' j- HBi P>Jm ” ifeggi Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/floristcontaininOOunse_0 7 I / /at/a J o^mT’y 'AUhi/ F/or(U^/Vi'^re7U/Ai/^li/ 7 A 7 n ' 0 \ d ^7 cun/tAi accordift^ to JVa TURE MW ■ 7 ^ X o:s^n o2\r /^(7 /hdfttayf/' 7 ?iA7'i i/n/.t7tm/o (/tuo/i i,iiii^lp.,,jlljy^i»Mii/i<''' and adding a litle Spirits of Hartfhorn, when ufed for the pale Colour j it gives it a very pleafant Bloom for Flowers. Sap Green^ Gamboge, ?Lnd Indian Ink, are only to be diluted with fair Water. " " The Colour is to be extraded from the French berries, by breaking them a little and pouring boiling Water on them, add¬ ing a little Allum. The other Colours mull: be ground fine on a Stone, with Gum- Water proportion’d to their Qaiality. Lake, Prnffian blue and Indico, being liable to crack, a little Sugar-Candy, diffolv’d in weak Gum-Water, is preventive to that Inconveniency. Gurn-Arabic is what is ufed ; ’Tis neceflary to chufe the clear- ell, it being very elfendal to the beauty of the Colours. ^ The Pencils are thofe of Camers.'LIair. The youngell Prac¬ titioner need hardly be Inform’d, that k is the bell to chufe thofe that taper to one and a fine Point, without being fubjeft to fplit at the Ends, for painting Flowers, they are bell of a moderate Length in the Hair. If the Colours fliould happen not to work freely, occafion’d by any Greafmefs of the Paper, a little of the Gall of an Ox or a Filh, the latter being preferable, will greatly affill the Freedom of the Pencil. N. B. Ladies and Gentlemen may be fupply’d with the afore- mention’d Colours, and all other', carefully prepar’d : Alfo, all Materials for Drawing and Painting, at the moil reafonable Rates, by the Publifher of this Work. A 3 i[ 4 ) INSTRUCTIONS FOR COLOURING. HYACINTH. H yacinths are Blue, or white ; "others are White, with a faint Tinge of Crimibn. The Blue Ones are began with Biefe, fliadowing with Pruffian Blue, and finifhing with Indico. The light Parts may be work’d at Diferetion, either leaving the Paper, by neatly lhading with Bice, or by laying it all over and Beightning with White. The White Hyacinths may be colour’d in the faine Manner as the White Lilly. For thofe with a Blupi of Crimfon, a faint Tinge of Carmine mull be tenderly wafh’d over, and finifhing as direfted for the White Ones. If Ultra- marine is ufed inftead of the Bice, it will make the work ap¬ pear more delicate. The Stalk and Leaves are a bluifti Green,^ done with the fame Mixture as the Lilly. CYCLAMEN. 'J’HIS Flower is a purplifh Red. Its Stalk is Redilh at the bottom, and Whitlfli upwards. The Leaves are a deep jpreen on the Upper-Side, and a redilh Purple underneath^ Double CROWFOOT. ^ H E Flower is Yellow •, the Stalks a whitifli Green, ting’d ■with Red towards the Bottom \ the Leaves allb a very palo Green. HEN ( 5 ) HEN and C H I C K E N D A I S E Y, "J" H E principal Flower is variegated with White and Red j the Little Ones, which furroiind it, nearly all White; the Stalks a pale Green, ting’d with Red at the bottom ; the Leaves a plea- • I iant Green. ^ COLCHICUM. A 1 ale purplini Crimlbn is the Ground Colour of this Flower, which is ipotted with a deep Red; the Leaves a deep Green. CROCUS. 'P' H E Crocus is either Yellow, very tenderly ftripp*d with Pur¬ ple in the Middle of each Petal ; or pale Purple, Gripp’d with a deeper Tind of the fame Colour; For the Colouring of which we refer the Praftitioner to the Flowers of the lame CoLur elfewhere treated of. The Leaves are a dark Green, with a White Vein up the Middle of each. The Film which furrounds theni gt the Bottom, is a pale whitifh Brown. SNOW-DROP. ^ H E Whole of this Flower is White, excepting an Edge of Green on the inner Petals. The Stalk is Pale, and th« Leaves a bluilh Green. Double H Y P A T I C A. ^H E Flower is a deep BKie; the Stalk pale Green, tinged with Red ; the Leaves deep Green. Douele violet. ;^HE Flower is a deep blue, with a Tinge of Purple; the Stglks are a pale Green, ting’d with a redilli Purple towards the Bottom; the Leaves a ftrong Green. PAS Q^U E FLOWER, *jjP H E Flower is a rich bluifh Purple: the Stalk a whitifh Green, but Purplilh at the bafe: the Leaves a pale whitifh green j their Foot-Stalks Redilli. Single r 6 ) Single ANEMONE. S OME Anemones are Purple, others Scarlet, and others arc pale ftraw Colour, ftripp’d or fpotted with Crimlbn. The Purple ones are to be painted with a Mixture of Prujfian Blue and Carmine, finifhing the ftrongeft Parts with Indico. The Scar¬ let Ones are to be done according to the Directions given for the Scarlet Mertagon^ \nPage ii. The Variegated Ones are to be firft covered with a thin Wafh of Gamboge, fhading with Biftre. For the Crimfon Stripes or Spots, a Lay of Carmine, fliading with the fame Colour ; for the 'dark parts Indico. The Leaves may be done as thofe of the Guelder Rofe. The Stalk is Brown, M E Z E R I O N. A Pale Crimfon is the Colour of the Flower when feen open ; ‘the Outfide much deeper i the Stem is Brown •, the Leaves, which but juft appear while the Flowers are in Bloom, are a pleafant Green. Double DAFFODIL E, T H E larger Outer Petals are a pale Yellow •, the fame Ones deeper i and the Small Ones, partly underneath the Laro-e Ones, Orange Colour. The Stalk and Leaves are to be done as the Jonquil^ in Page 8. Double ALMOND BLOSSOM, ^ i ^ H E Flower is fomewhat deeper than the Single One; tho ^ other Parts are to be colour’d exadly the fame. ALMOND BLOSSOM, ^ M 1S early and beautiful Flower is a pale Rofe Colour, fomc-. what inclining to the Purple. A very faint Walh of Carmine muft be laid all over, fhadowing neatly with a reddilh Purple, made with Carmine and a very little Prujfian Blue. The Stem is Brown, done with Biftre, finifhing with Black. The Buttons are a pale Yellow. The Poot-ftalks and Cups of the Flowers are a pale Green. Scarce any Leaves appear while the Flower is in Bloom, excepting a few beginning to Ihoot at the Ends of the Branches, which are a plealant Green ^ begun with, Sap-Green, finiftiing with Prench Berries and Indico. ^ ^ CROWN ( 7 ) CROWN IMPERIAL. ^ I ' HIS Flower is a rich Orange-Coloiir ; began with a Laf of Gamboge, and on that another of Red-Lead, fhadowing with Carmine. The Leaves, which in a very lingular Manner crown the Flower, are to be done as direfted for the Leaves of the Gudder Rofe, in Page The Stalk is ting’d with Brown, AURICULA, HIS beautiful Flower is, by the Gardener’s Art fo varied, that a particular Defcription of its Varieties would be endlefs. A much edeem’d Sort is to be colour’d thus; Begin with a pale Lay of Gamboge, fhadowing it with Biftre, leaving a broad Space round the Centre White j which Part is to be lhadow’d with P/diajg Ink, mix’d with Sap-Green : Then that part which is begun with Gamboge, is to be variegated with a purplifli Red, made b"y a Mix¬ ture of Carmine and Prujfian Blue. The Hollow in the Centre muft be a ftrong Yellow, llaadow’d with Galkftone. This donei it is to be neatly dotted with White, moltly on the Centre mix¬ ingInk proportionably with the White, as the Flower be¬ comes dark. The Stalk and Leaves are a greyilh Green, to be painted with a Mixture of Sap-Green, White pd Indico, adding more Indico for the Shades. DAFFODIL. "pHIS Flower, with its Stalk and Leaves, are to be painted in the fame Manner as the Jonquil^ deferib’d in Page 8 . F R I T I L L A R Y. A DULL redifh Purple is for the Ground Colour of this Flower, and check’d with a deeper Colour, or fometimes with a dulky Yellow, The Stalks and Leaves are a blue Green, Double HYACINTH. ^ HIS Flower, with its Stalk and Leaves, are to be colour’d in - t]^e f^me Manner as the Single One, deferib’d in Page 4 . AN^* ( 8 )• anemone, F theft Flowers, cfpecially the Pouble Ones, there is fuch a Variety, and the Colours on them lb diverfified, that we can only mention the richeft Sorts, and leave the Praditioner to the Study ol Nature, that inexhauftible Fund ot Improvement. 1 he large Paa/s are White, ftriped or clou4ed with Carmine, i lie Imall Peja/s are done with a pale Straw Colour, lliaded with neat Lines of Carmine, or Green made with Indieo and Frml, Berries, according to Fancy. The Stalks is Brown, by a Mixture ^ Carmine and Sap-Green, lhaded with Indico and Carmine. IndTco^'^^''^^ Sap-Green, and finifli’d with French Berries and PARROT TULIP. IS Flower differs in Shape greatly from the other Tulip, be, ingjagg d at the Edges; and, from the Back of each Petal, appear Parts muen reiembhng the Beak of a Bird ; from whence Its iNcinic, GUELDER ROSE. T Si ''"'i'""’ "? Manner as the W hite Lt//y, making the dark Side pretty ftrong, in order wirf? ‘he duller. The Leaves are m be done with Sap-Green, Ihading with Indico and French Berries. The ^roiWngttl^tr lnk.‘^“"‘^ ^ J O N Q^U I L, Doubiz and Single. ®'d ft of “'■‘A ‘ Cup in the Mid- die of the Single One Orange-Colour, laid firfl with Red mfti’ °r’e' r fft “■ C^hoge, and lhadow’d with Car: Pans of the Flo ri”‘ ^he other in rhe A ‘Gamboge, fhadowd with Gall-Stone; and, in the darken Parts, with Biftre and a little Carmine. The Stalks Grcem^Idr/l Blue andtp! Ureen, adding Indico, in the darkeft. Parts. ^ ‘ tulip. ‘he Carnation, as to Va- therJIbeinnli different in Difpofition of Colour, lours CrimSr^ oinamGnted with Stripes of various Co- • ^ Purples, upon either a White Yellow op a A qi 5^ Ground, are the moft common. For the Mixtures .nd Shading which Colours, any Student by ;ecolkaLg^f > ceedin^. .V. .1^ ( 9 ) ceeding Diredion, will be enabled properly to colour this Flower, 1 ne Leaves and Stalk may be done in the fame Manner as thofc ot- the Carnation. ROSE. T he Rofe is, and veryjuftly, the Favourite of the Painters; feldom left_ out in any Compofition, where it can be admit¬ ted. Efteem’d for its natural Tendernefs of Colour, and Bold- nels of Shape, it furniflies Matter for the moft mafterly Pencil. Gur Common Method of Colouring this Flower, is to bemn with a Lay of thin Carmine ; and to fhadow it, by ufing the Carmine in Degrees thicker, and confequently darker. This Manner, by its gay Appearance at firit, courts the Eye, but is evidently erro¬ neous; for notwithftanding the fineft Colours we can ufe are but Dirt, when compar’d with the natural Gaiety of the Tints on Flowers, yet the Colouring the Rofe with Carmine only, gives it a difagreeable and unnatural Glare : To prevent which it is here recommended, after the firft or lighted Carmine is laid on, to foften it with a faint Walh of Pruffian Blue, then proceed with pure Carmine; and, to give Power to the darkeft Parts of the Flower, and Roundnefs to its Appearance, add a little Indico. If one IS reprefented fo much blown as to fhew the Buttons in the Middle, they are firft to be laid with Gamboge and fhadow’d with Gall-Stone, The Stalks are brownifh, done with Sap-Green and a litfle Carmine; adding Indico for the Shades, on the dark Side. The Upper-Sides of the Leaves are done with Sap-Green, (badow’d with French Berries and Indico mix’d together, to make a dark Green. The Barks, or Under-Sides, are a dullilh Green, made with White, Indico and a little Sap-Green. It is not pleaf- ing in Nature, but to make fome of the Leaves a ycllowifli Brown, as if withering, gives a natural and pleafant Air in Painting which is to be done with a Mixture of Gamboge, Sap-Green and Carmine. RANUNCULA. ANUNCULAS are varioufly colour’d : Some are White, _edg’d or clouded with Crimfon; others Straw-Colour, or Yellow, ftriped with Scarlet, which may be executed according to the Directions given for other Flowers of the fame Colour, a Repetition of the Mixture of the Colours being needlefs. The I.eayes are done with Sap-Green, fhadowing with Indico and French Berries ; taking the Liberty of making fome Leaves Yellowifli or Brown ; which makes a pleafing Variety in the Work. The Stalk is to be made Brown, by a Mixture of Car- inine and Sap-Green. IRIS. ( 10 ) IRIS. T here is a very great, if not unlimited, Variety in the Colouring of this Flower, The moft common are Blue, with a Yellow Vein on each Petal j others Pale Flefh Colour, variegated with Purple or Blue, ^c. The Colour of the Flower here reprefented, is as follows : The three upright Petals are White, to be painted according to the Directions for the Narcif. fus, tinging the Bafe of each Petal with Gamboge. The other three Petals are Purple, with a Vein of Yellow; beginning at the Bafe, and ending about the Middle. The Purple is done with a Mixture of Carmine and Pruffian Blue; beginning pale, and ftrip- ing it from the Centre with a deeper Colour, in the fame Manner as reprefented in the Engravings, adding Indico for the ftrongeft Shades. The Leaves and Stalk are a bluifli Green, done with Sap- Green and Prujftan Blue, fhadowing with the fame Colour. P I O N Y. T his Flower is a deep Crimfon ; beginning with a ftrong Lay of Carmine, proceeding with the fame Colour, adding Indico proportionably, as the Shades grow darker. The Stalk is a pale Green, faintly ting’d with Brown, by walking nightly over the Sap-Green with Carmine. The upper Sides of the Leaves are a ftrong Green to be done with deep Sap-Green, fhading with the Mixture of French Berries and Indico. The under Sides are paler. Double WHITE NARCISSUS. W HITE Flowers vary in their Shades, notwithftanding their Ground Colour is alike. In fome the dark Parts appear bluifh. In others a little brownifh, •thers again have a greenilh Tinge in the Shades. This Flower is to be done by leaving the Paper for the White, beginning the firft or paleft Shade with a Mixture of InJian Ink, Indico, and a very little Sap- Green proceeding with the fame Colour, ufing it thicker for the darkeft Shades. The Bottom of each Petal'll faintly tinged with Green ; and, in the Centre of the Flower, a fmall Edge of Car¬ mine furrounds a Tuft of fmall Petals. The Stalk and Leaves are a blue Green, made with Pruffian Blue and Sap-Green : fhad¬ ing with the fame Colour, and deepen’d with Indico. The Scab¬ bard, at the Bottom of the Flower, is a pale Brown, colour’d with Biftre and Yellow mixed together. CAB: ( II ) CARNATION. ■^"I^HERE is luch an infinite Vanety of Carnations^ that a par- ^ ticLilar Defcription of them would be endlefs, being com-^ pos d of tlie following Colours; White, Crimfon, Scarlet and Purple •, and thofe^ Colours fo diverfified, that the Student may- take the Liberty oi his Fancy, without the Danger of deviating from what may happen in Nature. The Cup, Leaves, and Stall^’ are a pale bluifli Green, to be done with a Mixture of Prujfmit Tluv, Sap-Green and White, adding Indico for the darkeft Parts, geranium. 'pHIS Flower is to be colour’d in the fame Manner as hiond BloJ[c/n, defcrib d in Page 6, only fomewhat deeper, 1 he Leaves are a plealant Green, with an Edge of pale Straw Colour, as reprefented in the Engraving, The Stalk is Green, tinged with Brown towards the Bottom. M A R T A G O N. ART AGON S, are fome Yellow; others, a moft rich _Scarlet. The Yellow Ones are done with a pale Gamboo-e fliading with Biftre, Carmine and Yellow mix’d together, fo as'^to make a plealant Brown. At the Bafe of each Petal are neat Spots of ftrong Indico. The Stalks and Leaves are a plealant Green; to be none^ with Sap-Green, add a very little Prujfian Blue. The Bottom of each Leaflwells into a roundifh Knob, which is confi- derably paler than the other Parts. The Scarlet Ones are to be fmoothly laid with Red-Lead, fhading with Carmine ; adding In^ dico for the deepen Shades. The Style, Filaments and Buttors are Orange Colour; laid lirft with Gamboge, and fhadow’d with Carmine. POPPY. ^ I ' ^ Inftrudlions given for the Carnation^ as above, are ^ all that are requifite for this Flower ; only obferving that it is diverfified by different Colours on the Edges of the Petals not gripp’d or clouded as that Flower. ’ gladiolus. ^ ^ Flower is Crimfon, inclining to the Purple; begun with a ftrong Lay of Carmine, and neatly fhading with a Mixture of Carmine and Prujfian Blue, The Bottom of the Flower is White, fliadcd with a greenifh Tinge, by a Mixture of Indian Ink and Sap- Green ; neatly blending the Carmine with it, by fine Strokes of each Colour. The Leaves and Stalk, from the Becrin* ning of the Flowers to the Top, are a Brown, made with Sap- Green and Carmine. The bottom Paru are a pleafant Green 2 -vvith 1 ( 12 ) with Sap-Green and a very little Pruffian Blue; Ihadin^ with the fame Colour, and finifliing with French Berries and Indico. SUN-FLOWER. 'T'HE Petals of this noble, though common Flower, are a fine ^ Yellow, painted in the lame Manner as the yellow Part of the Jonquil^ defcribed in Page 8 . The Centre is a ftrong reddilh Brown, made with Yellow, Carmine and Indico*, ufing more Carmine and Indico for the deepeft Shades. The Leaves and Stalk are a pleafant Green, done with Sap-Green, fhadow’d with the fame Colour, and deepen’d with with Indico and French Berries. LILLY. L illies are either White, or Orange Colour. The White Ones are done by leaving the Paper for the lightelt Parts; and lhadowing with a Mixture of Indian Ink, Indico, and a very little Sap-Green ; keeping (as has been before recommended for the other Flowers) a proper Gradation of the Shades. The But¬ tons are Orange Colour, and the Style a pale Green. The Leaves, and Stalk are a bluilh Green, with a Mixture of Sap-Green and Pritjfmn Blue, finifliing with Indico. The Orange-colour’d Ones, are done in the fame Manner as the Najlurtiany in Page 14 , fpot- ting the Infideofeach Petal with Indico towards its Bale. The Buds, while young, are Green, turning to the Orange as they ripen* which makes a pleafing Variety in the Colouring. Double S T O C K. D ouble stocks apurplilh Crimfon, or variegated with White and Crimfon. The duller of fmall Petals in the Mid¬ dle are Green, which diffufes itfelf faintly on the larger Ones, and affords a pleafing Diverfity. The Stalks and Leaves areawhitifli Green. AFRICAN. A fricans are either Yellow or Orange Colour. The Yellow ones are to be done according to the Diredlions in Page 8 , for the Yellow Part of the Jonquil^ either pale or deeper at Dif- cretion: And the Orange Colour Ones, as the Crown Imperial^ in Page 7 . The Stalk and Leaves are a pleafant Green. LARK SPUR. ARKSPURS have all the Varieties of the China After. The Leaves and Stalk are a bluilh Green. H O L Y H O C K. H OLYHOCKS vary, from the palell Rofe Colours to the deepen Crimfon. Some are White, which, in a Compofition, afford an agreeable Contrail to the other Flwers, by their beauti¬ ful ( ^3 ) ful Shape ; but if reprefented fingly, ’tis eafily imagined, any oi I the other Colours are the moft interefting: For which the Method ; laid down in Page 9 , for Painting the Role, will anlwer; ulintr the fame Colours deeper, according to Fancy,preferving a propo^ ^ tionable Shade of Colour, that the deep Shades may not appear too ' fuddenly dark to drown the effeft of the pale Colours. The Stalk and Leaves are a pale Green, to be done with Sap-Green mix’d with White, for the pale Colours; the fame Colour, only lefs White, for the next Shade, and adding a little Indieo for the darked; Shades. PASSIONFLOWER. ^ HIS Flower is , in Nature, fo beautifully fingular in its Struc-' ture, that without the Advantage of Colour (in which it is al¬ io delightful) it would engage the Attention of every curious Ob- ferver of Nature. The Petals are a greenifh White, to bepainted With a Mixture of Indian Ink and Sap-Green, leaving the Paper hi light Parts. The Threads are fo exadly fet and colour’d/as to form three Circles of different Colours, viz. The Outer-one Blue fhadow’d with Pruffim Blue. The next is White, to be done by continuing the Stroke with Flake-White, making the Space be¬ tween each d bread dark, with Indian Ink and Indieo. The In¬ ner Circle is a reddifh Purple-, done with a Mixture of Carmine. and a little Pruffian Blue. The Centre of the Flower is a pale Yel¬ low. 11 ^ five Buttons are Yellow in the Infide which is the Part moftly feen, by their curling back as foon as the Flower blows. The other Parts, which projedl from the Centre, are a pale Green excepting the three Projedions for the Top, which are Purple* . the Bud is a pale Green, with a Tinge of Red at its End. The Leaves are a dark Green to be done with Indieo, French Ber¬ nes, and a little Indian Ink mixed together. The Stalks and Ten¬ drils are made Brown, with Sap-Green and Carmine. The Religi¬ ous have named this Flower, from a Suppofition of its Parts, de- Icnbing tlie Pafiion of our Lord. POMEGRANATE BLOSSOM.* Whole of this Flower, with its Cup, is a rich Scarlet; to i c Red-Lead, and fiailbing with Carmine, i he otaik and Leaves are a plealanc Green, HONEY- S U C K L E. Flower is begun with a Lay of Carmine mix d with a little Lake, adding Indieo for the dark Shades hiome Flowers, in the fame duller, are more Purphlb than others; I wmeh may be done at Difcretion, to make a Variety of Colour, by I adding PruJ/mn Blue to the Carmine. The Infides of the PeialL 1 ^ * i which I I 1 ( T4 ) which are fliewn by their Ipliting and curling back at the Ends^ are Tome White; others, Straw Colour. The White to be fhadow’d with Indian Ink, mix’d with a very little Sap-Green ; the Strav/ Colour wiith very pale Lay of Gamboge, fhadow’d with Biftre. The Style and Buttons, feen at the Ends of the Flower, are a faint Green. The Stalks are a purplifh Brown, with Carmine and a little Sap-Green. The Leaves Sap-Green, lhadow’d with French ^Berries and Indico. DoubleCHINA aster. •T'HIS Flower varies in Colour from White, to the dcepeft Crimfon, or blue Purple. The Centre in the Single Ones, is fellow; the Stalk is Brown, and the Leaves a ftrong Green. GUERNSEY LILLY. T his Flower is a beautiful pale Crimfon, and when feen in the Sunfhine, appears fpangled with Gold, beyond the Power of Art to imitate ; lo that the Student miift be content v/ith mak¬ ing it a delicate Crimfon, by Directions already given for Flowers of the fame Colour. The Leaves are a blue Green. The Stalk jCreen, ting’d with a redilli Brown towards the bottom. NA TURTIAN. I S Flower is, in Nature, the richeft Orange Colour that '*■ can be conceiv’d. The belt method of imitating is, by a Lay of ftrong Gamboge all over upon that another of Red-Lead, leaving the Yellow in the lighted: Parts, and ftiadowing very neat¬ ly with Carmine. On the tvv'o largeft Petals^ feven or eight Lines muft be very correCtly drawn, with a deep Purple, made with In¬ dico and Carmine. The Stalks and Leaves are a pleafant Green, made with Prujfian Blue and Sap-Green, ftiadow’d with the fame Colours. H E A R T’s-E A S E. THE two upper Petals of this Flower are a rich Purple : The other three Yellow, or Straw Colour, edg’d and otherwife ftain’d with Purple, or Olive Colour, with very fine I -ines of a deep Purple; beginning at theBafe, andfpreading delicately ovec fach Fetal. The Stalk and Leaves are a pleafant Green. CONVOLVULUS. Bk U E is the principal Colour of the Convolvulus ; but the Bafe is ftain’d with Yellow, which gradually becomes White, and fpreads itfelf in Rays like a Star in the Centre. The Leaves and Stalk are a whitilh Green. ALTHiEA ( 15 ) ALTHiEA FRUTEX; ^ H E Flower is White, ftained with a redifh Purple at its Bafe. The duller of Buttons is Yellow. The Stalk dark Brown. The Leaves a pleafant Green. FRENCH MARYGOLD. T H I S Flower is Yellow, llripp’d with a deep Red : Some-; times the Whole is Red, and only ting’d with Yellow. The Stalk is ting’d with Brown. The Leaves a pale dullilh Green. persicaria.- ^ ^ Flower, while in Bud, is a deep Crimfon ; when opeil fo as to Ihew the Infide of the Petals, is a very pale Colour- “The Stem is Brown, and the Leaves a pleafant Green, lychnidea. 'T^HE Flower are a very pale Red, a little Inclining toPur- A pie. The Stalk is Green, llain’d with a redilh Brown. Tho Leaves a pleafant Green. - . Double NASTURTIAN. colouring the Single One on the other fide; rully anfwer for this rlower*, only obferving that the Lines on the two large Petals in that, are obliterated in this Double One* St, J O H N’s wort. ^ H E Whole of this Flower is a fine Yellow. The Stalls La with a purple Red. The Leaves are bluifh Green. ~ FOLIANTHOS. 'J'HIS beautiful Flower, little inferior to the Auricula, h greatly vary d in its Colour. The principal Colour is a pale or deep Crimfon *, likewife Purple in its feveral Degrees of Colour- ^ p^ueraily with White or Yellow. The Centre or tubular Fart, is Yellow. The Crimfon is firft laid with a pale Carmine, Lnifting with Indico and Carmine. The Yellow with Gamboge, jihadowing with Gall-Stone i ^and the darkeft Parts with Biftre. I The I ( i6 ) ^he white Edge muft be’neatly drawn with Flake White; if Yef- lovf, to be walk’d with pale Gamboge n^on the White ; obferving where the Flower is in the Shade, to mix a little Biftre with the White for its Edge, The upper Sides of the Leaves are a pleafant Green *, to be colour’d with Sap-Green, and finifhing with a Mix- . ] turc of Yellow Berries and Indico, making them appear rough, by fudden Daflies of a deep Colour, as exprefs’d in the print. The under Sides are a dull whitilh Green ; to be done with the Colours defcribed in Page 9, for the Rofe Leaves. The Stalk is Brown, with a Mixture of Sap-Green and Carniine- WALL-FLOWER. j ^ H E Common Ones are Yellow *, a richer Sortj call’d. The Bloody JVall^ Yellow llain’d with Crimfoti, very deep on the tJhder-Side of the Petals, and faintly vein’d on the upper. The Cup of the Flower is a purplilh Brown* The Stalks and Leaves a bluilh. Green. A C O N J T E. 'J'HE Flower is Yellow, furrounded by I^eaves of a ftrong Green. The Stalk is Whitilh; ting’d with Brown near the Flower. LAURELSTINA. ^ H E Flower, when open, is White ; but while in Bud, only * Ihewing the Under-fide of xht Petals, is a redilh Brown. The Stalk is alfo a redilh Brown. The Leaves a pleal'ant Green. hellebore, or, CHRISTMAS ROSE. T H E Flower is White, llain’d at the Bafe of each Petal with Crimfon. The Buttons a pale Yellow. The Stalk is ^ pale Green, Ipotted with Crimfon. The Leaves a ftrong Green. PI • n - • V I t I Tfrm • ■•s t‘ I k* J J* 4 ' •' ». T i4 ■ !• I % t’roa/j 3 ^#;? i ,.lT. •) ^ 1 } I 1 I ! 7 Pl.Q i •V A \ 1 PI. 11 cl 4 . /7 //(trc/t P1.12 t /f^rzr/rr^/tL^ mr \ r- -« \ 1 ; If:-, w- 'K'* ’ ,*•. .V f:- w . • -•* * » i \ *“ ♦ 'a , s ■■ ' / V jL %r A ' V • - 4 ! •A.* r * ' • ■ -^ T* r . ■ - - ' I j % ' • i - *J« i ///{)///' V n ri. 15 t i'l(irc/t ( .v; . • '^' I “ '• ‘'-ft . tu' &' • • * •« • •V>»» ■•• I* . # .4^ , , ■.t ' •it .V. < • iJ' ! 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