ON VIEW TILL THE MOMENT OF SALE. 
 
 THE 
 
 CATALOGUE 
 
 OF 
 
 THE REMAINING PART OF THE SELECT 
 
 And very Interesting Collection of 
 
 Valuable Paintings, 
 
 THF PROPERTY OF 
 
 The late right honorable 
 
 LO RD 11E N DLESHAM, 
 
 Which include the Esteemed and Admired Works 
 
 ANNJBAL GARACCI, 
 
 J A COMO BASSA.NO, 
 
 SIR PETER PAUL RUBENS, 
 
 LUDOVICO CARACCI, 
 
 GUIDO, 
 
 CARLO DOLCI, 
 
 GERARD DOUW, &c. &c. 
 
 To which are added a few Pictures by permission, 
 
 AMONG MqtlCH ARE / , 
 
 A beautiful Picture of a Bacchante by MIijame le Brun ; * 
 
 IZer own Portrait, and the Portrait of Madame Du Gazon, the celebrated French Actress, 
 
 ANB 
 
 An Allegorical Picture by MenaGeot. 
 
 Wii) tci) 
 
 will be sold by auction, 
 
 ipetn* Co«, 
 
 At Mr. Hermon's Room, in Conduit Street, Bond Street, 
 
 ON 
 
 MONDAY, MAY the 28th, 1810, 
 
 AT TWO O’CLOCK PRECISELY, 
 
 BY ORDER OF THE EXECUTORS , 
 
 Without the least Reserve. 
 
 OF 
 
 REMBRANDT, , , 
 
 PHILIP WOUVERMANS, . mJf** ' Aff V /? 
 ADRIAN VANDEVELDE, „ y 
 
 ISAAC OSTADE, ^ ofaS * 4L& 
 
 WILLIAM VANDEVELDE, 
 
 DAVID TENIERS, JUN. 
 
 May be. Viewed till the Sale, when Catalogues may be had at the Room; and of Mr. 
 
 PETER COXE, 33, Throgmorton Street. 
 
 -0 5 
 
1 . 
 
 ^ 11 ^ HAT ihe highest Bidder shall be the Buyer; and if any Dispute arise between 
 two or more Bidders, the Lot so in dispute shall be immediately put up again and 
 re-spld. 
 
 II. That no Person shall advance less than One Shilling under One Pound; above 
 One Pound and under Five, Two Shillings; above Five Pounds Three Shillings; 
 and so on in Proportion. 
 
 III. That the Purchasers shall give in their Names and Places of Abode, (if required) 
 anH pay down immediately 5s. is the Pound, in part of the Purchase Money; and 
 the remainder on or before the delivery of the Lots so purchased. 
 
 IV. That the Lots shall be taken away, with all Faults, and under all descriptions at 
 the Buyer’s Expence, within One Day after the Sale. 
 
 V. That Upon Failure of complying with the above Conditions, the Money de¬ 
 posited in part of Payment, shall be forfeited, all Lots uncleared within the time 
 limited, shall be re-sold by public or private Sale, and the Deficiency (if an}) 
 
 jf - 1 S*' t * 
 
 attending such Kc-sale, together with all incidental Charges shall be made good 
 by the Defaulters at this Sale. 
 
fkJLi IVv- 
 
 ^ , Pa/Sa' ^/'W A"*^ — ' ^ ^ ^ 
 
 fttobertteement* 
 
 t\lE Pictures contained in this Catalogue, it is presumed will at first 
 sight proclaim their own Merit, they were Purchased by the late Lord 
 Rendlesham at the most liberal Prices, and are now submitted to the 
 Public rvithuut the least Reserve. But it is to be hoped that they will 
 nevertheless receive that Protection from the Taste and Liberality of Public 
 Bidders to which they are so justly intitled; they are each and all of 
 them deserving of a distinguished situation in the most splendid Cabinets 
 in the Kingdom. 
 
 i 
 
 In addition to those which belonged to Lord Rendlesham, a few 
 
 Pictures by permission are introduced, among which, are Three, the Production 
 
 « 
 
 of the celebrated Madame le Brun, a Bacchante, her own Portrait, and the 
 Portrait of Madame Du Gazon, the celebrated French Actress; and an alle¬ 
 gorical Picture by Menageot ; which will be equally Sold without reserve. 
 
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 MONDAY, MAY the 28 th, 1810 . 
 
 PICTURES. 
 
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 ‘I't 
 
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 1 A. Elsheimer.. . .. JPoRTRAIT of Christian 4th. King of Denmark who 
 
 married the Sister of James the 1st. King of England. 
 Painted on black marble 
 
 2 W. Vandevelde.. A Sea Calm with Boats, clear and transparent 
 
 3 F. Mouciieron _ A View of an extensive Country, highly picturesque and 
 
 richly embellished with Wood, particularly in the 
 foreground, where the bark and foliage of the Trees 
 are pencilled with captivating delicacy and sweetness 
 —some Deer, painted by Adrian Vandevelde in 
 his most beautiful manner, add greatly to the interest 
 and solitude of the scene; from the Collection of the 
 late Miss Vansittart, of which it constituted a 
 principal ornament 
 
 4 Caspar Poussin. .. A solemn Woody Scene with Water, the Figures by 
 
 Nicolo Poussin; painted with great force, truth, 
 and effect; from the Bernard Collection 
 
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 60 
 
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 8 Titiano VlCELLI. 
 
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 Murillo.^ .. * The Spartan Boy, most strikingly impressive and descrip¬ 
 
 tive of the well known story: an undoubted Picture 
 of this Master—from the Delme Collection 
 
 Andrea Mantegna An Historical Subject, painted in Chiaro oscuro—from 
 
 the Lercari Palace at Genoa 
 
 Rubens . Philosophers Studying the motion of the Spheres at Mid¬ 
 night—from the Durazzo Palace , 
 
 St. Jerome in the Desert, the head singularly fine and 
 impressive, the body admirably drawn with a sweet 
 disposition of colour and looseness of pencil, while 
 the distant Landscape as well as immediate scenery, 
 evince his knowledge of nature and power of repre¬ 
 sentation—from the Balbx Palace 
 
 Guercino . Lot and his Daughters. The Story told with great 
 
 propriety and judicious sense of feeling and expres¬ 
 sion, and the whole performance admirably colored— 
 from the Cattaneo Palace 
 
 Van Dvck . An Ecce Homo. It is stated in Scripture that those who 
 
 derided the Savior knew not what they did, and 
 in what way can that declaration be more forcibly 
 exemplified, than in the savage delight expressed in 
 the features of the Ethiopian thiumphing over the 
 afflictions of the meek Savior of the World—exqui¬ 
 sitely drawn, and the body most chastely colored 
 
 Ditto . His own Portrait in a Spanish Dress, spiritedly drawn and 
 
 vigorously colored—from the Balbi Palace 
 Morning Scene. This picture represents an Italian 
 Scene, on the left is a Mass of Broken Rocks w r ith 
 Trees growing out of the Fissures, whence a pellucid 
 Stream rushing down the Center forms a rivulet, 
 
 il 
 
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 while the Trees in the immediate fore-ground, the 
 Buildings in the middle distance, and remote scenery 
 render the whole a complete Picture. The Figures 
 representing a group Fishing by Bamboccio— from 
 the Gavotti Palace at Savona 
 
 13 Ditto . Evening, the Companion, an Italian Scene with the 
 
 Appenines in the Neighbourhood of the Campagna 
 at Rome. In the fore-ground Cattle are feeding on 
 the Bank of a River, over which is a Bridge of a 
 
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 14 Madame le Brun, 
 
 15 Menageot. 
 
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 1G Madame leJIrcn 
 
 17 Ditto 
 
 18 David. 
 
 19 Ludovico Caracci 
 
 20 Carlo Dolci . 
 
 single Arch : the two ends of the Bridge are partly 
 hidden by small Trees, while the overspreading 
 Branches of the ofbeal Poplar enriches the whole 
 scenery. The Figures as in the former Picture are 
 from the Pencil of Bamboccio —also from the Ga- 
 votti Palace at Savona 
 
 Portrait of Madame du Gazon, the celebrated French 
 Actress, in the character of Nina 
 The Genius of History endeavouring to arrest Time. 
 Time with the Scythe in his hand is represented as 
 holding up the Hour Glass to History, to shew that 
 even History may be doomed to oblivion in the 
 succession of ages. History has endeavoured to 
 arrest Time, but the bandage by winch she held 
 him, is burst by the irrisistibility of his strength, 
 and History seems terrified, lest no traces should 
 be left of her literary existence—full of expression 
 Her own Portrait, the fac simile by her own hand of the 
 celebrated Portrait she sent to the Florentine Gallery, 
 known as the Chapeau du Paille 
 A Bacchante. All the excellecnce of Cokregio, and the 
 spirit and force of Rubens have been attentively 
 considered in the design and accomplishment of this 
 Picture, nothing can be more beautiful and expressive 
 than the management of the whole, which is highly 
 characteristic of the subject represented—the Car¬ 
 nations singularly beautiful, and the shadow upon 
 the countenance is the very magic and excellence of 
 Art. This performance shews the advantages she 
 derived from the Study of the finest Pictures in Italy, 
 and her thorough knowledge of nature and the naked 
 Figure 
 
 History and Poetry, small whole length Figures, beau¬ 
 tifully Drawn and Colored 
 
 Virgin and Child, an admirable production of this great 
 Ornament of the Caracci School 
 St. Cecilia, finished with all his usual attention and 
 excellence 
 
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 , ? UID °. .. The Infant Saviour Sleeping.—A first-rate performance, 
 
 fjto If j/fiy /'pu/iy^ JjrtJ °J,j>°} or } n g : a glow of Harmony 
 
 * V* 
 
 
 22 Jacomo Bassano 
 
 720 
 
 23 Gerard Douw 
 
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 'o6 
 
 A Religionist—full of strong character, and worthy of his 
 admired Pencil, the Drapery of the surplice admirable 
 A Candle-light; a most admirable production, every part 
 of which has been attended to with the greatest 
 Care, and most minute Circumspection, whether in 
 the Figures, the Room, the Still Life, or the mild 
 Effect of Candle-light; the whole displaying at 
 one and the same Time this great Painter’s perse¬ 
 vering Skill, Judgement, and thorough Knowledge 
 of his refined and matchless Art 
 
 D. Teniers, Jun.. A Chymist’s Laboratory, an interesting performance, most 
 f/& skilfully managed. In this little captivating Pic- 
 
 24 
 
 25 W. Van de Velde 
 
 ture there is infinite merit 
 
 / _ 
 
 ) 
 
 26 Isaac Ostade 
 
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 A Sea Piece the Landing of King William at Gravesend ; 
 representing the Royal Yacht and Vessels in a 
 variety of Positions, at Anchor, furling their Sails, 
 and Firing a royal Salute—a grand performance 
 Landscape and Figures. The powers of this Master’s 
 Pencil in this excellent Performance may be placed 
 on a par with Adrian Ostade, equally correct, 
 lively, natural and interesting; he has done justice 
 to simple Nature in this display of the cap- 
 
 f, l ^ A v A t, /,/f 1C UVatirtg P rinci P fes of fhe A X it speaks home to the 
 
 s/l iJlAr, , i</<( yt//j /^^dudgment, and stamps itsc fas a work of most con- 
 
 J jC siderable merit 
 
 Jf (J 27 Guido . . A Madona; a beautiful Specimen of this Master—painted 
 
 , w in his best Time 
 
 $/ JiuEENS . Portrait of the Duke of Alva and attendant Servants a noble 
 
 ' performance worthy the great master’s pencil 
 
 / /j SirP.Paul Rubens The Good Samaritan, a cabinet Picture of great excellence. 
 
 ^ ^ , c ,„/// / A j« dici °us subject, which while it interests the heart 
 
 / UJ-lfay. from the humanity of the action, affords the Painter 
 
 the opportunity of displaying his knowledge of fhe 
 Human Figure ; and winch he has accomplished 
 also with all the advantage of that magic color of 
 which he was so great a Master 
 
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30 Annibal Caracci. 
 
 St, Francis, a most 'beautiful highly finished Cabinet Picture, the counten- 
 > ance and attitude of the Saint inimitably excellent, and truly characteristic 
 of piety and resignation: incomparable, 
 
 31 P. Wouvermans, U( (> <fo _ \% . p 
 
 Landscape with Horses and Figures, This exquisite performance is accomplished 
 in the summit of this extraordinary Painter’s Art, and captivating Powers: the 
 Judicious management of the Fore-ground of the Picture; the arrangement of 
 the Figures and Horses, of which he was so unrivalled a Painter, their elegant 
 forms, the simplicity of the Rustic Building, the vivacity of the Dogs, the 
 distance, Sky and Atmosphere are all in perfect harmony of accomplishment, 
 this Picture contemplated collectively or in detail, unquestionably displays 
 itself a Work of the very first celebrity of the Flemish School, and stamps 
 its own importance at first sight: truly capital-from the Earl of Besborough's 
 celebrated Collection. 
 
 32 A. van de Velde, |V?U{ !■> 
 
 Figures in a Landscape; representing a Lady of consequence preparing to enjoy 
 the Sports of the Field. This performance is an extraordinary proof of this 
 most esteemed Painter's inimitable Talents, All the powers of his delicate yet 
 spirited Pencil, have been exerted to give grace of Action to the Horses, and 
 ease of Attitude to their Riders: all the attendant accompaniments to the 
 Picture are delineated with equal propriety and effect; for what can be more 
 admirable than the form and variety of the Dogs? they are absolutely in 
 motion, the whole group is fascinating, and the Landscape particularly simple 
 and pleasing; it is a first rate performance and expressive of all that 
 vivacity and healthful cheerfulness which the subject demands, while the 
 happy effect of Sunshine that illuminates every object, is the charm and 
 fascination of Nature itself. 
 
 33 Rembrandt, 
 
 The Jew Bride - a first rate performance of this highly esteemed and uni¬ 
 versally admired Painter, all his great merit is concentrated in this ad¬ 
 mirable specimen of his unrivalled abilities to produce finishing with effect. 
 
 34 Jacomo Bassano, 
 
 The portrait of a Doge and his Family. A noble performance that ranks this 
 Master not inferior to Giorgione or Titian; for dignity of character, truth, 
 effect, sobriety and grandeur-capita}.. 
 
 
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