ty ag 2G i gt I tg, Pek pis mH aa pee, erties ors es one Wrap ie eel ge 2 eR ee ao WE eens eat ehh (2 yp iyi tls (Rey Ban Ae iat: eee aad any Bi, nee ay it) Ky . ws NRE: ae Bae sale oe ale oe a PD Oa Ree I amt ae Uy is SRS eae a RE a Se a ee eS Pe ee ee Duveen Calo, No. Price 130. $ 1,500. ol. 150. thee 900. abst. 500. 134, 200. 355 LUGS SALE NUMBER 1676 ON FREE PUBLIC EXHIBITION FROM WEDNESDAY, NOVEMBER FIRST FIGHTY-_THREE PAINTINGS FROM THE COLLECTION OF MR. FRANCOIS ADAM CAMROSE, ALBERTA, CANADA WITH FIFTY-TWO PAINTINGS _ FROM THE COLLECTION OF fee EARICH GALLERIES NEW YORK TO BE SOLD BY AUCTION WEDNESDAY, THURSDAY EVENINGS, NOVEMBER EIGHTH, NINTH AT EIGHT’-FIFTEEN O CLOCK THE ANDERSON GALLERIES [MITCHELL KENNERLEY, PresIDENT| PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 1922 CONDITIONS OF SALE All bids to be PER LOT as numbered in the Catalogue. The highest bidder to be the buyer. In all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. = Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased to be immediately resold. Purchases to be taken away at the buyer’s expense and risk within twenty-four hours from the conclusion of the sale, and the — remainder of the purchase money to be paid on or before delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible if the lot or lots be lost, stolen, damaged, or destroyed, - but they will be left at the sole risk of the purchaser, and subject to storage charges. All lots will be exposed for public exhibition before the date of sale, for examination by intending purchasers, and ‘The Anderson Galleries, Incorporated, will not be responsible for the correctness of the description, authenticity, genuineness, or for any defect or fault in or concerning any lot, and makes no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. TERMS CASH. Upon failure to comply with the above condi- tions any sum deposited as part payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the con- clusion of the sale will be resold by either private or public sale at such time as The Anderson Galleries, Incorporated, shall determine, without further notice, and if any deficiency arises from such resale it shall be made good by the defaulter at this sale together with all the expenses incurred thereby. This condition shall be without prejudice to the right of The Anderson Galleries, Incorporated, to enforce the contract with the buyer, without such resale. Bips. We make no charge for executing orders for our cus- tomers and use all bids competitively, buying at the lowest price permitted by other bids. | The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. THE ANDERSON GALLERIES PARK AVENUE AND FIFTY-NINTH STREET NEW YORK TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN LIST OF ALKEN, S. AMBERGER, C. (ATT. TO) BARKER OF BATH, T. BELL, W. BELLIZ, H. BOLOGNESE SCHOOL BRETON, J. BRUYN, B., THE ELDER CANALETTO CHARTON, J. H. CLAYS,-P--]. COLLIER, E. COTES, F. COUTURIER, P. L. COURTOIS, H. CROME, J. DE BAEN, J. DE HONT, H. DELDERONNE, L. DEVIS, A. DE WIT, J. DIAZ DE LA PENA, N. V. DILLENS, A. DUBOIS, L. DUTCH SCHOOL ERNIEL, E. FRANCA FRANCIABIGIO (ATT. TO) FRANSON, J. GAINSBOROUGH, T. GERARD, T. GROS, A. L. (BARON) GUINAU, J. GUISTO, F. HUDSON, T. ITALIAN SCHOOL TAGOUE. C. FE: JAMAR, A. ARTISTS PAINTING NUMBER 98 106 purity) EkO nts 6 120 74;°76, 77, 80, 83; 103 102 22, 49 66 129 75, 85 38 Bee gens WT, Teel Selig. 2 tage 20, 20, . 31,33 B71 A850, 52; 55; 50,.59, 61, 93;-65, 67, 08;.°70, 95 Ge JORDAENS, J. KNELLER, G. (SIR) 131 1OT, 124 LANCRET, N. (ATT. TO) LELY, P. (SIR) LONGHI,.P. MAILLART, D. MARTIN, D. MIGNARD, P. MONCHABLON, F. J. MURILLO SCHOOL NASMYTH, P. NETSCHER, C. OPIE, J. OWEN, W. PANNINI SCHOOL PECRUS, C. PHILLIPS, T. RANET, V. RAMSAY, A. REINHARDT, B. F. REYNOLDS, J. (SIR) RICHBORN, J. ROMNEY, G. SARTORIUS, J. N. SCHMIDT, W. H. SCHOUTEN, P. H. SCHUMEC. STEELINK, W. TENIERS DSsTHE YOUNGERAU Ai ebay VAN DER HELST, B. VAN DER TAELEN VAN DYCK, A. (SIR) VAN GENEGEN, J. VAN GOYEN, J. (SCHOOL OF) VAN IMSCHOOT, J. VAN LEEMPUTTEN, C. VAN RAVESTEYN, J. A. VARLET, J. VERBOECKHOVEN (AFTER) VERE Ale VERWEF, C. L. WARLAND, C. WATTS, F. W. WEENIKX, J. B. WILLCOCK, G. B. WYATT, H. ZOFFANY, J. PAINTING NUMBER 134 119 QI 53 114 127 Sh 84 95 90 94, 107 “IOs 88 27 1s 18 128 45 121 ig 115 87, 93 42 41 135, 32 : 82 89, 120 2 132 138 20, 54), 58; 04 78 ae Heat ‘oh 3 % conten ea THE PAINTINGS ice 23 ea La Be 29, 30, 31, 33 37, 40, 41, 42, 48, 49, BO tae 53, 595A, ares 0, 57559, 59, 60, OF, | 65, 66, 67, 68, 69, 70, 71, 72, 73, 74) 75, 77; 78, 80, 103, se sao 120,51 30;: 131, 132; 133,135. THE FOLLOWING LOTS ARE FROM THE _ EHR d CH GALLERIES, NEW YORK ¥ 3 @ 38, 39, 45, 47, 76, 79) 84, 85 86, 87, 88, 90, SALE WEDNESDAY EVENING, NOVEMBER EIGHTH AT EIGHT-FIFTEEN O’CLOCK FIRST SESSION NUMBERS 1-73 CONTEMPORARY BELGIAN ae H-BELLIZ 15 foes Di lik, - A joint of beef in a platter, a cauliflower, onions and a glass jar of gherkins, against a dark background. Canvas. Signed at lower left. Height, 21 inches; width, 30 inches. H. VAN DER TAELEN rae CONTEMPORARY BELGIAN ke 2 CATHEDRAL INTERIOR ; High vaulted nave, showing marble groups and stained glass windows. Canvas. Signed at lower right. Height, 33 inches; width, 19 inches. ARMAND JAMAR p f a CONTEMPORARY BELGIAN ‘be? 3 MOTHER AND CHILDREN The mother is seated rocking her babe to sleep, little girl at her side, kettle on the fire at right; humble interior. Canvas. Signed at lower right. Height, 22 inches; width, 29 inches. COPY AFTER VERBOECKHOVEN BELGIAN, 19TH CENTURY | by Mae Os Oa) Op BO A spirited animal with uplifted head in the foreground, sev- eral sheep and a goat in the grass at the left, hilly landscape; blue sky with warm cloud effects. Canvas. Signed at lower left. Height, 18 inches; width, 21 inches. ARMAND JAMAR. are CONTEMPORARY BELGIAN (s Ue 3 CE aA sleL i Neti Homely interior, with a peasant woman seated beside a cano- pied bed administering to the invalid; artistic accessories. Canvas. Signed and dated 1902 at lower left. Height, 23 inches, width, 20 inches. | 0 THEODORE GERARD” Sa BELGIAN, 19TH CENTURY | 6 THE NEWS The young mother seated, her babe in her lap, turns to her husband standing at the left reading a newspaper; a dog looks on and a servant is in the background; homely interior. Canvas. Signed at lower right. Height, 28 inches; width, 25 inches. | ye ARMAND JAMAR 5. CONTEMPORARY BELGIAN | 7 STILL LIFE Yellow chrysanthemums in a green vase, partly reflected in a brass kettle at the left; candelabra at the right; scarlet back- ground. Canvas. Signed and dated 1919 at lower right. Height, 25 inches, width, 20 inches. 8 IO II C. L. VERWEE | : ), ‘g BELGIAN, I9TH CENTURY FIRST AID _ The little girl has bruised her knee and is being cared for by her mother and an elderly nurse. Panel. Signed at lower right. Height, 22 inches; width, 21 inches. : ARMAND JAMAR oa CONTEMPORARY BELGIAN is 3 VIEW OF NEW YORK CITY Taken from the Brooklyn side, the disc of the sun near the _ horizon, orange-tinted clouds in an emerald sky. Panel. ‘Signed and dated 1919 at lower left. Height, 14 inches, width, 20 inches. Kk. ERNIEL ae CONTEMPORARY BELGIAN hb, THE BROOK Small stream in the foreground at the right, several punts on the bank at the left; wooded background; gray and creamy sky. Canvas. Signed at lower left. Height, 16 inches; width, 24 inches. ARMAND JAMAR CONTEMPORARY BELGIAN ) (). EVENING , View on the East River, Brooklyn Bridge at the middle dis- tance, steam from a tug rising at the left, the moon at crescent at upper right. Canvas. Signed and dated 1919 at lower left. Height, 15 inches, width, 18 inches. TZ 13 14 15 Pec Ce ARMAND JAMAR D5 CONTEMPORARY BELGIAN THE SPINNING WHEEL A young woman in ornate peasant costume is seated at her wheel in a corner of a room with a high pitched ceiling; kettle on the fire and kitchen utensils about; interesting light effect. Canvas. Signed and dated 1908 at lower left. Height, 30 inches, width, 21 inches. : J. RICHBORN CONTEMPORARY BELGIAN [). INTERIOR OF A STABLE A brown horse feeding while a peasant is seen at the right; various light effects from doors and windows; a glimpse of a cottage at the left. Canvas. Signed at lower left. Height, 20 inches; width, 28 inches. JULES VAN IMSCHOOT Fae BELGIAN, 19TH CENTURY | S THE PARTING GLASS A cavalryman mounted on a black charger is reaching for a glass of liquor served by a buxom inn maid; soldier blowing a bugle at middle distance and another beyond; village scene, a boy on improvised hobby-horse at the right. Canvas. Height, 10 inches; width, 14 inches. ARMAND JAMAR pe CONTEMPORARY BELGIAN 29 , A BELGIAN TOWN | A river with small boats, a bridge of three arches with pas- sengers at middle distance, light sky with cloud effects. Canvas. Signed and dated 1910 at lower left. Height, 22 inches, width, 30 inches. 16 17 18 oe ADOLPH DILLENS ie BELGIAN, 19TH CENTURY j: THE VILLAGE SMITHY The farrier is preparing to shoe a white horse as a hostler leads a fine black horse at the right; chickens about, village with church spire at the distance; blue and cloudy sky. Canvas. Signed at lower left. Height, 21 inches; width, 28 inches. ARMAND JAMAR | vey CONTEMPORARY BELGIAN ih ie STILL LIFE Fruit, brass kettle and a platter arranged in nice design against a deep scarlet background. Canvas.. Signed and dated 1919 at lower right. Hetght, 20 inches; width, 29 inches. VICTOR RANET ee CONTEMPORARY BELGIAN | i SEAMSTRESSES In neat costume a number of sewing girls are seated about, busy with their needles; a sewing machine is at the left, and other attendants are standing. Panel. Signed and dated 1887 at lower right. Height, 14 inches, width, 25 inches. JULES VAN IMSCHOOT / BELGIAN, I9TH CENTURY eat be AFTER THE BATTLE A cavalryman mounted on a brown horse is leading the white charger of the wounded Maréchal MacMahon on the road to Sedan, strewn with the bodies of the dead; soldier on horse in background; warm gray sky with patches of blue. On the back is a signed statement in French by the artist giving the above interpretation of his picture. Panel. Signed and dated 1872 at lower left. Hetght, 12 inches; width, 17 inches. 20 21 22 23 JOSEPH VAN GENEGEN S CONTEMPORARY BELGIAN )() : STILL LIFE A highly polished kettle surrounded bye Bren on the shell, celery, onions and half a lemon, arranged on a kitchen table. Canvas. Signed at lower right. Height, 24 inches; width, — 31 inches. CONTEMPORARY BELGIAN INTERIOR WITH FIGURES A woman in peasant costume is nursing her babe, while the little girl stands before her; a cradle is seen, and a cauldron and kitchen utensils are about; window at the left. ARMAND JAMAR if A Canvas. Signed and dated 1908 at lower left. Height, 29 inches; width, 22 inches. J7 GENS c BELGIAN, 19TH CENTURY 0: | LANDSCAPE WITH CATTLE Vista of undulating countryside, cattle and cowgirl at the centre, wooded at the left and middle ground; blue sky with rolling cloud effects. Panel. Signed at lower right. Height, 14 inches, width, 20 inches. | ARMAND JAMAR CONTEMPORARY BELGIAN de THE WATER MILL An old mill, the wheel in motion stirring the water in the pond; wooded background, blue sky. Canvas. Signed and dated 1917 at lower right. Height, 31 inches, width, 21 inches. 24 25 26 27 } ae L. DELDERONNE () CONTEMPORARY BELGIAN a ‘ : PREPARING THE MEAL | An elderly woman is seated with her back to the spectator pre- paring vegetables, which a young woman is stirring into a big cauldron on the fire in a simple interior. Canvas. Signed at lower left. Height, 20 inches; width, 31 inches. | HERMANN COURTOIS (?): x0, CONTEMPORARY BELGIAN | 1 7 STILL LIFE Flowers in a vase, deep blue glass bowl, fruit and dishes nicely disposed on a draped table with flowered curtain background. Canvas. Signed illegibly at lower left. Height, 21 inches; width, 19 inches. | -) 10. ARMAND JAMAR ae CONTEMPORARY BELGIAN 4 "| ; mi rie FIRESIDE Old lady at her knitting in centre of artistic interior with high pitched ceiling, quaint old utensils about, light entering from casement window. \ Canvas. Signed and dated 1905 at lower right. Height, 22 inches; width, 30 inches. CEeEC RS BELGIAN, 19TH CENTURY ee THE ARTIST A blonde young lady in cream satin dress is seated sketching a classical bust placed on a red-covered table; rich interior nicely detailed. Panel. Signed at lower right. Height, 10 inches; width, 8 inches. 28 29 30 31 P. L. COUTURIER | FRENCH, 19TH CENTURY BARNYARD FOWL | Chickens and ducks grouped about, some drinking at a trough, a pheasant perched on a ladder at the right. Canvas. Signed and dated 1863 at lower right. Hage 18 inches; width, 20 inches. £0 ARMAND JAMAR Se CONTEMPORARY BELGIAN Te FEEDING THE CATTLE A woman in green garments carrying a bucket is scanning the well-being of several cows in a pen; high pitched barn in- terior with hay in loft, agricultural implements and utensils about. Canvas. Signed and dated 1906 at lower right. Height, 29 inches; width, 22 inches. CHARLES WARLAND h CONTEMPORARY BELGIAN ) VIEW ALONG THE PEPINSTER Pretty river at the right, road on the left, rising wooded slopes and a village with church spire in the distance; blue sky with cloud effects. Panel. Signed at lower right. Height, 18 inches; width, 26 inches. CONTEMPORARY BELGIAN SAYING GRACE In a peasant interior a mother and daughter in homely garb are seated at table, heads bowed in prayer; a babe is in a cradle at the back. Canvas. Signed and dated 1912 at lower left. Height, 21 inches; width, 30 inches. ARMAND JAMAR Mh | a 32 33 ot WILLEM STEELINK A is 4 BELGIAN, 19TH CENTURY LANDSCAPE Sheep feeding in grassy foreground, with a path zigzagging toward a thatched cottage at the brow of a hill at the middle- ground, blue sky streaked with silver and gray clouds. Canvas. Signed at lower right. Height, 13% inches, width, 19g inches. e rad ARMAND JAMAR fe CONTEMPORARY BELGIAN i} J» GRACE BEFORE MEAT A peasant and his wife and daughter in quaint costume and artistic headdress are seated at table; the father, hat in hand, is Saying grace; interesting interior with big fireplace. Canvas. Signed and dated 1908 at lower right. Height, 22 inches, width, 30 inches. PAUL JEAN CLAYS a \\0. BELGIAN, 1819-1900 S Pee MOULH OF THE SCHELDT Fine large fishing vessels in the foreground with brown and tan-colored sails, reflected in the limpid water; various craft at the middle distance, town on mainland in the distance, with a windmill in nice design across the horizon line; gulls about, pale emerald sky with banks of gray clouds with cream and silver linings. Canvas. Signed and dated 1871 at lower right. Height, 24% inches; width, 41% inches. 35 36 ay) 7 FERDINAND JAN MONCHABLON (90: CONTEMPORARY .FRENCH / LANDSCAPE Bright summer day, a rivulet winding its way through a vil- lage with a group of red tiled roof cottages at the left; figures about, pale blue sky with cloud effects. ~ Cradled panel. Inscribed on back: “La Saone (river) Liron- court, Vosges (France), No. 251 (in sequence of artist's work).” Height, 13 inches; width, 18 inches. re JULES BRETON ,09 ~ FRENCH, 1827-1906 BY THE SEA 7 Figure of a fishergirl in Breton costume standing on the bank, -her right arm akimbo, her dark garments and white bonnet in fine contrast against an expanse of deep blue sea with sails and a distant hill deftly touched in; blue sky with slight cloud effect near horizon. Canvas. Signed and dated 1865 at lower right. Height, 15% inches, width, 12 inches. ARMAND JAMAR RE CONTEMPORARY BELGIAN SPINNING High panelled interior with huge chimney fireplace with caul- dron on the fire, a peasant woman at her wheel, plates and ewer on the mantel, a crucifix on the wall, an old clock at the right. Canvas. Signed and dated 1918 at lower left. Height, 30 inches; width, 22 inches. [SEE ILLUSTRATION ] SPINNING BY ARMAND JAMAR [37] en 38 yd” + ‘ DRE Se Vis 40 _ group. Wooded background, with a glimpse of hill and sky Zn CHARLES EMILE JACQUE _ \0° | FRENCH, 1813-1893 FEEDING TIME Interior of a sheepfold, sheep and lambs about, some nibbling at the hay in the crib; steps leading to loft at the right, a woman in the background; hens add interest. A ray of light from the top illumines the white wall and several of the ant- mals in the foreground effectively. Panel. Signed at lower left. Height, 12 inches; width, QVe inches. , a NARCISSE VIRGILE DIAZ DE LA tee jo FRENCH, 1809-1876 S | : ae ) Kt » \ ext a MATERNAL LOVE \ A couple of young mothers, one in pink gown Renee ¥ | a nude blond child on her sate the other in deep blue kneeling y i while her auburn-haired child stands, making a charming © | at the right. Canvas. Signed and dated 1863 at lower left. Height, 27% inches; length, 21 inches. ARMAND JAMAR CONTEMPORARY BELGIAN WOMAN KNITTING | In a dark interior, with the light coming from a window at the left, a peasant woman is seated knitting near the big fireplace with a huge kettle, a table, chairs and utensils about. \) ) Canvas. Signed at lower right. Height, 22 inches; width, 29 inches. 4I 42 43 44 BELGIAN, 19TH CENTURY GOING TO MARKET A country couple in peasant costume are driving a cart drawn by a brown horse at a trot along the country road, passing pastures with cows; a black and white dog is in the van. P. H. SCHOUTEN ie a Canvas. Signed at lower left. Height, 50 inches, width, 38 inches. GERMAN, 19TH CENTURY TIME TO WAKE UP 10 W. H. SCHMIDT pve | a A dog has approached his master, who is asleep in sitting posture, and is about to touch him with extended paw. ‘The gun, the military accoutrements about, the sword and the empty glass in his hand indicate the home of a soldier. Panel. Signed and dated 1863 at lower left. Height, 16 inches; width, 15 inches. ARMAND JAMAR ) CONTEMPORARY BELGIAN 7 INTERIOR WITH FIGURES Humble scene showing the family of a peasant at their meal, a fireplace at the left and light from a window at the right. Canvas. Signed and dated 1917 at lower right. Height, 21 inches, width, 30 inches. CORNEILLE VAN LEEMPUTTEN CONTEMPORARY BELGIAN SHEEP | A number of sheep are ruminating in groups over an expanse of meadow of long grass, the shepherdess is seen in the dis- tance, wooded ridge at the middleground; pale blue sky with gray and creamy cloud effects. Panel. Signed at lower left. Height, 26 inches, width, 35 inches. 45 AMERICAN, 1829-1885 PORTRAIT OF LORD TENNYSON | his left hand holding a cape thrown over his right shoulder warm light gray background. (For some years the artist lived abroad, where he panes many notable personages. ) Canvas. Signed and dated 1866 at the right. Height, 29 inches, width, 24 inches. [SEE ILLUSTRATION ] / BENJAMIN FRANKLIN REINHARDT, A.N.A. 00 Bust, head to the left, shoulders to the front, dark hair and \) beard with touches of gray, attired in black satin-lined coat, rc , PORTRAIT OF LORD TENNYSON FRANKLIN REINHARDT, A.N.A. [45 ]| BY BENJAMIN BARNYARD FOWL BY CHARLES VERLAT [46] ie CHARLES VERLAT A BELGIAN, 19TH CENTURY s| : 46 BARNYARD FOWL A white rooster is interested in some chicks playing by a dish of water; several black and white hens about; sky effect at the lett A certificate of authenticity, signed by the artist, is inscribed on the back. Panel. Signed and dated 1860 at lower right. Height, 26 inches, width, 38 inches. [SEE ILLUSTRATION | aa 49 50 e FRANCA cee 19TH CENTURY PORTRAIT OF A BOY Three-quarter length, seated, looking at spectator, of a blond youth in black necktie, white shirt and collar and dark suit, holding a crayon in his right hand and a paper in his left; simple background. Canvas. Signed at lower right. Height, 30 inches, width, 25 inches. ARMAND JAMAR fo CONTEMPORARY BELGIAN 4 EAST RIVER VIEW : Coal pockets at the right, factories on the left bank, bridge in the distance; warm sunset sky. Canvas. , Signed and dated 1919 at lower right. Height, 17 inches, width, 25 inches. J. GUINAU if BELGIAN, 19TH CENTURY od : LANDSCAPE WITH FIGURES Undulating country with thatched cottages at the left, cattle and a cowgirl and fowl in the foreground, hilly wooded dis- tance with church spire near the horizon; blue and clouded sky. Panel. Signed and dated 1867 at lower left. Height, 14 inches; width, 19% inches. ARMAND JAMAR CONTEMPORARY BELGIAN PORTRAIT STUDY OF A PEASANT GIRL Half-length, seated, facing the spectator, her right arm resting on back of chair, attired in blue jacket and skirt, white chemise and bonnet headdress; cream-colored background. Canvas. Signed and dated 1910 at lower right. Height, 30 inches; width, 22 inches. Ly! §2 a 54 6 eae J. VARLET '] CONTEMPORARY BELGIAN : FISH MARKET ; : Many fishing boats in the harbor, with fishermen and women handling the catch in baskets, animated scene; town at the right, blue and creamy sky. Canvas. Signed at lower right. Height, 32 inches, width, 39 inches. [ ARMAND JAMAR NO CONTEMPORARY BELGIAN MOTHER AND CHILDREN In a quaint interior a woman in peasant costume and two chil- dren are busy at household duties; fireplace with medieval irons, window at the right. Canvas. Signed and dated 1908 at lower right. He1ght, 29 inches, width, 22 inches. | CONTEMPORARY FRENCH CLASSICAL COMPOSITION A female in light flowing draperies is about to nurse a nude child seated beside her on a bank by a fountain; lake beyond, pale sky. y D. MAILLART z f) i Canvas. Height, 21 inches, width, 15 inches. ; rs JOSEPH VAN GENEGEN ny): CONTEMPORARY BELGIAN STILL LIFE A brass kettle with oysters, half a lemon, a bottle and a dish on a table against a dark background. Canvas. Signed and dated 1910 at lower left. Height, 21 inches, width, 25 inches. . 55 PRO 57 ARMAND JAMAR ee CONTEMPORARY BELGIAN f. MARINE Deep blue sea rolling in toward the spectator, gulls flying near the surface of the water, blue sky with orange effect near horizon. Canvas. Signed and dated 1919 at lower right. Height, 19 inches, width, 30 inches. ARMAND JAMAR he CONTEMPORARY BELGIAN HE PREPARING THE MEAL A young woman in homely garb and wooden shoes is seated on a stool, peeling potatoes while a cauldron is on the fire; a child is seated on the floor; kitchen utensils and ornaments about, open window at the right. Canvas. Signed and dated 1918 at lower right. Height, 21 inches, width, 30 inches. JOSEPH FRANSON A BELGIAN, 19TH CENTURY b/s FARM COTTAGE ei Nes. A large white cottage with red high-pitched roof surrounded by barns and fine trees, a road with a lonely figure at the left, greensward in the foreground; blue sky. Canvas. Signed at lower right. Height, 20 inches, width, 29 inches. JOSEPH VAN GENEGEN Feel CONTEMPORARY BELGIAN wey eek SLL LIFE A large covered kettle with oysters, a slice of melon, fruit and a pheasant on a table against a neutral background. Canvas. Signed and dated 1919 at lower left. Height, 33 inches; width, 43 inches. 59 60 61 62 ARMAND JAMAR O CONTEMPORARY BELGIAN Ne INTERIOR WITH FIGURES Effective presentment of two women at a tea table in ieee silhouette against a window; rich interior. Canvas. Signed and dated 1904 at lower right. Height, 22 inches, width, 30 inches. 4 L. DUBOIS : A : CONTEM PORARY BELGIAN STILL LIFE Fish, a crab, a glass, various dishes and some greens arranged on a table against a neutral background. Canvas. Signed at lower right. Height, 23 inches; width, 35 inches. /D pas ARMAND JAMAR Ni CONTEMPORARY BELGIAN THE DAIRY MAID In a barn, with hay and grain about, a peasant ¢ cite is seated, while a Sime and other implements are shown ; high inet techies ett: Canvas. Signed and dated 1907 at lower right. Height, 29 inches, width, 22 inches. 46 Aes CORNEILLE VAN LEEMPUTTEN A CONTEMPORARY BELGIAN foie Medved e2 A number of sheep are grouped about a grassy pasture, the shepherdess is warming herself at a fire of brushwood at the left, rising ground with trees and a thicket farther back, dog at distance, gray and creamy sky. Canvas. Signed and dated 1889 at lower left. Height, 26 inches; width, 36 inches. 63 64 65 66 ARMAND JAMAR b, CONTEMPORARY BELGIAN pe THE OLD COUPLE A weather-beaten peasant sits smoking his pipe at a bright, open fireplace while an aged woman knits at the right; hum- ble interior. Canvas: Signed and dated 1903 at lower left. Height, 22 inches, width, 30 inches. ) JOSEPH VAN GENEGEN at) 4 CONTEMPORARY BELGIAN ) | PATH THROUGH THE WOODS Tall trees in close formation, with the rays of sunlight in nice pattern on the ground; thick foliage at distance, with a glimpse of sky at the back. Canvas. Signed at lower left. Height, 35 inches; width, 49 inches. ARMAND JAMAR OF CONTEMPORARY BELGIAN ihe. INTERIOR WITH FIGURE A barefooted peasant girl is seated close to the hearth, pre- paring vegetables. Canvas. Signed and dated 1918 at lower left. Height, 30 inches, width, 22 inches. FAUSTO GUISTO , ITALIAN, 19TH CENTURY hy" FEMALES QUARRELLING In a picturesque courtyard a number of wayfarers have halted on their errands, amused, as two pretty maidens scold one an- other; colorful costumes; fowl about, and a couple of men at a game of cards at the right. Canvas. Signed at lower right. Height, 39 inches, width, 60 inches. 67 3 : de ARMAND JAMAR 45 | CONTEMPORARY BELGIAN HARBOR SCENE Low-pitched horizon, the calm waters of an inlet with barges | ’ and dories in the foreground, several sails in the offing and a lighthouse at the horizon, sand dunes at the right distance; _ blue sky with pink-tinted clouds. 68 Canvas. Signed and dated 1913 at lower left. Height, 28 inches; width, 39 inches. ; a ARMAND JAMAR ‘5 7 CONTEMPORARY BELGIAN Z STREET SCENE IN BRUGES A canal bordered with trees and a bridge at the left, street and buildings at the right, figures about; light, warm sky. Canvas. Signed and dated 1909 at lower right. Height, 28 inches, width, 39 inches. J. H. CHARTON, AFTER KOWALSKI 4 CONTEMPORARY BELGIAN Q); ATTACKED BY WOEVEs A sleigh drawn by four horses has been overtaken by a pack of wolves; the despairing driver urges on his frantic horses while his companion is levelling his gun at the nearest ma- rauder; snow-covered landscape, dark gray sky with touches of blue. Canvas. Signed at lower right. Height, 30 inches; width, 52 inches. : 19 A F oe aaa ‘ee 2 esaaiaes ARMAND JAMAR as CONTEMPORARY BELGIAN pe go CISHING BOATS Quaint harbor scene, with the nets hung from the masts of the boats to dry, nice silhouette of buildings, figures about; warm creamy and blue sky. Canvas. Signed and dated 1913 at lower right. Height, 28 ~.. inches, width, 40 inches. : hy yo ARMAND JAMAR LO CONTEMPORARY BELGIAN 71 MOONRISE Fishing boats and river craft anchored in a broad stream, the orange disc of the moon rising in a sky luminous with the last rays of the setting sun. Canvas. Signed and dated 1911 at lower left. Height, 28 inches, width, 40 inches. x mS) “ ARMAND JAMAR nO: \ CONTEMPORARY BELGIAN sad |. 72 THE STORM The pale green waters in light relief against a leaden sky are lashed into fury by a storm; a small trawler tossing in the _ heavy sea is in danger of being dashed against a dock. Ganvas. Signed and dated 1903 at lower right. Height, 40 inches; width, 60 inches. - a ARMAND JAMAR eae CONTEMPORARY BELGIAN » Y 73 VIEW OF NEW YORK CITY Silhouette of lower New York against a fleeting sky of warm- tinted clouds. Canvas. Signed and dated 1919 at lower right. Height, 40 inches; width, 60 inches. SALE THURSDAY EVENING, NOVEMBER NINTH AT EIGHT-FIFTEEN O’CLOCK SECOND SESSION NUMBERS 74-135 DUTCH SCHOOL eee 17TH CENTURY a 0). 74 TAVERN SCENE Men seated about playing cards, using casks as tables; maid serving wine. Canvas. Height, 13 inches, width, 18 inches. ITALIAN SCHOOL \ ae 18TH CENTURY | 75 MADONNA, CHILD AND ST. JOSEPH The Virgin in red and blue garments is seated, holding the nude Infant, and St. Joseph offers a pear at the left, while the white dove representing the Holy Ghost hovers above. Copper. Height, 27 inches; width, 17 inches. DUTCH SCHOOL. che 18TH CENTURY + 76 STILL LIFE Flowers of a great variety in a vase placed on a table; neutral background. Canvas. Height, 30 inches; width, 25 inches. DUTCH SCHOOL jae 18TH CENTURY \\ 77 THE TAVERN A number of burghers and a woman, some drinking or smoking. | Canvas. Height, 13 inches; width, 18 inches. SCHOOL OF J. VAN GOYEN DUTCH, -17 TH -CENTUORY A - 738 PAIR OF RIVER SCENES (A) With lofty church on right bank, sailcraft and rowboats about; rolling creamy-tinted clouds with touches of blue. Panel. Height, 15 inches; width, 20 inches. | (B) Embattled castle on right bank, various sails at distance, ferryboat with passengers at left foreground, gray and cloudy sky. Panel (split). Height, 15 inches, widtis 20 inches. BOLOGNESE SCHOOL , 17TH CENTURY we 49 HOLY FAMILY | The Madonna, Infant Christ, St. Joseph and St. John the Baptist. Panel. Feigned oval. Height, 6% inches, width, 5 inches. 80 DUTCH SCHOOL Me 17TH CENTURY BP (), PORTRAIT OF A LADY Half-length, head and shoulders to the front, in low corsage, _ red gown with white insertion, brown hair dropping in curls 81 over left shoulder, eyes hiwaeae toward the spectator; hold- ing a carnation. Neutral background, with feigned oval. Canvas. Height, 30 inches; width, 29 inches. { EVERT COLLIER (,0 : FLEMISH, 1602-1670 VeaNTEIES, STILL LIFE An open book, a large wine glass, musical instruments, coins, an almanac, a pair of glasses, a skull, double string of pearls, sheet of music and a globe nicely composed on a table; neu- tral background. Canvas. Signed with monogram and dated 1661. Height, 36 inches; width, 30 inches. ATTRIBUTED TO DAVID TENIERS THE YOUNGER 82 FLEMISH, 1610-1690 STILL LIFE bas A breakfast assortment of herring on a plate, a cup of coffee, a glass of wine, another of liquor, a pot of beer, with playing cards, pipe and tobacco pouch, arranged on a table. An inscription on the back states that this picture was painted Berotmthe tavern. Elet -Perreke”. beyond. the: gate. “de la Bouverie,” Bruges, where it remained until 1889, well known to all Bruges. Panel. Height, 14 inches, width, 21 inches. A | t 83 84 85 DUTCH SCHOOL Ry 17TH CENTURY ie PORTRAIT OF A LADY Bust, head and shoulders to the front, eyes Nineteen to the spectator, with long curly brown hair dropping in ringlets, in fancy costume of blue and tan with jewel ornaments, ani- mal head at the shoulder; neutral Dake ou feigned oval. Panel (split). Height, 29 inches, width, 23 inches. SCHOOL OF MURILLO Pane c : SPANISH, 17TH CENTURY h 0: PORTRAIT OF A YOUNG MAN | Half-length to the left, with hands clasped in supplication, wide square-cut collar, dark attire with lace cuffs; room in- terior in gray tones. | Canvas. Hetght, 23 inches; width, 1734 inches. ITALIAN SCHOOL He 17TH CENTURY - 4 (). A FEMALE SAINT Half-length, seated, with long brown tresses, leaning on her right elbow as she gazes at her long crucifix in loving devo- tion, robed in white with black stripes and yellow and red draperies, an urn at the left foreground. Canvas. Height, 34 inches, width, 30 inches. 86 $8 JACOB DE WIT ae FLEMISH, 1695-1754 nv CUPIDS Presentment of cupids playing at gardening, the one in the centre holding a spade and groups of two at each side ar- ranging floral baskets; representing a frieze executed in warm grays. : Canvas. Height, 39 inches; width, 28 inches. . J. N. SARTORIUS Cs ENGLISH, 1755-1828 \\ ae RACING AT NEWMARKET Two jockeys in scarlet and scarlet and green are neck and neck on their brown mounts near the winning post at the left; both are brandishing their whips and urging on their horses; onlookers, some with hats in air, line the fence of the racing enclosure; pavilion at the left; flat country background with gray cloud effects and touches of blue. Canvas. Height, 24 inches, width, 48% inches. SCHOOL OF PANNINI ne ITALIAN, 18TH CENTURY \O L CLASSICAL LANDSCAPE A colonnade at the right, with a staircase descending to the canal at the centre, where gondolas and small vessels are seen animated by figures; palaces at the left and right middle ground, distant view of houses and hills, blue sky with gray cloud effects. Canvas. Height, 38 inches; width, 30 inches. 89 “Tae On aie ee La ere BARTHOLOMEUS VAN DER HELST es DUTCH, 1613-1670. PORTRAIT OF ADMIRAL TROMP Half-length, shoulders to the front, head slightly ‘a the am of a blond man, hair thin on top, wearing a moustache and - slight goatee, ‘a white lace-edged collar, steel breastplate over tan-colored doublet | with fancy sleeves; neutral: back- ground. _ (From the Castle of Avainepenen and ie colleetans of M. Janssens and M. Mourlon, Brussels.) A. certificate of authenticity from Georges Giroux, Brussels, . accompanies this painting. | Cradled panel. Height, 29 inches; width, ft inches. [SEE ILLUSTRATION ] PORTRAIT OF ADMIRAL TROMP BY BARTHOLOMEUS VAN DER HELST [89] G05 PO RGR AI OE Ay GaN ION QI Q2 CONSTANTIN NETSCHER | il. DUTCH, 1668-1722 | Full-length, seated, shoulders to the front, head resting on her left arm inclined to the left, golden hair, low, white — corsage with red gown and yellow drapery thrown about, a — little brown and white dog at the right seeking his mistress’s attention; park background with garden ornaments and statues. Canvas. Height, 23 inches; width, 18% inches. PIETRO LONGHI ~ ENGLISH, 1794-1840 PORIERAIICO FASTA Ds Bust at full front, eyes directed to the spectator, dark hair parted in the middle brought down over the ears and dressed in braids on the crown of the head; low-cut green bodice; neutral background. Canvas. Height, 2034 inches; width, 17 inches. ENGLISH, 1800-1870 CANAL LOCKS : | A barge with two men in the foreground, lock at the middle ground, cattle on bank at right, wooded expanse at left dis- tance, cottages at the right; rolling sky of light clouds with patches of blue. FREDERICK WATERS WATTS £0 ea: Canvas. Height, 20 inches; width, 29 inches. S. ALKEN ENGLISH, ABOUT 1750-1825 G0 98 THE CHASE Three white pointers in a stubblefield in the foreground in an attitude of anticipation, other dogs as well as sportsmen at the middle ground; rolling fields, with cottage on the brow of a hill at the left; birds flying across a blue sky with warm cloud effects. Canvas. Signed at lower left. Height, 28 inches; width, 36 inches. —— | 1 9 100 IOI : / G. B. WILLCOCK () ENGLISH, 1820-1852 \p MILL ON TEIGN Hilly country at the right, a couple of men fishing in the fore- ground, a rushing stream at the left, low middle distance where a watermill is seen, figure nearby; mountains at the horizon, blue sky with cloud effects. Canvas. Signed below to right of centre. Height, 15 inches, — width, 23% inches. ATTRIBUTED TO FRANCIABIGIO be as ITALIAN, 1482-1525 \ ) PORTRAIT OF A YOUNG MAN Bust, shoulders to the front, head slightly to the left, eyes directed to the spectator, long hair, a black cap of the biretta type, and black doublet with an undergarment of fine linen at the neck; landscape background, with a sprig of leaves at the right. Canvas. Height, 18% inches, width, 14 inches. SIR GODFREY KNELLER ENGLISH, 1646-1723 | 7 PORTRAIT OF A LADY Half-length, head and shoulders to the front, of a pretty woman of stately mien, her dark hair descending over her right shoulder in long curl, attired in white chemise with dark blue and red drapery; neutral background. Canvas. Oval. Height, 29 inches; width, 24% inches. 102 103 104 0 BARON ANTOINE LOUIS GROS \ FRENCH, 1771-1835 A re a NAPOLEON hee, ae Full- length, standing, looking at the spectator in chavattenene pose, his right hand tucked under his white waistcoat, blue close-fitting coat of a Field Marshal with white knee breeches — and stockings, black shoes with gilt buckles; ornate interior with fine Empire furniture. ; Canvas. Height, 3314 inches; width, 24% inches. DUTCH SCHOOL ee I7TH CENTURY aQ “ PORTRAIT OF (ASIGEADY | Half-length at full front, eyes directed toward the spectator, dark brown hair descending to the shoulders in ringlets, feather and velvet hair dress, wide gray collar, black gown; brown background. Panel. Height, 29 inches; width, 23 inches. H. DE HONT nee DUTCH: liye ke: CENTURY Al INTERIOR OF A BUTCHER SHOP The dressed carcass of an ox is hanging suspended at the left, the skin and horns are on the floor, the butcher is at the right wiping his instrument; various figures and a dog about. A certificate by F. Poupé Serrame of Brussels that this is a work by De Hont, a pupil of David Teniers the Younger, accompanies the painting. Panel. Height, 23 inches, width, 31 inches. WILLIAM OWEN, R.A. QQ. ENGLISH, 1769-1825 fee ORTRATT OF A GIRL Halt-length, seated, shoulders to the right, eyes to the spec- tator, in ere cut, nae waisted blue gown, corsage edged with lace; puffs at shoulders, holding a pale strawberry-colored drapery over the right arm; interior background with land- scape through open window at thetert. Canvas. Height, 30 inches, width, 25 inches. PreribUlreD TO CHRISTOPHER AMBERGER , | GERMAN, ABOUT 1500-1562 \q0- 106 PORTRAIT OF A MAN | Bust at full-front, eyes directed toward the spectator, with Uni- versity head-covering in black; blond-bearded, attired in fur- lined coat over dark doublet with lace collar; neutral back- ground. Canvas. Height, 21 inches; width, 17% inches. Ne). PT Be Rea ENGLISH, 1761-1807 © QO Tope RET TY BESSIE Bust to the front, eyes directed to the left, of a pretty maiden; head. with rich brown hair framed in wide-brimmed hat fast- ened under chin with yellow ribbons; red cloak and neutral background. (‘Pretty Bessie” was the daughter of the nee of Bethnal Green. ) Canvas. Height, 24 inches; width, 20 inches. THOMAS GAINSBOROUGH, R.A, gh ENGLISH, 1727-1788 — 108 THE WOODCUTTERS; NORFOLK | ‘oa At the left under the limbs of a huge tree a ‘SOHGIe ate men are a} in conversation, a barrow is at their right and a thatched cot-) Ga i. a “< tage looms up at the back; road at right distance, where a Carta is seen, an inn with its eRe signpost farther in ‘the baeece oe tive; Blue, sky with warm cloud effects. or) ; ‘ibang in Lord Gower’s book -on Gainsborough, page 72. ee _ (Purchased direct from the artist by Mr. Wait, whose s son in- herited it.) , , | Canvas. Height, 36 inches; width, 28 Melee [SEE ILLUSTRATION ] THE WOODCUTTERS BY THOMAS GAINSBOROUGH, R.A. [ 108 ] 109 THE PIAZZETTA, VENICE BY ANTONIO CANALE, CALLED CANALETTO [109 ] ‘ ANTONIO CANALE, CALLED CANALETTO P VENETIAN, 1687-1768 (39 THE PIAZZETTA, VENICE The Doge’s Palace at the left, Campanile and ancient palace at the right, square in the middle animated by groups of of- ficials, clergy and people in fine costumes, with the columns of St. Mark and St. Theodore beyond and the Grand Canal and Church of Maria della Salute in the distance; blue sky with warm cloud effects. Canvas. Height, 26 inches; width, 37 inches. [SEE ILLUSTRATION | RETURN FROM THE SPORT BY JAN BAPTISTE WEENIX: [110] JAN BAPTISTE WEENIX Eye a DUTCH, 1621-1664 yr 110 RETURN FROM THE SPORT A gentleman is watering his horse at a fountain at the right, while his attendant displays a large heron to the dogs grouped about in the foreground; ruins of arches in the background. Canvas. Signed with initials and dated 1652 on side of the drinking well. Height, 21 inches, width, 26 inches. [SEE ILLUSTRATION] Lbs TiZ iy Re: JAN DE BAEN DUTCH, 1633-1702 — PORTRAIT OF A LADY Three-quarter length, head and shoulders siehtys to the lett: lace headdress and cartwheel ruff, black gown of fine material, her left hand holding a glove, her right hand posed at the i waistline; gray neutral background. Canvas. Height, 45% inches; width, 32% inches. | / JOHN ZOFFANY. \) aa _ ENGLISH, 1733-1788 ae PORTRAIT OF MRS. GARRICK Half-length, seated, head at three-quarters, shoulders to the left, eyes directed toward the spectator, in lace house-bonnet, light gray gown with transparent lace fichu and satin ribbons, — hands holding open book placed on a blue cushion On attabice effective interior background. Canvas. Height, 30% inches; width, 24% inches. BARTHEL BRUYN THE ELDER> os ; GERMAN, 1494-1557 “ ALTAR PIECE Descent from the Cross, showing the three Maries, Joseph of Arimathea, Nicodemus and attendants lamenting over the body of Christ in the foreground, Golgotha and the crosses with the two thieves still suspended at left distance; blue sky with cloud effect. Left wing with male donor kneeling and saint standing, land- scape background; right wing with female donor kneeling and saint standing, castle and landscape background. A bishop and a female saint in grisaille on closed panels. Panels. Height, 3214 «inches; hath. 24 inches closed; 48 inches when open, including frame. D. MARTIN an ENGLISH, 1736-1798 ay0 114 PORTRAITS OF SISTERS Two bright-eyed girls, the taller at the right in low-cut pink dress with white trimmings, one hand holding a basket of fruit which the smaller sister also clasps, the latter attired in white costume, both looking at the spectator; landscape back- ground. (From the collection of Sir William Baillee of Polkemmet.) Canvas. Signed with monogram and dated 1783 at lower right. 4 + GEORGE ROMNEY Ah ENGLISH, 1734-1802 } 115 MISS MISCHIEF ) , Portrait study, head to the right, of a dark curly-haired child with pretty features looking at the spectator with large expres- sive eyes and lips parted ready to speak; drapery sketched in. Canvas. Height, 21 inches; width, 17 inches. ENGLISH, - 1711-1787 _ 116 PORTRAIT OF A GENTLEMAN | A middle-aged squire standing in a park, his left arm resting _ on a flower urn, his right hand tucked under his waistcoat, holding a three-cornered black hat; blue costume and knee ‘breeches with gilt trimmings, white oes facing the spec- tator, a pet dog squatting at the right looking up at his master. f Vista of a winding river with village at the left, and cottage “among tree groves at the right; blue and cloudy sky. : / ARTHUR DEVIS aN | Canvas. Signed and dated 1763 at lower centre. Height, 30 inches; width, 25 inches. : [SEE ILLUSTRATION ] PORTRAIT OF A GENTLEMAN BY ARTHUR DEVIS [116] rit homens wir ie t y ‘ Aenean. te tae country ait Pease ofa a o _ baskets in the peat a an, “Canvas. “Height, 8 inches width h sain vy te a gh oh ‘ ' ae us oh, t : of wt 5 te < | ‘ at s 5 ~ bi tO an » Lap ORF - [SEE ILLUSTRATION] nO he ee ee ee LANDSCAPE WITH FIGURES BY THOMAS BARKER OF BATH EEE] C FRANCIS COTES, R:A. yo ENGLISH, 1726-1770 /| Le 118 PORTRAIT OF MRS. PRITCHARD. Half-length, standing, shoulders at full front, head slight to the left; courtly presentment of a beautiful woman with lux- urious dare hair, a transparent lace fichu fastened at crown, — dropping gracefully to her right shoulder and over low cor- — sage of pale wine-colored gown with pink sleeves; warm neu- tral background. . (Formerly 1 in the collection of Mrs. Crawford.) Canvas. Inscribed at left, Mrs. Pritchard, Theatre Roare in Covent Garden, 1758. Height, 30 inches; width, 25 inches. [SEE ILLUSTRATION ] PORTRAIT OF MRS. PRITCHARD BY FRANCIS COTES, R.A. [118] a ae Ae. ~ SIR - PEPER GELY =a ( 1a ENGLISH, 1618-1680 | Bias - 119 PORTRAIT OF MRS. DENMAN shiree- -quarter length, seated to the front, of a beaatetl woman, her hair dressed in braids at the back of the head, with ringlets falling over the forehead; large dreamy eyes. looking at the spectator, pearl necklace and eardrops, low-cut corsage of a pale wine color, with red cape thrown over back of chair; | her hands holding a basket of flowers in her lap; red curtain ‘at right background. (From the Strawberry Hill Collection.) oe Canvas. Height, 36 inches, width, 29 inches. [SEE ILLUSTRATION | PORTRAIT OF MRS. DENMAN BY SIR PETER LELY [119] a BARTHOLOMEUS VAN DER HELST ye DUTCH, 1613-1670 1200 PORTRAIT OF COUNT PIERRE FRANCOIS: DE LICHTERVELDE re Three-quarter length, standing at full front, eyes ape toward the spectator, a dignified presentment of a blond cour- ~ tier of the period, in lace collar over steel neckpiece, tan- colored doublet, arms encased in armor, his white-plumed headpiece and spurs on a red-covered table at the left. His left arm akimbo holding a glove, hilt of sword at side, the right hand resting on the table; dark neutral ees Fine characterization. A certificate of authenticity by J. Bueso OL, Brussels accom- panies this painting. (From the Castle of Ammerzoden. Reproduced i in the Chron- icles of the Castle of Ammerzoden by John Box, Cae pOpY is in Boston Library.) Se it CT aman Pagel De chy : ( | } i | | } f FP Oe Oar LB IT eg ae en ne ee So Crras ash soi SE SPREE A . em 1) 2 Rok SAE ee Canvas. Signed in full and dated 1647 at the lower right, Height, 48 inches, width, 35 inches. | [SEE ILLUSTRATION] ‘on eannant PORTRAIT OF COUNT PIERRE FRANCOIS DE LICHTERVELDE BY BARTHOLOMEUS VAN DER HELST [120] lau SIR JOSHUA REYNOLDS, P.R.A. 00° : ENGLISH, 1723- 1792. «De PORTRAIT OF THE COUNTESS OF STRAFFORD Half-length, shoulders to the front, head inclined to the left, her long dark brown hair partly fastened with pearl orna- ments on her head and descending in a long braid entwined with blue ribbon over her right shoulder, heavy pearl ear- drops and necklace, low-cut white satin bodice with pearl and jewel clasps, blue cape with wide ermine collar; dark uid background. (Lady Anne Campbell, daughter of the Duke of Aten was born in 1715 and died in 1785. She married i in 1741 William Wentworth, Earl of Strafford.) (From the Thomas McLean collection, juste in The Works of Reynolds; engraved by McArdell, Brookshaw, 4B Johnson, T. Johnson and Spicer.) Canvas. Height, 30 inches, width, 25 inches. [SEE ILLUSTRATION ] PORTRAIT OF THE COUNTESS OF STRAFFORD BY SIR JOSHUA REYNOLDS, P.R.A. [121] P22 T23 WILLIAM BELL a. ENGLISH, ABOUT 1740-1804 i 0 : PORTRAIT OF A MERCHANT | Handsome presentment, three-quarter length, head and body to the right, eyes directed to the spectator, of a successful mer- chant prince who points to a barge on a river through an open window at the right; attired in pale green Spencerian coat and breeches, satin waistcoat, ruffled jabot and white Bie against a green curtain background. (Bell won the gold medal offered by the Royal Academy in 1771 for his painting “Venus soliciting Vulcan to forge armor for her son Aeneas.” He became painter to Lord Delaval and was offered an engagement as artist by Sir Joshua Reynolds, — but preferred to paint the worthies of Newcastle, where he — was born.) | (Recently the subject of an article in The Connoisseur.) Canvas. Signed and dated 1785 at lower right. Height, so inches, width, 40 inches. THOMAS PHILLIPS, R.A. * 7 ENGLISH, 1770-1845 | Qo PORTRAIT GROUP , Full-length presentment of a lady and two daughters passing the spectator at a slow gait, with a little dog running and barking at the right. The stately figure of the mother is garbed in black velvet, fur-lined, with fancy flowered sleeves, a tur- quoise and gold belt at the waist, a huge hat trimmed with ostrich plumes framing the rich black hair and pretty oval face, the eyes directed toward the onlooker; her right hand clasps that of the youngest girl with ake curly hair, in cherry-red dress with gray sash, while her left hand is thrown over the shoulder of the eldest brown-haired girl in a yellow gown with blue sash. Park background, with a vase of flowers and red curtain at the right and a column at the left; blue sky with cloud effect. An admirable piece of painting. Canvas. Height, 107 inches; width, 71 inches. [SEE ILLUSTRATION ] GROUP PORTRAIT BY THOMAS PHILLIPS, R.A. [123] SIR GODFREY KNELLER | Boe _ ENGLISH, 1646-1723. _ 124 PORTRAIT GROUP OF ABRAHAM STANYAN AND FAMILY " Mrs. Stanyan seated at the centre in red foe cut gown, Hee | : black hair dressed high on her head and dropping in heavy _ oe curls to her shoulders, holding a blond baby draped in white | . y linen; Mr, Stanyan standing at her left in long dark brown a . irae wig, with gray neckerchief and dark blue jacket with — gilt trimming, his right hand caressing a dog; a son at the left in reddish brown coat and gray neckpiece, a daughter at the right almost at profile in low-cut blue waist with lace inser- : tion, and four children in blue, orange and tan costumes in active poses facilitating a Ranennrens composition; grouped on the balcony of a mansion, park background with blue we silvery and warm cloud effects. (Abraham Stanyan, 1669-1732, barrister and statesman, was British envoy to Switzerland 1705-9, to Piedmont 1710, to the - we Emperor Charles VI and the Duke of Savoy 1712. He was M.P. for Buckingham 1715, Ambassador to Constantinople, -etc., and was referred to by Lord Chesterfield 1 in his letters to his son. ) Canvas. Height, 68 inches; width, 96 inches. [SEE ILLUSTRATION ] PORTRAIT GROUP OF ABRAHAM STANYAN AND FAMILY BY SIR GODFREY KNELLER [124] (= ‘FRANCIS COTES, R.A. 229 is ENGLISH, 1726-1770 t2e PORTRAIT OF HENRY, TENTH LORD TEYNHAM Three-quarter length presentment, head and shoulders slightly to the left, eyes directed toward the spectator, his right arm © resting on a cabinet and the left arm akimbo, in gray pow- — dered wig, pale crimson coat with ermine lining and lace insertion at sleeves, belt of lace and gilt buckle; neutral back- ground. (From the collection of the Rev. Mr. Holbrook.) Cun. Inscribed 29 April aet. 70 at upper left. Height, 44 inches, width, 34 inches. FRANCIS COTES, R.A. n19 ENGLISH, 1726-1770 126° CATHERINE, FIRST, WIFE OF HENRY Sia LORD TEYNHAM . Three-quarter length, seated, head and shoulders slightly to the left in low-cut cream-colored gown with lace insertions and jewel clasps, blue cape lined with ermine, her right arm resting on a chair and her left hand holding a jewel case; back- ground with red drapery at upper left and column at right. (From the collection of the Rev. Mr. Holbrook.) Canvas. Height, 44 inches, width, 34 inches. es * . 4 ie Jo ‘4 i . ‘ate ms 127 128 129 PIERRE MIGNARD FRENCH, 1610-1695 PORTRAIT OF A GENTLEMAN Half-length standing presentment of a courtly nobleman facing the spectator, in curled peruke down to his shoulders, white neckcloth, flowered yellow waistcoat and red Ses his hand describing a gesture; neutral background. Canvas. Oval. Height, 35 inches; width, 28% inches. ALLAN RAMSAY OO : ENGLISH, 1713-1784 % : PORTRAIT OF SIR JOSEPH BRANDT Three-quarter length, standing, head and shoulders slightly to the left, eyes directed toward the spectator, his right arm akimbo, the left hand extended as if he were making an ad- dress; rich brown velvet costume, long flowing wig, white stock and jabot, hilt of a sword showing; landscape back- ground. Canvas. Height, 50 inches; width, 40 inches. THOMAS HUDSON 4 ENGLISH, 1701-1779 \ ( ) PORTRAIT GROUP Nearly full length figures, gentleman in easy pose attired in crimson costume standing at the right, in powdered wig, lady in low-cut white corsage and blue coat standing at the left, her hand clasping a child in white seated on a low stool. Park background with column and vase decorations, deep blue sky with fine cloud effects. Canvas. Height, 57 inches; width, 64 inches. A ee a LU i. 7 > a 0 f JAN A. VAN RAVESTEYN \Ou | DUTCH, 1572-1657 130 PORTRAIT OF CAPTAIN JEANS VAN Be Si : (1606-1669): : Half-length, standing, lookin at the spectator, in armor with © broad lace collar and red sash across the breast, long blond wavy hair parted in the middle, flowing to the shoulders; neu- tral background. » Formerly attributed to Rembrandt by Meg Le Na ain and J. Bueso, of Brussels, whose certificate is attached to the painting. ie (From the Castle of Ammerzoden and the collection of Baron Gustave de Woelmont. ) Panel. Signed with monogram V. R. anno roan at lower aM | Height, 29 inches, width, 24 inches. [SEE ILLUSTRATION ] PORTRAIT OF CAPTAIN JEAN VAN ARKELL BY JAN A. VAN RAVESTEYN [130] 1 “AS THE OLD SUNG SO PIPE THE YOUNG” wrx ef “a JACOB JORDAENS ey ae ; FLEMISH, 1593- 1678 WT — A family gathering about the dining table, on which are the remains of a repast. While the adult members are singing, the youngsters are playing various instruments, from a bagpipe to a whistle; general hilarity prevails, though a fat old individual in monk-like costume, and also the cat he holds and a dog, do not appear to relish the tune. A mirror against the ornate wall reflects the grandmother, who is singing from the sheet of music held by the grandfather, the two together leading the gaiety of the party. The mother at the left is attired in a low corsage, displaying an opulent bosom. Characteristic in- terior of the well-to-do middle class. 3 A certificate of authenticity by J. Bueso of Brussels accom- panies this painting. (From the Castle of Ammerzoden and the collection of Baron Van der Gracht.) Canvas. Signed and dated 1661 at lower ane Height, 66 inches, width, 93 inches. [SEE ILLUSTRATION] “AS THE OLD SUNG SO PIPE THE YOUNG” BY JACOB JORDAENS [131] 22 a SESE ee en = ————— SIR ANTHONY VAN DYCK | is FLEMISH, 1599- Oa Pe ope f. 132 SAMSON AN D DELILAH “ Samson shorn of his locks is being eure by the tie sturdy retainers in armor of Delilah who, attired in light scar- let and white draperies, looks at him in derision as she reclines — at the left attended by an old woman; a dog is at her side, as" also the shears and locks of hair; sky effect atthe right, - Certificates of authenticity by Messrs, Le N ain and Bueso of Brussels accompany this painting. | (This picture was the property of the Abbey of Premontres a Floreffe near Namur, Belgium, and at the dissolution of this retreat it fell into the hands of M. Decocq, and was acquired by the owner from the Belgian Minister of War.) © aap Be. 2 ee es. ponent eilingereennes oY ai eee ee ac AY. Canvas. Height, 60 inches, width, 100 inches. [SEE ILLUSTRATION ] SAMSON AND DELILAH BY SIR ANTHONY VAN DYCK [132] 133 CHRIST ON THE CROSS SIR ANTHONY VAN DYCK © Q° > FLEMISH, I 599° 1641 oo The Saviour is depicted with his eyes open just before hel ut- | tered the words, “Eloi, Eloi, Lama Sabacthani” ~ ANG expired. i The hills of Golgotha are represented i in the landscape, which Rl is low in tone, thus giving proper relief to the figure. This painting held the place of honor at. the Exhibiiog of Religious Art in Brussels, 1910. ; A certificate of authenticity from Messrs. Biea and Le Nain, ss of Brussels, accompanies the painting. ia (From the Castle of Ammerzoden. ) Canvas. Height, 84 inches, width, 42 inches. [SEE ILLUSTRATION | CHRIST ON THE CROSS NTHONY VAN DYCK [133] ATTRIBUTED TO NICHOLAS LANCRET ) a FRENCH, 1690-1743 n0 i. 134 MLLE. SALLE, DANCER -_ In bejewelled allay: satin dress with appliqué fonnee roses in her hair and red pumps, arms extended, executing a pirou- ette while two female dancers are at the Hen and a couple of | musicians at the left attired in powdered wigs and knee — breeches; park landscape, with portico of a mansion at the left. (From the Yeovil Manor House.) Canvas. Hetght, 55 inches; width, 50 inches. CORNELIUS SCHUT \) ( FLEMISH, 1597-1656 | \\ 135 DESCENT FROM THE CROSS Christ seated is supported by Mary on the right, in blue garf- ments, and on the left by Joseph of Arimathza in a red tunic. Cliff at the back and landscape with winding river at the left; gray sky with warm tints near the horizon. A certificate of authenticity by Mr. J. Bueso of Brussels ac- companies this painting. (From the collection of Baron Gustave de Woelmont.) Canvas. Height, 36 inches; width, 48 inches. ee... | : 4 ; ; 4 =a . 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