6/7/95 to 12/21/95 / Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/catalogueofcolle00chri_9 m3 OA.TA.LOOXJE OF A COLLECTION OF ENGRAVINGS OF THE l£aiT\> English School, THE PROPERTY OF A GENTLEMAN COMPRISING Choice Coloured Prints after Angelica Kauffman, R. Cosway and Sir J. Reynolds, Engravings in Stipple by Bartolozzi, W. Ryland and others; Old Coloured Engravings after Morland and Singleton, Mezzotints after Sir J. Reynolds, &c. &c., FROM VARIOUS PRIVATE SOURCES: l . 5m? WHICH Mlill tie ^oI'D i)ij Ruction by Messrs. CHRISTIE, MANSON & WOODS, AT TEmim S&EAT E0OMS, 8 KING STREET, ST. JAMES’S SQUARE, On THURSDAY, NOVEMBER 28, 1895, AT ONE O’CLOCK PRECISELY. May be viewed Two Days preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street , St. James's Square, S. W. TV* b " 3f5 CONDITIONS OF SALE. - 0 —- I. THE highest bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. TT. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Dpon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE. O*- On THURSDAY, NOVEMBER 28, 1895, AT ONE O’CLOCK PRECISELY. o The following are the Property of A GENTLEMAN. ENGRAVINGS.— In the Folio. 1 After G. Dow, Weenix, Mieris, &c. 18 2 After F. Mieris, by Strisener— proofs ; &c. 11 3 Views, &c., after Canaletto 28 4 Views and Landscapes, after Italian and Dutch Painters 44 5 Autumn; and Winter, after Hamilton, by Michel; and Summer, by Facius 3 6 Spring ; and Summer— proofs, oval 2 7 Edward II. and Elfrida; and Prince Edmund Ironside, after ditto, by Bartolozzi; &c. 4 8 Prosperity of Great Britain, after Martyn, by Bartolozzi; and The Return of the Prodigal, after B. West 2 9 Ill ustrations to Shakespeare, by R. Thew and T. Kirk— printed in colours 2 4 10 La Premiere Course tie l’Enfance ; The Companion, by Euotte— ditto 2 11 The Beautiful Stranger, after Bunbury, by Ryder —printed in red ’, and Ariadne, after Cipriani 2 12 Wisdom; and Religion, after Cipriani and A. Kauffman, by Bartolozzi —proofs 2 13 The Union Song, by P. W. Tomkins; Hebe, after Hamilton, by Facius; &c. 5 14 Ticket for the Messiah, after Smirke, by F. Haward; Ac. 3 15 Lesbia, after Sir J. Reynolds, by Bartolozzi 16 The Same — proof before any letters 17 The Birth of Bacchus, after ditto, by Sailliar —first state 18 Mrs. Harding and Son, after R. Cosway,' R.A.; and Princess of Wales and Princess Charlotte, after ditto, by Bartolozzi— proof 2 19 Miss Brunton as “ Horatia,” after ditto, by Bartolozzi— proof before letters 20 Viscountess Bulkeley, after ditto, by ditto— proof 21 Mrs. Cosway, after ditto, by Schiavonetti 22 Mrs. Merry, after ditto, by A. Cardon ; Lady Theodosia Cradock, by Freschi— proofs 2 23 Love, after ditto, by Ryder; and Ophelia— proof before any letters 24 Miranda, after B. Meyer, by Bartolozzi— proof ’ printed in red 25 Elizabeth, Countess of Lanesborough, after H. Hone, A.R.A., by ditto 26 Children Throwing Snow-balls, after Faye, by W. Ward 27 Children Spouting Comedy ; and The Companion, after ditto, by C. H. Hodges 2 5 AFTER ANGELICA KAUFFMAN. 28 Heads, after and by Angelica Kauffman; &c. 15 29 Cordelia, by Bartolozzi— proof; and Andromache Mourning Hector, by W. Dickinson 2 30 Diana and Nymphs, by R. Macuard— proof, printed in brown 31 Peleus and Thetis, by T. Macklin ; and Electra and Chrysothemis, by Harding— in brown 2 32 Meditation, by J. B. Michel; and Ariadne, by Delattre 2 33 The Chevalier d’Eon, by F. Haward; &c. 2 34 Hero and Leander, by F. Durmer; and Ulysses and Achilles, by Scorodoomoff 2 35 The Younger Pliny Reproved; and Virgil writing his Epitaph, by T. Burke 2 36 Yenus and iEneas; and Penelope, with the Bow of Ulysses, by T. Ryder— a pair 2 37 The Parting of Abelard and Eloisa; and Cleopatra at the Feet of Augustus, by T. Burke— in brown 2 38 Sacrifice to Pan, by R. Read— proof ; Horace, by Bartolozzi; and Sappho 3 39 Miranda and Ferdinand, by Tomkins; and Rinaldo and Armida, by T. Burke 2 40 Papirius Praetextatus, by T. Burke: and Posthumio, by Delattre —in red 2 41 The Death of Procris, by T. Fielding— printed in red 42 Juno asking the Cestus from Yenus, by W. Ryland— in red; &c. 2 43 Yenus Attired by the Graces, by Bartolozzi— trial impression 44 The Death of Eloisa, by T. Burke— proof, printed in red 45 Abelard offering Hymen to Eloisa, by J. Ogborne— in red 46 Cymon and Iphigenia, by W. Ryland— proof, in red 47 Cupid and Cephisa, by T. Burke— printed in red B 3 6 48 Cleopatra Decorating Anthony’s Tomb, by W. Ryland —proof; and Perseverance, by ditto— printed in red 49 Achilles Mourning the Death of Patroclus, by W. Ryland— 'proof, &c. in red 2 50 Telemachus; and Penelope, by W. Ryland— a pair, printed in red 2 51 Dido Invoking the Gods, by Delattre— proof; and Ariadne Abandoned by Theseus— printed in red 2 62 Lady in Turkish Dress; and Morning Amusement, by W. Ryland —a pair, printed in red 2 53 Samma Mourning his Son, by T. Burke ; and Andromache Weeping over the Ashes of Hector 54 Aristides, by W. Dickinson— proof ; and The Tree-feller, by P. Dawe— ditto 2 55 Madonna and Child, by Y. Green ; and Faith, by R. Lawrie—• proofs 2 56 Penelope, by Y. Green— proof 57 Thalia, by J. Spilsbury ; and Penelope and Euryclea, by T. Burke 2 Framed. 58 Georgiana, Duchess of Devonshire, after J. Nixon, by Bartolozzi —printed in red 59 Portrait of a Lady, by T. Ryder—proof GO Mrs. Abington as “ Thalia,” after R. Cosway, R.A., by Bartolozzi —printed in red 61 Madame Recamier, after ditto, by ditto— printed in colours 62 Mrs. Fitzherbert, after ditto, by J. Conde— printed in colours 63 Muscipula, after Sir J. Reynolds, by J. Jones 64 Robinetta, after ditto, Dy ditto— printed in colours 65 Simplicity (Miss Gwatkin), after ditto, by Bartolozzi— proof, pritted in colours 7 66 Thais (Miss Emily Pott), after ditto, by Bartolozzi 67 Mary and the Gipsies, by J. Pearson— printed in colours ; and Cupid and Psyche, after Kauffman, by Macuard 2 68 Children with Bird’s Nest; and Delia— printed in colours 2 69 Wine, by J. M. Delattro— ditto ; and Head of a Lady— proof in red 2 70 Allegorical Subjects, after D. Gardner, by F. Haward— a pair , printed in colours 2 71 Bacchantes, after Countess Spencer, by M. Bovi— a pair, ditto 72 Childish Impatience, after Cosway, byGaugain— printed in colours 73 Girl Carrying a Child, after ditto,by Agar— proof — ditto 74 Psammetichus in Love with Ehodope, after Angelica Kauffman, by Bartolozzi— printed in brown ; &c. 2 75 The Handkerchief, after ditto, by Delattre; and Abelard and Eloisa— printed in red 2 76 Jupiter and Calista, after ditto, by By land— printed in colours 77 Yentjs Disarming Cupid ; and The Companion, after ditto, by T. Burke— printed in colours 2 78 The Judgment of Paris; and The Flight of Paris and Helen, after ditto, by W. Byland— printed in red 2 79 Venus, after T. Harper, by Thomson— coloured 80 Thoughts on a Single Life, by J. B. Smith— reprint 81 The Separation of Louis XVI. from his Family, after Benazeck, by Schiavonetti— printed in colours 82 Hunting, after G. Morland, by E. Bell— a set of four, printed in colours 4 83 The Poacher Detected, after W. Kidd, by T. Lupto n— printed in colours 8 The following are the Property of A GENTLEMAN. Framed. 84 Blind Man’s Buff, after Hamilton; Mischievous Sport; and Sportive Innocence, after ditto ; &c. 4 85 Amusement; Boy and Fighting Cocks, after ditto ; &c. 4 86 A Lady; and Cupid, after Benwell, by C. Knight— proofs—a pair 87 Children Sporting, after Guercino, by Bartolozzi— coloured ; and Cupids, after Cipriani— a pair , in red ; &c. 4 88 Lady Smyth and Children, after Reynolds, by Bartolozzi; and Lord Henry and Lady C. Spencer, by J. Jones 2 89 Venus Chiding Cupid, after Reynolds, by Bartolozzi; and Venus and Cupid, by J. Collyer 2 90 The Infant Academy, after Reynolds; and Cupid Unveiling Venus 2 91 Angels’ Heads; and other small plates, after Reynolds; &c. 10 92 Illustration to Boccaccio, after Barel, by Anselin 93 Le Premier Pas a la Fortune— printed in colours 94 Youthful Bacchanals, after Marc Antonio, by Bartolozzi; and Cupid’s Forge, by ditto— proofs ; &c. 3 95 Cupid Sharpening Arrows, after Albano ; and Venus and Cupid, after P. Battoni 2 96 Cupid Binding Aglaia; and Cupid and Ganymede, after A. Kauffman, by Burke— printed in red 2 9< Cupid and Cephisa, after ditto; A Nest of Cupids, after Cipriani ; &c. 3 98 Cordelia, after A. Kauffman— printed in colours ; &c. 2 Q 9 Affection and Innocence, after Bartolozzi, by Tomkins— ditto 9 100 Love and Innocence, after Cosway, by Bartolozzi 101 Leda, after Cosway, by Conde; and Venus and Cupids, and The Guardian Angels, by Bartolozzi— proofs 3 102 Market of Cupids ; and Cupid and Psyche, by Bartolozzi; &c. 3 103 Cupid and Io, after Correggio, by ditto— printed in red 104 Henry ; and Emma, after R. Cosway, R.A.— a pair ; and Master Thornhill 3 105 A Lady as Gipsy Woman; and The Companion, after ditto ; by Agar— proofs 2 106 The Countess of Radnor, after ditto, by M. Bovi; and Viscountess Bulkeley, by Bartolozzi 2 107 Horace Beckford, after ditto, by J. Conde— proof ; and Portrait of Cosway 2 108 Mrs. Fitzherbert, after ditto, by ditto 109 The Fair Moralist and her Pupil, after ditto, by Bartolozzi— printed in colours 110 Marchioness of Townsbend and Child; Leonora, after A. Kauff¬ man ; &c. 3 111 Lady Rushout and Child, after Angelica Kauffman, by T. Burke— printed in colours 112 Miss Farren (Countess of Derby), after Sir T. Lawrence, by Bartolozzi —proof 113 The Duchess of Richmond, after Sir P. Lely, by T. Watson; and The Countess of Bedford, after Vandyck; &c. 3 114 Prince Charles Edward, after David, by Edelinck; and James, Prince of Wales, after Largilliere 2 115 Mary Queen of Scots, by R. Shephard; The Earl of Essex; &c. 5 116 Time and Cupid, after Vandyck, by J. McArdell 117 Rubens’ Children, after Rubens— proof 118 Rubens’ Wife, after Rubens, by R. Earlom— -first state 10 119 Ilelena Forman, after Vandyck, by J. McArdell— first state 120]The Earl of Sunderland; and Lord Charles Spencer, after Cosway, by W. Barney 121 Girl at a Window, after Greuze, by C. Turner 122 The Spinstress, after Romney, by C. H. Jeens— artist’s proof 123 Ought and Carry One, after A. Havers, by F. Stacpoole, A.R.A. — artist’s proof; and Harmony, after Dicksee, by C. Waltner 2 124 Charles I., after Yandyck, by Mandel— proof 125 The Blue Boy, after Gainsborough, by R. Graves, A.R.A.— artist's proof 126 Winter, after Wheatley, by G. J. Stodart— artist’3 proof ; &c. 2 127 Illustration to “ Rabelais,” after J. Gamier ; &c. 4 128 Portrait of Mary Queen of Scots— in oils VARIOUS PROPERTIES.— Unframed. 128a Lady Fenhoulet, after Sir J. Reynolds, by J. McArdell— second state 128b Lady Mary Leslie, after ditto,^by J. Spilsbury 128o Lady Gertrude Fitzpatrick, by J. Dean 129 Hon. Miss Frances Harris, after Sir J. Reynolds, by J. Grozer 130 Mrs. Carnac, after dittto, by J. R. Smith 131 Mrs. Blake, as Juno, after ditto, by J. Dixon 132 Lady Catherine Pelham-Clinton, after ditto, by J. R. Smith— coloured 133 The Deserted Village, after F. Wheatley, R.A., by Bartolozzi— printed in colours 134 Cottager Going to Market, after Morland, by J. Ward— coloured 135 The Turnpike Gate, after ditto, by W. Ward— ditto 136 Gipsies’ Encampment, after ditto— coloured 11 137 The First of October ; and Companion, after ditto— ditto 2 138 Mrs. Robinson, after Engelbeart, by R. Stanier— printed in colours 139 Omai, after Dance, by Bartolozzi; Maria, after A. Kauffman ; Ac. 7 140 Industry and Economy; and The Companion, after H. Singleton, by W. Ward— coloured 2 141 The Fruits of Early Industry; and The Companion, after Morland, by W. Ward— ditto 2 142 William and Margaret, after Wright, by J. R. Smith ; Saturday Morning, after Bigg; and The Departure of Cain— coloured 3 143 The Quack Doctor, after G. Dow, by C. Hess 144 The Woodman, after Gainsborough, by P. Simon ; Wood Scene, after Breughel; &c. 4 145 The Murder of Rizzio, after Graham, by W. Dickinson; Illus¬ trations to Shakespeare ; &c. 5 146 Tippoo Sahib, after Singleton, by Schiavonetti and Cardon 4 Framed. 147 The Shipwreck, after J. M. W. Turner, R.A., by C. Turner 148 Nature; and The Proffered Kiss, after Sir T. Lawrence, by G. T. Doo 2 149 Master Lambton, after Sir T. Lawrence, by S. Cousins, R.A. 150 Oliver Goldsmith, after Sir J. Reynolds, by J. Marchi 151 Charles, Duke of Queensbury, after Willison, by V. Green 152 Earl Fitzwilliam, after Sir J. Reynolds, by J. Grozer —unframed 153 The Marquis of Rockingham, after ditto, by W. Dickinson; and Sir W. James, after ditto, by J. R. Smith —ditto 2 154 George, Prince of Wales, after Gainsborough; and Lt.-Col. Tarleton, after Reynolds, by J. R. Smith 2 155 The Marriage of the Duke and Ducliess of York, after Singleton, by J. Grozer —coloured 156 Morning; and Noon, after W. Hamilton, R.A.— printed in colours 2 157 Lavinia, after T. Gainsborough, R.A., by Bartolozzi— printed in colours 158 Hobbinol and Ganderetta, after ditto, by P. W. Tomkins— ditto 159 Head of a Girl, by Cosway— in crayons 160 The Sleeping Girl, after Reynolds, by J. Jones ; Chloe’s Excuse, after Grassi; &c. 3 161 Maria, Countess of Coventry, after Cotes, by J. McArdell 162 Letty, after Sir E. Leighton, by J. D. Miller— artist's proof; and The Lady of the Woods 2 163 Le Doreur, after Rembrandt, by C. Waltner— artist's proof 164 Lord Wolseley, after F. Holl, R.A., by Josey— artist’s proof 165 The Drawing Room at Buckingham Palace, after F. Sargent, by by A. Turrell— remarque proof, signed 166 Niobe and Phaeton, after Wilson, by W. Woollett 2 167 The First Premium Landscape, after Smith, of Chichester, by ditto ; and Classical Views— printed in colours 3 168 The Gamesters, after W. Peters, R.A., by W. Ward 169 The Farrier’s Shop, after Garrard, by W. Pether FINIS. London: Printed, by W illiam Clowes & Sons, Limited, Stamford Street and Charing Cross.