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 ANAL ALE LAE CLARA ALLELE LEELA ALDER AT SEER ELEC CEE ES CERES E EHC EE ERNEST REE R PLES ROSS CROCE CORE R ENE SECURE ESC ERO SEES RCo Reng 
 
 GAUTIER. 
 
od the 
 
 CATALOGUE OF Woy /f- 
 
 S «Che Library of == 4 
 ; Robert Hoe 
 
 of I2ew Bork 
 
 ILLUMINATED MANUSCRIPTS, INCUNABULA, HISTORICAL 
 _ BINDINGS, EARLY ENGLISH LITERATURE, RARE 
 «AMERICANA, FRENCH ILLUSTRATED BOOKS, 
 EIGHTEENTH CENTURY ENGLISH AUTHORS, 
 “AUTOGRAPHS, MANUSCRIPTS, AND THE 
 
 Library of Bibliography 
 
 IN A SEPARATE ALPHABET 
 
 PART IV—A TO K 
 
 TO BE SOLD BY AUCTION BEGINNING 
 
 - MONDAY, NOVEMBER 11, 1912 , ee 
 
 BY 
 
 Mapison AVENUE AT FortigT STREET 
 Pree. New York 
 TELEPHONE, Bryant 7990 
 
 ; (SEE ORDER OF SALES ON PAGE 8) 
 
BOOKS AND AUTOGRAPHS. 
 
 Conditions of Sale. 
 
 1. All bids to be per Lot as numbered in the ides 3 
 
 2. The highest bidder to be the buyer; in all cases of disputed bids: By 
 the lot shall be resold, but the Auctioneer will use his judgment as to the 
 good faith of all claims and his decision shall be final. ie 
 
 3. Buyers to give their names and addresses and to make such ou 
 payments on account as may be required, in default of which the a me 
 puzeuaned to be immediately resold. 
 
 fe Goods bought to be removed at the close of each sale. If not Bo 
 removed they will be at the sole risk of the purchaser, and subject ton: ie 
 storage charges, and this Company will not be responsible if such goods. ; 
 are lost, stolen, damaged or destroyed. 
 
 5. Terms Cash. If accounts are not paid at the cousluieg 0 
 each Sale, or, in the case of absent buyers, when bills are rendered, thi 
 Company reserves the right to recatalogue the goods for immediate sal 
 without notice to the defaulting buyer, and all costs of such resale will 
 be charged to the defaulter. This condition is without prejudice to th 
 rights of the Company to enforce the sale contract and collect th 
 amount due without such resale at its own option. Unsettled account 
 are subject to interest at the rate of six per cent. per annum. 
 
 6. All books are sold as catalogued, and are assumed to be in go 
 condition. If material defects are found, not mentioned in the catalogue, — 
 the lot may be returned. Notice of such defects must be given | 
 promptly and the goods returned within ten days es io 
 the date of the sale. No exceptions will be made to this rules 
 
 7. Autograph Letters, Documents, Manuscripts and Bindings are ‘st 
 as they are without recourse. The utmost care is taken to authentica 
 and correctly describe items of this character, but this Company will no 
 be responsible for errors, omissions, or defects of any kind. j 
 
 te We use all bids competitively and buy at the lowest price t 
 mitted by other bids. : 
 
Part IV (A to K) 
 
 ORDER OF SALES 
 
 "Afternoons and Evenings of November fl to 15, 1912 
 
 Beginning at 2:30 and 8:15 o’clock 
 
 Monpay AFTERNOON, Lots eT) 
 
 Monpay EVENING, 4 991-410 
 TUESDAY AFTERNOON, is 411— 592 
 TuEspay EVENING, | rh 5938-— 173 
 
 W EDNESDAY AFTERNOON, a i742 956 
 ~ WebNEspay EVENING, d: 957-1140 
 - Tuurspay AFTERNOON, LASS eas is 
 Tuurspay EVENING, ‘* 1326-1508 
 _ Frrpay AFTERNOON, ‘* 1509-1678 
 ee -Fripay EVENING, | ‘1679-1840 
 
 wae SS : . 
 Following the sale a full list of prices will be printed 
 
for each part, including the Price List. 
 
 Price Lists will be issued with each part ‘ae 
 
 delivery, and that for Part IV will be issued as fh 
 
 clusion of the sale. 
 
 Pee Sa ee Op ae Che, 
 
Bibliograpbical Motes 
 
 HIS Sale concludes the dispersal by auction of the great 
 
 hbrary formed by the late Robert Hoe, of New York, a 
 
 collection which for interest, importance, and intrinsic value 
 stands apart from all others. 
 
 Part I of the Hoe Library, sold in the Anderson Galleries 
 April 24-May 5, 1911, brought $997,366.00; Part II, sold 
 January 8-19, 1912, brought $471,619.25, and Part III, sold 
 April 15-26, 1912, brought $200,150.50—a total to date of 
 e660 2130.70. 
 
 Owing to the importance of the books, manuscripts, and 
 fine bindings now offered, it is thought that a total of 
 $2,000,000 may be realized for the collection which now passes 
 into history as the Robert Hoe Library. A supplementary 
 sale of books which were the property of Mr. Hoe but which 
 he did not regard as a part of his Library, has been arranged 
 by this Company and will be held on the afternoons of Mon- 
 day and Tuesday, November 25th and 26th. 
 
 In this connection it may be of interest to note the amounts 
 realized from the sale of the four most important libraries 
 heretofore sold by public auction, as follows: 
 
 Heber Library, England, 1834-37............ $325,000.00 
 
 Sunderland Library, England, 1881-83....... 327,905.00 
 
 Beckford Library, England, 1882-83......... 367,755.00 
 
 Ashburnham Library, England: 
 
 Miamuserpis,- 1801 5c. vce. $166,085.00 
 PEO ee LOO TOG sive rsison' oe s\s 8" 8 313,560.00 
 
 479,645.00 
 
 ARRAN erg ae ae ae ae eR ei SNe $1,500,305.00 
 
 It will be noted that the total amount of the sale of these 
 four great libraries is less than the proceeds of the three parts 
 of the Hoe Library already sold. 
 
 The attention of collectors may be called to a few of the 
 rarest and most desirable books in this part of the Library: 
 
 MANUSCRIPTS: ‘This division, one of the richest and most 
 important of the Hoe Library, was by no means exhausted in 
 
 Vv 
 
the three previous Sales. The present Catalogue contains 
 forty-seven Manuscripts, many of great interest and value. 
 Among them are eighteen Hore Beate Marie Virginis of 
 the Fifteenth Century, all of which are attractive. One, with 
 twenty-five large and fifty-six small miniatures, is of unusual 
 beauty ; another contains fifteen large miniatures on a ground 
 of blue and gold, and the sixteen minatures in a third are 
 surrounded by borders remarkable in design and coloring. 
 An Officium Beatz Marie Virginis of the early part of the 
 Sixteenth Century contains nine full-page miniatures exe- 
 cuted in the best style of the Italian Renaissance. Among the 
 Manuscripts will also be found a volume containing more 
 than sixty English poems of the Fifteenth to the Eighteenth 
 Centuries; this is of great interest, for mao of early 
 English eee are very rare. 
 
 BINDINGS: Many choice armorial bindings, executed for 
 the Kings and Queens of France and England, will be found — 
 in this Sale, and some rare books appear in bindings which 
 display the highest skill of Trautz-Bauzonnet, Mercier, 
 Padeloup, Le Gascon, Roger Payne, and other great masters ah 
 of the art. Among the books are two from Grolier’s Li- — 
 brary, another was in the Maioli Library, a third was once 
 owned by Henry III, and another was probably bound for — 
 Diane de Poictiers as a memorial of the funeral of Henry II. 6 
 The bindings of the highest class are grouped in this Cata- — 
 logue under the appropriate heading and will command the 
 admiration of the most discriminating collectors. oe 
 
 INCUNABULA: The Summe Theologiz, Prima Pars Seouldan : a 
 of Aquinas, first edition, Mentz, 1471, is in contemporary Ger- 
 man binding. De Arte Predicandi of Augustine was printed - 
 by Johann Mentelin at Strassburg about 1466. Tusculanarum ~ 
 Questionum, by Cicero, printed on vellum at Venice in 1472, 
 is one of six known copies. Coustumier du Pays et Duchie de — 
 Normandie, first edition, Paris, 1483, is exceedingly rare. — 
 Quentin’s 1’Oreloge de Devocion, printed on vellum at Paris ‘| 
 about 1500, is one of four known copies. ee 
 
 ENGLISH LITERATURE: ‘The Library was very strong e 
 this department. A few of the more important items in this 
 Sale may be mentioned. Bacon’s Resuscitatio, London, 1661, 
 was Charles the Second’s copy and the volume bears his arms. 
 Beaumont and Fletcher are well represented, the Knight of 
 
 vi 
 
the Burning Pestle, London, 1635, is an uncut copy. Byron’s 
 Journals and Letters are extra-illustrated with 165 portraits 
 and two stanzas in Byron’s autograph. Castiglione’s Courtier, 
 London, 1588, is the third edition, the rarest of all editions 
 in English. Congreve’s Incognita, his first work, is the first 
 edition, and so rare that there is no copy in the British 
 Museum. Chaucer’s Works is the third edition, and this 
 copy is unusually tall. Daniel’s Delia, London, 1592, is the 
 only perfect copy known. Queen Elizabeth’s Prayer Book, 
 London, 1581, is the very rare second edition. Heywood’s 
 Preparative to Study, London, 1641, is the first edition. Kal- 
 ligrew’s Comedies contains a brilliant impression of the por- 
 trait in the first state. Marmion’s Cupid and Psiche, Lon- 
 don, 1637, is believed to be the only copy known of the first 
 edition with the engraved title. More’s Utopia, London, 
 1551, is the first edition in English. The copy of Spencer’s 
 Faerie Queene is the first issue of the first edition. Many 
 of the Shelley first editions are uncut, and Adonais is in the 
 original blue wrappers. Among the Shakespeareana are 
 some very desirable items. The Third Folio has a curious 
 variation of the frontispiece; the Troylus and Cresseid is the 
 first edition with the second title; the Merry Wives of Wind- 
 sor, London, 1619, is the rare second edition. 
 
 AMERICANA: Among the many items that will interest 
 collectors in this branch of literature are: Brandt’s Stulti- 
 fera Navis, printed in 1497, containing an allusion to the 
 discovery of this Continent; the Latin Letter of Columbus, 
 Basel, 1494; the Tyrannies et Cruautez des HEspagnoles, by 
 Las Casas, Anvers, 1579; the second edition of the first nar- 
 rative of Magellan’s discovery of the Straits; the Mundus 
 Novus of Vespuccius, Augsburg, 1504, the first dated edition, 
 of which only four copies are known, and Montalboddo’s Paesi 
 Novamente Retrovati, containing the voyages of Vasco de 
 Gama, Vespuccius, and others, Milan, 1508, the second edition, 
 equal in rarity to the first, and very important as being the 
 first collection of voyages. 
 
 FRENCH BOOKS in this Sale include an unusual collection 
 of the writings of Balzac, with many first editions. The 
 Decameron, printed at Paris in 1757-61, is in a rich binding 
 by Padeloup. The first collected edition of the works of 
 Corneille, Paris, 1644, is rare. Corneille’s Rodogune Prin- 
 
 vii 
 
cess des Parthes was printed in the apartment of Madame de 
 Pompadour, in 1760. Among the writings of Dumas are first 
 editions with the author’s autograph. The Choix de Chan- 
 sons of La Borde is one of the few uncut copies. Les Nou- 
 velles of Margaret of Navarre, Berne, 1780-81, is uncut and 
 as such extremely rare. The edition of Rousseau in twenty- - 
 two volumes is one of sixty copies. Saint-Pierre’s Paul et 
 Virginie is the first edition. There are many choice La Fon- ii 
 taine items, including one in an exquisite binding by Padeloup. 
 Among many other important items in this division is a superb — 
 copy of the works of Crébillon on grand papier vélin. 
 
 AUTOGRAPHS: A very interesting collection of seventeen 
 autograph letters by Ruskin; Scott’s corrected proof sheets 
 of the Poems of Swift and Sheridan; a volume containing 275 
 pages of manuscript by Southey, embracing first drafts of 
 many of his poems, and an autograph manuscript of six — 
 pages by Swinburne, signed in full, are among the treasures 
 in this department. Among others are a fine four-page auto- 
 graph letter from Garrick, twenty-two letters from G. H. 
 Boughton regarding his paintings, and a four-page autograph 
 letter signed by Catherine de Medicis, whose letters are of a ot 
 greatest rarity. ae 
 
 MISCELLANEOUS: A long and important series of Grolier — 
 Club publications will afford collectors an opportunity to~ 
 complete their sets. A copy of Ovid, printed at Venice in 
 1502, was Grolier’s and contains his arms and device. An- 
 other collection of printed Hore is offered, and some of these 
 are on vellum and richly illuminated. Several of the rarest ae 
 Kelmscott Press publications are in this sale also. Le 
 
 BIBLIOGRAPHY: In a separate alphabet at the end of Vol- 
 ume 2 of this Catalogue will be found Mr. Hoe’s remarkable ~ 
 collection of Bibliography of Literature and the Fine Arts, — 
 one of the most important collections ever offered at public 
 sale. It includes all the remaining privately printed cata- tee 
 logues of his Library and of his privately printed work on ee 
 Bookbindings. , | . 
 
 Vili 
 
a ee.” ae. 
 
 The Library of 
 Robert Hoe 
 
 PART IV—A To K 
 
 SIXTIETH SESSION 
 Monday, November 11th, 2:30 P.M. 
 
 i BELARD anp HELOISE. Lettres d’Abailard et 
 d’Héloise, traduites sur les manuscrits de la Bib- 
 liothéque Royale, par E. Oddoul; précédées d’un essai 
 historique, par M. et Mme. Guizot. Edition illustrée par J. 
 Gigoux. 2 vols. royal 8vo, red levant morocco, gilt back, 
 sides tooled in an architectural design, gilt edges, by Simier. 
 .* 38 of the illustrations are proofs on India paper. Paris, 1839 
 
 2. ADAGIA sive Proverbia Grecorum et Zenobio seu 
 Zenodoto, Diogeniano & Suidez collectaneis. Partim edita 
 nunc primum, partim latine reddita, scholiisque parallelis 
 illustrata. 4to, old French red morocco, gilt, the arms of 
 J. A. DE THOU and his second wife GASPARDE DE LA CHASTRE 
 on both covers, gilt edges. 
 
 Antuerpie: ex officina Plantiniana, 1612 
 
 3. ADDISON AND STEELE. The Spectator, The Tatler 
 and The Guardian. Vignettes by Ravenet and Grignion after 
 Hayman. 14 vols. imperial 8vo, old half red morocco, gilt, 
 all edges uncut. London: H. Baldwin, T. Bensley, ete., 1797 
 
 * Large Paper copy. 
 
 4, ADELINE (JULES). L.-H. Breviére; dessinateur et 
 graveur. Rénovateur de la Gravure sur bois en France 1797— 
 1869. Deux eaux-fortes par Jules Adeline, frontispice avec 
 portrait et fac-simile d’un dessin de H. Breviere. Quatre 
 vignettes d’aprés Gros, Barrias et Langlois. 4to, original 
 paper covers, uncut. Rouen, 1876 
 
 * One of 5 copies with two of the etchings in five states, before 
 and after letters on India paper, proofs on Holland and Japan 
 paper, and proof in bistre. 
 
5. ADELINE (JULES). La Legende du Violon de Faience. 
 S etchings by the author. 12mo. One of 150 copies on Japan 
 paper. Paris, 1895 
 
 * White satin embroidered with colored silks and silk ribbons 
 to. a design of flowers, gilt top, uncut, by The Club Bindery. 
 
 6. ASCHYLUS. The Agamemnon; Translated from the 
 Greek. Illustrated by a Dissertation on Grecian Tragedy, 
 etc. By JohnS. Harford. Steel plates by Flaxman and others. 
 8vo, half green morocco gilt, gilt top, uncut. Lond. 1831 
 
 7. AISOP. Asope en Belle Humeur, ou derniére traduxion, 
 et augmentacion de ses Fables, En Prose, & en Vers. Hn- 
 graved frontispiece and 156 copper-plates. FIRST EDITION. 
 12mo, blue levant morocco, gilt edges, by Thouvenin. 
 
 Amsterdam: Antoine Michils, 1690 
 
 8. AESOP. Select Fables of A<sop and other Fabulists. 
 In three books. Frontispiece and 6 vignettes by Grignion 
 after Wale. 8vo, olive morocco, gilt back and sides, gilt 
 edges, by Derome le Jeune, with his ticket. 
 
 Birmingham: John Baskerville, 1764 
 
 9. ASSOP. The Fables of Alsop, and others. Wath de- 
 signs on wood, by Thomas Bewick. Imperial 8vo, red le- 
 vant morocco, back emblematically tooled, gilt top, uncut, 
 by Bedford. Newcastle: E. Walker, 1818 
 
 * Imperial paper copy, scarce, in uncut state. 
 
 10. AGOSTINI (LEONARDO). Le Gemme Antiche 
 figurate. Title and 214 plates of ancient gems, engraved by 
 G. B. Balestruzzt. 4to. Roma: apresso dell’ autore, 1657 
 
 * FIRST EDITION. Old red morocco gilt, the arms of COUNT 
 DE Hoym in the centre of the covers, gilt edges, by Boyet. 
 From the Colbert & Beckford libraries. 
 
 11. AGOSTINI (LEONARDO). Le Gemme Antiche 
 figurate di Leonardo Agostini. Parte Seconda. [With 
 annotation.] 42 plates. 4to, old red morocco, gilt back, 
 centre ornaments on sides, gilt edges. (Small repair to 
 title.) Roma: Michele Hercole, 1669 
 
 * First EDITION. Bookplateof J. A. Brentano. 
 
 12. AGOSTINI (LEONARDO). Gemme et Sculpture 
 antique, addita eorum narratione in Latinum versa ab 
 Jacobo Gronovio. Engraved portrait, frontispiece and 265 
 plates of ancient gems, cameos, statues, etc. 2 parts in one 
 vol. 4to, blue levant morocco gilt, gilt edges, by Noulhae, 
 in acase. (Stamped name on title.) |Amstelodami, 1685 
 
 * First edition of the first Latin translation, with the half- 
 title to the second part. 
 
 13. AGRIPPA (H. CORNELIUS). De la Grandeur et 
 de l’Excellence des femmes audessus des hommes, traduit 
 en Frangois avec des notes curieuses. 12mo, green levant 
 morocco, gilt edges. ; Paris, 1713 
 
 2 
 
Se ee 
 
 14. AIKEN (LUCY). The Life of Joseph Addison. 
 Portraut after Kneller. FIRST EDITION. 2 vols. 12mo, cloth, 
 uncut. London, 1843 
 
 15. [AKENSIDE (MARK).] The Pleasures of Imagina- 
 tion, a Poem. Vignette on title by Bowtard. 4to, green 
 levant morocco gilt, gilt edges, by F. Bedford. (Stamp on 
 title. ) London: Printed for R. Dodsley, 1744 
 
 * FirsT EDITION, WITH THE HALF-TITLE. Tall copy. 
 
 16. [AKENSIDE (MARK).] Odes on Several Subjects. 
 Vignette on title, head- and tail-pieces. 4to, Spanish ealf 
 gilt, gilt edges, by Riviére. 
 
 London: Printed for R. Dodsley, 1745 
 * FIRST EDITION, Large copy, with the half-title. 
 
 16*. AKENSIDE (MARK). The Poetical Works of 
 Mark Akenside [with Life of the poet by the Rev. Alex. 
 Dyce]. 8vo, brown levant morocco gilt, gilt edges, by 
 Matthews. London, 1866 
 
 *Large Paper copy. Extra-illustrated with 4 portraits and 
 15 plates, mostly proofs. 
 
 17. ALBERTINI (FRANCESCO). Opusculum de Mira- 
 bilibus Noue et Ueteris Urbis Rome. Title in red within a 
 woodcut border, and 6 cuts, including that on the title-page. 
 4to, brown levant morocco, gilt top, OTHER EDGES UNCUT, 
 by Masson-Debonelle. 
 
 Lugduni: Per Ioan. Marion sumptibus et expensis Ro- 
 mani Morin, 1520. 
 
 * RARE, 
 
 18. ALBERTUS MAGNUS. Le grant albert des secretz 
 des vertus des Herbes, Pierres et Bestes. Et aultre liure 
 des Merueilles du Monde, daulcuns effectz causez daulcunes 
 bestes. Lettres bdtardes, 36 leaves, cut on title. Small 8vo, 
 old French red morocco, gilt edges, probably by Duseuil. 
 
 Imprime nouuellement a Turin p Bernard du Mont du 
 Chat. [16th Cent. | 
 
 * From the Charles Nodier collection, with bookplate. 
 
 19. ALCIATI (ANDREA). Emblematum libellus. 113 
 emblematic cuts. 8vo, red levant morocco gilt, gilt edges 
 (title repaired). Green, no. 9. 
 
 Parisiis: Christianus Wechelus, 1536 
 
 20. ALCIATI (ANDREA). Les Emblemes mis en rime 
 francoyse et puis naguéres reimprimé auec curieuse correc- 
 tion. 113 fine emblematic cuts, with verses in Latin and 
 French, the last being printed in Gothic characters. Small 
 
 8vo, green levant morocco gilt, gilt edges, by Niedrée. 
 
 Green, no. 12. Paris: Chrestien Wechel, 1539 
 * From the library of the Marquis de Moranté. 
 
 3 
 
21. ALCIATI (ANDREA). Les Emblemes, misenrime — 
 francoyse, et puis naguéres reimprimé avec curieuse correc- 
 tion. 113 emblematic woodcuts. 8vo, red levant morocco, 
 gilt panelled sides, gilt edges, by The Club Bindery. Green, 
 TO wt T. Paris: Chrestien Wechel, 1540 
 
 22. ALCIATI (ANDREA). Emblematum libellus, vigi- — 
 lanter recognitus. 115 woodcut emblems. 8vo, red levant ~ 
 morocco, gilt panelled sides with blind-tooled borders, gilt 
 centre ornaments, gilt edges, by-Lortic, in a cloth case. 
 Green, no. 19. Parisiis: Apud Christianum Wechelum, 1542 
 
 23. ALCIATI (ANDREA). Les Emblemes, puis naguéres 
 augmentez par le dict Alciat, et mis en rime franeoise. 115 — 
 emblematic woodcuts. Small 8v0, green levant morocco gilt, ‘ 
 
 gilt edges, by Thibaron. Green, no. 18. rare 
 Paris: Chrestien Wechel, 1542 
 
 : ae this edition the woodcuts are increased for the first time | 
 
 ‘ ; 
 
 24, ALCIATI (ANDREA). Emblematum Libellus. Mark __ 
 of Giunta on title and 113 emblematic woodcuts. Small 8vo, 
 brown calf, gilt edges, by Petit. Green, no. 27. Me 
 
 Lugduni: Jacobus Modernus, 1545 
 
 25. ALCIATI (ANDREA). Les Emblemes de M. André — 
 Alciat, Traduits en ryme Francoise par Iean le Feure. 108 — 
 emblematic cuts ascribed to Le Petit Bernard. 16mo, green — 
 levant morocco by Trautz-Bauzonnet. Green, no. 33. The © 
 Firmin-Didot copy. Lyon: Jean de Tournes, 1548 & 
 
 26. ALCIATI (ANDREA). Emblemata denuo ab ipso 
 Autore recognita, ac, que desiderabantur, imaginibus locu- 
 pletata. 211 emblematic woodcuts, and each page surrounded 
 by elegant ornamental and architectonical woodcut borders, — 
 several of which bear the nitials ‘*P. V.” 8vo, red levant © 
 morocco, gilt edges, by Masson-Debonnelle. Green, no. 44. — 
 
 Lugduni: Apud Guliel. Rovilium, 1550 — 
 
 2%. ALCIATI (ANDREA). Emblemata denuo ab ipso — 
 Autore recognita, ac, que desiderabantur, imaginibus locu- — « 
 pletata. Accesserunt nova aliquot ab Autore Emblemata | 
 suis quoq; eiconibus insignita. 211 emblematic woodcuts, 
 each page surrounded by elegant architectural and orna- 
 mental woodcut borders, several of which bear the signature 
 “Pp. V.”? 8vo, brown levant morocco, gilt borders and 
 centre ornaments on the sides, gilt edges, by Capé. Green, 
 no. 48. Lugduni: Apud Mathiam Bonhomme, 1551 
 
 28. ALCIATI.(ANDREA). Omnia Emblemata. 211 em-_ 
 blematic woodcuts by ‘‘ le Petit Bernard.” 16mo, calf. Un-— 
 known to Green. Lugduni: Apud M. Ponh Bee 
 
Zi 
 
 29. ALCIATI (ANDREA). Diverse imprese accommodate 
 a diverse moralita.... tratte da gli Emblemi dell’ Alciato. 
 180 emblematic woodcuts, surrounded by beautiful ornamental 
 borders, several of which have the initials ‘“P.V.”? 8vo, brown 
 levant morocco, panelled sides, gilt centre ornaments, by 
 Bedford. Green,no. 71. Lione: Appresso, G. Rovillio, 1564 
 
 30. ALCIATI (ANDREA). Omnia Emblemata. 2/1 em- 
 blematic cuts. 16mo, CONTEMPORARY LYONNESE BINDING in 
 ealf stamped centre ornaments and corner-pieces on the 
 sides, the initials ‘‘ I.I.B.’’ and date 1584 on the front cover, 
 gauffred gilt edges, with coats-of-arms and other ornaments. 
 Green, no. 97. Lugduni: Apud Guiliel. Rovillium, 1580 
 
 *In the same volume is bound: “ Emblemata et aliquot 
 nummi antiqui operis Joan-Sambuci.” Woodcuts. Antuerpiz: 
 C. Plantin, 1576. 
 
 31. ALCIATI (ANDREA). Andres Alciati V. C. Emble- 
 mata evm Clavdii Minois I. C. Commentariis. Ad postremam 
 Auctoris editionem auctis & recognitis. Portrait on copper, 
 by W.S8., and 210 woodcut emblems, numbered I-CC XT, 
 
 emblem L_XII being omitted. 8vo, red levant morocco gilt, 
 
 gilt edges by Riviere. Green, no. 133. Antwerp, 1608 
 
 32. ALCIATI (ANDREA). Emblemata ct: _Imaginibus 
 plerisque restitutis ad mentem Auctoris. Adiecta compen- 
 diosa explicatione Claudij Minois Divionensis. Hingraved 
 title with portrait, 212 emblematic woodcuts, and woodcut 
 tail-pieces. 8vo, red levant morocco, gilt edges. (Stamp on 
 the back of the title and a piece torn off from the corner of 
 one leaf, with damage of text.) Green, no. 149. 
 
 Patavii: P. P. Tozzius, 1618 
 
 33. ALCIATI (ANDREA). Emblemata cum commen- 
 tariis Claudii Minois, Francisci Sanctii, et notis Laurentii 
 Pignorii, ete. Hngraved frontispiece, and 213 emblematic 
 cuts. 4to, red levant morocco gilt, gilt edges, by Chambolle- 
 Duru. Patavii, 1621 
 
 34. ALCIATI (ANDREA). Emblematum Flumen Abun- 
 dans and Emblematum Fontes Quatuor. Edited by Henry 
 Green. Photo-lith. facsimiles of the original editions. 2 
 vels. Svo, cloth, uncut. London, 1870-71 
 
 35. ALCORAN. (I-III) L’Alcoran des Cordeliers. Tant 
 en Latin qu’en Francois. C’est a dire Recueil des plus 
 notables bourdes & blasphemes de ceux qui ont osé com- 
 parer Sainct Francois 4 Jesus Christ: (III) Legende dorée 
 ou Sommaire de |’Histoire des fréres Mendians de l’Ordre 
 de S. Dominique et de S. Francois. [par Nicolas Vignier] 
 Plates by Picart. 3 vols. 12mo, old green morocco gilt, the 
 device of Lord Stuart of Rothesay on the sides, gilt edges. 
 
 Amsterdam: aux depens de la Compagnie, 1734 
 
 * From the Tempsford Hall collection, with both bookplates 
 in each volume, 
 5 
 
36. ALDINE POETS (PICKERING’S). Complete Set, 
 containing, Burns, 3 vols.; Thomson, 2 vols ; Collins; 
 White; Cowper, 3 vols.; Surrey; Wyatt; Beattie; Pope, 3 
 vols.; Goldsmith; Milton, 3 vols.; Shakespeare; Dryden, 
 5 vols.; Parnell; ‘Swift, 3 ‘vols. ; Young, 2 vols.; Akenside; 
 Butler, 2 vols.; Prior, 2 vols.; Falconer; Gray; Spenser, — 
 5 vols ; Churchill, 3 vols.; Chaucer, 6 vols. Together, 53 
 
 vols. original cloth, uncut. London, 1830-51 
 * First issues, with the exception of Milton, Goldsmith, and | 
 Parnell. ‘id 
 
 37. [ALEXANDER (SIR WILLIAM).] The Alexandrean _ 
 Tragedie. [In Five Acts.] Small 4to, sheets, (unbound). 
 Lacks title, &c. Sold w. a. f. [London, ca. 1605] 
 
 38. ALEXANDER (W.). A Journey to Beresford Hall, 
 the Seat of Charles Cotton, Esq., the celebrated author and 
 angler. Small 4to, cloth. London, 1841 
 
 * One of 100 copies, being a facsimile of the original manu-— 
 script with a title-page and frontispiece lithographed, and > 
 (inserted) a portrait of Walton (printed in colors, engraved by — 
 
 Mme. Bovi after Minisi, very scarce), as well as a proof meZZO- — 
 tint of Cotton. 
 
 39. ALEXANDRE (ARSENE). Honoré Daumier: Vhomme 
 et louvre. Ouwvrage orné d’un portrait a Veau-forte, de 
 deux héliogravures et de 47 illustrations. 4to, half red levant 
 morocco, monogram on the back, gilt top, uncut, original 
 covers bound in, by Hardy. Paris, 1688: 
 
 40. [ALLESTREE (RICHARD).| The Gentleman’s Call. 
 ing. First EDITION. Frontispiece, engraved title, and 2 
 plates, in the manner of Faithorne. 16mo, old red moroce 
 gilt back and side panels, gilt edges. 
 
 London: Printed for T. Garthwait, 1660. 
 
 41. [ALLESTREE (RICHARD).] The Gentleman’s Call 
 ing. Hrontispiece, engraved title, and 2 plates, in the manne 
 of Faithorne. 16mo, red levant morocco gilt, gilt edges, by 
 The Club Bindery. London, 1660 ise 
 
 * Another issue of the First Edition, probably a second, the 
 
 of 16 leaves, and the last page containing the ‘‘Table of Con- 
 tents,” this latter in the previous copy forming ant of : pe ar 
 preliminary matter. pas ir 
 
 Tongue, by the Author of The Whole Duty of Man, 
 Evo, old English black morocco, back and sides covered 
 an elaborate design in gold and silver, in scroll an 
 with flower and leaf ornaments, gilt edges. Ree 
 At the Theatre in Oxford, 
 
 6 ne 
 
Ra Tee Pe Ce ae eee ee ee ee ee Pe 
 
 . Ae ee eae Pe el ee A te ee < vs 
 AgAle = igh Sen er t 
 ip ne eae pe oe ee =" 
 
 a S = . ‘ 5 
 
 43. [ALVAREZ (FRANCISCO).] Historiale Description 
 de l’Kthiopie, contenant vraye relation des terres, & pais 
 du grand Roy, & empereur Prete-Ian. 8vo, red levant 
 morocco, gilt inside borders, gilt edges, by Trautz-Bau- 
 zonnet. Anvers: chez Iehan Bellére, 1558 
 
 * At the beginning are the two letters of Andrea Corsali. 
 
 44. AMBILLOU (R. BOUCHET D’). Sidere, Pastorelle. 
 Plus les Amours de Sidere, de Pasithée, & autres Poésies 
 du mesme Autheur. $8vo, blue levant morocco gilt, gilt 
 edges, by Trautz-Bauzonnet. Paris: R. Estienne, 1609 
 
 45. AMERICAN AUTOGRAPH LETTERS. §Inelude 
 A. L. 8. of Donald G. Mitchell, S. F. B. Morse, Park Ben- 
 jamin, Charles Sumner, and others. Together, 18 pieces, 
 8vo and 12mo,1and2pp. With several envelopes. v. p.—v. d. 
 
 46. AMERICAN FOLK-LORE. Folk-Tales of Angola, 
 edited by Heli Chatelain; Bahama Songs and Stories, by 
 Charles L. Edwards; Louisiana Folk-Tales, edited by Alcee 
 Fortier; Current Superstitions, edited by Fanny D. Bergen; 
 Traditions of the Thomson River Indians, collected by James 
 Teit; Animal and Plant Lore, edited by F. D. Bergen. To- 
 gether, 6 vols. 8vo, cloth. Boston, 1894-99 
 
 47. AMERICAN REVOLUTION. Recueil d’Estampes 
 representant les differents Evenemens de la Guerre qui a 
 procure |’Indépendance aux Etats Unis de 1l’Amerique. 
 With 16 engravings on copper by N. Ponce and F. Gode- 
 froy after Fauvel, Le Barbier, Marillier, and others. 4to, 
 red Jevant morocco, with mosaic wreath of green and blue 
 morocco outlined with gold on the sides, gilt edges, by 
 Marius Michel. 
 
 Paris: chez M. Ponce et M. Godefroy [vers 1780] 
 
 * These plates include the Battles of Lexington and Saratoga. 
 and the Surrender of Cornwallis. Plates were copied, given 
 other titles, and published in England towards the close of the 
 Eighteenth Century. 
 
 48. AMICIS (EDMONDO DE). Spain and the Spaniards. 
 Profusely illustrated with photogravures, etchings, etc. 
 Accompanied by an extra set of the plates on satin, all mn 
 mats. Ato, cloth, uncut. New York, 1885 
 
 * Guadalquiver Edition, limited to 600 copies. 
 
 49. AMMAN (JOST). Frauen-Trachtenbuch, 1586; Kar- 
 tenspielbuch, 1588; Wappen und Stammbuch, 1589; Stande 
 und Handwerker, 1568; also, Hans Burgmair’s Leben und 
 Leiden Christi, 1520. Facsimile reproduction of the original 
 cuts. 5 vols. small 4to, half brown (two shades) levant 
 morocco, gilt tops, uncut. Munchen, 1880-87 
 
 * Facsimile reproductions by Dr. Hirth limited to 500 copies. 
 The ‘‘Stande und Handwerker” has verses by Hans Sachs. 
 
 7 
 
50. AMOURS DE MIRTIL (LES). Engraved title and 6 
 plates by Legrand after Gravelot. Small 8vo, red levant 
 morocco gilt, gilt edges, by Chambolle-Duru. 
 
 Constantinople, 1761 
 
 * From the Van der Helle collection. This work i is attributed 
 to Fontenello. 
 
 51. AMPERE (JEAN JACQUES ANTOINE). La Gréce, 
 Rome et Dante. Etudes littéraires d’aprés nature. FIRST 
 EDITION. 12mo, half green calf, gilt and mosaic back, gilt 
 top, unent. Paris: Didier, 1848 
 
 52. AMSTERDAM. Nouvelle Statistique Historique 
 d’Amsterdam. Ou le guide du voyageur en cette ville. 
 Two folded copper-plate maps and 13 other plates, all but one 
 in brown. 12mo, old light green morocco gilt, gilt edges. ee 
 
 Amsterdam: E. Maaskamp [c. 1800] — 
 
 53. AMUSEMENTS. Les Amusements de la Princesse ~ 
 Atilde. 2vols inl. 12mo, blue levant morocco gilt, gilt — 
 edges, by Duru. Paris: Charles Osmont, 1697 — 
 
 54. ANACREON. Odes, Inscriptions, Epitaphes, Epi-— 
 thalmes et Fragments. 4 plates engraved by Gaucher oe i 
 Queverdo. 12m0, red levant morocco gilt, gilt edges. ~— 
 
 Paris: Didot l’ainé, 179: - 
 
 * PRINTED ON VELLUM. With the plates in two states, proofs. ‘a 
 before letters, and etched proofs finely colored by hand. The ~ 
 third plate is in uncolored etching state as well. 
 
 55. ANALECTABIBLION, ou Extraits critiques de dive 
 livres rares, oubliés ou peu connus, tirés du Cabinet du 
 Marquis D. R. (Du Roure). 2 vols. 8vo, half levant mo- 
 rocco, gilt tops, uncut. Paris, 1836 
 
 56. ANANDRIA ou Confessions de Mademoiselle Saph 
 Contenant les détails de sa réception dans la Secte Ana 
 drine, sous la présidence de Mile. Raucourt, & ses divers 
 aventures. 8vo, half citron morocco, gilt top, uncut. 
 
 En Grece [Paris?], 1789 
 
 57. [ANCILLON (CHARLKHS).] Traite des Eunuques, 
 dans lequel on explique toutes les différentes sortes 
 d’Eunuques, quel rang ils ont tenu, & quel cas on ensa fait, — 
 &e. 12mo, half blue morocco, gilt top, uncut, by Smeers. — 
 
 Imprimé Van 1707 
 
 58. ANCELOT (MARGUERITE L. V. C.). Un Salon: 
 Paris, 1824a 1864. Portrait and 5 other photographs. Royal — 
 8vo, half calf, uncut. Paris: E. Dentu, 1866 ne: 
 
 59. [ANDERDON (J. L.).] The River Dove. | 
 some quiet thoughts on the happy practice of angl 
 Small 8vo, green calf gilt, gilt edges. | 
 
 London: W. Picker’ 
 
 8 
 
a ree Te ae 
 = es 
 - Pt 
 
 60. ANDRE (EDOUARD) L’Art des Jardins—Traité 
 général de la composition des Pares et Jardins. Planches 
 en chromolithographie et de 520 figures dans le texte. Im- 
 perial 8vo, half red morocco, gilt top, uneut. Paris [1879] 
 
 61. ANDREWS (MILES (PETER). Better Late Than 
 Never: a Comedy. In five acts. 8vo, red leather, gilt 
 edges. London: J. Ridgway, 1790 
 
 * First Edition; with the half-title. 
 
 62. ANDREWS (WILLIAM (LORING). Portfolio con- 
 taining 27 photographs of porcelains, prints, etce., from the 
 collection of Wm. L. Andrews. Mounted on cardboard and 
 enclosed in half morocco portfolio. Small folio. 
 
 [New York, ca. 18>5] 
 
 63. ANDREWS (WILLIAM LORING). The Bradford 
 Map. The City of New York at the time of the granting 
 of the Montgomerie Charter. <A description compiled to 
 accompany a facsimile of an actual survey made by James 
 Lyne and printed by Willlam Bradford in 1731. TJllustra- 
 tions. 8vo, cloth. New York, 1893 
 
 * Limited to 142 copies on plate paper. 
 
 64. ANDREWS (WILLIAM LORING). A Stray Leaf 
 from the Correspondence of Washington Irving and Charles 
 Dickens. EHngravings on copper and zine. 12mo, cloth, 
 uncut. New York, 1894 
 
 * One of 75 copies on Japan paper. Inserted in the front is 
 an original water-color drawing representing Dickens inter- 
 viewed by a group of ladies, apparently the incident at Cincin- 
 nati in 1842, 
 
 65. ANDROUET DU CERCEAU (JACQUES). 30 Cop- 
 perplates of architectural details from Roman temples and 
 other public buildings. Folio, red levant morocco, gilt 
 edges, by Cuzin. [Paris, ca. 1580] 
 
 66. ANDRY (NICOLAS). Traitédes Alimens de Caresme, 
 ou l’on explique les differentes qualitez des légumes, des 
 herbages, des racines, des fruits, des poissons, des amphibies, 
 des assaisonnemens: des boissons méme les plus en usage, 
 comme de 1]’eau, du vin, de la bierre, du cidre, du thé, du 
 eaffé, du chocolat. 2 vols. 12mo, red levant morocco, gilt 
 edges, by Belz-Niedrée. (With the stamp of Huzard on 
 back of title.) Paris: Jean Baptiste Coignard, 1713. 
 
 67. ANGHIERA (PETER MARTYR D’). Extraict ou 
 Recueil des Isles nouuellemét trouuees en la grand mer 
 Oceane ou temps du Roy Despaigne Fernad et Elizabeth sa 
 femme, faict premierement en latin par Pierre Martyr de 
 Millan, et depuis translate en languaige francoys. Item 
 
 9 
 
trois Narrations. . . . 4to, blue levant morocco gilt, gilt 
 edges. (Library stamp and name on title, and last blank 
 leaf missing.) 
 Imprimé a Paris par Simones de Colines . . ., [1532] 
 * THIS RARE BOOK, which may be called the First French Col- | 
 lection of Voyages, has not been very correctly described by 
 Harrisse (B. A. V., no. 167). The Extraict, which isa French ~~ 
 abridgment of Peter Martyr’s first three Decades made before 
 the publication of the entire eight in 1530, is dedicated to 
 Charles Duc d’Angouleme; but the second part containing the 
 Narrations are here dedicated to Margaret of France, and not 
 to Margaret of Austria. The first Narration is an abridgment ~ 
 of the fourth Decade printed at Basel in 1521; the second and © 
 third are drawn from the second and third Cortes letters, 
 printed in Latin at Nurnberg in 1524, Consequently the Hwvtraict 
 must be held to take precedence over Grynaeus, as the Novus 
 
 Orbis did not begin to embody Cortes’ letters till 1555. Clean 
 and large copy from the Yémeniz Library. pe. 
 
 (See Reproduction.) 
 
 68. ANNE OF AUSTRIA. Les Amours d’ Anne a’ Autriche, * 
 Espouse de Louis XIII avee Monsieur C. D. R. le veritable : 
 pére de Louis XIV aujourd’hui Roi de France. 16mo, 
 figured satin, gilt top, uncut. Cologne: Pierre Marteau, 1693 
 
 *Brunet states that this should have a frontispiece, —_ = 
 present in this copy. coe 
 
 69. ANNUNZIO (GABRIELE D’). Episaea et Cie, : 
 Roman; Traduit de l’Italien par G. Hérelle. 12mo, half — 
 light green levant morocco, gilt back, figured silk sides, gilt 
 top, uncut, original covers bound in, by The Club Binder 
 
 * One of 40 copies on Holland paper. Paris, 1895 _ 
 
 70. ANNUNZIO (GABRIELE D’). L’Enfant de Volupté. 
 Traduit de l’Italien par G. Hérelle. 12mo, half red levant 
 morocco, gilt back, figured brown and green silk sides, gilt — 
 top, uncut, original covers bound in, by The Club Bindery. 
 
 * One of 50 copies on Holland paper. Paris, 18 
 
 71. ANNUNZIO (GABRIELE D’). Triomphe de la > 
 Mort. Traduit de lItalien par G. Hérelle. 12mo, half 
 green levant morocco, gilt back, plaid silk sides, gilt top, 
 uncut, original covers bound in, by The Club Bindery. — 
 
 * One of 50 copies on Holland paper. Paris, 1896 
 
 72. ANNUNZIO (GABRIELE D’). Les Vierges aux 
 Rochers. Traduction de l’Italien par G. Hérelle. 12mo,_ 
 half citron levant morocco, figured silk sides, gilt top, uncut, 
 original covers bound in, by The Club Bindery. i 1897 
 
 * One of 50 copies on Holland paper. 
 
 73. ANNUNZIO (GABRIELE D’). La Ville Mort 
 Tragédie moderne en cing actes. 12mo,-half green leva’ 
 morocco gilt, figured silk sides, original covers bound i. 
 by The Club Bindery. Paris, 
 
 * One of 50 copies on Holland paper. : 
 
 10 
 
Sinai Os | 
 
 | et Lane en i ala mer Oces 
 
 : é 
 
 uroy Defpaigne Fernad G Eliza ° .: 
 faitt premicrement en latin par Po 
 
 rt yr de Millan, & depuis tran/late et | 
 
 ines auf 
 
 ANGHIERA. RECUEIL DES ISLES NOUVELLEMENT TROUVEES, ETC. 
 (See No. 67.) 
 
ye ae eed 
 
 Say OS hl ee eee 
 
 74. ANNUNZIO (GABRIELE D’). Le Fou. Traduit 
 de l’Italien par G. Hérelle. 12mo, half red levant morocco, 
 figured silk sides, gilt top, uncut, original covers bound in, 
 by The Club Bindery. Paris [1900] 
 
 * One of 50 copies on Holland paper. 
 
 75. [ANTHOLOGIA GRACA.] Florilegium diversorum 
 epigrammatum in septem libros. FIRST ALDINE EDITION. 
 8vo, red straight-grain morocco, blind and gilt tooled sides, 
 silk linings, gilt edges, by Vogel. 
 
 Venetiis, in edibus Aldi, 1503 
 
 76. APIANUS (PETRUS). Cosmographia per Gemmam 
 Frisium iam demum ab omnibus vindicata mendis, ac non- 
 nullis quoque locisaucta. Additis eiusdem argumenti libellis 
 ipsius Gemme Frisii. Nwmerous woodcut maps, figures, 
 diagrams etc. 4 movable astronomical maps, all in perfect 
 condition, and WITH THE RARE FOLDING MAP OF THE 
 WORLD. 4to, brown levant morocco, the sides richly tooled 
 and gilt, gilt edges, by Lortie. 
 
 Antuerpiz: Gregorius Bontius, 1550 
 * LARGE AND FINE COPY. 
 
 77. APULEIUS. The Metamorphosis, or Golden Ass; 
 
 and Philosophical Works of Apuleius. Translated from 
 
 the original Latin by Thomas Taylor. 8vo, blue levant 
 
 morocco gilt, gilt edges, inside dentelle borders, gilt top, 
 
 uncut, by Chambolle-Duru. London: Robert Triphook, 1822 
 * Thick paper copy; contains the suppressed passages. 
 
 78. APULEIUS. The Most Pleasant and Delectable 
 Tale of Cupid and Psyche. Done into English by William 
 Adlington. With a Discourse on the Fable by Andrew 
 Lang. Frontispiece, one full-page plate, and vignettes. 8vo, 
 
 half parchment, uncut. London: David Nutt, 1887 
 * One of 60 copies on large paper, with the plates in two 
 states. 
 
 79. AQUINO (THOMAS DE). Prima Pars Secunde 
 edita a fratre Thoma de Aquino. Gothic character, double 
 columns. 177. unnumbered leaves (including the blanks 1 
 and 177), without signatures and catchwords. 61 lines to 
 the page. KRubricated throughout, and FIRST INITIAL ILLU- 
 MINATED IN GOLD AND COLORS, with a semi-border painted 
 in various colors, other initials in blue and red. Folio. 
 
 Mentz: Petrus Schoeffer de Gernszheim, 1471 
 
 * FIRST EDITION. CONTEMPORARY GERMAN BINDING COVERED 
 
 WITH STAMPED CALF (joints restored), brass corners, studs and 
 
 clasps. Inacase. Fine and large copy, having several leaves 
 
 with rough edges. Hain, 1447; Proctor, 97. In this occurs the 
 
 famous colophon, that ‘‘ this book is produced not by aid of a 
 pen, but by the new and wonderful art of printing.” 
 
 11 
 
80. ARABIAN NIGHTS. Les Mille et Une Nuits, Contes 
 Arabes. Avec une préface de Jules Janin. Vingt et une 
 eaux-fortes par Ad. Lalauze. 10 vols. 8vo, original paper 
 covers, uncut. Paris, 1881 
 
 * One of 200 copies on Holland paper. ; 
 
 81. ARCUSSIA (CHARLES D’). La Fauconnerie divisée 
 en dix parties, contenues ala page suyuante. Hngraved 
 portrait of the author by Briot, his engraved coat of arms, 
 14 plates of falcons, and 5 of implements used in falconry. — 
 4to, olive brown levant morocco, gilt tooled symbolical in- | 
 side borders, gilt edges, by Trautz-Bauzonnet. ioe 
 
 Paris: Jean Houzé, 1627 fae 
 
 * RARE. The most complete edition. 
 
 82. ARETINO (PIETRO). Suite Compléte de Vingt — 
 Eaux-Fortes pour iliustrer les Ragionamenti ou Dialogues 
 du divin Pietro Aretino. Dessinées par L. Dunki, gravées 
 par A. Prunaire. 4to, in board portfolio. Paris, 1882 © 
 
 * All proofs before letters on large Japan paper. 7 
 
 83. ARGONNE (BONAVENTURE D’). Mélanges d’His- 
 toire et de Litterature, par M. De Vigneul-Marville. Qua- 
 triéme Edition, revié, corrigée, & augmentée par M . ere 
 3 vols. small 8vo, old red morocco, gilt backs, gilt edges, by RE: 
 Derome the younger. Paris: Claude Prudhomme, 1725 — 
 
 84. ARIAS MONTANUS (BENEDICTUS). Humane ~ 
 Salutis Monumenta. Hngraved title by ‘‘ P. H.”’ (Pierre — 
 Huse ?), head of Christ facing to the right and 70 other 
 copper-plates of Biblical subjects by the brothers Wierix, P. — 
 Van der Borcht, Van der Broecke, and others. 4to, brown 
 levant morocco, panelled sides, gilt edges, by Masson- © 
 Debonnelle. (Title mended in lower part and writing — 
 thereon. ) Antuerpie: Christophorus Plantinus, 1571 
 
 85. ARIOSTO (LODOVICO). Orlando Furioso nouissi- — 
 mamente alla sua integritéa ridotto. Title within an orna- 
 mental woodcut border and 46 cuts. 4to, ancient brown 
 calf, the sides in compartments formed by interlaced bands, 
 painted black and outlined in gold, with gilt and painted 
 arabesques, gilt edges (rebacked and edges restored). 2 © 
 leaves missing. Venetia: Gabriel Giolito, 1544 
 
 86. ARIOSTO (LODOVICO). Orlando Fvrioso, tvtto — 
 ricorretto, et di nvove figvre adornato. Con le Annotationi, — 
 gli Auuertimenti, & le Dichiarationi di Ieronimo Ruscelli, — 
 ete. Title within an architectural woodcut border, with — 
 portrait of Ariosto in the upper part, and 51 full-page wood- 
 cuts, within ornamental borders, engraved after the designs 
 of the celebrated Ferrara painter Dosso Dossi. 4to, brow 
 levant morocco, the sides tooled and gilt in a 16th century 
 Venetian style, gilt edges, by Bedford (margins of tit 
 supplied). Venetia: V. Valgrisi, 1565 
 
 12 etry 
 
87. ARISTOTLE. La Morale et la Politique d’Aristote, 
 traduites du Gree par M. Thurot. Portraits. 2 vols. 8vo, 
 half red levant morocco gilt, gilt tops, uneut, by Belz- 
 Niedrée. Paris: Didot, 1823-1824 
 
 * Copy on papier vélin. 
 
 88. ARNAUD (F. T. DE BACULARD D’). Les Epoux 
 malheureux, ou Histoire de M. et Mde * * *, Nouvelle 
 édition, Corrigée, augmentée de deux nouvelles Parties qui 
 sont la conclusion de l’histoire, avec figures. Four frontis- 
 pieces. 4 vols. in 2, 18mo, red straight-grain morocco, gilt 
 back, side panels and dots, silk linings, gilt edges, by Durand, 
 with his ticket. Paris, 1793 
 
 89. ARNOLD (THOMAS). Christian Life, FIRST EDITION, 
 1841; Miscellaneous Works, Collected and Republished,1845; 
 Fragments on the Church, 1845; History of Rome, 38 vols., 
 1845-46; Introductory Lectures on Modern History, 1849; 
 History of the later Roman Commonwealth, Vol. 1, 2 copies, 
 1845. Together, 9 vols. 8vo, cloth, uncut. London, 1841-49 
 
 90. ARRAS (JEHAN D’). Melusine. Nouvelle édition, 
 conforme a celle de 1478 revue et corrigée avec une préface 
 par M. Ch. Brunet. 12mo, red levant morocco, gilt centre 
 ornaments, gilt edges, by Lortic. | Paris, 1854 
 
 91. ARREST de la Cour de Parlement, contre Iean 
 Chastel escholier estudiant au Collége des Jesuistes, pour 
 le parricide par luy attenté sur la personne du Roy. Small 
 8vo, red levant morocco, gilt edges, by Thibaron. 
 
 Orléans par Fabian Hotot, suyuant la copie imprimée a 
 Paris, 1595. 
 
 * RARE. Large copy, with some uncut lower margins, 
 
 92. ARRIAN ON COURSING. The Cynegeticus, or 
 The Younger Xenophon, translated from the Greek, with 
 Classical and Practical Annotations. To which is added 
 an appendix. With embellishments from the antique. Royal 
 8vo, cloth, uneut. (Slightly foxed and name on title.) 
 
 London, 1831 
 Edition of 250 copies, with the plates on India paper. 
 
 93. ARS MORIENDI. Letzter Kampff dess Mensché, 
 dass ist ein kurtzer Begriff der Firnembsten versuchungen 
 mit welche der Laydige Satha den Sterbenden Mensché, 
 ete. Title within an engraved border and 13 curious copper 
 engravings ascribed to Martin Zagel. Small 8vo, red levant 
 morocco gilt, gilt edges. Miinchen, 1623 
 
 94. ART. L’Art et ’Idée. Revue contemporaine illustré 
 [du dilettantisme littéraire et de la curiosité] publiée par 
 Octave Uzanne. The illustrations are full-page and in the 
 text. One vol. boundin two. Royal 8vo, olive green levant 
 morocco, gilt fillets, gilt tops, uncut, original covers. bound 
 in, by The Club Bindery. Paris, 1892 
 
 * Copy on papier vélin. 
 18 
 
95. ASHBEE (E. W.). Occasional Fac-simile Reprints 
 [of Rare and Curious Tracts of the 16th and 17th Centuries]. 
 Facsimile woodcuts and types of the originals. 4to, half | 
 light brown levant morocco gilt, gilt tops, uneut, by ~ 
 Zaehnsdorf. London: Printed for subscribers only, 1868, &e. 
 
 * Only 100 copies of each of these rare tracts printed. In- 
 cluded in the collection are, Bartholomew Faire (1641); The 
 Wyse Chylde of thre yere old (Wynkyn de Worde); Drinke and ' 
 Welcome (John Taylor, the water-poet, 1637); The Engle vi 
 Mountebank (1652); and others. - 
 
 96. ASSELINEAU (CHARLES). Bibliographie Roman- — 
 tique. Catalogue anecdotique et pittoresque des éditions 
 originales des ceuvres de Victor Hugo—Alfred de Vigny— 
 Prosper Mérimée—Alexandre Dumas, ete. Secondeédition, 
 revue et tres-augmentée avec une eau-fortede Bracquemond. 
 Imperial 8vo, citron levant morocco gilt, gilt edges, by — 
 Belz-Niedrée. Paris, 1872 
 
 * One of 8 copies on large India paper, with etched iron 
 piece by C. Nanteuil. : 
 
 97. ATHEN AUS. Les quinze livres des Deipnosophistes _ 
 traduits pour la premiére fois en Francois {par Abbé de. 
 Marolles) aprés les versions latines de Natalis Comes et de 
 Jacques d’Alechamp. First EDITION. 4to, old French 
 red morocco gilt, gilt edges, by PADELOUP. (Portrait miss- — 
 ing. ) ; Paris, 1680 — 
 
 98. ATTAIGNANT (GABRIEL, ABBE DE L’). Poesie 
 de M. Abbé de l’Attaignant; contenant tout ce qui 
 paru de cet Auteur sous le titre de Piéces Dérobées, avec 
 des augmentations trés-considérables, & des Airs notés sur 
 toutes les chansons. . Portrait of the author. 4 vols. 12mo, — 
 old red morocco, gilt, with the CROWN AND INSIGNIA OF THE 
 PRINCE DE SOUBISE, gilt edges. 
 
 Londres [et Paris]: chez Duchesne, 175 
 
 99. AUBERVAL (D. B. D’). Contes en Vers Eros 
 Philosophiques. 2 vols. 8vo, half cloth, uncut. 
 
 100. AUCASSIN ET NICOLETTE. Chantetwnte a 
 Douziéme Siécle. Traduite par A. Bida. Révision du tex 
 par Gaston Paris. Portrait and 9 etchings, proofs on Indi 
 paper. 4to, half citron levant morocco gilt, uncut, origin: 
 covers bound in, by Carayon. Paris, 18° 
 
 * Large Paper copy. eta) 
 
 101. AUCOURT (GODART D’). Thémidore; ou, Mo 
 Histoire et celle de ma Maitresse. Tllustré de vingt- deu 
 lithographies originales en couleurs par Lubin de Beauvai 
 Royal 8vo, original covers, uncut. Paris; Ferroud, nu. d. 
 
 * One of 30 copies on Japan paper, with duplicate set of th 
 plates, proofs before letters, and an One pekMe yo 
 Beauvais. ae i : 
 
 14 
 
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 102. AUCTORES Mythographi Latini. Caius Julius 
 Hyginus, Fab. Planciad. Fulgentius, Lactantius Placidus, 
 Albricus Philosophus cum integris commentariis Jacobi 
 Mieylli, Joannis Schefferi, et Thome Munceckeri, quibus, 
 adcedunt Thome Wopkensii emendationes ac conjecture. 
 Curante Augustino van Staveren. Frontispiece by F. van 
 Bleyswyck, and 43 copperplate vignettes in Hyginus’ ‘‘ Poet- 
 acon Astronomicon.’’ 4to, red straight-grain morocco, gilt 
 edges. The Syston Park copy. 
 
 Lugd. Bat. & Amsteledami, 1742 
 
 103. AUDUBON (JOHN JAMES) sand BACHMAN 
 (JOHN). The Quadrupeds of North America. 155 finely 
 colored plates. 3 vols. royal 8vo, half maroon morocco, gilt 
 tops. New York, 1849-54 
 
 104. AUGUSTINUS (ST.). De Doctrina christiana sive 
 de arte predicandi. Gothic character, 39 lines to the page, 
 22 unnumbered leaves without signatures, pagination or 
 catchwords. Small folio, old stamped ealf. 
 
 [Strassburg: Johann Mentelin, ca. 1466] 
 * The first of the two editions printed by Mentelin, and a fine, 
 tall clean copy of an extremely rare specimen of the first press 
 in Strassburg. In one copy a rubricator’s date exists showing 
 that this edition was printed before 1466. The second edition, 
 printed probably two or three years later, has some words printed 
 in full, that in the first are contracted, and typographical evi- 
 dence implies that it could not have been printed before 1468, 
 
 105. AUGUSTINUS (ST.). Les Confessions de Saint 
 Augustin. Traduction nouvelle, avee introduction par 
 Edmond Saint-Raymond. Illusirées de huit eaux-fortes com- 
 posées et gravées par Adolphe Lalauze. 8vo, original covers, 
 uncut. In cloth portfolio, with ties. 
 
 Paris: Georges Hurtrel, n. d. 
 *One of 30 copies on Japan Paper, with the plates in two states. 
 
 106. AUMALE (HENRI D’ORLEANS, DUC D’) Les 
 Zouaves et les Chasseurs a Pied Jilustratious de Charles 
 Morel, gravées sur bois par Cl. Bellanger, Léveillé, etc. 8vo, 
 red levant morocco gilt, gilt side borders in fillets, etce., 
 doublure of red morocco, gilt over rough edges, original 
 covers bound in, by The Club Bindery. Paris, 1896 
 
 * One of 123 copies on ‘‘ vellum paper.” 
 
 107. AURELIUS ANTONINUS (MARCUS).  Pensées 
 Morales de Mare Antonin Empereur. Traduits du Gree. 
 
 -12mo, green levant morocco gilt, gilt edges, by Bauzonnet- 
 
 Trautz. Amsterdam, 1655 
 
 108. [AUSTEN (JANE).] Sense and Sensibility: a Novel. 
 By aLady. 3 vols. 12mo, blue levant morocco gilt, gilt 
 tops, uncut, by The Club Bindery. 
 
 London: Printed for the Author, 1811 
 * Though dated the year of the First Edition, the above seems 
 
 to be one of several editions of 1811, by same printer, probably 
 the second. Contains all the half-titles. 
 
 15 
 
“xe 
 es 
 
 109. [AUSTEN (JANE).] Mansfield Park; A Novel. 
 By the author of ‘‘Sense and Sensibility, &e.’’ 3 vols, 
 12mo, blue levant morocco gilt, gilt tops, uneut, by The 
 Club Bindery. London: Printed for T. Egerton, 1814 
 
 * Probably a later edition than the First, although bearing 
 same date and containing the half-titles. 
 
 110. AUTOGRAPH ALBUM. The Autograph Album 
 of Madame Louis Figuier, wife of the well-known writer on 
 Natural History, containing 199 letters and notes of French 
 celebrities from 1859 to 1876, including authors, scientists, 
 actors and actresses, artists, ete. 2 vols. 4to, brown mo- 
 rocco, lettered with her initials ‘‘ J. F.’’ on the sides. 
 
 * Among the more celebrated names are letters by George 
 Sand, Louis Ulbach, Jules Michelet, Edouard Cadal, Emile 
 Guyon, Victor Hugo, A. de Quatrefages, Jules Janin, Mdme. 
 Anna Judic, Francis Wey, Michael Chevalier, Achille Jubinal, Ae 
 Louis Leroy, E. Firmin-Didot, Marie Favart, ‘Auguste Nelaton; Ri 
 Marie Grandet, Edmond Texier. Eugene Pelletan, Champ- os 
 fleury, Joseph Mery, Laurent Talien, Emile Montegut, Paul ee 
 Fabre, A. Duverger, etc. ; 
 
 111. AYRES (PHILIP). Cupids Addresse to the Labiee! % 
 Emblemata Amatoria. Emblems of Love. Embleme 
 d’Amore. Emblemes d’Amour. In four Languages. FIRST 
 EDITION. Hngraved throughout and printed on one side of — 
 paper; frontispiece signed ‘** I. B.’’ (Isaac Becket?), and 44 — 
 emblems. Small 8vo, old English red morocco gilt, gilt — 
 side panels, gilt edges. 
 
 London: Sold by R. Bentley and 8S. Tidmarch, 1683: 
 
 112. B (T. The Rebellion of Naples, or the Tragedy 
 Massenello. Commonly so called: but 
 
 rightly Tomaso Aniello di Malfa, Generall of the Neopoli- 
 tans. Written by a Gentleman who was an eye-witnes. 
 where this was really Acted upon that bloudy stage, the 
 streets of Naples. Engraved folding frontispiece signed M. 
 (William Marshall). SECOND EDITION. 16mo, blue levant. 
 morocco gilt, gilt edges, by The Club Bindery. . 
 
 London, 1602 [1651] See 
 
 118. BAARDT (PETRUS). Nebulo Nebulonum dat 
 der vielté affgerichté vielt ofte Boertig Ernst overgese 
 uyt den Latynschen in onse Nederduytsche Tale. Hingrave 
 title and copper engravings (2 slightly shaved). 24mo, re 
 levant morocco, gilt edges. . 
 
 By Franz Pels [n. pl., ‘17th Cent. 
 
 114. BAC (FERDINAND). Nos Femmes. Album e 
 couleurs. (Nine of the duplicates colored by hand. ) Nos. 
 Amoureuses. Album inédit et en couleurs. 2 vols. 4t oe 
 half cloth, original covers bound in. Paris, n. | 
 
 * The illustrations are proofs before letters. ae 
 
 16 
 
115. BACON (SIR FRANCIS). The Essaies of S" Francis 
 Bacon Knight, the Kings Aturney General. His Religious 
 Meditations. Places of Perswasion and Disswasion. Small 
 8vo, original vellum covers, with ties (not original). (Hole 
 on margin of B4.) Printed at London for Iohn laggard, 1613 
 
 * The sixth edition. 
 
 116. BACON (SIR FRANCIS). Essays Moraux, du tres- 
 honorable Seigneur Francois Bacon Chevalier, Baron de 
 Verulam, & grand Chancelier d’Angleterre. Traduits en 
 Franeois par le Sieur Arthur Georges. 16mo, red levant 
 morocco, crowned: monogram on the back and in the side 
 corners, gilt edges, by Trautz- Bauzonnet. 
 
 Londres: Jean Bill, 1619 
 
 * Contains the preliminary blank leaf, marked ‘‘A,’’ and the 
 two final blank leaves, G11 and G12, unopened. 
 
 117. BACON (SIR FRANCIS). Resuscitatio, or bring- 
 ing into Public Light several Pieces of the Works, Civil, 
 Historical, Philosophical, and Theological, hitherto Sleep- 
 ing of Francis Bacon. The Second Edition, somewhat 
 enlarged by William Rawley. Portrait. Folio, ealf, with 
 gilt panels on the sides and THE ARMS OF CHARLES II. OF 
 ENGLAND, to whom the book is dedicated. New back and 
 outer margins. London, 1661 
 
 * From the Townley collection, with bookplate, with the extra 
 leaf Oo (281-282) preceding the signature Oo, followed by a 
 second extra leaf without signatures or numerals, containing 
 ‘‘ Faults Escaped in the Printing.” 
 
 118. BAFFO (GIORGIO). Poésies complétes en dialecte 
 Vénitien littéralement traduites pour la premiére fois, avec 
 le texte en regard. Portrait. 4 vols. royal 8vo, wrappers, 
 uncut. Paris: pour Isidore Liseux, 1884 
 
 * Only 100 copies printed. 
 
 119. [BAILEY (PHILIP JAMEKS).] Festus: a Poem. 
 FIRST EDITION. 8vo, half green levant morocco, gilt top, 
 uncut, by Allo. London: William Pickering, 1839 
 
 * Contains the portions which were afterwards suppressed. 
 
 120. BAILLIE (JOANNA). The Family Legend: a 
 Tragedy. FIRST EDITION. 8vo, Scotch plaid silk, gilt 
 edges. Edinburgh: James Ballantyne, 1510 
 
 121. BAILLIE (JOANNA). Dramas. FIRST EDITION. 
 3 vols. 8vo, half orange levant morocco, gilt tops, uncut, 
 by Smith-Mansell. London, 1836 
 
 122. BALDRY (ALFRED LYS). George H. Boughton. 
 His Life and Work. Oolored plates, photogravures and 
 text illustrations. 4to, cloth, gilt edges. London, 1904 
 
 * Extra number of The Art Journal. Autograph presentation 
 copy ‘‘To Robert Hoe, Esq., with sincerest compliments and 
 deepest esteem. From Geo. H. Boughton, London, Nov. 2nd, 
 1904.” 
 
 17 
 
123. BALE (JOHN). A Brefe Chronycle concernynge ~~ 
 the Examynacyon and Death of the blessed Martyr of Christ 
 Syr Johan Oldecastell the Lord Cobham. To which is — 
 added, an Appendix of Original Instruments. Hngraved 
 portrait of Lord Cobham. 8vo, red levant morocco, gilt 
 tooled dentelle borders on the sides, vellum linings, gilt 
 edges, by Matthews, in a case. London, 1729 
 
 * PRINTED ON VELLUM. Extremely rare in this state. Book- 
 plate of Wentworth Buller, and another (this in colors), motto — 
 of which is *‘Semper Vigilans.”. i 
 
 124. BALLADS. A New Ballad. To the Tune of, Lon- — 
 don is a fine Town, &ce. Folio, boards, leather back. ' 
 London: J. Smith, 1726 — 
 
 125. BALLADS. The Minstrelsy of the English Border. 
 Being a Collection of Ballads, Ancient, Remodelled, and 
 Original. With Illustrative Notes by Frederick Sheldon. 
 Square 12mo, blue levant morocco gilt, gilt top, uneut, by — 
 Stikeman. London, 1847 
 
 * EXTRA ILLUSTRATED by the insertion of numerous engi: 
 ings of the castles and abbeys of the English Border. 
 
 126. BALLADS. The Book of British Ballads. 
 and Second Series, complete. Edited by S. C. Hall. 
 trated by Ward, Meadows, Tenniel, Frith, and others. 
 2 vols. in 1. Royal 8vo, green levant morocco, gilt back 
 and sides, gilt edges, by Wright. London, 1847 
 
 127%. BALLADS. Broadside Black-letter Ballads, printed 
 in the sixteenth and seventeenth centuries, chiefly in the 
 possession of J. Payne Collier. Illustrated by Origin 
 Woodcuts. 4to, red straight-grain morocco, gilt top, 
 Zeehusdorf. [London]: Printed for private circulation, 1868 — 
 
 * Collier’s copy, with his autograph on the fly-leaf. Inserted 
 are a number of MS. notes, chiefly in Collier's writing, co 
 cerning ballads and their histor y, and the MS. (4 pages, 4to) 
 an article by Collier on broadside ballads, apa rea 
 before the Society of Antiquaries. 
 
 ny te 
 
 128. BALLADS. Broadside Black-letter Ballads, prin 
 in the Sixteenth and Seventeenth Centuries, chiefly in th 
 possession of J. Payne Collier. Illustrated by origin 
 woodcuts. Small 4to, red straight-grain moroceo, & 
 top, uneut, by A Aehnsc ore 
 
 * Bound in is Wie supplementary ‘‘ Twenty Old Ballac 
 and Songs,” 1869, and ‘‘A Few Odds and Ends for Chee 
 Friends,” 1870. Both these were printed for asia ~~ 
 
 Zaebnsdorf. Penaia: Printed for Sobeente iy 
 18 
 
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 130. BALZAC (HONORE DE). Physiologie du Mariage 
 ou Meditations de Philosophie Eclectique, sur le Bonheur 
 et le Malheur conjugal, publiées par un jeune célibataire. 
 FIRST EDITION. 2 vols. 8vo, half brown, levant morocco 
 gilt, uncut, original covers bound in, by Alld. 
 
 Paris: Levavasseur, 1830 
 
 131. BALZAC (HONORE DE). (iuvres. 17 vols. 8vo, 
 half red morocco, gilt tops, uncut. Paris, 1830-45 
 
 * The set includes: Scénes de la Vie Privée, 4 vols.; Scénes 
 de la Vie Parisienne, 4 vols.; Scénes de la Vie de Province, 
 FIRST EDITION, 4 vols.; Splendeurs et Miséres de Courtisanes, 
 FIRST EDITION, 3 vols.; Physiologie du Mariage, 2 vols. 
 
 132. BALZAC (HONORE DE). Noveaux Contes Philos- 
 ophiques: Maitre Cornélius—Madame Firmiani—L’ Auberge 
 Rouge—Louis Lambert. ‘FIRST EDITION. Frontispiece on 
 India paper, by Porret after Tony Johannot. 8vo, half red 
 levant morocco gilt, uncut, original covers bound in, by 
 All6. Paris, 1832 
 
 133. BALZAC (HONORE DE). Le Médecin de Cam- 
 pagne. 4 vols. in 2, 12mo, green calf, gilt edges, by Bau- 
 zonnet. — Paris, 1834 
 
 134. BALZAC (HONORE DE). Le Lys dans La Vallée. 
 FIRST EDITION. 2 vols. 8vo, half green levant morocco, 
 gilt edges. Paris, 1836 
 
 135. BALZAC (HONORE DE). Le Lys dans La Vallée. 
 FIRST EDITION. 2 vols. 8vo, half brown morocco gilt, 
 uncut, by Allo. Paris, 1836 
 
 136. BALZAC (HONORE DE). Le Livre Mystique. Por- 
 trait, engraved by Hedouin. 2 vols. 8vo, half morocco, gilt 
 tops, uncut, original wrappers bound in. Paris, 1836 
 
 * In volume 2 is inserted AN ORIGINAL INDIA-INK DRAWING BY 
 AMAND, representing ‘‘ Seraphita.” 
 
 137. BALZAC (HONORE DE). Le Peau de Chagrin. 
 {tudes sociales. 2 plates by Fournier after Lange and 
 Maret, India proofs, and numerous vignettes after designs 
 of Marceau, Baron, Gavarni, Corlet, Langlois, and others. 
 Royal 8vo, half brown levant morocco gilt, uncut, by 
 
 Champs. Paris, 1838 
 
 138. BALZAC (HONORE DE). Scénes de la Vie Paris- 
 ienne. 2 vols. 12mo, half blue calf (rubbed). Paris, 1839 
 
 139. BALZAC (HONORE DE). La Derniére Incarnation 
 de Vautrin. FIRST EDITION. 3 vols. in 1, 8vo, red levant 
 morocco gilt, side panels tooled in fillets and dots with 
 corner ornaments, doublure of green morocco with borders 
 and corner ornaments, silk moiré end-papers, gilt over 
 rough edges, by Lortic fréres. Paris, 1848 
 
 19 
 
140. BALZAC (HONORE DE). Les Contes Drolatiques; 
 Colligez ez Abbayes de Touraine. TJllustrée de 425 dessins 
 par Gustave Doré. One vol. divided into 3. 8vo, red levant 
 morocco gilt, gilt edges, by Chambolle-Duru. 
 
 Paris: [Bénard et Cie. ], 1855 
 
 * Thick vellum paper copy. The second and third titles are 
 dated 1833 and 1837, 4 
 
 141. BALZAC (HONORE DE). Eugénie Grandet. Owe 
 rage orné de huit swets dessinés par Dagnan-Bouverel, et 
 gravés a l’eau-forte par M. le Rat. Royal 8vo, light brown 
 levant morocco, covered with interlacings of dark blue and 
 compartments decorated with small eighteenth century 
 tools, doublures of dark blue morocco, narrow borders, 
 vellum guards, gilt edges, original covers bound in, by The 
 Club Bindery. 
 
 Paris: imprimé pour les Amis des Livres, 1883 
 
 * One of 120 copies, with the etchings in two states, one on 
 India paper. Specially printed for subscribers, this being for 
 _ M. Chas. Cousin. 
 
 142. BALZAC (HONORE DE). La Cousine Bette. Die 
 compositions par G. Cain, gravées a leau-forte par Gawean 
 et Géry-Bichard. 8vo, half maroon levant morocco gilt, 
 gilt top, uncut, by Stikeman. Paris, 18 
 
 143. BALZAC (HONORE DE). La Fille aux Yeux @’O 
 32 aquarelles de Henri Gervex,réproduites par Vhéliogravu 
 en couleurs. 4to, half citron levant morocco, chiselled back, — 
 inlaid with foliage in violet, green and brown morocco, gi 
 top, uncut, original covers bound in, by Meunier. Paris, 18 
 * Edition de grand luxe. One of 300 copies on papier vél 
 
 144. BALZAC (HONORE DE). Une Rue de Paris e 
 son habitant, Avant-propos par M. le Vte de Spoelbereh « 
 Lovenjoul. Illustrations (en couleurs) de Francois Cou 
 boin. Royal 8vo, figured yellow satin, uncut, origin 
 covers bound in, by The Club Bindery. Paris; 13 
 
 * One of 125 copies on papier vélin, with a dupe set 
 the illustrations plain, on India paper. 
 
 145. BALZAC (HONORE DE). La Maison du Cha 
 qui-pelote. Préface de Frangisque Sarcey. Quarante co 
 positions de Lows Dunki, gravées sur bois par Mau 
 Baud. sVvo, blue straight-grain morocco, gilt, side pan 
 gilt top, uncut, by Chambolle- Duru. APPT ee 
 
 * One of 200 copies on papier vélin. a ae 
 
 146, BALZAC (HONORE DE). La Grenadiére. 6 
 inys, each in 8 states, designed and engraved by Ad. . 
 lauze. 8vo, red levant morocco gilt, gilt top, original wra 
 pers bound in, by The Club Bindery. Par 
 
 20 | aa 
 
Sea ee fee a ee 
 
 147. BALZAC (HONORE DE). La Grenadiére. 6 com- 
 positions, designées et gravées a l'eau-forte par Ad. Lalauze. 
 Avant-propos de Georges Vicaire. 8vo, citron levant mo-. 
 rocco, gilt top, uncut, original covers bound in. Paris, 1901 
 
 * One of 100 copies on Japan paper, with the illustrations in 
 three states. 
 
 148. BALZAC (HONORE DE). Le Péche Véniel (conte 
 drolatique). Compositions de Paul Avril, gravées a l’eau- 
 forte par EH. Léon et R. Serres. Royal 8vo, blue morocco, 
 gilt fillets, gilt top, uncut, original covers bound in, by The 
 Club Bindery. Paris, 1901 
 
 * One of 65 copies on Japan paper, with the illustrations in 
 three states. On the half-title is an ORIGINAL WATER-COLOR 
 DRAWING BY PAUL AVRIL. 
 
 149. BALZAC (HONORE DE). La Pucelle de Thil- 
 houze; conte drolatique. Manuscrit et enluminé par Léon 
 Lebeque. 4to, green levant morocco, borders of fillets, dots 
 and azured ornaments, gilt top, uncut, original covers 
 bound in, by The Club Bindery. Paris, 1901 
 
 * No. 96 of 200 copies, with the plates in two states, colored 
 and plain, on India paper. 
 
 150. BALZAC (HONORE DE). La Femme de Trente 
 Ans. Avec 35 compositions par A. Robaudv. Royal 8vo, 
 blue levant morocco, tooled borders, silk linings, gilt top, 
 uncut, original covers bound in, by The Club Bindery. 
 
 * One of 300 copies on ‘‘ Papier vélin.” Paris, 1902 
 
 151.. BALZAC (HONORE DE). la Mye du Roy; conte 
 drolatique. Manuscrit et eniuminé par Léon Lebéque. 
 Royal 8vo, figured yellow silk, blue silk linings, gilt top, 
 uncut, original covers bound in. Paris, 1902 
 
 * One of 25 copies on Japan paper, with the illustrations in 
 two states, black and colored. 
 
 152. BALZAC (HONORE DE). LaBelle Imperia; conte 
 Drolatique. Illustré par Edm. Malassis. Royal 8vo, orig- 
 inal vellum wrappers. Paris, 1903 
 
 * One of 150 copies on papier velin. 
 
 153. BALZAC (HONORE DE). Histoire de 1’Empereur 
 racontée dans une grange par un vieux soldat. Préface de 
 Henry Houssaye Colored etchings by A. Lalauze, with 
 duplicate set in black before the text. 4to, striped red silk, 
 uncut, original wrappers bound in, by The Club Bindery. 
 
 * One of 100 copies on papier vélin. Paris, 1904 
 
 154. BALZAC (HONORE DE). Le Lys dans la Vallée. . 
 Frontispiece. 8vo, original wrappers, uncut. 
 Paris: Louis Conard, 1907 
 
 * One of 25 copies on Japan paper (rice), with the frontispiece 
 in two states. 
 
 ‘21 
 
155. BALZAC (HONORE DE). L’Ecole des Menages, 
 tragedie bourgeoise en 5 actes et en prose, précédée d’une 
 lettre par le Vte de Spoelberch de Lovenjoul. Portrait by i 
 Manesse, after Bertall, in two states. Royal 8vo, original 
 wrappers, uncut. Paris, 1907 
 
 * One of 75 copies on Japan paper. 
 
 156. BALZAC (HONORE DE). Une Ténébreuse Affaire. 
 Avec 28 compositions par Francois Schommer, gravées au 
 burin et Veau-forte par Léon Boisson. Royal 8vo, original — 
 covers, uncut. Paris: L. Carteret, 1909 
 
 * One of 75 copies on Japan paper, with the etchings in two 
 states. 
 
 157. BALZAC (H. DE), CHASLES (P.) ET RABOU 
 (CH.). Contes Bruns.. Par Une (inverted head, engraved 
 by Thompson after Tony Johannot). 8vo, red levant mo- 
 rocco, gilt fillets, with monogram ‘‘ E. B.’’ in the panels 
 and side-corners, gilt over rough edges, by Belz-Niédrée. 
 
 Paris, 1832 
 
 158. BALZAC (J. L. GUEZ DE). Lettres Choisies. En- 
 graved title. 16mo, blue levant morocco, gilt inside borders, 
 uncut, by Motte. Amsterdam: Chez les Elseviers, 1678 
 
 159. BANCROFT (GEORGE). A. N. S., 1864; A. N.S. 
 (historical), n. d.; Signature as Collector of the Hom of 
 Boston; and a cut Signature. (4) © ray 
 
 160. BANCROFT (GEORGE). History of the Unite 
 States, from the Discovery of the American Continent. 
 Portrait and numerous plates on India paper, and one pag 
 original manuscript, inserted. 10 vols. royal 8vo, cloth 
 uncut. Boston: Little, Brown & Co., 1861-187 
 
 * One of 50 LARGE PAPER copies printed for C. B. Richar 
 son & Co. : 
 
 161. BANDELLO (MATTEO). The Novels of Bandetin ae 
 now first done into English Prose and Verse, by John ~ 
 Payne. LARGE PAPER. 6 vols. 4to, vellum boards, gil re 
 tops, uncut. 
 
 London: Printed for the Villon Society for priv cir <a 
 culation, 1890. 3 
 
 162. BANDELLO (MATTEO). Histoires Tragiques, Ex. 
 traites des Gfuvres Italiennes de Bandel, & mises en Langu 
 Francoise. Les six prémieres par Pierre Boisteau; le 
 douze suyuans par Frangois de Belle-Forest. 7 vols. 12mo 
 red levant morocco, blind-tooled fillets, gilt edges, by Duru 
 
 oes Chez Adrian de ee 1603-04 4 
 
 i 
 
 die. FIRST EDITION. 12mo, cloth, ‘uncut. | 
 * Thick India Paper copy. Paris: Leen 
 22 mae 
 
" 
 
 =” .%* 
 
 "Ta Se 
 
 ioe ame 
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 * 
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 : 
 
 164. BANVILLE (THEODORE F. DE)... Les Exilés— 
 Odelettes, Améthystes, Rimes dorées, Rondels, Les Prin- 
 cesses, Trente-six Ballades joyeuses. Edition définitive. 
 12mo, half brown levant morocco gilt, gilt top, uncut, by 
 Parisot. Paris: ~ Charpentier, 1878 
 
 165. BANVILLE (THEODORE F. DE). Les Princesses. 
 Composition de Georges Rochegrosse gravées a l’eau-forte 
 par H. Decisy. Royal 8vo, citron levant morocco, mo- 
 saic interlacings in maroon, green bands, decorated with 
 eighteenth century tooling, doublure of citron morocco, 
 yellow brocaded satin guards, gilt over uncut edges, orig- 
 inal covers bound in, by The Club Bindery. Paris, 1904 
 
 * One of 130 copies on Japan paper, with the plates in three 
 states. 
 
 166. [BARA (H. DE).] Le Blason des armoiries, auquel 
 est monstrée la maniére de la quelle les anciens & modernes 
 ont usé en icelles. Traicté, contenant plusieurs escus dif- 
 ferens, par le moyen desquels on peut discerner les autres, 
 et dresser ou blasonner les armoiries. 442 coats of arms 
 engraved on wood, illuminated in_gotd, silver, and colors. 
 Folio, contemporary French vellum, the sides tooled and 
 gilt to a semis of fleur-de-lis, with leaf-spray ornaments in 
 the centre and in the corners, gilt edges. 
 
 Lyon: pour Barthelemi Vincent, 1581 
 
 167. BARBERINO (FRANCESCO). Documentid’ Amore. 
 Title and 15 plates engraved by C. Bloemaert after Zuccaro, 
 
 Albani and others. FIRST EDITION. 4to, green levant mo- 
 
 rocco gilt, gilt edges, by Noulhac, in a case. Signature * 
 (4 leaves) containing the table of the Examples, missing. 
 Rare. Roma: V. Maseardi, 1640 
 
 168. BARBEY D’AUREVILLY (JULES). [Une Vieille 
 Maitresse. 1879 edition.] The series of ten plates ETCHED 
 
 BY FELIX BUHOT to illustrate the edition of the above 
 
 published by Lemerre in 1879. In portfolio. 
 
 * One of 38 sets of these illustrations with the symphonic 
 margins printed on parchment, A RARE BUHOT ITEM. 
 
 169. BARBOUR (JOHN). The Life and Acts Of the 
 most victorious Conquerour Robert Bruce King of Scotland. 
 W herein also are contained the Martiall deeds of the valiant 
 Princes: Edward Bruce, Sir James Dowglas, Earle Thomas 
 Randell, Walter Stewart, and sundrie others. Second Kdi- 
 tion. Printed in Black Letter. Tvtle within ornamental 
 border. Small 8vo, red levant morocco, gilt edges, by The 
 Club Bindery. Edinburgh: Printed by Gedeon Lithgow, 1648 
 
 170. [BARCLAY (SIR WILLIAM).] The Lost Lady. 
 A Tragy Comedy. Small folio, red levant morocco gilt, 
 
 gilt edges, by David. London, 1639 
 
 * Second issue of the First Edition. 
 23 
 
171. BARGAGLI (SCIPIONE). Dell’ Imprese: alla prima 
 parte la seconda e la terza nuovamente aggiunte. Hine 
 engraved portrait of the Emperor Rodolph ITI. full-page 
 copper-plate representing his device and 138 copper engrav- — 
 angs of devices of well-known personages, all brilliant 1m- 
 pressions. 4to, Spanish calf gilt, gilt edges, by Bedford. | 
 Duplicate from the British Museum with stamps on the back | 
 of title. Venetia: Francesco de’ Franceschi, 1594 
 
 172. BARNARDISTON (SIR NATHANIEL). Suffolks © 
 Tears: or Elegies on that Renowned Knight Sir Nathaniel | 
 Barnardiston. A Gentleman eminent for Piety to God, — 
 love to the Church, and fidelity to his Country. Bound — 
 with Faireclough’s and Shower’s funeral Sermons on the 
 death of Sir Nathaniel and Mrs. Anne Barnardiston. Her- 
 aldic frontispiece, and 2 inserled portraits. 4to, blue mo- 
 rocco, gilt back and side panels, gilt edges. London, 1653-82 
 
 173. BARNFIELD (RICHARD). Cynthia; With cer- 
 taine Sonnets. And the Legend of Cassandra. 12mo, reds) 
 levant morocco, gilt top, uncut, by Matthews. | Reprint. 
 
 London: Humfrey Lownes, 15 
 
 * One of 4 copies with the cancelled Sonnets. Presentation — 
 copy from E. V. Utterson to J. Payne Collier, with mee 
 notes and corrections by Collier. oe 
 
 174. BARON (A.) AND VAN DE WEYER (S.). 
 Marquis de Sy et M. Poupar; et de la littterature de ]’exi 
 Lettres de MM. Baron et Van De Weyer. 4to, origin 
 cloth, uncut. Londres, 18: 
 
 * One of 50 copies. a 
 
 175. BARON (MICHEL). (C£uvres (Le Rendez vous d 
 Thuilleries; Les Enlevemens; L’Homme a Bonne Fortun 
 La Coquette, et la Fausse Prude). Engraved title. 12m 
 red levant morocco, gilt, ARMS OF COUNT JOSEPH DE L 
 GONDIE in the centre of both covers, gilt edges, by Aman 
 
 Paris, 16 
 
 176. BARRERE (A.). Argot and Slang. A new Frene 
 and English dictionary of the cant words, quaint expre 
 sions, slang terms and flash phrases used in high and lo 
 life of old and new Paris. Frontispiece by Godefroy Duran: 
 4to, boards, uncut. 
 
 London: Privately printed at Chiswick Press, 1 
 
 177. BARTHELEMY anp MERY. Napoléon en fey 
 Waterloo et le Fils de 1 Homme. Précédés d’une notice 
 téraire par M. Tissot. Edition illustrée par H. vas 
 
 eniblsnmnealls tooled in crowned ‘‘N,”’ eagles, sola . 
 gilt top, uncut, original covers bound in, by ‘The < 
 Bindery. : Paris, n. d. [184 
 
 24 es : 
 
 a, 
 
; 
 4 
 fs 
 n, 
 a 
 
 ; 
 
 ca ae ‘ 
 
 178. BARTOLUS DE SAXOFERRATO. Contrarietates 
 juris civilis Romanorum, et juris Longobardorum, cum 
 additionibus Julij Ferretti Ravennatis. Gothic character: 
 title within an architectural woodcut border. 4to, contem- 
 porary dark morocco, blind-tooled in compartments (re- 
 backed and joints renewed). 
 
 Venetiis: Aurelius Pincius, 1541 
 
 179. BASAN (PIERRE FRANCOIS). Dictionnaire des 
 Graveurs, anciens et modernes. 450 illustrations by Aliamet, 
 Langlois and others. 2 vols. 8vo, brown morocco, gilt tops, 
 uncut, by The Club Bindery. Paris, 1789 
 
 180. BASCHET ET FEUILLET DE CONCHES _ Les 
 Femmes Blondes selon les peintres de 1]’Ecole de Venise. 
 Par Deux Venitiens. 8vo, citron levant moroceo gilt, gilt 
 top, uncut, by Petit. Paris, 1865 
 
 * Extra-illustrated by the insertion of 27 portraits of famous 
 women, including seven India proofs, and a portrait of Marie 
 Antoinette in two states, before and after letters. 
 
 181. BASILE (GIOVANNI BATTISTA). I] Pentam- 
 erone; or, The Tale of Tales. Being a Translation by the 
 late Sir Richard Burton. 2 vols. royal 8vo, cloth, uncut. 
 
 * One of 165 copies. London, 1893 
 
 182. BASTENAIRE-DAUDENART (F.). I’ Art de Fa- 
 briquer la Faience Blanche recouverte d’un Email Trans- 
 parent, a Vinstar Frangais et Anglais. With 3 folded 
 plates. 8vo, half brown levant morocco, gilt top, uncut, 
 by Zaehnsdorf. Paris, 1830 
 
 183. BATE (HENRY). The Rival Candidates: a comic 
 opera In Two Acts; as it is now performing at the Theatre 
 Royal in Drury-Lane. FIRST EDITION. 8vo, morocco. 
 
 London, 1775 
 
 184. BATTY (ROBERT). French Scenery. 64 plates 
 IN 2 STATES, engraver's etchings and finished plates, proofs 
 on India paper before letters. Folio, green morocco gilt, 
 gilt edges, by Matthews. Large Paper copy. London, 1822 
 
 185. BATTY (ROBERT). Scenery of the Rhine, Bel- 
 gium and Holland. 60 plates and 2 vignettes engraved by 
 Goodall, Heath, Finden, Landseer, Woolnoth, etc., each 
 
 plate in two states, the engraver’s etching and finished proof, 
 
 each on India paper. Folio, purple morocco, gilt, arms on 
 sides, gilt edges. LARGE PAPER COPY. London, 1826 
 
 186. BATTY (ROBERT). Scenery of the Rhine, Bel- 
 gium, and Holland. 60 plates and 2 vignettes, IN TWO 
 STATES, ON INDIA PAPER. Folio, green morocco, gilt back 
 and side panels, gilt edges, by Matthews. London, 1826 
 
 * Large paper copy. 
 25 
 
187. BATTY (ROBERT). Select Views of some of the | 
 principal Cities of Europe. From original paintings. With ~~ 
 Illustrative Notices. Folio, red morocco, back and sides 
 Pa al tooled, crest and shield in the centre, gilt edges. hee 
 
 London, 1882. ‘sae 
 * Large paper copy, with the thirty-five plates each in two : 
 
 states, unfinished and finished proofs on India paper; an out- 
 line plate, with references to each. 
 
 188. BAUDELAIRE (CHARLES). Les Fleurs du Mal. — 
 Colored text allustrations and plates, lithographs, etchings, 
 étc. Ato, loose in 2 portfolios, uncut. 
 
 Paris: Pour les Cent Bibliophiles, 1899. 
 * One of 150 copies. ae 
 
 189. BAUDOIN (JEAN). Reeveil d’Emblemes divers. 
 Avec des discovrs Moravx, Philosophiqves, et Politiqves, 
 Tirez de diuers Autheurs, Anciens & Modernes. Frontis-— 
 preces and 130 copper-plates by lsaac and Marie Briot. 
 2 vols. 8vo, brown morocco gilt, gilt edges, by Riviére. . 
 
 Paris, 1638-9 | 
 
 190. BAUDOUIN (MARIE AGLAE). Le Coin du Feu de 
 la Bonne Maman, dédié ases petits-enfans; Par Madame 
 B*******/Baudouin]. Quatriéme édition. 6 plates. 
 2 vols. 12mo, calf, uncut, by Bauzonnet. ‘ Parra: 1821 
 
 191. [BAUDOUIN DE GUEMADEUC.] 
 Dévalisé. First EDITION. 8vo, red levant morocco, gilt 
 -uneut, by Hardy-Mennil. Londres [Paris], 178 
 
 * This work is sometimes attributed to the Comte de Mirabeau 
 
 192. BAYLY (THOMAS). Herba Parietis; or, the Wall 
 Flower, as it grew out of the Stone-Chamber belonging t 
 the Metropolitan Prison of London, called Newgate; bein 
 a History which is partly True, partly Romantick, morall: 
 Divine; written whilst he was a prisoner there. Wath th 
 very rare engraved frontispiece of the front of Newgat 
 Prison. Small folio, polished ealf gilt, by Riviere. Auto 
 graph of John Aston on title. London, 165 
 
 *The author was a Catholic Royalist divine in the Civil War 
 and, upon his attacking the Commonwealth in his ers wa 
 thrown into Newgate Prison, 
 
 198. BEARDSLEY (AUBREY). Six Drawings Tilnsten es 
 ing Theophile Gautier’s Romance, Mademoiselle de Maupin 
 Folio, in portfolio. | Lontes ae 
 
 * One of 50 copies. F 
 
 194. [BEAUHARNAIS (FANNY, COMTESSE DE 
 Les Noeuds Enchantés, ou la Bisarrerie des Destinées. 
 parts in 1 vol. 12mo, green levant morocco, gilt Wass a 
 edges, partly uncut, , by Hardy, 
 
 *Paul Lacroix viteonese this romance to the Comtess a, 
 Fanny de Beauharnais. Eg 
 
195. BEAUMARCHAIS (PIERRE). Les Deux Amis, 
 ou le Négociant de Lyon, drame en cing actes en prose. 
 FIRST EDITION, with music score. S8vo, green levant mo- 
 rocco gilt, gilt edges, by Reymann. Paris, 1770 
 
 196. BEAUMARCHAIS (PIERRE). La Folle Journée, 
 ou le Mariage de Figaro, comédie et cing actes, en prose. 
 WITH 2 SETS of 5 plates afler the designs of St. Quentin. 
 8vo, red levant morocco, gilt back, ARMS OF PRINCE D’Ess- 
 LING on the sides, gilt edges, by David. Paris, 1785 
 
 * FIRST EDITION. Tall copy, 218 Mm. 
 
 197. BEAUMONT AND FLETCHER. Phylaster. Or, 
 Loue lyes a Bleeding. Acted at the Globe by his Majesties 
 Servants. Small 4to, red levant morocco gilt, gilt edges, 
 by R. De Coverley. A rather short copy, and with the title 
 in perfect facsimile, and last blank leaf missing. 
 
 London: For Thomas Walkley, 1620 
 
 * First EDITION. The Mitford (rebound) and Locker-Lamp- 
 son copy, with an autograph note by Mitford on the Malone 
 and Kemble copies, etc., and a pencilled page of comments on 
 the play by Frederick Locker. 
 
 198. BEAUMONT AND FLETCHER. The Knight of 
 the Burning Pestle. Full of Mirth and Delight. As it is 
 now acted by her Majesties Servants at the Private house 
 in Drury Lane, 1635. 4to, red levant morocco, doublure of | 
 same leather, filleted borders, UNCUT, by The Club Bindery. 
 
 Tondon: Printed by N. O. forl. 8., 1635 
 
 * This is probably the earlier of the two issues printed in 1635. 
 It has the opening line of the play ending with ‘“‘ great.” 
 VERY UNUSUAL IN UNOUT STATE. 
 
 199. BEAUMONT AND FLETCHER. Philaster or Love 
 lies a Bleeding. Acted at the Globe and Blackfriers. By 
 his Majesties Servants. The fourth Impression (Fifth 
 edition). 4to, half brown levant morocco, gilt top, by 
 Riviére. 
 
 London: Printed by E. Griffin for William Leak, 1639 
 
 200. BEAUMONT AND FLETCHER. The Scornfvll 
 Lady. A Comedy. As it was now lately Acted (with great 
 applause) by the Kings Majesties Servants, at the Blacke- 
 Fryers. The fifth edition. 4to, half brown levant mo- 
 rocco, gilt top, by Riviere. 
 
 _London: Printed by M. P. for Robert Wilson, 1639 
 
 201. BEAUMONT AND FLETCHER. The Scornefull 
 Lady. A Comedy. As it was Acted (with great applause) 
 by the late Kings Majesties Servants, at the Blacke-Fryers. 
 The Sixth Edition, Corrected and Amended. Small 4to, 
 red levant morocco gilt, gilt edges, by David. 
 
 London: Printed for Humphrey Moseley, 1651 
 
 27 
 
202. BEAUMONT AND FLETCHER. Poems. The 
 Golden Remains of those so much admired Dramatick 
 Poets, Francis Beaumont & John Fletcher, Gent. Con-- 
 taining, The Hermaphrodite two Sexes, The Remedy and 
 Art of Love, &e. Together with the Prologues, Epilogues, 
 &e. The Second Edition enriched with the Addition of 
 other Drolleries by severall Wits of these Present Times. 
 Small 8vo, green levant morocco, gilt back and sides, gilt —__ 
 edges, by Riviere (2 leaves stained, and a corner repaired). — 
 London: Printed for William Hope, 1660 — 
 
 * Although the title says ‘‘Second Edition,” thisis the Third, _ 
 
 203. BEAUMONT AND FLETCHER. A King, and No 
 King. Acted at the Black-Fryars, by his Majesties Ser- — 
 vants. And now the fourth time Printed, according to the 
 true Copie. Small 4to, red levant morocco gilt, gilt edges, 
 by Riviere. London: Printed in the Year 1661 
 
 * The title incorrectly says, ‘‘the fourth time printed.” It is AS 
 
 probably the sixth edition, the fourth having been issued in 
 1639. 
 
 204. BEAUMONT AND FLETCHER. The Dramatic 
 Works of Beaumont and Fletcher; Collated with all the 
 Former Editions, and corrected; With Notes, Critical and 
 Explanatory, by various commentators; And Adorned wit. 
 - Fifty-four Original Engravings. Edited by George Colman 
 With plates engraved by Grignion, Collyer, éc., and doubl 
 medallion portraits of the authors, by Ryder, after Rook 
 10 vols. 8vo, half purple straight-grain morocco, gilt tops, — 
 uncut. London: Printed by T. Sherlock, &e., 1778 
 
 * FINE UNCUT COPY. EXTRA-ILLUSTRATED by the insertion 
 
 three additional sets of portraits and other illustrations, pes 
 ing India paper pr oofs, oe eae 
 
 205. BEAUMONT (E. DE). Un Drame dans une Cara: 
 Frontispiece and numerous teat illustrations, by Louis Lelo: 
 Small 4to, vellum boards, uncut, with ties. - “Paris: 188 
 
 * One of 25 copies on Whatman paper. 
 
 206. BEAUMONT (FRANCIS). Poems: The Herma- 
 phrodite; The Remedie of Love; Elegies; Sonnets, with oth 
 Poems. 4to, red niger morocco, gilt back and side bord rs. 
 gilt Shek by The Club Bindery. 
 
 very scarce. It is questionable whether any of the noenIs 
 by either Beaumont or Fletcher. The first poem, “Salma 
 and Hermaphroditus,” (which originally appeared in 160 
 the only one in this volume published during Beaumont’s 
 time. 
 
208. BEAUMONT (MARIE LE PRINCE DE). Magazin 
 des Enfans, ou Dialogues d’une sage gouvernante avec ses 
 éleves. Edition corrigée pour la premiére fois de quelques 
 inexactitudes. Ornée de gravures représentant aux yeux 
 les principales vérités de lamorale. 4vols. small 8vo, purple 
 straight-grain morocco, monogram on back and side-corners, 
 gilt over rough edges, by Petit. Yverdon, 1781 
 
 209. BECKFORD (WILLIAM). Vathek. Hngraved title 
 and frontispiece, proofs on India Paper. 8vo, orange mo- 
 rocco, rich gilt back and side-borders, gilt edges, by Charles 
 Lewis. A Londres: Chez Clarke, 1815 
 
 * The first English edition in the French language. LARGE 
 PAPER. With the ‘‘eye-and-turban ” vignette on title. Origin- 
 ally written in French and published in Paris and Lausanne. 
 As these editions became scarce, Beckford consented to this 
 publication of Clarke’s. 
 
 210. BECKFORD (WILLIAM). Italy; with sketches of 
 Spain and Portugal. By the author of ‘‘ Vathek.’”? Third 
 edition. 2 vols. 8vo, original boards, uncut. 
 
 London: Richard Bentley, 1835 
 
 * Author’s presentation copy. On fly-leaf is written, ‘‘ rom 
 the author.” A note on verso of front cover reads, ‘‘I. R. 
 Smith, in his catalogue, June, 1856, describes this as a presenta- 
 tion copy to Rogers, the Poet. 
 
 211. BEDLOE (CAPTAIN WILLIAM). The Excom- 
 municated Prince: or, The False Relique. A Tragedy. As 
 it was Acted by His Holiness’s Servants. Being the Popish 
 Plot ina Play. Folio, half maroon calf. 
 
 London: Printed for Thos. Parkhurst, ete., 1679 
 
 * FIRST EDITION. The words ‘ Being the Popish Plot in a 
 Play ” were added to the title by the publishers, without the 
 author’s consent or knowledge. By some bibliographers the 
 
 greater part of the play is ascribed to Thomas Walter, a student 
 of Jesus College, Oxford. 
 
 212. BEHN (APHRA). The Fore’d Marriage, or the 
 Jealous Bridegroom. A tragi-comedy. As it is Acted at 
 his Highness the Duke of York’s Theatre. FIRST EDITION. 
 Small 4to, calf, stamped centre ornaments on sides, gilt 
 edges (small repairs to title, and corners of several leaves 
 supplied). 
 
 London: Printed by H. L. and R. B. for James Magnus, 
 sg 
 
 2138. BEHN (APHRA). The Amorous Prince, or, the 
 Curious Husband. A Comedy. As it is Acted at his Royal 
 Highness, the Duke of York’s Theatre. FIRST EDITION. 
 Small 4to, olive levant morocco, gilt side corners, gilt 
 edges, by Pratt. 
 
 London: Printed by J. M. for Thomas Dring, 1671 
 
 29 
 
214. BEHN (APHRA). The Dutch Lover; a Comedy, 
 acted at the Duke’s Theatre. Small 4to, green straight- 
 grain morocco, gilt back and sides, gilt edges, by Pratt. 
 (Hole filled in title. ) 
 
 London: Printed for Thomas Dring, 1673 
 
 * FIRST EDITION, with the mis-spelling of the author’s name 
 on title, and the address to the reader commencing, ‘“‘ Good, 
 sweet, honey, sugar-candied reader, &c.”’ 
 
 215. BEHN (APHRA). Abdelazer, or the Moor’s Re- 
 venge. A Tragedy. As it is Acted at his Royal Highness ~ 
 the Duke’s Theatre. Small 4to, half brown morocco, gilt | 
 top, UNCUT, by Stikeman. (Hole repaired in final leaf. ) eee 
 
 London: Printed for J. Magnus and R. Bentley, 1677 
 * FIRST EDITION. The Lefferts Copy, with bookplate. ae 
 
 216. BEHN (APHRA). The Town-Fopp; or, Sir Tim- 
 othy Tawdrey. A Comedy. As it is Acted at his Royal 
 Highness the Duke’s Theatre. FIRST EDITION. Small to, 
 blue levant morocco gilt, gilt edges, by Pratt. - 
 
 London: Printed by T. N. for James Magnes and Rich. 
 Bentley, 1677. 2s | is 
 
 217. BEHN (APHRA). The Rover; or, The Banish’d 
 Cavaliers. London, 1677. The Second Part of the Rover. — 
 London, 1681. 2 parts in 1 vol. 8vo, half calf. (ie to 
 part 1 mended.) ‘ 
 
 London: John Emery, and Jacob oie 1677-81 is 
 “3 * FIRST EDITION OF EACH PART, . 
 
 218. BEHN (APHRA). Sir Patient Fancy; a Comedy. 
 As it is Acted at the Duke’s Theatre. Small 4to, red levant _ 
 moroceo, gilt edges, some uncut, by Chambolle-Duru. ts 
 (Repairs to lower margin of title. )- i 
 
 London: Printed by E. Flesher for Richard Tonson, 1678 f 
 
 * First Epirion, Nell Gwyn appeared in the character of — 
 _ Lady Knowell. uy 
 
 219. BEHN (APHRA). The alent Curiae or, ae 
 Night’s Intrigue. A Comedy. As it is Acted at the Duke’s 
 Theatre. Small 4to, red levant morocco, gilt back and 
 edges, by David. London: Printed for Jacob Tonson, Ane 
 
 * FIRST EDITION. Dedicated to Nell Gwyn. 
 
 220. BEHN (APHRA). The City-Heiress; or, Sir Tim. 
 othy Treat-all. A Comedy. As it is Acted at his Royal 
 Highness his Theatre. FIRST EDITION. Small 4to, green 
 straight: grain morocco, gilt back and side corners, gilt “ 
 edges, by Pratt. London: Printed for D. Brown, &c., 1682 | 
 
 30 
 
 : j 
 rit Pere cae 
 A ae cre re in 
 
< 
 
 SIXTY-FIRST SESSION, 
 
 Monday, November 11th, 8:15 P. M. 
 
 221. BEHN (APHRA). The False Count, or, a New Way 
 to play An Old Game. As it is Acted at the Duke’s Theatre. 
 FIRST EDITION. Small 4to, red straight-grain morocco gilt, 
 gilt edges, by Riviére. (Holes filled in title and several 
 other pages, second page of Prologue repaired at top, a por- 
 tion of text missing. ) 
 
 London: Printed by M. Flesher, for Jacob Tonson, 1682 
 
 222. BEHN (APHRA). The Young King; or, the Mis- 
 take. As ‘tis acted at his Royal Highness The Dukes The- 
 atre. FIRST EDITION. Small 4to, calf, stamped centre orna- 
 ments on sides, gilt edges. 
 
 London: Printed for T. Brown, &e., 1683 
 
 223. BEHN (APHRA). Poems upon several occasions: 
 with a Voyage to the Island of Love. FIRST EDITION. 
 Small 8vo, maroon levant morocco gilt, gilt edges, by David. 
 
 London, 1684 
 
 224. BEHN (APHRA). La Montre; or, the Lover’s 
 Watch. Hngraved frontispiece. FIRST EDITION. Small 
 8vo, light-brown levant morocco gilt, gilt edges, by Riviere. 
 
 London: Printed by R. H. for W. Canning, 1686 
 
 225. [BEHN (APHRA).] Lycidus: or the Lover in 
 
 Fashion. Being an Account from Lycidus to Lysander, Of 
 his Voyage from the Island of Love. From the French. 
 Together with a Miscellauy of New Poems. By Several 
 Hands. First EDITION. Small 8vo, green levant morocco 
 gilt, centre and side-corner ornaments, gilt edges, by The 
 Club Bindery. 
 
 London: Printed for Joseph Knight and Francis Saunders, 
 1688. 
 
 226. BEHN (APHRA). Oroonoko; or, the Royal Slave. 
 A True History. FIRST EDITION. Small 8vo, light brown 
 levant morocco gilt, gilt edges, by The Club Bindery. 
 
 London: Printed for Will. Canning, 1688 
 
 227. BEHN (APHRA). The Widdow Ranter; or, the 
 History of Bacon in Virginia. A Tragi-comedy. Acted by 
 their Majesties Servants. Small 4to, olive levant morocco, 
 back and sides richly tooled, doublure of olive morocco, 
 with marquetry panel, gilt edges, in brown morocco ¢ase, 
 by Kauffmann. (Title creased, and corners of three pages 
 
 - restored. ) London: Printed for James Knapton, 1690 
 
 * First EpitTion. The play relates to Bacon’s Virginian 
 Rebellion of 1676. 
 
 31 
 
228. BEHN (APHRA). The Younger Brother; or, the 
 Amorous Jilt. A Comedy. Acted at the Theatre Royal. — 
 By His Majesty’s Servants. With some account of her Life. — 
 FIRST EDITION. Small 4to, calf, stamped centre ornaments ~ 
 on sides, gilt edges. London: Printed for J. Harris, 1696 
 
 229. BEHN (APHRA). The Histories and Novels of the 
 Late Ingenious Mrs. Behn. Viz.: Oroonoko, or the Royal — 
 Slave. The Fair Jilt, or Prince Tarquin. Agnes de Castro, 
 or the Foree of Generous Love. Lover’s Watch, or the Art ee 
 of Love. The Ladies Looking-Glass. The Lucky Mistake, | 
 and Love Letters: Never before Printed. Together with 
 the Life and Memoirs of Mrs. Behn. Written by one of the 
 Fair Sex. Portrait by R. While (inserted). FIRST EDITION. 
 12mo, brown levant morocco gilt, gilt edges, by The Clu 
 Bindery. London: Printed for 8. Briscoe, 169 
 
 * Unknown to Lowndes. 
 
 230. BEHN (APHRA). The Land of Love. A Pega 
 Engraved frontispiece (slightly repaired). FIRST EDITION 
 16mo, citron levant morocco, gilt back and edges, by Th 
 Club Bindery. London: Printed by H. Meere, 171 
 
 231. BEHN (APHRA). The Plays, Histories, and Novels 
 of the ingenious Mrs. Behn. With Life and Memoirs. Illus 
 trations. 6 vols. royal 8vo, boards, uncut (backs repaired) 
 
 London: John Pearson, Bs 
 
 * One of 9 copies on Large Whatman paper. 
 
 232. BEHN (APHRA). Plays, Histories, and Nove 
 Portrait and illustrations. 6 vols. 8vo, boards, uncut. — 
 * Oneof 9 copies on Large Whatman paper. London, 1 3 
 
 233. BELDORNIE PRESS REPRINT.  Diella; Certa 
 Sonnets. By R. L., Gentleman. At London: printed fe 
 Henry Olney, 1596. Woodcut on title, head- and tail-pieces 
 Square 16mo, red levant morocco, gilt, uncut, by A. M t-— 
 thews. a 
 
 [Reprinted at the Beldornie Press, by J. N. Lydall, 
 Edwd. V. Utterson, 1841. ] 
 
 * No. 9 of only 16 copies, Presentation copy from Utier 
 to J. Payne Collier, with autograph inscription of the for! 
 on fly-leaf, and the latter’s autograph on title. ‘ 
 
 234. BELL (ROBERT—Hditor). Songs from the De 
 tists. 8vo, figured silk, gilt top, uncut. New York, u 
 * One of 6 copies on Japan paper. . 
 
 235. BELL(THOMAS). A History of British Qannenes 
 including the Cetacea. Illustrated by nearly 200 wood 
 LARGE PAPER COPY. Imperial 8vo, cloth, uncut. Rei 
 London, 1 
 236. BELL (THOMAS). ° A tistory of British Rep 
 Illustrated with more than 40 woodcuts. LARGE — 
 copy. Imperial 8vo, cloth, uncut. © London, 
 . 32 = 
 
 sae he hy . 
 3 Woe 
 
237. BELL’S Classical Arrangement of Fugitive Poetry. 
 Frontispieces by Delatre after Burney, &c. 18 vols. in 9, 
 12mo, green levant morocco gilt, gilt tops, uneut, by Rous- 
 selle. London: John Bell, 1790, &e. 
 
 * Large paper copy. The plates are in proof state. 
 
 238. BELLAU (REMY). Les CLuvres poétiques, revues 
 et corrigées en ceste derniére impression. 2 vols. in one 
 vol., 12mo, red levant morocco, gilt centre ornaments on 
 the sides, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: pour Gilles Gilles, 1585 
 
 239. BELON (PIERRE). Les Observations de plusieurs 
 singularitez et choses memorables, trouvées en Gréce, Asie, 
 Indée, Egypte, Arabie, et autres pays estranges. Reveuz 
 de rechef et augmentez. Portrait of the author, 44 woodcuts 
 of animals, birds, plants, etc., and a folding view of Mount 
 Sinai, engraved by A. Sylvius. 8vo, red levant morocco 
 gilt, gilt edges, by Capé. Anvers: Christofle Plantin, 1555 
 
 * THE RAREST AND BEST EDITION of this work, containing an 
 Index not in earlier editions. 
 
 240. BENTLEY (R.). Designs for Six Poems by Thomas 
 Gray. Lortrait, 6 plates, 12 head- and tail-pieces, and 6 in- 
 
 itial letters. Small folio, half red levant morocco, gilt top, 
 uncut. Lond. 1789 
 
 241. BERANGER (PIERRE JEAN DE). Songs of Ber- 
 anger, translated by the author of the ‘‘ Exile of Idria,’ 
 etc. [J. C. H. Bourne]. With a sketch of the Life of Bér- 
 anger. 8vo, cloth, uncut. London: William Pickering, 1837 
 
 * Presentation copy from the translator to Thomas Campbell. 
 
 242. BERANGER (PIERRE JEAN DE). Les Gaietiés de 
 Béranger. Quarante-quatre chansons érotiques de ce poéte 
 
 suivies de chansons politiques et satiriques non recueillies 
 
 dans ses ceuvres prétendues completes. Frontispiece in 
 £ states on India paper. 12mo, half red levant morocco 
 gilt, uncut, by Pagnant. Amsterdam, 1864 
 
 * Although marked Vol. VI of the works, this volume is com- 
 plete in itself. 
 
 243. BERGERAT (EMILE). Théophile Gautier entre- 
 tiens, souvenirs et correspondance. Avec un Préface de 
 
 Edmond de Goncourt ef une eau-forte de Félia Bracquemond. 
 
 12mo, red levant morocco, gilt, uneut, by The Club Bind- 
 ery. Paris: Charpentier, 1870 
 * FIRST EDITION, INDIA PAPER. 
 
 244. BERGERAT (EMILE). L’Espagnole. Illustrations 
 de Daniel Vierge, gravées sur bois par Clémant Bellenger. 
 12mo, brown levant morocco, with leaf and flower spray on 
 front cover, gilt over uncut edges, original covers bound in, 
 by Marius Michel. Paris, 1891 
 
 * One of 150 copies on Japan paper, with duplicate set of plates. 
 ; 30 
 
245. BERGERET (GASTON). Les Evenements de Pon- 
 tax. Hecriture manuscrite et aquarelles originales d’aprés 
 Henriot. Imperial 8vo, grey mottled calf, with a marine 
 view in colors sunk in the front cover, figured green and 
 mauve silk linings, uncut, by Carayon. Paris, 1899 
 
 * One of 175 copies on vellum paper. 
 
 246. BERNARD (PIERRE JOSEPH). C£uvres de P. J. 
 Bernard, ornéesde gravures d’aprés les desseins de Prud’hon; 
 la derniere estampe gravée par lui-méme. A Paris, de l’im- 
 primerie de P. Didot l’aitne. M.DCC.XCVII. An V. 4to, 
 red straight-grain morocco, solid gilt back, side borders, 
 gilt edges, by Bozerian jeune. Paris, 1797 
 
 *One of 150 copies on papier vélin, with the engravings proofs 
 before letters. From the Comte H, de La Bédoyére library. 
 
 247. BERNIS (F. J. DE P., CARDINAL DE). Céuvres 
 Complettes de M. le ©. de B***. Nouvelle Edition. 2 
 vols. in 1, half red levant morocco gilt, gilt top, uneut, by 
 Reymann. Lausanne, 1797 
 
 248. BEROALDE DE VERVILLE (FRANOOIS). La 
 Pucelle d’Orléans restitutée. Hngraved pertrait. 12mo, 
 old vellum. Paris: Mathieu Guillemot, 1599 
 
 249. BEROALDE DE VERVILLE (FRANQOIS). Le 
 Moyen de Parvenir. Nouvelle Edition. Hngraved frontis- 
 piece. 2 vols. 12mo, red levant morocco, gilt edges, by — 
 Capé. [Paris: Grange, |] 1757 
 
 250. BEROALDO (FILIPPO). Beroalde de la Foelicité 
 humaine, traduict de Latin en Frangoys, par Caluy de la 
 Fontaine, Parisien. 25 small cuts. Small 8vo, red moroeco, 
 gilt edges, by Duru. Paris: Denys Ianot, 1543 
 
 * The Yemeniz copy with book label. 
 
 251. BERQUIN (ARNAUD). Romances. [Publié par 
 Didot Jeune.] 20 engraved plates after Borel and 36 en- 
 graved pages of music. 18mo, blue levant morocco, back 
 and narrow side borders, gilt over rough edges, by The 
 Club Bindery. Paris, 1788 | 
 
 * Inserted. are the frontispiece and 6 plates after Marillier, 
 from the edition of 1776, three plates in two states, one in 3. 
 Also, inserted, a plate after Moreau, and two after Le Barbier. 
 
 252. BERQUIN (ARNAUD). Cé£uvres Complétes. Jlus- 
 trated with 184 PROOF engravings, after the designs of Borel. 
 17 vols. 12mo, green levant morocco, gilt backs, gilt edges, 
 by Trautz-Bauzonnet. Paris, 1803 
 
 253. BERTALL. La Comédie de Notre Temps. La 
 civilté—les habitudes—les moeurs—les coutumes—les man- 
 iéres— et les manies de notre époque; (avec deuxiéme série) 
 les enfants—les jeunes—les murs—les vieux. Etudes au 
 crayon et a la plume par Bertall. FIRST EDITION. 2 vols. 
 imperial 8vo, half blue levant morocco, uncut, original 
 covers bound in (one torn). : Paris, 1874-75 
 
 4 
 
254. BERTHOUD (FERDINAND). L’Art de conduire 
 et de régler les Pendules et les Montres: A l’usage de ceux 
 qui n’ont aucune connoissance d’Horlogerie. With 4 folded 
 plates. FIRST EDITION. 24mo, old red morocco gilt, ARMS 
 OF MADAME DE POMPADOUR on sides, &c., doublures of 
 blue silk, gilt paper guards, gilt edges. 
 
 A Paris: Chez ]’Auteur [et] M. Lambert, 1759 
 
 255. BERTIN (ANTOINE). Poésies et Glevres diverses 
 du Chevalier A. Bertin. Avec une notice par Eugéne Asse. 
 Portrait. 12mo, paper covers, uncut. Paris, 1879 
 
 * Only a small number printed. 
 
 256. BERUETE (A. DE). Velazquez. Préface de M. 
 Léon Bonnat. TJllustrations par MM. Brawn, Clément et 
 Cre. Royal 4to, half light-brown levant morocco gilt, gilt 
 top, uncut, original covers bound in, by Pierson. 
 
 Paris: Librairie Renouard, 1898 
 * One of 50 copies on Japan Paper. 
 
 257. BESCHERELLE AINE AND DEVARS (G.). Grand 
 Dictionnaire de Géographie Universelle Ancienne et Mo- 
 derne ou Description Physique, Etnographique, Politique, 
 Historique... de toutes les parties du monde. 4 vols. 4to, 
 half brown morocco, gilt tops, uncut. Paris, 1859 
 
 258. BESSE (HENRI DE). Relation des Campagnes de 
 Rocroi et de Fribourg. 16mo, brown levant morocco, gilt 
 
 edges, by David. Paris, 1826 
 *One of 500 copies printed for Charles Nodier and N. 
 Delangle. 
 
 259. [BEVERLY (RICHARD).] Histoire de la Virginie. 
 Engraved frontispiece, with the arms of Virginia, and 14 
 copper-plates reduced from those in De Bry’s works. 12mo, 
 red levant morocco gilt, gilt edges, by Bedford. 
 
 Amsterdam: Thomas Lombrail, 1707 
 
 * Contains a table giving the names of land-owners, the 
 number of acres owned, etc., in Virginia in 1703. 
 
 260. BEWICK (THOMAS—English Wood Engraver). 
 A. L. S., 1 p. 8vo, Neweastle, 11 July, 1804. Sending a 
 eopy of his ‘‘ Book of Water Birds” to a friend. 
 
 261. BEWICK (THOMAS). A History of British Birds. 
 The figures engraved on wood by T. Bewick . . . con- 
 taining the History and Description of Land (and Water) 
 Birds. Beautiful impressions of the numerous woodcuts. 
 2 vols. imperial 8vo, red levant morocco gilt, side corners, 
 gilt tops, uncut, by Bedford. 
 
 Newcastle: Edward Walker, 1505 
 * Largest paper copy. 
 30 
 
262. BEWICK (THOMAS). A General History of Quad- 
 rupeds. The figures engraved on wood by Thomas Bewick. 
 The fifth edition. Numerous woodcuts. Imperial 8vo, half 
 russia, uncut (joints repaired). Newcastle, 1807 
 
 -* Thick paper copy. 
 
 263. BEWICK (THOMAS). <A Supplement to the His- 
 tory of British Birds. 8vo, green levant morocco, gilt back, 
 gilt top, uneut, by Bedford. Neweastle, 1821 
 
 264. BEYLE (HENRI). L’Abbesse de Castro. Avec — 
 illustrations de Hugéne Courboin. Royal 8vo, original - 
 covers, uncut. 
 
 Paris: Sociétaires de Académie des Beaux Livres, 1890 
 
 * One of 160 copies, with every page within a tinted border. 
 
 265. BEZA (THEODORUS DE). Iecones, id est vere 
 imagines virorum doctrina simul et pietate illustrium. 38 
 woodcut portraits, including James VI. of Scotland, to 
 whom the book 1s dedicated, Hrasmus, Luther, Symon Gry- 
 naeus, Sebastian Munsier, Calvin, Marot, Thomas Cranmer, 
 John Knox, elc. 4to, levant morocco gilt, gilt edges, by 
 Bedford. Geneve: apud Joannem Laonium, 1580 
 
 * FIRST EDITION, very scarce. A fine and large copy, 
 
 266. BEZA (THEODORUS DE). Icones, id est vere 
 imagines virorum doctrina simul et pietate illustrium. 38 
 woodcut portraits, including James VI of Scotland, to whom 
 the book 1s dedicated, Hrasmus, Luther, Symon Grynaeus, 
 Sebastian Munster, Calvin, Marot, Thomas Cranmer, John 
 Knox, etc. Ato, old olive morocco, the sides richly tooled 
 and gilt in panels with small ornaments, gilt edges (re- 
 backed and corners restored). 
 
 Geneve: apud Joannem Laonium, 1580 
 
 * FIRST EDITION, very scarce. Fine and large copy, dupli- 
 cate from the British Museum, with stamps on the back of title. 
 
 267. BIARDOT (E. PROSPER). Les Terres-Cuites 
 Grecques Funébres dans leur rapport avee les mystéres de 
 Bacchus. 8vo. Accompanied by a folio Atlas containing 
 54 plates, some in colors. 2 vols. half morocco. Paris, 1872 
 
 268. BIBIENA (M. DE). La Poupée. 2 vols. in 1, red 
 morocco gilt, gilt edges, by Derome. 
 
 La Haye: chez Pierre Paupie, 1747 
 * Bound in with Fromaget’s ‘‘ Mirima, Imperatrice du Japon, 
 1745.” 
 
 269. BIBLE (GREEK). Sacre Scripture Veteris Noveeque 
 Omnia. (greece, juxta Septuaginta execusa, cura Andres 
 Asulani.) Folio, old green morocco, gilt floral back, gilt 
 edges, probably by Padeloup. (A few wormholes.) 
 
 Venetiis: in edibus Aldi et Andrez Soceri, 1518 
 
 * EDITIO PRINCEPS of the Greek Bible. Printed in red and 
 black, double columns, with woodcut initials. ‘The M. Wod- 
 hull copy with autograph and annotations. 
 
 36 
 
270. BIBLIA cum econcordantiis Veteris et Novi testa- 
 menti et sacrorum canonum: necnon et additionibus in 
 marginibus varietatis diversorum textuum, ete. Gothic 
 character, double columns. Titlein red with a woodcut bor- 
 der, printer’s mark and numerous interesting woodcuts, and 
 each page within an architectural border. Folio, red levan, 
 morocco, gilt panelled sides, corner and centre ornamentst 
 inside dentelle borders, gilt edges, by All6. 
 
 Lugduni: per Jacobum Sacon expensis Antonij Koberger, 
 1521. 
 
 271. BIBLIA LATINA. Biblia Sacra: integrum vtriusqze 
 testamenti corpus complectens: diligenter recognita et 
 emendata. Printer’s mark on title and on last leaf. Gothic 
 characters, double columns. 8vo, brown levant morocco 
 gilt, doublure of light brown levant, gilt arabesque borders, 
 gilt edges, by Mercier, in a levant morocco case. Prelimi- 
 nary leaf 12 missing. 
 
 Parisiis: ex edibus Yolande Bonhomme vidue T. Kerver, 
 1534. 
 
 272. BIBLE (THE). Translated according to the Ebrew 
 and Greeke, and conferred with the best translations in 
 divers Languages. Black letter. 4to, russia, with clasp. 
 
 London: Christorpher Barker, 1588 
 
 * Genevan or ‘‘ Breeches ” Bible. 
 
 273. BIBLE. Biblia Sacra Vulgate Editionis Sixti V. 
 Pont. Max. ivssv recognita atque edita. PM rontispiece-title 
 engraved in compartments (the text printed in red and black) 
 and 250 woodcuts. 8vo, old red morocco, gilt back and 
 sides. Venetiis: apud lIuntas, 1627 
 
 274. BIBLIA SACRA Vulgate editionis Sixti V. Pont. 
 M. iussu recognita, et Clementis VIII auctoritate edita. 
 Engraved title. 6 vols. 12mo, old French red morocco gilt, 
 central ornaments with monogram ‘‘SM”’, gilt edges. 
 
 Colonize: J. Naulaeus, 1679 
 
 275. BIBLE. La Sainte Bible. Traduite sur les Textes 
 originaux, avec les differences de la Vulgate. Hngraved 
 tille by Yver. 8vo, brown levant morocco, gilt back and 
 sides, gilt top, by Capé. Imprint erased from title. 
 
 [a Cologne], 1739 
 
 * From the library of Jacques C. Brunet. 
 
 276. BIBLE. La Sainte Bible, contenant l’Ancien et le 
 Nouveau Testament, traduite en Frangois sur la Vulgate 
 par M. Le Maistre de Sacy. 300 plates, all fine wmpressions, 
 engraved by Triéere, Ponce, De Ghendt, Delignon, Patas, 
 Dambrun, Petit, Delvaux, Delaunay, etc., after Marillier 
 and Monsiau. 12 vols. 8vo, old French red morocco, blind 
 tooled borders and centre ornaments, gilt edges. 
 
 Paris: Defer de Maisonneuve, 1789-1804 
 
 37 
 
277. BIBLE. The Holy Bible containing the Old and 
 New Testaments: translated out of the Original Tongues; 
 and with the former translations diligently compared and 
 revised, by His Majesty’s special command. 2 vols. folio, 
 _ blue levant morocco, gilt broad arabesque borders on the 
 
 sides, gilt inside borders, silk linings, gauffred gilt edges, 
 by Hering. Cambridge, 1837 
 
 278. BIBLIOTHEQUE ELZEVIRIENNE. P. Jannet, 
 editeur. 147 vols. 12mo, original red cloth, uncut. 
 Paris, various dates. 
 
 * An unusually long series of these well-printed reprints of 
 the writings of famous French authors. Includes Rabelais; 
 Villon, Ronsard, Corneille, and many others, also collections of 
 ancient French Plays, Poetry, etc., the originals of which are 
 extremely rare and valuable, 
 
 279. BICKERDYKE (JOHN). The Book of the All- 
 Round Angler. A comprehensive treatise on angling in 
 both fresh and salt water. With over 150 illustrations, some 
 on India paper. 8vo, half brown moroceo, gilt top, uneut. 
 
 * LARGE PAPER; one of 201 copies. London, 1888 
 
 280. BICKERSTAFF (ISAAC.) The Romp: a Musical 
 Entertainment. Altered from Love in a City. Portrait of 
 Mrs. Jordan as Priscilla Tomboy, engraved by Angus after 
 Stothard. FIRST EDITION. §8vo, half blue levant moroceo 
 and boards, gilt top, uncut. London, 1786 
 
 281. BIJOU. The Bijou: an Annual of Literatnre and 
 the Arts. Steel engravings after Lawrence, Turner, Hol- 
 bein, etc. 3 vols. 12mo, red morocco gilt, gilt tops. 
 
 London, 1828—29-1830 
 
 * Proof copies, with the plates on India paper. Contains 
 original contributions by Lamb, Coleridge and others. 
 
 BOOKS 
 IN 
 
 FINE BINDINGS. 
 
 282. ASEMILIUS (PAULUS). Derebus gestis francorum, 
 ad christianissimum Galliarum Regem Franciscum Vales- 
 ium eius nominis primum, libri Decem. Additum est de 
 regibus item Francorum Chronicon, ad haee usque tempora 
 studiosissimé deductum, cum reruin maximeé insignium 
 indice copiosissimo. Ruled throughout inred. Folio. 
 
 Parisiis: Michael Vascosanus, 1539 
 
 * Contemporary French binding in dark brown morocco, 
 the sides tooled and gilt in compartments of different design, 
 in the centre of the back cover THE ROYAL ARMS OF FRANCE, 
 and on each lateral side of the middle panel two sprays of 
 flowers surmounted by the crown of France, under the sprays 
 a bird, gauffred gilt edges (rubbed and rebacked), 
 
 38 
 
 * OLS) 5 er 
 0-DRS vt 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 283. AESCHYLUS. Tragosdix Septem graece, cura Fran- 
 cisci Robortelli, cum scholiis graecis. 2 parts in one vol. 
 8vo. Venetiis: apud Gualterium Scottum, 1552 
 
 * Red morocco, the sides richly tooled and gilt to a Grolier- 
 esque of scrolls and arabesques, in the centre of the front cover 
 the initial and crest of the REV. THEODORE WILLIAMS, and on ~ 
 that of the back cover his coat-of-arms; doublures of olive 
 morocco fully tooled and gilt to a geometrical design gauffred 
 gilt edges, by J. Clarke. One of the best specimens of book- 
 bindings executed by this artist. From the Beckford Library. 
 
 284. ALCIATI (ANDREA). Emblemes de nouveau 
 traslatez en Fracois vers pour vers iouxte les Latins. 
 201 emblematic woodcuts, each page surrounded by elegant 
 ornamental woodcut borders, several of which bear the inr- 
 tials ‘*PV.’’ 8vo, contemporary calf, the sides tooled and 
 gilt in compartments formed by interlacing bands, arabesque 
 borders, gauffred gilt edges. Green, no. 38. Old writing on 
 title. Lyon: chez Macé Bonhomme, 1549 
 
 * In this edition Aneau first completely arranged the subjects 
 of the emblems. 
 
 285. ALCIATI (ANDREA). Emblemata denuo ab ipso 
 autore recognita. 211 emblematic woodcuts and each page 
 within elegant ornamental woodcut borders, several of which 
 bear the wnitials ‘* PV.”? An ancient engraved portrait of 
 Alciati inserted. 8vo, old panelled calf, with figure of faith 
 and a quotation from psalm 70 stamped in both panels. 
 Green, no. 48. Lugduni: Mathiam Bonhomme, 1551 
 
 * Autograph of Thomas Knyvett on title. In the same vol- 
 ume is bound ‘‘ Michaelis Verini distichorum liber,’ Lovanii, 
 1531, each page surrounded by woodcut borders similar to the 
 preceding. 
 
 286. ALEXANDRE (ARSENE). Les Reines de |’ Aiguille; 
 Modistes et Couturiéres. (Etude Parisienne.) Illustrations 
 dessinées et gravées par Francois Courboin. 8vo, Embroid- 
 ered binding of pondlilies on a pink ground, figured satin 
 lining, gilt top, uncut, in a case, by The Club Bindery. 
 
 Paris, 1902 
 
 * One of 100 copies on Japan paper, with the plates in 3 
 states, one of which is etched. 
 
 287. ALMANACH Royal, Année M.DCC.LXXXII. 24mo, 
 old red morocco, gilt back, side borders, the arms of MARIE 
 ANTOINETTE on the sides, gilt end-papers, gilt edges. 
 
 Paris: Chez D’Houry, 1782 
 
 288. AMELOT DE LA HOUSSAYE. Reflexions, Sen- 
 tences et Maximes morales. Mises en nouvel ordre, avee 
 de notes politiques et historiques. Hngraved frontispiece. 
 12mo. Paris, 1742 
 
 * Old French olive morocco gilt, the arms of MADAME DE 
 POMPADOUR stamped in the centre of both covers, gilt edges. 
 
 39 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 289. ANACREON AND SAPPHO. Poesies traduites du 
 Grec en Francois, avec des Remarques, par Madame Dacier. 
 Engraved frontispiece. 12mo. Amsterdam, 1699 
 
 * Old French calf gilt, the arms of CouNT DE Hoym in the 
 centre of both covers, gilt edges, by Boyet. 
 
 290. BERANGER (PIERRE JEAN DE). Chansons de 
 P. J. de Béranger précédés d’une notice sur Vauteur et 
 d’un essai sur les poésies par M. P. F. Tissot. Portrait by 
 C. Cousin after Scheffer, and 83 other plates after designs 
 by Tony and Alfred Johannot, Delacroix, Raffet, and 
 others. 5 vols. in 3, 12mo, maroon morocco gilt, gilt sides 
 with stamped centre in cathedral pattern in colored morocco, 
 gilt edges, by [Thouvenin]. Paris [et Bruxelles], 1829-1833 
 
 * A note on fly-leaf calls attention to the fact that, ‘‘ THIS 
 COPY BELONGED TO BERANGER.”’ Volume IV, which bears the 
 Bruxelles imprint contains manuscript additions, 
 
 291. BERCHET (TOUSSAINT). Explicatio Controver- 
 siarum quae a nonnullis moventur de Henrici Borbonii regis 
 in Regnum franciae Constitutione. Sedani, typis Matthei 
 Hilarij, 1590.—Helvetiz Gratulatio ad Galliam de Henrico 
 huius nominis IV. [Geneva, Gabriel Cartier,] 1591. In 
 one vol. 8vo, contemporary German binding in stamped 
 pigskin, in the central panel of the front cover the figure of 
 Justice and below the date 1591, and on that of the back 
 cover the figure of Lucrece. Clasps. Library stamp on back 
 of title. , 
 
 292. BEKREUZIGTE HERTZ (DAS MIT JESU): Oder, 
 Andachtige Betrachtungen dess bittern Leidens und Ster- 
 bens unsers Herrn und Heilandes Jesu Christi. Numerous 
 emblematic copper engravings. 2vols. 8vo. Stuttgart, 1714 
 
 * Contemporary German bindings in vellum painted in rose 
 with gilt ornaments, in the centre of the covers a medallion 
 representing a pillar and two crossed anchors painted green 
 gilt edges, in contemporary gilt and decorated board cases. 
 
 293. BIBLIA. La Bible, qui est toute la sainete Escri- 
 ture: contenant le Vieil & le Nouveau Testament. Ruled 
 throughout with red lines. Cuts, maps and a table. 8vo. 
 
 [Geneva]: De Imprimerie de Frangois Estienne, 1567 
 
 * Contemporary binding in calf, the sides covered with an 
 arabesque design in silver and gold, gilt and silver back, 
 painted and gauffred gilt edges. The ornamentation on the 
 cover introduces the horn of plenty, griffins, etc. A FINE AND 
 UNUSUAL SPECIMEN, In a morocco slip case. 
 
 294. BIBLE. The Holy Bible, containing the Old and 
 New Testaments. Small 8vo. Oxford, 1845 
 
 * Ornamental perforated gilt brass binding with engraved 
 borders and clasp, red velvet beneath, richly gauffred gilt 
 edges, vellum linings and fly-leaves with painted borders, by 
 Hayday. Ina morocco case. 
 
 40 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 295. BIBLE IN DUTCH. Bijbel, dat is de Gansche 
 Heilighe Schrift, vervattende al de Kanonijke Boeken des 
 Ouden en Nieuwen Testaments. Thick 12mo. 
 
 Amsterdam, 1855 
 
 *Tortoise-shell binding highly polished, gold hinges, and 
 chased solid gold clasps, representing the Saviour, John the 
 Baptist, and four allegorical subjects, gilt edges. Choice 
 specimen, 
 
 296. BINDING. <A wooden book cover painted and gilt, 
 in the Italian manner of the 15th century, in the inner 
 panel of the front cover the angel Gabriel, and on that of 
 the back cover the Virgin; leather back (one side cracked). 
 
 297. BINDING. A wooden book cover, folio size, gilt 
 and painted, in the panel of the front cover a saint, and on 
 that of the back cover the arms of the Commune of Siena, 
 with inscription, in facsimile of the celebrated binding of 
 the 15th century executed for the registers of the ‘‘ Gabella’”’ 
 of Siena, known under the name of ‘‘ Tavolette d’Bic- 
 eherna,”’ leather back and clasp. 
 
 298. BINDING. A wooden book-cover with plaster orna- 
 ments, and gilt. painted in the centre of the front cover an 
 angel, and on that of the back cover the Virgin, leather 
 back and clasp. Allskilfully executed in the manner of the 
 Sienese bindings of the early part of the 15th century. 8vo. 
 
 299. BINDING. Bergerac (M.deCyrano). Les Gfuvres 
 diverses. Portrait and 3 plates. Vol. 1 only. 12mo, old 
 red morocco, gilt back with crown and intertwined L. in 
 panels, ARMS OF LOUIS XIV on the sides. (Library stamp 
 on title. ) Amsterdam, 1699 
 
 300. BINDING. <A Quarto Dutch binding of the 18th 
 century in repoussé silver, the sides worked to a design of 
 ornamental leaves and flowers, ‘‘ I. H. S.’’ in the centre of 
 both covers. 18th Century 
 
 301. BINDING. Engiish blank Note-Book of the 18th 
 century. 12mo, contemporary English binding in red mo- 
 rocco, richly tooled and gilt to a design of flowers, leaves, 
 insects, ete., silver clasps, gilt edges. XVIIIth Century 
 
 302. BINDING. Two Persian Book Covers, painted and 
 lacquered representing scenes of the Persian life. 8vo. 
 18th Century 
 
 303. BINDING. A Tortoise-Shell Book Cover with silver 
 hinges, corner-pieces and clasps (back cracked). 
 18th Century 
 
 41 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 304. BINDING. The Bindings of Tomorrow. A Record 
 of the Work of the Guild of Women Binders, and of the 
 Hampstead Bindery. Introduction by G. Elliot Anstruther. 
 Numerous colored reproductions. 4to, olive green levant 
 morocco, broad border of red mosaics in two shades on 
 sides, doublures of blue levant with brown and pale blue 
 mosaics, vellum end-papers, gilt edges, by the Guild of 
 Woman Binders. a London, 1902 
 
 305. BINDING. A Blank Book. Small 8vo, old French 
 brown morocco, gilt panelled sides, borders of fleur-de-lis, 
 inner corner ornaments of scrolls and pointillé, with the arms 
 of a French count in the centre; doublure of same colored 
 morocco similarly tooled and gilt, probably by Le Gascon. 
 
 * A fine specimen, 
 
 306. BINDING. A Blank Book and Portfolio. Folio, 
 citron levant morocco, elaborately tooled in a Le Gascon 
 pattern, with flowers inlaid in green, blue and red morocco, 
 satin linings, by Gruel. In a case. 
 
 307. BOAISTUAU (PIERRE). Bref Discours de lex- 
 cellence et dignité de V-homme. Faict en Latin par Pierre 
 Bouaystuau, surnommé Launay, natif de Bretaigne, puis 
 traduit par luy mesme en Francois. Ruled throughout in 
 red. 8vo. Name on title. 
 
 Paris: pour Jean Longis & Robert le Maugnier, 1558 
 
 * Citron levant morocco, with mosaic compartments in red 
 and blue, outlined in gold and studded with dots, doublure of 
 blue levant, gilt tooled dentelle borders, gilt edges, by Cuzin. 
 Preserved in a morocco case, lined with undressed deerskin. 
 
 308. BOCCACCIO (GIOVANNI). Il Decameron. Si 
 come lo diedero alle stampe gli SSri Giunti l’anno 1527. 
 SECOND ISSUE. 12mo, old red straight-grain morocco, gilt- 
 tooled sides and back, gilt inside borders, silk linings, gilt 
 edges, by Courteval. Amsterdam: Daniel Elzevier, 1665 
 
 309. BOILEAU-DESPREAUX (NICOLAS). QSuvres 
 diverses avec le Traité du Sublime, ou du Merveilleux dans 
 le Discours. Traduit du Gree de Longin. Nouvelle EKdi- 
 tion, revué & augmentée de diverses Pieces Nouvelles. 
 With proofs of the 8 plates, and an inserted portrait by St. 
 Aubin. 2 vols. 8vo. Amsterdam: Henri Schelte, 1702 
 
 * LARGE PAPER. Old English red morocco, the sides richly 
 tooled and gilt to a design of pointillé fillets and other orna- 
 ments, gilt edges. 
 
 310. BOSSUET (JACQUES BENIGNE). Traitez du 
 Libre-Arbitre, et de la Coneupiscence. 12mo. 
 Paris: Barthelemy Alix, 1731 
 * First EDITION. Old French red morocco, THE ARMS OF 
 JACQUES BENIGNE BOSSUET, BISHOP OF TROYES AND NEPHEW 
 OF THE AUTHOR, stamped in gold on the centre of both covers, 
 gilt back, gilt edges. 
 42 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 311. BREVIARIUM ROMANUM ex decreto SS. Concilij 
 tridentini restitutum, Pii V P.M. iussu editum, et Cle- 
 mentis VIII auctoritate recognitum. 8vo. 
 
 Antuerpize: ex Officina Plantiniana, 1612 
 
 * Contemporary binding in red morocco, the sides richly 
 
 tooled and gilt in geometrical compartments, the intervening 
 
 spaces filled with scrolls, flowers, leaf sprays, etc., the back 
 
 tooled in the same mauner, gilt edges, by CLOVIS EVE, in a 
 
 levant morocco slip-case. Corners, joints, and upper and lower 
 part of back skilfully restored. 
 
 312. CALENDRIER de la Cour, l’année 1773. 24mo, 
 old French red morocco, richly gilt corner ornaments on 
 the sides, THE ARMS OF MLLE. LE DUC, FRENCH ACTRESS, 
 painted in the centre of both covers, within a gilt mosaic 
 ornament covered with isinglass, gilt edges, by Padeloup. 
 
 Paris, 1773 
 
 3138. CALENDRIER de la Cour pour l’Année 1817. 
 
 24mo. Paris, 1817 
 
 * Old French red straight-grain morocco gilt, the arms of 
 MARIE-THERESE-CHARLOTTE DE FRANCE, DUCHESSE D’'ANGOU- 
 LEME, DAUGHTER OF LoUIS XVI, on both covers. 
 
 $14. CARY (JOHN). Cary’s New Itinerary; or, an ac- 
 curate delineation of the Great Roads both direct and 
 cross, throughout England and Wales; with many of the 
 principal Roads in Seotland. Map and engraved dedication 
 page. 8vo, red straight-grain morocco, gilt-tooled floral 
 borders on the sides, initial EK in the centre, gilt broad 
 inside borders, watered silk linings, gilt edges, by Roger 
 
 Payne. London: John Cary, 1798 
 * Dedicated to the Earl of Chesterfield and a presentation 
 copy from him. 
 
 315. CENT NOUVELLES NOUVELLES (LES). Con- 
 tenant les cent histoires nouveaux, que sont moult plaisans 
 a raconter, en toutes bonnes compagnies. Frontispiece and 
 100 plates engraved after Romain de Hooghe printed apart 
 from the text. 2 vols. 12mo. Cologne, 1701 
 
 * Old red morocco, gilt tooled floral borders on the sides, 
 doublures of citron morocco, also with gilt floral borders, gilt 
 end-papers, gilt edges, by Padeloup. In morocco slip-cases. 
 
 The M. Wodhull copy, with autograph and manuscript notes. 
 
 316. CHARLES J. ’EIKQO‘N BASIAIKH’, The Pourtraic- 
 ture of his Sacred Majestie in his solitudes and sufferings. 
 Frontispiece, representing Charles I at his devotions, en- 
 graved by Marshall. 8vo, contemporary English brown 
 morocco, gilt panelled sides, fleurons in the corners, THE 
 CROWNED INITIALS ‘‘ C. R.’’ in the centre of both covers, 
 and below a skull, gilt edges. [n. pl.] 1649 
 
 * ONE OF THE PRESENTATION COPIES FROM KING CHARLES II, 
 mentioned by Lowndes. Inserted are 2 scarce portraits of 
 Charles I, one representing him at the age of 19. This copy 
 contains at end the ‘‘ Perfect Copie of Private Prayers used by 
 His Majestie in the Time of his Sufferings,”’ which are very 
 often missing. f 
 
 3 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 317. CHARRON (PIERRE). De la Sagesse, trois livres. 
 Engraved title. 12mo. Leide: chez les Elseviers, 1646 
 * FIRST ELZEVIR EDITION. Red levant morocco, gilt sides in 
 compartments, the spaces filled with gilt pointillé ornaments, 
 
 in the manner of Le Gascon, doublure of same colored mo- 
 
 rocco, gilt borders, gilt edges, by The Club Bindery. Ina 
 case. 
 
 318. CHARRON (PIERRE). De la Sagesse, trois livres. 
 Engraved frontispiece. 12ino. 
 
 Leide: chez les Elseviers, 1646 
 
 * Old red morocco, the sides tooled and gilt to a semis of 
 
 fleur-de-lis, the interlaced monogram ‘‘W D” in the centre 
 
 and in the corners, gilt edges; bound for ARMAND JEAN DE 
 
 WIGNEROT DU PLESSIS, duc de Richelieu, grand nephew of the 
 great Cardinal. RARE PROVENANCE, Ina morocco case. 
 
 319. CHRISTLICHER SEELEN-SCHATZ auszerlesener 
 Gebetter. Hngraved throughout, with two ornamental litles 
 and subtitles, 20 head-pieces and 56 elegant initials. 12mo. 
 
 [Bonn, 1792] 
 * Contemporary German binding in repoussé silver gilt, the 
 front cover representing the Resurrection. the back cover the 
 
 Baptism of Christ, and the back the Crucifixion. Silver clasp, 
 gilt edges. 
 
 320. CLARETIE (JULES). La Corde. TJllustrations de 
 Ch. Jouas, gravées par Boisson, all on India paper. 8vo. 
 Paris, 1901 
 
 * Citron levant morocco, back and sides entirely covered by 
 gold tooling in small symmetrical compartments, with a rose 
 in centre of each, oriental silk linings, gilt over rough edges, 
 original covers bound in, by The Club Bindery. One of 125 
 copies printed. 
 
 321. COLUMELLA (L. J. MODERATUS). Les douze 
 livres des choses rustiques traduicts par Claude Cotereau. 
 Ruled throughout in red; title within a fine woodcut border. 
 Ato. Paris: par Jacques Kerver, 1552 
 
 * Cohtemporary calf, the sides tooled and gilt to a Grolier- 
 esque design of interlacing bands with scrolls and arabesques, 
 gilt edges (joints, corners, and upper and lower part of the 
 back restored). 
 
 From the library of Ballesdens, with his autograph on title. 
 
 322. COMMON PRAYER. The Book of Common Prayer, 
 and Administration of the Sacraments, and other rites and 
 Ceremonies of the Church, according to the use of the 
 United Church of England and Ireland. IJllwminated orna- 
 ments and illustrations engraved on wood after the works of 
 the great painters. Royal 8vo, gray velvet, embroidered 
 with silk of various colors, gilt edges. In a case. 
 
 * 12 engraved plates inserted. London, 1845 
 
 44 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 323. COMMONWEALTHS-MAN (THE) unmasqu’d: or, 
 a just Rebuke to the Author of the account of Denmark. 
 12mo. London: Randal Taylor, 1694 
 
 * Contemporary English blue morocco, the sides richly tooled 
 and gilt to the cottage pattern, crown in the corners, and the 
 crowned monogram of KING WILLIAM III in the centre of both 
 covers, gilt edges. 
 
 324. COPPEE (FRANCOIS). Le Passant. Comedie en 
 une acte en vers. Réproduction en facsimile du manuscrit 
 de Vauteur et d’une page de musique de J. Massenet. 47 
 compositions de Louis H. Fournier. Imperial 8vo. 
 
 Paris, 1897 
 
 * Maroon levant morocco, green mosiac flower on back, 
 bands blind tooled, doublures of grey morocco covered with a 
 conventional mosaic design in blue, brown, and citron morocco, 
 silk guards, gilt over rough edges, by Meunier. 
 
 One of 19 copies on India Paper, with the illustrations in four 
 states, 
 
 3825. COWLEY (ABRAHAM). The Works, Consisting 
 of Those which were formerly Printed: and Those which he 
 Design’d for the Press, Now published out of the Authors 
 original copies. The Sixth Edition. Portrait by W. Faith- 
 orne. Folio, contemporary old English black morocco, 
 richly and profusely tooled, gilt edges. 
 
 London: Printed by J. M. for Henry Herringman, 1680 
 
 3826. DAMPIER (GUILLAUME). Nouveau Voyage au- 
 tour du Monde. OU Von décrit en particulier l’Isthme de 
 VAmerique, plusieurs Cotes & Isles du Cap Verd, le pas- 
 sage par la Terre del Fuego, les Cotes Meridionales du Chili, 
 du Perou, & du Mexique; l'Isle de Guam, Mindanao & des 
 autres Philippines; les Isles Orientales qui sont prés de 
 Cambodie, de la Chine, Formosa, Lucon, Celebes, &c. la 
 Nouvelle Hollande, les Isles de Sumatra, de Nicobar, de 
 Sainte Helene, & le Cap de Bonne-Esperanece. 64 platesand 
 maps. 5 vols. 12mo. Rouen, 1715 
 
 * Old French red morocco gilt, the arms of MARIE JOSEPHINE 
 LOUISE DE SAVOIE, comtesse de Provence, in the centre of both 
 covers, gilt edges. 
 
 327. DANCOURT (FLORENT CARTON). (E£uvres de 
 Théatre. Nouvelle édition. 12 vols. 12mo. Paris, 1760 
 
 * Red Jevant morocco gilt, the arms of MARIE JOSEPHINE 
 LOUISE DE SAVOIF, Comtesse de Provence, in the centre of the 
 covers, gilt edges, probably by Derome. 
 
 328. DANIEL (GABRIEL). Vie du bienheureux Pére 
 Joseph de Leonissa, Capucin, Missionaire Apostolique. 
 Frontispiece portrait. 12mo, old French red morocco, gilt 
 tooled dentelle borders on the sides, the arms of a French 
 archbishop in the centre of both covers, gilt edges, by 
 Derome. Paris, 1738 
 
 45 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 329. DANTE. WL’Enfer, traduction nouvelle par M. le 
 Comte de Rivarol. PRINTED ON HOLLAND PAPER. 8vo, old 
 French red morocco, gilt tooled dentelle borders on the 
 sides, the arms of a French nobleman in the centre, silk 
 linings, gilt edges, by Derome. Londres (Paris), 1785 
 
 330. DEBONNAIRE (L.). La Réligion Chrétienne, 
 meditée dans le véritable esprit de ses maximes. 6 vols. 
 
 12mo. . Paris, 1745 
 
 * Old French olive morocco, gilt tooled dentelle borders on 
 
 the sides, the arms of MADAME VICTOIRE-LOUISE DE FRANCE in 
 
 the centre of the covers, gilt backs, silk linings, gilt edges, by 
 Padeloup. 
 
 331. DICTIONNAIRE de l’Académie Frangoise, revu, 
 corrigé et augmenté par l’Académie elle méme. Cinquiéme 
 édition. 2 vols. 4to, red straight-grain morocco, gilt back, 
 side borders, the arms of the DUCHESS DE BERRI on the 
 sides, silk linings, gilt edges, by Bradel. Paris, 1814 
 
 332. DORMAY (CLAUDE). Decora Franciz in Ludo- 
 vici Regis unctione reflorescentia. 8vo. Lacks 2 end- 
 papers. -Parisiis, 1655 
 
 * Contemporary French binding in olive morocco, the sides 
 tooled and gilt to a semis of fleur-de-lis, with the arms of KING 
 Louis XIV in the centre, gilt edges. 
 
 333. [DREUX DU RADIER (J. F.).] Tablettes, Anec- 
 dotes et Historiques des Rois de France, depuis Pharamond, 
 jusqu’a Louis XV. 3 vols. 12mo. Paris, 1759 
 
 * Old French olive morocco, gilt dentelle borders on the 
 sides, a vase of flowers in the centre, gilt edges, by Padeloup. 
 
 334. DRYDEN (JOHN). Ovid’s Epistles translated by 
 Several Hands. Hngraved frontispiece. Post 8vo. 
 London: Printed for Jacob Tonson, 1680 
 
 * Dryden was both editor and translator, writing the preface, 
 and translating several pieces. The volume is an interesting 
 specimen of contemporary binding, being in a very dark brown 
 morocco, the sides covered with bell-shaped flowers inlaid in 
 silver morocco, and relieved by crescent-shaped inlays of red 
 morocco, corner ornaments in gold, and gold dotted and worked 
 with small tools. In cloth case. 
 
 335. DUMAS (ALEXANDRE). (I) Henri III et sa cour. 
 Drame historique en cing actes et en prose. Deuxiéme 
 Edition, Paris, Vezard et Cie., 1829; (II) Stockholm, Fon- 
 tainebleau et Rome, Trilogie dramatique sur la Vie de 
 Christine. . . avec Prologue et Epilogue, Paris, Barba, 1830. 
 8vo, 2 works in 1 vol. Paris, 1829-30 
 
 * Purple morocco, back panels inlaid in red and citron mo- 
 
 rocco, sides similarly treated, with rich tooling of an architec- | 
 
 tural pattern, the name of Mile. Georges in the centre, gilt 
 edges, by Thouvenin. Ina brown morocco Case. 
 
 First Edition of the second work, with frontispiece. PRES- 
 ENTATION COPY FROM THE AUTHOR TO MLLE. GEORGES, the 
 French tragedienne, with engraved portrait laid in, 
 
 46 
 
 : 
 r ee 
 Oe ie 
 
CHOLE DE SALERNE. LEYDE 
 
 Se : Ste hackle a - po SRP 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 336. ENGELGRAVE(HENRICUS). Lux Evangelica sub 
 velum sacrorum emblematum recondita. 3 engraved title 
 pages and 161 emblematic copper engravings by J. Van 
 Meurs. 4 vols. 12mo. Colonize, 1655-59 
 
 * Old French red morocco, gilt panelled sides, with fleuron 
 ornaments, the arms of H. Du FRESNOy in the centre of the 
 covers, accompanied by his monogram, the same repeated in 
 the panels of the backs, gilt edges. In fine condition. From 
 the library of J. J. De Bure, and the copy mentioned by Brunet. 
 
 337. ESCHOLE DE SALERNE, en vers Burlesques. Et 
 duo poemata macaronica; de Bello Huguenotico: et de gestis 
 magnanimi et prudentissimi Baldi. 12mo. 
 
 Suivant la copie imprimée a Paris (Leyde: B. & A. 
 Elzevier) 1651. 
 
 * Citron levant morocco, mosaic compartments on the sides 
 of blue and red morocco richly tooled and gilt; doublures of 
 blue levant, with gilt-tooled dentelle borders in the manner of 
 Duseuil, ENTIRELY UNCUT, by TRAUTZ-BAUZONNET, in a morocco 
 case, by Thibaron-Joly. 
 
 One of the rarest productions of the Elzevir Press, AND SAID 
 TO BE THE ONLY COPY KNOWN IN UNOUT STATE. From the 
 libraries of E. V. Utterson, M. L. de Clinchamp, and Count de 
 Mosbourg, with book-plates. 
 
 (See Reproduction. ) 
 
 338. ESERCIZIO del Cristiano da farsi ogni giorno. 24mo. 
 Bassano: Remondini [ca. 1725] 
 * Contemporary Italian binding, in green silk, the sides em- 
 broidered to an ornamental design of gold thread and spangles, 
 gilt edges, preserved in a contemporary gilt-marbled calf case. 
 
 Fine specimen. 
 
 \ 
 
 339. ETAT MAJOR des places dans ]’Armée Frangoise 
 Vannée 1763. 12mo. [ Paris, 1763] 
 * Old French green morocco gilt, the arms of MADAME DE 
 PoMPADOUR in the centre of the covers, and the tower in the 
 corners, repeated in the panels of the back, silk linings, silk 
 
 ties, gilt edges. 
 
 340. GAMBARA (LAURENTIUS). Rerum sacrarum 
 liber, cum argumentis Iacobi Patti. Hngraved title and 55 
 fine copper engravings, by B. Passaro. Ato. 
 
 Antuerpie: ex officina Christophori Plantini, 1577 
 
 * Contemporary Venetian binding in red morocco, the sides 
 in sunken compartments ornamented with arabesques painted 
 in various colors on gold ground, on the centre of the front 
 cover the Lion of St. Mark, and on that of the lower cover the 
 arms of a Venetian family, gilt back. An interesting specimen 
 in fine condition. 
 
 AT 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 341. GAUTIER (THEOPHILE). Le Roi Candaule, 
 
 Royal 8vo. Paris, 1893 
 * A SUPERB SPECIMEN OF BINDING IN LIGHT BLUE LEVANT MO- 
 ROCCO, BACK AND SIDES COVERED WITH A RICH MOSAIC-DESIGN IN 
 BORDERS AND COMPARTMENTS WITHIN PANELS OF DARK BROWN, 
 CITRON, IVORY, ROSE, AND RED MOROCCO, DECORATED WITH GILT } . 
 TOOLS, GILT AND MOSAIC INSIDE BORDERS, ‘LININGS OF TINSEL — eis 
 
 CLOTH, GILT OVER UNCUT EDGES, WITH THE ORIGINAL COVERS, a 
 BY MERCIER. | i 
 IN A MAROON LEVANT MOROCCO CASE, rae 
 Special Whatman paper copy, not for sale, with the etchings 
 
 in three states, outline, remarque proofs, and proof after — 
 letters. He, 
 UNIQUE COPY, WITH THE ORIGINAL DRAWINGS BY AVRIL 
 INSERTED. ie 
 From the library of Eugéne Paillet. 
 
 (See Frontispiece.) 
 
 342. GAUTIER (THEOPHILE). Le Petit Chien de 1z 
 Marquise. Préface par Maurice Tourneux. 2/dessinsde 
 Louis Morin. 12mo. Paris, 1 sith 
 
 * Green levant morocco, mosaic panels of darker green, bea 
 tifully tooled in flowers, foliage and scrolls; doublures of orang 
 levant, inlaid with panels of green tooled in scrolls, the bac 
 ground filled with flowers and dots, silk guards, gilt over roug 
 edges, original covers bound in, by Mercier. Exhibited at th 
 Exposition Universelle. One of 150 copies on papier vélin. — 
 
 343. GAUTIER (THEOPHILE). Jean et Jeannette. 
 Illustré de vingt-quutre compositions par Ad. Lalauze. 
 Royal 8vo. Paris, 18 
 
 * Blue levant morocco, decorated in mosaic of brown, wit 
 branches of roses in gold, and a mosaic centre ornament sien 
 
 with the ee in three states. 
 
 344. GAUTIER (THEOPHILE). Une Nuit de Be 
 Préface par Anatole France. ‘“Illustrée de vingt-et-une co 
 positions par Paul Avril. Bo 8vo. Paris, aS 
 
 cover, in mosaic of various colors, open a scene fro 
 the book, back cover with doublures of brown levant, maroo 
 satin guards, gilt over uncut edges, original covers bound i in, by 
 Raparlier. 
 One of 100 copies on large Japan paper, with the illustra 
 in three states, engraver’s etching, remarque proof, aud) 
 after letters. “a ee 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 345. GAUTIER (THEOPHILE). Le Pavillon sur l’Eau. 
 Compositions en couleurs de Henri Caruchet. S8vo. 
 Paris, 1900 
 
 * Black satin, embroidered in a scene in the Chinese man- 
 ner, representing a Chinaman on the bank of a lake, with 
 birds, and a flowering tree, incolors and gold, figured silk lin- 
 ings, gilt top, uncut, with the original wrappers bound in, by 
 The Club Bindery. » 
 
 One of 40 copies on Japan paper, with a duplicate set of the 
 illustrations in black on India paper. 
 
 346. GHIGERUS (MALACHIA). Microcosmus Hypochon- 
 driacus sive de melancholia hypochondriaca tractatus. 
 Title and several plates engraved on copper and all finely 
 colored and heightened with gold by a contemporary hand. 
 4to. Monachii, 1652 
 
 * Red levant morocco, the sides in mosaic compartments of 
 ivory, brown and green morocco ontlined in gold and richly 
 tooled and gilt with ornamental scrollsand pointillé, gilt mosaic 
 back, gilt edges, by The Club Bindery. Ina case. 
 
 A curious and rare medical work. The plates represent the 
 interior of a German apothecary’s shop, a surgeon’s operating 
 room, a banqueting hall, a hospital, etc. 
 
 347. GOMBAULD (JEAN OGIER DE).  L’Endimion. 
 Title and 16 fine copper-plales engraved by Crispin de Pass. 
 L. Gautier and J. Picart. 8vo. 
 
 Paris: chez Nicolas Buon, 1624 
 
 * FIRST EDITION. Contemporary olive morocco, the sides 
 and back tooled and gilt to a semis of fleur-de-lis, gilt edges, 
 probably bound by Antoine Ruette for Louis XIII. 
 
 348. GRAPHEUS (CORNELIUS). Spectaculorum in 
 susceptione Philippi Hisp. Prin. Divi Caroli V. Ces. F. An. 
 M.DXLIX. Antuerpiz editorum mirificus apparatus. 29 
 large woodcuts of triumphal arches, etc. Folio. 
 
 Antuerpiz: Pro Petro Alosten. typis Atgidii Disthemii, 
 1550. 
 
 * Contemporary French binding in calf, the sides in com- 
 partments formed by interlaced bands painted dark brown and 
 outlined in gold, the intervening spaces ornamented with gilt 
 arabesques and interlaced crescents; in the centre of the front 
 cover the title of the book and in the lower part ‘10. GROLIERII 
 ET AMICORVM,” and inthe centre of the back cover Grolier’s 
 motto ‘‘PORTIO MEA DOMINE SIT IN TERRA VIVENTIVM,” gilt 
 edges (skilfully rebacked and corners restored). Ina morocco 
 slip case. 
 
 Autograph of Ballesdens on title. From the libraries of M. 
 Coste, Marquis de Ganais, Baron Seilliére and Henri Bordes. 
 Le Roux de Lincy, no. 287, 
 
 (See Reproduction. ) 
 49 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 349. HAAFTENUS (BENEDICTUS). Regia Via Crucis. 
 Engraved title and 36 fine copper-plates. 8vo. 
 | Antuerpiz: ex officina Plantiniana, 1635 
 
 * Old French and morocco, the sides tooled and gilt to a rich 
 design of scrolls, fleurons, pvintillé ornaments, etc., gilt edges, 
 probably by Le Gascon. 
 
 350. HEURES presentées a Madamela Dauphine. Hn- 
 graved throughout, 6 copper-plates and numerous orna 
 mental initials, and head- and tail-pieces. 8vo. 
 
 Paris: Théodore de Hansy, 1730 
 
 * Old French ivory morocco, the sides covered with a mosaic 
 frame of green and red morocco richly tooled and gilt, in the 
 centre of the front cover a painting on silk representing the 
 
 Annunciation, and on that of the back cover another silk paint-. 
 
 ing of the Descent of the Holy Ghost. Gilt mosaic back, rose 
 silk linings, gilt edges, in a levant morocco slip case. 
 A FINE SPECIMEN. 
 
 351. HEURES des époux, livre de mariage contenant 
 V’office des dimanches et des fétes. Hingraved title and 18 
 plates finely colored by hand and heightened with gold. 
 16mo, ivory morocco, the sides inlaid to a Gothie cathedral 
 design in green, blue and red morocco gilt, gilt mosaic back, 
 silk linings, gilt edges, by Thouvenin. In a red morocco 
 slip case. ' Paris: L. Janet [n. d. ] 
 
 352. HORATIUS. Federici Ceruti Veronensis in Q. 
 Horatii Flacci Carmina, Epodos, Satyras, atque Epistolas 
 paraphrasis. Ruled throughout in red. 2 parts in one vol. 
 Ato. Verone: apud Hieronymum Discipulum, 1585 
 
 * Old French blue levant morocco, the ARMS OF COUNT DE 
 HoyM stamped in gold in the centre of both covers, and his 
 crowned monogram repeated five times on the panels of the 
 back; doublure of same colored morocco with gilt-tooled wide 
 borders formed of crowned eagles and small ornaments, gilt 
 edges, by PADELOUP LE JEUNE, with his ticket pasted on the 
 lower part of the title-page. IN THE FINEST CONDITION, 
 
 3538. HORATIUS. Opera. Title vignette engraved by 
 
 Grignion after Wale. 16mo, old French red morocco, den- 
 
 telle borders on sides, gilt back, gilt edges, by Derome. 
 Birmingham: Joannes Baskerville, 1762 
 
 * The two final leaves contain a list of books printed and 
 sold by John Baskerville, and an ‘* Erratum.” 
 
 354. HORNECK (ANTHONY). The Great Law of Con- 
 sideration; or, a Discourse wherein the Nature, Useful- 
 
 ness, and Absolute Necessity of Consideration, In order to 
 
 a truly Serious and Religious Life, is laid open. Hngraved 
 frontispiece. 8vo. London, 1682 
 
 * Contemporary binding in red morocco, the sides and back 
 richly tooled and gilt in compartments, with ornaments painted 
 blue and silver outlined in gold and with pointillé work, gilt 
 edges, by Samuel Mearne. Fine specimen. 
 
 50 
 
ANTWER. 1550. 
 
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 GRAPHEUS. 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 355. HUGO (VICTOR). Les Orientales. FIRST EDITION. 
 Svo. ? Paris, 1829 
 
 * Blue levant morocco, back and side borders tooled in a 
 design of interlacing fillets. doublures of light brown morocco, 
 superbly tooled in an Oriental design with rich mosaic centre, 
 gilt over uncut edges, original covers bound in, by Mercier. 
 
 Inserted is a frontispiece engraved by Cousin, ‘‘ Clair de 
 Lune,” in six states, two other plates, one colored, and an 
 illuminated title by Giacomelli in gold and colors. Also the 
 preliminary leaves of ‘‘ Prospectus” and a portrait of Hugo. 
 
 356. HUGO (VICTOR). Eviradnus. Vingt-six com- 
 positions de P. M. Ruty, gravées au burin par P. Gusman. 
 Royal 8vo. Paris [1900] 
 
 * Calf, front cover chiselled and gilded in a design of a 
 warrior in full armor standing between parted curtains along- 
 side of which are borders composed of oak-leaves, dragons, and 
 other figures, doublures of blue morocco, borders of thistles, 
 gilt over rough edges, original covers bound in, by L. Gruel. 
 
 One of 40 copies on vélin a la forme, with duplicate set of 
 etchings in the first state and of the woodcuts on papier pelure. 
 
 A FINE SAMPLE OF CHISELLED BINDING. 
 
 357. HUTCHINSON (FRANCIS). A Defence of the 
 antient Historians: with a particular application of it to the 
 History of Ireland and Great Britain, and other Northern 
 Nations. By Francis Lord Bishop of Down and Connor. 
 
 Svo. Dublin, 1734 
 * Old English blue morocco, the sides tooled and gilt to the 
 ‘‘cottage” pattern, gilt edges. From the library of the Ear] 
 
 of Gosford, with his leather book-label. 
 
 358. HYGINUS (C. JULIUS). Fabularum liber, eiusdem 
 Poeticon Astronomicon libri IV. Quibus accesserunt Pale- 
 phati de fabulosis narrationibus liber, F. Fulgentii Placi- 
 adis Mythologiarum libri III., ete. 48 woodcuts represent- 
 ing constellations, etc. Folio, old French red morocco, gilt, 
 with the first arms of J. A. DE THOU in the centre of both 
 covers, and his monogram on the panels of the back, gilt 
 edges. Basilez: ex Officina Hervagiana, 1570 
 
 * Fine and large copy from the Syston Park library. 
 
 359. JOANNES CHRYSOSTOMUS. MHomélies ou Ser- 
 mons qui contiennent son commentaire sur tout l’évangile 
 de S. Matthieu, traduits par P. A. de Marsilly. Ruled 
 throughout with red ink. 3 vols. 8vo. Paris, 1693 
 
 * Old French blue morocco, the sides covered with a rich 
 mosaic design of compartments in red and citron morocco, 
 tooled and gilt in dotted scrolls, in imitation of the bindings of 
 Le Gascon, gilt tooled mosaic backs, inside dentelle borders, 
 gilt paper linings and ends, gilt edges, by Padeloup. MAGNIFI- 
 CENT SPECIMENS IN PERFECT CONDITION. Preserved in three 
 morocco slip cases. 
 
 (See Reproduction.) 
 
 o1 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 360. LA FONTAINE (JEAN DE). Fables Choisies, 
 mises en vers par J. de la Fontaine. Nouvelle Edition, 
 Gravée en taille-douce Les Figures par le S' Fessard. Le 
 Texte par le St Montulay. With 718 engraved plates after 
 the designs of Bardin, Caresme, Huet, Leprince, Monnet, 
 and others. Text engraved by Montulay and Drouet. 6 vols. 
 8vo. | A Paris: Chez l’Auteur, 1765-1775 
 
 * Old red morocco, gilt backs, gilt edges, with the ARMS OF 
 MARIE ANTOINETTE, AS DAUPHIN, on sides of Vols. I, II, III, 
 and VI; oF MARIE ADELAIDE on Vol. IV, and OF ELIZABETH OF 
 FRANCE on Vol. V. 
 
 ORIGINAL ISSUE OF THE PLATES. This edition was undertaken 
 by the engraver, Fessard, and much criticized during his life- 
 
 time. The copies in old bindings are sought after, and the first 
 issues of the plates are difficult to find. 
 
 361. LAFOREST. L’Art de soigner les pieds, contenant 
 un traité sur les cors, verrues, durillons, oignons, engelures, 
 ete. 12mo. Paris, 1781 
 
 *Old French red morocco, the arms of QUEEN MARIE 
 _. ANTOINETTE stamped in gold in the centre of both covers, gilt 
 back and edges. 
 
 362. LA MOLETTE (PHILIPPE DU CONTANT DE). 
 Essai sur l’Ecriture Sainte, ou Tableau historique des 
 avantages que l’on peut retirer des langues orientales, pour 
 la parfaite intelligence des livres Saints. 12mo. Paris, 1775 
 
 * Old French red morocco gilt, the arms of MARIE JOSEPHINE 
 
 LOUISE DE SAVOIE, Comtesse de Provence, queen of Louis X VIII, 
 in the centre of both covers, gilt edges, by Derome. 
 
 363. LA SALLE DE L’ETANG (S. PH. DE). Manuel 
 dagriculture. First EDITION. Frontispiece engraved by 
 Prevost after Cochin. 8vo, old French green morocco gilt, 
 
 with arms in the centre of both covers (de.... . ad la croix 
 de gueules, surmounted by the crown of a count of the Holy 
 Roman Empire), gilt edges. Paris, 1764 
 
 364. LEMONNIER (ANTOINE LOUIS CAMILLE). Les 
 Maris de Mile. Nounouche. Histoire de Chats. Sorxante- 
 cing aquarelles de A. Vimar. 4to. Paris, 1906 
 
 * Citron levant morocco, back and sides tooled in compart- 
 ments outlined in mosaic bands of red and green morocco, 
 central ornaments of green, ivory and red, doublures of citron 
 levant, silk guards, gilt over rough edges, original covers bound 
 in, by The Club Bindery. 
 
 One of 32 copies on Japan paper, with a duplicate set of the 
 plates in black, AND 2 ORIGINAL WATER-COLORS BY VIMAR, 
 
 365. LIVRE (LE) des statuts & ordonances de l’Ordre 
 Sainet Michel, estably par le treschrestien Roy de France 
 Loys unzieme de ce nom. Institution de loffice de prevost 
 
 52 
 
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 HOMELIES, 3 VOLS. 
 
 BINDING BY PADELOUP. 
 
 (See No. 359.) 
 
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BOOKS IN FINE BINDINGS—Continued. 
 
 et maistre des ceremonies, avec autres statuts & ordonances 
 sur le faict dudict ordre. 4to. [ Paris, ca. 1550] 
 
 * PRINTED ON VELLUM. Contemporary brown morocco, gilt 
 panelled sides, in the inside corners the bow and on the four 
 outside lateral parts the arrows and quiver of Diane de Poitiers, 
 WITH THE ARMS OF KING HENRY II OF FRANCE in the centre of 
 each cover, accompanied by a crescent painted white between 
 two Hs, a gilt fleur-de-lys on each panel of the back (back re- 
 stored). 
 
 366. LONGUS. Les Amours Pastorales de Daphnis et 
 Chloé (traduites du gree par Amyot). Frontispiece by 
 Coypel and 28 plates engraved by B. Audran after Philippe 
 d’ Orléans (the Regent). 12mo. [Paris: Quillau, |] 1718 
 
 * FIRST EDITION with these engravings. Old light brown 
 morocco, the sides covered with a geometrical design IN MOSAIC 
 COMPARTMENTS of darker brown and red morocco, outlined in 
 gold, gilt tooled mosaic back, silk linings, gilt edges, by PADE- 
 LOoUP. Inserted is the plate ‘les Petits Pieds,” but differing 
 from the usual one, having a dog instead of two cupids, and 
 heavy foliage. Preserved in a morocco slip case. 
 
 (See Reproduction.) 
 
 367. LUCIAN. Dialogues des Courtisanes. Traduction 
 nouvelle de Jules de Marthold. Compositions et litho- 
 graphies de Emile Berchmans. Royal 8vo. 
 
 Paris: Edition Boudet [n. d. ] 
 
 * Citron levant morocco, gilt and mosaic back, sides decorated 
 with an elaborate design in conventionalized butterflies, clover 
 blossoms, etc., inlaid in red, white, green and black, doublures 
 of citron levant, gilt over rough edges, original covers bound 
 in, by The Club Bindery. 
 
 One of 25 copies on Japan paper, with a duplicate set of the 
 plates in black on India paper. 
 
 368. MARIE PRIZE. Competitors for the Marié Prize 
 for the best answers to the question, What is Charm? 4to, 
 silver cloth embroidered with gold thread and silk of 
 various colors to a floral design, within an ornamental 
 border, enriched with garnets and turquoises set in gold, 
 silk linings, embroidered, gilt edges, preserved in a case 
 covered and lined with silk. __ [New York, 1899] 
 
 369. MAUPASSANT (GUY DE). Le Vagabond. Litho- 
 graphies en couleurs par Steinlein. Royal 8vo. 
 
 [Paris]: Imprimé aux frais de la Société des Amis des 
 Livres, 1902. 
 
 * Dark brown levant morocco, covered with a geometrical 
 design of interlacings on a background of thickly studded dots, 
 doublures of brown morocco, gilt over uncut edges, with the 
 original covers bonnd in, by The Club Bindery. 
 
 One of 115 copies printed for members of the ‘‘ Société.” 
 
 58 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 370. MERIMEE (PROSPER). Chronique du Regne de 
 Charles IX. TIllustrée de 31 compositions dessinées et 
 gravées a Veau-forte par E. Morwn. 2 vols. royal 8vo. 
 
 Paris: Amis des Livres, 1876 
 
 * Blue levant morocco, back and side borders in a mosaic of 
 fleurs-de-lis and arabesques in ivory and maroon, outlined in 
 gold, silk linings, gilt tops, uncut, original covers bound in, by 
 The Club Bindery. 
 
 One of 100 copies printed for subscribers. 
 
 371. MILTON (JOHN). Paradise Lost and Paradise Re- 
 gained; with select notes subjoined: to which is added a 
 complete collection of his miscellaneous Poems, both Eng- 
 lish and Latin. 3 frontispreces engraved by Holloway and 
 Fittler after Burney, an engraved title and 2 vignettes. 
 2 vols. 8vo. London, 1795-96 
 
 * Old blue straight-grain morocco, gilt tooled inside floral 
 borders, leather joints, gilt edges, by RoGER PAYNE, with his 
 autograph bill laid in: ‘‘ Bound in the very best manner, sew’d 
 with strong silk, being very thick paper required very strong 
 and honest work..... Every 2 leaves is pickt out of 3 copies, 
 not depending on a whole sheet, as some parts of a whole sheet 
 may be defective and other parts exceeding good, and the very 
 best copy. It took up a good deal of time to examine and pick 
 out the very best.” 
 
 372. MOLIERE (J. B. POQUELIN DE). Giuvres. Vol. I. 
 FIRST ELZEVIR EDITION. 12mo, old red morocco richly 
 gilt, gilt edges. First 4 leaves, including engraved title, 
 title and ‘‘ Remerciement,’” missing. ° 
 
 [Amsterdam: Daniel Elzevir, 1575] 
 
 373. MORE (SiR THOMAS). A Most Pleasant, Fruitful, 
 and Witty Work, of the best state of a public weal, and of 
 the new Isle of Utopia. Translated by Raphe Robinson, 
 with Notes and a Biographical and Literary Introduction 
 by T. F. Dibdin. Portrait and engraved title. 4to, con- 
 temporary light brown morocco, gilt and blind tooled in 
 Gothic design, inside borders, gauffred gilt edges. 
 
 London, 1808 
 
 * One of 250 Large Paper copies with an extra plate. 
 
 3874. MUSIC. An album, the first 38 pages of which 
 contains music for piano finely written. Oblong 4to, green 
 morocco, enclosed in a gilt metal frame in the Empire style, 
 boss of mother of pearl in the centre, and back inlaid with 
 mother of pearl, gilt metal clasps, gilt edges. 19th century 
 
 375. MUSSO (CORNELIO). Sermons tres-doctes et élo- 
 quens mis d'Italien en Frangois par Gabriel Chappuys. 
 Ruled throughout in red. 4 vols. Svo. Writing on titles 
 and wormed. Paris: Guillaume Chaudiére, 1584-86 
 
 = Contemporary French bindings in olive morocco, the sides 
 tooled and gilt in compartments, and a medallion representing 
 
 54 
 
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BOOKS IN FINE BINDINGS—Continued. 
 
 the Crucifixion in the centre of the covers; on the back of the 
 volumes a skull, THE ROYAL ARMS OF FRANCE, a fleur-de-lis and 
 the motto ‘‘Spes mea Deus,” gilt edges. BOUND FOR KING 
 Henry III. Preserved in morocco slip cases. A few very 
 slight and skilful restorations. 
 
 376. OFFICE de la Semaine Sainte, selon le Missel et 
 Breviaire Romain, de la traduction de M. de Marolles. 9 
 copper-plates, 5 of which after Callot. 8vo. Paris, 1667 
 
 * Old French red morocco, the sides tooled and gilt to a semis 
 of fleurs-de-lis and crowned ‘‘ MT’’s, the ARMS OF QUEEN MARIA 
 THERESE OF AUSTRIA, QUEEN OF LoUIS XIV, in the centre of 
 both covers, the crowned monogram ‘‘ MT” repeated six 
 times in the panels of the back, gilt edges (corners and upper 
 and lower part of the back skilfully restored). 
 
 377. OFFICE de la Quinzaine de Pasque, Latin-Frangois, 
 a Vusage de Rome et de Paris, pour la maison de Mon- 
 seigneur le Duc d’Orleans. Hngraved frontispiece. 8vo. 
 Paris.ol 754 
 * Old French red morocco, gilt floral borders on the sides, 
 the arms of PHILIPPE EGALITE, Duc D'ORLEANS, in the centre, 
 and three crowned fleurs-de-lis in each panel of the back, gilt 
 edges, by Padeloup. 
 
 3878. ORIENTAL CASE in repousse metal silvered and 
 gilt for carrying the Koran; the upper side worked to an 
 elegant design of flowers and arabesques. In a velvet bag. 
 
 379. OWEN (JOHN). Epigrammata. Editio prioribus 
 
 auctior, longeque emendatior, cura A. A. Renouard. 12mo. 
 
 Parisiis: P. Didot Vainé, 1794 
 
 * One of 12 copies on LARGE PAPER. Old red straight-grain 
 
 morocco, richly gilt tooled dentelle borders on the sides, gilt 
 
 back and inside borders, gilt edges, by P. Bozerian l’ainé. Fine 
 specimen. 
 
 380. PALAPRAT (JEAN). Les Ciuvres de Monsieur 
 de Palaprat. Nouvelle Edition, Augmentée de plusieurs 
 Comedies qui n’ont pas encore étéimprimées: d’un Recuéil 
 de Piéces en vers, adressées 4 Monseigneur le Duc de Ven- 
 dome: & de divers Essais de differentes Poésies, &ce. 
 Frontisprece. 2 vols. 12mo, old red morocco gilt, the arms 
 of the COMTESSE DE VERRUE on sides, gilt edges. 
 
 A Paris: Chez Pierre Ribou, 1712 
 
 381. PASCHALIUS (PETRUS). Henri II. Galliarum 
 regis Klogium; eiusdem Henrici tumulus (in Latin, Italian 
 and Spanish). LARGE PAPER. Stuled throughout in red ; 
 10 pages within architectural woodcut borders, and large 
 woodcut representing the monument of King Henry TI. 
 (portrait missing). Folio. 
 
 Lutetiw# Parisiorum: apud Michaelem Vascosanum, 1560 
 
 * Contemporary French binding in brown morocco, the sides 
 in compartments formed by interlaced bands painted dark 
 
 55 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 green and outlined in silver, the intervening spaces occupied 
 by silver tooled scrolls and arabesques; on the centre of both 
 covers have been painted the royal arms of France, those on 
 the lower one being surrounded by fleurs-de-lis, the crowned 
 H, the interlaced monogram D and H, and the three interlaced 
 crescent painted in gold. APPARENTLY BOUND FOR PRESENTA- 
 TION TO DIANE. DE POICTIERS as a memorial of the funeral of 
 Henry II. Rebacked and corners restored. In a morocco slip 
 
 case. 
 (See Reproduction.) 
 
 382. [PERNETTI (ABBE JACQUES).] Lettres Philoso- 
 phiques sur les Physionomies. 12mo. La Haye, 1748 
 * Old French red morocco, gilt-tooled dentelle borders on the 
 
 sides, with the tool ‘‘a l’oiseau” in the corners, blue silk 
 
 linings, gilt edges, by Derome. FINE SPECIMEN. From the 
 library of Baron Roger-Portalis. 
 
 383. PETRARCA (FRANCESCO). Il Petrarea |Sonetti, 
 Canzoni e Trionfi] con dichiarazioni non piu stampate, in- 
 sieme alcune belle annotazioni, tratte dalle dottissime prose 
 di Monsignor Bembo. 16mo, old French vellum, the sides 
 richly tooled and gilt in compartments formed by enter- 
 lacing bands, leaf sprays and interlaced ‘‘C H C”’ in the 
 intervening spaces, the same monogram repeated five times 
 on the back, gilt edges, by Clovis Eve (slightly restored). 
 
 Lyone: appresso Gulielmo Rovillio, 1558 
 
 384. PFEIFFER (J. L.). Doxologia Sacra Veteris testa- 
 menti: das ist Grundliche Erzehlung der Herrlichkeit des 
 Gottes-Dienstes. Hngraved plates. 2 vols. inone. Thick 
 4to. First title slightly damaged. Erfurt, 1739 
 
 * Contemporary German binding in repoussé brass, orna- 
 mental sides; in the centre of the upper cover a large medal- 
 lion representing Moses with the tables of the Law, and on 
 that of the back cover an apostle baptizing; the back divided 
 in three compartments representing scenes from the Life of 
 Christ; brass clasps. 
 
 385. PLATO. Omnia Opera tralatione Marsilii Ficini, 
 emendatione, et ad Graecum ecodicem ecollatione Simonis 
 Grynaei, summa diligentia repurgata. Ruled throughout 
 with red ink. Folio. 
 
 Lugduni: apud Antonium Vincentium, 1548 
 
 * CONTEMPORARY LYONNESE BINDING in dark brown calf, 
 the sides tooled and gilt in compartments formed by inter- 
 lacing scrolls, arabesques and other ornaments painted black 
 and grey, the ground thickly studded with dots, THE ARMS OF 
 A CARDINAL in the centre of both covers, and in each corner 
 a medallion stamped in gold representing the Phoenix sur- 
 mounted by the sun with the letters ‘‘ V. E. V.” and the motto 
 ‘‘VT VIVAT” gauffred gilt edges, in a case. Corners and upper 
 and lower portion of the back skilfully restored. 
 
 56 
 
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BOOKS IN FINE BINDINGS—Continued. 
 
 392. [RICHELET (PIERRE).] Les plus belles Lettres 
 Frangoises sur toutes sortes de sujets, tirées des meilleurs 
 auteurs, avee des notes. Portrait of Richelet engraved by 
 Reinhardt. 2 vols. 12mo. Basle, 1747 
 
 * Old French red morocco gilt, the arms of MADAME DE 
 POMPADOUR in the centre of the covers, gilt edges. 
 
 393. RIOTOR (LEON) anp- LEOFANTI (G.). Les 
 Enfers Bouddhiques avec trois notices and préfaces de 
 Renan, Ledrain and Foucaux. Vignettes, headings, front- 
 ‘asprece and 12 plates, all finely colored by hand. 4to. 
 
 Paris [1891] 
 * Brown levant morocco, the upper cover chiselled in imita- 
 tion of one of the plates by Matthey, and chiselled medallion 
 in the centre of the back cover, inside mosaic borders, satin 
 linings embroidered to Japanese designs of gold thread, gilt 
 edges, by David. 
 A very limited edition on Japan paper. WITH AN ORIGINAL 
 WATER-COLOR DRAWING BY LEOFANTI. 
 
 394. [ROHAN (HENRI II, DUC DE).] Le Parfait 
 Capitaine, autrement l’abrégé des guerres des Commentaires 
 de César. 12mo, old French red morocco, gilt panelled 
 sides, fleurons in the corners, gilt edges, by Duseuil; THE 
 ARMS OF LOUIS FRANCOIS ARMAND DU PLESSIS DE WIGNE- 
 ROT, due de Richelieu, stamped in On on both sides at a 
 later date. Paris, 1658 
 
 395. SACRE (LE) DE LOUIS XV], Roy de France et de 
 Navarre dans |’ Eglise de Reims, le Dimanche XX V Octobre 
 MDCCXXII. Text engraved throughout within elegant bor- 
 ders. Engraved title, 9 splendid double plates of Coronation 
 scenes, 30 plates of the costume of the King, nobles, clergy, 
 etc., and numerous vignettes by Audran, Beauvais, Cochin, 
 Desplaces, Duchange, Haussard and Petit, after D’ Ulin, 
 and Perrot. Large folio, old French dark green morocco, 
 gilt, wide ornamental borders on the sides, THE ARMS OF 
 KING LOUIS XV in the centre of both covers, gilt edges, by 
 Padeloup, in a leather portfolio. [Paris, 1722] 
 
 396. [SACY (LOUIS DE).] Traité de ’Amitié. 12mo. 
 Paris, 1722 
 
 *OQld French olive morocco, gilt tooled dentelle borders on 
 the sides, a vase with flowers in the centre, gilt edges, by 
 Padeloup. Fine specimen. 
 
 397. SANDERS (NICOLAS). Histoire du Schisme d’An- 
 gleterre, mise en Francois par Maucroix. 12mo, old French 
 red morocco gilt, THE ARMS OF LOUIS XIV in the centre of 
 both covers, gilt edges. Paris, 1676 
 
 58 
 
JO.PORTANI 
 DIA ‘ ) G j 
 DEASPIRATIONE 
 
 DE SERMONE 
 BELLVM 
 NEAPOLIYVARVM. 
 
 i 
 I 
 
 orm ancdemagenataectnnanem 
 
 PONTANUS. OPERA, 3 VOLS. VENICE, 1518-1519. 
 JEAN GROLIER’S COPY. 
 
 (See No. 387.) 
 
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BOOKS IN FINE BINDINGS—Continued. 
 
 398. SCAMOZZI (VINCENZO). -L’Idea della Archi- 
 tettura universale, divisa in X libri. Architectural front- 
 aspreces, with portrait of the authors engraved on copper, 44 
 copper plates and 42 woodcut diagrams. 2 vols, folio. 
 
 Venetia: Giorgio Valentino, 1615 
 
 * FIRST EDITION. Old French red morocco, the sides richly 
 tooled and gilt in compartments, formed by interlaced fillets, 
 the intervening spaces occupied by scrolls, arabesques, leaf 
 sprays, dots, etc., in the manner of the Eves, gilt backs and 
 edges, 
 
 399. SEISSEL (CLAUDE DE). Histoire du Roy Loys 
 Douziesme pére du peuple. Ruled throughout in red. 8vo. 
 Stamp on title. Paris: Jacques Dupuys, 1587 
 
 * Contemporary French binding in black morocco, in the 
 centre of both covers a medallion representing the crucifixion ; 
 on the back a skull, THE ROYAL ARMS OF FRANCe and the motto 
 ‘‘Spes mea Deus,” BOUND FOR KING HeEnRy III oF FRANCE 
 (joints somewhat weak). From the libraries of Ant. Danyau 
 and Eugéne Paillet, with bookplates. 
 
 400. [SERRE DE RIEUX (J. DE). Les Dons des Enfans 
 de Latone: la Musique et la Chasse du Cerf. Poémes 
 dédiés au Roy. Frontispiece and 7 plates engraved by 
 Lebas, and 25 leaves of engraved music. 8vo. Paris, 1734 
 
 * Old French red morocco, gilt tooled dentelle borders on the 
 sides, the armsof KING LOUIS XY in the centre of both covers, 
 fleur-de-lis in the panels of the back, gilt edges, by Duseuil. 
 
 401. SHELLEY (PERCY BYSSHE). Poetical Works, 
 edited by F.S. Ellis. Golden type: woodcut borders, semi- 
 borders and initials. 3 vols. 8vo, white pigskin, the sides 
 richly tooled and gilt to a graceful design of tulips and 
 tulip leaves, gilt edges, by The Doves Bindery. Signed, 
 **19 C-S Ol. London: Kelmscott Press, 1894-95 
 
 * Limited to 250 copies. 
 (See Reproduction.) 
 
 402. |STANISLAUS LECZINSKI, KING OF POLAND. ] 
 Cfuvres du Philosophe Bienfesant. Hngraved portrait. 4 
 vols. 8vo. Paris, 1763 
 
 *Old French red morocco gilt, the arms of STANISLAUS 
 LECZINSKI, KING OF POLAND, in the centre of the covers, with 
 the quarterings of thearms in each corner, and repeated on the 
 panels of the back, silk linings, gilt edges, by Padeloup. 
 
 403. TASSO (TORQUATO). Aminta. 8vo, contemporary 
 English binding in calf, ornamental gilt, black and blind- 
 tooled borders on sides in the Etruscan style, landscape 
 medallions in centres of both covers, gilt edges. London,1800 
 
 * On the fore-edge is a fine painting of a landscape with sev- 
 eral buildings, water, a bridge, &c., by Edwards of Halifax. 
 From the Yemeniz Collection. 
 
 59 
 
BOOKS IN FINE BINDINGS—Continued. 
 
 404. TESTAMENTUM NOVUM. Het Nieuwe Testament 
 ofte alle Boecken des Nieuwen Verbonts onses Heeren Jesu 
 Christi. 12mo, contemporary Dutch binding in fishskin, 
 silver corner-pieces, silver ring for the chain and silver 
 clasps, gilt edges. Somewhat foxed and a few leaves 
 wormed. Amsterdam, 1715 
 
 405. [TIBERII (COUNT GIUSEPPE), PASTORE-ARCADE]. 
 Anacreontiche morali di Cloneso Licio P. A. dirette a’ 
 suoi figli. Hngraved frontispieces and numerous fine vig- 
 nettes by N. Tibert. 3 parts in 1 vol. 8vo, contemporary 
 Italian binding in red morocco, borders of interlacing bands 
 painted gray and outlined in gold, with gilt tooled orna- 
 ments on the sides, gilt edges. Roma, 1788 
 
 406. VAUGHAN (WILLIAM). The Church Militant, 
 historically continued from the yeare of Our Saviours Inear- 
 nation 33, untill this present 1640. 8vo. 
 
 London: Thos. Paine, 1640 
 
 * Flemish binding of repoussé silver, on each cover an elab- 
 
 orate framework of cupids, heads, and garlands, historiated 
 
 central panels, that of the front cover representing the Nativ- 
 ity, and that on the back cover the Ascension. With clasps. 
 
 ~.-407. VICTORIUS (PETRUS). Variarum lectionum libri 
 XXV. Woodcut device on title and woodcut initials. Folio. 
 Florentiz: Laurentius Torrentinus, 1553 
 
 *Italian brown calf, the sides tooled and gilt in compart- 
 
 ments formed by interlacing bands and arabesques in outline; 
 
 in the centre of the front cover the title of the work and on the 
 lowest part the name ‘“‘THO. MAIOLI. ET. AMICOR.”’; and in the 
 
 centre of the back cover Maioli’s motto ‘‘INIMICI. MEI. MBA. 
 
 MIHI . NON. ME. MIHI.”; gilt back, gilt edges, in a morocco slip 
 
 case. From the Firmin-Didot library. Rebackéd and corners 
 
 very skilfully restored. 
 
 409. VIRGIL. Les CXuvres de Virgille translatees de 
 latin en francoys: et nouvellement imprimees a Paris. 
 Black letter (lettres bdtardes), double columns. Title in red 
 and black within an architectural woodcut border, and 33 
 woodcuts, several repeated. Folio. 
 
 Paris: Nicolas Couteau pour Galiot du Pré, 1529 
 
 *XVIth Century French binding in brown calf, the sides 
 richly tooled and gilt to an interlaced geometrical Grolieresque 
 pattern of gilt bands, with arabesque centre and lateral orna- 
 ments, gilt back, gilt edges (skilfully rebacked, edges restored). 
 
 RARE. The Bucolic and Georgics were translated by Michel 
 de Tours, and the Eneid by Octavian de Saint-Gelais. 
 
 410. ZANINI (G. VIOLA). Della Architettura libri due. 
 Architectural woodcuts. Ato. Padova, 1677 
 
 *Contemporary Italian binding in red morocco, the sides 
 richly tooled and gilt in Le Gascon’s manner called ‘‘a la 
 fanfare,” within lozenge-shaped and oblong panels, gauffred 
 gilt edges. Fine and interesting specimen. 
 
 60 
 
is 
 
 Beret Stem tr | 
 
 LONDON, 1894-1895. 
 
 SHELLEY. WORKS, 3 VOLS. 
 
 BINDING By THE DovEs BINDERY. 
 
 (See No. 401.) 
 
TS ae ig NN OP em a 
 
 SIXTY-SECOND SESSION. 
 
 Tuesday, November 12th, 2:30 P. M. 
 
 411. [BINET (ESTIENNE).] Sancti Fvndatores Religio- 
 sorvm Ordinvm in Kcclesia Letiensis Monasterii ordinis S. 
 Benedicti tabellis pictis pio spectatori supra chori sedilia 
 positi DDQ. Hngraved title, 38 portraits of saints by Cor- 
 nelius Galle, and a plate representing the papal benediction, 
 brilliant impressions. ' 4to, Spanish calf, 4 leaves misplaced. 
 
 Antuerpiz, 1634 
 
 412. BION AND MOSCHUS. Idylles de Bion et de 
 Moschus, traduitesen Frangais. ParJ. B. Gail... Ouvrage 
 orné de Figures dessinées par Le Barbier. Portrait and 
 three plates after the designs of Le Barbier, the latter in two 
 states, etchings and proofs. 24mo, blue levant morocco, gilt 
 back, doublure of citron morocco, gilt over uncut edges in 
 a morocco case, by David. Paris [1795) 
 
 413. BLACKER (WILLIAM).  Blacker’s Art of Fly 
 Making, &c., comprising Angling & Dyeing of Colours, with 
 engravings of Salmon & Trout Flies, shewing the process of 
 the gentle craft as taught in the pages. With Descriptions 
 of Flies for the Season of the Year as they come out on the 
 water. Frontispiece, engraved title, 17 colored plates, and 
 3 plates of tackle. 12mo, green levant morocco, gilt top, 
 uncut, by Trioullier. London, 1855 
 
 414. BLAKEY (ROBERT). The Angler’s Song Book. 
 Compiled and edited by Robert Blakey. PRINTED ON 
 PAPER OF VARIOUS COLORS. 8vo, green morocco, gilt back 
 and side panels, gilt edges, by Matthews. London, 1855 
 
 * Presentation copy from the Author to M. Octave Delepierre. 
 
 415. BLAKEY (ROBERT). Historical Sketches of the 
 Angling Literature of all Nations. To which is added A 
 Bibliography of English Writers on Angling. 12mo, calf, 
 gilt back, gilt edges. London, 1856 
 
 416. BLANK BOOK. Folio. English red morocco, gilt 
 edges. About 1830 
 
 417. BLANK BOOK. Small 4to, red levant morocco, 
 gilt tooled borders, gilt arabesque centre and corner orna- 
 ments of green morocco, the panels covered with a semis of 
 
 - trefoils, gilt back, gilt edges, by Riviére. In an embroidered 
 
 silk case. 
 61 
 
418. BLASONS, Poésies anciennes des XV et XVI™e®s 
 siécles, extraites de différens auteurs imprimés et manu- 
 serits, par M. D. M. M[éon.]. Nouvelle édition, augmentée 
 d’un glossaire des mots hors d’usage. 8vo, half morocco, 
 gilt top. Paris, 1809 
 
 * Best edition. One of the copies with the double pages 
 538-64 and 145-148, which were printed separately and placed 
 only in a very few copies. The E. V. Utterson copy, with 
 book-plate. 
 
 419. BLEGNY (NICOLAS DE). Le Bon Usage du Thé 
 du Caffé et du Chocolat pour la preservation & pour la 
 guerison des Maladies. Par M* de Blegny, Conseiller, 
 Medecin Artiste ordinaire du Roy & de Monsieur. frontis- 
 piece, repeated on page 11, and 13 plates by F. Hainzelman. 
 Small 8vo, old red morocco, fleurs-de-lys on the back and 
 sides, the arms of PHILIPPE DUC D’ORLEANS, BROTHER OF 
 Louis XIV, on each side, gilt edges. 
 
 Paris: Chez Auteur, 1687 
 
 420. BLENNERHASSETT (LADY). Madame de Staél: 
 her friends, and her influence in polities and literature. 
 By Lady Blennerhassett. With a portrait of Madame de 
 Staél. 3 vols. 8vo, cloth, uncut. London, 1889 
 
 421. [BLESSEBOIS (CORNEILLE).] Le Zombi du Grand 
 Perou: ou la Comtesse de Cocagne. 16mo, blue levant mo- 
 rocco, gilt back, panelled sides, gilt edges, by Bauzonnet. 
 
 [Rouen] 1697 
 
 * Attributed by Nodier to Corneille Blessebois. From the 
 Pixerécourt collection. 
 
 422. BLOEMART (ABRAHAM). Fourteen plates of the 
 animals created for the service of man, with scenes of the 
 Prodigal Son, Annunciation to the Shepherds, &c., engraved 
 in 1611 by B. Bolswert after Abraham Bloemart. Oblong 
 4to, maroon levant morocco, gilt back and panels on sides, 
 gilt edges, by David. [n. p.] 1611 
 
 423. BLOOMFIELD (ROBERT). May Day with the 
 Muses. Woodcuts. FIRST EDITION. 12%mo, red levant mo- 
 rocco. gilt, gilt top, uneut, by The Club Bindery. 
 
 London: Printed for the Author, 1822 
 
 424. BLOUNT (THOMAS). (I) Boscobel: or the Com- 
 pleat History Of His Sacred Majesties Most Miraculous 
 Preservation After the Battle of Worcester, 3 Sept. 1651. 
 Introduced by an exact Relation of that Battle; and [lus- 
 trated with a Map of the City. (II) Claustrum Regale 
 Referatum or The King’s Concealment at Trent. Portrait, 
 engraved title, and 2 folding plates. The third and best 
 edition. Small 8vo, brown levant morocco, gilt back and 
 
 sides, gilt edges, by David. London, 1681 _ 
 
 62 
 
425. BLOUNT (THOMAS). Boscobel; Or, the Compleat 
 History Of the Most Miraculous Preservation of King 
 Charles II, After the Battle of Worcester, September the 
 3d, 1651. Published by Mrs. Anne Wyndham. The Fourth 
 Hdition, Adorn’d with Cuts. With a Supplement to the 
 Whole. Portrait, engraved title, and 2 folding plates. 12mo, 
 green levant morocco gilt, gilt edges, by Riviére. 
 
 London: J. Wilford, 1725 
 
 426. BOADEN (JAMES). An Inquiry into the authen- 
 ticity of various pictures and prints, which from the de- 
 cease of the poet to our own times, have been offered to the 
 public as portraits of Shakespeare. Facsimiles and 7 por- 
 traits. 4to, half levant morocco, gilt top, by Bradstreets. 
 
 London, 1824 
 
 * LARGE PAPER. EXTRA ILLUSTRATED by the insertion of 
 
 5 views, 10 portraits (including those engraved by R. Cooper, 
 Neagle, Scriven, J. Cochran, Du Guernier, Sharp and W, Holl), 
 and the following three pamphlets: 
 
 1. A few remarks by Henry Rumsey Forster on the Chandos 
 portrait of Shakespeare. London, 1849 (only 50 copies 
 printed). 
 
 2. On the principal portraits of Shakespeare by George 
 Scharf (Notes and Queries, April 23, 1864). 
 
 3. Inquiry into the History, authenticity and characteristics 
 of the Shakespeare’s portraits, the death mask, Martin 
 Droeshout’s engraving, etc. (Extract). 
 
 427. BOCCACCIO (GIOVANNI). Le Philocope de 
 Messire Iehan Boceace Florentin, contenat histoire de 
 Fleury & Blanchefleur, divisé en sept livres traduictz d’Ita- 
 lién en Frangoys par Adrian Sevin. Numerous fine wood- 
 cults in the manner of Jean Cousin. Folio, blue levant 
 morocco, gilt centre ornaments of leaf sprays on the sides, 
 vilt edges, by Trautz-Bauzonnet. Paris: Denis Ianot, 1542 
 
 .* First French Edition. 
 
 428. BOCCACCIO (GIOVANNI). Die gantz Romisch 
 histori auffs fleissigst un ktirtzst begriffen. Ein treffenliche 
 schéne Oration M. T. Ciceronis fir M. Marcellum, zum 
 Rhat der Stat Rom, und zu Julio Cesari gethon. Alles 
 zusamen bracht und vertetitscht dureh Christophorum Bru- 
 nonem. 22 fine woodcuts by Schaufelein, Burgkmair and 
 Weiditz. Folio, red levant morocco, panelled sides, gilt 
 fleurons in the corners, gilt edges, by Chambolle-Duru. 
 
 Augspurg: bey Heinrich Stayner, 1542 
 
 429. BOCCACCIO (GIOVANNI). Le Decameron de 
 Messire Iehan Bocace Florentin, nouvellement traduict 
 d’Italien en Frangoys par Maistre Anthoine le Macon. 
 Folio, blue levant morocco, gilt centre ornaments on the 
 sides, gilt edges, by Trautz-Bauzonnet. 
 
 A Paris: pour Estienne Roffet dict le Faulecheur, 1545 
 * FIRST EDITION of this esteemed translation, The bookseller, 
 Estienne Roffet, was binder to King Francis I. 
 
 63 
 
430. BOCCACCIO (GIOVANNI). Il Decamerone. 40 
 cuts. 4to, red morocco, panelled sides, gilt edges, by Bed- ~~ 
 ford. Venetia: Giolito, 1552 aa 
 
 431. BOCCACCIO (GIOVANNI). Contes et Nouvelles. 
 Traduction Libre accommodée au gotitt de ce temps. Front- 
 isprece and 190 copper engravings by Romain de Hooghe: 
 2 vols. 12mo, red levant morocco gilt, gilt edges. a 
 
 Amsterdam, 1699 
 
 432. BOCCACCIO (GIOVANNI). Contes et Nouvelles; _ 
 Traduction libre accommodée au gotit de ce temps. Hront- — 
 asprece and 100 copper engravings after those by Romain de 
 Hooghe. 2 vols. 12mo, citron levant morocco, inlaid borders 
 and centre ornaments of blue and red moroceo tooled and 
 gilt on the sides, mosaic backs; doublures of green morocco, 
 emblematic figure of Love in the centres, gilt edges, by 
 Chatelin. Cologne, 1732 
 
 433. BOCCACCIO (GIOVANNI). Il Decamerone di | 
 Giovanni Boeeaccio. 4 frontispiece titles, portrait of B 
 caccio, 110 plates and 97 tail-pieces engraved by Alam 
 Baquoy, Flpart, Legrand, Lemire, Lempereur, Leveau, 
 Moitte, Ouvrier, Pasquier, Pitre-Martenasie, Saint-Aubi 
 Sornique and Tardieu after Gravelot, Boucher, Cochin a1 
 Eisen. 5 vols. 8vo, old French green morocco, gilt tool 
 dentelle borders on the sides, vilt edges, gilt arms of 
 ecclesiastic on the backs, by Derome. Londra (Paris), 17 
 
 * An exceedingly choice copy in an elaborate binding. Wi 
 
 back of the plates. 
 
 434. BOCCACCIO (GIOVANNI). . Le Decameron. Tra: 
 duit par A. le Macon. With portrait, 5 frontispieces, 
 plates, and 97 tail-pieces, all proof impressions, by Le 
 pereur, Le Mire, and others, after Hisen, Gravelot, Bouc he: 
 and Cochin. 5 vols. 8vo, citron morocco, gilt backs, he vy 
 borders of gold on sides, gilt edges, BY PADELOUP. 
 Londres [Paris], 1754- 
 
 * Holland paper copy, with the verification at the end of the 
 fifth volume, and proof mark of etchings at foot of n rl} 
 every plate. . From the Utterson collection. 5 | 
 
 (See Reproduction. ) 
 
 435. BOCCACCIO (GIOVANNIT). La Fiainiveseeee 
 green straight-grain morocco,-rich gilt back, side pan 
 oilt edges, by C. Hering, with his ticket. 
 
 Parma: Amoretti, 1 
 
 436. BOCCACCIO (GIOVANNI). Vita di Dante Al 
 ghieri. 8vo, green straight-grain morocco gilt, se. oS by 
 Hering (upper cover slightly pee 7 
 
 64 
 
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 i= 
 
1761. 
 
 1757—- 
 
 — 
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 na 
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 a 
 
 4 
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 3 
 a 
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 a 
 
 DECAMERON. 
 5 vous. BINDING BY PADELOUP. 
 (See No. 434.) 
 
 LE 
 
 Boccaccio. 
 
437. BOCCACCIO (GIOVANNI). Decamerone. Edited 
 by Ugo Foscolo. Portrait and 10 plates after Stothard. 8vo, 
 citron morocco gilt, gilt edges. Londra: Pickering, 1825 
 
 * Printed on India paper. It is said that only two copies 
 were issued in this state. 
 
 438. BOCCACCIO (GIOVANNI). Les Dix Journées de 
 Jean Boceace. Traduction de Le Macon, réimprimée par les 
 soins de D. Jouaust. Avec Notice, Notes et Glossaire par 
 M. Paul Lacroix. Onze eaux-fortes par Flameng. 10 vols. 
 12mo, original paper covers, uncut. Paris, 1873 
 
 * Whatman paper copy. 
 
 439. BOCCACCIO (GIOVANNI). The Decameron. Trans- 
 lated by John Payne. Illustrated by Louis Chalon. 2 vols. 
 imperial 8vv, vellum boards gilt, uncut. In a wooden box 
 with key. London: Privately printed, 1893 
 
 * One of 36 copies on Japan paper, with the extra plates, 
 
 440. BOCCACCIO (GIOVANNI). La Fiancée du Roy de 
 Garbe, traduction de Anthoine le Macon. Imaigée et 
 vignettée, en couleurs, par Léon Lebégue. 4to, vellum 
 wrappers, gilt top, uncut, silk ties, original covers bound 
 in, by Ourvand. Paris, 1903 
 
 * One of 100 copies on papier vergé, with an extra set of the 
 illustrations in black on India paper. 
 
 441. BOCCALINI (TRAJANO). I Ragguagli di Parnasso: 
 or Advertisements from Parnassus; in two Centuries. With 
 the Politick Touch-Stone. Now put into English by Henry 
 Earl of Monmouth. fine wmpression of the portrait of the 
 Earl of Monmouth engraved by Fatthorne. Folio, red levant 
 morocco, the sides tooled and gilt with scroll and pointillé 
 ornaments in the manner of Le Gascon, gilt edges, by Riviére. 
 
 London: Printed for Humphrey Moseley, 1656 
 * FIRST EDITION. 
 
 442. BOCCALINI (TRAJANO). Pietra del Paragone Po- 
 litico, di Trajano Bocealini, Con una nuova aggiunta del’ 
 istesso. Hngraved frontispiece. 24mo, red levant morocco, 
 elaborately tooled and gilt in compartments of scrolls and 
 dots, uncut, by Duru, in a morocco case (broken). 
 
 Cosmopoli, 1671 
 
 443. BOCCHIUS (ACHILLES). Symbolicarum Ques- 
 tionum de Universo genere, quas serio ludebat, libri quinque. 
 151 emblematic copper engravings by Giulio Bonasone. Ato, 
 half calf. (Title scribbled on and soiled.) Bononiz, 1574 
 
 * From the Henry B. H. Beaufoy library. 
 
 444, BOETIUS. De Philosophico consolatu, sive de con- 
 solatione philosophize. 78 curious woodcuts. Small folio, 
 brown levant morocco, the sides tooled and gilt to a Grolier- 
 esque design of interlacings, gilt edges, by Hardy. Numerous 
 interlinear notes by a contemporary hand. 
 
 Strassburg: Johannes Gruninger, 1501 
 
 65 
 
445. BOILEAU (JACQUES). Histoire des Flagellans, 
 Traduit du Latin. 12mo, red morocco gilt, gilt top, uncut. 
 Amsterdam: du Sauzet, 1732 
 
 446. BOILEAU-DESPREAUX (NICOLAS). (£uvres 
 diverses. Du Sieur D*** [Despréaux] avec le Traité du 
 Sublime ou du merveilleux dans le discours. Traduit du 
 Gree de Longin. With 2 engraved plates by Landry and 
 Chauveau. “Ato, red levant morocco gilt, gilt edges, by 
 Trautz-Bauzonnet. . <A Paris: Chez Denys Thierry, 1674 
 
 * One of four issues of the First Edition of Boileau’s works. - 
 
 44%. BOILEAU-DESPREAUX (NICOLAS). G&uvres. 
 Avee des Eclaircissemens historiques, donnez par lui-meme. 
 Nouvelle Edition, revue, corrigée & augmentée. Hnrichie 
 de figures gravées par B. Picart le Romain. 4 vols. 12mo, 
 old red morocco gilt, gilt edges, probably by Derome the 
 younger. La Haye, 1772 
 
 448. BOILEAU-DESPREAUX (NICOLAS). (£uvres 
 choisies. 12mo, half morocco, uncut. 
 Paris: Didot Vainé, 1781 
 
 449, BOILEAU-DESPREAUX (NICOLAS). Muvres. 
 Avee un Commentaire par M. de Saint-Surin. Ornées de 
 douze figures apres des dessins nouveaux. 4 vols. 8vo, 
 red straight-grain morocco, back and sides gilt and blind 
 tooled in panels, gilt edges, by Simier, with his ticket. 
 
 Paris, 1821 
 
 * Thick paper copy. “The portraits of Boileau and Louis 
 XIV, by Dien after Rigaud, and the ten other plates by Caron, 
 Le Jeune, Leroux and others, after designs by H. and C. 
 Vernet, Choquet, Bergeret, etc., are in two states, the engrav- 
 
 er’s etching and finished proof. In Volume IV is a facsimile 
 letter. 
 
 450. BOILEAU-DESPREAUX (NICOLAS). (Cuvres. 
 Avec un Commentaire par M. de Saint-Surin. Ornées de 
 douze figures d’aprés des dessins nouveaux. 4 vols. 8vo, 
 half maroon morocco gilt, gilt tops, uneut, by Capé. 
 
 Paris, 1821 — 
 
 * One of 12 copies on Holland paper, with the plates in two 
 states. EEXTRA-ILLUSTRATED with over 75 plates, including the 
 series by Moreau, on India paper, 5 portraits of Boileau, etc. 
 
 451. BOILEAU-DESPREAUX (NICOLAS). Les Satires. 
 Réimprimées conformément a l’Editionde 1701. Introdue- 
 tion et Notes par F. de Marescot. Royal 8vo, original 
 wrappers, uncut (back cover mended). 
 
 Paris: Academie des Bibliophiles, 1868 
 
 * One of 20 copies on Whatman paper. 
 
 452. BOINDIN (NICOLAS). C&uvres. 2 engraved maps. 
 2 vols. 12mo, old French red morocco gilt, the BoUcoT ARMS 
 
 on the lower panels of the back, gilt edges. - Paris, 1753 
 * From the collection of Marquis de Fortia, with his book- 
 plate. 
 
 66 
 
453 BOISSARD (JEAN JACQUKS). Iani Iacobi Bois- 
 sardi Vesuntini Emblemata cum tretastichis latinis. Hn- 
 graved title, portrait of André de la Ruttae, commander 
 of the camp at Metz, 2 portraits of Boissard, and 41 fine 
 emblematic copper-plates, with the text in Latin and French 
 engraved throughout. Small oblong 4to, brown levant mo- 
 rocco gilt, gilt edges, by The Club Bindery. 
 
 Iani Aubrij typis [Metz, 1584] 
 
 * FIRST EDITION OF EXTREME RARITY, and apparently the 
 only known copy. Brunet never saw this edition and quotes it 
 from the Catalogue of Barré (no. 7034); the above copy proba- 
 bly being the one described there, and since rebound. Jan 
 
 Aubry, the printer of the book, was a goldsmith of Metz and 
 the father-in-law of Boissard. 
 
 454. BOISSARD (JEAN JACQUKS). Vesuntini Em- 
 blematum liber. Emblemes Latins de I. I. Boissard, avee 
 interpretation francoise du I. Pierre Ioly Messin. EHn- 
 graved title, portrait, and 42 copper-plates by Theodore De 
 Bry. Bound with Boissard’s Icones Diversorum, 1591. 
 Small 4to, red levant morocco, gilt edges, by Thibaron. 
 Metis: Abrahamus Faber, 1588-91 
 
 455. BON (JOHN). John Bon and Mast person. Wood- 
 cut on title. Imprinted at London by John Day [1548]. 4to, 
 blue levant morocco, panelled sides, gilt edges. Front and 
 
 bottom margins extended. [London, 1807] 
 * A facsimile reprint of this bitter satire against the Real 
 Presence. 
 
 456. BONAPARTE (PRINCE JEROME). A. N. 8. 
 | Paris] Champs Elysees, n. d. [ca. 1860]. An invitation to 
 breakfast. | 
 
 457. [BONNEFONS (NICOLAS).] Le Iardinier Fran- 
 cois, quienseigne a cultiver les Arbes, & Herbes Potagéres. 
 Engraved title and 3 plates. 16mo, green levant morocco, 
 gilt edges, by Hardy. Paris, 1659 
 
 458. BONS CONTES (LES). Etrennes aux Rafinés. Les 
 Bons Contes. Trois cents legons de Lampsaque. Frontispiece, 
 and border and initial letter to each page. 8vo, half red 
 levant morocco gilt, gilt top, uncut, original covers bound in. 
 
 A Londres: chez Pinne, 1760, ét reimprimé cette année a 
 Bruxelles par Henry Kistemaeckers, 1882. 
 
 459. [BORDELON (LAURENT).]| Les Tours de Maitre 
 Gonin. 12 copper-plates engraved by P. B. Bouttats. 2vols. 
 in 1, small 8vo, green morocco gilt, gilt edges, by [ Derome]. 
 
 A Anvers [Paris]: Chez F. Huyssens, 1714-13 
 
 460. BOSSUET (JACQUES BENIGNE). Oraison funébre 
 de Marie Térése d’Austriche. FIRST EDITION. Arms on 
 title and a pretty vignette by Le Clerc. 4to, red levant mo- 
 rocco, gilt edges, by Thibaron-Joly. 
 
 Paris: 8. Mabre-Cramoisy, 1683 
 
 67 
 
461. BOSSUET (JACQUES BENIGNE). Oraison funébre 
 de tres-haut, et tres-puissant Prince Louis de Bourbon 
 Prince de Condé, premier Prince du Sang. FIRST EDITION. 
 Arms of Condé on title, vignette engraved by Roullet after 
 Parosel, and a tail-piece. 4to, red levant morocco, by Trautz- 
 Bauzonnet, gilt edges. (First and last blank leaves missing.) 
 
 Paris: 8. Mabre-Cramoisy, 1687 
 
 462. BOSSUET (JACQUES BENIGNE). Oraison Funébre 
 du Grand Conde. 3 plates, vigneties, etc. Royal 4to, red 
 levant morocco, gilt edges, by Thirabon-Joly. Paris, 1879 
 
 * Japan paper copy, printed for Edouard Bocker, the editor, 
 
 with frontispiece portrait, title-vignette, ornamental initial, 
 plates, etc., in from one to six states, all on Holland paper. 
 
 463. BOSWELL (JAMKS). The Life of Samuel Johnson. 
 4 vols. royal 8vo, red levant morocco gilt, gilt over uncut 
 edges, by Bedford. Oxford: Taiboys and Pickering, 1826 
 
 * ONE OF 50 LARGE PAPER COPIES, EXTRA-ILLUSTRATED by 
 the insertion of 358 engravings, including 32 portraits of John- 
 son. 125 are either proofs on India paper or before letters. 
 TWo ORIGINAL DRAWINGS BY HARDING, and 15 views and fac- 
 similes are among the illustrations. 
 
 464. BOSWELL (JAMES). The Life of Samuel Johnson. 
 
 4 vols. royal 8vo, original cloth, uncut. Oxford, 1826 
 * One of 50 copies on large paper, published by Talboys and 
 Pickering. 
 
 465. BOSWELL (JAMES). The Life of Samuel Johnson, 
 with a Journal of His Tour to the Hebrides. Portrait and 
 allustrations. 10 vols. 12mo, cloth, uncut. London, 1835 
 
 466. [BOUCHET (JEAN).] Le Labirynth de fortune z 
 Seiour des trois nobles dames cOpose par lacteur des 
 Renars trauersans, et loups rauissans surnome le trauer- 
 seur des voyes perilleuses. Et sont a vendre a Paris... 
 par Enguilbert de Marnef. Lettres-bdtardes. Mark of the 
 publisher Enguilbert de Marnef on title, arms of France on 
 the verso, and full-page wovdcut at the beginning of tect. 
 4to, brown levant morocco, doublure of red morocco richly 
 tooled and gilt to a Grolieresque design of scrolls and 
 arabesques, with centre ornaments and border of dark red 
 morocco, gilt edges, by Chambolle-Duru. (Library stamp 
 on title.) 
 
 Imprimé a Poictiers par peste Bouchet le 26 de Mars 
 1524. 
 
 467. BOUCHET (JEAN). Le labirith de fortune & 
 seiour des trois nobles Dames composé par lacteur des 
 
 Regnars trauersans, et loups rauissans Surnommé le trauer- 
 
 seur des voyes perilleuses. Lettres-bdtardes. Woodcut in the 
 title and printer’s mark at the end. 4to, brown levant, the 
 
 68 
 
sides in a Grolieresque interlaced geometrical pattern of 
 inlaid bands of darker and lighter brown and green morocco, 
 within gold lines, accompanied by gold serolls and arab- 
 esques, gilt mosaic back, gilt edges, by Capé. RARE. 
 Paris: par Philippe Le Noir, [15]32 
 468. BOUCHOT (HENRI). Catherine de Médicis. With 
 49 illustrations, some in colors, the full-page plates in dupli- 
 cate. Ato, red levant morocco, panels on the back and 
 sides, decorated with scrolls, fleurs-de-lys, ete., gilt over 
 rough edges, original covers bouud in, by The Club Bindery. 
 * Japan paper copy. Paris, 1899 
 
 469. [BOUDIN (MADAME).]| La Fameuse Comedienne 
 ou Histoire de La Guerin auparavant femme et veuve de 
 Moliére. Préface et notes par Jules Bonnassies. Portrait. 
 8vo, half citron levant morocco, gilt top, uncut, by Allo. 
 
 * One of 40 copies on large tinted paper. Paris, 1870 
 
 470. BOUGHTON (G. H.). A series of 22 A. L. S., 
 12mo, from the well-known American painter, dated vari- 
 ous places (mostly London), from April 13, 1889, to Janu- 
 ary 17, 1905, relative to sundry works he has painted for 
 Mr. Hoe, several of them referring to his drawings for 
 HAWTHORNE’S SCARLET LETTER published by THE GROLIER 
 CLusB. An interesting series of letters, full of entertain- 
 ing comments, chiefly upon his own productions. 
 
 471. [BOUHOURS (DOMINIQUE).|] Les Entretiens 
 d’Ariste et d’Eugéne. Hngraved frontispiece. 12mo, old 
 red morocco, gilt edges (old writing on title). 
 
 Amsterdam: Jacques le jeune (D. Elzevier), 1671 
 
 472. BOUILLON (MONSIEUR DE). (£uvres contenans 
 Vhistoire de Ioconde. Le Mary Commode. L’Oyseau de 
 Passage,...et plusieurs autres piéces galantes. 12mo, 
 AS levant morocco, gilt edges, by Thibaron. 
 
 Paris: Louis Billaine, 1663 
 
 473. BOULAN (GERARD DU). L’Enigme d’Alceste 
 Nouvel apereu historique, critique et moral sur le XVIIe 
 siécle avee un portrait inédit de Moliére. 12mo, citron 
 levant morocco, gilt back, dentelle borders on the sides, 
 vellum linings, gilt over rough edges, by The Club Bindery. 
 
 Paris, 1879 
 
 * Printed on vellum, with the portrait by Masson after Sebas- 
 
 tien Bourdon in three states, the duplicates being proofs before 
 letters in black on India paper, and in red on plate paper. 
 
 474. BOURDALOUE (LOUIS). Oraison Funébre de 
 tres-haut et tres-puissant Prince Louis de Bourbon Prince 
 de Conde, premier Prince du Sang, Prononcée a Paris le 26 
 jour d’Avril 1687, en l’Eglise de la Maison Professe des 
 Péres de la Compagnie de Jesus. Arms and vignette en- 
 graved by Vermeulen after Sevin. 4to, red levant morocco, 
 gilt edges, by Trautz-Bauzonnet. Paris, 1687 
 
 69 
 
75. BOURDEILLE (ANDRE DE). (£uvres accom- 
 pagnées de remarques historiques. Nouvelle édition, col- 
 lationnée sur les manuscrits autographes. 8vo, half ealf, 
 gilt back, uncut. Paris, 1823 
 
 476. BOURDIGNE (JEAN DE). Hystoire agregatiue 
 des Annalles et Cronieques Daniou contenant le commence- 
 ment et origine aveeqes partie des cheualeureux et mar- 
 ciaulx gestes des magnanimes princes consulz contes et 
 duez Daniou. Title within a woodcut border, coat of arms, 
 
 1 full-page woodcut, vignette, numerous large initials, and — 
 
 device of Galliot du Pré on recto of last leaf. Gothic type. 
 Folio, red levant morocco, gilt back, centre ornament on 
 the sides, gilt edges, by F. Bedford. _ 
 
 [Colophon] Nouvellement imprimees a Paris par An- 
 thoyne couteau imprimeur 1529. 
 
 * FIRST EDITION, VERY RARE. From the Robert Samuel 
 Turner collection. 
 
 477. [BOURDON (LOUIS GABRIEL).] Le Pare au Cerf, 
 ou l’Origine de l Affreux Deficit. Frontispiece and 3 plates. 
 8vo, half brown morocco, gilt top, uncut. Paris, 1790 
 
 * Very Rare with the plates. 
 
 478. BOURGES (ELEMIR). IL’Enfant qui Revient. 
 TIllustré par Louis Maiteste. Royal 8vo, blue levant mo- 
 rocco, back and sides tooled in an elaborate outline design 
 of compartments, doublure of blue morocco, narrow bor- 
 ders, blue silk guards, gilt top, uncut, original covers bound 
 in, by The Club Bindery. Paris [1905] 
 
 * One of 10 copies on large Japan paper, with the plates in 
 two states. 
 
 479. BOURRIENNE (LOUIS ANTOINE FAUVELET 
 DE). Private Memoirs of Napoleon Bonaparte, during the 
 periods of the Directory, the Consulate, and the Empire. By 
 M. de Bourrienne, private secretary to the Emperor. 4 vols. 
 8vo, blue morocco, gilt back, gilt edges. London, 1830 
 
 480. BOUSSUET (FRANCOIS). De Natura Aqua- 
 ’ tilium Carmen, in universam Gulielmi Rondeletii quam de 
 piscibus marinis scripsit historiam. 442 cuts of fishes. 
 2 parts in one volume. 4to, russia, the gilt centre ornaments 
 of the ee binding inlaid on the sides, gilt edges, by Bed- 
 ford. Lugduni: Matthias Bonhomme, 1558 
 
 481. BOUTERWEK (FREDERICK). History of Spanish 
 and Portuguese Literature. Translated from the Original 
 German, by Thomasina Ross. 2 vols. 8vo, half citron mo- 
 rocco gilt, gilt tops, uncut. London, 1823 
 
 482. BOURGET (PAUL). Edel. Poéme. First Eprrion. 
 12mo, half green levant morocco, gilt, figured silk sides, gilt 
 top, uncut, original covers bound in, by The Club Bindery. 
 
 * Printed on Holland paper. Paris, 1878 
 
 70 
 
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 2" 
 7 . 
 
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 483. BOURGET (PAUL). Le Disciple. 12mo, half red 
 levant morocco, gilt back, figured silk sides, gilt top, uncut, 
 original covers bound in, by The Club Bindery. Paris, 1889 
 
 * First EDITION. One of 100 copies on Holland paper. 
 
 484. BOURGET (PAUL). Pastels. First Epirion. 12mo, 
 half green levant morocco, Dresden silk sides, gilt top, uncut, 
 original covers bound in, by The Club Bindery. Paris, 1889 
 
 * One of 25 copies on Holland paper. 
 
 485. BOURGET (PAUL). Etudes et Portraits. First 
 Epition. 12mo, half red levant morocco, gilt, red silk sides, 
 gilt top, uncut, original covers bound in, by The Club Bind- 
 ery. Paris, 1889 
 
 * Printed on Holland paper. 
 
 486. BOURGET (PAUL). Un Cceur de Femme. First 
 Epition. 12mo, half green levant morocco, gilt, Dresden silk 
 sides, gilt top, uncut, original wrappers bound in, by The 
 Club Bindery. Paris, 1890 
 
 * One of 100 copies on Holland paper. 
 
 487. BOURGET (PAUL). Mensonges. Illustrations de 
 Myrbach, gravure de Ch. Gwillaume. 12mo, half green 
 levant morocco, uncut, original covers bound in. Paris, 1890 
 
 * One of 25 copies on Japan paper. 
 
 488. BOURGET (PAUL—Editor). Physiologie de l’Amour 
 Moderne. Fragments posthumes d’un ouvrage de Claude 
 Larcher recueillis et publiés par Paul Bourget, son exécuteur | 
 testamentaire. 12mo, half brown levant morocco, gilt back, 
 figured silk sides, gilt top, uncut, original covers bound in, by 
 The Club Bindery. Paris, 1891 
 
 * First EpirioN. One of 100 copies on Holland paper. 
 
 489. BOURGET (PAUL). Nouveaux Pastels. First Ept- 
 TION. 12mo, half ‘green’ levant morocco, plaid sides, gilt top, 
 uncut, original covers bound in, by The Club Bindery. 
 
 * One of 50 copies on Holland paper. Paris, 1891 
 
 490. BOURGET (PAUL). la Terre promise. First 
 Epition. 12mo, half green levant morocco gilt, figured silk 
 sides, gilt top, uncut, by The Club Bindery. Paris, 1892 
 
 * One of 100 copies on Holland paper. 
 
 491. BOURGET (PAUL). Cosmopolis. 12mo, half green 
 levant morocco gilt, plaid silk sides, gilt top, uncut, original 
 covers bound in, by The Club Bindery. Paris, 1894 
 
 * One of 100 copies on Holland paper. 
 
 492. BOURGET (PAUL). Un Saint. Illustrations . de 
 Paul Chabas. First Eprrion. 18mo, figured ivory silk, un- 
 
 ~ cut, original covers bound in, by The Club Bindery. 
 
 Paris, 1894 
 71 
 
493. BOURGET (PAUL). Outre-Mer. First Epirion. 
 2 vols. 12mo, half blue levant morocco gilt, gilt tops, uncut, 
 original covers bound in, by Champs. Paris, 1895 
 
 494. BOURGET (PAUL). Complications Sentimentales. 
 First Epition. 12mo, half red levant morocco gilt, figured 
 silk sides, gilt top, uncut, original covers bound in, by The 
 Club Bindery. Paris, 1898 
 
 * One of 60 copies on Holland paper. 
 
 495. BOURGET (PAUL). L’Ecran. Illustrations de A. 
 Calbet. First Eprrion. 12mo, half mauve levant morocco 
 gilt, figured satin sides, gilt top, uncut, original covers bound 
 in, by The Club Bindery. Paris, 1900 
 
 One of 50 copies on Japan paper. 
 
 496. BOURGET (PAUL). Drames de Famille: l’Echéance, 
 le Luxe des Autres, Ceurs d’Enfants. First Epririon. 
 12mo, half blue levant morocco gilt, figured silk sides, gilt 
 top, uncut, original covers bound in, by The Club Bindery. 
 
 * One of 70 copies on Holland paper. ~ Paris [1900] 
 
 497. BOURGET (PAUL). Un Homme d’Affaires. Dual- 
 ité, un Réveillon, l’Outrage. First Eprri6n. 12mo, half 
 green levant morocco gilt, Dresden silk sides, gilt top, uncut, 
 original wrappers bound in, by The Club Bindery. 
 
 * One of 10 copies on Japan paper. Paris [1900] 
 
 498. BOURGET (PAUL). L’Etape. First Epirion. 
 12mo, half red levant morocco gilt, figured silk sides, gilt top, 
 uneut, original wrappers bound in, by The Club Bindery. . 
 
 * One of 20 copies on Japan paper. Paris [1902] 
 
 499. BOURGET (PAUL). L’Emigré.- 12mo, red levant 
 morocco gilt, gilt top, uncut, original covers bound in, by The 
 Club Bindery. Paris [1907] 
 
 * First Epirion. One of 20 copies on Japan paper. 
 
 500. BOWMAN (S. M.) anp IRWIN (R. B.). Sherman 
 and his Campaigns: a Military Biography. Portraits and 
 maps. 8vo, half morocco gilt, gilt top, uncut, by Matthews. 
 
 New York, 1865 
 
 501. BOXHORNE (MARCUS ZUERIUS). Emblemata 
 politica. 17 emblematic copper-engravings. 18mo, old ealf. 
 Amsteledami: apud J. Janssenium, 1651 
 
 502. BOYER (ABEL). Achilles; or Iphigenia in Aulis. 
 A Tragedy. Small 4to, half green calf. (Somewhat foxed.) 
 London: Printed for Tho. Bennet, 1700 
 
 * First Epirion. Founded on Racine’s ‘‘Iphigenie.’’ 
 
 is 
 
“Te 
 es, gh 
 ¥ . > 
 _~ - 
 
 503. BOYER (ABEL). The Victim, or Achilles and 
 Iphigenia in Aulis, a Tragedy . . . Second edition, to which 
 is added an Advertisement about the late Irregular Reviving 
 of this Tragedy, etc. 16mo, brown levant morocco gilt, gilt 
 edges, by Riviére. 
 
 ; London: Printed for James Knapton, &c., 1714 
 
 504. BOYER (DE NIMES). Histoire des Caricatures de 
 la Révolte des Francais. 41 plates, of which 38 are printed 
 m brown and 3 wm black, some folding. 2 vols. 8vo, red 
 levant morocco gilt, gilt edges, original covers bound in, by 
 Bedford. Paris, 1792 
 
 *This work is rare in any condition and especially so with 
 all the plates. It was never completed. 
 
 905. BOYER (GEORGES). Le Tréfle a Quatre Feuilles. 
 Illustrations by Paul Avril i two states. Small 4to, hali 
 green levant morocco, gilt top, uncut, by Carayon. 
 
 Paris, 1887 
 
 *One of 40 copies on Japan paper. Autograph presentation 
 copy -from the author. 
 
 506. [BOYLE (CHARLES, EARL OF ORRERY).] As 
 You Findit. A Comedy. As itis Acted at the New-Theatre, 
 in Little-Lincoln-Fields, by Her Majesty’s Servants. First 
 EpitTion. 4to, blue levant morocco, gilt edges, by The Club 
 Bindery. London: R. Parker [1703] 
 
 507. BRACH (PIERRE DE). (CKuvres Poetiques. Pub- 
 hées et annotées par Reinhold Dezeimeris. 2 vols. small 4to, 
 half blue levant morocco gilt, gilt tops, uncut, by Quinet. 
 
 * One of 60 copies on Holland paper. Paris, 1861 
 
 508. BRANDT (SEBASTIANUS).  Stultifera Navis in 
 Latinum traducta per J. Locher. Roman character. CLIX 
 numbered leaves and a blank (cut away); 80 lines to the 
 page. 117 spirited woodcuts. 4to, red levant morocco gilt, 
 gilt edges, by Trautz-Bauzonnet. 
 
 Basilee: J. Bergman de Olpe, 1 August 1497 
 
 * RARE. Fine copy. On leaf 76 v. is an allusion to the dis- 
 covery of America. Hain-Copinger, 3750. 
 
 509. BRANTOME (PIERRE DE BOURDEILLE, SEIG- 
 NEUR DE). (C#uvres complétes accompagnées de remarques 
 historiques et critiques. Nouvelle édition, collationnée sur 
 les manuscrits autographes de la Bibliothéque du Roi, et aug- 
 mentée de fragmens inédits. 7 vols. 8vo, half calf, gilt, uncut, 
 by Thouvenin jeune. (Some pages stained. ) Paris, 1822 
 
 510. BRANTOME (PIERRE DE BOURDEILLE, SEIG- 
 NEUR DE). Les Vies des Dames Galantes.’ D’aprés |’edi- 
 tion original de 1666; et d’une notice sur Brantome par 
 Eugene Vignon. Gravures d’aprés H. Pille par Champollion. 
 3 vols. 8vo, original paper covers, uncut. Paris, 1879 
 
 * Holland paper copy. 
 73 
 
511. BRANTOME (PIERRE DE BOURDEILUE, SEIG- 
 NEUR DE). Les Sept Discours touchant les Dames Galantes, 
 publiés sur les manuscrits de la Bibliotheque Nationale par 
 Henri Bouchot. Portrait and 8 etched plates by Beaumont 
 engraved by Borlvin, in 2 states, before and after letters. ; 
 3 vols. 8vo, maroon levant morocco gilt, gilt over uneut edges, __ 
 original covers bound in, by Chambolle-Duru. Paris, 1882. 
 
 * One of 20 copies on Whatman paper. 
 
 512. BRANTOME (PIERRE DE BOURDEILULE, SEIG- — 
 NEUR DE). Les Sept Discours touchant les Dames Galantes. — 
 publiés sur les manuscrits par Henri Bouchot. | Dessins 
 d’Edouard de Beaumont, gravés par E. Boilvin. 3 vols. 
 square 12mo, original paper covers. Paris, 1882 
 
 513. BRANTOME (PIERRE DE BOURDEILLE, SEIG- 
 NEUR DE), Les Sept Discours touchant les Dames Galantes, 
 pubhiés sur les manuscrits de la Biblhothéque Nationale p 
 Henri Bouchot. Dessins d’Edouard de Beaumont, gravés 
 par E. Bowlvin. 3 vols. 8vo, half red levant morocco gilt, 
 uncut, original covers bound in, by Champs. _ Paris, 188 
 
 * One of 170 copies on Holland paper, with the plates in two 
 states. 
 
 514. BRANTOME (PIERRE DE BOURDEILLE, SHI 
 NEUR DE). Les Vies des Dames Galantes. Tirées d 
 Mémoires de Seigneur de Brantéme. Nouvelle édition r 
 imprimée sur l’originale de 1666, augmentée de notes et add 
 tions, par C. Grolleau et H. Lachize. Cinquante Dessins (- 
 coors) par Ad. Lambrecht. 2 vols. 8vo, original wrapper 
 uncut. Paris, 19¢ 
 
 * Limited Edition. ae = aa 
 
 515. BRATHWAIT (RICHARD). A Solemne™ foviall 
 Disputation, Theoreticke and Practicke; briefely shadowing 
 the Law of Drinking; together, with the Solem and Con- 
 troversies occurring: fully and freely discussed according 
 the Givill awe ey —The Smoaking Age, or, the man 
 the mist: with the life and death of Tobacco.  Engrav 
 frontispieces by William Marshall. 2 parts in one volum 
 8vo, old vellum. Both the Explanations to the frontispie 
 in facsimile. ? 
 
 At the Signe of Red-eyes [and of Teate-Nouele 16 
 
 * First EDITIon, extremely scarce. The engraved fronbian 
 by Marshall are supposed to be his earliest work. © 3 
 
 516. BRAULT. Une Contemporaine. Biographie et ce 
 
 M. Dudevant. Premiére ‘livraison. 8vo, half red. levant 
 rocco, gilt top, uncut, by Champs. Paris, 
 
 74 
 
017. [BRETON (NICHOLAS).] A Post with a Packet 
 of Mad Letters. Gothic Type. Woodcut on titles. 4to, red 
 levant morocco, gilt side borders, gilt edges, by The Club 
 Bindery. Several margins repaired. 
 
 London: Printed for E, Okes, 1669-70 
 
 * EXTREMELY SCARCE. Contains the second part, with title 
 
 dated 1670, also the very rare final leaf of advertisement ‘‘ Cour- 
 
 teous Reader, these Books are Printed for, and to be sold by 
 
 Robert Boulter at the Turks Head in Bishopgate-street.’’ This 
 leaf has been repaired. 
 
 018. BREVIARIO GRIMANI. Fac-simile delle miniature 
 contenute nel Breviario Grimani, conservato nella Biblioteca 
 Di $8. Mareo [Venezia] eseguito in fotografia. Da Antonio 
 Perini, con illustrazioni di Francesco Zanotto. 110 photo- 
 graphic plates reproducing the mimatures and silver binding 
 of the celebrated Breviarium Grimani with text in French and 
 Italian. Thick 4to, red morocco divided into four compart- 
 ments formed by a cross inlaid in blue morocco, in the centre 
 of which is the Maltese cross on a medallion of brown mo- 
 rocco, the spaces tooled and gilt to a semis of fleur-de-lis, gilt 
 edges, brass clasps. Venezia, 1862 
 
 519. [BREWER (ANTHONY).] Lingua; or, The Com- 
 bat of the Tongue, And the Five Sences, for Superiority. A 
 Pleasant Comoedy. Small 4to, red levant morocco, tooled in 
 compartments, doublure of red morocco, gilt top, UuNcuT, by 
 The Club Bindery, in slip case. (Title-page repaired.) 
 
 London: Printed by Nicholas Oakes for Simon Waterson, 
 1622. | 
 
 * Presumably the third edition. The play is attributed to 
 Brewer by Winstanley, who says that Oliver Cromwell ‘‘imbibed 
 his sentiments of ambition’’ from acting the part of Tactus at 
 Trinity College, Cambridge. 
 
 520. BRIANVILLE (CLAUDE ORONCE FINE DE). 
 Histoire Sacrée en Tableaux, avec leur Explication. Et 
 quelques Remarques Chronologiques. Frontispiece and 138 
 illustrations by Sebastien Le Clerc. First Eprrion. 3 vols. 
 12mo, blue levant morocco, gilt edges, by Chaybolle-Duru. 
 
 Paris, 1670-75 
 
 521. BRILLAT-SAVARIN (ANTHELME). Physiologie 
 du Gout. Avec une préface par Ch. Monselet. Hauz-fortes 
 par Ad. Lalauze. 2 vols, 8vo, paper covers, uncut. 
 
 * One of 170 copies on Holland paper. Paris, 1879 
 
 522. BRITISH POETS. Portraits of the British Poets, 
 from Chaucer to Cowper and Beattie. 138 highly finished 
 engravings by Fittler, Warren, Worthington, Finden, etc. 
 _ PROOFS BEFORE LETTERS on India paper. The original 23 in 
 22 parts, folio, wrappers. London, 1824 
 
 * LARGEST PAPER, LIMITED TO 25 COPIES. 
 ri) 
 
523. BRITISH THEATRE. A Collection of 180 Plays, 
 Edited by Bell and Cawthorn, with the addition of 6 dramas 
 written by James Wild. Illustrated with 176 portraits and 
 scenes, proofs lettered and before letters. 41 vols. small 8vo, 
 contemporary red morocco gilt, gilt edges. London, 1791-1806 
 
 * Large paper copy. 
 
 524. BRITISH THEATRE. Bell’s British Theatre, con- 
 sisting of the most esteemed English Plays. Vols. 1—X XII. 
 With plates. 22 vols. 8vo, red levant morocco, gilt tops, 
 uNcuT, by Triquilier. London, 1797 ~ 
 
 * Large paper copy. Very scarce, uncut. 
 
 525. [BROGIOTTI (ANDREA).] Indice de Caratteri, 
 con |’Inuentori, & nomi di essi, esistenti nella Stampa Vati- 
 eana, & Camerale. Numerous specimens of printing types. 
 4to, old vellum. Roma, 1628 
 
 526. BROME (RICHARD). The Northern Lasse, A 
 Comoedie. As it hath beene often Acted with good Applause 
 at the Globe, and BlackFryers. First Epirion. Small 4to, 
 mottled calf gilt, gilt edges. 
 
 London: Printed by Aug. Mathewes, 1632 
 
 527. BROME (RICHARD). The Sparagus Garden: a 
 Comedie. Acted in the years 1635; by the then Company of 
 Revels, at Salisbury Court. -Firsr Eprrion. Small 4to, 
 citron levant morocco, gilt back and sides, doublures of mar- 
 quetry panels, with wide gilt borders, by Kaufmann. In a 
 ease. (Two signatures misplaced, corners of several leaves 
 mended. ) London: J. Okes for F. Constable, 1640 
 
 528. BROME (RICHARD). The Queenes Exchange, a 
 Comedy Acted with generall applause at the Black-Friers. 
 First Epirion. Small 4to, red morocco, gilt edges. 
 
 London: Henry Brome, 1657 
 
 529. BROME (RICHARD). The Northern Lasse, A Com- 
 oedy. As it hath been Acted with great Applause at the 
 Theatre-Royal. Second Edition. Small 4to, citron levant 
 morocco gilt, gilt edges, by David. London: A. Moseley, 1663 
 
 530. [BROME (RICHARD).] The Debauchee; or, the 
 Credulous Cuckold, a Comedy. Acted at his Highness The 
 Duke of York’s Theatre. Small 4to, maroon levant morocco 
 gilt, gilt edges, by Pratt. 
 
 j London: Printed for John Amery, 1677 
 * Ascribed to Mrs. Behn, but in fact ‘‘The Mad Couple well 
 
 matched,’’ by R. Brome, with a new title. Lord Rochester wrote 
 the prologue and epilogue. 
 
 531. BROME (RICHARD). The Dramatic Works of 
 Brome. Containing Fifteen Comedies now first collected. 
 Portrait. 3 vols. 8vo, boards, uncut. London, 1873 
 
 * Large paper copy. 
 76 
 
032. BRONGNIART (A.) ann RIOCREUX (D.). De- 
 scription Méthodique du Musée Céramique de la Manufacture 
 Royale de Porcelaine de Sévres. 80 plates printed in colors, 
 and 26 of marks and monograms. 4to, half brown levant mo- 
 rocco, gilt top, uncut. Paris, 1845 
 
 030. BROOKES (RICHARD). The Art of Angling: 
 Now Improved with additions, and formed into a Dictionary. 
 Illustrated with 135 cuts, exactly describing the different 
 kinds of fish. 12mo, red levant morocco, gilt back, gilt edges, 
 by Cuzin. London: T. Lowndes, 1766 
 
 034. BROUGHTON (HUGH). A Concent of Scripture. 
 Brilliant impressions of the 6 engravings, four of which are 
 signed *““W. h.’’; the map of both hemispheres unfolded. 
 Small folio, original calf, corner and centre ornaments on 
 sides, and the initials ‘‘A. B.’’ (rebackeéd), 
 
 n. p. [1591 or 1592] 
 
 * LARGE PAPER COPy. Inserted at the end are the narrow leaf 
 ‘“To the Reader,’’ and the folded map of northern Judea from 
 the edition of [1590]. Seventeenth century autograph on title 
 ‘*W. Bayntum, Grays Inn.’’ 
 
 535. BROWN (THOMAS). The Works of Mr. Thomas 
 Brown, serious and comical, In prose and verse: with his 
 Remains. With The Life and Character of Mr. Brown, and 
 his Writings, by James Drake, and a Key to the Whole. The 
 Ninth Edition, carefully corrected, Adorned with a new Set 
 of Copper-Plates (27 by E. Kirkall and R. Smith). 4 vols. 
 12mo, calf gilt, gilt tops, uncut, by Bedford. 
 
 London: Printed for Al. Wilde, 1760 
 
 * The most complete of the old editions of Brown. Former 
 owner’s rubber stamp on titles. 
 
 5386. BROWNE (MATTHEW). Chaucer’s’ England. 
 
 Portrait, and woodcuts. First Epirion. 2 vols. 12mo, origi- 
 nal cloth, uncut. London, 1869 
 
 537. BROWNE (SIR THOMAS).  Religio Medici. <A 
 Letter to a Friend; Christian Morals; Urn-Burial; and other 
 Papers. Portrait on India paper. 8vo, brown levant mo- 
 rocco, back and sides beautifully tooled, gilt edges, inside 
 
 borders, silk guards. Boston, 1862 
 * Large paper copy, one of 25 printed. 
 
 538. BROWNING (ELIZABETH BARRETT). Poetical 
 Works. Portrait. 5 vols. 12mo, citron levant morocco, back 
 and side panels inlaid with blue morocco and ornamented with 
 seroll and floral tooling, gilt tops, uncut, by David. 
 
 New York: Dodd, Mead Co., 1884 
 
 * One of 20 copies on Japan paper. 
 539. BRUEYS (DAVID AUGUSTIN). Les Cuvres de 
 Theatre de Monsieur de Brueys. Portrait of the Author. 
 3 vols. 12mo, old red morocco gilt, gilt edges. 
 Paris: Briasson, 1735 
 717 
 
540. BRUMOY (PIERRE). Le Theatre des Greecs. — 
 Frontispiece, map and headpieces. First Epirion. 3 vols. 
 4to, red morocco gilt, gilt edges, probably by Padeloup. 298 
 
 Paris, 1/30 1 
 
 541. BRUNES (JOHANNES DE). Iohannis de Brunes — 
 I. C. Emblemata of Zinne-werck: voorghestelt, in Beelden, — 
 ghedichten, en breeder uyt-legginghen, tot uyt-druckinghe, — 
 en verbeteringhe van verscheyden feylen onser eeuwe. Hn- — 
 graved title and 51 copper-plates by W. Pass, A. vander — 
 Venne, Blon, and others. 4to, brown morocco, gilt ornaments | 
 on sides, gilt edges, by Riviére. Anisterdam, 1624 
 
 542. BRUNES (JOHANNES DE). Emblemata of Zinne 
 werck: voorghestelt. Hngraved title and 52 copper-plates by — 
 W. Pass, A. vander Venne, Blon, Galle, and others. 4to, dark — 
 brown calf silt, gilt edges, by Riviére. Amsterdam, 1661 i 
 
 * Thick paper copy. ai 
 
 543. BUCHANAN, NORTON, SACKVILLE, Sa a 
 Thomas Norton’s treatises, containing the fourth treatise, 
 viz.: ““§JA disclosing of the great Bull, and certain calues — 
 that he hath gotten, and specially the Monster Bull that — 
 roared at my Lord Byshops gate. Imprinted at London.by — 
 Iohn Daye dwelling ouer Aldersgate.’’ (n. d.). Title, - 
 (verso blank). Text, A2—-C2 (verso blank) in fours, ending 
 with a woodcut. II. The Tragidie of Ferrex and Porrex. 
 III. A discourse touching the pretended match betwene t 
 Duke of Norfolke and the Queene of Scottes’’ followed 
 ~“Salutem in Christo.’? IV. Ane Admonition direct to t 
 trew Lordis mantenaris of the Kingis Graces Authoritie. 
 V. Ane Detection of the duinges of Marie Quene of Scottes. 
 VI. The copie of a letter, etc. 6 works in 1 vol. 16mo, broy 
 morocco, gilt and blind- tooled back and sides, gilt edges, 
 Bedford. (Title and a number of other leaves re- edged, an 
 a few corners repaired. ) } 
 
 London: Printed by John Daye [1568-157 
 
 544. BUCKHURST (LORD), SEDLEY (CHARLE 
 AND DAVENANT (WILLIAM). The New Academy 
 Complements, erected for Ladies, Gentlewomen, Courtie: 
 Gentlemen, Scholars, Soldiers, Citizens, Countrymen; and : 
 Persons of what Degree soever, of both Sexes. Stored wi 
 variety of Courtly and Civil Complements, Eloquent Lett 
 of Love and Friendship, with An Exact Collection of the 
 Newest and Choicest Songs Alamode, Both Amorous and 
 Jovial. Engraved frontispiece. 12mo, red levant morocco ~ 
 gilt, gilt edges, by Riviere. ; London, 17 
 
 545. BUCKINGHAM (GEORGE VILLIERS, DUKE ( 
 The Chances, a Comedy: as it is Acted at the Theatre Ro 
 
 Second Edition. Small 4to, red levant morocco, gilt ed 
 by Chambolle-Duru. London: Printed for R. Bently | 
 
 78 
 
546. BUCKINGHAM anp CHANDOS (RICHARD 
 GRENVILLE (SECOND) DUKE OF). Memoirs of the 
 Court and Cabinets of George the Third. From original 
 family documents. Portraits. 4 vols. 8vo, cloth, uncut, not 
 uniform, as issued. London, 1853-5 
 
 047. BUCKLE (HENRY THOMAS—Kditor). Library 
 Illustrative of Social Progress. From the Original Editions 
 collected by H. T. Buckle. 7 vols. 12mo, boards, uncut. 
 
 London, 1777, &¢, (Reprints) 
 
 048. BUF FON, PATRIN, BOSC, TIGNY, Anp orHERs. 
 Histoire Naturelle; Des Quadrupédes, 2 vols. (G. L. L. Buf- 
 fon) ; Des Oiseaux, 3 vols. (Buffon) ; Des Minéraux (E. M. L. 
 Patrin) ; Des Poissons, 4 vols. (M. E. Bloch); Des Reptiles. 
 (Sonnini & Latreille); Des Coquilles, Vers & Crustacés, 
 2 vols. (L. A. G. Bosc); Des Végétaux, 3 vols. (Lamarck & 
 Mirbel) ; Des Insectes, 4 vols. (M. G. De Tigny). 1,066 Des- 
 sins originaux de Deséve, Barraband, &c., representant 3,622 
 sujets, figures avant et avec la lettre. Executés pour |’édition 
 en 80 vols. in 18mo, publiée par Castel, Paris 1799-1802. To- 
 gether, 20 vols. 18mo, red straight-grain morocco, rich gilt 
 backs and side borders, wide inside borders, green moiré silk 
 panels and end-papers, gilt edges, by Hering (with his ticket 
 in some volumes). Paris, 1799-1802 
 * The above volumes contain the PLATES ONLY. There is no 
 
 text. The original designs by Deséve are executed in water- 
 colors, and there are a number of COLORED FRONTISPIECES; the 
 engravings are in two states by Tardieu, Pierron, Jourdan, and 
 others. The Title-pages are all in manuscript. 
 
 549. BULLEN (A. H—Editor). <A Collection of Old 
 English Plays; [First and Second Series]. Together, 7 vols. 
 small 4to (6) half vellum; (1) half polished red morocco, gilt 
 top, all uncut. London, 1882-1890 
 
 * One of 150 copies, privately printed, on handmade paper. 
 
 550. BULLEN (A. H.). England’s Helicon. A Collec- 
 tion of Lyrical and Pastoral Poems: Published in 1600. 8vo, 
 half calf, gilt top, uncut. London: Nimmo, 1887 
 
 * Large paper, one of 250 copies. 
 
 551. BULLEN (A. H.). More Lyrics from the Song- 
 Books of the Elizabethan Age. 8vo, half calf, gilt top, uncut. 
 London: Nimmo, 1888 
 
 * One of 250 copies on Large paper. 
 
 552. [BULWER-LYTTON (EDWARD ROBERT).] The 
 Wanderer. By Owen Meredith. First Epirion. 12mo, 
 eloth, uncut. London, 1859 
 
 79 
 
5538. BUNYAN (JOHN). The Pilgrim’s Progress by 
 John Bunyan, to which is prefixed, The Life of the Author; 
 With a Key to the Allegory and a Critique on its beauty. 
 Portrat by Collier, engraved title, and 8 plates by Stothard 
 and Woolley. Royal 8vo, olive green levant morocco gilt, gilt 
 top, uncut, by Riviere. . London, 1796 
 
 * EXTRA-ILLUSTRATED with 47 plates; the Stothard series, 
 India proofs, those by Melville, Westall, etc.; and 17 portraits 
 of Bunyan. 
 
 554. BUNYAN (JOHN). The Pilgrim’s Progress. To 
 which is prefixed a Life of the Author, by a Clergyman of the 
 Church of England. Portrat of Bunyan engraved by R. 
 Cooper. 8vo, red levant morocco gilt, gilt sides and edges, by 
 Matthews. Uxbridge, 1822 
 
 * Inserted, are 6 plates by Charles Heath after Westall, proofs 
 on India paper. 
 
 555. BUNYAN (JOHN). The Pilgrim’s Progress. With 
 a Life of John Bunyan by Robert Southey. Illustrated by 
 Engravings. Royal 8vo, original cloth, uneut (some pp. 
 
 spotted). London, 1830 
 * Large paper copy, with the plates on India paper. 
 
 556. BUNYAN (JOHN). The Pilgrim’s Progress. With 
 a Life of Bunyan by Robert Southey. Illustrated with en- 
 gravings (portrat after Sadler, and plates after Martin, 
 proofs on India paper, also with additional portrait inserted). 
 Royal 8vo, maroon morocco gilt, gilt top, uncut, by Clarke 
 and Bedford. London: Murray and Major, 1830 
 
 * Large paper copy. 
 
 557. BUNYAN (JOHN). Divine Emblems: or Temporal 
 Things Spiritualized. Calculated For the Use of young peo- 
 ple. Adorned with Fifty Copper Plate Cuts. 16mo, brown 
 levant morocco, gilt edges, original covers bound in, dated in 
 pen and ink, July 14, 1802, by The Club Bindery. 
 
 London: T. Bennett [n. d.] 
 
 558. BURNET (GILBERT, BISHOP). History of His 
 own Time. Portraits etc. 6 vols. 8vo, half vellum (worn), 
 uncut. London, 1725 
 
 559. BURNET (GILBERT, BISHOP). Bishop Burnet’s 
 History of His Own Time: with the Suppressed Passages of 
 the First Volume, and notes by the Earls of Dartmouth and 
 Hardwicke, and Speaker Onslow, hitherto unpublished. To 
 which are added The Cursory Remarks of Swift, and other 
 observations. Portraits of Bishop Burnet and the Karl of 
 Dartmouth by J. Fittler. 6 vols. royal 8vo, blue levant mo- 
 rocco gilt, gilt tops, uncut, by Bedford. 
 
 Oxford: Clarendon Press, 1823 
 : One of 50 copies on Large paper, only 25 of which were for 
 Sale, 
 
 80 
 
S a es 7 6) OE a rn, 
 Lite” oe = a 
 oes ; —F 
 
 560. BURNS (ROBERT). Poems by Burns; with an ac- 
 count of his Life, and miscellaneous Remarks on his Writings. 
 Containing also many Poems and Letters not printed in Doc- 
 tor Currie’s edition. Portrait by Clerk, frontispiece, cc. 
 2 vols. royal 8vo, half green levant morocco gilt, gilt tops, 
 uncut, by Allo. 
 
 Edinburgh: Printed for the trustees of the late James 
 Morison, 1811. 
 
 * LARGE, OR ROYAL PAPER EDITION. Only a few printed, 
 EXTRA-ILLUSTRATED by the insertion of four portraits of Burns 
 and 11 plates illustrating the poems, 7 being proofs on India 
 paper. 
 
 561. BURNS (ROBERT). The Works of Robert Burns; 
 With a Complete Life of the Poet, and an Essay by Professor 
 Wilson. 81 portraits and landscape illustrations. 2 vols. 
 royal 8vo, cloth, gilt tops, uncut (some margins stained). 
 
 Edinburgh, 1846 
 
 562. BURNS (ROBERT). Songs, Chiefly in the Scottish 
 Dialect. Imperial 8vo, green levant morocco, gilt back and 
 sides, gilt edges by Bedford. Kilmarnock: James M’Kie, 1869 
 
 * Large paper copy, signed by the Publisher. Only 30 printed. 
 
 EXTRA-ILLUSTRATED with 90 plates and portraits, by Stothard, 
 Westall, Wright, etc.; many of them proofs. 
 
 563. BURNS (ROBERT). Poems, chiefly in the Scottish 
 Dialect. Poems as they appeared in the early Edinburgh 
 edition; and Posthumous Poems. 2 vols. royal 8vo, green 
 levant morocco, gilt backs and side corners, gilt edges, by 
 Bedford. Kilmarnock: James M’Kie, 1869 
 
 * LARGE PAPER COPY, signed by the publisher. Only 30 printed. 
 EXTRA-ILLUSTRATED with 144 plates, including many oe 
 of Burns; one an original drawing. 
 
 564. BURTON (JOHN HILL). The Book-Hunter, ete. 
 First Epition. Square 8vo, half morocco, uncut. 
 * One of 25 Large paper copies. Edinburgh, 1862 
 
 565. BURTON (JOHN HILL). The Book-Hunter, etc. 
 A New Edition, with a memoir of the Author. Portrait by 
 W. B. Hole. Small 4to, cloth, uncut. Edinburgh, 1882 
 
 * Limited and numbered edition. 
 
 566. [BURTON (ROBERT).] The Anatomy of Melan- 
 choly. What it is, With all the kinds, causes, symptomes, 
 prognostickes & severall cures of it. By Democritus Junior. 
 The Fourth Edition, corrected and augmented by the Author. 
 Engraved title-page by C. le Blon. Folio, brown levant mo- 
 
 - rocco gilt, gilt edges, by The Club Bindery. 
 
 Oxford: Henry Cripps, 1632 
 81 
 
567. BURY (RICHARD DE). Philobiblion sive de amore 
 hbrorum. Gothic character. 89 unnumbered leaves without 
 signatures or catchwords; 31 lines to the page. Furst initial 
 painted in gold and colors. 4to, dark blue levant morocco, 
 gilt tooled ornamental borders on the sides, gilt back; doub- 
 lure of blue morocco, gilt borders of arabesques, gilt edges, 
 by The Club Bindery in a case. Hain, 4150; Proctor, 2400. 
 
 [Speier: Johann and Conrad Hist, 1483] 
 
 * The first edition was printed at Cologne in 1473, this, the . 
 second edition, is printed from-a better manuscript and conse- — 
 
 quently more correct. This second edition is much rarer than 
 the first, probably not more than six or seven copies known. 
 
 (See Reproduction. ) 
 
 ' 668. BURY (RICHARD DE). The Philobiblon. Edited 
 
 and Translated by Ernest C. Thomas. Royal 8vo, original 
 
 wrappers, uncut. London, 1888 
 * One of 50 Large paper copies. 
 
 569. BUTLER (SAMUEL). Hudibras. The First Part. 
 London: Printed by J. G. for Richard Marriot, 1663. Hudi- 
 bras, the Second Part. London: Printed by T. R. for John 
 Martyn and James Allestry, 1664. Hudibras. The Third 
 and Last Part. London: Printed for Simon Miller, 1678. 
 3 vols. 8vo, polished calf; gilt edges, by Bedford. 
 
 * First uniform edition of all three parts; the third, however, 
 
 is the second issue with the leaf of Errata cancelled, and the 
 text corrected. 
 
 570. BUTLER (SAMUEL). MHudibras, in three parts, 
 Written in the Time of the Late Wars. Corrected and 
 Amended. With large annotations, and a preface by Zachary 
 Grey. Portrait and engravings after Hogarth. 2 vols. 8vo, 
 red levant morocco gilt, gilt tops, uneut, by Riviere. 
 
 Cambridge, 1744 
 * Inserted are 12 folded plates after Hogarth and a portrait 
 of Zachary Grey. 
 
 571. BUTLER (SAMUEL). Illustrations of Hudibras. 
 60 Portraits of Celebrated Political and Literary Characters, 
 Impostors and Enthusiasts alluded to by Butler. India proofs 
 on Large paper. 4to, original cloth, uncut. London, 1821 
 
 572. BYRON (GEORGE GORDON LORD). Letters and 
 Journals of Lord Byron: With Notices of his Life, By Thomas 
 Moore. 2 vols. extended to 4, 4to, blue levant morocco, gilt 
 fillets, gilt tops, uncut, by Riviére. 
 
 London: John Murray, 1830 
 
 * First EpITrion; on Large paper. EXTRA-ILLUSTRATED by 
 the insertion of 165 portraits and views, including many por- 
 
 traits of Byron, some plates in 3 states, proofs before letters, . 
 
 colored, ete. IN VOLUME 3, OPPOSITE PAGE 46, THERE ARE TWO» 
 ‘STANZAS’? IN BYRON’S HANDWRITING, WITH SIGNATURES. 
 
 82 
 
‘e e ‘Pbplobpblon difeztiMfimi viri Bichazdi 
 =¥ dilmelmen epi-de qzimomjs libzonomibs 
 _ & Ware amatoezib? putil plog? Incipite 
 
 ae Niverhis littezar eultoribue 
 MAE Richard? de buri mifezacde 
 \ i.diuma dplmelmen eps falute- 
 Se pia ipi? pntaze memozia ius 
 
 | 4 ai git” coza Deo Mm vita pit” x p? 
 a ata Quid retzibua Ono peo 
 ‘omib? g retzibuit michi + fic deuotihmem 
 ueltigat pfalmilta- Rex muict? - eximin{a3 
 i“) pzopbeta. ps®.c.rvj- In qua queftione 
 -« gratifima / femetipfaum redodidit volutaria 
 
 _ folutozem z debitozem multfipbazin-< fan 
 _ &tio2é optado ohiliariu recognolett-ocoz | 
 das ch aziftotile phon pemeipe q omem 
 deagibilibPghisem/ cohlia gobat effe-itj?. 
 0)? Ethicon -Sane fi gpa ta mizabil/fe 
 —- €zetox pict? Diumor, -pcdfule’volebat/ta 
 - follictte/q gzate pofk gtis data refunde’/ 
 Quid nos rudes regetatozes /etiaauidimz 
  -mireceptozes onultt diuicijs bnficijs mfi: 
  -mtis/poterim? oigne velle-peuloubio de 
 — tibezacée folezti « circifpectoe multiplice 
  Cinuoceato pint? fpa feptifozmi.gten? m 
 _ _nrameditacocigme illuians exazdelcat D 
 Via no impeodibile puide’ debemPattenci? 
  QGlargitoz omma decollatis maerib? fuis 
 - Spote veneret’ recigoce. Dzoxim? renelet* 
 
 Bury. PHILOBIBLION, SPEIER, 1483. 
 (See No. 567.) 
 
573. BYRON (GEORGE GORDON LORD). Poetical 
 Works. 8 vols. extended to 15, 8vo, green levant morocco 
 gilt, gilt edges, by Matthews. London, 1839 
 
 * Extra-illustrated by the insertion of five hundred and thirty 
 selected engravings, for the most part proofs on India paper 
 and generally before letters, and an autograph, Pass ‘‘ below 
 the Bar of the House of Lords’’ in favour of John Galt, by 
 Byron. The plates include the Stothard, Finden, Johannot, 
 Westall, Turner, Corbould, and other series, a brilliant group of 
 portraits, and many unpublished plates. The portraits include 
 sixteen of Byron. 
 
 574. CG (R.). A Godlie Forme of Householde Govern- 
 
 ¢ ment: for the Ordering of private families, ac- 
 
 cording to the direction of Gods word. 8vo, contemporary 
 English binding in ealf, the sides tooled and gilt to a semis of 
 acorns, central and corner ornamental pieces in the Lyonnese 
 manner, gauffred gilt edges (joints cracked). With bookplate 
 of John Adair Hawkins. London: Felix Kingston, 1598 
 
 575. CABINET de 1’Amateur et de 1’Antiquaire (Le). 
 Revue des tableaux et des estampes anciennes; des objets 
 d’art, d’antiquité et de curiosité. Numerous plates and fac- 
 similes. 3 vols. royal 8vo, half maroon morocco, uncut, origi- 
 nal covers bound in, by Smith. Paris, 1842-44 
 
 576. CABROL (ELIE). La Premiére Absence. Lettres 
 en Vers (Avril 4 Octobre 185 ... )avee douze eaux-fortes 
 d’aprés d’Hureelles. 8vo, red levant morocco gilt, gilt top, 
 uncut, original covers bound in, by The Club Bindery. 
 
 Paris, 1872 
 * Holland paper copy, with proof impressions of the plates. ~ 
 
 577. CABROL (ELIE). Comédies—Le Coucher de la 
 Mariée—Les Hasards de 1’Escarpolette—L’Arrivée de 1’In- 
 fante. Dessins d’Hurcelles. Gravés a l’eau-forte par Charles 
 Courtry. 8vo, red levant morocco, gilt fillets, gilt top, uncut, 
 original covers bound in, by The Club Bindery. Paris, 1873 
 
 * One of 10 copies on Whatman paper, with a duplicate set 
 of the plates, proofs before letters. 
 
 578. CASSAR. OC. Iulii Cesaris que extant ex emenda- 
 tione Ios. Scaligeri. Engraved title, 3 maps, portrait, and 5 
 other cuts. 12mo, purple morocco, back and sides tooled 
 around sunken panels of polished calf, blind-tooled in a geo- 
 metrical design, inside borders, gilt edges, by Simier, pére. 
 In a morocco case. 
 
 Lugduni Batavorum: Ex officina Elzeviriana, 1635 
 
 * The First of three editions of this date, and one of the finest 
 of the Elvevirs. On the fly-leaf is Simier’s statement that this 
 binding won the silver medal at the Exposition of 1823; and 
 that it was the last executed by him. 
 
 83 
 
579. CAILHAVA (J. F.). Le Tuteur Dupé, comédie. 
 12mo. Paris, 1765 
 
 * Old French red morocco gilt, the arms of MADAME DU BARRY 
 in the centre of both covers, gilt end-papers, gilt edges. 
 
 580. [CAJOT (DOM JEAN JOSEPH).] Histoire Crit- 
 ique des Coqueluchons. 12mo, old red morocco gilt, gilt edges, 
 probably by Derome the younger. Cologne [Metz], 1762 
 
 581. CALENDRIER de la Cour... pour 1’Année Mil | 
 
 sept-cent cinquante-sept. 24mo, old green morocco, sides 
 covered with gold tooling, doublure of rose satin, gilt end- 
 papers, gilt edges. Paris, 1757 
 
 582. CALENDRIER de la Cour pour L’Année bissextile 
 1820. 24mo, old green morocco, gilt back, fleur-de-lys borders 
 on the sides, the arms or Louis XVIII in the centre, gilt edges. 
 
 Paris, 1820 
 
 583. CALENDRIER de la Cour pour 1’Année bissextile 
 1824. 24mo, old red morocco, fleurs-de-lys on the back and 
 sides, the arMS or Louis XVIII in the centre, blue silk linings, 
 gilt edges. Paris [1824] 
 
 584. CALENDRIER de la Cour pour l’année 1828... 
 24mo, old green morocco, gilt back, fleur-de-lys borders on the 
 sides, the arms of the DucHESSE DE Brrry in the centre, gilt 
 edges. Paris [1828] 
 
 585. CALLIMACHUS. Hymni, Epigrammata, et Frag- 
 menta, ex recensione Theodori J. G. F. Grevii; accedunt com- 
 mentarius et annotationes Ezechielis Spanhemii. Engraved 
 frontispiece and 6 copper-plates by Vianen after Hoet. LARGE 
 Paper. 2 vols. 8vo, old English red morocco, with the crest 
 of the Rev. THEODORE WILuiAms on the front covers and his 
 coat of arms on the back covers, gilt inside borders, morocco 
 joints, gilt edges, by J. Clarke. Ultrajecti, 1697 
 
 586. CALLIMACHUS. Hymnes de Callimaque, en gree, 
 nouvelle édition ; avec une version francoise & des Notes [par 
 de La Porte Dutheil]. 8vo, old red morocco, gilt back, blue 
 moiré silk linings, gilt edges. Paris, 1775 
 
 587. CALLOT (JACQUES). Varie figvre. 4to, red 
 straight-grain morocco, gilt fillets, gilt edges, by The Club 
 Bindery. [oa. 1623] 
 
 * Sixteen plates, including the title, of which Nos. 1 (title), 
 2, 3, 4, 6, and 7 are in two states. 
 
 C4 
 
588. CAMBRIDGE (UNIVERSITY OF). Mestissime 
 ac Letissime Academize Cantabrigiensis Carmina funebria 
 & triumphalia. Illis Serenissimam ac Desideratissimam 
 Reginam Annam repentina morte abreptam deflet. His 
 Augustissimo Potentissimoque Regi Georgio Britannicum 
 Solium optimis auspiciis ascendenti gratulatur. Cantabrigiz: 
 1714. Also: Gratulatio Academie Cantabrigiensis de Pace 
 Serenissime Regine Anne auspiciis, feliciter constituta, 1713. 
 2 vols. in 1, small folio, red morocco. Cantabrigia, 1713-14 
 
 589. CAMDEN (WILLIAM). The Historie of The Most 
 Renowned and Victorious Princesse Elizabeth, Late Queene 
 of England. Contayning all the Important and Remarkeable 
 Passages of State both at Home and Abroad, during her 
 Long and Prosperous Raigne. Composed by Way of Annals. 
 Neuer heretofore so Faithfully and fully Published in Eng- 
 lish. First Epirion. Engraved portrat of Q. Elizabeth in 
 her royal robes. Small folio, blue levant morocco, gilt edges, 
 by The Club Bindery. 
 
 London: Printed for Benjamin Fisher, 1630 
 
 590. CAMERON (SIMON). Secretary for War in the 
 First Cabinet of Abraham Inncoln. A. L. 8., 1 p. 8vo, Har- 
 risburg, June 18, 1864. Sending a subscription. 
 
 591. CAMPARDON (EMILE). Marie-Antoinette et le 
 Proces du Collier d’aprés la procedure instruite devant le 
 Parlement de Paris. Frontispiece and 3 facsimiles.  8vo, 
 red levant morocco, gilt inside borders, gilt top, uncut, by 
 Chambolle-Duru. Paris, 1863 
 
 * EXTRA-ILLUSTRATED with 20 portraits, mostly mezzotints. 
 
 592. CAMPARDON (EMILE). La Cheminée de Madame 
 de la Poupeliniere. Htched frontispiece. 16mo, green levant 
 morocco gilt, doublure of citron levant gilt, gilt top, uncut, 
 — by Smith. Paris [1879 } 
 * One of 233 copies on Holland paper. 
 
SIXTY-THIRD SESSION. 
 
 Tuesday, November 12th, 8:15 P.M. 
 
 593. CAMPBELL (THOMAS). The Pleasures of Hope; 
 with other Poems. 4 plates. First Epition. Small 8vo, 
 red levant morocco gilt, gilt top, uncut, by Ramage. 
 
 * The author’s first book. Edinburgh, 1799 
 
 594. CAMPBELL. (THOMAS). Gertrude of Wyoming: 
 a Pennsylvanian Tale. And Other Poems. First Eprrion. 
 4to, half red morocco gilt, gilt top, uncut. London, 1809 
 
 * EXTRA-ILLUSTRATED by the insertion of 2 proof portraits, 
 numerous woodcuts, and several proofs on India paper. 
 
 595. CAMPBELL (THOMAS). Specimens of the British 
 Poets; with Biographical and Critical Notices, and an Essay 
 on English Poetry. 7 vols. 8vo, half citron levant morocco, 
 gilt backs, gilt tops, uncut, by All6. London, 1819 
 
 * EXTRA-ILLUSTRATED by the insertion of 153 portraits and 
 vignettes, most of them proofs. 
 
 596. CAMPBELL (THOMAS). Theodric: a Domestic 
 Tale; and other Poems.. First Epirion. Small 8vo, red 
 levant morocco gilt, gilt top, uncut, by Ramage. London, 1824 
 
 * Printed on thick paper. Not mentioned by Lowndes. 
 
 597. CAMPBELL (THOMAS). The Pleasures of Hope 
 and other Poems; Gertrude of Wyoming and other Poems. 
 Two engraved titles and 5 plates by Heath after Westall. 
 2 vols. in 1, 12mo, straight-grained blue morocco gilt, gilt 
 edges, the FORE EDGE BEARING A BEAUTIFUL PAINTED LANDSCAPE 
 of the Thames at Windsor. In slip ease. London, 1825 
 
 598. CAMPBELL (THOMAS). The Poetical Works. 
 Portrait after Sir Thomas Lawrence. 2 vols. 8vo, red levant 
 morocco, gilt back panels and side borders, gilt tops, uncut, | 
 by Riviere. London, 1828 
 
 * EXTRA-ILLUSTRATED with 40 portraits and scenes, mostly 
 India paper proofs. 
 
 599. CAMPBELL (THOMAS). Life of Mrs. Siddons. 
 Portrait by Lupton after Sir Thomas Lawrence. First HEpt- 
 TION. 2 vols. 8vo, cloth, uncut. London, 1834 
 
 600. CAMPBELL (THOMAS). The Poetical Works. 
 Portrait and 20 vignettes after Turner. Small 4to, red levant 
 morocco, back and corner ornaments, gilt top, uncut, by Ram- 
 age. London, 1837 
 
 * First Edition with these plates. 
 
 86 
 
601. CAMPBELL (THOMAS). The Pilgrim of Glencoe 
 and other Poems. Small 4to, blue levant morocco gilt, gilt 
 top, uncut, by Stikeman. London, 1842 
 
 * EXTRA-ILLUSTRATED by the insertion of 67 plates, many 
 India proofs, including 10 portraits, views by Turner, vignettes, 
 ete. 
 
 602. CANDA (CHARLES DU). la Vie de S. Thomas 
 Archevesque de Cantorbie, Contenante une belle & memorable 
 Histoire du Roy, & du Royaume d’Angleterre. Portrait, and 
 engraved title. Blue morocco, blind-tooled back and sides, 
 doublure of morocco, gilt tooled, gilt edges, by Lewis. 
 
 S. Omer; de l’imprimerie de C: Boseard, 1615 
 
 603. CANEVARIUS (DEMETRIUS). Life of Demetrius 
 Canevarius, Physician, Philosopher and Bibliophile. Com- 
 piled from original material by Dr. Stockton-Hough and Rob- 
 ert Hoe. Together with all the original material collected 
 during a period of about ten years. Written mostly on folio 
 sheets, letters mounted in a scrap-book, and several pamph- 
 lets. 
 
 *-The task of collecting reliable data concerning Canevarius 
 was much more difficult and costly than was at first anticipated. 
 The distant epoch in which he lived, the political changes in 
 Italy, the distance from that country, the time necessary for 
 correspondence, and the extreme difficulty of finding a trust- 
 worthy and educated person to make the necessary researches, 
 formed an almost insurmountable barrier in the way of investi- 
 gation into the history of the Canevarius library and the dis- 
 posal of the books forming it. 
 
 Every document has been properly attested and all data care- 
 fully verified. The work was intended to be published by the 
 Grolier Club, but the death of Dr. Hough prevented. 
 
 The material consists of the following items: A scrap-book 
 containing about 35 autograph letters from Baron Andrea 
 Paganini, Dr. Hough’s agent in Italy; Robert Hoe; G. B. Raffo, 
 Consul-General in Genoa; etc. Also, portraits of Canevarius, 
 reproductions of books bound for him, a copy of his will in 
 Italian, and other interesting material. Thirteen pamphlets 
 issued by the Sussidio Canevari Demetrio in Genoa, 1886-1899. 
 Another pamphlet, Di Demetrio Canevari (Fumagalli), presen- 
 tation copy from the author, 1903. Three copies of Canevarius’ 
 will in English, with a Summary Index of the Testament and 
 Codicils. A list of the books in the Canevarius Library as it 
 remains to-day (4 pp. missing). Report of the administration 
 of the Canevarius subsidy in manuscript. Copy of a special 
 statute enacted in 1886 for the administration of the Canevarius 
 Subsidy, with notes by Baron Paganini. Chart of the Cane- 
 varius genealogy, with genealogical and biographical notes. 
 Manuscript copy of Giovanni Rossi’s Life of Canevarius as it 
 was written about 1643. Manuscript of Dr. Hough’s speech 
 before the Grolier Club, delivered May 7, 1891. Original manu- 
 script of Dr. Hough’s Life and Library of Canevarius. Three 
 typewritten copies of the Life of Canevarius as completed after 
 Dr. Hough’s death, etc., ete. 
 
 One of the important subjects on which Dr. Hough writes 
 extensively is the authenticity of many of the (so-called) Cane- 
 varius bindings. 
 
 87 
 
604. CAPACCIO (GIULIO CESARE). Delle Imprese, 
 trattato. In tre Libri diuiso. With 267 woodcut emblems. 
 Three parts in 1 vol. small 4to, citron levant morocco gilt, 
 gilt edges, by Bedford. 
 
 Napoli: Giacomo Carlino, & Antonio Pace, 1592 
 
 605. CAPELLONI (LORENZO). Les divers Discours de 
 Laurent Capelloni, sur plusieurs exemples et accidens meslez, 
 suivis, et advenuz (traduits par P. de Larivey). 12mo, red 
 levant morocco, gilt panelled sides, corner ornaments, gilt 
 
 edges, by Niedrée. Troyes: pour Jean le Noble, 1595 
 
 * First EDITION of this translation. Rare. ~ 
 
 606. CAQUETS DE L’ACCOUCHEE (LES) Publiés par 
 D. Jouaust avec une préface de Louis Ulbach. KHauax-fortes 
 par Ad. Lalauze. 12mo, maroon levant morocco, floral back 
 and side borders, gilt top, uncut, by Morrell. Paris, 1888 
 
 * One of 15 copies on Large Japan paper. 
 
 607. CAREW (THOMAS). Poems, Songs and Sonnets: 
 together with a Masque. A new edition. 12mo, polished 
 ealf, gilt back, gilt top, uncut by F. Bedford. London, 1772 
 
 608. CARLYLE (THOMAS). Past and Present, 1845; 
 Critical and Miscellaneous Essays, 4 vols., 1848; The French 
 Revolution, 3 vols., 1848. Together, 8-vols. 12mo, cloth, un- 
 cut. London, 1845-8 
 
 609. CARLYLE (THOMAS). Latter-Day Pamphlets. 
 Edited by Thomas Carlyle. First Epition. Small 8vo, 
 polished calf, gilt top, uncut, by Bedford. London, 1850 
 
 610. CARPENTER (WILLIAM HOOKER). Pictorial 
 Notices: consisting of a Memoir of Sir Anthony Van Dyck, 
 with a Descriptive Catalogue of the Etchings executed by 
 
 him: and a variety of interesting particulars relating to other © 
 
 Artists patronized by Charles I. 4to, calf, gilt back and side 
 
 panels, gilt top, uncut. London, 1844 . 
 
 * Two portraits by William Carpenter, and in addition forty- 
 six inserted plates, consisting of portraits by Van Dyck en- 
 graved by P. de Jode, Bolswert, Gallé, ete., ete., including a 
 proof of the portrait of Peter Oliver. 
 
 611. CARPENTER (WILLIAM HOOKER). Pictorial 
 Notices: consisting of a Memoir of Sir Anthony Van Dyck, 
 with a Descriptive Catalogue of the Etchings executed by 
 him, ete. Portraits. 4to, red levant morocco, gilt back and 
 side borders, gilt edges, silk linings, by The Club Bindery. 
 
 London, 1844 
 * EXTRA-ILLUSTRATED with 89 plates, proofs before and after 
 letters, on India paper, 6 portraits of Van Dyck, a facsimile, etc. 
 
 88 
 
612. CARTARI (VINCENZO). Imagini delli Dei de 
 gl’ antichi ridotte alle loro reali simiglianze da Lorenzo 
 Pignoria, con le allegorie di Cesare Malfatti. 245 woodcuts 
 representing ancient Gods, etc. 4to, blue levant morocco gilt, 
 gilt top, other edges uNoutT, by Motte. _ Venetia, 1674 
 
 613. CARTARI (VINCENZO). Le Imagini de gli Dei de 
 gli Antichi nelle quali sono descritte la Religione de gli An- 
 tichi, li Idoli, riti, ete. With 88 etchings. Small 4to, half 
 red morocco, gilt top, by Farrell. In Venetia, 1675 
 
 614. CARTWRIGHT (JULIA). The Life and Art of 
 Sandro Botticelli. 42 plates and numerous text illustrations. 
 4to, cloth, gilt top, uncut. New York, 1904 
 
 615. CARTWRIGHT (WILLIAM). The Royall Slave. 
 A Tragi-Comedy. Presented to the King and Queene by the 
 Students of Christ-Church in Oxford. Small 4to, brown 
 levant morocco, gilt back and side borders, ENTIRELY UNCUT, 
 by The Club Bindery. 
 
 Oxford: William Turner for Thomas Robinson, 1639 
 
 * First EDITION: IN UNCUT STATE. Rare. 
 
 616. CARTWRIGHT (WILLIAM). Comedies, Tragi- 
 Comedies, With other Poems, by Mr William Cartwright, 
 late Student of Christ-Church in Oxford, and Proctor of the 
 ‘University. The Ayres and Songs set by Mr Henry Lawes. 
 Portrait by Lombart. Red levant morocco, gilt back and side 
 panels, gilt edges, by Bedford. 
 
 London: Humphrey Moseley, 1651 
 
 * FIRST COLLECTED EDITION, with the rare duplicate leaves 
 (301 to 306), containing the omitted verses. 
 
 617. CASTIGLIONE. (BALDASSARE). [1 Libro del 
 Cortegiano. First Epirion. Folio, green levant morocco, 
 gilt borders of interlacings on the sides, anchor in the centre, 
 gilt edges, by David. Venetia: Aldo, 1528 
 
 618. CASTIGLIONE (BALDASSARE). The Courtier 
 of Count Baldessar Castilio, deuided into foure Bookes. 
 Verie necessarie and profitable for young Gentlemen and 
 Gentlewomen abiding in Court, Pallace, or Place, done into 
 English by Thomas Hobby. Small 4to, blue levant morocco, 
 back and sides covered with rich tooling in a conventional 
 
 foliage and scroll design, gilt edges, by Joly. 
 London: Printed by Iohn Wolfe, 1588 
 * Third edition, and the rarest of all the English editions. 
 Printed in three columns, viz.: Italian in Italics, French in 
 
 Roman, and English in black-letter. 
 
 (See Reproduction. ) 
 89 
 
619. CATHERINE DE MEDICIS: 1519-1589. Avrto- 
 GRAPH LETTER SIGNED, 4 pages, 4to, without place or date 
 (circa 1580). The edges slightly frayed, and a small piece 
 cut from the top of the first page (on which the date may 
 have been written), but not injuring the contents of the letter. 
 
 * A RARE AUTOGRAPH, FULL AUTOGRAPH LETTERS SIGNED OF 
 THE QUEEN BEING ALMOST UNKNOWN. The letter apparently 
 refers to the affairs of the Due d’Alencon, one of her sons and 
 brother of the King Henry III; it was probably written about 
 1580, when the Queen, though deposed from power, was still 
 intriguing, and is therefore of great historical importance. The 
 Wars of the League were devastating France at the time and 
 
 Henry of Navarre had begun campaigning on behalf of the | 
 
 Huguenots. Catherine de Medicis refers to many of the noted 
 leaders of the time in this letter, including ‘‘mon filz’’ (Henry 
 III.), M. de Villeroy, Madame de Montpensier, sister of the 
 Due de Guise and an active Leaguer, M. de Nevers, and others. 
 Catherine de Medicis, artful, cruel and perfidious, was respon- 
 sible for the murder of the Huguenots. The building of the 
 Tuileries is perhaps the sole great monument left by her which 
 can be commended. 
 
 620. CATHERINE II, tom Great.—Mémoires de 1’Im- 
 pératrice Catherine II. Ecrits par elle-méme, et précédés 
 d’une préface par A. Herzen. . . 8vo, half green levant mo- 
 rocco, gilt back, gilt top, uncut, by Petit. Londres, 1859 
 
 * Seven portraits of Catherine inserted. 
 
 621. CATHOLIC RELIGION. An Essay upon the Rea- 
 sonableness and Usefulness of the Catholic Religion. Humbly 
 - offered to the serious Consideration of such Persons, ete. 
 8vo, contemporary English black morocco, back and sides 
 covered with a floral design in pointillé tools, gilt edges. 
 
 London: J. Roberts, 1722 
 
 622. CATLIN (GEORGE). Letters’ and Notes on the 
 Manners, Customs, and Condition of the North American 
 Indians. Written during eight years’ travel amongst the 
 wildest tribes of Indians in North America. In 1832, 733, 
 "34, ’385, 736, ’37, 738, and 789. 400 illustrations. carefully 
 engraved from his original paintings. 2 vols. royal 8vo, half 
 red levant morocco, gilt tops, uncut, by Pratt. London, 1841 
 
 623. CATO (DIONYSIUS). Dionysii Catonis Disticha de 
 Moribus ad Filium, Praeter Sedulam Variantis Lectionis per 
 omnia Conlationem, Lectissimis etiam adornata Floseulis 
 Poéticis. Frontispiece and 4 plates engraved by S. Fokke. 
 8vo, old blue morocco, gilt edges. 
 
 Amsteledami: Franciscum Houttuyn, 1759 
 
 624. CATS (JACOB). Silenus Alcibiadis, sive Proteus, 
 vite humans ideam, emblemate trifariam variato, oculis 
 subijciens. Hngraved frontispreces by F. Schillemans after A. 
 Vander Venne, 153 fine emblematic copper engravings and a 
 folding plate, with text in Latin and Dutch. Middelburgi: 
 Johanne Hellenius, 1618.—Officium Puellarum, in eastis 
 
 90 
 
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 CASTIGLIONE. THE COURTIER, LONDON, 1588. 
 (See No. 618.) 
 
amoribus, emblemate expressum. Full-page copper engrav- 
 ung on the back of title, 44 fine emblematic copper engravings, 
 and a view of a Dutch homestead, with text in Latin, French 
 and Dutch. Middelburgh: H. vander Hellen, 1618.—Self- 
 Stryt, dat is Crachtighe beweginghe van Vlees en Gheest, 
 poétischer wijse verthoont in den persoon ende vytte 
 gheleghentheyt van Joseph, ten tijde hy by Potiphars huys- 
 vrouwe wiert versocht tot overspel. Frontispiece engraved by 
 Jode and Vander Venne. Middelburgh: Hans vander Hellen, 
 1620. Three works in one vol. 4to, old Dutch vellum. 
 
 625. CATS (JACOB). Self-stryt, dat is Crachtige bewe- 
 ginghe van Vlees en Gheest, poétischer wijse verthoont in den 
 persoon ende vytte gheleghentheyt van Joseph, ten tijde hy 
 by Potiphars huys-vrouwe wiert versocht tot overspel. First 
 Epition. frontispiece engraved by Schillemans after A. 
 vande Venne, and 3 engravings by P. de Jode after Vande 
 Venne. 4to, contemporary stamped Dutch vellum. 
 
 Middelburgh, 1620 
 
 * In the same volume is bound the following, also by Cats: 
 
 ‘¢Tooneel vande Mannelicke Achbaerheyt,’’ etc., having 4 very 
 
 fine copper engravings by De Jode and W. Pass after Vande 
 Venne. Middleburgh, 1628. 
 
 626. CATS (JACOB). Hovwelyck: dat is de gansche 
 gelegentheyt des Echten staets. First Epirion. 2 frontis- 
 pieces engraved by P. de Jode after A. Vande Venne, and 37 
 fine copper engravings by A. and J. Matham, D. Bremden and 
 P. Serwouter after Vande Venne, all brilliant impressions. 
 6 parts in one vol. 4to, contemporary stamped Dutch vellum. 
 
 Middelburgh (Amsterdam), 1625 
 
 627. CATS (JACOB). Spiegel van den Ouden ende 
 Nieuwen Tijdt, bestaende uyt Spreeck-woorden ende Sin- 
 spreucken, ontleent van de voorige ende jegenwoordige 
 Heuwe, ete. Frontispiece engraved by D. Van Brembden 
 and 115 fine emblematic copper-engravings, all brilliant m- 
 pressions, by W. Hondius, Crispin Van Queborn, A. Matham 
 and A. Stokius after A. van der Venne, with text in Dutch, 
 Latin and French. 3 parts in one vol. 4to, contemporary 
 stamped Dutch vellum. ’S Graven-Hage, 1632 
 
 628. CATS (JACOB). ’Swerelts begin, midden, eynde, . 
 besloten in den Trov-ringh, met den Proef-steen van den 
 Selven. First Eprrion. 3 frontispieces engraved by Crispin 
 van Queboren after Adrian vande Venne, engraved portraits 
 of Anna Maria Schurman and Cats, the last, a very beautiful 
 one, by Delff after Miereveld, and 51 fine copper engravings, 
 all brilliant impressions, by J. and A. Matham, D. Bremden, 
 C. van Queboren, and others after Vande Venne, J. Olas, 
 S. de Vlieger, F. Hessels, and J. Matham. 4to, contemporary 
 stamped Dutch vellum. Dordrecht, 1637 
 
 91 
 
629. CAUMONT (SEIGNEUR DE). Voyaige d’Oultre- 
 mer en Jhérusalem par le Seigneur de Caumont l’an 
 MCCCCXVII. Publié pour la premiére fois d’aprés le manu- 
 scrit du Musée britannique par le Marquis de La Grange. 
 Facsimile page of the original MS. 8vo, half brown levant 
 morocco gilt, gilt top, uncut, by Capé. Paris, 1858 
 
 630. CAUSEI DE LA CHAUSSE (MICHEL ANGELO). 
 Le Gemme Antiche figurate di Michel Angelo Causeo de la 
 Chausse. frontispiece, and 200 plates. 4to, red straight- 
 
 grain morocco, gilt back and side panels, gilt edges, by - 
 
 Kalthoeber. Roma, 1700 
 
 * From the Hamilton Palace collection. 
 
 631. CAVENDISH .(GEORGE). The Life of Thomas 
 Wolsey, Cardinal Archbishop of York. Edited by F. S. 
 Ellis from the author’s autograph MS. Woodcut borders and 
 wmitials. 8vo, limp vellum, uncut. 
 
 Hammersmith: Kelmscott Press, 1893 
 * One of 250 copies printed in Golden type. 
 
 632. CAXTON (WILLIAM). The History of Godefrey 
 of Boloyne and of the Conquest of Jherusalem. Woodcut 
 borders and wmitials. Folio, vellum, with ties, uncut. 
 
 Hammersmith: Kelmscott Press, 1893 
 
 633. CAYLUS (LA MARQUISE DE). Souvenirs de 
 Madame de Caylus. Préface par Voltaire. Notice de M. de 
 Lescure. Nouvelle édition. Illustrée par Inonel Perauz, 
 gravures au burin et a l’eau-forte par Leon Boisson. 12mo, 
 original covers, uncut. Paris, 1908 
 
 * One of 75 copies on Japan paper, with the etchings in two 
 states, remarque proofs and proofs after letters. 
 
 634. CAXTON (WILLIAM). Sex Quam Elegantissime 
 
 Epistole. Printed by Caxton in 1483; Reproduced in Fac- 
 
 simile by James Hyatt, introduction by George Bullen. 4to, 
 
 cloth, uncut. London, 1892 
 * One of 350 copies. 
 
 635. CAZOTTE (JACQUES). Ollivier, poeme. 12 plates 
 by Godefroy after Lefebre. 2 vols. 18mo, half green morocco, 
 uncut. 3 Paris, 1780 
 
 * Printed on Holland paper. 
 
 636. CAZOTTE (JACQUES). Ollivier, poeme. 12 plates 
 
 by Godefroy after Lefebre. 2 vols. 18mo, old green calf gilt, 
 
 gilt edges. Paris, 1798 
 
 * Large vellum paper copy. 
 
 6387. CAZOTTE (JACQUES). Le Diable Amoreux; 
 Romance fantastique, précédé de sa vie, de son procés, et de 
 ses prophéties et révélations, par Gérard de Nerval. Por- 
 trait, and illustrations by E. de Beaumont. 8vo, half blue 
 morocco, uncut. Paris, 1845 
 
 92 
 
.-- I aaah Late < 
 — ‘ 
 
 638. CEBETES THEBANUS. Tabula, greece et italice. 
 8vo, original boards with paper labels, uNcuT. 
 Parma: Bodoni, 1793 
 
 639. CELESTINA. la Celestine; Tragicomedie, Traduit 
 d’Espagnol en Francois. [By Jacques de Lavardin.] 12mo, 
 old green morocco gilt, gilt edges, probably by Derome. 
 
 Rouen: Theodore Reinsart, 1598 
 * The Labédoyére and Solar copy, mentioned by Brunet. 
 
 640. CELSUS (AURELIUS CORNELIUS). Medicine 
 libri VIII, ete. 4to, brown levant morocco, sides tooled in an 
 interlaced Grolieresque pattern, Aldine anchor in centre, 
 fleurons in the corners, gilt edges, by Thompson of Paris. 
 (Blank corner of title and of few following leaves supplied. ) 
 
 [Colophon] Venetiis: in edibus Aldi et Andree soceri, 1528 ~ 
 
 641. CENTLIVRE (SUSANNA). The Busie Bodie: a 
 comedy. As it is Acted at the Theatre-Royal in Drury-Lane, 
 By Her Majesty’s Servants. 4to, red morocco, gilt edges, by 
 
 The Club Bindery. 
 
 London: Printed for Bernard Lintott [ca. 1702] 
 
 * The first play to bear the author’s name. 
 
 642. CENTLIVRE (SUSANNA). The Dramatic Works 
 
 of Mrs. Centlivre; with a new account of her Life. Portrait. 
 
 3 vols. 8vo, boards, uncut. London: John Pearson, 1872 
 * Large paper copy. 
 
 643. CENT NOUVELLES NOUVELLES. Les Dix Dizaines 
 des Cent Nouvelles Nouvelles reimprimées par les soins de 
 D. Jouaust. Avec Notice, Notes et Glossaire par M. Paul 
 Lacroix. Dessins gravées de Jules Garmer. 10 vols. 8vo, 
 paper covers, uncut. Paris, 1874 
 
 * Holland paper copy, one of 170 so printed. 
 
 644. CERVANTES-SAAVERDA (MIGUEL DE). Per- 
 silés et Sigismonde, ou les pélerins du nord, traduit de l’espag- 
 nol par H. Bouchon Dubournial. Nouvelle édition, revue 
 et corrigée. With 6 plates by Desenne in 2 states. 2 vols. 
 royal 8vo, half orange morocco, gilt and mosaic backs, gilt 
 tops, uncut. Paris, 1822 
 
 * Large paper copy. | 
 
 645. CERVANTES-SAAVERDA (MIGUEL DE). Le 
 Don Quichotte, traduit de 1’Espagnol par H. Bouchon Du- 
 bournial. Nouvelle édition, revue, corrigée, etc. With 12 
 plates by Vernet, Lami and others. 4 vols. royal 8vo, orange 
 levant morocco gilt, gilt edges, by Capé. Paris, 1822 
 
 * LARGE AND THICK PAPER COPY. EXTRA-ILLUSTRATED with a 
 
 duplicate set of the plates, proofs on India paper, 2 portraits, 
 47 plates and 26 vignettes by Smirke, proofs before letters. 
 
 93 
 
646. CERVANTES-SAAVEDRA (MIGUEL DE). El 
 ingenioso hidalgo Don Quijote de la Mancha. Portrait and 
 8 plates engraved by E. Stalker, proofs on India paper, and a 
 map. Thick 16mo, green calf, blind tooled in.‘a cathedral 
 design, the gilt figure of a knight on the centre of cover, gilt 
 back, gilt edges, by Simier. Paris: J. Didot Ainé, 1827 
 
 647. CERVANTES-SAAVEDRA (MIGUEL DE). Don 
 Quixote de la Mancha. ‘Translated from the Spanish of 
 Miguel de Cervantes-Saavedra, by Charles Jarvis, Esq. Care- 
 fully revised and corrected. Illustrated by Tony Johannot, 
 
 and with a few extra plates inserted. 3 vols. royal 8vo, half — 
 
 brown levant morocco gilt, gilt tops, uncut, by Matthews. 
 London, 1837-38-39 
 
 648. CHALLES (ROBERT DE). Les Illustres Fran- 
 coises. Histoires Veritables. Nouvelle édition, augmentée 
 de Mémoires Historiques & Critiques touchant la Vie & les 
 Ouvrages de leur Auteur. Frontispiece and 9 plates by Yver. 
 
 4 vols. in 2, 12mo, brown levant morocco, gilt edges, by 
 
 Hardy. Amsterdam: M. M. Rey, 1748 
 
 649. CHALUSSAY (BOULANGER DE). Elomire Hypo- 
 condre, ou les medecins vengez. Comédie. ~ Frontispiece 
 engraved by Weyen. 12mo, red levant morocco, gilt edges, 
 by Hardy-Mennil. Paris: Charles de Serey, 1670 
 
 650. CHAMBERLAINE (WILLIAM). Loves Victory: a 
 Tragi-Comedy. First Epirion. Small 4to, brown levant 
 morocco, gilt back and edges, by Zaehnsdorf. 
 
 London: Printed by E. Cotes, 1658 
 
 651. CHAMBERLAINE (WILLIAM). Pharonnida: a 
 Heroick Poem. Portrait of the author by Hertochs. First 
 Epition. 12mo, green levant morocco, gilt back and edges 
 by Chambolle-Duru. 
 
 London: Printed for Robert Clavell, 1659 
 
 652. CHAMBLEY (LE SIRE DE—Edmond Haraucourt). 
 La Legende des Sexes. Poemes Hysteriques. 8vo, half cloth, 
 uncut. Bruxelles: pour l’auteur [1883] 
 
 * One of 200 copies, privately printed and not for sale, with 
 the Author’s signature. Inserted are 3 etchings after Rops. 
 
 On page 143 there is an additional signed manuscript poem in 
 the author’s autograph. The Original Edition. Very Rare. 
 
 653. CHAMFORT (S. R. N. DE). Mustapha et Zéangir, 
 tragedie. 8vo. Paris, 1778 
 
 * Old French red morocco gilt, THE ARMS OF MARIE-JOSEPH- 
 INE-LOUISE DE SAVOIE, COMTESSE DE PROVENCE, on the centre of 
 both covers, gilt back and edges, silk linings, by Derome. 
 
 94 
 
654. CHAMISSO (ADELBERT DE). Pierre Schlemihl 
 ou 1’Homme qui 4 perdu son ombre. Suivi d’un choix de ses 
 poésies. Préface par Henry Fouquier. Dessins de Myrbach. 
 Folio, half red morocco gilt, figured satin sides, gilt top, un- 
 cut, original covers bound in, by The Club Bindery. 
 
 * One of 35 copies on Japan paper. Paris, 1887 
 
 695. CHAMPEVILLE (PAUL DE). Les Rebelles. Piéce 
 en trois actes. Nouvelle édition. Tllustrée de onze compo- 
 sitions par A. Robaudi gravées au burin et a l’eau-forte par 
 H. Manesse. Royal 8vo, red levant morocco, rich gilt back 
 and side borders, red silk linings, gilt over uncut edges, origi- 
 nal covers bound in by The Club Bindery. Paris, 1903 
 
 * One of 100 copies on Japan paper, with the plates in two 
 states, remarque proofs and proofs after letters. 
 
 656. CHAMPLAIN (SAMUEL DE). Voyages et Des- 
 covvertvres Faites en la Novvelle France, depuis l’année 1615. 
 iusques @ la fin de l’année 1618. Par le Sieur de Champlain, 
 Cappitaine ordinaire pour le Roy en la Mer du Ponant. Ou 
 sont descrits les mceurs, coustumes, habits, facons de guer- 
 royer, chasses, dances, festins, & enterrements de diuers peu- 
 ples Sauuages, & de plusieurs choses remarquables qui luy 
 sont arriuées audit pais, auec vne description de la beauté, 
 fertilité, & temperature d’iceluy. Second edition. Hngraved 
 title, dated 1619, and six curious copper-plates. Small 8vo, 
 green levant morrocco, gilt back and side borders of leaf 
 sprays, gilt edges, by Pratt. Paris: Claude Collet, 1620 
 
 657. CHANSONS. Sensuyuét plusieurs belles chansons 
 coposees nouuellemt les qlles ne furent iamais Iprimees et se 
 chantent sur diuers chans nouueaux pource quelles sont 
 nouuelles et le nombre dicelles se treuue en la table gst a la 
 fin du present. Imprimees noullement a Paris. [Geneva, 16th 
 Century]. Small 4to, red levant morocco gilt, centre side- 
 
 ornaments, by Capé. Paris, 1838 
 * Vellum Copy. Only 4 copies so issued. Printed in Gothic 
 characters. 
 
 658. CHANSONS FOLLES. Engraved title by Henry 
 Somm. 12mo, red levant morocco gilt, doublures of blue 
 levant emblematically gilt tooled, red silk guards, gilt over 
 uncut edges, with the original covers, by Lortie. 
 
 [Evreux: Charles Herissey, n. d.] 
 
 *One of 75 copies on Japan paper. CONTAINS 69 ORIGINAL 
 WATER-COLOR DRAWINGS by Draner. 
 
 659. CHANTS & Chansons populaires de la France. [ JI- 
 lustrés par plusteurs artistes, avec des notices par MM. Paul 
 Lacroix, Leroux de Lincy et Dumersan.| First EpIrion. 
 4 vols. royal 8vo, blue levant morocco, emblematic back, side 
 
 95 
 
borders of fillets broken at the corners, leaf-spray ornaments, 
 
 gilt edges, by Cuzin. Paris [1843] 
 * Engraved frontispiece-titles and 330 other plates, four to 
 each song. ‘‘La Marseillaise’’? in Volume I is duplicated on 
 
 thick paper. 
 
 660. CHAP-BOOKS. History of the Earl of Derwent- 
 water; History of the Lambton Worm; History of James 
 Allan the Northumberland Piper; Neweastle Songsters, Nos. 
 1, 3, 4, and 5; Sir Robert Bewick and the Laird Graham; 
 The Long Pack; History of Tynemouth; The Factor’s Gar- 
 land; and others. 19 chap-books in 1 vol. 12mo, half roan. 
 
 Neweastle, n. d. [ca. 1820-80] 
 
 * Curious and searee collection, 
 
 661. CHAP BOOKS. The Haughs of Crundel &c.; The 
 Tragedy of Sir James the Rose; The Blackamoor of the 
 Wood; The Woodman; Hills 0’ Gallowa; Soldier’s Dream; 
 Bundle and Go; Sair, sair was my heart; The bonny lass of 
 Banaphie; The Duke of Gordon’s Daughters; Allan Tine 
 O’Harrow; Welcome Charlie o’r the Main; and five others. 
 17 pieces in 1 vol. 12mo, half roan, uncut. Stirling, 1826 
 
 662. CHAP-BOOKS AND FOLK-LORE TRACTS. Edited 
 by G. L. Gomme and H. B, Wheatley. Includes: The His- 
 tory of Thomas Hickathrift, The History of the Seven Wise 
 Masters of Rome, Mother Bunch’s Closet newly broke open 
 and the History of Mother Bunch of the West, The History 
 of Patient Grisel, The History of Sir Richard Whittington. 
 5) vols. 4to, vellum, gilt tops, uncut. 
 
 London: Printed for the Villon Society, 1885 
 * All Large paper copies. Complete set. 
 
 663. CHAPELAIN (JEAN). La Pveelle; ov, la France 
 delivree: Poéme heroique par M. Chapelain. Frontispiece 
 and 12 plates by A. Bosse after C. Vignon, and several vi- 
 gnettes, repeated. Folio, red levant morocco, gilt back, gilt 
 edges, by Louise Reymann. In a ease. 
 
 Paris: Augustin Courbé, 1656 
 
 * First EpITIon of half of an epic on Jeanne d’Are. The 
 manuscript of the second half remains unpublished in the Biblio- 
 théque Nationale. According to Brunet, this copy lacks the 
 portraits of Chapelain and the Duc de Longueville, by Nanteuil. 
 
 664. CHAPMAN (GEORGE). Bussy D’Ambois: a Tra- 
 gedie; As it hath been often presented at Paules. First 
 Epition. Small 4to, orange levant morocco, back and sides 
 richly tooled in scroll and arabesque, gilt edges, in a brown 
 
 morocco case, by Zaehnsdorf. (Autograph of H. M. King on — 
 
 title, slight repairs to same.) 
 London: Printed for William Aspley, 1607 
 
 96 
 
665. CHAPMAN (GEORGE). Homer Prince of Poets: 
 Translated according to the Greeke, in twelve Bookes of his 
 Ihads, by Geo. Chapman. Engraved title by Hole (re- 
 margined). Small folio, Limp VELLUM, in a levant morocco 
 slip case. (Several margins slightly wormed and leaf of the 
 dedicatory poem to Queen Anne re-margined. ) 
 
 In London, printed for Samuel Macham [about 1610] 
 * First EpITIon of books 8 to 12. The first seven books were 
 
 published in 1598. This copy contains the blank leaves CC4 
 and F2, not always found. 
 
 666. CHAPMAN (GEORGE). An Epicede or Funerall 
 Song: On the most disastrous Death, of the High-borne Prince 
 of Men, Henry Prince of Wales, &. With The Funeralls, 
 Representation of the Herse of the same High and mighty 
 Prince, &c. Small 4to, very dark-blue levant morocco, back 
 and sides blind-tooled, gilt edges, by The Club Bindery. 
 
 London: Printed by T. S. for Iohn Budge, 1612 
 
 * First EDITION, containing the Dedication, often lacking. 
 
 667. CHAPMAN (GEORGE). The Conspiracie, And 
 Tragedy of Charles Dvke of Byron, Marshall of France. 
 Acted lately in two Playes, at the Blacke-Friers, and other 
 publique Stages. Small 4to, red straight-grain morocco, gilt 
 
 back and sides, gilt edges, by Riviére. 
 
 : London: Printed by N. O. for Thomas Thorp, 1625 
 
 * Second edition; with the separate title to each part. Pas- 
 sages in this play were objected to by the French Government. 
 
 668. [CHAPMAN (GEORGE).] The Warres of Pompey 
 and Caesar. Out of whose euents is euicted this Proposition. 
 Only a iust man is a freeman. By G. C. 4to, red levant 
 morocco gilt, gilt edges, by Bedford. 
 
 London: Printed by Thomas Harper, 1631 
 
 *Second edition, according to most of the authorities; first, 
 
 according to Lowndes and Hazlitt. Chapman’s full name is 
 signed to the dedication. 
 
 669. CHAPMAN (GEORGE). The Comedies and Trag- 
 edies of George Chapman now first collected with illustrative 
 notes and a memoir of the author. 3 vols. 8vo, boards, uncut. 
 
 * Large paper copy. London, 1873 
 
 670. CHARLES I. Eixwy BaowWsixyn. The Pourtraicture 
 of His Sacred Maiestie in his Solitudes and sufferings. Mold- 
 ing frontispiece representing King Charles I in prayer, en- 
 graved by Marshall. 8vo, contemporary calf (restored). 
 Last blank leaf missing. [n. p.| 1648 
 
 * THE RARE GENUINE FIRST ISSUE, with the usual errors of 
 
 pagination in Signature G. 
 THICK PAPER COPY. VERY RARE. 
 
 97 
 
671. CHARLES I. Various Pamphlets, as follows :—(1) 
 The Declaration and Resolution of the Prince of Wales upon 
 the Death of his Royall Father. Edin. 1649; (2) A Hand- 
 kirchife for Loyall Mourners, or a Cordiall for Drooping 
 Spirits groaning for the bloody Murther of our King. Lond. 
 1649; (3) A Letter writtert out of the Countrey to a Parlia- 
 ment-Man. London. 1649; (4) God and the King. 1649; 
 (5) An Extract of the Resolutions of the States of Holland 
 and West-Friezeland [on their actions on behalf of Charles 
 II.]. Lond. 1649; (6) An Appeal against Tho. Lord Fairfax. 
 By Capt. W. Bray, Lond. 1649 [a remonstrance from the 
 army]; (7) A Proclamation of his Excellency, Tho. L. Fair- 
 fax, L. Gen. [requiring all royalists to leave London in 24 
 hours]. Lond. 1649; (8) A Vindication of the Imprisoned 
 and Secluded Members of the House of Commons. Lond. 
 1649; (9) The Several Speeches of Duke Hamilton Earl of 
 Cambridg, Henry Earl of Holland, and Arthur Lord Capel, 
 upon the Seaffold. Lond. 1649; (10) A Manifestation from 
 Lieut. Col. John Lilburn, Mr. William Walwyn, Mr. Thomas 
 Prince, and Mr. Richard Overton, now Prisoners in the Tower. 
 Lond. 1649; (11) The Resolution of the Army, concerning 
 the King, Lords, and Commons. Small 4to, brown morocco, 
 blind and gilt tooling, gilt edges. (Several leaves of last- 
 named pamphlet repaired. ) Edinburgh and London, 1649 
 
 * An extremely rare collection of pamphlets. 
 
 672. CHARLES I. A Catalogue of Description of King 
 Charles the First’s Capital Collection of Pictures, Limnings, 
 Statues, Bronzes, Medals, and other Curiosities. Now first 
 published from an Original Manuscript ... by the late in- 
 genious Mr. Vertue. 4to, crimson straight-grain morocco 
 gilt, gilt edges, by Riviére. (Initials on title.) 
 
 London: Printed for W. Bathoe, 1757 
 
 * Said to have been in the possession of W. Buchanan, author 
 of Memoirs of Printing, with several MS. annotations by him. 
 
 673. CHARLES IJ.—Monarchy Revived; being the per- 
 sonal history of Charles the Second, from his earliest years to 
 his restoration to the throne. Reprinted from the edition of 
 1661. With fourteen portraits. Royal 8vo, red polished 
 ealf gilt, gilt top, uncut, by Wm. Matthews. . 
 
 London: printed for Charles Baldwyn, Newgate Street 
 [1822]. 
 
 * A large-paper copy, with proofs of the portraits on India 
 paper, by R. Cooper after Faithorne, Mignard, Nason, ete. 
 
 674. CHARLET (NICOLAS TOUSSAINT). An Album 
 of forty-four original lithographs, by Charlet. Oblong 4to, 
 _ half red levant morocco, by Capé. {Paris} [maa 
 
 98 
 
675. CHARNOIS (JEAN CHARLES LE VACHER DE). 
 Costumes et Annales des Grands Théatres de Paris, accom- 
 pagnés de notices intéressantes et curieuses. Ouvrage peri- 
 odique. 177 plates, for the most part in colors, depicting 
 actors and actresses in their favorite characters, historic cos- 
 tumes, etc., engraved by Janinet after Le Barbier, Desrais, 
 and others. 1 vols. 8vo, green levant morocco gilt, gilt edges, 
 by Chambolle-Duru. - Paris, 1786-89 
 
 * The first three years have forty-eight numbers, the fourth 
 only thirty-three. 
 
 676. CHARNOIS (JEAN CHARLES LE VACHER DE). 
 Recherches sur les Costumes et sur les Théatres de toutes les 
 nations tant anciennes que modernes. Portrait, frontispiece- 
 litle, and 53 other plates, MOSTLY PRINTED IN COLORS AND 
 PROOFS BEFORE ALL LETTERS. First Epirion. 2 vols. 4to, 
 green levant morocco gilt, gilt tops, uncut, by Riviére. 
 
 Paris, 1790 
 
 677. CHARRON (PIERRE). De la Sagesse, trois Livres 
 par Pierre Charron. Engraved title-page. 12mo, black 
 straight-grain morocco, gilt back and sides, silk linings, gilt 
 edges, by Simier. A Leide: chez Jean Elsevier [1659] 
 
 678. CHARRON (PIERRE). De la Sagesse, trois Livres. 
 THIRD ELZEVIR EDITION. 12mo, red levant morocco, gilt back, 
 gilt edges, by Duru. Leide: chez Jean Elsevier [1659] 
 
 * Identical with the 1656 edition, except for the dedication 
 and the newly engraved frontispiece. This copy has the final 
 blank leaf. . 
 
 679. CHARTIER (ALAIN). Les fais maistre alain | Char- 
 tier notaire et se- | cretaire du Roy char- | les vie [Colophon] 
 ... . Imprime | en la ville de paris par honnourable homme | 
 maistre pierre le caron expert en lart de im | pression demour- 
 ant en la grant rue du tem | ple ioingnat a saincte auoye 
 faisat le coing | de la rue geffroy langeuin. Le. v. iour de 
 sep | tembre. Lan mil. i1ij¢ 111** et noeuf. Lettres batardes, 
 doubles columns, 36 lines to the page; 162 unnumbered leaves 
 with signatures. Rubricated throughout and initrals painted 
 m red and blue. With a woodcut printed twice. Folio, red 
 levant morocco, by Trautz-Bauzonnet. Margin of one leaf 
 repaired, upper corners of a few leaves skilfully supplied and 
 blank leaf 78 missing. Paris: Pierre le Caron, 1489 
 
 * THE RARE First Epirion. As the collation of Hain (no. 
 4912) and Copinger (no. 4912) is not correct, we give here the 
 right one: a-d8, e6, f-g8, h6, i10, k8 (last blank), A-D8, K6, 
 F-G8, H6, I-L8—162 leaves. A large copy. 
 
 680. CHATTERTON (THOMAS). Poems, supposed to 
 have been written at Bristol, in the fifteenth century, by 
 Thomas Rowley, Priest, etc. With a commentary by Jeremiah 
 Milles. 4to, green straight-grain morocco, gilt edges. 
 
 * The Thomas Jolley copy. London, 1782 
 
 99 
 
681. CHATTERTON (THOMAS). The Poetical Works 
 of Thomas Chatterton with Notices of his Life, history of the 
 Rowley controversy, a selection of his letters, and notes eriti- 
 eal and explanatory. Engraved title and 3 facsimiles. 2 vols. 
 12mo, half brown morocco, gilt top, uneut. Cambridge, 1842 
 
 * Large paper copy. 
 
 682. CHATTO (WILLIAM ANDREW). Scenes and 
 Recollections of Fly-Fishing, in Northumberland, Cumber- 
 land, and Westmoreland. Nwmerous woodcuts. 12mo, cloth, 
 uneut. . London, 1834 
 
 6838. [CHATTO (WILLIAM ANDREW).] The Angler’s 
 Souvenir, by P. Fisher, Esq, [William Andrew Chatto] 
 Assisted by several eminent Pisecatory Characters. Illustra- 
 tions by Beckwith & Topham. Engraved ttle, dedication, 
 and 31 steel plates on India paper, and woodcut borders. 
 Small 8vo, green morocco gilt, gilt top, uncut, by Matthews. 
 
 London, 1835 
 
 684. CHAVETTE (EUGENE). Les petits drames de la 
 vertu pour faire suite aux petites comédies du vice par Hu- 
 géne Chavette. Illustrations de Kauffmann et Bmile Lévy. 
 
 12mo, half red morocco, gilt top, uncut, original covers bound 
 in. - Paris, 1882 
 
 685. CHAVETTE (EUGENE). Les petites comédies du 
 vice. 8 eaux-fortes de Benasstt et 14 gravures. . Nouvelle 
 
 édition. 12mo, half red morocco, gilt top, uncut, original - 
 
 covers bound in. Paris, 1882 
 
 686. CHAUCER (GEOFFREY). Works. First CoLuEcTEp 
 Epition. Apparently having been used to complete another 
 copy, it lacks title and many leaves, and is in poor condition. 
 With the original front and back cover of wooden boards 
 
 covered with blind stamped leather, the back missing. Folio. 
 London, 1532 
 
 687. CHAUCER (GEOFFREY). The workes of Geffrey 
 Chaucer, newlie printed, with divers addicions, which were 
 never in print before: With the siege and destruccion of the 
 worthy Citee of Thebes, compiled by John Lidgate, Monke of 
 Berie. 1561. Folio, brown levant morocco, gilt by F. Bed- 
 ford. 
 
 [Colophon.] Imprinted at London, by Jhon Kyngston, 
 for Jhon Wight, 1561. 
 
 * One of Stowe’s editions, with the same title as the First 
 Tssue; with Grafton’s device, but without the portrait of 
 Chaucer, and without the woodcuts to the ‘‘ Prologues.’’ There 
 are 10 preliminary leaves. Tall copy, measuring 12% x 8% in, 
 
 688. CHAUCER (GEOFFREY). The Workes of our 
 ancient and learned English Poet, Geffrey Chaucer, newly 
 printed. To that which was done in the former Impression, 
 
 100 
 
 ae 
 x 
 4 
 
thus much is now added. 1. In the life of Chaucer many 
 things inserted. 2. The whole worke by old Copies reformed, 
 ete. Title within an architectural woodcut border, and en- 
 graved portrat of Chaucer (‘The Progenie of Geffrey 
 Chaucer’’). Folio, dark brown levant morocco, gilt edges, 
 by Joly. First blank leaf missing. 
 
 London: Printed by Adam Islip, 1602 
 
 * Speght’s Second Edition. 
 
 689. CHAUCER (GEOFFREY) anp SIR FRANCIS 
 KINASTON. Amorum Troili et Creseide. Libri duo priores 
 Anglico-Latini. Tvtle within woodcut border. Small 4to, 
 brown calf, gilt edges, by Riviére. 
 
 Oxonie: Johannes Lichfield, 1635 
 
 * Published by Sir Francis Kinaston, the English text in 
 Gothic type on the right, the Latin translation in italics on the 
 left. As it did not meet with encouragement, the three remain- 
 ing books, with notes on the whole, never appeared. 
 
 690. CHAUCER (GEOFFREY). The Canterbury Tales 
 of Chaucer; with an Essay upon his language and versifica- 
 tion, an introductory discourse, notes and a glossary by 
 T. Tyrwhitt. Portrait and wgnette titles. 5 vols. 8vo, red 
 levant morocco, richly gilt backs, side panels, doublures of 
 blue morocco with gold borders, gilt tops, uncut, by Joly. 
 
 London: Printed for W. Pickering, 1822 
 
 * One of fifty copies on large paper. With Stothard’s en- 
 graving of the ‘‘Canterbury Pilgrims’’ in two states—an 
 unfinished engraver’s proof, and a completed proof on India 
 
 paper. 
 
 691. CHAUCER (GEOFFREY). The workes of Geffray 
 Chaucer newly printed, with dyuers workes whiche were never 
 in print before: As in the table more playnly dothe appere. 
 Folio, brown levant morocco, gilt back, doublure of red 
 morocco, rich gilt border, gilt edges, by Joly. (Sig. Ai re- 
 margined at back.) 
 
 [Colophon.] Imprinted at London by Rycharde Kele, 
 dwellynge in Lombarde streete nere unto the stockes market 
 at the sygne of the Egle. (n. d.) 
 
 * Third collected edition, probably issued about 1550. ‘Tall 
 copy measuring 124% x 7% in. 
 
 692. CHAUCER SOCIETY PUBLICATIONS. First 
 Series Nos. 21-24, 30-47, 49-55, 57-61, 63-65, 73, 75-81, 83, 84. 
 Autotypes in portfolio, Nos. 48 and 62. Second Series Nos. 
 6, 8-28. Facsimiles and reproductions. Together, 69 vols. 
 and a portfolio, oblong 4to and 8vo, original wrappers, uncut. 
 
 London, 1871-91 
 
 * Among the publications are A Parallel-Text Edition of 
 Chaucer’s Minor Poems, with a Supplement, edited by F. J. 
 Furnival, 5 vols.; The Same for Chaucer’s Trolius and Criseyde, 
 2 vols.; A One Text Print of Chaucer’s Minor Poems, 2 vols.; 
 Odd Texts of Chaucer’s Minor Poems, 2 vols.; Chaucer’s 
 
 101 
 
‘“Boece’’; The Harleian MS of the Canterbury Tales; John 
 Lane’s continuation of Chaucer’s ‘‘Squire’s Tale,’’ 2 vols.; 
 Kittredge ’s Observations on the Language of Chaucer’s Troilus; 
 etc., etc, 
 
 Owing to the lack of the first volumes of this series, many of 
 the separate works are incomplete, and contain only the last 
 parts. 
 
 693. CHAUSSARD (PIERRE JEAN BAPTISTE). Fétes 
 et Courtisanes de la Gréce; Supplément aux Voyages 
 d’Anacharsis et d’Antenor; comprenant 1°. La Chronique 
 Religieuse des anciens Grecs, Tableau de leurs Mceurs publi- 
 ques 2°. La Chronique qu’ aucuns nommeront scandaleuse, 
 Tableau de leurs Mceurs privées. Four plates by Michel after 
 Garnerey, two plates of music, a folded Atheman almanac, 
 and a planisphere of the labours of Hercules, engraved by 
 Seller. First Epirion. 4 vols. 8vo, maroon levant morocco 
 gilt; gilt tops, uncut. Paris, 1801 
 
 694. CHESTERFIELD TRAVESTIE; or, School for 
 Modern Manners. Embellished with ten colored caricatures, 
 engraved by Woodward from original Drawings by Row- 
 landson. 12mo, calf, gilt top, uncut, original covers bound 
 in, by Riviere. London: Printed by T. Plummer, 1808 
 
 695. CHEVALIER (LE) au Cygne et Godefroid de Bouil- 
 lon, poéme historique, publé pour la premiére fois avee de 
 nouvelles recherches sur les légendes qui ont rapport a la 
 Belgique, un travail et des documents sur les Croisades; par 
 le baron de Reiffenberg. 4 vols. 4to, half morocco. 
 
 Bruxelles, 1846-59 
 
 696. CHEVIGNE (AUGUSTIN RENE, COMTE DB). 
 Les Contes Rémois. Dessins de E. Meissonier. Troisiéme 
 édition. 12mo, red levant morocco, back and sides tooled in 
 fillets, dots, &c., doublure of blue morocco with gilt borders 
 and centre ornaments, gilt over rough edges, by Chambolle- 
 Duru. Paris, 1858 
 
 * Tllustrations include,—2 portraits by Buland after Meis- 
 sonier, 42 woodcuts, and (inserted) a portrait of the artist from 
 his own painting, engrav ed by T. C. ais The First Edi- 
 tion with Meissonier’s illustrations. 
 
 697. CHEVIGNE (AUGUSTIN RENE, COMTE DE). 
 Les Contes Rémois. Dessins de E. Meissomer. 12mo, blue 
 levant morocco, back and sides tooled in the Roger Payne 
 
 style, gilt edges. original covers bound i in, by Rousselle. 
 Paris, 1858 
 
 * Also the First Edition with Meissonier’s illustrations. 
 
 698. CHEVIGNE (AUGUSTIN RENE, COMTE DE). 
 Les Contes Rémois. Dessins de E. Meissonier. 8vo, green 
 levant morocco, back and sides covered with interlacing 
 mosaic bands of red morocco outlined in gold, rose morocco, 
 
 102 
 
ornamented with a panel formed of green mosaic bands, 
 
 richly tooled in garlands of roses and scroll ornaments in 
 
 Louis XV style, green silk guards, gilt over uncut edges, by 
 Mercier. Exhibited at the Exposition Universelle, 1900. 
 
 Paris, 1858 
 
 * Large Paper copy of the first ‘‘Meissonier’’ edition, on 
 
 Holland paper, only 40 so issued, with a plate by Buland 
 after Foulquier inserted. In half levant case. 
 
 699. CHEVIGNE (AUGUSTIN RENE, COMTE DBE). 
 Les Contes Rémois. Dessins de Meissonier & autres. Royal 
 8vo, half red morocco, gilt top, uncut. Paris, 1868 
 
 * This edition contains several additional ‘‘contes.’’ 
 
 700. CHEVRIER (FRANCOIS ANTOINE). Le Col- 
 porteur; Histoire morale et critique. Almanach des Gens 
 d’Esprit; Calendrier pour l’année 1762 & le reste de la vie: 
 publie par L’Auteur du Colporteur. In one volume. 12mo, 
 red levant morocco, gilt edges, by Niédrée. 
 
 Londres, Jean Nourse [n. d.] 1762, &e. 
 
 * FIRST EDITIONS. 
 
 701. CHOISY (FRANCOIS TIMOLEON DE). Histoire 
 de Madame la Comtesse des Barres. A Madame la Marquise 
 de Lambert. First Epirion. 12mo, red levant morocco, gilt 
 back, uncut, by Trautz-Bauzonnet. Bruxelles, 1736 
 
 702. [CHOISY (FRANCOIS TIMOLEON DE).|]  His- 
 toire de Madame la Comtesse des Barres. First Epirion. 
 12mo, green levant morocco, gilt back, uncut, by Trautz- 
 Bauzonnet. Bruxelles, 1736 
 
 703. CHOLIERES (NICOLAS DE). Les Contes, et Dis- 
 cours Bigarrez. Déduits en neuf Matinees. [és Apresdinées 
 du Carniual]. Ruled in red ink. 2 vols. 12mo, blue levant 
 morocco gilt, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: Antoine du Brueil, 1611 
 
 704. CHORIER (NICOLAS). les Dialogues de Luisa 
 Sigea sur les arcanes de l’amour et de Vénus ou Satire Sotad- 
 ique de Nicolas Chorier Prétendue écrite en Espagnol par 
 Luisa Sigea et traduite en Latin par Jean Meursius. 4 vols. 
 12mo, original paper covers, uncut. 
 
 Imprimé a cent exemplaires Pour Isidore Liseux et ses 
 amis. Paris, 1882. 
 
 705. CIBBER (COLLEY). Love’s Last Shift; or, the Fool 
 in Fashion. A Comedy. First Enprrion. Small 4to, red 
 levant morocco gilt, gilt edges, by David. 
 
 London: Printed for H. Rhodes, 1696 
 
 108 
 
706. CIBBER (COLLEY). The Careless Husband.. A 
 Comedy. As it is acted at the Theatre Royal. Small 4to, 
 sprinkled calf; with the half-title. 
 
 London: Printed for William Davis, 1705 
 * First Epirion. Col. F. Grant’s copy, with his bookplate. 
 
 707. CIBBER (COLLEY). The Comical sioveraseees 
 eomedy. Acted by Subscription at the Queens’s Theatre in 
 the Hay-Market. First Eprrion. Small 4to, blue levant mo- 
 rocco gilt, gilt edges, by The Club Bindery. 
 
 London: Printed for Bernard Lintott [1707] 
 
 708. CIBBER (COLLEY). The Rival Fools. A com- 
 edy. <As it is Acted at the Theatre-Royal in Drury-Lane. 
 By Her Majesty’s Sworn Comedians. Written by Mr. Cibber. 
 First Epirion. Small 4to, blue levant morocco, gilt edges, 
 by The Club Bindery. 
 
 London: Printed for Bernard Lintott [1709] 
 
 709. [CIBBER (COLLEY)?]  Cinna’s Conspiracy. <A 
 Tragedy. As it is Acted at the Theatre-Royal in Drury- 
 Lane, by Her Majesty’s Servants. Small 4to, blue levant 
 morocco gilt, gilt edges, by Zaehnsdorf. 
 
 London: Printed for Bernard Lintott, 1713 
 
 * First Epirion. Ascribed to Cibber, who spoke the Prologue. 
 
 710. CIBBER (COLLEY). An Apology for the Life of 
 Mr. Colley Cibber, comedian, and late Patentee of the The- 
 atre-Royal. With an Historical View of the Stage during 
 his Own Time. Portrait of Cibber by Vander Gucht after 
 Vanloo (fine wmpression). First Epirion. 4to, blue levant 
 morocco gilt, gilt top, uncut (margin of portrait repaired), 
 by The Club Bindery. London: John Watts, 1740 
 
 711. CIBBER (COLLEY). A Letter from Mr. Cibber, 
 to Mr. Pope, Inquiring into the Motives that might induce 
 him in his Satyrical Works, to be so frequently fond of Mr. 
 Cibber’s Name. Out of thy own Mouth will I judge thee. 
 Pref. to the Dunciad. 8vo, half brown morocco, figured silk 
 sides. London, Printed: And Sold by W. Lewis. 1742 
 
 * First issue of the first edition. The letter is dated July 7 
 1742. 
 
 712. CIBBER (COLLEY). A Blast upon = Bays; or 
 New Lick at the Laureat. Containing, Remarks upon a late 
 tattling performance, entitled, A Letter from Mr. Cibber to 
 Mr. Pope, &c. 8vo, half morocco. Writing on title. 
 
 London, 1742 
 
 713. CIBBER (COLLEY). The Dramatic Works. Por- 
 trait by Miller. 5 vols. 12mo, red levant morocco gilt, gilt 
 tops, by David. London, 1777 
 
 104 
 
4 
 A 
 2 
 } 
 . 
 
 714. CICERO. Tusculanarum questionum libri V. 
 Roman characters, 33 lines to the page. 85 unnumbered 
 leaves, without signatures and catchwords. With 5 orna- 
 mental initials illuminated in gold and colors. Folio, old 
 
 blue morocco gilt, gilt edges. Venetiis: Nicholaus Jenson, 1472 
 
 * PRINTED ON VELLUM. VERY RARE IN THIS STATE, NOT MORE 
 THAN A HALF DOZEN COPIES, INCLUDING THE PRESENT, BEING 
 KNOWN. Hain, 5313; Proctor, 4088. 
 
 (See Reproduction.) 
 
 715. CICERO. Rhetoricorum ad C. Herennium lib. IIIT; 
 De Inventione lib. If; De Oratore lib. III; De Claris Ora- 
 toribus lib. I; Orator lib. I, ete. 4to, old English red mo- 
 rocco gilt, Aldine anchor on sides, gilt edges. Title inlaid 
 and lower margin of a leaf supplied, otherwise clean and 
 large copy. From the Syston Park library. 
 
 Venetiis: haeredes Aldi Manutii Romani, et Andreae 
 Asulani, 1533. 
 
 716. CICERO. De Oratore ad Quintum fratrem dialogi 
 tres, Jacobi Lodoici Strebaei Rhemensis copiosis et numquam 
 antea excusis commentarus ilustrati. Title within a woodcut 
 border. Folio, old dark brown morocco, THE ARMS OF COUNT 
 DE Hoym stamped in gold in the centre of both covers, and 
 his crowned monogram repeated six times on the panels of the 
 back; doublures of citron morocco, with gilt dentelle borders, 
 silt edges, by Padeloup le Jeune, with his ticket on title. 
 
 Parisiis: ex Officina Michaelis Vascosani, 1540 
 
 717. CICERO. Orationes, corrigente Paulo Manutio. 3 
 
 vols. 8vo, red levant morocco gilt, gilt edges, by F. Bedford. 
 Venetiis: apud Aldi Filios, 1546 
 
 718. CICERO. Les Philippiques translatées de Latin en 
 Francoys par l’esleu Macault. Full-page woodcut represent- 
 ing the author presenting lis book to Francis I, and a plate 
 of arms. Small folio, limp vellum with ties, supplied at a 
 later date. Poictier: a l’enseigne du Pelican, 1549 
 
 719. CICERO. Epistolarum selectarum libri tres, editi in 
 usum scholarum Hollandizw et West-Frisiz. 8vo. 
 Amstelodami: apud L. & D. Elzevirios, 1657 
 
 * Half morocco, gilt top, OTHER EDGES UNCUT AND UNOPENED. 
 
 720. CICERO. Les Lettres de Ciceron a Atticus. |tra- 
 duites en -Francais par ]’Abbé C. Vischard de Saint-Réal et 
 Vabbé N. H. Mongault] Troisiéme Edition. Portrait en- 
 graved by Vermeulen. Ruled in red ink. 2 vols. 12mo, old 
 olive green morocco, doublure of citron morocco, gilt edges. 
 
 Paris: Christophe David, 1701 
 
 721. CLADEL (LEON). Petits Cahiers. Illustrations de 
 Gambard. 4to, half red levant morocco gilt, gilt top, uncut, 
 original covers bound in, by Fonteney. Paris, 1885 
 
 * One of 15 copies on Japan paper. 
 105 
 
722. CLARENDON (EDWARD HYDE, EARL OF). 
 Religion and Policy and the countenance and assistance each 
 should give to the other. With a Survey of the Power and 
 Jurisdiction of the Pope in the Dominions of other Princes. 
 First Epition. 2 vols. royal 8vo, red levant morocco gilt, 
 si top, uneut, by Bedford. Oxford: Clarendon Press, 1811 
 
 * One of 50 large paper copies. 
 
 723. CLARENDON (EDWARD HYDE, EARL OF). 
 The History of the Rebellion and Civil Wars in England to 
 which is added an Historical View of the Affairs of Ireland. 
 A new edition, exhibiting a faithful collation of the Original 
 MS., with all the Suppressed Passages; also the Unpublished 
 Notes of Bishop Warburton. Edited by Dr. Bandinel. 
 8 vols. royal 8vo, red levant morocco gilt, gilt tops, uncut, by 
 Bedford. Oxford: Clarendon Press, 1826 
 
 * One of 50 large paper copies. 
 
 724. CLARENDON (EDWARD HYDE, EARL OF). 
 The Life of Clarendon, Lord High Chancellor of England, 
 and Chancellor of the University of Oxford: in which is in- 
 cluded a Continuation of his History of the Grand Rebellion. 
 Written by himself. A new edition, exhibiting a faithful 
 collation of the original MS., with all the suppressed passages. 
 3 vols. 8vo, red levant morocco, gilt back, gilt tops, uncut, by 
 Bedford. Oxford: Clarendon Press, 1827 
 
 * Large paper copy, with a letter from the Harl of Claraudia 
 to Sir John Shaw inserted. 
 
 725. CLARETIE (JULES). Bibliothéque Originale. Pétrus 
 Borel le Lycanthrope, sa vie, ses écrits, sa correspondance, 
 poésies et documents. Frontispiece a l’eau-forte avec por- 
 trait de Ulon. 16mo, half levant morocco, gilt top, uncut. 
 
 Paris, 1865 
 
 * One of 15 copies on India paper, frontispiece in 3 states. 
 
 726. CLARETIE (JULES). Un Enlévement au XVIIIe 
 siécle. Documents tirés des Archives nationales. 12mo, half 
 blue levant morocco, scroll back, figured blue satin sides, gilt 
 top, uncut, original covers bound in, by The Club Bindery. 
 
 Paris, 1882 
 
 * One of a few copies on Holland paper, with etched frontis- 
 piece in two states, black and red. 
 
 727. CLARETIE (JULES). Explication. Illustrée par 
 A. Robida. Ato, half pigskin, gilt top, uncut, original covers 
 bound in. Paris, 1894 
 
 * One of 50 copies on Japan paper. Inserted is an autograph 
 letter from the author. 
 
 728. CLARETIE (JULES). Le Prince Zilah. Tllustra- 
 tions de Calbet, Decona et Boyd. Narrow 8vo, half green 
 levant morocco gilt, gilt top, uncut, original covers bound in, 
 by The Club Bindery. Paris, 1898 
 
 * One of 50 copies on Japan paper. 
 106 
 
MARCI TVLLII CICERONIS TVSCVLAV 
 NARVM QVAESTIONVM LIBER PRIMVS. 
 
 Vm defenfionti laboribus: fenatoniifg; 
 muneribus aut omnino:aut magna ex 
 
 Brute te hortante maxime ad ea {tudia: | 
 
 qu retenta animo: remiffa téponbus: 
 
 longo interuallo intermiffa reuocaui . 
 
 “Et cum omnium artium : quaad rectam uiuendi uiam 
 
 _ pertinerent:ratio &'difciplina {tudho fapientiz: qua phi 
 lofophia dicitur : contineretur : hoc mihi latius litteris 
 iluftrandum putaui:non quia philofophia grecis & liis 
 
  & doétombus percipi non poffet:Sed met iudicit f emper 
 fuit:omnia noftros aut iveniffe per fe fapietius g gracos: 
 
 aut accepta ab illis fecifle meliora : quz quidem digna 
 
 | ftaruiffent:in quibus elaborarent. Nam mores & iftituta: 
 ‘uta : refq; domefticas:ac familiares nos profecto melius 
 --tuemur:& lautius.Rem uero publica noftri maiores certe 
 
 melronbus temperauerunt:& mmflatucs:& legibus . Quid 
 
 loquar dere militari‘in qua cum uirtute noftrimuleum 
 
 ualuertit:tt plus etiam difciplina. la illa quz.natura non 
 
 _ hiteems affecuri funt:neq; cum gracia : neq; ulla cu gente. 
 
 fac conferenda,Q ux.n.tanta grauitas:qua tata coltaua: 
 
 ___magnitudo animu:probieas : fides : quz tam excellensin 
 
 omni genere uirtus inullis fui : uc fic cum. matoribus 
 -noftris cOparanda ¢ Doctrina gracia nos & omni litteragz 
 génete fuperabat : i quo erat facile uicere no repugnates. 
 
 _ Namcum apud gracos antiquiflimum edoctis {1s genus 
 _ poerarum : fiquidem Homerus fit: & Hefiodus ante 
 romam conditam: Archilochus regnante Romulo:ferius. 
 poeticam nos accepimus. Annis fere.cccc.x.poft romam, 
 conditam Liuius fabulam dedit Caio Claudio Cacti filio. 
 
 CICERO. TUSCULANARUM QUAESTIONUM. VENETIIS, 1472. 
 (See No. 714.) 
 
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 729. CLASSIQUES. Collection de Petits Classiques Fran- 
 cais. Relation des Campagnes de Roecroi et de Fribourg 
 (Bessé) ; Fables (Fénélon) ; Conjuration de Comte de Fi- 
 esque (Cardinal de Retz) ; Giuvres choisis de Sénéce; Divers 
 Petits Poésis D’Aceilly) ; La Guirlande de Julie (De Mont- 
 ausier); Voyage de Chapelle et de Bachaumont: (Suvres 
 Choisis de Sarrazin. 8 vols. 16mo, half maroon morocco 
 (faded), uncut, by Thouvenin. Paris: Didot ainé, 1825-26 
 
 * Several on Holland paper and limited to 500 copies. 
 
 730. CLEMENT (NICOLAS). Austrasizw Reges et Duces 
 Epigrammatis descripti. Vignette on title with the arms of 
 Lorraine, and 63 medallion portraits of Emperors and Dukes 
 of the House of Lorraine, engraved on copper. 4to, red levant 
 morocco, the sides richly tooled and gilt to a Grolieresque pat- 
 tern, gilt edges, by Chambolle-Duru. Colonix, 1591 
 
 731. CLEVELAND (JOHN). Clievelandi Vindicie; or, 
 Clieveland’s Genuine Poems, Orations, Epistles, ete. purged 
 from the many False and Spurious Ones which had usurped 
 his Name, and from innumerable Errours and Corruptions in 
 the true Copies. Portrait (as a divine). Small 8vo, old half 
 ealf. Writing on reverse of portrait. London, 1677 
 
 732. CLINCHAMP (COMTESSE BERTHE DE). Chan- 
 tilly (1485-1897) Les Orgemont—Les Montmorency—Les 
 Condé—Le Due d’Aumale avee une introduction de M. A. 
 Méziéres. Frontispiece portrait and numerous other illustra- 
 tions. 4to, green straight-grain morocco, gilt fillets, the 
 Chantilly arms on the sides, gilt edges, with the original 
 covers dated 1903. Paris, 1902 
 
 733. CLOUARD (MAURICE). Documents inédits sur 
 Alfred de Musset. Small folio, blue levant morocco gilt, gilt 
 over uncut edges, original covers bound in, by The Club 
 
 Bindery. Paris, 1900 
 * One of 40 copies on Holland paper 
 
 734. COBBOLD (RICHARD). The History of Margaret 
 Catchpole, a Suffolk girl. With 8 illustrations by J. Harris, 
 after the Author. 3 vols. 12mo, figured silk, uncut, by The 
 Club Bindery. London, 1845 
 
 * FIRST EDITION. 
 
 735. COBBOLD (RICHARD). Mary Anne Wellington, 
 the Soldier’s Daughter, Wife, and Widow. First Epirion. 
 Eight illustrations from the author’s designs. 3 vols. 12mo, 
 cloth, uncut. London, 1846 
 
 736. COHEN (HENRY). Guide de l’Amateur de Livres 
 a Vignettes du XVIIIe siécle. 8vo, red levant morocco, oilt 
 back, gilt edges, by Belz-Niédrée. Paris: P. Rouquette, 187 0 
 
 * One of 15 copies on China paper. 
 107 
 
~ 
 
 737. COLERIDGE (SAMUEL TAYLOR). The Poetical 
 Works of Coleridge, including the Dramas of Wallenstein, 
 Remorse, and Zapolya. 3 vols. 8vo, red morocco, gilt tops, 
 uncut, by Hayday. London: William Pickering, 1828 
 
 * One of 12 copies on Large paper, with autograph attesta- 
 tion of William Pickering. 
 
 738. COLERIDGE (SAMUEL TAYLOR). The Literary 
 Remains of Samuel Taylor Coleridge. Collected and edited 
 by Henry Nelson Coleridge. 4 vols. 8vo, red levant morocco, 
 back panels in gilt and blue mosaic, gilt tops, uncut, by 
 Champs. London: Pickering, 1836-9 
 
 739. COLLIN D’HARLEVILLE (J. F.). Ciuvres. Nou- 
 velle édition, enrichie d’une Notice sur sa Vie [par Andrieux]. 
 Portrait engraved by Dequevauviller after Méhii. 4 vols. 8vo, 
 half morocco, gilt backs, uncut, by Hering. Paris, 1821 
 
 * Inserted are a portrait engraved by Allais after Deveria, 
 proof before letters, ACCOMPANIED BY THE ORIGINAL SEPIA 
 DRAWING, AND 8 ORIGINAL SEPIA DRAWINGS BY CHOQUET, with the 
 plates engraved from them by Adam, proofs before letters. 
 
 740. COLLIN D’HARLEVILLE (J. F.). Ciuvres. Nou- 
 velle édition enrichie d’une Notice sur sa Vie [par Andrieux]. 
 Ornée de son portrat par Dequevauviller d’apres Meéhii. 
 4 vols. 8vo, blue polished gilt, gilt edges, by Trautz-Bauzonnet. 
 
 Paris, 1821 
 
 * Printed on vellum paper, with an autograph letter of the 
 author to Cailhava inserted. 
 
 741. COLLIER (JEREMY). A short View of the Im- 
 morality, and Profaneness of the English Stage, together 
 With the Sense of Antiquity upon this Argument. 8vo, 
 original mottled calf. London, 1698 
 
 * First EpiTion. This celebrated work, which effected a 
 reformation in the theatre, was answered by Congreve, Van- 
 brugh, Dennis, and others. 
 
 742. COLLIER (JEREMY). A Short View of the Im- 
 morality and Profaneness of the English Stage: Together 
 with The Sense of Antiquity upon -this Argument. Second 
 Edition. 8vo, red levant morocco gilt, gilt edges, by The 
 Club Bindery. London, 1698 
 
 743. COLLIER (JOHN PAYNE—Hditor). Five Old 
 Plays, illustrating the early Progress of the English Drama. 
 Engraved title. 4to, half morocco, uncut. 
 
 London: Printed for the Roxburghe Club, 1851 
 
 744. COLLIER (JOHN PAYNE—RHditor). Miscellaneous 
 Tracts reproduced under the care of J. P. Collier. 5 vols. 
 small 4to, citron straight-grain morocco gilt, gilt tops, uncut, 
 original covers bound in, by Zaehnsdorf. [London, ca. 1860] 
 
 * The volumes contain the following reprints: Perimedes the 
 Blacke-Smith, by R. Greene, 1588; Strange Newes, Of the inter- 
 cepting certaine Letters, by Thomas Nash, 1592; Skialetheia, 
 
 108 
 
or, A Shadowe of Truth in certaine Epigrams and Satyres, by 
 Edward Guilpin, 1598; A Quip for an Upstart Courtier, by 
 R. Greene, 1592; Pierces Supererogation, or a new prayse of the 
 old asse, by Gabriel Harvey, 1593 (2 copies); Foure Letters, 
 and certaine Sonnets, by Gabriel Harvey, 1592; Pierce Penilesse 
 his Supplication to the Divell, by Thomas Nash, 1592; A New 
 Letter of Notable Contents, by Gabriel Harvey, 1593; Have 
 with you to Saffron-Walden, by Thomas Nash, 1596; Humors 
 Looking Glasse, by Samuel Rowlands, 1608; The Anatomie of 
 Abuses, by Phillip Stubbes, 1583; The Trimming of Thomas 
 Nashe Gentleman, by Gabriel Harvey, 1597 ; A True Coppie of 
 
 _ a Discourse written by a Gentleman, employed in the late Voy- 
 age of Spaine and Portingale, 1589; Good Newes and Bad 
 Newes, by Samuel Rowlands, 1622; The Pastorals and Other 
 Workes of William Basse, 1653. 
 
 745. COLLIER (JOHN PAYNE). Illustrations of Early 
 English Popular Literature. Edited by J. Payne Collier. 
 Pacsimiles. 4 vols. small 4to, red straight-grain morocco, gilt 
 tops, uncut, original paper covers bound in, by Zaehnsdorf. 
 
 London: Privately Printed, 1863 
 
 * Volume 1 contains several pages in the handwriting of 
 J. Payne Collier. 
 
 746. COLLIER (JOHN PAYNE). Broadside Black-letter 
 Ballads, printed in the sixteenth and seventeenth centuries; 
 chiefly in the possession of J. Payne Collier. Illustrated by 
 Original Woodcuts. 1868; Twenty-five Old Ballads and 
 Songs: from manuscripts in the possession of J. Payne Col- 
 lier, octogen. A Birthday Gift. London, printed for pres- 
 ents only, 11 Jan. 1869; A Few Odds and Ends for Cheerful 
 Friends. A Christmas Gift. Printed for Private Circula- 
 tion Only. 1870. 38 vols. in one, 8vo, red straight-grain 
 morocco, gilt top, the original front wrappers to each bound 
 in, by Zaehnsdorf. London, 1868-1870 
 
 * The copy of Odds and Ends was Collier’s own, and is filled 
 with MS. notes by him, The dates and sources of the poems 
 are indicated, several corrections are made, and one poem is 
 ealled ‘‘my little favorite of the whole book.’’ At the end of 
 the volume are a number of MS. verses, written after the publi- 
 cation of the book. The binder has cut slightly into some of 
 Collier ’s comments. 
 
 747. COLLIER (JOHN PAYNE). Two A. L. S. Maiden- 
 head, Sept. 1869. To Robert Hoe. 
 
 * On Mr. Hoe’s subscription to his reprints. 
 
 748. COLLIER (JOHN PAYNE). About 30 sheets of 
 paper, 4to and smaller, containing Poems, Notes, &¢c., in the 
 autograph of J. P. Collier. Also, 8 printed pieces of News- 
 paper Comments, &c., some of which contain autograph cor- 
 rections by same hand. Together, about 38 pieces. 
 
 749. COLLIER (JOHN PAYNE). The Life of Edmund 
 Spenser. Royal 8vo, boards, leather back, uncut. 
 [London, n, d.] 
 109 
 
750. COLLIER’S REPRINTS. Nine Historical Letters of 
 the Reign of Henry VIII: Written by Reginald Pole, Thomas 
 Cromwell, Michael Throckmorton, and ‘Thomas ‘Starkey. 
 Copied from the Originals. 4to, brown straight-grain mo- 
 rocco, gilt top, by Zaehnsdorf. London, 1871 | 
 
 * One of John Payne Collier’s reprints, for private cireula- — 
 tion only. 
 
 751. COLLINS (WILKIE). The Woman in White. — 
 First Eprrion. 3 vols. 12mo, cloth (one volume stained), 
 uncut. London, 1860 — 
 
 752. COLLINS CWILETR). Armadale. 20 illustrations 
 by George H. Thomas. First Epition. 2 vols. 8vo, cloth 
 uncut. London, 1866 
 
 753. COLLINS (WILKIE). Poor Miss Finch. A Novel. 
 First Eprrion. 3 vols. 12mo, cloth, uncut (somewhat worn, 
 not returnable). London, 1872 
 
 754. COLLINS (WILLIAM). The Poetical Works of 
 William Collins, enriched with elegant engravings. To which 
 is prefixed a life of the author, by Dr. Johnson. Second edi- 
 tion. 8vo, half red levant morocco, gilt top, uncut. 3 
 London, 18 
 
 755. COLLINS (WILLIAM). Poetical Works. With a 
 Life of the Author by ee J ohnson ; Observations ae 
 
 Notes by Alexander Dyce. fone cloth, uncut. 
 London: William Pickering, 18 oer 
 
 756. COLOMBO (FERDINANDO). Historie, nelle qu 
 s’ha particolare, et vera relatione della vita, et de’ fatti de 
 Ammiraglio D. Christoforo Colombo, suo padre. First E: 
 TION. 8vo, red levant morocco, doublure of blue levant, gil 
 dentelle borders, gilt edges, by Pratt. i 
 
 Venetia: F. de’ Franceschi, 15 
 
 757. COLONNA (FRANCESCO). Hypnerotomachie, 
 Discours du songe de Poliphile, deduisant comme Amour le 
 combat a l’occasion de Polia. Title within a woodcut bord 
 and over 180 woodcuts ascribed to J. Goujon and J. Cousi 
 Folio, brown levant morocco, doublure of red levant with 
 dentelle borders, gilt edges, by Cuzin. 
 
 Paris: Jehan Le Blanc pour Jaques Kerver, 1 
 
 * RARE. Fine copy, with the woodeut of the Sacrifi > 
 Priapus, and that on p. 28 intact. | ee 
 
 758. COLONNA (FRANCESCO). Songe de Polip 
 traduction libre de I’Italien, aa Jo Ge peer, 2 
 
 * Large ‘‘ Vellum paper one i Paris, 1 
 110 ae agi 
 
759. COLONNA (FRANCESCO). Songe de Poliphile. 
 Traduction libre de |’Italien par J. G. Legrand. 2 vols. 4to, 
 boards (slightly damaged), leather backs, uncut. 
 
 Parme: Bodoni, 1811 
 * Vellum paper copy, one of 100 printed. 
 
 760. COLONNA-CECCALDI (GEORGES). Monuments 
 antiques de Chypre de Syrie et d’Egypte. Avec 34 planches 
 et de nombreuses vignettes. Royal 8vo, half orange levant 
 morocco gilt, gilt top, uncut, original covers bound in, by 
 Zaehnsdorf. Paris, 1882 
 
 761. COLUMBUS (CHRISTOPHER). Epistola Cristo- 
 feri Colom de Insulis in mari Indico nuper inventis. Wood- 
 cuts. 8vo, half morocco, by Huer. 
 
 [Basel: Michael Furter, 1493] 
 
 * Facsimile reprint of the extremely rare edition described 
 by Harrisse under no. 2, and of which not over 2 or three copies 
 are known to exist. 
 
 762. COLUMBUS (CHRISTOPHER). De Insulis nuper 
 in mari Indico repertis. Woodcut on title, and 3 others. 
 Small 4to, brown levant morocco, Grolieresque design on 
 sides, gilt edges, by Thibaron-Echaubard. 
 
 [Basel: Johannes von Olpe] I. B. 1494 
 
 * This letter formed the second part of Verardus’ ‘‘ Historia 
 Baetica seu Granata Expugnata’’ Sigs. dd5 to ee6. 
 
 763. COLUMBUS (CHRISTOPHER). Eyn schon hiibsch 
 lesen von etlichen inszlen die do in kurtzen zyten funden 
 synd durch dé kiinig von hispania und sagt vo groszen 
 wunderlichen dingen die in dé selbé inszlen synd. Woodcut 
 on first and last leaf. Small 4to, brown levant morocco, gilt 
 edges, by Pratt. Strassburg: Bartholomew Kustler, 1497 
 
 * One of 5 copies of this facsimile made by John Harris the 
 elder. Eight copies are known of the original, of which five 
 are in public libraries. 
 
 764. COLUMBUS (CHRISTOPHER). Christopher Co- 
 lumbus: His own Book of Privileges, 1502. Photographic 
 facsimile of the Manuscript in the Archives of the Foreign 
 Office in Paris, now for the First Time published; with ex- 
 panded text, translation into English and Historical Introduc- 
 tion (by C. F. Barwick, Henry Harrisse and B. F. Stevens. ) 
 Illuminated frontispiece, facsimiles, &c. Folio, dark green 
 levant morocco, sides and back tooled in the manner of 
 Dérome, gilt top, by The Club Bindery, 
 
 London: B. F. Stevens, 1893 
 
 * One of five copies printed on vellum. 
 
 765. COLVIN (SAMUEL). Whiggs Supplication, a Mock- 
 Poem. In two parts. Woodcut on title. Small 8vo, brown 
 levant morocco, gilt back and double side borders with clover 
 leaves, gilt edges, by The Club Bindery. Edinburgh, 1695 
 
 * First EDITION. 
 111 
 
766. [COMBE (TAYLOR).] A Description of the Col- 
 lection of Ancient Terracottas in the British Museum. 40 
 plates, containing 79 engravings, by Worthington, Heath, &c. 
 Royal 4to, half citron levant morocco, gilt top, uncut, by Allo. 
 
 * Large paper copy of the First Edition. London, 1810 
 
 767. COMBE (WILLIAM). Le Don Quichotte rofnan- 
 tique, ou Voyage du Docteur Syntaxe, a la recherche du 
 pittoresque et du romantique; poéme en XX chants, Traduit 
 librement de l’anglais, et orné de 26 gravures. Par M. 
 Gandais. 8vo, red levant morocco, gilt top, uncut, by Smith- 
 Mansell. Paris, 1821 
 
 * The illustrations are lithographic copies of the Rowlandson 
 designs. 
 
 768. COMMANVILLE (CAROLINE). ‘Souvenirs sur 
 Gustave Flaubert. Portrait in 3 states, and illustrations. — 
 8vo, wrappers, uncut. Paris, 1895.0 
 
 * One of 20 copies on Japan paper. “tite 
 
 769. COMMINES (PHILIPPE DE). Les Memoires de 
 Messire Philippe de Commines, Sr. d’Argenton. Derniére 
 edition. Engraved title, with 4 medallion portrats. 16mo, 
 blue levant morocco, back and sides covered with fleurs-de-lys, 
 crown in centre, gilt edges, by Capé. = 
 
 A Leide: Chez les Elzeviers, 1648 
 * First Elzevier Edition. ; 
 
 770. COMMINES (PHILIPPE DE). Les Memoires de 
 Messire Philippe de Commines, Sr. d’Argenton. Derniére 
 edition. Engraved title, with 4 medallion portraits. 16mo, 
 red levant morocco gilt, doublures of blue levant, with deep 
 borders, gilt edges, by Bauzonnet-Trautz. ; 
 
 A Leide: Chez les Elzeviers, 1648 
 * First Elzevier Edition. we 2 
 
 771. COMPAGNIE AGREABLE (LA), contenant toute — 
 sorte d’histoires galantes, curieux divertissements, et autre — 5 
 plaisantes narrations, pour chasser la melancholie. Engraved 
 frontispiece. 12mo, citron levant morocco, gilt edges, by 
 Koehler. Paris: Claude Barbin, 1685 
 
 | * RARE. From the library of Charles Nodier, with book-plate. 
 
 772. CONCIONES et Orationes ex Historicis Latinis Ex- 
 cerpte. Argvmenta Singvlis prefixa sunt, que causam 
 cujusque & summam ex rel gest# occasione explicant. Opus 
 recognitum recensitumque in usum Scholarum Hollandie & 
 Westfrisie. Engraved title dated 1653. 16mo, red morocco, — 
 gilt edges. Amstelodami: Apud Ludovicum Elzevirium, 1652 
 
 * The Syston Park copy, where it was described as in binding 
 by Roger Payne.” 
 
 773. CONFESSION. La Confession Reciproque, ou Dia- 
 logues du Tems, entre Louis XIV. et le Pere de la Chaize son — 
 confesseur. 12mo, old green morocco, gilt back, wide borders — 
 on the sides, red silk linings, gilt edges, by Derome. — ps 
 
 Cologne [Holland]: Pierre Marteau, 1694 
 112 
 
SIXTY-FOURTH SESSION. 
 Wednesday, November 13th, 2:30 P.M. 
 
 774. [CONGREVE (WILLIAM).] Incognita: or, Love 
 and Duty reconcil’d. A Novel. 16mo, red levant morocco 
 gilt, gilt edges. London: Printed for Peter Buck, 1692 
 
 * First EDITION OF CONGREVE’S FIRST PUBLICATION AND EX- 
 
 CEEDINGLY RARE, no copy being in the British Museum; with 
 preliminary and final blank leaves. 
 
 (See Reproduction. ) 
 
 775. CONGREVE (WILLIAM). The old Batchelour, a 
 Comedy. As it is Acted at the Theatre Royal, by Their 
 Majesties Servants. First Epirion. Small 4to, calf, gilt 
 edges (some pages soiled). 
 
 London: Printed for Peter Buck, 1693 
 * Congreve’s first play. 
 
 776. CONGREVE (WILLIAM). The Double-Dealer: a 
 Comedy; and, The Mourning Bride: a Tragedy. 2 plays in 
 1 vol. small Ato, sprinkled calf, gilt edges (somewhat rubbed). 
 
 London: Printed for Jacob Tonson, 1694-1697 
 
 ‘*First Epirions of both plays. Sir F. Grant’s copy, with 
 bookplate. 
 
 T7717. CONGREVE (WILLIAM). Love for Love: a Com- 
 edy. As it is Acted at the Theatre in Little Lincolns-Inn- 
 Fields, by His Majesty’s Servants. First Eprrion. Small 
 4to, half brown levant morocco, uncut, with the original front 
 cover bound in. London: Printed for Jacob Tonson, 1695 
 
 * This play appears to mark the opening of the Theatre in 
 Little Lincolns-Inn Fields, and contains the Prologues and 
 Epilogue written for the occasion. 
 
 778. CONGREVE (WILLIAM). The Way of the World, 
 A Comedy. First Epirion. Small 4to, red straight-grain 
 morocco, gilt edges, by The Club Bindery. With the half- 
 title. London: Printed for Jacob Tonson, 1700 
 
 779. CONGREVE (WILLIAM). A Hymn to Harmony, 
 written in Honour of St. Cecilia’s Day. First Enprrion. 
 Small folio, blue morocco. London, 1703 
 
 780. COOPER (JAMES FENIMORE). The Prairie; 
 The Red Rover; The Pilot; The Last of the Mohicans; The 
 Pathfinder ; Wing-and-Wing; The Spy; Two Admirals; Deer- 
 slayer; Waterwitch; The Pioneers. Illustrated by Darley. 
 pose tier, 11 vols. post 8vo, half red morocco, gilt tops, uncut. 
 
 New York, 1861-64 
 113 
 
781. CONSTABLE (HENRY). Diana. Or, The excel- 
 lent conceitful Sonnets of H. C. Augmented with divers 
 Quatorzains of honorable and lerned personages. 12mo, red 
 levant morocco, gilt top, uncut, by Alfred Matthews. aie 
 
 London: Printed by James Roberts for Richard Smith, 1584 _ 
 
 * One of 50 copies reprinted in facsimile in 1818. Theoriginal 
 date is a misprint for 1594. J. Payne Collier’s copy, collated 
 with the edition of 1592, 4to, annotated and corrected in ake 
 autograph. 
 
 782. CONSTANT (BENJAMIN). Adolph, Anecdote trou- 
 vée dans les papiers d’un Inconnu, et publiée par M. Benja- 
 min de Constant. 12mo, red levant morocco gilt, gilt edges, 
 by David. ; Paris, 1816 
 
 783. CONSTITUTIONES legitime seu legatine regionis 
 Anglicane: cum subtilissima interpretatione domini Johannis — 
 de Athon: cum triplici tabella, summa accuratione recognite: 
 annotate: et Parisiis coimpresse. (Edited by Badius Ascen- 
 sius.) Gothic character in red and black; arms of William — 
 Breton on title, and 3 woodcuts, one of which represents a 
 king surrounded by bishops and princes. Folio, brown levant 
 morocco, gilt panelled sides, fleurons in the corners, the Royal 
 arms of England from the old. binding, pasted im the centre 
 of the front cover, gilt edges, by Riviére. 
 [Parisiis: Wolfgang Hovnll n. ee 
 * VERY RARE. Printed by Hoypl at Paris, and edited by 
 Badius Ascensius, who dedicates the work to Wm. Warham, 
 Abp. of Canterbury, the dedicatory letter dated 1506. The 
 book was printed apparently for William Breton—his arms be 
 ing on the first title, and the imprint on the second title states 
 that it is to be sold at the bookshop at the Sign of the Trini 
 in St. Paul’s Churchyard, London. Breton was a London mer: 
 chant who imported books in large quantities in the early part 
 of the 16th Century, and he was succeeded about 1520 at the 
 
 Sign of the Trinity by Henry Pepwell, the early printer. TI] 
 first leaf in the volume contains Hoypl’s large device, and uf 
 smaller device is on the second title. 
 
 784. CONTEMPLATIO totius vite et passionis aon 
 nostri Jesu Christi. 50 fine woodcuts copied from Dur 
 Inttle Passion. 8vo, old French citron morocco gilt, 
 edges, by Bozerian Ainé. Bs 
 
 Venetiis: apud I. Ostaum et P. Valgrisium, 155 
 
 785. CONTES CHINOIS. Traduits par MM. Dav 8, 
 Thoms, D’Entrecolles, etc. Frontispieces. 3 vols. 12mo, blue 
 levant morocco gilt, gilt edges, by Belz-Niédrée. Paris, 182 
 
 786. CONTES GAULOIS. ‘Trois Dizains de Contes Ga 
 lois. Illustrations de le natur, eau-forte de. Ferd, Beawmoni 
 12mo, light-brown levant morocco, gilt fillets on back an 
 sides in geometrical design, gilt ‘edges, uncut, by Marius 
 Michel. Paris: E. ouveyre; 1 18 
 
 * One of 50 copies on Japan paper. 
 114 
 
meeesiatnilaanacen 
 
 i 
 
 | 
 bi 
 . 
 
 ‘|| Licens’d Decemb, 22. 1691. 
 
 2 
 
 Printed for Peter Buck, at the Sign 
 of the Temple, near Temple Bar 
 
 in Fleet-ffreet, 1692. 
 
 a ae) 
 
 CONGREVE. INCOGNITA. First EpiTion. LONDON, 1692. 
 (See No. 774.) 
 
2 ie 
 5 a 
 
 787. COTROVERSES des sexes masculin et fcemenin 
 (par Gratian Du Pont). Numerous small cuts.  8vo, red 
 levant morocco, gilt edges, by Duru. 
 
 Paris: Gilles Corrozet, for F. Regnault, 1541 
 
 Rare. Containing the ‘‘Requeste du sexe masculin, contre le 
 sexe foeminin,’’ not in the first edition, ca. 1535. 
 
 788. COPPEE (FRANCOIS). Premiéres Poésies Le 
 Reliquaire—Poémes divers. Intimités. First Eprrion. 12mo, 
 half calf, uncut, original covers bound in, by Champs. | Thick 
 paper copy. Paris, 1869 
 
 789. COPPEE (FRANCOIS). Deux Douleurs drame en 
 un acte, en vers. First Epirion. 12mo, half calf, uncut, 
 original covers bound in, by Champs. Paris, 1870 
 
 790. COPPEE (FRANCOIS). Fais ce que dois, épisode 
 dramatique. First Epirion. 12mo, half calf, uncut, original 
 
 covers bound in, by Champs. Paris, 1871 
 * Presentation copy from the author, with autograph inscrip- 
 tion. 
 
 791. COPPEE (FRANCOIS). Les Humbles. First Epr- 
 TION. 12mo, half calf, uncut, original covers bound in, by 
 Champs. Paris, 1872 
 
 792. COPPEE (FRANCOIS). Les Bijoux de la Déliv- 
 rance, scéne en vers. First Eprrion. 12mo, half calf, uncut, 
 
 original covers bound in, by Champs. Paris, 1872 
 ' * Presentation copy from the author to M. de Lescure, with 
 inscription. 
 
 793. COPPEE (FRANCOIS). Contes en Vers et Poesies 
 diverses. First Epirion. 12mo, half calf, uncut, original 
 covers bound in, by Champs. Paris, 1880 
 
 * Autograph presentation copy from the author. 
 
 794. COPPEE (FRANCOIS). La Maison de Moliére 
 poésie dite a la Comédie-Franeaise, le 21 Octobre 1880 par 
 M. Got doyen des sociétaires a l’occasion du 200¢ Anniversaire 
 de la Comédie. First Eprrion. 12mo, half calf, uncut, 
 original covers bound in, by Champs. Paris [1880] 
 
 795. COPPEE (FRANCOIS). Contes en Prose. First 
 Epitron. 12mo, half calf, uncut, original covers bound in, by 
 
 Champs. Paris, 1882 
 
 * With autograph inscription of the author. 
 
 7196. COPPEE (FRANCOIS). Vingt Contes nouveaux. 
 First Epirion. 12mo, half calf, uncut, original covers bound 
 in, by Champs. Paris, 1883 
 
 797. COPPEE (FRANCOIS). La Téte de la Sultane. 
 First Epirion. 12mo, half calf, uncut, original covers bound 
 in, by Champs. Paris, 1886 
 
 115 
 
798. COPPEE (FRANCOIS). Résurrection: strophes. 
 dites 4 la Comédie Francaise, le 22 mai 1886. Par M. Got 
 doyen des sociétaires, 4 l’oceasion du 1¢7 anniversaire de la 
 mort de Victor Hugo. First Epirion, 12mo, half calf, uncut, 
 original covers bound in, by Champs. Paris, 1886 
 
 799. COPPEE (FRANCOIS). Le Petit Epicier. First 
 Epition. 12mo, half calf, uncut, original covers bound in, by 
 Champs. Paris, 1886 
 
 800. COPPKE (FRANGOIS). A l’Empereur Frédéric 
 _ III. First Epirion. 12mo, half calf, uncut, original covers ~~ 
 bound in, by Champs. ; Paris, 1888 
 
 801. COPPEE (FRANCOIS). A Brizeux: strophes dites — 
 par l’auteur 4 l’inavguration de la statue de Brizeux, 4 
 Lorient, le 9 Septembre 1888. First Epition. 12mo, half — 
 calf, uncut, original covers bound in, by Champs. Paris,1888 
 
 802. COPPEE (FRANCOIS). Toute une Jeunesse. First 
 Epition. 12mo, half calf, uncut, original covers bound in, by 
 Champs. _. Pariswieoue 
 
 803. COPPKE (FRANCOIS), Les Vrais Riches. Ilus- 
 trations de Gambard et Marold. 12mo, half calf, uneut, — 
 original covers bound in, by Champs. Paris [1892] 
 
 * One of 25 copies on India paper. 
 
 804. COPPEE (FRANCOIS). Le Passant. Comedie en un 
 acte en vers. Reproduction en facsimile du manuserit de 
 auteur et d’une page de musique de J. Massenet. Portrait 
 and 47 compositions by Lows Edouard Fournier, engraved by 
 Leon Boisson. Imperial 8vo, blue levant morocco, maroon 
 morocco bands inlaid on the back and sides, outlined in gilt __ 
 fillets, doublures of blue morocco, chiselled borders of flowers 
 and leaves in mauve, grey, and green morocco, grey moiré silk 
 guards, gilt over uncut edges, by Marius Michel. Paris, 1897 
 
 * Printed entirely upon satin, mounted on vellum paper. One 
 of a very few copies so issued. : a 
 
 8vo, old red morocco, gilt back, with the arms of Litopoup 
 CHARLES, Duc DE CHOISEUL (1724-1781), in the bottom panel 
 gilt edges. ‘Paris, 1723 
 
 806. COQUILLE (GUI. SIEUR DE ROMENAY). Re- — 
 eveil des plaisants devis recités par les supposts du Seigneur 
 de la Coquille. [Conchylius.] 8vo, brown levant morocco, 
 gilt edges. + 4 Pavia 
 
 “One of a limited number of verbatim reprints of the origi- — 
 “ies ae with facsimile woodcuts on six of the eight sub- 
 
 116 
 
807. CORNEILLE (PIERRE). Le Cid, 1644; Horace, 
 1641; Cinna, 1644;-Polyeucte, 1644 (last blank leaf miss- 
 ing); La Mort de Pompee, 1644; Le Menteur, 1645; La 
 Suite du Menteur, 1645; Rodogune, 1647; Heraclius, 1647; 
 D. Sanche D’Arragon, 1650 (lacks 3 blank leaves) ; Nicomede, 
 1652; Sertorius, 1662. 12 pieces in 2 vols. 12mo, red levant 
 morocco, gilt edges, by Trautz-Bauzonnet. 
 
 Suivant la Copie imprimee a Paris [Leyde, B. & A. Elze- 
 vir], 1641-62. 
 
 * ALL GENUINE FIRST ELZEVIR EDITIONS, with the exception of 
 the first piece, which is the second issue of the third edition. 
 Inserted in each volume is a general manuscript title-page in 
 perfect imitation of a printed title. From the H. Bordes library. 
 
 808. CORNEILLE (PIERRE). Le Menteur, Comédie. 
 First Epirion. Small 4to, red levant morocco gilt, gilt edges, 
 by Trautz-Bauzonnet. 
 
 Imprimé a Rouen & se vend a Paris, chez A. de Sommaville 
 et A. Courbé, 1644. 
 
 809. CORNEILLE (PIERRE). (Cuvres. Frontispiece 
 dated 1645 and portrait by Michel Lasne dated 1644. First 
 COLLECTED EpitTion. 12mo, red levant morocco, doublures of 
 red levant, covered with rich tooling in compartments, gilt 
 edges by Trautz-Bauzonnet. Paris, 1644 
 
 810. CORNEILLE (PIERRE). La Mort de Pompée. 
 Frontispiece engraved by Chauveau. First 470 Epirion. 
 4to, blue levant morocco, inside borders, gilt edges, by: 
 Mercier. Paris: A. de Sommaville and A, Courbé, 1644 
 
 811. CORNEILLE (PIERRE). la Suite du Menteur, 
 Comédie. First Epirion. 4to, red levant morocco, gilt in- 
 side borders, gilt edges, by Chambolle-Duru. 
 
 Imprimé a Rouen, et se vend a Paris, chez A. de Somaville 
 et A. Courbé, 1645. 
 
 812. CORNEILLE (PIERRE). Theodore, vierge et mar- 
 tyre, tragedie chrestienne. 4to, red levant morocco gilt, gilt 
 edges, by Cuzin. 
 
 Imprimé 4 Rouen, & se vend a Paris, Chez Antoine de 
 Sommaville, 1646. 
 
 * First Quarto Edition. 
 
 813. [CORNEILLE (PIERRE).] Theodore, Vierge et 
 Martyre; Tragédie. First 12mo edition, 12mo, blue levant 
 morocco, gilt edges, by Cusin. Paris: Toussainct Quinet, 1646 
 
 * Bookplate of P. Guy Pellion. 
 
 814. CORNEILLE (PIERRE). Rodogune, Princesse des 
 Parthes. Tragédie. Small 4to, red levant morocco gilt, gilt 
 edges, by Cuzin pere. (Engraved frontispiece missing.) 
 
 Imprimé a Rouen, et se vend a Paris, chez A. de Sommaville, 
 1647. 
 
 * The rare earliest issue, with the dedicatory letter addressed 
 ‘¢A Monseigneur le Duc d’Anguien.’’ 
 
 117 
 
815. [CORNEILLE (PIERRE anp orHers).] La Comedie 
 des Tuileries. Engraved title by Daret. 18mo, blue levant 
 
 morocco gilt, gilt edges, by Trautz-Bauzonnet. 
 [Paris: Augustin Courbé, 1648] 
 
 816. CORNEILLE (PIERRE). Cé£uvres de Corneille. 
 Engraved frontispiece and portrait. 2 vols. 12mo, red levant 
 morocco gilt, doublure of same morocco, dentelle borders, gilt 
 edges, by Motte. 
 
 Rouen: & se vend a Paris, chez Toussainct Quinet, 1648 
 
 * There is another issue ‘with the same date, published by 
 Augustin Courbé. 
 
 817. CORNEILLE (PIERRE). La Toison d’Or, tragédie. _ 
 First Epirion. 12mo, red levant morocco, gilt-inside borders, 
 elt edges, by Chambolle-Duru. First blank leaf missing and 
 margins of last two leaves skilfully mended. 
 
 Imprimée a Rouen et se vend a Paris, chez A. Courbé & G. 
 de Luyne, 1661. 
 
 818. [CORNEILLE (PIERRE).] Suréna, Général des Z : 
 Parthes, Tragedie. 12mo, red levant morocco oilt, oilt edges, 
 by Chambolle-Duru. Paris: Guillaume de ma 1675 _— 
 
 * First EDITION. 
 
 819. CORNEILLE (PIERRE). Le Thé acre a Ee Cor 
 neille. Reveu & corrigé par 1’Autheur. Frontispiece to part 1. 
 4 vols. 12mo, red levant morocco, gilt edges, by Chambolle- 
 Duru. (Lacks portrait and 3 frontispieces. ) 
 Paris: Guillaume de Luyne, 1682” 
 
 820. CORNEILLE (PIERRE). Rodogune, Princesse des” 
 Parthes. Frontispiece etched by Madame de Pompadour after 
 Boucher and finished by Cochin. 4to, old French red morocco 
 gilt, silk linings, gilt edges, by PADELOUP. 2 stamps on title. 
 
 [Chateau de Versailles] Au Nord, 1760 
 
 * THIS RARE PIECE, of which only a few copies were ‘age 
 was printed in the apartment of Madame de Pompadour, N orth | 
 _ side, at Versailles. In a copy of this book from the Comte — 
 d’Ourches library, which once belonged to the brother gfe 
 Madame de Pompadour, Marquis de Marigny, was a note in the — 
 autograph of the latter, stating that his sister having been 
 curious to see the printing of it, the King ordered a press and — 
 a few workers from the “ Tmprimerie Royale’’ to the Chatea 
 de Versailles, and the tragedy of Rodegune was printed unde: 
 the eyes of the Marquise and in her chamber. ; 
 A note on the fly-leaf in Mr. Hoe’s handwriting, referring i ee 
 Madame Pompadour’s copy, reads: ‘‘With the exception o er 
 that [copy] this [the one here offered] is the choicest I ib : 
 ever met with.’’ + 
 
 821. CORNEILLE (PIERRE). (C#£uvres de P. Corneil e 
 avec les notes de tous les commentateurs. [édition redigé 
 par M. L. Parelle.] 12 vols. royal 8vo, half cloth, uncut. — 
 
 Paris, 182¢ 
 
 * LARGE VELLUM PAPER COPY. HEXTRA-ILLUSTRATED with 00 ee 
 portrait by Gaucher and 33 plates after Gravelot from the 1764 
 edition, proofs before letters. ; ' 
 
 118 
 
822. [CORNEILLE (THOMAS).] Les Engagemens du 
 Hazard, Comedie. 12mo, vellum boards, red edges (name 
 erased from title). 
 
 Imprimé a Rouen, par L. Maurry, Pour Guillaume de 
 Luyne, 1657. 
 
 *First Epirion of his first printed play. Sir F. Grant’s 
 copy, with autograph comments. 
 
 823. CORNAZANO (ANTONIO). Les Proverbes en 
 Facéties d’Antonio Cornazano (xve siécle). Traduit pour la 
 premiére fois, texte Italien en regard. 16mo, half blue levant 
 morocco gilt, gilt top, uncut. Paris, 1884 
 
 * One of 200 copies. 
 
 824. CORNWALLIS (SIR WILLIAM). Essayes by Sir 
 William Cornewallys the yonger, Knight. (Title slightly de- 
 fective.) London, Joseph Harison for Edmund Mattes, 1606. 
 A Second Part of Essayes. London, Edmund Matts, 1601. 
 Together, 2 vols. 16mo, brown levant morocco gilt, gilt edges, 
 by The Club Bindery. London, 1606-01 
 
 * First EDITION of the second part. 
 
 825. CORREGGIO. Pitture di Antonio Allegri detto il 
 Correggio esistenti in Parma nel’ Monistero di San Paolo. 
 Plates engraved after the paintings of Correggio, printed in 
 brown. Folio, half calf, uncut, back repaired. 
 
 Parma: co’ tipi Bodoniani, 1800 
 
 826. [|CORROZET (GILLES).| Hecatomgraphie. C’est 
 a dire les descriptions de cent figures et hystoires, contenant 
 plusieurs appophthegmes, proverbes, sentences et dictz tant 
 des anciens que des modernes. 100 charming emblematic cuts 
 surrounded by elegant ornamental woodcut border of various 
 design. 8vo, red levant morocco, gilt edges, by Trautz- 
 Bauzonnet. From the library of the Comte de Fresne. 
 Paris: Denys Janot, 1543 
 
 827. CORYAT (THOMAS). Coryat’s Crudities ; Reprinted 
 from the Edition of 1611. To which are now added, His 
 Letters from India, &c. and extracts relating to him, From 
 various authors: being a more particular Account of his 
 Travels (mostly on Foot) in different Parts of the Globe, 
 than any hitherto published. Together with his orations, 
 character, death, &. With copper-plates. 3 vols. 8vo, blue 
 flexible levant morocco, gilt tops, uNcuT, by Mansell. 
 
 London: Printed for W. Cater, Samuel Hayes, etc., 1776 
 
 *A remarkably large copy, possibly on large paper, very 
 rarely met with in this unusual condition. 
 
 828. COSTER (CHARLES DE). la Légende et les 
 aventures héroiques, joyeuses et glorieuses d’Ulenspiegel et 
 de Lamme Goedzak au pays de Flandres et ailleurs. Owvrage 
 illustré de trente-deux eaux-fortes inédites. 4to, half red 
 levant morocco, gilt top, uncut, original covers bound in, by 
 Bretault. Paris, 1860 
 
 119 ; 
 
829. COSTUMES des Femmes du Pays de Caux. [Paris, 
 de l’imprimerie de Crapelet, s. d.] [Second title] Cent cing 
 Costumes des Départemens de la Seine Inférieure, du Calva- 
 dos, de la Manche et de l’Orne. Engraved title ann 105 
 COLORED PLATES by Gatine after Pecheux and Lante. 4to, red 
 levant morocco, gilt edges, by The Club Bindery. 
 
 * Very Rare. Paris: Durand aine. [ca. 1804] © 
 
 830. COTGRAVE (J OHN), Wits Interpreter, the Eng-— 4 
 fish Parnassus, ete. The 2d edition with many new additions. _ 
 Engraved frontispiece, by Gaywood. 12mo, brown levant 
 morocco, gilt, by The Club Bindery. q 
 
 London: Printed for N. Brook, 1662 — 
 
 831. [COURTILZ (GATIEN SANDRAS DE).] Mémoires . 
 de Monsieur de Bordeaux, intendant des finances. Par — 
 M. G. D. C. 4 vols. see ‘red levant morocco, gilt edges, by — 
 Hardy-Mennil. - Amsterdam, 1758 % 
 
 832. COUSTEAU (PIERRE). Le Pegme de Pierre Cov- " 
 stav, mis en Francoys par Lanteavme de Romieu gentilhomme ~ 
 d’Arles. 96 woodcuts. 8vo, green levant morocco gilt, gilt 
 edges, by Trautz-Bauzonnet. Lyon, 1555 — 
 
 * First French edition. The privilege is dated March 7, 1553, 
 and the dedicatory epistle, es cant ds pect ~ Printed ‘within ‘ 
 woodcut borders. ee 
 
 833. COSTUMIER DU PAYS ET DUCHIE DE NOR- 
 MENDIE. Gothic characters of two sizes, 35 lines of teat 
 and 45 of commentary to the page. 342 unnumbered leaves 
 (including the blanks 1,246 and last), with signatures. Rubri- 
 cated throughout and initials painted in blue and red. Folio, — 
 maroon levant morocco, gilt and blind-tooled panelled side 
 silt edges, by Riviére. The blank leaves 1 and 342 missin 
 
 [Paris: Jean du Pré], 148 
 
 * First EpIrion extremely rare. Fine and large copy. Th 
 second part includes the ‘‘Tractatus arboris consanguineitatis 
 with three full-page woodcuts representing genealogical trees. 
 Hain-Copinger, 5791; Proctor, 8038; Brunet, II, a0. From the: 
 library of the Duke of Sussex, and since rebound. 
 
 834. COWLEY (ABRAHAM, Anp orHers). Auaeue 
 Done into English Out of the Original Greek. 12mo, citro 
 levant morocco covered with tooling of a flower many time 
 repeated, inside borders and gilt edges, by The Club Bindery. 
 
 Oxford, 1683 
 
 * Alexander Boswell’s copy (the father of James Boswell 
 
 with his autograph and date, 1740, on preliminary blank lea 
 
 and the names of the translators of the various Mee ois 
 in his hand. 
 
 835. COWLEY (ABRAHAM). The Works of Mr. Abrah 
 Cowley: Consisting of those which were formerly print 
 and those which he design’d for the press, ete. The te 
 edition. With 32 portraits and plates, chiefly by Van 
 Gucht. 3 vols. 8vo, old calf. (Writing on titles.) 
 
 London, 
 120 Bie 
 
836. COWLEY (ABRAHAM). Prose Works of Abraham 
 Cowley, Esq. Including his essays in prose and verse. 8vo, 
 calf gilt, gilt edges, by Matthews. 
 
 * Large paper copy. London: Wm. Pickering, 1826 
 
 837. COWPER (WILLIAM). The History of John Gilpin, 
 How he went farther than he intended, and came Home safe 
 at last, 12mo, red levant morocco, inside borders, gilt edges, 
 by Riviére. London: Printed for J. Fielding [1785] 
 
 * An early chap-book edition. 
 
 838. COWPER (WILLIAM). The Iliad and Odyssey of 
 Homer, translated into English blank verse. First Eprrion. 
 2 vols. 4to, original boards, new backs, uncut. London, 1791 
 
 839. COWPER (WILLIAM) ; Illustrated by a Series of 
 Views, in, or near the Park of Weston-Underwood, Bucks. 
 With portrait, engraved title, and 12 plates. 4to, half green 
 morocco, and boards, gilt top, uncut. London, 1803 
 
 840. COWPER (WILLIAM). The Diverting History of 
 John Gilpin: Showing how he went farther than he intended 
 and came safe home again. 6 illustrations by George Crusk- 
 shank. First Epition with these illustrations. 16mo, calf 
 
 gilt, gilt top, uncut, original covers bound in, by Riviere. 
 London, 1828 
 
 841. COWPER (WILLIAM). The Works of Cowper, 
 comprising his poems, correspondence, and _ translations. 
 With a Life of the author, by the editor, Robert Southey. 
 11 portraits, 29 frontispreces and vignettes. 15 vols. 12mo, 
 cloth, uncut. London, 1835-7 
 
 842. [COX (NICHOLAS).] The Gentleman’s Recreation, 
 in four parts; viz. Hunting, Hawking, Fowling, Fishing. 
 Collected from ancient and modern authors, Forrein and 
 Domestick, and rectified by the Experience of the most Skil- 
 full Artists of these times. Frontispiece and 4 folding plates. 
 First Epition. Small 8vo, dark green levant morocco, elab- 
 orately tooled on back and sides, with emblematic and floral 
 tools, gilt edges, by The Club Bindery. London, 1674 
 
 843. CRABBE (GEORGE). TheLibrary. A Poem. Lon- 
 don: Printed for J. Dodsley, 1781. The Village: A Poem in 
 two Books. London: Printed for J. Dodsley, 1783. The News- 
 paper: A Poem. London: Printed for J. Dodsley, 1785. Aun 
 First Eprrions. 3 vols. in 1, 4to, brown morocco, gilt edges. 
 Contains the leaf of advertisement. London, 1781-85 
 
 844. CRABBE (GEORGE). Tales of the Hall. First 
 
 Eprrion, 2 vols. 8vo, original boards, paper labels, uncut. 
 London, 1819 
 
 121 
 
845, CRABBE (GEORGE). Works. First Eprmion. 5 
 vols. 8vo, green levant morocco gilt, gilt tops, uncut, by 
 Riviere. London, 1823 
 
 * EXTRA-ILLUSTRATED by the insertion of ten portraits, three 
 views, thirty-one plates by Heath after Westall, and nine by 
 Adlard after Corbould. Six of the Westall plates are in two 
 states, India proofs before and after letters; the rest are before 
 the letters, and one is the engraver’s etching. The portraits are 
 for the most part proofs. 
 
 846. CRAMER (DANIEL). Fifty, copper-plate engray- 
 ings from ‘‘Emblemata Moralia Nova,’’ printed without the — 
 text, and on one side of the paper only, 4to, old red morocco, | 
 gilt edges. [Franckfurt, 1630] 
 
 * Probably unique. A comparison of the engravings with — 
 
 those in the printed book justifies the belief that the Pe : 
 impressions are the earlier. ; 
 
 847. CRANACH (LUCAS). Passional Christi und pee 
 ehristi. Title within a woodcut border, 26 woodcuts by 
 L. Cranach. 4to, red levant morocco gilt; doublure of citron 
 morocco, with gilt tooled broad dentelle borders, gilt edges, — 
 by Riviére. [Wittembergae: J. Griinenberg, Lo 
 
 * Facsimile reprint. ino =f 
 
 848. CRANE (WALTER). The Claims of Decorative ae 
 Vignettes. Small 4to, cloth, uncut. London, 1892 — 
 * One of 110 fine paper copies. 3 iad 
 
 849. CRANMER (THOMAS, ARCHBISHOP). Cathe- 
 chismvs, That is to say a shorte Instruction into Christian 
 Religion for the synguler commoditie and profyte of childré 
 and yong people, Set forth by the mooste reuerende Bees, 
 
 Buack Lerrer. Snconb Epition. Small 8vo, ORIGINAL vite 
 LUM, in a maroon levant morocco slip ease. 
 London: Gwalter Lynne, 1548 
 
 * LARGE AND FINE COPY OF THIS VERY RARE BOOK. This appears: 
 
 to be the second issue of 1548, but the name of ines By 
 as printer does not occur in the book. 
 
 850. CRANMER (THOMAS, ARCHBISHOP). 
 futatio of unwritté verities / both bi the holye scripennete an 
 moste auncient autors/and also probable arguments / ai 
 pithy reasons / with plaine aunswers to al (or at the least) to 
 the moste part and strongest argumentes / which the adu 
 saries of gods truth / either haue / or can bryng forth for th 
 profe and defence of the same vnwritten vanities / verities 
 they woulde haue them called / made by Thomas Cranmer 
 late Archebishop of Cantorburie / Martyr of god / and bu 
 at Oxford for the deféce of the trewe doctrine of our s 
 
 122 
 
Christ / translated and set forth / by E. P. @The contentes 
 whereof / thou shalte finde in the next side folowinge. SEconp 
 EDITION. Black-letter. 16mo, brown levant morocco, gilt back 
 and sides, gilt edges, by Bedford. (Title very slightly re- 
 paired. ) [London: Reynold Wolf, 1558] 
 
 _ 851. CREBILLON (PROSPER JOLYOT DE). Cuvres. 
 Edition ornée de figures dessinées par Peyron et gravées sous 
 sa direction. Prontispiece-portrat engraved by Petit after 
 Peyron, and 9 plates by Baquoy, Huber, Lemire, Patas, 
 Thomas and Triére after the same, IN FOUR STATES, etchings, 
 before letters, lettered and finely colored (the etchings by 
 Baquoy, Lemire, Péticier and Petit). 2 vols. 8vo, old red 
 straight-grain morocco, gilt floral borders on the sides, richly 
 gilt tooled backs, silk linings, gilt edges, by P. Bozerian jeune. 
 Paris: Didot Jeune, An V [1797] 
 
 * A MAGNIFICENT COPY ON ‘‘GRAND PAPIER VELIN,’’ AND 
 EXTRA-ILLUSTRATED by the insertion of: (1) the series of a 
 portrait and 9 plates by Marillier (Paris, 1785), proofs before 
 
 letters, with the title of the play in the upper part of the en- 
 graving; (2) a portrait by St. Aubin and 9 plates by Moreau 
 
 (Paris, 1818), proofs before letters; (3) five portraits of Cré- 
 
 billon by Aved, engraved by Ficquet and by Walker (the last 
 
 in duplicate); by Lemoine engraved by Delvaux, and on steel 
 
 by Hopwood. 
 852. CREIGHTON (MANDELL). Queen Elizabeth. 4to, 
 original covers, in a cloth case. London: Goupil, 1896 
 * Japan paper copy, with the extra series of plates. Vury 
 SCARCE. 
 
 853. CRITHANNAH (JOB). Fifty-one Original Fables, 
 with Morals and Ethical Index. 85 original designs by 
 Robert Cruikshank. First Epition. 8vo, blue levant mo- 
 rocco, gilt edges, by Louise Reymann. London, 1833 
 
 854. CRONIQUE sommairement traictée des faictz héro- 
 iques de tous les rois de France, & de personnes & choses 
 memorables de leurs temps (by George Bernard?) 61 medal- 
 lon copper-plate portraits of King of France, ascribed to 
 Voewiot, and each page surrounded by ornamental borders. 
 8vo, calf. Lyon: Clément Baudin, 1570 
 
 855. CROWE (J. A.) & CAVALCASELLE (G. B.). A 
 New History of Painting in Italy from the Second to the 
 Fourteenth Century, First Epirion, 3 vols., 1864; A History 
 of Painting in North Italy from the Fourteenth to the Six- 
 teenth Century, First Eprrion, 2 vols., 1871; The Early 
 Flemish Painters, Seconp Epirion, 1872; Titian: His Life 
 and his Times, First Eprrion, 2 vols., 1877. Numerous illus- 
 trations. Together 8 vols. 8vo, original cloth, uncut, varying 
 colors, as issued. London, 1864-77 
 
 128 | 
 
856. CROWE (J. A.) anp CAVALCASELLE (G. B.). — 
 Raphael: his life and works, with particular reference to 
 recently discovered records, and an exhaustive study of extant 
 drawings and pictures. 2 vols. 8vo, half red morocco, gilt 
 back, gilt tops, uncut, by Riviere. London, 1882-85 
 
 857. CRUIKSHANK (GEORGE). Comic Almanac. 1835- 
 53. CompLete Set. Hundreds of humorous plates and wood- 
 cuts (SOME IN COLORS) by Cruikshank. 19 parts bound in 
 5 vols. 12mo, half green levant morocco, gilt tops, uncut, the 
 original wrappers bound in, by Bedford. London, 1835-53 © 
 
 858. CRUIKSHANK (ROBERT). Facetia: being a gen- 
 eral Collection of the Jeux d’Esprits which have been illus- — 
 trated by Robert Cruikshank. Numerous woodcuts. 2 vols. 
 16mo, brown levant morocco gilt, gilt edges by Emile 
 Rousselle. f London, 1831 
 
 859. CRUIKSHANK (ROBERT). The Playfair Papers, — 
 or Brother Jonathan, the smartest Nation in all Creation. 
 Illustrations, mostly in colors, by Robert Crutkshank. First 
 EpiTIon. 3 vols. 8vo, red levant morocco gilt, gilt tops, uncut, 
 by The Club Bindery. ~~ London, 1841 
 
 860. CRUIKSHANK (ROBERT). James Hatfield and the 
 Beauty of Buttermere. A Story of Modern Times. With 
 colored wlustrations by Robert Crutkshank. 3 vols. 12mo, 
 half red morocco, gilt tops, by Zaehnsdorf. London, 1843 
 
 861. CRUIKSHANK (ROBERT). Brother Jonathan, the 
 Smartest Nation in all Creation, by Hugo Playfair. Illus- 
 trations in colors by Robert Cruikshank. 3 vols. 8vo, brown — 
 levant morocco gilt, gilt tops, uncut, by The Club Bindery. — 
 
 London, 18: 
 
 862. CUMBERLAND (GEORGE). Inventions. Engrav 
 title-page and 23 outline plates. Royal 4to, half brov 
 levant morocco, gilt top, uncut, by Krafft. [London], 17: 
 
 863. CUMBERLAND (GEORGE). Outlines from t 
 Antients. Introduction by G. Cumberland. 81 plates e 
 graved by F. C. Lewis. Folio, brown morocco gilt, gilt side 
 gilt edges (a number of plates spotted). London, 18 
 
 864. CUMBERLAND (RICHARD). The Mysterious Hu 
 band. A tragedy in five acts. As it is acted at the Theatr 
 Royal, Covent-Garden. First Eprrion. 8vo, olive moroce 
 sprinkled edges. London: C. Dilly, 17. 
 
 865. [CUMBERLAND (RICHARD).] - The Carmelite: A 
 Tragedy, 1784. The Natural Son: A Comedy, 1785. F 
 Epitions. 2 vols. in 1. 8vo, red leather, gilt edges. Baer 
 
 London, 1784-5 
 124 eras 
 
866. CUMBERLAND (RICHARD). The Posthumous 
 Dramatic Works of Cumberland. Edited by T. W. Jansen. 
 2 vols. 8vo, half calf, sprinkled tops, uncut. London, 1813 
 
 867. CURTIUS (F. CORNELIUS). Virorvm Illvstrivm 
 ex ordine eremitarvm D. Avgvstini Elogia evm singvlorvm 
 expressis ad vivvm Iconibvs. Engraved title and 30 portraits 
 by C. Galle after Francquart. 4to, polished ealf, gilt, by 
 Bauzonnet, Antverpiae: apvd Ioannem Cnobbarvm, 1636 
 
 * From the Yemeniz collection. 
 
 868. D (J.). The Knave in Graine, New Vampt. <A Witty 
 * Comedy. Written by J. D. Gent. First Eprrion. 
 
 Small 4to, citron levant morocco gilt, gilt edges, by David. 
 London: Printed by J. O., 1640 
 
 869. DABORN (ROBERT). A Christian turn’d Turke: 
 or, The Tragicall Liues and Deaths of the two Famous 
 Pyrates, Ward and Dansiker. As it hath beene publickly 
 Acted. 4to, mottled calf, gilt back and edges, by Pratt. 
 (Small hole in title-page. ) 
 
 London: Printed for William Barrenger, 1612 
 * FIRST EDITION. RARE. 
 
 870. DACIER (ANDRE). Bibliothéque des Anciens 
 Philosophes, contenant La vie de Pythagore; ses Symboles; 
 la vie d’Hiéroclés, & ses Vers dorés. 5 vols. 12mo, red 
 morocco, gilt edges, by Antoine Chaumont. 
 
 Paris: Saillant & Nyon, 1771 
 * Large paper copy, from the Beckford collection. 
 
 871. DAILLHIERE (LE SIEUR DE LA). Les Entetiens 
 Curieux, de Tartuffe et de Rabelais, surles Femmes. 12mo, 
 old citron morocco, gilt edges. 
 
 Middlebourg: Gilles Horthemels le Jeune, 1688 
 
 872. DAIX (FRANCOIS). Polydore, ov le Printemps 
 des Amours. 12mo, citron levant morocco, back and sides 
 decorated in gold and dark blue and ivory mosaic, gilt 
 edges, by Thibaron. Lyon, 1605 
 
 * From the E. M. Bancel collection. ° 
 
 873. [DALIBRAY (CHARLES VION).] La Musette. 
 D.S.D. Small 8vo, red levant morocco gilt, gilt edges, by 
 Trautz-Bauzonnet. Paris [1646] 
 
 * First EDITION. From the Bertin collection. 
 
 874. DALIBRAY (CHARLES VION). Les Givvres Poet- 
 iqves dv S’ Dalibray. Diuisées en vers Bachiques, Satyr- 
 iques, Heroiques, Amoreux, Moraux, & Chrestiens. 12mo, 
 ‘blue levant morocco, gilt back, gilt edges, by Trautz- 
 Bauzonnet. Paris: Jean Grignard, 1653 
 
 * Divided into six parts, each with separate pagination. N iv 
 verso has a woodcut, recto blank, 
 125 
 
875. DAMOURS (LOUIS). Lettres de Ninon de |’Enclos 
 au Marquis de Sevigné. Augmentées de sa Vie et de 
 43 Lettres. Portrait and engraved titles. 2 vols. 12mo, 
 old blue morocco gilt, gilt edges. 
 
 Amsterdam: Frangois Joly, 1752 
 
 * First EDITION, on Holland paper. Damours’ first work. 
 
 876. DAN (PIERRE). Le Tresor des Merveilles de la 
 Maison Royale de Fontainebleau. Contenant la deserip- 
 tion de son antiquité, de sa fondation, de ses bastimens, 
 de ses rares Peintures, Tableaux, Emblemes, & Deuises, — 
 de ses Iardins, de ses Fontaines, & autres singularitez — 
 qui s’y voyent. 9 plates representing a plan of the — 
 gardens of Fontainebleau and its fountains, engraved by — 
 Bosse and M. Lasné after Francint. Folio, red levant — 
 morocco, gilt edges, by Cuzin. * 
 
 Paris: Sebastien Cramoisy, 1642 o 
 
 877. DANA (CHARLES A.) AND WILSON (J. H.). The 
 Life of Ulysses S. Grant. First Epirion. Portrait and 3 — 
 maps. &vo, half blue morocco, gilt back, gilt top, uncut, 
 by W. Matthews: Springfield, Mass., 1868 te 
 
 878. DANA (RICHARD H.). Poems; by Richard H. 
 Dana. First EDITION. 18mo, brown levant morocco, 
 gilt back, side border, gilt edges, by The Club Bindery. | 
 
 Boston, 1827 
 
 879. DANIEL (GABRIEL). Histoire de la Milice Fran 
 coise, et des changemens quis’y sont faits depuis V’etablisse- ¥. 
 ment de la monarchie Francoise dans les Gaules, jusqu’a la 
 fin du Régne de Louis le Grand. Par le R. P. G. Daniel. — 
 With 70 plates. 2 vols. 4to, old red morocco, gilt backs, gil ti 
 edges, in the manner of Padeloup. : 
 
 Amsterdam: Aux dépens de la Compagnie, 1 
 
 * Probably a large paper copy. 
 
 880. DANIEL (GEORGE). The Modern Duneiad, Virgi 
 in London, and other Poems. 12mo, green straight-grair 
 morocco, back and sides tooled in the manner of Roge: 
 Payne, with the initials G. D., gilt edges, by C. Lewis. © 
 
 London: Wm. Pickering, 1835 
 * George Daniel’s own copy, in which he has inserted his por. 
 
 trait, proof on India paper, also portraits of Samuel Johnson 
 Sterne, Scott and his family, etc. 
 
 881. DANIEL (GEORGE). Merrie England in neon 
 Time. 4 plates by Leech and numerous woodcuts. FIR 
 EDITION. 2 vols. post 8vo, original cloth, uncut (sr é 
 piece torn from margin of one leaf). : 
 London: Richard Bentley, 1 18 
 
 126 
 
882. DANIEL (SAMUEL). Delia. Containing certaine 
 Sonnets with the Complaynt of Rosamond. SECOND EDI- 
 TION. 4to, blue straight-grain morocco gilt, gilt edges, by 
 Riviere. London: Printed by J. C. for S. Watersonne, 1592 
 
 * Published in the same year as the First Edition. The second 
 edition of Delia and third of Rosamond. Has 129 stanzas in 
 Rosamond instead of 106 as in previous editions. THE OUVRY- 
 ROWFANT COPY AND THE ONLY PERFECT ONE KNOWN. 
 
 (See Reproduction. ) 
 
 883. DANIEL (SAMUEL). Delia. Contayning certayne 
 Sonnets: with the complaint of Rosamond. Small 4to, 
 purple straight-grain morocco, gilt top, uncut, by Zaehns- 
 dorf. [Collier Reprint] London: Simon Waterson, 1592 
 
 * Contains numerous marginal corrections probably in the 
 autograph of John Payne Collier. 
 
 884. DANIEL (SAMUEL). The first fower Bookes of 
 the ciuile wars between the two houses of Lancaster and 
 Yorke. Woodcut border to title. Small 4to, brown levant 
 morocco gilt, gilt edges, by the Club Bindery. 
 
 London: Printed by P. Short for Simon Waterson, 1595 
 
 * The second of the two issues printed in 1595, The woodcut 
 border on the title-page is less elaborate and a ‘' fift Booke”’ is 
 added, beginning at folio 89 with a new set of signatures. 
 
 885. DANIEL (SAMUEL). The Tragedie of Cleopatra. 
 Title within a woodcut border, with the royalarms of England 
 at the top. 4to, red levant morocco gilt, gilt top by Riviere. 
 Complete in itself, but usually forming part of the ‘‘ Poeti- 
 call Essayes ”’ by the same author. 
 
 London: Printed by P. 8. for Symon Waterson, 1599 
 
 886. DANIEL (SAMUEL). Tragedie of Cleopatra. Title 
 within a woodcut border. FIRST EDITION. Small 4to, red 
 levant morocco gilt, scroll and arabesque decoration on 
 sides, gilt over rough edges, by Ruban. 
 
 London: Printed by P. 8. for Symon Waterson, 1599 
 
 887. DANIEL (SAMUEL). The Tragedie of Cleopatra, 
 FIRST EDITION (last 8 leaves missing), London, P. S for 
 Symon Waterson, 1599; The Tragedy of Philotas, London, 
 1623 (imperfect and forming part of the works). 2 pieces. 
 4to, unbound. 
 
 888. DANIEL (SAMUEL). Certaine small Poems lately 
 printed: with the Tragedy of Philotas. Written by Samuel 
 Daniel. 2 parts in 1 vol. 8vo, red straight-grain morocco 
 gilt, in the manner of Roger Payne, gilt edges, by F. Bed- 
 ford. Signatures A 6-7 (2 leaves) of Philotas, containing 
 the Argument missing, and trifling repairs to 2 leaves. 
 
 At London: Printed by G. Eld for Simon Waterson, 1605 
 
 * Third collected edition of the poems of Daniel, but the 
 First Edition of ‘‘ Philotas,” and some other shorter poems, 
 
 127 
 
_ Straight-grained morocco, back and sides gilt and blind- 
 
 889. DANIEL (SAMUEL). The Tragedie of Philotas. 
 18mo, blue levant morocco gilt, gilt edges, by Riviére. 
 London: Printed by Melch Bradwood for Edw. Blount, 1607. 
 
 * This work includes, with continuous signatures, the Pane- _ 
 gyric Congratulatory, Certain Epistles and the Defence of 
 Rhyme. 
 
 890. DANIEL (SAMUEL). Certaine Small Workes here- 
 tofore divulged by Samuel Daniell one of the Groomes of the 
 Queens Maiesties most Honourable priuie Chamber, andnow ~ 
 againe by him corrected and augmented. 12mo0, red — 
 
 tooled, leather joints, gilt edges. 
 At London, Printed by I. L. for Simon Waterson, 161i 
 
 * Sixth edition of collected poems, second of ‘‘Small Works.” 
 George Daniel’s copy, with portrait of the author inserted. 
 
 891. DANIEL (SAMUEL). The First Part of the His- 
 torie of England. First Epition. Title in architectural 
 border. Small 4to, buff levant morocco with geometrical — 
 inlays of red and dark green levant, richly gilt, doublure of 
 red levant, gilt edges, by The Club Bindery. (Slight ropa 
 to the first three and last two leaves.) 
 
 London: Nicholas Okes, 1612 
 
 892. [DANIEL (SAMUEL).] The Tragedie of Cleo- 
 patra. Small 4to, sheets (unbound). Lacks several pages, 
 ete. Sold w. a. f. Lond. 1623 — 
 
 893. DANIEL (SAMUEL). The Complaint of Rosamond. 
 An exact reproduction of the earliest known edition; under 
 the care of J. Payne Collier. Small 4to, purple straight- 
 grain morocco, gilt top, uncut, wrappers bound in, by 
 Zaehnsdorf. For private circulation only. Lond. 1870 
 
 * The above contains also ‘The Shepheard’s Garland,” 1593, 
 and ‘‘ Endimion and Phoebe.” . 
 
 894. DANIEL (SAMUEL). The complete Works in 
 Verse and Prose of Samuel Daniel. Edited with Memorial . 
 Introduction and a Glossarial Index embracing Notes and — 
 Illustrations. By Alexander B. Grosart. Portrait on India - 
 paper and facsimiles. 5 vols. small 4to, original wrappers: i 
 (one corner torn off), uncut. a 
 
 Printed for the Spenser Society, 1885-9 ; 
 * One of 100 copies. 
 
 895. DANSE MACABRE. La grant anes Macabre ae 
 homes et des femes. ~Auec les dis des trois mors et trois 
 vifs, le debat du corps et de lame, la complainte de lam 
 dampnee, et lenseignement pour bien viure et bien mouri 
 Nouuellement Imprime a Paris XVII.C. Gothic character. 
 title-page within engraved border, and 88 woodcuts. Small 
 4to, red levant morocco, gilt, centre side-ornaments, by 
 Capé. [Lahure, Paris: chez L. Potier, o 
 
 128 
 
Yate tn A A A a? Ma at ita ait a 
 4 
 
 SY BAS 92S WANG ANG FA 97 BNO IAU) A) CLANS) MAOAB\O O/C OMNG NO. 
 
 tnooomit 
 
 a Containing FRE 
 
 eres, © ccna 
 
 certaine Son- 
 
 nets: with the 
 complaynt of Ro-| 
 fenond. 
 
 ALtas prima Ca- 
 nat Generes postre- 
 
 " AT LONDON, 
 
 Printed by ?. ( forS. 
 
 DANIEL. DELIA. LONDON, 1592. 
 (See No. 882.) 
 
896. DANTE. Dante con lespositione di Christoforo 
 Landino, et di Alessandro Vellutello. Portrait of Dante on 
 title and cuts in the text. Folio, brown morocco, gilt pan- 
 elled sides, centre ornaments, by Bedford. Inner part of 
 lateral margin of title supplied. Venetia: Sessa, 1564 
 
 897. DANTE. La Comédie de Dante, de l’Enfer, du 
 Purgatoire et Paradis, mise en ryme Francoise et com- 
 métée par M. B. Grangier. Engraved titles with portrait 
 of Dante, and in volumes I and ITT a portrait of Henry IV, 
 to whom the work is dedicated, engraved by Thomas de Leu. 
 3 vols. 16mo, red levant morocco gilt, gilt edges, by Trautz- 
 Bauzonnet. Paris: pour la vefve Drobet, 1596-97 
 
 * FirsT EDITION of the first French translation. Very scarce, 
 especially in such fine condition as the above copy. 
 
 898. DANTE. La Divine Comédie. Traduit et Précédée 
 d’une introduction de F. Lamennais. Muvres Posthumes. 
 Publiées selon le voeue de l’auteur par E. D. Forgues. 
 2 vols. 12mo, half brown morocco, gilt. Paris, 1862 
 
 * From the library of B. Jouvin, with bookplate. 
 
 899: DAPHNE CORONALIS: A Pindarique Ode, To 
 the most august Monarch, James the II of England, France, 
 and Ireland, King and Defender of the Faith. Small 4to, 
 half green ealf. London: Charles Brome, 1685 
 
 900. DDARBLAY (MADAME). Evelina, or, a Young 
 Lady’s Entrance into the World. [By Fanny Burney. | 
 3 vols. 12mo, blue levant morocco gilt, gilt tops, UNCUT, by 
 David. London: Printed for T. Lowndes, 1778 
 
 * First EDITION. Scarce. 
 
 901. DARBLAY (MADAME). Evelina, ou l’entrée d’une 
 jeune personne dans le monde. Par Miss|Fanny] Burney. 
 Traduit delAnglais. Prontispieces. 2 vols. 18mo, red mo- 
 rocco, gilt backs and side panels, gilt edges. Paris, 1798 
 
 * Vellum paper copy from the Pixerécourt collection. 
 
 902. [D-ARBLAY (MADAME).] Cecilia, or Memoirs of 
 an Heiress. By the author of Evelina. 5 vols. 12mo, green 
 levant morocco gilt, gilt tops, uncut, by David. London, 1782 
 
 * FIRST EDITION, Rare uncut. 
 
 603. [D-PARBLAY (MADAME).] Camilla; or, a Picture 
 of Youth. FIRST EDITION. 5 vols. 12mo, red levant mo- 
 rocco, gilt, TOTALLY UNCUT, by Riviére. London, 1796 
 
 * Very rare in this condition. 
 
 904. [DPARBLAY (MADAME).| The Wanderer; or, 
 Female Difficulties. By the Author of Camilla. FIRST 
 EDITION. 5 vols. 12mo, green levant morocco gilt, gilt 
 tops, uncut, by The Club Bindery. London, 1814 
 
 * Uncut copies are scarce, 
 129 
 
905. DDPARBLAY (MADAME). The Romance of Private 
 Life. By Miss Burney, First EDITION. 3 vols. 12mo, 
 
 original boards, uncut (repaired, name on titles). 
 London, 1839 
 
 906. D’ARGENVILLE (DESALLIER). Abrégé de la 
 vie des plus fameux peintres, avec leurs portraits gravés en 
 taille-douce, les indications de leurs principaux ouvrages. 
 Quelques Réflexions sur leurs caractéres, et la maniere de 
 connoitre les dessins et les tableaux des grandes maitres 
 par M*** .. . Nouvelle Edition, revue, corrigée & aug- 
 
 - mentée de la Vie de plusieurs Peintres. Wath 4 frontis- — 
 pieces, 4 vignettes in 2 states, 240 portraits, and 17 portrait 
 frames. 4 vols. 8vo, green levant morocco gilt, gilt edges, — 
 by Trautz- Bauzonnet. Paris: De Bure |’ Aine, 1762 — 
 
 * The De Bure copy, with autograph. 
 
 907. DART (JOHN). The Complaint of the Black | 
 Knight from Chaucer. 8vo, morocco, gilt edges. < 
 London, 1718 € 
 
 908. DAUBORNE (ROBERT). The Poor Mans Com- — 
 fort, A Tragi-Comedy as it was divers times Acted at the — 
 Coek- -pit in Drury Lane. FIRst EDITION. Small eee 
 brown morocco, gilt edges. 
 
 London: Rob. Pollard. . .. John Sweeting, 1655 
 
 909. DAUDET (ALPHONSE). Fromont Jeune et Risler 
 Ainé. Avec de nombreuses illustrations par George Roux, 
 gravées sur bois par Froment et Hamel, edition de luae. Ac- 
 compagnée d’une suite de vingl eaux -fortes gravées par F.- 
 Desmoulin. Royal 8vo, half red levant morocco gilt, gil 
 top, uncut, original covers bound in, by Carayon. . 
 
 Paris, 1894 
 
 *One of 50 copies on India paper, with the etchings in a 
 states on Holland and India paper. 
 
 910. DAUDET (ALPHONSE). Lettres de mon Moulin 
 Illustrations de José Roy et G. Fraipont. 4to, blue levan 
 MOrogco. gilt back, gilt over rough edges, original cover 
 bound in, "by The Club Bindery. Paris, 190: 
 
 # One of 75 copies on India paper, with the full-page plates 
 in two states, in color, 
 
 911. DAUDET (LEON A.). Sébastien Gouves, Roma 
 Contemporain. 12mo, half brown levant morocco, gilt top, 
 uncut, original covers bound in. Paris, 189' 
 
 * One of 20 copies on papier vélin, signed by the author. 
 
 912. DAVENANT (SIR WILLIAM). The Tragedy o 
 Albovine, King of the Lombards. First EDITION. Smal 
 4to, vellum boards (not the original). 
 
 London: Printed for R. M., , 1629 : 
 130 | 
 
913. [DAVENANT (SIR WILLIAM).] The Ivst Italian. 
 Lately presented in the priuate house at Blacke Friers, By 
 his Maiesties Seruants. 4to, sprinkled calf, gilt back, gilt 
 edges, by Riviére. (Small hole in title-page. ) 
 
 London: Printed by Thomas Harper for Ion Waterson, 1630. 
 
 914. DAVENANT (SIR WILLIAM). The Crvell Brother. 
 A Tragedy. As it was presented, at the priuate House, in 
 the Blacke-Fryers: By His Maiesties Seruants. First EDI- 
 TION. Small 4to, calf gilt, gilt edges, by Pratt. 
 
 London: Imprinted by A. M. for John Waterson, 1630 
 
 915. DAVENANT (SIR WILLIAM). The Triumphs of 
 the Prince d’Amour. A Masque Presented by his High- 
 nesse at his Pallace inthe Middle Temple. FIRST EDITION. 
 Small 4to, red levant morocco, gilt edges, by The Club 
 Bindery. London: Printed for Richard Meighen, 1635 | 
 
 * With rare leaf of Jicense. 
 
 916. DAVENANT (SIR WILLIAM), The Witts. A 
 Comedie, presented at the Private House in Blacke Fryers, 
 by his Majesties Servants. FIRST EDITION. Small 4to, 
 ealf (somewhat rubbed). 
 
 London: Printed for Richard Meighen, 1636 
 
 *This copy contains the rare leaf of License preceding title. 
 ‘«The Play called The Witts . . . may bee printed,” etc. From 
 the Perkins collection, arms on each side. 
 
 917. DAVENANT (SIR WILLIAM). The Platonick 
 Lovers. A Trageecomedy. Presented at the private House 
 in the Black-Fryers, By his Majesties Servants. FIRST EDI- 
 TION. 4to, brown levant morocco, gilt back and edges, by 
 Riviére. (Title and 2 last leaves repaired.) 
 
 London: Printed for Richard Meighen, 1636 
 
 918. DAVENANT (SIR WILLIAM). The Vnfortvnate 
 Lovers: A Tragedie: As it was lately Acted with great ap- 
 plause at the private House in Black-Fryers. By His 
 Majesties Servants. First EDITION. Small 4to, half red 
 morocco (cut close at bottom. 
 
 London: Printed by R. H. and are to be sold by Francis 
 Coles, 1643. ° 
 
 919. DAVENANT (SIR WILLIAM). Love and Honovr 
 Written by W. Davenant Knight. Presented by His Majes- 
 ties Servants at the Black-Fryers. FIRST EDITION. 4to, red 
 levant morocco, gilt back and edges, by David. 
 
 . London, Printed for Hum: Robinson, 1649 
 
 920. DAVENANT (SIR WILLIAM). The Cruelty of the 
 Spaniards in Peru. Exprest by Instrumentall and Vocall 
 Musick, and by Art of Perspective in Scenes, &c. Repre- 
 sented daily at the Cockpit in Drury-Lane, At Three after 
 noone punctually.. First EDITION. 4to, boards. 
 
 London: Printed for Henry Herringman, 1658 
 
 131 
 
921. [DAVENANT (SIR WILLIAM).] The History of 
 St Francis Drake. Exprest by Instrumentall and Vocall 
 Musick, and by Art of Perspective in Scenes, &e. The 
 First Part. Represented daily at the Cockpit in Drury- 
 Lane at Three Afternoon Punctually. 4to, calf gilt, gilt 
 edges, by Lloyd and Wallace. (Title and last few leaves 
 repaired.) London: Printed for Henry Herringman, 1659 
 
 * FIRST EDITION. Complete, as no second part was pub- 
 lished. The Lefferts copy, with the French bookplate. 
 
 922. DAVENANT (SIR WILLIAM). Poem, upon his’ — 
 Sacred Majesties most happy Return to his Dominions. ~— 
 FIRST EDITION. Small 4to, green levant morocco gilt, gilt 
 edges, by Reviere. cos cats 
 
 London: Printed for Henry Herringman, 1660 
 
 923. DAVENANT (SIR WILLIAM). The Siege of ~ 
 Rhodes: The First and Second Part; As they were lately 
 Represented at His Highness the Duke of York’s Theatre 
 in Lincolns-Inn Fields. The first Part being lately enlarg’d. — 
 Small 4to, half ealf. Old writing in places. . 
 London: Printed for Henry Herringman, 1663 — 
 
 * Third Edition, an enlargement of the second, of 1659. 
 
 924. DAVENANT (SIR WILLIAM). The Man’s the 
 Master: A Comedy. First Epirion. 4to, half calf. 
 3 In the Savoy, for Henry Harringman, 1669 — 
 
 *The last production of Davenant, finished a few weeks. 
 before his death. fe ee 
 
 925. DAVENANT (WILLIAM) ano JONES (INIGO). — 
 Temple of Love. A Masque. Presented by the QueenesS 
 Majesty, and her Ladies, at White-hall on Shrove-Tuesday, _ 
 1634. FrIRst EDITION. 4to, red levant morocco, gilt back 
 and edges, by David. Bae ui" 
 
 London: Printed for Thomas Walkley, 1634 
 * Signature B is as usual only three leaves. Only one copy _ : 
 
 (in a New York collector’s library) is known with the fourth 
 leaf of the signature (a cancel). The Huth copy also lacks it. — 
 
 926. DAVENANT (WILLIAM) anp JONES (INIGO). — 
 Salmacida Spolia. A Masque. Presented by the King and © 
 Queenes Majesties, at White-hall, On Tuesday the 21. day — 
 of January 1639. First EDITION. Small 4to, brown levant — 
 morocco, gilt back, interlaced fillets, etc. on the sides, rich 
 inside borders and marquetry panel, gilt top, uncut, in 
 brown moroceo case, by Kaufmann. Small hole in blank 
 portion of last leaf. | ee 
 
 London: Printed by T. H. for Thomas Walkley, 1639 
 * The scenes, etc., were arranged by Inigo Jones, the masque 
 was ‘‘spoken or sung ” by William Davenant, “the subjec 
 was set downe by them both,” and the music was composed 
 by hori Richard. This play was not included in the first folio — 
 fe) Y ‘ 
 
 132 
 
927. DAVID (FRANCOIS ANNE). Histoire d’Angle- 
 terre, representee par figures; accompanees d’un Precis 
 Historique [Par Le Tourneur et autres]. Gravées par F. A. 
 David. Two engraved titles and 96 plates engraved by David 
 after Binet, Le Jewne, Van Dyck, etc. 2 vols. 4to, red 
 morocco, gilt backs and wide side borders, gilt edges, by 
 Derome the younger. Paris, 1784 
 
 928. DAVID (JOANNES). Christeliicken Waerseggher, 
 de principale stucken van t’Christen Geloof en Leuen int 
 cort begrijpende. Meteen rolle der devgtsaemheyt daer op 
 dienende. Ende een Schildt-Wacht teghen de valsche 
 Waersegghers, Tooueraers, ete. Engraved title and 100 
 plates by Joannes Calle, the last being a movable diagram. 
 4to, brown levant moroceo, back and sides blind- oe 
 gilt edges, by Riviére. 
 
 T’ Antwerpen: Inde Plantijnsche Druckerije, 1603 
 
 929. DAVIDSON (JOHN). Plays, being: an unhistorical 
 pastoral: a romantic farce: Bruce a chronicle play; Smith 
 a tragic farce: and Scaramouch in Naxos a pantomime. 
 Frontispiece by Beardsley. FIRST EDITION. Small 4to, 
 eloth, uncut. London, 1894 
 
 * Large paper copy. 
 
 930. DAVISON (FRANCIS). A Poetical Rapsody; con- 
 taining diverse Sonnets, Odes, ete., never yet published. 
 Small 4to, blue straight-grain morocco, gilt top, uncut, by 
 Zaehnsdort. 
 
 [Collier Reprint]: London, V. S. for John Baily, 1602 
 
 * Thick paper; one of only 12 copies. 
 
 930*. DAVISON (FRANCIS). The Poetical Rhapsody: 
 To which are added several other pieces; with memoirs and 
 notes, by N. H. Nicolas. 2 vols. 8vo, cloth, uncut. 
 
 London: Wm. Pickering, 1826 
 * One of 250 copies. Autograph of Brantz Mayer in both 
 volumes. 
 
 931. DAVISON (FRANCIS). Poetical Rhapsody, Edited 
 
 by A. H. Bullen. 2 vols. 8vo, half calf, gilt tops, uncut. 
 * One of 250 copies on large paper. London, 1890 
 
 932. [DAY (JOHN).] The Faire Maide of Bristow. As 
 it was plaide at Hampton before the King and Queenes 
 most excellent Maiesties. FIRST EDITION. Small 4to, red 
 levant morocco, doublures of red levant, gilt, by The Club 
 Bindery. London: For Thomas Pauyer, 1605 
 
 * Attributed to John Day by Malone. Fine copy of 4 VERY 
 RARE BOOK. 
 
 933. DAY (JOHN). The Works of John Day. Edited 
 by A.H. Bullen. 6 parts in 2 vols. Small 4to, blue levant 
 morocco, gilt tops, uncut, original covers bound in, by R. W. 
 Smith. ‘London: Chiswick Press, 1881 
 
 * Privately printed. 
 133 
 
934. DE BRY (JEAN THEODORE). Emblemata Secu- 
 laria. Versibus Latinis, Rhythmisq, Germanicis, Gallicis, 
 Belgicis, ete. Title and 147 plates engraved on copper, 
 some of the heraldic being duplicated. Small 4to, brown 
 straight-grain morocco gilt, gilt edges, by Murton. 
 
 - Typis Hieronymi Galleri [1611} 
 
 935. DE BRY (JEAN THEODORE anp J. ISRAEL). 
 Emblemata Secularia, mira et iucunda varietate seculi huius 
 mores ita exprimentia, ut sodalitium symbolis insigniisque 
 conscribendis & depingendis peraccommodasint. Trtlewithin 
 an engraved border and 101 fine copper-plates of emblems, — 
 escutcheons, etc., engraved by J. T. and J. J. de Bry, all 
 brilliant impressions, and preceded by verses in Latin, | 
 Dutch, German and French. 4to, red Straight-grain mo- | 
 rocco, gilt panelled sides, gilt edges. Francofurti, 1596 — 
 
 * From the Henry Hope Edwards collection. 
 
 936. DECKER (THOMAS). The Dramatic Woe ols 
 Thomas Dekker now first collected with illustrative notes — 
 and a memoir of the author. 4 vols. 8vo, boards, uneut. 
 
 * Large paper copy. London, 1873 . 
 
 937. [DEFOE (DANIEL).] A Hymn to Victory. Second 
 Edition. Small 4to, unbound (a pagination in ink in ad- 
 dition to the regular). London: Printed for J. Nutt, 1704 
 
 938. [DEFOE (DANIEL).] (I.) Moderation Display’d: 
 a poem. By the Author of Faction Display’d. London: 
 Printed in the Year 1704. (II.) The Sequel: or Modera- 
 tion Further Display’d, a poem. By the Author of Faction 
 Display’d. Printed in the Year 1705. 2 works in 1 vol. 
 Small 4to, green morocco, gilt top, by The Club Bindery. 
 
 London, 1704-05 
 
 * «Faction Displayed” is attributed to Defoe and also to WwW 
 Shippen. 
 
 939. [DEFOE (DANIEL).] The Life of Mr. Richar 
 Savage. Who was Condemn’d with Mr. James Gregory 
 the last sessions at the Old Bailey, for the Murder of Mr. 
 James Sinclair, etc. 8vo, half leather, gilt top, uncut. — 
 
 London, 1727_ 
 ‘* Attributed to De Foe. This is a’ year earlier than the 
 
 British Museum copy in date, although both are marked secon 
 edition. et 
 
 940. [DEFOE (DANIEL).] The Life and Advaneaie or < 
 Mrs. Christian Davies, commonly called Mother Ross; who 
 in several Campaigns, under King William and the late | 
 Duke of Marlborough, in the quality of a foot-soldier anc 
 Dragoon, gave many signal proofs of an unparallell’ 
 
 courage and personal bravery. FIRST EDITION. 8vo, con- 
 
 temporary calf (binding repaired). First fly-leaf missing). _ 
 London, 1740 
 
 184 ee 
 
 hy 5 
 
941. DEFOE (DANIEL). The Life and Adventures of 
 Robinson Crusoe. Hmbellished with engravings from de- 
 signs by Thomas Stothard. 2 vols. royal 8vo, red levant 
 morocco, back and sides richly tooled, gilt edges, with some 
 rough leaves, by C. Lewis. London, 1820 
 
 * Large paper copy. 
 
 942. DEFOE (DANIEL). The Life and Adventures of 
 Robinson Crusoe. Hmbellished with 20 plates, proofs before 
 and after letters on India paper, and 2 vignettes on India 
 paper, from designs by Stothard, engraved by Heath. 2vols. 
 royal 8vo, blue morocco, profusely gilt, broad inside borders, 
 red silk linings, and end-papers, gilt edges, by Clarke and 
 Bedford. London, 1820 
 
 * Large paper copy. 
 
 943. DEFOE (DANIEL). The Novels and Miscellaneous 
 Works of Defoe. With a Biographical Memoir of the 
 Author, illustrative notes, ete. 20 vols. 12mo, red levant 
 morocco gilt, gilt tops, uncut, by David. 
 
 * Fine set. Oxford: Talboys, 1840-41 
 
 944. DE KOCK (CH. PAUL). Ckuvres de Paul de Kock. 
 30 vols. 8vo, half purple morocco, uncut. 
 Paris: Gustave Barba, 1835-40 
 945. DE LILLE (JACQUES). Les Jardins, ou 1’Art 
 d’Embellir les Paysages: Poeme. Par M. L’ Abbé De Lille. 
 18mo, half green morocco, uncut. Paris, 1782 
 * Thick Holland paper copy. 
 
 946. DE LILLE §{(JACQUES). The Gardens, a Poem. 
 Translated from the French by Mrs. Montolieu. With & 
 plates and vignettes engraved by Bartolozzi. 8vo, half red 
 levant morocco, gilt top, uneut, by Krafft. London, 1805 
 
 947. DELL (WILLIAM). The Doctrine of Baptisms, 
 Reduced from its Ancient and Modern Corruptions; And 
 restored to its Primitive Soundness and Integrity. 12mo, 
 polished calf, gilt back and edges, by Bedford. 
 
 London: Printed; Philadelphia Reprinted, by B. Frank- 
 lin and D. Hall, 1759. 
 
 948. DELL (WILLIAM). The Trial of Spirits. both in 
 Teachers and Hearers. Wherein is held forth The clear 
 Discovery, and certain Downfal, of the Carnal and Anti- 
 Christian Clergy of these Nations. 12mo, polished ealf, 
 gilt back and edges, by Bedford. 
 
 London: First Printed in 1666. Philadelphia, Reprinted 
 -by B. Franklin and D. Hall, 1760. 
 
 949. DELLA CASA (GIOVANNI). Galateo, of Manners 
 and Behaviors in Familiar Conversation. A Faithful Re- 
 production of the English Translation made by Robert 
 Peterson in 1576. Edited by H. J. Reid. 4to, boards, uncut. 
 
 [London:] Privately Printed, 1892 
 * Large paper copy, one of 30 printed; signed by the Editor. 
 
 135 
 
950. DELONEY (THOMAS). The Garland of Good- Will: 
 Divided into Three Parts. Containing many Pleasant Songs ~ 
 and Poems. With a Table to find the Names of the Songs. 
 3h D——. Small 8vo, red niger skin, by The Club 
 Bindery. 
 
 London: Printed for G. Conyers (at the Sign of the 
 Golden-Ring) in Little Britain, [n. d., about 1680]. a 
 
 * The Park, ‘‘ Bibliotheca Anglo-Poetica,’”’ Sykes, and Payne 
 Collier copy. The numerous notes in the text and on the three 
 first fly leaves were written by Fhomas Park, who corrected — 
 the volume from an early black-letter edition in Major Pearson’s ~ 
 
 library. J. Payne Collier’s signature and notes are also con- 
 tained in the book. 
 
 951. DELONEY (THOMAS). The History of Thomas of — 
 Reading; or, the Six Worthy Yeomen of the West. 8vo, 
 light brown morocco gilt, gilt edges. es sites 
 
 London: William Pickering, 1827 _ 
 
 * The Utterson copy, and the only one printed on vellum. 
 
 952. DELORME (HUGUES). Quais et Trottoirs. 12  — 
 lithographies en couleurs de Heidbrinck. Royal 8vo, brown — 
 levant morocco, gilt back and panelled sides, gilt top, uncut, ey 
 original covers ‘pound in, by he Club Bindery. — Ra ie 
 
 Paris: Pour les Cent Bibliophiles, 1898, oe 
 
 * One of only 115 copies. 
 
 953. DELVAU (ALFRED). Dictionnaire Erotique mo- 
 derne par un professeur de langue verte. Nouvelle édition, 
 revue, corrigée considérablement augmentée par l’auteur et 
 enrichie de nombreuses citations. Hitched cron baa 
 12mo, half brown levant morocco, gilt top, uncut. 5 
 
 * Printed on Holland paper, exclusively for the Tone of “ 
 the Biblio-Aphrodiphile Société, and not for sale. i. Daca 
 
 954. DELVAU (ALFRED). Les Cythéres Parisiennes. 
 Histoire Anecdotique des Bals de Paris. Avec 24 eau 
 fortes et un frontispiece de Felicien Rops et Emile Theron 
 FIRST EDITION. 12mo, half citron levant morocco, gilt top, 
 uncut, by Behrends. ‘Paris, 1864 — 
 
 955. DE MANNE (KE. D.). Galerie Historique des Con “poe 
 diens de la Troupe de Talma. Notices sur les principaux 
 Sociétaires de la Comédie Francoise Depuis 1789. V ignette 
 and 40 etched portraits by F. Hillemacher. 8vo, half citron 
 morocco gilt, gilt top, uncut, by Cuzin. . ; 
 Lyon: N. Scheuring, 186 
 
 956. DEMOCRITUS RIDENS, sive campus recreationu 
 honestarum cum exorcismo melancholia (ascribed to J. 
 Langius). Engraved title with full-length figure of D 
 critus. 12mo, blue straight-grain morocco, gilt edges, 
 Thouvenin. Amstelodami: Heeredes J. Ji eee) 1655 
 
SIXTY-FIFTH SESSION. 
 Wednesday, November 13th, 8:15 P.M. 
 
 957. DEMOSTHENES. Cinque Orationi di Demosthene, 
 et una di Eschine, tradotte di lingua Greca in Italiana. 
 (Signat. GG wrongly bound and last blank missing). Venetia, 
 [Aldo,] 1557—Due Orationi, l’una di Eschine contra di 
 Tesifonte, l’altra di Demosthene a’ sua difesa (blank portion 
 of last leaf supplied). Vinegia, figliuoli di Aldo, 1554. In 
 one vol. 8vo, old English red morocco gilt, aldine anchor in 
 the centre of both covers, gilt edges. The Syston Park copy. 
 
 958. DEMOSTHENES. Céuvres politiques de Démosthené, 
 traduites par P. A. Plougoulm. 2 vols. royal 8vo, red levant 
 
 morocco gilt, gilt edges, by Belz-Niédrée. Paris, 1861-3 
 * Date of the first volume is 1863; of the second, 1861. 
 
 959. DEMOUSTIER (CHARLES ALBERT). Lettres a 
 Emilie, sur la Mythologie. Portrait by A. Tardieu after 
 Pajou fils, and 36 plates after Monnet. 6 vols. 18mo, half 
 red morocco gilt, uncut. 
 
 Paris: chez A. A. Renouard, An IX (1801) 
 
 *Thick paper copy. EXTRA-ILLUSTRATED by the insertion 
 
 of 10 portraits and 95 plates by Moreau, all in two states, en- 
 
 graver’s etching and proofs before letter, and some unfinished 
 proofs. 
 
 960. DE MUSSET, DE MARIVAUX, anp MOLIERE. 
 Trois Comedies de 1’Amour. On ne badine pas avec 1’Amour. 
 Le Jeu de 1’Amour et du Hasard, L’Amour Medecin. Jllus- 
 trations de Maurice Leloir, Fourmer, et Adrien Moreau, 
 gravées a l’eau-forte par HK. Pennequin. 3 vols. royal 8vo, 
 brocaded silk, silk linings, gilt tops, uncut, original covers 
 bound in, in a cloth case, by The Club Bindery. Paris, 1905 
 
 * One of 50 sets on papier de Marais. 
 
 961. DDEON DE BEAUMONT (CHEVALIER). Les 
 Loisirs du Chevalier D’Eon, Ancien Ministre Plenipotentiaire 
 de France sur Divers sujets importans d’Administration, etc., 
 pendant son sejour en Angleterre. 13 vols. 8vo, old French 
 red morocco, gilt backs, gilt edges. Amsterdam, 1774 
 
 962. DE QUINCY (QUATREMERE). Histoire de la Vie 
 et des Ouvrages de Raphael. Portrait and plates. 8vo, half 
 red levant morocco, gilt top, uncut. Paris, 1833 
 
 * With an Appendix dated 1853. 
 
 963. DESAUGIERS (MARC ANTOINE MADELEINE). 
 Chansons et Poésies. Edition Elzévirienne. 12mo, calf, filleted 
 back and sides, by Bauzonnet-Trautz. Paris, 1842 
 
 * Portrait after Devéria, India proof, and an autograph let- 
 ter of the author inserted. 
 
 137 
 
964. DESHOULIERES (ANTOINETTE DU LIGIER 
 DE LA GARDE). (CEuvres de Madame et de Mademoiselle — 
 Deshouliéres. Nouvelle Edition, Augmentée de leur Eloge — 
 historique, & de plusieurs Piéces qui n’avoient pas encore été 
 imprimées. Portrait. 2 vols. 12mo, old green morocco, gilt 
 edges, possibly by Derome. Paris, 1764 
 
 965. DESLAURIERS. Les Novvelles et Plaisantes Ima- 
 ginations de Bruscambile, en suite de ses Fantaisies. A Mon- 
 seigneur le Prince [Henri de Bourbon-Condé]. Parle S. D. 
 L. Champ [le Sieur Des Lauries, Champenois]. 12mo, red 
 - levant morocco, gilt back, gilt edges, by Trautz-Bauzonnet. * 
 
 Bergerac: Martin la Babille, 1615 
 
 *<<Bruscambille’’ was the name assumed by Deslaur isis ; 
 when he became a comedian in 1598. His first name is not 
 recorded. 
 
 * 
 
 966. D’ESPARBES (GEORGES), IBELS (ANDRE), eee 
 AND OTHERS. Les Demi-Cabots; Le Café Concert; Le Cirque; — 
 Les Forains. Textes de Georges D’Esparbés, André Ibels, — 
 Maurice Lefevre, Georges Montorgueil. Dessins de H. G. 
 Ibels. 8vo, half light green vellum, uncut, original covers R 
 bound in, by Carayon. ubaris: Charpentier, &e., sth 
 
 * One of 100 copies on India paper. ‘5 
 
 967. DESTOUCHES (PHILIPPE NaRIO RE On 
 (Euvres dramatiques de Néricault Destouches, de 1’Académie 
 Francoise. 4 vols. 4to, old red morocco, floral backs, probably — 
 by Padeloup. Paris: 1’Imprimerie Royale, 1757 — 
 
 968. DESTOUCHES (PHILIPPE NERICAULT). Ciuvres © 
 Dramatiques de N. Destouches. Nouvelle edition précédée 
 d’une notice sur la vie et les ouvrages de |’auteur. Portrant 
 by Macret. 6 vols. royal 8vo, half green calf, uncut. 
 
 * Large and thick paper copy. Paris, 1822 
 
 969. DEUCHAR (DAVID). A Collection of Etchings, 
 after the most Eminent Masters of the Dutch and Flemish 
 Schools; particularly Rembrandt, Ostade, Van Vliet, ete. 
 Comprising nearly 300 plates, PROOFS ON INDIA PAPER, 3 vols. 
 4to, contemporary red morocco gilt, gilt edges. ee fos 
 Edinburgh, 1803 
 
 970. DIALOGUES. The Dialogues of Creatures Moralised. __ 
 Appliable and edifying to every merry and jocund matter, 
 and right profitable to the governance of men. Edited by By 
 Joseph Haslewood. Woodcut title and numerous teat illus- a 
 trations. 4to, blue morocco gilt, gilt top, uncut. 
 
 London: printed by Bensley and Son, for Robert Trip 
 hook, 1816. | 
 
 *98 copies of this reprint were issued, only 42 of wae ¥ 
 escaped destruction by fire. The woodcuts and initials are 8s 
 in the original edition. 
 
 138 
 
rr 
 o 5 
 \ie 
 
 971. DIBDIN (THOMAS FROGNALL). The Biblio- 
 graphical Decameron; or Ten Days Pleasant Discourse upon 
 Illuminated Manuscripts, and subjects connected with early 
 engraving, typography, and bibliography. Profusely illus- 
 trated with engravings and woodcuts. 3 vols. royal 8vo, rus- 
 sia gilt, gilt edges (joints repaired). London, 1817 
 
 972. DIBDIN (THOMAS FROGNALL). The Biblio- 
 graphical Decameron; or Ten Days Pleasant Discourse upon 
 illuminated manuscripts, and subjects connected with early 
 engraving, typography, and bibliography. Nwmerous wood- 
 cuts, copper vignettes, some proofs on India paper, and 34 
 plates of portraits, miniatures, etc. 3 vols. royal 8vo, red 
 straight-grain morocco, sunken panels on the sides, gilt and 
 blind tooled; doublure of same colored morocco, gilt borders, 
 gilt edges, by Charles Lewis. London, 1817 
 
 * Opposite page exiii in vol. I is an additional plate from a 
 missal executed by Francesco Veronese, afterwards published 
 by G. Lewis. It was originally intended for the work, but not 
 finished in time. 
 
 973. DIBDIN (THOMAS FROGNALL). Voyage Biblio- 
 graphique, Archéologique, et Pittoresque en France. Traduit 
 de l’Anglais, avec des Notes, par Théod. Licquet. 4 vols. 
 royal 8vo, red levant morocco gilt, gilt edges, by Capé. 
 
 Paris: Crapelet, 1825 
 * LARGE PAPER COPY. HEXTRA-ILLUSTRATED with a_ portrait 
 
 by Thomson, and 70 other portraits and views, many proofs 
 after Turner. 
 
 974. DICKENS (CHARLES). The Posthumous Papers 
 of the Pickwick Club. With 43 allustrations, by Seymour and 
 Phiz. First Epirion. 8vo, polished ealf, gilt back, gilt top, 
 uncut, by Riviére. London, 1837-1838 
 
 975. DICKENS (CHARLES). <A Christmas Carol. In 
 Prose, being A Ghost Story of Christmas. Illustrated by 
 John Leech. 1843.—The Haunted Man and The Ghost’s Bar- 
 gain. Illustrated by Leech, Tennel, and others. 1848.—The 
 Cricket on the Hearth. Illustrated by Leech, Doyle, and 
 others. 1846.—The Battle of Life. Jllustrated by Dalavel, 
 Leech and others. 1846—The Chimes, A Goblin Story. JI- 
 lustrated by Leech, Doyle, and others. 1845. Together, 5 
 vols. 12mo, brown levant morocco gilt, gilt edges, original 
 
 cloth covers bound in, by Morrell. London, 1848-48 
 
 * First Epirions; and First Issues of all except The 
 Haunted Man. Christmas Carol has the green end-papers pre- 
 served and begins Stave I. Battle of Life has Publisher’s 
 Name with date on engraved title, etc. 
 
 976. DICKENS (CHARLES). The Adventures of Oliver 
 Twist; or The Parish Boy’s Progress. With 24 illustrations 
 on steel, by George Cruikshank. First ocTAvo EDITION, with 
 the original covers bound in. 8vo, polished calf, gilt top, 
 uncut, by Riviére. London, 1846 
 
 139 
 
977. DICKENS (CHARLES). Dombey and Son. With 
 illustrations by H. K. Browne. First Eprrion. 8vo, polished 
 calf, gilt back, gilt top, uncut, by Riviére. London, 1848 
 
 978. DICKENS (CHARLES). Our Mutual Friend. With 
 illustrations by Marcus Stone. First Eprrion. 2 vols. 8vo, 
 
 polished calf, gilt backs, gilt tops, uncut, by Riviere. . 
 London, 1865 — 
 
 979. [DIDEROT (DENIS).] . Pensées Philosophiques: — 
 Engraved frontispiece in the manner of Eisen. 12mo, old — 
 red morocco, gilt back, gilt edges. La Haye, 1746 ~- 
 
 «Taree paper copy of the first edition of Diderot’s firs 
 independent work, which was ordered to be burned. ; 
 
 oF 
 
 980. [DIDEROT (DENIS).] Les Bijoux Indiserets. 
 Vignettes on titles and 7 engraved plates. 2 vols. 12mo, blue 
 levant morocco gilt, gilt edges, gilt tops, other edges entirely Be 
 
 uncut. ‘Au Monomotapa [Paris, 1748] 
 
 * Large paper copy of the first edition. Title-vignette re- 
 peated, and seven copperplate engravings printes on thick paper are: 
 
 paper. 
 
 Cohen says that a reimpression or counterfeit of this edit 
 was printed, with less beautiful typography, the distinguishin 
 marks being an ornament on the title-page instead of a figure 
 and the figure of Amour in the first plate facing towards 
 left, instead of towards the right. In the present copy, Amour 
 faces towards the left, but the title-page contains a figure, not 
 an ornament, Whether the plates belong to the rein ee 
 or not, the text is of the genuine first edition. a 
 
 981. DIETTERLIN (WENDEL). Architectura von nee 
 theilung, Symmetria und Proportion der Funff Seulen, und — 
 aller darausz volgender Kunst Arbeit, von Fenstern, Caminen Be 
 Thiirgerichten, Portalen, Bronnen und Epitaphien. 5 en-— 
 graved titles, portrait of Dietterlin and 195 fine copper-plat 
 all brilliant impressions of windows, mantle-pieces, doo 
 portals, etc., of the Toscan, Dorie, Ionic, Corinthian, w 
 Composite order. Folio, red levant morocco, gilt panell 
 sides, gilt edges, by Hardy. RARE. 
 
 Niirnberg : Balthasar Cage 15 
 
 982. DINGE (ANTOINE) anp GARNIER (JEAN | A: a) 
 Discours sur |’Histoire de France. Figures de l’Histoire de 
 France, Dessinées par M. Moreau le jeune. With 142 maps” 
 and plates, 2 vols. in 1, 4to, red morocco, gilt back and sides, 
 gilt edges, probably by ‘Derome. Also a volume of plate : 
 Moreau to complete the above. 4to, half red morocco, 
 Together, 2 vols. Pama, Me 
 
 “De Bure’s copies, with autograph memoranda. 
 
 983. DIO CASSIUS. Histoire abregée par Xiphilin, 
 duite de Grec en Francois par Monsieur de B. G. | 
 Guilbert). 2 vols. 12mo, old calf gilt, the arms of Cou 
 Hoy in the centre of the covers, oilt edges, Panis 
 
984. DIO CHRYSOSTOMUS. De Regno libri quattuor, 
 Andrea Mylo interprete. 4to, old English red morocco gilt, 
 gilt edges. Rostochi, 1578 
 
 * Autograph of ‘‘Jac. Aug. Thuani’’ on title. The Syston 
 Park copy. 
 
 985. [DIONIS DUSEJOUR (M’LLE.).] Origine des 
 Graces. 6 plates after Cochin, fils, engraved by St. Aubin, 
 Masquelier, and others. 8vo, blue levant morocco gilt, gilt 
 edges, by Cuzin. Paris, 1777 
 
 986. DIONYSIUS HALICARNASSEUS. Les Antiquités 
 Romaines de Denys d’Halicarnasse traduites [du Grec] en 
 Francois: avec des notes historiques, geographiques, chrono- 
 logiques et critiques. Par M. * * * [Francois Bellanger]. 
 7 maps and plans. 2 vols. 4to, old red morocco, gilt backs, 
 the ARMS OF COMTE DE COBENTZAL on the sides, floral and gilt 
 end papers, gilt edges. Paris, 1723 
 
 * Large paper copy. 
 
 987. DISRAELI (BENJAMIN). Vivian Grey. 5 vols. 
 in 4, 12mo, blue levant morocco gilt, gilt over rough edges, by 
 
 David. London, 1833 
 * Prefixed to the first volume is the ‘‘ Key to Vivian Grey .. . 
 London: printed for William Marsh .. . 1827,’’ with the 
 
 original covers and two inserted portraits. 
 
 988. DISRAELI (BENJAMIN). The Wondrous Tale of 
 Alroy [and] The Rise of Iskander. First Epirion. 3 vols. 
 12mo, polished calf gilt, gilt tops, uncut, by [Bedford]. 
 
 London, 1833 
 
 989. DISRAELI (BENJAMIN). The Revolutionary Epick, 
 the work of Disraeli the younger. 4to, polished calf, gilt 
 back and inside borders, gilt edges, by Bedford. 
 
 London: Moxon, 1834 
 
 * First Epirion. One of but 50 copies printed. Laid in 
 are 9 lines of manuscript,—‘‘The Hon. Benjamin Disraeli to 
 Lord Stanley. Easter, 1864. Thirty years ago I printed a few 
 copies of a portion of a poem, The Revolutionary Epick ... 
 only 50 copies were printed . . . probably many of these are 
 now destroyed,’’ &c., with mention of ‘‘the late Mr. Coleridge. ’’ 
 
 990. [DISRAELI (BENJAMIN).] The Letters of Runny- 
 mede. First Eprrion. 12mo, calf gilt, gilt top, uncut, by 
 [Bedford]. London: John Macrone, 1836 
 
 991. [DISRAELI (BENJAMIN).] The Tragedy of 
 Count Alarcos, by the Author of Vivian Grey. First Ep1- 
 TIon. 8vo, red straight-grain morocco, gilt top, uncut, by 
 The Club Bindery. London: Henry Colburn, 1839 
 
 992. DISRAELI (BENJAMIN). Sybil; or, the Two Na- 
 tions. First Epirion. 3 vols. 12mo, blue levant morocco 
 gilt, gilt over rough edges, by David. 
 
 London: Henry Colburn, 1845 
 141 
 
-993. DISRAELI (BENJAMIN). Tancred; or, the New 
 Crusade. Portrait (inserted). First Epirion. 3 vols. 12mo, 
 blue levant morocco gilt, gilt over rough edges, by David. “ 
 
 London: Henry Colburn, 1847 _ 
 
 994, DISRAELI (BENJAMIN). Lothair. By the Right — 
 Honorable B. Disraeli. First Eprrion. 3 vols. 12mo, blue 
 levant morocco, gilt backs, gilt edges, by David. ae 
 
 London, 1870 ~ 
 
 995. DISRAELI (BENJAMIN). Lothair. First Eprrion. 
 
 3 vols. 12mo, polished calf, gilt tops, uncut, by Riviére. . 
 London, 1870 _ 
 
 996. DISRAELI (BENJAMIN). Endymion. By the 
 Author of ‘‘Lothair.’’ First Eprrion. 3 vols. 12mo, blue 
 levant morocco gilt, gilt over rough edges, by David. Stamp 
 on each title. London: Longmans, Green, and Co., 1880 
 
 997. D'ISRAELI (ISAAC). Miscellanies; or, Literary 
 Recreatiohs. 12mo, half brown levant morocco, gilt back, 
 gilt top, uncut, by Riviére. | ne 17 oh he 
 
 * First EDITION on thick paper. 
 
 998. DDISRAELI (ISAAC). Romances, ‘Frontispiece 
 First Eprrion. 8vo, blue levant morocco gilt, gilt top, uncut 
 by The Club Bindery. London, 179 
 
 999. [D’ISRAELI (ISAAC).] Flim-Flams, or the lif 
 and errors of my Uncle and his friends, with illustration 
 and obscurities, by Messieurs Tag, Rag, and Bobtail. A liter- — 
 ary romance. New Edition with material alterations and 
 additions. 11 colored plates. 3 vols. 12mo, half brown mo 
 rocco gilt, gilt tops, uncut. London, 180 
 
 1000. D’ISRAELI (ISAAC). Calamities of Authors; Ane 
 cluding some inquiries respecting their moral and literary ) 
 characters. By the author of ‘‘Curiosities of Literature.’ 
 First Epirion. 2 vols. 12mo, calf, marbled edges. 
 ‘London, 1 
 
 1001. DISRAELI (ISAAC). Quarrels of Authors; 
 some memoirs for our literary history, including Specimen 
 of Controversy to the reign of Elizabeth. ‘First Epition 
 3 vols. 12mo, calf, marbled edges. London, 181 
 
 1002. DISRAELI (ISAAC). The Literary: Characte 
 illustrated by the history of Men of Genius, drawn from thei 
 ‘ own feelings and confessions. Third edition, considerably _ 
 
 enlarged and improved. 2 vols. 12mo, calf, gilt backs, — 
 marbled edges, by Bedford. 7 London 1822 
 
 1003. D’ISRAELI (ISAAC). Comment=am on the Life 
 
 and Reign of Charles the First, King of England. iF i 
 
 EpITION. 5 vols. 8vo, boards, uncut, backs repaired. | 
 London: “Henry Colburn, 185 8.3 
 142 ee 
 
1004. D’ISRAELI (ISAAC). <A Second Series of Curi- 
 osities of Literature: consisting of researches in literary, bio- 
 graphical, and political history. 3 vols. 8vo, half russia, gilt 
 backs, gilt tops, uncut. London, 1823 
 
 1005. D’ISRAELI (ISAAC). Amenities of Literature, 
 consisting of sketches and characters of English Literature. 
 First Epirion. 3 vols. 8vo, half blue morocco, gilt backs, 
 gilt tops. London, 1841 
 
 1006. D’OBEILH (FRANCOIS—Translator), Reflexions, 
 Sentences, ou Maximes Royales & Politiques. 12mo, green 
 levant morocco, gilt edges, by Duru. 
 
 Amsterdam: chez Daniel Elzevier, 167] 
 * The copy mentioned by Willems. 
 
 1007. DOBSON (AUSTIN). At the Sign of the Lyre. 
 First Epition. Frontispiece by E. A. Abbey. 12mo, origi- 
 nal wrappers, uncut. London, 1885 
 
 *One of 75 large paper copies, autographed by the author. 
 
 1008. DOBSON (AUSTIN). Four Frenchwomen. Frontis- 
 
 piece.. First Epirion. 4to, half vellum, uncut. 
 
 ; London, 1890 
 
 * One of 50 large paper copies, autographed by the author. 
 
 1009. DOBSON (AUSTIN). Four Frenchwomen. Frontis- 
 
 piece. 4to, blue levant morocco, sides elaborately gilt-tooled, 
 
 gilt back, doublure of blue figured silk, gilt over rough edges, 
 in the manner of Derome, by The Club Bindery. 
 
 London,.1890 
 
 * First EDITION, and a large- paper copy of which only 50 
 were printed. EXTRA-ILLUSTRATED by the insertion of over 20 
 portraits of the characters mentioned in the work, some scarce 
 French lithographs, a few on Japan and India paper. 
 
 1010. DOBSON (AUSTIN). Horace Walpole, a Memoir. 
 With an appendix of books printed at the Strawberry Hill 
 Press. Numerous illustrations by Percy and Leon Moran. 
 Royal 8vo, green levant morocco gilt, doublure of green 
 levant gilt, figured green silk end-papers, gilt edges, by The 
 Club Bindery. New York, 1890 
 
 * One of 50 copies on Japan paper. 
 
 1011. DOBSON (AUSTIN). Three A. N. S. and an 
 A. L. S., 1890-97. | (4) ; 
 
 1012. DOBSON (AUSTIN). William Hogarth. Illus- 
 trated with a proof portrait on India paper, 44 full-page 
 plates, some on Japan paper, and 13 vignettes on India paper. 
 1 vol. extended to 2, 4to, light brown levant morocco, elabo- 
 rately gilt tooled sides, backs and inside borders, dark green 
 silk linings and guards, gilt over rough edges, by The Club 
 Bindery. London: Sampson Low, 1891 
 
 * LARGE PAPER COPY; EXTRA-ILLUSTRATED with 190 plates, . 
 
 portraits of Hogarth, and engravings by T. Cook and others 
 after his designs. 
 
 143 
 
1013. DOBSON (AUSTIN). The Ballad of Beau Bro- 
 cade, and other Poems of the XVIIIth Century. First Epr- 
 TION. 50 illustrations by Hugh Thomson. Royal 8vo, cloth, 
 uneut. London, 1892 
 
 * Large paper copy, limited and numbered. The plates are 
 on India and Japan vellum paper. 
 
 1014. DOBSON (AUSTIN). Eighteenth Century Vien- 
 ettes [First and Second Series]. Numerous illustrations, 7 
 some on India paper. 2 vols. 4to, half vellum, uncut. ae 
 
 | London, 1892-4 
 
 * Limited editions of both series on large paper, the first of 
 which is autographed by the author. First Epirions. The 
 
 Third Series was not issued on large paper. 
 
 1015. DOBSON (AUSTIN). Carmina Votiva and other — 
 Occasional Verses. First Epirion. 12mo, original wrappers, 
 uncut. London: Printed for private Circulation, 1901 
 
 * Limited edition signed by the author. ; 
 
 1016. DODSLEY (ROBERT). A Supplement to pode ee 
 ley’s Old Plays. Edited by Amyot, Collier, Cooper, Dyce, — 
 Field, Halliwell and Wright. 4 vols. 8vo, cloth, uncut. ean 
 
 London: Printed for the Shakespeare Society, 1853 
 
 1017. DOLCE (LODOVICO). Imprese di diversi pren- — 
 cipi, duchi, signori e d’altri personaggi et huomini letterati— 
 et illustri. Title and 52 fine devices within ornamental 
 frames engraved on copper after the design of the painter 
 G. B. Pittoni of Vicenza, the verses of Dolce printed on sepa- — 
 
 rate pages within ornamental woodcut borders. Oblong 4to, 
 citron levant morocco, gilt borders on the sides, gilt edges, by — 
 The Club Bindery. [ Venetia, 1562] 
 
 * First EpIvTIon, of great rarity. A very clean pte bu 
 much washed. ai 
 
 1018. DOLET (ETIENNE). Genethliacum Claudii Doleti, 
 Stephani Doleti filium. Firsr Epirion. Lugduni: apud 
 eundem Doletum, 1539.—L’Avantnaissance de Claude Dolet 
 filz de Estienne Dolet. First Frencu Epirion. lyon: chés 
 Estienne Dolet, 1539. In one vol. 4to, red levant morocco 
 
 gilt inside borders, gilt edges, by Trautz- Bauzonnet. 
 * Both the pamphlets are very scarce. 
 
 1019. DOLET (KTIENNE). Formule latinarum locu- 
 tionum illustriorum. Prima pars (All published). Fis ie 
 Epirion. Folio, red morocco gilt, gilt edges, by Capé. 
 
 Lugduni: apud Doletum, 1539 
 
 1020. DOLET (ETIENNE). Le Second Enfer. Qui son 
 certaines compositions faictes par luy mesmes sur la iustifi 
 cation de son second emprisonnement. Small 8vo, red levan: 
 morocco gilt, gilt edges, by Capé. Lyons, 1544 [reprint 
 . * One of 120 copies on India paper. Among the other title 
 
 are,—‘‘ Deux Dialogues de Platon’’ (1544); ‘‘La eee de J 
 Bien Traduire’’ (1540); &e. aN, 
 
 144 
 
1021. DOMENICHI (LODOVICO). Orlando Innamorato 
 del Signor Matteo Maria Boiardo, insieme co i tre libri di 
 Nicolo de gli Agostini, nuovamente riformato, Medallion por- 
 trait on title and 102 woodcuts. 4to contemporary Vene- 
 tian gilt calf, sides of the binding inlaid, new morocco back, 
 by Bedford, gauffred gilt edges. 
 
 Venetia: Comin da Trino, 1565 
 
 1022. DONNE (JOHN). Poems. By J. D. With Ele- 
 gies on the Author’s death. Small 4to, olive morocco, gilt 
 edges, by Riviére. London: M. F. for Iohn Marriot, 1633 
 
 * FIRST COLLECTED EDITION. Inscription on fly-leaf reads 
 ‘*Bought at Dr. Johnsons Sale Febry 19th./85.’’ 
 
 1023. DONNE (JOHN). Poems. By J. D. With Ele- 
 gies on the author’s death. First CoLLectep Epirion. 4to, 
 green levant morocco gilt, gilt edges, by Riviére. 
 
 London: Printed by M. F. for John Marriot, 1633 
 
 * Fine, large copy, without the 2 leaves ‘‘The Printer to the 
 Understander. ’’ 
 
 1024. DONNE (JOHN). Poems, With Elegies on the Au- 
 thor’s Death. Portrait by Marshall. Sconp EpIrion. 
 Small 8vo, red levant morocco, gilt tooled to Grolieresque de- 
 sign, gilt edges, by Riviere. London: Printed by M. F., 1635 
 
 * John Mitford’s copy with notes by him laid in. Some of 
 the leaves are uncut. 
 
 1025. DONNE (JOHN). Poems on several occasions. 
 With Elegies on the Author’s Death. To this Edition is 
 added, Some Account of the Life of the Author. [by Isaac 
 - Walton.|] Portrait (inserted). 12mo, green morocco, in the 
 manner of Roger Payne, gilt edges, some uncut. 
 
 London, 1719 
 
 1026. DORAT (CLAUDE JOSEPH). La Déclamation 
 Théatrale: Poéme didactique en quatre chants. With 5 plates 
 after Hisen. 12mo, green morocco, gilt back and sides, the 
 ARMS OF HeEnrRI, Marquis DE VILLENEUVE DE BARGEMONT, in 
 the centre, gilt top, uncut, by Nicolini. Paris: Delalain, 1771 
 
 * EXTRA-ILLUSTRATED with 14 portraits. 
 
 1027. DORAT (CLAUDE JOSEPH). Regulus, tragédie, 
 et la Feinte par Amour, comédie en trois actes. Repré- 
 sentées le méme jour par les Comédiens Francois, le 31 Juillet, 
 1773. Frontispiece by C P. Mariller. 8vo, old red morocco, 
 back richly tooled, narrow side borders with corner ornaments, 
 ay edges, in the manner of Padeloup. Paris, 1773 
 
 * Large paper copy. 
 
 1028. [DORAT (CLAUDE JOSEPH).] Le _ Baiser. 
 Etude Litteraire et Historique. Royal 8vo, half green straight- 
 grain morocco, uncut, by Champe. 
 
 Nancy: Typographie Berger-Levrault, et Cie., 1888 
 
 * One of 15 copies on Japan paper. 
 145 
 
1029. DORAT (CLAUDE JOSEPH) anp otHers. Lettres 
 en Vers, Paris, 1766; Lettre de Valcour, ete. Paris, 1767; Les  — 
 Trois Fréres et Combabus, Amst. 1765; and Bagatelles ‘Anon- 
 ymes, Genéve, 1766 (by Dorar) ; ; Lettre de Petrarque a Laure, 
 Paris, 1765 (by Romer) ; Réponse de Valcour a Zéila, Paris, 
 1766 (by Framery) ; Lettre Amoureuse d’Héloise 4 Abailard, 
 Paris, 1766 (by CouarpEAu); Lettre de Cain:4 Mehala son 
 épouse, Paris, 1765 (by Cosrarp); Lettre du ComTE pE ComM- 
 mMINGES, et Lettre de Philoméle 4 Progne, Paris, 1765; Lettre 
 de Gabrielle de Vergy, Paris, 1766-(by MamHou); Suite des 
 Bagatelles Anonymes, Genéve, 1767 (by the Marquis ‘pB 
 Przy); Lettre de l’Abbé de Rance, Genéve, 1766 (by M. — | 
 BarTHE); and, Lucie et Melanie, Paris, 1767; Clary, ou le 
 retour a la Vertu, Paris, 1767; Fanni, ou la Nouvelle Pamela, 
 Paris, 1767 (by D’ArNAvup). Many First Editions. Frontis- — 
 pieces, and tailpieces by Longue and others after Hisen. 
 Bound in two vols. (lettered ‘‘Heroides’’), royal 8vo, blue 
 crushed levant morocco, gilt tooled in the manner of Derome, 
 gilt top, uncut, by The Club Bindery. ia 
 * Large Paper copies. Paris and Geneva, 1765-67 
 
 1030. DORAT (C. J.) ann DE PEZAY. Collection de 
 Pieces en vers. Two engraved title-pages, eleven plates and — 
 twenty-erght vignettes after the designs of Hisen, engraved by 
 de Longuetl, Le Mire, Massard, and others, and a portrait of — 
 Dorat, by St. Aubin after Denon. 2 vols. 8vo, Spanish calf, — 
 gilt. | ~ Geneva, 17 66. 
 
 * Thick paper copy. rash 
 
 1032. D’ORLEANS (HENRI). La Bataille de Rocroy 
 Eaux-Fortes en couleurs par Adolphe Lalauze. 4to, rec 
 levant morocco gilt, gilt edges, by The Club Bindery. | 
 
 Paris: Société des Bibliophiles Francois, 189 
 
 * One of 150 copies, with the plates in two states. 
 
 1033. DOUCET (JEROME). Pétrone. (Introduction & 
 - Fragments.) Illustrés de Huit compositions de Louis-Edouaro 
 Fournier. Eaux-fortes de Xavier. Lesueur. 8vo, citron 
 levant morocco, mosaic panels of blue morocco on back and ~ 
 sides, gilt sprays of roses and leaves, figured satin linings 
 gilt rough edges, original covers bound i in, by The Club Bind- 
 ery. Paris: A. Ferroud, 1902. 
 
 * One of 50 copies on Japan paper, with the etchings in . 
 states, outline, remarque proofs in bistre and in black, an 
 finished state. ORIGINAL DRAWING BY FOURNIER INSERTED. 
 
 1034. DRAKE (JOSEPH RODMAN). The Culprit ie 
 and other Poems. First Epition. Portrait, engraved title 
 and 3 extra plates tmserted. 8vo, blue levant morocco, gil 
 top, uncut, by Riviére. New York, 1835 
 
 * Genuine first issue, with printed and engrave titles dated 
 1835. 
 
 146 
 
1035. DRAKE (JOSEPH RODMAN) ann HALLECK 
 (FITZ-GREENE). The Croakers. First Complete Edition. 
 Royal 8vo, blue morocco, back and sides in gilt tools and 
 mosaic, gilt top, uncut, by Pawson and Nicholson. 
 
 New York, 1860 
 * Portraits of the authors, an autograph letter from Halleck 
 and forty-one portraits and views of New York are inserted. 
 
 No. 2 of the Bradford Club publications, and one of 150 sub- 
 seriber’s copies. 
 
 1036. DRAKE (NATHAN). Essays, Biographical, Criti- 
 eal, and Historical, illustrative of the Tatler, Spectator, Guar- 
 dian, Rambler, Adventurer, and Idler. Portraits and views 
 after Reynolds, Kneller, Thomson, etc. 5 vols. 12mo, blue 
 levant morocco gilt, gilt tops, uncut. 
 
 London: C. Whittingham, 1805-10 
 
 * LARGE PAPER Copy. A few plates have been inserted. 
 
 1037. DRAKE (SAMUEL G.). <A Brief Memoir of Sir 
 Walter Ralegh. 4to, in sheets. Boston, 1862 
 
 * Only a few copies were printed for the author and for 
 private distribution only. EXTRA-ILLUSTRATED by the insertion 
 of numerous fine and scarce engraved portraits of Sir Walter 
 Ralegh, Earl of Leicester, Queen Elizabeth, Edward Coke, 
 Duke of Buckingham, Lady Arabella Stewart, etc., some proofs 
 on India paper. 
 
 1038. DRAMATIC SESSIONS (THE) or, the Stage Con- 
 test; also, A Grotto; and A Dedication to a certain Great 
 Man. Folio, boards, morocco back. Name on title. 
 
 London: A. Moore, 1734 
 
 1039. DRAYTON (MICHAEL). Poems: Newly Corrected 
 by the Author. Small 8vo, blue levant morocco gilt, gilt 
 edges. (Lacks frontispiece. ) 
 
 London: Printed by William Stansby, for John Smeth- 
 wicke, n. d. [ca. 1608]. 
 
 - *OC of Collier’s list. Contains the ‘‘Idea.’’ 
 
 1040. DRAYTON (MICHAEL). Poems by Michael 
 Drayton Esquyer. Collected into one Volume. With sondry 
 Peeces inserted neuer before Imprinted. Engraved title and 
 portrat by W. Hole. Small folio, green levant morocco gilt, 
 gilt edges, by The Club Bindery. 
 
 ~ London: Printed for John Smethwick, [1619] 
 
 * Includes all the preliminary leaves; engraved title, printed 
 title with portrait on verso, and second printed title. 
 
 1041. DRAYTON (MICHAEL). The Battaile of Agin- 
 covrt. Fovght by Henry the fist of that name, King of Eng- 
 land, against the whole power of the French: vnder the 
 Raigne of their Charles the sixt, Anno Dom. 1415. The 
 Miseries of Queene Margarite, the infortunate Wife of the 
 
 147 
 
most infortunate King Henry the sixt. Nimphidia, the Court 
 of Fayrie. The Quest of Cinthia. The Shepheards Sirena, The 
 Moone-Calfe. Eligies upon sundry occasions. First Eprrion. 
 Small folio, citron levant morocco, back and sides covered 
 with a rich Grolieresque design in mosaics of green, blue and 
 brown morocco gilt, doublures of red levant gilt, vellum end- 
 papers, gilt edges, by The Club Bindery. 
 London: Printed for William Lee, 1627 - 
 
 * FINE LARGE COPY, WITH SOME LEAVES UNCUT, and C2 
 
 unfolded, conta 2 many proof- leaves, but lacking ar eat oe 
 trait. Pie 
 
 1042. DROUT (JOHN—Translator)). JThe,pityfull Hie ie 
 torie of two louing Italians, Gaulfrido and Barnardo le ~ 
 vayne; which ariued in the countrey of Grece, in the time ~ 
 of the noble Emperoure Vaspasian. And Translated out of — 
 Italian into Englishe meeter by John Drout, of Thauis Inne 
 Gentleman. Anno, 1570, Small 4to, blue levant morocco, gilt  — 
 top, uncut, by Alfred Matthews. [Reprinted 1844] 
 
 * One of 25 copies printed in Black Letter for J. Payne 
 Collier. 
 
 1048. DRYDEN (JOHN). .St Martin Mar-all, or the 
 Feign’d Innocence: a comedy. As it was Acted at His High- — 
 nesse the Duke of York’s Theatre. Second edition. Small — 
 4to, red levant morocco, gilt edges, by Chambolle-Duru. ~~ 
 
 London: Printed for H. Herringman, 1669 — 
 
 1044. DRYDEN (JOHN). The Indian Emperour, or, the 
 conquest of Mexico by the Spaniards. Being the Sequel of 
 the Indian Queen. The Third Edition. Small 4to, red levant 
 morocco gilt, inside borders, gilt edges, by The Club Bindery. 
 Contains the epilogue leaf. ee 
 
 London: Printed for H, Herringman, 1670 — 
 
 1045. DRYDEN (JOHN). Tyrannick Love: or, the Royal — 
 Martyr, A Tragedy. As it is Acted by his Majesties Ser 
 vants, at the Theatre Royal. The Second Edition, review’d 
 by the Authour. Small 4to, blue morocco, by The Club oe 
 Bindery. London: Printed for H. Herringman, 1672 | 
 
 1046. DRYDEN (J OHN). The Conquest of Grane ie 
 the Spaniards; In Two Parts. Acted at the Theatre-Royall. 
 The Second Edition. Small 4to, crimson morocco gilt, au ti 
 edges, by ne Club ae rae 
 
 1047. DRYDEN (JOHN). The Rival Ladies. A ae 
 Comedy. As it was Acted at the Theatre-Royal. Third edi 
 tion. Small 4to, mottled calf, gilt edges, by Pratt. 
 
 London: Printed by TN. for Henry Herre 1675. | 
 
 148 
 
1048. DRYDEN (JOHN). Secret-Love, or the Maiden- 
 Queen: As it is Acted By His Majesties Servants at the 
 Theatre Royal. Third edition. Small 4to, mottled calf gilt, 
 gilt edges, by Pratt. 
 
 London: Printed by J. M. for Henry Herringman, 1675 
 
 * Nell Gwyn is here cast for the character of Florimel. 
 
 1049. DRYDEN (JOHN). The Assignation: or, Love in 
 a Nunnery. As it is Acted, At the Theatre-Royal. Second 
 edition. Small 4to, red morocco gilt, gilt edges, by The Club 
 Bindery, 
 
 London: Printed by T. N. for Henry Herringman, 1678 
 
 1050. DRYDEN (JOHN). Sr Martin Mar-all, or, the 
 Feign’d Innocence. A Comedy. As it was Acted at His 
 Highness the Duke of York’s Theatre. Third edition. Small 
 4to, mottled calf gilt, gilt edges, by Pratt. 
 
 London: Printed for H. Herringman, 1678 
 
 1051. DRYDEN (JOHN). The State of Innocence, and 
 Fall of Man: an Opera. Written in Heroick Verse. Third 
 edition. Small 4to, blue levant morocco gilt, gilt edges, by 
 The Club Bindery. 
 
 London: H. H. for Henry Herringman, 1678 
 
 1052. DRYDEN (JOHN). The Indian Emperour, or the, 
 Conquest of Mexico by the Spaniards. Being the Sequel of 
 the Indian Queen. By John Dryden, Esq. Fourth edition. 
 Small 4to, maroon levant morocco, inside borders, gilt edges, 
 by Mercier. London: Printed for H. Herringman, 1681 
 
 1053. DRYDEN (JOHN). Religio Laici or a Layman’s 
 Faith. A Poem. THIRD EDITION. Small 4to, brown morocco 
 gilt, gilt edges, by The Club Bindery. 
 
 London: Printed for Jacob Tonson, 1683 
 
 1054. DRYDEN(JOHN). Marriage-A-la-Mode. A Comedy. 
 As it is Acted at the Theatre-Royal. Second edition. Small 
 4to. Red morocco, gilt edges, by The Club Bindery. - 
 
 London: Printed by T. N. for Henry Herringman, 1684 
 
 1055. DRYDEN (JOHN). Of Dramatick Poesie, an Essay. 
 Second edition. Small 4to, red morocco, gilt edges, by The 
 Club Bindery. | 
 
 London: Printed for Henry Herringman, 1684 
 
 1056. DRYDEN (JOHN). The Wild Gallant: a comedy. 
 As it was Acted at the Theatre-Royal, by his Majesties Ser- 
 vants. Second Pair Small 4to, mottled calf gilt, gilt 
 edges, by Pratt. 
 
 London: Peaied by H. Hills, for H. Herringman, 1684 
 
 149 
 
1057. DRYDEN (JOHN). Aureng-Zebe, a tragedy. Acted 
 at the Royal Theatre. Second edition. Small 4to, brown mo- 
 rocco, gilt edges, by The Club Bindery. 
 
 ‘London : Printed by J. M. for Henry Herringman, 1685 
 
 1058. DRYDEN (JOHN). Tyrannick Love; or, the Royal” 
 Martyr. A Tragedy. As it is Acted by His Majestie’ s Ser- 
 vants at the Theatre Royal. Fourth Edition. Small 4to, blue 
 morocco, gilt edges, by the Club Bindery. = 
 
 London: Printed for H. Herringman,. 1686 
 
 1059. DRYDEN (JOHN). The Indian Emperour; or, The 
 
 ~ Conquest of Mexico by the Spaniards. Being the Sequel Of ieee 
 
 the Indian Queen. Fifth Edition. Small 4to, red morocco, 
 
 gilt edges, by The Club Bindery. 
 London: Printed for H. Herringinan, 1686 
 
 * With the Epilogue and the list of Plays printed for Henry : 
 Herringman. sae 
 
 1060. DRYDEN (JOHN). ‘The Spanish Fryar, or, “The a 
 Double Discovery. Acted at The Theatre Royal. Second © 
 Edition. Small 4to, red morocco, gilt edges, by The Club * 
 Bindery. With the unnumbered leaf of Epilogue at end. 
 
 London: Printed for Richard Tonson and Jacob Tonson, hs 
 1686. . 
 
 1061. DRYDEN (JOHN). The Gorgias of Granada ve 
 the Spaniards. In Two Parts. Acted at the Theatre-Royal. — 
 Fourth edition. (With the unnumbered leaf of Epilogue.) 
 Small 4to, red levant morocco, gilt back and wide borders on 
 sides, doublure of gilt tooling and of marquetry, gilt top, UN- 
 cut, by Kaufmann. London: J. M. for H. Herringman, 1687 
 
 1062. DRYDEN (JOHN). The Hind and the Panther. ix 
 A Poem, In Three Parts. Small 4to, half red levant morocco, 
 gilt edges, by Riviére. 
 
 London: Printed for Jacob Tonson, 1687 
 
 * An issue of the First Edition, without the lines of errata 
 at end, and the errata uncorrected.- The reverse of the ioe 
 blank. : 
 
 — 1068. DRYDEN (JOHN). Britannia Rediviva: a Poem on 
 the Birth of the Prince. 4to, green morocco, gilt edges, by 
 The Club Bindery. 
 
 London: Printed for J. Tonson, 1688 (16919) 
 
 * The last leaf has imprint dated 1691, ane it aes possibly 
 have been inserted from another edition. - | 
 
 1064. DRYDEN (JOHN). The State of Innocence, fe 
 -Fall of Man: an Opera. Written in Heroick Verse. Fifth 
 edition (?). Small 4to, brown morocco, gilt edges, by The 
 Club Bindery. ue 
 
 London: Printed by J. M. for era Herrin » 1690 
 150 = 
 
1065. DRYDEN (JOHN). The Spanish Fryar, or, The 
 Double Discovery. Acted by Their Majesties Servants at The 
 Theatre Royal. The Third Edition. Small 4to, red morocco, 
 gilt edges, by The Club Bindery. 
 
 ea Printed for Richard Tonson and Jacob Tonson, ‘ 
 1690. 
 
 1066. DRYDEN (JOHN). Amphitryon; or, The Two 
 Sofia’s. A Comedy. As it is Acted at the Theatre Royal. 
 The Musick of the Songs. Compos’d by Henry Pureel. Sec- 
 ond edition. Small 4to, blue morocco, by The Club Bindery. 
 (Leaves of music at end cut into by the binder.) 
 
 London: Printed for J. Tonson and M. Tonson, 1691 
 
 1067. DRYDEN (JOHN). An Evening’s Love: or, the 
 Mock-Astrologer. As it is Acted By Their Majesties Servants. 
 (Probably the Fourth edition.) Small 4to, blue morocco, gilt 
 edges, by The Club Bindery. | 
 
 London: Printed for Henry Herringman, 1691 
 
 1068. DRYDEN (JOHN). Amboyna: A Tragedy. — Sec- 
 ond edition. Small 4to, red morocco, gilt edges, by The Club 
 Bindery. London: Printed for Henry Herringman, 1691 
 
 1069. DRYDEN (JOHN). Secret-Love: or, the Maiden- 
 Queen: As it is Acted By Their Majesties Servants. Fourth 
 edition. Small 4to red morocco, gilt edges, by The Club Bind- 
 ery. London: Printed for Henry Herringman, 1691 
 
 1070. DRYDEN (JOHN). Sr Martin Marr-all: or, the 
 Feign’d Innocence. A Comedy. Fourth edition. Small 4to, 
 blue morocco, gilt edges, by The Club Bindery. 
 
 London: Printed for Henry Herringman, 1691 
 
 1071. DRYDEN (JOHN). Marriage A-la-Mode. A Com- 
 edy. As it is Acted at the Theatre-Royal. Written by John 
 Dryden Esq. Third edition. Small 4to, blue morocco, gilt 
 edges, by The Club Bindery. 
 
 In the Savoy: Printed by Edw. Jones, for Henry Herring- 
 man, 1691. 
 
 1072. DRYDEN (JOHN). The State of Innocence, and 
 Fall of Man: an Opera. Sixth edition. Small 4to, brown 
 morocco, gilt edges, by The Club Bindery. 
 
 London: Printed for Henry Herringman, 1692 
 
 1073. DRYDEN (JOHN). The Indian Emperour; or, the 
 Conquest of Mexico by the Spaniards. Being the Sequel of 
 The Indian Queen. Sixth edition. Small 4to, green mo- 
 rocco, gilt edges, by The Club Bindery. | 
 
 London: Printed for H. Herringman, 1692 
 
 151 
 
fo Ta 
 Nt 
 
 1074. DRYDEN (JOHN). The Assignation: or, Love in 
 a Nunnery, As it is Acted, At the Theatre-Royal. The third 
 edition. Small 4to, blue morocco, gilt edges, by The Club 
 Bindery. London: Printed for Richard Bently, 1692 — 
 
 1075. DRYDEN (JOHN). All for Love: or, the World 
 well Lost. A Tragedy as it is acted at the Theatre Royal, and 
 written in imitation of Shakespeare’s Stile. Second edition. 
 Small 4to, red levant morocco, gilt edges, by The Club Bind- 
 ery. In the Savoy: Printed for H. Herringman, ete., 1692 — 
 
 1076. DRYDEN (JOHN). Don Sebastian, King of Portu- 
 gal: a tragedy Acted at the Theatre Royal. Second edition. 
 Small 4to, red morocco, gilt edges, by The Club Bindery. 
 
 London: Jo. Hindmarsh, 1692 
 
 1077. DRYDEN (JOHN). The Rival-Ladies: a Tregi- 
 Comedy. As it is Acted at the Theatre-Royal, by Their 3 
 Majesties Servants. Fourth edition. Small 4to, green mo-- he 
 rocco, gilt inside borders, by The Club Bindery. 
 
 London: T. W. for H. Herringman, 1693 
 
 1078. DRYDEN (JOHN). The Wild Gallant: a comedy. ie 
 As it is Acted by Their Majesties Servants. Third edition. — 
 Small 4to, blue morocco, a edges, by The Club Bindery. 
 
 London: Printed by T. Warren for Henry Herringman, ~ 
 1694. aes 
 
 1079. DRYDEN (JOHN). Aureng-Zebe, a tragedy. Acted 
 
 at the Royal Theatre. Fourth edition. Small 4to, brown | 
 levant morocco, gilt panels, gilt edges, by Zaehnsdorf. 
 London: Printed for Henry Herringman, 16 
 
 1080. DRYDEN (JOHN). The State of Innocence, aed 
 Fall of Man: an Opera. Written in Heroick Verse; and Dedi- 
 cated to Her Royal Highness the Dutchess. (Probably the 
 seventh edition.) Small 4to, red morocco, gilt edges, by The 
 Club Bindery. London: Printed for Hen. Herringman, 16 
 
 1081. DRYDEN (JOHN). King Arthur; or, The Briti | 
 Worthy. A Dramatick Opera. Performed at the Queen’s | 
 Theatre by Their Majesties Servants. Second edition, with 
 the unnumbered leaf of Epilogue at the end. Small Ato, e: 
 moroceo gilt, gilt edges, by Zaehnsdorf. 
 
 London: Printed for Jacob onsen 16 
 
 1082. DRYDEN (JOHN). Troilus and Cressida, or, Tru 
 Found too Late. A Tragedy As it is Acted at the Duk 
 Theatre. To which is Prefix’d, A Preface Containing t 
 Grounds of Criticism in Tragedy. Second edition. Smé 
 4to, blue levant morocco gilt and mosaic back and side corn > 
 oilt edges, by Zaehnsdorf. poe 
 
 London: Printed by I. Dawks, for Jacob Tonson, 16! 
 
 152 
 
1033. DRYDEN (JOHN). De Arte Graphica. The Art 
 of Painting. By C. A. Du Fresnoy. With Remarks. Trans- 
 lated into English, together with an original Preface contain- 
 ing a Parallel betwixt Painting and Poetry, by Mr. Dryden. 
 As also a short account of the most eminent painters by an- 
 other hand. KHngraved title. 4to, brown levant morocco, gilt 
 edges. London, 1695 
 
 “Stamp on title ‘‘Edmund Burke Beaconsfield. ’? 
 
 1084. DRYDEN (JOHN). Alexander’s Feast; or the 
 Power of Musique. An Ode in Honour of St. Cecilia’s Day. 
 By Mr. Dryden. First Eprrion. Folio, brown morocco, un- 
 cut. | London: Jacob Tonson, 1697 
 
 * FINE Copy, with the half-title. Measures 1214 x 734 inches. 
 
 1085. DRYDEN (JOHN). Miscellany Poems. Containing 
 Variety of New Translations of the Ancient Poets: together 
 with Several Original Poems. Frontispieces. Fourth edition. 
 The Six Parts in 6 vols. 12mo, blue straight-grain morocco 
 gilt, gilt edges. London, 1716 
 
 * The Syston Park copy. ; 
 
 1086. DRYDEN (JOHN). Fables from Bocecacio and 
 Chaucer. A New Edition. Engraved plates after Stothard. 
 12mo, half citron levant morocco, gilt and mosaic back, gilt 
 top, uneut, by Cuzin. London: T. Cadell 1806 
 
 1087. DRYDEN (JOHN) anp LEE (NATHANIEL). 
 The Duke of Guise. A Tragedy. Acted by Their Majesties 
 Servants. Written By Mr. Dryden, and Mr. Lee. Second 
 edition. Small 4to, brown levant morocco, gilt edges, by 
 Zaehnsdorf. 
 
 London: Printed by R. E. for R. Bentley and J. Tonson, 
 1687. 
 
 1088. DRYDEN (JOHN) ann LEE (NATHANIEL). 
 Oedipus: A Tragedy. The third edition. Small 4to, red 
 levant morocco gilt, gilt edges, by The Club Bindery. 
 
 London: Richard Bentley, 1687 
 
 1089. DRYDEN (JOHN) anp LEE (NATHANIEL). 
 Oedipus: a tragedy. As it is Acted at His Royal Highness 
 the Duke’s Theatre. The fourth edition. Small 4to, red 
 
 levant morocco gilt, gilt edges, by The Club Bindery. 
 London: Printed for Richard Bentley, 1692 
 
 1090. DRYDEN (JOHN) ann LEE (NATHANIEL). 
 Oedipus: a tragedy As it is Acted at His Royal Highness the 
 Duke’s Theatre. The sixth edition. Small 4to, red morocco, 
 gilt edges, by The Club Bindery. 
 
 London: Printed for Rich. Wellington and E. Rumball, 1701 
 
 153 
 
1091. DRYDENIANA. The New Atlantis. A Poem, in © 
 three books. With some Reflections upon the Hind and the © 
 Panther. First Epirion. Small 4to, mottled calf, gilt, in- — 
 side borders, gilt edges. Printed for the Author, 1687 — 
 
 1092. DRUMMOND (WILLIAM). The History of Scot- — 
 land, From the year 1423. until the year 1542. containing The — 
 Lives and Reigns of James The I. the II. the III. the IV. the © 
 V. With several Memorials of State, during the Reigns of — 
 James VI. & Charls I. With a Prefatory Introduction By — 
 Mr. Hall of Grays-Inn. Portraits of Drummond by Gaywood, — 
 and of James I., II., I1I., IV., and V. First Epirion. Small — 
 folio, old calf (skilfully repaired). ‘ London, 1655 
 
 1093. DRUMMOND (WILLIAM). Poems, by That most 
 Famous Wit, William Drummond of Hawthornden. Portrait 
 by Gaywood with arms below. Small 8vo, red morocco, gilt 
 
 edges. . (Lacks leaf of dedication, several pages repaired). 
 London, 1656 
 
 1094. DRUMMOND (WILLIAM). The Works of Wil. 
 liam Drummond, of Hawthornden. Consisting of Those which 
 were formerly Printed, and Those which were design’d for 
 the Press. Now Published from the Author’s Original Copies. 
 Edited by Bishop Sage and Thomas Ruddiman. Portrait. 
 Folio, red levant morocco gilt, gilt edges, by Riviére. ¥ 
 
 London: James Watson, 17 1 
 
 1095. DUBOIS. Les Douze Mois de 1’Année, oontredanans 
 Francoises. Présentées a la Reine [Marie Thérése de Savoi 
 par M. Dubois. Gravées par J. Dezauche. 8vo, red moroce 
 gilt back, glit end-papers, gilt edges, by Derome. (Stamp o 
 title. ) Paris, 177 
 
 * Engraved throughout, with the music and details of t 
 dances. From the library of Viollet Le Duc. aan 
 
 1096. DU BOIS (EDWARD—Translator). The Wreat! 
 composed of selections from Sappho, Theocritus, Bion, and 
 Moschus. Accompanied by a prose translation, with notes. 
 To which are added Remarks on Shakespeare, &e and a com 
 parison between Horace and Lucian. LARGE PAPER COP 
 8vo, half green levant morocco, gilt top, uncut. London, 17 0 
 
 With 32 inserted plates, proofs on India paper. 
 
 1097. [DU BOIS . (EDWARD). ] My Poors Books 
 Hints for ‘‘A Ryghte Merrie and Conceitede’’ Tour, in qua 
 To be called ‘‘The Stranger in Ireland,’’ In 1805. B 
 Knight Errant. 5 tinted plates. 12mo, Scotch plaid 
 uncut, by The Club Bindery. London, 1 
 
 154 
 
1098. DUBOIS (GUILLAUME). Mémoires du Cardinal 
 Dubois. a vols. Svo, tapestry covers of red silk and gold 
 threads, gilt top, uncut, by The Club Bindery. Paris, 1829 
 
 1099. DUBOIS (L’ABBE J. A.). Le Pantcha-Tantra ou 
 Les Cing Ruses. Fables du Brahme Vichnou-Sarma. Aventures 
 de Paramarta et autres contes traduits pour la premiére fois 
 sur les originaux indiens. Illustré de 13 eaux-fortes par 
 Léonce Petit. 8vo, half brown levant morocco, uncut, origi- 
 nal covers bound in, by Carayon. Paris: A. Barraud, 1872 
 
 * Large paper copy, with the plates proofs before letters on 
 India paper. 
 
 1100. [DU BREUIL (ANTOINE).] Les Muses Gaillardes, 
 recueillies des plus beaux esprits,de ce temps. Par A. D. B., 
 Parisien. Seconde édition, revue, corrigée et de beaucoup 
 augmentée. 12mo, half red levant morocco gilt, gilt top, un- 
 cut, by Allo. : 
 
 A Paris: De l’imprimerie d’Anthoine du Brueil, 1609. 
 _[Bruxelles, imprimerie de A. Mertens et fils, 1864. ] 
 
 *One of 100 copies reprinted. The Notice Bibliographique 
 is signed P. L. [Paul Lacroix]. 
 
 1101. DU BUYS (GUILLAUME). UL’Oreille du Prince. 
 Ensemble plusieurs autres ceuvres poetiques. First EpITIon. 
 8vo, red levant morocco, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: Jean Fevrier, 1582 
 
 1102. DUCHESNE, AINE (JEAN). Musée de Peinture 
 et de Sculpture, ou Recueil des Principaux Tableaux, Statues 
 et Bas-reliefs des Collections publiques, ete. With over 1,000 
 outline plates by Réveil. 17 vols. 12mo, half green calf, uncut. 
 
 * The text is in French and in English. Paris, 1828-34 
 
 1103. DUCLOS (CHARLES PINOT, SIEUR). Les Con- 
 fessions du Comte de * * * Kerites par lui-méme a un Ami. 
 8vo, half brown levant morocco, uncut. Amsterdam, 1783 
 
 * Large paper copy. 
 
 1104. DUCREUX (FRANCOIS). Historie Canadensis, 
 sev Nove-Francie libri decem, ad Annum vsque Christi 
 MDCLVI. Map and 13 plates, one of them (folded) repre- 
 senting the tortures inflicted upon the Jeswmt missionaries. 
 First Epirion. 4to, tree calf gilt, by Kalthoeber. Paris, 1664 
 
 * The Beckford copy. 
 
 1105. [DUFAI (ALEXANDRE (?).] Le Songe de 
 Madame Sand, pour faire suite au Songe d’Athalie. (Extrait 
 du ‘‘Corsaire’’ du 7 mai 1849.) 8vo, half red levant morocco, 
 gilt top, by Champs. Per: indy 
 
 * Presentation copy from the author (?) with inscription in 
 his autograph, signed. 
 155 
 
1106. DU FRESNY (CHARLES RIVIERE), CEuvres — 
 choisies de Dufresny. 2 vols. 12mo, green vellum, uncut. 
 Paris: P. Didot I’ aine, 1810 ¢ ee 
 
 * The Syston Park copy, on vellum. 
 
 1107. DULAURENS (HENRI J.). Le Compére Matthieu, 
 ou ‘les Bigarrures de l’Esprit Humain. 9 plates, all proofs 
 before letters. 3 vols, 8vo, dark blue morocco gilt, gilt edges. 
 
 [Paris] : Imprimerie de Patris, 1796 : 
 
 * Thick vellum paper copy. 
 
 1108. DUMAS (ALEXANDRE). Stockholm, Fontaine- 
 bleau, et Rome. Trilogie dramatique sur la vie de Christine. 
 8vo, blue morocco gilt, uncut, original covers bound in, by 
 The Club Bindery. Paris, 1830 
 
 * First Eprrion» Presentation copy, with inscription by 
 the Author on title. * s tag 
 
 1109. DUMAS (ALEXANDRE). Stockholm, Fontain 
 bleau et Rome, Trilogie dramatique sur la vie de Christin 
 Folding frontispiece. First Eprrion, 8vo, half red straig 
 grain morocco, gilt, uncut, original wrappers bound in, b 
 Champs. Paris, 183 
 
 1110. DUMAS (ALEXANDRE). Napoléon Bonapart 
 ou Trente Ans de 1’Histoire de France. Drame en six actes. 
 8vo, half blue morocco gilt, gilt top, uncut. Paris, 1831 _ 
 
 * First EpivTion autograph presentation copy from pines 
 Author, with inscription. : 
 
 1111. DUMAS (ALEXANDRE). Napoléon Bonne 
 ou Trente ans de l’histoire de France. 8vo, half calf, — 
 uncut, by Champs. Paris, ide 
 
 by the Author on the title-page. 
 
 1112. DUMAS (ALEXANDRE). Catherine ee 
 drame en cing actes et en huit tableaux. Hitched frontisp 
 after Celestin Nantewil. First Eprrion. 8vo, eke que 
 
 Paris, 
 
 1118. DUMAS (ALEXANDRE). Angéle; drame en 
 actes. Frontispiece by C. Nanteuil. Firsr Eprrion. — 
 half cloth, uncut, original covers bound in, Some pp. spot 
 
 Paris, 1 
 
 1114. DUMAS (ALEXANDRE). Keun comédie en : 
 actes. First Eprrion. 8vo, half blue morocco, gilt, 
 original covers bound in, by Canape. Paris, 
 
 156 
 
1115. DUMAS (ALEXANDRE). Jacques Ortis, par M. 
 Alex. Dumas, précédé d’un essai sur la vie et les écrits d’Ugo 
 Foscolo, par Hugéne de Montlaur, et suivi d’une traduction 
 inedite de ses ceuvres choisies par M. L. Delatre. First Eptr- 
 TION. 12mo, half blue calf, gilt back, uncut. Paris, 1842 
 
 1116. DUMAS (ALEXANDRE). Gaule et France. Avec 
 Introduction aux Scénes historiques, First Eprrion. 12mo, 
 half light blue calf, gilt, uncut. Paris, 1842 
 
 1117. DUMAS (ALEXANDRE). Impressions de Voyage 
 par Alexandre Dumas. Nouvelle édition, revue et corrigée. 
 2 vols. 12mo, half blue calf, gilt back, uncut. Paris, 1842 
 
 1118. DUMAS (ALEXANDRE). Jeanne d’Arc, par M. 
 Alexandre Dumas; suivi d’un appendice contenant une 
 analyse raisonnée des documents anciens et de nouveaux 
 documents inédits sur la Pucelle d’Orléans, par J.-A. Buchon; 
 avec une introduction par M. Charles Nodier. First Epirion. 
 12mo, half blue calf, gilt back, uncut. Paris, 1843 
 
 1119. DUMAS (ALEXANDRE). Théatre complet d’Alex- 
 andre Dumas. Nouvelle Edition revue et corrigée par l’auteur. 
 3 vols. 12mo, half blue calf, gilt back, uncut. Paris, 1843 
 
 1120. DUMAS (ALEXANDRE). Louis XIV et son siécle. 
 Numerous illustrations. First Epirion. 2 vols. royal 8vo, 
 old maroon morocco, gilt. Paris, 1844-45 
 
 1121. DUMAS (ALEXANDRE). Le Comte de Monte- | 
 Cristo. Portrait engraved by Lecouturier after Hugéne 
 Giraud, 29 other plates after Gavarm and Tony Johannot, 
 and numerous woodcuts in the text. 2 vols. royal 8vo, half 
 red morocco, gilt. Paris, 1846 
 
 1122. DUMAS (ALEXANDRE). Grand Dictionnaire de 
 Cuisine. 2 portraits by Rajon. Thick royal 8vo, red levant 
 morocco, gilt top, uncut, by Riviere. Paris, 1873 
 
 * One of 50 copies on Holland paper. The William A. Fraser 
 copy with bookplate. 
 
 1123. DUMAS (ALEXANDRE). Les Trois Mousquetaires, 
 avec une lettre d’Alexandre Dumas fils. Illustrations by 
 Maurice Leloir, engraved by J. Huyot. 2 vols. imperial 8vo, 
 olive levant morocco, a scene from the novel inlaid in colours 
 on the front cover of each volume, gilt over uncut edges, with 
 _the original covers, by Raparlier. Paris, 1894 
 
 * One of 100 copies on India paper, with a duplicate set of 
 the plates, proofs before letters. 
 
 1124. DUMAS (ALEXANDRE). Le Vicomte de Brage- 
 lonne. First Inuustratep Epirion, with 2 frontispreces by 
 Lechard and Leguay, and 55 woodcuts. 2 vols. royal 8vo, red 
 levant morocco, filleted backs and sides v-th corner orna- 
 ments, gilt tops, uncut, by Joly. Paris, 1851 
 
 157 
 
- 1125. DUMAS (ALEXANDRE). Le Chevalier de Maison- 
 Rouge. Préface par G. Larroumet. Illustrations by Julien 
 Le Blant engraved by Léveillé. 2 vols. in 1, imperial 8vo, red 
 levant morocco, exquisitely tooled in scrolls and fillets in a 
 complicated and unique design, arms on the back and sides, 
 doublure of red morocco, filleted borders and corner orna- 
 ments, corded red silk cuards, gilt over uncut edges, with the 
 original covers, by Mercier. Exhibited at the Exposition 
 
 Universelle, 1900. Paris, 1894 
 *One of 35 copies printed on large India paper. Inserted 
 
 is AN ORIGINAL DRAWING By LE BLANT, signed. The full-page — 
 illustrations are in 4 states, remarque proofs both finished and 
 
 in outline, proofs in bistre, and lettered impressions. 
 
 1126. DUMAS (ALEXANDRE). La Dame de Monsoreau. — 
 Compositions de Maurice Lelow gravures sur bots de J. — 
 Huyor. 2 vols. imperial 8vo, red levant morocco gilt, watered 
 silk linings and end-papers, gilt tops, uncut, by The Club 
 Bindery. Paris, 1903 <7 
 
 * One of 100 copies on India paper with a duplieate set of: 
 the engravings, proofs before letters. ; 
 
 1127. DUMAS (ALEXANDRE, Fis). Le Fils Nafieel 
 
 Comedie en cing actes dont un prologue par Alexandre Dumas 
 fils. First Eprrion. 12mo, halfgred levant morocco, gilt top, 
 uncut. Paris, 1858 © 
 
 1128. DUMAS (ALEXANDRE, Firs), Un Pére Prodigue, 
 Comédie en cing actes. Firsr Epirion. 12mo, half red 
 levant morocco, gilt top, uncut, by Pousetoux. Paris, 1859 , 
 
 1129. DUMAS (ALEXANDRE, Firs). L’Ami des Femmes. 
 Comédie en cing actes, en prose. First Eprrion. 8vo, half 
 cloth, uncut, original covers bound in. Paris, 1864 
 
 1130. DUMAS (ALEXANDRE, Fis). Histoire du Sup- 
 plice d’une Femme. Réponse a M Emile de Girardin. First 
 EDITION, ON THICK PAPER. 8vo, half red levant morocco, gilt — 
 top, uncut, by Pousetoux. Paris, 1865 
 
 1131. DUMAS (ALEXANDRE, Fis). Affaire Clémen- 
 ceau, Mémoire de |’Accusé. 8vo, red levant morocco, back 
 and sides decorated in a mosaic floral design, figured silk 
 linings, inside mosaic and gilt borders, gilt over rough edges, if 
 original covers bound in, by Meunier. ‘Paris, 1866 : 
 
 *First Eprrron. Author’s presentation copy to George 
 Sand, with autograph of Dumas on front cover. Inserted, are 
 3 portraits on Japan paper, 2 of them in three states, ‘and 10 
 plates by A. Besnard. At the end are 32 pp. of advertisemen 
 from Lévy’s catalogue, dated June, 1866. ie 
 
 1132. DUMAS (ALEXANDRE, Fus), Les Idées 
 Mme. Aubray. 8vo, green levant morocco, gilt edges. 
 Paris, 186’ 
 
 * First Epition. India paper copy, with autograph pres 
 
 tation inscription by the author. Photograph of Dumas i 
 serted. ve ; 
 
 158 
 
1133. DUMAS (ALEXANDRE, Furs). La Femme de 
 Claude. Piéce avec Préface. Royal Svo, original paper 
 covers, uncut, Paris, 1873 
 
 “First Eprrion, on Holland paper. Autograph presenta- 
 tion copy from the Author, with inscription. Only 25 copies 
 printed. 
 
 1134. DUMAS (ALEXANDRE, Fits). Monsieur Alphonse, 
 piéce en trois actes. 8vo, half cloth, original covers bound in. 
 * First Epirion. Printed on Holland paper. Paris, 1874 
 
 1135. DUMAS (ALEXANDRE, Fis). L’Etrangére. Co- 
 médie en cinq actes, 8vo, half blue cloth, uncut, original buff 
 covers bound in. Paris, 1877 
 
 1136. DUMAS (ALEXANDRE, Firs). L’Etrangére. Co- 
 médie en cing actes. Royal 8vo, half cloth, uncut, original 
 covers bound in, Paris, 1877 
 
 * Autograph presentation copy from the Author. One of 40 
 copies on Holland paper. 
 
 1137. DUMAS (ALEXANDRE, Fis). la Princesse de 
 Bagdad. LHtched portraits of the author and 4 actors on 
 India paper. First Epuron. Royal 8vo, half green levant 
 morocco, uncut, original wrappers bound in, by Champs. 
 
 * One of 25 copies on large Holland paper. Paris, 1881 
 
 11388. DUMAS (ALEXANDRE, Fiis). Denise, Piéce en 
 quatre actes. Royal 8vo, half cloth, uncut, original covers 
 bound in, Paris, 1885 
 
 * One of 75 copies on Holland paper. 
 
 1139. DUMAS (ALEXANDRE, Fuss). Francillon. Piéce 
 en trois actes. Royal 8vo, half red morocco, uncut, original 
 covers bound in, Paris, 1887 
 
 * First EpiTion, on Holland paper, only 75 copies printed. 
 
 1140. DUMAS (ALEXANDRE, Fins). La Dame aux Ca- 
 mélias. Préface de Jules Janin et nouvelle préface inédite de 
 Vauteur. Illustrations de A. Lynch. 4to, red levant morocco, 
 filleted back and side borders, mosaic roses of ivory morocco, 
 gilt over uncut edges, original covers bound in, by Chambolle- 
 Duru. Paris, [1887] 
 
 * One of 30 copies printed on Japan paper, with the etchings 
 in three states, engraver’s etching and remarque proof on 
 Japan paper, and proof after letters on Holland paper; the 
 heliogravures in duplicate, before letters on Japan paper. 
 
SIXTY-SIXTH SESSION. 
 
 Thursday, November 14th, 2:30 P.M. 
 
 1141. DUMAS (ALEXANDRE, Firs). Théatre Complet, — a 
 avee préfaces inédites. Portrait and 32 plates by EB. Abot | 
 after Robaudi. 7 vols. 8vo, half red levant morocco gilt, gilt 
 
 tops, uncut, original covers bound in, by Champs. 
 
 Paris, 1890-93 © 
 * One of 135 copies on Papier Vergé, with the plates in 3 | 
 states, engraver’s etchings and proofs before and after letters. — 
 
 1142, DUMAS (ALEXANDRE, Fits). Théatré complet, 
 Avec préfaces inédites. Portrait and 32 plates by HE. Abot 
 after Robaudi. 8 vols. (including the notes) 8vo, half red 
 levant morocco gilt, gilt tops, uncut, original covers bound 
 in, by Champs. Paris: Calmann Lévy, 1890-93 — 
 
 * One of 135 copies on handmade paper. The plates include 
 three cancels, all in 3 states, engraver’s etching, and proofs be ee 
 fore and after letters. 
 
 On each half-title of the seven volumes is an original wae 
 
 color drawing by Robaudi. Inserted in Volume I are three 
 autograph letters signed by#Dumas, one letter from Robaudi 
 and one from Abot. Vol. 8 consists of notes. 
 
 This copy was presented by the publisher to his pee 
 M. Conquet, July 10, 1891. 
 
 1148. DUMAS (ALEXANDRE, Fits). Théatre Conpiest 
 Théatre des autres. With 10 etchings by L. Ruet after 
 Robaudi. 2 vols. 8vo, half red levant morocco gilt, gilt top: S 
 uncut, original covers bound in, by Champs. __ Paris, 189 
 
 * Holland paper copy, wth the plates in 3 states, engraver’s 
 etchings and proofs before and after letters. 4 
 
 1144. DUMAS (ALEXANDRE) awnp DAUZATS hee: 
 @uinze Jours au Sinai. First Epirion. 12mo, half blue calf, _ 
 gilt back, uncut. Paris, 1841 
 
 1145. DU MOULIN (ANTOINE). -Physionomie Naturelle, — 
 extraite de plusieurs Philosophes anciens. Et mise en F’ran- 
 cois par M. Antoine du Moulin Masconnois. 8vo, red levee Lag 
 morocco gilt, gilt edges, by Trautz-Bauzonnet. 
 
 Lyon: lean de Tournes, 155 
 
 1146. DUNTON (JOHN). The Athenian Oracle: Being 
 an Entire Collection of all the Valuable Questions and An- 
 swers in the Old Athenian Mercuries. Intermix’d with many 
 Cases in Divinity, History, Philosophy, Mathematics, Lov 
 Poetry, never before Published. A Supplement to. th 
 
 tions and Answers in the Old Athenian Mercuries. Frags is- 
 piece. 4 vols. 8v0, Cambridge calf, rebacked. esd 
 | London, 1703 
 160 } 
 
 ae aut in wea 
 
1147. DU PERRON ann DE THOU. Perroniana et 
 Thuana; ou Pensées Judicieuses, bons mots, recontres agre- 
 ables & observations curieuses du Cardinal Du Perron et 
 le President De Thou. Engraved frontispiece. 12mo, red 
 levant morocco, gilt edges, by Motte. (Small name on title 
 and marginal notes in same hand. ) A Cologne [Rouen] 1694 
 
 1148. DU PONT (ALEXANDRE) ann LULLE (RAY- 
 MOND). Roman de Mahomet, en vers du XIIIme Siécle, et 
 Livre de la Loi au Sarrazin, en prose du XIVme siécle, publiés 
 pour la premiére fois, et accompagnés de Notes, par MM. 
 Reinaud .. . et Francisque Michel. Royal 8vo, red levant 
 morocco, back and sides covered with a delicate monogram, 
 doublures of red morocco, dentelle borders, monogram crown 
 and crest in the corners, arms in the centre, uncut, by 
 Niédrée. In a green morocco case. Paris, 1831 
 
 * The only copy printed on vellum, with two facsimiles from 
 the original manuscripts, in duplicate, plain and illuminated. 
 
 1149. [DUPONT (GRATIEN).] Les Controuersses (sic) 
 des Sexes Masculin et Femenin. Lettres-batardes. Title 
 within an elegant architectural and ornamental woodcut 
 border, 5 fine full-page woodcuts surrounded by a border 
 syumilar to that of the title, 16*%small cuts and numerous pretty 
 woodcut wtials. Small folio, citron levant morocco, the 
 sides covered with a Grolieresque design of interlacing bands 
 and arabesques inlaid in dark brown, red, maroon, green and 
 dark blue morocco and outlined in gold, mosaic back, gilt 
 edges, by Niédrée. Tolouse: Jacques Colomies, 1534 
 
 * First EpDITION. RARE. This curious and remarkable work 
 contains an interesting chapter relating to the history of Pope 
 Joanne. After the publication of the first part the author was 
 bitterly attacked by certain French women, and Dolet wrote sev- 
 
 eral Latin epigrams against them. A fine copy, from the library 
 of R. S. Turner, with bookplate. 
 
 1150. DUPONT (PIERRE). Chants et Chansons (Poesie 
 et Musique). Ornés de gravures sur acier d’aprés T. Johan- 
 not, Andrieux, E. Nantewil, etc. 4 vols. 8vo, half brown 
 levant morocco gilt, gilt tops, uncut. Paris, 1853-59 
 
 1151. DUPPA (RICHARD). The Life of Michel Angelo 
 Buonarroti, with his Poetry and Letters. Portrait by f. Bar- 
 tolozzi, and 49 outline plates. Large 4to, original boards, re- 
 _ backed. | London, 1807 
 
 1152. DURER (ALBERT). Little Passion. Figure Pas- 
 sionis domini nostri Iesu Christi. Title and 38 plates, repro- 
 ductions of Diirer’s original, cut to plate and mounted in one 
 vol. 4to, brown levant morocco, panelled sides, gilt edges, by 
 Riviére. [n. p.—n. d.| 
 
 * John Ruskin’s copy, which was given by him to his secre- 
 
 tary. Autograph note as to the former ownership written by 
 W. E. Buckley, laid in. 
 
 161 
 
1153. DURER (ALBRECHT). Kleine Passion. Alter © 
 Illustratoren in facsimile-reproduction, Small 4to, brown 
 
 levant morocco, gilt top, uncut, by Zaehnsdorf. 
 Munchen, 1884 
 
 1154. DURFEY (THOMAS), Madame Fickle: or, the 
 Witty False One. First Epirion. 4to, red levant morocco, 
 gilt edges, by Chambolle-Duru. 2 headings shaved. 
 
 London: T. N. for James Magnes and Rich, Bentley, 1677 
 
 1155. DURFEY (THOMAS). Love for Money: or, The 
 - Boarding School. A Comedy. First Eprrion.. 4to, old Hng- 
 lish red morocco, ou borders, gilt edges, some leaves uneul, — 
 
 London: Abel Roper, 1691 
 
 1156. DURFEY (THOMAS). The Comical History Bree 
 Don Quixote, As it is Acted at both Theatres By His Majesties — 
 Servants. Part II. Second edition. Small 4to, red straight- 
 grain morocco gilt, gilt edges by The Club Bindery. 
 
 London: Printed for H. Newman, 1702 
 
 1157. DURFEY (THOMAS). Wonders in the Sun; or, 
 The Kingdom of the Birds; a Comick Opera» With great 
 Variety of Songs in all kinds, set to Musick by several of thes 
 most Eminent Masters of the Age, First Epirion. Small — 
 4to, blue levant morocco gilt, gilt top, uncut, by David. 
 
 London: Printed for J acob Tonson, 1706 
 
 * With the half title. Very rare in uncut condition. 
 
 1158. DURFEY (THOMAS). Songs Compleat, Pleasa 
 and Divertive, set to Musick by Dr. John Blow, Mr. Hen 
 Pureell, and other Excellent Masters. (vol. 6) Wit and Mir 
 or Pills to Purge Melancholy. Portrait. 6 vols, 12mo, r 
 straight-grain morocco, tooled in the style of Roger Payi 
 gilt tops, UNCUT, by Bedford. 
 
 London: W. Pearson for J. Tonson, 1719-20 
 
 * First CoLLECTED Epirion of ‘‘ Pills to Purge Melancholy. * 
 Fine copy, very rare uncut, as above. . 
 
 1159. DURFEY (THOMAS). New Opera’s, with comi 
 stories, and poems, on several occasions, Never before Printe e 
 Being the remaining Pieces. 8vo, old light green straig] 
 grain moroceo, gilt back, side borders, gilt edges. Old wr 
 ing on title. London: ‘Printed for William Chetwood, MW 
 
 1160. DURFEY (THOMAS). New Opera’s, with eomie 
 stories, and poems, on several occasions, Never before Printe d 
 Being ‘the remaining Pieces, Written by Mr. D’Urfey. © 
 niger skin, gilt back and borders on the sides, gilt edges 
 The Club Bindery. | 
 
 London: Printed for William Chetwood, ty 
 
& 
 
 1161. DURIEU (JEAN LOUIS MARIE EUGENE). 
 Souvenirs, A mes Amis. 12mo, calf, gilt back, side borders, 
 embossed centre. Paris, 1830 
 
 *In all probability this volume was privately printed. In- 
 serted at the end is an AUTOGRAPH LETTER WRITTEN BY B&RANGER 
 
 in response to the last poem in the volume, ‘‘A Béranger, aprés 
 les journées de Juillet, 12 Aout, 1830.’ 
 
 1162. DYCE (ALEXANDER). Specimens of British 
 Poetesses; selected and chronologically arranged, 8vo, half 
 brown morocco, gilt top, uncut. London, 1825 
 
 1163. DYER (SIR EDWARD). The Praise of Nothing. 
 Small 4to, red straight-grain morocco, gilt top, uncut, by 
 
 Zaehnsdorf. [Collier Reprint. ] London, 1585 
 _ _*One of 25 copies: so stated on the fly-leaf in handwriting 
 of Collier. 
 
 1164. ARLY ENGLISH POETRY. Specimens of the 
 Karly English Poets. Edited by George Ellis. 
 
 Svo, green morocco, richly tooled back and sides, gilt edges, by 
 C. Lewis. London: Printed for Edwards, 1790 
 
 * First Edition. EXTRA-ILLUSTRATED by the insertion of 46 
 portraits, many being proofs on India paper. 
 
 1165. EDINBURGH ETCHING CLUB. Portfolio (The). 
 A Collection of 12 original Etchings by members of the Club. 
 Folio, loose in board portfolio. Edinburgh, 1881 
 
 *One of 75 copies on Japan paper. 
 
 1166. EDWARD VI.—inivnccions geué by the moste ex- 
 cellent prince, Edward the sixte, by the grace of God, kyng 
 of England, Fratice and Irelande: defendor of the Faythe, &c. 
 First Epirion. Buack Lerrer. Title within woodcut bor- 
 der, and large printers device. 
 
 [Colophon]. Imprinted at London, in the first yere of the 
 reigne of King Edvvard the vi. by Richard Grafton. Anno. 
 1547. 
 
 * VERY RARE. The famous regulations for the English Church, 
 issued by Edward VI soon after his coronation. The most 
 celebrated undoubtedly is that ‘‘a whole Bible, of ye largest 
 volume in English,’’ shall be placed in churches in places con- 
 venient for the Parishioners to read therein, and that no man 
 shall be prevented from reading it. FINE Copy. 
 
 1167. EFFIGIES POETICAi: or, The Portraits of the 
 British Poets; Illustrated by notes biographical, critical, and 
 poetical, by Bryan Waller Proctor. 140 portraits, proofs on 
 India paper. 2 vols. small folo, half red morocco gilt, gilt 
 tops, uncut. London: James Carpenter, 1824 
 
 * Large paper copy. 
 163 
 
1168. ELEONOR DE GUYENNE. Histoire d’Bléonor de 
 Guyenne . . . contenant ce qui s’est passé de plus mémorable _ 
 sous les regnes de Louis VII, dit le Jeune, roi de France; 
 d’Henri II. & de Richard son fils, surnommé Cceur-de-Lion, 
 rois d’Angleterre. Edition augmentée d’un supplément de 
 Sommaires, de Notes & d’Observations, par M****. 3 plates 
 engraved by Delignon, Halbou, and Borgnet, after Borel. 
 8vo, contemporary French red morocco, fleurs-de-lys on back © 
 
 and corners of sides (repaired). 
 A Londres [Paris, chez Cussac] 1788 — 
 
 1169. ELIOT (GEORGE). The Spanish Gypsy. se 
 Poem. First Epirion. 8vo, original cloth, uncut. . 
 Edinburgh, 1868, ae 
 
 1170. ELIZABETH. (QUEEN). A Booke of Christian 
 Prayers, collected out of the ancient writers, &e. [A fragment 
 consisting of title-page of the Second Published Edition, with — 
 cut of Queen Elizabeth Praying, and the 10 pp. of Black Let- 
 ter Text,—‘‘To the Christian Reader, &c.,’’ each page within 
 a woodcut border. Considerable writing on several of the — 
 pages. Unbound. 12mo. Twelve pages in all. Not return- 
 able. ‘ i he 
 
 1171. ELIZABETH (QUEEN). A Booke of Christian ~ 
 Praiers, collected out of the ancient Writers, and best learned — 
 in our Time; worthy to be read with an earnest Minde of all 
 Christians in these daungerous and troublesom daies, that God — 
 for Christs sake will yet stil be merciful unto us. Title within 
 the Jesse-tree woodcut border on verso of which is portrait of 
 Queen Elizabeth kneeling, and each page within woodcut bor 
 ders composed of scenes from the Dance of Death, Ge. 8vo 
 dark blue levant morocco, sides and back entirely covered witk 
 rich gilt tooling, doublures of blue morocco, gilt bordered, git 
 edges, by The Club Bindery. (Slight repairs to title ands sev ue 
 eral other leaves, and a few worm-holes. ) ; 
 
 ers known as ‘‘Queen Elizabeth’s Prayer Book, ’ the ee 
 of which is generally attributed to John Foxe. The text Ss 
 practically the same as the First Published Edition of 1578. 
 
 1172. [ELLIS (GEORGE).]  Specimenseas oe E 
 lish Poets. 8vo, green levant morocco richly gilt, gilt edg: 
 by C. Lewis. Lone au 
 
 et variorum orationibus exposita. Hngraved title ae 
 164 at 
 
architectural border and 64 emblematic copper-engravings. 
 4to, old red morocco, gilt. 
 Norimberge: impensis Levini Hulsii, 1597 
 * ONE OF THE EXTREMELY RARE COPIES, with the repetition of 
 the engraved title-page, printed on the verso of the last leaf. 
 In the same volume are bound the EmBLEemata Florentii Schoon- 
 Novii partim moralia partim civilia. Goud, 1618, and the ‘‘Em- 
 blemata Boissardi’’ (1588), this wanting the title-page. 
 
 1174. EMBLEMATA ANNIVERSARIA Academix Al- 
 torfine studiorum iuventutis exercitandorum causa proposita 
 et variorum orationibus exposita. Engraved title and 64 
 emblematic copper-engravings. 4to, old vellum, panelled 
 sides, centre ornaments. 
 
 Norimberge: impensis Levini Hulsii, 1597 
 
 a rotten copy of the previous lot, but having the last page 
 ank, 
 
 1175. EMBLEMATA ANNIVERSARIA Academie Al- 
 torfine studiorum iuventutis exercitandorum causa proposita 
 et variorum orationibus exposita. Engraved title and 64 em- 
 blematic copper-engravings. 4to, brown levant morocco, gilt 
 and blind tooled sides, gilt edges, by Riviére. 
 
 Norimberge: impensis Levini Hulsii, 1597 
 
 * Another copy but taller than either of the two preceding. 
 The last page is blank. 
 
 1176. EMBLEMS. Acht-en-Dertig konstige Zinnebeelden. 
 Bound with the emblematical portion of Goulart’s French 
 translation of Beza’s ‘‘ Vrais Pourtraits,’’ 1581. With 82-en- 
 gravings of emblems. Small 4to, dark brown calf, gilt panels, 
 gilt edges by Pratt. Amsterdam: Bernardus Mourik, 1737 
 
 1177. EMBLEMS. A Collection of 117 fine emblematic 
 ecopper-plates printed in Germany in the 17th century. With 
 verses in Latin and German. Oblong 4to, polished calf gilt, 
 gilt edges. : 17th-18th Century 
 
 * Interleaved with contemporary manuscript poems, using 
 the illustrations as text for rhymed epigrams on notabilities of 
 the time of Queen Anne. Among those referred to are Bp. 
 Burnet, Wm. Cowper (first Earl Cowper), Daniel Defoe (men- 
 tioning his being placed in the pillory ‘‘for the reformation of 
 his manners), Dr. Read (oculist to Queen Anne), Duke of Or- 
 mond, Marquis of Normandy, Grinling Gibbons, Thomas Durfey, 
 Nicholas Rowe (editor of Shakespeare), Bp. Hickman (chaplain 
 to the Earl of Rochester), Earl of Albemarle, Sir Dudley 
 Digges, Duchess of Richmond, Charles II, Judge Jeffreys, and 
 many others. There are in all about 120 epigrams, forming a 
 most remarkable and clever comment on the characters of cele- 
 brities of the second most famous epoch of English literature 
 and history. 
 
 1178. EMBLEMES SACREZ svr le tres-saint et tres- 
 adorable Sacrement de 1’Evecharistie. 102 emblematic cop- 
 per engravings. 8vo, red levant morocco gilt, gilt edges, by 
 Lortic. Paris, 1667 
 
 165 
 
1179. ENFANT. L’Enfant sans Soucy, Divertissant son — 
 pére Roger Bontemps, et sa mére Boute Tout Cuire. 12mo, — 
 blue levant morocco, gilt back, the ARMS OF THE BARON JE- — 
 ROME PicHON on the sides, gilt edges, by Bauzonnet-Trautz. — 
 
 * First Edition. Ville Franche: Nicolas 1’Enjoue, 1682 — 
 
 1180. ENGLANDS HELICON. Edited by A. B. Small 
 4to, blue straight-grain morocco, gilt top, uneut, by Zaehns- — 
 dorf. | Collier Reprint] I. R. for John Flasket, 1600 ‘ 
 
 * One of 12 copies on thick pApey me 
 
 1181. ENGLAND’S PARNASSUS. Seven Baglin Poeti-- 
 cal Miscellanies, Printed between 1557 and 1602. Repro- 
 duced under the care of J. Payne Collier. 5 parts in 2 vols. aig 
 small 4to, blue straight-grain morocco, gilt tops, uncut, origi- 
 nal wrappers bound in, by Zaehnsdorf. London, 1867 — 
 
 1182. ENGLISH AND FRENCH AUTOGRAPHS. In- 
 elude A. L. S. from A. Robaudi, G. Fumagalli, A. Veneroni, 
 and M. Tamoni,—famous binders, bibliographers and binders. 
 (4 pieces. ) Vv. p.—v. d. 
 
 1183. ENGLISH AUTOGRAPH LETTERS. Hugh Thom- 
 son, illustrator, 7 pp. on his inability to illustrate a book for 
 the Grolier Club; C. R. Leslie, painter; L. Alma ee 
 painter; F. D. Hardy, painter. (4) “ 
 
 1184. ENGLISH AUTOGRAPH LETTERS. James Shér S 
 dan Knowles to Thomas Hood; Francis, and Leonard Horner; © 
 Wm. Beloe; S. C. Hall; Lord ‘Scarborough (2); Lord Wols« 
 ley; George MacDonald. An A. LS. of each.” (sae 
 
 1185. ENGLISH DRAMA. The New English Drama, — 
 [113 Comedies, Tragedies, Operas, Farces, and Melodramas] — 
 with prefatory remarks, biographical sketches, and note: 
 Critical and Explanatory ; Being the only Edition existing 
 which is faithfully marked with the stage business and stag 
 directions, as Performed at the Theatres Royal. Edited b 
 W. Oxberry, Comedian, Hngraved portraits of celebrate 
 players. 20 vols. (should be 22), 12mo, half red levant m« 
 rocco gilt, gilt tops, uncut, by Pratt. _ London, el 
 
 * Large Paper copy. 
 
 1186. ENGLISH LANDSCAPE. Birket Roser! s pie 
 of English Landscape. Engraved by the brothers Dalzic 
 with pictures in words by Tom Taylor. 4to, green levan 
 morocco, gilt back and sides, gilt edges. London, 186 
 
 1187. ENGLISH NOVELIST (THE). A Collection 
 Tales by the most celebrated English Writers. 1838. Fron 
 piece. 8vo, brown levant morocco gilt, gilt top, uncut, by ' 
 Club Bindery. Leipsig, 1 
 
 166 Qe 
 
1188. ENGLISH POETRY. A Trip to North Wales; The 
 Scaffold lately erected in Westminster Hall; The Kentish 
 Men; The Vestry; Hymn to the Light of the World; The 
 Cartons of Raphael Urbin, &c.; The Mourning Poet; Letter 
 to Monsieur Boileau-Depreaux; Congratulatory Poem to his 
 Grace the Duke of Marlborough; A Trip to Litchfield. In 
 one volume. Folio, red morocco. London, 1701-1705 
 
 1189. ENGLISH POETRY. Deborah, a sacred ode; A 
 Trip to Liverpoole; The Publican, his Dream; The Law; St. 
 James Park; Old England’s New Triumph; Heroik Essay on 
 the victory of Major-General Webb; The Encomium; Hymn 
 to the Redeemer; Epistle to Joseph Addison. 10 pieces in 
 1 vol. small folio, blue levant morocco, by The Club Bindery. 
 
 London, 1705-1715 
 
 1190. ENGLISH POETRY. Tit for Tat; Characters; an 
 Epistle to Alexander Pope and Mr, Whitehead; Epidemical 
 Madness; The English Beautys; An Epistle to Dr. Young, In 
 one volume. Folio, red morocco. London, 1734-1739 
 
 1191. ENGLISH POETRY. Cursory Remarks on some 
 of the Ancient English Poets, particularly Milton. S8vo, half 
 ealf, gilt top, uncut, by Bedford. London, 1789 
 
 * Large paper copy. 
 
 1192. ENGRAVINGS, A Series of plates [50] taken from 
 the Musée Napoleon, engraved by Queverdo, Dague, Villerey, 
 and others, after Bourdon, Le Roy, Dumet, &. Some proofs 
 before letters, &e. Royal 8vo, half red morocco. n. p.—n. d. 
 
 1193. ENTRETIEN entre Louis XIV., Roy de France, et 
 Madame la Marquise de Maintenon, Abesse de St. Denis, & 
 St. Cir, sur les affaires presentes & pour la conclusion de leur 
 Mariage. 12mo, old red morocco, gilt back, borders on the 
 sides, gilt over uncut edges, by Bozerian, jeune. ? 
 
 | Marseille [Holland]: Pierre Matthieu, 1710 
 
 * From the Nodier and Kalnoky collections. Nodier remarks 
 in his catalogue that this book is very rare. 
 
 1194. EPICTETUS. Reprinted from the translation of 
 George Long. 2 vols. 4to, original paper wrappers, uncut. 
 London: A. L. Humphreys, 1897 
 
 1195. EPIPHANIUS (SAINT). Sancti Patris Nostri 
 Epiphanii, Episcopi Constantie Cypri, ad physiologvm. 
 Eiusdem in die festo Palmarum sermo. JD. Consali Ponce de 
 Leon . . . interpretis & scholiastx, bimestre otium. 62 copper- 
 plate emblematic engravings by Van der Borcht. The text 1s 
 an Greek and Latin. Small 8vo, green levant morocco, gilt 
 ornaments on the sides, gilt edges, by Capé. , 
 
 7 Antverpiae: Christophori Plantini, 1588 
 
 167 
 
1196. EPISTLE from a Nobleman to a Doctor of Divinity: 
 In Answer to a Latin Letter in Verse. Written from H—n 
 C—t. Folio, boards, morocco back. Repaired in places. 
 
 London: J. Roberts, 1733. 
 
 1197. EPISTOLA GRAICA. Epistole diversorum phi- 
 losophorum, oratorum, rhetorum sex et viginti, etc., greece. 
 138 (last blank and 266 (the 86th blank) leaves, with signa- 
 tures; 26 lines to the page. 2 parts in one vol. 4to, old blue 
 straight-grain morocco gilt, gilt edges. Hain-Copinger, 6659 ; 
 Proctor, 5569; Renouard, p. 18. Venetiis: apud Aldum, 1499 
 
 * Fine copy and. scarce. The binder has placed the second 
 part erroneously at the commencement of the volume. 
 
 1198. EQUICOLA (MARIO). Apologie contre les mes- 
 disantz de la nation Francoise, traduicte de Latin en Francois 
 (par Michel Roté). 8vo, red levant morocco, gilt edges, by 
 Duru. Paris: Maurice Menier pour Vincent Sertenas, 1550 
 
 * Fine copy of a rare book. 
 
 1199. EQUICOLA (MARIO). Les Six Livres.de Mario 
 Eqvicola d’Alveto avthevr celebre. De la nature d’Amour, 
 tant humain que diuin, & de toutes les differences d’iceluy. 
 Remplis d’vne profonde doctrine, meslee auec facilité & 
 plaisir, imprimez de ce temps plusieurs-fois en Italie, & main- 
 tenant, mis en Francoys par Gabriel Chappvys Tovrangeav. 
 Small 8vo, olive levant morocco, back and sides richly tooled 
 with scrolls and azured arabesques, gilt edges, by Capé. 
 
 Paris: Jean Housé, 1584 
 
 * Contains final blank leaf, SSviii. 
 
 1200. ERASMUS (DESIDERIUS). L’Eloge de la Folie, 
 traduit du Latin d’Hrasme Par M. Gueudeville. Nouvelle 
 edition, revue et corrigée [par Meunier de Querlon] sur le 
 Texte de l’Edition de Basle. Frontispiece, 13 plates, vig- 
 nettes, etc., after Eisen. LarGE PAPER. 4to, red levant mo- 
 rocco gilt, gilt edges, by Bedford. [Paris] 1751 
 
 1201. ERASMUS (DESIDERIUS). Proverbs, chiefly 
 taken from the Adagia of Erasmus, with explanations; and 
 further illustrated by corresponding examples from the Span- 
 ish, Italian, French & English Languages. By. Robert Bland. 
 2 vols. in 1, 12mo, blue morocco, back and sides richly tooled, 
 gilt edges, by Wright. | London, 1814 
 
 1202. ERASMUS (DESIDERIUS). Eloge de la Folie, 
 augmenté de la préface d’Erasme addressée a Thomas Morus 
 son ami. Notice de Gabriel Hanotaux. Quarante-six compo- 
 sitions gravées sur bois de Auguste Lepere. Royal 8vo, brown 
 levant morocco, sides covered with a design of compartments 
 tooled in flower, scrolls, and dots, arranged geometrically, 
 doublures of brown morocco, gilt over uncut edges, original 
 covers bound in, by The Club Bindery. 
 
 Paris: Pour les Amis des Livres, 1906 
 
 168 
 
 Ti ee a 
 
1203. ERASMUS (DESIDERIUS). Morie Encomium 
 cum Gerardi Listrii commentariis, 12mo, old French red 
 morocco, gilt tooled dentelle borders on the sides, gilt end- 
 papers, gilt edges, by Derome. Writing on the back of title. 
 
 Lugduni Batavorum: I. Maire, 1648 
 
 1204. ESPARBES (GEORGES D’.). Les Demi-Solde. 
 Roman épique. 12mo, half green levant morocco, gilt top, 
 uncut, original covers bound in, by Carayon. Paris [1897] 
 
 * One of 20 copies on Holland paper. 
 
 1205. ESTIENNE (HENRI). Proiect dv Livre intitulé 
 De la precellence du langage Francois. First Eprrion. 12mo, 
 red levant morocco gilt, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: Mamert Patisson, 1579 
 
 1206. ETHEREGE (GEORGE). The Comical Revenge; 
 or, Love in a Tub. 4to, red levant morocco, panelled sides, 
 gilt and blind tooled, gilt edges, by Joly. London, 1689 
 
 *In the volume are bound the following plays: The Re- 
 hearsal, by George Duke of Buckingham. London, 1692; The 
 Man of Mode; or, Sr. Fopling Flutter, by George Etherege. 
 London, 1693; She Wou’d if She Could, by George Etherege. 
 London, 1693; Love in a Wood, by Mr. Wycherley. London, 
 1694; The Plain-Dealer, by Mr. Wycherley. London, 1694; and 
 The Country-Wife, by Mr. Wycherley. London, 1695. 
 
 1207. EVELYN (JOHN). Sculptura; or, the History and 
 Art of Chalcography, and Engraving in Copper; etc. The 
 third edition, containing some corrections and additions taken 
 from the Margin of the author’s printed Copy. Mezzotent 
 copy by Houston of the engraving by Prince Rupert, etched 
 portrait of Evelyn, by Worlidge, &c. 12mo, sprinkled ealf. 
 Contemporary autograph of J. Hosken on the title. 
 
 London, 1759 
 
 1208. EZOUR-VEDAM (L’.) ou ancien commentaire du 
 Vedam, contenant 1l’exposition des opinions religieuses et 
 philosophiques des Indiens. Traduit du Samscretan par un 
 Brame. Revu et publié (par le Baron de Sainte-Croix). 
 2 vols. 12mo, old French green straight-grain morocco gilt, 
 gilt edges. Writing on title of volume 1. Yverdon, 1778 
 
 * Holland paper copy. From the Yemeniz Library. 
 
 1209. a BLES. Tresor de Fables, choisies des plus 
 excellens Mythologistes. Accompagnées du 
 
 sens moral; explique par l’Ecriture Sainte. Frontispreces, 
 112 plates, and 22 vignettes, by J. L. Krafft. 2 vols. 4to, blue 
 morocco gilt, gilt edges, by The Club Bindery. Bruxelles, 1734 
 
 1210. FABLIAUX au Contes, Fables et Romans du XII et 
 XIII Siécle, traduits ou extraits par Legrand d’Aussy. 19 
 PLATES IN 3 sTATEs, 2 proofs before letters, one on India 
 paper, and a proof after letters, by Devilliers, Bosq, Roger, 
 
 169 
 
Ribault, and Croutelle, after designs by Moreau the younger 
 and Desenne. 5 vols. 8vo, brown levant morocco gilt, gilt 
 edges, by Chambolle-Duru. .  Parisssiazos 
 
 1211. FABRE (FERDINAND). Monsieur Jean. 12mo, 
 haif brown levant morocco gilt, gilt top, uncut, original 
 covers bound in, by Canapé. Paris, 1886 
 * First Epirion. One of 30 copies on Holland paper. 
 
 1212. FABRE (FERDINAND). Un Illuminé. 12mo, 
 half brown levant morocco gilt, gilt top, uncut, original 
 covers bound in, by Canapé. Paris, 1890 | 
 
 * First Epirion. One of 20 copies on Holland paper. 
 
 1213. FABRE (FERDINAND), L’Abbé Tigrane. Can- 
 didat a la Papauté. Portrait d’aprés J. P. Laurens et 20 — 
 eaux-fortes originales de EZ. Rudeaux. 8vo, blue levant mo- — 
 rocco, gilt and mosaic back and sides, gilt over rough edges, — 
 original covers steer in, by Canapé-Belz. £3 
 
 Paris: L. Conquet, 1890 — 
 * One of 150 copies on Jape paper, with the etchings in 3 
 states. sd 
 
 1214, FABRE (FERDINAND), MonamiGaffarot. 12mo, 
 half green levant morocco gilt, gilt top, uncut, original covers — 
 bound in, by Canapé. Paris, 1895 
 
 * First EDITION. One of 10 copies on Holland paper. 
 
 1215. FAERNUS (GABRIEL). Fabule centum ex anti- 
 quis auctoribus delecte et carminibus explicate. Engraved 
 title and 100 copper-plates. Small 4to, old French green mo-, 
 rocco gilt, gilt edges. (Title repaired, and name thereon.) 
 
 Rome: Vicentius Luchinus, 1564 
 
 * First Epition. The designs of the plates are attributed es 
 Titian. es 
 
 1216, FAERNUS (GABRIEL), Fabule Centum ex ante 
 quis auctoribus delectze carminibusque explicate, et eiusdem 
 Carmina varia. Numerous engravings. 4to, half brown mo- 
 
 rocco, gilt top, other edges UNCUT. LARGE PAPER COPY. | 
 Parma: Bodoni, 1793 
 
 1217. FALCONER (WILLIAM). The Shipwreck, A Poem. 
 With a Life of the Author by J. 8. Clarke. Plates and vig- 
 nettes by Fittler after N. Pocock. 8vo, original boards, unew 
 back repaired. London, 181. 
 1218. FALK, VON MULLER, anv otHsrs. Characteristics 
 of Goethe. With notes, original and translated, by Sarah 
 Austin. Frontispieces. 3 vols. 8vo, half brown levant mo 
 rocco gilt, gilt tops, uncut, by All6. London, 183 
 
 of Miss Catherine Maria Fanshawe. Edited by W. Harness ; 
 4to, half brown morocco, gilt top. 
 
 170 | Pie ent ‘ 
 
1220. FANTAISISTE. Le Fantaisiste. Magazine Biblio- 
 graphique Littéraire, Philosophique, et Artistique. Reproduc- 
 tion de piéces anciennes ou récentes, désopilantes et curieuses. 
 —Analyses et extraits d’ouvrages intéressants en tous genres, 
 —Correspondance et Mélanges. Publié par la Société des 
 Bibliophiles Cosmopolites. Etching and woodcut. 2 vols. in 1, 
 12mo, red morocco gilt, gilt top, uncut. San Remo, 1873-74 
 
 “One of 10 copies on China paper. 
 
 1221. FATAL DISCOVERY (THE), or, Love in Ruines: 
 A Tragedy, As it is Acted at the Theatre Royal. With a 
 Preface in Answer to a scandalous Copy of Verses, written by 
 Mr. Dryden, and prefixt to a play called Heroick Love. 4to, 
 maroon levant morocco, gilt edges, by Mercier. 
 
 London, 1698 
 
 “First Epirion. Edited by George Powell. 
 
 1222. FAVOLE scelte, Tradotte dall’ Idioma Francese 
 nell’ Italiano per il Signor de Veneroni maestre delle sudette 
 Lingue a Parigi: e poi da quelle nel Tedesco, per il Signore 
 Baldassaro Nickisch maestro di Lingue in Augusta. En- 
 graved frontispiece by Johanna Krausin, and 96 illustrations. 
 The text is in Italian, German and French. 4to, maroon 
 levant morocco gilt, arms on sides, gilt edges, by AII6. 
 
 Augspurg, 1707 
 
 1223. [FELINE (LE PERE).] Catéchisme des Gens 
 mariés. 12mo, citron levant morocco gilt, gilt edges, by Cuzin. 
 [Caen: Le Roy, 1782] 
 * This book was suppressed by ecclesiastical authority, and is 
 
 rare. 
 
 1224. [FELIX (HENRY).] Oraison Funébre de tres- 
 haut, tres-puissant, et tres-magnanime Prince Monseigneur 
 Louis de Bourbon Prince de Condé, premier prince du sang. 
 Prononecée par Monseigneur |’Evéque & Comte de Chalon 
 [Henry Felix] sur Saone, dans son Helise Cathedrale, le 6. 
 Février 1687. 4to, red levant morocco, fleurs-de-lys in the 
 back panels and side corners, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: Antoine Dezallier, 1687 
 
 1225. FEMINIES. Huit chapitres inédits dévoués A la 
 Femme, a l’Amour, a la Beauté; par Gyp, H. Lavedan, 
 M. Schowb and Octave Uzanne. Frontispieces en couleurs 
 d’aprés F. Rops. Encadrements et vignettes de Rudnickr. 
 Royal 8vo, blue levant morocco, doublure of rose morocco, 
 with floral mosaic borders, silk guards, gilt over rough edges, 
 original covers bound in, by Ruban. Paris, 1896 
 
 * One of 183 copies, with the plates in 2 states. 
 
 1226. FENELON (F. DE SALIGNAC DE LA MOTHE). 
 The Adventures of Telemachus, the Son of Ulysses. Trans- 
 lated from the French of Messire Francois S. de la Mothe- 
 
 171 
 
Fénélon, by John Hawkesworth. Copperplate vignettes by — 
 Grignion after Wale. 4to, old red morocco, broad gilt borders 
 on sides, gilt edges, by Baumgarten, ey 
 
 London: Printed for the author, by W. and W. Strahan, oe 
 1768. 
 
 * First Epirion of the first English translation. 
 
 1227. FENELON (F. DE SALGNAC DE LA MOTHE). — 
 Les Aventures de Télémaque, fils d’Ulysse. 2 portraits and a 
 series of 24 plates by Coiny Triere, Simonet, Dambrun, Gode- — 
 froy, Thomas, and Elwauz, after the designs of Lefebvre, OY 
 two states, proofs before and after letters. 4 vols.in2,12mo, 
 red levant morocco gilt, gilt edges, by Capé. Paris : Didot, 1781 : 
 
 1228. FEANELON (F, DE SALIGNAC DE LA MOTHE). — 
 De 1’Education des Filles. Portrait. 12mo, vellum, gilt back 
 and sides, silk linings, gilt edges, by Bozerian jeune. 
 
 Paris: A. A. Renouard, 1807 _ 
 * Large paper copy, with proof impression of the portrait bys 
 d’Elvaux. et0et 
 
 1229. FERRAND (ANTOINE). Piéces Libres et Poésies 
 de quelque Auteurs sur divers sujets. Vignette on title. 
 Small 8vo, red levant morocco gilt, gilt edges, by All6. eee 
 
 _ Londres, 1760 
 
 1230. FERRAND (JACQUES). ‘De la maladie d’amour ven 
 
 ou melancholie erotique. S8vo,.old French red morocco gilt, 
 
 gilt edges. | Paris: Denis Moreau, ae ne 
 * The J. J. De Bure copy mentioned by Brunet. . 
 
 1231. FERTIAULT (F.). Les Amoureux du Biv 
 nets d’un Bibliophile, Fantaisies, Commandements du Bibli 
 phile, Bibliophiliana, Notes et Anecdotes. Préface du Biblio- 
 phile Jacob (Paul Lacroix). Seize eaux-fortes de Jules Chev- — 
 reer. 2 vols. royal 8vo, blue levant morocco, gilt tops, uncut, 
 original covers bound in, by The Club Bindery. Paris, 18" 
 
 * One of 12 copies on Holland paper, with the pe 
 states. 
 
 1232. FEVAL (PAUL). Le Premier Amour de Char 
 Nodier. Avant-propos de Maurice Tourneux. ‘Woodcuts 
 H. Vogel. 8vo, half blue calf gilt, gilt top, uncut, by Carayo 
 
 : Paris, 19( 
 * One of 150 copies, with a duplicate set of the illustratio, 
 proofs before letters. 
 
 1233. FEUILLET (OCTAVE). Julia de nee” 4 
 etchings by Clapés after Henriot. 8vo, red levant moroe 
 gilt, gilt over rough ‘edges, original covers bound in, by Char 
 bolle-Duru. Paris, 18: 
 
 * One of 225 copies on papier vélin, with the pees in 
 states, before and after letters. ne 
 
 1234. FEUILLET (OCTAVE). Le Village. Seane | 
 vineiale. Préface de Mme. Octave Feuillet. Portrait, op 
 page plate and 2 vignettes by Boisson. 8vo, brown | 1 
 
 172 Pe ws aL 
 
morocco, front cover with an elaborate inlaid design in ereen, 
 olive, orange, etc., doublure and fly-leaves of russia, gilt top, 
 uncut, original covers bound in, by René Kieffer. 
 
 * One of 143 copies on papier vélin. [Paris] 1901 
 
 ; 1235. FIEDLER (FRANZ). Antike Erotische Bildwerke 
 in Houbens Roemischen Antiquarium, ete. With 5 colored 
 plates containing 30 illustrations. 4to, boards. Xanten, 1839 
 
 1236. FIELDING (HENRY). Tom Jones, ou 1’Enfant 
 Trouvé ; imité de Fielding par M. de La Place. 4 vols. 18mo, 
 red morocco, blind-tooled, gilt edges, by Derome. 
 
 * Printed on vellum paper. Paris: Didot, 1784 
 
 1237. FIELDING (HENRY). The History of Tom Jones, 
 
 a Foundling. With a Memoir of the Author by Thomas Ros- 
 
 coe. Illustrations by George Cruikshank. 2 vols. 12mo, green 
 levant morocco gilt, gilt tops, uncut, by Chambolle-Duru. 
 
 London, 1831 
 
 * Extra-illustrated with the colored plates by Moreau and 
 Johannot, on India paper. 
 
 1238. FIELDING (HENRY). The History of Tom Jones, 
 
 a Foundling. With a Memoir of the Author by Thomas Ros- 
 
 coe. Illustrations by George Cruikshank. 2 vols. half 
 maroon levant morocco, gilt tops, uneut, by Krafft. 
 
 London, 1831 
 
 1239. FIGARO. Contes de Figaro; par Boisgobey, Coppée, 
 Villiers de 1’Isle-Adam, ete. Illustrations by Myrbach. 8vo, 
 half brown levant morocco, inlaid back, gilt top, uncut, origi- 
 nal covers bound in. Paris, 1885 
 
 * One of 30 copies on Japan paper. 
 
 1240. [FISHER (PAYNE).] Ivenodia Gratulatoria sive 
 Illustrissimi amplissimiq; Viri Oliveri Cromwelli, &e. Epi- 
 nicion, Dedication Praesidi Bradshawo. | Epistle signed Fitz- 
 Paganus Piseator.]| With the three rare plates of Cromwell 
 on horseback, three-quarter length in armor, by Trevillian, 
 and plate with the arms of Edward Popham. Small 4to, 
 polished calf, gilt. 
 
 Cambridge: T. Neweomb—John Holden, n. d. [1654] 
 
 1241. FLAMEN (ALBERT). Devises et Emblesmes 
 d’Amour Moralisez. Hngraved title to the plates, dated 16538, 
 and 50 copper-plate engravings by Flamen. Small 8vo, 
 polished calf gilt, gilt edges, by Bedford. Paris, 1658 
 
 1242, FLAMENT (ALBERT). Fauteuils et Couloirs. 21 
 eaux-fortes de Minartz. Imperial 8vo, figured green silk, lined 
 with figured pink satin, gilt top, unent, orivimal covers bound 
 in, by The Club Bindery. In a cloth case. Paris, 1906 
 
 * One of 75 copies. 
 173 
 
Ti eo a i, 
 AC a 
 
 (1243. FLAMENT (ALBERT). Palaces et sikepiiens 
 Eaua-fortes de Minartz. Large 4to, original paper covers, 
 uncut. Paris: Henri Beraldi, 1908 
 - * One of 75 copies, with the plates in 2 states. — 
 
 1244. FLAMENT (ALBERT). Fleur de Paris. Dessins a 
 de Minartz gravées sur bois par H. Paillard. Folio, origina 
 paper wrappers, uncut. Paris, sh 
 
 * One of 90 copies. 
 
 1245. FLAUBERT (GUSTAVE). Madame Bor 
 First Epirion. 12mo, cloth, uncut. Paris, oe 
 | * With a 1 p. A. L. 8. from the author inserted. . 
 
 1246. FLAUBERT (GUSTAVE). Un Coeur simple. — 
 —lustrations by Emile Adan. Royal 8vo, olive levant morocco 
 doublures of light brown morocco, containing a scene from th 
 book chiselled on front doublure, and a poppy on the ba 
 one, gilt over rough edges, original covers bound in, by Rap 
 lier. , Parise 
 * One of 100 copies on Large papier vélin, with the etching 
 
 in two states. ( 
 
 1247. FLAUBERT (GUSTAVE). Mémoires d’un Fou 
 Portrait by Adrien Nargeot. Royal 8vo, original covers, un 
 eut. Paris, 19 
 
 * One of 100 copies on tinted Holland paper. Be 
 
 1248. FLAUBERT (GUSTAVE). Madame Bovary. Com 
 positions de Alfred de Richemont. 4to, brown levant mo 
 
 edges, by The Club Bindery. Paci 19 
 
 “One of 100 copies on Japan paper, with the 27 ap 
 3 states. 
 
 1249. FLAUBERT (GUSTAVE): La Lee de St 
 Julien l1’Hospitalier. Préface d’Octave Join-Lambert. 
 simile d’un Manuscrit Calligraphie Enlumine et Histone p 
 Malatesta. 4to, embroidered pongee silk, figured silk linings 
 gilt top, uncut, original covers bound in, in a cloth ease, b 
 The Club Bindery. Paris, 1901 
 
 * One of ee copies on Japan paper. 
 
 1250. FLAUBERT (GUSTAVE). La Tentation as : 
 Antoine. Compositions de Georges Rochegrosse gravé 
 couleurs par Ek. Decisy. Imperial 8vo, original covers, U 
 
 * One of 30 copies on large imperial Japan paper, wi wi 
 plates in three states, peta proofs in black and i 
 and the finished plate. 
 
 174 
 
1251. FLAXMAN (JOHN). Lectures on Sculpture. With 
 a Memoir of the Author. Portrait and 51 plates. [Plate 18 
 was cancelled.| Royal 8yvo, polished calf, gilt back, gilt top, 
 uncut, by Bedford. London, 1829 
 
 1252. FLETCHER (JOHN). The Faithfull Shepherdesse. 
 Acted at Somerset-House, Before the King and Queen on 
 Twelfth Night, 1633. And divers times since, with great 
 Applause, at the Private House in Black- Friers, by his 
 Majesties Servants. The Fifth Edition. 4to, red levant mo- 
 rocco gilt, gilt edges, by Bedford. 
 
 London: Printed for G. Bedell and T. Collins, 1665 
 
 * The Griswold copy with arms on side. 
 
 1253. FLETCHER (JOHN). The Pilgrim, a Comedy: as 
 it is Acted at the Theatre-Royal in Drury-Lane. Very much 
 altered, with several additions. Likewise a Prologue, Epi- 
 logue, Dialogue and Masque by Mr. Dryden. 4to, blue levant 
 morocco, gilt edges, by Riviére. London, 1700 
 
 1254. FLETCHER (ROBERT—Translator). Ex  otio 
 Negotium; or, Martiall his Epigrams. Portrait. 8vo, cloth, 
 
 gilt top, uncut. London, 1893 
 * One of 105 copies, privately printed. 
 
 1255. FLEUR DES CHANSONS. La fleur des chansons. 
 Les grans chansons nouuelles qui sont en nombre Cent et dix, 
 ou est comprinse la chanson du roy, la chanson de Pauie, 
 &e. et plusieurs aultres nouuelles chansons lesquelles les 
 trouueres par la table ensuyuant. Woodcut on title. Ato, 
 orange levant morocco, gilt, uncut, by Capé. [Paris] [1833] 
 
 * The vellum copy mentioned by Brunet. This book is part 
 
 of Volume III of the series of reprints issued in sixteen volumes 
 by Techener, 1829-1834. 
 
 1256. FLEUR DES CHANSONS. la Fleur des Chansons 
 Franecaises, Numerous illustrations. 8vo, half blue morocco, 
 cilt top, uncut. Paris, n. d. [ca. 1845] 
 
 1257. FLEURY-HUSSON (JULES). Les Amis de la Na- 
 ture. Frontispiece gravé par Bracquemond d’aprés un des- 
 sin de G. Courbet. Précédés d’une caractéristique des ceuvres 
 de l’auteur par Edmond Duranty. 12mo, half dark greer 
 straight-grain morocco, gilt top, uncut. Paris; 1809 
 
 1258. FLEURY-HUSSON (JULES). Céuvres Nouvelles 
 de Champfleury. La Succession le Camus. Frontispiece des- 
 siné et gravé par Francois Bonvin. 12mo, half blie morocco, 
 gilt back, gilt top, uncut. Paris, 1860 
 
 * First edition. Presentation copy from the author, with 
 autograph inscription. 
 
 1259. [FLEURY-HUSSON (JULES). |  éuvres Nou- 
 velles de Champfleury. Monsieur de Boisdhyver. Frontis- 
 piece and three other etchings by Armand Gautier. First 
 Epirion. 12mo, boards, uncut (worn). Paris, 1860 
 
 175 
 
1260. FLEURY-HUSSON (JULES). Histoire de 1’Im- ~ 
 agerie Populaire par Champfleury. With 388 woodcut facsimile — 
 illustrations. 12mo, half blue levant morocco, gilt top, uncut, 
 original covers bound in, by Cuzin. Paris, 1869 
 
 * Thick paper copy. 
 
 1261. FLEURY-HUSSON (JULES). Histoire de 1’7Im- 
 agerie Populaire. 38 facsimiles. 12mo, half russia, gilt top, 
 uncut, by Petit. Paris; 1380 0a 
 
 1262. FLEURY-HUSSON (JULES). Les Souffrances du 
 Professeur Delteil par Champfleury. Vignettes par Crafty. 
 _ Square 8vo, half green crushed levant morocco, gilt back, gilt — 
 top, uncut, original covers bound in, by Cuzin. Paris, 1870 
 
 * Edition de Luxe. 
 
 1263. [FLEURY-HUSSON (JULES).] Histoire de la 
 Caricature au Moyeny Age. Par Champfleury. Colored 
 frontispiece and numerous woodcut illustrations. First EpI- ; 
 TION. 12mo half citron levant morocco gilt, gilt top, uncut, 
 original covers bound in, by Petit. Paris, 1871 
 
 1264. FLEURY-HUSSON (JULES). le Violon de 
 Faience; dessins en couleur par M. Emile Renard . . . eaux- — 
 fortes par M. J. Adeline. 8vo, half blue levant morocco, oilt Z 
 top, uncut, original covers bound in. Paris, 1877 
 
 * A small edition printed for the Société des Gens de Lettres. 
 Etched frontispiece and plate, also thirty-three colored vignettes. 
 
 1265. FLEURY-HUSSON (JULES). Les Sculptures Grot- 
 esques et Symboliques (Rouen et Environs). Préface par- 
 Champfleury. Cent vignettes et texte avec double frontispiece 
 a l’eau-forte par Jules Adeline. Royal 8vo, half red levant 
 morocco, gilt top, uncut, by The Club Bindery. Rouen, Boat 
 
 * One of 175 copies. 
 
 1266. FLEURY-HUSSON (JULES). Champfleury. Henry 
 Monnier sa Vie, son (uvre avee un catalogue complet de 
 l’ceeuvre. 100 gravures fac- similé. 8vo, half citron levant 
 morocco, gilt and mosaic back, gilt top, ‘uncut, by Lanseelin. 
 
 Paris, 1879 
 
 * Six of the illustrations are in two states, plain and colored. 
 
 1267. FLEURY-HUSSON (JULES). Champfleury. Les 
 Vignettes Romantiques. Histoire de la Littérature et de l’Art 
 
 not, Devéria, Jeanron, Edouard May, and others. Royal dto, ; 
 half red levant morocco, gilt back and top, uncut, by Zaehns- — 
 
 dort. Paris, 1883 
 * No. 58 of 100 copies on Holland paper. 
 
 1268. FLEURY-HUSSON (JULES). Le Violon ae Fai- 
 ence; par Champfleury. Nouvelle Edition. Jllustrée de = 
 eaux-fortes de Jules Adeline, avant-propos de l’auteur. 8v 
 blue levant morocco gilt, gilt over uncut edges, by Thierry. — 
 * One of 150 copies on Japan paper. mes 1885 
 176 
 
1269. FLEURY-HUSSON (JULES). Le Violon de Fai- 
 ence. Nouvelle édition. IJllustrée de 34 eaux-fortes de Jules 
 Adeline. Avant propos de l’auteur. 8vo, blue levant mo- 
 rocco, gilt back and sides, with emblematic tooling, gilt over 
 
 rough edges, by Chambolle-Duru. Paris, 1885 
 an of 150 copies on Japan paper, with the etchings in two 
 states. 
 
 1270. FLEURY-HUSSON (JULES). Contes Choisis— 
 Les Trouvailles de Monsieur Bretoncel—La Sonnette de Mon- 
 sieur Berloquin—Monsieur Tringle. Nombreuses illustrations 
 dans le texte d l’eau-forte et en typographie par Evert van 
 Muyden. 4to, half cloth, uncut. Paris, 1889 
 
 “One of fifty copies on Japan paper, with the etchings in 
 
 three states. On the half-title is an original water-color draw- 
 ing by van Muyden. 
 
 1271. FLEURY-HUSSON (JULES). Chien-Caillou nou- 
 velle. llustrée de dix-neuf eaux-fortes et de trente-cing 
 vignettes de Paul Guignebault. 12mo, red levant morocco, 
 gilt back, side borders, gilt top, uncut, by The Club Bindery. 
 
 Paris [1903] 
 *One of 30 copies on Japan paper, with the plates in two 
 states. 
 
 1272. FLEURY-HUSSON (JULES). Histoire de la Cari- 
 cature sous la République, 1’Empire et la Restauration. Col- 
 ored frontispiece, and numerous woodcuts. 12mo, half mauve 
 levant morocco gilt, uncut, original covers bound in, by Allo. 
 
 Paris, n. d. 
 
 1273. FLORIAN (JEAN P. C. DE). Théatre Italien. 
 Frontispieces and six exquisite plates engraved by Guyard, 
 Dambrun, and de Longueil, after the designs of Flouest and 
 Quéverdo. First Eprrion. 2 vols. 18mo, green morocco gilt, 
 gilt edges, probably by Derome. Paris, 1784 
 
 1274. FLORIAN (JEAN P. C. DE). Kédar et Améla. 
 Illustré de dix compositions en couleurs de L. Fauret. 12mo, 
 hght green levant morocco, back and side borders tooled in an 
 outline design of flowers and scrolls, gilt over rough edges, 
 original covers bound in, by The Club Bindery. Paris, 1901 
 
 * One of 50 copies on Japan paper, with the plates in two 
 states, black and colored. 
 
 1275. [FONTENELLE, MIRABEAU, ann DUMARSAIS.] 
 
 Nouvelles Libertés de Penser. First Epirion. 12mo, old 
 
 French red morocco gilt, gilt edges. Amsterdam (Paris), 1743 
 
 | * From the Palais Royal collection of Louis Philippe, with 
 stamp on title. 
 
 1276. FOOTE (SAMUEL). The New Theatre of Fun; or, 
 the Modern Aristophanes in high glee. Being a Genuine Col- 
 lection of Jests, Gibes, Witticisms, etc., including those of 
 Lord Lytteton, Mess. Garrick, Goldsmith, and others. Frontis- 
 piece. 12mo, boards, calf back. London, 1778 
 
 177 
 
1277. FOOTE (SAMUEL). The Works of Foote. With — 
 remarks on each play, and an essay on the life, writings and © | 
 genius of the author. By Jon Bee. Portrait of Foote after — 
 Reynolds. 3 vols. 12mo, Bey ealf gilt, gilt tops, uncut, 
 by Bedford. London, 1830 
 
 1278. FOUQUE (FRIEDRICH HEINRICH KARL). Un- am 
 dine. Eine Erzahlung. Umrisse von J. EH. G. EHsquisses — 
 pour servir a illustrer Ondine. Dessinées et gravées @ l’eau- — 
 forte, par J. E.G. Ato, half cloth: ee ee 3 
 
 * Plates on Tai paper. ' 
 
 1279. [FORBONNAIS (F. VERON DB).] Consideration 
 sur les finances d’Espagne. 12mo, old French red morocco 
 gilt, the arms of GuinuAuME La Moranon pE MontTREVAULT 
 on the sides, gilt edges. Dresde, 1753 
 
 1280. FORD (RICHARD). Twelve Etchings, after draw- 
 ings and engravings by Parmigianino, and Andrea Meldolla: 
 in “the collection of Richard Ford. Ato, original boards. : 
 
 ‘London, 1822 
 
 * The 12 etchings by Ford are in ie three, and four’ states, 
 and eight additional etchings, also by Ford, show various stage 
 of progress. The issue was limited and privately printed. This 
 copy contains the autograph of Ford and his pres in- 
 -Scription to Henry Wellesley. . 
 
 1281, FORREST (EDWIN). A. L. 8, 1p Ato n. #05 mi 
 28 Jan. 1830. To P. M, Wetmore. Mentions is playing a 
 **Metamora.’ Sig 3 
 
 * “«Metamora in Philadelphia took conaineeanes aroma sur- 
 rounded the Theatre, each night of its representation at a 
 unusually earlier hour and thereby almost preventing ae 
 even to the performers. ’’ ; 
 
 1282. FORSTER (J OHN). The Life and Times of Olive 
 UU Second Edition. . vols. 8vo, cloth, uncut. | : 
 
 1283. FORSTER (JOHN). The Life and Times of Oliver 
 Goldsmith. 2 vols. in 4, 8vo, green levant morocco, gilt back 
 and sides, gilt edges, by ‘William Matthews. - London, 185- 
 
 ‘x EXTRA-ILLUSTRATED by the insertion of 205 portraits, 
 cluding many fine proofs and places in two states. 
 
 1284. FORSYTH (WILLIAM). History of the Captivity 
 of Napoleon at St. Helena; from the letters and journals of 
 the late Lieut.-Gen. Sir Hudson Lowe, and official documen 
 not before made public. Map and illustrations. 3 vols. 8v« 
 cloth, uncut. London, 185 
 
 1285. FORTUNATUS. Les Aventures merveilleuses 
 Fortunatus, avec une préface par Henry Fouquier. | 
 illustrations by E. de Beaumont. Folio, silk, morocco 
 
 * Only 30 copies on Japan anen "Paris, 1887 
 178 ‘Cae 
 
1286. FOSTER (JOHN). An Essay of the Evils of Popu- 
 lar Ignorance: and a discourse on the communication of 
 Christianity to the people of Hindoostan. 8vo, half green 
 morocco, gilt. back, gilt top, uncut. London, 1834 
 
 1287. FOUCHE (JOSEPH). The Memoirs of Joseph 
 Fouché, Duke of Otranto, Minister of the General Police of 
 France. With a portrait ‘engraved by Vincent from the rare 
 print suppressed by the Police. Translated from the French. 
 2 vols. 8vo, blue morocco, gilt back, gilt edges. London, 1825 
 
 * First Edition. 
 
 1288. FOUQUE (LAMOTTE). Peter Schlemihl: from the 
 German of Lamotte Fouqué. With 8 plates by George Crutk- 
 shank. 12mo, green levant morocco, gilt back, gilt top, uncut, 
 by Riviére. ~Tondon: Whittaker, 1824 
 
 *First Epition. Though. attributed to Fouqué, the real 
 author was Adalbert von Chamisso. 
 
 1289. FOUTAIZES DE JERICHO (LES). 12mo, light- 
 brown levant morocco gilt, wide inside gilt borders, gilt edges, 
 by Chambolle-Duru. Constantinople, 1740 [1864] 
 
 * No. 1 of only 2 copies on vellum. 
 
 1290. FRAGMENTA Poetarum veterum Latinorum. 8vo, 
 old green morocco gilt, gauffred gilt edges. 
 [Geneve]: Henricus Stephanus, 1564 
 
 1291. FRANCE (ANATOLE). Balthasar. Small 4to, 
 half red levant morocco gilt, gilt top, uncut, original covers 
 bound in, by Dodeé. Paris, 1889 
 
 * First EDITION. One of 20 copies on Japan paper. 
 
 1292. FRANCE (ANATOLE). Thais. Compositions de 
 Paul-Albert Laurens. Gravures a l’eau-forte de Leon Boisson. 
 Royal 8vo, citron levant morocco, wide gilt borders, gilt over 
 rough edges, original covers bound in, by The Club Bindery. 
 
 * One of 175 copies on papier vélin. Paris, 1900 
 
 1293. FRANCE (ANATOLE). Histoire de Dona Maria 
 d’Avalos et de Don Fabricio, Due d’Andria. Manuscrite et 
 illuminée par Leon Lebeque. 4to, blue levant morocco, back 
 and sides covered with a design in panels and conventional 
 floral tools, gilt top, uncut, original covers bound in, by The 
 Club Bindery. Paris, 1902 
 
 * One of 25 copies on Japan paper, with the plates in 2 states. 
 
 1294. FRANCE (ANATOLE). Le Procurateur de Judée. 
 Engraved throughout, with etchings, by Louis Muller. 16mo, 
 original wrappers, uncut. Paris, 1902 
 
 * One of 130 copies. 
 
 1295. FRANCKLIN (THOMAS). Translation; a Poem. 
 
 4to, boards, morocco back. With the leaf of advertisement. 
 London: R. Francklin, 1753 
 179 
 
1296. FRANCKLIN (THOMAS). Matilda: a tragedy. As 
 it is performed at the Theatre-Royal in Drury-Lane, By the 
 Author of the Earl of Warwick. First Epirion. 8vo, mo- — 
 rocco, by The Club Bindery. London: T. Cadell, 1775 
 
 1297. FRANKLIN (BENJAMIN). The Way to Wealth; 
 or, Poor Richard Improved. Portrait by Tardieu after Du- 
 plessis. LARGE PAPER COPY. 12mo, citron levant morocco gilt, _ 
 gilt edges, by David. Paris: A. A. Renouard, 1795 
 
 1298. FRAUNCE (ABRAHAM). Abrahami Fransi,Insig- _ 
 
 - nivm, Armorvm, Emblematvm, Hieroglyphicorvm, et Sym- 
 bolorum, quee ab Italis Imprese nominantur, explicatio: Que 
 Symbolice philosophie postrema pars est. 4to, old red mo- — 
 rocco, gilt edges. Londini: Thomas Orwinus, 1588 _ 
 * The W. H. Crawford copy, with bookplate. 
 
 1299. FREGOSO (ANTONIO PHILEREMO). Le Ris de ~ 
 Democrite, et le Plevr de Heraclite, Philosophes svr les follies, 
 & miséres de ce monde. Inuention de M. Antonio Phileremo 
 Fregoso, cheualier Italien, interpretée en ryme Francoise, par e 
 noble homme, Michel d’Amboyse, escuyer. Auec priuilege. 
 Small 8vo light brown levant morocco, leaf decoration on the 
 back and centre of the sides, gilt edges, by Trautz-Bauzonnet. 
 
 A Paris: Pour Arnoul l’Angelier, tenant sa boutique au =I 
 second pillier, de la grand’ salle du Palais. 1547. : 
 
 1299*. FRENCH AUTOGRAPH LETTER. A.L.S. (ies 
 nature undecipherable), no date but about the end of the : 
 17th or commencement of the 18th century. - 
 
 * The letter is addressed ‘‘Cher tutulaire,’? mentions that a _ 
 book has not yet been read, and that the writer is glad that no 
 displeasure has been shown at an ‘‘indiscretion.’’ The sig- 
 nature is possibly either a Christian or pet-name. Bees 
 
 1300. FRERE (JOHN HOOKHAM). Works, in Verse — 
 and Prose. Memoir by Sir Bartle Frere. Second edition, — 
 revised with additions. 3 vols. 8vo, cloth, uncut. aes 
 
 | London: B. M. Pickering, 1874 
 
 1301. FRITH (WILLIAM). .John Leech. His Life and 
 Work. With portrait and numerous illustrations. First — 
 Epition. 2 vols. 8vo, cloth. London, 1891 _ 
 
 * Autograph piesertauan copy from the Author, with jn- 
 scription. A 
 
 1302. FULBER (FLORENT). Une Femme Collante. 12mo, 
 12mo, half leather, uncut, original covers bound in. 
 Paris, 188% 
 * Presentation copy from the Author, with inscription. J ap re 
 paper copy. ih, 
 
 1303. FULVIUS (ANDREAS). Illustrium Tniveenen epee 
 woodcut heads of Roman emperors engraved on black ground : 
 by Ugo da Carpi from the medals in the collection of Jacopo 
 
 180 
 
 | Sa 
 » 4 ‘ y | 
 
; 
 
 Mazocchi; each page within very elegant ornamental borders 
 of the Roman style. 8vo, contemporary Italian binding in 
 ealf, blind tooled sides (somewhat restored). Rare. 2 leaves 
 misbound. Rome: apud Iacobum Mazochium, 1517 
 
 1304. FURETIERE (ANTOINE). Poesies Diverses dv 
 Sievr F'vretiere A. E. P. Iouxte la Copie Imprimée. 12mo, 
 red levant morocco, gilt back, gilt edges, by Duru. 
 
 Paris: Guillaume de Luyne, 1659 
 
 *'The stamp of the Duc d’Aumale is on the first and the last 
 leaf. 
 
 1305. FURETIERE (ANTOINE). Le Roman Bourgeois. 
 Small 8vo, red levant morocco gilt, gilt edges, by Trautz- 
 Bauzonnet. Paris: Louys Billaine, 1666 
 
 ~ 13806. FURMER (BERNARD). De Rerum usus et abusu. 
 
 25 plates, one signed by Jerome Wierix. First Eprrion. 
 
 Small 4to, russia gilt, gilt edges, by C, Smith. Antwerp, 1575 
 * The Beckford Copy, and unusually tall. 
 
 1307. ALLE (PHILIPPE). Virorum doctorum de 
 disciplinis benemerentium effigies. Title and 
 
 44 fine copper-plate portraits engraved by Ph. Galle, includ- 
 mg John Fisher, Thomas More, Erasmus, Vesalius, Orteltus, 
 Petrus Apianus, Christopher Plantin, etc. Antuerpix, 1572.— 
 Imagines L. doctorum virorum, qui bene de studiis literarum 
 meruere, cum singulorum elogiis. 50 beautiful copper-plate 
 portrats by Ph. Galle, including Christopher Acosta, Aldo 
 Manuzio, Paolo Manuzio, Gerardus Mercator, Munster, etc. 
 Antuerpiz, 1587. In one vol. small folio, old vellum, the 
 ARMS OF THE CLERMONT-TONNERRE FAMILY on the front cover, 
 leather ties supplied at a later date. Antuerpie, 1572-83 
 
 * BotH First EDITIONS and very scarce. 
 
 1308. GANTSCHE PLIGT (DE) van een Christen of de 
 Christen of de Christelyke Zedekunde. Frontispiece engraved 
 by J. C. Philips and 25 emblematic copper engravings. 12mo, 
 old stamped vellum. . Amsterdam, 1741 
 
 1309. GARDEN (ALEXANDER). Anecdotes of the 
 American Revolution, illustrative of the Talents and Virtues 
 of the Heroes and Patriots, who acted the most conspicuous 
 parts therein. Second Series. First Eprrion. 12mo, half 
 
 red levant morocco gilt, gilt top, uncut, by AIl6. 
 Charleston, 1828 
 
 1310. GARDINER (SAMUEL RAWSON). Oliver Crom- 
 well. With 45 illustrations. 4to, original covers uncut, in a 
 case. London: Goupil & Co., 1899 
 
 * One of 350 copies on Japan paper, with the plates in 2 
 states. 
 181 
 
et Oe aes ee ee 
 ; ; . 
 
 1311. GARNIER (JULES). Rabelais et L’Giuvre. With 
 a portfolio contaamng 160 colored plates (Plate 3 in duplicate, 
 no plate 4). 2 vols. 4to, original covers, uncut. Paris, 1899 
 
 1312. GARRICK (DAVID). The Lying Valet. First 
 Epition. 8vo, green morocco gilt, gilt top, uncut. (Lacks 
 half-title. ) London, 1742 
 
 1313. GARRICK (DAVID). The Dramatic Works; to 
 which is prefixed a Life of the Author, Portrait of Garrick by 
 W. Sharp, wserted. 3 vols. 12mo, polished calf gilt, gilt tops, 
 uncut, by Bedford. _ * London, 1738s 
 
 1314. GARRICK (DAVID). Autograph Letter Signed, 
 4 pp. small 4to, n. p.—n. d. To John Hawkesworth, the essayist. 
 *«<T did not mean that you sh’ mention Hill’s raseally work, — 
 without you had yrself intended it, and if so, that then you © 
 might back yr obServations by my Intelligence ...I am so 
 sensible of my own warm disposition that I most desire you, — 
 by all our Friendship, to correct my irregular Sallies, rather 
 than Encourage them. I have really such a feeling at the 
 baseness of Hill’s behavior, that sh’d I see him conveniently, T See 
 could not help throwing away a few pounds upon. his bones—I 
 
 was in company the other day with some Gentlemen and His 
 Print was produe’d (which by ye bye is a very good one) and 
 it was propos’d that Each of us sh’d try to make a motto for 4 
 it Extempore. We did so & mine was fix’d upon as ye best Bo Spas 
 ye purpose. it was this. Age 
 
 For Physick & Farces, his Equal there scarce is, 
 His Farees are Physick, his Physick a Farce is.’’ 
 
 1315. GASKELL (ELIZABETH CLEGHORN). The 
 Life of Charlotte Bronté. Portrait. First Eprrion. 2 vols. 
 12mo, red levant morocco gilt, gilt tops, uncut, by Champs. — 
 
 London, 1857 
 
 * Certain passages in this first edition were afterwards sage 
 pressed. 
 
 1316. GASKELL (ELIZABETH CLEGHORN), Grate Ee 
 ford. With a Preface by Anne Thackeray Ritchie. Jllustra- 
 tions by Hugh Thomson. Royal 8vo, buckram, uncut. pee 
 
 * Large paper copy. London, 189 
 
 1317. GAUFFECOURT (CAPPERONNIER DE)... Trax 
 de la Relieure des Livres. 3 engraved plates containing 6 
 binders tools, and a folded leaf of explanation. Small 8v 
 blue levant morocco, arms of VICOMTE DE JANZE on sides, gilt 
 edges, by Duru. Lyon (17 63] 
 
 * This work was printed by the author, who had a press of — 
 his own, and is: said to be one of 25 copies. It has only 
 half-title. Only 4 copies are said to be known, the Nodie 
 
 Prideaux copy, the Gruel copy, one in the mac of ee 
 and this. 
 
 1318. GAULT DE SAINT-GERMAIN (P. M.). Vie | 
 Nicolas Poussin, considéré comme chief de 1’Heole Francois 
 suivie de notes inédites et authentiques sur sa vie et se 
 
 182 ae 
 
ouvrages, etc. Portrait, and plates etched or engraved by 
 Massard and others. Royal 8vo, half morocco, gilt top. 
 Paris: P. Didot l’ainé, 1806 
 1319. GAUTIER (JUDITH). Isoline. Avec douze eaux- 
 fortes par Auguste Constantin. 4to, silk cloth, uncut. 
 * One of 518 copies. Paris, 1882 
 
 1320. GAUTIER (THEOPHILE). Emaux et Camées. 
 First Epirion. 12mo, blue levant morocco, gilt back and 
 side panels with floral ornaments, gilt edges, by Petit. 
 
 Paris, 1852 
 
 13821. GAUTIER (THEOPHILE). L’Orient. 2 vols. 12mo, 
 half dark blue levant morocco gilt, figured satin sides, gilt 
 tops, uncut, original covers bound in, by The Club Bindery. 
 
 Paris, 1877 
 
 *First EDITION. One of 75 copies on Holland paper. 
 
 1322. GAUTIER (THEOPHILB). Mademoiselle de 
 Maupin. 2 vols. royal 8vo, blue levant morocco, doublures of 
 red levant with an inlaid and chiselled design of grotesques, 
 flowers, bands, etc., in green, brown and gray; silk guards, gilt 
 edges, original covers bound in, by Raparlier. Paris, 1883 
 
 * One of 150 copies on Japan paper, EXTRA-ILLUSTRATED with 
 10 plates by Poirson after Faulet and 9 ORIGINAL WATER-COLOR 
 DRAWINGS by F. Coindre. 
 
 1323. GAUTIER (THEOPHILE). Le Capitaine Fracasse. 
 Avee un Avant-Propos par Mme. Judith Gautier. Dessins de 
 Charles Delort, gravés par Mongin. 3 vols. royal 8vo, maroon 
 levant morocco gilt, gilt tops, uncut, by The Club Bindery. 
 
 : Paris, 1884 
 * One of 20 copies on China paper, with the plates in two 
 states. ; 
 
 1324. GAUTIER (THEOPHILE). LaChained’Or. With 
 40 original colored drawings, by Louis Morin. Royal 8vo, 
 brown levant morocco, doublures of olive levant, figured 
 brown silk end-papers, gilt top, uncut, by Kieffer. Paris, 1896 
 
 * One of 200 copies. 
 
 13825. GAUTIER (THEOPHILE). la Mille et Deuxiéme 
 Nuit. 9 illustrations by Ad. Lalauze. Royal 8vo, brown 
 levant morocco, back and sides tooled in rosettes, dots, and 
 conventional flowers inlaid with red and ivory within bands 
 of light brown; doublure of red levant, with gilt tooling with- 
 in mosaic bands of brown, silk guards, gilt over rough edges, 
 original covers bound in, by The Club Bindery, Leon Mail- 
 
 lard, finisher. i hams, 1598 
 -* One of 80 copies on Japan paper, with the plates in three 
 states. 
 
 183 
 
SIXTY-SEVENTH SESSION. 
 
 Thursday, November 14th, 8:15 P.M. 
 
 1826. GAVARNI. Les Parures Fantaisie par Gavarni. 
 Texte par Méry. Histoire de la mode par le Cte. Foelix. 
 Frontispiece and 16 plates. Imperial 8vo, half red morocco, 
 uncut, original covers bound in, by Champs. _ Paris [ca. 1848] 
 
 * First Issue, with the plates in 2 states, colored and proofs 
 on India paper. 
 
 13827. GAY (JOHN). Poems on Several Occasions. With 
 2 plates. First Epirion. 2 vols. in 1 (continuous pagina- — 
 tion). 4to, russia, gilt back, marbled edges. (Frontispiece 
 lacking. ) London, 1720 — 
 
 1328. GAY (JOHN). Poems on Several Occasions. 9 plates 
 by Fourdrimer and Isaac Taylor after Du Guermer. 2 vols. 
 12mo, red levant morocco, gilt pa back and sides, totally — 
 uncut. — London, 1767 — 
 
 * Large paper copy. Scarce uncut. 
 
 1329. GAY .(JOHN). Poems on Several Ocenstone Gn 
 plates by Fourdrimer and Isaac Taylor after Du Guermer. — 
 2 vols. 12mo, ealf, gilt. London, 1767 — 
 
 * Armorial bookplate of Elizabeth 8. Lawrence in Vol. 1. 
 
 1330. GAY (JOHN). Fables by John Gay. With a Life — 
 of the Author and Embellished with 70 plates. [Twelve of the — 
 plates are by Wm. Blake.| 2 vols. imperial 8vo, citron levant — 
 morocco, wide gilt borders, gilt tops, UNcUT, by The Club 
 Bindery. London: John Stockdale, 1793 
 
 * Large Dives Copy. Very Rare in this size in uncut et: 
 dition. Ke 
 
 1831. GAY (JOHN). Poetical Works. With a Life of te 
 Author by Dr. Johnson. Portrait. 2 vols, 16mo, green mo- — 
 rocco gilt, gilt tops, uncut, by Matthews. _ Boston, 1854 — 
 
 1332. GAY (JOHN). The Poetical Works; with a Memoir — 
 by Samuel Johnson. Portrait, on India paper. 2 vols, BVO, coe 
 green levant morocco gilt, oilt tops, uneut, by David: — 7 
 
 Boston, 1866 
 * Large paper copy, only 100 printed. HExtra-illustrated with — 
 
 33 outline plates by Muss, 2 portraits, and 10 other eee aah: 
 one in 4 states. 
 
 1333. GAY (JOHN). Poetical. Works. Edited with ia 
 Life and Notes by John Underhill. Portrait. 2 vols. 12mo, 
 half parchment, uncut. London, 1893 
 
 * One of 200 large paper copies. es be 
 
 184 
 
1334. GAY (JOHN) AND MOORE (EDWARD). Fables 
 by John Gay, in two parts; to which are added Fables by 
 
 Edward Moore. 16mo, green vellum, uncut. 
 
 Paris: P. Didot [1800] 
 
 * One of two copies on vellum: from the collection of Marshal 
 Junot, Due d’Abrantes. 
 
 1835. GAZETTE de Beaux-Arts., From 1857 (the com- 
 mencement) to the end of the first period (1868), with 
 Indexes to the whole, in 2 vols. Together, 25 vols. in 20 and 
 the 2 Index vols.: also Second period from vol. 1 (1869) to 
 vol. 36, 1887 (with the exception of vols. 11-18). 23 vols. 
 with thousands of wlustrations. Together, 50 vols, royal 8vo, 
 half red morocco, gilt tops, uncut, and about 58 monthly issues 
 (not consecutive), 1888-1895. As a lot. Paris, 1857-1868 
 
 13836. GEILER VON KAYSERBERG (JOHANN). Das 
 irrig Schaf. Sagt von kleinmiitikeit und verzweiflung. 
 Gebrediget und gedeutscht, mit sampt den nach volgenden 
 tractaten.. 7 woodcuts by “‘H. G.’’ (Hans Balding, called 
 Grin). Small 4to, dark brown levant morocco, gilt inside 
 borders, gilt edges, by Chambolle-Duru. 
 
 Straszburg: Mathias Schtirer, [1510] 
 
 1337. GEILER VON KAYSERBERG (JOHANN). Naui- 
 cula siue speculum fatuorum . . . insermones iuxta turmarum 
 seriem diuisa: suis figuris 1am insignita: a Jacobo Othero 
 diligenter collecta. Gothic letter. 112 spirted woodcuts, 
 several of which are with xylographic inscription, one bear- 
 ing the date 1494. 4to, old red morocco gilt, blind ornaments 
 in the centre of the sides, silk linings, gilt edges. 
 
 Argentorati, 1511 
 
 * First EDITION. RARE. With Ex-libris Borluut de Noort- 
 donck., 
 
 1338. GELLERT (C. F.).; A Complete set of 150 plates, 
 proofs before letters, illustrating Gellert’s ‘‘Fabeln.’’ En- 
 graved by N. v. d. Meer after J. Buys. 4to, half cloth, uncut. 
 
 * Portrait inserted. Large Paper Copy. n. p.—n. d. 
 
 1339. GELLERT (C. F.). Fabelen en Vertelsels. The 
 complete set of 150 plates illustrating Gellert’s Fables en- 
 graved by Van der Meer after J. Buys. Royal 8vo, half mo- 
 rocco, gilt top, by Matthews. (The back is wrongly lettered 
 “German Book-plates.’’) Gera a eeoced YET O 
 
 1340. GELLI (GIOVAN BATTISTA). La Cireé: nouuelle- 
 ment reueué par son traducteur, Signeur du Pare Champenois 
 (Denis Sauvage). Title within a pretty woodcut border. 
 16mo, old French green morocco, gilt edges. From the 
 libraries of Charles Nodier et A. Martin, with bookplate of 
 the former. a Lyon, 1569 
 
 185 
 
1341. GESSNER (SALOMON). Mort d’Abel, poéme de 
 Gessner, traduit. par Hubert. Hdition ornée d’Estampes 
 imprimées en couleur, d’aprés les Dessins de M. Monsiau. 
 Frontispiece engraved by Colibert and 5 other plates by the 
 same engraver, Casenave and Clément, all after Monsiau. 
 Inserted is a portrait of Gessner by M. G. Eichler after 
 Anton Graff. 4to, old red morocco, emblematic back, side 
 borders, silk linings, gilt edges. Paris, 1793 
 
 1342. GILBERT (JOSIAH). Cadore, or Titian’s Country. 
 85 plates and 9 woodcuts. Royal 8vo, cloth, uncut. 
 “London, 1869 
 
 1343. GILCHRIST (ALEXANDER). Life of William 
 Blake with selections from his poems and other writings. | 
 New and enlarged edition illustrated from Blake’s own works, 
 with additional letters and a memoir of the author. 2 vols. 
 8vo, cloth. London, 1880 
 
 *JIn this edition the full-page illustrations are printed on 
 India paper. ! 
 
 1844. GILDON (CHARLES). A new Rehearsal, or Bays 
 the Younger, containing an, Examen of The Ambitious Step- 
 
 mother, Tamerlane (etc). . . Written by N. Rowe; also a 
 Word or Two upon Mr, Pope’s Rape of the Lock. 12mo, half 
 blue calf, uncut. London, 1714 
 
 * Col. Frederick Grant’s copy, with autograph note. 
 
 1345. GILLIERS (JOSEPH). Le Cannameliste Frangais, 
 ou nouvelle instruction pour ceux qui desirent d’apprendre 
 l’office, rédigé en forme de Dictionnaire, contenant les noms, 
 les descriptions, les usages, les choix & les principes de tout ce 
 qui se pratique dans 1’Office, 1’explication de tous les termes 
 dont on se sert; avec la maniére de dessiner, & de former 
 toutes sortes de contours de Table & de Dormants. Hngraved 
 frontispiece, arms, and 13 folded plates. First EpIrion. 
 4to, old red morocco gilt, arms in the centre, gilt edges. 
 
 Nancy, 1751 
 
 1846. GIOVIO (PAOLO). Dialogue des devises d’armes 
 et d’amours, avec un discours de M. Loys Dominique sur le 
 mesme subiet. Traduit par Vasquin Philieul. Portrait of 
 Giovio and 102 emblematic woodcuts. Small 4to, half levant 
 morocco, gilt edges. Title in facsimile. 
 
 Lyon: Guillaume Roville, 1561 . 
 
 1347. GIOVIO (PAOLO) anp SIMEONI (GABRIEL). 
 Dialogo dell’ imprese military et amorose, con un ragiona- 
 mento di M. Lodovico Domenichi, nel medesimo soggetto. 138 
 woodcut devices of Emperors, Kings, Princes and other re- 
 markable personages, ascribed to ‘‘Le Petit Bernard.’’ 8vo, 
 red levant morocco, the sides and back richly tooled in com- 
 
 186 
 
partments, peared gilt edges, by Lortic, in a morocco slip 
 case. Lyone: Guglielmo Rovillio, 1574 
 
 : This beautiful specimen of the modern art of bookbinding 
 obtained a first-class medal at the ‘‘ Exposition Universelle’’ 
 of 1855. 
 
 1348. GIOVIO (PAOLO) anp SIMEONI (G.). Dialogo 
 dell’ imprese militari et amorose; con un ragionamento di 
 L. Domenichi, nel medesimo soggetto. Portrait and emblem- 
 atic woodcuts. 8vo, polished calf gilt, gilt edges, by Petit. 
 
 Lyone: Guglielmo Rouillio, 1574 
 
 1349. GIROFFLIER (LE) aux dames Ensemble le dit des 
 sibiles. Gothic letters. Woodcuts. 4to, red levant morocco 
 gilt, gilt edges, by Capé. 
 
 Imprimé.a Paris par Michel le Noir [before 1520] 
 
 * A facsimile of this extremely rare book, executed by Pilinski 
 in 1861. 
 
 1350. GODARD D’AUCOURT. Le Berceau de la France. 
 Two volumes in one, 12mo, half green morocco, gilt, uncut. 
 * Printed on Holland paper. Paris, 1780 
 
 1351. GODEFROY (THEODORE—Hditor). Histoire du 
 Chevalier Bayard, Lieutenant General pour le Roy au Gov- 
 vernement de Daulphiné, et de plusieurs choses memorables 
 advenues en France, Italie, Espagne, & és Pays bas, du Regne 
 des Roys Charles VIII, Louys XII, & Francois I, depuis 1’an 
 1489, iusques a 1524. Portract (brilliant impression). 4to, 
 original vellum. Paris, 1616 
 
 1352. GODWIN (WILLIAM). Memoirs of the Author of 
 
 a Vindication of the Rights of Women. Portrait by Heath 
 
 after Opie. First Epirion. Dark green straight-grain mo- 
 rocco, panelled sides, gilt top, uncut, by The Club Bindery. 
 
 London: J. Johnson, 1798 
 
 * Rare uncut. Contains the half title. 
 
 1353. GOETHE (JOHANN WOLFGANG VON). Les 
 Souffrances du Jeune Werther; traduction nouvelle [par M. 
 le comte de La Bédoyére], ornée de trois gravures en taille 
 douce. 8vo, blue levant morocco, gilt back, rich Derome 
 borders on the sides, gilt over uncut edges, by Lortic. 
 
 Paris, 1809 
 
 * Printed on vellum paper. In addition to the three plates 
 by Moreau le jeune, engraved by de Ghendt and Simonet, proofs 
 before letters, ten India proof plates after Tony Johannot have 
 been inserted from Hetzel’s edition of 1845. 
 
 1354. GOETHE (JOHANN WOLFGANG VON). 
 Werther. Traduction nouvelle, ,précédée de considérations 
 sur Werther, et en général sur la poésie de notre époque, par 
 Pierre Leroux, Accompagnée d’une Préface par George 
 Sand. 10 proof plates on India paper. Royal 8vo, half blue 
 morocco, gilt. Paris, 1845 
 
 187 
 
Py ® 
 
 1355. GOETHE (JOHANN WOLFGANG VON). Faust. 
 Premiére Partie; Préface et traduction de H. Blaze de Bury. 
 Onze eaux- fortes de Lalauze, gravures de Méaulle Wapres: 
 Wogel et Scott. Folio, original wrappers, uncut. s 
 
 Printed one 4 renah vellum paper.’’ Paris, 1880 
 
 1356. GOLDSMITH (OLIVER). The Good Natur’d Man; ~ 
 a Comedy. As Performed at the Theatre Royal in Covent 
 Garden. 8vo, green levant morocco gilt, gilt edges, by Riviere. 
 Lacks half-title. London: Printed for W. Griffin, 1768 
 
 * First Epirion of Goldsmith’s First Play, with Preface, i 
 Prologue by Dr. Johnson, and Epilogue. : 
 
 1357. GOLDSMITH (OLIVER). The History of nie as 
 from the Earliest Times to the Death of George Il. Numer- 
 ous vignette portraits. 4 vols. 8vo, crimson levant ‘morocco A 
 gilt tops, UNcuT, by The Club Bindery. iS 
 
 London: Printed for T. Davies, 177 
 
 *First Epirion. All the volumes have the halt. -tit 
 VERY RARE UNCUT. ; Sie ae 
 
 1358. GOLDSMITH (OLIVER). The Poetical and Dra “ 
 matic Works of Oliver Goldsmith, M. B. now first collected. 
 With an account of the life and writings of the author, Bae 
 
 gilt over. uncut edges, fe Meunier. Ee 
 London: Printed by a Golde, 17 
 
 and engraved leaf of dedcennan by Alken. : ee origin 
 boards, new cloth back, uneut. Hole in fly-leaf. ‘London, ARE 
 
 1360. GOLDSMITH (OLIVER). The Vicar of Wakefield : 
 
 * First issue with these Thietreene a London, 184: 
 1361. GOLDSMITH (OLIVER). Le Vicaire de Wakefi 
 (The Vicar of Wakefield) par Goldsmith, traduit en Fra 
 avec le texte Anglais en regard, par Charles Nodier ue 
 
 précédé d’une Notice par le méme sur la vie et les ouvra 
 de Goldsmith, Et suivi de ae notes. Portratt a oY 
 
 8vo, blue calf, gilt back, side borders, gilt edges, a Bauzo 
 Paris: ‘Bourgueleret 
 
 188 
 
1362. GOLDSMITH (OLIVER). The Vicar of Wakefield. 
 With a prefatory memoir by George Saintsbury. 114 colored 
 
 dlustrations. 8vo, blue levant morocco gilt, gilt top, by Stike- 
 
 man. London, 1886 
 * EXTRA-ILLUSTRATED by the insertion of a portrait, proof 
 before letters, and eleven plates, including the series by A. 
 
 Revel after Tony Johannot. 
 
 1363. GOLDSMITH (OLIVER). The Poems and Plays 
 of Goldsmith. Edited by Austin Dobson. Etchings by John 
 Jellicoe and Herbert Railton. 2 vols, 12mo, half parchment, 
 uncut. . London, 1889 
 
 * Large paper, one of 150 copies. 
 
 1364. GOLDSMITH anp PARNELL. Poems. Plates (the 
 first in duplicate) and vignettes designed and engraved on 
 wood by T. and J. Bewick. 4to, green straight-grain morocco, 
 gilt borders on the sides, corner ornaments, silk linings, 
 leather joints, gilt edges, by Staggemeier. 
 
 London: W. Bulmer, 1795 
 
 * ONE OF ONLY 3 COPIES ON VELLUM. From the Edwards, Sir 
 Mark M. Sykes and Syston Park libraries. 
 
 13865. GOMARA (FRANCISCO L. DE). The Pleasant 
 Historie of the Conquest of the West India, now called new 
 Spayne, Atchieued by the worthy Prince Hernando Cortes, 
 Marques of the valley of Huaxacac, ete. Translated out of 
 the Spanishe tongue, by T. N. (Thomas Nicholas) Anno, 1578. 
 Small 4to, red levant morocco gilt, gilt edges, some lower ones 
 uneut (12 last leaves repaired, affecting text). 
 
 Imprinted at London by Henry Bynneman [n. d.] [1578] 
 
 1365.* GOMEZ (MADELEINE DE). La Belle Assemblée; 
 being a curious collection of some very Remarkable Incidents 
 which happen’d to Persons of the First Quality in France. 
 20 copper-plates. 4 vols. in 2, 12mo, sprinkled calf. 
 
 London, 1765 
 
 1366. GONCOURT (EDMOND anp JULES DE). Sophie 
 Arnould, d’aprés sa correspondance et ses mémoires inédits. 
 12mo, half brown levant morocco, figured satin sides, gilt top, 
 uncut, original covers bound in, by The Club Bindery. 
 
 Paris, 1885 
 
 1367. GONCOURT (EDMOND anp JULES DE). His- 
 toire de la Société Francaise pendant la Révolution. 4to, 
 vellum boards, the monogram ‘‘E. J.’’ [of the de Goncourt| 
 on the sides, uncut edges, original covers bound in. Paris 1889 
 
 *One of 25 copies on Japan paper, with 44 illustrations, 
 several in color, and some in two states, before letters on plate 
 paper and after letters on Japan paper. 
 
 Edmond de Goncourt’s own copy, with inscription, signature ; 
 and bookplate of the two brothers. 
 
 189 
 
1368. GONCOURT (EDMOND anp JULES DE). L’Italie 
 d’Hier: notes de voyages 1855-1856. Entremélées des croquis 
 (50) de Jules de Goncourt jetés sur le carnet de voyage. 8vo, — 
 half blue levant morocco, uncut, original covers bound in, by ~ 
 Carayon. Paris, 1894 _ 
 
 * Japan paper copy, 75 printed, with five of the is % 
 in color. , 
 
 1369. GONCOURT (EDMOND ann JULES DE). tes saan 
 Aventures du Jeune Baron de Knifausen. Illustrations de 
 Louis Morin. Royal 8vo, original covers, uncut. Paris [1904] 
 
 “One of 20 copies on ‘Papier vélin,’’ with the etchings in 9 
 three states. hs 
 
 1870. GONDRIN. La Maniere de Faire des Lettres, et 
 d’y Repondre sur Toutes sortes de sujets. Tiree des meilleurs — 
 auteurs anciens et modernes. 8vo, contemporary English 
 brown morocco, gilt panelled sides, wilt edges. a 
 
 Londres: Walter Bodenham, 1720 s 
 
 1371. [GORING (CHARLES).] Irene; or, the Fair Greek, _ 
 a tragedy. 4to, red levant morocco gilt, vilt edges, by David. 
 * eee EDITION; WITH THE HALF-TITLE. - London, 1708 ‘ 
 
 1372, GORTON (J OHN). A general Biowraphied! Die- 
 tionary. ‘ 
 volume completing the work to the present time. “ 
 half blue morocco, gilt top, uncut. London, 1851 
 
 1373. GOSSE (EDMUND—Editor). English Odes, | 
 red levant morocco gilt, gilt top, uncut, Roger Payne style 
 by Alfred Matthews. © London: Chiswick Press, 1881 
 
 * One of 50 large paper copies. Extra-illustrated by the in- 
 sertion of 26 plates and 5 vignettes: many of the af: ar 
 portraits from Bell’s ‘‘ British Poets.’ 
 
 1374. GOSSE (EDMUND). From Shakespeare to Pope; eee 
 an inquiry into the causes and phenomena of the rise of = — 
 classical poetry in England. Small 8vo, half brown morocco, = 
 gilt back, gilt top, uneut, by Stikeman. New York, 1885 
 
 * ORIGINAL MANUSCRIPT of the Preface inserted. 
 
 1875. GOULD (S. BARING). n Book of Fairy Tale 
 told by S. Baring Gould. Pictures by A. J. Gaskin. pi * 
 vellum boards, gilt top, uncut. London, Bae | 
 
 * One of only 20 copies on Japan paper. 
 
 1376. ee (GASPARD). — and = : 
 
 8vo, blue morocco gilt, oi ieee “London, 182 
 190 pit 
 
1877. GOWER (JOHN). Jo. Gower de confessione Amantis. 
 Third edition. Tvtle within woodcut border ruled in red ink. 
 Folio, old brown russia, four interlacing diamonds on the 
 sides, gilt edges, in the manner of Roger Payne. (Repairs 
 to title and several other leaves; lacks last blank leaf.) 
 
 Imprinted at London by Thomas Berthelette the XII. daie 
 of Marche, An. M.D. LIIT [1554]. 
 
 * Printed in black-letter, with double columns. The border 
 on the title-page is the same as the one used by Berthelette in 
 the edition of 1532. The type and composition are different 
 from that edition, although the body of the work contains the 
 same number of pages. In this edition, the preliminary matter 
 contains only six leaves, instead of eight, as in the edition of 
 1532. 
 
 The present copy belonged to George Daniel. 
 
 1378. GOWER (JOHN). Confessio Amantis of John 
 Gower Edited and Collated with the best Manuscripts by 
 Dr. Reinhold Paul. 3 vols. 8vo, cloth, uncut, London, 1857 
 
 1379. GOZLAN (LEON). Aristide Froissard. 2 vols. 8vo, 
 half green levant morocco gilt; uncut, original covers bound 
 in, by Champs. Paris, 1844 
 
 * Holland paper copy; vols. 17-18 of Gozlan’s works. 
 
 1380. GOZZI (NICOLO VITO DI). Discorsi della peni- 
 tenza sopra Isette Salmi Penitenziali di David. 8vo, red mo- 
 rocco gilt, Aldine anchor on the sides, gilt edges, by C. Smith. 
 The Syston Park copy. Venetia: presso Aldo, 1589 
 
 13881. GRAFFIGNY (FRANCOISE pv’HAPPONCOURT 
 DE). Vie Privée de Voltaire et de Mme Du Chatelet, pendant 
 un sejour de six mois a Cirey; Par l’Auteur des Lettres 
 Péruviennes. Suivie de cinquante Lettres inédites, en vers et 
 en prose, de Voltaire. First EpITion. 6 PORTRAITS INSERTED. 
 8vo, half green levant morocco, gilt top, uncut, by David. 
 
 ; Paris, 1820 
 
 * Vellum paper copy. From the Pixerécourt collection. 
 
 13883. GRAHAME (JAMES). The History of the United 
 States of North America, from the Plantation of the British 
 Colonies till their Revolt and Declaration of Independence. 
 First Epirion. 4 vols. 8vo, half green levant morocco, gilt 
 tops, uncut. London, 1836 
 
 1884. GRAHAM (ALEXANDER) anp ASHBEE (H.S8.). 
 Travels in Tunisia. With a Glossary, a Map, a Bibliography. 
 50 illustrations. Royal 8vo, cloth, gilt top, uncut, 
 
 London, 1887 
 * Presentation copy to Mr. Hoe from H. 8S. Ashbee. 
 
 13885. GRAHAM (MARIA). Memoirs of the Life of 
 Nicholas Poussin. Portrait and folded plate. 8vo, half blue 
 morocco, gilt top, uncut. London, 1820 
 
 191 
 
1386. GRANGER (JAMES). A Biographical History of 
 England, from Egbert the Great to the Revolution... Fifth 
 edition, with upwards of four hundred additional lives. 6 vols. 
 royal 8vo, half russia, uncut. Joints weak. London, 1824 
 
 * EXTRA-ILLUSTRATED by the insertion of 294 portraits of the 
 Richardson series, and 29 from other sources. Large paper 
 
 copy. 
 
 1387. GRAVELOT anp COCHIN.—Iconologie par Figures 
 ou Traité complet des Allégories, Emblémes, &c. Ouvrage 
 utile aux Artistes aux Amateurs, et peuvent servir a l’éduca- 
 tion des jeunes personnes. 2 portraits, and 350 plates en- 
 ~ graved by Choffard, Simonet, St. Aubin, and others. 4 vols. 
 12mo, vellum, gilt backs and side-borders, gilt edges, by 
 Bozerian. Paris, n. d. 
 
 * First EDITION, with the plates proofs before letters. 
 
 1388. GRAVELOT anp COCHIN. Iconologie par Figures 
 ou Traité complet des Allégories, Emblémes, &e. Ouvrage 
 utile aux Artistes aux Amateurs, et pouvant servir a l’éduca- 
 tion des jeunes personnes. Portrait of Gravelot by Gaucher 
 after Delatour and of Cochin by Gaucher after Monnet, be- 
 sides five engraved titles and 202 other plates by Simonet, St. 
 Aubin, Massard, and others, after the designs of Gravelot and ~ 
 Cochin. Larce PAPER. 4 vols. 8vo, red levant morocco gilt, 
 gilt over uncut edges, by Hardy-Mennil. Paris, n. d. 
 
 13889. [GRAY (THOMAS).] Noverre (Jean Georges). 
 Lettres sur la Danse, et sur les Ballets. Small 8vo, calf, gilt, 
 by Clarke & Bedford. Stutgard, 1760 
 
 * FIRST EDITION, WITH AUTOGRAPH OF THOMAS GRay the poet, 
 
 on the title-page. Presented to Mr. Hoe by C. W. Frederickson, 
 with autograph inscription. 
 
 1390. GRAY (THOMAS). Poems by Mr. Gray. A New 
 Edition. Tvtle-vignette by J. Taylor, and 3 plates, inserted. 
 Small ave) red levant morocco, gilt, uncut, by The Club Bind- 
 ery. ~ London: Printed for J. Murray, 1778 
 
 * Contains the half title, usually missing. 
 
 1391. GRAY (THOMAS). The Poems of Gray. Portrait 
 and six plates by Neagle, Heath, Holloway, etc. 8vo. 
 London: Printed by T. Bensley, 1800 
 
 * LARGE PAPER Copy. Full citron, straight-grain morocco, 
 blind tooled and with dark blue mosaic borders and labels, gilt 
 edges. Lacks the portrait. 
 
 1392. GRAY (THOMAS). The Poetical Works of Gray, 
 with some account of his life and writings. The whole care- 
 fully revised; and illustrated by notes. Second edition, con- 
 siderably enlarged and improved. Portrat and 6 plates. 
 12mo, red morocco, gilt back and sides, gilt edges, by Bozer- 
 jan. London, 1800 
 
 192 
 
1393. GRAY (THOMAS). The Poems of Gray. A New 
 Edition. Portrait by A. Smith after Burney, and 6 plates by 
 Heath, Neagle and Holloway after Hamilton and Fuseli. 
 12mo, dark blue levant morocco, gilt back and sides, inside 
 borders, gilt top, uncut, by The Club Bindery. 
 
 London: Printed by T. Bensley, 1810 
 
 * EXTRA-ILLUSTRATED by the insertion of 11 plates, some 
 proofs on India Paper, including 4 portraits of Gray and en- 
 gravings after the designs of Westall. 
 
 1394. GREATHEED (BERTIE). The Regent: a tragedy. 
 As it is acted at the Theatre Royal in Drury-Lane. First 
 EpiTion. 8vo, blue morocco, sprinkled edges. 
 
 London: J. Robson and W. Clarke, 1788 
 * Dedication to Mrs. Siddons, Epilogue by Mrs. Piozzi. 
 
 1395. GRECOURT (JEAN BAPTISTE DE). C#uvres 
 completes de Grécourt, enrichies de gravures; nouvelle édi- 
 tion, soigneusement corrigée, et augmentée d’un grand 
 nombre de Piéces qui n’avaient jamais été imprimées. Por- 
 trait engraved by Dupréel, and 8 plates by Fragonard fils, 
 engraved by Dambrun, Duparc, Inngée, &c., in two states. 
 4 vols. 8vo, blue levant morocco gilt, gilt edges, by Lortic 
 (with ticket). Paris: Chaignieau, ainé, l’an Ve. [1796] 
 
 * Vellum Paper copy. 
 
 1396. GREEN (HENRY). Shakespeare and the Emblem 
 Writers; an exposition of their similarities of thought and 
 expression. Preceded by a view of emblem-literature down 
 to A. D. 1616. With numerous [lustrative Devices from the 
 Original Authors. 17 plates, and numerous text illustrations. 
 LARGE PAPER. Imperial 8vo, decorated cloth, uncut. 
 
 . London, 1870 
 
 1397. GREEN (JOHN RICHARD). History of the Eng- 
 lish People. 15 maps. First Eprrion. 4 vols. 8vo, cloth, 
 uncut. London, 1877-1880 
 
 1398. GRESSET (JEAN B. L.). Cluvres Choisies. 18mo, 
 half green morocco, gilt, uncut. Paris, 27el 
 
 1399. GRESSET (JEAN B. L.). C#uvres Choisies. Pré- 
 cédées d’un Hssai sur la Vie et ses Ecrits par M. Campenon. 
 With 2 portraits and 18 plates after Moreau, Monnet, and 
 others, inserted. 8vo, red straight-grain morocco, gilt back 
 and side borders, gilt over uncut edges. Paris, 1823 
 
 1400. GRETRY (ANDRE E. M.). Mémoires, ou Hssais 
 sur la Musique. First Epirion. 3 vols. 8vo, half green mo- 
 rocco gilt, gilt tops, uncut. 
 
 A Paris: Imprimerie de la République, An V. [1797] 
 193 
 
1401. GRIBALDUS (MATTHAEUS). Subtiles atque — 
 perutiles interpretationes in difficillimann. 1. ij. C. commu. de 
 lega. et in 1. Verbis legis, de Verbo signifi. 8vo, red morocco 
 gilt, Aldine anchor on the sides, gilt edges, by C. Smith. The 
 Syston Park copy. Venetiis,; [Aldus,] 1553 
 
 1402. GRIMM (HERMAN). Life of Michael Angelo. 
 Translated by Fanny E. Bunnett. Portrait on India paper. 
 2 vols. royal 8vo, cloth, uncut. 
 
 Boston: Little, Brown & Co., 1866 
 6 One of 50 Large Paper copies. 
 
 1403. [GRINGORE (PIERRE).] Les faintises du monde. 
 Gothic characters; 14 leaves. 8vo, red levant morocco, gilt 
 edges, by Trautz- Bauzonnet. : 
 
 Imprimé par Michel le Noir [Paris, ca. 1520]. ne 
 
 1404. GRINGORE (PIERRE). Notables enseignemens, . 
 adages et prouerbes: faitz et composez par Pierre Gringore ~ 
 dit Vauldemont, herault darmes de hault et puissant seigneur 
 monsieur le due de Lorraine. Nouuellement reueuz et cor- 
 rigez. Auecques plusieurs aultres adjoustez oultre la pré- 
 cédente impression. Lettres batardes. Title in red and black, * 
 a woodcut of the author by Geofroy Tory presenting his book — 
 to the king, and publisher’s device at end. 8vo, brown levant 
 morocco, gilt tooled borders within blind-tooled lines on the 
 sides, oilt edges, by Trautz-Bauzonnet. ee 
 
 . Nouuellement adiustez et imprimez a Paris par Be 
 Nicolas ‘Couteau [par Francois Regnault], 1528. 
 
 1405. GRINGORE (PIERRE). 8S’ ensuyuent les menus 
 propos mere Sote nouuellement composée : par Pierre Grin- 
 goire herault darmes de monseigneur le due de Lorraine. 
 Auec plusieurs addicions nouvelles comme pourrez veoir cy 
 apres. Lettres batardes in red and black. With 38 curious — 
 woodcuts. 8vo, red levant morocco, the sides richly tooled and 
 gilt in compartments, cilt edges, by Niédrée. Rare. The A. 
 Firmin-Didot copy. Small portion of upper margins of a 
 few leaves very skilfully mended, and a few of the cuts 
 shaved close by the binder. Paris: par Philippe le Noir, 1528 
 
 1406. [GRINGORE (PIERRE).] Rondeaux en Nobre 
 trois cens cinquate, Singuliers et a to’ propos Nouuellement 
 Imprimez a Paris. Lettres batardes. Title in red and black 
 with a woodcut. 6 unnumbered leaves and cvi numbered. 
 Small 8vo, brown levant morocco gilt, gilt edges. 
 
 Imprime nouuellement a Paris pour Jehan sainct Deny : 
 libraire demourant en la Rue neufue Nostre dame a Lenseign oe 
 Sainct Nicolas [c. 1530]. | 
 
 1407. GRINGORE (PIERRE). Le ieu du prince des sot. 
 Kt mére sotte. Lan mil cing cens et onze (1511). Facsimile 
 manuscript on paper executed by Lesclabart from the ex- 
 
 194 “ca a ee 
 
tremely rare original preserved at Paris in the King’s Inbrary. 
 8vo, old French green morocco, gilt tooled floral borders on the 
 sides, gilt edges, probably by Derome. From the Utterson 
 Library. [18th Century | 
 
 1408. [GRINGORE (PIERRE).] Maistre aliborum q de 
 tout se mesle. Et scait faire tout mestiers et de tout rien. 
 Woodcut. Small 4to, red levant morocco gilt, by Capé. 
 
 Paris: Crapelet, 1838 
 * Printed in gothic characters, on vellum. 
 
 1409. GRINGORE (PIERRE). Sensuyt le testament de 
 Lucifer: Fait et composé par Pierre Gringore dit Mére sotte. 
 Et Nouuellement imprimé a Paris. Lettres batardes; wood- 
 cut on title. Facsimile reprint. 16mo, brown levant mo- 
 rocco, gilt centre ornaments on the sides, by Capé. 
 
 * One of a few copies on vettuM. Paris: Crapelet, 1845 
 
 1410. GROLIER CLUB. Irving (Washington). <A His- 
 tory of New York from the Beginning of the World to the 
 End of the Dutch Dynasty, &e., by Diedrich Knickerbocker. 
 With 2 frontispieces in three states etched by H. C. Enos and 
 F. Raubicheck, and illustrations by G. H. Boughton, W. H. 
 Drake, and Howard Pyle. 2 vols. 8vo, orange boards, uncut. 
 
 New York, 1886 
 
 * One of 175 copies, with the proper title for Volume I at the 
 end of Volume II. 
 
 1411. GROLIER CLUB. Hoe (Robert). A Lecture on 
 Bookbinding as a Fine Art. 63 reproductions. 4to, cloth, 
 
 gilt top, uncut. New York, 1886 
 * One of 200 copies. 
 
 1412. GROLIER CLUB. De Vinne (Theodore L.). His- 
 toric Printing Types. A Lecture read before the Grolier 
 Club. Jilustrations. 4to, half cloth, gilt top, uncut. 
 | * One of 200 copies. New York, 1886 
 
 1413. GROLIER CLUB. Matthews (William). Modern 
 Bookbinding Practically Considered. A Lecture. Portrait 
 - and tinted reproductions. 4to, cloth, gilt top, uncut. 
 
 * One of 300 copies. New York, 1889 
 
 1414. GROLIER CLUB. The Philobiblon of Richard de 
 Bury. Edited from the Best Manuscripts and translated 
 into English with an Introduction and Notes by Andrew F. 
 West. Printed in black and red with aluminated initials, 
 facsimiles, etc. 3 vols. square 8vo, vellum, uncut. 
 
 * One of 300 copies. New York, 1889 
 
 1415. GROLIER CLUB. Areopagitica. A Speech of 
 Mr. John Milton for the Liberty of Unlicensed Printing, to 
 the Parliament of England. With an Introduction by James 
 Russell Lowell. Portrait. 12mo, brown levant morocco gilt, 
 panelled back and sides, gilt top, uncut, by The Club Bindery. 
 
 * One of 325 copies. New York, 1890 
 195 
 
1416. GROLIER CLUB, Catalogue of an Exhibition of — 
 Illuminated and Painted Manuscripts together with a few 
 _ Early Printed Books with Illuminations. Numerous facsimiles. 
 Square 8vo, cloth, uncut. New York, 1892 
 
 * One of 350 copies. } 
 
 1417. GROLIER CLUB. Catalogue of Original and Early 
 Editions of some of the Poetical and Prose Works of English — 
 Writers from Langland to Wither, With Collations and 
 Notes. Being a contribution to the Bibliography of English 
 Literature. 87 facsimiles of title-pages and frontispieces. — 
 8vo, half brown morocco, uncut. New York, 1893 — 
 
 * One of 400 copies. a 
 
 1418. GROLIER CLUB. Facsimile of the Laws and Aete e 
 of the General Assembly for their Majesties Province of New © 
 York. Printed and sold by William Bradford, 1694. With — 
 Historical Introduction, Notes on the Laws and Appendices 
 by Robert L. Fowler. Small folio, limp vellum, uneut. ee 
 
 * One of 312 copies. New York, 1894 ‘ 
 
 1419. GROLIER CLUB. Transactions: of the Grolier — 
 Club of the City of New York. From July 1885 to February 
 1894. Part II. Illustrations. org 8vo, original wrappers, 
 uncut and unopened. New York, ete 
 
 * Limited Edition. Pye 
 
 1420. GROLIER CLUB. Catalogues of Books from rite 
 libraries and collections of celebrated bibliophiles, &¢. Wath 
 24 plates. 8vo, red levant morocco, gilt back and side-panels, : 
 doublures of vellum, ‘gilt edges, by The Club Bindery. “i 
 
 * ONE OF 3 COPIES ON VELLUM. New York, 189 
 
 1421. GROLIER CLUB. Catalogue of Books from. th 
 Libraries or Collections of Celebrated Bibliophiles. 24 plates. 
 
 8vo, cloth, uncut. New York, (1895 
 * One of 350 copies. 
 
 1422. GROLIER CLUB. Catalogue of Books font ties 
 libraries or collections of celebrated bibliophiles, &c. 24 illus- 
 trations. 8vo, cloth, uncut. New York, 1895 vy, 
 
 rs Cite of 350 copies. Wee 
 
 1423. GROLIER CLUB. A _ Description of che Barly ae 
 Printed books owned by the Grolier Club, with a Brief Ac- — 
 count of their Printers and the History of Typography i in the 
 15th Century. 25 facsimiles and many woodcuts m the text. 
 Small folio, half calf, uncut. New York, 1895 
 
 * One of 400 ‘copies. "i Oe eas 
 
 1424. GROLIER CLUB. Donne (John). The Poems o 
 John Donne from the text of the edition of 1633 revised b 
 James Russell Lowell. With preface, introduction and notes 
 by Charles Eliot Norton. Frontispiece portraits. 2 vols. — 
 12mo, cloth, uncut. ae York, 189 3 
 
 * One of 380 copies. Rs 
 196 i ee ae : 
 
1425. GROLIER CLUB. Catalogue of an Exhibition 
 Illustrative of a Centenary of Artistic Lithography. Tllus- 
 trated with 20 photo-engravings. 8vo, paper covers, uncut. 
 
 * Large paper, one of 400 copies. New York, 1896 
 
 1426. GROLIER CLUB. Warren (Arthur). The Charles 
 Whittinghams, Printers. JIJllustrated. Royal 8vo, half mo- 
 rocco. New York, 1896 
 
 *One of 385 copies. With the index published separately, 
 laid in. 
 
 1427. GROLIER CLUB. Koehler (S. R.). A Chronological 
 Catalogue of the Engravings, Dry-Points and Etchings of 
 Albert Durer. Facsimiles. 4to, cloth, uncut. New York, 1897 
 
 * One of 400 copies. 
 
 1428. GROLIER CLUB. Catalogue of Original and Early 
 Editions of some of the Poetical and Prose Works of English 
 Writers from Langland to Wither. With Collations and Notes. 
 87 facsvmiles of title-pages and frontispieces. 8vo, half mo- 
 rocco, uncut. New York, 1893 
 
 * One of 400 copies. 
 
 1429. GROLIER CLUB. Two Note Books of Thomas 
 Carlyle from 23d March, 1822, to 16th May, 1832. Edited by 
 Charles Eliot Norton. With 2 portraits and a facsimile. 8vo, 
 half morocco, gilt top, uncut. New York, 1898 
 
 * One of 387 copies printed. 
 
 1430. GROLIER CLUB. Catalogue of Etchings and Dry- 
 Points by Rembrandt. Selected for Exhibition. Htched 
 frontispiece on India paper. Square 8vo, cloth, uncut. 
 
 * One of 310 copies. New York, 1900 
 
 1431. GROLIER CLUB. Catalogue of Etchings and Dry- 
 Points by Rembrandt, selected for Exhibition. Hitched 
 frontispiece. Ato, cloth, uncut. New York, 1900 
 
 * One of 310 copies. 
 
 1432. GROLIER CLUB. Catalogue of an Exhibition of 
 First and other Editions of John Dryden (1631-1700). 
 Portrait. 8vo, boards, uncut. New York, 1900 
 
 * Large paper, one of 200 copies. 
 
 1433. GROLIER CLUB. Boceaccio (Giovanni). Life of 
 Dante. With an Introduction and a Note of the Portraits 
 of Dante by G. R. Carpenter. Portrait and folding plate. 
 4to, decorated vellum, uncut. New York, 1900 
 
 * One of 300 copies. 
 
 1434. GROLIER CLUB. Catalogue of an Exhibition of 
 Selected Works of the Poets Laureate of England. Portrait. 
 8vo, boards, uncut. New York, 1901 
 
 * One of 300 Large paper copies. 
 
 197 
 
1435. GROLIER CLUB. Catalogue of an Exhibition of 
 selected Works of the Poets Laureate of England. Portrast 
 of Ben Jonson by 8S. Arlent Edwards, on India paper. 8vo, 
 boards, uncut. New York, 1901 
 
 * One of 300 copies. 
 
 14386. GROLIER CLUB. The History of Helyas, Knight 
 of the Swan. Translated by Robert Copland, from the 
 French Version published in Paris, 1504. <A literal reprint 
 in the types of Wynkin de Worde, after the unique copy 
 printed by him upon parchment in London MCCCCCXIL. 
 Small 4to, full pigskin, with clasps, uncut. New York, 1901 
 
 * One of the 325 copies on Whatman paper. Contains a 
 presentation leaf from the Grolier Club, signed by Howard 
 Mansfield, as president, and Thomas G. Evans, as secretary: 
 “<Presented to Mr. Robert Hoe by the Council of the Grolier 
 Club, in appreciation of the considerate offer of his unique 
 vellum copy of THE KNIGHT OF THE SWANNE for reproduction 
 
 as a Club publication, and of the admirable introduction pre- 
 pared by him. February 4, 1902.’’ 
 
 1487. GROLIER CLUB. The History of Helyas, Knight 
 of the Swan. Translated by Robert Copland, from the French 
 Version published in Paris, 1504. A Literal reprint in the 
 types of Wynkin de Worde, after the unique copy printed by 
 him upon parchment in London MCCCCCXII. Small 4to, 
 pigskin, with brass clasps, uncut. New York, 1901 
 
 * One of 325 copies. 
 
 1438. GROLIER CLUB. De Vinne (Theodore Low). 
 Title-pages as Seen by a Printer. Numerous illustrations wm 
 facsimile. 8vo, original half red straight-grain morocco, 
 
 New York, 1901 
 
 * One of 325 copies on Italian handmade paper. 
 
 1439. GROLIER CLUB. One Hundred Books famous in 
 English Literature. Wath facsimiles of the tttle-pages. In- 
 troduction by G. E. Woodberry. Royal 8vo, boards, vellum 
 
 back, uncut. New York, 1902 
 * One of 305 copies. 
 
 1440. GROLIER CLUB. Kent (Henry W.). Biblio- 
 graphical Notes on One Hundred Books Famous in English 
 Literature. Royal 8vo, boards, vellum back, uncut. 
 
 * One of 305 copies. New York, 1903 
 
 1441. GROLIER CLUB. Hart (Charles H.). Catalogue 
 of the Engraved Portraits of Washington. Numerous repro- 
 ductions. Thick small folio, boards, vellum back, uncut. 
 
 * One of 425 copies. New York, 1904 
 
 1442. GROLIER CLUB. Halsey (R. T. H.). The Boston 
 Port Bill as pictured by a contemporary London Cartoonist. 
 Portrat, colored plate, photogravures, etc. 8vo, calf, gilt, 
 
 uncut. New York, 1904 
 * One of 325 copies. 
 
 198 
 
1443. GROLIER CLUB. Catalogue of Original and Early 
 Editions of some of the Poetical and Prose Works of English 
 Writers from Wither to Prior. Over 200 facsimiles of title- 
 pages and frontispieces. 3 vols. 8vo, sheets, uncut, in board 
 cases. New York, 1905 
 
 * ONE OF 3 COPIES ON VELLUM. 
 
 1444, GROLIER CLUB. Catalogue of Original and Early 
 Editions of some of the Poetical and Prose Works of English 
 Writers from Wither to Prior. With more than 200 facsimiles. 
 3 vols. royal 8vo, cloth, leather backs, uncut. New York, 1905 
 
 * One of 400 copies. 
 
 1445. GROLIER CLUB. Stauffer (David McNeely). 
 American Engravers on Copper and Steel. Numerous fine 
 portraits on Japan paper. 2 vols. 8vo, half cloth and boards, 
 
 uncut. New York, 1907 
 * One of 350 copies. 
 
 1446. GROLIER CLUB. Hawthorne (Nathaniel). The 
 Searlet Letter. Illustrated by George H. Boughton, with 
 plates in 2 states, one of which is colored. Imperial 8vo, half 
 cloth and boards, uncut. New York, 1908 
 
 * One of 300 copies. 
 
 1447. GROLIER CLUB. A Collection of 30 Catalogues of 
 Exhibitions held at the Grolier Club. 30 vols. 12mo, paper 
 covers, uncut. New York, 1887-1907 
 
 1448. GROLIER CLUB A Collection of the Catalogues 
 of various Exhibitions held at the Grolier Club between 
 the years 1886 and 1908. 36 vols. 12mo, paper, uncut. 
 
 1449. GROLIER CLUB. A Collection of Year Books of 
 the Grolier Club, 1884-1908, some duplicates. 33 vols. 
 12mo, boards, parchment backs, uncut. NewYork, 1884-1908 
 
 1450. [GROLIER (JEAN).] Ovipius. Heroidum epis- 
 tole, ete. Initials aluminated in gold and colors. 8vo, old 
 ealf (the binding much repaired). 
 
 Venetiis, in edibus Aldi Romani, 1502 
 
 * JEAN GROLIER’S COPY, WITH HIS ARMS AND DEVICE, each 
 within an olive wreath painted on the lower margin of the first 
 page of text. The arms are surrounded by the inscription: 
 ‘‘M. Jeban Grolier conseiller du Roy, tresorier et rece[veur] 
 g[e|n[erjal en la d[uché] M[ilan]’; the device represents a 
 hand issuing from a cloud and grasping an iron rod im- 
 bedded in the top of a hill, around the hand a ribbon with the 
 legend ‘‘aeqve dfficulter.” 
 
 1451. GROLIER (JEAN). Le Roux de Liney (A. J. V.). 
 Recherches sur Jean Grolier sur la vie et sa bibliothéque 
 Suivies d'un catalogue des livres qui lui ont appartenu. 10 
 reproductions in colors. Royal 8vo, brown levant morocco, 
 Grolieresque sides with Aldine centre and corner orna- 
 ments, gilt top, uncut, by Bedford. Paris, 1866 
 
 * Large Holland paper copy. 
 
 199 
 
1452. GROTIUS (HUGO). H. Grotii et aliorum disser- 
 tationes de studiis instituendis. Hngraved title. 12mo, old 
 English red straight-grain morocoo gilt, gilt edges. The 
 Syston Park copy. Amsterodami: L. Elzevirius, 1645 
 
 1453. GUALTEROTTI (RAFFAELLO):  Feste nelle 
 Nozze di Don Francesco de’ Medici Gran Duca di Toscana 
 e della Sig. Bianea Cappello. 16 engraved plates. Ato, 
 brown levant morocco, gilt edges, by Lortic. Five plates 
 missing. Firenze, 1579 
 
 1454. GUENEBAULD (JEAN).-Le Réveil de Chyndonax 
 prince des Vacies druydes Celtiques Dijonois, avec la 
 saineteté, réligion, & diversité des cérémonies observées 
 aux anciennes sepultures. Cuts in the text, and with the 
 rare double-page copper-plate of a tomb and an urn engraved 
 by N. Spirinx. 4to, old French red morocco gilt, gilt 
 edges. Dijon: Claude Guyot, 1621 
 
 * FIRST EDITION. From the libraries of the Abbé Rive and 
 Firmin-Didot. 
 
 1455. GUENEE (ANTOINE).. Lettres de quelques juifs 
 portugais, allemands et polonais, a M. de Voltaire, avec un 
 petit commentaire, extrait d’un plus grand, a usage de 
 ceux qui lisent ses ceuvres; huitiéme édition, revue, cor- 
 rigée avec soin, augmentée de Notes. 2 portraits (inserted), 
 one on India paper. 8vo, half red morocco gilt, gilt top, 
 uncut, by Cape. ‘ Versailles, 1817 
 
 1456. GUERET (GERMAIN). La Carte de la Cour. 
 16mo, red morocco gilt, gilt side-filletis, gilt edges, probably 
 
 by Padeloup. A Paris: Chez J. B. Loyson, 1663 
 * From the library of Comte Henri de La Bedoyére, with 
 bookplate. 
 
 1457. GUERRE (LA) Seraphique, au histoire des perils, 
 qu’a courus la barbe des Capucins par les violents attaques 
 des cordeliers. 12mo, old French red morocco gilt, gilt 
 edges. La Haye: Pierre de Hondt, 1740 
 
 1458. GUEULLETTE (CHARLES). Acteurs & Actrices 
 du temps passé. La Comédie Francaise premiére série 
 notices par Ch. Gueullette. 14 portraits d’artistes gravés a 
 Veau-forte par Ad. Lalauze. Royal 8vo, half red levant 
 morocco, gilt back and top, uncut, original covers bound in, 
 by Trioullier. Paris: Libraire des Bibliophiles, 1881 
 
 * Limited Edition. 
 
 1459. [AUEUSETTE (THEODORE S.).] Les Soirées 
 Bretonnes. Hngraved frontispiece. 12mo, ealf gilt, gilt 
 edges, by Veuve Niédrée. - Paris, 1712 
 
 1460. [GUEVARA (ANTONIO DE):.] L’orloge des 
 Princes, a la sérenité des treshault et trespuissant seigneur 
 Henry primogenit Daulphin de France et due de Bretaigne. 
 Traduit d’espaignol en langaige francois (par René Bertaut 
 
 200 
 
Sieur de La Grise). Lettres bdtardes. Title within an 
 architectural and ornamental woodcut border and a large 
 woodcut representing a king in council. Folio, green levant 
 morocco gilt, gilt edges, by Niédrée. 
 Nouuellement imprimé a Paris par Estienne Caueiller im- 
 primeur pour Galiot du Pré, 1540. 
 * VERY SCARCE. The Firmin-Didot copy. 
 
 1461. GUICCIARDINI (FRANCESCO). Histoire des 
 Guerres d’Italie, traduite de l’Italien de Francois Guichar- 
 din . . . 1490-1508 [1508-1522]. 3vols. 4to, olive morocco 
 gilt, gilt edges, probably by Padeloup. 
 
 Londres [Paris] Chez P. and I. Vaillant, 1738 
 
 1462. GUICHARD (JEAN F.). (I) Fables et autres 
 poésies suivies de quelques morceaux de prose. (II) Contes et 
 autres poésies suivis de quelques mots de Piron, mis en vers. 
 Portrait by B. A. Nicollet. 2 vols. 12mo, red straight-grain 
 morocco, gilt backs and side borders, gilt over uncut edges, 
 
 -by Bozerian. Paris: L’Imprimerie de Suret, 1802 
 
 * Printed on papier vélin. 
 
 1463. GUIFFREY (JEAN). Le Voyage de Eugéne Dela- 
 eroix au Maroc. Facsimile de l’album du Musée du Louvre 
 (cent-six pages d'aquurelles, dessins, croquis et notes du 
 mattre). Introduction et description des albums conservés | 
 au Louvre, au Musée Condé et dans les collections Etienne 
 Moreau. 2 vols. 12mo, text in original wrappers, illustra- 
 tions in cloth, uncut. Paris: André Marty, 1909 
 
 * One of 150 copies. 
 
 1464. GUILLEMOT (MAURICE). Entr’actes de Pierres. 
 Haux-fortes a’ Hugéene Bejot. Royal 8vo, vellum boards, 
 BOTH SIDES CONTAINING AN ORIGINAL DRAWING, gilt-over 
 
 uncut edges. Paris: H. Floury, 1899 
 * One of 20 copieson Japan paper, with a duplicate set of the 
 etchings. 
 
 1465. [@UILLEVILLE (GUILLAUME DE).] Le pele- 
 rinage de lhomme nouuellement imprimé a paris. @ Le 
 quatriesme iour dauril mil cing cens et vnze deuant pasques 
 Pour anthoine verard demourant en la dicte ville. Lettres 
 bdtardes, double columns, 68 curious woodcuts. Small folio, 
 red levant morocco, doublures of brown levant, with gilt 
 dentelle borders, gilt edges, by Thibaron-Joly. RARE 
 
 ; Paris: A. Verard, 1511 
 
 1466. GUIZOT (FRANCOIS P.G.). Abailard et Héloise, 
 essai historique suivi des Lettres d’Abailard et d’Héloise. 
 Traduites par M.Oddoul (18538); Histoire des origines de 
 Gouvernment Représentatif et des Institutions Politiques 
 en |’Europe depuis la chute de |’Empire Romain jusqu’au 
 XIVe siécle, 2 vols. (1885); Corneille et son temps, étude 
 
 201 
 
littéraire (1858); Shakespeare et son temps, étude littéraire 
 (1858); Etudes sur les Beaux-Arts en général (1858); Médi- 
 tations et Etudes Morales (1859). Together, 7 vols. 8vo, 
 half brown levant morocco (two shades), blind-tooled backs, 
 gilt tops, uncut, by Matthews. Paris, 1853-9 
 
 1467. [GUYSE (JACQUES DE).] Le premier [second et 
 tiers] volume des Illustrations de la Gaulle belgique, anti- 
 quitez du pays de Haynau, et de la grand cité de Belges: a 
 present dicte Bauay, dont procédent les chaussées de 
 Brunehault. . . . Lettres bdtardes, title in red and black 
 within a woodcut border (repeated for the other 2 vols.), and 
 2 woodcuts. % vols. in one folio, red levant morocco, gilt 
 tooled borders on the sides, the arms of F. V. MASSENA 
 PRINCE D’ESSLING, DUC DE RIVOLI in the centre of both 
 covers, gilt edges, by Hardy-Mennil. 
 
 Paris, en la boutique de Galliot du Pré, 1531-32 
 
 * RARE. An extract made by Jean Lessabée from De Guyse’s 
 Latin Chronicle, the text of which was printed for the first 
 time, with a complete translation by Marquis de Fortia d’Ur- 
 ban, at Paris, 1826-38, 21 vols. in 8vo. According to the title- 
 page the work should have had 4 vols.; but the fourth never 
 appeared. 
 
 1468. H448 (CARL). Kaiserliche Kénigliche Bilder- 
 Gallerie in Belvedere zu Wien. Numerous 
 engravings reproducing the paintings in the Belvedere im 
 Vienna, with teat in German and French. 4 vols. folio 
 
 half crimson levant morocco gilt, gilt edges, by Bedford. 
 Wien und Praga, 1821-28 
 * Proofs of the plates on India paper. Probably a large paper 
 
 copy. 
 
 1469. [HABERT (ISAAC).] Les trois livres des metéores 
 avecques autres oeuures poétiques. 12mo, blue levant 
 morocco gilt, gilt edges, by Trautz-Bauzonnet. 
 
 Paris: Iean Richer, 1585 
 * RARE. From the Marigues de Champ-repus library. 
 
 1470. HAAFTEN (BENEDICT). Schola Cordis siue aversi 
 
 a Deo cordis ad eumdem reductio, et instructio. Auctore 
 
 D. Benedicto Haefteno. Engraved title, and 55 copper- 
 
 plates, red lined throughout. One vol. bound in 2. Small 
 8vo, old red morocco, gilt backs, gilt edges, by Du Seuil. 
 
 Antwerp, 1635 
 
 1471. HAFIZ. The Divan, written in the fourteenth 
 century, by Khwaja Shamsu-d- Din Muhammad-i Hafiz-i- 
 ‘Shirazi. Translated for the first time out of the Persian 
 into English prose, with critical and explanatory remarks, 
 an introductory preface, a note on Stfi,ism, and a life of 
 the author, by Lieut.-Col. H. Wilberforce Clarke. 2 vols. 
 Ato, cloth. [Caleutta], 1891 
 
 202 
 
1472. HAKE (EDWARD). Newes out of Powles Church- 
 yarde. Written in English Satyrs. By Edward Hake. 
 Accurately reprinted from the excessively rare edition of 
 1579 in the possession of Sir Charles E. Isham, Bart. Edited, 
 with an introduction, and extracts from the author’s other 
 works, by Charles Edmonds. 4to, green levant morocco, 
 gilt back and sides, uncut, by Pratt. London, 1872 
 
 * No. 1 of 6 large paper copies PRINTED ON VELLUM in black 
 letter, for subscribers only. 
 
 1473. HALEVY (LUDOVIC). L’Abbé Constantin: illus- 
 tré par Madame Madeleine Lemaire. 4to, blue levant 
 morocco, gilt and mosaic back and side borders in ivory 
 and rose morocco, doublures of red morocco, borders of 
 interlacing fillets, gilt over uncut edges, original covers 
 bound in, by David. Paris: Boussod, Valadon et Cie., 1887 
 
 * One of 200 copies on Japan paper, with two extra sets of 
 
 the plates before letters, en camaiewu on Whatman paper, and 
 in bistre on Japan. 
 
 1474. [HALIBURTON (THOMAS C.). The Letter Bag 
 of the Great Western; or, Life in a Steamer [ By Sam Slick], 
 (1840); The Clockmaker, 3 vols. (1840-3); The Attaché; or, 
 Sam Slick in England, 2 vols. (1843); The Attaché; or, Sam 
 Slick in England, 2 vols. (1844); The Old Judge; or, Life 
 in a Colony, 2 vols (1849); The English in America, 2 vols. 
 (1851); Sam Slick’s Wise Saws and Modern Instances, 
 2 vols. (1854); Nature and Human Nature, 2 vols (1855). 
 SOME First EDITIONS. ‘Together, 16 vols. 12mo, cloth 
 (several shades), uncut. London, 1840-1855 
 
 1475. HALIFAX (GEORGE S., MARQUIS OF). Con- 
 seils d’un Homme de Qualité a sa Fille. Frontispiece by 
 A. Shoonebeck. 12mo, green levant morocco, uncut, by 
 Thibaron-Echaubard. La Haye,.1698 
 
 1476. HALL (JOHN). Poems [And Second Booke of 
 Divine Poems]. FIRST EDITION. 16mo, polished calf, gilt, 
 by Bedford. (Lacks portrait.) 
 
 Cambridge: [London], 1646-7 
 
 1477. HALLAM (HENRY). The Constitutional History 
 of England from the accession of Henry VII to the death of 
 George II; X vols., 1816; View of the State of Europe dur- 
 ing the Middle Ages, 3 vols., 1846-8; Introduction to the 
 - Literature of Europe in the 15th, 16th and 17th centuries, 
 3 vols., 1847. Together, 8 vols. 8vo, boards (some backs 
 repaired), uncut. London, 1846-8 
 
 1478. [HALLECK (FITZ-GREENE).| Fauny. FIRST 
 EDITION. With the half-title. 8vo, brown levant morocco, 
 gilt top, uncut, original paper covers bound in. 
 
 New York, 1819 
 2038 
 
1479. [HALLECK (FITZ-GREENE).] Alnwick Castle, 
 with other Poems. FIRST EDITION. 8vo, citron levant 
 morocco, gilt back, top and sides, uncut, original wrappers 
 preserved, by David. Name on front wrapper. 
 
 New York, 1827 
 
 1480. HALLECK (FITZ-GREENE). Alnwick Castle, 
 with other poems. Hngraved title. 12mo, brown satin 
 covers. New York, 1845 
 
 1481. HALLECK (FITZ-GREENE). The Poetical Works 
 of Halleck. Now First Collected. Portrait by Cheney after 
 EKliott, and other engravings by American artists. Square 
 8vo, cloth, gilt back and sides, gilt edges. New York, 1848 
 
 1482. HALLECK (FITZ-GREENE). The Writings of 
 Fitz-Greene Halleck, with extracts from those of Joseph 
 Rodman Drake. Edited by James Grant Wilson. (Steel 
 plates. Royal 8vo, cloth, uncut. New York, 1869 
 
 * No. 36 of 150 copies on large paper. 
 
 1488. HALLIWELL (J. O.—Editor). The Doctors of 
 Dull-Head College. Being a Droll formed out of the lost 
 play of the Father’s Own Son. 16mo, half brown morocco, 
 uncut. London: Printed for the Editor | Chiswick Press], 1860 
 
 * One of only 30 copies. ‘‘ One of the short pieces, published 
 by Kirkman, which were in vogue after the suppression of the 
 theatres in the year 1642, and formed for many years the chief 
 substitute for dramatic performances.” 
 
 1484. HALLIWELL-PHILLIPS (JAMES O.—KHditor). 
 Palatine Anthology: a Collection of Ancient Poems and 
 Ballads relating to Lancashire and Cheshire. 4to, cloth, 
 uncut. London: for Private Circulation only, 1850 
 
 * One of only 10 copies on thick paper, autographed by the 
 printers, C. and J. Adlard. 
 
 1485. HALSEY (R. T. HAINES). Pictures of Early New 
 York on dark blue Staffordshire Pottery, together with pic- 
 tures of Boston and New England, Philadelphia, the South 
 and West. With 166 allustrations. Imperial 8vo, decorated 
 vellum, uncut. _ New York, 1899 
 
 * One of 20 copies on Imperial Japan paper. 
 
 1486. HAMBRELIN (MAISTRE). M. Hambrelin, servi- 
 teur de Maistre Aliborum, cousin germain de Pacolet. 
 Woodcut. Square 12mo, red levant morocco, gilt, centre 
 ornaments on sides, by Capé. [Paris, 1858] 
 
 * Facsimile; printed in Gothic characters ON VELLUM. 
 
 1487. HAMILTON (ANTHONY). Quvres Mélées en 
 Prose et en Vers. Vignettes. 18mo, orange levant morocco 
 gilt, gilt edges, by Hardy-Mennil. [Paris] 1749 
 
 204 
 
 Ray aa 
 ies cia a 
 
1488. [HAMILTON (ANTHONY).] Mémoires de la Vie 
 du Comte de Grammont; contenant particuli¢rement |’ His- 
 toire Amoureuse de la Cour d’ Angleterre, sous le Regne de 
 Charles II. First EDITION. 16mo, light brown levant 
 morocco, gilt edges, by Brany. 
 
 A Cologne: Chez Pierre Marteau, 1713 
 
 1489. HAMILTON (ANTHONY). Mémoires du Comte 
 deGrammont. 3 vols. 18mo, half green morocco, gilt, uncut. 
 
 Paris: Didot, l’ainé, 1781 
 
 1490. HAMILTON (ANTHONY). Memoirs of Count 
 Grammont. Translated from the French, with Notes and 
 Illustrations. 39 portraits by Gurdiner, Bocquet, &c 3 vols. 
 8vo, olive-green levaut morocco, gilt tops, uncut, by Zaehns- 
 dorf. London: T. Bensley, 1509 
 
 * Second Edition, revised. 
 
 1491. HAMILTON (ANTHONY). Memoirs of the Court 
 of Charles the Second. [Edited with notes by Sir Walter 
 Seott.| Wath & plates, inserted. 12mo, half orange levant 
 morocco gilt, gilt top, uncut, by Hardy-Mennil. 
 
 * Lacks portrait of NellGwyn. London: H. G. Bohn, 1846 
 
 1492. HAMILTON (ANTHONY). Memoirs du Comte de 
 Grammont. Préface de H. Gausseron. Un portrait de A. 
 Hamilton et trente-trois compositions de C. Delorl gruvés au 
 burin et a Veau-forte par L. Boisson. Royal 8vo, red levant 
 morocco, beautifully gilt, doublures of red levant gilt, gilt 
 top, uncut, original covers bound in, by the The Club 
 Bindery. Paris: L. Conquet, 1888 
 
 * One of 500 copies on papier vélin, with a duplicate set of the 
 plates, proofs before the engraver’s name. 
 
 1493. HAMILTON (ANTHONY). Contes d’Hamilton. 
 
 3 vols. 18mo, half green morocco, gilt, uncut. | 
 Paris: Didot, l’ainé, 1781 
 -1494. HAMILTON (ANTHONY). (Qéuvres du Comte 
 Antoine Hamilton. With 8 portraits by St Aubin, and 4 
 plates engraved by De Ghendt and Triére after Moreau. 
 3 vols. 8vo, red straight-grain moroceo gilt, gilt over uncut 
 
 edges, by Bozerian, the younger. 
 
 * Papier vélin copy. Paris: A. A. Renouard, 1812 
 
 1495. HAMILTON (LADY ANNE). Secret History of 
 the Court of England, from the Accession of George the 
 Third to the Death of George the Fourth; including, among 
 other important matters, full particulars of the mysterious 
 death of the Princess Charlotte. FIRST EDITION. 2 vols. 
 8vo, original half cloth and boards, uncut. London, 18382 
 
 * Suppressed and scarce. 
 
 1496. HAMMOND (WILLIAM). Occasional Poems, by 
 Hammond, first printed in 1655. [Edited by Sir E. Brydges. | 
 Vignette on title. 4to, boards, uncut. London, 1816 
 
 * One of only 61 copies. 
 205 
 
§'1497. HANSARD (GEORGE AGAR). Trout and Salmon 
 Fishing in Wales. Vignette. 12mo, cloth, uncut. 
 London, 1834 
 1498. HARAUCOURT (EDMOND). La Madone. With 
 17 lithographic illustrations in colors by Lafontaine after 
 Alexandre Lunois. 4to, grey silk-cloth, uncut. [ Paris, 1893] 
 * The only copy on Old Japan Paper. 
 
 1499. HARDING’S Biographical Mirrour, comprising a 
 series of ancient and modern English Portraits of eminent 
 and distinguished persons, from original pictures and 
 drawings. Tvile-vignette and 151 portraits. 3 vols. in 1. 
 4to, half russia, gilt back and top, uncut. (Several plates 
 imperfect. ) London: S. and EK. Harding, 1795-98 
 
 1500. HARDING (J. D.). Twenty-six [llustrations to 
 the Landscape Annual for 1833; or, Tourist in Italy. From 
 drawings by J. D. Harding. Fine wmpressions on India 
 paper before letters. Folio, loose in portfolio. [London, 1833] 
 
 1501. HARDING (J. D.). Twenty-six Illustrations to 
 the Landscape Annual for 1834, or Tourist in France; from 
 drawifigs by J. D. Harding. Fine steel engravings, proofs 
 on India paper before letters. Folio, loose in portfolio. 
 
 [London, 1834] 
 
 1502. HARDING (J. D.). The Principles and Practice 
 of Art. With illustrations drawn and engraved by the 
 author. 23 plates. Folio, cloth, uncut. 
 
 London: Chapman & Hall, 1845 
 
 15083. HARDY (THOMAS). The Trumpet Major. A 
 Tale. FIRST EDITION. 3 vols. 12mo, cloth, uneut (labels 
 removed from sides). London, 1880 
 
 1504. HARDY (THOMAS). A Laodicean; or, The Castle 
 of the De Stacys. A Story of To-day. FIRST EDITION. 
 3 vols. 12mo, cloth, uncut (library labels removed from 
 covers). London, 1881 
 
 1505. HARDY (THOMAS). The Mayor of Casterbridge; 
 the life and death of a man of character. FIRST EDITION, 
 2 vols. 12mo, cloth, uncut. London, 1886 
 
 1506. HARDY (THOMAS). Tess of the D’Urbervilles. 
 A Pure Woman. 3 vols. 12mo, light brown eloth, gilt, 
 uncut and unopened. London, 1892 
 
 1507. HARDY (W. J.). Book-Plates. Woodcut title 
 and 40 illustrations on Japan paper. 8vo, half vellum, 
 
 uncut. London, 1893 
 . * One of 150 copies on Large Paper. 
 
 1508. HARLAND (JOHN—EHEditor). Ballads and Songs 
 of Laneashire. Chiefly older than the 19th Century. Col- 
 lected, compiled and edited with notes. Head- and tail- 
 preces. 4to, cloth, uncut. London, 1865 
 
 206 
 
SIXTY-EIGHTH SESSION. 
 
 Friday, November 15th, 2:30 P.M. 
 
 1509. HARINGTON (SIR JOHN). The History of 
 Polindor and Flostella. With other poems. By J. H. EHn- 
 graved frontispiece by J. Droeshout, inserted. First EDI- 
 TION. Small 8vo, red levant morocco gilt, gilt edges, by 
 Chambolle-Duru. Name on title. 
 
 London: Printed by Tho. Royeroft for Tho. Dring, 1651 
 
 1510. [HARINGTON (SIR JOHN).] The Grecian Story: 
 being an Historical Poem, in five books, to which is annex’d 
 the Grove: consisting of divers shorter poems upon several 
 subjects. By J. H. Esq. Hngraved frontispiece represent- 
 amg the author sitting under a palm tree and a plate of the 
 Garden of the Muses. 4to, blue levant morocco, the sides 
 in mosaic compartments of green and red morocco, richly 
 tooled and gilt with arabesques, leaf sprays, etce., gilt edges, 
 by Riviére, in a morocco slip ease. 
 
 London: for William Crook, 1684 
 
 1511. HARINGTON (SIR JOHN). The Metamorphosis 
 of Ajax; a cloacinean satire: with the anatomy anid apology. 
 To which is added, Ulysses upon Ajax. Facsimile wood- 
 cuts and an (inserted) woodcut portrait engraved by Swaine, 
 proof on India paper. 8vo, citron levant morocco, gilt top, 
 uncut. Chiswick: C. Whittingham, 1314 
 
 * One of 100 copies. 
 
 1512. HARPSFIELD (NICHOLAS). [Half-title] Harps- 
 field’s Narrative of the Divorce. Small 4to, brown levant mo- 
 rocco, doublures of maroon russia, russia guards, gilt top, 
 uncut, by Zaehnsdortf. nT. p.—n. d. 
 
 * This volume, edited by Lord Acton, contains that part of 
 the Life of Sir Thomas More, 1556, written by Nicholas Harps- 
 field, Archdeacon of Canterbury, which relates to the divorce 
 of Henry VIII. and Catherine of Arragon, 
 
 Privately printed. Presentation copy from the Editor. 
 
 1513. HART (ALEXANDER). The Tragi-Comicall His- 
 tery of Alexto and Angelica, containing the progress of a 
 zealous, candide, and masculine Love. With a various 
 mutability of a feminine affection. Together with Loves 
 Iustice thereupon. 24mo, red levant morocco, gilt floral 
 borders on the sides, gilt edges, by The Club Bindery. Por- 
 tions of some margins supplied. VERY SCARCE. 
 
 London: B. A. and T. F. for Nich. Vavasour, 1640 
 
 1514. HARVEY (WILLIAM). Anatomical Exercita- 
 tions, Concerning the Generation Of Living Creatures: To 
 which are added Particular Discourses, of Births, and of 
 
 ANH 
 
Conceptions, &e. Portrait of Harvey engraved by Faithorne. 
 Small 8vo, brown levant morocco gilt, side panels, gilt edges, 
 by The Club Bindery. 
 
 London: Printed by James Young, 1653 
 
 * The first English translation. This book was first published 
 in Latin under the title ‘‘ Exercitationes de Generatione Ani- 
 malium”’ in Amsterdam by Elzevir, 1651. 
 
 1515. HASTINGS (THOMAS). Etchings, from the Works 
 of Rie. Wilson with some memoirs of his life, &ce. Portrait 
 on the title-page after an original sketch by Sir George Beau- 
 mont, and 40 etchings on India-paper by Hastings after 
 Wilson. 4to, old half green leather, gilt top, uncut. 
 
 London, 1825 
 
 1516. HAUGHTON (WILLIAM). A Pleasant Comedie 
 called, A Woman will haue her Will. As it hath beene 
 diverse times Acted with great applause. Small 4to, 
 sprinkled calf gilt, gilt edges, by Worsfold. (Slight repairs 
 to title, and name on same.) 
 
 London: Printed by A. M., 1631 
 
 * First printed in 1616 under the title ‘‘ Englishmen for My 
 oney, or a Woman will have her Will,” which is the running- 
 title of the present edition. 
 
 1517. HAUSTED (PETER). The Rivall Friends. A 
 Comoedie, As it was Acted before the King and Queens 
 Maiesties. Cryed downe by Boyes, Faction, Envie, and 
 confident Ignorance, approv’d by the judicious, and now 
 expos’d to the publique censure, by The Authour. FIRST 
 EDITION. Small 4to, brown levant morocco, gilt edges, by 
 The Club Bindery. (Name removed from title; a few lower 
 margins cut close. ) 
 
 London: Printed by Aug. Matthewes for Humphrey Rob- 
 inson, 1682. 
 
 1518. [HAUSTED (PETER—Translator).] Uheimon- 
 opegnion or, a Winter Song by Raphael Thorivs: Newly 
 Translated. Small 8vo, blue levant morocco gilt, gilt edges, 
 by Chambolle-Duru. 
 
 London: Printed by T. N. for Humphrey Moseley, 1651 
 
 * Probably the concluding part of ‘‘ Hymnus Tabaci,”of the 
 same date. 
 
 1519. HAVARD (HENRY). La Flandre a vol d’oiseau. 
 Illustrations d’aprés nature par Maxime Lalanne. Folio, 
 half red levant morocco gilt, gilt top, uncut, original covers 
 bound in. Paris, 1888 
 
 * One of 100 copies on Holland paper, with the full-page 
 plates in duplicate, on India paper. 
 
 1520. [HAWKESWORTH (WALTER).] Labyrinthus. 
 Comedia Habita coram Sereniss. Rege Iacobo in Academia 
 Cantabrigiensi. 12mo, old ealf. London, 1636 
 
 * Attributed by Mr. Hoe to Hawkesworth. 
 
 208 
 
1521. HAWTHORNE (NATHANIEL). Septimius Felton; 
 or, the Elixir of Life. FIRST EDITION. 12mo, red levant 
 morocco, gilt edges, by David. Boston, 1872 
 
 1822. HAWTHORNE (NATHANIEL). Doctor Grim- 
 shaw’s Secret. Edited, with preface and notes, by Julian 
 _ Hawthorne. Hiched frontispiece and vignette. 8vo, orig- 
 
 inal boards. Cambridge, 1883 
 * Large paper copy, only 250 printed. 
 
 1523. HAYDON (BENJAMIN R.). Correspondence and 
 Table-Talk. Memoir by his son, Frederic Wordsworth 
 Haydon. With facsimile illustrations from his journals. 
 2 vols. 8vo, cloth, uncut. London, 1876 
 
 1524. HAYDON (BENJAMIN R.—English Painter). 
 A.N.S. to a friend, informing him he will not require a 
 porter’s services as he has an opportunity to move free. 
 
 1525. HAYLEY (WILLIAM). The Triumphs of Temper; 
 
 a Poem: in six cantos. Seven plates after Stothard. 12mo, 
 blue levant morocco, gilt top, uneut, by Bedford. 
 
 London, 1799 
 
 1526. HAYLEY (WILLIAM). The Triumphs of Temper. 
 A poem; in six ecantos. The twelfth edition, corrected. 
 With 6 plates by W. Blake, after Maria Flaxman. LARGE 
 PAPER. Royal 8vo, citron levant morocco gilt, gilt top, 
 uncut, by David. Chichester: Printed by J. Seagrave, 1803 
 
 1627. HAYLEY (WILLIAM). The Triumphs of Temper. 
 A Poem; in six cantos. The twelfth edition, corrected. 
 With new original designs by Maria Flaxman. With 6 
 plates by W. Blake, after Flaxman. 8vo, green levant mo- 
 rocco gilt, gilt edges, by F. Bedford. 
 
 Chichester: Printed by J. Seagrave, 1803 
 
 * LARGE PAPER. EXTRA-ILLUSTRATED by the insertion of 3 
 portraits of Hayley, the first an unfinished proof by Holloway. 
 
 1528. HAZLITT (WILLIAM). Characters of Shake- 
 spear’s Plays, FIRST EDITION, 1817. A View of the English 
 Stage, 6 portraits inserted, FIRST EDITION, 1818. Lectures 
 on the English Poets, FIRST EDITION, 1818. Lectures on 
 the English Comie Writers, FIRST EDITION, 1819. Lectures 
 on the Dramatic Literature of the Age of Elizabeth, Second 
 Edition, 1821. Table-Talk, Second Edition, 2 vols., 1824. 
 The Spirit of the Age, FIRST EDITION, 1825. The: Plain 
 Speaker, FIRST EDITION, 2 vols., 1826. Together, 10 vols. 
 8vo, russia gilt, gilt tops, by Holloway. London, 1817-26 
 
 1529. HAZLITT (WILLIAM). A View of the English 
 Stage; or, a Series of Dramatic Criticisms, 1818. Lectures 
 on the English Comie Writers, 1819. Political Essays, with 
 Sketehes of Public Characters, 1819. Lectures chiefly on 
 the Dramatic Literature of the Age of Elizabeth, 1820. 
 Table-Talk, 2 vols., 1821. The Plain Speaker, 2 vols, 
 
 209 
 
1826. Notes of a Journey through France and Italy, 1826. 
 Literary Remains of the Late William Hazlitt, with a notice 
 of his Life by his Son, and Thoughts on his Genius and 
 Writings by E. L. Bulwerand Mr. Sergeant Talfourd, 2 vols., 
 1836. ALL FIRST EDITIONS. 11 vols. 8vo, green levant mo- 
 rocco gilt, gilt tops, uncut, by The Club Bindery. 
 London, 1818-36 
 1530. HAZLITT (WILLIAM). Lectures on the English 
 Poets. Delivered at the Surrey Institution. FIRST EDITION. 
 8vo, vriginal boards, uncut (back repaired). London, 1818 
 
 1531. HAZLITT (WILLIAM). ~ Lectures on the English 
 Poets. Delivered at the Surrey Institution. 8vo, calf, gilt 
 
 - back and top, uncut, by Bedford. London, 1818 
 * First EDITION, EXTRA-ILLUSTRATED by the insertion of 58 
 portraits. 
 
 1532. [HAZLITT (WILLIAM).] Liber Amoris; or, The 
 New Pygmalion. Engraved title with portrait. FIRST EDI- 
 TION. 12mo, orange levant morocco, gilt top, uncut, by 
 Smith (title stained). London: John Hunt, 1823 
 
 1533 HAZLITT (WILLIAM). The Life of Napoleon 
 Buonaparte. FIRST EDITION. 4 vols. 8vo, old blue morocco, 
 gilt backs, gilt edges. London, 1828-30 
 
 1534. HAZLITT (WILLIAM). Conversations of James 
 Northcote, Esq., R.A. Portrait by Wright, and wserted, 
 mezzotint by Wivell. 8vo, polished calf gilt, gilt top, uncut, 
 by Zaehnsdorf. London, 1830 
 
 15385. HAZLITT (WILLIAM). Literary Remains of the 
 late William Hazlitt. With a Notice of his Life, by his 
 Son, and thoughts on his Genius and Writings, by E. L. 
 Bulwer... and Mr. Sergeant Talfourd. FIRST EDITION. 
 Portruit. 2 vols. 8vo, calf, gilt tops, uncut, by Tout. 
 
 London, 1836 
 
 1536. HAZLITT (W. CAREW). Remains of the Early 
 Popular Poetry of England; collected and edited with in- 
 troductions and notes. 4 vols. 12mo, cloth, uncut. 
 
 London: J. R. Smith, 1864 
 * Library of Old Authors. Large paper copy. 
 
 1537. HEARNE (THOMAS). Reliquize Hearnianz. The 
 Remains of Thomas Hearne; being extracts from his MS. 
 diaries, collected with a few notes by Philip Bliss. Por- 
 trait. 3 vols. 12mo, cloth, uncut. London, 1869 
 
 * Library of Old Authors. Large paper. . 
 
 1538. HEINSIUS (DANIEL). Nederduytsche Poemata; 
 by een vergadert en uytgegeven door P. 8. Engraved title 
 and 67 very fine emblematic copper engravings. 4to, calf, 
 gilt edges. Some pages slightly soiled. 
 
 Amsterdam: Willem Jensen, 1416 
 
 210 
 
1539. HELIODORUS. Amours de Théagénes et Chariclée. 
 Hingraved frontispiece, 10 plates, 2 fleuwrons and 10 vignettes. 
 Small 8vo, old French red morocco gilt, initials ‘‘ J ’’ and 
 ‘*D”’ on the sides, gilt edges, probably by Derome. 
 
 * One of the copies on Holland paper. Paris, 1743 
 
 1540. HELPS (ARTHUR). Thoughts in the Cloister 
 and the Crowd (1835); Essays written in the Intervals of 
 Business (1841); King Henry the Second (1843); The 
 Claims of Labour (1844); Companions of my Solitude 
 (1851); Life of Hernando Cortez, 2 vols. (1871); Essays 
 written in the Intervals of Business (1853). MosTLy FIRST 
 EDITIONS. Together, 8 vols. 12mo, various bindings (backs 
 of two vols. missing, library labels removed from several 
 vols. Sold not returnable). London, 1835-1871 
 
 1541. HENRIET (FREDERIC). Le Paysagiste aux 
 champs. 24 eaux-fortes par Corot, Daubigny, Lalanne, et 
 autres. Imperial 8vo, original vellum covers, uncut. 
 
 * One of 135 copies. Paris, 1576 
 
 1542. HENRY IV. Les Amours du Grand Aleandre, 
 par Mlle. De Guise; suivis de pieces intéressantes pour 
 servir a histoire de Henri IV. [Edited by J. B. de la 
 Borde |] 2vols. small 8vo, red morocco gilt, gilt edges, by 
 Derome the younger, with his ticket. 
 
 A Paris: Didot Vainé, 1786 
 * From the Yemeniz collection, with bookplate. 
 
 1543. HENRY VIII. Nine Historical Letters of the 
 Reign of Henry VIII: Written by Reginald Pole, Thomas 
 Cromwell, Michael Throckmorton, and Thomas Starkey. 
 Copied from the Originals. 4to, brown straight-grain mo- 
 rocco, original covers bound in, by Zaehnsdorf. London, 1871 
 
 * Rdited by John Payne Collier, for private circulation only. 
 Several pages of manuscript relating to Sir Philip Sidney 
 laid in. 
 
 1544. HENRY VIII. Nine Historical Letters of the 
 Reign of Henry VIII: Copied from the Originals. Edited 
 by John Payne Collier. Small 4to, brown straight-grain 
 morocco, gilt tops, uncut, by Zaehnsdorf. London, 1871 
 
 1545. HENSBERGIUS (VINCENTIUS). Viridarium 
 Marianum Septemplici Rosario, variis exercitiis, exemplis, 
 ut plantationibus peramcenum. Hngraved title and 22 fine 
 copper engravings, all brilliant rmpressions, by A. Collaert, 
 representing the mysteries of the Rosary. 12mo, green levant 
 morocco gilt, gilt edges, by Hardy. 
 
 Antuerpiz: Apud Gasparum Bellerum, 1615 
 
 1546. HERCULANUM ET POMPEI. Recueil General 
 des Peintures, Bronzes, Mosaiques, ete. Avec ‘‘ Musée Se- 
 eret.”’ With hundreds of outline plates. 8 vols. royal 8vo, 
 half red morocco gilt, gilt tops, uncut. Paris, 1840 
 
 * Complete set, with the plates in correct state. 
 : 211 
 
1547. HEREDIA (JOSE MARIA DE). Les Trophées. 
 Engravings by L. Flameng after Luc Olivier-Merson. 4to 
 in sheets, laid in original wrappers, uncut, in a case. 
 
 * Limited to 175 copies on ‘‘ papier vélin.’ Paris, 1907 
 
 1548. HERO AND LEANDER. The Loves of Hero and 
 Leander; A Mock Poem: With Marginall Notes and other 
 choice Pieces of Drollery. 12mo, red morocco gilt, gilt 
 edges, by The Club Bindery. London, 1653 
 
 1549. HERODOTUS. Euterpe: Being the Second Book 
 of the Famous History of Herodotus. Englished by B. R., 
 1584. Edited by Andrew Lang. 12mo, half blue morocco, 
 
 uneut. London, 1888 
 * One of 550 copies. 
 
 1550. HEROS. les Heros de la France sortans de la 
 Barque de Caron, s’entretenans avec Messieurs de Louvois, 
 Colbert, & Seignelai. Hngraved title and 4 copper-plates, 
 encluding the large folding plates at page 18. 24mo, blue 
 levant morocco, gilt edges, by Trautz-Bauzonnet. 
 
 A Cologne: Chez Pierre Marteau, 1693 
 
 1551. HEROS (LES) de la Ligue; ou, la Procession Mona- 
 cale, conduitte par Louis XIV, pour la.conversion des Pro- 
 testans de son Royaume. 24 mezzotint caricature portraits 
 representing Lous XIV, Madame de Maintenon, Pére La 
 Chaise, Marillac, Boufflers, Louvois, Letellier, and others. 
 4to, old French green morocco gilt, gilt edges, by Derome 
 the younger, with his ticket. Paris, 1691 
 
 * From the libraries of A. A. Renouard, with his signature on 
 title, and H. Bordes. 
 
 1552. HERRICK (ROBERT). The Works of Herrick. 
 {Edited by T. Maitland.] Portrait of Herrick, engraved 
 by Worthington, on India paper, inserted. 2 vols. 4to, blue 
 levant morocco, gilt panelled backs, wide dentelle side 
 borders, gilt tops, uncut, by Joly. 
 
 Edinburgh: Reprinted for W. and C. Tait, 1823 
 
 * One of 25 copies on LARGE PAPER. 
 
 1553. HERRICK (ROBERT). The Hesperides & Noble 
 Numbers. Edited by Alfred Pollard. Preface by A. C. 
 Swinburne. Portrait. LARGE PAPER. 2 vols. 12mo, half 
 vellum boards, gilt tops, uncut. London, 1891 
 
 1554. HERVIEU (PAUL ERNEST). Flirt. Jllustré par 
 Madame Madeleine Lemaire. 4to, blue levant morocco, 
 back panels and side borders tovled in fillets, dots and gar- 
 lands, gilt over uncut edges, original covers bound in, by 
 Mercier. Paris: Boussod, Valadon et Cie , 1890 
 
 * One of 100 copies on Japan paper, with two extra sets of the 
 plates in grey on Whatman paper, and in bistre on Japan paper. 
 
 aie 
 
ea eT er oe ee ee ee fe 
 
 oo 
 
 ea eee ee Ue eee) eo 4 ef 5 
 
 eee ee os 
 
 1555. HERVILLY (MARIE E. D’) Mesdames les Paris- 
 iennes. FIRsT EDITION. 12mo, half brown levant morocco 
 gilt, figured-silk sides, gilt top, uneut, original covers 
 bound in, by The Club Bindery. Paris, 1875 
 
 * One of 25 copies on Holland paper. 
 
 1556: HERVILLY (MARIE E. D’). Histoires divertis- 
 Santes. FIRST EDITION. 12mo, half blue levant morocco 
 gilt, figured-silk sides, gilt top, uncut, original covers 
 bound in, by The Club Bindery. Paris: Charpentier, 1876 
 
 * One of 50 copies on Holland paper. 
 
 1557. HERVILLY (MARIE E. D’). Caprices. Firsr 
 EDITION. 12mo, half green levant morocco gilt, figured- 
 silk sides, gilt top, uncut, original covers bound in, by The 
 Club Bindery. Paris, 1877 
 
 * One of 30 copies on Holland paper. 
 
 1558. HERVILLY (MARIE E. D’). Histoires de Mari- 
 ages. rontispiece et portrait, par Félix Régamey. First 
 EDITION. 12mo, half blue levant morocco gilt, figured-silk 
 sides, gilt top, uncut, original covers bound in, by The Club 
 Bindery. Paris, 1879 
 
 * One of 35 copies on Holland paper. | 
 
 1559. HESIUS (GUILIELMUS). Emblemata Sacra de 
 Fide, Spe, Charitate. 116 emblematic woodcuts. 16mo, 
 contemporary vellum. 
 
 Antuerpize: Ex Officina Plantiniana, 1636 
 
 1560. HEURES de Turin: quarante-cing feuillets a peint- 
 ures provenant des trés belles Heures de Jean de France, 
 due de Berry. Reproduction en phototype d’aprés les 
 originaux de la Biblioteca Nazionale de Turin et du Musée 
 du Louvre. Loose sheets, folio, uncut, in cloth portfolio. 
 
 Paris, 1902 
 
 1561. HEURES nouvelles tirées de la Sainte Ecriture 
 erites et grauées par L. Senault. Hngraved throughout. 
 9 plates by Raymond and L. Corne after Coypel, Guido, C. 
 Le Brun, J. B. de Champagne, and others, and numerous 
 wignettes, initial letters, and other ornaments. 8vo, old 
 French citron morocco, with panels of red morocco, gilt 
 tooled dentelle borders on the sides, gilt mosaic back, silk 
 
 linings, gilt edges, by Duseuil. Lacks two linings. 
 Paris: chez l’auteur et chez C. de Hansy [n. d. | 
 
 1562. HEURES. Le Livre d’Heures de la Reine Anne 
 de Bretagne, traduit du Latin et accompagné de notices 
 inédites par M. L’Abbé Delaunay, avec Catalogue des 350 
 Plantes représentées dans les Encadrements par J. Decaisne. 
 2 vols. 4to, the text in red levant morocco, gilt edges, by 
 Capé, the facsimile in red levant morocco, covered with 
 
 213 
 
designs of mosaic bands in darker red, outlined in gold, the 
 
 arms of Anne de Bretagne on the sides, gilt edges, by Capé. 
 
 Paris: L. Curmer, 1859-61 
 
 * One of 850 copies. Curmer issued the plates in 50 numbers, 
 
 1859-61. The facsimile is numbered from pages 1-475, and 
 contains 49 miniatures in gold and colors. ; 
 
 1563. HEURES (LES) du Chrestien divisées en trois jour- 
 
 nées. Le tout fidelement traduit en vers et en prose par le 
 
 Sr. Magnon. Engraved title and § copper-plates by Kilian. 
 
 and Landry after fF. Chauveau. 8vo, old French red 
 
 morocco, the sides richly tooled and gilt in panels, with 
 
 fleurons and centre ornaments in the manner of Le Gascon, 
 
 gilt edges. Paris, 1654 
 * From the Renard collection, with bookplate. 
 
 1564. HEURES (LES) perdues de R. D. M. Cavalier 
 Francois. Dans lequel les esprits melancoliques trouveront 
 des remedes propres pour dissiper ceste fascheuse humeur. 
 16mo, red levant morocco, gilt edges, by Hardy. 
 
 Lyon: par Claude Larjot, 1620 
 
 * VERY RARE. A collection of curious novels. 
 
 1565. HEYLLI (GEORGES D’). Rachel; d’apres sa cor- 
 respondence. Avec quatre portraits a Veau-forte, gravés 
 par Massard. 4to, half blue levant morocco, gilt panelled 
 back, gilt top, uncut, original covers bound in, by David. 
 
 Paris, 1882 
 * One of 25 copies on Whatman paper, with the plates in 
 three states, and a facsimile letter. 
 
 1566. [HEYNS (ZACHARIAS).] Const-thoonende Iu- 
 weel, by de lofzijcke stadt Haerlem, ten versoecke van Trou 
 moet blijeken, in’t licht gebracht. Numerous engraved 
 folding and other plates of costumes, devices, pageants, etc. 
 4to, Spanish ealf, gilt edges. Zwol, 1607 
 
 1567. HEYNS (ZACHARIAS). Emblémes chrestiennes 
 et morales. Parts I andIII. Engraved title by J. Swelinck 
 and 50 emblematic copper engravings. 4to, brown levant 
 morocco, gilt panelled sides, gilt edges, by Riviere. - 
 
 Rotterdam, 1625 
 
 1568. [HEYWOOD (THOMAS).] A Preparative to Study ; 
 or, The Vertue of Sack. FIRST EDITION. Small 4to, green 
 levant morocco gilt, gilt top, by Bedford. 
 
 London: Printed Anno Dom. 1641 
 
 * This work has been attributed to Braithwaite, John Taylor, 
 Thomas Randolph, etc., though most authorities quote Hey- 
 wood as the author. Mr. Hoe, in his catalogue, attributes it 
 to Dr. Henry Edwards. 
 
 1569. [HEYWOOD (THOMAS).]| A Preparative to Studie; 
 or, The Vertue of Sack. Small 4to, red morocco gilt, gilt 
 edges, by C. Murton. London: Printed Anno Dom. 1641 
 
 * This edition, printed in the same year as the first (see pre- 
 ceding lot) has forty changes in spelling, as well as other typo- 
 graphical differences in the ornaments, etc. 
 
 214 
 
ee sy hl eee Fh Ol eS 
 
 g => ao a tine 
 
 1) eel 
 
 ; 
 
 a ee eee ae ee 
 Se SN ee se ay one pa 
 
 . Se a ee oe 
 
 af 
 . 
 
 1570. HICKERINGILL (EDMUND) anp BUCKINGHAM 
 (DUKE OF). (1) The Mushroom, or, a Satyr against Libel- 
 ling Tories and Prelatical Tantivies . . . by the author of 
 Absalom and Achitophel, and here answered by the author 
 of the Black Nonconformist (Hickeringill); (2) Poetical 
 Reflections on a Late Poem entituled Absalom and Achito- 
 phel, by a Person of Honour (Duke of Buckingham). 2 works 
 in 1 vol. folio, half olive levant morocco by [The Club 
 Bindery ]. 
 
 London: Printed for Fra. Smith, Jun., and Richard Jane- 
 way, 1682. 
 
 1571. HILL (NATHANIEL). The Ancient Poem of 
 Guillaume de Guileville, entitled Le Pelerinage de L’ Homme 
 compared with the Pilgrim’s Progress of John Bunyan. 
 Edited from Notes collected by Mr. Hill. Portrait, colored 
 plates and facsimiles. Small 4to, cloth, uncut. 
 
 London: Pickering, 1858 
 
 1572. HILS (G.—Translator). The Odes of Casimere. 
 Translated by G. H. Hngraved frontispiece by Marshall. 
 16mo, dark red levant morocco, gilt edges, by The Club 
 Bindery. London: Printed by T.W. Humphrey Moseley, 1646 
 
 * With Latin and English text. Contains the rare printed 
 
 leaf preceding title containing a poetical description of the 
 frontispiece. 
 
 1573. HISTOIRE de la vie et des aventures de la 
 Duchesse de Kingston. Nouvelle édition, 4 laquelle ona 
 joint une notice curieuse sur Stefano Zannowich, prétendu 
 Prince Castriotto d’Albanie, avec les portraits de ces deux 
 eélébres personnages. SF rontispiece portrait. 8vo, eloth, 
 uncut. Londres [Paris] 1789 
 
 * From the library of Edmond de Goncourt, above whose 
 signature ona fly-leaf is anote in his handwriting, ‘‘ Biographie 
 rare. Biographie d’un anglaise dont le salon de la rue Coq Heron 
 fut pendant des années le rendez-vous de la société parisienne et 
 de la société cosmopolite de Paris.” 
 
 1574. HISTORIA Deorum Fatidicorum, Vatum, Sibyl- 
 larum, Phosbadum, apud Priscos illustrium; Cum eorum 
 Ieonibus. Title vignette by Durant, and 49 plates, unsigned. 
 Small 4to, brown levant morocco gilt, gilt edges, by The 
 Club Bindery. Colonize Allobrogum, 1675 
 
 1575. [HITCHCOCK (CAPTAIN ROBERT—Translator). 
 
 The Quintesence of Wit, being A corrant comfort of con- 
 
 ceites maximies, and poleticke deuises, selected and gathered 
 together by Francisco Sansouino. Translated out of the 
 Italian tung, and put into English for the benefit of all those 
 that please to read and understand the works and worth of a 
 
 worthy writer. Large woodcut of Hitchcock’s arms. Small 
 
 Ato, orange levant morocco, gilt back, arabesque borders on 
 215 
 
sides, gilt edges, by Pratt. At London: Printed by Edward 
 Allde, 1590. (Title repaired; portions of several margins 
 supplied, two or three shaved close; and numerous marginal 
 notes, etc., in ink.) 
 
 * First EDITION. Printed in Black Letter. The second part 
 of this work announced by the translator on final page never 
 was issued. 
 
 1576. HITCHCOCK (ROSWELL D.). New and Com- 
 plete Analysis of the Holy Bible. Illustrated with steel plate 
 engravings and maps, from original drawings by Thomas 
 Nast and Ff’. B. Carpenter. Imperial 8vo, half blue levant 
 morocco gilt, gilt top, uncut. New York, 1871 
 
 1577. HOCCLEVE (THOMAS). Poems by Thomas Hoc- 
 cleve [Occleve] never before printed; selected from a MS. 
 in the Possession of George Mason. With a preface, notes 
 and glossary. 4to, dark brown levant morocco gilt, gilt 
 top, uncut. 
 
 London: printed by C. Roworth,for Leigh and Sotheby,1796 
 
 1578. [HOE (RICHARD M.).] The Literature of Print- 
 ing. A Catalogue of the Library illustrative of the history 
 and art of typography, chalecography and lithography of 
 R. M. Hoe. Frontispiece. 12mo, cloth, uncut and unopened. 
 
 London: Privately printed at the Chiswick Press, 1877 
 * Large paper copy.. 
 
 _ 1579. HOE (ROBERT). A Series of 45 Photographs of 
 Objects of Art from the Collection of Robert Hoe; consisting 
 
 mainly of porcelains. 8vo, half brown morocco, gilt top. 
 [New York] 1875 
 
 1580. HOE (ROBERT). A Lecture on Bookbinding as a 
 Fine Art. 63 illustrations, IN TRIPLICATE, ONE SET ON JAPAN 
 PAPER. 4to, brown levant morocco, gilt back and sides, 
 gilt top, uncut, by Riviére. NewYork: TheGrolier Club, 1886 
 
 * Edition limited to 200 copies. 
 
 1581. HOE (ROBERT). A Lecture on Bookbinding as a 
 Fine Art. 623 illustrations. 4to, red levant morocco, back 
 and side borders tooled in a Derome design, doublures 
 of red moroceo, gilt borders, gilt over uncut edges, by The 
 Club Bindery. New York: The Grolier Club, 1886 
 
 * One of 200 copies on Holland paper with numerous annota- 
 tions and corrections by C. 8S. [Carolyn Shipman]. 
 
 1582. HOE (ROBERT). A Lecture on Binding as a Fine 
 Art. 68 plates, proofs before letiers. Ato. 
 
 New York: The Grolier Club, 1886 
 * ONE OF ONLY 38 COPIES ON VELLUM. Red levant morocco, 
 gilt tooled dentelle borders onthe sides in the mannerof Derome, 
 doublure of brown levant, with gilt floral borders, gilt edges, 
 
 by Cuzin. Ina case. 
 
 216 
 
1583. HOE (ROBERT). Lantern Slides used by Mr. 
 Robert Hoe to illustrate his lectures on Binding; about 55, 
 size 4 x 3+ inches, held in grooves, in a well-made mahogany 
 box, size 15 ins. long, 8 ins. wide, 54 ins. deep, with hinged 
 cover and hook-and-eye catch. 
 
 1584. HOEK (ROBERT). One hundred and seventy-six 
 historic and artistic Book- Bindings dating from the fifteenth 
 century to the present time, pictured by etchings, artotypes 
 and lithographs after the originals selected from the library 
 of Robert Hoe. 2 vols. royal 4to, half levant morocco. 
 
 New York, 1895 
 
 * Limited to 200 copies, printed on Japan Paper. 
 1585. —— Another copy similar. 
 
 1586. HOE (ROBERT). One Hundred and Seventy-six 
 Historie and Artistic Book-Bindings, dating from the 15th 
 Century to the Present Time. Pictured from etchings, arto- 
 types and lithographs after the originals in the library of 
 Robert Hoe. 2 vols. royal 4to, sheets, unbound. 
 
 New York, 1895 
 
 * Limited to 200 copies, printed on Japan paper. 
 
 1587. —— A similar set. 2 vols. 
 1588. —— 3 sets. 
 1589. —— 5d sets. 
 ~ 1590. —— 85 sets. 
 1591. —— 5 sets. 
 1592. —— 5 sets. 
 1593. —— 5 sets. 
 1594. —— 5 sets. 
 1595. —— 5 sets. 
 1596. —— 85 sets. 
 1597. —— 5 sets. 
 1598. —— 5 sets. 
 1599. —— 85d sets. 
 1600. —— 5 sets. 
 1601. —— 5 sets. 
 1602. —— 4 sets, all slightly imperfect. (1) Vol. 1 lacks 
 
 plates 18, 32, 34, 35, 45, 65 and 71, and Vol. 2 lacks plates 
 89,104 and 118. Plate 124 is soiled. (2) Vol. 1 lacks plates 
 7, 8, 18, 23, 25, 26, 32, 35, 45, 65. Plate 37 is an unfinished 
 plate and plate 71 is slightly damaged in margins, Vol. 2 
 lacks plates 89, 104 and 118. (3) Vol. 1 lacks plates 1, 7, 
 26, 32, 54, 35, 45, 61, 65, 71. Plates 27 and 37 are unfinished 
 and plates 23 and 81 are slightly damaged, Vol. 2 lacks 
 plates 104, 118 and 164. (4) Vol. 1 lacks plates 18, 32, 34, 
 35, 45, 61, 65, V1 and 81. Plates 23 and 37 are unfinished, 
 Vol. 2 lacks plates 89, 104, 118 and 161. Plate 124 is soiled. 
 
 217 
 
iv tie | ee ee 
 
 is 
 
 1603. HOE (ROBERT). Catalogue of Books forming the 
 
 Library of Robert Hoe, comprising: Se 
 Books by English Authors who lived before the year 
 LT00S 45"-Vols, New York, 1903-1905 © 
 Books in English later than 1700. 3 vols. New York,1907 
 Books printed in Foreign Languages before the year | 
 1600. 2 vols. - New York, 1907 
 Books in Foreign Languages published after the year =. 
 16002" 4 vols New York, 1909 
 Books of Emblems. | New York, 19083 
 Manuscripts. _ New York, 1909 © 
 
 Together, 16 vols. 8vo, wrappers, uncut. NewYork, 1903- 1909 fiat 
 * A complete set, of which 100 copies were privately printed; — 
 ‘‘Books in Foreign Languages’’ and ‘‘Manuscripts” are on — 
 Imperial Japan paper. . 5 
 1604. —— Another complete set. 16 vols. 
 1605. Another complete set. 16 vols. 
 
 1606. —— Another complete set. 16 vols. 
 1607. —— Another complete set. 16 vols. 
 1608. —— Another complete set. 16 vols. 
 1609. Another set. 16 vols. 
 
 * In this set Vol. 1 is in sheets, and pages 1 to 5 and 289 to 
 292 are missing, and Vol. 2 is also in sheets. — — ee 
 
 Another set. 14 vols. 
 
 *In this set Vols. 1 and 2 of the English Authors who lived see 
 before 1700 are missing, and Vols. 3, 4.and 5 of the same are 
 in sheets without covers. er 
 
 1610. 
 
 Another collection. 8 vols. | x 
 * This lot comprises Books Printed in Foreign Lanesnees ie 
 before 1600, 2 vols. Books Printed in Foreign ae after 
 1600, 4 vols. Manuscripts and Emblems. 
 
 1611. 
 
 1612. —— A similar collection. 8 vols. 
 1613: 
 
 Another collection. 7 vols. : u eo ~ 
 
 * Similar to the preceding with the excep that lot “* 
 does not contains the Book of Emblems. 
 
 1614. 
 161d. 
 
 A similar collection. 7 vols. 
 
 Another collection. 11 vols. 
 
 * This lot comprises Books in English later than 1700, 3 vols. oe 
 Books Printed in Foreign Languages before 1600, 2 vols. Books ; 
 Printed in Foreign Languages after 1600, 4 vols, Manuscripts 
 
 and Emblems. 2 
 
 1616. A similar collection. 11 vols. 
 
 » 1617. —— A similar collection. 11 vols. 
 
 1618. —— A similar collection. 11 vols. 
 
 -1619. —— A similar collection. 11 vols. 
 1620. Another collection. 4 vols. 
 
 * This lot comprises Books Printed in Fores Languag 
 after 1600, 4 vols., and Manuscripts. | alae 
 
 218 
 
1621. —— A similar eolleetion. 5 vols. 
 
 1622. —— A similar collection. 5 vols. 
 1623. —— A similar collection. 5 vols. 
 1624. —— A similar collection. 45 vols. 
 1625. —— A similar collection. 5 vols. 
 1626. —— A similar collection. 5 vols. 
 1627. —— A similar collection. 5 vols. 
 1628. —— Manuscripts only. 1 vol. 
 1629. —— Another copy. 
 
 1630. —— Five copies. 
 
 1631. —— Five copies. 
 
 1632. HOFFERUS (IOHANNES).  Icones Catecheseos, 
 
 -et virtutum ac vitiorum illustrate numeris. Item, Historia 
 
 Passionis Domini nostri Iesu Christi effigiata. 77 wood- 
 
 cuts, one of which has the mark ‘‘ D. B.’’? Small 8vo, red 
 
 straight-grain morocco, gilt edges, by The Club Bindery. 
 Viteberge, 1558 
 
 1633. HOLBEIN (HANS). Icones Historiarum Veteris 
 Testamenti, ad vivum expresse, extremaque diligentia 
 
 ' emendatiores facts, Gallicis in expositione homceoteleutis 
 
 ac versuum ordinibus (qui prius turbati, ac impares) suo 
 
 numero restitutis. 96 fine woodculs, wncluding 4 of the 
 
 Evangelists, after Holbemn. Small 4to, red levant morocco, 
 
 gilt ornamental borders on the sides, gilt edges, by Cham- 
 
 bolle-Duru. Lugduni: apud Ioannem Frellonium, 1547 
 * RARE. Text in Latin and French. 
 
 1634. HOLBEIN (HANS). Le Triomphe de la Mort 
 grave d’aprés les desseins de Holbein par W. Hollar. 30 
 plates, with text in Knglish and French. Small 8Vvo, old 
 English straight-grain blue morocco, silk linings, gilt edges. 
 
 [London, 1790] 
 * ONE OF THREE COPIES ON VELLUM. It does not contain the 
 
 portraits of Holbein and Hollar. J. T. Payne’s copy, with 
 autograph. 
 
 1635. HOLBEIN (HANS). The Dance of Death; painted 
 by H. Holbein and engraved by W. Hollar. Wath 2 por- 
 traits, 80 plates, and large folded plate of the ‘‘ Dance of 
 Macaber.’’ 12mo, green morocco gilt, gilt top, uncut, by 
 Matthews. - London: C. Whittingham, 1804 
 
 * The Hollar plates in this edition have been retouched. 
 
 1636. HOLBEIN (HANS). The Dance of Death, through 
 the various stages of human life. By John Holbein, painter. 
 Portrait surrounded by border in compartments, frontis- — 
 prece (inserted), and 23 plates etched by David Deuchar. 
 4to, half purple morocco, gilt top. London, 1811 
 
 219 
 
2 an 
 
 1637. HOLBEIN (HANS). Icones Veteris Testamenti; 
 Illustrations of the Old Testament, with Introduction by 
 Thomas Frognall Dibdin. With 90 woodcuts engraved by 
 John and Mary Byfield after Holbein. Thick 12mo, light 
 brown morocco, gilt edges. London: William Pickering, 1830 
 
 * ONE OF 6 COPIES ON VELLUM. 
 
 1638. HOLBEIN (HANS). The celebrated Hans _ Hol- 
 bein’s Alphabet of Death, illustrated with old borders en- 
 graved on wood with Latin sentences and English quatrains 
 selected by Anatole de Montaiglon. Large title-vignette. 
 Small 4to, half purple morocco, gilt top, uncut. 
 
 Paris: Printed for Edwin Tross, 1856 
 * Vellum paper copy, with the borders by Leon Le Maire, 
 partly copied from the Horz of Simon Vostre. 
 
 1639. HOLBEIN (HANS). L’ Alphabet de la Mort de Hans 
 Holbein. Entouré de bordures du XVIe siécle et suivi d’an- 
 
 ciens poémes frangais sur le sujet des trois mors et des trois _ 
 
 vis publiés d’aprés les manuscrits par Anatole de Montaiglon. 
 
 [ Illustrations engraved by Loedel, borders by Léon Le Maire. | 
 
 8vo, red levant morocco, gilt top, uneut, by Thompson, with 
 
 his ticket. Paris: Imprimé pour Edwin Tross, 1856 
 * Printed on vellum. 
 
 1640. HOLBEIN (HANS). Les Simulachres & His- 
 toiriees faces de lamort. Lyon, M.D.XX XVIII. Facsimile 
 
 reprint of the very rare First Hdition of Holbein’s Dance of | 
 
 Death. 8vo, half levant morocco, gilt top. Mtnchen, 1884 
 
 1641. HOLBEIN (HANS). Historiarum ueteris Instru- 
 menti Ieones ad vivum expresse. Lugduni, M.D.XX XVIII. 
 Facsimile reprint of the rare First Edition of Holbein’s 
 illustrations of the Old Testament. 8vo, half levant morocco, 
 gilt top. Minchen, 1884 
 
 1642. HOLLAND (SIR RICHARD). The Buke of the 
 Howlat. By Holland. Printed in black letter. 4to, green 
 
 morocco gilt, gilt edges. Edinburgh, 1823 
 
 * THE ONLY COPY ON VELLUM, EMBELLISHED WITH MANY 
 BEAUTIFUL ORIGINAL WATER-COLOR DRAWINGS on the borders 
 and on blank leaves, the text within painted and ruled borders 
 by William Penney. Edited and presented to the Bannatyne 
 Club by David Laing. 
 
 1643. HOLLAR (WENCESLAUS). Ornatus muliebris 
 Anglicanus or the severall Habits of English Women, from 
 the Nobilitie to the Country Woman, as they are in these 
 times. 26 fine plates representing the female dresses of all 
 classes in the reign of Charles I engraved by Hollar, all 
 *®brilliant and genuine impressions and all in duplicate, with 
 exception of Nos 7, 8, 11, 13 and 14. Mounted in one vol. 
 8vo, old English citron morocco, blind-tooled borders on 
 
 the sides, gilt edges. London, 1640 
 * THE RAR# ORIGINAL EDITION. Inserted is a portrait of 
 Hollar. Three of the other figures are said to be the portraits 
 of Queen Henrietta Maria, Mary of Orange and Lady Castle- 
 maine. From the Thomas Grenville Library. 
 
 220 
 
a aes, es ee! ee ee a ee a. . . 
 
 —  - ee 
 
 a 
 
 1644. HOLMES (OLIVER WENDELL). Urania: a 
 Rhymed Lesson. Pronounced before the Mercantile Library 
 Association, October 14, 1846. FIRST EDITION. 8vo, original 
 paper wrappers. Boston, 1846 
 
 1645. HOLMES (OLIVER WENDELL). The Autocrat 
 of the Breakfast-Table. 8 illustrations by Hoppin. 12mo, 
 BEOWD levant morocco, mosaic back, gilt edges, by Riviére. 
 
 Boston, 1858 
 * First Edition; second issue. Without the woodcut half- title. 
 
 1646. HOLMES (OLIVER WENDELL). The Autocrat 
 of the Breakfast-Table. 8 dllustrations. FIRST EDITION. 
 8vo, red levant morocco, gilt edges, by The Club Bindery. 
 
 Boston, 1859 
 
 * Large paper copy. Autograph presentation copy from the 
 
 author to George A. Bethune (the well-known editor), with 
 
 inscription, ‘‘George A. Bethune from his friend O. W. 
 Holmes.” 
 
 1647. HOLYDAY (BARTEN). TEXNOTLAMIA: or the 
 Marriages of the Arts. A Comedie, Written by Barten 
 Holyday, Master of Arts, and Student of Christ-Chureh in 
 Oxford, and acted by the Students of the same House before 
 the Vniuersitie, at Shroue-tide. Small 4to,- ORIGINAL 
 VELLUM WRAPPERS (cut to size). 
 
 London: Printed by William Stansby for Iohn Parker,1618. 
 
 * FIRST EDITION. Contains some interesting references to 
 tobacco. 
 
 1648. HOLZWART (MATHIAS). Emblematum Tyro- 
 cinia: sive Picta Poesis latinogermanica. Das ist Einge- 
 blimete Zierwerck, oder Gemialpoesy. 71 emblematic wood- 
 cuts and 14 others representing the 14 greatest German 
 heroes and princes ; text in Latin and German. 8vo, red 
 levant morocco, gilt edges, by Trautz-Bauzonnet.. 
 
 Strassburg: Bernhard Jobin, 1581 
 
 1649. HOME (JOHN). Alonzo. A tragedy. In five 
 acts, As it is performed at the Theatre-Royal, Drury Lane. 
 FIRST EDITION. 8vo, morocco, by The Club Bindery. 
 
 London: T. Becket, 1773 
 
 1650. HOMER. Ilias et Odysszea cum Eustathii archi- 
 episcopi Thessalonicensis commentariis grace (edente N. 
 Majorano cum indice M. Devarii). 4 vols. folio, red 
 straight-grain morocco, gilt borders of interlacing bands on 
 the sides, gilt edges. 
 
 Rome: apud Antonium Bladum, 1542-50 
 
 * EDITIO PRINCEPS OF THIS IMPORTANT COMMENTARY, AND 
 VERY RARE. Some leaves a little stained, otherwise a large 
 copy of this splendid monument of Greek printing, From the 
 Robert Lennox Kennedy library. 
 
 1651. HOMER. L’Odyssée d’Homere. Nouvelle Tra- 
 duction. Hngraved title and 24 plates by Schoonebeck. 
 2 parts in 1 vol. 12mo, green levant morocco gilt, gilt edges, 
 by Chambolle-Duru. Paris: Chez Claude Barbin, 1682 
 
 221 
 
1652. HOMER. L’ Odyssée d’Homere, traduite en vers, 
 avee des Remarques; suivie d’une Dissertation sur les 
 Voyages d’Ulysse; par M. [Guillaume] de Rochefort. Por- 
 trait by St. Aubin. 2 vols. 8vo, red morocco, gilt backs, 
 gilt edges, probably by Derome. Paris: Chez Brunet, 1777 
 
 * Large Holland Paper. 
 
 1653. HOMER. OMHPOY IAIAS [et] OAYSSEIA. Medal- 
 lion portrait. 2 vols. 48mo, brown levant morocco, gilt 
 edges, by Pouillet. London: William Pickering, 1831 
 
 1654. HONDIUS (HENDRIK).. Labores et Certamina 
 Hereulis. Kngraved frontispiece and 12 plates. Oblong 
 4to, maroon levant morocco gilt, side panels, gilt edges, by | 
 David. Henricus Hondius execudit, Hage, 1610 
 
 1655. HONE (WILLIAM—Hditor). [Selected Trials. ] 
 8vo, 5 parts in 1 vol. half brown morocco, gilt top, uncut. 
 London: William Hone, 1815-6 
 
 1656. HONE (WILLIAM). The Every-day Book; or 
 Everlasting Calendar of popular amusements, 320 woodcuts, 
 2 vols., 1826-7; The Table Book, 116 woodcuts, 2 vols. in 1, 
 1827-8; The Year Book of Daily Recreation and Informa- 
 tion, 174 woodcuts, 1832. ALL FIRST EDITIONS. Together, 
 4 vols. 8vo, half olive green morocco, gilt tops (edges 
 scraped). London, 1826-32 
 
 1657. HONE (WILLIAM). Ancient Mysteries described, 
 especially the English Miracle Plays, including notices of 
 
 _Eeclesiastical Shows, the festivals of Fools and Asses, &c., 
 
 &e. Hngravings on copper and wood. 8vo, half brown 
 morocco, gilt top, uncut. London, 1823 
 
 * FIRST EDITION. Contains the plate of Gog and Magog in 
 colors. Bound in with the above are, (1) Some Ancient Christ- 
 mas Carols, with Music (1822); and, The Apocryphal New Tes- 
 tament (1821). 
 
 1658. HONE (WILLIAM). Full Annals of the Revolu- 
 tion in France, 1830. Illegal ordinances of Charles X, &e. 
 Illustrated with engravings. 8vo, half olive morocco, gilt 
 top, uncut. London, 1830 
 
 * In the same volume are Curran’s Speeches, 1819, ‘‘ Tributes 
 of the Public Press to the memory of the late Mr. Whitbread,” 
 1815, with portrait by T. Blood after Opie, ‘‘ An Authentic 
 Account of the late Mr Whitbread,” by Francis Phippen, third 
 edition, 1815, the Speech of Mr. Phillips in the case of Guthrie 
 v. Sterne, 1816, ‘‘ fifteenth genuine edition,” and ‘‘ Authentic 
 Memoirs of the Life and Death of the Right Honourable R. B. 
 Sheridan,” 1816, with portrait by Harwood. 
 
 1659. HONNESTE (L’) Homme et le Scelerat. Seavoir, 
 si pour parvenir dans le monde il faut estre honneste homme 
 ou scelerat. Par Monsieur J. D. D. C. 12mo, old French 
 green morocco gilt, gilt edges. Paris: Michel Brunet, 1700 
 
 1660. HOOD (THOMAS). Whims and Oddities, in 
 Prose and Verse. First Series (1826); Also, First and 
 Second Series, 2 vols. (1826-7). Numerous original designs 
 
 R22 
 
by the author. ALL Frrst Epirions. Together, 3 vols. 
 12mo, (1) original half cloth and boards; (2) original cloth, 
 both uncut (repaired). London, 1826-7 
 
 1661. HOOD (THOMAS). Poems. First EDITION. 2 vols. 
 12mo, original cloth, uncut. London: Edward Moxon, 1846 
 
 1662. [HOPE (THOMAS).] Anastasius; or, Memoirs of 
 a Greek. 3 vols. 8vo, half morocco, gilt tops, uncut. 
 | London, 1820 
 1663. HOPE (THOMAS—English architect and novelist, 
 author of ‘‘ Anastasius,’’ ete.) A. L.S., 4 pp. 4to, no place 
 or date. 
 * Promising to send a painting to a friend, etc. 
 
 1664. HOPKINS (CHARLES). Pyrrhus King of Epirus. 
 A Tragedy, acted At the New Theatre, in Little Lincoln’s- 
 Inn-Fields, By His Majesty’s Servants. Small 4to, half 
 ealf (left margin of page 20 torn). 
 
 London: Printed for Samuel Briscoe, 1695 
 * FIRST EDITION; with Prologue by William Congreve. 
 
 1665. HOPKINS (CHARLES). Boadicea Queen of Brit- 
 ain. A tragedy, As is Acted by His Majesty’s Servants at 
 the Theatre in Lincolns-Inn-fields. FIRst EDITION. Small 
 Ato, half calf, lower edges uncut. 
 
 London: Printed for Jacob Tonson, 1697 
 
 1666. HOPKINS (CHARLES). Friendship Improv’d; 
 or, the Female Warriour. A Tragedy. Acted at The 
 Theatre in Lincoln’s-Inn-Fields, By His Majesties Servants. 
 FIRST EDITION. Small 4to, half maroon morocco, lower 
 edges uncut. London: Printed for Jacob Tonson, 1700 
 
 1667. HORACE. Q. Horatii Flacci poemata, in quibus 
 multa correcta sunt, et institutiones suis locis posits, com- 
 mentariorum quodammodo vice funguntur. 8vo, old Eng- 
 lish red straight-grain morocco gilt, aldine anchor on the 
 sides, gilt edges. Venetiis: apud Aldum Romanum, 1509 
 
 *The Syston Park copy; presented to Sir John Thorold 
 by the celebrated physician G. Baker, with a Latin address 
 written on a vellum fly-leaf. This second aldine edition is 
 more complete than the first, and nearly equal in rarity. Last 
 blank leaf wanting. 
 
 1668. HORACE. Poemata. Ratio mensuum quibus Ode 
 eiusdem poets tenentur; Centimetrum Marij Servij; Variae 
 lectiones ex vetustiss. codicibus. 8vo, old English red 
 morocco, gilt centre and corner ornaments, the symbol of 
 the golden fleece in the panels of the back, gilt edges. Name 
 on title. Parisiis: Robertus Stephanus, 1544 
 
 1669. HORACE. Quintus Horatius Flaceus. Accedunt 
 nune Danielis Heinsii de Satyra Horatiana libri duo, ete. Hn- 
 graved title. 3 parts in 1 vol. ‘16mo, brown levant morocco, 
 the sides blind-tooled in panels, gilt edges. Last 2 blank 
 leaves missing. Lugd. Batav.: ex Officina Elzeviriana, 1629 
 
 223 
 
1670. HORACE. Quintus Horatius Flaccus, cura Danielis 
 Heinsii. Engraved title. 12mo, old English red straight- 
 grain morocco, gilt edges. The Syston Park copy. 
 
 Amstelodami: D. Elzevir, 1676 
 
 1671. HORACE. Poemata, scholiis sive annotationibus 
 illustrata a Joanne Bond. Hngraved title.. 12mo, old French 
 blue morocco gilt, silk linings, gilt edges, by Simier. 
 
 Amstelodami: D. Elzevir, 1676 
 
 1672. HORACE. Poésies Lyriques. [Satires et Epitres. ] 
 Traduction en vers de M. Goupy. Frontispieces on India 
 paper, and numerous woodcut vignettes. 2 vols. royal 8vo, 
 brown morocco, gilt backs, side panels, inside borders, gilt 
 edges. - Paris, 1841 
 
 * Large vellum-paper copy. 
 
 . 1673. HORACE. Quinti Horatii Flacci. Opera. Hngraved 
 throughout, with 225 illustrations, 27 head-pieces, and 
 numerous vignettes, &c. 2 vols. 8vo, old red straight-grain 
 morocco, gilt backs, side panels, gilt edges. 
 
 Londini: aeneis tabulis incidit, Johannes Pine, 1733-1737 
 
 * Original issue, with theerror ‘‘post. est.” instead of — 
 ‘potest’ in the vignette on page 108 of Volume II. A BEAUTI- 
 FUL COPY. 
 
 1674. HORACE. Quintus: Horatius Flaceus. Opera. 
 Head-pieces by Andrieu. 12mo, green vellum, uncut... In 
 half red morocco ease. Paris: P. Didot, 1800 
 
 * PRINTED ON VELLUM. 
 
 1675. HORACE. Quintus Horatius Flaceus. Opera. Cum 
 novo commentario ad modum, Joannis Bond. With 12 
 woodcuts by Huyot after Barras. 18mo, polished calf gilt, 
 gilt edges, by Bedford. Paris: Firmin Didot, 1855 
 
 1676. HORACE. Traduction en vers. Par Comte Simeon. 
 Frontispieces and vignettes after Chauvet. 3 vols. 8vo, orig- 
 inal wrappers, uncut. Paris: [Jouaust], 1873 
 
 * One of a limited edition on Holland paper. 
 
 1677. HORACE. Odes et Epodes: chant séculaire. Tra- 
 duction nouvelle par Je Conte de Séguier. Gravures de 
 Méaulle d’aprés les aquarelles de Meyer. 18mo, blue 
 levant morocco, gilt back, wide inside gilt borders, gilt top, 
 uncut, original covers bound in, by Rousselle. Paris, 1883 
 
 1678. HORACE. Q. Horati Flacci Opera. Frontispiece 
 etching after Alma Tadema. 8vo, dark blue levant morocco, 
 back and sides covered with a Grolieresque design of inter- 
 lacing fillets and solid fleurons, wide inside borders, gilt 
 top, uncut, in a blue morocco case, by Alfred Matthews. 
 
 * One of 6 copies on vellum. London, 1883 
 
 224 
 
ma 
 
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 as Pe) e, Ta eee 
 ia ge a | Pisce . Nt Aen. 
 : ‘ I 2a 
 
 SIXTY -NINTH SESSION. 
 Friday, November 15th, 8:15 P.M. 
 
 A COLLECTION OF PRINTED HORA. 
 
 1679. HORA®. Ces presétes heures a lusage de Rome furét 
 acheuees | le siziesme iour doctobre. Lan Mil. CCCC. iiii. xx. 
 et | xv. Pour Simd vostre Libraire demourat a Paris en | la 
 rue neuue nré dame a léseigne saict iehan leuageliste. Lettres 
 batardes. 74 leaves (a-h 8, i110), 33 lines to the page. 
 Pigouchet’s mark on title, cut of anatomical man, 16 large 
 and numerous small woodcuts, and each page within orna- 
 mental and historiated woodcut borders containing scenes 
 from the Infe and Passion of Christ, the Life of the Virgin, 
 etc. Illuminated initials throughout. Small 4to, blue levant 
 morocco, gilt arabesque borders on the sides, doublures of red 
 levant, gilt edges, by Chambolle-Duru. 
 
 Paris: Philippe Pigouchet for Simon Vostre, 6 October, 1495 
 
 * PRINTED ON VELLUM (209x138 mm.). Almanac for 21 
 years (1488-1508). EXTREMELY RARE. Fine copy with all the 
 woodcuts free from coloring. Not in Hain, Copinger, Reichling, 
 and Proctor. Inaccurately described by Brunet (no 23), who 
 never saw it, and compiled his description from the Reina Cata- 
 logue, where an imperfect copy was offered for sale. FROM THE 
 LIBRARY OF MARQUIS ALESSANDRO GREGORIO CAPPONI, WITH HIS 
 NAME ON TITLE AND HIS STAMP ON THE REVERSE. SBohatta, 532. 
 
 1680. HORA. Hore intemerate virginis marie secundum 
 vsum Romanum cum pluribus orationibus tam in gallico quam 
 in latino. Lettres batardes. 96 leaves (A-—M 8). Kerver’s 
 mark on title, cut of anatomical man, 18 large and numerous 
 small woodcuts, each page surrounded by ornamental and his- 
 toriated woodcut borders containing representations from the 
 Infe of Christ and the Virgin, the Apocalypse, grotesques, etc. 
 Small 4to, brown levant morocco, gilt and blind-tooled panelled 
 sides; doublures of maroon morocco consisting of a mosaic 
 eross with emblematical figures in green, orange, blue, brown, 
 eitron and ivory morocco, outlined in gold, silk linings, gilt 
 edges by ‘‘Lortic fréres.’’ 
 
 Paris: Thielman Kerver for Gillet Remacle, 10 January. 
 1503. 
 
 * PRINTED ON VELLUM (217x136 mm.). Almanac for 24 
 years (1497-1520). Rare. Fine copy with all the woodcuts 
 free from coloring. Brunet, no. 174; Bohatta, 690. 
 
 1681. HORAX. Hore intemerate virginis marie secundum 
 vsum Romanum cum pluribus orationibus tam in gallico quam 
 in latino. Lettres batardes. 88 leaves (a-n 8,04). Ger- 
 main Hardouyn’s mark on title, cut of anatonucal man, 15 
 large and 26 small woodcuts, ALL ILLUMINATED IN GOLD AND 
 coors, and illuminated wutials throughout; each page sur- 
 rounded by elegant woodcut borders of arabesques, ornamental 
 
 225 
 
PRINTED HORA—Continued. 
 
 leaves, grotesques, animals, hunting scenes, etc. Small 4to, 
 old French brown morocco, gilt panelled sides, central orna- 
 ment of leaf sprays, clasps, gilt edges, in a morocco slip ease. 
 
 Paris: Guillaume Anabat pour Germain Hardouyn, 1 Oc- 
 tober, 1505. 
 
 * PRINTED ON VELLUM (206x136 mm.). Almanac for 16 
 years (1505-1520). THE BEAUTIFUL FIRMIN-DIDOT COPY, men- 
 tioned by Brunet, no. 225; Bohatta, 732. 
 
 1682. HORA. [Colophon] A la louenge de dieu ¢ dela 
 tresglorieuse vierge marie....Ces presentes heures a lusaige 
 de Romme tout au long sans rien requerir. Auec les figures 
 de la vie de lhomme: et de la destruction de Hierusalem.... 
 Ont este nouellement Imprimees a Paris par Guillaume Ana- 
 bat.... Pour Guillet Hardouyn....Et pour Germain Har- 
 douyn.... Lettres batardes. Only 96 leaves (should be 113). 
 Several small cuts vn the text, and each page surrounded by 
 historiated woodcut borders contaning the Infe of man (sim- 
 lar to the Dance of Death), the Destruction of Jerusalem, 
 scenes from the Apocalypse, etc., ALL VERY FINELY ILLUMINATED 
 IN GOLD AND coLors. 4to, old French red morocco gilt, gilt 
 edges. Paris: G. Anabat for G. and G. Hardouyn [ca. 1507] 
 
 * PRINTED ON VELLUM (242x155 mm.). Almanac for 14 
 years (1507-1520). Brunet, no. 229; Bohatta, 767. Probably 
 the 19 missing leaves contained the title-page and the large 
 woodcuts. : 
 
 1683. HORA. Hore christifere virginis marie secundum 
 vsum Romanum ad longum absque aliquo recursu cum illius 
 miraculis z figuris apocalipsis et biblianis vna cum triumphis 
 cesaris. Lettres bdtardes. 102 leaves (A-E8, F2, G6, 
 H-N 8, 06). S. Vostre’s mark on title, cut of anatomical 
 man, 25 large and numerous small cuts, each page surrounded 
 by elegant borders of arabesques, grotesques, mummers, frurt 
 gatherers, etc., and having representations of the history of 
 Joseph (27 subjects), the Sybils, the Cardinal Virtues, the 
 Apocalypse, the history of Susanna and the Elders, of the 
 Prodigal Son, a Dance of Death in 66 subjects, etc.; wmtials 
 painted in red and blue throughout. 4to, red levant morocco, 
 the sides in a Grolieresque design of interlacing bands and 
 arabesques inlaid in dark and light brown morocco outlined 
 in gold; doublures of olive morocco tooled and gilt to a geo- 
 metrical design, gilt edges, by Capé, in a morocco slip ease. 
 
 Paris: Simon Vostre [ca. 1508] 
 
 * Almanac for 21 years (1508-1528). 248x167 mm. A RE- 
 MARKABLY FINE COPY OF THESE RARE AND MAGNIFICENT ‘‘ GRAND 
 HEvRES,’’ which are fully described by Peignot (‘‘ Recherches 
 sur les Dances des mort’’), who draws special attention to the 
 French verses attached to the Dance of Death cuts in the borders. 
 The large cuts include the Vision of Emperor Octavianus, Christ 
 bearing the Cross, the Death of Christ, Uriah and David, the 
 Raising of Lazarus, etc. Brunet, no. 80; Ale’s, Supplement, 
 p- 20; Bohatta, 800. 
 
 226 
 
 SF eee oe 
 ae ee - 
 uh ci 
 
. 
 
 PRINTED HORA—Continued. 
 
 1684. HORAX. Ces presentes heures a lusaige de Rouan 
 au long sans requerir: auec les miracles nostre dame et les 
 figures de lapocalipse z de la bible z et des tritimphes de 
 Cesar et plusieurs aultres hystoires faictes a lantique. ont este 
 imprimees pour Symon vostre Libraire: demourant a Paris. 
 Lettres batardes. 88 leaves (a-b8, c4, d-i8, k4, a, €8). 
 Vostre’s mark on title, cut of the anatomical man, 14 small and 
 22 large woodcuts representing scenes from the lives of Christ 
 and the Virgin, David and Uriah, the Holy Grail, etc., AuL 
 FINELY ILLUMINATED IN GOLD AND COLORS, and illuminated 
 wmitials throughout; each page surrounded by elegant histori- 
 ated woodcut borders containing the history of Joseph, a 
 representation of the Sybils (unusually large size), the Apoca- 
 lypse, the triumph of Caesar, a Dance of Death, etc. 4to, 
 brown levant morocco, blind-tooled sides, gilt edges, by Capé. 
 Signatures b 3, ¢ 4, e 2, g 4, a 2-7 (10 leaves in all) missing. 
 
 Paris: for Simon Vostre [ca. 1508] 
 * PRINTED ON VELLUM (233x162 mm.). Almanac for 21 
 
 years (1508-1528). A beautiful specimen of Vostre’s ‘‘ Grandes 
 Heures.’’ Brunet, no. 76; Bohatta, 1221. 
 
 1685. HORAX. Hore diue virginis Marie secundum verum 
 vsum Romanum cum aliis multis folio sequenti notatis. Roman 
 characters red and black. 108 leaves (A-N 8, O 4). Print- 
 er’s mark on title, cut of anatomical man, 18 large and 34 
 small woodcuts, each page surrounded by ornamental and 
 historiated woodcut borders, contaimng representations from 
 the Inves of Christ and the Virgin, the Apocalypse, a Dance 
 of Death in 66 subjects, etc.; Wluninated wmtials throughout. 
 8vo, red levant morocco, side and centre-piece of dark blue 
 morocco, with pointillé tooling in the manner of Le Gascon, 
 doublures of vellum, with a semis of gilt roses, gilt edges, by 
 Gaillard, in an embroidered slip cover. 
 
 Paris: Thielman Kerver, 29 May, 1510 
 
 * PRINTED ON VELLUM (167x107 mm.). Almanac for 25 
 years (1506-1530). Fine copy, with all the woodcuts free from 
 coloring. Brunet, no. 186; Bohatta, 818. 
 
 1686. HORA. Hore diue virginis Marie secundum vsum 
 Romanum | totaliter ad longum cum multis suffragiis. 
 [Colophon] ....Parisius nouiter impressum: opera | Egidii 
 Hardouyn. Codmorantis in con | finio pontis nostre domine 
 ante ecclesi | am sancti Dionisii de carcere ad intersi- | gnium 
 Rose. pro Germano Hardouyn | commorante ante Palacium ad 
 intersi- | gnium diue Margarete. | Tout pour le mieulx. 
 Roman characters. 108 leaves (A-N 8, 04). Hardouyn’s 
 mark on title representing. Dejanira borne away by the Cen- 
 taur Nessus and Achilles in the act of wounding him, cut 
 of anatomical man, 27 small and 16 large woodcuts, including 
 the vision of Emperor Octavius, the Death of the Virgin, the 
 
 227 
 
PRINTED HORA—Continued. 
 
 raising of Lazarus, etc., ALL ILLUMINATED IN GOLD AND COLORS; 
 
 also wluminated initials throughout. 8vo, brown levant mo- 
 
 rocco, gilt panelled sides, centre ornaments, gilt edges, by 
 Bedford. 
 
 Paris: Gillet Hardouyn for Germain Hardouyn [ca. 1510] 
 
 * PRINTED ON VELLUM (160xmm.). Almanac for 21 years 
 
 (1510-1530). Imperfectly described by Brunet (no. 235), who 
 Seems never to have seen a copy; Bohatta, 829. - 
 
 1687. HORAN. Hore beate Marie virginis secundum vsum 
 Romanum, cum illius miraculis. Gothic characters in red and 
 black. 128 leaves (a-q8). S. Vostre’s mark on title, cut of 
 anatomical man, 17 full-page woodcuts, and each page sur- 
 rounded by borders, containing scenes from the Bible, a repre- 
 sentation of the Dance of Death in 114 subjects (with repeti- 
 tions), etc.; wluminated initials throughout. 8vo, brown 
 
 levant morocco, blind stamped historical borders and panels — 
 
 of fleurs-de-lis on the sides, gilt edges, by Capé. 
 Impresse Parisius opera Nicolai Higman, impensis honesti 
 viri Symonis Vostre [ca. 1512]. 
 
 * PRINTED ON VELLUM (172x107 mm.). Almanae for 19 years 
 (1512-1530). Good copy, with all the woodcuts free from color- 
 ing. Brunet, no. 88; Bohatta, 858. 
 
 1688. HORA. Ces psentes heures a igen de Romme tou | 
 tes au long sans reqrir: auec les’ signes de lapoca | lipse: la 
 vie du sainct héme thobie z de la bone da | me iudie, les 
 accidés de lhéme, le triumphe de cesar, | les miracles nostre 
 dame z plusieurs aultres bel | les hystoires ont este faites a 
 Paris pour Sym6 | vostre libraire: demourat pres. la grand 
 esglise. Lettres batardes. 104 leaves (a-b8, c4, d8, k6, 
 a@i18,66). Vostre’s mark on title, cut of anatomical man, 
 21 large and numerous small woodcuts, and each page sur- 
 rounded by historiated woodcut borders, contaamng the his- 
 tory of Joseph, of Judith, the troumph of Caesar, a Dance of 
 Death, etc.; witials painted red and blue throughout. Ato, 
 - brown levant morocco, the sides tooled and gilt in the manner 
 of the early Venetian bindings, gilt edges, by Bedford. 
 
 Paris: for Simon Vostre [ca. 1513] 
 * Almanac for 18 years (1513-1530). 223x139 mm, Ex- 
 
 TREMELY RARE AND APPARENTLY UNDESCRIBED BY BIBLIOGRAPHERS-. 
 Marginal repairs to several pages, otherwise fine copy. 
 
 1689. HORA. Ces presentes heures a lusaige | de Paris, 
 toutes au long sans rié reqrir, Nou- | uellemét i a a Paris, 
 auec plusieurs bel- | les hystoires. . » [Colne . Ilprimees 
 a | Paris, par Thielma keruer .... | ...0 0) insomnia 
 acheuees Lan | mil, v..cés; 2 ocxij. levee de auril. Large 
 Gothic characters in red and black. 200 leaves (a-3 8, 
 aa—bb 8). Printer’s mark on title, cut of anatomical man, 12 
 
 large oval woodcuts within borders in the calendar, represent-_ 
 
 228 
 
PRINTED HORA!—Continued. 
 
 ang the occupations of the months, 42 full-page woodcuts, with 
 French verses beneath, 30 small historiated woodcut imtials, 
 numerous ornamental capitals, and mark on last page, Aut: 
 BEAUTIFULLY PAINTED AND ILLUMINATED IN A GOOD STYLE OF 
 ART. 8vo, old French red morocco, gilt panelled sides, fleurons 
 in the corners, gilt edges, in a levant morocco slip case. Sig- 
 natures f 8, h 4-5, and i8 (4 leaves in all) missing. 
 
 Paris: Thielman Kerver, 29 April, 1522 
 * PRINTED ON VELLUM (158x103 mm,). Almanac for 15 
 years (1522-1536). EXTREMELY RARE and not noticed by Brunet. 
 One of the illustrations in the calendar depicts a boy being 
 flogged in a school; the large paintings represent Christ’s de- 
 scent into Hell, ‘‘Kece Homo,’’ Christ appearing to his mother, 
 Christ with the two pilgrims of Emmaus, the murder of Uriah, 
 the prophet Nathan reproaching David, David ordering Solomon 
 to build the Temple, ‘‘ Les trois morts et les trois vifs,’’ Adam 
 
 and Eve, etc. The Ashburnham copy. Bohatta, 291. 
 
 1690. HORA. Ces presétes heures a lusaige de Paris au 
 long sans requerir: auec les figures et signes de lapocalypse: 
 la vie de Thobie zc de Judic:.... ont este faictes a Paris pour 
 Nicole vostre.... Lettres batardes. 104 leaves (a-b8, c 4. 
 dg-18, k6, a 618, 06). N. Vostre’s mark on title, cut of 
 anatomical man, 21 large woodcuts, numerous small ones, and 
 each page surrounded by lastoriated borders containing the 
 history of Tobias, of Judith, the Apocalypse, the triumph of 
 Caesar, a Dance of Death, etc.; initials painted red and blue 
 throughout. Small 4to, red levant morocco, blind-tooled orna- 
 mental borders on the sides, gilt edges, by Riviere. 
 
 Paris: for Nicole Vostre [ca. 1525] 
 
 * Almanac for 21 years (1525-1545). 221x144 mm. ~ Fine 
 copy of this‘rare edition. Ale’s, p. 213; Bohatta, 302. Not 
 noticed by Brunet. 
 
 1691. HORA. Hore beate marie virginis secundum vsum 
 Romanum totaliter ad longum sine require. Lettres batardes. 
 112 leaves (A-O 8). Printer’s mark on title, cut of anatomi- 
 cal man, 16 oval woodcuts and several smaller ones, each page 
 surrounded by ornamental and historiated woodcut borders, 
 including the Apocalypse, etc.; iluminated imtials throughout. 
 8vo, red levant morocco, gilt edges, by Bauzonnet-Trautz. 
 
 Nouiter impressis Parisius per Germanum MHardouyn 
 beg. .1927 |:. 
 
 * PRINTED ON VELLUM (181x115 mm.). Almanac for 15 
 years (1527-1541). Fine copy with all the woodcuts free from 
 coloring. Brunet, no. 266; Bohatta, 1020. 
 
 1692. HORAL. Die ghetijden van onser lieuer vrou We, 
 ende vanden helylighé cruce, ef vandé heylighé gheest met die 
 seuen | psalmen.... [Colophon] Dese ghetijden sijn ghedruckt 
 te Parijs: by | die weuwe va Thielman keruer, in sint iacobs | 
 strate, inden eenhoré, én daer worden sij v’cost. | Int iaer 
 ons heeren. M. eccce. ende. xxxiij. Gothic characters black 
 
 229 
 
PRINTED HORA—Continued. 
 
 and red. 136 leaves (A-R8). Printer’s mark on title, cut 
 of anatomical man, 32 large woodcuts, including the murder 
 of Uriah, the Prophet Nathan reproaching David, Solomon 
 recewing from David the order to build the Temple, Adam 
 and Eve expelled from the Eden, ‘‘Les trois vifs et le trois 
 morts,’’ etc.; each page surrounded by ornamental and his- 
 toriated woodcut borders, including a Dance of Death in 66 
 subjects. 8vo, contemporary binding in red morocco, the sides 
 tooled and gilt to an elegant design of scrolls and arabesques, 
 gauffred gilt edges, joints weak. _ 
 Paris: Widow of Thielman Kerver, 1533 
 * Almanac for 13 years (1532-1544). 171x108 mm, A RARE 
 EDITION of these Flemish Hours and unknown to Brunet. Fine 
 copy with all the woodcuts and borders free from coloring. On 
 
 the fly-leaves are prayers in Flemish, written about the end of 
 the 16th century. Bohatta, 1423. 
 
 16938. HORAX. Heures Paris contenant plusieurs oraisons 
 debuotes en francoys & en Latin, & confession Generalle. 
 Roman characters red and black. 216 leaves (A-O12, 
 A-D 12). 14 fine small cuts and each page surrounded: by 
 woodcut borders of flowers, fruits, butterflies, etc., introduc- 
 ing the Salamander, the crowned monograms of Francis I and 
 Louse of Savoy, and the arms of France and Savoy. 12mo, 
 red levant morocco, gilt edges, by Niédrée. 
 
 Paris: par Thielman Kerver (II), 1552 
 
 * PRINTED ON VERY THICK PAPER (141 x83 mm.). Almanac 
 
 for 20 years (1551-1570). The cuts are reprints of those in 
 
 the 16mo Tory edition of 1529, and the borders were reprinted 
 
 from the blocks used for the edition of Oliver Mallard, 1541. 
 Brunet, no. 209; Bohatta, 322. The Yemeniz copy. 
 
 1694. HORA) DIURNA Breviarii Romani, ex decreto 
 Sacro-sancti Concilii Tridentini restituti. 32mo, old French 
 citron morocco, gilt-tooled dentelle borders on the sides, silk 
 linings, gilt edges, by Duseuil. Lugduni, 1620 
 
 1695. HORDEN (HILDEBRAND—HKditor). Neglected 
 Virtue: or, the Unhappy Conquerour. A Play Acted at the 
 Theatre-Royal. By His Majesty’s Servants. First EDI- 
 TION. 4to, light-blue levant morocco, gilt edges, by Zaehns- 
 dorf. (Title and leaves considerably stained; marginal 
 portions of several leaves supplied. ) 
 
 London: Printed for Henry Rhodes, &e., 1696 
 
 1696. HOUBEN (PHILIP) anp FIEDLER (FRANZ). 
 Denkmaeler von Castra vetera und Colonia Triana in Ph. 
 Houben’s Antiquarium zu Xanten abgebildet auf XLVIII 
 eolorirten Steindruck-Tafeln nebst einer topographischen 
 
 Charte. Herausgegeben von Philip Houben... mit Erlau- 
 terungen von Dr. Franz Fiedler. Wzuth 48 colored plates. 
 4to, boards. Xanten, 1839 
 
 230 
 
‘ 
 
 1697. HOUGHTON (RICHARD MONCKTON MILNES, 
 LORD). Poems of Many Years. Memorials of a Residence 
 on the Continent. 2 vols. in1, red levant morocco, gilt back, 
 gilt edges, by Chambolle-Duru. London, 1838 
 
 1698. HOUSSAYE (ARSENE). Les Quarante du Siécle. 
 George Sand. Royal 8vo, half red levant morocco, uncut. 
 original covers bound in, by Champs. Paris, 1888 
 
 * The original article in La Revue de Paris et de Saint-Peters- 
 bourg, July 15, 1888. An etched portrait of George Sand is 
 inserted, as well as a portrait on steel of Madame Dorval. 
 
 1699. HOUSSAYE (ARSENE). Les Grandes Dames. Edi- 
 tion alustrée de vingt gravures sur acier par Flameng, 
 Morin, Cucinnotta (and others, in red and black). Royal 
 8vo, half red levant morocco gilt, gilt top, uneut, original 
 covers bound in (1 cover repaired), by Zaehnsdorf. 
 
 Paris: E. Dentu, n. d. 
 
 1700. HOUSSAYE (ARSENE) anp SAINT-VICTOR 
 (PAUL DE). La Comtesse Du Barry; sa Vie Amoureuse, 
 &e. ... Les Maitresses du Roi. . . Histoire de Madame 
 du Barry. Wirth 2 portraits of Madame du Barry, each in 
 two states. 8vo, red levant morocco gilt, gilt over uncut 
 edges, original covers bound in, by Rousselle. 
 
 Paris: Librairie 4 Estampes, 1878 
 
 * One of 25 copies on India paper, with the proofs on Holland 
 and India paper. 
 
 1701. HOUSSAYE (HENRY). Aspasie, Cleopatre, Theo- 
 dora. Illustrations by Giraldon, in duplicate. Royal 8vo. 
 
 Paris, 1899 
 
 *One of 120 copies. Bound in citron levant morocco, deco- 
 
 rated with interlacings of dark green, mosaic ornaments in 
 
 red, green, and white morocco, outlined in gold, doublures of 
 
 citron levant, gilt over uncut edges, original covers bonnd in, 
 by The Club Bindery. 
 
 1702. [HOWARD (EDWARD).| The Womens Con- 
 quest: a tragi-comedy. As it was Acted by his Highness 
 the Duke of York’s Servants. Written by the Honourable 
 EK. H. First EDITION. Small 4to, red levant morocco gilt, 
 gilt edges, by The Club Bindery. 
 
 London: Printed by J. M. for H. Herringman, 1671 
 
 * The unusually lengthy Preface to this old play covers about 
 twenty-five pages, and is full of interesting references to the 
 work of the earlier dramatists. 
 
 1703. [HOWARD (EDWARD).j_ The Six Days Adven- 
 ture; or the New Utopia. A Comedy. As it is Acted at 
 his Royal Highness the Duke of York’s Theatre. FIRST 
 EDITION. Small 4to, brown morocco gilt, by The Club 
 Bindery. London: Printed for Tho. Dring, 1671 
 
 * Contains commendatory poems by Mrs. Aphra Behn, Edward 
 Ravenscroft, &c, 
 231 
 
1704. HOWARD (JAMES). All Mistaken; or the Mad 
 Couple. A Comedy. Acted by His Majesties Servants, at 
 the Theatre Royal. FIRST EDITION. Small 4to, boards 
 (recent). London: Printed by H. Brugis, 1672 
 
 1705. HOWARD (SIR ROBERT). Poems, viz. (1). 
 A Panegyrick to the King; (2). Songs and Sonnets; (3). 
 The Blind Lady, a Comedy; (4). The Fourth Book of Virgil; 
 (5). Statius his Achilleis, with Annotations; (6). A Pane- 
 gyrick to Generall Monek. Small 8vo, Spanish ealf gilt, 
 gilt edges, by Riviére. (Several marginal lower portions 
 supplied. ) London: Printed for Henry Herringman, 1660 
 
 * First Edition. Contains a commendatory poem to Howard, 
 signed John Dryden. 
 
 1706. HOWARD (SIR ROBERT). Four New Plays, viz. : 
 The Surprisal [and] The Committee, Comedies; The Indian 
 Queen [and] The Vestal Virgin, Tragedies. As they were 
 Acted by His Majesties Servants at the Theatre-Royal. 
 Small folio, dark-green levant morocco gilt, gilt edges, by 
 Chambolle-Durn. 
 
 London: Printed for Henry Herringman, 1665 
 
 * First EDITION, John Dryden assisted Howard with ‘‘ The 
 Indian Queen,” é 
 
 1707. HOWARD (SIR ROBERT). The Great Favourite, 
 Or, the Duke of Lerma. As it was Acted at the Theatre- 
 Royal by His Majesties Servants. FIRST EDITION. Small 
 4to, half brown levant morocco, gilt edges, by Riviére. 
 
 In the Savoy, 1668 
 
 1708. HOWARD (SIR ROBERT) AND ORRERY 
 (ROGER, EARL OF). (1). Five New Plays; viz. The 
 Surprisal, The Committee, Comedies; and The Indian 
 Queen, The Vestal Virgin, The Duke of Lerma, Tragedies. 
 As they were Acted by His Majesties Servants at the Theatre 
 Royal. Written by the Honourable Sir Robert Howard. 
 The Second Edition, Corrected. Hngraved portrait of How- 
 ard by White after Kneller. London: Printed for Henry 
 Herringman, 1692 ... (2). [Four Plays by the Earl of 
 Orrery.| viz. Tryphon, a Tragedy, The Black Prince, The 
 Tragedy of Mustapha, The History of Henry the Fifth. 
 London: Printed for H. Herringman, 1672-1690. Bound in 
 1 vol. small folio, maroon levant morocco, filleted back and 
 sides, interlaced at corners, gilt edges, by David. 
 
 1709. HOWELL (JAMES). Dodona’s Grove, or the 
 Voeall Forrest. The Second Edition more exact and per- 
 fect than the former; with an addition of two other tracts; 
 viz. Parables, reflecting upon the Times, and England’s 
 Teares for the present VVarres. Prontispiece title engraved 
 by Vaughan, in 12 compartments. Small 4to, red levant 
 morocco gilt, gilt edges, by Riviere. . 
 
 [London] Printed in the Yeare, 1644 
 * With the final blank leaf, Z2. 
 
 232 
 
- 
 2. 
 g 
 ; 
 3 
 4 
 : 
 
 ¢ 
 
 1710. HOWELL (JAMES), AENAPOAOTIA. Dodona’s 
 Grove, or, The Vocall Forrest. By I. H. Esq?! Hngraved 
 frontispiece of tree, large vignette on title, and 2 plates of 
 trees, by Meran. Small folio, light brown levant morocco, 
 gilt back and sides in panels, corner ornaments of foliage, 
 doublures of olive green morocco, gilt edges, by Mercier. 
 
 [London] by T. B. for H Mosley, 1640 
 * FirsT EDITION, with the error in pagination at page 166. 
 
 1711. HOWELL (JAMES). AENAPOAOTTIA, Dodona’s 
 Grove, or the Vocall Forrest. The second Edition more 
 exact and perfect then the former; with an Addition of two 
 other Tracts: viz. Parables, reflecting upon the Times, and 
 England's Teares for the present VVarres. By J. H. Esquire. 
 Frontispiece by Vaughan in compartments. Small 4to, red 
 levant morocco, gilt side panels, gilt top, OTHER EDGES 
 UNCUT, by Riviére. [London] Printed in the Yeare, 1644 
 
 * Rare in this unusual condition. 
 
 1712. HOWELL (JAMES). S.P.Q.V. A Survay of the 
 Signorie of Venice, Of Her admired policy, and method of 
 Goverment [sie] &e. With a Cohortation to all Christian 
 Princes to resent Her dangerous Condition at present. F'wil- 
 page portrait and frontispiece engraved by Vaughan, and 
 woodcut of Lion in red and black on title. Small folio, niger 
 morocco, gilt back, rich gilt sides, gilt edges, by The Club 
 Bindery. London: Printed for Richard Lowndes, 1651 
 
 * FIRST EDITION, with the numerous errors in pagination. 
 
 1713. HOWELL (JAMES). Onwdopia. The Parly of 
 Beasts: or, Morphandra Queen of the Inchanted Iland: 
 Wherein Men were found, who being transmuted to Beasts, 
 though proffer’d to be disinchanted, and to becom Men 
 again; yet, in regard of the erying sins, and rebellious 
 humors of the Times, they prefer the Life of a Brute Animal 
 before That of a Rational Creture, &e. Portrait of Howell 
 engraved by Melan and Bosse, and plate by Gaywood after 
 Barlow. Small folio, red levant morocco gilt, gilt side 
 panels, gilt edges, by The Club Bindery. 
 
 London: Printed by W. Wilson for William Palmer, 1660 
 
 1714. HOYM (C. H., COMTE DE). Vie de Charles 
 Henry, Comte de Hoym, ambassadeur de Saxe-Pologne en 
 France, et célébre amateur de livres, 1694-1736. By Baron 
 Jérome Pichon. Engraved title by Varin, portrait by Morse 
 after Rigaud, vignettes, 3 colored plates of bindings, &e. 
 2 vols. 4to, half red levant morocco, monogram and crest 
 on backs, gilt tops, uncut, by Dupré. 
 
 A Paris: Libraire de la Société des Bibliophiles, 1880 
 * LARGE PAPER, with a 4 pp. A. L. S. of the author inserted. 
 
 1715. HUART (LOUIS). Muséum Parisien Histoire 
 Physiologique, Pittoresque, Philosophique et Grotesque de 
 toutes les bétes curieuses de Paris et de la banlieue Pour 
 
 233 
 
faire suite a toutes les éditiones des uvres de M. De Buffon. 
 850 vignettes par MM. Grandville, Gavarni, Dauwmier, &c. 
 Royal 8vo, half green morocco, gilt top, uncut, by Rau. 
 Paris, 1841 
 
 1716. HUBERT (SIR FRANCIS). LEgypt’s Favorite. 
 The Historie of Ioseph, divided into foure parts . . To- 
 gether with Old Israel’s Progresse into the Land of Goshen. 
 Title-page ruled in red ink. Small 8vo, russia, gilt back 
 and sides. 
 
 London: Printed by A. M. for L. Chapman, 1631. (A 
 few worm-holes, and a verse cut into.) 
 
 * In addition to the above four parts, there is a continuation 
 to ‘‘ The Noble Favorite,” and ‘‘ Jacob’s Progresse.” 
 The Mitford copy, with autograph and manuscript notes. 
 
 1717. HUDLESTON (RICHARD). A Short and Plain 
 Way to the Faith and Church. Composed Many Year 
 since, and now Published for the Common Good by his 
 Nephew Mr. Jo. Hudleston. To which is Annexed his late 
 Majesty King Charles the Second, his Papers found in his 
 Closet after his Decease, etc. FIRST EDITION. 4to, old 
 English red morocco, gilt panelled sides, outside and inside 
 corner ornaments of pointillé, gilt edges. . 
 
 London: Printed by Henry Hills, 1688 
 
 1718. HUGENIUS (CONSTANTINUS). Monumenta De- 
 sultoria. Poematum libri XI.’ Edente C. Barlaeo. With 
 the rare engraved frontispiece. 8vo, old English red straight- 
 grain morocco gilt, gilt edges. 
 
 Lugd. Batavor.: B. & A. Elzevir, 1644 
 * First Elzevir Edition.. The Syston Park copy. 
 
 1719. HUGO (VICTOR). Cromwell, Drame. FIRST EDI- 
 TION. 8vo, half green vellum, entirely uncut, original 
 covers bound in. Paris, 1828 
 
 1720. HUGO (VICTOR). Les Feuilles d’Automne. FIRST 
 EDITION. 8vo, maroon straight-grain morocco gilt, side 
 borders, gilt edges, by Champs. Paris, 1832 
 
 * With the autograph inscription, ‘‘ A Monsieur Ch. Magnin 
 son ami Victor H.” 
 
 1721. HUGO (VICTOR). Le Roi S’Amuse, drame. V2g- 
 nettle title after Johannot on India paper. - FIRST EDITION. 
 8vo, red levant morocco, gilt over uncut edges, by Cuzin. 
 
 Paris, 1832 
 
 1722. HUGO (VICTOR). Ruy Blas. 8vo, half cloth, 
 all edges entirely uncut. Paris, 1838 
 
 F * First EDITION. Volume VII of the ‘‘ Guvres complétes.” 
 
 1723. HUGO (VICTOR). Notre Dame de Paris. With 
 11 plates after Boulanger, Raffet, Johannot, &c., engraved 
 by W. and EF. Finden, and others. Large 8vo, 2 vols. in 1. 
 8vo, half green morocco gilt, gilt top, uncut, by Hayday. 
 
 Paris, 1840 
 234 
 
1724. HUGO (VICTOR). Les Burgraves, trilogie. FIRST 
 EDITION. 8vo, red levant morocco, gilt edges, by Cuzin. 
 Paris, 1843 
 
 1725. HUGO (VICTOR). Les Feuilles d’Automne. Les 
 Chants du Crépuscule. 12mo, red levant morocco, gilt fil- 
 lets, gilt edges, by Thibaron. Paris, 1846 
 
 1726. [HUGO (VICTOR).] Chez Victor Hugo par un 
 passant. Avec 12 eawx-fortes par Maxime Lalanne. 8vo, 
 half red levant morocco, uncut, original covers bound in, 
 by Carayon. Paris, 1864 
 
 * Preface is signed ‘‘ EK, Le Canu, avocat.” Etchings are on 
 India paper. 
 
 1727. HUGO (VICTOR). Les Chansons des Rues et des 
 Bois. dition elzevirienne. Ornéments par EH. Froment. 
 18mo, half blue morocco, gilt mosaic back, gilt top, uncut. 
 
 Paris, 1870 
 
 1728. HUGO (VICTOR). La Esmeralda. [Opera en 
 quatres actes, 1836.] Costumes de Louis Boulanger. Fac- 
 simile poster, 16 plates in two states, and 2 pieces of music. 
 Royal 4to, in cloth portfolio. Paris, 1888 
 
 * One of 50 copies on Large Holland paper. 
 
 1729. HUGO (VICTOR). Post-Scriptum de ma vie. 8vo, 
 original covers, uncut. Paris, 1901 
 * One of Hugo’s two posthumous works. 
 
 1730. HUISH (ROBERT). The Historical Gallery of 
 Celebrated Men of every age and nation... accompanied 
 by biographical sketches and observations on their charac- 
 ter and writings .. . and illustrated by facsimiles of letters, 
 &¢c., with the autograph of the individual affixed to each 
 portrait. Over 50 portraits on India paper after Reynolds, 
 Vandyke, Holbein, Lawrence, and others. Royal 8vo, half 
 green morocco gilt, gilt top. Rubbed. London, 1830 
 
 1731. HUME (DAVID). History of England. 28 por- 
 traits of the Sovereigns by Worthington, proofs on India 
 paper. 8 vols. royal 8vo, red levant morocco, gilt backs 
 and sides, gilt over uncut edges, by Bedford. 
 
 Oxford, Talboys and Wheeler; and London, William 
 Pickering, 1826. 
 
 * One of only 8 copies on Large and Tinted paper. 
 
 1732. HUNNEWELL (JAMES F.). Triumphs of Early 
 Printing. A Paper read at the Annual Meeting of The 
 Club of Odd Volumes, at the University Club, Dec. 26, 
 1901. 4to, half brown morocco and boards, uncut. 
 
 Boston: Club of Odd Volumes, 1902 
 * One of 68 copies. 
 235 
 
1733. HUNNEWELL (JAMES F.). Collectors. An Ad- 
 dress read to the Club of Odd Volumes, Boston, December 
 18, 1907. 4to, half brown morocco and boards, uncut. 
 
 Boston: Club of Odd Volumes, 1908 
 
 * One of 102 copies. 
 
 1734. HUNT (LEIGH). Foliage; or Poems Original and 
 Translated. FIRST EDITION. 12mo, cloth, uncut. 
 
 London: C. and J. Ollier, 1818 
 
 1735. HUNT (LEIGH). Lord Byron and some of his 
 Contemporaries; with Recollections of the Author’s Life 
 and of his Visit to Italy. First EDITION. 4to, red levant 
 morocco gilt,gilt over uncut edges, by Bedford. London, 1828 
 
 * EXTRA-ILLUSTRATED by the insertion of 71 plates, mostly 
 fine proofs, including 15 portraits of Byron. THREE AUTO- 
 GRAPH LETTERS ARE INSERTED, one from Leigh Hunt, 4 pp. 4to, 
 to R. W. Elliston, who had just assumed the management of 
 Drury Lane, concerning a tragedy he had submitted. In the 
 postscript Hunt writes: ‘‘I was writing a prologue, which I 
 intended to offer to your acceptance for the opening of the 
 theatre, but I guess by the advertisement that you are pre- 
 pared with one. Should the case be otherwise, I shall be happy 
 to furnish it. I send you a specimen 
 
 Ladies and Gentlemen, it has been said, 
 
 A certain fine old friend of ours was dead— 
 Gone—dead and gone—so said the grieved electors, 
 And given over, quite, by the—spectators. 
 
 Twas want, they said :—he shewed such want of pence, 
 That none would listen to his want of sense; 
 
 Died of excessive want of audience.”’ 
 
 A short 1-page letter from John Murray is slightly damaged, 
 and a 3 pp. letter from Byron is probably a copy. 
 
 1736. HUNT (LEIGH). <A Jar of Honey from Mount 
 Hybla. Illustrated by Richard Doyle. First EDITION. 
 8vo, cloth, uncut. London, 1848 
 
 1737. HUNTINGTON (ARCHER M.). A Notebook in 
 Northern Spain. Royal 8vo, cloth, gilt top, uncut. 
 New York, 1898 
 
 1738. HURTREL (ALICE). Souvenirs du régne de Henri 
 IV: Les Amours de Catherine de Bourbon Sceur du Roi et 
 du Comte de Soissons. SHrontispiece and one etching by A. 
 Lalauze, in two states, and numerous illustrations by 
 Méaulle and Gillot after Riester, Uzés, and others. 12mo, 
 half light brown levant morocco gilt, gilt top, uneut, original 
 
 covers bound in. | Paris, 1882 
 * One of 100 copies. 
 
 1739. HUSKISSON (WILLIAM). The Speeches of the 
 Right Honourable William Huskisson, with a biographical 
 memoir supplied to the editor from authentic sources. 
 Proof portrait of Huskisson by Finden after Lawrence. 
 3 vols. royal 8vo, cloth, uncut. London: John Murray, 1831 
 
 * One of a few copies on large paper presented by the editor, 
 J. Wright, to Dawson Turner. Inserted are letters from Hus- 
 kisson to the editor. . 
 
 236 
 
eee Le ee ee o> 
 fe Oa Oe 
 
 1740. HUTCHINSON (H. N.), GREGORY (J. W.) AnpD 
 LYDEKKER(R.). The Living Races of Mankind. A popu- 
 lar illustrated account of the customs, habits, pursuits, 
 feasts & ceremonies of the races of mankind throughout 
 the world. 648 alusirations, including colored frontispieces. 
 2 vols. 4to, half red leather, gilt edges. London, n. d. 
 
 1741. HUTH (HENRY—Editor). Ancient Ballads and 
 
 _ Broadsides published in England in the Sixteenth Century, 
 
 chiefly in the earlier years of the Reign of Queen Elizabeth. 
 
 Reprinted from the unique original copies... in the Library 
 
 of Henry Huth. 4to, red levant morocco, gilt inside borders, 
 
 gilt top, uncut, by Alfred Matthews. 
 
 London: Whittingham and Wilkins, 1867 
 
 - * Only 50 copies printed. Presented, ‘‘To J. Payne Collier, 
 
 Esqr., with Mr. Henry Huth’s compliments.” Written in pencil 
 
 a most valuable Book of its kind that I am aware of. 
 
 1742. HUTTON (ULRICH VON). De guaiaci medicina 
 
 et morbo gallico cura. Arms of Cardinal Albert of Branden- 
 
 burg, archbishop of Mainz and Magdeburg, on title, and a 
 
 fine woodcut portrait of Hutton on the last page. Ato, olive 
 morocco, gilt borders on the sides, gilt edges, by Joly. 
 
 Moguntiz: in edibus Joannis Scheffer, 1519 
 
 * FIRST AND VERY RARE EDITION of this treatise in which is 
 described for the first time a medicine of American origin. 
 
 1743. HUTTICHIUS (JOANNES). Romanorum prin- 
 cipum effigies, cum historiarum annotatione: nunc vero 
 alicubi aucta opera Io. Sambuci. Title within an elegant 
 woodcut border, and numerous fine cuts of Roman Emperors 
 and EKmpresses on black ground. 8vo, red levant morocco 
 gilt, gilt edges, by The Club Bindery. 
 
 Argentorati: Vuolfius Cephalzus, 1552 
 
 1744. HUYSMANS (JORIS KARL). La Biévre. Les 
 Gobelins. Saint-Séverin. Hichings and woodcuts. Imperial 
 8vo, brown levant morocco, back and side borders tooled in 
 outline, gilt over uncut edges, original covers bound in, by 
 by Chambolle-Duru. | 
 
 Paris: Société de Propagation des Livres d’Art, 1901 
 * One of 75 copies on India paper printed for Carteret et Cie. 
 
 1745. HYMN TO NEPTUNE. A Hymn to Neptune; 
 Oceasion’d by the late Glorious Vietory obtain’d in the 
 Height of Malaga by Her Majesty’s Royal Navy, under the 
 Command of George Rooke. Small 4to, half brown morocco. 
 
 London, 1705 
 
 1746. HYMN TO NEPTUNE; Oceasion’d by the late 
 Glorious Victory obtain’d in the Height of Malaga by Her 
 Majesty’s Royal Navy, under the Command of Sir George 
 Rooke Small 4to, unbound (a number of top margins cut 
 into, a pagination in ink in addition to the regular). 
 
 London, 1705 
 237 
 
1747. YFCONKS historiarum Veteris Testamenti. 94 cuts. 
 Small 4to, old vellum. Stamp on title. 
 Lugduni: apud Ioannem Frellonium, 1547 
 
 * A very rare early edition of Holbein’s Bible Illustrations, 
 the first edition having appeared nine years earlier also in 
 Lyons. The vellum is the original binding. 
 
 1748. IMBERT (BARTHELEMY). Le Jugement de 
 Paris. Poéme en IV Chants. Suivi d’Giuvres melées. 
 Nouvelle Edition, corrigée et augmentée. Hngraved title 
 by Moreau, a plate and 4 vignettes engraved by Masquelier 
 and Née after Moreau. Royal 8vo, blue levant morocco, 
 gilt back and sides with emblematic devices, gilt top, uncut, 
 by Joly. Amsterdam, 1774 
 
 * Large paper copy of the second edition. 
 
 1749. IMBERT (BARTHELEMY). Les Egaremens de 
 Amour, ou Lettres de Fanéli et de Milfort. Par M. 
 Imbert. With 2 plates by Martini after Moreau le jeune. 
 2 vols. in 1, red levant morocco, gilt backs, gilt edges, by 
 Bedford. A Amsterdam, 1776 
 
 * FIRST EDITION ON LARGE PAPER, with the two plates after 
 Marillier lacking. 
 
 1750. IMITATION OF CHRIST. L’Imitation de Iesvs 
 Christ, mise en vers francois par Pierre Corneille. n- 
 graved title, and 105 copper-plates by Campion and others. 
 24mo, blue levant morocco gilt, gilt edges, by [ Bedford]. 
 
 A Rouen: par L. Maurry, &e., 1656 
 
 1751. INMAN (THOMAS). Ancient Faiths embodied in 
 ancient names: or an attempt to trace the religious belief, 
 sacred rites, and holy emblems of certain nations by an 
 interpretation of the names given to children by priestly 
 authority, or assumed by prophets, kings, and hierarchs. 
 Seeond edition. Plates and woodcuts. 2 vols. 8vo, cloth, 
 uncut. London, 1872 
 
 1752. INSTITUTION. The Institucion of a Gentleman. 
 12mo, vellum, centre ornament on the sides, gilt edges, by 
 Hayday. | 
 
 Imprinted at London, by Thomas Marshe, 1568. [London: 
 Reprinted by Charles Whittingham, 1839. | 
 
 * Black Letter. A few copies were printed for presentation 
 only. 
 
 1753. IRELAND (ALEXANDER). The Book-Lover’s 
 Enchiridion: thoughts on the Solace and Companionship 
 of Books, and topics incidental thereto; garnered from 
 writers of every age for the help and betterment of all 
 readers. Portrait and facsimile. 8vo, cloth, gilt top, un- 
 cut. London, 1888 
 
 1754. IRELAND (SAMUEL). A_ Picturesque Tour 
 through Holland, Brabant, and part of France; Made in 
 the Autumn of 1789. Illustrated with Copper Plates in 
 
 238 
 
in fy 
 
 Aqua Tinta From Drawings made on the Spot by Samuel 
 Ireland. Hngraved title-pages, and 43 plates. LARGE 
 PAPER. 2 vols. 4to, half brown levant morocco, gilt backs 
 and tops, uneut, by All6é. London, 1790 
 
 1755. IRELAND (SAMUEL). A_ Picturesque Tour 
 through Holland, Brabant, and part of France; Made in 
 the Autumn of 1789. Illustrated with Copper-plates in 
 Aqua Tint from Drawings made on the Spot by Samuel 
 Ireland. Hngraved title-pages, and 43 plates. LARGE 
 PAPER. 2 vols. 4to, half blue morocco gilt, gilt tops, un- 
 cut, by Riviere. London, 1790 
 
 * Presentation Copy from the author to Mr. Coram. With 
 additional illustrations, proofs of the prints and most of the 
 etchings, many of them before letters, AND SOME OF THE ORIG- 
 INAL DRAWINGS. 
 
 1756. IRELAND (SAMUEL). Picturesque Views, on 
 the River Medway, from the Nore to the vicinity of its 
 source in Sussex: with observations on the public buildings 
 and other works of art in its neighbourhood. With 29 
 plates in bistre. 8vo, half brown levant morocco, gilt back, 
 gilt top, uncut, by Matthews. London, 1793 
 
 1757. IRVING (WASHINGTON). THE AUTOGRAPH 
 MANUSCRIPT OF THE CONCLUDING PARAGRAPH OF the 
 chapter of ‘‘The School’’ in Bracebridge Hall. Two pages, 
 12mo (unsigned). 
 
 * A comparison with the printed version shows that it con- 
 tains one sentence not in the manuscript, which Irving prob- 
 ably added in revising the proof. The compositor’s name is 
 written on the margin. 
 
 1758. IRVING (WASHINGTON). History of New York ° 
 by Diedrich Knickerbocker. Illustrations by Darley. 8vo, 
 eloth. New York, 1850 
 
 1759. IRVING (WASHINGTON). The Sketch Book of 
 Geoffrey Crayon, Gent. 3 portraits after Stuart Newton, 
 &e., and 150 vignettes on India paper, engraved on wood 
 by Richardson after Darley, Parsons, and others. Imperial 
 8vo, cloth, uncut. Philadelphia, 1882 
 
 * Edition de Luxe; Limited Issue. 
 
 1760. ISHAM REPRINTS (THE). Shakespeare’s Venus 
 and Adonis; the Passionate Pilgrime; Davie’s Epigrammes 
 and Certain of Ovid’s Elegies, translated by Christopher 
 Marlowe. Edited by Charles Edmonds. !2mo, vellum 
 boards, uncut, with ties. London, 1870 
 
 * One of a limited edition numbered and signed by the editor. 
 
 1761. ISOCRATES'-_ Enseignements d’Isocrates et Xeno- 
 phon pour bien regner en paix et en guerre, traduictz par’ 
 Loys le Roy dict Regius de Costentin; Les Politiques 
 d’Aristote traduictes par Loys le Roy. 2 works in one 
 volume, 4to, red levant morocco. gilt edges, by Trautz- 
 Bauzonnet. Paris: Michel de Vascosan, 1568 
 
 239 
 
1762. ITALIAN MASTERS. 45 photographs of paint- 
 ings, sculptures and drawings, mostly by celebrated Italian 
 artists, including Michaelangelo, Titian, Guido Reni, 
 Cellini, Fra Bartolomeo, Leonardo da Vinci, Mantegna, 
 Raphael], ete. Mounted on boards and bound in one volume, 
 large folio, half levant morocco. 
 
 1763. SON Contes et Poésies du C. Collier, 
 
 [ Jaequemont] Commandant-Général des Crois- 
 
 ades du Bas-Rhin. With 2 frontispieces, unsigned proofs. 
 
 2 vols. in 1, small 8vo, green levant morocco, gilt, arms of 
 the Duke of Hamilton on sides, gilt edges, by Duru. 
 
 A Saverne [Paris], 1792 
 
 * These ‘‘Contes Gaillards” were written by Jacquemont 
 under the nom de guerre of ‘‘C. Collier” (Cardinal de Rohan), 
 to ridicule that Cardinal, whose chateau was at Saverne. 
 
 1764. JAMES VI. The Historie and Life of King James 
 the Sext; being an account of the affairs of Scotland from 
 1566 to 1596; with a short continuation to 1617. 4to, orig- 
 inal boards, uncut. Printed at Edinburgh, 1825 
 
 * Printed for The Bannatyne Club, on large [vellum] paper. 
 
 1765. JAMI. The Beharistan (Abode of Spring) by 
 Jami: a literal translation.from the Persian. Printed by 
 the Kama Shastra Society for Private Subscribers only. 
 12mo, half red morocco, gilt top, uneut. Benares, 1887 
 
 1766. JAMMES (FRANCIS). Le Deuil des Primevéres, 
 1898-1900. Elégies, La Jeune Fille Nue, Le Poéte et 
 VPOiseau, &ce. Royal 8vo, light brown levant morocco, 
 floral back, gilt top, uncut, original covers bound in, by 
 The Club Bindery. | Paris, 1901 
 
 * One of 20 copies on Large papier vélin, with the author's 
 signature on half-title. 
 
 1767. JAMYN (AMADIS). Les CEuvres Poétiques, re- 
 veués, corrigées & augmentées en ceste derniére impression. 
 12mo, blue levant morocco gilt, gilt edges, by Trautz-Bau- 
 zonnet. Title repaired. Paris: Mamert Patisson, 1579 
 
 1768. JANIN (JULES). [(£uvres diverses de Jules Janin, 
 publiées sous le direction de M. Albert de La Fizeliére | 20 
 etchings by Lalauze and Hédouin, each in two states. 20 
 vols. 12mo, half blue morocco, uneut, original covers bound 
 ‘in. Paris: Librairie des Bibliophiles [| Jouaust], 1876-1883 
 
 * Limited Edition. Set comprises: L’Ane Mort et Le Femme 
 Guillotinée; Mélanges et Variétés, 2 vols.; Contes et Nouvelles, 
 2 vols. ; Correspondance; Critique Dramatique, 4 vols.; Barnave, 
 2 vols.; Les Gfuvres d’Horace, 2 vols,; Deburau, Histoire du 
 Théatre a quatre sous; Petits Romans, Mélanges, etc., 5 vols. 
 
 240 
 
1769. JARDIN DES RACINES GRECQUES (LE) Mises 
 én vers Francois. Avec un Traitté des Prepositions & autres 
 Particules indeclinables, ete. Frontispiece. 12mo, red levant 
 morocco gilt, gilt edges, by Chambolle-Duru. 
 
 Paris: Pierre le Petit, 1657 
 
 1770. JARDINE (SIR WILLIAM) AnD OTHERS. The 
 Naturalist’s Library. Ichthyology (only). Engraved front- 
 asprece portraits and titles, by Lizars, and 159 plates, mostly 
 colored. 5 vols. 12mo, cloth, uneut. Edinburgh, 1835-1843 
 
 1771. JAYBERT (LEON). Trois Dizains des Contes 
 Gaulois. With 20 etchings by Bracquemond, proofs on India 
 paper. 8vo, red levant morocco gilt, side panels, gilt over 
 uncut edges, by Lortic. Paris: Poulet-Malassis, 1862 
 
 * FIRST EDITION. Presentation Copy from the author, with 
 inscription. One of 800 copies on vellum paper for subscribers 
 only. Inserted are 4 autograph letters from the author, anda 
 letter from Chévigné. The Bracquemond proofs, although ex- 
 ecuted for this work, are not found in all copies. 
 
 1772. JEANNE D’ARC. LHistoire de Jeanne d’Are 
 d’aprés les documents originaux et les ceuvres d’art du X Ve 
 au XI Xe Siécles. Cent fac-similés de manuscrits, de minia- 
 tures, estampes, tableaux de statues, accompagnés d’une 
 description des planches et de notes de voyage par André 
 Marty, et précédés d’une introduction par Marius Sepet. 
 Copies des miniatures et croquis originaux par Félix Lacaille. 
 With 41 illustrations, many in colors. Imperial 4to, original 
 covers, uncut. Paris, 1907 
 
 * One of 250 copies. 
 
 1773. JEFFRIES (DAVID). Traité des Diamants et des 
 Perles, ou l’on considere leur importance. On établit des 
 régles certaines pour en connoitre la juste valeur, Et l’on 
 donne la vraie méthode de les tailler. Ouvrage traduit de 
 lY Anglois, sur la second Edition qui a été considérablement 
 augmentée [par Chappotin S. Laurent]. With 10 plates and 
 a vignette by C. Baquoy after Cochin fils. 8vo, red levant 
 morocco, gilt edges, by Belz-Niédrée. 
 
 A Paris: Chez Debure l’ainé [et] N. Tillard, 1753 
 
 1774. JENNINGS (HARGRAVE). Phallicism Celestial 
 and Terrestrial, Heathen and Christian, its connexion with 
 the Rosicrucians and Gnosties and its foundation in Bud- 
 dhism. 8vo, cloth, uncut. London, 1884 
 
 * Accompanied by the collection of 10 plates in wrappers. 
 Seldom found together. 
 
 1775. JEPHSON (ROBERT). The Count of Narbonne, 
 a Tragedy. As it is Acted at the Theatre Royal in Covent 
 Garden. FIRST EDITION. Small 8vo, olive green morocco 
 [by The Club Bindery]. London: T. Cadell, 1781 
 
 * With the half-title. 
 241 
 
1776. JERROLD (BLANCHARD). The Life of George 
 Cruikshank. In Two Epochs. Numerous illustrations. 
 FIRST EDITION. 2 vols. 12mo, cloth, uneut. London, 1882 
 
 gg1777. JESSE (CAPTAIN W.). The Life of Beau Brum- 
 mel, Esq., commonly called Beau Brummell. FIRST EDI- 
 TION. Frontispiece, and two inserted portraits. 2 vols. 8vo, 
 red levant morocco, gilt backs, gilt edges, by David. 
 London, 1844 
 1778. JESSE (JOHN HENEAGE). George Selwyn, and 
 his Contemporaries. FIRST EDITION. Portraits. 4 vols. 8vo, 
 polished ealf gilt, gilt edges, by Matthews. Lond. 1843 
 
 1779. JESSE (JOHN HENEAGE). Memoirs of the Court 
 of England from the Revolution in 1688 to the Death of 
 George the Second. 3 plates by John Cook after T. Wageman. 
 3 vols. 8vo, half blue levant morocco gilt, gilt tops, uncut, 
 by Bedford. 1843 
 
 1780. JEST BOOK. The Budget of Momus, or a pre- 
 servative against Melancholy. V2gnette on title. 12mo, 
 mottled calf gilt, gilt top, uneut, by Bedford. 
 
 London: Printed for J. Coxhead [ca. 1800] 
 
 * FIRST EDITION, EXTRA ILLUSTRATED by the-insertion of 11- 
 portraits and views, including many proofs on India paper and 
 before letters, and the rare portrait of Beau Fielding by Van 
 der Gucht. 
 
 1781. JEST BOOK. Yorick turned Trimmer; or the 
 Gentleman’s Jester: and newest Collection of Songs. 3 cop- 
 per-plates. 12mo, straight-grained blue morocco, gilt edges. 
 
 London, n. d. [ca. 1797] 
 
 *The plates deal with characters from Tristram Shandy; 
 Sterne and Garrick figure in the text. 
 
 1782. JEWITT (LLEWELLYN). The Ceramic Art of 
 Great Britain from Pre-historic Times down to the Present 
 Day. Nearly 2,000 illustrations. 2 vols. royal 8vo, cloth, 
 gilt tops, uncut. Lond. 1878 
 
 1783. JOANNET (CLAUDE). Elemens de Poésie Fran- 
 eoise [par Vabbé Claude Joannet]. 4 vols. 16mo, old red 
 morocco gilt, gilt edges. 
 
 Paris: Par la Compagnie des Libraires, 1752 
 
 1784. JOCELINE (ELIZABETH). The Mother’s Legacie 
 to her unborne Childe. Reprinted from the Edition of 
 1625, with a biographical and historical introduction. 
 16mo, light brown levant morocco, gilteback and sides, 
 doublures of red moroeco, wide dentelle borders, gilt edges, 
 by Bedford. Edinburgh and London, 1853 
 
 1785. [JOHNSON (SAMUEL).| The Witticisms, Anec- 
 dotes, Jests, and Sayings of Dr. Johnson, during the whole 
 eourse of his life. Collected from Boswell, Piozzi, Haw- 
 kins, &c.... To which is added, a great number of Jests, 
 
 242 
 
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 * 
 
 in which the most distinguished Wits of the present cen- 
 tury bore a part. By J. Merry. Third Edition, greatly 
 improved. Frontispiece by Barlow, after Cruikshanks. 
 8vo, Spanish ealf, gilt top, uneut. London, 1797 
 
 * From the library of Lt.-Col. F. R. C. Grant, with bookplate. 
 
 1786. [JOHNSTON (CHARLES).] Chrysal; or, the Ad- 
 ventures of a Guinea; by an adept. A New Edition, to 
 which is now prefixed a sketch of the author’s life. With 
 15 colored plates engraved by W. Read, after HK. J. Burney, 
 T. Mawson and Rk. Corbould. 3 vols. 8vo, red morocco, gilt 
 backs and side corners, gilt tops, by Wood. London, 1821 
 
 1787. JONSON (BEN). The Works of Ben Jonson, 
 Which were formerly Printed in Two Volumes, are now 
 Reprinted in One. To Which is Added a Comedy, called 
 the New Inn. With Additions never before published. 
 Engraved portrait of Jonson, crowned with laurel, by Elder. 
 Folio, red levant morocco, gilt back, side borders, gilt edges, 
 by The. Club Bindery. 
 
 London: Printed by Thomas Hodgkin, 1692 
 
 * Third and last of the folio editions; with the Commenda- 
 
 tory Poems, by J. Selden, Ed. Heyward, Geor. Chapman, 
 Franc. Beaumont, and others. 
 
 1788. JONSON (BEN). The Works of Ben Jonson, 
 which were formerly Printed in Two Volumes, are now 
 Reprinted in One. To which is added a Comedy called 
 the New Inn. With Additions never before published. 
 Engraved portrait of Jonson with laurel, engraved, by Hilder. 
 Folio, red levant morocco gilt, gilt edges, by Riviére. 
 
 London: Printed by Thomas Hodgkin, 1692 
 * Third and last of the folio editions. 
 
 1789. JORDAN (THOMAS). Poeticall Varieties: or, 
 Varietie of Fancies. FIRST EDITION. Small 4to, Spanish 
 calf, gilt back and edges (title and top. margins of pages cut 
 close), by Riviere. 
 
 London: Printed by T. C. for Humphry Blunden, 1637 
 
 * Contains Commendatory Poems by Tho. Heywood, Rich, 
 Brome, Tho. Nabbes, and others. 
 
 1790. JORDAN (THOMAS). The Walks of Islington 
 and Hogsdon, with The Humours of Woodstreet-Compter. 
 A Comedy, As it was publikely Acted 19. days together, 
 with extraordinary Applause. Never Printed before. FIRST 
 EDITION. Small 4to, olive levant morocco, gilt side corners, 
 gilt edges, by Riviere. (Title re-edged, repairs to several 
 other leaves. ) London: Printed by Tho. Wilson, 1657 
 
 * VERY RARE. 
 
 179:. JORDAN (THOMAS). London Triumphant; or, 
 The City in Jollity and Splendour; expressed in Various 
 Pageants, Shapes, Scenes, Speeches and Songs. Invented 
 and performed for the well-deserving Governor, Sir Robert 
 
 243 
 
Hanson. ... At the cost and charge of the Worshipful 
 Company of Grocers. Three woodcut coats-of-arms. Ato, 
 red morocco, uncut, by The Club Bindery. (Lower corner 
 of title supplied.) 
 
 London: Printed by W. G. for Nath. Brook and John 
 Playford, 1672. 
 
 * Probably the First Issue of the First Edition. the Second 
 being undated. 
 
 1792. JORDAN (THOMAS). London in Luster: pro- 
 jecting Many bright Beams of Triumph: disposed into 
 Several Representations of Scenes and Pageants. Per- 
 formed with great Splendor On Wednesday, October X XIX 
 1679. At the Initiation and Instalment of the Right Hon- 
 ourable Sir Robert Clayton, Knight, Lord Mayor of the City 
 of London. Dignified With divers delightful Varieties of — 
 Presentors, with Speeches, Songs, and Actions, properly 
 and punctually described. All set forth at the proper Cost 
 and Charges of the Worshipful Company of Drapers. 
 Heraldic device on title. FIRST EDITION. Small 4to, red 
 morocco, gilt side borders, gilt edges, by Mackenzie. 
 
 London: Printed for John Playford, 1679 
 
 1793. JORDAN (THOMAS). London’s Glory, or, the 
 Lord Mayor’s Show, Containing an Illustrious Description 
 of the several Triumphal Pageants . .. also Three new 
 Songs... performed on Friday, October 29, 1680; for the 
 Entertainment of the Right Honourable Sir Patience Warde 
 
 . at the proper Cost and Charges of the Right Worship- 
 ful Company of Merchant-Taylors. Small 4to, red levant 
 morocco gilt, gilt edges. . 
 
 London: Printed for John and Henry Playford, 1680 
 
 1794. JORDAN (THOMAS). London’s Joy; or, the 
 Lord Mayor’s Show; triumphantly Exhibited in Various 
 Representations, Scenes and Splendid Ornaments, with 
 divers pertinent Figures and Movements... performed at 
 the Inauguration of Sir John More, with the several 
 Speeches, Songs, &c. All the Charges and Expenses being 
 the sole undertaking of the Worshipful Company of Gro- 
 cers. 4tu, red morocco, uncut, by The Club Bindery. 
 
 London: Printed for John and Henry Playford, 1681 
 
 1795. JORDAN (THOMAS). Money is an Asse. A 
 Comedy, as it hath been Acted with good Applause. 
 Written by Thomas Jordain, Gent. FIRST EDITION. Small 
 4to, half red morocco (title remounted, and top corners of 
 last two leaves supplied). 
 
 London: Printed by Peter Lillicrap, for Fra Kirkman, 
 1668. 
 
 1796. JOSEPHUS. Flauij Josephi des Hochberthmten 
 Judischen Geschichtschreibers, Historien und Bicher. 
 Title in red and black within a woodcut border and i101 
 fine woodcuts by F. and C. Stummer, C. van Sichemand Jost 
 
 244 
 
en e | 
 
 Amman. Folio, brown levant morocco, gilt panelled sides, 
 
 centre and corner ornaments, gilt edges, by Allo. 
 Strassburg: Theodosius Rihel, 1581 
 
 *In the same volume i is bound ‘‘ Egesippi funff Bucher vom 
 Judischen Krieg,” etc., with 21 woodcuts issued by the same 
 printer and in the same year. 
 
 1797. JOUSSE (MATHURIN). La Fidelle Ouverture de 
 Vart de Serrurier; ou lon void les principaulx preceptes, 
 desseings et figures touchant les experiences, et opera- 
 tions Manuelles dudict Art. Engraved title and illustra- 
 tions. Folio, brown levant morocco gilt, large centre 
 ornament of scrolls and azured tools on sides, gilt edges, 
 by Trautz- Bauzonnet. 
 
 A La Fleéche, chez Georges Griveau, 1627 
 
 * First Edition. The illustrations are numbered I-LXV, but. 
 there are 42 copper-plates and 31 woodcuts. 
 
 1798. [JOUY (JOSEPH ETIENNE DE).] La Galerie 
 des Femmes, collection incompléte de huit tableaux re- 
 cueillis par un amateur. Hitched portrait and a facsimile. 
 12mo, half blue levant morocco, gilt top, uneut. Lacks the 
 etchings. Sage icnd 1799 [ Bruxelles, eos 
 
 * Limited to 300 copies. 
 
 1799. JUNIOR ETCHING CLUB. Passages from Modern 
 English Poets. Jilustrated with 47 etchings by the Junior 
 Hiching Club, proofs on India paper. Folio, cloth. 
 
 London [1862] 
 
 *TIncluded are two etchings by J. McN. Whistler, ‘‘ The 
 Angler” and ‘‘ A River Scene.” 
 
 1800. JUNIUS (HADRIANUS). Les Emblesmes faicts 
 Francois & sommairement expliquez. 47 emblematic wood- 
 cuts. 16mo, old French ealf gilt, with the arms of PAULIN 
 PRONDRE DE GUERMANTE, president of the ‘‘ Chambre de 
 comptes,” gilt edges. From the White-Knights and Heber 
 collections. Anvers: Christophle Plantin, 1568 
 
 1801. JUVENALIS ET PERSIUS. Satyre ex doct. 
 virorum emendatione. Hngraved title. 12mo, brown 
 levant morocco, uncut, by David. 
 
 Amsterodami: Daniel Elzevir, 1671 
 
 1802. J ALENDRIER (LE GRANT) des_ bergiers 
 nouuellement imprimé a Lyon ordonné a la 
 verité au quel sont,plusieurs augmentations et corrections 
 nouuellement adioustées aultrement quil nestoit par auant. 
 Gothic character, title in red and black, over 100 spirited 
 woodcuts, including & large ones representing the vision of 
 Lazarus and the torments of Hell for the seven capital sins; 
 another large one of Death on horseback, etc. Ato, half 
 ealf, gilt (somewhat rubbed), gilt edges. Lyon, 1510 
 * RARE. From the libraries of Yemeniz and Firmin-Didot. 
 
 245 
 
1803. KALIDASA. Sakoontald, or The Lost Ring. An 
 Indian Drama translated into English prose and verse from 
 the Sanskrit of Kalidasa by Monier Williams Text within 
 ornamental borders of various colors. 4to, citron levant 
 morocco, back panels and side compartments in a floral 
 design of red mosaic and gilt, green mosaic borders, gilt 
 edges, by The Club Bindery. 
 
 New York: Dodd, Mead Co., 1885 
 
 * One of 110 copies on Japan paper. 
 
 1804. KANT (IMMANUEL). Critick of Pure Reason, 
 translated from the original. 8vo, cloth, uncut. 
 London: Wm. Pickering, 1838 
 
 1805. KEATS (JOHN). The Poetical Works of Keats. — 
 With Memoir by Richard Monckton Milnes. Illustrated by 
 120 designs, original and from the antique, drawn on wood, 
 by George Scharf, Jr. 4to, original cloth, uncut. 
 
 London: Moxon, 1854 
 
 * One of 100 copies on Large paper. 
 
 1806. KEATS (JOHN). Letters and Poems of Keats, 
 Annotations by Lord Houghton. Edited by John Gilmer 
 Speed. With 7 portraits, 3 colored, facsimiles, etc. 3 vols. 
 12mo, blue levant morocco, gilt backs, side panels, gilt over 
 uncut edges, by David. ~New York, 1883 
 
 * One of 55 copies on Whatman paper, a number of the por- 
 traits in two states, with duplicates on satin. and EXTRA- 
 ILLUSTRATED by the insertion of 25 proof portraits and scenes, 
 
 ' including five examples after Stothard, mostly on India paper. 
 
 1807. KEBLE(JOHN). The Christian Year. Thoughts 
 in verse, for the Sundays and Holydays throughout the 
 Year. Printed in red and black, with portrait of the author. 
 8vo, blue levant morocco, sides and back inlaid with red 
 levant, floral and small dot tooling, gilt top, uneut, in the 
 Grolier manner, in blue morocco case, by Alfred Matthews. 
 
 * One of six copies on vellum. London, 1882 
 
 1808. KEESE (JOHN—KEditor). The Poets of America. 
 37 walustrations. FIRST SERIES. FIRST EDITION. 12mo, 
 brown morocco gilt, gilt edges, by Matthews. 
 
 New York, 1840 
 
 1809. KEESE (JOHN—Editor). The Poet’s Gift. 36 
 illustrations. 12mo, brown morocco gilt, gilt edges, by 
 Matthews. Boston, 1845 
 
 * Contains contributions by Bryant, Longfellow, Holmes, etc. 
 
 1810. KELLY (HUGH). False Delicacy, a Comedy; as 
 it is performed at the Theatre Royal in Drury Lane. By 
 His Majesties Servants. 8vo, blue morocco [by The Club 
 Bindery |. London, 1768 
 
 * First EpITion. Dedicated to Garrick, who wrote both 
 Prologue and Epilogue. 
 
 246 
 
- 1811. KELMSCOTT PRESS. The Order of Chivalry. 
 Translated from the French by William Caxton and re- 
 printed from his edition of 1484. Edited by F. S. Ellis. 
 L’Ordéne de Chevalrie, with translation by William Morris. 
 Woodcut designed by Edward Burne-Jones, Chaucer type 
 
 im black-and-red. Small 4to, limp vellum, uncut. 
 Hammersmith, 1894 
 * One of 225 copies. The last book printed in small 4to, and 
 
 the first book printed in Chaucer type. 
 
 1812. KEMBLE (JOHN PHILIP). Fugitive Pieces. 
 Small 8vo, green morocco, gilt back and sides, gilt edges, 
 
 by Hayday. York, 1780 
 * Kemble destroyed many copies of this book soon after 
 publication. 
 
 1813. KEMBLE (JOHN PHILIP). Love in Many Masks; 
 as altered by J. P. Kemble, from Mrs. Behn’s Rover, and 
 first acted at the Theatre Royal in Drury Lane, March 8th, 
 - 1790. 8vo, red morocco, gilt edges, [by The Club Bindery]. 
 
 London: T. and J. Egerton [1790] 
 * FIRST EDITION, with the half-title. 
 
 1814. KEMPIS (THOMAS A’). Of the Imitation of Jesus 
 Christ, translated from the Latin original ascribed to 
 Thomas A’Kempis; with an Introduction and Notes by the 
 Reverend Thomas Frognall Dibdin, D.D. Royal 8vo, 
 divided into two volumes, blue levant morocco, gilt back, 
 gilt edges, by Bedford. London: Pickering and Major, 1828 
 
 * Large paper copy, withan original drawing and 90 selected 
 plates added, including many rare old copper-plate engravings 
 and proof impressions of the more modern steel plates. 
 
 1815. KEMPIS (THOMAS A’). Of the Imitation of Jesus 
 Christ. Translated from the Latin original by T. F. Dib- 
 din. Frontispiece. 8vo, cloth, uncut. 
 
 London: William Pickering, 1851 
 
 1816. KEMPIS (THOMAS A’). Of the Imitation of Jesus 
 Christ. Translated from the Latin original ascribed to 
 Thomas A’Kempis by T. F. Dibdin. Engraved frontispiece 
 —|Eece Homo] from an original painting by Guercino, in 
 two states, both proofs. 8vo, dark blue levant morocco, 
 
 back and sides richly tooled, gilt edges, by Bedford. 
 | London: William Pickering, 1851 
 
 * A note on the fly-leaf reads: ‘‘Given me by F. Bedford, in 
 London 1869. Robert Hoe. Jr.” 
 
 1817. [KENNEDY (JOHN P.).] Swallow Barn, or a 
 sojourn in the Old Dominion. FIRST EDITION. 2 vols. 
 - 12mo, green levant morocco, gilt tops, uncut, by The Club 
 - Bindery. Philadelphia, 1832 
 
 1818. [KENNEDY (JOHN P.).] Horse Shoe Robinson. 
 A Tale of the Tory ascendancy. By the author of Swallow 
 Barn. First EDITION. 2 vols. 12mo, half cloth, gilt tops, 
 uncut. Philadelphia, 1835 
 
 247 
 
1819. [KENNEDY (JOHN P.).] Rob of the Bowl: a 
 Legend of St. Inigoes. By the author of ‘‘ Swallow Barn.”’ 
 FIRST EDITION. 2 vols. 12mo, half cloth, gilt tops, uncut. 
 
 Philadelphia, 1838 
 
 1820. KENNEDY (JOHN P.). Quodlibet: containing 
 some annals thereof, with an authentic account of the 
 origin and growth of the borough, ete. Edited by Solomon 
 Second Thoughts, Schoolmaster. FIRST EDITION. 12mo, 
 green levant moroco gilt, gilt edges, by The Club Bindery. 
 
 Philadelphia: Lea & Blanchard, 1840 
 
 1821. [KENNEDY (JOHN P.).] The Blackwater Chron- 
 icle: a Narrative of an Expedition into the Land of Cahaan, 
 Virginia. Illustrations by Strother. FIRST EDITION. 12mo, 
 green levant morocco, gilt edges, by The Club Bindery. 
 
 New York, 1853 
 
 1822. KENNEDY (JOHN P.). Memoirs of William 
 Wirt, Attorney-General of the United States New and 
 revised edition. Portrait. 2 vols. 12mo, half brown mo- 
 rocco, uncut. New York, 1866 
 
 1823. KETTELL (SAMUEL). Specimens of AWvican 
 Poetry, with critical and biographical notices. 3 vols. 
 12mo, half green morocco, uncut. Boston, 1829 
 
 * Contains the first appearance of Whittier’s Poem ‘‘ The 
 
 Sicilian Vespers.’ 
 
 1824. KILLIGREW (SIR WILLIAM). Three Plaves 
 Written by Sir William Killigrew, Viece-Chamberlain to 
 Her Majesty the Queen Consort. 1664. 
 
 Selindra. 
 Viz. Pandora. 
 Ormasdes. 
 Small 8vo, russia, blind-tooled back and sides. 
 London: Printed by T. Mabb for John Playfere and 
 Thomas Horsman, 1665. 
 
 * FIRST EDITION. These three plays have saporete titles and 
 pagination; Pandora is dated 1664, the others 1665. Contains 
 Commendatory Poems by Edmund Waller, Richard Stapylton, 
 and others, 
 
 1825. KILLIGREW (SIR WILLIAM). Three New Plays, 
 viz., Selindra, Ormasdes, Trage-Comedies; Pandora, a 
 Comedy. Small 8vo, red levant morocco, gilt edges, by The 
 
 Club Bindery. London: Printed for Simon Neale, 1674 
 * Third Edition of the first two plays; fourth edition of 
 ‘« Pandora.” 
 
 1826. KILLIGREW (THOMAS). Comedies and Tragedies. 
 
 Written by Thomas Killigrew, Page of Honour to King 
 
 Charles the First. And Groom of the Bed-Chamber to 
 King Charles the Second. Brilliant wmpression of the por- 
 trait by Faithorne, in the first state, with the unfinished 
 
 248 
 
‘ 
 
 escutcheon (remargined). Folio, red levant morocco, gilt 
 back and sides, gilt edges, by Bedford. 
 London: Printed for Henry Herringman, 1664 
 * This collection consists of eleven plays, each having a 
 separate title-page with the imprint ‘‘ J. M. for Henry Her- 
 eae 1663, excepting the last two, which bear the date 
 — =—-1827. KING (CHARLES WILLIAM). Antique Gems 
 and Rings. With 10 copper-plates, 56 woodcuts, and nu- 
 merous text illustrations. 2 vols. royal 8vo, cloth, uncut. 
 London, 1872 
 1828. KING (HENRY). Poems, Elegies, Paradoxes, and 
 Sonnets. Small 8vo, red levant morocco, gilt back and 
 side panels gilt, gilt edges, by Hayday. (A few top margins 
 shaved close and a name partly erased from title.) 
 London: Printed for Henry Herringman, 1664 
 * Second Edition, with 38 pages of Elegies added. 
 
 1829. KING AND QUEEN. The King and Qveenes En- 
 tertainement at Richmond. after their departvre from 
 Oxfogzgd: In a Masque, presented by the most Illustrious 
 Prince, Prince Charles Sept. 12.1636. Small 8vo, red levant 
 morocco gilt, side borders, gilt edges, by The Club Bindery. 
 
 Oxford: Printed by Leonard Lichfield, 1636 
 
 *FIrRST EDITION. The dances were composed by Simon 
 
 Hopper, the music by Charles Colman; the parts of the Captain 
 
 and the Druid were performed by Lord Buckhurst and Edward 
 Sackville. The masque is written in the Wiltshire dialect. 
 
 1830. KIRK (ROBERT). The Secret Commonwealth of 
 Elves, Fauns, and Fairies. Comments by Andrew Lang. 
 Frontispiece. Royal 8vo, boards, uncut. London, 1893 
 
 * One of 60 copies on large paper. 
 
 1831. KIT-CAT. CLUB. The Kit-Cat Club, done from 
 the original paintings of Sr. Godfrey Kneller by Mr. Faber. 
 Title-page and 47 beautiful plates engraved in mezzotint by 
 John Faber the Younger after paintings by Kneller. Folio, 
 red levant morocco, gilt panelled sides, gilt edges, by Bed- 
 ford. London: J. Tonson, 1735 
 
 *FirsT Epition. ‘The portraits include the Duke of Rich- 
 mond, Duke of Grafton, Duke of Newcastle, Earl of Dorset, 
 Earl of Carlisle, Earl of Scarborough, Sir Richard Steele, J oseph 
 Addison, William Congreve, Sir Godfrey Kneller, etc. The 
 portrait of Edward Hopkins is not in this copy. 
 
 1832. KNIGHT (CHARLES—Editor). London. Nu- 
 merous illustrations. 6 vols. in 3, royal 8vo, cloth, uncut. 
 
 London: H. G. Bohn, 1851 
 
 1833. KNIGHT (RICHARD P.). Knight’s Modern and 
 Antique Gems. 85 plates contaming over 500 figures en- 
 graved by Dick, Scott, Forrest, &c., from designs by Vining, 
 and others. Small 8vo, green morocco, gilt side borders, | 
 gilt edges, probably by C. Lewis. [London], 1828 
 
 * Said to have been the poet Southey’ S copy. 
 
 249 
 
HR: 
 
 1834. KNIGHT (SAMUEL). Life of Dr. John Colet, 
 Dean of St. Paul’s in the Reigns of K. Henry VII. and 
 Henry VIII and Founder of St Paul’s School, &e. Por- 
 trait, and 7 plates. 8vo, purple straight-grain morocco, 
 back and side panels finished in blind tooling, leather 
 joints, gilt edges, by C.Lewis. London: J. Downing, 1724 
 
 * FirsT EDITION. Large Paper copy. 
 
 1835. KNIGHT (SAMUEL). The Life of Erasmus, more 
 particularly that part of it, which he spent in England; 
 Wherein an Account is given of his Learned Friends, and 
 the State of Religion and Learning at that Time in both 
 our Universities. 8vo, pigskin, UNCUT, by Clarke and 
 Bedford. Cambridge, 1726. 
 
 * Uncut copy of the small paper edition, with portrait by 
 Vertue, and 16 other plates, with the three extra engravings, 
 including the portrait of Froben, and a proof on India paper of 
 Sir Thomas More and his family. Autograph of ‘‘ Samuel 
 Prince” on Title. Dibdin says that he never saw this book in. 
 an uncut state. 
 
 1836. KNIGHT (SAMUEL). Life of Dr. John Colet, 
 Dean of St. Paul’s in the reigns of K. Henry VII. amd K. 
 Henry VIII, and founder of St. Paul’s School. 8vo, boards, 
 uncut, back repaired. Oxford, 1823. 
 
 * Probably on large paper. 
 
 1837. KNIGHT (SAMUEL). The Life of Dr. John 
 Colet, Dean of St. Paul’s in the reigns of Henry VII. and 
 Henry VIII. and the founder of St. Paul’s School. With 
 an appendix containing some account of the masters and 
 scholars of that foundation. 2 portraits, and 6 plates. 
 8vo, half blue levant morocco, gilt and mosaic back, gilt 
 top, uneut, by David. Oxford: Clarendon Press, 1823. 
 
 1838. KOCHLER (ADAM).  Disputatio de Nuptiis 
 jure divino prohibitis. 4to, old boards (cracked), vellum 
 back. [n. p., 1615] 
 
 1839. KORAN. L’Aleoran de Mahomet. Translaté- 
 d’Arabe en Francois, par le Sieur du Ryer. Suivant la 
 Copie imprimée a Paris, chez Antoine de Sommaville. 
 12mo, red levant morocco gilt, gilt edges, by Bauzonnet- 
 Trautz. [Amsterdam: Louis Elzevier], 1649 
 
 * First issue of the first Elzevier edition, with the dedication. 
 to the Chancellor, *2-*8, making eight preliminary leaves, 
 . instead of six, as in the second issue. Height, 130 mm. 
 
 1840. KREIHING (JOANNES). Emblemata Ethico- 
 politica carmine explicata. Hrontispiece and 162 emblem-- 
 atic copper-engravings. 12mo, vellum. Antuerpizx, 1661. 
 
 aed 
 at © 
 
 é <— 
 
Che Anderson Auction Company 
 PRICED LIST 
 
 OF THE 
 
 Robert Hoe Library 
 
 PART FOURTH 
 
 Lot No, Price per Lot Lot No. Price per Lot Lot No, Price per Lot 
 ‘ES ae $ 55.00 5 te ae ta $51.00 Oe. Settee $ 40.00 
 Bie os 25.00 Es ier creer 9.00 sarees 30.00 
 1 bachahe eats 32.50 BAN eara's 36.00 POR ase as 4.50 
 Bays nits 5.00 LSS nee 45.00 ee greats 505.00 
 aera. <4 8.00 Lp rrates 59.00 Senet ease 9.00 
 Rae cise’. e 7.90 2 Pe 15.00 eS Se SS 105.00 
 ig ae 22.50 es he 17.00 sarah Oa Rae 4.50 
 Beet .°0' 22.50 4 I Se 8.00 BOM ees 9.50 
 ee 27.50 LO git ean? 10.50 Bara as 17.00 
 
 Bee ot. 70.00 : ee 62.50 sig Cypser 45.00 
 1S ae 5.00 Be siae ss 3.00 BOG. ares: 30.00 
 ee 12.00 BUN Ft Pa so 11.00 ol he prt 20.00 
 eae 7.50 Buby So eis 39.00 ss Sanaa 22.90 
 GAS 3.00 fe Oe 9.00 SAR Beil ea 4.00 
 ae 31.00 ae Oe tact 13.00 DO sees a 3.00 
 rea 'a's 10.00 Dat tls: 4,50 fin es BaP 7.00 
 aie a," 13.00 5 Se eee 150.00 ot VTE eas C85 1.00 
 1h a 15.00 ae pene 6.00 2 ieee eed 21.00 
 (ee ae 22.50 Sle Gale ee 18.00 Dey eck 12.00 
 ae ae 7.50 les es 3.00 OD. os cndin ¢ 40.00 
 GE: pean 18.00 Dee wee es 2.00 OD pees 15.00 
 BE Mires. <3 15.00 LL ae 3.00 SW eS 7.00 
 8 aera 20.00 Giese s b 3 5.00 ye TRESS 20.00 
 Oe oe eae 13.00 182 aang 16.00 1 AE oS Er 4.50 
 Bs “oe 16.00 ae De We es gate 10.00 
 OS ae 20.00 Ee eee PROVO utes ecu es§ 17.00 
 2 nian 15.00 or ee ae £40,005) 1026 oon, 5.00 
 ee is 19.00 5 toe Rare eh iy Od. woke wire 55.00 
 ean: > 2.00 Bee ee) 50 LOS Bi LO4 SoS cc. 300.00 
 1 a 9.00 aS a ee AOE LOD oe ale a's 2.00 
 CNS ea 20.00 eee i. Lae LOB. ie 55.00 
 VES ean 10.00 i eee Sie by LOT sain eis 12.50 
 La aan 11.00 SIN wactocs cs LG) LOB Sy cry 55.00 
 eyes) 20.00 ('] ge Ber eerie ey TO eS i ve co 45.00 
 at ae 7.00 Nae emery ig PDO LD i eeuss se 25.00 
 BEMIS 5:2 15.00 gin eee Sw Beets ary ip sn es 12.00 
 a 175.00 edge tee i ae TLOD0G We ciclo Se 15.00 
 Peis ays = 1.00 [PS ae S750) doh iats ia ap 1.00 
 
 ILAPE7—D /AF/7 
 
The Anderson Auction Co. 
 
 Lot No. Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 14s ee $ 7.00.) 163: ..5.. .$> 75.00 7) 2 ee $ 15.00 
 Oe Bsr gon ea ee 125.00 7166) 8. ee 140,00) Zig eer 17.50 
 VLG eee 55.00 2 S-Di Gare 16.009) 21 15.00 
 be oe kage 715.0064 5 163745840 65.00 4. 2205 eee 12.00 
 LR 16:06 4) DOs te aes 100. 005222 eee 3.00 
 fe ray dete oe 8.00) oT eee 02.00. jo Zanes 10.00 
 T20 eer aes 1002 ol ees 13.00 |: ZAG eae 22.50 
 PLT 8.002) eh ae ee 10.00 | 22a ere 15.00 
 AW ete nae 1700: el iSagtee. 26.00. |. aoe eee 20.00 
 LOS Sshyeee 26.00-|" Ti4as eee 1.00: | 226s eee 22.90 
 124s Sige es 1:00 2 owe 30.00 ||) 22a oe 40.00 
 LAD evo 15:00 3 11 Gaee sa: 10.00 | 226 Fees 12.50 
 LAG Va ee 6/00 ET ee ae 20.00 1 229 Bere ee 30.00 
 Le Eras eee 15:00 O14 S iets 4.00 || 230 See eiwa 15.00 
 BP eh eee 0:00 est Ee te 13.00 20d oe pence 25.00 
 120 Pawns 9.00 Sai ease ae 12.50 «) (252m ares 23.00 
 TSO ee ees 30:00 5 hed eer. 15.00 42a eee ee 26.00 
 13 Lees Sa00 | Ca ezemer Go 2.00 4) ase ane ee 2.50 
 BRS yoy Reis 6.00 Clea e ae 2.00 | 230s eee 3.00 
 IDS fhe 2100 hss ea 13.00 ) 2665 ee 1.50 
 LOA Raped L750 i isomre ee o 13.00 A B8d eo ope 36.00 
 Lab hee: 200 «786 tear 13.00 |} 258 Sate 19.00 
 ADO hte wae 30.00) Shs fete ene 15.00 |) 2595 eee 17.50 
 Neve wne ae 17.003) 2 1Sb ee ae 100,00 240.52 ee 25.00 
 LOO eke ae 1:00) ls ae 12:50 |) 2a eee 1.50 
 LOO arith Dai) baled cer ew 3.00 - 2420) ane 3.00 
 140 er ee 60.0054 glol ane 6.00°| 243 Ree: 5.00 
 141 eee 100.0051 02 ieee 10.00 | 244....... 20.00 
 NAD Be ee 0-002) OS ete 16.00 1 240 eee 34.00 
 LAS Meee 12 D0= | 10a a 5.00. 2a 0a eee 165.00 
 144....... 10:00) Big rena 135.00 |) 2aT ees 4.00 
 145 eee C00 sO OSe ae 67,50) |, 2aBe eer. 2.00 
 TAB eae a ie 3.00.4. oie ee 110.00 32a eer: 8.50 
 TEES pots 1,00) SEO Ra eer: 180.00) 2O0Re ees 20.00 
 148 oe 50.00) OO acta a 9.00 bea eee 40.00 
 1A0 BN ae 60,00 =) 2007 acer, 5.00 4) .202 gehen 100.00 
 THO eee oe 29.00) a2 eens 30.00 | 253. 2222. 6.00 
 1S bees eee 22.00 || 02 aes 12.50) 3 20428 eee 95.00 
 152 tee 30.00 | 208....... D.00°4- 2bo ete 1.00 
 1S. aia 19.00 -P 204 ents 53.00 | 256,57 20.00 
 Ohi) Naa Pe 6.00): Boar eva. 1.00) (23 eee 2.00 
 LOD as onnoae 3.004) 20645 cre, 200.00 1° 25 6iae eee 2.50 
 1G rcs dene, 6:00 5 208 Bee 10.00: 250 eee 70.00 
 LO ieee 13,00: 3 00 Seen 8.00 1: 200 eee 10.00 
 LBB cet hcnes 10,00 Wea ace, 2,00): 264 uence 32.50 
 LO ay haa AOU: NZS yore 10.00 | "262.5 Fae 3.00 
 LOU sees 20,0024 22 2 eae 10.00 | - 268 0e eee 2.00 
 LG Taek es BUDO 421 pes eee 17.00 "| “26453 2.50 
 GB bag eT 67.50. | [2 Teen 10.00 | 265 geen 46.00 
 LOS Sa SOLO hg Be AB hse 5 G8 ss 15.00 |: 26602 ee 61.00 
 1640283 ves 4.00 LG eas 17.50 |. 267-3ageee 4.00 
 
The Anderson Auction Co. 
 
 Price per Lot Lot No. Price per Lot Lot No. _ Price}]per Lot 
 LS ets 10% Sean Otome. .$ 80.001) 870... 0... 8 6000 
 Ries wis Roos ones... 2. DO00+) STL oo... 240-00 
 > erase main. en, OOO: | BSISCS. . nus BOO 
 > ae ae Sema daetiect... L600} 37375..0.2+ 1000 
 4 ee ets fons OLOUY| ST4ee.. 22... 17:50 
 eons eee ree). oo) 90.000) | 8760, do ue. 700,00 
 [ae Gee ete. yt. 20.00 | SF602:.. . «.. 125.00 
 ee ene oa0n........- 100,00) 377....... 100,00 
 Ser Pe omia. .. >... LOO.00: |: S78... as... 55.00 
 2 RS Deere canes... 42.00) |) SI9L. 2... - 42:50 
 Beas. 5s aoe dee. . a... .120,00° | S80. 0). 0... 20.00 
 Medes (cs, « on ioous st. s.. A1LT.50.) $81 0.-5......00520.00 
 ee Be een, Cage ALIOOS | BBRi ry. a. 60.00 
 = eee Pe eae en CO00)) “88385. 3... 85.00 
 | eae Saou dose... .:.. 180,00 | 384... ... ° 86.00 
 Bey ins 3 Pome aati. .:..<., 1380.00) |. 385 450.00 
 ae RG owes... 260,00 | S8OF. 0.0.00 15.00 
 ae Cer ovGie..4. 36.00) 887...).. 2,350.00 
 ee eating. c..0,000,00 | S882... 5... 1000 
 eee Ce ett st. sss, OL | 8895... c.: 6.00 
 Poy). « eon eee... 180.00") 390400000... 10.00 
 a ae tee es 22... L20.00% | BOL... 1, 15.00 
 "ee 120.00 | 341...... 1,300.00 | 392....... 200.00 
 Bees Pepemieoeee.... OOO) 3082...... 10250 
 ee Peon adeaa can O1.00°| 80452... 00... 75.00 
 ae Bows 344... .....° 160,00 | 3954... 2... 400.00 
 See Bao edba...:... 382.00) | 396.2... ..* 85.00 
 eee Pee Ot tc DUO BOTS. cu. 5 2008 
 _ eee he) fois. LOG, OUL | SOB. es ss 185.00 
 Pees 80007) 348... .. A ZOO A > BOG sa 100.00 — 
 re HOO) de9e.. cu. 40.005) 4002... 25. -215.00 
 Bete aha awn foots... 410.007) 4012. 1 ..5.500.00 
 Bee es, SU MOn tee... as £20.00") 4020. 2 LTO00 
 - eae oun ses eas LUODO 408 ees THO 
 Ee ae BU Oe ama. ea OL UG 40400 eee B00 
 ee Be oes oes i LGO.00N | 406255. 550-7 17.50 
 ae PO 0d ras. ne 200.00") 4065. . .6«< 235.00 
 Mets OnO0e + cotue... 3... 126.005) 4072)... oc. 835.00 
 i re Ba BOE sees oes GOL008 409... 160-00 
 ae A708) 308). oh. 20.000' 410.55... 2. 45.00 
 ie Bios obese... 0,Le0000 |) 404 +. a EL00 
 . ae Pe ee HOP le sass fF LOOM | AP ark oe va) FDO 
 ae Poe abner. 0s OOOO 498820. 26. 9°: 7.00 
 civ: < Me-O0n O00. vicaa 20.00 |. 47400. ou. 6.00 
 Bees i's Pe a UG ets OOO | AEB) ase 8 BOG 
 TS ieee 5000" (36430. 22... 10000") 44652... °- F.00 
 ae PES 0001366 font... 610.003 +) 40%. cs 21.00 
 oa AID?) 80654... 2,800.00 | 418....... 1.00 
 SLO OO R  SOR Le sei LOS.O08 | 49ST. i 90.00 
 Oat,” «.-,. HODGA 1: SBE PE: <,... e2EOOF |) 480. oc, 7.50: 
 * ae 135.006), 369701... 100.009) 421........- 35.00 
 
The Anderson Auction Co. 
 
 Lot No. Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 AB? Pal eis a Bo POOL ATS A Ce $ 16.00.) 524.0 ..55, $ 50.00 
 Ca AY ee 12,007 | ia n.. 6.00." |). D2b epee 1.00 
 424....... ZO MOS TS ek ced - 2:00 | BZ 10.00 
 Aa eta L100) AT 6 ies 100,00: |} 527 eee 25.00 
 BOG ev dscis DOO Eat Te) ilererens 11.00 | “b2ecteeee 12.50 
 A asd oe VT3.0O McA TBs erate 100.003 | (320 See 10.00 
 AB have: D200 0479 Vek. 85.00) |: Se0 sear 30.00 
 A te 280,00 ABU Sie 18.000 |) ieee 16.00. 
 AO Satay Za, 22000) VARIA Ss, w- 400% | Deere 17.50 
 ZEN Bios 25 GO 2) PAGE IBS Y sein 11.00") (SS aet eer 20.00 
 Ain ee TBD 00 NAB Se eke cases 6.00 | 542 Fao. 30.00 
 Bhs oetenty: 1,200.00 | 484....... 15.00 | 58a eur. 45.00 
 434...... 1,400.00 | 485....... 7.50) |) SEGRR aya, 6.00 
 AE piaeuiNeye 4.00 | 486....... 7.00: ae eee 11.00 
 Ea Cea a ee 9.0004 AG exert a 7.50" SeRem nase 150.00 
 id Pere 15.00) ASBetet ae 10.00 | 2520 arenes 12.00 
 LOSER Vie oes 4.00) | (ABOU ie ice 1.50) ae eer: 50.00 
 39s ee S2:00i) AOU iia ees 19.00. Sota eee 15.00 
 440....... 13.007) 40T Eear ns 18.00::|. DaZse ee 22.50 
 ce ae 90.00) | 402 cy sobs 3.00 | 5482 see 165.00 
 BAD APE ais 1b.002) AOS gree ics 11.00: | a4 ee 8.00 
 AAD td can 5.00: 7) (406 oie 1.50° |: 45 Wena 7.00 
 444....... AT.SO 490 paces 1.00 | D446 See 2.50 
 445....... 24 OO AUG Fees ase 11.000) 54 jae ee 30.00 
 446....... LS0Ui 20h cee: 5.00 | 548....... 560.00 
 22 ae ae ee 13.00) A906 Paes (50.1 549 Sen 28.00 
 448....... L000): AGO Seg eice 10.00 |) 55002, 2 ee 5.00 
 449 hee cS 102,50 |) BOG8ee ena. 2.00 <i SBT ee eae 4.00 
 EU Srass ieee 210s) (OO ay area. 1.00. | S52 eer 1.00 
 AoE aah: wien 2.00 “BOA Reb ae 10.00) ase ee 55.00 
 452 hee 21.00 SCO eit 10.00 | ‘S54Na See 8.00 
 Lip gee 75.00 | 504.,...... 190.00.) S550es oars 1.00 
 454....... BO.00 5) SOR ei. ea 2.00") (D0Gie ae 18.00 
 ADD ashes aie 6.00%: SUGTBUS vas. 16.00" | SSbvoee eee 2.00 
 450 een 2.903. DOR ae ees 5.00) Soe. seen 3.50 
 LY (Aye 12.00.) SOB eas, dL.O0- 1} GOO eee 40.00 
 Lata alannah 2.005 | DOU Se kee 11.00") (5GU see pee 60.00 
 na be Die ede 62:00) 1 O10 Maa os. 16.00) S61 2 oe 2.00 
 46000 a BU,00 ts) i lelnager res, 120.00: |-562Reeree 100.00 
 4610 20.0051 Oe Risen soak 6.00-| SUa.e eee 165.00 
 462 io ie 4 OD Sailors 20.00 | 564... 4% 8.00 
 AGS 2 ee we B1b,00 7): bia nek 12.50 | 565.05 sees 2.50 
 464....... 20.00 2 DED sy we 21,50 4. SOO LA wees 56.00 
 AGO OY viata LOO Ot 2.004 DOT eee 425.00 
 466.5550 BD.00 Th Ut. ee 100.00 S683. 4¢ 3.C0 
 AGL. fins Deco ek Ue Ane ek 45.00 | 569.5 ie 100.00 
 CO5i ES one DO.00M Dio ae. 52.50''| SiO eae 20.00 
 400. Race 4.50!) 520005 .2.5. 16.00 | 57g 3.00 
 410 soe 10:00) DAT Re. $2.50 | ST2,aheane 165.00 
 aU. veo oe DAO fh BZ a be De a 32,00 | SYSanneees . 270.00 
 9 pan shoe 4.50.3) DBS AN hau. 125.00 | 574 2450nes 15.00 
 
‘The Anderson Auction Co. 
 
 Lot No. Price-per Lot Lot No. Price per Lot Lot No. Price per Lot 
 Tice $ 4.00 | 626....... rte OG CO ngs eee is $ 25.00 
 PMCs Sut oe co \W ASSES 4] Cee eae BOO IA GTS ce ersaces 6.00 
 2 eee OOO aBciti eo ks, BUEOO ARG tee fies 450.00 
 ie HOP) O29 os. ZA) PO DUELE 44, oi 20.00 
 ATS oan Oh GAO eo os Ads AR Tae soi ee Sot ee 4.00 
 MN os asp ms CML VW SR S.5 Ee aes POROO™ GBR arti. 2.00 
 9D pea dete BP MEO Also 3) 0.0! os DOM MaGGee res 5 10.00 
 Bee sete DOO 2 O68 fa. ca’ OOD) Tis ee ie, pou: 1.00 
 er. ae GeO P6048 oo. TOU OOD eaal ss. « 1.00 
 BE oi pies AS 037 aa oe BO DOR Sel ale te 11.00 
 BED ic os RRO ES EEOGO ee ssi. : TOO Oy CORES ee. 136.00 
 DO ce os! x to MEGS 20 oY Sorgen OO BSS Sale 92.50 
 CS Gren te Goes... VS UAB AEE cies: Sager i pean 40.00 
 a ea UN We he 2 ce ac AU E POU oe sae 80.00 
 lo ae O02) 6400... TEDO OO ees oie. 300.00 
 oe he ie o's POO 5 COE oo a LO 6) S92 Sat 7.90 
 “i ee BOO! O42. 66k. Bi oh 2 OO catia ch be 22.50 
 Me as UN 2 eae POO ope BORIS, oa 16.00 
 Be ee! S sd. 6.50 | 644....... BOO AEG a dia: Ae 5.00 
 le ea SOO AB4D cas OOD Te BOR ee), 19.00 
 DDR Soe <5 mboe) p46 DO) GO NS r a6 oe 15.00 
 BOG gs oo )<s Ole 64s). Ss OO Bee is 240.00 
 CES O00 +) G48 8... Pea OOO deen a 1.00 
 BP cel gigs pee or O49 2 ow... 5 TOU st hee. 3.90 
 Bea <n < Be OU ata)» HOU statin see kee 6.00 
 1 ea ae aS Be REO Sh TIO Boe ais tenad 6.00 
 Se Sea POO G tOoad.. <4. - 45D0 0 2108 02 cae 32.50 
 Be ie a 501 D8 lot: Sea DOO oP OEs hes 21.00 
 3 a eee 80.00 | 654....... Bay SEONG cha aac: 17.50 
 eS... 5. Pe 20562... 6. DOU an erase. 2 A 17.50 
 I oo sins « FOO 6065 0...4. SACRO a STOR ew. ats 17.50 
 0 Pe OD 1S eens DOO rs eacae. « 27.50 
 eer OY GOS vitiea's bee RN as ei dd bas yaa ee 10.00 
 OE des De BON Be cos RS OLOO OTS vee es 16.00 
 DN eiekc.e a « BOING oo cies re teadt Miata’ Ss 17.50 
 Bie... Gee O = GG1t. 41... POCA EAL eee focaep « 5.00 
 Peaks ease. 3 OOOO) NOG2 i oc. 2. EU EAL SO a sire oss 25.00 
 MPO cass, os OU) GG sh oa) wie COO or Lara h i secs 2,025.00 
 Cs BU 1 G64. ae 200.00 1 FLD aoe ss als = 20.00 
 a AO) GOD. 6. RI OO ree EL Witte treo 450.00 
 Bee oe si), Be oh OGG. ec... OU a kL sta; 4.00 
 oO 45.002) 667... wes OOO aa Mies ate Sv cae 7.00 
 WOME Goa. x... AGG (OD. <2 4s, TO sede Die ams 6.00 
 Wea s,s, Heo 00 PPOGT 4 «6 TOO BO ag st. 4.00 
 51 OO EONS ie ale. as OOD 2) RAT Be enssune 2.00 
 Ree... ERO) EE oy Pej ala) OO tt ee aca 7.00 
 aie... AG OO OTA ea as. 95.00 | 723 stan 
 es! 60.4.» DE OZ WAL OU. a ieee yous SOOT SAA es we, 
 DE Bien «a AAI Ed fact 702s aes eee Ga ROO: Bot hoa 1.00 
 uemoaa..,.,...,, 12.50 | 675... ...... GOMOO sv p2G 4 teen 3.00 
 eeeenGes.......... 10.00 | 676....... VAC. 00 ATOR nce 3.00 
 ; 5 
 
The Anderson Auction Co. 
 
 Lot No, Price per Lot Lot No. Price per Lot Lot No, Price per Lot 
 Tid aan ee BeOS Oe ceria eve $ 12.50 | S802. aenee $ 22.00 
 oe «oi wily tebe TOD TO are vac 28.00 || BSL oe wie 11.00 
 POO Gry Was SO00: BLE ese ot 9,00.) “83255 ateyee 25.00 
 ROL eave TOO Te oe ates 28.00 } 8307 seer 539.00 
 MDA sca Wes 8:00 cl UB rae es 130.00 | (884i or aes 61.00 
 Ody ater ts G50 GUL Saa a 17.50 | Bebe eas 15.00 
 WOES Sit dates OO BO ewes 10.00 + (e863 sis 3.00 
 (eons oe 2250 Vi SG ae war 23.00.) Baaae sy ees 30.00 
 yO eee me aks SOO LES te mares 36,00 | ‘838 rea es 20.00 
 ED Lic cata 2400) 18S ee 2:00 | GBRi eae 12.50 
 POON Cte Sere REST Wot eai te Ra bh a 2.00 | (8400 teers 15.00 
 Ten oi aetae B20 wl OG eee pany e, 2.00. |) S40 oc. ceie 6.00 
 TAO iene 222505 Vio esas 2.00 4 8425. 2 is 125.00 
 Aa lit jatascre B00 tae ae 9.00 | Sao nes 20.00 
 TAQ a S00 17 OS ie ree 2.50 | 844....... 10.00 
 (43s eee 10/000 TORR ae 2.00 | 849. ..a¢s, 65.00 
 TI 4iwees OELOU ith GO eee 10.00 1/646." 2223 25.00 
 TAD Peek 30-00. 7080 Tee ae 3.00 | Sate sae: 28.00 
 PAO canes 5 UR RE oe orks ean Pa 2.00. | ‘8482.2 2 ea9 5.90 
 VET oe 9:00 «1 AS on 3.00 | S43... oaee 800.00 
 (48) ne LOO Soa aes 3.00 {8507.5 Fee 315.00 
 TAG ee ee 1:00) 9 B00 Ai ee 2:00 1 3852 eee 850.00 
 OQ: cars MAO Ns OU ee eee + 2.00 | B02 baa 37.00 
 NOL? Samer 10:00 3 “SGeiey as 3.00 | Bbd 8 ote 6.00 
 fps Wimmer ey 6.50 MGOba a we, 3.00 | S54... 2c, 15.00 
 UOOG. <vastes 1.00) SOAP ee ian 185,00 1 Sine so eee 62.50 
 YEe ereee 12004 S00 ee 25.00° | "SBO22. wake 35.00 
 FO toc or 100 7) BOG ee ans 700° | OT so sens 90.00 
 TOG Ses eons 60.00 | [80% tee cer 136.00 | 858.0 cia: 30.00 
 Fi ares 140.00 (} S08 ak: wis 97.50 ° | Bae ar ene 50.00 
 TOG eons ZOO? BOO teva: 190.00 | S607. 13.00 
 LOD Bate ete 3.00 4 BIO Steet 105.00" | SG. 30.00 
 FOG as LOO. FE een 105.00 | 8625) ni 2.00 
 TENE Sevens COO CTSA ecw 51,00 | 863. 2 ans 3.00 
 Oa .tsueers 140.00) } STS. caries. 25.00: | SOAS Sees 2.50 
 POS one A500) Sia Gene 10.00 | BGG. vier 2.00 
 TOS ieee 20.00 =| coe aes 16:00 |} BOGS 2.00 
 UGO eden et 30.00: + STOR yale 105.00 |) BGT ees 8.00 
 TOQSe cee Zi00 | SR eee 35.00 | BGS-52 eee 26.00 
 (GL Mesa 9:00.) BEG are 20.00 | 869 3.. cee 26.50 
 TOG 3 iy oe ee 200 |: CUB wie 30.00 | 8702.2 -.e8 15.00 
 TOs oe oor BEAU O20 ee ee 1,200.00 | B17 ese 12.50 
 MOG ee DOO, | BAler cere 90.00. | Be25e eens 60.00 
 VS Bay 1806.1 S2a%c eee 5.00 "| S (eran eee 8.00 
 TELE, Ce 8.007) Baan. ace 2:00 |) STAy sae ee 20.00 
 TAS teeta 50.00 | 824....... 11.00 } BYs se eeee 82.50 
 PS RG cing 510700 | BEOu eee 1:00 | S762 iees 22.00 
 (Mister ony x. 8.00 | BB0 pe) coe. 85.0011: BVA eae 32.00 
 TOL Pree Li 50) Baie wees 90.00 | STasea aes 11.00 
 Mp cicette IZ: BAS Ree a eae 12.50 |. BTQoR hes 45.00 
 TUBS wine PAW CUS ie ays! Bea8 Gaara 175.00 | 880... .,44 21.00 
 
‘The Anderson Auction Co. 
 
 Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 Tee BME OL. Ss sia $ 5.00 aye Hearse Heed aK ELD 
 Spa MOO Pi iowae. S. os. ...590,00 OBrien ents su ONeO) 
 he ee isle SEN 559s seenamemmarowsiataen bt Be 618) DS Se reg is 
 See Pe OBA os awe es 90.00 MEE oe SON 
 hy OD 00 ons soo 40.00 Ue ancy « OU 
 Be ete POO OOO. <n os 3,00 Me he anes gh ey NO 
 5 are PROU Od ls o ss aus LOO bond pci ste AN) 
 se aR BOUT OSE aw ey) LeD0 3-2) i cea AW raw 20-9 (0 
 met OOOO iain ey, 20.00 cee pal eae) 
 Bra a pee Oe LEN 2h eats 6.00 
 ae p00? | 204i os, . 00.00 DOD aie le SO 
 cet OS ae ores a) 02.00 DOB wn se eounaG 
 : hea 13.00 | 943.....,.., 300.00 O98. Sn) 40200 
 ee at, PO yee eee ec Oa.00 BoD Leen ee ee O0 
 - 5 AP O00 945.00...) ) ¢3.00 JOO Le pee, e000 
 ae eae A002 946. ...0...., 12:00 OO or note hee OU) 
 ree, Pog-00- A047... >. - 20.00 DOG ac eared. eG 
 se Mah 1 B48, So. -. 19:00 DOO gies eo UD 
 See Pee ote. ge: 1100.) 1000. 3 a 18.00 
 ane e Oda ote. .3 se. FD.00 | 200K. ce 1200 
 et ee BOOr ol oe, so.) LOO.) L002). S00 
 ee > eae toes, 12.50 008 oo Ee 
 
 Oe ks PO oe... os HIEQO 3) ShOU Ss Se 2.00 
 ae Mee dot... 20000 7. 1005. 22 3.0 
 all ee Peo oi. . } AOO) | 006. see 
 | UE aU0Gl 200.) 1L00T a, 6.00 
 - a pile ae MU lito Ue a sce + 9's 8:00 LORS on SpUe 
 asi 5 Pen pone... . 12.00) |. 10000 ~ 2. T1800 
 a Gai eo 2 27600" i OLOe. we 60,00 
 : ae pore oO. .) L100 Oda se 00 
 
 Be hOd bs es. OPE AO Sed a ee 165.00 
 A O22... DEOO at EES. Metter. 2.00 
 POO LOS. A. 3.00 | 1014...... 7.00 
 es Pe. < eer goe as... . 1260 | I0Lo Se 60 
 hat ae {SIE (1h ites (6.9 Rane OO DUG Gre 5.00 
 BP ess) peo 066. xc, 002) GLOLT ©. oo 2000 
 hy Samana er OG. OT OO | MOIS S: 22s. 2 O00 
 Peo aiacs EAD OE fc sine BO SO Oeics abot 
 
 ae UM Mig ONE ta ae ste TO;00:" P02 oe ana 1.00 
 pees hs. Pog0s  s070e) oe. UO Olde” Ta O0 
 Be ees POO OTe 2  ADO0 TL 1L02R 8 6.00 
 jee WSO (E07) ve. 10.00 1 1028-2, eo) 
 Ms tc) o. Be ce The 6s bo 00s | 1024 eco ou a 
 
 eae POO el COTA eh DOO | LO2B ince LO 
 Ee 4000. 1972. 22. 590.007) 1026..-.. «80.00 
 
 os i SLU A) Wied SO ail cb meee ie TS OOn OA erie ic 27.50 
 CO a ea DT Ogata aia lcsexe GOO! OZR cea 3.00 
 
 ee ts . .. TMO,UUe CCL p cen eerenae PUL OO sO SON iar: 155.00 
 Ba, < TOTO en Boo O80 ae Ue 
 
 TO OOS age) ast clans 160,005 Os ayes 50.00 
 LO S0e OSL, ac. W750. W08eLe see. 100.00 
 
The Anderson Auction Co. 
 
 Lot No. Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 POSE ee $::'9'6.00 Se1OB5 i aes $... 5,00 “) S136 eens SoU 
 10S be ae 22.00 Fh LDOGe Aes os 4.50 »| U1OT eae 3.50 
 AVE ss rte 40,00 FB Ts ore ce 7.00 .| TESS as 2.50 
 LOS EH oe m3) Ua i UN See ie hes coe 17.00 Eo eee 3.00 
 LOSE ans 200 4) Sipe yaaa 6.00 4}: SUA Se tere 62.00 
 LOBOS as 12.50 G90 Saas 10.00. | AE aoe 42.00 
 1040 FF 45.00 “L091 0... 17.50 4 ae 95.00 
 1044 Coat 175200 Ore OU ea ear 30.00 | 11438...... 12.50 
 1042 eae 5:00) WetO0e payers 10.00 | 1144...... 2.50 
 LOS Sasi 1100 100d ras. 30.00 |} 14s. sere 6.00 
 1044...... LO O00 SP OL OO ae yas. 60.00 | 1146...... 5.00 
 1046 esas 12.00 POG. oho: 1.00) SLAs 4.00 
 10465 ee 16.00 1097s oe... 17.00). Ase 125.00 
 LOT ee IV OO AAS ert oe 7.00 144149 ee 850.00 
 LOASe sates 19,00) 81099 > tye. 2.00) AO ree 12.50 
 1049 ae: 13:00) WE ne ey 2.00 4) 51d oe 15.00 
 1DOO Laon D2 OUT ae iene 17.00 | a2 eas 70.00 
 LOG L a ore: 18:00 ea ere 10.00 Nao. cee 2.00 
 L052 Gree 13.00. aE Ge: pe or 47.50 | 154. oo a 71.00 
 W5de ee 17.00 eds oe 100.00 7 ALLbG Ss eres 25.00 
 1054S 355% 17.00: HP a ee oe 1.00; NG eon 4.00 
 LODD tacts 18.002) 51406. es. 12.50: {a Tees 40.00 
 LOD aes. 18-005 Benny s gen: 37,00 | Tibbs e eas 126.00 
 TDD alee 10.00: et Oe ost 42.50 | Tsoi 6.00 
 TOD Bia eo ee 10:00" LO Gere a. 15.00 1, GG een 17.50 
 LOD 2s Seats 20,00) SoCal = ae 65.00 | dol eae 60.00 
 106027 eee 18,00: Datta eae 45.00 “| ALG2Zo eae 1.00 
 1061 a Sato 90:00 i -AT 2 ee ees 7.90: | Wigs ceaoes 2.50 
 LOGS Acker 60.00. FS ee 9.00 | 1164, Sony 80.00 
 LOGS. cha DL0O) ets 1a ae 4.00 e165. eee 130 
 1064...... B00" VaR Taree 1.00 1166 ee 350.00 
 10GB Shier DOO: Hea Go ears 1.00 O21 GT Sees 25.00 
 LOGG Seater 10.00; pea ce aes 1.00: <1 16S eee 20.00 
 106RSuReo: 6.00 ase 2.00 Adbo Ss eae 8.00 
 10 G3 see ar 100 (ado ees Se 1.50: ee eee 3.00 
 1OGD eer 4.5051) SLB: ae 2.00 7) a eee 600.00 
 1070 Dae D.00) PAARL ir ak 10.00 32 ee 110.00 
 10 Tree 2D OO Mig ee eee eive 1.50 8 ee oe 20.00 
 IO eee 10,00 AP AOS Sees 100.00 7 Ania ae 5.00 
 1078 fee 19.00: Wr 24 eae 50.00; GEG sare 10.00 
 LOTS ee LOO. PALL BS ee ies 192.50 1 A 76r eee 6.00 
 1OTAC one L000 Pegg eae 57.500 Ey ee 25.00 
 LOG? s 2. 10:00; eg 27 ee 2.00 | ATTS, poor 8.00 
 LOTT 2 eee D.00 ) €1128; Oye. 2:00 ETO eee 25.00 
 ANTS Soe TOO: BOUL eee 2.00 fT ESG eee 2:10.00 
 LOTTO Pewee 10.00 "SSO eerie 2.00 7) eee 17.50 
 LOSD 2 ee ire O00 a Tai eo ae 56.00 4 taza 1.00 
 LOS bv cees 12:00 || 11382... .. 2021.00 7 ie eee 5.00 
 Mie yay alg a 6,00.) ABS Te 2.00 «| HL 1Sa eee 2.50 
 LOSS) eee wer 12.00. 1 (A 1S4 re 2.00. | 1165 ele 20.00 
 
, Lhe Anderson Auction 
 
 Co. 
 
 Lot No. Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 Se ae Br Lo00 4) L288 oe... See OC eae evan, $ 12.50 
 LO shes ss ey TE oe a) eee uO ip sek ares, Tate 2.00 
 oy beset oe ei, Dea elas... 2 BU OG near hoe 0.00 
 1S, Re aie Ome he a FAM thted eae cits als 97.50 
 ee Pata sare 0 UE 9 let 0: 5) OO Em ace reson 47.50 
 Be chcares JTW a i a 05, e ud 024) Se ie 25.00 
 ees iu 67.50 | 1244...... OU) Whee ea ey cc tute 2.00 
 1512): Ole PAM pe LAS oie. BAAN eb eoO ws 6.00 
 a ac 3 OM VAAO ves MOUs meet ness k's 85.00 
 Pettey fo: MAO AAT S. ECO PLAS? 38° ays 11.00 
 ker aaa Sib SW Sealed ets paar TECH SEL OO 18.00 
 Js ie See OA eto." SAMO st L299 8.00 
 hi Ae Ou.O08 | 1200. CLR ERT) alta hy cris 2.00 
 Une Sis As eron BO UUs aad 6: OOP ebsU crater a: 6.00 
 ee Os cigs AOLS RW el Es yee AL OO tT S8O0 25. Sankt 2.00 
 Oe As. Te1E 21, 08 est Boos See SD UUR EE Lalo tus 3.00 
 101 1 ee 40.00 | 1254...... 100s pe 804. ee 7.00 
 1204 Sea. Ue 9 37 eee DD OU BOO vis 0 ser: 11.00 
 Be ee EMS MeL, fe ose BOO 1306). 2 7.00 
 10 eee BW Aol os. 2-00 FeSO. oe. 22.50 
 ° ia 1 I fee a a TOUR GUANO. ss PML L BOG carne 1.00 
 BUC ok: ES Oe Bie a rae OUR ee SOU. Pr oe. 11.00 
 D200 an ves: HOU sao eee 3, POs AUS Hee re 11.00 
 a ee. as, UPA AOL. DOD 8 Lee nes 3.00 
 11a 8 he ea tation vs hse 76 Oe OS ae ee ae 9.00 
 10d Pe esas 1'< 07S al os eee PeOUs aL Shy pes, 11.00 
 “RL eae 20.00 | 1264... .-. DP stabs [dae nen 172.50 
 Cla DR eee Ae LOO. fees B00 super liye wa Uk 22.00 
 ee ck « BM 1 aa0y tol 89 UBS ron La aH pia Soa ~ 16.00 
 LE eae MES 19 Ee ey (Re aaa EEL be aint 118.00 
 OA eens OM Mea OO co 2 3.5 SAULT REG BS Foie on ae 6.00 
 es ae 0 BO soo aOd ne cies DOO: eth Does cue 2.00 
 (7 CS ean DAML es (ko oss SiG RS a 0,219 rs Sere 26.00 
 Pe hy. 3s digg d ed one ae Ps ae ae 2 es pel le Sea 10.00 
 Lots ie an 14884 @ oy bee Wa ee ee POU ela ee eG ct 145.00 
 | LA a eOOM lata. * os). AE OU Sel toe ee 50.00 
 Nees 2s <3 BAM Atel alas os. Hepdiy VRU OEAE Be 100.00 
 (a. ae Ftd he Eat Pas aera Br LO aO tse 90.00 
 (Op eee OO lee ken LO cei la oa re 0 i 27.50 
 BAO. Net. 8 calso GOA Oy Binet ope Se iol cteer es 5.00 
 (07 ee Es peelica Lid.< stele es LOU ee LADS feo 37.50 
 | Oe ae COP ee ALD intents AOU A EL ees Soren, 4.00 
 er ke, SOO r A280 ra, S 9.00642 B80. aan 95.00 
 Le PS Oa teed cots a SOU had eon tae 2.50 
 1 ee $2 OG Coit. cen LT OO ged sees tle 15.00 
 WeOe. 2. sss TO Use laoo ste. aa at ORDO Palo egesn sack 1.00 
 MeO circ s « 9.00)  WAZBA Bae. ty Oe TA BaN ee, 20.00 
 VEC SS en To OO ea Asia. Tes AN Geo rr ee 85.00 
 La 8.00 et 2864A5>.,.", TAM) i laole tre 26.00 
 PaO oi 42+ DU OO 28 Tas. TAO ileal Bait & ctor aos 85.00 
 PR bets e BG OU l anes oye... 15. Othe ted aoore anc 7.00 
 
The Anderson Auction Co. 
 
 Lot No. Price per Lot Lot No.» Price per Lot Lot No. Price per Lot 
 AOS sins ree cael ane pe Rte, ) Paar $.22,50°| 14ais eee $ 30.00 
 PAU ees NEL ES eSB Peed 11,00: | a4 sere 26.00 
 (BES iggy 105.00. P1802 oes =. 18.00 | 14437 Soe 105.00 
 Loa Se, 00 eal res oS 27.50 | 1444.00. 30.00 
 decry vie LOO Sh 394 55. 11.00 °| 14463 See 30.00 
 GBs J: Sr BOOS ABO Gee 110.00. | 144i ae 46.00 
 1S eee LOD 00 07) BOG sca) ha . 6.00). Taare 20.00 
 PB LOE oe Ss NEA AU Sat ex se) ogee! 15.00 | 1458 eeee 20.00 
 Tot LN aie LOO BBS sce Ae 2.00 4. Lee ete 1.00 
 TOES. ces DAO BAO e rs: 15.00 | 140 ee 450.00 
 AAO ios eo lo AW ces sss 6:00. | Depa oe. 25.00 
 Pits) Oe hess AMM) TTA ee ts. 15.00. | 1452 eee eee ae 
 PDA ei (ate AO A Zeeere aie TBO 1 AOE ee 31.00 
 ORD wean. S 32.00 | 1408...... 50.00 | 1454...... 5.00 
 NESTS Ron Regma 65.00 | 1404...... 130.00 | 1455-5235 6.00 
 1 ODE es 4.00) 1405 sce. 210.00 | 140675 20.00 
 Say aes oo) 3.00 | 1406.2. ,.53° 10000 11a eee 9.00 
 Laoen oe oes is 13.0054 IAs ee oe 10.00 | J458..00 3% 5.00 
 TaSs ees 102.50 | 1408...... 3.00 | 14590 0. ae 
 HAs lagen. 350.00 | 1409...... 9.00 | 1460-7. < 47.50 
 TOO ee os COU LALO Foes (1.50 7); Aes 6.00 
 Uae Aarts 8.00) aes as doe 17.00 *|" 14628 2: 16.00 
 a hsiey ce ime 4 O00 Bing es ES eA ce 6.00°| 1488s 92 oe. 2.00 
 Soc scat 36.005) J4t3 pon, 20.00 | 1464...... 28.00 
 LSC Bwaae tos C00 A Lata ee. 50.00 1) 146052 ee 400.00 
 PEL ADEE «aks T1D..O0 Fe aE aes, 40.00 | 1466...... 5.00. 
 LOB ee ries 100-00 aI TAG ete: 11.0045 14D Tees 100.00 
 LADO are si LOLOO SS TAM ieee 11.00 |) TABB eer 17.50 
 TsO Dyce ts TA) TA ar eee 20.00 | 1469.....: 25.00 
 LD sree cele DAcO Me Able Oe, 2.00 | 1470025 2 OU 
 se set ALOOS4 ) LAZO. ce a 45,00 “1° TA eae 20.00 
 LODO peeks OOO Ts ae en 5.00 |), 1442. eee, 30.00 
 TOs CRO GUE Or: Ven eee 4.00} 1413 71.00 
 LAL Ag faite 12.50 Te TAA Gee ae 4.00 | 1474...... 11.00 
 LW te ae 2.00 | 1424...... 11.00 =)" 14 10.00 
 Lover ee te. 22.00%) JAR Soe. 5.00) L4pG Rss 20.00 
 Shere tee 16.00 | 1426....... 1100 TAT Pee 8.00 
 baht Bae. 13.00 Aa oi, 2 14.00..| 14/5. 10.00 
 Leb einer ai 100. TA aes ce 11,00-7. IATO ee 9.00 
 svg Gs store ee 02.00 | 1429...... 8:00 | 1480s ea 2.50 
 LS (Buen ys 0.00 | 1430...... 14.00 -| 1481 ae 1.00 
 LEkdatenenavcrs AO. dre dine Wea 12.00° | 1482) sae 1.00 
 LBOO eo tuy a 6 Ogee Tages sha se (00 | TA8s eee 17.00 
 Bs tak Bat te Ls T.50.} TA88ec. oh. 21.00) TABS Se - 3.00 
 ia ates Bees Ge 22.00 | 1434...... D.00:'| 1AB5 Se 62.50 
 LOBES Stes. 2.00 | TAS Ds <s. : 2.00 | 1486" 3.00 
 LEO RraEy he: 4.00 | 1436...... 10.00 .| 14ST eee 7.00 
 L330. eas O00 Gr Ta ees 20.00 | 1488...... 51.00 
 LOY aire 500.00 | 1438...... 10.00. | 1489-32 1.50 
 tat te Mere DOO. 1488 sock 20.00 | 1490.2 08 21.00 
 
 LEI a9, te ee 15.00 | 1440...... 15,00. |. 1491 ee = 268 
 
The Anderson Auction Co. 
 
 Lot No Price per Lot 
 (2 Vie $ 42.50 
 Me ae 4.50 
 1494...... 125.00 
 TD. ae. 20.00 
 MO es 6.00 
 LAS apa eiaeaanas 6.00 
 Pe. oe 3.00 
 ON eta 11.00 
 MOUS 3's. 1.00 
 1 ee 1.00 
 Nae. le as 1.00 
 (1G eae 9.00 
 MOU es 4”. 4.50 
 1 ae 12.00 
 Oe SS 2.00 
 Per hege 5.00 
 BOWS ree roe 1.00 
 10 ane 31.00 
 ia oe 40.00 
 08 1 ie SP trae 4.00 
 i pe ar 17.50 
 513 Ss i eee 30.00 
 1 ee 87.50 
 eerie. 2 oe 2 12.50 
 1954s eee 12.50 
 13 Ne ee 20.00 
 SPOR fe ame ceeaian 17.50 
 RS ES 2.00 
 iby) Sag ae 9.00 
 1h) eee eae 7.00 
 eles oik 4.00 
 Lae 1.00 
 i. See 2.50 
 oa) ae 5.00 
 MOBO. 10.00 
 pee 12.50 
 ton oe oS. 21.00 
 ae ee 40.00 
 isc) ae 0 
 1 One 25.00 
 "I a eas 11.00 
 oe 27.90 
 TOd4 ee. 2.00 
 jes 5 Ie ae 8.00 
 PaO... 2.50 
 12 | te eae 1.75 
 Pe ies s 20.00 
 iso aioe 30.00 
 15") 2.00 
 Abs 5 a ae 7.00 
 thy: Ya 32.50 
 
 Lot No Price per Lot 
 1548......$ 34.00 
 iin eee 15.00 
 1545...... 9.00 
 iRig eee 31.00 
 NS 5 eae 70.00 
 1548...... 15.00 
 1: oe 1.00 
 SYS. 8) Soe aa 11.00 
 dee bs 130.00 
 eee 27.50 
 idtpirst Alaa? 3.00 
 NES )a7: Se 37.50 
 is Seen 5.00 
 dey Gaee 3.00 
 NY ent 2.00 
 Lees oe st 3.00 
 IF ba}e Pal pine ape 4.50 
 Pe Odie er.) 28.00 
 dhs 10) CAR eae 42.50 
 AS LS ae 72.00 
 Beets. 90.00 
 pis|o7 mgen naar 33.00 
 OGD Pee) 2.50 
 HEN OLE Ss fees 42 8.00 
 VAS) a7 Wee noone 20.00 
 IDG a rts. 65.00 
 104) oh © 22.50 
 ey CU gs ve 30.00 
 ESSA ea ie 1.00 
 ip Lee. 5.00 
 jh eee 25.00 
 Dei W i Sage ee. 5.00 
 gy ee 80.00 
 EN Oe eee 1.50 
 ee Wa ak... 3.00 
 JRE wim gn ayo 5.00 
 Sta A eae 25.00 
 POCO eee 85.00 
 PS lees. 90.00 
 gS fares beak 260.00 
 LOB cee 75.00 
 15843723. c 32.50 
 fo! oe cali 35.00 
 POG Stes 25.00 
 Neste PA Moen 30.00 
 A Ua late meperantls 90.00 
 OBO ed, ae 55.00 
 ON ee ti 55.00 
 yD) Lora oe 59.00 
 jE aat 52.50 
 NSE Mee ceed 42.50 
 
 Lot No. Price per Lot 
 LOpaa eo. oe $ 40.00 
 Tears 42.50 
 BULAUO. 2 or, 40.00 
 | Grate et 40.00 
 P1508) ot." 40.00 
 fede 42.50 
 OOO es ee, 45.00 
 OU 52.00 
 Ls Meets 12.00 
 LO ers 47.50 
 1H eae 51.00 
 LOUD eau ae es 55.00 
 VOGUD rae. 59.00 
 MOL OUT 2» stxes 56.00 
 VS Ae peed ae 43.00 
 RO in mnie 35.00 
 ASMA Pep, Neue 19.00 
 TO lle weer 11.00 
 UG eee es 11.00 
 TT ea 6.00 
 RG LA Diese £ 7.50 
 GT pe eas 21.00 
 TOG Pees: 18.00 
 SORES ges 18.00 
 mS es Saget ae 15.00 
 SEO I BIG eee ta 17.00 
 1OZ0 8 ae 8.00 
 PO aden eo 7.00 
 TOU Ee 7.00 
 1B 674s em aye t 7.00 
 PUL Ue yet: 7.00 
 LOZBi ek. 7.00 
 Olt. 7.50 
 A oy ace 8.50 
 LGQSZ iy. 3.00 
 AN ope WANE 2.50 
 Lire he. 14.50 
 UG Pa bbe ¥ 18.00 
 GBS wee ke 12.50 
 J ANS SE oA8 Bei 96.00 
 POET cote 39.00 
 LGoO aise. 10.00 
 TOoG ee 10.00 
 Ome ee 30.00 
 PO Operate 6.00 
 ER ER hee tabaes 20.00 
 OL Cree tes 2.00 
 LOA Ay Se 3.00 
 LOAC EON ai 100.00 
 L643 Sue es 92.50 
 1644...... 1.50 
 
The Anderson Auction Co. 
 
 Lot No. Price per Lot Lot No. Price per Lot Lot No. Price per Lot 
 TOAD ele Bl GO el G86 ce $'. 3.00 | t7ei eae $ 52.50 
 OBE cellu 130 D0) LOO ica. e, 1.00::4 7 7 eee 42.50 
 hi2: 4 Soret 16.00t SLB o8 re. 2.00: | “af e rcaetot 6.00 
 1643 Sos GOO Mea GON hate 2:00 :..\5- Deere 57.50 
 G49 Scere ALORS ee, 20.00: 3} ad eae 17.00 
 Gy oer i} G2 Ohad AA OT en ae 140.00 | BIZ noe 00 
 LON strane 26,00 14102 Fe. 10,00 aS ee 1.00 
 re ec DOM) hoe a oe 15.00: See ee 7.00 
 BOL wins BOQ" PIO ass 10.00 4A eee 15.00 
 PG as so tire 20,00 | 1705... 25°. 15.00 Vt ib ee 4.00 
 31,237 ogee JOG Umit BR ETCAS at Ae 15,004 Epa eee 42.50 
 MD Oe 2000 rac LIOR ass 10,003) Seats 6.50 
 AGO Ss TAO SS FOR eV 15.00 Gi ipa aaa 5.00 
 OS ec a, 1:00. 4 A FOSS oe 25 00 Arai Bets <oes 7.50. 
 LGB 20:00] A723 ak 30,00) T7610. 2%. 10.00 
 LOGE ref | et Gis O68 Naa Soap 26 DO eA lia sie! eke 17.50 
 T6OP area. BOG vi alee eer 100.00: 296s. an 6.00 
 R0bues oo: 20 i Pie we 85:00 hoch aae Ses neme 1.00 
 ROR o cs ook, DOO CV al dae ees 11.002) htiaes ete 20.00 
 1GGE pasa: O00 4 TAGE See 2.50 Asli DOesc ore 6.00 
 tose ea 10:00 ae hoarse AO. 21a Hore cures 13.00 
 16666 2.2 LOMO Ae PLA pa a 500 St Sea Sere: 12.50 
 ROOT Ho OOL00 51 ELS ae DO tae aoe 5 ele 4.00 
 1H68ee oo US 00 Ae eres BO 5G 34 ee eae 1.00 
 BOO RAs 18.00 = 45 Bea Oiy aeos 78.00 ch ea eee 20.00 
 Lagi hae s, 12 OO TOT eee ANY QO ET ssh te, 8.00 
 TLE eee O00 Tai ec seen 6.00 lc DL Aiseee ee 20.00 
 POIQ 4 ike 20.00 NR aos 5:00" de Tae 24.00 
 £u.0N eae Se LOOS0OM AT Pa eh a 16:00) a oeecas 8.00 
 AOA Oo LY OOS ie Sess 6:00: ATG. 2 Sa 4.00 
 POTD coe: OO P72 G e eee 2.00 =) ZR gas 27.50 
 1 3/ CR sr Vea Brae ihe coer DOO OR Sea 26.25 
 Rvs fy Pena gags oF Us et ico 6 eine T0012 1 aa 5.00 
 OES. ois Poe OOS Wis Bye tage 100 ALISO ee 11.00 
 UE SW As aes Rie ed 690.00° 1730 <er4e. 16.00 so atSdaeeee 16.00 
 TOS; ee Sp USO Oe Bear gr feet 70:00 |S A%6252 oe 9.00 
 IpSie oe Ee DEO 7119 B22 es 16,00) 72a eee 17.00 
 wo 2A es 100); SB ee ee 3.00 | 1784...... 9.00 
 EAS Vc eer SOCIO » Nord wetae. Tre take 0 OO ot Boe eee 13.00 
 L684. TOGO ed TB a ckee 175.007) LT8Gh 2 ee 42.50 
 1683.0 222. x 0 Oe es A ef 6.00 ¢). LES (eae 50.00 
 L686. ae STB OO GO AI8T 2, 2.00 | IYB8sa peer 40.00 
 Sta Beecreccoage 450004 AGBR 17.50 | 788 lee 17.50 
 23 telae Marge AL OL0UN AI ROF Fe 1:00).| 130 15.00 
 Ni itets bean cutie LGaO0 eGo os -xe 10:00 1 A 7Ois eee 7.00 
 POI0 ce aie DOUG Teo re 30:00 |) 14925 eee 60.00 
 PEL Denes LST as oe ers 85:00 | 1793. > sae 60.00 
 VR sis p24 pane oe LOO 00 A748 ee oe 2.50 -| 1794.5. 9a 56.00 
 LBS es oss BAS CONG peat in” Sere 45.00. 1 Li9b.. eee 40.00 
 GOA a, «os BLED U: zak Mb ea cA ee 20:00 | 1796.22 ae 15.00 
 RES a. 10,00 1746s wee: 1:00 3 L794 eee 225.00 
 
IBRARY 
 
 GETTY CENTER 
 
 1912 Nov. 11 NeAnH c.1_ 
 ate ae of Robert Hoe, 
 
 TH MLN 
 
 3 3125 01160 7790