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 PERCY R. PYNE 2°, COLLECTION 
 
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 NEW YORK 
 
ILLUSTRATED CATALOGUE 
 
 OF THE 
 
 NOTABLE COLLECTION 
 
 OF 
 
 VIEWS OF NEW YORK AND OTHER 
 
 AMERICAN CITIES 
 HISTORICAL CHINA AND BOOKS 
 RELATING TO NEW YORK 
 
 FORMED BY 
 
 MR. PERCY R. PYNE 2” 
 
 TO BE SOLD WITHOUT RESERVE OR PROTECTION 
 ON THE EVENINGS HEREIN STATED 
 
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 CATALOGUE DESCRIPTIONS WRITTEN BY MR. ROBERT FRIDENBERG 
 
 ca POLS 
 THE SALE TO BE CONDUCTED BY 
 MR. THOMAS E. KIRBY, OF 
 
 THE AMERICAN ART ASSOCIATION, MANAGERS 
 
 NEW YORK CITY 
 
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 THE AMERICAN ART ASSOCIATION: 
 
 DESIGNS ITS CATALOGUES AND DIRECTS 
 
 ALL DETAILS OF ILLUSTRATION 
 TEXT AND TYPOGRAPHY > 
 
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CONDITIONS OF SALE 
 
 1. Any bid which is merely a nominal or fractional advance may 
 be rejected by the auctioneer, if, in his judgment, such bid would be 
 likely to affect the sale injuriously. 
 
 2. The highest bidder shall be the buyer, and if any dispute arise 
 between two or more bidders, the auctioneer shall either decide the same 
 
 or put up for re-sale the lot so in dispute. 
 
 3. Payment shall be made of all or such part of the purchase 
 money as may be required, and the names and addresses of the pur- 
 chasers shall be given immediately on the sale of every lot, in default 
 of which the lot so purchased shall be immediately put up again and 
 re-sold. 
 
 Payment of that part of the purchase money not made at the 
 time of sale shall be made within ten days thereafter, in default of 
 which the undersigned may either continue to hold the lots at the 
 risk of the purchaser and take such action as may be necessary for 
 the enforcement of the sale, or may at public or private sale, and 
 without other than this notice, re-sell the lots for the benefit of such 
 purchaser, and the deficiency (if any) arising from such re-sale shall 
 be a charge against such purchaser. 
 
 4. Delivery of any purchase will be made only upon payment 
 of the total amount due for all purchases at the sale. 
 
 Deliveries will be made on sales days between the hours of 9 
 A. M. and 1 P. M., and on other days—except holidays—between the 
 hours of 9 A. M. and 5 P. M. 
 
 Delivery of any purchase will be made only at the American Art 
 Galleries, or other place of sale, as the case may be, and only on pre- 
 senting the bill of purchase. 
 
 Delivery may be made, at the discretion of the Association, of 
 any purchase during the session of the sale at which it was sold. 
 
 5. Shipping, boxing or wrapping of purchases is a business in 
 
 which the Association is in no wise engaged, and will not be performed 
 
by the Association for purchasers. The Association will, however, 
 afford to purchasers every facility for employing at current and 
 reasonable rates carriers and packers; doing so, however, without any 
 assumption of responsibility on its part for the acts and charges of 
 the parties engaged for such service. 
 
 6. Storage of any purchase shall be at the sole risk of the pur- 
 chaser. ‘Title passes upon the fall of the auctioneer’s hammer, and 
 thereafter, while the Association will exercise due caution in caring 
 for and delivering such purchase, it will not hold itself responsible if 
 such purchase be lost, stolen, damaged or destroyed. 
 
 Storage charges will be made upon all purchases not removed 
 within ten days from the date of the sale thereof. 
 
 7. Guarantee is not made either by the owner or the Association 
 of the correctness of the description, genuineness or authenticity of any 
 lot, and no sale will be set aside on account of any incorrectness, 
 error of cataloguing, or any imperfection not noted. Every lot is 
 on public exhibition one or more days prior to its sale, after which - 
 it is sold “as is” and without recourse. 
 
 The Association exercises great care to catalogue every lot cor- 
 rectly, and will give consideration to the opinion of any trustworthy 
 expert to the effect that any lot has been incorrectly catalogued, and, 
 in its judgment, may either sell the lot as catalogued or make mention 
 of the opinion of such expert, who thereby would become responsible 
 for such damage as might result were his opinion without proper 
 foundation. 
 
 AMERICAN ART ASSOCIATION, 
 American Art Galleries, 
 Madison Square South, 
 New York City. 
 
INTRODUCTION 
 
 The Percy R. Pyne 2d Collection of New York City and other Amer- 
 ican Views is the most important and complete that has ever been offered 
 at public sale. 
 
 The proportion of items that is unique, or nearly so, is astonishingly 
 large and does credit to the owner’s taste, judgment and generosity. No 
 form of collecting, within recent years, has shown such unusual increase 
 ‘n interest and value as this department of Americana. Aside from the 
 factor of local patriotism and civic pride which prompts many, who are 
 not interested in any other form of pictorial art, to seek representations 
 of views and scenes that appeal to them on sentimental grounds, there is a 
 large and growing number that seeks everything of rarity and value that 
 sheds light on the early history of the metropolis. The economic neces- 
 sity for frequent change and rebuilding and the rapid march of improve- 
 ment have caused the destruction of most of the old monuments, and 
 these old views are the only reminders of previous conditions. Aside from 
 this is the fact that lithographic art, which early reached a high degree 
 of excellence in this country, is well adapted to the reproduction of archi- 
 tectural and topographic drawings and adds largely to their decorative 
 value. This medium has been used more largely than any other. The pro- 
 portion of original oil-paintings and water-colors is much larger and far 
 more important than is usual in collections of this character. The grow- 
 ing scarcity of these prints, and the greatly increased demand, make this 
 dispersal an opportunity that the wise collector will take intelligent 
 advantage of. The catalogue has been carefully compiled in the belief 
 that its importance and the consequent necessity for accuracy will not 
 only aid present-day collectors but make it a useful reference book for 
 the future. The explanatory notes have been condensed as much as 
 possible. The prints are, in the main, in excellent condition, but imper- 
 fections or injuries are invariably recorded. The beauty of the illustra- 
 tions, especially those in color, and the large number of important items 
 carefully selected for reproduction, make this publication of the Amer- 
 
 ‘can Art Association the most important catalogue of its kind. 
 
 ROBERT FRIDENBERG. 
 
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FIRST EVENING’S SALE 
 MONDAY, FEBRUARY 5, 1917 
 
 AT THE AMERICAN ART GALLERIES 
 
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 BEGINNING AT 8.15 0 CLOCK 
 
 Catalogue Numbers 1 to 155, inclusive 
 
 NEW YORK CITY 
 GENERAL VIEWS & PLANS 
 
 All Framed and Glazed unless otherwise noted. 
 
 Measurements, in inches and sixteenths, rendered decimally for convenience, 
 a newly designed quadrature, suggestive of the square of four, being now 
 
 first used for that purpose. 
 
 1. NIEUW AMSTERDAM. [1656.] 
 
 Line. Rectangle, 2.6 x 12.8 
 Novi Belgii | noveque Anglice nec non | partis | Virginie 
 tabula | multis in locis emendata a | Nicolao Joannis Vischero. | 
 
 Nieuw Amsterdam | op t Eylant Manhattans. | 
 
 At foot of the first published issue of the map, before the towns: “Gomoe- 
 
 nipa” “Tamaica” and “Philadelphia.” Colored. 
 
 2, NIEUW AMSTERDAM. 
 
 Same as the above, “a” and the sixth line erased and replaced 
 by “per Nicolaum Vischer.” In left center, between the two 
 fortified camps is added: “Alter Modus apud Minnessincos | 
 
 Ander Manier — der — Minnessincksche | Dorpen” |, and in 
 lower left: “cum Privil: Ordin: General: Belgii Foederati.” The 
 three towns added. 
 
 The second issue. Colored. 
 
3. PLAN 1664. 
 
 Lithograph. Rectangle, 22. x 27.10 
 “The Duke’s Plan.” | A Description of the | Towne of Manna- 
 dos: | or new Amsterdam | as it was in September; 1661 | lying 
 in lattitude 40°: and 40™: | Anno: Domini | 1664 | 1664 | 
 (Eight lines) | George H. Moore. | New York: December, 1858. | 
 (Six lines) | Richard Sims Manuscript Department | Lith. for 
 D. T. Valentine’s Manual, for 1859, &c., &c. 
 
 Colored, slight repairs. UNrFropen. 
 
 4. NIEUW YORCK. 
 Line. Rectangle, 2.5 x 11.14 
 Novi Belgii | noveque Anglie nec non | Pennsylvanie et Partis 
 Virginie tabula | multis in locis emendata, a | Iusto Danckers | 
 Nieuw Yorck, | eertijs Genaemt | Nieuw Amsterdam. | 
 
 A close copy of the first Vischer except that it has “Philadelphia.” 
 Colored. 
 
 5. NOVUM AMSTERODAMUM. 
 
 Line. Rectangle, 4015 x 6.6 
 From Ogilby’s America, London, 1671, with full sheet of text. 
 
 6. NIEUW-AMSTERDAM “RESTITUTIO”. 
 Line. Rectangle, 2.12 x 15. 
 Totious Neobelgii Nova et Accuratissima tabula. | Apud 
 Reinier & Iosua | Ottens | Amstelodami | Restitutio. | Nieuw- 
 Amsterdam onlangs Nieuw jorck genaemt, | ende hernomen bij 
 de Nederlanders op den 24 Aug: 1678. | eindelijk aan de Engelse 
 
 weder afgestaan | (Key of three lines) | 
 
 At foot of map. 
 
 7. NEW YORK. 
 Line. Rectangle, 2.12 x 11. 
 In lower left of: “A Mapp of | New Jersey, | in | America, | 
 By John Seller,| and | William Fisher.” 17. x 21.8. At top 
 center over main inscription, which is in oval cartouche, a scale 
 of “English leagues”, and under cartouche crowned Arms of 
 Great Britain and motto. In right center palisadoed camps: 
 “Modus muniendi | The manner of the Indian Fortifications | 
 
| No. 7—Continued | 
 
 Towns Houses and Dwelling places” | At upper right edge of 
 rectangle containing the view two: “Indian Canoos | or smal 
 Boats made of y° barke of trees.” In lower right corner 
 crowned Arms of Great Britain with obliterated ‘York’? above 
 it faintly showing under the word “Part”. In lower left of 
 rectangle other erasures indicated. The view is the Allard 
 1673 type, and the date about 1677. 
 
 THE ONLY OTHER COPIES KNOWN ARE IN Pusiic Lisraries. 
 
 | Illustrated | 
 
 8. NEW YORK. 
 
 Line. Vignette, 2.12 x 14.8 
 New-York, | (Jos: W. Moulton, del.) —in 1673. — (Rob*. 
 M. Gaw, sc.) | 
 
 Colored. 
 
 9. NEU JORCK SIVE NEU AMSTERDAM. 
 Line. Rectangle, 2.13 x 14.3 
 Recens edita | totius | Novi Belgii, | in America Septentrionali | 
 siti, | delineatio | cura et sumtibus | Tob. Conr. Lotteri, | Sac. 
 Ces. Maj. Geographi | August. Vind. | Cum Gratia et Privil. 
 etc. two lines) | 
 At foot of map. 
 
 10. NIEU AMSTERDAM. 
 
 Line. Rectangle, 8.6 x 10.12 
 Nieu Amsterdam, | at. New Yorck. — 1 | In America. | Covens 
 et Mortier exc. cum Priv. ord. Holl. et Westfr. | T Doesburgh 
 fe | 
 
 Title in wreathed cartouche, palm-leaf border. It is a state of one of the 
 most pleasing of the early views and THE ONLY KNOWN IMPRESSION. 
 
 11. NIEUW AMSTERDAM. 
 
 Etching. Rectangle, 8.6 x 10.12 
 — 79. | Nieu Amsterdam at. New York | Carolus Allard excudit 
 cum Privelegio ordinum Hollandie et Westfrisia — A Maijer 
 fei | 
 
 Title in scroll; leaf border. A male figure seated at left holding up small 
 
 animal, a female standing at right holding basket; animals, etc. 
 VERY SCARCE. 
 
12. NIEU AMSTERDAM 
 Etching. Rectangle, 6.11 x 8: 
 Nieu Amsterdam at. New York | Carolus Allard — | 
 
 Colored. ExcrssIvELY SCARCE. 
 
 13. NIEU AMSTERDAM. 1702. 
 Line. Rectangle, 8. x 10.8 
 Nieu Amsterdam, een stedeken in Noord Amerikaes | Nieu 
 Hollant, op het eilant Mankattan: namaels Nieu jork genaemt, | 
 to en het geraekte in ’t gebiet der Engelschen. | (Title repeated 
 in Latin, three lines) | Pet: Schenk — Amsteld. C. P. | 92 | 
 
 The searce first issue before the number was erased. Colored. 
 
 14. NIEU JORK. 
 
 Line. Rectangle, 5010 x 7.5 
 Nieu Jork. | P. Schenk exe. | 
 
 Title in ornamental tablet at top, with three festoons of fruits 
 and flowers. Leaf border. With similar views of Nombred 
 dios. Panama. S. Salvador. Caput S. Augustini. At foot 
 of map: Nova Totius Americe Tabula | Gedrukt By | Petrus 
 Schenk | Const en Caart | Verkooper | Op de Vygendam | 
 Tot | Amsterdam | Met Previlegie. | 
 
 In lower left, figures, plants and animals emblematic of America; and in 
 lower right, another scene, with the Rape of Proserpine. Colored. Tie 
 ONLY KNOWN COPY, 
 
 [Illustrated in color | 
 
 15. NEW YORK. 1717. 
 Photo-lithograph. Rectangle, 10.14 x 37. 
 South Prospect of the City of New York. | By William Bur- 
 gis, 1717. | Copyright 1898, J. F. Sabin.| 
 
 16. PLAN 1781. 
 Lithograph. 17 x 21.14 
 Facsimile of an original Map in the possession of G. B. Smith, 
 Street Commissioner — Pub®** by G. Hayward, Lithographer 
 N°. 1 Cortlandt S*. New-York, May 1834 
 
 First Issvur. 
 
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17. NEW YORK. (1783) 
 Line. Rectangle, 4.12 x 10.7 
 New York (Key in upper right) | 
 
 Over view of Quebec, on undivided sheet with views of Mexico and Fall 
 of Niagara. Colored. 
 
 18. NEW YORK. (1733) 
 Line. Rectangle, 4.12 x 10.7 
 New York (Key in upper right) | W. H. Toms sculp. | 
 
 19. NUW YORK. 
 
 Line. Rectangle, lol x 201 
 Nuw York | 
 Under a similar “Quebee”, and opposite similar “Fall of 
 Niagara” and “Mexico” on map, 19. x 18.12: Nouvelle Carte 
 Particuliére de Amérique, | ou sont Exactement Marquées 
 . le Cana- | da ou Nouvelle France. . . Guati- | mala, le 
 Darien, . . . et la Terre Fermé. | A Map | of the Britisch 
 Empire in | America | with the French Spanish | and the Dutch 
 Settlements | adjacent thereto by Henry Popple. | a London. | 
 Grave, par Jean Conr.Back. | 1756. | 
 
 To right plans of Annapolis Royal, Boston, New York, Charles Town, St. 
 Augustine, Providence, Cartagene, and ten others. 
 
 20. NEW YORK. (1788) 
 
 Line. Rectangle, lol x 2.2 
 New York | 
 
 Under a similar “Quebec,” and opposite similar “Fall of Niaga- 
 ra” and “Mexico.” On map: Carte Particuliére de l’Amérique 
 Septentrionale. | A Map | of the British Empire in | America | 
 with the French, Spanish | and the Dutch Settlements | adja- 
 cent thereto by Henry Popple | at Amsterdam | Printed for 
 I. Covens and C. Mortier. | T. Condet s. | 
 
 To right, plans of Annapolis Royal, Boston, New York, Charles Town, St. 
 Augustine, Providence, Cartagene, and ten others. Not framed. 
 
 —— (1733) 
 Line. Rectangle, 2.8 x 1.2 
 New York | 
 Cut out of the large map: [America Septentrionalis. | A Map | 
 of the British Empire in | America | with the French and Span- 
 ish | Settlements adjacent thereto | by Hen. Popple. | W. H. 
 (2) 
 
 Tome sculp. 
 
21. FORT GEORGE WITH THE CITY OF NEW YORK. 
 
 Line. Rectangle, 17.12 x 12s 
 I. Carwitham Sculp | 85 — | A View of Fort George with the 
 City of New York from the S W. | Printed for Carington 
 Bowles Map & Printsellers, at N°. 69 S‘. Pauls . . . London. | 
 
 Before change of title and publisher. Slight injury in lower left corner. The 
 Holden copy of an important and desirable print. Colored. Very scarce. 
 
 [Illustrated in color | 
 
 22. NEW YORK. 
 
 Line. Rectangle, 402 x 5.14 
 New York a City in N America inhabited by English and Dutch 
 subject to the K. of England. | A New & Correct | Map | of the 
 Trading Part of the | West Indies, | including the Seat of 
 War | between G". Britain & America | Likewise the British 
 Empire in | America, | with the French and Spanish | Settle- 
 
 ments adjacent thereto; 
 
 Adorn’d with Prospects of y° | most 
 
 considerable Towns, Ports, | Harbours &c. therein contain’d | 
 from the latest & | best Observations, | To The Right Hon”. 
 Lord Howe, | Commander in Chief of the Fleet in America, | 
 This Map of-the Seat of War is humbly | dedicated by his 
 Obed*. | Ser'. Rob‘. Sayer. | London Printed for Rob‘. Sayer 
 Map & Printseller at the Golden Buck near Sergeants Inn Fleet 
 
 Street. | 
 
 VERY SCARCE. 
 
 23. NEW YORK. (1741) 
 
 Line. Rectangle, 4012 x 5.12 
 New York | References. | (Column of fourteen names) | . | 
 New York is situated in 40 4°, 40 ™'™, N. Lat*. on an Eminence 
 (thirteen lines) | A new map of | North America, | wherein is 
 exactly described all y® European | settlements, with whatever 
 else is remarkable | in the West Indies, | from the latest and 
 
 Adorn’d with 
 considerable | Towns, Harbours, | &e. 
 
 best Discoveries ; 
 
 views | and plans | of the most 
 
 In border, at upper right of map. The other views are Quebec and 
 Mexico, and the plans are Chibucto Harbour and City, Halifax, Cartagena, 
 Harbour of New York, Charles Town in South Carolina, Boston in New 
 England, Havana, Kingston Harbour in Jamaica and Porto Bello. 
 
 CESSIVELY SCARCE, 
 
24. NEW YORK. 1761. 
 
 Line. Rectangle, 6.4 x 20,12 
 Engrav’d for the London Magazine 1761. | The South Pros- 
 pect of the City of New York, in North America. | 
 
 25. HOWDELL-CANOT VIEW. (1761) 
 
 Line. Rectangle, 12.8 x 19.11 
 A South East View of the City of New York, in North Amer- 
 ica.— Vue de Sud Est . . . | Drawn on the Spot by Cap‘. 
 
 Thomas Howdell, of the Royal Artillery, Engraved by “P. 
 Canot. | London Printed for John Bowles . . . Cornhill age 
 New Colledge... . . —. . . 7 The Prison. | 
 
 The Holden copy. Very scarce. 
 
 26. HOWDELL-CANOT VIEW. (1761) 
 
 Line. Rectangle, 12.10 x 19.11 
 A South West View of the City of New York, in North Amer- 
 ica.— Vue de Sud Ouest . . . | (two lines as in previous item) | 
 
 1. The Harbour. . . —. . . 7 Brew-house. | 
 
 Colored. VERY sCARCE. 
 
 27. NEW YORK. 
 Line. Rectangle, 6. x 10.4 
 8 | A South West View of the City of New York, in North 
 America. | Printed for Carington Bowles, at his Map & Print 
 Warchouse, N°. 69 in S*. Pauls Church Yard, London. 
 
 The Howdell view, with three men and a dog introduced into foreground. 
 VERY SCARCE. 
 
 28. NEW YORK. 
 
 Line. Rectangle, 3.11 x 7ol 
 A South West view of the City of New York, in North 
 America. | 
 
 A copy of the Howdell-Canot view, with the large open field in center 
 foreground. From the Universal Museum and Complete Magazine, 1766. 
 
29. NEW YORK. 
 
 Line. Rectangle, 3.15 x 6.14 
 N°. xxx. | A View of New York, Governors Island, the River 
 &c. from Long Island. | Published as the Act directs by A. 
 Hamilton Jun’. near St. Johns Gate Nov’. 1, 1776. | 
 
 A later copy of the Howdell-Canot view, with the field occupied by ma- 
 neeuvering troops. From the Town and Country Magazine. 
 
 30. NEW YORK. 
 
 Another impression, lacking serial number. 
 
 31. RATZER VIEW 
 
 Line. Rectangle, 48, x 35.8 
 To His — Excellency | Sir Henry-Moore, Bar*. | (Five lines) | 
 This Plan, | of the City of New York and its Environs, | Sur- 
 vey’d and Laid down: | (Two lines) | B. Ratzer | (Two lines) | 
 Tho*. Kitchin sculp‘. Engraver (etc. two lines) || Plan | of the | 
 City of New York, | in | North America: | Surveyed in the 
 Years 1766 & 1767. | References, | (Two columns) | (Three 
 lines) | London, Publishd according to Act of Parliament, 
 Jan’. 12, 1776; by Jefferys & Faden, Corner of S* Martins 
 Lane, Charing Cross.— | A South West View of the City of 
 New York, | Taken from the Governours Island at * 
 
 The most important, accurate and desirable plan. Folded in the original 
 marbled paper pull-off case with printed label: “Environs of New York. 
 Printed & Sold by W. Faden. | (Successor to the late Mr. Jefferys) | 
 Charing Cross.” 
 
 ‘VERY SCARCE. 
 
 32. PLAN OF NEW YORK. 1775. 
 
 Line. Rectangle, 23: x 19.6 
 Plan | De New-York | et des Environs | Levé par Montresor 
 Ingénieur en 1775. | A Paris. | Chez le Rouge rue des Grands 
 Augustins | 1777. | Nouvelle York. | Novum Eboracum, Capi- 
 tale d’une Province (etc. eleven lines) | 
 
 In upper left inset: Port de | New-York | Very scarce. 
 
 33. THE WOODED HEIGHTS VIEW. 
 
 Aquatint. Rectangle, 8.6 x 16.5 
 A View of New York from the North West. 
 
 The title is written in, the plate never having been lettered. It is an 
 unusually correct and attractive view, showing the wooded heights of the 
 lower part of the city, and is the most desirable of the period. Fine example 
 with large margins. Very scarce. 
 
 [ Illustrated | 
 
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34. NEW YORK. (1777) 
 
 Aquatint. Rectangle, 4.6 x 18.9 
 New York, with the Entrance of the North and East Rivers. | 
 
 On plate, 29.10 x 21.6, with similar: 
 
 A View of the Highland of Neversunk, N. W. b. W. four Miles distant, 
 with the Light House, on Sandy Hook. N. W. | Note. This Highland is 
 very remarkarable as the Coast Southward of it is low with Sand Beaches, 
 and from its Northern End a low Sandy Beach extends with Clumps of 
 
 Shrub Pines, at the extremity | of which stands the Light House of Sandy 
 Hook. | 
 
 The South Shore of I.ong Island, ten leagues Eastward of Sandy Hook, 
 four Miles distant. 
 
 The Light House on Sandy Hook, S. E. one Mile | 
 
 The Narrows, (between Red and Yellow Hook, on Long Island, & the 
 Kast Bluff of Staten Island,) bearing S. b, W. | Publish’d . . . Octr. 4, 1777, 
 by J. F. W. Des Barres, Esqr. | 
 
 First issue. Colored. Very scarce, 
 
 35. 
 Another impression of : “The Light House on Sandy Hook, S. E. 
 
 one mile’’ alone. 
 
 36. NOUVELLE YORCK. 
 
 Etching. Rectangle, 9.15 x 15.11 
 Collection des Prospects.—Vue De La Nouvelle Yorck.— | — 
 Gravé par Balth Frederic Leizelt | New Yorck.—La nouvelle 
 Yorck. | (Ten lines in two columns) | Se vend 4 Augsbourg 
 etc.) | 
 
 Colored, Not framed. 
 
 * 
 
 37. NEW YORK. [1796.] 
 Line. Rectangle, 15.4 x 21. 
 New York. | 
 
 The view, accurately drawn and of the greatest interest, shows the west 
 side of the city from the Battery to a point north of Trinity Church; “the 
 great house built for General Washington,” or “Government House,” and 
 the “churn” being prominent. In the left foreground, a man-of-war at 
 anchor. One other copy of this state is known, One other copy of a later 
 and altered state is known only from the reproduction in Valentine’s Manual 
 for 1862. Colored. ‘Tite Most IMPORTANT ITEM IN THE COLLECTION. 
 
 [See Frontispiece | 
 
38. NEW YORK. (1796) 
 Etching. Rectangle, 12.9 x 18.4 
 View of the City and Harbour of New York. | taken from Mount 
 Pitt. | the seat of Iohn R Livingston Esq"*| 
 
 The title in ornamental panel below, in pen and ink, as are the very few 
 others known of this beautiful print. The colors mellowed by age. 
 
 [ Illustrated | 
 
 39. NEW-YORK. 1798. 
 Wood-cut. Oblong. 
 A View of the City of New-York from Brooklyn Heights, in 
 1798 by Monsieur C. B. Julien, de S*. Memin &c.— Published 
 by .M. Dripps from an Original Drawing now in possession of 
 J. C. Brevoort Esqr. | of Brooklyn. | 
 
 The scarce orIGINAL, later used in Valentine’s Manual, 1861. Finely colored. 
 
 40. NEW YORK FROM HOBUCK. 1800. 
 
 Aquatint. Rectangle, 13.4 x 18: 
 Alexander Robertson Delineavit —Francis Jukes Sculpsit. | 
 New York | From Hobuck Ferry House New Jersey. | London 
 Pub*. March 31°. 1800. by F. Jukes N°. 10 Howland Street 
 and by Al. Robertson Columbian Academy Liberty Street New 
 York | 
 
 The Holden copy of an unusually attractive view. Has been varnished, 
 colored. Very scarce. See No. 445, 
 
 41. NEW YORK FROM HOBUCK. 
 
 Water-color. Rectangle, 16.12 x 22.15 
 New York. ; 
 Signed: C. Lorenzen. 1821. 
 
 42. NEW YORK FROM LONG ISLAND. 1801. 
 Aquatint. Rectangle, 13.8 x 19.8 
 Drawn by John Wood.— Eng*. by W. Rollinson. | New York 
 from Long Island | Published by J. Wood & W. Rollinson New 
 York February 14". 1€01. | 
 
 A fine impression, though toned by time, of an unusually attractive print. 
 
 VERY SCARCE. 
 [ Illustrated | 
 
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43. WHITE HORSE VIEW. 
 
 Line. Rectangle, 18.14 x 23.14 
 Painted by William Birch — Engraved by Samuel Seymour | 
 The City of | New York In The State of New York North 
 America | Published Jan’. 1. 1808, by W. Birch, Springland, 
 near Bristol, Pennsylvania. 
 
 The first state with the White Horse near fallen tree; wharf and sail near 
 center of foreground, and large tree at right. The view is taken from 
 Brooklyn Heights. Inscription space has been creased from earlier fram- 
 ing. TurrEE OTHERS KNOWN. Sce No. 462. 
 
 [ Tlustrated | 
 
 44, PICNIC PARTY VIEW. 
 
 The White Horse and fallen tree erased and a Picnic Party of four sub- 
 stituted; the wharf and sail replaced by shrubbery, two trees introduced 
 at the left, and another added to left of the large one at the right, improv- 
 ing the artistic quality of the composition. The second issue. The Holden 
 copy. Fine and brilliant impression. Colored. 
 
 45. NEW YORK. 1804. 
 
 Aquatint. Rectangle, 11.12 x 17.13 
 Painted by J. Ward.— Engraved by C. Ward. | View Of The 
 Spot Where Gen. Hamilton Fell, At Weehawk. | 
 
 Hamilton’s monument in the foreground, the City in the distance. A proof 
 before the printer’s line. A beautiful print, finely colored. ONE orHER 
 KNOWN. 
 
 [Illustrated in color | 
 
 ie: 46. NEW YORK. 1807. 
 
 Aquatint. Rectangle, 9.10 x 16: 
 | Dom™. Serres R A. del—Edw*. Orme —Excudit—J. Clarke 
 & J Hamble sculp. | A Schooner With A View Of New York.— 
 Gvélette, Et Vue De New York. | Published & Sold Jan’. 1. 
 1807, by Edw*. Orme, 59, Bond Street, London. 
 
 Serial number scratched. Colored. 
 
 47, PLAN 1817. 
 Line. Rectangle, 19.1 x 18.15 
 This | Actual Map | And Comparative Plans | Showing 88 years 
 growth of the City of | New York, | Is inscribed to the | Citi- 
 
[ No. 47—Continued | 
 zens, | G. B. King. sc. N. Y. 1817. | By The Proprietor | David 
 Longworth | Published by David Longworth 11 Park 1817.— 
 Engraved by Ja*. D. Stout. | 
 
 In lower left: Plan of New York | In | 1729 | Surveyed by James Lyne. At 
 top vignettes of N. York City Hall, Asylum, New York Hospital, New 
 York Institution, and City Hotel. 
 Colored; in folder, VERY scARCE. 
 
 48. NEWYORKS HAMN OCH REDD. 
 
 Aquatint. Rectangle, 8.10 x 18.10 
 Rit af Klinckowstrém.—Gr. af Akrell | Newyorks Hamn och 
 Redd | Fran Brooklyn pa Longisland. | 
 
 The drawing was made in 1818 and the print, with the companion Brodway- 
 Gatan, No. 171, was published at Stockholm, 1824. Of unusual artistic 
 quality. Stained in lower right. 
 
 p 
 
 \| 49. NEW-YORK VUE DE L’OUEST, (1818) 
 
 Lithograph. Rectangle, 6.5 x 9.7 
 Pl. 8 | des*. et Lith. par Ed de Montule | New-York vue de 
 VOuest. | 
 
 VERY SCARCE. 
 
 50. NEW YORK FROM GOVERNORS ISLAND. 
 
 Line. Rectangle, 14.12 x 23.8 
 Painted, by W. G. Wall.—Engraved by I. Hill. | New York, 
 From Governors Island. | N°: 20 of the Hudson River Port 
 Folio, | Published by Henry I. Megarey New York.| 
 
 Fine copy of the first issue. Colored. 
 
 51. WALL-HILL VIEWS. 1823. 
 
 Line. Rectangles, 15.12 x 24.12 
 Engrav’d by I. Hill. | New York From Weehawk. | To Thomas 
 Dixon Esq’. this Plate is respectfully Inscribed by his Obliged 
 Serv’. | Will™. G.: Wall. | Painted and Published by Will™.. 
 G. Wall New York 1823. | 
 
 Engraved by I. Hill. | New York from heights near Brooklyn. | 
 (Three lines as in previous item.) | 
 
 First issues of an unusually attractive and decorative pair in fine condition. 
 Colored. VERY scARceE. (2) 
 
52. WALL-HILL WATER-COLORS. 
 The original water-color drawings of the Wall-Hill pair. From the Wm. 
 F, Havemeyer collection. OF THE GREATEST ARTISTIC AND HISTORIC INTEREST. 
 
 (2) 
 [ Illustrated | 
 
 58. NEW-YORK FROM BROOKLYN HILLS. [1825.] 
 Lithograph. Rectangle, 7.6 x 11.12 
 State of New-York. | Lithog'® par J. Milbert——Imp”™ de C. 
 Motte. | View of the City of New-York | taken from Brooklyn 
 Hills. | 
 
 VERY SCARCE. 
 
 54. NEW-YORK FROM WEAHAWK.  [1828.] 
 Lithograph. Rectangle, 7.9 x 11.2 
 1° Livraison Amérique Septentrionale Etat De New-York— 
 Pl. 1. | Lithographié par Deroy.—Dessiné d’apres nature par I 
 Milbert. | Vue de New-York prise de Weahawk.—N?°. 1—View 
 of New-York taken from Weahawk. | (Title repeated in Latin 
 and German) | Imp Lith de Bove dirigée par Noel ainé & C’. 
 
 First issue, India proof, finely colored. 
 
 55. NEW YORK. 
 Lithograph. Rectangle, 7.11 x 11.6 
 New-York. | 
 Milbert type. Colored. 
 
 56. NEW-YORK FROM WEEHAWK. 
 Lithograph. Rectangle, 9.9 x 14012 
 Alex. J. Davis. design’. & eng". Lithography.—Printed by 
 M. Williams N° 49 Sulivan Street New York. | New-York 
 From Weehawk. | 
 
 One of three known perfect copies. 
 
 57. NEW YORK FROM WEEHAWKEN. 
 Oil-painting. Rectangle, 21. x 28.4 
 
 View of the City from Weehawken. Unsigned but of excellent execution, 
 about 1830. An unusually artistic composition in fine condition. 
 
58. 
 
 59. 
 
 60. 
 
 61. 
 
 62. 
 
 63. 
 
 NEW YORK FROM SOUTH BROOKLYN. 
 Lithograph. Rectangle, 6.9 x 12.14 
 A view of the City, from South Brooklyn, in the upper right 
 corner of a plan, 21.12 x 34.2 of Monroe, Henry and Hicks 
 streets each side of Prospect street. A frontispiece to a pros- 
 pectus of sale of “Prospect Hill, Situate South of, and adja- 
 cent to the Village of Brooklyn.” 8°. New York 1880. 
 
 Colored. No orHER KNOWN. 
 
 NEW YORK. 
 Lithograph. Rectangle, 3.10 x 6.2 
 New-York. | 
 
 An early copy of the J. Duprée, published by Hinton. Very scarce. 
 
 NEW YORK FROM BEDLOE’S ISLAND. 
 Oil-painting. 23012 x 32. 
 An original oil-painting, of excellent execution, unsigned, but 
 undoubtedly by John G. Chapman. About 1835. 
 
 NEW YORK FROM BEDLOE’S ISLAND. 
 Oil-painting. Rectangle, 17.8 x 238.12 
 New York from Bedloe’s Island. Showing the lower part of 
 the City, Ellis Island, Castle Williams and Brooklyn Heights. 
 See No. 129. 
 
 NEW YORK FROM GOVERNORS ISLAND. 
 Water-color. Rectangle, 16.2 x 24.15 
 
 New-York, from Governor’s Island. 
 An amateurish and crude effort, but of decided interest; about 1835. 
 
 NEW-YORK FROM THE BAY. 1836. 
 Aquatint. Rectangle, 16.9 x 25.8 
 Painted by J. G. Chapman.—Published by Henry I. Megarey, 
 New-York.—Engraved by J. W. Bennett. | New-York. | Taken 
 from the Bay near Bedlows Island | 
 
 A fine example of one of the most important and beautiful views of the 
 period. Colored. Very scarce. 
 
 [Illustrated in color | 
 
No. 52. <A Parr 
 
eat | | 
 
 Z, 
 Se 
 
 on 
 a) 
 
64. HORNOR VIEW. (18386.) 
 Etching. Vignette, 12.8 x 31.8 
 Drawn & Engraved by T. Hornor.—Printed by W”™. Neale. 
 | New York from Brooklyn | 
 
 Interesting from the variety of old and unusual types of ferry-boats and 
 steamships in the East River. Colored. VeEry scarce. 
 
 65. HORNOR VIEW. (1836.) 
 
 Another impression. 
 
 66. NEW YORK FROM BROOKLYN HEIGHTS. 
 
 Aquatint. Rectangle, 19.10 x 31.138 
 Painted by J. W. Hill.—Published by L. P. Clover New York. 
 —Engraved by W. J. Bennett | New York, | from Brooklyn 
 Heights | (Copyright 1837, by Lewis P. Clover) 
 
 References in three lines. A fine original colored impression of an un- 
 usually pleasing view. VERY SCARCE. 
 
 [Illustrated in color | 
 
 67. NEW YORK FROM BROOKLYN HEIGHTS. 
 
 Another impression of a later state; uncolored. 
 
 68. NEW YORK FROM WEAHAWK. 
 
 Aquatint. Rectangle, 12.12 x 17.10 
 Garneray pinx'.—Himely sculp | Vue De New York. | Prise 
 de Weahawk. | A View of New-York, taken from Veahawk. | 
 A Paris chez Hocquart ainé Succ’. de Basset rue S*. Jacques 
 N°. 64.—Déposé. | New-York Published by Bailly Ward and 
 Cc’. 
 
 A i fine example, beautifully colored, of an artistic composition of 
 
 unusual decorative value. See No. 466. Very scarce. 
 
 [Illustrated in color | 
 
 \| 69. NORTH CAROLINA, U. S. SHIP. 
 
 Lithograph. Rectangle, 9.12 x 13.2 
 U. S. Ship North Carolina, 102 Guns. | Lith: & Pub: by N. 
 Currier,—(Copyright 1844 by N. Currier—) 
 
 The view, in background, shows the West side of the City from Castle 
 Garden north. Colored. VERY SCARCE. 
 
70. HAVELL VIEWS. 1844. 
 Aquatints. Rectangles, 8.14 x 32.5 
 Painted & Engraved by Rob‘. Havell. | Panoramic View Of 
 New York, | From The East River. | The Vessels drawn by 
 J. Pringle——Printed by W. Neale. | Entered . . Act . Con- 
 gress . . . 1844 by Rob‘. Havell, . . . New York. | Published 
 by Rob‘. Havell, Sing Sing, N. Y. | W™. A. Colman, 203 Broad- 
 
 and Ackermann & Co 96 Strand London | 
 
 way 
 
 (One line of references) | Panoramic View of New York. | 
 [Taken from the North River.] | Drawn & Engraved by Robt. 
 Havell.—Printed by W. Neale. | Entered . . Act . Congress, 
 . . . 1844, by Rob‘. Havell, . . . New York. | Published by 
 Rob‘. Havell, Sing Sing New York. | and W™. A, Colman . 
 203 . Broadway. | Ackermann & Co 96 Strand London | 
 
 Finely colored. <A very beautiful pair. Very scarce. (2) 
 
 [Illustrated in color | 
 
 71. NEW-YORK FROM WEST HOBOKEN. 
 
 Lithograph. Rectangle, 15. x 22.8 
 Painted from nature by Charmaille—Printed by Auguste Bry.— 
 Drawn’ on stone by Jacottet, figures by Bayot. | A View Of 
 New-York And Its Environs | Taken from the heights of West 
 Hoboken. 
 
 Colored. A beautiful print, slightly spotted. Very scarce. 
 
 [ Illustrated | 
 
 72. NEW-YORK FROM FORT COLUMBUS. 1846. 
 
 Aquatint. Rectangle, 16.12 x 26,12 
 From a sketch by F. Catherwood Esq.—Eng. by Henry Pap- 
 prill | Henry I. Megarey New York. | New-York. | Taken 
 from the North west angle of Fort Columbus, Governor’s 
 Island. | Entered . . . Congress . . . 1846 by H. I. Megarey 
 . New York. 
 A fine and perfect copy of an interesting and attractive print in the early 
 issue and rarely found with the copyright line. Colored. Very scarce. 
 
 ( 73. NEW YORK 1848 
 
 | Line. Irregular oval, 6.8 x 11.12 
 
 / New Jersey—Hudson Riv—Castle Garden—Battery—Trin- 
 ity Ch. S*. Pauls.—City Hall—Merchants Exchange—U. S. 
 
[ No. 73—Continued | 
 
 Revenue Office—U. §. Hotel—Corlears Hook—Kast Riv.— 
 Brooklyn | New York | (Copyright 1848 by J. H. Colton New 
 York. 
 
 In elaborate scroll with steamer, frigate, and soldiers in a row-boat in 
 foreground. Cut from a wall map. 
 
 74. NEW-YORK FROM WILLIAMSBURGH. 1848. 
 
 Lithograph in colors. Rectangle, 20. x 82.5 
 Drawn from Nature and, Lithographed—(Copyright 1848 by 
 R. A. Bachia)—by E. W. Foreman and E, Brown JEN: 
 York. | (References in two lines) | New-York and Environs. | 
 From Williamsburgh. | Published by Williams & Stevens, 353 
 Broadway, New York, and Ackermann & C°. 96 Strand, Lon- 
 don. | Printed by Sarony & Major 117 Fulton St. N. Y. | 
 
 Of unusual interest as showing the marked contrast with the present con- 
 dition of the Brooklyn side. Very scarce. 
 
 75. NEW YORK, FROM WEEHAWKEN. 1848. 
 
 Lithograph. Rectangle, 8.1 x 12.9 
 Lith. & Pub. By N. Currier,—(Copyright 1848 by N. Cur- 
 rier,)—152 Nassau St. Cor. Of Spruce N. Y. | View Of New 
 York, | From Weehawken. | Vue De New York, | de Weehawken 
 | Ansicht Von New York, | von Weehawken | 626. | 
 
 Fine proof impression from the uncleaned plate. Not framed. 
 
 76. NEU YORK. 
 
 Lithograph. Rectangle, 5ol x 6.9 
 =O. | Lithog. v Droesse.—V. 5*. | 4°79. New York. 
 
 “~ NEW YORK FROM WEEHAWKEN. 
 Lithograph. Rectangle, 12.10 x 21.11 
 Palmer, Del—(Copyright 1849 by N. Currier,)—N. Currier, 
 Lith. N. Y. | View Of New York. | From Weehawken—North 
 River. | (Twenty-four references in three lines) | Pub. by N. 
 Currier, 152 Nassau St. cor. of Spruce N. Y. 
 Colored, Stained. VERY SCARCE, 
 
78. NEW YORK. 1849. 
 
 Lithograph. Rectangle, 11.5 x 16.12 
 Palmer. Del.—(Copyright 1849 by N. Currier,)—N. Currier, 
 Lith. N. Y. | View Of New York. | From Brooklyn Heights. | 
 (Two lines of references) | Pub. by N. Currier, 152 Nassau 
 St. cor. of Spruce N. Y. | 
 
 Fine coloring. 
 
 “9. NEW YORK. 1849. ; \ 0 ) 
 
 Another impression; colored. 
 
 80. NEW YORK FROM JERSEY CITY. 
 
 Lithograph. Rectangle, 8.2 x 12.14 
 Lith. & Pub. By N. Currier,-—(Copyright 1849 by N. Currier) 
 —152 Nassau St. Cor. Of Spruce N. Y. | City Of New York, | 
 From Jersey City. | (References, nine in two lines) | 626. 
 
 Colored. Fine example. Very scarce. 
 
 81. NEW YORK FROM JERSEY CITY. 
 
 Another impression; colored. Has been varnished. 
 
 82. NEW-YORK. 1849. 
 
 Lithograph. Rectangle, 18.7 x 27.12 
 Drawn From Nature And On Stone By C. Bachman.—Lith. 
 Of Sarony & Major 117 Fulton St. N. Y. | (Copyright 1849, by 
 J. Bachman) | New-York. | Published By John Bachmann, 5 
 Rector St. N. York. | 
 
 Looking south from Union Square. Colored. Very scarce. 
 
 83. NEW YORK. 1849. 
 
 Lithograph, tinted. Rectangles, 12.2 x 38: 
 [Sketched & Drawn On Stone by C. W. Burton.—Printed By 
 Sarony & Major. | (One line of references) | Jersey City.— 
 New York From Staten Island. | (Two lines of references) | 
 New York From Staten Island And Brooklyn City. | (Publi- 
 cation line) | ] 
 
 The two views are of the greatest rarity. This example is a beautifully 
 colored proof before all letters on India paper, undivided and unique. The 
 inscription is from the ordinary issue. 
 
a ae ee 
 oe 4 
 
84. NEW YORK FROM ST. PAUL’S CHURCH. 1849. 
 
 Aquatint. Rectangle, 21.5 x 36.5 
 Entered . . . Congress . . . 1849 by Henry I. Megarey.. . 
 New York. | New York | From the steeple of St. Paul’s Church, 
 looking East, South and West. 
 
 Proof before artist’s line, the word “Proof,” and the words: “Glass | Paints 
 —& Oils” at the top of Hopkins & Crow’s building near the extreme right. 
 With stamp: H. I. Megarey | New York. | 
 
 The Holden copy. Colored. No orHerR KNOWN. 
 
 [ Illustrated | 
 
 85. NEW YORK. 1850. 
 
 Lithograph. Rectangle, 8.11 x 11.11 
 New-York | Drawn from nature by Aug. Kollner.—New York 
 & Paris, Published by Goupil & C°.—Lith. by Deroy.—Printed 
 by Cattier. | 46 | General View | (from Brooklyn.) | (Copy- 
 right 1850) 
 
 Beautiful example of an attractive print. Colored. 
 
 86. NEW-YORK. 1850. 
 Lithograph. Rectangle, 22.2 x 32.7 
 Drawn From Nature And On Stone by J. Bachman.—(Copy- 
 right 1850 by J. Bachman)—Printed By J. Bachman 218 Wil- 
 liam Street New York. | Birds Eye View | Of | New-York & 
 Brooklyn | . 
 
 Looking north from the Bay. Publication line covered. Colored. 
 
 87. NEW-YORK. 1850. 
 
 Same as above. Arms of the City added below. Entirely 
 relettered: Drawn From Nature & On Stone By J. Bachman— 
 (Copyright 1851 by J. Bachman)—Printed by J. Bachman | 
 Birds’ Eye View Of | New-York & Brooklyn. | Published By 
 John Bachman, 72 Beekman S‘. New York. | (Twelve refer- 
 ences in two columns at sides of title.) 
 
 Colored. Fine and perfect copy. Not framed. 
 
 88. NEW YORK. 
 
 Lithograph. Rectangle, 5.13 x 801 
 New York. | Niirnberg bei G. N. Renner & C’. 
 
 From Weehawken. Colored. VERY scarce. 
 
89. NEW YORK FROM CASTLE WILLIAMS. 
 Lithograph. Rectangle, 14.11 x 24.6 
 Etats-Unis | —L. Lebreton. | Lebreton del. | 9. | New-York | 
 Vue prise du Fort de William-Castle. || New-York | Tomado 
 desde el castillo de William-Castle. | Paris—Bulla Fréres, 16, 
 rue Tiquetonne.—Imp. Becquet a Paris. 
 
 An interesting view. The artist has taken liberties with the architecture 
 of the fort. Colored. VeEry scarce. 
 
 90. NEW-YORK PAQUEBOT. 
 Lithograph. Rectangle, 13:12 x 20:8 
 Louis Le Breton | Dessiné d’aprés nature et Lithog. par 
 Louis Le Breton.—23—Imprimé par Auguste Bry, 134, rue 
 du Bac. | New-York. | Arrivée du Paquebot Transatlantique. 
 
 Lacks last line. Colored. VeEry scarce. 
 
 91. NEW-YORK PAQUEBOT. 
 Lithograph. Rectangle, 8.7 x 12.4 
 New-York.—New-York. | Aankomst van den Paquebots Trans- 
 atlantique.—Arrivee Du Paquebot Transatlantique. 
 
 A fictitious but very interesting view. Colored. No ortmaer KNowN. 
 
 92. NEW YORK VON DER SEESEITE. 
 
 Lithograph in colors. Rectangle, 9.2 x 14.3 
 New York | von der Seeseite aus gesehen | Druck u Verlag v 
 A. Felgner in Berlin. | Des Auswanderers Sehnsucht. 
 
 From Williamsburgh, about 1850. Very scarce. 
 
 93. NEW-YORK. 
 Lithograph. Rectangle, 16.12 x 23.12 
 N°. 72 | Dessiné d’aprés nature par Bachmann.—Lithographié 
 par Asselineau | Vue Générale De New-York | Prise a Vol 
 D’Oiseau | 
 
 Lacks publication line. Colored. 
 
‘ON 
 
 t~ 
 
 0 
 
94. NEW YORK. 1851. 
 
 Lithographs. Rectangles, 16. x 2104 
 View Of New York From West Hoboken. | (Copyright 1851 by 
 J. Haasis) | On Stone by C. Gildemeister.—Drawn from Nature 
 by J. Bornet.—Print by Nagel & Weingartner | Souvenir Of 
 New York. | 
 
 Companion view from Governor’s Island. 
 
 Surrounding the views are eighteen small rectangular special subjects: 
 High Bridge—South Ferry.—City Hall—Castle Garden.—Croton Reser- 
 voir. | Trinity Church.—Grace Church. | University —Institution For The 
 Blind. | Odd Fellows Hall.—Post Office. | Custom House.—Merchants Ex- 
 
 change. | Astor Library.—Bowling Green.—Halls of Justice [Tombs]— 
 Barnum’s Museum & Astor-Place Opera-House. | 
 Fine coloring. A VERY SCARCE PAIR. (2) 
 
 95. NEW-YORK. 
 
 Lithograph. Rectangle, 10.11 x 15.9 
 Verlag v. H. Trommer, Neu-Gersdorf.—Steindr. v. A. Gocht, 
 Neu-Gersdorf. | New-York. | 
 
 From the Bay. Colored. Very scarce. 
 
 96. NEW YORK FROM UNION HILL. 
 
 Lithograph. Rectangle, arched, 19.3 x 2%012 
 Drawn from Nature & on Stone by J. Bornet.—(Copyright 
 1853 by David M°. Lellan)—D. & J. M®. Lellan, Litho. 26 
 Spruce St. N. Y. | The City Of New York | The Crystal Palace 
 —Hoboken—Jersey City. | From Union Hill, New Jersey. 
 Lithographed & Published by D. & J. M’. Lellan, 26 Spruce 
 Street, New York 
 
 Not framed. 
 
 97. NEW YORK. 1855. 
 
 Line. Rectangle, 29.12 x 4604 
 B. F. Smith. Jun. Del,—W. Wellstood, Sc. | New York, 1855. | 
 From The Latting Observatory. | Printed By H. Peters. | 
 Respectfully dedicated to the Citizens of the United States by 
 the Publishers, Smith, Fern & Co. 340 Broadway New York. | 
 (Copyright 1855 by Smith Fern & Co.) 
 
 View looking south from 42d Street, showing the Reservoir and Crystal 
 Palace in the foreground, and extending to the Narrows. The squares on 
 the east side of Fifth Avenue, opposite the present Public Library, are 
 vacant save for one cottage. Brooklyn appears as a small town and Jersey 
 City as a village with a few scattered houses. One of the most interesting 
 views of the period, showing marked contrast with the marvelous growth 
 since, The first issue, with the early copyright date. Colored. 
 
98. NEW-YORK. 1855. 
 
 Aquatint. Rectangle, 29.2 x 50.12 
 Painted By J. W. Hill.—(Copyright 1855, by F. & G. W. 
 Smith.)—Engraved By C. Mottram. | Proof—New-York 
 —Printed by M®°.Queen, London | London, Paul & Dominic 
 Colnaghi & C°. 13, & 14, Pall Mall East.—Published by F. and 
 G. W. Smith, 59, Beekman Street, New York.—Paris F°*. 
 Delarue, rue J. J. Rousseau 18. | 
 
 99. NEW YORK 1855. 
 
 Lithograph. Rectangle, arched, 23.4 x 33.14 
 Drawn from nature & on stone by J. Bachmann.—(Copyright 
 °1855 by J. Bachmann,)—Print of A. Weingirtner’s Lith’. 
 N. Y. | (References) | New York. | Published by L, W. Schmidt, 
 191 William St. New-York. 
 
 From south of Governor’s Island. Wrry scarcer. 
 
 100. NEW YORK. 1856. 
 
 Lithograph. Rectangle, 24.14 x 29. 
 Sketched And Drawn On Stone By C. Parsons.—] (Five lines 
 of references) | City of New York. | New York, Lith. And 
 Published By N. Currier, 152 Nassau Street. | (Copyright 
 1856) | 
 
 Fine copy. Colored. Very scarce. 
 
 101. NEW YORK. 1858. 
 
 Lithograph. Rectangle, 19.11 x 33.4 
 Sketched & Drawn On Stone By C. Parsons.—(Copyright 
 1858 )—Lith. By Currier & Ives, N. Y. | View Of New York. | 
 Jersey City, Hoboken & Brooklyn. | 
 
 Lacks publication line. 
 
 102. NEW YORK FROM GOVERNORS ISLAND. 
 
 Lithograph. Rectangle, irregular, 10.3 x 18.5 
 View Of The City of New York | From Governors Island. | 
 
 The foreground shows a railed battery with two mounted and three rows 
 of unmounted cannon. In centre, under the field, an erased inscription. 
 VERY SCARCE. 
 
1038. NEW YORK. 1859. 
 
 Lithograph in colors. Rectangle, 18.10 x 12.1 
 W. Gauci, Lith—London; Published Jan’. 15*. 1859, By E. 
 Gambart & C°. 25, Berners St. Oxford St. & 8, Rue De Brux- 
 elles, Paris.—M & N. Hanhart, Imp‘. | New York City, 
 Weehawken. | 
 
 VERY SCARCE. 
 
 From 
 
 104. NEW YORK. 1861. 
 
 Line. Rectangle, 11. x 241 
 [Copyright 1861, by George Ward Nichols] | Painted and 
 Etched by Geo. L. Brown.—Finished by A. H. Ritchie. | 
 
 A signed artist’s proof on India paper, of the first state of an unusually 
 beautiful print. Very scarce. 
 
 105. NEW YORK. 1867. 
 
 Line. Rectangle, 18.6 x 26,12 4 
 Printed by H. Peters, N. Y.—(Copyright 1867 by R. Lexow) 
 —Engraved by R. Kupfer, N. Y. | New York, | Und Umgegend. Hy) 
 Pramie zum sechszehnten Bande des New Yorker Belletristischen{ 4. 
 Journals. | Published At 40 John St. N. Y. | (Ninety refer- 
 ences in ten columns at sides of title.) | 
 
 106. NEW YORK. (1867.) 
 
 Line. Rectangle, 9213 x 14.14 
 Long Island State of New York. | (Ten lines of references) | 
 Harnisch sculpt. | Harnisch | New York and Environs. | New 
 York und Umgegend. | 
 
 An early state of the plate later published in the Manual, 1869. Colored. 
 
 107. NEW-YORK. 
 Lithograph. Rectangle, corners rounded, 13.2 x 19.10 
 Amérique | Paris L. Turgis J"°. Imp’. Edit”. r. des Ecoles, 60— 
 New-York, Park Place, 46 | 14 | Vue Générale De New-York— 
 Vista General De New-York | 
 Colored. 
 
 Pe 
 
108. NEW YORK FROM BATTERY 
 
 Lithograph in colors. Rectangle, 15.2 x 23.12 
 (Copyright 1874 by Geo. Degen) | Published By Geo. Degen, 22 
 Beekman St. N. Y.—Print.: by “G- Schlegel, 97 William St. 
 N.Y. | New York, | Taken From Battery Place. 
 
 Colored. Not framed. 
 
 109. NEW YORK. 
 
 Lithograph. Rectangle, 18.8 x 32. 
 Drawn By J. Bachman—Copyrighted.—Print. Snyder & Black. 
 | (References, twenty-six in four lines) | View Of New York | 
 Published By J. Bachman, 80 Bower St., Jersey City Heights. | 
 Torn at upper right. Not framed. 
 
 SPECIAL SUBJECTS 
 
 110. AMERICAN EXPRESS. 
 
 Lithograph. Rectangle, 14.2 x 19.6 
 From Nature By Otto Botticher 333 Broadway N: Y-— [Turn 
 Out Of The Employees | of the | American Express Company | 
 Cor: Hudson Jay & Staple Streets New York City June 21. 
 1858 | Published by Otto Botticher 333 Broadway N. Y. | 
 [Copyright 1858. | 
 
 Colored. Two lines covered. VERY SCARCE. 
 
 111. AMERICAN HOTEL. 
 
 Lithograph. Rectangle, 8. x 12:14 
 Imbert’s Lithography. | American Hotel. N°. 229 Broadway 
 New York opposite the Park. | Blake & Boardman. | 
 
 At the bottom of the print is written: “Architecture by Davis, figures by 
 Canova.” The view shows the south corner of Barclay Street with part 
 of the Lydig mansion. To the north appear the residences of John McVicar 
 and Philip Hone. Finely colored. ixcressIVELY SCARCE. 
 
 Outline pen-and-ink drawing by A. J. Davis, showing, the American Hotel 
 and houses on Broadway, between Barclay Street and Park Place, framed 
 with the lithograph. 
 
$8 “ON 
 
 B pgeriee 
 
112. AMERICUS ENGINE Co. 
 Lithograph. Rectangle, 20.9 x 17.6 
 Americus 
 An Engine-house with “6” over the door. An old hand-drawn 
 engine is seen in the large door-way and another on the walk. - 
 Said to represent the building 269 Henry St., near Montgomery ; 
 and “Boss” Tweed’s old company. About 1855. 
 
 Colored. Very scarce. 
 
 118. ARCADE BATHS. 
 
 Lithograph. Vignette, 8.9 x 8.10 
 A. J. Davis del’, 42 Exchange.—Imbert’s Lithography, | N°. 
 39 Chambers S‘. New York, Opposite The Rotunda. | Rebuilt 
 on the Scite of the [formerly] New York Bath. | Warm, Cold, 
 Shower, and Vapour, [Sulphur, and other medicated] Baths, 
 in marble and tin tubs The ear has succeeded in sup- 
 plying the Bath with 
 
 On the building appears: Pablié Bath. | Arcade Bath. | Ladies—Gentlemen: 
 | 39 | Arcade—Bath. 
 
 Fine example. Very scarce. 
 
 114. ARCADE RAILWAY. 
 
 Lithograph in colors. Rectangle, 17.12 x 24.6 
 Proposed Arcade Railway. | Under Broadway, | [View Near 
 Wall Street.] | Ferd. Mayer & Sons, Lith—| 96 & 98 Fulton 
 Street, N. Y.—||—address 156 Broadway, N. Y. |—Melville 
 C. Smith, Projector. 
 
 The view shows Broadway, looking north from the Soldiers’ Monument, 
 on the left, and the Metropolitan Bank on the corner of Pine Street. First 
 issue. VERY SCARCE. 
 
 115. ARCADE RAILWAY. 
 
 Another impression; second issue. 
 
 116. ARCHITECTURAL IRON WORKS. 
 Lithograph in colors. Rectangle, 11.8 x 18.2 
 —Sarony, Major & Knapp. Lith. 449 Broadway. New York. 
 —| View Of The Architectural Iron Works | 13°. & 14°. St®. 
 East River, New York. | 
 
 VERY SCARCE. 
 
117. HOTEL ASTOR. 
 
 Lithograph in colors. Rectangle, 25.8 x 28.5 
 Niagara—Buffalo. | Hotel Astor | Times Square, | New York | 
 Wm. C. Muschenheim. | 
 
 At sides of title, inset views of “Roof Garden” and “Orangerie.” Not 
 framed. 
 
 118. ASTOR HOUSE. 
 
 Lithograph. Rectangle, 15.11 x 22012 
 F. Schmidt, del.—N. Y. Litho. of Endicott, 359, Broadway.— 
 I. Rogers, Architect. | Park Hotel. | On Broadway, Barclay & 
 Vesey-Sts’. New York. | Dimensions. | 201 f. 1 in. on Broad- 
 way—154 f*. on Barclay-Street—146 ft. 6 in. on Vesey-Street— 
 Height 77 f*. top of Cornice. (Copyright 1834 by I. Rogers.) 
 Sides of blank inscription space inlaid; copyright line in facsimile. This 
 
 impression hung in the office of the Astor House previous to its demo- 
 lition. Two oTHERS KNOWN. 
 
 [ Illustrated | 
 
 119. ASTOR PLACE RIOT. 
 Lithograph. Rectangle, 8.4 x 12.11 
 Lith. & Pub. By N. Currier,—(Copyright 1849)—| Great Riot 
 At The Astor Place Opera House | On Thursday Evening May 
 10 1849. 
 
 Forrest-Macready riot. The Holden copy; repaired. VERY SCARCE. 
 
 120. ATHENASUM HOTEL. 
 
 Lithograph. Rectangle, 10.9 x 1404 
 A. Fleetwood’s litho’. | Atheneum Hotel, Broadway, New York. 
 | E. Windust. 
 
 No. 347, corner of Leonard street. Framed to title. VERY SCARCE. 
 
 121. BURNING OF BARNUM’S MUSEUM. 
 
 Lithograph in colors. Rectangle, 10.4 x 14014 
 Burning of Barnum’s Museum, July 18, 1865. 
 
sity oN 
 
 Woliets BRD Shy gepbogy Abate Mak dg tes STD SO ym int, 
 
 SNES Hew Ce 
 
 “MHOA MIN SAS-AISZA YF AVYIONWA AYMGVOUS NO 
 
 “TSLOR SEY di 
 
en BURNING OF BARNUM’S MUSEUM. 
 
 Water-color drawing. Rectangle, 6.11 x 9.2 
 
 Ruins Of Barnum’s American Museum, | The Morning After / /, 
 
 The Fire, | July 14" 1865. | 
 
 BATTERY AND CASTLE GARDEN 
 
 123. CASTLE GARDEN. 
 Blue platter 14012 x 18.8 
 E Pluribus Unum | Castle Garden Battery | New York | E Wood 
 & Sons Burslem Warranted | Semi China. 
 
 A beautiful rich blue, in perfect condition. The view shows the broad 
 Battery Walk, Castle Garden at the end of a bridge supported on four 
 piers, and Castle Williams and Governor’s Island in the distance. 
 
 Halsey (R. T. Haines. Pictures of Karly New York on Dark Blue Staf- 
 fordshire Pottery. 1899) page 109. 
 
 | Illustrated | 
 
 124. ESPLANADE. 
 
 Blue platter 14.4 x 18.8 
 Esplanade & | Castle Garden | N. Y:—R S. 
 
 Deep blue, in perfect condition. On a sail at the right: “R. S. | Cobridge | 
 Pottery” the mark of Ralph Stevenson the Staffordshire potter. 
 Halsey page 112. 
 
 [ Illustrated | 
 
 125. LANDING OF LAFAYETTE. 
 Blue platter 16, x 21. 
 Landing of Gen. Lafayette | At Castle Garden New York 16 
 August 1824 | 
 (J. & R. Clews) Halsey page 120. 
 
 | Illustrated | 
 
 126. LANDING OF LAFAYETTE. 
 Blue salad bowl. Diameter, 10.6 
 Landing of Gen. Lafayette | At Castle Garden New York | 16 
 August 1824. 
 
 Depth 5., flower and leaf decoration. 
 
 | Illustrated | 
 
130. 
 
 131. 
 
 132. 
 
 . BATTERY AND CASTLE GARDEN. 
 
 Lithograph. Rectangle, 7.8 x 12.4 
 A. J. Davis del.—Lithography of Imbert. | View Of The Bat- 
 tery And Castle Garden New York. | 
 
 Immaculate copy of a perfect example of early American lithography. 
 Fine original coloring; from the Holden collection, IxcesstvELy SCARCE. 
 
 . BATTERY AND CASTLE GARDEN. 
 
 Crudely colored wall-paper design with views of the Battery 
 and Castle Garden, Custom House, Trinity Church from Wall 
 Street, Trinity Church, and the City Hall, in five arched com- 
 partments. 
 
 . BATTERY AND CASTLE GARDEN. 
 
 Oil-painting Rectangle, 17.8 x 28012 
 The Battery and Castle Garden. Shows the Battery Park, 
 Castle Garden, Castle Williams, the Bay etc. 
 
 See No. 61 
 
 BATTERY AND CASTLE GARDEN. 
 Lithograph. Rectangle, 9. x 13: 
 Castle Garden, | printed at the Fair of the American Institute. 
 1846. 
 
 No oOrHER KNOWN. 
 
 BATTERY AND CASTLE GARDEN. 
 Lithograph. Rectangle, 8. x 12.9 
 Lith. & Pub. By N. Currier,—( Copyright 1848 by N. Currier, ) 
 —152 Nassau St. Cor Of Spruce N. Y. | Castle Garden, New 
 York. | From The Battery. | 624. | 
 
 Fine original coloring. , 
 
 BATTERY BY MOONLIGHT. 
 Lithograph. Rectangle, 8.1 x 12.4 
 Lith. & Pub. By N. Currier,—(Copyright 1850 by N. Currier) 
 —152 Nassau St. Cor. Of Spruce N. Y. | The Battery, New 
 York. | By Moonlight. | 10 | 
 Colored. 
 
7 
 4 oy" 
 
 a 
 
133. BATTERY BY MOONLIGHT 
 Lithograph in colors. Rectangle, 12. x 18.9 
 Castle Garden, | New York. 
 
 On mount with blind stamp: “Moore, McQueen & Co, London.” 
 A_ beautiful moonlight scene, looking towards the bay and showing the 
 hills of Staten Island. A fine and artistic production. Very scarce. 
 
 | Illustrated | 
 
 134. BATTERY AND CASTLE GARDEN. 
 Lithograph. Rectangle, 904 x 13.4 
 Modern Ark of Noah—(Copyright 1850 by W. Schaus,) | 
 The Second Deluge. First appearance of Jenny Lind in 
 America. Published by W. Schaus 289 Broadway | 
 
 Curious caricature, representing the populace with heads of asses, sheep and 
 other animals pressing toward Castle Garden. Barnum, as an ape in a 
 tree, with his fingers to his nose. No orHer KNOWN. 
 
 135. JENNY LIND’S FIRST APPEARANCE. 
 Lithograph. Rectangle, 9.8 x 14. 
 Lith. & Pub. By N. Currier,—(Copyright 1850 by N. Currier) 
 —152 Nassau St. Cor Of Spruce N. Y. | First Appearance Of 
 Jenny Lind In America, | At Castle Garden Sept’. 11‘? 1850. | 
 Total Receipts $26.238. 
 
 Colored. Of unusual interest and vERY SCARCE. 
 
 N 136. BATTERY AND CASTLE GARDEN. 
 
 Lithograph. Rectangle, 7.14 x 11.10 
 Lith. Of G. W. Lewis 225 Fulton St. N. Y. | 
 
 Cut from music-sheet, “Castle Garden Schottisch.” Colored. 
 
 187. BATTERY AND CASTLE GARDEN. 
 Etching. Rectangle, 5.14 x 12.2 
 De Bonsonge sculp. | Batterie De New-York | Paris Cadart & 
 Luquet, Editeurs. | 
 
 See No. 272. 
 
BAY AND HARBOR 
 
 188. BAY FROM STATEN ISLAND. 
 Blue platter. 15. x 18212 
 
 Bay of New York from Staten Island. 
 Fruit and flower decoration. E W & S Celtic China. 
 
 [ Illustrated | 
 
 139. BAY AND HARBOR. 
 Oil painting. Rectangle, 21. x 29.8 
 
 Castle Williams, on Governor’s Island, at the left, the frigate Washington 
 in central foreground, the fortifications of Bedloe’s Island at the right. 
 The Narrows and the hills of Staten Island in the background, About 1835. 
 
 140. BAY AND HARBOR. 
 
 Line. Vignette, 7.6 x 10o4 
 Vig. xxxiii. | Ch. Bodmer pinx. ad nat.—Bougeard mp. 
 Salathé sculp. | Einfahrt Des Hafens Von New-York—Entrée 
 Du Port De New-York | von Staten Island aus—prise de 
 Staten Island. | Entry To The Bay Of New-York | taken from 
 Staten Island. | Coblenz, bei J. Holscher.—London published 
 by Ackermann & C°*. 96 Strand. 1'*. Septem. 1839.—Paris, 
 Arthur Bertrand, editeur. 
 
 141. BAY. 
 Oil-painting. Rectangle, 11.x 17. 
 
 A crude but interesting scene showing Governor’s Island, the Bay, the 
 hills of Staten Island, Jersey City, Castle Garden and the Battery park. 
 Two large men-of-war and a six oared barge appear. About 1850. 
 
 142, “BAY: 
 Lithograph. Rectangle, 8.38 x 11.8 
 Lith. & Pub. by N. Currier,—2 Spruce St. N. Y. | New York 
 Bay. | From The Telegraph Station. 
 
 Colored. 
 
SSI “ON 
 
 NMOA MAN S od 
 ‘NEGUVS FTLSVO 
 
143. BAY AND HARBOR. 
 
 Lithograph. Rectangle, arched, 14.6 x 37.8 
 Drawn From Nature By Bornet.—Figures By E. Valois— 
 Drawn On Stone By E. Valois | Staten Island Ferry.—Atlantic 
 Docks.—Governor’s Island.—-F*. William. Narrows.—Staten 
 Is*. Quarantine.—Bedlow’s Is’..—French War St’. Mogadore. 
 —Hllis’ Is*.—U. S. M. S. Baltic.—Jersey City.—Castle Gar- 
 den. | Bay Of New York | Taken From The Battery. | (Copy- 
 right 1851, By Edward Valois) | Printed At D. McLellan’s 26 
 Spruce S‘, N. Y. | 
 
 Fine example, in perfect condition. It shows better than any other print 
 
 the cosmopolitan character of the Parade. Two ormers KNowN. 
 
 [ Illustrated | 
 
 144. BAY AND HARBOR. 
 
 Lithograph in colors. Rectangle, 23.6 x 36.4 
 Drawn from Nature & on Stone by John Bornet—Entered 
 
 . 1854 by Nagel & Weingiirtner . . . N. Y.—Print by 
 Nagel & Weingirtner N. Y. | (References three lines) | Pano- 
 rama of the Harbor of New York, | Staten Island and the 
 Narrows. | Published by Goupil & C°. 366 Broadway, New- 
 York. 
 
 145. UPPER AND LOWER BAY. 
 Lithograph. Rectangle, 8.8 x 12.6 
 Published By Currier & Ives.—125 Nassau St. New York | 
 Castle Garden—Bedloes Island—Bergen Point | Upper And 
 Lower Bay Of New York. | From the Battery looking South- 
 west. 
 Colored. Not framed, 
 
 146. PORT OF NEW YORK. 
 Lithograph in colors. Rectangle, 20.10 x 33.4 
 Parsons & Atwater, Del.—(Copyright 1878, By Currier & 
 Ives,)—| (References in six lines) | The Port Of New York. | 
 Birds Eye View From The Battery, Looking South. | New 
 York, Published By Currier & Ives, 115 Nassau St. | 
 Colored. 
 
147. BELVEDERE HOUSE. 
 Line. Oval, 3.8 x 6, 
 
 J. Anderson, del.—I Scoles, sc. | View of Belvedere House. | 
 
 From the New York Magazine, August, 1794. Site now bounded by Mont- 
 gomery, Clinton, Cherry and Monroe Streets. 
 VERY SCARCE, 
 
 148. BLACKWELL’S ISLAND. 
 Lithograph. Rectangle, 10.12 x 1504 
 F, F. Palmer, Del.—( Copyright 1862)—Lith. Currier & Ives, 
 N. Y. | Blackwell’s Island, East River. | From Eighty Sixth 
 Street, New York. | New York, Published by Currier & Ives, 
 152 Nassau S*, | 
 
 Finely colored. 
 
 149. OLD BOWERY THEATRE. 
 Lithograph. Rectangle, 9.14 x 11.12 
 On Stone by A. J. Davis.—I Town Architect. N. Y.—Imbert’s 
 Lithography. | New York Theatre | Erected 1826. Front on 
 Bowery 75 feet. Depth 170 feet. | 
 
 The Old Bowery, destroyed by fire in 1828. India proof. 
 
 150. OLD BOWERY THEATRE BURNING. 
 Lithograph. Rectangle, 8:11 x 11.13 
 Printed & Publ". by H. R. Robinson.—52 Courtlandt St: N. Y. | 
 Burning Of The American Theatre Bowery. | Between Two & 
 Three o’Clock on Sunday Morning, Feb:’ 18'". 1838. | The 
 Third Conflagration. 
 
 In fine condition. No ortmer KNOWN. 
 
 [Illustrated in color | 
 
 151. BOWERY THEATRE BURNING. 
 
 Lithograph. Rectangle, 8.14 x 12.10 
 Lith. & Pub. by H. R. Robinson 142 Nassau St. N. Y.—| The 
 Burning Of The Bowery Theatre On The Evening Of The 25™. 
 Of April 1845, 
 
 E, 
 VERY SCARCE, 
 
e 
 & 
 = 
 & 
 
 ee Phe ie nae pee ow mS on agice £3 Ree nen anh aa Hane 
 
152. BOWLING GREEN WASHINGTON. 
 Printed Chintz. Rectangle, 24.14 x 18.10 
 
 A view of the Fort and Bowling Green, showing the empty George III 
 pedestal, and the evacuation of New York by the British ships and boats. 
 The background of an elaborate composition with a whole length portrait 
 of “Geo. Washington,” copied from the original engraving by C. Tiebout 
 after Charles Buxton, M.D. published by Smith, 1798, and No. 676 in 
 Charles Henry Hart’s Catalogue of the Engraved Portraits of Wash- 
 ington, 1904. 
 
 The copy, of which not over half a dozen are known, was: “Printed & 
 Published at Glasgow by C. G. 1819.” 
 
 158. BOWLING GREEN STATUE. . 
 Line. Rectangle, 20. x 80. 
 Painted By Johannes A. Oecrtel.—Published By John C. 
 M°.Rae. | Pulling Down The Statue Of George HI. | By The 
 “Sons of Freedom.” | At the Bowling Green City of New York, 
 July 1776. | (Copyright 1859 by John C. M°.Rae) 
 
 154. OLD BREWERY. 
 Lithograph, tinted. Rectangle, 9.2 x 13.4 
 C. Parsons, °52. | Lith. Of Endicott & C°. N. Y. | The Old 
 Brewery At The Five Points N. Y. | As it appeared Dec’. 1**. 
 1852 previous to its being torn down by the Ladies Home 
 Missionary Soc’. of the M. E. Church, | 
 
 155. BROAD STREET. 
 
 Etching. Rectangle, 7.15 x 10.13 
 W H | Wallace | 
 
 Atist’s proof, one of twenty-five copies, showing the foot of Broad Street 
 and the Old Canal, 1645. 
 
BURNING OF THE AMERICAN THEATRE BOWERY. i 
 Betuven THe k Three 0 Click on Sonduy Mormcng. Feb 18 * 1§8S 
 = The Third Conflu gration 
 
 No. 150 
 
 Y Be OD ee eae ae ~ ae DY Re ( ne 
 a = NSaltinnone en's : SS Waiglaird 
 a ey ~~" 
 
 No. 393 
 
SECOND EVENING’S SALE 
 TUESDAY, FEBRUARY 6, 1917 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 8.15 O'CLOCK 
 
 Catalogue Numbers 156 to 325, inclusive 
 
 BROADWAY 
 
 156. BROADWAY. 
 
 Aquatint. Rectangle, 9.5 x 13.6 
 Broad Way from the Bowling Green. | W™. I. Bennett Pinx*. 
 et Sculp’. | Henry I. Megary. | 
 
 Fine example. Colored. Very scarce. See Nos. 275 and 359. 
 
 157. BROADWAY. 
 Lithograph, tinted. Rectangle, arched, 19.5 x 33.14 
 —Lithogr & printed by F. Heppenheimer 22 North William S*. 
 N. Y. | View of Broadway, New-York. | from Exchange Alley 
 to Morris Street | West Side | Published by W. Stephenson & 
 Co. 252 Broadway N. Y. | A. D. 1855. | 
 
 From No. 29 to No. 55. Colored. No orHEer KNOWN. 
 
 [ Illustrated | 
 
 158. BROADWAY. | 
 Lithograph, tinted, Rectangle, 10.2 x 15.11 
 Lith. Ferd. Mayer & Co. 96 Fulton St. N. Y. | Albany Street, 
 extended to Broadway | As it will appear; the Revolutionary 
 Monument, recently erected, being moved fifty feet south. | 
 Ought the improvement to be made? 
 
 Two others known. 
 
159. BROADWAY. 
 
 Lithograph. Rectangle, arched, 17.6 x 36.15 
 —Published by W. Stephenson Gilsey Building 169 Broadway 
 New York.—Lith. Of Boell & Michelin Gilsey Building, New 
 York. | Broadway, N. Y. 1856. | West Side from Fulton to 
 Courtland Street. | 
 
 Colored. JixcEess1vELY SCARCE. 
 
 160. BROADWAY. 
 
 Photo-lithograph. Rectangle, 28.8 x 31.8 
 Copyright By J. J. Fogerty 115 Nassau St. N. Y.—Am. Photo- 
 Litho; GoaNi x4 
 
 Broadway, north from Cortlandt street and Maiden Lane. Evidently 
 issued for advertising purposes, about 1880, but has become very scarce. 
 
 | Illustrated | 
 
 161. BROADWAY. 
 
 Water-color. Rectangle, 10.6°x 14.12 
 Broadway, corner of Fulton St: 1830. | (By C. Burton) | 
 
 162. ST. PAUL’S CHURCH AND THE BROADWAY STAGES: 
 
 163. 
 
 Lithograph. Rectangle, 18.4 x 24. 
 H Reinagle, delin. & Exe'.—Pendleton’s Lithography, N°,, .9, 
 Wall-Street. | View of St. Paul’s Church artd the Broadway 
 Stages, «Nay. 
 
 In point of interest and importance this may be considered the second in 
 
 the collection. About 1830. Copied in Valentine’s Manual, 1861. Colored. 
 THREE OTHER PERFECT IMPRESSIONS ARE KNOWN. 
 
 Colored reproduction of Valentine Manual copy of above. 
 3.9 x 112: 
 
 164. SLEIGHING IN NEW YORK. 
 
 Lithograph in colors. - Rectangle, 21.8 x 30.8 
 D. Benecke N. Y.—| 55.—| Composed & lith. by Th. Benecke.— 
 (Copyright 1855 by L. Nagel)—Printed by Nagel & Lewis, 122 
 
Ty Me ee eed ac Smet a A peel eee 
 
 AGL “ON 
 
 “Seer 
 
 ) » GOS ie 
 
 “CQ ABMpROdG 2 mig My Sq paquayqny 
 
 yeag staa08 o jaeds OSuByINy uro0sy 
 
 “WL AEN EVA EV OEE £6 ATS, 
 
 aaaueced eh 
 BE 
 
 HE 
 
 uO ll 
 
1738. LINCOLN’S FUNERAL. 
 
 Lithograph in colors. Rectangle, 18.11 x 25.6 
 W. M. Raymond M’f’g C°. | Proprietors & Manufacturers Of 
 | Metallic Burial Cases & Caskets. | 348 Pearl St. New York. |-—- 
 Schumacher & Ettlinger Lith’. 15 Murray St. N.Y. 
 
 Broadway, looking North from Park Place, including City Hall, ete., and 
 showing President Lincoln’s Funeral in New York.. No orHEr KNOWN. 
 
 174. BROADWAY. 
 
 Lithograph. Rectangle, 18.15 x 32.10 
 —Lith. & Printed by Dumcke & Keil, N°. 12 Frankfort St. 
 N. Y. | Broadway | From Warren To Reade St. | Published by 
 W. Stephenson & C°. 252 Broadway, N. Y. | A. D. 1855. | 
 
 In the field the name of the artist, but undecipherable except for the initial 
 “B.” THREE OTHERS KNOWN. 
 * 
 
 175. BROADWAY AND CANAL STREET. 
 
 Aquatint. Rectangle, 17.11 x 27. 
 Drawn & Etched by T. Hornor.—Aquatinted by J. Hill. | 
 Broadway, New-York. | Shewing each Building from the 
 Hygeian Depot corner of Canal Street, to beyond Niblo’s Gar- 
 den. | Printed by W. Neale | Published by Joseph Stanley & 
 C°. | (Copyright by Jos®,, Stanley & C°,,) | January 26",, 
 1836. 
 
 A finely colored and brilliant impression of the original issue of a most 
 interesting print. Perfect copies, with complete lettering, are vERY scaRce. 
 
 176. BROADWAY. 
 Lithograph. Rectangle, arched, 17.6 x 34014 
 —Lith. of J. Bien 107 Fulton St. N.Y. | Broadway, New- 
 York | from Canal to Grand Street, | West Side. | Published 
 by W. Stephenson & C°. 252 Broadway N. Y. | A. D. 1856. 
 
 Colored. ONE oTITER KNOWN. 
 
 177. BROADWAY WINTER SCENE. 
 Aquatint. Rectangle, 23.8 x 84c7 
 Painted By H. Sebron—Engraved By P. Girardet | New- York | 
 _ Winter Scene in Broadway—Scéne d’Hiver dans Broadway. | 
 New-York—Published by M. Kneedler, 366, Broadway. 1**. 
 October 1857. | Imprimé & Publié par Goupil & C'*. Paris. 
 London.—Berlin Verlag von Goupil & C'*. 
 
 Interesting street scene, with six-horse passenger sleigh, fire engine, ete. 
 Looking south from about Prince Street. 
 
se 
 
 178. BROADWAY. 
 Lithographic Panorama of the West side of Broadway from 
 N°. 1 to about N°. 203, four sections joined, as it appeared 
 about 1858. Shows unusual detail and artistic treatment. 
 
 Colored. 
 
 179. BROADWAY. 
 A Panoramic View Of Broadway, New York City, Commencing 
 At The Astor House. Colored wood-cut, in three sections; 
 from Gleason’s Pictorial. 
 
 BROOKLYN 
 
 180. BROOKLYN. 1846. 
 
 Lithograph in color. Rectangle, 14.10 x 36. 
 Printed In Colors—Drawn From Nature & On Stone By E. 
 Whitefield.—By F. Michelin, 111, Nassau St. | View Of Brook- 
 lyn, L. I. | From U. S. Hotel, New York | (Copyright 1846 by 
 EK. Whitefield.) | 
 
 181. BROOKLYN. 1858. 
 
 Lithograph. Rectangle, 23.10 x 38.8 
 Painted by J. W. Hill—(Copyright 1853)—Smith, Bro™. 
 Del. | Brooklyn, L. I. | Published by Smith Brothers & C®, 225 
 Fulton St. N. Y. 1853.—Printed By Endicott & C°. N. Y. | 
 
 The view includes the New York side of the East River and Wall Street 
 Ferry. First issue; framed to title. Colored. 
 
 182. BROOKLYN. 1854. 
 
 Line. Rectangle, 23.10 x 4004 
 B. F. Smith Jun. Del.—A. Merwin, Direxit.—Wellstood & 
 Peters Sc. | Brooklyn. N. Y. 1854. | Respectfully dedicated to 
 the Citizens of Brooklyn by the Publishers: H. Fern & Co. 218 
 Fulton St. New York. | (Copyright 1853 by Smith Fern & 
 Co.) | 
 
183. BROOKLYN BRIDGE. 
 
 Photo-Eng. Rectangle, 19. x 25. 
 Shugg Bros, Photo Eng. N. Y.—R. Schwarz Des. 18. Cort- 
 Jandt St. N. Y. | Engraved And Published By Shugg Bros., 
 24 Cortlandt St.. New York.—Printed By Burrow-Giles Litho. 
 Co., Grand, Centre And Baxter Streets, New York. | The 
 a River Bridge. | With Entrance From New York 
 Side. 
 
 At sides descriptions and names in two columns. Colored. 
 
 184. BROOKLYN COURT HOUSE. 
 
 Lithograph in colors. Rectangle, 18.14 x 26.9 
 George F. Nesbitt & Co. New-York.—Designed by Gamaliel 
 King & Herman Teckritz, | Architects and Superintendents. | 
 Kings County Court-House. | Brooklyn, L. I. | 
 
 Artistic and decorative. 
 
 185. BROOKLYN. PIERPONTS DISTILLERY. 
 Lithograph. Rectangle, 7.9 x 11. 
 1°. Livraison—Amérique Septentrionale—Etat De New-York. 
 —PI. 2. | Lithographié par L. Sabatier fig par V. Adam.— 
 Dessine d’aprés nature par J. Milbert | Distillerie de Mr’. 
 Pierpont sur l’isle Longue.—N°. 2.—Pierponts Distillery on 
 Long Island. | (Title repeated in Latin and German) | Imp. 
 Lith de Bove dirigée par Néel ainé & C°. | 
 At foot of present Montague Street. Colored. First issue. 
 
 186. BROWN’S COFFEE HOUSE. 
 
 Lithograph. Rectangle, 12.14 x 7.8 
 Robinson’s Lith. 142, Nassau St. N. Y. | Brown’s Coffee House 
 & Dining Saloon. | This Establishment has been fixed up in the 
 neatest style, at N°. 71, Pearl St. New York. It being located 
 in | the centre of the business part of the city, (facing Coenties 
 Slip; near Broad St Hanover Square & other great | thorough 
 fares) presents great inducements to Merchants, Clerks & 
 others, & likewise to Country Merchants whose business | draws 
 them to that part of the city—George Brown (late of Lovejoy’s 
 Hotel) | 
 
 Modern impression. 
 
Tai, 
 
 188. 
 
 189. 
 
 190. 
 
 igs 
 
 192. 
 
 CENTRAL PARK 
 
 CENTRAL PARK. 
 Lithograph. Rectangle, 21. x 19.6 
 
 A bird's-eye view of Central Park, At top and bottom eight inset views. 
 About 1855. Colored. 
 
 CENTRAL PARK DRIVE. 
 Lithograph. Rectangle, 1704.27.12 
 A proof before all letters of The Grand Drive, Central Park 
 N. Y. Published By Currier & Ives 1869. 
 
 Very scarce. Not framed. 
 
 “CENTRAL PARK LAKE. 
 
 Lithograph. Rectangle, 11.2 x 15.6 
 —(Copyright 1862 by Currier & Ives)— | Central Park, The 
 New York, Published By Currier & Ives, 152 Nassau 
 
 Lake. 
 St, 
 
 Colored. 
 
 CENTRAL PARK SKATING. 
 Lithograph in colors, Rectangle, 16.12 x 27s 
 (Copyright 1861 By J. H. Bufford) | Skating On Central 
 Park, New York. | Lith. & Published by J. H. Bufford 318 
 Washington S‘. Boston. 
 
 VERY £CARCE. 
 
 CHATHAM SQUARE. 
 Lithograph. Rectangle, 8.1 x 12.10 
 EB. R.— | Lith. & Pub. By N. Currier,—152 Nassau St. Cor. 
 Of Spruce N. Y. | Chatham Square, New York. | 609. 
 
 Fine example. Colored. 
 
 CHURCHES 
 FIRST CONGREGATIONAL CHURCH. 
 Lithograph. Rectangle, 12.8 x 8.4 
 
 D. H. Arnot, Draugh".—(Copyright 1845 by D. H. Arnot )— 
 Penwork Lith. | Entrance To First Congregational Church, | 
 Broadway. New York. mdecexlv. | 
 
 Colored. 
 
g Se NOSY a de ee ye 
 yen Bye tr my Dd BAC sede? 
 Palo apne ee. MIN VOGAL Ste De 10 Hype) pi ere aden) Ae Og 
 i 1 2 Swhis S onatega Fey pie) ispaie pied 
 5 ee ae ‘ LIME DAYOAN NG PAE Ita Sp i 
 ee eg See pels we LT 13 
 e A ee x. a 
 aa SUAS 
 
 = Wang Pa 
 
 1 ESERIES IER 
 
se 
 
193. SECOND CONGREGATIONAL CHURCH. 
 
 Lithograph. Rectangle, 9.14 x 12, 
 D. | A. J. Davis del.—J. R. Brady Architect.—Imbert’s lith- 
 ography | Second Congregational Church N. Y. | Erected 1826 
 Corner of Prince and Mercer Streets. Front Sixty three feet. | 
 Destroyed by fire, 1889. Colored. 
 
 194. SECOND CONGREGATIONAL CHURCH. 
 
 The original water-color signed by the artist and architect. 
 Congregational Church, New York. | Corner of Prince & Mercer 
 streets. Grecian Doric. Length 80 ft Breadth 68 ft. | A. I. 
 Davis, | Delin‘ | J. R. Brady, | Arch’. | J. R. Brady Archt. | 
 
 195. GRACE CHURCH. 
 
 Lithograph, tinted. Rectangle, 11. x 7:7 
 On Stone by C. W. Burton—Renwick Arch‘. | Grace Church 
 from Broadway New York. | Ackermann’s lith. 120 Fulton S¢*. 
 N. ¥. | 
 
 196. CHURCH OF THE HOLY CROSS. 
 Lithograph in colors. Rectangle, arched, 24.14 x 19.8 
 H. Engelbert Architect 179 Broadway N. Y.—G. Schlegel 
 Lith. 97 William S‘. N. Y. | Church of the Holy Cross | 424, 
 Street N. Y. Rebuilt 1867 & 1868. | Rev. Patrick M°. Carthy, 
 Pastor. 
 Stained. 
 
 197. OLD METHODIST CHURCH. 
 
 Aquatint. Rectangle, 10.2 x 13.138 
 I. B. & P. C. Smith Pinx*. | A Correct View of the Old Methodist 
 Church in John Street N. York | The first erected in America. 
 Founded A. D. 1768. | Sold by Myers & Smith 59 Fulton 
 Street. | 
 
 The old colered sexton, Peter Williams, appears in the doorway. Pub- 
 lished in 1824. Fine impression, original coloring. VERY scaRce. 
 
198. OLD METHODIST CHURCH. 
 
 Lithograph, tinted. Rectangle, 18.14 x 27o4 
 The First Erected In America Founded A. D. 1768. | Dedicated 
 by the Rev*. Philip Embury | Second Church Rebuilt 1817. | 
 (Dedicated ete.) |—Third Church Rebuilt A. D, 1841. | Dedi- 
 cated by Bishop Hedding. | The old Rigging Loft as it now 
 stands 120, | William Street 1844. Formerly Cart and Horse 
 Street. | (Copyright 1844.) | Respectfully inscribed to the Trus- 
 trees and Members of the First Methodist Episcopal Church in 
 John Street, New York, by Joseph B. Smith. | Lith. Of Endi- 
 cott, 22, John St. N. York.—For Sale At R. C. Bull 11. Park 
 Row. | ete. 
 
 Besides the four views there are three tablets of Boards of Trustees. 
 VERY SCARCE. 
 
 199. OLD METHODIST CHURCH. 
 
 Lithograph, tinted. Rectangle, 13.7 x 17.15 
 L. W A | Endicott & Co. Lith. 59 Beekman St. N. Y. | The 
 First Methodist Church and Parsonage In America. | John 
 street, New York. | Church Edifice dedicated by Philip Em- 
 bury, 30°. October, 1768. | 
 
 200. OLD METHODIST CHURCH. 
 
 201° Se 
 
 Line. Rectangle, 10.4 x 17.8 
 Painted By Joseph B. Smith.—(Copyright 1868)—Engraved 
 By Lewis Delnoce. | The First Methodist Episcopal Church In 
 America. | This edifice was erected. 1768. on Golden Hill. [now 
 John street ] City of New York, was taken down & rebuilt, 1817, 
 & re rebuilt 1841. | From The Original Painting In The Pos- 
 session Of Joseph Smith, M.D. | 
 
 ALPHONSUS CHURCH. 
 
 Lithograph in colors. Rectangle, 19.12 x 13. 
 Lith. By Hatch & Co. 34 Vesey St. N. Y.—F. G. Himpler, 
 Archt. 212 Broadway. | St Alphonsus Church New York, | 
 South Fifth Avenue near Canal. | 
 On the site of the Lafayette theatre. ; 
 
ais 
 
 Usaensi / 
 
 aye ye) 
 
 EW WE |B niSteReg aoe 
 
 No. 215 
 
202. ST. 
 
 203. ST. 
 
 204. ST. 
 
 205. ST. 
 
 206. ST. 
 
 BERNARD’S CHURCH. 
 
 Lithograph in colors. Rectangle, 16.1 x 13.2 
 The Graphic Co. 39 & 41 Park Place, N. Y. | P. C. Keely, 
 Architect.—Rev. Gabriel A. Healy, Pastor. | Interior of St. 
 
 Bernard’s Church | W. 14". St. New York City. 
 
 MARK’S CHURCH. 
 
 Lithograph. Rectangle, 12.8 x 18.2 
 A. J. Davis, Architect.—on stone by, J, B, Kidd S. A.—Buf- 
 ford’s Litho” 114 Nassau St. N. Y. | St. Marks Church, New 
 York. 
 
 The East River is seen to the right of the church, the intervening fields 
 unobstructed. About 1827. The original issue, with the early address. 
 ONE OTHER KNOWN. 
 
 PATRICK’S CATHEDRAL. 
 
 Etchings. Rectangles, 19.12 x 14.12 
 Copyrighted by F. E. Parshley, N. Y. 1889. Max & Albert 
 Rosenthal Del. & Sculp. James Renwick Architect. 
 
 The Exterior; Remarque: portrait of the architect. 
 
 The Interior; Remarque: Archbishop John Hughes. 
 
 The Transept; Remarque: Archbishop John McCloskey. 
 
 The High Altar; Remarque: Archbishop Michael A. Corrigan. 
 
 Signed proofs on Japan paper; the execution better than most work of 
 the period. 
 
 The Transept and High Altar are not framed. 
 
 PATRICKS CATHEDRAL. 
 Pencil drawing. Rectangle, 23.12 x 17.4 
 1912—Monk. 
 
 Well finished; from the south west. 
 
 PAUL’S CHURCH AND CHURCHYARD. 
 Etching. Rectangle, 24.2 x 16.13 
 
 Viewed from the west. Printed in brown. Japan paper proof before 
 letters, with remarque of sickle and hour-glass; signed by the artist, H. R. 
 Blaney. 
 
207. COOKE’S MONUMENT ST. PAULS. 
 
 208. 
 
 209. 
 
 TN 
 
 Aquatint in colors. Rectangle, 15.8 x 12.14 
 Erected | To | The | Memory | Of | George Frederick Cooke | 
 By | Edmund Kean | Of | The | Theatre Royal Drury Lane | 
 1821. | Three Kingdoms claim his birth, | Both Hemispheres 
 pronounce his worth. | 
 
 Painted by Smith.—Engraved by G & C. Hunt. | The Actors 
 Monument. | The late Edmund Kean, Esq". Contemplating 
 the Tomb he caused to be erected to the Memory | of George 
 Frederick Cooke, in Saint Paul’s Church Yard, New York, 
 America. | (Sixteen verses in double columns) | W. T. Mon- 
 crieff. | Inscription on the coffin containing the Body, deposited 
 in a Vault in Old Richmond Church Yard, on Saturday, May 
 25,. 1838. | “Edmund Kean, Died 15". May, 1833, Aged 45.” 
 | London Published May, 1833, by J. Moore, N®., 1, West Street 
 top of Upper S*. Martins Lane. | 
 
 At bottom a mezzotint bust portrait of Cooke. The view shows the west 
 front of St. Paul’s Chapel, the Park Theatre and Edmund Kean and Dr. 
 John W. Francis before the monument. 
 
 . THOMAS’ CHURCH. 
 
 Lithograph. Vignette, 9.8 x 15: 
 Imbert’s Lithography—J. R. Brady Architect—A. J. Davis 
 del. | St. Thomas Church. | Broadway | 
 
 Framed with it, the original drawing 13.8 x 16.10 by A. J. Davis showing 
 front and south side. 
 
 ST. THOMAS CHURCH. 
 
 Church Of St. Thomas, N. York. | Front 64. . . Length 113 
 Ft. | Drawn by A. J. Davis, N. Y. | 
 
 An original drawing, 7.9 x 9.14, probably made for the New York Mirror 
 print. 
 
 . CHURCH OF THE TRANSFIGURATION. 
 
 Lithograph. Rectangle, arched, 14.12 x 19.6 
 From Nature & On. Stone By J. A. Shearman, N. Y. | To the 
 Rev. Mr. G. H Houghton and the Congregation of the Epis- 
 copal | Church Of The Transfiguration | This representation of 
 their House, of Worship, is respectfully dedicated | By their 
 Obleged Servant. | J A S. | 
 
 First issue. VERY SCARCE. 
 
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 HOY SPe pele : sue A : = 9 ‘, pee I EME, 
 
 QUenprOn ts APRON PPL 2 
 
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 ly * 
 
211. CHURCH OF THE TRANSFIGURATION, 
 Lithograph. Rectangle, arched, 7.7 x 8.8 
 To | Mrs. George Holland | That Little Church Around the 
 Corner | Rev. G. H. Houghton’s Church. N Y | Song and 
 Chorus. | Words by—Dexter Smith.—Music by | C. A. White. | 
 Boston, | White, Smith & Perry. | 298 & 300 Washington St | 
 
 (Copyright 1871) | J. H. Buffords Lith 190 Washington S*. | 
 With the music; not framed. 
 
 212. RUINS OF TRINITY CHURCH. 1776. 
 
 Lithograph. Rectangle, 10.6 x 12.1 
 Ruins of Trinity Church. | As seen after the memorable Con- 
 flagration of Sept’. 21°. 1776, by which Four hundred and 
 ninety three | buildings comprising about a sixth part of the 
 City of New York was laid in ashes. From a sketch | taken on 
 the Spot by the late Thomas Barrow Esq®. one of the Vestry 
 of said Church || On Stone by J. Evers.—Lith. & Published by 
 J. Childs N. Y. 
 
 No oTrHER KNOWN. 
 
 [ Illustrated | 
 
 gio t RINITY CHURCH (OLD). 
 
 Line. Rectangle, 11.6 x 8.13 
 Drawn, Engraved & Published, by J. A. Rolph, 72, Carmine 
 St. New York. | Trinity (Old) Church, New York. | Founded 
 1696, destroyed by fire 1776, rebuilt 1788, and finally, taken 
 down 1839, | [Copyright 1840, by John A. Rolph, | | 
 
 A fine copy. VERY scarce. 
 
 214. TRINITY CHURCH. 
 
 ; Lithograph. Vignette, in rect., 19,12 x 15.14 
 Rich*. Upjohn, Esq’. Arch'—Drawn on stone, by John For- 
 syth & E. W. Mimee. | Birds-Eye View | of | Trinity Church, 
 New-York. | (Copyright 1847, by John Forsyth,) | 
 
 A very interesting view in perfect condition. The Jersey shore in the 
 background shows a few widely scattered houses. In the river shipping 
 is indicated, and the old gable-roofed buildings in the middle ground are 
 interesting reminders of the past. Issuing from the church is what appears 
 to be a procession of charity children. Two orners KNowN. 
 
215. CIRCULAR MILL. 
 Water-color. Rectangle, 9.12 x 18.8 
 The Circular Mill, foot of King St. New York, 18383. Signed : 
 “Drawn by J. W. Hill, New York, 1833.” On the building to 
 the right: “New York C. Re. . .” 
 
 The mill occupied the center of the square bounded by West and Wash- 
 ington, King and Hamersley (present West Houston) Streets. 
 
 [ Illustrated | 
 
 CITY HALL 
 
 216. STADTHUYS. 
 
 Lithograph, tinted. Rectangle, 7.03 x 8.14 
 G. Hayward & Co. 171 Pearl St. N. Y. | The Stadthuys Of 
 New York in 1679 | Corner of Pearl St. and Coentijs slip. | 
 
 Title only exposed. 
 
 217. FEDERAL HALL. 
 
 Line. Rectangle, 14.4 x 20.10 
 —C. Tiebout Delineate & Sculpsit. | A Perspective View of the 
 City Hall—in New York taken from Wall Street. 
 
 In centre, Arms supported by Liberty and Justice with motto: “Excelsior.” 
 Slight repair in rfght margin. From the Lossing collection. Tiree orHers 
 KNOWN. 
 
 [ Illustrated | 
 
 218. FEDERAL HALL. 
 
 Lithograph in colors. Rectangle, 13.4 x 19.12 
 From The Original Drawing By George Holland—Lith. & 
 Printed In Colors By C. Currier, 83 Spruce S*. N. Y. | A View 
 Of The Federal Hall Of The City Of New York, | as appeared 
 in the year 1797; with the Adjacent buildings thereto. | 
 Drawn expressly for D. T. Valentine’s Manual. | 
 
 First issue. VERY SCARCE. 
 
219. CITY HALL. 
 
 220. 
 
 221. 
 
 222. 
 
 224. 
 
 Aquatint. Rectangle, 17. x 28.2 
 Drawn by W. G. Wall, Engraved, Printed & Colour’d iad & 
 Hill | City Hall | (To the Hon”, Philip Hone, ete., two lines) | 
 Published . . . Dec". 20". 1826, . . . New York.—Copy Right 
 Secured | 
 
 A beautiful example of the most artistic and attractive representation. 
 Colored. Very scarce. 
 
 [ Illustrated | 
 CITY HALL. 
 Blue plate. 10: 
 Beauties of America | City Hall | New York | J. & W Ridgway 
 Halsey, page 50. 
 [Illustrated | 
 CITY HALL. 
 A duplicate; lighter blue. 
 [ Illustrated | 
 CITY HALL. 
 
 Light blue sugar bowl. Oval, 504 x 404 
 
 Two flat handles, no cover. The view on both sides. Stubbs. 
 
 She eyCiry HALL. 
 
 Water-color. Vignette, 12.6 x 18.4 
 City Hall | Lithographed and Colored by | A. J. Davis | 
 
 An unfinished proof, the inscription in ink, showing the front and east 
 elevations, and the houses, including the “Am. Acad. Fine Arts” on Cham- 
 bers Street. An important and beautiful specimen of the artist’s work. 
 
 CVEyY HALL. 
 Lithograph. . Rectangle, 8. x 12.6 
 al. Schutz. | Lith. & Pup. By N. Currier,—152 Nassau Street 
 N. Y. | City Hall, New York. 
 Colored. 
 
225. CITY HALL. 
 
 Lithograph. Rectangle, 8.4 x 12.8 
 Lith. & Pub. By N. Currier,—152 Nassau St. Cor. Of Spruce 
 N. Y. | City Hall, New York. sre 
 
 Framed to title. 
 
 226. BURNING OF THE CITY HALL. 
 Lithograph. Rectangle, 8.1 x 12:4 
 Lith. & Pub. By Currier & Ives,—152 Nassau S‘. N. Y. | 
 Burning Of The City Hall New York, | on the night of the 
 17'.. August 1858. | Supposed to have taken fire from the fire 
 works exhibited in commemoration of the successful laying of 
 the Atlantic telegraph Cable. | 597. | 
 
 Fine copy. Colored, VeERY scarce. 
 
 CITY HALL PARK 
 
 227, THE CITY HALL: PARK. 
 
 Lithograph. Rectangle, 12.38 x 17.8 
 —From An Original Drawing.— | New York City Hall Park. | 
 North End, 1825. | 
 
 Fine copy of an unusually scarce print. 
 
 228. THE CITY HALL PARK. 
 
 Lithograph, tinted. Rectangle, 11.12 x 17.12 
 Bachman del. & Lith.—(Copyright by Williams & Stevens) 
 New York City Hall, Park And Environs. | Published by Wil- 
 liams & Stevens, 353. Broadway N. Y. | 
 
 See No. 368. 
 
 229. CITY HALL PARK 1842. 
 
 Lithograph. Rectangle, 7.14 x 12.4 
 Croton Water Celebration 1842 | (Copyright 1842 by J. F. 
 Atwill) | Published by J. F. Atwill, 201 Broadway | 
 
 The view shows the Park and fountain, Broadway and Chatham street 
 looking north. The drawing of the figures crude, but the print of decided 
 interest. 
 
No. 220 No. 338 No. 221 
 No. 281 No. 126 
 
7) : = > ar 
 
230. CITY HOTEL. 
 Etching. Rectangle, 12.2 x 16. 
 City Hotel 133 Broadway Corner Of Thames Street 1848 
 Shows also the “New England House” to the south. 
 
 231. CLAREMONT. 
 
 Oil painting. Rectangle, 26. x 34. 
 A crude, unsigned, but very interesting painting of Claremont, 
 with numerous pleasure vehicles, equestrians, etc. A flag over 
 the main building bears, “Claremont,” and one over the wing, 
 “EK. Jones.” In right background the Church of St. Mary’s, 
 Manhattanville, and the Convent of the Sacred Heart are intro- 
 duced. Tradition has it that the painting was made, about 
 1855, by a tramp artist, in return for hospitality. 
 
 [Illustrated |- 
 
 232. CLARENDON HOTEL. 
 Line. Rectangle, 5. x 7To4 
 Demerest 2 Pine St. N.Y.— | Clarendon, New York. | Corner 
 4. Avenue & 18'". Street | O. C. Putnam—Proprictor. 
 Not framed. 
 
 233. COLLECT POND. 
 Lithograph. Rectangle, 15.12 x 23.12 
 We Are Indebted To The Original Idea And Mechanical Genius 
 Of John Fitch, Of East Windsor, Conn. | The perseverance and 
 indefatigable attantion to the use of Steam of Robert Fulton 
 Esq. P*. The wealth, exalted and estimable character of Rob- 
 ert R, Livingston Esq. Chancellor of the State of N. York, and 
 American Minister to France, | Drawn & Lith. By J. Penni- 
 man; 8014 Canal St. N. Y.—F. Michelin’s Lith. 111, Nassau 
 St. | (Copyright 1846, by John Hutchings) | Origin Of Steam 
 Navigation. | “Honor To Whom Honor Is Due.” | A View Of 
 Collect Pond And Its Vicinity, | in the City of New York in 
 1793. | On which Pond, the first boat, propelled by paddle 
 wheels and screw-propellers, constructed by John Fitch, six 
 years before Robert Fulton made trial of his boat upon the 
 River Seine, in France, and ten years prior to his putting into 
 opperation his boat | Clermont in New York; with a repre- 
 
[ No. 2338—Continued | 
 
 sentation of the boat and its machinery, on the Collect pond. | 
 By John Hutchings. | N°. 3, Wesley Place, Williamsburgh, 
 L Island. | 1846. 
 
 The Collect Pond occupies the center, with the streets and the Tombs 
 indicated on the plan. In the upper corners are representations of two 
 steamboats, one with triple-screw propeller and the other with uncovered 
 paddle-wheels. Below are, the “Perseverance” and “The Model Boat.” 
 At the sides an account of John Fitch, certificates, remarks, description, 
 ete. 
 
 Has been varnished. Tire vERY SCARCE FIRST ISSUE. 
 
 234. COLUMBIA COLLEGE. 
 Columbia College, New-York. Engraved by V. Balch for the 
 New York Mirror, 1828, and the Deaf and Dumb Asylum, 49". 
 Street and Madison Avenue, the later home of Columbia Col- 
 lege, signed by Smillie. (2) 
 Not framed. 
 
 235. CONSOLIDATED EXCHANGE. 
 
 Lithograph. Rectangle, 26.14 x 18.9 
 Consolidated Stock And Petroleum Exchange. | 
 
 236. COURTLANDT ST. 1856. 
 
 Lithograph. Rectangle, arched, 17.14 x 37.14 
 Lith. of F. Heppenheimer, 22. William St, N. Y. | Courtlandt 
 St. New-York | from Broadway to Greenwich Street. | South 
 Side | Published by W. Stephenson & C°. Gilsey Building 
 Bdwy. N. Y. | A. D. 1856. 
 
 Before Church Street was opened. Slightly injured. Two orHEeRs KNOWN. 
 
 [ Illustrated | 
 
 CRYSTAL PALACE 
 
 237. CRYSTAL PALACE. 
 
 Lithograph. Rectangle, 21.8 x 31.6 
 Drawn From Nature—& On Stone By J. Bachman, | [Copy- 
 right 1858, by J. Bachman,| | Birds Eye View Of The | New 
 York Crystal Palace. | and Environs. | Published By John 
 Bachman, 37 City Hall Place New York. | 
 
 Of unusual merit and interest, showing the lower part of the City. Fine 
 copy. Colored. Very scarce, ; 
 
[8S “ON 
 
 SM RE EMEA 7 
 
 . 
 Ae 
 
 sae 
 
4 
 
238. CRYSTAL PALACE. 
 
 Another impression. 
 
 239. CRYSTAL PALACE. 
 
 Lithograph, tinted. Rectangle, 17.12 x 28.14 
 Figures by Doepler. | Designed by Carstensen & Gildemeister 
 74 Broadway N. Y.—[Copyright 1852 by Theodore Sedgwick | 
 —Lithography of Nagel & Weingiirtner 74 Fulton St. N. Y. | 
 New York Crystal Palace for the Exhibition of the Industry 
 of all Nations. | This building, . . . City. | The Ground Plan 
 
 . acres. | Directors: | Eleven names in two columns and 
 names of seven other officers.) | Published by Goupil & C°. 289 
 Broadway New York. 
 
 Publication line covered. 
 
 | 240. CRYSTAL PALACE. 
 
 Lithograph in colors. Rectangle, 7.14 x 12.6 
 Lith. & Pub. By N. Currier,—152 Nassau. Street N. Y. | New 
 York Crystal Palace. | For The Exhibition Of The Industry 
 Of All Nations. Constructed Of Iron And Glass. | The ex- 
 treme length and breadth of the building are each 365 feet. 
 Height of Dome to top of Lantern, 148 feet. Entire | space 
 on Ground Floor, 111,000 square feet, Galleries, 62,000 square 
 feet. Whole area, 173,000 square feet, or 4 acres. | 110. | 
 Title only exposed. Colored. 
 
 VV 241. CRYSTAL PALACE. 
 Lithograph. Rectangle, 13. x 18.8 
 Paris V° Turgis, éditeur rue Serpente, 10, et & New-York, 
 Léonard S‘. 99.—Lith. de Turgis r. Serpente, 10, 4 Paris.— 
 Lith. par F. Courtin. | Palais De Cristal De New-York. | pour 
 
 Exposition de Vindustrie de toutes les Nations. || New-York 
 Crystal Palace. | for the Exhibition of the Industry of all 
 Nations. | 
 
 Fine example. Colored. 
 
242. CRYSTAL PALACE. 
 Line. Rectangle, 15.6 x 22.12 
 Drawn & Engraved By—| [Copyright 1853 by Capewell & Kim- 
 mel ]—Capewell & Kimmel. | The New York Crystal Palace, | 
 And Latting Observatory. | Printed By W. Pate. | Published 
 By Capewell & Kimmel. 208 Broadway, N. Y.| 
 
 First ISSUE BEFORE PLATE WAS CUT DOWN. 
 
 243. CRYSTAL PALACE. 
 Oil-color print. Rectangle, 12.12 x 5.12 
 Crystal Palace, New York Published Sep". 1°. 1858, by | 
 George Baxter. | Proprietor & Patentee | London. | 
 
 The only New York subject in this series. Very scarce. 
 
 244. CRYSTAL PALACE. INTERIOR. 
 
 Lithograph in colors. Rectangle, 13.8 x 20.9 
 C. Parsons, Del And Lith.—Printed By Endicott & C°. N. Y. 
 | An Interior View Of The Crystal Palace. | New York, Pub- 
 lished by Geo. S. Appleton, 356 Broadway N. Y. | (Copy- 
 right 1853)! 
 
 VERY SCARCE. 
 
 245. BURNING OF THE CRYSTAL PALACE. 
 
 Lithograph. Rectangle, 16.12 x 25.4 
 Currier & Ives, Lith. N. Y.— | Burning Of The New York 
 Crystal Palace, | on Tuesday, Oct. 6'",, 1858. | During Its 
 Occupation For The Annual Fair Of The American Institute. | 
 New York Pub". By Currier & Ives, 152 Nassau Street. | 
 
 Colored. AN UNUSUALLY FINE COPY OF A VERY SCARCE PRINT. 
 
 [ Illustrated | 
 
 246. CUSTOM HOUSE. 
 
 Lithograph. Rectangle, 6.8 x 9. 
 —J. Bornet. | 
 
 Mounted, as published, on an irregular rectangle, 8.10 x 11.8, printed in 
 gold and lettered: Views | of | New-York | Drawn by C. Autenrieth.— 
 Published by Hoff & Bloede 180 William Str. New-York. | Custom-House. | 
 (Copyright 1850) 
 
 Colored. VERY scarce. 
 
966 “ON 
 
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 egdrpesuipyms Mang) yy aevecydo ng fy Rauetige 
 Bats Macs 
 
 POTS Yop Auaay oF AWAPROUg, wos] 
 
 aA Anema aries 
 
247. DAVIS AND IMBERT’S VIEWS. TITLE-PAGE. 
 
 Lithograph. Vignette, 15.4 x 11.6 
 Views | P. Desobry. Scripsit. | Of | The Public Buildings | in 
 the | City of New-York | (vignette of the Rotunda) | Dedicated 
 to the | Fine Arts | Correctly drawn on Stone by | A. J. Davis. | 
 Printed & Published | by | A. Imbert | Lithographer N°, 79 
 Murray S‘. | New-York. 
 
 The Rotunda, erected by John Vanderlyn for art exhibitions, was situated 
 
 on the southwest corner of Chambers Street and Tryon Row. No orwer 
 KNOWN. 
 
 248. DE PEYSTER MANSION. 
 
 Water-color. Rectangle, 6.8 x 7.6 
 The De Peyster Mansion | Queen now Pearl St: opposite Cedar 
 St: | Residence of Gov: Geo: Clinton, | in 1783. | 
 
 249. DISEMBARKATION OF THE ENGLISH TROOPS. 
 Line. Rectangle, 6.6 x 5. 
 In de Mercurius May 1777. Eerste Stuk, Pag. 156. | Ont- 
 scheeping der Engelsche Troepen op Lang-Eiland | teegan de 
 Americaanen, den 22 Augustus 1776. | B. Mourik Excudit. | 
 
 The earliest pictorial record of the Disembarkation of the Troops at 
 Gravesend Bay, under Sir George Collier, before the Battle of Long 
 Island. Very scarce, 
 
 250. ELEVATED RAILROAD. 1872. 
 Lithograph. Rectangle, 9.6 x 14.13 
 Bonwill del— | C. E. H. Bonwill, N°. 7 Murray St. N. Y.— 
 Marshall & Nisbit, Arch’t’s & Eng’r’s. | Plan of an Elevated 
 Street Railroad. | Proposed By Gen'. F. Sigel. | New York 
 January 1872. | 
 
 251. FIFTH AVENUE HOTEL. 
 
 Lithograph. Rectangle, 19.9 x 81.10 
 —J. H. Bufford’s Lith. 813 Wash". St. Boston.— | Fifth Ave- 
 nue Hotel, New York. | —Hitchcock, Darling & Co Pro- 
 prietors. 
 
 ONE OTIIER KNOWN, 
 
 [ Illustrated | 
 
FIRE OF 1835 
 
 252. FIRE OF 1835. 
 Oil-paintings. Octagons, 6.8 x 26.8 
 
 Contemporary, well done, and showing the fire at the Merchants’ Ex- 
 change and at Coenties Slip. The border and sides of gold, with swans 
 and conventional leaf decoration. On boards 9.8 x 48.8. In unusually fine 
 and perfect condition and of great interest. 
 
 253. THE GREAT FIRE OF 1835. 
 
 Lithograph. Rectangle, 16.4 x 23.10 
 The Great Fire of the City of New-York, 16 December 1835. | 
 Published January 1836, by the Proprietor H. R. Robinson 
 N°. 48 Courtland street New York. | Drawn from life and 
 nature and on Stone by Hoffy.—[Copyright 1886 by H. R. 
 Robinson, ]—Printed and colored by J. T. Bowen. | 
 
 It shows the Merchants’ Exchange, the offices of “The New York Amer- 
 ican,’ “The Fulton Insurance Company,” ete. The figures are portraits, 
 as is evidenced by the twenty-one reference numbers immediately under 
 the rectangle. Slight repairs. Tur scaArcestT AND MOT IMPORTANT REPRE- 
 SENTATION. 
 
 254. THE GREAT FIRE OF 1885. 
 
 Aquatints. Rectangles, 16.4 x 23.10 
 Painted by N. Calyo.—Engraved by W. J. Bennett. | View 
 Of The Great Fire In New-York, Dec’. 16. & 17. 1835 | As 
 Seen From The Top Of The Bank Of America, Cor. Of Wall 
 & W™. St. | Published by L. P. Clover, New York. | [Copy- 
 right 1836 by L. P. Clover.] | 
 
 View Of The Ruins After The Great Fire in New-York, Dec’. 
 16, & 17. 1885. As Seen From Exchange Place. 
 
 Both of these attractive prints are of the original first issue, beautifully 
 colored. From the Holden Collection. VeEry scarcn. 
 
 255. FIRE OF 1835. 
 
 Lithographs. Rectangles, 9.5 x 1204 
 View Of The Great Conflagration Of De®. 16 and 17" 1835; 
 From Coenties Slip. | Sketched and drawn on Stone by J. H. 
 Bufford | (Ete. two lines) 
 
 N. Currier’s Press. | Ruins Of The Merchants’ Exchange N. Y. | 
 After the Destructive Conflagration of Dec””. 16 & 17. 1835. | 
 (Ete. two lines) (2) 
 Colored. 
 
256. FIRE OF 1835. 
 
 Another pair; colored. Framed to third lines. 
 
 257. FIRE OF 1835. 
 Lithograph. Rectangle, 10.4 x 13.15 
 A View Of The Great Conflagration. (Merchants Exchange.) 
 Dec. 16 1835. | New-York. | 
 
 VERY SCARCE. 
 
 258. THE GREAT FIRE OF 1835. 
 
 Lithograph. Rectangle, 9.8 x 11.12 
 H. Sewell Del. | Hanington’s Dioramic Representation Of 
 The | Great Fire in New York Dec, 16. and 17. 1835. Now 
 exhibiting with other moving dioramic scenes, at the Amer- 
 ican Museum every evening.| 
 
 Colored; from the Holden Collection. A fine copy. ExcessiveLy scarce. 
 
 FIRE OF 1845 
 
 259. FIRE OF 1845. FROM BOWLING GREEN. 
 Lithograph. Rectangle, 8.4 x 12.13 
 [Copyright 1845 by N. Currier] | Lith. & Pub. by N. Currier, 
 —2 Spruce St. N. Y. | The Bowling Green Fountain. | View 
 Of The Great Conflagration At New York July 19™ 1845. | 
 From The Bowling Green. | Nearly 300 Buildings Destroyed. 
 —KEstimated loss of Property $7,000,000. | 
 
 Fine proof impression from the uncleaned plate. Very scarce. 
 
 260. GREAT CONFLAGRATION FROM BROAD ST. 
 Lithograph. Rectangle, 8.2 x 12.6 
 (Copyright 1845 by N. Currier.) | Lith. & Pub. by N. Currier, 
 —2 Spruce St. N. Y. | Trinity Church. | View Of The Great 
 Conflagration At New York July 19° 1845. | Nearly 800 
 Buildings destroyed.—From Cor. Broad & Stone St*.—Esti- 
 mated loss of Property $7,000,000. 
 
 Dust soiled but sound. Colored. Very scarce. 
 
261. TERRIFIC EXPLOSION. 
 Lithograph. Rectangle, 8.1 x 12.5 
 Lith. & Pub. by N. Currier,—(Copyright 1845 by N. Currier) 
 —2 Spruce St. N. Y. | View Of The Terrific Explosion At The 
 Great Fire In New York. | Engine N°,, 22 destroyed, and 
 several lives lost.—From Broad St.—July 19. 1845.—17 
 Stores blown up. | 
 
 Fine example. Colored. Very scarce. 
 
 262. FIREMAN’S CERTIFICATE. 
 
 Line. Irregular rectangle, 8.1 x 9.5 
 Voluntary Aid | These are to Certify that | is pursuant 
 to Law nominated and appointed | of the Firemen of 
 the City of | New York. | Godwin Sculp‘, | 
 
 At the top, a representation of firemen at work; at the bottom, a fire- 
 engine. Reproduced in Valentine’s Manual. 
 
 Made out to William Rollinson, 1762 + 1842, the engraver of No. 42, 
 
 and signed by “Robt: Benson Clk Decr. 28th: 1796” Endorsed by “Willm. 
 Rollinson.” From the Holden collection. 
 
 2638. FIREMAN’S CERTIFICATE. 
 
 Line. Rectangle, 13.9 x 10. 
 | These are to certify | that is pursuant to Law | nomi- 
 nated and appointed one of the | Firemen of the City of New 
 York. | Engraved by Peter Maverick, from a Drawing by 
 Archibald Robertson. | March, 1807. | 
 
 At top, fireman’s helmet, “N. Y.,” and bucket; “A. R. | 79 Liberty | Street” 
 over circle, “Voluntary Aid” in margin, with Neptune chaining Pluto. 
 Below, firemen at work. The certificate is made out to Sylvanus Hallock, 
 and signed by “J. Morton, Clk. Augt. 28th, 1815.” Reproduced in Valentine’s 
 Manual, 1850. 
 
 An early issue, before changes in lettering. Colored. 
 
 264. THE CITY FIREMEN’S VETO, ETC. 
 
 The City Firemen’s Veto! | Written by a Chap vot | knows 
 ‘ow! and respectfully | dedicated to the abdicated | Gotham 
 Fire-Eaters! 
 
 Printed broadside with four wood-cuts of “Squire Twinkenbadus!” “His 
 
 particuar friends!” “His Pet-Pup!” and “His nice ’oman!” 
 See No. 364. 
 
De alte (es | 
 
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 No. 251 
 
My, 
 
LIFE OF A FIREMAN 
 
 265. THE LIFE OF A FIREMAN. 
 
 Lithograph in colors. Rectangle, 16.15 x 25.14 
 L. Maurer. | L. Maurer Del.—[ Copyright 1854 by N. Currier, | 
 —Lith. By N. Currier. | The Life Of A Fireman. | The night 
 alarm.—‘Start her lively boys.” | New York, Published By N. 
 Currier, 152 Nassau Street. | 
 
 266. THE LIFE OF A FIREMAN. 
 Lithograph in colors. Rectangle, 16.12 x 25.10 
 L. Maurer, Del.—[Copyright 1854 by N. Currier ]—Lith. 
 By N. Currier. | The Life Of A Fireman. | The race. “Jump 
 her boys, jump her!” | New York, Published By N. Currier, 
 152 Nassau Street. | 
 
 Down Park Row, alongside City Hall Park, Engine Co. 21 being urged 
 along by the Foreman, Matthew T. Brennan, and passing Hose Co. No. 
 60. The City Hall and the Bell Tower, illuminated by the conflagration, 
 in the background. 
 
 267. THE LIFE OF A FIREMAN. 
 
 Lithograph in colors. Rectangle, 17.2 x 25.14 
 L. Maurer. | L. Maurer, Del.—[ Copyright 1854 by N. Currier | 
 —Lith. By N. Currier. | The Life Of A Fireman. | The Fire. 
 —“Now then with a will—Shake her up boys! | New York, Pub- 
 lished by N. Currier, 152 Nassau Street. | 
 
 268. THE LIFE OF A FIREMAN. 
 Lithograph in colors. Rectangle, 17.2 x 26.1 
 —L. Maurer. | L. Maurer, Del.—[ Copyright 1854 by N. Cur- 
 rier |—Lith. By N. Currier. | The Life Of A Fireman. | The 
 Ruins. “Take up.”—‘“Man your rope.” | New York, Pub- 
 lished By N. Currier, 115 Nassau Street. | 
 
 269. THE LIFE OF A FIREMAN. 
 Lithograph in colors. Rectangle, 17. x 25.8 
 C. Parsons Del—[ Copyright 1861, by Currier & Ives ]—Lith. 
 Currier & Ives, N.Y. | The Life Of A Fireman. | The new era. 
 Steam and Muscle. | 
 
 Location at the northeast corner of Murray and Church Streets, the then 
 dry goods district, Chief John Decker in the foreground. The City Hall, 
 illuminated by the flames, in the background. 
 
270. THE LIFE OF A FIREMAN. 
 Lithograph in colors. Rectangle, 17. x 26. 
 —J. Cameron |—[ Copyright 1866, by Currier & Ives, ]—Currier 
 & Ives, Lith. N. Y. | The Life Of A Fireman. | The Metropolitan 
 System. | New York, Published by Currier & Ives, 152 Nassau 
 Street ! | 
 
 Horse apparatus, Engine Co. No. 29 and Hook and Ladder Co. No. 10, 
 proceeding south on Broadway below Dey Street to fire at lower corner. 
 
 271. FIREMEN PAST AND PRESENT. 
 
 Lithograph in colors. Rectangle, 17:8 x 24: 
 
 A proof before all letters of the Thomas & Wylie, Firemen, Past And 
 Present, with the Burning of the Crystal Palace. 
 
 272. FIRST DIVISION Ne Yoon: 3. 
 
 Lithograph. Rectangle, 17.8 x 2604 
 F. J. Fritsch Del.— | Morris Cadets, Hussars—German, La- 
 fayette, Montgomery, Washington and Brooklyn Horse Guards 
 —National G, and Washington Greys Troop, Horse Artillery, 
 Lancers. | First—Division | New York—State Artillery. | 
 [Copyright 1844 by F. J. Fritsch. | 
 
 In center of margin an American eagle, flags and war emblems. The view 
 shows Castle Garden, the Battery and Bay. Colored. First issue. Very 
 scarce. See No. 315. 
 
 273. FISHER & BIRD’S MARBLE YARD. 
 
 Line. Rectangle, 8:11 x 7.12 
 Fisher & Bird’s Marble Y | 287 | Marble Mantels & Statuary. 
 | Chimney Piece Wareroom. | Entrance To The Wareroom. 
 —Fisher & Bird. | Drawn & Engraved | By | John Baker | 359 
 Houston St | N. Y. | Fisher & Bird’s | Marble Yard | 287 
 Bowery | New York. | 
 
 About 1840. ONr oTHER KNOWN. 
 
 274. FULTON THE FIRST. 
 
 Line. Rectangle, 9.13 x 14.10 
 Drawn by J. J. Barralet, from a Sketch by Morgan, taken 
 on the spot.—B, Tanner, direx*. | Launch Of The Steam Frigate 
 Fulton The First, At New York, 29". Oct". 1814. | 150 feet 
 
[No. 274—Continued | 
 long and 50 feet wide, will mount 28 long 82 pounders, and 2 
 50 pounders. (Columbiards.) | Philadelphia; Published 27**. 
 March 1815 by B. Tanner N°. 74 South 8™ S¢*. | 
 
 VERY SCARCE. 
 
 275. FULTON STREET AND MARKET. 
 Aquatint. Rectangle, 9.5 x 13.6 
 W™. IL. Bennett Pinx*. et Sculp‘. | Fulton St. & Market. | Henry 
 I. Megarey New York. 
 
 Very scarce. See Nos. 156 and 359. 
 
 276. FORT GANSEVOORT OR OLD WHITE FORT. 
 
 Lithograph. Rectangle, 8.14 x 12.1 
 Published by James Van Valkenburgh, N. York 1834—Lith. 
 of. Endicott & Swett. | Baptising Scene. | Near the White 
 Fort Hudson River, New-York. | 
 
 Colored. OwN®r oriEeR KNOWN. 
 
 277. GAS LIGHT CO. 
 
 Lithograph in colors. Rectangle, 12.2 x 18.4 
 E. Jones & G. W. Newman, Lith. & Printed In Colors—128 
 Fulton S‘. N. York. | The New-York Gas Light Co*. Works. 
 | 215. & 22"¢ Streets & Avenue A. | Erected 1847. | John Mow- 
 ton, Engineer. Edward Jones, Architect. | (Six names of ar- 
 tisans in two columns, and “Plan.”) | Incorporated with per- 
 petual Charter March 1823. Capital $1,000,000 | Commenced 
 lighting from their Works corner of Hester & Rynders (Cen- 
 tre) || Streets, March 1825. Extended the Works to the corner 
 of Centre and | Canal St*. 1828. The C°. supply Gas south of 
 Grand Street. | —W. W. Fox, Pres‘. C. L. Everitt Secy. | 
 
 No OTHER KNOWN. 
 
 278. GEM SALOON. 1854. 
 Lithograph. Rectangle, 19.2 x 25.2 
 Corner Broadway and Worth formerly Anthony Street. A 
 Famous Hostelry known as having the largest mirror in the 
 City. The figures are portraits of Mayor Fernando Wood, 
 James Lawrence and other noted men of the fifties. 
 Cut to the rectangle. 
 
279. GOVERNMENT HOUSE. 
 
 Lithograph in colors. Rectangle, 14010 x 21:4 
 C. Milbourne, Delint. Et. Excu’. | 1797 | From The Original 
 Drawing By W. J. Condit.—| [Copyright 1847, by H. R. 
 Robinson,| | From An Original Drawing In The Possession Of 
 Thomas N. Campbell Esq.—Lith. & Printed In Colours By C. 
 Currier, 33, Spruce St. N. Y. | The Government House. | This 
 . occupied it, | It. . . down. | Drawn expressly for D. T. 
 Valentine’s Manual.| 
 Second issue. VERY SCARCE. 
 
 Vv 280. GOVERNMENT HOUSE. 
 
 Another copy; seventh issue. 
 
 281. GOVERNOR’S ISLAND. 
 Blue plate. 10.8 
 View of | Governor’s | Island | By W. G. Wall Esq’. N. Y 
 
 Fine and perfect. The title is on the back in a panel supported by a seated 
 
 boy. The impressed stamp a crown and: “A. Stevenson. Warranted. 
 Staffordshire.” : 
 
 [ Illustrated | 
 
 282. HAMILTON SQUARE. 
 
 Lithograph. Rectangle, 8. x 12.5 
 Lith & Pub. By J. Baillie—(Copyright 1847)—87. St. Near 
 3° Avenue N. Y. | The Grand “Washington Monument” Pro- 
 cession. | As it appeared on Hamilton Square during the Cere- 
 mony of laying the Corner-stone, October 19. 1847. | On 
 Stone from a Drawing taken on the Spot by J. L. Magee. | 
 
 A large float, drawn by six horses, with bust of Washington and young 
 woman as Liberty. In background pedestal and stand. Colored. No 
 OTHER KNOWN. 
 
 283. HANOVER BUILDINGS. 
 
 Lithograph. Rectangle, 8.10 x 10.8 
 On stone by J. P. Newell—J. H. Bufford’s Lith. Boston. | Han- 
 over Buildings, Hanover Square, N. Y. | 
 
 VERY SCARCE, 
 
284. HARLEM BRIDGE. 1864. 
 Lithograph. Rectangle, 13:4 x 32. 
 Endicott & Co Lith. 59 Beekman St New York | Harlem Bridge. 
 | Now Being Erected Across The Harlem River, At The Ter- 
 mination Of The Third Avenue, New York. | (Four lines of 
 description and at sides names of officers) | 
 Colored. 
 
 285. HARLEM LANE. 
 
 Lithograph in colors. Rectangle, 18.8 x 28.11 
 —J. Cameron. Del, | (Copyright 1870, By Currier & Ives) | 
 Lith. Of Currier & Ives.—152 Nassau Street New York | Com. 
 Vanderbilt with | Myron Perry and Daisy Burns. | Bonner with 
 Dexter. | Fast Trotters On Harlem Lane N. Y. | New York 
 Published By Currier & Ives 152 Nassau Street | 
 
 The “Club House” is Toppy Me.Guire’s at about 187th Street and Eighth 
 Avenue. 
 
 286. HELL GATE. 
 
 Aquatint. Rectangle, 5.5 x 7oll 
 Drawn under the direction of the Author and Engraved by M. 
 Merigot. | View of Hell Gate; the Entrance from Long Island 
 Sound to New York. | Published March 1,-1807, by James 
 Cundee, Albion Press, London. | 
 
 287. HELL GATE. 
 Aquatint. Rectangle, 1001 x 138.18 
 Painted by J. Shaw.—Engraved by J. Hill. | Hell Gate. | Pub- 
 lished by Thomas T. Ash Philadelphia. | 
 
 View taken from the Gracie house. Colored. 
 
 288. HELL GATE FERRY HOTEL. 
 Lithograph. Rectangle, 8.2 x 12.4 
 View Of J. M. Dunlap’s Hurlgate Ferry Hotel, Foot Of 86™.. 
 Street And East River, New-York. | An obliging Host, beautiful 
 
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 UL SEAL asnogy aya Jey “1641 (AtvnuLl) ‘qauoyy Yay at [HUN IoU sea I ‘2eA\ ap BuLnp suaziD sno 
 Jo saoueyuinoit atp) uy uaUIaduLsacy oy pur ‘sajqeyqO Jo Ayre, & 03 BuMO 
 
 suoyyed) yng 
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 paquaaaid “482K aus ay) ut adeqd Yoo3 yotym UID ISAG-1V94D) YALA JEAN aya ang ¢ ajnogy aur Surpyingar 
 pus ‘syoT saya Suidas uv Pe 02 ‘spunog puv/noys, anol jo tung 242 Way) por0a AjazeIpauury 
 youre aanaeyji3a7y au 10u pey ‘papuadjny uaeq sary sdeysad pynom suoyuaiuy saya pue ‘spunog 
 pivfnowiZ, Wa22E Jo yo & paurRYNy Arai20g aya AauuTyED si—n Ag—-padosyap Ajaeou sem pur ‘S21 
 (Asenaqat) ‘tauopy puoray aya jo yage ay Uo asy O03 Ajjeauapioze at ‘pareajduto> youre sear anoFy ayy 
 way Apareunatogun ang *£421 uy uodn paaase sear trouol uyof -1q 4q payed3ry Buipying ¥ jo urjg & 
 pur ‘savax Luan] soy ‘Aqenuue spumog pupunpy 19417 Jo a2ueMolfy ue Aq uornanyuy ay3 papre ose 
 aun wylday aya f mivysigf-79215 Jo siseg Jaro pue ‘uopuo] jo siuenqequy Auew jo suownginueD sayz 
 Aq papte seas ay Savage mviypty sg pue 118427104 sopog] yo a2uanpuy ayy Ag 
 
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 avy Inq FsuONPUIYIG snordijas Jo “pot “euopeu Aur o3 ‘sume paypeNUO2 Jo sQUINyUT Aue 
 pawrejoyip Ajuosiun Ars120g ots ‘AquLIyLIYyD jo sajdioung ayy Aq poremuy 
 
 kt | 
 
[ No. 288—Continued | 
 
 scenery and cool summer retreat, Refreshments of the first 
 quality, with Horses and pleasure Wagons to let, also Boats 
 and Tackle for fishing-parties, renders this place second | to 
 none in the vicinity of New-York. Murphy’s Stages from City 
 Hall, Pell St. and Bowery, run every 15 minutes and carry 
 passengers to this place for 6 cents. | —Published by James 
 Baillie, 87*".. St. near 87 Avenue N. Y.— | 249. | 
 
 Colored. VERY sCARCE. 
 
 289. HIGH BRIDGE. 
 
 Lithograph. Rectangle, 8.2 x 12.11 
 Lith. & Pub. By N. Currier,—(Copyright 1849 by N. Currier,) 
 —152 Nassau St. Cor Of Spruce N. Y. | Length 1450 f*,,—The 
 High Bridge At Harlem, N. Y.—Height 114 f*,, | This mag- 
 nificent bridge of stone forms a part of the immense works 
 erected to bring the water of the Croton river to the City of 
 New York.—The length of the aquaduct from the Croton fiver 
 | to the City Hall, is 4414 miles, and cost about $13,000,000. 
 | 699. | 
 
 Colored. Masked to title. 
 
 290. HIPPODROME. EXTERIOR. 
 
 Lithograph, tinted. Rectangle, 7.4 x 10.12 
 (Copyright 1853 by T. S. Berry) | Composed for the Piano 
 Forte | and respectfully dedicated to the Visitors of the | 
 Hippodrome | Lith. of Sarony & Major N. Y.—871%4 Cts. 
 nett. | 
 
 Site occupied by the Fifth Avenue Building. 
 
 INTERIOR. 
 Lithograph, tinted. Rectangle, 7.12 x 11. 
 Entered . . . 1858, by Geib & Jackson, . . . N. Y. | Hippo- 
 
 drome Scottisch. | 38 Cents nett. | Published by Geib & Jack- 
 son, 499 Broadway, N. York. 
 
 Inscriptions partly masked. In one frame. 
 
291. HOSPITAL. 
 
 Wood-cut. Folio broadside. 
 N®. 1 | Charity Extended To All. | State of the New-York 
 Hospital for the Year 1797. | 
 
 The wood-cut view of the New York Hospital is on the front page of the 
 First Report of two folio leaves. It gives a short history of the building 
 (Broadway, between Duane and Worth Streets), undertaken 1770, incor- 
 
 porated 1771, and the corner-stone laid in 1775, and is of unusual interest 
 and importance for the medical statistics. 
 
 [ Illustrated | 
 292. HOSPITAL. 
 Line. Rectangle, 6.15 x 11. 
 John R. Murray delin—Leney sc‘. | View of the New York 
 
 Hospital. | 
 
 293. HOWARD HOTEL. 
 
 Lithograph. Rectangle, 18. x 24.8 
 On Stone by C. Parsons—Lith. Of G. & W. Endicott, 59, Beek- 
 man St. N. York.— | Howard Hotel, Broadway, New York. | 
 Corner Of Maiden Lane. | —By Thomas & Roe. | 
 
 Shows the east side of Broadway, Maiden Lane to north corner of John 
 Street. Two other impressions known. 
 
 [ Illustrated | 
 
 SOCIETY OF ICONOPHILES 
 
 FIRST SERIES 
 
 TWELVE ENGRAVINGS ON COPPER BY Epwin D. Frencu. 
 
 294. 1. St. Paul’s Chapel; 2. Interior of St. Paul’s; 3. Fraunces’ Tavern; 
 4. Roger Morris House; 5. Hamilton Grange; 6. St. Mark’s 
 Church; 7. City Hall; 8. Halls of Justice (““Tombs’’) ; 9. Acad- 
 emy of Design; 10. St. John’s Chapel; 11. Reservoir; 12. Bowl- 
 ing Green. 
 
 101 impressions issued on Japan paper. In original wrappers. 1895. 
 
SECOND SERIES 
 
 TWELVE LITHOGRAPHS BY CHARLES FEF. W. MiIciatz 
 
 295. 1. Battery and Castle Garden; 2. Morningside Park and St. Luke’s; 
 3. Aaron Burr House; 4. Clinton Hall; 5. High Bridge; 6. Har- 
 lem River; 7. South St.; 8. Oyster Market, near Christopher 
 St.; 9. Dutch Reformed Church, Kingsbridge Road; 10. Five 
 Points; 11. Poe Cottage, Fordham; 12. Old Mill, Van Cort- 
 landt Park. 
 
 132 impressions issued on India paper. In original wrappers. 1898. 
 
 THIRD SERIES 
 Earty AMERICAN Printers AND ENGRAVERS. 
 
 ExXGRAVED ON COPPER BY Francis 8S. Kine. 
 
 296. Isiah Thomas. 
 
 297. Paul Revere. 
 298, Alexander Anderson. 
 
 299, Amos Doolittle. 
 
 132 Impressions issued on India paper. 1897-1901. 
 Hugh Gaine is missing and James Rivington, framed, with the Gazetteer 
 1773, is No. 355. 
 
 FOURTH SERIES 
 Mew anv Events ConnECTED WITH THE CITY 
 
 Six ENGRAVINGS ON COPPER RY Francis S. Kine 
 
 300. 1. Lafayette and his Landing Aug. 16. 1824; 2. Washington and 
 the Evacuation Nov. 25, 1783; 8. DeWitt Clinton and Erie 
 Canal celebration, 1825; 4. Admiral Dewey and the Arch, 1899; 
 5. Aaron Burr and Richmond Hill house; 6. Alexander Hamil- 
 ton and the Grange. 
 120 impressions issued on Japan paper. In original wrappers. 1899-1902. 
 
ee es) Ye] ee 
 Bes) LS) po) 
 0 SI | 
 Hie) I] BS) 
 
 EXCHANGE 
 
 HOWARD Mowe, - 
 
 CORNER OF- 
 
 No. 293 
 
‘ 
 ; 
 , 
 4 
 Q is ¥ 
 i 
 
FIFTH SERIES 
 Facsimites or Earty Encravep Views 
 ENGRAVED ON CoppER BY Stpney L. Surru 
 301. 1. Federal Hall; 2. Middle Dutch Church; 3. Columbia College; 4. 
 Trinity Church; 5. Richmond Hill House; 6. St, Paul’s Chapel ; 
 7. Government House; 8. City (Federal) Hall; 9. Belvidere 
 House; 10. Battery, Harbor and “Ambuscade” Frigate. 
 
 103 impressions issued on Japan paper. In original wrappers. 1899-1903. 
 
 SIXTH SERIES 
 Earty New York Avuruors 
 ENGRAVED ON CopPpER BY Francis S. KING 
 
 302. Fitz-Greene Halleck. Joseph Rodman Drake. 
 
 103 impressions issued on Japan paper. 1903-4. (2) 
 
 SEVENTH SERIES 
 New York on SrarrorpsHirE Porrery 
 
 Eicutr Aquatints py Cuarues F. W. Mieiarz 
 
 303. 1. New York from Fulton St. B’klyn; 2. Battery, Esplanade and 
 Castle Garden; 3. Alms House (Bellevue); 4. City Hotel; 5. 
 Castle Williams; 6. Brooklyn Ferry; 7. St. Paul’s Chapel, 
 etc.; 8. Castle Clinton and the Battery. 
 
 104 impressions issued on Japan paper. In original wrappers. 1904-06. 
 
 EIGHTH SERIES 
 SkyY-scRAPERS OF New York 
 
 TWELVE LITHOGRAPHS BY JOSEPH PENNELL 
 
 304. 1. Battery Park; 2. Broadway from Bowling Green; 3. “Broadway 
 Towers”; 4, Stock Exchange; 5. Nassau Street; 6. Pine Street; 
 7. William Street; 8. “Building the Building”; 9, “The Flat 
 Iron”; 10. Union Square; 11. Broadway above 23" St.; 12. 
 The “Times” building. 
 
 100 impressions issued. In original cover. 1905. 
 
NINTH SERIES 
 TWELVE VIEWS FROM OIL PAINTINGS, ETC. ENGRAVED BY WALTER M. 
 
 AixmMAN, Francis S. Kine anp Sipney L. Smiru. 
 
 305. 1. S. E. Prospect of N. Y. 1756; 2. Broadway N from Grand Street; 
 3. Clinton Hall; 4. Custom House, 1799; 5. S. W. Prospect, 
 1806; 6. Novum Amsterodamum; 7. Kings (Columbia) Col- 
 lege; 8. State Street; 9. N. Y. (“Wooded Heights”) in 1775; 
 10, Broadway and Grand St. 1880; 11. Grace and Trinity 
 Churches; 12. St. Paul’s Chapel, 1812. 
 
 100 impressions issued on Japan paper. In original wrappers. 1905-08. 
 
 TENTH SERIES 
 PicturEsquE New York 
 
 TweLve Poorocravures From Monotyres By C. F. W. Mrexrarz 
 306. 1, Van Cortlandt Manor House; 2. Oyster Market, West St.; 3. St. 
 John’s Chapel. 4. Fraunce’s Tavern; 5. Old Houses Battery 
 Park; 6. Rose Street}; 7, Broadway at Great Jones St.; 8. 
 Third Ave. & 122% Str, doorway; 9. Jumel Mansion; 10. Coen- 
 ties Slip; 11. N°. '7.State Str.; 12. Fourth Ave. & 28'™St. 
 
 One hundred impressions issued. In original wrapper. 1908. 
 
 ELEVENTH SERIES 
 Ercuines spy Sipney L. Situ 
 307. 1. Broadway in 1865. 3. New York Hotel, Broadway, 1867; 4. 
 Bowling Green and State Street, 1880. 6. North Dutch Church. 
 1769-1875. 
 Lacks 2. Astor House, and 5. Wall Street 1883. 
 
 TWELFTH SERIES 
 Pustic Monuments By F. S. Kine 
 308. 1. George Washington. (Union Square). 3, William Tecumseh Sher- 
 
 man. (Plaza) 
 2. Farragut, is missing. 
 
ISLAND INSURANCE CO 
 ea tania ae 
 
 i 
 
 Bie 
 
 MAIDEN: LANE, | NEW. YORK. 
 
 Jewelry Centre of the World. A Space Less than Two Blocks Containing 308 Jewelry Firms. 
 
 No. 3820 
 
320. MAIDEN LANE. 
 
 Lithograph. Rectangle, 34.4 x 23.8 
 Copyrighted. Published By J. J. Fogerty, 118 Nassau Street, 
 New York.—Am. Photo. Litho. Co. N. Y. | Maiden Lane, New 
 York. | Jewelry Centre of the World. A Space Less than Two 
 Blocks Containing 308 Jewelry Firms. | 
 
 Colored. Issued for advertising purposes but has become very scarce. 
 
 | Illustrated | 
 
 321. MANHATTAN COLLEGE. 
 Water-color. Rectangle, 22.4 x 35.6 
 
 A very beautiful drawing taken from the river and showing the “Man- 
 hattan” railroad station, locomotive, passenger and baggage car, archaic 
 and interesting, in the foreground. Manhattan College is prominent in 
 the center with the Church of the Annunciation at the right and the tower 
 of the Convent of the Sacred Heart in the background. A turn-table and 
 receding street car, “Manhattan | To | Harlem,” is just disappearing at 
 the right. The Rectory House is shown north of the College. The rural 
 aspect and the billets of wood, instead of coal, in the locomotive tender, 
 suggest the period of about 1855. The site was purchased in 1853 and 
 the Academy of the Holy Infancy erected. In 1863 it was raised in rank 
 and incorporated as Manhattan College by the “Christian Brothers.” The 
 corner stone of the Church of the Annunciation was laid in November 
 1853 and it was dedicated in 1854. At that time it was the only Catholic 
 church on the west side of the island north of forty-second street. It was 
 later razed and a new church erected at the corner of Convent Ave. and 
 131st Street. 
 
 It is one of the most attractive exhibits of the collection. 
 
 [Illustrated in color. See Cover | 
 
 322, MANHATTANVILLE. 
 
 Lithograph. Rectangle, 9.2 x 13.10 
 From Nature by J. W. Hill—hLitho: of Endicott, 359, Broad- 
 way Manhattanville, New York. | Entered . . . 1884, by 
 George Endicott, . . . N. York. | 
 
 Of unusual interest as showing the marvelous growth of the city. This 
 
 village did not become a part of the municipality until thirty years later. 
 Fine original coloring. ‘THREE OTHER COPIES KNOWN. 
 
 323. MASONIC HALL, 
 Lithograph. Vignette in rectangle, 11.14 x 9.14 
 On Stone by A. J. Davis—H. Reinagle Architect.—Imbert’s 
 Lithography. | Masonic Hall. | Front on Broadway 50 feet. | 
 
 Nos. 314-316 Broadway, between Duane and Pearl Streets. To the left 
 is Luke’s Bakery. 
 
324. MECHANIC’S AND TRADESMEN’S CERTIFICATE. 
 Line. Rectangle, 16.8 x 21.2 
 Oblong oval with man offering purse to seated woman with child 
 in her arms and boy at her knees; to right a man points out to 
 barefoot boy building of ‘‘Mechanic’s School & Apprentice’s 
 Library”. To left a shipyard and in background a steamboat. 
 In upper part of oval border: “To Dry The Tear From 
 Misery’s Eye, To Succour The Afflicted And To Save The Sink- 
 ing Is Our Aim.”, and in lower part forty-two five-pointed 
 stars. In the angles, cupids typifying Agriculture, Time, 
 Sculpture, and Architecture. An eagle supporting seal and 
 holding scroll in talons in centre of inscription space. 
 
 —— was elected a member of the | General Society of—Me- 
 chanics and Tradesmen | of the City of New York on the 
 | Attest Secretary. 
 President. | Drawn by Charles Canda.—Engraved by B. Tan- 
 ner. | Printed By Brother Samuel Maverick. | 
 
 The certificate is made out to Stephen Allen, Mayor 1821-22, and is wit- 
 nessed by J. Hopson and Robert Boyd, Dec. 8th, 1823. Very scarcer. 
 
 day of —— Anno Domini 
 
 325. 
 
 bo 
 OU 
 
 MELROSE. 
 
 Lithograph. Rectangle, 17. x 25.2 
 Del & Lith. By Valois.—Print. By G. Schlegel 97 William S*. 
 N. Y. | (Reference numbers—16) | View Of Melrose | And Sur- 
 roundings. | Taken from the Ursuline Convent, Westchester C°. 
 N. Y. 1868. | (References—sixteen in two columns at sides of 
 title) | 
 
 Clipped at sides and creased on bottom. VeEry scarce. 
 
 ae 
 
THIRD EVENING’S SALE 
 WEDNESDAY, FEBRUARY 7, 1917 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 8.15 O'CLOCK 
 
 Catalogue numbers 326 to 562, inclusive 
 
 MERCHANTS’ EXCHANGE 
 
 326. MERCHANTS’ EXCHANGE. 
 
 Lithograph. Vignette in rectangle, 12. x 10. 
 E. M. Thompson Architect. | Imbert’s Lithography.—On Stone 
 by A. J. Davis. | Merchants Exchange. | New York. | 
 
 India proof. 
 
 327. MERCHANTS’ EXCHANGE. 
 Water-color. Vignette, 7.2 x 8.7 
 Exchange. |—J. R. Brady Arc‘. | Drawn by A. J. Davis 1826. 
 
 A front view. 
 
 328. MERCHANTS’ EXCHANGE. 
 
 Lithograph, tinted. Rectangle, 15.12 x 22: 
 I. Rogers Arch':—On Stone by Bufford——Drawn by C. L. 
 ‘Warner. | Merchants’ Exchange, New York. | (Copyright 
 1837.) | 
 
 Colored. Framed to title; stained. Tur scarcest AND MOST DESIRABLE REPRE- 
 SENTATION. 
 
 329. MERCHANTS’ EXCHANGE. 
 Lithograph. Rectangle, 8.6 x 12.8 
 Lith. & Pub. By N. Currier,—(Copyright 1848 by N. Currier) | 
 Merchant’s Exchange, New York. | Wall Street. | 613. | 
 
 Colored. Scarce. 
 
330. METROPOLITAN HOTEL. 
 
 Lithograph in colors. Rectangle, 16.6 x 23.2 
 Lith. & Printed In Colours By Sarony & Major New York.— 
 Trench & Snook, Architects, New York. | Metropolitan Hotel. | 
 Broadway, New York. | Simeon Leland And Company, Pro- 
 prietors. 
 
 Framed to third line. Two others known, 
 
 331. MURRAY STREET. 
 
 Water-color. Rectangle, 10213 x 14013 
 Murray Street Broadway to North River. 1822. With D’. 
 Mason’s Church, 
 
 The original drawing, probably by Peter Maverick, for Hayward’s litho- 
 graph published in Valentine’s Manual, 1852. 
 
 332. NATIONAL THEATRE BURNING. 
 
 Lithograph. Rectangle 8:15 x 12-11 
 —N. Sarony—N. Sarony. | 
 
 The Burning of the Old National Theatre, corner of Leonard and Church, 
 the Church of Saint Esprit corner of Church and Franklin, and the- Dutch 
 Reformed Church on Franklin street, September 23rd, 18389, 
 
 An unlettered proof; repaired at top. ONE orHER KNOWN. 
 
 333. NATIONAL THEATRE. 
 
 Lithograph. Rectangle, 8.6 x 11.14 
 Day & Haghe, lith. 17. Gale S‘. London.—-from a Drawing by 
 R. Bengough. | National Theatre | New York | J. W. Wallack 
 
 Esq’. Lessee. | 
 
 Corner of Church and Leonard Streets. Destroyed by fire May 29th 1841. 
 
 Water-color of the above, with fewer figures and with slight 
 
 differences in the neighboring houses, signed: ‘“‘Bengough fecit” 
 In one frame. 
 
 334, NATIONAL THEATRE REBUS. 
 
 Lithograph, tinted. Vignette, 10.9 x 6.12 
 Rebus N°. 1. | S | P—S. | ’s 25—1215. | Purdy’s National 
 Theatre, New-York. | Tragedy, Comedy, Spectacle, Farce. | 
 Prices. Boxes 25 C'.. Pit. 121% | 
 
 Drawn in the form of a rebus, giving a view of the theatre, of the city 
 from the river, and portraits of Alexr. H. Purdy, J. B. Booth, Barney 
 
 Williams, Charles Burke, Geo. L. Fox and Thomas D. Rice. 
 Not framed. 
 
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353. RHINELANDER SUGAR HOUSE 
 
 Water-color. Rectangle, 6:14 x 5.7 
 The “Rhinelander” Sugar House, L. Oram Pinx*. | 
 
 Destroyed 1892. Liberty Street, site of the Mutual Life Insurance Com- 
 pany’s building. 
 
 354. RIGGING HOUSE. 
 
 Lithograph, tinted. Rectangle, 11.4 x 9,2 
 [Copyright 1846, by H. R. Robinson,] | Lith. & Pub. By 
 H. R. Robinson—142, Nassau S‘. N. York. | The Rigging 
 House, | 120 William Street.— . . . | Here Methodism was 
 first rigged out in the port of New York, and started on her 
 prosperous Voyage in North | America; This rigging house, 
 now the last relic of the Old Dutch architecture of New-Am- 
 sterdam, will soon be | among the things that were. This is a 
 fine front view as it now stands. (ete., seven lines) | —This 
 building is now occupied by Doty & Bergen, Engravers, Label 
 & Copper-plate Printers, & | Manufacturers of Fancy & Trunk 
 Papers. | New York, Sep‘. 1846. | 
 
 VERY SCARCE. 
 
 355. RIVINGTON’S GAZETTEER. 
 
 Newspaper. Folio. 
 Rivington’s | New York Gazeteer; | Thursday, May 27 | 1773. 
 RIVINGTON JAMES. 
 
 Engraved by F. S. King for the Iconophiles 1901. (2) 
 
 356. RUTGERS FEMALE COLLEGE. 
 
 357. ST. 
 
 Wash-drawing. Vignette, 8.4 x 9.4 
 —H. D. S. | —1869 | Rutgers Female College | Fifth Avenue 
 And 42"" Street. 
 
 Not framed. 
 
 NICHOLAS HOTEL. 
 
 Lithograph in colors. Rectangle, 7.14 x 10.8 
 [Copyright . . . 1853 by Horace Waters] | 
 
 From a music sheet. Framed to copyright line. 
 
358. SOCIETY LIBRARY. 
 
 Lithograph. Rectangle, 8.6 x 13.6 
 G. Moore, delt—Day & Haghe, Lith’. to The Queen. | The 
 New York Society Library. | Frederick Diaper, Arch*. 
 
 346-348 Broadway, South East corner of Leonard Street, 1840-1853. Later 
 Appletons the publishers. The site now occupied by the New York Life 
 Ins. Co’s building. 
 
 VERY SCARCE. 
 
 ,/ 859. SOUTH STREET. 
 
 Y) 
 Aquatint. Rectangle, 9.7 x 13.9 
 W™. I. Bennett Pinx'. et Sculp*. | South St. from Maiden Lane. 
 | Henry I. Megarey New York. | 
 
 Very scarce. See Nos. 156 and 275. 
 
 360. QUARANTINE, STATEN ISLAND. 
 
 Aquatint. Rectangle, 15.8 x 22.2 
 Painted & Engraved by—W. J. Bennett. | View Of The New 
 York Quarantine, Staten Island. | Printed by J. Neale | Pub- 
 lished by Parker and Clover 180 Fulton Street New York. | 
 
 Entered . . . 1833 by Parker & Clover . . . New York, | 
 An artistic and decorative subject. Colored. Very scarce. 
 [ Illustrated | 
 
 361. A. T. STEWART 
 
 Lithograph. Vignette, 13. x 13. 
 Im. Godard, Q. des Augustins, 55.—A. L. | Robe Marie An- 
 toinette. | A. T. Stewart & C'®. | Rue Bergére, 18. | Paris. 
 
 A female figure in very wide crinoline; showing Stewart’s building, Broad- 
 way and Chambers street, and upper corner of Park railing. Colored 
 fashion plate. Very scarce. 
 
 362. STUYVESANT’S ARMY ENTERING NEW AMSTERDAM. 
 
 Oil-painting. Rectangle, 28. x 85s 
 The original of Peter Stuyvesant’s Army entering New Amster- 
 dam, by William Mulready. 
 
 An excellent composition in which the artist has caught the spirit of 
 Irving’s satire. A reproduction, from a reduced drawing by William 
 
 Heath, was issued by the lithographers Sarony & Major, and appears in 
 Knickerbocker History of New York 80. 1854. 
 
 [Illustrated in color | 
 
098 “ON 
 
 Ce) Prep Mmm * ao ONT acer 
 
 PES dip aig vctiuig, gist Daipt ny «Ie 
 pe a ae 7) 
 
 LLMW AVG SOLOS. 4 
 
3863. STUYVESANT’S ARMY /ENTERING NEW AMSTERDAM. 
 
 Process. Rectangle, 7.2 x 2604 
 —E. C. Caswell, 1900/ SES: Stuyvesant’s Army Entering New 
 Amsterdam. 
 
 Not framed. 
 
 364. TAMMANY HALL. 
 
 Lithograph. Rectangle, 9.2 x 19. 
 Printed & Published by H, R, Robinson,—48 and 52 Courtlandt 
 Street New York. | The Funeral Of Old Tammany. | This 
 mournful ceremony took place in the City of New York on the 
 10,, day of November 1836. The lamented individual had 
 been long subject to a vast complication of disorders, which | 
 though combatted with great skill and perseverance by, Doc- 
 tors, Humbug, Monopoly, & Office; at last carried him off. 
 The symptoms became extremely alarming on the 7'",, and the | 
 danger continued to encrease ’till the evening of the 10*., when 
 Old Tammany gave up the ghost. A vast concourse of people 
 followed the corpse to the grave, composed of all the office 
 holders in the State; all the | possessors of exclusive priveliges ; 
 and the members of the New York Regency. A funeral ora- 
 tion was delivered by the District Attorney, and a funeral dirge 
 sung by Signor Garry Gilbertini. 
 
 To the right, a view of “Tammany Hall” with flag~at half-mast. The 
 hearse is driven by the editor of “The Courier and Enquirer,” and among 
 the mourners are the editors of “The Times” and “The Truth Teller.” 
 From the mouths of the principal figures issue inscriptions. A fireman 
 in background asks, “Who killed Old Tammany” and is answered by 
 another: “James Gulick!”’ 
 
 This caricature and No. 264 refer to the political excitement at the time 
 of the election of James Gulick, deposed chief of the Fire Department, 
 to the office of Register. No orHer KNOWN. 
 
 365. THALIA THEATRE, ETC. 
 Water-color Rectangle, 19.14 x 27.12 
 W™. Kramer, Esq. Proprietor—W™. José, Architect. | Thalia 
 Theatre and Atlantic Garden. | Nos. 46, 48 & 50 Bowery, New 
 York. 
 
 A well-executed and interesting piece. The buildings recently razed. 
 
 e 
 
366. THE TIMES. 
 
 Lithograph. Rectangle, 11.14 x 18.13 
 Clay fec. | Printed & Published by H. R. Robinson,—52 Court- 
 landt Street, New York | Entered . . . 1887, by H. R. Robin- 
 son. . . New York. | The Times. | 
 
 A curious and interesting caricature on the Panic of 1887. Colored. Two 
 OTHERS KNOWN. 
 
 367. TOMBS. 
 
 The Tombs Halls of Justice Centre Street engraved by John 
 Popple, 1850 | and the Townsend House, N. W. Cor, 34 Street 
 and 5‘" Ave. 
 
 Not framed. (2) 
 
 UNION PARK 
 
 368. UNION PARK. 
 
 Lithograph, tinted. Rectangle, 11.138 x 16.7 
 James Smillie del—Entered . . . 1849 by Willian & Stevens, 
 . . . N. York.—Lith. of Sarony & Major, New York | View 
 of Union Park, New York, from the head of Broadway. | The 
 Church Of The Puritans, Rev*. G. B. Cheever D.D. Pastor. 
 The Spingler Institute, erected by the Family of the late Henry 
 Spingler Esq. | and occupied by Abbott’s Collegiate Institution 
 for Young Ladies, Rev°. Gorham D. Abbott. Principal. In 
 the Distance Calvary Church, on the extreme Right, the Free 
 Academy. | Pulished by Williams & Stevens, 353 Broadway 
 N. Y. | 
 
 Injured in lower margin. See No, 228. 
 
 369. UNION PARK. 
 
 Lithograph, tinted. Rectangle, 7.7 x 10.6 
 (Copyright 1852) | Print by Nagel & Weingiirtner N. Y. | 
 Union Park Schottisch. | 
 
 The view overlooks the Square from the northeast corner of Fourteenth 
 Street, and shows an old style Harlem R. R. car drawn by four horses. 
 Inscription partly covered. Colored. 
 
 370. UNION SQUARE. 
 
 Chromo-lith. Rectangle, 16.8 x 22.7 
 Halte Des Grenadiers Rochambeau | A | Union Square | New 
 York. | “Decoration day” 30 Mai 1884. || Halt Of The Grena- 
 diers Rochambeau | In | Union Square | New York. | “Decora- 
 tion day” May 380. 1884. 
 
 Repaired. VERY scarce. 
 
No. 362 
 
 STUYVESANT’S ARMY ENTERING NEW AMSTERDAM 
 
[No. 380—Continued | 
 
 From Nassau street to N°. 46, corner of William street. 
 
 Howes | & Macy. | Bankers. | Livermore | Clews & Co., | epee & 
 Hatch., | Bankers, | National | Bank. | Bank Of | N-America | Bank el 
 America. 
 
 A. Tallis. Engraver—(Wall St.)—Tallis | Views Of New York. 
 
 From N°. 48 to N°. 62. 
 
 Bank Of New York | City Bank | Mechanics & Traders | Fire Insurance 
 Co. | American Fire Ins Co. | National | Fire | Ins Co. | Royal | Fire & 
 Life | Ins Co. | Aitna | Insurance Co | Of Hartford | 
 
 Tallis’ Views Of New York—(Wall St.)—A. Tallis, Engraver. 
 
 From N°. 64 to N°. 82. 
 
 Howard | Fire | Ins Co. | New York | Fire & Marine | Ins. Co. | Taylor 
 Bro’s | Bankers. | Seamens Bank. | 
 
 A. Tallis, Engraver—Wall st.—Tallis’ Views Of New York. 
 
 1863. In one frame. VERY scarce. 
 
 381. WALTON HOUSE. 
 Lithograph. Vignette, 10. x 10.8 
 A. J. Davis del—Lithography of Imbert. | Walton House. | 
 328 Pearl-St. Franklin-Square. | Simon Backus. 
 
 Framed with it the original drawing by Davis. OnE orHER KNOWN. 
 
 STEPHENSON’S WARREN STREET 
 
 882. WARREN STREET. 
 Lithograph. Rectangle, arched, 19.3 . 36.8 
 —Lithogr. & printed by F. Heppenheimer 22 North William 
 St. N. Y. | View of Warren Street New York | from Broadway 
 to Church Street | North Side | Published by W. Stephenson & 
 Co. 252. Broadway N, Y. | A. D. 1854. 
 
 Colored, No orHrr KNOWN. 
 
 383. WASHINGTON SQUARE. 
 
 Lithograph. Rectangle, 2404 x 35.13 
 On Stone by C. Gildemeister, 289 Broadway, N. Y.—(Copy- 
 right 1852 by Otto Botticher)—Print by Nagel & Weingaertner 
 N. Y. | National Guard—7'. Regt. N. Y. S. M. | From the 
 Original picture by Major Bétticher, in the possession of the 8. 
 Co. N. G. | The principal heads from Daguerreotypes—by 
 Meade Brothers 233 Broadway N. Y. | New York, Published 
 by Otto Botticher, 289 Broadway. | 
 
 Colored, Washington Square, showing the University Building, ete. 
 
/ 384. WHARF AND SHIPPING. 
 
 Line. Rectangle, 8.9 x 18. 
 S. Coleman.—[Copyright 1869 by W. Pate & Co.]—H. S. 
 \i/ Beckwith. | Wharf And Shipping, New York. | From the Origi- 
 nal Painting in the possession of the Publishers. | William Pate 
 
 & C°. New York. | Colored. 
 
 385. JOHN WILLIAMS. 
 
 Line. Vignette, 2.6 x 3.14 
 Gentlemen’s Fashionable Wearing Apparel Warehouse. | John 
 Williams | Clothier | N°. 212 Broad-way New York. | Corner of 
 Fair Str’. 
 
 386. GERMAN WINTER-GARDEN. 
 
 Water-color. Rectangle, 21.8 x 29.8 
 Fritz Meyer ft. New-York, Oct. 1856; | Innere Ansicht Des 
 Deutschen Volks-Winter-Gartens. | Interior Of The German 
 Winter-Garden, | 45 Bowery, New York. | —Henry Hoffman, 
 Architect. | ; 
 
 387. WORTH MONUMENT. 
 Lithograph, tinted. Rectangle, 12.2 x 18.2 
 A. Weingiirtner’s Lith’. N. Y. | Ceremonies of Dedication of the 
 Worth Monument. | (Noy. 25, 1857) | 
 
 388. VARIA. 
 New York in 1775 (Fort George from the Harbor) ; New York 
 from Weehawk, Smillie; Castle Garden 1841, music sheet ; Astor 
 House; Landing of Lafayette; S'. Paul’s (from the Mirror) ; 
 Park & City Hall. Not framed. (7) 
 
 389. VARIA. 
 
 The Clermont Steamboat from the N.Y. Historical Society’s 
 original; Merchants’ Exchange, (3), Fort Hamilton; Phenix 
 Bank (enlargement) etc. Not framed. (10) 
 
O66 “ON 
 
i 
 
AMERICAN CITIES, ETC. 
 
 390. ALBANY. 
 
 Aquatint. Rectangle, 15.10 x 2401 
 Drawn by I. W. Hill. Engraved, Printed & Colored by I. Hill. 
 | Albany. | From Greenbush, | New York, Published 1¢. April 
 1834 by Betts & Anstice No 151 Pearl St Copy Right secured 
 according to Law. | 
 
 Colored. Fine example. Very scarce. 
 
 [Illustrated in color | 
 
 391. BAKER’S FALLS. 
 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | Baker’s Falls. 
 N®. 8 of the Hudson River Port Folio | Published by Henry I 
 Megarey New York. | ete 
 
 Colored. Not framed. 
 
 BALTIMORE 
 
 392. BALTIMORE. 
 
 Aquatint. Rectangle, 16.11 x 28.15 
 Baltimore in 1752, | From a Sketch then made by John Moale 
 Esq’. deceased, corrected by the late | Daniel Bowly Esq’. | 
 “from his certain recollection, and that of other aged | 
 Persons, well acquainted with it; with whom he compared 
 Notes.” | (The Writing by H. S. Tanner.) | (Twenty-nine num- 
 bered references in four columns at sides of title) | 
 
 Repaired. Colored. 
 
 393. BALTIMORE. 
 
 Aquatint. Rectangle, 16.7 x 22.8 
 —Published January 1**. 1802, by Atkins & Nightingale, N°. 
 143.—Leadenhall Street, London, & N°. 100. Chestnut Street, 
 Philadelphia.—| Drawn by G,, Beck, Philadelphia.—Engrav’d 
 
[No. 893—Continued | 
 
 394. 
 
 395. 
 
 396. 
 
 397. 
 
 398. 
 
 by T,, Cartwright, London. | East—| View Of—| Baltimore— 
 Maryland. | 
 In centre of inscription space a spread eagle, with motto in beak, sur- 
 
 rounded by sixteen stars. 
 Fine example. Colored. Very scarce. See Nos. 453 and 481. 
 
 [Illustrated in color | 
 
 BALTIMORE. 
 Aquatint. Rectangle, 16.4 x 2404 
 Pain’. & Eng*. By—W. J. Bennett. | Baltimore Taken Near 
 Whetstone Point. | New York Pub by H I Megarey—Printed 
 By J. Neale. | (Copyright 1831 by Megarey) 
 
 Colored. VERY SCARCE. 
 
 BALTIMORE. 
 Aquatint. Rectangle, 16.8 x 242 
 Pain*. & Eng’. By—W. J. Bennett | Baltimore From Federal 
 Hill. | New York, Pub. by H I Megarey. | Printed By J. & G. 
 Neale. 
 Colored. 
 
 BALTIMORE. 
 
 Another impression; colored. 
 
 BALTIMORE. 
 Lithograph in colors. Rectangle, 17.12 x 41. 
 Printed In Colors—Drawn From Nature And Engraved By E. 
 Whitefield—By F. Michelin, 111, Nassau S‘. N. Y. | View Of 
 Baltimore, M‘. | From Federal Hill. 
 
 BALTIMORE. 
 
 Lithograph. Rectangle, 14.3 x 1801 
 Published by Edward Weber & Co. Baltimore. | Baltimore. 
 Colored. 
 
399. 
 
 400. 
 
 401. 
 
 402. 
 
 403. 
 
 BALTIMORE. 
 
 Lithograph. Rectangle, 13.11 x 19.4 
 Lithographed and printed in colours—by E. Sachse & Comp. 
 3 N. Libertystr. Baltimore. | Calvert Street. | Baltimore. | 
 1835 
 
 Inscription is on frame. Colored. 
 
 BERGEN, N. J. 
 
 Lithograph. Rectangle, 13.14 x 19. 
 The Reformed Dutch Church At Bergen, New Jersey. | Two 
 lines. 
 
 Repaired. Not framed. Very scarce. 
 
 BETHLEHEM. 
 Line. Rectangle, 11.7 x 17.4 
 Z| N. Garrison, delin'—I. Noual Sculp. | A View of Bethle- 
 hem, one of the Brethren’s Principal Settlements, | in Pensyl- 
 vania, North America. || (‘Title repeated in French, two lines) | 
 London Printed for Rob‘. Sayer N°. 58 Fleet Street. 
 Colored. About 1761. 
 
 BETHLEHEM. 
 Aquatint. Rectangle, 12.10 x 19. 
 T. Birch pinx.—Strickland se | Bethlehem—Pennsylvania 
 Slight tear at bottom. Colored. Very scarce. Not framed. 
 
 BOSTON 
 
 BOSTON. 
 
 Line. Rectangle, 12. x 20. 
 
 A View of the City of Boston the Capital of New England,— 
 in North America.—|| Vue de la Ville de Boston, Capitale de la 
 Nouvelle Angleterre, | dans |’Amérique Septentrionale. | Drawn 
 on the Spot by his Excellency, Governor Pownal; Painted by 
 M’. Pugh, & Engraved by P. C. Canot. | London, Printed for 
 John Bowles, at N°. 13 in Cornhill; Rob‘. Sayer, at N°. 53 in 
 Fleet Street ; Tho*. Jefferys, the Corner of S‘. Martins Lane in 
 the Strand; Carington Bowles, at N°. 69 in S*. Pauls Church 
 Yard; & Hen’. Parker, at N°. 82 in Cornhill. 
 
 Colored. Very scARcE. 
 
404. BOSTON. 
 
 Line. Rectangle, 10.12 x 17.5 
 London. Printed for Bowles & Carver, N°. 69. St. Paul’s 
 Church Yard.—I. Carwitham sculp. | 34— | A South-East 
 View of the City of Boston in North America. 
 
 Colored. About 1775. VERY SCARCE. 
 
 405. BOSTON. 
 
 Another impression of the same state. Colored. 
 
 406. BOSTON. 
 Aquatint. Rectangle, 13. x 18.7 
 (References) | Painted & Engraved by Rob‘. Havell. | View Of 
 The City Of Boston | From Dorchester Heights. | Coloured by 
 Havell & Spearing.—Printed by W. Neale. | Published by 
 W. A Coleman 205 Broadway for Rob‘. Havell Sing Sing N. 
 York | (Copyright 1841 by Rob‘. Havell) 
 
 Artistic and attractive. Colored. VEry scarce. 
 
 407. BOSTON. 
 Lithograph in colors. Rectangle, 10.10 x 14.14 
 M K Kipps del— | L. Prang & Co. Lith. 34 Merchants Row, 
 Boston.— | Old Warehouse—Dock Square, Boston. | Built— 
 1680 Taken down—1860. 
 
 408. BUFFALO. 
 Aquatint. Rectangle, 16. x 24.6 
 Pain’, by W. J. Bennett from a— | Sketch by J. W. Hill.— 
 Pub: by Henry J. Megarey New-York.—Engraved by W. J. 
 Bennett. | Buffalo, From Lake Erie. | Dedication two lines, 
 copyright 1836 one line) 
 
 Injured at bottom. Finely colored. VERY SCARCE. 
 
 409. CANTON OHIO. 
 Lithograph. Rectangle, 14.6 x 19.12 
 Drawn from nature by Adolphus Wever.—Lith. by Klauprech 
 & Menzel, Cincinnati, O. | View of Canton, | State of Ohio, 
 North America. 
 
 Colored. VERY SCARCE. 
 
as 
 
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 NOLSATYVHO 
 
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CHARLESTON 
 410. CHARLESTON. 
 
 Line. Rectangle, 18.4 x 55.8 
 To his Excellency James Glen Esq, Capt. General, Governor, 
 & Commander in Chief in, and over his Majestys Province of 
 South Carolina, and Vice Admiral within the | same. This 
 Prospect of Charles Town is most humbly Inscrib’d by his much 
 Obliged humble Servant—B: Roberts. | Roberts Delin—(Ref- 
 erences, eight lettered)—Printed & Sold by Dicey & Co. in 
 Aldermary Church Yard London || Charles-Town the Metropo- 
 lis of y° Province of South Carolina, is pleasantly Situated 
 between Cooper & Ashley Rivers, which form a Spacious & con- 
 venient Harbour, & lieth in 32°. 52’ of N. L. and 78°, 45’ W. I. 
 from London, (etc. seven lines) | Published according to Act of 
 Parliament by | B. Roberts & W. H. Toms, June 9. 1749.—W. 
 H. Toms scu | 
 
 In centre of inscription space Arms with mottoes. VERY scarce. 
 
 411. CHARLESTON. 
 
 Water-color. Rectangle, 15. x 43.6 
 The original unfinished sketch of the above; a portion missing 
 at extreme right. 
 
 [Illustrated in color | 
 
 412. CHARLESTON. 
 
 Aquatint. Rectangle, 15.10 x 24010 
 Painted by G. Cooke.—Engraved by W. J. Bennett. | Published 
 by L. P. Clover New-York. | City of Charleston S Carolina | 
 Looking across Cooper’s River | (Copyright 1838) 
 
 A fine impression with original coloring. Very scarce. 
 
 418. CHARLESTON. 1774. 
 Line. Rectangle, 16.4 x 28.11 
 Painted by Tho’. Leitch.—Engraved by Sam’. Smith | A View 
 of Charles-Town, The Capital of South Carolina. | (Etc. two 
 lines) 
 VERY SCARCE, 
 
414. CHARLESTON. 
 Another impression of the same state; framed to second line. 
 
 Colored. 
 
 e 
 
 415. CHARLESTON. 
 Lithograph. Rectangle, 13.5 x 21.10 
 Drawn from Nature by William Keenan.—[ Copyright ]|—Litho- 
 graphed & Published by W. Keenan 250 King cor Hasel S*. | 
 Eastern View Of The City Of Charleston S. C. | “[ Front. ]” | To 
 the Hon the Mayor, Aldermen, & Citizens of Charleston this 
 
 series of Views are very Respectfully Dedicated by | —w™. 
 Keenan, Engraver & Lithographer | S H Mellen Printer. | 
 Colored. 
 
 416. CHICAGO. 
 
 Lithograph. Rectangle, 8.12 x 13.8 
 The Kellogg & Bulkeley Co—Hartford Conn, | Chicago In 
 Flames | Scene in Deaborn St Burning of the Tremont House 
 | All of the business portion of this beautiful city was com- 
 pletely destroyed by fire in two days, Commencing Oct. 9th, 
 1871. It was the most destructive fire ever known, | completely 
 annihilating property valued at over Three Hundred Million 
 of dollars. Two thousand lives were lost, and over one hundred 
 thousand people made homeless. 
 
 Colored. The last two lines are printed from type. 
 
 CINCINNATI 
 
 417. CINCINNATI. 
 
 Lithograph. Rectangle, 17. x 22. 
 View of Cincinnati. | Taken From The Residence Of W™. South- 
 gate, Esq, Covington, Ky. 
 
 Colored. VERY sCARCE. 
 
 [Illustrated in color] 
 
418. CINCINNATL 
 
 419. 
 
 420. 
 
 421. 
 
 422. 
 
 Lithograph in colors. Rectangle, 15. x 19.10 
 —Klauprech & Menzel’s Lithography, Johnstons Row, Cincin- 
 nati. | Pearl Street House, Corner of Pearl & Walnut Str, 
 Cincinnati. | Thorougly renovated and elegantly refurnished. | 
 Mrs. Judith Goddard & F. M. Cockrell, late of the Eagle Hotel, 
 Maysville, Ky, Proprietors. 
 
 = 
 VERY SCARCE. 
 
 [Illustrated | 
 
 CINCINNATI. 
 
 Lithograph. Rectangle, 14.8 x 21.9 
 Published by George Degen, 51 Chatham St., New York.— 
 (Copyright 1869)—Deutz Brothers, 197 William St. N. Y. 
 Imp. | Cincinnati. 
 
 Colored. 
 
 CLEVELAND. 
 
 Line. Rectangle, 9.7 x 14011 
 Tho*. Whelpley Del. 1833.—M. Osborne Sculp*. | Cleveland, 
 Ohio. | From The Buffalo Road, East Of The Court House. | 
 Published, N. York 1834, by Thos. Whelpley, of Cleveland. 
 
 Colored. VERY SCARCE. 
 
 COLUMBIA, &. C. 
 Lithograph. Rectangle, 11.138 x 19.18 
 E. Dovilliers, del—C. B. Graham, lith’. Wash”. D. C. | South 
 Carolina College | Published by E. Dovilliers, Columbia, 5S. C. 
 The University of South Carolina; founded 1804. Colored. VERY SCARCE. 
 
 CORNWALLIS SURRENDER. 
 Line. Rectangle, 12.8 x 2004 
 —68 | Reddition de Armée Angloises Commandée par Mylord 
 Comte de Cornwallis aux Armees Combinées des Etats unis de 
 VAmerique et de France aux ordres des Generaux Washington 
 et de Rochambeau a Yorck touwn | et Glocester dans la Vir- 
 ginie. le 19 Octobre 1781. II s’est trouve’s dans ses deux postes 
 6000 hommes de troupes reglées Angloises ou Hessoises et 22 
 
[ No. 422—Continued | 
 
 Drapeaux 1500 Matelots 160 Canons de tout Calibre dont 75 
 de Fonte 8 Mortiers | 40 Batimens dont un Vaisseau de 50 
 Canons qui a été Brulé 20 Coules Bas; Ce jour a Jamais mem- 
 orables pour les Etats unis en ce quil assura definitivement leurs 
 indépendances | (References, nine lettered, in two lines) | —A 
 Paris chez Mondhare rue S*. Jean de Beauvais prés celle des 
 Noyers. 
 
 Colored. A crude, interesting contemporary print. Very scarce. Not 
 framed. 
 
 423. DELAWARE WATER GAP. 
 Aquatint. Rectangle, 12.10 x 19. 
 T. Birch pinx.—Strickland sc. | View of the Water Gap and 
 Columbia Glass Works River Delaware. 
 Repaired. Colored. Not framed. 
 
 424, DETROIT. 
 
 Aquatint. Rectangle, 15.7 x 24.8 
 Painted by W. J. Bennett from a sketch by Fred*. Grain.— 
 Henry I. Megarey New York—Eng*. by W. J. Bennett | City 
 of Detroit, Michigan. | Taken from the Canada shore near the 
 Ferry. | (Copyright 1837) 
 
 Fine example. Colored. Very scarce. 
 
 425. ERIE LAKE & FORT. 
 
 Aquatint. 14.4 x 20.12 
 E. Walsh 49'", Reg‘. delin‘-—Engraved by John Bluck. | A 
 View of the Lake & Fort Erie, from Buffalo Creek. | London: 
 Publish’d Jan’. 1, 1811, at R. Ackermann’s Repository of Arts, 
 101, Strand. | 
 
 Fine example. Colored. Very scarce. 
 
 [ Illustrated | 
 
SLIP “ON 
 
 pay 
 COATT. @ TEVES £6 TEMES 
 
 ¢ 
 
 A YIRS EOP DPMP OY ARG tye 
 ify 
 
 AGUA LFONOLOY T, 
 CERO DEERE TEVES 
 na ST IEA Se SUN I LIAB MLTR IMER E YESE 
 
426. FISHKILL. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall—Engraved by I. Hill. | View Near 
 Fishkill | N°. 18 of the Hudson River Port Folio | Published 
 by Henry I. Megarey New York. 
 Colored. Framed to title. 
 
 427. FORT EDWARD. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | Fort Edward. | 
 N°. 10 of the Hudson River Port Folio | Published by Henry I. 
 Megarey New York. 
 Colored. Framed to title. 
 
 428. FORT MILLER. 
 Aquatint. Rectangle, 14. x 21. 
 Painted By W. G. Wall.—Engraved By J. Hill. | View Near 
 Fort Miller. | N°. 10 of the Hudson River Port Folio. | Pub- 
 lished by Henry I. Megarey New York. 
 Colored. Not framed. 
 
 429. FORT MONTGOMERY. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by G. W. Wall—Engraved by J. Hill. | View Near 
 Fort Montgomery. | N°. 22 of the Hudson River Port Folio. | 
 Published by Henry I. Megarey New York. 
 Colored. Framed to title. 
 
 430. FULTON CITY, ILL. 
 Lithograph. Rectangle, 13.8 x 18.5 
 Lith. of Endicott & C°. N. Y.—- | Dement House, Fulton City, 
 Ill. | By James L. Watkins. 
 
 Colored. Very scarce. Not framed. 
 
431. GLENNS FALLS. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | Glenns Falls. | 
 N°. 6 of the Hudson River Port Folio | Published by Henry I. 
 Megarey New York. | 
 
 Colored. Not framed. 
 
 432. GLOUCESTER. 
 
 Lithograph. Rectangle, 13.2 x 201 
 Drawn from Nature, & on stone by F. H. Lane.—Pendleton’s 
 Lithography, Boston. | View of the Town of Gloucester, Mass. 
 
 Presentation inscription: “Nathan P. Morse Jr from his friend Isaac A. 
 Smith Gloucester May 2nd 1837” 
 In fine proof condition, with wide margins, though spotted. Very scarce. 
 
 433. HADLEY’S FALLS. 
 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. R. Smith | Finished 
 by J. Hill | Hadley’s Falls. | N°. 5 of the Hudson River Port 
 Folio | Published by H. I. Megarey & W. B. Gilley New York 
 and John Mill Charleston S. C. | ete. 
 
 Colored. Not framed. 
 
 434. HADLEY’S RAPIDS. 
 
 Aquatint. Rectangle, 14. x 21: 
 Painted by W. G. Wall.—Engraved by I. Hill. | Rapids Above 
 Hadleys Falls. | N°. 4 of the Hudson River Port Folio | Pub- 
 lished by Henry I. Megarey New York. | (etc) 
 
 Colored. Not framed. 
 
 435. HARRISBURG, PA. 
 
 Lithograph. Rectangle, 14.9 x 23.4 
 Drawn From Nature By E. Whitefield—Lith. By Lewis & 
 Brown. | View Of Harrisburg, P*. | From the West. | Published 
 by Lewis & Brown 37 John St. New York. 
 
 Colored. Very scarce, 
 
SGV “ON 
 
 LAE , We ote. mf Me, LIL FOG?! NP AID rr el eg ¢ 2 
 , OV ETI 
 
, 
 
436. HUDSON, N. Y. 
 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | Hudson. | N°. 
 13 of the Hudson River Port Folio | Published by Henry I. 
 Megarey New York. 
 
 Colored. Framed to title. 
 
 437. HUDSON, N. Y. 
 
 Aqutatint Rectangle, 140 x 21. 
 Painted by W. G. Wall.—Engraved by J. Hill. | View Near 
 Hudson. | N°. 15 of the Hudson River Port Folio. | Published 
 by Henry I. Megarey New York. 
 
 Colored. Framed to title. 
 
 438. ISLAND “NUMBER TEN.” 
 
 Lithograph. Rectangle, 15.10 x 22.2 
 Published by Currier & Ives,—(Copyright 1862)—152 Nassau 
 St. New York. | (References) | Bombardment And Capture Of 
 Island “Number Ten.” | On The Mississippi River, April 7". 
 1862, By . . . Com. A. H. Foote. | (Two lines) 
 
 Colored. 
 
 439. JESSUPS LANDING. 
 
 Aquatint, Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Finished by I. Hill. | View Near Jes- 
 sups Landing. | N°. 3 of the Hudson River Port Folio | Pub- 
 lished by H. I. Megarey & W. B. Gilley New York and John 
 Mill Charleston S. C. | Printed by Rollinson 
 
 Colored. Not framed. 
 
 440. LITTLE FALLS. LUZERNE. 
 
 Aquatint, Rectangle, 14. x 21. 
 Painted by W. G. Wall—Engraved by I. Hill, | Little Falls 
 At Luzerne. | N°. 1 of the Hudson River Port Folio | Published 
 by Henry I Megarey New York. 
 
 Colored. Framed to title. 
 
441. 
 
 442, 
 
 443. 
 
 444, 
 
 AAD, 
 
 LOUISVILLE. 
 
 Lithograph. Rectangle, 21.11 x 37.12 
 On Stone by B. F, Smith, J'.—Lith’. of P. S. Duval Philad*. | 
 Louisville, K®., | From Jeffersonville, I*.—1850. | —Published 
 
 by Smith, Brothers & Co. 
 
 Colored. VERY SCARCE. 
 
 LOWELL. 
 Lithograph. Rectangle, 14.6 x 23. 
 Pendleton’s Lithography, Boston. | View Of Lowell, Mass. 
 Taken From The House Of Elisha Fuller Esq: In Dracutt, by 
 E, A. Farrar. | [Copyright . . . 1834 by Jacob Farrar | 
 Sides extended. Colored. Very scarce. 
 
 MATTEAWAN, N. Y. 
 
 Aquatint. Rectangle, 16.12 x 23.8 
 Drawn by O. Neely.—Engraved, Printed, & Coloured, by J. 
 Hill. | Matteawan. | Manufacturing Village, | Near Fishkill 
 Landing N. York. | Published June 15, 1832 by O. Neely N. 
 York. 
 
 Fine example. Colored. First stare. 
 
 MOBILE. 
 Aquatint in colors. Rectangle, 17. x 25.8 
 Painted by W. J. Bennett from a sketch by Wm. Todd.—En- 
 graved by W. J. Bennett Esq. | Henry I. Megarey—New York. 
 | Mobile. | Taken from the Marsh opposite the City near 
 Pinto’s residence | (Copyright 1842) 
 VERY SCARCE. 
 
 MOUNT VERNON. 
 
 Aquatint. Rectangle, 12.11 x 17.138 
 Alexander Robertson Delineavit—Francis Jukes Sculpsit | 
 Mount Vernon in Virginia | The Seat of the late Lieu‘. General 
 George Washington | Commander in Chief of the Armies of the 
 United States | London Pub*. March 31*. 1800 by F. Jukes 
 N°. 10 Howland Street—and by Al. Robertson Columbian 
 Academy Liberty Street New York. 
 
 Colored. See No. 40. Very scarce. 
 
446. 
 
 447, 
 
 448. 
 
 449, 
 
 450. 
 
 451. 
 
 MOUNT VERNON. 
 
 Another impression. Colored. 
 
 NATCHEZ. 
 Lithographed. Rectangle, 13.6 x 21.8 
 Sketched by James Tooley—Lithographed by Risso & Browne. 
 N. Y | Natchez. | On The Hill, From The Old Fort. 
 Colored. 
 
 NEW BEDFORD. 
 
 Lithograph. Rectangle, 16.7 x 25.8 
 F. H. Lane det. from a sketch by A. Conant—Published by A. 
 Conant.—Lane & Scott’s Lith. Tremont Temple, Boston. | 
 View of New Bedford. | From the Fort near Fairhaven. | [Copy- 
 right 1845 by A. Conant] 
 
 Colored. VeEry scarce. 
 
 NEWBURG. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | Newburg. 
 N°. 14 of the Hudson River Port Folio. | Published by Henry 
 I. Megarey New York. 
 Colored. Framed to title. 
 
 NEW ORLEANS. 
 
 Aquatint in colors. Rectangle, 16.12 x 25.8 
 Painted by W. J. Bennett from a sketch by A. Mondelli—Eng 
 by W. J. Bennett | Henry I. Megarey, New York. | New Orleans, 
 | Taken from the opposite side, a short distance above the middle 
 or Picayune Ferry | [Copyright 1841 by H. I. Megary ] 
 
 Fine example. 
 
 NEW ORLEANS. 
 Aquatint. Rectangle, 10.10 x 27. 
 Published by Louis Schwarz—B. Dondorf, Frankfort *M.— 
 Germany— | View Of New Orleans, | taken from the Lower 
 
 Cotton Press. 
 India proof. Colored. 
 
452. NEWPORT, R. I. 
 Lithograph in colors. Rectangle, 11. x 33318 
 Drawn & Lith by J. P. Newell.—Printed by J. H. Bufford | 
 Newport ,R. L. | View from Fort Wolcott, Goat Island. 
 
 NIAGARA 
 
 458. NIAGARA. 
 Aquatint. Rectangle, 16.7 x 22.10 
 Drawn by G. Beck.—Engraved by T. Cartwright. | The Falls 
 Of Niagara. | Published Nov’. 1. 1805, by Geo. Nightingale, 
 N°. 143, Leadenhall Street, London. 
 
 Colored. Very scarce. See Nos. 893 and 481. 
 
 454. NIAGARA. 
 
 Aquatint. Rectangle, 17.12 x 27.6 
 Iris Island.—Ferry House.—American Fall 164 ft. high, 300 
 ft. wide.—Horse Shoe Fall 158 ft. high, 600 yds, wide.—Ferry. 
 Table Rock.—Stairs. | [Copyright 1845, by Rob‘. Havell] | 
 Niagara Falls. | Printed in Colours by W. Neale.— | Painted 
 from the Chinese Pagoda, Point View Gardens, by Robert 
 Havell, Sing Sing. | Published by Rob‘. Havell, Sing Sing,— 
 W. A. Colman, 203 Broadway,—R. F. Fraser, American Art 
 Union, 322 Broadway & Havell & Spearing, 117 Fulton S*. 
 New York. | Ackermann & C°. 69 Strand London. 
 
 A beautiful example. Colored. 
 
 455. NORWICH. 
 
 Lithograph in colors. Rectangle, 11.12 x 16.10 
 — (Copyright 1849 by A. Conant)—Sketched from Nature by, 
 Lane.—Lith. & Printed in Colors by Sarony & Major 117 
 Fulton St. New York. | View Of Norwich, From The West 
 Side Of The River. 
 
 456. PALISADES. 
 
 Line. Rectangle, 14. x 21o4 
 Painted by W. G. Wall.—Engraved by I. Hill. | Palisades. | 
 N°. 19. of the Hudson River Port Folio | Published by Henry 
 I. Megarey New York. | 
 
 The first issue. Colored. See No. 50. 
 
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457. PASSAIC FALLS. 
 
 Aquatint. Rectangle, 13.2 x 18.8 
 Alexander Robertson Delineavit—F. Jukes Sculpsit | Passaic 
 Falls in the State of New Jersey London Pub‘. Jan. 1°‘. 1802, 
 by F. Jukes N°. 10 Howland Street and by A Robertson Co- 
 lumbian Academy Liberty Street New York 
 
 Colored. Very scarcer. 
 
 458. PATERSON. 
 
 Lithograph. Rectangle, 9:10 x 146 
 From Nature by J. W. Hill.—Litho. of Endicott 359 Broad- 
 way. | Paterson. N. J. | 
 
 Clipped at top and sides. Copyright line covered. Colored. 
 
 459. PAXTON EXPEDITION. 
 
 Line. Rectangle, 7.4 x 13310 
 The Paxton Expedition. Inscribed to the Author of the Farce, 
 by H D. | 
 
 Beneath there are six stanzas of four verses each, in three columns. 
 Engraved by Henry Dawkins at Philadelphia in 1764, The view repre- 
 sents the old Court House on Second street, Philadelphia, the Barracks, the 
 Market-shed and adjacent buildings. ‘The speaker on the Court House 
 steps has a scroll issuing from his mouth with legend: “Gentlemen the 
 Affair is punctuly settled, for it, the Goyr, returns you thanks and dismisses 
 you.” 
 
 Companies of Militia, four cannon, horsemen and a _ pillory surmounted 
 by a British flag appear in the square. 
 
 Stauffer, No. 467, mentions the print and describes it from a reproduction, 
 but was unable to give the dimensions as no original was known to him, 
 This impression is the only one that can be located, 
 
 [ Illustrated | 
 
 PHILADELPHIA 
 
 460. PHILADELPHIA. 
 
 Line. Rectangle, 8.10 x 36. 
 An East Prospect of the City of Philadelphia; taken by George 
 Heap from the Jersey Shore, under the Direction of Nicholas 
 Scull Surveyor General of the Province of Pennsylvania. | A 
 Description of the Situation, Harbour &c. of the City and 
 Port of Philadelphia. | (Twenty lines in four columns) | Refer- 
 ences. | (Fourteen numbered, in one line) 
 
 At bottom a: “Plan of the City of Philadelphia.” and views of: “The Bat- 
 tery” and “The State House’—Engrav’d & Publish’d according to Act 
 of Parliament by T. Jeffereys, near Charing Cross. 
 Fine example. VERY SCARCE. 
 
461. PHILADELPHIA. 
 Line. Rectangle, 9.9 x 16.4 
 An East Perspective View of the City of Philadelphia, in the 
 Province of Pensylvania, in North America; taken from the 
 Jersey Shore. | (References, fourteen numbered in two lines. 
 “The other Streets are not to be seen from this point of 
 Sight.’’) 
 
 Colored. Inscription masked. 
 
 462. PHILADELPHIA. 
 
 Line. Rectangle, 18.14 x 24.2 
 Drawn by Tho* Birch—Engraved by Samuel Seymour | The 
 City of | Philadelphia In The State Of Pennsylvania North 
 America. | Published May 1°. 1801. by W™. Birch Enamel 
 Painter, on Nashaminy, near Bristol Pennsylvania. 
 
 Stained. See No. 43. Very scarce. 
 
 463. PHILADELPHIA. 
 Water-color, Rectangle, 23. x 35.8 
 
 From the Camden Ferry on the opposite shore. Smith Island, long since 
 removed, the old shot tower, Court House and Christ Church are prominent. 
 A very interesting and important original, about 1815. In fine condition. 
 
 | Illustrated in color | 
 
 464. PHILADELPHIA. 
 
 Aquatint. Rectangle, 16.2 x 23.11 
 Painted by I. W. Hill. Engraved, Printed & Coloured by 
 I. Hill. | Philadelphia. | From Fair Mount, looking down the 
 River Schuylkill. | Published by James E. Betts N°. 214 Broad- 
 way New-York. 
 
 VERY SCARCE. 
 
 465. PHILADELPHIA. 
 
 Aquatint. Rectangle, 16.2 x 23.13 
 Philadelphia. | From the Ship House in the Navy Yard looking 
 up the River Delaware | New York, Published by John Levison, 
 341 Broadway. 
 
 Colored. Very scarce. 
 
697 “ON 
 
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 ys, 
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 coh 
 
466. PHILADELPHIA. 
 
 Aquatint. Rectangle, 12.6 x 17.14 
 Garneray Pinxt.—Hymely sculp. | Vue Du Port De Phila- 
 delphie. | A Paris chez Hocquart Rue S‘. Jacques N°. 64.— 
 Déposé. | New-Yorck. Published by Bailly, Ward and C*.— | 
 
 A beautiful colored example of an artistic composition of unusual deco- 
 rative value. See No. 68. VeERy scarce. 
 
 467. PHILADELPHIA. CHESTNUT ST. 
 
 Lithograph. Rectangle, 9.1 x 15.5 
 —Lith. of J. T. Bowen, Phil*.— | View Of Chesnut Street | 
 Philadelphia. | Published by J. T. Bowen at his Lithographic 
 & Print Colouring Establishment, N°. 94, Walnut Street, Phila- 
 delphia. | (Copyright 1840 by J. T. Bowen) 
 
 A proof intended for coloring; full margins. Very scarce. 
 
 468. PHILADELPHIA. COMMISSIONERS HALL. 
 Lithograph. Rectangle, 17.10 x 24.6 
 —C, Kuchel | P. S. Duval’s steam lith press. Phil— | Com- 
 missioners Hall, | Spring Garden. | Published by John N. Hen- 
 derson, Philadelphia. 
 Colored. 
 
 469. PHILADELPHIA. FAIRMOUNT. 
 
 Aquatint. Rectangle, 15.8 x 23.10 
 Painted by T. Doughty, Engraved Printed & Coloured by I. 
 Hill. | Fair Mount Water Works. | Dedicated to the Select and 
 Common Councils of the City of Philadelphia. | By their much 
 obliged Servants, T. Doughty & J. Hill. | F. Graff, Esq’. Archi- 
 tect & Engineer | Published at H. C. Carey & I. Lea Phil*. 
 & H. I. Megarey, Broadway N. York 
 
 Colored. VERY SCARCE. 
 
 470. PHILADELPHIA. FAIRMOUNT. 
 Lithograph. Rectangle, 8. x 11:10 
 From Nature & on Stone G. Lehman.—Philad*.. Pub*.. by C. G. 
 Childs & G. Lehman 1833.—Childs & Inman Lith"™.. | Fairmount 
 Waterworks. | From the Forebay. 
 Colored. Not framed. 
 
471. PHILADELPHIA. 
 
 Aquatint. Rectangle, 12.9 x 18.8 
 Painted & Engraved by Geo: Lehman | The Great Elm Tree 
 Of — Shackamaxon (Now Kensington) | Under which William 
 Penn concluded his Treaty—with the Indians in 1682 it fell 
 during a storm in 1810. | This block of marble was placed by 
 the Penn — Society A.D. 1827 to mark scite of the Elm tree 
 and | Treaty Ground of William Penn & the Indian Natives — 
 in 1682 & bears the inscriptions. “Unbroken Faith.” “By 
 Deeds of Peace.” 
 
 A curious feature of the print is a goat on a lower branch of the tree. 
 Colored. 
 
 472. PENNSYLVANIA HOSPITAL. 
 
 Line. Rectangle, 9.18 x 16.12 
 South Front Of The Pennsylvania Hospital. | W™. Strick- 
 land F. S. A. del‘—Sam'. Seymour A. A. sculp'. | This Build- 
 ing by the bounty of Government and of many private Persons 
 was piously founded for the Relief of the Sick and Miserable 
 Anno 1755, 
 
 Colored. 
 
 473. PENNSYLVANIA HOSPITAL. 
 
 Line. Rectangle, 11.7 x 18.1 
 Drawn and Engraved by John G. Exilious, 1814. | South East 
 View Of The—Pennsylvania Hospital 
 
 Under the rectangle a vignette of the Good Samaritan, inscribed: Take care 
 of him and I will repay thee. | C. P. Harrison Printer. 
 Repaired. Colored. Very scarce. 
 
 474—PHILADELPHIA. JAIL. 
 
 Etching. Rectangle, 8.3 x 10.8 
 Designed Engraved & Published by W. Birch Enamel Painter— 
 | Jail in Walnut Street Philadelphia | 
 
 Colored. 
 
475. PHILADELPHIA. MASONIC HALL. 
 
 Aquatint. 21.4 x 17.6 
 Painted by S. Jones the Figures by I. L. Krimmell—W™. H. 
 Morgan N°. 100 Arch S‘, Phil*.—Engraved by J. Hill. | The 
 Conflagration of the Masonic Hall Chestnut Street Philadel- 
 phia. | which occurred on the Night of the 9™.. of March 1819. | 
 This Plate is respectfully dedicated to the active and much 
 esteemed Fire Engine & Hose Companies, by their Obed*.. 
 
 Serv’... | —S. Kennedy and 8S. S. West. | Published June 1819. 
 by S. Kennedy, & S. S. West, N°. 72 Chesnut Street, Phila- 
 delphia. | 
 
 Colored. 
 
 476. PHILADELPHIA. MERCHANTS HOTEL, 
 
 Aquatint. Rectangle, 11.12 x 18.13 
 Drawn And Engraved By J. R. Smith Philad*. | Merchants 
 Hotel. 
 
 First issue, but lacks Sanderson line. Colored. VeEry scarce. 
 
 477. PHILADELPHIA. SECOND ST. 
 Line. Rectangle, 8.6 x 1lol 
 Drawn & Engraved by W. Birch & Son.—Published by R. 
 Campbell & C°. N°.. Chestnut Street Philad*. 1799. | Second 
 Street North from Market S‘. * Christ Church. | Philadelphia. 
 Colored. by: 
 
 478. PHILADELPHIA. WHITE’S CATTLE SHOW. 
 
 Lithograph. Rectangle, 14.4 x 23.7 
 Drawn (after J. L. Krimmell 1821) on Stone by L. Haugg 600 
 Chestnut Str. Phila.—Published by A. Clement Phil*.—Lith 
 of F. Bourquin & C°. 602 Chestnut St. Ph | White’s Great Cattle 
 Show, | And Grand Procession Of The | Victuallers of Phila- 
 delphia. | (Arms and motto, and sixty-four lines in two 
 columns) | 
 
 Colored, 
 
479. PITTSBURGH FIRE. 
 Lithograph. Rectangle, 8.4 x 12.8 
 [Copyright 1845 by N. Currier] | Great Conflagration At 
 Pittsburgh Pa. | April 10° 1845. | Nearly 1200 houses de- 
 stroyed.—Estimated loss of Property $9,000,000. | Pub. by 
 Turner & Fisher, 15 North 6. St. Phil*. & N. Currier 2 Spruce 
 STAN Y. 
 
 Colored. VERY SCARCE. 
 
 480. PORTLAND. ME. 
 
 Lithograph. Rectangle, 11. x 18. 
 J. Mayer & C°. Lith. 4 State St. Boston—Photo, Edw. F. 
 Smith. | View Of Portland, Me. | Taken From Cape Elizabeth 
 Before The Great Conflagration Of July 4", 1866. | Published 
 By B. B. Russell & C°. Boston.—& John Hankerson, Portland. | 
 Colored. 
 
 481. POTOMAC FALLS. 
 
 Aquatint. Rectangle, 16.6 x 22.8 
 —Published January 1**. 1802. by Atkins & Nightingale, N°. 
 143.—Leadenhall Street, London, & N°. 100. Chestnut Street, 
 Philadelphia.— | Drawn by G,, Beck, Philadelphia.—Engrav’d 
 by T,, Cartwright, London. | Great Falls. of—the Potomac. 
 
 In centre of inscription space a spread eagle, with motto in beak, surrounded 
 by sixteen stars. 
 Colored. Very scarce. See Nos. 393 and 453, 
 
 482. POUGHKEEPSIE. 
 
 Lithograph. Rectangle, 16.13 x 34.13 
 Whitefields Views Of North American Cities N°. 27. | [Copy- 
 right 1852 by E, Whitefield] | (References in one line) | Lith. 
 Of Endicott & C°. N. Y.—Drawn From Nature And On Stone 
 By E. Whitefield. | Poughkeepsie. | From the opposite side 
 of the Hudson River. | New York Published by E. Whitefield. 
 
 Colored. VeEry SCARCE. 
 
483. 
 
 484. 
 
 485. 
 
 PROVIDENCE. 
 
 Lithographs Rectangles, 16.6 x 37.15 
 Whitefield’s Original Views Of American Cities. N°. 12. |Drawn 
 On Stone By C. W. Burton.—From A Drawing By E. White- 
 field. | View Of Providence R. I. From The North. 1849. | 
 —Printed by F. Michelin 111. Nassau S*. N. Y. | Published 
 by Whitefield & Smith.—(Copyright 1849 by E. Whitefield. ) 
 
 —The companion: View Of Providence R. I. From The South. 
 
 1849. (2) 
 
 PROVIDENCE STORM. 
 
 Lithograph. Rectangle, 13.3 x 19.9 
 —On Stone by A. Fleetwood. | A Representation of the Great 
 Storm at Providence, Sept 23'.. 1815. | New York, Published 
 at the Emporium of Arts, 325, Broadway. 
 
 An early and interesting specimen of American lithographic art. Colored. 
 VERY SCARCE. 
 
 QUEBEC. 
 
 Aquatint. Rectangle, 17.4 x 26.10 
 From a Drawing by Lieut,, Col,, Cockburn.—Engraved by H. 
 Ryall. | —This View of— | Quebec From Below Aubigny 
 
 Church, Point Levi, | Is by Special Permission dedicated to 
 His Most Excellent Majesty William the Fourth. | London, 
 Pub*. 1833, By Ackermann & C°. 96, Strand. | 
 
 A beautiful example. Colored. 
 
 486. RICHMOND. 
 
 487. RICHMOND. 
 
 RICHMOND 
 Line. Rectangle, 11.2 x 22.5 
 The City of | Richmond Metropolis of Virginia. | 
 Colored. 
 Aquatint. Rectangle, 17.11 x 25.7 
 Richmond, | From The Hill Above The Waterworks. | Engraved 
 by W. J. Bennett from a Painting by G. Cooke. | (Copyright 
 
 1834) 
 Copyright line covered. Colored. 
 
488. RICHMOND MONUMENTAL CHURCH. 
 
 Aquatint, Rectangle, 18.4 x 30. 
 Perspective & Drawing by W™. Strickland F. S. A. Architect 
 Philad*.—Designed & Erected by Rob‘. Mills F. S. A. P. A. 
 Architect Philadelphia.—Aquatinted by William Kneass, | To 
 the Citizens of Virginia this — Plate representing the Monu- 
 mental Church | at Richmond is most respectfully — inscribed 
 by the Publisher W. Kneass. 
 
 In centre of inscription space Arms and motto: “Independence— 
 MDCCLXXVI.” 
 
 Inscription on building: “Within These Consecrated Walls Are Entombed 
 The Remains Of Citizens Friends & Dear Connections Who Perished On 
 This Spot During The Conflagration Of The Theatre On The Night Of 
 The 26 Decem. 1811 etc” 
 
 Colored. VERY SCARCE. 
 
 489. RICHMOND MONUMENTAL CHURCH. 
 
 Aquatint. Rectangle, 11. x 14.12 
 A Representation of the New Church at Richmond Virginia. | 
 On the ground where the Theatre stood which was destroyed 
 by fire Dec’. 26". 1811. | 
 
 Injured at upper left. Colored. 
 
 490. RICHMOND THEATRE BURNING 
 
 Aquatint. Rectangle, 11.5 x 15. 
 The Burning of the Theatre in Richmond, Virginia, on the 
 Night of the 26". December 1811, | By which awful Calamity, 
 upwards of One Hundred of its most valuable Citizens sud- 
 denly lost their lives, and many others, were much injured, | 
 Published Feb’. 25". 1812 by B. Tanner. N°. 74 South 8*. 
 S*. Philadelphia. 
 
 Fine example; full margins. Colored. 
 
 491. SACANDAGA RIVER. 
 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G, Wall.—Finished by I: Hill. | The Junction 
 Of The Sacandaga And Hudson Rivers. | N°. 2 of the Hudson 
 River Port Folio | Published by H. I. Megarey & W. B. Gilley 
 New York & John Mill Charleston S, C. | 
 
 Colored. Not framed. 
 
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 a ae 
 mn ae Ae i re 
 Ce oe be 
 
 ay 
 
492. ST. 
 
 493. ST. 
 
 494, ST. 
 
 495. ST. 
 
 496. ST. 
 
 ANTHONY FALLS. 
 
 Aquatint. Rectangle, 10. x 13.8 
 Painted by J. Shaw.—Engraved by J. Hill. | Falls Of S*. 
 Anthony On The Mississippi. | Published by M. Carey & Son 
 Philadelphia. 
 
 Colored. 
 
 SAINT LOUIS 
 
 LOUIS. 
 
 Lithograph. Rectangle, 10.3 x 15.8 
 —Copyright Secured. | North East View Of S‘ Louis | From 
 the Illinois Shore. | Published by George Wooll, No 71 Market 
 St. Louis. Mo. 
 
 Colored. VERY SCARCE. 
 
 LOUIS. 
 
 Lithograph. Rectangle, 10.3 x 15.6 
 Published & Lithgraphed By J. O. Wild At The Missouri Re- 
 publican Offic | View Of S‘ Louis | —Copy Right Secured | 
 From South Of Chouteaus Lake 1840 | 
 
 Colored. 
 
 LOUIS. 
 
 Lithograph. Rectangle, 15.8 x 25.2 
 St. Louis 
 Title in ink. Colored. 
 
 LOUIS. 
 
 Line. Rectangle, 6.8 x 10.1 
 F. Piercy.—C. Fenn. | St Louis. | F D Richards Liverpool 
 Colored. Not framed. 
 
SAN FRANCISCO 
 
 497. SAN FRANCISCO. 
 Lithograph. Rectangle, 16.14 x 20.6 
 Executed By T Bosqui Eng. & Print. Co.—Copyrighted— 
 Designed & Copied From Views Taken At The Time & Pub- 
 lished By | —Capt. W. Swasy | —A Continuous Resident Since 
 1845. | View Of San Francisco, Formerly Yerba Buena, In 
 1846-7 | Before The Discovery Of Gold | (etc.) 
 
 Colored. 
 
 [ Illustrated | 
 
 498. SAN FRANCISCO. 
 
 Lithograph. Rectangle, arched, 18.4 x 32.4 
 Lith. Of Endicott & C°. N. Y.— | (Copyright 1849 by G. T. 
 Devereux for W. H. Jones) | San-Francisco | 1849, | Drawn On 
 The Spot By Henry Firks For | W. H. Jones Esq. Of San- 
 Francisco, U. C. | (References, 46, at sides of title) 
 
 Fine colored impression. VERY scarce. 
 
 499. SAN FRANCISCO. 
 
 Lithograph. Rectangle, arched, 16.8 x 25.6 
 S. F. Marryat, Del‘—M. & N. Hanhart. Chromo Lith Imp* 
 London. | San Francisco, | London, Published 1*. July 1851 
 By Henry Squire & Comp’. (Late Colnaghi & Puckle) 238 
 Cockspur Street | 
 
 One of the most important and interesting of the early views. A fine 
 
 example, beautifully colored. VeEry scarce. 
 
 | Illustrated | 
 
 500. SANDY HILL. 
 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | View Near 
 Sandy Hill. | N°. 7 of the Hudson River Port Folio | Published 
 by Henry I. Megarey New York. 
 
 Colored. Framed to title. 
 
667 ON 
 
 0-2: 8 LW Al W Bde 3 ve 
 
501. SARATOGA. 
 
 Lithograph. Rectangle, 8.2 x 12.8 
 3™° Livraison—Amérique Septentrionale——Pl 11. | Deroy 
 lithog.—J. Milbert del'. | Bains de Saratoga.—Saratoga 
 Bath. | 4 Paris, chez E Ardit éditeur rue Vivienne N° 2— 
 Imp. lith de E, Ardit.—London by Engelmann. Graff. Coin- 
 det et C” 
 
 Colored. Not framed. 
 
 502. SAVANNAH. 
 
 aa 
 
 U 
 
 pi 
 hy ty 
 OL 
 
 4 
 
 Aquatint. Rectangle, 10. x 13. 
 Painted by J. Shaw.—Engraved by J. Hill. | Burning Of Sa- 
 vannah. | Published by M. Carey & Son Philadelphia. | 
 Colored. Not framed. 
 
 5038. SPIRIT CREEK. 
 
 Aquatint. Rectangle, 10. x 18: 
 Painted by J. Shaw.—Engraved by J. Hill. | Spirit Creek; 
 Near Augusta, Georgia. | Published by M. Carey & Son Phila- 
 delphia. 
 
 Colored: Not framed. 
 
 504. SPRINGFIELD. ILLS. 
 
 Lithograph. Rectangle, 15.6 x 20.7 
 Published by William F. Staines.— | Mr. Lincoln On Horse At 
 His Old Residence. | In Springfield, Illinois, as they appeared 
 on his return at the close of the Campaign with Senator 
 Douglas. 
 
 Very scarce. Not framed. 
 
 505. TRENTON. 
 
 Lithograph. Rectangle, 14.14 x 24 
 J. Notman Archt.—A. Ibbotson del—T. Sinclairs lith. | S. E. 
 View Of State House | —Built 1794—Trenton N. J.—Altered 
 & Enlarged 1845-6— | Commissioners— || Samuel R. Gummere 
 — | Samuel R. Hamilton— | Stacey A Paxson 
 
 Stained. Not framed. 
 
 YH 
 
 se Sad 
 bifn 
 
506. TROY. 
 
 Aquaint. Rectangle, 14. x 21. 
 Painted by W. G. Wall—Engraved by I. R. Smith | Finished 
 by J. Hill | Troy From Mount Ida. | N°. 12 of the Hudson 
 River Port Folio | Published by H. I. Megarey & W. B. Gilley 
 New York and John Mill Charleston S. C. | Printed by Rol- 
 linson 
 
 Colored. Framed to title. 
 
 507. TROY. 
 Aquatint Rectangle, 15.9 x 25.5 
 W. J. Bennett.—Eng*. by W. J. Bennett. | New York, Pub- 
 lished by John Levison, 341 Broadway. | Troy. | Taken from 
 the West bank of the Hudson, in front of the United States 
 Arsenal. | (Copyright 1833 by H. J. Megarey) 
 
 Fine example. Colored. Very scarce. 
 
 WASHINGTON 
 
 508. WASHINGTON. 
 Aquatint. Rectangle, 17.2 x 240 
 G I Parkyns— | Washington | 
 
 VERY SCARCE. 
 
 | Illustrated | 
 
 509. WASHINGTON. 
 
 Aquatint. Rectangle, 17.10 x 24.10 
 Painted by G. Cooke—Eng*. by W. J. Bennett. | City Of 
 Washington | —Printed by Cammeyer & Acock N. York | 
 From beyond the Navy Yard, | Published by Lewis P. Clover, 
 180 Fulton S*. N. Y. | 
 
 Repaired. Colored. 
 
 510. WASHINGTON. CAPITOL . 
 Lithograph. Rectangle, 20: x 30: 
 
 An unusually interesting and important specimen of early American lithog- 
 raphy, about 1880, showing the Capitol at Washington. An open two-horse 
 carriage with negro postilion, a horseman giving alms to bearded man and 
 a gorgeously uniformed officer talking to lady with band-box in the fore- 
 ground. 
 
 Framed to rectangle. Colored. Very scakce. 
 
80¢ “ON 
 
 SOL STS VA 
 
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511. WASHINGTON. CAPITOL. 
 
 Aquatint. Rectangle, 8.1 x 16.5 
 C. Bullfinch Architect. del'—H & J. Stone fecit. | Capitol | 
 Washington, D. C. 1826. | Published by H. & J. Stone. | 
 
 Colored. VeERyY scARCceE. 
 
 512. WASHINGTON. PENNSYLVANIA AVE. 
 
 Lithograph. Rectangle, 10. x 142 
 Lith Of Endicott & C°. N. Y.—(Copyright 1853 by Horace 
 P. Russ)— | Proposed plan for Paving Pennsylvania Avenue 
 Washington City D. C. | Designed by Horace P. Russ, New 
 York. 
 Colored. 
 
 518. WASHINGTON. SIXTH ST. WHARF. 
 Lithograph. Rectangle, 9:7 x 16:6 
 (Copyright 1863 by Chas Magnus) | Birds Eye View of Sixth 
 Street Wharf, Washington, D. C. | Published by Cha* Magnus 
 12 Frankford St New York & 520, 7". St. Washington, 
 Colored. Not framed. 
 
 514. WASHINGTON MONUMENT DESIGN. 
 
 Water-colors. Rectangles, upright folios. 
 Washington-Monument | 
 
 The original design for a Gothic memorial, and a sheet with six plans Lie 
 C. Pollard, Jr. | New York May, 1844. | 
 
 WEST POINT 
 
 515. WEST POINT AND THE “CLERMONT.” 
 Lithograph. Rectangle, 8.8 x 12.12 
 S. M— | Lithographie de F. Berthaux 4 Dijon.—Dessiné sur 
 pierre de Dijon. | A View of West-Point | on the River Hudson, 
 with the Steam-boat, invented by M. Fulton, going up from | 
 New-York to Albany. | (—three lines repeated in French) | 
 
 By Saint Memin. Unusually attractive, historically important, and, as a 
 completed print, UNIQUE. 
 
 [Illustrated in color | 
 
516. WEST POINT. 
 Aquatint. Rectangle, 14. x 21. 
 Painted by W. G. Wall.—Engraved by I. Hill. | West Point. | 
 N°, 16 of the Hudson River Port Folio. | Published by Henry 
 I. Megarey New York. 
 
 Colored. Framed to title. 
 
 517. WEST POINT. 
 Aquatints. Rectangles, 11.14 x 18.4 
 Drawn by G. Catlin—Engraved, Printed, & Coloured, by J. 
 Hill. | To the Cadets of the West Point Military Academy, this 
 print is respectfully dedicated, | by their friend and servant, 
 Geo, Catlin. | (Copyright, May 15, 1828) 
 
 Two prints; one showing parade ground, barracks and artillery drilling 
 and the other, with view of the Hudson, and infantry drilling. 
 An unusually choice pair of early uncolored proofs on India paper. Very 
 
 SCARCE 
 [ Illustrated | 
 
 518. WEST POINT. 
 
 Aquatint. Rectangle, 15.12 x 22.5. 
 Painted and Engraved by—W. J. Bennett. | West Point, From 
 Phillipstown. | To Colonel S. Thayer Superintendent of the 
 U. S. Military Academy, West Point, this Print is respectfully 
 inscribed by his obedient Servant | W. I. Bennett. | Coloured 
 by Hill— | New York, Published by Lewis P. Clover, 180, 
 Fulton Street, | (Copyright 1831 by Parker & Clover) 
 
 Fine example. Colored. Very scarce. 
 
 519. WEST POINT. 
 
 Aquatint. Rectangle, 15.9 x 22.7 
 Painted by Geo. Cooke-—Engraved by W. J. Bennett. | West 
 Point, From Above Washington Valley | Looking down the 
 River | Published by Parker & Clover 180 Fulton Street New 
 York. | (Copyright 1834 by Parker & Clover.) 
 
 Two slight repairs. Colored. VeEry scarce. 
 
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520. WEST POINT. 
 
 Aquatint. Rectangle, 16.15 x 24.12 
 (References, two lines) | View Of West Point, | United States 
 Military Academy. | Painted by Rob‘. Havell, from Fort Put- 
 nam. | Published by L. R. Menger 12 Dey St. New York. | 
 
 Fine example. Colored. 
 
 521. PLAYBILLS. 
 Playbills of various American Cities. Not framed. (23) 
 
BOOKS RELATING TO THE HISTORY OF 
 NEW YORK 
 
 ANDREWS, WILLIAM LORING 
 
 522. James Lyne’s Survey or, as it is more commonly known, The 
 Bradford Map, a Plan of the City of New York at the 
 Time of the Granting of the Montgomery Charter in 1781. 
 An appendix to an account of the same compiled in 1893 
 by William Loring Andrews. JTolding map. 12mo, cloth, 
 uncut. New York, 1900 
 
 One of an edition of 175 copies printed on Holland paper. 
 
 ASHER, G. M. 
 
 528. A BistiocrapHicaL AND Hisrorican Essay on the Dutch 
 Book and Pamphlets relating to New-Netherland, and to 
 the Dutch West-India Company and _to its possessions in 
 Brazil, Angola, etc., as also Maps, Charts, etc., of New- 
 Netherland. With a facsimile of the map of New-Nether- 
 land by N. I. Visscher, and of the three existing views of 
 New-Amsterdam. Royal 4to, half morocco, gilt top, uncut. 
 
 Amsterdam, 1854-67 
 
 LarceE Paper. 
 
 BOOKBINDINGS. 
 
 524. American Booxsinpincs in the Library of Henry William 
 Poor. Described by Henri Péne du Bois. Illustrated in 
 gold-leaf and colors by Edward Bierstadt.  8vo, cloth, 
 uncut. New York: G. D. Smith, 19038 
 
 One of an edition of 200 copies on Holland hand-made 
 paper. 
 
BOOTH, MARY L. 
 
 525. Hisrory or tHe Crry or New York. Portrait on India 
 paper of Peter Stuyvesant, rubricated titles, and numerous 
 illustrations taken from old prints and other sources, 
 throughout the volumes. 2 vols. imperial 8vo, half blue 
 morocco, gilt backs and tops, uncut, by Macdonald. 
 
 New York, 1867 
 
 Larce Paper. No. 6 of 100 copies printed. Signed by 
 the author. 
 
 BURR, D. H. 
 
 526. Map or tHE Crry or New York. Drawn by D. H. Burr, 
 for “New York As It Is in 1838.” Published by J. Dis- 
 turnell. Engraved by S. Stiles & Co. Height, 12% 
 inches; width, 1014 inches, folded to 18mo, in roan covers. 
 
 New York [1838] 
 
 This map bears copy-right date of 1833. 
 
 DAWSON, H. B. 
 
 527. Recorps or THE Crry or New Amsrerpam. Vol. I. Morri- 
 sania, 1867; Gerarp (James W.). The Old Stadt Huys 
 of New Amsterdam. 1875. Presentation inscription by 
 the author; Dartixc (C. W.). New Amsterdam, New 
 Orange, New York. Privately printed, 1889; New Yorx 
 Illustrated. Appleton, 1874; Patmer’s Views of New 
 York, 1909; Epwrx Barncocx Ho.wpen Collection. Cata- 
 logue 1910; Napoteon and the French Revolution. Crane 
 collection. Catalogue, 1913; New York in a Nut-shell. 
 1853; New Yorx Directory, 1786. Facsimile. Together, 
 9 vols. 8vo and 12mo, paper. 
 
 DUNLAP, WILLIAM 
 
 528. Hisrory or tHe New Netuerwanps, Province of New York, 
 and State of New York. Engraved portrait, and folding 
 maps. First Eprrion. 2 vols. 8vo, boards, bindings 
 worn, and slightly foxed. 
 
 New York: Printed for the Author, 1839 
 
FERNOW, BERTHOLD—Editor 
 
 529. Tue Recorps or New Amsterpam, from 1653 to 1674 (com- 
 prising the Minutes of the Court of Burgomasters and 
 Schepens). 7 vols. Svo, sheep, uncut. 
 
 New York: Published under authority of the City of 
 
 New York, 1897 
 Inserted are several autograph letters, by Mr. Fernow, 
 Isaac 'T. Smith, the Chairman of the Mayor’s Committee 
 on the publication of the above “Records,” and others. 
 
 FISKE, JOHN 
 
 530. THe Durcu anp Quaker Cotontes 1x America. Maps. 
 First Enprrion. 2 vols. Boston, 1899; Van RENSSELAER 
 
 (Mrs. Scuuyter). History of the City of New York in 
 
 the Seventeenth Century. Facsimiles of two early maps. 
 
 2 vols. New York, 1909; Vatentine (Davin T.). His- 
 
 tory of the City of New York. Maps and views. New 
 
 York, 1853. Together, 5 vols. €vo, and 12mo, cloth. 
 
 New York and Boston, various dates 
 
 FRANCIS, C. Cc. 
 
 531. Francts’s New Guide to the Cities of New York and Brook- 
 lyn. 1857; Grear Metropous, 1851. Map. [1850]; 
 Woop’s [lustrated Hand-Book to New York, 1878; Macoy 
 (Roserr) Centennial. Illustrated How to See New York. 
 1876; Krxiury (F. B.). Historical Guide to New York. 
 1909; Maneus’s lithographic map of New York, Brooklyn 
 and Williamsburgh. Together, 7 vols. 12mo and 16mo, 
 cloth. New York, v.d. 
 
 FRANCIS, JOHN W. 
 582. Otp New York: or, Reminiscences of the Past Sixty Years. 
 With a memoir of the author, by Henry T. Tuckerman. 
 Portrait on India paper. Royal 8vo, cloth, uncut, and 
 partly unopened. New York, 1865 
 
 Larcr Paper, limited to 100 copies. 
 
HARDIE, JAMES 
 533. Tur Descrirtion oF THE Crry or New-York; containing its 
 population, institutions, commerce, etc. (to which is pre- 
 fixed an historical account of the city). With the large fold- 
 ing map. 12mo, half sheep, map slightly torn, and text 
 foxed. New York, 1827 
 
 One of the most interesting of the comparative early his- 
 tories of New York City. The important historical events 
 are treated in a manner to show that the author was mi- 
 nutely acquainted with the Colonial and Revolutionary 
 history of the city. The appendix gives an account of the 
 death of the original projector of this work, and of its 
 continuation. This is followed by an “Ode for the Canal 
 Celebration,” written at the request of the New York 
 printers by Samuel Woodworth, printer. The map, which 
 contains two views of public buildings, is an important 
 feature of the present copy, being usually wanting. 
 
 IRVING, WASHINGTON 
 
 534. A History or New York, from the beginning of the world 
 to the end of the Dutch Dynasty. By “Diedrich Knicker- 
 bocker.” Engraved folding frontispiece. 2 vols. 12mo, 
 full orange levant morocco, sides with panel design in gilt, 
 consisting of a border of three lines, and tulip decoration 
 in corners, gilt backs and inside borders of similar design, 
 gilt edges. Top margin of plate cut down, two slight tears 
 repaired, and backed with linen; small tear in first title 
 repaired, By Stikeman. 
 
 New York: Inskeep & Bradford, 1809 
 
 Tue rare First Epirion, wirH THE FOLDING PLATE, A 
 View or New Amstrerpam (New York) 1n 1640, copied 
 from an ancient Etching of the same size, Published by 
 Justus Danckers. Although this plate is somewhat dam- 
 aged, the fact of its presence is of great importance. 
 This is practically the author’s first book, being the first 
 original work brought out by him without the assistance of 
 other hands. 
 
[JUDAH, SAMUEL B.] 
 
 535. GorHaM AND THE GoruHamires, a Medley. 18mo, new orange 
 levant morocco, gilt inside and outside border lines, gilt 
 back and top, uncut. By Stikeman. 
 
 New York: Published by the Author, 182: 
 
 A charming copy, with the exception of a small tear at 
 lower outside corner of title, which has been skilfully 
 repaired. 
 
 A caustic Satire on New York City, and New Yorkers, for 
 the perpetration of which the author was imprisoned and 
 the book suppressed. The autograph signature, in pencil, 
 of R. S. Livingston, on title-page. 
 
 LADIES’ AND GENTLEMEN’S POCKET ANNUAL 
 
 5386. Lapies’ AND GENTLEMEN’s Pocker ANNUAL, FoR 1836 
 (The), containing an Almanac . . . blank spaces for 
 memorandums, and a collection of Original and Selected 
 pieces in Prose and Verse. With 2 engraved views of New 
 York, one of the Penitentiary on Blackwell’s Island, the 
 other of the New York University. 24mo, silk, binding 
 worn. New York: J. Disturnell [1835 | 
 
 LOSSING, BENSON J. 
 537. Hisrory or New York Crry, 1609 to 1830. 2 vols. 184; 
 The Empire State. 1888. Portraits, views, facsimiles, etc. 
 
 Together, 3 vols. royal 8vo, sheep and cloth. 
 New York and Hartford, 1884-1888 
 
 MERCHANT’S MAGAZINE 
 588. Mercuant’s Macazine (THe) and Commercial Review. 
 Conducted by Freeman Hunt (and later edited by William 
 B. Dana). Volumes 1 to 56, 59 to 63, and Year-Book for 
 1871. Some volumes have engraved portrait. Together, 
 62 vols. 8vo, half sheep (last volume in cloth), edges of 
 
 all volumes, and some leaves with stenciled stamp. 
 New York, 1840-1871 
 
 An unusually long series, lacking only two volumes (57 
 
 and 58). 
 
MONTULE, E. 
 
 539. A Voyrace to Norru America, and the West Indies, in 1817 
 [With a chapter on New York City.] With 4 engravings, 
 one a view of New York from the West. London, 1821; 
 Mackay (Cuarutrs). Life and Liberty in America; or, 
 Sketches of a Tour in the United States and Canada, in 
 1857-8. Tinted lithographs, including a view of the Fire- 
 man’s Procession in Broadway. Firsr Eprrion. 2 vols. 
 London, 1859; Norrnern Travetiter (Tue); containing 
 the Routes to Niagara, Quebec, and the Springs, with the 
 Tour of New-England, and the route to the Coal Mines of 
 Pennsylvania. Maps and engravings. New York, 1826. 
 
 Together, 4 vols. 8vo, and 12mo, various bindings. 
 Various places and dates 
 
 MOULTON, JOSEPH W. 
 
 540. View or tHe Crry or New-Orance (Now New-York) As It 
 Was in the Year 1673. With explanatory notes. With 
 the folding view, engraved by Robt. M. Gaw. 8vo, half 
 orange levant morocco, gilt top, lettered up back. By 
 
 Stikeman. The plate is backed with linen, 
 New York, 1825 
 
 NATIONAL CYCLOPADIA 
 541. Narionan Cyciopapia of American Biography (The) : Being 
 the history of the United States as illustrated in the lives 
 of the founders, builders, and defenders of the Republic. 
 Edited by Distinguished Biographers, selected from each 
 state. Revised and approved by the most eminent his- 
 torians, schollars, and statesmen of the day. 14 vols. and 
 the volume ef Index and Conspectus. Numerous vignette 
 portraits, with autograph signature, and vignette views. 
 Together, 15 vols. imperial 8vo, half russia, lettered backs. 
 
 New York: James T.. White & Co., 1898-1910 
 
 Fine clean set, 
 
NEW YORK CITY 
 
 542. Francis (Joun W.). Old New York; or, Reminiscences of 
 the past Sixty Years. With a Memoir of the Author, by 
 Henry T. Tuckerman. Portrait. New York, 1866; VALEN- 
 TINE (Davin T.). History of the City of New York. 
 Maps and views. New York, 1838; Srone (Wittiam L.). 
 History of New York City, from the Discovery to the 
 present day. Fully illustrated with engraved portraits, 
 views, maps and woodcuts. New York, 1872; Boor 
 (Mary L.). History of the City of New York, from its 
 earliest settlement to the present time. Illustrated with 100 
 engravings. New York, 1860. Together, 4 vols. various 
 sizes and bindings. New York, various dates 
 
 NEW YORK CITY 
 
 543. Direcrory or tHE Ciry or New York. Facsimile of the 
 First Edition, 1786; Janvirr (Tuomas A.). In Old New 
 York. Illustrations. 1894; New Yorx, the Metropolis 
 of the Western World (a handbook). Illustrations. 1902; 
 DisturNELL (JoHN). New York, as it was and as it is. 
 Illustrated. 1876; Lonewortn (THomas). American 
 Almanac, New York Register, and City Directory. 1804 
 and 1821; Pueips (H.). Phelps’ New York City Guide. 
 Large folding map, and woodcut views of buildings. 1854; 
 Tanner (H. S.). The Stranger’s Guide to the City of 
 New-York, and its Environs. With a plan of the city. 
 [1845]; [Ruecres (Epwarp).] A Picture of New York 
 in 1846; with a short Account of Places of its Vicinity. 
 Folding map, and views of buildings, etc.; Hooker (Wi1- 
 tram). New Pocket Plan of the City of New York. Height, 
 1214 inches; width, 1514 inches, folded to 16mo, 1833. 
 Together, 10 vols. various sizes and bindings. 
 
 Various dates 
 
 NEW YORK STATE 
 544, Jenxins (Joun S.). History of Political Parties in the 
 State of New York. Lithographic portraits. 1846; 
 Byrpsaut (F.). The History of the Loco-Foco; or, Equal 
 Rights Party. 1842; Tue Puysiotocy of New York Board- 
 ing Houses. 1857; Tur Otp Brewery. 1854; [Irvine 
 
[ No. 544—Continued | 
 (Wasurneron).] A History of New-York. New Edition. 
 2 vols. 1840; Dunitae (Witiiam). A History of New 
 York, for Schools. Frontispieces and woodcuts, Firsr 
 Epirion. 2 vols. From the Frank Maier collection, with 
 bookplate. 1837; [Curry (DanteL).] New-York; a His- 
 torical Sketch. Illustrations. 18538. Together, 9 vols. 
 various sizes and bindings. Various places and dates 
 
 NEW YORK HISTORICAL SOCIETY 
 
 545. Cottectrions. Volumes 1 to 5 (1809 to 1830). 5 vols. 8vo, 
 calf, gilt, edges of bindings rubbed. 
 New York, 1811-1830 
 
 O’CALLAGHAN, E. B. 
 
 546. THe Documentary History oF tHE Stare or New York. 
 With numerous folding maps. 4 vols. thick 8vo, cloth. 
 Albany, 1849-1851 
 
 [OSBORNE, LAUGHTON] 
 
 547. Tue Viston or Rusera, an Epic Story of the Island of Man- 
 hattan. With numerous etchings by E. W. Bowve’s lith. 
 8vo, rebound in cloth, with new label, uncut. 
 
 Boston, 1888 
 
 First Eprrion of this curious anomalous satire, which con- 
 tains the rabid attack on Wordsworth. This edition is 
 remarkable for its typographical excellence, 
 
 POST, JOHN J. 
 
 548. OLtp Srreets, Przers ann Wuarves or New York. 1882 
 (only 800 copies printed); Jenkins (SrepHen). The 
 Greatest Street in the World. The Story of Broadway. 
 Illustrations. 1911; [Irvine (Wasuincton).] A History 
 of New York. Illustrations by F. O. C. Darley. 1854. 
 Together, 3 vols, 8vo, cloth and morocco. 
 
 New York, v.d. 
 
PYNE COLLECTION 
 
 549. CoLLEcTIonN or Percy R. Pyne II. A Catalogue of En- 
 graved Views, Plans &c. of New York City. [By Robert 
 Fridenberg.| Full-page reproduction of rare views, some 
 in colors. Ato, boards, cloth back, uncut. 
 
 New York: Privately printed, 1912 
 The Privately Printed issue of which only 100 copies were 
 printed. 
 
 PYNE COLLECTION 
 
 550. A Caratocust or Encravep Views, Piuans &c. or New Yor 
 Crry. Colored and other illustrations. 4to, boards, cloth 
 back, uncut. New York, 1912 
 
 The Privately printed issue, same as preceding. 
 
 PYNE COLLECTION 
 
 551. A CatatocuEe or Eneravep Views, Puans, etc. or New 
 York Crry, in the Collection of Percy R. Pyne, II. [By 
 Robert Fridenberg.] 8vo, wrappers, 61 copies. 
 
 [ New York]: Privately printed, 1911 
 
 SKETCH OF NEW YORK 
 
 552. SxetcH or THE Resources oF THE Ciry or New York. 
 With a view of its Municipal Government, Population, etc., 
 from the foundation of the city, to the date of the latest 
 statistical accounts. 8vo, original boards, uncut, text 
 
 foxed. New York, 1827 
 
 SMITH, WILLIAM 
 
 553. Tuer Hisrory or tHE Province or New York, from its Dis- 
 covery to the appointment of Governor Colden, in 1762. 2 
 vols. 8vo, original boards and labeis, uncut. 
 
 New York, 1829-1830 
 
 An unusually tall uncut copy, with wide margins. The 
 present volumes, now for the first time associated, contain 
 the author’s last alterations and additions from the ori- 
 ginal manuscript; with a memoir by his son. The author’s 
 Geographical description of New York, is in this edition, 
 embraced in an appendix to the first volume, 
 
SOCIETY OF ICONOPHILES 
 
 554. Tur Hupson-Futron Ceiesration MCMIX. By Gustav 
 Kobbé. With a foreword by William Loring Andrews. 
 Etched frontispiece, title-page, and vignettes, by Francis 
 S. King. Royal 8vo, half morocco, gilt top, uncut. 
 
 New York: Society of Iconophiles, 1910 
 
 ne of an edition of 106 copies printed on O. W. hand- 
 made paper. 
 
 STEVENS, JOHN AUSTIN, JR. 
 
 555. CotontaL Recorps or THE New York CHAMBER OF Com- 
 MERCE, 1768-1784. With Historical and Biographical 
 Sketches. With engraved portraits and plates on India 
 paper. Imperial 8vo, cloth, uncut, and unopened. 
 
 New York, 1867 
 
 Larct Paper. 
 
 VALENTINE, D. T. 
 
 ' 556. CompLere Ser or VALENTINE’s Manuats of the Corporation 
 of the City of New York, 1841 to 1866; with the addition 
 of Shannon’s Manuals for 1868 and 1869; Hardy’s Manual 
 for 1870, and the Index of the Illustrations in the Manuals, 
 published by the Society of Iconophiles. Illustrated with 
 maps, plans, tinted lithographic views, facsimiles, etc. 'To- 
 gether, 29 vols. 16mo, 12mo and 8vo, all in the original 
 cloth bindings. New York, 1841-1906 
 
 A complete file of all the Manuals, from 1841 to 1870. 
 Several of the volumes being exceeding scarce. 
 
 ALL THE VOLUMES ARE PERFECT, BOTH AS TO TEXT AND 
 PLATES, A FACT OF THE UTMOST IMPORTANCE, AS MANY ARE 
 USUALLY FOUND WITH ONE OR MORE PLATES EXTRACTED. 
 
 ConTENTS oF SET: 
 
 [ VaLentine (D. T.).] Manual of the Corporation of the 
 City of New-York, for the years 1841 & 2. 16mo, 
 original cloth, name written on preface-leaf. 
 
 New York [1841] 
 
 THE VERY RARE FIRST Manuva. Contains the genuine 
 issue of the large folding map of the City of New 
 York, with the Fire and Watch Districts. 
 
[ No. 
 
 556—Continued | 
 VALENTINE (D, T.). Manual. 1842 & 3. 16mo, original 
 cloth. New York [1842] 
 
 With all the plates, viz,—Map of the city; Facsimile 
 of the Bradford map; Croton Dam; Nieuw-Amsterdam, 
 1659. First map torn in fold. 
 
 VALENTINE (D. T.). Manual. 1843 & 4. 16mo, original 
 cloth. New York [1843 ] 
 
 With all plates, including the three maps and plans. 
 CHOICE COPY. 
 
 VatentTInE (D. T.). Manual. 1844-5. 16mo, original 
 cloth, New York, 1844 
 With all the maps and plates. Contains bookplate of 
 A. C. Bernheim, engraved by E. D. French. 
 
 VatentIneE (D. T.). Manual. 1845-6. 16mo, original 
 cloth. New York, 1846 
 With all the maps and plates. 
 
 Vatentine (D. T.). Manual. 1847. 16mo, original 
 cloth. New York, 1847 
 
 With all the maps and plates. CuHoicE copy. 
 
 VaLentINE (D. T.). Manual. -1848. 16mo, original 
 cloth. New York, 1848 
 
 With all the maps and plates. Binding broken. 
 
 VatentTine (D, T.). Manual. 1849. 12mo, original 
 cloth. New York, 1849 
 
 With all the maps and plates. Edges of binding 
 
 rubbed, name on title, otherwise a fine copy. 
 
 VaLentineE (D. T.). Manual. 1850. 12mo, original 
 cloth. New York [1850] 
 
 With all maps and plates. 
 
 VALENTINE (D. T.). Manual. 1851. 12mo, original 
 cloth. New York, 1851 
 
 With all the maps and plates. Goop souND AND CLEAN 
 COPY. 
 
[No. 556—Continued | 
 VatentinE (D. T.). Manual. 1852. 12mo, original 
 cloth. New York [1852] 
 
 With all maps and plates. Sound copy. 
 
 VaLenNTINE (D. T.). Manual. 1853. 12mo, original 
 cloth. New York [1853 | 
 
 With all maps and plates. 
 
 VaLenTINE (D. T.). Manual. 1854. 12mo, original 
 cloth. New York [1854] 
 
 With all maps and plates. 
 
 VaLenTINE (D. T.). Manual. 1855. 12mo, original 
 cloth. New York [1855] 
 
 With all the maps and plates. Goop sounD copy. 
 
 VatenTINE (D. T.). Manual. 1856. 12mo, original 
 cloth. New York [1856] 
 
 With all the maps and plates. Slight tear in binding, 
 otherwise a good sound and clean copy. 
 
 VALENTINE (D. T.). Manual. 1857. 12mo, original 
 
 cloth. New York [1857] 
 
 With all the maps and plates. Binding torn, and 
 plates slightly stained. 
 
 VaLENTINE (D. T.) Manual. 1858. 12mo, original 
 
 cloth. New York [1858] 
 With all maps and plates. 
 
 VaLENTINE (D. T.). Manual. 1859. 12mo, original 
 cloth. New York [1859] 
 
 With all maps and plates. 
 
 VALENTINE (D. T.). Manual. 1860. 12mo, original 
 cloth. New York [1860] 
 
 With all the maps and plates. Good sound copy, but 
 corners of binding slightly rubbed. 
 
[ No. 556—Continued | 
 VatentiInE (D. T.). Manual. 1861, 12mo, original 
 cloth. New York [1861 | 
 
 With all the maps and plates. Goon sounp copy. 
 Vatentine (D. T.) Manual. 1862. 12mo, original 
 cloth. New York [1862] 
 With all the maps and plates. Slight tear in first map. 
 VatentTInE (D. T.). Manual. 1863. 12mo, original 
 cloth, New York [1863 | 
 With all the maps and plates. Slight stain on portrait. 
 
 VatenTINE (D. T.). Manual. 1864. 12mo, original 
 cloth. New York [1864] 
 
 With all the maps and plates. Binding worn. 
 
 VaLeNTINE (D. T.). Manual. 1865. 12mo, original 
 cloth. New York [1865 ]| 
 
 With all the maps and plates. 
 
 VaLENTINE (D. T.). Manual. 1866. 12mo, original 
 cloth. New York [1866] 
 
 With all the maps and plates. 
 
 SHANNON (JosepH). Manual, 1868. 8vo, original cloth. 
 New York [1868 | 
 With all the maps and plates. 
 
 SHANNON (JosePH). Manual. 1869. 8vo, original cloth. 
 New York [1869] 
 
 With all maps and plates. One plate torn. 
 
 Harpy (JonHn). Manual. 1870. 8vo, original cloth. 
 New York [1870] 
 With all the maps and plates. 
 
 InpvEx to the Illustrations in the Manuals, 1841-1870. 
 
 Portrait. 8vo, cloth. 
 New York: Society of Iconophiles, 1906 
 
VALENTINE, D. T. 
 
 557. MANvUAL OF THE CORPORATION OF THE Crry or New York. 
 1849. Maps and plates. 12mo, roan, binding rubbed. 
 New York, 1849 
 
 With all the maps and plates. 
 
 VAN PELT, DANIEL 
 
 558. Lxesue’s Hisrory or Greater New York. Profusely illus- 
 trated with steel and wood engravings. 3 vols. imperial 
 8vo, half morocco, gilt tops. New York [1898 | 
 
 559. Wart Srreer. [Greene (Asa).] The Perils of Pearl Street, 
 including a Taste of the Dangers of Wall Street. 1834. 
 [Name on title]; Fowrer (Witt1am W.). Twenty Years 
 of Inside Life in Wall Street. 1880; Mrpperry (JAMES 
 K.). Men and Mysteries of Wall Street. 1870; Hiri 
 (Frepericx T.). The Story of a Street. 1908. Illustra- 
 tions. Together, 4 vols. 12mo, cloth. 
 
 New York and Boston, v.d. 
 
 WILSON, JAMES GRANT 
 
 560. Memortat History or THE Crry or New York and the Hud- 
 
 son River Valley, from its first settlement to the year 
 
 1892. With several hundred illustrations, including fine 
 
 portraits of men famous in the early history of the city, 
 
 facsimiles of rare maps and plans, reproductions of title- 
 
 pages of rare and contemporary books, autographs of 
 
 eminent characters, views, etc. 5 vols. royal 8vo, straight- 
 grained calf, gilt backs and edges, bindings rubbed. 
 
 New York, 1892-1896 
 
 This set contains the fifth volume, with the continuation 
 down to 1896. 
 
 WILSON, JAMES GRANT 
 
 561. MemorraL History or THE Crry or New Yorx. Volume I. 
 1893; Pierce (Cart H.). New Harlem. 19038; Berrian 
 (Wituiam). Historical Sketch of Trinity Church. 1847; 
 HisroricaL SkeTcH OF THE SoutH CuHurcH. 1887; Bank 
 Orricers of the National Banks of the City of New York. 
 1883. Together, 5 vols. various sizes and bindings. 
 
 New York, v.d. 
 
WATSON, JOHN P. 
 
 562. Hisroric Tates or Otpen Time: concerning the Early Set- 
 tlement and Advancement of New-York City and State. 
 With 13 lithographic views, by Risso & Browne, including 
 a view of the city in 1678. 12mo, original boards and label, 
 binding worn, text foxed. New York, 1882 
 
 With autograph signature of Benjamin Peter Hunt, of 
 Chelmsford, Mass. The present copy, has the “Appendix,” 
 a printed slip, certifying to the former owner and giving a 
 sketch of his life. 
 
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