Digitized by the Internet Archiv in 2016 with funding from Getty Research Institute e https://archive.org/details/walterscollectioOOwalt_0 KSSMSsaasmsK THE WALTERS COLLECTION Walters Art &allery. N 516 ? 6 u 12-W23) BALTIMORE Zf>t £otb Q0afHtnore (preee BALTIMORE, MD., IT. 8. A. r'(S £f ", ft | 7 : ffj /> ) USrTr f IfJ: FCtn) Mfy/ffoN l uHMTfC THE J. PAUL GETTY MUSEUM LIBRARY SOUTH GALLERY i DELACROIX (Eugene) Pupil of Gugrin. Medals, 1824-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Bom, 1798. Died, 1863. “ Study, from a Sketch by Rubens.” 19 Vi x 12/2 Collection Daniel Cottier, London. Collection E. F. Milliken, New York. 2 HEBERT (A. A. E.) Pupil of Paul Delaroehe. Prize of Rome, 1839. Medals, 1851-55 (E. U.)-67 (E. U.). Legion of Honor, 1853. Officer, 1S67. Commander, 1874. Member of the Institute, 1874 — Grand Prix, 1889 (E. U.). “ Returning from the Well.” 16 x 10 3 RIBOT (Theodule) Medals, 1864-65-78 (E. U.). Legion of Honor, 1878. Officer, 1887. Bom, 1820. Died, 1891. “ The Young- Cook.” 14 X II Collection P. A. Cheramy, Paris. Paris Paris Paris 3 4 JIMENEZ y ARANDA (L.) Spain Pupil, Academy of Seville. Medal, 1882. Born, 1832. Died, 1903. “ Boutique of Figaro.” l6 X 22 5 HEBERT (A. A. E.) Paris Pupil of Paul Delaroche. Prize of Rome, 1839. Medals, 1851-55 (E. U.)-67 (E. U.). Legion of Honor, 1853. Officer, 1867. Commander, 1874. Member of the Institute, 1874 — Grand Prix, 1889 (E. U.). “ Virgin of the Deliverance.” 15 x n 6 DELACROIX (Eugene) Paris Pupil of Guerin. Medals, 1823-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Born, 1798. Died, 1863. “ The Combat.” 39 x 32 7 DAUMIER (Honore) Paris Born, 1808. Died, 1879. “ The Prison Choir.” 20 X 24 8 DECAMPS (A. G.) Paris Pupil, of Pujol, David, and Ingres. Medals, 1S31-34. Chevalier, Legion of Honor, 1839. Officer, 1851. Born, 1S03. Died, 1860. “ Sunset, Tombs near Cairo.” • 14 x 26 Collection Mrs. S. D. Warren. 4 INGRES (/. A. D.) 9 Paris Pupil of David. Gold Medal, 1855 (E. U.). Commander, Legion of Honor, 1845. Grand Officer, L. H., 1855. Born, 1780. Died, 1867. “ Oedipus and the Sphinx.” 42 X 36 Collections Periere — Secretan — Cherami. DELACROIX (Eugene) 10 Pupil of Gu6rin. Medals, 1824-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Born, 1798. Died, 1863. “ Marphise.” .39 x 32 MONET (Claude) 11 “ Springtime.” 18 x 26 BAUDRY (Paul) 12 Born, 1828. Died, 1886. “ Diana Reposing.” 16 x 24 13 INGRES (J. A. D.) Pupil of David. Gold Medal, 1855 (E. U.). Commander, Legion of Honor, 1845. Grand Officer, L. II., 1855. Born, 1780. Died, 1867. “ Cardinal Bibieana Presenting his Niece to Raphael. 24 X 18 Paris Paris Paris Paris yy 5 THAULOW (Fritz) 14 Norway “ The Ocean.” 33 x 41 15 CONSTABLE (John), R. A . Born, 1776. Died, 1837. “ The Old Mill.” 44 x 40 16 PUVIS DE CHAVANNES (P.) . Born, 1824. Died, 1898. “ Ludus pro Patria.” 40 x 78 17 DAUBIGNY (C. F.) Pupil of P. Delaroche. Medals, 1848-53-55 (E. U.)-57-59-67 (E. U.). Legion of Honor, 1859. Officer of the Legion of Honor, 1874. Diploma to the memory of deceased artists, 1878 (E. U.). Born, ‘1817. Died, 1878. “ Sunset on the Coast of France.” 59 x 30 Dated 1865. 18 FRERE (Ed.) Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 1886. “ The Little Housekeeper.” 9 x 13 Dated 1857. England Paris Paris Paris 6 HERRING (J. F., Sr.) 19 London Born, 1795. Died, 1865. “ Mare and Foal.” ii y 2 x io Dated 1853. 20 FRERE (Ed.) Paris Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 1886. “ Going to School.” 10 X 12 Dated 1853. 21 KNAUS (Prof L.), dec’d Berlin Pupil of Diisseldorf Academy. Medals, 1853-55 (E. U. 1-57-59. Legion of Honor, 1859. Grand Medal of Honor (E. U.), 1867. Officer of Legion of Honor, 1867. Medal, Vienna, 1882. Medal, Munich, 1883. Professor in the Academy, Berlin. “ Mud Pies.” 43 x 25 From the Oeltzelt Collection, Vienna. Dated 1873. 22 FRERE (Ed.) Paris Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 1886. “ Helping Herself.” 8 x io Dated 1853. 7 23 COUTURE (Thos.) ........ Paris Pupil of Gros. Medals, 1844-47-55. Legion of Honor, 1848. Born, 1815. Died, 1878. “ Horace and Lydia.” io^4 x sy 2 24 FRERE (Ed.) Paris Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 188S. “ The Little Dressmaker.” 9 x ii Dated 1858. 25 ROUSSEAU (Theo.) Pupil of LethiSre. Medals, 1834-49-55. Legion of Honor, 1852. One of the eight Grand Medals of Honor (E. U.), 1867. Diploma to the memory of deceased artists, Exposition Universe!, 1878. Born, 1812. Died, 1867. Paris “ Le Givre — Winter Solitude.” 38 X 25 Collection of Laurent Richard, Paris. Collection of Baron de Beurnonville, Paris. One frosty day, in order to distract his mind from a disturbing promise made to Jules Dupre, Rousseau set himself to paint, upon a white, unpre- pared canvas, the hills of Valmondois as seen a mile away across the Oise, along the Des Forgets road. The composition could not be more simple. Little hillocks heaped in the foreground are covered with half-melted snow, and the sun, red in the midst of a leaden sky, is seen dying and threatening through the clouds. A dreary, overwhelming spectacle, in which Rousseau shows himself great in depth of expression. “ L’Effet de Givre ” is a work modern in its spirit and in its poetry. Rousseau executed this remarkable picture, under great excitement, in eight days. I would not believe this miracle until Dupre assured me of it. Whoever has carried in his hand the load of a palette will ask how it is possible for an artist to arrive at such a harmony of tone, how he could 8 amass and co-ordinate such a solidity of painting in so short a period, when so many skillful men require successions of time, and alluvion of works, to bring forth, after years of patience, such a resounding symphony. I ask the explanation from men of his calling, from master painters in the arts and sciences. All answer me with the shrug of the doubter or of the astounded — yet the fact remains. And this admirable picture was but another sad trial in Rousseau’s artistic life. He was unable to dispose of it. No one desired this pathetic drama. Bought simply to make it sell, by M. Paul Perier, an enthusiastic admirer of Rousseau, it passed into the hands of a dealer, who traded it with Troyon for a study of sheep. At Troyon’s sale, for the first time it was seen in its true light, having required twenty years to make it under- stood. (From Alfred Sensier’s Souvenirs sur Tli. Rousseau, p. 151.) 26 ZIEM (Felix) Paris Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Venice — Sunset.” 53 x 38 From the Goldschmidt Collection, Paris. 27 FRERE (Ed.) Paris Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 1886. “ Preparing Dinner.” 20 x 16 Dated 1868. 28 DAGNAN-BOUVERET (P. A. J.) Paris Pupil of G£r6me. Medals, 1878-80. Legion of Honor, 1885. “ The Musician.” 7x9 Dated 1884. From the Morgan Collection. 9 29 FRERE (Ed.) ........... Paris Pupil of P. Delaroche. Medals, 1851-52-55. Legion of Honor, 1855. Born, 1819. Died, 1886. “ The Cold Day.” 13 x 16 Dated 1858. 30 MILLET (J. F.) Paris Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1814. Died, 1875. “The Sheepfold (Moonlight).” 24 X 18 “ Hundred Masterpieces ” Exhibition, Paris, 1883. Albert Wolff, the well-known French critic, says of this work: “ ‘ The Sheepfold ’ is a masterpiece. The mist wraps the whole scene, the shepherd is enveloped in his cloak, and drives into the enclosure his flock of sheep, which huddle together under the keenness of the night ; the moon lights up the scene with its pale and undecided radiance — farther than the eye can see, a silence hangs over the fields. The canvas is only some twenty inches wide, and it produces the effect of a work of the vastest pro- portions — poetry penetrates, solitude invades the fancy so completely that we think no more of the size of the picture. It becomes immense, like Nature. “ Nothing can be simpler than the composition of this picture, and noth- ing more striking than the verity of its impression — all bespeak the hour when mysterious noises begin to arrive from distant parts of the plain, while the wan light of the moon gives every object an unnatural and puz- zling shape.” 31 ALMA-TADEMA (L.), R. A London Pupil of Leys. Member of the Royal Academy, Amsterdam, 1863. Medal at the Salon, Paris, 1864. Knight of the Order of Leopold (Belgium), 1866.. Second-class Medal at the International Exhibition, Paris, 1867. 10 Knight of the Order of the Dutch Lion, 1868. Knight, First Class, of the Order of Merit of St. Michael, Bavaria, 1869. Member of the Royal Academy of Munich, 1871. Knight of the Order of the Legion d’Honneur, France, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy of Berlin, 1875. Knight of the Third Class, Lion d’Or of the House of Nassau, 1876. Knight of the Third Class of the Kcenigliehe Kronen-Orden of Prussia, 1877. Honorary Professor of the Royal Institute of Fine Arts, Naples, 1878. First-class Medal at the International Exhibition, Paris, 1878. Officer of the Legion of Honor, 1878. Royal Academician, London, 1879. Order of Merit, Berlin, 1881. Corresponding Member Academy Beaux Arts, 1881. “ The Triumph of Titus.” 12 x 1 7 From the Artist. Opus CCLXIX. The Artist writes : “ My small canvas represents the offering after the ‘Triumph of Titus’ of a part of the spoil brought from the Temple of Jerusalem to the Temple of Jupiter Victor, at the Palatine. “ There are many traces left of this temple among the ruins of the palaces of the Caesars, such as the block of masonry on which it was built, portions of the columns, and half the round altar. The steps, moreover, are in many parts still standing, as indicated on the plans published by Rossi when excavating for Napoleon III. They led to the Imperial Loggia on the Circus Maximus, where, after a triumph, the people were entertained by games, etc. *********** “ After returning ‘ Thanks to the Gods,’ the spoil has been deposited among the chanters on the uppermost terrace; the next is occupied by priests officiating round the head altar ; and on the third stand other priests holding palm leaves in honor of the ceremony. The officers of the different arms who have distinguished themselves during the war are under the archway, bearing branches of laurel. “ Before them walks Domitian, brother and successor of Titus, talking, as he goes, to his niece Julia, of whom he was proverbially fond, and who is now with her father, according to a custom which exacted that a triumphator should be accompanied by his youngest child. “ Titus, clad in gold armor, holds his daughter’s hand and is preceded by his father, Vespasian, who has been officiating as high priest and carries, accordingly, the patena used at such ceremonies. Twelve lictors clear the way before him (these are, of course, but partly visible). “ It is a well-known fact that on such occasions the Imperial family wore silk.” ii TURNER (J. M. W.) 32 London Associate of Royal Academy. Born, 1775. Died, 1851. “ St. Michael’s Mount.” 39 x 49 Purchased from Mr. Greg of Manchester. A sketch in oils in South Kensington Museum. BRANDON (Ed.), dec’d 33 Pupil of Montfort. Medals, 1865-67. Portuguese Synagogue at Amsterdam.’ 69 x 30 From the Artist. Salon, 1873. Dated 1867. 34 GEROME (J. L.) ........ Pupil of P. Delaroche. Medals, 1847-48 (E. U.)-55. Legion of Honor, 1855. Member of the Institute of France, 1865. One of the eight Grand Medals of Honor (E. U.), 1867. Officer of the Legion of Honor, 1867. Grand Medal of Honor, 1874. Commander of the Legion of Honor, 1878. Medal Sculpture (E. U.), 1878. Grand Medal of Honor (E. U.), 1878. Professor in the School of the Beaux Arts. “ On the Desert.” 10 x 8 From the Artist. 35 DAUBIGNY (C. F.) Pupil of P. Delaroche. Medals, 1848-53-55-57-59-67. Legion of Honor, 1S59. Officer of the Legion of Honor, 1874. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1817. Died, 1878. “ Landscape, with Gleaners.” 6 x 10 « Paris Paris Paris 12 36 1 URNER (J. M. W.) ........ London Associate of the Roval Academy. Born, 1775. Died, 1851. “ Ehrenbreitstein.” 23 x 29 37 JALABERT (Chas. F.) .' Paris Pupil of P. Delaroche. Medals, 1847-51-53-55 (E. U.)-67 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1867. Born, 1819. Died, 1901. “ Orpheus.” 38 X 43 From the Alex. White Collection, Chicago. Dated 1853. 38 DUPRE (Jules) ' . Medals, 1833-1867 (E. U.). Legion of Honor, 1849. Officer of Legion of Honor, 1S70. Born, 1812. Died, 1889. “ A Bright Day.” 17 X II From the Collection Gavet, Paris. Dated 1870. Paris 39 ZAMACOIS (Eduard) Paris Pupil of Meissonier. Medal, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1843. Died, 1871. “ Spain, 1812 — French Occupation.” 20 x 18 From the Widow of the Artist. Dated 1866. Two French cuirassiers have been lured into a cabaret and murdered. The murderers are disposing of the bodies by throwing them down a well. 13 DE NEUVILLE (A.) 40 Paris Pupil of Picot. Medals, 1859-61. Legion of Honor, 1873. Officer of Legion of Honor, 1881. Born, 1836. Died, 1885. “ The Attack at Dawn.” 86 x 57 Dated 1877. A detachment of Mobiles and Turcos of the army of Bourbaki, retreating on Switzerland, is surprised at daybreak by a Prussian column in a village of the Jura. 41 TURNER (J. M. W.) Associate of the Royal Academy. Born, 1775. Died, 1851. “ Landscape, Raby Castle.” 47 x 70 London 42 DECAMPS (A. G.) Paris Pupil of Pujol. Medals,' 1831-34. Chevalier of the Legion of Honor, 1839. Officer of the Legion of Honor, 1851. Bom, 1803. Died, 1860. “ The Suicide.” 22 X 15 From the W. T. Blodgett Collection, New York. 43 DIAZ (N.) Paris Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition Universel, 1878. Bom, 1807. Died, 1876. “ Effect of Autumn.” 16 x 12 14 COUTURE (Thos.) 44 Paris Pupil of Gros. Medals, 1844-47-55. Legion of Honor, 1848. Born, 1815. Died, 1878. “ Day Dreams.” 35 x 46 Dated 1859. Probaseo Collection. PLASSAN (A. E.) 45 Medals, 1852-57-59. Medal, Phila. Centennial Exp., 1878 Legion of Honor, 1859. Born, 1817. Died, 1903. “ Devotion.” 9 x 12 From the Artist. Paris 46 CHAPLIN (Charles) .... Pupil of Drolling. Medals, 1851-52-65. Legion of Honor, 1865. Officer of the Legion of Honor, 1877. Born, 1825. Died, 1891. “ Devotion.” 8 x 11 From the Artist. Paris PLASSAN (A. E.) 47 Medals, 1852-57-59. Medal, Phila. Centennial Exp., 1876 Legion of Honor, 1859. Born, 1817. Died, 1903. “ Prayer.” 8 y 2 x 11 From the Artist. Paris 15 48 MADRAZO (Raimundo de) Pupil of Cogniet. Medal, 1878. Legion of Honor, 1878. Gold Medal (E. U.), 1889. Officer of the Legion of Honor, 1889. “ Coming out of Church.” 39 x 25 49 DAGNAN-BOUVERET (P. A. J.) Pupil of GSrOme. Medals, 1878-80. Legion of Honor, 1SS5. “ An Accident.” 49 x 35 Dated 1879. Salon, 1880. 50 WILLEMS (Florent) Medals, 1S44-46-55-67 (E. U.). Medal at Brussels, 1843. Chevalier of the Order of Leopold. Legion of Honor, 1853. Officer of the Order of Leopold, 1855. Officer of the Legion of Honor, 1864. First-class Medal, Exposition Universel, 1878. “ The Health of the King.” l6 X 12 51 GEROME (J. L.) Pupil of P. Delaroche. Medals, 1847-48 (E. U.)-55. Legion of Honor, 1855. Member of the Institute of France, 1865. One of the eight Grand Medals of Honor (E. U.), 1867. Officer of the Legion of Honor, 1867. Grand Medal of Honor, 1874. Commander of the Legion of Honor, 1878. Medal Sculpture (E. U.), 1878. Grand Medal of Honor (E. U.), 1878. Professor in the School of the Beaux Arts. Bom, 1S24. Died, 1904. “ The Duel after the Masquerade.” 21 x 15 From the Artist. Paris Paris Paris Paris The London Athenceum of January 30, 1858, spoke of it as follows: “ It appeared at the fag end of the last French Exhibition, but too late to receive the universal admiration due to its great merits, and too late to receive from us more than a line of notice. The scene is the Bois de Boulogne — time, daybreak ; the sky lurid with a dull yellow, curdling fog. The duel has just taken place. The one who is pricked to the heart is a Pierrot — one of those Scaramouch clowns that the Italians introduced into France in the days of Bellerose and Gros Gentlareme. His face is a three- act tragedy reduced to one look ; a gray glaze is over the eye ; the passionate, sensual mouth is just dropping with a horrible, agonizing grimace, that conveys to you the very gasp and sickness of the first sensation of a vital wound. The face is drawn with the pain ; and from under the white fool’s cap the death-sweat trickles through the white fool’s paint still on the vicious cheeks, just as raindrops do through the silvery mist on a winter window-pane. Plis legs are thrust out stiff and straight in the broad, loose fool’s dress, and one hand still holds the thin, sharp sword, and another clutches at life. Pierrot — poor, mad, stabbed Pierrot — is held in the half careless arms of a Due de Guise, in the full white ruffles, short black coat, and slanted, close cap of that Bartholomean age. Sorry, or careless, you hardly know which, for his dark face is bent with a sullen anxiety over the sped man. A Doge of Venice, in a great flaunting robe of flowered green satin, with another over it of scarlet, edged with deep, stiff gold lace, bends over Pierrot, groping, with horror that grinding thrust ! There is the sword — dropped as it was drawn from the cloven heart ! “ The harlequin has a great-coat thrust on by one sleeve like a hussar jacket, just as, hot and fired with brandy, they tumbled into the coach and drove straight for the lonely wood outside the Boulevards. How we long that that bent man in the long skin cloak and fur hood, with the tasseled moccasins, and hair tied up in a knot, with gaudy red and yellow macaw feathers stuck through, would turn, that we might see and profit by his anguish ! Well may the frozen trees shake their long black, spectral fingers over the scene — the horrible sequel of a night of vice. “ And there are two coaches seen through the fog, with the skeleton- looking horses, fit only to draw an orphan's hearse to a cheap funeral, with their carrion heads drooping with the night’s toil and roll. One coachman is holding up his hand in horror at the scene; he wonders if any one will pay his fare, or if he will be arrested. He does not like carrying home the dead fool. The other waits and listens ungesticulating. — There, too — the two long paths of stamped footprints in the snow ; the one right, the other left. They drive round to avoid the gendarmes, who don’t like to see two cabs driving together at odd hours to the duellist’s wood. “ And this is the end of it. Those two trodden plats of snow, a dead body and a guilty heart, all to come from that war of music and of voices, that deluge of shouts and laughter and screams, that whirl of feet-stamps, that jostle and hell-pool of vicious, leering faces and wanton eyes, that 1 7 fog and eddy of colors and sound, of hot patchouli, of rose, of frangipanni, of muslin and ribbons, of fools, goblins, peasant girls, witches and monks— and all for what? “ There is an epitome of a hundred passionate novels in this painting, which is worthy of M. Delaroche’s best pupil. “ There is room in it for all shades of painting, from the speckle of Teniers to the willowy sweep of Rubens. There is room for Vernet’s im- petuosity and M. Gerome’s care. “ A finer moral lesson than this of M. Gerome’s has not been taught since Hogarth’s time.” 52 MEISSONIER (J. L. E.) Paris Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of Legion of Honor, 1856. Member of the Institute of France, 1861. Honorary Member of the R. A., London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Bom, 1813. Died, 1891. “ 1814.” g l /2 x i 2 l / 2 Dated 1862. Gallery of Prince Napoleon. Collection Bouvent-Aubelot. Sale of Ruskin, London, 1881. Exposition of Works of Meissonier, Paris, 18S4. Mounted on a white horse, his gray overcoat thrown back from his uniform, leaving his escort behind him, Napoleon has ascended a knoll from which he can view the field of to-morrow’s battle. His brow is thoughtful, and his eyes wander beyond the ground where the game of his destiny is to be played, trying as it were to read the future. The sky is banked with heavy clouds, and the pale sun which illumines it is no longer the sun of Austerlitz. 53 PETTENKOFEN (A. von) Vienna Pupil of Academy of Vienna. Chevalier of Order of Crown of Oak, 1873. Born, 1S21. Died, 1889. “ The Market of Sznolnok, Hungary.” 18H x 10 From Collection Gsell, Vienna. From Collection Oeltzelt, Vienna. 18 54 VERNET (Horace) Paris Pupil of Vincent. Medals, 1812-55. Legion of Honor, 1814. Officer of the Legion of Honor, 1825. Member of the Institute of France, 1826. Director of the French Academy at Rome, 1828. Commander of the Legion of Honor, 1842. Grand Officer of the Legion of Honor, 1862. Born, 1789. Died, 1863. “ Italian Brigands Surprised by Papal Troops.” 52 X 33 From Collection of Mr. John Taylor Johnston, New York. Dated 1830. A stirring picture by this great master, and perhaps the most notable and faithful representation on canvas of this scourge of Italy, which has existed even in the present century. The story is graphically told ; the overturned coach, the murdered postilion, the captured treasures, the travelers hurried away for the hope of a future ransom, the sudden advent of the Papal troops, the rush of their attack, their partial victory, and the strange contradiction of the brigands appealing to the Blessed Virgin for succor. 55 VICKERS (Alfred) London Born, 1786. Died, 1868. “ Small Landscape, with Windmill.” 56 PLASSAN (A. E.) _ Paris Medals, 1852-57-59. Medal, Centennial Exp., Phila., 1876. Legion of Honor, 1859. Born, 1817. Died, 1903. “ Disappointment.” 6x8 From the Artist. ig BRETON (Jules) 57 Paris Pupil of Devigne and Drolling. Medals, 1855-56-59-61. Medals, London, Vienna and Brussels. Legion of Honor, 1861. Medal of the First Class and Officer Legion of Honor at the Universal Exhibition, 1867. Medal of Honor, Salon, 1872. Knight of the Order of Leopold, 1881. Ribbon of St. Stanislas, of Russia. Corresponding Member of the Academies of Vienna, Stockholm and Madrid. Member of the Institute of France, 1886. “ The Close of the Day.” 19 x 25 From the Artist. Dated 1865. 58 BRETON (Jules) Paris Pupil of Devigne and Drolling. Medals, 1855-57-59-61. Medals, London, Vienna and Brussels. Legion of Honor, 1861. Medal of the First Class and Officer Legion of Honor at the LTniversal Exhibition, 1867. Medal of Honor, Salon, 1872. Knight of the Order of Leopold, 1881. Ribbon of St. Stanislas of Russia. Corresponding Member of the Academies of Vienna, Stockholm and Madrid. Member of the Institute of France, 1886. “ Returning from the Fields.” 41 x 27 Dated 1871. From the Morgan Collection. 59 TROYON (C.) Paris Pupil of Rivereaux. Medals, 1838-40-46-55. Legion of Honor, 1840. Born, 1810. Died, 1865. “ Cattle Drinking.” 21 x 31 Dated 1851. Collection Viot. Exhibited, 1883, in Paris as one of the “ Hundred Masterpieces.” The Sun, though hidden by clouds, bathes the landscape in light, and the water glistens in its rays, which gilds the coats of the animals ; the effect of the Sun breaking through storm-clouds is rendered with incomparable artistic skill. 20 Alfred Wolff. 60 Paris MUNKACSY (Mihaly) Pupil of Dusseldorf Academy. Medals, 1870-74. Legion of Honor, 1877. Officer of Legion of Honor, 1878. Grand Medal of Honor, Exposition Universel, 1878. Created an Austrian Baron, 1882. Born, 1844. Died, 1900. “ The Story of the Battle.” 54 x 40 From the Theo. Eggers Collection, Vienna. 61 DUPRE (Jules) Paris Medals, 1833 (E. U.)-1867. Legion of Honor, 1849. Officer of the Legion of Honor, 1870. Born, 1812. Died, 1889. “ The Old Oak.” 24 x 28 62 DELACROIX (Eugene) Paris Pupil of Gufirin. Medals, 1824-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Born, 1798. Died, 1S63. “ Christ on the Cross.” 26 X 33 Dated 1846. Salon of 1847. Universal Exposition, 1885. Bonnet Collection. Fanien Collection. Collection Defoer. “ Hundred Masterpieces ” Exhibition, Paris, 1883. From Albert Wolff’s Criticisms on “ The Hundred Masterpieces.” “ When Delacroix paints the magnificent Christ upon the Cross, a canvas which appeared as one of the capital masterpieces of this exhibition which reckoned so many, it is the supreme drama which inspires him ; what he desires to render is the grand crime of the crucifixion, and not the crucified himself. This Son of God is not the traditional Christ, correctly nailed to the Cross ; it is the visionary apparition bearing testimony against religi- 21 ous persecution, the Martyr who has suffered his doom and whom we see across the dreadful solitude, which is the image of his abandonment. He cares little to paint correctly an academic study according to the routine formula ; what he wants to paint is the grand drama, the conclusive moral impression; his Christ has lived, his flesh has thrilled, his heart has bled in truth; he is the incarnation of all martyrdom; of consummate crime left in the midst of the indifference of nature. There are no tears, no lamen- tations to communicate an emotion; it exhales all naturally from the sole figure; and it suffices for depicting the entire horror of the scene and for filling the soul with veneration and profoundest pity. This is the effect of art in its loftiest development, art whose influence is terrifying in its simplicity, and thus we find the artist in all his works. *********** “ The controlling note in Eugene Delacroix’s painting is the dramatic note. We might say of him that he is the Shakspere of art; he has the great author’s majesty of concession, his art of painting a character in a few strokes, and his power of color. That which interests him is the drama of all epochs, of every literature and of every place. “ What Delacroix occupies himself about, what moves him, is the drama.” 63 ISABEY (L. G. E.) Paris Pupil of his father. Medals, 1824-27-55 (E. U.). Legion of Honor, 1832. Officer of the Legion of Honor, 1852. Born, 1804. Died, 1886. “ After the Storm.” 46 x 29 Dated 1842. 64 DIAZ (N.) Paris Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1807. Died, 1876. “ Forest of Fontainebleau — Autumn.” 25 x 30 Dated 1871. 22 VAN MARCKE (E.) 65 Paris Pupil of Troyon. Medals, 1867-69-70. Legion of Honor, 1872. First-class Medal (E. U.), 1878. Born, 1827. Died, 1891. “ The Pool.” 24 X 20 66 BAKER (Geo. A.), N. A Member of National Academy, 1851. Bom, 1821. Died, 1881. “ Portrait of the Artist, by himself.” 21 X 26 From the Artist. Dated 1874. 67 HERBERT (J. R.) Born, 1810. Died, 1882. “ Portrait of Hon. W. E. Gladstone.” 30 x 24 68 ELLIOTT (C. L.), N. A Pupil of Trumbull and Quidor. Academician of National Academy. Born, 1812. Died, 1868. “ The Artist, by Himself.” 22 X 27 From the Artist. 69 STONE (Wm. O.), N. A Academician of the National Academy, 1869. Bom, 1830. Died, 1876. “ Portrait of W. W. Corcoran.” 21 X 27 From the Artist's sale. New York London New York New York 23 70 ELLIOTT (C. L.), N. A Pupil of Trumbull and Quidor. Academician of National Academy. Born, 1812. Died, 1868. “ Portrait of A. B. Durand, N. A.” 21 X 26 From the Artist. 71 VAN DER HELST ( Bartholomew) T Born, 1601. Died, 1670. “ Anna Maria Schurmann.” 26 x 34 Anna Maria Schurmann was born at Cologne, 1607, and very remarkable intellectual distinction. 72 SHEE (Sir M. A.), P. R. A President Royal Academy in 1830. Born, 1770. Died, 1850. “ Portrait of Miss Moffat.” 36 x 27 73 BAKER (Geo. A.), N. A. ... Member National Academy, 1851. Born, 1821. Died, 1881. “ A Portrait.” 22 X 27 From the Artist. Dated 1873. 74 BONNAT (Leon) Pupil of Cogniet. Medals, 1861-63-67. Legion of Honor, 1867. Medal of Honor, 1869. Officer of the Legion of Honor, 1874. Member of the Institute of France, 1881. Knight of the Order of Leopold, 1881. Commander of the Legion of Honor, 1882. New York Amsterdam was a woman of Dublin New York Paris 24 “ Portrait of the Artist.” 23 X 27 Dated 1885. Painted for and presented to Mr. Walters by the Artist. 75 MULLER (Chas. L.) Paris Pupil of Gros and Cogniet. Medals, 1838-46-48. Legion of Honor, 1849. Medal First Class, 1855. Officer of Legion of Honor, 1859. Member of the Institute of France, 1864. Born, 1815. Died, 1892. “ A Portrait.” Oval, 19 x 23 From the Artist. Dated 1852. 76 SCHREYER (Ad.) Paris Medal, Brussels, 1863. Cross of Order of Leopold, 1864. Medals, Paris, 1864-65-67 (E. U.), Vienna (E. U.), 1873. Member of the Academies of Antwerp and Rotterdam. Honorary Member of the Deutsches Nochstift. Born, 1828. Died, 1809. “ Embourbe — Plains of Hungary.” 78 X 46 International Exposition, 1873, Vienna. 77 VAN MARCKE (E.) Paris Pupil of Troy on. Medals, 1867-69-70. Legion of Honor, 1872. First-class Medal (E. IT.), 1878. Born, 1827. Died, 1891. “ The Approach of the Storm.” 78 X 57 From the Artist. Salon, 1873. Dated 1873. 2 5 GALLAIT (Louis) 78 Brussels Pupil of Celothue and Hennequin. Medals, 1835-48. Legion of Honor, 1841. Chevalier of the Order of the Crown of Oak, Holland. Honorary Member of the Royal Academy, London. Grand Cordon of the Order of Leopold, 1881. Member of the Academy of Antwerp. Bom, 1810. Died, 1888. “ Art and Liberty.” 26 X 34 Collection of H. D. Hooft van Woudenberg van Geerestein. Dated 1859. WILSON (Jock) 79 Born, 1774. Died, 1855. “ A Landscape.” 16 x 24 80 JACQUE (Charles Emile) Medals, 1861-63-64. Legion of Honor, 1867. Bom, 1813. Died, 1894. “ Chickens.” IO X 7 From Felix Ziem. 81 JACQUE (Charles Emile) Medals, 1861-63-64. Legion of Honor, 1867. Born, 1813. Died, 1894. “ Chickens.” 12 x 8 From the Artist. London Paris Paris 26 82 CLAIRIN (Georges) Paris Pupil of Picot. Medals, 1882-85. “ Entering the Harem.” 25 x 32 Collection of Mr. John Wolfe. 83 DELAROCHE (Paul Hippolyte) Paris Pupil of Gros. Chevalier of the Legion of Honor, 1828. Member of the Institute of France, 1832. Professor at Beaux Arts, 1833. Officer of the Legion of Honor, 1834. Born, 1797. Died, 1856. “ The Hemicycle.” IOO X 16 Dated 1853. “ L’Hemicycle du Palais des Beaux Arts ” is the title given in France to the grand composition which decorates the semicircular wall of the Am- phitheatre of the School of the Fine Arts at Paris. The Academy of the Fine Arts at Paris is dedicated to the study and advancement of Painting, Sculpture and Architecture, and it will be well to bear in mind that, besides the usual Halls for exhibition and study, and ample accommodations for Professors and Students, the same building comprises a very fine collection of Monuments, architectural and sculptural, the remains of Ancient French Art, which, after the ravages of the first French Revolution, were brought together by M. Lenoir and ultimately placed within these walls. On entering this extensive edifice, and after passing through the three open quadrangular courts, we ascend by a flight of steps to a hall or amphitheatre, destined for the delivery of inaugural discourses and the distribution of the prizes awarded to the students.- The chairs of the Professors occupy the diameter of this hall. The semicircular benches for the students are in front ; beyond and around them extends the semicircular wall (L’Hemicycle) already mentioned; and the whole is well lighted from above. In the year 1837 it was suggested to the Government that this semicir- cular wall should be decorated with some appropriate subject, instead of being left bare or of one uniform color. The suggestion was followed out by the Minister of the Interior, and the commission was given to M. Paul Delaroche. His first sketch, which comprised not more than twenty-four figures, being approved of, the contract was signed. It will be immediately perceived that, on the part of the artist, these terms have not been strictly adhered to. Inspired with a noble ambition to 27 leave behind him such work as should connect his name honorably with those of the great men who had gone before him, and justify the choice of his country and the general applause of Europe (for his was already a European fame), Delaroche, while adhering to his first conception, gradu- ally enlarged it, till the twenty-four figures had extended to seventy-five, and after nearly four years of incessant study, the magnificent composition as we now behold it was unveiled to an impatient public. It received its due meed of admiration and applause, as one of the greatest, if not the greatest, of the productions of modern times ; and it is proper to record that on its completion the high-minded artist absolutely refused any further remuneration than that which he at first stipulated for, a sum which scarcely repaid the cost of labor and material; the thought and the time were given, or rather were munificently consecrated, to art and to his country. The space covered by the painting measures not less than fifty feet in length, by about fifteen in height. The figures in front are colossal; those farther removed are life-size. There are here no tricks of art by way of enhancing the effect of some figures at the expense of others. The whole is lighted up by a broad daylight from above, the real light and the artificial light being the same. The painting is in oil ; but being on a curved, not a flat surface, the inconvenience of reflected lights is avoided, and every part is equally illuminated. All the personages are still ; the animation is in the expression and attitude, without movement, which gives to the multi- tude of figures a sort of Elysian repose befitting an assemblage of beings who belong no more to this noisy, changeable world, but to one all-peaceful, all-divine. The picture upon the ivalls of the “Beaux Arts” was executed under the supervision of M. Delaroche by himself and his pupils. Very unfortunately, it was partly destroyed by fire, and repaired by other hands without his supervision. The work before us, on the contrary , zuas touched by the brush of the master alone, who finished it with such care and with such satisfaction to himself, that he said: “If my name is to be known to posterity, it will be through this picture.” It was also from this canvas that Henriquel Dupont executed his great engraving. The subject, as conceived by the painter, is the distribution of the prizes awarded to successful talent in the presence of an assemblage of the greatest artists of every age and country, from the era of Pericles down to that of Louis XIV. The selection of personages, where only a certain number could be introduced — the arrangement of the figures, where all were to be placed nearly in a line — the grouping and attitudes of the various characters — presented some extraordinary difficulties, which will be fully appreciated by every one who has reflected on the principles of art, and overcome, it must be allowed, with the most wonderful judgment, taste and skill. The artist, after long and mature consideration, rejects the formality of a chronological series, and that sort of monotony which must 28 have resulted from grouping the figures into separate nations and schools. The great men here assembled in friendly convocation have already taken their places in the Temple of Immortality, where earthly distinctions of time and place are at an end. Yet, to avoid all heterogeneous confusion, they were to be linked with each other, united in the fancy of the spectator, and associated with the living congregation over which they in a manner preside, by some leading idea, which, pervading the entire composition, should bring into harmonious unity the multifarious variety of figures, characters and costumes. Before entering into details, it is worth while to consider how this idea has been carried out, and with what admirable skill the scenic disposition of the subject has resolved itself into one great whole. The background represents the portico of a great temple of the Ionic order, which may be regarded as the temple of Fame or Immortality. In the centre, in a species of recess, is placed a throne or tribunal, with an ascent of four marble steps. On this throne are seated Apelles, the painter (37) ; on his right Ictinus, the architect of the Parthenon and the temple of Phigalia (36) ; on his left the sculptor Phidias (38). These, of all the figures, are the most removed from the actual scene, and seated in majestic quietude, and crowned with laurels, they appear to contemplate the assemb- lage of artists over which they preside in right of their antique fame. In front of this tribunal, and lower down, stand four female figures, most beautifully and wisely introduced, as imparting to the whole com- position a softer grace and more contrasted variety in character and cos- tume than would otherwise have been possible. These represent collectively and most poetically the theory of art; separately, they personify the four great influences which have successively ruled the manifestations of the human mind as developed into form in the fine arts. First, to the left of the spectators, sits Greek Art simply draped, in calm and elegant repose (35) 1 opposite to her, Roman Art, more sternly grave, and wearing the diadem of Empire (40). Next to Greek Art, and traditionally allied to her, stands a lovely figure in long drapery, at once graceful and decorous, with eyes upturned and looks commercing with the skies. This is Gothic or Mediaeval Art, inspired by the purer influences of Christianity ; beside her stands the model of a Gothic Cathedral (34). In face and figure this charming creation is said to be the portrait of the artist’s wife, the beau- tiful daughter of Horace Vernet. Opposite to her, in strong contrast, stands a figure representing that period of art which we call the Renais- sance, and which, almost immediately on the revival of classical learning, superseded the religious influences of the middle ages (41). Beautiful, bold, half undraped, “ robes loosely flowing, hair as free,” with jeweled bracelets on her full, rounded arms, yet with a sort of luxurious grandeur in the pose and physiognomy, she well represents that style of art which Bramante, Michael Angelo, Paul Veronese and Rubens carried out with such a prodigality of talent, such a splendid license. In front of this most 29 beautiful and significant group, and so placed as not to interfere with them, is a half-kneeling female figure representing the Genius of Fame (34), at her side a heap of laurel crowns, which she seems in the act of distributing to the successful candidates. The three famous old Grecians and the five allegorical female figures compose this central group — a sort of vision combining the real and ideal ; the action of the last-named figure connecting the whole with the living, breathing humanity supposed to be assembled below ; and the four alle- gorical figures connecting it with the groups which extend on either side. Some of these personages are seated behind on a kind of marble bench extending in front of the portico, and others are standing more in the fore- ground. To the right of the spectator are assembled the famous Archi- tects ; opposite to them, on the left, the most celebrated Sculptors. Beyond these again on either side, appear the greatest painters who have flourished from the revival of art to the seventeenth century. On the right those who were eminent as designers, and who founded their art on the study of human character and the principles of human form. On the left, we find assembled those Painters who were most remarkable as colorists, whose art was founded on the appearance of general Nature, the effects of light and shade, and the aspects of social life. Such is the original and truly magnificent conception of the artist, and such the distribution of his subject considered as a whole. — Mrs. Jameson. 84 RIVIERE (Briton), R. A. London Member of the Royal Academy. “ Syria — The Night Watch.” 6s x 37 Dated 1SS0. Syria is a country of high historic and sacred interest. Take it in its full extent — including Palestine — and no country in the world can be com- pared with it. As much as any nation is now, Phoenicia, a province of Syria, was, “ thirty centuries ago,” “ the mistress of the seas.” Merchants of every nation met and traded in her rich marts. She was also the cradle of manufacture. Tyrian purple was the garb and symbol of royalty in every land, and Homer tells us before his day a Sidonian robe was considered a gift of sufficient splendor to propitiate the angry patron goddess of Troy (II. vi. 288). Damascus, the capital of Syria, is confessedly the oldest city in the world, and Antioch, another capital, was the third city of the Roman Empire; and here, eighteen centuries ago, the name we bear, and in which we glory — the name Christian — was invented. 30 No country of anything like its extent has passed through so many political changes and vicissitudes as Syria. Some of the ruins of Syria, in their massive proportions and architectural splendor, rank among the finest in the world. Besides the general ruin and decay of the country as presented in its present aspect, of the ancient great cities of Syria, no less than nine are now completely desolate — namely, Apamea, Laodicea-ad-Libanum, Seleucia, Pieria, Orthosia, Area, Chalcis, Phaeno, Bozrah, and Salcha ; eight have dwindled down to poor and miserable villages — namely, Heliopolis, Pal- myra, Tyre, Arodus, Riblah, Gebal, Edree and Kenath. Antioch, the capital in the age of Roman splendor, Sidon, the ancient capital of Phoenicia, and Hamath, one of the primeval strongholds of the Canaanites, are now small, decaying towns. 85 MILLAIS (Sir John Everett), P. R. A London Member of the Royal Academy. Medal, 1855. President, 1896. Medal of Honor and Legion of Honor at the E. U. , 1878. Born, 1829. Died, 1896. “ News from Home.” io x 13 86 ALMA-TADEMA (L.), R. A London Pupil of Leys. Medals, Paris, 1864-67. Melnber of the Royal Academy, Amsterdam. Knight of the Order of Leopold. Knight of the Order of the Dutch Lion. Knight of the Order of Merit of St. Michael of Bavaria. Member of the Royal Academy of Munich. Legion of Honor, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy of Berlin. Member of the Society of Painters in Water Colors. Knight of the Gold Lion of the House of Nassau. Knight of the Ivoenigliche Kronen-Orden of Prussia. Honorary Professor, Royal Institute of Fine Arts, Naples. Medal, Exposition Univcrsel, 1878. Officer of the Legion of Honor, 1878. Member of the Royal Academy, London. Order of Merit, Berlin, 1881. Corresponding Member Academy Beaux Arts, 1881. “ My Sister is not In.” 12*4 x 16 Royal Academy, 1880. Opus CCX. 31 87 MTLLET (J. F.) Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists, Exposition Universel, 1878. Bom, 1814. Died, 1875. “ Breaking Flax.” IS x 18 From the Henry Wallis Collection, London. 88 SCHREYER (Ad.) Medals, 1864-65 (E. U.)-67. Vienna Exposition, 1873. Medal, Brussels, 1863. Cross of Order of Leopold, 1864. Member of the Academies of Antwerp and Rotterdam. Honorary Member of the Deutsches Nochstift. Born, 1828. Died, 1899. “ A Cold Day.” 27 x 19 89 HENNER (J. J.) . Pupil of Drolling. Prize of Rome, 1858. Medals, 1863-65-66-78 (E. U.). Legion of Honor, 1873. Officer of the Legion of Honor, 1878. “ The Nymph.” 8 x 10 90 ISABEY (L. G. E.) Pupil of his father. Medals, 1824-27-55 (E. U.). Legion of Honor, 1832. Officer of the Legion of Honor, 1S52. Born, 1804. Died, 1886. “ Departure of Elisabeth of France for Spain.’ 20'/ 2 X 27 Paris Paris Paris Paris .32 91 JALABERT (Chas. F.) Pupil of Delaroche. Medals, 1847-51-53-55 (E. U.)-67 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1867. Born, 1819. Died, 1901. Paris “ Italian Girl.” 9 x is From the Artist. 92 DETAILLE (Edouard) Pupil of Meissonier. Medals, 1869-70-72. Legion of Honor, 1873. Officer of the Legion of Honor, 1881. The Picket.” 15 x 18 Dated 1875. Paris 93 DE NEUVILLE (A.) Pupil of Picot. Medals, 1859-61. Legion of Honor, 1873. Officer of Legion of Honor, 1881. Born, 1836. Died, 1885. “ Information.” 12 x 18 Dated 1876. Paris 94 ELLIOTT (C. L.), N. A. Pupil of Trumbull and Quidor. Academican N. A. Born, 1812. Died, 1868. “ Portrait of Chief Justice Taney.” 33 95 YVON (A.) Pupil of Paul Delaroehe. Medals, 1848-55 (E. U.) -57-67 (E. U.). Legion of Honor, 1855. Medal of Honor, 1857. Officer of the Legion of Honor, 1867. Born, 1817. Died, 1893. “ Portrait of Napoleon III.” l8 X 21 Dated 1868. “ This portrait head of Napoleon III was painted from life by his celebrated picture of the ‘ Battle of Solferino.’ ” 96 MARILHAT (Prosper) Pupil of Roqueplan. Born, 1811. Died, 1847. “ Landscape with Mosque.” 2i y 2 x 19 97 THAULOW (Fritz) “ Landscape, River and Bridge.” 33 x 40 98 REYNOLDS (Sir Joshua), P. R. A. Pupil of Thomas Hudson. First President Royal Academy, 1768. Knighted, 1768. Exhibition Royal Academy, 1768-S9. Born, 1723. Died, 1784. “ The Strawberry Girl.” 30 x 26 Paris Yvon for Paris Norway 34 CABANEL (A.) 99 Paris Pupil of Picot. Prize of Rome, 1845. Medals, 1852 (E. U.)-55. Legion of Honor, 1855. Member of the Institute of France, 1863. Officer of the Legion of Honor, 1864. Grand Medal of Honor, 1865, and (E. U.), 1867. Commander of the Legion of Honor, 1878. Grand Medal of Honor (E. U.), 1878. Professor in the School of the Beaux Arts. Born, 1823. Died, 1888. “ Pandora.” “ Portrait of Mile. Nilsson.” 20 X 29 From the Artist. Dated 1873. 100 FROMENTIN (E.) Pupil of Cabat. Medals, 1849-57-59 (E. U.)-67. Legion of Honor, 1859. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1820. Died, 1876. “ At the Well.” 8 x io Dated 1875. 101 ELLIOTT (C. L.), N. A Pupil of Trumbull and Quidor. Academician of the National Academy. Born, 1812. Died, 1868. “ Anthony van Corlear.” io x 12 From the Ranney Sale, New York. Dated 1852. KURZBAUER (E.) 102 Pupil of Piloty. Born, 1846. Died, 1870. “ The Dispute.” 25 x 1 7 Dated 1S77. Paris New York Munich 35 103 HART (Jas. M.), N. A New Academician of National Academy. Born, 1828. Died, 1901. “ Adirondack^. ” 35 x 20 From the Artist. Dated 1859. 104 VAN MARCKE (E.) Pupil of Troyon. Medals, 1S67-69-70. Legion of Honor, 1S72. First-class Medal (E. U.), 1878. Born, 1827. Died, 1891. “ Cow — (Bright Sunlight).” 27 x ig From the Collection of Mr. John Wolfe, New York. 105 VILLEGAS (Josef) “ Cairo — The Slipper Merchant.” 25 x 19 From the W. T. Blodgett Collection, New York. Dated 1S72. 106 JALABERT (Ghas. F.) Pupil of Delaroche. Medals, 1847-51-53-55- (E. U.)-67 (E. U.). Legion of Honor, 1855. Officer of the Legion of Honor, 1867. Born, 1819. Died, 1901. “ The Morning.” 8 y 2 x 13 From the Artist. Dated 1863. VILLEGAS (Josef) 107 “ Poultry Market — Tangier.” 14 x 21 York Paris Rome Paris Rome 36 108 Geneva CALAME (Alex.) Pupil of Diday. Medals, 1839-40. Member of the Academies of St. Petersburg and Brussels. Legion of Honor, 1842. Born, 1810. Died, 1864. “ The Jungfrau, Switzerland.” 4i x 33 From the Collection of the Due de Morny, Paris. Dated 1858. 109 VAN MARCKE (E.) Pupil of Troyon. Medals, 1867-69-70. Legion of Honor, 1872. First-class Medal (E. U.), 1878. Born, 1827. Died, 1891. “ Study from Nature.” 26 x 22 From the Artist. 110 DELACROIX (Eugene) Pupil of Gu6rin. Medals, 1824-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Born, 1798. Died, 1863. “ King John at Poictiers.” 21 x 25H Centennial Exposition French Art, 1889. Ill SCHEFFER (Ary) Pupil of Guerin. Grand Prize for Painting at Antwerp, 1816. Legion of Honor. Born, 1795. Died, 1858. “ Christ Weeping over Jerusalem.” 28 x 42 Dated 1851. And when He was come near He beheld the city, and wept over it. — L ose xix. 41. Paris Paris Paris 37 INNESS (George) 112 New York Pupil of Regis Gignoux. Member National Academy Design. Medal, Paris E. U., 1889. Medal, Munich International Ex., 1892. Medal, Chicago Interna tl. Ex., 1893. Born, 1825. Died, 1894. “ The Valley of the Olives.” 45 x 30 Dated 1867. From the R. H. Halsted Collection. 113 GEROME (J. L.) Paris Pupil of Delaroche. Medals, 1847-48 (E. U.)-55. Legion of Honor, 1855. Member of the Institute of France, 1865. One of the eight Grand Medals of Honor (E. U.), 1867. Officer of the Legion of Honor, 1867. Grand Medal of Honor, 1874. Commander of the Legion of Honor, 1878. Medal Sculpture (E. U.), 1878. Grand Medal of Honor (E. U.), 1868. Professor in the School of Beaux Arts. Born, 1824. Died, 1904. Christian Martyrs — The Last Prayer.” 59 x 34 Painted 1863-18S3. Paris, July 15, 1883. My Dear Sir : — I send you a few notes about my picture, “ The Christian Martyrs — Last Prayer,” which you have bought. I regret to have made you wait for it so long, but I had a difficult task, being determined not to leave it until I accomplished all of which I was capable. This picture has been upon my easel for over twenty years. I have repainted it from the beginning three times ; have rehandled and rechanged both the effect and the composition, always, however, preserving my first idea. This, therefore, is really the third canvas which you receive. The scene is laid in the “ Circus Maximus,” which might readily be mis- taken for an amphitheatre, as in the picture only the end of the circus, and not the straight sides, is visible. But you will see on the left the “ Meta,” which ends the “ Spina,” and is the goal around which the chariots made their turns in the races, as I have indicated by the tracks of the wheels in the sand. 38 The Circus Maximus was one of the mightiest monuments ever built. It held more than one hundred and fifty thousand spectators. Its left touched the Palace of the Caesars, whence a subterranean passage led directly to the Emperor’s loge. In the time of the Caesars, Christians were cruelly persecuted, and many were sentenced to be devoured by wild beasts. This is the subject of my picture. As they were religious enthusiasts, to die was a joy, and they cared little for the animals, their only thought being to remain firm to the last. And rarely indeed was there found a case of apostasy. The Roman prisons were terrible dungeons, and Christians, being often long confined before the sacrifice, when led into the circus were emaciated by disease and covered only with rags. Their hearts alone remained strong, their faith alone remained unshaken. In the middle distance I have placed those destined to be burned alive. They were usually tied upon crosses, and smeared with pitch to feed the flames. Alluding to this, Tacitus says : “ These Christians should cer- tainly be put to death ; but wherefore smear them with pitch, and burn them like torches?” His sympathy, however, went no further. It was the custom to starve the wild beasts for several days beforehand, and they were admitted to the arena up inclined planes. Coming from the dark dens below, their first action was of astonishment upon facing the bright daylight and the great mass of people surrounding them. They did then as does to-day the Spanish bull when turned into the arena; entering with a bound he suddenly halts in the very middle of a stride. This moment I have sought to represent. I consider this picture one of my most studied works, the one for which I have given myself most trouble. Is it a success ? Very truly, (Signed) J. L. Gerome. 114 DIAZ (N.) Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1807. Died, 1876. “ Cupid Disarmed.” 15 X 26 Paris 39 115 MILLET (J. F.) Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1814. Died, 1875. “ The Potato Harvest.” 25 x 21 116 ACHENBACH (Andreas) Pupil of Schirmer. Medals, 1S39-55-67. Legion of Honor, 1864. Knight of the Order of Leopold. Member of the Berlin, Antwerp and Amsterdam Academies. “ Clearing Up — Coast of Sicily.” 44 x 32 From old Diisseldorf Gallery. Dated 1847. 117 FORTUNY (Mariano) ....... Pupil of the Barcelona Academy. Chevalier of Order of Charles III. Prize of Rome from Spain, 1S58. Diploma to the memory of deceased artists, Exposition Universe], 1878. Born, 1838. Died, 1874. “ Hindoo Snake Charmers.” Attended by the “ Marabout,” a sacred bird of India. 49 X 23 A. T. Stewart Collection. Dated 1869. 118 DE NEUVILLE (A.) Pupil of Picot. Medals, 1859-61. Legion of Honor. 1873. Officer of Legion of Honor, 1881. Born, 1836. Died, 1885. “ In the Trenches.” 37 X 22 From the Henry Wallis Collection, London. Dated 1874. Paris Diisseldorf Rome Paris 40 GALLAIT (Louis) 119 Brussels Pupil of Celothue and Ilennequin. Medals, 1835-48. Legion of Honor, 1841. Grand Cordon of Order of Leopold, 1881. Chevalier of Order of Crown of Oak. Honorary Member Royal Academy. Member of Academy of Antwerp. Born, 1810. Died, 1888. “ Peace.” 32 X 46 Royal Academy, 1872. Dated 1872. DUPRE (Jules) 120 Medals, 1833 (E. U.)-67. Legion of Honor. Officer of the Legion of Honor, 1870. Born, 1812. Died, 1889. “ Sunset — On the Coast.” 23 x 29 DIAZ (N.) 121 Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1807. Died, 1876. “ The Storm.” 34 x 23 Dated 1872. 122 DURAND (A. B.) New Original Member National Academy, 1826. President National Academy, 1845-61. “ The Catskills.” 50 x 62 From the Artist. Dated 1859. Paris Paris York 4i 123 LEYS (Baron H.) ......... Antwerp Medal, 1846. Chevalier of the Order of Leopold. Chevalier of the Legion of Honor, 1847. Grand Medal of Honor, 1855. One of the eight Grand Medals of Honor (E. U.), 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1815. Died, 1869. “ Edict of Charles V.” 92 X 54 Dated 1859. From Collection of Count Liederkirke, for whom it was painted. U. Exposition, 1867. The publication of the Edict of Charles V in the year 1550, which in- troduced the Inquisition into the Netherlands. By this edict, or “ placard,” as it was called, it was ordained that all who were convicted of heresy should suffer death by fire, by the pit, or by the sword — in other words, should be burnt alive, be buried alive, or be be- headed. These terrible penalties were incurred by all who dealt in heretical books, or copied or bought them ; by all who held or attended conventicles, by all who disputed on the Scriptures in public or private, by all who preached or defended the doctrines of the Reformation. Informers were encouraged by the promise of one-half of the confiscated estate of the heretic. No suspected person was allowed to make any donation, or sell any of his effects, or dispose of them by will. Finally, the courts were instructed to grant no remission or mitigation of punishment under the fallacious idea of mercy to the convicted party — and it was made penal for the friends of the accused to solicit such indulgence on his behalf. From Prescott’s History of the Reign of Philip H, Book H, Chap. I. This edict was renewed by an ordinance of Philip II, dated at Gand, August 20, 1556. This picture was painted by Leys after his second journey to Germany, at his best period, one year before he began the decoration of the Hotel de Ville at Antwerp, and was, for the first time, exhibited at the National Exhibition of Antwerp in 1861. The scene is the public market-place. In the midst of the crowd stands a herald holding in his hands the fatal notice. He is escorted by men-at- arms, and by the sovereign’s representatives in judicial and administrative matters. Farther off can be seen " the long stick,” the presence of which was, according to the custom of the country, necessary to sanction any criminal measure. In the foreground, on the left, is a bookseller’s shop, the painter wishing to draw attention to the strict measures fettering the printers. 42 GALLAIT (Louis) 124 Brussels Pupil of Celothue and Hennequin. Medals, 1835-48. Legion of Honor, 1841. Grand Cordon of the Order of Leopold, 1881. Chevalier of Order of Crown of Oak. Honorary Member Royal Academy. Member of Academy of Antwerp. Born, 1810. Died, 1888. “ War.” 32 X 46 Royal Academy, 1872. Dated 1872. 125 CLAYS (P. J.) Medal (E. U.), 1867. Legion of Honor, 1875. Chevalier of the Order of Leopold. Medal, Exposition Universel, 1878. Officer of Legion of Honor, 1881. Born, 1819. Died, 1900. “ Moonlight in Holland.” 23 x 28 126 FROMENTIN (E.) Pupil of Cabat. Medals, 1849-57-59 (E. U.)-67. Legion of Honor, 1859. Officer of the Legion of Honor, 1869. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1820. Died, 1876. “ The Halt.” 25 X 20 From Collection of M. Lepel Cointet, l'aris. Dated 1872. 127 VAUTIER (B.), dec’d Pupil of Jordan. Medals, 1865-66-67 (E. U.)-78 (E. U.). Legion of Honor, 1878. Medals at Berlin. Member of the Academies at Berlin, Munich, Antwerp and Amsterdam. “ Consulting his Lawyer.” 27 X 22 From the Collection of Dr. Strauss, Vienna. Dated 1872. Brussels Paris Diisseldorf 4d 128 DAUBIGNY (C. F.) Paris Pupil of P. Delaroche. Medals, 1848-53-55-57-59-67. Legion of Honor, 1859. Officer of the Legion of Honor, 1874. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1817. Died, 1878. “ Twilight.” 32 X 18 From John Taylor Johnston Collection, New York. Dated 1866. 129 BOUGHTON (G. H.), A. R. A London Member of the National Academy of Design. Associate of the Royal Academy. “ The Waning Honeymoon.” 30 x 20 From the Artist. Roval Academy, 1878. Dated 1878. Mr. Boughton says in a letter to Mr. Walters : “ A young pair are seated under a tree- — late autumn, the big leaves all about — he is reading a book and carelessly caressing his dog; and she is pouting prettily, but thinking no pretty things of him.” 130 TURNER (J. M. W.) London Associate of the Royal Academy. Born, 1775. Died, 1851. “ The Wreck.” 28 x 36 Collection C. F. Beckett, Hadley Wood, Essex. 131 GEROME (J. L.) Paris Pupil of P. Delaroche. Medals, 1847-48 (E. U.)-55. Legion of Honor, 1855. Member of the Institute of France, 1865. One of the eight Grand Medals of Honor (E. U.), 1867. Officer of the Legion of Honor, 1867. Grand Medal of Honor, 1874. 44 Commander of the Legion of Honor, 1878. Medal Sculpture (E. U.), 1878. Grand Medal of Honor (E. U.), 1878. Professor in the School of the Beaux Arts. Born, 1824. Died, 1904. “ Diogenes.” 39 x 28 From Collection of Mr. August Belmont, New York. Dated 1860. 132 TURNER (J. M. W.) Associate of the Royal Academy. Born, 1775. Died, 1851. “ Grand Canal (Venice).” 36 x 24 133 HEBERT (A. A. E.) Pupil of P. Delaroche. Prize of Rome, 1839. Medals, 1851-55 (E. U.)-67 (E. U.). Legion of Honor, 1853. Officer of the Legion of Honor, 1867. Commander of the Legion of Honor, 1874. Member of the Institute of France, 1874. Grand Prix 1889 (E. U.). “ Going to the Well.” 16 X 27 From Collection of M. Gavet, Paris. 134 GALLAIT (Louis) Pupil of Celothue and Hennequin. Medals, 1835-48. Legion of Honor, 1841. Chevalier of the Order of the Crown of Oak, Holland. Honorary Member of the Royal Academy, London. Grand Cordon of the Order of Leopold, 1881. Member of Academy of Antwerp. Born, 1810. Died, 1888. “ Power of Music.” 17 X 22 From the Artist. Painted 1860. Gallait, writing to Mr. Walters under date of July 20, sending you my picture ‘ Oblivion of Sorrows,’ I think London Paris Brussels i860, says : “ In it advisable to 45 furnish you with a few explanations for the understanding of the subject and of the sentiment which I intended to express. After a weary day of travel, two young musicians, brother and sister — and orphans — have stopped to rest near an ancient tomb. The young girl, weak and sickly, her feet lacerated and bleeding, reclines upon the knees of her brother; he has taken his violin, the tones of which, assuaging the sorrow of the young girl, are lulling her to sleep. So much for my subject. The moment is that in which the brother, filled with anxiety, his eyes fixed on his sister, per- ceives with joy that her burning and fevered eyelids are ceasing to quiver, an indication of the sleep which brings with it oblivion of all grief, mental and physical. “ I hope, sir, that this little picture does not fall far below what you desire. I have spared neither care nor work with that object, having put into requisition two things which were in my power, my will and my conscience." 135 DUPRE (Jules) Paris Medals, 1833 (E. U.)-67. Legion of Honor, 1849. Officer of the Legion of Honor, 1870. Born, 1812. Died, 1889. “At Sea.” 33 X 22 136 SCHREYER (Ad.) Paris Medals, 1864-65 (E. U.l-67. Vienna Exposition, 1873. Medal, Brussels, 1863. Cross of the Order of Leopold, 1864. Member of Academies Antwerp and Rotterdam. Honorary member of the Deutsches Nochstift. Born, 1828. Died, 1899. “ Arabs in Egypt — Sunrise.” 28 x 16 Dated 1S67. Probasco Collection. 137 ROUSSEAU (Theo.) Paris Pupil of Lfthifre. Medals, 1834-49-55. Legion of Honor, 1852. One of the eight Grand Medals of Honor (E. U.), 1867. Diploma to the memory of deceased artists, Exposition Universe!, 1878. Born, 1812. Died, 1867. 46 “ Early Summer Afternoon.” 29 x 21 Probasco Collection. 138 ZIEM (Felix) Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Sunset — South of France.” 46 X 33 From the Collection of Mr. J. Strieker Jenkins, Baltimore. 139 PREYER (J. W.) Pupil of Diisseldorf Academy. Born, 1803. Died, 1889. “ Still Life.” 12 X 14 From the Artist. Dated 1S59. 140 WILLEMS (Florent) Medals, 1844-16-55-67 (E. U.). Medals at Brussels, 1843. Chevalier of Order of Leopold. Legion of Honor, 1853. Officer of Order of Leopold, 1855. Officer of Legion of Honor, 1S64. First-class Medal, Exposition Universel, 1878. “ The Important Response.” 14 X 28 STEVENS (Alfred) 141 Gold Medal at Brussels, 1851. Paris, 1853-55-67 (E. U.). Legion of Honor, 1863. Officer of the Legion of Honor, 1867. Commander of the Order of Leopold. First-class Medal, Exposition Universel, 187S. Grand Officer of the Order of Leopold, 1881. Born, 1817. Died, 1875. “ Palm Sunday.” IO x 13 Paris Diisseldorf Paris Paris 47 WOODVILLE (R. C.) 142 Baltimore Born, 1825. Died, 1856. “ The Sailor’s Wedding.” 22 X l6 Dated 1852. 143 VAN MARCKE (E.) , Pupil of Troyon. Medals, 1867-69-70. Legion of Honor, 1872. First Class Medal (E. U.), 1878. Born, 1827. Died, 1891. “ Early Morning.” 19 x 24 LEYS (Baron H.) 144 Medal, 1846. Chevalier of the Order of Leopold. Chevalier of the Legion of Honor, 1847. Grand Medal of Honor, 1855. One of the eight Grand Medals of Honor (E. U.), 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1815. Died, 1869. “ Dutch Interior.” 11 x 1454 DIAZ (N.) 145 Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1807. Died, 1876. “ The Assumption.” ioy 2 X 1554 Dated 1850. 146 CABANEL (A.) Pupil of Picot. Prize of Rome, 1845. Medals, 1852 (E. U.)-55. Paris Antwerp Paris Paris 48 Legion of Honor, 1855. Member of the Institute of France, 1863. Officer of the Legion of Honor, 1864. Grand Medal of Honor, 1865, and (E. U.), 1867. Commander of the Legion of Honor, 1878. Grand Medal of Honor (E. U.), 1878. Professor in the School of the Beaux Arts. Born, 1823. Died, 1888. “ Napoleon III.” 13 x 17 147 CHURCH (F. E.), N. A New Academician of the National Academy. Member of Society of American Artists. Medal at Paris (E. U.), 1867. Born, 1826. Died, 1900. “ Morning in the Tropics.” 14 x 8 From the Ranney Sale, New York. 148 FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists. Exposition Universe], 1878. Born, 1838. Died, 1874. “ The Rare Vase.” 9 l A x 13 Dated 1870. From the Morgan Collection. 149 MEISSONIER (J. L. E.) Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of Legion of Honor, 1856. Member of the Institute of France, 1861. Honorary Member of the R. A., London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Born, 1813. Died, 1891. “ The End of a Game of Cards.” 6 x 8^4 Wm. H. Stewart Collection. York Rome Paris 49 150 FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1838. Died, 1874. “ An Ecclesiastic.” 5x7 151 MEISSONIER (J. L. E.) Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of Legion of Honor, 1856. Member of the Institute of France, 1861. Honorary Member of the R. A., London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Born, 1813. Died, 1891. “ The Jovial Trooper.” 8 x 10 Dated 1865. 152 COROT (J. B. C.) Pupil of V. Bertin. Medals, 1838-4S-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1S67. Diploma to the memory of deceased artists, Exposition Universe], 1878. Born, 1796. Died, 1875. “ Landscape with Bridge.” 11 x 17 153 MILLET (J. F.) Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1814. Died, 1875. “ La Baigneuse.” 16 x 19 Rome Paris Paris Paris 50 COROT (J. B. C.) 154 Paris Pupil of V. Bertin. Medals, 1838-48-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1796. Died, 1875. “ The Evening Star.” 35 x 28 From the Artist. 155 ACHENBACH (Andreas) Pupil of Schirmer. Medals, 1839-55-67. Legion of Honor, 1864. Knight of Order of Leopold. Member of the Berlin, Antwerp and Amsterdam Academies. “ Windy Day at Schevening.” 32 X 33 From the John Wolfe Collection, New York. Dated 1870. 156 PUVIS DE CHAVANNES (P.). Medals, 1861-64-67 (E. U.). Medal of Honor, 1882. Legion of Honor, 1867. Officer, 1877. Commander, 1889. “ Hope.” 38 x 50 ZIEM (Felix) 157 Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Morning.” 21 X 17 Diisseldorf Paris 51 158 Paris ZIEM (Felix) Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Evening.” 21 x 1 7 No. 30 is dated 1868. From the Artist. 159 ALMA-TADEMA (L.), R. A London Pupil of Leys. Member of the Royal Academy, Amsterdam, 1863. Medal at the Salon, Paris, 1864. Knight of the Order of Leopold (Belgium), 1866. Second-class Medal at the International Exposition, Paris, 1867. Knight of the Order of the Dutch Lion, 1868. Knight, First Class, of the Order of Merit of St. Michael, Bavaria, 1869. Member of the Royal Academy of Munich, 1871. Knight of the Order of the Legion d’Honneur, France, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy of Berlin, 1875. Member of the Society of Painters in Water Colors, London. Knight of the Third Class, Lion d’Or of the House of Nassau, 1876. Knight of the Third Class of the Koenigliche Kronen-Orden of Prussia, 1877. Honorary Professor of the Royal Institute of Fine Arts, Naples, 1878. First-class Medal at the International Exhibition, Paris, 1878. Officer of Legion of Honor, 1878. Royal Academician, 1879. Order of Merit, Berlin, 1881. Corresponding Member Academy des Beaux Arts, 1881. “ Sappho.” 47 x 26 Opus CCXXIII. From the Artist. Royal Academy, 1881. London Academy, May 7, 1881. The picture which seems to me to secure the most complete and satisfy- ing effect of beauty is the Sappho of Mr. Alma-Tadema. The model of Mr. Tadema’s invention is so entirely individual that it would be difficult to define with any approach to precision the class to which his work belongs. On occasions when he has undertaken to treat the human form upon the scale of life, he has not always shown a preference for the highest type of beauty ; nor do the characteristic excellences of his refined and delicate workmanship appear to full advantage in the covering of large surfaces of canvas. But there is a temptation to forget whatever limita- tions his art may own in the keen enjoj^ment which such a picture as the Sappho awakens. Here, at least, the wonderful resources of his brush are 52 employed upon material which they can easily command. Mr. Tadema stands almost alone among artists who are fascinated by the beauty of antique life, in the strong feeling for outward nature which he imports into his design. His color, whether of flesh or costume, always lives in sunlight; and the forms that people the scenes of his invention take an added beauty from the charm of the landscape that surrounds them. There have been few artists of any time who have so skillfully combined this sentiment of landscape with the severe definition of form. The results of wide archseological knowledge are, in his case, so lightly borne that they mingle without any sense of conflict with the fruits of direct observation of nature. Mr. Tadema’s painting has always the note of absolute vitality. I speak now not of individual forms or faces, but of the work as a whole, of the quality of the coloring, of the actual touches of the brush. In- the extreme minuteness of much of his execution he contrives to preserve admirable breadth of light and shade with an unimpaired strength and force in the local tints. There is a certain audacity in the manner of his inven- tion which enables him to carry his regard for the vivid beauty of Nature into scenes and subjects that would, at first sight, seem to reject any kind of realistic treatment. The brilliant fairness of white marble, the intense blue of a sapphire sea or a southern sky — these are among the natural realities that would seem to have fixed themselves in his imagination. They have grown familiar in his work ; but their reappearance produces no sense of fatigue, for they are imagined for us with unfailing sympathy and power. In this respect the Sappho is perhaps the most characteristic, as it is certainly among the most complete, of Mr. Tadema’s productions. The invention of the scene as a whole, the disposition of the figures, the choice of attitude and gesture, are in the highest degree representative of a style of art that has something more than the dignity of genre, with something less than the formality of purely ideal design, recalling for us the long-silent life of the past in language that has a familiar and homely accent, and preserving the vivid impression of Nature even in the most elaborate attempts to reconstruct a vanished civilization. J. Comyns Carr. Saturday Review. The scene is one of the isles of Greece, where the “ burning ” poetess loved and sung, perhaps the Island of Lesbos, where Alcaeus himself flour- ished 600 years before the Christian era. The whole front of the canvas is occupied by the orchestra of a white marble theatre on a height over- looking the sea; on the left are the concave seats in double tier, each inscribed with the name of its owner, and in the centre the head of the steps * that lead up to it from the shore ; beyond is a small grove of olive trees, between whose trunks is seen the deep blue-green expanse of the sea; and in the distance, on the extreme right, is a purple headland. The marble of the theatre is treated in a most astonishing manner; it has a solidity which S 3 seems almost too faithful ; the veins in the hewn seats, the yellowish dis- coloration at the edge of the joints, the stains of wind and weather, are depicted with surpassing skill. The rich, translucent white of the marble, the gray-green foliage of the olives, and the deep, glowing hue of the sea, form a scheme of color of the loveliest kind in which to set the figures of the poetess, her attendants and the poet. Sappho is seated on one of the lowest seats of the semicircular theatre; at her side stands one of her maidens, wreathed with flowers, and before her, on a bronze pedestal, rests a laurel wreath. The poetess leans forward and gazes intently on Alcaeus, who is seated facing her on a chair of wood, striking the chords of his lyre. The attendants of Sappho are grouped on the marble seats, some, like their mistress, intent on the rhythm of the poet’s song, others careless of it, while one red-haired girl leans back with outspread arms on the upper row of seats and gazes seaward, thinking apparently of some one who lives on yonder distant shore and sings as sweetly for her. London Athen.eum, April 30 , 1881 . Mr. Alma-Tadema’s contributions are positively splendid, and his chief picture will long be remembered by those who see it. In brilliancy of illumination and purity of coloration, grace of design and careful finish, to say nothing of fine rendering of apt and animated attitudes and expressions, Sappho has hardly a rival, and certainly not a superior, among his works. The poetess is seated at a desk placed in front of the centre of an amphi- theatre of marble benches, while in the middle of the chord which extends between the horns of the arc of the amphitheatre is, half seated, half re- clining, a lyre in his hands, Alcaeus the poet. The ardor of composition pervades his dark, energetic face, and he looks intently and abstractedly forward, while his fingers sweep slowly yet passionately the strings of the lyre which rests in his lap. His skin is of pale gold-brown, exquisitely set off by the delicate rose-colored robe which falls easily about him. The object of the poet is to enlist Sappho’s support in a political scheme of which he is a leader, if not the chief prophet, and he has come to her “ school ” in Lesbos with the hope of securing another voice and other songs to advocate the views of his party. We have thus depicted a political as well as poetical flirtation between two of the greatest lyric poets of antiquity. 160 TROYON (C.) Paris Pupil of Rivereaux. Medals, 1838-40-46-55. Legion of Honor, 1S49. Born, 1S10. Died, 1865. “ Repose.” 34 X 22 54 161 GOYA Y LUCIENTES (F. J. DE) . Born, 1746. Died, 1828. “ The Procession.” 25 x 34 162 BECKER (Carl) Pupil of Von Klober, Hess and Cornelius. Medals, Berlin, Vienna and Munich. Vice-President and Professor Academy, Berlin. Member Academies, Berlin and Vienna. Member Royal Society Letters and Fine Arts of Belgium. Officer of Order of Leopold. Medal, 1861. Bom, 1817. Died, 1878. “ The Petition to the Doge.” 41 x 51 From the W. H. Webb Collection, New York. Dated 1860. 163 DAUBIGNY (C. F.) Pupil of P. Delaroche. Medals, 1848-53-55-57-59-67. Legion of Honor, 1859. Officer of the Legion of Honor, 1874. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1817. Died, 1878. “ The Coming Storm — Early Spring.” 27 x 17 Dated 1874. 164 COROT (J. B. C.) Pupil of V. Bertin. Medals, 1838-48-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1796. Died, 1875. “ The Fisherman’s Cottage.” 25 X 31 Spain Berlin Paris Paris 55 ALMA-TADEMA (L.), R. A. 165 London Pupil of Leys. Member of the Royal Academy, Amsterdam, 1863. Medal at the Salon, Paris, 1864. Knight of the Order of Leopold (Belgium), 1866. Second-class Medal at the International Exposition, Paris, 1867. Knight of the Order of the Dutch Lion, 1868. Knight, First Class, of the Order of Merit of St. Michael of Bavaria. 1869. Member of the Royal Academy of Munich, 1871. Knight of the Order of the Legion d’Honneur, France, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy of Berlin, 1875. Member of the Society of Painters in Water Colors, London. Knight of the Third Class, Lion d’Or of the House of Nassau, 1876. Knight of the Third Class of the Kcenigliche Kronen-Orden of Prussia, 1877. Honorary Professor of the Royal Institute of Fine Arts, Naples, 1878. First-class Medal at the International Exhibition, Paris, 1878. Officer of Legion of Honor, 1878. Royal Academician, 1879. Order of Merit, Berlin, 1881. Corresponding Member Academy des Beaux Arts, 1881. “ A Roman Emperor — Claudius.” 68 x 33 From the Artist. E. U., 1878. Dated 1871. “ When the Praetorian soldiers had killed Caligula, his family and the members of his household, they were afraid an emperor would be thrust upon them by the Senate. To ascertain whether any of the Imperial family had not been forgotten, they returned to the palace the next day, and discovered Claudius hidden behind a curtain. They carried him off to their camp on Mount Aventinus and proclaimed him emperor, to the bewilderment of all the world. He was the first emperor who had to pay the soldiers for his election ; it was the beginning of the end.” Of this picture Blackwood’s Magazine says: “And rising to a tragedy little short of sublime is the scene of the Emperor Caligula lying murdered on the ground, while the Pnetorian guard pay mock homage to Claudius, found agonized with terror behind a curtain. The painter’s realism here serves him well. Less naturalistic artists may suggest and shadow forth; but in this terror-moving situation the eye looks on the very deed.” From the London Times. “ Besides those features of which we have spoken — his positiveness and his loyalty to the subjects where his great learning may find free scope — he has certain distinctive qualities as a painter without which neither a turn for realism nor a mastery of archaeology would have carried him very far. He has, first, extraordinary dramatic power; he knows what situation will best sum up a whole history, and by what grouping of incidents and accessories that situation may be best conveyed. He wishes, for instance, 56 to paint ‘ the beginning of the end ’ of the Roman Empire, and, with a true instinct, he seizes on the moment when Caligula has been slain by the soldiery, and when Claudius, miserably hiding for his life, is discovered and brought out to be proclaimed emperor by the will, not of the people, but of the guards. That is a scene which embodies an epoch ; and what pictorial possibilities it has ! The Praetorians, the bowing women, the officer who has found the ghastly, shrinking fugitive and who bends to the ground before him with half-ironical obeisance ; the fugitive himself, and all the splendors of the palace — here, indeed, are the elements of a picture. But to do them justice requires nothing less than Mr. Tadema’s second artistic gift — that of extraordinary technical power, the power which be- longs to him pre-eminently as a painter. His draughtsmanship is strong and masterly.” 166 SAINT-JEAN (Simon) Paris Pupil of Frangois Lepage. Medals, 1834-41-55. Legion of Honor, 1843. Born, 1812. Died, 1860. “ Still Life.” 18 x 14 Dated 1852. 167 ZIEM (Felix) Paris Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Midday.” 2 3 x 17 168 SAINT-JEAN (Simon) Paris Pupil of Francois Lepage. Medals, 1834-41-55. Legion of Honor, 1843. Born, 1812. Died, 1860. “ Still Life.” 18 x 14 Dated 1852. 57 169 WEEKS (Edwin Lord) Boston Born, 1849. Died, 1903. “ Interior of a Mosque.” 55 x 69 170 MAX (Gabriel) Germany “ The Raising of the Daughter of Jairus.” 26 x 32 171 STUART (Gilbert) Rhode Island Pupil of West. Born, 1755. Died, 1828. Went to England in 1772 and 1775, where he studied under West and painted many por- traits, including one of Sir Joshua Reynolds. “ Portrait of Washington.” 24 x 30 Well known as having belonged to the collection of Robert Gilmor of Baltimore, for whom it was painted. 172 MERLE (Hugues) Paris Pupil of Cogniet. Medals, 1861-63. Legion of Honor, 1866. Born, 1S22. Died, 1881. “ The Scarlet Letter.” 32 X 39 From the Artist. Dated 1861. 173 BONNAT (Leon) Paris Pupil of Cogniet. Medals, 1861-63-67. Legion of Honor, 1S67. Medal of Honor, 1869. Officer of the Legion of Honor, 1874. Member of the Institute of France, 1SS1. Knight of the Order of Leopold, 1881. Commander of the Legion of Honor, 1882. “ An Arab Sheik.” 27 x 23 58 LEE (F. R.), R. A. 174 London Royal Academician. Born, 179S. Died, 1879. “ A Landscape.” 17 x 24 175 THAULOW (Fritz) “ Landscape, Village on the Bank of a Stream.’ 26 x 32 176 BEECHEY (Sir William), R. A Born, 1753. Died, 1839. “ Portrait of Lady Clinton.” 13 X II 177 DIAZ (N.) Medals, 1844-46-48. Legion of Honor, 1851. Diploma to the memory of deceased artists, Exposition LTniversel, 1878. Born, 1807. Died, 1876. “Fete Galante, XVIII Siecle.” 8x8 178 MULLER (C. Leopold), dec’d Professor of the Academy of Fine Arts, Vienna. “ Holy Babe.” 5x7 DEGAS 179 “ Study, Head of Middle-Aged Woman.” 11x9 Norway London Paris Vienna Paris 50 180 CONSTABLE (John), R. A Born, 1776. Died, 1837. “ Landscape with Windmill.” 9 x 12 181 HARPIGNIES (Henri) Medals, 1S66-GS-60-78 (E. U.). Legion of Honor, 1875. Officer, 1883. Member of the Society of French Artists. “ Landscape.” 1 I x 14 ROTTA (Ant.) 182 Third-class Medal, 1S78 (E. U.). “ The Hopeless Case.” 20 x 25 From Collection of M. Oeltzelt, Vienna. Dated 1871. 183 STEVENS (Alfred) Gold Medal at Brussels, 1851. Paris, 1853-55-65 (E. U.). Legion of Honor, 1863. Officer of the Legion of Honor, 1867. Commander of the Order of Leopold. First-class Medal, Exposition Universel, 1878. Grand Officer of the Order of Leopold, 1881. Born, 1S17. Died, 1875. “ News from Afar.” 16 x 24 184 GLEYRE (Charles) Pupil of Hersent. Medals, 1843-45. Never exhibited after 1848. Born, 1807. Died, 1874. “ Lost Illusions.” 59 x 34 From the Artist. London Paris Venice Paris Paris 60 Gleyre’s diary gives an interesting description of how and where this conception first came to him : “ It was on the 21st of March, 1835, during a beautiful twilight on the Nile, abreast of Abydos. The sky was so pure, the water so calm, that, after the brain excitement to which I had aban- doned myself all the day, it would have been difficult for me to have said whether I was sailing on the stream or through the air’s infinite space. As I turned toward the setting sun, I thought I saw, in fact I did see, a bark most happy in form, in which were a group of angels, clothed with such elegance and posed in such calm and noble attitudes that I was enchanted. Insensibly they approached, and I was able to distinguish their voices ; they chanted a chorus of divine music. The bark stopped just beyond a cluster of palms planted on the bank. The sparkling surface of the river repeated so exactly these charming objects that they seemed double. Never during my life will I forget it. The triple harmony of form, color and sound was complete.” Eight years later he transferred this vision to the canvas. 185 RICO (M.) Paris Medals, 1878 (E. U.). Legion of Honor, 1878. “ Gathering Oranges, Toledo.” 29 X 16 186 DELACROIX (Eugene) Paris Pupil of GuSrin. Medals, 1824-48. Medal of Honor (E. U.), 1855. Legion of Honor, 1831. Officer, 1846. Commander, 1855. Member of the Institute, 1857. Born, 1798. Died, 1863. “ Jesus on the Sea of Galilee.” 29 x 24 Dated 1856. Collection Viot. “ Hundred Masterpieces ” Exhibition, Paris, 1883. Matthew, Chapter viii, verses 23 to 26. And when Jesus was entered into a ship, his disciples followed him. And, behold, there arose a great tempest in the sea, insomuch that the ship was covered with the waves ; but he was asleep. And his disciples came to him, and awoke him, saying, Lord, save us ; we perish ! And he saith unto them, Why are ye fearful, O ye of little faith? Then he arose, and rebuked the winds and the sea ; and there was a great calm. 3 61 187 KNAUS (Prof. L.) ( dec’d Berlin Pupil DUsseldorf Academy. Medals, 1853-55 (E. U.) -57-59. Legion of Honor, 1859. Grand Medal of Honor (E. U.), 1867. Officer of Legion of Honor, 1867. Medal, Vienna, 1882. Medal, Munich, 1883. Professor in the Academy, Berlin. “ The Truant.” 18 x 23 188 JALABERT (Chas. F.) Paris Pupil of P. Delaroche. Medals, 1847-51-53-55 (E. U.)-67 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1867. Born, 1819. Died, 1901. “ The Christian Martyr.” 18 x 21 189 GERICAULT (J. L. A. T.) .... Pupil of Carle Vernet and Gufrin. Born, 1791. Died, 1824. “ Riderless Racers at Rome.” 18 x 23 Paris 190 DETAILLE (Edouard) Paris Medals, 1869-70-72. Legion of Honor, 1873. Officer, 1881. Medal of Honor, 1888. Grand Prix, 1889 (E. U..). Member of the Institute, 1892. “ The Camp Barber.” 14 X 10 Dated 1876. 62 191 Rome FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1838. Died, 1874. “ Arab Fantasia.” 27 X 20 Dated 1857. 192 COROT (J. B. C.) Pupil of V. Bertin. Medals, 1838-48-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1796. Died, 1875. “ The Martyrdom of St. Sebastian.” 48 x 96 Salon, 1853. Universal Exposition, 1867. Lottery for wounded in Franco-German War, 1871. From Collection of Mr. Barlow, of England. Paris This great painting, which Eugene Delacroix described as the “ most sincerely religious picture of the XIXth century,” is at the same time simple, imposing, and elegant in composition. The actual painting of the work extended over a period of several years, as we learn from Corot’s own letters ;* its surface is so coated with succes- * Corot said, in letters to his friend Constant Dutilleux, a distinguished painter of Arras : Sept. 23, 1851. “ I am at the moment working upon an historical landscape embellished with a St. Sebastian succored by some holy women. And with care and work I hope, under the guidance of Heaven, to make a lovely picture.” August 29, 1852. “ As soon as my St. Sebastian is out of the fog and I have become more quiet, the ladies have my promise to pay you a visit this winter.” Just at this time Corot was not satisfied with his work, and was doubtful about exhibiting it in the Exposition of 1853; indeed, he had scratched it from his list, but some of his friends persuaded him to change his determination, and he writes: October 10, 1852. “ I have consulted about the ‘ St. Sebastian,’ and they have decided me to continue it, and risk its exhibition.” January 14, 1853. “ I am working like an ogre.” February 4, 1853. “ My ‘ St. Sebastian ’ is nearly finished; let us hope it will prove a success.” At the close of the Exhibition the picture returned to his studio, and later in the year Corot again worked upon it. Sept. 25, 1853. “ The ‘ St. Sebastian ’ advances, but slowly. I have been obliged to turn aside to dash off some things for amateurs, so that I shall not be able to visit you until the first of January.” 63 sive thicknesses of paint that already it presents the enamel of a painting of the last century. Indeed, regarding the intrinsic qualities of its execu- tion only, this chief d’ccuvre can be well compared to a fine picture by Rembrandt. The “St. Sebastian” is sober in tone, in keeping with the subject, yet rich in the coloring of the accessories. The principal group cannot fail to capture attention, nor can one fail to admire the grace and freshness of the angels, so light, so aerial, flying among the tops of the trees, and bearing the attributes of the martyr. This delicate motive furnishes an effect of most tender opposition, and presents the further advantage of filling equally, yet with different senti- ments, both the upper and lower half of the picture. The background is in itself very interesting, and the place it assumes in the frame denotes in the artist an innate taste for the picturesque and a thorough knowledge of the value of lines. The piercings of light are most discreetly arranged to give full value to the principal clearing, and the leafage of the trees, hanging from the branches covered with their many- hued barks, is so light and open, you feel that other angels may at any instant appear. Corot, throughout the whole of his long life, abandoned the study of the old masters and devoted himself to the study of nature alone, wherein he unwittingly followed the great Italian masters Correggio, Titian, and Paul Veronese, and acquired with them the same charm and magic of compo- sition. Our great writer Theophile Sylvestre, in his “ Histoire des Artists vivants,” in using the “ St. Sebastian ” as the best example with which to explain Corot’s technique, has said : “In a landscape there are no more two identical color values to be found, than are there in Nature two faces, two clouds, two trees, two lights, two drops of water, absolutely alike. .... Let us take as an example of his work his picture of this year, ‘ St. Sebastian but first let us understand its general intent. Two holy women draw out the arrows from the body of the martyr and support him in his agony. He lies in the heart of a mysterious wood, in the shadow of mighty trees growing at the base of a hill which rises like a Calvary. His execu- tioners have abandoned the martyr in this gloomy spot where no prying eye could discover them, and are just seen, their horses in a walk, passing over a little summit into a valley which suddenly plunges beneath the line of the horizon. But the two holy women have heard the groans of the victim and watched the departure of his torturers. Two angels, light as butterflies and bright as spirits, fly through the shivering leaves, bearing the palm and crown. Corot has poured out all his talent and all his heart into this picture, so religious, so touching. “ In it the division of values, according to the principle I have set forth above, is comprised as follows : The sky very, very light ; the angels very light; the head-dress of the woman holding the vase, light; the cavaliers, 64 less light; the foliage of the trees, dark; the hill which rises to the right of the spectator, more dark; the full-grown trunks of the trees, very dark. And bear in mind that each of these divisions is subdivided ad infinitum.” *********** The picture was returned to Corot’s studio from the Exhibition of 1867, at the time of the year when the landscapists seek the fields and the woods, and Corot was never the last to abandon his four walls. When the leaves had again fallen the master once more saw his “ St. Sebastian,” and was at once struck with the absence, or rather insufficiency, of air, arising from the contracted opening in the trees, which, moreover, was too square. He at once enlarged it below, forming a kind of triangle, which better corresponded to the image of rays of light. This happy idea was hailed by his friends. Necessarily, this modification led to many others, not only in the landscape bordering this flow of light, but also in some of the details of the figures. In this state the picture remained at his studio until 1871, when Corot presented it to the lottery held in the interior of the yet unfinished Opera House, in aid of the orphans left by the Franco-German war, and, unlike some artists whose pictures were there, he refused to accept the large sum offered him in numbered tickets. The picture was drawn by a foreigner, from whom I purchased it. Un- fortunately its great size prevented my keeping it, and I yielded it to M. Durand-Ruel. I recall now also that it was offered to the Administration of the Beaux Arts for a very reasonable price, but they made no answer. I had noticed that both the canvas and stretcher were square on top, and that the circular form was given by the frame only. The artist, having received an impression, more or less well-founded, that this shape would aid its sale, readily consented, when requested in 1872, to make the picture rectangular. Thus we may say that it is seen to-day in its third state, and certainly it has lost nothing in the last transformation. In conclusion, I would mention that this picture was photographed in its first state at the Exposition of 1853 (10 )4 x 6J/2 inches), to illustrate, with other plates, the two numbers in folio relating to Corot in the “ Histoire des Artists vivants franqais etrangers. Etudes d’apres nature par Theo- phile Sylvestre, 1853.” It was also engraved on wood at the same time and for the same publi- cation in 4to (size 6Y2 x 4 J4 inches). Finally, in 1873-4, M. Durand-Ruel had it photographed and etched by M. H. Lemaire (in size 5)4 x 3)4 inches) for his important publication, unfortunately but little known, where are to be found most of the im- portant pictures of the contemporaneous French school. I would add that Corot, in 1852, made at Arras, for his friend Ct. Dutil- leux, a beautiful crayon of its first state, which now belongs to me (14 x 10F2 inches). At the Exposition of 1867, M. Pothey obtained from his illustrious 65 master an original drawing (ioj4 x 6)4 inches), rounded at the top, to insert, under a photo-typographic form, in his fine publication “ L’Auto- graphe an Salon.” This represents the second state of the work, with the large opening in the trees showing the sky and distance. Finally, to show how this subject haunted the brain of the great artist, I will mention a little sketch traced from nature in the Forest of Fontaine- bleau at the “ Carrefour of Charlemagne,” in which Corot has placed the “ St. Sebastian ” group. Upon seeing this magnificent cluster of moving trees, one of our most talented artists exclaimed with fervor: “If the Parthenon had been deco- rated with landscapes, Corot would have been the sculptor.” (Signed) Alfred Robaut, October 15, 1883. Among the drawings found in a portfolio I bought at Corot’s posthu- mous sale are : A sketch in crayon of the composition. Also a pencil drawing (in folio) of an Academic study of the figure St. Sebastian, and on the top of the sheet is written, “ I have been advised not to place them too high — M. Cibot, historical painter.” That is, Corot’s friends, including Cibot, who was the last admitted to his studio, advised him to place the group of three figures very near the bottom of his composition. PASINI (A.) 193 Paris Pupil of Ciceri. Medals, 1S59-63-64. Legion of Honor, 186S. Grand Medal of Honor (E. U.), 1878. Officer of Leprion of Honor, 1878. Born, 1826. Died, 1899. “ Damascus.” 13 x 16 Dated 18S0. 194 COROT (J. B. C.) . Paris Pupil of V. Bertin. Medals, 1S38-48-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1796. Died, 1875. “ Very Early Spring.” 15 X 21 From the Robaut Collection, Paris. 66 FROMENTIN (E.) 195 Paris Pupil of Cabat. Medals, 1849-57-59 (E. U.)-67. Legion of Honor, 1859. Officer of the Legion of Honor, 1869. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1S20. Died, 1876. “ An Encampment in the Atlas Mountains.” 56 x 40 196 RICO (Martin) Medal, 1878. Legion of Honor, 1878. “ Venice.” 28 X 17 From the W. T. Blodgett Collection, New York. 197 VIBERT (J. G.) Pupil of Barrias. Medals, 1864-67-68. Legion of Honor, 1870. Third-class Medal, Exposition Universel, 1878. Born, 1840. Died, 1904. “ Toreadors before Entering the Arena.” 33 x 18 198 BOUGHTON (G. H.), A. R. A. Member of the National Academy. Associate of the Royal Academy. “ Venus and Neptune.” 14 x 23 From the Artist. 199 BONVIN (Francois S.) Medals, 1849-51. Legion of Honor, 1870. Born, 1817. Died, 1878. “ Drawing Water.” 12 X 17 Dated 1858. Paris Paris London Paris 67 CROME (John) 200 Norwich Born, 1769. Died, 1821. “ Landscape.” 9 X 12 201 COROT (J. B. C.) Pupil of V. Bertin. Medals, 1838-48-55-67 (E. U.). Legion of Honor, 1846. Officer of the Legion of Honor, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1796. Died, 1875. “ Two Italian Peasants, ‘ Youth and Old Age.’ ii x 7 Collection Dutilleux. Collection Moreau — Nelaton, Paris. Collection P. A. Cheramy, Paris. MARIS (J.) 202 Born at The Hague, 1S38. Died, 1899. “ Dutch Landscape, with Canal.” 13 x 19 203 COURBET (Gustave) Born at Orrans, 1819. Died, 1877. “ Landscape.” 19 x 23 204 CHAVET (Victor) Pupil of Revoil and Roqueplan. Medals, 1853-55 (E. U.)-57. Legion of Honor, 1859. “ The Amateur.” 8x6 Dated 1859. Paris 99 Holland Paris Paris 68 EAST GALLERY. 205 DRUMMOND (Samuel), A. R. A. Associate Royal Academy, 1808. Born at London, 1765. Died, 1844. “ The Apotheosis of Nelson.” 206 WILSON (Richard), R. A. Foundation Member Royal Academy, 1768. Born at Pinegas, Montgomeryshire, 1714. Died, 1782. “ Italian Landscape.” 207 RAEBURN (Sir Henry), R. A. Associate Royal Academy, 1S12. Academician, 1815. Born, 1756. Died. 1823. “ Portrait of Margaret Wilson.” LELY (Sir Peter). 208 Pupil of Peter de Grebber. Court Painter to Charles I and Charles II. Knighted by Charles II. Born at Westphalia, 1618. Died, 1680. “ Portrait of a Lady.” 209 IBBETTSON (Julius Caesar). Born at Mashani, Yorkshire, 1759. Died, 1817. “ Landscape and Figures.” 69 210 GAINSBOROUGH (Thomas), R. A. Pupil of Francis Tlayman. Foundation Member Royal Academy, 1768. Born at Sudbury, 1727. Died, 1788. “ Landscape with Figures.” 211 WILSON (John), called “Jock” Wilson. Pupil of Alexander Nasmyth. Foundation Member Society of British Artists. Honorary Member Scottish Academy. Born near Ayr, 1774. Died, 1855. “ English Barn-yard.” 212 CROME (John). President Norwich Society of Artists, 1810. Born at Norwich, 1769. Died, 1821. “ Landscape with Figures.” 213 CONSTABLE (John), R. A. Associate Royal Academy, 1819. Academician, 1829. Born at East Bergholt, Suffolk, 1776. Died, 1837. “ Landscape with Anglers.” 214 LESLIE (Chas. R.), R. A. Pupil of Benjamin West, and Washington Allston. Associate Royal Academy, 1821. Academician, 1826. Born at London, 1794. Died, 1859. “ The Miniature.” OPIE (John), R. A. 215 Professor of Painting: Royal Academy, 1806. Born at St. Agnes, near Truro, 1761. Died, 1807. “ The Game of Chess.” 70 216 FRENCH SCHOOL— XVIII Century. “ Portrait of a Lady.” 217 SANDERS (George L.). Born at Kinghorn, Fifeshire, 1774. Died, 1846. “ Portrait of Lord Byron.” From Mrs. Amelia Marianna Leigh. 218 GELLEE (Claude), called Claude de Lorraine. Born at Chamagne (Vosges), 1600. Died, 1682. “ Italian Landscape with Figures.” 219 BONINGTON (Richard Parkes). Pupil of Baron Gros. Born at Arnold, near Nottingham, 1801. Died, 1828. “ Beach Scene with Figures.” 220 WILSON (Richard), R. A. Foundation Member Royal Academy, 1768. Born at Pinegas, Montgomeryshire, 1714. Died, 17S2. “ Italian Landscape.” 221 O’CONNOR (James A.). Born at Dublin, 1793. Died, 1841. “ Landscape — The Forest Road.” 222 COLLINS (William), R. A. Associate Royal Academy, 1814. Academician, 1820. Born at London, 1788. Died, 1847. “ Landscape with Children at Play.” 7 ' CROME (John). 223 President Norwich Society of Artists, 1810. Born at Norwich, 1769. Died, 1821. “ Landscape with Large Tree.” 224 HOPPNER (John), R. A. Associate Royal Academy, 1792. Academician, 1795. Born at London, 1758. Died, 1810. “ Portrait of Mrs. Mellon (Duchess of St. Albans).” 225 REYNOLDS (Sir Joshua), P. R. A. Pupil of Thomas Hudson. First President Royal Academy, 1768. Born at Plyinpton, Devonshire, 1723. Died, 1792. “ Portrait of Duke of Portland.” 226 ROMNEY (George). Bom, Lancashire, 1734. Died, 1802. “ Portrait of Miss Lockwood.” 227 LAWRENCE (Sir Thomas), P. R. A. Associate Royal Academy, 1791. Academician, 1794. President R. A., 1819-30. Court Painter, 1792. Knighted, 1815. Born at Bristol, 1769. Died, 1830. “ Portrait of the Countess of Sutherland, in her own right, she became first Duchess of Sutherland after marrying Marquis of Stafford.” From grandson of the steward of the Dunrobbin estates, given him by the Duke of Sutherland. 228 COLLINS (William), R. A. Associate Royal Academy, 1814. Academician, 1820. Born at London, 1788. Died, 1847. “ Landscape with Figures, Harvest Showers.” Collection Isaac M. Currie. 72 VINCENT (George). 229 Pupil of John Crome. Exhibitor Royal Academy, 1814-23. Born at Norwich, 1796. Died, about 1831. “ Landscape with Figures, A Country Lane.” 230 MORLAND (George). Bom at London, 1763. Died, 1804. “ The Smugglers.” LELY (Sir Peter). » 231 Pupil of Peter de Grabber. Court Painter to Charles I and Charles II. Knighted by Charles II. Born at Westphalia, 1618. Died, 1680. “ Portrait of Mr. P. Leneve, Alderman of Norwich.” Walpole Collection, Strawberry Hill, 1842. Exhibition British National Portraits, Burlington House, 1883. 232 HOGARTH (William). Born at London, 1697. Died, 1764. “ Portrait of Selina, Countess of Huntingdon.” She was the daughter of the Earl of Ferrers, and married the Earl of Huntingdon. She built in England 64 chapels and became so prominent in religious matters that she became the head of a sect known as the “ Lady Huntingdon Connection.” 233 VAN DYCK (Sir Anthony). Pupil of Van Balen and Rubens. Born, 1599. Died, 1641. Court Painter to Charles I and to Ferdinand of Austria. Knighted by Charles I, 1632. Honorary President Antwerp Guild of St. Luke, 1635. “ Portrait of Prince Maurice.” From Countess of Warwick. Son of the Elector Palatine and King of Bohemia, and Elizabeth his wife, who was a daughter of James I. of England. He died in 1651, ship- wrecked on coast of Spain. He was a brother of Prince Rupert. 73 VAN DYCK (Sir Anthony). Pupil of Van Balen and Rubens. Born, 1599. Died, 1641. Court Painter to Charles I and to Ferdinand of Austria. Knighted by Charles I, 1632. Honorary Poet, President Antwerp Guild of St. Luke, 1635. “ Virgin and Child.” Blenheim Palace Collection. Joseph Ruston Collection. Smith’s catalogue of Marlborough collection, number 263. 235 CONSTABLE (John), R. A. Associate Royal Academy, 1819. Academician, 1829. Born at East Bergholt, Suffolk, 1776. Died, 1837. “ The Lock.” 236 LAWRENCE (Sir Thomas), P. R. A. Pupil of Royal Academy. Born, 1769. Died, 1830. Associate Royal Academy, 1791. Court Painter, 1792. Royal Academician, 1794. Knighted in 1815. President Royal Academy, 1820-30. “ Portrait of the Countess of Wilton.” Collection of Alfred Morrison. 237 LAWRENCE (Sir Thomas), P. R. A. Pupil of Royal Academy. Born, 1769. Died, 1830. Associate Royal Academy, 1791. Court Painter, 1792. Royal Academician, 1794. Knighted in 1815. President Royal Academy, 1820-30. “ Portrait of Mrs. Foote.” 238 RAEBURN (Sir Henry), R. A. Associate Royal Academy, 1812. Academician, 1815. Born, 1756. Died, 1823. “ Portrait of a Lady.” 74 ROMNEY (George). 239 Born, Lancashire, 1734. Died, 1802. “ Portrait of Mrs. Frere.” 240 GAINSBOROUGH (Thomas), R. A. Pupil of Francis Hayman. Foundation Member Royal Academy, 1768. Born at Sudbury, 1727. Died, 1788. “ Crossing the Ford.” DE HEUSCH (Willem). » 241 Pupil of Jan Both. Born at Utrecht, 1638. Died, 1712. “ Italian Landscape.” 242 CRANACH (Lucas, the younger). F >. ■ IpvfpJ Born at Wittenberg, 1515. Died, 1586. “ Holy Family with St. John Offering Fruit to the Infant Christ.” Panel. GOLTZIUS (Hendrik). Born at Mulbrecht (Iulich), 1558. Died, 1617. “ On the Way to Calvary.” Panel. jvl-6 W'l-d 244 GERMAN SCHOOL— XVI Century, u “ The Philosopher.” 245 MENGS (Anton Raphael). Born at Aussig, Bohemia, 1728. Died, 1779. “ Portrait of Cardinal de Bernis.” 75 PENCZ (Georg). 246 Born at Nuremburg, about 1500. Died, 1550. “ The Crucifixion.” Panel. Dated 1537. SCHOOL OF HOLBEIN, the younger— Early XVI Century. 248 SCHOOL OF DURER (Albrecht)— Early XVI Century. “ The Mysteries of the Rosary.” HOLBEIN (Hans, the younger). Born at Augsburg 1 , 1497. Died, 1543. “ Portrait of an Ecclesiastic.” Dated A. D. 1529, Aet. 74. Collection Sir Charles Lock Eastlake. Collection Sir Richard Gerrard. 250 SCHOOL OF HOLBEIN (Hans). ' “ Portrait of Foxe.” “ Portrait Group.” Panel. Triptych. 249 Panel. 251 NEUFCHATEL (Colin de). Born at Mons, Hainault, 1525. Died, about 1570. “ Portrait of an Ecclesiastic.” Panel. 76 252 MENGS (Anton Raphael). Born at Aussig, Bohemia, 1728. Died, 1779. “ Male Portrait — Unknown Personage.” 253 FERBIS (GERMAN SCHOOL— XVII Century). “ Judith with the Head of Holofernes.” 254 GERMAN SCHOOL— Early XVI Century. “ Adoration of the Magi.” Panel. Triptych. 255 GERMAN SCHOOL— Early XVI Century. “ Adoration of the Magi.” Panel. Triptych. 256 GERMAN SCHOOL— XVI Century. “ The Philosopher.” Panel. 257 HOLBEIN (Hans, the younger). Born at Augsburg, 1407. Died, 1543. “ Portrait of an Elderly Woman.” Panel. 258 GERMAN SCHOOL— XVI Century, f i fUN/^R “Portrait of a Pope.” [tflsyoR Dated 1563. Panel. 77 259 GERMAN SCHOOL— XVII Century. “ Portrait of a Queen.” 260 MENGS (Anton Raphael). Born at Aussig, Bohemia, 1728. Died, 1779. “ Portrait of a Lady in Gala Costume.’ GERMAN SCHOOL— Early XVI Century. “ Adoration of the Magi Panel. IR: U-. JUTZt HUYS (Pieter). 262 Antwerp, 16th Century. “ The Last Judgment.’ Panel. W cnUhti 263 MENGS (Anton Raphael). Bom at Aussig’, Bohemia, 1728. Died, 1779. “ Portrait of a Roman Senator.” 264 DENNER (Balthasar). Born at Hamburg, 16S5. Died, 1749. “ Head of an Old Man.” Panel. 265 NETSCHER (Caspar). Born at Heidelberg, 1639. Died, 1684. “ Portrait of a Young Lady.” 78 266 GERMAN SCHOOL — Early XVI Century. “ Virgin and Child, with Two Attendant Angels, in a Landscape.” Panel. 267 REYNOLDS (Sir Joshua), P. R. A. Pupil of Thomas Hudson. First President Royal Academy, 17C8. Born, 1723. Died, 1792. “ Portrait of the Artist.” 268 GAINSBOROUGH (Thomas), R. A. Pupil of Francis Hayman. Foundation Member Royal Academy, 1768. Born at Sudbury, 1727. Died, 1788. “ Portrait of a Lady.” CRANACH (Lucas). 269 Born, 1472. Died, 1553. A/bd “ Portrait of a Noble Lady.” 270 TERBURG (G.). Born, 1617. Died, 1681. “ Miniature Portrait of a Gentleman.” 271 FRENCH SCHOOL— XVIII Century. “ Portrait of a Gentleman.” 272 DUTCH SCHOOL— XVII Century. I’ “ Portrait of an Old Man.” 79 273 GERMAN SCHOOL— XVI Century. “ Portrait of an Elderly Man.” 274 BEGA (Cornells Pietersz). Born at Haarlem, 1620. Died, 1664. “ The Lecture.” 275 DURER (Albrecht), [scwtj Born at Nuremburg, 1471. Died, 1528. “ A View of Nuremburg.” 276 HONTHORST (Gerard van). J' ; Born at Utrecht, 1590. Died, 1656. “ The Nativity — Holy Family with Attendant Angels.” 277 MURILLO (Bartolome Esteban). [jZ T P-? ? 1 ) Born at Seville, 1617. Died, 1682. “ The Nativity.” Virgin and Child, with Saints in Adoration, a Peasant Bringing Gilt ot Game. RIBERA (Josef). Born at Xativa, Spain, 1588. Died, 1656. “ Saint Jerome in Penitence.” 279 SUTTER MANS (Justus). Born at Antwerp, 1597. Died, 1681. “ Portrait of a Noble Lady.” 80 280 SUTTERMANS (Justus). Born at Antwerp, 1597. Died, 1681. “ Portrait of a Nobleman.” 281 VELASQUEZ (Diego Rodriguez Da Silva y). I 7 fP\i, h\ l& Born at Seville, 1599. Died, 1660. “ Landscape with the Flight Into Egypt.” 282 SCHOOL OF VELASQUEZ— XVII Century. “ Battle Scene.” 283 GOYA Y LUCIENTES (Francisco Jose de). Born at Fuendetodos, Spain, 1746. Died, 1828. “ Portrait of a General.” 284 GOYA Y LUCIENTES (Francisco Jose de). Born at Fuendetodos, Spain, 1746. Died, 1828. “ Head of a Young Girl.” 285 MURILLO (Bartolome Esteban). Born at Seville, 1617. Died, 1682. “ The Ambulant Musicians.” 286 MURILLO (Bartolome Esteban). Born at Seville, 1617. Died, 1682. “ The Immaculate Conception.” Collection Count Altamira. Collection Coesvelt, 1840. (Engraved by Joubert, 1835.) Collection Mrs. George Perkins, London, 1887. Collection Sir Lewis Jarvis, London, 1890. Collection P. C. Hanford, New York, 1902. 8l 287 DUTCH SCHOOL— XVII Century. “ A Family Group.” Panel. 288 DUTCH SCHOOL— XVI Century. | “The Annunciation” (Grisaille). Panel. 289 VAN LEYDEN (Lucas). Born at Leyden, 1494. Died, 1533. “ Christ Taken from the Cross.” Panel. 290 BLES (Hendrik Met de). Born at Bouvignes, 1480. Died, 1550 (?). “ Virgin and Child with St. John and a Bishop.” Panel. Triptych. 291 FLEMISH SCHOOL— Early XVI Century. “ Landscape with Two Female Saints.” Panel. 292 FLEMISH SCHOOL— Early XVI Century. “ Christ on the Way to Calvary.” Panel. 293 SCHOOL OF RUBENS— XVII Century. } “ The Virgin, Infant Christ and St. John in a Landscape.” Panel. 82 FLEMISH SCHOOL— Early XVI Century. “ The Dead Christ in the Arms of Mary.” Panel. 295 ZURBARAN (Francisco). ' Born, Spain, 1598. Died, 1662. “ The Temptation of Saint Anthony.” 896 POELENBURGH (Cornelis Van). Bora at Utrecht, 1586. Died, 1667. “ Adoration of the Shepherds.” Panel. 297 AMBERGER (Christoph). Born at Augsburg, 1490. Died, 1563. “ Portrait of a Nobleman.” Panel. ZEGHERS (Daniel). 298 Born at Antwerp, 1590. Died, 1661. \ “ Saint Rose of Lima and Infant Christ.” 299 FLEMISH SCHOOL— XVI Century. “ Saint Sebastian and Saint Ludovic, Bishop of Anjou. CLEEF (Joost van). 300 Born at. Antwerp, 1520. Died, 1556 (?). “ Repentance.” Copper. 301 SCHOOL OF RUBENS— XVII Century. “ Calvary.” Panel. 302 VAN LEYDEN (Lucas). , U -V Born at Leyden, 1494. Died, 1533. “ Pieta, Virgin and Dead Christ.” Panel. 303 SCHOOL OF BERNARD VAN ORLEY— Early XVI Century. “ Christ Brought Before the People.” Panel. 0 'J 304 FLEMISH SCHOOL— Late XV Century. M '' “ Saint John and Saint Ludovic, Bishop of Anjou.” 305 SCHOOL OF BERNARD VAN ORLEY— Early XVI Century. “ Triumph of Religion.” Panel. 306 WOUWERMAN (Philip). . tOiv Born at Haarlem, 1614. Died, 166S. “ Landscape with Riding Party.” 307 STUDIO OF RUBENS— XVII Century. “ The Judgment of Solomon.” Copper. 84 308 BLOEMEN (Jan Frans Van), called “ Orizonte.” j Born at Antwerp, 1662. Died, 1740 (?). “ Landscape, Italian Scene.” 309 STUDIO OF REMBRANDT— XVII Century. “ Portrait of a Lady.” STEEN, (Jan). 310 Born at Leyden, 1636 (?). Died, 1679. “ The Itinerant Musician.” 311 TENIERS (Abraham). yfpj Born at Antwerp, 1629. Died, 1670. “ Interior of a Butcher Shop, with Figures.” 312 VERBOOM (Adriaen H.)— Holland XVII Century. ]>?: “ Landscape.” 313 BRUEGHEL (Jan). Born at Brussels, 1568. Died, 1625. “ Landscape with Figures.” Panel. 314 VAN DER MEULEN (Adam Frans). Born at Brussels, 1632. Died, 1690. “ Scene of Battle.” 85 315 TENIERS (David, the younger), j f^ 1 ’ << Born at Antwerp, 1610. Died, 1694. “ Cottage Interior, Couple in Conversation.” Panel. 316 SCHOOL OF HOBBEMA— XVII Century, "j- “ Landscape.” 317 RUBENS (Peter Paul). Born at Siegen, Westphalia, 1577. Died, 1640. “ Pluto and Proserpina.” Collection Reuben Moss, London. 318 REMBRANDT VAN RIJN (H.). Born at Leyden, 1C06. Died, 1669. “ Portrait of an Astronomer.” 319 STUDIO OF RUBENS— XVII Century. “ Portrait of a Duke.” 320 VAN DER NEER (Aert). Born at Gorinchem, 1604. Died, 1677. “ Landscape, View of a Town on a River.” 321 VELDE (William Van de, the younger). Born at Amsterdam, 1633. Died, 1707. “ Marine — Harbour with Shipping, dead Calm.” 86 322 DEELEN (Dirk van). Born at Heusden, Holland, 1605. Died, 1671. “ The Tower of Babel.” Panel. 323 SCHOOL OF A. VAN DYCK— XVII Century, “ Apollo and Venus.” 324 STUDIO OF REMBRANDT— XVII Century. “ Interior of Synagogue, High Priests Disputing a Doctrinal Question.” Panel. 325 RUBENS (Peter Paul). Born at Siegen, Westphalia, 1577. Died, 1640. “ Small Landscape with an Extensive View.” 326 RUISDAEL (Jakob van). [ f . v Born at Haarlem, 1630 (?). Died, 1682. “ Landscape with Cottages and Figures.” Panel. 327 STUDIO OF REMBRANDT— XVII Century. “ Jesus in the Midst of the Doctors of the Church.” Panel. 328 FLEMISH SCHOOL— XVI Century. “ Interior of a Cathedral with Figures.” tdJM# ntA.L-l'W 8 7 329 FLEMISH SCHOOL— XVI Century. Wt" Street Scene with Lofty Buildings.” 330 SUTTERMANS (Justus). Born at Antwerp, 1597. Died, 1681. “ Portrait of a Lady.” 331 STUDIO OF RUBENS— XVII Century. “ St. Peter.” 332 BRUEGHEL (Jan). Born at Brussels. 1568. Died, 1625. “ Landscape with Soldiers in Ambush making an Attack.’ Panel. 333 SCHOOL OF WOUWERMAN— XVII Century. “ Return from the Chase.” Panel. 334 BACKHUYZEN (Hendrik van de Sande). Born at The Hague, 1795. Died, 1860. “ Harbour with Shipping.” 335 SCHOOL OF A. VAN DYCK— XVII Century. “ Descent from the Cross.” rvv^- 88 336 BRUEGHEL (Jan). Uivffjj Born at Brussels, 1568. Died, 1625. “ Landscape with Kermesse in the Grounds of a Castle.” Panel. 337 BRUEGHEL (Jan). [> Born at Brussels, 1568. Died, 1625. “ Landscape with Hunting Party.” Panel. 338 CHAMPAIGNE (Philippe de). Bom at Brussels, 1602. Died, 1674. “ Full Length Portrait of l’Abbe Jean Ignace Backx.” 339 VAN DER BENT (Johannes). Born at Amsterdam, 1650. Died, 1690. “ Landscape — ‘ Winter.’ ” 340 BAKHUISEN (Ludolf). Born at Emden, 1631. Died, 1708. “ Marine — Coming Squall.” 341 REMBRANDT VAN RIJN (H.). Bom at Leyden, 1606. Died, 1669. <> Ll t? L / “ In Tempe State Securitas.” Panel. 342 BERCHEM (Nicolaas). ' Born at Haarlem, 1620. Died, 1683. “ Allegory.” 343 RUISDAEL (Jakob van). Y 0 \'> Born at Haarlem, 1630 (?). Died, 1682. “ Landscape with Forest Road and Figures.” Panel. 344 REMBRANDT VAN RIJN (H.). Born at Leyden, 1606. Died, 1669. “ Joseph Accused by Potiphar’s Wife.” Panel. 345 HALS (Frans). Born at Antwerp, 1580 (?). Died, 1666. “ Portrait of a Gentleman.” 346 VAN DER NEER (Aert). [ftf.v-mo] Born at Gorinchem, 1604. Died, 1677. “ Landscape — Moonlight.” 347 OSTADE (Isack van). Ytk'i Born at Haarlem, 1621. Died, 1649. “ Landscape with Villagers Regaling and Dancing before a Tavern.” BERCHEM (Nicolaas). 348 Born at Haarlem, 1620. Died, 1683. “ Italian Landscape.” 349 TENIERS (David, the younger). Born at Antwerp, 1610. Died, 1694. “ Interior with Figures.” Panel. 90 350 GOYEN (Jan van). ] -.$!) J Born at Lejden, 1596. Died, 1666. “ Marine, with Castle on River Bank.” Panel. 351 RUISDAEL (Solomon van). Born at Haarlem, 1610 (?). Died, 1670. “ Landscape, with Fishermen Hauling Seine. Panel. 352 WOUWERMAN (Philip). 1 - ;nc iP j Born at Haarlem, 1614. Died, 1668. “ Landscape, with Hunting Party.” 353 BERCHEM (Nicolaas). Born at Haarlem, 1620. Died, 1683. “ Allegory.” 354 SIEBRECHT (Jan). { W '• Born at Antwerp, 1627. Died, 1703. “ Landscape with Milkmaid and Peasants on Road to Market.” 355 OSTADE (Isack van). Born at Haarlem, 1621. Died, 1649. “ Landscape, with Figures in Stable Yard.” 356 JACOBSZ (Hubert), called Grimani. Born at Delft, 1599. Died, 1628. “ Self Portrait.” 9i 357 SCHOOL OF REMBRANDT— XVII Century. “ A Soldier of the Venetian Republic.” 358 HUYSMANS (Cornelis). ! : TO i>j ' Born at Antwerp, 1648. Died, 1727. “ Landscape with Figures.” 359 HEEMSKERIC (Egbert van). Born at Haarlem, 1610. Died, 1680. “ Interior of Tavern with Boors Regaling.” 360 BOL (Ferdinand). Born at Dordrecht, 1611. Died, 1681. “ The Burgomaster.” 361 RUISDAEL (Jakob van). Born at Haarlem, 1630 (?). Died, 1682. “ Landscape with Dead Tree.” 362 FLEMISH SCHOOL— XVII Century. “ A Luncheon Party.” Panel. 363 FLEMISH SCHOOL— XVII Century. U c - V M J “ Landscape with Peasants in Grounds of a Chateau. ’ 92 BRUEGHEL (Pieter). Born near Breda, 1530 (?). Died, 1569. “ Kermesse.” 365 HUYSMANS (Jan Baptist). Born at Antwerp, 1654. Died, 1716. “ Landscape with Figures.” Panel. 366 SCHOOL OF VAN DE VELDE (William, the younger). Born at Amsterdam, 1633. Died, 1707. “ Marine — In Port.” Panel. 367 TENIERS (David, the younger). [ ii ;; ; Born at Antwerp, 1610. Died, 1694. “ Interior, Peasants Singing and Smoking.” Panel. 368 DOU (Gerard). i Born at Leyden, 1613. Died, 1675. “ Interior of Carpenter Shop, with Infant Christ, Mary and Joseph.” Panel. 369 VELDE (Adriaen van de). Born at Amsterdam, 1635. Died, 1672. “ Landscape with Figures and Cattle.” 4 93 370 WOUWERMAN (Philip). '/’• Born at Haarlem, 1614. Died, 1668. “ Battle Scene.” 371 FLEMISH SCHOOL— XVII Century. “ Portrait of a Gentleman.’ 372 SCHOOL OF A. VAN DYCK— XVII Century. “ The Magdalen.” 373 VELDE (Esaias, van de). iV.oO-O/ Born at Amsterdam, 1590. Died, 1630. “ Camp Scene.” Panel. WOUWERMAN (Philip). Born at Haarlem, 1614. Died, 1668. 374 i|)\Ho] Landscape, with Riding Party and Restive Horse. Panel. GOYEN (Jan Van). 375 Born at Leyden, 1596. Died, 1666. A Ferry, with Chateau.” [ \jf>[ ' H * 5 r AJ Panel. 376 DYCK (Anthonis Van). ' i Born at Antwerp, 1599. Died, 1641. “ Portrait of the Organist of Antwerp.” twjtMeSHj. 94 377 VAN DEN EECKHOUT (Gerbrandt). [tCfflOvtp Born at Amsterdam, 1621. Died, 1674. “ Martyrdom of Saint Sebastian.” 378 FLEMISH SCHOOL— XVII Century. !>■? “ Portrait of a Gentleman.” 379 MIERIS (Willem van). Born at Leyden, 1662. Died, 1747. “ The Daughter of Herod with the Head of John the Baptist.” Panel. 380 SCHOOL OF FRANCOIS CLOUET— XV Century. *5 “ Portrait of the Duke of Alencon.” Panel. 381 ALDEGREVER (Heinrich). Born at Westphalia, 1502. Died, 1558. “ The Parable of Dives and Lazarus.” Panel. 382 MIERIS (Frans van). Born at Delft, 1635. Died, 1681. “ The Violinist.” Panel. 383 FLEMISH SCHOOL— Early XVI Century. “ Virgin and Child, with St. Joseph, in a Landscape.” Copper. 95 384 GERMAN SCHOOL— XVI Century. “ Interior, with Virgin and Child.” Copper. 385 SCHMON (J. B.) — German School XVI Century. “ The Stroke of Lightning.” Copper. 386 GERMAN SCHOOL— XVI. Century. “ Portrait of a Queen.” Panel. 387 COQUES (Gonzales). Born at Antwerp, 1614. Died, 1684. “ Portrait of a Noble Lady, with Negro Page.” 388 FRENCH SCHOOL— XVIII Century. (3t rA -I U. in 1 *vwi(A vtf.v 1 lAl'Y) “ Mythological Subject.” SPANISH SCHOOL— XVII Century. “ The Guardian Angel.” Copper. 390 DROUAIS (Jean Germain). Born at Paris, 1763. Died, 1788. “ Portrait of a Young Lady.” q6 BOUCHER (Francois). 391 Born at Paris, 1703. Died, 1770. “ Pastorale.” 392 DAVID (Jacques Louis). Born at Paris, 1748. Died, 1825. “ Portrait of Madame Morel de Tangry.” Collection Alex. Dumas, fils, Paris. Collection P. A. Cheramy, Paris. 393 LE BRUN (Marie Louise Elisabeth). Born at Paris, 1755. Died, 1842. “ Portrait of a Gentleman.” 394 FRENCH SCHOOL— XVIII Century. “ Portrait of the Daughter of Pilker.” 395 FRENCH SCHOOL— XVIII Century. “ Portrait of a Lady.” 396 SCHOOL OF POUSSIN— XVII Century. “ Venus and Neptune.” 397 FRENCH SCHOOL — XVIII Century. “Voltaire chez la Princesse de Coride. Copper. 4 97 398 GREUZE (Jean Baptiste). Born at Tournus (Burgundy), 1725. Died, 1805 “ Innocence.” 399 FRAGONARD (Jean Honore). Born at Grasse, 1732. Died, 1806. “ The Kiss.” 400 FRENCH SCHOOL— XVII Century. “ Portrait of a Lady.” 401 BELLE (Alexis Simon). Born at Paris, 1674. Died, 1734. “ Portrait of Princesse de Bouillon.” 402 BOUCHER (Francois). Bom at Paris, 1703. Died, 3770. “ Jeanne d’Arc.” 403 GREUZE (Jean Baptiste). Born at Tournus (Burgundy), 1725. Died, 1S05. “ The Milkmaid.” 404 BOUCHER (Frangois). Born at Paris, 1703. Died, 1770. “ Head of a Young Girl.” 405 FRAGONARD (Jean Honore). Bom at Grasse, 1732. Died, 1806. “ The Lovers.” 406 BELLE (Alexis Simon). Born at Paris, 1674. Died, 1734. “ Portrait of a Lady.” POUSSIN (Nicolas). 407 Born at Villers (Normandy), 1594. Died, 1665. “ Summer.” 408 SCHOOL OF POUSSIN— XVII Century. “ Mythological Subject.” Panel. 409 LOO (Charles Andre Van). Born at Nice, 1705. Died, 1765. “ Portrait of a Nobleman.” 410 LARGILLIERE (Nicolas de). Born at Paris, 1656. Died, 1746. “ Portrait of an Actress.” 411 FRENCH SCHOOL— XVII Century. “ Portrait of a Royal Personage.” 99 412 CLOUET (Jean Frangois). Born at Tours, 1485 (?). Died, 1541 (?). “ Portrait of Francis I.” Panel. 413 PATER (Jean Baptiste). Born at Valenciennes, 1695. Died, 1736. “ Fete Champetre.” 414 LE MOYNE (Frangois). Born at Paris, 1688. Died, 1737. “ Angelique and Medor.” )]fQlCI j 415 FLEMISH SCHOOL- -XVI Century. “ Portrait of a Panel. Lady.” 416 POURBUS (Francis). Born at Bruges, 1545. Died, 1581. “ Portrait of a Noble Lady.” Panel. 417 WERNER (Roland)' — German School XVIII Century. “ Dolce Far Niente.” Signed. 418 DUTCH SCHOOL— XVII Century. “ Landscape with Cattle.” JOO FLEMISH SCHOOL— XVIII Century. “ A View in the Roman Campagna.” Panel. 419 (A) COURTOIS (Jacques). :);m fO Born at St. Hippolyte, 1621. Died, 1676. “ Battle Scene.” Copper. 419 (B) DUTCH SCHOOL— XVII Century. “ Landscape with Figures and Animals.” 419 (C) SPANISH SCHOOL— XVII Century, >'.?//) “ The Death of a Priest.” Copper. 419 (D) SAFTLEVEN (Herman). Born at Rotterdam, 1609. Died, 1685. “ Marine, with Beacon Tower.” Panel. 419 (E) FRENCH SCHOOL— XVIII Century. “ Portrait of a Lady.” Copper (Oval). 419 (F) SCHOOL OF PH. WOUWERMAN— XVII Century. “ Cavalry on the March.” Panel. 419 (G) SPANISH SCHOOL— XVII Century, j “ The Priest’s Last Mass.” Copper. 419 (H) DE HEUSCH (Willem). Pupil of Jean Both. Born at Utrecht, 1638. Died, 1712. “ Landscape with Figures.” 419 (I) FLEMISH SCHOOL— XVIII Century. “ Italian Landscape.” Panel. 419 (J) COURTOIS (Jacques). f f ' " 1 Born at St. Hippolyte, 1621. Died, 1676. “ Battle Scene.” Copper. UDEN (Lucas Van). 419 (K) Born at Antwerp, 1595. Died, 1073. “ Landscape with Figures.” Panel. 102 NORTH GALLERY. 420 CORTONA (Luca da), [/! a ut() Born, 1440. Died, 1523. “ Virgin Seated with Infant Christ on Her Knee.’ Panel. 421 f 6^1/ (LOMBARD SCHOOL— XVII Century. “ Saint Bernard, Abbe, Instructing a Novice.’ Panel. 422 BOTTICELLI (Sandro). Born, 1447. Died, 1510. “ Virgin and Child, with St. John. Panel — Medallion. TISI (B. da Garofalo) . '. Bom, 1481. Died, 1559. P ‘ Saint Bruno.” Panel. Jfn THEOTOCOPULI. 424 Born, 1548. Died, 1626. “ Saint Francis in Ecstasy.” CTa&Y oF IO 16 103 425 FRANCIA (Francesco Raibolini, called). ^ >£, Born, 1450. Died, 1517. “ Virgin with Infant Christ and St. John.” Panel — Medallion. 426 SCHOOL OF GHIRLANDAIO— XV Century. v'C rrOUo S' “ Virgin and Child, with Bethlehem and Jerusalem in Distance.” Panel. BOTTICELLI (Sandro). 427 Born, 1447. Died, 1510. “ Saint John, the Baptist.” Panel. (I POIM iH t lO cx>r*\m ^ A hi- Jtko/n< o*ki) cUkur 9* ATI! 01 ST Mkbwi Medallion. 429 LIPPI (Fra Filippo). Born, 1406. Died, 1469. “ Virgin and Child.” Panel. ALBANI (Francesco). 428 Born, 1578. Died, 1660. “ Flora.” 430 PINTURICCHIO, (Bernardino Biagio, called). Born, 1454. Died, 1513. “ Christ Bearing the Cross.” Medallion. IO4 431 GHIRLANDAIO. S£ 1 , col ) houvuir-. G f: a //’/''* i j Born, 1449. Died, 1494. “ Virgin and Child, with St. John, St. Sebastian, the Magdalen, and another Saint.” Panel — Medallion. 432 CREDI (Lorenzo di). U Born, 1453. Died, 1531. “ Virgin Seated with Infant Christ, an Angel Presenting a Crown.” Panel — Medallion. TISI (B. da Garofalo). Born, 1481. Died, 1559. “ Landscape — ‘ Repose in Egypt.’ Panel. PALtUt It) 434 FLORENTINE SCHOOL— Circa 1500. “ Virgin and Child.” Panel. — J 435 BECCAFUMI (Domenico). Born, 1486. Died, 1549. “ A Sibyl ” — Fresco Transposed on Canvas. Medallion. 436 FLORENTINE SCHOOL— XV Century. “ The Holy Family.” Pa nel — Mcda 1 1 ion . 105 PALMEZZANO (Marco). 437 Born, 1456. Died, 1536. “ Holy Family, with St. John and the Magdalen.” Panel. BIGIO (Francesco). 438 Born, 14S2. Died, 1525. “ Holy Family.” 439 DOMENICHINO (Zampieri D.). Born, 1581. Died, 1641. “ Martyrdom of Saint Agnes.” Pt hUtHC / Pfi $1 1C rJ 440 TUSCAN-FLORENTINE SCHOOL— XV Century. [>f rP ..r*p J lOPANlO “ Adoration of the Magi.” Panel — Medallion. ' 441 SCHOOL OF A. DEL SARTO— Early XVI Century. “ Saint Elisabeth.” 442 SCARSELLA (Hippolyte). Born, 1551. Died, 1621. “ Adoration of the Magi.” Panel. * u 443 NEAPOLITAN SCHOOL— XVIII Century. “ Cardinal Mazarin Riding to Villafranca with the Treaty of Peace.” cpp., pi'nN"., (M 100 a, Prto rl 4 444 HI BOLOGNESE SCHOOL— XVI Century. “ Landscape with Three Saints.” Panel. 445 |h y 0 FERRARESE SCHOOL— XVI Century. ■ikin Holy Family, in a Landscape.” [i Panel. PASCIO (Francesco) — XVII Century. “ St. Nicholas of Myra Reviving Dead Children.” Copper. COSTA (Lorenzo). 447 mu'] Born, 1460. Died, 1535. ‘ Saint Sebastian/ Panel. 448 TISI (B. da Garofalo). Born, 1481. Died, 1559. “ The Circumcision in the Temple.” Panel. h/££> ,/ LC&ZRjt AHfUtA'ClUT'fb n/i \i)0 449 il TUSCAN-FLORENTINE SCHOOI^XVI Century. “ Virgin and Child with St. John and Angels.” Panel — Medallion. Kift | GESSI (Francesco). 450 Born, 1588. Died, 1649. The Vestal Tullia.” ’It/ 107 451 COTIGNOLA (Francesco da) — XVI Century. “ Saint Theresa.” m\ i^\cD ' 'Aim J]/l (j’itrlHy 452 COPY after RAPHAEL. La Belle Jardiniere. HU'-t KvRc\ tnb w/?rv y. 453 PASSEROT I I (Bartolommeo). Horn, 1525. Died, 1592. “ Portrait of Pope Pius V.” PISTOJA (Gerino da). 454 Born, 1502. Died, 1529. “ The Crucifixion.” Panel. 455 COPY after RAPHAEL. “ Saint Catharine of Alexandria.” I* H (A/ Qse GUERCINO (Barbieri, G. F„ called). SI Rorn, 1591. Died, 1666. “ Virgin and Child.” ' ffii yvfYu i&tb st f' / vh ./ / ~i d Sbt'l'i 457 VENETIAN SCHOOL— XVI Century. “ Portrait of a Gentleman.” f F.wttp up to8 COSTA (Lorenzo). 458 0- ■ -cr Bom, 1460. Died, 1635. “ The Triumph of Chastity.” Panel. 459 BONVICINO (Alessandro). Born, 1498. Died, 1555. “ Virgin and Child Supported by Angels with Two Saints and the Donor in Prayer.” FETI (Domenico). 460 Born, 1589. Died, 1624. “ Angels with the Portrait of the Virgin, Saints in Adoration.” at 461 FRANCIA (Francesco Raibolini, called). Born, 1450. Died, 1517. \ M uu “ Madonna and Child.” Panel. (SffUCfimo J: t /n-/ ia 5 / jf. feX- mi * 462 LUINT ( Bernardino) . [c 1 i- r - 0 '1 0; Born, 1470. Died, 1535. “ Madonna and Child.” Panel. 463 GUERCINO (Barbieri, G. F„ called). Born, 1591. Died, 1666. “ Virgin and Child.” 464 T° VENETIAN SCHOOL— XVI Century. “ Portrait of a Doge.” ft CflMf- fT :s yn&ntts .^1 -J 109 465 FRANCIA (Francesco Raibolini, called). Born, 1450. Died, 1517. “ Madonna and Child with Saints. Panel. (466 CARAVAGGIO (M. A. da). Bom, 1569. Died, 1609. “ The Descent from the Cross.” Replica, in small, of the Painting in the Vatican. f CWVfiCtlo ST v> C^WM> , vlfl&lit ftOtftifH 468 COPY OF L. da VINCI. Lisa, Gioconda.” Ashburton Collection. Original in the Louvre. C/)\AUlrtZ> SCHOOL (, -1 SCfHiS ,/ff OF C r.. ( 469 > i. V ffp*rf J ANTONELLA da MESSINA. Born, 1421. Died, 1493. “ Saint Sebastian.” Panel. zm nJn uiM* 470 MORONI (Giovanni Battista). Born, 1520. Died, 1578. “ Portrait of a Warrior.” £t 471 RONDINELLO (Niccolo)— XV Century, (uT't/jj “ Virgin and Child, with Infant St. John.” PaneL IIO 472 SARTO (Andrea del). c Born, 1487. Died, 1531, “ His Own Portrait.” 473 SCHOOL OF BOTTICELLI— XV Century. [ )} < M 0 V ' P J “Virgin and Infant St. John in Adoration Before Christ Child. Panel— Medallion. g j , , , / , . , 474 CANLASSI (Guido). . Bom, 1601. Died, 1681. “ Lucretia.” 475 PERUGINO (Pietro Vanucci, called). Bom, 1446. Died, 1524. “ Madonna and Child.” Panel. Collection Grand Duke of Tuscany. Collection Duke of Lucca. Collection Mrs. S. D. Warren. /xUSCAN-FLORENTINE SCHOOL— XVI Century. “ Virgin and Child.” Panel. 477 I BARBALONGA (Antonio). Born, 1600. Died, 1640. “ Sibyl.” 478 / PERUGINO (Pietro Vanucci, called). Born, 1446. Died, 1524. “ His Own Portrait.’ Panel. Ill 479 VAGA (Perino del). c Born, 1501. Died, 1547. “ Madonna and Child.” Panel. 480 PINTURICCHIO (Bernardino Biagio, called). Born, 1454. Died, 1513. “ Episode in the Life of a Saint.” Panel. 481 SODOMA (G. A. Bazzi, called). Born, 1477. Died, 1549. “ Christ Bearing His Cross.” Panel. 482 ALFANI (Domenico). Born, 1183. Died, 1553. “ Saint John.” Panel. 483 RAPHAEL. ! f Bom, 1483. Died; 1520. “ His Own Portrait at the Age of 25.” Panel. RAPHAEL. 484 Born, 14S3. Died, 1520. “ The Madonna of the Candelabra.” SrffiX DP FCfPfr 5 cH0Pl ? , ' C W-FCi i Pltfift ■f l i\h6fr ( lh -I to 5 [i Panel — Medallion. PINTURICCHIO (Bernardino Biagio, called). Born, 1454. Died, 1513. “ Episode in the Life of a Saint.” Panel. S7Z>RY //■jS) 486 CORREGGIO (Antonio Allegri, called). Born, 1494. Died, 1534. “ Two Arcadian Shepherds.’ Panel. 487 BUONARROTI (Michelangelo). Born, 1475. Died, 1564. “ His Own Portrait.” Panel. 488 PERUGINO (Pietro Vanucci, called). Born, 1446. Died, 1524. “Jesus Crucified, the Virgin and Saint John. Panel. SARTO (Andrea del). Born, 1487. Died, 1531. “ His Own Portrait.” Panel. 490 PINTURICCHIO (Bernardino Biagio, called). Bom, 1454. Died, 1513. “ Episode in the Life of a Saint.” Panel. 1 13 491 URBINO (Timoteo da). Born, 1469. Died, 1523. “ Saint Jerome in a Grotto.” Panel. Kfur nifip t > rt fWki 492 RENI (Guido). Born, 1575. Died, 1642. “ Virgin in Adoration.” 493 VENETIAN SCHOOL— XVI Century. 1 “ Virgin and Child with Infant St. John.” Panel. 494 INNOCENZO da IMOLA (I. Francucci, called). Born, 1494. Died, 1550. “ Marriage of Saint Catharine.” Panel. P/ty lilifiGl ONIHV K'A to, j d 6 *) \0 J p CRESPI (G. M.), called Lo Spagnuolo. Born, 1665. Died, 1747. “ Holy Family with Infant St. John. M<\U 1 i 496 FERRARESE SCHOOL— XVI Century. “ Holy Family.” Panel. ivf.iu2't i U hsmitjo 497 ROMANO (Giulio). Born, 1492. Died, 1546. “ The Apocalypse.” Panel. (4dH o P D Mp/uHf U4 BATTONI (Pompeo). Born, 1708. Died, 1787. “ Virgin, with Angels and Saints, Adoring the Infant Christ.’ 499 DONO (Paola di). f 7-; A Born, 1397. Died, 1475. “ Battle Scene.” Panel. 500 '/ BAROCCI (Federigo). Born, 1528. Died. 1612. “ Marriage of Saint Catharine. 501 ji I SCHOOL OF PARMEGIANO. Born, 1504. Died, 1540. “ Holy Family.” Panel. ‘fifj 502 ' VENETIAN SCHOOL — XVI Century. “ Holy Family with Infant St. John and the Magdalen.” Panel. BIBIENA (Francesco da). y Vi / j $ t(f \ Born, 1659. Died, 1739. “ Landscape with St. Peter Baptizing.” 504 TINTORETTO (J. Robusti, called)./ Born, 1512. Died, 1594. ■J Portrait of a Doge of Venice.’ US 505 SCHOOL OF CARPACCIO. \Vftl Born, 1472. Died, 1530. Virgin and Child with Saint Jerome.’ Panel. 506 BEAUMONT (Claudio). Born, 1694. Died, 1770 (?). “ Virgin and Child with St. John.” \ UT Mi .1 \AU 4 W 507 CARPI (Girolamo da). Born, 1501. Died, 1556. “ Holy Family with Angels.’ YD 508 DOSSO DOSSI (Giovanni Dossi, called). Born, 1479. Died, 1542. yc »v/r Dam 'ft fijth “The Nativity — with Saints and Angels in Glory.” Panel. 509 ZUCCARO (Federigo). Born, 1543. Died, 1609. The Death Bed of the Virgin Surrounded by the Apostles.” Panel. 510 PANNINI *(G. P.). Born, 1691. Died, 1764. “ Alexander at the Tomb of Achilles.” 511 SODOMA (G. A. Bazzi, called). Bom, 1477. Died, 1549. “ Christ on the Way to Calvary.” Panel. n6 512 RICCI (Sebastiano). Born, 1662. Died, 1734. “ Iphigenia.” 513 TIEPOLO (Giovanni Battista). Born, 1696. Died, 1749. “ Marriage Feast at Cana.” 514 INNOCENZO da IMOLA (I. Francucci, called). Born, 1494. Died, 1550. “ Virgin and Child Crowned by Angels. Panel. 515 ROSSI (Francesco dei, called II Salviati). Born, 1610. Died, 1563. “ The Circumcision.” Panel. 516 PANNINI (G. P.). Born, 1691. Died, 1764. “ Alexander the Great Surprising Conspirators.’ VASARI (Giorgio). 51 , 517 Born, 1511. Died, 1574. “ Saint Sebastian.” Panel. 518 SCHOOL OF FILIPPINO LIPPI. Born, 1457. Died, 1504. “ Christ Taken from the Cross.” « ”7 FRANCESCHINI (M. A.). Bom, 1648. Died, 1729. Madonna and Child.” /! LIBERI (Pietro). 520 Born, 1605. Died, 1687. “ Allegorical Figure.” £16 N0RS-LU 521 FERRARESE SCHOOL— XVI Century, [t m “ Portrait of a Gentleman.” PAOLO VERONESE. 522 Born, 1528. Died, 1588. “ Sketch — Benediction.” A an a 523 VENETIAN SCHOOL— XVI Century. “ Madonna and Child.” Panel. 524 SPADA (Lionella). Born, 1576. Died, 1622. “ Saint Cecilia Attended by Angels.” (OGHAM 525 BIBIENA (Francesco da). Born, 1659. Died, 1739. ‘‘Landscape with Christ Blessing Little Children.” 118 POMARANCIO (Niccolo Circignano, called). Bom, 1519. Died, 1590. c “ Marriage of Saint Catharine. Panel. RENI (Guido). 527 Born, 1575. Died, 1642. Virgin Adoring the Dead Christ.” BAGLIONI (Giovanni). 528 t 6B Born, 1571. Died, 1644. “ Saint John, the Baptist.” 529 CONTARINI (Simone)— XVII Century. “ The Dead Christ Mourned by Angels.” • 530 FLEMISH SCHOOL— XVII Century. “ Landscape with Tobit and the Angel.’ Copper. 531 APPIANI (Andrea, the elder). Bom, 1761. Died, 1817. “ The Baptism of Christ.” Panel. 532 SPANISH SCHOOL— XVII Century. “ Landscape, with the Three Marys, an Angel and Monk.” 119 (V CARAVAGGIO (M. A. da). 542 Born, 1569. Died, 1609. “ Jesus Crowned with Thorns.’ PIAZETTA (G. B ). Born, 1682. Died, 1754. “ Saint Peter.” ROSA (Salvatore) 544 Born, 1615. Died, 1673. Peasant of the Roman Campagna.” Panel. 545 <>L i,0 WITTEL (Gaspard van, called Van Vitelli). Born, 1674. Died, 1736. “ View of Tivoli, with Temple of the Tiburtine Sibyl, and the Cascades.” 546 ROSA (Salvatore). Born, 1615. Died, 1673. “ Landscape with Figures.” 121 547 ROSA (Salvatore). Born, 1615. Died, 1673. “ Portrait of the Artist’s Mother.” c Mm m 548 ROMANO (Giulio). Bom, 1492. Died, 1546. “ The Virgin and Child, with St. John.” After Raphael. Panel. Hi JJ 549 ROSA (Salvatore). Bom, 1615. Died, 1673. “ His Own Portrait, Disguised as ‘ Puncinello.’ ” ROSA (Salvatore). 550 Bom, 1615. Died, 1673. “ Landscape with Figures.” 551 NEAPOLITAN SCHOOL— XVII Century. “ Madonna and Child.” CARDI (Ludovico). 552 Born, 1569. Died, 1613. “ Saint Agatha, with Attendant Angel and Saint.” 553 NEAPOLITAN SCHOOL— XVII Century. “ Head of an Apostle.” 122 554 rl£> / SCHOOL OF SALVATORE ROSA— XVII Century. “ Portrait of a Warrior Drinking from a Bowl.” 555 CORREGGIO (Antonio Allegri, called). Born, 1494. Died, 1534. “ Head of Christ.” Panel — Medallion. 556 SCHOOL OF CORREGGIO— XVI Century. “ Mythological Subject.” Panel. 557 SCHOOL OF CORREGGIO— XVI Century. “ Victory Crowned by Angels.” Panel. 558 SCHOOL OF SALVATORE ROSA— XVII Century. “ Portrait of a Gentleman.” 559 CARAVAGGIO (M. A. da). Bom, 1569. Died, 1609. “ A Musical Party.” 560 BUGIARDINI (Giuliano). [>••' Bom, 1475. Died, 1554. “Virgin and Child Enthroned, with Saint John, Saint Stephen and Saint Laurent.” Panel. 123 561 ROOS (Johann Heinrich). Born, 1631. Died, 1685. “ Landscape with Animals.” Panel. 562 VAN DER NEER (Eglon Hendrik). Born, 1643. Died, 1703. “ Landscape with Cascade.” Panel. 563 HOLBEIN (Hans, the elder). Born, 1460. Died, 1524. “ Study for Stuttgart Madonna.” Copper. 564 GERMAN SCHOOL— Early XVI Century. “ Madonna and Child in a Landscape.” Panel. 565 VERSTAPPEN (Martin). Born at Antwerp, 1773. Died, 1840. “ Landscape, the Cascades of Tivoli.” 566 CRIVELLI (Carlo). Born, 1430. Died, 1495. “ Ecce Homo.” Panel. 567 UMBRIAN SCHOOL— XVI Century. “ Madonna and Child.” Panel. 124 •ftcmi 568 VINCI (Leonardo da), i Born, 1452. Died, 1519. “ Saint Veronica.” Panel. 569 BIAGIO (Vincenzo di), called Catena — Early XVI Century. “ Virgin and Child, with St. Joseph, St. John, and St. James Panel. 570 LOTTO (Lorenzo), j (VT ' Born, 1480. Died, 1556. “ Saint Sebastian and Saint Francis.” Panel. 571 bOLOGNESE SCHOOL— XVII Century. “ Christ.” Panel. 572 PALMA (Jacopo, the elder). (v IV O’ ffii Born, 1480. Died, 1528. “ Holy Family, with Saint Elisabeth and Saint John, in a Landscape.” 573 CALIARI (Carletto). Born, 1570. Died, 1596. “ The Drug Seller.” 574 LICINIO (Giovanni Antonio), called Pordenone. Born, 1483. Died, 1530. “ Daughter of Herod, with Head of John the Baptist.” 125 575 TINTORETTO (Jacopo Robusti), called II Tintoretto. Born, 1518. Died, 1594. “ Christ Given to the People.” 576 TINTORETTO (Jacopo Robusti), called II Tintoretto. Born, 1518. Died, 1594. “ Adam and Eve in the Garden.” 577 SCHOOL OF GIOVANNI BELLINI— Early XVI Century. “ Virgin and Child, with Saint Catharine and Saint Jerome.” Panel. BORDONE (Paris). ,V) 578 Born, 1500. Died, 1571. “ An Angel Appearing to the Duke of Ferrara.” 579 BONIFAZIO (Veneziano). Born, 1491. Died, 1553. “ Holy Family with Saints.” From Giustiniani Palace. 580 SCHOOL OF TINTORETTO— XVI Century. “ Portrait of a Venetian Lady.” 581 VENETIAN SCHOOL— XVI Century. “ Virgin and Child, with Saints.” Panel. 126 582 TITIAN (Tiziano Vecelli). j ; <\j\u'< Born, 1489. Died, 1576. “ Christ and the Tribute Money.” 583 BIAGIO (Vincenzo di), called Catena — Early XVI Century. “ Virgin and Child, with Four Saints.” Panel. 584 VERONESE (Paolo). Born, 1528. Died, 1588. “ Martyrdom of Saint Sebastian.” 585 TITIAN (Tiziano Vecelli). );,/•; o / Born, 1489. Died, 1576. “ Portrait of Francesco Maria della Rovere Duke of Urbino.” 586 TINTORETTO (Jacopo Robusti), called “II Tintoretto.” Born, 1518. Died, 1594. “ Portrait of a Venetian Lady.” 587 STUDIO OF TITIAN (Tiziano Vecelli). Born, 1489. Died, 1576. “ The Adoration of Venus.” 588 STUDIO OF TITIAN— XVI Century. “ Portrait of the Daughter of the Sultan Soliman II.” 127 589 SCHOOL OF TITIAN — XVI Century. “ Young Woman Playing the Lute.” 590 TITIAN (Tiziano Vecelli). fpRlIh* Born, 14S9. Died, 1576. “ Saint Christopher Bearing the Infant Christ on His Shoulders.” 59 1) TINTORETTO (Jacopo Robusti), called “ II Tintoretto.” Born, 151S. Died, 1594. “Portrait of a Doge of Venice.” 592 SCHOOL OF GIOVANNI BELLINI— Early XVI Century. [ FILIP /V l ■ “ Virgin and Child, with St. John the Baptist, Saint Joseph, Saint John and the Donor.” Panel. CRIVELLI (Carlo). Born, 1430. Died, 1495. - (k m\a 1 ' ■ t ~ “ Virgin and Child, with Two Saints, a Diminutive Figure of the Donor in the Foreground.” Panel. 594 BASAITI (Marco) — Circa 1520. “ Saint Jerome Seated in a Landscape, Reading.” VERONESE (Paolo). 595 Born, 1528. Died, 1588. “ Martyrdom of Saint Mark and Saint Marcelin.” 128 596 PIOMBO (Sebastiano del). J}‘ a ' Born, 1485. Died, 1547. “Portrait of Victoria Colonna.” Panel. 597 BORDONE (Paris). 1 r Born, 1500. Died, 1571. “ Portrait of a Lady, with Dog.” 598 GAULLI (Giovanni), called Baciccio. Born, 1639. Died, 1709. “ Portrait of Pope Alexander VII (Chigi).” SCHOOL OF GIORGIONE, [ye Born, 1478. Died, 1510. “ Holy Family, with Saint John.’E Panel. VENETIAN SCHOOL— XV Century. “ Virgin and Child in a Landscape.” Panel. 601 VENETIAN SCHOOL— XIV Century. ' 6? “ Two Female Saints.” Panel. GUARDI (Francesco). 602 Born, 1712. Died, 1793. “Venice, View of St. Marks and the Campanile from the Grand Canal.” 129 603 CANALETTO (Antonio Canal, called). Born, 1697. Died, 1768. “ The Quay at Venice.” 604 SCHOOL OF CANALETTO— XVIII Century. “ Venice.” 605 MORONI (Giovanni Battista). folic fiO Born, 1520. Died, 1578. “ Portrait of a Lady.” 606 VENETIAN SCHOOL— XVI Century. s ; M ? 0 \ “ Virgin and Child, with Saint John and Saint Laurence.” Panel. GUARDI (Francesco). 607 Born, 1712. Died, 1793. Street Scene in Venice.’ 608 VENETIAN SCHOOL— XVI Century. “ The Daughter of Paolo Veronese.” | j 609 GIORGIONE (Zorzo da Castel-Franco). [*££)■ WlOj Bom, 1478. Died, 1510. Portrait of a Gentleman.” 130 VENETIAN SCHOOL— XVI Century. . LtP^ltC l/-* N2\A N>J “ The Supper at Emmaus.” Panel. 611 SCHIDONE (Bartolommeo). [ #$/■)') 6 Born, 1560. Died, 1616. “ Sleeping Babe.” Panel. 612 SCHOOL OF MODENA— XVI Century. - >i /go] “ The Vision of Saint Agnes,” and on opposite side “ Saint Anthony.” Copper. 613 FLEMISH SCHOOL— XVII Century. fawoVto] “ Portrait of Francesco di Medici.” Copper. 614 SCHOOL OF MODENA— XVI Century, f^mo VfOj “ Virgin and Child, with Saint Elisabeth.” Panel. 615 GUARDI (Francesco). Born, 1712. Died, 1793. “ The Arsenal, Venice.” 616 POLLAIOLO (Antonio). Born, 1133. Died, 1498. “ Saint Sulpice.” ( 131 ELSHEIMER (Adam), <'l£>Vf 0 ] Born, 1574. Died, 1620. “ Battle Scene.” Copper. 618 PRUD’HOMME (Antonie Daniel). F , 1 <7 r ti-'O' Born, 1745. Died, 1826. “ Scene in a Tavern Yard.” Panel. 619 COURTOIS (Jacques). [R$rtW\g0j Born, 1621. Died, 1676. “ Battle Scene.” 620 LIBERATORE (Niccolo di). d* WMN&j Born, 1430. Died, 1502. Six small panels, representing- separately “ Abraham, Jacob, Joseph, Daniel, Moses, and an Angel.” 621 ITALIAN SCHOOL— XVI Century. “ Heads of Two Saints.” Panel. 622 DEGLI AMBROSI (Marco), called Melozzo da Forli. ) -IjftRi Born, 1438. Died, 1494. “ Christ, the Vi gin, Saint John, and the Magdalen.” Panel. ITALIAN SCHOOL. 623 “ Copy of the ‘ Madonna ’ of Raphael.” Original at St. Petersburg. 132 624 BOLOGNESE SCHOOL— XVII Century. “ Holy Family.” Copper. 625 VENETIAN SCHOOL— XVI Century, ft? LW $n ' “ Portrait of Paolo Borghese.” Panel. 626 BIZAMANUS (Angelus) — XIII Century. “ The Virgin and Child, St. Jerome and St. John.” Triptych. 627 ITALIAN-BYZANTINE SCHOOL— XIII Century. “ Christ on the Cross, with the Virgin and Attendant Saints.” Triptych. 628 GR/ECO-BYZANTINE SCHOOL— XII Century. “ The Passion.” Diptych. 629 GR/ECO-BYZANTINE SCHOOL— XII Century. “ The Annunciation.” Triptych. 630 GRAECO-BYZANTINE SCHOOL— XIII Century. “ Saint Veronica, with the Sudarium, Saint Peter and Saint Paul.” Triptych. 133 WEST GALLERY. 631 TUSCAN SCHOOL— Late XIV Century. “ The Virgin Adoring Infant Jesus.” Panel. 632 CIONE (Andrea di), called Orcagna. ' k ' Born at Florence, 1308. Died, 1368. “ Saint John and Saint James.” Panel. 633 lUiVtfiilHtiJ GIOVANNI DI PIETRO (called Lo Spagna) — Early XVI Century. “ Adoration of the Magi.” Panel. 634 BONDONI (Giotto di), called Giotto. Born near Florence, 1266. Died, 1336. “ Christ, the Virgin, and Saint JohnA Three Panels. 635 VENETIIS (Chatarinus de) — Venice, XV Century. “ The Virgin, with Infant Christ, Surrounded by Twelve Saints — the Crucifixion at Top.” Twelve Panels. 124 636 TUSCAN SCHOOL — about 1400. i'lJT )l£~ / 3 /C O 1 ' A'< 2 /tL (s' j “ The Virgin and Child, Seated, with Eight Saints Surround- ing — the Crucifixion at Top.” Ten Panels. BONFIGLI (Benedetto). R Born at Perugia, about 1420. Died, about 1496. “ The Virgin and Child, with Saint John.” Panel. 638 VERROCCHIO (Andrea del). Born at Florence, 1432. Died, 1488. “ Holy Family.” Panel. 639 SCHOOL OF FILIPPO LIPPI— XV Century, fi “ Saint Joachim, Saint Anthony, and Saint Margaret.” Panel. 640 EUSEBIO DI SAN GIORGIO— Early XVI Century. Vv “ Saint Francis d’Assise.” Panel. 641 BERNARDO di MARIOTTO— XV'Century. “ Virgin and Child.” Panel. 642 SCHOOL OF GIOTTO— XIV Century. [( “ Saint Peter and Saint James. A Panel. 643 SCHOOL OF FRA ANGELICO— Early XV Century. “ Virgin and Child on a Throne.” M< 7 !j Panel. 644 14 GUIDI (Tommaso), called Masaccio. Born at Castel San Giovanni di Valdarno, 1401. Died, 1428. “ Portrait of Laura.” Panel. :> ■;■/) a ; <'0 645 BONDONI (Giotto di), called Giotto. Born near Florence, 1266. Died, 1336. “ Madonna and Child, with St. Peter and St. Paul.” Panel. 651 CARAVAGGIO (M. A. da). Born at Caravaggio, 1569. Died, 1609. The Magdalen.” 652 PULIGO (Domenico). Born at Florence, 1475. Died, 1527. “ The Virgin Appearing to Saint Bernard.’ 653 HONTHORST (Gerard van). Born at Utrecht, 1590. Died, 1656. "fc 0rMMU j " 7 “ Judith and Holofernes.” 654 SCHOOL OF A. VAN DYCK— XVII Century. “ Portrait of a Lady.” 655 STUDY BY DOMENICHINO AND GUIDO— about 1620. “ Martyrdom of Saint Gregory.” 656 BRIL (Paulus). [pg Born at Antwerp, 1556. Died, 1626. “ The Seven Wonders of the World.” 657 TIEPOLO (Giovanni Battista). Born at Venice, 1696. Died, 1770. “ Jugurtha Brought Before the Roman Consul.” 658 STUDY BY DOMENICHINO AND GUIDO— about 1620. “ Martyrdom of Saint Gregory.” iH* V 659 RIBERA (Josef de), called Lo Spagnoletto. Born at Xativa, 1588. Died, 1656. “ The Good Samaritan.” / Vh OtyuAtii/M. 660 SCHOOL OF A. VAN DYCK— XVII Century. “ Portrait of a Gentleman.” a * 1 37 661 ROSA (Salvatore). j ftfh'.f « ? c j Born at Renella, near Naples, 1615. Died, 1673. “ Soldier in Armour with a Banner.” 662 RENI (Guido). Born near Bologna, 1575. Died, 1642. “ The Penitent Magdalen.” 663-674 ZEITBLOM (Bartholomaus). Bom at Ulm, about 1460. Died, about 1518. AND STRIGEL (Bernhard). Born at Memmingen, about 1460. Died, 1528. “ The Twelve Stations of the Cross.” Twelve Panels. 675 BICCI (Neri di) — XV Century. “ Coronation of the Virgin.” Panel. 676 GRANACCI (Francesco). Born at Florence, 1477. Died, 1543. “ Saint Laurence and Saint Francis d’Assise.’ Panel. 677 PINTURICCHIO (Bernardino Biagio, called). Born at Perugia, 1454. Died, 1513. “ A Public Square in an Italian City.” Panel. 685 UMBRIAN SCHOOL— about 1500. “ Virgin and Child.” Panel. i 686 SCHOOL OF GIOTTO— XIV Century. [ />/. ; “ Virgin and Child.” Panel. lb 687 VEROCCHIO (Andrea del), fk Ul Born, 1432. Died, 1488. “ Saint John.” Panel. mi): 688 CAVALLINI (Pietro)— XIV Century. If “ Martyrdom of Saint Peter.” Panel. PINTURICCHIO (Bernardino Biagio, called). Born, 1454. Died, 1513. “ Saint Sebastian.” Panel. 690 PINTURICCHIO (Bernardino Biagio, called). Born, 1454. Died, 1513. “ Saint Anthony.” Panel. WifC i 691 MATTEO da SIENNA. fll & Born, 1435. Died, 1495. “ Virgin and Child.” Panel. 139 692 GENTILE da FABRIANO. ' ; t , Y : Born, 1365. Died, 1445. “ Virgin and Child, with Saints.’ Panel. 693 ALEMANNO (Giovanni) — XV Century. “ Portrait of a Cardinal.” Panel. r 694 ) GADDI (Agnolo). ' Born, 1333. Died, 1396. “ Saint James the Elder.” Panel. 695 BONFIGLI (Benedetto). , ! Born, 1420. Died, 1496. “ Virgin and Child.” Panel. 696 SCHOOL OF FRA ANGELICO— Early XV Century. /" “ Virgin and Child, with Four Saints.” Panel. INNOCENZO da IMOLA. 697 Born, 1494. Died, 1550. “ Four Saints.” Panel. 698 LORENZO (Don), called II Monaco. Born, 1370. Died, 1425. “ Virgin with the Apostles.’ Panel. . 140 699 TUSCAN SCHOOL— XIV Century. 1 ; , WA H “ Virgin Surrounded by Saints.” Three Panels, in Five Divisions. 700 NUZI (Allegretti)— XIV Century. CO 1 dt> . . W V7O M A' Virgin Enthroned with Saints.” Panel. 701 GADDI (Agnolo). [ ?/jj vf Born, 1333. Died, 1396. “ Saint James, the Younger.” Panel. 702 VENETIAN SCHOOL— XVI Century. 1 “ Portraits of a Cardinal and a Bishop.” Panel. 703 MELOZZO da FORLI. Born, 1438. Died, 1494. Virgin and Child.’ Panel. Bh 704 STARNINA (Gherardo). Born, 1354. Died, 1408. The Holy Trinity.’ Panel. 705 SCHOOL OF GIOTTO— XIV Century. “ Saint Michael and the Dragon.” Panel. 141 706 STEFANI da FOSSANO (Ambrogio). j 'f Of’Pt) Born, about 1455. Died, about 1525. “ Saints Agnes and Catharine with the Palms of Martyrdom. Panel. 707 RUVIALE (Francesco) — XVI Century. f> _ “ Saint George and the Dragon.” 708 BUONCONSIGLIO (Giovanni)- — XVI Century. “ Virgin and Child, with St. Anthony.” Panel. 709 VEROCCHIO (Andrea del). )V yt I HU Born, 1482. Died, 1488. “ Saint John and a Bishop.” Panel. 710 MARGARITONE di MAGNANO. O'/, Born, 1216. Died, 1293. “ Christ on the Cross, with Saint John and the Virgin.” Panel. r ~ ■ 711 FLORENTINE SCHOOL— XV Century. 1 f>£ 1 . "l ' .V J “ Virgin and Child, with St. Joseph and Angels.” Panel. 712 TUSCAN SCHOOL— XVI Century, “ Christ, the Virgin and Saint John.” 2 ty\ Three Panels. 713 SCHOOL OF FILIPPINO LIPPI. 1 ■ Bom, 1457. Died, 1504. “ Virgin and Child, with St. John and an Angel.” Panel. 714 . / LORENZETTI (Pietro) — Early XIV Century. “ The Virgin Enthroned, Surrounded by Saints. Triptych. K'J'' i A SCHOOL OF FRA ANGELICO— XV Century. “ Virgin and Child, Christ on the Cross and on the Doors Four Saints.” 716 UMBRIAN SCHOOL— XVI Century. “ A Sketch, in Two Sections.” 717 BUONINSEGNA (Duccio di). [A vANHIJ i Bom, 1260. Died, 1320. “ Virgin Enthroned, with Four Evangelists and Angels.” FLORENTINE SCHOOL— Early XV Century. [o)0 i / I C 719 SCHOOL OF SIMONE MARTINI— XIV Century. “ St. Nicholas, Bishop, Between Two Saints.” 143 Triptych. “ Coronation of the Virgin.” Triptych. 720 BERLINGHIERI (Barone) — XIII Century. “ The Saviour.” BERNARDINO di GIROLAMO^XVI Century. “ Saint Lucia.” 722 SCHOOL OF GIOTTO— XIV Century. 7 A i bliV The Last Judgment and the Crucifixion.” °FFH~P\ At- f^rt) d 723 SCHOOL OF GIOTTO— XIV Century. “ Scenes from the New Testament Panel, in Nine Divisions. ]k' T'£> t>/n W'f'Nj 724 TUSCAN SCHOOL— XIV Century. . U , Jf , ti>n\ “ Christ Crucified, and St. Christopher Bearing Infant Christ.” ^M Y 725 ITALIAN-BYZANTINE SCHOOL— XII Century. “ The Annunciation.” 726 SCHOOL OF FILIPPO LIPPI— XV Century. ) p/r# MW h'tfj “ Virgin and Child.” 727 SCHOOL OF FRA ANGELICO — XV Century. “ The Crucifixion.’ Pfr & U tfMDl % t-fM&teUiC 1 728 o J tr SIENNESE SCHOOL— Early XV Century. “ Virgin and Child — Christ, the Virgin and St. John, and Four Saints ” Mi Triptych. CENNINO DI DREA CENNINI— Early XV Century. " i) I “ Virgin, Surrounded by Angels and Saints.” 730 BERLINGHIERI (Barone)— XIII Century. ! ^ , “ The Virgin Enthroned, with Infant Christ, Surrounded by Saints.” V _ -i SCHOOL OF GIOTTO— XIV Century. The Virgin Enthroned, with Infant Christ, Surrounded by Saints.” 732 BERNARDINO di GIROLAMO— XVI Century. “ Saint Anthony.” 733 SEMINO (Antonio) — XV Century. I “ Saint Laurence.” 1W 145 734 SIENNESE SCHOOL— XIV Century. “ Madonna, Surrounded by Saints.” Triptych. 735 FLORENTINE SCHOOD-about 1500. f \'f 0 “ An Angel Offering Flowers to the Virgin.” 736 GENTILE da FABRIANO. Born, 1365. Died, 1445. Virgin and Child, on Throne, Two Angels and Donor at Prayer.” 737 SCHOOL OF GIOTTO— XIV Century. “ The Crucifixion.’ ■0 738 FLORENTINE SCHOOL— XIV Century. “ The Entombment.’ I oF 739 GAUDENZIO FERRARI. Born, 1484. Died, 1550. Virgin and Child, with Saints Anne, Catharine, and Lucia.’ 740 SCHOOL OF IL MONACO— Early XV Century. “ Christ, Supported by the Virgin and St. John, above, God the Father, and on sides, numerous Saints.” It , ! Triptych. hrt? a* ‘ / /. nf 146 U> DONO (Paolo di). jDl 741 3A&H) CO J r^?0‘J Born, 1S97. Died, 1475. “ The Resurrection. tX “ Virgin and Child on Throne, Surrounded by Angels — at Base, Celebration of the Holy Communion.’ / %o f ‘iz 743 UMBRIAN SCHOOL— XV Century. ii “A/ “ Adoration of the Shepherds.” tyrr-llluJ w 72.6 sue 68 ( trFi V-HV ^ 744 TUSCAN SCHOOL— Middle XIV Century. “ Virgin on Throne, with Infant Jesus, the Crucifixion, the Virgin and St. John, with the Magdalen,” etc. Triptych. 745 GAUDENZIO FERRARI. Born, 1484. Died, 1550. “ Madonna and Child.” TW :P 0 LAPO (Tommaso di), called Giottino. \ 1-0 Born, 1324. Died, 1356. “ Saints Joseph, Augustine, and Laurence, with another Saint.” Panel. 747 RUSSO-BYZANTINE SCHOOL— XIII Century. “ The Glorious Death of the Virgin. Panel. 1 44W V A i fHC !fi 147 748 BIZAMANUS (Angelus) — XIII Century. ^ “ The Visitation.” 749 NEAPOLITAN SCHOOL— XVI Century. | “ Virgin and Child.” Panel. 750 SCHOOL OF FRA ANGELICO— XV Century. “ Virgin and Child, with Saints.” Triptych. 751 ITALIAN-BYZANTINE SCHOOL— XIII Century. “ Jesus Descending from Heaven.” Panel. TUSCAN SCHOOL— XIV Century. “ Triptych with Fourteen Figures.” 753 GIUOCHI (Giuliano), called Pesello. ' Born, 1367. Died, 1446. “ The Last Supper.” Panel. 754 SCHOOL OF BOTTICELLI— XV Century. “ Madonna and Child.” -i I) /* HU tit 1 6 Tie* 0 V vk J ait) >1/ f?/’ ] 148 755 NICCOLO da FOL1GNO. r>io\gO J Born, 1430. Died, 1502. “ God, the Father, Surrounded by Angels.” Coot CnAA » jA 6 - ^ “ 15C O K-fANtKP/M MiHT/ti/ - tx-Ncc- 'Kn\,u,)-\.u>' 756 >* ' MARTINI (Simone). /P ’ ?/ / J Born, 1283. Died, 1344. “ Saint Lucia.” LOGGIA. BONNAT BONNAT BONNAT 757 (Leon) . . Paris Pupil of Cogniet. Medals, 1861-63-67. Legion of Honor, 1867. Medal of Honor, 1869. Officer of the Legion of Honor, 1874. Member of the Institute of Prance, 1881. Knight of the Order of Leopold, 1881. Commander of the Legion of Honor, 1882. “ Portrait of A. L. Barye.” 36 X 51 Dated 1885. From the Artist. 758 (Leon) Paris Pupil of Cogniet. Medals, 1861-63-67. Legion of Honor, 1867. Medal of Honor, 1869. Officer of the Legion of Honor, 1874. Member of the Institute of France, 1881. Knight of the Order of Leopold, 1881. Commander of the Legion of Honor, 1882. “ Portrait of W. T. Walters.” 40 X 56 Dated 1S83. 759 (Leon) Paris Pupil of Cogniet. Medals, 1861-63-67. Legion of Honor, 1867. Medal of Honor, 1869. Officer of the Legion of Honor, 1874. Member of the Institute of France, 1881. Knight of the Order of Leopold, 1881. Commander of the Legion of Honor, 1882. “ Portrait of Geo. A. Lucas.” 36 X 51 Dated 1885. From the Artist. WATER COLORS AND DESIGNS. IN SMALL GALLERY. 901 BIDA (Alex.) Paris Pupil of E. Delacroix. Medals, 1848-55-67 (E. U.)-78 (E. U.). Legion of Honor, 1855. Officer of the Legion of Honor, 1870. “ Religious Fanatics.” 3 2 X 22 From the Collection of the Due de Morny, Paris. Two centuries ago, the head of a noted religious Order, encamped before Cairo, performed the miracle of riding into the city over a roadway formed of glass bottles and' vases, not one of which — tradition says — was broken. Every year this miracle is commemorated by the Head of the same Order, on his way to Mecca, riding over the same roadway, formed of religious fanatics whose faith is expected to shield them from injury. Three thousand five hundred bodies are required to compose this roadway. 902 BRETON (Jules) Paris Pupil of Devigne and Drolling. Medals, 1855-57-59-61. Medals, London, Vienna and Brussels. Ribbon of St. Stanislas, of Russia. Legion of Honor, 1861. Medal of the First Class and Officer Legion of Honor at the Universal Exposition, 1867. Medal of Honor, Salon, 1872. Knight of the Order of Leopold, 1881. Corresponding Member of the Academies of Vienna, Stockholm and Madrid. Member of the Institute of France, 1886. “ Repose.” 22 X l8 Dated 18G7. 903 MILLET (J. F.) Paris Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1814. Died, 1875. “ The Angelus.” 18 x 12*4 From the D. P. Sellars Collection, London. Original Design. In 1859 Millet finished his painting of “ The Angelus.” In this truly original picture, Millet wished to give an impression of music; he wanted the voices of the country, and even the church bells, to be heard. “Truth of expression will do it,” said he. This was one of his favorite pictures; in it he revived his childhood’s sensations. As day dies, two peasants, a man and a woman, hear the Angelus ; they rise, stop work, and standing bareheaded, recite, with eyes cast down, the words of the prayer, Angelus Domini nuntiavit Maria. The man, a true peasant of the plain, his head covered by a mass of straight, short hair like a felt hat, prays silently; the woman is bent and full of devotion. Into it Millet put the whole strength of his color. When I saw it for the first time it was almost finished. Millet said to me: “What do you think of it?” “ It is the Angelus ! ” I cried. “It is indeed. You can hear the bells?” And he added: “I am con- tented; you understand it. It is all I ask.” From Alfred Sensier. 904 MILLET (J. F.) Paris Pupil of P. Delaroche. Medals, 1853-64 CE. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists, Exposition Universel, 1878. Bom, 1814. Died, 1875. “ The Shepherd at the Fold by Moonlight.” 13 x 9 Original Design. 905 MILLET (J. F.) Paris Pupil of P. Delaroche. Medals, 1853-64 (E. U.)-67. Legion of Honor, 1868. Diploma to the memory of deceased artists, Exposition Universel, 1878. Bom, 1814. Died, 1875. “ The Sower.” 20 X 17 152 MILLET (J. F.) 906 Paris Pupil of P. Delaroehe. Medals, 1853-64 (E. U.)-67. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1814. Died, 1875. “ The Shepherdess.” 19^2 x 14 907 BONHEUR (Mile. Rosa) Pupil of her father. Medals, 1845-48-55 (E. U.)-67 (E. U.). Legion of Honor, 1865. Born, 1822. Died, 1899. “ The Conversation.” 22 x i 4 y 2 Dated 1S58. From the Artist. 908 HEBERT (A. A. E.) Pupil of Delaroehe. Prize of Rome, 1839. Medals, 1851-55 (E. U.)-67 (E. U.). Legion of Honor, 1853. Officer of the Legion of Honor, 1867. Commander of the Legion of Honor, 1874. Member of the Institute of France, 1874. “ At the Well.” Oval, 9 x 12 909 BIDA (Alex.) Pupil of E. Delacroix. Medals, 1848-55-67 (E. U.)-78 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1870. “ Moses.” 9 x 13 From the Artist. 153 Paris Brussels Paris 910 Paris BIDA (Alex.) Pupil of E. Delacroix. Medals, 1848-55-67 (E. U.)-78 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1870. From the Artist. “ And Jesus said: This day is Salvation Come to this House.” Luke xix. 9. 19 x 25 From the Artist. 911 BONHEUR (Mile. Rosa) Paris Pupil of her father. Medals, 1845-48-55 (E. U.)-67 (E. U.). Legion of Honor, 1865. Born, 1S22. Died, 1899. “ Andalusian Bulls.” 15 x 9 Dated 1867. 912 DUPONT (Henriquel) Paris Pupil of Pierre Gu6rin and Bervie. Medals, 1S22-53. Legion of Honor, 1837. Member of the Institute of France, 1849. Grand Medal of Honor, 1855 (E. U.). Officer of Legion of Honor, 1855. Commander of the Legion of Honor, 1878. Drawing for the Engraving of “ The Marriage of St. Catherine,” by Correggio. 15 x 15 From the Artist. As the authorities declined to permit the great work by Correggio to be removed from the Louvre, Dupont was employed ten months in producing this elaborate and careful drawing, as the only means of securing the spirit of the original, it having been for years his ambition to make an engraving of this picture as the last great work of his life. 154 BIDA (Alex.) 913 Paris Pupil of E. Delacroix. Medals, 1848-55-67 (E. U.)-78 (E. U.). Legion of Honor, 1855. Officer of Legion of Honor, 1870. “ Prayer on the Housetop.” 9 x 13 From the Artist. 914 BIDA (Alex.) Pupil of E. Delacroix. Medals, 1848-55-67 (E. U.)-78 (E. U.). Legion of Honor, 1855. Officer of the Legion of Honor, 1870. “ The Foolish Virgins.” 12 X 18 From the Artist. 915 DARLEY (F. O. C.), N. A., Academician of National Academy. Born, 1822. Died, 1888. “ On the Trail.” 15 x n 916 ST. EVE (J. M.), after Ary Scheffer . “ Temptation on the Mount.” I 3 P 2 x 20 Dated 1854. LA FARGE (John) 917 “ Avenue to the Temple of Iyeyasa, Nikko, LA FARGE (John) 918 Paris Claymont, Del. Paris New York Study.” New York “ Blind Man and His Daughter, Vaiala, Samoa.” 919 PARSONS (Alfred), P. R. A. . . . . . London President of the Royal Academy. “ Landscape, with Distant View of a River and Town.” 920-939 TURNER (J. M. W.) London Associate of Royal Academy. Born, 1775. Died, 1851. 920 “ Landscape.” 921 “ Mentone, on the Riviera.” 922 “ Swiss Landscape.” 923 “ Swiss Landscape.” 924 “ Venice.” 925 “ Petworth Park, Looking over the Lake towards the South Downs, October 8, 1832.” 926 “ Landscape.” 927 “ Sunset.” 928 “ Venice.” 929 “ Swiss Landscape.” 930 “ London, from Lambeth Fields.” 931 “ Harbor Scene.” 932 “ Dover.” 933 “ Landscape.” 934 ‘‘The Shipwreck.” 935 “ Yacht Race at Cowes.” 936 “ Street Scene.” i57 937 “ Hungerford Bridge, with View of London.” 938 “ Crossing the Brook.” 939 “ Tivoli.” 940 ZAMACOIS (Eduard) Pupil of Meissonier. Medal, 1867. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1843. Died, 1871. “ Waiting at the Church Porch.” io x 14 From the John Taylor Johnston Collection. 941 ZIEM (Felix) Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Venice, Sunset.” 13 x 10 942 “ Venice, Evening.” 13 x 8 943 WALKER (Fred’k), A. R. A Pupil of Royal Academy. Medal at Paris (E. U.), 1S67. Associate of Royal Academy. Born, 1840. Died, 1875. “ The Fish Market.” 12 x 8 Paris Paris London 158 ZIEM (Felix) 944 Paris Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Holland.” ii x 8 From the Artist. Dated 1851. WOODVILLE (R. C.) 945 Born, 1825. Died, 1856. “ Soldier’s Experience.” II x io Dated 1844. 946 JACQUEMART (Jules F.) Medals, 1864-66-67 (E. U.). Medal of Honor (E. U.), 1878. Legion of Honor, 1869. Member of the Order of Francis Joseph. Born, 1837. Died, 1880. “ A Landscape.” 1 7 x 12 Dated 1870. 947 MEISSONIER (J. L. E.) Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of the Legion of Honor, 1856. Member of the Institute of France, 1861. Honorary Member of the Royal Academy, London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Grand Officer of the Legion of Honor, 1881. Born, 1813. Died, 1891. “ Courtyard of the Artist’s Studio.” 7 x 13 Dated 1877. Baltimore Paris Paris 159 ZIEM (Felix) GREEN (Charles). “ The Derby.”- P 1 T.S (J. A. A.) 948 Paris Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Venice, Sunset.” 13 x 9 949 “ Venice, Morning.” 13 x 8 950 London Member of the Society of Water Colors. Born, 1840. Died, 1898. Here They Come! Here They Come! ” 31 x 16 Universal Exposition, Paris, 1878. Dated 1877. 951 Paris Pupil of Picot. Prize of Rome, 1838. Medals, 1S46-55-57-67 (E. U.). Legion of Honor, 1857. Grand Medal of Honor, 1861. Officer of the Legion of Honor, 1867. Member of the Institute of France, 1868. Born, 1813. Died, 1875. “ Artillery Practice.” 40 x 19 Dated I860. From the Artist. 952 “ Zouave.” 160 953 RICO (Martin). Medal, 1878 (E. U.). Legion of Honor, 1878. Silver Medal Universal Exposition, 1889. “ Seville.” 19 X 12 Wm. H. Stewart Collection. 954 DETAILLE (Edouard) Pupil of E. Meissonier. Medals, 1869-70-72. Legion of Honor, 1873. Officer of the Legion of Honor, 1881. “ Ready to March.” 9 x 13 Dated 1874. 955 FORTUNY (Mariano) ........ Pupil of the Barcelona Academy. Chevalier of the Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists, Exposition Universel, 1878. Born, 1838. Died, 1874. “ The Mendicant.” 6 x io 956 BOUGHTON (G. H.), A. R. A. Member of the National Academy of Design. Associate of the Royal Academy. “ Brittany Interior.” 957 MERLE (Hugues) Pupil of Cogniet. Medals, 1861-63. Legion of Honor, 1866. Born, 1822. Died, 1881. “ The Good Sister.” 5 t A x 7 From the Artist. l6l Paris Rome Paris 958 BOUGHTON (G. H.), A. R. A Member of the National Academy of Design. Associate of the Royal Academy. “ The Fairy Tale.” io x 14)4 Dated 1887. From the Artist. ZIEM (Felix) 959 Medals, 1851-52-55. Legion of Honor, 1857. Born, 1821. Died, 1908. “ Tunny Fishing.” 13 x 9 960 “ Marseilles.” 13 x sy 2 Dated 1803. 961 ACHENBACH (Oswald) Pupil of his brother. Medals, 1859-61-63. Legion of Honor, 1863. “ Posilipo — Looking towards Naples.” 16 x 10 HEILBUTH (Ferd.) 962 Medal, Second Class, 1857-59-61. Legion of Honor, 1861. Officer Legion of Honor, 1881. Member Society French Artists. Born, Hambourg. Died, 1889. “ Pincian Hill, Rome.” 8 x 12)4 Wm. H. Stewart Collection. London Paris Diisseldorf Paris GIACOMELLI (F.) 963 Paris “ Birds.” 17 x 5/4 From the Artist. 964 ISRAELS (Josef) The Pupil of Kruseman and Picot. Chevalier of the Order of Leopold. Medal, 1867 (E. U.)-78 (E. U.). Legion of Honor, 1867. Officer of the Legion of Honor, 1878. “ A Dutch Interior.” 16 X IOj/2 965 FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1838. Died, 1874. “ Don Quixote.” 15 x 18 Dated 1869. 966 ROUSSEAU (Theo.) Pupil of Lgthigre. Medals, 1834-49-55. Legion of Honor, 1852. One of the eight Grand Medals of Honor (E. U.), 1867. Diploma to the memory of deceased artists. Exposition Universel, 1878. Born, 1812. Died, 1867. “ A Landscape.” 14 x 12 Dated 1845. Hague Rome Paris RICO (Martin) 967 Paris Medals, 1878 (E. U.). Legion of Honor, 1878. Silver Medal Universal Exposition, 1889. “ A Spanish Garden.” 19 x 12 Win. H. Stewart Collection. 968 FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of Order of Charles IXI. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists, Exposition Universe!, 1878. Born, 1838. Died, 1874. “ Cafe of the Swallows.” 15 H x igy 2 Wm. H. Stewart Collection. 969 CLAYS (P. J.) Medal (E. U.) 1867. Legion or Honor, 1875. Chevalier of the Order of Leopold. Medal, Exposition Universe!, 1878. Officer of Legion of Honor, 1881. Bom, 1819. Died, 1900. “ Moonlight on the Thames.” 20 x 13 Dated 1876. 970 FORTUNY (Mariano) Pupil of the Barcelona Academy. Chevalier of the Order of Charles III. Prize of Rome from Spain, 1858. Diploma to the memory of deceased artists, Exposition Universel, 1878 . Born, 1S38. Died, 1874. “ Faithful Friends.” 20 x 16 This picture was presented by the artist to the fund for the sufferers in Chicago by the great fire of 1871. From the Cutting Collection. 164 Rome Brussels Rome relief of the GALLAIT (Louis) 971 Brussels Pupil of Celothue and Hennequin. Medals, 1835-48. Legion of Honor, 1841. Chevalier of Order of Crown of Oak, Holland. Honorary Member of the Royal Academy, London. Grand Cordon of the Order of Leopold. Member of the Academy of Antwerp. Born, 1810. Died, 1888. “ The Duke of Alva, the Emissary of Philip II of Spain in the Netherlands, Contemplating the Beheaded Counts Egmont and Horn.” 19 x 14 Dated 1859. 972 RICO (Martin) Paris Medal, 1878. Legion of Honor, 1878. Silver Medal Universal Exposition, 1889. “ Seville.” 19 X 12 Win. H. Stewart Collection. 973 ALMA-TADEMA (L.), R. A London Pupil of Leys. Member of the Royal Academy, Amsterdam, 1863. Medal at the Salon, Paris, 1864. Knight of the Order of Leopold (Belgium), 1866. Second-class Medal at the International Exposition, Paris, 1867. Knight of the Order of the Dutch Lion, 1868. Knight, First Class, of the Order of Merit of St. Michael, Bavaria, 1869. Member of the Royal Academy of Munich, 1871. Knight of the Order of the Legion d’Honneur, France, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy, Berlin, 1875. Member of the Society of Painters in Water Colors, London. Knight of the Third Class, Lion d’Or of the House of Nassau, 1876. Knight of the Third Class of the Ivoenigliehe Kronen-Orden of Prussia, 1877. Honorary Professor of the Royal Institute of Fine Arts, Naples, 1878. First-class Medal at the International Exhibition, Paris, 1878. Officer of the Legion of Honor, 1878. Royal Academician, 1879. Order of Merit, Berlin, 1881. Corresponding Member Academy des Beaux Arts, 1881. “ Xanthe and Phaon.” 73 X 18 From the Artist. Dated 1883. 165 The marble seat, on which the young people’s fate was decided, was called by the grandchildren of the wedded pair, who lived to old age in love and harmony, “ the bench of the question.” From “ A Question,” by George Ebers. London, December 22, 1884. My Dear Mr. Walters : Since you left London some months ago, I have all the time, nearly, been busy to satisfy your wish to possess a picture of mine representing the two figures of “ The Question,” which suggested the charming idyl of that name, by Geo. Ebers, you know so well. To enable me to make a picture of the same group, I have taken up that book and tried to find there the necessary ground to make the work interesting to me and give it an aim. In fact, it has now come to this : I painted a picture, Ebers wrote a novel upon my picture, and I have now painted a picture upon this novel. The title of the picture is, therefore, the names of the hero and heroine of the book, namely, Xanthe and Phaon. I have made the boy as noble r looking and near the subject as I could, and the girl in her role dissatisfied with him, and full of the effect produced by the stories told to her about him, more sad than anything else. The seat was, according to Ebers, put on a dike which united the property of the two brothers, and was rather neglected, so I have put over the seat a Stella on which are the names of the two brothers, the proprietors of the two properties, and a branch of olive in sign of peace, besides a bas- relief representing the wealth of the two properties personified. Leading downward is a staircase, up which, as you can see by the fallen rose-leaves, Xanthe has arrived with the roses gathered for her work, and in passing by the tank, I suppose she has thrown a handful of loose rose- leaves of the too full-blown roses into the water. I do hope you may be satisfied, as that is the only wish that made me work hard; and could it be otherwise? as you must always look at this picture as a result of your last visit to my studio, at which I felt so truly gratified. I am, dear Mr. Walters, Yours very sincerely, (Signed) L. Alma-Tadema. ALMA-TADEMA (L.), R. A London 974 Pupil of Leys. Member of the Royai Academy, Amsterdam, 1S63. Medal at the Salon, Paris, 1864. Knight of the Order of Leopold (Belgium), 1866. Second-class Medal at the International Exposition, Paris, 1867. Knight of the Order of the Dutch Lion, 1868. Knight, First Class, of the Order of Merit of St. Michael, Bavaria, 1869. 166 Member of the Royal Academy of Munich, 1871. Knight of the Order of the Legion d’Honneur, France, 1873. Grand Gold Medal, Berlin, 1874. Member of the Royal Academy of Berlin, 1875. Member of the Society of Painters in Water Colors, London. Knight of the Third Class, Lion d’Or of the House of Nassau, 1876. Knight of the Third Class of the Koenigliche Kronen-Orden of Prussia, 1877. Honorary Professor, Royal Institute of Fine Arts, Naples, 1878. First-class Medal at the International Exhibition, Paris, 1878. Officer of the Leerion of Honor, 1878. Royal Academician, 1879. Order of Merit, Berlin, 1881. Corresponding Member Academy des Beaux Arts, 1881. “ ’Twixt Venus and Bacchus.” II X 23 From the Artist. Painted 1883. 975-985 TURNER (J, M. W.) London Associate of Royal Academy. Bom, 1775. Died, 1851. 975 “ Arundel.” 976 “ Norham Castle.” 977 “ Swiss Landscape.” 978 “ St. Paul’s Cathedral, Whispering Gallery on the Right.” 979 “ Margate.” 980 “ Swiss Landscape.” 981 “ English Landscape.” 982 “ The Bridge in the Middle Distance.” 983 “ Augsburg.” 984 “ Landscape.” 985 “ Pere la Chaise.” 986 GLEYRE (Charles), after “ Daphnis and Chloe.” io)4 x 13 987 JOHNSON (Eastman), N. A New Member of the National Academy. “ Spanish Woman.” 7x8 Dated 1862. Paris York- 168 MEISSONIER (J. L. E.) 988 Paris Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of Legion of Honor, 1856. Member of the Institute of France, 1861. Honorary Member of the R. A., London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Grand Officer of the Legion of Honor, 1881. Born, 1813. Died, 1891. “ His Own Portrait.” 9x8 Dated 1853. SCHEFFER (Ary) 989 Pupil of Gu£rin. Grand Prize for Painting at Antwerp, 1816. Legion of Honor. Born, 1795. Died, 1858. “ Dante and Beatrice.” 7H x 14 From the Collection of the Queen of Holland. 990 TITIAN (Tiziano Vecelli) ..... Born, 1489. Died, 1576. “ Sketch — ‘ Peter Martyr.’ ” Paris Venice 169 ARTISTS REPRESENTED. Achenbach (Andreas), 116, 155 Achenbach (Oswald), 961 Albani, 428 Albertinelli, 538 Aldegrever, 381 Alemanno, 693 Alfani, 482 Alma-Tadema, 31, 86, 159, 163, 973, 974 Amberger, 297 Appiani, 531 Backhuyzen, 334 Baglioni, 528 Baker, 66, 73 Bakhuisen, 340 Barbalonga, 477 Barocci, 500, 533 Basaiti, 594 Battoni, 498 Baudry, 12 Beaumont, 506 Beccafumi, 435 Becker, 162 Beechey, 176 Bega, 274 Belle, 401, 406 Berchem, 342, 348, 353 Berlinghieri, 720, 730 Biagio, 569, 583 Bibiena, 503, 525 Bicci, 675 Bida, 901, 909, 910, 913, 914 Bigio, 438 Bizamanus, 626, 748 Bles, 290 Bloemen, 308 Bol, 360 Bondoni, 634, 645 Bonfigli, 637, 695 Bonheur, 907, 91 1 Bonifazio, 579 Bonington, 219 Bonnat, 74, 173, 757, 758 , 759 Bonvicino, 459 Bonvin, 199 Bordone, 578, 597 Botticelli, 422, 427 Boucher, 391, 402, 404 Boughton, 129, 198, 956, 958 Brandon, 33 Breton, 57, 58, 902 Bril, 656 Brueghel (Jan), 313, 332, 336, 337 Brueghel (Pieter), 364 Bugiardini, 560 Buonarroti (Michelangelo), 487 Buonconsiglio, 708 Buoninsegna, 717 Cabanel, 99, 146 Calame, 108 Caliari, 573 Canaletto, 603 Canlassi, 474 Caravaggio, 466, 542, 559, 651 Cardi, 552 Carpi, 507 Cavallini, 688 | Cennini, 729 Champaigne, 3,38 Chaplin, 46 Chavet, 204 Church, 147 Cignani, 534 Cione, 632 Clairin, 82 Clays, 125, 969 Cleef, 300 Clouet, 412 Collins, 222, 228 Constable, 15, 180, 213, 235 Contarini, 529 Correggio, 486, 555 Cortona, 420 Costa, 447, 458 Cotignola, 451 Coques, 387 Corot, 152, 154, 164, 192, 194, 20X Courbet, 203 Courtois, 419a, 419] , 619 Couture, 23, 44 Cranach, 242, 269 Credi, 432 Crespi, 495 Crivelli, 566, 593 Crome, 200, 212, 223 Dagnan-Bouveret, 28, 49 Darley, 915 Daubigny, 17, 35, 128, 163 Daumier, 7 David, 392 Decamps, 8, 42 Deelen, 322 Degas, 179 Degli Ambrosi, 622 De Heusch, 241, 419b Delacroix, 1, 6, 10, 62, no, 186 Delaroche, 83 De Neuville, 40, 93, 118 Denner, 264 Detaille, 92, 190, 954 Diaz, 43, 64, 1T4, 121, t 45, 177 Domenichino, 439 Dono, 499, 741 Dosso Dossi, 508 Dou, 368 Drouais, 390 Drummond, 205 Dupont, 912 Dupre, 38, 61, 120, 135 Durand, 122 Diirer, 275 Dyck (A. van), 233, 234, 376 Elliott, 68, 70, 94, 101 Elsheimer, 617 Eusebio, 640 Fabriano, 692, 736 Ferrari, 739, 745 Feti, 460 Foligno, 755 Forli, 703 Fortuny, 117, 148, 150, 191, 955, 965, 968, 970 Fossano, 706 Fragonard, 399, 405 Franceschini, 519 Francia, 425, 461, 465 Frere, 18, 20, 22, 24, 27, 29 Fromentin, 100, 126, 195 Gaddi, 694, 701 Gainsborough, 210, 240, 268 Gallait, 78, 119, 124, 134, 971 Gaulli, 598 j Gellee (Claude), 218 ; Gericault, 189 Gerome, 34, 51, 113, 131 Gessi, 450 Ghirlandaio, 431 Giacomelli, 963 Giorgione, 609 Girolamo, 721, 732 Giuochi, 753 Gleyre, 184, 986 Goltzius, 243 Goya y Lucientes, i6r, 283, 284 1 72 Goyen, 350, 375 Granacci, 676 Green, 950 Greuze, 398, 403 Guardi, 602, 607, 615 Guercino, 456, 463 Guidi, 644 Hals, 345 Harpignies, 181 Hart, 103 Hebert, 2, 5, 133, 908 Heemskerk, 359 Heilbuth, 962 Henner, 89 Herbert, 67 Herring, 19 Hogarth, 232 Holbein, the elder, 563 Holbein, the younger, 249, 257 Honthorst, 276, 653 Hoppner, 224 Huys, 262 Huysmans (.Cornelis), 358 Huysmans (Jan Baptist), 365 Ibbettson, 209 Imola (Innocenzo da), 494, 514, 697 Ingres, 9, 13 Inness, 112 Isabey, 63, 90 Israels, 964 I Jacobsz, 356 Jacque, 80, 81 Jacquemart, 946 Jalabert, 37, 91, 106, 188 Jimenez, 4 Johnson, 987 Knaus, 21, 187 Kurzbauer, 102 La Farge, 917, 918 Lapo, 746 Largilliere, 410 Lawrence, 227, 236, 237 Le Brun, 393 Lee, 174 Lely, 208, 231 Le Moyne, 414 Leslie, 214 Leys, 123, 144 Liberatore, 620 Liberi, 520 Licinio, 574 Lippi, 429 Loo, 409 Lorenzetti, 714 Lorenzo, 698 Lotto, 570 Luini, 462, 539 Madrazo, 48 Magnano, 7to Marilhat, 96 Mariotto, 641 Maris, 202 Martini, 756 Max, 170 Meissonier, 52, 149, 151, 947, 988 Mengs, 245, 252, 260, 263 Merle, 172, 957 Messina (A. da), 469 Mieris (Frans van), 382 Mieris (Willem van), 379 Millais, 85 Millet, 30, 87, 1 15, 153, 903 . 904 . 905 906 Monet, 11 Morland 230 Moroni, 470, 605 Muller, 75, 178 Munkacsy, 60 Murillo, 277, 285, 286 Netscher, 265 Neufchatel, 251 Nuzi, 700 O’Connor, 221 Opie, 215 Ostade, 347, 355 Palma, 572 Palmezzano, 437 Pannini, 510, 5x6 Parsons, 919 Pascio, 446 Pasini, 193 Passerotti, 453 Pater, 413 Pencz, 246 Perugino, 475, 478, 488 Pettenkofen, 53 Piazetta, 543 Pietro, 633 Pils, 951 Pinturicchio, 430, 480, 485, 490, 689, 690 Piombo, 596 Pistoja, 454 Plassan, 45, 47, 56 Poelenburgh, 296 Pollaiolo, 616 Pomarancio, 526 Pourbus, 416 Poussin, 407 Preyer, 139 Prud’homme, 618 Puligo, 652 Puvis de Chavannes, 16, 156 Raeburn, 207, 238 Raphael, 483, 484 Rembrandt, 318, 341, 344 Reni, 492, 527, 662 Reynolds, 98, 225, 267 Ribera, 278, 659 Ribot, 3 Ricci, 512 Rico, 185, 196, 953, 967, 972 Riviere, 84 Romano, 497, 548 Romney, 226, 239 Rondinello, 471 Roos, 561 Rosa, 544, 546, 547, 549, 550, 661 Rossi, 515 Rotta, 182 Rousseau, 25, 137, 966 Rubens, 317, 325 Ruisdael (Jakob van), 326, 343, 361 Ruisdael (Solomon van), 351 Ruviale, 707 Teniers (Abraham), 31 1 Teniers (David, the younger), 315, 349, 367 Terburg, 270 Thaulow, 14, 97, 175 Theotocopuli, 424 Tiepolo, 513, 536, 657 Tintoretto, 504, 575, 576, 586, 591 Tisi, 423, 433, 448 Titian, 582, 585, 590, 990 St. Eve, 916 Saint-Jean, 166, 168 Saftleven, 4i9d Sanders, 217 Sarto, 472, 489 Scarsella, 442 Scheffer, 111, 989 677, Schidone, 61 1 Schmon, 385 Sehreyer, 76, 88, 136 Semino, 733 Shee, 72 Siebrecbt, 354 Sienna (Matteo da), 691 Sod’oma, 481, 51 1 Spada, 524 Stamina, 704 Steen, 310 Stevens, 141, 183 Stone, 69 Strigel, 663-674 Stuart, 171 Suttermans, 279, 280, 330 174 Troyon, 59, 160 Tulzone, 540, 541 Turner, 32, 36, 41, 130, 132, 920-939, 975-985 Uden, 419k Urbino (Timoteo da), 491 Vaga, 479 Van den Eeckhout, 377 Van der Bent, 339 Van der Heist, 71 Van der Meulen, 314 Van der Neer (Aert), 320, 346 Van der Neer (Eglon H.), 562 Van Dyck, 233, 234, 376 Van Leyden, 289, 302 Van Marclce, 65, 77, 104, 109* 143 Vasari, 517 Vautier, 127 Velasquez, 281 Velde (Adriaen van de), 369 Velde (Esaias van de), 373 Velde (William van de, the younger), 321 Venetiis, 635 Verboom, 312 Veronese, 522, 584, 595 Vernet, 54 Verrocchio, 638, 687, 709 Verstappen, 565 Vibert, 197 Vickers, 55 Villegas, 105, 107 Vincent, 229 Vinci, 568 Vivarini (Alvise), 535 Walker, 943 Weeks, 169 Werner, 417 Willems, 50, 140 Wilson (Jock), 79, 211 Wilson (Richard), 206, 220 Wittel, 545 Woodville, 142, 945 Wouwerman, 306, 352, 370, 374 Yvon, 95 Zamacois, 39, 940 Zeghers, 298 Zeitblom, 663-674 Ziem, 26, 138, 157. 158, 167, 941, 944, 948, 959 Zuccaro, 509 Zurbaran, 295 175 MEISSONIER (J. L. E.) 988 Paris Pupil of Cogniet. Medals, 1840-41-43-48. Legion of Honor, 1846. Grand Medal of Honor (E. U.), 1855. Officer of Legion of Honor, 1856. Member of the Institute of France, 1S61. Honorary Member of the Royal Academy, London. One of the eight Grand Medals of Honor (E. U.), 1867. Commander of the Legion of Honor, 1867. Grand Medal of Honor (E. U.), 1878. Grand Officer of the Legion of Honor, 1881. Born, 1813. Died, 1891. “ His Own Portrait.” 9x8 Dated 1853. 989 SCHEFFER (Ary) Pupil of Gufirin. Grand Prize for Painting at Antwerp, 1816. Legion of Honor. Born, 1795. Died, 1858. “ Dante and Beatrice.” 7H x 14 From the Collection of the Queen of Holland. 990 TITIAN (Tiziano Vecelli) . . . Born, 1489. Died, 1576. “ Sketch — ‘ Peter Martyr.’ ” 156 Paris Venice MMiK iATffi tO • ARTISTS REPRESENTED. Achenbach, A., 116, 155 Achenbach, O., 961 Agostino da Lodi, 545 Aldegrever, 381 Alma-Tadema, 31, 86, 159, 165, 973, 974 Aspertini, 441 Baker, 66, 73 Bakhuisen, 340 Banchi, 643 Barna, 737 Bartolo di Maestro Fredi, 741 Basaiti, 444, 594 Baudry, 12 Beccafumi, 435 Becker, 162 P.edolo, 548 Beechey, 176 Belle, 401, 406 Bibiena, 503, 525 Bicci, 675, 700 Bida, 901, 909, 910, 913, 914 Biondi, 719 Bles, 290 Bol, 360 Boltrafho, 493 Bonbeur, 907, 91 1 Bonington, 219 Bonnat, 74, 173, 757, 758, 759 Bonsignori, 449, 450 Bonvin, 199 Bordone 578 Botticelli, 422, 427, 434 Boucher, 391, 402, 404 Boughton, 129, 198, 956, 958 Brandon, 33 Breton, -57, 58, 902 Bril, 656 Bronzino, 451 Brueghel (Pieter), 364 Brusasorci, 452, 585 Bugiardini, 472, 483 Butinone, 455, 539 Cabatiel, 99, 146 Calame, 108 Camerino (Christofano da), 712 Camerino (Girolano), 687 Campi, 459 Canaletto, 460, 603 Caravaggio, 651 Carli, 4S0, 485, 490 Caroto, 464 Carpaccio, 466 Caselli, 571 Catena, 583 Chaplin, 46 Chavet, 204 Church, 147 Civerchio, 462 Clairin, 82 Clays, 125, 969 Clouet, 412 Collins, 222, 228 Conegliano (Cima da), 470 Constable, 15, 180, 213, 235 Coques, 387 Corot, 152, 154, 164, 192, 194, 201 Courbet, 203 157 Couture, 23, 44 Cozzarelli, 698 Cranach, 269 Crivelli (Carlo), 593 Crivelli (Vittoria), 709 Crome, 200, 212, 223 Daddi, 553, 734 Dagnan-Bouveret, 28, 49 D’Allemanno, 693 D’Amatrice, 7 02 Darley, 915 D’ Assisi, 691 Daubigny, 17, 35, 128, 163 Daumier, 7 David, 392 Decamps, 8, 42 Degas, 179 De Heusch, 241, 419b Dei Carli, 461 Delacroix, 1, 6, 10, 62, no, 186 Delaroche 83 De Neuville, 40, 93, 118 Denner, 264 Detaille, 92, 190, 954 Diaz, 43, 64, 1 14, 121, 145, 177 Domenico, 421, 428 a Dosso Dossi, 423, 599 Drouais, 390 Drummond, 205 Dupont, 912 Dupre, 38, 61, 120, 135 Durand, 122 Elliott, 68, 70, 94, 101 Fabriano (Antonio da), 439 Fabriano (Francesco di Gentile da), 566 Fei, 686, 728, 753 Ferrari, 71 1 Filippo, 592 Foligno, 620 Foppa, 706 Fortuny, 117, 148, 150, 191, 955, 965, 968, 970 Fragonard, 399, 405 Francesco, 511, 637, 695, 726 Frere, 18, 20, 22, 24, 27, 29 Fromentin, 100, 126, 195 Fungai, 482, 616 Gainsborough, 210, 240, 268 Gallait, 78, 119, 124, 134, 971 Garofani, 497 Gellee (Claude), 218 Gericault, 189 Gerini, 746 Gerome, 34, 51, 113, 131, 204a, 204b Ghirlandajo, 436 Ghislandi, 486 Giacomelli, 963 Giovanni da Milano, 718 Giovanni di Paolo, 554, 727 Giovenone, 567 Girolamo di Benvenuto, 721, 732, 743 Gleyre, 184, 986 Goltzius, 243 Gossaert, 293 Goya y Lucientes, 161, 283, 284 Goyen, 350, 375 Green, 950 Greuze, 398, 403 Guardi, 602, 607, 615 Guaroleagrele, 513 Guasta, 756d Guercino, 463 Hals, 345 Harpignies, 181 Hart, 103 Hebert, 2, 5, 133, 908 Heilbuth, 962 Henner, 89 Herbert, 67 Herring, 19 Hogarth, 232 Holbein (the younger), 249, 257 158 > Honthorst, 653 Hoppner, 224 Huys, 262 Ibbettson, 209 Imola (Innocenza da), 697 Ingres, 9, 13 Illness, 112 Isabey, 63, 90 Israels, 964 Jacopo, 754 Jacque, 80, 81 Jacquemart, 946 Jalabert, 37, 91, 106, 188 Jimenez, 4 Johnson, 987 Knaus, 21, 187 Kurzbauer, 102 La Farge, 917, 918 Lanini, 493 Lanziani, 515, 610 Largilliere, 410 Laurana, 677 Lawrence, 227, 236, 237 Le Brun, 393 Lee, 174 Lely, 208, 231 Le Moyne, 414 Leslie, 214 Leys, 123, 144 Lippi, 429 Longhi, 587 Loo, 409 / Lorenzetti, 731, 756, 7 5 6f Lorenzo (Bicci di), 448 Lorenzo (Florenzo di), 440, 477 Vtacrino, 570, 689, 690 Madrazo, 48 Maestro dei Garofani, 497 Maestro del Bambino Vispo, 632, 724 Marilhat, 96 Mariotto, 641 Maris, 202 Martini (Bernardino), 756g Martini (Simone), 756a Matteo, 498, 586 Max, 170 Mazzola (Filippo), 523 Mazzuola, 494 Meissonier, 52, 149, 151, 947, 9 88 Mengs, 245, 252, 260, 263 Merle, 172, 957 Mieris (Frans van), 382 Mieris (William van), 379 Millais, 85 Millet, 30, 87, 1 15, 153, 903, 904, 905, 906 Modena (Barnaba da), 443 Monet, 11 Montagna, 756c Morland, 230 Moroni, 501 Muller (C. Leopold), 17S Muller (Charles L), 75 Munkacsy, 60 Murillo, 277, 285, 286 Neufchatel, 251 Netscher, 265 Nicola, 687 O’Connor, 221 Opie, 215 Ortolano, 445 Pacchia, 425 Pacchiarotto, 622 Palma (Antonio), 572 Palma (Giovane), 590 Palmezzano, 437, 505, 507, 547 Pannini, 510, 516 Paolo (di Giovanni Fei), 753 Paolo (Giovanni di), 489 Parsons, 919 Pasini, 193 Passerotti, 453 159 Pater, 4 X 3 Pencz, 246 Pennacchi, 5°8 Perugino, 475 Pettenkofen, 53 Piazza, 5°9 Pils, 95k 952 Pinturicchio, 430 , 5 4 Pistoia (Gerino da), 454 Plassan, 45> 47> 5 Pontormo, 596 Pourbus, 4 l6 Poussin, 4°7 Preyer, 139 Puligo, 652 r 6 Puvis de Chavannes, 16, 5 SS M c5« (or CroVO. M Raphael, 484 Rembrandt, 298, 344 Reni, 49b 492- 662 Reynolds, 98 , 225, 267 Ribera, 278, 659 lxibot, 3 I\lCClj 5 1 - _ /r — cfl'l. Rico, 185, >96. 953 ' F g r '; tesc a 8a), Rimini (Giovanni Frances 488 . Rimini (Lattanzio da), 49a Riviere, 84 Romano, 640, 685. 703 Romney, 226, 239 Rondinelli, 5*7 Rosa, 549 Rosselli, 5t8 Rotta, 182 ,, Rousseau, 25 , *37. 204 ’ Ruisdael (Solomon van), 35 St. Eve, 9^6 Saint-Jean, 166, 168 Salerno, 4 20 Sanders, 2x7 Sanseverino (Lorenzo di, the younger), 49 6 Santa Croce, 569. 577 Scarsellino, 44 2 Scheffer, in, 9&9 Schiavone, 5*9 Scbmon, 385 Sclxreyer, 76, g 8, 13 Serravalle, 438 Shee, 72 Signorelli, 520 Sodoma, 522 Scgliano, 47 2 , 5 2 4 Solario, 469. 502 Spagna, Lo, 526 Speranza, 5 2 7 Stevens, I4 1 - Stone, 69 Strigel, 663-674 Stuart, 171 Suttermans, 279. 280, 33° Terburg, 270 Thaulow, X4, 97. x 75 Theotocopuli, 4 2 4 Tiepolo, 657 Tintoretto, 5°4> 5 2 8, 59 Titian, 582,^99° “ Tommaso,” 45§ Troyon, 59. l6 ° Turner, 30. 36, 4>. '3", '30. * 975-985 Uden, 4 T 9k Utile of Faenza, 47 x - 500 Van der Goes, 296 Van der Heist, 7 X Van der Neer, 320 , 346 Van Dyck, 233 , 2 34 Van Leyden, 289 Van Marcke, 65 , 77. 10 Vanni, 7 X 7 Vautier, 127 Velde (William van de, the younger), 321 Veneziano, 635 Vernet, 54 Vibert, 197 Vickers, 55 Villegas, 105, 107 i Vincent, 229 Viterbo (Antonio da), 479 Viterbo (Matteo da), 750 Vivarini (Alvise), 535 I Vivarini (Antonio), 537 Walker, 943 Weeks, 169 ' I 1 6 1 Werner, 417 Willems, 50, 140 Wilson (Jock), 79, 211 Wilson (Richard), 206, 220 Woodville, 142, 945 Yvon, 95 Zaganelli, 581, 739 Zamacois, 39, 940 Zanobi, 714 Zeitblum, 663-674 Zelotti, 541 Ziem, 26, 138, 137, 158, 167, 941, 942, 944 , 948, 949, 939, 960 | Zoppo. 542, 543, 544 1 GETTY CENTER LIBRARY 3 3125 00108 8497