Ciné-Kodak : “= u “ hig _ Motion Feture ‘ whe Koda k Nay ! y i o@ . e0 10 h y 7 ' t a * , 4 = wv Cine- Kodak and Kodascope THE KODAK WAY TO MOTION PICTURES June 15,1920 EASTMAN KODAK COMPANY ROCHESTER, N.Y. Z| | aE NN a) Nn a ae a ae) THE GETTY CENTE I1IRDARY When it’s playtime have Ciné-Kodak there MOTION PICTURES SEER ICO IAI W AY. No you can make movies. Kodak gave you amateur photography years ago, and now Ciné-Kodak opens wide the door for cinematography. Anyone can make still pictures with a Kodak—anyone can make motion pictures with a Ciné-Kodak and, through the Kodascope, can show them at home on the screen. Heretofore your still pictures have retained many pre- cious memories of the past; the day when Billy Boy came toddling and tumbling over the lawn while you held your breath in smothered suspense—how real that picture, but what wouldn’t you give tosee him again inaction, in movies as real as life. Remember the pickerel—so big—that Jim struggled with and landed? You'd prove it, too, if there were only ascreen feature of his thrilling battle! You smile while turning the pages of your album; there’s Betty in her wedding dress. How beautifully motion pictures could re- peat that never-to-be-forgotten scene when she marched down the garden path to an altar under the rose pergola. And Jack—you thrill while recalling his winning touch- down when nearly everyone perished with excitement. There’s no end of family feature films you would like to have—now so easily achieved, for Ciné-Kodak handily per- petuates those many memories and Kodascope conveni- ently repeats them. This desire for making personal motion pictures 1s not a new one. So irresistible is this appeal that aimost everyone has long wished for movies of the people and events that particularly interest him, movies that he could make him- self and then show in his own home. But until recently there 3 THE CINE-KODAK AND THE KODASCOPE were outstanding obstacles to make general enjoyment im- possible. The Ciné-Kodak answers these objections with its three major features: it’s an easy outfit to work success- fully; it affords the means for obtaining motion pictures, promptly ready for projection, at a price emphatically less than has been possible heretofore; and small in size, light in weight Ciné-Kodak is compact enough to be carried any- where with convenience. Then when the pictures are proc- essed and ready for projection, the Kodascope carries on with complete efficiency, a rival to the Ciné-Kodak in econ- omy and ease of operation. Al picture library Although the movies you make are so completely fasci- nating in themselves, nevertheless the Kodascope offers still another feature for the home entertainments. Hundreds of thousands of feet of professionally made pictures have been leased for use in the Kodascope through the Kodascope Libraries, Inc. A complete address list of the branches will be found on page 24. A catalog of these films 1s issued at frequent intervals. You may select the most varied entertainment—comedies, dramas, animated cartoons, travelogues; everything, in fact, most suitable for home projection—and new films are being added continually. Intriguing, indeed, the thought of having Hollywood at home for your Little Theater, and it’s exactly that, for scores of stars are eager to entertain you and your guests. There’s Doug. Fairbanks, Billie Dove, Jackie Coogan, Irene Rich, Charlie Chaplin, Colleen Moore, Bill Hart, John Barrymore and dozens and dozensof others. Thereare serious pictures and funny pictures, melodramas and light dramas, stupendous settings as in Kismet, musical themes 4 THE KODAK WAY TO MOTION PICTURES as in [/ Trovatore, and serial movies as in The Son of Tarzan; pictures for every mood, every fancy, audiences old or young. All of which merely emphasizes the varied pleasures that await you, so economically and conveniently afforded by the Ciné-Kodak and Kodascope as you’ll see. Ease of operation and quality of results The amateur’s enjoyment of cinematography depends primarily on the quality of the pictures he is able to produce. The outstanding feature of the Ciné-Kodak is its capacity to produce the best possible motion pictures, pictures that for photographic quality are equal to those obtainable with professional equipment, and to accomplish this with char- acteristic Kodak ease and the minimum of expense. The owner of a Ciné-Kodak, who follows a few very simple di- rections, will get surprisingly good results—so good, in fact, that when he sees his pictures on the screen he will not only be delighted, but will wonder all the more at the ease with which he obtained them. Compact and easily operated as it 1s, the Ciné-Kodak lacks nothing that practical work requires. It has capacity for 100 feet of daylight-loading film—although fifty-foot rolls are alsoobtainable—enough to photograph action con- tinuously for over four minutes at the regulation rate of sixteen pictures per second. This precludes the probability of running short of film in the midst of action and also pro- vides sufficient length without reloading for a wide variety of subjects. Linked with these features 1s that mechanical nicety and smoothness of operation by means of which Ciné-Kodak assures steady pictures for the screen. When selecting an outfit you have the choice of several lens equip- ments, all of them specially made for motion picture work. 4 THE CINE-KODAK AND THE KODASCOPE | Fixed focus Spring-motor driven Ciné-Kodak, Model B, is a pop- ular hand-camera for motion pic- tures. In every way it’s designed to meet the requirements of the amateur who, with or without pre- vious photographic experience, an- ticipates making good movies from the very start. In compactness and the manner in which it works Ciné- Kodak B is actually a motion pic- ture Kodak, in size approximating the 3A Kodak closed; weight five Ae pounds fully loaded, and requires At waist level no tripod. A spring-motor operates Ciné-Kodak B, and that elimi- nates all hand-cranking. The fixed focus feature emphasizes | a fast getaway for quick action movies, for all one needs to do is point the camera at scene or subject, press the lever and instantly the action is registered on the film. Compli- cated and bothering details are at once discarded even to exposure changes, for a guide beneath the lens tells which diaphragm opening to use for the prevailing light condition relating to various subjects, and when the correct “stop” is selected a turn of the pointer makes the adjustment. When using the Ciné-Kodak, Model B, the amateur has two finders at his disposal. First, there’s the Reflecting Finder on top of the camera, inset at the forward right hand corner. This finder permits you to hold the Ciné-Kodak at waist level, that natural steady position with which 6 THE KODAK WAY TO MOTION PICTURES all Kodak users are already thoroughly familiar. Second, there’s the Sight Finder, adapting the camera for sighting the action at eye level—a position used for making pano- ramic views when the cinematographer cautiously follows the subject over the field of action. Either finder gives a brilliant image of what is being filmed. The amount of unexposed film remaining in the camera is never a matter of guesswork; a footage meter is located on top of the Ciné-Kodak and quickly shows how much film is left for further exposure. Ciné-Kodak, Model B, is obtainable with either the /.6.5 or the f.3.5 Kodak Anastigmat lens equipment. Irrespec- tive of the lens you choose, Model B is always a fixed focus camera. In size, weight, mechanical features, and simplicity of operation, Ciné-Kodak B, /.6.5, and Ciné- Kodak B, 7.3.5, are exactly the same. In fact the only difference is in the matter of lens speed, plus, on the Kodak Anas- tigmat /.3.5 equipped outfit, an ingenious device that assures sharp close-ups with the larger diaphragm openings. When a close-up 1s de- sired a turn of a disk at the top ot the camera swings an extra lens (portrait attachment) in front of the 7.3.5 lens. Instantly you are ready for the picture made with the camera at 4 to 8 feet from the sub- ject; properly focused, charming portraits photographed without bothering to consider the distance element. (For details and prices oa see pages 21 and 22.) At eye level THE CINE-KODAK AND THE KODASCOPE You can get in the picture yourself In addition to all its other advantages, Ciné-Kodak, Model B, permits the operator to get in the picture himself. All that 1s necessary 1s a tripod or other rigid support. With the outfit so mounted, press the lever, a catch holds it and you are free to appear in the picture or to direct it. This offers you the advantage of being either photographer or subject or both whenever you choose. Ciné-Kodak, Model B, 1s Eastman-made, in every sense designed for simplicity and economy in operation, a hand- camera for movies, made for the many to enjoy and so per- fectly made that it satisfies the expert, too. Economy of the Ciné- Kodak Cinematography, with the Ciné-Kodak and Kodascope, is not only easy and fascinating, it 1s comparatively inex- pensive. Specifically, the extent of this saving is well over four-fifths. In other words, it has cost the amateur using a camera with standard 35 mm. (13g inch) width film approxi- mately six times as much to make the negative and project the picture on the screen as it now costs him with the Ciné- Kodak. And yet these pictures, secured at this significant saving, are fully equal for home projection to those ob- tained with standard width film. This great saving in cost, without sacrifice of either quality or length of picture, has been made possible to a large extent through the introduc- tion of Ciné-Kodak Film, and the various economies in- volved are as follows: Ciné-Kodak Film is only 5% an an inch in width as Seu 13g inches for professional film. That’s economy No. Being less in width, each individual picture is oropedent 8 THE KODAK WAY TO MOTION PICTURES ately less in height, so that 400 feet of Ciné-Kodak Film give the Same period of projection on the screen as 1,000 feet of standard, commercial film. That’s economy No. 2. With standard-sized motion pictures, the negative must be de- veloped, and a print made from it on positive film and then the posi- tive developed. Through the newly devised photographic emulsion on Ciné-Kodak Film and through a special chemical process, the film is first developed and then, with- out printing, reversed from a nega- tive to a positive, virtually one operation as against three. That’s economy No. 3. Heretofore such amateurs as have ventured into motion picture work with professional outfits were compelled to send their film to laboratories whose facilities were organized for orders of 100 or 200 prints from each negative and who were able to do quantity finishing of this nature at small cost. The amateur, however, usually wanted one print and as the conditions governing a single order were quite different as far as the laboratory was concerned, he had to pay a relatively high price in conse- 2 THE CINE-KODAK AND THE KODASCOPE quence. Ciné-Kodak Film is finished in laboratories equipped and organized for this work alone. Orders for one positive or two are the rule—not the exception. The plants are organized and equipped to meet this condition with a material reduction in cost. And that’s economy No. 4. History has repeated itself. It was Eastman Film that, many years ago, first made motion pictures practical. It is a discovery of the Kodak Research Laboratories and the result of their tests and investigations that produced Ciné- Kodak Film and first made motion pictures practical for the amateur. And this achievement was not solely one of economy; the emulsion on Ciné-Kodak Film has such qual- ity that the graininess ordinarily seen when small pictures are projected to large size 1s reduced to a negligible degree. Finishing the pictures When you have taken a roll of pictures with the Ciné- Kodak, give it to your dealer who will send it to the nearest finishing station, or, if you prefer, you may send it direct to Eastman Kodak Company, Rochester, New York, or to one of the other finishing stations as listed on the inside back cover. In the hands of Eastman experts, the film is developed, reversed to a positive and then returned parcel post prepaid and insured; ready to be shown at once on the screen through your Kodascope. In the early days of amateur picture-making we said, “You press the button; we do the rest.” And now motion picture-making has been made Just as easy for you. “You press the button; we do the rest,”’ 1s still the slogan. It is literally true. This expert service—the assurance that your film receives careful treatment from skilled workmen—is included in the purchase price of the film. You have paid for the positive when you buy your roll of film. IO HE RODAK WAY TO MOTION PICTURES Comparative Size of Ciné-Kodak B and 3A Kodak While it 1s a fundamental in photography that “an orig!- nal is always better than a duplicate,”’ Ciné-Kodak dupli- cates closely approach originals in quality. In fact this work is so skillfully done that the average person will find it impossible to distinguish between the original and the duplicate even when they are viewed simultaneously, side by side. You may have as many duplicates made of your film as you wish. Titles for your pictures and explanatory captions which will naturally suggest themselves as you see the pictures projected on the screen may be sent on to Eastman Kodak Company to be photographed and printed. The finished titles will be mailed to you so that you can splice them into the film. The finishing station at Rochester, New York, 1s the only one which at present makes titles or duplicates. All finishing stations, however, now offer a splicing serv- ice whereby the t0o-foot lengths may be connected into continuous 400-foot reels. The 400-foot reel permits an un- interrupted sixteen-minute performance. The fee for this service pays for the reel and humidor container as well as for the splicing. bed CINE-KODAK, MODEL B, KODAK ANASTIGMAT LENS 7.3.5 KODASCOPE REWIND—A co venient accessory. Quickly attache to any table, it permits you torewir reels during the performance. Ciné- Kodak, Model B makes motion pictures COMPACT—Measures 83% x 53% x 376. Weight, 5 pounds loaded. EASY TO USH— Loads quickly i in daylight—Fixed Focus and spring- motor operated, requiring no tripod—Sights at waist level or eye level —Runs smoothly and steadily—Photographs action continuously for four minutes without reloading. RELIABLE—Produces movies of the finest quality, with the certainty and ease characteristic of Kodaks. ECONOMICAL—Reduces cost of making motion pictures four-fifths as compared with outfits using standard width film. wee) N PIC TIT U-R ES Folds small and together with one 400-foot reel fits case snugly. en KODASCOPE, MODEL C—Motor operated Kodascope, Model C projects motion pictures SAFE—Uses only Safety film—Fulfills every safety requirement. EASY TO USE—Attaches to any house circuit not over 125 volts or under 105—Threads simply—Operates quietly by motor—Focuses and frames conveniently—Rewinds quickly by hand. RELIABLE—Provides constantly the fullenjoyment of movies, through clear, steady projection, free from annoyance or danger. ECONOMICAL—At 18 feet, throws brilliant 30 x 40-inch pictures on the screen, yet requires so little current that the cost for electricity will not exceed three cents per hour. THE CINE-KODAK AND THE KODASCOPE Equipment for the advanced amateur As complete as this movie equipment is for amateur use there are still those who will not be entirely satisfied. These will want a hand- cranked outfit with special lenses suitable for a more specialized type of cinema- tography. Thus, the serious worker, the advanced ama- teur, the surgeon, the scien- tist, the naturalist and others will appreciate Ciné-Kodak, Model A, which 1s equipped with either Kodak Anastig- mat /.3.5 or with the Kodak Anastigmat/.1.g lens and the latter is interchangeable with a long-focus /.4.5 for telephoto effects. The f.1.9 lens is one of the fastest lens equipments made for amateur cinematography; about ten times as fast as the f.6.5 lens, and over three times as fast as the f.3.5 lens. Such speed permits the making of motion pictures on dark days; and under favorable conditions in the operating room, the laboratory or in any interior with ample artificial light or daylight. To obtain slow motion pictures hand-cranked equipment is essential, for those lazy, lingering effects are produced by increasing the normal rate of operation. But with increased cranking speed the exposure rate 1s cut down, and to com- pensate more light is needed. This is easily accomplished Ciné- Kodak, Model A, f.3.5 14 THE RODAK WAY TO MOTION PICTURES with the’ larger dia- phragm openings of the fi.g lens. Noresare these . the only features that rec- ommend Ciné-Kodak, Model A, to the ad- Meaoodmoperator. There’s another lens that fits this equip- ment, separate and 1n- terchangeable with the f.i.g. This is the long- focus f.4.5 lens for tele- photo effects. Slip off the f.1.9 and slip on the f.4.5. Instantly your Ciné-Kodak has a greater range, for the image size 1s increased three diameters with With the long-focus, f.4.5 lens attached; for large images of distant objects. the camera operating at the same distance from the subject. If you are a naturalist, immediately you can appreciate the advantages of equipment for obtaining large sized im- ages of wild animals in their native haunts. The f.4.5 lens 1s equally indispensable to anyone who desires big pictures of objects a considerable distance away, as for instance, football action or baseball games from the side-lines. (For details of Ciné-Kodak, Model A, see page Diweei or prices, sec: page 22.) SS aULoYy JD AaJvay [ aqyvyT anok sof Kunu ay] fo maf y (#97) YIHISTITA, vb SITdMIVE " ’ 4f2T = INTAT (09a) ~Lybly ~ ogy ~THTD NVIWIHOF ox, EME NILZ-NIL-NTET. ——~ by ») eo NS —sguasaag “guy ‘satavagrvys agoosvpoyy THE KODASCOPE Ce only to the camera in importance is the projector, by means of which pictures are shown on the screen. The satisfaction in good pictures may be lost, or their beauty enhanced, by the manner in which they are pro- jected. You want a quiet, smoothly-running, easily oper- ated machine that gives clear pictures without flicker. All this you have in Kodascope, Model C, which projects a brilliantly illuminated 30x40-inch picture when placed only 18 feet from the screen. Kodascope C will accommo- date 400 feet of 16 mm., 5% inch, film, which is equivalent in time of projection (approximately 16 minutes) to 1,000 feet of the standard width film. Although capable of doing all this, nevertheless Kodascope C 1s amazingly small in size, light in weight (only nine pounds) and exceedingly compact. When not in use, its lens can be clipped to a pro- tected corner of the base and the reel arms fold to the frame. Then the greatest dimension 1s 8 inches. So compact is this little projector that you can carry it with ease anywhere. Threading and operation could scarcely be simpler; there is but one sprocket, and the focus is adjusted by a turn of the lens barrel. Kodascope C is electrically operated, of course. You can plug in on any house circuit, 105 to 125 volts, alternating or direct current. Model C may also be equipped with a special rheostat which adapts it to 210- 250-volt circuits, or a special Model C 1s supplied for use with the 32-volt current as furnished by home generators. Although essentially a movie outfit it projects “‘still’’ pic- tures, too; the mechanism can be stopped at willandasingle frame of the film viewed without motion. When viewing movies even the operator joins 1n the fun, for there is naught to do but thread, focus, and “frame”’ with the framing lever, then sit down to enjoy the picture. (For details and price see page 22.) a7 THE CINE-KODAK AND THE KODASCOPE Kodascope, Model A As efficient as Kodascope C is, there are occasions when a bigger picture is desirable. For the school, the club, or the church gathering, or for thelarger audiencein themore spacious drawing-room, Kodascope, Model A, with the 200- watt lamp, easily and efficiently qualifies, projecting a 39 x 52-inch picture with the equipment 23 feet from the screen. Like the smaller model you can plug in on any ordinary house circuit, or a special rheostat is obtainable which adapts this atte es Ga 210-250-volt circuits. We can also supply a 32-volt Kodascope A for use with the Delco or other home generator systems. Kodascope A weighs 25 pounds, but it’s so constructed that with or without a carrying case transportation pre- sents no difficulty. The Model A is equipment essentially built for the amateur and yet it has many of the “trimmings” of the professional outfit. For example, an adjustable resistance and an am- meter are provided so that the 200-watt lamp may always receive the proper amount of cur- rent. | Like the Model C, operation 1s simplicity itself; after a few ad- justments the operator is free to join the audi- Kodascope, Model A. ence and to enjoy the 18 THE KODAK WAY TO MOTION PICTURES movie. (For details and price of Kodascope A, see page 22.) Safety im propection In all this safety in projection must be a fundamental principle. Either Kodascope A or C absolutely qualifies to meet precautions against fire hazards. Thefilm used is Safety Film and is identifiable by the words “Kodak” “Safety” “Film” in black letters on the margin. This film may be run in projectors with complete security under the conditions that obtain in any home. No booth 1s required, of course. The Kodascope screen There are four screens for Kodascope users, each one compact, portable and quickly set up. All screens are spe- cially coated for obtaining maximum picture brightness during projection. Screen No. o, for Kodascope C, has a maximum dimen- | sion of 34x 273 x % inches, and a silvered surface of 22x 30 inches; weight 934 pounds. When not in use the No. o 1s covered with a canvas case. The leather handle attached makes it convenient to carry. Screen No. 1A, for Kodascope C, has a maximum dimension of 4334x3514x 1 4 inches; silvered surface 30 X 40 inches— weight 15% pounds. After the show the screen part may be detached and reversed in the frame for protection. Screen No. oO. é : Screen No. 45 for Kodascope z When not in use it fits snugly is built on the curtain principle, iiioiatonrenbae: 19 THE CINE-KODAK AND THE KODASCOPE | mounted on a spring roller it collapses into a box receptacle. When wanted the screen 1s easily pulled up and held in place by demountable side strips. Encased, Screen No. I measures 46x41%4 x5 inches. Unrolled for pro- jection the curtain surface is 30 x 40 inches—weight, 14 pounds. Screen No. 1A. When not in use the silvered . part is reversible in the frame. Screen No. 2, for Koda- scope A, is built exactly like the No. 1, only larger. Encased the dimensions are $7 % 414 % 4 incnes: unrolled the curtain sur- face is 39 X*> §2oinehes== weight, 17% pounds. For the best possible quality and brilliancy in projection, the Eastman- made screens are espe- cially recommended. Screen No.1 or No. 2 opened ready for the projected picture. The price of Screen No. o is $10, Screen No. 1A 1s $15, No. 1 1s $25, and the é , Screen No. 1 or No. 2, encased for price of Screen No. 2 is $35. convenient carrying. 20 THE KODAK WAY TO MOTION PICTURES DETAILS The Ciné- Kodak, Model B f3-5 or f.0.5 lens equipment Size: 842 x 53% X 376 inches. Weight: 5 pounds (loaded). Body: Alumi- num, covered with black genuine leather. Daylight loading: Length of film, either 50 or 100 feet. Spring-motor driven: One winding sufficient for exposing 20 feet of film. Capacity without reloading: Sufficient to photo- graph action continuously for 4.2 minutes. Levs: Kodak Anastigmat f.3.5 or f.6.5. Fixed Focus. Two Finders: Reflecting Finder used when operating camera at waist height, Sight Finder convenient for direct view at eye level. Footage Indicator: Automatically registers amount of film unexposed. Exposure Guide: On the camera tells which diaphragm to use for tabulated light condition. The Ciné- Kodak, Model A P35, flQ and f.4.5 lens equipment Size: 8 x 45% x 856 inches. Weight: 7144 pounds. Body: Aluminum. Day- light loading: Length of film, 50 or 100 feet. Capacity without reloading: Sufficient to photograph action continuously for 4.2 minutes. Lens: Kodak Anastigmat /.3.5, or f.1.9; the latter interchangeable with /.4.5 for telephoto effects. Mechanism: Hand-cranked, moving parts gear- operated and accurately synchronized. Rear Finder: Shows brilliant image through tube opening at back of camera. Top Finder: For con- venience when operating camera at low level. duxiliary Finder: Used with the /.4.5 lens to give corrected image size for telephoto photography. Finder Adjusting Lever: Located on side of camera controls finders. On the back of the Ciné-Kodak, Model A, are located pointers and dials for setting and indicating the focus and the film footage. On the top is a strong leather carrying handle. Tripod for Ciné- Kodak, Model A Combined weight, 714 pounds. Length of tripod, folded, 26 inches; fully extended, 57 inches. Top revolves horizontally and tilts vertically. ZL THE CINE-KODAK AND THE KODASCOPE Kodascope, Model C Size: 8x $144x7 inches. Weight: g pounds. Capacity: 400 feetof16mm., 5¢-inch, film (equivalent to 1,000 feet of standard 35 mm. 1 3é-inch width motion picture film), lasting approximately 16 minutes on screen. Lens: Eastman-made, projecting brilliant 30 x 40-inch picture at 18 feet from screen. [//umination and Power for the electric motor which drives mech- anism, taken from any house circuit, alternating or direct current, not over 125 volts nor less than 104, by attaching to ordinary bulb socket or wall outlet. Framing Lever for accurate screen register. Focusing: By turn- ing lens barrel in socket. Rewinding Mechanism: Operated simply and quickly by hand. Film Splicing Outfit, for cementing sections of film into continuous strips, supplied with Kodascope. Kodascope, Model A Size: 1814 x 1478 x 103¢ inches. Weight: 25 pounds. Capacity: 400 feet of 16 mm., 5 inch, width film. Zens: 2-inch focus, projecting a 39 x 52- inch picture ab2.3 feet. Focused by conveniently placed knob. [//umina- tion and Power: Supplied through adjustable rheostat attached to left side of Kodascope, and indicated by ammeter located in base of Kodascope; current taken from any house circuit, alternating or direct, between 105 and 126 volts. Special rheostat adapts Kodascope to 210-250- volt circuits. A 32-volt equipment is also furnished for home generators. Framing and Leveling screws for accurate screen register. Rewinding Mechanism: Special, geared for quick winding by hand. Film Splicing Outfit: Supplied with Kodascope. PRICES Ciné-Kodaks Model B, with Kodak Anastigmat /.6.5 lens 7). Model B, with Kodak Anastigmat /.3.5 lens. ...... oa) ae OOS Be Model A, with Kodak Anastigmat/.3.5 lens (including tripod) 150.00 Model A, with Kodak Anastigmat/.1.g lens (including tripod) 225.00 Tnicrchanceabhe Kodak Anastigmat f.4.5 lens (long-focus) ... 45.00 Kodascopes Model C, with 100-watt lamp.*. “72.5.7 2 60.00 Model A, with 200-watt lamp: ..72. 7. =n 180.00 22 THE KODAK WAY TO MOTION PICTURES Screens No. 0, 22’ "X30", mounted 1 in frame (with cover). . No. TA, 30" "x 40”,detachable screen section, mounted in frame No. 1, 30” Boe follable in case. ee ee On es Noet,%9 x52 ,rollableincase......... SUNDRIES For Ciné-Kodak Leather Carrying Case for Ciné-Kodak, Model B.. Combination Case for Ciné-Kodak B and two rolls of film Leather Case for Model A, f.3.5, Magazines and Tripod Head Leather Case for Model A, /.1.9, Reese and ge Head Tripod for Model A. ; Canvas Case for Model A Tripod Legs. Safety Chains for Model A Tripod. . a eee Seroecmdandietor WModelA...... 0.0.0.4. ..4.5 For Kodascope Kodascope, Model A, Rheostat, 210-250 volt currents... . Kodascope, Model C, Rheostat, 210-250 volt currents. Imitation Leather Covered Metal Carrying Case for Model C Model A Traveling Case Sora Leather eae 100-watt Lamps for Model C. aves 200-watt Lamps for ModelA...... (oie rl mee 400-foot Kodascope Reel and Hamidor GETTA anh ace ean Kodascope Rewind. tae Oe Kodascope Film Clips—per Hosen Kodascope Film Cement—per 4-ounce bottle. eet Lubricating Oil for Kodascope......-..--5--+--+++ ++: CINE-KODAK FILM 100-foot Roll . 50-foot Roll . (Price aides developing, reversing, “Saige transportation ) Duplicate Prints, too-foot continuous length. . Duplicate Prints, 50-foot continuous length. . fe Titles: Per word $0.03; minimum charge per fe $0.25; mini- Seeeinum charge per order. . ... Splicing four 100-foot Rolls Ciné Kodak Film and supplying one 400-foot Reel and Can......... to -OO THE CINE-KODAK AND THE KODASCOPE The Kodascope Libraries Supplementing your own pictures you have available hundreds of well known photoplays, comedies and dramas, as well as travelogues and educational films which may be obtained at a nominal rental from the Kodascope Libraries, Inc. The List of Libraries follows: Kopascope Lipraries, INnc., 35 West 42nd Street, New York City. KopascopeE Lisrary OF Boston, INc., 80 Boylston Street, Boston, Mass. KopascoPeE LIBRARY OF PITTSBURGH, 1112 Keenan Building, Pittsburgh, Pa. KopascoPe LIBRARY OF PHILADELPHIA, 2114 Sansom Street, Philadelphia, Pa. KopascoPe LIBRARY OF CHICAGO, INC., 38 South Dearborn Street, Chicago, Ill. KopascopE LiBRArRIEs, INc., 1206 Woodward Avenue, Detroit, Michigan. Kopascope Lipraries, Inc., 241 Battery Street, San Francisco, Calif. Kopascope LIBRARY OF Los ANGELES, 3150 Wilshire Boulevard, Los Angeles, Calif. KopASCOPE LIBRARIES OF CANADA, LTD., 156 King Street West, Toronto, Ontario, Canada. Kopak LimITED, Kincsway, W. C. 2, Lonpon, ENGLAND. Kopak AustTRALAsIA Pry., Lrp., MELBOURNE, AUSTRALIA. Kopak ARGENTINA, Ltp., BuENos AIRES, ARGENTINE, SOUTH AMERICA. 24 r | | | FINISHING STATIONS Cuicaco: Eastman Kodak Company, Indiana Avenue and 18th Street. RocuHeEsTeErR: Eastman Kodak Company. San Francisco: Eastman Kodak Company, 241 Battery Street. JACKSONVILLE, FLoripa: Ciné-Kodak Service, Inc., 315 West 8th Street. Toronto: Canadian Kodak Co., Limited. Mexico City: Kodak Mexicana, Ltd., Independencia -37. CopENHAGEN: Kodak Aktieselskab, Ostergade 1. Geneva: Kodak Société Anonyme, Rue de la Confédération 11. GoTHENBURG: Hasselblads Fotogr. A. B. Lonvon: Kodak Limited, Kingsway, W. C. 2. Maprip: Kodak Sociedad Anénima, Puerta del Sol 4. Miran:KodakSocietaAnonima,CorsoVittorioKmanuele 34. Osto (Curist1aniA): J. L. Nerlien A. S., NedreSlotsgt. 13. Paris: Kodak Société Anonyme Francaise, Avenue Montaigne 39. BrusseE_s: Kodak Limited, Rue Neuve 88. Beruin: Kodak Ges. m. b. H. Markgrafenstrasse 76. Rome: Kodak Societa Anonima, Via Nazionale 25. Bomsay: Kodak Limited, Kodak House, Hornby Road. SinGApoRE: Kodak Limited, 3 Battery Road. Cairo: Kodak (Egypt) Société Anonyme, Opera Square. Cape Town: Kodak (South Africa) Limited, 38 Adderley Street. RiopeE JANEIRO: Kodak Brasileira, Ltd., RuaSao Pedro 270. Buenos Arres: Kodak Argentina, Limited, Calle Paso 438. MeE.sourneE: Kodak Australasia Pty. Ltd., 284 Collins St. GETTY CENTER IDOL IL 3125 000 6 g 6 f 99 Incorporated POMONA, CALIF.