Digitized by the Internet Archive 
 in 2015 
 
 https://archive.org/details/catalogueofpictuOOcanf 
 
A CATALOGUE 
 
 OF 
 
 THE PICTURES 
 
 AT 
 
 CANFORD MANOR 
 
 IN THE POSSESSION OF 
 
 LORD WIMBORNE 
 
 PRIVATELY PRINTED 
 1888 
 
PrtHled by R. & R. Clark, Ediniurgk. 
 
CANFORD PICTURES 
 
 I. 
 
 FRANCESCO ALBANO. 
 1 5 78- 1 666. 
 Bacchus and Cupids. 
 
 Canvas — Size, i ft. x i ft. 3^ in. 
 Bought from Mr. Morley. 
 
 A group of six boys are carrying an infant Bacchus crowned with ivy. 
 
 2. 
 
 ALTERGRAFFER. 
 Knight Sleeping. r . 1 . 
 
 Panel— Size, i ft. 6^ in. x i ft. 5 in. 32<)^ /V».-.i.^ 
 
 Bought at Munich 1868. 
 
 The knight is grasping the pole of a lance, his sword is by his side. 
 He lies on a red cloak, and three enormous white featliers appear 
 from behind his head. 
 B 
 
 1 
 
2 
 
 CanforD Pictuceis 
 
 3- 
 
 MICHAEL ANGELO, called II CAMPIDOGLIO 
 
 1 6 10-1670. 
 Fruit Piece. 
 Canvas — Size, i ft. 6 in. x 2 ft. 
 Bunches of large white and black Grapes on a table. 
 
 4- 
 
 GIOVANNI FRANCESCO BARBIERI. 
 CALLED GUERCINO. 
 
 1591-1666. 
 
 Assumption of the Virgin. 
 
 Canvas — Size, 6 ft. x 4 ft. 7 in. 
 
 The Virgin is rising from an open tomb, on a cloud, supported by 
 angels. Cherubs are scattering flowers from above. 
 
 GIOVANNI FRANCESCO BARBIERI, 
 CALLED GUERCINO. 
 
 1591-1666. 
 
 Male Portrait. 
 
 Canvas — Size, 4 ft. 2 in. x 3 ft. 2 in. 
 
 Purchased from W. Spence, Esq., in 1865. 
 
 A man dressed in black, seated in an armchair, and extending his right 
 hand. 
 
CanforD pictures 
 
 3 
 
 This picture has been attributed to Murillo, and to other painters of 
 the Spanish school, but was known as a Guercino in the Guadagni 
 Collection, whence it was obtained by W. Spence, Esq. 
 
 6. 
 
 FRANCIS BAUT and N. BOUDEWYNS. 
 About 1700. 
 Landscape. 
 
 Panel — Size, io| in. x i ft. i in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 Rural scene, on the border of a Lake. 
 
 7- / 
 FRANCIS BAUT and N. BOUDEWYNS. 
 
 About 1700. I 
 Landscape. 
 Panel — Size, \o\ in. x i ft. i in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 Rural scene with hawking party introduced. Companion to No. 6. 
 
 8. 
 
 S. BENDIXEN. 
 19th Century. 
 Charity. 
 
 Canvas — Size, i ft. 9 in. x i ft. 5 in. 
 
 An alabaster group representing Charity surrounded by wreaths of 
 flowers. Signed, "S. Bendixen, 185 I." 
 
4 
 
 CanforD pictureis 
 
 9- 
 
 GIOVANNI BATTISTA BENVENUTI, called 
 L'ORTOLANO (the gardener). 
 
 ? 1470-1525. 
 
 St. Joseph presenting the Infant Christ to the 
 
 Virgin. 
 
 Panel — Size, 7 ft. 6 in. x 5 ft. 7 in. 
 
 Brought from the Gallery of the Marchese Costabili, Ferrara, in the 
 
 year 1866. 
 
 St. Joseph is kneeling and presenting the Child, who holds a lily in 
 his hand. The Virgin stands upon a step and bends forward 
 towards the Infant Christ, extending her right hand as if in the 
 act of blessing him. Around them are five Saints and Martyrs, 
 three on one side and two on the other. From an inscription on 
 the picture we learn that they are St. Castorius, St. Claudius, 
 St. Sinfurianus, St. Nicostratus, and St. Simplicius, and that 
 four of them were stonecutters. They appear to have been the 
 patron Saints of the person for whom the picture was painted, 
 and whose name was Tagliapietra (stonecutter), of the family of 
 Giraldoni. This group of figures stands in a kind of portico, 
 beyond which is a landscape with hills. 
 
 This picture, considered, by writers on the Ferrarese school of painting, 
 as the Master-piece of L'Ortolano, was formerly in the church 
 of S. Niccolb at Ferrara, where it formed the altar-piece of the 
 Chapel of the Giraldoni family. According to the inscription it 
 was dedicated in the year 1520. 
 
 It is thus described by Laderchi, in his work entitled La Pittura 
 Ferrarese, p. 100: " Finero con la descrizione della tavola 
 Costabiliana tante volte da me nominata. La scena del quadro 
 rappresenta 1' avanzo d'un antico edifizio, forse un tempio pagano, 
 con un' areata di travertino scuro sostenuto da pilastri dello stesso 
 
 0\ \A U .' 
 
CanforD Picture0 
 
 s 
 
 marmo, attraverso la quale vedesi la campagna, con montagna in 
 lontananza, e paesaggio di finissima esecuzione. Sono sparsi sul 
 suolo pezzi di colonne : dalle pilastrate laterali si veggono usciti, 
 e compariscono sul davanti della scena, cinque martiri, due a 
 destra e tre a sinistra, con corona in capo, meno 1' ultimo a 
 sinistra. Tutti contemplano, in una specie di estasi, cio che si 
 opera nel mezzo della scena. Quivi san Guiseppe s'inginocchia 
 in atto di presentare il santo bambino alia sua divina madre. 
 Esso scherza vezzosamente col giglio simbolico del padre putative. 
 Ella, ritta in piede sur un luogo alquanto piu elevato (pare uno 
 scaglione di marmo) raccolte al seno con la sinistra le vesti, alza 
 la destra come in atto di benedire al figliuolo, in cui tiensi fissi 
 gli sguardi, con una espressione di santita, di modestia, ed affetto, 
 superior! all' umano, e propri soltanto della predestinata madre 
 del redentore. Sur uno dei sassi giacenti in terra si leggono 
 queste parole. — ' Questi santi se chiamano li quattro 
 
 INCORONATI MARTIRI CHE FUNG TAJAPREDE, S. CaSTORIO, S. 
 
 Claudio, S. Sinfuriano S. Nicostrato, S. Simplicio' — piu 
 abbasso : — ' Mi Gio. Andrea Tajapreda vei Giraldoni da 
 
 TrEMICO DE LaGO DE CoMO feci per Ml K MIA EREDI 1520'. 
 
 ' Non puu non fare mcraviglia cotcsta iscrizionc, ovc li sanli incoronali 
 martiri si dicono quattro, sebbcnc poi li nonii e Ic figure siano 
 cinque. Per conoscere donde nasce I'equivoco giova sapere, che 
 i cinque martiri qui rappresentati e norainati furono veramenle 
 sommi scultori, i quali ottennero la palma del martirio in Roma i 
 nella persecuzione di Diocleziano per non essersi voluti piegare a 
 scolpire le statue degli idoli, ne ad adorare il simulacro del Sole. 
 Nel luogo ove furono sepolti, venncro due anni dopo tumulati 
 pure li santi quattro coronati Severe, Severiane, Caqjoforo, e 
 Vitterino fratelli, martirizzati anch' essi sotto le stesso Imperatore. 
 E nella chiesa intitolata in Roma a questi quattro si custodiscono 
 pure i corpi di quei cinque, e la festa degli uni e degli altri si 
 celebra nello stesso giorno ; agli otto di Novembre. 
 
 Questa vasta tavola, con figure di grandezza quasi naturale, adornava 
 altre volte un altare gia della famiglia Giraldoni, poi dei signori 
 Dallafabra nella chiesa oggi chiusa di S. Niccelb. Viene 
 
6 
 
 CanforD Pictures 
 
 ricordata dal Baruffaldi, dal Lanzi, e da tutte le guide di Ferrara 
 come un capolavoro dell' Ortolano. Ed e veramente uno de' piu 
 splendidi, se non il primo ornamento della Galleria Costabili. 
 Per essa puo sempre piu comprendersi, come 1' idea del bello nel 
 suo piu alto grado non si raggiunga che per le vie semplici : i tipi 
 dei volti, le attitudini delle figure, la scelta cosi addattata delle 
 vestimenta, lo stile largo e modesto de' panneggiamenti, la grazia 
 e soavith. de' contorni, e tutti gli accessorii, sembrano cospirare ad 
 un solo fine, quello d' inalzarci fino all' idea della celeste puritL 
 Anche la scelta del luogo mostra di accennare misteriosamente 
 che, ove scorgevano gli idoli, e ne' loro tempii, si sarebbe 
 (juindinnanzi seduto come in trono il redentore. Ma quello che 
 sovra tutto ne richiama a sentimenti di religiosa devozione e la 
 bellezza e I'affetto spirante dalla figura e dal volto della Vergine. 
 II pittorc raccolsc quivi tutte le sue forze, e non rimase al disotto 
 di qualsivoglia piu celebrato maestro. V ha nell' atto di quel 
 volto un misto di compiacenza e di tristezza che sparge su tutto il 
 quadro una tinta melanconica non esprimibile a parole. Sembra 
 che nel benedire al vispo fanciulletto il cuore della madre presenti 
 e ricordi il fine per cui venne al mondo, la prova da Dio 
 riserbatagli, 1' ignominia dal Calvario. E questo concetto cosi 
 delicato, cosi proprio delle anime pietose solite a meditare sui 
 misteri della passionc, era convenientissimo in un quadro votivo 
 rappresentante la visione, a cui sono in ispirito esaltati que' santi 
 martiri." 
 
 Baruffaldi writes, " Nella chiesa di S. Niccolb all' altare gi^ de' Giraldoni 
 ed ora di quelli dalla Fabbra, compib una stimatissima tavola con 
 molta diligenza. In essa oltre 1' immagine di Maria Vergine, e 
 del Bambino Gesii, espresse li quattro santi coronati, i quali 
 furono di professione tagliapietre. ^ I loro nomi per non essere 
 essi molto noti alia pietk de' fedeli, furono notati nella base della 
 tavola con insieme il nome di chi fece erigere quell' altare in questa 
 guisa — Quesii Santi si chiainano li quattro incoronati tnartiri, che 
 furono taiaprede. S. Castorio, S. Claudia, S. Sinphuriano, S. 
 
 1 11 riformatore di queste vite aggiunse che questi Santi scolpirono, come abhiamo 
 dai atti, il sepolcro del niiracoloso S. Antonio di Padova. 
 
CanforD pictures 
 
 7 
 
 Simplicio. Mi Gio. Andrea taiapreda de Giraldoni da Tremico 
 de lago di Como fed per mi e mia eredi." ^ 
 This picture is described in Kiigler's Handbook of Painting, Italian 
 Schools, p. 356, 5 th Ed. 1887. 
 
 10. 
 
 BLANKENBURG. 
 Rustic Scene, 
 
 Panel — Size, 2 ft. 2 in. x 3 ft. 2 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 A Dutch village, with a group of peasants listening to a preacher. 
 
 I I. 
 
 JOHN FRANCIS VAN BLOEMEN, 
 CALLED ORIZONTI. 
 
 1656-1740. 
 Land.scape. 
 Canvas — Size, 2 ft. 2| in. x i ft. 8 in. 
 From the Bertie Mathew Collection, Ijoiight in 1846. 
 
 Italian Landscape, with figures and sheep in the foreground. 
 At the back are some buildings on a hill. 
 
 1 Questa bella tavola tiovasi nella galeiia Costabiliana. II conte Laderchi da 
 una piu esatta descrizioiie tanto del quadro quanto dcH' epigrafe, che reca 1' anno 
 1520, dimenticata dal Barufifaldi. I Santi sono cinque, e difatli ai nomi esposti dal 
 nostro autore deve aggiungersi quelle di S. Nicostrato. Stanno tutti in mezzo a 
 pilastrate di bella architettura, e sono intenti alia scena principale clie rappresenta 
 Maria Santissima, cui S. Giuseppe presenta il S. Bambino. Barufifaldi, Vite de' 
 Pitlori e ScuUori Ferraresi (vol. i. pp. 173, 4). 
 
CanfotD Pictutes 
 
 12. 
 
 JOHN FRANCIS VAN BLOEMEN, 
 CALLED ORIZONTI. 
 
 1 65 6- 1 740. 
 
 Landscape, 
 
 Canvas — Size, 2 ft. 2^ in. x i ft. 8 in. 
 From the Bertie Mathew Collection, bought in 1846. 
 Companion to No. 11. 
 
 13- 
 
 PETER VAN BLOEMEN, called STANDARD. 
 
 1 649-1 719. 
 
 Landscape. 
 
 Canvas — Size, 3 ft. 5 in. x 4 ft. 6 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 A hawking party is introduced in the foreground. 
 
 14. 
 
 ROSA BONHEUR. 
 
 19th Century. 
 Labourage Nivernols. 
 
 Canvas — Size, 4 ft. 4 in. x 8 ft. 5 in. 
 Purchased at Christie's. 
 
 Two teams of oxen, composed of three yoke and two yoke respectively, 
 
 ploughing. 
 
 Replica of the picture in the Luxembourg, Paris. Signed, " Rosa 
 Bonheur, 1850." 
 
CanforD Pictures 
 
 9 
 
 15- 
 
 ALESSANDRO BONVICINO, 
 CALLED IL MORETTO. 
 
 ? 1514-1564. 
 
 St. Jerome. 
 
 Canvas-Size, 2 ft. 9 in. x 3 ft. 4,in. E^U /} V. e..*, ^ 
 
 Purchased from a private Collection at Brescia. 
 
 From the Collection of the Moracchi family at Bergamo. A copy of 
 this picture, by Moretto's pupil Moroni, is in the public Gallery 
 at Bergamo. There is another copy in the Palazzo Boromeo on 
 the Isola Bella, Lago Maggiore. 
 
 The Saint, seated beneath a ruin, is reading in an open book which he 
 holds before him with his left hand, his head resting on his right. 
 In front of him is a crucifix. 
 
 16. 
 
 PARIS BORDONE. 
 1 500- 1 5 70. 
 
 A Venetian Lady and Knight. - / 
 
 Panel — Size, 2 ft. 9 in. x 3 ft. 10 in. if Copsx. t*". l\<iJur<^ 
 
 Bought at the Pourtales Sale, Paris, April 1865. IaA-Vvt CJ^vJ^V^'^'Ht^ 
 
 Probably portraits. The lady is on a marble seat, on the arm of which *^ - 
 
 she leans her right hand. Her left hand is held by a knight, 
 
 richly dressed, who is standing before her. (^^^ , p^^^^^^ Vv t---v.-.«i 
 
 In the Sale Catalogue it is attributed to Giorgione. It is more pro- 
 bably an early work of Paris Bordone. 
 
10 
 
 Canforn IPictuces 
 
 17- 
 
 ^. PARIS BORDONE. 
 
 1 500- 1 5 70. 
 
 Female Portrait. 
 
 Canvas — Size, 2 ft. x i ft. 8 in. 
 
 Purchased from the Manfrin Collection, Venice, 1868. 
 
 • ^) 0 Head and bust of a Venetian lady, holding an apple in her right hand, 
 
 which rests on a table. Her dress is of red velvet, with broad 
 white and gold tucker. Her light hair is simply dressed, one 
 long curl falling on her right shoulder. 
 
 18. 
 
 JOHN BOTH. 
 
 1 6 10- 1 650. 
 Landscape. 
 
 Canvas — Size, 4 ft. 3 in. x 6 ft. 
 
 A rocky scene with trees. Peasants with mules in the foreground, at 
 the back a lake, with mountain, etc., in the distance. 
 
 Destroyed in the fire at Canford, January 1884. 
 
 q 19. 
 
 SANDRO OR ALESSANDRO BOTTICELLI. 
 
 1447-1515. 
 
 The Holy Trinity and Saints. 
 
 Panel — Size, 6 ft. 11 in. x 6 ft. 2 in. 
 
 U., \* Vtt , Purchased from the Monte di Piet^ at Rome, where it had probably 
 been deposited as a security for money to be used in the repair 
 
 (\IM) 
 
 AT"' • 
 
 .KM"*- ^ 
 
Canforn Pictures 
 
 of a church for which it had been painted as an altar-piece. 
 After its purchase the Roman Government refused to allow it to 
 leave the Papal territories, and it was only after a long corre- 
 spondence with the Roman Authorities that Mr. Severn, H. M. 
 Consul, obtained the necessary permission for its exportation to 
 England, April 1867. ' C#-^w.^t l*-,.^ li^-, <-^-. (X02.<fj 
 
 The crucified Christ is supported by the First Person of the Trinity, 
 who is surrounded by Angels. On one side is St. John the Baptist, 
 and on the other Mary Magdalen. At the bottom of the picture 
 are two small figures of Tobias and the Angel. It has a landscape 
 background. The letters S. B. are inscribed on the cross. 
 
 20. 
 
 FRANCIS BOUCHER. 
 1 704-1 768. 
 Venus and Cupid. 
 
 Canvas — Size, 4 ft. 8 in. x 4 ft. 3 in. 
 
 Venus is seated in a landscape, her left arm thrown over Cupid, who is 
 extended beside her. His quiver full of arrows lies at his feet. 
 
 21. 
 
 FRANCIS BOUCHER. 
 
 1 704-1 768. 
 Portrait of Madame de Pompadour. 
 
 Canvas — Size, 3 ft. x 2 ft. 9 in. 
 
 The Lady is represented asleep, with her head resting on a green 
 pillow. The hair is drawn from the face. The stomacher of the 
 dress is laced across with blue, and on her left breast is a bunch 
 
CanforD pictures 
 
 of roses. There is an engraving of this picture entitled " La 
 Dormeuse," " F. Boucher, Pinxit," "J. B. Michel, Sculp.," with 
 inscription : — 
 
 Gardes vous d'eveiller la Beaute qui sommeille 
 Amants c'est un repos qui vous est precieux 
 Vous vous plaign^s qu' Iris vous fuit quand elle veille 
 Pent etre qu'en dormant elle vous rend heureux. 
 
 A Paris, chez Huquier fils, Graveur, Rue St. Jacques, au dessus de 
 celle des Mathurins, au g''- St. Remy. 
 
 22. 
 
 FRANCIS BOUCHER. 
 
 1 704-1 768. ' 
 Portrait of Madame de Pompadour. 
 
 Canvas — Size, 3 ft. 3 in. x 2 ft. 10 in. 
 
 The Lady is here represented as a child, and wears a white dress with 
 pink bodice, trimmed with wreaths of pink and white roses. 
 The head-dress corresponds. 
 
 A copy of this picture was taken for Lady Caroline Sanford, about the 
 year 1848. 
 
 23. 
 
 SIMONE BRENTANA. 
 Born 1656. 
 Adoration of the Shepherds. 
 
 Canvas — Size, 6 ft. 2 in. x 3 ft. 4 in. 
 
 The Virgin, in a pink dress and blue mantle, with a white kerchief over 
 her head, holds the infant Saviour. The adoring Shepherds are 
 before them. Children with doves, sheep, etc., are grouped around. 
 Angels from above are scattering incense. 
 
CanfotD Picture0 
 
 13 
 
 24. 
 
 JOHN BREUGHEL. ^ ^ 
 
 1565-1642. JcJ^^Mr f^T^W . 
 
 Still Life. O''^') 
 
 Copper — Size, 9^ in. x 6| in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 On a table is a skull, surrounded by musical instruments, a globe, 
 an hour glass, a Nautilus shell, flowers, etc. 
 
 25. 
 
 JOHN BREUGHEL. . , , ■ . l 
 
 1 565-1 642. TaJU,*-!' N\<Jl^Hwt».» . 
 
 Flower Piece. o\'i,j i ^a) 
 
 Panel — Size, i ft. 6 in. x i ft. 2 in. 
 Bought at Antwerp, 1868. 
 On a table are a variety of flowers and a basin holding strawberries. 
 
 26. 
 
 ANGELO BRONZING. 
 
 1502-1572. -To^A*. e\ r^^wvO- 'ejxi 
 
 rORTRAIT OF A DAUGHTER OF CoSMO 1. • 
 
 Panel — Size, 2 ft. 4 in. x i ft. 8 in. 
 
 Purchased from Signor Baslini of Milan in 1865. 
 
 A Princess of the Medici family, probably a daughter of Cosmo I. 
 She is richly dressed, and holds in her hand a parrot, apparently 
 a toy 
 
 This picture, attributed to Bronzino, may be by a contemporary painter 
 of the Florentine School. 
 
14 
 
 CanforD Picturcis 
 
 27. 
 
 ADRIAN BROUWER. 
 1 608-1 640. 
 Dutch Interior. 
 Canvas — Size, 2 ft. x i ft. 3 in. 
 Bought of Mr. Luff, Elizabeth Street, London. 
 Peasants in an Alehouse playing cards. 
 
 28. 
 
 ADRIAN BROUWER. 
 1 608- 1 640. 
 Dutch Interior. 
 
 Canvas — Size, 2 ft. x i ft. 3 in. 
 Bought of Mr. Luff, Elizabeth Street, London. 
 An Alehouse, with Boors smoking. 
 
 29. 
 
 BUCKNER. 
 19th Century, 
 Portrait of Sir Josiah John Guest, Bart. 
 
 Canvas — Size, 7 ft. 10 in. x 4 f t 9 in. 
 
 V Sir John is represented seated at a table writing. At the back the 
 t-iH' v Dowlais Iron Works are seen through a window. A directed 
 
 envelope lies on the floor in front. 
 
 Sir John Guest was born on the 2nd of February 
 1785. In the year 181 8, he married Maria Elizabeth, 
 
CanforD Pictures; 
 
 15 
 
 daughter of William Ranken, Esq. ; and secondly, 29th 
 July 1833, Lady Charlotte Elizabeth Bertie, daughter of 
 Albemarle, 9th Earl of Lindsey. He was created a 
 Baronet in 1838, and died 26th November 1852. 
 
 Destroyed in the fire at Canford, January 1884. 
 30. 
 
 BUCKNER. 
 
 19th Century. 
 
 Portrait of Lady Charlotte Elizabeth Guest. 
 
 Canvas — Size, 7 ft. 10 in. x 4 ft. 9 in. 
 
 In black velvet dress, her arm resting on a pedestal, on which are 
 baskets and vases of flowers. The Brecon beacons are in the 
 background. 
 
 Destroyed in the fire at Canford, January 1884. 
 
 31- 
 
 PAOLO CALIARI (PAUL VERONESE). 
 
 1528-1588. ^^^^ l^^^j ^ 
 
 Venus and Mars. A i^erAwu w^ ^1 
 
 Canvas — Size, 6 ft. 9 in. x 5 ft. 3 in. 
 
 Purchased from Mr. Campbell, in 1866. 
 
 A Cupid binds Venus to the God of War, who is dressed in Roman 
 armour. Another Cupid holds a sword before a Jjorse tied to a 
 tree. On the picture is inscribed, " Paulus Veronensis F." . ^ 
 
 Formerly in the Orleans Gallery, and, engraved with other pictures, in ^iV*-ltjr-*'^«.C 
 that Collection. 
 
 I 
 
i6 
 
 CanfotD IPictures 
 
 32. 
 
 CARLO CALIARI. 
 1 570-1 596. 
 
 A n4*\ < The Venetian Toilet. 
 
 ^-^^ ^4^^ "u-^- Canvas— Size, 5 ft. x 3 ft. 9 in. 
 
 , Bought from the Manfrin Collection, Venice, 1868. 
 
 ^ ^ (jq . A Venetian lady is sitting at her toilet ; her maid, standing behind her, 
 , . holds a skull in such a manner that its reflection appears beside 
 
 V " that of her own face in the looking-glass. There is the following 
 
 inscription above : " Atonita ad specvlvm qvid te miraris inepta 
 Respice nam mox hec te qvoq forma manet." On the dado is 
 the signature "Carlo Caliari F." 
 
 33. 
 
 ANTONIO CANALE, called CANALETTO. 
 
 e^eM: iluji/^-t«j View in Italy. 
 
 Canvas — Size, 2 ft. i in. x 2 ft. 6 in. 
 From the Bertie Mathew Collection, bought in 1846. 
 This picture is a Replica of one in the National Gallery. 
 
 34 AND 35. 
 
 CANALETTO. 
 1697-1768. 
 Views in Venice, the Rialto. 
 
 Canvas — Size, 3 ft. x i ft. 8 in. 
 
 Purchased in Paris from M. O. Miindler, in 1865, on the recommenda- 
 tion of Sir Charles Eastlake, who considered them to be fine 
 specimens of the painter's best time. 
 
 From the Palazzo Valmarana at Venice, where they had been since 
 they were painted for the family. 
 
CanforD lpicture0 
 
 17 
 
 36. 
 
 CANALETTO (after). 
 Italian Scene. 
 
 Canvas — Size, 4 ft. x 4 ft. , 
 A Ruin and a Bridge. 'under which Boats are passing. ' 
 
 37. 
 
 ALONZO CANO. 
 1 600-1 676. 
 Death of Saint Joseph. 
 
 Canvas — Size, i ft 7 in. x 2 ft. 
 
 The Saint is on his death-bed, with the Saviour (in a red dress) and 
 the Virgin Mary on either side. At the foot is an angel, emblem- 
 atic of the soul. 
 
 38. 
 
 Mrs. carpenter. 
 
 Copied from Vandyck. 
 
 Robert Bertie ist Earl of Lindsey. 
 
 Canvas — Size, 3 ft. x 2 ft. 6 in. 
 From the Bertie Mathew Collection, bought in 1846. 
 
 He is in full armour, and wears a brocaded sash and lace collar. In 
 his right hand is a baton. Half length. 
 
 Robert Bertie, 12th Baron Willoiighby de Eresby, 
 
 I St Earl of Lindsey, K.G., son of Peregrine Bertie, 
 
 Lord Willoughby, was brought up like his father to 
 c 
 
i8 
 
 CanforD Pictures 
 
 the profession of arms, and in June 1596 accompanied 
 his godfather, Robert, Earl of Essex, in the Expedition 
 to Cadiz. In 1626 he was created Earl of Lindsey, and 
 four years afterwards was elected Knight of the Garter, 
 having previously established his claim to the Hereditary 
 Great Chamberlainship of England in right of his mother, 
 Mary, daughter of John de Vere, Earl of Oxford. In 
 the nth year of Charles I. Lord Lindsey was appointed 
 Lord High Admiral of England, and in 1639 Governor of 
 Berwick. At the Battle of Edgehill, 23rd October 1642, 
 he commanded a division of the royal army. His 
 " soldierly prayer " on going to the field is thus given 
 by Sir Philip Warwick, in his Memoirs of the Reign of 
 Charles I. " Lifting up his eyes and hands to heaven he 
 said, ' Oh Lord ! thou knowest how busy I must be this 
 day ; if I forget thee, do not thou forget me,' and with 
 that he rose up, crying out, ' March on, boys.' " He fell 
 in the action, and was carried into Warwick Castle, where 
 he died next day of his wounds. 
 
 39- 
 
 ALFRED CHALONS. 
 19th Century. 
 Family Group. 
 
 Water colours, on paper — Size, i ft. 2 in. x 2 ft. 5 in. 
 
 The scene is the drawing-room of 13 Grosvenor Square, London. 
 The eldest boy is climbing to reach flowers for his second 
 brother and second sister on the ottoman below. The eldest 
 sister is leaning over the cradle of the third brother. 
 
Canforn pictures 
 
 19 
 
 Portraits of the five elder children of Sir John 
 and Lady Charlotte Guest, — viz., Charlotte Maria, born 
 3rd July 1834; married 1859 Richard Du Cane, Esq. 
 Ivor Bertie, Lord Wimborne, born 29th August 1835 ; 
 married 1868, Cornelia Henrietta Maria Churchill, 
 daughter of John Winston, 6th Duke of Marlborough. 
 Katherine Gwladys, born 28th January 1837; married 
 i860 the Rev. Cecil Alderson. Thomas Merthyr, born 
 I'Sth January 1838; married 1877 to Lady Theodora 
 Grosvenor, youngest daughter of Richard, 2nd Marquess 
 of Westminster : and Montague John, born 29th March 
 1839, Member for Youghal 1869 to 1874; for Ware- 
 ham, 1880 to 1886. 
 
 40. 
 
 CLOUET. 
 
 Early i6th Century. 4fjJw ^W-»V-Aa*-- 
 
 Portrait. 
 
 Panel — Size, ii| in. x 8| in. 
 
 Purchased from the Collection of Mons. Bouviers at Amiens, 1867. 
 
 Portrait of a French King or Nobleman ; when bought, the dress of a 
 monk had been superimposed on that originally painted. 
 
 41. 
 
 LORENZO COSTA. _ 
 The Virgin and Child enthroned. r«ju iq \ig^c^ 
 
 Canvas—Size, 8 ft. 4 in. x 6 ft. 9 in. toofyj^ th. f^Wf*^ 
 
 Bought from the Gallery of the Marchese Costabili at Ferrara in 1866. J ^ 
 
 r*x«^ 
 
 Gv-i. ArS^ '')3rj. [^i::^ 
 
 ! S«-t«, ty«.va y«k<C- i-^ r 
 
20 
 
 CanforD Pictures 
 
 The Virgin, holding the infant Christ on her lap and presenting to him 
 a cherry with her right hand, is seated on a richly decorated throne. 
 Two angels leaning over the upper part of the throne, hold a 
 crown above her head, and a scroll on which are written these 
 words, Regina celi letare alelvia. Qvia qvem mervisti 
 PORTARE alelvia. On each side of her is an angel playing on a 
 musical instrument. Beneath, on the right of the Virgin, stands 
 St. Joseph of Arimathea, in an Eastern costume, bearing in his 
 hands the three nails and pincers, and in his girdle the hammer, 
 the emblems of the Passion. On the opposite side is St. Joseph, 
 the husband of Mary, with his right hand on his breast and in his 
 left a carpenter's square. Under the throne are two angels, one 
 playing on an organ which the other is blowing. Between them 
 s an opening, through which are seen a distant landscape and 
 St. George slaying the dragon. The architecture forming the 
 background of the picture is beautifully ornamented, and in 
 recesses are two figures of saints. 
 
 This fine altar-piece, which was formerly in the College of the Jesuits 
 at Ferrara, is thus described in Baruffaldi's Vite de' Pittori e 
 Scultori Ferraresi {vo\. i. page 122, note). " Ivi pure vedesi una 
 tela a tempera con entro la B. V. sotto nobile trono col S. 
 Bambino in braccio, incoronata da due angeli, altri due in piedi 
 che suonano strumenti a' lati del trono ; sul piano due santi, 
 I'uno coperto d'ampio pallio tiene in una mano una squadra, 
 portando I'altra al petto ; I'altro con turbante in capo, tiene nelle 
 mani tre chiodi ed una tanaglia li pietosi che levarono dalla croce 
 il Redentore. Al di sotto in lontananza vago paese in 
 macchietti, fra le quale distinguesi S. Giorgio liberatore a cavallo : 
 nel davanti un angelo suonante un organo, cui un altro dh. fiato 
 con due piccoli mantici. Sono degni d'osservazione gli ornati 
 de' pilastri e dell' arco, non che il bottone che ferma il manto 
 sulla spalla destra della Madonna, su cui I'aquila Estense, a far 
 pensare che sia stato ordinato il quadro da quella serenissima 
 famiglia ; stava questo quadro nel Collegio del Gesu." 
 
 Laderchi {La Pittura Ferrarese, p. 42) says of this work, " La sola 
 opera che pub ritenersi appartenere a quest' epoca (between 
 1480-90) e la vasta tela della Galleria Costabili, ove la Vergine, 
 
CanforD lpicture0 
 
 che vi si vede assisa in trono con tra le braccia il divino figliuolo, 
 ha il manto fermato sulla spalla destra da un bottone, che porta 
 scolpita I'aquila Estense, opera preziosa, sebbene alquanto patito 
 nel colorito, per essere a tempera. L'autore vi pose grande 
 accuratezza ed amore, ornandola d'angioletti carissimi, alcuni de' 
 quali suonano il liuto, il cembalo e I'organo, e due sostengono la 
 corona sospesa sul capo della Madonna, con veduta in lontananza 
 di S. Giorgio liberante la reale donzella dal drago : e arabeschi e 
 fregi a basso relievo bianco sopra i pilastri dell' elegante 
 architettura, ov' e rappresentato il tormento di un santo martire 
 Vescovo : probabilmente S. Maurillio." 
 
 Both Baruffaldi and Laderchi are in error in describing this picture as 
 " a tempera," it is painted in oil. 
 
 See Kiigler's Handbook of Painting, Italian Schools, 5th Ed., 1887, 
 P- 355- 
 
 42. 
 
 RICHARD COSWAY. 
 1 740-1 82 1. 
 Gray's Bard, 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Engraved by Maria Cosway. 
 
 The bard is represented seated on a crag with his harp in his hand. 
 Below, the army is seen winding through a pass. 
 
 43 
 
 CASPAR DE CRAYER. 
 1582-1669. 
 The Clorification of the Jesuits. 
 
 Panel — Size, i ft. 11 in. x 2 ft. 8 in. 
 Purchased from Mr. Anthony in 1866. 
 
22 
 
 CanforD Pictures 
 
 111 the centre of the picture is the Virgin carrying the Infant Christ, 
 borne to Heaven by Angels. Above her is the First Person of 
 the Trinity. Below and around her are various Saints of the 
 Jesuit Order, or patrons of the Jesuits. 
 
 This picture, apparently the sketch for an altar-piece, has been at- 
 tributed to Vandyck. It was assigned to Caspar de Grayer by 
 Dr. Waagen. 
 
 Canvas — Size, 2 ft. 5^^ inches x 2 ft. i in. 
 
 Purchased from the family of D. Gurney, Esq., 1867. 
 
 Through the trees is seen Hethel Hall, Norfolk, the seat of D. 
 Ciurney, Esq., who was Grome's earliest patron. Sheep in the 
 foreground. 
 
 44. 
 
 JOHN CROME, CALLED OLD CROME. 
 
 1 769-1821. 
 
 Land.scape, Forest Scene. 
 
 45- 
 
 JOHN CROME, CALLED OLD CROME. 
 1 769-182 1. 
 
 Sea View. 
 
 Canvas — Size, i ft. 8 in. x 2 ft. 9 in. 
 
 Purchased from the family of D. Gurney, Esq., 1867. 
 
 Yarmouth Jetty — with ships, etc. 
 
CanforD Pictures 
 
 23 
 
 46. 
 
 JOHN CROME, CALLED OLD CROME. 
 
 Wild Scenery. 
 Canvas — Size, i ft. 3 in. x i ft. 8 in. 
 Purchased from the family of D. Gurney, Esq., 1867. 
 View taken on Household Heath. 
 
 JOHN CROME, called OLD CROME. 
 
 1769-1821. 
 Landscape. 
 
 Panel — Size, i ft. x i ft. 3^^ in. 
 
 Purchased from the family of D. Gurney, Esq., 1867. 
 A cottage embosomed in trees. A man driving sheep in the fore- 
 
 48. 
 
 ALBERT CUYR 
 1606-1673. 
 "CuYP's Duck." 
 
 Panel — Size, i ft. 8 in. x 2 ft. 
 
 In front of the duck lie three large eggs. On the picture is a long 
 
 1769-1821, 
 
 ground. 
 
 Dutch inscription. 
 
 / 
 
24 
 
 CanforD Pictures 
 
 49. 
 
 ALBERT CUYP. 
 
 1606-1672 ? 
 Pastoral Scene. 
 
 Panel — Size, i ft. 2 in. x i ft. 9^ in. 
 Bought at Mr. T. Fumell's Sale at Childe Okeford, 20th March 1866. 
 Group of cows and sheep. Boys fishing in the background. 
 
 50. 
 
 CHRISTIAN WILLIAM ERNEST DIETRICH. 
 
 1712-1774. 
 
 . ,1.1 losEPH IN Prison. 
 
 '+ff\A*j , Panel — Size, i ft. 2 in. x 9 in. 
 
 ifj^i yiti) Bought at Mr. T. Fumell's Sale at Childe Okeford, 20th March 1866. 
 
 Joseph is interpreting the dreams of Pharaoh's chief Butler and chief 
 Baker in the prison. 
 
 51- 
 
 CHRISTIAN WILLIAM ERNEST DIETRICH. 
 jl, Uli>^U.. t. 1 71 2-1 774. 
 
 Sacred Subject. 
 
 Panel — Size, i ft. 6 in. x i ft. 2 J in. 
 Bought at Mr. T. Fumell's Sale at Childe Okeford, 20th March 1866. 
 Christ making himself known to the disciples at Emmaus. 
 
 7 
 
Canforn pictures 25 
 
 52. 
 
 I 
 
 E. VANDER DOEL. ' P . 
 
 Marine Subject. 
 Panel — Size, i ft. 2 in. x i ft. 9 in. A>-*n- - X^J < ^ t'^ 
 
 Bought at the Sale at Studley Castle, 1865. (_ ■ 
 
 Fishermen and their wives packing fish into baskets on the sea-beach. 
 Boats, etc. Signed, " E. Vander Doel." 
 
 53- 
 
 CARLO DOLCI. tW^ L^U»^ 
 
 I6I6-I686. * 
 
 Portrait of a Painter. 
 
 Canvas — Size, i ft. 8 in. x i ft. 
 
 He looks to the left, the head being turned to the right, wears a dark 
 dress, with long flowing hair. 
 
 54. 
 
 DRU DORSAY. 
 19th Century. 
 Female Head, 
 
 • Canvas — Size, 2 ft. 9 in. x i ft. 10 in. 
 Bought of Mr. Morant 
 The head, "en profile," with long light hair, rests on her left hand. 
 
26 
 
 CanforD Pictures 
 
 55- 
 
 DOSSO DOSSI, AND HIS Brother GI AM BATISTA 
 
 DOSSI. 
 
 1 480- 1 560. 
 
 An Altar- Piece. 
 
 Panel — Size, upper panels — 3 ft. 5 in. x i ft. 7 in. 
 
 lower centre panels — 2 ft. i in. x i ft. 2 in. 
 ^ . . - lower lateral panels — 2 ft. 4 in. x i ft. 2 in. 
 
 [^ox f ^5'. Brought by Mr. Layard from Venice, and obtained from him 
 
 by exchange in 1864. 
 
 An altar-piece, in six compartments. In the centre panel of the upper 
 part Christ is represented rising from the tomb ; on His right is 
 St. Jerome, and on His left St. Blasius. The predella, or lower 
 part, contains three subjects : the Holy Family, the Presentation 
 in the Temple, and the Adoration of the Magi. A copy on 
 canvas of the panel representing the Adoration of the Magi was 
 at one time on sale at Bergamo as a work of Dossi. 
 
 This altar-piece came from the Church of Montagnana near Padua, 
 where it was called an early work by Sebastian del Piombo. 
 
 56. 
 
 DOSSO DOSSI. ^ 
 
 I 480- I 560. A>>.»/s^mL 
 
 Portrait of Annibale Saracco. 
 Ki ' ' Panel — Size, 2 ft. i in. x 2 ft. 8 in. 
 
 \ Purchased from the Gallery of the Marchese Costabili at Ferrara 
 
 • - , m 1866. 
 
CanforD Pictures 
 
 27 
 
 Annibale Saracco was Major-Domo in the house of Alfonso I. of Este, 
 Duke of Ferrara. He is represented in a buff jerkin, bound at 
 the waist by a leathern belt, which he holds with one hand. In 
 the corner to the right of the picture is inscribed " Anibal Sarachiu. 
 Anno Domini 1520." 
 
 Half length ; full size. 
 
 Mentioned by BarufFaldi as " Altro d' Annibale Saracco, colla data del 
 1520 " ( Vite de" Pittori e Sailtori Ferraresi, vol. i. p. 293, note). 
 
 57. 
 
 DOSSO DOSSI. 
 
 1 480- 1 5 60. 
 Portrait of a Boy. 
 Panel — Size, 2 ft. i in. x 3 ft. 3 in. ^ . 
 
 From the Gallery of the Marchese Costabili at Ferrara. / 
 
 Probably Alfonso H. of Este, Duke of Ferrara, when a child. He is 
 
 dressed in rich attire, and rests his left hand on a sword. Full ' ■ f^", 
 
 length. 
 
 Mentioned by Laderchi (La Pitfura Ferrarese, p. 70), "II luogo ova 
 trovansi unite in maggior numero le pitture de' Dossi, b la quad- 
 reria Costabili. Ivi contasi . . . il ritratto d'un principino della 
 casa d'Este, ma non d'Alfonso I., come vuole il Cittadela, e ben 
 ribbate il Laderchi, mentre Dosso nol pote conoscer fanciullo ;" 
 and by Baruffaldi {Vite Pittori e Scultori Ferraresi, vol. i. 
 p. 292, note). 
 
 58. 
 
 DOSSO DOSSI. 
 
 of. , 1480-1560. A ^^^^ ^cy 
 
 St. John the Baptist. ^ ^ *^ 
 
 Canvas — Size, 6 ft. 3 in. x 3 ft. 9 in. 
 Bought from the Gallery of the Marchese Costabili at Ferrara, 1866. 
 
 ■J 
 
28 
 
 Canforti Pictureis 
 
 He is clothed in a skin, and an ample red cloak falls from his loins. 
 He is pointing with his right hand apparently to the setting sun. 
 His left rests upon the rock on which he is seated, and holds a 
 scroll on which is inscribed the word " DEI." In the landscape 
 background are trees and hills, and several figures, some on horse- 
 back. Life size. 
 
 This picture is mentioned by Baruffaldi {Vi'te de' Pittori e Scultori 
 Ferrarest, vol. i. p. 293, note) as "gran tavola, gik nel Palazzo 
 Aventini alia Rosa, ove ^ espressa il Battista nel deserto in atto 
 d'alzarsi additando la croce di canna," and by Laderchi {La 
 Pittura Ferrarese, p. 70), see Kiigler's Handbook of Painting, 
 Italian Schools, p. 359, 5 th Ed. 1887. 
 
 Transferred from panel to canvas, and restored by Signor Pinti, 1867. 
 
 i 59. 
 
 DOSSO DOSSI. 
 
 1480-1560. 
 
 Holy Family. 
 
 Panel— Size, 2 ft. x i ft. 3 in. 
 
 Bought of M. O. Miindler. 
 
 The Holy Child is lying on the ground. The Virgin kneeling. St. 
 *<,Mtf7vh> J John and St. Joseph are around him. Angels are descending 
 
 from heaven. A castle is seen in the distant landscape. 
 
 60. 
 
 GERARD DOW. 
 1613-1674, 
 Old Woman warming her Hands. 
 
 Canvas — Size, 2 ft. 3! in. x i ft. io| in. 
 
Canforti Pictures 
 
 29 
 
 61. 
 
 ALBERT VAN EVERDINGEN. 
 1621-1675. 
 Scene in Norway. 
 
 Canvas — Size, 2 ft. 8 in. x 2 ft. 5 in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 A rocky scene, with fir-trees and cascade. Two men in the 
 foreground fishing. 
 
 62, 
 
 FRANCIS FRANCK, called the YOUNGER. 
 
 1 580-1642. 
 The Discovery of Achilles. 
 
 Panel — Size, i ft. 6 in. x i ft. 9 in. 
 
 Bought at Mr. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 The floor and tables are strewed with objects of jewellery, glass, plate, 
 china, musical instruments, rich brocades, etc., from which a group 
 of nymphs are making their selections. Achilles is snatching the 
 sword and buckler. Ulysses stands behind him. Signed, " D?. F. 
 Franck in. et f." 
 
 63. 
 
 JOHN FYT. 
 
 1625-167 1. 
 Fruit and Game. 
 
 Canvas — Size, 4 ft. 10 in. x 5 ft. 7 in. 
 
 Bought of Mr. Morant. 
 
 Fruits and dead game on a table. To the right, a parrot is screaming 
 at two dogs in the foreground. 
 
30 
 
 CanforD Pictureis 
 
 64. 
 
 ( THOMAS Gainsborough] 
 1727-T788. 
 
 The Children of Peregrine Bertie, 2nd Duke 
 OF Ancaster. 
 
 Canvas — Size, 3 ft. 4 in. x 4 ft. 2 in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 Under the trees in Grimsthorpe Park, Peregrine, Marquis of Lindsey 
 (afterwards 3rd Duke of Ancaster), is standing in shooting 
 costume, and dead game lies scattered on the ground. His 
 blind brother, Lord Albemarle Bertie, is seated ; near him stand 
 two of his sisters. In a group to the right are seated Lord 
 Brownlow Bertie (afterwards 5 th and last Duke of Ancaster) and 
 his other two sisters. These four ladies are Lady Mary, married 
 to Samuel Gretehead, Esq., of Guy's Cliff, Warwickshire ; Lady 
 Albinia, married to Francis Bcckford, Esq. ; Lady Jane, married 
 to General Edward Mathew ; and Lady Caroline, married to 
 George Dewar, Esq. 
 
 Lord Albemarle Bertie, is the original of the Blind 
 Lord in Hogarth's picture of the cockpit. Notwith- 
 standing his loss of sight from an accident in boyhood, 
 he was considered the best judge of fighting-cocks in 
 his time. 
 
 65. 
 
 GENDO. 
 
 Phcebus and Daphne. 
 
 Canvas — Size, 2 ft. x i ft. 7^ in. 
 
 Phoebus, arrayed in gold coloured drapery, is pursuing the nymph. 
 Cupid is floating above, holding a torch. 
 
CanfotD Pictures 
 
 31 
 
 66. 
 
 FRATE GHISLANDI, or FRA GALGARIO. 
 
 Canvas — Size, i ft. 8 in. x i ft. 6 in. 
 
 From the Collection of Count Lupi of Bergamo. Given to Lord 
 Wimborne by Sir Austen Henry Layard. 
 
 Probably a portrait. The boy wears a dark red dress and cap. Life 
 size. 
 
 This painter's works are chiefly found in Bergamo, of which city he was 
 a native. 
 
 Canvas stretched on Panel — Size, i ft. 10 in. x 1 ft. 4 in. 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March i866. 
 A fountain formed of dolphins and decorated with bunches of various 
 
 The Head of a Boy. 
 
 1655-1743. 
 
 67. 
 
 JOHN PETER GILLEMANS. 
 1672. 
 
 Fruit Piece. 
 
 fruits. Signed, "J. P. Gillemans." 
 
 68. 
 
 ERCOLE ROBERTI de" GRANDI. 
 
 1491-1531. 
 
 A PlETA. 
 
 Panel — Size, 2 ft. x i ft. 4 in. 
 
 Bought from the Costabili Gallery at Ferrara, 1866. 
 
32 
 
 Canforn pictures 
 
 The body of the dead Christ, on a sarcophagus, is supported by the 
 Virgin Mary. To the right is St. Jqhn, clasping his hands in 
 grief. Over the sarcophagus hangs the handkerchief of 
 S. Veronica, with the impression of the head of the Saviour. 
 
 Laderchi {La Pittura Ferrarese, p. 53) describes this picture as, "Un 
 Cristo morto abbraciato dalla madre, presente S. Giovanni, quadro 
 d'un' espressione la piu patetica e possente." 
 
 69. 
 
 STYLE OF GREUZE. 
 Child eating Bread and Milk. 
 Canvas — Size, 2 ft. 2 in. x i ft. 9 in. 
 Bought of Mr. Morant. 
 
 A curly-headed child, in the act of raising a spoon to his lips, is eating 
 from a basin which he holds in his left hand. 
 
 70. 
 
 STYLE OF GREUZE. 
 Portrait of a Boy. 
 
 Canvas — Size, 2 ft. 5 in. x 2 ft. 2 in. 
 Bought of Mr. Morant 
 
 The boy, in a brown dress, is leaning over a table, and writing or 
 drawing on a book. 
 
 71- 
 
 FRANCESCO GUARDL 
 1712-1793. 
 
 View in Venice. 
 Canvas — Size, 9^ in. x i ft. 3 J- in 
 
 Piazza di San Marco. 
 
CanforD ipictute0 
 
 33 
 
 72. 
 
 FRANCESCO GUARDI. 
 
 I 71 2-1 793. 
 
 View in Venice. 
 
 Canvas — Size, 9^ in. x i ft. 3! in. 
 
 The Church of the Frari. 
 Companion to No. 71. 
 
 73- 
 
 FRANS HALS. ^^J^c^ rA*^ .«^23 
 
 1 584-1666. ^ 
 
 Boy and Cat. 
 
 Panel — Size, 2 ft. 2 in. x r ft. 8 in. 
 
 A boy, in a hat and large drooping feather, holds a white cat. 
 To his left is a man leaning on a crooked stick. 
 
 74. 
 
 FRANCIS HAYMAN. 
 1708-1777. 
 Theatrical Piece. 
 
 Canvas — Size, i ft. 4 in. x i ft. oi in. 
 
 Bought in an old shop at Poole. 
 
 The Doctor, Jobson, and Nell. Sketch for the large picture executed 
 by him at Vauxhall. Engraved. 
 
 D 
 
34 
 
 CanfotD Pictures 
 
 75- 
 
 HAYTER. 
 19th Century. 
 
 icii^ f-W*< Head of Sir John Guest. 
 
 ■7 C Caxton — Size, 9 J in. x in. 
 
 This was the sketch for Hayter's large picture of the first reformed 
 Parliament, in which Sir John, then Mr. Guest, sat as member for 
 Merthyr Tydvil, 1832. 
 
 76. 
 
 JOHN DAVID DE HEEM. 
 1 600- 1 674. 
 Fruit Piece. 
 
 Panel — Size, 2 ft. in. x i ft. 7^ in. 
 Bought of Mr. Morant. 
 
 A silver tazza stands on a stone pedestal, filled with pomegranates, 
 lemons, and other fruits. Signed, "J. D. Heem, f. a., 1646." 
 
 77- 
 
 JOHN DAVID DE HEEM. 
 1 600- 1 6 74. 
 Still Life. 
 
 Canvas — Size, i ft. 7 in. x i ft. 3 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 Herring, onion, bread, and red wine. 
 
CanforD pictures 
 
 35 
 
 78. 
 
 JOHN DAVID DE HEEM. 
 1 600- 1 6 74. 
 Still Life. 
 
 Panel — Size, i ft. 9 J in. x i ft. 5I in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 White jug on red velvet. 
 79. 
 
 JOHN DAVID DE HEEM. 
 
 1600-1674. S'^f^ F,ffiJLU 
 
 Fruit Piece. 
 
 Canvas — Size, 2 ft. 3 in. x i ft. 1 1 in. 
 
 Bought at Mr. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 On a table, covered with blue drapery, are a bottle and glasses, a silver 
 vase, and two earthenware dishes containing figs, lemons, etc. 
 
 80. 
 
 BARTHOLOMEW VAN DER HELST. 
 
 ^^^3-1670. (;ST)--Vc^, 
 Van DER Helst and his Family. , fv>fW-tr 
 
 Canvas — Size, 3 ft. 6 in. x 3 ft. 11 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 On the left of the picture the artist is seated, wearing a broad brimmed 
 conical hat. His wife sits beside him, and, grouped around them, 
 are their four daughters. All the figures are habited in black with 
 
36 
 
 CanforD Pictures 
 
 white collars, except the youngest girl, who is dressed in brown. 
 The foregound is scattered with roses, and the male figure grasps 
 in his two hands the stem of a plant, probably typical of the 
 family tree. 
 
 8i. 
 
 BARTHOLOMEW VAN DER HELST. 
 1613-1670 
 Portrait of a Dutch Gentleman. 
 
 Canvas — Size, 3 ft. 2 in. x 2 ft. 8 in. 
 
 He wears a black dress with a white collar and a black hat. His left 
 hand is raised to his breast. In the right he holds a glove. 
 
 82. 
 
 BARTHOLOMEW VAN DER HELST. 
 161 3-1670. 
 Portrait of a Dutch Lady. 
 
 Canvas — Size, 3 ft. 2 in. x 2 ft. 8 in. 
 
 She is in a black dress with large white collar and cuffs; the stomacher 
 laced with gold bands ; a small white coif at the back of her head. 
 She holds a small book in her right hand. 
 
 83- 
 
 BARTHOLOMEW VAN DER HELST. 
 1 61 3-1 670. 
 Portraits of Himself and Family. 
 
 Canvas — Size, 7 ft. 8 in. x 6 ft. 6 in. 
 Purchased from Mrs. Morley in the year 1850. 
 
CanforD pictures 
 
 37 
 
 The painter, in a black figured dress and large white ruff, stands by the 
 side of a table which is covered with a rich cloth. His left hand 
 rests on the arm of his wife, who is seated on the opposite side of 
 the table. She is in a black dress trimmed with fur, and wears a 
 white frill and cap, and holds a tulip in her right hand. At her 
 side stands her son. On the table is a Venetian glass with tulips, 
 and in the background a window, through which some buildings 
 are seen. The figures are life size. 
 
 Signed, "B. V. Heist, se ipse. 1652." 
 84. 
 
 BARTHOLOMEW VAN DER HELST. 
 161 3-1670. 
 Female Portrait. 
 
 Canvas — Size, 2 ft. 9 in. x 2 ft 3 in. 
 
 The lady wears a black dress and coif with broad white collar and 
 cuffs. Pearl ear-rings, and pearls in her hair. Her left hand 
 rests on the arm of a chair. 
 
 85. 
 
 BARTHOLOMEW VAN DER HELST. 
 
 161 3-1 670. Ja^ 
 Male Portrait. 
 
 Canvas — Size, 2 ft. 11 in. x 2 ft. 3^ in. 
 
 A man in a black dress, with white collar and tassel, and long flowing 
 hair. A hat, round which is a silver cord, stands on a table 
 covered with a red cloth. 
 
 Companion to No. 84. 
 
38 
 
 CanforD pictures 
 
 86. 
 
 ? VAN DER HELST. 
 Female Portrait. 
 
 Panel — Size, 2 ft. 3 in. x i ft. iji in. 
 
 In black dress, trimmed with rich white lace, and white tippet, fastened 
 in front with bows. Black coif, pearl ear-rings and two rows of 
 pearls round the throat. Inscribed, "^tat. 32." 
 
 87. 
 
 EGBERT HEMSKIRK. 
 Born 1610 ; or the younger, 1645- 1704. 
 
 Boors Carousing. 
 
 Canvas — Size, 2 ft. i in. x 2 ft. 7 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 r 88. 
 
 EGBERT HEMSKIRK. 
 
 Boors Carousing. 
 
 Canvas — Size, 2 ft. i in. x 2 ft. 7 in. 
 Purchased (through Mr, Barker) at a sale at Phillips's, 1849. 
 Companion picture to No. 87. 
 
CanforD Iptctureis 
 
 39 
 
 89. 
 
 J. E. HERRING. 
 19th Century. 
 Rural Scene. 
 Canvas — Size, i ft. 7^ in. x i ft. ii| in. 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866. 
 A Landscape with cows. Signed, " J. E. Herring." 
 
 90. 
 
 J. E. HERRING. 
 
 19th Century. 
 
 Rural Scene. 
 
 Canvas — Size, i ft. 6| in. x i ft. io| in. 
 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 Cows. A man leaning over a gate. A windmill in the distance. 
 Signed, "J. E. Herring." 
 
 91- 
 
 G. E. HICKS. 
 
 Portrait of Lady Wimborne and Hon. 
 
 Rosamond Guest. 
 
 Canvas — Size, 7 ft. 8 in. x 4 ft. 8 in. 
 
 This is a life-size portrait of Lady Wimborne and her youngest 
 daughter, painted in 1882. Signed. 
 
40 
 
 Canfoto pictutes 
 
 92. 
 
 G. E. HICKS. 
 
 Family Group. 
 
 Canvas — Size, 4 ft. 7 in. x 3 ft. 8 in. 
 
 I'orlrait of three of the children of Lord Wimborne, viz., Corisande 
 Evelyn Vere, Ivor Churchill, and Frederick Edward. Woodland 
 scene ; the girl leans against a tree, while her brothers lie near 
 her, and toys are on the ground. 
 
 93- 
 
 (^GERARD HONTHORST? 
 
 1592-1660. ei'^u^SS^^^ 
 
 ' - Sleeping Soldier. k.-^ 
 
 Panel — Size, 3 fl. 5 in. x 3 ft. i in. 
 From the Althorpe Collection. 
 
 The soldier is in armour, and wears an iron casque with a plume of 
 white feathers. He has fallen asleep seated by a drum, and 
 
 holding his sword in his hand. Signed, " Honthorst f. 1636." 
 
 94- 
 
 GERARD HONTHORST. 
 1592-1660, 
 Prince Rupert. 
 
 Canvas — Size, 7 ft. x 4 ft. 8 in. 
 
 Obtained from the Earl of Craven's Collection at Coombe Abbey, 
 in exchange for a small picture of the Queen of Bohemia by Van 
 Somcr. 
 
CanforD pictures 
 
 41 
 
 Full length, in complete armour, with a lace collar. The hair in the 
 flowing style of the Cavaliers. His helmet is on a stone on the 
 left. The picture is inscribed in gold letters, " Prince Rupert." 
 
 Destroyed in the fire at Canford, January 1884. 
 
 95- 
 
 WILLIAM HOGARTH. 
 
 1697-1764. 
 
 Female Portrait. 
 
 Canvas — Size, 3ft. i in. x 2 ft. 7^ in. 
 
 This portrait is considered to be that of the notorious Sarah Malcolm, 
 executed March 7th, 1733, for the murder of her mistress and 
 two others. This portrait was painted in Newgate after her 
 condemnation. She is taken in a light brown dress, with white 
 collar and stomacher, and with a white mob cap on her head. 
 The well-known mark shows between the eyebrows. 
 
 4 96. 
 
 ' HANS HOLBEIN.) ^ .(Lwoe.TH 
 1498-1554. 
 Charles Brandon, Duke of Suffolk. 
 
 Panel — Size, 4 ft. 3 in. x 3 ft. 4 in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 The Duke, in a black dress trimmed with fur and embroidered with 
 gold, and with a black cap on his head, is seated at a table 
 covered with a red cloth. He holds a paper in his right hand 
 and a book in his left. On the table lies a letter bearing a seal 
 and superscription. In the background is a curtain, richly figured 
 with flowers and fruit. 
 
42 
 
 CanforD Pictures! 
 
 97- 
 
 HANS HOLBEIN. 
 1 498-1 554. 
 
 , Katherine, Baroness Willoughby de Eresby, 4th 
 
 ^. l-uL^^'t*^ WIFE OF Charles Brandon, Duke of Suffolk, and 
 
 2ND OF Richard Bertie. 
 
 Panel — Size, 2 ft. 6 in. x 2 ft. 2 in. 
 Bought at the Strawberry Hill Sale, 1842. 
 Black and white dress and head-dress, with ermine on the sleeves. 
 
 Katherine, Baroness Willoughby de Eresby in her 
 own right, married first, Charles Brandon, Duke of 
 Suffolk (as his fourth wife), and secondly, Richard Bertie 
 of Bersted, Kent, son of Thomas Bertie, Governor of 
 Hurst Castle. The escape of the Duchess and Mr. 
 Bertie from England to Germany and Poland, from the 
 religious persecution of Queen Mary, was one of the 
 most romantic events of the period. Her son Peregrine 
 Bertie, afterwards Lord Willoughby, and one of Queen 
 Elizabeth's most celebrated generals, was born at Wesel, 
 Germany, during the period of their exile or peregrina- 
 tions. They returned to England on Queen Elizabeth's 
 Accession. The Duchess died in 1580. 
 
CanforD Pxcture0 
 
 43 
 
 98. 
 
 1 498- 1 554. 
 Queen Mary I. of England. 
 
 HANS HOLBEIN. 
 
 fl^ rwr-v. . ^^f^ 
 Au:. Oof idu 
 
 Panel — Size, i ft. x 9 in. 
 
 In a black dress with white collar. A red coif on her head, 
 decorated with jewels. A gold chain round her neck. 
 
 99. 
 
 HANS HOLBEIN. 
 
 1498-1554- 
 
 Portrait of Thomas Cromwell, Earl of Essex. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1 849. 
 
 HANS HOLBEIN. 
 
 1498-1554- 
 
 Male Portrait. 
 
 Panel — Size, i ft. 5 in. x i ft. in. 
 
 Bought from the Collection in the Manfrini Palace, 1868. 
 
 A young man, in black dress and cap, is seated in an alcove, with 
 richly decorated frieze, above which is the date 1553. He holds 
 a silver cup in his right hand. In the background is seen a 
 landscape with buildings. 
 
 Both M. Miindler and Signer Morelli have accepted this picture as a 
 genuine Holbein. 
 
 Copper — Size, 4 in. x 3^ in. 
 
 100. 
 
44 
 
 Canforn l^ictures 
 
 lOI. 
 
 JOHN JACKSON. 
 1778-1831. 
 Elizabeth Countess of Lindsey. 
 
 Panel — Size, i ft. 3 in. x i ft. 
 
 Bought at the Stowe sale, 12th September 1838. 
 
 She wears a red stomacher, laced in front, with pearls on her left arm, 
 on which she leans her head. 
 
 Elizabeth, daughter of Philip Lord Wharton, 2nd wife 
 ^^l"^ ( of Robert, 3rd Earl of Lindsey. 
 
 I 102. 
 
 JOHN JACKSON. 
 1778-1831. 
 Robert Bertie, 3RD Earl of Lindsey. 
 
 Panel — Size, i ft. 3 in. x i ft. 
 Bought at the Stowe sale, 12th September 1838. 
 The Earl wears a brown dress with blue scarf. 
 
 103. 
 
 JACOB JANSON. 
 Latter half of i8th Century. 
 vJi»v>Wir«.^ Landscape. 
 
 7 
 
 Panel — Size, i ft. 5^ in. x 2 ft. in. 
 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 Landscape with ruins. A man milking cows in the foreground. 
 Signed, "J. Janson fecit, 1767." 
 
CanforD Pictures 
 
 45 
 
 104. 
 
 JOHN VAN KESSEL. 
 1626-1 708. 
 Flower Piece. 
 Canvas — Size, 4 ft. 3^ in. x 3 ft. 4 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 Between bunches of flowers, hung up with blue ribbon, is a medallion 
 of the Holy Family. Signed, "J. V. Kessel, fecit, a? 1649." 
 
 105. 
 
 P. KODDE. j^^^M^ 
 Dutch Family Group. ite^vc ^eervjr'. 
 
 Panel — Size, i ft. iij in. x 2 ft. 6 J in. 
 
 Bought at Cologne, 1868. 
 
 An old lady, forming one of a group of nine figures, is seated in an 
 apartment hung with pictures. In the corner of one of them is 
 the signature of the artist, "P. Kodde, fee. 1625." 
 
 106. 
 
 SIR GODFREY KNELLER. 
 
 1648-1723. (^^ ^f<^Wv^-w^»^^ 
 
 Robert Bertie, i.st Duke of Ancaster. ' ' " 
 
 Canvas — Size, 4 ft. i in. x 3 ft. 4 in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 In Peer's robes and powdered wig. He holds the Lord Great 
 Chamberlain's Wand. His Coronet is on a table beside him. 
 
46 
 
 CanforD pictures 
 
 Robert, Baron Willoughby de Eresby, and 4th Earl 
 of Lindsey, created Marquis of Lindsey 1706, and Duke 
 of Ancaster 1715. Died 1723. 
 
 107. 
 
 SIR GODFREY KNELLER. 
 1648-1723. 
 
 Mary, Duchess of Ancaster. 
 
 Canvas — Size, 4 ft. i in. x 3 ft. 4 in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 In a blue dress with jewels, and red velvet drapery, which she holds 
 back with her left hand, the arm leaning on a table. 
 
 Mary, Duchess of Ancaster, wife of Robert Bertie, 
 the I St Duke, was daughter of Sir Richard Wynne, 
 Bart., of Gwy(h'r. 
 
 108. 
 
 SIR GODFREY KNELLER. 
 1648-1723. 
 
 Female Portrait. 
 Canvas — Size, 4 ft. x 3 ft. 4 in. 
 Bought of Mr. Hiley, Longfleet, near Poole. 
 
 A young lady, seated, wearing an amber dress, with blue drapery. 
 She holds a bunch of grapes. A dish with fruit stands on a table 
 near her. 
 
CanforD Pictures 
 
 47 
 
 109. 
 
 SIR GODFREY KNELLER. '^^^ 
 1648-1723. 
 Portrait of Nell Gwyn. 
 
 Canvas — Size, 4 ft. i in. x 3 ft. 3 in. 
 
 Bought at the Sale of the Hon. Mrs. Grantham, Ketton, near Stamford. 
 
 She is dressed in an amber robe of brocade, and has on a necklace of 
 clustered pearls. In her right hand is a basket of flowers, and 
 she has a lamb at her feet to her left. 
 
 1 10. 
 
 DON JUAN DE VALDEZ LEAL. 
 1 630- 1 69 1. 
 H EAD OF John the Baptist. 
 
 Canvas — Size, i ft. 7^ in. x 2 ft. o\ in. 
 Bought of M. Miindler, Paris, 1867. 
 The head of the Baptist is lying in a charger, on a table. 
 
 III. 
 
 VALDEZ LEAL. 
 Skulls. 
 Canvas — Size, i ft. 7 in. x 2 ft. 
 Bought at Christie's. 
 
 On a table are three skulls, one having the appearance of sleeping, one 
 of yawning, and the third of grinning. A lamp is suspended above. 
 In the corner to the right is the monogram. 
 
48 
 
 Canforti pictures 
 
 I I 2. 
 
 Kj^' SIR PETER LELY. 
 1617-1680. 
 
 Lady Elizabeth Bertie, Viscountess Campden. 
 
 Canvas — Size, 3 ft. 3 in. x 2 ft. 8 in. 
 From the Bertie Mathew Collection, bought in 1846. 
 
 She is dressed in white satin, with a blue scarf round her shoulders, 
 tied in front, and trimmed with lace. She holds roses in the folds 
 of her gown. Her fair hair is in ringlets, and she wears a row of 
 pearls round her neck. In the background a red curtain. 
 
 Lady Elizabeth Bertie, daughter of Montague, 2nd 
 Earl of Lindsey, married Baptist Noel, 3rd Viscount 
 Campden. 
 
 113- 
 
 SIR PETER LELY. 
 1617-1680. 
 Portrait of Lord Lisle. 
 
 Canvas — Size, 4 ft. i in. x 3 ft. 3 I in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 In a black dress, with white linen collar and cuffs, 
 and seated at a table. 
 
 The picture bears the following inscription : — " John Lisle, one of 
 Cromwell's Lords Commissioners of the Great Seal, and Chief 
 Justice to Oliver Cromwell. Member for the City of Winchester, 
 1640. One of the Judges on the trial of Charles I. Husband 
 to Alice Lisle, who was beheaded at Winchester 1685, aged 70." 
 
CanforD pictures 
 
 49 
 
 114. 
 
 SIR PETER LELY 
 
 161 7-1680. "7^^. A-jv-o^ 
 
 The Duchess of Richmond. 
 
 Canvas — Size, 4 ft. x 3 ft. 3 in. 
 
 There is a replica of this picture at Hampton Court Palace. 
 
 As Diana, in an evening dress of amber satin and pearls. She holds 
 a bow in her left hand. 
 
 115. 
 
 SIR PETER LELY. 
 
 1617-1680. •^'^ ^ '"^^^ 
 
 The Duke of York, afterwards James II. 
 
 Canvas — Size, 4 ft. x 3 ft. 6 in. 
 
 The Duke wears a steel breastplate and leather doublet, over which is 
 a red sash. Part of his dress is brocaded, having full white sleeves, 
 and a lace cravat. He has a long flowing wig. 
 
 1 16. 
 
 SIR PETER LELY. 
 
 1617-1680. 
 Duchess of Richmond. 
 
 Canvas — Size, 2 ft. x i ft. 8 in. 
 
 The duchess wears a white and blue dress and is seated One hand 
 rests on the back of a lamb, and in the other she holds a palm 
 branch. A sketch for a large picture. 
 E 
 
50 
 
 CanforD IPictures 
 
 117. 
 
 BERNARDO LICINIO. 
 
 1 484- 1 540. 
 
 Holy Family. 
 
 Panel — Size, 2 ft. 11 in. x 4 ft. 4 in. 
 
 Purchased from the Manfrin Collection, Venice, 1868. 
 
 The Virgin is holding the Infant Saviour in her lap. Two ladies in 
 the Venetian costume, wearing very curious head-dresses (ap- 
 parently made of white horse -hair), are on the right; a male 
 figure with long dark hair on the left. In the background, on 
 either side, are St. Joseph and the Baptist. 
 
 CALISTO DA LODI. 
 ? 1 500-1 556. 
 A Holy Family. 
 
 On Panel — Size, 2 ft. 4 in. x 2 ft. 8 in. 
 Purchased in 1866. 
 
 Virgin and Child, with St. Jerome, St. John the Baptist and St. Joseph 
 in the background. 
 
 From the Gallery of the Marchese Costabili at Ferrara, in which it was 
 attributed to Palma Vecchio. Assigned by Signer Morelli to 
 Calisto da Lodi — a painter whose works are chiefly found at 
 Loid, his native place, and in other cities of Lombardy. 
 
 Probably the heads are all portraits. 
 
 118. 
 
Canforo Pictures 
 
 51 
 
 119- 
 
 LORENZO LOTTO. 
 1490-1560. 
 
 Sacred Subject. 
 
 Panel — Size, i ft. oj in. x i ft. 4 in. 
 Bought of Monsr. Guggenheim at Venice, 1868. 
 The first person of the Trinity, represented in the act of blessing. 
 
 I 
 
 QUINTIN MATSYS. 
 1 450- 1 5 29. ■ 
 
 The Philosopher. 
 
 Panel — Size, 5 in. x 7 in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 An old man, in a red dress and red cap, sits at a table, his right hand 
 raised to his cheek, his left hand resting on a skull. A clock on 
 the wall. Books on the table. 
 
 121. 
 
 LODOVICO MAZZOLINI. 
 1 480- 1 5 30, 
 Holy Family and Saint.s. 
 Panel — Size, i ft 3 in. x i ft. 2 in. 
 From the Gallery of the Marchese Costabili at Ferrara. 
 
 The Virgin has the Child on her lap. To her left stands St. Joseph, 
 and to her right St. Rock and St. Sebastian. In the background 
 are a marble frieze, with a subject representing a battle in relief, 
 and a landscape with a church in the distance. The name of the 
 painter and date are inscribed in gold letters on the picture : 
 "LODOVIGO MAZOLII, PI. 15 11." 
 
 C'3) U^- R i « 
 
52 
 
 CanforD Pictures 
 
 This picture is thus described by Baruffaldi ( Vita de' Pittori e Scultori 
 Ferrarese, vol. i. p. 130): "Una tavoletta colla sacra famiglia, 
 a sinistra della quale li SS. Rocco e Sebastiano, saettato : al di la 
 di un arco omato di bellissimi finti bassi rilievi un vago paese con 
 chiesetta in lontano : quadreto che avra al autore piaciuto in mode 
 onde scrivervi, ' Lodovico Mazzolii, 1 5 1 1 '. Ed ecco la conferma 
 che il suo cognome era Mazzoli, _o Mazzuoli, come si e gia 
 osservato." Laderchi {La Pittura Ferrarese, p. 55), calls this 
 picture "un prezioso quadretto;" and it is also mentioned in a 
 note to the Life of Lorenzo Costa, in Le Monnier's edition of 
 Vasari's Lives, vol. iv. p. 245. 
 
 122. 
 
 ANTONELLO DA MESSINA. ? (Copy.) 
 
 1426. 
 
 Head of the Saviour. 
 
 Panel — Size, 1 ft. 1^ in. x n in. 
 
 The head is crowned with thorns. A rope is around the neck. The 
 original picture, signed, is in the Academy at Venice. 
 
 123. 
 
 FRANCIS MIERIS. 
 
 I635-I68I. 
 
 Boy and Bird. 
 
 Panel — Size, 9 in. x 6| in. 
 
 A boy, in a richly figured flowing dress and purple cap, sits with his 
 right hand resting on a bird cage, and with a roll of bread in his 
 left. A black and white dog is beside him. 
 
CanforD Pictures 
 
 53 
 
 1 24. 
 
 SIR. J. E. MILLAIS, R.A. 
 Portrait of Lord Wimborne. 
 
 Canvas — Size, 7 ft. 3 in. x 4 ft. 3 in. 
 
 This was presented to Lord Wimborne by the Conservative Electors of 
 Bristol in 1880, and is a full-length portrait. Signed. 
 
 125. 
 
 JOHN MOLENAER. <^ mw. ^ 
 
 17th Century. ^'^(^ 
 Dutch Interior. 
 
 Panel — Size, i ft. 2 in. x 1 in. 
 Bought at Mr. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 Interior of a Cabaret, with boors dancing. Signed, on a barrel, 
 " Molenaer." 
 
 I 26. 
 
 PETER MOLYN. 
 
 About 1600. ./ LUj 
 
 Landscape. fu^-j 
 
 Panel — Size, i ft. 2\ in. x i ft. 9^ in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 A caravan attacked by Brigands. Signed, " P. Molyn fe." 
 
54 
 
 CanforD Pictures 
 
 1 27. 
 
 0 fSui*JUev 
 
 1^ 5 
 
 66- 
 
 GIAMBATTISTA MORONI. 
 1510-1578. 
 Portrait of Giulio Gilardi. 
 Canvas — Size, 3 ft. 11 in. x 3 ft. 4 in. 
 
 Purchased from Count Lodovico Belgiojoso of Milan, in October, 
 1865, on the recommendation of Sir Charles Eastlake, who was 
 at one time in treaty for it for the National Gallery. 
 
 Giulio Gilardi was a celebrated jurist or lawyer of Bergamo. He is 
 represented, life size, in a black robe or gown, standing near a 
 table, and holding a book, partly open, in his left hand. In a 
 recess in the wall behind him are several books bound in vellum. 
 
 128. 
 
 GIAMBATTISTA MORONI. 
 
 1510-1578. 1^1^ :>> 
 
 Male Portrait. 
 
 Canvas — Size, 3 ft. i in. x 2 ft. 6 in. 
 
 From the Manfrin Gallery, Venice. 
 
 In a black cap and dress, with a white collar and cuffs. His hands 
 rest on a table holding papers. On a letter to the left is the 
 legend " Duritiem molitie frangit." 
 
 (Millais offered ^500 for this picture.) 
 
 I 29. 
 
 NEWENHEIS. 
 19th Century. 
 Little Red Ridinghood. 
 
 Canvas — Size, 2 ft. 9I in. x 2 ft. 6 in. 
 
 A fancy piece. A little girl with light hair, her hands crossed, dressed 
 in a red cloak and hood lined gray. 
 
CanforD pictures 
 
 55 
 
 130. 
 
 PEDRO ORRENTE. 
 1 560-1644. 
 Moses Striking the Rock. 
 
 Canvas — Size, 4 ft. 4 in. x 6 ft. 6 in. 
 
 Purchased at Madrid. 
 
 Moses strikes the rock ; Aaron standing beside him. The Children of 
 Israel with their vessels at the stream. 
 
 131- 
 
 PEDRO ORRENTE. I Se^ rwx. i-^ 
 
 1560-1644. ^ 
 Departure of the Children of Israel from Egypt. 
 Canvas — Size, 4 ft. 4 in. x 6 ft. 6 in. 
 Purchased at Madrid. 
 In the foreground a child on a white mule ; sheep, etc. 
 Companion to No. 1 30. 
 
 132. 
 
 JAN VAN OS. 
 1 744- 1 808. 
 
 Flower Piece. 
 
 Canvas — Size, 2 ft. 8 in. x 2 ft. i| in. 
 
 On a table stands a basket full of flowers and a stoneware jug. At the 
 back is a group of statuary. Signed, " J. Van Os, feet." 
 
56 
 
 Canfom Pictures 
 
 133- 
 
 MARCO PALMEZZANO of FORLI. 
 ? 1456-1537. 
 The Baptism of Christ. 
 
 Panel — Size, 2 ft. 7 in. x 2 ft. i in. 
 Bought from the Gallery of the Marchese Costabili at Ferrara in 
 the year 1866. 
 
 St. John is baptizing the Saviour, who is standing on a stone in the 
 water, with His hands joined in prayer. The Holy Dove descends 
 above His head. An old man, wearing a blue turban, is preparing 
 to leave the water, upon which a duck is floating. Behind the 
 principal group are rocks, on both sides of which are distant land- 
 scapes with buildings and figures. 
 
 Tliis picture is one of the finest and best preserved works of the Painter. 
 An early copy of it was at one time on sale at Venice, with some 
 variations in the background and in the figure of the man leaving 
 the water. 
 
 134- 
 PANINI. 
 View in Rome. 
 
 Canvas — Size, 2 ft. 4 in. x 2 ft. 11^ in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 The bridge (Ponte S. Angelo) over the Tiber, with the Castel Sant 
 Angelo. St. Peter's is seen in the distance. 
 
 135- 
 PANINI. 
 
 View in Rome. 
 Canvas — Size, 2 ft. 4 in. x 2 ft. 11^- in. 
 From the Bertie Mathew Collection, bought in 1846. 
 The Roman Forum, with distant view of the Colosseum. 
 Companion to No. 134. 
 
CanforD Pictures 
 
 57 
 
 136. 
 
 PASQUALINO. 
 
 1489-1541. 
 Virgin and Child, 
 
 Panel — Size, 2 ft. 3 in. x i ft. 10 in. 
 From the Bertie Mathew Collection, bought in 1846. 
 
 The virgin, in a red dress and blue mantle (which reaches from her 
 head), holds the infant Saviour, who has a small white bird in 
 his left hand. Four cherubs' heads are in the clouds above. 
 Signed. 
 
 137- 
 
 BONAVENTURA PEETERS. 
 1614-1671. 
 Sea Piece. 
 Panel — Size, i ft. x i ft. 6\ in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 A Fort, at the entrance of a harbour. A fishing smack sailing in. 
 Signed, " B. P." 
 
 138. 
 
 BONAVENTURA PEETERS. 
 1614-1671. 
 Sea Piece. 
 
 Panel — Size, i ft. x i ft. 6 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849 
 
 Fishing smacks at the entrance of a harbour. 
 Companion to No. 137. 
 
58 
 
 CanforD Pictures 
 
 139- 
 
 GERARD PEETERS. 
 1580-1626. 
 
 J^UIi»v>Wof^ Conversation Piece. 
 
 » - Panel — Size, i ft. 6 in. x 2 ft. oj in. 
 
 Bought at Antwerp, 1868. 
 
 A man in a red dress, playing draughts with a lady. Spectators looking 
 on. The artist's signature is on a picture in the background. 
 
 7 l'^) 
 
 140. 
 
 GIOVANNI FRANCESCO PENNI, 
 CALLED II FATTORE. 
 
 1488-1528. 
 An Altar- Piece. 
 " t2* {^i^J Panel — Size, 2 ft. x i ft. 7 in. 
 
 ^f-^iJJC^ Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 '>j ^i<:^x3 (^0) In the upper niche the Virgin is seated, holding the Saviour in her 
 ^^.^J^^rS „ arms. On pedestals on either side stand two male figures. Above 
 
 the frieze, which is ornamented with wreaths of flowers, etc., are 
 two angels. Below the principal figure is that of a bishop. 
 Cupids, with musical instruments, occupy the foreground. 
 
 141. 
 
 ANDRES PEREZ. 
 1 660- 1 727. 
 
 ll^U.v;,Vr<v^ Flower Piece. 
 
 \tr<t^Mr Canvas — Size, 2 ft. 10 in. x 2 ft. 5 in. 
 
 A group of flowers hangs by a blue ribbon, from a scroll of stonework. 
 
 l"9 
 
CanfocD Pictures 
 
 59 
 
 142. 
 
 THOMAS PHILLIPS. 
 
 k 
 
 Portrait of Sir Josiah John Guest, Bart. 
 
 Canvas — Size, 4 ft. 7^ in. x 3 ft 7|- in. 
 
 Three-quarter length. In a cloak ; with the Dowlais Iron Works in 
 the background. Painted in 1840. 
 
 For Biographical notice see No. 29. 
 143. 
 
 FREDERICK PIERCY. 
 Portrait of Sir Ivor Bertie Guest, Bart. 
 
 Crayon, on paper — Size, 2 ft. x i ft. 7 in. 
 Signed, "Fred. Piercy, 1873." 
 
 144. 
 
 FREDERICK PIERCY. 
 Portrait of Lady Cornelia Guest. 
 
 Crayon, on paper — Size, 2 ft. x i ft. 7 in. 
 Signed, "Fred. Piercy, 1874." 
 
 145. 
 
 FREDERICK PIERCY. 
 Portrait of Lord Wimborne. 
 
 Crayon, on paper — Size, 2 ft. x i ft. 7 in. 
 Signed, "Fred. Piercy, 1882." 
 
6o 
 
 CanfotD Pictures 
 
 146. 
 
 SEBASTIANO DEL PIOMBO. 
 1485-1547. 
 
 Presentation in the Temple. 
 
 Canvas — Size, 3 ft. gl in. x 5 ft. 5^ in. 
 
 Bought from the Manfrin Collection, Venice, 1868. (^■^2^) 
 
 Simeon, standing behind a table spread with a linen cloth, is holding 
 in his arms and blessing the Holy Infant, whom he has received 
 from the Virgin, on the left. Several figures, male and female, 
 are grouped around the principal figures. * 
 
 147. 
 
 CHRESTIEN VAN POL. 
 1752-1813. 
 Fruit Piece. 
 
 Panel — Size, i ft. 8 in. x 2 ft. 
 
 On a table, covered with white linen edged with lace, are various kinds 
 of fruit, grapes, lemons, apples, strawberries, etc. Also a watch, 
 a wine-glass, and a knife, on the blade of which is the signature, 
 "C. P." 
 
 148. 
 
 FRANCIS PORBUS. 
 1 570-1622. 
 Robert Bertie, ist Earl of Lindsey. 
 
 Panel — Size, 2 ft. x i ft. 6 in. 
 In armour, white ruff edged with lace and red scarf. Very pointed beard. 
 For Biography see No. 38. 
 
CanforD Pictures 
 
 6i 
 
 149. 
 
 FRANCIS PORBUS. 
 1570-1622. 
 
 Female Portrait. 
 
 Panel — Size, i ft. 4 in. x i ft. 4 in. -^ 't.*^ 
 
 Head of an old lady in black dress, white cap and ruff. Inscribed, 
 "An?. 1597. .^^Ita. mea 60." 
 
 150. 
 
 C. M. POWELL. 
 Early 19th Century. 
 
 Marine View. 
 
 Canvas — Size, 2 ft. x 3 ft. 
 
 Shipping near the sea coast, on which is a fort. One of the vessels 
 bears the French flag. Signed, " C. M. Powell." 
 
 .1 C I r/ vo 
 
 151. 
 
 ANTONIO GIOVANNI DA PORDENONE 
 1 484- 1 540. 
 
 Herodias'.s Daughter. 
 
 Panel — Size, 2 ft. 5 in. x 4 ft. 3 in. 
 
 Purchased from the Manfrin Collection, Venice, 1868. 
 
 The daughter of Herodias, in a very rich Venetian costume, is receiving 
 the charger containing the head of John the Baptist. To the 
 right stands a man in a black dress trimmed with ermine, who 
 appears to have brought it to her, and from whom she is about to 
 deliver it to her mother, who stands on the other side of her. A 
 very old woman is behind the group. 
 
 The heads are probably portraits. 
 
62 
 
 CanforD picture0 
 
 152. 
 
 VALENTINE PRINSEP. 
 19th Century. 
 Canvas — Size, 2 ft. x i ft. 
 An Italian peasant in costume, with a rosary in her hands. 
 
 153- 
 
 REMBRANDT. 
 1 606- 1 669. 
 Portrait of a Dutch Burgomaster. 
 
 Canvas — Size, 4 ft. x 3 ft. 2 in. 
 
 Purchased from M. O. Miindler in 1865. 
 
 The Burgomaster wears a high crowned black hat, and a black cloak, 
 over which is turned a white collar. He is seated in a chair, on 
 an arm of which he places his right hand. 
 
 This picture belonged to Stanislaus Poniatowsky, the last King of Poland. 
 After the dispersion of his celebrated Collection it came into 
 the hands of M. Noe, a well-known picture -dealer at Munich. 
 It afterwards belonged to Gasser, the sculptor of Vienna, and 
 subsequently to Prince Mettemich, from whom it was purchased 
 by M. O. Miindler. 
 
 In the opinion of M. O. Miindler it was painted in the year 1660, "as it 
 is identical with the admirable and largely painted portraits of the 
 Syndics in the Amsterdam Museum, and is probably the portrait 
 of one of those Syndics." (Extract from a letter to Mr. Layard, 
 dated December 19, 1865.) 
 
CanforD Pictures 
 
 63 
 
 154. 
 
 REMBRANDT. 
 
 1606-1669. ^ . Ui^ ^tUlc^ 
 
 St. Paul. P. A - UJjXu^ 
 
 Canvas— Size, 4 ft. 3 in. x 3 ft 4 in. PUilU 
 
 Bought at the sale of the Pourtales Collection at Paris, 1865. f^f^c . ^ UJ^uVm", 
 
 The Apostle is seated before a table writing. He is in deep meditation, 
 and leans his head on his left hand. In his right hand is a pen, 
 and several sheets of paper lie before him. In the background a 
 double-handed sword stands against the wall. On one side of the 
 table is the signature, — " Rembrandt f." 
 
 Extract from a letter from M. O. Miindler, dated Paris, 
 31st March 1865. 
 
 " Dear Sir — Just barely time to tell you that first day's sale is 
 over, and I got for you the Rembrandt 185, representing 
 St. Paul, the finest of the two for 27,000 frs. plus 5 %, 
 which I believe, makes ^1134. The Burgomaster sold 
 first, and reached 34,500, which means nearly 1400 guineas. 
 Preferring, myself, the second picture, and taking Sir 
 Charles's advice, I did not dare to go so far for No. 181, 
 which, in fact, I intended to push to 22,000, and the other 
 32,000. The Burgomaster is of R.'s first manner, dryish, 
 and besides, with his staring eyes and outstretched hands, 
 looking somewhat silly. The St. Paul is admirable, and 
 after the sale, when the connoisseurs came to look at the 
 picture, which was taken down and placed near the eye, 
 everybody was in admiration. It was Mr. Lamme, the 
 Director of the unfortunate Rotterdam Museum (half burnt 
 last year), who kept it up and wept for it. I repeat it is 
 an admirable picture, and decidedly one of the only cheap 
 pictures in the sale. Fancy that the F. Hals portrait 
 fetched 2000 guineas ! Sir Charles got the Velasquez for 
 a moderate price — 37,000 frs. ; it is a strikingly fine thing." 
 
64 
 
 CanforD Pictures 
 
 The following description of this work occurs in " Catalogus van 
 Schilderj'en van Johan van Schuylenburg, Burgermeister verkogt 
 den 20th September 1735, le S' Hage:" 
 
 No. 31. Een overhurlyk kragtigen Schoon Stuk, door Rynbrand 
 Van Ryn, verbeit dende den Apostel Paulus, niet minder 
 als van Titiaan, h. 4' 2" br. 3' 4i." f 150. 
 
 Copy of the auctioneer's note : — 
 
 Galerie Pourtales. 
 
 i-y ■ ■ T, ■ f Mr. Charles Pillet, 1 1 Rue de Choiseul. 
 Commissiares Pnseurs ■{ , , p L d c. u / 
 
 ( Mr. Eugene Escribe, 2 1 7 Rue St. Honore. 
 
 Bordereau el adjudication. 
 
 M. Miindler. 
 
 Numeros Titules 
 
 du du proces 
 Catalogue. Verbal. 
 
 182 
 60 
 
 2490 
 2651 
 
 Le 31 Mars 1865. 
 
 Tableau Rembrandt . 
 4 Avril. 
 
 Tableau, Par Giorgione 
 5% 
 
 27,000' 
 
 650" 
 
 27,650- 
 1.382-50 
 
 29,032-50 
 
 155- 
 
 REMBRANDT. 
 1 606- 1 669. 
 Moses Striking the Rock. 
 
 Panel — Size, i ft. 4 in. x i ft 2 in. 
 Bought at Brussels, 1868. 
 
 A sketch for a larger picture. 
 
CanforD Pictute0 
 
 65 
 
 156. 
 
 REMBRANDT VAN RYN. 
 
 1 606-1 669. 
 
 Male Portila.it. 
 
 Canvas — Size, 2 ft. x i ft. 9 in. 
 
 Bought at the Sale of the Harman Collection at Christie's. 
 
 Supposed to be the portrait of Van de Velde. It represents a young 
 man with light hair and moustache, in a black dress with small 
 white linen collar. 
 
 4 157- 
 
 GUIDO RENI. 
 1575-1642. 
 Portrait of Cardinal Ubaldino. 
 
 Canvas — Size, 6 ft. 6 in. x 4 ft 10 in. 
 
 The Cardinal, dressed in his robes, is seated in an armchair, and 
 holds in his right hand a letter directed to himself. On a table 
 by his side is a richly ornamented inkstand, on which are his 
 arms, surmounted by a Cardinal's hat. In the background is a 
 red curtain, and a colonnade, or loggia, leading into a garden, in 
 which there is a fountain. Cardinal Ubaldino was Papal Legate 
 of Bologna in 1625. 
 
 This picture is thus described in an old Italian work, " Un 
 Ritratto figura intcra sedente fatto al vivo dal Cardinale 
 Roberto Ubaldini ; tiene in mano una Lettera con soprascritta, 
 'air Illustriss. e Reverendiss. Cardinale Ubaldino,' ed in fondo 
 del Quadro leggonsi queste parole, ' Robertus Card. Ubaldinus 
 Bonon. Legatus, a.d. MDCXXV. Guido Renus Pictor fecit.'" 
 
 This inscription still remains in the right-hand comer of the picture. 
 
 Purchased from W. Spence, Esq., who obtained it from the Guadagni 
 family of Florence, at the dispersion of their well-known gallery 
 in 1865. 
 F 
 
66 
 
 Canfocti Pictures 
 
 158. 
 
 SIR JOSHUA REYNOLDS. 
 1723-1792. 
 
 ^ ' Albemarle Bertie, qtm Earl of Lindsey, 
 
 <r oo 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. i in. 
 From the Bertie Mathew Collection, bought in 1846. 
 In tlie Uniform of the Guards, and with the hair in powder. 
 
 Albemarle Bertie, 9th Earl of Lindsey. A general 
 in the army; born 17th September 1744, died at 
 Uffington House, Lincolnshire, 17th September 18 18. 
 Married ist, Eliza Maria Clay, widow of Thomas 
 Scrope, Esq., of Coleby ; and 2ndly, Charlotte Susannah 
 Elizabeth, daughter of the Very Rev. Charles P. 
 Layard, Dean of Bristol. 
 
 He sat to Sir Joshua Reynolds in November 1787. 
 The portrait was exhibited in the following year. See 
 Tom Taylor's Life of Reynolds, n. 516. 
 
 159- 
 
 SIR JOSHUA REYNOLDS. 
 1723-1792. 
 
 Portrait of Miss Palmer, afterwards Marchioness 
 
 ni' TlIOMOND. 
 
 Canvas — Size, 2 ft. 6 J in. x 2 ft. i in. 
 
 The lady, who was niece to Sir Joshua, is here portrayed in a white 
 dress flecked with gold, and a blue scarf The head is in profile, 
 the hair unpowdered. The right hand depending from the side 
 of a table. 
 
/ 
 
 CanforD Pictures 
 
 67 
 
 160. 
 
 0 < 
 
 SIR JOSHUA REYNOLDS. 
 
 1723-1792. 
 
 Portrait of William Pitt. 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. \ \ in. 
 
 From the Collection of Sir William Elford, Banker, Plymouth. 
 
 This portrait was taken in early youth. The Costume is that of a fancy 
 ball — blue, with white collar and cuffs, the right hand holding 
 
 The picture came from the Collection of Sir William Elford, Banker, 
 Plymouth, and on a pen-and-ink drawing, which accompanied 
 it when bought, is inscribed "The Honourable William Pitt, 
 aged 17. Painted by Sir Joshua Reynolds." 
 
 SIR JOSHUA REYNOLDS. 
 1723-1792. 
 The Snake in the Grass. 
 
 Panel — Size, i ft. 2\ in. x i ft. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 Venus recumbent, attended by Cupid. Supposed to be the original 
 sketch for Sir Joshua's celebrated picture known by that title, now 
 in the National Gallery. 
 
 a scarf. 
 
 161. 
 
68 
 
 CanforD l^ictures 
 
 162. 
 
 ' I eJU 
 
 SIR JOSHUA REYNOLDS. 
 1723-1792. 
 Portrait of a Boy. 
 Canvas — Size, i ft. 7 in. x 2 ft. i in. 
 
 Purchased from M. O. Miindler, of Paris, in 1865. 
 
 This picture represents a country lad, with his two hands joined in 
 front, and with his mouth on a broad grin. 
 
 It came from the gallery of the celebrated German collector Count 
 Schonborn, and from the family of the former Prince Elector of 
 Mayence. 
 
 163. 
 
 JOS^: RIBERA (II SPAGNOLETTO). 
 ?i588-i656. 
 A Male Portrait. 
 
 Canvas — Size, 4 ft. 3 in. x 3 ft. 2 in. 
 
 Purchased from M. Sano, a picture dealer of Paris, in November 1867. 
 
 An old man in a brown dress, standing, and holding a book with his 
 two hands. On a table by his side lies a cross. In the right- 
 hand corner the painter has signed, " Jusepe di Ribera espanol, 
 Fee. 1632." 
 
 Three-quarters life size. 
 164. 
 
 JOS^: RIBERA (II SPAGNOLETTO). 
 
 ?i588-i656. 
 
 Saint Bartholomew. 
 
 Canvas — Size, 4 ft 10 in. x 3 ft. 4 in. 
 
 Bought in Spain, 1859. 
 
 The Saint, tied to a pillar, is undergoing martyrdom. The executioner 
 is flaying his left arm. 
 
CanforD Pictureis 
 
 69 
 
 165. 
 
 JACOPO ROBUSTI (II TINTORETTO). 
 15 1 2-1594. 
 
 The Agony in the Garden. 
 
 Canvas — Size, 8 ft. 8 in. x 7 ft. 3 in. 
 Purchased in 1867. 
 
 The angel is presenting the cup to Christ, who is kneeling ; beneath 
 are the three Apostles asleep. 
 
 This picture came from the Church of S. Silvestro in Venice, and is 
 mentioned by Ridolfi. " L'ottaua in S. Siluestro, del Battesimo 
 di Christo, et vn qiiadro dell' oratione, che fa nelV horie." (Le 
 Maraviglie dell' arte, ed. 1648, part ii. p. 33.) Boschini says of 
 it, "Vi e anco (in San Silvestro), un quadro con Nostro Signore 
 all' Horto, di mano di Tintoretto." (Le Ricche Miniere delia 
 Pittura Veneziana, ed. 1674.) Moschini and other Italian 
 writers on art also speak of it. When the Church of S. Silvestro 
 was restored, this Tintoret, together with the "Adoration of the 
 Magi," by Paul Veronese, now in the National Gallery, came into 
 the hands of Sig. Toffoli, a member of the provisional Government 
 of 1 848, from whom it was purchased by Mr. Layard. 
 
 In the official list of pictures in the churches of Venice, made on the 
 fall of the Venetian Republic, this picture is included, and the 
 official permission for its removal and sale is in the possession of 
 Sig. Toffoli. 
 
 Destroyed in the fire at Canford, January 1884. 
 
70 
 
 CanforD Pictures 
 
 1 66. 
 
 GIROLAMO ROMANI, called II ROMANINO. 
 
 The Marriage of the Virgin. 
 
 Canvas — Size, 5 ft. 7 in. square. 
 
 Obtained by exchange from Mr. Layard in the year 1867. 
 
 In the centre of this picture the High Priest is joining the hands 
 of the Virgin and St. Joseph. The Virgin is accompanied by two 
 '-c<.tA,v- maidens, and behind, St. Joseph, as a suitor, breaking his wand. 
 
 In the background are several men dressed in Oriental costume, 
 and a distant landscape is seen through an archway. The key- 
 stone of the arch is formed by a cupid holding a shield with a 
 white eagle, the arms of the ducal family of Este. 
 
 This picture was purchased by Mr. Layard from Professore Panizza 
 of Padua, into whose possession it came through his wife, wiio 
 'M.ir-Mw > had inherited it from her father. It was originally over an altar 
 
 *f ^ in a church, and was damaged by fire. The lower part was so 
 
 .'f '-^ much injured that it had to be removed, and the picture was 
 
 restored by Signor Fabris, the Keeper of the pictures in the 
 Ducal Palace at Venice. ' « — |*J ^-'■^ ~^K^^i y- • j 
 
 There is a replica of this work in the Church of S. Giovanni Evangelista 
 at Brescia, of which city the Painter was a native. 
 
 167. 
 
 GIROLAMO ROMANINO. 
 1 504-1 566. 
 
 A 'Pieta'. 13 a** 
 
 Panel — Size, 6 ft. x 6 ft. 
 
 / Bought from the Manfrin Collection, Venice, 1868. 
 
 X "u^ JUL deo-d Christ, on a bier covered with a white cloth, is surrounded 
 
 by a group of male and female figures, among whom are con- 
 spicuous the three Maries and St. John, by whom he is upheld. 
 
 It 
 
CanforD Ipictutes 
 
 71 
 
 On a tablet in the foreground is the inscription : " Hieronymi 
 Rumani Brixiani Opus M.D.X. mensi Decembri." There appears 
 also to be a legend on the hem of the Virgin's robe. 
 
 There is a notice of this picture in a work entitled Le Scelte Pitture di 
 Brescia, published by Averoldo, at Brescia, in 1700. It was then 
 in the church of St. Lorenzo, and is fully described, the inscription 
 being given. It was probably carried away from that church 
 during the time of the French occupation at the end of the 
 last century. M. Cavalcaselle (in his notice of Romanino 
 and his works) says it is the earliest dated picture by the master 
 that he has found, and he considers it a very interesting and 
 important picture in the history of Art. Kiigler says, " It shows 
 that he had not yet attained to the maturity of his powers ; but 
 had profited as a colourist from his residence at Venice." See 
 Handbook of Painting, Italian Schools, 5 th Ed. 1887, p. 575. 
 
 168. 
 
 PETER PAUL RUBENS and JOHN WILDENS. 
 
 I577-I640. I584-I644. Ui) 16^. 
 
 A Boar Hunt. 
 
 Canvas — Size, 3 ft. 11 in. x 3 ft i in. 
 
 From the Bertie Mathew Collection, bought in 1846. 
 
 A man is spearing a boar which the dogs have brought to bay. In 
 the background two horsemen are coming up. The men are 
 clad in armour ; the dogs are clothed. 
 
 169. 
 
 PETER PAUL RUBENS. 
 1577-1640. 
 Cupid, 
 
 Canvas — Size, 3 ft. i\ in. x i ft. 9 in. 
 Study for a large picture. 
 
72 
 
 CanforD Pictures 
 
 1 70. 
 
 DAVID RYCKAERT. 
 1615-1677. 
 The Cobbler. 
 
 Panel — Size, 2 ft. 2 in. x 2 ft. 10 in. 
 The cobbler, in a red cap, is seated near a table, plying his trade. 
 
 171. 
 
 ANDREA DAGNOLO, called DEL SARTO. 
 
 1488-1530. 
 Virgin and Child. 
 
 Canvas — Size, 2 ft. 3 in. x i ft. 9 in. 
 
 172. 
 
 FRANCIS SNYDERS. 
 
 1579-1657. 
 The Council of Birds. 
 
 Canvas — Size, 3 ft. 7 in. x 5 ft. 7 in. 
 
 Groups of birds of every description, terrestrial and aquatic, and in 
 every position, apparently in debate over the body of a dead bat, 
 which lies on the top of a wall in the centre of the picture. 
 
CanfotD Pictures 
 
 73 
 
 173- 
 
 FRANCIS SNYDERS. / / > , 
 
 1579-1657. 
 Boar Hunt. 
 
 Canvas — Size, 6 ft. 6 in. x 9 ft. 
 
 174. 
 
 ANTHONY STAEVAERTS, called 
 PALAMEDES. 
 
 1604-1680. U4. u 
 
 Conversation Piece. 
 
 Panel — Size, i ft. 2 in. x 1 ft. 8 in. 
 
 A man dressed in black, with a broad hat, and two other persons, are 
 listening to a lady playing the guitar and seated. To the right is 
 a table prepared for a repast. 
 
 175- 
 
 THOMAS STOTHARD. 
 Allegorical Subject. 
 
 Canvas — Size, i ft. x 9 in. 
 Bought at Christie's 1865. 
 Group of four female figures, one holding a lamp in her hand. 
 
74 
 
 CanforD lPicture0 
 
 176. 
 
 JUSTUS SUSTERMANS. 
 
 1597-1681. 
 
 Female Portrait. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from W. Spence, Esq., at Florence, in 1865. 
 
 A Lady in a richly embroidered dress, standing by a table, on which is 
 seated a small spaniel of the King Charles breed. Life Size. 
 
 Destroyed in the fire at Canford, January 1884. 
 177. 
 
 JUSTUS SUSTERMANS. 
 1597-1681. 
 
 Male Portrait. 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 Purchased from W. Spence, Esq., 1865. 
 A young man standing dressed in black. Life size. 
 Companion to No. 176. 
 Destroyed in the fire at Canford, January 1884. 
 
 CORNELIUS TAUSSEN. 
 1590-1665. 
 Female Portrait. 
 
 Panel — Size, 2 ft. 3I in. x i ft. 10 in. 
 
 Bought of Mr. Morant. 
 
 The lady is represented in a black dress, with a profusion of white lace, 
 and a small white lace coif Only part of the right hand is shown. 
 
CanforD picture0 
 
 75 
 
 179. 
 TAYLOR. 
 
 Portrait of the Hon. Elaine A. Guest. 
 Water colour — Size, i ft. 6 in. x i ft. 
 
 180. 
 
 DAVID TENIERS the Elder. 
 1582-1649. 
 The Quack Doctor. 
 
 Canvas — Size, 7 in. x 5 in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 The Doctor, dressed in a brown coat, and a red cap trimmed with fur, 
 stands by a table, on which are bottles, galUpots, etc. 
 
 181. 
 
 TENIERS, VAN KESSEL, and VAN BALEN. 
 An Interior. 
 
 Panel — Size, 2 ft 10 in. x i ft. 10 in. 
 
 A satyr and a nymph seated at table. Dead game, fish, and fruit 
 scattered in all directions. To the left is a buffet dressed with 
 glass, plate, etc. Through arches at the back is seen the kitchen, 
 with a party eating. 
 
76 
 
 CanforD pictures 
 
 182. 
 
 JACOB THOMPSON. 
 19th Century. 
 Robert Bertie, ist Earl of Lindsey. 
 
 Canvas — Size, 2 ft. 11 in. x 2 ft. 3 in. 
 Copy in small of the full-length picture at Uffington House. 
 For Biographical Notice see No. 38. 
 
 183. 
 
 JACOB THOMPSON. 
 19th Century. 
 Montague Bertie, 2nd Earl of Lindsey. 
 
 Canvas — Size, 2 ft. 11 in. x 2 ft. 3 in. 
 Copy in small of the full-length by Vandyck at Uffington House 
 For Biographical Notice see No. 244. 
 
 184. 
 
 JACOB THOMPSON. 
 19th Century. 
 Albemarle Bertie, 9TH Earl of Lindsey. 
 
 Canvas — Size, 2 ft. 11 in. x 2 ft. 3 in. 
 
 Copy of a picture in the possession of the Earl of Lindsey at Uffington 
 House, Lincolnshire. 
 
 For Biographical Notice see No. 158. 
 
CanfotD Pictures 
 
 77 
 
 185. 
 
 JACOB THOMPSON. 
 19th Century. 
 
 Katherine, Duchess of Suffolk. 
 
 Canvas — Size, 2 ft. iij in. x 2 ft. 3^ in. 
 
 Copied from a picture belonging to the Earl of Lindsey, at 
 Ufifington House, Lincolnshire. 
 
 Katherine, Baroness Willoughby de Eresby 
 in her own right, married first Charles Brandon, 
 Duke of Suffolk, and secondly, Richard Bertie, 
 of Berated, in Kent. The escape of the Duchess and 
 Mr, Bertie from England into Germany and Poland 
 from the religious persecutions of Queen Mary was 
 a remarkable event of the period. They returned to 
 England on Queen Elizabeth's accession. The Duchess 
 died in 1580. 
 
 186. 
 
 JACOB THOMPSON. 
 19th Century. 
 Peregrine Bertie, Lord Willoughby de Eresby. 
 
 Canvas — Size, 2 ft. 11 in. x 2 ft. 3 in. 
 Copied in small from a picture at Uffington House. 
 
78 
 
 Canfom pictures 
 
 Peregrine Bertie, nth Baron Willoughby de Eresby, 
 son of Richard Bertie of Bersted, and Katherine, 
 Duchess- Dowager of Suffolk, was born at Wesel, in 
 Germany, during the flight of his parents from the 
 rehgious persecution of Queen Mary, on which account 
 the name of Peregrine was given him. He was one 
 of the most distinguished miHtary characters of his 
 day. Naunton, in his Fragnienta Regalia, speaks of 
 him as "one of the Queen's first swordsmen, and a 
 great master of the Art miHtary." He commanded the 
 second of the five armies sent into France by Queen 
 EHzabeth in aid of Henry IV. of Navarre. He was 
 Governor of Berwick, and died in 1601. 
 
 187. 
 
 JACOB THOMPSON. 
 19th Century. 
 Charlotte, Countess of Lindsev. 
 
 Canvas — Size, 2 ft. 1 1 in. x 2 ft. 3 in. 
 
 This picture, which is only half-length, is copied from the large life- 
 sized picture of herself and the Earl of Lindsey, painted in 181 5 
 by Sir Thomas Lawrence, in the Collection at the family seat, 
 Uffington House, Lincolnshire. 
 
 Charlotte Susannah Elizabeth, daughter of the Very 
 Rev. Charles Peter Layard, Dean of Bristol, born 21st 
 March 1780; married i8th November 1809, Albemarle 
 Bertie, 9th Earl of Lindsey, and secondly, in 1821, the 
 Rev. Peter William Pegus. Died 28th November 1858. 
 
CanforD Picture0 
 
 79 
 
 i88. 
 
 JACOB THOMPSON. 
 
 19th Century. 
 Portrait of Miss Guest. 
 
 Canvas — Size, i ft. 4 in. x i ft. 
 
 Charlotte Maria Guest, eldest daughter of Sir Josiah 
 John Guest, Bart., born 3rd July 1834, married Richard 
 Du Cane, Esq., 1859. This picture was done in the 
 year 1835, and represents her in the pose and costume 
 of one attributed to Titian, which belonged to the late 
 Henry Danby Seymour, Esq. 
 
 189. 
 
 JACOB THOMPSON. 
 
 19th Century. 
 
 Portraits of the three eldest Children of Sir 
 J. J. Guest. 
 
 Cartoon — Size, i ft. 4 in. x 1 ft. 
 
 The youngest child is seated on a sofa. The two elder ones are 
 placing flowers on her head. 
 
 Water colour. Signed, "Jacob Thompson, 1837." 
 
8o 
 
 CanforD Pictureis 
 
 190. 
 
 THEODORE VAN THULDEN. 
 1607-1676. 
 
 Adoration of the Shepherds. 
 
 Copper — Size, 9 in. x 6| in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 The Saviour lies in a manger, surrounded by the Virgin, St. Joseph, 
 and two female figures. In the foreground a shepherd kneels in 
 adoration. Another shepherd carries a lamb. 
 
 191. 
 
 GILES VAN TILBURG. 
 1578-1632 or 1625-1678. 
 
 Dutch Fair. 
 
 Panel — Size, i ft. 9 in. x 2 ft. i in. 
 
 Bought at Mr. T. Furnell's Sale at Childc Okcford, 20th March 1866. 
 
 Peasants attending a fair. A Mountebank is selling quack medicines. 
 Beside him is a monkey on a pole. 
 
 192. 
 
 BENVENUTO TISI, called GAROFALO. 
 1481-1559. 
 The Annunciation. 
 
 Panel — Size, i ft. diameter each. 
 
 This picture is divided into two circular panels ; on one side is the 
 Virgin, on the other the Angel. 
 
CanforD Pictures 
 
 8i 
 
 From the Costabili Gallery at Ferrara. Formerly in the Church of S. 
 Bernardino, in that city. Mentioned by Laderchi {La Pittura 
 Ferrarese, p. 91), and by Baruffaldi, as " L'Annunciazione in due 
 tondi riuniti." {Viie Pittori e Scultori Ferraresi, vol. i. p. 
 363, note.) Purchased in 1866. 
 
 193. 
 
 TOMLhNSON. 
 19th Century. 
 Martha, Countess of Lindsey. 
 
 Canvas — Size, 7 ft. i in. x 4 ft. i in. 
 
 Full length. A copy of the- picture belonging to the Earl of 
 Lindsey, Uffington House, Lincolnshire. 
 
 This lady was the daughter of Sir WiUiam Cockain, 
 of Rushton, county Northampton, and widow of John 
 Ramsay, Earl of Holderness. She died 1641. 
 
 Destroyed in the fire at Canford, January 1884. 
 
 194. 
 
 TOMLINSON. 
 19th Century. 
 Montague Bertie, 2nd Earl of Lindsey. 
 
 Canvas — Size, 7 ft. i in. x 4 ft. i in. 
 
 Full length. A copy of the picture by Vandyck, belonging to the 
 Earl of Lindsey, Uffington House, Lincolnshire. For Bio- 
 graphical Notice, see No. 244. 
 
 Destroyed in the fire at Canford, January 1884. 
 
82 
 
 CanforD Pictures; 
 
 195. 
 
 LUCAS VAN UDEN. 
 1595-1662. 
 
 Landscape. 
 
 Panel — Size, 10 J in. x i ft 2 J in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 Wooded scene, with a cart guarded by soldiers ; on the covering 
 of the cart is the date 1658. 
 
 196. 
 
 UNKNOWN 
 French Artist. 
 Marie Leczinski, Queen of France. 
 
 Canvas — Size, 5 ft. x 4 ft. 
 
 Bought of Mr. Morant. 
 
 Marie Leczinski (Queen of Louis XV. of France), in a gown of white 
 flowered brocade, is seated and holds the infant Dauphin on her 
 lap. The child has on a red dress, with lace of Point d'Argenton, 
 and wears a lace cap. 
 
 197- 
 
 UNKNOWN. 
 
 Lady Holderness. 
 
 Panel — Size, 2 ft. 2| in. x i ft. 8| in. 
 Bought of Mr. Morant. 
 
 The dress is of white, black, and pink, with lace and jewels. She 
 wears a hat and feathers, and holds a black fan in her left hand. 
 The picture is inscribed, ".^tatis suae 20, a.d. 1628." 
 
CanfotD pictures 
 
 83 
 
 198. 
 
 UNKNOWN. 
 The Hon. Charles Bertie. 
 
 Canvas — Size, 2 ft. 6 J in. x 2 ft. in. 
 
 He wears a richly brocaded dress of red and gold, a gold belt, and lace 
 cravat, and has long flowing hair. 
 
 The Hon. Charles Bertie, 5th son of Montague, 
 2nd Earl of Lindsey, settled at Uffington, County 
 of Lincoln, the seat of his descendant the present 
 Earl. He was Envoy Extraordinary from Charles 
 II. to Christian V., King of Denmark, to adjust 
 the difference of the flag. In 1673 he was Secretary 
 to the Treasury. In 1681 Treasurer and Paymaster of 
 the Ordnance, which office he held near twenty years. 
 He served thirty years in Parliament as burgess of 
 Stanford, and died 22nd March 171 1. The beautiful 
 Corporation Plate belonging to the Municipality of 
 Stanford was his gift. 
 
 199. 
 
 UNKNOWN. 
 
 Elizabeth of Brabant. <^ ^e^x 
 
 Panel — Size, i ft. 9 in. x i ft. 3 in. Oval. ' ' 
 
 She is represented as a young girl in a black dress with red sleeves, a 
 large white plaited ruff, and high coif head-dress of white lace. 
 
84 
 
 CanforD pictures 
 
 200. 
 
 UNKNOWN. 
 
 The Duchess of Tyrconnel. 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. i| in. 
 
 In evening dress of light blue silk, with ermine over her left shoulder. 
 Her hair is worn in curls. 
 
 There is a duplicate of this picture at Althorpe, with the following 
 inscription ; " Duchess of Tyrconnel, sister to Sarah, Duchess of 
 Marlboro'. She was ' la belle Jennings ' in the Memoires de 
 Grammonty 
 
 201. 
 
 UNKNOWN. 
 Portrait of Sir Edward Hobby, 
 
 ficAU«^V- Panel — Size, 3 ft. 2 in. x 2 ft. 4 in. 
 
 . Lfi^f Bought of Mr. Morley. 
 
 The knight is in full armour, with white lace collar. His right hand 
 rests upon his helmet, by the side of which is a baton, with 
 the inscription " Vana sine viribus ira," his left grasps the hilt of 
 his sword. Through a window in the background is seen a 
 fortress, from which issues Queen Elizabeth, wearing her Royal 
 crown. On a scroll in her hand are the words " Recondutur no 
 Retudutur." In front of her lies a military trophy. 
 
 On the left of the picture are the knight's armorial bearings, above 
 which is the inscription, "An?, d".' 1583. vEtatis su^ 23." 
 
 Sir Edward Hobby, born at Bisham, in Berkshire, 
 educated at Trinity College, Oxford, was one of the 
 Commanders of our fleet against the Spanish Armada. 
 
CanforD Pictures 
 
 85 
 
 He was present at the taking of Cadiz ; and was Con- 
 stable of Queenborough Castle, where he died in 
 1617. He was learned in theology and disputations, 
 and translated several books. Camden dedicated his 
 Hibernia to him. He distinguished himself in several 
 Parliaments towards the close of the Queen's reign, and 
 was made a gentleman of the Privy Chamber to King 
 James I. His mother was Elizabeth Coke, sister to 
 Lady Bacon and Lady Burghleigh. He married a 
 sister of Lord Danvers ; and 2ndly the daughter of the 
 ist Lord Hunsdon, cousin to Queen Elizabeth. He was 
 buried at Bisham, without any monument, and left all his 
 property to an illegitimate son, named Peregrine, whom, 
 being a minor, he committed to the care of George 
 Abbott, Archbishop of Canterbury. 
 
 202. 
 
 UNKNOWN. 
 Lady Philadelphia Bertie. 
 
 Canvas — Size, 2 ft. 10 in. x 2 ft. 6 in. 
 A present from Colonel Tynte of Halswell, in 1845. 
 
 In a brown dress with blue drapery, one end of which she holds in her 
 right hand. Pearls round her neck and hair, which is dressed in 
 ringlets. 
 
 Lady Philadelphia Bertie, daughter of Robert 3rd 
 Earl of Lindsey and Elizabeth, daughter of Philip, Lord 
 Wharton. 
 
86 
 
 CanforD Pictures 
 
 203. 
 
 UNKNOWN. 
 Portrait of Christina Von Wolden, 
 
 Panel — Size, i ft. 5 in. x i ft. i in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1 849. 
 
 In a red gown, over which is a black mantle, open in front, a white 
 cap and frill. She wears rings on both hands. On the right is a 
 coat of arms. 
 
 This picture is inscribed, "Christina Von Wolden, sein ehefrow 1575, 
 £Etatis 35." 
 
 204. 
 
 UNKNOWN. 
 Dutch Winter Scene. 
 
 Panel, circular — Size, 7 in. 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 Buildings and leafless trees, with figures skating. 
 
 205. 
 
 UNKNOWN. 
 Knight in Armour. 
 
 ^ |vv\^Nt>/*JU- Panel — Size, 2 ft. 6^ in. x 2 ft. i| in. 
 
 Lcc From the Stowe collection, 1838. 
 
 The knight wears a deep embroidered scarf over his armour, and a 
 large collar of rich white lace. There is a shield of arms in the 
 right corner. 
 
CanforD Pictures 
 
 87 
 
 206. 
 
 UNKNOWN. 
 
 Flower Piece. 
 
 Canvas — Size, 6 ft. x 3 ft. 5 in. 
 
 A trellis with various flowers, in the centre of which is a vase 
 holding lilies. 
 
 207. 
 
 UNKNOWN. 
 Flower Piece. 
 
 Canvas — Size, 6 ft. x 3 ft. 5 in. 
 
 A vase in the centre, holding a pine apple, and surrounded by flowers 
 
 on a trellis. 
 
 Companion to No. 206. 
 208. 
 
 UNKNOWN. 
 Portrait of Sterne. 
 Canvas — Size, 2 ft. 6 in. x 2 ft. $^ in. 
 
 In a green dress, his right arm resting on a table ; his right hand 
 
 holding a pen. 
 
 209. 
 
 UNKNOWN. 
 Portrait of Gay. 
 ^ Canvas — Size, 2 ft. 6 in. x 2 ft. in. 
 
 In a brown dress and a red cap. 
 
88 
 
 Canforn Pictures 
 
 2 10. 
 
 UNKNOWN. 
 Portrait of Shakespeare. 
 
 Panel — Size, i ft. 1 1 in. x i ft. 6 in. 
 In black dress and white ruff. 
 
 2 11. 
 
 UNKNOWN. 
 Portrait ok Mrs. Hutchins. 
 Canvas — Size, i ft. 4 in. x i ft. i in. 
 
 In a white dress. / 
 
 Sarah, 2nd daughter of Thomas Guest, Esq., of Dow- 
 lais, county Glamorgan, and sister of Sir Josiah John 
 Guest, Bart., married to Edward Hutchins, Esq., and 
 mother of the late Edward John Hutchins, Esq., some- 
 time Member for Southampton. 
 
 212. 
 
 UNKNOWN. 
 Copy of Domenichino's Sibyl. 
 Canvas — Size, 3 ft. 9 in. x 3 ft. i in. 
 
CanfotD Pictutes 
 
 89 
 
 213. 
 
 UNKNOWN. 
 Finding of Moses. 
 
 Canvas — Size, 3 ft. x 4 ft. 3 in. 
 
 Pharaoh's daughter is surrounded by a group of attendants. Two 
 females, in yellow and white dresses, are raising the child from the 
 rushes. 
 
 214. 
 
 UNKNOWN. 
 
 Female Saint. 
 
 Canvas — Size, 2 ft. 5 in. x i ft. 9 in. 
 
 The saint is in a red dress, in the attitude of prayer, and with a 
 glory round her head. 
 
 215. 
 
 UNKNOWN. 
 Birth of St. Thomas Aquinas. 
 
 Canvas — Size, 3 ft. in. x 4 ft. 2 J in. 
 216. 
 
 UNKNOWN. 
 
 Copy of the Head, said to be C^sar Borgia, by f 
 (?) Bronzing. ^ 
 
 Canvas — Size, 2 ft. 5^ in. x 2 ft. 10^ in. 
 
90 
 
 CanforD pictures 
 
 2 I 7. 
 
 UNKNOWN. 
 Head of Charles I. 
 Canvas — Size, i ft. 10^ in. x i ft. 4I in. 
 
 218. 
 
 UNKNOWN. 
 Cromwell on Horseback. 
 Canvas — Size i, ft. 8 J in. x 2 ft. lof in. 
 
 219. 
 
 UNKNOWN. 
 Portrait of Sir Josiah John Guest, Bar,t. 
 
 Canvas — Size, 4 ft 3 in. x 3 ft. 2^ in. 
 
 220. 
 
 UNKNOWN. 
 
 ^ — ^ ^^^^ Dutch Interior. 
 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866. 
 
 ^ Canvas — Size, i ft. 6 in. x i ft. 4 in. 
 
 A girl is breaking eggs into a bowl. A dog lapping milk in the foreground. 
 
CanforD pictures 
 
 91 
 
 221. 
 
 UNKNOWN. 7u3.-M2/jHr* 
 
 Canvas — Size, i ft. i in. x i ft. 5 in. ^ V ♦ ''^"*"7 
 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866. 
 An old Gardener, holding a basket of Vegetables. 
 
 222. 
 
 UNKNOWN. 
 
 Portrait. 
 
 Panel — Size, 1 in. x 9^ in. 
 Head of an old man. 
 
 223. 
 
 UNKNOWN. 
 Portrait. 
 
 Panel — Size, 1 1| in. x 9I in. 
 Head of an old man. Companion to No. 222. 
 
 224. 
 
 UNKNOWN. W-^M UJU 
 
 Fruit Piece. , r^ai^ f^r. 
 
 Canvas — Size, 1 ft. 4 in. x i ft. 
 
 Bought at the Sale of the Hon. Mrs. Grantham at Ketton, near 
 
 Stamford. 
 
 « 
 
 Peaches and other fruits lying on a table. 
 
92 
 
 Canfom pictures 
 
 225. 
 
 UNKNOWN. 
 
 Ul.wxU<»^ Fruit Piece. 
 
 ju . Canvas — Size, i ft. 4 in. x i ft. 
 
 \H\ J Bought at the Sale of the Hon. Mrs. Grantham at Ketton, near 
 
 Stamford. 
 
 Peaches and other fruits. Companion picture to No. 224. 
 
 226. 
 
 UNKNOWN. 
 
 Flower Piece. 
 
 Canvas — Size, 2 ft. 7 in. x i ft. 8| in. 
 
 On the sill of an open window through which a landscape is seen, 
 stands a glass vase filled with flowers. 
 
 227. 
 
 UNKNOWN. 
 Portrait of Lord Macartney. 
 
 Size, 2 ft. 6 in. X 2 ft. i in. 
 
 Bought at the Sale at Studley Castle. 
 
 In a light coloured coat, with the ribbon and star of the Order of the 
 Garter, A powdered tie wig. 
 
 228. 
 
 UNKNOWN. 
 Animal Life. 
 
 Canvas — Size, 2 ft. 4 in. x 3 ft. 
 Ducks, fish, a dog crouching as if to spring, etc. 
 
CanforD pictures 
 
 93 
 
 229. 
 
 UNKNOWN. fdU>MJ^(W- 
 
 Male Portrait. '^^7 ' 
 
 Panel — Size, i ft. 4! x i ft. i in. ^ r - ». ' 
 
 Head of a man looking down, with loose red drapery over the left 
 
 shoulder. 
 
 230. 
 
 UNKNOWN. 
 Animal Life. 
 
 Canvas — Size, 3ft. 3f in. x 4 ft. i|- in. 
 A group of domestic birds, peacock, duck, turkey, cocks and hens, etc. 
 
 231. 
 UNKNOWN. 
 Male Portrait. 
 Black stone — Size, i ft. 2^ in. x i ft. oval. 
 Bought from the Bouvier Collection at Amiens, 1867. 
 Head of an old man in black skull cap, white collar, and long beard. 
 
 232. 
 
 VENETIAN SCHOOL. 
 
 Female Portrait. ^vrw , 
 
 Panel— Size, i ft. ^l in. x i ft. 3 in. ^ ^-^nA^ 
 
 Venetian lady in a red dress richly embroidered Pearls on her head f. II 
 
 and neck. ' I 
 
94 
 
 Canforn pictures 
 
 233- 
 
 VENETIAN SCHOOL. 
 
 Male Portrait. ^ 
 
 Panel — Size, i ft. "j^ in. x i ft. 3 in. 
 
 Young man in black with large plaited ruff. Companion picture 
 
 to No. 232. 
 
 234- 
 
 UNKNOWN. 
 Flower Piece. 
 
 Panel — Size, 6 in. x ii|in. 
 
 Purchased at the Sale of the Hon. Mrs. Grantham, Ketton, near 
 
 Stamford. 
 
 Group of roses and butterflies. 
 235. 
 
 UNKNOWN. 
 Flower Piece. 
 
 Panel — Size 6 in. x 11^ in. 
 
 Purchased at the Sale of the Hon. Mrs. Grantham, Ketton, near 
 
 Stamford. 
 
 Group of roses, butterflies, etc. Companion picture to No. 234. 
 
CanforD l^ictutes 
 
 95 
 
 236. 
 
 UNKNOWN. 
 Dutch Interior. 
 
 Panel — Size, i ft. i in. x io| in. 
 Bought at Antwerp, 1868. : 
 A lady seated at her toilet, with a small spaniel in her arms. 
 
 237- 
 
 UNKNOWN. 
 
 Sea Piece. 
 
 Canvas — Size, i ft. 4 in. x i ft. i in. 
 
 Bought at the Sale of the Hon. Mrs. Grantham, Ketton, near 
 Stamford. 
 
 A Ship in a Calm. 
 
 238. 
 
 UNKNOWN. CcUa. ^ i 
 
 Belisarius. 
 Canvas — Size, 4 ft. 2 in. x 3 ft. 
 Blind Belisarius fiddling through the streets of Rome 
 
96 
 
 Canfort) Pictures 
 
 239. 
 
 UNKNOWN. 
 King William III, 
 
 U) I KvV« 
 
 M»Ay,'t^wvc^ , Canvas— Size, 2 ft. 8 in. x 2 ft. 2 in. 
 
 C^ty (.^"^j The King is riding a white horse. A battle is represented in the 
 ' distance. On the frame is inscribed, " Battle of the Boyne, 
 
 glorious I St of July 1690." 
 
 240. 
 
 UNKNOWN. 
 Conversation. 
 
 » 
 
 Panel — Size, i ft. x 10 in. 
 A nurse is giving breakfast to two little girls sitting at a table. 
 
 241. 
 
 UNKNOWN. 
 Female Saint. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Bought of Mr. Waters. 
 
 In a white and blue dress with red draperies. Jewels in her hair and 
 round her neck. She holds a dish in her right hand and a palm 
 branch in her left. 
 
 Destroyed in the fire at Canford, January 1884. 
 
CanforD pictures 
 
 97 
 
 242. 
 
 UNKNOWN. 
 The Annunciation. 
 
 Canvas — Size, i ft. 6 in. x i ft. 
 Bought at the Sale at Studley Castle. 
 The Virgin is in a blue dress, the angel bending before her. 
 
 243- 
 
 UNKNOWN. 
 The Merchants. 
 
 Copper — Size, i ft. 6 in. x 9 in. 
 
 Bought at the Sale of the Hon. Mrs. Grantham, Ketton, near Stamford. 
 
 Two men, one of them seated at a table, the other looking over him, 
 are counting money, etc. 
 
 244. 
 
 ANTHONY VANDYCK. 
 Montague Bertie, 2nd Earl of Lindsey. •'^fta^ 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. i in. 
 From the Bertie Mathew Collection, bought in 1846. 
 
 In complete armour. His right hand rests on his helmet. He wears 
 his hair in the long flowing style of the Cavaliers of the period. 
 
 Montague Bertie, 13th Baron Willoughby de Eresby 
 and 2nd Earl of Lindsey, K.G., was son- of Robert 
 the I St Earl, by Elizabeth, daughter of Edward, 
 
 H 
 
/ 
 
 98 CanfortJ Pictures 
 
 ist Lord Montagu of Boughton. He was engaged in 
 the Battle of Edgehill, and voluntarily surrendered him- 
 self as a prisoner to attend on his father, who there 
 received his death wound. He was himself wounded in 
 the Royal cause at the Battle of Naseby. On the 25th 
 July 1666 he died at Campden House, Kensington, 
 the residence of his daughter Elizabeth, wife of Baptist 
 Noel, 3rd Viscount Campden. 
 
 Lord Lindsey married — ist, Martha, daughter of Sir 
 William Cockain of Rushton, widow of John Ramsay, 
 Earl of Holderness ; and 2ndly, Bridget Wray, heiress 
 to the Barony of Norris. 
 
 245. 
 
 ANTHONY VANDYCK. 
 
 1599-1641. 
 Portrait of Philip Le Roy. 
 
 Canvas — Size, 4 ft. 6 in. x 3 ft. 9 in. 
 Bought of Mr. Morant. 
 
 The picture represents Le Roy in a black dress slashed with red, with 
 white lace collar. His right hand is raised to his breast and 
 holds a handkerchief. 
 
 246. 
 
 ANTHONY VANDYCK. 
 1599-1641. 
 Portrait of Queen Henrietta Maria. 
 
 Canvas — Size, 3 ft. 5 in. x 2 ft. 8 in. 
 Purchased at Florence, from Count Cottrell, in 1866. 
 
CanforD Pictures 
 
 99 
 
 This picture came from the collection of portraits belonging to the 
 Medici, to whom it had probably been sent by the English royal 
 family. Like several of the same character that are found in 
 England and elsewhere, it was probably painted in Vandyck's 
 studio and finished by him. 
 
 247. 
 
 VANDYCK. r 
 
 After Portrait of Rubens'.s Mother. (.S'a^j i"dpv*-v- 
 
 Canvas — Size, 6 ft. x 4 ft. 3 in. 
 
 The lady is represented in extreme old age, seated in an armchair. 
 She is dressed in black, with white collar and cuffs, and a black 
 hood on her head. On the left, a dog is reaching up to her hand; 
 another dog is standing on the right. On the base of a pillar in 
 the background (from which hangs a red curtain), is the inscription, 
 "^tat. s. 82. A. 1646." 
 
 248. 
 
 BENJAMIN VANDERGUCHT. 
 Died 1794. 
 
 Lady Albinia Bertie, afterwards Beckford. faJUc^ 1 
 
 Canvas— Size, 2 ft. 6 in. x 2 ft. li in. C ^) ' ■ 
 
 From the Bertie Mathew Collection, bought in 1846. 
 In evening dress of light blue satin. 
 
 Lady Albinia Bertie, daughter of Peregrine, 2nd 
 Duke of Ancaster, married Francis Becicford, son of 
 Peter Beckford, Speaker of the House of Assembly of 
 Jamaica. She died 1754. 
 
f 
 
 I oo 
 
 CanforD Picturcis 
 
 ^7 C^^«>) 
 
 249. 
 
 ADRIAN VAN OSTADE. 
 1610-1685. 
 Portrait. 
 
 Panel — Size, 9^ in. x 7 in. 
 
 Bought at Mr. T. Furnell's Sale at Childe Okeford, 20th March 1866 
 
 Portrait of an old man in a brown cap. On the right hand are the 
 initials, " A. V. O." 
 
 250. 
 
 DON DIEGO VELASQUEZ de SILVA. 
 1 594- 1 660. 
 Male Portrait. 
 Canvas — Size, 3 ft. x 3 ft. 6 in. 
 Bought of Mr. Morant. 
 
 In a black dress, with collar and cuffs of white Vandycked lace. His 
 hair and moustache are dark. His right hand rests on his hip. 
 
 251. 
 
 DON DIEGO VELASQUEZ de SILVA. 
 1 594-1660. 
 Portrait of a Girl. 
 
 Canvas — Size, 4 ft. 4 in. x 3 ft. i in. 
 
 Purchased from Count Cottrell, at Florence, in 1865. 
 
 Probably the portrait of a Princess of the House of Austria and Spain. 
 She wears a richly-embroidered dress, and holds some flowers in 
 her left hand. Full length ; life size. 
 
CanforD IPictures 
 
 lOI 
 
 This picture is said to have come from the Collection of Royal Portraits 
 belonging to the Medici family. It may have been sent to a 
 Grand Duke of Tuscany, as was the custom of the time, by the 
 royal family to which the Princess belonged. 
 
 252. 
 
 WILLIAM VAN DE VELDE the Elder. 
 1610-1693. 
 
 Sea Piece. 
 
 Panel — Size, i ft. 10 in. x 2 ft. 4^ in. 
 
 Purchased (through Mr. Barker) at a sale at Phillips's, 1849. 
 
 A Dutch Man of War, in action, under sail. Other vessels in the 
 
 distance. 
 
 253- 
 
 ANDREW VERMEULEN. l^tw*.^ U- 
 
 1763-1814. S^,<^Arr^*> 
 
 Dutch Winter Scene. 
 
 Copper — Size, i ft. in. x i ft. 8 J in. 
 
 A village, men with cattle, etc., and figures skating in the foreground 
 Signed, "A. Vermeulen." 
 
 254. 
 
 CLAUDE JOSEPH VERNET. 
 1 714-1789. 
 
 Sea Piece. 
 Canvas — Size, 2 ft. i in. x 3 ft. 7^ in. 
 From the Bertie Mathew Collection, bought in 1846. 
 Scene of a wreck, with a castle on a rock. 
 
f 
 
 I02 CanforD Pictuteg 
 
 255. 
 
 ROBERT WALKER. 
 Montague Bertie, 2nd Earl of Lindsey. 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. i in. 
 In armour, the right hand resting on his Helmet. Half length. 
 For Biographical Notice see No. 244. 
 
 256. 
 
 G. F. WATTS. 
 
 Portrait of the Painter. 
 
 Crayon, on paper — Size, 2 ft. x i ft. 7 in. 
 Purchased at Christie's. 
 Signed, " G. F. Watts." 
 
 257. 
 
 G. F. WATTS. 
 
 Portrait of Sir Ivor Guest, Bart. 
 
 Canvas — Size, 7 ft. 5 in. x 3 ft. 5 in. 
 
 Sir Ivor Guest playing Tennis. He is dressed in a flannel suit, and 
 holds a racket in his hand. Full length. 
 
 258. 
 
 G. F. WATTS. 
 Ariadne. 
 
 Canvas — Size, 5 ft. 5 in. x 3 ft. 8 in. 
 The Nymph is seated on a bank, two Leopards playing at her feet. 
 
Canforn ipictutc0 103 
 
 259. 
 
 PENRY WILLIAMS. 
 
 19th Century. 
 The Tambourine Girl. 
 
 Canvas — Size, 2 ft. 9 in. x 2 ft. 4 in. 
 
 Two girls are represented, with a tambourine, one of them resting her 
 head on the other's shoulder. The picture was painted expressly 
 for Sir John Guest. 
 
 Signed, " Penry Williams, Rome 1837." 
 
 A replica, subsequently made, exists in the Vernon Collection. 
 
 260. 
 
 PENRY WILLIAMS. 
 19th Century. 
 The Shrine. 
 Canvas — Size, 2 ft. 9 in. x 2 ft. 4 in. 
 
 This picture, representing a Roman mother in devotion at a shrine, 
 holding the hand of a little girl who sits beside her, and with an 
 infant asleep in the foreground, was painted for Sir John Guest. 
 
 Signed, "Penry Williams, Rome 1830." 
 
 Engraved for E. and W. Finden. 
 
 / 
 
104 
 
 CanfotD Pictures 
 
 261 TO 267. 
 
 PENRY WILLIAMS. 
 19th Century- 1885. 
 Views of Waterfalls in the Vale of Neath. 
 Canvas — Size i ft. 8 in. x 2 ft. 2 in. 
 
 These seven paintings of views near his native town (Merthyr Tydvil) 
 were among the earliest of Penry WiUiams's productions, and were 
 expressly executed for Sir John Guest. 
 
 268. 
 
 PENRY WILLIAMS. 
 19th Century. 
 The Roman Christening. 
 
 Canvas — Size, 4 ft. 3 in. x 5 ft. 2 in. 
 
 A procession of Peasants in gay Italian Costume, are taking an infant 
 into a church to be baptized. 
 
 Signed, "Penry Williams, Rome 1831." 
 
 This picture (which was painted expressly for Sir John Guest), was by 
 the artist considered his best work. It was exhibited at 
 Manchester. 
 
 Engraved by L. Stocks for E. and W. Finden in 1839. 
 
 There is an engraving of this picture by L. Stocks, entitled, The 
 Procession to the Christening. A scene at L'Ariccia, near 
 Rome. 
 
 " Engraved from the original picture in the possession of Sir J. J. Guest, 
 Bart., M.P., to whom this Plate is most respectfully dedicated by 
 his obliged servants E. and W. Finden, London. Published Nov. 
 I, 1839, by the proprietors, Nos. 18 and 19 Southampton Place, 
 Euston Square. Sold also by G. F. Moon, 20 Threadneedle 
 Street, and Ackerman and Co., Strand." 
 
CanfotD Pkture0 
 
 105 
 
 269. 
 
 PENRY WILLIAMS. 
 19th Century. 
 
 The Love Letter. 
 
 Canvas — Size, in. x in. 
 
 The scene is laid in Rome. A girl is dictating a love letter to a 
 professional Scribe. Painted for Sir John Guest. 
 
 270. 
 
 PENRY WILLIAMS. 
 19th Century. 
 Portrait of Lady Charlotte Guest. 
 
 Canvas — Size, 2 ft. x i ft. 8 in. 
 
 Taken in the Costume (temp. Charles I.) worn at the 
 Court Ball 1844. 
 
 Lady Charlotte Elizabeth Bertie, daughter of Albe- 
 marle, 9th Earl of Lindsey, born 19th May 181 2, 
 married 29th July 1833 to Sir Josiah John Guest, Bart. 
 Secondly, loth April 1855, to the late Charles Schrei- 
 ber, Esq., Member for Cheltenham 1865 to 1868, and 
 for Poole from 1880 to his death in 1884. 
 
io6 
 
 Canforn Pictures 
 
 271. 
 
 MICHAEL WOHLGEMUTH. 
 1434-1519. 
 St. Katherine and St. Margaret. 
 
 Panel — Size, 2 ft. 10 in. x 2 ft. 2 in. 
 
 The saints are represented standing ; and with the emblems of their 
 Martyrdom. St. Katherine with a wheel and sword. St. Margaret 
 (crowned, reading a book) with a dragon under her feet. 
 
 Small full lengths, on a gold ground. 
 272. 
 
 MICHAEL WOHLGEMUTH. 
 1434-1519. 
 St. Peter and St. Paul. 
 Panel — Size, 2 ft. 10 in. x 2 ft. 2 in. 
 The former carrying an elongated key, the latter a book and a cross. 
 Small full lengths, on a gold ground. 
 
 273- 
 
 MICHAEL WOHLGEMUTH. 
 1434-1519. 
 St. Jcseph and Nicodemus. 
 
 Panel — Size, i ft. 6 in. x i ft. 8 in. 
 
 Saint Joseph of Arimathea is here represented holding the nails and a 
 pair of pincers. Nicodemus has a white napkin in his hands. 
 
 On a gold ground. 
 
CanfotD pictures 
 
 107 
 
 274. 
 
 MICHAEL WOHLGEMUTH. 
 1434-15 19. 
 
 The Three Maries. 
 
 Panel — Size, i ft. 6 in. x i ft. 8 in. 
 
 The Maries are represented holding small vessels for spices, incense, 
 etc., on a gold ground. 
 
 275. 
 
 q S^^r^ MARCO ZOPPO. 
 
 1445-15 1 7. 
 
 Canvas — Size, 2 ft. 10 in. x 2 ft. in. 
 
 Purchased from the Manfrin Collection, Venice, 1868. 
 
 A characteristic picture . . . the head of the Virgin is finely conceived, 
 \ and the details executed with careful minuteness. See Kiigler's 
 Handbook of Painting, Italian Schools, p. 281, 5th Ed. 1885. 
 
 The Virgin, wearing a red dress with blue drapery, and a crown on her 
 head, is seated in an alcove and nursing the Holy Infant. Two 
 . angels are holding festoons of fruit, and six others are playing 
 musical instruments. On a scroll, in front, is the inscription, 
 "Opera. Del. Zoppo. di. Sqvarcione." 
 
 276. 
 
 FEDERIGO ZUCCHERO. 
 1539-1619. 
 Female Portrait. 
 
 Canvas — Size, 2 ft. 6 in. x 2 ft. in. 
 
 The lady is in a dark dress with an enormous ruff of white lace, 
 her hair curled, and decorated with flowers. 
 
io8 
 
 (ZTanforD Pictures 
 
 277. 
 
 FEDERIGO ZUCCHERO. 
 1539-1619. 
 Portrait of Queen Elizabeth. 
 
 Panel — Size, 3 ft. 8 in. x 2 ft. 9 in. 
 
 Bought of Mr. Morley. 
 
 The Queen is represented in a high white lace ruff, large sleeves tied 
 with alternate knots of pearls and rubies, and embroidered with 
 spheres ; a long pointed stomacher, which, together with the front 
 of the dress, is profusely ornamented with bunches of pearls and 
 jewels, and a pearl necklace reaching below her waist. In her 
 right hand is an olive branch, and on a table by her side the 
 insignias of Royalty. Under the crown are the following in- 
 scriptions : — 
 
 " She had the triple crowne." 
 
 c " She had a triple crowne "i 
 \ And was a glorious monarch." j 
 
 At the back of the picture is pasted the following printed notice, 
 evidently cut from a catalogue, " 599. Genuine portrait of Queen 
 Elizabeth, by Zucchero. This picture can be traced for a hundred 
 and thirty years or more. It belonged to the family of Sir 
 Thomas Rich at Eltham, and is painted according to the orders 
 issued by herself: ' In a garden, with a strong light upon her, 
 and the painter to put any shadow on her face at his peril' " 
 
 278. 
 
 FRANCISCO ZURBARAN. 
 1596-1662. 
 Sta. Justa. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
CanfotD Pictures 
 
 109 
 
 Purchased through Mr. Robinson from the Collection of the Duca de 
 La Foes, Lisbon. 
 
 The saint is in a brown and green dress with a rose-coloured mantle. 
 She holds a piece of pottery in each hand, and bears the palm of 
 martyrdom. Above, to the left, is inscribed, " S. Jvsta." 
 
 S'.^ Justa was one of the girls employed in the Pottery Works of Triana, 
 near Seville. She was a martyr for the Christian faith ; and there 
 is a legend in the Romish Church that on the occasion of the devil 
 having endeavoured to destroy the Giralda of Seville by a storm, she 
 and her friend and fellow martyr, Rufina, rose from their graves 
 and supported it in their hands. This incident is embodied in 
 Murillo's beautiful picture in the museum at Seville. 
 
 Destroyed in the fire at Canford, January 1884. 
 
 279. 
 
 FRANCISCO ZURBARAN. 
 1596-1662, 
 
 Sta. Rufina. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from the Collection of the Duca de La Foes, Lisbon. 
 
 In an amber dress with green mantle, her light hair encircled with 
 a wreath of roses. She holds in her hands rough earthenware 
 dishes and bowls, and the martyr's palm. To the right is inscribed, 
 " S. Rvfini." 
 
 Destroyed in the fire at Canford, January 1884. 
 
I lO 
 
 CanfotD Pictures 
 
 280. 
 
 FRANCISCO ZURBARAN. 
 1 596-1662. 
 Sta. Ursula 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from the Collection of the Duca de La Foes, Lisbon. 
 
 In a dark dress with amber sleeves, and a large red scarf which falls in 
 rich folds around her. The hem of her robe is decorated with 
 pearls, and she wears pearls around her neck. She presses to her 
 heart the arrow with which she suffered martyrdom. The picture 
 is inscribed, " S. Vrsvla." 
 
 Destroyed in the fire at Canford, January 1884. 
 
 281. 
 
 FRANCISCO ZURBARAN. 
 1 596-1662. 
 
 Sta. Dorotea. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from the Collection of the Duca de La Foes, Lisbon. 
 
 In a brown dress with gold-coloured draperies, and carrying in her 
 hands a basket full of flowers and fruit. The inscription on the 
 picture is, " S. Dorotea." 
 
 Destroyed in the fire at Canford, January 1884. 
 
CanforD Picture0 
 
 1 1 1 
 
 282. 
 
 FRANCISCO ZURBARAN. 
 • 1596-1662. 
 
 Sta. Agnese. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from the Collection of the Duca de La Foes, Lisbon. 
 
 In a dark dress, pearl necklace, and flowers in her hair ; she holds a 
 white linen cloth in her left hand and a dish in her right. 
 
 Destroyed in the fire at Canford, January 1884. 
 283. 
 
 FRANCISCO ZURBARAN. 
 1596-1662. 
 Sta. Cassilda. 
 
 Canvas — Size, 7 ft. 4 in. x 4 ft. 
 
 Purchased from the Collection of the Duca de La Foes, Lisbon. 
 
 In a gray dress, the right sleeve of which is fastened with a broad band 
 of jewels. She bears a floral wreath in her hands. 
 
 Destroyed in the fire at Canford, January 1884. 
 
 P tinted by R. & R. Ci.ark, Edinburgh 
 
GETTY RESEARCH INSTITUTE 
 
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