K.w LLOTB CATALOGUE OF the second portion of THE VALUABLE COLLECTION \m Oct! LoCA/M MODERN ETCHINGS AND ENGRAVINGS, OF Dr. A. G. MEDWIN, Deceased, late of 34 Bruton Street: L. 5362 7 - WHICH ( By Order of the Executors and by Direction of the Will) OTtU te isolti tig Auction fan Messrs. CHRISTIE, M ANSON & WOODS, at rmwm ©beat 8 KING STREET, ST. JAMES’S SQUARE, On TUESDAY, DECEMBER 11, 1894, ' AT ONE O’CLOCK PRECISELY. May be viewed the Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, M anson and Woods’ Oilices, 8 King Street, St. James's Square , S.W. CONDITIONS OF SAJ,E. - 0 - I. THE highest bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. YI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account bo removed during the time of Sale; and the remainder of the Purchase Money must absolutely be paid on delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the defaulter at this Sale. CATALOGUE On TUESDAY, DECEMBER 11, 1894, AT ONE O’CLOCK PRECISELY. ETCHINGS AND ENGRAVINGS— Framed. H. J. ANGLAY. 1 Sonning-on-Thames; and Henley-on-Thames —a pair — artist's proofs 2 T. G. APPLETON. 2 Fanny Kemble, after Sir T. Lawrence, P.R.A.; and Marcia, after J. Hoppner, E.A.— artist's proofs 2 3 Lady Mansfield, after J. Hoppner, R.A.— artist's proof 4 Duchess of Devonshire, after T. Gainsborough, R.A .—ditto 5 Isabel, after Sir H. Raeburn —ditto P. J. ARENDSEN. 6 Burgomaster and Madame Six —remarque proofs 2 EUGENE DE BLAAS. 7 Flirtation ; and Vexation —a pair — artist's proofs B 2 2 4 y&r- - - - - . /fa* 7 51 St. Edmund’s Chapel, Westminster 52 North Chancel Aisle, Poets’ Corner 53 Segovia 54 Pampeluna 55 The Aisles of Chartres 56 Magdalen College 57 Peterborough Cathedral 58 Set of Five Small Westminsters 59 Old Hanse Town ; and The Washerwomen of Chartres 60 Towing in the Prize ; and St. Mary di Capitol 61 The Interior of Upsala 62 The Pulpit of Verona ; and Toledo by Moonlight 63 Stockholm ; and Arles 64 Trompenberg ; and Navarre 65 Regent’s Canal; and In Church 66 Mont St. Michel 67 The Town of Chartres 5 2 2 2 2 2 2 AFTER K. HEFFNER. 68 The Gloaming— artist's proof HEYWOOH HARDY. 69 Horse’s Head; and Lion’s Head —a pair — artist's proofs 2 SIR F. SEYMOUR HADEN. Artist's Proofs. 70 Breaking up the Agamemnon 71 The Mill Wheel; and The Moat House 2 72 The Dusty Miller ; and The Complete Angler 2 73 Grim Spain; and Mounts Bay 2 74 Battersea 75 Greenwich 8 H. HERKOMER, R.A. 76 An American Lady; and Miss Grant— a pair — artist's proofs 2 77 Lord Tennyson— artist's proof 7 8 The Swing ; The Orphans ; and Shepherd and Daughter— artist's proofs 3 79 Caller Herrin’, after Sir J. E. Millais, R.A.— artist'8 proof E. G. HESTER. 80 The Peacemaker, after Marcus Stone, R.A.— remarque proof JOSEF ISRAELS. 81 Set of Dutch Subjects— artist's proofs 10 A* /'■ - £zs- so- ~ JULES JACQUET. 82 1814, after E. Messonier— vellum proof 83 Sergeant’s Portrait, after E. Meissonier:— remarque proof flo/z /jA- ACHILLE JACQUET. 84 Les Renseignkments, after E. Meissonier— remarque proof 85 The Sign Painter, after E. Meissonier —remarque proof 86 Sacred to Pasht, after E. Long, R.A.— artist's proof L. LOWENSTAM. 87 An Apodyterium; and The Secret, after L. Alma Tadema, R.A. —remarque proof i 2 88 Suspense, after S. E. Waller; and The Morning Ride, after Hey wood Hardy —remarque proofs 2 9 L. LHERMITTE. 89 Rouen Cathedral; and The Mower— artist's proofs 2 LAGUILLERMIE. 90 Clarissa, after Sir J. E. Millais, R.A.— remarque proof 91 Helena Forman, after Rubens— vellum proof AFTER SIR F. LEIGHTON, P.R.A. 92 Solitude— artist's proof AFTER E. BLAIR LEIGHTON. 93 Lay Thy Sweet Hand in Mine— artist's proof DAVID LAW. 94 Glebe Farm; and Bridge of Sighs— artist's proofs 2 95 Greenwich ; and St. Paul’s— ditto 2 96 Seville— artist's proof 2 97 Wordsworth’s Country— set of artist s proofs 5 AFTER B. W. LEADER, A.R.A. 98 April Day—artist’s proof L. LIIULLIER. 99 When a Man’s Married, after W. Nicol; and A Warrior, after Sir J. Linton— artist'sproofs 2 100 Jolly Postboys, after H. S. Marks, R.A.— artist’s prooj 10 E. W. MACBETH, A.E.A. Artist''8 Proofs . 101 Pied Piper op Hamelin (Children and Eats), after G. J. Pinwell —a pair 2 102 The End of the Day; and A Cambridgeshire Ferry, after G. Mason, A.E.A. 2 103 The Cast Shoe, after G. Mason, A.E.A.; and The Fishmonger’s Shop, after F. Walker, A.E.A. 2 104 Harvest Moon, after G. Mason, A.E.A.; and The Elixir of Love, after G. J. Pinwell 2 105 Eeturn from Milking; and The May of Life, after G. Mason, A.E.A. 2 106 A Eainy Day, after F. Walker, A.E.A.; and Only a Shower, after G. Mason, A.E.A. 2 107 Bacchus and Ariadne, after Titian; and The Mushroom Gatherers, after G. Mason, A.E.A. 2 108 The Harbour op Eefuge, after F. Walker, A.E.A. 109 A Pastoral Symphony, after G. Mason, A.E.A. 110 If Music be the Food of Love, after W. Q. Orchardson, E.A. 111 The Plough, after F. Walker, A.E A. J. D. MILLEE. Artist's Proofs. 112 A Vestal: and Letty, after Sir F. Leighton, P.E.A. 1 113 Cynthia ; and Sylvia, after F. Dicksee, E.A. 2 114 Invocation, after Sir F. Leighton, P.E.A. L. MONZIES. 115 Post Horses, after J. L. E. Meissonier —remarque proof 11 E. MEISSONIER. 116 L’Annibal; and L’homme a epee— vellum proofs 2 J. PARK. 117 Rocked in the Cradle of the Deep, after Hamilton Macallum; and Gillingham Church, after W. Muller— remarque proofs 2 J. B. PRATT. 118 The Swanery, after Sir E. Landseer— artist's proof AFTER C. E. PERUGINI. 119 First Words of hove—artist's proof BRITON RIVIERE, R.A. 120 The King Drinks— artist's proof P. RAJON. 121 Strygils and Sponges, after L. Alma Tadema, R.A.— artist's proof 122 Dead Bird, after F. Walker, A.R.A.; and The Ransom, after Sir J. Linton— artist's proof 2 L. J. STEELE. 123 The Wedding Morn, after A. Gow, R.A. F. SLOCOMBE. 124 A Farm in the New Forest; and Green Pastures and Still Waters, after B. W. Leader, A.R A.—artist’s proofs 2 12 j. /o- E. SLOCOMBE. 125 Andromeda; and The Mirror, after T. Schafer— artist’s proofs 2 J. J. TISSOT. Artist’s Proofs. 126 The Hammock ; and Bertha 2 127 How Happy could I be with Either 128 The Two Friends; and The Winter’s Walk 2 H. YION. 129 La Chanson, after E. Meissonier — remarque proof 130 La Confuence, after ditto — ditto C. WALTNER. 131 Romeo and Juliet, after F. Dicksee, R.A.; and The Widow’s Mite, after Sir J. E. Millais, R.A.— vellum proofs 2 132 Clarissa, after J. Hoppner, R.A.; and The Lost Path, after F. Walker, R.A.— artist's proof 133 Rembrandt, after Rembrandt— vellum proof 134 Jewish Rabbi, after Rembrandt; and Susannah, after F. Goodall, R.A.— vellum proofs 135 Dr. Harvey, after C. Jansen— remarque proof 136 Vagrants, after F. Walker, A.R. A. — vellum proof 137 Madam Bas, after Rembrandt— remarque proof 138 Besieged, after F. Holl, R.A.; and The Young Angler, after F. Walker, A.R. A.— vellum proofs 2 139 Waning of the Day, after J. Breton— vellum proofs 110 Christ before Pilate, after M. de Munkacsy— artist’s proof 13 W. L. WYLLIE. 141 Collior Unloading— artist's proof AFTER FRANK HYDE. 142 The Visit to the Studio— artist's proof H. M. RAEBURN. 143 Portrait of H. M. Stanley —remarque proof G. A. MANCHON. 144 The Painting Lesson, after E. Metzmacher— artist's proof FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross. GETTY CENTER LIBRARY 3 3125 00954 8377