Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/catalogueofvalua00chri_21 \ A VALUABLE COLLECTION OF MODERN ENGRAVINGS, THE PROPERTY OF A GENTLEMAN, Including a number of Choice Proofs after Sir T. Lawrence, by S. Cousins, R.A.; ENGRAVINGS AFTER SIR E. LANDSEER AND CHOICE PROOFS FROM TURNER’S ‘LIBER STUDIORUM,’ BY ORDER OF THE EXECUTORS OF T. S. KENNEDY, ESQ., DECEASED; Artist s Proof Engravings, after J. M. W. Turner, R.A., SOLD BY ORDER OF THE EXECUTORS OF JAMES PRICE, ESQ., Deceased, late of Paignton, Devon; And ENGRAVINGS, the Property of GEORGE OEME, ESQ., DECEASED: WHICH L- * S * ratll tie Dij Auction tn> Messrs. CHRISTIE, MANSON & WOODS, AX TOIffi &Q0M8, 8 KING STREET, ST. JAMES’S SQUARE, On FRIDAY, JUNE 7, 1895, AT ONE O’CLOCK PRECISELY. May be viewed Two Pays preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street t St. James's Square , S. W. CONDITIONS OF SALE - o - I. THE highest bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if requiredj in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. Y. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, M anson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. VL To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase Money must absolutely be paid on delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the defaulter at this Sale. CATALOGUE. On FRIDAY, JUNE 7, 1895, AT ONE O’CLOCK PRECISELY. The Property of A GENTLEMAN. ENGRAVINGS —Framed. 1 A Fen Lode, by R. W. Macbeth, A.R.A.— artist’s proof [ 2 Madame Le Brun, after Gainsborough, by Laguillermie— artists proof 3 Lady Grosvenor, after Sir T. Lawrence, by Greenhead— artist’s proof 4 Willows Whiten, &c., after Keeley Halswelle, by B. Debaines— artist’s proof 5 A Peep through the Trees, after Constable, by B. Debaines— artist’s proof on vellum 6 Way to the Mill, after Constable, by B. Debaines— artist’s proof on vellum 7 Miranda, after Hoppner, by S. Bridgwater— artist’s proof 4 8 Marcia, after Hoppner, by T. Appleton— artist’s proof . 9 Home Brewed, after Dendy Sadler, by Bouclier— artist's proof 10 Over the Nuts and Wine, after Dendy Sadler, by Boucher— artist’s proof 11 Romeo and Juliet, after F. Dicksee, R.A., by C. Waltner— artist's proof on vellum 12 The Duchess of Devonshire, after T. Gainsborough, R.A., by T. Appleton— artist’s proof 13 Bacchus and Ariadne, after Titian, by E. Macbeth, A.R.A.— artist’s proof 14 Pastoral Symphony, after George Mason, A.R.A., by R. Macbeth, A.R.A.— artist’s proof 15 Harbour of Refuge, after F. Walker, A.R.A., by R. Macbeth, A.R.A.— artist’s proof 16 Silver Sea and Silver Birches, after J. McWhirter, A.R.A., by D. Law— artist’s proof 17 Fairy of the Glen, after J. McWhirter, A.R.A., by D. Law— artist’s proof 18 Clarissa, after Sir J. E. Millais, R.A., by Laguillermie— remarque proof on vellum 19 The Gardener’s Daughter, after Randolph Caldecott, by Gaujean ^-artist’s proof 20 The Chaplain’s Daughter, after F. Walker, A.R.A., by Gaujean — artist's proof 21 Cynthia, after F. Dicksee, R.A., by J. D. Millar— lettered proof 22 Right. Hon. W. E. Gladstone, M.P., after Sir J. E. Millais, R.A., by T. 0. Barlow, R.A. — artist’s proof 23 Captive Andromache, after Sir F. Leighton— artist’s proof 24 At the Shrine of Venus, after L. Alma Tadema, R.A.— artist’s proof 25 Madame Jacob Bas, after Rembrandt, by C. Waltner— artist’s proof on vellum 5 26 Master Lambton, after Sir T. Lawrence, by C. Waltner— artist’s proof on vellum 27 Flamma Vestalis, after Sir E. Burne-Jones, by Gaujean— artist’s proof 28 L’Angelus, after J. F. Millet, by C. Waltner— artist’s proof 29 Stratford Lock, after B. W. Leader, A.R.A., by Chauvel— artist’s proof 30 Sabrina’s Stream, after B. W. Leader, R.A., by Chauvel— artist’s proof 31 Parting Day, after B. W. Leader, R.A., by B. Debaines— artist’s proof 32 At Evening Time it Shall be Light, after B. W. Leader, R.A., by B. Debaines— artist’s proof 33 The Honeymoon, after Sir E. Landseer, R.A., by J. B. Pratt— artist’s proof ETCHING-S By A. H. HAIG. 34 Interior of Upsala 35 Exterior of Upsala 36 Pampluna : Returning from the Fair 37 Schloss Zwingenburg on the Necker 38 The Basilica of St. Gilles, near Arles 39 L’l^glise ties Dominicans, Arles 40 Magdalen College, Oxford 41 Toledo Cathedral —dry point 42 North Porch, Chartres 43 Interior of Toledo Cathedral —aquatint and etching 44 Lubeck: Waiting for the Ferry 45 North Chancel Aisle, Westminster B 3 6 46 View from St. Edmund’s Chapel, Westminster 47 The Tower of St. Pierre, Caen 48 Washing Day, Chartres 49 Regent’s Canal 50 The Fountain of St. George 51 The Pulpit of St. Fermo, Maggiore, Verona 52 Darwin’s Studio 53 Westminster— set of five small etchings—unframed 54 Burgos Cathedral, exterior 65 Burgos Cathedral, interior 56 Limburg-on-the Lahn PROOF ENGRAVINGS By SAMUEL COUSINS, R.A. 57 Miss Macdonald, after Sir Thos. Lawrence— first state 58 Mrs. Wolff, after ditto— first state 59 Countess Grosyenor, after ditto— second state 60 Countess of Blessington, after ditto— first state 61 Lady Lyndhurst, after ditto— first state 62 Miss Croker, after ditto— first state 63 Master Lambton, after ditto— second state 64 Nature, after ditto— first state 65 The Countess Gower, after ditto— second state 66 Lady Dover, after ditto— first state 67 Lady Aoland and Children, after ditto— first state 68 Lady Grey and Children, after ditto— first state 69 Sir Robert Peel, Bart., after ditto— artist's proof 70 Prince Metternich, after ditto— first state 7 71 Shakespeare. The Chandos portrait— a rare engravers “proof ’ “purchased from the late Mr. Samuel Cousins 72 Infant Samuel, after J. Sant, E.A.— first state 73 Lord Palmerston— artist's proof 74 Abercorn Children, after Sir B. Landseer, E.A.— artist’s proof 75 Sylvia, after Sir J. Eeynolds— artist’s proof 76 Lady Caroline Montagu, as Winter, after Sir J. Reynolds— artist’s proof 77 Eobert Burns, after A. Nasmyth— autograph proof 77a Henrietta, Countess of Warwick, after G-. Eomney, by J. E. Smith— first state 77b Lady Elizabeth Compton, after Sir J. Eeynolds, by V. Green —first state The following are the Property of the late THOM A S WOOD CO CK, Esq. of Haslingden. Sold by Order of the Executors. 78 Syndics of the Draper’s Guild, after Eembrandt, by Koepping— aytist’s proof 79 The Plough, after P. Walker, A.E.A., by E. Macbeth, A.E.A.— artist’s proof 80 A Midsummer Night’s Dream, after Sir E. Landseer, E.A., by S. Cousins, E.A.— artist’s proof 81 Piper and Pair of Nutcrackers, after ditto, byS. Cousins, E.A. —signed by the engraver 82 Connoisseurs, after ditto, by S. Cousins, E. A.— artist’sproof, signed by the engraver 8 The property of the late T. S. KENNED Y, Esq., of Park Hill, Wetherhy , Yorka. Sold by Order of the Executors. FRAMED ENGRAVINGS. 85 Charles James Fox, after Reynolds, engraved by John Jones 86 Mrs. Bobinson, after Bornney, engraved by J. E. Smith— second state 87 Flower Piece, after Van Huysum, engraved by E. Earlom— -first state 88 Otter and Salmon, after Sir Edwin Landseer, E.A., engraved by Jackson— artist's proof ’, signed by the artist 89 The Sanctuary, after ditto, engraved by C. G. Lewis—signed by the artist 90 The Challenge, after ditto, engraved by Walker— first state, signed by the artist 91 Hunters at Grass, after ditto, engraved by C. G. Lewis— artist's proof From the Buccleuch Collection ENGRAVINGS From Turner's 1 Liber Studiorum.' 92 The Frontispiece 93 Eispah— second, state 94 Lake of Thun— first published state 95 Hind Head Hill— second state 96 Inverary Pier, Loch Fyne— second state 97 The Source of the Arveron 98 Procris and Cephalus —first state 99 Pembury Mill, Kent— first state 100 The Calm— third state 0 101 The Egremont Sea Piece— -first state 102 Mount St. Gothard— engraver's proof, fine 103 Peat Bog, Scotland— first state 104 Junction of the Severn and the Wye—first state 105 Solway Moss— engraver's proof ’, fine 106 Kirkstall Crypt— first state 107 Eaglan Castle— first state 108 iEsacus and Hesperie— first state 109 Isis— engraver's proof, fine 110 Twickenham— first state UNFRAMED ENGRAVINGS AFTEE TUENEB— Proofs. 111 Margate, engraved by E. Wallis; Flint, engraved by Kernot 2 112 Eichmond, Yorks, engraved by Wilmore; Pembroke, engraved by Jeavons 2 113 Boston, engraved by Jeavons; Chain Bridge over the Tees, engraved by W. E. Smith 2 114 Durham, engraved by William Miller ; Carisbrook 2 115 Carew Castle, engraved by William Miller 116 L’Arriccia, engraved by Hakewell; The Light Towers of La Heve 2 117 Eaglan Castle, engraved by Lupton ; The Source of the Arverou, engraved by ditto 2 118 Colchester, engraved by Wallis ; Eome, engraved by Hollis 2 119 Illustrations to ‘ The Keepsake ’; &c.— proofs 11 120 Himalayan Views— proofs 7 121 Illustrations to the Bible— proofs 28 122 Illustrations to Scott’s Poetical Works— proofs 24 123 Illustrations to Scott’s Prose Works, in three parts— proofs 124 Illustrations to Whittaker’s * History of Eichmondshirc ’— proofs 10 The following are from the Collection of the late JAMES PRICE , Esq ., of Barcombe, Paignton. Sold by Order of the Executors. AFTER J. M. W. TURNER, R.A.— artist's proofs. 125 The Burial of Wilkie, etched by B. Debaines 126 The Approach to Venice, looking towards Fusina, etched by B. Debaines 127 The “Sun of Venice” Going to Sea, etched by L. Gaucherel 128 Port Ruysdael, etched by B. Debaines 129 Dartmouth Cove, engraved by W. R. Smith England and Wales Series 129a Tivoli, by E. Goodall 130 The “Fighting Temeraire ” 131 Ancient Carthage : The Embarkation of Regulus, by D. Wilson 132 Ancient Italy, by J. T. Willmore, A.R.A. 133 Modern Italy, by W. Miller 134 Approach to Venice, by R. Wallis 135 The Grand Canal, Venice, by W. Miller 136 Caligula’s Bridge, by E. Goodall Presented to JEt. Brandard by the engraver 137 Heidelberg, by T. A. Prior 138 Mercury and Argus, by J. T. Willmore, A.R.A. From the Collection of the Bev. E. Coleridge 139 St. Mark’s Place, Venice, by G. Hollis 140 Dido and Aeneas, by W. R. Smith 141 The Temple of Minerva, Cape Colonna, by J. T. Willmore, A.R.A. Presented by Mr. J. T. Willmore to Mr. Bobert Brandard , the engraver 142 The Temple of Jupiter, by J. Pye From the Collection of Mr. Bobert Brandard I 11 143 Crossing the Brook, by R. Brandard From the Collection of the engraver 144 Mercury and Herse, by J. Cousen 145 Lake Nemi, by R. Wallis Presented to Mr. J. Le Keux (the line engraver ) by Mr. Wallis 146 Oberwesel, by J. T. Willmore, A.R.A. Presented to Mr. J. Le Keux (the line engraver ) by Mr. Willmore 147 The Shipwreck, by C. Turner 148 La Bella, after Titian, by Laguillermie 149 Countess of Oxford, after J. Hoppner, R.A., by R. S. Clouston 150 The Evening Hymn, after G. Mason, A.R.A., by C. Waltner 151 Lady Mulgrave, after T. Gainsborough, R.A., by C. Waltner 152 Miss Frances Kemble, after Sir J. Reynolds, by J. Jones 153 The Image of Mamma, after H. Schlesinger, by W. H. Simmons 154 “ 1806 ” after J. L. E. Meissonier, by J. Jacquet— remarque ■proof, signed by the etcher The Property of the late GEORGE OR ME, Esq. Sold by Order of the Executors. 155 The Order of Release, after Sir J. Millais, by T. 0. Barlow, R.A.— artist's proof ’ signed by the painter 156 The Prison Window, after J. Phillip, R.A., by ditto— ditto, signed by the engraver 157 School Revisited, after G. D. Leslie, R.A., by F. Stacpoole, A.R.A. — artist's proof, signed 12 158 Highland Ferry Boat, after F. Tayler, by J. T. Willmore— artist's proof 159 The Mitherless Bairn, after T. Faed, R.A., by S. Cousins, R.A. — artist's proof, signed by the painter 160 Hunters at Grass, after Sir E. Landseer, by C. G. Lewis— first state, signed by painter and engraver 161 The Shoeing, by T. Landseer, A.B.A.— artist's proof 162 The Maid and the Magpie, by S. Cousins, R.A.— artist's proof signed by the engraver 163 Saved, after ditto, by ditto— ditto 164 Dialogue at Waterloo, after ditto, by T. L. Atkinson— artist's proof ENGRAVINGS—In the Folio. 165 The Three Misses Rushout, after Plimer, by Burke— proofs-, &c. 4 166 The Princess Amelia, after Lawrence, by Bartolozzi— proof 167 Miss Farren (Countess of Derby), after Sir T. Lawrence, by F. Bartolozzi, R.A. 168 Miss Crockatt, after J. Hoppner, R.A., by J Dean— first state 169 Lavinia, Countess Spencer, after Sir M. A. Shee, by C. Turner 170 The Ashburton Family, after Sir J. Reynolds, by J. Ward— proof before any inscription 171 Sir Francis and Charles Baring and Mr. Watt, after Sir T. Lawrence, by J. Ward— ditto 172 Marriage-a-la-Mode, after Hogarth, by R. Earlom— the set of six 6 FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross.