I>] 
 
 A Royal Family-Piece, 
 Reprefenting King Henry VII. of England and 
 His Queen Elizabeth of York, with 
 
 King Henry VIII. his Queen Jane Seymor, 
 All landing in a Room richly adorned and ornamented. 
 
 S OON after Hans Holbein , the famous Painter, came in¬ 
 to England , he was recommended to King Henry VIII. 
 by Sir Thomas More , then Lord Chancellor of England y 
 who had employ’d Holbein to do feveral Pictures of his 
 Friends and his Family, which pleafed the King extreme¬ 
 ly, and therefore took him into his Service and Employ¬ 
 ment, fat to him for his own Picture feveral times, fo did 
 his Royal Conforts, and his Children Edward , Mary y and 
 Elizabeth . 
 
 Afterwards as Holbein grew in efteem with the King, and 
 his Fame encreafed, he drew many Pictures of the Nobi¬ 
 lity of this Kingdom: Numbers of Eminent and Learned 
 Perfons, of all degrees in that Time, prided themfelves to 
 employ his Genius and Pencil. 
 
 The 
 

 
 
 
 
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 The King, willing to have fome great Work in his 
 Palace of fo Mafterly a Hand, caufed this famous Picture 
 to be painted of his Father and Mother, himfelf and his 
 new married Queen Jane Seyjnor , all in one Piece, to be 
 done in his Privy Chamber at Whitehall , by this means, 
 as is evident from the Latin Infcription (which was writ on 
 the Picture) to let the World underftand the Royal-Noblefs 
 of his Anceftors and Family, then join’d with the Seymors: 
 as alfo to be a Memorial to perpetuate the JE ra or Date when 
 the Reformation of Religion was fettled in England . 
 
 As thus was writ on the Original Picture: 
 
 Si juvat Heroum claras vidijfe Figuras , 
 
 SpeSta has , majores nulla Fabella tulit: 
 
 Certamen magnum , lis, quajlio magna , Paterne 
 Filius an vine at j vicit uterque quidem . 
 
 IJle fuos Hojles , patriczque incendia feepe 
 Sujlulit, & pacem civibus ufque dedit. 
 
 Filius ad major a quidem prognatus , ab aris 
 Submovet indignos , fubjlituitque probos, 
 
 Certce virtu ti Pap arum audacia ce{jit y 
 Henrico offavo feeptra gerente manu. 
 
 Reddita Relligio ejl y ijlo regnante ; Deique 
 Dogmata cceperunt ejfe in honore fuo, 
 
 Prototypum jufice magnitudinis ipfo teftorio 
 
 fecit Holbenius, jubente Henrico VIII. To 
 

 V ' 
 
[3 J 
 
 To the Copy was added, 
 
 Eftypum a Remigio van Leemput breviori Tabella 
 deferibi voluit Carolus II. M. B. F. E. H. Rex. 
 
 An, D. MDCLxvir. 
 
 _ # 
 
 This famous Work of Uolben , when it was done, was 
 
 much admired by the Curious of all Nations that came to vi- 
 fit the Royal Court of England , and many Authors in vari¬ 
 ous Languages abroad, have celebrated its Praife. 
 
 It remain’d for (near) two Centuries in a perfedl and fair 
 Condition, preferv’d with great care, being painted on the 
 Wall of the Palace, and therefore immoveable. However, 
 King Charles I. and King Charles II. would have 
 been at any extraordinary Expence to have remov’d it, but 
 that being impracticable without hazard of the total Deflrudti- 
 on of it, they therefore defifted from trying the Experiments 
 propofed. 
 
 But immediately after the great Conflagration of the City 
 of London , when every Body’s Minds were terrified with the 
 Thoughts of Fire, King Charles commanded a portable Copy 
 to be taken of it, being about one fourth of the Bignefs of the 
 Original Picture, by a Scholar of Vandyck, for which the King 
 rewarded the Painter very liberally; and, by great good For¬ 
 tune, when the Original Painting perifhed in the Flames of 
 
 the 
 
[4] 
 
 the Patece in Whitehall , this remaining Copy was preferved 
 by removing it to the Royal Palace of Kenfington, where it 
 now remains. 
 
 Thereon being the Date, A, D. 1537. it plainly appears to 
 be done originally that Year, when King Henry was married 
 to Lady Jane Seymor his Queen, and the ACt of Parliament 
 pafs’d for fettling Religion according to the Reformation. At 
 Bottom of the Latin Infcription Holben s Name was writ, and 
 faid to be done at the King’s Requefl. And alfo, on this re¬ 
 maining Picture the Painter has taken care to exprefs, this was 
 done at the Expence or Command of King Charles II. 
 
 Amongfl the curious and rare Collection of Original Pi¬ 
 ctures at Chatejhvorth in Derbyjhire , the Seat of his Grace the 
 Duke of Devonjhire , is preferved a Carton of one Part of this 
 Picture, done for this Work by Hans Holben , as big as the 
 Life, reprefenting King Henry VII. and King Henry VIII. 
 which being a fine Drawing, fhews the great Skill and Care 
 ufed by Holben in fuch Works of Reputation, as has been 
 obferved was the Cuftom with Raphael Urbin i and other fa¬ 
 mous Painters in Italy, 
 
 Now drawn and engrav’d by the Permifiion of his Grace 
 the Duke of Grafton , Lord Chamberlain to his Majefty, and 
 publilh’d by 
 
 G. V, 
 
' [ 5 ] , / g 
 
 N». II. • ‘ 
 
 \ V> 
 
 The Ro V al Progress of 
 Qu een ELIZABETH, 
 
 Anno Regni 14 0 , mdlxxi. menfe Augufti a . 
 
 This Painting reprefents her Proceflion to Hunfdon Houfe 
 
 in Hertfordjhire , 
 
 An Honorary Vifit to the 
 
 Right Honourable Henry Carey Lord Hunfdon , Governor 
 of Berwick on Tweed , Captain of the Band of Gentlemen 
 Penfioners, Knight of the Garter, and Privy Counfellor. 
 He was Son of Lady Mary Bolen, who was Siller of 
 Queen Anne Bolen, the Mother of Queen Elizabeth 
 of famous Memory. I 
 
 T HE Queen is feated in a Canopy-Chair of State, car¬ 
 ried by fix Gentlemen 15 ; feveral Knights of the Garter 
 with their Collars of that Moll Noble Order, walking be¬ 
 fore the Queen, and many favourite Ladies following in the 
 Train. The Yeomen of the Guard follow, and the Band 
 of Gentlemen Penfioners line the Way. 
 
 a See Strype's Annals , p. .. . 
 
 b See Stoiv's Account of this Queen’s proceeding to and into St. Paul's 
 Cathedral carried in this manner by the Gentlemen Ulliers of the Privy- 
 Chamber. 
 
 \ Amongll 
 
[ ] 
 
 \ 
 
 Amongft the Knights of the Garter Dudley Earl of 
 Leicejier is neareft to the Queen. 
 
 Henry Lord Hunfdon carries the Sword of State before 
 her Majefty. 
 
 As thefe Knights walk two and two, the next is Wil¬ 
 liam Cecil Lord Burleigh , Lord High Treafurer with his 
 white Staff in his Hand. 
 
 Next before him is Charles Howard, Admiral, after¬ 
 wards Lord Nottingham. 
 
 The other three Knights c of the Garter as thofe before 
 mentioned, each of them having a Ribband about his Neck, 
 with a fmall Gem or Intaglio appendant to it; thereon a Pro¬ 
 file of her Majefty’s Countenance; which additional Orna¬ 
 ment, it is conjedftired, was defigned to reprefent thefe Noble¬ 
 men to be the Queen’s Favourites' 1 . 
 
 The Place where this Proceffion appears to be is within 
 the Inclofure of the Court-yard of Hunfdon Houfe ; the 
 back Front is the Profpedl in this Pidture: They are paf- 
 fing round, as it were, by the Aquasdudt, to come to the 
 Front Entrance. This Houfe was entirely built by King 
 Henry VIII. e and afterwards the Front f only new rebuilt 
 
 c Lord Clinton , Lord Rujfel, Lord Sujfex. 
 
 d I conceive that this Painting, being a Work of a multitude of Figures, 
 was not immediately done, but took a confiderable Tinne to draw the Per- 
 fons. Habits, and the Profpedt of the Place and Buildings, &c. By the 
 Council Books it appears the Queen was at Stanjled Place in 1571, and a- 
 gain in 1576, when fhe flood Godmother to a Daughter of Lord Hunfdon. 
 
 e See the Accounts of this Building and Expences in a MS. in the 
 Reign of King Hen. VIII. 
 
 f See in Chauncefs Hertford/hire , a View of the Front of this Houfe, and 
 fome Account of this Family. 
 
 by 
 

[ 7 ] 
 
 by LordHuNSDON as it ftill remains, both Ways being encir¬ 
 cled with Water, and two arched Bridges to pal's over to 
 the Houfe. 
 
 As the back Front is the Profpedt in this Picture, To at a 
 Diftance, on a Hill, appears a fmall old Caftle, perhaps 
 Stortford-CaJUe , by which the River Stort paffes, and joins 
 the River Lea at Statijled , where, near the Bridge, are 
 Boats or Skiffs purpofely reprefented. 
 
 It is much to be admired, that in this Pidhire, fo large 
 and hiftorical, there Ihould be no Date on it, nor Arms, 
 nor other Injignia, unlefs the Story was then fo well known 
 and remarkably public, that the Nobleman who caufed it 
 to be done, and to whole Honour this Ceremonial was per¬ 
 formed, might believe it would never be forgot in his Fa¬ 
 mily, or to Pofterity. 
 
 So weak is human Forelight, that upon our late Difco- 
 very of it, much Retrofpe&ion and laborious Enquiry was 
 neceffary to come at the probable Truth and Hiftory of it: 
 Some of the Conje&ures and Proofs, as I collected them, 
 are forted in this manner: 
 
 I was affured & that the Noble Peer, in whole Family it 
 has been at Colefliill in War'wickjhire for fifty or fixty Years 
 paft, had no certain Account handed to him of it, but only 
 that it was painted in Memory of Queen Elizabeth 's doing 
 Honour to a young married Couple, uncertain who, or 
 when, or where. When it was brought to London , to en¬ 
 lighten the Story of it, it was Ihewn to Perfons the molt 
 
 6 When I waited on the Right Honourable the Earl of Oxford to fee 
 it, at Colejhill in IVarwickJbire, Oftober 17 37. It was brought to London 
 1738. 
 
 fkilful 
 
[ 8 ] 
 
 fkilful in this way, Gentlemen, Hiftorians, Antiquaries, 
 Heralds, and Painters, feveral of them eminently judicious: 
 But for five or fix Months it continued imdifcovered. At 
 length, by particular Enquiry and Study, I found out the 
 Site to be Hunfdon in Hertfordjhire ; thither purpofely I 
 went to fee the Place, which upon the firft fight confirmed 
 what I had read of fuch a Vifit mentioned in Strype s An¬ 
 nals , in the Queen’s Progrefs, of the Year and Date firft 
 mentioned, thus: “ From London to Hatfield ,— then to 
 “ Hunfdon and other Places, to Audley End , and in her 
 “ Return to Stanfied , and to St. James's Richmond .” 
 
 But to account for this extraordinary Honour, it is ne- 
 ceflary to obferve from our Hiftorians how nearly related 
 this Nobleman was to the Queen, being her firft Coufin, 
 the only Son of her Mother’s Sifter, in a degree of Relation 
 neareft to her of any Body living. 
 
 Before the Queen came to the Throne, he had maintained 
 and aflifted her Right with his Purie and utmofc Intereft, 
 to the Amount of many thoufand Pounds. Immediately on 
 the Day of the Death of Queen Mary h , Elizabeth being pro¬ 
 claim’d at the Gates of Hatfield Palace, where fhe then re- 
 fided ; as foon as fhe came to London y one of the firft Honours 
 beftow’d, was to ennoble this her true Friend and Relation 
 with the Title of Baron of Hunsdon, alia beftowing on 
 him Hunfdon Houfe and the Eftates of three Manors or 
 Lordfhips adjoining to it. 
 
 h Say Stowe and Speed , firft at Sc. James’s Palace Gate, but the fame 
 Day at Hatfield Houfe , where the Princefs Elizabeth refided in Queen 
 Mary’s Time. 
 
 Afterwards 
 
 / * 
 
, ■ [ 9 J 
 
 • ' • , / \ 
 
 Afterwards the Queen made him Knight of the Garter, 
 Privy-Counfellor, Governor of Berwick on Tweed, and 
 Commander of all the Forces in thefe Expeditions to the 
 Northern Parts, againft the Rebels in the North at that 
 Time. This Noble Lord behav’d with fo much Conduct 
 and Courage in her Service, that (he heap’d other Favours 
 on him, made him Captain of the Band of Gentlemen 
 Penfioners; alfo a Letter 1 in Print, under her own Hand, 
 fhews how much Hie defign’d him all the Honour pofiible, 
 which Letter appears to be writ juft preceding this Royal 
 Vifit. 
 
 He was made Lord Chamberlain to the Queen k , and 
 higher Titles fhe defign’d him, which in fome meafure 
 ' ftir’d up the Jealoufy of her moft powerful Courtiers, and 
 likely enough was the Reafon why many Years after he had 
 no additional Honour, tho’ often promis’d to him, faving only 
 a remarkable Vifit of the Queen to him on his Death-bed 1 , to 
 whofe gracious Offers and Intentions he with a Spirit truly 
 noble made this Reply: Madam , Seeing you counted me 
 not worthy of this Honour whilji I was living , I count 
 my/elf unworthy of it now I am dying , and can do you no 
 Service. 
 
 After his Death a moft noble and magnificent Monument, 
 ftill ftanding in JVejlminJler Abby m , was eredted by his 
 Widow, Lady Anne, Daughter of Sir Thomas Morgan of 
 
 1 See Cabala of State Letters, 1571. 
 
 k After the Death of the Earl of Suffer: See The Peerage of England, 
 and Dugdale’s Baronage. 
 
 1 Some Time he liv’d in Somerfet-Houfe in the Strand ; but he had a 
 Houfe in Black-Friers , which, remain’d to the Family afterwards. 
 
 m Dart's Monuments of We(Iminfter-Abbey. 
 
 \ Arkfden 
 
 t 
 
[ 10 ] 
 
 Arkfden in Herefordjhire , and his Son and Heir George 
 Lord HunJ'don , who inherited all his Titles, Honours, and 
 Places. 
 
 His Sifter Katherine Carey was married to Charles How¬ 
 ard Knight of the Garter, Admiral, and on that Account 
 {lie is one of thofe reprefented in this Proceffion. 
 
 This Title and Honour of HunJ'don being continued in the 
 Family, in diredt Succeffion, thro* feveral Branches, above 
 an hundred Years, defcended to a Lady, who was mar¬ 
 ried to Lord Willoughby of Parham , and at her Death the 
 Eftate at Hunfdon was, with all the Goods and Chattels fold, 
 and the Houfe and Manor was bought by Matthew Black 
 Efq. whofe Defendants now enjoy it n . 
 
 About or at this time it might poffibly happen that this 
 Pidture was fold, or changed its Situation or Poffeffor, 
 without the Hiftory of its original Delign, becaufe every 
 Part of it is fo juftly and judicioufly difpofed, that, I think, 
 it is demonftrable to have been diredted by its noble Au¬ 
 thor, Lord Hunfdon. 
 
 To difcover the Painter that perform’d it, I carefully 
 confidered feveral Works of the moft eminent Artifts of 
 that Reign, and having feen a Roll 0 of the Proceffion of 
 the Knights of the Garter at Windfor with Queen Elizabeth 
 (drawn and printed about the fame time) fome few of which 
 
 R When I went to Hunfdon , enquiring of ancient People concerning 
 this Family, a very old Man was brought to me, who liv’d a Servant in 
 that Houfe, till the Death of Lord and Lady Willoughby , and the Eftates 
 were fold to the prefent Poffeffor, who could give me no other Informa¬ 
 tion about it. 
 
 % ° This Roll confifts of many Sheets, firft loofely etch’d, printed on feve¬ 
 ral Plates, and colour’d. It is fo fcarce, that upon fhewing it to Mr. Anjlis y 
 he declared he never had feen another compleat of the fame. 
 
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were illuminated in proper Colours, in which there is fome 
 Regard had to the Likenefs of the Faces, I found amongtt 
 them this Lord Hunjdon walking, and his Countenance is 
 agreeable to the Face of him in this Painting. From this 
 Projedl of the Roll of the Knights of the Garter, it is highly 
 probable the fame Painter was employ’d to draw out this 
 Proceffion at Hunfdon , and therefore, and from fuch Cir- 
 cumftances of Art and Manner of Painting, I conjecture it 
 to be the Work of Marc Gerrards p. Painter to Queen 
 Elizabeth , and afterwards to Queen Anne , in whofe Favour 
 he continued, and liv’d to a good old Age,* and died 
 1635, as Hollar has exprefs’d under his Picture engrav’d by 
 him. 
 
 From feveral Pi&ures I have leen of his Painting, he 
 appears to have been a Matter of fome Merit, and well 
 etteemed, efpecially in that Queen’s Days, and fome Part of 
 the fucceeding Reign. 
 
 In this Painting the Faces are done from the Life, the 
 principal ones with great Likenefs and Variety of the Ha¬ 
 bits, which are juttly defcribed j but the Pi&ure of the 
 Queen is the moft valuable, for being a Reprefentation of 
 her Countenance, not in the Decline of her Life ‘i, but of 
 an agreeable Age, as ttie was at that Time when this Pro- 
 cettion happen’d. 
 
 I have fome Reafons to think, that amongtt: the Ladies 
 that follow the Queen, the foremoft in White may be the 
 
 p Marc Gerrards of Bruges (Son of a Father of the fame Name) a 
 Painter. 
 
 q Many and moft of the Painted Pictures in Gil and in Limning of this 
 Queen, appear to be hard-featured Lines, old or crabbed Looks. 
 
 Lady 
 

 [ 11 J 
 
 Lady Hunfdon \ on her Right Hand Lord Hunfdon' s Sifter 
 Lady Katherine , who was Wife to Admiral Howard , and 
 next behind in a dark grave Habit Lady Mary Bolen r ; 
 Mother of Lord Hunfdon: All the Ladies are richly ad¬ 
 orn’d with Jewels, ©V. to grace the Solemnity of this Pro- 
 ceffion. 
 
 And as this Noble Lord was Captain of the Band of 
 Gentlemen Penfioners, he might order or appoint their 
 Attendance (as they appear) to line the Way with their 
 Partizans in their Hands. 
 
 The Populace that was there to fee this Sight are pru¬ 
 dently avoided, and not reprefented, that the moft confpi- 
 cuous Part of it without Croud or Incumbrance might be 
 feen in the Pi&ure, as I prefume this Nobleman had ap¬ 
 pointed and directed the Painter. 
 
 g, v ; 
 
 December 20 , 1740 . 
 
 r t imagine fo from two Pi&ures, one of Anna Bolen , and another of 
 Mary Bolen , remaining in the Poffeffion of a curious Lady of an ancient 
 Family, and related to this Carey Family — That of Lady Mary Bolen , a 
 round Face, younger much, but the fame Sort of Features as in this Picture 
 of the Proceffion. 
 
 I 
 
C *3 ] 
 
 O BSER V ATI ONS on aPicTURE, 
 
 The Cenotaph of Lord Darn ley. 
 
 T H E Right Honourable the Earl of Pomfret being 
 pofTeft of a very remarkable Old Painting relating to 
 the Death of K. Henry Darnley , of Scotland , which he pre- 
 fented to her Majefty, Mr. James Anderson, the eminent 
 Scotifh Antiquary and Publifher of the four Volumes of Hi- 
 ftorical Collections, concerning Mary Queen of Scots, when 
 he faw it, judged it a Piece of fo much Curiofity, as to de- 
 ferve very particular Notice, and accordingly drew up an ex- 
 aCt Defcription of it, with Remarks in the Year 1727, for the 
 Right Hon. the Earl of Oxford , in whofe Hands it now 
 is, together with a fine Copy of the Picture itfelf, in Water 
 Colours, which his Lordfhip had caufed to be done. 
 
 Since this his Grace the Duke of Richmond Lennox , and 
 Aubigny , going over into France , after the Death of the 
 Duchefs of Portfmouth , found in his Caftle of Aubigny , a 
 duplicate or very old Copy of the fame Picture, which tho’ 
 it has fuffered by Time, happens to be perfeCt in feveral parts 
 where the other was defective or decay’d: and has caus’d 
 the fame to be brought over into England , that by a careful 
 comparifon of the two together, one complete Picture might 
 be made out, and the whole Defign of the Work by that 
 means better underftood. And of this comparifon the fol¬ 
 lowing Pages are the Refult, into which we have taken the 
 Liberty of tranfcribing Mr. Anderfons Paper fo far as we 
 judg’d neceflary; adding thereunto fuch other Particulars 
 and Remarks as have further occurred to us. 
 
 The Picture is painted on a Canvas of feven Foot four 
 Inches long, by four Foot and a half high; and on the up¬ 
 per Corner towards the right Hand is this Infcription, or a 
 Title to the whole : 
 
 Tragica et Lamentabilis internecio, 
 Serenissimi Henrici Scotorum Regis. 
 
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 It is wrote in Capitals as the other Infcriptions are, which 
 will hereafter be mentioned, with many of the Words abbre¬ 
 viated according to the manner of that Time. 
 
 The Piece in general reprefents a Chapel pav’d with Mar¬ 
 ble, before the Altar of which is expos’d a fort of Monument of 
 black, with Trophies of the Deceafed, the Effigies of King 
 Henry Darnley lying on it, and near the fame, are King 
 fames his Son, the Earl and Countefs of Lennox , his Father 
 and Mother, and his younger Brother, all on their Knees, as 
 befeeching God to puniffi and revenge his Murder. 
 
 The Altar is towards the right Hand, and upon it Hands 
 the Image of our Lord treading on a Death’s head, pointing 
 with his left hand, to the Wound in his Side : And holding 
 the Crofs in his right, on which is a Paper with the ufual Letters, 
 I. N. R. I. and on either fide of the Altar are green Silk Cur¬ 
 tains upon Rods and Rings, as is common in Catholick Chapels. 
 
 Beneath the Altar, in the corner of the Pi&ure, is plac’d 
 the Reprefentation of a Landfkape in a Frame 23 Inches by 17 
 Inches, in which are Hiflorical Figures that ffiall be defcribed 
 after the other Parts of the Work. 
 
 Near the Altar is feen a Paperfaftned to the Wall, in¬ 
 tended to appear as fixed upon the Picture, being an Account 
 of the Perfons therein reprefented. Upon it is to be read, 
 
 En Subfeqiientium Heroum Effigies vivas. 
 
 Henricus ejus nominis Primus , Fama digniffima , nufer 
 Scotiae Rex, a Comite Bothwello fuifque conjuratis , [ confen - 
 tiente Conjuge Regina ,] atrociffime catjus una cum fuo fervo Ca - 
 merario. Quce Regina mox ab interempto amantiffimo fidiffi- 
 moque Mar it 0 fuo,fe eidem Bothwello Uxorem junxit . Demp - 
 tus ejl prudentijjimus hie fpeciojiffimufque Princeps non Jine 
 magno civium Juorum dolore ludluque, cum annos vixerat 
 tantum xxi. cujus animam Deus fufeipiatffibi m Gloriam. 
 
 Jacobus ejus Nominis Sextus, interempti Henri ci Fi¬ 
 lins, Dei Gratia Regni illius jam Rex, Mtatis inter faciendum 
 hoc me?ifium xvi, quem confervet Deus incolumem , longavum, 
 

 
 
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 RegnoqueFeliciJjimo . Matthaeus Comes Lenn<jxae de San¬ 
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 Domina Margareta Dowglass illius uxor Comitijfa 
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 Margaretje Scotorum Regince Senioris filice Henrici 
 Septimi Anglice Regis, fuperiorum duorum Principum Mater 
 et Avia, ALtatis inter faciendum hoc Annis li. 
 
 Carolus Stuart illorum Filins, cetatis inter faciendum 
 hoc A?mis undecim. 
 
 Concerning which Infcription it is to be remark’d that in the 
 Earl of Pomfref sPidture, the Words above in Crochets, relating 
 to the Queen’s confent to the Murder, and to her Marriage 
 afterwards with Earl Bothwell are wanting, as having been 
 purpofely taken out,by fcraping off theColour to the veryThread 
 of the Canvafs, fo that they are here reftored, from the Duke 
 of Richmond’s Picture, where they ftill remain intire. 
 
 Next to this Infcription before the Altar, and in the middle 
 of the Picture, is a fort of Monument, or Bier, cover’d with 
 Mourning, on which lyes along fuch an Effigies of K. Henry 
 Darnley , as was ufually placed on Monuments of Royal 
 or Noble Perfons or carried in former Times at the Fu¬ 
 nerals of great Perfons. He appears in gilt Armour, with a rich 
 Cuffiion under his Head, near which is an Imperial Crown 
 fupported by two Unicorns .of Scotland, and at his Feet is a 
 Wolf, which was one of his own Supporters, as appears by 
 his Arms on the Monument of the Countefs his Mother, 
 in Henry the Seventh’s Chapel, in Weftminfter. 
 
 Over the Effigies may be read the following Lines, as 
 wrote on a Table, fuppos’d to be hung up againfl the Wall 
 of the other fide of the Chapel. 
 
 In Interitum Pxcellentijjimi Henrici Scotorum Regis Carmen 
 
 Heroicum. 
 
 9 $uem jam depiftum videas hac i 7 iole jacentem 
 i Grande Britannorum quondam refplenduit Aftrum , 
 
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 Qui modo Regina rutilans Uxore Maria 
 Scotorum celebrum Rex ejl memorabilis ortus t 
 Sacrato Britonum luxit de Stemmate Regum 
 Indole magnified , venerandi cultor bo?iefii , 
 higenio preeflans linguarum numine fufus 
 Flofculus Eloquii , Literis infigniter alt us > 
 
 Muficus , Armipotens , Animofus , mitts in omnes 
 In numero celjie florebat munere mentis 
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 Mente Deo vixit , quoque vivis honore. 
 
 And here alfo, as before in the Earl of Pomfret’s Picture, 
 the Words immediately reflecting upon Q^Mary, have been 
 defignedly fcratch’d out. Beyond the Bier on the fide Wall 
 of the Chapel, are feen three Pilafters, embelifh’d with Go¬ 
 thic Work, to each of which is fixed a Spear, twilled Red 
 and Gold, and bearing a Banner fringed with Gold and Silver. 
 On the firfl is only the Lyon of Scotland , in the double 
 Treflure fleury counter fleury, as King. In the fecond is a 
 white Sattin on St. Andrew s Crofs, in a blue Shield, charg’d 
 with a Ducal Crown in the Center, being probably the Ban¬ 
 ner of his Houfe: And on the third are his own Paternal 
 and Feudal Coats, viz . In the firfl quarter his Father’s Arms 
 being Aubignie and Stewart , quarterly; and over all Le?inox , 
 is an Innefcotcheon of Pretence, with the Fyle of three Lam- 
 beaux on his own Perfonal diftinCtion. In the fecond quar- 
 

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 Quarter are the Arms of Man, being the feudal Arms of his 
 Duchy of Albany. In the third Quarter Gules three Lyons 
 Rampant Argent, being the feudal Arms of the Earldom of 
 Rofs, conferred upon him with the Duchy of Albany imme¬ 
 diately before his Marriage. And in the laft Quarter are the 
 feveral Coats derived from his Mother, as Heirefs of the Houle 
 of Angus, viz. Gallway, Abermehy , Wifcart of Brechin , 
 and Stewart of Bonhill , quarterly, with the Paternal Coat 
 of the Houfe of Douglafs , in an Efcucheon of Pretence. All 
 which feveral Armorial Bearings are represented in their pro¬ 
 per Colours. 
 
 On the Monument or Mourning Cloth covering the Bier 
 are embofs’d or embroidered, on the Side in Front, three Ef- 
 cucheons of Arms under Regal Crowns, that in the Middle 
 * being the Royal Lyon of Scotland , is furrounded with the 
 Collar of the Thiftle and Figure of Sr. Andrew , being a 
 Regal Ornament of the Scotip Kings. The other two are 
 enriched with the Collar of the Order of St. Michael, of 
 which he had been inftalled a Companion ; the French King 
 having fent him the Enfigns of it, by Monlieur Rambouillet , 
 his Ambaflador, who came on purpofe into Scotland, in Feb . 
 1565-6, foon after King Henry's, Marriage with the Queen. 
 Both thefe Efcucheons are parted per pale, as Baron and 
 Femme, and on the firft or that next the Altar, are the above 
 mention’d Bearings of his Father and Mother on the Right, 
 with the Royal Arms on the Left, and on the other his 
 Feudal Arms above likewife mention’d of Albany and RoJ's 
 on the Right, again impal’d with the Royal Arms of Scotland 
 on the Left. 
 
 Between thefe Efcucheons of Arms, are two round 
 Medalions, or Plates ofGoldfmith’s Work embofs’d, the 
 Contents of which have been quite defac’d in the Earl .of 
 Pomfref s Picture; but in the Duke of Richmond's, it appears 
 that in them are reprefented fome Circumffances of the King’s 
 Murder, agreeably to what Mr. Anderfon has obferv’d of the 
 
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 other, that, tho’ thofe Circles are now blank, fome affirm 
 there had been in each a Bas Relievo, with an Infcription, of 
 which there were Vediges, but fo much effaced and eraced, 
 as to be unintelligible and illegible, further than to ffiew 
 there had been fuch. 
 
 In the firft of thefe Plates is reprefented the infide of a 
 Chamber, wherein is a Bed with two Perfons Handing by 
 it arm’d, the one at the Head, as directing, and the other 
 at the Feet, as drawing the King’s Body forcibly from the 
 Bed; near the Feet of which is feen a Pallet, wherein is an 
 old Man, dead or deeping, the Chamber Door Handing open 
 the while, and towards the lower part is Written, 
 
 C^des dicti Regis et Servi Sui in Lectis. 
 
 In the other Bas Relievo, or Plate are reprefented, firffc a 
 young Man lying dead, and aimed naked under a Tree, and 
 it may be remark’d that he appears to be very tall, by the 
 great length of his Legs and Thighs, as K. Henry Darnley 
 is known to have been. Somewhat Farther off, lyes alio the 
 dead Body of an old Man, in the fame manner, with 
 hardly any Cloaths on. The Tree may be obferved to have no 
 Leaves, which I take Notice of, as an indance of the Care, 
 that was taken, to have this Picture truly reprefent the Hif- 
 torical Fadts, the Murder having been committed in February , 
 when all the Trees are bare. Mr. AnderJ'on fpeaking of the 
 Landfkape to be deferibed by and by, obferves there had been 
 Drawings made of the Lloufe, in which the King was kill’d, 
 and of fome other Particulars, among which it is not impof- 
 iible, were alfo the infide of the Room where he lay, and 
 the Tree under which he was found. In this Plate, a little 
 above the Bodies maybe read, 
 
 Post casdem in horto reperiuntur prostrati. 
 
 Above thefe Arms or Circles, are Ornaments of Cheru- 
 bims Heads of Gold, and at the two Corners that appear 
 are two Figures alfo of Gold, gilt, one reprelenting Fame, 
 the other Judice; near the Top of the verge of the Menu- 
 
_ 1 9 J 
 
 ment or Bier, under the Effigies is wrote in the Duke of 
 Richmond's Picture, 
 
 FliC JACET SERENISSIMUS HeNRICUS ScOTIiE ReX, 
 INTERFECTUS x'lX. DIE MeNSIS FeBRUARII ANNO DOMINI 
 mdlxvii. Which Date fhould however have been mdlxvi, 
 for that was the Year after the manner of dating ufed elfe- 
 where in this Pidture, it being well Painted or fmifh’d, as 
 will be fee n, at lead: in Jan . 1567. about eleven Months after 
 the King’s Murder. 
 
 On either dde of his Effigies towards the Feet, lie in his 
 Pidture, his Helmet, Sword and Gantletts, which have un¬ 
 doubtedly been alfo in the Earl of Pomfret’s-, but worn out be¬ 
 fore that Pidture was repaired, when fome Parts of it, here¬ 
 about efpecially, were intirely Painted over. 
 
 Upon the foreground of the Piece before the Monument or 
 Bier, is a Cloth or Carpet of Purple Velvet (in the Earl of 
 Pomfret's White) Fring’d, with the lame Colour, on which 
 the Young King James is reprefented, kneeling with his 
 Crown on his Head, and uplifted Hands before a little Desk 
 covered with the fame Colour, and whereon lyes upon a 
 Cufhion the Scepter: His Robes are alfo in the Earl of Pomfret's 
 White, in the other Purple Velvet j and about his Neck is 
 the Collar of St. Andrew's. Over his Head a Scroll, as pro¬ 
 ceeding from his Mouth, with thefe Words. 
 
 Exaudi, Domine, et vindicasanguinem innocentem 
 Regi s Patris mei, atque tua dextra defendas rogo. 
 
 Upon the Floor to the left Hand, or behind the Head, are 
 xeprefented the Earl and Countefs of Lennox , his Father and' 
 Mother, and his younger Brother, as in the Mourning Habits 
 of the Time, looking towards the Altar with uplifted Hands, 
 having new Gloves, and Prayer Books laid down before them. 
 In the Earl’s Countenance is reprefented a fedate manly Con¬ 
 cern, while the Countefs and their Young Son appears as in 
 Tears. Over all their Heads are Scrolls, as from their Mouths, 
 with the following Words, 
 
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 Exatjdi, Domine, clamorem nostrum et vindica 
 
 SANGUINEM INNOCENTEM ReGIS CHARISSIMI FlLII NOS- 
 TRI. Da ReGI FILIO SUO PIAM FORTUNAM ViTAMQUE 
 LONGAM PRECAMUR. 
 
 Vindica, Domine, sanguinem innocentem Regis 
 
 PATRIS ME 1 , ME VINDICT^E TUiE INSTRUMENTUM FACIAS 
 
 ORO. 
 
 Near thefe three lad Figures and Scrolls, is another In- 
 fcription, as on a Table hung by a Ring, to the Wall of the 
 Chapel, containing the following Account of the Dcfign, and 
 Intention of this Work: 
 
 Operis hujus causa. 
 
 Quod hoc fieri fecerunt Honoratissimus Comes 
 Lennoxi.®, et Domina Margareta Douglass il- 
 lius uxor, Londini mense Januarii Anno Domini, 
 
 1567, UT, NIMIS QUI JAM SENESCENTES, SI ANTE EX- 
 
 cellentissimi Scotorum Regis illorum prolis ^eta- 
 
 TEM PERFECTAM HAC VITA PR1VARENTUR, AB EIS 
 MoNIMENTUM HABERET IN QUO ATROCISS 1 MA C^EDES, 
 NUPER REGIS PATRIS Sui, NON EXCLUDATUR ILLIUS 
 E MEMOR 1 A, DON EC DeUS EANDEM FACIAT PER ILLUM 
 VINDICARI. 
 
 Whence appears both the Time and Place when and where 
 this Picture was Painted, viz. in January , 1567, at London by 
 Direction of the Earl and Countefs of Lennox , who already 
 growing into Years, defign’d, that if they came to die before 
 the Young King their Grandfon grew up, he might from 
 them receive this Piece, to preferve and keep up the Memory 
 of the King his Father’s Murder, till God fhould caufe the 
 fame to be avenged by him. 
 
 On the Uppermoft Step of the Altar, in the Earl of Pom - 
 fret’s Picture (nowin KenJingtonV-Azce) which we look up¬ 
 on as the firft Original, is to be read in fmall Letters, Levi- 
 nus Venetianus, or Vogelarius, me fecit, being the 
 Name of the Painter employed to perform this Work.* 
 
 v 
 
[«] 
 
 The Transactions at 
 Carberry Hill near Edinburgh, 15 June 1567. 
 When Queen Mary Surrrendered her felf to 
 The Confederate Lords of Scotland . 
 
 T HIS Hirtorical View, painted at the Corner of 
 the Picture or Cenotaph of King Henry Lord Darnley , 
 is one of the moft curious Parts of the whole, as it repre- 
 fents the remarkable Tranfadlions at Carberry Hill 
 about five Miles to the Eaft of Edinburgh when Queen 
 Mary parted from Earl Bothwell , and furrendered herfelf 
 into the Hands of the Nobility, that had joyned in Arms 
 to revenge the Death of the King. 
 
 The Queen’s Army and Bothwell's is feen drawn up toward 
 the Top of the Hill, where the Royal Standard is difplay’d, 
 with feveral Enfigns of St. Andrew s Crofs. They have 
 fome Cannon before them firing, and are ported within 
 Trenches, which were the fame the Englijh had cart 
 up about 20 Years before, when they were here under the 
 Command of the Duke of SomerJ'et , Lord Protestor to King 
 Edward VI. who fought a bloody Battle at Pinkie in this 
 Neighbourhood. 
 
 The Queen herfelf is here to be dirtinguiihed with one 
 of her Women on Horfeback, as alfo Earl Bothwell on a 
 lars;e white Horfe, with feveral others in Armour about 
 
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 him, and before them are two Trumpets founding; there 
 having been a Proclamation made to encourage the Men to 
 fight, by promifing that whofoever fhould kill an Earl 
 in the Field fhould have a Reward of 40 /. Land, for a 
 Lord 20 /. for a Baron 10/. and for a Yeoman’s Head his 
 Efcheat or perfonal Eftate. 
 
 At the Foot of the Hill, as in low Ground, where they 
 may be fhelter’d from the Fire of the Queen’s Artillery, are 
 reprefented the Forces of the confederate Nobility, marching 
 in Battle Array: The Foot in two Bodies with Bowmen in 
 their Rear, and the Horfe at fome Diftance before them to 
 the Left, as endeavouring to get round the Hill on that Side; 
 the better to attack the Enemy, and avoid the Inconvenience of 
 the Sun in their Faces when they fhould come to engage; 
 which is here very particularly expreft in the Pidture. 
 
 Before the larger Body of the Foot, is an Officer with a 
 Halbert, then two Files of Firelocks; after them one playing 
 on a Reed; then a Drummer, and immediately after, one 
 carrying the great Standard of the Confederates, whereon 
 is painted the King’s dead Body, lying under a Tree, near 
 which is the young King his Son kneeling, with his Hands 
 lifted up to Heaven, and this Infcription: Judge and 
 revenge my Cause, O Lord. After this Banner follow 
 two other Files of Firelocks, and then the larger Body of 
 Foot, the leffer being at fome Diftance to the Right; each 
 Party carry the Banners of the Nobility, difplaying their 
 Arms in their proper Colours, and by them ride Officers 
 in Armour with Marfhal-Staves painted red and gold. 
 
 With the lefler Body, which makes the right Wing, are 
 the Standards of the Earl of Morton, and the Earl of Hume, 
 and a third, which bears the Arms of Erejkine. The 
 
 firfl 
 

 
 
 
 
C *3 ] 
 
 firft two are particularly named by Buchanan , as the Lea¬ 
 ders of this very Body of Men: Primee (aciei fc.) praerant 
 Mortonius , adjunfto Alexandro Humio cum fuis clientibus. 
 
 With the other Body, making the left Wing of the 
 Foot, are feven Standards, the firft of which is that of the 
 Earl of Glencairne t then follow thofe of the Earls of Athol 
 and Marr , the Lords of Lyndfay , Ruthven , Semple , and 
 Grahatn , as it feems, tho’ fomewhat imperfedt: Thefe three 
 Earls are alfo mentioned by Buchanan as leading this Body, 
 and it may be here noted, once for all, that every parti¬ 
 cular in the Picture appears exactly agreeable to what 
 is related in that Hiftorian, as Mr. Anderfon alfo obferves 
 it is, to whatever elfe he had met with in the beft 
 Relations, whether printed or Manufcript, of thefe Tranf- 
 adtions. 
 
 The confederate Horfe, as was obferved before, are at 
 fome Diftance to the left} they have a Trumpet before 
 them, with the St. Andrew's Crofs of Scotland , and a 
 Standard with the King’s dead Body, like the former, 
 only of a lefler Size. 
 
 Whilft the Army of the confederate Nobility was thus 
 in Sight of the Queen’s, Botincell fent to challenge any of 
 the Lords, his equal, to meet him in fingle Combat: And 
 whereas there appear two Horfemen in complete Armour as 
 riding up the Hill, from one Army to the other, they are 
 probably defign’d for Bothwell's Meflenger returning, with 
 one to notify the Acceptance of his Challenge, which 
 Bothwell afterwards on frivolous Pretences declin’d. 
 
 It was at this Time that the Queen delired to fpeak with 
 Sir William Kirkaldy of Grainge; the Refult of which Con¬ 
 ference was, that fhe confented to feparate herfelf from 
 
 Earl 
 
4 * 
 
 
 
 
 
 
 
 
 
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 ’ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ' 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ' ' ' 
 
 
 
 
 
 
 
 
 
_ [ *4 ] 
 
 Earl Bothwell, and put herfelf into the Hands of the No¬ 
 bility. Accordingly Bothwell is here feen withdrawing him- 
 felf, with another Horfeman, both in complete Armour, 
 they have fpears in their Hands, and Bothville departing , is 
 wrote over him. At fome Diftance the fame two Men ap¬ 
 pear again, riding at full Speed with the Words, Bothville 
 fyand , above them ; and at feveral Diftances they are again 
 reprefented riding in great hafte. along the Mountains Eaft- 
 ward from Carherry Hill, and then turning down to the 
 Caftle of Dunbar , which has Dunbar wrote over it. 
 
 In all thele feveral Views of Bothwell he is on the fame 
 white Horfe, with his Name above him. 
 
 In the mean time the Queen came away with Sir William 
 Kirkaldy , and fhe is accordingly reprefented as riding down 
 the Hill with her Woman, and Sir William on foot leading 
 her Horfe by the Bridle towards the confederate Army: 
 Over her Head is wrote, The Queen. 
 
 At fome Diftance from the Army is feen a Man leading 
 a Horfe laden with two Barrels, another with a Sack on his 
 Shoulders with fome Provifions; as alfo a Woman drawing 
 Liquor from a Barrel into a Pitcher, and another filling 
 Drink from a Pot into a Cup to a Soldier, with Barrels 
 and Pots on the Ground; another Woman with a large 
 Jug on her Head, and Soldiers fitting among Bufhes on 
 the Ground. All which is defign’d to exprefs the Re- 
 frelhments brought from Dalkeith and other neighbouring 
 Villages to the confederate Army, which marched early in 
 the Morning from Edinburgh , and to whom thefe Refrelh- 
 ments were fo much the more acceptable, as the Weather 
 was very hot, it being the fifteenth Day of June. 
 
 Towards the lower right Hand Corner of this Land- 
 
 fcape, 
 
/ 
 
 [ 2 5 ] 
 
 fcape, is a Profpedt of the City of Edinburgh with the 
 Name wrote over it. On the South Side of the City was 
 the Kirk-a-Field, where flood the Houfe, and Garden in 
 which the King was murdered. The Houfe flood in the 
 Place where now is the Houfe of the Principal of the Uni- 
 verflty of Edinburgh , and clofe by was a Houfe fometime 
 belonging to the Family of Hamilton, where the publick 
 Schools are now kept. 
 
 At a little Diftance from the Kirk-a-Field Houfe, was a 
 Ridge of Rocks call’d Salijbury Craigs, and a high Mountain 
 called Arthur $ Seat, both which are reprefented in thisLand- 
 fcape, and as Mr. Anderfon obferves, with great Exadtnefs. 
 
 Upon the Frame or Border of this Landfcape, was an In- 
 fcription, but greatly damaged and defaced in both Pi&ures: 
 being in the Duke of Richmond's particularly quite new pain¬ 
 ted over; yet upon thewafhingoff the new Colour, and care¬ 
 fully comparing the two Pictures with each other, the whole 
 has been made out, except about three Words towards the 
 End, the Senfe of which alfo may be pretty certainly 
 known. The Infcription was as follows. 
 
 In Bellum prodeunt Scotorum Regina proditorque Both- 
 wellus , contra quos veniwit Regni illius Proceres, lamen- 
 labile hoc quod videas ferentes vexillum. Projligatus Both- 
 wellus ad Dunbarum in Cajlellum fugit: Regina r cero 
 Jimplici habitu deformat a,fefe in manus Nobilium dedit: in 
 
 qu . ft . . . dicium in ccedis fu ... . ris Prin- 
 
 cipes duos . The laft Word but two was in all probability 
 J'uperioris , and dicium the latter Part of Judicium ; fo that 
 the Senfe of the lafl: Line is, that Judgment waspafs’d by the 
 Lords on the two chief Authors of the foremention’d Mur¬ 
 der, meaning their obliging the Queen to reflgn her Crown 
 
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 to her Son; and the declaring Bothwell a Traitor, and for¬ 
 feiting his Eftate, foon after his Departure from Carberry 
 Hill, to theCaftle of Dunbar ; from whence he fled into the 
 Northern IJles , and never returned into Scotland any more. 
 
 It is obvious the doing this Pidture has been a Matter 
 of Care and Expence, having been a conflderable Time 
 in Hand; for in the firffc Infcription K. James is faid to 
 have been flxteen Months old, which he was in Oflober 
 1567. So that the Picture was then at lead compos’d; 
 and it appears by another Infcription that it was not fi- 
 nifli’d till January following, about four Months after. 
 The exadt Agreement of it alfo, with the befl: hiftorical 
 Accounts, fhews great Care was taken to reprefent the 
 Fadts truly, and while they were frefh in every one’s Me¬ 
 mory, it being as has been feen in hand within lei's than 
 feven Months after the Murder, and four after the Tranf- 
 adtions of Carberry Hill. 
 
 Mr. Anderfon alfo obferves, he had feen other old Draw¬ 
 ings of the Enfign of the Confederates exadtly agreeable 
 to that here reprefented, and that all the View of the 
 Country in the Landfcape is happily here imitated, as any 
 one will be fatisfied who takes the trouble of viewing 
 Carberry Hill and the adjacent Grounds. So that the Earl 
 of Lennox took all poflible care, that this Pidture, which he 
 intended for fo remarkable a Legacy to the King his Grand- 
 fon ; fhould be as periedt as poflible. 
 
 The Earl of Lennox himfelf was afterwards flain at 
 Stirling , in 1571, whilfl: he was Regent of Scotland ; and 
 the Countefs his Wife died at London in 1578. Their Son 
 Charles , was by the King his Nephew afterwards created 
 Earl of Lennox , and died leaving only one Daughter cal¬ 
 led 
 
V 
 
[ 17 ] 
 
 led the Lady Arabella , whom it is faid, the Popifi Party 
 intended to fet up for Queen, if the Powder Plot had fuc- 
 ceeded; and this Lady dying afterwards unmarried, the 
 dired Line of Matthew Earl of Le?inox became extind. 
 
 Having thus finifh’d the Defcription of thefe Pidures, 
 it only remains to give an Account in what Manner the 
 firft came into the Hands of the Earl of Pomfret , and the 
 other of the Duke of Richmond , which is ftiortly thus. 
 
 The dired Line of Matthew Earl of Lennox failing as 
 above in the Lady Arabella , his Honour and Eftate came 
 to E/'me Stewart Lord Aubigne in France , Son to John 
 Lord of Aubigne younger Brother of the faid Matthew; 
 which Efme after made Duke of Lennox , was Father to 
 Lodowic Duke of Lennox , created Duke of Richmond all'o 
 by K. fames: and in the Defendants of this Efme , did 
 the Honour and Eftates remain, till the Time of Charles 
 Duke of Richmond and Lennox , who died without Iftue in 
 Denmark , where he was AmbalTador from K. Charles II. 
 in 1672. by whofe Defcent, all theperfonal Eftate, Pidures 
 &c. came to his Sifter the Lady Catherine Stewart , who mar¬ 
 ried the Lord Obrian , Son to Henry Earl of Phomond: by 
 whom fhe had Donatus , after his Fathers Death Lord Obri- 
 an> who married the Lady Sophia Ojborne $ and alfo a 
 Daughter married to the Lord Cornbury. After the Death 
 of the faid Lady Catherine , the forementioned Lady Sophia 
 her Son’s Wiaow > and her Daughter’s Husband the Lord 
 Cornbury , divided the perfonal Eftate and family Pidures: 
 upon which Divifton this Pidure came to Lady Sophia , 
 who marrying to her fecond Hufband William Lord Lemjler , 
 was by him Mother to the prefent Rt. Honourable Phomas 
 Lord Lemjler and Earl of Pomfret: who becoming thus pofteft 
 
 of 
 
[ >8 ] 
 
 of it, fomeYears fmce prefented it to her late Majefty Queen 
 Caroline , in whofe Clofet at Kenfington it dill remains. 
 
 For the other Pidure, it was undoubtedly fent over 
 by Earl Matthew to his Brother John Lord Aubigne in 
 France , where it has ever fince remained in the Caftle of 
 Aubigne: This Lordfhip becoming extind in the Perfon 
 of Charles Duke of Richmond^ who died in 1672. the Ho¬ 
 nour, Eftate and Caftle reverted to the King of France 
 Lewis XIV. who foon after ereded the fame into a Duke¬ 
 dom, in Favour of LouiJ'a de Keroualle Duchefs of Rortf- 
 mouth , with Reverfion to her Son the late Duke of Rich¬ 
 mond and his Heirs: Which Louifa dying in 1735, His 
 Grace the prefent Duke of Richmond and Lennox , her 
 Grandfon fucceeding to that Honour and Eftate, found 
 when he went over into France foon after, among other Fa¬ 
 mily Pidures in his Caftle there, the Pidure here mentio¬ 
 ned, which he caufed to be brought over to England , and 
 by the comparing of which with the other at Kenfington , 
 we have been enabled to give this Defcription. 
 
 N. B. The Plate here defcrib’d is of the fame Size as that 
 Part of the Painting it reprefents, that is, nearly 24 
 Inches by 16: and the whole Infcription round the 
 Border above mention’d is fuppofed to have been: 
 
 In bellum prodeuntScotorvm regina traditor- 
 que Bothwellus: contra quos veniunt regni 1LLIUS 
 
 PROCERES LAMENTABILE HOC QUOD VIDEAS FERENTES 
 
 vexillum: profligatus Bothwellus ad Dunbarum 
 
 IN CASTELLUM FUGITt REGINA VERO SIMPLICI HABITU 
 
 deformata sese in manusNobilium dedit: in QUO¬ 
 RUM CONVENTU DICTUM EST JUDICIUM IN CjEDIS SUPE¬ 
 RIORS PRINCIPES DUOS. 
 
 FINIS. 
 
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