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Metropolitan Museum of Art. 
 
 REPORTS OF COMMITTEES. 
 
 PRINTED FOR THE INFORMATION OF MEMBERS OF THE MUSEUM. 
 
 In Executive Committee, April 18, 1882. 
 
 On reading the special report of the Committee on Objects of Art, 
 ordered that the same be accepted and approved, and that copies be 
 printed under the direction of the Supply Committee, for the infor- 
 mation of members of the museum. 
 
 Ordered, that the Supply Committee be directed to re-print the 
 Report of the Committee of which President F. A. P. Barnard, LL. D. 
 was chairman, (dated January 26th, 1881.) for the use of members 
 of the museum. 
 
 Report of the Committee on Objects of Art. 
 
 New York, April 17, 1882. 
 
 To the Executive Committee : 
 The Committee on Objects of Art respectfully report : 
 In obedience to your resolution of March 27th, as follows : 
 " The attention of the Executive Committee of the Trustees 
 having been called by articles in the daily papers to a pamphlet in 
 which statements are made that (1) statue No. 32, (Aphrodite and 
 Eros) is 'a fraudulent patchwork of unrelated parts'; (2) that statue 
 No. 39, (Figure holding a horned head) 'is built up of several frag- 
 ments belonging originally to different statues of various sizes', that, 
 the bust is a fragment of one statue, and the lower part of the body, 
 from the breast down, is made of fragments from figures of various 
 sizes and differently poised,' which statements are so visibly untrue, 
 that no contradiction is needed to any person who cares to examine 
 the statues; 
 
2 
 
 Ordered, That the Committee on Objects of Art, be instructed 
 to remove these two statues from their glass cases, and place them 
 on the floor of the grand hall in a position with ample light where 
 they can be approached and examined on all sides. That mem- 
 bers of the museum, the public, and especially editors of pub- 
 lic journals, sculptors, workers in stone, scholars, and all persons 
 interested m the truthfulness of archaeological objects, be invited to 
 make the most careful examination of the statues." 
 
 This Committee, on the 28th of March, removed the statues 32 
 and 39 from their cases, and placed them on special exhibition on 
 the floor, near the centre of the grand hall, in strong light, where 
 they could be closely inspected by all visitors. 
 
 The following placard was placed conspicuously near the statues, 
 and printed copies were provided for all visitors who wished to take 
 them. 
 
 " Metropolitan Museum of Art, 
 New York, March 28, 1882. 
 "By order. of the Executive Committee. 
 No. 32, Aphrodite and Eros. 
 
 " It having been publicly stated that this statue is a fraudulent 
 patchwork of unrelated parts, &c, it is placed here for public examin- 
 ation. The statue is monolithic, unbroken, and never repaired, 
 except that the head having been broken off was replaced. The line 
 of fracture through the neck, curls, and head dress indicates the re- 
 placement of the head. 
 
 " By order of the Executive Committee. 
 No. 39, Figure holding a horned head. 
 
 " It having been publicly stated that this statue is ' built up of 
 several fragments belonging originally to different statues of various 
 sizes,' that 'the bust is a fragment of one statue, and the lower part 
 of the body, from the breast down, is made of fragments from 
 figures of various sizes and differently poised,' it is placed here for 
 public examination. The statue is monolithic, unbroken and unre- 
 paired from neck to ankles. A fracture at the ankles destroying the 
 rear part of the base, and the heels, so that the statue would not 
 stand on the feet, is repaired by inserting in the back part of the 
 base, a block of stone accurately cut to take the weight of the statue. 
 To this block the original feet are adjusted, and brass rods ascend- 
 ing through the block into the legs, hold the statue firmly in its 
 original position: This, like other Cypriote statues, is a wall statue, 
 unfinished in the rear." 
 
 The statues have thus remained until the close of the winter 
 exhibition on Saturday evening last the loth inst, and have been 
 inspected by many thousand persons. 
 
 THE GETTY CEMIfeH 
 LIBRARY 
 
3 
 
 The Committee have had numerous requests from scholars, sculp- 
 tors, workers in stone, and gentlemen of intelligence, to permit 
 thorough examination of the statues with washings, chiselings and 
 cutting, with caustic potash and in other ways, and have in all cases 
 given the permission, without limit. Such examinations have been 
 freely made, and have invariably demonstrated the truthfulness of 
 the statues, and the falsity of the published accusations referred to. 
 
 The Committee on the 15th inst., received a request to permit an 
 examination by a number of distinguished gentlemen of known 
 ability, who had arranged to meet at the museum with the publisher 
 of the charges against the statues, and make an investigation. At 
 their request, the First Vice President, in the absence of the Presi- 
 dent, gave the following order. 
 
 M. M. A. April 15, 1882. 
 
 To the Janitor and Watchmen at the Museum. 
 
 You will admit Mr. Launt Thompson and his friends to the 
 Museum at any hour of any day, whether the Museum be open or 
 closed, and permit him or them to make any and every examination 
 of objects which they may desire. W. C. Prime, V. P. 
 
 The Committee are informed that the gentlemen were at the 
 Museum at the hour of appointment made by them, and that 
 although the publisher of the charges failed to meet them, they 
 made a long and complete investigation, and were satisfied that the 
 statements of the publication referred to were untrue. The Com- 
 mittee have not asked from these gentlemen any statement. They 
 have received a large number of communications, verbal and 
 written, expressing gratification at the opportunity offered to ex- 
 amine the statues, and unanimously testifying to the falsehood 
 of the publications which led to the action of the Executive Com- 
 mittee. In no instance have they heard of any contrary opinion 
 They ask approval of their action, thus reported. They annex 
 hereto several letters from well known sculptors, which have been 
 communicated to them, with permission to lay them before the 
 Trustees; and recommend that they be printed for the information 
 of members of the Museum. They also recommend that the Report 
 of the Committee of Investigation, of which the President of Colum- 
 bia College was chairman, dated January 26th, 1881, be reprinted 
 for the use of members. 
 
 They also recommend that statues 32 and 39. be continued as 
 now on special exhibition for public examination, until some time 
 
4 
 
 after the Reception at the opening of the summer exhibition on 
 the 2d day of May next. 
 
 Respectfully submitted, 
 
 W. C. Prime, ) 
 Robert Hoe, Jr. > Committee, &c. 
 . W. L. Andrews, ) 
 
 Letters Annexed to the Report. 
 
 Ellin and Kitson, 
 (Copy.) Architectural Sculptors. 
 
 J. Q. A. Ward, Esq., 519 West 21st, Street, 
 
 Dear Sir: New York, April 12, 1882. 
 
 As I accepted the invitation of the Trustees of the Met- 
 ropolitan Museum of Art to all sculptors, workers in stone and 
 lovers of truth, to examine the two statues at the Museum marked 32 
 and 39 respectively, I deem it my duty to report to you the result, 
 as a party deeply interested and the only member of the previous 
 examining committee personally known to me. 
 
 The examination took place on Saturday the 8th inst, openly in 
 the presence of a great many ladies and gentlemen unknown to me. 
 
 In order to make the examination thorough, I asked for and ob- 
 tained permission to bring my own men, and also received authority 
 "to cut, to scrape, to wash," in short to do as I pleased so that the 
 truth be ascertained. 
 
 We first examined the statue No. 32, called Aphrodite and Eros; 
 concerning which, Mr. Clarence Cook's pamphlet states "it is a 
 fraudulent patchwork of unrelated parts." 
 
 Our examination convinced us that the above statement is abso- 
 lutely false in every particular; that the line of fracture as shown 
 through the neck, head-dress &c, is the genuine and only fracture. 
 The head and trunk are of the same stone and belong to each other. 
 
 A gentleman standing by, and unknown to us, stated that the 
 publisher of Mr. Clarence Cook's pamphlet had assured him a few 
 days before, while examining the statue, that the apparent line of 
 fracture across the neck was a fraudulent line intended to deceive; 
 that no fracture existed there; but. that the real fracture was below, 
 concealed in some ingenious manner. We re-examined the figure 
 under his directions, and found these statements also to be void of 
 
5 
 
 all truth. On the contrary we found the statue to be monolithic and 
 unbroken except that the head having been broken off, had been re- 
 placed and we think well re-placed. 
 
 Our examination of No. 39, " Figure holding a horned head" was 
 not less thorough than on No. 32, and we are satisfied that the statue 
 is monolithic, unbroken and unrepaired, from neck to ankles, and 
 that all statements to the contrary are untrue. We believe the feet 
 now on the statue to be the original feet belonging to said statue. 
 The repair at the fracture of the ankles, which has been made by in- 
 serting a single block of stone, cut to take the weight of the statue, 
 is a correct and admissable one; at the same time we think it would 
 have been more satisfactory had the feet been allowed to remain in 
 their original position on the base, and a smaller block inserted in 
 the rear. If found necessary a sub-base could have been added to 
 properly balance the figure. 
 
 Believing that your desire is that the truth in this matter should be 
 fully known, and hoping that you will not deem this letter an 
 impertinence, 
 
 I remain, Dear Sir: 
 
 Yours very truly, 
 (Signed,) Rob't Ellin. 
 
 ( Joseph Smith, 
 (Signed,) Assistants, < James Gilchrist, 
 
 I Thomas A. Gyles. 
 
 (Copy.) 
 
 New York City, April 12, 1882. 
 
 My Dear Sir: 
 
 I have been to-day to the Metropolitan Museum and made a 
 careful examination of the two statues, about which there has been 
 such a controversy, No. 32 and 39. 
 
 The statement that No. 32 is composed of several parts seems 
 inexplicable. It is obvious, almost at a glance, that from the neck 
 down it is unbroken, and that the head which surmounts it belongs 
 to it and was cut from the same block of stone. 
 
 Of No. 39, is true what Gen. Cesnola claims for it in my judg- 
 ment — that from the neck to the ankles it is whole, and cannot be 
 composed of parts borrowed from different statues. The fracture 
 
6 
 
 at the ankles is very apparent as any break in a statue of marble or 
 stone must be. The idea that either of these statues could have 
 been made of fragments from different figures seems to me almost 
 absurd. It would be a singular accident that would make the 
 sweeping lines of the folds of the drapery fit and run into each 
 other as they do without a break in any of them if this were true. 
 
 I am convinced that the works are genuine and what Gen. Cesnola 
 claims for them. 
 
 Yours very truly, 
 
 Dan'l C. French. 
 
 (Copy.) 
 
 New York, April 11, 1882. 
 
 My Dear Ward: 
 
 I went up to the Museum this morning and on my way up I 
 called at Wm. May's shop and got him to go with me. He is an 
 honest fellow and a good marble worker. We took with us hammer, 
 chisel and files. We got there about 8 o'clock and were admitted 
 and allowed to wash, cut and file those two statues (No. 32 and 39) 
 to our hearts' content. 
 
 The figure holding a horned head is absolutely one piece of 
 stone from the neck to the ankles. There can be no possible mis- 
 take in this. 
 
 The repair about the feet and base we found to be as represented 
 in the printed statement of the executive committee. 
 
 We tried on the head, which, it has been stated, was at some 
 former time on this statue, but it did not fit, and never could have 
 belonged to this figure and could not have been there. 
 
 No. 32, called Aphrodite and Eros, we also found to be of one piece 
 of stone, with no repair; the head having been broken off is repla- 
 ced, but not as well replaced as it might have been; but this is not 
 fraudulent work. The joint would have been perfect if a little more 
 care had been taken in putting on the head: but this has nothing to 
 do with the charges. 
 
 We fwund nothing in these two statues to sustain the charge of 
 having been made up of unrelated parts. 
 
 Very truly yours, 
 
 Chas. Calverley. 
 
(Copy.) 
 
 John Taylor Johnston, Esq. 
 
 President Metropolitan Museum of Art. 
 
 Dear Sir: 
 
 At the request of General Di Cesnola, Director, I visited the 
 Museum last Thursday and carefully examined, using sponge and 
 water, chisel and magnifying glass, the statues No. 32 (Aphrodite 
 and Eros) and No. 39 (a man holding the head of a horned animal) 
 both belonging to the Cypriote collection and now placed on special 
 exhibition for the inspection of editors, sculptors, workers in stone, 
 &c, &c. 
 
 It has been publicly charged that the statue No. 32 " is a fraudu- 
 lent patchwork of unrelated parts." 
 
 This statue from the neck down, I found to be a single solid stone 
 without seam, joint or patchwork of any kind whatever. 
 
 The head which had been broken off has been replaced, the line 
 of fracture being such that indisputable evidence is furnished that 
 it is in its original place. 
 
 It is publicly charged that the statue No. 39 "is made up of un 
 related fragments " and that the work has been " most clumsily 
 executed"; that " the bust is a fragment of one statue, and the 
 lower part of the body from the breast down is made of fragments from 
 various figures of various sizes and differently poised;" that " the 
 statue has a pair of new feet, new legs and a new base." 
 
 I found the body of this statue from the neck (it has no head) to 
 the ankles, to be one unbroken piece of homogeneous stone. I saw 
 no evidence whatever of the charge of its being composed of unre- 
 lated fragments, or of fragments of various sizes and differently 
 poised. 
 
 The right leg is covered with the toga to the instep, and is a com- 
 ponent part of the body; both ankles are fractured and the heels 
 destroyed, with the back part of the base. The front half of the 
 feet remain with the front section of the base. This fracture has 
 been skillfully repaired by inserting a piece of Cyprus stone, so that 
 the statue would stand and admit a brass rod to attach the base to 
 the figure: the fronts of the feet are adjusted to this stone with 
 plaster of paris in a justifiable manner. 
 
8 
 
 Since writing the above I have again examined the statues in 
 company with other sculptors, and have confirmed what I have 
 above said. 
 
 I am, Dear Sir, 
 April 17, 1882. Very truly yours, 
 
 Launt Thompson. 
 
 P. S. The head which, it is charged, was formerly on the statue 
 No. 39 never could have been on it: and is not the head illustrated 
 in Mr. Hitchcock's article in Harper's Magazine of July, 1872. 
 
 _ L. T 
 
 (Copy.) 
 
 23 Union Square, New York April 17, 1882. 
 Mr. John Taylor Johnston. 
 Dear Sir: 
 
 I went to the Museum a few days ago and made a care- 
 ful examination of the two statues No. 32 and No. 39 and am entirely 
 convinced that the facts as stated in the letter of my friend Mr. 
 Launt Thompson to you, which he has shown me, are correct in 
 every particular. I satisfied myself by cutting and washing and 
 close inspection. 
 
 Yours respectfully, 
 
 John Rogers. 
 
9 
 
 REPORT OF THE COMMITTEE OF INVESTIGATION. 
 Dated, Jan. 26, 1881. 
 (Reprinted for the use of Members.) 
 To the Trustees of the Metropolitan Museum of Art. 
 
 The undersigned, having been requested to investigate certain 
 charges of alterations and incorrect repairs of objects in the Cesnola 
 Collection of Cypriote antiquities, contained in various publications 
 submitted to them, report: 
 
 The charges were first published in the Art Amateur for August,- 
 1880, over the signature of Mr. Gaston L. Feuardent. The subsequent 
 publications in newspapers and other periodicals were discussions 
 and repetitions of the same charges, and so far as they were accusa- 
 tions proceeded from the same author. The original publication in 
 the Art Amateur was elaborate in statement and argument, and was 
 accompanied by engraved illustrations to sustain the charges, which, 
 in publications of archaeological and scientific character, are generally 
 relied on by scholars and the public, as made with accuracy and 
 conscientious regard to their importance. The charges related to 
 seven objects, all in stone, of which the accusation was that some had 
 been falsely and fraudulently, others erroneously repaired and in 
 some cases restored. An eighth charge related to the bronzes. The 
 charges were entitled and directed specially and personally against 
 General Di Cesnola, the Director of the Museum, under the general 
 head Tampering with Antiquities." 
 
 We have made this investigation thorough and exhaustive. We 
 ascertained on examining the objects, that there were no archaeo- 
 logical or difficult questions involved. The inquiry was into matters 
 of fact,, determined by ordinary eyesight and evidence. That the 
 Trustees might have no doubt of the thoroughness of the investiga- 
 tion, we have invited and received the valuable assistance of well- 
 known sculptors and practical stone-cutters and carvers, have taken 
 the opinions of scholars, have made microscopic, chemical and other 
 examinations of the surfaces and have subjected some of the repaired 
 objects to prolonged baths, taken them to pieces, and verified the 
 relation of the fractured surfaces. We have had before us original 
 photographs of the objects taken at the place of discovery, and at 
 later periods, and abundant evidence of their history down to and 
 during the process of repairing and arranging for exhibition in the 
 present Museum Building. 
 
10 
 
 We have examined the Director and Repairer of the Museum, and 
 other witnesses. 
 
 We invited Mr. G. L. Feuardent, the author of the charges, to 
 attend and assist us with such information as he could give, and 
 although at first declining the invitation, he subsequently attended, 
 and the Committee heard him fully as to each of the charges. Being 
 requested to name any experts on whom the Committee could rely, 
 and whom he would advise them to call to their aid in the investiga- 
 tion, he informed us that he knew of no one that he could suggest. 
 He advised the consulting of practical stone-cutters and workers, 
 which the Committee have done. 
 
 We report as the result of our inquiry that each and all of the 
 charges are without foundation; that there have been no restorations 
 and no cutting or engraving of objects, but simply repairs by the re- 
 placing and reunion of such original fragments as existed and could 
 be identified; and that the engraved illustrations which accompany 
 the charges, inaccurate in general, are very incorrect in some of the 
 most important details. 
 
 We subjoin a statement of the substance of each charge (as con- 
 densed by us and corrected and approved by the author when before 
 us,) with our finding in respect to each. 
 
 1. No. 22. Statue of a Priest. 
 
 Charge: That the right arm and part of the right hand were pro- 
 cured from a fragment from another statue while the collection was 
 in my (the accuser's) gallery in London; but now the points of junc- 
 tion which were left quite apparent then, have been completely hidden, 
 so that the statue looks as if it had been found perfect. 
 
 We find the right hand to be a solid, unbroken part of the statue 
 against the side of which it is supported. This statue was discovered 
 in three fragments, the head, the body, the right fore-arm from wrist 
 to elbow: That this with other objects in Gen. Di Cesnola's first 
 collection, was sent to London, and there remained in care of the 
 author of this charge for some eight or nine months, to be exhibited, 
 and if possible, sold to the British or some other museum, Gen. Di 
 Cesnola being in Cyprus. That while it was in his custody, the 
 author of the charge, being unable to find the original fore-arm, and 
 not knowing of its existence, had a false fore-arm procured and at- 
 tached to the statue. While thus falsely repaired it was photograph- 
 ed, and the publication of a process print from the photograph 
 enables us to identify the false fore-arm by distinct marks. We 
 
11 
 
 find that when Gen. Di Cesnola had the opportunity, for the first 
 time, to repair the objects, he removed the false fore-arm and 
 properly replaced the original fore-arm, found with the statue, and 
 preserved. The contour, and fitting of lines of fracture, leave no 
 doubt in our minds of the correctness of the repair. The false 
 fore-arm made in London, has been preserved and was in evidence 
 before us. We find the charge unfounded, and, that this statue is 
 now in perfect original condition as to its form and material, except 
 as to effects of time and exposure. 
 
 II. No. 35. Two Sphinxes back to back. 
 
 Charge: That this slab was found with all the upper part of the 
 left Sphinx wanting; now it is quite complete, and the pieces joined 
 to it seem to be of modern work. 
 
 We find no reason for the suspicion suggested. After a prolonged 
 bath, we find the repair of the left Sphinx to be a re-union of the 
 ancient fragments, which we find correct. A difference in the char- 
 acter of the heads of the two Sphinxes, might have suggested inquiry 
 as to whether they were original parts of the same object, but exam- 
 ination of various monolithic examples of the same subject in the 
 collection, shows the same want of uniformity. There is nothing in 
 the character of the stone, condition of its surface, manner of 
 carving or treatment of the head to throw any doubt on General Di 
 Cesnola's statement, that when found, no part of this object was 
 missing, the fragments of the left head being found close to the 
 piece from which they had been broken. 
 
 III. No. 39. Statuette of a Man. 
 
 Charge : That this object has been so entirely re-worked that 
 few lines are left in original condition: the head-dress completely 
 altered by additions and deep carvings; hair which hung down on 
 the shoulders cut off; a modern right shoulder angular and newly 
 ornamented added; outlines of ornaments on the belt and apron 
 re-cut, part of the knees cut off. 
 
 The object is a fragment, found in several fragments. We have 
 placed it in a bath for some days and taken it to pieces. 
 There is no possible doubt of the correct reunion of the pieces, A 
 small fragment of the right shoulder with original surface decoration, 
 was correctly replaced, the existing shoulder being otherwise in solid 
 original condition. We find no retouching, re-engraving, cutting or 
 alteration of any part of the surface of the object, and no foundation 
 fot any part of the accusation. 
 
12 
 
 IV. No. 40. Statuette of a Man. 
 
 Charge : That the head of a child has been added to a diminutive 
 statue of a man; that a modern neck has been manufactured to join 
 head and body; the neck made too long in order to counteract the 
 effect produced by the head being too large; that the upper chest has 
 been cut into, leaving a modern hard line of the neck of the dress; 
 that a left fore-arm has been joined to the figure. 
 
 We find the charge unfounded in every particular. The engraved 
 illustration which accompanies it in the Art A??iateur, August, 1880, 
 entitled " Statue No. 40 as it was Found," is incorrect in the 
 only important detail. This represents the body with the neck 
 broken short off down to the chest, thus giving color to the charge of 
 a modern neck to receive which the chest has been cut into; whereas 
 the original unbroken part of the neck rises three-fourths of an inch 
 above the chest in .front, and any such cutting is of course impossible. 
 The head is not of a child but an adult. We have taken the statue 
 to pieces in the presence of several gentlemen, sculptors, and stone 
 cutters, and examined the repair. The head with its part of the 
 original neck rests in front on the part of the original neck which is 
 solid with the statue. Fragments of the neck at the side and back 
 are correctly replaced. The head fits the fracture and the lines of 
 carved drapery match, showing conclusively that the head was broken 
 off from and belongs to the statue. The line of the neck of the dress 
 has not been retouched. The left fore-arm with its drapery is cor- 
 rectly replaced. Mr. Feuardent stated to us that the illustration 
 above referred to was not made from the statue itself, but copied from 
 a lithograph in Doell's Russian publication. He seems to have been 
 misled by relying on those lithographs instead of making careful 
 examination of the objects. 
 
 V. No. 257. Statuette of Venus. 
 
 Charge: That a mirror which appears to be held in the left hand 
 of the statuette was added to it in 1879; for the purpose of making 
 it represent Venus and sustain a theory that her worship was con- 
 tinued at Golgoi in Greek times. The charge is accompanied by 
 two illustrations and by elaborate statements; the writer stating that 
 the mirror was carved in the stone and that to cover the modern 
 work a coating was put over, which was still damp and soft when he 
 saw it, into which while still soft he twice pressed his nail while hand- 
 ling it in 1879. 
 
 We find the charge unfounded. We find no ground on which to 
 -base any question as to the antiquity of the mirror and the sur- 
 
13 
 
 rounding surface. The unanimous testimony of experts, sculptors 
 and practical cutters and workers in stone of various kinds, who ex- 
 amined the object together, and also with three members of the 
 committee, other expert testimony, and our own careful examination 
 of it with the eye and with the microscope, leave no doubt that the 
 mirror and the surrounding parts were cut at the same time and by 
 the same hand that wrought the entire statuette, that of the ancient 
 sculptor. The evidence before us shows that this object when 
 found was like a large portion of the stone objects, covered more 
 or less with a dense, stone-like, incrustation of earth and lime, which 
 in some cases it has been found impossible to remove. We find 
 examples of this in many objects in the collection. On the left side 
 of this statuette, this accumulation yielded to a prolonged bath, and 
 on its removal, the mirror, a small relief five-eighths of an inch in 
 transverse diameter, was revealed. The engraved illustration, 
 accompanying this charge, exaggerates the size and relief height of 
 the mirror, The alleged motive for an alteration does not exist, the 
 collection having ample illustration of the Greek worchip of Aphro- 
 dite at Golgoi. 
 
 VI. No. 754. Statuette of a Youth. 
 
 Charge : This has been too much retouched and a wrong head 
 placed on it. When found it was in a poor state of preservation and 
 the head was wanting. 
 
 We find the charge without foundation. As this object was found 
 unbroken and photographed in that condition at the place of excava- 
 tion, accidentally broken in transporting it to the residence of the 
 discoverer and immediately repaired, shipped in box direct to New 
 York, and not unpacked till placed in its present position on the 
 shelf, it was evident the writer knew nothing of its condition when 
 found, and had mistaken it for a repair of some other object. In a 
 later publication (after an intimation from the committee of this 
 obvious error) he stated that from a drawing made by him he 
 thought the number should be 469 and adds, " this is described in 
 Doell (Sammlung Cesnola) page 35, No. 156, and illustrated Plate 
 V., No. 2." This correction revealed the source of his error. He 
 has since informed us in person that he intended to designate some 
 object in the collection as a repair or restoration of the object in 
 Doell's book. Neither 754 nor 469 has any resemblance whatever 
 to that object. This is unimportant, however, as we find the object 
 
14 
 
 described and illustrated in Doell V. 2, to be a headless statuette, in 
 the museum store room of fragments, never repaired. It appears 
 therefore that the accusation has originated in mistaking some object 
 in the collection for a repair or restoration of another object which 
 has never been repaired. 
 
 VI I. No. 768. Statuette of a man sitting. 
 
 Charge : That the head of an old man has been fixed on the 
 shoulders of the figure which the writer states belongs to a 
 class which represents youths, and it is important to know whether 
 this head has been put on, as if it really belongs to the figure it up- 
 sets all the former classifications made of such objects. 
 
 This suggestion of a suspicion, rather than a distinct charge, is 
 important only because forming one of a series of accusations under 
 the head Tampering with Antiquities, and because accompanied (in 
 the Art Amateur \ August, 1880), by an engraving which represents 
 a dark line across the neck, giving apparent force to the suggestion 
 that the head has been " fixed on." The object is a monolith, and 
 no such line exists across the neck. The collection contains a large 
 number of unbroken statuettes of this class, representing old men 
 and youths. The author of the charge after examining the object 
 in our presence, was satisfied that the object is in original unbroken 
 condition, and disavowed any intent at misrepresentation in the 
 illustration. 
 
 VIII. The Bronzes. 
 
 Charge: That many of them have been covered with a false 
 patina after they were cleaned. 
 
 We find that the Trustees have given their personal and very 
 careful attention to the important subject of preserving ancient 
 bronzes from oxidation and rapid destruction: that in so doing they 
 invited experiments which were made by various persons (including 
 the author of the charge); that the effects of the treatment by these 
 experiments have been carefully watched for some years, and the 
 process of oxidation found to be hastend by some of the processes, 
 and apparently arrested by one only. This last treatment has been 
 adopted, and it is hoped will prove as successful as that used by the 
 British Museum, which is secret. We find that some of the bronzes 
 have been cleaned, and subjected to this process, and that no false 
 patina, coloring matter, or other treatment has been given to these 
 or any other in the collection. 
 
15 
 
 Mr. Feuardent presented to us an affidavit of Mr. Geo. C. Cox, a 
 photographer formerly employed at the museum, containing charges 
 affecting other objects in the collection. Mr. Cox appeared before 
 the committee, and made charges in general terms of restorations 
 and false repairs of objects, but on examination could fix upon only 
 two objects, viz.: the Sarcophagus, No. C.C., and the Statue, No. 
 NXXIX. These the committee examined, and find the charges in 
 relation to them to be without the slightest foundation. 
 
 It has been necessary for us in this enquiry to examine to some 
 extent the system of General Di Cesnola in making repairs. We 
 are of the opinion that if he has erred at all it has been in too rigidly 
 refraining from making repairs whose correctness was reasonably 
 certain. We find in the store-rooms of the museum a mass of frag- 
 ments which probably belong to objects exhibited in imperfect con- 
 dition. The fact appears before us that every fragment of a statue 
 found at Golgoi was carefully preserved, and that there now remains i 
 in Cyprus a large collection of such fragments which if brought to 
 New York would possibly supply the original bodies of all the num- 
 erous heads now exhibited, coming from that spot. 
 
 The Trustees, and the City and Country, have great reason for 
 pride in the possession of the Cesnola collection, and this committee 
 have sincere satisfaction in saying that they have found nothing in 
 their investigation to cast a shadow on its reputation. 
 
 F. A. P. Barnard, 
 Chas. P. Daly, 
 Roswell D. Hitchcock, 
 New York, Jan. 26, 1881. J. Q. A. Ward, 
 
 W. C. Prime. 
 
 Committee, &c. 
 
METROPOLITAN MUSEUM OF ART. 
 
 HAND-BOOK No. 3. 
 
 SCULPTURES 
 Cesnola Collection 
 
 CYPRIOTE ANTIQUITIES 
 
 EAST ENTRANCE HALL AND NORTH AISLE. 
 
 PUBLISHED BY THE TRUSTEES. 
 
 1880. 
 
c/p fa Jrttii* M % fulfil _ 
 
 METROPOLITAN MUSEUM OF ABT. 
 
 HAND-BOOK No. 3. 
 
 SCULPTURES 
 
 OF THE 
 
 Cesnola Collection 
 
 OF 
 
 CYPRIOTE ANTIQUITIES 
 
 IN THE 
 
 EAST ENTRANCE HALL AND NORTH AISLE 
 
 PUBLISHED BY THE TRUSTEES. 
 1880. 
 
DIRECTIONS FOR USING THIS HAND-BOOK. 
 
 FROM AN OBJECT TO THE BOOK. 
 
 (1) The Sculptures noticed are on the first floor in the East En- 
 trance Hall and North Aisle. 
 
 (2) This hand-book concerns all objects in the North Aisle, but 
 only a part of those in the East Entrance Hall [see (3) a-e, below], 
 
 (3) There are six numbered series and two unnumbered series of 
 objects, all from Cyprus. Eive series (a-e) are unnoticed in this 
 hand-book. 
 
 (a) In E. H. (i. e. East Entrance Hall), Cases 4-6 ; Alabasters, 
 Nos. 1-169 ; not noticed in this hand-book. 
 
 (b) /;/ E. H. Case 4 ; Egyptian Articles, not numbered; not in 
 this hand-book. 
 
 (c) In E. H. Case 7 ; Serpentine Stone, Nos. 1-85 ; not in this 
 hand-book. 
 
 (d) In E. H. Cases 8 and 9, Skulls from Cypriote graves ; not in 
 this hand-book, 
 
 (e) In E. H. Cases 16-21 ; Terra-cotta Statuettes, Nos. 1-935; 
 described not in this hand-book but " Hand-book No. 2, Potteries, etc.," 
 
 (f) In E. H. Outer Cases IF, GG (Nos. 1-1.51), Wall Cases 
 1, 2, 23, 24 (Nos. 152-175); Inscriptions; seep. 48. 
 
 (g) In E. H. Cases AA-DD ; Sarcophagi ; see p. 48. 
 
 (h) In East Entra?ice Hall Cases 1-3, 7 (only Nos. 1200-12 13), 
 10-15, 22-24. 
 
 In North Aisle, Outer Cases 1-38, Outer Cases A-E. 
 
 FROM THE BOOK TO AN OBJECT. 
 
 (1) The location of an object mentioned in the "Explanatory §§," 
 pp. 3-40, is given in the " Catalogue," p. 41,^ 
 
 Nos. 1-1213 (E. H.) or (N. A.), seep. 41, ff. 
 Nos. (Inscrip.) 1-175, seep. 48. 
 Sarcophagi AA-FF, see p. 48. 
 
 (2) ABBREVIATIONS. 
 
 E. H . means East Entrance Hall. 
 
 C. H. " Central Hall. 
 
 N. A. " North Aisle. 
 
 N. G. " North Gallery. 
 (Inscr.) as No. (Inscr.) 163 denotes the series (f) above. 
 In (N. A., 4), 4 denotes the upper part of Case 4. 
 In (N A., 4, Z), Z denotes the lower part of Case 4. 
 A-F (as N. A. — E) are the outer Cases in N. A. 
 
EXPLANATORY. 
 
 § i. In the population of ancient Cyprus two nationalities are 
 mentioned in the scant and broken records remaining to us — 
 Phoenicians and Greeks. These two gave to Cyprus its character 
 in antiquity. The two chief Phoenician cities in the days of Peri- 
 cles and Alexander were Amathus and Citium on the southern 
 coast ; but how far the Phoenician population extended at differ- 
 ent periods is unknown. 
 
 § 2. We are equally ignorant of the date of the coming of the 
 Phoenicians, but it is not unlikely that they came to Cyprus not 
 long after their arrival on the Syrian coast, perhaps about 2000 b. c. 
 
 § 3. Nor do we know when the Greeks first entered the island. 
 There is more than one reason for believing that it was one of 
 their earliest fields of emigration, perhaps a consequence of the 
 Dorian Invasion which caused such great commotion in Greece 
 and wide emigration from its cantons. Assyrian records show that 
 the Greeks were well established in Cyprus by 700 b.c. We will 
 therefore assume that they arrived between 1000 and 800 b. c. 
 
 § 4. The new settlers soon gained a firm foothold from one end 
 of the island to the other, north of the central range of mountains. 
 Their language, in the course of time, dislodged the Semitic 
 speech, and the language of Cyprus remained Greek to the present 
 day. By the time of Alexander, the Greek tongue had conquered 
 the larger part of the population. When Phoenician finally died 
 out is unknown ; perhaps about the beginning of our era. 
 
 § 5. Cyprus was not united under one government, but was 
 broken up into little states, each composed of a city and its lands, 
 as in the two mother countries, Phoenicia and Greece. Though 
 the Cypriote states were not united under one national govern- 
 ment, they shared in their outer relations the fortunes of their Syrian 
 
4 
 
 CYPRIOTE SCULPTURES. 
 
 neighbors. The two great empires in that part of the world before 
 the rise of the Persians, were Assyria to the east and Egypt to the 
 south, and Syria with its island Cyprus lay between the two powers 
 as a fighting-ground and prize. Egypt from the XVIIIth to the 
 XXIst Dynasty (roughly 1 600-1000 b. c.) was the controlling 
 power in these intermediate countries. Under the XXIst Dynasty 
 (about 1000 B.C.) the Egyptian armies, called home by civil war, 
 gave place to the Assyrians, who crossed the Euphrates westward. 
 The Euphratic powers — Assyria and Babylonia —dominated Syria 
 for about five centuries, till both lord and vassal were absorbed by 
 the Persian empire^ not long after 550 b. c. Two hundred years 
 later, Cyprus with Syria fell into the hands of Alexander, and 
 about 300 B. c. the island was annexed by Ptolemy, Alexander's 
 successor in Egypt. It continued to be a possession of the Greek 
 princely family reigning in Egypt for two centuries and a half till 
 Egypt itself became a province of Rome. 
 
 § 6. HISTORICAL SUMMARY. 
 
 B. C. 
 
 2000 (about). Phoenician Immigration into Cyprus. 
 1000 (about). End of Egyptian control in Syria. 
 1000-800 (about). Greek Immigration into Cyprus. 
 
 530 (about). End of Assyro-Babylonian control m Syria. 
 300 (about). Cyprus now mostly Greek. 
 50 (about). Cyprus annexed to Rome. 
 
 § 7. PHOENICIANS— The Semitic race, embracing Assyro- 
 Babylonians, Phoenicians, Arabs, and Jews, has played a great and 
 brilliant part in Asiatic and European civilization. The Egyptians, 
 it is believed, were in part Semitic in origin ; the Assyrians were 
 a race of surprising vigor ; Phoenicians gave Europe its alphabet ; 
 from the Hebrews it received its religion. The first settlers of 
 Cyprus known to us were Semitic. The Phoenicians were full 01 
 activity in manufactures, and in commerce they were the rulers of 
 the sea. By the time that the Greeks entered the island, Sidon 
 and Tyre had dotted the Mediterranean, even to its western gates 
 at Gibraltar two thousand miles away, with colonies and trading- 
 posts. The sea was covered with Phoenician ships bringing the 
 raw produce of the nations of the West to the factories of Phoe- 
 nicia. 
 
CYPRIOTE SCULPTURES. 
 
 5 
 
 § 8. Phoenicia, like Greece and unlike Egypt and Assyria, was 
 divided into cantons, and not subject to one absolute sovereign. 
 This free play of individual expansion, and the absence of a cen- 
 tral government keeping within its own hands all lines of activity 
 in all parts of the country, allowed the vigorous commercial and 
 industrial side of Phoenician life to give tone to its civilization. 
 
 § 9. In Egypt, Assyria and Greece life was political, and art 
 was monumental, for it was created by a whole nation's wealth, 
 taken in Egypt and Assyria by an absolute sovereign, given in 
 Greece by iDublic-spirited citizens. 
 
 In Phoenicia a brilliant, all-absorbing autocracy was absent, 
 while a commerce and industry of surprising activity spread pros- 
 perity wide through the various cities and classes. It was a reign 
 of comfort ; art was domestic, and took form in objects of small 
 size, precious material and delicate workmanship — all kinds of 
 furniture and personal ornament in gold, silver, bronze, and ivory, 
 precious woods inlaid, dyed and embroidered stuffs, carved gems 
 and the like. Industrial and trading Phoenicia overflowed with 
 works of art ; but they were of small size, of perishable or precious 
 material, and have decayed, been lost or carried off. 
 
 § 10. (a) Hence, few remains appear on the surface in Phoe- 
 nicia, and extensive excavations have not been made underground. 
 The material unearthed in Cyprus and elsewhere is mixed with 
 foreign elements ; Phoenician archaeology therefore possesses no 
 large body of data. We can only form provisional theories on 
 the Phoenician cast of features, their sculpture and pottery ; we 
 know nothing of the periods of Phoenician art. (b) The following 
 view of Phoenician art is here adopted. (1) They possessed a 
 national style in which they embodied their own full and active life ; 
 (2) since the Phoenicians were Semitic, the designs of this na- 
 tional art are related at more than one point to the designs of 
 their Semitic cousins the Assyrians; (3) they were strongly in- 
 terested by Egyptian designs and frequently reproduced them 
 (see c in this §) ; (4) in the sculpture of Golgi the Phoenicians re- 
 produced nature truthfully in the forms of the head and face, but 
 not of the body and drapery ; and in the treatment of the surface 
 they paid no attention to differences of texture, (c) The Phoeni- 
 cians were near neighbors of the Egyptians, met them frequently 
 in commercial affairs, and during the five centuries preceding 
 1000 B.C. (date of Solomon) came into frequent political contact 
 
6 
 
 CYPRIOTE SCULPTURES. 
 
 with Egypt. Moreover, the drift of their busy commercial life was 
 to put them into an attitude of good-natured curiosity toward 
 foreign nations, instead of coolness or arrogance. Commercial 
 nations are apt to furnish the travellers of the world. Thus the 
 majesty of Egyptian architecture, the bewildering multiplicity, 
 variety and strangeness of the figures of its sculpture and painting, 
 produced a deep effect upon the lively and enquiring commercial- 
 travellers from Phoenicia. Egypt was to the art of Phoenicia what 
 Greece was to the art of ancient Rome, and has been since the 
 15th century to the art of Christendom — a source of inspiration 
 and a storehouse of forms. More than a thousand years after 
 Hiram of Tyre the ally of Solomon, when Greek art and speech 
 had established themselves in Sidon and Tyre, the asps and 
 winged globes of Egypt could be used on the fac,ades of Greek 
 temples of Phoenicia under the Roman empire. 
 
 § 11. GREEKS. — Assuming that the Greek settlers of Cyprus 
 arrived at the early date of 1000-800 B.C., their civilization was 
 as different from that we call Greek, as an Italian picture of the 
 time of Dante is different from one of the time of Raphael. They 
 had not yet learned their alphabet from the Phoenicians, they had 
 no Doric and Ionic temples, no pottery like that of Case XXXI 
 (Central Hall), no statues like 38, nor even as advanced as the 
 primitive 24 with its stiff limbs and vulgar features. They were in 
 a primitive stage of civilization, while their new neighbors were 
 much further advanced. The Greeks at home, through intercourse 
 with Phoenician traders who landed on their coast and settled on 
 their islands at an early day, had perhaps taken into their religion, 
 their fairy-tales, and their arts of design many Oriental elements, 
 and Greek productions of that day bore a distinct Oriental stamp. 
 When the Greeks entered Cyprus this foreign influence was 
 strengthened by daily contact with a large, established, and civil- 
 ized population. A second current of Phoenician influence was 
 now sent home by the Greeks of Cyprus, to join in overflowing 
 Greece another current from Asia Minor sent by Greeks who, like 
 those in Cyprus, had settled in foreign parts under the light of an 
 advanced civilization. When these two currents had done their 
 work of fructification, the foreign elements were fused and the mix- 
 ture transmuted into an independent national and Greek art. 
 
CYPRIOTE SCULPTURES. 
 
 7 
 
 § 12. The Cesnola Collection of Cypriote Antiquities is the 
 result of excavations made (1866-76) by General Louis Palma di 
 Cesnola, United States Consul at Cyprus. The sculptures of the 
 Temple of Golgi were discovered by him in 1870. 
 
 § 13. (a) SOURCE. — A happy circumstance was the discovery 
 of a mass of sculptures in one spot, forming much the larger por- 
 tion of this collection. A complete survey of the sculpture of the 
 whole island was impossible. As it is, we have by this concentra- 
 tion a tract of Cypriote sculpture lifted out and isolated, a series, 
 continuous from the beginning to the end of the art in one Cypriote 
 town. This unity and continuity simplifies problems, (h) GOLGI. 
 — The place of discovery at Hagios Photios, not far from Citium, is 
 often called Golgi, having been identified with that favorite haunt of 
 Aphrodite by the French archaeologist, M. de Vogue, in 1862, a 
 very uncertain identification, but retained in this hand-book for 
 convenience' sake. It was a small interior town where people 
 lived in a plain way. This lack of wealth left its art backward 
 and provincial. Its population, at first Phoenician, soon became 
 Greek, perhaps about 600 b. c, while Citium, its near neighbor, for 
 centuries remained Phoenician. 
 
 § 14. STONE. — The material is a limestone common through- 
 out the island. Marble is not found in Cyprus. Similar white, 
 cheap local stone was in Greece the universal material for statues 
 before it became the fashion to use the more pleasing and durable 
 marble and bronze. But marble was found only in certain parts of 
 the Greek world, and where citizens led plain lives they were 
 content to do without the costly imported stone. 
 
 § 15. TEMPLE OF GOLGI.— Although the population became 
 Greek in speech at an early period, yet the temple retained, it 
 should seem, its old Semitic character in architecture. The ground 
 was carefully explored, but no trace found of Greek orders of 
 architecture. It was sixty by thirty feet long and wide, the stones 
 of the foundation-wall were set in clay for mortar, the walls were 
 probably of sun-dried brick and capped by a wooden roof. A door 
 was in one end and a door in one side, both near a corner, neither 
 in the middle — again a trace of Semitic origin. 
 
 § 16. Thirty-two statues and a mass of fragments were found 
 about two hundred yards from the temple. These, it is probable, 
 were taken out of the temple and deposited there, because — (a) 
 In spite of the most careful search on two occasions, no founda- 
 
8 
 
 CYPRIOTE SCULPTURES. 
 
 tions of a building could be found near the statues. (&) Vogiie', 
 in digging at this spot, noticed in one pit only heads, in another 
 pit, arms, legs, and trunks, and attributed the dismemberment and 
 burial to the triumph of Christian iconoclasts over paganism. 
 
 Among the statues from the neighborhood of the temple were 
 Nos. 7, 14, 15, 17, 19, 23, 183. 
 
 § 17. PURPOSE. — These sculptures came from houses dedi- 
 cated to spirits — temples and graves — offerings to the immortal 
 gods, and to mortal men become like the gods, immortal. 
 ' § 18. NATIONALITY is the line of classification— Phoenician 
 and Greek. The earlier group is Phoenician, the later Greek. 
 They differ in physiognomy, costume, and artistic conception. 
 The last is confined to the conception of the portrait. 
 
 § 19. CONCEPTION OF THE PORTRAIT. — In both periods, 
 Phoenician and Greek, the votive offering most often took form in 
 the portrait of the offerer, (a) Phoenician Period. — The Phoenician 
 sculptor desired not the creation of beauty, but the production of 
 a likeness. He was interested, however, only in the face ; it did 
 not disturb him that the body looked like wood, e. g. No. 4, the 
 hair and beard like cloth, Nos. 175, 183. He indicated these 
 rapidly and hastened to the features of the face, and here, in that 
 which excited his interest, he achieved decided success.* (b) 
 Perfect-Greek Period. — To the Greek the beauty of life was above 
 everything else. Hence he could not neglect everything for the 
 face, but body and drapery were carved with pleasure as great. 
 For the same reason his statues of individuals usually were not 
 portraits, but imaginative embodiments of character. So in Golgi, 
 when Hellenism became fully established, the statues of offerers 
 no longer looked like them, but were handsome Greeks, and when 
 the island became a possession of Rome the citizens of this 
 inland town were in their statues turned into handsome Romans. 
 (c) Young- Greek Period. — Before Greek art reached its full 
 growth in Golgi, statues of the Greek period continued as in 
 the Phoenician period to be portraits. Thus in Nos. 24 and 
 
 * So unimportant did the body seem, that hasty as the treatment of the 
 front is, the back is treated with still greater neglect. The gashes of the 
 tool have often been left ; it frequently happens that there is no back, but 
 only half a body split off in front of the spine. None of the statues were 
 intended to be viewed from all sides, but were placed against the wall. 
 
CYPRIOTE SCULPTURES. 
 
 9 
 
 22 the greater life in hair, limbs and drapery proves a departure 
 from Phoenician tradition, while the faces remain likenesses. 
 
 § 20. PHYSIOGNOMY. — (a) In the statues of the Phoenician 
 period it is Semitic, but a nearer definition of race is difficult by 
 reason of uncertain purity of blood. An earlier race may have 
 been absorbed by the Phoenician, and seeing that Golgi became 
 Greek at an early period, many of the statues of the Phoenician 
 period, though Phoenician in point of art, may be of individuals of 
 mixed Phoenician and Greek blood. Finally, for lack of material, 
 the pure Phoenician type has not been fixed in Phoenicia itself, nor 
 in Citium and Amathus in Cyprus, (b) The " Cypriote type " of 
 features — that prevailing in the statues of the Phoenician period in 
 Golgi — is seen in Nos. 183, 173. The face may be divided into 
 two stages by a line through the cheek-bones and end of the 
 nose. The face advances from the top of the forehead rapidly 
 toward this line, and below this line is cut in on the sides and in 
 front — that is, the line along the forehead and nose slopes back- 
 ward, the eyes fill their cavities to the full, the nose is prominent 
 at the bottom rather than along the ridge, the cheek-bones bulge ; 
 the cheeks are drawn in, a small peaked mouth with thin lips, a 
 pointed and projecting chin. There is much individual variation 
 in the following faces, but the type is more or less preserved in 
 all— Nos. 175, 177, 178, 9, 16, 4, 2, 1 155, 1 156, 1 158. (c) The 
 Young-Greek faces of Golgi, like those of statues and vase-paint- 
 ings in Greece, resemble the Cypriote type, wearing a similar 
 smiling inquisitive air, and are unlike the faces of Greek individ- 
 uals as seen in the classic period, on coins, for example. 
 
 § 21. AETISTIC VALUE. — (A.) Phoenician Period.— judged 
 by its own aims it is worthy of strong praise, for it has reproduced 
 life vividly. The artists were original and studied nature directly. 
 See faces Nos. 4, 1155, 1156, 1160, 175, 177, 183. Terra-cottas 
 from other parts of the island show that Phoenician sculptors 
 could make lifelike portraits elsewhere as well as in Golgi.* 
 
 (B) Greek Petiod. —(ft) With the growth of Hellenism new 
 standards in art were set up but not reached in Golgi. (b) In 
 Greece votive offerings were often free creations of the imagina- 
 tion, inspired by scenes from their epic poetry. But in Golgi the 
 prosaic character of the Phoenician period continued into the new 
 
 * See "Handbook 2, Potteries, etc.," p. 37, last two lines, and p. 38, top. 
 
IO 
 
 CYPRIOTE SCULPTURES. 
 
 Greek forms of pleasing exterior. In this temple nothing is im- 
 aginative ; all are sober statues of individuals. For the difference 
 in the portrait in the two periods, see § 19. {(') The Greek love 
 of the beauty of life showed itself in the frequent choice of the 
 naked body, in its vivid realization, and in the beauty infused into 
 drapery, for Greek drapery is transparent to the life of the limbs. 
 But in Golgi the naked body excited as little interest in the Greek 
 period as in the Phoenician, for of all the statues whose size makes 
 them important, only one from this temple is naked — No. 661. 
 (d) Provincial. — In fine, the sculpture of Golgi during the Greek 
 period lacks originality. The use of the cheap stone of the place 
 throughout the existence of the town, long after marble and 
 bronze were demanded for works of higher value, shows that the 
 town had not wealth enough to attract artists of distinction who 
 might train up a new race of sculptors with strength for the new 
 aims. Golgi and its art remained provincial. 
 
 § 22. PHCEMCIAN PERIOD.— These statues are mostly 
 dressed in what was probably the costume of the Phoenicians of 
 Golgi (§ 25). The methods of sculpture are not unlike those 
 of Egypt, and in view of the well-known influence of Egypt on 
 Phoenician art they may be considered a Phoenician importation 
 from Egypt. So strong was the Egyptian influence that certain 
 individuals have been portrayed in Egyptian dress, a fashion which 
 existed in Phoenicia, and other parts of Cyprus. 
 
 § 23. EGYPTIAN INFLUENCE. — (A) The existence of 
 statues in Egyptian dress is commonly explained by immediate 
 contact with Egyptians as conquerors in the island. But the strong 
 interest which Phoenicia took in Egypt (§ 10 c) suffices to explain 
 this imitation. Moreover, conquered subjects would hardly be 
 allowed to erect statues of themselves adorned with the royal 
 crown and the royal asps (§ 34, c). 
 
 (B) The Egyptian influence comes to the surface in all classes 
 of the Phoenician period, in national or foreign costume, in {a) 
 The suppression of detail and a summary treatment, producing 
 the effect of a rough draught (§ 29). (b) Advance of the left leg 
 in the standing statue (§ 37). (c) Egyptian dress imitated in a 
 few statues. 
 
 § 24. EGYPTIAN DRESS. — There are thirteen unmistakable 
 instances,— 1, 2, 3, 4, 6, 7, 9, 14, 60, 124, 147, 204, 213. 
 
 The pieces of dress, e. g. No. 2, are headcloth, broad breast- 
 
CYPRIOTE SCULPTURES. 
 
 I I 
 
 collar, the kilt about the hips and the asps on the front-piece of 
 the kilt. No. 7 wears the Egyptian royal double crown. These are 
 described in §§ 30-34. They are all seemingly statues of men. 
 
 Whether the Egyptian dress was worn by the originals, or 
 used only in the statues ; whether it was a mark of office (for 
 example, in the temple), or was adopted at will, is unknown. 
 
 § 25. PHCENICIAN DRESS. — (A) Two prevailing kinds, (a) 
 e. g n Nos. 16, 11, 13. Conical cap, often a long beard, long gown, 
 light shawl in which usually the right arm is wrapped as it lies on 
 the breast. The beardless figures are probably men. (b) E. 
 Nos. 8, 255. No cap, but bandeau about the hair; no long beard; 
 no long gown, but tight jacket and small tight drawers (§ 43). 
 
 (B) There are many cases of crossing in the various pieces of 
 dress of these two Phoenician costumes and the Egyptian (§ 48). 
 
 § 26. ASSYRIAN INFLUENCE. — The conical cap, the most 
 noticeable piece in the Phoenician costume, resembling as it does 
 the Assyrian helmet ; also, the mode of representing the beard in 
 a few cases— 16, 23, 180, 325, 329, 331, 332, 334, 339— have given 
 this class (§ 25, A, d) tlie reputation of being imitations of the 
 Assyrian. But the conical cap is probably not a helmet (§ 39, C, 
 a), and secondly these statues called "Assyrian" are bare of that 
 deeply-cut stamp of Assyrian sculpture — supremacy of detail (§29, 
 A, a). In fine, the Assyrian influence is slight. 
 
 § 27. DATES OF THE PHCENICIAN PERIOD, (a)— The 
 " Assyrian " influence, like the Egyptian, is commonly attributed 
 to immediate contact with conquerors in the island. Seeing that 
 Egypt had control in Syria from 1600 to 1000 b. c. (ad.) and was 
 replaced from 1000 to 530 (ab.) by Assyro-Babylonia, the Egyptian 
 statues are commonly assigned to the five centuries preceding 1000 
 b. c, and the "Assyrian " statues to the five centuries following."' 
 (b) The view adopted in this hand-book is that first the "Assy- 
 rian" statues are in Phoenician dress, secondly that they are con- 
 temporary with those in Egyptian dress, thirdly that both costumes 
 are executed in methods perhaps borrowed from Egypt, (c) This 
 leaves in uncertainty the upper limit of the Phoenician period. 
 The lower limit depends on the beginning of the Greek period in 
 Golgi. (d) Although the language of Golgi became Greek at an 
 
 * Egypt, according to Herodotus, during the 6th cent. B. c. held Cyprus 
 for a while. To these few years the statues in Egyptian dress have also 
 been assigned, but are much more often placed before 1000 B. c. 
 
12 
 
 CYPRIOTE SCULPTURES. 
 
 early date, probably about 600 b. c, the Phoenician character of 
 the art lasted much later, there are certain reasons for believing 
 (§ 49). The close of the Phoenician period in the sculpture of 
 Golgi is to be placed hardly earlier than 500 b. c. 
 
 § 28. In the group § 25, A, a, three stages exist which are 
 successive in point of progress, (a) Certain ones with faces like 1 1, 
 94, 99, 114, 133, 211, a circular profile, large long eyes rimmed 
 with thin sharp ridges, flat nose and stony look, (b) 183, etc., 
 physiognomy described § 20, b. The whole rendering of the face 
 is much fresher, (c) Nos. 162, 201, etc., softer than (b) in cheek, 
 eye, and mouth. 
 
 § 29. INFLUENCE OF EGYPT ON METHODS OF SCULP- 
 TURE IN GOLGI.— A likeness to the Egyptian conception of the 
 reproduction of nature and an absence of Assyrian models display 
 themselves at every step in the temple of Golgi. The Assyrian 
 sculptor in reproducing nature saw first of all the markings of the 
 surface, and the general effect was pushed aside by obtrusiveness 
 of detail. In Egyptian drawings detail is not merely placed in the 
 second rank, it is effaced in the presenfation of general effect. 
 This does not apply to the sculpture of the Old Empire of Egypt 
 (Dyn. I to X), for its artists attained in the attitudes of the limbs 
 of portrait-statues and in the modelling of flesh to brilliant realism. 
 It applies in some measure to the later sculpture. In the Phoeni- 
 cian statues of Golgi detail is suppressed with still greater firmness 
 than in the sculpture of the New Empire (Dyn. XVIII, etc.), as 
 completely as in the colored drawings on Egyptian walls. Where 
 the artist's interest was called out (in the head) he rendered form 
 and neglected texture. Form as well as texture in the body was 
 a matter of indifference. This summary execution shows itself in 
 the following features : (ft) Body. — As to the framework, it often 
 seems (e. g. No. 4) as if a mere support for the head were desired. 
 The muscular clothing of the framework cannot for a moment be 
 compared to the muscular detail of Assyrian reliefs, where it is ac- 
 cented with repelling sharpness. (Nos. 7, 19.) (b) Beard. — Again 
 suppression of detail. The beard often looks like so much stuffed 
 cloth, e.g. Nos. 175, 177; or a few lines divide it into four columns 
 which may or may not end in a curl, as Nos. 183, 179. No. 174 
 shows a number of such bands. No. 181 is faintly worked over in 
 columns of zigzags giving it the scaly look of a fish. It is an ex- 
 ception to find the beard a mass of curls as in Assyrian reliefs. 
 
CYPRIOTE SCULPTURES. 
 
 13 
 
 The only examples in E. H. are Nos. 7, 16. Several examples 
 of Phoenician heads in N. A., Case C, with beard completely- 
 worked out in flat curls may belong to the period of transition 
 from Phoenician to Greek. (§ 68, a.) In no case is the beard 
 square at the end or curled in stages, both being marks of dignita- 
 ries on Assyrian reliefs, (c) Moustache. — This at first sight seems 
 to be shaved quite off, but an examination of the manner of indi- 
 cating it makes it probable that its absence is due to the superfi- 
 cial treatment of surface prevailing in the Phoenician period of 
 Golgi. Where present, it is an extremely thin strip, which corro- 
 sion in many cases has rendered almost invisible ; in other cases 
 this thin strip was never carved. Examples are 173, 178, 183, 174, 
 332. In the Phoenician period it is confined to the lip, but in the 
 heads of the Young-Greek period from the temple of Golgi it has 
 hanging ends. Even here, where everything, both hair and cloth- 
 ing, is treated with far greater detail than in the Phoenician period, 
 the part of the moustache on the lip is very thin and flat, as 507, 
 510, 512, etc. Much more, then, will it subside in the Phoenician 
 statues, perhaps disappearing in some cases though present 
 in the original, (d) Hair. — Again a noticeable departure 
 from the Assyrian method. In most of the Phoenician statues the 
 head is covered by the klaft or by the conical cap, but where 
 the hair is seen on the neck it is entirely smooth with hardly 
 an exception, No. 16. With the conical cap the fringe of 
 hair over the forehead is sometimes a row of flat curls, as 183, 
 sometimes a plain strip as 175 ; or else quite absent, as 174. In 
 the Phoenician costume § 25, A, b, the hair on the scalp is always 
 smooth, as 327, very different from the Young-Greek heads (N. A., 
 D), as No. 506. (e) Manes of Lions. — See § 47. (/) Clothing. — 
 Again unlike Assyrian, like Egyptian. In No. 11, a life-sized 
 statue, no detail whatever, neither in gown nor shawl ; No. 16 has 
 a few folds; in No. 10, in which folds most abound, they are still 
 faint and sketchy, lines on a uniform surface. Also, throughout 
 the Phoenician period the shawl is produced simply by outlines 
 sunk into the woody-like surface of the gown, and not by differ- 
 ence of elevation, which is well marked in the Greek period, even 
 on the very early statue 21. See § 39, B. 
 
 § 30- (a) Klaft, Egyptian head-cloth, a kind of wig, e. g, Nos. 
 1 152, 1 154, 1 156. Egyptian men shaved hair and beard and wore 
 false hair. Compare the statuettes from Egypt (C. H., XXXIV) 
 
14 
 
 CYPRIOTE SCULPTURES. 
 
 No. 118, (XXXII) No. 13. All the Egyptian statues of Golgi do 
 not wear the klaft. Some have hair whether natural or false, 
 e. g. Nos. 3 and 9. No. 7 wears the royal crown of Egypt, No. 14 
 some kind of cap. (b) Women in Egypt did not shave their heads 
 and wear the klaft. But there are numerous examples from the tem- 
 ple of Golgi of women wearing the klaft, e.g. 105, 146 (§ 45, A, b). 
 
 § 31. (a) Shenti (Egyptian). — It is a kilt wrapped round the 
 hips ; one end tucked underneath the belt and hanging down 
 makes a front-piece. The shenti was worn by rich and poor in 
 Egypt. The rich wore over it a long gown of light stuff and full 
 of folds. This drapery, however, was omitted in Egyptian statues, 
 probably because it introduced new difficulties into sculpture. In 
 these Phoenician copies the long robe is also omitted, (b) This 
 cloth, wrapped about the hips and fastened by a belt, was not pe- 
 culiar to Egypt, but was the common working-dress of Assyria and 
 Syria. Its presence, unaccompanied by other pieces of Egyptian 
 dress, does not fix an Egyptian costume. (§ 48.) 
 
 § 32. Jacket (Egyptian). — Very close, with short sleeves ending 
 at the shoulders. The shenti is fastened to it by a belt. 
 
 § 33. Collar (Egyptian). — The large breast-collar of many of 
 the statues in Egyptian dress was common in Egypt for the rich. 
 
 §34. (a) Front-piece of Shenti —Asps (Egyptian). — In Egyptian 
 statues of Golgi, it is frequently ornamented with asps, (b) The 
 Asp of Egypt was the emblem of more than one god, and signified 
 power. Hence its image was worn by the king, but forbidden to 
 subjects. In the case of these Cypriote statues its meaning is 
 unknown. It may be mere ornament and no mark of rank, or its 
 wearers may have been Cypriote princes. 
 
 § 35. Eyebrows (Phoenician). — Usually a defined elevation on 
 the brow. In the statues of the Phoenician period in East En- 
 trance Hall and heads in North Aisle, Cases A-C, the proportion 
 is between four and five with this elevation to one with plain 
 brow; e. g., without the elevation are 1154, 1157, 174, 179, 34*> 
 336. No. 1 157, with plain brow, imitates the hair by zigzaggings. 
 The elevation is usually a flat strip with sharp, high edges. It is 
 generally plain, but in some cases is marked like plaiting, e. g., 
 Nos. 4, 19, 14, 1 155 ; the same marking is seen on Vase 898 (S. 
 Aisle 14, 4) ; sometimes the strip is marked with feathering, Nos. 
 173, 332, or is zigzagged as 178. In Egyptian sculpture also the 
 eyebrow is represented by a defined elevation, which on the other 
 
CYPRIOTE SCULPTURES. 
 
 hand is frequently absent (see Egyptian heads in C. H., XXXIV^ 
 Nos. 5, 118; XXXII, 7, 13); the same strip represents it in 
 Assyrian sculpture. In Perfect-Greek heads the brow is left 
 smooth. 
 
 § 36. Close-Shaven Beard. (A) — Many beardless heads like 
 that with the klaft, No. 1156, wear on the jaws and chin what looks 
 like a band of cloth. It is probably a close-shaven beard, (a) 
 In two cases only does it seem to be a strap to the cap as 14, 232.. 
 In all other cases it has no lower edge, (b) The long beards cut 
 with a sharp edge along the upper attachment to the jaws, withi 
 the rarity of indication of hair, present a similar air of cloth applied. 
 
 (c) In several cases the surface is worked with a tool as if to 
 imitate short hair, e. g., 3, 15, 1155, 1162, 87. (d) There are three 
 certain instances of close-shaven beard full of little curls, Nos. 7 $ 
 33 2 , 5° 8 - 
 
 (B) It is common in the statues with Egyptian costume. Of 
 the eight Egyptian statues in E. H. only one is without it, No. 9 ; 
 and another has a close-shaven beard in curls, No. 7. 
 
 (C) Most of the small heads with conical caps have no beards, 
 but Nos. 185, 186 wear these probable close-shaven beards. 
 
 (D) In the class of statues, § 25, A, b, this probable short 
 beard is rare, the only cases being 232, 333, 335, 318. 
 
 § 37. Left Leg Advanced. — In Egypt, statues standing in repose 
 advance the left leg, e. g., C. H. XXXIV, 5. So also the Phoeni- 
 cian statues of Golgi. When the legs are bare, as in the Egyptian 
 costume and the native costume (§ 25, A, £), the left foot is always 
 planted in front of the right (e. g., 4, 12,) ; whereas in statues 
 clad in the long gown the legs are side by side, probably because 
 of the introduction of a new difficulty in managing drapery and 
 movement of the legs together, e. g, Nos. 10, 11. 
 
 § 38. Movement of Arms, (a) — (Phoenician). In the Egyptian 
 costume and the native costume, § 25, A, a, with shawl and gown, 
 the arm (usually the right) is folded on the breast. In the native 
 costume, § 25, A, &, both arms usually hang by the side, (b) In 
 Egyptian sculpture the hand, of the hanging arm is kept rigidly 
 open, e. g. Nos. 5, 114, C. H. XXXIV. In the Phoenician statues 
 of Golgi the hand is kept tightly closed, and not half open as in 
 Greek statues. Only once are the hands opened as in Egyptian 
 sculpture, 255. (c) The movement of the arms shares in the 
 neglect with which the body was treated by the Phoenician sculp- 
 
i6 
 
 CYPRIOTE SCULPTURES. 
 
 tors of Golgi. The arms are timidly kept close to the body, 
 whereas even in the Young-Greek statues the arms hang free, e.g. 
 
 NOS. 21, 22, 24. 
 
 § 39. Conical Cap. — (A) It is of several shapes, (a) The most 
 common, that oftenest found on the large heads, has a knob at 
 top and two side pieces or flaps reaching nearly to the knob, e. g. 
 183. The knob bends backward and often ends in a strap which 
 hangs down behind. This strap remains in few cases, for either 
 the heads are broken or corroded or were not carved behind. 
 It is unmistakable on the terra-cotta heads (E. H., 21, 1), 151, 
 152, 153, on two heads of the little stone figures 206, and the 
 upper part of the strap is preserved on 179, 182. (b) In some 
 cases there are no side pieces, but instead bars run up to the knob, 
 e. g. 15, 16. (c) Sometimes, especially in the larger statuettes, 
 the cap is quite smooth and bare of side pieces or bars, as Nos. 
 160, 196, etc. (d) Variations from the above are 14, 257. (e) 
 The conical caps of 180, 329 are different from all the others. 
 
 (B) The material in certain cases is knitted yarn, in others 
 may be this, as well as cloth, felt or leather, for the Phoenician 
 sculptors of Golgi rendered form and neglected surface, (a) A 
 few are evidently knitted, e.g. 15, 16, 325, 334.* (b) Where the 
 cap looks like metal, as 183, etc. compare the beard and the in- 
 tentional omission of rendering its texture. 
 
 (C) The meaning of this cap is not fixed, (a) It is often com- 
 pared to the Assyrian helmet and considered part of the imitation 
 of the Assyrian (§ 26). But it is probably not a military hat, on 
 account first of the absence of accompanying arms, secondly of 
 the material of the cap (see B in this §). (b) It may be a common 
 hat, in which case there would be similarity to the Semitic foreign- 
 ners on Assyrian reliefs. They, but not the Assyrians, cover their 
 heads, (r) It may be a privileged hat like a mitre, worn, for ex- 
 ample, by the class of priests, as on Assyrian reliefs mitres or 
 crowns are worn by gods and the king (not by priests, however). 
 It would then be of significance that at this day Greek priests in 
 the interior of the island wear a conical knitted cap topped by a 
 knob, (d) The conical cap went out of fashion in the statues 
 of the Greek period. 
 
 (D) The large heads wearing the conical cap usually wear a 
 long beard also. The smaller and small statues and heads in the 
 
 * Nos. 325, 334 having side-pieces are of the shape A, a, in this §. 
 
CYPRIOTE SCULPTURES. 
 
 17 
 
 wall-cases N. A. usually have no beard. Sometimes they wear 
 the close-shaven beard of § 36. 
 
 § 40. Gown (in Costume, § 25, A, a). — It seems to be not a 
 real gown, but, like the Greek chiton, a sheet worn like a gown. 
 No girdle gathers it at the waist. 
 
 § 41. Shawl.— {% 25, A, a.) As is usually the case with the 
 Greek himation it is not hung on the shoulders, but wrapped round 
 them. The outer half crosses the breast from the right side, the 
 end being thrown over the left shoulder, but leaving the left arm 
 free, e.g., No. 10. The tip is often folded back again, falling 
 down the shoulder in front. There is no instance of the direction 
 of wrapping being reversed. When the right arm is folded on the 
 breast the shawl covers the shoulder, making a sling for the arm, 
 e. 10. When the right arm hangs, the shawl passes under that 
 shoulder, leaving the arm free ; so also when the right arm is put 
 to use, as in playing the flute, 1199. Only once is the right arm 
 folded on the breast without being wrapped in the shawl, 62. Only 
 once, 159, is it not used as a wrap, but hung on the shoulders 
 with both ends in front. It seldom occurs without the gown. 
 Twice with a kilt, 1185, 62. Twice on figures which seem to be 
 naked below the waist, Nos. 5, 159. 
 
 § 42. Coat. — A coat is sometimes worn in the Phoenician class 
 without a belt reaching to the waist in front, on the sides descend- 
 ing below the hips, (a) Nos. 1 182, 1 198, 117, figures probably 
 connected with the temple-services, are dressed alike in coat and 
 gown, and perhaps a third garment. No. 133 combines this dress 
 with that of § 25, A, a. No. 382 is probably the dress of § 31, b, 
 in the early Greek period, conveying by its greater detail in carv- 
 ing and coloring a clearer notion of the dress, (b) Nos. 119, 142. 
 — -No. 142 has on the hips a garment like the shenti with front- 
 piece. 
 
 § 43. BANDEAU— DRAWERS CLASS (§ 25, A, b).— Nos. 8, 
 12, 104, 109, 113, 145, 158, 222, 225, 231, 232, 253, 255, 257, 314. 
 A large number of heads belonged probably to such statues, — Nos. 
 83, 92, in, 112, 115, 116, 128, 163, 226, 234, 239, 240, 252, 259, 
 
 3 2 7> 333> 335> 33$, 34*, 343> 345- The Y stand with the left le g 
 advanced, like all the Phoenician statues of Golgi where the legs 
 are unimpeded by a gown (§ 37) ; both arms usually hang by the 
 sides : hair long and bag-shaped • the bandeau encircling the hair 
 and the drawers are frequently adorned with rosettes. No. 232 
 
t3 
 
 CYPRIOTE SCULPTURES. 
 
 alone renders the texture of the hair. It differs from all the others, 
 also, in having a garland of flowers instead of the bandeau, and 
 finally, the features are handsomer. Ear-spirals are often worn, 
 e. g, No. 8 (§ 44, B). Many wear the short beard as 333 (§ 36). 
 
 § 44. JEWELRY. — (A.) Arm-spirals are worn on the upper 
 arm, and are worn by men as shown in No. 13. There are no cer- 
 tain instances of their use by women, (ft) Egyptian dress. Nos. 
 2 > 3) 6, 9, 14 with; 1, 4, 7 without, (b) Very rarely in class § 25, 
 A, a, perhaps because the sleeves cover usually the upper arm. 
 No. 13 probably the only example, (c) Common in Class § 25, A, b. 
 
 (B) Ear-spirals. — The originals of the earrings worn by Nos. 
 1 167, 343 seem to be the gold spirals in the Treasure of Curium 
 (South Gallery, Cases 44, 46). Terra-cotta head, 178 (E. H. 21, 
 i b ), gives the ornament clearly cut. Their use has bearing on the 
 question of the sex of the various groups of statues in the Phoeni- 
 cian period. On the Assyrian reliefs men wear earrings, though 
 not of this shape. That these ear-spirals were worn by women is 
 shown by Terra-cotta head, 178. They occur in no instance in 
 conjunction with the long beard, and are found most often with no 
 beard. On the other hand, they sometimes accompany what in 
 § 36 was pronounced beard cut close — namely, in five out of nine- 
 teen cases. They are worn by No. 1155, in which the feature in 
 question resembles beard through the treatment of its surface. 
 To sum up, it occurs in the ears of statues in the Egyptian cos- 
 tume, in costume § 25, A, a, without the long beard, and § 25, A, b, 
 and was probably worn by men as well as women (§ 44, c). 
 
 (C) WOMEN'S JEWELRY. — (a) Ear-ornaments.— Ho cases 
 of ear-spirals like B worn by statues which are certainly women. 
 These wear two kinds of ear-ornament closely related. No. 504 
 seems to wear a complicated ear-spiral with a cap covering the 
 whole ear, perhaps the sphinx-ornament topping the spiral found 
 in the Curium Treasure (North Gallery, Case 44). Nos. 1153, 63, 
 64, 71, 105, 98 and Terra-cottas 73, 114 (E. H., 21, 4 and 2) seem 
 to be a variation of 504. (•>) Throat-chains. — Nos. 1153, 63, 504, 
 wear flexible bands close round the neck. These are frequent 
 in the terra-cottas, and a gold original is in the Curium Treasure. 
 (N. Gallery, 46.) (**) Breast-chains. — One or two round the neck 
 are frequent, as 105. 
 
 (D) Finger-rings, — No statues of the Phoenician period in this 
 collection wear finger-rings. Nor are they found in Assyrian reliefs. 
 
CYPRIOTE SCULPTURES. 
 
 19 
 
 § 45. Hair. — In all the statues of the Phoenician period, both 
 in native and in foreign costume, the hair is worn long. 
 
 (A) It reaches to the edge of the back, ((f) In the two Phoeni- 
 cian costumes of § 25, A, it is bag-shaped. (/>) The Egyptian 
 klaft is worn by many statues of all sizes both men and women 
 with no other piece of Egyptian costume, (§ 30, I?.) It is not 
 unlikely that this is the rendering of bare heads with long hair and 
 that the resemblance to the klaft is due to the habit of rendering 
 form and passing by texture in silence. Two statues in Egyptian 
 costume are without the klaft and have the texture of the hair 
 rendered, Nos. 3, 9. The large heads 1160, 1161, seem to wear 
 the klaft, yet the hair is partially indicated. 
 
 (B) In another fashion the hair is allowed to descend below 
 the neck down the shoulders behind and in front. Here again 
 texture may or may not be rendered. Divided into tresses are 
 1179, 1180, 1185, 1192, 1195, 68, 85, 101, 157, 159, 420; Nos. 1194, 
 62, 90, are left smooth. Most of these figures are probably men. 
 Nos. 1 195,157 are women. Egyptian women wore their hair in this 
 fashion, but with a larger number of tresses on each side of the face. 
 In these statues of Golgi they are usually three. This fashion of 
 wearing the hair, a mass falling down the shoulders behind and 
 three tresses on each side in front, was practised among men in 
 Phoenicia, occurs in Young-Greek male statues, with which in gen- 
 eral long hair is frequent, and it is found on Etruscan figures. 
 
 § 46. Paint. — The current of custom in modern times is strong 
 against painting stone statues. But in antiquity Assyrians, Phxni- 
 cians of Golgi, and Greeks colored their statues. Nature, how- 
 ever, was not imitated ; certain parts darker than the rest were 
 shaded with red and the darker tone of hair, pupil of the eye, lips, 
 and borders of garments were thus reproduced. Hence it was not 
 really painting. In the Phoenician period of Golgi the shawl is 
 often colored red while the gown is left plain. 
 
 Many statues show no trace of red, but more than once damp- 
 ness has brought out red which vanished when dry. 
 
 § 47. Lions' Manes. — Remembering the different attitude of the 
 Phoenician and Greek sculptors of Golgi toward the rendering of 
 surface, we should expect the manes of lions in the Phoenician 
 'period to be smooth and in the Greek period rough with locks. 
 The lions on the Young-Greek sarcophagus C (E. H.) and the 
 lion of the Phoenician group 156 answer this expectation, also 191. 
 
20 
 
 CYPRIOTE SCULPTURES. 
 
 §48. Crossing of Costumes. — Egyptian and § 25, A, a. There 
 are many like 10 combining klaft with gown and shawl (but § 45, 
 A, b). Nos. 15, 162 wear the conical cap and shenti (but § 31., 
 b). So also 18, conical cap with a kilt unlike the shenti. This 
 seems to show that, inasmuch as the hair was already worn long 
 and thick and a national costume already existed of tight jacket 
 and kilt, only a few markings were needed with the addition of 
 the large breast-collar to turn the portrait into an Egyptian. Per- 
 haps No. 124 is this national dress. Nos. 158, 257 of the Ban- 
 deau-Drawers class, §. 43, wear the conical cap. 
 
 § 49. TRANSITION FROM PH(ENICIAN TO GREEK. (A) 
 — When one nationality is merged in another by mixture of blood, 
 the following overlapping stages of the transformation are re- 
 flected in the portrait statues, (a) The change appears first 
 in the physical features ; (b) then spreads into the language ; 
 {c) and finally attacks the dress and the mode of rendering forms. 
 
 (ft) Change in Features of the Face. — The middle of the profile 
 is the middle of the nose lying on the line of cheek-bone and 
 ear. In the Semitic face the profile above and below this point 
 curves inward toward the medial line. In the Greek profile the 
 line along forehead and nose and the line along chin and mouth 
 tend to be parallels perpendicular to the medial line ; the eyes are 
 smaller than in the Semitic face. Examples of the older Semitic 
 profile are § 28, a • Vase 4585 (S. A. 35, 4), and Statue 16; the 
 Greek profile is furnished by coins of Alexander. The " Cypriote " 
 type (§ 28, b, and § 20, b) is perhaps a mixture of the Phoenician 
 and Greek elements, (b) Change in Language. — The features 
 and language are changing, while dress and art are not yet af- 
 fected. The statue 4 has, notwithstanding its dress and its art, a 
 Cypriote inscription * on the left arm. The features are the 
 " Cypriote " type of 183, etc., still further modified by a Greek in- 
 fusion, (c) Change in Dress and Art. — Nos. 23, 169, 164 retain the 
 conical cap, but show Greek influence in the greater regard paid to 
 the framework of the body ; to detail in beard, hair, etc., in the 
 large Statue 23 ; and to drapery. The shawl is not engraved on 
 the gown, but carved in relief. No. 164 has gone farthest on the 
 way to becoming Greek. 
 
 (B) Many statuettes not in Egyptian or Phoenician costume 
 (§ 25, a and^), may be Phoenician or Young-Greek. 
 
 * Greek, in a script used in Cyprus and not in Greece. 
 
CYPRIOTE SCULPTURES. 
 
 21 
 
 § 50. SUBJECTS.*— The sculptures in temples were gifts to 
 the gods. Sometimes the god was presented with a portrait of 
 himself, sometimes with one of the giver, or with a picture of an 
 event in which the giver was much interested— for example, when 
 he had escaped from peril or had a wish fulfilled. 
 
 § 51. Portrait Statues of the givers (§ 19). Evidently the 
 favorite form in Golgi. The groups in Egyptian and Phoenician 
 costume and most of the Greek statues, (§§ 52-54.) 
 
 § 52. Musicians (§ 51), probably in the temple services, (a) 
 Harpers.* — Nos. 1186, 299, Phoenician; 484, 490, Greek, (b) 
 Double Pipes. — Nos. 1167, 1180, 1199, 52, 74, 76, 80, 117. 143, 
 Phoenician, except 80 which is probably early Greek. f (6') Tam- 
 bourines. — Nos. 53, 91, Phoenician. 
 
 § 53. Maskers (§ 51), perhaps in the service of the temple, are 
 1 182, 1 198, 61, terra-cottas 193 and perhaps 206 (E. H. 21, 3) — 
 all Phoenician. The masks of 1182, 1198, 206, are heads of cows 
 and completely cover the masker's head. Nos. 1198, 206 hold 
 the snout of the mask with both hands. The masks of 61, 193 
 are faces and are not worn, but held up. The mask of 193 is 
 human, that of 61 looks more like the face of a lion. No. 61 
 holds his mask with his left hand against the left side of his face. 
 No. 193 holds his with both hands up over his left shoulder. 
 
 § 54. (A) Victim- Bearers (§ 51), officials of the temple, or 
 worshipping laymen. 
 
 (B) Phoenician are 1193, 70, 108, 148; Phoenician-Greek, 23; 
 Greek, 24, 28, 29, 39, 361, 368, 390, 530, 538, 540, 545, 557, 558, 
 570, 576, 599, 602, 606, 761, 791, 889. Many others with broken 
 hands, and many heads are of this group. 
 
 (C) The bearers of victims of the Phoenician period are greatly 
 outnumbered by those of the Greek period. 
 
 (D) Probably this is due only to the new difficulties thus 
 introduced. First, the animal should be sculptured free in the 
 round ; secondly, in ho -ding the animal so sculptured the arm must 
 hang free and not cling to the body. That was pains the Phoeni- 
 cian sculptor of Golgi had not interest enough in the matter to 
 take. 
 
 (E) Kinds of Victims. — Seldom other than the dove, Aphro- 
 
 * This § includes both the Phoenician and Greek periods. 
 \ In the following §§ the material, where not noted, is the local lime- 
 stone of § 14. 
 
22 
 
 CYPRIOTE SCULPTURES. 
 
 dite's favorite animal. Only five instances of other animals, (a) 
 Cow. — No. 39, represented by the head held in the left palm, (b) 
 Ram. — Nos. 1193, 70, resting on the shoulders, two feet held by 
 each hand of the bearer. No. 1193 is from Amathus. A com- 
 mon mode of bearing sheep, and the shepherd-god Hermes is 
 often figured thus in Greek art, but no circumstance has survived 
 with these two figures as a motive to consider them other than 
 officials of the temple or laymen, (r) Goaf. — Nos. 108, 530, held 
 under the left arm, pressed against the side, all four feet in one 
 hand. ((V) Dove. — Only once does the dove occur in the Phoeni- 
 cian class — 148, conical cap, long gown, no shawl, (d?) The dove 
 is held in four ways : upright by the feet, by the wings, by the 
 body or sitting in the hand, (a) Upright by the feet. — One in- 
 stance, No. 23, Phoenician-Greek. (b) By the wings. — In Young- 
 Greek statues. (Also No. 148, the one Phoenician instance of the 
 dove.) It is then usually held in the left hand, 24, 28, 148, 368, 
 557, 570, 599 ; in three cases in the right hand, 29, 361, 390. (e) 
 By the body. — Only in Greek statues of the perfect period ; always 
 in the left hand, 538, 576, 602, 606, 761, 791. (d) Sitting. — Only 
 in Perfect-Greek statues ; in the left hand, 504, 545. In No. 889 
 it sits on a box in the left hand, (d 3 ) When the statue holds 
 a dove in one hand it has in the other another kind of offering. 
 (a) No. 23 holds a chalice of wine. (b) In the Young-Greek 
 statues a common companion to the dove is something in a small 
 round flat box, e.g. 28, 361 ; so the Phoenician, 148. (c) Perfect- 
 Greek. — No. 39 with the cow offers a brush of holy water. So also 
 368, 557 with the dove. Those holding the dove by the body, 538, 
 etc. (a 7 ' 2 c above) have in the right hand as it hangs by the side a 
 ball, probably apple or pomegranate. 
 
 § 55. Offerings of Fruits. — Apples; ear of wheat in 585, per- 
 haps 578. A fruit in the hand is common in the Phoenician period 
 as well as the Greek, e. g. 4, 133 Phoenician, and 40, 870 Greek. 
 
 § 56. Inanimate Ojferings. — Wine, water and contents of a box. 
 § 57. GOBS FROM THE TEMPLE OF GOLGI 74 figures. 
 
 (A) Jupiter Amnion called Baal Haman in Phoenician countries, 
 Amun Ra in Egypt. The ram was his favorite animal, and he is 
 figured sometimes with the head of a ram, sometimes with recurv- 
 ing ram's horns encircling his ears. In the latter guise he appeared 
 in the Perfect-Greek art. Nos. 126, 135, 136 have rams' heads, 
 and are seated in high backed arm-chairs. Nos. 395, 398, 400 have 
 
CYPRIOTE SCULPTURES. 
 
 23 
 
 human heads, and are seated in high-backed arm-chairs, their arms 
 resting on rams which stand at their side. 
 
 All six figures are of the Phoenician period. Statuettes like 
 395> 39&> 4°° m stone and terra-cotta have been found in Phoenicia 
 and Spain as well as in Cyprus. 
 
 (B) Goddess of Maternity. - A woman seated in a high-backed 
 arm-chair holding a baby on her lap. The baby always rests on 
 the left arm of the woman. Nos. 66, 100, 106, 146 are of the 
 Phoenician period; 352, 428, 495, 536, 566, 596, 732, 739 of the 
 Greek. The Phoenician figures have their head dressed in 
 the klaft (§45 A, b). The Greek wear the " matronal shawl,/ 1 
 (§ 78 8 , *.) 
 
 Three explanations have been advanced of such figures :: 
 
 That they are women who had prayed for offspring. 
 
 That they are offerings for the dead — the baby representing 
 the soul of the dead, the woman representing the goddess Demeter 
 the earth, into whose bosom the departed friend had been com- 
 mitted. It was the custom to represent departed souls as infants 
 in the hands of a higher power. 
 
 That they are a goddess to whom some woman had prayed for 
 the child on her lap. This third view is adopted here. 
 
 The objects in § 60, b and c, were probably offered to this god- 
 dess (§ 60, B, c). 
 
 The name borne by this goddess is uncertain. Not unlikely it 
 is the same goddess as (C) of this article. 
 
 (C a) Aphrodite, probably — a woman standing and holding a. 
 flower on her bosom. — Nos. 1187, 1189, 1195, 67, 96, 102, 105, 122,, 
 125, 157, 230. No. 230 is Greek; others are doubtful ; thus 1187 
 may be Young-Greek as well as Phoenician. The arm crossed on 
 the bosom is always the right in these statuettes of Golgi ; the left 
 arm hangs by the side, Most wear breast-chains, also ear-orna- 
 ments of the kind § 44, C, a. No. 1197, dressed like 105, prob- 
 ably the same goddess, sits in a high-backed arm-chair. No.. 
 1 181, a similar figure, is without the flower. Similar figures are in 
 the terra-cottas of the collection (Hand-book 2, " Potteries," etc.,, 
 p. 39, II). Female heads, like the above statuettes, are n 53,. 
 1 159, 1 183, 1 188, 63, 65, 71, 95, 98, 504. (b) Certain ones of the 
 above employ the hand of the hanging arm. In 1195, 157, 230^ 
 it lightly lifts the gown. This figure in Young-Greek art is called 
 by archaeologists Aphrodite ; and some centuries later a similar fig- 
 
24 
 
 CYPRIOTE SCULPTURES. 
 
 ure appears in Roman art, where it is called by the Romans Hope. 
 It is the reigning belief in archaeology that the Romans borrowed 
 for their goddess Hope this earlier figure of Aphrodite from the 
 Greeks. 
 
 (D a) Aphrodite — the large statue 32. She holds Love on 
 her left arm. (For the crown, see Catalogue.) (b) That Aphro- 
 dite was worshipped in the temple is shown by the large statue 
 32 and the statuettes (§ 57, C) of a large number of worshippers 
 bringing offerings well known to be acceptable to her — dove and 
 apple. The presence of Aphrodite in this temple being estab- 
 lished, it is probable that the goddess of maternity in this temple 
 was Aphrodite. 
 
 (E a) Herakles was an important god in the temple. No. 19 
 over life-size ; statuettes, 373, 376, 377, 379, 380, 381, 386; small 
 heads, 374, 375, 378, 383, 384, 388. In every instance he is clad 
 in the lion's skin, the skull replacing his helmet. The statues 19, 
 373, etc., form three groups (b, c, d). The first shows him in 
 repose, the other two performing a feat of valor, (b) Nos. 19, 
 376, 380, 381. He stands quietly. Nos. 19, 380 are alike — the 
 right arm hangs by the side holding arrows, the left arm presses 
 the bow to the side, and bent at the elbow holds out the club 
 upright. The left hand of 380 is gone, but doubtless held the 
 club. No. 376 is the same on the left side ; the arm presses the 
 bow to the side, and, bent at the elbow, probably held out the 
 club ; the right arm, bent at the elbow, perhaps held arrows. No. 
 381 shows no trace of bow, arrows, and club; both arms hang by 
 the side ; in each an uncertain object, (c) He kills a lion, Nos. 
 373, 386. These are the two of latest date. Both right arms are 
 gone. The lion, no larger than a cat, is on his hip, its head 
 grasped by the left hand of Herakles. His right arm is lifted 
 above his head, probably to deliver a blow with the club. No 
 trace of bow and arrows, (d) Nos. 377, 379 — both arms gone. 
 The right arm was raised as in (c). The left arm was down and 
 out. (r) No. 385 is probably Herakles, perhaps also 382. In 385 
 the right arm is raised as in (c) and (d), and holds a club behind 
 the head. The left arm, bent at the elbow, presses something 
 against the side, the traces of which suggest a bow. No. 382 had 
 the right arm raised like 385, but the hand is gone. The left arm, 
 now gone, was down and out as in (d ). (/) All but 373, 386, are of 
 a very early period. Those two are Perfect-Greek. The early air 
 
CYPRIOTE SCULPTURES. 
 
 ^5 
 
 of 373 is due to carelessness in design and execution. The Greek 
 Herakles was of Asiatic origin, and several Phoenician figures 
 are known clad in the lion's skin, though not with the skull inclos- 
 ing the head. Nos. 19, etc., however, are quite like the Herakles 
 thus dressed, so familiar a figure in the early art of Greece. Ac- 
 cording to a Greek tradition the type is due to the epic poet 
 Peisandros (about 625 b. a), who, it is said, was the first so to 
 describe him. Some of the Asiatic designs of Herakles in this 
 guise may have been seen by Peisandros, who lived on the Asiatic 
 coast in Rhodes. But as the Herakles of Golgi is more like the 
 Greek figures than those known to us as certainly Phoenician, Nos. 
 19, etc., may be considered to belong to the Young-Greek period 
 in Golgi, and not earlier than 600 b. c. 
 
 (F) No. 752 (Perfect-Greek) is perhaps a Herakles suggested 
 by a Phoenician statue. In drapery, etc., it is Greek, while the 
 heavy body, deep eye-cavities, thick nose and lips, rendered as 
 everything is in Greek methods, also the lion the size of a cat held 
 against the belly, recall the colossal statue of Amathus now in 
 Constantinople, also the Sandon of Assyrian reliefs (Assyrian 
 Herakles^. 
 
 (G) Geryon. — 218, 219, 219% and the low-relief 347. No. 347 
 was sawn off from the great pedestal of the colossal Herakles 19, 
 and 218, 219, 2i9 A were probably offered in honor of the same 
 god — all are Young-Greek. To rob the triple-bodied Geryon of 
 his cattle was one of the twelve labors of Herakles. He found 
 them guarded in the absence of their master by Eurytion the herd 
 and the double-headed dog Orthros. The statuettes 218, etc., 
 show us Geryon, the relief 347 the loss of his wealth. Eurytion 
 and Orthros the servants of a monster are monsters themselves, 
 Eurytion having the huge head, the thick set figure and grotesque 
 features often given to monsters, e. g. the satyr 319, 753. Orthros, 
 contrary to the rule, has here three heads. On the shields and kilt 
 of 218 are four reliefs. On the shield to our left is the slaughter 
 of the Gorgon by Perseus. To our left is Athene in helmet, shield, 
 and spear giving directions to her pupil. Perseus turns his head 
 to listen. In one hand he holds a sword, with the other grasps the 
 Gorgon by the hair. Medusa with the big head of a monster, her 
 hair formed of flying snakes, dances with fright. It is the moment 
 before her beheading ; the Sarcophagus CC gives the moment after. 
 The reliefs on the other shield are too much worn for description. 
 
26 
 
 CYPRIOTE SCULPTURES. 
 
 On the shield to our right seems to be a centaur of the earlier 
 Greek type — a complete man with a horse's body joined to his 
 back. On the kilt are two repetitions, each being a fight between 
 a lion and a man armed with a sword — possibly Herakles himself, 
 though when the battle with the Nemean lion is portrayed, Hera- 
 kles despises the sword, and grapples with the lion. 
 
 (H) Sile?ius [Satyr) and Pan. — (<ff) Silenus 319, 753, 1053. Nos. 
 319, 753 are of the Young, 1053 of the Perfect-Greek period. No. 
 319, from the treatment of beard and eyes, is probably Phoenician. 
 No. 753 is Young-Greek, not far from the close of the period. Com- 
 pare the similar Phoenician figure on one end of the Sarcophagus 
 of Amathus AA. Both have their tongues out and seem, especially 
 753, to be dancing — a favorite attitude of satyrs. Both, like the 
 figure on the sarcophagus, are made grotesque and deformed. 
 (b) Pan. — Statuettes 662, 664, 667, 669, 670, 672, 674, 676, 677 ; 
 heads are 663, 665, 668, 673, 675. There is but one type in these 
 figures — a youth standing naked with a chlamys on his shoulders 
 fastened on the breast, but thrown back and held back by the 
 right hand ; the left hand on the breast holds the shepherd's pipes, 
 and the only trace of kin to the brutes is seen in the little horns 
 budding in the hair over the forehead and the high-pointed ears ; 
 face and figure are youthful. All belong to the Perfect-Greek 
 period. All the statuettes are of poor workmanship ; the heads, 
 except 665, being larger are better. Pan was the shepherds' god, 
 as his name, pipes, and brute-nature show, and was much wor- 
 shipped in country districts, as that of Golgi seems to have been. 
 
 (I) Certain figures seated on thrones seem to be gods, Nos. 119, 
 138 Phoenician, and 564, Greek. 
 
 ( J) 778? Siren or Harpy of Perfect-Greek period. 
 
 (K) 156, Phoenician. Human-headed winged beast, joined 
 side to side with a lion. The human head wears what is probably 
 an imitation of the double crown of the Egyptian kings, as in the 
 statue 7. The beard is like 183. For the lion's mane see § 47. 
 
 (L) 460, perhaps the head of Perseus. The conical cap is 
 shaped like that of Perseus on one end of the sarcophagus, CC, 
 and is provided with two wings ; beardless ; Young-Greek. 
 
 § 58. GOBS EEOM OTHEH PLACES THAN THE TEMPLE 
 OF GOLGI. — (A) No. 60, Hawk-headed figure in Egyptian dress. — 
 Horus(?) From Amathus. In dress and posture like the portrait- 
 statues of Golgi in Egyptian dress — Egyptian are the shenti and 
 
CYPRIOTE SCULPTURES. 
 
 2J 
 
 its asps (§ 31, § 34, b\ the hawk's head with the wig (§ 30, a). 
 Horus was often represented with a hawk's head. In Egypt, as 
 in the Semitic world, there were trinities. Osiris, Isis, Horus — 
 god the father, god the mother, god the son — were an Egyptian 
 triune god of sunlight and blessing. No. 60 is the work of a 
 Phoenician Cypriote, and though differing from the Egyptian 
 figure of Horus may be a Cypriote imitation. 
 
 (B) Aphrodite, 441, 1138; Sarcophagus AA, 1201, 1205. No. 
 441, from Dali (ancient Idalium\ is of the group § 57, C, b, like 
 1 195, etc. In spite of its stiffness, probably of the Perfect-Greek 
 period. Such small, cheap idols were turned out mechanically in 
 large numbers, and after the ancient pattern. The body, with its 
 drapery, is as flat as the Phoenician statuettes of Golgi. No. 1138, 
 Perfect Greek from Leucolla, wears a very high crown like that 
 of 32. The crown is richly ornamented with a row of rosettes, 
 and above them rise tall lilies, alternating with figures like dancing- 
 girls, pausing erect for a moment with arms akimbo. Sarcophagus 
 AA, see § 74, D, a. Nos. 1201, 1205, small, beautiful marble heads, 
 1205 from Salamis, 1201 from the temple of Apollo Hylates, 
 near Curium. 
 
 (C) Artemis. — Statuettes, 671, 708, 713, 720, 722, 726, 744; 
 heads, 711, 714, from Pyla, not far to the east of Golgi and Citium. 
 In each statuette Artemis is accompanied by her favorite hind, has 
 bow and quiver on her back, in long chiton reaching to the feet 
 and tucked underneath the belt, a himation on the left shoulder 
 (except 720). In 720 she holds a fawn on her left arm to her 
 side. In the others the hind stands at her side, and is fondled by 
 the right hand. Nos. 671 and 713 are most alike, the fawn stand- 
 ing at the goddess's left; in 708, 722, 726, 744, at her right. 
 The left hand holds an apple in 726, 744; in 708, hangs at 
 her side, holding what is perhaps the bow; in 722, is placed 
 akimbo on the hip; in 671, 713, broken at the elbow, perhaps 
 held an apple like 744. The hind lays in each case its ears 
 back. All are of the Perfect-Greek period, and are not only 
 careless in execution, but poor in design, except the largest 
 piece, 711, a head which is much more spirited than the others. 
 
 (D) No. 754, from the ruins of Golgi. A male figure sitting 
 on a throne, which is flanked by two stags. He writes with a style 
 on a scroll open on his knees. Perfect-Greek period. 
 
 (E) Demeter.— Nos. 37, 825, 831, etc. (See § 80.) 
 
28 
 
 CYPRIOTE SCULPTURES. 
 
 (F) Gorgon.— -No. 12 10, the Gorgon's mask; marble, from the 
 temple of Apollo Hylates, near Curium ; Perfect-Greek. Slaughter 
 of the Gorgon, Sarcophagus CC (§ 74, D, a). 
 
 (G) Cybele {Rhea).—^os. 1137, 1137 1 . No. 1137, marble, from 
 Soli, on the northwest coast; Perfect-Greek. The lion, her favorite 
 animal, is here her footstool. She was the great goddess of earth, 
 mother of the gods, and when citizens personified their cities they 
 chose the figure of the Great Mother, as she was called. Hence 
 it is often uncertain whether heads of the goddess are towns em- 
 bodied in Cybele, or are the goddess herself. In either case she 
 wore the mural crown, representing a walled city, for cities are 
 the foci of the earth. No. 1137", a fragment of such a crown, 
 from the ancient Leucolla, may be part of the statue of that city. 
 
 (H) Phoenician Patcecus on Sarcophagus AA, see § 74, D, a. 
 
 (I) Athene. — No. 12 12, marble, from the temple of Apollo 
 Hylates near Curium. 
 
 (J) Dionysos. — No. 1203, marble head, from the temple of 
 Apollo Hylates. Bunches of grapes mingle with his hair on each 
 side of the head. 
 
 § 59. PEOFESSIOUS. — Snake-charmer, 51 from Amathus, holds 
 two snakes in his hands, their heads resting on his cheek ; on his 
 head lie three others, their heads above his forehead, the tails down 
 his back. Snakes were not objects of abhorrence in antiquity. In 
 Egypt and Greece they were often worshipped and more often 
 petted. They were allowed, when not poisonous, to run over the 
 dinner-table, to sleep with the children, and women nursed them. 
 At this day in Cyprus women wear their pet snakes on the wrist, 
 about the neck, or iu the bosom. 
 
 Soldiers are 142, 152, 154, 200, 204, 210, 725, Phoenician; 719 
 Phoenician or Young-Greek; 679, Young-Greek; 737, a Roman 
 soldier. 
 
 § 60. GODDESS OF MATERNITY (offerings.) (a) Portraits 
 of the goddess holding the child whose birth was desired (see 
 § 57, B) — perhaps Aphrodite. (ft) No. 614 an offering for mercy 
 in the perils of child-birth, (c) The same goddess cared also for 
 the cattle of the country people. Animals suckling their young 
 are cows 1013, ewes 10 19 ; it was a frequent subject in the temple. 
 (d) Probably the same goddess healed diseases. § 61.' (e) See 
 § 62. 
 
 §61. HEALING DEITY (offerings) see § 60, d. (a) No. 
 
CYPRIOTE SCULPTURES. 
 
 29 
 
 1 187 seems to be a sick woman praying to the goddess § 57, C, a y 
 standing in front of her. (b) Diseased members of the body were 
 hung up in the temple. Arm and hand are 1057, 1066, 1082 ; 
 leg and foot 1055, 1059, 1060; finger 1066', io66 h ; ear io66 g , 
 55 and 57 (Inscr.) ; eyes io66 il_e ; mouth io66 f ; breast 939. 
 
 § 62. MALE FIGURES SITTING ON THE GROUND. — 
 Mostly from Curium ; of the later Young-Greek and of the Per- 
 fect-Greek periods ; perhaps offerings of women who had prayed 
 for male offspring; 370,. 403, 414, 451, 469, 595, 598, 600, 666, 
 678, 768, 769, 776, 813, 1052, 1054, 1111-1130; 20, 22 (Inscr.). 
 
 Description. — Usually it is a youth sitting on the ground on his 
 left leg, clad in a chiton (shirt) with a string of charms on the 
 breast, a small animal in one hand and an apple in the other. No 
 one of the above features of the type is invariable — No. 768 and 
 others are men, 666 does not sit, 403 sits on his right leg, 1126 is 
 naked, 11 14 wears no charms, 1122 holds the small animal, but 
 not the apple. The string of charms is worn sometimes round the 
 neck, sometimes across the breast. The objects held, apple, dove, 
 tortoise, cock, hare, are attributes of Aphrodite and suggest the 
 notion that these figures may be offerings to Aphrodite as goddess 
 of maternity (§ 60, e). 
 
 § 63. ANIMALS, perhaps offerings made of victims in effigy y 
 ram 418; lamb 193, 1015 ; doves 1034, 1035. 
 
 § 64. UTENSILS OF SACRIFICE offered in a cheaper form. 
 Bronze was the fitting material, stone was cheap, (a) Lamps 
 916, 923, 931, 941, etc. (b) An interesting kind of lamp is 919, 
 935. A lamp is placed in each portico of an Ionic temple in 
 antis ; pilasters carved on the sidewalls. The form of the capitals 
 is archaic. The Ionic columns are carved in flat relief on the antce. 
 The pediment was drawn with red lines now invisible unless the 
 stone is wetted, (c) Box 946, 949, 950, etc. (d) Alabastra 957, 
 962, 968, etc., imitations in common stone of the original alabastra 
 like those in (E. H.) Cases 4-6. (e) Paterce 917,921, 926,930, 
 etc. 
 
 § 65. As in other temples so probably in this were utensils in 
 bronze, silver and gold, and jewelry. No metal, however, was 
 found ; probably when Christianity triumphed and the temple was 
 destroyed the metal was taken out. 
 
 § 66. GREEK SCULPTURE IN THE TEMPLE OF GOLGI. 
 — It did not please the Greeks, as it pleased Egyptians and As- 
 
30 
 
 CYPRIOTE SCULPTURES. 
 
 Syrians, to make the figures of their sculpture notes of events 
 rather than pictures of the actors ; they desired to reproduce 
 nature, and nature at her best. The Young-Greek period shows 
 the beginnings of the former endeavor, its final success, and the 
 addition of the latter are achieved in the Perfect-Greek Period. 
 
 '§ 67. YOUNG-GREEK PEILXGD IN GOLGI.— -It shows its 
 kinship with the Phoenician sculpture. In general, e. g. 21, an 
 imperfect rendering of the forms and attitude of the body ; re- 
 semblance to the individual, not nature at her best is aimed at 
 (i 66). In particular — the face is Cypriote rather than Greek; 
 the left leg is always advanced ; the hair, as in a few cases of 
 the Phoenician sculpture, is rendered in the method practised 
 by Assyrian sculptors (§ 69). On the other hand, the Greek 
 spirit begins to show itself in the warmer life of the contours and 
 surfaces. Thus No. 21, one of the earlier statues of the period, 
 surpasses 23 of the transition-period, as the latter surpasses 16 of 
 the Phoenician period, the body of which in all three dimensions 
 lias the shape of a board. The limbs of 2 1 are better modelled 
 and in easier attitudes ; life and flow begin to appear in the drapery. 
 The surface also is m'-re life-like — the texture of the beard and 
 hair is rendered, though in faulty method \ folds in the drapery 
 declare its structure, and difference in its material is marked, the 
 lighter material of the chiton, the heavier of the himation; the 
 himation is shown to be a separate garment by its elevation above 
 the level of the chiton. 
 
 To give more life to the figure the sculptor has not shunned 
 difficulties presented by leaves and flowers crowning the head and 
 instruments of sacrifice held in the hand (§ 54, D). 
 
 § 68. GHOUPS OF THE YOUNG-GREEK CLASS. — In the 
 Young-Greek period there seem to have been two groups similar to 
 the two contemporary Phoenician groups (§ 25, A), ((f) Conical 
 Cap. — In § 49, c it was shown that some statues wearing the con- 
 ical cap probably belong to the Young-Greek period. The following 
 heads, treated as they are with greater detail of beard, hair, and 
 knitted cap than is common in the Phoenician, may belong to such 
 statues of the Young-Greek period, Nos. 325, 329, 331, 334, 339. 
 The statuettes 164, 169 are beardless, as many Phoenician statues in 
 conical caps were beardless, (b) Bandeau. -Often the hair is 
 confined by a plain band, but usually it is a garland of leaves, or 
 flowers, or leaves and fruit. These garlands seem to correspond 
 
CYPRIOTE SCULPTURES. 
 
 31 
 
 to the bandeau ornamented with rosettes of the Phoenician group, 
 § 25, A, b. As that class wore the close cut beard or had none, so 
 these are men with long beards or beardless youths. Examples — 
 with beard, statues Nos. 21, 24; heads, 503, 507, 509, 512, 514, 
 515, 518— beardless, statues 20, 25, 26, 27, 28, 29, 33; heads, 
 
 5 X 3> 5 l6 > S l 7, 5 2 °> 5 2I > etc - 
 
 § 69. Hair and. Beard — (a) Beard, e.g. statue 21 ; heads 503, 
 
 507, 515, 519 ; often carved in small, flat ring curls — a mode prac- 
 tised in Assyrian sculpture, in the Phoenician sculpture of Golgi 
 (e. g. No. 1 6 / and other parts of Cyprus (e g. the Herakles of Ama- 
 thus, § 57, F), in the Young-Greek sculpture of Golgi (e. g. No. 21), 
 and in the corresponding period of sculpture in Greece. Now and 
 then, as 512, the beard is finely grooved longitudinally, while the 
 hair over the forehead is curled in the flat rings, and these again 
 are carved at the end of the beard. In 22, 510 greater care has 
 been taken in carving the beard, the flat ring-curls being drawn 
 up into thick, close spirals. No. 607 shows a more intelligent 
 imitation of nature, for the beard here appears in wavy masses. 
 (h) Hair. -The hair on the scalp in the heads of (a) in this § 
 is longitudinally grooved, as 503. Along the edge of this striated 
 surface the hair is usually carved in flat ring-curls like the beard of 
 (a), sometimes in little zigzagging locks, e. g. 25, 29, 517. 
 
 § 70. PERFECT-GREEK PERIOD. — (a) The term perfect 
 means here full grown. Mastery of methods was now the com- 
 mon possession of the craft of sculptors in Golgi. They had 
 learned to reproduce nature with ease, and nature at her best— the 
 framework of the body, its muscular encasing, and the enfolding 
 drapery are not only correctly rendered, but agreeable forms have 
 been chosen to cast them in. On the other hand the sculpture 
 betrays the stock from which its sculptors were descended. The 
 imaginative Greek spirit has penetrated to a certain depth only. 
 No votive offerings embody an event in shapes drawn from epic 
 poetry ; the only important statue of a god that was found is the 
 Aphrodite with Love on her arm, No. 32 ; no statues disclose the 
 body freed from the veil of drapery. In fine, art in Golgi re- 
 mained prosaic (§ 21, B" ; the favorite subject for statues and the 
 only point at which the imaginative Greek spirit was able to estab- 
 lish itself was the imaginacive portrait statue (§ 19, c). Examples 
 —statues, 32, 36, 38, 39, 40; heads, 681, 683, 684, 688, etc. (h) 
 Roman Period. — The portrait-statues of the temple in the Roman 
 
32 
 
 CYPRIOTE SCULPTURES. 
 
 age often have the Roman head and face. Some may be the 
 portraits of Romans, others are the portraits of citizens made to 
 look like handsome Romans, as in the foregoing age they were 
 made like handsome Greeks ; e. g., 837, 838, 845, 874, 889, etc. 
 
 §71. BURIAL-SCULPTURES. — Most of these monuments 
 came from a spot now called H agios Jorgos, about ten minutes' 
 walk from the site of the temple. Perhaps sculptures from temple 
 and graves belonged to one town. 
 
 § 72. These burial monuments are either designs, or the struc- 
 tures which bear them. The structures are first the house or tomb, 
 secondly the coffin, thirdly the monument proper. 
 
 § 73. TOMBS. — (a) Vault— The graves of Golgi and ancient 
 Idalium, were vaults dug horizontally into a wall of rock or soil. 
 At the larger Paphos, a seaport, the vaults were often compound, 
 being composed of many chambers cut into the rock, the entrances 
 adorned with facades of masonry. These of course were family 
 tombs of rich people. At the small inland towns of Idalium and 
 Golgi no such grand tombs were found ; they were vaults of a single 
 tiny chamber with no architecture adorning the entrance. (/>) 
 House. — At Amathus, another important seaport, a different kind of 
 tombs was found, a series of little houses of one or more chambers 
 built of huge blocks of stone, tombs plainly of the rich. 
 
 (A) § 74. COFFINS. — Sarcophagi were rarely used in Ida- 
 lium and Golgi at any period of their existence ; the body was 
 laid on the floor of the vault. In the tombs of masonry at Ama- 
 thus the body was deposited in a sarcophagus, another proof of 
 wealth in the place. Also, some of the group contained sarco- 
 phagi of marble, an expensive imported stone (§ 14). 
 
 (B) Source and Period. — Five sarcophagi A A, BB, CC, DD, 
 No. 1 1 48 ; A A and DD from Amathus in the tombs, § 73, ^ ; BB 
 and 1 148 from Citium ; CC from Golgi, in a vault (§ 73, a.) AA, 
 BB, DD Phoenician, CC Young-Greek, 11 48 of the Greek age of 
 Citium, hardly earlier than the Christian era. 
 
 (C) Shapes. — Two in the collection— house as CC, and mummy- 
 case, (a) House-shape.— AA, CC, 1 1 48— rectangular and in general 
 of the shape of the Greek temple, the lid like the roof. This shape 
 was used in Phoenicia, in Cyprus at Amathus during the Phoenician 
 period, and in Greek countries to the latest times. Each of the 
 group of tombs of Amathus of § 73, b, contained a sarcophagus of 
 this shape, but AA was the only decorated one found, (b) An- 
 
CYPRIOTE SCULPTURES. 
 
 33 
 
 thropoid-shape. — BB and DD Phoenician, BB from Citium, DD 
 from Amathus, both of marble. DD came from the group of 
 tombs in which AA was found. It is a Phoenician imitation of the 
 Egyptian mummy-case, another instance of Phoenician fondness 
 for Egyptian fashions (§ 10, c). The lid is carved into a portrait 
 of the dead person lying within, wrapped in bandages and em- 
 balmed. Such sarcophagi have been found in Phoenicia and other 
 Phoenician colonies beside Cyprus, as Malta, Sicily, Corsica. With 
 very few exceptions all the specimens found are of marble. Marble 
 is not found in Phoenicia, and was probably imported from Greece. 
 This and the cast of features make it probable that they belong 
 to the end of the Phoenician period when the places where they 
 were used were passing under Greek influence. 
 
 (D) Decoration (with human beings, etc.) of the house-shape 
 AA, CC, and 1148, is of three kinds —figures of deities, mythologi- 
 cal allusions to death, and funeral ceremonies in honor of the dead. 
 ((f) The deities on the Phoenician sarcophagus AA of Amathus 
 are at one end four identical figures of the " Semitic Venus," at the 
 other four identical figures of the Phoenician " Pataecus." These 
 two series are not groups but decorative repetitions. The sig- 
 nification is doubtful. The Semitic Venus, the mother-goddess of 
 Nature, may stand here in the chthonic (i. e. burial) character 
 which was one of the sides of the character of the Greek Aphro- 
 dite ; on the other hand, her presence may denote the grave of a 
 woman [see " Hand-book No. 2, Potteries, etc.," p. 38, (1) N.B.], 
 in which case the Pataecus might be explained by the connection 
 of the similar Egyptian god Bes with feminine occupations, (h) 
 A mythological allusion to the triumph over death may be the 
 meaning of the scene on one end of the sarcophagus CC, the 
 meeting of Perseus with the Gorgon, (r) Ceremonies. — Games of 
 various kinds, as chariot races, were performed in honor of the 
 dead, also banquets were held. The memory of these offered 
 honors was often preserved on the monuments, carved in stone 
 or painted on the pottery deposited in graves. Such seems to be 
 the meaning of the procession on the two sides of AA, and the 
 chariot on one end of CC. No. 1148, one side of a sarcophagus, 
 is adorned with two cows and two garlands of pine, both allusions 
 to offerings to the dead. 
 
 § 75. Monuments. — Four kinds in this collection — pillars (§ 77), 
 boxes containing reliefs (§ 78), statues (§ 81), altars (§ 82). 
 
34 
 
 CYPRIOTE SCULPTURES. 
 
 § 76. (a) The attitude of the Greeks toward the life that came 
 after the death of the body is much disputed, so that the meaning 
 of their burial-monuments is in suspense. The following view is 
 adopted in this hand-book. The affectionate attentions paid to 
 the dead seem to have a common origin with the awful attentions 
 paid to the gods — both being offerings to beings in the spirit- 
 world, free from the body and the changes and chances of its mortal 
 life, (b) Hence the stone pillar, it should seem, was regarded as the 
 representative of the dead, as in many nations the first idols have 
 been posts of wood or stone into which the divinity came. These 
 finally were assimilated to the deity by taking his shape. So into 
 the gravestone came the spirit of the dead, whence it often received 
 an architectural form as being his occasional abode, and on it was 
 carved his name, No. (Inscr.) 103, or his image in a niche, No. 
 (Inscr.) 163. Or the architectural pillar-slab was turned into the 
 front of a chapel {cedicula, § 78) containing the figure of the dead 
 person alone or with friends, Nos. 42, \2 K . Finally, his figure was 
 left quite free and became a statue, No. (Inscr.) 164 (§ 8.1). (c) As 
 games and banquets were held in honor of the gods, so they were 
 held in honor of the vast host of lesser spirits who had led the 
 mortal life of the body ; vessels and other furniture were placed 
 in the grave (e. g., pottery in South Aisle) ; offerings of meat and 
 drink ; offerings of garlands — and the memory of all these offer- 
 ings was carved and painted on the tombs. 
 
 § 77. PILLARS. — (A) (d) Three kinds in this collection, up- 
 right slabs crowned either by a flower, in which case the slab repre- 
 sents the stalk ; by a fierce animal, lion or sphinx, as warder of 
 the grave ; or lastly, the summit is architectural, namely a pediment, 
 (b) Position. — This is uncertain ; it is probable that the posi- 
 tion varied. Nos. 30, 31 were found inside of the vault at the head 
 and foot of a sarcophagus. A common position in Greece was 
 outside of the vault, placed against the wall of the tomb by 
 the doorway, or against the wall of the passage that led to the 
 vault. 
 
 (B) FLOWERS, Nos. 30, 31, 48, 1 174, 7 01 - (P) No - 3* is a 
 well-preserved example, and is the vertical section of a flower 
 showing stalk, corolla, ovary, stamens and pistil. Nos. 30 and 31 
 were found at either end of the sarcophagus CC. The flower in 48 
 is surmounted by the head of Hathor, in the other pillars it is 
 crowned by an architectural member, namely, a bar lying on its 
 
CYPRIOTE SCULPTURES. 
 
 35 
 
 top. (h) Period. — All are probably Young-Greek. As such pillars 
 have not been found in Greece, these are to be considered Phoeni- 
 cian in origin, but not necessarily made by Phoenicians. Nos. 30 
 and 3 1 are Greek, first because found with the Greek sarcophagus 
 CC, secondly from the sex of the sphinx (§ 77, C, c % ). The 
 sex proves 701 also Greek. Nos. 48, 1174 with Hathor's head 
 (§ 79, c) are doubtful. The presence of the Egyptian goddess is 
 due to the Phoenicians originally, but may have survived into the 
 Greek age of Golgi, for Vogue found there a pillar surmounted by 
 two lions, and underneath them the Egyptian winged globe with a 
 Cypriote inscription repeated in Greek characters. Nos. 30, 
 31 are proved to be Young-Greek by their association with the 
 sarcophagus CC. The recurving of the sphinxes' wings in 701 (as 
 in 30, 31, see § 77, C, c*) proves it Young-Greek. To sum up — 
 Nos. 30, 31, 701 are Young-Greek; perhaps also 48, 1174. 
 
 (C) LIONS AND SPHINXES. — (a) Lions, on pillars, Nos. 
 192 (from Dali), 346; on cedieulee, 187 (from Dali), 525, 526, 
 705, and on sarcophagus CC. Lions were common in Greek 
 sculpture as warders at tombs, as at Mycenae they stand guard over 
 the city-gate. In the burial-sculpture of Golgi they are always 
 represented reclining with forepaws crossed, but not asleep • with 
 head erect, open mouth and tongue out, they snarl at intruders. 
 On top of a flat pillar or on an cedicula they turn sideways to the 
 front. Where two are together they lie back to back. (fo) 
 Sphinxes, on pillars Nos. 35, 11 73; on sarcophagus AA. The 
 sphinx, a fierce animal, was used like the lion in Greek sculpture 
 as warder of graves. In this collection they are always in pairs. 
 On the pillars 35, 11 73 they are back to back with faces turned 
 sideways to the front; on 35 they sit, on 11 73 they lie with crossed 
 forepaws exactly like the lions on the burial-pillars of Golgi. On the 
 sarcophagus AA they sit on the end of the lid, one on each slope 
 and fronting inwards with faces turned sideways to the front. The 
 sphinxes of 348 carved in the round and those in flat relief in the 
 centre of the flowers of 30, 31, 701 are no longer warders of the 
 grave ; they seem to be decorative devices without meaning, the 
 conventional descendants of the "sacred tree." (c 1 ) Periods. — 
 Lions and sphinxes were introduced into Greek art from the East, 
 and in Cyprus, where Greeks and Phoenicians long lived side by 
 side, Phoenician and Young-Greek will often resemble one another. 
 (c 2 ) Lions. — The sarcophagus CC shows us lions of the Young- 
 
36 
 
 CYPRIOTE SCULPTURES. 
 
 Greek period. No. 192, in spite of the poor work of the lion, is 
 proved to be Perfect-Greek by the form and character of the pal- 
 mette. No. 346 with the Egyptian cornice and winged globe is 
 Phoenician at least in character, to which also the sculpture of the 
 lions points. The lions lying on top of the cediculce 187, 525, 526, 
 705 are shown by the reliefs within the cedicula to be Young-Greek. 
 (c 3 ) Sphinxes. — On the whole, sex seems to be the criterion be- 
 tween Oriental and Greek — male in the East, female in Greece. 
 The shape of the wings is the dividing line between Young-Greek 
 and Perfect-Greek. In the Young-Greek period, still half under 
 the influence of the East, the wings recurve at the tip and are 
 feathered as in sarcophagus AA and No. 350 (" Hand-book No. 
 2, Potteries, etc.," p. 26, middle). The sarcophagus AA seems 
 to be late Phoenician, though the sex of the sphinxes is doubtful. 
 No. 1 1 73 (both heads gone) is probably Phoenician, to judge by 
 the curious attachment of the wings and the entire omission of 
 their feathered texture. The wings and faces of 350 prove it 
 Young-Greek. The character of the faces, wings, and the palmettes 
 of 35, 348 proves them Perfect-Greek. 
 
 (D) Architectural. — The pillar topped by a pediment is not 
 unlike a temple-front without the colonnade. It was a very com- 
 mon form in Greece. But two specimens in this collection, Nos. 
 (Inscr.) 103, 163; neither from Golgi ; both Perfect-Greek. 
 
 § 78 1 . RELIEFS in AZdiculce. — (a) A second class of monu- 
 ments in this collection comprises the boxes containing human 
 figures in high relief. The box imitates the front of a temple, 
 thus pediment and acroteria top Nos. 42, 45, and are indicated in 
 4i A , 44. The tops of the other cediculce are broken off. Those sur- 
 mounted by lions are of course flat on top. (/>) Reliefs in adiculcE 
 are Nos. 4 i A , 42, 4 2 A , 43, 44, 45, 46, 47, 187, 524-529, 702-705, 
 857-862, 1136, 1 143, 1 145, 1150. Reliefs of one figure are Nos. 
 41 A , 42, 46, 47. All the others, when not uncertain fragments, 
 are groups, e g. No. 42 K . 
 
 *§ 78 s . Meaning. — It is much disputed whether these reliefs 
 represented the dead man as he was in this world or should be in 
 the next. In this collection the latter seems to hold true. 
 
 § 78 s . The attributes (i. e. associated articles of characterization, 
 gestures, and attributes) point either to the change from this life 
 to the next, or to the course of that life. 
 
 § 78 4 . CHANGE FROM THIS LIFE TO THE NEXT— These 
 
CYPRIOTE SCULPTURES. 
 
 37 
 
 signs are the marks of worship (§76) and show that the departed 
 is in the world of spirits. 
 
 (A) He is represented as a deified being — (a) In the traits of 
 some god or demigod ; e. g. a young Athenian given to athletics 
 could be figured as Theseus, a girl as Artemis, and so on. No 
 examples in this collection, (b) As a hero riding or holding his 
 horse, No. 4i A . 
 
 (B) The friend is represented as receiving offerings — (ft,) A 
 table is spread by his side. Nos. 43, 525 (but sometimes in the 
 rougher reliefs the table has been left bare, Nos. 528, 702). (b) 
 A fruit in the hand, Nos, 45, 529 ; or lap, 42, 47, 524. (c) A god 
 in Greek designs is frequently figured receiving a drink-offering ; 
 he holds a cup which we often see his servant fill. So in burial- 
 reliefs. A patera (saucer) of wine is in the hand of Nos. 42 A , 44, 
 
 5 2 4, 5 26 > 5 2 7, 5 2 9, 7 02 > 7°5> 8 58- 
 
 § 7 8 5 . ALLUSIONS TO THE LIFE IN THE NEXT WORLD. 
 
 — It is peaceful and free from change ; hence the men in the 
 reliefs of this collection are usually figured lying down at their 
 ease (§ 78 6 ). In the next world friends shall be reunited ; hence 
 they are often figured holding one another by the hand (§ 78 7 ). 
 There are also allusions to the favorite pursuits of the departed 
 (§ 78 8 ). 
 
 § 78 s . Reclining. — Nos. 44, 524-529, 702, 704, 705. In these 
 reliefs only men ; always on the left side and elbow. 
 
 § 78 7 . Joined Hands. — It is much disputed whether it means 
 the separation caused by death, or reunion in the next world. 
 Sometimes man and wife, sometimes two men hold one another's 
 hand, Nos. 42 A , 43, 44, 45, 526, 529. 
 
 § 78 s . ALLUSIONS TO THE LIFE ON EARTH. — These (it 
 is a matter of much dispute) seem to be at the same time a 
 commemoration of the departed friend as he was in this life, and to 
 show that the next life will be like this with sorrow left out. (a) 
 Young men may have the dogs they hunted with, or the oil-bottle 
 and scraper of the gymnasium ; women have their boxes of jewels 
 and work-baskets by their side. Only two instances — No. (Inscr.) 
 164, a woman, who seated in a chair places her hand on a box,, 
 probably of jewels, held by her maid standing at her side ; No. 46,, 
 a little boy standing and holding his pet bird in his hands, (b) 
 The Matron, e g. No. 42. — A frequent figure in the reliefs of Golgi: 
 is the mistre:s of the house, ( 1 ) She wears the " matronal shawl.'" 
 
; 3 8 
 
 CYPRIOTE SCULPTURES. 
 
 The himation is not wrapped about the body but hung over the 
 head, both ends falling over the shoulders in front. (2) One hand 
 often holds the shawl from the face, a sign of marriage, as Hera by 
 the side of Zeus in the cella-frieze of the Parthenon — Nos. 42, 42 A , 
 44, 45, 47, 5 2 9, 7° 2 - 7°3, 7°4, 859, 1136. 
 
 § 78 s . Grouping. — Where a woman is present it is the union of 
 a family. In No. 45 man and wife sit hand in hand ; in 529 they 
 hold one another's hand, the man reclining, the woman sitting on 
 his knee. In 524, 702, 704 hands are not joined, and in each relief 
 the man reclines ; in 702 his wife sits on a chair at the foot of his 
 couch holding a baby; in 704 she sits on the foot of the couch, a 
 little child standing by her side ; in 524, from ancient Idalium, 
 there are two women, one sits on the man's knees, the other reclines 
 on the couch behind him, a little child standing by her side. Again, 
 man and wife are accompanied by their grown children ; in 44 
 they sit hand in hand, while the two men reclining in an upper 
 story are probably sons ; in 42 A man, wife, and two sons sit in a 
 row, and the right hands of the parents, also those of the sons are 
 joined. In Nos. 43, 526, 528, 861 there are no women, but men 
 are together, sometimes with hands joined. 
 
 § 78 10 . Periods. — The burial-reliefs may be divided as follows : 
 (ff ) The earliest seem to be certain ones with faces of an Oriental 
 air, Nos. 524, 527, 705. (b) Nos. 44, 45, 46, 526, 528, 529, 702, 
 704, 861, 862, 1 150 are Young-Greek, but toward the end of the 
 period, (c) Nos. 47, 858, 1136, 1143, 1145 are Young-Greek and 
 but little later than 44, etc., in b above. ((J) Nos. 163 (Inscr.), 
 42, 41 A , 42 A , 43, 703, 857, 859, 860 are Perfect-Greek. 
 
 § 78 11 . Artistic Merit. — As the material (§ 14) so is the work 
 provincial, (ft) Conception. — There is no originality. All the reliefs 
 are cut on a few hackneyed types — two friends sitting and holding 
 one another by the hand, or lying down together, or one reclines 
 and the other sits, with other variations of no account. There is 
 none of the variety and freshness and delicacy and sentiment 
 which make this class of Athenian sculpture charming. More- 
 over, in Athens the event was often made entirely poetic by carv- 
 ing it into some allusive scene from epic poetry. In Golgi the old 
 prosaic spirit asserted itself in this branch of sculpture ; these 
 reliefs are family groups rendered in the soberest manner, (b) 
 Execution. — This is in many cases careless. The cediculce are 
 too shallow for sitting figures turned to the front, consequently 
 
CYPRIOTE SCULPTURES. 
 
 39 
 
 several figures in these reliefs have been almost deprived of their 
 thighs, e. g. the man in 45 and the woman in 47. Part of the rude- 
 ness of 704 seems to be due to the cheapness and roughness of 
 the workmanship rather than to immaturity in stage of art. The 
 modelling of 859 is good, and the fingers engaged in the edge of 
 the shawl are gracefully conceived and executed. 
 
 § 79. Mythological. — In the burial-sculpture no deities appear 
 in the reliefs. Outside of the reliefs are — (a) The " Semitic 
 Venus" on the sarcophagus AA from Amathus (§ 74, D, a), (b) 
 The Phoenician " Pat?ecus" on the same sarcophagus (§ 74, D, a). 
 
 (c) The pillars Nos. 48, 1174 of Phoenician character bear the 
 face of Hathor, the Egyptian Aphrodite. One of her offices was 
 chthonic, for she received the spirit at the death of the body into 
 the next world. No. 7, Case XXXII, C. H. from Egypt, shows her 
 face carved in cedar. The ears are those of the cow, her emblem. 
 
 (d) The slaughter of the Gorgon on sarcophagus CC, (§ 74, D, b). 
 
 (e) The winged male figure No. 584 from Hagios Jorgos ; Young- 
 Greek, naked, a garland of leaves and fruit on the head, two large 
 wings on the shoulders outstretched backwards and parallel, arms 
 and legs gone; originally about a foot high. (/) Busts, possibly 
 of Demeter ; from Hagios Jorgos ; (§ 80). 
 
 § 80. From the graveyard of Golgi a number of heads, or 
 rather busts, for a bit of the shoulders is added to head and neck. 
 Nos. 864, 866, 868, 885, 890, 894, 903, 909 are heads of men, Nos. 
 801, 810, 824, 825, 831, 833 women. They are of careless work- 
 manship and belong to the Perfect-Greek period. The male heads 
 are bare, and without garland or ribbon. The female heads are 
 veiled with the himation, the face left uncovered, as in § 78 s , b. 
 These heads are not fragments from statues, but are in their 
 original condition ; No. 825 shows a hole in the lower edge for 
 fastening the bust. The meaning of their presence in graves is 
 uncertain. It was the custom in Greece to put terra-cotta busts of 
 the chthonic (sepulchral) deities — Demeter, Persephone, Dionysos 
 — in tombs against the walls on the floor as if rising from the earth 
 their domain. The colossal statue 37 was found in the same 
 graveyard and belongs to a well-known type of Demeter • to the 
 same type belong the present busts ; and to Demeter the goddess, 
 of earth were the dead committed. The male heads, on the other 
 hand, do not look like Dionysos. 
 
 § 81. PORTRAIT-STATUES. — A third monument to the dead 
 
CYPRIOTE SCULPTURES. 
 
 was his statue in the round (§ 76, b). No. (Inscr.) 164, Perfect- 
 Greek. 
 
 § 82. CIPPI. — The fourth monument to the dead in this col- 
 lection is the cippus, Nos. (Inscr.) 107-110, 134-137, 152-156, 
 158-175 ; from Citium, and its Greek period from the Christian 
 era on. In shape they are cippi, columns with base and capital. 
 Once or twice the head is carved in a niche, Nos. 170, 172. All 
 bear inscriptions, usually the name of the person followed by 
 xprjore %a7pe, Good friend, good-bye. It is a burial-inscription 
 frequent in Semitic countries after the adoption of Greek speech 
 and fashions. This class has its origin in the worship of the dead 
 (§ 76), for it is a frequent shape of the altar, and altars were set 
 up in front of graves to receive offerings of wine, etc. 
 
CATALOGUE. 
 
 (1) The material where not noted is the limestone of § 14^ 
 
 (2) The place of finding where not noted is the Temple of 
 Golgi (§ 13, § 15). 
 
 (3) For abbreviations see p. 2. 
 
 I- 5 (E. H., Case 10). Phoenician period, § 22 ; portrait- 
 statues of worshippers, § 50, 51. Nos. 1-4, in Egyptian dress, 
 § 23, § 24; No. 3, Egyptian winged globe on the belt; No. 4, on 
 the left forearm a Cypriote inscription, § 49, A, b. 
 
 6-8 (E. H., 3). Nos, 6, 7, see No. 1 ; the hat of No. 7 is 
 an imitation of the royal double crown of Egypt. [No. 6 A (N. A.- 
 4, Z) fragment probably of the Egyptian breast collar of a statue 
 like 6.] No. 8, and others, Phoenician period, § 22 ; dress, tight 
 jacket, short drawers, bandeau about the head, § 25, A, b, § 43; 
 portrait-statues of worshippers, § 50, § 51. 
 
 9-10 (E. H., 11). No. 9, see No. 1. No. 10, Phoenician 
 period, § 45, A b, § 48. 
 
 II- 14: (E. H., 12). Nos. 11, 13, and others, Phoenician 
 period, § 22 ; dress, conical cap, long gown and shawl, § 25, A, a, 
 §§ 39-41 ; portrait-statues of worshippers, § 51. For No. 11, see 
 § 28, a; No. 12, see No. 8 ; No. 14, see No. 1. 
 
 15 (E. H., 14), see No. 18. It wears also the skin of a cat- 
 like animal, perhaps the leopard, for a leopard's skin was part of 
 the dress of Egyptian priests. 
 
 16-17 (E. H., 11). No. 16, see No. 11 ; the profile is strik- 
 ingly Semitic, and, what is not common in the Phoenician period 
 at Golgi (§ 29, A b) y texture of beard and hair is indicated. No.. 
 17, see No. 11. 
 
 18 (E. H., 12). Phoenician period, probably in Phoenician 
 costume, though the kilt looks like the Egyptian s/witi, § 48. 
 
 19 (E. H., 11). Herakles dressed in the lion's skin, § 57, E, 
 a, b, and/; probably of the Young-Greek period. 
 
42 
 
 CATALOGUE. 
 
 20 (E. H., 12), and others. Young-Greek period, § 67 ; por- 
 trait-statue of a worshipper holding offerings, box, patera (saucer) 
 of wine, dove, &c, § 50, § 51. 
 
 21-25 (E. H., 13), see No. 20. No. S3. Its period is 
 probably that of the transition in Golgi from Phoenician to Greek, 
 § 49, A, c. 
 
 26 (E. H., 15), see No. 20. 
 
 27 (E. H., 14), see No. 20. 
 
 28 (E. H., 12), see No. 20. 
 
 29-30 (E. H., 14). No. 29, see No. 20. Nos. 30, 31, grave- 
 stones from Golgi, § 77, A and B ; found at either end of the sar- 
 cophagus CC. 
 
 31 (E. H., 12), see No. 30. 
 
 32-34 (E. H., 14). No. 32, Perfect-Greek period, § 70; 
 Aphrodite with Love on her arm, § 57, D ; the high cylindrical 
 crown is ornamented with repetitions of the following triplet — a 
 naked Aphrodite holding a flower on her waist, the other hand rests 
 on a large lily, which springs from the base of a high palmette. 
 Love, of small size, has wings. No. 33, see No. 20. No. 34, Per- 
 fect-Greek period ; a woman, perhaps a muse, playing on a lyre. 
 
 35 (E. LL, 22). Tombstone, pillar crowned by sphinxes, 
 Perfect-Greek period, § 77, C, b, and c 3 . 
 
 36 (E. LL, 14), and No. 742, wearing the Phrygian cap, 
 from the temple of Apollo Hylates near Curium, whence also came 
 the similar heads in terra-cotta (E. LL, 18, 2 b ). Nos. 876, 877, 
 Perfect-Greek period. 
 
 37-40 (E. H., 15). No. 37, Colossal statue from the grave- 
 yard of Golgi (Hagios Jorgos), see No. 801. No. 38, and others, 
 Perfect-Greek period, § 70 ; portrait-statue of a worshipper hold- 
 ing offerings — apples, brush of holy water, victims, &c, § 50, § 51. 
 No. 39, see No. 38 • the cow's head stands for the victim. No. 
 40, see No. 38. 
 
 41 A (E. H., 23), &c, from graves at Golgi, § 71 ; burial-re- 
 liefs. The sepulchral character is shown by the reclining posture 
 of the men, tables spread with food, fruits or patera (saucer) held 
 in the hand, right hands clasped (§ 78*— 78 s ) ; for 41 A see § 78 4 , 
 A, b. 
 
 42 (E. LL, 22), see No. 4i A and § 78 s , b. 
 42 A (E. LL, 23), see No. 41 A . 
 43-44 (E H., 24), see No. 4 i A . 
 
CATALOGUE. 
 
 43' 
 
 45 (E. H., i), see No. 4 i A . 
 
 46-48 (E. H., 2). Nos. 46, 47, see No. 4 i A ; and § 7 8 8 , a 
 for 46. No. 48, tombstone from Golgi, crowned by the head of the 
 Egyptian goddess Hathor, § 79, c. 
 
 50-57 (N. A., 2). No. 50, head in Egyptian dress, with 
 Egyptian features. No. 51, snake charmer, § 59, a. Nos. 52, 53, 
 portrait-statues of musicians, § 52. Nos. 56, 57, 62, see No. 18 ; 
 in No. 56, the borders of the garment are lilies, buds alternating 
 with flowers, as on the Amathus Sarcophagus A A. No. 60, per- 
 haps the Egyptian god Horus, § 58, A. No. 61, portrait-statue 
 of a masker, § 53. No. 64, perhaps the goddess No. 67. No. 66, 
 probably a goddess of maternity, to whom prayers for offspring 
 were offered, § 57, B. No. 67, a goddess, in Greek times called 
 Aphrodite, § 57, C, a. 
 
 68-91 (N. A. 3). No. 70, from Amathus, bearer of a ram, 
 probably to sacrifice, § 54, E, b. Nos. 72, 81, 86, like No. 10, 
 No. 73, head like No. 232. Nos. 74, 76, 80, 91, see No. 52 ; No. 
 80 is probably Young-Greek. No. 78, see No. 18. 
 
 04-114 (N. A., 4). Nos. 94, 99, 110, see No, 172. Nos. 
 95, 96, 98, 102, 105, see No. 67. No. 100, see No. 66. Nos. 
 104, 109, 113, see No. 8. No. 108 bears a goat to the sacrifice. 
 No. 114, see No. n and § 28, a. 
 
 117-155 (N. A., 5 and 6). Nos. 117, 143, see No. 52. Nos. 
 119, 138, probably gods (see § 57, I). Nos. 120, 121, 132, 133, 
 144, 151, 155, see No. 11. Nos. 122, 125, see No. 67. Nos. 124, 
 147, see No. 1, also No. 18. Nos. 126, 135, 136, ram-headed 
 figures Baal-Hainan (Jupiter Aramon, § 57, A). No. 129, from 
 Amathus, a little chapel with a relief showing the Egyptian ibis- 
 headed Thoth, god of writing ; on the cornice the familiar Egyp- 
 tian architectural ornament of the row of asps, under it the winged 
 globe for good luck. Nos. 130, 134, 139, 140, 141, 149, 150, 
 see No. 172. No. 131, like No. 10. Nos. 142, 152, 154, sol- 
 diers, § 50, § 51. No. 145, see No. 8. No. 146, see No. 66. 
 No. 148, see No. 11 and § 54, E, d\ 
 
 156, 171 (N. A., 7). No. 156, see § 57, K. No. 157, see 
 No. 67. No, 158, see § 48. No. 159, see § 45, B. Nos. 160, 
 161, 165, 166, 171, see No. 172. No. 162, see No. 18. Nos. 
 164, 169, see No. 23. No. 168, see No. 11. No. 170 seems 
 to be an unfinished statue ; found in a quarry near the Temple of 
 Golgi. 
 
44 
 
 CATALOGUE. 
 
 172-186 (N. A.-B). Heads of statues like No. n ; for the 
 
 cap see § 39. 
 
 187-192 (N. A.-B, Z). No. 187, burial-relief from ancient 
 Idalium, see No. 41 A . 
 
 193-210 (N. A., 8). Nos. 204 (see No. 1) and 210, see 
 No. 142. No. 207, box, at either end a naked female figure, per- 
 haps the " Semitic Venus. " No. 206, like the burial reliefs, shows 
 a common way of sitting in Golgi, chairs not being the favorite 
 seats in the East ; the man reclines on his left side on a rug with 
 a cushion under his elbow ; the woman sits on his knees. The 
 other pieces are heads and statues like No. 172. 
 
 211-225 (N. A., 9). No. 213, see No. 1; on the front 
 piece are Egyptian symbols — asps, face of Bes and the eye. Nos. 
 218, 219, 219 A , Geryon, § 57, G. Nos. 222, 225, see No. 8. 
 The other heads and statues are like No. 11. 
 
 226-247 (N. A., 10). Nos. 226, 231, 232, 239, 240, sta- 
 tues like No. 8. Nos. 227, 233, 235, 236, 242, 243, 244, 246, 
 247, heads and statues like No. 11. No. 230, see No. 67. No. 
 237, Young-Greek, § 67. No. 238, wrestlers. 
 
 248-262 (N. A., n). Nos. 248, 250, 256, 258, 260, 261, 
 Young-Greek, § 67. Nos. 249, 251, 254, like No. 172 ; No. 254, 
 especially like No. 16. Nos. 252, 253, 255, 257, 259, like No. 
 8; No. 257, § 48. No. 262, altar, Young-Greek, § 67. 
 
 263-307 (N. A., 12 and 13). No. 284, see No. 95. No. 
 299, see No. 52. No. 305, dog from the grave which contained 
 sarcophagus CC. HEADS IN CONICAL CAPS, on shelf i ab , 
 see No. 172. The rest are Young-Greek (see No. 20), of which 
 the heads 289, 302, 306, are probably goddesses, perhaps Aphro- 
 dite. 
 
 308-324 (N. A., 14). Nos. 314, 318, see No. 8. No. 
 
 319, Silenus, § 57, H, a. The other heads are Young-Greek, see 
 No. 20. 
 
 325-345 (N. A.-C). COMCAL CAPS, see No. 172, also 
 § 68, a. Nos. 327, 333, 335, 336, 341, 343, 345, see No. 8. No. 
 337, Young-Greek. Nos. 338, 340, like No. 232. No. 344, from 
 Curium. 
 
 346-350 (N. A.-C, Z). Nos. 346, 348, tombstones from 
 the graveyard of Golgi, § 77, c. No. 350, sphinxes from the Tem- 
 ple of Golgi. No. 347, from the pedestal of No. 19, see § 57, G, 
 No. 349, slab with two breasts and bunch of grapes in relief, Per- 
 
CATALOGUE. 
 
 45 
 
 feet-Greek period, an offering probably to the goddess of mater- 
 nity, No. 66. 
 
 352-372 (N. A., 15). No. 352, see No. 66. No. 370 (also 
 353), &c., youth sitting on the ground holding some object com- 
 monly offered to Aphrodite ; perhaps an offering to the goddess of 
 maternity, § 62. The other heads and statues are like No. 20. 
 
 373-389 (N. A, 16). No. 387, like No. 20. No. 389, 
 Perfect-Greek, § 70. Nos. 382, 385, perhaps Herakles, § 57, 
 E, e. The rest are Herakles in the lion's skin, § 57, E. 
 
 390-411 (N. A., 17). No. 394, offering in effigy of an 
 altar. Nos. 395, 398, 400, see No. 126. No. 403, see No. 370. 
 
 412-431 (N. A., 18). No. 414, see No. 370. No. 428, 
 see No. 66. No. 429, from Curium. 
 
 432-480 (N.A., 19 and 20). Nos. 433, 474, bunches of 
 narcissus brought as offerings, see No. 621 ; also worn in garlands 
 by a number of statues, Young-Greek, e. g. 22. Nos. 441, 463, 
 see No. 67. Nos. 451, 469, see No. 370. No. 460, probably 
 Perseus' head, § 57, L. No. 464, from Amathus ; tiny chapel, 
 with three caryatides on a side, each being the " Semitic Venus " 
 as seen on the Amathus sarcophagus AA. No. 471, lamp, in 
 shape of a calf's head. The other heads are, with few exceptions, 
 Young-Greek. 
 
 481-502 (N. A., 21). No. 483, fragment, perhaps the god- 
 dess, No. 67. Nos. 484, 490, see No. 52. No. 491, see No. 20. 
 No. 495, see No. 66. 
 
 503-523 (N. A.-D). Heads of the Young-Greek period, see 
 No. 20. No. 522, dove, probably an offering in effigy to Aphro- 
 dite, § 57, D, b. 
 
 524-529 (N. A.-D, Z), see No. 4 i\ 
 
 530-549 (N. A., 22). Nos. 530, 535, see No 20. Nos. 
 531, 537, 539, 541-544, 549, see No. 538. No. 536, see No. 66. 
 Nos. 538, 540, 547, a large class, mostly of the Perfect-Greek 
 period, of rough work ; a youth crowned with a garland of leaves 
 holding usually dove and apple, § 57, D, b. 
 
 550-567 (N. A., 23). Nos. 553, 554, see No. 20. No. 558, 
 see No. 538. No. 566, see No. 66. Nos. 551, 556, 563, 567, 
 see No 531. 
 
 568-587 (N. A., 24). Nos. 570, 576, 578, 585, see No. 
 538. Nos. 575, 587, head] probably of boys like Nos. 1120, &c. 
 (No. 370). Nos. 579, 581, see No. 531. No. 583, Young- 
 
4 6 
 
 CATALOGUE. 
 
 Greek head ; for the coloring see § 46. No. 584, from the grave- 
 yard of Golgi, § 79, e. 
 
 588-608 (N. A., 25). Nos. 589, 591, 593, 595, 598, 600, 
 601, 608, see No. 370. No. 596, see No. 66. No. 597, 607, 
 
 Young-Greek, § 67. Nos. 599, 602, 605, 606, like No. 550. 
 
 609-660 (N. A., 26 and 27). No. 614, § 60, b. Hands 
 holding objects, fragments of statutes, of worshippers. Nos. 621, 
 630, 632, see 433. No. 623, holds a pomegranate, an offering to 
 Aphrodite. No. 628, No. 530. 
 
 661-678 (N. A., 28). No, 661, the only statue found in the 
 temple of Golgi fully sculptured behind, and the only naked statue 
 of importance, § 21, B, c. Nos. 666, (373, see No. 370. No. 671, 
 see No. 708. The others are Pan, § 57, H. 
 
 679-699 (N. A.-E). Nos. 679, 685, 689, 692, 694, 696, 
 are Young-Greek heads. The others are Perfect-Greek. No. 
 679, soldier, perhaps the crest of the helmet was of bronze. No. 
 698, a bowl upheld by the head and uplifted wings of a sphinx, 
 Young-Greek. 
 
 700-705 (N. A.-E, Z). No. 700, from Citium, Perfect- 
 Greek ; marble relief, badly battered, seemingly Achilles support- 
 ing the dying Penthesilea (see Lamp 96*, S. Aisle Case i A , Hand- 
 book No. 2, p. 35). The Amazon's helmet and battle-axe can be 
 traced. No. 701, tombstone (pillar, § 77, B). Nos. 702-705, 
 burial-relief, see No. 41 A . 
 
 706-731 (N. A., 29). Nos. 708, 711, 711 A , 713, 714, 720, 
 722, 726, 729, Artemis, none from Golgi, § 58, C. Nos. 719, 725, 
 see No. 142. No. 730, head probably of a goddess. 
 
 t 732-744 (N. A,, 30). Nos. 732, 739, see No. 66. No. 735, 
 Young-Greek like No. 20. No. 737, Roman soldier. No. 742, 
 like No. 36. No. 744, see No. 708. 
 
 745-767 (N.A., 31). No. 745, eyes of alabaster inserted. 
 Nos. 748, 760, 763, like No. 37 in miniature. Nos. 751, 756, 758, 
 heads like No. 748, &c. No. 752, see § 57, F. No. 753, Silenus, 
 see § 57, H, a. No. 754, § 58, D, d. 
 
 768-781 (N. A., 32). Nos. 768, 769, 776, see No. 370. 
 No. 778, Harpy or Siren. 
 
 782-824 (N. A., 33 and 34). No. 791, see No. 538. No. 
 813, see No. 370. Nos. 801, 810, 824, heads of the veiled 
 women from the graves of Golgi, § 80. Many heads of boys from 
 statues like No. 870. 
 
CATALOGUE. 
 
 47 
 
 825-835 (N. A., 35). Nos. 825, 831, 833, see No. 801. 
 
 836-856 (N. A.-F). No. 855, pine-cone inserted in the 
 top of the burial-cippi No. (Inscr.) 156, &c. The rest are heads 
 of the Perfect-Greek period, nearly all of the Roman age of the 
 island, i.e., after the Christian era, § 6, § 70, b. 
 
 857-862 (N.A.-F, Z). Burial-reliefs, see No. 41 \ 
 
 863-880 (N. A., 36). Nos. 864, 866, 868, male heads from 
 the graves of Golgi, § 80. No. 870, 874, 879, a large number of 
 statues of boys standing, clad, usually crowned with leaves and 
 with some offering, such as was usually made to Aphrodite. 
 
 881-896 (N. A., 37). Nos. 883, 889, 896, see No. 870. 
 Heads of boys like 870. Nos. 885, 890, 894, see No. 864. 
 
 897-909 (N. A., 38). No. 905, see No. 870. Heads of 
 boys like 870. Nos. 903, 909, see No. 864. 
 
 911-1006 (N. A.-Cases 1 to 7, Z), with seven exceptions, 
 are stone effigies of utensils from temple and graves of Golgi, 
 § 64. The following are not utensils : Nos. 928, 939, 942, 948, 
 970, 977. No. 939, votive offering of a breast, § 61, b. No. 977, 
 fragment from the temple of Golgi, probably a votive offering to 
 Herakles, representing his battle with the Lernean Hydra ; the 
 two feet on our left, one of which a crab is biting, belong to 
 Herakles ; the two feet on our right are Iolaos's ; between the 
 heroes three of the arms of the Hydra (a cuttle-fish) are left. 
 
 1013 (N. A., 8, Z). Cows suckling calves, § 60, c. 
 
 1019 (N. A., 9, Z). See No. 1013. 
 
 1040 (N. A., 15, Z). Lamp, the handle ends in a ram's 
 head. 
 
 1042 (N. A., 15, Z). See No. 1040. 
 
 1066 (N. A., 15 and 16, Z). Votive offerings for diseased 
 eyes, ears, &c, § 61, b. 
 
 1053 (N. A., 18, Z). Silenus, § 57, H. a. 
 
 1055-1062 (N. A., 19 and 20, Z). Votive offerings for 
 diseased foot and leg, § 61, ^. 
 
 1064-1110 (N. A., 21 to 25, Z). Hands holding various 
 offerings, fragments of statues like No. 38 ; except Nos. 1066, 
 1067, 1070, 1073, votive offerings for a diseased arm and hand, 
 § 61, b. 
 
 1111-1130 (N. A., 26 to 32, Z). See No. 370. 
 1132, 1133, 1135 (N. A., 33 and 34, Z). Capitals from 
 the temple of Golgi. Nos. 1132, 1133, Phoenician; No. 1135, 
 
4 8 
 
 CATALOGUE. 
 
 three-cornered Ionic capitals capped single columns used to sup- 
 port some offering. 
 
 1136 (N. A., 35, Z). See No. 4 i\ 
 
 1137 (N. A., 35, Z). Cybele, marble, from Soli, § 58, G. 
 1137 A (N. A., 15, Z), part of a mural crown, § 58, G. 
 
 1138 (N. A , 35, Z). Head of Aphrodite with high crown, 
 from Leucolla, § 58, B. 
 
 1141-1147 (N. A., 36, Z). Nos, 1143, 1145, fragments of 
 burial-reliefs, see No. 41 A ; the others are pine-cones, see No. 855, 
 
 1148 (N. A., 37, Z). Side of a sarcophagus from Citium, 
 § 74, B, and D, c. 
 
 1150 (N. A., 38, Z). Fragment of a burial-relief, see No, 
 4i A . 
 
 1152-1170 (N. A. -A). Nos. 1158, 1166, see No. 172. 
 Most of the others are heads with the klaft, § 30, a, § 45, b. No. 
 1167, player on the double pipes, § 52, b. 
 
 1173-1178 (N. A.-A, Z). No. 1173, tombstone (pillar) 
 from Golgi, crowned by spinxes, § 77, C, b and c 3 ; the crescent and 
 star is a Phoenician symbol. Nos. 1174, 1175, burial-pillars from 
 Golgi, § 77 B. On 1174 the head of Hathor, § 79, c. Nos. 1176, 
 1177, 1178, from the temple of Golgi; crescent and star, a Phoe- 
 nician symbol on 1177. 
 
 1179-1199 (N. A., 1). Nos. 1180, 1186, 1199, musicians, 
 see No. 52. Nos. 1181, 1187, 1189, 1195, 1197, goddesses, see 
 No. 67 ; to whom a sick woman prays in 1187, § 61, a. Nos. 
 1182, 1198, maskers, see No. 61. No, 1193, see No. 70. 
 
 INSCRIPTIONS (E. H.). 
 These are reserved for another hand-book. The following 
 monuments are here noticed : Nos. 107-110, 134-137 (Case GG) ; 
 152-156, 158-175 (Cases 1, 2, 23, 24) ; burial-cippi, § 82. No. 
 163, burial-pillar, § 77, D. No. 164, burial-statue, § 78 s , a, § 81. 
 
 SARCOPHAGI (E. H.). 
 AA, from Amathus, see § 74, B ; C, b ; D, a and c. 
 BB, from Citium, see § 74, B \ C, c. 
 CC, from Golgi, see § 74, B ; D, b and c. 
 DD, from Amathus, see § 74, B ; C, c. 
 
The Metropolitan Museum of Art 
 
 HAND-BOOK No. 3 
 
 THE 
 
 STONE SCULPTURES 
 
 OF THE 
 
 CESNOLA COLLECTION 
 
 OF 
 
 CYPRIOTE ANTIQUITIES 
 
 In Halls 14, 18, and 19 
 
 PUBLISHED BY 
 
 THE METROPOLITAN MUSEUM OF ART 
 
20 
 
 5 
 
 14 
 
 15 
 
The Metropolitan Museum of Art 
 
 HAND-BOOK No. 3 
 
 THE 
 
 STONE SCULPTURES 
 
 OF THE 
 
 CESNOLA COLLECTION 
 
 OF 
 
 CYPRIOTE ANTIQUITIES 
 
 In Halls 14, 18, and 19 
 
 Since the publication of this 
 Catalogue the number of Room 1 8 
 has been changed to 42, and that 
 of Room 1 9 to 41 
 
INTRODUCTION. 
 
 This hand-book is intended to embrace the stone sculptures, 
 only, of the Cesnola Cypriote Collection, including the inscrip- 
 tions, but it includes, for the visitor's convenience, the alabastra, 
 and some miscellaneous objects found in tombs, together with 
 a few objects not belonging to the collection, but exhibited in 
 the same halls. 
 
 The Cesnola Collection of Cypriote Antiquities consists of 
 objects exhumed in Cyprus by General L. P. di Cesnola during 
 his residence in the island as United States Consul, from 1865 
 to 1877, and purchased by the Museum in two different por- 
 tions, at times between 1873 and 1878. Besides the stone 
 sculptures of this hand-book, the collection comprises a large 
 number of inscriptions in Phoenician, Greek, Cypriote, and 
 Latin ; alabastra, pottery, terracottas, glass, bronzes, seal 
 cylinders, engraved gems, coins, objects in gold and silver,ivory, 
 bone, lead, iron, and other substances. A convenient and short 
 summary of the contents of the collection and of the results of 
 the explorations in Cyprus will be found in a contemporary 
 account by John Taylor Johnston, first President of the Museum, 
 entitled, " The Cesnola Collection in the Metropolitan Museum 
 of Art, New York," and published as an Appendix to Cesnola's 
 " Cyprus, its Ancient Cities, Tombs and Temples," pp. 449-456. 
 
 For further details respecting the particular objects, as well 
 as further explanation of the significance of the whole col- 
 lection, the reader is referred to the " Atlas of the Cesnola 
 Collection of Cypriote Antiquities " ; a publication issued under 
 the auspices of the Museum, of which the first volume com- 
 prises the stone sculptures, the second the terracottas and pot- 
 tery, and the third the bronzes, glass, gold, silver, gems and 
 inscriptions. 
 
 An attempt to enumerate even the chief publications of the 
 great body of literature grown up about this collection would 
 be outside the scope of a brief hand-book. From the time of 
 
 v 
 
vi Introduction. 
 
 their discovery, the importance of these objects for the under- 
 standing of the history of art and the arts, and of the ancient 
 literatures, has been constantly recognized. Cyprus was the 
 great meeting-point of the old races ; and here are preserved 
 invaluable relics of most, if not all, of them, enabling us to 
 trace much of each separate national line of progress and in- 
 fluence, with (of course) much mingling and modification, from 
 the earliest times down to their results and culmination in the 
 works of Greece and Rome. Subsequent explorations in the 
 islands and on the mainland of Greece, as well as in Asia Minor 
 and regions farther east, and in Egypt and Africa, have con- 
 tinued to throw light upon, and to receive light from, the 
 objects in this collection. No collection of antiquities serves 
 more or better than this to determine the place of Greece in the 
 history of art, or the process of earlier mixture and development. 
 
 The localities mentioned, where the various objects were 
 found, are more fully described in the publications above named. 
 The descriptions here given of the objects themselves are 
 necessarily of the briefest, yet enough to show the great range 
 of age, subject, and national idea, exhibited in the collection, 
 or even in a single locality. The objects from the temple of 
 Golgoi, for example, cover a period scarcely less than a thou- 
 sand years in extent. 
 
 In the majority of cases the sculptures in the brown or gray 
 calcareous stone were colored red, sometimes completely, some- 
 times partially ; a fact more manifest when a wet sponge is 
 passed over the surface of the stone. This fact of coloring is 
 generally omitted in the description, unless some special reason 
 (usually obvious) calls for its mention. 
 
 Of the crouching figures, so many of which were found at 
 the temple of Apollo Hylates, near Curium, some, mentioned 
 in the latter part of this hand-book, bear Cypriote inscriptions 
 dedicatory to Apollo Hylates, and are to be found in the cases 
 containing the inscriptions in Hall 14. 
 
CESNOLA COLLECTION 
 
 CATALOGUE OF STONE SCULPTURES 
 
 Unless otherwise specified, the objects in this collection are 
 composed of a marly chalk with an admixture of argillaceous 
 clay. In general terms it may be designated as a calcareous 
 stone. Most of the specimens are as clean and fresh as though 
 recently cut, while others show a texture similar to sandstone, 
 due to the washing out of the softer component. The stone is 
 easily carved with a knife, and readily lends itself to sculpture.. 
 
 The numbers in the catalogue begin and end in Hall 14, 
 on the First Floor. The numbers in Halls Nos. 18 and 19 com- 
 prise the larger pieces of statuary in the centre and Northerly 
 part of Room 18, and thence proceed along the Easterly and 
 Southerly walls. For convenience, a considerable number of 
 objects of Egyptian manufacture found in Cyprus are in- 
 cluded in the present catalogue. A few other pieces of Ori- 
 ental sculpture, not of the Cesnola collection, among them some 
 Assyrian and Hittite mural plates, are described. 
 
 1. SARCOPHAGUS of calcareous stone.* Cover, with 
 slanting roof ; a lion couchant at each corner ; traces of red color 
 on them. Case : on one end, Medusa beheaded by Perseus ; 
 Chrysaor and Pegasus issuing from her neck ; Perseus with 
 her head in his wallet, and crooked knife (harpe or falx) in his 
 hand. Between Perseus and Medusa, a dog. Medusa is winged, 
 while Pegasus is not. Perseus is bearded. On the other end, a 
 chariot with two horses, and two figures. On one side, z. ban- 
 quet scene; on the other, a double hunting scene, with a cock 
 between the two. Found in the necropolis of Golgoi. L. 6 ft., 
 y]/2 in. ; h. with cover, 3 ft., 2 in. ; h. of legs, 5 in. ; h. of cover, 
 1 ft., in.; 1. 6 ft., g l / 2 in. A very early example; the art 
 Greek, with Phoenician and Assyrian influence. All finished in 
 exquisite low relief. Date probably between 500 and 650 B. C. 
 See Atlas {of the Cesnola Cypriote Collection, Vol. I., PI. lxxiv. 
 
 2. SARCOPHAGUS. Mummy-shaped; female head, in 
 relief, on the lid. Rounded projections at the shoulders, head, 
 and foot of the cover. Letters, or marks, at each end of case 
 and lid. Found in a tomb at Amathus. White marble. L. 7 ft., 
 A]/2 in. 
 
 *With regard to the material of this and the majority of articles in 
 the Collection, see the general statements above. 
 
2 
 
 The Metropolitan Museum of Art. 
 
 3. SARCOPHAGUS. On one end, four similar representa- 
 tions of the nude Aphrodite or Astarte ; on the other, four 
 similar grotesque representations of the god Bes, or perhaps 
 of the Phoenician Pata'ici. On the two sides, the two parts 
 of a funeral procession. Borders above and below, egg-and- 
 tongue, ball, and lotus decoration ; at the ends of the sides, 
 the Assyrian sacred tree ; at the sides of the ends, vines. 
 Traces of coloring still strongly visible. Four sphinxes 
 adorned the corners of the lid, the apices of which had a fan- 
 like ornament. Date probably about 500 B. C. Fully de- 
 scribed in Atlas, Vol. L, PI. cxlix. and el. Made of a peculiar 
 stone found near Amathus : shows the effect of water, which 
 has removed some of the ingredients and given the stone the 
 appearance of sandstone. Found at Amathus. Dimensions, 
 7 ft., gy% in. x 5 ft., 2 in. x 3 ft., 2 J / 2 in. 
 
 4. SARCOPHAGUS. Mummy-shaped; female head sculp- 
 tured on the lid. Traces of a Phoenician (?) inscription faintly 
 visible on the lid. Found in the necropolis of Citium. White 
 marble. L. 6 ft., 11% in. 
 
 5. HERCULES, bearded; lion's skin head dress, open jaws 
 making face-opening ; forepaws knotted over breast ; hind 
 foot in front of apron ; club ; quiver, and remnants of bow. 
 Under the lion's skin, a short-sleeved tunic, or chiton, belted at 
 the waist. (Shown reversed in the Frontispiece.) See Atlas, 
 I. lxxxviii., No. 585. Found west of the temple at Golgoi. H. 
 7 ft., i l / 2 in. See No. 1433. 
 
 6. STATUE of full length female figure, with long chiton, 
 and himation falling like a veil over the head behind, and 
 wrapped about the body. Long ear-rings. Late Greek style. 
 From the ruins at Golgoi. H. 6 ft., 3^ in. 
 
 7. STATUE of headless male figure, clad in belted tunic 
 and himation, which are wrought to represent knitted work. Pe- 
 culiar breast-necklace composed of scarabs and " S " spiral 
 links, supported on braided chain. Dagger in sheath hanging 
 from the girdle. Feet gone. From the ruins of a temple at 
 Pyla. H. 4 ft., y 2 in. 
 
 8. ARCHAIC STATUE of a figure with curly hair, wreath 
 of leaves with rosettes ; chiton and himation. Feet gone. Prob- 
 ablv a worshiper. Temple, Golgoi. H. 3 ft., 7% in. See 
 Pl.'iii. 
 
 9. ARCHAIC STATUE of a male figure; hair in short 
 twisted tresses, bound with a diadem with rosettes. Dress, a 
 
Catalogue of Stone Sculptures. 
 
 3 
 
 tunic, a short-sleeved coat, and a folded garment slung over the 
 shoulder and held by a belt, from which, on the left, hang a 
 pouch and dagger. Gone below the knees. Temple, Golgoi. 
 H. 3 ft., S T A in. See PI. iii. 
 
 10. STATUE of a female figure ; wreath of leaves above a 
 row of curls ; chiton and himation in folds. Feet gone. Temple, 
 Golgoi. H. 4 ft., lYz in. (Shown reversed in PI. iii.) 
 
 11. ARCHAIC MALE FIGURE, probably a priest. Close 
 fitting chiton ; himation in folds, over left shoulder. Leaf and 
 acorn wreath over a row of curls on forehead ; hair laid forward 
 from crown. Beard in four and five rows of curls. Feet and 
 hands gone. From temple at Golgoi. H. 4 ft., io^4 in. See 
 PI. iv. 
 
 12. ARCHAIC STATUE of a priest or worshiper, with 
 wreath of leaves with rosettes, and leafy branch in right hand. 
 
 Hair and beard in curls; close fitting chiton, with himation in I " * q 
 folds over left shoulder; feet with sandals. See PI. i. Temple, 
 Golgoi. H. 6 ft., iy 2 in. 
 
 13. ARCHAIC CYPRIOTE STATUE of bearded figure; 
 conical crested cap with reticulated surface ; long robe ; close 
 fitting chiton; fringed himation over left shoulder. Red color ^y^yi 
 on drapery and lips. Edge of hair and beard in curls. Brace- 
 lets on forearms. (Shown reversed in PI. i.) Temple, Golgoi. 
 
 H. 6 ft., iY 2 in. 
 
 14. STATUE of priest or worshiper. General style much 
 like following : Short sleeved chiton ; close fitting ; himation in 
 folds over left shoulder. Hair in short prominent fringe of 
 curls over forehead ; beard in short curls ending in longer 
 curls. Leafy and floral wreath. Traces of red color on lips J^^-y 
 and garments. Holds box in right hand; dove, by the wings, 
 
 in left hand. Feet with sandals. See frontispiece and Atlas, 
 PI. lxviii., No. 453. Temple, Golgoi. H. 5 ft., 4^4 in. 
 
 15. STATUE of priest or worshiper; about the head, a 
 wreath of leaves with flowers ; patera in right hand ; in left hand q 
 a box and broken branch. Hair and beard in short curls ; dress, 
 chiton and himation. Shoes on feet. See frontispiece and . 
 Atlas, PI. lxiv., No. 430. Temple, Golgoi. H. 5 ft., 10^ in. 
 
 16. STATUE of headless male figure, clad in Greek chiton 
 and himation. Fragment still remaining of branch held by right 
 hand. Left hand, resting on a pillar, holds the head of a horned 
 animal. Probably a worshiper. Temple, Golgoi. H. 5 ft., 
 6 in. 
 
4 
 
 The Metropolitan Museum of Art. 
 
 17. ARCHAIC STATUE. Greek. Fragment of a draped 
 female figure of heroic size. Left hand holds a portion of the 
 drapery. From the ruins of Cythrea. H. 4 ft., 2 in. 
 
 18. APHRODITE, draped statue, with a winged Eros on 
 her left arm. High head-dress, with palmette-leaves and two 
 nude representations of Ishtar. Necklace, with long acorn 
 pendants. Bracelet. Hair, with twisted band, and curl on each 
 shoulder. Dress, chiton with diploidion, and peplos. Gone 
 below knees. Probably of fourth century B. C. Temple, 
 Golgoi. H. 4 ft., 1 24 in. See PI. iv. and Atlas, PI. cvii., 
 No. 695. 
 
 19. STATUE of man with prominent leafy wreath ; row 
 of curls over forehead, full beard indicated by raised surface 
 marked by graved lines ; clothing, a tunic and himation, in 
 Greek style. In right hand, a leafy branch ; in left, a round 
 box. Traces of red color. Gone below knees. Probably a 
 worshiper. Portrait? Temple, Golgoi. H. 5 ft., 4^4 in. 
 
 20. ARCHAIC STATUE of a priest (probably) of Aphro- 
 dite. Curly beard ; draped with chiton and himation. Dress has 
 a band of lotus blossom and bud ornamentation near the bot- 
 tom ; pointed cap with bull's head as crest, sides divided into 
 panels decorated with sacred-tree pattern ; long curls falling 
 over the shoulders in front ; prominent breasts ; right hand 
 holding a cup or bowl ; left hand, a dove. On the left arm, 
 behind, near the shoulder, an inscription in Cypriote characters 
 reads : " I am of the Paphian ; " i. e. either " I am a statue of the 
 Paphian," or " I belong to the Paphian." The inscription is 
 probably of the 5th or early 4th century B. C. Found west of 
 the temple at Golgoi. H. 7 ft., i l /> in. See frontispiece and 
 Atlas, PI. lxv., No. 431. 
 
 21. STATUE. Head-dress, belt and apron in imitation of 
 old Egyptian. Close chiton marked by vertical bands. Left 
 forearm joined by a dowel, as in many of the archaic Athenian 
 statues ; on it an inscription in Cypriote characters, not later 
 than the beginning of the fourth century B. C, reading " Of 
 Timagoras am I." Right hand at side. Gone below knees. 
 Found west of the temple at Golgoi. H. 4 ft., 4]/g in. 
 
 22. ARCHAIC STATUE. Head-dress in borrowed Egyp- 
 tian style. Beard and eyebrows indicated by raised surface. 
 Large himation, in which the right arm is folded. Left hand at 
 side. Feet bare. Probably 5th or 6th century B. C. See PI. 
 i. Temple, Golgoi. H. 5 ft., 2 in. 
 
Catalogue of Stone Sculptures. 
 
 5 
 
 23. ARCHAIC ROYAL STATUE. Short beard indicated 
 by raised surface. Head-dress, close fitting garment and kilt, 
 Egyptian style. Spiral ear-rings, Cypriote style. Apparently 
 a portrait of a Cypriote prince. About the 7th century B. C. 
 Gone below knees. Found west of the temple of Golgoi. H. 
 4 ft., 6 l / 2 in. (Shown reversed in PI. ii.) 
 
 24. MALE STATUE. Conical crested helmet with side 
 flaps; hair in mass behind; short sleeved chiton; himation over \'Ly 
 left shoulder with right arm folded in same ; beard in sections 
 that end in a curl ; feet bare. Temple, Golgoi. H. 5 ft., sH in. 
 
 See PI. i. 
 
 25. ARCHAIC STATUE. About head, a garland, with 
 curls beneath. Hair in tresses down the back. Dress nearly as 
 in 27 ; short sleeved chiton ; belt and antique Egyptian banded 
 apron, with imitation of Hathor head with winged disk in front. 
 Armlet on each arm. Gone below knees. Graeco-Phoenician. 
 Temple, Golgoi. H. 4 ft., 4^4 in. 
 
 26. STATUE OF APOLLO? Hair in curls above fore- 
 head, ridges across top of head, tresses down the back. Close- 
 fitting, short-sleeved undergarment ; himation over left shoul- 
 der; double laurel branch in right hand. Gone below knees. 
 Possibly an Apollo ; the Resheph Mical, or Apollo Amyclaean, 
 of Cyprus. Temple, Golgoi. H. 3 ft., n^4 in. See PI. ii. 
 
 27. ARCHAIC STATUE. Egyptian head-dress, close- 
 fitting robe, rich collar with floral and geometrical pattern. Kilt 
 with folds, uraei and disks ; belt. Beard indicated by a raised 
 surface, in Cypriote style. Armlet, like those in gold, silver 
 and bronze in the Cesnola Collection. Back unfinished. Gone 
 below knees. Temple, Golgoi. H. 4 ft., 5^4 in. See PI. ii. 
 
 28. ARCHAIC STATUE. Head-dress, tight-fitting gar- 
 ment, and rich collar with floral and geometrical patterns, in 
 Egyptian style. Beard indicated by raised surface. Cypriote 
 armlet, with rosette. Belt with rosette. Gone below knees. . 
 Found in the temple at Golgoi. H. 3 ft., 11^8 in. See PI. iv. 
 
 29. ARCHAIC STATUE. Hair in ridges, curls on fore- 
 head, and tresses down the back. Dress, tunic and striped kilt 
 with uraei in Egyptian style. Large armlets. Gone below ' 
 knees. Traces of red and yellow color. Graeco-Phoenician. 
 H. 3 ft., SH in. Temple, Golgoi. See PI. iii. 
 
 30. STATUE of male figure, with imitation of the double- 
 crown of Egypt, collar in floral and geometrical pattern, and 
 
6 The Metropolitan Museum of Art. 
 
 antique Egyptian kilt, with uraei and disks. Belt in sections. 
 Short curls in rows below head-dress. Beard in curls. Temple, 
 Golgoi. H. 4 ft., 2>Va in- (Shown reversed in PL ii.) 
 
 31. STATUE OF APHRODITE? Head, diadem adorned 
 with rosettes ; row of curls beneath ; hair in masses behind ; 
 close-fitting, short-sleeved chiton ; drawers tied by a knot like 
 that in use by the Cypriote women of to-day ; the hands holding 
 the ends of the cord. Gone below knees. Probably the Phoe- 
 nico-Cypriote Aphrodite. Temple, Golgoi. H. 3 ft., y 2 in. 
 See PL iii. 
 
 32. STATUE of male figure ; crested conical, knitted cap ; 
 sleeveless chiton ; belt ; stripes ; kilt ; leopard's skin, thrown over 
 the left shoulder. Spiral armlets. Gone below knees. Temple, 
 Golgoi. H. 4 ft., y 2 in. See PL ii. 
 
 33. STATUE of male figure. Helmet, cr.ested, adorned 
 with rosette and two lotus flowers, with cheek-pieces. Hair in 
 mass behind. Spiral ear-rings; large necklace-collar; double- 
 ring-armlet with large rosette ; dress, short-sleeved tunic and 
 Egyptian kilt. Gone below knees. See PL ii, and Atlas, PL 
 xxxi., No. 212. Found near the temple at Golgoi. H. 4 ft., 2 in. 
 
 34. STATUE of figure with tight-fitting cap with side 
 i-iyo flaps; hair in masses behind; chiton, and himation in which the 
 
 right arm is wrapped. Feet bare. Temple, Golgoi. H. 5 ft., 
 3^ in See PL i. 
 
 35. SEPULCHRAL STELE in form of pilaster ; with head 
 of Hathor (with calf's ears), and a great collar or necklace in 
 four bands. Probably sixth century B. C. Necropolis, Golgoi. 
 H. 2 ft., io l / 2 in. 
 
 36. MALE FIGURE, headless. Garment from neck to 
 knees in folds, bound with belt or cord with pendent ends and 
 holding suspended bottle. Left hand holds flask at side ; right 
 holds a round object, fruit? Spiral bracelets. A sepulchral 
 relief, from temple at Pyla. H. 3 ft., 2 l / 2 in. 
 
 37. SEPULCHRAL STELE. Relief of a man, in a deep 
 l^$8 recess. Short-sleeved chiton. In left hand a dove; its beak 
 
 held by the right hand. Necropolis, Golgoi. H. 2 ft., 10 in. 
 
 38. STATUE. Figure with Phrygian cap, lapels falling on 
 the shoulders. Long-sleeved chiton and diplo'idion belted at the 
 
 I ? waist. Spiral bracelets. From the ruins of the temple of Apollo 
 Hylates, at Curium. Made of the calcareous stone found near 
 Amathus. H. 2 ft., 7 in. 
 
Catalogue of Stone Sculptures. 
 
 7 
 
 39. VOTIVE STELE. Behind the head of the erect figure 
 is the lower part of a seated sphinx ; figure is clothed in a long 
 knitted ( ?) garment, which extends to feet. Hands at sides, 
 with elbows slightly bent ; holding indistinct round objects. 
 Hair in straight lines, bound in wreath and ending in curls. 
 From the temple at Golgoi. H. 2 ft., 5J/2 in. 
 
 40. PART OF STATUE of a bearded figure ; conical cap 
 with side flaps ; long robe and fringed himation, within which 
 the right arm is doubled. Spiral armlet. Beard in braids. 
 Found west of the temple at Golgoi. H. 3 ft., i]A in. See 
 PI. iv. 
 
 41. STATUE. Draped female figure, wanting head and 
 feet. Left hand holds a branch ; right hand, an object whose 
 remnants suggest a mirror. Dress, long chiton and himation. 
 Four necklaces with two rows of pendants; beneath them, a 
 long neck-chain with seals. Bracelets. All the necklaces (ex- 
 cept parts of the fifth) have their counterparts in the gold of the 
 Cesnola collection. Found in ruins at Curium. H. 3 ft., 5 in. 
 See PI. iv. and Atlas, PI. xc. No. 588. 
 
 42. HEAD AND TORSO. Hair in curls over forehead. 
 Turban-like, tufted head-dress and large pendent ear-rings, like 
 those of a statue in the Louvre, Paris. Throat-necklace of one, 
 six, and two strings of beads, with oblong, incised plaques. On 
 torso, five necklaces of flattened ribbed beads, with pendants, 
 and a round breast medallion. Actual necklaces in gold, and me- 
 dallion in gold with agate centre, of identical shape with those 
 here sculptured, occur among the gold objects of the Cesnola 
 Collection. Found west of the temple of Golgoi. Head, h. 
 I2<}4 in- Torso, h. 1 ft., 4H m - See Atlas, I., xv., Nos. 18, 20, 
 and the gold objects in Vol. III. 
 
 103^ . 43. .STATUE of figure with conical cap and side flaps, hair 
 in masses behind, short-sleeved chiton with broad belt. Gone 
 below knees. Temple, Golgoi. H. 2 ft., 7^2 in. 
 
 I©lf5\ 44- STATUE. Head, band with rosettes, hair in masses 
 behind ; short-sleeved, close-fitting chiton ; undergirt belt with 
 rosettes ; ear-rings ; spiral armlets. Gone from knees. Temple, 
 Golgoi. H. 2 ft. 4y 2 in. 
 
 l\Ao 45- STATUE. Female figure, headless, playing the lyre. 
 Bracelets ; signet ring ; foot with shoe ; chiton with short, open- 
 work sleeve, and himation. Traces of red color. Temple, 
 Golgoi. H. 2 ft., 10 in. 
 
8 The Metropolitan Museum of Art, 
 
 46. STATUE of female figure with wreath of leaves and 
 double row of acorns ; long chiton ; himation that passes over 
 left shoulder and is gathered about the body. Shoes on feet. 
 Probably a worshiper. Temple, Golgoi. H. 3 ft., 7% in. 
 (Shown reversed in PI. i.) 
 
 47. STATUE of male figure, clad in chiton and full hima- 
 tion in folds. Left arm holds a round object. Feet bare. Leafy 
 
 wreath over short curly hair. Greek type. Found on a layer 
 
 of ashes ; and face bears traces of fire. Temple, Golgoi. H. 
 3 ft., 41/2 in. 
 
 48. STATUE of male figure, with chiton and himation, 
 wreath of leaves with oviform pendants over a row of curls ; 
 dove in left hand, and box in right. Gone from ankles. A 
 worshiper. Temple, Golgoi. H. 3 ft., 1 in. (Shown reversed 
 
 in PL i.) 
 
 49. STATUETTE of boy, with short-sleeved chiton and 
 diplo'idion in folds. Wreath of erect leaves on head, probably 
 
 13 denoting a worshiper. Double row of curls on forehead; mass 
 " of hair behind. Left hand holds a bottle-shaped object ; right 
 hand broken. Red color. Gone below ankles. Temple, Golgoi. 
 H. 2 ft, 7% in- 
 
 50. STATUE of female figure, with wreath of leaves with 
 acorn-pendants above a row of curls ; sleeved chiton falling to 
 the feet. Feet with shoes. Left hand holding a dove by the 
 wings. Traces of red color. Probably a worshiper. Temple, 
 Golgoi. H. 3 ft., 2) l A m - (Shown reversed in PI. i.) 
 
 51. SEPULCHRAL RELIEF. Four seated figures; one 
 \L0\ woman w i tn peplos, and three men, one on the right holds a 
 
 * patera. Only six feet visible; sandals. Necropolis, Golgoi. 
 H. 4 ft, iiJ4 in - 
 
 52. SEPULCHRAL STELE with two groups, each in a 
 recess ; palmette ornament at top. Above, two bearded male 
 figures, each with rosette-wreath and patera, reclining on a 
 
 JlfOl couch with cushions; below, a man, with rosette- wreath, 
 and woman, with peplos, seated, doubtless with clasped right 
 hands when the sculpture was unbroken, before a small table 
 with food. Necropolis, Golgoi. H. 4 ft., 1 in., w. 2 ft., 6 in. 
 
 53. SEPULCHRAL STELE, with seated woman in niche 
 fu V° m reue * > mant le covering her head ; shoes on her feet ; fruit in 
 
 lier lap. Crossed feet. Necropolis, Golgoi. H. 4 ft., 8% in., 
 iv. 2 ft., 3 in. 
 
Catalogue of Stone Sculptures. 
 
 54. SEPULCHRAL STELE. Seated group ; bearded man 
 with rosette-wreath, and woman, with fringe of curls and 
 peplos, clasping hands ; seated on chair with square frame. 
 Necropolis, Golgoi. H. 3 ft., 1 1 94 in., w. 1 ft., 10 in. 
 
 55. SEPULCHRAL GROUP, sculptured in a recess. Two 
 figures, wearing turban-like fillets ; man reclining on couch, 
 woman seated, with table, fruits, and a loaf. Necropolis, 
 Golgoi. H. 3 ft., Y\ in., w. 2 ft., 5>2 in. 
 
 56. SEPULCHRAL RELIEF. Draped male figure, with 
 horse behind him in niche. Turban-like wreath, curls. Hima- 
 tion in folds. Two holes in the stone, probably for attaching a 
 wreath. Gone below knees. Cemetery near Dali. H. 4 ft., $}i 
 in., w. 2 ft., 5 in. 
 
 57. GREEK SEPULCHRAL STELE. Shape, rude imita- 
 tion of an aedicula, or little temple. Seated woman, in high 
 relief. Hair in waves ; peplos. Ear-rings and necklace. Chiton 
 with short, open-work sleeves ; belted at waist. Hands clasped. 
 Shoes. Necropolis at Salamis. H. 3 ft., sVs in., w. 1 ft., 3^ in. 
 
 58. GROUP of seated female, and child standing at her 
 left. Both figures in long mantles. The woman has a triple 
 
 row of curls over forehead. The child, assisted by the woman, j$Qt . 
 holds a box, or shrine, which has relief ornamentation. Portion 
 of chair-arm visible between the two figures. On the base 
 below the child in a Greek inscription : "Zoilus of Golgoi made " 
 it. Necropolis, Golgoi. H. 3 ft., 8^s in., w. 2 ft., 10 in. See 
 Atlas, I. PI. exxxviii., No. 1032 ; III., cl., Suppl. No. 4. 
 
 59. FEMALE HEAD, with large double, leafy wreath; 
 hair laid forward, ending in double row of small curls over 
 forehead ; four pendant curls before each ear and mass of curls 
 behind. H. 11% in. 
 
 60. BEARDED HEAD ; with leafy wreath and pendant of 
 acorns? Hair laid forward and parted over forehead and fall- 
 ing in locks at side of head. Beard in vertical rows of short 
 curls. H. ny 2 in. 
 
 61. FEMALE HEAD. Turban head-dress; necklace band 
 with four rows of beads, resembling that of No. 42. Heavy 
 double oval ear-rings. The jewels have their exact counterpart 
 
 in the gold of the Cesnola Collection. Hair in straight ridgres. - 
 Temple, Golgoi. H. 8 in. 
 
 62. FUNERARY HEAD, male ; with rosette chaplet ovef 
 short hair. Roman. H. 7% in. 
 
10 
 
 The Metropolitan Museum of Art. 
 
 63. BEARDED MALE HEAD, from a funerary relief. 
 Locks of hair and beard cut in relief. Part of the back of the 
 funerary slab still remains, colored red. H. 10% in. 
 
 -V 64. SIDE OF A SARCOPHAGUS, of the Roman period. 
 ' . On it, in relief, appear two wreaths, two bulls, and two (false) 
 ring handles. All within a sunken panel with beaded and 
 raised border. Found at Citium. L. 5 ft. g% in. 
 
 65. HEAD, with crested conical cap with side flaps ; hair 
 in masses on neck. Temple, Golgoi. H. 1 1 in. 
 
 66. HEAD, with crested conical cap with side flaps ; short 
 17 ^ curls over forehead; hair in masses behind. Dali. H. 10 in. 
 
 67. FACE AND BEARD of statue ; conical cap with flaps ; 
 beard in long, blunt point. Golgoi. L. (face and beard) 1 ft., 
 2 in. 
 
 68. PART OF A MALE HEAD. Beard in small locks in 
 vertical and horizontal lines. Hair parted in locks ; vine wreath 
 about the head. Near the temple, Golgoi. H. gy 2 in. 
 
 69. FACE AND HEAD of statue, with beard in two braids, 
 each ending in a large curl. Face partly covered by lowered 
 sides of helmet. Golgoi. L. (face and beard) n^i in. 
 
 70. FRONT OF MALE HEAD. Beard indicated by a 
 raised surface. Near the Temple, Golgoi. H. 10J4 in. 
 
 71. MALE HEAD. Edge of hair and beard shown by 
 raised surface. Hair in mass behind. H. about 1 ft. 
 
 72. SEPULCHRAL STELE, in form of pilaster with 
 palmette capital and two volutes, a modification of the lotus 
 motive. Ornament above shows two winged sphinxes, resting 
 against a conventionalized tree. Compare No. 75. Necropolis, 
 Golgoi. H. 4 ft., 6 T /s in., w. 2 ft., 8 in. 
 
 73. MORTUARY STELE in form of a pilaster; top only. 
 Capital of conventionalized plant forms, terminating in volutes ; 
 
 1kiy above, another pattern, ending with volutes, between which is 
 the head of Hathor or Aphrodite. Necropolis, Golgoi. H. 1 
 ft., iiJ4 w. 1 ft., 6 in. See Atlas, Vol. L, PI. xviii., 26. 
 
 74. SEPULCHRAL STELE. Capital relief formed of a 
 conventional plant or sacred tree, with lotus flowers hanging 
 
 1 1 1 * between the branches or leaves ; in the midst the head of 
 ^ J Hathor. Necropolis, Golgoi. H., 1 ft., 6 in., w. 2 ft., 6^4 in. 
 Sec Atlas, Vol. I., PI. xxii., 51. 
 
12 13 24 22 
 
 34 
 
 48 50 
 
 PLATE I. 
 
 46 
 
Catalogue of 
 
 Stone 
 
 Sculptures. 
 
 i i 
 
 75. SEPULCHRAL STELE. Upper portion of stele, in 
 form of a pilaster, with palmette capital and volutes ; above, a 
 sphinx on each side of a flowering shrub or sacred tree; below, J^ 1 -^* 
 a sun and crescent ; and other ornaments. Necropolis, Golgoi. 
 
 H. 2 ft., 6 in., w. 2 ft., 6 in. 
 
 76. SEPULCHRAL STELE, upper portion. Capital orna- 
 ment ; conventional plants, somewhat resembling the Assyrian 
 tree, with hanging lotus flowers. On either side a crowned, 
 winged standing sphinx. Necropolis, Golgoi. H. 2 ft., 1% m -> 
 w. 2 ft., 11 in. See Atlas, Vol. I., PL c, 672. 
 
 77. FRAGMENT of colossal statue. Egyptian kilt, with 
 parallel folds or gathers, below which are two pendent uraei, 
 with disk or globe ; under each of the heads is a conventional 
 palmette. Beneath is the head of Hathor. A Graeco-Phoenician 
 imitation of Egyptian motive. Found west of the temple at 
 Golgoi. H. 2 ft., 8^4 in., w. 21 in. 
 
 78. TOP OF A SEPULCHRAL STELE. Surmounted by 
 two winged sphinxes, back to back, with a palmette between 
 them ; one paw of each resting on an acroterion ' with palmette t ^ 
 ornament. The support of the sphinxes has an egg-and-dart 
 moulding. Below, a raised band, or knotted scarf, colored red. 
 Necropolis, Golgoi. H. 2 ft., 10% in., w. 2 ft., 3 in. 
 
 79. STATUE of kneeling archer with quiver, Fragment of. 
 Chiton, leaving shoulders bare. Quiver decorated with a lion's lUO^t 
 head. Temple, Golgoi. H. 2 ft., 3^ in. 
 
 80. FRAGMENT of a relief ; upper part of a bearded 
 figure, clad in chiton and himation. Ruins of a temple at 
 Curium. H. 2 ft., 4^4 in. 
 
 81. ARCHAIC MALE FIGURE. Erect; short-sleeved 
 chiton in vertical stripes ; himation over left shoulder, in folds. 
 Head, feet, and hands gone. From temple at Golgoi. H. 3 ft., 
 ioy 2 in. 
 
 82. MALE FIGURE. Short-sleeved, plain chiton ; hima- 
 tion in folds over right shoulder, edges gathered in band down 
 the front. Right hand holds spray of olive leaves; left partly 
 gone. Lacks head and feet. In the Greek style. Temple at 
 Golgoi. H. 4 ft., 4 in. 
 
 \ 83. ARCHAIC FEMALE FIGURE. Short-sleeved, knit 
 chiton ; garment over left shoulder, in small folds ; gathered 
 about waist and falling in large folds. Right hand gone ; left 
 
I 2 
 
 The Metropolitan Museum of Art. 
 
 holds three pieces of fruit in fold of garment. Three strands of 
 hair on each shoulder. Lacks head and feet. From ruins near 
 Palaeo-Castro. H. 3 ft., 8y 2 in. (Shown reversed in PI. iv.) 
 
 84. MALE FIGURE. Ribbed chiton; himation in folds 
 over left shoulder. Lacks head and feet. From temple at 
 Golgoi. H. 3 ft., yy 2 in. 
 
 85. VOTIVE STELE. Female figure, in long robe. Neck- 
 lace of beads, with pendant. Found west of the temple at 
 Golgoi. H. 1 ft., 8 7-16 in. 
 
 86. FEMALE HEAD. Head-cloth or close-fitting wig 
 hanging behind the ears. Traces of red color on the lips. 
 Temple, Golgoi. H. 4% in. 
 
 87. PART OF STATUETTE of female ; chiton ; conven- 
 tional head-dress ; two tresses fall on each shoulder in front. 
 Temple, Golgoi. H. 1 ft., i^i in. 
 
 88. FEMALE HEAD of same general description as No. 
 86. Temple, Golgoi. H. 5^ in. 
 
 foob. 89. STATUETTE of female playing the tambourine. 
 Long chiton. Hair in ridges drawn back from the forehead. 
 Temple, Golgoi. H. 17% in. 
 
 ^ loss 90. STATUETTE. Low head-dress falling behind the 
 1 1 C6 % ears; long robe. Left hand holds a round object. Temple, 
 Golgoi. H. \\Ya in. 
 
 9 1 - VOTIVE OFFERING of a dropsical ( ?) person. Fig- 
 ure of sick person on couch. In front a female, probably a 
 goddess (Aphrodite?), clad in long robe; hair in curls; double 
 necklace; flower in hand. Temple, Golgoi. H. 6 5-16 in., 1. 
 9>4 in. 
 
 Uftl. 92. STATUETTE. Figure, in long robe and skull-cap, 
 raises a mask to the head, in the left hand. Temple, Golgoi. 
 H. g}i in. 
 
 Ml^ 93- STATUETTE. Figure reclining on a couch ; fillet on 
 * head ; long, short-sleeved robe. Temple, Golgoi. H. 4 3-16 in. 
 
 94. STATUETTE of female figure ; head-dress as in No. 
 88; garment, a plaited kilt. Temple, Golgoi. H. 1 ft., 9-16 in. 
 
 95. FEMALE HEAD of nearly same general description 
 as No. 88. Spiral earrings. Temple, Golgoi. H. 4% in. 
 
Catalogue of Stone Sculptures. 13 
 
 96. PART OF STATUETTE. Female figure ; hair with 
 three tresses falling on each shoulder in front ; close-fitting 
 chiton and belt. Temple, Golgoi. H. 8 5-16 in. 
 
 97. HEAD. Head-dress nearly as in No. 88; spiral ear- 
 rings. Temple, Golgoi. H. 2 in. 
 
 98. STATUETTE of figure playing the double flute, with 
 phorbeia, or mouth-strap ; long robe. Temple, Golgoi. H. 
 10% in- 
 
 99. HARPER, playing with a plectrum. Part of statue. 
 Head-dress as in No. 88 and many other pieces. Found west 
 of the temple at Golgoi. H. 1 ft., 6 in. 
 
 100. PART OF STATUETTE. Female; head-dress in 
 ridges across above the forehead ; three tresses falling forward 
 on each shoulder; short-sleeved, close-fitting chiton. Temple, 
 Golgoi. H. 1 1 y 2 in. 
 
 101. HEAD. Hair or head-dress in transverse bands, as in 
 No. 100. Traces of fire. From the ruins of Idalium (Dali). 
 H. 3 y 2 in. 
 
 102. HEAD. Flat diadem ; hair in mass behind. Dali. H. 
 3 i3- l6in - 
 
 103. STATUETTE. Female ; long robe ; bead necklace ; 
 lotus flower in left hand. Temple, Golgoi. H. 1 ft., 1% in. 
 
 104-109. CUPS AND DISHES. Necropolis, Golgoi. D. 
 2^2 — 4^2 in. 108 has two ears. 
 
 110-116. MORTUARY LAMPS of various shapes, some 
 with traces of fire still remaining. No. 1 1 1 has shape of a bull's 
 head. Necropolis, Golgoi. L. 3^2 — 4^4 m - 
 
 117-119. MORTUARY VASES with handles ; roughly 
 made; unfinished? Necropolis, Golgoi. H. $y 2 — 4% in. 
 
 120. SHALLOW BOWL, or basin with ears ; part of edge 
 gone. Necropolis, Golgoi. D. 9 in. 
 
 121-123. MORTUARY VASES, rudely made. Necropolis, 
 Golgoi. H. 2}i — $y 2 in. 
 
 124. FEMALE FIGURE seated in high-backed chair, hold- 
 ing an infant on left arm. Bead necklace. Tomb at Dali. H. 
 in. 
 
14 The Metropolitan Museum of Art. 
 
 125. STATUETTE of female playing a tambourine. Long 
 chiton. Low head-dress, falling behind the ears. Temple, 
 Golgoi. H. i6y 2 in. 
 
 126. SEATED FEMALE FIGURE with infant; of same 
 general description as No. 124. Head-dress, a peplos. Temple, 
 Golgoi. H. 6}i in. 
 
 7 127. STATUETTE. Standing figure; head-dress falling 
 
 behind the ears ; long chiton ; himation. Dali. H. 1 ft, 3% in. 
 
 128. SEATED FIGURE with child, of same general type 
 as Nos. 124, 126. Head-peplos ; chiton; robe with red-colored 
 fringes. Temple, Golgoi. H. y}i in. 
 
 ? \oss. 129. STATUETTE. Figure of same general description 
 as No. 127, but head-dress hangs over shoulders in front. 
 Temple, Golgoi. H. 1 ft., 8 in. 
 
 130. STATUETTE. Diadem over the hair, like 102. 
 Close-fitting chiton and belt like No. 44. Back unfinished. 
 Temple, Golgoi. H. n^s in. 
 
 131. SEATED FEMALE FIGURE with child, similar to 
 126, 128, and others. Elaborate f risure ; peplos, chiton, and 
 himation. Child's head-dress best seen in this specimen. It is 
 a high conical cap with side-flaps reaching to the neck. Pink 
 pigment remaining. Temple, Golgoi. H. n}4 in. 
 
 132. SEATED FEMALE FIGURE, with child, similar 
 generally to the last. Peplos over head ; two necklaces with 
 amulets and pendants. Temple, Golgoi. H. 10 in. 
 
 133. FEMALE HEAD. Heavy turban or folded peplos, 
 which falls behind the shoulders. Temple, Golgoi. H. 4 in. 
 
 134. SEATED FEMALE, with child, of same general char- 
 acter as No. 132. Temple, Golgoi. H. 73^2 in. 
 
 135. SEATED FEMALE FIGURE ; peplos on head ; long 
 robe; bead-necklace, with pendant. Hands appear to have held 
 a bird and a flower. Temple, Golgoi. H. 10 in. 
 
 136. SEATED FEMALE, of same general character as ,. 
 124, 132, etc.; broad collar. Temple, Golgoi. H. 8% in. 
 
 Mi^* 137- STATUETTE. One of a number of similarly clad 
 statuettes, which probably were choral figures ; this one with a 1 
 bear's head, No. 216 with a deer's head; others, as No. 212, 
 playing the double flute, etc. Dress, chiton and diplois, with 
 himation. Temple, Golgoi. H. 8}i in. 
 
Catalogue of Stone Sculptures. 
 
 *5 
 
 138. HAWK-HEADED STATUETTE. Lappets fall 
 
 from the head upon the shoulders in front. Belt and kilt with 
 
 uraei in imitation of Egyptian style. Similar to figures of 
 
 Harmachis. Found in the ruins of the temple of Apollo 
 Hylates, Curium. H. 1 ft., 3^ in. 
 
 139. PORTION OF A STATUE. Figure playing the 
 double flute, with phorbeia, or mouth-strap. Head-dress, the 
 frequent elose-fitting one in Egyptian style ; garment, a close- 
 fitting, short-sleeved chiton. Figures of this sort have also 
 been found at Camirus, in Rhodes. Found west of the temple 
 at Golgoi. H. 1 ft., 4 in. 
 
 140. YOUNG FEMALE HEAD. Frisure in transverse 
 
 ridges ; band of small puffs over the forehead. Temple, Golgoi. 
 
 H. 6 1-16 in. 
 
 141. STATUETTE of female; high head-dress, chiton, belt 
 and kilt resembling the Egyptian style ; spiral armlets ; ear- 
 rings. Temple, Golgoi. H. 17 in. 
 
 ***S~ 142. PART OF A STATUETTE. Figure playing the 
 double flute. Broad head-dress ; long robe. Temple, Golgoi. 
 H. 65/$ in. 
 
 143-152. MORTUARY LAMPS. Necropolis, Golgoi. L. 
 2 H—4/i in- 
 
 153. VOTIVE OFFERING; round, altar-shaped; like a 
 spool or hourglass ; traces of fire inside, as if once used for a 
 lamp. Temple, Golgoi. H. 3 in., D. 2}^ in. 
 
 154. TEMPLE-SHAPED LAMP. Back unfinished. Ionic 
 pilaster, with two square plinths on each side. Temple, Golgoi. 
 'H. 10 in., L. nj/2 in. ; Aperture 6}i x 5^4 in. 
 
 ..155-163. PATERAE ; dishes and like utensils. Necropolis ; 
 Golgoi. D. i>H — A Z A in- 
 
 164. SEATED FEMALE FIGURE, with child, of same 
 general character with Nos. 124, 132, etc. Traces of red color. 
 Temple, Golgoi. H. 9 in. 
 
 looy- 165. STATUETTE of female; long robe; flower in left 
 Hand ; hair in ridges or bandeaux, like No. 89 ; bead necklace. 
 Traces of reddish color. Found west of the temple, Golgoi. H. 
 1 ft., 4 in. 
 
 \\X<s> 166. SEATED FEMALE FIGURE, with child, of same 
 general character with No. 154. Peplos over head ; long chiton ; 
 ear-rings ; necklace. Temple, Golgoi. H. in. 
 
16 The Metropolitan Museum of Art. 
 
 lOteo. 167. STATUETTE. Hair, in three flat braids on each 
 shoulder ; dress, chiton, and himation or peplos. Temple, 
 Golgoi. H. 1 ft. 5^ in. 
 
 168. FEMALE HEAD. Head-dress in Egyptian style. 
 Hair in mass at sides of neck. Found west of the temple, 
 Golgoi. H. in. 
 
 tCl*4 169. FEMALE FIGURE; broad head-band; hair falling 
 behind ears ; spiral ear-rings ; close-fitting, short-sleeved chiton ; 
 broad belt passing between the legs. Temple, Golgoi. H. 1 ft., 
 3/4 in.. 
 
 170. FEMALE HEAD ; flat diadem with three relief ro- 
 settes ; hair in masses behind. Weathered. Temple, Golgoi. H. 
 4 in. 
 
 9 IC £v 171. STATUETTE of figure with head-dress falling behind 
 the ears; close-fitting chiton; himation. Unfinished? Temple, 
 Golgoi. H. 1 ft., 2>H 
 
 r 7 2 - SEATED FEMALE, with child, generally like No. 
 124. Details clear. Temple, Golgoi. H. 6 15-16 in. 
 
 173. FEMALE HEAD, with ear-rings; otherwise like No. 
 102. Temple, Golgoi. H. 3*4 in. 
 
 Ita. 174. SEATED FEMALE, with child, of same general 
 description as No. 124. Temple, Golgoi. H. 7^ in. 
 
 175. SEATED FEMALE, with child, generally like No. 
 124. Necklace with pendant. Heads gone. Temple, Golgoi. 
 H.^in. 
 
 176. FEMALE HEAD; frisure in bands drawn from a 
 central parting. Fillet under the hair, on forehead. Temple, 
 Golgoi. H. 4^2 in. 
 
 177. STATUETTE of figure with hair in ridges about the 
 head ; three tresses falling on each shoulder in front ; chiton 
 and himation. Temple, Golgoi. H. 11^ in. 
 
 178. HEAD. Head-dress turban-like, with four rows of 
 braids ; hair in masses behind ; curls over forehead ; peculiar 
 spiral ear-rings. Found west of the temple, Golgoi. H. 4^ in. 
 
 179. STATUETTE. Diadem over the hair; close-fitting 
 chiton and undergirt belt like No. 169. Temple, Golgoi. H. 
 11% in. 
 
Catalogue of Stone Sculptures. 17 
 
 lozz. 180. STATUETTE of male figure; holding a serpent 
 against either cheek; three serpents hanging over the (Egypt- 
 ian-like?) head-dress. Clad in a chiton. Ruins of Amathus. 
 H. i6y 4 in. 
 
 181. SEATED FEMALE, generally like Nos. 128, 131. 
 Rude. Temple, Golgoi. H. $ l / 2 in. 
 <o*c 182. STATUETTE of female figure, with long-sleeved 
 robe ; hand holding a flower ; hair bound by a fillet. Braids or 
 wig. Temple, Golgoi. H. -i ft., 24 m - 
 lo*fc. 183. PART OF STATUETTE of figure blowing the 
 double flute. Flower-crown on head; hair parted in waves; 
 three tresses falling on each shoulder in front. Temple, Golgoi. 
 H. 8 in. 
 
 184. FACE from statue of heroic size. Dove carved on 
 skull-cap. Temple, Golgoi. H. 15 in. 
 
 184A. FEMALE HEAD. Wig or head-cloth in Cypro- 
 Egyptian style. Temple, Golgoi. H. 4 in. 
 1©**, 185. PART OF STATUETTE of figure blowing the 
 double flute. Curled hair bound with a fillet, and falling in 
 tresses in front and behind. Curious spiral ear-rings. Ruins 
 of a temple at Amathus. H. 6% in. 
 
 186. FEMALE HEAD. Hair, in curls and waves, bound 
 with a fillet tied in a knot over the forehead. Traces of red 
 color on lips. Temple, Golgoi. H. 6}i in. 
 
 «Z© . 187. PART OF STATUETTE of figure, probably a wor- 
 shiper, carrying a ram over his shoulders. Hair in locks over 
 the forehead ; clothing, chiton and diplois, or chiton girt about 
 the loins. Curium, in the ruins of a temple to Apollo Hylates. 
 H. 1 ft., 7/s in. 
 
 188. HEAD. Head-dress, Egypto-Cyprian style; spiral 
 ear-rings ; necklace of large beads. Golgoi. H. 5 in. 
 
 189. TEMPLE-SHAPED LAMP, generally like No. 154, 
 but higher and narrower. Paneled sides. Temple, Golgoi. H. 
 8^4 in., w. 8 in. Aperture, S/^ in. square. 
 
 190-192. HANDLES of praefericula, or incense pans. Each 
 terminates in a ram's head. Temple, Golgoi. L. of handles, 
 4/^—5^ in - 
 
 193. HANDLE of praefericulum, double, the parts joined at 
 the outer end, and terminating in one ram's head. Temple, 
 Golgoi. L. (handle) 7 in. 
 
i8 
 
 The Metropolitan Museum of Art. 
 
 194. MORTAR, with ears. Necropolis, Golgoi. H. 4% 
 in., d. 5^4 in. 
 
 195-197. STRAINERS. Necropolis, Golgoi. D. 3%— 
 
 4/"2 in. 
 
 198. PATERA, with three ears (two handles and a nozzle) . 
 Golgoi. H. 3 in., d. 8 in. 
 
 199-200. CUPS. Necropolis, Golgoi. D. 3 — 3% in. 
 
 201. FEMALE HEAD; flat diadem with three rosettes in 
 relief ; hair falling behind the shoulders. Temple, Golgoi. H. 
 SH in. 
 
 • to. 202. PART OF STATUETTE of figure blowing the double 
 flute ; head with peculiar wreath in transverse ridges ; hair fall- 
 ing on shoulders; phorbeia (mouth strap) with side straps. 
 Temple, Golgoi. H. 1 ft., 13^2 in. 
 
 203. FEMALE HEAD. Spiral ear-rings ; flat diadem, with 
 three relief rosettes; hair as in No. 201. Temple, Golgoi. H. 
 6 in. 
 
 ) Cb\. 204- STATUETTE. Conical cap; chiton reaching to the 
 feet ; himation, in which the right arm is doubled. Hand holds 
 a round object. Spiral ear-rings. Temple, Golgoi. H. 1 ft., 
 83/ 8 in. 
 
 205. FEMALE HEAD of same general character as Nos. 
 201, 203. Large ear-rings. Temple, Golgoi. H. 5^8 in. 
 
 206. STATUETTE. Conical cap; hair falling on shoul- 
 ders ; long chiton ; himation with folds. Temple, Golgoi. H. 
 1 ft., 7 in. 
 
 207. FEMALE HEAD. Flat diadem, without rosettes. 
 Temple, Golgoi. H. 4 in. 
 
 208. STATUETTE of figure playing the double flute ; 
 phorbeia and side-sfrap ; hair curled in locks ; fillet or garland. 
 Chiton and himation. Temple, Golgoi. H. 9 7-16 in. 
 
 209. FEMALE HEAD. Head-dress, Egypto-Cyprian. 
 Temple, Golgoi. H. 4^ in. 
 
 210. FIGURE with Egyptian head-dress ; chiton and kilt. 
 Temple, Golgoi. H. 7 in. . ; . . 
 
 211. FEMALE HEAD of same general character as No. 
 207. Temple, Golgoi. H. 4% in. 
 
Catalogue of Stone Sculptures. 19 
 
 212. STATUETTE of figure playing the double flute. See 
 Nos. 139 and 216. Temple, Golgoi. H. 7^4 in. 
 
 213. FEMALE HEAD. Egypto-Cyprian head-dress. 
 Temple, Golgoi. H. 3% in. 
 
 214. FEMALE HEAD. Head-dress a peplos, with ruffle 
 over forehead and plaits extending back over the head. Temple, 
 Golgoi. H. 3^8 in. 
 
 215. PART OF STATUETTE. Peplos over the head; 
 necklace of large beads, with pendant ; hand holding a lotus 
 flower. Temple, Golgoi. H. 7 9-16 in. 
 
 {do 2l6 - STATUETTE of figure with deer's ( ?) head. See No. 
 137 for complete explanation. Temple, Golgoi. H. 10% in. 
 
 11/^5". 217. STATUETTE of reclining figure, bearded; of same 
 character as No. 93. Temple, Golgoi. H. 3^8 in. 
 
 loSi^. 218. STATUETTE of figure with Egypto-Cyprian head- 
 dress; close-fitting, short-sleeved chiton, with diplois and 
 himation. Temple, Golgoi. H. 1 ft., 10% in. 
 
 219. HEAD. Hair wrought in ridges; curls over the fore- 
 head. Ruins of Idalium (Dali). H. 4}^ in. 
 
 220. STATUE OF APHRODITE. Peplos over head, 
 Egypto-Cyprian style ; long chiton. Long ear-rings, with 
 
 ' curious pendants; double bead-necklace, with pendants; right 
 hand holds a lotus flower. Temple, Golgoi. H. 2 ft., 6 in. 
 
 221. FEMALE HEAD. Flat diadem over forehead; hoop 
 ear-rings. Temple, Golgoi. H. 6y 2 in. 
 
 (1(^3. 222. STATUETTE of reclining male figure, much like Nos. 
 93 and 217. Pointed cap ; row of curls over forehead. Temple, 
 Golgoi. H. S J A in., 1. 7H in. 
 
 223. STATUETTE of figure with conical cap, hair falling 
 behind the ears, spiral ear-rings, short sleeved chiton, and hima- 
 tion in which the right arm is folded. Temple, Golgoi. H. 
 2 ft., 2> l A in. 
 
 . 224. HEAD. Conical cap, with cheek-pieces covering the 
 * 4 ears. Temple, Golgoi. H. jYs in. 
 
 225-226. HANDLES of praefericula, with ram's head at the 
 end of each. Temple, Golgoi. L. 5^8 in. and 9 in. 
 
 227. SMALL BOWL. Necropolis, Golgoi. D. 4% in. 
 
20 The Metropolitan Museum of Art. 
 
 228. VASE, top of, diamond shaped ; oval below ; opening 
 round. Necropolis, Golgoi. H. 3% in. 
 
 229-230. HANDLED VASES or ewers. Necropolis, Gol- 
 goi. H. 5J/2 in. and 4 in. respectively. 
 
 231-233. CUPS. Necropolis, Golgoi. D. 2.]/ 2 — 2^ in. 
 
 234-238. ALABASTRA. Necropolis, Golgoi. H. 7 11-16 
 in. to gYs in. 
 
 239-241. VASES WITH EARS or handles. Necropolis, 
 Golgoi. H. y/ 2 — 4^ in. 
 
 242. HEAD. Egypto-Cyprian head-dress. Like 102. 
 Temple, Golgoi. H. 4^ in. 
 
 243. STATUETTE. Conical cap; hair falling behind on 
 shoulders; long chiton; himation. Temple, Golgoi. H. 1. ft., 
 7 in. 
 
 244. HEAD. Band or fillet with seven relief rosettes ; spiral 
 ear-rings ; curls over forehead. Temple, Golgoi. H. 6^ in. 
 
 245. STATUETTE. Conical cap ; long chiton ; himation. 
 Temple, Golgoi. H. 1 ft., 10^/4 in. 
 
 246. FEMALE HEAD. Spiral ear-rings. Temple, Golgoi. 
 H. 4Y 2 in. 
 
 247. STATUETTE. Of same general description as No. 
 179, but with conical cap. Temple, Golgoi. H. 1 ft., 5% in. 
 
 248. HEAD. Conical cap ; hair falling on back. Dali. H. 
 SVg in. 
 
 249. HEAD. Low head-dress, Egypto-Cypriote style. Like 
 173. Found at Potamia, near the ancient Idalium. ( H. 2^4 in. 
 
 loiz- 250. PART OF STATUETTE of female; low head-dress 
 with curious ear-covering; ear-rings. Temple, Golgoi. H. 
 5% in. 
 
 251. STATUETTE. Tiara about hair, which falls in tresses 
 on each side. Flower ( ?) in right hand. Himation. Temple, 
 Golgoi. H. 5% in. 
 
 252. STATUETTE with conical cap, long chiton, and 
 himation. Fragment, reddish purple color. Dali. H. ny 2 in. 
 
 iofli . 253. FEMALE FIGURE ; chiton and diploidion ; himation ; 
 lotus flower in the hand ; long tresses behind ; flat crown-like 
 diadem. Temple, Golgoi. H. 7^ in. 
 
Catalogue of Stone Sculptures. 21 
 
 254. STATUETTE. Generally like No. 223, but much 
 smaller. Temple, Golgoi. H. jYa in. 
 
 255. MALE HEAD. Conical cap. Temple, Golgoi. H. 
 7 in. 
 
 ioocj. 256. FIGURE with long robe; hand to the breast in hima- 
 tion. Temple, Golgoi. H. g l /x in. 
 
 U)k% 257. STATUETTE of same general style as No. 44. Chiton 
 with short sleeves ; broad undergirt belt fastened between legs 
 (see 179), decorated with rosettes. Spiral armlets and ear- 
 rings. Temple, Golgoi. H. 2 ft., 2% in. 
 
 258. HEAD of same general description as No. 255. Tem- 
 ple, Golgoi. H. S]/s in. 
 
 Uiq . 259. STATUETTE of figure with long robe and skull-cap, 
 carrying a ram over his shoulders. Doubtless a sacrificant. 
 Temple, Golgoi. H. 9^ in. 
 
 1 tttU. 260. GROUP. Man-headed and lion-headed sphinxes, back 
 to back; style, Assyro-Egyptian. Carved from one stone. 
 Temple, Golgoi. H. 1 ft., 4 in. 
 
 lObio - 261. STATUETTE of figure carrying a kid in his left arm. 
 Curly hair; clad in chiton, belt and kilt. Temple, Golgoi. H. 
 ioy 2 in. 
 
 ?io3*. 262. STATUETTE of figure in conical cap, masses of hair 
 behind neck ; chiton, belt and kilt in Egyptian style. Temple, 
 Golgoi. H. 2 ft., 2}i in. 
 
 263-264. CUP AND PATERA. Necropolis, Golgoi. D. 
 Z l A— 3 3 A in- 
 
 265. BASE OF GOBLET, with fluted foot. Necropolis, 
 Golgoi. H. z 7 A in -> d - 4 in - 
 
 266. OBLONG TRAY (tablet?). At one end a rounded 
 projection with hole, as if for suspension. Necropolis, Golgoi. 
 Size J}i x 3 in. 
 
 267-26S. WHORLS, or spindle weights. Necropolis, Gol- 
 goi. D. 1 }4— 1 in. 
 
 269. CUP. Necropolis, Golgoi. H. 2^ in., d. 3^ in. 
 
 *°«t 270. PATERA, originally supported by human headed 
 sphinx; head and end of wing remain. Tomb at Cythrea. H. 
 2^ in., d. ^y 2 in . 
 
22 The Metropolitan Museum of Art. 
 
 271. BASE OF GOBLET. Necropolis, Golgoi. H. 4^ in., 
 d. 4 in. 
 
 272. BASE OF GOBLET with feet. Necropolis, Golgoi. 
 H. s 5 A in., d. 2 l / 2 in. 
 
 273. TWO-HANDED VASE. Necropolis, Golgoi. H. 
 SVa in. 
 
 274. RUDE VASE OR GOBLET. Necropolis, Golgoi. 
 H. zVa in- 
 
 275. TWO-HANDLED VASE. Necropolis, Golgoi. H. 
 2^8 in. 
 
 276. CUP OR PATERA. Necropolis, Golgoi. H. 1 # in., 
 d. 3% in. 
 
 277. VASE. Necropolis, Golgoi. H. 1% in. 
 
 278. TWO-EARED CUP. Necropolis, Golgoi. D. 2^ in. 
 
 279. FRAGMENT OF VESSEL, With animal's head in 
 relief. Temple, Golgoi. H. 3^ in. See 270. 
 
 280. FRAGMENT OF GOBLET with high foot. Necro- 
 polis, Golgoi. H. 3 11-16 in., d. y/4 in. 
 
 \oo-%, 281. FIGURE with conical head-dress; long chiton and 
 himation. Temple, Golgoi. H. 1 ft., 5 in. 
 
 282. HEAD. Conica.l cap. Row of short curls on forehead. 
 '^7^ Hair falling behind the back. Dali. H. 7% in. 
 
 283. STATUETTE. Figure with high conical cap. Long 
 chiton ; himation. Hair over the shoulders. Temple, Golgoi. 
 H. 1 ft., 7^ in. v 
 
 284. HEAD. Hair in masses behind the ears. Conical cap. 
 Temple, Golgoi. H. 6 in. 
 
 285. FIGURE of same general description as No. 281, but 
 larger. Temple, Golgoi. H. 1 ft., 10 in. 
 
 286. HEAD. Close-fitting head-dress; hair in masses be- 
 hind. Temple, Golgoi. H. 6 in. 
 
 287. HEAD. Curls over forehead ; hair in masses behind 
 the ears. Temple, Golgoi. H. in. 
 
 288. STATUETTE. Conical cap; hair falling behind the 
 ears ; long chiton, showing coarse woven texture ; himation ; box 
 in right hand. Temple, Golgoi. H. 10^8 in. 
 
Catalogue of Stone Sculptures. 23 
 
 ^ ^ ^ 289. HEAD. Conical cap, and hair falling behind ears. 
 Temple, Golgoi. H. 5^ in. 
 
 -*9&*. 290. FEMALE FIGURE (Aphrodite), resting on a base 
 of the same piece, which was formerly supported by caryatides, 
 of which the heads remain — wearing Egyptian head-dresses. 
 Hair in long tresses behind the ears, with three tresses on each 
 shoulder in front. Diadem on forehead. Large ear-rings ; two 
 necklaces with pendants ; long, sleeved chiton ; himation, held 
 up by left hand, which also holds a fan or mirror ; spiral brace- 
 lets with animal heads at ends ; sandals ; lotus flower in right 
 hand. Temple, Golgoi. H. (figure) 8 in. See Atlas, I., PI. 
 lvii., 365. 
 
 291. FEMALE HEAD of same general description as No. 
 184A. Temple, Golgoi. H. 3^ in. 
 
 292. STATUETTE, like No. 281. Fragment. Temple, 
 Golgoi. H. 8^ in. 
 
 293. HEAD with conical cap and hair falling behind ears. 
 Dali. H. 2> 3 A in. 
 
 294. HEAD, with close-fitting head-dress ; curls over fore- 
 head. Temple, Golgoi. H. 3^ in. 
 
 295. SEATED FEMALE FIGURE, with child, like No. 
 172 ; chair-back with curved top and acute-angled corners. Two 
 necklaces with pendants. Temple, Golgoi. H. 4^ in. 
 
 IIM. 296. SEATED FEMALE FIGURE, with child; much like 
 Nos. 131, 164, 166. Temple, Golgoi. H. 5^ in. 
 
 tl3o- 297. SEATED WOMAN, with child ; much like No. 296, 
 but child held nearly upright, in left arm. Head gone. Temple, 
 Golgoi. H. 4]/ 2 in. 
 
 298. RAM-HEADED SEATED FIGURE. Hands on 
 sides of chair. Tomb, Golgoi. H. 3% in. 
 
 Ii3<j 299. RAM-HEADED SEATED FIGURE. Same gen- 
 erally as No. 298. Painted in black and red. H. 3^ in. 
 
 300. SEATED FIGURE, in chair, like No. 296, but with a 
 ram's head. Temple, Golgoi. H. 4^ in. 
 
 i©*^. 301. VOTIVE SHRINE, Egyptian style. Pylon-shaped, 
 with uraei in frieze, palm trees at sides, erect ibis-headed figure 
 in centre. Temple, Golgoi. H. 4^ in. See Atlas, I., PI. 
 lvii., 377. 
 
24 The Metropolitan Museum of Art. 
 
 302. SEATED FIGURE ; hands on chair-arms. Otherwise 
 much like No. 296, but the dress is peculiar. Golgoi. H. 4% in. 
 
 303. SEATED FIGURE; arms resting on chair-arms; 
 plain head-dress; long robe. Hole in front of the knees and 
 likewise on each side. Necklace of color ; whole decorated 
 with colors. From a tomb at Amathus. H. \Y 2 in. 
 
 lo*2.- 304. MALE FIGURE, nude; apparently a pugilist. 
 Temple, Golgoi. H. 6% in. 
 
 ICI^. 305. STATUETTE. Probably an Amazon. Helmet or 
 cap with ruffled crest ; curls over forehead ; hair in masses be- 
 hind ; short-sleeved coat; chiton with diploidion and front sash. 
 Broken shield. Temple, Golgoi. H. 6 7-16 in. 
 
 loscj 306. FEMALE STATUETTE. Egyptian style of head- 
 dress, chiton, belt and kilt. Very large eyes. Temple, Golgoi. 
 H. 6 13-16 in. 
 
 toitJb.&- 3°7- FIGURE with flat diadem ornamented with relief 
 rosettes ; broad undergirt belt with large rosette. Temple, Gol- 
 goi. H. 5 in. 
 
 308. FEMALE HEAD. Similar to No. 101. Carpassia, 
 on a mountain in the N. E. of Cyprus. H. 3^ in. 
 
 309. HEAD with conical cap. Temple, Golgoi. H. 4% in. 
 
 310. HEAD. Peplos close over head, falling behind. Ruins 
 of Idalium. H. 3 in. 
 
 311. HEAD AND BUST, probably a charioteer. Temple, 
 Golgoi. H. 4 in. 
 
 312. FEMALE HEAD. Hair in curls, confined with fillet. 
 Potamia, near Idalium. H. 3^ in. 
 
 313. HEAD. Flat head-band; hair in masses behind. 
 Temple, Golgoi. H. 2> l / 2 in. 
 
 loiq. 314. CHARIOT-WARRIOR ( ?) upper part of. Helmet 
 with loose cheek pieces; shield on back. Temple, Golgoi. H. 
 6 in. 
 
 315. PART OF STATUETTE of a female ; flat head-band ; 
 a peplos, falling behind ; long chiton ; himation. Temple, Gol- 
 goi. H. 4%, in. 
 
 IOoS- 3 J 6- FIGURE, with chiton and himation; pointed cap. 
 Temple, Golgoi. H. 6 in. 
 
Catalogue of Stone Sculptures. 25 
 
 102,2b- 317. PART OF STATUETTE of a female; head-dress 
 with marked plaits in Egyptian style ; hand at breast. Collar, 
 chiton, belt and kilt. Colored pink. Tomb, Amathus, H. 
 4 7 A in. 
 
 318. FEMALE STATUETTE. Long chiton; peplos over 
 head, falling behind; lotus flower in hand. Temple, Golgoi. 
 H. 6}i in. 
 
 Ttoio- 319. STATUETTE. Long chiton; himation; flat-band 
 head-dress ; hair in masses behind. Temple, Golgoi. H. S/& m. 
 
 320. STATUETTE. Arms at sides ; long chiton ; himation 
 Temple, Golgoi. H. S 5 A in - 
 
 321 FEMALE STATUETTE. Long chiton ; peplos fall- 
 ing over back of head ; lotus flower in right hand. Temple, 
 Golgoi. H. sH in - 
 ioS2>. 322 TORSO, female. Portion of figure in active motion. 
 Short chiton, sleeveless; belt, holding an undergirt flap. 
 Temple, Golgoi. H. 4^ in. 
 
 323 FEMALE HEAD. Head-dress in plaits, extending 
 back from forehead, and falling behind. Temple, Golgoi. H. 
 2 24 in- 
 
 324. HEAD. Long hair falling behind the ears ; transverse 
 plaited bands in front. Ruins of Idalium. H. 2^/4 in. 
 
 325. HEAD with conical cap. Temple, Golgoi. H. 3^ in. 
 
 326. HEAD with conical cap. H. 3^ in. 
 
 327. OBLONG BOX, on feet, the latter connected by a 
 framework. Necropolis, Golgoi. H. 5 in. Top 6]/ 2 x 3% in. 
 
 328. BOX, much like the last; rude female figure in Telief 
 at each end ; on one side an antelope chased by a dog, in relief ; 
 swastikas on the other side. Lower portion of side support, 
 reticulated. Tomb, Idalium. H. 4 l A in. Top 4^8 x 3 in. 
 
 329. BOX. Like No. 331 below, but slightly different 
 lozenge decoration. Necropolis, Golgoi. H. 4^8 in. Top 
 67/s x 45/8 in. 
 
 330. BOX. Generally like No. 327, except framework con- 
 necting the feet. Decorated with dots and incised lozenge 
 pattern. Necropolis, Golgoi. H. 4^4 in. Top 7^4 x 4H in. 
 
26 
 
 The Metropolitan Museum of Art. 
 
 331. BOX. Ornamented with incised lines, diamond pat- 
 tern; cup-shaped depressions. Projection, with hole, on one 
 side, to fasten a cover. Necropolis, Golgoi. H. 6^4 in. Top 
 8% x 4 in. 
 
 332. BOX. Rude human figure at each end, with swastikas. 
 Antelope on either side of man ; patterns of incised lines on 
 sides, saw-tooth pattern. Necropolis, Golgoi. H. 6^ in. Top 
 Sy 2 x 5 M in. 
 
 333. MOUNTED HORSEMAN, fragment of. Temple 
 ruins, Curium. H. 5^8 in. 
 
 loip.. 334. PART OF STATUETTE. Conical cap; broad 
 undergirt belt, with diamond-shaped ornament in front. Tem- 
 ple, Golgoi. H. 1 ft., 5>4 in. 
 
 335. HEAD with pointed cap ; hair in masses behind neck. 
 Temple, Golgoi. H. 6% in. 
 
 lOto3 . 336. FIGURE with curly hair ; chiton ; himation in folds. 
 Temple, Golgoi. H. 15 in. 
 
 337. HEAD with conical cap ; hair back of neck. Ruins at 
 Idalium. H. $y 2 in. 
 
 338. MALE FIGURE ; conical cap ; hair falling behind on 
 shoulders ; chiton ; himation. Temple, Golgoi. H. 1 ft., in. 
 
 339. FEMALE HEAD AND NECK, with conical cap, 
 with oval knob at top. Hair in masses behind. Spiral ear-rings. 
 Temple, Golgoi. H. 6$A in. 
 
 340. FEMALE FIGURE; chiton and himation. Rounded 
 cap with knob. Round object in left hand. Temple, Golgoi. 
 H. iy l / 2 in. 
 
 341. STATUETTE like a caryatid. Hemispherical base; 
 cylindrical capital. Long, sleeved robe. Temple, Golgoi. H. 
 lO l / 2 in. 
 
 342. HEAD with pointed cap ; hair in masses on neck. 
 Temple, Golgoi. H. 4^ in. 
 
 343. PART OF STATUETTE with conical head-dress; 
 chiton ; himation. Dali. H. 8 in. 
 
 344. HEAD. Conical cap with side flaps ; hair falling be- 
 hind ears. Temple, Golgoi. H. 5^ in. 
 
Catalogue of Stone Sculptures. 27 
 
 345. STATUETTE. Male figure; conical cap; long 
 chiton; himation. Temple, Golgoi. H. 11% in. 
 
 346. MALE HEAD with conical cap ; hair falling behind 
 on shoulders. Temple, Golgoi. H. 5 l / 2 in. 
 
 347. PART OF STATUETTE. Male figure ; conical cap 
 with side flaps ; broad masses of hair, or head-dress, behind. 
 Temple, Golgoi. H. 7^4 in. 
 
 348. HEAD. Pointed cap ; hair in masses behind neck. 
 Temple, Golgoi. H. 5 in. 
 
 349. STATUETTE. Figure with high conical cap with 
 flaps ; curls over forehead ; long chiton, and himation. Temple, 
 Golgoi. H. 2 ft., 2% in. 
 
 350. FEMALE HEAD. Flat diadem ; spiral ear-rings. 
 Dali. H. y/2 in. 
 
 lO0lt~ 351- STATUETTE of bearded figure ; conical cap ; chiton ; 
 fringed himation. Temple, Golgoi. H. 1 ft., 2]/ 2 in. 
 
 loa^f? 352. GROUP. Banquet, of five persons ; three reclining 
 males ; two seated females. Base, irregular diamond-shaped, 
 with a rectangular hole cut in it. Temple, Golgoi. H. 6% in. 
 Size 13 x gy 2 in. 
 
 353. STATUETTE. Conical cap with flaps ; hair in 
 masses on neck ; himation. Temple, Golgoi. H. 2 ft., 2^ in. 
 
 354. HEAD. Conical cap, with side flaps ; hair in masses 
 behind. Temple, Golgoi. H. 8% in. 
 
 355. HEAD of a snake. Like following. Temple, Golgoi. 
 L. 4^ in. 
 
 fi.t». 356. HEAD of a snake. Fragment. Temple, Golgoi. L. 
 4J4 in. 
 
 UO(s>. 357. LION, crouching. Sphinx? Temple, Golgoi. H. 3% 
 in., 1. 6 in. 
 
 358. HORSE, with saddle and trappings. Fragment. 
 Tomb, Tamassus. H. 4 in., 1. in. 
 
 359. HEAD of an animal with short horns. Necropolis, 
 Golgoi. H. 2% in. 
 
 360. FRAGMENT of man riding an animal with horns. 
 Ruins, Curium. H. 4^4 in. 
 
28 The Metropolitan Museum of Art. 
 
 361. HORSE'S HEAD, with bridle and blinder. Temple, 
 Golgoi. L. 4 in. 
 
 log% 362. FRAGMENT of patera, or tazza, supported by a 
 winged sphinx. Necropolis, Idalium. H. $j/g in. 
 
 . 3^3- SWORD HILT, terminating in eagle's head. Colors, 
 red and blue. Temple, Golgoi. H. in. 
 
 364. RELIEF, showing a winged animal. Fragment. 
 Temple, Golgoi. H. 4 in. 
 
 365. VOTIVE OFFERING; a pair of eyes, carved in 
 relief. Red color. Temple, Golgoi. H. 2]4 in. 
 
 366. PAIR OF VOTIVE EYES. Temple, Golgoi. H. 
 5 in. 
 
 367. VOTIVE EYES. Hole in the tablet for suspension. 
 Temple, Golgoi. H. 3% in. 
 
 368. VOTIVE EYE. Temple, Golgoi. H. 2% in. 
 
 369. VOTIVE EYE. Temple, Golgoi. H. 3 in. 
 
 370. VOTIVE OFFERING (leper's?). Swollen face, 
 without nose. Temple, Golgoi. H. 4J4 in. 
 
 371. VOTIVE EAR, with ear-ring. Temple, Golgoi. H." 
 y/ 2 in. 
 
 372. VOTIVE OFFERING ; a thumb, or great toe. Tem- 
 ple, Golgoi. H. 2% in. 
 
 373. VOTIVE OFFERING, a thumb. Temple, Golgoi. 
 H. 2]/ 2 in. 
 
 374. MALE HEAD. Conical cap with side flaps. Temple, 
 Golgoi. H. 6 in. 
 
 loi^o. 375. PART OF STATUETTE. Diadem about head ; hair 
 falling behind ears ; spiral ear-rings ; sleeveless chiton ; broad 
 undergirt belt, with large rosette in lozenge-shaped enclosure. 
 Temple, Golgoi. H. 1 ft., 6]/ 2 in. 
 
 376. HEAD with pointed cap; hair falling behind back; 
 spiral ear-rings. Temple, Golgoi. H. 5% in. 
 
 377. PART OF STATUETTE. Much like No. 375, but 
 with spiral armlets ; relief rosettes on diadem ; three rosettes on 
 undergirt belt, one of which is part of a vertical band. Temple, 
 Golgoi. H. 1 ft., 6% in- 
 
Catalogue of Stone Sculptures. 
 
 29 
 
 378. FEMALE HEAD. Round cap ; flat diadem with five 
 rosettes in relief ; hair in masses behind neck. Dali. H. 7 in. 
 
 379. PORTION OF STATUETTE with conical cap, long 
 sleeved chiton, and himation. Temple, Golgoi. H. 1 ft., 5 in. 
 
 380. HEAD. Generally like No. 346, but smaller. Temple, 
 Golgoi. H. 5^ in. 
 
 381. HEAD OF YOUTH ; pointed cap ; row of curls about 
 forehead. Temple, Golgoi. H. 7^ in. 
 
 382. BACK OF HEAD with crested helmet. Found with 
 the triple Geryon, No. 390, and probably belonging to it. Tem- 
 ple, Golgoi. H. 6 in. 
 
 383. TRIPLE GERYON, A fragment of the, represented 
 as a triple warrior, with shields ornamented in relief. The 
 only remaining head has a beard, and wears a crested helmet 
 with ear-guards. Temple, Golgoi. H. 4^8 in., 1. 6^4 in. 
 
 384. TRIPLE GERYON, Fragment of the. Much like 
 ll-S" 383. Each right arm is raised as if to hurl a javelin. Temple, 
 
 Golgoi. H. 2>2 in., 1. 2^4 in. 
 
 385. BACK OF HEAD, from a triple Geryon; the same 
 as No. 382, but a little more of the detail present. H. 6% in. 
 
 losa. 386. PART OF A STATUETTE. Figure with bow and 
 quiver. Sleeveless chiton, its seams marked by a double ridge ; 
 belt and kilt ; ear-rings ; head-dress falling behind the ears. 
 Temple, Golgoi. H. 4^ in. 
 
 387. FEMALE HEAD. Plain fillet tied in bow on top, 
 confining hair in bandeaux, with two rows of curls over fore- 
 head. Temple, Golgoi. H. 5^ in. 
 
 \OOI. _£g& STATUETTE of figure with pointed cap with flaps; 
 chiton ; himation ; round object in each hand. Temple, Golgoi. 
 H. 1 ft., 11 11-16 in. 
 
 389. STATUETTE of figure with flat diadem or low head- 
 dress, falling behind ears ; close-fitting chiton displaying the 
 form. Temple, Golgoi. H. 7^4 in. 
 
 IWV 390- TRIPLE GERYON. Part of statuette. Two of the 
 heads are probably Nos. 382 and 385. Right arm was raised. 
 Shields decorated in relief; the centre, with a representation 
 of the rescue of the dead body of-Aehtttes from the Trojans 
 (by Ajax?) ; the right, Perseus about to behead the Gorgon 
 
The Metropolitan Museum of Art. 
 
 Medusa; the left, a Centaur with human foreleg (the rest 
 obliterated). On the chiton, below the shields, a double repre- 
 sentation of Hercules killing the Nemean lion. Temple, Gol- 
 goi. H. i ft., Sji in. 
 
 391. MALE HEAD. Head-cloth close-fitting in front, fall- 
 ing behind the ears ; spiral ear-rings ; beard indicated by a 
 raised surface. Temple, Golgoi. H. 534 in. 
 
 392. PORTION OF STATUETTE. Nude in front; 
 himation falling from the shoulders behind ; hair in a mass of 
 tresses behind ; pouch hangs from left shoulder ; below, the end 
 of a dagger; small lyre in left hand. Temple, Golgoi. H. 1 ft., 
 4 in. 
 
 393. VOTIVE OFFERING. Apparently a votive phallus, 
 but perhaps some ornamental detail. Temple, Golgoi. 
 
 394. PORTION of the waist of a statue. On the belt, in 
 relief, Hercules killing the Nemean lion. Temple, Golgoi. H. 
 6y 2 in. 
 
 395. VOTIVE OFFERING; group of two (ewes with 
 their lambs. Temple, Golgoi. H. 6 l /z in. 
 
 396. VOTIVE OFFERING. Chariot and four horses, 
 with remains of two figures with outstretched arms. Temple, 
 Golgoi. H. 5V8 in. 
 
 397. CORNUCOPIA. Temple, Golgoi. H. 10^ in. 
 
 398. FRAGMENT of procession of young females, in 
 relief. Temple, Golgoi. H. 6 in. 
 
 399. FRAGMENT OF A LYRE. Temple, Golgoi. H. 
 7 l A in. 
 
 loffk . 400. FRAGMENT of a stele, with winged sphinx in high 
 relief; woman's head, with curly hair and band or chaplet. 
 Necropolis, Salamis. H. 1 ft., ^4 in. 
 
 401. VOTIVE TABLET, A fragment of. Stern of a ship, 
 with part of helmsman. Temple, Golgoi. H. 6 l / 2 in. 
 
 402. VOTIVE OFFERING. Face swollen on one side. 
 Temple, Golgoi. H. 4^ in. 
 
 llC 4°3- HEAD. Generally like No. 346, but smaller. Conical 
 ' * cap with hair behind. Traces of red color. Temple, Golgoi. 
 H. S 5 /s in- 
 
Catalogue of Stone Sculptures. 31 
 
 lOGi- 404. STATUETTE. High conical cap, with bow tied in 
 front ; hair in curls over forehead, three tresses on each shoul- 
 der in front, broad mass behind ; close-fitting chiton ; coat-like 
 himation. Temple, Golgoi. H. 1 ft., 5% in. 
 
 405. HEAD of same general description as No. 387. Hair 
 in braids, bound with fillet. Temple, Golgoi. H. 4 13-16 in. 
 
 1014^ . 4 o6. STATUE OF WARRIOR. Male figure, drawing a 
 short sword. Helmet, with cheek and nose-pieces ; short-sleeved 
 chiton ; belt ; kilt with double uraeus. Temple, Golgoi. H. 
 10 9-16 in. 
 
 407. FEMALE HEAD with wreath of leaves about hair 
 with row of curls over forehead. Castle of St. Hilarion. H. 
 6% in. 
 
 ICXoH-. 408. PART OF STATUETTE. Hair in short curling 
 locks. Short-sleeved long chiton ; himation over left shoulder ; 
 spiral armlets. Temple, Golgoi. H. 1 ft., 1 in. 
 
 409. FEMALE HEAD. Fillet ; hair in bandeaux ; single 
 row of curls over forehead. Temple, Golgoi. H. 6y 2 in. 
 
 410. FEMALE HEAD. Hair in straight lines from crown 
 of the head forward, tied under fillet, making a row of curls 
 over forehead. Temple, Golgoi. H. 6 in. 
 
 411. FEMALE HEAD. Broad wreath of interlaced 
 leaves ; short curls in front. Temple, Golgoi. H. 6^ in. 
 
 412. FEMALE HEAD. Single wreath of leaves ; short 
 curls on forehead. Temple, Golgoi. H. 4^4 in. 
 
 413. FEMALE HEAD. Fillet ; frisure in straight tresses 
 falling behind the ears. Temple, Golgoi. H. 5 13-16 in. 
 
 414. HEAD with pointed cap, showing knitted texture ; 
 beard in short curls ; hair falling behind back. Golgoi. H. 
 7 7 /s in. 
 
 415. MALE HEAD. Wreath; short, curly hair. Temple, 
 Golgoi. H. 4% in. 
 
 416. FEMALE HEAD. Similar to No. 413. Temple, 
 Golgoi. H. 4 7-16 in. 
 
 -417. STATUETTE of female figure, holding a dove by the 
 wings, in right hand. Sleeved chiton, and himation, both in 
 stiff folds ; fillet ; hair with short curls over forehead ; spiral 
 armlets. Red color. Temple, Golgoi. H. 2 ft., % in. 
 
32 
 
 The Metropolitan Museum of Art. 
 
 418. PORTION cf bearded figure:, with helmet covering 
 the ears. Chiton and himation. Temple, Golgoi. H. 5 5-16 in. 
 
 419. FRONT PORTION of a head, with broad diadem on 
 which are large rosettes in relief. Beard indicated by a raised 
 surface. West of temple, Golgoi. H. 8}i in. 
 
 420. PART OF STATUETTE, nude to belt; showing 
 traces of fire. Helmet with crest of two lotus flowers, and 
 rosette in front ; flaps show a lotus border. Belt ; kilt with head 
 of Medusa, or imitation of Hathor, from whose mouth protrude 
 two asps ; above it, an eye ; below, two-winged serpents. Spiral 
 armlets and ear-rings ; broad necklace or collar. Some object 
 in right hand. An adaptation of Egyptian models of the 
 XVIII. dynasty : strong resemblance to Queen Tii. Temple, 
 Golgoi. H. 1 ft., 11% in. See Atlas, I:, xlii., 279. 
 
 421. BEARDED HEAD, Portion of a, with wreath of 
 leaves ; three rows of curls over forehead ; beard in four parallel 
 bands, which are covered with incised slanting lines. Temple, 
 Golgoi. H. 8}i in. 
 
 loifrb.a- 422. FIGURE, with broad undergirt belt, on which is a 
 rosette ; flat diadem, with three rosettes, about the head. Tem- 
 ple, Golgoi. H. 8 in. 
 
 9 ko*S . 423. PART OF STATUE ; sleeveless chiton ; belt ; kilt with 
 mask and other ornaments in relief ; spiral armlets. Ruins, 
 Amathus. H. 14^ in. 
 
 424. FEMALE HEAD. Wreath ; row of curls over fore- 
 head. Temple, Golgoi. H. 4 in. 
 
 425. FRAGMENT. Portion of broad necklace, or collar, 
 from a statue. Ruins, Amathus. H. 9% in. 
 
 426. VOTIVE OFFERING. Portion of chariot with four 
 horses, and two persons driving. Temple, Golgoi. H. 6*4 in. 
 
 427. FRAGMENT of pair of horses, with trappings. Tem- 
 ple, Golgoi. H. 8^8 in- 
 
 US* 428. ARCHITECTURAL ORNAMENT. Lotus flower in 
 relief. Temple, Golgoi. H. 5^ in. 
 
 429. VOTIVE OFFERING ; a woman's breast. Temple, 
 Golgoi. H. in. 
 
 430. PART OF CAMEL, with saddle, riders and baggage. 
 Temple, Golgoi. H. io^4 in. 
 
Catalogue of Stone Sculptures. 
 
 33 
 
 431. MOUNTED HORSEMAN. Fragment. Head gone. 
 Red color. Temple of Apollo Hylates, Curium. H. 3^ in. 
 
 432. MALE HEAD. High wreath of leaves ; short curls. 
 Temple, Golgoi. H. 6 in. 
 
 cj(<? . 433. STATUETTE of male figure, with upraised arm. 
 Hair in short curls. Chiton and belt ; over which is a coat-like 
 himation. Red color. Temple, Golgoi. H. 1 ft. 
 
 434. HEAD. Thick wreath. Heavy hair in short curls, 
 and falling behind on the neck. Ruins, Idalium. H. 5 in. 
 
 435. MALE HEAD. Garland of leaves ; short curls round 
 the forehead and behind. Ruins, Idalium. H. 6 15-16 in. 
 
 io*a>. 436. STATUETTE of woman, holding fruit in the fold of 
 her robe. Pointed head-dress, or hood, with rosettes ; chiton ; 
 himation; large ear-rings; necklace. Temple, Golgoi. H. 1 ft., 
 y/4 in. 
 
 437. MALE HEAD. Wreath, and triple row of short curls 
 over forehead. Temple, Golgoi. H. 6^8 in. 
 
 438 FEMALE HEAD. Row of curls over forehead. 
 Wavy tresses behind the neck. Rosette at the ear. Temple, 
 Golgoi. H. 5 in. 
 
 439. FEMALE HEAD. Broad band about forehead. Near 
 the temple, Golgoi. H. 4% in. 
 
 440. FEMALE HEAD. Hair in parallel tresses ; fillet tied 
 in knot over forehead ; two rows of curls over forehead. Tem- 
 ple, Golgoi. H. 4J4 in. 
 
 441. MALE HEAD with double wreath, and curly hair on 
 forehead. Ruins, Idalium. H. 4% in. 
 
 442. MALE HEAD. Small fillet; hair in straight lines 
 from crown ; row of curls over forehead. Ruins, Idalium. H. 
 S'A in. 
 
 443. FEMALE HEAD with twisted diadem, hair in 
 straight bands from crown. Ruins, Idalium. H. 3% in. 
 
 444. HORSE AND RIDER. Fragment; body of rider 
 gone. Fore feet of horse on a couchant lion. Ruins, Cythrea. 
 H. 6 11-16 in. 
 
 445. FEMALE HEAD with short, curly hair; ear-rings 
 with pear-shaped pendants. Temple, Golgoi. H. 3% in. 
 
34 The Metropolitan Museum of Art. 
 
 446. MALE HEAD. Short hair, with curls over forehead, 
 and high wreath of leaves. Ruins, Idalium. H. 5 13-16 in. 
 
 447. HEAD with pointed helmet and side flaps. Hair in 
 masses behind. Temple, Golgoi. H. 5 13-16 in. 
 
 448. HEAD. Similar to the preceding. Temple, Golgoi. 
 H. 4% in. 
 
 449. HEAD. Pointed head-dress. Hair falling on neck 
 behind. Like 447. Temple, Golgoi. H. 4 5-16 in. 
 
 450. HEAD. Broad and flat. Pointed head-dress. Hair 
 in masses behind. Resembles a head cut in high relief. Tem- 
 ple, Golgoi. H. 4 l / 2 in. 
 
 451. HEAD. Conical cap with ridged crest; otherwise 
 generally like No. 449. H. 4]/ 2 in. 
 
 < 452. BEARDED STATUETTE, Upper part of a. Curly 
 locks, bound with fillet, and falling behind the shoulders. Head 
 turned to left. Curly beard. Temple, Golgoi. H. 4^ in. 
 
 453. HEAD. Much like No. 449, but conical cap higher, 
 with seams differently placed. H. 5*4 in. 
 
 454. RUDE SATYR. Bearded. Hair in lines from crown. 
 Ears on top of head. Nude. Arms and legs gone. Temple, 
 Golgoi. H. $y 2 in. 
 
 455. HEAD. Pointed cap with flaps. Hair in masses be- 
 hind. H. 2> S A in- 
 
 456-461. HEADS. Generally of same description as the 
 last. Temple, Golgoi. H. 3^ — 4^4 in. 
 
 loUtt 4^ 2 - STATUE. Hair in curls; beard, a raised surface; 
 ■close-fitting chiton ; belt undergirt ; on it, four rosettes. Spiral 
 armlets. Temple, Golgoi. H. 2 ft., z x A in - 
 
 463. FEMALE LYRE-PLAYER. Veiled head; chiton; 
 himation. Temple, Golgoi. H. 5 1-16 in. 
 
 464. HEAD with pointed cap ; hair massed behind. Tem- 
 ple, Golgoi. H. 3>4 in. 
 
 465. HEAD generally similar to preceding. Temple, Gol- 
 goi. H. 3 9-16 in. 
 
 U%* . 466. RUDE SATYR. Nude. Large, bearded face ; promi- 
 nent buttocks. Similar to No. 454. Temple, Golgoi. H. 
 5^ in. 
 
Catalogue of Stone Sculptures. 35 
 
 467. HEAD generally like No. 447. Temple, Golgoi. H. 
 4% in. 
 
 468. HERCULES with lion's skin, etc., Fragment of a 
 Temple, Golgoi. H. 2^s in. 
 
 469. DEMETER, or her attendant. Female head with 
 basket head-dress, and peplos over it and falling behind. Tem- 
 ple, Golgoi. H. 1^8 in. 
 
 loxs. 470. UPPER PART OF A STATUETTE of player on the 
 double flute. Singular arrangement of hair. Similar to Egyp- 
 tian style. Temple, Golgoi. H. 2}i in. 
 
 luo-n. 471-472. FRAGMENTS. A base (broken), on which are 
 two coiled snakes. (Perhaps Hercules killing the Hydra.) 
 Temple, Golgoi. H. 7 in. 
 
 473. PORTION OF A CORNICE, with lion's head gar- 
 l^/goyle. Architectural fragment. Ruins of temple of Apollo 
 
 Hylates, Curium. Length, 1 ft., 3 in. 
 
 474. COW, rudely carved. Diamond-shaped decoration in 
 red. Votive offering. Temple, Golgoi. H. 6*4 in. 
 
 475. VOTIVE OFFERING; a ram, kneeling, or lying 
 down. Temple, Golgoi. H. 2^ in. 
 
 476. GROUP. A fragment of three seated figures, with an 
 animal (victim?) lying at their feet. H. 2^4. in., 1. 5^4 in. 
 
 477. VOTIVE OFFERING ; a cow, rudely carved, colored 
 red. Temple, Golgoi. H. 6 7-16 in. 
 
 tCrj£". 478. MALE FIGURE; on left forearm was apparently a 
 dove. Chiton ; himation edged in red color ; low tiara about 
 head ; two rows of curls in front. Temple, Golgoi. H. 1 ft., 
 2^4 in. 
 
 479. MALE HEAD. Wreath of leaves ; row of curls over 
 the forehead. Temple, Golgoi. H. 6^ in. 
 
 480. HEAD. Triple row of curls about forehead ; garland 
 of leaves. Temple, Golgoi. H. 5^2 in. 
 
 . 481. FEMALE FIGURE; on left forearm was apparently 
 a dove. Chiton, girt at waist ; over-garment. Temple, Golgoi. 
 H. 1 ft., 5 in. 
 
 482. FEMALE HEAD. Curls over forehead ; high wreath 
 of leaves ; hair combed back in tresses. Temple, Golgoi. H. 
 $y 2 in. 
 
36 The Metropolitan Museum of Art. 
 
 * Q ®tf- 483. HEAD. Curls in front ; wreath of leaves. Ruins, 
 # Idalium. H. 5^3 in. 
 
 \oSZ 484. MALE FIGURE. Beard and twisted turban ; hima- 
 tion. Otherwise nude. Temple, Golgoi. H. 11% in. 
 
 485. FEMALE HEAD; hair in curls above; long locks 
 behind. Temple, Golgoi. H. 4^2 in. 
 
 1 01^. 486. STATUETTE, with three tresses of hair falling on 
 each shoulder in front. Long sleeveless chiton ; red himation ; 
 similar to No. 167, but smaller. Temple, Golgoi. H. j 1 /^ in. 
 
 487. MALE HEAD with short curls over forehead. 
 Wreath of leaves ; hair in lines from the crown of the head. 
 Temple, Golgoi. H. 5^4 in. 
 
 488. HEAD with elaborate wreath of leaves ; row of curls 
 over forehead. Temple, Golgoi. H. 3% in. 
 
 489. HEAD. Wreath of leaves ; band of curls over fore- 
 head. Rude. H. 4^4 in. 
 
 490. HEAD, with wreath of leaves ; two rows of curls 
 over forehead. Elaborate. Temple, Golgoi. H. 7^4 in. 
 
 491. HEAD. Head-dress like the basket of Demeter ; pen- 
 dent ear-rings. Ruins, Amathus. H. 5^ in. 
 
 492. HEAD with short hair ; broad wreath of leaves ; curls 
 over the forehead and behind neck. Temple, Golgoi. H. 4^2 in. 
 
 493. (PART OF) STATUETTE of seated figure ; chiton ; 
 vase or caldron between the knees. Head gone. Temple, Gol- 
 goi. H. 4% in. 
 
 494. ORNAMENT ; probably a foot or stem-ornament ; in 
 the shape of a conventionalized flower. H. 1% in. 
 
 495. HEAD. Much like 447. Temple. Golgoi. H. 5 in. 
 
 496. HEAD. Hair in lines from crown. Wreath of upright 
 leaves ; two rows of curls framing the face. Temple, Golgoi. 
 H. y/ 2 in. 
 
 497. HEAD. Hair in twisted bandeaux from crown of 
 head, ending in curls over forehead ; thick fillet ; beard. Shoul - 
 ders prominent behind. Ruins, Idalium. H. 3 in. 
 
 498. HEAD. Much like No. 450. Temple, Golgoi. H. 
 4H in - 
 
Catalogue of Stone Sculptures. 
 
 37 
 
 499. HEAD with close-fitting head-dress ; hair in masses 
 behind the neck ; ear-rings. Temple, Golgoi. H. 2]/^ in. 
 
 500. HEAD. Similar to No. 496. Tresses from the front 
 to the back of the head. Ruins, Idalium. H. 2>4 in. 
 
 501. HEAD. Similar to foregoing; high fillet; round ear- 
 rings. Ruins, Idalium. H. 2 1-16 in. 
 
 502. FEMALE HEAD. High wreath of leaves ; curls over 
 forehead. Temple, Golgoi. H. 3 in. 
 
 "? lOUAv- 5°3- FEMALE STATUE. Diadem about head ; hair in a 
 mass on shoulders ; spiral ear-rings ; short sleeved, close-fitting 
 chiton ; belt, undergirt. Temple, Golgoi. H. 2 ft., 4]/$ in. 
 
 504. HEAD with wreath of leaves ; curls over forehead ; 
 hair in strands from crown. Temple, Golgoi. H. 4% in. 
 
 505. HEAD with wreath ; curls over forehead. Hair indi- 
 cated by cross lines. Temple, Golgoi. H. 4 l / 2 in. 
 
 506. DOG. Found in the same tomb with the sarcophagus, 
 No. 1, along with two mortuary stelae. Traces of original red 
 color on eyes, ears, snout and collar about neck. Necropolis, 
 Golgoi. H. 1 ft., 6 in. 
 
 507. FEMALE HEAD with hair parted in middle and laid 
 in parallel tresses ; two rows of curls over forehead, tied by 
 a knotted fillet well executed. Temple, Golgoi. H. 4^ in. 
 
 508. HEAD with wreath ; curly hair over forehead. Tem- 
 ple, Golgoi. H. 4 in. 
 
 lofc»$. 509. FEMALE FIGURE ; right hand holding a dove by its 
 wings ; in left hand, a small round box. Chiton ; himation ; hair 
 combed back and gathered at the neck ; wreath, and two rows 
 of curls in front. Temple, Golgoi. H. 2 ft., m - 
 
 UoVT^io-^. LIONS. Temple, Golgoi. L. 6^—7 in. 
 
 512. LION, recumbent. Votive offering. Temple, Golgoi. 
 H. ?ji in., 1. (lion) Sy 2 in. 
 
 Ucm . 513. LION, crouched. Temple, Golgoi. H. 6}i in., 1. 
 (lion) 8}i in. 
 
 Uov (.j^ LION, crouching. Fragment. Necropolis, Golgoi. 
 L. n l / 2 in. 
 
 515 LION, recumbent. Temple, Golgoi. L. S l 4 in. 
 
The Metropolitan Museum of Art. 
 
 516. HEAD of an animal with hanging ears. Temple, Gol- 
 goi. H. $y 2 in. 
 
 517. BOWL or patera. Necropolis, Golgoi. D. 4 9-16 in. 
 
 518. HEAD of an animal with hanging ears. Sheep? Tem- 
 ple, Golgoi. H. 3>4 in. 
 
 Ion • 5 T 9- MALE HEAD with curly hair over forehead; parted 
 from crown. Temple, Golgoi. H. 5^2 in. 
 
 520. STATUETTE of female lyre-player ; round ear-rings ; 
 rosettes about the head-dress in front ; necklace with long pear- 
 shaped pendants ; bracelet ; plectrum in right hand ; long chiton ; 
 himation. Ruins, Idalium. H. 15% in. 
 
 521. HEAD with garland of rosettes in three bands. Ruins, 
 Idalium. H. 4^4 in. 
 
 522. MALE HEAD with high wreath ; curls on forehead. 
 Ruins, Idalium. H. 6^4 in. 
 
 MSo . 523. MALE FIGURE ; long robe ; antelope under left arm. 
 Wreath of leaves on the head. Temple, Golgoi. H. 1 ft., in. 
 
 524. HEAD with flat diadem ; curls over forehead. H. 
 SH in- 
 
 525. MALE HEAD. Wreath with oviform pendants ; row 
 of curls about forehead. Ruins, Idalium. H. 8 in. 
 
 526. MALE HEAD with wreath and curls. Temple, Gol- 
 goi. H. 3 11-16 in. 
 
 527. MALE HEAD with double wreath ; short curled locks 
 over the temples and forehead. Temple, Golgoi. H. 5% in. 
 
 528. HEAD with wreath of leaves ; curls over forehead. 
 Ruins, Idalium. H. 3% in. 
 
 529. MALE HEAD. High wreath of leaves ; puffed ban- 
 deaux about forehead. Temple, Golgoi. H. 7^2 in. 
 
 530. FEMALE HEAD. Hair brought forward from the 
 crown ; fillet. Lips painted. Unfinished? Temple, Golgoi. H. 
 4 J /2 in. 
 
 531. FEMALE HEAD with fillet tied in a bow in front; 
 i> two rows of curls over forehead. Temple, Golgoi. H. 6^4 in. 
 
 \\oa 532. PEDESTAL? Altar-shaped object. In front, relief 
 bf Hercules and the lion ; on each side, a robed figure. Temple, 
 Golgoi. H. 10 in. ; base 7 x 6^4 in. 
 
Catalogue of Stone Sculptures. 39 
 
 533. HEAD with flat band, or fillet, with three rosettes. 
 Temple, Golgoi. H. Sy 4 in. 
 (DfcY . 53*. PORTION OF FEMALE FIGURE; hair in grooved 
 Insure in front, with fillet ; curls over forehead, others falling 
 on shoulders behind; long chiton. Temple, Golgoi. H. 2 ft., 
 234 in. 
 
 535. HEAD. Head-dress furrowed in two lines ; hair fall- 
 ing behind the ears. Ruins, Idalium. H. 2}i in. 
 
 536. FACE FROM A STATUE. Wreath of leaves and 
 flower-bells ; twisted tresses over forehead ; beard in short curls ; 
 moustaches 'twisted. Red color on hair, beard, eyebrows, and 
 moustaches. Temple, Golgoi. H. 1 ft., Y\ in. 
 
 M <<i7. LION'S HEAD. Fragment. Temple, Golgoi. H. 
 ^8 in 
 
 «8. LION'S HEAD. Fragment. Temple, Golgoi. H. 
 i^ 5 i/ 2 in. 
 
 539. PART OF A LION. Temple, Golgoi. H. 5 in. 
 uot. 540. LION, Fore-part of crouching, open-mouthed. Gol- 
 goi. H. 7 in. 
 
 11*3. 541. ROSETTE above a chitnaera's head; probably frag- 
 ment of a chair-arm. Ruins, Amathus. H. 8^8 in. 
 -> 542. PART OF MORTUARY STELE. On pediment, 
 ' rosette and palmette, flanked by two seated lions. Necropolis, 
 
 Golgoi. H. g}i in. 
 IVR" 543- PORTION of the turreted head of a statue ; probably 
 ' of Cybele. Ruins, Leucolla. H. 73^ in. 
 
 loss. 544. FEMALE LYRE-PLAYER, like No. 520, except that 
 it has a pointed hood, long ear-rings, and heavier necklace. 
 Ruins, Idalium. H. 1 ft, 2% in. 
 
 545. FRONT PART OF MALE HEAD, with peculiar 
 head-dress ; short locks ; curls over forehead. Temple, Golgoi. 
 H. in- 
 
 l©«*. 546. PART OF FEMALE FIGURE ; pointed head-dress ; 
 large circular ear-rings ; throat necklace and pendant, and a 
 larger one on the breast, with acorn-like pendants. Chiton in 
 ridges. Ruins, Idalium. H. 8 in.. 
 
 547. MALE HEAD with curls and high wreath. Temple, 
 Golgoi. H. 4^4 in. 
 
4© The Metropolitan Museum of Art. 
 
 to*4- 548. FEMALE FIGURE; pointed head-dress; large ear- 
 rings; two necklaces with pendants; long robe. Right hand 
 holds a lotus flower to the breast. Edge of himation indicated 
 in reddish purple. Ruins, Idalium. H. 1 ft., 7^4 in. 
 
 549. HEAD. Hair in roll over forehead ; wreath of leaves. 
 Temple, Golgoi. H. 6 34 in. 
 
 550. HEAD. Hair in roll over forehead ; wreath of leaves. 
 Temple, Golgoi. H. 8% in. 
 
 551. FEMALE HEAD. Wreath; hair ruffled over the 
 forehead. Temple, Golgoi. H. 4^ in. 
 
 552. FEMALE HEAD. Tiara ; double row of curls. Ear- 
 rings ; long tress behind the ears. Ruins, Idalium. H. 4^4 in. 
 
 ) 1$ 553- MALE HEAD. Wreath ; eyes with red pupils ; hair 
 ^ originally red. Temple, Golgoi. H. 6^2 in. 
 
 554. FEMALE HEAD. Hair in tresses from a middle 
 parting, hanging thick behind. Flat diadem. Large disk ear- 
 rings. Temple, Golgoi. H. 3^ in. 
 
 555. MALE HEAD. Wreath ; row of curls over forehead. 
 Temple, Golgoi. H. 4J/2 in. : 
 
 556. HEAD. Wreath ; short hair, puff over forehead. 
 Ruins, Idalium. H. 4^ in. 
 
 557. FEMALE HEAD. Thick roll of hair over forehead; 
 wreath of leaves. Rude. Temple, Golgoi. H. 4*4 in. 
 
 558. HEAD.- Knotted fillet ; curls about the head. Tem- 
 ple, Golgoi. H. 3 in. 
 
 559. MALE HEAD. Short hair ; puff over forehead. High 
 wreath. Temple, Golgoi. H. 4 in. 
 
 STATUETTE. Chiton; himation; crown about the 
 head, with leaf-shaped ornaments ; curls hanging about the 
 forehead. Temple, Golgoi. H. 1 ft., nj4 in. 
 
 561. HEAD. Curls over the forehead. Greave-like head- 
 dress, open on top. Temple, Golgoi. H. 6>4 in. 
 
 10V>2- 562. PRIESTESS ( ?), female figure, with branch in right 
 hand ; short-sleeved chiton ; himation ; diadem about the head, 
 with leafy ornaments on either side of a central band. Hair 
 down the back, and in three tresses on each shoulder. Spiral 
 armlets. Temple, Golgoi. H. 1 ft., 10% in. 
 
Catalogue of Stone Sculptures. 
 
 41 
 
 563. MALE HEAD. Beardless ; probably a portrait. Top 
 broken away. Golgoi. H. 6 in. 
 
 lobcj. 564. PRIESTESS or worshiper, holding in left hand a 
 round box, and a dove by the wings. Right hand held a branch. 
 Wreath of upright leaves, heavy roll over forehead; chiton; 
 himation. Temple, Golgoi. H. 2 ft., 24 in. See Atlas, Vol. I., 
 PI. lxvii., 452. 
 
 565. FEMALE HEAD. Head-dress with ruffles over the 
 forehead, and sides like birds' wings. Similar to No. 561. Gol- 
 goi. H. 6 in. 
 
 566. FRAGMENT of sepulchral stele with crouching lion. 
 Necropolis, Golgoi. Length, 1 ft., 3 in. 
 
 567. FRAGMENT OF MORTUARY STELE. Showing 
 a recumbent lion. Necropolis, Golgoi. H. 7% in., 1. 1 ft., 4 in. 
 
 Kfl// 568. SEATED LION ; probably a votive offering. Tern- 
 's/pie, Golgoi. H. 1 ft., S 5 A in. 
 
 ><LCU 5 6 9- FRAGMENT OF MORTUARY STELE; lion. 
 "I Necropolis, Golgoi. H. 1 ft., 24 in. 
 
 570. FEMALE HEAD. Curls over forehead, and behind. 
 Leafy wreath. Temple, Golgoi. H. 4 in. 
 
 * 571. FEMALE HEAD. Hair in tresses, with curls over 
 
 '^°^the forehead; fillet or diadem adorned with rosettes. Temple, 
 Golgoi. H. 7^4 in. 
 
 572. FEMALE HEAD. Wreath; long tresses behind. 
 Temple, Golgoi. H. 3% in. 
 
 573. MALE HEAD, with wreath of leaves and oviform 
 pendants. Temple, Golgoi. H. 8% in. 
 
 574. HEAD. Roll of hair over forehead ; high wreath. 
 Temple, Golgoi. H. 5^ in. 
 
 Uo^.575. WORSHIPER. Crouching figure holding a dove. 
 Temple of Apollo Hylates, Curium. H. 9^ in. 
 
 576. MALE HEAD with wreath. Indistinct. Temple, 
 Golgoi. H. 4^4 in. 
 
 <ocjS\ 577- HERCULES, with club. Short-sleeved chiton, with 
 belt. Fillet about head. Temple, Golgoi. H. 10% in. 
 
 578. HEAD OF HERCULES in the lion's skin. Head- 
 dress similar to following. Temple; Golgoi. H. 4% in. 
 
4 2 
 
 The Metropolitan Museum of Art. 
 
 locp . 579 . STATUETTE OF HERCULES, clad in the lion's 
 skin. Parts of arrows in left hand. Temple, Golgoi. H. 8% in. 
 
 579A. HEAD OF HERCULES in the lion's skin. Temple, 
 Golgoi. H. in. 
 
 580. HEAD OF HERCULES in the lion's head head-dress. 
 Temple, Golgoi. H. 5 in. 
 
 i«oo • 580A. HEAD OF HERCULES in the lion's skin. Temple, 
 Golgoi. H. 6 in. 
 
 1©*^. 581. PART OF STATUETTE of Hercules clad in the 
 lion's skin. Temple, Golgoi. H. 8>4 in. 
 
 582. HEAD OF HERCULES in the lion's head head-dress. 
 Temple, Golgoi. H. 3 in. 
 
 I<*ta 583. HEAD OF HERCULES in the lion's skin. Temple, 
 Golgoi. H. 5% in. 
 
 584. STATUE, male, erect. Egyptian style. Head-cloth 
 bound with fillet, and falling behind. Short-sleeved, close fit- 
 It ll ting chiton, with broad band of lotus ornament about the yoke, 
 over shoulders, down sleeves, and crossed over the body. Apron 
 in imitation of ancient Egyptian pattern, with uraeus ends. 
 Legs bare ; sandals. H. 2 ft., 4^2 in. 
 
 «*><V( • 5 8 5- PART OF STATUETTE of Hercules in the lion's 
 skin. Chiton, with belt. Left hand grasps a small lion. Tem- 
 ple, Golgoi. H. 1 ft., 4y 2 in. 
 
 »oq* • 5 86 - STATUETTE OF HERCULES in the lion's skin. 
 Chiton, with knotted belt. Small lion on left hip. Ruins, 
 Amathus. H. 1 ft., 9% in. 
 
 587. HERCULES with lion-head head-dress ; row of curls 
 \ t 'on forehead ; lion skin over shoulders, with paws falling in 
 front on breast. Short-sleeved chiton to knees, bound with belt. 
 Left hand gone, held bow( ?) ; right has four arrows ( ?). Gone 
 below knees. H. 1 ft. 4 in. 
 
 lo^Z . 588. STATUETTE OF HERCULES in the lion's skin. 
 Belted chiton. Portion of quiver under left arm. Temple, Gol- 
 goi. H. 1 ft., 7% in. 
 
 IHi£> 5 8 9- STATUETTE of bearded figure, seated in high- 
 backed chair. Temple, Golgoi. H. 6^4 in. 
 
 Hub 59°- VOTIVE OFFERING. Cow suckling her calf. 
 Temple, Golgoi. H. yy 2 in. 
 
31 29 49 
 
 PLATE III. 
 
Catalogue of Stone Sculptures. 43 
 
 HSo, 591. DOG seizing a bare. Temple, Golgoi. H. i 13-16 in., 
 1., 6 l / 2 in. 
 
 W5"Z 592. VOTIVE OFFERING. Two doves with bills united. 
 
 Temple, Golgoi. H. 4 in., 1. 5 l /z in. 
 IUK* C 593. DOG seizing a bare. Temple, Golgoi. H. 2^4 in., 
 i. 6y 2 in. 
 
 594. PART OF A VOTIVE (?) STELE; conventional 
 v /-tree, with eagle on each side of it. Imitation of Egyptian 
 ^ Imotive. Temple, Golgoi. H. io l / 4 in., w. 14 in. 
 
 595. TOP OF A STELE, with recumbent lion (or dog?). 
 Necropolis, Golgoi. H. 1 ft., Y\ in. 
 
 u 1* 596. MALE FIGURE; wreath of leaves; chiton falling to 
 the knees. Round object in right hand ; dove in the left. Tem- 
 ple, Golgoi. H. 1 ft., SH in - 
 
 597. MALE HEAD with wreath. Weathered. Ruins of 
 temple of Apollo Hylates, near Curium. H. sV4 in. 
 
 598. HEAD with roll of hair over forehead ; wreath. Tem- 
 ple, Golgoi. H. 4% in. , . 
 
 599. STATUETTE with wreath ; long robe with reticulated 
 surface. Fragment of a dove, held in the left hand, still re- 
 maining. Temple, Golgoi. H. 1 ft. 
 
 600. MALE HEAD with wreath. Ruins of temple of 
 Apollo Hylates, near Curium. H. 4% in. 
 
 601. MALE HEAD with wreath; weathered. Temple, 
 Golgoi. H. 5 in. 
 
 4o<a«. 602. EROS (?) Nude male figure, with upright wings. 
 Band over left shoulder. Curly locks ; fillet. Legs gone. Tem- 
 ple, Golgoi. H. gy$ in. 
 
 603. MALE HEAD, with wreath. Traces of red color. 
 Temple, Golgoi. H. 4% in. 
 
 604. MALE FIGURE ; wreath ; chiton ; himation. Round 
 object in right hand ; dove in left. Surface weathered. Tem- 
 ple, Golgoi. H. 1 ft., 2 J / 2 in. 
 
 605. MALE HEAD, with wreath. Ruins of temple of 
 Apollo Hylates, near Curium. H. 4% in. 
 
 606. MALE HEAD, with prominent wreath. Same locality 
 as the last. H. 5 in. 
 
44 The Metropolitan Museum of Art. 
 
 607. MALE HEAD, same as 605. Badly weathered. H. 
 434 in. 
 
 608. MALE HEAD, with flat cap and wreath. Temple, 
 
 Golgoi. H. 3^4 in. 
 
 609. FEMALE HEAD. Round, corded fillet; wig-like 
 hair covering ears and temples in short curls. Temple, Golgoi. 
 H. sVa in. 
 
 610. MALE HEAD, with turban and fillet. Temple of 
 Apollo Hylates, near Curium. H. 3^ in. 
 
 611. DRAPED FIGURE, with wreath, seated on square 
 iM£ s tool. Temple, Golgoi. H. ny 2 in. £fdrj 
 
 \?>$<\. 612. FEMALE FIGURE, prominent wreath; long chiton, 
 girt at the waist by belt with rosettes ; band, clasped, over right 
 shoulder. Eyes of inserted alabaster. Greek. Temple, Golgoi. 
 H. 1 ft., Sy 8 in. 
 
 613. FIGURE, Upper part of, with ram's horns curling 
 round the ears. See 614. Temple, Golgoi. H. 4% in. 
 
 M^p. 614. STATUETTE OF FIGURE, with ram's horns, seated 
 in high-backed chair. Temple, Golgoi. H. 7^ in. 
 
 615. MALE FIGURE; wreath; short hair; long chiton; 
 himation; shoes. Temple, Golgoi. H. 2 ft, 3% in. 
 
 616. HEAD. Hair in roll over forehead ; wreath. Temple, 
 Golgoi. H. 4^8 in. 
 
 617. STATUETTE. Like No. 614, but each hand rested 
 '"on the head of a ram, whose body is sculptured on the side of 
 
 the chair. Temple, Golgoi. H. 5^8 in. 
 
 618. MALE HEAD, Front part of; two rows of curls; 
 wreath of leaves ; beard in curls. Temple, Golgoi. H. 1 ft, 
 iYt. in. 
 
 619. FRAGMENT. Portion of the waist of a statue, with 
 belt ; on it a relief of two sphinxes ; bearded human heads with 
 
 I (Lno conical head-dress, and other details too much worn to make 
 out with certainty. Below are marks resembling Cypriote 
 characters, indistinct. Temple, Golgoi. H. 7^ in. 
 
 620. VOTIVE OFFERING; sheepfold; eight sheep and a 
 trough. Temple, Golgoi. L. 8^ in. 
 
Catalogue of Stone Sculptures. 
 
 45 
 
 621. CYLINDRICAL OBJECT, with bluntish conical end ; 
 an eye carved on one side; and two projections like the ears of 
 an alabastron. Perhaps a symbol of Aphrodite. Temple, Gol- 
 goi. L. 9 in. 
 
 622. FOOTSTOOL. In front, relief of two large rosettes, 
 over each of which hangs a pair of lotus flowers, with joined 
 
 iVp stems ; between them, a lion devouring a bull. Temple, Golgoi. 
 L. 23 in., h. 7^4 m - 
 
 623. MALE HEAD, with wreath and curls. Temple, Gol- 
 goi. H. 4^8 in. 
 
 t««i- 624. MALE FIGURE; long chiton; himation; short hair, 
 wreath ; ears of corn in left hand. Cut from a thin stone. Tem- 
 ple, Golgoi. H. 1 ft., 6% in. 
 
 625. MALE HEAD. Turban ; long ear-rings ; moustaches ; 
 long, curly beard ; hair falling behind the ears. Temple, Golgoi. 
 H. 6¥$ in. 
 
 626. PART OF STATUETTE; chiton; chlamys ; right 
 arm holding a small object; left hand holding a dove. Head 
 gone. Ruins of temple to Apollo Hylates, near Curium. H. 
 1 ft., 2 in. 
 
 627. MALE HEAD, with wreath; curls on forehead. 
 Ruins, Idalium. H. 4>4 in. 
 
 loci©. 628. SIREN; hands raised to the hair, and wings spread. 
 Holes perforated inside the bend of the arms. Nude. From 
 Salamis. H. 13 in. 
 
 629. MALE HEAD, with wreath ; short hair over the fore- 
 head. Temple, Golgoi. H. $y 2 in. 
 
 630. MALE HEAD, with wreath, weathered. Temple, Gol- 
 goi. H. 4% in. 
 
 631. FEMALE FIGURE, Fragment of a, with wreath 
 and mantle. Ruins, Idalium. H. 6^4 in. 
 
 632. MALE HEAD, with wreath. Ruins of temple of 
 Apollo Hylates, near Curium. H. 4 J / 2 in. 
 
 I0ii4. 6 33- BEARDED FIGURE, Portion of, on horseback. 
 Temple, Golgoi. H. ?}i in., 1. I2>4 in. 
 
 634. MALE HEAD, with short hair, and wreath. Temple, 
 Golgoi. H. 4I/2 in. 
 
4 6 
 
 The Metropolitan Museum of Art. 
 
 *o*(cj . 6 35> MALE HEAD, with wreath of leaves. Four rows of 
 short curls over forehead. Greek features. Temple, Golgoi. 
 H. 65/ 8 in. 
 
 636. MALE HEAD of large size. Beard in long locks; 
 wreath of leaves ; double row of curls over forehead. Elaborate. 
 Greek. Temple, Golgoi. H. 1 ft., 2 11-16 in. 
 
 637. MALE HEAD, with high wreath. Apparently a por- 
 trait, of the Roman period. Temple, Golgoi. H. 6^2 in. 
 
 638. FRONT PART OF MALE HEAD of large size. 
 Leafy wreath ; wavy locks ; beard in conventional curls. Tem- 
 ple, Golgoi. H. 1 ft., 1% in. 
 
 639. TWO COLOSSAL FEET on flat pedestal. West of 
 the temple, Golgoi. H. 1 ft., 1 in., 1. 2 ft., 1 in., w. 18 in. 
 
 640. SANDALLED LEFT FOOT, with part of leg. San- 
 dal, bound with thongs over the top and lengthwise to great toe. 
 Holes for suspension. Votive offering. Temple, Golgoi. L. 
 9^4 in., h. 1 1 in. 
 
 Ut(f>. 641. FEMALE FIGURE; long hair; wreath; long robe, 
 with sleeves to the elbows. Fruit (?) in left hand. Temple, 
 Golgoi. H. 1 \y$ in. 
 
 642. MALE HEAD. Wreath. Apparently a portrait, of 
 the Roman period. Temple, Golgoi. H. 6^g in. 
 
 1 192.- 643. MALE FIGURE ; short hair ; wreath of leaves ; long 
 chiton ; himation ; in left hand, ears of grain. Temple, Golgoi. 
 H. 1 ft., in. 
 
 644. HEAD, with wreath ; short hair combed up over the 
 forehead. Temple, Golgoi. H. 6 l / 2 in. 
 
 645. MALE FIGURE; long robe; in left hand, dove held 
 • by the wings. Temple, Golgoi. H. 1 ft., 5^ in. 
 
 646. MALE HEAD, with wreath of leaves, and acorn-like 
 pendants. Temple, Golgoi. H. 5^2 in. 
 
 647. FEMALE HEAD, with pointed head-dress, covering 
 the ears. Red color on lips. Temple of Apollo Hylates, Cur- 
 ium. H. 4^/8 in. 
 
 648. FEMALE HEAD. Pointed head-dress, with wreath 
 indicated. Ruins, temple of Apollo Hylates, Curium. H. 
 S 3 A in- 
 
Catalogue of Stone Sculptures. 47 
 
 649. FEMALE HEAD, with pointed head-dress, with 
 ruffles in front ; peculiar rosette ear-rings. Temple, Golgoi. H. 
 5 to- 
 ld^. 650. CHARIOT, containing two figures, and drawn by two 
 horses, harnessed by a yoke and pole. A votive offering. 
 Ruins, Curium. H. 6^ in., 1. 7% in., w. (wheels) 6% in. 
 
 ,0 1* 651. MALE HEAD, with pointed cap, with edge turned 
 back in front like raised wings ; rows of curls over forehead. 
 Temple, Golgoi. H. 5% in. 
 
 652. MASK with perforated eye-holes ; high ears. Temple, 
 Golgoi. H. $y 2 in. 
 
 653. FEMALE HEAD, with pointed head-dress showing 
 folds of material ; peculiar ear-rings. Temple of Apollo Hy- 
 lates, Curium. H. 4^ in. 
 
 654. FEMALE HEAD. Pointed head-dress with ruffles in 
 front ; fillet of rosettes ; ear-rings. Weathered. Ruins, Idalium. 
 H. z% in. 
 
 655. FEMALE HEAD, with pointed head-dress ; top flat, 
 ruffled in front. Rosette ear-rings. Ruins, Idalium. H. 3% in. 
 
 656. MALE HEAD, with short, curly hair. Ruins, temple 
 of Apollo Hylates, at Curium. H. 3j4 in. 
 
 657. FEMALE HEAD, with wreath ; long tresses behind. 
 Face not symmetrical. Temple, Golgoi. H. 3^8 in. 
 
 658. MALE HEAD. Row of short curls over forehead; 
 wreath of leaves. Temple, Golgoi. H. 3^4 in. 
 
 659. FEMALE HEAD. Generally similar to No. 654, but 
 less weathered. Ruins, Idalium. H. 4% in. 
 
 \oS\ • 660. WARRIOR'S HEAD. Helmet, with crest and cheek 
 pieces. Hair falling on the shoulders. Temple, Golgoi. H. 
 4H in. 
 
 661. FEMALE HEAD. Generally similar to Nos. 654 and 
 655. Ruins, Idalium. H. 4 l / 2 in. 
 
 662. FEMALE HEAD, with pointed cap ending in up- 
 turned point. Parted hair tied by fillets. Generally similar to 
 Nos. 654-655. Temple, Golgoi. H. 4 in. 
 
 663. MALE HEAD, with wreath. Temple, Golgoi. H. 
 4 in. 
 
48 The Metropolitan Museum of Art. 
 
 664. MALE HEAD. Wreath of leaves. Hair parted from 
 crown ; curls on forehead. Temple, Golgoi. H. 4 in. 
 
 665. HEAD, with curly hair. Ruins, temple of Apollo 
 Hylates, Curium. H. 2^4 in. 
 
 666. FEMALE HEAD. Basket head-dress of Demeter 
 (or her attendant) ; short locks over forehead ; ear-rings. Tem- 
 ple, Golgoi. H. 2,H in. 
 
 667. FEMALE HEAD ; curls over forehead ; wreath of 
 leaves ; hair in bands to back of head, and thence in tresses fall- 
 ing behind. Weathered. Temple, Golgoi. H. 3^4 in. 
 
 668. FEMALE HEAD, with pointed cap. Generally like 
 No. 653 ; with necklace and pendant. Ruins, Idalium. H. 4% in. 
 
 ,0 669. MALE HEAD. Hair in short curls, which form rows 
 \ over the head. Temple, Golgoi. H. 4 in. 
 
 670. FEMALE HEAD, with pointed head-dress, worn on 
 the back of the head. Necklace. Ruins, Idalium. H. 4^ in. 
 
 671. HEAD, with wreath and curls. Hair massed behind 
 head and neck. Weathered. Ruins, Idalium. H. 4 in. 
 
 672. MALE HEAD, with high wreath ; cracked. Temple, 
 Golgoi. H. 3% in. 
 
 loi«. 673. CHARIOT WHEEL with six spokes. Votive offer- 
 ing, perhaps. Temple, Golgoi. Diameter, y/4 in. 
 
 674. SMALL HEAD. Generally similar to No. 500. Flat 
 diadem. Curls on forehead. Ruins, Idalium. H. 2^4 in. 
 
 675. FRAGMENT OF STATUETTE holding bunch of 
 flowers. Necklace with pendants. Colored red. Temple, Gol- 
 goi. H. 2^4 in. 
 
 676. MALE HEAD, with wreath; short hair. Ruins, 
 Idalium. H. 2>H m - 
 
 677. FEMALE HEAD. Generally similar to No. 655. 
 Peculiar spiral ( ?) ear-rings. Temple, Golgoi. H. 3^ in*. 
 
 678. VOTIVE OFFERING in the shape of a shrine, six 
 figures in relief. See ends of Sarcophagus: No. 3. Temple, 
 Golgoi. H. 2^4 in. ? 
 
 loSo- 679. MALE HEAD, with crested helmet, with cheek-pieces, 
 and plume falling behind. Temple, Golgoi. H. 2% in. 
 
Catalogue of Stone Sculptures. 49 
 
 680. FEMALE HEAD. Somewhat similar to No. 654; 
 hair covering the temples. Ruins, Idalium. H. 2^ in. 
 
 681. FEMALE HEAD. Ear-rings; long tresses behind. 
 Weathered. Ruins, Idalium. H. 2% in. 
 
 682. SMALL STATUETTE. Hair in bands from fore- 
 head back ; short-sleeved chiton ; himation ; girdle ; bird in left 
 hand. Temple, Golgoi. H. 3^ in. 
 
 683. FEMALE HEAD. Generally similar to No. 654, but 
 smaller. Ruins, Idalium. H. 2?4 m - 
 
 684. RIGHT FOOT ; sandal bound on with thongs over 
 toes and around ankle to heel ; knotted on top. Temple, Golgoi. 
 
 H. 6 in., 1. gy 2 in. 
 
 685. RIGHT FOOT, with sandal, bound on with thong 
 over toes, broad strap from great toe to ankle, fastened by cord 
 with hanging ends. L. 10 in. 
 
 686. SANDALLED FOOT. Of like description with No. 
 640, but smaller. Temple, Golgoi. H. 8 in., 1. 7^4 m - 
 
 687. RIGHT FOOT, with sandal, fastened with broad 
 thong or strap tied by cords about ankle. L. 8 in. 
 
 688. FOOT and part of a leg. Temple, Golgoi. H. 10 9-16 
 in., 1. 9^ in. 
 
 689. HAND, holding patera. Temple, Golgoi. L. 8 in., 
 d. 4]/ 2 in. 
 
 690. LEFT FOOT, with sandal with square open-work top ; 
 heavy sole. L. jy 2 in. 
 
 691. BARE FOOT and part of leg. Votive offering. Tem- 
 ple, Golgoi. H. 8% in., 1. 7^ in. 
 
 692. FOOT, with part of leg. Temple, Golgoi. H. 6y 2 in., 
 
 I. 9 in. 
 
 693. HAND, with forearm, holding a branch. Part of a 
 statue. Temple, Golgoi. Length, 16 in. 
 
 694. HAND holding fragment of a bouquet, and a round 
 object like a box. Temple, Golgoi. L. 7 in. 
 
 695. SEATED FIGURE. Wreath ; long chiton ; himation. 
 Temple, Golgoi. H. 12V4 in., 1. 11^ in. 
 
50 The Metropolitan Museum of Art. 
 
 696. HEAD, with hair in a roll of short locks over fore- 
 head ; wreath of leaves. Temple, Golgoi. H. 6 in. 
 
 697. MALE FIGURE ; chiton ; himation ; bird in left hand. 
 Temple, Golgoi. H. 1 ft., 2^4 in. 
 
 « 
 
 698. MALE HEAD, with wreath of leaves. Temple of 
 Apollo Hylates, Curium. H. 434 in. 
 
 tt-ry. 699. MALE FIGURE, clad in a mantle which is clasped in 
 a roll by the right hand. Left hand holds a round object. 
 Wreath. Temple of Apollo Hylates, Curium. H. 1 ft., 2% in. 
 
 700. HEAD, with wreath of upright leaves; two rows of 
 curls over forehead. Weathered. H. 4^4 in. 
 
 701. MALE HEAD with wreath. Temple, Golgoi. H. 
 
 4;H> in. 
 
 702. MALE FIGURE, erect, full length. Short hair, 
 ^~ wreath ; long robe ; in left hand, a dove held by the wings ; in 
 
 the right, a branch held upright. Temple, Golgoi. H. 1 ft., 
 6 in. 
 
 703. HEAD, with wreath. Weathered. Ruins, temple of 
 Apollo Hylates, at Curium. H. 4 in. 
 
 704. PART OF STATUETTE. Female figure; nude; 
 hands tearing her dishevelled hair. Stone colored gray. Lacks 
 feet. Temple, Golgoi. H. 7^ in. 
 
 705. HEAD. Flattened cap or turban ; hair framing the 
 forehead. Details indistinct. Unfinished. ( ?) Temple, Golgoi. 
 H. 4 in. 
 
 706. HEAD, with high wreath ; roll of short locks over 
 forehead. Golgoi. H. 53/2 in. 
 
 707. MALE HEAD. Wreath ; hair in row of curls over 
 forehead ; beard in curls. Temple, Golgoi. H. 4 in. 
 
 708. MALE HEAD, with high wreath. Temple, Golgoi. 
 H. 3^8 in. 
 
 709. MALE HEAD, with wreath ; of calcined stone. Tem- 
 ple, Golgoi. H. 4^ in. 
 
 710. MALE HEAD, with wreath of leaves. Temple, Gol- 
 goi. H. 45/s in. 
 
 VOTIVE OFFERING. Woman in childbirth, seated 
 
Catalogue of Stone Sculptures. 51 
 
 or reclining on a low stool (similar to those used at the present 
 day in Cyprus). The mother is supported by a female figure; 
 the child is held by another seated figure. Temple, Golgoi. H. 
 6V2 in., L gJ/ 8 in. See Atlas, Vol. I., PI. lxvi., No. 435. 
 
 712. FEMALE HEAD wearing a high crown, or Ste- 
 phanos, that is decorated with scroll-work, rosettes, plants and 
 flowers, in relief. Dali. H. 1 ft., 4^ in. 
 
 713. MALE HEAD, Front part of, with wreath. Ap- 
 parently a portrait. Temple, Golgoi. Sandstone? H. 8^2 in. 
 
 714. MALE (HEADLESS) FIGURE. Short chiton with 
 diplois. Legs and feet gone. Ruins, Golgoi. H. 2 ft., 3% in. 
 
 715. FEMALE HEAD, Front part of a, with fillet. Ruins, 
 Leucolla, near Famagousta. H. 1 ft., 1 in. 
 
 716. MALE HEAD, with wreath resembling a diadem. 
 Temple, Golgoi. H. 4*4 in. 
 
 l\S(o. 717. HAND, holding a patera that is ribbed, or gadrooned, 
 on the back. Temple, Golgoi. D. 6y% in. 
 
 718. HAND AND FOREARM supporting a hoofed 
 quadruped (headless) ; arm draped, and wearing a bracelet. 
 Temple, Golgoi. L. 14 2-3 in. 
 
 719. HAND holding a plain patera. Temple, Golgoi. D. 
 7 in. ' 
 
 U5*f . 720. HAND holding a patera with umbilicus and gadroons. 
 Temple, Golgoi. D. 5 in. 
 
 721. HAND holding the wings of a bird. Temple, Golgoi. 
 L. 6y% in. 
 
 722. HAND holding portion of an animal by the forelegs ; 
 in the palm of the hand, a scroll ; on third finger, a signet ring. 
 Temple, Golgoi. H. 7^4 in. 
 
 723. HAND and forearm, holding a branch. Temple, Gol- 
 goi. H. 11 in. 
 
 724. HEAD, Front part of a, with curls over the forehead, 
 and wreath. Temple, Golgoi. H. 8 in. 
 
 725. MALE HEAD, with high wreath. Temple, Golgoi. 
 H. 414 in. 
 
52 The Metropolitan Museum of Art. 
 
 h**- 726. MALE FIGURE ; low, round cap ; short chiton ; bowl 
 held with both hands. Temple, Golgoi. H. 1 ft., 5^ in. 
 
 727. MALE HEAD, with high wreath of leaves. Temple, 
 Golgoi. H. 5% in. 
 
 728. MALE HEAD, with wreath, leaves indicated only. 
 Golgoi. H. in. 
 
 729. DRAPED STATUETTE ; dove in left hand ; branch 
 in right. Surface much weathered. Temple of Apollo Hylates, 
 Curium. H. 1 ft., 1-16 in. 
 
 730. MALE HEAD, with wreath. Hair in roll. Temple, 
 Golgoi. H. 4^ in. 
 
 731. MALE HEAD, with high wreath. Temple, Golgoi. 
 H. 4% in. 
 
 732. ERECT FIGURE in long robe, with turban-like head- 
 dress. Curls over forehead and down back. Temple, Golgoi. 
 H. 9^4 in. 
 
 733. MALE HEAD, with high wreath. Hair in roll. Gol- 
 goi. H. 6j/2 in. 
 
 734. HEAD, with low, round cap; hair in short curls and 
 braids. Temple, Golgoi. H. 4^3 in. 
 
 735. MALE HEAD, with high wreath. Weathered. Tem- 
 ple, Golgoi. H. 4^8 in. 
 
 736. MALE HEAD, with wreath like diadem. Temple, 
 Golgoi. H. 37/$ in. 
 
 737. MALE HEAD, with high wreath. Temple, Golgoi. H. 
 4]/2 in. 
 
 738. MALE HEAD, with wreath of leaves. Fillet-like 
 band in red. Temple, Golgoi. H. 4^8 in. 
 
 739. FEMALE FIGURE; wreath; loose chiton to feet; 
 left hand holds a (now headless) dove, the right, a round ob- 
 ject. Ruins, Golgoi. H. 2 ft., 4 in. 
 
 740. HAND, holding a cornucopia filled with fruits; seal 
 ring on third finger. H. 18^8 in. 
 
 l32Jt_ 74 1 - MALE FIGURE, Portion of. Chlamys over left 
 shoulder ; remnants of hand on right hip ; left arm rests on a 
 pedestal, on the front of which is a knotty branch. Nearly 
 nude. Temple, Golgoi. H. 1 ft., 8% in. 
 
Catalogue of Stone Sculptures. 53 
 
 742. HEAD with wavy hair on forehead and wreath of 
 leaves like diadem. Temple, Golgoi. H. 8 in. 
 
 743. HAND, with forearm, holding a sceptre ( ?), or rest- 
 ing on end of a chair-arm. Temple, Golgoi. H. 12^4 in. 
 
 744. HAND holding a dove by the wings, and a piece of 
 drapery; from a statue. Temple, Golgoi. H. 13^ in. 
 
 745. HAND holding a bunch of leaves. Temple, Golgoi. 
 H. 1 1% in. 
 
 U£ST 746. HAND holding a sceptre ? See 743. Temple, Golgoi. 
 L. in. 
 
 lt(oO ■ 747. HAND holding ears of wheat and an incense box. 
 Temple, Golgoi. H. y]/% in. 
 
 748. HAND OF A STATUE, holding a tassel-shaped ob- 
 ject, or ears of grain. Temple, Golgoi. H. 5% in. 
 
 749. HEAD, with high wreath ; curls over forehead. H. 
 SV2 in. 
 
 tw>2.. 750. PART OF STATUETTE with joined hands; chiton; 
 himation. Temple of Apollo Hylates, Curium. H. 7^ in. 
 
 751. HEAD, with high wreath; hair in roll. Golgoi. H. 
 5 in- 
 
 7S 2 - SEATED FIGURE, with wreath and rows of curls 
 over forehead, and behind the head. Chiton ; himation ; open 
 scroll on the knees. A goat or antelope forms each arm of the 
 chair. Ruins, Golgoi. H. 1 ft., 3 3-16 in. 
 
 753. FEMALE HEAD ; hair in puffed ridges and a knot 
 behind. Golgoi. H. 5 in. 
 
 754. HEAD with wreath ; curls over forehead. H. 4^ in. 
 
 755. FEMALE FIGURE ; peplos over head ; long chiton ; 
 himation. Left hand holds sceptre-like object with round end. 
 Temple, Golgoi. H. 1 ft., 6% in. 
 
 756. FEMALE HEAD. Curls over forehead ; high wreath ; 
 peplos falling behind. H. 3^4 in. 
 
 lt% % • 757- STATUETTE, with short-sleeved chiton ; himation ; 
 high wreath on head ; sandals on the feet. Disproportionately 
 short. Temple, Golgoi. H. 8 in. 
 
54 The Metropolitan Museum of Art. 
 
 758. MALE HEAD, with wreath. Hair in curls. Temple, 
 Golgoi. H. 5 in. 
 
 759. MALE HEAD, with short hair. Temple, Golgoi. H. 
 4 in. 
 
 760. HEAD, with low, round cap ; short hair over fore- 
 head. Golgoi. H. 3^ in. 
 
 761. MALE HEAD. High wreath; hair in roll. H. 4^ in. 
 
 762. FEMALE HEAD, with basket head-dress of De- 
 meter ; hair in roll ; rosette ear-rings with long pendant. Like 
 666. Temple, Golgoi. H. in. 
 
 763. MALE FIGURE ; short curly hair ; high wreath ; long 
 chiton ; himation ; small object in left hand. Shoes. Temple, 
 Golgoi. H. 2 ft. 
 
 764. SEATED FEMALE FIGURE (headless), in high- 
 backed chair, holding a child, whose head once rested on the 
 left forearm. A child standing at the right. Traces of red 
 color on bottom of garment. Temple, Golgoi. H. 1 ft., in. 
 
 765. MALE FIGURE ; low, round cap ; curly hair ; short- 
 sleeved, belted chiton ; himation ; left hand holds a box. Ap- 
 parently of the late Roman period. Temple, Golgoi. H. 2 ft., 
 
 in. 
 
 766. RIGHT HAND holding a pomegranate. Temple, Gol- 
 goi. H. 2>]/ 2 in. 
 
 767. LEFT HAND holding a pomegranate. Temple, Gol- 
 goi. H. 3 in. 
 
 768. RIGFIT HAND holding a round fruit. Temple, Gol- 
 goi. H. 3 14 in. 
 
 769. RIGHT HAND holding two fruits, like plums, and 
 also an object like a coin or wafer. Temple, Golgoi. H. 3% in. 
 
 770. RIGHT HAND holding a bunch of flowers. Temple, 
 Golgoi. H. 3^4 in- 
 
 771. RIGHT HAND holding a bouquet of flowers. Tem- 
 ple, Golgoi. H. 5% m - 
 
 772. LEFT HAND holding a bouquet. Temple, Golgoi. 
 H. 3 in. 
 
 773. RIGHT HAND holding a round box, or wafers ; the 
 
Catalogue of Stone Sculptures. 55 
 
 piece of stone left to brace the hand still clings to it. Temple, 
 Golgoi. H. 4 l /4 in. 
 
 774. ROUND BOX, like those held in various of the hands. 
 Votive offering. Temple, Golgoi. H. i 1 /* in. 
 
 775. LEFT HAND holding a round object like a box. Tem- 
 ple, Golgoi. H. 2>2 in. 
 
 ^ 776. RIGHT HAND holding a round object chequered 
 with lines in relief. Temple, Golgoi. H. i$4 in. 
 
 UfZ* LEFT HAND and forearm, holding a cake( ?). Tem- 
 ple, Golgoi. L. 3 in. 
 
 778. LEFT HAND. Like No. 773. Temple, Golgoi. H. 
 2^4 in. 
 
 779. RIGHT HAND holding round object like a box or 
 wafer. Temple, Golgoi. H. 2 $4 in. 
 
 780. FOREARM and hand, with a dove resting in same. 
 Temple, Golgoi. H. sH in -> U 7 l A in - 
 
 '*G*. 781. RIGHT HAND grasping a dove by the wings. Tem- 
 ple, Golgoi. H. S 7 A in. 
 
 "Uk 782. LEFT HAND holding a dove by back and tail. Tem- 
 ple, Golgoi. H. 5% in. 
 
 783. LEFT HAND holding a small swan. Temple, Golgoi. 
 H. 5 in. 
 
 784. FOREARM. Bracelet on the wrist. Temple, Golgoi. 
 L. 4^4 in. 
 
 785. RIGHT HAND holding (the remnants of) a dove. 
 Temple, Golgoi. H. 4 in. 
 
 786. LEFT HAND holding a dove in palm. Temple, Gol- 
 goi. H. 3^ in. 
 
 787. DOVE. A votive offering. Temple, Golgoi. H. 
 3tt in. 
 
 788. CLOSED RIGHT HAND ; hole through the fingers 
 to hold bouquet or other object. Temple, Golgoi. H. 3 in. 
 
 789. CLOSED RIGHT HAND, like foregoing. Temple, 
 Golgoi H. 2j4 in. 
 
 lift . 790 DOVE, with bands of red across back. A votive offer- 
 ing. Temple, Golgoi. H. 2,H in. 
 
56 The Metropolitan Museum of Art. 
 
 791. HEAD. Like No. 706. Temple, Golgoi. H. 4^ in. 
 
 792. MALE HEAD, with wreath of leaves. Traces of red 
 color. Temple, Golgoi. H. 5^ in. 
 
 793. MALE HEAD, with high wreath. Hair in rows of 
 curls. Temple, Golgoi. H. 4 in. 
 
 a . 794. HEADLESS STATUETTE; long robe with reticu : 
 lated surface ; left hand holding dove by the wings. Shoes. 
 Temple, Golgoi. H. 1 ft., 6}i in. 
 
 795. MALE HEAD, with high wreath of leaves. Hair in 
 curls over forehead, with coronet. Temple, Golgoi. H. 5^ in. 
 
 796. HEAD. Hair in straight locks. Roman? H. 5^ in. 
 
 797. FEMALE FIGURE ; peplos over head ; long chiton. 
 Temple, Golgoi. H. 1 ft., 4% in. 
 
 798. PART OF FEMALE FIGURE. Peplos over head ; 
 close-fitting, ribbed chiton ; himation wrapped about waist. 
 Golgoi. H. 7 in. 
 
 799. HEAD with low, round cap and short hair. Temple, 
 Golgoi. H. 4^8 in. 
 
 800. HEAD. Three rows of curls over forehead ; high 
 wreath or Stephanos, beneath which is a band of amulets. H. 
 4 in. 
 
 801. HEAD, with curly hair. Rude. H. y/ 2 in. 
 
 802. MALE FIGURE, holding a dove to the left shoulder ; 
 in right hand a small round object. Short chiton. Wreath and 
 curls over forehead. Temple of Apollo Hylates, Curium. H. 
 Sji in. 
 
 803. HEAD, with two rows of curls over forehead ; high 
 wreath. *H. in. 
 
 804. FEMALE HEAD, with wreath and parted wavy hair 
 . above face. H. 4%. in. 
 
 805. MALE HEAD, with curls and narrow wreath of 
 leaves. Dali. H. j}i in. 
 
 806. FEMALE HEAD. Head-dress, a net covering the 
 hair, which is in a thick roll over the forehead and in masses 
 behind. High, flat, flaring Stephanos, with notched border 
 above. Pear-shaped ear-rings. H. 5^2 in. 
 
Catalogue of Stone Sculptures. 57 
 
 h< 11- 807. BOY; loose chiton; round object in right hand; dove 
 in left. Wreath. Plain bracelets. Temple of Apollo Hylates, 
 Curium. H. 2 ft., 3^ in. 
 
 808. MALE HEAD, with high wreath ; four rows of curls 
 over forehead. Temple, Golgoi. H. 7 7-16 in. 
 
 809. FEMALE FIGURE ; hair in waves ; wreath ; long 
 chiton ; himation ; dove under left forearm. Temple, Golgoi. 
 H. 1 ft., 11^8 in. 
 
 810. RIGHT HAND holding a box, or round object. Tem- 
 ple, Golgoi. L. 5^8 in. 
 
 811. RIGHT HAND holding an incense-box. Temple, 
 Golgoi. H. y x /x in. 
 
 812. RIGHT HAND holding a box, or round object. Tem- 
 ple, Golgoi. L. 6% in. 
 
 813. LEFT HAND with round hole through the palm to 
 hold bouquet or other object. Temple, Golgoi. H. 4^4 in. 
 
 814. LEFT HAND, bent at middle joints of fingers. Hole 
 between thumb and first finger to receive object, possibly a spray 
 of flowers. Round seal ring on third finger. L. 4^8 in. 
 
 815. RIGHT HAND holding a portion of the drapery of 
 the statue to which it belonged. Temple, Golgoi. H. 13 in. 
 
 816. RIGHT HAND, like 813. Temple, Golgpi. H. s 3 A in. 
 
 817. RIGHT HAND holding a round object, or box. Tem- 
 ple, Golgoi. L. 6%. in. 
 
 UfoX. 818. LEFT HAND holding fore-part of an animal by the 
 forelegs. Temple, Golgoi. H. 7^/2 in. 
 
 819. RIGHT HAND holding a fruit ? A cylindrical object 
 with large flange, between first and second fingers. Temple, 
 Golgoi. L. y}i in. 
 
 820. LEFT HAND. Fingers closed to hold an object 
 (fruit?). L. 5 in. 
 
 821. RIGHT HAND and forearm. Hand holds a round 
 box or similar object. L. 75/2 in. 
 
 822. RIGHT HAND holding a conical object ; stone brace 
 still present. Temple, Golgoi. H. 5^ in. 
 
58 The Metropolitan Museum of Art. 
 
 823. HEAD. Wreath of leaves ; row of short curls over 
 forehead. Portrait, probably. Temple, Golgoi. H. 7 in. 
 
 824. MALE HEAD, with wreath and curly hair. Temple, 
 Golgoi. H. 6 in. 
 
 825. FEMALE HEAD. Front hair in puffs ; back hair in 
 roll, pointed toward rear ; peculiar ear-rings. Temple, Golgoi. 
 H. 6% in. 
 
 826. FEMALE HEAD, Front part of a ; high frisure with 
 three rows of curls over the forehead. Large oviform ear-rings. 
 Ruins, Idalium. H. 9^ in. 
 
 827. MALE HEAD, with wreath ; hair in row of ringlets. 
 Temple, Golgoi. H. 5^ in. 
 
 828. MALE HEAD, with wreath. Three rows of curls 
 over forehead. Temple, Golgoi. H. 6 l / 2 in. 
 
 829. HEAD. Short hair, framing the face. Rude. H. 
 3 3 A in. 
 
 4^ 830. PORTION OF STATUETTE; Phrygian cap, with 
 flaps falling on the shoulders ; chiton, with doubled girdle that 
 has hanging ends ; himation, colored red inside. Temple of 
 Apollo Hylates, Curium. H. 9 in. 
 
 831. HEAD, with short hair parted in the middle; band of 
 two braids in place of a wreath. Temple, Golgoi. H. 3^ in. 
 
 832-833. HEADS, similar to 706. Wreath and row of 
 ringlets. Rude and weathered. H. 4 and 3 in. respectively. 
 
 834. FEMALE HEAD. Double row of curls over fore- 
 head ; curls falling behind ; wreath, high and pointed. Temple, 
 Golgoi. H. 8 in. 
 
 835. MALE HEAD, with wreath of leaves; hair in puff. 
 Temple, Golgoi. H. 4^ in. 
 
 836. HEAD. Hair in straight locks. Broad, round face. 
 Roman? H. 4^4 in. 
 
 837. MALE HEAD, with wreath ; hair in low puff. Tem- 
 ple, Golgoi. H. 5 in. 
 
 838. FEMALE HEAD, with wreath of leaves ; triple row 
 of small curls over forehead. Traces of red color. Temple, 
 Golgoi. H. y J / 2 in. 
 
Catalogue of Stone Sculptures. 59 
 
 839. HEADLESS STATUE. Long chiton ; diplois ; peplos 
 hanging (from above) over right shoulder. Feet with shoes. ^ y 
 Near Soli. H. 2 ft., 2 in. 
 
 840. MALE HEAD, with wreath of leaves and acorn-like 
 pendants ; row of puffed hair about forehead. Temple, Golgoi. 
 H. 8^4 in. 
 
 841. FEMALE FIGURE; peplos over head; long chiton; 
 himation. Temple, Golgoi. H. 1 ft., 11 in. 
 
 842. HEAD. Short hair ; wreath. Top broken away. Tem- 
 ple, Golgoi. H. 5 in. 
 
 843. RIGHT HAND with round hole through the palm. 
 Temple, Golgoi. L. 4)4 in. 
 
 Kkl. 844. LEFT HAND holding a box. Temple, Golgoi. L. 
 7 Z A in- 
 
 845. LEFT HAND holding a broken scroll; seal ring. 
 Temple, Golgoi. L. 6 in. 
 
 846. LEFT HAND holding an incense box. Temple, Gol- 
 goi. L. 7 in. 
 
 847. RIGHT HAND with closed fist. Temple, Golgoi. L. 
 6y 2 in. 
 
 848. RIGHT HAND holding part of an animal, apparently. 
 Temple, Golgoi. L. 9 in. 
 
 849. LEFT HAND holding a box. Temple, Golgoi. L. 
 4 in. 
 
 850. LEFT HAND and portion of forearm, holding a 
 flower. Bracelet on wrist. Temple, Golgoi. H. 6 l / 2 in. 
 
 851. LEFT HAND and forearm; holding some object. 
 Temple, Golgoi. H. 15 in. 
 
 USq - 852. RIGHT HAND and forearm ; holding a branch. Tem- 
 ple, Golgoi. H. 10% in. 
 
 853. MALE HEAD, with wreath of leaves and acorn-like 
 pendants. Ruins, Idalium. H. jY\ in. 
 
 854. PORTION OF A STATUETTE OF A PAN, or of a 
 syrinx-player in his character. Long mantle on back ; front 
 nude ; syrinx in left hand. See No. 867. Temple, Golgoi. H. 
 9H in- 
 
6o The Metropolitan Museum of Art. 
 
 855. HEAD OF- A PAN, or syrinx-player in his character. 
 Temple, Golgoi. H. 5^ in. 
 
 856. STATUETTE OF A PAN, or syrinx-player in his 
 'character. Long mantle, tied in front of the chest. Body and 
 
 legs nude. Syrinx in left hand. Short horns (or hair arranged 
 to represent them) on top of the head. Long ears. Temple, 
 Golgoi. H. 1 ft., 23^ in. 
 
 857. HEAD OF A PAN, or syrinx-player in his character. 
 Row of curls over forehead; horns (or hair arranged to rep- 
 resent them) in a tuft on top of head ; long ears. Different from 
 usual pattern. See 855, etc. Temple, Golgoi. H. ?>H in. 
 
 858. PART OF A PAN statuette. Traces of red color. 
 Temple, Golgoi. H. ioy 2 in. 
 
 859. HEAD, with high wreath ; thick row of curls over 
 forehead. Temple, Golgoi. H. 4 in. 
 
 860. STATUETTE OF A PAN. Like No. 856, but in a 
 little different attitude. Temple, Golgoi. H. 9^ in. 
 
 861. HEAD OF A PAN. Curly hair; ringlets on neck; 
 horns on head like 855. Temple, Golgoi. H. 5^4 in. 
 
 862-863. HEADS OF A PAN. Like foregoing. Trace of 
 red color. Temple, Golgoi. H. 6^2 and 5^2 in. respectively. 
 
 mi? 864-866. STATUETTES OF A PAN, like No. 867, which 
 *** his see. Temple, Golgoi. H. 9% in., 9 in., 1 ft., }i in. respectively. 
 
 (HI*. . 867. STATUETTE OF A PAN, or syrinx-player in his 
 character. Blunt horns (or hair arranged to represent them) 
 on the head ; row of curls over forehead ; long ears ; mantle over 
 shoulders, falling behind, and tied in front ; body and legs nude. 
 Syrinx in left hand ; right holds edge of garment. On the neck, 
 behind, either hair in masses, or a head-dress. Temple, Golgoi. 
 H. 1 ft., 9^4 in. 
 
 Hiio 868. STATUETTE like foregoing. Temple, Golgoi. H. 
 I ft, 34 in. 
 
 869. RIGHT HAND and forearm. Fingers closed except 
 for small aperture, to receive small object. L. 6}i in. 
 
 870. RIGHT HAND, bent, holding a fruit. Temple, Gol- 
 goi. L. sH in. 
 
 871. RIGHT HAND and forearm, with hole through hand 
 to hold a branch. Temple, Golgoi. H. 9 in. 
 
Catalogue of Stone Sculptures. 6i 
 
 872. LEFT HAND holding fruits. Temple, Golgoi. H. 
 
 873. LEFT HAND with forearm, holding a scroll. Tern- ^ 
 pie, Golgoi. H. g]/ 2 in. 
 
 874. LEFT WRIST and closed hand. Temple, Golgoi. L. 
 6 in. 
 
 875. RIGHT HAND and portion of forearm ; holding a 
 pine cone ( ?). Temple, Golgoi. H. 6y 2 in. 
 
 876. RIGHT HAND, closed, with wrist. Hole passes 
 through under the fingers. Temple, Golgoi. L. 6 l / 2 in. 
 
 877. RIGHT HAND holding an olive branch. Temple, 
 Golgoi. H. 6% in. 
 
 878. RIGHT HAND holding drapery. Temple, Golgoi. 
 L. 5 in. 
 
 879. RIGHT HAND holding an olive branch. Temple, 
 Golgoi. H. 8^4 in. 
 
 880. RIGHT HAND with forearm; hand clenched, but 
 hole through under the fingers. Temple, Golgoi. H. 13 in. 
 
 881. FEMALE HEAD, with wreath of leaves. Heavy ear- 
 rings. Rude and weathered. Golgoi. H. ^)/ 2 in. 
 
 882. ARTEMIS (Diana) ; erect figure; bow and quiver on 
 the back ; chiton and diplois. Right hand formerly on head of 
 a deer; left hand holding a round object. Hair parted in mid- 
 dle. Ear-rings. Ruins of a temple, Pyla. H. 1 ft., 2]/% in. 
 
 883. ARTEMIS, Head of; top of quiver appearing behind. 
 Large ear-rings. Ruins of a temple, Pyla. H. m - 
 
 884. ARTEMIS (Diana), with strap and quiver; lamb on 
 
 left arm. Red color on sides. Ruins of a temple, Pyla. H. M-ttV" 
 I ft, 75/s in. 
 
 885. HEAD with fillet, or Stephanos. Red on lips. Gol- 
 goi. H. s 3 /s in. 
 
 886. PART OF STATUETTE ; chiton ; chlamys ; offering 
 of fruit in left hand ; round object in the right. Temple of 
 Apollo Hylates, Curium. H. 9% in. 
 
 887. FEMALE HEAD, probably of an Artemis. Wavy 
 locks, parted in the middle, masses behind ; ear-rings. Quiver 
 
62 The Metropolitan Museum of Art. 
 
 behind. Traces of red color. Ruins of a temple, Pyla. H. 
 rA in- 
 
 888. ARTEMIS, Head of an. Hair in waves and masses 
 behind. Ear-rings. Ruins of a temple, Pyla. H. $ l / 2 in. 
 
 889. ARTEMIS, similar to 888, but smaller. Weathered. 
 H. 3 M in. 
 
 j - 890. FEMALE HEAD; hair combed back, and falling in 
 
 tresses behind. H. 8 in. 
 
 891. FEMALE HEAD. Wreath; wavy hair framing the 
 face. Eyes red. Temple, Golgoi. H. y/ 2 in. 
 
 892. HEAD with wreath ; hair in roll, colored red. Temple, 
 Golgoi. H. 6]/ 2 in. 
 
 893. ARTEMIS, Headless figure of; draped like No. 882, 
 but with a mantle besides, and in a different attitude. Right 
 hand holds the muzzle of a dog, which stands on left of figure. 
 Bracelet on right wrist. She leans against a tree. No. 919 is 
 almost identical, but better preserved. Ruins of a temple, 
 Pyla. H. 1 ft., 8^ in. 
 
 894. ARTEMIS, draped as No. 883, 884. Dog at right side. 
 lim< Pendent ear-rings. Traces of color. Ruins of a temple, Pyla. 
 
 H. 2 ft., iM in. 
 
 895. ARTEMIS, Part of an. Long chiton ; himation ; belt, 
 quiver-strap, and portion of bow in left hand, still remaining. 
 Dog at her right. Ruins of a temple, Pyla. H. 1 ft., 9% in. 
 
 896. RIGHT HAND holding the remains of a club. Tem- 
 ple, Golgoi. H. yy 2 in. 
 
 897. RIGHT HAND with fingers extended. Temple, Gol- 
 goi. H. 6 J / 2 in. 
 
 898. RIGHT HAND holding a vase. Temple, Golgoi. H. 
 4 in. 
 
 899. RIGHT HAND holding a box. Temple, Golgoi. H. 
 ZVa in. 
 
 900. RIGHT HAND holding a patera, apparently. Tem- 
 ple, Golgoi. H. 7^8 in. 
 
 901. LEFT HAND holding an indistinct object. Temple, 
 Golgoi. L. 8^8 in. 
 
Catalogue of Stone Sculptures. 63 
 
 902. HAND holding a ram's head by the horns. Temple, 
 Golgoi. H. 4% in. 
 
 903. SEPULCHRAL RELIEF, Fragment. Male figure; 
 left hand holds garment; Roman style. Necropolis, Golgoi. 
 H. 1 ft., 11 in. 
 
 904. HEAD with curled hair and fillet. Temple, Golgoi. 
 H. 5 in. 
 
 905. PART OF STATUETTE. Bearded warrior, with 
 painted helmet, cuirass, chiton and chlamys ; sword. Costume, 
 Roman. Garments colored red. Temple of Apollo Hylates, 
 Curium. H. 1 ft., 3% in. 
 
 906. MALE HEAD ; short hair ; in puff ; diadem plain. 
 Temple, Golgoi. H. 534 in. 
 
 907. MALE HEAD. Short hair in puff ; wreath. Temple, 
 Golgoi. H. 43^2 in. 
 
 908. PART OF A STATUETTE with left arm on a 
 pedestal. Chiton ; chlamys ; indistinct object in left hand. Red 
 color on garment. Temple, Golgoi. H. 11^ in. 
 
 909. MALE HEAD, with wreath. Temple, Golgoi. H. 
 4>2 in. 
 
 910. MALE HEAD, with wreath ; row of rosette-curls 
 over forehead. Temple, Golgoi. H. 7 in. 
 
 911. MALE HEAD. Short hair and fillet. Roman? Tem- 
 ple, Golgoi. H. 4 l / 2 in. 
 
 912. HEAD. Two rows of curls over forehead ; wreath. 
 Temple, Golgoi. H. 4 in. 
 
 913. FEMALE HEAD, with curled and wavy hair, with 
 fillet ? High head-dress above top of head. Ear-rings. Gol- 
 goi. H. 5^ in. 
 
 914. MALE HEAD, with flat band or fillet. H. 4^ in. 
 
 915. FEMALE HEAD, of the Roman period. Peplos. 
 Red color in spots. H. 4^ in. 
 
 916. HEAD, with fillet, tied in bow on top. Masses of hair 
 behind. H. 534 in. 
 
 • 917. HEAD. Wreath ; wavy short hair. H. 2% in. 
 
64 The Metropolitan Museum of Art. 
 
 918. ARTEMIS in long chiton and himation ; belt, strap 
 and quiver; long ear-rings. Right hand rests on a dog's 
 muzzle ; left hand holds a round object. Quiver behind. Ruins 
 of a temple, Pyla. H. 1 ft., 9 in. 
 
 919. ARTEMIS ; chiton and diplois ; himation ; belt ; quiver 
 and strap ; right hand holding a dog at left side by the muzzle. 
 Attitude and dress as in No. 893. Ruins of a temple, Pyla. 
 H. 2 ft., 1^8 in. 
 
 920. FEMALE FIGURE, with chiton and diplois ; hair in 
 bandeaux, and knotted behind the head ; ear-rings ; torch in 
 each hand. Traces of red on hair and garments. Ruins, Gol- 
 goi. H. 1 ft., 8}i in. 
 
 921. BASE OF A GROUP representing Hercules slaying 
 the Lernaean hydra ; the crab biting one of his heels. The 
 other feet belong to Iolaus. Two square holes, one partly 
 broken away, were doubtless made for fastening. Temple, 
 Golgoi. L. 2 ft., 2}i in., w. 7 in. 
 
 922. FRAGMENT OF GROUP of Hercules and the 
 hydra ; the former cutting the latter with a curved knife. Tem- 
 ple, Golgoi. L. 7 in. 
 
 923. PEDESTAL, with figures in low relief on one side. 
 Temple, Golgoi. PI. 1 ft., 6% in., w. 10^8 in. 
 
 924. PART OF MALE FIGURE ; himation ; undefinable 
 object under left arm. Nude above waist. Feet bare. Heavy 
 red color on garments. Temple, Golgoi. H. 1 ft., 2^ in. 
 
 925. HEAD. Short hair in puff; wreath. H. 4^2 in. 
 
 926. FEMALE HEAD covered with a peplos. Hair in 
 wavy curls. Ruins of Cythrea. H. 9*4 in. 
 
 927. MALE HEAD. Short hair; wreath. Eyes and lips 
 red. Temple, Golgoi. H. 5% in. 
 
 928. PART OF MALE STATUETTE ; chiton ; himation ; 
 indistinct object (leaves?) in right hand ; left holds edge of gar- 
 ment. Temple, Golgoi. H. gj/ 2 in. 
 
 929. HEAD. Hair in rosette curls over forehead ; wreath. 
 Golgoi. H. 434 in. 
 
 930. MALE HEAD. Short hair ; wreath. Temple, Golgoi. 
 H. 6U in. 
 
Catalogue of Stone Sculptures. 
 
 931. HEAD with hair in thick curly bandeaux; wreath. 
 Reddish tint. H. 4^ in. 
 
 932. HEAD, with hair in straight locks. Lips red. H. 
 424 in. 
 
 933. PART OF STATUETTE, much like No. 928, but left 
 hand on garment at waist ; branch in right hand. Red color on 
 garments. Temple, Golgoi. H. 7^ in. 
 
 934. HEAD. Hair in curls framing the face ; wreath. Tem- 
 ple, Golgoi. H. 4 in. 
 
 935. STATUETTE ; belted chiton ; himation ; strap over 
 right shoulder, with quiver ( ?) ; large staff with drapery (spear- 
 staff?) ; hunting boots with triangular flaps. Hair dressed high 
 in front. Traces of red color. Temple of Apollo Hylates, 
 Curium. H. 1 ft., 8 in. 
 
 »Zo2>- 936. FAT FIGURE; hair in long curls, bound with fillet 
 that is knotted in front. Robe fastened about the waist. Hands 
 held some clawed animal. Nude above waist. Temple, Golgoi. 
 H. 2 ft. 
 
 937. PART OF FEMALE FIGURE ; hair in row of curls 
 over forehead ; head covered with a peplos ; necklace with pen- 
 dant ; ear-rings ; chiton. Remnants of deep red color. Temple, 
 Golgoi. H. 1 ft., 3 in. 
 
 938. CROUCHING FIGURE. Holds a dove; string of 
 amulets over left shoulder. Temple of Apollo Hylates, Curium. 
 H. uy 2 in. 
 
 939. HEAD, with wreath and row of curls over forehead. 
 Temple, Golgoi. H. 6 in. 
 
 940. HEAD. Short hair in puffs; wreath. Eyes unfin- 
 ished. H. 5 in. 
 
 941. HEAD. Short hair in waves; wreath. Temple, Gol- 
 goi. H. y l / 2 in. 
 
 942. PART OF STATUETTE like No. 928. Branch in 
 right hand. Temple of Apollo Hylates, Curium. H. 10% in. 
 
 943. HEAD, with short hair ; fillet. Roman period. Tem- 
 ple, Golgoi. H. 6 in. 
 
 944. HEAD. Wreath; short hair. Eyes and lips red. 
 Roman. Temple, Golgoi. H. 6 in. 
 
66 
 
 The Metropolitan Museum of Art. 
 
 945. HEAD, with straight hair and a narrow wreath. H. 
 5 in. 
 
 946. MALE HEAD, with wreath. Lips red. Roman 
 period. Temple, Golgoi. H. 6 in. 
 
 947. MALE HEAD, with fillet. Hair plain. Roman 
 period. Temple, Golgoi. H. 5^ in. 
 
 948. HEAD, with hair in flattish bandeaux ; fillet. Origin- 
 ally colored dark red. H. 4^ in. 
 
 949. HEAD. Short hair parted in waves ; wreath of leaves. 
 Temple, Golgoi. H. 6% in. 
 
 950. FEMALE HEAD ; hair in rolls in front, under a 
 peplos. Temple, Golgoi. H. 9 in. 
 
 951. MALE FIGURE; short chiton; himation ; in right 
 hand a large round object; in left, a dove. Hair in waves. 
 Wreath of leaves. Temple, Golgoi. H. 2 ft., 1% in. 
 
 952. FEMALE HEAD. Wavy hair parted ; peplos Over 
 head. Ear-rings. Golgoi. H. 8^2 in. 
 
 953. MALE FIGURE ; short hair ; wreath ; long garment ; 
 sandals. String of amulets over left shoulder. Eyes red ; 
 traces of red on garments. Probably of the late Roman period. 
 Temple, Golgoi. H. 2 ft., 2}^ in. 
 
 954. CROUCHING FIGURE, with short hair. Ear-rings ; 
 string of amulets on breast ; dove in left hand. Full chiton in 
 folds. Temple of Apollo Hylates, Curium. H. 1 ft., 3 in. 
 
 955. CROUCHING FIGURE, on pedestal; with' left foot 
 drawn up and right knee elevated and right foot flat. Short 
 hair ; short, striped tunic ; string of amulets over left shoulder ; 
 bracelet on each wrist ; dove in right hand at breast. H. 1 ft. 
 
 956. CROUCHING FIGURE. Flat, round, low cap; 
 goose on left side, held by right hand. Traces of deep red color. 
 Temple of Apollo Hylates, Curium. H. 1 ft. 
 
 957. HEAD, with curls over forehead, and wreath. Traces 
 of red color. Temple, Golgoi. H. 5 in. 
 
 958. HEAD. Hair in straight locks. Well made, but 
 weathered. Temple, Golgoi. H. 9 in. 
 
 959. HEAD ; curly hair ; wreath. Lips red. H. 4>4 m. 
 
Catalogue of Stone Sculptures. 
 
 67 
 
 960. CROUCHING FIGURE. String of amulets over left 
 shoulder. Bird in right hand. Temple of Apollo Hylates, 
 Curium. H. 1 ft., i]4 in. 
 
 961. HEAD, with wreath. Prominent ears. Hair below 
 wreath red. Temple, Golgoi. H. 4% in. 
 
 962. HEAD, with curls over forehead, and fillet. Temple, 
 Golgoi. H. 5 in. 
 
 963. FEMALE HEAD. Wavy curls over forehead ; peplos. 
 Ear-rings indicated. Flat like a high relief. Necropolis, Gol- 
 goi. H. 7^2 in. 
 
 964. HEAD, with curly hair. Traces of color on eyes. 
 Golgoi. H. 4y 2 in. 
 
 * 965. CROUCHING FIGURE. Left hand on some round 
 object ; right hand once held a bird. Garments, red, in folds. 
 Temple of Apollo Hylates, Curium. H. 1 ft., 1 in. 
 
 966. MALE HEAD ; two rows of curls over forehead ; 
 remnants of a wreath. Golgoi. H. 4% in. 
 
 967. MALE HEAD, with wreath; short hair. Roman 
 period. Temple, Golgoi. H. 8^4 in. 
 
 968. SEATED FIGURE. Hair in waves ; chiton with cord 
 belt; round object in left hand; bird (?) in right. Red color 
 on hair and garments. Bracelets. H. 1 ft., 1% in. 
 
 969. MALE HEAD, with wreath. Roman period. Tem- 
 ple, Golgoi. H. 8j4 in. 
 
 970. CROUCHING FIGURE. Nude below waist. String 
 of amulets over left shoulder ; short hair ; short tunic in folds, 
 no sleeves ; rabbit in left hand. Anklets and bracelets. Temple 
 of Apollo Hylates, Curium. H. 1 ft., 3^4 in. 
 
 971. CROUCHING FIGURE. Short hair ; string of amu- 
 lets about neck ; round object in left hand ; bracelets and ank- 
 lets. Temple of Apollo Hylates, Curium. H. 1 ft., % in. 
 
 972. CROUCHING FIGURE, on pedestal. Short hair; 
 tunic to ankles ; holds bird on left side with both hands ; amulet 
 on breast. H. 12% in. 
 
 973. CROUCHING FIGURE. Short tunic, otherwise 
 nude. Short hair. String of amulets on breast ; bird in right 
 hand. Bracelets. Temple of Apollo Hylates, Curium. H. 
 9V2 in. 
 
68 
 
 The Metropolitan Museum of Art. 
 
 974. CROUCHING FIGURE. Short tunic only. String 
 of amulets over left shoulder ; bird in right hand. Bracelets. 
 Temple of Apollo Hylates, Curium. H. ii~y 2 in. 
 
 975. HEAD. Hair in short locks. Weathered. H. 3^ in. 
 
 976. CROUCHING FIGURE. Short tunic and shoes. 
 Right hand holds a bird by the wings. String of amulets over 
 left shoulder. Temple of Apollo Hylates, Curium. H. 12% in. 
 
 977. HEAD. Short diair. Weathered and incrusted. H. 
 4 in. 
 
 978. CROUCHING FIGURE. Bird in right hand. Short 
 tunic only. Temple of Apollo Hylates, Curium. H. 10^2 in. 
 
 979. MALE HEAD, with fillet. Roman period. Temple, 
 Golgoi. H. 6y 2 in. 
 
 980. HEAD. Short hair. Weathered and incrusted. H. 
 y/ 2 in. 
 
 981. CROUCHING FIGURE, with dove in left hand, and 
 hare (?) in right. Short tunic only. Ruins of temple of Apollo 
 Hylates. H. Sy s in. 
 
 982. CROUCHING FIGURE, smaller than 981. Ruins of 
 temple of Apollo Hylates, Curium. H. 3^ in. 
 
 983. CROUCHING FIGURE. Tunic. Large bird in 
 right hand. H. 8 in. • 
 
 984. CROUCHING FIGURE. Large bird in right hand. 
 Tunic. H. 4 in. 
 
 985. FEMALE • HEAD ; curls over forehead ; peplos. 
 Roman period. Not part of a statue, but complete as it is. 
 Necropolis, Golgoi. H. nj4 in. See Atlas, Vol. L, PL cxlv. 
 
 986. CROUCHING FIGURE. String of amulets over left 
 shoulder ; armlets and anklets ; short tunic ; a cock in the right 
 hand. H. 1 ft., 2> l A in. 
 
 987. FEMALE HEAD ; hair parted ; peplos over head ; 
 chiton with neck-band. See No. 985. Necropolis, Golgoi. H. 
 \iy 2 in. 
 
 988. CROUCHED FIGURE on pedestal. Short, ribbed 
 tunic. Hair in transverse rows of ringlets. Spiral ear-ring in 
 left ear. Amulet on breast. Bracelet on each wrist. Indistinct 
 object in each hand. H. 12% in. 
 
Catalogue of Stone Sculptures. 69 
 
 nxt+ 989. CROUCHING FIGURE. Nude. Wavy hair. In- 
 distinguishable object in right hand. Bracelet; string of amu- 
 lets over right shoulder. Temple of Apollo Hylates, Curium. 
 H. 1 ft., 3^ in. 
 
 990. CROUCHING FIGURE. Short tunic. String of 
 amulets over right shoulder ; round object in right hand. Tem- 
 ple of Apollo Hylates, Curium. H. 9^ in. 
 
 991. HEAD. Short hair. Ear-rings. Traces of red. H. 
 y/ 2 in. 
 
 Uoq . 992. CROUCHING FIGURE. Top of head flat; no hair. 
 Short tunic ; string of amulets over the right shoulder ; round 
 object in left hand and bird in right. H. 10^ in. 
 
 993. MALE HEAD. Short hair ; flat head ; ear-rings. H. 
 4 in. 
 
 vx-xo 994. SEATED FIGURE. Short chiton. Amulets about 
 neck; bird in left hand. Temple of Apollo Hylates, Curium. 
 H. in. 
 
 995. MALE HEAD, with wreath of leaves and curls over 
 forehead. Roman. H. 4 in. 
 
 ncS 996. SQUATTING FIGURE. Right hand clasping left 
 ankle. Object in left hand now gone (bird?). Curls over 
 forehead, red; wreath; much of the dress indicated by red 
 color. Eyes and lips red. Amulets about neck indicated by 
 red. Temple of Apollo Hylates, Curium. H. 6 l / 2 in. 
 
 997. SQUATTING FIGURE. Short hair; ear-rings and 
 bracelets ; knit tunic ; bird in right hand. Red color. H. 4% in. 
 
 ' IXlc 998. SQUATTING FIGURE. Tunic in stripes. Right 
 " hand holds a crab-like object. Edgings in red. H. sH in - 
 
 ' 999 SQUATTING FIGURE. Some animal in right hand. 
 Tunic indicated. Rude. H. 334 in. 
 
 \clu^. 1000 SQUATTING FIGURE. Short tunic; bracelets; 
 string of amulets over left shoulder ; right hand holds a rabbit. 
 Temple of Apollo Hylates, Curium. H. i2 J / 2 in. 
 
 <v 1001. SQUATTING FIGURE. Short hair; necklace on 
 f breast ; round object in left and bird in right hand. H. I2}i in. 
 
 1002 SQUATTING FIGURE. Short hair; short tunic; 
 bracelets and ear-rings; two necklaces of amulets on breast ;. 
 dove held by the wings in right hand. H. 1 ft., 3^ in. 
 
70 The Metropolitan Museum of Art. 
 
 423&003. SQUATTING FIGURE. Close chiton ; shoes; long 
 i 1 hair 1 ; dove in right hand at breast ; fruit in left hand. Ruins, 
 Soli. H. io^4 in- 
 
 1004. SQUATTING FIGURE. Short hair and tunic. 
 String of amulets on breast ; rabbit held by ears in right hand ; 
 round object in left hand. Temple of Apollo Hylates, Curium. 
 H. 1234 in. 
 
 •OW. 1005. CROUCHED FIGURE. Short hair. Short tunic in 
 » ' folds. String of amulets over left shoulder and around body. 
 Bracelets. Feet drawn up. H. 9% in. 
 
 1006. CROUCHING FIGURE. Short hair and tunic. In- 
 distinguishable object (bird?) in right hand. String of amulets 
 over left shoulder. Temple of Apollo Hylates, Curium. H. 
 10^4 in. 
 
 1007. CROUCHING FIGURE. Short hair. Close-fitting, 
 ribbed chiton; bird in right hand; large, round object in left. 
 Temple of Apollo Hylates, Curium. H. i^A in. 
 
 1008. HEAD. Straight hair; basket ear-rings. H. 3^ in. 
 
 1009. MALE HEAD, with wreath ; hair in ringlets. 
 Roman period. Temple, Golgoi. H. 7 in. 
 
 1010. HEAD. Short hair; wreath or Stephanos. Eyes 
 red. Temple, Golgoi. H. 3^ in. 
 
 1011. HEAD. Short hair; wreath of leaves. Temple, Gol- 
 goi. H. 53^ in. 
 
 1012. MALE HEAD, with wreath of leaves. Golgoi. H. 
 4/4 in. 
 
 1013. HEAD, with wreath, and flowers over the ears. Eyes 
 and lips red. Golgoi. H. $ x /\ in. 
 
 1014. HEAD. Short hair; with small curls over the fore- 
 head. Eyes unfinished. H. 3^ in. 
 
 1015. HEAD, with short wavy hair; wreath of leaves. 
 Roman. Temple, Golgoi. H. 6^4 in. 
 
 1016. HEAD. Short hair. Head uneven. Lips red. Gol- 
 goi. H. 3^ in. 
 
 1017. HEAD, with curly locks. Portrait? Golgoi. H. 
 AVa in. 
 
Catalogue of Stone Sculptures. 
 
 7i 
 
 1018. HEAD. Eyes unfinished. Short hair. Lips red. 
 H. y/ 2 in. 
 
 1019. MALE HEAD. Short hair; close wreath divided in 
 the middle. Roman period. Portrait. H. 4^2 in. 
 
 1020. STATUETTE. Hair puffed. Wreath; chiton and 
 diplois ; himation. Temple, Curium. H. 1 ft., 7% in. 
 
 1021. MALE FIGURE. Short hair, combed forward. 
 Wreath ; chiton with line of red color ; himation ; sandals. Prob- 
 ably Roman period. Temple, Golgoi. H. 2 ft., 5^8 in. 
 
 1022. FUNERARY HEAD, from Roman period. Com- 
 plete ; not a part of a statue. Holes on sides to fasten to base. 
 Tomb in the Necropolis, Golgoi. H. 9^ in. See Atlas, Vol. I., 
 PI. cxlv. See 985, 987, 1039, 1073, etc. 
 
 1023. CROUCHING FIGURE. Dove held by the wings 
 in the right hand. Temple of Apollo Hylates, Curium. H. 
 1$H in. 
 
 1024. HEADLESS FIGURE. Holds dove in the right 
 hand. Much like the last and from the same locality. H. 
 Sy 2 in. 
 
 1025. CROUCHED FIGURE, apparently female. With 
 peplos and long garment in folds. Holds bird in right hand. 
 H. io}i in. 
 
 1026. CROUCHED FIGURE on pedestal. Short hair; 
 long tunic. String of amulets over left shoulder and about 
 body. Bracelets and circular ear-rings. H. 9^ in. 
 
 1027. MALE HEAD, with short, curly hair. Head flat 
 behind. Temple, Golgoi. H. 6 in. 
 
 1028. HEAD. Short hair ; close wreath, divided at the 
 middle. Eyes red. Roman period. H. 5^ in. 
 
 1029. MALE HEAD, with fragments of wreath. Roman 
 period. H. 5% in. 
 
 1030. HEAD. Hair falls in heavy coils on right side of 
 head behind ; bound with flat fillet. Roman period. LI. 4^4 in. 
 
 103 1. HEAD, with short hair. Roman. Portrait? H. 
 5 J A in. 
 
 1032. HEAD. Short hair; wreath. H. 4 in. 
 
-72 
 
 The Metropolitan Museum^ of Art. 
 
 1033. MALE HEAD. Short hair; wreath parted in the 
 middle. Portrait? Temple, Golgoi. H. 6}4 in. 
 
 1034. HEAD. Short hair and wreath. Roman portrait? 
 H. 5 in. 
 
 1035-1036. HEADS, like foregoing. H. 5 and 4^4 in. 
 respectively. 
 
 1037. MALE HEAD. Wreath; short hair in roll over 
 forehead. Back of head flattened. H. 4% in. 
 
 1038. MALE FIGURE. Chiton ; himation ; vase held from 
 left hand by a cord. Temple, Golgoi. H. 1 ft., g}i in. 
 
 1039. FUNEREAL HEAD. Short hair and rosette 
 wreath. Two holes on side of head to fasten. H. ioy 2 in. 
 See 1022. 
 
 1040. MALE FIGURE. Clad like No. 1021. Holds a box 
 in left hand, and is opening it with the right. Temple, Golgoi. 
 H. 2 ft., Z Z A in. 
 
 1041. CROUCHING FIGURE. Short hair ; wreath ; tunic. 
 Holds a bird with left hand and feeds it with the right. Tem- 
 ple of Apollo Hylates, Curium. H. 11^2 in. 
 
 1042. SEATED FIGURE on pedestal. Hair in transverse 
 rows of ringlets ; tunic in stripes ; oval ear-rings ; bracelets. Feet 
 drawn up so the soles nearly touch. H. 14^ in. 
 
 1043. CROUCHING FIGURE. Bird held with left hand 
 and fed with right. Temple of Apollo Hylates, Curium. H. 
 8y 4 in. 
 
 1044. MALE HEAD. Wreath. Curls in front. Dali. H. 
 5 3 A in. 
 
 1045. HEAD, with short hair; wreath. Lips red. Sharp 
 features. H. 4^4 in. 
 
 1046-1047. MALE HEADS. Short hair ; wreath. Roman 
 portrait. Temple, Golgoi. H. $y 2 and 6% in. respectively. 
 
 1048. MALE HEAD. Straight hair. Eyes unfinished. 
 Ear-rings. H. 3^ in. 
 
 1049. HEAD. Short hair and fillet. Unusual features; 
 evidently a portrait. H. 5 in. 
 
 1050. HEAD; short hair and wreath. H. S/i in. 
 
Catalogue of Stone Sculptures. 
 
 73 
 
 1051. MALE HEAD. Wreath; short hair over forehead. 
 Weathered and incrusted. H. 4^ in. 
 
 1052. PROFILE of a head, in relief. Cut through head 
 dividing nose. Short, curly hair with wreath. Temple, Golgoi. 
 H. 6% in. 
 
 1053. MALE HEAD, with wreath and curly hair. H. 
 
 1054. MALE HEAD, with wreath of leaves. Sharp fea- 
 tures. Temple, Golgoi. H. 5% in. 
 
 \%%S 1055. PART OF A SILENUS, unfinished. Large round 
 
 object under left arm. From Citium. H. 11H in. 
 i 2o2 1056 MALE FIGURE. Period and clothing like Nos. 
 1 02 1 and 1040. Holds box in left hand, with dove standing 
 upon it. Temple, Golgoi. H. 2 ft., S 5 A in - 
 iq* 1057 MALE FIGURE, with short, curly hair. Chiton; 
 himation; duck in left hand; round object in right. Temple, 
 Golgoi. H. 1 ft., g l / 2 in. 
 
 1058. BASKET OR CONE ORNAMENT. This and a 
 number of like objects, were found in tombs of the necropoles 
 of Golgoi, Larnaca and Dali, and served to adorn the tops of 
 stelae. Probably the shape is intended to represent the basket 
 of Demeter. instead of the later pine cone. Consists of three 
 ribbed zones separated by plain bands edged by raised ridges 
 Projection below to fit into socket. H. 14^ in., d. (top) 
 11% in. 
 
 1*0. 1059. ORNAMENT. Like No. 1058, but smaller. H. 10^ 
 in., d. (top) 8 in. 
 
 urA 1060. PINE CONE, to adorn the top of a stele of the 
 Graeco-Roman period. From like locality with the last. H. 
 
 9 7 A in- 
 
 1 061. ROMAN HEAD. Short hair; wreath; prominent 
 eyes. Portrait? H. 5 in. 
 
 1062. MALE HEAD, with wreath. Wrinkled eyebrows. 
 Temple, Golgoi. H. 6 in. 
 
 1063. HEAD; short hair; with wreath; curls. Eyes and 
 lips red. Like No. 1001. H. 5^ in. 
 
 1064. MALE HEAD, with curly hair; wreath. Roman 
 period. Portrait. Temple, Golgoi. H. 7 in. 
 
74 The Metropolitan Museum of Art. 
 
 1065. MALE HEAD. Short hair ; wreath ; small back head 
 and high crown. H. 534 in. 
 
 1066. MALE HEAD, with curly hair and wreath. Roman 
 period. Portrait. Temple, Golgoi. H. 8^g in. 
 
 1067. MALE HEAD. Short hair; close wreath divided in 
 the middle. Roman period. Portrait. H. 4^ in. 
 
 1068. MALE HEAD, with curly hair and wreath. Por- 
 trait. Roman period. Red lips. Dali. H. 6}i in. 
 
 1069. HEAD, Roman. Short hair, parted ; curls on fore- 
 head ; wreath ; broad face. H. 5 in. 
 
 1070. MALE HEAD. Long hair combed back in locks, 
 high in front. H. 4% in. 
 
 1 07 1. MALE HEAD. Short hair, fringe in front at fore- 
 head. Low wreath. H. 43^ in. 
 
 1072. HEAD, with short hair ; wreath or fillet. Roman 
 period. Ruins, Dali. H. 8 in. 
 
 1073. FEMALE HEAD. Wavy hair in front ; peplos over 
 all. Ear-rings. Portrait ; intended to stand in a tomb. Com- 
 plete. H. 10 in. 
 
 I|a . 1074. PART OF STATUETTE. Short hair ; wreath ; long 
 chiton ; himation ; branch in right hand. Eyes and lips pink. 
 H. iS l / 4 in. 
 
 1075. MALE FIGURE. Period and clothing like No. 
 " 1021, but plainer. Eyes and lips pink. Left hand holds a box. 
 
 Temple, Golgoi. H. 2 ft., 2 in. 
 
 1076. HEAD, face damaged. Short hair; wreath of ro- 
 settes instead of leaves. H. 8 in. 
 
 HI* 1077. PINE CONES, to adorn the tops of stelae, of vary- 
 ' ing patterns; all have projections to fit hole in top of stelae. 
 See 1058-1060. H. 7 — 10 in. 
 
 1083. MALE HEAD; portrait. Short hair, flat wreath. 
 Eyes and lips pink. H. 5^ in. 
 
 1084. MALE HEAD. Hair in puff, high wreath. H. 
 51/2 in. 
 
 1085. MALE HEAD. Flat head ; fillet ; short curls on fore- 
 head. Hair and eyes pink. H. 5 in. 
 
Catalogue of Stone Sculptures. 75 
 
 1086. MALE HEAD, with short hair and wreath ; heavy 
 chin. Roman portrait. Temple, Golgoi. H. 6*4 in. 
 
 1087. MALE HEAD, funerary. Long neck and 'small, 
 short head ; curly hair. Complete. See 1022. H. g}i in. 
 
 1088. MALE HEAD; with short hair and wreath. Round 
 face. Temple, Golgoi. H. 5^8 in. 
 
 1089. MALE HEAD. Short hair, wreath ; curls on fore- 
 head. Eyes pink. H. 6}i in. 
 
 1090. FEMALE HEAD. Hair parted; peplos ; ear-rings; 
 lips red. Necropolis, Golgoi. Roman period. H. jY% in. 
 
 1091. MALE HEAD, with Roman face. Short hair and 
 wreath. H. 4^8 in. 
 
 1092. FEMALE HEAD. Like 1090. Complete. See also 
 1022. H. ioy 2 in. 
 
 1093. FEMALE HEAD. Roman period. Like 1090. 
 Ruins, Dali. H. 5^4 in. 
 
 1094. MALE HEAD. Complete. Short hair ; wreath of 
 rosettes. See 1022, 1039, an d 1087. H. 9 in. 
 
 109S-1096. VOTIVE OFFERINGS; bouquets of nar- 
 cissus. Temple, Golgoi. D. 3^2 — 3 in. 
 
 1097. VOTIVE OFFERING; small bunch of narcissus. 
 Temple, Golgoi. D. 2^8 in. 
 
 1153. 1098. VOTIVE OFFERING (?). Apparently part of a 
 serpent coiled on a round pedestal, or on a box. Colored red. 
 H. 2% in. 
 
 1099. VOTIVE OBJECT. Miniature altar. Traces of fire 
 inside. Temple, Golgoi. H. 4 in. 
 
 1099A. PLAQUE, round, with pointed and perforated pro- 
 jection. One side slightly concave ; other convex, decorated 
 with central rosette, two series of circles, and dots and diagonal 
 lines between. D. 6y 2 in. 
 
 1 100. MALE HEAD, with short, curly hair and wreath. 
 Large ears ; long head. Temple, Golgoi. H. 6 in. 
 
 1101. CIRCULAR SLAB with Gorgon's head in relief; 
 its mouth a fountain opening. White marble. Ruins, Cythrea. 
 D. 1 ft., 1 24 in. 
 
76 The Metropolitan Museum of Art. 
 
 i 102. HEAD. Hair parted in waves. Eyes inlaid with 
 dark iris and pupils. Nose restored. Presented by Mr. J. W. 
 Drexeh H. Sy 2 in. 
 
 1 103. MALE HEAD. Wreath; short hair in locks. H. 
 6 in. 
 
 1 104. DOLL, nude. Movable arms. Late Roman. (Not 
 of the Cesnola collection, but obtained in 1887-88 by the Wolfe 
 exploring expedition to Babylonia.) White marble. From 
 Ctesiphon. H. io>2 in. 
 
 1 105. HAND, holding a dove; a fragment. White marble. 
 Temple of Apollo Hylates, Curium. L. 4 in. 
 
 1 106. DOLL. Like 1104; similarly obtained, but smaller, 
 H. 6y 4 in. 
 
 1 107. FORELEGS of a horse, Two parts of. White 
 marble. Temple of Apollo Hylates, Curium. L. 2 — 3 in. 
 
 1 108. FOOT. Front part of a female foot, from a statue. 
 White marble. W. 2 Y / 2 in. 
 
 1 109. HAND holding a patera. White marble. Temple 
 of Apollo Hylates, Curium. D. 5% m - 
 
 1 1 10. HEAD OF BACCHUS. Fillet; garland of vine- 
 leaves, with grapes. White marble. Ruins, Soli. H. Sy 2 in. 
 
 nil. SEATED FIGURE (of Cybele?), headless, with 
 chiton and himation ; feet resting on a recumbent lion. Hollow 
 at base of neck to receive marble head. Ruins near Caravastasi 
 (Soloi). H. 1 ft., ny 8 in. 
 
 1 1 12. MORTAR (apparently), but hole through the bot- 
 tom. White marble. Temple of Apollo Hylates, Curium. H. 
 
 4H in - 
 
 1 1 13. PATERA, Fragment of. White marble. Temple of 
 Apollo Hylates, Curium. D. \Y% in. 
 
 1 1 14. PATERA, with umbilical boss in centre (patera 
 omphalios). White marble. Temple of Apollo Hylates, 
 Curium. D. 5 in. 
 
 1 1 15. FEMALE FIGURE, elaborately draped. Head and 
 feet gone. White marble. H. 6% in. Presented by Mr. H. G. 
 Marquand. 
 
Catalogue of Stone Sculptures. 
 
 77 
 
 1116. ALABASTRON, made of alabaster. H. 5^ in. 
 Presented by Mr. H. G. 'Marquand. 
 
 1117. PLINTH(?). Greek meander (key) pattern below ; 
 lotus flowers above. L. 18^4 in. 
 
 1 1 18. CAPITAL, with acanthus leaf ornaments beneath the 
 volutes. White marble. Ruins, Citium. H. io$i in. 
 
 1 1 19. FRAGMENT of a foot of heroic size. White marble. 
 (Not of the Cesnola Collection, but presented by J. W. Drexel.) 
 L. 7 in. 
 
 1 1 20. FRAGMENT with three figures in relief. White 
 marble. Ruins, Citium. H. 6 in. 
 
 1 121. FEMALE HEAD, Greek, with hair in large side 
 puffs and a knot behind. White marble. Temple of Apollo 
 Hylates, Curium. H. 2 in. 
 
 1 122. RELIEF of Triton and Nereid, with dolphins, octo- 
 pus, etc. White marble slab, found at Sidon, 1887. Size 
 17 x 17 in. (Not of the Cesnola collection.) 
 
 1 123. FEMALE HEAD, small. Heavy hair, parted and 
 massed behind. White marble. Temple of Apollo Hylates, 
 Curium. H. 2% in. 
 
 1 124. STATUETTE OF ATHENE, with Gorgon shield, 
 Fragment of a. White marble, or rough alabaster. Ruins, 
 Citium. H. 1 ft., iy 2 in. 
 
 1 125. FRAGMENT of a thick marble dish. Temple of 
 Apollo Hylates, Curium. D. 4^4 in. 
 
 1 126. BOAR, feeding, Fragment of a. White marble. 
 Temple of Apollo Hylates, Curium. L. 7 in. 
 
 1 127. ATHENE, Helmeted head of. White marble. Ruins, 
 Citium. H. 3^8 in. 
 
 1 128. FRAGMENT of a female statuette, showing lower 
 drapery only. White marble. Temple of Apollo Hylates, 
 Curium. H. 5^4 in. 
 
 1 1 29. FRAGMENT ; wrist and closed hand. White marble. 
 Temple of Apollo Hylates, Curium. L. 3 in. 
 
 1 130. FEMALE HEAD, small. Flair bound with fillet; 
 masses behind. White marble. Temple of Apollo Hylates, 
 Curium. H. 3^ in. 
 
78 The Metropolitan Museum of Art. 
 
 i 131. LEG of a statuette, part of the. White marble. Tem- 
 ple of Apollo Hylates, Curium. L. 2^4 in. 
 
 1 132. FEMALE HEAD. Hair in waves; high knot be- 
 hind. Greek. White marble. Temple of Apollo Hylates, 
 Curium. H. J% in. 
 
 1 133. LION'S FOREPAW. Part of a support, with the 
 clawed foot of an animal. White marble. Temple of Apollo 
 Hylates, Curium. L. of foot 1% in. 
 
 1 134. HEAD of a boy, with short hair. White marble. 
 Temple of Apollo Hylates, Curium. H. 4 in. 
 
 1 135. LION'S HINDPAW, right. Like 1133. L. i*/ 2 in. 
 
 1 136. FEMALE HEAD, with fillet. Hair in low knot. 
 Greek. White marble,. Temple of Apollo Hylates, Curium. 
 H. 65/ 8 in. 
 
 1 137. UNCERTAIN OBJECT; perhaps a pestle, shaped 
 like an animal's limb. White marble. Temple of Apollo Hy- 
 lates, Curium. L. 35^ in. 
 
 1 138. STATUETTE of a nude boy holding an unfinished 
 object in both hands. Later Greek style. White marble. Tem- 
 ple of Apollo Hylates, Curium. H. 1 ft., 8^4 hi. 
 
 1 139. FEMALE HEAD. The marking on the back shows 
 it to have been attached to a cornice or moulding, of interior 
 decoration. ( Not of the Cesnola collection, but obtained by the 
 Wolfe expedition.) Stucco. From Palmyra. H. 5 in. 
 
 1 140. VOTIVE SHIP, with sea-monsters. Early Christian 
 work ; shipwreck and deliverance of Jonah ( ?). White marble. 
 Size: 1. 1 ft., 11 in., h. 1 ft., 7^ in. Found at Tarsus, 1876. 
 Presented, 1877, by John Todd Edgar, U. S. Consul at Beirut. 
 
 1 141. HEAD. Ancient Babylonian (or Chaldean). Ba- 
 saltic stone. H. 3 in. From Tello, southern Chaldea. (Not 
 of the Cesnola collection, but obtained by the Wolfe Expedi- 
 tion.) 
 
 1 142. STATUETTE of a nude- boy. Graeco-Roman style. 
 White marble. Temple of Apollo Hylates, Curium. H. 1 ft., 
 
 in. 
 
 1 143. MALE TORSO; the left arm about a large undefin- 
 able object against which the figure leans. Probably a Bacchus. 
 White marble. Ruins of Citum. H. 1 ft., 10 in. 
 
Catalogue of Stone Sculptures. 
 
 79 
 
 1 144. ARCHITECTURAL FRAGMENT, or perhaps the 
 base of a statue. Two nude figures, a male and a female, in 
 relief ; the latter with a wand and a mantle. Subject uncertain. 
 White marble. Ruins, Citium. H. 1 ft., 8 in. 
 
 For convenience Nos. 1145 — 1309 are noted here, though not 
 belonging strictly to the sculptural portion of the collection. 
 Nearly all of the Alabaster objects, 1 145-1236, were found in 
 Phoenician tombs in various parts of Cyprus. Those num- 
 bered 1237 to 1309 were discovered in Greek and Egyptian 
 tombs in several places, and are of much later date in spite of 
 their less excellent state of preservation. The difference in 
 their style and grace of form is obvious : the alabastron shape 
 gives place to the amphora. See Atlas, III., PI. ex. — cxiii. 
 
 1 145. VASE, with pointed foot and small ring handle. 
 Conical body. H. 53^ in. 
 
 1146-1186, 1 188-1204. ALABASTRA. Usually with long 
 cylindrical body, some flaring toward the base, some ovoid, or 
 even spherical. Short neck, with button-top, flat and round ; 
 some flaring. Generally have ears on 'sides, occasionally per- 
 forated. Texture of stone usually stratified, though sometimes 
 very clear, and frequently tinted by the oil which they originally 
 contained. They vary in size from H. 5 — 11 in., d. 1% — sH m - 
 
 1 187. AMPHORA shaped vase; top gone, body pear- 
 shaped, with pointed foot. H. 5^ in. 
 
 1205. HANDLED PITCHER, hydria shaped, with flar- 
 ing mouth and decided foot. D. (body) 4 in., h. 6 in. 
 
 1206. VASE, with distinct foot, pear-shaped body, and 
 large flaring neck and mouth. A modification of the amphora 
 with foot. H. 3^4 in. 
 
 1207. VASE, »with handle ; pear-shaped body, long cylin- 
 drical neck and flat mouth. Bottom formed by a loose plug 
 with covering flange. H. 6% in., d. 3^ in. 
 
 1208. BARREL- VASE, with angular and band decoration. 
 Perforated ears. Calcined. H. 4^8 in., d. 3 in. 
 
 1209. BOTTLE-VASE, with flat bottom, bell-shaped body, 
 and cylindrical neck. Made with shoulder so that large button 
 top could be added. H. y/4 in., d. 2^4 in. 
 
 1210. HANDLED VASE, with spheroidal body, flat on 
 
80 The Metropolitan Museum of Art. 
 
 top with flaring mouth ; handle in three bands or strands ; ring 
 base. H. 5^4 in., d. 3 5-16 in. 
 
 1211. ALABASTRON. See 1 146. YL. 4% in. 
 
 1212. BARREL- VASE, of large size. Decorated with 
 bands and geometrical designs. Perforated ears. H. g% in., 
 d. 4}i in. 
 
 1213. ALABASTRON. See 1146. H. 3^ in., d. 2^ in. 
 
 1214. HANDLED VASE. Similar to 1210. H. s l A in., 
 d. 7> Z A in. 
 
 121 5. BOTTLE-VASE, with large button-top. See 1209. 
 H. 2^4 in., d. 2>H in. 
 
 1 2 16. VASE, with tapering body and neck; flaring mouth. 
 Top broken. Separable bottom. H. 8 in., d. 3% in. 
 
 1217. VASE, ovoid, with small handle and neck; flaring 
 mouth. Discolored green. H. 5^ in., d. y/ 2 in. 
 
 12 18. VASE, amphoroid. Like 1206. H. t,H m - 
 
 1 2 19. BARREL- VASE, with band and cross-line decora- 
 tions. Perforated ears. H. 7 in., d. 4>4 in. 
 
 1220. SHALLOW CUP, with low foot ; similar to kylix. 
 Three raised bands about vertical side. H. 2 in., d. 3^4 in. 
 
 1 22 1. STATUETTE, female ; erect, nude. Lacks head and 
 feet. Roman. From Ctesiphon ; obtained by the Wolfe Ex- 
 pedition. H. 5% in. 
 
 , 1222. FEMALE FIGURE, reclining on left side. Nude. 
 Lacks head and left arm. Late Roman period. Obtained from 
 Ctesiphon by the Wolfe Expedition. L. 6}i in. 
 
 1223. ALABASTRON, large. Unfinished. Heavy rim 
 and ears. Shows marks of chisel. Bright color due to the fact 
 that it had never been used for liquids. H. 15^4 in., d. 4^ in. 
 
 1224. ALABASTRON. Tall. Stone marked like agate. 
 H. loji in., d. 3*4 in. 
 
 1225. LADLE, with round bowl held in arms of nude 
 female figure, prostrate, with head at edge of bowl. Ankles 
 and feet gone. L. 5^4 in. 
 
 1226. ALABASTRON. (See 1146.) H. ii# in, d. 
 3 3-*6 in. 
 
Catalogue of Stone Sculptures. 
 
 Si 
 
 1227. VASE, of large size and very heavy. Has stone 
 cover. Bottom rounded ; sides retreating to short neck ; flaring 
 and convex top ; small aperture. Found in a Phoenician tomb 
 at Citium. See Atlas III., cxi., 5. H. 9% in., d. (bottom) 
 1414 in., (top) iiy 2 in. 
 
 1228. ORNAMENT? Purpose not clear. Ends knobbed 
 and conical ; centre spool-like. Decorated with ridges and cir- 
 cles. Calcined. L. 4 in. 
 
 1229. NECK of a vase or part of a low vessel. H. 2 in., 
 d. y/ 2 in. 
 
 1230. FEMALE FIGURE, reclining on left side. Nude. 
 Lacks feet and left arm. Late Roman period. Obtained at 
 Ctesiphon, by the Wolfe Expedition. L. 5^4 in. 
 
 1231. ALABASTRON. Found near Smyrna. (Not of the 
 Cesnola collection.) H. 11% in., d. 2 in. 
 
 1232. FEMALE FIGURE, seated. Lacks legs. Late 
 Roman period. Obtained at Ctesiphon by the Wolfe Expedi- 
 tion. H. 3*4 in. 
 
 1233. ALABASTRON. See 1146. H. 10^ in., d. 3^ in. 
 
 1234. OBLONG BOWL, shaped like a bath-tub. Over- 
 hanging lips, with three points at each end. From Amathus. 
 H. in., 1. 5^8 in., w. 34^ in. Atlas III., cxii., 3. 
 
 1235. ALABASTRON, with overhanging edge. H. io^4 
 in, d. 2>4 in. 
 
 1236. VASE, with tapering body, rounded base, slightly 
 flaring top and mouth, and perforated ears. Citium. H. 15^ 
 in., d. 6 in. Atlas III., cxi., 6. 
 
 1237. SAUCER or bowl, with flat bottom, and straight 
 sides with three raised bands. H. 2 in., d. 4% in. 
 
 1238. PATERA, perhaps for libation. Bottom flat, sides 
 rounded ; four ears on opposed sides, one with slight channel 
 on top. Amathus. H. 2 in., d. 5 in. Atlas III., cxii., 6. 
 
 1239. PATERA, similar to foregoing. Amathus. H. 2 in., 
 d. 6 in. Atlas III., cxii., 7. 
 
 1240. BOWL, small; with flat bottom, curved sides, re- 
 entrant lips, and small aperture. Amathus. H. 2 in., d. 4 in. 
 Atlas III., cxii., 2. 
 
82 The Metropolitan Museum of Art. 
 
 1241-1242. AMPHORAE, with pointed bases, no handles. 
 H. 2y A and 2>H in - 
 
 1243. 1247, 1250, 1259. WHORLS, or Stoppers, placed on 
 rods used in ointment bottles similar to accompanying alabastra. 
 D. about 1% in. 
 
 1244. AMPHORA, with two angular handles. H. 5^ in. 
 
 1245. AMPHORA, with pointed base. H. y/4 in. 
 
 ' 1246. AMPHORA; originally had foot and handles. H. 
 4M in. 
 
 1248-1249. AMPHORAE; short and stout, with pointed 
 feet. H. 2y 2 —Z% in. 
 
 1251-1252. AMPHORAE, with flat feet; originally had 
 handles. H. 3*4 — sH in - 
 
 1253. ORNAMENT, pear-shaped. Stopper? H. i^i in. 
 
 1254. FEMALE HEAD, with high head-dress or hair. 
 Greek. Larnaca. H. 2 in. Atlas, III., cxiii., 3. 
 
 1255. AMPHORA, with foot. Originally had handles. H. 
 yY A in., d. 2> 3 /s in. 
 
 1256. AMPHORA. H. 2y 2 in. 
 
 1257. HEAD, female. Surface worn. H. \y 2 in. 
 
 1258. AMPHORA; originally had a foot. H. 5^ in. 
 
 1260. AMPHORA, with foot. H. 2^ in. 
 
 1 261. AMPHORA; originally had a foot and handles. H. 
 
 3 l A in. 
 
 1262. 1265. STOPPERS, button-shaped; pierced. D. 
 1*4 in. 
 
 1263. AMPHORA, plain. H. 2% in. 
 
 1264. AMPHORA; originally had foot; pear-shaped body 
 and elaborate handles. H. 5^4 in. 
 
 1266. AMPHORA, weathered and broken. H. 2}i in. 
 
 1267. AMPHORA, with large body; base and broad top. 
 Handles gone. H. 3^ in. 
 
 1268. 1270, 1276, 1286, 1290. WHORLS or Stoppers. 
 
Catalogue of Stone Sculptures. 83 
 
 1269. AMPHORA, with foot and flaring top ; had handles. 
 H. 3 y 4 in. 
 
 1271. AMPHORA, with flat button top; pointed base; 
 originally had handles. H. 2^ in. 
 
 1272. BOWL, small ; with re-entrant lips, similar to 1240. 
 D. iy 2 in. 
 
 1273-1275. ALABASTRA. 1274 has ears. H. 3^ — 
 4 S A in. 
 
 1277. ALABASTRON. Mottled stone like marble. H. 
 4H in - 
 
 1278. ALABASTRON. Cylindrical body. H. 4% in. 
 
 1279. ALABASTRON. Ovoid body with ears. Neck 
 gone. H. 4J4 in. 
 
 1280. 1282. BOWLS, like 1272. D. i]/ 4 — iy 2 in. 
 
 1281. PATERA, deep, with flat lip and curved sides. 
 Originally had three feet. D. 6^4 in., h. 2^ in. 
 
 1283. BOTTLE-VASE, bell-shaped. Like 1209. D. 2% 
 in., h., 2^4 in. 
 
 1284. ALABASTRON, with ears. H. 4^ in. 
 
 1285. LENTICULAR VASE, with two perforated ears and 
 a round mouth. Amathus. H. 3^ in. Atlas III., cxi., 1. 
 
 1287. ALABASTRON, with ears. H. 3% in. 
 
 1288. ALABASTRON ; ovoid, small mouth. H. 3^ in. 
 
 1289. ALABASTRON ; flat mouth, small ears. H. 4% in. 
 
 1291. ALABASTRON; elongated ovoid. Mottled stone, 
 greenish. H. 6 in. 
 
 1292. ALABASTRON; ovoid, with flat mouth. H. 3^ in. 
 
 1293. PEDESTAL; round with flaring top and base. H. 
 1^2 in., d. (base) 2 in. 
 
 1294. ALABASTRON ; elongated ovoid with button top. 
 H. 4y 8 in. 
 
 1295. LIBATION PATERA, with two ears; flat bottom. 
 H. iy 2 in., d. $y% in. 
 
84 The Metropolitan Museum of Art. 
 
 1296. VASE; ovoid body and pointed foot. H. 1% in. 
 
 1297. TRIPOD PATERA. Three feet and rounded bot- 
 tom. Amathus. H. i]/ 2 in., d. 4 5-16 in. Atlas III., cxii., 4. 
 
 1298. ALABASTRON, with two ears. H. 2% in. 
 
 1299. 1 301. ORNAMENT? Flat round object with hole in 
 top. Pedestal? D. 2 in. 
 
 1300. PEDESTAL, with flaring foot and small top. H. 
 Y% in., d. (base) 1% in. 
 
 1302. ALABASTRON; no top. H. 3^ in. 
 
 1303. LIBATION PATERA, with two ears and one cov- 
 ered spout. H. 134 in., d. 3^ in. 
 
 1304. ALABASTRON, with ovoid body, ears and a round 
 base. H. 2.y 2 in., d. 2 in. 
 
 1305. PATERA, or a cover of a vase similar to 1227. Has 
 beveled edge. D. 3% in. 
 
 1306. ALABASTRON, with ears and a button top. H. 
 
 1307. PEDESTAL, like 1293. H. 1^ in., d. (base) 2 in. 
 
 1308. ALABASTRON, with ovoid body and button top. 
 H. 3^ in. 
 
 1309. ALABASTRON ; elongated bodv and broken top. 
 H. S l A in. 
 
 1310. CHILD'S HEAD. Short curly hair. Right side of 
 face is more prominent than the left. H. 5^ in. 
 
 131 1. NUDE BOY; leaning forward on arms and hands; 
 sitting on right leg and extending the left. Left hand rests on 
 a tortoise ; the right holds a pomegranate. Short hair. Brace- 
 lets and serpent-headed anklets. Temple of Apollo Hylates, 
 Curium. L. 17% in., h. 13^ in. 
 
 13 12. MALE HEAD of youth. Short hair, laid forward. 
 H 5 in. 
 
 1 313. MALE HEAD, with wreath. Weathered. Roman. 
 H. 8 in. 
 
 1314. HEAD, fillet and wreath; roll of short hair over 
 forehead. Lips and eyes pink. H. 7% in. 
 
Catalogue of Stone Sculptures. 85 
 
 1315. FEMALE HEAD. Hair in bands parallel with part- 
 ing. Incrusted or calcined ; dark gray. Roman period. Ruins, jT^y- 
 Dali. H. 8^ in. 
 
 13 16. MALE HEAD, with high wreath. Short curly hair. 
 Weathered. Temple, Golgoi. H. 7^ in. 
 
 13 17. MALE HEAD, with curly hair ; wreath. Weathered. 
 Golgoi. H. Sy 2 in. 
 
 1318. MALE HEAD, large. Like 1320 and 1331. H. 
 11 in. 
 
 1 3 19. MALE HEAD; of an old man; heroic size. Curly 
 hair. Weathered. Graeco-Roman. Portrait. Temple, Golgoi. 
 H. n J A in. 
 
 1320. MALE HEAD of large size. Garland and short hair, ^ / y 
 weathered. Ruins, Pyla. H. 11^ in. 
 
 1 32 1. MALE HEAD, with garland and row of curls. Por- 
 trait, of the Roman period. Temple, Golgoi. H. n}& in. 
 
 1322. HEAD of young man. Top badly weathered. H.. 
 12 in. 
 
 1323. HEAD of young man. Curly hair. H. 11^ in. 
 
 1324. FEMALE HEAD, with short hair. Wreath of leaves 
 with, cluster. Eyes pink. Temple, Golgoi. H. 7^ in. 
 
 1325. HEAD, narrow. Short, curly hair. Stone of dark 
 color, calcined. Portrait. Roman period. H. 9 in. ^ 
 
 1326. MALE HEAD, with olive wreath ; short hair, combed v 
 forward. Colored pink. Temple, Golgoi. H. 8^4 in. 
 
 1327. HEAD. Short hair. Calcined, dark gray. Roman \X\u 
 period. Necropolis, Golgoi. H. 9 in. 
 
 1328. MALE FUNERARY HEAD. Complete. Similar 
 to 1022. Wreath of flat four-petal rosettes. H. 9^ in. 
 
 1329. MALE HEAD of large size. Wreath of leaves; 
 curls over forehead ; beard in curls. Temple, Golgoi. H. 
 io^4 in. 
 
 1330. MALE FUNERARY HEAD. Short side-whiskers. 
 Top of head weathered smooth. See 1022. H. g l / 2 in. 
 
 1 33 1. MALE HEAD. Heroic size. Youth; short hair and 
 wreath; side whiskers. Weathered. Like 1320. H. 10*4 in- 
 
86 The Metropolitan Museum of Art. 
 
 1332. IONIC CAPITAL, with three faces; from an angle 
 column. On each face, egg-and-tongue ornamentation, united 
 with the volutes by a leaf pattern. On top, a circular sinking. 
 Ruins, Golgoi. H. of necking, 8 9-16 in., d. of necking, 13 in. 
 
 1333. CAPITAL. Acanthus ornaments under volutes. 
 White marble. Ruins, Citium. H. 1 ft. 
 
 1334. CAPITAL with Ionic volutes and Doric echinus. 
 Incised rosettes on the necking ; above this, echinus with fillets. 
 Volutes concentric ; between them a large incised rosette. 
 Square socket in joint of necking. Circular sinking on top of 
 abacus. Ruins, Golgoi. H. 13^ in., top i8^4 x 18% in- 
 
 1335. CAPITAL with abacus. Capital with leaf-ornament, 
 abacus with bands of geometrical ornament, in low relief. Top 
 of capital covered with a small cup-shaped ornament, repeated. 
 Round depression on top. Near temple-doorway, Golgoi. H. 
 10 15-16 in., top, 13^ x 123/g in. 
 
 1336. MALE HEAD, with short hair and wreath. Portrait 
 of the Roman period. Temple, Golgoi. H. 634 in. 
 
 1337. PINE CONE. See Nos. 1058 and 1060. H. 9 in. 
 1338-^ 3^ M ALE 'HEAD. Portrait. Like No. 1336. H. 
 
 1342. HEAD. Apparently a portrait. Hair in curls. Tem- 
 
 ,E HEADS. Like 1331. H. 11^—12 in. 
 
 1347. MALE HEAD. Wreath; short, thick locks over 
 I^IM forehead. Cythrea. H. 934 in. 
 
 1348. FEMALE HEAD. Wavy hair; with peplos. Ear- 
 |V^° rings. Ruins., Idalium. H. 10 in. 
 
 1349. MALE HEAD. Prominent wreath; small side- 
 whiskers. Temple, Golgoi. H. ioy 2 in. 
 
 1350. FEMALE HEAD. Wreath of large rosettes; short 
 I ^s!n tresses in front. Temple, Golgoi. H. g^i in. 
 
 ^ ' 13*51. MALE HEAD. Like 1331. H. 12^ in. 
 
 1352. BEARDED HEAD. Helmet, with cheek and nose 
 pieces ; traces of leaves of hinges, resembling an incised meander 
 ornament. Beard curled and pointed. Temple, Golgoi. H. 
 12 in. 
 
 pie, Golgoi. H. HjgL 
 
Catalogue of Stone Sculptures. 87 
 
 ft*-*) T 353- HEAD. Bald, with wreath. Heavy short beard. 
 Apparently a portrait. Temple, Golgoi. H. 11 in. 
 
 \Xl% x 354- FEMALE HEAD. Peplos ; fillet; ear-rings. Sim- 
 ilar to 1348. Salamis. H. 11^ in. 
 
 1355. SEPULCHRAL RELIEF, Fragment of a. Upper' 
 part of male figure with himation ; wreath, curly locks on fore- 
 head. Necropolis, Golgoi. H. 1 ft., g l /> in. 
 
 1356. SEPULCHRAL RELIEF, Fragment of a. Male 
 figure, reclining, holding a patera. Ringlets on forehead ; chap- 
 let with rosettes. Beard. Necropolis, Salamis. H. 1 ft. 
 7H in. 
 
 1357. PERIRRHANTERION. Great vase. Without foot 
 or handle, nearly a spherical segment ; rope decoration below 
 rim ; wreath of ivy leaves and two palmette ornaments in relief ; 
 two projections or ears above palmettes. Projecting ring for 
 base. Found at entrance of temple, Golgoi. H. about 17 in. 
 
 1358. SEPULCHRAL STELE, Fragment of. Female fig- 
 ure in relief; chiton with girdle; peplos over head; ear-rings; 
 signet ring on finger. Necropolis, Golgoi. H. 1 ft., 11% in. 
 
 1359. SEPULCHRAL RELIEF, Fragment of a. Upper 
 part of male figure ; wreath and curls. Chiton. Pouch in left 
 hand; seal ring. Necropolis, Golgoi. H. 1 ft., sH m - 
 
 ft 1360. MALE HEAD. Short hair ; curls on forehead ; 
 ^•wreath of leaves. Portrait of the Roman period. Temple, Gol- 
 goi. H. 7 in. 
 
 io^. 1 361. WINGED ANDRO-SPHINX, seated on a flat base, 
 its wings and head supporting a patera, or tazza. Traces of 
 deep red color. See Atlas, Vol. I., PI. cvi., 692. Tomb, Cyth^ 
 rea. H. 9 in., d. 5 in. 
 
 JUi& r 3^ 2 - MALE HEAD. Portrait of Roman period. See 
 I ^1360. H. yy 2 in. 
 
 1363. FEMALE HEAD. Wreath of leaves and berries; 
 hair in short curls, or wavy tresses, in front. Traces of red 
 color on hair, lips and cheeks. Temple, Golgoi. H. 10% in. 
 
 1364. FEMALE HEAD. Wreath of leaves ; hair in heavy 
 -ftHhcurls. Traces of color on eyes and lips. Temple, Golgoi. H. 
 
 ' io>6 in. 
 
88 
 
 The Metropolitan Museum of Art. 
 
 1365. HEAD. Narrow fillet of rosettes in relief; hair ii> 
 j curls over forehead, or covered with a ruffled cap. Antique 
 
 features. Temple, Golgoi. H. 9 in. 
 
 1366. MALE HEAD. Wreath; small side-whiskers. Lips 
 i^tO red. Roman portrait. Temple, Golgoi. H. 10% in. 
 
 1367. FEMALE HEAD. Fillet; hair carried back in 
 waves to a large Hebe knot ; ear-rings. Temple, Golgoi. H. 
 11 in. 
 
 1368. FEMALE HEAD. Wreath and abundant curls on 
 sides and behind. ' Temple, Golgoi. H. io}i in. 
 
 1369. FEMALE HEAD. Hair parted in centre, brushed 
 {%t^ back on sides and bound with a fillet. Traces of red color on 
 
 hair and eyes. Temple, Golgoi. H. 9^8 in. 
 
 1370. FEMALE HEAD. Necklace of beads with square 
 clasp or brooch ; plain band or fillet round the head. Curls 
 over the forehead ; longer locks partly covering the ears, which 
 are hung with three oblong or spiral rings like some of gold 
 in the Cesnola collection. Heavy curled locks fall to the shoul- 
 der. Temple, Golgoi. H. 10 in. 
 
 1 371. FEMALE HEAD. Roman. Prominent wreath and 
 -vyio curls about the face and behind neck. Temple, Golgoi. H. 
 
 I^-L\ UK in. 
 
 1372. MALE HEAD, with heavy features. Much like No. 
 J 3^>3- No color. Ruins, Idalium. H. g}£ in. 
 
 1373. MALE HEAD. Lightly wrought hair and beard 
 1^1 6 with traces of red. Leafy wreath. Temple, Golgoi. H. 
 
 934 in. 
 
 1374. FEMALE HEAD. Wreath; hair combed down in 
 locks on forehead and temples. Portrait. Temple, Golgoi. H. 
 gy 2 in. 
 
 1375. FEMALE HEAD. Diadem of double row of ro- 
 settes ; frisure of curls over temples and partially over the 
 ears ; hair falls in a mass behind, and three tresses on each 
 shoulder. Large circular ear-ring; chain necklace with pen- 
 dant. Lapethus. H. 12^ in. 
 
 1376. MALE HEAD, beardless. Wreath or fillet. Red- 
 dish sandstone. Ruins, Salamis. H. 1 ft. 
 
Vic, 
 
 Catalogue of Stone Sculptures. 89 
 
 1377. FEMALE HEAD. Wreath of leaves and berry- 1^ 
 shaped pendants ; hair in heavy tresses over forehead. Portrait. 
 Temple, Golgoi. H. n^i in. 
 
 1378. MALE HEAD. Wreath ; curls over forehead ; beard 
 wavy. Temple, Golgoi. H. 1 ft., ^2 in. 
 
 1379. SEPULCHRAL RELIEF. Reclining bearded male 
 figure with rosette wreath ; chiton ; himation ; holds a patera. 
 Seated female holding child ; chiton ; peplos. Necropolis, Gol- 
 goi. H. 2 ft., 1 in., w. (top) 2 ft., 3 in. 
 
 1380. SEPULCHRAL RELIEF, Fragment of. Female 
 figure in chiton and peplos. Fillet ; ear-rings and necklace. 
 Necropolis, Golgoi. H. 1 ft., 8 in. 
 
 1381. SEPULCHRAL STELE, Fragment of. At top, a 
 recumbent lion with open mouth. Below, relief; bearded male t*Q. 
 figure with wreath and puff over forehead ; holds a pouch. 1 
 Resembles Assyrian figures. Necropolis, Golgoi. H. 1 ft., 
 
 6% in. 
 
 1382. FEMALE HEAD, from a sepulchral relief. Origin- 
 ally in a niche. Hair in waves, covered by peplos. Pendent 
 ear-rings ; background broken away. Necropolis, Golgoi. 
 Total h. about 15 in. 
 
 1383. MALE HEAD, from a sepulchral relief. P>earded ; . 
 hair in ringlets, bound with rosette or flower fillet. Back- ' 
 ground broken away. Necropolis, Golgoi. H. ny 2 in. 
 
 1384. SEPULCHRAL RELIEF. Reclining bearded male 
 figure, with rosette wreath and holding a patera ; female seated 
 on same couch ; child, standing. Tomb, Salamis. H. 1 ft., 
 2}i in. W. (top) 1 ft., 5 in. 
 
 1385. MALE HEAD, from a sepulchral relief. Face 
 smooth ; fringe of short curls on forehead, colored red. Head- 
 dress resembles a brooding bird, with outspread wings. Rem- 
 nants of himation. Background gone. Necropolis, Golgoi. 
 H. about 15 in. 
 
 1386. BEARDED HEAD, from a sepulchral relief. Hair 
 dressed forward into puff over forehead and bound with ro- 
 sette or flower fillet. High-necked chiton. Part of background 
 preserved, colored red. Necropolis, Golgoi. H. about 14 in. 
 
 1387. SEPULCHRAL STELE, Fragment of, with two fig- 
 
90 The Metropolitan Museum of Art. 
 
 Ml 
 
 ures in relief. The right hand of each figure holds a bag or 
 purse ; left at head. Each has wreath or crown. Necropolis, 
 Golgoi. H. i ft., 6 in. 
 
 1388. FEMALE HEAD. Pinched features. Hair under a 
 1^0^ ribbed and ruffled cap; fillet, with a berry-shaped pendant; 
 three rows of curls, or ruffles, in front. Temple, Golgoi. H. 
 yV 2 in. 
 
 I/Up 1389- DOVE. Probably from the hand of a statue. Tem- 
 ple, Golgoi. L. (beak to tail) 15 in. 
 
 1390. FEMALE HEAD. Double wreath of leaves, two 
 1 clusters in front; fillet; two rows of short curls over forehead. 
 
 Lips red. Temple, Golgoi. H. 7^ in. 
 
 1391. HEAD, bearded. Triple wreath; row of vertical 
 curls over forehead. Ringlets behind head. Beard broken. 
 Weathered. Levka. H. ii*4 in- 
 
 1392. MALE HEAD. Wreath of leaves with barrel- 
 shaped pendants ; two rows of curls over forehead and behind 
 neck. Temple, Golgoi. H. 10% in. 
 
 1393. MALE HEAD. Wreath on fillet-like band; two 
 I 'Sod rows of curls over forehead. Hair in mass back of neck. Tem- 
 ple, Golgoi. H. io^s in. 
 
 1394. MALE HEAD. Standing wreath of leaves; hair in 
 '2-"f/ banded curls; beard heavy and curly. Ruins, Idalium. H. 
 
 1 1 54 m - 
 
 1395. MALE HEAD. Wreath of leaves, ear to ear. Curls 
 over forehead ; hair above blocked out in waves, heavy behind ; 
 beard a raised surface wrought in curls ; small moustache. 
 Carpassia. H. 1 ft., 2^ in. 
 
 1396. MALE HEAD. Wreath of leaves with acorn pen- 
 I dants ; double row of curls over forehead ; beard in long curls. 
 
 Iris of eyes red. Temple, Golgoi. H. 1 ft., 2% in. 
 
 1397. MALE HEAD. Double wreath ; double row of curls 
 over forehead ; beard and moustache in fine lines. Lips red. 
 Temple, Golgoi. H. 1 ft., 2.]/ 2 in. 
 
 jo \ ft T 39 8 - FEMALE HEAD. Wreath; very abundant curls 
 framing the face. Chin gone. Carpass. H. I2}4 in. 
 
 1399. HEAD. Wreath, a fillet with large berry-like pen- 
 
 z6t 
 
Catalogue of Stone Sculptures. 
 
 9 1 
 
 dants ; hair combed forward in bands and ending in double row 
 of projecting curls ; beard in curly waves. Field near Achero- 
 pite. H. I ft., Y% in. 
 
 1400. MALE HEAD. Hair combed forward in plain 
 bands ; flat broad fillet ; row of curls over forehead ; beard in 
 fine lines with curls at end. Lips red. Temple, Golgoi. H. 
 io^8 in. 
 
 1401. FEMALE HEAD. Hair, or head-dress, in vertical 
 banded ridges extending back from the forehead, the surface 
 showing reticulation or braiding. Temple of Apollo Hylates, 
 Curium. H. 10^ in. 
 
 1402. MALE HEAD. Wreath of leaves; hair in masses 
 behind, and over forehead in two rows of curls ; beard in three 
 rows of curls. Temple, Golgoi. H. 10^ in. 
 
 1403. MALE HEAD. Like No. 1397, but beard in a 
 series of horizontal waves. Temple, Golgoi. H. 1^/2 in. 
 
 1404. BEARDED HEAD. Conical cap, wrought like 
 knitted work. Double row of curls over forehead; beard m 
 curls, four rows. Mass of hair behind. Temple, Golgoi. H. 
 io^4 m - 
 
 1405. MALE HEAD. High wreath; three rows of curls 
 over forehead; beard in horizontal lines of curls. Lapethus. 
 H. 11^8 in. 
 
 1406. MALE HEAD of heroic size. Wreath of star-shaped 
 flowers. Hair and beard in bands and curls. Temple, Golgoi. 
 H. 1 ft., 1 24 in. 
 
 1407. SEPULCHRAL RELIEF. Two reclining figures, 
 woman and bearded man, with wreaths ; one holding a patera, 
 the other a pouch ; at the left a child, standing, in long chiton. 
 Necropolis, Golgoi. H. 1 ft., 10^ in., w. (top) 2 ft, iys in. 
 
 f > 1408. SEPULCHRAL RELIEF, Fragment of. Reclining 
 bearded male figure with wreath, holding a patera; between 
 two females, each with chiton and peplos, one of whom holds 
 fruit and a branch, and beside the other stands a child. Traces 
 of red color. Necropolis, Golgoi. H. 1 ft., 10 in., w. 1 ft., 
 io>4 in. 
 
 1409. SEPULCHRAL RELIEF, Fragment of. Bearded 
 male figure, with wreath ; chiton and himation ; reclining, holds 
 a pouch and a patera. Necropolis, Salamis. H. about 17 in. 
 
92 The Metropolitan Museum of Art. 
 
 1410. SEPULCHRAL RELIEF, Fragment of. Male fie- 
 ure reclining on a couch ; wreath ; patera and pouch in left 
 band ; stand below with food. Above, remnants of lions. 
 Necropolis, Golgoi. H. 2 ft., ^4 in., w. about 19 in. 
 
 141 1. SEPULCHRAL STELE, Fragment of. Above, re- 
 cumbent lion ; below, a relief of two reclining bearded figures, 
 joining hands ; wreath, chiton and himation ; one of them hold- 
 
 f jfi^ ing a pouch and a patera. Beside them, two females, standing; 
 one holding a bottle, and arranging the other's hair. Remnant 
 of another panel below showing human head. Necropolis, Gol- 
 goi. H. 1 ft., 10 in., w. 1 ft., 11% in. 
 
 1412. SEPULCHRAL STELE, Fragment of. Reclining 
 male figure, holding a patera, grasps the hand of female, 
 shown seated on the man's left. Traces of red color. Necrop- 
 olis, Golgoi. H. 1 ft., 3 in., w. 2 ft., 1 in. 
 
 1413. HEAD. Diadem; five rows of curls over forehead; 
 mass of like curls on neck. Temple, Golgoi. H. 8^ in. 
 
 lotu>. 1414. QUADRIGA, with (four) horses, and two persons 
 standing in the two compartments of the chariot. Curium. 
 H. 8y 2 in., 1. 6y 2 —7 l /2 in., w. 4M— 5^ in - 
 
 141 5. HEAD. Hair in rows of curls, apparently unfin- 
 lV b ished; fillet with rosettes in relief. Red color in spots. Tem- 
 ple, Golgoi. H. 7% in. 
 
 1416. HEAD. Conical cap, divided in sections by double 
 nfl ^ bands and decorated by intersecting lines to resemble knitted 
 
 - work ; row of curls over forehead ; beard in curls. Large curls 
 behind. Traces of red. Temple, Golgoi. H. 11^ in. 
 
 1417. BEARDED HEAD. Conical cap, plain, beneath 
 which are curls over the forehead. Beard in curls. Temple, 
 Golgoi. H. i2}i in. 
 
 1418. MALE HEAD. Conical cap marked with reticulated 
 surface and bands ; and crest. Temple, Golgoi. FI. g}i in. 
 
 1419. MALE HEAD, with conical cap, crest gone. Hair 
 massed behind ; beard marked with incised vertical lines. Tem- 
 ple, Golgoi. H. 1 ft., S 3 A in. 
 
 1420. MALE HEAD. Conical cap, on the front of which 
 M a, is a dove, with outspread wings, in relief. Double row of curls 
 ' ^ over forehead ; hair in masses behind ; beard in curls. Temple, 
 
 Golgoi. H. 1 ft., 5 J / 2 in. 
 
Catalogue of Stone Sculptures. 
 
 93 
 
 1421. MALE HEAD. Conical cap, wrought like knitted 
 work. Double row of curls over forehead ; beard in curls ; mass 
 of hair behind. Temple, Golgoi. H. 11^$ in. 
 
 1422. MALE HEAD. Crested conical cap with cheek 
 flaps ; lozenge-shaped decoration of incised lines. Single row a 
 of curls on forehead ; curled beard ; mass of hair behind. Ruins, * ° 
 Golgoi. H. 1 ft., 2>2 in. 
 
 1423. MALE HEAD. Conical cap, crest gone, reticulated 
 surface ; row of curls over forehead, mass of hair behind ; 
 beard in vertical divisions. Temple, Golgoi. H. 1 ft., }i in. 
 
 1424. HEAD. Crested conical cap ; beard blocked out in 
 vertical divisions. Temple, Golgoi. H. 1 ft., 6 in. 
 
 1425. MALE HEAD. Crested conical cap with flaps ; 
 spiral ear-rings ; eyebrows modeled in a formal manner ; hair 
 in masses behind neck ; no beard. Temple, Golgoi. H. 9 in. 
 
 1426. MALE HEAD. Beard and conical cap. Badly 
 weathered. Temple, Golgoi. H. 1 ft., 1^2 in. 
 
 1427. MALE HEAD, with crested conical cap and other 
 items like 1425. Temple, Golgoi. H. 9% in. 
 
 1428. MALE HEAD. Crested conical cap, with flaps. 
 Hair massed behind ; long beard on chin. Perhaps unfinished. 
 Temple, Golgoi. H. 1 ft., i n - 
 
 1429. MALE HEAD. Crested conical cap, surface divided 
 
 in sections by double bands ; pointed beard indicated on chin by / 
 relief ; row of curls blocked out over forehead ; hair in masses ' 1 • 
 behind neck. Temple, Golgoi. H. 1 ft., 2^ in. 
 
 1430. HEAD. Crested conical cap with flaps ; beard indi- 
 cated in relief, eyebrows and beard marked by reticulated lines. 
 Much like No. 1428. Temple, Golgoi. H. 1 ft., 4 in. 
 
 1431. MALE HEAD. Crested conical cap, with flaps; 
 beard plain, in relief, on face ; hair massed behind. Much like 
 No. 1428. Temple, Golgoi. H. 1 ft., 3% in. 
 
 1432. FRAGMENT OF LION. Probably portion of a 
 sepulchral stele. Peculiar covering on head resembling an ' ^7 ^ 
 inverted bird. Necropolis, Golgoi. H. 1 ft., 2^2 in. 
 
 1433. BASE OF THE STATUE of Hercules, No. 5, front j 348 
 side, sawn off. Low relief. Hercules, having just shot with an 
 
94 
 
 The Metropolitan Museum of Art. 
 
 arrow the triple-headed dog Orthros, is attacking Eurytion, 
 the herdsman of Geryon's cattle, who has seized a tree and a 
 great stone for weapons. Near the temple, Golgoi. H. i ft., 
 Sy 2 in., w. 2 ft., io}i in. 
 
 ih 1434. VOTIVE OFFERING. Breasts, over a bunch of 
 grapes,. in high relief. Temple, Golgoi. H. 1 ft., 3 in., w. 1 ft. 
 
 1435. FRAGMENT OF MORTUARY STELE. At top, 
 hindquarters of a crouching lion. Below, relief of a reclining 
 woman, at whose feet stands a robed figure holding a vase. 
 Necropolis, Golgoi. H. 1 ft., 11 in., w. 15 in. 
 
 1436. PALMETTE. Central part or apex of a pediment 
 from a mortuary stele. H. 14 in. 
 
 1437. TOP OF SEPULCHRAL STELE. Two winged 
 sphinxes, with women's heads, recumbent, back to back, and 
 facing to the front. See Atlas, Vol. I., PI. civ., 680. Necrop- 
 olis, Golgoi. H. 1 ft., i}i in., w. 1 ft., 10 in. 
 
 1438. TOP OF SEPULCHRAL STELE. Two winged 
 sphinxes in high relief, each with a paw against the base of a 
 palmette ornament, and seated on curved tendrils. Necropolis, 
 Golgoi. H. 1 ft., 6 J /i in., w. 2 ft., 2}^ in. 
 
 1439. MALE HEAD. Much like No. 1425, but a little 
 smaller. Temple, Golgoi. H. 8}i in. 
 
 1440. MALE HEAD. Long beard, ending in four curls ; 
 crested conical cap, with flaps ; from the top-knot of the cap 
 proceed two cords, with tassels in relief, which hold the cheek 
 bands tied up ; curls under edge of cap ; eyebrows indicated by 
 raised surfaces. The famous colossal head. See Atlas, Vol. 
 I., PI. xxxix., 253. Near the temple, Golgoi. H. 2 ft., io}i in. 
 
 1441. MALE HEAD. Crested conical cap, with flaps, 
 marked by wide bands at the seams. Eyebrows and short beard 
 indicated by raised surfaces, with lines. Hair in mass behind. 
 Temple, Golgoi. H. gy 2 in. 
 
 1442. BEARDED HEAD. Crested conical cap, with curls 
 under its edge ; beard in relief on face, end gone. Much like 
 No. 1440, but not as large. Temple, Golgoi. H. about 2 ft. 
 
 1443. HEAD. Wreath of flat leaves ; hair and beard in 
 formal curls ; eyebrows a raised surface wrought with incised 
 Hnes. H. gj4, in. 
 
Catalogue of Stone Sculptures. 
 
 95 
 
 1444. HEAD. Head-dress ornamented by three large ro- 
 settes in relief. Beard and eyebrows indicated by raised sur- 
 faces. Back flat and unfinished. Hair in mass behind. Tem- 
 ple, Golgoi. H. ii^i in. 
 
 1445. HEAD. Beardless. -Hair in mass behind. Head- 
 dress 1 with three rosettes in relief. Surface damaged by fire. 
 Back unfinished. Temple, Golgoi. H. g l / 2 in. 
 
 1446. MALE HEAD. Crested conical cap, with flaps ; long 
 pointed beard in relief on face. Hair pushed back of neck. 
 Near the temple, Golgoi. H. ioy 2 in. • 
 
 1447. MALE HEAD. Cap or helmet, with tuft or knob; 
 bands tied in knot over front hair ; curls on forehead and beard 
 flocked out in a raised surface, w T ith central parting and unfin- /2J 
 ished curls at ends ; mass of hair on neck. Temple, Golgoi. H. 
 
 1 ft., 2l/ 2 in. 
 
 1448. BEARDED HEAD, Front portion of huge. Conical 
 cap, with flaps ; beard long, in relief on face ; eyebrows in relief ; 
 short hair over the forehead, beneath the cap. Temple, Golgoi. 
 H. about 2 ft. 
 
 1449. HEAD. Head-dress with three rosettes in relief 
 
 (two unfinished). Spiral ear-rings. Mass of hair behind. tXYl^ 
 Temple, Golgoi. H. 7 in. 
 
 1450. HEAD. Like the last, but broken behind. Temple, 
 Golgoi. H. f j l / 2 in. 
 
 145 1. HEAD. Head-dress band with rosettes has incised 
 lines, crossing each other diagonally. Hair in masses on the 
 neck. Spiral ear-rings. Temple, Golgoi. H. 7% in. 
 
 1452. HEAD. Wreath of two rows of leaves united by a 
 twisted cord ; hair in two rows of curls over forehead, and in a \*i 
 mass behind ; eyebrows in relief ; beardless. H. io^4 in. 
 
 1453. BEARDLESS HEAD. Head-dress band with nine 
 rosettes. Hair in mass behind; spiral ear-rings. Temple, Gol- /IS"/ 
 goi. H. 1 1 Y\ in. 
 
 1454. MALE HEAD. Wreath of leaves ; two rows of curls 
 over forehead ; eyebrows and beard a raised surface. Traces of / 
 red on lips. H. 11 in. 
 
 1455. HEAD. Head-dress band with three rosettes. Hair 
 in mass behind; beard a raised surface. Temple, Golgoi. H. 
 11% in. 
 
9 6 
 
 The Metropolitan Museum of Art. 
 
 1456. TOP OF SEPULCHRAL STELE. Two lions, 
 seated back to back. Below, crescent over disk. Tomb, Ama- 
 thus. L. 2 ft., 11 in. 
 
 1457. TOP OF SEPULCHRAL STELE. Two recumbent 
 lions, back to back. Beneath, a winged globe, with pointed 
 rays. Ruins, Idaliuni. H. 1 ft., Y /i in., 1. 2 ft. 
 
 1458. TOP OF SEPULCHRAL STELE. Recumbent 
 lion, between two acroteria with fan or half palmette ornamen- 
 tation. Necropolis, Golgoi. H. 1 ft., 2 in., L 2 ft., 3 in. 
 
 1459. ARCHITECTURAL FRAGMENT. Lion's head 
 in high relief. Temple of Apollo Hylates, Curium. H. (head) 
 9% i n - 
 
 1460. TOP OF SEPULCHRAL STELE. Recumbent 
 lion. Necropolis, Salamis. H. 1 ft., 6y$ in., 1. 2 ft., S l / 2 in. 
 
 1461. HEAD. Wig-like hair in rows of ringlets back from 
 the forehead, the ridges cut by cross-lines ; curls on the neck. 
 Beard slightly reticulated ; otherwise looking like a female head. 
 Temple, Golgoi. H. 8% in. 
 
 1462. HEAD OF A HORNED ANIMAL. . Dowel be- 
 neath, doubtless for placing on the hand or forearm of a statue. 
 See No. 29. Temple, Golgoi. H. 1 ft. 
 
 1463. FEMALE HEAD. Frisure in tresses; central part- 
 ing; plain band or fillet in front and over ears, with row of 
 curls beneath it. Temple, Golgoi. H. 8^8 in. 
 
 1464. FEMALE HEAD. Wreath of flat leaves; hair in 
 curls in front ; masses behind. Temple, Golgoi. H. 8}i in. 
 
 1465. FRONT PART OF A MALE HEAD. Cap on 
 head ; beard indicated by raised surface. Near the temple, Gol- 
 goi. H. n}i in. 
 
 1466. FEMALE HEAD. Conventional Cypro-Egyptian 
 head-dress. Hair in mass behind. Near the temple, Golgoi. 
 H. 6^4 in. 
 
 1467. HEAD. Cypro-Egyptian head-dress ; hair in masses 
 behind; eyebrows indicated by zigzag lines; projecting fillet on 
 forehead at edge of hair. Temple, Golgoi. H. 1 ft., 3^2 in. 
 
 1468. FEMALE HEAD. Hair in locks parted at the 
 middle, falling in tresses behind ; fillet. Near the temple, Gol- 
 goi. H. ioy 2 in. 
 
Catalogue of Stone Sculptures. 
 
 97 
 
 1469. FEMALE HEAD. Wreath or turban marked with 
 diagonal lines; formal curls over forehead. Singular orna- 
 ment above the ear on right side, apparently a fold of the turban. 
 Temple, Golgoi. H. 10% in. 
 
 1470. FRONT PART OF A HEAD. Smooth head-dress, 
 apparently of the Cypro-Egyptian style ; beard wrought in rows 
 of angular notches. Temple, Golgoi. H. 1 ft. 
 
 1 47 1. HEAD. Cypro-Egyptian head-dress with fluted fold 
 above each ear; long, curiously-shaped ear-rings; close neck- 
 lace. See Atlas, Vol. I., PI. xxiii., 55. Temple, Golgoi. H. 
 njHi in. 
 
 1472. HEAD. Head-dress in Cypro-Egyptian style ; beard 
 and eyebrows indicated by raised surfaces. Temple, Golgoi. 
 H. 1 ft, 2 in. 
 
 1473. HEAD of Player on the double flute. Close head- 
 dress. Spiral ear-rings. West of the temple, Golgoi. H. 6% in. 
 
 1474. FRONT PART OF A HEAD. Hair parted in the 
 
 ft middle, edge indicated bv a raised band ; surface marked by 
 ' indented spots. Eyebrows in relief. Temple, Golgoi. H. 1 ft. 
 
 1475. FEMALE HEAD. Cypro-Egyptian head-dress. 
 West of the temple, Golgoi. H. 6)4 in. 
 
 1476. HEAD. Cypro-Egyptian head-dress. Beard and eye- 
 )L brows indicated by raised surfaces. Egyptian features. Similar 
 
 to 1472. Temple, Golgoi. H. 1. ft., if$ in. 
 
 1477. HEAD. Head-cloth in Cypro-Egyptian style ; beard 
 " indicated by raised surface. Temple, Golgoi. H. 11% in. 
 
 1478. MALE HEAD. Cypro-Egyptian head-dress as in 
 No. 1472. Hair, beard and eyebrows marked by light lines 
 variously graved. Spiral ear-ring. Temple, Golgoi. H. 
 11^8 in. 
 
 1479. FEMALE HEAD. Hair with row of curled locks 
 in front, with transverse parallel ridges behind ; masses falling 
 on the neck. Near the temple, Golgoi. H. 1 ft., J / 2 in. 
 
 I ^> ^ 1480. FUNERARY SLAB, carved in low relief. Two 
 lions rampant, attacking a human figure that stands between 
 them. Temple, Golgoi. H. 1 ft., 4^ in., 1. 1 ft., 7% in. 
 
 1481. FRAGMENT OF A MORTUARY STELE, with 
 inverted lunar crescent and sun's disk beneath it ; below, a 
 
9 8 
 
 The Metropolitan Museum of Art. 
 
 knotted band with hanging ends, in red color. Necropolis, Gol- 
 goi. H. I ft., 8^4 in., w. i ft., 4 in. 
 
 1482. FRAGMENT OF MORTUARY STELE, crescent 
 and sun, like the last. Surmounted by two winged sphinxes, 
 back to back. Heads gone. Necropolis, Golgoi. H. 1 ft., 4 in., 
 1. 1 ft., 93/4 in. 
 
 1483. SLAB, carved in low relief. Lion attacking a bull ; 
 on either side a human figure looking on ; a boy on the right 
 holding an indistinct object and on the left an adult in a long 
 ornamented robe. Temple, Golgoi. H. 1 ft., 5^4 in., 1. 2 ft., 
 2 in. 
 
 The following objects, from 1484 to 1585, are of a hard gray 
 stone which may be designated as a sort of serpentine, with the 
 exception of a few which are made of a scoriaceous or volcanic 
 stone, extremely hard and full of cellular holes. The objects 
 numbered 1586 to 1836 are made of a variety of substances — 
 ivory or bone, pottery and faience, earthenware, stone and lead. 
 The former series comprise objects which are obviously of 
 native manufacture, while the latter are in large part either of 
 Egyptian origin or are copies after Egyptian models. The ob- 
 jects numbered 1484 to 1836 were found in various parts of the 
 island of Cyprus, but mainly at Dali and Agia Paraskeva. See 
 Atlas, III., PL, cxv.-cxvii. 
 
 1484-1500. STOPPERS ("whorls"): usually conical in 
 shape, and pierced through axis. Probably for use on rods em- 
 ployed in ointment bottles, to regulate the depth reached by the 
 end of the dipping rod. Some are plain, but many are decorated 
 with concentric circular bands, small circles, arcs or rows of 
 dots. Serpentine. D. 13-16 — ij4 in. 
 
 1 501. JAR-COVER. Circular, with hole through centre 
 and projection to fit mouth of jar. Serpentine. D. 2 l /% in. 
 
 1502. NECKLACE ; made of 32 beads of stone, shaped like 
 two truncated cones joined base to base. Some are plain, and 
 some are decorated with incised lines, or deep dots surrounded 
 "by small circles. In the centre is a seal, cut from a pebble. 
 Serpentine. See Atlas, III., PI. cxiv. 
 
 1503. PENDANT, a negro head, with flat features; curly 
 hair represented by sunken points. Originally a part of fore- 
 going. Serpentine. H. 1 3-16 in. 
 
 1504. WHORL or large bead, double cone, pierced length- 
 wise. Serpentine. L. i% in. 
 
Catalogue of Stone Sculptures. 99 
 
 I 5°5- WHORL, conical. Serpentine. H. % in. 
 
 1506. SEAL, unfinished. Made from a pebble. L. 1^ in. 
 
 1507. PEBBLE, cut so as to show a projecting oval bezel. 
 L. iy 2 in. 
 
 1508. BEAD, similar to 1504. Serpentine. L. 15-16 in. 
 
 1509. SEAL, triangular, with die of a tree. Serpentine. 
 L. I in. 
 
 1510. STOPPER, similar to 1484. D. 13-16 in. 
 
 151 1. PEBBLE, round. D. y A in. 
 
 1 5 12. SEAL, with oblong face and round perforated grip, 
 fanciful impression. Serpentine. H. $4 in. 
 
 1513. BEAD, cylindrical. D. 13-16 in. 
 
 1 5 14. BEAD, hemispherical. D. in. 
 
 1515-1517. BEADS, similar to 1502. L. % in. 
 
 1518-1522. PEBBLES, etc. D. y 2 in. 
 
 1523-1530. MACE-HEADS, or heads of war-clubs. Ovoid 
 stone, pierced lengthwise with a smooth, round hole to receive 
 handle. Serpentine; 1528 is a sort of diorite. D. or 1., 2 — 
 2y s in. 
 
 1 53 1. VASE with cover. Similar to a cantharus in shape, 
 but with small handles. Foot of handle as in bronze vases. 
 Lid has circular decorations. Serpentine. H. 2% in. Atlas 
 III., PI. cxv., 5. 
 
 1532. VASE, with small foot and large ridged body. Black 
 stone, like marble. H. 2 in. 
 
 1533. LONG VESSEL, compressed in the middle, with two 
 pairs of ears ; somewhat like a modern bath-tub. Serpentine. 
 L. 3^8 in. See Atlas, III., PI. cxv., 2. 
 
 1534. SHEEP; fat-tailed. Legs gone. Serpentine. L. 
 $H in- 
 
 1 535- BOWL, small. Deeply cut; thin sides; one flat ear. 
 Geometrical line decorations. Serpentine. D. 2 in. 
 
 1536. PATERA, small, flat. Inside is a horseman and 
 animal carved in relief ; herring-bone border, incised ; two wide 
 flat ears. Serpentine. L. 3^ in. 
 
IOO 
 
 The Metropolitan Museum of Art. 
 
 i 537-1 542, 1545. SINKERS. Long stones pierced at one 
 end for cord. Native stone. L. 2^ — 2>H in. 
 
 1543. PEBBLE. Marked like a mussel shell. L. 1% in. 
 
 1544, 1546-1559. PESTLES; shaped like truncated cones. 
 Serpentine. L. V/2 — 2~y 2 in. 
 
 1560-1571, 1574-1575. PATERAE. Flat saucers with pro- 
 nounced rim and usually with distinct base. Possibly used as 
 mortars with pestles like the foregoing. Usually made of ser- 
 pentine, but occasionally of a volcanic rock. D. 3^ — 7 in. 
 Atlas, III., PI. cxv., 6. 
 
 I 572-i573, 1 577-1 580, 1582-1585. TRIPOD BOWLS OR 
 MORTARS. Similar to the foregoing in material and shape, 
 except that they are usually deeper. They vary much in 
 diameter and height. D. 4 — 10^8 in., h. i l / 2 — sH in. Atlas, 
 III., PI. cxv., 8-9. 
 
 1576. TWO-EARED VASE. Amphoroid with tapering 
 body, constricted and short neck ; edge shows crossed line 
 decoration, and sides deep-cut lines slightlv inclined to the 
 right. Serpentine. H. 5^5 in. Atlas, III., PI. cxv., 3. 
 
 1 581. PATERA, or possibly a cover. Edge shows a sec- 
 ondary or subsidiary lip interrupted twice at opposite sides, 
 being the reverse of handles. Hard volcanic stone. D. 8% in. 
 
 1 586- 1 594. STOPPERS. Similar to others in stone and 
 bronze and glass. See Nos. 1484-1500. Nearly all are per- 
 forated and some are decorated with circles. Ivory and bone. 
 D. y 4 —iy 4 in. 
 
 1595-1598, 1601. IVORY OBJECTS; purpose uncertain. 
 1 599- 1 600. RINGS; ivory and pottery. D. 1^5 in. 
 
 1602. HEAD AND BUST; part of a pin (?). Ivory. L. 
 1% in. 
 
 1603. FEMALE FIGURE. Erect; himation in folds. 
 Hair in curls and knot above. Ivory. H. \]/ 2 in. 
 
 1 604- 1 608. EAR-LADLES and small spoons. Ivory. L. 
 3 7 A— 5 in. 
 
 1609. LADLE of a spoon, shallow and thin. Ivory. 
 
 1610. FLORAL ORNAMENTS, showing top of a full- 
 blown flower. Stems hollow. Ivory. D. y 2 in. 
 
Catalogue of Stone Sculptures. ioi 
 
 1611, 1613, 1615-1616. PINS. Ivory. 161 1, round-headed 
 pin. L. 4^8 in. 1613. Pineapple head. 1615-1616. Human fe- 
 male head and bust ; a pair. L. 434 in. 
 
 1612. SPOON. End of handle and half of bowl gone. 
 Ivory. L. 5 in. 
 
 1614. HANDLE of a spoon (?), with hole to hang by. 
 Ivory. L. 5^8 in. 
 
 1617. STATUE, PHALLIC. Ivory. H. 3 in. 
 
 1618. HANDLES. Ivory. L. 2% in. 
 
 1619. 1621. POMEGRANATE. Ivory. H. ij£ in. 
 
 1620. ROUNDEL, with rosette, and central boss. Tessara. 
 Pottery. D. % in. 
 
 1622. DRAUGHTSMAN. Greenish white pottery; glaz- 
 ing faded. H. in. 
 
 1623. SPHINX. Amulet. Head and right forepaw gone. 
 Bored for string. Light blue pottery. L. 15-16 in. 
 
 1624. ORNAMENT, possibly a tortoise. Pottery, blue. 
 Weathered. Bottom flat and smooth. L. y% in. 
 
 1625. PEBBLE ; yellow like sulphur. 
 
 1626. AMULET. Unfinished. Design uncertain, but re- 
 sembles Chut, representing the sun at the horizon. Red jasper. 
 L. 7/ s in. 
 
 1627. BUCKLE OR TIE AMULET (Thet). Red jasper. 
 L. 1 in. 
 
 1628. AMULET. Identification uncertain. In shape, it re- 
 sembles the sign with which the name of the goddess Nit 
 (Neith), "lady of Sais," is written. In brownish, translucent 
 stone, resembling alabaster. L. % in. 
 
 1629. BALL. Faience. D. y 2 in. 
 
 1630. AMULET, representing obelisk. Pottery, originally 
 blue. L. iJ4 in. 
 
 163 1. AMULET. Obelisk or lotus column. Light green 
 pottery. L. 1% in. 
 
 1632. BEAD. Long and tapering. Lapis lazuli. L. l% in. 
 
io2 The Metropolitan Museum of Art. 
 
 1633. BUCKLE OR TIE AMULET (Thet). Placed on 
 neck of mummy for protection. Red color represents the blood 
 of Isis. Amulet. Uninscribed. Red jasper. H. 1% in. 
 
 1634. AMULET. Represents a long woven object. Blue 
 pottery. Glazing imperfect. L. in. 
 
 1635. FINGER-RING. Signet has full length figure of 
 Thoth with papyrus reed. Nearly half of circular portion 
 broken away. Greenish pottery. L. of signet 1^2 in. 
 
 1636. SEAL. Bored for use as amulet. Signet represents 
 erect human figure, overtopped by uraeus-serpent. Dull green 
 pottery. L. if$ in. 
 
 1637. BEAD OR RING, with large aperture. Sides di- 
 vided into panels by vertical lines, each panel containing bird 
 and disk, similar to the Egyptian sa Ra, " Son of Ra." D. 
 I 1-16 in. 
 
 1638. FALSE BOTTLE (?). Shaped like a flask, but 
 solid. Pottery. H. 1% in. 
 
 1639. BEAD (?). Conical. Pottery. 
 
 1640. TWO-HANDLED BOTTLE. Rosette and floral 
 decorations. Large base ; small neck and mouth. Black pot- 
 tery. H. i l / 2 in. 
 
 1641. JAR-COVER. Ivory. Plain. D. 2% in. 
 
 1642. JAR-COVER. Ivory. Pierced through centre. Or- 
 namented with rosette of 18 petals. Surrounded with three 
 concentric circles. D. 2^ in. 
 
 1643. JAR-COVER. With projection on reverse, to fit 
 mouth of jar. Ivory. Rosette ornamentation, partly destroyed. 
 Twelve petals in groups of three. D. 2^ in. 
 
 1644. JAR-COVER. Ivory. Rosette, with 12 petals. D. 
 2^4 in. 
 
 1645. JAR-COVER. Ivory. Unornamented. D. 2)4 in. 
 
 1646. JAR-COVER. Ivory. Rosette, 12 petals. D. 
 iy 4 in. 
 
 1647. JAR-COVER. Ivory. Plain. Projection on re- 
 verse. D. 2 in. 
 
 1648. JAR-COVER. Ivory. Rosette with eight petals. 
 Circle at centre. Circular and rope ornamentation at edge. 
 Slightly oblong. D. i}i and 2 in. 
 
Catalogue of Stone Sculptures. 103 
 
 1649. JAR-COVER. Rosette, 20 petals. Projection be- 
 hind to fit mouth of jar ; ornamented with circle divided into 
 quadrants. D. 2 in. 
 
 1650. JAR-COVER. Ivory. Circular and rosette orna- 
 mentation. 12 petals. Circular projection on reverse. D. 2 in. 
 
 1651. JAR-COVER. Ivory. Rosette, 6 petals. Weath- 
 ered. D. 1 13-16 in. 
 
 1652. JAR-COVER. Ivory. Rosette, 12 petals. D. 1% in. 
 
 1653. JAR-COVER. Ivory. Face plain. Reverse bears 
 double circle divided into quadrants. D. 1 11-16 in. 
 
 1654. JAR-COVER. Ivory. Rosette, 12 petals. Rope 
 border. D. 2 in. 
 
 1655. JAR-COVER. Ivory. Rosette, 16 petals. D. 
 1 13-16 in. 
 
 1656. DISK OF LIMESTONE; probably a jar-cover. D. 
 
 1657. PLAQUE, showing half-kneeling Nubian slave in 
 relief. Short apron with belt ; wig with four rows of locks. 
 Left hand beside head, right extended. From Lapethus. 
 Ivory. Size 3 x 2~y 2 in. 
 
 1658. 1661. JAR COVERS(?). Plain disks with edges 
 decorated with lines or circles. Ivory. 
 
 1659. 1662, 1664, 1665, 1667, 1669. STOPPERS, used in 
 dipping rods in ointment bottles. Ivory. 
 
 1660. JAR COVER. Rosette ornamentation, with gold 
 covered bronze button at centre. Ivory. 
 
 1663. JAR COVER. Thin disk with* groove near edge. 
 Ivory. 
 
 1666. JAR COVER, with concentric circles on top. Ivory. 
 
 1668. AMULET, representing human head with side-locks 
 and elaborate head-dress. Dark brown and black pottery. H. 
 in., w. 134 in. 
 
 1670. TESSERA OR ROUNDEL. For wall decoration. 
 Sandy frit, with glaze. Body, chocolate color, with cream ro- 
 settes and yellow boss. Back glazed. Diameter, in. 
 
 1671. TESSERA OR ROUNDEL. Like 1672. Darker 
 color. D. 1 3/2 in. 
 
104 The Metropolitan Museum of Art. 
 
 1672. TESSERA OR ROUNDEL. Like 1673. Back 
 glazed. D. iy 2 in. 
 
 1673. TESSERA OR ROUNDEL. Smaller than 1670. 
 D. 1J/2 in. 
 
 1 674- 1 678. FRAGMENTS, five, of blue pottery of Egyp- 
 tian make. 
 
 1679. RAM'S HEAD AND SUN-DISK. Amulet. Sacred 
 to Chnum of Philse. Greenish gray sandstone. L. 1% in. 
 
 1680. QUADRUPLE SYMBOLIC EYE. Diagonal hatch- 
 ing on face extends to back. On back is " life " sign flanked 
 by Uas-t sceptres. Light green pottery, slightly chipped and 
 repaired. L. 1 9-16 in., w. 1% in. 
 
 1681. BEAD, flat, rectangular. Symbolic eye on face, and 
 magical " safe " sign on reverse. Bored lengthwise. Green 
 faience. Size 1% x 1% in. 
 
 1682. BEAD. Has eight symbolic signs and figures. 
 Bored lengthwise. Green pottery. Size 1^4 x 1 m - 
 
 1683. CAT, recumbent. Bent posture of neck, un-Egyptian. 
 Pottery, formerly of blue glaze, now blue, green and denuded 
 in spots. L. in- 
 
 1684. ^ SATYR. Phallic. Dull green pottery. L. i# in. 
 
 1685. JAR-COVER, with figure of frog. Well molded and 
 executed. Light green pottery. D. 1 in., h. 13-16 in. 
 
 1686. URAEUS. Charm. String loop broken. Pottery, 
 dull green. H. 1 3-16 in. 
 
 1687. CAT. AMULET; sacred to the goddess Bast. Ears 
 broken. Light grejen faience. H. 1% in. 
 
 1688. PTAH, as dwarf. Amulet. Poor work. Light 
 green pottery. H. i$i in. 
 
 1689. ANUBIS. Amulet. Right ear, nose, and feet gone. 
 Light green pottery. H. 1% in. 
 
 1690. AMULET. Female deity ; possibly Thueris. Poorly 
 molded. Light blue pottery. H. 1 3-16 in. 
 
 1691. FROG. Amulet. In hard close-grained green stone. 
 L. 1% in. 
 
 1692. HAWK; amulet. Sacred to Horus. Head-dress 
 gone. White pottery, faded. H. 1% in. 
 
Catalogue of Stone Sculptures. 
 
 1693. SYMBOLIC EYE. Amulet. Broken. Material, 
 soft and white. Originally covered with greenish slip or glaze. 
 L. 1^8 in. 
 
 1694. BEAD ; oblong, rectangular. Edge carries broken 
 line of ornamentation. Face has cartouche with prenomen of 
 (apparently) Thothmes III. of the XVIII. Dynasty, sur- 
 mounted with double feathers, the symbol of truth. Reverse 
 contains symbolic figures representing truth, protection, and the 
 charm against the evil eye. Pottery, with greenish glaze. L. 
 1 in. ; w. 24 i n - 
 
 1695. AMULET, rectangular and thin. Projection at top 
 pierced for string. Figures uncertain, but apparently a funereal 
 scene with god Horus at left. Deep blue pottery. Size 
 1 1-16 x % in. 
 
 1696. PEAR-SHAPED OBJECT. Purpose and resem- 
 blance uncertain. Blue-gray stone. H. 1% in. 
 
 1697. "SYMBOLIC EYE" (Egyptian Uta-t). Amulet. 
 Pottery, partially blue glaze. Pendant broken off. Bored at 
 top for string. L. J/g in. 
 
 1698. ROUND OBJECT, with projection on one side. 
 Identification uncertain. Material, soft chalky white sub- 
 stance, with traces of green glaze. 
 
 1699. BEAD or toggle for fastening cord. Reddish ma- 
 terial. 
 
 1700. PILLOW. Model of stone or alabaster head-rests, 
 used to raise heads of mummies. Uninscribed. Amulet. 
 Brown hematite. L. of base, 1 in., h. % in. 
 
 1701-1704. BEADS or toggles for fastening cords. Large 
 bore. Three are in imitation of corrugated gold beans. Fai- 
 ence. 
 
 1705. SHEN-AMULET. Sun-disk, with projection con- 
 taining field, possibly for seal. Said to represent the orbit of 
 the sun, but its use is unknown. Pierced through disk. Lapis- 
 lazuli. H. % in. 
 
 1706. BEAD or toggle; mate of 1699. 
 
 1707. SPHINX, with ears of hare. Amulet. Sacred to 
 Harmachis. L. 1 in. 
 
 1708. BEAD, flat, rectangular. Portion of jointed orna- 
 ment, with double set of holes for stringing. Has part of 
 
106 The Metropolitan Museum of Art. 
 
 hieroglyphic name of Osiris. Pottery; light blue glazing, 
 weathered. L. in., w. 9-16 in. 
 
 1709. SYMBOLIC EYE. Amulet. Broken at top; new 
 hole for string. Blue pottery. L. % in. 
 
 1710. AMULET; cone-shaped. Green pottery, well pre- 
 served. L. % in. 
 
 171 1. HEART. Amulet. Hematite. Pierced at top. H. 
 1 1-16 in. 
 
 1 712. FINGER-RING. Openwork. Figure of ram with 
 sun-disk, sacred to Osiris at Mendes. On back, two lotus blos- 
 soms at ends of same stem. Blue pottery. D. 1 in., w. $4 — 
 % in. 
 
 1713. HEART. Amulet. Unfinished, unpierced. Hard 
 black fine-grained stone. H. 1 1-16 in. 
 
 1714. BEAD ; flat, round. Pierced from side to side. Blue 
 pottery. D. 13-16 in. 
 
 1 71 5. TET-AMULET. Pierced through rear support for 
 string. Greenish faience. H. 1^4 i n - 
 
 1716. TET-AMULET. Lapis-lazuli. Unpierced. H. 
 1 5-16 in. 
 
 1717. TET-AMULET. Pierced through rear pillar. 
 Green and brown faience. H. 1^8 in. 
 
 1718. TET-AMULET. Unpierced. Lapis lazuli. H. 
 1% in. 
 
 1719. TET-AMULET. Slate-colored faience. H. 1 in. 
 
 1720. TET-AMULET. Pottery, pale green pierced for 
 string. H. 1 in. 
 
 1721. TET-AMULET. Slate colored faience. H. 1 in. 
 
 1722. TET-AMULET. Lapis lazuli. Unpierced. H. 1 in. 
 
 1723. TET-AMULET. Green pottery. H. y A in. 
 
 1724. HAWK. Amulet; sacred to Horus. Faience, orig- 
 inal blue glazing almost entirely gone. Head ornament missing. 
 Hole behind for string. H. in. 
 
 1725. CRIOSPHINX (ram-headed). Amulet. Blue pot- 
 tery, faded. L. 1 in. 
 
Catalogue of Stone Sculptures. 
 
 107 
 
 1726. CAT- AMULET. Sacred to the goddess Bast, " lady 
 of Bubastis." Well executed, showing separate ribs and toes. 
 Loop on back broken. H. % in. 
 
 1727. HAWK, with sun-disk. Sacred to Horus. Green 
 faience. H. 1 3-16 in. 
 
 1728. ICHNEUMON or ant-eater. Amulet. Green and 
 blue faience. L. 1 in. 
 
 1729. GOD BES. Head. With full head-dress. Amulet. 
 Pottery, original color of glazing gone. Pierced at back of 
 neck for string. H. 1 in. 
 
 1730. THOTH. Amulet. Rude. Light green pottery. 
 H. 1 3-16 in. 
 
 1731. ANUBIS, god of the dead. Amulet. Greenish pot- 
 tery, weathered. Legs and right ear gone. H. 1 in. 
 
 1732. BES, god of joy and music. Ill-proportioned ; longer 
 than usual. Pierced through neck for string. Amulet. H. 
 iH in. 
 
 1733. BES. Surmounted by feather plumes ; hands on 
 knees; face fairly well marked, but details of figure obscure. 
 Amulet. Light yellow pottery. H. 1% in. 
 
 1734. BES. Has crown of Upper Egypt with " truth " 
 feathers, instead of usual head-dress. Imitation of hieroglyphs 
 on rear and base. Amulet. Pottery, originally with greenish 
 glaze Weathered, but perfect. H. 1% in. 
 
 1735. ISIS, goddess. Seated with infant Horus at left 
 breast. Head-dress represents horns and sun-disk. Amulet. 
 Pierced through supporting pilaster. H. 1^2 in. 
 
 1736. AMULET; probably Isis, seated; with head-dress of 
 disk and horns. Green pottery. H. i^Hs in. 
 
 1737. THOTH, the ibis-headed god of wisdom. Ribbed 
 apron and pointed beak. Rude. Amulet. Green pottery. H. 
 
 1738. PTAH-SOKAR-OSIRIS, as a dwarf. Amulet. 
 Light green pottery, discolored, apparently with iron rust. 
 
 1739. THUERIS, goddess. Amulet. Light green pot- 
 tery, weathered. Has usual head-dress. Lacks left hand and 
 right corner of base. H. t^4 in. 
 
io8 The Metropolitan Museum of Art. 
 
 1740. HATHOR (?). Identification uncertain. Wears 
 crown of Lower Egypt. Amulet. Light green pottery. Well 
 preserved. H. 1^ in. 
 
 1 741. THUERIS. Amulet. Lacks usual head-dress. 
 Blue pottery. H. 1]/% in. 
 
 1742. THOTH. Amulet. Dark green faience. H. 1% in. 
 
 1743. USHEBTI, or Funerary Figurine. Hands folded on 
 breast, left foot slightly advanced. Green and blue pottery. H. 
 2}/ 2 in. 
 
 1744. PTAH, as dwarf. Amulet. Light blue pottery, de- 
 generated into rusty green in places. Fine specimen. H. 
 2y 2 in. 
 
 1745. HATHOR - HEADED SISTRUM HANDLE. 
 Pottery, poorly fused. Originally covered with greenish glaze. 
 L. 2 1 1-16 in. 
 
 1746. RELIEF DRAWING, probably representing Ptah 
 as a mummy, holding the hok sceptre, shaped like a shepherd's 
 crook. Close-grained limestone. Size of block, 2.]/ 2 x 1 in. 
 
 1747. USEBTI, or funereal figurine. Representing a serv- 
 ant in the world of the dead. Blue pottery, faded in places. 
 Arms folded on breast ; roughly made and of late date. H. 
 3 in - 
 
 1748. BES. Pierced through ears and between feathers. 
 Single faced. Hole for cord in rear. Amulet. Originally 
 green, now light brown, pottery. H. 2% in. 
 
 1749. SECHMET. Female deity, with lion's head, sur- 
 mounted with horns and disk. Hands at side and left foot 
 advanced. Amulet. Greenish pottery. H. 3 in. 
 
 1750. MENAT-AMULET. Upper portion contains two 
 symbolic eyes and figures of Isis and Horus. Circular pen- 
 dant contains symbolic eye. Open-work pottery, originally 
 blue, now faded. Complete. L. 3^ in. 
 
 1751. SYMBOLIC EYE, left. Of large size; faience, 
 with blue glaze extending behind. Bored lengthwise behind 
 eyeball, for use as bead. L. 2^ in. 
 
 1752. PAPYRUS ORNAMENT. Leaves, light blue; 
 flowers, deep blue. Contains three flowers and three leaves. 
 Complete section, glazed on all six faces. Used to inlay walls 
 at base or cornice. Pottery. L. 1% in., w. 1 7-16 in. 
 
Catalogue of Stone Sculptures. 109 
 
 1753. MURAL PLAQUE. Apparently, part of a quad- 
 ruped. Legs, belly and upper part of back in dark blue glaze. 
 Body originally light blue, now nearly white. Head and tail 
 gone. Material, sandy frit, glazed, and poorly fused. L. and 
 h. \y 2 in. 
 
 1754. MURAL PLAQUE. Cone pattern. For inlaying. 
 Slate colored pottery. L. 1% in. 
 
 1755. ROUNDEL, with acorn decoration. Pottery, very 
 hard. Brownish. D. i l / 2 in. 
 
 • 1 756- 1 757- BEADS, flat and nearly square. Two holes for 
 string. Represents woven reed mat. Pottery, deep blue glaze 
 on back and portion of face. Size i l / 2 x 1 7-16 in. 
 
 1758. BEAD or toggle. Ovoid. Blue pottery. L. 1% in. 
 
 1759. LOTUS FLOWER ORNAMENT. Small capital 
 or sceptre top. Grayish purple. Pottery. H. \ l /<\ in. 
 
 1760. BEAD or toggle. Blue pottery. L. ^ in. 
 
 1 761. SYMBOLIC EYE, right. Light blue glaze, now 
 nearly gone. Pendant missing. Pottery, poorly fused. L. 
 1 5-16 in. 
 
 1762. HEART. Amulet. Slightly broken at top. Impure 
 lapis-lazuli. H. 1% in. 
 
 1763. BELL-SHAPED AMULET. Identification uncer- 
 tain. Hard light green stone. H. 1% in. 
 
 1764. BEAD; oblong, bored lengthwise. Deep green 
 pottery. Face contains relief figure of Isis, with horns and 
 sun-disk, and Horus, with double crown and " life " sign. Re- 
 verse contains two crocodiles, belly to belly, separated by two 
 lutes, sign for " good," placed lengthwise. Size 1 5-16 x 1 in. 
 
 1765. GOD BES. Both sides alike. Amulet. Pottery, 
 greenish blue glaze. H. 1% m - 
 
 1766. BAST, goddess of Bubastis in Lower Egypt. Seated. 
 Amulet. Greenish pottery; weathered. H. i}i in. 
 
 1767. URAEUS-SERPENT. Amulet. Pale green pottery. 
 H. \Y% in. 
 
 1768. PT AH, as dwarf. Amulet. Blue pottery. H. i l / 2 in. 
 
 1769. ISIS, seated, with Horus at left breast. Horus has 
 
no The Metropolitan Museum of Art. 
 
 head-dress of horns and disk. Amulet. Green pottery. H. 
 
 1770. AMULET. Dog-headed ape, seated. Basalt. H. 
 2 in. 
 
 1771. MENAT-AMULET. Upper portion gone. Straight 
 part contains deity flanked by uraei ; round part contains sym- 
 bolic eye. Pottery, pale green glaze, partly gone. L. 2 in. 
 
 1772. PTAH, as dwarf. Amulet. Dark green pottery. H. 
 1% in. 
 
 1773. AMULET. Female deity, possibly the goddess Mut. 
 Wears crowns of Upper and Lower Egypt ; hands against 
 sides. Light green pottery. H. 2 in. 
 
 1774. AMULET. Female deity, possibly the goddess 
 Nephthys. Stands with hands at sides and left foot advanced. 
 Head-dress gone. Greenish pottery. H. 2 in. 
 
 1775. TET-AMULET. Greenish pottery, mottled with 
 brown. Delicate vertical markings between horizontal bars. 
 H. 2)4 in. 
 
 1776. AMULET. Musician, with harp over left shoulder. 
 Un-Egyptian garment, resembling a toga. Dark brown pottery. 
 H. 23^, in. 
 
 1777. BES. Double-faced, with usual head-dress. Amulet. 
 Dark green pottery. H. 2 in. 
 
 1778. THUERIS. Amulet. Lacks head-dress and alli- 
 gator tail. Green pottery. H. 2}i in. 
 
 1779. BES. Poorly molded, and not in usual proportion; 
 lacks head-dress. Amulet. Green pottery. H. 2% in. 
 
 1780. BES. Double-faced. Four-feather head-dress. Amu- 
 let. Pottery, poorly fused. Originally green, now several 
 shades of brown. Material inside, soft like wax. H. 2^ in. 
 
 1781. THOTH. Amulet. Hands at sides; ribbed apron, 
 and head-dress. Green pottery. H. 2 1-16 in. 
 
 1782. PTAH, as dwarf. Well executed and perfect. Amu- 
 let. Light green pottery. H. 2 l /g in. 
 
 1783. PTAH, as dwarf. Amulet. Dark blue pottery. H. 
 2}i in. 
 
Catalogue of Stone Sculptures. hi 
 
 1784. RING. Lead, corroded. D. i l / 2 in. 
 
 1785-1791. SLING MISSILES. Lead. L. about 1% in. 
 1791, 1. 2'y 8 in. 
 
 1792. MIRROR. Back decorated with eagle in relief. Of 
 late date. Lead and glass, iridescent. From Larnaca. L. 
 3^ in., d. \Y% in. See Atlas, III., cxvii., 3. 
 
 1793-1795. SPIRALS, for fastening garments or hair. 
 Lead. From Larnaca. D. iyg in. 
 
 1796. LEADEN OBJECT; uncertain. L. i*/ 2 in. 
 
 1797. VASE, like Amphora. Geometrical pattern in relief. 
 About the middle is the Greek name of the owner : " Of Euthe- 
 rius." Lead. H. 1^ in. 
 
 1798. QUADRUPED; camel (?). Originally stood on a 
 pedestal. From Larnaca. H. 1^ in. 
 
 1799. FEMALE FIGURES. Two. Erect, fully draped. 
 Probably part of a group, as in 1826. From Larnaca. H. 
 iy 2 in. 
 
 1800. CUPID, winged, playing on flute. Larnaca. Lead. 
 H. \Y% in. 
 
 1801. VASE, with two mouth-like projections, one a han- 
 dle. Decoration of geometrical patterns. Shape approaching 
 the " Mycenean." H. 2 13-16 in., d. 2^4 in. 
 
 1802. BOWL. Rosette pattern within. H. 2 in., d. $ l / 2 in. 
 
 1803. STIRRUP-HANDLED VASE. Imperfect. " Pseud- 
 amphora," " Mvcenean " shape. Geometrical decoration. See 
 1807. 
 
 1804. BOWL. Decoration within, a bull amid papyrus 
 plants ; band of geometrical patterns, rudely approximating to 
 the egg-and-tongue pattern. H. 1 11-16 in., d. 5 5-16 in. 
 
 1805. BOWL. Bunch of papyrus, with ornamental border 
 within. H. 1% in., d. 3^8 in. 
 
 1806. BOWL. Female musician playing on a lute. Papy- 
 rus thicket. Ornamented with circle and dots. H. V/% in., 
 d. $y 2 in. 
 
 1807. STIRRUP-HANDLED VASE, or "Pseudamphora" 
 of the " Mycenean " shape. Decoration, bulls, rude lotus 
 flowers, and geometrical patterns. H. 4^8 in., d. 5*4 in. 
 
112 
 
 The Metropolitan Museum of Art. 
 
 1808. BOWL or cup. Thick stripes across the edge. H. 
 I $4 in., d. 3^8 in. 
 
 1809. CUP or bowl, low ; a spherical segment in shape. 
 Lotus flower pattern within. H. 1% in., d. 3^2 in. 
 
 1810. DISH, of flat cylindrical shape; three small bands 
 about the outside ; bottom within covered with an expanded 
 lotus flower. H. 1% in., d. 7% in. 
 
 1811-1812. VASES, of elliptical shape; no handles; small 
 base, neck and mouth. Pottery, colored blue. H. 10^ in. and 
 6}i in. D. (body) 5 1-16 and 3^ in., respectively. 
 
 1813. LARGE SCARAB. An imitation of an Egyptian 
 scarab. Has six legs, three on each side. Head resembles 
 snout of pig, with ram's horns. On the back are characters 
 reading Cheper-men-mut ; on the bottom is cartouche of Thoth- 
 mes III., surmounted by the sign of the sun Ra ; beneath is the 
 sign of " gold," nub, t flanked by " life " signs. On the left of 
 the upper register is a cynocephalous ape with the Tet-sign ; on 
 the right are a vulture and uraeus. In the central register is 
 a man cutting up and weighing an antelope. The lower 
 register presents a scarab, flanked by an asp and " life " sign. 
 The signs and figures are all after Egyptian models and fairly 
 executed. Soft chalky white stone. L. 5^8 in., w. 4^ in., th. 
 i}i in. 
 
 1814. CUP, generally like the following, but with heavier 
 relief ; ivy leaves and berries ; egg-and-tongue border near top. 
 H. 2% in., d. 3M in. 
 
 181 5. TWO-HANDLED CUP. Ornamented with vine 
 and flowers in relief on outside. Glaze turning brown. H. 
 3 in., d. s 5 /s in. 
 
 1816-1817. SHELLS, found in tombs in same localities. 
 
 1818. SEAL RING, with bezel. L. i# in. 
 
 1819. VASE or box. Thin sides, somewhat flaring. Dec- 
 orated with lines. Ivory. H. i 1 /* in., d. 1% in. 
 
 1820. VERTEBRA of fish; used as a bead. 
 
 1821. LOW DISH, contracted at the mouth. H. i}4 in., 
 d. 3}i in. 
 
 1822. BOX, made of a hollow bone ; decorated with bands, 
 plain lines and circles arranged like fish-scales. Ears on sides. 
 L. 5 in. 
 
Catalogue of Stone Sculptures. 
 
 1823-1824. BOXES, in general similar to foregoing. L. 
 S l A and 4y 2 in. 
 
 1825. BOX, decorated with longitudinal lines. Similar to 
 foregoing. L. 4 in. 
 
 1826. TABLE OF OFFERING. Oblong and rectangular. 
 Two erect figures at edge. On top in relief: boar's (?) head; 
 patera with bread, hind quarter of meat. Originally stood on 
 legs. Lead. From Larnaca. L. 2^/4. in., w. 1 9-16 in. See 
 Atlas, III., cxvii., 10. 
 
 1827. TABLE OF OFFERING. Circular, one leg remain- 
 ing. On top in relief ; bread loaves, paterae, clusters, and a 
 boar? Lead. From Larnaca. D. 2^ in., h. 1 in. Atlas, III., 
 cxvii., 11. 
 
 1828. TABLE OF OFFERING. Oblong, rectangular; 
 with three legs intact. On top in relief : paterae, bread, clusters, 
 and indistinct objects. Larnaca. Lead. L. 2 13-16 in., h. 
 i}4 in. Atlas, III., cxvii., 12 
 
 1829-1830. HORSE'S TEETH. Fragments. 
 
 183 1. BOX; slightly tapering. Ivory or bone. H. 2% in. 
 
 1832. AWL. Bronze blade, and bone handle. L. 5^ in. 
 
 1833. HANDLE, slightly tapering. Hollow. L. 3^ in. 
 1834-1835. HORSE'S TEETH. Fragments. L. 3^ in. 
 
 1836. HANDLE. Small, slightly tapering. Bone. L. 
 I 9-16 in. 
 
 The following objects are exhibited in the gallery on the 
 South Side of the Main Stairway, beginning near the West 
 End. They consist of inscribed stones in Phoenician, Cypriote 
 and Greek characters obtained from Cyprus, and a few pieces 
 from other places, Assyrian wall plaques, Hittite sculptures, 
 and a number of specimens of Palmyrene sculpture with inscrip- 
 tions. Two ornate Greek sarcophagi are also included. 
 
 1837. MURAL PLAQUE, Assyrian. Square ornamenta- 
 tion, with floral designs, rosettes, lotus flowers and cones ; lotus 
 flower and bud border. Alabaster. Size 29x33 in. 
 
 1838. MURAL PLAQUE, Assyrian. Head of a king or 
 god ; round cap, curly beard and hair, long heavy ear-rings. 
 Ends of wings behind head. Alabaster. Size 31 x 24^2 in. 
 
ii4 The Metropolitan Museum of Art. 
 
 1839. HITTITE SCULPTURE. Two male heads, fac- 
 ing ; round helmets ; hands raised chin high, holding indistinct 
 objects. No hieroglyphs. Black granite. From near Marash. 
 Size 24 x i6y 2 in. Presented by Mrs. Henry Marden, 1890. 
 
 1840. SEPULCHRAL STELE. Greek. Cylindrical, with 
 flaring top and base. Band of rosettes and cones above. In- 
 scription : " Artemidorus Cynegus, farewell." From a tomb at 
 Idalium. H. 3 ft., g T / 2 in. See Atlas, I., cxlvi., 1152, and III., 
 Supplement to Greek Inscriptions, No. 45. 
 
 1841. SEPULCHRAL STELE. Greek. Cylindrical with 
 large base and top. Band of unfinished cones and rosettes. 
 Inscription : " Olympianus, farewell." From Larnaca. H. 
 3 ft., 6y% in. See Atlas, L, cxlvi., 1 151 ; III., cl., Suppl. 44. 
 
 1842. SEPULCHRAL STELE. Greek. Cylindrical with 
 banded capital and enlarged base. Inscription : " Ariston, fare- 
 well." Sandstone. H. 3 ft., 6^g in. Atlas, !., 1171; III., cl., 
 Suppl. 26. 
 
 1843. SEPULCHRAL STELE. Greek. Cylindrical, with 
 large capital and base. Heavy. Inscription : " Onesicrates, 
 farewell." From Idalium. H. 3 ft., 10 in. Atlas, I., 1 153 ; 
 III., cl., Suppl. No. 52. 
 
 PHOENICIAN INSCRIPTIONS. 
 
 Except where otherwise stated, the following were found 
 near the ancient Citium and the modern Larnaca, in the ruins 
 of a temple of the god Eshmunmelqarth ( Aesculapius-Her- 
 Cules-Porumnus). See Atlas, III., cxxii.-cxxiii. 
 
 1844. BLOCK of white marble, nearly cubical. Two lines 
 of text in Phoenician characters : " Hananbaal gave . . . 
 which he vowed on behalf of his son." Sense imperfect. Size 
 about 3x3 in. 
 
 1845-1846. FRAGMENTS of a thick bowl; blue marble. 
 Part of an inscription : " King Melekyathon . . . son of 
 Ebedadoni to his lord Eshmunmelqarth." L. 6^4 and 6^4 in. 
 
 1847-1866. FRAGMENTS OF MARBLE BOWLS, 
 showing inscribed letters on the rims. White marble. The 
 inscriptions are fragments of different bowls for the most part, 
 and no relation between the parts can be established. The char- 
 acter of the -inscriptions on each of the pieces is noted below. 
 
Catalogue of Stone Sculptures. 115 
 
 1847. Part of a line: ". . . King of Citium and Ida- 
 Hum." 
 
 1848-1850. " On the xix day of the month ... in the 
 year . . . iv of the king Melekyathon, king of Citium and 
 Idalium." 
 
 185 1. " Reshephyathon interpreter of thrones to . . ."? 
 
 1852. " Ebedmelqarth to his lord Eshmunmelqarth." 
 
 1853. Two words : " . . . to his lord Eshmunmelqarth." 
 
 1854. Parts of three words : " Of king Melekyathon, 
 king . . ." 
 
 1855. Parts of two words : " . . . To his lord Eshmun- 
 melqarth, may he bless." 
 
 1856. Five characters, supplemented : " . . . to his lord 
 Eshmunmelqarth. May he bless . . ." 
 
 1857. Parts of three words : " . . . . vowed an im- 
 age ( ?) to . . ." 
 
 1858. Near the nozzle of bowl. Beginnings of two lines: 
 " . . . which he gave ... to his lord . . ." 
 
 1859. Four characters of doubtful meaning. 
 
 1860-1861. Words which may mean: ". . . . which 
 . . . son of . . . gave . . ." 
 
 1862. Three letters ; perhaps, " . . . gift this which 
 
 1863. Five characters which defy translation. 
 
 1864. Two characters ; perhaps " . . . gift . . ." 
 
 1865. Three characters, supplemented : " . . . to his 
 lord Eshmunmelqarth . . ." 
 
 1866. Two characters : " . . : son of . . ." 
 
 1867. BLOCK of white marble. Parts of eight lines of 
 text: "In the year ... of king Pumiyathon, king of 
 Citium and Idalium, son of Melekyathon, king of Citium and 
 Idalium, these two offerings which Abdelim son of Ebedmel- 
 qarth, son of Ebedresheph, gave and dedicated to his lord Esh- 
 munmelqarth." Face 4>4x6^ in. From Citium-Larnaca. 
 "Atlas, III., cxxii., 1. 
 
n6 
 
 The Metropolitan Museum of Art. 
 
 1868. ALABASTRON, with convex sides, small ears, 
 rounded bottom and small lid. Inscribed with a numeral and an 
 uncertain word : " 100 ? " Citium. H. 10% in. Atlas, III., 
 cxxiii., 22. 
 
 1869. VASE, crater-like, with small foot, rapidly flaring 
 bottom and slightly flaring sides ; two double handles ; sides 
 decorated with lozenge and geometrical figures. Inscription 
 on the bottom, either a proper name or " My friend." From a 
 tomb at Dali. Terracotta, colored gray and black. H. 7^8 in. 
 
 1870. VASE, with small base, ovoid body, wide mouth, 
 small neck and small handle. One word indicating ownership: 
 " Of Anthus." From a tomb at Citium. Red terracotta. H. 
 6}i in. Atlas, II., cxli., 1052; III., cxxiii., 23. 
 
 187 1. VASE, amphoroid. Small base, pear-shaped body, 
 cylindrical neck and two small handles. Decorated with bands 
 of cross-lines and diagonals. Inscription, probably a proper 
 name. From Nicosia. Serpentine. H. 5% in. Atlas, II., cxli., 
 1050; III., cxxiii., 24. 
 
 1872. AMPHORA or Pithos. Pointed foot, two small 
 handles, inverted cup for cover. One word : " My Baal " or 
 " My lord." From Citium. H. 22% in. 
 
 1873. AMPHORA or Pithos. Taller than the foregoing, 
 and constricted about the middle. Parts of two words : " My 
 Baal, my olive." From Citium. H. 27 in. Atlas, III., 
 cxxiii., 27. 
 
 1874. AMPHORA or Pithos. Three lines of inscription 
 in black ink on the side of a large jar: " Baal Peles (lord of 
 weight?) gave. He heard me." From a tomb at Citium. H. 
 22^ in. Atlas, II., cxli., 1049; HI., cxxiii., 25. 
 
 CYPRIOTE INSCRIPTIONS. 
 
 The Cypriote Inscriptions are arranged in two places, and 
 are numbered 1875-1903 and 1917-1959. 
 
 1875. TOP OF A PEDESTAL, with three Cypriote char- 
 acters ; significance uncertain. Golgoi. L. 1 1 24 in. Atlas, III., 
 cxxxviii., 2. 
 
 1876. PART OF A PEDESTAL. Two fragmentary lines 
 of writing, purpose uncertain. Golgoi. W. 7^ in. Atlas, III., 
 cxxxviii., 4. 
 
Catalogue of Stone Sculptures. M . 117 _ 
 
 1877. BASE OF A STATUE, with^sandalled feet and part 
 of ankles. Parts of two lines of Cypriote text : " In the year 
 3 . . . offered this image to A>faU6' (names gone). Gol- 
 goi. L. S l / 2 in. Atlas, cxxxii., 1. 
 
 1878. FRAGMENT OF A PEDESTAL. Parts of two 
 lines of inscription : " I am Stasidamos . . ." The other 
 characters are too fragmentary to translate. Golgoi. L. io l / 2 . 
 in. Atlas, III., cxxxv., 1. 
 
 1879. PART OF A PEDESTAL, with part of a line of 
 inscription containing a proper name : " Diathemis 
 Golgoi. L. 10 in. Atlas, III., cxxxv., 2. 
 
 1880. BAS-RELIEF, showing horse's hoofs and legs. Parts 
 of two lines of characters of uncertain import. Golgoi. 8 x 6)4, 
 in. Atlas, III., cxxviii., 3. 
 
 1881. PART OF A PEDESTAL (?). One line of text 
 which has not been read satisfactorily. Golgoi. L. g J /\ in. 
 Atlas, III., cxxxvi., 1. 
 
 1882. PEDESTAL of small size. Dedicatory inscription 
 on three faces of the top, containing several unusual and un- 
 certain signs which render a satisfactory translation impossible. 
 Golgoi. H. 4J4 i n -, t°P 2>Va x Z y A m - Atlas, cxxv., 5. 
 
 1883. SQUATTED FIGURE, like No. 924 above, and 
 many others. Inscription obliterated except one character ; 
 probably a votive offering to Apollo Hylates, in whose temple 
 at Curium it was found. Lacks head. H. a^/a in. Atlas, III., 
 cxxvii., 7. 
 
 1884. SQUATTED FIGURE, similar to foregoing. Votive 
 inscription, lacking name of donor : " . . . offered this to 
 Apollo." H. in. Atlas, I., cxxx-cxxxii. ; III., cxxvii, 8. 
 
 1885. SQUATTED FIGURE, similar to foregoing. In- 
 scription on three sides of base : " . . . this to the god Apollo 
 . . H. 4% in. Atlas, III., cxxvii., 2-4. 
 
 rvn. 
 
 1886. HEAD, with pointed, inscribed helmet : " The vow 
 ©f'Naos." A votive offering. Golgoi. H. 4^ in. Atlas, III.,, 
 cxxxi., 1-2. 
 
 1887. RELIEF, showing part of human figure with profile. 
 Cypriote inscription in three incomplete lines: " Onasiorus (son 
 of) Athe . . . offered to the god Apollo in (good for- 
 tune)/' Golgoi. L. 6 J / 2 in. Atlas, III., cxxxiv., 1. 
 
n8 The Metropolitan Museum of Art. 
 
 1888. FRAGMENT of limestone, containing part of a line 
 of writing: ". . . of the Paphian . . ." (Aphrodite). 
 From Kythraea. L. 2^4 in. Atlas, III., cxxiv., 5. 
 
 1889. PART OF A VOTIVE STELE or of a sarcophagus, 
 with wing-like ornamentation beneath a band inscribed with 
 Cypriote characters of uncertain import. Golgoi. H. 4^4 in., 
 w. 2 in. Atlas, III., cxxvi., 1. 
 
 1890. OENOCHOE or pitcher-vase, containing ownw's 
 ■ name - in . Cypriote characters: " Of Ialeph e moc ." Red terra- 
 cotta. From Curium. Spheroidal body, conical neck, trefoil 
 mouth, large handle, low but distinct base. H. 6% in. Atlas, 
 II., cxlii., 1063 ; III., cxl., 2. 
 
 1891. VASE or jug with handle. Ovoid body and flaring 
 mouth. Small handle at base of neck. Inscribed in a circle on 
 bottom are the name and title of the owner : " T^lephanos, the 
 Tagos." Red pottery. From Larnaka (Citium). H. 5^ in. 
 Atlas, II., 1062; III., cxl., 7. 
 
 1892. LINTEL of a tomb (pediment). Decorated with 
 two lions facing each other, with erect figure behind each and 
 two females between them, erect and with hands raised. The 
 lions face outward. Below is a long line of dedicatory inscrip- 
 tion : " I am (commemorative of) Aristokretes, and my brothers 
 set me up in memory of the good deeds which indeed I ever 
 well did." From Golgoi. L. 4 ft., h. 13J/2 in. Atlas, I., lxxxv., 
 563 ; III., -cxrrr-f . CxXxvn.i-y- 
 
 1893. PITCHER, or handled vase, like 1891, with name of 
 owner scratched in Cvpriote characters on its convex side: 
 "Thales." Pottery. H. s l A in. Atlas, II., cxlii., 1064; III., 
 cxl., 1. 
 
 1894. RELIEF, showing reclining bearded man ; part of 
 one line and traces of a second line of Cypriote text : " Antiph- 
 amon, the son of Daophas." From Golgoi. H. g}i in. Atlas, 
 L, xxvii., 89; III., cxxviii., 2. 
 
 1895. PEDESTAL, showing two men, one leading a ram 
 and the other carrying an indistinct object ; probably celebrants. 
 One line of Cypriote characters of uncertain significance. From 
 Golgoi. H. 9 in. Atlas, III., cxxxi., 3. 
 
 1896. BOX or footstool. On one side is a Chimsera be- 
 tween two rosettes ; on bottom is a space about 7x9 in., marked 
 in an irregular checker-board pattern, nearly every space being 
 
Catalogue of Stone Sculptures. 
 
 n 9 
 
 occupied with a Cypriote character. Their significance and 
 relations are quite problematical. From Golgoi. H. 7^2 in. 
 Size 283/2 x 11^2 in. Atlas, I., lxxxv., 560; III., cxxxiv., 2. 
 
 1897. BILINGUAL INSCRIPTION; Greek: "Of The- 
 mias," and three fragmentary lines of Cypriote, showing a 
 dedicatory text, the exact content of which has not been de- 
 termined. From Golgoi. Size 20 x 7^ in. Atlas, III., 
 cxxix., 3. 
 
 1898. BASE or pedestal, found in the treasure chambers at 
 Curium. Cypriote dedication to Tisandros ; text only partly 
 intelligible. L. 11 in. Atlas, III., cxxvi., 3. 
 
 1899. PEDESTAL, from Curium. Four lines of votive 
 Cypriote text: " Of Aristochus the (son) of Onasias. Having 
 vowed concerning his boy to Perseutas he set (this) up in 
 (good) fortune." Face 14^x8^4 in. Atlas, III., cxxvi., 4. 
 
 1900. PEDESTAL, having two rectangular spaces hol- 
 lowed out, apparently to receive base of statue. One line, of 
 Cypriote text : " Of Timos (son) of Antiphatos : I honor Paphia 
 at least with gifts of honor." Golgoi. H. 11% in. Top ny 2 x 
 9% i n - Atlas, i»5=«em; 85s III., cxxix., 1. 
 
 1 901. FRAGMENT of stone from Curium with parts of 
 three lines of Cypriote text of uncertain purport. W. 14^ in. 
 Atlas, III., cxxvi., 2. 
 
 1902. PEDESTAL (?), with three words in Cypriote: 
 " Kisikas, the son of Timodorus, dedicated ( ?)." From Kou- 
 klia (Palaeo-Paphos). L. Sy 2 in., w. 10 in. Atlas, III., 
 cxxv., 6. 
 
 1903. PEDESTAL; with part of a line of Cypriote text 
 indicating that it was " erected " by some one whose name 
 ended in s, to a deity or person whose name began with A 
 (Aphrodite Apollo ?) From Kythraea. L. 2 ft., w. Sy 2 in. 
 Atlas, III., cxxv., I. 
 
 1904. HITTITE RELIEF, with inscriptions. Erect fig- 
 ure with round cap, roll of hair on neck, and long robe to ankles. 
 The right hand holds a staff ; left at breast. The entire stone, 
 figure and all, is covered with hieroglyphs, cut shallow. From 
 near Marash. Black granite. Size 43^ x 22*^ in. Presented 
 by Mrs. Henry Marden, 1890. 
 
 1905. HITTITE RELIEF. Erect male figure before a 
 loaded table of offerings ; curly hair bound with a fillet ; feather 
 
1 20 
 
 The Metropolitan Museum of Art. 
 
 and box in hands ; dressed in a short apron to knees ; sandals 
 with ankle bands. Facing same was a larger figure, which has 
 been nearly all broken away. In lower register is a smaller 
 figure leading a small horse. No inscription. From near 
 Marash. Black granite. H. 35 in. Presented by Mrs. Henry 
 Marden, 1890. 
 
 1906. HITTITE RELIEF. Female figure seated in backed 
 chair, holding infant on lap; similar to Egyptian Isis and 
 Horus. Harp extended in left hand. Below is a heart-shaped 
 table (?). No hieroglyphs. From near Marash. Black 
 granite. About 22 x 18 in. Presented by Mrs. Henry Mar- 
 den, 1890. 
 
 GREEK INSCRIPTIONS. 
 
 1907. SEPULCHRAL STELE. Cylindrical, with turned 
 base and capital. Inscribed : " Rhodon, farewell." On top 
 are the letters NB. From Larnaca. Sandstone. H. 37^4 i n - 
 Atlas, I., cxlvi., 1 1 50; III., cl., Suppl., No. 43. 
 
 1908. SEPULCHRAL STELE. The much-worn inscrip- 
 tion has been recut ; one form apparently read " Aristogaros, 
 farewell forever " ; the other " Aristodamos, courage, farewell. " 
 Larnaca. H. 1 ft., 6 in. Atlas, I., cxlviii., 1168; III., cl., Suppl. 
 No. 29. 
 
 1909. SEPULCHRAL STELE. Rudely cut ; stone much 
 worn. Obscure, but probably " Artinia, farewell." Larnaca. 
 H. iyy 2 in. Atlas, I., cxlviii., 1166; III., cl., Suppl. No. 30. 
 
 1910. SEPULCHRAL STELE. Inscribed: "Courage 
 Euchianos, none is deathless." H. 24^ in. From Idalium. 
 Atlas, I., cxlviii., 1176; III., cl., Suppl. 47. 
 
 191 1. SEPULCHRAL STELE. Rudely cut, with cylin- 
 drical drum top and bottom. Four lines : " Courage Olympos ! 
 None is deathless." Larnaca. H. 17^ in. Atlas, I., cxlviii., 
 1 179; III., cl., Suppl. No. 2. 
 
 1912. SEPULCHRAL STELE. Not turned on wheel 
 Unusual number of bands top and bottom. Letters rudely cut, 
 in three lines: " Sosioros, Oh farewell!" Larnaca. H. 17% 
 in. Atlas, I., cxlviii., 1181; III., cl., Suppl. 22. 
 
 1913. SEPULCHRAL STELE. First line of inscription 
 defective at the beginning: " (Eu) chamenes, farewell." Sand- 
 stone. H. 24% in. Atlas, I., cxlvii., 1161; III., cl., Suppl. 
 No. 56. 
 
Catalogue of Stone Sculptures. 121 
 
 1914. SEPULCHRAL STELE. Two lines: "Apollo, 
 farewell." Branch of tree below in red. Larnaca. Sandstone. 
 H. 24^ in. Atlas, I., cxlvii., 11^; III., cl., Suppl. No. 35. 
 
 1915. SEPULCHRAL STELE. Three lines: " Timon, 
 farewell." From Larnaca. Sandstone. H. 24^ in. Atlas, I., 
 cxlvii., 1 163; III., cl., Suppl. No. 33. 
 
 1916. SEPULCHRAL STELE. Three lines: " Epaphro- 
 ditos, farewell." Larnaca. Sandstone. H. 3834 in. Atlas, I., 
 exlvi., 1 149; III., cl., Suppl. No. 42. 
 
 CYPRIOTE INSCRIPTIONS. 
 
 1917. BASE OF A STATUETTE, feet still remaining. 
 Inscription in three lines: " Hecatos set (this) up to the god, 
 the Amphidexius, in good fortune." From Kouklia (Palaeo- 
 Paphos). Size 7x8^2 in. Atlas, III., cxxv., 4. 
 
 1918. STATUETTE. One line of characters on the base, 
 giving an uneortain proper name: " FhauialLutca (■?) ." From 
 the temple of Apollo Hylates, at Curium. H. 16% in. Atlas, 
 L, lxxxv., 564; III., exxvii., 5. 
 
 1919. VOTIVE TABLET. A relief showing a double re- 
 ligious procession in two registers : above are six figures, father, 
 mother and children, approaching a seated figure, which holds 
 a harp in left hand and extends a patera in the right. Below 
 are five figures, perhaps dancers, at left ; and six persons at 
 right seated, apparently at a banquet. In their midst is a large 
 bowl containing an amphora in red. Two Cypriote characters 
 above same. From Golgoi. i8^4 x 12^2. Atlas, I., lxxxv., 
 553 ; III., exxxiii., 2. 
 
 1920. STATUETTE, Erect. Peplos over head, garment 
 to knees, bound with sash with hanging ends in front. Base 
 inscribed indicating that it was a votive offering made by a 
 female of uncertain name. From the temple of Apollo Hylates 
 at Curium. H. 13^ in. Atlas, I., lxxxv., 562; III., exxvii., 6. 
 
 1921. FRAGMENT of a huge bowl or crater. Parts of 
 two lines of Cypriote inscription on the convex surface : " Timo- 
 4eretes offered to Magirios (Apollo) . . ." From Pyla. 
 L. of lines n and 2 in. H. of bowl originally about 8 in. Atlas, 
 III., exxxix., 1. 
 
 1922. FRAGMENT of stone with Cypriote characters on 
 both sides, six lines on one side, and seven on the other. The 
 
122 The Metropolitan Museum of Art. 
 
 text consists of names of persons and lists of things and fig- 
 ures, the same words occurring on both sides ; sense uncertain. 
 From Golgoi. 7^ x 4^ in. Atlas, III., cxxxvi., 2-3. 
 
 1923. PEDESTAL. Inscribed on three sides on a sunken 
 panel. S ome of the ehnractcro are oboourc, rende r ing the 
 ■ tranclatioifr^niuiiiaiu . " Of the Lad> ( ?) — : — : — : — of all tittcm , 
 but her^ op j ^ff^^-] * Aj 11 mV " — What in intonded is 
 obecuro in details. Golgoi. Marble. H. \ x / 2 in. (base) 2% x 
 2]/\ in. Atlas, III., exxvii., 9-1 1. 
 
 1924. FRAGMENT of a box, blackened by fire. Part of a 
 line in Cypriote characters : " Of the Paphian . . ." From 
 Kythraea. Limestone. L. 3 in. Atlas, III., exxiv., 6. 
 
 1925. FRAGMENT of limestone, blackened by fire. Part 
 of a line : " Of the Paphian I am." Kythraea. L. 3^ in. 
 Atlas, III., exxiv., 9. 
 
 1926. FRAGMENT of a box ; with parts of four lines of 
 text: " (I am) of the goddess, of the (Paphian) but (Onasi) 
 themis (the priest) of the (Pa) phi (an) offered me." Brackets 
 indicate the supplied parts. Kythraea. Limestone. L. $y 2 in. 
 Atlas, III., exxiv., 8. 
 
 1927. FRAGMENT of a box, with parts of three lines: 
 "Of the goddess, the Pa(phian am I), but Onasithemis 
 of(fered me) . . ." Kythraea. Limestone. 3x1^ in. 
 Atlas, III., exxiv., 4. 
 
 1928. SIDE OF A BOX, probably used for incense. Three 
 lines of Cypriote characters: " I am (the offering) of Proto- 
 timos the priest of Paphia ; and he offered me to Paphia Aph- 
 rodite." Kythraea. Limestone. H. 3 in., 1. 6y 2 in. Atlas, 
 III., exxiv., 1. 
 
 1929. FRAGMENT of Stone, with parts of two lines of 
 text of uncertain purport. Golgoi. W. 2% in. Atlas, III., 
 exxv., 2. 
 
 1930. FRAGMENT of a box, colored red. End of a line 
 of text: " Of the Paphian." Kythraea. Limestone. H. ij/g in. 
 Atlas, III., exxiv., 10. 
 
 193 1. FRAGMENT of stone, triangular. Cfeuluhw ii'iu~ 
 iianlu u f Cypiiuli writing .. L. 2^ in. 
 
 1932. FRAGMENT of a box. Parts of two lines of 
 Cypriote text of uncertain purport. Kythraea. Limestone. 
 W. iy 2 in. Atlas, III., exxiv., 3. 
 
Catalogue of Stone Sculptures. 
 
 123 
 
 1933. FRAGMENT of a flat-bottomed reddish earthen- 
 ware dish, with part of a line of Cypriote text : " To the 
 Paphian." Kythraea. H. 2j4 in. Atlas, III., cxxiv., 1 1. 
 
 1934. PART of a heavy stone vase, with part of a line of 
 Cypriote characters of uncertain import. Golgoi. L. 7 *4 in. 
 Atlas, III., cxxxviii., 3. 
 
 1935. DISK with grooved edge. Two lines of Cypriote 
 inscription : " Qf Phantaaioj, 4 " ; OwneVo namo. Terracotta, 
 red. From Golgoi. L. i}i in- Atlas, II., cxlii., 1057; III., 
 cxl, 5. 
 
 1936. FRAGMENT of a large, red earthenware bowl. Part 
 of the name of Aphrodite '. " Of the Paphian." Kvthraea. H. 
 4 l /z in. Atlas, III., cxxiv., 7. 
 
 1937. PART OF A RELIEF, with parts of three indistinct 
 figures. Parts of two lines of Cypriote characters, clearly cut, 
 but too fragmentary to translate. Golgoi. H. 7% in. Atlas, 
 I., lxxxv., 557; III., cxxviii., 4. 
 
 1938. SCULPTURED STONE, resembling a window. 
 Three lines of Cypriote characters : " Zeus' portion of wine is 
 three measures." Golgoi. H. 5 in. Atlas, III., cxxxix, 5. 
 
 1939. VOTIVE EAR (right). Red pottery. Lobe con- 
 tains four Cypriote characters of uncertain import. Golgoi. 
 H. 2^ in. Atlas, III., cxl., 15. 
 
 1940. VOTIVE EAR (right). Red pottery. Lobe con- 
 tains five Cypriote characters, giving name and title of a man : 
 " Phoitos, the Tagos." Golgoi. H. 2*4 in- Atlas, III., cxl., 13. 
 
 1 941. DISK, probably the foot of a vase. Difficult inscrip- 
 tion written in a circle : " Take (th) ) pui Liun — (and) — sa-e ri- 
 £ce ( Golgoi. D. 6%, in. Atlas, III., cxxxix., 6. 
 
 1942. PIECE OF BOX, with parts of three Cypriote char- 
 acters : "Of Paphia." Kythraea. Limestone. L. 2 in. Atlas, 
 III., cxxiv., 2. 
 
 1943. RELIEF, showing part of a procession. Parts of 
 two lines of Cypriote text ; characters distinct, but import ob- 
 scure. Golgoi. W. 4}i in., h. y}4 in. Atlas, III., cxxviii., I. 
 
 1944. RELIEF, showing woman and child. Edgings in 
 red. Part of a line of obscure text. Golgoi. 4x8 in. Atlas, 
 III., exxv., 3. 
 
124 The Metropolitan Museum of Art. 
 
 1945. FEMALE BUST, with high head-dress and tresses 
 on shoulders and breast. Incised character at throat, which 
 may be intended for a pendant. From Soli. H. 2.y 2 in. Atlas, 
 III., cxli., Suppl. 2. 
 
 1946. VASE ; lacks original inset-bottom. Tapering body ; 
 long neck and flaring mouth. Inscribed in panels on sides ; 
 probably a dedication to Bacchus . From Maroni (Marium). 
 Alabaster. H. 9*4 in. Atlas, III., cxli.,-6st 7* . i*<; . 
 
 1947. LAMP, with erect figure of Silenus or Bes. Ring 
 above head to suspend on wall. Inscribed with owner's name 
 on edge of bowl : " of Philot^mos." From Carpasso. H. 9^ 
 in. Atlas, II., cxlii., 1059; III., cxl., 14. 
 
 1948. PAINTER'S PALETTE; a thin plaque of fine, hard 
 sandstone, reddish purple with beveled edges. Originally 
 covered with Cypriote characters, now dim and unintelligible. 
 From a tomb. Size 4^ x 2% in. Atlas, cxxxix., 3. 
 
 1949. RELIEF, showing stern of a boat and two sailors. 
 Parts of two lines of Cypriote text. Golgoi. x 2>4 in. 
 Atlas, III., cxxx., 2. 
 
 T950. HANDLE of a Praefericulum or ladle. One line of 
 text : " Heros offered it to Apollo." Golgoi. L. 9 in. See 190- 
 193 and 225-226. Atlas, III., cxxvii., 1. 
 
 195 1. ADORATION SCENE. A group of four erect per- 
 sons making salutation to a fifth, of larger size, seated in a 
 chair and holding a kai'p (?) . All beneath a spreading tree. 
 Two lines of inscription : " This holy thing, the shrine, Onasiti- 
 mos offered to the god Apollo, a vow for the temple-precinct, in 
 good fortune." Golgoi. L. 11 in., w. ?}i in. Atlas, III., 
 cxxx., I. 
 
 1952. RELIEF of a crested serpent and dolphin. Part of a 
 liuge stone vase. The inscription in five lines has defied inter- 
 pretation. About 12 x 13^4 in- Atlas, III., cxxxii., 2. 
 
 1953. RELIEF, with three figures; a central one, seated, 
 with wig and himation, holding symbols of office, like lictors' 
 rods, in left hand, upright. On left is a smaller, and on right a 
 larger figure, both erect, and all tinted red. Four lines of 
 Cypriote text in hexameters: "Hail! Eat, O prince, and 
 drink. (It is) a great saying: Never apart from the immortal 
 gods long for all desired things insatiably. For not at all of 
 man is rule over the divinity, but the hand^ is allotted to the 
 
Catalogue of Stone Sculptures. 
 
 divinity to control all things which men imagine. Hail ! " 
 From Golgoi. H. \2]/ 2 x 16 in. Atlas, L, lxxxv., 559; III., 
 cxxx., 3. 
 
 1954. BLOCK of stone, inscribed : " To the god Apollo." 
 Golgoi. L. 5 in. Atlas, III., cxxxviii., 1. 
 
 1955. RELIEF, with human figures in two registers ; 
 above, a seated figure ; below, two erect figures facing each 
 other, giving and receiving an obscure object. Three lines of 
 Cypriote characters : " Diyaithemis offered me to the god 
 Apollo in good fortune." Golgoi. 12 x 7^ in. Atlas, I., 
 lxxxv.. 556; III., cxxxiii., I. 
 
 1956. BLOCK of stone with rude representations of two 
 altars. Above are two lines of Cypriote text : . ■ to the 
 god Eudamodotca uffuid in guud fui ' lune." Golgoi. Size 
 \2y 2 x 7^4 in. Atlas, III., cxxxv., 4. 
 
 1957. TILE or washing-board, like those now in use in 
 Cyprus. Concavo-convex, like a shallow quadrilateral dish. 
 Three characters made with finger tips when the clay was 
 soft; probably maker's initials. Larnaca. Terracotta. Size 
 2j x / 2 x 12^4 in- Atlas, II., cxlii., 1058; III., cxli., 5. 
 
 1958. PEDESTAL, with one line of Cypriote characters : 
 " Menodoros." From Golgoi. Size 8x6 in. Atlas, III., 
 cxxxv.,X 
 
 1959. BASE of a statue, containing three Cypriote char- 
 acters ; meaning uncertain. Golgoi. Size 11x9 in. Atlas, 
 III., cxxxix., 4. 
 
 GREEK INSCRIPTIONS. 
 
 1960. BLOCK of white marble, now stained. Greek in- 
 scription which commemorates an athlete who had been vic- 
 torious in certain public games and earned honor for himself 
 and for his native city. From Larnaca. H. 14^ in., w. 1 ft. 
 Atlas, III., cxlviii., 2. 
 
 1 961. PEDESTAL of a statue, with a Greek inscription, 
 dedicated " To Arsinoe Philadelphos Naias, (by) Aristocles, 
 son of Aristocles, an Alexandrian." From Kythraea. Bluish 
 limestone or marble. 2&/ 2 x 8 in. Atlas, III., cxlvi., 5. 
 
 1962. SEPULCHRAL STELE. Greek inscriptions, one 
 having been recut over an earlier. The latter appears to have 
 
126 
 
 The Metropolitan Museum of Art. 
 
 been " Creonas, farewell " ; the earlier " Theonas, farewell." 
 Larnaca. Sandstone. H. iy% in. Atlas, I., cxlviii., 1169; 
 III., cl., Suppl. 28. 
 
 1963. SEPULCHRAL STELE. Inscribed: " Demetriane, 
 farewell." Larnaca. Sandstone, or a porous stone resembling 
 it. H. 19 in. Atlas, III., cl., Suppl. No. 39. 
 
 1964. SEPULCHRAL STELE, with inscription to two 
 persons: " Antipater, farewell. Euodia, farewell." H. 24^2 
 in., w. io54 in. Atlas, I., cxlviii., 1180; III., cl., Suppl. 48. 
 
 1965. SEPULCHRAL STELE. " Philocyprus, farewell." 
 Larnaca. Sandstone, or porous stone. H. 1754 in. Atlas, I., 
 1 170; III., cl., Suppl. 27. 
 
 1966. SEPULCHRAL STELE. With weathered inscrip- 
 tion : " Epictetus, farewell." Larnaca. H. 17^2 in. See Atlas, 
 I., cxlviii., 1 165; III., cl., Suppl. No. 31. 
 
 1967. SEPULCHRAL STELE, with Greek inscription: 
 " Perigenia, farewell." Larnaca. H. 17% in. Atlas, I., 
 cxlviii., 1 164; III., cl., Suppl. 32. 
 
 1968. SEPULCHRAL STELE, with Greek inscription: 
 " Happy Artemidorus, who ever lived an honored life through 
 thy prudence, farewell, even among the perished." From Lar- 
 naca. H. 24^4 in. Atlas, III., cl., Suppl. No. 16. 
 
 1969. SEPULCHRAL STELE, with Greek inscription : 
 " Eup^ra^ia, farewell." Larnaca. H. 25% in. Atlas, III., cl., 
 Suppl. No. 41. 
 
 1970. SEPULCHRAL STELE, with Greek inscription: 
 " To Themistion, son of Themistion, farewell." H. 2 ft. 
 Atlas, I., cxlvii., 1156; III., cl., Suppl. No. 54. 
 
 1 971. SEPULCHRAL STELE with Greek inscription: 
 " Timon, farewell." Capital larger than base. H. 24^8 in. 
 Atlas, I., cxlvii., 1 159 ; III., cl., Suppl. No. 34. 
 
 1972. SEPULCHRAL STELE, with Greek inscription: 
 " Philon, farewell." H. 2 ft. Atlas, I., cxlvii., 1160; III., cl., 
 Suppl. No. 55. 
 
 1973. MORTUARY SLAB, in white marble, with Greek 
 inscription : " If indeed the fated end has brought thee beneath 
 earth's bosom, honored Sopater, dead, farewell, even among 
 the perished." Larnaca. W. S T A in-, 1. 15 in. Atlas, III., 
 cxlviii., 1. 
 
Catalogue of Stone Sculptures. 
 
 127 
 
 1974. PEDESTAL (?) with Greek inscription: " Onesa- 
 goras, in behalf of the wife of Nicias and his own daughter, to 
 Aphrodite Mycerodis ; Rome Helicousa." The last two words 
 are uncertain as to sense. From Melusha. L. 25% in. Atlas, 
 III., cxlii., 3. 
 
 1975. BLOCK with dedicatory inscription in Greek ; 
 " Arisstous the Mantiarch offered this to Apollo Lacentes in 
 behalf of his son Cleon, in good fortune." Pyla. L. about 
 11^2 in. Atlas, III., cxlii., 4. 
 
 1976. BILINGUAL EPITAPH, in Latin and Greek. 
 Latin : " Julia Donata, freedwoman of Olympus, here is 
 buried." Greek : " Julia Donata, freedwoman of Olympus, 
 farewell." Larnaca. Gray marble. H. 13% i n -> w. 15 in. 
 Atlas, III., cxlix., 2. 
 
 1977. CIPPUS-FRAGMENT, with Greek epitaph, ap- 
 parently dedicated to one named Thymodes. From Idalium. 
 L. i$y 2 in., w. i4 J / 2 in. Atlas, III., cxlv., 3. 
 
 1978. PEDESTAL- FRAGMENT (?), with Greek proper 
 name in genitive: ". . . of Sosianax." From Kythraea. 
 H. 11 in., w. i6 J /i in. Atlas, III., cl., Suppl. 6. 
 
 1979. BLOCK of blue marble, with a commemorative in- 
 scription which cannot be exactly determined on account of the 
 breaking of the stone. Larnaca. H. 8J/2 in., w. 7 in. Atlas, 
 III., cxlix., 1. 
 
 1980. BLOCK of stone, containing inscriptions in Greek 
 letters and Cypriote characters interspersed, and in Cypriote 
 characters alone. The Greek appears to consist of two proper 
 names, but to have been cut by different hands ; the Cypriote 
 is uncertain. Golgoi. L. 283/2 in. Atlas, III., cxxix., 2. 
 
 1981. BLOCK of stone, with Greek inscription: "One 
 god, the greatest, the most glorious name ; help all, we pray." 
 Below are two wands and two wreaths, inside of one of which, 
 in smaller letters, is the name " Helios," the Sun. From Gol- 
 goi. H. io}i in., w. 12 in. Atlas, III., cxliv., 2. 
 
 1982. MORTUARY STELE, with temple-shaped pedi- 
 ment, with acroteria. Greek inscription : " Poseidonius, the 
 son of Heliodorus." Larnaca. White marble. H. 20^2 in., w. 
 (top) 12^4 i n - Atlas, III., cxlvii., 4. 
 
 1983. COMMEMORATIVE TABLET, in Greek, erected 
 by " the Senate (and people of Cu)rium " in honor of " Ouin- 
 
128 
 
 The Metropolitan Museum of Art. 
 
 tus Caelius Honoratus, prefect of the presentation of corn, the 
 Roman people's ambassador to Sicily, ambassador to Pontus 
 and Bithynia, proconsul of Cyprus ; through the curator Diony- 
 sius, the son of Tryphon, in the archonship of Crates." From 
 Curium. Marble; weathered. L. 29^4 in-, h., 13 in. Atlas, 
 III., cxliii., 3. 
 
 1984. MORTUARY STELE, with pointed top. Greek 
 inscription : " Athenus, son of Archiereus, farewell." Larnaca. 
 H. 19 in., w. 12J/2 in. See Atlas, I., cxlviii., 1167; III., 
 cxlvii., 3. 
 
 1985. BASE of a statue, with feet remaining. Like the 
 following. Both were from the ruins of a temple of Zeus 
 Labranios, near Fasuli. Greek: " Oliasas vowed and paid (it) 
 to Zeus Labranios." L. 21^2 in. Atlas, III., cxliii., 2. 
 
 1986. BASE of a statue like the preceding and from the 
 same place. Greek: " Demetris vowed and paid (it) to Zeus 
 Labranios." L. 23^ in. Atlas, III., cxliii., 1. 
 
 1987. SEPULCHRAL STELE, with Greek inscription: 
 " Eutyches, farewell." From Idalium. Sandstone. H. 2 ft. 
 Atlas } I., cxlviii., 1183; M., CL > Suppl. No. 46. 
 
 1988. SEPULCHRAL STELE with Greek inscription: 
 " Onesimus, farewell/' From Larnaca. Sandstone. H. 2\ l / 2 
 in. Atlas, I., cxlviii., 1 175 ; III., cl, Suppl. No. 23. 
 
 1989. SEPULCHRAL STELE, with Greek inscription: 
 " Ariston, farewell." H. 2/^/2 in. Atlas I., cxlvi., 1154; III., 
 cl., Suppl. No. 53. 
 
 1990. MORTUARY STELE. Relief of two figures, a 
 man and a child, in an arched recess, above which is a temple- 
 shaped pediment with acroteria. Below is a Greek inscription, 
 nearly effaced : " Demetrius, son of Barenis, farewell." From 
 Karavastasi, near Soloi. H. 3 ft., % in., w. (top) 15 in. White 
 marble. Atlas, I., cxxvi., 917; III., cl. Suppl. No. 19. 
 
 1 991. SEPULCHRAL STELE with Greek inscription: 
 " Apolonides, farewell." Larnaca. Sandstone. H. 23^8 in. 
 See Atlas I., cxlviii., 1182; III., cl., Suppl. No. 21. 
 
 1992. SEPULCHRAL STELE, with Greek inscription: 
 " Marciana (or Pancratea), farewell." The reading is uncer- 
 tain. Larnaca. Sandstone. H. 21 ^4 in. Atlas, I., cxlviii., 
 1 172; III., cl., Suppl. No. 25. 
 
Catalogue of Stone Sculptures. 
 
 129 
 
 1993 SEPULCHRAL STELE, with Greek inscription: 
 " Soterias, farewell." H. 23% in. Atlas, I., cxlvii., H77; 
 HI., cl., Snppl. No. 49. 
 
 1994. SEPULCHRAL STELE, with Greek inscription : 
 " Apolonide, farewell." Larnaca. H. 22-)4 in. Atlas, I., 
 cxlvii., 1 155; III., cl., Suppl. No. 37. 
 
 1995. SEPULCHRAL STELE, with Greek inscription: 
 " Olympianns, farewell." Sandstone. H. 24^ in. Atlas, I., 
 cxlvii., 1 158; III., cl., Suppl. No. 50. 
 
 1996. SEPULCHRAL STELE, with Greek inscription: 
 " Cratea, farewell." Shows the head of a female in high relief 
 in a sunken panel. Hair wavy and parted. Top of chiton ; 
 double necklace. Larnaca. H. 24% in. Atlas, I., cxlviii., 
 1 174; III., cl., Suppl. No. 24. 
 
 1997. SEPULCHRAL STELE, with Greek inscription: 
 " Artemidorus, farewell." Male head in high relief, in a sunken 
 panel. Chiton. From Alambra. H. 24^ in. Atlas, I, cxlviii., 
 1 173; III., cl., Suppl. No. 20. 
 
 1998. SEPULCHRAL STELE, with Greek inscription: 
 " 01y(m)pe, farewell." The stone cutter omitted the letter M 
 from the name. Sandstone. H. 2$y 2 in. Atlas, I., cxlvii., 
 1 158; III., cl., Suppl. No. 51. 
 
 1999. SEPULCHRAL STELE, with Greek inscription : 
 " Carpus, farewell." Larnaca. H. 23^4 in. Atlas, I., cxlvii. r 
 1 157; III., cl., Suppl. No. 36. 
 
 2000. STAMP IMPRESSION, round, on a broken handle 
 of an amphora, giving an eponym, or the date of making: 
 " Under (during the time of) Philocrates." Red pottery. See 
 Atlas, III., cl. 2. 
 
 2001. STAMP IMPRESSION, rectangular, on an am- 
 phora handle, giving the owner's name : " Heracleonos," and 
 a symbol shaped like an anchor-fluke. Pottery. Size 2 x J / 2 in. 
 Atlas, III., cl., 1. 
 
 2002. STAMP IMPRESSION, circular, on amphora han- 
 dle. Eponym, with additional proper name. Atlas, III., cl., 4. 
 
 2003. STAMP IMPRESSION, circular, on amphora 
 handle; rose in centre. Eponym or name of a Doric month. 
 On side of handle is a small impression of an angular B. 
 D. 1*4 in. Atlas, III., cl., 6. 
 
130 The Metropolitan Museum of Art. 
 
 2004. PEDESTAL (?), with one line of Greek inscrip- 
 tion; indistinct and difficult to read: "(The city) of the Melu- 
 cheatae set this up to Agathe Tyche (or, in happy fortune)." 
 From Melucha. L. 23^ in. Atlas, III., cxlii., 2. 
 
 2005. STAMP IMPRESSION, rectangular, on the handle^ _ 
 of an amjjhora^ too^ indisti^nct to reac ^ C++** . &Upf vtfJ • 
 
 ^2006. STAMP IMPRESSION, rectangular, on an am- 
 phora handle. Owner's or maker's name : " Of Hierocles." 
 Badly impressed. Atlas, III., cl., Suppl. 10^.4 
 
 2007. STAMP IMPRESSION, rectangular; on amphora 
 handle. Maker's or owner's name : " Menothemios." Symbol 
 at ends and at bottom. Atlas, III., cl., 3. 
 
 2008. MEMORIAL TABLET, with Greek inscription, 
 fragmentary and therefore difficult to read. It refers to those 
 who participated in certain sacrifices to a goddess, Poteria or 
 Soteria ; to a silver image of Menestra, an ephebarch, under the 
 auspices of one of the Caesars, and Quintus Sergius, whose 
 office is not stated in the fragment. From Kythraea. Bluish 
 marble. Size: L. S}i in. w. 4 in. Atlas, III., cxliv., 1. 
 
 2009. STAMP IMPRESSION, on the side of a pottery 
 vessel. Maker's mark : " Of Hermogenes 10." From Neo- 
 Paphos. Duplicate of No. 2022. Atlas, III., cl., 9. 
 
 2010. ORNAMENTED TILE, or seal impression, in re- 
 lief. Three Greek letters only : R. N. and O. Pottery. 
 
 201 1. STAMP IMPRESSION, similar to 2009. Con- 
 tains Greek and Latin letters mixed. Sense uncertain, but 
 probably a maker's mark. Neo-Paphos. Atlas, III., cxlvi., 1. 
 
 2012. VASE, of old Roman ware, pear-shaped body, with 
 flaring lips. Greek letters arranged in a circle on bottom; 
 sense obscure. H. 2% in. See Atlas, III., cl., 5. 
 
 2013. PEDESTAL of a pottery statuette. Proper name, 
 " Tiluchus," incised while the clay was soft. From Citium. 
 Letters y s in. high. Atlas, III., cl., 8, \ 
 
 2014. PEDESTAL, of red porphyry, with the lead by 
 which a statuette was originally fastened. Inscription : " Kata- 
 graphus to Opaon Melanthius (pays) his vow in behalf of his 
 son Katagraphus: year 6." From Palaeo-Paphos. H. 2> Z A m -> 
 base sH x 424 in- Atlas, III., cxlvi., 2. 
 
Catalogue of Stone Sculptures. 131 
 
 2015. BRACKET for a statuette, with lead solder. Greek 
 inscription on one side and front : " Olympianus Eudaemon 
 (offered this) to Artemis Paralia on behalf of his grand- 
 daughter Beriane." From the site of an old temple to 
 Artemis of the sea-shore, near Citium (Larnaca). White 
 mottled porphyry. L. 7^ in., w. 4^ in., h., 2^4 in. Atlas, 
 III, cxlvi., 4. 
 
 2016. BLOCK of stone with Greek inscription ; probably a 
 votive offering of " Timodorus " to a deity " Drimokia." From 
 Golgoi. L. 9 in., w. 4% in. Atlas, III., cxlii., 1. 
 
 2017. VASE, with flattened body, long neck and handle, 
 decorated with wreath of leaves and bands. Twisted handle. 
 Proper name : " Eros" painted on side. From Larnaca. H. 
 7^8 in., d. 7^8 in. Atlas, II., cxliii., 1066; III., cl., Suppl. 
 No. 10. 
 
 2018. MORTUARY TABLET with Greek inscription: 
 " Charis, farewell." From Larnaca. Size : H. 5)4 in., w. 6 in. 
 See Atlas, III., cl, Supp. No. 38. 
 
 2019. MORTUARY TABLET, with Greek inscription: 
 " Euplus, farewell." Citium. Marble. H. 5^ in., w. 6]/$ in. 
 See Atlas, III., cl., Suppl. No. 17. 
 
 2020. STATUETTE or high relief, rudely cut, showing 
 hands folded over the breast ; below the arms, roughly exe- 
 cuted, are four lines of Greek text : " Nicandros in behalf of 
 his son Timagoras." From Neo-Paphos. H. 8^2 in. Atlas, 
 III., cxlvi., '3. 
 
 2021. EPITAPH of a cook: "To temples dear, the man 
 who was ever shown excellent in culinary arts, the revered 
 Bacchis, dead, this earth now holds." Small marble slab, from 
 Larnaca. Size 4*4x4/4 in. Atlas, III., cxlv., 1. 
 
 2022. STAMP IMPRESSION ; duplicate of 2009. 
 
 2023. PEDESTAL, fragment, with letters on two sides. # 
 Fragment of a votive inscription to Artemis Paralia. (See 
 2015.) From Larnaca. Size 1/2x4^ in. Atlas, III., cl, 
 Suppl. No. 
 
 2024. VASE, with flattened body, long cylindrical neck, 
 and flat handle; decorated with a band of flowers and broad 
 and narrow lines. Proper name : " Kitias." From Larnaca. 
 H. Sy 2 in., d. 6}i in. Atlas, II., cxliii., 1067; III., cl., Suppl. 
 No. 11. 
 
132 The Metropolitan Museum of Art. 
 
 2025. METRICAL EPITAPH, in Greek, in honor of 
 Laedameia, by her husband, Heroides. The ends of the lines 
 are broken or erased ; hence difficult to render precisely. From 
 Curium. About g l / 2 in. square. Atlas, III., cxlv., 2. 
 
 2026. MORTUARY TABLET, found in a tomb at Sa- 
 lamis. " Salaminia (wife or daughter) of Kothus Enius, fare- 
 well." Marble. Size: W. 8 in., h. 6 in. Atlas, III., cxlvii., 1. 
 
 2027. MORTUARY TABLET, with Greek inscription. 
 " Didumna . . . farewell." Letters not entirely clear. 
 The stone has a large circular hole to receive the base of a 
 statue or mortuary head. Size: H. 5 in., w. 13^2 in. 
 
 2028. MEMORIAL TABLET, with five lines of Greek in- 
 scription : " On behalf of King Ptolemy (V.), son of Ptolemy 
 (IV.), and Queen Arsinoe (III.), the gods philopatores, Teos 
 son of Horos, warder of the district of Ammonieion (has con- 
 secrated this)." Bought in Thebes before 1886. Dates from 
 222-204 B. C. Marble. W. 8 in., h. sH in - 
 
 2029. FRAGMENT of stone with parts of three lines of 
 Greek whose purport is uncertain. Golgoi. H. 7 in. Atlas t 
 III., cl., Suppl. No. 5. 
 
 2030. MORTUARY STELE, with epitaph of " Sogenes, 
 son of Socrates." Top of stone is a pediment with acroteria. 
 Golgoi. H. 9^ in., w. \\Y\ in. Atlas, III., cl., Suppl. No. 18. 
 
 2031. BLOCK of stone, with five Greek letters of large 
 size; meaning unknown. Neo-Paphos. Size: H. 2iy 2 in., w. 
 11 in. Atlas, III., cl., Suppl. No. 7. 
 
 2032. PART OF A VASE of large size. Portions of three 
 lines of Greek, recording a vow of one Timon (or a name end- 
 ing in — timon) to Apollo Hylates, in whose temple near 
 Curium the vase was found. Letters 1 in. high. Red pottery. 
 Atlas, II., cxliii., 1065; III., cl., Suppl. No. 1. 
 
 2033. MARBLE SLAB, with parts of three lines of Greek 
 inscription running diagonally across its face ; too fragmentary 
 to translate. From Citium. Size 4^2 x 5 in. Atlas, III., cl., 
 Suppl. No. 3. 
 
 PALMYRENE FUNERARY TABLETS, 
 
 With sculptured figures and inscriptions. These monuments 
 all came from the region of Lebanon, some having been pur- 
 
Catalogue of Stone Sculptures. 133 
 
 chased in Beirut and the rest in New York. Their style is the 
 same thoughout, with the exception of 2039, and consists of 
 head and bust in high relief upon a flat background on which 
 the inscription is cut. The usual garment is the himation ; 
 occasionally the chiton is also visible. Ordinarily the head is 
 shown in higher relief than the rest of the figure. Only two 
 show full-length figures, Nos. 2040 and 2049. 
 
 2034. MALE HEAD AND BUST. Arms in folds of hima- 
 tion ; hands free ; left holds stick or implement ; ring set with 
 oval stone on little finger ; material resembles marble with 
 streaks of red. Uninscribed. H. 21 in., w. i6j/ 2 in. 
 
 2035. FEMALE HEAD AND BODY. Peplos over head ; 
 arms folded in ends of same, leaving the hands free. Locks 
 of hair on each side of face ; roll over forehead, bound with 
 fillet ; palm of right hand extended toward beholder ; left holds 
 bodkin and bobbin. Grayish limestone. H. 20 in., w. 14 in. 
 Three lines of text at right of head : " To Jataba, son of 
 Tanaron, . . . Lament." 
 
 2036. MALE HEAD AND BUST. Curly hair, short side 
 whiskers and moustache. Himation in folds covering arms ; 
 right hand grasps fold, left holds a leafy spray. Gray limestone 
 of chalky character. H. 20 1 /^ in., w. 17 in. Seven lines of text 
 on left of head : " Lament. Nur-Bel, son of Mokimu. In 
 Kinin, in the year 493 " (180 A. D.). 
 
 2037. FEMALE HEAD AND BUST. Fillet about fore- 
 head ; locks of hair at sides. Peplos over head and shoulders, 
 fold held by right hand at neck. Left hand at breast. Chalky 
 limestone. H. 20% in., w. i6}i in. Inscription on both sides 
 of head : " Lament. Tadmor, wife of Mokimu, son of Nur- 
 Bel, the artisan ; she died on the 29th day of Kinin, in the 
 year 437" (124 A. D.). 
 
 2038. MALE HEAD. Flat background decorated with 
 palm spray. Hair in row of puffs ; arms in folds of himation, 
 leaving hands free. Left hand holds olive spray. Chalky 
 limestone, like No. 2036. H. 21^4 in., w. 19^ in. Two indis- 
 tinct lines of text at left of head : " Son of . . . ? in 
 Kinin." 
 
 2039. SEPULCHRAL STELE, with square base and cap- 
 ital ; bands of molding below and above. Hard, marble-like 
 stone. H. 20* / 2 in., w. (base) 8^ in. Panel contains nine 
 transverse lines of text : " Blessed be his name forever, the 
 good and compassionate one. Haggu son of Haiba, son of 
 
i34 The Metropolitan Museum of Art. 
 
 Jarhi, son of Daka, made and proclaimed it for his life and for 
 the life of his father and of his brother. In Kinin, the year 
 543 " (230 A. D.) . 
 
 2040. MALE FIGURE, erect. Hair dressed forward and 
 bound with fillet. Flat background decorated with two rosettes 
 and palm sprays. Himation, enfolding arms, leaving hands 
 free. Chalky limestone. H. 21 >4 in., w. 19^. Nine lines of 
 text on left of figure: " Lament. Shardel, son of Zebed-Bul, 
 son of Mokimu the artisan. He died on the third day of 
 Kinin, in the year 484" (171 A. D.). 
 
 2041. MALE HEAD AND BUST. Curly hair in short 
 locks.. High-necked chiton, covered by folds of himation. Left 
 hand holds a deep patera decorated with lozenge shaped diag- 
 onals. Edges of stone broken away. H. 15^ in., w. 10^ in. 
 Parts of two lines of inscription on right of head : " Mal- 
 ku (th . . . ) in? Adar . . ." 
 
 2042. MALE HEAD AND BUST. Bearded, short curly 
 hair. Arms in folds of himation, hands visible holding folds of 
 garments. Left grasps also an indistinct object. H. 19 in., w. 
 16 in. Two lines of blurred characters on left of head, too 
 indistinct to read. 
 
 2043. MALE HEAD AND BUST. Bearded; straight 
 hair, curled at ends. Rosette ornament and palm spray on 
 background. High-necked chiton ; wrists and hands free ; 
 hands opposed on chest. An implement (?) in left hand. H. 
 21^4 in., w. i6y 2 in. Four lines of inscription on right of 
 head : " Zebed, chief of the gardeners, son of Mala. Oh 
 lament." 
 
 2044. MALE HEAD AND BUST. Bearded ; curly hair ; 
 hands holding folds of himation. Implement ( ?) in left hand. 
 H. 21^4 in.-, w. 16 in. Four lines of text on left of head: 
 " Akiba, son of Athakab, son of Gadia. Oh lament." 
 
 2045. MALE HEAD AND BUST. Bearded, curly hair. 
 Disposed as in foregoing. H. i6y 2 in., w. ioj/2 in. Five lines 
 of text at right of head : " Zebed- Atha, son of Nahaba, son of 
 Zebed-Atha : this is what he did for the welfare of his father." 
 
 2046. MALE HEAD AND BUST. Curly hair, smooth 
 face. Disposed as in 2044. H. 19^ in., w. 13% in. Three 
 vertical lines of text on right and parts of three horizontal 
 lines on left of head : . . son of Wahaba did this for 
 the child of his brother." 
 
Catalogue of Stone Sculptures. 135 
 
 2047. MALE HEAD AND BUST. Bearded ; curly hair. 
 Himation in ample folds. Damaged ; background gone ; in- 
 scription lacking. H. 21 in., w. 17 in. 
 
 2048. MALE HEAD AND NECK. Lacks part of right 
 side of head. Inscription broken away. Size 9x9 in. 
 
 2049. SEPULCHRAL GROUP of four persons. Father 
 reclining on couch, resting on left arm. Edge and head of 
 couch decorated with diamond figures with rosette centres. 
 Close fitting chiton, himation over left shoulder. Holds cup 
 with rosette decoration, in left hand; palm spray in right. 
 Behind couch are three children, all erect ; two females, one at 
 each end ; with peplos whose folds are grasped by hands ; 
 necklace and earrings on each. Between them is a youth with 
 curly hair ; necklace with pendant ; cluster in right hand and 
 bird in left. Belt about waist. H. 20^ in., w. 21 y 2 in. In- 
 scribed at the left of each figure : To the left of the man : 
 " Zebed-Bul, son of Mokimu, son of Nur-Bel, son of Zabda. 
 This they made . . . Bui, and . . ." To the left of 
 the figures in succession : " Tadmoran his daughter," " Mokimu 
 his son/' " Alith his daughter." 
 
 2050. FEMALE HEAD AND BUST. Right hand holds 
 peplos over head, and left grasps fold of garment. Hair in 
 bands above ornamented forehead chaplet. Long ear-rings. 
 Garment fastened with lion-headed brooch or pendant. H. 18 
 in., w. 16^ in. Three lines of inscription at left of head: 
 " Alith, daughter of Zebed-Bul " (The same person as is shown 
 erect at the left of the foregoing group). 
 
 2051. MALE HEAD AND BUST. Bearded; curly hair. 
 Himation ; hands free ; left holding curved object or imple- 
 ment. On background is a draped effect, with rosettes and 
 sprays of palm. H. 20^4 in., w. 14 in. Eight lines of text at 
 right of head : " This is the memorial stone of Zebed-Atha, son 
 of Zebed-Atha, which Wahaba his brother made for him. Oh 
 lament." 
 
 2052. MALE HEAD AND BUST. Curly hair. Arms in 
 folds of himation, leaving hands free. Uninscribed. H. 17% 
 in., w. 13^ in. 
 
 2053. SARCOPHAGUS; probably late Roman. Cover 
 with slanting roof, partly carved to imitate tiles. Within each 
 pediment, Cupid and Psyche. At the four corners (acroteria) 
 genii of death. Case: frieze in front, cupids hunting wild 
 
136 
 
 The Metropolitan Museum of Art. 
 
 animals. About the body, festoons upheld by cupids, with 
 masks, etc. Back left rough. Found at Tarsus. White 
 marble. Dimensions : 7 ft., 4 in. x 2 ft., 11 in. x 2 ft., 8 in. Lid 
 20 in. high. Presented by Abdo Debbas, 1876. (Not of the 
 Cesnola collection.) 
 
 2054. ROMAN SARCOPHAGUS, first or second century. 
 Cover: frieze, mask and flower scroll at each end; in front, 
 cupids driving and riding subdued wild animals from either 
 side toward a palm in the centre. Case: festoons upheld by 
 cupids, the festoons showing progress from bud to flower and 
 fruit, from end to end, left to right ; mask of youth at one end, 
 of age at the other. In front three scenes from the story of 
 Theseus and Ariadne : Ariadne giving the clue to Theseus at 
 the door of the Labyrinth ; Theseus killing the Minotaur ; 
 and Theseus deserting the sleeping Ariadne. Found near Rome 
 in 1889. Dimensions: 7 ft., 2% i n - x 2 ft., 8 in. x 2 ft., iy 2 in. 
 Presented to the Museum by a number of gentlemen, 1890. 
 (Not of the Cesnola collection.) 
 
GETTY CENTER LIBRARY 
 
 3 3125 00954 4277