dixetur / 
 Cuius eget dines pauper ef omnts o 4 
 peo / Sunt mn agonc pates amor ¢& foz 
 funagy waa/DleBis ad infidiacs Weht 
 Derg votae/Eft amoz cara (alus Ko 
 ata quics pius error /AGcim yay Due 
 nus duller fuaue malurn 
 OfeH 113 Mroblao fractatum 
 Gatenus wiffit qualir Bodis 
 erne COndIdoONIS OiUifio au 
 — Cas Oilectionem fuyrrawuit/ An&ndi€ 
 anchz ad prefens CikRum fur atine 
 note Confeffio Wmanfic nunatpatir 
 coponcre & illo amtoze a quo nox folis 
 Gumanum genus (cd e anc& anima 
 aa naturale (uBiauntur 
 Map not fir che Bs 
 fo p Geuene,Nipy §0d 
 @ (ef al 19) cucne’/T Hire 
 World Which 16 carer: 
 in Balaticr/35t (tat not 
 wy mip (uffpfauc / 
 0 arete BHyndes fo compaffe 
 OBnt Cf mote Cote tf over palfe 
 And treéen Bron other tHynges — 
 Sor thy He (tple of mp Brptpnaes 
 Aw thio map forth Sf Henke chaunae 
 Und fpcBe of Hyng is not fo ferige 
 Whicbe cuerp Rpnde Gath Spon fonts 
 
 WILLIAM CAXTON—PRINTER, WESTMINSTER, 1483 
 GOWER—CONFESSIO AMANTIS 
 Exact Facsimile of First Column of “Liber primus” 
 
 [No. 3] 
 
THe WILLIAM C. Van ANTWERP COLLECTION 
 
 | 
 _ Monday Evening, May 1st 
 / 
 
 WILLIAM CAXTON 
 WESTMINSTER, Circa 1483 
 
 is? 0O0\ 0 0 4. CESSOLIS (JACOBUS DE). THE GAME AND PLAYE OF THE CHESSE. 
 [A’.] The holy appostle and doctour of the peple saynt |Poule sayth 
 in hisepystle. Alle that is yee lis wryten unto our doctryne and 
 for our ler- |nyng . . . [84?.] . Thenne late euery man of what 
 |condycion he be that redyth or herith this litel book reede. |take 
 therby ensaumple to amende hym. |Explicit per Caxton. 
 Small folio, full old calf, neatly and skilfully rebacked and re- 
 paired at corners. In full brown crushed French levant morocco 
 solander case, lettered on back, BY RIVIERE. 
 
 [See Illustration on opposite page] 
 
 Seconp EpiTion. The first edition was printed at Bruges about 1475. 
 
 COLLATION: Type 2*; 83 leaves, 29 lines; 268 by 184 mm. 
 
 ILLUSTRATIONS: 24 woodcuts in text, the first of which is that of the son 
 of Nebuchadnezzar, named “enylmewdach,” described in the text as a “Jolye 
 man without Justyse and so cruel that he did do hewe his faders body in thre 
 hondred pieces and gaf hit to ete and deuoure to thre hondred byrdes that 
 men calle voultres.” 
 
 CONDITION: This copy is almost perfect, lacking only the blank leaf at 
 beginning and having leaf H* in facsimile; some leaves with small worm-holes; 
 few margins stained. 
 
 REFERENCES: Blades, No. 34; Hain, No. 4901; Copinger, He oe 152- 
 153; Ames-Dibdin, Vol. I, pp. 36-52; De Ricct, No. 18; Duff, N 
 
 COPIES LocaTED: Of the 1 3 copies located by De Ricci, only 2 re etfs 
 and only 6 are in private hands. 
 
 This copy is from the Earl FitzWilliam collection, with his book-label, “Mil- 
 ton. Petersborough.” 
 
 Tall and crisp copy, probably the last copy in as perfect condition as the 
 present which is likely to come into the American auction market. Blades 
 classifies this edition as rarer than the First. 
 
 WILLIAM CAXTON 
 WESTMINSTER, JUNE 22, 1490 
 
 i, 900 pees VIRGIL. Enrypos. [A] After dyuerse werkes made, translated 
 and achieued, ha | uyng noo werke in hande. I sittyng in my 
 studye where as |laye many dyuerse paunflettis and bookys. hap- 
 pened that |to my hande cam a lytyl booke in frenshe. . . [853, 
 
 | line 17:] Here fynyssheth the boke y' Eneydos, compyled by 
 
 | Vyr |gyle, whiche hathe be translated oute of latyne in to frenshe, 
 
 | And oute of frenshe reduced in to Englysshe by me Wyll'm 
 Caxton, the xxij. daye of Iuyn. the yere of our lorde. M.iiij |Clxxxx. 
 The fythe yere of the Regne of kynge Henry |the seuenth. [85°.] 
 Caxton’s device. 
 
 [ Continued 
 
Efe fourth trncinée and He alk of Be proareffpor 
 semighis af he forth) ple of Gece 
 The felt cHaypiter of Che fourth tractnte of tHe hoffe Corot 
 
 ? 
 
 y Senere Holl st to maad capitulo DNINO 
 
 1 QZZZ—ZIF 
 V, 
 
 Wee: 
 
 \ 
 \ 
 \ 
 N 
 \ 
 \ 
 \ 
 
 € fue wupfeo aboue Ge Gpnaes Gal aetevne 
 
 % Guto He formes of Be chffe may and of Heie off 
 ors. Hat 16 fo Bete as Bel of noble mapas of Be compy 
 poeple / Chan Hit agertopneth Bat Be (Boldy wupfe i Borel 
 GoW Hep pifuc and goon out of “Be place Birrathep & 
 (elt « Sind fir(t Be ong Bt to (pee of tHe forme andy of 
 
 He facon of He cfeques after Bat Git eeprefeneth andy 
 
 WILLIAM CAXTON—PRINTER, WESTMINSTER, 1483 
 CESSOLIS—THE GAME OF CHESSE 
 Exact Facsimile of Verso of Signature 16 
 
 [No. 4] 
 
THe WiuutiAMmM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 5. VIRGIL. ENEyYDOS, 1490.—Continued.| 
 
 | Small folio, late 18th Century English binding of red morocco, gilt 
 | edges. In full claret crushed French levant morocco solander 
 case. 
 
 [See illustration on opposite page] 
 
 COLLATION: Type 6; 84 leaves, 31 lines; 253 by 183 mm. 
 
 ConpiTIon: Lacks the two blanks (folios 6 and 86). Folios 1 to 5 (con- 
 taining the table of contents) and folio 85 in facsimile; lower margin of folio 6 
 
 ) skilfully restored the last line on recto of same inserted in exact pen-and-ink 
 facsimile; a few stains. 
 
 REFERENCES: Blades, No. 88; Proctor, No. 9679; Copinger, No. 6159; 
 Ames-Dibdin, Vol. I, pp. 283-290; De Ricc1, No. 96; Duff, No. 77. 
 
 CoprrEs LocaTED: De Ricci locates nineteen copies of which four are perfect, 
 viz., two at Cambridge University and two in the Earl of Dysart's collection. 
 
 From the Library of the Right Honorable George Rose (1782-1873), with his 
 bookplate. 
 
 On folio L3 is the signature, in a 16th Century hand, of John Bryges or 
 Brydges (Probably that of Sir John Brydges, who died in 1556 and was the first 
 Baron Chandos, who, as Lieutenant of the Tower of London, attended Lady 
 ) Jane Grey to the scaffold. He also repressed Wyatt’s rebellion.) Another signa- 
 ture, on folio B1», is that of Nathaniel Hobson. 
 
 Here we have that personal contact with Caxton which his biographers so 
 greatly desire, for in his prologue he sets forth his opinions as to the English 
 language of his day with a delightful frankness not to be found elsewhere: 
 
 “And certaynly our langage now used varyeth ferre from that whiche 
 
 ) was used and spoken whan I was borne. For we englysshe men ben borne 
 ) under the domynacyon of the mone. Whiche is neuer stedfaste, but euer 
 wauerynge, wexynge one season and waneth & dyscreaseth another season. 
 And that comyn englysshe that is spoken in one shyre varyeth from a nother. 
 In so moche that in my dayes happened that certayn marchautes were in a 
 ship in tamyse for to haue sayled ouer the see into zelande, and for lacke of 
 wynde thei taryed atte forlond, and wente to lande for to refreshe them And 
 one of theym named sheffelde a mercer cam in to an hows and axed for mete 
 and specyally he axyd after eggys And the goode wyf answerde. that she coude 
 speke no frenshe. And the marchaut was angry. for he also coude speke no 
 frenshe. but wolde haue hadde egges, and she understode hym not, And 
 thenne at laste a nother sayd that he wolde haue eyren, then the good wyf 
 sayd that she understod hym wel, Loo what sholde a man in thyse dayes now 
 wryte. egges or eyren, certaynly it is harde to playse euery man, by cause 
 of dyuersite & chauge of langage. . . And thus bytwene playn rude, & cu- 
 ryous I stande abasshed. but in my Iudgemente, the comyn termes that be dayli 
 used ben lyghter to be understonde than the olde and aueyent englysshe. . . .” 
 
 WYNKEN DE WORDE 
 Lonpon, May 1502 
 
 / 300\006. CHRONICLES OF ENGLAND. St. ALBANS CHRONICLE. [Aa?.] 
 HEre begynneth a shorte & a breue| table on these Cronycles 
 
 . [169?. Colophon.] Here endeth this present Cronycle of | 
 
 Englonde... . And newely in the yere of|oure lorde god. 
 
 M.CCCCC.ii. Enpry | ted in Flete strete in ye sygne of the 
 
 sofie | By me Wynkyn de Worde. [169. | Caxton device. [171.*] 
 
 [ Continued 
 
 “ 
 
=», ray C mort of alle ara; 
 ip) cx/and to the Stplp&e ¢ oroutie of all the po, 
 
 to enftiuice fale and arete, for eucepely ty bis rpabt/to Kez 
 fe @ Wfenid/ {For a thynae mow noble is fo aN el pla: 
 nouflp to & fuboued/ ae 
 CHolv He rpaht puyflané Bpncte prpamus edpfyed Be 
 Soke Cpte of Troye Capny prima 
 Dy to fove/ operis/and welave the matere of Vehicle 
 al Seve aféce [hall & mar mencpon/ At Refoueth to pre 
 : fuppof that Crope the quete capptall cpée/and ther 
 clentele of atle the epteee of the cotitte ¢ trapor of Ot pe- 
 Lae confteucte and coefpco By the Mahe pupffaut ¢ reno, 
 Med Kyna Orpamus fore of laomedoy aefeend of tharicp 
 mj [tocke of Sarvanne bp manp warece/ Which toas fone 
 of Jubpéer.¢ of Electra his Lopf after the Fyctions pocty: 
 que/ Qind the Fpr{te oxpapniall &apnnpnae of He cgenealo 
 ee of Bpnaes , Wd the fapo CT woye loas enuproriued ty 
 Fournte of fieaejand of eecidpor ® Raametion Kpnete 
 ree Seother of merclans/tohiche Das Gufonee 6 elapie 
 w } 
 
 WILLIAM CAXTON—PRINTER, WESTMINSTER, 1490 
 VIRGIL—ENEYDOS 
 Exact Facsimile of First Page of Text, Recto of Signature Bi 
 [ No. 5] 
 
Toe Witutiam C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 6. CHRONICLES OF ENGLAND. ST. ALBANS CHRONICLE.—Coniinued.| 
 
 Here foloWeth a lytell treatyse the Which treeateh of the descryp | 
 cyon of this londe Whiche of olde tyme Was named. Albyon. 
 And | after Brytayne . . . [191?.. Second Colophon.] Fynsshed 
 & enprynted in Flete strete | in the syne of the sonne by me 
 wynkyn de | worde, the yere of our lorde a.M.CCC | CC. and ii. 
 mensis Mayus. [191°. | Caxton device. 
 
 Small folio, original blind-tooled leather over oak boards with parts 
 of the two old metal clasps, binding rebacked and much wormed; 
 end-papers from the Machlina Edition of 1484, of which but one 
 copy (the Althorp) is known. Enclosed in full claret crushed 
 French levant morocco solander case. 
 
 [See Illustration on opposite page] 
 
 CoLLATION: Black Letter; 190 leaves, two-columns, 47 lines and headlines; 
 282 by 197 mm. 
 
 ILLUSTRATIONS: Large woodcut view of London, three smaller woodcuts 
 and eleven diagrams in the text: device of Caxton on two pages. 
 
 ConpiT10on: Lacks the first blank leaf and the blank leaf 170; the final 
 blank leaf is present but defective. One leaf torn in margin and a few worm- 
 holes, but otherwise in good condition. With notes in an old hand on fly- 
 leaves and on many margins. 
 
 ’ Copies LocaTEp: THis Book Is ExcESSIVELY RARE. We can trace but 
 one perfect copy, that in the British Museum, and one imperfect copy which 
 was sold at auction in London in 1897; otherwise the auction records are silent. 
 
 The present copy is rich in association interest, for in addition to the names 
 of several early owners the manuscript notes in same show that it was once the 
 property of Peter Le Neve (1661-1729); later Norroy King-at-arms, the famous 
 antiquary of Norfolk, who has written on the fly-leaf: 
 
 “This book 1s called the 
 
 book of St. Albans 
 
 printed by Winken de 
 
 Worde A D 1502 
 
 and this 1s a very scarce book 
 and given to me Peter Le Neve 
 Norroy by my good friend 
 Wiliam Fellowes Esq one 
 
 of the masters in the chancery 
 this present year 1710. 
 Witness my hand 
 
 Peter Le Neve. 
 Norroy.” 
 
 On the following leaf he has written: “J have another edition of this book printed 
 by Wynkende de Wurd 1515 but impfect.” 
 
 Le Neve was President of the Antiquarian Society of London for thirty-seven 
 years. He wasalsoa fellow of the Royal Society. An antiquarian of abnormal 
 zeal and an indefatigable collector, his calendars, diaries and notes form 
 valuable contributions to the collections in the British Museum, the Bod- 
 leian Library, the Herald’s College, and in the archaeological societies of 
 Great Britain. His executor, “Honest Tom Martin” succeeded to the bulk of 
 Le Neve’s collections and finally dispersed the library and manuscripts at the 
 Bedford Coffee House, Covent Garden, February, 1730. 
 
 With bookplate of Right Honble. Charles Viscount Bruce of Ampthill, 1712. 
 
 At the end of the year 1500, de Worde gave up the house of his former master, 
 Caxton, at Westminster and removed to Fleet Street, where, at the Sign of the 
 
 [ Continued 
 
[9 “ON] 
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 MGBAI wu) uv GSn0) v svay uvwi s1qD, 
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 Sum ined si)°a1ad‘nq'simd 13) 
 
 Jv adod sem upniuag v snug 
 
Toe WiutuiIAM C. Van ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 [No. 6. CHRONICLES OF ENGLAND. ST. ALBANS CHRONICLE.—Continued | 
 
 Sun, he occupied two houses close to St. Bride’s Church. The following year 
 was spent in preparing the new printing office, and hence this edition of The 
 Chronicles (May, 1502) was one of the first productions of his new press. The 
 new type closely resembles Caxton’s founts, several letters being identical. 
 The spirit of enterprise which made Wynkyn a rich and a prolific printer is here 
 evidenced by his excellent method of registering the signatures of the quires of 
 which the book is made up, and of calling the reader’s attention to it. “Ye 
 must understande,” he says at the introduction to the Tabula, “that euery leef 
 of the a bc is marked in the margyne undernethe i. and. ii. and. iii. and so forth 
 to. vi. all the letters vnto the bokes ende.” Wynkyn’s enterprise is again mani- 
 fested in his cut of London, the first engraved representation of the city. It is 
 really a cut of the Tower, and a poor one at that, but it shows Wynkyn’s zeal 
 in a new field. 
 
 JOHANN MENTELIN 
 StrAssBuRG, Nor Arrer 1466 
 
 G450\007. THOMAS AQUINAS. SumMA, SECUNDA SECUNDAE PARTIs. [I?. 
 Table.| [Q]uestio pma de vtutibus et vicij isspali . . . [6%. Table 
 ends.] Explicit ordo et signacio questioniéi sedi libri scde | ftis beati 
 thome de aquino bfdictus dee’. Amen. [7 blank. 8 Text begins.| 
 [P]Ost smiiez consideracoez |de virtutibus . . . [245 col. I, Text 
 ends.] est super omia deus benedictus in secula Amen. | 
 
 Folio, original pigskin over heavy boards, with metal clasps, bosses, 
 corner pieces and stands, all in fine condition, marks in top of back 
 cover where chains were originally attached, rebacked with original 
 back preserved, end-papers from an old vellum manuscript. 
 
 | [See Illustration on opposite page] 
 
 First EDITION. 
 
 COLLATION: 246 leaves, of which 2 are blank, 2 columns, 59 lines; 388 by 280 
 mm. Two to seven-line spaces for capitals. 
 
 ILLUSTRATIONS: Large initial letter at beginning of text painted in by hand 
 in colors with elaborate marginal decoration, several other smaller capitals 
 similarly painted; other capitals, page headings, foliation, paragraph marks and 
 rubrics supplied in red or blue. 
 
 CONDITION: Practically a perfect copy, lacking only one blank leaf. Folio 189 
 (182 according to usual collation) was cancelled and cut away in all copies by 
 the printer. The blank leaf at end of text and one of the blanks at end of table 
 are present. 
 The Table consisting of 6 leaves and 1 blank, which is usually bound at the 
 ) end, is placed at the beginning of this copy. 
 ) The rubricator has signed his name in two places (the last following table) 
 which is cut to stub, a most unusual occurrence, asking the reader to pray for 
 him: “7. H. S. M. Fraciscus. Orate pro illum—uinatoré amoe ih i.” (See bot- 
 tom of last leaf of Tabula and top of last leaf of text.) This was undoubtedly 
 Magister Franciscus, who was Gutenberg’s and Schoeffer’s corrector, rubricator 
 and reader at Mainz, and who, after Mainz was sacked in 1462, accompanied his 
 fellows to Strassburg, where this book was printed, probably in the following 
 year. This autograph signature of one of that little group of pioneer printers is 
 indeed a rarity. 
 
 REFERENCES: Hain, No. 1454; Copinger, Vol. I, p. 38; Proctor, No. 199; 
 Pellechet, No. 1045; Catalogue of Books Printed in the X Vth Century now in the 
 British Museum, Part I, pp. 51-52. 
 
 ' OTHER Coptzs: The British Museum copy, has two missing leaves supplied from 
 another copy, wants all the blanks and has the table at the end of the book.. 
 Winship lists only one copy in America. [ Continued 
 
ueftio-clexxviy-de bps g opetiie religioh 
 
 tz liceat ets docé pdicare et alia b? Facd, 
 
 Vty liceat cis de negocys feclaribs fe intromie 
 YVerum teneancur manibus yyrijs operari 
 
 Carin <8: 
 
 Merum liceat cis ve elemofinis vinere €€. EK 9 F 
 Yetrum liceat eis gle aR IRR PR Y Y fF. 
 Ycrum liceae eis veftamenta cetis viliozs deferre ‘ Ss . 
 
 uefcio-elxxxvn] de differencia religionis C ask - 
 Ov fine dinerfe religides uel vna tanta §. 
 ¥ cy aliqua Higno infrieui poMie ad bella génda : 
 
 Vex alig fligio infrieut poffic ad opa vite acti 
 Verdi aliqua infrreuit pofhie ad predicandum ec 
 buinfinods opera exercenda : 
 Yerum alig religro police infetent ad feudin fei 
 trum religio § odinaé ad oréplacind fie porior 
 ea que oxdinatur ad vitam actiuam 
 V-ep habé aligp i oitt vimiuat ve pFecese Higisi DC ppp iH ent >. 
 Yerum religio folicariog fie pferenda religions | i 
 in focietace vinencium 5 
 ueftiordyexxixede ingreffu religionis XKY sl. 
 crm illi qui fie exercitati in obfernd $. 
 ¢ia preceprozum debeant religionem ingredi 
 
 Vey liceac dgs voro obligare ad rigisis ingii ; a 
 Yerum uli qu voro obligancur ad reh gions CL xxx) iD: 
 &. 
 
 tngreffum ceneantur vorum implere 
 Ven ili § vouée religide; incre tencant ibi ype: 
 
 Vey prem fit reciprédi t religid; g tuo rmané . 
 trum gpeer parentum obfcquid dqur ean iC Gar z 
 recrabi a religionts ingreffiu gto os 
 Verum prefpireri curaci ul arcdoidpaconi poffiie 3 
 ad religionem tranfire 
 V ty ve vna religione poffie aligs evafire ad alia J 
 Ver aligs Xat alios mducé ad Fligidisingreff XEON &. 
 Verrum requrratur magna deliberacio cit ofan. De 
 wineis ct amicis ad religionis ingrcffum. 
 Explicic ordo et fignacio queftionia fcdi libza [ede 
 16 beat: thome de aquino brdictus 7. Armen 
 
 {los “ RES RKCS CVS & 
 Cute 
 
 4 
 
 p20 aumimatorw pone he 
 
 JOHANN MENTELIN—PRINTER, STRASSBURG, PRIOR TO 1466 
 THOMAS AQUINAS—SUMMA 
 Exact Facsimile of lower three-quarter column of end of table. Leaf 6. 
 [No. 7] 
 
Toe WILLIAM C. VAN ANTWERP COunODo 
 | 
 | Monday Evening, May 1st 
 
 THOMAS AQUINAS. Summa, Secunda.—Continued| 
 
 The present copy came from the ancient Franciscan Convent of Duren, and 
 bears its library mark. 
 
 This is the first edition of this work, and the second book printed by Mentelin. 
 Printed, possibly within ten years after the invention of the art of printing, it 
 possesses peculiar interest to collectors of incunabula, especially because of the 
 signature of its rubricator. 
 
 The Catalogue of Early German Books in the Library of C. Fairfax Murray 
 says: “His [Mentelin’s] Bzblza Latina was printed not after 1461, while the 
 Thomas Aquinas was printed not after 1463.” This ascription is doubtless 
 correct, for a manuscript note in the copy of the Suma, by Thomas Aquinas at 
 Schelestadt in Alsace states that the book was bought from Mentelin himself in 
 the year 1463. (See Pellechet, 1045.) The British Museum Catalogue, however, 
 gives date as “Not after 1466.” 
 
 Mentelin is said to have printed as early as 1458, but his earliest known book, 
 the Biblia Latina, was probably printed in 1460 or 1461. Only four books from 
 his press bear a printed date, viz.: Speculum Historiale, 1473; Speculum Morale, 
 1476; Parswal, 1477; and Titurel, 1477. He died in 1478 and his business was 
 continued by his son-in- law, Adolf Rusch, the celebrated “R-printer.” Another 
 son-in-law, Martin Schott, was also a printer at Strassburg. 
 
 This copy throws an interesting light on the methods employed by this 
 pioneer printer, and the resources of his workshop. The pin-holes which occa- 
 sionally appear in the sheets show how the paper was kept in position when 
 applied to the type. Mentelin’s practice improved so rapidly that by 1466 he 
 used but two pins, while in 1473 he abandoned them altogether. Again, as 
 galley-proofs were unknown in his day, each page was set up by itself, showing 
 that the compass of his press was no larger than an ordinary leaf of text; indeed 
 it was not until 1470 that sufficient skill was attained to print two pages 
 at a single “pull.” Now as the copy for each press was set up separately, the 
 printer was ever confronted with the problem of making the end of each 
 section of copy coincide with the end of a quire. This seldom happened, 
 so recourse was had to various expedients such as increasing or diminishing 
 the number of printed lines to a leaf, or the addition or subtraction of sheets in 
 the penultimate quire. In this book, the second from his press, Mentelin 
 found himself confronted with an entire blank leaf resulting from one of these 
 quire contractions. He therefore cut the blank away and laconically explains 
 it (folio 182) by printing a notice: “Hic nullus est defectus.” 
 
 PETER SCHOEFFER 
 Mainz, SEPTEMBER 7, 1470 
 
 700\008. HIERONYMUS. ST. JEROME. Eptstor#. [1a (red).] Intro- - 
 
 : 
 
 ductorid in Epistolare . . . | [black] [O] Mnes christiane religionis 
 homi- |nes . . . [407®. Colophon (red).] . Est aiit pns |opus 
 arte impssoria ‘feliciter siimata p Petri ischoiffer de gernshem 1 
 ciuitate nobili Mogi- |tina . . . Anno domini. Mcccc.lxx. Die 
 
 septima mensis |septébris que ‘fuit vigilia natiuitatis Marie. | 
 
 Da gloriam deo. |[Schoeffer’s device.] 
 
 vols. in one, thick folio, original full blind tooled leather over 
 
 heavy oak boards with metal bosses and clasps intact, many 
 
 margins uncut; leather markers on edges of leaves; binding broken 
 
 at joints with some scratches and worm-holes. The lining for the 
 [ Continued 
 
weet ut noltris scordetvitima primis. 
 
 t wcus ilh qua &dit ftud prinapiare. 
 t qua fimre dedit ipfu-ht decus ill. 
 
 Cit decus eccie-pugils cot {eripta tenere. 
 
 . Di quubp ntendas. dt wceus ecelehe. 
 
 itur Dopbrony Euleby Jerommi Orthodoz 
 x1.Ecclehe xprgpugnatons clariffmmd iter Je- 
 rommanus aut hmaws gd etipe vim Liber 
 eplaris exphiat-ut vig mtas nomis Jerommi- 
 mE€gregtoviro Joly Andree pmaneat. qu 
 yapm sclo teuotioms ergaviru fanctu affez 
 ctus-tpe prifco vulgaut m orke-€ ft aiit ps 
 opus aree impfloza feltater ofimats p Petru 
 {clwiffer we gernPiem i auitate nob Mogu- 
 fna-Ciuus nobiltan vir brs Jerommus fert- 
 kes ad Ageruna & monogama teltiniomt pz 
 
 bitet fempitnt-mulas miltbs meolar eaifde 
 
 m cccia p fide aatholicafangne gprio laureanl. 
 
 Lume laudatoz-reddit mogunaavicem. 
 
 ‘Cot fuaferipta paras vibus ecelefe. 
 
 Annotomim.Q).ccce-Ixx- Die fepama menfis 
 
 feptebris que hnewigilta natintane A\arie. 
 Da gloriam xo, 
 
 PETER SCHOEFFER—PRINTER, MAIN Z, 1470 
 ST. JEROME—EPISTOLE 
 Exact Facsimile of entire column containing colophon 
 
 [No. 8] 
 
THe WILLIAM C. Van ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 [No. 8. HigzRONYMUS. ST. JEROME. Epistolae.—Continued|] 
 
 back cover is a vellum leaf of printed text corresponding to the 
 verso of leaf 320 with very slight typographical differences. The 
 binding shows early repairs with leather of contemporary period 
 and later lettering. 
 
 [See Illustration on preceding page] 
 
 COLLATION: Type 5; 408 leaves (Vol. I, 198 leaves; Vol. II, 210 leaves) 
 2 columns, 56 lines; 476 by 333 mm. Printed in black with red rubrics. Two- 
 to eight-line spaces left for capitals. Four pin-holes. 
 
 ILLUSTRATIONS: Capital and paragraph marks are supplied by hand in red 
 and blue, larger initial letters with scroll fillings in purple ink extended into 
 arabesques in many margins. 
 
 CONDITION: COMPLETE Copy WITH THREE ORIGINAL BLANK FLy- LEAVES, 
 CLEAN AND IN SPLENDID CONDITION outside of a few worm-holes. 
 
 REFERENCES: Hain, No. 8554; Proctor, No. 92; Catalogue of Books Printed 
 in the X Vth Century now in the British Museum, Part I, pp. 26-27. 
 
 Corres LocATED: Two copies in the British Museum, one a perfect copy 
 which formerly belonged to King George III, and the other an imperfect copy on 
 vellum. Winship lasts two vellum copies in the United States, but does not say 
 whether they are perfect or not; he also lists one copy of Vol. 2 on paper. The 
 present copy contains an inscription of the Library of the Monastery of St. 
 Matthew the Apostle, at Mainz, and a later note of E[dward] C[raven] Hawtrey 
 (1789-1862) who states that he bought the volume from Lepard for £6. Dr. 
 Hawtrey was head-master and afterward provost at Eton College. “As a book- 
 collector he showed consummate taste. He is said to have spent £40,000 on his 
 library.”—Dictionary of National Biography. 
 
 This appears to be an earlier issue than the British Museum copy, which 
 belonged to King George III. In that copy the last few lines on leaf 2278, 
 originally blank, have been filled in by a later marginal impression; in the present 
 copy they remain blank. This is also a much larger copy, the leaves being 15 
 mm. taller and 26 mm. wider than in the King George copy. 
 
 The vellum leaf used as back lining paper in the present volume is evidently 
 of the same issue as the second copy in the British Museum which is also printed 
 on vellum and which differs slightly from the edition on paper, showing that the 
 work was reprinted, although the colophon date is the same for both issues. 
 
 Early in the year 1470 Schoeffer issued an advertisement announcing the 
 publication of this book by Michaelmas; a copy of this notice is in the British 
 Museum. It was published by Schoeffer to forestall the St. Jerome of his rival 
 Mentelin. 
 
 The name of Schoeffer, who printed this beautiful volume, is forever linked 
 with that of Gutenberg and Fust as inventors of the art of printing in that 
 famous shrine of bibliophiles—the Shuster Gasse, on the Place of the Franciscans 
 at Mainz. Schoeffer puts the matter very modestly and very clearly in the 
 dedication to Emperor Maximilian in his Livy of 1505: 
 
 “May your Majesty deign to accept this book, which was printed at 
 Mayence, the town in which the admirable art of typography was invented, 
 in the year 1450, by John Gutenberg, and afterward brought to perfection 
 at the expense, and by the labor of John Fust and Peter Schoeffer.” 
 
 It was Schoeffer who presented a copy of his St. Jerome to the Church of 
 St. Victor at Paris to secure an annual mass for his deceased partner, Fust; he 
 also founded another anniversary mass for both Fust and his wife, Margaret, 
 at the Church of the Dominicans at Mainz, which latter mass was also paid 
 for with a copy of the book here described. 
 
Pokent-q Bligow ¢ fH ec. 
 
 $>cn.i cuagetio tn expoit 
 p? Diar vel loquut & filto-1. 
 Signit filu. pat vel Al4 to. 
 quif de fpii nao. i -agfarrat 
 (-(-fili? aurdip-prcma.gign 
 nit ab co- fps audit a pic 
 vel filio.1. mfpirat ab co: et 
 Ib erpoficd vfitacc2 eft op ca 
 9 Brant turtoe cai 
 (cOarlo-paindpalitem nota 
 fur pfonaru Diftindio- imo 
 pnidpalit nec ¢1bi mucnire 
 p? vel pofteri? e€ ola que in 
 trimtate pfenas diftiguut 
 m omtate cenaali¢ meelligu 
 fur e¢ accipitit-vn aug?-no 
 
 eft to aluid ec pfond et a: 
 
 [ud ce Baz.at B nome plos 
 na editu fit ad notaou cif 
 cions pfonan-¢[gitcernet 
 D1ROO HP NO peereret ab co. 
 | He femetipo.tegit i cuage: 
 fio jo. Lu venerit fptis pa: 
 clitus veritatis ille vos dow 
 bit omeim veritaté.no em fo 
 quit a femetiplo § queaigs 
 AUdit loquié: cf g ven-funt 
 anil. vob. ¢f Hiart-i-ineelti 
 ao et icic. tad€ em fili? fcie- 
 haet ginegod habs habet a 
 pic e€ fpus fand? a pie et fi 
 ho-6[ fF aactemi- fepe folct fi 
 fi7fimil e¢ p2i e€ mefo dite 
 pul? pyiineg-1.ai beanlfirc. 
 
 que voluntatem merit i coz0a 
 crerentiu coy coz01b) merit quit 
 eam o1Sin (unt audire liquion ¢ 
 eft dicerc pzem ce audire filin vel 
 econtra fli loquentem 4 audire 
 peem eaufoem nature effepatrem 
 e¢ filtti et m patre et m filio ¢ ¢6- 
 netus 4 comunio [pus fanck gti 
 elt fpus veritatis.et [pus fapien- 
 fic no potelt auoire flit Loquen- 
 tein que nefeit. at keecipm fie qd 
 afertura filio.1-peoceeens seus ve 
 ico [piritus veritatis. gocerens a 
 veritate et cofolatoz manis ve ¢O 
 folateze. cenigy ne quis illtt a paz 
 tris TAily volutate 9 foacrate 01: 
 {cerneret eriptie- no ci a femet- 
 1po loqiteur B fare auoit et log: 
 cur. at himile cta3 oe (emetipo fal 
 Latoe loquitur fiat audio et toi 
 co-et alibi.no potelt a (e filtus fa 
 cere quaccp mf quod vierit pa: 
 rem saan &) € p. 
 
 deo > RTCA 
 
 HENRY EGGESTEIN—PRINTER, STRASSBURG, 1471 
 
 GRATIANUS—DECRETUM 
 
 Exact Facsimile of full text above red colophon, last page 
 
 [No. 9] 
 
THE 
 
 WILLIAM. C. Van ANTWERP COLD BCT LOn 
 
 Monday Evening, May 1st 
 
 700\009. G 
 
 T 
 
 HENRY EGGESTEIN 
 STRASSBURG, 1471 
 RATIANUS. DeEcrRETuUM. [I?. Commentary.] [Q] Vonia nouis 
 
 supuenientil causis nouis est remedijs succurré-| di. Idcirco 
 ego bartholomeus brixiensis afidens de magnifice- | cia creator- 
 
 is apparatii decretoru duxiin melius reformadai . . . [Text (inred).| 
 In nomine sancte et indiuidue |trinitatis. Incipit concordia . . . 
 [459», column 1. Colophon (in red).] . . . Per venerabilem viri 
 
 Heinricu Eggesteyn. artiii libe- |ralii magistrum ciuem inclite 
 ciuitatis Argentin. Anno diii. |M°.cccc®.1xxj°. 
 
 hick folio, original oak boards rebacked with morocco and with 
 the original blind stamped leather sides preserved within a new 
 morocco border, with the arms of the Right Honorable Thomas 
 Grenville in gilt in center of sides, newly stamped; the original 
 stitching intact and many leaves uncut. 
 
 [See Illustration on preceding and following pages] 
 
 First EDITION. 
 
 COLLATION: 459 leaves, 2 columns, 81 lines of commentary surrounding the 
 text; 475 by 335 mm. One- to nine-line spaces in the text and two- and three- 
 line spaces in the commentary left for capitals. 
 
 ILLUSTRATIONS: With miniature of a knight in armor painted in colors and 
 burnished gold at beginning of text; Initial letter in burnished gold and colors 
 enclosing a crest, and border in gold and colors surrounding the first column of 
 text. Hand-painted initial letters at beginning of each section; smaller capitals, 
 paragraph marks and page headings supplied in red or blue, rubrics written in 
 by hand in red. 
 
 CONDITION: COMPLETE, AND IN FINE CONDITION THROUGHOUT. ; 
 
 REFERENCES: Hain, No. 7883; Catalogue of Books Printed in the X Vth 
 Century now tn the British Museum, Part I, pp. 67-68. 
 
 Copies LocaTEpD: British Museum (King George III’s copy); 3 copies in 
 America, all in public libraries. 
 
 This copy after reposing for three centuries in the Monastery of St. Em- 
 meramt at Breslau, came into the possession of the Right Honorable Thomas 
 Grenville whose arms are stamped on the covers. 
 
 BEAUTIFUL Copy OF THE FirsT EDITION AND THE FIRST BOOK PRINTED AT 
 STRASSBURG WITH A DATE. IT Is A MATCHLESS SURVIVAL OF THE PRINTER’S 
 ART OF FouR AND ONE-HALF CENTURIES AGO. 
 
 Heinrich Eggestein, the printer of this book, appears to have begun his work 
 at Strassburg as early as 1466. At any rate a copy of his 45-line Bible with the 
 date May 24, 1466, in a contemporary memorandun,, is in the Royal Library at 
 Munich. This copy of the Gratianus is the first book which he printed bearing 
 a date. His Clemens V. was also published in the same year. From the colo- 
 phon it appears that the Gratsanus was printed with the apparatus of Johannes 
 Semeca and that it was edited by Bartholomaeus Brixiensis. Eggestein pub- 
 lished a second edition in 1472. 
 
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 By ee 
 
 HENRY EGGESTEIN—PRINTER, STRASSBURG, 1471 
 
 GRATIANUS 
 
 DECRETUM 
 
 Reduced Facsimile of First Page 
 
 [No. 9] 
 
 ARBRE 
 
THe Wititi1aAm C. Van ANTWERP COLLECTION 
 | Monday Evening, May 1st 
 ANTONIUS BARTOLOMEI [MISCOMIN]] 
 ) VENICE, JANUARY 22, 1476 
 
 GS 0|\ oro. HIERONYMUS—ST. JEROME. Epistora. [A?®] [QJ]Ihi 
 
 Quidem Fidelissime Papa Laurenti ad scribendii| animus n6 est tam 
 
 cupidus . . . [Folio 150°.] Finis Prime Partiseelise soe 
 Registrum. 154 blank, 155%, Part II begins:| [D]Rius te Cypriae 
 psbyteroruz studiosissime . . . [359°. Colophon.] Elegantissi- 
 
 mas Diui Hieronymi Epistolas; Antonius | Bartolomei Venetiis 
 Feliciter Impssit. M.cccc.Ixx.| vi. Die xxii Mensis Ianuarii. 
 [.Finis. | [360-361 blank, 362-364? Registrum.| 
 
 Folio, early 16th Century binding of plain boards, worm-eaten, 
 leather back, gilt lettered, remains of clasps, backs slightly 
 cracked at joints, cover chipped at edge. 
 
 [See Illustration on opposite page] 
 
 COLLATION: Small gothic type; 364 leaves, 2 columns, 68 lines; 388 by 280 
 mm. Four- to twenty-line spaces left for capitals. 
 
 ILLUSTRATIONS: Large initial letter at the beginning of each part beautifully 
 illuminated in burnished gold and colors, extended into marginal foliate border, 
 and with lower border in similar design containing the crest of Dr. Hartmann 
 Schedel, author of the Niiremburg Chronicle, to whom the volume originally 
 belonged. Other capitals supplied in red or blue, paragraph marks and initial 
 strokes in red. 
 
 CONDITION: Complete text, and three of the four blank leaves; lacking 
 only the blank at the beginning. Very fine copy throughout, aside from a few 
 worm-holes in margins. The quire containing final “Regiostum” slightly 
 shorter, and loose. 
 
 REFERENCES: Hain, No. 8556; Panzer Annal. Typogr., Vol. III, p. 120; 
 Seemuler Incunabula, p. 89. 
 
 Corres LOCATED: One complete copy listed as in America, and a copy of 
 Part II only, in the Library of Congress. There is no copy in the British Museum. 
 
 This copy bears the earliest known example of a book-label, that of Dr. 
 Hartmann Schedel of Niiremberg, author of that great picture-book of the 
 Middle Ages, the WWuremberg Chronicle. The book-plate, in red and green 
 letters, is the handiwork of Dr. Schedel himself, who has painted the date, 1510, 
 on the blank leaf before the tabula, and on the inner back cover. The latter 
 inscription states that the book was given to him in sheets in June, 1510, by 
 the widow of Johan Eysenhut, the famous Viennese printer, for services rendered 
 her by making a list of her husband’s books. Schedel states that he then had 
 the book bound and rubricated at his own expense. On the first leaf of each 
 part is an illumination with scroll border containing Schedel’s crest, the head 
 of a negro. The leaves are numbered in Schedel’s handwriting and many 
 of the pages contain annotations written by him. 
 
 All Dr. Schedel’s books, including this one, passed, after his death in 1514, to 
 the Munich Library. There the book remained, as the inscription by F. A“felius, 
 the librarian, on the inner front cover states, until 1762, when it was sold. 
 The famous Mazarine Bible was sold by the library authorities at the same 
 time. The library stamp is found between the columns on the first and last 
 leaves. 
 
te terras tangés pmanebat integru nec corruptione alt 
 qua niolatu.2d inde elendtes cu odore ta uebemétii 
 mo et fuaut qd talé olfactus bominu nig fenfit collo 
 catiimus in alturl quatenus a populo reliquizx fancufit 
 mz widerétur. Quot at illo die me cuctifgs qui aderat 
 aftantions funt pacta miracula gloriofa explicandi ea 
 nullatéue copos efles Exc fedeci illas reliquiaf tangé 
 tes facie nifus protinus receperut.. Tres papue dxmo 
 niai catbenis uicti ila ecclefias plurtmoxz boius mant 
 bus deportatt funt protius liberan. <@ulierts cuiufda 
 nidux paupculx pucrulus eius ticus filius in ecclefla 
 fait pgétius multitudine fuffocatus ‘qué m2 inueniens 
 dolens et lugés mor in ulnis puerili cadauer ad fouea 
 in qua fepulm fuerat corpus Dicronymi glonoft defe 
 rens ett i fouea protecit bxc uerba dicés Bacte ‘Hiero 
 ny me ‘gloriofe bine nd receda donec reftituas mibi tf 
 cus meu filit qué amufi.<durabilif certe deus i fanctis 
 fuis facég prodigia ifueta ftati ut terra extinctl pueru 
 {i corpus tetigit eidé aia eft cOilicta Quid’ air corpus 
 cirtufds fist fill de fepultura i qua p tridut fteterat ex 
 tractu mog ad fovea lla detulit et tlludin foued fic pro 
 tect quiduyenis fut tlico uitx priftix reftiutus. Pnnu 
 Reabilsa pene forét miracula q pacta {ut a mane ufqs 
 ad nefpas quo che tpi gloriofu. bieronymi cadauer 
 de fouea difepulru ialttart extittt collocat. Ss tamen 
 ad bujufmoi miracula ulterius nd proceda. Onum qd 
 nocte fequeti acciditnd filebo - 
 
 WN bora fiquidé uefptina corpus illd 
 facratifimu i monumeéto gd pparaut 
 mus pofluimuffs mane monumétu 
 uacuu eftiuétum et corpus fancniii 
 mu fouex priftix iuéimus reftitums 
 Nd diego plurima admirarer nocte fequétt mibi dor 
 miéti beatus bierenymus apparés i ulfione pluria mi 
 bi gradia patefecit G3 iter cxtera talia mibi uerba digit 
 Roueris Lyrilte qd corpus met de foues i qua tacet 
 nullatenus extrabetur quoufgs ciuttas bierufalé ab iff 
 delibs capietur: Luo quidé tpre roma delatum thides 
 multo tpre requiefcet: ad bxc expgefactus q'uideram 
 cucts epifcopis et aliis uirts catbolicis enarrant.Qquid 
 etqh bxc enemétzaliternd agnofco Bi quid utile aut 
 bont ibac epiftola dicind meis & gloriofifimt bierdy 
 mu meritis iputetur. Bi quid uero fupfluu iutile et nd 
 
 bont fol: mex ifipiérix et negligétix ca boc accidiffe: 
 
 ab oibs tudicetur <QOet Auguttne cariffime in tuts ora 
 
 tonibus memor efto. 
 
 egantifimas Oiul Hieronymi Eptftolas: Antonius 
 patiels lomet Oenetits Feliciter Fnpilit. aD. ccc. lex. 
 
 Pie xxii menfis Januari. 
 SUT Be 
 
 ANTONIUS BARTOLOMEI—PRINTER, VENICE, 1476 
 HIERONYMUS—EPISTOL# 
 Exact Facsimile of colophon and three-quarter lower part of last column 
 [No. 10] 
 
 o 
 
Toe WILLIAM C. VAN ANTWERP COLE ECTION 
 
 / 
 | Monday Evening, May 1st 
 
 | NICHOLAS JENSON 
 
 VENICE, 1476 
 
 /oooo01. BIBLIASACRA LATINA. [a2.] Incipit epla sacti Hieronymi ad 
 Paulina |pbrz. de oib diuine historie libris . . . [a5.] Incipit liber 
 genesis q dicitur hebrai |ce bresith . . . [Q”, verso. Colophon.| 
 Biblia impressa Uenetijs ope |ra atqz impensa Nicolai len |son 
 Gallici. M.ccce.lxxvj. [R!.] Incipiunt interpretationes he |brai- 
 cori. . . [X’, recto.] Expliciunt interpretatio|nes hebraicori 
 nominfi. |Laus deo. 
 
 Small folio, full old blue straight-grain morocco, blind tooled, with crest 
 and motto of the Stuarts of Mount Stuart, Rothesay, Isle of Bute, 
 stamped in gilt on front cover; gilt gaufred edges with medallion 
 containing the cross and initials Y.W.S. on fore-edge, BY HERING. 
 In full seal-brown crushed morocco solander case. 
 
 CoLLATION: Printed on vellum in small gothic type; 467 leaves, 2 columns, 
 52 lines and headlines; 289 by 203 mm. Two- to fourteen-line spaces left for 
 capitals. 
 
 ILLUSTRATIONS: Miniature of St. Jerome, with elaborate floral border, on 
 first leaf, and a second miniature of a scene in the Garden of Eden, with border 
 in jewel and floral designs on leaf a5, all beautifully illuminated in gold and colors; 
 several initial letters in burnished gold and colors, extending into marginal decor- 
 ation; their capitals supplied alternately in red and blue, with pen-work in col- 
 ored inks extended into margins. 
 
 ConpDITION: The first leaf has been trimmed close to edge of printing of inner 
 column and around the miniature, the outer column of same supplied on a 
 separate piece of vellum in beautiful pen-and-ink facsimile, a part of heading 
 and about half of upper border also supplied, the miniature on inner column 
 also inserted with the text on its reverse in manuscript, the different pieces very 
 skilfully and almost invisibly pieced together. Leaf a* containing the other 
 miniature has been similarly treated, the top and bottom of the jeweled border 
 and the three sections of the floral border, the entire heading and text in outer 
 column all being supplied, the miniature also inserted and the text on its reverse 
 in manuscript. Leaves a3, a‘, a® and a’ were cut into, when the original minia- 
 tures from the other leaves were cut out, and these cuts are repaired on verso 
 of each leaf, with a few letters supplied in facsimile. The manuscript portions 
 supplied are beautifully written, and the joining of the same to the original 
 leaf appears to be work of a contemporary hand. 
 
 The blank leaf [a1] is lacking at the beginning; leaf H!°, originally blank, is 
 cut to stub. The final leaf containing the Register is lacking; this leaf, however, 
 is never found in the vellum copies. Three leaves stained in margins. 
 
 REFERENCES: Hain, No. 3061; Pellechet, No. 2290; Proctor, No. 6696; 
 Copinger, Incunabula Biblica, No. 28; Humphreys, p. 113. 
 
 Corres LocATED: One of seven known copies on vellum of which but two are 
 in private hands. 
 
 The Hoe-Hanrott copy, formerly in the collection of the Stuarts of Mount 
 Stuart, Rothesay, Isle of Bute, whose crest and motto “Nobilis Ira” is stamped 
 in gold on the cover. Sold at the William Stuart sale at Christie’s, March 6, 
 
 5. 
 
 Although Jenson printed at Venice, France properly claims him, for he was 
 born at Sommevoire, near Bar-sur-Arbe. According to a manuscript in the 
 library of the Arsenal at Paris, in October, 1458, Charles VIII. of France, having 
 been informed of Gutenberg’s invention of the art of printing, selected Jenson 
 as his emissary to Mayence with instructions to acquaint himself with the new 
 
 [ Continued 
 
Under the Management of the American Art Association 
 
 Kindly read the Conditions of Sale Printed in forepart of this catalogue 
 
 No. 11. Breita Sacra LATINA, 1476.—Continued] 
 
 eat 
 art. Jenson, himself an engraver of the Royal Mint at Tours, of which he was 
 Master, returned to Paris in 1461 with a complete mastery of the subject, but 
 he found his patron the King, dead, and Louis XI. on the throne. As the new 
 King offered him no encouragement, Jenson determined to carry his new- 
 found knowledge elsewhere; he therefore settled at Venice which, with Paris 
 
 ) and Rome, then shared the literary primacy of Europe. There he began to 
 
 print in 1470, and continued until his death in 1481. 
 
 | Jenson’s workmanship was characterized from the outset by such great and 
 
 ) important advances in the new art that his contemporaries, among them 
 
 Cornazzano and Leonicenus of Ferrara, praised him as “the first of printers.” 
 So great was his repute that Pope Sixtus IV. conferred upon him the honorary 
 title of Count Palatine. “His founts of type,” says Humphreys (History of the 
 Art of Printing, p. 113), “were of exquisite regularity and beauty, carrying the 
 angular letter to the highest perfection of which it is capable.” The same 
 authority, in describing the very Bible here presented, says, “it is printed on the 
 finest vellum, and with ink of the greatest brilliancy, while the extreme regularity 
 both of the setting-up and the impression, is truly marvelous.” E. Gordon Duff 
 (Books Printed on Vellum, p. viii.), says,—“Nicholas Jenson. . . printed 
 editions of the Latin and Italian classics which have never been approached for 
 
 | ‘beauty of typography, and copies printed on vellum have always been eagerly 
 
 sought after.” The British Museum’s Guide to the King’s Library (p. 28), 
 
 says that Jenson’s workmanship “has never been surpassed.” Even though 
 
 ) we include the master craftsmanship of William Morris the fact remains that 
 
 | printing, alone among the arts, was more beautiful in those far-off primitive 
 
 ) 15th Century days than it has ever been since that time. And towering above 
 all his rivals at Mainz, Strassburg, Venice, Paris and Rome, stands the figure 
 
 | of Nicholas Jenson. 
 
 As this book is one of the finest known specimens of the printer’s art, so also 
 its illuminator and rubricator are alike entitled to their share of praise. The 
 miniatures, in gold and colors, are of surpassing beauty; the capitals, of which 
 there are several hundred, are so unusual as to merit critical examination under 
 
 a magnifying glass. 
 
 | ANTOINE VERARD 
 Paris, DECEMBER 7, 1492 
 
 }g00.0012. JOSEPHUS. De La BatTAILLE JUDAIQUE. (1*. Title.] Iosephus 
 
 | de la bataille|[udaique. Imprime nouuellemét a Paris. aaa 
 | [O]Vnom de Dieu tout pussat|a la louege de sa tresglorieu | 
 se mere. . . (225°, col. 2, Colophon.] Cy finist lhystoire De 
 ) losephus |de la bataille Iudaique traslatee Ide latin en francoys en 
 lhonneur |de dieu et de la vierge marie & De |toute la court celle- 
 stielle. Et fut Jacomplie leseptiesme iour de de- |cembre mil OUOLES 
 quatre vigz jet douze: & imprimee aparis pour | Anthoyne verad 
 libraire demeu- |rant sur le pont nostredame . . . [Verard's de- 
 
 vice below.| 
 Folio, 16th Century full red morocco, triple gilt filet borders on 
 sides and around back strip, with the arms of Charles, Cardinal 
 de Bourbon and his small oval stamp of a lily in bloom with the 
 
 [Continued 
 
THe Wituiam C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 12. JosepHus. La Bataille Judaique.—Continued| 
 
 legend “Superat candore et odore,” in gilt on back, gilt edges, 
 small repair in lower front joint. 
 
 [See Illustration on opposite page] 
 
 COLLATION: Printed on vellum, gothic type; 256 leaves (last blank), 2 col- 
 ume lines and foliation; 405 by 275 mm. Two- to four-line spaces left for 
 capitals. 
 
 ILLUSTRATIONS: Three three-quarter page woodcuts within ornamental 
 borders, two other large cuts within borders, 130 smaller cuts and a number 
 of lateral borders, all of the woodcuts and all but two of the borders being 
 beautifully illuminated by hand in gold and colors; small capitals and para- 
 graph marks supplied by hand in brown and gold; printer’s device colored by 
 
 and. 
 
 ConpITION: Has the final blank leaf, but lacks the last leaf of the Table 
 with a woodcut on verso; lacks also folios 105, 106, 120, 134, 182, 183 and 216. 
 
 REFERENCES: Hain-Copinger, No. 9459; Proctor, No. 8423. 
 
 Copies LocaTED: But one other copy on vellum is known, that in the Bzb- 
 liothéque Nationale, which is described by Brunet. 
 
 This book has a long and interesting provenance. It was done originally 
 for Thomas Bohier, Treasurer General of Brittany and Secretary of the Finances 
 to Charles VIII. to whom the book is dedicated. Bohier’s arms, d’or, au lion 
 d’azur, au chef de gules, are emblazoned on many of the pages and in the borders; 
 his arms also appear drawn in trick on the title-page with this inscription: 
 “Ce livre. est. et appartient. a. Thomas. Bohier. Tresorier. General de Bretaigne. 
 et. Secretaire. des. Finances. du. Roy.” . Interesting notes on the Bohier family 
 by S. C. Cockerell and others, are laid inside the cover. 
 
 After Bohier’s death the book passed to Charles, Cardinal de Bourbon 
 (1562-1594), Archbishop of Rouen, brother of Henry, Prince of Condé and 
 cousin of Henry of Navarre. The binding, in sumptuous 16th Century red 
 morocco, bears in centre of back-bone his arms, and below same, his small oval 
 stamp with a lily in bloom and the legend, “Superat candore et odore.” 
 
 Where the book next found a home may be seen from its appearance 
 in Sotheby’s auction rooms, November 6, 1899, in the Sir F. A. T 
 Constable sale,—to the catalogue of which is prefixed a note reading, “This 
 library was a very old one, having been formed originally by the first Lord 
 Aston, Ambassador to Spain in the reign of James I.” The Constables came into 
 possession of the volume through the marriage of Thomas Clifford and Barbara 
 Aston, daughter of the fifth Lord Aston. Their son, Thomas Hugh Clifford 
 (1762-1823), created a baronet in 1815, succeeded to the estates of Francis Con- 
 stable, of Burton Constable, and by royal permission he assumed the name of 
 Constable only. The book-plate of the next owner, William Constable, F. R ~., 
 is inside the back cover. At the Constable sale the book was purchased by 
 Henry Yates Thompson whose book-plate is inside the front cover, and at his 
 sale it passed to its present owner. We have therefore an almost unbroken 
 known line of ownership covering more than four centuries. 
 
 The earliest dated book bearing Antoine Vérard’s name is the Edition of 
 Boccaccio’s Decameron, finished November 22, 1485. Between this date and 
 his death in 1512 he published in French about 150 works of the same popular 
 character as those printed in England by Caxton. An important feature of 
 his work in which he far excelled all other printers of his day, was the prep- 
 aration of especially printed copies on vellum for such royal patrons as Charles 
 VIII. of France, Henry VII. of England and the Comte d’Angouléme. Con- 
 sult “Antoine Vérard” by John Macfarlane; Bibliographical Society's Illus- 
 trated Monographs, Vol. VIII. Some of the woodcuts made for the Josephus 
 (Macfarlane’s Nos. XVII and XVIII.) were used by Vérard the following year 
 in his L’Arbre des Batailles. 
 
 [ Continued 
 
OnomseOieutoutpuffat — De Sieurop Se france huptiefine De ce 
 afatoudde Sefatrefatorier ory apzes fa franflation Sufiure afift 
 femere:@Qefoutefacouré — paoulDz0fe Aequel Sousay tras {late 
 cefefieSeparadie Athoneur pd Na queres pour repzouuer fit, 
 
 Cie fficceneréceSefafouneraineropatte _erudefife SaucuneGerefee en feur mon 
 AEE tragefle Sc Boue crate sft fee mifecee Su monBe:¢ fpeciatte, 
 Jaw 2 omen tic S a 7 LACS Re ae : 
 
 za 
 
 ANTOINE VERARD—PRINTER, PARIS, 1492 
 JOSEPHUS—BATAILLE JUDAIQUE 
 Reduced Facsimile of First Page of Text 
 [No. 12] 
 
| 
 | 
 | 
 
 THe WitutiaAam C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 12. JosEpHUS La Bataille Judaique—Continued| 
 
 SYS 00013. 
 
 The vellum in this volume displays to the fullest advantage the lustre of the ink, 
 the sharpness of the engravings, and the ornamentation of the illuminator and 
 rubricator, and explains why books printed on lamb-skin have always been 
 prized possessions of the book collector. Aside from other considerations, the 
 task of obtaining more than 250 large leaves (as in this volume) of skins present- 
 ing the same color on both sides, with no evidences of hair roots or other blem- 
 ishes, of uniform thickness and whiteness, all cured to withstand the ravages 
 of time, constitutes a triumph of-skill. One need but compare the vellum of this 
 volume with that of contemporary works from the German, English and 
 Netherlands presses to recognize its great superiority. Vérard, the printer of 
 the Josephus here described, easily surpassed all competitors in all countries in 
 this especial field of printing on vellum. His royal patrons were lavish in their 
 recognition of his art. The examples of his work in the unrivalled collections of 
 the Bibliothéque Nationale and in the British Museum are charming relics in which 
 the arms and badges of the original owners, the colorful charm of the illumina- 
 tions, the fineness of the vellum and the beauty of the typography form a rare 
 combination. 
 
 In the illustrations the artist has been especially successful in his treat- 
 ment of the faces, for example b?, where the author, on bended knee, is shown 
 presenting his book to King Charles VIII. to whom the volume is dedicated; 
 i3 reverse, which is the title-page to Book II; E® reverse, the title to Book VII, 
 in which Sabinus and Titus are shown in armor, within a delicately floreated 
 border in gold, blue and green, with daisies and bluebells in natural colors. 
 The gold armor of the knights engaged in the various battles on land and sea 
 is especially brilliant. The frontispiece is a fine cut showing the triumphal 
 entry of a French King into a city, accompanied by knights in armor. This 
 design also appears in the Gestes Romaines and in Lancelot, but was evidently 
 designed for this book, for the banner or scroll in the center bears the word 
 Josephus, while in the others it is left blank. 
 
 ANTON KOBERGER 
 NUREMBERG, JULY 12, 1493 
 
 [SCHEDEL (HARTMANN).] NUREMBERG CHRONICLE. I*. Title.| 
 
 REgistrum |huius ope- |ris libri cro- |nicarum |ci figuris et ymagi- | 
 bus ab inicio midi: [326. Colophon.| ADest nunc studiose 
 lector finis libri Cronicarum ... Ad in |tuiti autem & preces 
 prouidorii ciuiii Sebaldi Schreyer |& Sebastiani kamermaister hunc 
 librum dominus Antho |nius koberger Nuremberge impressit . . . 
 Consummatu autem duodeci- |ma mensis Iulij. Anno salutis nre. 
 1493 
 
 Folio, full original stamped calf over oak boards, with brass clasps 
 
 intact, rebacked, corners and parts of edges of sides repaired. 
 
 First EDITION. 
 
 COLLATION: Gothic type; 326 leaves, table and parts of text in 2 columns, 
 64 to 67 lines and headlines; 453 by 302 mm. Folios 21 to 286 numbered 
 1 to CCLXVI, and folios 293 to 325 numbered CCLXVII to CCXCIX. Folios 
 279 to 281 (numbered CCLVIIII to CCLXI) are blank except for headlines; 
 folio 292 blank. Spaces for capitals in Table, beginning of text and on two 
 other pages, other capitals printed. — 
 
 ILLUSTRATIONS: 1809 woodcuts, of which 1164 are repetitions, by Wohlge- 
 muth and Pleydenwurff. Double-page map at end. Hand painted large initial 
 
 [Continued 
 
[FI ON] 
 SUIPUL P[O [VUISIIQ JO oTUIsoOR,] PoonpoyY 
 LHOGUULA AO ASHOOIC AHL HOA MOO AOIAYAS ANV YALITVSd 
 
 OSSl “LATA “UALINIYd—TUNdAH SOITANWOO 
 
THe Wi.tutIiAM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 13. SCHEDEL (HARTMANN). Nuremberg Chronicle.—Continued] 
 
 letter at beginning of text in red and blue, other hand painted capitals in red. 
 
 CONDITION: IN PRACTICALLY PERFECT CONDITION, WITH THE “SARMACIA” 
 AND ALL THE BLANK LEAVEs and without a single mutilation. Even the 
 figure of the “Papess Joan” has not the usual defacement. Clean, crisp and 
 fresh as when it was issued. The additional text, “De Sarmacia,” consisting 
 of five printed leaves and one blank, is bound between Folios CCLXVI and 
 CCLXVII, instead of at end of the volume as is usually the case. There 
 are two original blank fly-leaves at end of text, they, however, do not appear 
 to be a part of the final signature, and are not included in the collation. 
 
 REFERENCES: Hain, No. 14508; Catalogue of Books Printed in the 15th 
 Century now in the British Museum, Part II, p. 437. 
 
 With presentation inscription of Arnoldi van Rinnick, and date which 
 appears to be 1543, and “Carmelitarum Discalceatorum (?) Conuentus Montensis,” 
 written twice on title. 
 
 The William K. Bixby copy, with his autograph signature on fly-leaf. 
 
 The Nuremberg Chronicle, compiled by Hartmann Schedel, was the great 
 picture-book of the Middle Ages, and in consequence of this, very few copies 
 survive in good condition. The woodcuts were often colored by inexperienced 
 hands, thus defacing the leaves, or cut out to be used as dolls by the children. 
 The woodcut of “Papess Joan” was purposely defaced or mutilated in almost 
 all copies, owing to the offence which it gave to the Church. A FINE, Com- 
 PLETE Copy SucH As THE PRESENT, IS RARELY MET WITH. 
 
 CORNELIUS HENRICI 
 DELFT, JANUARY 29, 1530 
 
 75 O O14. PSALTER. PSALTER AND SERVICE BOOK FOR THE DIOCESE OF 
 Urrecut, [Title]. PSalterii horas canoni- | cas catare in ecclesiis 
 | volentib, secundi laudabi- | lem cdsuetudine Ecclesie | traiecten- 
 sis perutile . . . [180a Colophon.| . . . Completum est in oppido 
 Delphensi, per|me Cornelium henrici Calcotipum. Anno | 
 domini millesimo quingentesimo trice- | simo, die vicesimo nono 
 lannarig ss; 
 
 Small folio, original full stamped leather over oak boards, with 
 metal clasps (one fastener lacking), bosses, stands and corners, 
 untrimmed edges with some leather button-markers intact. 
 
 [See Illustration of Binding on preceding page] 
 
 COLLATION: Printed on vellum; 180 leaves, 2 columns, 28 lines with 
 headlines; 281 by 194 mm. Printed in red and black. Woodcut border on 
 title. 
 
 CONDITION: Complete copy with the blank leaf 122, and 2 original blank 
 vellum fly-leaves at beginning and end. With contemporary manuscript an- 
 notations on fly-leaves, title, verso of title and verso of last leaf, and on some 
 margins. Title torn at inner border. 
 
 The vellum in this copy is so coarse, uneven and poor in color as to justify the 
 opinion that it is sheepskin, but the binding, which is a work of art, has sur- 
 vived all its utilitarian vicissitudes and is as strong and as serviceable as ever. 
 
 Copies LocaTED: This vellum copy is unique. There is no copy in the 
 British Museum nor the Bioblithéque Nationale; nor is it known to any biblio- 
 graphical authority. This present copy has been examined by E. Gordon Duff, 
 
 [ Continued 
 
lok 
 ie,che Holy Gertpeure of hele 
 DHide and Ctew Teftament , faith- 4 
 fully and truly tranflated ont 
 of Doudeand Latyn — 
 in to Bnglifbe. 
 
 M-.D-AXKY, 
 
 Spaul.Teffem | 3 ( 
 rate for ve,that the worde of Bod mate Ss l 4 
 ne fre paffage,and be glorified.zct. TW EL eee 
 
 Ftemenundiitmiverium pred: 
 cate Cus gebity Carct 201. 
 
 &.paul Col. iil. & 
 pleny 
 
 aoe of hi omeln you me aren 
 
 teouflyin all wyfidome <i. a 4 
 
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 P32: 
 
 “$1 | 9% AuoYg & 
 “etree 
 
 BIBLE. COVERDALE’S TRANSLATION INTO ENGLISH 
 Reduced facsimile of title-page 
 [No. 15] 
 
Tue Wittiam C. Van ANTWERP COLLECTION 
 eS ee eee 
 | Monday Evening, May 1st 
 
 [No. 14. PSALTER. Service Book for Utrecht.—Continued] 
 
 who pronounces it “magnificent and unique.” (Books printed on Vellum, p. xiv.) 
 There was a copy on paper in the Enchede sale, and another, also on paper, is 
 in the Comte de Villa Franca collection. 
 
 Ries the Library of Thomas Brooke, F.S.A., Armitage Bridge, with book- 
 plate. 
 
 Despite the great size of the Diocese of Utrecht, which was founded by St. 
 Willibrod in 722, and covered all the northern Netherlands between the Scheldt 
 and the Ems, its service books are excessively rare. 
 
 The printer of this book, Cornelius Heynrieszoon, letter-snyder, also printed 
 a Dutch New Testament at Delft in 1534. These are the only books from his 
 press. He was very probably the son of Henrik van Rotterdamme, letter- 
 snyder, who printed at Antwerp towards the close of the Fifteenth century. 
 The addition of the term letter-snyder (type-cutter) to both their names adds 
 additional likelihood to their being connected. Two other Stationers joined 
 in the expenses of printing this Service Book, Bartholomeus Jacobszoon of Leyden 
 and Jan Severszoon Cruepel of Amsterdam. The first, who lived “above the new 
 Rhine,” is not mentioned by Panzer. He is only found in Leyden in 1530, 
 and from 1537 to 1546 was in Amsterdam. The second, Jan Severszoon of 
 Gruepel, who lived “on the old bridge,” was in business in Amsterdam be- 
 tween 1525 and 1540. He also is not mentioned by Panzer. 
 
 THE COVERDALE BIBLE 
 [ZURicH: FROscHOVER (?)| OcToBErR 4, 1535 
 
 2,300\0015. BIBLE IN ENGLISH. [Title] Biblia |The Bible, that jis, the holy 
 Scripture of the |Olde and New Testament, faith- |fully and truly 
 translated out |of Douche and Latyn |in to Englishe. |M.D.XXXV 
 . . . [Colophon.] Prynted in the yeare of oure Lorde M.D.XXXV. | 
 and fynisshed the fourth daye of October. 
 
 Thick folio, full brown morocco, broad blind-tooled borders on 
 sides, gilt back, inside morocco borders covered with heavy gilt 
 fillets, gilt edges. In full claret crushed French levant morocco 
 solander case. 
 
 [See Illustration on preced:ng page] 
 
 First EDITION OF THE COMPLETE BIBLE IN ENGLISH. 
 
 COLLATION: Black letter; 8 preliminary leaves comprising,—Title within 
 woodcut border, verso blank, 2 pp.; Dedication, 5 pp.; A prologe, 6 pp.: The 
 bokes of the hole Byble, 2 pp.; The first boke of Moses, called Genesis what this boke 
 conteyneth, 1 p.; Text, divided into six parts,—(1) Pentateuch, folios i to xc , 
 verso blank; (2) Joshua to Esther, title within woodcut border, contents of 
 Joshua on verso, and text folios ij to cxx; (3) Job to Salamons Balettes, folios i 
 to lija, verso blank; (4) Isaiah to Malachi, title within woodcut border, contents 
 of Isaiah on verso, and text folios ij to cij; (5) Apocrypha, title within woodcut 
 border, preface on verso, and text folios ij to Ixxxi (really 83); (6) New Testa- 
 ment, title within woodcut border, contents of Matthew on verso, and text 
 folios ij to cxiij, Colophon below end of text; total 568 leaves, 2 columns, 57 lines 
 and headlines; 12 by 200 mm. 
 
 ILLUSTRATIONS: Woodcut borders around titles and a large number of wood- 
 cuts in the text. These woodcuts are chiefly by Hans Sebald Beham, many 
 which were issued separately as his Bible Illustrations by Egenolph of Frank- 
 
 ort. 
 [ Continued 
 
Under the Management of the American Art Association 
 
 Kindly read the Conditions of Sale Printed in forepart of this catalogue 
 
 [No. 15. BIBLE IN ENGLIsH. Coverdale Bible.—Continued] 
 
 CONDITION: EXCESSIVELY RARE IN ANy ConpiTIOoN, No PERFECT Copy BE- 
 ING Known. THIS Is AN UNCOMMONLY GOoop Copy, lacking only the main 
 title and first two leaves of the Dedication (all three of which are supplied in 
 facsimile), the map, blank leaf at end of Apocrypha and blank leaf at end of 
 New Testament; two leaves are split across and mended, some lower plain 
 margins restored and a few marginal references are shaved, but the bulk is in 
 first-rate condition. The map (not in this copy) is not an integral part of the 
 volume, having been inserted only in some copies of edition by Nycolson, the 
 English bookseller. 
 
 A note on the final fly-leaf of this copy, written by Mr. Ferguson, represent - 
 ing Mr. Bernard Quaritch through whose hands the volume passed in 1908, 
 reads,—“Title, first two ll. of dedication, in facsimile; 3R¢ & 2Ts (both blank) & 
 map missing. Otherwise perfect.” This note errs as to the signature of the first 
 mentioned blank, it being O8 and not Rrr® which is lacking. 
 
 REFLREN E': Darlow and Moule, No. 7. 
 
 Copies LocaTED: There are copies in the British Museum, the John Rylands 
 Library, and some other public libraries, none of the copies being perfect. 
 
 Tuts Is THE FAMOUS DENT-BENSON-PERKINS-LORD AMHERST Copy. At 
 Lord Amherst’s sale in London, December 3, 1908, it was sold to Quaritch; sub- 
 sequently, it became the property of Walter T. Wallace. Sotheby’s catalogue 
 of Lord Amherst’s sale says that “so good a copy has not been sold by auction 
 since the Ashburnham sale in 1896.” The present copy surpasses the Lord 
 Ashburnham copy, in condition, as the latter lacked the title, all the dedication 
 leaves, one leaf of Prologue, initial of the first chapter of Genesis, top corner 
 of folio xii, and part of the Map, and had 20 other leaves repaired. 
 
 In 1900 the Editor of Book Prices Current (1900—p. 382) expressed the 
 opinion that, of the known copies of the Coverdale Bible, the Osterly copy 
 ranked first as to condition, the Leicester copy second, and the Ashburnham 
 copy third. Certainly the present copy ranks fourth, and if the number of 
 missing leaves is alone the determining factor it should have a still higher place. 
 Only an expert comparison of all four copies can decide the point. The same 
 editor, in describing a very defective copy which he had seen, measuring 12 x 734 
 inches, states that is is “one of the largest, if not the largest known.” The 
 present copy measures 12% by 7 7% inches. 
 
 THE EpiT1o PRINCEPS| OF THE PRINTED ENGLISH BIBLE, translated by 
 Myles Coverdale, a Yorkshireman (educated at Cambridge), during a long exile 
 upon the Continent. Coverdale later returned to England and was made Bishop 
 of Exeter in 1551, but was deprived of his see in 1553 and again exiled, returning 
 to London at a later date, where he died in 1568. 
 
 It was Coverdale’s glory to produce the first printed English Bible. It was 
 translated from the Latin and the Swiss-German versions for the most part, as 
 he himself states on the title and in his dedication. It is in this edition that 
 the curious renderings are first found which later gave the name of the “Bug and 
 Treacle Bible” to the early English editions, v7z.,— “So yt thou shalt not nede 
 to be afrayed for eny bugges by night” (Psalms 91:5), and “There is no more 
 Triacle at Galaad” (Jer. 8:22). 
 
 Nothing definite is known as to the place of printing. The type of the body 
 of the book has never been satisfactorily identified, but it is generally believed 
 that the work was done by Froschover at Ztirich, who printed the Coverdale 
 Bible of 1550. 
 
Tote WILLIAM CC. VAN ANTWERP ‘COLLeCTTOy 
 
 Monday Evening, May 1st 
 
 MAGNA CHARTA 
 [Lonpon] 1587 
 
 /5 0016. MAGNA CHARTA. Magna Charta cum | statutis, tum antiquis 
 | tum | recentibus, maximopere, | animo tenendis, nunc demum | 
 | ad vnum, tipis edeta, | per Richardum | Tottill. | Anno Domini 
 
 1587... 
 
 Small 8vo, “old, probably contemporary, binding of stamped 
 leather in poor condition, in new pocket cover of full brown 
 morocco. 
 
 COLLATION: English and French text in Black Letter; Latin text in Roman 
 type; 8 preliminary leaves consisting of title, preface, table, and one blank; 
 text 250 numbered leaves; 142; 96 mm. 
 
 ConpiTIoNn: Edges of first and last leaves somewhat frayed and stained, last 
 leaf wormed, some other leaves water-stained, stitching shaken. Marginal 
 notes in Latin in an old hand. 
 
 ) With the following inscription on title,—“This booke belongs to me Edward 
 Clarke.” 
 
 ROYAL COPY OF TASSO’S LA GIERUSALEMME LIBERATA 
 PARIS, 1644 
 
 | PRESENTED BY CARDINAL MAZARIN TO QUEEN CHRISTINA 
 | OF SWEDEN 
 
 les 5] 0017. TASSO (TORQUATO). La GreRusALEMME LIBERATA. [Engraved 
 title.| Il Goffredo | overo | La Giervsalemme Liberata | Di Tor- 
 qvato | Tasso. | [Imprint.] In Parigi nella Stamperia Reale. 
 MDCXLIV. 
 
 Folio, full contemporary citron morocco, sides with broad gilt 
 borders containing coronet and fleur-de-lis at corners, with ARMS 
 OF QUEEN CHRISTINA, in gilt, in center medallion on both covers, 
 gilt panelled back with coronet and fleur-de-lis in each panel, gilt 
 edges. In full red crushed levant morocco solander case. 
 
 COLLATION: Half-title, one leaf; engraved title, 1 leaf; Allegoria del Poema, 4 
 leaves; text, pages I to 502; final leaf with engraved vignette on recto. 
 
 ILLUSTRATIONS: Engraved title and numerous engraved vignette head- and 
 tail-pieces, initial letters and final large vignette, by Rousselet. 
 
 PRESENTATION COPY FROM CARDINAL MAZARIN TO QUEEN CHRISTINA OF 
 SWEDEN, daughter of Gustavus Adolphus, with presentation inscription on title 
 reading,— “Presente d sa majeste La Reine d. Suede par monsteur L’ Eminentissime 
 Cardinal Mazarini premier ministre du Roy tres chrestien Le 2 Ianuier 1647.” 
 
 With bookplate of W. K. Bixby on inside of cover. 
 
 The volume is a sumptuous production of the Royal Press, in a beautiful con- 
 temporary binding, embellished with the coronet and fleur-de-lis, signifying 
 the close relationship of the two countries, which, at the time the book was 
 presented, were united by treaties drawn by Mazarin himself. 
 
 When this book was presented to her, Christina was in her 21st year, bril- 
 liantly governing a Protestant country. Seven years later, in the prime of 
 life, she voluntarily renounced her crown, joined the Roman Catholic Church 
 through Mazarin’s influence, and departed from her country in masculine attire. 
 Subsequently she visited Cardinal Mazarin in Paris, 
 
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 WILLIAM MORRIS’S BIBLE 
 ILLUMINATED MANUSCRIPT XIIITH CENTURY 
 Reduced Facsimile of First Page of “Romans” 
 
 [ No. 18] 
 
THe WittiaAmM C. VAn ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 ILLUMINATED MANUSCRIPT ON VELLUM 
 XUItH CENTURY 
 
 WILLIAM MORRIS’S BIBLE 
 
 S500\0018. WILLIAM MORRIS’SBIBLE. Brste, Vutcate. BIBLIA SACRA. 
 Thick 8vo, 15th Century binding of full brown stamped morocco 
 over oak boards, cruciform design in center panel, framed with 
 band of small interlaced curved tools between five blind fillets, 
 marks for clasps, edges and back slightly worn. In full claret 
 crushed French levant morocco solander case. 
 
 [See Illustration on preceding page| 
 
 CoLLATION: Illuminated Manuscript of the 13th Century probably of 
 Spanish workmanship. Written in small GoTHIC CHARACTERS in black, on 395 
 leaves of FINE VELLUM, 2 columns, 55 lines and headlines, 210 by 140 mm. 
 
 ILLUSTRATIONS: With about fifty large capitals beautifully illuminated in 
 burnished gold and colors, many containing tiny miniatures, most of them 
 extending into marginal decorations containing grotesque figures, birds, animals, 
 etc., many other large capitals similarly illuminated without borders; smaller 
 capitals, page headings-and chapter numbers alternately in red and blue, many 
 of the capitals extended into arabesque designs in colored inks in the margins. 
 
 ConpITION: Beautiful manuscript revealing a minute detail of pen-work 
 almost unbelievably free from blemish and with the illuminations in excellent 
 condition throughout. The two final leaves of Table are lacking, leaves 311 
 and 312 have lower margins cut away, several other margins have cuts in the 
 vellum and a few leaves are water-stained. 
 
 OrIGcIN: Of Spanish origin and originally in the Salva Library, the book 
 became later the property of WirL1AmM Morris, whose bookplate, “Kelmscott 
 House, Hammersmith,” is on the inner cover. 
 
 This is really a Museum copy. Although Spanish in origin, it is singularly 
 free from imitative and derivative influences. It reveals in its many illuminated 
 capitals all the delicate charm of Gothic art which toward the end of the 13th 
 Century became divested of formalism and severity. The initials and tail- 
 pieces are spirited and amusing, with fishes, birds, beasts, human forms, gar- 
 goyles and grotesques quaintly combined in a spirit of medieval humor. Thus 
 aside from its symbolism, this Bible is delightful from its artistic side. The 
 figures are graceful and delicate, and the colors, in which burnished gold and 
 deep blue are freely used, are singularly well-preserved. 
 
 Too much cannot be said of the pen-work, which should be studied under a 
 glass. Apparently all of the 395 leaves were done by the same hand, and a 
 long life must have been spent in the work. 
 
 ILLUMINATED MANUSCRIPT ON VELLUM 
 FRANCE, CIRCA 1390 13eS 
 
 /2900\ 0019. FROISSART (JEHAN). CHRONICLES, 1326 to 4835. 2 vols. in 
 one, thick folio, new vellum, with the original gilt edges and 
 stitching preserved. Enclosed in full dark maroon crushed 
 French levant morocco solander case, BY RIVIERE. 
 
 [See Frontispiece and Illustration on opposite page] 
 
 CoLLATION: Illuminated Manuscript of the late Fourteenth Century, 
 French School. Written in lettres batardes in red and black on 363 leaves 
 (including 2 blanks) of FINE VELLUM, 2 columns, 48 and 49 lines; 369 by 275 mm. 
 
 [ Continued 
 
m pari seer hae é 
 7 efjeusttier i 
 
 ouante by er Sent Hen) |” come Gous tas 
 | auort se Se oy D Atet oh Syne Beaters py ie Qift ayo 
 
 pt * 
 2 apeie Se Be ae ee ae : enews cor Lopannene monfs 
 ; ; : wc Be wales fe caine Gine Os 
 cope 
 
 naw on Ar ne pele 
 que meffuc cuftsee fit tue 
 ese pi vf eles rae 
 
 ILLUMINATED XIVTH CENTURY MANUSCRIPT 
 FROISSART—CHRONICLES 
 Reduced Facsimile of Illuminated Page 
 [ No. 19 ] 
 
Toe WILLIAM C. VAN ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 19. FROISSART (JEHAN). Chronicles—Continued] 
 
 ILLUSTRATIONS: The first leaf of the first volume contains a large miniature 
 (123 by 197 mm.), beautifully painted in colors and gold with diapered back- 
 ground in gold, red and blue, within frame of burnished gold and colored fil- 
 lets, large initial letter in red, blue and burnished gold inclosing arms (shield, 
 helmet and crest) of Pierre de Fontenoy, Siegneur de Broyes, for whom the 
 volume was illuminated, the entire page surrounded with beautiful floral 
 border in gold and colors, with angelic figures at three corners, the shield of 
 Pierre de Fontenoy at center of upper and lower, and full arms in outer border; 
 a second large miniature (153 by 174 mm.), at beginning of the second vol- 
 ume (leaf 265), framed in gold and colored fillets with the French and English 
 standards above; 31 other finely executed miniatures similarly illuminated, many 
 with diapered backgrounds in burnished gold and colors, blue predominating; 
 several miniatures with elaborate borders containing the standards or banners 
 of the prominent persons who fought in the battles portrayed; large initial 
 letters in gold and colors at beginning of each chapter, containing the arms 
 of Pierre de Fontenoy, and hundreds of smaller capitals throughout also in 
 burnished gold and colors. 
 
 CONDITION: A MAGNIFICENT EXAMPLE OF THE BEST STYLE OF THE MINIA- 
 TURIST’S ART OF THE FOURTEENTH CENTURY. IN PRACTICALLY PERFECT 
 CONDITION. THE CoLors BRILLIANT, THE LEAVES CLEAN AND FRESH. AN 
 ExQuIsITE Work, WITH A DEPTH, BRILLIANCE AND RICH MARTIAL ATMOs- 
 PHERE TO THE PAINTINGS AND BORDERS QUITE IN KEEPING WITH THE SUR- 
 ROUNDINGS IN WHICH FROISSART LIVED AND WoRKED WHILE WRITING His 
 “CHRONICLES.” 
 
 It is safe to say that no textual manuscript of Froissart exists today in a 
 more perfect state than the volume here presented; that none exists of an ear- 
 lier date; that none is so rich in heraldic blazoning, and that none has a more 
 delightful association interest. 
 
 The PIERRE DE FONTENOY, SIEUR DE BROYES-THOMAS SACKVILLE, EARL OF 
 DoRSET-WILLIAM CECIL, AND LORD BURGHLEY-LORD MoysTyn Copy, with the 
 Arms of the first emblazoned in the manuscript, and presentation inscription 
 from Thomas Sackville to Lord Burghley on fly-leaf. 
 
 ORIGIN: Regarding the original owner of this volume, we are now enabled 
 to speak with authority. The manuscript was not written and illuminated 
 for Holland, Earl of Kent, as Lord Mostyn’s Catalogue conjectured, but for 
 Pierre de Fontenoy, Seigneur de Broyes, Beaufort, Baye, Trie-le Bardoul et 
 Charmentre, friend of King Charles VI of France, and one of a family famed in 
 French History from the Twelfth to the Fifteenth Centuries. Many books from 
 his library are now in the Bzblzothéque Nationale, and photographs showing his 
 Arms in these books are laid in the present volume together with data written 
 by French savants concerning him. 
 
 Fontenoy’s arms and his motto, “Nulla autre,” are repeated three times in 
 the floral borders which surround the first page, and the arms reappear fre- 
 quently in the capitals throughout this book. For verification consult, An- 
 selme, Vol. II, p. 339; Le Cabinet des Manuscrits de la Bibliothéque Nationale, 
 Tome III, p. 383, and Tome II, p. 367, also a letter from M. Léon Mirot, 
 Archiviste aux Archives Nationales, Paris, which is laid in the volume, and 
 of which the following extract is a translation,— 
 
 This manuscript is one of the most beautiful, if not the most beautiful of 
 the Frotssarts of the 14th Century. The fact is established beyond doubt 
 that the illuminated arms which appear throughout the manuscript are those 
 of Pierre de Fontenoy who married Marie de Broyes in 1393. His arms are,— 
 Sable semi de trefles d'argent au léopard lionne du meme, with which are 
 quartered the arms of his wife,—Azur, aux trots broyes d’or. 
 
 “Pierre de Fontenoy was a very important personage in the court of the 
 Dukes of Burgundy, Philip le Hardi and Jean sans Peur. He was Governor 
 
 [ Continued 
 
Under the Management of the American Art Association 
 
 Kindly read the Conditions of Sale Printed in forepart of this catalogue 
 
 [No. 19. FROISSART (JEHAN). Chronicles.—Continued] 
 
 of the Finances of the Realm and of the Property of the King, the Queen and 
 the Dauphin. 
 
 “I believe this manuscript was written and illuminated about the year 1400. 
 [Signed] Léon Mirot.” 
 
 The arms as painted in the manuscript are those of de Fontenoy only in 
 some instances, and in others include the quarterings of his wife. 
 
 In the Sixteenth Century this book became the property of Thomas Sackville, 
 First Earl of Dorset, Lord Buckhurst (wealthy English peer, patron of art and 
 friend of Queen Elizabeth), who subsequently presented it to his friend William 
 Cecil, the great Lord Burghley (1520-1598), High Treasurer of England under 
 Queen Elizabeth, “the most powerful man in the Kingdom” (Dictionary of 
 Nattonal Biography). Sackville, collaborating with Thomas Norton, produced, 
 in 1561, the first English tragedy, ‘ ‘Gorbuduc,” three years before the birth of 
 Shakespeare. In presenting this royal manuscript of Froissart to his friend, 
 Sackville (Lord Buckhurst) has written a fitting inscription which. appears 
 at the top of the blank vellum fly-leaf, as follows,—“Hunc librum Gulielmo 
 Cecilio equitt aurato, donavit fidelissimus amicus suus. T. Buckehurst.” 
 
 It would be difficult to find a more delightful relic of the friendship existing 
 between these two shining lights of literature and statesmanship who together 
 adorned the reign of Elizabeth in the dawn of England’s Renaissance. 
 
 This book was recently found in the library of the Mostyns of Mostyn 
 Hall, Mostyn, North Wales, where, as Lord Mostyn says in a manuscript 
 notation laid inside the cover, it has reposed since 1690. It was then sold in 
 London. Unknown to students and bibliographers and very inadequately 
 catalogued in the sale, its importance was not fully realized until after the sale, 
 when it was submitted to the officials of the British Museum, the Bibliotheque 
 Nationale, the Bibliothéque de l’ Arsenal, to Léon Mirot, Archiviste aux Archives 
 Nationales and other authorities. The importance of the manuscript then 
 became apparent. Letters from these French authorities regarding the manu- 
 script have been received by the present owner, from which the following 
 extracts are translated,— 
 
 Henry Martin of the Bibliotheque de Il’ Arsenal writes,—(translation) “It 
 is in effect, a manuscript particularly precious, and without doubt one of 
 the most ancient which is known. ... The text, as far as a rapid examina- 
 tion has permitted me to judge, appears very correct and should be of incon- 
 testable utility for the future editions of the Chronicles. The miniatures which 
 decorate the volume, as well as the blazons, are very curious. One of the 
 miniatures, that which is found at the head of the second book on folio 230 
 li. e. 265] offers a very particular interest: it represents an entrance to Paris, 
 and, above the doorway of the city is seen the blazon of the City of Paris, with 
 the ship and fleur-de-lis. This, to my knowledge, is the most ancient blazon 
 painted of the City of Paris... .” 
 
 Léon Mirot writes,—( (translation) “The Manuscript of Froissart which you have 
 so kindly allowed me to examine is of the greatest interest. The state of preser- 
 vation is perfect; but its principal value is the date at which it was executed; 
 the writing is that of the extreme end of the Fourteenth or the beginning of 
 the Fifteenth Century. The arms of the proprietor, which appear to be those 
 of Pierre de Fontenoy, permit us to attribute it to the first years of the Fif- 
 teenth Century. The miniatures which ornament it are in a perfect state 
 of conservation, exceedingly interesting, and some of them, such for example 
 as the blazon in colors of the City of Paris (one of the most ancient, to my 
 knowledge) are documents of great interest. This blazoning, very interesting 
 for the art of heraldry, adds still more to its value. It is a manuscript of the 
 first rank. In another letter, recently received from Monsieur Mirot, he says 
 further, referring particularly to the miniatures depicting the various battles, and 
 to the numerous colored banners accompanying them,— (translation) This is a 
 unique peculiarity, I believe, and one which much augments the value of the 
 
 [ Continued 
 
THe WriuLiam G. Van ANTWERP CODD B Om 
 
 Monday Evening, May 1st 
 
 [No. 19. FROISSART (JEHAN). Chronicles.—Continued] 
 
 manuscript. Their depiction, and as I think, the authentication of their cor- 
 rectness renders this document still more precious.” 
 
 H. Omont, Conservateur des Manuscrits, Bibilothéque Nationale, says,— 
 (translation) “This is certainly one of the earliest and most precious manuscripts 
 of the Chronicles.” Léon Gruel says,—(translation) “This is a work for a great 
 collection and one of the most interesting books which one could possibly see. 
 (These and other letters similarly authoritative and interesting, including 
 Lord Mostyn’s statement, are laid inside the cover of the volume.) 
 
 The Daily Telegraph, London, July 14, 1920, says,—“This Mostyn illu- 
 mination of Froissart’s Chronicles is probably earlier than the well-known 
 manuscript at Breslau which, it is interesting to remember, was secured to 
 that town in a separate article when Breslau capitulated to the French in 1806.” 
 
 These first two books of the Chronicles were written by Froissart at Va- 
 lenciennes and finished in 1389 when he was fifty-one years of age. The first 
 book includes the history from 1326 to 1359, when he carried it to England 
 and presented it to Queen Philippa, which presentation is depicted in the large 
 miniature at the beginning of the first book in the present copy. The second 
 book was written between 1385 and 1389 and concludes with the Peace the 
 Men of Ghent obtained from the Duke of Burgundy on December 18, 1386. 
 Two additional books appeared after Froissart’s death, but as will be seen 
 from the Ciwres de Frotssart, by M. le Baron Kervin de Lettenhove (Vol. 
 I, page 11), the additional volumes were not the work of Froissart but merely 
 the caprice of copyists, without especial value. Baron Lettenhove adds that 
 ane additional books belong to an epoch following the middle of the Fifteenth 
 
 “entury. 
 
 In the article in the Encyclotazdia Britannica on Froissart, is the following 
 regarding his work at the time of writing the Chronicles,—“He probably ac- 
 quired at this period [1380] that art, in which he has never been surpassed, 
 of making people tell him all they knew. No newspaper correspondent, no 
 American interviewer, has ever equalled this medieval Collector of intelli- 
 gence. From Queen Philippa, who confided to him the tender story of her 
 youthful and lasting love for her great husband, down to the simplest knight— 
 Froissart conversed with none beneath the rank of gentlemen—all united in 
 telling this man what he wanted to know. He wanted to know everything; 
 he liked the story of a battle from both sides and from many points of view; 
 he wanted the details of every little cavalry skirmish, every capture of a castle, 
 every gallant action and brave deed. And what was more remarkable, he 
 forgot nothing.” 
 
 THE ILLUMINATED MINIATURES IN THE VOLUME CONSIST OF THE FOLLOWING: 
 
 The large miniature on first leaf represents the Author, Froissart, on his 
 knees presenting his book to King Edward III of England; the King of France 
 stands nearby, holding the hand of Queen Philippa, to whom Froissart was 
 pe of the Closet. She holds by the hand her eldest son, Edward, the Black 
 
 rince. 
 
 The other large miniature, at beginning of the second volume, shows Lord 
 de Moncident, mounted and with three attendants, leaving Paris by night, to join © 
 the English. Above the buildings of Paris floats the French standard of the 
 three gold fleur-de-lis on a blue ground, over the doorway the symbols of the 
 city of Paris, a band of blue with gold fleur-de-lis and a ship, which, as men- 
 tioned above, is believed to be the earliest painted representation of the arms 
 of Paris. On the opposite (English) side, is seen the banner of England, three 
 lions in gold on a red standard. A PAINTING OF GREAT ANTIQUARIAN INTEREST. 
 
 The smaller miniatures, 31 in number, represent all the important battles 
 by sea and land prior to 1385, as described by Froissart, which are, in the order 
 of their appearance,—The Battle of Cassell in Flanders, 1328; Battle of Ga- 
 gant, 1337; Naval Battle between the English and French before Sluys, 1340; 
 Sea Engagement off Guernsey, 1342; Battle of Blanchetaque; Battle of Crécy, 
 
 [Continued 
 
ILLUMINATED XVTH CENTURY MANUSCRIPT 
 
 WYCLIFFE—NEW TESTAMENT IN E 
 
 YGLISH 
 
 Reduced Facsimile of First Page of “Romans” 
 [No. 20] 
 
Toe WiuutiAmM C. VAn ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 [No. 19. FROISSART (JEHAN). Chronicles.—Continued] 
 
 August 26, 1346, with elaborate border containing 31 banners, among them 
 those of Edward III, of the Black Prince, Northampton, Arundel, Stafford, 
 of the English side, Philip of Valois, John of Bohemia, Alencon and John of 
 Hainault among the French; Battle of Neufchatel; Battle of La Roche d’Er- 
 rain; Battle of Calais, 1347, with banners of the Dukes of Bourbon, Bur- 
 gundy, Savoy and Hainault, of the French, of the Earls of Derby and North- 
 ampton, and Lord Cobham of the English; Battle of Poitiers, September 19, 
 1356, with banners of the Black Prince, Sir John Chandos, and the Earls of 
 Warwick, Oxford, Suffolk and Stafford of the English, and of King John, 
 Charles of Normandy, the Dukes of Anjou, Orleans, Bourbon, Ponthieu, Cha- 
 tillon and others of the French; Battle of Constantin, 1356; Death of the Jac- 
 querie of Beauvoisis; Battle of Meaux, 1358; Battle of the Porte St. Honore, 
 1358; Siege of the Castle of Mauconseil, August, 1358; Battle of Roucy, 
 1359; Battle of Cocherel, 1364, with nine banners; Battle of Navaretta, in 
 Spain, April 2, 1367; Battle of Monteil, August 13, 1368; Naval Engagement 
 before La Rochelle, 1372; Battle of Poitou, 1372; Engagement before Cher- 
 bourg, 1378, with two pennons; Crowning of the King of France; Battle of 
 Nevele, April, 1382; Bruges taken by the Ghent Army, 1382; Fray at the 
 Bridge of Commines, November, 1382; Battle of Rosebecque, at which Philip 
 Van Artaveld was slain, November 27, 1382; Battle of Dunkirk, 1383. 
 
 All these illuminations are in gold and brilliant colors, many with check- 
 ered diaper backgrounds, and in addition there are several hundred delicately 
 ee capitals in burnished gold, with delightful pen-work scroll fillings and 
 borders. 
 
 ILLUMINATED MANUSCRIPT ON VELLUM 
 LATE XIVTH CENTURY 
 
 / 500.0020. BIBLE. NEw TESTAMENT IN ENGLISH. Translated. by John 
 Wycliffe. Quarto, new vellum, blue marbled edges. 
 
 [See Illustration on preceding page] 
 
 CoLLATION: Illuminated Manuscript of the late 14th Century, in English. 
 Written in GOTHIC CHARACTERS in black, on 232 leaves of vellum, 2 columns, 
 35 lines and headlines; 257 by 182 mm. Ruled margins. 
 
 ILLUSTRATIONS: Beautiful foliated borders in burnished gold and colors on 
 versos of first leaf (beginning of Matthew) and of leaf 92 (beginning of Romans), 
 the first including two shields with bearings; partial border in similar 
 design at beginning of Prologue on first page; large initial letters and many 
 smaller capitals in burnished gold and colors, other capitals in blue with red 
 pen-work extended into arabesques in margins; page headings and rubrics in 
 red, paragraph marks in blue. 
 
 CONDITION: Excellent condition throughout, aside from a few worm-holes. 
 Very clean and with unusually wide margins. Complete, with original blank 
 vellum leaf at beginning and two blanks at end. 
 
 Of early manuscripts of Wycliffe’s famous Bible scarcely any copies exist 
 outside the museums, and of these many are mere fragments. But two copies, 
 both very imperfect, have appeared at auction in forty years; the last one was 
 sold at Christie’s in 1905 for £550. The copy here offered is perfect and com- 
 plete. As it was written during Wycliffe’s lifetime it is of great value. 
 
 Wycliffe probably began the work of translation of the Bible about 1380. His 
 whole teaching put the book in quite a different position from that which was 
 assigned to it by common medieval tradition. All his works exalt the authority 
 of the Bible, whether as compared with that of later fathers or doctors, or as 
 
 [ Continued 
 
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 3) alte: treme (Be 1110 fesengenon Aouce mites ae 
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 ILLUMINATED XVTH CENTURY MANUSCRIPT 
 BIBLIA SACRA 
 Reduced Facsimile of First Page of “Psalms” 
 [No. 21] 
 
Toe WritLtIam ©C. Van ANTWERP COLL BODO 
 
 Monday Evening, May 1st 
 
 [No. 20. BiBLE. Wycliffe’s New Testament.—Continued| 
 
 compared with that of the contemporary prelacy and priesthood, and he insists 
 much on the necessity of its being accessible to all Christians. Wycliffe had 
 begun the great protestant appeal to Scripture against the abuses of the media- 
 val church. The demand for a closer acquaintance with its text on the part 
 of the laity was the natural sequel. 
 
 Parts of the Bible had already been done into Anglo-Saxon and into English, 
 especially the great treasure-houses of medizval devotion, the Psalms; and the 
 whole Bible had been translated into the Court-French dialect, which had now 
 ceased to be the living language of the highest classes. Wycliffe and his asso- 
 ciates for the first time conceived and executed the great task of translating the 
 whole Bible into the vulgar tongue. Wycliffe himself translated the Gospels, 
 and probably the whole New Testament. Afterwards it was revised by John 
 Purvey, his friend and parochial chaplain, or, as we should say, his “curate,” 
 at Lutterworth. The work was completed about 1388, certainly before 1400. 
 
 ILLUMINATED MANUSCRIPT ON VELLUM 
 MIDDLE XVTH CENTURY 
 
 4/5 0.021. BIBLE. Bipiia Sacra Latina. Genesis to Psalms inclusive. 
 Small 4to, new full dark blue crushed French levant morocco, 
 sides and backs ornately gilt in the style of Derome, inside morocco 
 borders with gilt fillets and corner designs, brass clasps, gilt edges, 
 BY ZAEHNSDORF. 
 [See Illustration on preceding page|] 
 
 COLLATION: Illuminated Manuscript of the middle of the 15th Century, 
 French School. Written in clear GoTHIC CHARACTERS in black, on 417 leaves of 
 FINE VELLUM, 2 columns, 37 lines and headlines; 192 by 140 mm. Quired 
 in es: with catchwords at end of each quire. Initial strokes and rubrics 
 in re 
 
 ILLUSTRATIONS: Three full fcliate borders illuminated in burnished gold and 
 colors, each completely surrounding the page and also extending between the 
 columns; miniature of St. Jerome at beginning of Prologue; 41 large initial 
 letters illuminated in burnished gold and colors, each with partial border of 
 flowers and fruits; hundreds of smaller capitals similarly illuminated. 
 
 ConDITION: Beautiful manuscript in wonderfully fine condition through- 
 out. The vellum is unusually fine, the leaves quite free from injury by damp- 
 ness, mutilation or close cutting. The original manuscript signature marks are 
 found on most of the leaves. 
 
 The volume comprises the first part of the Bible only, ending with the 
 Psalms, below which the rubricator has written the words, “Explicit psalterium,” 
 and the date “7408,” both in red. 
 
 This ancient and beautiful volume would have delighted the heart of William 
 Morris. The illumination throughout is “marvellous” as a French authority 
 puts it, and the border ornamentation is entitled to the same high praise. The 
 gold is laid on very heavily, beautifully burnished to even the smallest capitals, 
 and is nowhere chipped or broken. The borders are exquisitely executed in the 
 ivy-leaf pattern combined with the delicate tendrils, colored foliage, flowers, 
 etc., which came into prominence in French and Flemish illumination during 
 the first half of the 15th Century. The wealth of burnished gold capitals is 
 most unusual, one or more being found in every chapter of the different books 
 and at the beginning of each verse throughout the Psalms. 
 
IX GUVYMd 
 
 [3 ON] 
 o[TUISOB prenpesy 
 LEST “IVAS LVGUD HLIM SINALVd SHALLATI TVAOU 
 
 a—INGNNO0d HSITONG 
 
THe WitutiaAmM C. Van ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 ENGLISH ROYAL DOCUMENT WITH GREAT SEAL 
 WESTMINSTER, ApRIL 1, 1547 
 Royal Letters Patent 
 
 ‘700.0022. EDWARD VI, KING OF ENGLAND. DOCUMENT SIGNED 
 IN THE AUTOGRAPH OF KING EDWARD,—“Edward.” 
 ROYAL LETTERS PATENT creating a Mint and Assay Office 
 at Canterbury, also signed in the autographs of,—“E. Somerset, 
 T. Cantburion, W. St. John [William Paulet], J. Russell, J. War- 
 rewyk, Seymour, Cuth. Durehme, Anthone browne, W. Herbert.” 
 Document on vellum, 307 by 568 mm. With indorsements on 
 back. With fine impression of King Edward’s GREAT SEAL, 
 about 127 mm. in diameter, attached by original vellum strips. 
 In fitted velvet tray, enclosed in atlas folio case, full midnight blue 
 crushed levant morocco, gilt lettered, metal fasteners. Laid in is a 
 facsimile reproduction of the document and seal. 
 
 [See Illustration on preceding page] 
 
 ONE OF THE RAREST TUDOR DOCUMENTS KNOWN. WITH THE AUTOGRAPH 
 SIGNATURE OF KING EpwArD Two MontTus AFTER His ACCESSION, WHEN HE 
 WAS BUT TEN YEARS OF AGE, AND CONTAINING ALSO THE AUTOGRAPH SIGNA- 
 TURES OF THE ENTIRE COUNCIL OF REGENCY, v12.— 
 
 (1) Edward Seymour, Duke of Somerset, Lord Protector, uncle to King Edward 
 VI, beheaded in 1552; 
 
 (2) Thomas Cranmer, Archbisnop of Canterbury, burned at the stake, Oxford, 
 1556. An excessively rare autograph; 
 
 (3) William Paulet, Marquis of Winchester (then Baron St. John), Lord Keeper 
 of the Great Seal, and one of the judges who tried Mary Queen of Scots; 
 
 (4) John, Lord Russell, afterward Earl of Bedford, Lord Privy Seal, Lord High 
 Admiral of England, and the favorite of Henry VIII; 
 
 (5) John Dudley, Earl of Warwick, afterward Duke of Northumberland, 
 Lord Protector after the fall of Somerset; beheaded in 1553; 
 
 (6) Thomas, Lord Seymour, Lord High Admiral, Uncle to Edward VII, be- 
 headed 1549; 
 
 (7) Cuthbert Tunstall, Bishop of Durham, Executor of the will of Henry VIII; 
 
 (8) Sir Anthony Browne, Secretary of State; 
 
 (9) William Herbert, Clerk of the Council of the Regency, Executor and 
 beneficiary of Henry VIII’s will, Privy Councillor under Mary and under 
 Elizabeth. 
 
 The King’s Royal Sign Manual accompanied by the Great Seal is very rare. 
 Ordinarily documents signed by the King did not bear the Seal, or documents 
 bearing the Seal did not contain the signature. 
 
 ENGLISH ROYAL DOCUMENT WITH GREAT SEAL 
 WESTMINSTER, FEBRUARY 5, 1561 
 
 Royal Letters Patent 
 
 / 30.0023. ELIZABETH, QUEEN OF ENGLAND. ROYAL LETTERS 
 PATENT, granting to Sir Richard Lee, Knight, highway rights 
 
 “on London Waite from St. Albans to Colney.” Signed, “Cordell.” 
 
 Document on parchment, 193 by 450 mm. Indorsed on back,— 
 
 [ Continued 
 
[so ON] 
 
 g[tuIsoR,y peonpey 
 
 LOCL “IVAS LVAUD HLIM SINALVd SUALLAT TVAOU 
 
 HLAAVZITA NAANO—LNAWNOO0d HSTIOSNGA 
 
THe WiutiaAm C. Van ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 [No. 23. ELIZABETH, QUEEN OF ENGLAND. Royal Document.—Con- 
 tinued | 
 
 “Ve graunt of fee highwate for Sir Richard Lee knight in anno grlle(?) 
 Elizabeth 117. London way torwed(?).” With fine impression of 
 the First GREAT SEAL, about 130 mm. in diameter, attached 
 at bottom fold by original parchment strips. Folded, in fitted 
 tray, enclosed in small 4to case, full brown straight-grain morocco, 
 gilt lettered, BY SANGORSKI & SUTCLIFFE, back of case scraped, 
 Laid in is a modern transcription of the document in pen-and-ink. 
 
 [See Illustration on preceding page] 
 
 AN EXCEEDINGLY RARE AND VALUABLE ITEM. THE GREAT SEAL IS IN 
 WONDERFUL STATE OF PRESERVATION. 
 
 Sir Richard Lee, to whom the above letters were granted, was presented by 
 King Henry VIII with the monastery domains at St. Albans for his brilliant 
 services in the defence of Boulogne. Edward VI similarly rewarded him with 
 the Priory of Newent in Gloucestershire. Queen Mary added to his wealth, 
 as did also Queen Elizabeth, whom he served with distinction both in diplo- 
 matic missions and in military duties. 
 
 Sir William Cordell, whose signature appears at the foot of the document, 
 was Privy Councillor under Queen Maryand Master of the Rolls under Elizabeth. 
 He died in 1581. 
 
 ENGLISH ROYAL DOCUMENT WITH GREAT SEAL 
 WESTMINSTER, Marcu 11, 1574 
 Deed of Exchange 
 
 / 20.0024. ELIZABETH, QUEEN OF ENGLAND. DOCUMENT SIGNED 
 IN THE AUTOGRAPH OF QUEEN ELIZABETH,—*Eliza- 
 beth R.”. DEED OF EXCHANGE in which Sir Thomas Heneage 
 deeds to Her Majesty the Priory of Nun Ormesby and other prop- 
 erty, in exchange for certain manors in Suffolk, Norfolk, Kent and 
 Essex. Signed in the Queen’s autograph at beginning, and at end 
 by,—“W Burghley” (William Cecil, Lord Burghley), “Wr. Muzuld- 
 may” (Sir Walter Mildmay), “Eyre,” and “Th. Bromley” (clerks). 
 Document on vellum, 635 by 760 mm. With signature of, “M. 
 Henneage,’ on back, also indorsement, signed,—“Ludley (?) 11 
 March 16. Eliz.” With fine impression of the FIRST GREAT 
 SEAL, about 135 mm. in diameter, attached at bottom fold by 
 original vellum strips. Folded, in fitted velvet tray, enclosed in 
 royal 4to case, full red straight-grain morocco, gilt lettered, BY 
 SANGORSKI & SUTCLIFFE. Laid in is a modern manuscript tran- 
 scription of the document in pen-and-ink. 
 
 [See Illustration on opposite page] 
 
 Most RARE ITEM, CONTAINING THE AUTOGRAPH SIGNATURE OF QUEEN 
 ELIZABETH AND IMPRESSION OF HER FIRST GREAT SEAL INTACT, aside from 
 slight chip at one side of border. 
 
 Sir Thomas Heneage, died 1595, was Treasurer of the Queen’s Chamber and 
 Keeper of the Records of the Tower jointly with his brother, Michael Heneage 
 whose autograph signature appears on the back of the document. 
 
 [ Continued 
 
amie i 
 
 ENGLISH DOCUMENT—QUEEN ELIZABETH 
 DEED OF EXCHANGE, WITH GREAT SEAL, 1574 
 Reduced Facsimile of Seal and Part of Document showing Signature 
 [No. 24] 
 
THe WittiaAmM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 [No. 24. ELIZABETH, QUEEN OF ENGLAND. Royal Document.—Con- 
 
 tinued | 
 
 William Cecil, Lord Burghley, was Minister of State, Lord High Treasurer 
 and the most powerful man of his day. Of him the Dictionary of National Btog- 
 raphy says,—‘“By him more than by any other single man during the last thirty 
 years of his life (1568-1598) was the history of England written.” 
 
 Sir Walter Mildmay, who also signed the document, was Chancellor of the 
 Exchequer, founder of Emanuel College, Cambridge, and a great friend of the 
 Queen as well as of Lord Burghley. 
 
 ENGLISH ROYAL DOCUMENT WITH GREAT SEAL 
 WESTMINSTER, FEBRUARY 6, 1610 
 Royal Letters Patent 
 
 ] 25.0025. JAMES I, KING OF ENGLAND. LETTERS PATENT, con- 
 ferring upon Sir Robert Harley the right to establish and maintain 
 a weekly market and annual fair at the town of Wigmore, Here- 
 ford. Document on parchment, 473 by 728 mm., with miniature 
 portrait of King James and upper border containing the Tudor 
 rose, lions and crowns, in black and white. Folded at bottom and 
 with fine impression of the GREAT SEAL, 155 mm. in diameter, 
 attached at fold by the original cords. Mounted on black velvet 
 and framed under glass. Small tear in right margin, otherwise 
 in excellent state of preservation. 
 
 [See Illustration on opposite page] 
 
 Sir Robert Harley (1579-1656) was Master of the Mint, served in the 
 Long Parliament with distinction and his castle at Brampton Bryan 
 was captured by the Royalist forces in 1644. The Dictionary of National 
 Biography mentions the grant which is confirmed in the above Letters Patent. 
 Sir Robert was the grandfather of Robert Harley, first Earl of Oxford and 
 Chancellor of the Exchequer. 
 
 ENGLISH ROYAL DOCUMENT WITH GREAT SEAL 
 WESTMINSTER, JANUARY 19, 1622 
 
 / 0§-0026. JAMES 1, KING OF ENGLAND. LICENSE OF ALIENATION 
 in respect of property in the parish of St. Sepulchre, Newgate. 
 Document on parchment, 370 by 271 mm. With indorsements 
 on back, first signed by “Edmond Godfrey,” the second reading,— 
 “A License of alienation from Anne Guinnes (?) widowe to Aubrey 
 Hambleton Baron. Long Lane... toth January 1622.” With 
 fine impression of the GREAT SEAL, 152 mm. in diameter, at- 
 tached at bottom fold by original parchment strips. Folded, in 
 fitted velvet tray, enclosed in small 4to case, full red straight- 
 grain morocco, gilt lettered, By SANGORSKI & SUTCLIFFE. 
 
 [See Illustration on third page following] 
 
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 ENGLISH DOCUMENT—JAMES IST 
 ROYAL LETTERS PATENT, WITH GREAT SEAL, 1610 
 
 Reduced Facsimile 
 [No. 25] 
 
Toe WiI.uutiAM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 ILLUMINATED LEAF 
 Persian, X Vito CENTURY 
 
 / } 0.0027. EMPRESS NOOR JAHAN. Leaf of heavy paper from a 16th 
 Century Persian Manuscript, 336 by 229 mm., containing minia- 
 ture portrait of the Empress Noor Jahan, 169 by 99 mm. inside 
 the borders. Full length figure, robed in gold and red, face in pro- 
 file with golden cap on her head, a floral branch or scepter in her 
 hand. Standing on white marble balcony with carved balustrade, 
 back of which are colored flowers and a large tree. With frame of 
 black and gold, and broad outer floral border in gold with touches 
 of color. Matted. 
 
 Companion piece to the following portrait of Prince Dara Shikoh. Both 
 
 pieces are in excellent state of preservation, and are beautiful examples of 
 early Persian Illumination. VERY RARE. 
 
 ILLUMINATED LEAF 
 Persian, XVItH CENTURY 
 
 / / 0.0028. PRINCE DARA SHIKOH, SON OF SHAH JAHAN. Leaf of 
 heavy paper from a 16th Century Persian Manuscript, 342 by 
 237 mm., containing miniature of the Prince Dara Shikoh and 
 three attendants, 180 by 120 mm. inside the borders. Shows the 
 Prince in profile, seated, cap, robe and chair in gold and red, with 
 two attendants in front and one behind him, clothed in various 
 colors, a Persian carpet in vivid red and other colors, on the floor, 
 white marble balustrade beautifully carved, and a portion of the 
 side wall of the house in white with delicate design in colors, door- 
 way in black and gold, and canopy in gold and colors. Beyond is 
 a view of water and fields. Framed in blue and gold, with broad 
 outer floral border in gold, blue and red. Matted. 
 
 Companion piece to the preceding portrait of the Empress Noor Jahan. 
 
 ILLUMINATED LEAF ON VELLUM 
 FrencH, XII[tTH Century 
 
 50-0029. Fragment of a VELLUM LEAF from a 13th Century French Manu- 
 script Hore, consisting of an initial letter “N,” 108 by 104 mm., 
 containing miniature of the Saviour with gold crown and scepter, 
 seated, a woman, probably meant for the Virgin, standing back 
 of his chair, an angel leading forth a saint from the door of a castle 
 on the opposite side, painted in subdued tones upon a vivid blue 
 diapered ground, with a beautiful gothic arch surrounding the 
 picture. The initial in red and pink over the same blue diapered 
 background, gold fillet border. Matted. 
 
 ONE OF THE EARLY AND VERY BEAUTIFUL MINIATURES SO HIGHLY PRIZED 
 BY COLLECTORS. 
 
tlhe do lll 
 
 mie 
 
 Lae 
 
 ag raat 
 meas 
 a 
 
 | erarectiece ae 
 Aide ‘ 
 
 ENGLISH DOCUMENT—JAMES 1ST 
 LICENSE OF ALIENATION, 1622 
 Reduced Facsimile 
 
 [No. 26] 
 
THe WILLIAM C. VAN ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 ILLUMINATED LEAF ON VELLUM 
 Frencu, XVTH CENTURY 
 
 5 0| 00% VELLUM LEAF from a 15th Century French Manuscript Hore, 
 
 § 0 \003!. 
 
 206 by 154 mm., with beautiful miniature of the Resurrection, 
 110 by 77 mm. ‘Painted in delicate colors heightened with gold, 
 with burnished gold fillet border. Below the miniature is a large 
 initial letter “D,” two smaller capitals and three line-ends in 
 burnished gold, blue and red, with five lines of manuscript text, 
 and enclosing the miniature and text on three sides is an exquisite 
 border of burnished gold with conventionalized leaf design in 
 red and blue, extended into larger colored floral designs at the four 
 corners. Outside this gold band is a full border in ivy-leaf pat- 
 tern in burnished gold broken by a few flowers in colors, com- 
 pletely surrounding the page, and of unusual width and beauty. 
 The reverse of the leaf is blank, except for one line of writing in 
 red. Matted. 
 
 Judging from the great beauty of this leaf, the book from which it was 
 taken must have been one of the finest specimens of the miniaturist’s art of the 
 period. 
 
 ILLUMINATED LEAF ON VELLUM 
 FiemisH, XVtH CENTURY 
 
 VELLUM LEAF from a 15th Century Flemish Manuscript Anti- 
 
 phonal, 462 by 303 mm., with large illuminated initial letter “P,” 
 containing miniature of the Nativity in upper section of the letter, 
 108 by 123 mm. The Virgin in blue with burnished gold halo, 
 the rest of the painting in green and other less brilliant tones, 
 heightened with gold, the initial letter in vivid blue heightened 
 with white, with outer border of miniature in finely burnished gold 
 edged with red. Below this and extending from the lower portion 
 of the initial is a second beautiful miniature, 60 by 210 mm. 
 depicting a pastoral scene, with the Christ-Child, a mitred bishop 
 and two saints, animals, etc., painted in delicate greens, ochres 
 and natural colors. The other three sides of the page are bordered 
 with a charming floral design in exquisite colorings, and burnished 
 gold, containing figures of St. Agnes, St. Andrew, two nuns and an 
 angel, also a peacock and other birds. Inlaid in bristol board and 
 matted. 
 
 ILLUMINATED LEAF ON VELLUM 
 FiemisH, XVtH CENTURY 
 
 70\0032. VELLUM LEAF from a 15th Century Flemish Manuscript Anti- 
 
 phonal, 500 by 342 mm., with large illuminated initial letter “R,” 
 152 by 170 mm., containing miniature of the Resurrection painted 
 in delicate colors, touched with gold, the initial in vivid blue 
 
 [ Continued 
 
Under the Management of the American Art Association 
 
 Kindly read the Conditions of Sale Printed in forepart of this catalogue 
 
 [No. 32. VELLUM LEAF. Flemish XVth Century.—Continued] 
 
 A a ER RRS RR “Stir sca SNR 
 
 heightened with white, with outer border of burnished gold. The 
 page entirely surrounded with a beautiful border of unusual width, 
 measuring 2I mm. at inner, 42 mm. at outer, 32 mm. at top, and 60 
 mm. at bottom margin, consisting of flowers, fruits, birds and fig- 
 ures in blue and gold, the lower section broken by two more small 
 miniatures of charming design and coloring. Inlaid on bristol board 
 mat. 
 
 ILLUMINATED LEAF ON VELLUM 
 Traian, XVItH CENTURY 
 
 U5) 0033. VELLUM LEAF from a 16th Century Italian Manuscript Antiphonal, 
 
 : 
 : 
 
 ; 
 : 
 ’ 
 ' 
 i 
 ? 
 : 
 i 
 
 530 by 376 mm., with large illuminated initial letter “A,” 170 by 165 
 mm., exclusive of outer border, containing miniature of St. Thomas 
 praying. Painted in green and red, with burnished gold halo, ona 
 vivid blue ground heightened with white, initial in mauve, bur- 
 nished gold outer band and fine border in large foliate design in 
 burnished gold and colors. 
 
 BEAUTIFUL SPECIMEN OF ITALIAN ILLUMINATION. 
 
 ILLUMINATED LEAF ON VELLUM 
 ITaLiaAn, XVItH CENTURY 
 
 70] 0034. VELLUM LEAF from a 16th Century Italian Manuscript Anti- 
 
 : 
 : 
 - 
 
 i 
 
 ) 
 /70 0035: F 
 
 3 
 4 
 : 
 4 
 
 phonal, 580 by 395 mm., with large illuminated initial letter “O,” 
 135 by 122 mm., exclusive of outer border, containing miniature 
 of a Saint, seated, in meditation. Painted in rose, violet and 
 blue, with beautifully burnished gold border surrounding the 
 initial, and foliate marginal border in burnished gold and colors. 
 
 ILLUMINATED LEAVES ON VELLUM 
 SpaNIsH, XVITH CENTURY 
 
 OUR VELLUM LEAVES from a 16th Century Spanish Manu- 
 script Antiphonal, averaging 555 by. 385 mm., each containing 
 large illuminated initial letter, averaging 105 by 115 mm. Painted 
 in gold, silver and colors. Each with elaborate borders of saints, 
 grotesque figures, animals, birds, flowers, and fruits, in colors and 
 burnished gold. Very beautiful leaves. 
 
THe WiuutiaAMmM C. Van ANTWERP COLLECTION 
 
 Monday Evening, May 1st 
 
 IMPORTANT BIBLIOGRAPHICAL REFERENCE BOOKS 
 
 es) 0036. AMERICAN BOOK PRICES CURRENT. Livincston (LUTHER 
 S.), Pausits (Victor HuGo), AND Dvett (C. E.)—Editors. Ameri- 
 can Book-Prices Current. From volume I (1895) to volume 24 
 (1918) inclusive. Together, 24 vols. 8vo, red buckram, gilt, gilt 
 tops, as issued. New York, 1895-1918 
 
 Limited issue of each volume. 
 
 45\0037. ENGLISH BOOK PRICES CURRENT. S ater (J. H.—Editor.) 
 Book-Prices Current. A Record of the Prices at which Books have 
 
 been sold at Auction, 1886 to 1912, Vols. 1 to 26 (lacking Vol. 25, 
 
 for the year I9QII). 25 vols. 1888-1912; [ALSO] Index to Book- 
 
 Prices Current, 1887-1896, 1897-1906. 2 vols. I90I—1909. I vol., 
 
 half calf, 26 vols. original cloth as issued. Together, 27 vols. 8vo. 
 
 London, 1888-1912 
 
 /7\5038. ASTLE (THOMAS). The Origin and Progress of Writing, as well 
 Hieroglyphic as Elementary ... also some Account of the 
 Origin and Progress of Printing. Second Edition, with additions. 
 Portratt and 31 full-page plates, exhibiting some hundred of engraved 
 facsimiles from marbles, manuscripts and charters. Folio, full 
 brown morocco, gilt panelled back, gilt edges, BY J. WRIGHT, 
 
 binding slightly worn on edges. | London, 1803 
 LARGE PAPER Copy, of which 100 copies were printed. The best book on 
 the subject. 
 
 Bookplate of Samuel Chick. 
 
 15 0039. BURGER (KONRAD). Supplement zu Hain und Panzer. Bei- 
 trage zur Inkunabelbibliographie. Nummernconcordanz von 
 Panzers lateinischen und deutschen Annalen und Ludwig Hains 
 Repertorium bibliographicum. 8vo, half maroon crushed levant 
 morocco, gilt top, uncut, original wrappers bound in, BY ZAEHNS- 
 DORF. Leipzig, 1908 
 
 7| 0040. DE RICCI (SEYMOUR). A Census of Caxtons. Wzth facsimiles 
 of printed pages. 4to, original wrappers, uncut. 
 [Oxford:] Printed for the Bibliographical Society, 1909 
 Illustrated Monographs of the Bibliographical Society, No. XV. 
 
 /2.5041. DIBDIN (THOMAS FROGNALL). Bibliomania, or, Book Mad- 
 ness. A Bibliographical Romance. Wzuth woodcuts. 2 vols. in 
 one, 8vo, full green straight-grain morocco, sides with gilt and 
 blind framework, gilt panelled back, gilt edges. London, 1811 
 
 Fine copy of the scarce Second Edition, with the additional Vol. 2 title, 
 and leaf of “Errata.” Inserted is an etched caricature portrait of Dr. Gossett. 
 Bookplate of Dudley C. Marjoribanks. 
 
Under the Management of the American Art Association 
 
 Kindly read the Conditions of Sale Printed in forepart of this catalogue 
 
 45\0042. DUFF (E. GORDON). William Caxton. Illustrated with numer- 
 ous fine reproductions, including one of a binding with Caxton’s des. 
 
 Ato, boards, cloth back, paper label, uncut. Chicago, 1905 
 
 CAXTON CLUB PUBLICATION. One of 252 copies on hand-made paper. 
 
 With an original leaf of the First Edition of the Canterbury Tales, printed 
 | by Caxton, laid in pocket on back cover. 
 
 30043. GUIGARD (JOANNIS). Nouvel Armorial du Bibliophile, Guide 
 
 . de |’Amateur des Livres Armoriés. Wuth numerous text tllustra- 
 tions. 2 vols. royal 8vo, half morocco, panelled backs, gilt tops, 
 uncut. Paris, 1890 
 
 90.0044. HAIN (LUDOVIC). Repertorium Bibliographicum, in quo libri 
 | omnes ab arte Typographica inventa usque ad annum MD. 4 
 vols. 8vo, full old polished calf, gilt panelled backs, gilt tops, 
 uncut, two volumes neatly rebacked, the original backs being pre- 
 
 served, joints of other two volumes cracked. 
 
 Stuttgartiae, 1826-1838 
 VERY SCARCE. Printed on bluish paper. 
 
 ; 
 
 : 
 
 : 
 
 : 
 
 : 
 
 | 
 
 ; 
 
 | 45. HAIN-COPINGER. Supplement to Hain’s Repertorium Biblio- 
 
 ; graphicum, or, Collections Towards a New Edition of that Work. 
 
 | 3 vols. 8vo, half maroon morocco, gilt panelled backs, contents 
 
 . lettered, gilt tops, uncut, BY ZAEHNSDORF. London,-1895—1902 
 
 This work is divided into two parts, Part II comprising two volumes. 
 
 Part I contains nearly 7000 corrections of and additions to the collation of 
 works described or mentioned by Hain; Part II contains a list with numerous 
 collations and Bibliographical particulars of nearly 6000 volumes printed in 
 
 the 15th Century, not referred to by Hain. 
 
 : 
 
 oe 5046. HUMPHREYS (H. NOEL) A History of the Art of Printing from 
 its Invention to its Wide-spread Development in the Middle of the 
 
 | Sixteenth Century. Preceded by a short Account of the Origin of 
 the Alphabet, and of the Successive Methods of Recording Events 
 
 ) before the Invention of Printing. Second Issue. Wazth 100 full- 
 page facsimiles in photolithography. Small folio, cloth, uncut, a 
 
 few plates loose. London: Bernard Quaritch, 1868 
 
 //0\0047. MARTIN (F.R.). The Miniature Painting and Painters of Persia, 
 India and Turkey, from the 8th to the 18th Century. Wzth more 
 | than 270 full-page plates, some with more than one subject, a few 
 plates in colors, and numerous illustrations in the text. 2 vols. folio, 
 ) cloth, gilt tops, uncut. London, I912 
 
 Volume 1, text; Volume 2, plates and descriptions, 
 
THe Wittiam C. Van ANTWERP COLLECTION 
 Monday Evening, May 1st 
 
 ee; 20 20 48. REICHLING (DIETERICUS—Editor). Appendices ad Hainii- 
 Copingeri Repertorium Bibliographicum. Additiones et Emen- 
 
 dationes. 6 vols. in 2, 8vo, half roan, purple edges. 
 Monachii, 1905-1911 
 
 75 0049. SILVESTRE (J. B.). Universal Paleography: or Fac-Similes of 
 Writings of all Nations and Periods. Copied from the most 
 Celebrated and Authentic Manuscripts in the Libraries and Ar- 
 chives of France, Italy, Germany and England, by M. J. B. 
 Silvestre, accompanied by an Historical and Descriptive Text 
 and Introduction, by Champollion-Figeac and Aimé Champollion, 
 fils. Translated from the French, and edited, with Corrections 
 and Notes, by Sir Frederic Madden, Keeper of the Department 
 of Manuscripts in the British Museum. Wzth upwards of 300 
 large and most beautifully executed facsimiles taken from Mtssals 
 and other manuscripts, most richly tlluminated in the finest style of 
 art. 2 vols. 8vo of text, and 2 vols. atlas folio of plates. Together, 
 4 vols. half green morocco, gilt panelled backs, gilt tops, uncut, 
 BY BAIN. London: Bohn, 1849-1850 
 
 A sumptuous publication, and one of the finest works of its kind ever pub- 
 lished; and most interesting to the scholar and the man of taste. The finest 
 possible specimens are given of MSS. in every European and Oriental language. 
 The number of reproductions of Miniatures is very large. The work was very 
 costly in getting up, and the expense was chiefly defrayed by Louis Philippe 
 of France, who subscribed at the outset for sixty copies at £75 each. 
 
 50. THOMPSON (SIR EDWARD MAUNDE). An Introduction to 
 Greek and Latin Palaeography. Wzth about 250 facsimiles. 8vo, 
 cloth, partly uncut. Oxford: Clarendon Press, 1912 
 
 AMERICAN ART ASSOCIATION, 
 MANAGERS. 
 THOMAS E. KIRBY, 
 
 AUCTIONEER. 
 
ae 
 
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 + 1922 May 1 NeAmA c.1 
 
 eyenad /Early printed books, ra 
 
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 COLLECTION 
 
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