c%,.' ,A 
 
 Rf _<y v ' ^yy "*~ 1 ~*JI < t& III J Vfcr^i-Tov, 
 
 
 
 J r ji ^^gtrfrjjk \^jC 
 
 r Jfo ■' -mSfC i '*Tif 
 
 
 
 
 
 
 
 
 H‘KT ’ -. ap cvfy£c£ 
 
 
 I - 
 
 
 
 
Sales in this volume are bound in chronologically 
 from Dec. 18, 1802, through Apr. 23, 1807, 
 except Mar. 21, 1806, -which is the fourth from 
 the end and June 12, 1806, which is at the end. 
 
 
 
 
 ■ * - S' 
 
 
 
 l Hi) 
 
 
 
 
 
 
 *ii 
 
 fij 
 
 SaF&X yPWfc mw Tf’lssi 
 
 
 ^ t&j 
 
 
 /<> W/l twtT/Ss 
 
 


 
 
 
 

 e e 
 
 - 
 
 0-? * L '''/Ji t 
 W W- ^ ^ z^ i /^^ ^ / p y 1 — 
 
 (/2 <?..^ P > - / — 
 
 I 
 
 ft 
 
 I 
 
 4 ) 
 
 / 
 
 ✓ 
 
7 
 
 c 'A / £«/" /?/' 
 
 J 
 
 y 
 
 J~y yyyyt 
 
 / 
 
 cm) 
 
 /x// 
 
 <v«_ ^ 
 
 X 
 
 S&02 4 ■/##/ 
 
 ^ zZs’ZZx'c-Zs c r >s yv-Z 2 3il /'v'/l/V' , ivO^/w /z r y/it’ ZS ■ ZZZJ 2 
 
 %-■//’ L^lfi’c?/ {f'4-/tt'*- :> A'/ 2 Zy y-s/x-ys _ i . Kv* i-e.< « £y Z/fi' ZZ. 
 
 / ^ . Z ' y/ 
 
 /' y* y^ir/t Z4<y - <?y/ ^ y/ y/.Z.' & */*.*/ c * yi t y y'Ztx 2'Z. /7$3 
 
 ^ 2" , 
 
 ^yZ/ * 4 y^SL/^t ’■>' £2 '/ £ Zr /r^Zcc S „ ZZZlt c S£ r y // . X Z2? <3 ~ 
 
 yT 
 
 V* 
 
 - / 
 
 X 
 
 /r 
 
 
 
 yp£-ez/.i /*/£*■ s~ zz#,? y «a/^•-^, 222*3 
 
 2 / Z 
 
 2 A 4Z J / ^-/ ///A’ 4a// 1 /y y^s y ? ,i ^.Z/ z s> a 2> / &7 * s3uz-yZy*y * /ZazcZs 22 ■ 7/3 
 
 * / : /V 
 
 9^ / ^ j-z o./^. t i zs £*<yic-^*/’ »_ zZa*"^ 22. ss/2> -—>— 
 
 y*zesz4Z' Z/t-AyVe-s *z ~ y • - x cX X ^ r /2/> 3 
 
 _ J/ 
 
 - »^ 
 
 ■4? 
 
 •9 
 
 Z4v ZerZ Z%s-*s/ZLy^> n tZiLs Zy^Z _ a^.2 ./ y^ t r y Zc e y ^sZ? Ayy 2/ . ZZ/ 3 
 
 y> s r~r, / y, _ ✓ „ /? - 
 
 
 X 
 
 y z?* y Z/ 
 
 a y c si _ y> 
 
 P 
 
 / Xr *~ <^v- x?/ , y? c 3 
 
 / 
 
 Zffl . cZ /AcZyZyyt 2 _ yj X / Z s e. y 2s-y^f i ^y-t-y^sJ «l , ZZZZ* 
 
 2 / y Z> . y • / - • - • x 
 
 / yt / c *-y 
 
 / 
 
 Zf 
 
 Vy 
 
 ~ /? 
 
 ft/e-ZZ Z / A+S - /- Zt e^y/i C- ^ i~Z; , /t c< y^" i ZZ/ 3 — _ 
 
 k-///''^ £7^s- Zi'Z yryytyey'’ _ ^ y 4 ZZjt^z y ±Z, j^^y yZ‘.' ZZ/ 3 
 
 L y^ r {Z> P? L f -^Zt /i'/ //; / yy/; I-/ v ^ s /-; ^ t .* * y Z2 Z2 Z? 2/ - 
 
 A 
 
 ^ zy ZZc- £'Zt & f z- & j»i v y^t /C' —• i<y \^ -’Z T / yz z c ~yZc, *-> •— z/yi c < Z- 2 . ZZ/’2 
 
 2 ex y . 
 
 / 44'Zy (27^' •*Z / ytyZ<- 1 1 - c Z jZ c 2t~ t-~c.y ^/ * XJ- y-^v f </ 4^-e y t y *- <y t //yb i ( Z' 2Z. ZZ/Z 
 
 y _yZ?' r /Z3'zyy*'S* ^ Z?yi Ztfs t y - ^2 * £>Zyy ZZx cJ a y Z~. Z222 ■— --- 
 
 v. // ’ /Z* <-e Za /y tx-y^ s yyZ Ztr y 2 y*y - Z2 ', 
 
 ZZ 44h^/y 
 
 yy y-/ 
 
 •7 cf /-/ 
 
 // 
 
 \.^a~€/Z> yi/ z Zyt*2r-<^y ^/Z/Xcy ZZ . ZZ</Z 
 
 /7l y- ZcrUS */" ZZ<yZc ^u<-y * ^ Z'yyx '/Zt <y. s^Z c Z/Zr ZZrxyys i/s ^s icS 2 /// Z 
 
 ' ... y /Z 
 
 /yycy ZZr sO, aZ Zl ssy z j -y’ ^Z/sXX-o'Z' J~. /222~ — — - • 
 
 ' 2 yZ 
 
 2/ 
 
 9 / 
 
 /Z>2) 
 
 y 
 
 Z/7 
 
 / 
 
 -/2Z 
 
 /2y 
 
 XZJ 
 
 Zjz 
 
 / 
 
 //*- 
 
 /// 
 
j ty't/Sic*** *■ < ■> /^jr^ ' ^ /Z . /#0& - /// 
 
 11 - /%, y ^ y • *y y%y^ yz/./w /z^ 
 
 yy^^y^ - y/^ *y yy ^y'A'i.ty y yy<?z — y&/ 
 
 ~y ■ y • ^ z. /m — 
 
 ^<y ?&*-'}, «y ^ -^ i -’ <y &. /z#y - —— zzy 
 
 ^ yy /Vj*-,** , ^y zy /# . /f#j •—--—- 
 
 *y yz^>*- < j &y yzy>* /loc^* *JZZy^2 s . /#$/ 2zy 
 
 _ 22f 
 
 «_ 
 
 r 
 
 /Z^r ^yZa tC *-**-•' ^ y*'. 
 
 /Jt>y 
 
 , y_y *y*/irx-<-j ** y cxZa-n s yertj^u <yL*-<j!sjU} zyy 
 
 ^yy,8L&r^ ~y J^r /z*u* ^y*y ^ y# s/ - 2/*r 
 
 yy y 2,g/* ~y sy^Z^y, 2 /. /#<?/ _ 2zs 
 
 /°tr^tt-j **y y^yy yz>m <.> 2 $ /z^y —— z^^ 
 
 ^ ^y yy*^j zy. /z^y — yy^ 
 

 
 
 A Magnificent, truly Superbe, and Valuable Collection 
 
 OF 
 
 ITALIAN, FRENCH, FLEMISH AND DUTCH 
 
 PICTURES 
 
 Selected with very superior Taste, and at an unbounded Expence, from several of the 
 most distinguished CABINETS in EUROPE, 
 
 THE PROPERTY OF 
 
 Robert Heathcote , Esq. 
 
 Among the numerous Chef d’Oeuvres of the great and most admired Masters in 
 
 this splendid Collection are 
 
 TWO CELEBRATED PICTURES BY CLAUDE, 
 
 which formerly graced the Cabinet of the Due de Choiseuil; 
 
 The MAGDALEN, Dominiciiino, from the Udney Collection — 
 A magnificent Portrait of LORENZO DI MEDICI, 
 a Production of the united Efforts of Mich. Angelo and Seb. del Piombo ; 
 the Virgin and Child, L. da Vinci ; 
 
 VARIOUS BEAUTIFUL LANDSCAPES, 
 by S. Rosa, G.&N. Poussin, Cuyp,Wouvermans,Du Jakdin, Teniers, Potter, 
 
 &c. &c. &c. 
 
 Sea Pieces by Vandevelde fy Backhuysen , 
 
 Choice Gems, by G. Dow, Mieris, Metzu, Jan Stein, Turburgh, 8tc. 
 Flower and Fruit Pieces, by Van Huysem and R. Ruysch. 
 
 A Jine Statue of the Apollo Sauroctonos , 
 
 WLfyiti) totll he g>olti bp auction, 
 
 (WITHOUT RESERVE) 
 
 By Mr. H. PHILLIPS, 
 
 , At his Great Room, 
 
 On FRIDAY, April 5th, 1805, and following Day, 
 
 At Half-past Twelve o’Clock. 
 
 To be Viewed Two Days preceding the Sale, by Catalogues at 2s. 6d. each, 
 
 
 1 305 
 
 Ape, 5 
 
 Lo PhH 
 
 c.'T- 
 
 (9 0 3 lo 
 

 CONDITIONS. 
 
 First . . The higheft Bidder to be the Buyer; and if any Difpute arife between 
 two or more Bidders, the Lot fo difputed (hall be immediately put up 
 again and refold. 
 
 Second . . No perfon to advance lefs than is.—above Five Pounds 5s.—and fo on in 
 Proportion. 
 
 Third . . The Purchafers to give in their Names and Places of Abode, and to pay 
 down 25 per Cent, in Part of Payment of the Purchafe Money: in 
 Default of which, the Lot or Lots fo purchafed, to be put up again 
 and refold. 
 
 Fourth . .The Lots to be taken away, with all Faults, and Errors of Defcription, 
 as to Identity of Subje£I, Matter, or otherwife, at the Expence of the 
 Purchafers, within one Day after the Sale. 
 
 Fifth... AS THIS AUCTION IS MADE ON CONDITION OF 
 PROMPT PAYMENT, THE REMAINDER OF THE PUR- 
 CHASE MONEY TO BE PAID ON OR BEFORE THE 
 DELIVERY. 
 
 Sixth . . . Upon Failure of complying with the above Conditions, the Money 
 depofited in Part of Payment fhall be forfeited ; all Lots uncleared within 
 the Time aforefaid fhall be refold, by public or private Sale; and the 
 Deficiency (if any) attending fuch Refale, fhall be made good by the 
 Defaulters at this Sale 
 
 j * I * x .CjL JL * a JL . •</! A'* l. * 
 
 Seventh . But fhould a Purchafer or Purchafers obtain their Lot or Lots, and by 
 any Negleft or Evafion omit paying for the fame, fuch Purchafer or 
 Purchafers fhall pay Five per Cent. Intereft, on the Amount of their 
 laid Purchafe, from the Day of the Sale until the Amount of their faid 
 Bill fhall be dil’charged. 
 
Printed by W. SMITH and SON, No. 49 , King Street 9 Seven Dials. 
 
 A CATALOGUE, %c. 
 
 Firji Day’s Sale , 
 
 FRIDAY, the 5th Day of APRIL, 1805. 
 
 Commencing at Half-paft Twelve o’Clock. 
 
 PICTURES. 
 
 LOT 
 
 1 A Landscape and Figures 
 
 2 A Landscape with Cattle-wz faithful represen¬ 
 
 tation of nature 
 
 3 Sketch of an Altar Viece—from the Or lean’s 
 
 collection 
 
 4 A Landscape and Figures 
 
 5 A Town on Fire 
 
 6 Boors Regaling —a cabinet jewel 
 
 7 A Landscape and Figures —the scene romantic and * 
 
 grand 
 
 . Ru YSDAEL 
 
 5V ^ Van Stry 
 
 7 
 
 Parmegiano 
 
 _Swaneveldt 
 Vanderpool 
 Brower. 
 
 22 .- 
 
 S. Rosa 
 
4 
 
 4^yv* -S. Bourdon- 8 
 
 (2 _Ditto . 9 
 
 0 — Mignon . 10 
 
 /V%L — Van Lundens-■ 11 
 
 De Koningh* • • • 12 
 
 £a-c/>©-v. 4 7 
 
 W. Vandeveldt 13 
 
 Berchem . 14 
 
 ^ ^Rembrandt ••• • 15 
 Pynacher- . • • • • 16 
 
 A*. ~ 
 
 /O^Eveudingen •• 17 
 
 ■ 7 ^ ^P. Veronese •• 18 
 
 7 (j(U.C^ Cvi\r' 
 
 \ 
 
 P. Cortona • • • • 19 
 H, Vandermyn 20 
 
 3 $ ‘ 
 
 Titian 
 
 3 tf 
 
 
 Cain and Abel (circular)— an undoubted and 
 spirited specimen 
 
 The Murder of the Innocents—companion of the 
 preceding and of equal merit, they formed 
 part of the Udney collection 
 Fruit— in his best manner 
 
 A Forge with Anchor Smiths at Work—a chef 
 d’oeuvre by that admired master 
 A View in Holland— equal to Rembrandt , and 
 engraved in the Le Brun cabinet 
 A Calm with a Variety of Vessels— one of the 
 most perfect and beautiful pictures of this 
 celebrated master, from Mon. Robet's col¬ 
 lection 
 
 A Winter Scene— in his best manner, from 
 Guilderminster's collection 
 The Portrait of Himself —in his best manner 
 A Landscape and Figures— one of the most delicate 
 pictures of this scarce and admired master 
 A View in Norway —equal to Ruysdael 
 Mars and Venus— cabinet pictures of this master 
 are extremely rare 
 
 An Allegory— painted with great spirit and effeCt , 
 a fine specimen 
 
 Judith and Tamor— equal to Vandyck, the only 
 picture by this master in England, except the 
 portraits of the Duke and Duchess of Chandos, 
 for which they paid a considerable price—vide 
 Pilkington 
 
 St. Catherine— from the Orleans collection 
 
 f \ cus (r.(U"c~ rffct / t 
 
 21 
 
5 
 
 2/a 
 
 Rembrandt • •• • 
 
 ? 4 - 
 
 G. Metzu 
 
 b-v-'' 
 
 Titian 
 
 Ditto . 
 
 JORDAENS 
 
 Gonzales 
 
 SG 
 
 \ 
 
 22 Portrait of a Lady, in his finest manner— This' 
 
 is perhaps one of the most agreeable specimens 
 of this celebrated master 
 
 23 A Conversation— There is an elegance and rich¬ 
 
 ness in this composition which stamps it in his 
 best time—from the Holderness collection 
 
 24 A Venetian Nobleman, and a Messenger deli¬ 
 
 vering a Dispatch— The character of the 
 principal figure is more agreeable than we 
 generally meet with in the finest Venetian 
 works. The harmony and truth with which 
 it is painted, and its perfect condition, renders 
 
 T r r - \ * ; r 
 
 it a truly desirable picture 
 
 25 A Portrait of the Mistress of a Venetian Noble¬ 
 
 man, in high preservation, and painted in the 
 best time of this great master 
 
 26 A grand Bacchanalian Scene, in which are 
 
 introduced a number of Allegorical Figures, 
 equal to the fnest works of Rubens. 
 
 27 The Family of the House of Orange, containing 
 
 the Portraits of Frederick Henry, and Emelia, 
 Van Solens, Prince and Princess of that 
 House, together Avith their Infant Child and 
 Heir Apparent, who is in the Act of present¬ 
 ing a Boquet to his Father on his Birth Day, 
 agreeable to the Custom of that Country; 
 the Maiden Aunts are represented in the back 
 ground, where is introduced a VieAv of the 
 Old House in the Wood—The Portrait of the 
 Secretary is highly Avorthy of observation— 
 B 
 
 l 
 
J. Ostade . 28 
 
 Vandevelde • • 2 9 
 
 Rembrandt 
 
 - • • 30 
 
 Berchem • •• 
 
 ••• 31 
 
 
 Teniers . 32 
 
 Vandirneer • • 33 
 
 Teniers . 34 
 
 Berchem . 35 
 
 The whole of this picture is painted with a 
 minutia and spirit, scarcely to be equalled; it 
 possesses all the tender colouring and delicacy 
 of Vandyck, xvith the high finishing of Mieris, 
 or Gerard Dow—Pictures of this celebrated 
 painter are extremely scarce 
 A Landscape with Travellers regaling at the 
 Door of a Cabaret—in point of colouring 
 and effedl equal to Rubens 
 A Calm with a Variety of Shipping— a bijou, 
 painted in his best time, and in fne preserva¬ 
 tion 
 
 Portrait of William Tell —painted with great 
 spirit and effect, highly interesting 
 A View in the Mediterranean —The scene grand 
 and beautiful, interspersed with cattle and 
 figures, forming together a charming coup 
 d’oiel 
 
 A Chemist in his Elaboratory —This is certainly a 
 chef d'ouvre of his favourite subjeSt, the detail 
 and general effeB being inimitable 
 A View in Holland (Moonlight)— A beautiful 
 and delicate jewel, by Vanderneer, who in 
 this stile of painting stands unrivalled 
 The Bowl Players —an interesting picture, the 
 charaSter and expression of the figures speak 
 fully the power of that celebrated artist 
 A View in Italy, in the best time of this charming 
 painter —there is an air and gloxv of warmth 
 in this picture seldom met xvith, and in which 
 
7 
 
 it. Ruych 
 
 90 ■ 
 
 
 A. Ostade • 
 
 *r> 
 
 S. Rosa 
 
 Dominichino 
 
 
 ^-~N. Poussin • • 
 Murillo • ••• 
 
 Terburgh-• • • 
 
 fl 
 
 Vandyck • • • • 
 
 /OO ^ 
 
 he has introduced and judiciously disposed a 
 variety of figures of exquisite finishing, which 
 gives to the en-semble a sweet and harmonious 
 ejfedt 
 
 36 Fruit, Flowers, and Insects— there is a warmth , 
 
 beauty, and truth in every object that is ma¬ 
 gical; the insects are animated, and the flowers 
 vie with nature herself She has been sin¬ 
 gularly happy in the execution of this picture , 
 having blended variety with an even and un¬ 
 disturbed harmony 
 
 37 An Interior— exquisitely finished, and in his best 
 
 time, from the cabinet de Poullain 
 
 38 A Landscape and Figures— the scene remarkably 
 
 grand and romantic, in Jine preservation 
 
 39 St. Catharine in a Trance, with a Group of 
 
 Angels above, and a beautiful Landscape— 
 the colouring rich and fine; a most exquisite 
 cabinet picture, purchased from the collec¬ 
 tion of Walsh Porter , Esq. at the sum of 
 £. 1500 
 
 40 A beautiful Landscape and Figures 
 
 41 Beggar Boys playing the Game of Mora— a 
 
 genuine and spirited picture , and one of his 
 favourite subjects 
 
 42 A Conversation— in his finest manner; a beau¬ 
 
 tiful and scarce cabinet picture 7 from Guil- 
 dermister's collection 
 
 43 A capital whole length Portrait of Elizabeth, 
 
 Countess of Peterborough, in white Satin, 
 
8 
 
 2/t 
 
 A. Vandevelde 44 
 
 N. Poussin • • • • 45 
 
 Y' K.a. 
 
 Vandyck.. 4(5 
 
 /or. 
 
 P. Potter . 47 
 
 Teniers. 48 
 
 
 WOUVERMANS • - 49 
 
 3iD ' 
 
 Ditto. 50 
 
 
 G. Dow 
 
 ixs-' 
 
 5 1 
 
 holding a Rose. She was of the noble House 
 of Howard —this is in Vandyck's best time, 
 and in perfect preservation 
 A beautiful Landscape, with Cattle and Figures 
 —elaborately finished, and in high preserva¬ 
 tion 
 
 The Annunciation —a truly capital picture, for¬ 
 merly in the Pope's Chapel, and since formed 
 part of the Udney collection 
 Portrait of the Bishop of Trieste —evidently one 
 of his finest works, uniting in itself the merits 
 of both Rubens and Vandyck 
 Landscape and Cattle —in his best manner ; the 
 animals drawn with truth; a faithful repre¬ 
 sentation of Nature 
 
 A Flemish Fete —A brilliant and silvery gem, 
 painted with all that expression and beautiful 
 variety of character, for which he was so 
 deservedly celebrated; in high preservation — 
 purchased from Mr. Pauney's collection at 
 
 ONE THOUSAND GUINEAS 
 
 La Gout de Pistole —a charming and perfect 
 picture, in his most finished, clear and silvery 
 manner 
 
 La Sortie des Cavalerie —a most charming and 
 highly finished picture, in perfect preserva¬ 
 tion, companion to the preceding 
 The Woman with Carrots —an exquisite bijou, 
 painted with the magic effect of Rembrandt 
 and delicate finishing of Mieris 
 
2 // 
 
 
 9 
 
 S. del Plo mB o • • 52 The Portrait of Lorenzo di Medici, the Outline 
 (v by Michael Angelo, and painted by Sebas¬ 
 
 tian del Piombo —a most astonishing per¬ 
 formance. Such magnificence could only be 
 produced by the joint efforts of those two 
 celebrated artists, by whom painting is here 
 carried to the zenith of perfection. For an 
 account of this picture, see Vassari in his Life 
 of Piombo. 
 
 {L 
 
 
 
 End of the Firff Day’s Sale. 
 
 C 
 
Second Day's Sale , 
 
 SATURDAY, the 6 th Day of APRIL, 1805 , 
 
 Commencing at Half-past Twelve o'Clock. 
 
 
 PICTURES . 
 
 3 
 
 CJ> 
 
 \ • 
 
 Mutiano • • • 
 
 LOT 
 
 •• • 53 
 
 Vandevelde 
 
 • • 54 
 
 <L4- ^ 
 
 Rubens . 
 
 • • • 55 
 
 
 A. Caracci • 
 
 ...56 
 
 30.- 
 
 
 
 3©- 
 
 G. Poussin • 
 
 ...57 
 
 
 Jan Steen • 
 
 • • • 58 
 
 
 
 
 ,S-LI NGLAN D •••« 59 
 
 X H E Vision of St. Francis—equal to Titian 
 A Sea Piece —in his best manner 
 A Portrait of the celebrated Caffarelli 
 The Temptation of St. Anthony —this unique 
 picture was from the Orlean’s collection, very 
 fine, and undoubted 
 
 A Landscape and Figures —a most charming 
 scene 
 
 A Christmas Merry Making in Holland— capital , 
 from Guildermister's collection 
 The Water Doctor—aw elaborate performance 
 
II 
 
 2/o 
 
 / 
 
 P. DEL VaGO* • • • 60 
 
 Ditto. 
 
 IQ r Van Toll • • 
 
 , Ditto .... 
 Backhuysen 
 
 <rzS VYF . 
 
 61 
 
 62 
 
 63 
 
 64 
 
 65 
 
 _P. Potter. 66 
 
 Backhuysen •• 67 
 
 , r - Cuyp. 68 
 
 (co 
 
 Old Parocel •• 69 
 
 S. Rosa. 70 
 
 */; 
 
 35^J. Ostade. 71 
 
 D. Teniers • • • • 72 
 
 5t^ 
 
 Sea Nymphs —this beautiful picture was in the 
 Parma collection, and there ever highly es¬ 
 teemed by Parmegiano, and which, for elegance 
 and colouring, is certainly equal to his finest 
 works 
 
 Ditto, the Companion —equally fine', they were 
 both in the Udney collection 
 
 Gypsies telling Fortunes— fine as Gerard Dow, 
 from Mon. Robet's collection 
 
 The Companion, a Surgeon —from the same col¬ 
 lection 
 
 A Sea Shore, with a Fresh Breeze and Landing- 
 Fish —a cabinet jewel 
 
 A Landscape, Horses and Figures —an interesting 
 scene, from the collection of J. Barnard, Esq. 
 engraved 
 
 Cows in a Landscape —a scarce and beautiful 
 cabinet picture 
 
 A Sea Piece —in fine preservation, a desirable 
 cabinet picture 
 
 Landscape, Cattle and Figures — a beautiful 
 cabinet picture 
 
 The Battle, Constantine discovering the Cross —a 
 fine picture of this much admired master, scarce 
 
 An Italian Sea Port, with Rocks and Figures— 
 a beautiful, perfect, and very desirable spe¬ 
 cimen of that great master 
 
 A Winter Scene —capital 
 
 A Musical Conversation —in his most admired 
 
 manner 
 
Eckhout 
 
 73 
 
 : 
 
 , Cuyp .74 
 
 ^ :> ^ H^fc-yzk. 
 
 C. Maratti • • • * 73 
 
 l**'' 
 
 G. Dow. 76 
 
 So ^ 
 
 L. da Vinci* — 77 
 
 Ruysdael . 78 
 
 Rembrandt • ••* 79 
 
 H®'' 
 
 Van Huysum • * 80 
 
 \Y' 
 
 Old Mieris • • • • 81 
 
 Aaron entertaining Abimelech on his Return 
 from the Wars —equal to Rembrandt, from 
 Guildermister's collection 
 
 A capital Landscape and Figures —the vigour 
 which distinguishes this gem, and the air it 
 possesses, rank it with the finest of his works 
 
 The Stoning of St. Stephen, a truly capital 
 picture of this admired master, from Mons. 
 Robet's collection 
 
 The Adoration of the Magi —a most elaborate 
 performance, in which is introduced his oxen 
 portrait, and those of his cotemporaries, in 
 high preservation 
 
 Rachael —a sweet and highly interesting cabinet 
 picture, beautifully executed, and in fine pre¬ 
 servation 
 
 A Landscape and Figures —in a perfect state of 
 preservation 
 
 St. John Preaching in the Wilderness —a fine 
 and rare gem of the master, from Mons. 
 Robet's collection 
 
 A capital Flower Piece —the truth and beauty of 
 the colouring equals the choicest tints of 
 nature, and a sxveet harmony pervades the 
 xvhole—from Mons. Robet's collection 
 
 The Traveller Reposing —an exquisite cabinet 
 jexvel, the stile of drawing in the taste of the 
 most celebrated Italian masters 
 
13 
 
 /O 
 
 22/ 
 
 Hoebima . 82 
 
 ^S; 
 
 Guido . 83 
 
 >> 
 
 Mola. 84 
 
 j 7 / 
 
 A. Caracci • • • • 85 
 Claude. 86 
 
 Carravagio-• • • 87 
 
 Caracci • • • • 88 
 
 Colantes. 89 
 
 SCHIDONE.90 
 
 '-?ec > 
 
 A capital Landscape and Figures— Guil- 
 dermisters collection 
 
 The Reposo in a Landscape —one of the most 
 beautiful and high finished pictures of this 
 celebrated master 
 
 Narcissus, in a grand and beautiful Landscape— 
 capital 
 
 The Ascension of the Virgin —in the finest time 
 of this inimitable master 
 
 A View in Italy —the scene fascinating, and ren¬ 
 dered highly interesting by various groups of 
 figures; a warm glowing picture 
 
 Boys Drinking —the breadth of colouring, and 
 the surprising effect of light and shade in this 
 picture, are truly admirable. This picture 
 has been recently imported, and was originally 
 in the same collection with the one entitled, 
 The Gambling Boys , so universally admired, 
 
 A 
 
 and sold in the collection of TV. Porter, 
 Esq. 
 
 The Ascension of the Magdalen —this is one of 
 the happiest efforts of this great artist 
 
 A capital Landscape and Figures —the works of 
 this artist are knowti at the Escurial, and 
 esteemed in Spain 
 
 The Holy Family —an inestimable cabinet picture, 
 composed, drawn, and coloured equal to Cor- 
 regio; the character and airs of the heads are 
 beautiful, andfor expression the infant Jesus 
 is inimitable 
 
 D 
 
 i 
 
Bamboccio ••••91 A pair of beautiful Landscapes; Cattle, and 
 
 Italian Peasants —desirable and perfect pic¬ 
 tures 
 
 Rembrandt • • •• 92 
 
 Cu YP 
 
 93 
 
 V r> ■ rf. 
 
 Du Jardin • • • • 94 
 
 G. Poussin • • • • 95 
 
 Claude. 96 
 
 { 7 1 -' I Q j 
 
 A capital Portrait of Belthazer —this picture is 
 painted with all the force, colouring, and 
 freedom of execution for which he was so 
 justly admired 
 
 A Group of Three Cows in a Sunny Landscape— 
 a delightful picture of this charming artist , 
 remarkable for the simplicity of composition, 
 and of warm clear transparent effect; the 
 animals are finely drawn, and painted in his 
 best manner 
 
 A Landscape, with Cattle drinking at a Pool— 
 certainly a chef d'oeuvre ; it is painted with 
 all that truth of nature and brilliancy of 
 effect for which he was justly esteemed 
 
 A Landscape, interspersed with Figures —a grand 
 and beautiful scene; one of his clear and de¬ 
 sirable pictures 
 
 An Italian Landscape, a Poetical Scene, em¬ 
 bellished with a Group of Figures, and a 
 View of Civita Castellina in the Distance— 
 this truly capital picture, which was formerly 
 in the cabinet of the Duke de Choiseuil, is 
 painted in a clear and fresh tone of colouring , 
 in the most fascinating stile of this great and 
 admired artist 
 

 Ditto 
 
 97 
 
 ?-&,)■ %ujL /re. 
 
 W. Mi'Eris • • • • 98 
 
 L. da Vixci•••• 99 
 
 5 ^ 0 - 
 
 Domin icniNo ■ • 100 
 
 370-" 
 
 A Landscape and Figures, the Story of Mercurj 
 and Baltns, companion to the preceding— 
 this charming picture is also tv el l known as 
 having formerly had a place in the cabinet of 
 the Duke de Choiseuil > is of equal merit with 
 the companion 
 
 La Coque — a most astonishing and elaborate 
 performance ; a beautiful and pure picture 
 The Virgin and Child, an inestimable Perform¬ 
 ance, by the Father of Painting, comprising 
 within itself all the various beauties and 
 excellence which detailed or partially given 
 by succeeding great artists obtained for their 
 individual fame— this unique picture is in 
 the finest preservation 
 
 A Magdalen— the expression , beauty , and ex¬ 
 cellence of this truly capital picture could only 
 be equalled by the fine works of the divine 
 Raphael 
 
 Apollo Sauroctonos— This beautiful statue 
 was discovered in excavating the ruins of an 
 ancient temple on the Palatine Mount. It 
 is in chtysoline marble , and undoubtedly 
 Greek sculpture. Pliny mentions the de¬ 
 sign as the most graceful of all the works of 
 Praxiteles, who first cast it in bronze; it 
 became the standard of excellence, many 
 duplicates in marble were spread over Greece, 
 
 if. U-hf 
 
and in the end made their way into Italy. 
 A figure of the same size, and in the same 
 attitude, constitutes one of the principal 
 ornaments of the Museum at the Louvre; 
 but so sensible are the French artists of the 
 superior excellence of our statue, that the 
 plaster model in their Academy was moulded 
 from it There is also a very fine cast of this 
 identical figure in the Royal Academy at 
 Somerset Place. 
 
 Jervis .. 102 A Specimen of Stained Glass of Horses in a 
 
 Stable 
 
 Ditto •••••• ♦ • 103 A ditto of a Forge 
 

 I- 
 

 
 
 ||JJ| 
 
 I 
 
 iiggp 
 
 
 
 §gf|| 
 
 i 
 
 
 :l@@f 
 
 
 
 SggggflBft 
 
 
 i' jUrmr\ 
 
 «/ t 
 
 
 Vi 
 
 
 rz ^ 4 
 
 
 

 
 1 • vjRTa K wUkvr ^2 vn7*Jif 
 
 
 
 su® 
 
 WW$r 
 
 £*■< ‘ , ^' >*,«ca-Nfc 
 
 
 Smro^vJ 
 
 lyafi,£ie}\u 
 
 
 
 
 1 P^V / tV| 
 
 
 
 
 WQBftVU'l 
 
 S$!§Jk