C -A. T .A. Xj O O XJ 33 
 
 ! 6 
 f. 
 
 OP THE 
 
 Remaining Works 
 
 
 OF 
 
 RICHARD BEAVIS, R.W.S. 
 
 Deceased, late of 16 Campden Hill Square, 
 
 Consisting of important Pictures and Water-Colour Drawings, 
 framed, unframed and in the folio, and 
 Books of Sketches; 
 
 ALSO 
 
 Ptctum & 19ralirings bn otljcr Artists; 
 
 AND A LARGE ASSEMBLAGE OF 
 
 PHOTOGRAPHS, COLOURED LITHOGRAPHS, PRINTS, 
 ETCHINGS , ENGRAVINGS, BOOKS. ARMS. 
 
 COSTUMES, ARTISTIC ACCESSORIES AND FURNITURE: 
 
 which (by Order of the Executors) 
 
 he Solti hp Auction hp 
 
 Messrs. CHRISTIE, MANSON & WOODS, 
 
 A% YHKm GREAT EOOMS, 
 
 8 KING STREET, ST. JAMES’S SQUARE, 
 
 On WEDNESDAY, FEBRUARY 17, 1897, 
 
 And Three following Days, 
 
 And on MONDAY, FEBRUARY 22, 1897, 
 
 AT ONE o’CLOOR PRECISELY. 
 
 May be viewed Two Days preceding, and Catalogues bad, 
 at Messrs. Christie, Manson and Woods’ Offices, 8 King Street, 
 St. James’s Square, S.W. 
 
 
CONDITIONS OF SALE. 
 
 - 0 - 
 
 I. THE highest Bidder to be the Buyer; and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall be 
 immediately put up again and re-sold. 
 
 II. No, person to advance less than Is.; above Five Pounds, 5s.; 
 and so on in proportion. 
 
 IT1. In the case of Lots upon which there is a reserve, the Auctioneer 
 shall have the right to bid on behalf of the Seller. 
 
 IY. The Purchasers to give in their Names and Places of Abode, 
 and to pay down 5s. in the Pound, or more, in part of payment, 
 or the whole of the Purchase-Money, if required; in default 
 of which, the Lot or Lots so purchased to be immediately put 
 up again and re-sold. 
 
 Y. The Lots to be taken away and paid for, whether genuine and 
 authentic or not, with all faults and errors of description, at 
 the Buyer’s expense and risk, within Two days from the Sale; 
 Messrs. Christie, Manson and Woods not being responsible 
 for the correct description, genuineness, or authenticity of, 
 or any fault or defect in, any Lot; and making no warranty 
 whatever. 
 
 VI. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account be 
 removed during the time of Sale; and the remainder of the 
 Purchase-Money must absolutely be paid on the delivery. 
 
 VII. Upon failure of complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited ; all Lots un¬ 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency (if any) attending such re-sale 
 shall be made good by the Defaulter at this Sale. 
 
CATALOGUE. 
 
 First Day’s Sale. 
 
 On WEDNESDAY, FEBRUARY 17, 1897, 
 
 AT ONE 0 CLOCK PRECISELY. 
 
 ENGRAVINGS, LITHOGRAPHS, Etc.— In the Folio . 
 
 ' , £ 1 Photographs of English and Foreign Scenery, Dresses and . 
 
 Animals in sixteen folios 
 
 ■ & 2 Illustrations to the Bible, by G. Dore, &c. — in one folio 2 
 
 7 0 3 Lithographs, of Various Subjects — in six folios 6 t 
 
 , O 4 A Similar Lot— in six folios 6 
 
 ^5 Lithographs and Engravings, of cows, sheep, deer, poultry and 
 
 other animals — in five folios % 7 , 5 , yfje 
 
 ^ G The Political and Military Life of Napoleon, by Arnault, 
 
 1822; &c. " 
 
 ^ 7 The Campaigns in Italy, and Incidents of the Bevolution ; &c.— 
 in five folios 
 
 ' 'P 8 The French School of Cavalry, by Saumer; Ac. 
 
 £ 9 Lithographs of Military Subjects— in five folios ^ 
 
 ~ ^,10 A Similar Lot — in five folios 5 / 
 
 B 2 
 

 4 
 
 //*' * 11 Woodcuts and Engravings, &c., of Various Subjects 4 . 
 
 / ; ^ , C 12 Lithographs and Engravings, of horses, &c .—in four folios 4 ^ 
 
 // , & 13 Lithographs op Sketches, after Aiken, Syer, Herring, Fred. 
 
 Tayler, &c .—in ten folios 
 
 f2y/, . 0 14 Lithographs of Landscapes, after Allonge, Bonington, Laurens, 
 
 Pyne, Harding, &c .—in five folios 5 
 
 / * ^ ' 15 Views in Egypt, &c., after D. Roberts, R.A.— in one folio Jfjfi / 
 
 /< / , <? 16 Illustrations from Journals; &c .—in four folios 4 
 
 /„ /J, (P 17 Engravings, after Bercbem and Karl du Jardin; and Etchings, . 
 
 after W. H. Pyne, &c .—in one folio 1 ^ 
 
 ' 18 Hunting Scenes, after J. Chelminski —lithographs 2 ^ 
 
 / * CJ ~ t V 19 Thirty-Five Portfolios 35 
 
 4 y 
 
 ETCHINGS AND ENGRAVINGS —In the Folio. 
 
 :h 
 
 ' f / -* 20 The Ports of France, after J. Vernet 
 
 /* pz? 21 After Van de Velde, Vernet, Ostade and others 
 
 t ^ 22 The Battle of the Nile, after De Loutherbourg; The Battle of 
 
 Waterloo ; &c. 11 e/ ' 
 
 y f y/ >,j , O 23 The Duke of Orleans, after Reynolds, by J. R. Smith ; and George, 
 
 Prince of Wales ; &c. 2 '/ 
 
 9 24 Earl of Pembroke, after Vandyck; George II., after Morier; &c. w 
 
 y 2 25 Cupid, after W. Owen, R.A., by S. W. Reynolds— printed in 
 
 colours h I 
 
 26 Saluting the Wounded, after E. Detaille— proof; Attacking a 
 
 Convoy; and one other, after ditto 3 
 
 27 On the Alert, after ditto— artist's proof, signed by the paintep; 
 
 and one other ~^ 6 z. 
 
 28 The Horse Fair, after Rosa Bonheur, by C. G. Lewis— presenta¬ 
 tion proof - x ^ ^ 
 
 29 Denizens of the Highlands; A Scottish Raid; Morning in the 
 
 Highlands; &c., after ditto 4 
 
 J 
 
 A 
 
 

 5 
 
 0 30 
 
 V 
 
 31 
 
 * 32 
 ^33 
 
 17 JsZ'C Ay 
 
 0. 31 
 
 
 * 35 
 .0 36 
 
 ^ 37 
 " 0 38 
 .T> 39 
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 f O 41 
 
 42 
 
 43 
 
 r 44 
 
 v 45 
 7^ 46 
 
 Landais Peasants; Les Boeufs Bretons ; Changing Pasture ; &c., 
 after ditto 5 / 
 
 Kendez vous de la Chasse ; Attelage Nivernais; and others, after , 
 
 Rosa Bonheur 5 /' 
 
 On the Alert; and A Foraging Party, after ditto, by A. Gilbert— 
 artist's proofs , signed by painter and engraver 2 
 
 The Retreat, after H. Vernet, by Jazet; and others— chiefly litho¬ 
 graphs 17 
 
 The Forest; and The Mill, after Yan Marcke, by Courtry, &c. 
 
 8 — 
 
 After Didier, O. Weber, A. Bonheur, &c. 10 
 
 The Reconnaisance ; The Charge at Gravelotte; and two others, /, V > / 
 
 after De Neuville 4 
 
 Manon Lescaut and the Chevalier Desgrieux, after Outin— proof ( ''j/f 
 
 La Halte, after J. L. E. Meissonier— proof i 
 
 1807, after Meissonier, by J. .Tacquet— proof before letters Jhr - 
 
 The Forest Series, after Sir E. Landseer, by T. Landseer, A.R.A., 
 
 C. G. Lewis, &c.— the set of twenty—proofs before letters—in a f 
 portfolio 
 
 The Stag at Bat, after Sir E. Landseer, by T. Landseer,A.R.A. 
 
 —proof before any letters 
 
 The Victory towed into Gibraltar, after C. Stanfield, R.A., by J /y /■] 
 
 J. Cousen— proof 
 
 Wreckers off Fort Rouge, after ditto, by Quilley; Castle of — —* 
 
 Ischia; &c. 5 
 
 A Shipwreck, after J. M. W. Turner, R. A., by C. Turner; &c. 4 
 
 The Seasons, after W. H. Hopkins; &c. 6 isYtZZ 
 
 
 The Straw Yard; and Glimpse of an English Homestead; &c. 
 
 
 47 
 
 after Herring 3 
 
 Prince George’s Favourites, after Sir E.Landseer; Huntsman and 
 
 
 Hounds, after Ansdell; &c. 
 
6 
 
 48 Gone Away ; Run to Earth ; and A Breast-IJigh Scent* after 
 
 ^ y ^ --- ^ 
 
 C. Bonet —coloured ^y ^^3 
 
 /* ' 49 Herring’s Hunting Scenes —coloured lithographs /y ^ y^^y^ 
 
 / 4 /c? , & 50 Herring’s Fox-Hunting Scenes, by J. Harris —coloured 
 
 y 4 FF 51 Fox-Hunting, after J. F. Herring, by Huffam —coloured 4 __ 
 
 ETCHINGS 
 
 By J. MACNEIL WHISTLER. 
 
 /' 7 • 
 A 
 
 /. j: 
 
 52 The Rag Gatherers; and Bibi Lalonette 2 
 
 53 Annie —first state ; and Reading in Bed d~Z >— 2 
 
 6? 54 The Unsafe Tenement; and Greenwich'Park ' 2 
 
 fifi ^ y £ C> 55 Reading by Lamplight; and The Landscape with the Horse ^2 
 
 y^ y # , {A 56 La Vieille aux Loques ; and Soupe a Trois Sous 2 
 
 57 La Mere Gerard ; and Seymour 2 
 
 58 La Marchande de Moutarde —first state ; and A Little Boy 
 
 (Portrait of Seymour Haden the younger) 2 
 
 59 The Kitchen ; and En Plein Soleil f 2 
 
 60 LaRetameuse; and Annie, seated f 2 
 
 61 The Music Room; and ’Long-Shore Men i ,a 
 
 62 Nursemaid and Child; and Bibi Valentin tAAu** 2 
 
 63 Street at Saverne ; Vauxhall Bridge; and Fumette — 3 
 
 Framed. 
 
 
 /A/i 
 
 64 Meeting a Wounded Officer; and Communicating with the 
 
 Advance Guard, after de Neuville ; and one other 3, ’/ 
 
 65 The Battle of Alma, after Pils ; and Abd-el-Kader, after 
 
 II, Vcrnet 
 
7 
 
 , 0 66 Stampede of the Herd, after Rosa Bonheur, by T. Landseer, ^ 
 
 A .R.A.— artist's proof 
 
 , O 67 Cattle Swimming a Lake, after Rosa Bonheur, by C. Mottram— ✓ 
 
 artist's proof * ' * 
 
 68 The Hunted Stag, after Sir E. Landseer, by Dobell; In Danger ; /i 
 
 and Abandoned, after A. Shreyer 3 
 
 / 0 69 Braemar, after Sir E. Landseer, by T. Landseer, A.R.A.; and 
 Taming of the Shrew, after ditto, by Stephenson —proof before 
 letters 2 
 
 
 
 ^70 Dutch Trawlers, after E. W. Cooke, R.A.; Claude Duval, after 
 
 
 Frith; War Ships, after E. Duncan ; &c. 5 ^ 
 
 > o 71 Returning from Market, after R. Beavis, by C. G. Lewis— y j, S _ 
 
 * . l A 
 
 presentation proof 
 
 WATER-COLOUR DRAWINGS -In the Folio. 
 
 , 72 H. Bright : Caistor Castle; &c. 
 
 , 0 73 C. Green: Women Quarrelling 
 , ^>74 E. Hargitt, 1863: Low Water 
 /* 75 G. F. Glennie, 1863: Haymaking 
 
 L 76 S. Prout: A Sea Piece; and Shipping 
 «■ & 77 C. Taylor : Sea Pieces, with shipping c ^ 
 
 , 0 78 Ditto : Ditto _>> 
 
 • & 79 Ditto: Ditto 
 - v 80 Ditto : Ditto 
 
 4 
 
 — 
 
 3 
 
 4 
 4 
 4 
 
 _ 81 A Volume, containing Sketches of Horses and Carts, by 
 E. Duncan 
 
8 
 
 DRAWINGS BY R. BEAVIS-/« the Folio. 
 
 
 
 
 j 
 
 82 Drawings and Tracings —in pencil 
 
 83 Tracings of Pictures, by R. Beavis, Ac. 
 
 84 Designs in Pencil and Colour, for decoration, &c. Aty^ejm 
 
 Jhr — 
 
 £777 
 
 
 85 Designs for Decorative Furniture, &c 
 
 86 Pencil Drawings, Tracings ; &c. 
 
 87 Pencil Drawings, of figures and animals, &c. —on six mounts 6 
 
 7 4 
 
 88 Pencil Drawings, of buildings, boats, &e .—on seven mounts 
 
 89 Designs for Ceilings, and friezes of Cupids, nympbs, tritons; 
 
 'H' 
 
 ike . 
 
 90 A Ploughman and Horses ; &c. —two studies in oils 
 
 
 8 
 2 
 4 
 
 92 Mouth of the Tat, Brougbty Castle ; &c. 4 
 
 93 Studies of Boats and Figures —on six mounts ,/- i 2 £ 
 
 91 Mouth of the Orwell, Hastings; Ac. 
 
 94 Studies of Cupids 
 
 95 Alcala ; Ac. 
 
 96 Cordova; The Convent Mount, Sinai 
 
 
 97 Fremington ; Seville ; &c. 
 
 98 North Devon; Branksom; &c. 
 
 99 Eel Boats on the Thames; &c. 
 
 
 
 
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 7 O 128 
 
 Felled Timber ; &c. 
 
 Shirrington ; &c. 
 
 Cobham ; &c. 
 
 The New Road ; &c. 
 
 Santander ; &o. 
 
 Scipio’s Tomb ; &c. 
 
 An Old Fortress ; &c. 
 
 The Bed of a River; &c. 
 
 Holy Island Castle, Bideford ; &c. 
 
 Holy Island ; &c. • 
 
 In Stonehaven Harbour ; Port of Aberdeen ; &c. 
 Shipping and Fragments of Boats ; &c. 
 
 St. Malo ; &c. 
 
 Hastings ; and Buoy, Portsmouth Harbour ; &c. 
 Cobham Park ; Shrimping Boat, Leigh ; &c. 
 Blackhouse Fort, Portsmouth ; &c. 
 
 Near Southend ; and Herring Boats at Aberdeen ; &c. 
 Fishing Boat at Cannes ; and Taking a Sail ; &c. 
 Blackwall ; and Harwich ; &c. 
 
 Leon; and Studies of Animals, Toledo ; &c. 
 
 Corunna ; Astorga; Madrid; Toledo; &c. 
 
 Gravelines, France ; Calais ; &c. 
 
 ^ / ^129 Ain Moosa ; &c. 
 
 ; , O 130 Jaffa ; and On the Road to Jerusalem, &c. 
 
 . ^ 131 Ox Rollers ; &c. 
 
 • O 132 Studies of Agricultural Implements; &c. 
 / 0 133 Cromwellian Horsemen ; &c. 
 
 / 0 134 Harrowing ; Sussex; &c. 
 
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 Wkst Highland Scotch Horned; &c . la ^ 
 Studies of Cows and Sheep 
 
 Crossing the Sands ; &c. *y / //'/ A^ r 
 
 Stubble Field, near Eastbourne ; &c. 
 
 
 i j 4 
 
 iiLuJ 6 
 
 4 
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 A Gossip in the Courtyard of a Posada ; &c.— black and 
 white •</ C hy r ?'£ 4 
 
 A Fort by the Sea ; &c. 
 
 Leigh, Essex ; and Jaffa ; &c. 
 
 Coast Scenes ; &c. 
 
 A French Fortress; &c. 
 
 Santander ; &c. 
 
 Ebro, at Zaragoza ; &c. 
 
 Broughty Castle ; &c. 
 
 The Block House Fort; &c. 
 
 The Citadel, Plymouth; and Pauillac, ^ ' 6 
 
 Holy Island ; Fort Rouge, Calais ; &c. 
 
 A Shepherd and Sheep <f 
 
 1 4^-0 
 
 Zr-i^xJ 
 
 End of First Bays Sale. 
 
Second Day’s Sale 
 
 
 On THURSDAY, FEBRUARY 18, 1897, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 FRAMED DRAWINGS— On White Mounts. 
 
 / 0 151 
 / O 152 
 ^ 153 
 
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 /- 156 
 Y7 157 
 
 Hastings 
 
 Towing Path on the Thames 
 Lewes 
 
 Branksom Hall, on the Teviot 
 A Down Scene, with windmill 
 A Knoll, with burdocks 
 On the Downs, near Lewes 
 Going to Market: Winter 
 
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 , O 158 
 
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 * 159 A Harbour Scene 
 
 1 o 160 A Coast Scene, with stranded boat 
 
 / 
 
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 W. 162 
 - 163 
 
 A Road Scene 
 A Common 
 
 , 0 164 A Marsh Scene, with cattle 
 165 A Coast Scene 
 
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 Timber Clearing : France 
 An Old Fort, on the French coast 
 A Mansion, with ancient gateway 
 An Old Boller 
 Going to the Fair 
 A Fishing Craft 
 Going into Winter Quarters 
 Mill at Mapledurham 
 Jaffa 
 
 The Eiver— o sketch 
 On the Mole, near Norbury 
 Oakhampton Castle 
 A Hanging Wood 
 A Coast Scene, with waggon and horses 
 A Biver Scene 
 Knole Park 
 
 A Bull and Sheep in a Landscape 
 A Stranded Boat 
 Overshot Mill ; Llanfairfechan 
 Oakhampton Castle 
 Belem on the Tagus 
 A Water Cart 
 A Plough 
 A Farm Cart 
 At Sr. Malo 
 Feeding Time : Catalonia 
 A Pool on the Thames 
 Conisboro’ 
 
 Nidpath Castle, Peeblesshire 
 
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 A Forest Scene _ f r 
 
 Malaga ^ 
 
 A Village on a River, with windmill 
 A Castle on a River 
 Sandstone Rocks and Road 
 A Coast Scene, with gulls 
 Cordova 
 
 A French Windmill 
 A Coast Scene, with reeds 
 Cadiz 
 Granada 
 
 WoLLOCOMBE BAY 
 
 
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 A Road, with hedge and bracken l 
 
 Coast of Northumberland : near Cullercoats ^ ^ 
 
 Sketch at Wooton 
 
 A Road ^' / t 
 
 Pack Horses: Corunna . * 
 
 An Overshot Mill zZ <-■ 
 
 A Coast Scene, with ruined castle 7 / 
 
 A View of Seville 
 
 The Entrance to a Harbour 
 A Marsh Scene 
 A Corn Field 
 An Overshot Mill 
 Burdocks 
 
 A Coast Scene and Harvest Field 
 
 
 
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 A Hill Side 
 
 The Entrance to a Harbour 
 A Meadow, with sheep 
 
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 A French Fort A 
 
 A Coast Scene, with castle ^ 
 
 West Highland Shorthorn / 
 
 A Coast Scene, with seaport 
 An Uprooted Tree — ~ 
 
 A Haystack: Liugfield t A* 
 
 Eel Pots 
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 Bideford 
 A Marsh Scene 
 A Bough Eoad 
 
 
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 A Glimpse of the Sea, near Aberdeen 
 Hostalrich 
 
 A Eoad across a Common 
 Chateau d’If 
 Sea-Side Sands 
 A Eoad Scene 
 Off the Custom House, on the Thames 
 Burdocks 
 
 Morwick Mill, Warkworth 
 Hastings 
 
 Wimbledon Common 
 A Coast Scene, with old tower 
 A Fortress on the French Coast 
 A Coast Scene, with stranded boat 
 A Watermill 
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 A Coast Scene, with castle and boats 
 
 
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 O 253 Warkworth 
 -, 0 254 Warkworth Castle 
 
 255 Perils by Ska —sketch for a larger work 
 i ^ 256 The Torridge, Bideford 
 , O 257 Road to a Farm in Picardy 
 
 258 Dunnottar Castle, from the north 
 
 259 Dunnottar Castle 
 0 260 A Landscape, with shed 
 
 ^ 0 261 A Harvest Field 
 , o 262 A Road across a Common 
 0 263 Warkworth Castle 
 - n 264 Sussex Ox-Waggon 
 p 265 Elizabeth Castle, Jersey 
 , 0 266 A Weedy Nook, on the Thames 
 267 At the Stone Quarry, Corunna 
 0 268 Farm Buildings, at Streatley 
 0 269 Elizabeth Castle, Jersey 
 0 270 On the Coast, near Hastings 
 , ^271 Sketch at Streatley 
 ' ,0 272 Study op Horses, Brittany 
 , a 273 Studies of Breton Horses 
 a 274 Leaders of the Santiago Diligence, Corunna 
 , <?275 Mount Sinai 
 \ t ^276 Sketches at Pevensey , 
 
 O 277 A Bend in the River Coquet, Warkworth ^ 
 
 . ✓ 278 Old Stone Quarry, Brittany ; ^ 
 
 ^279 The End of the Day : Returning Homo <. 
 
16 
 
 Scrap-Books containing Drawings and Sketches by 
 K BE AVIS. 
 
 
 
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 280 
 
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 281 
 
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 282 
 
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 containing twenty-six sketches 
 containing twenty-four sketches f~cT 
 
 containing twenty-five sketches 
 
 j 
 
 IS 
 
 containing nineteen sketches 
 containing thirty-seven sketches SA 
 containing thirty-one sketches 
 
 l * i 
 
 containing thirty-three sketches ' y 
 
 SKETCHES IN OIL— On White Mounts. 
 
 
 DRAWINGS BY OTHER ARTISTS— 
 
 tjdiks of Figures —red chalk f pS 
 
 H. BRIGHT. 
 
 / ' / . 294 Betchworth, Surrey : Winter; &c. — pencil 
 
 f " -A , & 295 Ecclesbourne, Hastings 
 
 E. H., 1863. 
 
 
17 
 
 E. W. COOKE, R.A., 18G5. 
 
 296 Fort Rouge 
 
 0 
 
 J. D. HARDING. 
 
 297 Oaks at Bolton —pencil 
 
 J. YARLEY. 
 
 298 A Chateau on a River 
 c 7 
 
 End of Second Day's Sale. 
 
 C 
 
Third Day’s Sale. 
 
 On FRIDAY, FEBRUARY 19, 1897, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 if A 
 
 
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 305 Crossing the Sands, Holy Island; &c. 2 
 
 299 
 
 300 
 
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 303 
 
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 305 
 
 306 
 
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 312 
 
 313 
 
 OIL SKETCHES ON CANVAS— Unframed. 
 
 A Plough ; and other sketches 
 A Bullock Waggon ; &c. 
 
 A Clearing : Buckhurst Park 
 Troopers Mustering Cattle ; &c. 
 
 A Wreck on the Coast ; &c. 
 
 Mouzon; &c. 
 
 In the Campagna ; &c. 
 
 A Peasant with Goats ; &c. 
 Off Gibraltar ; &c. 
 
 Forest Scenes ; &c. 
 
 Woody Landscapes ; &c. 
 Cattle and Deer; &c. 
 Female Figures ; &c. 
 Hunting Scenes —a pair 
 
 
 Af — 
 
 Jhr— — 
 
 / ' /y , o 314 H.M. the Queen at the Mansion House ; &c. 
 
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 4 
 
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 ; o 317 
 , 0 318 
 ; 0 319 
 320 
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 , £7322 
 ',o 323 
 7 / 324 
 ~ 10 325 
 .7? 326 
 
 Mecca Pilgrims 0^0 
 
 Checqoered Shade £~7s- 
 
 After Quatre-Bras —a 'pair 2 
 
 The Battle of Fuentes de Onoro, 1811— a sketch ; &c. 2 
 
 Cavalry— a pair £~V~ r ^ 2 
 
 Lancers Charging ; &c. £~ir -' 3 
 
 Reconnoitring 
 
 Trooper convoying Forage £~lr~ ~ 
 
 Soldiers crossing a Ford FX?i €>- ^ 
 
 Ploughing in Syria ^ 2 
 
 A Sailing Vessel off a Fortress ? 7 
 
 Clearing Timber ^X~7j 
 
 Framed in Gilt Flats. 
 
 £ 327 The Timber Waggon; and East of Northumberland: Bam- 
 / 6 328 
 
 y * 329 
 y 27 330 
 y ' 331 
 ^ 332 
 
 I 333 
 b o 334 
 P * 335 
 X 336 
 V 337 
 
 L 
 
 ■ - 338 
 
 
 339 
 
 borough 
 
 A Landscape, 1865 
 A Rock Scene, 1868 
 A River Scene, with cattle, 1862 
 Pevensey Marsh, 1865 
 A Coast Scene 
 A Landscape, with broken gate, 1866 
 North Wales, 1873 
 Wimbledon Common 
 Sandhills by the Sea, 1861 
 Sketch on the Banks of the Thames 
 Sonning, 1880 
 
 Timber Waggon, with bullocks and horse 
 
 
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 340 
 -y 0 341 
 
 Toe Ford 
 
 The Edge of a Forest, with deer 
 
 
 '/* ' 0 —. 0 343 
 
 / 2 /~ 344 
 
 2 y s X , C ? 345 
 
 X - & 346 
 
 Xy a 347 
 
 /0 •/ 0 348 
 
 /,/ * 0 349 
 
 /* / . & 350 
 
 iA> /S~- ^ 351 
 X - * 862 
 
 a /> /* X , O 353 
 a . /- /& ' ° 354 
 '■'A 355 
 
 V * 7 /^ 356 
 
 £ s / x ' o 357 
 
 0 342 The 15th Hussars Convoying Forage : Spain X°< 
 Spanish Coast Scene, with craft (t 
 
 Coast Scene, with sailing boat Xt . 
 
 Jh. 
 
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 A / 6 - ^366 
 A X * & 367 
 /,/ X . o 368 
 
 <? 358 
 
 ^ 359 
 
 ^ 360 
 ^ 361 
 362 
 o 363 
 ^ 364 
 r ^ 365 
 
 A Stampede of Cattle 
 Off the Chapman : Breeze freshening 
 Way to the Cottage : Buckhurst Park 
 Scouts, 15th Hussars: Spain, 1812 
 Bracken 
 
 A Horseman, on the sea shore 
 St. Malo 
 
 On the Tees, Barnard Castle 
 Italian Wood Scene, with peasant and sheep 
 Chelsea Bridge 
 
 Polacre, Venetian cruiser of the old type 
 An Old Boad <f XXy 
 
 A Spanish Coast Scene, with shipping 
 Charge of 15th Hussars 
 Bullock Waggons and Figures 
 Barges Unloading Wood 
 Felluca, Ancona 
 Off Belem, on the Tagus 
 Making the Port of Santander 
 
 Syrian Bedawy, and Turkish Irregular Horse *X~2s -- 
 
 Horses, 1880 jty ' ly #. y / X ' iJ . 
 
 A French Farm Horse 
 A Rocky River Bed, 1877 
 A Syrian Horseman 1875 
 
 XXX^ — 
 
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 Xyxo 
 
 X~7 /—- 
 
 
21 
 
 C 369 Rocks and Riveb 
 , O 370 A Shal' ow Stream 
 2 ^371 A Syrian Ploughing, with bullock and camel 
 
 <d~7r~ 
 
 
 
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 /fyls ** *- 
 
 1, & 372 A Sand Storm 
 V v 373 A Tired Horseman, Syria 
 
 Z* 374 Bracken : Doniland, Colchester /7is U y ^ ^ 
 y 0 375 Road through A Highland Farm, Inverness-shire 
 t ^?376 Clearing the Woods: Souverain, Moulin, Picardy 
 7*. 377 Sonning on Thames, 1880 
 
 \ O 378 King’s Langley 
 , ^7 379 A Forest Scene, with old oaks 
 >7 0 380 A Coast Scene, with wreck 
 , 381 A Park Scene, with railings 
 
 Vi 382 A Rocky Road Scene 
 
 i sZA z 2 ? 
 
 ZyZ Z'Z 
 
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 tfa/t 7 7 * TTI^vJ 
 '\,0 384 The Burial of Sir John Moore: Corunna — sketch for tlw larger 
 
 > 
 
 0, n 383 The Dead Sea 
 
 V 
 
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 picture 
 
 -> 385 Wady Mackateb, Valley of Sinai, 1875 
 
 *■'& 386 A Black Saddle Horse 
 * 387 A View in the South of Spain 
 
 A 388 Wady Ghurundel 
 
 , O 389 El Castello, Barcelona: Colliers unloading 
 7 Z 390 In Wady Ghurundel, Sinai 
 , O 391 An Outdoor Study in Wales, 1876 
 ' Z . Z 392 Camels Coming out of an Eastern Town 
 
 / 393 Clearing the Woods : Souverain, Moulin, Picardy tsftxZ^ 
 
 A O 394 PoRFLEET 
 
 A & 395 Ayun Musa, 1875 
 ’A 
 
 ^ 396 Egyptian Goats 
 
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 397 Goats in Wady Ghurundei. 
 
 398 A Coast Scene, with port 
 
 399 A Bedouin Skirmisher 
 
 / A ■ ' 400 Ramleh, 1875 
 
 401 Mount Sinai, 1875 
 /> ■ O 402 CraggieBurn: Inverness-shire -r 
 
 /JrjC- 403 The Night Encampment : Syria 
 , s/ , C? 404 A Syrian Caravan Halting 
 £, ,, & 405 Jaffa, 1875 
 
 /, if - 0 406 Thrashing out Corn ; and Horses 
 
 
 r y 
 
 /, if • <3 407 Bedouin Arabs 
 
 / , /. & 408 Horses 
 
 /£yC 409 The Sphinx 
 
 A ' : ? */"“ . 0 410 A River Scene, with deer 
 
 • ^411 Carting Bracken 
 
 / a?/- 412 A Spanish Harbour 
 
 27 413 The Tees, at Wycliff 
 
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 t/ - & 414 Ploughing, near an old castle ‘ /£& 
 
 ^ )’ , / iZ , ° 415 Cattle in the Meadow, near the coast 
 / <. / 0 r ° 416 Felled Timber, in Buckhurst Park 
 
 0 • 27 417 Convoying Forage f A 
 
 0 ^ 27 418 A Road by a Lake 
 
 A 419 A Park Scene, with pool Aa^^-r 
 
 r — z? 420 Charge of the English Dragoons: Salnmauca ^ 
 
 £ c? 421 Boats off a Moorish Fortress /A^At 
 
 /tA , <?422 The Falconer vt* 
 
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 JA , Ay , 0 424 A Weir on the Tees . 
 
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 A. o > O 425 A Coast Scene, with ironclad and shipping 
 
 
23 
 
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 ^ A 427 
 \ A 428 
 a ~o 429 
 
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 , D 442 
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 . /C 444 
 
 The Abduction of Grace Armstrong s'* ? 
 
 A Boat off a Moorish Fort e 
 
 Cavalry on the March 
 
 River Scene, with boats at anchor / ? -» 
 
 Coast Scene, with waggon and horses 
 
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 Old Beech, in Buckhurst Park 
 Spanish Bullock Hauling in a Boat 
 
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 Old Tree, in Buckhurst Park 
 A Forest Scene 
 Officers Inquiring the Way 
 Brill, on the Maas 
 The Gipsy 
 
 A Gate in a Forest 
 The Edge of a Wood 
 Burdocks, and poultry 
 Scout of the 15th Light Dragoons 
 Boats, off Hastings 
 
 A Garden, with burdocks y r 
 
 Italian Peasant Woman, with goats / ic^ A AAcz 
 A Lady on Horseback 
 A Brig in Full Sail 
 
 A Corn Field, with windmill / (?y- 
 
 Hunting— time of George II. Zrt^A 
 
 A Road Scene, with huntsman . A) y 
 
 //A Z^t 
 
 , inquiring the way / 
 
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 End of Third Dm/s Sale. 
 
Fourth Day’s Sale. 
 
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 On SATURDAY, FEBRUARY 20, 1897, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 450 
 6 451 
 ^452 
 ^ 453 
 ^ 454 
 ^ 455 
 ' ^456 
 6 457 
 , £458 
 . & 459 
 ^ 460 
 
 DRAWINGS- In Gilt Mounts 
 
 Buckhurst Park 
 
 Entrance to the Gardens of the Generalife, Granada 
 
 ■v 
 
 
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 A Drive in Buckhurst Park 
 Skirts of the Wood 
 St. Estephe, from the Gironde 
 Wood at Awbridgb Dane, near Romsey 
 A Bit by the Wayside, Picardy 
 The Common at Southwold 
 Camber Castle and Winchelsea 
 A Grey Day on the Surrey Hills 
 Spanish Oxen and Plough 
 
 ^ t ^ 
 
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 / 
 
 
25 
 
 The following have been Exhibited at the 
 
 ROYAL WATER-COLOUR SOCIETY. 
 
 , 461 
 
 ~0 462 
 ■, A 463 
 .A 464 
 t ,0 465 
 A 466 
 ?,0 467 
 
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 , a 469 
 . / 470 
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 , A 473 
 ; ^.474 
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 I Am 
 
 .A 477 
 , A 478 
 . A 479 
 
 l, M80 
 
 - a 482 
 . A 483 
 , / 484 
 
 Trimming the Vines, Spain 
 A Sketch, Lugo 
 Carting the Sand 
 Country Cart, Corunna 
 
 
 eXX' 2>^ 
 
 /A y /* 
 
 Work and Play: Scene in Normandy SYl * $Ae <2*^2 
 Study of Boulders t yA 
 
 The Capstan, Hastings 
 
 >z . 
 
 A Winter March : 16th Lancers 
 The Shepherd’s Hut 
 The Fishwife 
 
 The Timber Ship 
 
 Outside the Fortifications at Calais 
 A Mountain Stream 
 A Wayside Sketch at Brittany 
 An English Corn Field 
 Gathering Sea Weed : French Coast 
 Bamborough 
 A Fair Wind 
 An Italian Boy 
 
 Green Sussex fading into blue,with one grey glimpse of sea.”— 
 Tennyson 
 
 
 “ Tweed’s fair river, broad and deep 
 
 Plymouth 
 
 Solway Moss 
 
 , **?7' 
 
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 «// , / J 7 . £ 486 
 A/ , /^/ ' 6 487 
 
 (p ~ 6 • ° 488 
 
 /.//,<< 489 
 
 /S'*/S'. ° 490 
 
 ^ •2^/ / ' ^ 
 
 492 
 
 493 
 
 Ware worth Castle 
 Ashore at Hastings 
 
 Cavalry Charge at Waterloo— sketch 1 -* 
 
 
 An Old-Fashioned Couple 
 The Estuary of a Eiver 
 
 Vedette, 16th Lancers Q V ? //C 
 
 The Outpost : English Light Dragoons, 1799 /?l 
 Haifa, Mount Carmel 
 
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 UNFINISHED PICTURES—/n Gilt Frames. 
 
 -tr~l 
 
 A Sketch in the Bib Rambla, Granada /7^Z 
 
 /Zrit? 
 
 Life Guards at Waterloo 
 A Watermill 
 Plazza Isabel, Cadiz 
 Boats off Cadiz 
 
 zn^s 
 
 An Officer Riding 
 The Escort 
 
 A Sea Piece, with lightship and vessels c 
 A River Scene, with rustic bridge 
 
 A View near the Sea, with bullocks Xa if 
 
 / <7 
 
 Troopers on the March ^ 
 
 The Rest 
 
 A Spanish Harbour Scene, with monument? 
 
 A Valencian Ploughman <S .// t/C 
 
 On the March : The English in Spain 
 
27 
 
 J. 6 509 
 ’,(> 510 
 2,^611 
 /, ^512 
 
 • .0 513 
 
 514 
 'JL.g 615 
 t>516 
 
 Z , <2517 
 f l, C> 518 
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 : ' <* 521 
 2 •.,& 522 
 ?^£'"523 
 7 . o 524 
 1/ ,& 525 
 y / 526 
 r , a 527 
 7 , <2 528 
 . <^529 
 * 530 
 
 ^ ° 531 
 
 / 
 
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 £ 
 
 FINISHED PICTURES. 
 
 Tn a Beech Wood ~ 
 
 A Female Head ; and A Male Head <* 2 
 
 Head of a Syrian ; and An Old Woman >/9~2 • * 2 
 
 Fishing Boats off a Seaport 
 A Mountain Stream 
 
 A Road through a Park £p t?i > x 
 
 A Coast Scene, with stranded boat, waggon and horses 
 A Roman Girl 
 
 x x 
 
 A Mountain Rill, North Wales ^ ^ 2 X ^ 
 
 532 
 
 Harvest Time 
 The English in Spain : The Reconnaissance 
 
 Outskirts of the Park, Buekhurst 
 
 Exhibited at the New Gallery, 1888 
 
 A Coast Scene, with fishing boat 
 In Hatfield Park, 1879 
 A Park Scene, with deer 
 Andalusian Gipsy 
 In Buck hurst Park, Sussex 
 At Steventon, Berks 
 Tilling the Ground: Outskirts of Cordova 
 Working Late : Cordova 
 Vedette, 16th Lancers 
 Lilburne Tower, Dunstanborough 
 Seville : A Courtyard of a Posada 
 A Spanish Bullock Waggon Halting 
 
 XU * t 
 
 & <2 i 
 
 SI ^ 
 
 1 2 z 
 
 Xz //, 
 
 
 
 533 Felled Beech Tree in Buckhurst Park ^ ^ 
 
 <£>534 ~ .. ^ / / 
 
 Corridas de Toros : The Attack 
 
 

 28 
 
 535 Corridas de Toros: The End /Z?- ? > 
 
 536 Deep Dene, near Dorking : A Stormy Day c- Zr ZZ 
 
 537 The Edge op the Wood, with sheep 
 
 538 Fishermen on the Look-out from a Pier yyZZ* / 
 
 * ■ *t t O 
 
 f.f.O 
 
 / . O 
 
 Z* ' /Z * Z 539 A Farmyard: Storm passing off 
 
 /} ' / Jf , Z 540 The Last Fine Days in November : Cwmbran, Monmouthshire 
 J, , /£ , Z 541 Woman op Valencia ^/y Z 
 
 Zy ' yy , & 542 A Waste Bit op Buckhurst Park, Sussex. s 
 
 Exhibited at the New Gallery , 1889 ZZ* 
 
 ' ' Z ' ' 543 A River Scene, with rustic bridge JZi/ 
 
 ZZ / o 544 In Buckhurst Park, Sussex Zti'C 
 
 <-y? , /y? , /Z 545 Moorish Water Wheel, Cadiz, 1887 
 
 , Z 646 Pasture and Tillage yfar— - 
 
 Exhibited at Manchester 
 
 C ^ s '/ ' ^ 547 Mount Seratt, and Village of Calaf 
 
 Z^ ' Z ' 548 Oaks in Windsor Forest ZQ'L Z Z&. 
 
 /y , , </y 549 Entering Port t jZ — ~ 
 
 yr yy ^ 650 Hurley-on-Thames /? 
 
 yy / *& > ^ THE Shade op the Beeches, Buckhurst Park ZjZ^2-~ 
 
 a?' Z S - Z 552 A French Landscape, with windmill Zj2yy 
 2 . /Z , 0 553 A Spanish Coast Scene, with stranded boats, and oxen t 
 
 //' ^ ’ Z 554 Oakhampton Castle /^iZc^ZZ 
 
 y J * , 0 555 Carting Wreckage, Dutch coast oZZ* /Zu 
 
 c / ' Z/ , Z 556 The Hunted Moss Trooper 
 
 yZ ' Z^ ‘ Z 557 A Canal Scene, with barge and equestrian figures 4 
 , Z> 558 A Mountain Scene a_ , 
 
 t >/, /cf , J 559 Mending the Old Plough, Pas de Calais ' / 'W 
 
 , Exhibited at Manchester ^~^~yZ\y 
 
 560 A Meadow, with cows y ZZZZZ? 
 
 ^ ' ' ° 561 The Stronghold op the Moors, near Aloran, near 
 
 f / 
 
 
 
29 
 
 y 562 A Spanish Castle, with animals 
 
 ^563 A Berkshire Lane, in summer time. 
 
 Exhibited at the Grosvenor Gallery 
 
 / 
 
 <2-— V 
 
 jbiA 
 
 0 564 A Lane Scene, with sheep and lambs 
 0 565 A View near the Coast, 1860 
 O 566 A Road Through a Corn Field 
 i O 567 A Valley, with lake in the distance 
 \ <7568 Going to the Review : Officer of 10th Hussars, 1815 
 ^569 Cattle in Essex Marshes Z? TX 
 
 *Exhibited at Liverpool, 1895 
 
 \0 570 Inniskllling Dragoons Going into Winter Quarters, cam- a 
 paign in Germany and the Netherlands, 1759-60 Z ?^ +? & 
 
 \ f o 571 After the Storm : Coast of Brittany 
 Exhibited at Manchester, 1895 
 o 572 Spanish Coasting Craft making for Malaga 
 
 
 
 y ^573 First Snow 
 
 Exhibited at the New Gallery, 1891 
 
 jV 574 Castle Campbell, near Dollar 
 
 Exhibited at Royal Academy, 1896 
 
 - 
 
 575 Crossing the Sands, Holy Island. Sea fog rolling in and 
 
 tide rising 
 
 Exhibited at Royal Academy, 1896 
 
 
 576 THE CITY’S CHAMPION. Roberts Fitzwalter, Castellain and 
 O , O Chief Banneret of London, receiving from the hands of the 
 Lord Mayor the City’s banner, in front of Old St. Paul’s, in 
 the Reign of Henry III., 1215-1250 
 
 J**- 
 
 29 in. by 18 in. 
 
 Resign for Tapestry for the Mansion House 
 
30 
 
 577 
 
 
 THE SOLEMN JOUST ON LONDON BRIDGE, between 
 David de Lyndesaye, Earl of Crawford, and Lord John 
 de Wells, Ambassador of King Richard II, to Scotland, 
 23rd April, 1390 l /Si z 
 
 Design for the Tapestry at the Mansion House 
 
 //./? 
 
 578 
 
 & 
 
 //^r, /// - ^ 579 
 if/, /p ' O 580 
 
 QUEEN ELIZABETH PROCEEDING TO OPEN THE 
 FIRST ROYAL EXCHANGE, 1571. The Lord Mayor, 
 Sir Thomas Gresham, and bis Civic dignitaries waiting to 
 receive Her Majesty L/sl* SSiffL? 
 
 29 in. by 18 in. ' 
 
 Design for Tapestry for the Mansion House 
 Conisborough, Yorkshire J&V*' 
 
 A Wet Day 
 
 Exhibited at the New Gallery 
 A Highland Chief 
 
 J a. f, V 581 
 
 /cT. £ , & 582 Burgh Castle, Norfolk, 1886 
 
 /2 t*. 
 
 “ The Rampart once 
 
 Of Iron War, in ancient barbarous times.” 
 
 583 
 
 R, BEAYIS, 1876. 
 
 BEDAWIN CARAVAN, descending from 
 Wady Ghurundel, en route to Mount Sinai 
 Exhibited at the Hoyal Academy , 1877 
 Gold Medal at Melbourne 
 
 high ground at 
 
 
31 
 
 PICTURES BY OTHER ARTISTS. 
 
 A. HERBERT. 
 
 0 
 
 584 Sea Pieces, with lightship aud shipping— a pair 
 
 A. GIROUX. 
 
 585 A Normandy Village, with peasant and turkeys 
 
 
 ^86 In the Forest of 
 
 o 587 Les Bords de la 
 
 CH. H. LEON. 
 
 Fontainebleau 
 
 E. LAMBINET. 
 Meuse, a Zwindrecht 
 
 End of Fourth Bay's Sale. 
 
Fifth Day’s Sale. 
 
 
 On MONDAY, FEBRUARY 22, 1897, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 / <?/ 
 
 V* 
 
 ?/' 
 
 /44 
 
 
 
 a 
 
 O 
 
 The Books will he Sold with all Faults. 
 
 /& . o 
 
 OCTAVO ET INFRA. 
 
 588 Angelo, School of Fencing, plates rfA 1787 
 
 589 Ardeche (L. de 1’) Histoire de Napoleon, illustrations by 
 
 H. Vernet, Paris, 1839—and others t /A <3 * * J 
 
 590 Beckford (P.) Thoughts upon Hunting, plates 1796 
 
 591 Belany (J. C.) Treatise upon Falconry, privately printed 
 
 /tjrXZA^ 1841 
 
 592 Bertall, La Vigne, illustrations, Paris, 1878—and one other 
 
 593 Bigot (C.) Gloires et Souvenirs Militaircs, coloured illustrations, 
 
 Paris A} a-a 1394 
 
 594 Bildau (F.) Lie Deutsche Geschichte iiyBildern, illustrations, 
 
 3 vol. half-bound calf c At /AA ia/ Dresden, 1862 
 
 595 British Army, Historical Records of the, plates, those of costume 
 
 coloured, 16 vol. /^c & AC 1834, &c. 
 
 596 Cox (D.) Life, by N. Solly, photographs ,< 1875 
 
 597 Dumas (A.) Le Trois Mousquetaires, illustrations by Leloir, 
 
 2 vol. Paris, 1894—Ten Etchings, after Le Blant, illus- ^ 
 trating Le Chevalier du Maison Rouge, Paris, 1894, 3 voLv^/U 
 
33 
 
 / 
 
 598 
 
 599 
 
 V 
 
 600 
 "'*• 601 
 ° 602 
 
 It 
 
 Fan (J.) Anatomy of Man, coloured plaies, 2 vol. 1849/^^^ 
 
 Hamerton (P. G.) Chapters on Animals, etchings, 1874—and 
 
 others ( Y z ^ 
 
 Havard (H.) La Hollande, a vol d’Oiseau, illustrations by / 
 
 Lalanne Paris, 188L 
 
 Horse (The), his Beauties and Defects, by a Knowing Hand, 
 coloured plates 
 
 Luard (J.) History of the Dress of the British Soldier— plates, * 
 
 1852—Montrosier, Les Peintres Militaires— plates, Paris, 
 
 603 
 
 .6 
 
 604 
 
 : 1) 605 
 
 1 / 
 
 * 606 
 
 , A 607 
 
 V 
 
 1881—2 vol. 
 
 Montigny (Sieur de) Uniformes Militaires de tous les Regi- 
 ments de France, et des Drapeaux, Etendards, et Guidons, 
 
 174 coloured plates, old French red morocco, gilt edges, Paris, 
 
 1772 
 
 Morris (F. O.) History of British Birds, coloured plates, 6 vol. . / 
 first edition, half-bound morocco, uncut 1851-68^ /’ y 
 
 Napier (Sir W.) History of the War in the Peninsula, 6 vol. ;Z" 
 
 half-bound morocco 1828-40 ; ~' v 
 
 Napoleon, Life, by K. H. Home, illustrations, 2 vol. 1841—and y 
 
 others <r 
 
 Pascal (A.) Histoire de l’Armee Frangaise, coloured illustrations 
 by Phillippoteaux, Bellange, &c. 4 vol. half-bound calf ^ y 
 
 Paris, 1853' 
 
 
 608 
 ?/. 609 
 
 
 610 
 611 
 
 % 612 
 \-0 613 
 
 Pyne (W. H.) Etchings of Rustic Figures—and others s jb? 7 r>, " ’ 
 
 Siborne (W.) History of the Waterloo Campaign, portraits, ^ 
 
 2 vol. 1844—and others tA? 
 
 Stanfield (Clarkson) Coast Scenery, plates, 1847—and others 
 Thiers, Histoire du Consulat et de l’Empire, the 75 illustrations ^ / * y f 
 
 \ A 
 
 614 
 
 to, Paris, 1872—and others 
 
 Turner (J. M. W., It.A.), Rivers of France, plates p , Y ^ y 
 
 Uniformes de l’Armeo Prussienne sous lc Regno do Frederic 
 
 Guillaume III. 81 coloured plates, calf Potsdam, 1799 ,ff* t f ^ 
 
 Yernet et Lami, Uniformes des Armees Frangaiscs de 1791 a 
 
 Paris, 1822 
 D 
 
 1814, coloured plates, calf 
 
 
34 
 
 QUARTO. 
 
 A- , /f. O 
 
 /£/. 
 
 //A 
 
 /. -*7 
 
 & , J . ^ 
 
 /. 
 
 r/% 
 
 /, ^ ^ 
 /. . * 
 3- 
 
 *>- 
 
 A 0 ~ 
 
 /o/ 
 
 // .. O , o 
 
 /. 6 ■ ° 
 /. Z- ■ o 
 
 /d/*- 
 
 ?A 
 
 /. f. a 
 
 615 Baugean, Eecueil Marines—Batimens de Guerre et Batimens 
 
 Marchandes Paris, 2 vol. 'plates, Paris, 1814-17—Ozanne, 
 Sujets de Marine, plates —3 vol. 
 
 616 Bavarian Highlands, illustrations, 1874—Italy, illustrations, 1877 
 
 —2 Vol. 
 
 617 Collection of the Dresses of different Nations, Ancient a#d 
 
 Modern, plates, vols. 1 and 2 ^^A^*^^<?^757 
 
 618 Cooke (E. W.) Leaves from my Sketch-Book, plates, 2 vol. 1876 
 
 —and others 
 
 619 Costumes, English and Foreign, from the XVth century to the 
 
 Present Day, 96 coloured plates, morocco 
 
 620 Dayot (A.) Les Courses des Taureaux, illustrations, Paris— 
 
 Halevy, Becits de Guerre, illustrations, Paris —2 vol. < A- i d a 
 
 621 De Montmorency (B. H.) Exercise and Manoeuvres of the Lance, ^ 
 
 plates, 1820—Sword Exercise of the Cavalry, 1810—2 vol. 
 
 622 Duplessis-Bertaux, Etchings, 100 plates Paris, 1814 
 
 623 Duplessis-Bertaux, Etchings, half-bound calf 1814/^; 
 
 624 Groenewagen (G.) Twenty Etchings of Dutch Shipping, 1801— 
 
 Beaugean, Etchings of Shipping, 120 plates —Marine Mili- 
 
 
 taire, plates, Paris —3 vol. 
 
 625 Halevy, L’lnvasion 1870-71, illustrations by Marchetti and Paris, 
 
 half-bound morocco, uncut Paris 
 
 626 Harding (J. D.) Principles and Practice of Art, 1845—Ele-* 
 
 mentary Art, 1834—Drawing Book, 1841—3 vol .plates ^ 
 
 627 Harding (J. D.) Elementary Art, plates, 1846—and others 
 
 J 
 
 628 Historic Military and Naval Anecdotes, coloured plates, half- 
 
 t&U SUV" 
 
 bound, uncut 1819 
 
 629 Klein (Adam) Badirungen, plates //'A 
 
 630 Larchey (L.) Les Cahiers de Capitainp Coignet, illustrations by 
 
 Le Plant ^ 7 , x Paris, 1888 
 
 631 Lawrence (J.) History of the Horse, plates, by J. Scott I809 t f$fc 
 
 632 Lewis (F. C.) Illustrations to Dibdin’s Tour in France^ and 
 
 Germany, 53 etchings, India proofs 
 
 633 Picart, Eecueil de Lions, 41 plates after Rubens, Rembrandt, dc. 
 Amst. 1729—Berghem (N.) Animalia, 28 plates —2 vol. in 1 
 
 

 35 
 
 I 
 
 j 0 
 
 y 
 
 634 Pyne (W. H.) Costume of Great Britain, coloured 'plates, morocco yy / 
 
 1804 ( 
 
 * 
 
 635 Racinet, Le Costume Historique, coloured plates, 5 vol. /ff S / 
 
 Paris, 1888 1 * 
 
 636 Raffet, Costumes et Scenes Militaires, &c. 186 plates, ip 2 vol. , . 
 
 X 
 
 < 2 ? 
 
 
 :■ 0 
 
 V 
 
 morocco, gilt edges 
 
 637 Rheinfahrt, illustrations * Stuttgarl^fy^ 
 
 638 Ridinger, Le Carousel, 15 plates, lialf-bound morocco, uncut j y 
 
 Augsbourg, 1761 •' 1 ' ' L * 
 
 639 Smith (C. H.) Ancient Costume of Great Britain, coloured plates, 
 
 morocco extra, with joints, gilt edges 1814 
 
 640 Stillman (J. D. B.) The Horse in Motion, as shown by Instan¬ 
 
 taneous Photography, 107 plates 1882 <•' yr ' > -* ^ 
 
 641 Tartans of the Clans and Families of Scotland, 69 specimens Q 
 
 
 Mauchline, n. d. ? T 
 
 642 Temisien-D’Handricourt, Fastes de la Nation Frangaise, plates, ^ ^ / 
 
 2 vol. calf (binding broken) Paris, 1807 
 
 643 Vallet (L.) Lo Chic a Cheval; Histoire Pittoresque de l’Equi- 
 
 tation, illustrations, some coloured 
 
 Paris, 1891 
 
 FOLIO. 
 
 /? 
 
 644 
 
 / 
 
 Arnault (A.) Vie Politique et Militaire de Napoleon, lithographic /) 
 
 plates, vol. 2 Paris, 1826 ' Z 10 
 
 645 Aubert (C.) Esquisses Historiques de l’Armee Fran^aise, litho- / ‘ ^ 
 
 graphic plates Paris 
 
 646 Aubry (C.) Histoire Pittoresque de l’Equitation Ancienne et 
 Moderne, lithographic plates, half-bound calf Paris, 1853 
 
 647 Coleman (C.) Etchings of Subjects peculiar to the Campagna of 
 
 Rome and the Pontine Marshes, 53 plates, half-bound vellum , ^*i 
 
 uncut Pome, 1850 
 
 ^ 648 Cooper (T. S.) Designs for Cattle Pictures, 1837—Groups of yy 
 Cattle—2 vol. lithographic plates 
 
 ' ^ 649 Costume of the British Army, by C. H. Smith, 61 coloured plates 
 
 1812 
 
 ‘ 650 De Jong, Engravings of Shipping, 27 plates —Zeeman, Etchings/^ ? ^ 
 
 of Shipping, 12 plates 
 
 
 
36 
 
 /* , v 
 
 ?A 
 
 
 & 
 
 '/ 
 
 
 £ 
 
 /* /* 
 
 £ 
 
 
 Af 
 
 *A 
 
 *A 
 
 651 Engravings of Ornament, by Zalin, &c. a 
 
 652 Goeetschy (G.) Les Jeunes Peintres Militaires (De Neuville, 
 Detaille, Dupray) plates, half-bound morocco Paris, 1878^A 
 
 653 Loutberbourg (P. J. de) Scenery of England and Wales, 
 
 18 coloured plates 18( 5 
 
 654 Pinelli (B.) Costumi Pittorescbi, etchings\ y Poppa, 1817—and 
 
 others i 7a. ^ 
 
 655 Pinelli. Avventuse di Telemaco, 91 etchings^t^^Av^tjPoma 
 
 656 Eoberts (D.) Spanish Sketches, 1837—Lewis (J. T.) Sketches 
 of Spain, 1831—2 vol. lithographic plates 
 
 657 Roberts (D.) Sketches in Egypt and Nubia, plates, vol. 2—and 
 
 others /F-c-- 
 
 658 Rowlandson (T.) Hungarian and Highland Broadsword Exercise, 
 
 24 coloured plates, drawn and etched by Poiclandson 1799^^^ 
 ^ 659 Stubbs (G.) Anatomy of the Hors e, plates^half-bound morocco 
 
 17n6 
 
 * c 660 Turner (J. M. W., P.A.') Harbours of England, plates by Lupton 
 
 1856 
 
 / O 661 Yernet (Carle) Lithographic plates of French Military Costume, 
 Horses, &c. portrait and 92 plates 
 
 662 Walton (Elijah) The Camel, plates ' 1865 
 
 COSTUMES. 
 
 663 A Syrian scarf, the ends of silk and gold thread ; a striped silk 
 
 scarf; a striped cotton ditto; three Egyptian scarves ; four 
 others; and four caps 
 
 664 Two Cashmere scarves; a black mohair ditto; and six others 
 
 665 A blue Cashmere robe; a striped yellow jacket; and nine 
 
 coloured cotton and other scarves, &c. r'A? 
 
 A 
 
 
 
 666 A large striped cloak 
 
 From the Collection of C. Stanfield, R.A. 
 
 667 Two short jackets, crimson and white; a blue cotton robe; a ■f'. 
 
 jacket; two peasants’ aprons ; and five caps, various 
 
 668 An Arab burnous; a Persian coat; and six other pieces ol 
 
 peasant costume 
 
 
37 
 
 669 A Persian striped robe ; a military cape, of crimson cloth ; and y > 
 
 George II. velvet coat A A A 
 
 6'i 0 A monk’s dress, with cowl of brown cloth ; a nun’s head-dress; 
 a Spanish velvet hat; and three felt ditto 
 
 671 An amber velvet coat, temp George II.; three Chelsea pensioners’ 
 
 hats ; and five Scotch caps 
 
 672 Two French dragoon’s jackets ; two Genoese fishermen’s caps ; 
 
 two others ; a pair of slippers ; and four Italian straw hats 
 
 673 A Spanish mule’s bridle, two girdles, various pieces of trappings, 
 
 a canvas saddle-bag ; a pair of Turkish stirrups; and two 
 cartridge pouches, embroidered 
 
 
 ARMS, Etc. 
 
 674 
 
 675 
 
 ^ 676 
 ^ 677 
 
 A long Turkish gun, with octagonal barrel; and a smaller^/^ ^ 
 
 ditto * "■ 
 
 A Turkish sword; two Albanian daggers ; an old English^ 
 
 hunting crop ; and a hide whip 
 
 A/-* As 
 
 Two French hunting horns; and two military bugles 
 A French cavalry sword — temp Louis XIV.; and threey^vs^ry^ 
 
 swords 
 
 A 
 
 o 678 
 
 A Venetian schiavona ; a hanger; two curved sabres ; a sword • ^ 
 
 bayonet; and two bayonets 
 
 679 
 
 ° 680 
 * 681 
 ^682 
 
 * 
 
 / 683 
 
 A silvered-metal bugle, with six extra pieces —in stained wood *-z^, 
 
 ease J / / ' / ' 
 
 Four helmets of the Garde de Paris, &c.; and two others (f - 
 
 Six muskets 
 
 Two flint-lock blunderbusses, with gun-metal barrels C/gyC 
 
 A /l!_i 1_ n nn/1 I n rfor of P.l Ifl.Sfid. l)l*cXSS« # 
 
 684 
 
 685 
 
 A flint-lock pistol, the pommel and trigger guard of chased brass 
 circa 1730; and one, nearly similar 
 A flint-lock pistol, by Claude Nique, a Liege , mounted with gun- 
 metal chased with scrolls; and a small old English ditto, 
 mounted with chased silver (1 * 
 
 A triangular powder-flask, of velvet, mounted with pierced iion 
 —circa 1630 
 
38 
 
 / 
 
 /a / ^ . 
 /* £ ' 
 /+ £ * 
 
 686 A pair of Empire leather holsters, mounted with metal-gilt ends 
 
 chased with hands of ornament. Said to have beenj^sed by 
 Napoleon I. V ? \ 
 
 687 A French dragoon’s bridle, sabretache, two water-bottles, two 
 
 .... ... _ /, 
 
 cartridge-boxes, with belts, awb-ft-dc mg •boot 1 ; t emp 
 
 688 A saddle; two pairs of stirrups; a canvas saddle-bag; fouratjaer 
 
 canvas bags; and a water-bottle Z 
 
 689 Three leather water-bottles; a ditto gun-case; a leather game- * 
 
 / 
 
 bag ; three other leather bags ; and two other pieces (J 
 •*f>#6-A mod e l - of -an ammanitionzvaggffn^ in ebony and ivory, with . 
 -metal m o unto 
 
 0 691 Six models of French carts ; &c. 
 
 O 692 Three larger ditto 
 
 & 693 The Outpost, an equestrian plaster model, by E. Fremiet; a ^ 
 mounted Arab, by the same; an anatomical figure of a horse; Jl 
 and two others 
 
 ARTISTIC ACCESSORIES, FURNITURE, Etc. 
 
 /S / ^ / 0 
 
 694 
 
 & 
 
 695 
 
 A /<* , o 
 
 696 
 
 •?- 
 
 697 
 
 V- 
 
 698 
 
 
 699 
 
 
 700 
 
 M/. 
 
 701 
 
 
 702 
 
 
 and two folding stands 
 
 W OOU C^UUIl VO j 
 
 (1 r-d T> 
 
 ditto 
 
 walnut-wood 
 
 japanned colour box; and eight palette knives, &c. 
 
 a Z 
 
 mahogany ditto ; one other; a straight-edge; and one,vcith ^ 
 metal edge 
 
 
 
39 
 
 703 Four small T squares; a long oak straight-edge ; and five other 
 pieces * /3 c 
 
 ^ 704 Ten sketching pads, in folio covers; and two sketching folios f 
 O 705 Ten smaller ditto ; three other pads ; and three sketching 
 
 folios ^ cjYa. 
 
 706 Twenty folios, for drawings */? 
 
 707 Twenty ditto c 
 
 708 Twenty drawing-hoards, of different sizes 
 
 Y 709 Twenty ditto /Y/ '' ' ^ ) 
 
 710 Twenty-three ditto <f ' 
 
 y 711 Eight picture canvases, on stretchers i / y ^ ^ 
 
 712 Seven ditto '^^7 ,/ 6 */ 
 
 ( 713 Twelve 28 lb. weights Yx/ 
 
 Y> 714 A capital lay figure ^ y^^y* 
 
 ^715 A small mahogany table, with three drawers, fitted with tray 
 
 top; and a mixing table, with tray-top, drawer, and shelf., 
 beneath ^ 
 
 , O 716 A small mahogany folding table easel; a picture easel, covered c, # 
 
 with red baize ; and an artist’s stool 
 0 717 A mahogany folding sketching easel, with box for brushes, &c., 
 
 by Eoberson / S 
 
 a 718 A larger ditto, by the same ^ 
 
 a 719 A portable folding easel; two small folding easels, of mahogany ; - 
 and one other 
 
 720 A long trestle table, folding down the centre, and fitted witly , / 
 
 , S oa 
 
 drawers u 
 
 721 A portable folding sketching easel, by Eoberson; one other; 
 
 two mahl-sticks; and a long oak straight-edge 
 
 722 A small oak portable folding sketching easel; two others; and 
 
 three mahl-sticks 
 
 0 723 An oak portable folding sketching easel and camp stool ^ 
 combined; a drawing-board, on tall legs; an oak frame to 
 hold sketching board; two tent umbrellas; and three 
 others 
 
 
 ather; .✓ 
 
 
40 
 
 /, f, 0 
 
 724 
 
 , X/ . 0 725 
 
 
 726 
 
 A walnut-wood folding easel and camp stool, similar; a camp 
 stool; a small drawing copy stand; a brush rack; two 
 turned mahogany racks; four others; two tent umbrellas; 
 and a bamboo folding stand ^ 
 
 An oak pedestal; chest of five drawers, with rising top, contain¬ 
 ing tin-lined trays for colours, &c.; and thirty-s^x tubes of 
 oil colours (some partly used) ^ - /tV / 
 
 A capital oak easel, with screw for elevating and double shelf, 
 by Eoberson ' J 
 
 A capital mahogany easel, nearly similar, by the same ^ f ^ 
 
 TheCuthbert easel, in stained wood 
 
 r> 
 
 
 A large expanding easel, of stained wood, of nearly simila^^j 
 design 
 
 
 732 
 
 A capital mahogany easel, by Eoberson 
 
 A stained wood mixing table, with tray top, drawer and sheE y 
 beneath; a small ditto, with drawer; and four box seats /< ( ' 
 
 Two small pole easels; an artist’s stool; three small box seats; 
 three taller ditto; and two with folding ends, forming tables 
 ///* 733 An artist’s model’s adjustable chair; a chair, with leather-covered 
 
 back and seat; a small pole easel; another, with iron pole; 
 and a pole gas standard, with reflector, and length of tubing 
 A drawing table, of stained wood, with ranges of twelve shallow 2/i 
 drawers beneath, and projecting ends—10 ft. long 
 A pair of book cases, with open shelves and brass rail ior , 
 curtain at the top—48 in. high, 58 in. wide 
 
 Jn 
 
 Jr 
 
 734 
 
 735 
 
 FINIS. 
 
 London : Printed by William Clowes & Sons, Limited, Stamford Street 
 
 and Charing Cross.