PLANS ELEVATIONS AND SECTIONS •OF BVILDINGS- EXECVTED • IN • THE • COVNTIES ■ OF- •NORFOLK- • S V F F O L K • •YORKSHIRE- • STAFFORDSHIRE- •WARWICKSHIRE- •HERTFORDSHIRE- -ET-CAETEEA- • BY • lOHN • SOANE • ARCHITECT • • M-E MBER-OF - THE ROYAL-ACADEMIES- •OF.'PARMA-AND-FLORENCE- • LONDON • MDCCLXXXVIII ■ •PVBLISHED * BY * MESS^^- • TAYLOR • AT • THE • ARCHITECTVRAL ■ LIBRARY ■ • HOLBORN • To the king. ENABLED by Your Majefty’s Munificence to finifh my Studies in Italy, and flattered with your Permiflion for this De- dication, I am induced to hope that the fmall Tribute of a grate- ful Heart, will not be unfavorably received ; and that your Pro- teflion will be extended to a Work, which owes its Origin to your Patronage. To Your Majefty’s Liberality the Arts are greatly Indebted, en- couraged by you, they have fucceeded, and that they may long enjoy your Countenance and Support, is the unfeigned Wifti of, Your Majefty’s, ; moft dutiful, and moft faithful Subjedf, JOHN SOANE. Wclbeck-Street, September, 1788. LIST of SUBSCRIBERS THE KING. The Royal Academy The Right Hon. Lord Arundell, Wardour-Caftle Sir Edward Aflley, Bart. Norfolk Jacob Aflley, Efq. Mr. Atkins Mr. John Armflrong Robert Adam, Efq. B. The Marquis of Buckingham, Stowe-Houfe Earl of Befborough, Rowhampton Sir Francis Ballet, Bart. Tehiddy, Cornwall John Bathoe, Efq. Bath Samuel Bofanquet, Efq. Forefl-Houfe, Efiex Thomas Bowdler, Efq. M. S. Branthwayt, Efq. Taverhara, Norfolk William Beckford, Efq. Fonthill Rowland Burden, Efq. Caflle-Eden, Durham Mr. Bayley Mr. T. Baldwin, Bath Mr. Thomas Bradley, Halifax, Yorkfhire Mr. G. Byfield Nat. Baflhet, Efq. Mr. John Bevan Mr. William Blandy, Reading, Berks Mr. Samuel Baker, Rochefler Henry Bell, Efq. Wallington, Norfolk C. The Right Honorable Lord Camelford, Peteriham, Surry Sir William Chambers, Whitton, Middlefex Lieutenant General Cowper, Ham, Surrey Charles Collyer, Efq. Gunthorpe, Norfolk Mr. Comifh, Exeter William Colhoun, Efq. M. P. Norfolk James Crowe, Efq. Jack’s Wood, Norfolk Charles Coggan, Efq. Captain John Cog^n Rev. Wm. Coxe, F. R. S. Bemerton, near Salifbury Mr. Cheney, Nantwich, Chefhire Mr. Clark Mr. Cantwell Mr. William Colcot Mr. Robert Chapman D. The Right Honorable Lord Dover, Rowhampton B. G. Dillingham, Efq. Letton-Hall, Norfolk John Dennifon, Efq. Offington, near Newark John Richard Dafhwood, Efq. Cockley-Cley, Nor- folk T. Dowdefwell, Efq. Worcefterfhire Edward Darell, Efq. Richmond, Surry Mr. Dickenfou Mr. Thomas Dove, Norwich Mr. De Carle, Norwich Mr. Ewen, Norwich Mr. Thomas Egerton F. The Right Honorable Lord Fortefeue, Caftle-Hill, Devonfhire The Right Honorable Lady Fortefeue Robert Fellowes, Efq. Shottifham, Norfolk Sir William Fordyce Mr. Foxhall Mr. John Fofter, jun. Liverpool Mr. John Fulcher, Bury, Suffolk Mr. Thomas Fulcher, Ipfwich G. Mr. GolTet, Vifeount of Jerfey Payne Galway, Efq. Tofts, Norfolk Thomas Giffard, Efq. Chillington, Staffordfhire The Reverend Archdeacon Gooch, Saxlingham, Norfolk G. de Ligne Gregory, Efq. Mr. Goudge Mr. Robert Golden Mr. William Goodwin Mr. Geo. Griffiths H. The Earl of Hardwicke, Wimple The Right Honorable Lord Herbert The Honorable John James Hamilton, Bentley- Priory, Middlefex Sir Alexander Hood, K. B. Cricket-Lodge, Somer* fetfhire Henry Holland, Efq. 2 lets Mr. R. Holland Rev. Gervas Holmes, Gawdy-Hall, Suffolk William Herring, Efq. Norwich Robert Hunter, Efq. Thurfton by Dunbar James Hunter, Efq. James Hatch, Efq. Oldford Thomas Hammerfley, Efq. Mr. Hakewill Mr. Holroyd Mr. Handafyde Mr. John Hyram Mr. D. Harris, Oxford Mr. William Hobfon John Hele, Efq. Mr. Hoberaft Richard Hill, Efq. I. Sir John Ingoldby, Bart. John Johnfon, Efq. Robert LIST OF SUBSCRIBERS. Robert Jones, Efq. Fonmon-Callle, Glamorganfhire Thomas Johnes.Efq. M.P. Croft-Callle, Herefordlhire Mr. G. Jernegan K. The Right Honorable Lord Kinnaird L. Sir James Tylney Long, Bart. Wanftead-Houfe H. G. Lewis, Efq. Malvcrn-Hall, Warwickthire James Lewis, Efq; Thomas Latter, Efq. Gadebridge-Houfe, Herts Samuel Lapidge, Efq. Hampton-Court John Larking, Efq. Eaft-Malling, Kent Thomas Leverton, Efq. Mr. Lewington, Reading Mr. William Lumley Mr. William Lovering Mr. Richard Long, Sudbury, Suffolk M: The Right Honorable Lord Mulgrave, Mulgrave- Hall, yorklhire, 2 fets The Right Honorable Lord Macartney Sir John Morfhead, Bart. M. P. General Murray, Battle, Suffex Richard Milles, Efq. Elmham, Norfolk William Morland, Efq. Jeremiah MiUes, Efq. Pifhiobury. Herts Robert Marfham, Efq. F. R. Norfolk Nathaniel Middleton, Efq. Thomas Morton, Elq. Mr. Marks, Norwich Mr. Moulton N. The Worfhipful Corporation of die City of Norwich The Duke of Northumberland, Sion-Houfe George Nelthorpe. Efq. Lyndford-Hall Mr. Nelfon Mr. Neill O. The Earl of Orford, Houghton, Norfolk James Oakes. Efq. Bury, Suffolk William Ord, Efq. Fenham North The Duke of Portland, Bulftrode-Park The Right Honorable Lord Petre, Thornden-Hoi The Right Honorable William Pitt. Hollwood. K NoiSr Bart. Langley-Pa John Pattefon, Efq. Norwich Edward Roger Pratt, Efq. Ryfton-Hall, Norfolk Richard Page, Efq. Wembley, Middlefex John Peachey, Efq. Weft-Dean, Suffex Mr. John Pentland, Dublin Mr. John Painter, Emfworth, Hampfhire Mr. John Papworth R. The Earl of Rofeberry, Bixley-Hall, Norfolk Sir Jofhua Rowley, Bart. Tendring-Hall, Suffolk Lady Rowley Mr. Thomas Rathbone, Chefter Mr. George Richardfon S. The Right Honorable Lord Sondes, Rockingham, Northamptonftiire Tlie Right Honorable Lord Southampton, Highgate George Smith, Efq. Picrccfield, Monmouthftiire Jofhua .Smitli, Efq. Drummond Smith, Efq. John Stockwell, Efq; Mr. Scrimplhaw Mr. Shepherd Thomas Sanders, Efq. Mr. jofeph Sibley T. The Honorable Wilbraham Toilemache, Steep-Hill, Ifle of Wight John Throckmorton, Efq. Wefton, Bucks Mr. Tyrrell Mr. Turtle Mr. S. Townfend, Oxford W. Sir Bourchier Wrey, Bart. Tawftock, Devon The Honorable Lewis Thomas Watibn, Lces-Couit Kent Sir George Warren, Bart. The Reverend Philip Wodehoufe William Windham, Efq. Earlham, Suffolk Jofeph Windham, Efq. Mr. George Wyatt Nehemiah Winter, Efq. Ralph Winter, Efq. Hockerill, Effex John White, Efq. Thomas Wildman, Efq. Nathaniel Wright, Efq. The Rev. John Wheler Mrs. E. Wheler '^*5- Skdton-Caftle, Yorklliire Mr. Watfon Mr. Witherby Philip Yotke, Elq. M, P. Hammels. Hem Lady Elizabeth Yorke John Yorke Efq. Richmond, Yorkfhire Charles Yorke, Efq. INTRODUCTION. It will be necdlefs to apologize for the following obfervations, Cnee cuftom has fo fully eftablifhed the propriety of an introduftory addrefs from all who prefent their labours to the public. Architecture, the fubjeft of the prefent work, no lefs delightful in itfelf, than calculated to increafe the comforts and conveniencies of mankind, was anciently held in the higheft eftimation. Not only its patrons, but its profeflbrs, were in the firfl; clafs of men; and every wife and great prince has always had recourfe to architedure to perpetuate his name. In ancient times it was great and meritorious to raife the temple, the portico, and other public edifice. How great the advan- tage and glory that accrued to the Roman name and empire from their buildings, the amphi- theatres, triumphal arches, baths, aqueduds and other remains of ancient magnificence abundantly teftify. The monuments and trophies that were raifed at the public expence to perpetuate the memory of great atchievements, at the fame time that they immortalized the fame of individuals, were lading proofs of the juftice and liberality of the people; they ftimulated others to engage in the fcrvice of their country, to exert themfclves in honourable adions, and ftrongly induce us to believe many things recorded by their hillorians, which might otherwife have been deemed incredible. Quanta autorita habbia arrecato lo edificare alio imperio et nome Romano, non accrefeero io con il mio dire, piu che quella che noi per i fepolchri & per Ic reliquie dell’ antica magnificentia, fparfe per tutto, veggiamo haverne data ca- gione che fi prefti fede, a molte cofe dette dalli hiftoriografi, le quali forfe altri- mente farebbono parute incredibili et chi e llato quello infra i grandiflimi & B prudentiflimi prudentiffimi principi, chi tra le prime lor ct la pofterita fua, non fi fia fervito della cure, b penfieri di perpetuare U nome, architettura ? L. B. Alberti il Proemio. informs u. .... i. .as .he cuRo. of .he aocien. a....s .o C0.0,.. .he., .nven.ioos and ™proven.e„.s .0 wn.ing, and has left ns a large lift of aulhors .hofe works .he devour- .ng hand of .in.e, and .he fu^ of harharlfn, have deftroyed. Wi.h wha. hearffei. regre. .nft every man of genius reflea on .he lofs of .hefe numerous ,rea.ifes, compofed by menwhofe amb,..on •ra •.!_ r a, whirK thCV fclt! Majores cum fapienter, turn etiam utihter relationes cogitata tradere polteris. inftituerunt per commentariorum ViTR. Lib. vii. Praf. V.raov.us is the only ancient author on archileclure now extant, and from him much may undoubtedly be colleaed. He .s the father of archlteds, and writes with the real of a n.an anxious to rarfe his profeflion; he has enlarged on the qualifications necefliry .0 form a great aruft. has placed the art in the moft honourable point of view, and rendered the profeflors refpeaable. he particularly inculcates the necelfity of philofophy to enlarge the mind of the, artift, to free him from arrogance, 'and to make him courteous, juft and faithful; above all thmgs he exhorts him to avoid avarice ; as no work can fucceed without fidelity and integrity ; and not to be covetous, nor to have his mind intent on receiving gifts, but to fupport with prudence a*. ’ propriety, his dignity and reputation. Philosophia vero perficit architeftum animo magno, et uti non lit arrogans fed potius facilis, sequus et fidelis, fine avaritia, quod eft maximum, nullum emm opus vere fine fide et caftitate fieri poteft ; ne fit cupidus, neque in munenbus accipiendis habeat animum occupatum, fed cum gravitate fuam tueatur digni- tatem bonam famam habendo. ViTR. Lib. i. Cap. i. Sed forte nonnulli hsc levia judicantes, putant eos efle tantura fapientes, qui pe- cunia funt copiofi. Iiaque plerique ad id propoCtum contendentes audacia ad- hibita cum divitiis etiam notitiam funt confecuti. ViTR. Lib. vi. Prtefatio. [ 3 ] Nequk eft mirandum quid ita pluribus fim ignotus. Ca:teri ' architefti rogant et ambiunt, ut architeftentur : mihi autem a pneceptoribus eft traditum, roga- tum non rogantem oportere fufeipere curam, quod ingenuus color movetur pu- dorc, petendo rem fufpiciofam, nam beneficium dantes, non accipientes, ambi* untur, ViTR. Lib. vi. Prafatio. Majohjs primum a genefe probatis opefa ttadebant architeffis, deinde quire- bant, fi honefc elTent educati : ingenuo pudori, non audacii protervitatis com- mittendum judicantesi ViTR. Lib. vi. Przefatio. L. B. Aumti, who wrote Htprefily to rival Vitruvius, though he has failed in the . .tcu p t , has notwithftanding left -many ufeful precepts. Faithful to the text and doarine of Vitruvius, he has joined him with equal zeal, in defining what an architea Ihould be , 1 will not, fays he, rank the mechanic with the architea; but I ihall call him an architea, who, from his ear- lieft youth, by long and extenCve ftudy, has acquired abilities to dcCgn, and judgment to execute great and ufeful works, only to be elfcaed by men of fcienco. lo non ti porrb innanzi un legnajuolo che tu lo habbi ad aguagliare ad hu. omint nelle altrc fcicnzie eirerdtatlfliml. Architettore chiamero io colui il quale fapra con certa et maravigllofa ragione et regola, si con la mente et con lo ammo divifare, si con la opefa recare a fine tutte quelle cofe, &c, Alberti il Proemio. Tut Grecian artiils travelled into Egypt in order to enrich their minds with ufeful knowledge! and the Romans, in fucceedmg ages, fought perfeaion in Greece, hoping to rival in the arts, thofe whom they had conquered bv their arms-, the modern artiils, treading in the fame path, viCt Italy to correa their tafie, and to enlarge their ideas. The gieat remains of antiquity ex- hibit many glorious examples of the fubUmlty of the arts, and the perfetlion of ancient fculp- tute and archlteaure ; affording us fome Confolation for the lofs of the many invaluable treatifes of the ancients, mentioned by Vitruvius and others. But as every man was not an ApoUodorus, a Dinocrates, or an Hermogenes, let us not therefore blindly and fervilely copy the ancient buildings, but cautioully examine them, and if pollible catch the fpirit of them : by conftant Budy, deep refleaion, and unwearied diligence, we (hall difeover the caufes of their various combinations [ + ] c„„b...uon, and p^portion. and ttajl Taae .he fpnngs to whence we derive r..isfaa.on in con.en.p.a.ing .he venerable renrains of ancien. grandeur, we lhall d.en looh upon .hofe won- derful and ftupendous works with equal pleafurc and improvenrent , we lhall conftandy dif- cover new bcau.ies, we lhall perceive how different are Ure effeSs produced by .he f.gh. of fl.e objeas .heurfelves, to .he ideas railed ou eaanuning .hen. in prints, drawings and models, we lhall fee how clofely the ancien. art.lls attended .0 the charaaer, convenience and locality of theit edifices; and that the fame ornaments, and the fame proportions that allonilh and de- light in fome fituations, fail of elFefl in others. NEC (amen in omnibus (operibus) fymmetri* ad omncs rationes et effeaus poffunt refpondere, fed oportet architeaum animadvertere, quibus proportiombus neceffe fit fequi fymmetrianj, et quibus rationibus ad loci naturam aut magni- tudinem opus dcbeat temperari. Si qua alia intercurrunt, ex quibus necef- Ctas cogit difcedere ab fyuimetria, ne impediatur ufus. Hoc autem erit, fi archileaus erit ufu peritus, praiterca ingenio mobUi folertiaquc non fuerit Vl- duatus. ViTR. Lib. V. Cap. 7. The great mafters of the fifteenth and fixteenth centuries were indefatigable in their re- learches into the monuments of antiquity, uniting in their ftudies painting, fculpture and archi- tetiurej together with the mofl extenfive knowledge of the various fciences depending on thofe arts. Their numerous works in Rome, and other parts of Italy, point out to us the happy effefts of this union. Let us examine, therefore, the works of Raphael, Michael Angelo, Julio Romano, Palladio, Scamozzi, Vignola, and the other great reftorers of architeflure, and lludioufly obferve, how cautioufly they ufed the ineftimable remains of antiquity. From their labours, and the ftudy of the ancient buildings, we learn the necelEty of long, extenfive, and clofe application, and the impoffibility that any man fhould arrive at a tolerable knowledge and perfection in architecture, without having been previoufly trained to the arts from his earlicft infancy, and nurfed, as it were, in the bofom of fcience. Cum ergo tanta haec difeiplina lit condecorata et abundans eruditionibus variis ac pluribus, non puto pofle jufte repente fe profiteri arebiteCtos, nili qui ab ietatc puerili his gradibus, difciplinarum fcandendo feientia plurium literarum et artium nutriti, pervenerint ad fummum templum architeClurze. ViTR. Lib. i. Cap. i. Tas [ S ] The ancient artifls, and the great reftorere of architecture attained the fummit of reputation, fame, and profit, by flow and gradual advances; but enterprifing and interefted mechanics, more anxious to acquire wealth, than to fecure fame, have found fliorter and eafier roads to fuccefs, though not to fcience, and by following the precept of Martial, Si duri puer ingeni videtur, Prteconem facias, vel architeClum. Mart. Lib. v. Epigr. 56. have prodigioufly encreafed the number of architects, and furveyors. In the prefent times there is a fafhion even in architecture ; a falhion which renders learning and application needlefs, and teaches men boldly to attempt every thing ; a fafliion that has brought forward men, whofc works replete with foreign abfurdities, future ages will view with wonder and aftonilhment. •Doubtlefs the judicious artift will find many things in the arrangement and decorations of mo- dern French and Italian houfcs worthy of his ferious attention ; but the abfurdities daily intruded on us for French refinements, introduced without the leaft regard to difference of climate, and mode of hving, are too grofs to efcape cenfure. Architecture is a coy miftrefs that can only be won by unwearied alliduities, and conftant attention ; but when the mind is wedded to it, the imagination is always filled with wonder and delight, and the poffefTor feels himfelf well rewarded for the trouble of purfuit ; indeed fo faf- cinating is the ftudy of architecture tiiat many men with fortune and talents have devoted their time to the attainment of a fcientific knowledge of its principles, and few have the means without the inclination for building; many of the comforts of life are heightened by the conveniences of our maiifions ; ^ve look with pleafure on each man’s improvements, and feel real fatisfac- tion at the fight of every well-contrived and ingenious defign, where beauty, elegance and con- venience unite. C In [ 6 ] building it it of pea. confequence no. to begin hallily, for the defeds of a work arc often feen and fel. when .he beauties are unnoheed and forgotten. The greateft eaertton of judgment, experience and aftention is requiflte in eon.pof.ng deSgus . that we may no. be led away with a vain deftre of introducing novelty and palto- conceits a. the expence of propriety and convenience. Variety in the compartitions. eafy communications, and well-placed ftair-cafes, each part entire in itfelf, and all tending as mys to a center, arc nccclfary to produce a con- venient, elegant and harmonious whole, that may engage the attention, and fccure the praife of the judicious-, while hally and imperfed produdions not only occafion continual alterations, Diruit, ^dificat, mutat quadrata rotundis. lioR. Epiflote, Lib. i. E. i. but entail lafting difgrace on their authors. Persons of no {kill will often point out an excellence or defeft in the form and deftination of a building, and in the arrangement of its parts, and may make obfervations worthy of atten- tion; for the eye readily difcovers whatever is convenient, elegant and graceful. Let him there- fore who intends to build take the opinion of his friends, as well as of profelTional men ; he may then reafonably hope, to have his doubts and difficulties removed, and to polTefs all the informa- tion that nature, genius, experience and judgment can fuggeft. Having determined to build we mufl firft attend to the fituation, next to the defign of the edifice, and to the nature and quality of the materials, lallly, to a minute and particular deferip- tion of the various works, with a correQ. invefligation of the expence. The fituation mufl be carefully attended to; good water and a dry fertile foil are indifpenfablc requifites, which mull not be overlooked or facrificed to beautiful feenery, or any other confi- deration whatever, as nothing can compenfate for the want of thefe advantages. The drawings being completed, a plain model of the whole building (hould be made of a fuf- ficient magnitude to (hew the feveral parts of each floor, free' from all colouring, which only deceives the eye, and diverts the attention from ferutinizing the component parts ; the fituation, forms, and conneftions of the feveral apartments may then be diflindly viewed ; and that a correft judgment may be formed of tlieir proportions, examine rooms of fimilar dtmenfions, particularly noticing the fituation of the doors, windows and chimneys. Having [ 7 ] Havins made the clefigns as perfea as poffible, and in every refpea fully fatlsfaaory, yet we ought not hallily to puU down the old manfion; or lay the foundations of the new one; but take Pliny’s advice on another occafion, and lay the whole entirely afide, until it ccafes to be fa- tniliar to the mind. PoTERis et quffi dixeris poft oblivionem retraflare, multa retinere, plura tranfire, alia interferibere, alia referibere. Plin. Lib. vii. E. 9. I. on re-examination, the whole Hill appears clear and fatisfadory j full and particular deferiptions of all the different works Ihould be made with the utmoft precifion and accuracy, and the earth Ihould be bored in various places, and wells funk to afeertain the quality of the water, the nature of the foil, and the precautions nccctfary to be taken in the foundations. EstimatsS are next to be confidered. which if the works are entirely new. may be made With the utmoft accuracy and certainty, whatever builders may urge to the contrary, when they are not fo, it arifes from the fame perfon being the architea, the builder, and. as is fometimes the cafe, the contraaor alfo; from ignorance, or the cruel maxim of holding out fpecious in- ducements to begin building; well knowing that every nerve wiU be ftrained to avoid the dif- grace and inconvenience of leaving the work unfinilhed. The bufinefs of the architea is to make the defigns and eftimates. to direa the works and to meafurc and value the different parts; he is the intermediate agent between the employer^, whofe honour and intereft he is to ftudy, and the mechanic, whofe rights he is to defend. His Etuation implies great trull; he is refponfiblc for the miftakes, neghgences, and ignorances of thofe he employs; and above all. he is to take cate that the workmen's bills do not exceed his own eftimates. If thefc are the duties of an architea, with what propriety can his Etuation and that of the buider, or the contraaor be united? Virauvius is particularly copious on this head, and fpeaks the language of a man pre- ferring honour and probity, to intereft and gain; his words fhould be treafured up in the mind, and carefuUy adhered to by every man anxious to fupport the refpea due to his pro- feffion. 4 [ 8 ] Nobili Grscorum et ampla civitate Epfaefi lex vetufta dicitur a majoribus dura conditione, fed jure efle non iniquo conftituta; nam archite£lus cum pub- licum opus curandum recipit, pollicetur quanto fumptu id futurum, tradita sftimatione, magiftratui bona ejus obligantur, donee opus fit perfedum. Eo autem abfoluto, cum ad diftum impenfa refpondet, decretis et honoribus orna- tur : item fi non amplius quam quarta in opere confumitur, ad zeftimationem eft adjicienda, et de publico prsftatur, neque ulla poena tenetur : cum vero amplius quam quarta in opere confumitur, ex ejus bonis ad pcrficiendum pa- cunia exigitur. Utinam Dii immortales feciftent, quod ea lex etiam populo Ro- mano, non modo publicis, fed etiam privatis »dificiis elTet conftituta! namque non fine pcena graflarentur imperiti, fed qui fumma doftrinarum fubtilitatc ef- fent prudentes, fine dubitatione profiterentur architeauram, neque patres fapii- liarum inducerentur ad infinitas ' fumptuum profufiones, et ut ex bonis ejiceren- tur; ipfique archite£li, poenae timore coafli diligentius modum impenfarum ra- tiocinantes explicarent, uti patres familiarum ad id, quod prjeparaviflent, feu paulo amplius adjicientes, asdifida expedirent. Nam qui quadringenta ad opus polTunt pararc, fi adjidant centum habendo fpem perfcaionis, deleSationibus tenenlur: qui autem adjedione dimidia, aut ampliore fumptu onetantur, amilTa fpe. et impenfa abjefla, fbaflis rebus et animis, defillere coguntur. ViTR. Lib. X. Preefatio. OansMEurs am to be caulioully introduced t thofe ought only to be ufed drat are limple applicable and chamaerifiic of their fituations : they mull be defigned with regularity and bj perfeaiy ddlma in their ou.linesi the Doric members mull not be mined with the Ionic, nor the Ionic with the Corinthian, but fuch ornaments only Ihould be ufed. as tend to fliew the dellination of the edifice, as affill in determining its charaaer, and for the choice of which die architeft can aflign fatisfaftory reafons. Mcrra ornamenta fmpe in operibus architeai defignan. de quibns argumentls rationem, cur fecerint, qusrentibus reddere debent. ViTR. Lib. i. Cap. i. The [ 9 ] The ancients with great propriety decorated their temples and altars with the fculls of viflims, rams heads and other ornaments peculiar to their religious ceremonies; but when the fame orna- ments are introduced in the decefration of Englilh houfes, they become puerile and difgnfting. After the authors and works already mentioned it would be as ufelefs as prefumptuous to enter into any detail relating to the elements and orders of architetlure; the lovers of the arts will confult with pleafure and profit the parallel of the ancient architetlure with the modern, written in French by Roland Freart and tranhated by Evelyn, a work of great learning and merit. The ingenuity of mankind has hitherto produced only three diftinei orders of architeaure, and perhaps never will invent more, unlefs fuch attempts as are fliewn in “ A Propofition for a New Order of Architeflure” can be confidered as increaling the number ; yet the Gothic ar- chiteaurc being entirely diftina in aU its parts from the Grecian orders gives us fome reafon to hope. By Gothic architeaure I do not mean thofe barbarous jumbles of undefined forms ia mo dem imitations of Gothic architeaure : but the light and elegant examples in many of our cathedrals, churches, and other public buildings, which are fo well calculated to excite folemn, ferlous and contemplative ideas, that it is almoft impoflible to enter fuch edifices without feeUng the deepeft awe and reverence. King’s College Chapel at Cambridge, is a glorious example of the wonderful perfeaion of Gothic architeaure ; there is a boldnefs and mathematical knowledga peculiar to this edifice, which claims our earneft attention and admiration, which excites us to the purfuit of geometrical knowledge, and reminds us of the high opinion the ancients bad of geometry. Aristippus philofophus Socraticus, naufiagio cum ejeaus ad Rhodienfium litus animadvertiflet geometrica fchemata deferipta, exclamavifle ad comites, ita dicitur, bene fperemus, hominum enim veftigia video. ViTR. Lib. vi. Prsefatio. In this country are the moft and bell examples of Gothic architeaure, in its various of rife, progrefs and decline ; it is therefore to ’ be hoped fome ingenious artifl; will find a patron of fufficient talle and fortune to employ his talents and preferve from dellruaion, by accurate drawings and models, the mouldering remains of Gothic genius and grandeur. O I HAVE [ 10 ] I HAVE freely borrowed' from the writings of Vitruvius, L. B. Alberti, Pliny the Conful and others, therein following the example of the former: Ego veto (Cafar) neque alienis indicibus mutatis, mterpoCto nomine meo id profero corpus, neque uUius cogitata vituperans, inftitui ex eo me approbare; fed omnibus fcriptoribus infinitas ago gratias, quod egregiis ingeniorum folertiis ex tevo collocatis, abundantes aliis alio genere copias prasparaverunt, unde nos uti fontibus haurientes aquam, et ad propria propofita traducentes, fascun- diores ct expeditiores haberaus ad fcribendum facultates, talibufque conEdentea auftoribus, audcmus inftitutiones novas comparare. ViTR. Lib. vii. Prmfatio. The text of Vitruvius Ihews his modefty and candor, and at the fame time fumilhes a bright example of imitation for modem artifts, but this like many of his precepts has been entirely neg« lefted, as a late publication too plainly evinces. Vide Walpole’s Anecdotes, Vol. iv. P. 243. Ideal defigns have been treated, by an ingenious author, with great contempt: certainly thofe that have been executed are more to be relied on, as they mull have been better confidered and digefled, for without praftical knowledge theory is of little worth; the artift converfant in the praftice of building, mud have often met with difficulties after he had fnade drawings of every part, and attentively conEdered the whole defign. It is impoflible to compofe one defign adapted to every fituation, an eminence and a valley require a different ftile of archite£ture ; an edifice in an open country Ihould confift of large and finiple parts, -while the peaceful valley, and filent ftream admit of more delicacy and ornament. The difference in manner of living, and the different ideas of convenience, comfort and [ “ ] and elegance, render the attempt at forming one plan for every fituation ftiU more imprac- ticable. IH compofing the foBowing defigns I have been more anxious to produce utility in the plans than to dlfplay expenSve architcdlure in the elevations; the leading objeas were to unite conve. nience and comfort in the interior diOributions, and fimplicity and uniformity in the extenor; to coUea together fome defigns of houfes and other buildings already executed, in which atten- tion has been paid to the locality, to the dlHerent ideas of comfort and convenience, and to the llile of living of the feveral polfclfors. If the public Ihould judge as favourably of them as the individuals for whom they have been executed, 1 Ihall flatter myfelf that my time has not been mifapplied, nor my endeavours ufelefs. JOHN SOANE. Welbeck-Street, Cavendifli-Square, September to, 17&S. table of CONTENTS. PLATES I, 2, 3. Shottifliam, Norfolk, the feat of Robert Fellowes, Efq. P Li A T E S 4^ 5} 6, Malvern-Hall, Warwickfhire, the feat of Henry Grefwold Lewis, Efq. PLATES 7, 8, 9, 10, 11. Letton-Hall, Norfolk, the feat of B. G. Dillingham, Efq. PLATES 12, 13, 14, 15, 16, 17. Chillington, Staffordfhire, the feat of Thomas Giferd, Efq. PLATES 18, 19, 20, 21 22. Tendring-Hall, Suffolk, the feat of Sir Jofiiua Rowley, Bart. PLATES 23, 24. Lodges at Langley-Park, Norfolk, the feat of Sir Thomas Beauchamp ProQor. PLATES 25, 26, 27. Ryllon-Hall, Norfolk, the feat of Edward Roger Pratt, Efq. PLATES 28, 29, 30. Skelton-Caftle, Yorklhire, the feat of John Wharton, Efq. PLATES 31, 32, 33. Mulgrave-Hall, Yorklhire, the feat of the Right Honourable Lord Mulgrave. P L A B L E o I CONTENTS. PLATES 34, 35> fturn-Hall, County of Durham, the feat of George Smith, Efq* PLATE 37. Villa near Hockeriil, belonging to Ralph Winter, Efq; PLATE 38. Oulton, near Loweftoffe, in Suffolk, the feat of Nathaniel Rix, Efq. PLATES 39, 40* Villa intended for the Honorable Wilbraliam ToUemache. P L A T E S ; 41, 42. The Parfonage at Saxlingham, belonging to the Reverend Archdeacon Gooch. PLAT E 43. Black-Friars Bridge, Norwich. plate 44. The Dairy at Hammels, Hertfordihire, PLATE 45. Earlham, Suffolk, the feat of William Windham, Efq. PLATES 46, 47. Mufeum deffgned for the Dilettanti Society, Hereford-Street, London. This houfe forms half the letter H. and is fronted with white bricks of the beft quality; the fteps, window drellings, cornices, &c. are chiefly of Portland ftone, and the capitals to the pilafters are of Coade’s manufaclory. The principal floor is raifed about two feet and an half. * P L A T E * II * • THE • ENTRANCE • FRONT • AS • EXECVTED • • THE • PLAN • OF ■ THE ■ PRINCIPAL ■ STORY ■ A3 ■ EXECVTED • AND • THE • ENTRANCE • FRONT • AS • INTENDED • By four fteps you afcend the veftibule, on the right of which is the eating-room, and on the left the withdrawing-room ; a fmall cabinet communicates with the withdrawing-room and library ; beyond the library is a juftice-room, &c. ; the beft ftair-cafe is placed in the center of the houfe, and lighted with a large Venetian window ; the common flair-cafe adjoins the offices. a. Leads to the waiting-room. b. -^-abinet. c. Lobby to water-clofet, over which is another, with a communication from the great ftair-cafe. d. PalTage, &c. • THE • PLAN ■ OF ■ THE • PRINCIPAL ■ STORY • AND • ELEVATION • OF • THE • ■ ENTRANCE • FRONT • AS ■ ORIGINALLY • PROPOSED • The plan of the manlion-houfe, in this defigti alfo, forms half the letter H. a. Great ftair-cafe. b. Common ftair-cafe. c. c. Store-clofets. d. Meal-room. e. e. Arcade and paflage from the houfe to the offices and kitchen-court. f. Communication from the offices to the eating-room. g. Salting-bins, one placed above the other. All the other rooms and communications are explained in the plate. Shottishaiv;[ Norfolk. 1 . •IWHSIJtiOHS •malvern-hall- ‘ THE ■ SEAT ■ OF • HENRY • GRESWOLD . LEWIS • ESQ • ■ NEAR ■ SOLYHVLL • WARWICKSHIRE ■ Th£ Ctuation of this houfc is in the middle of a park, commanding many very pleafant prof- peas ; It IS built with bricks, and intended to be ttuccoedi the plinths, cornices, fleps and portico are all of ftone. The dark teints fliew the old building. The light teints fhew the improvements. P L A T E • JV - • THE ■ plan • OF • THE • PRINCIPAL ■ STORY • WITH ■ THE ■ ALTERATIONS ■ • AND • IMPROVEMENTS ■ A clacucAa portico of the Ionic order leads to the veffibule, from whence a double ftair-cafe is feen through three arches; on one fide of the hall are two drawing-rooms, a chamber, dreffing- room and flair-cafe; and on the other are two eating-rooms, and alfo a chamber, drcffing-room and ftair-cafe; from this flair-cafe the dinner is ferved into either of the eating-rooms, and it alfo makes tlie communication from the offices, to the chamber and dreiring-room,''as does the flair-cafe in the Other wing, to its correfponding chamber and dreffing-room. a. Drefling-room. b. Water-clofet. c. DreI2ng-room. As the dimenfions of the firft drawing-room E. were thought fufficient, the great room E. intended for a drawing-room, is finifhed as a green-houfe. - P L A T E - V • ■ THE ■ PLAN • OF • THE • BASEMENT ■ STORY - A. A. Hot and cold baths and drelTmg-rooms. B. Store-room for foap, candles, &c. C. C. Plate -clofet and working-room. D. Butler's room, with a communication with the room C. by the fide of the chimney, a. Is for the fervants to drefs in. ■ P L A T E ■ VI • THE ■ PERSPECTIVE • VIEW • OF • THE ■ ALTERATIONS • AND • • IMPROVEMENTS • MAWEISW HALL, WAU-WICKSHIKE . A. ■ I >> ■ 5--" >. ■':i5'" 4 j .r' y‘*4 4;=.#- 4''-- 4 ;-" ■ '■ ’: ■ ' ii’ ; ' , ■" '. ■ i.;;! ;4|-\-.4 • .. ■: 4 .’ .. ; •^4■ 4 i- I'T! 4 f '"r 'rt .^4 ..V •; •-' ■ ■ . ‘.V:-; ,4;i '?::.•?• .■■:‘f;';;U ■ •- V.; y .■ ■“ ;. ■' :4 . •.,■ ■ •';,. ■ .' ,^;;‘,„.,v>.;:.; .. /;:' • :r- - ■■: •- -•■-. I,; ■■-. ■■ 0- ^ i’" '-I '■■/ Jl V --■ v^'• -f ■ » MALVKIRN HALJL . MAI, VEER 31AEIL. -' -jfl^Ti'gliri I fir letton-hall -THE SEAT - OF - B- G- DILLINGHAM-ESQ - NEAR' •SHIPDAM'IN'NORFOLR’ Tm principal ftory of this houfe is elevated about four feet, the fronts are of white briclts, and the fteps, columns, cornices, and other decorations are of Portland ftone. ■ THE * PLAN • OF ■ THE • PRINCIPAL * STORY ■ AND - THE, ' ELEVAl ION ■ OF ■ • THE • ENTRANCE • FRONT • A FLIGHT of (lone neps leads to the vellibule. on the right of which is a library, opening into the with- draw, ng-room, to which the eating-room adjoins, the breakfaft-room is in the entrance front on the leMde of the hall, and all the rooms have feparatc communications; the bell flair-cafe is placed in the center the houfe, and is of Portland Hone , and likewlfc the common flair-cafe. a. Clofet, arched and fecuied from fire for papers, records, &c. b. A fmall room for the butler's ufe : the offices being on the bafement ftory, this room was lilted up with prefTes, fmk, &c. ■PLAT vin ■ • THE ■ PLAN • OF • THE • BASEMENT ■ STORY • AND • THE ■ ENTRANCE • ■ FRONT • AS • INTENDED ■ It was propofed to arch the whole of this ftory, but the idea was changed after the foundations were laid, and the wine cellar only is arched, a. b. c. d. Cellars. e. Lobby leading to kitchen, houfekeeper’s roorn, &c. f, PalTage to fervants hall. e. Common ftair-cafe. , r • h. Room for cleaning Ihoes and knives, and for the fervants to drefs in. The other rooms are particularifed in the plan. • P L A T E * IX • ■ THE ■ PLAN • OF ■ THE ■ CHAMBER • AND ■ ATTIC ■ STORIES ' houfemaid's clofet, a leaded fink and the water laid on. The attic llory contains the nurfery, four chambers, two dreffing-room > a. Common powdering-room. b. c. e. Clofets. d. Sky-light over heft ftair-cafe. • THE • PLAN • OF ■ THE • PRINCIPAL • STORY • AND • ELEVATION ■ OF ■ THE ■ • THE PLAN Ob -AS. PROPOSED- . the ■ plan ■ AND ■ ELEVATIONS • OF • THE ■ STABLE • BVILDINGS • AS • • PROPOSED • munlcating with the garden. a. Hamels, faddle-rooms, &c. b. Goach-boufes. LETTOM" Hail. THE CHILLINGTON- SEAT • OF • THOMAS ■ GIFFARD • ESQ • NEAR WOLVERHAMPTON • IN • STAFFORDSHIRE • The dark teints dievr the old parts. The light teints fliew the improvements. This houfe is built with bricks, and intended to be lluccoed; the plinths, window-dreffings, cornices, balullradcs, and the whole of the portico are of Hone ; the principal floor is elevated about two feet, and all the bafement Ilory is arched. PLATE XII • THE • PLAN ■ OF • THE • PRINCIPAL • FLOOR • WITH • THE • ALTERATIONS ‘ • AND • ADDITIONS ■ A PORTICO of the Ionic order leads to the vellibule, which Is decorated with columns and a vaulted ceiling ; the vellibule communicates with the faloon ; on the right-hand of the entrance is the eating-room, and beyond it is the libraiy ; on the left of the entrance is the withdrawing-room, which communicates with the breakfalt-room ; the great ftair-cafe is next the billiard-room, and beyond it is a chamber, drelDng- room and common flair-cafe ; and all the rooms have feparate communications. An arcade leads to the fer- vants hall. The kitchen and offices are alfo connefted with the houfe by an arcade, and the houfekeeper's apartment and butler’s room are contiguous. a. Saloon, originally intended for the chapel, and to have been extended as far as the dotted lines. b. c. Chamber and dreffing-room. d. Servants dreffing-room. All the other rooms, «c. are explained in the plan. PLATE Xill • • THE • PLAN • OF • THE • CHAMBER • STORY • This ftory contains nine bed-chambers, c, d, f, k, o, q, y, v, t, and fix drefling-rooms, a, e, i, p, x, u, b. Common flair-cafe. f . Great ftair-cafe. . Corridor, m. Continuation of corridor. 1. 1. Sky-lights. 1. Sky-light in faloon ; the fide windows are intended to remove the objeftions made to the ufe of Iky-lights in rooms, r. Stair-cafe to the new attics, s. Water-clofet. w. Paflage. There is a mezzanine between the houfekeepei's apartments on the ground-floor and the rooms t. u.'«. containing a chamber, dreffing-room and water-clofet. T E XIV ■ THE ■ PERSPECTIVE • VIEW • OF • THE • ENTRANCE • FRONT • AS • EXECVTED • • P L A T E . XV • ■ THE • ENTRANCE • FRONT • AS • PROPOSED • • PLATE- XVI • ■ THE ■ SECTION ■ OF • THE • GREAT • ROOM ■ OR • SALOON ■ AS • PROPOSED • The plan of the principal floor fhews the variations. • PLATE XVII • THE • PLAN ■ AND ■ ELEVATION • OF • THE • INTENDED • BRIDGE • rni.iivpTON is vreatlv indebted to the late Mr. Brown for one of the Sneft piece! of water in Eng- land ; it was the inintion of the prefent poffelTor to have had another bridge built over it. according to this defign. STAFFORBSHIRE . CHILLIITG-TOI^. CHILLINGTOK. CIHIXINGTON. CHILLIKGTOI^. TIIK INTENDED ERIDGK AT QIILI.INGTON. jf . . .-••;■ -■h"-'-'5V'.' . ■- ■ if^v- . ' '.-K-V,, • .ia,--- ■ - j - -:;iSiSsSi^v.rJ ,' 7 ^' I ■■■-^ ' ■ r. ■ . ■* . . * '■' 7 • ' ■' ■ ‘ '■' • '.'•> ■ * y'' ■ ' ■ • ■ ' V ■ ^- ■■ ^' .‘"''vv , .• J ' * - .PV''- - ■ / ;.- -u-; :,^. -.''•!.r. •tendring • hall. •the ■ SEAT • OF • SIR • JOSHVA • ROWLEY ■ BAR^ • NEAR • STOKE • IN • SVFFOLK • This houfe is pleafantlv fituatpH Jn ^ "i ^ •plate- XVIII • ■ the . PLAN . OP . THE - • AND - THE ■ ENTRANCE - entranc eii' r “““S^ “PPofite the “ “■ 6ft fide of the hall md the withdrawing-room ; on the right of the hall k a’ r-h l ^ billiard-rc»m is between the eating-room and the hbia^ i the great ftair-cafe is in the center of th^tafe'^ “d 'fading-rooms, and beyond them is the mun.eanon w.th every room fepamte and dXa ' dair-cafe’^ makes the com! t Smmon'/a ™SI!“ d’' by thirteen feet nine inches, c. d. DrelTing-rooms. •plate- XIX- • the . PLAN - OP - THE - E„T ;^5T0RY - AND - THE - SECTION - PROM - NORTH • TO • SOVTH • a. Servants drefling-room. d”y « ''a'dted, b. Room to clean ftoes and knives. c. Butler s working-room. d. Plate clofet. e. Common ftair-cafe. f. Lobby. g. Scullery. plate XX ' ™ ; " ■ ™‘ .‘ario.'r?, ' • "« ^ ™ ■ »»» ■ ?' 1' ladies apartments, o. b. Clofets. c. Water-clofet. Between thefe rooms and the orinrinal flrv-.^ • rooms, water-clofet, and other conveniences “ containing two chambers, two dreliinv- d. Lady’s chamber. ’ ° e. Powdering-clolet. plate XXI ■ THE ■ PLAN ■ OF ■ THE - STABLE • BVILDINGS - AND • ELEVATION - OF - THE ■ ■ entrance • FRONT • ™ a. Stable for Cck and lame horfes. c;gar&>'"““‘*groomsrooms. e.' s“e°afe! &e™“ warm melhes, &c. h. h.' toubUt coaThoSr® d°“''c on buhnefs. i. Entrance. •plate- XXII ! - THE - PLAN ■ AND ■ ELEVATION ■ OF • THE - LODGES ■ e PuhUfftid yiW>^1it^-fc^ '»* liw^y-yjafira^ts LANGLEY FAB.K, NORFOLK. ri>7/^ 24. •RYSTON-HALL- THE . SEAT • OF • EDWARD • ROGER • PRATT • ESQ ■ NEAR • • DOWNHAM ■ IN ■ NORFOLK. ■ The dark teints fliew the old buildings, and The light teints fhew the improvements. The principal ftory is confiderably elevated; and the fronts are intended to be roughcafted. PLATE XXV . • THE • PLAN • OF • THE > PRINCIPAL • STORY • A FiiGHT of Hone fteps leads to the veftibule, and diretlly fronting is the door into the withdrawing- room ; on the right of the veftibule is the library, opening into the eating-room, which communicates with the withdrawing-room; on the left of the veftibule is a drefting-room, chamber, and ladies dref- fing-room, or breakfaft-room ; the great ftair-cafe is of ftone, and is fttuated between the laft-mentioned room and the withdrawing-room ; the common ftair-cafe communicates immediately with the eating-room, veftibule, See. a. Dreffing-room. b. Arched lobby. c. Great ftair-cafe. d. Balcony. f. f. f. Clofets. g. g. g. g. Servants lodging-rooms. •plate- XXVI . • THE • PLAN • OF ■ THE ■ BASEMENT • STORY ■ From Ihe difference in the levels of the ground in the entrance and lawn fronts, the whole of the bafement ftoiy is nearly upon the level of the ground in the front of the lawn; the great ftair-cafe is continued in this ftory. a. Clofets. b. Mr. Pratt’s powdering-room. c. Strong clofet. d. PalTage of communication from the laundry offices to the kitchen offices. &c. e. Houfemaid's’ clofet. f. Water-clofet. g. Houfekeeper’s ftore-room. h. Recefs in houfekeeper’s room. -PLATE • XXVII ■ • ELEVATION • OF • THE ENTRANCE • FRONT • OF • THE ■ HOUSE • AND ■ • OFFICES ■ RYSTON HALL, N'ORFOLX. * IIYSTOS HAU-. KYSTOSr HAlLJj . •SKELTON • CASTLE- the • SEAT • OF • JOHN ■ WHARTON • ESQ ■ NEAR • GISBOROVGH • IN • YORKSHIRE • The dark teints fliew the old parts. The light teints Ihew the improvements. vl™ SUeon-Cffle. .he plan and ele- •plate- • XXVIII - ■ THE - plan ■ AND ■ ELEVATION ■ OF • DESIGN • N“ • i ■ Vcflibule and bmiard-room, thirty-three feet by twenty-four feet fia. Library, twenty-four feet by thirty-fm feet. •plate- XXIX- ■ THE ■ PLAN ■ AND - ELEVATION ■ Veftibule, thirty feet by twenty-two feet fix. Breakfaft-room. twenty-three feet by twenty-two feet Library, forty-fix feet fix by twenty-five feet. a. a. Recefles in great flair-cafe. b. The great ftair-cafe. OF • DESIGN • N° • 2 - •PLATE- XXX ■ ■ THE • PLAN • AND • ELEVATION • OF • DESIGN • N“ • 3 • Veftibule, thirty feet by twenty-two feet fix. Library, forty-feven feet by twenty-four feet. c. Recefs in veftibule, decorated with columns, niches, a. Clofet for great coats, fticks, &c. b. Great flair-cafe. d. Common flair-cafe. e. Clofet for wood, &c. f. g. Drefling-rooms to the ftate-chamber. State-chamber, twenty-two feet fquare. &c. h MVLGRAVE • HALL • ■the • SEAT • OF • THE • RIGHT • HON-^ ■ LORD • MVLGRAVE ^ • near • -WHITBY • IN • YORKSHIRE • h a„“‘ ftr '”' “™“* cMifdy of ftone, and tie principal floor is conliirtWy raild ■ the • PLAN • OF • THE • PRINCIPAL • STORY ■ floor confidSy ab™,1°he lcve?S";h“gronnr“i?tteTeftT^^^ attending Hie having the firll .nto the gallery, which communicates on® he left 5^tL thltS “P'"®" i» thelntraice -o*' '■>>'*y adjoins the withdmwing-Sor to the Sh, »■* =«- left the beft and common ftair-cafes. ^ ^ the hall is the eating-rOom, and on the £ "'“>'*™”S-coom, and great flair-cafe. c. Pallage. d. Portico and fteps. f: s£r™” “ fUc fcrvants to attend in, &c. g. Butler’s lleepmg-room. h. Paflage to offices. ’■ °S tTewiS-edfar''’' °f *0 houfe t and alfo a way to let pipes. &c. the cook's cSSbCT OreJtte ‘tateS*e'°w'uch “olSf ha'*!^^^ and to part of the houfe. ^-cnouie, which two rooms have no communication with 4ny othef Kitchen. m. Houiekeeper’s ftore-room. n. Mangle-room to laundry. ; beyond them is a dairy p. Scullery, which communicates with the kitchen-court. ■plate- XXXII . ‘ THE ■ PLAN ■ OF • THE • BASEMENT • STORY t a. Water-clofet. b. Pafflge, containing plelfes for wardrobes, &c, c. Lobby. d. Strong-room. e. Writing clofet: f. Warm bath. g. g. Stair-cafes. a n. Paflage to the offices, i. Room for fervants to drefs. k. Stair-cafe to kitchen offices, &c. l. Madeira-cellar. m. For letting down calks, &c; n. Coal. b. o. o. Earth. ■PLATE- XXXIII • THE • ELEVATIONS ■ Mitjl GRAVE Hall , Yorkshire. MULGKlAyii:. HALL. •BVRN-HALL- THE ■ SEAT • OF • GEORGE • SMITH • ESQ ■ IN ■ THE ■ ‘ COVNTY • OF • DVRHAM • 1 . The rituation intended for this houfe is uncommonly beautiful ; the eating-room had been built fOme time, and it was defigned to have completed the plan, had not the owner, in the interim, purchafed Piercefield in Monmouthlhire, which occafioned the dehgn to be laid entirely alide. ‘PLATE* XXXIV * ‘ THE * PLAN • OF • THE • PRINCIPAL • STORY ‘ a. Balcony. b. Lobby. c. Gjmmon Hair-cafe. d. Gentleman’s dreffing-room. • P L A T E ‘ XXXV ‘ • the • ELEVATION • OF ‘ THE ■ ENTRANCE • FRONT • PLATE XXXVI . the • PLAN ‘ OF • THE ■ OFFICES • AND • ELEVATIONS ‘ OF ■ THE • SAME ■ AS • EXECVTED ■ The whole of this building is of Hone. a a, a, a, a, a. Cow-houfes. b. Arched recefs. c. Pens for calves. d. Bull. If 'a, BURUHAtl. • VILLA . NEAR • HOCKERIL • • BELONGING • TO • RALPH ' WINTER • ESQ • This houfe and offices are built with ftudwork; the ground-floor is confiderably elevated; the fronts are roughcafted, and the roof is covered with flates. 'PLATE- XXXVII- • THE • PLAN • OF • THE ■ GROVND • FLOOR ■ AND • THE • ELEVATION • OF • • THE ■ ENTRANCE • FRONT • Drawing-room, eighteen feet by fifteen feet. Eating-room (exclufive of recefs), fifteen feet by twenty-two feet fix. Kitchen, eighteen feet by feventeen feet. Wafli-houfe and bakehoufe, thirteen feet by eleven feet fix. a. Porch. b. Clofet. c. Stair-cafe. d. Larder. e. Communication between houfe and offices, and common flair-cafe, to the rooms over the kitchen and wafh-houfe, &c. f. Porch to offices. g. Scullery. h. Meal-room. i. Oven. j OVLTON • NEAR • LOWESTOFFE - IN • • SVFFOLK • ■ THE • SEAT • OF ■ NATHANIEL • RIX • ESQ • This houfe is built with bricks; the outfide walls are roughcafled; the principal floor is raifed about four feet from the ground, and to prevent the inconvenience attending a large number of external fteps, part of them are made in the paflage. •PLATE- XXXVIII • • CONTAINS • THE • PLAN • OF ■ THE • GROVND - FLOOR • AND • THE • • ELEVATION • OF • THE ■ ENTRANCE • FRONT • a. Entrance. b. Store-room. c. Larder. d. Mr. Rix’s room. e. Stair-cafe. The eating-room has a vaulted ceiling. The kitchen is level with the ground, and over it are two lodging-rooms for lervants. The other offices are in part under the houfe. • THE • PARSONAGE • AT • SAXLINGHAM • • BELONGING • TO • • THE • REV™ • ARCHDEACON • GOOCH • This houfe is fronled with white bricks, and the principal ttory is railed about two feet. One of the Wings was intended to have contained the kitchen offices and houfekeeper’s room, and the other the coach- houfe and ftables ; but in the execution the offices were entirely changed. The dark teints fhew the houfe. The light teints Ihew the offices, &c. • PLATE' • PLAN • OF • THE ■ PRINCIPAL ■ STORY • AND ■ ELEVATION • OF • THE • ■ ENTRANCE • FRONT • This houfe contains, on the principal torji. a veftibule, eating-room, drawing-room, ttudjr, and two Hair-cafes; the fituations of which are Ihewn in the plan. a. Pantry. b. Scullery. c. c. Paffages from the offices to the houfe. d. Houfekeeper’s room. e. Court. f. China-clofet. g. Court. h. Neceffary. i. A light clofet for the convenience of the eatmg-room. . CONTAINS ■ THE • PLAN • OF ■ THE • PRINCIPAL ■ STORY • AND ' THE • . ELEVATION • OF • THE ■ ENTRANCE ■ FRONT ■ OF • THE • FIRST • ■ DESIGN • PROPOSED • a. Stair-cafe. b. Hall. c. Portico. THEEARSOKAGE AT SAXLINGHAM, J^OEFOLK. BLACK • FRIARS • BRIDGE • NORWICH The old bridge, confifting of three arches, being too much ruined to admit of reparation, the Corporation refolved to have a new one of Portland Hone ; and as great weights would be conftantly paffing over, it was neceflary to have the new bridge as flat as poffible, without injuring the navigation. 'PLATE* XLIII * ■ THE ■ PLAN * AND • ELEVATION • The chord line of the arch is forty-two feet. The foundations of the abutments are piled and planked. The vouflbirs of the arch have their joints worked perfeSly fmooth, and are fet dry in milled lead, and in the middle of each joint of each vouIToir are inferted two cubes of call iron of three pounds weight, let equally into each ftone, and channels are funk from the tails of the vouflbirs to the cavities for the iron joggles, and the whole of the cavities and channels are run full with lead; the fuperftrudure is finifhed with iron- railing. The whole expence of pulling down the old bridge and building the new one was one thoufand two hundred and ninety pounds. Thi fleps next to St. George's, Bridge-Street, are not executed, as the houfes are clofe to the Black fiimrs aainGE, mobwich. • THE • DAIRY ‘ AT • HAMMERS ‘ • THE ■ SEAT ■ OF • PHILIP ■ YORKE • ESQ = ‘ NEAR • PVCKERIDGE • IN ^ HERTFORDSHIRE • This building is placed near the houfe, and furrounded with large trees; the fronts are rough- cafted, and the roof is covered with reeds ; the pillars are the trunks of trees; with the bark on, de- corated with woodbines and creepers. • P L A 1' E • XLIV ^ • THE ■ PLAN • And ■ ELEVATION ■ The ceiling of the loggia is arched; the dairy has alfo a vaulted ceiling, enriched with large funk pannels, filled with rofes, and other ornaments in ftucco the tables for the milk are of marble. Loggia, nine feet fix inches by five feet fix inches, a. Dairy, fourteen feet fix inches by feventeen feet. Strawberry-room, twelve feet fix inches by twelve feet fix inches ; the walls are vamifhed and decorated, and the windows are of ftained-glafs in lead-work. ‘ EARSHAM • NEAR ’ BVNGAY • IN ’ SVFFOLK • • THE • SEAT ■ OF • WILLIAM • WINDHAM ■ ESQ • This edifice terminates a lawni was originally intended for a greenhoufe, and completed for ttat purpofe, but has been fince converted into a mufic-room, the front is of Portland-ttone, enriched with columns, niches, and other ornaments. • P L A T E XLV ‘ . CONTAINS • THE ■ LONGITVDINAL • SECTION • OF ■ THE • BVILDING ' . • WITH ■ THE ■ ALTERATIONS ■ Thc ceiling is highly finilhed with ftucco ornaments in compartments, as are dfo the circular r .W wls are ftuccoed and decorated with paintings in chiaro ofcuro imd other ennchments. Si:c:!:n; pi=r.s of whue marhle, and the door is pavedi it being .be wtfti of tbe pofteftor to liave the building as elegant as poffible. EAK.SHAM,HEAIR BUITGAY. BILETTAKTI. A CATA LOGUE O F MODERN BOOKS ON ARCHITECTURE, Sc. THEORETICAL, PRACTICAL, and ORNAMENTAL, Which, with the bcft Ancient Authors, are conftamljt on Sale At I. and J. Taylor’s ArchueBurd Library, No. 56, High Holborn, London. cited, with pctmiflion, tu the King. On Forcy-fevea fulio Matti j. Plans, Elcta N,B. I his Worhia le King. On Forcy-feven 1 id Seftiom, of the Hnft nfl il Materials tc Memb'e'r'n'f KWrf/J/re. fulio IW. A'^dcmics of Parma and Finn - '• ^iioiiatti. Price, on Royal Paper, jl ■ • - - '» for the county of mMlrft.v, j c 1 ■ he contrafted for, and manner of u Ji 1 W ir -""LWltaatat.. in ,h. Vifes, Celierets, Knife Cafes.^” pk and Boo^k CaRs. SeVre a^ 3 ’ bZ Cafe^T .hrar r'r Chefts ot Drawers, Urn Standi, Tea Caddies, TeaTravi CaJ^Tahlo PWT^l^ Glid-es, Drejiin. TabU, pd _Dmwcrs,, c’ommoderRJdd’s^^aLTe: R^eT," ^ftfllng s. on Imperial Paper, i.. be creeted in Cold Bath Fields, Lon- er of ufing the fame in building. 5, by Cbtirla MiMltln, Pier Ulsiies, Terms for Butt., Cornices for Libraiy Cafes Wardrober’ afliril ^ nJ ‘ “ 2 ’ Stands, Lampi, fabks. C^modes, &c. &c. in the pUineft and mol enriched ft>ts^ ® omsmented Tons for Pier T.bl,.. P..„Kr.,i„ delignf, !, lodgei large, ornamented Tops fo'r Pier Tables, PembrJkc the Plan of a Room, fliewing the p^per d^ributian o^^h^fu«i‘,u^;.'''■ne w”ole e'ufoii" nearTh^ eagrased on one hundred and twenty-fis folio plates: from drawings by A. Hcpfclojhl,. tsf A. Cab n^M.ters al a. 1^ +. S.Mr , Pr.»oi»i ■.r,uda,.,Hg o rarer.? llji of, he price, ,//« Jrf tj ,heLjl r«;v.//.r..r,«-i » , 'n r.cW..egr 4 ryst,re^„r.Vr,r«. A new edition, corr^cTcd, with grca/nddlrioni. byt’e'^pti^;;?^"^;;^':;; 5. Crina're'jCswCTiVe/ WOrMwrnM/afrri,Vn?Brc: coniiiHne of oriirinal dntio-n. for r,!ua. j a n, , . . ■“ ^ y,*, N„.i™b„ud, Cd.i,,iu.d, w.ii„„,„d, ..a dtr' n "fartSSuS ?-* C idkrpdSw hi. M.i.iig, „f m/,”",!'. r“S“ 10. JhePerJ^lime ofA,eh!leCiurt, a work entirely new i deduced from the principles of Dr. Brook Taylor, and perfo-med bv two rules of nmverfalappliMtion: illuSrated wth feventy-three plate.s, Begun by command of his prefent Majefty when PrTnee of Jrimed Hs!'half "omL " 1 -V-l and Antiiiuarian Societies. Elegantly It. 'TUOtfcriptionandUfe^a nmohjirumeni ealled the ArchiieBoKie SeSor, by which any part of archiceaure may be drawn with S? ‘Si.SmSSa 5; T'-t*. “S'"" ‘■'."p'f". » !“■ «■». ■■'1 "f lb" R">h -J cieiies.lllullrjtea with twenty-live plates. Elegantly pnnted on imperial paper, il. is. half hound. ’ '■■ “ K'^oy’s P«rfpefiive, maybehitd feparate, at cs. each. Of, a new Syfteni of Lines and Proportions for Doors, Windows, Chimnies, Cornices ipdMouUing, forfimttungof rooms,, &c, &c. A groat rnriety of ttair-cafes, on a plan entirely new, and eafy to be underftood . ifoular Circular Soffits, flewing and wtodtng in ftraight and circular Walls, Groins, Augic Brackets, circular and clliotical Ske- - !o of fqu^anngand preparing their circular Bars, Shop Fronts, Ho. By IK Pain, joine t-igbisi , iixty-mne folio copper-plates, 165. bound. I+. Pea, Britifi Palladio, or the RHilder'iGeiural A 0 aal\ demtinttrating, in the moft eafy and prafWcal method, all the principal mles 01 architcOturc, from the ground plan to the ornamental Hnifli. Illuftrated whh feveral new and ufeful deligns of hoiiles, with heir plans, clerations, and (eftions. Alfo.clear and ample inftrucHons anneied to each fubjeft, in letter-prefs ; with a lift of prieea or materials and labour, and labour only. ThUwork vjlUie aaio-nMh ufefnlio all earpeanrs, bricHajers, mafoa', joiner,, phijeren, adouKT,, coaerraed at the fevera! hranehtt ct iuUdlaj;. (Ac. comprehending the following fubjefts, •vit,. Plans, eleearions, and eibons of gentlemen’s houles. Defigns for doors, chimneys, dnd ceilings, with their proper einbellifliments, .in the mett roudera attc. A great T-.irjrty of mouldings, for bafe tiiid forbafe archirmyei, impofts, frieaes, and cornices, with their proper ornaments 5 ° I'alf-iize: to which are added, fcalcs for enlarging or lefleiiing at pleafurc, if required. Alfo, great Tarieiy )1 tor-calcs ; CieOTng the pradlical method of evecueing them, in any cafe required, via. groins, angle-brackets, circular circular lemng and winding foffits, domes, flty-lights, &c. all made plain and eafy to the tneaneft capacity. The proportion toodows for theUght to rooms. Preparing foundations; the proportion of chimneyi to rooms, and fertions of flews. The 1 ’ :ipjl limbers properly laid out on each plan, vm. the manner of framing the rooli, and finding tb yherfquare or bevel. Scantlings of thetimberi, figured in proportion to their bearing. The metl: ilaiCT, See. aud jnahy other articles, paqiacularly ufeful to all perfons in the building profellion. The w copper-plates, from the original defigns of H’illiaai aad Jane, Paia. Price 161. bound. R. B. This is pain's bill work. 15. The PraSieal Builder, or Workman's Genera! Aflittant; Ihewing the matt approyed and eafy methods for drawing and working he whole or feparate part of any building; as, the Ufoofthe Tnimelfor Groins, Angle Brackets, Niches, Ac. feini-circular Arches ^ ficwing Jambs, the preparing and making their foflits j rules of carpentry, to find the length anil backing of ftraight or cut ved npi triiflcs for roofs, doinei, Ac. Trufling of girders, feclionof floors, Ac. The proportion of the five orders in rheir general pa particular pans : gluing of columnsi ftair-cafes, with their ramp and ttrifled rails, fixing their carriages, newels, &c, Fron- iipitcci, chiranry-pieces, ceilings, cornices, areliuraves, leo. inthc newelltaftc; with plans and elevations of gentlemen's and farm- lOafcs. barns, foe. By H'. Pain, Architedi and Joiner, Engraved on eiglity-thiac quarto plates, 1 as. bound. A new edirion, wilh opruseiiicBtt by the author. engib and I I of trufling IS. Theprin- cking nf hips, Jr,iers,fcarlmg •redfly engraved At •?6 tfi. The Carftnlrr’s Poriri Dirr^ny, containing tlia beft methodi of fnuning timVr* of ail figure* and £incnfions, with tlieir ftveral parts i as floors, roofs in ledgmeots, their length and backings; trufled roofs, fpires and domes; trufling girders, partitions, tind bridges, with abutments ; centering for arches, vaults, Src. cutting ftooe ceilings, groins, dec. with their moulds: ccucres for Clawing Gothic arches, ellipfes, 5 :c. With the plan and IciKons of a barn. Engraved on twenty-four plates, with eaplaaatiuAi, forming the mofl complete and ufeful work of the kind yet publilhtd. By H'. Pain, Architeft imu Cnipeotcr, bouod. t-. Dijlgni in Arebiteffure i conElling of plans, elerations, and fedlions, for temples, baths, caflines, pavilions, garden feats, obeUflis, and other buildings; for decorating plcafore-grounds, parks, forefls, 8ic. Stc. fy John Ssan, Engraved on thirty-eight copper-plates, imperial odluvo, 6s. fewed. ' iS. (Jntrfjar ArchiitSure, or Rural Amofemenc; conliftingof plans, elevations, and feddons, for huts, fummer and winter her- mitages, retreats, tenninaries, Chinefc, Gothic, and natural grottoes, cafeadcs, yuftic feats, baths, mofques, morcfque pavilions, groteiiple feats, grcen-huules, tee. many of Which may be executed with flints, irregular Hones, rnde branches and root* of trees; • containing twenty-eight new defigns, with fcales to each. By //'« M'right, Architedl. Odtavo, 4s. 6di fewed- 19. 7!ie Tintflc Baiiiiir’e majl ufeful Cnmfauieu; containing original defigns in the Greek, Roman, and Gothic talk. By C. T. O-jmen. EiTgi aved on fifty copper-ptates, odlavo, 7s. fewed. so. The Carfenier'i Trtafure-, a cnllcdlion of defigns for temples, with their plans ; gates, doors, rails, and bridges, in the Gothic talk, with centres at large for flrikiilg Gothic curves and mouldings, and fome fpecimens of rails in the Chinefe tafte, forming a complete fyftem for rural decorations. By If. H'aWi, Architedl. Engraved on liateen plates, odlavo, ss. 6d. feiyej. at. Tie Jeineri or, a Colledlion of Original Defigns, in the picfcnt tafte, for chimney-pieces and door-cafes, with their mouldings and enrichments at large ; frizes, tablets, ornaments for pilafters, bnfes, fub-bafes and cornices for rooms, Stc. with a table, fliewing the proportion of chimnics, with their entablatures, to rooms of any fize. By N. Waliii, Archiiedt. Quarto, Ss, as. Ornammij iu the Falmyreue Tajle ; engraved on twelve quano plates. By Jv. H'atlh, 4s. 6d. fewed. 23. Currus Civilit, or Genteel Defigns for coaches, chariots, pol-chaifes, vis-ii-vis, road and park phaetons, whifkies, fingle— horie chaifes, tec. Elegantly engraved on thirty plates. Quarto, los. 6d. fewed. 34. A New Seek ef Ornamenie ; containing n variety of elegant defigns for modern panncls, commonly executed is ftiieco, wood, or painting, and ufed in decorating principal rooms. Drawn and etched by A. Cs/ttmioef. Quarto, ys.fid. fewed. 3^. A rnritt] tf Cafetah, Frizte and Ceraicei j how io increafe Or dtereafe them, ftill retaining the fame proportion as theorigi- nal. Likewife, twelvedcfigns for chinmey-pieces, drawn an inch and a half to a foot. On twelve plates, drawn and etched by P. Cchmbani. Folio, 6s. fewed. 36. Ah EJfnj tu the CfuftruSion and Puilding ef Chimalii, including an enquiry into the common caufes of their fmoaking, and the moll cfledtual remedies for removing fo intolerable a nuifance ; with a table to propoition chimnics to the fize of the room. lUullratcd with proper figures. A new edition. By Robere Clavering, Builder, 3S. 6d. fewed. 37. The Manner ef Securing all Sens ef Bai/dings frem Fire ; n treatife upon the conftruttioft of arches mode with bricks andplaifter, called flat arches; and of a roof without timber, called a brick roof ; with fome letters that palTcd between the Count D'Efpie, I’eter Wyche, and William Bcckford, Efqrs. on this fubjeft. Odlavo, as. fewed. 28. Langley's Builder's DirtBor, or Bench Mate : being a pocket treafury of the Grecian, Roman and Gothic orders of architcdlure, made cafy to the ireanell capacity, by near 300 examples, engraved on 184 copper-plates, tamo. 4s. bound. 29. Every Man a Cemplrte Builder; or cafy Rules nod Proportious for drawing and working the feveral parts of Architeftore, In which are given a plan, elevation, and fedtion of the curious trufled carpenter’s work, eredkd to fupport the centre arch of Black-Friars Bridge, from an cxadl meafuremeni. Compiled by Edward Oail^. Odlavo, 4s. 6d. fewed. 30. Thejeiner and Cabinet Maker's Darling; containing fixiy different defigns for all forts of 'frets, frizes, 4 tc. 3s. fewed. 31. Tbe Carpenter’s Cempanien; containing thirty-three dcligns for all forts of Chinefc railing and gates. Odlavo, 3s. fewed. 33. The Carpenter’s Cemplete Guide to the whole Syllem of Gothic Railing; containing chirty-two new defigns, with fcales (o each. Odlavo, as. fewed. 33. The Carpenter end ydaer’s t^ade Meenm, by Robert Clavering and Company, is. fewed. 34. A Geemelrical fTew ef the Five Orders ef Cilnmns in AribittSure, adjullrd by aliquot parts; whereby the meaneft capacity, by infpcdlion, may deliueate and work an entire order, or any pan, of any magnitude required. On a large ftieet, is. 35. Elevatien ef the New Bridge at Black-Friars, with plan of tbe foundation and fupcrflrudture, by R. Baldwin, n inches by 48 inches, 5s. 36. Plans, Elevations, and SeSieus of the Machines and Centering, ufed in eredling Black-Friar's Bridge ; drawn and engraved by R. Baldwin, clerk of the work ; on feten large plates, with explanations in French and EngUlh. Ftice 19s. 6d, or, with the efevation, 13s. 37. Elevation of the Slone Bridge built over the Severn, at Shrcwjlury ; with pian of the foundation and fuperftrudhire, ele* ganily engraved by Rooker. Price is. 6d. 38. Plans, elevations, and fedlion of the Gael, Bridewell, and Sheriff's Ward, lately built at Bedmin, In the county of Cornirall, by John Call, Efg. upon theplan recommended by fehn Howard, On a la^c ftieet. Price ss. 6d. 39. London nnd H'eflminfler intproved. Illuftraled by plans. To which is prefixed, a difiroiirfe on public magnificence; with oblervatioDs on the Hate of arts and aitifts in this kingdom, whermn the ftudy of the polite arts is recommended as neceflaiy m a liberal education: concluded by fome propofals relative to places nut laid down in the plans. By Jotju Gvyan, Archiced. Price js. in boards. 40. Plans, elevations, and Icflions prefented to the coif oration of Bath, for the improvement of thefa/ir in that ciw; inicoding to make the whole one grand, nniforin, elegant and convenient llrudturc of the Ionic order. By the late R. hingdty, Ef^, Engraved on nine folio plates, bv Rooker, Sec. Price 6s. fewed. 41. EnenuJUc, or Count Caylus's Method of Painting ia the Manner of the Ancients. By J. H. Muntz. Oflavo, js. bound. 42. The Toaug Draf/fman’s Guide to the true Outlines of the Human Figure; or a great Variety of cafy examples of the Humatj Body ; calculated to encourage young beginners, and thereby lead to the habit of drawing with accuracy and facility, on trite principles. By an eminent ariijf, deceafed. Engraved on eighteen copper-plates. Folio. Price 3s. fewed. Tbe following books, in the prefent tafte of ornamea^ ore ufeful to all carvers, ftucco-workers, &c> 43. T!>e Principles of Drawing Ornaments made eafy, by proper examples of leaves for mouldings, capitals, fcrolls, hulks, foliage, fcc. engraved in imitation of drawings, on fixteen plates. Wih inlltuclions for learning without a mailer. Particularly ufeful to carvers, cabinet-makers, ftucco-workers, painters, fmichs, and every one concerned in ornamental decorations. By an artift. Quarto, 4s. 6d. fewed. 44. Ornamental Iron Work ; or defigns in the prefent tafte, for fan lights, flair-cafe railing: window guard irons, lamp irons, palilades and gates. With a feheme for adjumng defigns with facility and accuracy to any flope. Eograved on 2 1 plates. Quarto, 6s. fewed. 4$. A new Book of Omamentt : \oy S. Alien. On fix places, is. 6d. fetved. 46. Twelve new defigns of frames for looking-glafles, pidlures, &c. by ff. if. carver, as. fewed. 47. A Book of Tablets, done to the full fize commonly ufed far chinmey-pieces. Dcfigned and etched by J. Petber, on fix plates, 3s. 6d. fowed. 48. i-usu’s New Book of Ornaments, 2s. fewed. 49. A book of Vafes, by T. Law, as. fewed. JO. A book of Vales, by P. Cotumbani, 2S. fewed. Ji. A book of Vafes from the antique, on twelve plates, is. fewed. J2. Gerard’t new book of Foliage, 2s, fewed, J3. A fmall book of Ornaments, on fix leaves, by O. Edwards, is. fewed. J4. A new book of Defigns for Wrandoles and Glafs-Frames. Drawn and engraved by .B. on lenplates, 4s. fewed. 5j. A Plan and Elevationof the King of Portugal's Palace ac Matra, on two large fliects, 6s. j6. A north-weft View of Greenwich Church, is- j;, An elegant engraved View of Shoreditch Church, 3 feet 4 inches by 1 foot 8 inches, 38. 58. The Art of Praflical Meafuring by the Sliding Rule; fliewing bow to meafura timber, ftotie, board, glafa, painting, Stc. aim gauging, &c. by H. Coggefliall. A new edition, by J. Ham, is. bound. 59. The Bnilding AS of the nth George III. With plates, fliewing the proper thicknefs of party walls, external walls, and^ehiinnies. A complete index, Ullof furveyors and their rcfidencc. See. in a fmall pocket lizc, 2s. 6d. fewed. N. B. The notice and ceiiincate required by the above adl, may be hiid printed with blank fpace* forfillingvp. Price 3d. each, er ij for as. L iiii.Ml .uiili .UtJlJl ill k 11. ...il4.IUiauU., iiiillikUi ,■! iiikUiuailU A.