Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/catalogueofchoic00chri_19 < OA.T^XjOOXJE // 3 . OF A CHOICE COLLECTION OF [ m I i ,4 aA£ ENGRAVINGS l <®f tljr (Patin (English %hool, J Ol/V THE PROPERTY OF A GENTLEMAN, COMPRISING Fine Portraits in Stipple, some in Colours, after Sir J, Reynolds, R. Oosway, R.A., J. Hoppner, R.A., G. Romney, &c.; Fine Engravings in Mezzotint and Colours, after G, Morland, W, Bigg, J. Ward, R.A., J. R. Smith, and others ; Several of the “ Cries of London,” after Wheatley; And Fine Engravings by Bartolozzi and others of his School: WHICH outxil be fog Ruction btj Messrs. CHRISTIE, MANSON & WOODS, AT TSEEIR <£BHAT BOOMS, 8 KING STREET, ST. JAMES’S SQUARE, On MONDAY, JUNE 6, 1898, FOLLOWING AT ONE O’CLOCK PRECISELY. May be viewed Friday and Saturday preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street, St. James's Square, S. W. 7(p%- CONDITIONS OF SALE. - 0 - I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. Y. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale ; Messrs. Chbistie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of tho Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by tho Defaulter at this Sale. CATALOGUE First Day’s Sale. ■ ■■ Oil MONDAY, JUNE 6, 1898, AT ONE O’CLOCK PRECISELY. -KX- PORTRAITS .—In the Folio. 1 George IV., after Sir T. Lawrence, by Finden ; Princess Charlotte, /? after ditto, by Golding 2 George IV., after J. Russell, R.A., by Bartolozzi; Queen Regent and Princess Louise, after Tiscbbein, by Schiavonetti 2 3 King Ferdinand IY. and his Family, after A. Kauflinan, by Bovi A? - u 0 4 General Marceau, by Sergent Marceau —in colours (j 5 Mdlle, Marceau, by ditto —ditto & 6 Lady Cowper, after Hamilton, by Bartolozzi —proof before all Q QCC letters ; and two others 7 Signora Storacce, by Bettelini; Marie Therese, after Kalterer, a ^ s by Bartolozzi 2 ' B 2 4 A /*/. 8 Mrs. Fordyce, offer William, by Watson 0 9 The Marlborough Family, after S. Shelley, by F. Bartolozzi —?? proof before letters , in bistre MTA—r 7 /. /* . <*10 The Same Subject, after ditto, by ditto— proof before all letters , in red ; and George IV., after R. Cosway, R.A., by Sailliar 2 iT* CT-. -2>11 L ady Skfton, after R. Coswav, R.A., by W. Dickinson— printed in colours ^i2 Caroline, Princess of Wales, after R. Cosway, R.A., by F. /' A . ° 13 /. . < 3 ) 4 «/". & 15 A ‘ lozzi— finely printed in colours Michael and Isabella Oginscy, after ditto, by Schiavonetti Earl of Clonmel, after ditto, by Conde ; Mrs. Dickson, after ditto, /7 y by ditto 3 7 Lord Thurlow, after Sir J. Reynolds, by F. Bartolozzi ; Barto¬ lozzi, after ditto, by Marcuard 2 ZL , /& . M6 R. Cosway, R.A , after himself, by Bovi; Mrs. Cosway, after i ditto, by F. Bartolozzi— both printed in colours 2 ^ /Zy/f * £ f C> 17 I ady Charlotte Greville, after J. Hoppner, R. A., by J. Young —finely printed in colours (sr is d?* if ^ O 18 J J 7. &f , Ol 9 Duchess of Ancaster, after Sir J. Reynolds Master Philip Yorke, after ditto, by F. Bartolozzi; and Girl a with Kitten, after ditto, by ditto 2 ^ f. cS-t-d 21 t?&. // . ^20 Lady Elizabeth Foster, after Sir J. Reynolds, by F. Bartolozzi —printed in colours , S r Miss Bingham, after ditto, by ditto fAAAL The Same— printed in colours p The Countess Spencer, after Sir J. Reynolds, by F. Bartolozzi The Same— finely printed in colours s/7,/# , ^22 fy * 23 %f 7 /& , O 24 ^ 25 The Same <£•- 0 / ‘ ^ 26 / . 27 The Same— printed in colours 28 if . & 29 /O , o SO - ° 31 '<2 ' Countess Clan Martinics, after Sir T. Lawrence, by G. T. Doo; Henry Nicolas Charles Van der Noot, after Glim, by ^ Bartolozzi; and Dom Joao 3 yfs' The Affectionate Brothers (Peniston, William and Frederick^? /J James Lamb), after Sir J. Reynolds, by F. Bartolozzi Lord Grantham and his Brothers, after ditto, by ditto Lord Loughborough, after J. Northcote, R.A., by F. Bartolozzi— proof before all letters ; Lord Heathfield, after Sir J. Reynolds^ by R. Earlom 2 Lord Ashburton, after Sir J. Reynolds, by F. Bartolozzi— open .jb — letter proof S , * 32 Count de Lusi, by F. Bartolozzi; and another 38 Dr. Blair, after Sir H. Raeburn, R.A., by F. Bartolozzi— open letter proof", Lady Camden, after T. Gainsborough, R.A., by f y ditto— proof before letters ; and Bartolozzi’s own Portrait 4 t? * a 31 • S, O 36 £■ . O 36 o’ . 0 87 /J~. t>38 39 - 40 41 ^ , O 42 Prince Eugene Napoleon, by P. M. Allx— printed in colours * Lady Georgiana Fane, after Sir T. Lawrence, by C. Turner— proof before letters Mr. and Mrs. Cosway, after R. Cosway, R.A., by R. Thew George John, Earl of Spencer, after J. Hoppner, R.A., by H. Meyer— open letter proof ts Mrs. Jordan, in the character of the Country Girl, after G./fy Romney, by Ogborne The Ladies Beauclerk, after Lady D. Beauclerk, by F. Bartolozzi ^ The Same —printed in colours ' Lady Hamilton as a Bacchante, after Sir J. Reynolds, by ^ J. R. Smith— finely printed in colours Jane, Countess of Harrington, and her Children, afteylitto,, by J. R. Smith ifteiylittOy, by 6 A O , & 43 Master Ashton, after J. Wright, by W. Pether ^ & 44 Lady Middleton; and Lady Grammont, after Sir P. Lely, by J. McArdell 2 /■f, * 45 Miss Beatson, after C. Read, by R. Houston /. /a , O 46 Miss Brusby, after Falconet, by V. Green —-proof * 47 Lady Rushout and Her Daughter, after A. Kauffman, by /Z is ^ A T. Burke SPORTING PRINTS, VIEWS, Etc. 7'/7 ■ <^ 4S iTZ/sT. The Quorn Hunt, after H. Aiken, by F. C. Lewis— in colours 4 Beagles; Fox-Hounds; Harriers; and Stag-Hounds, after D. Wolstenkolme, by Reeve— aquatints, in colours 4 Jr- /£, a 50 Pumpkin, after G. Stubbs, A.R.A., by G. Townley Stubbs— in colours /s. Cock-fighting, after H. Aiken, by Sutherland— in colours Eleanor; and Parasol, by and after Whessel— ditto Violante, by and after ditto— in colours . /*> , — The Happy Cottagers; and The Beggar Boy, after J. Rising, by ^ J. Young —in colours 2 Regnier Hansloe and his Wife, after Rembrandt, by Boydell d The Air Pump, after Jus. Wright, by V. Green— proof Boy and Fighting Cocks; and Girl and favourite Cat, after W. Hamilton, R.A., by N. Colibert; Children Playing at Soldiers, after Wheatley, by Bartolozzi— proof before letters 3 9 96 Jenny and Auld Robin Gray, after S. Shelley, by Ryder; Com¬ punction, after Cipriani, by Schiavonetti; Annette, after , Romney —in colours ; and another , 0 97 The Oyster Woman, after H. Morland, by P. Dawe; Pretty l/ , £ Dick; and Jump Pussy, after Miss Metz and E. Scott; and f% ' 98 / , o 99 100 , 0 101 102 ' , O 103 another Euphrosyne, by R. Pollard —in colours /< Cottage Children, after Russell, by White; Innocence; and Friendship, by Menageot 3 /■jZ La Belle Dormant; La Belle Paysanne (published by Wicksteed) ? —a pair, in colours 2 ( The Villager; and The Cottager, by P. W. Tomkins 2 111 2. z. I 0112 f /• A £2 113 r . O 114 2, ?■ O 115 / * / , £>116 117 2* j -Z> f 118 2, 0 119 2, J- . 0120 2. CP 121 /A , 122 s7. /0 123 ■ ^ r /& / C? 124 2 . (T> 125 6. J . O 126 127 t?7. *128 The Morning, after W. Hamilton, R.A., by P. W. Tomkins; and ^ 7 ^ / Fainasollis, Borbar and Fingal, after Barralet, by J. Parker 2 The Exhibition of the Royal Academy, 1787, after H. Ramberg, by Martini —open letter proof , and print 2 Salon du Louvre, 1785 ; and ditto, 1787, by ditto 2 Gipsies Stealing a Child ; and The Child Restored, after H. Singleton, by R. M. Meadows —both in colours 2 The Pilgrim, after W. Hamilton, R.A., by J. Barney; and Sylvia, by ditto —ditto The Five Senses, and The Titleplate, by L. Scbiavonetti ^ The Bird Catcher; and The Kite Completed, after J. Barney, u ' by T. Gaugain 2 * A Shepherd, after T. Gainsborough, R.A., by R. Earlom; and -7 Girl and Pigs, after ditto —both in colours 2 The Danger of Sleep; and The True Paternal Care, after ^7 L. Marin —in colours 2 / The Dog’s First Sight of Himself, after J. Russell, R.A., by N. Scbiavonetti; Betsy in Trouble, after ditto, by ditto; and The Favourite Rabbit, after ditto, by C. Knight —in colours 3 Dapbnis and Amaryllis, by C. Benazecb; and Bacchus and Ariadne, after Cipriani, by J. K. Sberwin —both in colours 2 * ' The Orange Girl; and The Flower Girl —a pair, in colours 2 flzrrf* A Smithy, after ditto, by Petber —ditto Love and Innocence, after R. Cosway, R.A., by F. Bartolozzi; Maria, after J. Russell, by Tomkins ; and Master Lacy ; &c. 4 Maternal Care, after R. Cosway, R.A., by F. Bartolozzi —in colours The Reluctant Scholar —proof before all letters The Mask, after Sir J. Reynolds, by Scbiavonetti; and A Ghost, after R. Westall, R.A., by ditto —both in colours 2 11 £ , & 129 The Salad Girl, after J. Hoppner, R.A., by W. Ward ^~~r 129a Return from Market, after ditto —-printed in colours '6^/, 130 Various Subjects, after Mrs. Cosway, by Cardon 5 — yy£ 131 Lodona, after Maria Cosway, by Bartolozzi z ''' \r. o 132 Innocent Mischief; and Innocent Revenge, after R. Westalf, y E.A., by C. Jossi —in colours 2 * ^ 3 , O 133 A Cottage Girl, after ditto, by E. Bell— ditto J ~ & 134 Peasant Boy; and Girl Returning from Milking, after ditto, by T. Gaugain— ditto 2 4 /*—j- t 135 Flower Pieoe ; and Fruit Piece, after Van Huysum, by y R. Earlom —proofs 2 Jf* fy 136 The Same Subjects 2 v • t /137 The Forge, after J. Wright, by R. Earlom; and A Similar p \ Subject, after ditto, by ditto —proofs 2 ^138 Susannah and the Elders, after Rembrandt, by ditto —proof ^ 1 139 The Fish Market; Game Market; An Herb Market; and Fruit Market, after Snyders and Long John, by ditto 4 FRENCH ENGRAVINGS. N. DE LAUNAY. ^140 Les Hazards Heureux de l’Escarpolette, after Fragonard tyferhs 141 L’Epouse Indiscrete, after Baudouin; La Soiree des Tuileries, J after ditto, by Simonet C. LE VASSEUR. V, e 142 Le Dernier Jour du Carnival de Paris a la Porte St. Antoine , and L’Emprisonnement des Filles de Paris, after St. Jaurat— proofs before letters 2 12 /* £ . & L. BONNET. ^143 Tete de Femme ; and another ditto, after F. Boucher —in colours 144 Tetes de Femme, after ditto —ditto / 145 Venus enflammee par P Amour; and L’Amour prie Venus —in y colours , . . 146 Le Frere donne les l^trennes a sa Soeur, after Huet; Le Repos ^ , ' / ** • ° Interrompu, after Challe ; and others —all in colours 5 / \ /S \ o J. M. MOREAU le Jeune (After). 147 Le Souper Fin, by Helman ; Le Lever, by Helbou; La Dame du Palais de la Reine ; La Declaration de la Grossesse ; and Les Precautions, by Martini DESCOURTIS. 148 Paul et Virginie, after Challe —in colours ; and others 149 Noce de Village, after Taunay —in colours “V // , f * / S* , RUOTTE. f f 150 Les Petits Faneurs; and Les Enfants de la Chaumiere, after „ ^ ^ ^ Betson —in colours 2 JtC/Zj LE BAS. 151 Le Neglige; and L’CEconome, after Chardin; Le Benedicite, after ditto, by Lepicie 3 o~, F. DECQUEVAUVILLER. k 152 L’Assemblee au Salon; and L’Assemblec au Concert, after N. Lavreince / 4 - JANINET. A' ' ^153 L’lndiscretion, after Lavreince; Les Chagrins de l’Enfance, after Mouchet, by Le Coeur —both in colours 2 13 DEMARTEAU. v 151 Lo Matin ; Le Midi; L’Apres-Midi; and Le Soir, after Huet— in colours 4 HONORE. 155 La Ruse; and La Surprise —in colours -zrr D’ARCIS. 156 Le Sommeil Interrompu, after Merelle; Quand l’Hymen dort, 1’Amour veille, after Challe, by Maucler —both in colours 2 End of the First Fay’s Sale. Second Day’s Sale. -eO*- On TUESDAY, JUNE 7, 1898, AT ONE O’CLOCK PRECISELY. --- F. BARTOLOZZI, R.A. ^ y£ £ 157 The Exalted Soul, after the Duchess of Montrose ; and Apollo and the Muses on Mount Parnassus, after L. Guttenbrunner —both in colours 2 ^ La/ / 0 158 Adelaide; and The Meeting of Abelard and Eloisa, after sfZfjf J. B. Cipriani, R.A. 2 ^ Hebe ; Ariadne ; Spring; and Autumn, after ditto Earth, after ditto— proof before letters ; Nude Boys at Play, after ys ditto 2 Sculpture; and Painting— proofs before all letters 2 Air; Water; Earth; and Fire, after J. B. Cipriani, R.A. Jupiter and Juno on Mount Ida, after ditto; Nymphs Bathing, after ditto— proof ; and Maternal Happiness, after ditto 5 Beauty and Time ; and Jupiter and Juno, after ditto 2 Beggar Children, after J. H. Benwell— proof before letters ; (V 9 6^ 161 *A */-, ^> 162 /, /, O 163 /i ^ 164 /* /«£- ' ^ 165 Serenity, after Cipriani 2. /*. 0 166 Psyche Going to Bathe; and Psyche Going to Dress, after Cipriani 2 15 / J^ f 0 167 / , ^ 168 'Jf. 169 '/*. * 170 ■, £ i 71 Girl with a Kitten, after Sir J. Reynolds The Same —printed in colours La Deesse de Feu, after Cipriani— in colours’, Venus Disarming Q-* Cupid, after Sir J. Reynolds— proof before letters 2 Nymphs Bathing— proof before letters ; and Venus presenting the Cestus to Juno, after J. B. Cipriani, R.A.; The Mirror of Love, &c. 4 A Sacrifice to Cupid ; and The Triumph of Beauty and Love, ^ of+n,. / c l O 172 173 174 after ditto 2 Spring ; and Summer, after ditto 2 The Origin of Painting ; Monument to Bach, after Carlini 3 V ,0 175 ^ . 0 176 177 178 V' 179 180 Lady Reading, after J. H. Benwell —proof before letters ; Youth, , after J. F. Rigaud, R.A. 2 The Happy Father ; and The Distressed Mother, after J. B. /r Cipriani, R.A.— in colours 2 Nymphs Bathing; Nymphs after Bathing; and Jupiter and V Juno on Mount Ida, after ditto 3 Music, after ditto— proof before letters Fortune; Prosperity; The Power of Love; and The Power of *^ 7 # - Beauty, after ditto— in colours 4 Harmony— proof before letters’, and Love Caressed, after ditto 2, The Power of Love ; and Sappho Embracing Love, after ditto 181 Fortune, after ditto —in colours-, and Conjugal Love, after ditto '? , O 182 0 —, -x? 183 184 Vortigern and Rowena, after J. F. Rigaud, R.A.— in colours Bacchante ; and Leda, after De Pellegrini —in colours / ‘Y' / Queen of Edward IV. parting with the Duke of York, after ^ Cipriani; and Meeting of Edward V. and his brother the / Duke of York, after Bamberg 2 } , O 185 Lord Darnley, Lord Ruthven and George Douglas killing^^ Rizzio, after Guarana ; Queen Elizabeth consulting the Es of Essex and Lord Howard, after ditto 2 16 / y J A/ • , & 186 <*/, 187 /• ^ » & 188 Lord Darnlcy and Lord Ruthven entering the Apartment of Mary Queen of Scots, after Guarana; Conclusion of tlio Treaty of Troye, after W. Hamilton, R.A .—both in colours 2 Edward II. and Elfrida; and Prince Edmund and Algesta, after W. Hamilton, R.A .—proofs before letters 2 p Is A f , t> dUto * 2 17 ^02 a he Sailors Orphans; and The Soldier’s Widow, by sj s * Dunkarton— ditto 2 203 Birthday Present; and Health and Sickness, by Gaugain— ditto 204 Saturday Evening; and Sunday Morning, by W. Nutter /«/. ^205 The Same Sdbjeots —printed in colours pr^ 0 206 The Truants ; and The Romps, by W. Ward— ditto y~~ q 207 The Parent Restored, by W. Nutter 2 2 ,7 ANGELICA KAUFFMAN, R.A. (After). 7 y 208 The Shepherdess of the Alps, by F. Bartolozzi & 209 Hector reproaching Paris; Achilles discovered by Ulysses, by s, G. S. and J. G. Facius— in colours 2 4 210 Judgment of i aris, by F. Bartolozzi /217 The Three Fine Arts, by F. Bartolozzi —proof bejvre letters ; yz 6 18 ^ y if , 0 218 Erminia, by J. Hogg ; Ariadne, by Delatre ; and others 0. S . * 219 Angelica and Sacriponte; and Henry and Emma, by T. Burke, / , , & 220 Shakespeare’s Tomb, by F. Bartolozzi; Death of Eloisa, by T. Burke 2 aA J , £> 221 Birth of Shakespeare; and Shakespeare’s Tomb, by F. Barto¬ lozzi —proof before letters 2 /' J? . 222 Peleus and Thetis, by Macklin —open letter proof /,/£.. £>223 Cleopatra and Meleager; and Cornelia, Mother of the Gracchi, by F. Bartolozzi— open letter proof 2 2, //>. & 224 Paulus iEmilius; and Cleopatra and Meleager, by ditto; La Pen serosa; &c. 4 v y Flora, by ditto —open letter proof ; Winter, by ditto Cleone; and Cordelia —open letter proofs 2 Penelope Weeping over the Bow of Ulysses; and Dido Invoking £ , /tf 7 O 225 £ , /«/". £> 226 if, /£ .o 227 4 . X/T£> 228 4 ,. £^—^229 the Gods, by J. M. Delatre —in colours Design and Poetry, by T. Burke —in bistre The Same /2a GEORGE MOKLAND (After), Etc. £ ^ & , C> 230 Slave Trade ; and African Hospitality, by J. B. Smith 2 , £?231 Variety; and L’Hiver, after J. Ward —both printed in colours /. S* ■ & 232 Guinea Pigs, by J. R. Levilly /<7 . ^233 The Squire’s Door ; and The Farmer’s Door, by B. Duterrau —printed in colours /2 r , o 234 Breaking the Ice, by J. R. Smith — ditto /237 A Party Angling, by G. Keating; and The Angler’s Repast, by W. Ward 2 ' O 238 —■'t? 239 r o 240 r.t The Cottager’s Wealth, by G. Keating The Country Stable, by W. Ward The Farmer’s Stable, by ditto The Fruits of Early Industry and Economy; and The Effects of Extravagance and Idleness, by W. Ward; Industry and Economy; and Extravagance and Dissipation, after H. Sin¬ gleton, by ditto 4 ^ ^ £>242 The Same Subjects —finely printed in colours Travellers ; and Cottagers, by W. Ward— printed in colours 2 244 Girl and Calves; and Girl and Pigs, by ditto 2 ( ^ 243 ► , o ,0 S „245 Fox Hunting : Going into Cover; and The Check, by E. Bell y J - ' / —printed in colours 2 ? f C? 246 Boys Robbing an Orchard ; and The Angry Farmer, by E. Scott j —ditto 2 247 Boys Skating; Boys Bathing; Boys Robbing an Orchard; and // . 4 /(j* The Angry Farmer, by E. Scott —printed in colours , o 248 7 , fa 249 * 6 250 X 251 St. James’s Park; and A Tea Garden, by F. D. Soiron— printed in colours The Same Subjects —ditto The Story op L^titia, by J. R. Smith Louisa, by T. Gaugain— a pair, in colour > . ^ 252 The Strangers at Home, by W. Nutter— in colours 253 // , Rural Amusement; and Rustic Employment, by J. R. Smith ^ " r ditto 2 20 Youth Diverting Age, by J. Grozer —printed in colours Childish Amusement, by W. Dickinson —ditto *- /tf./l/, 254 4 r< /J~ . & 255 tf. ° 256 ^, tf~. O 257 -- 258 Ale-House Politicians, by W. Ward —printed in colours /i _ . x 259 Inside of a Country Ale-House, by ditto —printed in colours // . O ■*- Rest from Labour, by T. Burke—diMo Shepherds Reposing, by W. Bond —ditto olours^y i/e. lf~. O 260 iT- /0 . O 261 f./r. 7 262 /, tf . o 263 - 19 264 S. *T. , & 265 7* a ’ o , 0 266 267 . . o 270 271 ?-/r- / o 272 273 J. R. SMITH (By and After). Eloisa ; and Albinia —printed in colours The Visit to the Grandfather, by W. Ward ; and The Visit to 2 A the Grandmother, after Northcote The Same Subjects — prin'ed in colours What you will —printed in colours Thoughts on a Single Life, by W. Ward Thoughts on Matrimony, by ditto The Match Boy, by C. Knight —printed in colours The Wood Nymph ; and The Shepherdess, after S. Woodford A Lecture on Gadding, by F. Bartolozzi 27^^^ The Credulous Lady and Astrologer, by P. Simon STZU I he Moralist, by W. Nutter Flirtilla ; and Naroissa — in colours 2 d 7 " A Maid— in colours Les Deux Amis; and Caroline, by Senus //289 , O 290 . 291 , o from Market, by J. Ward —ditto Rustic Felicity, by ditto —ditto The Rocking Horse, by ditto — ditto Haymakers, by W. Ward —ditto Compassionate Children, by ditto —ditto The Citizen’s Retreat, by ditto— ditto The Same, by Thouvenin —ditto Selling Rabbits, by W. Ward —ditto Almeida —printed in colours Lucy of Leinster The Choice— printed in colours Hesitation, by W. Ward —printed in colours The Soliloquy, by ditto —ditto F. WHEATLEY, R.A. (After). /d S' * ■ ? , t? 292 Setting out to the Fair; and The Fairings, by J. Egint^n —in colours ^ * , 0 293 Rustic Hours, by H. Gillbank —a set of four—in colours 4 ^ _ # £ 294 The Disaster, by W. Ward —ditto T* 295 The Encampment at Brighton, by J. Murphy— open letter proof ~ O 296 The Father’s Admonition, by Field ; and The Country Clergy- man, after Westall— both in colours J " i . 0 297 The Country Girl going a-reaping, by Bartolozzi— in colour 22 AAA , * 298 /' ^ / -Z> 299 A „ ^800 2 6 £>301 JL. / J~, o' m rL , . / iT * *?303 */ ' 0—r -o 304 df ' *S~, O 305 A' / 0 , , 0306 t/ r A A A r ' S 307 £ 308 C> 309 & T -z? 310 Cries of London :— Matches, by A. Cardon Milk below Maids, by Schiavonetti —in bistre The Same The Same— in colours Sweet ChiDa Oranges, by ditto —in bistre The Same Knives to Grind, by Yendramini —in bistre Old Chairs to Mend, by G. Yendramini —in bistre New Mackerel, by Schiavonetti —ditto The Same, by ditto Strawberries, by Yendramini Primroses, by L. Schiavonetti Fresh Gathered Peas, by Yendramini —in bistre FINIS. London: Printed by William Clowes and Sons, Limited, Stamford Street and Charing Cross.