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Their owner was a .s0g@r refiner, a min of Lewes: a sage, He ornaiented> his life with «a peagetul~ re, ft He saia: “What may one Wo less harm. ful than to hang pictures, on walls? The ‘task recalls, it-is true “that” of children ‘piliig sand on the seashore—they work in yain, and all that they aa; will be soon undone. , “Thus it is with art Soltek srs: But the fault is in the vicissitudes of existence and the brevity of life. The sea takes the piles of sand, the auctioneer disperses the col- lections. And yet there is nothing better ‘to do than pile sand at ten, and form art ‘galleries at foity, years of age.” Nothing is to remain of what we achieve, ‘but works of ait, have the best chance to hast long: that’ one’ knows. Titian’s portrait lee Antonio — Grimaui, Doge — of Venice, is Vener: “centuries old. Et. ey ‘the prize of the — ‘Matthiessen collection. What has become ot: ‘the Doge's wealth, of his ships and “palaces? | ; ‘What has become of his fame? “not. because of him that his portrait is’ -yaluable to art-lovers.” In ‘their regard for it he counts not at all. The portrait has “surpassed extremely its forigin. Born of a -mInan’s caprice to be painted, it represents the glory .of an epoch. A pike lives panied. | The ducal apdre that stands there ‘deckea ‘with cap of cloth of gold and jewels,” ‘brown coat and ermine mantle, is dispos- ‘sessed from the domain that was his. But ‘Titian’s work is the. medal of-a taste, of -a state of mind, of an art, This art) hay produced here an effigy wherein are ‘expressed in a single seat A all dts relative faces. ‘Phere are the in- “dustrious activity, ‘the obstinacy, the habit of authority, the violence and the suffer- ‘ing; the intolerance and the epic grandeur ‘of Venice in the sixteenth century, vee Dolized. On that portrait’s face the AR an of trade. and the risks of wars,. the splendor poms Byzantine: “mosaic ioe ‘the dark of prisons haye made the mind that it reflects. flagrant as muscles tense. | Beside this work of ‘Titian is the “Holy Family,” by Rubens, heedless- of asceti- ‘cismy, ignorant of archaeology, indifferent to the sclenee of verifying dates of events f history and legend, and for these rea- ‘sons admirable, The Virgin is a woman of he Renaissance in red gown and bluish iskirt of the most recent pattern. | St. Francis of Assisi, wearing the monk’s ipbrown gown of his order, is bent in adora- ‘tion. Saint Elizabeth with the coif and ‘veil of a nun stands behind the Mother ‘and Child, The infant St. John is at their ‘feet. St. Joseph’s head in profile appears | jin & shadow at the right. Bulidings of a landscape are in the back- ground, Tissot may not divert one, with precise studies of costumes. and faces of: Jerusalem, from.the ample beauty of the Flemish figures that Rubens painted witn love of life and the “wish to show that it ts beautiful. His portrait of ‘‘A Gentleman,’ with |eheeks in the glow of good living that a \white ruff exaggerates by contrast, reas- ‘serts the Flemish ideal that was Rubens's ‘of beauty in- vigorous health without ath- ‘letic effort or mental exercise. The works are valuable for their art of ‘painting simply. “SF 2 wat 3” @e 2 Cc. RAUCH 3—T he Letter Writer <4 a} ai ” Water Color ee rag Tbs The letter writer, sitting’ in a handsome carved chair with leather back, poises his quill pen in the air as he looks across the table to his client, a Neapolitan peasant-girl. Near her sits another woman, behind whose chair stands a boy. Signed atzthe right, C. Rauch. Height, 9% inches; length, 1014 inches. Se Le Cc. C. COLEMAN 4—The Sheep Fold Water Color I. G, byunther , “4 A shepherd is folding his sheep in an énclosuré formed by poles and netting. In the background appears a yellow thatched shed and beyond it one with a conical brown roof, surmounted by a cross. A red coat and a stick lie on the ground near the man’s feet and close by him his dog. Signed at the right, C.C. Coleman, Roma. Height, 9% inches; length, 13 inches. CLARKSON DYE 5—Street Scene: Winter J ‘ (Jor Sages Water Color Along the snow-covered sidewalk on the left hand of the street a lady is coming towards us, passing in front of a row of dull red houses, while in the distance a cab is moving towards a building with a tower that concludes the vista. Bare trees stand along the right of the road, behind which is a range of red warehouses. Signed at the right, Clarkson Dye /93. Height, 10 inches; length, 13 inches. ALEXANDRE DECAMPS 59: 6—A Mountain Gorge Jt At. SEc¢ SOW Pastel The scene is a wild mountain region cloven into gorges, walled with bare rock. A sort of natural causeway, covered with grass, stretches diagonally towards the centre, and at the end of it a Greek soldier with helmet, round shield and spear, stands upon the brink of an incline, down which other soldiers are disappearing. Signed at the right, D. C. /46. Height, 10 inches; length, 16 inches. ers > 4 EE ee ee ee L. WOODWARD 7—Arch Creek, Florida “a . Stile " Water Color The winding reach of water disappears on the right of the back- ground. It is bordered with pale green foliage, interspersed with trees from which hangs bearded moss, while others on the right of the picture dip their branches into the water. A single white bird appears in the sunlit distance. Signed at the left, L. Woodward. Height, 12 inches; length, 17 inches. ned, MARCUCCI 4 : 8—An Italian Peasant Girl > =“ a 0 Chor ake big GS : Water Color ie a/, iL fi 44 A? - - 2 Near a bunch of thistles and some reedy grass entwined with strag- gling grapevine stands a peasant girl, looking away from us and hold- ing a sheaf of corn-stalks in her arms. Her costume consists of a gray chemise, dark blue corset, and dull rose skirt tucked up over a blue petticoat. Signed at the right, Marcucci, Roma. Height, 14 inches; width, 7% inches. AFTER BESNARD g—Nude Pastel This is the study of a nude woman sitting in crouching attitude upon a white drapery, with her head bent over a purple and gray cup. The figure is lighted fom the left by a warm glow, which touches the prominences of the flesh with rose. MARCUGGI | age : £ ‘ Z ; 4 if | 10o—Italian Shepherd Boy Water Color An Italian shepherd boy in green breeches, with a golden brown jacket slung over his shoulder, leans upon a fence with his back to us, looking towards a horizon, rose and saffron in the twilight glow. Signed at the right, Marcucci, Roma. Height, 14 inches; width, 7% inches. GIUSEPPE SIGNORINI 11—The Convivial Cardinals fs i“ al Water Color Two cardinals are sitting on opposite sides of a pedestal table with carved and gilded support, covered with a pale blue satin cloth. One of them leans back, looking out of the corner of his eye at a wine- glass which he holds up, while the other leans forward with a bottle in his hand. Behind them a supercilious flunkey is walking away with a tray. Bog Signed at the right, Giusep Signorini, Paris /81 Height, 18 inches; width, 14 inches. 8 L. WOODWARD 12—Ocklawaha Landing, Florida Water Color le. 7 uy i fine Enclosed with trees and strewn with beds of lilies, spreads an expanse of water, out of which rise high trees with a little foliage at the top, bearded moss hanging from their limbs. On the right of the middle distance stands a little house on wooden piers, beside which a boat is moored. Signed at the left, L. Woodward. Height, 10% inches; length, 16% inches. UNKNOWN Z Pastel There is a dull gray cloud over the horizon. Two brigantines are riding on the green sea which flows to the front of the picture in small, smooth, sliding waves, breaking into foam as they reach the stone-strewn, sandy shore. Above the latter rises a wall of purplish brown rocks with dark green brush on the summit. Height, 16 inches; length, 22 inches. 36 KINNARD Crossed by a plank bridge in the middle distance, a bee flows | towards the foreground, where it is bordered by bulrushes, flowers, = ae and large dock-leaves. In the field are wheat shocks and standing ; a wheat, among which are figures, and in the distance appears a red- roofed farmhouse among some trees. _ a) Ls 3 Signed at the right, Henry Kinnard. i _ Height, 20 inches; width, 15 inches. ~ oe _ SALOMON CORRODI : “avenue stretches straight back, bordered on both sides by sycamores. Those on the left grow upon a small bank from wagon approaches. To the right appear an orchard and distant land- | ; tay oe & S | ead cadieiaaaens ea de nea aa i) ja - Signed at the left, S. Corrodi, Roma. Height, 20 inches; length, 28 inches. JEAN JACQUES HENNER 16—Head of a Girl C4 td fre A girl’s head is seen in profile against an olive brown background. Her brown hair grows in profusion over the forehead, the brown eyes are looking upwards, and ripe red lips stain the pure white of the features. Her shoulders and bosom show above a geranium-colored drapery. Signed at the upper right, Henner. Height, 18 inches; width, 15 inches. Henner takes his place in the latter half of the nineteenth century as, perhaps, the most poetic painter of the nude and one of the most individual and fascinating delineators of girlish beauty. te i cn re ly - Water Color ner “the gorge! elow. Raised upon ihe right isa road, along which a horse- ‘man oe the shadow of the rocks is passing towards a spot of sun- par Los where a goatherd and his flock are standing. | ' am ; Signed at the right, Sal. Corrodi, Tivoli, 1880. . a Hstent, 20% inches; length, 28% one ag 18—Landscape and Cottages ) VICTOR DUPRE Standing in a large meadow, dotted with cows, is a white cottage with a red chimney and a dormer window in its high drab-green thatched roof. To its left rises a clump of trees, sheltering another cottage, near which stands a woman in blue gown with white cap and apron. In the foreground of rich grass is a pool with sedge and scrub upon its bank. A dark gray cloud fills the sky on the right side, loosening into white masses towards the centre, above which is an expanse of greenish blue. On the horizon is a deep blue hill. Signed at the left, Victor Dupré. Height, 174 inches ; length, 28% inches. Had Victor Dupré not been the younger brother of the more famous Jules, the recognition of his own powers would have been more pronounced. Yet he was a fine technician, with a noble use of color, who infused into his work a quality of very sincere poetry. s ROSA BONHEUR xote Escorted Home Drawing in Crayons (oe £- F The Knigh of La Mancha, after his severe drubbing by the mer- t’s boy, is being assisted home by a countryman. His long body a eated ae a donkey, drooping over the sacks on the latter’s eck, while, his left hand rests on the shoulder of the countryman, ho is leading Rozinante and carrying the spear. The donkey’s head- 1ounted by a blue tuft. af Signed at the left, Rosa Bonheur, 1888. Height, 3914 inches ; width, 37 inches. RT SI Ah SY EG oa Tr lls Te a RT ae NS NN RF Nl Nl i te he ptm 5 tO | oy bag Siig: w — : 1 - > q a —¥ = - & A _ ANTONIO CASANOVA Y ESTORACH 20—An Uncanonical Courtship A jolly Carthusian brother in white habit and black cloak smiles at 4 Spanish lady, who sits beside him coquettishly holding a fan between her face and his. A white mantilla is suspended from the tortoise-shell comb in her hair. Against the leafy background hangs a little bird- cage. Signed at the right, Antonio Casanova y Estorach, Paris, 1882. Height, 1534 inches; width, 12% inches. Casanova is widely known for his pleasant satires on the priest- hood, full of genial humor. Dw It de z ¥ rae ee eo ey tae ‘ approach, that connects with a flat-arched metal span. Under this water flows into an inner harbor, surrounded on three sides with a. houses, aoe the centre ones appearing a high dome with cupola. On each side of the harbor, trees are growing in front of the houses. -” La at the left, S. Lépine. Height, 12% inches; length, 18 inches. Peer ie: well known for his river and harbor scenes, is one of the Brack distinguished of the modern French landscape painters. The subject of this particular picture was a favorite one with him and he has painted it several times. a Pe Sone i ee ee ee are ce eae a | | 4 i ps act? Fr # / Le é, sac PIO JORIS 22—-A Meeting on the Tivoli Road A bare-legged man in blue clothes leans on a ledge of stone beneath a high rock hung with greenery, holding out his right hand to a woman who stands beside him. She is clad in a brown skirt and pink bodice, and on the ground near her is a basket of linen. Signed at the right, P. Joris, Roma. | Height, 15 inches; width, 9 inches. Joris gained the Gold Medal at the recent Exposition in Paris. . 2 ee ALEXANDRE CABANEL 23—Study of Female Figure — 2 ad wa Shur i. ‘ne ‘ a ie This is a study from the nude of a woman in upright pose with her head thrown back and the auburn hair falling in a stream behind. Her left arm is held across her eyes and the right hangs down limply with the fingers curled towards the palm. Signed at the left, Alex. Cabanel. Dedicated—‘‘ 4 mon cher ami, Alfred Araya.” Height, 17 inches; width, ro inches. yi a A b AFL? LVS , nS Geena ge ay Wt eae ean GABRIEL MAX 24—-A Fair Maiden q Mi hav- j J ioe A fair-haired girl, with soft gray eyes that have brown pupils, stands facing to the right, inclining her head slightly towards her shoulder. Her hand is laid over her bosom, that is lightly covered with gray gauze, below which appears a glimpse of crimson cloak with a gold clasp. # hee es A eee Signed at the left, G. Max. Height, 18% inches; width, 15 inches. Gabriel Max gives to his soft and lovely girlish heads a remarkably tender sentiment and a kind of mystical spirituality. Pe a a I en ee ey eS FRANZ DEFREGGER - A young girl sitting by a hearth ie / in her editing to answer with a smile the laughing advances of her admirer. He has a pipe in his hand and sits near a square cupboard in the wall. c te _ Signed at he left, F. Defregger, 1888. | - Height, 15 inches; width, 11 inches. - From 1869 Defregger's art was almost entirely devoted to the Tyrolese people. To ee the smart ts and neat lasses of Pe in joy and sorrow, love sae nate at beauty, Baik: and soundness, was the life-long taste for which he more than any re other 1 man had been created—for he belonged to them himself.—MUTHER. ee ” \ \ vy, ™; tae ae = an Pye ee SS ae S J. EHRENTRAUT 26—A Halberdier Saluting iy ba fi : In a corridor, hung with a blue curtain and lined above the brown wainscot with old-gold leather, patterned in red, stands a halberdier with hand raised to the curled brim of his black hat. His uniform consists of crimson breeches and a mustard-colored jerkin with white ruff, a blue sash being fastened on the left shoulder and passing across his chest. Signed at the left, J. Ehrentraut. Height, 14 inches; width, 9% inches. ee ee _ LEON BONNAT Height, 13% inches; width, 8% inches. 3onnat, during his residence in Italy from 1858 to 1860, painted a y of subjects from the life of the Roman people. He has proved ae nself one of the most masculine painters of the century, possessed ‘a “of learning which never ie itself in unnecessary detail. aie teal a - oan ons LAA Mov Se, Sal aoa ae scan SIENA MLB MBIA RE ILE FIOM OE" CRSA RET CTSA AS Re ica a a RR NN rn nr a ee a om a SOT TPC a ratilnaihch "pein AAR eee ane eee oe ee © ae ie : ns : ae os Sot - ete ~ Fs r oe . -_ s Lie ‘ . - i 4 Ey pm lt A C. TAMBURINI 28—Monk Chanting The light streams down upon a Carthusian monk, in white habit and black cloak, as he stands before a heavy wooden lectern, on which rests a large book with clasps. With is left hand marking the rhythm, he chants the office. Signed at the upper right, C. Tamburini. Height, 12 inches; width, to inches. _ ERNST ZIMMERMANN eee tome, turning the leaves with his white, delicate fingers. oe the us ue a Ste ee bound in buff calf with red ES * gned at the upper left, E. Zimmermann, Miinchen, 1880. vy 4 amirlone Settle aa : Height, 15 inches; width, 12 inches. | - . £ Se SO eee ALPHONSE DE NEUVILLE Apr * 30—The Halt A chasseur in dark blue uniform and white gaiters, with knapsack on his back, leans upon his rifle. At a little distance behind him the company stands at ease, and the officer on a gray horse is talking to another who stands before him. | Signed at the right, A. de Neuville, 1884, and dedicated “ A mon fidéle chasseur Ardelain.” : Height, 19% inches; width, 15 inches. i De Neuville had looked on war as an officer during the siege of | Paris, and his pictures show an intimate sympathy with the soldier on i active service. ee | ; PIG Wnts | 4 \ ? z $= rae outer cnegutictane? SAMs eg - Oe ae ee eo i agile a «i tavill ‘ % teak Foie ye es: priest in black cassock and red skull-cap sits before a table o “covered with various objects, among which is a document with a red orig He is examining a pyx, which he poises delicately in his hands, ile beside him stands a brother of the order in white habit and black cap, who holds a shrine-like cabinet with blue enamelled sides and 7 TE NaS PNT ere i: - edges rimmed with brass. 1-4 . a ae 4 os | Signed at t the feft,-Th. tee Miinchen. Height, 21 inches; width, 15 inches. 4s HELEN LE ROY D’ETIOLLES 32—Head of “wm fe Man 4 feck. ef * A large, dark hat frames the face, which has ruddy, boldly modelled features with a reddish mustache and beard, the eyes being wrinkled and the cheeks drawn back in a pleasant smile. A white collar falls over the brown jacket. Signed at the right, H. Le Roy d’Etiolles. Height, 21 inches; width, 17 inches. ce. ADOLPHE ALEXANDRE LESREL oe Wad os ies a 7 ors? . ak w ak eside a ae carved oak chest. The latter wears a yellow tunic with ‘ purple sleeves and a sash of a lighter tone of the same color and holds y a | gray felt hat. A trumpet lies upon the floor and on fhe wall hang a : 4 n os gud breastplate. a aes Cae BAe th a "Height, 21% inches; width, 18 inches. == | (Vv EDOUARD DETAILLE 34—Officer Ordering an Advance hz f f in ¢ : . An officer on a bay horse holds his sword stretched A at arm’s length as he directs the advance of a company of troopers, who in a line behind him are breaking into a gallop. Between them is a brook \ with rushes and reeds, and the officer’s horse is just about to step on — to a road in the right of the picture. | Signed at the left, Edouard Detaille, 1886. i Height, 22 inches; width, 16 inches. i Detaille, who was Meissonier’s favorite pupil, is an accomplished | draughtsman with an extraordinary skill in rendering action of the | most varied kind. The campaign of 1870 gave him an experience of war, and he depicts the soldier upon the field with a sincerity of knowl- edge and dexterity of touch that render him the foremost military painter of the day. it 5 3 j se ££ i} /) & a z } % / ¥ , e > Fy i E : a: £ t 1 Ww bs Rs Hi hy gt & 4 te & at ai hk Aas f ; 4 Ww $3 & & 2 a By rs Fs fs F owe FM * fe S fi Ly Fw Skye <2 Ce se © @ | eit tM fi¥ a et e% & 73 4 sais. ” ' q ¢ 3 aw € a : i. ™ Why 2 i + 3 % : ; oar ee f h i} nh F > i, zs = : il a A PvE * warnh ¢ NA k # t a Ls & # % 5 DOUGLAS VOLK, N.A. The young girl’s head with yellow-brown hair and ripe flesh tones is in profile, while her bosom fronts us, veiled by a red gauze drapery. 35—The Model Signed at the right, Douglas Volk. Height, 20 inches; width, 16 inches. Douglas Volk’s studies of young girls, often in Puritan costume and placed among pine trees, are distinguished by a very delicate ten- derness of sentiment, sweet and pensive. A 1k 36—The New Scholar 7) : A The scene is an old-fashioned dame-school, and the teacher has come down from her desk in the corner of the room to welcome a little child who stands in front of her mother. Peeping round from behind the latter is a boy with his books over his shoulder held by a strap. The children scattered over the benches take advantage of the inter- ruption to their studies, and one boy is touching the strings of a guitar that hangs on the wall. | Signed at the right, F. Schlesinger. Height, 16 inches; length, 27 inches. AURELIO TIRATELLI The grassy drying-ground stretches back with a vista of fluttering lines of linen bordered by small trees, beneath which clothes are spread upon the ground and figures of women appear. Approaching in the foreground are two handsome girls, one supporting a basket on her hip, the other carrying hers on her head, and to the right of them walks a woman with a baby. 37— Washerwomen : Rome 4 Looe ea PN 3 a a FF Signed at the left, Tiratelli, Roma, 1880. Height, 15 inches; length, 29 inches. Tiratelli is one of the notable figures in the modern revival of Italian art, a painter of strong individuality. Vy : JAN H. B. KOEKKOEK 38—Coast and Marine Ie fh | aii Lemt oa A flat shore, scattered with pools and bowlders, runs back to a high, sloping rock in the distance, crowned with a building. Nearer to the i foreground a two-masted brig has been beached, and a cart with two horses is drawn alongside of it. Still nearer to the front some fisher- men are pushing a boat into the water and a man with nets stands beside a stooping figure. Out on the greenish-yellow sea appear two sailboats and a brig at anchor. A line of slaty coast stretches across the horizon and a large white cloud hangs amid smaller ones in the greenish-blue sky. { Signed at the right, Jan H. B. Koekkoek, 1889. Height, 16% inches; length, 25% inches. : a aes Fae ; f ‘MLLE. Mg -RAMSAY- LAMONT | Pitts the cid i is Penecen by a farm road, which curves towards ntre of the picture, disappearing amid a patch of yellow wheat. he e background i is a grove of trees, and more distantly a stack. aned at the ats L. Ramsay- Lamont. Height, 18 inches; length, 2114 inches. a. F JEHAN GEORGES VIBERT | ee a 40—Absent Minded / ( H 4 : af: a, Ae es | An ecclesiastic in red cassock sits fishing upon a little wooden plat- form that juts into the pond and is spread over with a rug. He is so : engrossed in landing a catch that he fails to notice that the net at the H other end of his rod has upset the creel of fish which he has caught : already. Beyond the water with its lilies and weeds is a wooded lawn, | on which stands a sculptured group representing a Greek warrior slay- : ing a prostrate foe. Signed at the right, J. G. Vibert. ii Height, 17% inches; length, 21 inches. Vibert’s popularity was early established upon his satirical subjects of monks and ecclesiastics. The satire never passes beyond the limits of good nature, and the execution is always skilful and vivacious. —_ ae > & od A = a 3 ¢ s # a aan & : a « re Fi MRAOUMe 10181) a ® Swe 4 Pas Lei % 3 1 W.s¥ ¥ PF e mn S a of ih lies an open eri case with strings of pearls hanging ee pf out of it. She is pressing to her lips a locket containing a miniature. . fe. - Behind her is a screen of tapestry, framed in gold. | oe . fs ss > 26 inches; width, 17% inches. B a - Gi is é "Be # Se es ed ee e, a. 1a le be ait be y ropa 3 a | Whee) tbs Joo /ittt. Bee, e : , is T° A Lo. Wer. /¢y és rex Jhe He alll * | | : | | a ee ee ee ee ee ee et ee ee Pie toe ee ee F sn ’ ANTON MAUVE 42—A Holland hee ib o if We: Along a Say, toad between almost bare trees, bordered on each side by bright grass meadow, a cart is approaching, drawn by two pale yellow oxen in charge of a man in blue; overhead is a gray sky full of breeze and moisture. | Signed at the right, A. Mauve. : Height, 23 inches; length, 27 inches. A master of tender harmonies, Mauve interprets nature in a minor ae key. He gathers poetic suggestion from the gray days; a poetry re- served and melancholy, yet fresh and pure with the vigor of breezy sky and moist, wholesome earth. ae A party of other is eyorned around the grated entrance of an arch d doorway, which is set back in a recess of the wall surrounded by i ee. ee pone of masonry. Three of SWE are sitting ed at the left, St. Chlebowski. Height, 26 ee width, 20 ) inches. Lb lira) fary i/) bo Lo kch 31/880 fat Lx JEAN LEON GEROME 44——A Morocco Beauty i The carved woodwork of an Oriental window frames the lady, whose ample charms above her rose-colored petticoat are revealed beneath a tight-fitting bodice of black gauze, with a small yellow jacket across her shoulders. Pie. 4) ‘ ‘ oe as ie -- — — Te ee ——— «= SR EET roacee — . ; i‘ an the foreground a torrent of greenish-white snow-water swirls 4 ; around the stones. It is dyed wine color in parts by the reflection of - the rosy warmth in the sky, which glows upon the crags and peaks of . $3 - the ‘surrounding ranges of mountains, some of which are lightly spread | with snow. at. Stoned at the left, W. Knoll /73.. Height, 30 inches; length, 43 inches. WILLIAM BRADFORD 60-—— AS Palar Expedition J h nw DA & WW Underneath a cliff of icebergs, that are silvery white and blue and yellowish green in the light parts and purple in the distant shadows, a three-masted vessel is fast in the ice. The latter extends to the front of the picture, heaped in places with broken ice-rock. Towards the right a group of men are busy around a pile of barrels and other sup- plies. Two boats lie near, and another boat with four figures appears farther back; while near the bow of the ship some men are handling a long rope. Signed at the right, Wm. Bradford, N. Y. Height, 30 inches; length, 48 inches. | Bradford was an admirable painter and his seven voyages to the Arctic regions resulted in a series of pictures that suggest with remark- able vividness the character of the Far North. a oi ke Cay eR nes ea ts mt os - vapor. ee ross the picture extends the sea, deep blue in color, with racing s-caps and, nearer in, a flounder of white foam and then a slide of Bilaw curdle pone the sand. The sky is a delicate pale blue with -* FS Pate at the right, Ruger Donoho. ae Height, 30 inches; length, 50 inches. TITO LESSI gf f 62—Interior of a Public Library at! Florence I The long room with a vaulted ceiling, decorated with carved and colored ornament, terminates in a high square-topped window. Along the left side are books in cases behind wire screens; a gallery supported upon consoles running the full length, communicating with the upper shelves. Tables covered with books are ranged along the marble pavement. At the nearest table sit two gentlemen, one in dull orange coat with his chin resting on his hand as he reads, while the other, in | a crimson coat ornamented with gold embroidery, leans back in his chair with a book. At the next table a man in black, with white bands at the neck, stoops over two others who are examining a volume. Signed at the left, Tito Lessi, Paris, 1889. Height, 35 inches; length, 37 inches. ie Lessi’s knowledge of drawing, learned from Ciceri, his skill in | architectural perspective, and his brilliant treatment of textures are admirably illustrated in this picture. It has, too, a fine sobriety of i rich color; and the quiet atmosphere which envelopes the figures has i been felt and rendered in so truly artistic a manner, that the canvas is not only an exceptionally good example of this painter but a very fine picture. & & Pt zt at Pe F I t j Te as a piercing directness. A short cape falls over the cassock. Signed at the top on the right, F. Lenbach. Height, 33 inches; width, 25 inches. \ s _ The greatness of Lenbach as a portrait-painter consists, primarily, in his power of comprehending the psychological qualities of his sub- . ject and in the fearless veracity with which he records his observations. He never defers to Academic tradition or to popular fancy, he paints men and women as it seems to him they are. we 64—The Awakening of 3h s ( Nedeece ae N. V. DIAZ DE LA PENA | 1 Two little loves are whispering into the ears of a young girl who sits upon a bank beneath a dark bough, the creamy softness of her nude . form showing against a rose-colored drapery and deep blue sky: Her feet are crossed and her left elbow is supported on her knee, the head resting upon the hand, while the right arm droops down to the seat. Signed at the left, N. Diaz 63. Height, 39% inches; length, 32 inches. During the days of his early struggles Diaz painted figure subjects, founding his style on a blending of Prudhon and Correggio; borrowing from the former the short noses and almond eyes of his faces and from the latter the softening of outlines with sensuous light and atmosphere. In later life he recurred to these figure subjects as mediums for the expression of light and color, and introduced figures as brilliant spots into his landscapes. The picture in this collection was probably one of those highly finished studies which he kept by him as models for the occasional figures. In a narrow, tortuous street in some Spanish city a girl leans down ler arm through the iron bars of an upper window, while her lover, ‘ standing on me shoulders of a man who has planted himself back to the be wall, reaches up to kiss her hand. On the street lie two guitars, a hat, and a blunderbuss. - Signed at the right, J. Worms. Height, 3114 inches; width, 21 inches. eee fy J. V. CARSTENS hy vii) A eer in brown habit, with the hood drawn 66—A Sporting Monk head, carry- ing a cross-bow has overtaken the quarry which ie has shot. He is looking down at a wood grouse, that is lying in the long grass at the foot of a beech tree. In the distance upon a hill appears the roof of a monastery. Signed at the left, J. V. Carstens, Miinchen. Height, 31% inches; width, 23% inches. Al aa arms ae the body af a child, that has thrown itself upon her breast, » —* do n at a little girl ee is trying to disengage tee other 2 eee 36 inches; width, 27 inches. a a cereaee a ee " s ‘ i ia 68—Arabs Crossing a Stream f 4 ADOLF SCHREYER > h A party of five mounted Arabs have reached a stream, and the white horse of the foremost, who is conspicuous in red jacket and fez, has just stepped into the water. A horseman on the left, who has his back towards the front of the picture, wears a white burnoose over a yellow jacket and rides a gray steed with blue and gold saddle cloths and red trappings suspended from the pommel. Rocky ground rises behind the group and on the right is the distant view of a city. Signed at the left, Ad. Schreyer. Height, 35 inches; length, 46% inches. Schreyer invested his Oriental subjects with a charming elegance of feeling. In them his knowledge of the horse is directed to rendering the graceful action and springing movement of the Arab steed, and he makes these animated groups contribute to a bouquet of color, enveloped in a tender bloom of atmosphere. On a rocky slope in the foreground a stag stands outlined against ay ; oe - “the sheet of water which is lighted by the misty orb of the sun, that : oe - hangs low in the sky surrounded by a rosy aurora, yellow on its outer _ ring. In the distance rise pink and dove-gray peaks, with ragged i, y = clouds like spray around their bases. _ ‘Signed at t the right, Magnus V. "Bagge, 1874. Height, 33% inches; length, 50 inches. J. P. DAVIS The gentleman is seen as far as the knees, sitting nearly in profile in a crimson-backed chair, behind which is a drab background with an arch on the left, showing a tree and houses under a sunset sky. He wears an olive brown coat with roll-over collar, a white stock, and a cream-colored waistcoat, unbuttoned at the top, and holds in his hand — the Declaration of Independence. Signed at the left, J. P. Davis pinxit. Height, 45 inches; width, 34% inches. Pg ee gh tk i Se na ; SESE NESS By APIA! Lon o Pee nf a ath a a “ TARTS i AE eas i = | & ; Ne ae Oe ee ee ee ee A: = WILLIAM H. BEARD, N.A. - shoe, while his toes project from a hole in his sock. Beside the corner (. 1 Sa Sa : xe) the rickety shanty stands a bow-kneed horse—a bag of loose skin and sharp bones, tte vee. [ _—s Signed at the left, W. H. Beard /75. Bah eae = Height, 36 inches; length, 48 inches. ee William H. Beard has been characterized as a survival of the age of Dutch painting when satire and art went hand in hand, for his sly _ humor was accompanied by very skilful craftsmanship. HUGO KAUFFMANN 72—A Village Auction 4 7 he : ie. 4 é = = of ‘ a The auctioneer stands in the shadow of a roofed recess before a long : table, at the end of which sits the widow, holding a white jug on her lap, while villagers are grouped around. To her right is the auction- eer’s clerk, and at her feet baskets of crockery and other objects, includ- ing a doll. Disposed about the yard stand pieces of furniture, which people are examining, and in the shadow of a sideboard an old man sits poring over the books which lie in and around a basket. Signed at the right, Hugo Kauffmann. Height, 38 inches; length, 51% inches, HENDRIK SIEMIRADZKI 73—The Sword Dance f- Pf up f of On a semicircular exedra of white marble, beneath the shade of a vine-trellised pergola, lounge a number of Grzeco-Roman gentlemen of the Empire watching the movements of a nude dancer, who poses upon a long strip of carpet bristling with sword blades set point up- wards. ‘The girls are accompanying her dance upon instruments and her blue drapery lies upon a bench under an olive tree on the left. The scene is taking place on a terrace overlooking the blue sea, which is bounded in the distance by a curving coast of warm, pink rocks. Signed at the left, H. Siemiradzki, Roma, 1887. Height, 31 inches; length, 61 inches. Siemiradzki was one of the most talented of the Russian painters who, fired by the success of Bulwer Lytton’s “ The Fall of Pompeii,” threw themselves into representations of Greek and Roman antiquity. JOHAN H. L. DE HAAS 74——Cows and Landscape a }} (iin ra The pasture, sprinkled with oe stretches beneath a cool, clear sky with gray tufts of cloud floating in the pale biue. In the fore- : ground a white and dun cow is feeding on the scanty herbage, and be- hind her, partly hidden, stands a black one with white markings. Farther back on the left are a few trees and longer grass, on the edge 5| of which another black cow extends towards us its white face. On the right of the foreground are a little pool and posts and rails, beyond which the meadow extends to a distant herd of cattle and some trees. ~ eal Oa Signed at the right, J. H. L. de Haas. Height, 45 inches; length, 59 inches, De Haas is one of the realists of modern Dutch painting whose ce pictures, as Muther says, are “characterized by a dignity resulting from good traditions, a quiet mood of contemplation, occasionally verging on narrowness, a dark, warm, and almost sombre tone, singular taste and purity, and a certain repose and kindliness of feeling.” ae Bisie the edge of the river are ranged a number of girls, engaged Be ishing linen, while at the end of the line a girl is settling a basket upon the back of an old woman. In midstream is the ferryboat, in which a man stands with a punt pole, and near the landing stage on use _ the opposite side are trees, which continue along the bank of the river to a town in the distance. . "Signed at the left, D. R. Knight, 1875. - a Height, 34% inches; length, 50 inches. ANDREAS ACHENBACH | 76—Landscape and River ¢ The background of pine trees shows dark against a lurid yray sky, which clears towards the right, its white light being reflected on the ripples of the river that runs swiftly round the bend in its channel. A log is floating in the water and other fallen tree-stems strew the fore- ground, to the right of which is a corduroy road, on which the figure of a man appears. Signed at the left, A. Achenbach. Height, 39 inches; length, 57 inches. Achenbach was one of the first of the German landscape painters to feel the influence of realism. ‘‘ He appears,” as Muther says, “as a maitre-peintre, a man of cool, exact talent with a clear and sober vision.” While his landscapes are lacking in inspiration, they possess technical qualities of a high order; he renders with remarkable fidelity | the outward forms of nature, though he may sometimes miss its spirit. HERMAN CORRODI 77—New Bridge in Constantinople # a ; A The bridge extends straight back from the front of the picture, ; with balustrade on each side and raised stone sidewalks above the flagged roadway. The scene is animated with figures; a donkey with a bundle on its back between the panniers is approaching, and on the right a woman holds her child upon the top of the balustrade, watch- ing the boats that are clustered or dotted over the water. At the end of the bridge are low houses with tiled roof and beyond them rises up the city’s pyramid of buildings, interspersed with domes and minarets. Signed at the left, H. Corrodi, Roma. Height, 33% inches; length, 65 inches. : y A : = % 2 SS i wae CHARLES LOUIS MULLER 78—Scene at the Conciergerie Prison during the Roll-call of the Last Victims of the Reign of Terror, gth Thermidor, 1793 In the dull-lighted prison-hall a number of prisoners are grouped, | sitting or standing in attitudes of terror or of resignation around the grated entrance, where an officer in the uniform of the Directory reads off the roll of names of the day’s victims. In the street outside a lady | in white looks back at her late companions as she is being hurried off | by the guards. Prominent among the figures in the hall is a man, — apparently an official, who holds a pencil and paper on his knee as he sits with his head on his hand, as if dazed with the horror of the scene. In contrast with his emotion is the callous indifference of a brutal-looking keeper who sits by the gate. Signed at the left, Cs. Ls. Miiller. ; Height, 50% inches; length, 93% inches. From the sale of the John,Taylor Johnston Collection, New York, From Fernand/Robertj Paris, 1897. The picture includes portraits of the following: André-Marie Chénier, the poet; Mademoiselle de Coigny; Dr. St. Simon, Bishop of Agde; the Princess of Manoco; Countess of Narbonne Pelét; Marquis of Roquelaure; J. A. Roucher, the writer; Madame Sabine de Viriville; Rougeot de Montcrif; Marquis of Montalembert; Prin- cess of Chinay; the Recorder of the Revolutionary Tribunal; Made- moiselle Leroy, actress of the Comédie Francaise; Marchioness of Colbert de Maulévriers; M. Amanne, his wife and daughter; and A. Leguay, captain of the 22d Regiment of Chasseurs-a-cheval. aa Relating to Charles Miiller’s famous painting, ‘‘Scene at the Conciergerie Prison during the Roll-call of the Last Victims of the Reign of Terror, 9th Thermidor, 1793,” André-Marie Chénier, the poet, is represented as sitting in the centre of the Con- ciergerie Prison among a number of other condemned, and as composing the following poem : , «Comme un dernier rayon, comme un dernier zéphire Anime la fin d’un beau jour, Au pied de l’échafaud j’essaie encore ma lyre. Peut-¢tre, est-ce bientét mon tour, . Peut-¢tre, avant que l’heure, en cercle promenée, Ait posé sur l’émail brillant, Dans les soixante pas ou sa route est bornée, Son pied sonore et vigilant, Le sommeil du tombeau pressera mes paupiéres; Avant que de ces deux moitiés Ce vers, que je commence, ait atteint la derniére, Peut-étre en ces murs effrayés Le messager de mort, noir recruteur des ombres, Escorté d’infames soldats, Remplira de mon nom ces longs corridors sombres Chénier was about completing the above poem when the voice of the executioner echoed the name of oe A y + i L Lue te Me, tert” es, nts estnttLIDA LALA ADDIE ALLA AAP AAA NAEL EA ALBERT BAUR SS e Thirty Years’ War Three soldiers of the army of the Emperor, engaged in looting, have come upon something behind a curtain which arouses their in- terest and merriment. One of them has chickens trailing from his hand, another a bunch of onions on his halberd, while upon the floor lie apples, wood, and a blue and gray jug. Signed at the top on the left, Alb. Bauer, We /74. Height, 6514 inches; width, 38 inches. EMILE RENOUF 80— Last Repair, My Poor Friend!” : An old fisherman, kneeling upon the beach beside a boat, pauses in the work of mending it to look straight before him. He has his arms upon the gunwale, with one hand holding a hammer and in the other a patch of wood, from which a long nail projects. Behind the boat the gray-blue sea is curling over the flat shore in long, low turn- overs of white foam. | Signed at the right, E. Renouf /79. Height, 56 inches; length, 81 inches. From the Mary Jane Morgan Collection. 7% ¢€,% & » HANS MAKART 81—‘* A Midsummer Night’s Dream ” = ty ee 7 Eras . Amidst the luxuriant foliage of a garden, in which cypress trees and rock pines cast their dark silhouettes against a greenish-blue sky twinkling with stars, on a couch improvised upon a stone ledge from under which flows water into a basin surrounded by ferns and garlands of luscious fruit, two lovers are reposing, while two loves hover above them. The youth sits up, and the girl, as she lies, leans towards him. Near a balustrade on the right is a group of figures, one with a lan- tern peering down to the ground below the terrace, while a woman, crouching beside a man, looks over the edge of the masonry. Close to her is a chattering monkey. Signed at the right, Hans Makart, 1868. Height, 74 inches; length, 112 inches, Not a great draughtsman, but a brilliant colorist, Hans Makart was, as Muther says, an inspired painter, whose merit it was to have an- nounced to the Germans afresh in an overwhelming style that revela- tion of color which had been forgotten since the Venetians and Rubens. eecaheet pee RENAN SY NIE ASSEN REY A NN ea gy ee EYAL OPE NS pe chee ries ae PE apes yor bf Bu 260, FO. Fee ad SECOND AND LAST EVENING’S SALE WEDNESDAY, APRIL SECOND AT MENDELSSOHN HALL FORTIETH STREET, EAST OF BROADWAY BEGINNING PROMPTLY AT 8.30 O’CLOCK EUGENE JOSEPH VERBOECKHOVEN 325 82—Goat and Calf A white goat with black head and neck is shown in profile with its head craned forward. Behind it and a little to the right lies a dun calf. Signed at the left, Eugéne Verboeckhoven, 1839. Height, 4% inches; length, 5% inches, 8 ) : : oe eae @ a ae t i Pap Bo pee = H i " a e} fete | nae if | rs § L } = & a vi i hn. UV oe 5 &. 5 w4 t a f : : a rR Din esa | 3.4" LY Saeed ene Fi: a to my ¥, easel % ee Ae +“ en ees yew r oon " 4 gs ew it 2 es soil, 7 ae —— Sa i ong the buff Bad brown straw a white hen stands a little in f ont of a dark black rooster with bold neck feathers. aiened at the right, Ch, Jacque. Height, 3 inches; length, 414 inches. | : Pos | - For Medic poultry had a special fascination. When he was poor as i Lie he had lived with them in his lodgings, and when he became rich their ; quarters are said to have covered more space than his own house. He _ wrote a book about them and introduced them into pictures, with an a a re f “equal regard for realism and for beauty of pictorial effect. 3 = ae =f a oe 2 84—Head of an Old Woman CARL KRONBERGER An old lady sits with her head a little to the left looking up at us as, with her hands crossed upon her lap, she holds a little book. She wears a plum-colored silk dress edged with light brown fur, and a silk ker- chief under it fastened at the throat with a brooch, while her cap is of black lace and net over a wire framework. Signed at the upper left, C. Kronberger. Height, 7 inches ; width, 5 inches. An Italian peasant-girl is trimming the vine which straggles over | a sunny white wall, against which are also set some rabbit hutches. bee 2 pre o* pets fyi oe % H- L& ELBE The avenue leads back from the front of the picture, flecked with sunshine and shadow, while the light plays softly also on the birch 4 , stems. Some of the trees on the right lean over the path, and beyond . Il tiagt= * h118 the border of grass on the left runs a wall, on the inside of which is ner“ another row of trees. Down the pathway comes a woman with a little child. aa eS 4 : oe GS ¥ y Signed at the left, Corot. ; Height, 24 inches ; width, 18 inches. Corot is the “sweet singer” of the Barbizon group, reproducing the sweetness of his own disposition in his choice of gentle subjects and in the tender melodiousness with which he renders them. The sunshine and shadow, the foliage softly massed against the tremulous sky, vibrate with songful rhythm. His ear catches the spiritual har- mony of the scene and he translates it into color with the te of unconscious poetry. (ww prumt “A Hea hw tA | 7 bot | d by an older child to an old man in dark green jacket and fur cap, , pipe in hand, leans forward in his chair. Behind him stands a nan and on the floor sits a fair-haired child with a doll by her side. urther back is a mastiff, and through an open door at the back of the m an old woman watches the scene. _ igned at the right, A. Sperl, Miinchen. ae : ae Height, 17 inches ; length, 214 inches. JULES DUPRE 112—Village near the Sea In the evening glow fishing boats are lying high and dry in a little creek at low tide, that winds towards the foreground between banks i on which are cottages. The one on the left has a brown-gabled roof and central chimney, and a red garment is hanging on the net rack beside it.. A wall runs up the right slope to a white cottage with lean-to ovens. Beyond the creek appears a glimpse of purple-gray sea, and the sky is gray with a few light clusters of cloud high up. Signed at the right, Jules Dupré /72. Height, I9 inches ; length, 25 inches. Sometimes Dupré painted nature in her stress, sometimes in the moment of suspense before the storm; or again, as here, in the after- throb, when the storm or toil is over. Directly or by implication he makes one realize the throe. ti ae oe the food. The peers a white one, is looking up into the sd Ss dog’ Ss face. raya some cushions behind, a tabb lies with its head be- 7 yi - tween its paws. a s ae at the left, M. Stocks. 2 Es, ae. Height, 18 inches ; length, 26 inches. a 2 ee i) tl cn el 7 a Se Ng a a a ee A THEODORE ROUSSEAU 114——Le Puy This curiously rolling country, of volcanic origin, bounded by the mountains of Auvergne, is a portion of the department of Haute-Loire; the little town of Le Puy being seventy miles southwest of Lyons. Three masses of red and slate-colored basaltic tufa rise abruptly near the little winding stream of the Borne. The houses of Le Puy are built in tiers up the slopes of Mont Anis, the large formation in the middle distance, which is surmounted by the rocky plateau of Rocher Corneille. To the left of a little bridge that crosses the river on arches is the high, conical crest of Rocher St. Michel, and in the left of the foreground a third mass, around the base of which nestle white houses with red roofs. In the Church of St. Laurent in Le Puy rest the remains of Du Guesclin. 3 Signed at the right, Th. R. Height, 1614 inches ; length, 25 inches, M. Le Comte Armand Doria Collection, Paris, 1899. Vente Beurnonville, Paris, 1880. WILL WEX 11 5—Sunset Two men are approaching a straw-thatched shed, having left their boat beside the bank of coarse grass. The water on the right stretches in smooth strips across the picture, alternating with land and burnished yellow in the evening glow. The low-lying land fringed with trees is purple in the distance beneath a primrose horizon that mounts to gray and faint blue. Signed at the right, Will Wex. Height, 1514 inches; length, 311% inches. ory % ioe Se ; ‘ Par ahs mina ¥; me JEAN GUIDO SIGRISTE 116—Napoleon and his Generals Consulting On a patch of grass in the angle of two pathways Napoleon is ; seated at a little wooden table, measuring with a pair of compasses the : distance on a map in front of him. Sitting on the other side of the table an old general watches intently, while around them are grouped a number of officers. One ina blue uniform leans with both hands on the end of the table; two in black and white, at Napoleon’s back, are : studying a despatch, and immediately on the right a cavalry officer in 4 scarlet and gold leans back in a chair. The chief’s tent is on the right ; of the picture, with a soldier on sentry duty at the door, and on the left is another sentinel, who holds his fusil to his shoulder while grasp- ing the hilt of his sabre with the left hand. On the reverse of the can- vas are several finished studies of grenadiers. Signed at the right, Guido Sigriste, 1897. Height, 21 inches ; length, 28% inches. Since Sigriste exhibited at the Salon in 1890 he has gained con- - siderable popularity for his military subjects. pa ite? Re, UNKNOWN, oe Pimer’s “‘Childe Harold’s Pil- oe c the sloping bank on the right. Height, 19 inches ; length, 33 inches. MATTEO VITTORIO CORCOS 118—The Proposal The same lady as in the companion picture, holding a black hat suspended in her hands, leans lightly against the balustrade with her back to the sea. She is looking down with a smile at a gentleman in a boating jersey of blue and white stripes, who, probably standing in his boat, rests his arm on the balustrade as he gazes up into the lady’s face. The packet-boat is disappearing in the distance. Signed at the right, V. Corcos /83. Height, 36 inches; width, 23 inches. Ae 5 el ies $ eica ded Me is - ete A ol . 4 fr 325° EO VITTORIO CORCOS vatching the distant packet-boat. Another lady, dressed in a blue yn with transparent lace sleeves and purple embroidery on the ce, holds her companion’s hand, looking up into her face as if in Height, 36 inches; width, 23 inches. an distin =~ Ce ee . fae, = a ce f= =e ae so .-¢ 9 % wv ; HERMAN CORRODI 120—View on the Nile The river, tranquil in the sunset glow, winds back from the front of the picture, the vista terminating in two pyramids, which show softly against a blood-red horizon. The sky above it trembles with saffron | tints, melting towards the zenith into violet. Upon the bank in the foreground four Arabs are kneeling on their praying rugs, while two others stand; all turned towards the sunset. A little way back on the right their sailboat is moored opposite to a small square building, whose i | domed roof is surmounted by a crescent. Two palm trees rise above it, and beside the enclosure of the building a white awning has been erected, under which figures are grouped. Signed at the left, H. Corrodi, Kairo, 1879. Height, 39% inches; length, 25 inches. In his landscape and genre subjects Herman Corrodi exhibits a charming sense of color and the ability to express very genuine feeling. y i 0. : My ag ntl, RAAALEA F. AERNI 121—A Mountain Pass A mountain path skirting a steep incline winds up towards the right, past a wayside cross to a high bluff of rock, whose dove-gray and brownish-yellow mass fills almost the whole of the upper part of the picture. At the foot of this rock in the distance is a little, pale yellow building with red roof, towards which, in the foreground, a brown- habited monk seems to be journeying, walking beside a donkey that bears white bags with a blue umbrella laid across them. Signed at the right, F. Aerni, Rom /97. Height, 45 inches ; width, 28 inches. JULES BRETON 122—Harvesting the Poppies L aqwxx%* Women in a line are reaping the purple poppy pods, a girl in the foreground is binding stems together, another stooping to gather up | some sheaves, and farther back a girl and a man are setting up a stook. i A windmill and stack appear against the pale rosy horizon, above which a nearly full moon floats in the gray sky. Signed at the left, Jules Breton, 1896. Sal.a~ i x bs Height, 35 inches ; length, §3 inches. Jules Breton is the graceful sentimentalist of peasant life, fond especially of sunsets and of depicting young girls in the labor of the i fields—girls that Millet said were too beautiful to remain in the coun- try. AMERICAN ART ASSOCIATION, ie, MANAGERS Tuomas E. Kirsy, Auctioneer “ wet itr © ee ¥ =) 2 a Be wee a | ens a.“ . THEIR WORKS CATALOGUE BJE opuEet NUMBER 76 A Mountain Pass Italian Village maNide Girl 3 saa 2 oe laa ae mee The Engadine Zan Norwegian Lake Drawing Water Marmiton avec Son Chien ee . Marauders in the Thirty Years’ War 79 i § , 4 £ i f ¥ 4, oy TE Pa x re oi : ‘ ae en ee | - suyecr BEARD, W. H. 7 eee aS _ Worn Outes Soa e BENLLIURE, J. "3 sf aie : ; A Cardinal _ BERNE-BELLECOUR, E. P. oo | Sentinels | | The Trooper's Story | 3 cee a4 rc BESNARD (After) . Nude BONHEUR, ROSA a Don Quixote Escorted Home A Normandy Horse Ram’s Head BONNAT, LEON Italian Girl BOUGUEREAU, W. A. | Asleep BRADFORD, W. A Polar Expedition Waiting ¥ * ‘ CATALOGUE Tieton sa NUMBER Harvesting the Poppies 122 Study of Female Figure aK Sporting Monk . as Pe An Uncanonical Courtship ‘DERSTROM, BARON T. VON | | Examining the Treasures : ‘ , >: ‘CHLEBOWSKI, ST. La Marmite: Zebeks & Andrinople COLEMAN, C. C. a Landscape The Sheep Fold The Proposal “Do Tell Me!” CATALOGUE NUMBER © & COROE RE AC: eS: ee Castle and Forest, Lombardy = , ARTIST = SUBJECT 2 | Avenue of Trees CORRODI, H. New Bridge in Constantinople * View on the Nile Evening on the Lagoons CORRODI, S. _ Avenue in Tivoli avon : 17 Bay of Naples AOR : ei E Landscape with Cows and Ruins rete DAUBIGNYC.-i ~ Summer | 104 DAVIS, J. P. Portrait of Lafayette 7O DECAMPS, A. A Mountain Gorge =0 DEFREGGER, F. A Tyrolese Wooing 25 CATALOGUE SV MERE, | Sunset on the Coast 55 _ DETAILLE, £. eae ee eee Officer Ordering an Advance | 34 The Awakening of Love | 64 Fontainebleau Forest _ 106 a Lucrezia Borgia 128 a DONOHO,G.R. or : On the Coast of Egypt _ ee 61 a 2 , _ La Marcellerie 145 ae : ss DOU, GERARD ‘ ool Old Woman Chopping Onions by Candlelight 130 ‘DUPRE JULES ; Sunset 57 ; Village near the Sea 112 DUPRE, VICTOR Landscape and Cottages 18 ARTIST . DYE, CLARKSON ae Street Scene: Winter — EHRENTRAUT, J. : A Halberdier Saluting ETIOLLES, HELEN LE ROY D’ Head of an Old Man FAVRETTO, G. Trimming the Vines | GEROME, J. L. E. A Morocco Beauty GUARDI, F. View of the Square of St. Mark’s, Venice HAAS, JH LeeDeE = Cows and Landscape HENNER, J. J. Head of a Girl JACQUE, CHARLES era rns subject Dutch Gentleman _ A Meeting on the Tivoli Road , HUGO what Village Auction “4 _ ie A Gypsy Mother ‘ a KNIGHT, D. ey : Washerwomen at Poissy _ KNOLL, w. River and Mountains KNUPFER, B. A Sea Nymph KOEKKOEK, J. H. B. Coast and Marine CATALOGUE NUMBER 129 Tok 7 ARTIST . since poe Oe : ve bitse CoE ey KRONBERGER, C. ake Srerate: 4 ‘ Head of an Old Woman : LAUPHEIMER, I. | - A Flirtation LAWRENCE, SIR T. ; Portrait of the Rev. Burroughs Thomas Norgate, M.A., at the age of twenty-three LAZERGES, PAUL The Gleaners 2 45 LENBACH, F. . * en Pope Leo XIII. ee LEPINE, S. pare ed L’ Estacada OS ae PES hE eA. Returning Huntsman aS The Halberdier 103 | PESSISaLO Interior of a Public Library at Florence 62 LOWITH, W. The Connoisseurs 96 CATALOGUE oe NUMBER A Set of Cartoons 144 A Love Song An Italian Peasant Girl Italian Shepherd Boy A Series of Cartoons A Holland Landscape A Fair Maiden A Girl’s Head MEISSONIER, J. L. E. Papa Pierre The Philosopher ARTIST _ SUBJECT oe MEYER VON BREMEN , ies yu Field Flowers ~ MILLET Slot 5 Fae at The ‘Washerwoman MULLER, C. L. Se Scene at the Conciergerie Prison during the Roll-call of the Last 5 | Victims of the Reign of Terror, 9th Thermidor, 1793 78 MUNGER, G. | | Landscape : Near Franchard WORE UO oD os Mary Magdalen at Prayer NEUVILLE, A. DE The Halt | WeSC , PETTENKOFEN, A. VON A Market in Hungary BF Les Amoureux S35 RAMSAY-LAMONT, L. ; Woman Harvesting eat hg 39 SrEiRes ; CATALOGUE cei _ NUMBER Dm ‘The tees Writer ws SEAF re Aes Venice A Good Story Grandmother’s Darling Sunset after Rain Le Puy Portrait of a Gentleman The Holy Family -SCHLESINGER, The New Scholar — a ee _—=—yoer.” oer: cma Lome ee es us - hi SUBECT. 1) = ARTIST SCHODL, M. Still Life SCHREVER. A: Bee Arabs Crossing a Stream — AeA og te SIEMIRADZKI, H. ee -: The Sword Dance SIGNORINI, G. The Convivial Cardinals SIGRISTEGieG: Napoleon and his Generals Consulting SPERLE, A: The New Suit S LOGS il; _ Se Kittens and Pug Gere TAMBURINI, C. | Monk Chanting 23a TIRATELCULSA: t Washerwomen : Rome Fighting Bulls . oe evi apart — os va —— * Z - i nell Hert oe en ee la YT, 7 ar 7 “ sal = ; ae ; i * q . as sit Zz . A = = Ps ~~, rn ie me Portrait of Antonio Grimani, Doge of Venice a + ! MOUCHE, A. ee St ou L ‘ aac” in a > The Miniature a My. zp te “TROYON, ¢ o> e:| Cow and Dog ‘Landscape and Cattle Port of Ravenna Landscape with Cows ae 3 ___-VERBOECKHOVEN, E. J. aie At ee Paes % ed a Goat and Calf _ VIBERT, J. G Absent Minded After the Masquerade VOLK, DOUGLAS The Model WEX, WILL Sunset CATALOGUE NUMBER 138 noes . rite ae 7 5 ayer a < ; WOODWARD, L. | . : Arch Creek, Florida Ocklawaha Landing, Florida = = WORMS, JULES Penh A Stolen Kiss 5 ZIMMERMANN, E. ~The Alchemist UNKNOWN Marine A Copy after Fra Angelico A Copy after Fra Angelico Copy after Turner’s ‘‘ Childe Harold’s Pilgrimage’ The Church Beggar . Christ and St. Thomas oe RE OR ee ‘ De oF at 3 sieapajelalee'> aiaiel> aieie telatpeeherel > feletalotel siete Peratelietatapete! siti gist gral. sis! sleretele +iolets falere oe ee a fine e ea > tober. 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