AE SEN Lt OO gorges io) bs es.) AHL TON L ORGE . a seis oe ee VIENNE, PORTE DE L’AMBULANCE. PORTALS-DGORWAYS AND WINDOWS ye FRANCE GEORGE LEIGHTON DAHL WITH PREFACE BY PROFESSOR GEORGE H: EDGELL ws ay lyign 7d THE ARCHITECTURAL BOOK PUBLISHING COMPANY PAUL WENZEL 6 MAURICE KRAKOW- 3LE12"ST- NEW YORK. > » afl . ° a. Fe » 3 rh } + . a 3 a? th } i - — Dil Tere on . 4 ‘ bi ae “et te eee ck Fe CS en ee oe Te" - Tie foes J oe P > be — a ; 1 are "a eh : ; qt PY Wrasthy man. -1 | | A ss ad ss ot ory A’ pie by = : 7% ; =. % .e ‘ 4 ea < “ES ce er im one, ® the ais / be ” 2 - ot A > i a : + - = e . y % Per a fart Pah. core ee Seam > : : , Ni - a . : * " ave : a } te @ es fy 7 Le e+ ad “ COPYRIGHT 1925 Ps, ha DP ABY 2 = 7 THE ARCHITECTURAL BOOK PUBLISHING COMPANY, INC. . a, 7 * nm ¥ a wo y , 7 ith, or age Sine ; . , _ Printed in the ROSVEYSDEEOVIID WILE EEL CEE fiber Ak COMPANION OF MY STUDIES AND TRAVELS ANDSLOMY DEAREST MOTHER THIS VOLUME tS DEDICATED. HE profession of teaching involves many sacrifices, but offers as many re- wards. Perhaps the greatest of the latter is the opportunity to observe the progress and development of pupils after they have left school or univer- sity and have entered the profession for which the teachers have striven to fit them. A passage in the manuscripts of Leonardo da Vinci states that “it is a very poor pupil who does not surpass his master.” Perhaps this is optimistic, yet in the teaching profession it is a common experience to see a pupil absorb all that he can from his teachers and then go far beyond them when he meets reality in the great world and applies their precept to new problems. In no field of learning or creative instruction is it more fascinating to watch the progress of pupils than in the Fine Arts and especially Architecture. The proc- ess is long. No student becomes an architect because he has been dubbed with the degree of Master in Architecture. This accolade merely invites him to go out and _ prove himself. He must continue to study, he must serve others in an office, he must travel and observe the masterpieces of others, past and present, before he can consider himself truly a member of the profession he has chosen. To this end, scholarships are offered and brilliant pupils are encouraged to travel as widely as possible before settling into the harness of office routine. It then becomes the priv- ilege of the teacher to follow the voyages of the pupil, to guide him to great monu- ments, famous or obscure, to observe him collect material which will be useful to him throughout his career, to rejoice with him in the stimulation of his artistic imagination, and to thrill anew at the enthusiasms of an artist seeing the great works of fellow craftsmen for the first time. The ambition of every graduate of a school of architecture is to get to Europe as soon as may be. Many travel widely before graduation, but all feel properly that, however careful their training at home may have been, it is incomplete until supplemented by personal study of the solutions of their problems by the great masters of the past. A sensitive student finds material in any country which he may visit, but the three great sources for modern inspiration are Italy, France, and England. Of the three, we are probably most familiar with the Italian field. Italy, as the home of classical culture, is regarded by all countries as the prime source of inspiration. In America, too, we have especial sympathy and ac- quaintance with English work, thanks to our colonial tradition and our racial and lingual affiliations. Of the three, France, therefore, despite the enormous artistic debt which we owe her, probably will best repay the seeker of unpublished archi- tectural material. To be sure, American students of architecture have flocked to France for a generation. Many of the most brilliant are graduates of the Beaux 1X Arts. The most famous monuments are carefully studied and adequately pub- lished, but there remains a wealth of material awaiting the eye and the pencil of the student. To appreciate this, we must remind ourselves of the architectural inheritance of France. For the modern student, the word evokes the Beaux Arts, the French Academy, and the classical tradition which goes back to Le Brun and earlier. Too often we forget the artistic control exercised by Paris throughout the middle ages, and the Gothic style, developed in France, which gave to European architecture its impress for three centuries. Even when this style was first tempered, then de- stroyed, by the classical revival of the sixteenth century, its influence lingered in the refinement and in the imagination which French genius showed. The inher- ent taste which produced the best French Gothic is reborn in the successive clas- sic waves of the styles of the Valois, of Henri IV, of Louis XIV, and of Louis XV. Fach wave left monuments, some few magnificent and widely known, hosts of oth- ers humble, obscure, but none the less stamped with French genius and inexhaust- ible in material and inspiration for the modern architect. It is from this humbler material, or from less known details of the greater monuments, that Mr. Dahl has drawn the illustrations which make up this book. Few students could bring a better equipment to the task. A graduate in archi- tecture of the University of Minnesota, Mr. Dahl entered the Graduate School of Architecture at Harvard and received the Master’s degree in 1922. A brilliant student in all fields, he distinguished himself especially in draughtsmanship and design. The year of his graduation, he was awarded, by the Faculty of Architec- ture at Harvard, the Nelson Robinson, Jr., Travelling Fellowship, open to the most promising graduates of the School, under the age of thirty. This assured him eighteen months of travel, and he left immediately for Europe. The present book is one of the results of his journey. It lays no claim to com- pleteness, nor even to coherence, in the selection of the monuments. It pretends to be no more than a compilation of interesting and instructive material by a sen- sitive and eager artist, working swiftly, but carefully, to make the most of the opportunities offered by an artistic pilgrimage. No illustrated material can ever take the place of original observation, but architects will none the less welcome this permanent and scientific record of one phase of a student's activity in France. February, 1925. G.-H. “EpGELE Harvard Umversity. List of “Plates Frontispiece, Vienne, Porte de l Ambulance. = AIX Ste oauveur, 3-4. Albi, Archeveche. 5-6. Albi, Maison Enjalbert. 7-8. Angouleme, Cathedral. 9-10. Arles, Church. It=12) Aries, Prison: 13-14. Aurillac, Hotel des Consuls. 15-16. . Aurillac, Hotel des Consuls. 17-18. Autun, Cathedral. 120s et, ots. Lazare: 21-22. Avignon, Hotel des Monnaies. 23-24. Avignon, Hotel des Monnaies. 25-26. Avignon, Notre Dame. 7-28. Avignon, Papal Palace. OQ] “Avignon, Papal Palace: 31-32. Avignon, St. Didier. 33-34. Avignon, Tower of St. Jean. 35-36. Azay Le Rideau, Chateau. 37-88. Azay Le Rideau, Chateau. 39-40. Blois, Chateau. 41-42. Blois, Chateau. 43-44, Blois, Chateau. 45-46. Blois, Chateau. 47-48. Blois, Chateau. 49-50. Bordeaux, Porte de Cailhau. 51-52. Bordeaux, Ste. Croix. 58-54. Bourges, Cathedral. 55-56. Bourges, House of J. Coeur. 57-58. Bourges, House of J. Coeur. 59-60. Bourges, Porte St. Ursin. 61-62. Brioude, St. Julien. 63-64. Brioude, St. Julien. 65-66. Cahors, Cathedral. 67-68. Cahors, St. Etienne. 69-70. Cahors, St. Etienne. (i-72, Cahors, House of Tenry 1V. 73-74, Charheu~ Church, 75276, Charheu,. Church, "7-78. - Clermont Ferrand, Notre= Dames Du torn, v9-80. Clermont Ferrand, Notre Dame Du Port. 81-82. Clermont Ferrand, Notre Dame Du Port. 83-84. Clermont Ferrand, Residence. 85-86. Clermont Ferrand, Residence. 87-88. Cluny, House. 89-90. Cluny, School. PLATE NO. 91-92. “ssoire* ot. Paul 93-94... Issoire, St. Paul. 95-96. sCayrace Church: 97-98. Layrac, Church. 99-100. Le Mans, Cathedral. 101-102. Le Mans, Cathedral. 103-104. Le Mans, St. Julian. 105-106. Le Mans, Hotel du Gravatoire. 107-108. Le Mans, House in Grande Rue. 109-110. Le Mans, House Place St. Michel. 111-112. Le Mans, St. Benoit. 113-114. Le Mans, No. 11 Grande Rue. 115-116. Le Mans, No. 11 Grande Rue. 117-118. Le Mans, No. 11 Grande Rue. 119-120. Le Mans, No. 11 Grande Rue. 121-122. Le Puy, Cathedral. 123-124. Le Puy, Notre Dame. 125-126. Le Puy, Hospital. 127-128. Le Puy, Hospital Chapel. 129-130. Le Puy, Museum. 131-132. Le Puy, Parochial School. 138-134. Le Puy, St. Michel. 135-136. Le Puy, Temple of Diana. 137-138. Le Puy, Temple of Diana. 139-140. Limoges, St. Etienne. 141-142. Moissac, St. Pierre. 143-144. Montferrand, No. 29 Rue de la Rodade. 145-146. Paris, Boulevard des Italiens. 147-148. Paris, Cluny Museum. 149-150. Paris, Cluny Museum. 151-152. Paris, Library Ste. Genevieve. 153-154. Paris, Palace of Justice. 155-156. Perpignan, Museum. 157-158. Poitiers, Hotel Fumee. 159-160. Poitiers, Hotel Fumee. 161-162. Poitiers, Notre Dame la Grande. 163-164. Poitiers, Notre Dame la Grande. 165-166. Poitiers,\St. Porchaire. 167-168. Sury Le Comtal, Church. 169-170. St. Denis, Cathedral. LTl-Vie = el arascon. sore Wiatiiias 173-174. Toulouse, Hotel D’Assezat. 175-176. Toulouse, Hotel Bernuy. 177-178. Toulouse, Hotel Bernuy. 179-180. Toulouse, Hotel de Roquettes. 181-182. Toulouse, Hotel du Vieux Raisin. 183-184. Toulouse, Hotel du Vieux Raisin. 185-186. Toulouse, Hotel du Vieux Raisin. 187-188. Toulouse, Museum St. Raymond. 189-190. Toulouse, St. Sernin. X11 PLATE NO. 191-192. Toulouse, St. Sernin. 193-194. Toulouse, St. Sernin. 195-196. Tulle, Notre Dame. 197-198. Uzerche, House. 199-200. Valence, St. Jean. 201... Avignon, Papal, Palace. 202. Cahors, House of Henry IV. 203. Chenonceaux, Chateau. 204. Le Puy, Notre Dame. ZOO ULM 2 CS; ote tienne. 206. Macon, House. 207. Montferrand, St. Robert. 208. Paris, Cluny Museum. 209. Toulouse, St. Sernin. X11] —————————— ee Sa aE De py —— 9 ae ee Arent earets epg Tiers Netter Cl “A | ONO BN) (81S (iW) BiG GW, 1G) 0/G) (0 O00 O00, 0 a a =a reat keg etd OO, ON G)011H) 10: @ GUGGSRSAGOR GOS eoS TSN momo 5S NS a 81: <* % SSss ee IN QAR UNNI SATANIC ato wee =} y = a s a C= acaieas ela | Cn ONMURN USSU HEC RHEL SHSM ME MEMSMAMGANKSe EaaE: (AREER 5H 0 a . “I i Ei a a STS FI 2007 adr, EM MIGAHSENM ASRS eee TAT UTA TT TS TTT Tr “0 ee eee ere meme . ea Ae a: i Ace Y IN ech et eee oats YY URAC MCMAHAN Y, a wo) S——> | IRIS f\ A) a] fg (a | fad a | Zé see TPA STR TUPI TTT RTT (a GE 2S =, | ST- SAUVEUR - AIX 6, semaserees et?” ATX) Sl AU BUR: N SECTION = Ad OG Ah = JZ; oG LV a < S Ei : ee J ——— £ L 4 an | | | ; a i oa i | i ppm oT Bi GY Vib Ne) Oe SECTION =a « ARCHEVECHE ALBI + ey : : Of . .7 . * a a 4 ALBI, ARCHEVECHE. echt MMO RARS Sa ed GN (hin yee ae MAISON ENJALBERIT ~ ALBI salinity aes tee CP A SOC NE MSIE, , Wage ae ALBI, MAISON ENJALBERT. 5 Ge iG Niaz ants 9-10" SGAh aCe OECTI@) Nateme CATHEDRAL + ANG OULE ME “IVYGHH LYS ANAINOINV =m eiilie ieee STO SES h 8 aE j EE E cS | j a 3 4 == is == = == S = = 33 > FA = se ia { ss S| | Be = | ee = ae EI FH Hy se El Mf e+ 1-4} — fi ; SECTION -AA- tae H Bee SCALE N-O" | 3 CALE 4g CHURCH - ARLES a sie ses ES ARLES, (CHURCH: [Paes z Se Gale @ \ a \ \ \ N \ \ me Keo Tay El = 7/8">1-O" SECTION*DD SCG Na as SCARE ee DETAILS-12% 1-6 ARLES, PRISON. SECTION-AA OAL ze eee S i) pT ES 4 pS SS SESE Ce = (1 = cane ene IN = z Fs AN SB IRIE. Sve pies AERIS Sa Wes = = Ld 3G = = wee = = 0 ) || fs z = ¢ {i = — Ly (s} = o> io LD ia] is () = = > i Fy HS ’ 5 iH cA Ly ie 2, = - G44 sce! & . bo ah & Ly RR SCALE sz) SECTIONS @e HOTEL DES CONSULS+AURILLAC ise eat veti Sosetaans ir AURILLAC, HOTEL DES CONSULS: Soe b = EZ : ss 5 SECTION= AA SCAT Gres HOTEL DES CONSULS-AURILLAC || 15 AURILLAG, HOTEL DES-CONSULS: 16 CATHEDRAL ~ AUTUN AUTUN, CATHEDRAL. 18 pe SEGTIONAA SCALE +o Sule Kir Reet) “w \ a (== l a= 3? im imi on saab ah see ; a en AUTUN Si) LAZAR G. 20 vill Me j SECTION ~AA SCAR aaes me pare ( Poa mi) ey Gane ae mee | Bjsia 2s Sao. Diy hie OEE Gy | HOTEL DES MONNAIES - AVIGNON Zn AVIGNON, HOTEL DES MONNAIES. 22 eyeic alone [SM OGALE-|. 1.0 =a AH 7” : Ss x ~ ts . i Geese —— % TJ NU >— > ‘ -, he N , \ 3 re = SCALE -2=1-O" | HOTEL DES MONNAIES «AVIGNON: | ss | 4 j 3 Hl ray erent AVIGNON, HOTEL DES MONNAIES: 24 BGO) Ne © SEC TIO Ntas 5 CAE eee ees NOTRE DAME~ AVIGNON 25 Ee ern ree scene AVIGNON, NOTRE DAME. 26 > Eee he) Nigione SIC ig gS ey y9 a 7 * ies A Lica ac et | set Rt TinaBsloae armies (Ne PT «=: SECTION-AA H Ei | SCA aaa SC Mee eesiees PAPAL PALACE - AVIGNON meen Aeeap se kore angen SRR agen Pehl: *, = AVIGNON? PAPA Ls PALACE weir eS ime: PAPAL PALACE +AVIGNON AVIGNON, PAPAL, PAGACH, 30 eo ard) NT ee SCALE IO" elec Siw eke sede hel idem SECTION =a SC ALtHd: lee wae = tH eta a | WAV : | i Au Ith i s BH CT d IL {i ial HIM OG AE ei aoe SECT ON iene SI? DIDIER + AVIGNON 31 AVIGNON, ST. DIDIER. & MTT > MAUMEE XENI» HT Iu is % TS COT i = ADDN NAREROAOANIIAUGRRUDNU A ATDANEADODODDAAGCNNANA) HINA ee eee a ere, 2 EI = E = iS = E E = OTTO TT ET OT DGD OGLGURANUGRDTDIG ODD? ax OOD ED AN AOU OUTATIADLIIOOROAD ODED o0 REDO DEY NA S, ZS vy, ZS OOO ATT is) romana . TOWHTER + ST- JEAN ~AVIGNON Soe AVIGNON, TOWER OF ST. JEAN. 34 SECC ON= An A a (HNPALNT LOGON TADG AYO NOYT po pagng yAHy agape yopapayT aga ay ] SVEN ODEN CEO GN ENON NAKA TOY ANG # D = 3 fp ~~ a SECT Gita 4 ATT TTT p on Ad DA ——_ oe Se eres | i Co OR SSS oD Ka 4 [lls Me | i : oss ow Ties : Tre r Sow pA eal ay Dee Cree Hh Wroas . = aoe ES WA _ 129 | TAS SCL =2424-Os SECTION2 Gx CHATEAU ~AZAY LE RIDEAU 39 Ns A aman gp ene ante eeien petites tmnt AZAY GLEORIDEAU, CHATEAU, 36 WEAF KET 5 ARS pe OECTION=a es SCALE V2 as CHATEAU: AZAY LE RIDEAU + 37 AZAY LE RIDEAU, Goa rE AU. 38 ST Ce eae > SCALE TR ce BB = OG ee See aes SCALE Aaa CHATEAU - BLOIS eh, BLOIS,“ CHATEAU, 40 D > IN: N° StCTIONS I ea il T | HE ili UH THA rH th JECT ON wie SECTION = ae SCALESSS4\-@- SCALE 4423) CHATEAU * BLOIS Al BLOIS= GHATEAU. 42 SIRON KOM ys SIGE MERRO: ul oe] By 3 GAIT eae: SECTION CHATEAU ~ BLOIS 43 £7 a RON ay gp mm aa gy - eS 3 cy a BLOIS, CHATEAU, 44 —- YUZVAA\ SE GTION -3pe SCALE 12 as SECTION- AA SGieet se ia SCLLE (=a CHATEAU *BLOIS 45 BisO dss CHATEAU. 46 i. Se a a : 3 if 4 e : : N [Se TAN aS \ SECTION- AA Se Ali oe es SCALE see CHATEAU - BLOIS. | 47 2 Z Winiindiaddichadidinencs nt, BLOIS CoA Aws SECTIONZAA SCALE 2u1-S S GIA re ie, PORTE DE CAILHAU~ BORDEAUX. : | nes BORDEAUX, PORTE DE CAILHAU. SECON aan OD) N - a s stction-ab| _ []. tllsectionee No ’ SIGMA Ss 2) Sipe VAY ip PanUsd YR [Saco a ees : — f i S, D p_f ¥ Ths as shila Soess we BORDEAUX ST Es CROIX: a2 STG LOIN AD) DEAE Ea: = © Mii ale tows ST CMON CATHEDRAL BOURGES CATHEDRAL, BOURGES, 54 8546 . SECTION-AR a SCALE -l4i Lo} S Se ee a | K3 | i | LFS Bye : )) li? AN = SCAN oS “le AN = y Y / | A xb j 4 3 x | VAS WS “ | f cae! ai > Byh eas H H AW Ny <(( > ie NN 13 aN yp bh! Ui Ri arse Zs f > JK yg t Sara Z ep le O eee AL, Mf VAN AK iw I | | | Pi tip. ! ! . ! ily “MA gu esl ZOON || IANA mve\ 7a i VAY | A | GSE, y/ AES: Ss i ae | | Hr Li} aaa ——_—______ +d OO Mi iG | HOUSE OF J- COEUR ~ BOURGES ee ge me ce BOURGES, HOUSE OF J> COKUR? 56 Ct / Nt | ASL My W4 Yi SECT IGQNEsaa ’ OC hi ihewee ae SCALE Size HOUSE*OF*J- COLURy BOURGES ai NS ace aia BOURGES, HOUSE OF J. COEUR. 58 ie ce SCCTIOGNGa ae SiG ht Awe SCA lL hetZaeen PORTE SI- URSIN ~ BOURGES of BOURGES, PORTE, st. URSIN: 60 LLL IDI Dia ld | a Bea cit SECTION-AA Ss [an | fi a ee pe lieia Na hoch ch cl cl ff > 4 (S29 4 WittiZn, S OE =. Ry i" D & < q “| ave é ort A mk, Q e Gs % Wz [> FA s Sl QD = Me i nyse FHL Hest mth a Y Poict kr SHO oy 5 ry) \A Ss i a ld J a Bl os roe” | AE > "0 By cS cou IS aaa ao a 4 HW y Q BY = 2 mq NIUUDG = A> aptaNeEL aS x (oe > Gres S16 ou SI+ JULIEN - BRIOUDE 61 & teats ae (ee i EE eer Roonnage ftounan seapeie vee SARE SHE Ee wr oe RRNA oa o 7 rage BRIOUDEMST, JULIEN: 62 SECTION-AA SCALE Weto |= ak OLCTION4DS th ow = &Z WE) ee O xy Tran eed SCV ME SE. 6 S RGGe aa Se JULIEN ~- BRIOUDE 63 BRIOUDE, ST. JULIEN. VOVGLIILRIOF MYL KT COLWYN 9 : 5 ) ¥ 9 “8 : NG ; . { 8 1POPAON TE oo . | bl ELEVATIONS ReAn SCALT eee ipsa Sus o) Dae eS Ral a Rs me 0 lhe Abe| aR Sk els a = an x ¥ yi. —- r— : Dit ito ile TACT eeu BIS: ey ale Va « CATHEDRAL +» CAHORS 65 CATHEDRAL. AHORS, € 66 SECTION=40 SCALE-12:¢0 SiG aie Aaa on ST* ETIENNE ~CAHORS 67 GAHORS Si) ERIENINE, 68 Jenene © OGAIE SECHIONSDD SSECUON2 Ge SG Auity te i-os Fox eed es SECTION- AA — ————+ ' Cy Whi, ee IS) : ST-ETIENNE - CAHORS | 69 ETIENNE. CATO Rows le 70 2G Adbin ees HOUSE, °F HENRY IV~ CAHORS LT eae ie, eee ye HOUSE OF HENRY IV. ’ CAHORS H sete eet oe = Ue ON RES if fy ke DoS SDE Te z= SLI AIA AD AIAG LOL Ete i 6 S PL ante) ir fa LMA , ONGNONON ON ONANGRGN 21 ETRE es Ee ee ee Di LEE IR ERS © e , RELL DELILE RAL SEAN TELE CLE LG VLEET @ PAL DOR AEC CRD ANON RAEN OR A OMT RMS STE EMR OE IOGEAR: BARI EI ORR NEE ENE NEA I RS EOC TRELLIS GRO ES OLME NSE NC RETESET NE aimetiinthiniimie et ieee Ct, ee ae 1 O c2 = ts O = eS +] c2 < in 0 ein ee iy (ae BA LAID. IM CHURCH -CHARLIEU Gig oR Cia. 76 JaANLATNDS nt fee ee Seed SCL eT SBE 3/3: SO" CIN ie DU PORE CLERMONT FERRAND | NOTRE DAME CLERMONT BERRAND, NOTRE DAME DU PORT, 78 ==!) % : i ee es 4 ‘ a Sch AREA A Fok Lee eee Ta RE Rie Sten ae” " * CLERMONT FERRAND, NOTRE DAME DU PORT. Se A e hee vr J 2 I; ibs 2 SSS <_< = DR, 3 S SA DV t Ah hah ime ies oe eee Es = — Ca N Se Dy ENE TS B65 iS es cere rae Ns iy | a $s —=—s Baten Soe eel corer Eee a eae SEC TIGN = 200 BION voc HO SCAN See CLERMONT FERRAND, NOTRE DAME DU PORT. 82 SECM @ NED SECTION=GE VeVi Oa (_ SCALEMENO SECTION -BD | comer | | | | Sees I —— S.C ANG rt er RESIDEN CE « CLERMONT FERRAND 83 el ne Fetin Gute a es CLERMONT FERRAND, RESIDENCE. 84 x F VW SECA OK Ge care Oy ANE i DG (ie Se ls Gy | ie i | | oe Xo OOF Homi ie Ware SECTION= eae RESIDENCE «CLERMONT FERRAND 85 pis orem niibitinny CLERMONT FERRAND, RESIDENCE. 86 a : : - e a Me * i Cal) CaN o- 70 “ie! 40 Sot FoF ge: |iclmnonm OL! sro cammm |e HOUSE IN *CLUNY Keghicmieteh See e Slane wil eee S CLUNY, HOUSE 88 [eae OLTCTION Ax SPE ON ee SCI Mies Weve 8) SCA LIS 24 iaem 5 CHOOL + CLUNY 89 CLUNYF SCrOoOL. 90 SEGTIONSpD ps amy TUT = OECTION Ax Hd } AS $ 4) nT TTT 7 -) SCALT Ge ST: PAUL‘ ISSORE 91 ; ISSOIR Eyes SeePAU O2 eRe bree i bcjew ST: PAUL - ISSOIRE is ISSOTR ES apne 94 SECTIONS AA SGA CS wae lee) Wa CO Ss S S Sy > =| til py?) | OY TCT A Cat» | OTT ON D1 ah CAL: Q) LSP q uit | faa DB SCALE o/c t=O CHURCH ~ LAYRAC 05 eee * itedegeds LAY RAC, CHURCH: S CEA CeO Ome as —— = BiG pce Bb ee aiey CHURCH ~ LAYRAC LAY RAGS CHURCH: 98 SS OoA WOE ol coe ale com SCALE Ae CATHEDRAL - LE MANS 99 LEMANS; GATHEDRATL. 100 Steriecn BB SCALE Bide Or SG ALT eles i CATHEDRAL ~ LEMANS 101 LE MANS, CATHEDRAL, 102 DVOARGING YMA AKI WAS ) R bz At) hy) . : ‘ Se lh , = > \ XS =o ! Lg say KAI] 2 (/ ———— gaa | Ik Ul i | SC Ari teaeeen es N21 GRANDE RUE-LE MANS ies Ae eal ce ae giana arom a 1" SU et at bs ~— LE MANS) NO; 1°GRANDESRUWE: SECTIONS IS DB atl); SCALE Valdes iG =<) } A A ‘le TB i Hii; even ih! AS We 5 Ch eases NO4tl GRANDE RUE -LE MANS | 119 LE MANS, NO. 11 GRANDE RUE; 120 rR ae ie — ” non pe e, 2 > Z 4 a LA ae SECTION 4AA SOCKS Seales CATHEDRAL: LE PUY 121 LE PUY CATH EDRAG ee eran SECTIONZDD oo SCALE WtOC as SS — = eee \ z a 7 a ‘| : s—— : X iN V4 SS P= / A" aed “ 2 Ke 4 SECTION AA = eae a V7 => | SS ITCH ONM | YOALE S/A6-\-O" SC NIE tar ace | TEMPLE DIANA-LEPUY —__ 135 LE PUY, TEMPLE LOR DIAN. 136 Bie! ‘ SECTION = taken SCALE Joo. TEMPLE OF DIANA ~- LE PUY 137, LE PUY, TEMPLEOr DIANA: 138 EP pe sot SL A's 4 lim rad K =< ra ae ’QYo!"! is JECTION- AA BRR OATHS JCAL Ona SCALE 2 33-0" DETAILS 1¥2":-0 | ST-ETIENNE - LIMOGES 139 son sell 2 vy od : ~e a” at? A 4 ' ‘ty U ip” its 5 PEMA AE REAP sg ed ee a PP A AP LA al PERPIGNAN, MUSEUM. 156 SECTION-AA |] JEG a DB SCALE AVRO -@e 4 SCALE 36: WWveHICaUeL WWETVIUT INARI in ( <6 Sema Ac ooo! Coy NO" ENG STONY wi Ma=*0 16,3 6a AKC LZOS DAT mo COTO eT Sat esa , OP <6 6.0 YK Y ——t iS ——— ——— a \ : rs oe ae © wa3 Oe THEE i No r= ~ . s BRAS 4 tite maroc, POITIERS, HOTEL FUMEE. 158 SHEAC IRON ae ONE, A fe | a H It 2 lll [| i mii pie i SGAREA lO: HOTEL FUMEE ~ POITIERS 159 a é io Swell inate we SO een, ale amid A ROG IRE —~< Pane Sri x, a eres , *% wnnwopamnses Sono 7 Drsircrrsasimseoossetrdtiy a siripnate e Semen weet, rd A POITIERS, HOTEL-BUMEE, 160 De SCALE YeekO" DEC Tig Nop xd \ ) (2 -i ya es PCB | a3 “aS ff Say : TED re Wy ” 2 7 Fas G Aa I |) ERE al : ISIN La terP. 7 \] 7 LY) (2 Ni WA 1% i SZ \ \ca hy N x || RP i HAY es Uy j= yay 4 ES. HA IZ) “«K v AAS) f tad? SS AD || #4 ¥ NANA y a AY a + Ry] IA H || SA NG pai || HO IN Kays Ext ae fas) WN i Pits NAY > we A RAY) 2 1 || OX ~) BA f, C4 rave Ps SN AY OS rl LN, =~ AS || AT 1 yh way A || Y, svar \) 5 ‘ Hy} |More = AIS 40 CH || A |V Ay || WS \\ ( Pty iE ) = — KU NS ERR ARE PRE RM OOK = SSere SL CTIONeo oS SOM eaicd Oe SCA VES aes CATHEDRAL + ST DENIS 169 ST. DENIS, CATHEDRAL, 170 mG GaN 2 a) DON aa 0 Wea P(C2), (Gre Y SOW 4e-@s SCALE=1Bt0 PEE TARASCONST2MART HA: N IN A ofr “” a A 4 La % Bik | | i i —= a il nA si ee = oN y wa f __feS rw ie nal = eS PPT je |] eR Ly nn) Bebe SieotiGr SECTION? AA SCALE (ake HOTEL DASSEZAT - TOULOUSE 173 TOULOUSE, HOTEL DASSEZAT. 174 : | | I | | ci — la a U3 : | | Wa t l l = y ! ) | D AY, = ! | f | / | . I | | | YY; | | 21 | | Pa i | | } ij ~ ¥ Cx4 <(y | | | i fl | : | t | f TT | ‘| ll | S| a Ll = | TRE — Hadll Mg Sa =i : — : AY > a VEOH > as aay CLILAL = time = wart > ~~, > t Tun i Kt | | | il N N N \ N Y N N N K) XN N MU Mh ! _————— er S.Coh in HO Wowie Ou 175 \ — "Zi vy Il Lye SCALT 12:10 aN B B . : 5 A Sh) i El Lf E644 SECTION = Ad UY: TOULOUSE, HOPTELAB ER 176 ——. i \\ WR SNS NY a | Ul Mi pt PAL TT | an RS DAA} S SS LI Sa ae a ee SSS SS RS SRY SSS (se bl SS X iF GUO ERCUCUL TO SI GAKON | 5) PO ye GY HOTEL, BERNUY-TOULOUSE, — 177 ae oda ee ee TOULOWSE. HOT Rls HIN UY: 178 iii. ie > OL CNet A SGA orl es Ab \ ea Tae rae | a S c a Plaza L4 up ‘ Pad ; SECTS ie 4 " OL Gr SCALE Sze oe SCCRON = ae HOTEL™ ROQUETTES ~TOULOUSE 179 TOULOUSE, HOTELIDESROOLE Ei its: 180 BA B S Bi a AE = Se RCA 20% 202s: C25 ) —————] Eg ; ne SEDO <{ 3 ZG \ gE SE ; i 7 : P| Vy s | |__t 4 0; = is 4 pie ere SiG Wa ree wy eO 5 CALE= aia HH OTEL ™ VIEUX RAISIN-TOULOUSE 181 ed 64 =F TOULOUSE) HOTEL DU VIEUX RATSIN: 182 SEC TON agar Salon eaiec SCALE