^"^^1^ ^ WEALE'S RUDIMENTARY SCIENTIFIC AND ED UCATIONAL SEEIES. The following are the Works already published in ARCHITECTURE, BUILDING, &c. (The Volumes are bound in limp cloth, except where otherwise stated.) LRCHITEGTURE— ORDERS— The Orders and their pRflNKLm Institute Librart FHILflDELFHIfl Class^OvIt ^ BookVi I ^ ^ Accession 7 those books intended for circulation. i ' ^ v Article VI.— The Secretary shall have authority to loan to Meniljers and to holders of second class stock, any work belonging to the sk.coxi) j^^j CLASS, subi'ect to the following regulations : /^^ Section 7.— No individual shall be permitted to have more than two books out at one time, without a written permission, signed by at least ^( two members of the Library Committe ; nor shall a l)Ook be kept out J^^j more than two weeks ; but if no one has applied for it, the former bor- rower may renew the loan. Should any person have apphed for it, the -s^l latter shall have the preference. , , i r ^I Section 2.— A fixe of ten cents per week shall be exacted tor the detention of a book beyond the limited time ; and if a book be not re- J^.- turned within three months it shall be deemed lost, and the borrower shall, in addition to his fines, forfeit its value. Section <5.— Should any book be returned injured, the borrower shail ^ pav for the injury, or replace the book, as the Library Committee may ^ direct : and if one or more books, belonging to a set or sets, be lost, the ^ borrower shall replace them or make full restitution. • Article VIL— Anv person removing from the Hall, without permis- sion from the proper authorities, anv book, newspaper or other property u % in charge of the Library Committee, shall be reported to the Committee, ^ who mav inflict anv fine not exceeding twenty-five dollars. ^ Article VIIL— No member or holder of second class stock, whose ^ annual contribution for the current year shall be unpaid or who is m ,^ arrears for fines, shall be entitled to the privileges of the Library or Reading Room. i i n ^ AuTicLE IX.— If anv member or holder of second class stock, shall ^ refuse or neglect to complv with the foregoing rules, it shall be the duty ATATTTwa aRATNING. MAEBLINGy ^ Off of 3. liius. 7^; i Dwell- ^rchitect. FOUNDATIONS AND CONCRETE E. DoBsoN, M.R.I.B.A., &c. Is. 6d. WORKS. By ^ LIMES, CEMENTS, MORTARS, CONCRETES, MC^ MASTICS, J^LASTERING, ^c. By G. R. Burnell, C.E. ^ Is. 6d. ! WARMING AND VENTILATION; being a Concise Exposition of the General Principles of the Art of Warming and '¥^^ Ventilating Domestic and Public Buildings, Mines, Lighthouses, i^T Ships, &c. By Charles ToMLiNSox, F.R.S., &c. Illustrated. 3s. CONSTRUCTION OF DOOR LOCKS AND IRON SAFES, Edited by Charles Tomlinson, F.R.S. 2s. 6d. 4^-- CROSBY LOCKWOOD & CO., 7, STATIONERS' HALL COURT, E.C. ^ IM^^ '^^SC PRACTICAL BEICKLAYING. THE RUDIMENTS OF PEACTICAL BRICKLAYING IN SIX SECTIONS: GENERAL PRINrCIPLES OF BRICKLAYING; ARCH DRAWING, CUTTING, AND SETTING; DIFFERENT KINDS OF POINTING; PAVING, TILING, MATERIALS; SLATING, AND PLASTERING ; PRACTICAL GEOMETRY, MENSURATION, etc. By ADAM HAMMOND ILLUSTRATED WITH SIXTY-EIGHT WOODCUTS FOURTH EDITION ^ LONDON CROSBY LOCKWOOD AND CO. 7, STATIONERS' HALL COURT, LUDGATE HILL 1882 OOA/S PEEFACE. The object of this little work is to assist young beginners and others who, though in the trade many years, have not had the opportunity of eeing so much of the higher branches of practice as they might desire. I also trust it will not be thought unworthy the notice of the more skilful mechanic. The language I have used is as simple as the subject would allow, and the terms used are those well understood in the trade ; for it is to be regretted that the greater number of books upon " building construction'^ are written in such terms that it is very difficult for the majority of working men to understand their meaning without continually referring to a technical dictionary. In speaking of foundations, I have said nothing of those which are formed in soft situations, upon vi PREFACE. piles, or woodwork of any description ; for in such cases the bricklayer has nothing to do with the work until the foundation is made. I have no hesitation in saying the methods here employed in drawing and cutting arches, also in mixing the materials and executing the different sorts of pointing, are practically the best, and those generally adopted by the most experienced workmen. For the sake of those who have not had an opportunity of learning Geometry and Mensura- tion, such problems are given as are generally required in bricklaying. The tables, and also the quantities of materials, have been carefully calculated ; and during the eighteen years I have been in practice I have proved them correct. Adam Hammond. London, December ^ 1874. COITTEIs^TS. SECTION I. GENERAL PRINCIPLES OF BRICKLAYING. pag:? Foundations 1 Concrete and Concreting 3 Drains 4 Footings 4 Bonding — Old English 5 Flemisli Bond 6 Broken Bond 8 Herringbone Bonding .8 Double Herringbone Bonding 10 Garden-wall Bond 10 Damp Courses 11 Air Bricks 11 Wood and Iron Bonding 11 Joints 12 Window Sills 13 Rubble Work 14 Brick and Stone combined 15 Limes, Cements, &c. — Blue Lias Lime 16 Dorking and Hailing Limes 16 Chalk Lime 17 Vlii CONTENTS. "PAGB Limes, Cements, I , ] about very thin ones, for it is well ^ ^ ' ^ ^ L — I known that the bricks made in , , I , ', , < most yards are not all of one I t I I I I n . . Ml ^ ^ I ^ ^ I ^ ^ I thickness ; and it is possible to I I i buy a quantity of bricks all made rig. 10. ^^^^ yard, and to find two or three different sizes — some as much as a quarter of an inch thicker than others. Therefore, when these thick bricks are laid, it is found impossible to keep down to the gauge to which the thin ones are laid with a joint of the same thickness. The result is, the bricklayer does not spread out a bed to receive the brick, as he usually does, but he ^* butters it — that is, he draws a little mortar, as fine as he can get, upon the front and back edges of the brick, and then lays it, leaving an air-passage under every one. This is almost as bad as thick joints, for it is evidently not bedded at all. This is very bad work, but the bricklayer cannot be blamed for it. Profiles. In building retaining walls, either upright or battering, or, in fact, any kind of work that is to be racked back to receive additional work, it is often GENERAT. PRINCIPLES OF BRICKLAYING. 21 found convenient to erect profiles upright or batter- ing, as the case may be, with the face of the wall, and gauged according to the gauge of the work from bottom to top — and so strain the line to it ; by this means the work is kept right both on the face and bed. These profiles answer very well for setting arches when they are required in advance of the other work ; for they can be easily set up at each end, and the line for the face of the arches drawn to them, and afterwards drawn perfectly level over the crown of the arches, to level up the brickwork between them — and in this case it will answer the purpose of both level and plumb-rule. Trammels. Where work is to be cut to receive inverted arches, such as the bottom half of a wheel arch, and also cores to receive any other arches, it is much best to fix trammels. These are fixed to the centre, and struck with the same radius as the arch. For the wheel arch, w^hen it passes throughout the thickness of the wall, it is usual to fix an upright piece of wood on each side of the wall, and pass a bar of either wood or iron from one to the other ; this will answer as a centre for the trammel to swing round upon, either on one side of the wall or the other. All joints in good face- work ought to be struck as full as possible without projecting beyond the face of the wall, and as straight as the bricks will allow. 22 BRICKLAYIXG. SECTION 11. DRAWIXa, CUTTIXa, AXD SETTING AECHES. It is very necessary, in speaking of arches, that the reader should thoroughly understand what an arch really is. It must not be supposed that any kind of building material which has been used to coyer an opening is necessarily an arch simply because it is made to form a curve, for in many cases we see a block of stone cut out in the form of an arch, and placed over doorways, windows, &c. ; but in the centre or crown, where the proper arch is the strongest, the stone being thinnest is the weakest, and being liable to break at any time, causes the work above to give way. An arch that is perfectly equal may be con- sidered as a slightly elastic curved beam, and, when loaded, every part is in a state of com- pression. The arch that the bricklayer has to deal with is a quantity of bricks so arranged that they may, by their pressure one upon another, not only support their own weight, but transmit any weight that may be placed on them to the abutments. Therefore all bricks should be of such a shape that they should ''bed'* with a perfectly equal bed- joint, one against the other, and at the same time carry an equal curve, or fit the centre upon which the arch is turned, throughout the whole span. And by each joint cutting in a line to the point or centre from which the arch is struck, DRAWING, CUTTING, AND SETTIN^\ A1^CHES^3'^\ each brick will be in the form of a wed^^^/fheser are often called youssoirs,^' and the thickesF7)r uppermost part of them the " extrados,^' and the small, or that part which is fixed upon the centre, the intrados,'* or soffit of the arch. These few remarks will serve to clear the mind of the reader as to what the general principles of an arch are. The higher calculations connected with the designing of arches, and rules to find the weight with which each course of youssoirs should be loaded to bring the arch into perfect equilibrium, would be out of place here, as this little work is intended for the working bricklayer, and he is yery seldom fortunate enough to be able to enter into calculations of this kind, although they would be of great service to him. Plain Arches. All arches turned without the bricks being cut or shaped in any way may be classed under this head ; and these are in general use for railway- bridges, tunnels, vaultings, and all work where strength is essential, and appearance no particular object. In building arches of this description, in order to avoid the thick joints that would appear at the extrados if the bricks were laid with the end upon the centre — as they are not wedge-shaped, but of one thickness throughout the length — it is usual to build them in rings the thickness of half a brick, or brick on edge, so that each ring is 24 BRICKLAYING. separate, having no connection with the others beyond the cohesion of the mortar in the collar- joints between them, except a heading-course occasionally, whenever the joints of two rings happen to coincide : sometimes this is objected to. It is very necessary that each ring should be pro- perly bonded throughout the length of the arch, and also that the joints should be of a regular thickness. For if the soffit-ring is built with a thick bed-joint, and the second ring with a thin one, the thick joints will shrink most, thereby causing an unsightly fracture between the two, and so deprive the arch of the strength of the bottom ring. Mortar made with good lime is considered by many better than cement for this kind of work, for very often cement sets before the work is complete, and any little accident in striking the centres, or from any other cause, is very liable to break the arch. Let it be here understood that no kind of arch ought to be turned without the centre has folding wedges, so as to drop it, when the arch is finished, as easily as possible, and without shaking the arch. These wedges ought to be drawn a little a day or two before the centres are really struck, so as to give the arch its bearing.'' Axed Arches. These are used very much in the present day, on account of their taking less labour, as it is thought. But it is an inferior sort of work at the best, and often costs as much as gauge-work by the time it is finished. DRAWING, CUTTING, AND SE^Tl^'a)^CHE§|^^ The bricks of these are simplySe^c'ed d6^n ta*a given size, and nothing but the soffl^^ ^.rp rutb^d ; and this is done after they are broug^ to the required bevel with the hammer boaster and scotch ; they are then set in cement, with a joint about three-sixteenths of an inch in thickness, and afterwards pointed. Gauge Work. This consists of all kinds of work that is cut and brought down to a given gauge upon the rubbing- stone ; such as all kinds of arches, mouldings for external cornices, architraves to doorways and windows, eaves, &c., and is considered the most important branch of the trade. For this purpose a shed should be built to protect the bricks that are to be cut from the wet, and also large enough for the workmen to erect their benches and chopping-blocks to suit their own convenience. They then require the rubbing- stone and a bedding-block. The former ought to be in the form of a circle, and not exceeding 14 inches in diameter ; for if it is, it will be very likely to rub out of level on the face, that is, either hollow or cambering ; and even with this size it will be found necessary to turn it round in its bed about once a day w^hen in use, for if the stone is unlevel the bricks will assuredly be the same, making very bad work. The bedding-block is square and of a perfectly smooth surface. It is used for the purpose of scribing and fitting the bricks to the moulds, and 26 BRICKLAYING, is usually made to the size of one course of the arch, if double-faced ; if not, about 14 by 18 inches. Various Arches used in the Building Trade. It is necessary that the bricklayer should thoroughly understand the names of all arches used in the building trade, and also what is meant by these names. The following are the principal arches used in building construction : — The Semi'Cireular, as shown in Fig. 11. The Sc(j}ne7ity which is the part of a circle only, as Fig. 12. Fig. 11. Fig. 12. The Camber (Fig. 13). — This arch is a very small part of a circle, as it is generally reckoned to rise only one-eighth of an inch to the foot ; so if the span of the arch is four feet, \ ^ 'y/ the crown or centre of the Fig 13 soffit will only be half an inch above the springing line, and the top ought not to be more than a quarter of an inch above a straight line drawn from the top of each skewback ; then, by the slight settlement of the arch when taking its bearing/^ this line will have the appearance of being perfectly straight. The Gothic Arch (Fig. 14) is very much used at the present day, both as shown in this figure. DRAWING, CUTTING, AND SETTING AKCHES. 27 and also with a greater or less rise above the springing line, as Figs. 15 and 16. The Elliptic Gothic (Fig. 17), which is simply an ellipse with a Gothic head. Fig. 16. Kg. 17. Fig. 18 represents a Semi-ellipsey or half- oval. There are many other arches in use in other branches of the building trade ; such as the horseshoe (Fig. 19), the 0 G (Fig. 20). But it Fig. 18. Fig. 19. Fig. 20. is very seldom the bricklayer has the building of any but those that have been mentioned. We have thus far only had the forms of different arches. The next thing of importance to the workman is the methods of striking them out, and taking off the moulds and bevels for cutting them. c2 28 BHICKLAYING. Drawing Arches. As it is out of reason for the builder to pay the workman for his time while he is practising on the work, it will be found necessary that he should learn the different ways of striking out those things that he will require, either at his home, or at some other equally convenient place. And for this purpose he will require a drawing-board. Sixteen inches square will be large enough for this purpose ; but should a larger one be required, it would be better to get one 2 ft. 6 in. by 1 ft. 10 in. This will take an imperial sheet of drawing-paper. Also, a T square and setsquare, lead pencils, a pair of com- passes with pen and pencil, and a piece of india rubber to clean out any false lines. And as it is always best in these kinds of drawings to work to a scale, the 2-ft. rule will answer this purpose. Should the reader wish to p practise drawing other forms of the arch, he will require more and better instruments. It is necessary, in almost 3 every kind of arch, to draw the horizontal and perpen- dicular lines at right angles with one another. If the reader knows how to do this, ^ he will find it his principal guide to drawing the arch. So^ from the points a and b. Fig. 21, ^»'ith any DRAWING, CUTTING, AND 29 lev at(^i^ii24; ^^^^eli^ of radius greater than half the scribe two arcs intersecting eacl^ then the line joining o s will be^ A B and at right angles Avith it. "T square and drawing-board this is unnecessary, as he is simply guided by the square when fixed first to the side, and then to the bottom of the board. In showing the methods of drawing arches and taking ofi" the moulds, it will not be necessary to speak of plain arches, as the bricks are not cut for them, therefore it will be best to deal with them as gauged. The Semi-circular (Fig. 22). — In drawing this arch, it is only necessary to place one point of the Fig. 22. compass at the centre o, and with the radius d b describe the half-circle which will answer for the sofiit; then with the same centre describe a greater half-circle, according to the depth of the arch required. Divide the outer ring with the compass into as 30 BRICKLAYING. many parts as there are required courses m the arch, taking care to see how thick the bricks will work first, so that no more is wasted in the cutting than necessary. Then from the centre o draw the lines to each of the divisions marked on the outside half-circle as shown. This will be the size and shape of the mould for cutting each course of the face of the arch. And a parallel mould, the width of the small end of the face mould, will do for the cutting of the sofiit of the brick, after allowing for the joint in each case (this ought to be about one-tenth of an inch thick), and is best done by working a little nearer the small end of the mould, which will be easily seen in the working. The bevel for cutting the sofiit is taken by placing the stock of the bevel to the line a, and setting the blade to the line repre- senting the soffit of the first course of the arch at D. This is the only bevel required (if a T bevel is used) as the tops are cut to this bevel fitted on the brick the reverse way. Fig. 23 is another kind of semicircular arch with a Gothic head. To draw the outside portion of this arch it is necessary to draw the line or chord A B, bisect it at d, draw a line with the setsquare from d, at right angles with a b, to any point c, and upon this line the centre is taken to describe the outside curve of the arch, according to the haunch required ; and the inner ring must be divided in the same manner as the outer ring of Fig. 22; but the bevels for the tops must be DRAWING, CUTTING, AND SETTING AIICHES. 31 taken separately. In all other respects it is the same as Fig. 22. A Tig. 23. The Segment (Fig. 24) may be worked in the D Fiff. 24. same way as the semicircle, the only difference being in taking the centre to strike it with. 32 BRICKLAYING. / ' This is taken in the perpendicular line below the springing level, with radius according to the rise required as shown at and this is the point to which all lines must be drawn, both to get the skewback and also the size of the course. The bevel for cutting the skewback is taken by placing the stock parallel with the springing line A b, and setting the blade of the bevel to the skewback line D E. We now come to the Camber Archj which is perhaps one of the most difficult to draw and cut. To draw this arch, supposing the opening to be 4 feet in the clear, would require an arch with only half an inch rise above the springing line at the crown, as it would take a very long radius to strike an arch having so small a rise in the ordinary way of striking a segment of a circle; it is necessary, therefore, to resort to other means. To do this it is best, in the first place, to get the horizontal and perpendicular lines, and measure out the width of the opening equal on each side of the upright line, then take the rise as shown at a. Fig. 25, and drive three nails into the board upon which it is intended to strike the arch, at the three separate points b, A, c ; this done, get a piece of J-inch board, as long as the opening is wide, in the form of a very flat triangle, as shown in Fig. 26, taking care the rise of the triangle is just the same as that required for the arch.' Place the end b. Fig. 26, to the nail at b, Fig. 25, a to a, and c to c, keeping it tight against a C with the left hand ; DRAWING, CUTTING, AND SEJ then with the right hand fix the pencil firr against b, the end of the trammel, and gent? draw the curve with the right hand, as the/ trammel is drawn from a to c with the left, if care is taken to keep the pencil hard against the end B of the trammel, and a c of the trammel £ Tig. 25. against the two nails as it is drawn from a to c, it will describe very correctly that half of the Fi-. 26. camber from b to a. Then by repeating the operation the reverse way, by drawing the trammel with the left hand from a to b, while with the right hand and pencil the half is described from o to a, this will complete the regular curve of the camber arch.^ Then with c3 34 BRICKLAYING, G, as centre, and c as radius, cut the perpen- dicular in D ; this is the point to which the lines are drawn to get the proper skewback. It is then necessary to measure the bricks to see how they will work. If 3 inches, set oS 1| inches on each side of the centre line e d, and draw lines to the point d, as shown : this will giye the shape of the moulds of which there ought to be three, a quarter of an inch thick, and about 18 inches in length. If the arch is to be 1 foot in depth, and in proportion if more or less, then mark them all at about 3 inches from the narrow end. Fix one of these upon the centre line, as shown at A, so the line above mentioned shall be exactly at the sofl&t-line of the arch, and then trace the other two alternately towards the skew- back, keeping each line on the moulds to the soffit-curve each time. If the last mould does not meet the skewback exactly, it must be raised or dropped down until it does; then mark each course, and the joint must then be allowed as before stated. The bevels must be taken for each course, and marked on the mould ready for working; one bevel will answer for soffit, cross-Joint, and top of each course, if it is reversed for the two last named. But perhaps it would be best to leave the tops and cut them when setting the arch, for very often mistakes are made in taking the length of the courses with the template. The bond of the camber arch is the same as the quoin of a DRAWINO, CUTTING, AND SETT! arc common wall of Flemisli bond, onlj level and the quoin is upright, alway^sqjeeaem^^ bering to work from the soffit, as shown bytETe two courses at c, Fig. 25. The Gothic Arch (Fig. 26) is much easier to construct than the ca?7iber, owing to its having a shorter radius. Set out the extent of the arch at a b on the horizontal line, then with a for centre, and the distance a b for radius, describe the arc c b ; then with AE as radius and with the same centre describe Fig. 26a. the inner arc d e — this forms one side of the arch ; then with b as centre, and same radii used for the first half, describe the second. Divide the outer curve into courses according to the size of the bricks, and draw the lines to the point A as shown, taking care in dividing out the courses that half a course shall be on each side of the perpendicular line at c, to answer for key- brick. The bevel once set will answer for the 36 BKICKLAYING. whole of this arch, the same as the semi-circular. There are different ways of forming the key of this arch, hut the one shown is considered the best. Sometimes the Gothic arch is cut as repre- sented in Fig. 27, but it is very seldom, on 1 1 \/'y / \ 3 Fig. 27. account of the extra work in soffiting the bricks, for in this case each course must be cut to a sepa- rate bevel. But the lines for each course are drawn to the centre o, instead of the opposite springing, as Fig. 26. A Reduced or Modified Gothic. — To draw this arch it is necessary to draw the chords a b and b c. Fig. 28, from the springing to the crown ; bisect A B and B c at D and h ; and from these points of bisection draw the lines to the points o o with the setsquare. And upon these lines the points are taken to strike the arch according to the rise required above the chord. The outer i^rcs are then divided into courses and lines drawn to the points o for the size of the mould, if the arch is to be cut in the same way as Fig. 26. But if it DRAWING, CUTTING, AND SETTING AKCHES. 37 :s to be "keyed in'' with an upright key, as Fig. 27, the lines must be drawn to the centre e. Fif?. 28. The method of drawing and taking off the moulds of the arch shown in Fig. 28, applies to any Gothic, whether greater or less than the regular equilateral arch. The EUi2)se Gothic (Fig. 29) is rather more diffi- cult in the working than the generality of Gothic arches, owing to the diiferent striking points. To draw this arch, let the distance a b be set off equally on each side of the perpendicular line ; then di^ade it into four equal parts by marking the points c d, and with d as centre, and the distance d b as radius, describe the arc from b to E, mark the point b e equal with b d, draw the chord F E, and bisect it at g, from which point draw a line with the setsquare to any point o, and upon this line the centre is taken to draw the upper portion of that side of the arch as shown ; 38 BRICKLAYING. the soffit curves are obtained in the same way. After the lines a f e b are drawn, they can be made to answer either for soffit or extrados, by striking the other parts greater or less than those named ; in this figure they represent the outer F Fi^. 29. ring; but the centres will do for either. The moulds for this arch are taken in the same way as those in the camber^ Fig. 25 ; that is, it must be traced over with the moulds, so that each course shall be exactly of one size, and the bevels must be taken separately. It is of the greatest importance that the work- man should practise drawing this arch until he is thoroughly acquainted with every part ; for very DRAWING, CUTTING, AND SETTING ARCHES. 39 often he may require quite a different kind of ellipse Gothic to the one here described, and by his understanding the principles of this one he will be better able to reduce or elevate them to suit his requirements. Perfect accuracy in all good brickwork cannot be too much impressed upon the mind of the bricklayer, and more par- ticularly in drawing and cutting arches. Fig, 30 represents a semi-ellipsis arch, and is a great deal like the ellipse Gothic, the only dif- ference being in the crowns. But the drawing is quite different. In drawing this arch, divide the span into three equal parts, as shown at a c d b, then, with d as centre and d b for radius, describe the arc from b to e equal to d b, and the same on the opposite side to f ; then, with d for centre and the distance d c for radius, describe an arc cutting the perpendicular line in g ; and from this point, with the distance g f, describe the arc F e : the 40 BRICKLAYIXG. outer curves are taken from the same centres, only with a greater radius. To get the moulds correctly this arch must be traced over in the same way as the camber and ellipse Gothic ; that is, take the thickness of the brick and set it equally on each side of the centre line at H, as shown ; then draw the lines to g ; this will give the size of the mould very nearly ; then, if they are worked alternately down to the springing-line, it will easily be seen where they want easing, should they require it. The bevels are all taken separately for each course. Another method of drawing this arch is shown in Fig. 31. Take the distance a b, that is, the Fig. 31. span and also the depth of the arch, and set it off equal on each side of the centre line ; divide this into three equal parts by marking the points 0 and D ; then, with d as centre and d c for radius, describe an arc cutting the upright line in e. From this point draw a straight line through n to any point F, and another through c to H ; then with d as centre and d b for radius describe the arc f b, and DRAWING, CUTTING, AND SETTING AECHES. 41 take c for centre and same radius for the opposite ellipse A H, and, lastly, e for centre and e h for radius, to describe tlie crown h f. The soffit-ring is drawn from the same points. It is thought by some that the moulds can be taken by drawing lines as shown from divisions on the outer curves ; but it is evident the bricks in the arch cannot be all of one size and shape if this is done, although there is little doubt the arch is stronger that way, owing to there being a better skewback at h and f for the crown than there would be if each course were cut to one mould ; it is unnecessary to say this is the easiest method. But the appearance is not so good, for it is an understood thing in the trade that all courses of an arch should be of one size. c D Fig- 32. The Wheel Arch, or BuWs-eyc (Fig. 32).— In this arch the outer circle is divided out in such a 42 BRICKLAYING. manner that each line, a b, c d, shall be in the centre of the course ; or, in other words, that each of these points shall show a key brick, in the same way as one key is shown in the semi- circular arch. Where two or more arches are set close to- gether, saddles ought always to be cut, as shown at a and b (Fig. 33), and not a continual Fig. 33. straight joint from c to d ; for although this is often done, there is no bond between the two arches. In all arch cutting the T bevel is by far the best to use, for by reversing, it frequently answers the purpose of two. MoijLDIXG. It has been already stated that moulding is also included in what is called gauge-work. And of late years there has been a very great deal of this work done, particularly in and about London. St. Pancras Station of the Midland Railway may be taken as a fine specimen. In many places this is done by simply making a template the forai of the brick required, and marking the brick, first on one side and then on DRAWING, CUTTING, AND SETTING ARCHES. 43 the other, and so cutting or rubbing it down to these marks. But for moulding birds' mouths, splay, bulls' noses, and, in fact, almost any kind of work, it will be found much better if a box is made that will hold three or four bricks, either flat or on edge, as they may be required, taking care that the ends are both alike, and the exact shape of the brick required. If this method be properly worked it will be found very accurate, and done with a great deal less labour. The boxes for this purpose are usually covered with tin or sheet-iron to protect the wood from wearing away while working the bricks ; if not, the moulds are very apt to get out of their proper shape and so lead the workman wrong. Even with this precaution, it is very necessary to try them sometimes to see if they are correct. When bricks are moulded for arches, it is best to mould them first and cut them to the shape required afteawards ; for should they be cut first and then moulded the brick is often broken, and all the labour upon it is wasted. But it must be remembered that when the bricks are moulded first the sofiit is not touched afterwards, or otherwise the bead, or splay, or whatever it is, will be rubbed out of shape. Therefore the brick must be brought down to the required bevel by rubbing down the side or *'bed," so as to bring it thinner at the soffit end. This is called soffiting the brick from the side; and all bricks properly worked this way will go together equally as well as if tliey were bevelled 44 BRICKLAYING, from the end, in the same way as arches that are not moulded. It has been said that where a great many arches are required, all of one size, either plain or moulded, it is best to send the moulds to the brickyard and have them cut while the earth is soft, and so burnt to the shape required. But if this is tried it will prove a total failure, for it is impossible to burn bricks with the accuracy re- quired for gauge work ; and it is always found to take almost as much labour in bringing them to proper order as it would have done to cut the bricks in the proper manner at first. Let the bricklayer be careful to turn out his work in such a way that it shall reflect credit upon himself, and his employer will soon see which is the best and cheapest method of cutting gauge-work. Setting. It has already been said that cutting is considered the most important branch of the trade, and to a great extent this is right. But it must be re- membered that, after the work is cut, there is almost as much skill required in setting it. For it very often happens that a vast amount of labour and skill is expended upon work while in the "cutter's^' hands, and directly it is taken on to the building the beauty of it is all destroyed through che carelessness or inability of the setter. On the contrary, bad cut work is often made to look well through nothing but the skill of the setter. DRAWING, CUTTING, AND ^fp?IN^Sp>f RCH^^v^ Therefore it is very necessarj should be equally well understds gauge-work of all kinds, it is iiecesl5«iry^to^t^e the thickness of the courses, and gauge the centre upon which the arch is to be turned ; and this is done by taking the thickness of the brick and joint at the soffit. Each course should be marked on the centre from the key brick downwards. Never gauge from the springing or the skewback, as this often leads to mistakes when setting the arch. The soffit of each course ought to fit the centre perfectly ; and in order that it should do so and that the courses should come in right at the key, it is often necessary to have a radius line ; that is, a nail should be driven into the ledge of the centre at the point o (Fig. 23), for instance, and a piece of string fastened to it, and drawn up to each course of the arch as it is set, in the same manner as the line o d is drawn. This will pre- vent the setter getting his work too high or too low at the extrados of the arch. If this is not done he is working at random, and will very likely have to make his bricks smaller, or, other- wise, his bed-joint thicker when he gets to the key ; thereby depriving the arch of its strength, and so causing a settlement when the centres are struck. Gauged arches, as a rule, are set in grey lime putty, brought to the consistence of cream. This is put into an oblong wooden box, about 2 ft. by 1 ft. 9 in. deep, for the setter to dip that side of the brick where the bed-joint is r^auired. 46 BRICKLAYING. But in doing this care must be taken that the bricks are neither too wet nor too dry ; also that the putty is of such a thickness that it will give the brick just such a joint as the work requires : of course the brick should be held in the putty until it takes up the joint. If each course is bedded regularly throughout its thickness, the joint will be full and even on the face of the arch ; and should it project a little, which is often the case, it ought to be left until the building is cleaned down, then they can be rubbed off level with the brides, and so leave the face of the arch perfectly regular. This method only applies to gauge-work. Axed Woek Is usually set in Portland cement ; and this is sometimes mixed with a little putty to make it work better; the brick is then buttered with the trowel and not dipped as gauge-work. By being buttered is meant a small portion of the cement drawn on the edges of the brick, and the middle left hollow to receive the cement grout which is run in after the work is set ; the joints are then raked out to receive the tuck pointing, which is done after the building is up. Whenever there is a long range of arches, one ought not to be set separately ; but a line drawn the whole length, so that when all are set, they shall be perfectly straight one with another. Pointing of all kinds of work is another very important branch which the bricklayer has to deal with, and is more in practice at the present day than ever before, both on account of its cheapness and also its appearance. These may be classed under two heads — Tuck-pointing and flat-joint pointing. The first is of the most importance, and also requires the most skill, not only in the different methods of preparing and using the material, but also in preparing the work. Stock icork ivith the ichite joint is most general in London ; and the first thing necessary is to mix the pointing stufi-. It is often thought best to colour the work, even if it is a new building, to bring all the bricks to a uniform colour, because some bricks are much darker than others, and therefore have a bad appearance when finished. This colour as a rule is made with green copperas in the proportion of one pound of copperas to five gallons of water ; but in all . cases it should be tried first upon some bricks placed in the same position as the front which is to be coloured ; that is, if the front face the south, place the bricks towards the same quarter, as it is often found that work dried in the sun, and that which is dried ia the shade, are quite different 48 imiCKLAYING. Mix up as mucli colour as will complete the whole job, as two mixings might not be alike. The longer this copperas is kept the stronger it gets ; therefore if it cannot all be used at once, it is best to weaken it every morning by putting half a pint of water to every gallon of colour ; if this is not looked to, the last part which is done v/ill be much darker than the first. If the work is wetted before the colour is laid on, one gallon of colour will do 100 feet, more or less, according to the bricks and the season of the year. YeJIoiv Stojyjnng. — This is made with grey lime, putty, and fine washed sand, in the proportion of one bushel of the former to three of the latter, and will take about 2 lbs. of yellow ochre to each hodful of stopping. But of course the workman will regulate it to suit the colour of the brick. This also must be tried in the same way as the copperas, and in all cases let the stopping be a shade darker than the brick when it is dry. This will give the putty joint a better appear- ance when it is laid on. In no case should copperas be used to colour the stopping. White Putty. — This is generally made with chalk lime (because it dries much whiter than grey lime, and gives the work a better appear- ance), and silversand, or marble dust ; the latter should be used whenever it can be obtained, on account of its giving the joint a beautiful glaze. It is usual to heat the pieces of marble until they fall to a powder, then screen it through a very fine screen or sieve before mixing it Vv. DIFFERENT KINDS OF TO^INGC\ ^49 with tlie lime. But silver sand is mor^ generally used. The lime is slaked and sifted through a fine sieve. Sometimes oil or size is mixed with it to make it work better, and also to give it greater binding properties ; but this must be done while the lime is hot and dry, and one pint of either to half a bushel of lime is enough. If chalk lime is used, one peck of silver sand is sufficient for half a bushel of lime ; but if grey lime is used, it will take double that quantity of sand. If work is to be pointed, it must be well cleaned down from top to bottom, and well rubbed with pieces of the same brick as the wall is built with ; this will give the work a level surface. Brush off all dust, and wet it well, then follow with the colour and give it one coat throughout ; if it should require two coats, let one get well set before the second is laid on ; but if it only requires one coat, the work is ready for the stopping. It is usual to do this in lengths of about 8 feet; this is about the length that two men will work when laying on the fine stuff; and if this is taken for the length and 5 feet for the height, it will be quite enough at one time. We sometimes see houses stopped in from top to bottom before ever a putty joint is laid on ; but the man who does this evidently knows but very little about tuck-pointing, for, whenever this is done, the stopping gets so dry and hard that the putty will not combine with it as it ought, and it will fall off in a very short time. 50 BRICKLAYING, The work is also so besmeared with the white stuflf, that it has more the appearance of being plastered than tuck-pointed. When the length, as before stated, is stopped in, it is usual to rub it well with a piece of dry- sacking, or something of that kind, to give the stopping and bricks the appearance of being one uniform block. Brush off all dust, and, if neces- sary, damp it with the stock-brush carefully, so as not to disturb the stopping; then gauge the joints at each end of the rule ^s a guide for holding it, so that each course is of the same thickness, and each joint perfectly level through- out. This gauging must be applied to all work, whether yellow, white, or red, and it would be best to have a gauge-rod expressly for this pur- pose. The cross-joints should be perfectly plumb from top to bottom of the building. The rule that is used to lay on the bed-joints (if it is done with the jointers) is about 8 feet long, 5 inches wide, and about J inch thick ; and there ought to be two or three pieces of cork a quarter of an inch thick nailed on to the back, to keep the rule from the work, so as to allow room for the waste putty that is cut from the joint to fall clear to the ground. The fine stuff is spread upon this rule, and afterwards taken off it with the jointer and laid on the work that is stopped in, according to the rule when it is held to the gauge-marks. After this the rough edges are cut off with a knife, or Frenchman/' as it is called. This is the process for yellow or stock- work pointing. DIFFERENT KINDS OF POINTING. 5] Red bricJcivorJc is treated in many respects quite differently. The colour used for this is composed of 1 lb. of Venetian red, and 1 lb. of Spanish brown to 1 J gallons of water ; but it ought to be tried in the same way as copperas. This colour has no setting properties, therefore it is necessary to mix something with it that has, or else the first shower of rain will surely wash it off. One of the best things to use for this purpose is white copperas. This must be dissolved in warm water, and 1 lb. will set about 3 gallons of colour. Alum is also used in the same propor- tions ; and sometimes half a gallon of stale beer to the same quantity of colour for setting. Bed Stoppmg is composed of 1 part of grey lime to 3 parts of fine washed sand (red sand would be better, as it would take less colouring). This is coloured with Venetian red and a small portion of vegetable black. But in this case no propor- tions can be given as there are so many different kinds of red brick, and the colour that would suit one would look very badly if applied to an- other ; therefore it is best for the workman to try these colours, and match them with the bricks before he begins to point the real work, and in all cases mix enough for the whole of the point- ing, allowing three hods of stopping to 200 feet of work. This class of work is done in the same way as stock-work, the only difterence being in the using the colour. Red work is coloured throughout first,, and then a second coat is laid on after it has V2 62 BRICKLAYING. been stopped; this is done very lightly, so as not to rub up the stopping. But in stock- work, colouring over the stopping should never be done, for the copperas being so strong it will bring out a white hue, and make the stopping almost as white as the putty joint, giving the whole of the work a very bad appear- ance. The putty for red work is just the same as that used for stock- work. White Brichcork. — When the bricks used for this work are sand«made, they only require well rubbing down before pointing ; but should there be any flesh-coloured ones among them, it is best to leave the dust on the face after rubbing it, and give the whole a coat of alum-water ; this will set the dust so securely on the face of the bricks, that no quantity of water will wash it ofi*, and will give the whole front a regular appearance. This is made with 1 lb. of alum dissolved in 3 gallons of hot water ; and if it can be laid on the work when warm, so much the better. The stopping for this kind of work seldom wants any colouring, the sand making it sufli- ciently dark to match the bricks. There are three sorts of putty used for this work ; white, black, and sometimes red. The method of mixing the first has already been explained, therefore it is unnecessary to repeat it. Black Putty requires J bushel of grey lime, slaked and finely sifted ; 1 J bushels of very fine washed, or silver sand and 12 lbs. of lamp-black DIFFERENT KINDS OF \^ or vegetable black : the last named is nhyjt easiej to mix with, the lime and sand. Care musTlbe taken that these are well worked into one another, if not, the joint will have a bad appearance when laid on the work. Heel Putty. — This is made in the same way as the black, only the colouring is diflferent, this being done with Spanish brown. But, as in red stopping, the colour must be mixed to the shade required. It is not always necessary to colour brickwork ; and if the bricks are all of one colour, such as Suffolk whites, best reds, or malms, it is much better not to do so. But if, on the contrary, the bricks are inferior, they cannot be brought to a uniform colour without it. . The putty-joint in all tuck-pointing ought not to exceed a quarter of an inch in thickness. Arches of all kinds, except those that are gauged, are pointed in the same way as plain brickwork, but the joint ought to be smaller. Old Briclacork. — When this is repointed all the old mortar must be raked out of the joints. The whole front is then well rubbed with pieces of brick to clean off the grease and dirt, and well swept down with a hard broom perfectly clean, so that the colour may enter the face of the brick, and after this, it is given two coats of red colour or green copperas as the case may be, taking care tliat the first coat is dry before the second is laid on, also that both are dry before it is stopped in. 54 BRICKLAYING. The stopping in old work is generally smoothed down level with the face of the bricks with the trowel, and not rubbed in the way that new work usually is ; for very often it is stopped with brown or black stopping, if it is stockwork, and, of course, it would never do to rub it. FlaUjoint Pointing. — This is of three kinds. The first is laid on with the trowel and cut off at the top only with the Frenchman, to give the joint the appearance of having been struck when the bricks were laid. The second kind is cut off top and bottom, and is sometimes called half-tuck." And the third is simply done by filling up each joint flush with the brick ; then rub it over with a stock-brush or a piece of sacking, and next run a line in the centre with a jointer or anything that will mark it. Inside work which is to be whitewashed or coloured is the only work which is done with this kind of pointing. "Washed sand and lime made into a stiff mortar is the only pointing material required for flat-joint pointing, but the darker the sand the better, and in this case, as in all kinds of pointing, the work should be kept well damped, for upon this depends the soundness of the pointing. PAVING, TILING, USE OF MATERIALS, SECTION IV. PAYING, TILING, USE OF IMATERIALS, Etc. Paying. Brich-paving. — This kind of flooring is less used in London than it is in the country, as it is often the practice to lay the floors of dwelling-houses in many parts with this material ; but this is seldom done in the metropolis, unless it is the cellar floors, and these are usually done with the stockbricks ; good paviours and Dutch clinkers being used only for stables, coach-houses, &c. These are laid in various ways, such as brick-flat, brick-on-edge, and sometimes it is herringboned. Plain Paving is that which is laid in parallel courses. This needs no explanation further than c 0 — £_ F 0 A Fig. 34. that which will be given in connection with the other kinds. But herringbone paving, Fig. 34, will be found much more difficult, both in setting out and also after it is set out, in the working. 56 BRICKLAYING. The first thing that must be done is to get the floor-line, at any point such as a, and, if necessary, drive a stake into the ground as a starting-point to take the levels from. From this point level to each corner of the room, taking care to reverse the level every length, for very often the level is not correct, and the work is thereby thrown out. But if this is done it cannot happen. After the levels are taken, the ground must be dug out deep enough to receive the brick and its bed below the level line; if this is brick-flat, 3 inches will be enough, but if on edge, it will take 5 inches ; then with a pair of lines lay a temporary course of brick, as shown from d to c and from a to b, and the line is drawn to these courses to keep the work level on the surface and also to show if the points of the herringbone are correct, as shown by the line E r. No bricks ought to be cut against the straight temporary courses, but leave them as a toothing to be filled up afterwards. All diagonal joints should cut in a line, in the same way as those explained in Figs. 7 and 8, and those figures will serve for a guide for brick-on-edcfe paving, Fig. 34 representing hrick-flat only. But the straight temporary courses are laid for all sorts of brick paving. Tile-paving is very much in practice, both plain and ornamental, notwithstanding the great quan- tities of asphalte Portland cement and York paving used. These tiles vary in thickness from two inches to three-eighths of an inch. Plain tiling is generally done with tiles, 12, 9, and PAVING, TILING, USE OF MATERIALS, ETC. 57 6 inches square ; and these are laid in parallel courses with one side of the room, yard, or surface that requires paving. Should the tiles be of dif- ferent colours, it is usual to lay them diagonally, so that the different colours form diamonds. The methods of executing this kind of paving are much the same as the others. But for very thin or ornamental tiling the whole surface is screeded perfectly level with Portland cement mixed with sand ; and when sufficiently hard, the tiles are laid with a thin bed of pure cement, according to a design ; by frequently aj^plying the straight-edge, the work will be brought to a uniform surface. Tiling. Roofing-tiles. — These are of two kinds, 2olain tiles, which are quite flat, with two holes near the head of the tile, through which oak pins are placed, and by this means the tiles are laid or hung to the laths of the roof; and pantiles^ which are much larger. These are hollow, or curve- shaped, and are hung on the laths with a project- ing ear, which is called the nob of the tile ; and each course overlaps the previous one with a roll. This tiling is done much better in the country than in London, owing, in a great measure, to the tiles being made with greater care, and better shaped. If this work is properly gauged, the courses ought to fit perfectly close one to the other, so as to prevent the wind getting under them and lifting them off. d3 58 BRICKLAYI>'G. In preparing tlie roof for tiling, it is necessary to lath it with, inch laths. These are called j^f^n- tile laths. To do this, each outside rafter (that is, the rafter that is nearest to each gable) should be gauged out according to the gauge of the tiles. This is done from the eaves to the ridge, taking care to allow for the eaves projecting over the wall- plates, so as to carry off the water. This is easily ascertained by fitting a tile on to the eaves before gauging the roof.. Xails are then teraporarily driven into the rafter at each length of the gauge, and to these nails a line is drawn, as a guide line for lathing the roof. ^Yhere these tiles are used for dwelling houses, each space between the pantile laths is covered with small laths, and these are covered with a bed of mortal:, to answer for a bed for the tile, and also to keep out the wind ; but in common tiling this is not done, as pointing the tiles inside answers much the same purpose. The roof ought to be gauged out lengthways also, the width of each course, so as to finish exactly even courses at the gable. For not unfrequently we see roofs covered at random, and finished with a broken or cut course against the gable, and this will generally be found to be the first place where the water penetrates through, thereby causing a great deal of injury to the roof, ceilings, &c. Plain Tiling is worked much in the same way; but of course the gauge is less. They are some- times hung with two little nobs instead of pins. In plain tiling', the roof needs only to be gauged PAVING, TILING, USE OF MATERIAtS, ETp;) from the eaves to the ridge; the guide Ipjxg ways is simply to keep the second cours- bond on the first, and so on throughout the roof. The setting of ridge-tiles needs no explanation, as it is only necessary to keep them level and straight along the ridge- tree ; the different gauges will be given further on. It is the practice in buildings of any import- ance to construct fireproof floors, and this is Fig. 86. sometimes done by turning brick arches upon wrought iron girders as shown in Fig. 35. But of late years it has been found that plain tiles will answer this purpose equally as well as bricks, without the disadvantage of being so heavy. Not only that, but the depth of the girder can be greatly reduced, for often where a 6-inch girder would be required for brick arches, those 3 inches in depth would do for tiles, so saving the 3 inches in the thickness of the flooring. And not only fireproof floors, but many flat roofs have been covered with two or three courses of tiles, either Fig. 36. laid flat upon the girders, as shown in Fig. 36, or arched as Fig. 35 ; but by all means let them break joint. The tiles should be well wetted, and the finer the sand used with the cement for 60 BRICKLAYING. bedding them the better. This construction of floors, &c., although appearing yery slight, will carry an immense weight, if the cement used is of good quality. SCAFFOLDIXG. One of the principal things necessary to the carrying out of a building is the scaffolding, and great care ought to be taken in selecting the men that are to do it, for upon their care and foresight often depends the lives of the other men engaged on the work. Scaffold- ing in general use lor brickwork consists of standards, ledgers, putlogs, and boards. The standards and ledgers are of fir, and of yarious lengths up to 60 feet, and are about 7 inches diameter at the butt end. Foreign poles are much better adapted for scaffolding than English, on account of their freedom from knots, and their being thinner according to the length. Putlogs are usually made of birch 4 inches square by 6 feet in length. Cords and wedges are used to fasten the standards, ledgers, and putlogs in their proper places. Standards are placed up- right about 5 feet from the wall and 10 feet apart throughout the length of the building. The ledgers are tied up horizontally to the standards to support the putlogs ; these are placed crossways with one end resting on the ledger, and the other in the wall, and upon these putlogs the boards are laid to complete the scaffold ; the latter are of different lengths up to I»AVTNG, TILING, USE OF MATERIALS, ETC. 61 14 or ] 6 feet ; in no case should scaffolding be used if it is rotten, or likely to break ; it some- times happens that the butts are decayed a little and the other parts of the pole perfectly sound ; in this case it is best to cut off the bad part. The standards should be let into the ground about two feet, and the earth firmly rammed round them, to keep them upright ; and where the soil is soft, pieces of brick or stones should first be rammed in the bottom of the hole, to keep the pole from settling down when the scaffold is loaded ; for should the poles sink the putlogs will act as levers and overturn the wall. When one length of poles is not suflScient, two are lashed together, top and butt, and diagonal braces are then fixed, to prevent the scaffold from moving in any w^ay. Relieving Arches. All openings in walls for doorways, windows, &c., where wood lintels are used as attachments for internal fittings, should be arched over with relieving arches throughout the whole thickness of the wall. And the springing of such arches ought always to be beyond the end of the lintel. If beams of any kind or joists are to be built into the w^alls, it is best to leave recesses for the timber, so that the brickwork is not built upon it, as it is liable to lead to settlements, and frequently the cause of the fronts of houses being bulged out just where the joist runs into the inside of the wall. When iron girders enter brick walls to support 62 BRICKLAYING. fireproof floors, iron bressummers (to support the other \\ork over shop fronts, &c.), York stone templates are bedded in the wall for the ends of the girders to rest upon, so as to distribute the weight over as large a bearing-area as possible. Bakers^ Ovexs. To construct a baker's oven to heat with coals : the size of the base having been arranged, it should be carried up to the height of the furnace door, and the ashpit left according to the width of the door and the length of the furnace-bars, allowing for the door being set 4J inches from the face of the brickwork. Let the frame and door be about a foot square, like the furnace-door of a copper, and the bars about 20 inches long, and level with the bottom of the oven and of the door. Let the flue be about 16 inches square, for the fire to shoot into the oven from the shoulder where the furnace is straight across to the opposite angle of the oven, and by the fire catching the crown in its course it will spread all round. Let a register be fixed in the flue, and the copper five or six inches above the furnace, not so as to get too hot, for it is usuallv icarm water onlv that is required in a bakehouse. A register should be fixed within a little of where the flue enters the oven, and rise slanting ; which, being stopped when the oven is hot enough, leads into the chimney flue. The general rise of the crown above the floor is from 18 to 20 inches. Sometimes the oven is con- structed without the copper. And perhaps it is PAVING, TILING, USE OF MATERIALS, ETC. 63 the best plan ; for it is certain the two will act better apart than they do together ; but of course the latter is a little the cheapest as regards fuel. But in building ovens, as well as many other things, the work is done according to the situa- tion and the owner's convenience. At all events, the side walls, from which the crown of the oven springs, ought not to be less than 2 J bricks thick, and the crown springing from about 9 inches above the floor. The angles should all intersect, and all be laid with as close joint as possible. When the oven is domed,'' spread some sand on the top, so that when the work gets dry the sand may fill up any cracks. Smoky Chimneys. The causes of these are so various, that it is impossible to lay down any general rule as a cure. But perhaps the following remarks may be found useful : — The evil is generally in the construction. The flues are often too large or too small, or otherwise the chimney-shaft is not carried up high enough to prevent the wind from blowing over the roofs adjoining, and so the smoke is prevented from rising. And again, it is not unfrequently we see pots placed upon the chimneys of a house all of a uniform size and shape. It matters not whether the flue leads from a draw- ing-room fire or a kitchen, while perhaps the latter produces nearly double the smoke of the former ; the result is, the kitchen chimney 64 BRICKLAYING. smokes, owing to the flue being cramped up at the top. Another cause of kitchen chimneys smoking, is when other flues are connected with them ; for instance, when cooking apparatus is fixed in a kitchen, it is thought well to connect the flue with the flue from the kitchen-range ; and this is usually done about 2 or 3 feet above the fire- place. This may answer very well if the two are always in use at the same time. But, should the kitchen fire alone be required, it is very likely the cold air from the flue of the apparatus will enter straight into the kitchen-flue, just at the entrance of the shaft, and prevent the smoke from rising. The author has proved the whole of these evils, and therefore knows them to exist. No chimney-flue of a dwelling-house ought to be less than 9 inches by 14 ; and the kitchen flue ought to be 14 inches square throughout the entire length of the chimney. The shaft ought to be carried up above the highest part of the roof ; and if chimney-pots are used, they ought to be all of one height, and the area of the end of the pot equal the top of the flue. In building the flues, turn them first one way and then the other, so as to prevent the rain from falling down the chimney, and also to give it a sharper draught. But care must be taken that the flues have the same room for the smoke. PAVING; TILING; USE OF MATERIALS, ETC. G5^ To give the proper light, neither too much nor too little, multiply the length of the room by the breadth, and that product by the height, and out of this extract the square root, which root will be the space to give the proper light for the room, and may be divided into as many windows as the room will allow. Suppose the room to be 22 feet long by 18 feet wide, the product will be 396, and multiplied by the height, 11 feet, the product will be 4,356, whose square root is 66, which will be the area of light space of the room, and may be divided into 3 windows of 22 feet each. This is thought to be the best rule for the purpose. A rod of brickwork laid 4 courses to 11| inches requires 4,530 stock bricks. A rod of brickwork laid 4 courses to the foot, 4,350 bricks. N.B. — 420 stocks weigh about 1 ton, and 460 go to a cubic yard. The usual allowance of brick to a rod of brickwork is 4,500, allowing for waste ; and the usual allowance for lime for a rod is 1 hundred and a half, or 37 bushels, if good, and sand 2J loads. But, of course, this is beyond what it really takes for ordinary buildings ; but some require a great deal more cutting, and so a greater quantity To Proportion Windows to Rooms. Materials, their Use, etc. 66 BRICKLAYING. of bricks are spoiled. For dwelling-houses, &c., 4,300 to a rod is sufficient. If laid dry, 5,370 bricks to the rod. And in wells and circular cesspools, 4,900. Should there be any odd feet in the calculations for buildings in general, it is usual to reckon. 16 bricks to the foot standard thickness. A rod of brickwork, laid 4 courses to the foot, contains 235 cubic feet of bricks and 71 cubic feet of mortar, and weighs about 14J tons ; but, of course, this depends upon, the bricks, whether they are wet or dry. A rod of brickwork measures 16| feet square, IJ bricks thick (which is called the reduced or standard thickness), or 272 feet 3 inches super- ficial; or 306 cubic feet, or 11^ cubic yards. These are the measurements in general use. But sometimes 18 feet are allowed to the rod, that is, 324 square feet ; and also the rod of 21 feet long and 3 feet high, that is 63 square feet. In this case no regard is paid to the thickness of the wall in measuring. But the price is regulated accord- ing to the thickness. Nevertheless, all calculations in this little work will be to the rod of 272 feet 3 inches. A rod of brickwork requires IJ cubic yards of chalk lime and 3 single loads of sand, or one cubic yard of grey lime and 3| loads of sand, or 24 bushels of Portland cement and 48 bushels of sharp sand. A cubic yard of mortar requires 7 bushels of grey lime and 23 bushels of sand. PAVING, TILING, USE OF MATERIALS, ETC. 67 Lime and sand and also cement and sand lose one- third of their bulk when made up into mortar ; therefore the proportion of mortar or cement when made up is to the lime and sand or cement and sand, as when dry, 2 to 3. Lime or cement and sand to make mortar require as much water as equals one-third of their bulk. A standard yard of brickwork laid 4 courses to the foot, requires f bushel of cement and bushel of sand and 150 bricks. One barrel of cement, containing 6 bushels, cask included, weighs about 3J hundreds. A yard of 9-inch wall requires i bushel of cement, 1 bushel of sand, and 100 stock bricks. 4|-inch facing requires 7 bricks per superficial foot. 4|-inch gauged-work requires 10 bricks per superficial foot. Brick noggin g per yard superficial requires 30 bricks on edge, or 47 laid flat. 30 hods of mortar equal one load. A measure of lime is 27 cubic feet, and contains 21 striked bushels. 27 cubic feet, or one cubic yard, is called a single load ; and two cubic yards a double load. A hundred of lime is 25 bushels. The weight of a bushel of well-burnt chalk lime is from 36 to 38 lbs. ; and grey stone lime from 46 to 59 lbs. Paving with bricks or tiles requires 1 yard of 68 BRICKLAYING. sand to every 12 yards, or if laid and grouted in with mortar, 1^ bushels of lime and 4 bushels of sand to 12 yards. Stock brick, flat paving, ,, on edge Paving bricks, laid flat on edge Dutch, clinkers, laid flat „ on edge 12-inch paving tiles 10-inch „ 6-inch „ Tiling. Description. "With pantiles . With plain tiles requires 36 per yard super. 52 36 82 70 140 9 AO 36 Gang-e in Number required inches. ^ per square. . 12 . . . 150 . 11 . . . 160 . 10 . . . 180 4 . . . 600 . H . . . 700 . 3 . . . 800 N.B. — These figures are quite near enough as regards quan- tities ; but as a rule the tiles are tried before the roof is lathed, to find the correct gauge, as they are of various shapes and sizes. A square of pan tiling requires 2 bundles of 5 ft. laths, and 1,000 of sixpenny nails, if small lathed. A square of plain tiling requires about 1 bundle of oak laths, 5 score to the bundle, 5 feet long — if 4 feet long there is 6 score, and if 3 feet long, 8 score, to the bundle; 450 nails ; 3 hods of mortar, or lime and hair ; and, if the tiles are hung with pins, between half a peck and a peck will be required ; oak pins are those usually used. All pantiling is executed by working from the eaves to the ridge each course, and from the right-hand end of the roof to the left. But plain tiles are hung in horizontal courses the whole length of the roof from right to left. Flat plain tiling for floors, flat roofs, &c.; if PAVING, TILING, USE OF MATERIALS, ETC. 69 two courses thick, 420 tiles, 3 bushels of Portland cement, and 6 bushels of sharp washed sand for a square superficial; and 210 tiles, 1| bushels of cement, and 3 bushels of sand for every extra course. A measure, yard, or load, of lime, sand, or earth is 27 cubic feet or 21 striked bushels. A chaldron is 41 cubic feet, and contains 32 bushels. A labourer's hod measures 1 foot 4 inches by 9 inches by 9, and will hold 14 bricks, or three- quarters of a cubic foot of mortar or cement. The following is a table of sizes and weights of various articles used by the bricklayer : — Description. Len ^th. Breadth. Thick- ness. Weight. ft. in. ft. in. ft. in. lbs. ozs. Stock bricks, each . . 0 9 0 0 H 5 4 Paving „ „ . . Dutch clinkers, each . 0 9 0 0 If 4 0 0 ^1 0 3"' 0 H H 1 8 12-in. paving tiles, each 0 llf 0 111 0 13 0 10-in. „ „ 0 H 0 n 0 9 0 9-in. „ ., 0 H 0 H 0 1} 7 5 Pantiles, each . . . 1 2h 0 9.^ 0 5 4 Plain tiles, each . . . 0 11" 0 0 H 2 5 Pantile laths per 10 ft. ) 120 0 0 0 1 4 6 Ditto per 12 ft. bundle U-i 0 0 n 0 1 5 0 (N.B. — A bundle con- tains 12 laths.) Plain tile laths per ) 500 0 0 1 0 Oi 0 12 (30 bundles 1 load.) A square of pantiling requires 1 bundle of pantile laths 12 feet long, and 144 2-inch nails. 70 BRICKLAYING. SECTION V. SLATER AND PLASTEEER'S WORK. In many parts of the country the slater's business, &c., is done by the bricklayer. And where such is the case, all materials for shelves, cisterns, baths, lavatories, &c., are worked by the stone mason ; for, as a rule, there is not sufficient work in small towns to keep a slater exclusively for that busi- ness, and in many country towns and villages slates are not used for anything but the covering of roofs. As a general rule, all men in the build- ing trade understand what tools the slater uses, and also what they are used for ; therefore it is quite unnecessary to describe them. It is best in all cases, if possible, that the quan- tity of slates required for the roof should be brought to the building before the slater begins to work ; then ho will see the whole of them, and sort them out accordingly : this is done by divid- ing the slates into three thicknesses, — these are thicks, middlings, and thins ; this is done so that the thickest slates should be at the bottom, the middling ones next, and the thinnest nearest the ridge ; it is also essential to the soundness as well as the appearance of slating. After this they are all dressed to one size, and the edges trimmed perfectly straight, gauged, and the holes made. The upper surface of a slate is called its back ; the under surface the bed; the top edge the head; SLATER AND PLASTEREr's WORK. 71 and tlie bottom the tail; tliat part of tlie slate which is exposed to view when hung, the mar- gin of the course ; and the width of the margin is the gauge ; the lap is that distance by which the tail of the third course overlaps the head of the first, as shown in Fig. 37. In some Fig. 37. cases the slate is fastened with the nails driven as near the head as possible ; but it will be found much better, both for the soundness and also appearance, if the nails for the second course are driven in just above the head of the first, because if the slate is fastened with the nails near the middle, it is evident the wind cannot have the leverage that it would if it were fastened at the head. The gauge of all kinds of slates used for covering roof will be equal to half the distance from the tail to the head, less the lap. For instance, suppose the lap to be 2 inches, and a countess slate 20 inches from tail to head, first deduct 2 inches, the lap, from 20 inches, the length, of the slate, this leaves 18 inches ; half 18 inches is therefore the gauge of a countess slate with a 2-inch lap^ 72 BllICKLAYlNG. After the slates are gauged, perhaps it would be best to lay one of them on the roof at the eaves, letting it project over for the drip, according to arrangement — this is generally about 3 inches ; and by so doing it will easily be seen where the first lath should be nailed on the rafters, and from the top of the first lath to the top of the second, and so on, is the gauge. The first lath at the eaves ought to be a little thicker than the others, so as to give the first course of slates its springing ; and the ends of the lath, at the gables, ought also to be raised up about three- eighths of an inch to throw the water ofi* ; if not, it will frequently soak between the cement fillets or under the lead flushing and so enter the roof. All slating laths should be from two to three inches wide and five-eighths of an inch thick. The nails used should be either copper or zinc. Iron nails are sometimes used, but they are very liable to rust, and so after a short time become of no use. All slates ought to be fastened with two nails. Doubles and Ladies are sometimes fastened with only one, on account of their smallness, but it is inferior work. The Welsh slates are generally considered the best, and are of a light sky-blue colour. West- moreland slates are of a greenish hue. It fre- quently happens, when roofs are covered with these slates, that the slater has to deal with those of various sizes, and of course this requires more skill, for he not only has to arrange them so that they shall break joint one with another, bat the SLATER AND PLASTEREft l^ 'WOl^V <>a-v lathing must also be gauged accordingly; > .Li | this case the largest and thickest slates are hmg,/ at the bottom, and the smallest and thinlresirm the top, nearest the ridge ; and a great deal of care must be taken in trimming and sorting them. The gauge is taken in the same way as other kinds of slating, that is, according to the length. The following is a table of sizes and gauges of roofing slates : — Names. Size. Gauge in Inches. Weight per Square. Number per Square. Length. Breadth Slates. Nails. ft. in. ft. in. lbs. Doubles . . 1 1 0 6 672 480 960 Ladies . . . 1 4 0 8 7 886 300 600 Countesses 1 8 0 10 H 657 180 360 Duchesses. . 2 0 1 0 712 130 260 Rags,Queens ^ and West- j morelands, )■ A square of these weighs about half a ton. of various | sizes . . J The methods of hanging slates vary according to the different situations and also the slates that are used. But in all plain work it is best, if pos- sible, to strain a line for the eaves' course, and so fix the slates to it ; also, to run each course hori- zontally throughout the length of the roof. This is done by gauging the margin of the course at each end upon the first course, and straining a chalked line from end to end, so making a mark E 74 BRICKLAYING. for a guide to get the second course perfectly straight and parallel with the first. When the roof is slated as high up as it is pos- sible to reach from the eaves, a scaffold is erected. This is sometimes done with a scaffold-pole, or a piece of quartering being hung from the ridge- tree with scaffold-cords. But it is much better to make it with hanging trestles in the form of an equal-sided triangle, with an iron hook at the top, so as to fasten it to the ridge with cords ; after which scaffold-boards are laid upon them. This will be a much more convenient scaffold than the previous one, and is easily raised or lowered as required. For all hips and valleys it is usual to fix the trimming-block to one of the rafters or somewhere convenient, so that each slate can be cut according to the shape required with- out the necessity of going off the roof. It is sometimes thought best to point slating inside with lime and hair ; but, certainly, if the slating is properly executed, this is unnecessary ; and if it is to keep out the little wind that would otherwise pass between them one would think they would be better without it, for we all know how very hot buildings that are slated usually are, particularly in summer time. Plasterer. The business of the plasterer chiefly consists in covering walls, ceilings, brick or wood partitions, floors, &c., with cements, limes, and plaster, in order to bring them to a uniform surface to re- SLATER AND PLASTERER's WORK. 75 ceive the painting, paper-hanging, or distemper- ing. This part is usually done by the bricklayer in small towns and villages, but in London it forms a separate trade. But the decorative por- tions of the finishing of buildings, such as run- ning cornices, mouldings, making and fixing centre flowers, &c., is almost exclusively done by the plasterer. All internal plastering, as a rule, is done with chalk lime, hair, plaster of Paris, and Keen's and Martin's cements. The following are the different methods of mixing these ma- terials : — Lime and Hair, or Coarse Stuff, — For this pur- pose the sand should be clean and sharp, and screened through a coarse screen or sieve. After this it is spread out in a circle to form a pan to receive the lime. This is mixed or slacked in a tub, and sufficient water is afterwards added to bring it to the consistence of cream, and is then run through a fine sieve into the pan formed with the sand. After a sufficient quantity is run out to carry the sand, the hair is thrown into the lime, and thoroughly raked about with a two- pronged rake, so as to part the hair and mix it well with the mortar. For this purpose bullocks' hair is generally used, and this should be well beaten with small laths, or else laid in water a day or two before it is mixed with the lime. The whole is lhea mixed up together, and allowed to lie for a short time before using. Fine Stuff, or Putty, is made of pure lime, and E 2 76 BRICKLAYING. is mixed in the same way as lime used for coarse stuff; but instead of running it into a pan of sand, this is run into a putty bin/' built with bricks according to the size required, and allowed to remain there until the evaporation of the water has brought it to a proper thickness for use : if the water rise to the top, it can be drawn off if required, and the putty will get dry the sooner. For lime stucco the sand is mixed with the putty according to the quantity required. This stucco, when left for painting, is left smooth from the trowel. When plaster of Paris is to be used for the purpose of setting either coarse or fine stuff, the mortar or putty is made into a little pan in the banker. The water is poured in, and afterwards the plaster, so that the latter is well soaked before it is mixed with the mortar. This is called gauged stuff, and is used for running cornices, mouldings, and in fact all kinds of work which ought to be finished by one operation. The various cements and other compositions made use of by the plasterer are very numerous ; but those principally used for inside decorations, are Keen's, Martin's, and Parian cements ; these are well adapted for plastering where hardness and beautiful finish are required ; Keen's cement is used for skirtings, dados, angle beads, &c., because of its extreme hardness. Portland, Roman, and lias cements are those generally in use for all external plastering ; and as regards quality and cheapness, Portland is decidedly the best. SLATER AND PLASTEHEr's WORK. 77 All enrichments, such as flowers or fruit cornices, centre flowers, &c., are first moulded in clay and afterwards cast in plaster of Paris, or made of papier-mache. The Operations of Plastering. — Almost the first thing the plasterer does is the lathing, so he can get all the woodwork rendered first, as this takes longer to dry than the brickwork. And for this purpose he uses single, one and a half, and double laths. These names denote the difierent thicknesses. The laths are generally of fir. Care ought to be taken that the thickest laths are used for the ceilings, on account of there being a greater strain when in an horizontal position than when upright. The first coat of plastering of coarse stufi" upon the laths of ceilings is called pricking up, and is used very stifi*, to prevent its dropping ofi* again. But the first coat on walls is the rendering ; the second the screeding, or floating, from its being brought to a level surface with the screeding rule and hand-float ; and the third or last is called the setting or fining off. The first coat is laid on rough, and afterwards scratched with a piece of lath, to form a key for the second coat. The operation of floating walls is perform( d by fixing upright stripes of plastering about 6 or 8 inches wide, and about 6 feet apart, if only one man is to work upon them ; these form the screeds : and the method of obtaining them is by setting small pieces of plaster at each angle of the wall that is to be plastered. These 78 BRICKLAYIXG. are called ^^dots," and the dot nearest the ceiling should be plumb with that nearest the floor ; after this a line is drawn along the ceiling from one to the other, and the intermediate ones fixed to it. Then repeat the operation with those dots nearest the floor ; these ought to be gauged with a little plaster of Paris, so as to make them set quicker ; the screeds may then be filled up, and floated level with these dots. The bays formed by the screeds may then be plastered with coarse stufl*, and floated perfectly level with the floating rule. The second coating of ceilings is performed in the same way, only one is upright and the other is level. In two-coat work the rendering and screeding are performed at one time upon brickwork. After the work has been brought to a level surface with the floating-rule, should there be any deficiencies caused by stones or knots of hair, they are made good with the hand-float. Sometimes it is thought best to either sweep the floated work, or else put a nail through the float, so as to project a little on the face of it, and then rub it over the work, and so give it a key for the fine stuff*. The fioating should be allowed to get hard, but not too dry, before the fine stuff is laid on ; at all events, unless the wall is in a damp situation, it ought to be sprinkled with water from the stock-brush. Fine stuff is some- times laid on with the laying-on trowel, and sometimes with the hand-float, at all events the latter is used to bring the fine stuff to a regular SLATER AND PLASTERER's WORK. 79 surface before it is trowelfed off. This is done by well rubbing it, either with the laying-on or gauging trowel, alternately wetting it with the stock-brush until a fine and smooth surface is obtained. Stucco, which is left smooth on the face, and gauge stuff, are treated in the same way. All work left from the trowel ought to be watched for a day or two, and if any small cracks are seen, they ought to be well wetted and trowelled over ; but these are seldom seen in stucco work, the sand preventing this to a great extent. Rough Stucco is sometimes used for halls, stair- cases, passages, &c. ; this is left from the float, und sometimes a little extra sand is put with the finishing coat ; but in other respects it is executed in the same way as smooth stucco. Laid Work. — This is simply a coat of coarse stuff laid upon brickwork, or lathing, to receive limewhiting or colouring, and is often done in cellars, outhouses, &c., where a better kind of plastering is thought unnecessary. If cellar ceilings are covered with this rough plastering, it prevents the wind from passing through the floor-boards to the rooms above, which is often very uncomfortable. But of late years it has become the practice to make the floors fireproof as well as airproof ; and this is sometimes done by pugging,'^ that is, lining the spaces between the floor-joist with concrete two or three inches thick ; and to receive this, fillets are nailed on each side of the joists, and a rough boarding ia laid upon them. 80 BRICKLAYING. Portland cement is used by the plasterer to a great extent for making floors, and there is little doubt of its answering that purpose if it is laid sufficiently thick, and the materials are gauged in a proper manner. For this purpose (as well as all others) the cement ought to be gauged with sharp sand, free from clay, in equal quantities, both for the first coat and also for the second ; for if the first coat is gauged with a greater quantity of sand than the second, they will not bind together ; besides pure cement swells more in setting than cement and sand does when mixed up together ; therefore if the finishing coat is made finer than the first, it will be very liable to blister, and so destroy the floor. The sand for the last coat ought to be well washed, and the two coats need not exceed an inch in thickness. In many parts of England, where there are plaster mills in the vicinity, it is usual to lay floors of that material. But this plaster is of a much rougher kind than that which is generally used ; in fact it is a sort of dross from the mills. These floors are laid about 2 inches or 2^ inches in thickness, and finished at one operation. A plaster floor of Welsh lime is thought to be equally as good as grey plaster, and can be done for one-third less. In some of the eastern counties the fronts of houses are plastered with a rough stucco, and while it is damp well dashed with small stones ; this answers very well for renewing old fronts, where they have previously been plastered, for by SLATER AND PLASTERER's WORK. 81 pulling off the old mortar, and replastenng and dashing it, the front will be well repaired and still retain its original appearance. Plastering may be summed up as follows : — The commonest kind of work consists of only one coat, this is called rendering on brickwork, and laying y if on laths; when a second coat is added, it becomes two-coat work, as render set, or lath lay and set ; and when the work is floated, it is three- coat work, and is lath lay float and set for ceilings and partitions, and render float and set for brick- work. The following remarks may be found useful : — 100 yards of lathing require 20 bundles of laths and 7,600 nails. 100 yards of rendering, or laying, 20 bushels of chalk lime, 40 bushels of sand, and 3 bushels of hair. 100 yards of floating requires about half as much as rendering. And setting requires 10 bushels of lime, 2 bushels of white hair and a little sand if required. Render set requires per 100 yards, 30 bushels of lime, 42 bushels of sand, and 5 bushels of hair. Render float and set, 40 bushels of lime, 62 bushels of sand, and 7 bushels of hair, to 100 yards. A bushel and a half of Portland cement will plaster two yards superficial three-quarters of an inch thick. E 3 82 BRICKLAYING. Artificial Stone. The following may be found very useful, both on account of its cheapness, simplicity, and durability : — Take 7 parts of coke dust, screened through a quarter bar screen, to 1 part of Portland cement, for all kinds of ornamental purposes, such as small columns, capitals, balustrades, mouldings for cornices, chimney-pieces, &c. But for pavement, steps, window-sills, hearth-stones, or any rougher kind of work, 5 parts of coke dust, and 3 parts of any hard substance, such as burnt earth, broken brick, &c. ; but these also should be screened before they are mixed with the cement. Moulds are then made of wood, or in some cases iron, to the shape required, care being taken that they are a little smaller at the bottom than they are at the top, so that the moulded work shall turn out of the mould freely when set ; the moulds should be well greased first, and a little pure cement mixed up very thin thrown into them ; the cement and coke dust, or cement, coke dust, and broken bricks, are then mixed with water to form a sort of con- crete, and gently put into the moulds ; if this is done properly the soft, pure cement will flow all round the inside of the mould, and so give a facing to the coarser stufi* ; the top is finished off level with the mould with the trowel. This work should be left until it is perfectly hard, which will take two or three days. There is one fault attached to this composition, that is, when it is used for SLATER AND PLASTERER's WORK. 83 steps, stair- cases, or pavement, it is liable to get very smooth and slippery ; but in other respects it answers very well. Distempering of Ceilings, Walls, Etc. For this purpose the work should be well washed with clean water and scraped with the trowel, so as to thoroughly clean off all old whitening. Of course, if the walls and ceilings are new they do not require this. After they are dry they should be clear-coledy that is, sized over with clear size, taking care in melting the size that it does not boil, but only heated sufficient to melt it. If glue is used instead of size, put 1^ pints of water to each pound of glue. When this is done, the work is ready to receive the whitewash. To mix this, break the whitening into a vessel containing suffi- cient water to cover it, and let it soak well, and if any water remains on the top, pour it off, and mix the size with the whitening, which will be about 4 lbs. to the ball, more or less as required ; and strain a little blue-black into the vessel con- taining them, and well mix the whole together. This mixing is usually done the day before the whitening is required for use ; then the size will get set, and by stirring well before using it, the whole will work up into a jelly. Should there be any water stains in the ceilings, they should be well w^ashed with strong soft soap and water, and if this fail, paint them previous to white- washing the ceiling. All work ought to receive two coats. 84 BRICKLAYING. SECTIOIsr VI. PRACTICAL GEOMETRY AND MENSURATION. The problems here given are those only which it is absolutely necessary for the bricklayer to understand before he can be considered a pro- ficient tradesman. 1. A solid is a figure, or a body having three dimensions, viz., length, breadth, and thickness. The boundaries of a solid are surfices or super- ficies. 2. A superficies, or surfice, has length and breadth only ; the boundaries of a surfice are lines. 3. A line is length without breadth, and is formed by the motion of a point. The extremities of a line are points. 5. A point is that which has no parts or magnitude ; it is indivisible ; it has no length, breadth, nor thickness. 6. When a straight line, b d, standing on another, a C, makes the angle d b a equal to the angle d b c, each of these ano^les is called a rio:ht angle ; the measure of the angle d b a is 90 degrees, or the fourth part of 360 degrees. 7. An acute angle is less than a right angle, as DBG. PRACTICAL GEOMETRY AND MENSURATIt)X. 8. An obtiis. angle is greater than ar^ht d:fig}e'] as c B o. "^^^1^ 9. A plane triangle is tlie space in closed by three straight lines, and has three angles, as b. 10. A right-angled triangle is that which has one of its angles right as A B c ; the side A c opposite the right angle is called the hypo- thenuse, the side B c the perpen- dicular, and B A the base. 11. An obtuse-angled triangle has one of its angles obtuse, as the tri- angle c. 12. An acute-angled triangle has all its three angles acute, as shown in figure B. 13. An equilateral triangle has all its sides and angles equal as d. 14. An isosceles triangle is that which has two of its sides equal, as e. 15. A scaline triangle is that which has all its sides unequal, as f. 16. A square is a four- sided figure having all its sides equal and all its angles right. 17. An oblong, or rectangle, is a right angled parallelogram, whose length exceeds its breadth, as g. 18. A rhombus is a parallelogram having all its sides equal, but its angles are not right angles, as h. 86 BRICKLAYING. \- y 19. A rhomhoid is a parallelo- \ / \ gram having its opposite sides \ A equal, but its angles are not right-angles, and its length ex- ceeds its breadth, as I. 20. A trapezium is a figure in- cluded by four straight lines, no two of which are parallel to each other, as k. A line connecting any two of its opposite angles is called a diagonal. 21. A trapezoid is a four-sided figure having two of its opposite sides parallel, as m. 22. Polygons are those which have more than four sides. They receive particular names from the number of their sides ; thus a pentagon has five sides, a hexagonhdi^ six sides, di heptagon seven, an octagon eight, a nonagon nine, a decagon ten, an imdecagon eleven, and a dodecagon has twelve sides. If all the sides of each figure are equal, it is called a regular polygon ; but if unequal, an irregular polygon. 23. A circle is a plane contained by one line, called its circumference, which is every- where equally distant from a point within it called its centre, as o ; and an arc of a circle is any part of its circumference, as a b figure 24. The diameter of a circle is a straight line PRACTICAL GEOMETRY AXD MENSURATION. 87 passing IL rough the centre and terminated both circumference into two equal parts each containing 180 degrees. Any h*ne drawn from the centre perpendicular to A B, it divides the semicircle into two equal parts, AOS and bos, each of which is called a quadrant, or one-fourth of a circle ; and the arcs A s and B s contain each 90 degrees ; and they are said to be the measure of the angles a o s and BOS. 25. A chord of an arc is a straight line joining its extremities, and is less than the diameter ; c b is the chord of the arc c d b, or of the arc c a s b. 26. A segment of a circle is that part of the circle contained between the chord and the cir- cumference, and may be greater or less than a semicircle. From a given pointy p, in a ^ straight line, A b, to erect a /< perpendicular, 1. On each side of the point, __. I p, take equal portions, VXyVf; and from the centres, x /, with any radius greater ways by the circumference ; thus A B is the diameter of the circle ; the diameter divides the circle into two equal parts, each of which is called a semicircle : the diameter also divides the Problem I. 88 BRICKLAYING. than p Xy describe two arcs, cutting each other at D ; then the line joining d p will be perpen- dicular to A B. When the poin t, P, is at the end of the line. 2. From any centre, c, out of the line, and with the distance, c b, as radius, de- scribe a circle, cutting a b in D, draw d c o, and the line joining the points o B will be perpendicular to a b. Or thus : Set one leg of the com- passes on B, and with any extent, b p, describe an arc, T x; set off the same extent from p to 5' ; join p q ; from q as centre with the extent, p g, as radius describe an arc r, and the line joining r b will be B perpendicular to A b. PROBLE:Nr II. Upon a given right line to describe an equilateral triangle. Let A B be the given right line. From the centres A and b, with the given line a b as radius, describe two arcs cutting each other at c ; then the line drawn from the point c to the points PRACTICAL GEOMETRY AND MENSURATION. 89 A and B will form with the line A b the triangle required. Problem III. To describe a triangle, having the length of the three sides given. Let A B, c D, E F, be the given lines, of which A B is the base line. From B as centre with c D as radius describe an arc, and from a as centre with E F as radius de- scribe another arc, cut- c l ting the first at g ; join ^ ^ A G, G B : this will give the triangle required. Problem IY. To find the centre of a given circle. Draw any two chords a b, B c, and divide each into two equal parts, as shown at e and D ; draw the lines e o and o d at right angles to a b and b c, and where these lines intersect at o will be the centre of the given circle a b c. Problem V. To describe a regular pentagon upon a given line. Let A B be the given line. With b as centre and B A as radius describe the semicircle a c d ; then with a as centre, with same radius, describe 90 BRICKLAYING. an ^rc cutting the semicircle in c ; bisect a b at e, join c bisect the arc c b in r, join e f; then with D as centre, e f for radius, cut the semicircle in G, and with g as centre, with same radius, cut the semicircle in h; draw the line h b and bisect it at i, and at this point erect a perpendicular cutting the line e c in X ; this will be the centre of the circum- scribing circle. Problem YI. To describe a regular hexagon upon a given line. Let A B be the given line. With a as centre and A B as radius describe an arc, and with b as centre with same radius describe a second arc, cut- ting the first in c ; this point of intersection is the centre of the circumscribing circle. TABLE OF POLYGONS. No. of Sides. Name of Polygon. Multiplier or Divisor. 5 1 — 7 decimals 6 2 — 0 or radius 7 2—3 8 2—62 9 2—9 10 3—247 11 3—55 12 3—84 The preceding Table may be u describing regular polygons of a: sides, from five to twelve inclusive. PRACTICAL GEOMETRY AND IV] Description of the above Table, In the left-hand column will be found the number of sides of any polygon having from five to twelve sides. In the second column will be found the name of the polygon corresponding with the number in the first column. And the third column contains those figures by which the length of the side must be multiplied for the diameter of the circumscribing circle ; or by which the length of the diameter of a given circle must be divided to give the length of the side of each polygon in a line with it in the opposite column. What is the length of each side of a regular pentagon, the diameter of the circumscribing circle being 4 feet ? Examples. Divider ft. ffc. 1-7) 4-0 (2-35 Answer, in feet and 3 4 decimal parts. •6-0 5 1 • 9-0 8 5 •5 Rem. Or thus : — What is the diameter of the circumscribing 92 BRICKLAYING. circle of a nonagon, each side being 2 feet in length P 2 feet length of side. 2*9 multiplier. 1 8 4 5 -8 Answer. Therefore the diameter of the circle is 5 feet and 8-lOths of a foot, which is equal to 5 feet 9 inches and 5-8ths of an inch. Problem YII. To describe an ellipsis, having the longest diameter given. Let A B be the given diameter. Erect the per- pendicular c D, and divide A b into four equal \ 1 /| 2 parts at 1, 2, 3 ; then with 1 2 3 as centres, with radius 1 2, describe the three circles as shown ; then from f as centre with f e as radius describe the arc c, and with h as centre with same radius PRACTICAL GEOMETRY AND MENSURATION. 93 describe the arc d. This will complete the ellipsis. Another method of describing an ellipse. Let A B, c D, be the given diameters drawn at right angles with each other. Then with c as centre with a o as radius describe an arc cutting A B at e and /; then take a piece of string or very lino wire the length of a b, fix one end at e and the other at /; then draw the ellipse by running the pencil along the string, taking care the string is kept tight with the pencil. Problem YIII. To describe a circle about any triangle. Bisect any two sides as shown at a and b, and draw perpendicular lines intersecting at c. This point of intersection is the centre from which the circle is drawn. 94 BRICKLAYING. Problem IX. To inscribe a circle within a triangle. From A as centre with any radius describe an arc B c ; bisect it, and through the point of bi- section draw the line A o ; bisect the angle d e b, and draw the line o e. ^ ^ Where the lines a o and o E intersect is the centre of the circl Problem X. In a given circle to inscr-he a square. Draw any two diameters, A b, c D, at right angles to each other, then join their extremi- ties, and the figure thus formed will be a square inscribed in a given circle. And if a line be drawn from the centre o, bisect- ing AD, and produced to r, e d will be the length of one side of an octagon inscribed in the circle. Problem XI. In a given circle, to inscribe any regular polygon ; or, to dioide the circumference of a given circle into any number of equal parts. Divide the diameter a b into as many equal parts as the figure has sides .; erect the perpen- PRACTICAL GEOMETRY AND MENSURATION. 95 dicular o s from the centre o ; divide the ra- dius o / into four equal parts, and set off three of these parts from / to s ; draw a line from s to the second division h of the diameter A B, and produce it to cut the circumference at c ; join A c, and it will be the side of the polygon required. Problem XII. To draw a straight line equal to any given arc of a circle. Let A c B be the given arc of a circle ; divide the chord a b into four equal parts, and set off one of these parts from b to c ; join d c, and it will be the length of half the given arc, suffi- ciently near enough for practice. Problem XIII. To make a square equal in area to a given circle. Divide the diameter a b into fourteen equal parts, and set off eleven of them from a to c ; from c erect the perpendicular c D and join a d, the square of which will be very nearly equal to the area of the given circle of which A D B is the half. 96 BRICKLAYING. The foregoing geometrical problems are those generally used by the bricklayer ; but for those who are anxious to proceed farther, there are many excellent manuals of instruction. A FEW REMAEKS ON MENSURATION OF BKICKLAYERS' WORK. The area of any plane figure is the space con- tained within its boundaries, and is estimated by the number of square miles, yards, feet, inches, and parts which it contains. This squaring is generally estimated by the following rules of arithmetic, viz. : duodecimals, or cross multiplica- tion, decimals, and practice. Duodecimals. Rule 1. Write the multiplier under the multi- plicand in such a manner that feet shall be under feet, inches under inches, and parts under parts. 2. Multiply each term of the multiplicand (beginning at the lowest) by the number of feet in the multiplier, and write each result under its respective term, taking care to carry one for every 12 from each lower denomination to its next superior, and set down the remainder under the term last multiplied. 3. Next multiply the terms of the multiplicand by the number under the denomination of inches in the multiplier ; carry 1 for every 12, as before. But set down each remainder one place further to the right than as if multiplied by a number under the denomination of feet. PRACTICAL GEOMETRY AND MjE^URjq^hW^. 4. Proceed in the same mannet^"; yith <|h€ second in the multiplier, setting each* result.iw6^ more place further to the right hand, and so on with thirds, fourths, &c. 5. Add the partial products thus obtained up, and their sum will be the product. Examples, 1. Multiply 4 feet 7 inches by 3 feet 10 inches ft. in. 4 7 3 10 13 9 3 9-10 17 6-10 2. Multiply 37 feet 9 inches 3 parls by 7 feet 6 inches and 5 parts. ft. in. pts. 37 9 3 7 6 5 264 4 9 18 10 7-6 1 3 8 • 10 • 3 284 7_1 -4-3 ft. in. ft. in. ft. in. pts. 3. Multiply 7 6 X 5 9 Answer 43 1 6 4. Multiply 9 8 X 7 6 „ 72 6 5. Multiply 75-9X 35-3 „ 25 86-2-3 6. Multiply 57 9 X 9 5 „ 543 9 9 7. Multiply 75 9 X 17 7 „ 1331 9 3 Decimal Fractions. In decimal fractions the integer or whole thing, as one yard, one foot, &c., is supposed to be divided into ten equal parts, and these parts into tenths, and so on without end. 98 BRICKLAYING. These parts are distinguished from the whole numbers by a point prefixed: thus — '5, which stands for 5-lOths, or half a whole number; -25, which stands for 25-lOOths, or one-quarter of a whole number ; or -75, which stands for 75-lOOths, or three-quarters of a whole number. Whole numbers increase in ten-fold proportion to the left hand ; decimal parts decrease in ten- fold proportion to the right hand ; so that ciphers placed before decimal parts decrease their value by removing them further from the point ; or units placed thus — 'b, is 5-lOths ; -05, is 5-lOOths ; and '005, is 5-lOOOths. But ciphers after decimal parts do not alter their value ; for '5, '50, •500 are each but 5-lOths, or half a whole number. Bule, — In addition of decimals great care must be taken in setting down the figures to be added up, so that each figure shall come under another of the same value, whether this be a mixed number or pure decimal parts. And, in order to do this, there must be a due regard had to the separating points, which ought always to stand iu a direct line one with another; and, to the right hand of these, carefully place the decimal parts according to their respective values, and add them as in whole numbers. Examjjles, To add 5 ft. 9 in., 7 ft. 6 in., 3 ft. 8 in., and 7 ft. 10 in. together. PRACTICAL GEOMETRY AIND MENSURATION. 99 ■r,. Decimal parts. 5-75 Equal 5 ft. 9 in. 7-5 „ 7 ft. 6 in. 3-25 „ 3 ft. 3 in. 7-835 „ 7 ft. 10 in. 24-335 Answer, equal 24 ft. 4 in. Subtraction of Decimals. This differs but very little from whole numbers, only in placing the numbers, which must be carefully observed, as in addition. Examples. Subtract 2-395 from 7*62, and 5 ft. 9 in. from 27 ft. 3 in. 7-620 27-25 2-395 5-75 5'225 Answer. 21-50 = 21 ft. 6 in. 1. From -769 take -543 Answer -226 2. From 1-743 take '339 Answer 1-404 3. From 3-975 take 1-243 Answer 2-732 4. From 407*2 take 49-362 Answer 357'838 Multiplication of Decimals. Rule. — Place the decimal parts, and multiply them as in whole numbers ; and from the product cut off as many figures towards the right hand as there are figures representing decimal parts, both in the multiplier and multiplicand together ; but should there not be so many places in the product, f2' 100 BRICKLAYING. make up tlie defect by adding ciphers towards the left hand. Examples. Multiply 5 ft. 6 in. X 8 ft. 10 in. 0-5 8-835 275 165 440 440 48-5925 : = 48 ft. 7J in. Multiply 3-074 X 25-93 Answer 79*70882 Multiply 25-15 X 72-04 Answer 1811-8060 Multiply -07 X 1-02 Answer -0714 Division of Decimals. This is worked in the same way as whole numbers, the only difficulty is in valuing the quotient. Rule 1. — The first figure in the quotient is always of the same value with that figure of the dividend which answers or stands over the place of units in the divisor. Rule 2. — The quotient should always have as many decimals as the dividend has more than the divisor. Note 1. — If the divisor and dividend have both the same number of decimal parts, the quotient will be a whole number. Note 2. — If the dividend has not so many places of decimals as there are in the divisor, Multiply 3-795 By 2-43 11385 15180 7590 9-22185 PRACTICAL GEOMETRY AND MENSURATION. 101 then so many ciphers must be added to the dividend as will make them equal, and the quo- tient will then be a whole number. Note 3. — And if, when the sum is done, the quotient has not so many figures as it should have places of decimals, then so many ciphers must be added as there are places wanting. Brickwork is estimated at the rate of a brick and a half thick ; this is called the standard thick- ness, so that if a wall is either more or less than this thickness it must be reduced to it ; thus : — Multiply the superficial contents of the wall by the number of half-bricks in thickness, and divide the product by 3. When a piece of brickwork is to be measured, the first thing to be done is to ascertain what measures are to be employed : then, having mul- tiplied the length and breadth together, if the dimensions are feet, the product is divided by the divisor agreed upon, this is generally 272^ feet to the rod standard thickness, and the quotient will be the number of rods and feet contained within the dimensions taken. In measuring work by the rod of 272^ feet, it is very seldom the odd quarter is used, owing to its taking more labour in figuring for a mere trifle. Examples, How many rods of brickwork (standard thick- ness) are there in a wall 34 feet 6 inches long by 23 feet 9 inches high, at 1| bricks thick ? 102 V BRICKLAYING Duodecimals. It. in. 34 6 23 9 102 0 68 0 11 6 25 10 • 6 272) 819 4-6 (3 rds. 3 ft. 4| in. Answer. 816 Decimata. ft. 34 • 5 23 • 75 1725 2415 1035 690 272) 819 • 375 (3 • 0124* rds. Answei. 816 337 272 655 544 1110 1088 • 22 If the area of a wall be 3^700 feet, and the thickness 2 J bricks, how many rods and feet does it contain ? * This decimal fraction equals 3 ft. 4 J in. 3700 feet the area, by 5 half-bricks thick. Standard divisor 3) 18500 272) 6166 (22 rds. 544 726 544 182 feet. Chimney Shafts. In measuring chimneys, when standing clear from any party wall, it is usual to take the girth of the middle for the breadth, and the height of the story for the length : the thickness should be the same as the depth of the jambs ; and if the chimney is carried, up square to the ceiling, no deductions are made for the fire-place, on account of the extra labour in gathering the wing walls over to prepare for the hearth in the room above. The chimney- shaft, or that portion which is above the roof, is measured by taking the girth round the middle for the breadth, and the height for the length. But in cases where there is a greater amount of labour, it is reckoned half a brick more in breadth than it really is, and in extreme cases double measure is allowed. Chimney Shafts in the Form of a Circle. — In order to measure these it is necessary to obtain the diameter of the shaft midway between the base 104 BRICKLAYING. and the top, as they are usually battering. Square this diameter, and multiply the product by the decimal '7854 ; this will give the area of the circle, after cutting off the four figures from the right hand ; and this area multiplied by the height of the shaft will give the contents in cubic feet. Example, What is the cubic contents of a shaft the mean diameter of which is 4 feet and the height 60 feet ? 4 diameter. 4 16 square of diametei. • 7854 decimal fraction 64 80 128 112 12 • 5664 area of circle. 60 height. 753 • 9840 cubic contents. The diameter of a circle is to its circumference as 7 is to 22 ; therefore, if the diameter is not to be obtained by any other means, take the girth or circumference of the shaft, and as 22 is to 7, so is the circumference to the diameter. Example. Let the girth of a circular shaft be 10 feet, then, by proportion, the diameter will be obtained in the following manner : — PRACTICAL GEOMETKY AND MENSURATION. 105 ft. ft. ft. 22 : 7 : : 10 10 22) 70 (3 • 18 Answer in feet and parto. 66 40 22 180 176 4 Remainder. Wheii the shaft is in the form of a regular polygon, the following table may be found useful for the purpose of ascertaining its area in feet or inches : — Rule, — Square the length of the side of the polygon, and multiply the product by those figures in a line with the figure in the first column denoting the number of sides of the given polygon ; the product thus obtained will be the area. And this multiplied by the height of the chimney will give the cubic contents. And to bring this into rods, divide by 306 feet. Number of Sides. Multiplier. 3 •433 5 1-72 6 2-698 7 3-634 8 4-828 9 6-182 10 7-694 11 9-366 12 11-196 F 3 106 BRICKLAYING. Vaulting. — In measuring circular, elliptical, or Gothic vaulting, the rule is to find the super- ficial contents of one end, and multiply it by the length of the vault ; or, take a piece of string or the tape, and ply it close to the soffit from one side of the vault to the other, and this length by the length of the vault will give the superficial contents of soffit ; then multiply by the thickness for standard or cubic contents. But if this method is employed, the outside surface ought to be taken as well as the soffit. Add the two areas together, and divide by 2 for the exact superficial contents, and then multiply by the thickness for standard or cubic contents, as before explained. Groins are generally measured by taking the length and breadth of the base and multiplying them together, and that product by the height. But sometimes one-tenth is deducted from the solidity thus found, and the remainder is reck- oned as the solid contents. But if measuring for labour only, the groin- points are measured by running measures, the price being so much per foot. Bakers' Ovens. — It is usual in measuring these to cube the whole and divide by 306 to bring it to rods. A Table of Brickwork, Showing how many rods, feet, and inches are contained in any number of superficial feet, from 1 foot to 10,000 feet, and so on as far as required ; PRACTICAL GEOMETRY AND MENSURATlONOto? and from half a brick to two bricks, and/ addition, to any thickness. This table also shows how many bricks are required to build a piece of brickwork, from 1 foot to 10,000 feet, from half a brick to two bricks, and this also, by addition only, to any thickness or number of feet required, at the rate of 16*544 bricks to the foot standard thickness, or 4500 to the rod. Explanation of the foUoiving Table. At the head of this table, over each separate column, is stated the thickness of any wall from half a brick to two bricks, and beneath each of these is a double column, one for giving the rods, feet, and inches, contained in the wall, and the other the number of bricks contained in these rods, feet, and inches, standard measurement; and in the first column towards the left hand will be found the number of feet the wall contains by superficial measurement. 108 BRICKLAYING. PQ s Thick. Number of Bricks. (M'«^^C£>1:^COOi— ((M'rt^iO OOOOOOOOOOOOOOOOOOO Brick Thick. Number of Bricks. I— ICOr^i^OOOOSi— ICO-^COOOOr-HCO^COOOOii— 1 rHi-l,-(r-lrHr-lC0<;Ot>-0005»— l(NCOTtiiOCOI>-OOOiO o W B 00^000-<*<000'*OOOtJ<000'«*<000^000 One Oi-lC-(M0CcOOi'^ i-li— ICqC^COCOTtHTtivOCOCOt^-t^COGOojcso 1—1 o 5 PQ a •^000'*OOOTtiOOO'«*iOOO'>^000'*QOO'>^ Half Eds. ft. OOi-tf-li-lC^(MCOU5<:OCO OOOOOOOOOOOOOOOOOOO Feet super- ficial. i-ic-ooOi-ict^0OCii— 1— ifMCO^VOCOCOCS C.t^OOCOOOC5CiOiOOO'— li— 1.— ('MCOiOO COGOO'M'ttt^O:>rHCOVOCOOCOI>.a5COCO«0 tQ to to to CO CO CO CO CO CO CO .'^-^|^'<*IOl>-e0(M00C0G0'»*-05»— •C<»'^a5iOC.t>.OOCOOOC5'— tco^coco 1— t 1— I 1— 1 rH CO Half ooooooooooooooooooo AND A 05Or-l(MC0'-0005Or-lOOOOOO CO ■rtl ^ to CO 00 C5 O O » o m OOOOOOOOOOOOOOOOOOO Brick Thick. Number of Bricks. 00(MC^iOlOkO»OiO»OCOI>-GOOi — d^^>OU3.— It- coo to-— (t^COCO rHrHi— lr-lrH(MTtiCOCO'— 0 GO Ut) GO C<> »0 CO ^ CO 'O <—! >0 >— t --^ r-i C5 «0 CO ^ GO CO H ^ rHC^r-lCS--tCS«r-lotoa5'^GO(McoO'+'coclGOiOOOi—tl^'>ICOCOCO'-H TtiCOGOCSi— tC0TtHOC0OOC0C'-4Q0>0 f-li— li— li-HCO^COOOOir-ICO^O ooooooooooooooooo COa)QO1 COf-tTj^t^OCOCOCSGOGOt^tOl^vOt^OCO O .— I I— I I— < OCOt--C»aiO i-HC^CO'.OOOi>-» I" 000'^OOOTtcoGO(Moocoo tOO«DOCOi— ICOf-ffM'^tikOt^COO.— (CO-rtl C0OO>0OC0r-(C0^ I— i-00 00 0 ococoococoi?/ir'^, a Rudimentaiy Treatise on ; containing a Synopsis of the principal cases of Foundation Works, with the usual Modes of Treatment, and Practical Remarks on Footings, Planking, Sand, Concrete, Beton, Pile-driving, Caissons, and Cofferdams. By E. Dobson, M.R.I.B.A., &c. Fourth Edition, revised by George Dodd, C.E. Illustrated, is. 6d. 42. COTTAGE BUILDING. By C. Bruce Allen, Architect. Ninth Edition, revised and enlarged. Numerous Illustrations, is. 6d. d5. 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" A very powerful work, and the Author has a very remarkable command of his subject." — Professor A. de Morgan. h^'on and Metal Trades Calatlator, THE IRON AND METAL TRADES' COMPANION: Being a Calculator containing a Series of Tables upon a new and comprehensive plan for expeditiously ascertaining the value of any goods bought or sold by weight, from 15. per cwt. to \\2s. per cwt., and from one farthing per lb. to \s, per lb. Each Table ex- tends from one lb. to 100 tons. ByT. Downie. 396 pp., 9^., leather. " A rnost useful set of tables, and will supply a want, for nothing like them before existed. " — Buildmg Neivs. Iron and Steel. 'IRON AND STEEL': a Work for the Forge, Foundry, Factory, and Office. Containing Information for Ironmasters and their Stocktakers ; Managers of Bar, Rail, Plate, and Sheet Rolling Mills ; Iron and Metal Founders ; Iron Ship and Bridge Builders ; Mechanical, Mining, and Consulting Engineers ; Architects, Builders, &c. By Charles Hoare, Author of *The Slide Rule,' &c. Eighth Edition. With folding Scales of '* Foreign Measures compared with the English Foot," and *' fixed Scales of Squares, Cubes, and Roots, Areas, Decimal Equivalents, &c." Oblong, 32mo, 6j., leather, elastic-band. " For comprehensiveness the book has not its equal." — Iron. Comprehensive Weight CalctUator, THE WEIGHT CALCULATOR , being a Series, of Tables upon a New and Comprehensive Plan, exhibiting at one Reference the exact Value of any Weight from lib. to 15 tons, at 300 Pro- gressive Rates, from I Penny to 168 Shillings per cwt., and con- taining 186,000 Direct Answers, which, with their Combinations, consisting of a single addition (mostly to be performed at sight), will afford an aggregate of 10,266,000 Answers ; the whole being calculated and designed to ensure Correctness and promote Despatch. By Henry Harben, Accountant, Shefiield. New Edition. Royal 8vo, i/. 5j-., strongly half-bound. Comprehensive Discount Guide, THE DISCOUNT GUIDE : comprising several Series of Tables for the use of Merchants, Manufacturers, Ironmongers, and others, by which may be ascertained the exact profit arising from any mode of using Discounts, either in the Purchase or Sale of Goods, and the method of either Altering a Rate of Discount, or Advancing a Price, so as to produce, by one operation, a sum that will realise any required profit after allowing one or more Discounts : to which are added Tables of Profit or Advance from i J to 90 per cent., Tables of Discount from I J to 98I per cent., and Tables of Commis- sion, &c., from \ to 10 per cent. By Henry Harben, Accountant, New Edition. Demy 8vo, i/. 5^"., half-bound. PUBLISHED BY CROSBY LOCKWOOD & CO. 21 SCIENCE AND ART. • ♦ The Construction of the Organ, PRACTICAL ORGAN BUILDING. By W. E. Dickson, M.A., Precentor of Ely Cathedral. Crown 8vo, 5^. cloth. " In many respects the book is the best that has yet appeared on the subject. We cordially recommend it." —English Mechanic. "Any practical amateur following the instructions here given might build an organ to his entire satisfaction." — Leeds Mercury . Dentistry, MECHANICAL DENTISTRY. A Practical Treatise on the Construction of the various kinds of Artificial Dentures. Com- prising also Useful Formulce, Tables, and Receipts for Gold Plate, Clasps, Solders, etc., etc. By Charles Hunter. With numerous Wood Engravings. Crown 8vo, ']s. 6d. cloth. "The work is very practical." — Monthly Review of Dental Surgery. *'An authoritative treatise We can strongly recommend Mr. Hunter's treatise to all students preparing for the profession of dentistry, as well as to every mechanical dentist." — Dublin yo7irnal of Medical Science. [and Circular. *' The best book on the subject with which we are acquainted," — Medical Press. B7^ewing, A HANDBOOK FOR YOUNG BREWERS. By Herbert Edwards Wright, B.A. Crown 8vo, 3.^. 6^/. cloth. " A thoroughly scientific treatise in popular language. It is evident that the author has mastered his subject in its scientific aspects." — Mor7iing Advertiser. " We would particularly recommend teachers of the art to place it in every pupil's hands, and we feel sure its perusal will be attended with advantage." — Brewer. Gold and Go Id- Working. THE GOLDSMITH'S HANDBOOK : containing full instrac- tions for the Alloying and. Working of Gold. Including the Art of Alloying, Melting, Reducing, Colouring, Collecting and Refining. The processes of Manipulation, Recovery of Waste, Chemical and Physical Properties of Gold, with a new System of Mixing its Alloys ; Solders, Enamels, and other useful Rules and Recipes, (Sec. By George E. Gee, Goldsmith and Silversmith. Second Edition, considerably enlarged. i2mo, 3J". 6d. cloth boards. ** The best work yet pruned on its subject for a reasonable price. * — Jeweller. " We consider that the trade owes not a little to Mr. Gee, who has in two volumes compressed almost the whole of its literature, and we doubt not that many a young beginner will owe a part of his future success to a diligent study of the pages which are peculiarly well adapted to his use." — Clerkemuell Press. Essentially a practical manual, well adapted to the wants of amateurs and apprentices, containing trustworthy information that only a practical man can supply.' ' — English Mechanic. Silver and Silver Working, THE SILVERSMITH'S HANDBOOK, containing full In- structions for the Alloying and Working of Silver, including the different modes of refining and melting the metal, its solders, the preparation of imitation alloys, &c. By George E. Gee, Jeweller, &c. i2mo, 3J'. dd. cloth boards. " The chief merit of the work is its practical character. The workers in the trade will speedily discover its merits when they sit down to study it." — E?tglish Mechafiic. "This work forms a valuable sequel to the author's Practical Goldjuorker, and supplies a want long felt in the silver ir^dQ."— -Silversmith's Trade Journal. 22 WORKS IN SCIENCE AND ART, ETC., Electric Lighting. ELECTRIC LIGHT : Its Production and Use^ embodying plain Directions for the Working of Galvanic Batteries, Electric Lamps, and Dynamo-Electric Machines. By J. W. Urquhart, C. E., Author of Electroplating : a Practical Handbook." Edited by F. C. Webb, M.LC.E., M.S.T.E. With 94 Illustrations. Crown 8vo, 7^. 6^/. cloth. " It is the only work at present available, which gives a general but concise history of the means (which have been adopted up to the present time in producing the electric light." — Metropolitan. "An important addition to the literature of the electric light. Students of the subject should not fail to read it." — Colliery Guardian. Electi'oplating, &c, ELECTROPLATING: A Practical Handbook. By J. W. Urquhart, C.E. Crown 8vo, 5^. cloth. *' A large amount of thoroughly practical information." — Telegraphic Journal. "An excellent practical manual." — Engineering. " The information given appears to be based on direct personal knowledge. . . . Its science is sound, and the style is always cle^v.'' —Athejusian. *'Any ordinarily intelligent person may become an adept in electro-deposition with a very little science indeed, and this is the book to show him or her the way.'* — Builder. "The vohime is without a rival in its particular sphere." — Desig7i a7id Work. Electrotyping, &c. ELECTROTYPING : a Practical Manual on the Reproduction and Multiplication of Printing Surfaces and Works of Art by the Electro-deposition of Metals. By J. W. Urquhart, C.E. Crown 8vo, 5^". cloth. [Just published, "Will serve as a guide, not only to beginners in the art, but to those who still practise the old and imperfect methods of electrotyping." — Iroii. "The book throughout is entirely practical, is lucid and clear in style, and the minutest details are so stated that amateurs will find no difficult^' whatever in follow- ing them out. We have no hesitation in recommending it as a reliable work." — Paper and Pri7iting Trades Journal. The Military Sciences. AIDE-MEMOIRE to the MILITARY SCIENCES. Framed from Contributions of Officers and others connected with the dif- ferent Services. Originally edited by a Committee of the Corps of Royal Engineers. Second Edition, most carefully revised by an Officer of the Corps, with many additions ; containing nearly 350 Engravings and many hundred Woodcuts. 3 vols, royal 8vo, extra cloth boards, and lettered, 4/. \os. Field Fortification. A TREATISE on FIELD FORTIFICATION, the ATTACK of FORTRESSES, MILITARY MINING, and RECON- NOITRING. By Colonel I. S. Macaulay, late Professor 01 Fortification in the R. M. A., Woolwich. Sixth Edition, crown 8vo, cloth, with separate Atlas of 12 Plates, I2s, complete. Dye- Wares and Colours. THE MANUAL of COLOURS and DYE-WARES: their Properties, Applications, Valuation, Impurities, and Sophistications, For the Use of Dyers, Printers, Drysalters, Brokers, &c. By J, W, Slater. Post 8vo, "js. 6d. cloth, PUBLISHED BY CROSBY LOCKWOOD & CO. 23 The Alkali Trade — Sulphuric Acid, &c. A MANUAL OF THE ALKALI TRADE, including the Manufacture of Sulphuric Acid, Sulphate of Soda, and Bleaching Powder. By John Lomas, Alkali Manufacturer, Newcastle-upon- Tyne and London. With 232 Illustrations and Working Draw- ings, and containing 386 pages of text. Super-royal 8vo, 2/ 12s. 6d. cloth. [yust published. This work provides (i) a Complete Handbook for i7itending Alkali and Sulph^iric Acid Manufacttcrers^ and for those already in the field who desire to improve their piajit, or to become practically acquainted with the latest processes and developments of the trade ; (2) a Handy Vohcme which Manufacturers can put into the hands of their Managers and Foremeti as a useful gicide in their daily rounds of ditty. Synopsis of Contents. Chap. I. Choice of Site and General Plan of Works — II. Sulphuric Acid — III. Recovery of the Nitrogen Com- pounds, and Treatment of Small Pyrites —IV. The Salt Cake Process— V. Legis- I lation upon the. Noxious Vapours Ques- tion — VI, The Hargreaves' and Jones' Processes — VII. The Balling Process — VIII. Lixiviation and Salting Down — IX. Carbonating or Finishing — X. Soda Crystals — XI. Refined Alkali — XII. Caustic Soda — XIII. Bi-carbonate of Soda — XIV. Bleaching Powder— XV. I Utilisation of Tank Waste — XVI. General Remarks — Four Appendices, treating of Yields, Sulphuric Acid Calculations, Ane- mometers, and Foreign Legislation upon the Noxious Vapours Question. "The author has given the fullest, most practical, and, to all concerned in the alkali trade, most valuable mass of information that, to our knowledge, has been published in any language," — Efigineer. " This book is written by a manufacturer for manufacturers. The working details of the most approved forms of apparatus are given, and these are accompanied by no less than 232 wood engravings, all of which may be used for the jnirposes of con- struction. Every step in the manufacture is very fully described in this manual, and each improvement explai-ned. Everything which tends to introduce economy into the technical details of this trade receives the fullest attention. The book has been produced with great completeness." — Athcnccum. "The author is not one of those clever compilers who, on short notice, will 'read up' any conceivable subject, but a practical man in the best sense of the \vord. We find here not merely a sound and luminous explanation of the chemical principles of the trade, but a notice of numerous matters which have a most important bearing on the successful conduct of alkali works, but which are generally overlooked by even the most experienced technological authors. This most valuable book, which we trust will be generally appreciated, we must pronounce a credit alike to its author and to the enterprising firm who have undertaken its publication." — Chemical Review. Chemical A nalysis. THE COMMERCIAL HANDBOOK of CHEMICAL ANA- LYSIS ; or Practical Instructions for the determination of the In- trinsic or Commercial Value of Substances used in Manufactures, in Trades, and in the Arts. By A. Normandy, Author of '* Prac- tical Introduction to Rose's Chemistry," and Editor of Rose's " Treatise on Chemical Analysis." Neiv Edition. Enlarged, and to a great extent re-written, by Henry M. Noad, Ph. D., F.R.S. With numerous Illustrations. Cr. 8vo, \2s. 6d. cloth. "We recommend this book to the careful perusal of every one ; it may be truly affirmed to be of universal interest, and we strongly recommend it to our readers as a guide, alike indispensable to the housewife as to the pharmaceutical practitioner.'*— Medical Times. "Essential to the analysts appointed under the new Act. The most recent results are given, and the work is well edited and carefully written." — Nature. 24 WORKS IN SCIENCE AND ART, ETC., Dr. Lardners Museum of Science and Art. THE MUSEUM OF SCIENCE AND ART. Edited by DiONYSius Lardner, D. C. L. , formerly Professor of Natural Phi- losophy and Astronomy in University College, London. With up- wards of 1 200 Engravings on Wood. In 6 Double Volumes. Price £1 IS., in a new and elegant cloth binding, or handsomely bound in half morocco, 31^". 6d. OPINIONS OF THE PRESS. This series, besides affording popular but sound instruction on scientific subjects, with which the humblest man in the country ought to be acquainted, also undertakes that teaching of ' common things ' which every well-wisher of his kind is anxious to promote. Many thousand copies of this serviceable publication have been printed, in the belief and hope that the desire for instruction and improvement widely pre- vails ; and we have no fear that such enlightened faith will meet with disappoint- ment. " — Times. "A cheap and interesting publication, alike informing and attractive. The papers combine subjects of importance and great scientific knowledge, considerable induc- tive powers, and a popular style of treatment," — Spectator. "The 'Museum of Science and Art' is the most valuable contribution that has ever been made to the Scientific Instruction of every class of society." — Sir David Brewster in the North British Review. "Whether we consider the liberality and beauty of the illustrations, the charm of the writing, or the durable interest of the matter, we must express our belief that there is hardly to be found among the new books, one that would be welcomed by people of so many ages and classes as a valuable present." — Exanii7ier. *** Separate hooks formed frojn the above, suitable for Workinen^s Libraries, Science Classes, <5j^c, COMMON THINGS EXPLAINED. Containing Air, Earth, Eire, Water, Time, Man, the Eye, Locomotion, Colour, Clocks and Watches, &c. 233 Illustrations, cloth gilt, 5^. THE MICROSCOPE. 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THE ELECTRIC TELEGRAPH POPULARISED. To render intelligible to all who can Read, irrespective of any previous Scien- tific Acquirements, the various forms of Telegraphy in Actual Operation. 100 Illustrations, cloth gilt, is. 6d. PUBLISHED BY CROSBY LOCKWOOD & CO. 25 Dr. Lardners Handbooks of Natnral Philosophy. *** The following five voliniies, tJioiigh each is Coviplete in itself, and to be pur- chased separately , form A Complete Course of Natural Philosophy, and are intended for the general reader luho desires to attain accurate knowledge of the various departmejits of Physical Science, without pjcrsiciyig them according to the more profound methods of matJiematical itivestigation. The style is st^idioicsly popular. It has been the aitthor's aim to supply Manuals such as a7-e required by the Student, the Engijieer, the Artisan, and the superior classes in Schools. THE HANDBOOK OF MECHANICS. Enlarged and almost rewritten by Ben'JAMIN Loewy, F.R.A.S. With 378 Illustra- tions. Post 8\o, 6s, cloth. ** The perspicuity of the original has been retained, and chapters which had become obsolete, have been replaced Ly others of more modern character. The explanations throughout are studiously popular, and care has been taken to show the application of the various branches of physics to the industrial arts, and to the practical business of life." — Minima Jourual. THE HANDBOOK of HYDROSTATICS and PNEUMATICS. New Edition, Revised and Enlarged by Benjamin Loe\vy, F.R.A.S. With 236 Illustrations. Post 8vo, 5^. cloth. " For those * who desire to attain an accurate knowledge of physical science with- out the profound methods of mathematical investigation,' this work is not merely in- tended, but well adapted." — Chemical News. THE HANDBOOK OF HEAT. Edited and almost entirely Rewritten by Benjamin Loewy, F.R.A.S., etc. 117 Illustra- tions. Post 8vo, 6s. cloth. " The style is always clear and precise, and conveys instruction without leaving any cloudiness or lurking doubts behind." — Engineering. THE HANDBOOK OF OPTICS. New Edition. Edited by T. Olver PIarding, B.A. 298 Illustrations. Post 8vo, 5j-. cloth. " Written by one of the ablest English scientific writers, beautifully and elaborately illustrated."— i)'/i'r//<7?/zVj' Magazine. THE HANDBOOK OF ELECTRICITY, MAGNETISM, and ACOUSTICS. New Edition. Edited by Geo. Carey Foster, B.A., F.C.S. With 400 Illustrations. Post 8vo, 5^. cloth. ** The book could not have been entrusted to any one better calculated to preserve the terse and lucid style of Lardner, while correcting his errors and bringing up his work to the present state of scientific knowledge." — Pop^ilar Sciejice Review. Dr. Lardner s Handbook of Astronomy. THE HANDBOOK OF ASTRONOMY. Forming a Com- panion to the "Handbooks of Natural Philosophy." By Diony- sius Lardner, D.C.L., formerly Professor of Natural Philosophy and Astronomy in University College, London. Fourth Edition. Revised and Edited by Edwin Dunkin, F.R.S., Royal Observa- tory, Greenwich. With 38 Plates and upwards of 100 Woodcuts. In I vol., small 8vo, 550 pages, (^s. 6d.^ cloth. " Probably no other book contains the same amount of information in so com- pendious and well-arranged a form — certainly none at the price at which this is offered to the public." — Atheticpum, " We can do no other than pronounce this work a most valuable manual of astro- nomy, and we strongly recommend ic to all who wish to acquire a general — but at the same time correct — acquaintance with this sublime science." — Quarterly Jownal of Science. Dr. Lardner s Handbook of Animal Physics. THE HANDBOOK OF ANIMAL PHYSICS. By Dr. Lardner. With 520 Illustrations. 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A MANUAL of ELECTRICITY ; including Galvanism, Mag- netism, Diamagnetism, Electro -Dynamics, Magneto -Electricity, and the Electric Telegraph. By Henry M.'Noad, Ph.D., F.C.S. Fourth Edition, with 500 Woodcuts. 8vo, l/. ^. cloth. " The accounts given of electricity and galvanism are not only complete in a scientific sense, but, which is a rarer thing, are popular and interesting." — Lancet. Text-Book of Electricity. THE STUDENT'S TEXT-BOOK OF ELECTRICITY. By Henry M. Noad, Ph.D., F.R.S., F.C.S. New Edition, care- fully Revised. With an Introduction and Additional Chapters by W. H. Preece, M.I.C.E., Vice-President of the Society of Telegraph Engineers, &c. With 470 Illustrations. Crown 8vo, \2s. 6d. cloth. "A reflex of the existing state of Electrical Science adapted for students." — W. H. Preece, Esq., vide " Introduction." " We can recommend Dr. Noad's book for clear style, great range of subject, a good index, and a plethora of woodcuts. Such collections as the present are indis- pensable." — A thejiifiuji. " An admirable text-book for every student— beginner or advanced— of electricity.'* — Engi)ieering. " Recommended to students as one of the best text-books on the subject that they can have. Mr. Preece appears to have introduced all the newest inventions in the shape of telegraphic, telephonic, and electric-lighting apparatus." — English Mecha7iic. "The work contains everything that the student can require." — Academy. " One of the best and most useful compendiums of any branch of science in our literature." — Iron. " Under the editorial hand of Mr. Preece the late Dr. Noad's text-book of elec- tricity has grown into an admirable handbook." — JVestminster Revieiv. Carriage Building, &c. COACH BUILDING : a Practical Treatise, Historical and Descriptive, containing full information of the various Trades and Processes involved, with Hints on the proper Keeping of Carriages, &c. With 57 Illustrations. By James W. Burgess. i2mo, 3.^. cloth boards. [,y^sl published. Geology and Genesis. THE TWIN RECORDS OF CREATION ; or, Geology and Genesis, their Perfect Harmony and Wonderful Concord. By George W. Victor leVaux. Fcap. 8vo, <^s. cloth. A valuable contribution to the evidences of revelation, and disposes very conclu- sively of the arguments of those who would set God's Works against God's Word. No real difficulty is shirked, and no sophistry is left unexposed," — The Rock, PUBLISHED BY CROSBY LOCKWOOD & CO. 27 Science and Scripture. SCIENCE ELUCIDATIVE OF SCRIPTURE, AND NOT ANTAGONISTIC TO IT ; being a Series of Essays on— i. Alleged Discrepancies ; 2. The Theory of the Geologists and Figure of the Earth ; 3. The Mosaic Cosmogony ; 4. Miracles in general — Views of Hume and Powell ; 5. The Miracle of Joshua — Views of Dr. Colenso : The Supematurally Impossible ; 6. The Age of the Fixed Stars, &c. By Prof. J. R. Young. Fcap. 5j. cl. Geology. A CLASS-BOOK OF GEOLOGY: Consisting of Physical Geology," which sets forth the Leading Principles of the Science ; and "Historical Geology," which treats of the Mineral and Organic Conditions of the Earth at each successive epoch, especial reference being made to the British Series of Rocks. By Ralph Tate. With more than 250 Illustrations. Fcap. 8vo, 5^. cloth. Practical Philosophy. A SYNOPSIS OF PRACTICAL PHILOSOPHY. By Rev. John Carr, M.A., late Fellow of Trin. Coll., Camb. i8mo, Ss. cl. Mollusca. A MANUAL OF THE MOLLUSCA ; being a Treatise on Recent and Fossil Shells. By Dr. S. P. Woodward, A.L.S. With Appendix by Ralph Tate, A.L.S., F.G.S. With numer- ous Plates and 300 Woodcuts. 3rd Edition. Cr. 8vo, 7j. 6d. cloth. Clocks, Watches, and Bells. RUDIMENTARY TREATISE on CLOCKS, and WATCHES, and BELLS. By Sir Edmund Beckett, Bart, (late E. B. Denison), LL.D., Q.C., F.R.A.S. Sixth edition, revised and en- larged. Limpcloth(No. 67,Weale's Series), \s. 6d.; cloth bds. 5j-. 6d, As a popular and practical treatise it is unapproached." — English Mechanic. "The best work on the subject probably extant. The treatise on bells is un- doubtedly the best in the language. " — Engineering. "The only modern treatise on clock-making." — Horological Jonmal. Grammar of Colotcring. A GRAMMAR OF COLOURING, appHed to Decorative Painting and the Arts. By George Field. New edition, en- larged. By Ellis A. Davidson. With new Coloured Diagrams and Engravings. l2mo, 3J. 6d. cloth. " The book is a most useful rhuine of the properties of pigments." — Biiilder. Pictttres and Painters. THE PICTURE AMATEUR'S HANDBOOK AND DIG- TIONARY OF PAINTERS : A Guide for Visitors to Picture Galleries, and for Art-Students, including methods of Painting, Cleaning, Re-Lining, and Restoring, Principal Schools of Painting, Copyists and Imitators. By Philippe Daryl, B. A. Cr.8vo,3J. 6^/.cl. Woods and Marbles {Imitation of). SCHOOL OF PAINTING FOR THE IMITATION OF WOODS AND MARBLES, as Taught and Practised by A. R. and P. Van der Burg, Directors of the Rotterdam Painting Institution. Illustrated with 24 full-size Coloured Plates ; also 12 Plain Plates, comprising 154 Figures. Folio, 2/. \2s. 6d. bound. 2S WORKS IN SCIENCE AND ART, ETC., Delamo tie's Works on Illumination & Alphabets. A PRIMER OF THE ART OF ILLUMINATION ; for the use of Beginners : with a Rudimentary Treatise on the Art, Prac- tical Directions for its Exercise, and numerous Examples taken from Illuminated MSS., printed in Gold and Colours. By F. Dela- MOTTE. Small 4to, 9J-. Elegantly bound, cloth antique. " The examples of ancient MSS. recommended to the student, which, with much good sense, the author chooses from collections accessible to all, are selected with judgment and knowledge, as well as taste." — AtheficBum. ORNAMENTAL ALPHABETS, ANCIENT and MEDIEVAL ; from the Eighth Century, with Numerals ; including Gothic, Church-Text, German, Italian, Arabesque, Initials, Monograms, Crosses, &c. Collected and engraved by F. Delamotte, and printed in Colours. New and Cheaper Edition. Royal 8vo, oblong, 2s, 6d. ornamental boards. " For those who insert enamelled sentences round gilded chalices, who blazon shop legends over shop-doors, who letter church walls with pithy sentences from the Decalogue, this book will be useful." — AtheJiceum, EXAMPLES OF MODERN ALPHABETS, PLAIN and ORNA- MENTAL ; including German, Old English, Saxon, Italic, Per- spective, Greek, Hebrew, Court Hand, Engrossing, Tuscan, Riband, Gothic, Rustic, and Arabesque, &c., &c. Collected and engraved by F. Delamotte, and printed in Colours. New and Cheaper Edition. Royal 8vo, oblong, 2«r. 6d. ornamental boards. " There is comprised in it every possible shape into which the letters of the alphabet and numerals can be formed." — Standard. MEDIAEVAL ALPHABETS AND INITIALS FOR ILLUMI- NATORS. By F. Delamotte. Containing 21 Plates, and Illuminated Title, printed in Gold and Colours. With an Intro- duction by J. Willis Brooks. Small 4to, 6j". cloth gilt. THE EMBROIDERER'S BOOK OF DESIGN ; containing Initials, Emblems, Cyphers, ^vlonograms, Ornamental Borders, Ecclesias- tical Devices, Mediaeval and Modern Alphabets, and National Emblems. Collected and engraved by F. Delamotte, and printed in Colours. Oblong royal 8vo, \s. 6d, ornamental wrapper. Wood- Carving. INSTRUCTIONS in WOOD-CARVING, for Amateurs; with Hints on Design. By A Lady. In emblematic wrapper, hand- somely printed, with Ten large Plates, 2s. 6d, '* The handicraft of the wood-carver, so well as a book can impart it, may be learnt from * A Lady's ' publication." — Aihencejim. Popular Work on Painting, PAINTING POPULARLY EXPLAINED; v/ith Historical Sketches of the Progress of the Art. By Thomas John Gullick, Painter, and John Times, F.S.A. Fourth Edition, revised and enlarged. With Frontispiece and Vignette. In small 8vo, 6j-. cloth. This Work has been adopted as a Prize-hook in the Schools of Art at South Kensington, *' Contams a large amount of original matter, agreeably conveyed." — Builder. ** Much may be learned, even by those who fancy they do not require to be taught, from the careful perusal of this unpretending but comprehensive treatise. " — A rt Journal. PUBLISHED BY CROSBY LOCKWOOD & CO. 29 AGRICULTURE, GARDENING, ETC. Youatt and Burfis Complete Grazier. THE COMPLETE GRAZIER, and FARMER'S and CATTLE- BREEDER'S ASSISTANT. A Compendium of Husbandry. By William Youatt, Esq., V.S. 12th Edition, very con- siderably enlarged, and brought up to the present requirements of agricultural practice. By Robert Scott Burn. One large 8vo. volume, 860 pp. with 244 Illustrations, i/. \s. half-bound. *• The standard and text-book, with the farmer and grazier." — Farmer's Magazine. "A treatise which will remain a standard work on the subject as long as British agriculture endures." — Mark Lane Express. History, Structicre, and Diseases of Sheep. SHEEP ; THE HISTORY, STRUCTURE, ECONOMY, AND DISEASES OF. By W. C. Spooner, M.R.V.C., &c. Fourth Edition, Avith fine engravings, including specimens of New and Improved Breeds. 366 pp., 4^. cloth. ProdtLction of Meat, MEAT PRODUCTION. A Manual for Producers, Distributors, and Consumers of Butchers' Meat. Being a treatise on means of increasing its Home Production. Also comprehensively treating of the Breeding, Rearing, Fattening, and Slaughtering of Meat- yielding Live Stock ; Indications of the Quality ; Means for Pre- serving, Curing, and Cooking of the Meat, etc. By JoiiN Ewart. Numerous Illustrations. Cr. 8vo, 5^. cloth. " A compact and handy volume on the meat question, which deserves serious and thoughtful consideration at the present time." — Meat and Provision Trades' Revieiu. Do7ialdson a7td Bttrns SubiLrban Fanning, SUBURBAN FARMING. A Treatise on the Laying Out and Cultivation of Farms adapted to the produce of Milk, Butter and Cheese, Eggs, Poultry, and Pigs. By the late Professor John Donaldson. With considerable Additions, Illustrating the more Modern Practice, byR. Scott Burn. With Illustrations. Second Edition. i2mo, 4^-. cloth boards. Modern Farming. OUTLINES OF MODERN FARMING. By R. Scott Burn. Soils, Manures, and Crops — Farming and Farming Economy — Cattle, Sheep, and Horses — Management of the Dairy, Pigs, and Poultry — Utilisation of Town Sewage, Irrigation, &c. New Edition. In I vol. 1250 pp., half-bound, profusely illustrated, I2j-. "There is sufficient stated within the limits of this treatise to prevent a farmer from going far wrong in any of his operations." — Observer. Kitchen Gardening, KITCHEN GARDENING MADE EASY. Showing how to prepare and lay out the ground, the best means of cultivating every known Vegetable and Herb, etc. By GEORGE M. F. Glenny. I2mo, 2s, cloth boards. 30 WORKS IN AGRICULTURE, GARDENING, ETC., The Management of Estates. LANDED ESTATES MANAGEMENT: Treating of the Varieties of Lands, Methods of Farming, the Setting-out of Farms, Construction of Roads and Farm Buildings, of Waste or Un- productive Lands, Irrigation, Drainage, &c. By R, ScoTT Burn. Second Edition. i2mo, 3j". cloth. "A complete and comprehensive outline of the duties appertaining to the manage- ment of landed estates." — Jo7irnal of Forestry. The Management of Farms. OUTLINES OF FARM MANAGEMENT, and the Organiza- tion of Farm Labour. Treating of the General Work of the Farm, Field, and Live Stock, Details of Contract Work, Specialties of Labour, Economical Management of the Farmhouse and Cottage, Domestic Animals, &c. By Robert Scott Burn. i2mo, 3^, Management of Estates and Farms. LANDED ESTATES AND FARM MANAGEMENT. By R, Scott Burn, With Illustrations. Consisting of the above Two Works in One vol., ds, half-bound. English Agidcnlture. THE FIELDS OF GREAT BRITAIN. A Text-book of Agriculture, adapted to the Syllabus of the Science and Art Department. For Elementary and Advanced Students. By Hugh Clements (Board of Trade). With an Introduction by H. Kains-Jackson. i8mo, 2s. 6d. cloth. [Jtist published. " A clearly written description of the ordinary routine of English farm-life." — Land. "A carefully written text-book of Agriculture." — Athenceiun. " A most comprehensive volume, giving amass of information." — Ag7'iailtnral \_Econoiuist. Cultui'e of Fruit Trees. FRUIT TREES, the Scientific and Profitable Culture of. From the French of Du Breuil, revised by Geo. Glenny. i2mo, ^s. Good Gardening. A PLAIN GUIDE TO GOOD GARDENING ; or. How to Grow Vegetables, Fruits, and Flowers. With Practical Notes on Soils, Manures, Seeds, Planting, Laying-out of Gardens and Grounds, &c. By S. Wood. Third Edition. Cr. 8vo, 5^-. cloth. *' A very good book, and one to be highly recommended as a practical guide. The practical directions are excellent." — Athencezan. Gainful Gardening. MULTUM-IN-PARVO GARDENING; or, How to make One Acre of Land produce ^620 a year, by the Cultivation of Fruits and Vegetables ; also. How to Grow Flowers in Three Glass Houses, so as to realise ;f 176 per annum clear Profit. By Samuel Wood. 3rd Edition, revised. Cr. 8vo, 2s. cloth. " We are bound to recommend it as not only suited to the case of the amateur and gentleman's gardener, but to the market grower."— Magazine. Early Fruits, Flowers and Vegetables. THE FORCING GARDEN : or, How to Grow Early Fruits, Flowers, and Vegetables. With Plans and Estimates showing the best and most economical way of Building Glasshouses, Pits, and Frames for the various classes, &c. By Samuel Wood, Author of " Good Gardening," &c. Crown 8vo. 6d: {Jt^st published. PUBLISHED BY CROSBY LOCKWOOD & CO. 31 Gardening for Ladies, THE LADIES' MULTUM-IN-PARVO FLOWER GARDEN, and Amateur's Complete Guide. By Samuel Wood. Author of *'Good Gardening," &c. With Illustrations. Crown 8vo, 3^. (}d. cloth. [y^-f^ published. Bulb Culture, THE BULB GARDEN, or, How to Cultivate Bulbous and Tuberous-rooted Flowering Plants to Perfection. A Manual adapted for both the Professional and Amateur Gardener. By Samuel Wood, Author of "Good Gardening," etc. With Coloured Illustrations and Wood Engravings. Cr. 8vo, 3^-. 6^. cloth. Tree Planting, THE TREE PLANTER AND PLANT PROPAGATOR: Being a Practical Manual on the Propagation of Forest Trees, Fruit Trees, Flowering Shrubs, Flowering Plants, Pot Herbs, &c. Numerous Illustrations. By Samuel Wood. i2mo, 2s. 6d. cloth. Tree P7'uni7tg, THE TREE PRUNER : Being a Practical Manual on the Pruning of Fruit Trees. Including also their Training and Renova- tion, also treating of the Pruning of Shrubs, Climbers, and Plower- ing Plants. By Samuel Wood. i2mo, 2s. 6d. cloth. Tree Planting, Pruning, & Plant Propagation, THE TREE PLANTER, PROPAGATOR, AND PRUNER. By Samuel Wood, Author of " Good GT.rdening," &c. Consisting of the above Two Works in One Vol., 5^. half-bound. Potato Cultu7'e, POTATOES, HOW TO GROW AND SHOW THEM. A Practical Guide to the Cultivation and General Treatment of the Potato. By James Pink. With Illustrations. Cr. 8vo, 2s. cl. Hudson s Tables for Land Valuers, THE LAND VALUER'S BEST ASSISTANT: being Tables, on a very much improved Plan, for Calculating the Value of Estates. With Tables for reducing Scotch, Irish, and Provincial Customary Acres to Statute Measure, &c. By R. Hudson, C. E. New Edition, royal 32mo, leather, gilt edges, elastic band, 4^. 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Vendor — Companies and Associations ; *' No Englishman ought to be without this book." — Engineer. " What it professes to be — a complete epitome of the laws of this country, thoroughly Intelligible to non-professional readers. The book is a handy one to have in readiness when some knotty point requires ready solution." — BelVs Life. " A useful and concise epitome of the law." — Laiu Magazijie. Auctioneer s Assistant. THE APPRAISER, AUCTIONEER, BROKER, HOUSE AND ESTATE AGENT, AND VALUER'S POCKET AS- SISTANT, for the Valuation for Purchase, Sale, or Renewal of Leases, Annuities, and Reversions, and of property generally; with Prices for Inventories, &c. By John Wheeler, Valuer, &c. Fourth Edition, enlarged, by C. NoRRis. Royal 321110, cloth, 5^. ** A concise book of reference, containing a clearly- arranged list of prices for inventories, a practical guide to determine the value of furniture, &c." — Standard, Attctioneering, AUCTIONEERS : THEIR DUTIES AND LIABILITIES. 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