H 
 
 1 : 
 
 
 Sew 
 
 
 m 
 
 
 
 faf* 
 
 
 
 
 SfiCK 
 
 iWflililpt 
 
 SaS 
 
 
 5 W»ft 
 
 ft*®? 
 
 RSsS 
 
 N '-' : 
 
 hmiw 
 
 Sjw 
 
 
 Litkitk: 
 
 
 
 iiSSMi 
 
 
 
 msBiSi' 
 
 sa-A: 
 
 I 
 
 ,y\i •- »*' :r i 
 
 
 
 Kaft l 
 
 i£«*£ 
 
 SESiS 
 
 Sw*. u-SrJri'Ei>i®!:! 
 
 
 
 ge 
 
 
 1 
 
 
 
 
 Sffl 
 
 
 fill 
 
 ■ 'V 
 
 
 MM 
 
 isngaP 
 
 iliilis: 
 
 
 •v:-^ 
 
 grf&WaPKWwfS ?.•$;=«!! :r «: i^gKJii^SsKC ! j : ■•"• - v. V'- 
 
 . "V^l; i| 
 
 38 S 
 
 HI 
 
 
 wm 
 
Class Mark 
 Book Nij 
 
Digitized by the Internet Archive 
 in 2020 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/catalogueoffirst00chri_3 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



A 
 
 CATA LOGUE 
 
 THE FIRST PART OF THE 
 
 VERY VALUABLE AND EXTENSIVE COLLECTION OF 
 
 JBJ IT & It A. V M XT Cr S, 
 
 IN THE PORTFOLIO OF 
 
 S IR THOMAS LAWRENCE, 
 
 LATE 
 
 PRESIDENT OP THE SLOlfAX. ACADEMY, Deceased; 
 
 COMPRISING 
 
 His rare and fine Engravings by M. Antonio and the old Italian Engravers; Engravings by and 
 after the great Italian Painters; Prints from the Works of Rubens; his rare and valuable Etchings 
 by Rembrandt; many from the Sale of Mr. Josi; the Works of Sir Thomas Lawrence, all proofs; 
 and Prints by distinguished Modern Artists; 
 
 ALSO 
 
 BOOKS OF PRINTS ; 
 
 Among which are a remarkably fine and complete Copy of the Pitture, fyc. d'Ercolano : 
 
 WHICH (by ORDER OF THE EXECUTOR) 
 
 ©Hill lie jjoltr li|) Auction. 
 
 By Mil. CHRI ST I E, 
 
 AT HIS GREAT ROOM, 
 
 King Street, St. James’s Square, 
 
 On 310NDAY , MAY the Wth, 1830, 
 
 AND FOLLOWING DAYS, AT ONE O’CLOCK PRECISELY. 
 
 May be viewed two Days preceding, and Catalogues had (at Is. 6 d. each) at Mr. Christie’s 
 
 Office, 8, King Street, St. James's Square. 
 
CONDITIONS OF SALE. 
 
 I. The highest Bidder to be the Buyer, and if any dispute arise between two or more 
 Bidders, the Lot so in dispute shall be immediately put up again and re-sold. 
 
 II. No Person to advance less than Is.—above Five Pounds, 2s. 6 d .—and so on in 
 
 proportion. 
 
 III. The Purchasers to give in their Names and places of Abode, and to pay down 5s. 
 
 in the Pound, in part of payment of the purchase Money, if required ; in default 
 of which, the Lot or Lots so purchased to be immediately put up again and 
 re-sold. 
 
 IV. The Lots to be taken away, with all Faults, at the Buyers’ Expense, within Four 
 
 Days from the Sale. 
 
 V. To prevent inaccuracy in delivery, and inconvenience in the settlement of the 
 Purchases, no one Lot can on any account be removed during the time of Sale; 
 and the Money must be absolutely paid on delivery. 
 
 VI. Upon Failure of complying with the above Conditions, the Money deposited in 
 part of Payment shall be forfeited ; all Lots uncleared within the Time aforesaid 
 shall be re-sold by public or private Sale; and the deficiency (if any) attending 
 such Re-sale, shall be made good by the Defaulter at this Sale. 
 

 
CATALOGUE. 
 
 —- 
 
 \ 
 
 First Day’s Sale. 
 
 On MONDAY, MAY the 10 th, 1830, 
 
 AT ONE O’CLOCK PRECISELY. 
 
 PRINTS. 
 
 1 Two rolls of damaged old Prints 
 
 2 Twenty—by old Masters, various 
 
 3 Eighteen—ditto 
 
 4 Thirty-nine—of the Metamorphoses of Ovid, by Goltzius 
 
 5 Twenty-four—vainous, by Goltzius, &c. 
 
 6 Sixty-one—by Tempesta, viz., the Life of Alexander the Great, in twelve pieces, and 
 
 a set of small Huntings 
 
 7 Thirty-eight—the Farnese Gallery, after An. Carracci, by Cesio ; wanting one or two 
 
 8 Sixteen—viz., seven, various, after Carracci, and nine by Zannetti, after Venetian 
 
 Masters 
 
 9 Seven—the Fall of the Giants, by Bartoli, after the frescoes of G. Romano, in the 
 
 Palace T, at Mantua ; the set complete 
 
 10 Twenty-two—by Lod. and Ag. Carracci 
 
 11 Six—the Descent from the Cross, by Villamena, after Baroccio ; St. Petei deliveied 
 
 out of Prison, by Daret, after Domenichino, &c. 
 
 12 Four—St. Jerome in his Chamber, and three others by Albert Duier 
 
 13 Eight—viz., two of Tritons, by Hopfer, and six others, by Altdorfei, &c. 
 
 14 Nineteen—by Hans Sebald Beham and Aldegrever; the Bath of the Anabaptists, &c. 
 
 15 Eleven—by G. Pens, the History of Tobit, in seven pieces, &c. 
 
4 
 
 RUBENS and VANDYCK. 
 
 16 Thirty-four—various, after Rubens ; the Martyrdom of St. Andrew, &c. 
 
 17 Ten—after ditto; the Holy Family in a Landscape, by C. Jegher, in chiaroscuro, 
 
 rare ; the Wolf Hunt, by De Leeuw, &c. 
 
 18 Two—after ditto ; the large Boar Hunt, by Soutman, on two plates, joined, very 
 
 fine ; and the Fall of the Damned, by Van Orley 
 
 19 The Battle of the Amazons, after ditto, by Vorsterman, in six pieces, not joined 
 
 20 The Raising of the Cross, by Withouc, after ditto, in three pieces, not joined, rare 
 
 21 Three—after ditto ; Christ bearing his Cross, by Pontius, with counter-proof ; and 
 
 the Crucifixion, by B. a Bolswert 
 
 22 Two—after ditto; the Fall of the Damned, on two plates, joined, by Soutman; and 
 
 the same subject, a different design, also on two plates, joined, by Suyderhoef 
 
 23 Three—after ditto ; the Fall of the Angels, by Vorsterman ; the same, by Jac. Neefs ; 
 
 and the Fall of the Damned, on two large plates, joined, by Van Orley—all fine 
 
 24 Three—after ditto ; the Holy Family, with Elizabeth and St.John, by Bolswert; 
 
 Judith and Holophernes, by C. Galle ; and St. Rock, by Pontius—’fine 
 
 25 Three—after ditto; Christ rejected by the Jews, by Nic. Lauwers ; the Crucifixion, 
 
 by B. a Bolswert; and the Madonna, with St. Catharine and other Saints, by 
 H. Snyers—fine 
 
 26 Torairis commanding the Head of Cyrus to be immersed in a basin of Blood, after 
 
 ditto, by Pontius—very fine 
 
 27 Three—after ditto ; the Overthrow of Paganism, on two plates, joined, by S. Bols¬ 
 
 wert ; the Murder of the Innocents, on two plates, joined, by Pontius ; and 
 Christ and the two Disciples at Emaus 
 
 28 Ten Landscapes after ditto, by Bolswert 
 
 29 The \\ ife of Rubens, Mezzotinto, by Earlom—proof 
 
 30 Seven after ditto, by modern engravers; the Portrait of Rubens, the three Graces, &c. 
 
 31 Five after \an Dyck; the Crucifixion, by S. a Bolswert, M. Vanden Enden im¬ 
 
 pression ; M. Luisa de Tassis, by Vermeulen, &c. 
 
 32 Five etchings of Heads, by Vandyck, four of them proofs 
 

 
 
5 
 
 33 A Book of etchings of Heads, by Count Caylus, after sketches of Van Dyck, rare. 
 
 (N. B. they are not mentioned by Heinecken in his Catalogue of the Works of 
 Count Caylus) 
 
 34 Two Portraits after ditto ; the Earl of Arundel, by Sharp ; and a Gentleman of the 
 
 Court of Charles the First, by Charles Heath—both proofs 
 
 ITALIAN SCHOOL—LIONARDO DA VINCI, MICHELANGIOLO 
 BUONAROTI, RAFFAELLE SANZIO, &c. 
 
 35 Five—the Last Supper, after Lionardo da Vinci, by Rymsdyk ; the Battle for the 
 
 Standard, after ditto, by Edelinck; and three others 
 
 36 Ten—after Michelangiolo, by Cherubino Alberti 
 
 37 Three—after ditto, by old engravers ; the Last Judgment; the Fiery Serpents in the 
 
 Wilderness ; and Michelangiolo’s Seal 
 
 38 Five—after ditto, ditto; the Dream, Ganymede, &c. 
 
 39 Four—after ditto, ditto; the Prophet Isaiah; the Sybilla Lybica; Ganymede; and the 
 
 Portrait of Michelangiolo 
 
 40 Eleven—the Last Judgment, after ditto, by G. Mantuanus or Beatrice, in ten pieces f 
 
 complete, and a small print of the whole 
 
 41 Five—various, after ditto ; the Conversion of St. Paul, by Beatrice, after the fresco 
 
 in the Pauline Chapel in the Vatican; the Fiery Serpents in the Wilderness, &c. 
 
 42 Nine—after ditto, by Modern Artists; Sir Geo. Beaumont’s Basso-relievo ; the Car¬ 
 
 toon of Pisa ; and Jonas, by Barry, &c. 
 
 43 Seven ditto; four Groups formerly in the Sistine Chapel; the Holy Family called the 
 
 Silence, &c. 
 
 44 Twelve—by Cunego and others, after the paintings of Michelangiolo in the Sistine 
 
 Chapel 
 
 'I % 
 
 45 Six, large, by Cunego, after ditto, viz.—the Prophets Jeremiah, Joel, and Ezechiel ; 
 
 the Sybilla Erythraea; the Crucifixion of Haman, and another—some proofs 
 
 46 Three—the entire work of Michelangiolo, in the Sistine Chapel, engraved in outline 
 
 by Cunego 
 
 47 Six—by old engravers, after Paffaelle; the Holy Family, with Elizabeth and St. John, 
 
 three different; the Descent from the Cross ; the Battle of the Elephants, &c. 
 
6 
 
 48 Five—after ditto, ditto ; Mary and Martha on the Steps of the Temple ; the Burial 
 
 of Christ, by En. Vico ; the Pest, by Marc Antonio, &c. 
 
 49 Five—after ditto, ditto ; the Incendio del Borgo, Galatea, &c. 
 
 50 Nine—the Planets, after ditto, by Dorigny, with title, &c., complete 
 
 51 Thirteen of Cariatides, after ditto, by G. Audran,—the set complete 
 
 52 Ten—the Portrait of Raffaelle, by Hollar ; Adam and Eve, after ditto, by Strutt; 
 
 the Three Graces, by Sherwin, &c. 
 
 53 Twelve—by Metz, after Friezes by Polidore and G. Romano, in the Vatican 
 
 54 Ten sheets—'Imitations of Drawings by Raffaelle 
 
 55 Thirteen—ditto 
 
 56 Sixteen—ditto; His own Portrait; a red Chalk Study, sent by him to Albert Durer ; &c. 
 
 57 Fitfty-two—viz. : forty-eight sheets of imitations of Drawings of old masters, by 
 
 Metz ; and four sheets of Etchings from the Gallery of the Louvre, by Maria 
 Cosway 
 
 58 Eleven sheets—Imitations of Drawings by Claude, in his Majesty’s collection, by F. 
 
 C. Lewis 
 
 59 A Portfolio, containing fifty imitations of Drawings by old masters 
 
 60 Seven—after paintings of Correggio, at Parma ; engraved by Ravenet 
 
 61 Five—after ditto ; the Marriage of St. Catharine, by Picart, &c. 
 
 62 Forty imitations of Drawings by Parmigiano, &c. 
 
 63 Thirty-one—Bossi’s imitations of Drawings by ditto, in the collection of Count 
 
 Sanvitale, the set complete 
 
 64 One hundred and twenty-four sheets, Etchings by Count Caylus, after drawings by 
 
 the old masters in the collection of the King of France, in a portfolio 
 
 65 Ten-—the Cup, after Mantegna ; and others, small Landscapes, &c., by Hollar 
 
 66 Five—the Madonna and Child, wood engraving, by Titian; and Mary Magdalen, the 
 
 Martyrdom of St. Lawrence, &c., after ditto, by C. Cort 
 
 67 Six, by C. Cort, after Titian—Tarquin and Lucretia; Prometheus; Joseph and 
 
 Potiphar’s Wife ; the Cyclops, &c., all fine 
 
 68 The twelve Caesars, after ditto, by CEgid. Sadeler, very fine 
 
 69 Twelve—the Wiveso f the Caesars, by ditto, ditto 
 
70 
 
 71 
 
 72 
 
 73 
 
 74 
 
 75 
 
 76 
 
 77 
 
 78 
 
 79 
 
 80 
 
 81 
 
 82 
 
 83 
 
 84 
 
 85 
 
 86 
 
 7 
 
 Seven—by Andrea Podesta; the Bacchus and Ariadne, and two companion pieces, 
 after Titian ; and four others, Bacchanalian Subjects, from his own designs 
 
 Venus and Adonis, with numerous Cupids, an Etching by ditto, extremely rare 
 
 Nine—The Virgin and Child, after Titian, by Morin ; and various others, after ditto, 
 by Corn. Bloemaert, F. Chauvau, P. de Jode, Rousselet, &c. 
 
 Forty-three, after ditto, from the Teniers Gallery 
 
 Thirteen, after ditto, by Picchianti, Lorenzini, Mogalli, &c. 
 
 Fifteen Portraits, after ditto, by Sandrart, Coelmans, Vertue, J. Vandergucht, and 
 T. Ver Cruys 
 
 Ten—The Triumphs of Petrarch, by S. Pomarede, after Bonifacio, erroneously 
 ascribed to Titian ; and various, after Titian, by And. Zucchi and P. Monaco 
 
 Seven, after Titian ; the Cornaro Family, by B. Baron; and others, from the Crozat 
 Cabinet, &c. 
 
 Nine, after ditto, Holy Families and Portraits, by Corn. Bloemaert, F. Basan, Jacob 
 Folkema, K. Audran, &c. 
 
 Ten—the Loves of the Gods, engraved in mezzotinto by Smith, after the pictures by 
 Padovanino (erroneously attributed to Titian) at Blenheim—fine impressions 
 
 Twenty-eight Etchings by Le Febre, after the pictures of Titian at Venice 
 
 Thirty, Landscapes and Figures, by Pesne, Corneille, &c., after drawings by Titian, 
 formerly in the collection of Jabach 
 
 Three, by Agos. Caracci, after Paolo Veronese—the Madonna protecting the 
 Senators of Venice; the Crucifixion, very fine; and the Dead Body of Christ, 
 supported by the Madonna and an Angel 
 
 Twelve, after Paolo Veronese; Leda, by Romanet, proof; and others from the 
 Crozat Cabinet 
 
 Twenty-four, by Jackson ; Wood Engravings in chiaro-scuro, after the paintings of 
 the great Venetian Masters at Venice 
 
 Seven—the Assumption of the Virgin, after Titian, by Hayter; the Madonna, with 
 St. Sebastian and other Saints, after ditto, by Cunego, proof; and various, 
 after P. Veronese, in the Dresden Gallery, &c. 
 
 Four—The Deposition, after Spangnoletto, by Cunego; St. Rock giving Alms, by 
 
8 
 
 Camerata, after An. Caracci; the Transfiguration, after Raffaelle ; and the Taking 
 down from the Cross, after Daniello da Volterra, by Dorigny 
 
 87 Eighteen Landscapes, by Sebastian Bourdon, viz. :—a set of twelve pieces; a set of 
 
 five, larger ; and one, smaller—rare, in a portfolio 
 
 88 Seven—the works of Mercy, by Sebastian Bourdon—very fine 
 
 89 Six—a set of Landscapes by L. de Chastillon, after Nic. Poussin—very rare 
 
 90 Four—the Holy Family, after N. Poussin, by de Poilly; the Testament of Eudamidas, 
 
 after ditto, by Pesne ; the Death of L. da Vinci, by Cades ; and another 
 
 91 Thirteen—the Passion of Christ, after Jac. Stella, (falsely ascribed to N. Poussin), 
 
 by Claudia Stella 
 
 92 One hundred and seventy-seven, of Animals, by Ridinger—in a portfolio 
 
 OLD ITALIAN ENGRAVERS, MARC ANTONIO, &c. 
 
 93 The Shepherd and the Old Warrior, by Dom. Campagnola, rare 
 
 94 Four—the Portrait of Raffaelle, by Marc Antonio, with copy ; and two groups of a 
 
 Mother and Child 
 
 95 Three—David with the head of Goliah, by Marc Antonio—two different plates 
 
 96 Two—God appearing to Noah, by ditto, and copy 
 
 97 A group of three Figures, by ditto, from the Cartoon of Pisa, by Michelangiolo 
 
 98 Apollo with his Lyre, in a Niche, by ditto, after Raffaelle 
 
 99 The Martyrdom of S. Felicita, by ditto, after ditto 
 
 100 Two—the Man with a Lantern followed by a Goat, by ditto; and Venus and Cupid 
 
 —both fine 
 
 10 ] The Facade of a Temple, supported by Cariatides, by ditto—fine 
 
 102 The celebrated Adam and Eve, after Raffaelle, by ditto 
 
 103 The Murder of the Innocents, after ditto, by ditto—fine 
 
 104 The same—very fine 
 
 105 The Pest, after ditto, by ditto—very fine 
 
 106 Two impressions of the same 
 
 107 The Madonna with the dead Christ; ‘au bras nud.’ by ditto, after Raffaelle—very fine 
 

9 
 
 108 The same 
 
 109 The Martyrdom of St. Lawrence, by ditto, after B. Bandinelli—very fine 
 310 Mount Parnassus, by ditto, after Raffaelle 
 
 111 St. Cecilia, by ditto, after ditto,—fine 
 
 112 The Judgment of Paris, by ditto, after ditto—extra fine and rare 
 
 113 The copy, or repetition of the same, fine 
 
 114 Alexander depositing the Books of Homer, by ditto, after ditto, very fine 
 
 115 The Portrait of Aretine, by ditto, after Titian, extremely rare 
 
 116 A sheet, containing nine small fragments of plates, engraved by ditto, after Giulio 
 
 Romano, from the collections of Mariette and Sir M. M. Sykes,_ unique 
 
 BOOKS AND SETS OF PRINTS. 
 
 117 Illustrations of the Bijou, 1830, India paper proofs before letters 
 
 118 Blake’s Illustrations of the Book of Job, 1825, India paper proofs 
 
 119 The Angerstein Gallery, by Young, proofs on India paper, half-bound with blue 
 
 morocco 
 
 120 Retsch’s Outlines from the Tragedy of Faust, by Moses, 4to. in boards 
 
 121 4 Les QEuvres Lithographiques, par Strixner,’ &c., after the drawings of the old 
 
 masters in the royal collection at Munich ; numbers 1 to 72 inclusive, complete, 
 six pieces in each, in all 432 prints 
 
 122 Frescoes of the early Florentine Masters, by Lasinio, plates 1 to 26 inclusive 
 
 123 ‘ Omaggio delle Provincie Venete alia Maesta Carolina Augusta, Imperatrice 
 
 d’Austria,’large folio; Venice, 1818; containing many interesting plates. Presen¬ 
 tation copy 
 
 124 Lithographic Prints and Etchings, after pictures in the cabinet of the Chevalier de 
 
 Speck at Leipsic, fol. 1827, half bound 
 
 125 ‘Les Ruines de Pompei,’ par F. Mazois, Paris, 1812. large fol. boards 
 
 126 Picart’s ‘Impostures Innocentes,’ London, 1756, folio, boards 
 
 127 Zucchero’s Works at Caprarola, by Prenner, Rome, 1748, fol. in calf. 
 
 128 ‘ Scuola Italiana,’ being a collection of imitations of drawings of the old masters, by 
 
 Stefano Mulinari, Rome, 1787, fol. half-bound 
 
 c 
 
10 
 
 129 Zannetti’s Etchings, after Frescoes of the great Venetian masters, and the drawings 
 
 of Parmigianino, 1760, 4to. half-bound 
 
 130 The bassi-relievi of the Trajan Column, the Admiranda, and the ‘Veteres Arcus 
 
 Augustorum,’ by Bartoli, half-bound in russia, the plates misplaced 
 
 131 Biscop’s Statues, and ‘ Paradigmata Graphices,’ bound in one volume, calf, gilt 
 
 132 Bocchius’ Emblems, with plates by Bonasone, 4to. Bologna, 1574 
 
 133 £ Amori, Sdegni, et Gielosie di Giunone,’ by Bonasone, 22 plates, including title 
 
 134 ‘ Habiti Antichi et Moderni,’ by Cesare Vecellio, 8vo. Venetia, 1590 
 
 135 The Story of Cupid and Psyche, by the Maitre au De, after Raffaelle, in 32 plates, 
 
 fine old impressions 
 
 136 Costumes of the Turks, &c., with numerous wood-engravings by Melchior Lorich, 
 
 small folio, rare 
 
 End of First Day's Sale. 
 

yj/ 
 
 /Sf 
 
 y/f// 
 
 y^y 
 
 /6Z 
 
 /43 
 
 S4f 
 
 y 
 
 I 
 
 7 
 
 4 
 
 4? 
 
 <fr 
 
 7 
 
 / 
 
 yy~ 
 
 yy 
 
 yy 
 
 / 
 
 -4 
 
 4' 
 
 /V y 
 4^-* i-- * y 
 
 6-C /-* » 
 
 y# y? 
 
 ^ , 
 
 * y7~ < 
 
 y4/^y 
 
 
 y^7 
 
 Z-gi r 
 
 
I 
 
 Second Day's Sale, 
 
 On TUESDAY, May the 11th, 1830 , 
 
 PRECISELY AT ONE O’CLOCK. 
 
 PRINTS BY OLD MASTERS continued. 
 
 137 Eleven—of the Apostles, after Raffaelle, by M. da Ravenna 
 
 138 Three—by M. da Ravenna ; two Gladiators fighting, &c. 
 
 139 Three—by ditto ; Yenus taking a Thorn out of her Foot, and Pan and Syrinx, first 
 
 and second impression 
 
 140 Two—by ditto ; the Madonna and Child, with Tobitand St. Jerome, and the Female 
 
 leading a lion 
 
 141 The Rape of Helen, by ditto, after Raffaelle, fine 
 
 142 Eight—by Agostino Veneziano; Hercules leaning on his Club, &c. 
 
 143 Two—by ditto; St. Jerome reading, and Christ bearing his Cross, after Raffaelle 
 
 144 Three—by ditto ; Abraham’s Sacrifice, Leda, and the Triumph of Silenus, fine 
 
 145 The Story of the Midianitish Woman, school of Marc’ Antonio, rare 
 
 146 Five—a Bacchanalian frieze, three impressions, Venus on a Dolphin, and another 
 
 147 Six—a Nymph standing by a Vase, a Satyr carrying a Female, and four others 
 
 148 Six—Vintage, and five others 
 
 149 Five—by Caraglius, after Parmigianino ; the Adoration of the Shepherds, the 
 
 Marriage of the Virgin, the Decapitation of two Saints, &c. 
 
 150 Three—Alexander and Roxana, after Raffaelle, by Caraglius, and the Maitre au D£ ; 
 
 and Ixion, by Caraglius, fine 
 
 151 Twenty—the set of Heathen Deities, by Caraglius, after Rosso 
 
 152 Twenty—the Loves of the Gods, by ditto, after Pierino del Vaga and Rosso, seveial 
 
 of them unknown to Bartsch, extra rare 
 
12 
 
 153 Twelve—the Labours of Hercules, by ditto, after Rosso; copies of the Loves of the 
 
 Gods, &c. 
 
 154 Ixion, by Caraglius, brilliant 
 
 155 Three—by Giuiio Bonasone; the Holy Family, after Parmigianino, the Birth of 
 
 St. John, and another 
 
 156 Two—the Flight into Egypt, by ditto, after Raffaelle, and another ; rare 
 
 157 One—by ditto, representing two sitting figures painted by Michelangiolo in the Sistine 
 
 Chapel; very fine and rare 
 
 158 The last Judgment of Michelangiolo, by ditto ; fine early impression, rare 
 
 159 The portrait of Michelangiolo, by ditto; very fine 
 
 160 Two—by ditto; the Battle of Constantine, first impression; and Mars, Venus, 
 
 Mercury, and Cupid 
 
 161 Four—by ditto ; the Chariot of the Sun, and three others 
 
 162 Fifteen—by ditto; the busts of Jupiter and Juno, and the Loves of the Gods, with 
 
 title ; all extra fine and rare 
 
 163 Ten—by the Maitre au D£; viz. six of Cupids, with festoons, after Raffaelle, and 
 
 four others 
 
 164 Seven—by ditto ; friezes with Cupids, &c. 
 
 165 Two—by Enea Vico; the Entombment of Christ, after Raffaelle, very fine ; and 
 
 St. Jerome 
 
 166 Two—by ditto; the Fall of Giants, after Pierino del Vaga, and Mars and Venus; 
 
 both fine 
 
 167 Six—by ditto; two of Leda, after Michelangiolo and P. del Vaga; Tarquin and 
 
 Lucretia, after Raffaelle, &c. 
 
 168 Three—by ditto ; Vulcan at his Forge, &c., after Parmigiano ; the first state of the 
 
 plate, with counter-proof, extra rare, and the second state 
 
 169 The Academy of Baccio Bandinelli, by ditto; first impression, very fine 
 
 170 Nineteen of Vases, by ditto 
 
 171 Six by Michel Lucensis, after Polidoro, &c.; the combat between Cupid and Apollo, 
 
 by Beatrice, after B. Bandinelli 
 
 172 Eight—various, by Battista Franco 
 
 173 Six—by Georgius Mantuanus; the Prophets and Sybils, after Michelangiolo 
 

13 
 
 174 Five—by ditto; Cupid and Psyche, Tarquin and Lucretia, and a Bacchante mounted 
 
 on a Goat, after G. Romano; Venus, Vulcan, and Cupids, after P. del Vaga; 
 and a naked Female combing her hair, after Michelangiolo 
 
 175 The Judgment of Paris, by ditto, after Battista Bertano ; very fine 
 
 176 Five—by ditto ; Vulcan at his Forge, with Venus and Cupids, and Venus and Vulcan 
 
 seated on a bed, after P. del Vaga; Marius, after Polidore; Hercules and 
 Antaeus, and Hercules reposing, after G. Romano 
 
 177 Nine—by ditto; Tarquin and Lucretia, &c. 
 
 178 Four—the Martyrdom of St. Catharine, after G. Romano, by Adam Mantuanus ; 
 
 and three, various, by Diana Mantuana 
 
 179 Three—by unknown engravers, after Michelangiolo; viz. Leda, the Dream, and 
 
 Ganymede 
 
 180 Six—by ditto; Baccio Bandinelli in his study; a naked Female looking at herself in 
 
 a mirror, after Michelangiolo ; Mars and Venus embracing, &c. 
 
 181 The Battle of Cador, after Titian, by Giulio Fontana ; very rare 
 
 182 Mount Parnassus, a singular design, perhaps by Amico Aspertini 
 
 183 Fourteen—School of Fontainbleau ; Psyche at the Well guarded by Dragons, after 
 
 G. Romano ; Hercules and Omphale surprised in the night by Satyrs, &c., after 
 Primaticcio, &c. 
 
 184 Five—Mars and Venus seated on the Clouds, after Primaticcio, very fine; Cupid 
 
 sleeping; Nymphs in a Bath, after Luca Penni ; an old wood-cut, after Titian, 
 and another by Gregorius de Gregoris, 1517, representing the Martyrdom of 
 S. Felicita, after Raffaelle 
 
 185 Six—School of Fontainbleau, &c. ; two of Jupiter and Semele, after Primaticcio ; 
 
 the Rape of Hylas, after G. Romano; Joseph and Potiphar’s Wife, by B. Passa- 
 rotti, and two others ; all rare 
 
 186 Twenty-four—Vases, &c. by Renatus Boyvin, after Rosso 
 
 187 Nine—various; Sea Nymphs and Tritons, by Batta. del Moro ; a landscape, with 
 
 pastoi*al figures, by Titian, &c. 
 
 187* A long Procession of Bacchanti, (style of Odovardo Fialetti)—supposed unique 
 
 188 Five—the Shepherd’s Offering, very fine, by Parmigiano ; the Virgin and Child, and 
 
 the Burial of Christ, by ditto; the Adoration of the Shepherds, engraved after 
 him by Caraglius, and another 
 
14 
 
 ETCHINGS BY REMBRANDT, CHIEFLY FROM MR. JOSI’S 
 
 COLLECTION. 
 
 189 The Death of the Virgin, two impressions ; one very fine 
 
 190 The Angel appearing to the Shepherds 
 
 191 Two—Christ healing the Sick, the Hundred Guilder print, (last state of the plate); 
 
 and the small Crucifixion 
 
 192 The Hundred Guilder print, brilliant 
 
 193 Six—Joseph and Potiphar’s Wife, two impressions; the Friar in the Straw, original, 
 
 and two copies; and the Shepherd and Shepherdess in a Wood, No. 181 ; rare 
 
 194 Doctor Faustus, fine impression, full of burr 
 
 195 The Portrait of Abraham Frantz, on India paper, fine , the plate afterwards much 
 
 more worked upon 
 
 196 Clement de Jonge, fourth impression, fine 
 
 197 Clement de Jonge, third impression, rare 
 
 198 The young Haring, first impression, before the curtain-rod across the window, fine 
 
 and very rare 
 
 199 Three—the Man with the bald head, No. 302, fine ; and Nos. 303 and 337 
 
 200 Various sketches on one plate, No. 335, three impressions 
 
 201 A landscape, with a Sportsman, No. 203, with the burr 
 
 202 Two—a landscape, with a square Tower, No. 210, on India paper, brilliant impression, 
 
 with the burr ; and a small landscape with a Boat, No 227 
 
 203 A landscape, with sheep, arched at top, very fine, No 216 
 
 204 A large landscape, with a Cottage and Barn, No. 217, exceedingly fine 
 
 205 A landscape, with a Bridge across a Canal (improperly called a grotto with a brook), 
 
 No. 223, first impression, with a Boat seen under the Bridge, extremely rare 
 
 206 Two a landscape with a Boat; and its companion, a landscape with Anglers, 
 
 No. 227 
 
 207 J wo the landscape with Anglers, No. 227, and a landscape with Cottages and a 
 
 Boat, No. 228 
 
 208 Five—after Rembrandt; the Anatomy, and the five Syndics, by J. de Frey, &c. 
 
2JJ 
 2.3 ■ 
 
 2 
 
 / 
 
 /A- 
 
 2 st 
 
 ±320 /<? 
 
 /? . 
 
 
 
 rx 
 
 
 X<, 
 
 ,t~ 
 
 
 
 
15 
 
 209 Three—Bathsheba, by Moyreau; the Mill, mezzotinto, by Reynolds, and the same 
 
 in small 
 
 210 Two—Bathsheba, by Burnet, and the Mill, by Reynolds 
 
 211 Four—of the Bull-book, by P. Potter 
 
 212 The Cathedral of Antwerp, by Hollar 
 
 4 
 
 213 Ten—various, English and foreign portraits 
 
 214 Two—the portrait of Bossuet, by Drevet, fine, and the Count de St. Paul, by 
 
 Nanteuil 
 
 WORKS OF SIR THOMAS LAWRENCE—ALL PROOFS. 
 
 215 Two—the Duke of Wellington, whole length, by Bromley, etching, fourth proof, 
 
 and ditto finished, on India paper before letters 
 
 216 Two—the King, by Lane, and the Duke of Wellington, both on India paper 
 
 217 Two—ditto, ditto 
 
 218 Two—His Majesty, by Lane, and the Duke of Wellington, unfinished, on India 
 
 paper 
 
 219 The Baring family, before the letters 
 
 220 Three—Cato, before the letters; His Majesty, by Lane, and Kemble in Hamlet, by Dawe 
 
 221 Three—the King, by Lane, the Countess Woronzow, and a Lady and Child 
 
 222 Two—the King, by Lane, and the Ladies Maryborough 
 
 223 Three—the Countess Woronzow, the Duchess of Bedford, and the King 
 
 224 Four—Lord Castlereagh, T. Coke, Esq., Lady Wigram, and another ; fine 
 
 225 Four—the Countess Woronzow, the Archbishop of Canterbury, and two others 
 
 226 Three—Lady Wigram, the King, by Lane, and the Countess Woronzow 
 
 227 Four—Countess Woronzow, the King, by Lane, &c. 
 
 228 Six—Mrs. Arbuthnot, Ada, Kemble, &c. 
 
 229 Six—Lady Wallscourt, Mrs. Arbuthnot, &c. 
 
 230 Seven—Mrs. Arbuthnot, Kemble, the King, &c. 
 
 231 Seven—Lady Wallscourt, Mrs. Arbuthnot, the King, Kemble, &c. 
 
 232 Seven—ditto, ditto, &c. 
 
16 
 
 l 
 
 233 Six—Prince Leopold, touched proof; Sir John Moore, ditto; Dr. Woolaston, first 
 
 proof; the King, &c. 
 
 234 Six—the King, Lord Castlereagh, before letters, the Due de Richelieu, Sir Wm. 
 
 Knighton, Sir J. Moore, touched proof, &c. 
 
 235 Lord Rolle, presentation from the engraver, Chas. Turner 
 
 236 Lord Harewood, by Lupton 
 
 237 Marquis of Anglesea, presentation proof, by Turner 
 
 238 John Adam, Esq., of Calcutta, by ditto 
 
 239 The King in armour, by Lane, the first print, of which only a very few impressions 
 
 have been taken 
 
 240 Ditto 
 
 241 Pope Pius VII., by Cousins, before letters 
 
 242 Ditto, ditto 
 
 243 The King of France, by Cousins, before letters 
 
 244 Ditto 
 
 PRINTS, VARIOUS, BY MODERN ARTISTS. 
 
 245 Forty-eight—various, on stone, by Vernet 
 
 246 Twenty-nine—ditto, of Military Costume, by Charlet 
 
 247 Twenty-three—various, by Vernet and others 
 
 248 Ten—various, the Interior of a Capuchin Convent, &c. 
 
 249 Seven—Etchings and Aquatintoes, one by Bonington, another supposed to be by Sir 
 
 Thomas Lawrence, others by W. Lock, Esq., &c. 
 
 250 Eight—by and after Fuseli, &c. 
 
 251 Six—by Lewis, Long, and Ottley 
 
 252 Twelve—of Statues, &c., by Desnoyers, Potrelle, &c. 
 
 253 Four Mr. Townley’s Gallery, after Zoffani, the Queen’s Trial, by Hayter, &c. 
 
 254 Seven -the Venus of Titian, small proof; a Group of Gentlemen on Horseback, by 
 
 Linnel, after Van Eyck, &c. 
 
 255 Three Titian’s Mistress, by Forster; Venus a la Coquille, after Titian, by Benoist, 
 
 and Titian’s Schoolmaster, by Fittler, proof 
 
17 
 
 256 Two—St. Peter and St. Paul, after Guido, by G. Cipriani, proof; and Diana and 
 
 Nymphs, after Domenichino, by Morghen 
 
 257 Four—the Holy Family, after Raffaelle, by Edelinck ; Theology and Poesy, by 
 
 Morghen, after ditto ; and the School of Athens, by Cholet 
 
 258 The Holy Family, after Raffaelle, by Edelinck, first impression before the arms, fine 
 
 259 The Portrait of Lewis XVI., by Muller 
 
 260 Three—after Raffaelle ; the Madonna della Seggiola, by Desnoyers ; Faith, by ditto, 
 
 and Adam and Eve, by Richomme 
 
 261 Three—Faith, Hope, and Charity, after Raffaelle, by Desnoyers 
 
 262 Pope Leo X., after Raffaelle, by Lignon, proof before the letters 
 
 263 The Madonna and child, with Tobit and St. Jerome, after Raffaelle, by Lignon 
 
 BOOKS AND SETS OF PRINTS. 
 
 264 Views of picturesque Buildings in Italy, by C. Bourgeois, sixteen numbers, fob, 
 
 ninety-six plates, complete 
 
 265 Sketches of Costume in Italy, &c., by H. Bridgens, 4to., ten numbers, coloured 
 
 plates, the work complete 
 
 266 Malton’s Tour of London and Westminster, twenty-five numbers, complete, 4to., 
 
 1790—1801 
 
 267 Geo. Cooke’s London, 4to., Nos. 1 to 9, inclusive, India proofs, unlettered 
 
 268 £ Household Furniture, and Interior Decoi*ation,’ from the designs of Thos. Hope, 
 
 Esq., fol. boards 
 
 269 ‘ The Costume of the Original Inhabitants of the British Islands,’ by Dr. Meyrick, 
 
 &c , large 4to., coloured plates 
 
 270 Pinelli’s Roman Costume, in fifty plates, 1809 
 
 271 Two—‘ Hollandia Regenerata,’ a satyrical work, with prints, 4t.o. 17 ( Jo ; and a 
 
 series of coloured plates, representing a Spanish Bull-fight, 
 
 272 Hakewilfs Picturesque Tour of Italy, 4to., twelve numbers, the work complete 
 
 273 4 Peintures de Vases Antiques dits Etrusques, 1 fine paper, with the plates coloured, 
 
 2 vols. in fob, in sheets, complete, in a portfolio 
 
 D 
 
18 
 
 274 Jones’s Metropolitan Improvements, 4to., forty-one numbers, complete, 1828—1830 
 
 275 ‘ Mus£e de Peinture et de Sculpture,’ with plates in outline, 8vo. 1828-9, seventy- 
 
 one numbers 
 
 276 ‘ Le Pitture Antiche d’Ercolano,’ with the bronzes, candelabra, and catalogue, in 
 
 9 vols. folio, complete ; a very fine copy 
 
 End of Second Day's Sale. 
 

Third Day's Sale. 
 
 On WEDNESDAY , MAY \2th, 1830 , 
 
 AT ONE PRECISELY. 
 
 277 
 
 278 
 
 279 
 
 280 
 
 281 
 
 282 
 
 283 
 
 284 
 
 285 
 
 286 
 
 287 
 
 288 
 
 289 
 
 290 
 
 VARIOUS. 
 
 Twenty-four—the Miserie of War, by G. V. Schagen, after Callot, &c\ 
 
 Hogarth’s Receipt, May 15th, 1743, of Mr. John Townshend, for half-payment of a 
 set of Marriage a la Mode—rare 
 
 Fifteen—G. Cooke’s Etchings of Picturesque Scenery, after Drawings by Sir Thomas 
 D. Acland, Bart. 
 
 Sixteen—Frontispiece to an Album, by Hayter, and various 
 
 Five—Rembrandt’s Peasant Girl, by Say, proof; Northcote, after Harlow, India 
 proof before letters ; Mad. de Begnis, by Chalon, &c. 
 
 Two—Canova’s Conjectures upon the Figures at Monte Cavallo, and the Statue of 
 Religion from ditto, both presented by him to Sir Thomas Lawrence 
 
 Portrait of Mr. West, by Say, after Green, proof 
 
 Ditto of Lord Burghersh, by Phillips, after Saunders, proof 
 
 The Stoning of Stephen, by Dunbarton, after West 
 
 Two—the Death of Robin Hood, by Lupton, after Fielding, proof before letters, 
 presented by the Artist; and the Battle for the Standard, India paper, proof 
 before the letters, by Bromley, after Cooper 
 
 Titania, after Thomson, by Say ; and Danae, after Girodet, by Le Conte, proofs 
 
 Six—the entry of Pope Pius VII. into Rome, and paintings in St. Stephen’s Chapel 
 
 Seven—by Haughton, after Fuseli 
 
 Two—Angelica and Medoro, by Folo, after Matteini ; and the Oath of the Horatii, 
 after David 
 
 D 2 
 
20 
 
 291 Four— Orestes, after Pallagi, by Rosaspina; a Landscape, after G. Poussin, by C. 
 
 Px*estel, &c. 
 
 292 Three—the Death of Robin Hood, after Fielding; the interior of a Capuchin Con¬ 
 
 vent, both proofs before lettei's, and another 
 
 293 The Shipwreck, by Fittler, proof before letters 
 
 294 Four Etchings, by Sabatelli, &c. 
 
 295 Fourteen small Portraits, &c., several for the Percy Anecdotes, proofs on India paper 
 
 296 Eight—the Story of JEneas, outlines, on India paper 
 
 297 Nine sheets of Lithographic imitations of Sketches by modern artists, by Lane, 
 
 proofs on India paper 
 
 298 Five ditto, including the Burial of Christ, by Pistrucci, after Seb. del Piombo 
 
 299 Thirteen various Portraits, English and foreign—the Statue of Washington, the 
 
 Princess Esterhazy, &c., most of them proofs 
 
 300 Ten ditto, English 
 
 301 Five ditto, foi’eign—Mademoiselle Mars, Vittorio Alfieri, &c. 
 
 302 Four—the Rev. And. Thomson, Heni-y Cockburn, Esq., the Rev. Ai*ch. Alison, by 
 
 Walker, after Raebuim ; and the Rev. Thomas Twining, by Turner, after Halls, 
 all proofs 
 
 303 .Eleven—Illustrations of the Percy Anecdotes, &c., proofs 
 
 304 Seven—Sir Heni’y Englefield, &c., proofs 
 
 305 Eight Portraits, after Sir Thomas Lawrence ; Sir John Mooi*e, &c.—unfinished, or 
 
 re-touched proofs 
 
 306 Nine ditto, the Rev. Samuel Lysons, the Duke of York, &c., proofs 
 
 307 Six ditto, Jos. Jekyll, Esq., &c., ditto 
 
 308 Twenty English and foi-eign Portraits, after different masters 
 
 309 Six, various, after Smirke, Newton, Eastlake, &c.—proofs 
 
 310 Seven from Don Quixote, after Smirke, proofs 
 
 311 Twenty, various, proofs, after Fuseli 
 
 312 Th ree—View of Bologna, the only Etching by Bonington ; the Bag-piper, from 
 
 Wilkie; and Anne Page, after Leslie—proofs 
 
Jl JS~ /# 6 
 
 
 r<r 
 
 
 ) 
 
 . // f-/e-v 
 
 / 
 
 
 
 > / 
 
313 
 
 314 
 
 315 
 
 316 
 
 317 
 
 318 
 
 319 
 
 320 
 
 321 
 
 322 
 
 323 
 
 324 
 
 325 
 
 326 
 
 327 
 
 328 
 
 329 
 
 330 
 
 331 
 
 21 
 
 John Anderson, proof on India paper before letters, by Burnett 
 
 Two—a Beggar at a Cottage-Door, after Withrington ; and Fishermen on the look¬ 
 out, after Collins, proofs on India paper 
 
 Six—Monumental Plate of the Princess Charlotte, Portrait of Washington, &c., proofs 
 
 Three—Edward Cook, Esq., after Saunders, proof; John Rennie, after a Bust by 
 Chantrey ; and Abernethy, unfinished proof, after Sir Thomas Lawrence 
 
 Seven various Portraits—the Duke of Sussex, Thomas Chevalier, Esq., the Princess 
 Victoria, &c., proofs 
 
 Six ditto—James Northcote, Ben. West, H. Fuseli, Esqrs., &c.—proofs 
 
 Three ditto, Thomas Stothard, John Flaxman, Esqrs., and Dr. Jenner, proofs 
 
 Six—the Princess Sophia, by Cousins, after Beechey; Jos. Wright, Esq., proof, &c. 
 
 Two ditto—the Rt. Hon. C. J. Fox, by Bromley ; and Sir Thomas D. Acland, by 
 Reynolds, after Owen, proofs on India paper 
 
 Six ditto—Dr. Wollaston, John Hoppner, Esq., Shute Barrington, Bishop of 
 Durham, &c., most of them proofs 
 
 Six—the Marquess of Lothian, John Duke of Argyll, &c. 
 
 Thirteen—the Portrait of Shakspeare, the Mask of Garrick, &c. 
 
 Five—James Northcote, Thomas Hammersley, Esqrs., Viscount Alexander, by 
 Lane, after Phillips, &c., proofs 
 
 Five—the Hon. G. A. Ellis, after Saunders ; George Earl of Dartmouth, &e., 
 proofs 
 
 Three—the Children of Lady Cawdor, presented to Sir Thomas Lawrence 
 
 Seven—Rd. Ramsden, Esq., after Lane, by Say ; Thomas Hammersley, by Golding, 
 after Hamilton, &c., proofs 
 
 WORKS OF SIR JOSHUA REYNOLDS 
 
 Three fancy subjects, Ugolino, Hope nursing Love, and Resignation, proof 
 
 Five—the Banished Lord, Madonna and Child, proof, &c. 
 
 Eight, of Divines, Judges, &c.—-Bishop of Rochester, Earl of Mansfield, &c.; some 
 proofs 
 
332 
 
 333 
 
 334 
 
 335 
 
 336 
 
 337 
 
 338 
 
 339 
 
 340 
 
 341 
 
 342 
 
 343 
 
 344 
 
 345 
 
 346 
 
 22 
 
 Eight, of Ladies—Lady Elizabeth Herbert, Countess Spencer, &c. 
 
 Six, of Ladies—Lady Louisa Manners, Lady Charles Spencer, L’Allegro, (Mrs. 
 Hall) ; Lady Mary Leslie, touched proof, &c. 
 
 Eight, of Ladies—Diana Viscountess Crosbie, Mary Duchess of Ancaster, Queen 
 Charlotte, and Princess Royal, after West 
 
 Five, of Ladies—the three Ladies Waldegrave, Duchess of Devonshire, Duchess of 
 Rutland, Lady Jane Halliday, &c. 
 
 Nine, of Ladies—Miss Horneck, Lady Elizabeth Lee, Duchess of Marlborough and 
 her Daughter ; Mrs. Abington, &c. 
 
 Ten, of Gentlemen—Lord Cardiff, Mr. Joshua Sharpe, Marquess of Rockingham, 
 &c., several of them proofs 
 
 Eight—Sir Robert Fletcher, Admiral Saunders, Lord Ligonier, Colonel Tarlton, 
 Lord Robert Manners, &c. 
 
 Eight—Dr. Johnson, unfinished proof, fine ; Thomas Wharton, Sir C. Bunbury, 
 Edmund Burke, Esq, Sir William Hamilton, &c. 
 
 Two, after Sir Joshua Reynolds, by Turner, Lord Malden and Lady Elizabeth 
 Capel, and the Pen Family, proofs 
 
 Two Groups of the Members of the Dillettanti, by Turner and Say—proofs 
 
 Six, after Sir Joshua Reynolds, &c.,—the Infant Hercules, and others 
 
 THE WORKS OF SIR JOSHUA REYNOLDS, 589 prints, in five portfolios, 
 with leaves, bound in russsia, including numerous proof impressions and variations 
 
 Three Prints after Rubens, viz. : the celebrated Crucifixion, the Taking-down from 
 the Cross, and the Monumental Picture in the Chapel of Rubens at Antwerp ; 
 touched upon by Sir Joshua Reynolds with black and red chalk and Indian ink, 
 during his stay at Antwerp ; and rendered still further interesting by his MS. 
 notes in the margins , upon the beauties of the pictures > 
 
 DIPLOMAS, &c. 
 
 Ihe Diploma of Associate of the Royal Academy, granted to Sir Thomas Lawrence 
 10th November, 1791 
 
 The Diploma of Academician, 35th of his late Majesty 
 
J 
 
 S<3 
 
 332, 
 
 J 
 
 333 
 
 3 
 
 33/ 
 
 3 
 
 33/ 
 
 J 
 
 33t 
 
 / 
 
 6 
 
 4 
 
 l3 
 
 3 
 
 /s 
 
 4'■ 
 
 4 
 
 S < r 2 
 
 9? cf / e. / c < 
 
 
 S<L-r > 
 
 JJV 
 
 «/<?/ 
 
 ? 3$ 
 
 »/ 
 
 J4s 
 
 / 6 
 
 /, 
 1 
 J 
 
 j 
 
 42 
 
 / / / +- / 
 
 S/1 I « /<_ 
 
 >> ^ // / 
 
 
 -7 / 
 
 9 
 
 sL' 
 
 sJ9 / 
 
 J J 
 
 s* ,> 
 
 f -V- / l r 
 
 > 
 
 (U / 
 

 
 
 
 
 
23 
 
 347 Two—The Diploma of the Academy of St. Luke at Rome, granted to Sir Thomas 
 
 Lawrence 22nd June, 1817 ; with a book of the Statutes of the Academy, 4to. 
 
 348 Two the Diploma of the Academy of Venice, granted to Sir Thomas Lawrence 
 
 10th May, 1823, and a letter addressed to him on the occasion by the Count 
 Cicognara 
 
 349 The Diploma of the Academy of Bologna, granted to Sir Thomas Lawrence 31st 
 
 March, 1824 
 
 350 Three—the Diploma of the Academy of Turin, granted to Sir Thomas Lawrence 
 
 14th March, 1826, with a folio vol. of the Laws of the Academy, and a Letter 
 
 351 Two—the Diploma of the Academy of Florence, presented to Sir Thomas Lawrence 
 
 8th January, 1820, and a pamphlet of regulations 
 
 352 Four—the Diploma of the Academy of Vienna, March 22nd, 1828, a German letter 
 
 from the President, a book of the Statutes of the Academy, and a Letter, in 
 English, by Professor Hammer 
 
 353 Two—the Diploma of the Academy of Copenhagen, dated December, 1823, and a 
 
 Letter from the President to Sir Thomas Lawrence, January 10th, 1824 
 
 353* The Diploma of the Academy of America, dated New York, Jan. 20th, 1818 
 
 VARIOUS. 
 
 354 Seven sheets of Plans and Sections of the Roman Forum, by Percier 
 
 355 Eight—View of the Roman Forum, after Harford, by Gmelin ; and interior Views of 
 
 the Vatican, &c., by Vasi, &c. 
 
 356 Four—Theseus, after Canova, by Morghen, Sic. 
 
 357 Description of the additional plates (the paintings) of St. Stephen’s Chapel, pub¬ 
 
 lished by the Society of Antiquaries, fourteen plates, with letter-press, complete 
 
 358 Some account of the Abbey Church of St. Alban, &c., nineteen plates, with letter- 
 
 press, complete, published by ditto 
 
 359 Some account of the Cathedral Church of Durham, with eleven plates, and letter- 
 
 press, complete, published by ditto 
 
 360 Some account of the Abbey Church of Bath, ten plates, and letter-press, complete, 
 
 published by ditto 
 
 361 Some account of the Cathedral Church of Gloucester, published by ditto, seventeen 
 
 plates, with letter-press, complete 
 
24 
 
 362 The Bayeux Tapestry, in seventeen coloured plates, complete, published by ditto 
 
 363 ‘ Vetusta Monumenta,’ twenty-seven plates, with descriptive letter-press, complete ; 
 
 vol. iv. 
 
 364 Twenty-five—various, the Tapestries of the House of Lords, &c. 
 
 365 Three of the Cartoons, proofs on India paper, by Foggo 
 
 366 Two—ditto, ditto 
 
 367 Four, of Horses, by Ward and Chalon, proofs on India paper 
 
 368 Seven—the Wellington Shield, by Stothard, proofs 
 
 368* Two—Eleazer and Rebecca, after Poussin, by Desnoyers; and the Death of Ananias, 
 proof on India paper, by Foggo 
 
 369 Nine, of Gothic Buildings, &c., by M‘Kensie, Woolnoth, &c. 
 
 370 Two—Dieppe, by G. Cooke, after Callcott, proof on India paper before letters; and 
 
 another 
 
 371 Four—the Cascade of Tivoli, by Gmelin ; Elms at Enfield, by Lewis, &c. 
 
 372 Three—View of Oxford, after Turner, proof on India paper; and two of St. Paul’s 
 
 373 Tivoli, by Goodhall, after Turner, proof before letters 
 
 374 Ditto—ditto, on India paper 
 
 375 The King of France, by Cousins, after Sir Thomas Lawrence, proof before letters 
 
 376 Ditto—ditto 
 
 BOOKS OF PRINTS continued. 
 
 377 ‘ Omaggio delle Provincie Venete alia Maesta Carolina Augusta, Imperatrice d’Aus- 
 
 tria,’ Venezia, 1818, containing many interesting plates, large folio 
 
 378 £ Porte-Feuille des Artistes,’ in six parts, containing seventy-two plates of ancient cos¬ 
 
 tume, &c. engraved in outline, by Guyot, 4to. 
 
 379 4 Anatomia per uso degli Studiosi di Scultura e Pittura’ di Paolo Mascagni, very 
 
 large folio, Florence, 1816 
 
 380 Albinus’ Anatomical Tables, large folio, London, 1749, half bound 
 
 381 Two—Professor Camper’s Anatomical Tables of the Human Body, large folio, with 
 
 letter-press description, 4to. 
 
 382 Seven—various Anatomical Treatises, by Sir Everard Home and others 
 


 
 
 
 
25 
 
 383 Outlines of the TEgina Marbles, by Edwin Lyon: Liverpool, 1829 large oblong 
 
 folio,presentation copy 
 
 384 Illustrations of the Battle of Navarino, by G. P. Reinagle : London, 1828, in folio 
 
 385 Collection of Lithographic Prints, from Pictures in the Cabinet of the King of Spain : 
 
 ten Numbers, large folio, Madrid, 1826 
 
 386 The Pictures in the Imperial Gallery at Vienna, by Premier, 1735 : folio, in boards, 
 
 rare 
 
 387 Pinelli’s plates of the Life of the Brigand Massaroni, 1823, oblong folio 
 
 388 e Sereniss. Ferdinandi, &c., Triumphalis introitus in Flandriae Metropolim Ganda- 
 
 vum,’ &c., with plates by De Jode and others : folio, 1636 
 
 389 ‘ Palais, Maisons, &c. dessines a Rome’—publics par Charles Percier, et P. F. L. 
 
 Fontaine, 1798, a Paris : folio, in boards 
 
 390 One hundred Views of Ancient and Modern Rome, 1796, oblong 4to, in calf, lettered 
 
 391 Sir Henry Englefield’s Vases, by Moses, 8vo. in Russia 
 
 392 ‘ Tableaux Historiques des Campagnes d’ltalie :’ Paris, 1806, large folio, boards 
 
 393 The History of Joseph, with etchings by Count Caylus, after drawings by Rem¬ 
 
 brandt : Amsterdam, 1757 
 
 394 Scenes, chiefly Italian, by G. Cumberland, Jun. 
 
 395 ‘ Les Ruines de Pompei,’ par F. Mazois, Paris, 1812, large folio, half bound 
 
 396 The Union of Architecture, Sculpture, and Painting, with accounts of the House 
 
 and Galleries of John Soane, Esq., by Britton, 4to., 1827 : proof impressions of 
 the plates, boards 
 
 397 Retsch’s outlines from the Tragedy of Faust, with German letter-press, 1816, and 
 
 English descriptions also 
 
 398 Retsch’s outlines from Fridolin, with German letter-press, 1823 
 
 399 Retsch’s Outlines from Hamlet, 1828 
 
 400 Schultze’s Outlines from Undine, Nuremberg 
 
 401 Twelve Etchings, after Parmegiano and Meldolla, by Richard Ford, Esq., 1822 
 
 private plates, 4to. presentation copy 
 
 402 ‘ Description de l’Arc de Triomphe de L’Etoile’, &c., par Lafitte. Paris, 1810 
 
 403 4 Copie Figuree d’un Rouleau de Papyrus,’ Vienna, 1822 : presentation copy 
 
 E 
 
40.5 
 
 406 
 
 407 
 
 408 
 
 409 
 
 410 
 
 411 
 
 412 
 
 413 
 
 413 : 
 
 414 
 
 415 
 
 416 
 
 26 
 
 Seven plates of Russian Military Costume, 1813, in a cover 
 
 Illustrations of the Fifth Satire of Horace, with plates by Riepenhausen and others, 
 4to., Parma; co’tipi Bodoniani, 1818: presented to Sir Thomas Lawrence by 
 Elizabeth, Duchess of Devonshire 
 
 The same Satire, illustrated by various other Artists : folio, Rome, 1816 : also pre¬ 
 sented by Elizabeth, Duchess of Devonshire, to Sir Thomas Lawrence 
 
 Four Groups of Flowers, plain and coloured, presented to Sir Thomas Lawrence by 
 the Artist, Melanie de Comolera 
 
 Two—Sketches of Shipping, by H. Moses, 1824; and Views in Portsmouth Harbour, 
 by ditto, oblong 4to. 
 
 4 The Marine Sketch Book,’ by ditto, 1826, blue morocco 
 
 4 Sketches in Outline,’ by ditto, 1808 
 
 4 Select Greek and Roman Antiquities,’ in 36 plates, by ditto, 1817, with letter- 
 press, 4to., in boards 
 
 Hamilton’s 4 Schola Italica,’ 1773, large folio, 40 plates, first impressions, boards 
 
 The Crozat Cabinet, 1729 ; first impressions , with letter-press, complete; bound in 
 russia, in two volumes,—a very fine copy 
 
 Etchings of the Elgin Marbles, by Richard Lawrence, 1818, boards 
 
 The Pictures in the Gallery of the Vatican, etched in outline by Craffonara, Rome, 
 1820, in folio 
 
 4 Galerie Mithologique,’ par Millin : Paris, 1811, 2 vols. 8vo. 
 
 Annales du Musee, Paris, 1801, 1809 : 21 vols., 8vo., the whole complete 
 
 End of Third Day's Sale. 
 
0 
 

417 
 
 418 
 
 419 
 
 420 
 
 421 
 
 422 
 
 423 
 
 424 
 
 425 
 
 426 
 
 427 
 
 428 
 
 429 
 
 430 
 
 431 
 
 432 
 
 433 
 
 Fourth Days Sale. 
 
 On THURSDAY , MAY 13th, 1830, 
 
 AT ONE PRECISELY. 
 
 PRINTS, VARIOUS, BY MODERN ARTISTS. 
 
 Forty-one, of Parisian costume, coloured 
 Seventy-eight ditto, and other coloured prints 
 Fifteen, architectural, various 
 Sixteen, various, views 
 Twenty-one, various, English topography 
 Twenty-three French prints, &c. 
 
 Thirty-two various 
 
 Nine lithographic studies of trees, fine 
 
 Nine—the story of the murder of Fualdes, and the portrait of Thornton the 
 murderer 
 
 Thirteen fine studies for drawing, by Bourgeois, &c. 
 
 Seven, from the Elgin marbles, &c. 
 
 Four, the Death of CEdipus, and three others, after Fuseli 
 
 Four'—'the saving of Pyrrhus, after N. Poussin, by G. Audran ; and a grand land¬ 
 scape, after Gaspar, by Gmelin, &c. 
 
 Fourteen, of Horses, drawn on stone by Ward, select proofs, touched by the artist 
 himself 
 
 Seven views in the vicinity of Rome, drawn on stone by Thienon 
 Twelve, a set of landscapes from the ASneid, by Gmelin 
 
 Thirty-seven, of the history of the New Testament, drawn on stone by - 
 
 e 2 
 
28 
 
 434 Eleven sketches of Rubens, drawn on stone by Davis 
 
 435 A book of twelve etchings by Lady Long (now Lady Famboiough), presented by 
 
 her to Sir Thomas Lawrence 
 
 436 Eleven, various, after Smirke, Wilkie, Stothaid, &c. 
 
 437 Nineteen lithographic views by Michallon, Bourgeois, &c. 
 
 438 Thirty-two, descriptive of the Field of Waterloo 
 
 439 Seven, of Gothic architecture, by Le Keux, &c. 
 
 440 Thirteen etchings by Hayter, Howard, &c. 
 
 441 Four outlines of the Athenaeum 
 
 442 Six, from Chantry, Newton, &c. 
 
 443 Seven, lithographic, by Lane, &c. after Bonington, Stothard, Wilkie, &c. 
 
 444 Two: St. Michael, after Raffaelle, by Tardieu ; and Alexander and Roxana, after 
 
 i 
 
 ditto, by Volpato 
 
 445 The Madonna and Child, in a circle, after Raffaelle, by Folo, proof 
 
 446 Two : the Madonna and Child, with the little St. John, after L. da Vinci, by Longhi, 
 
 presentation copy from the engraver to Sir Thomas Lawrence ; and a Female 
 Head, by Lane, after a drawing of Michelangiolo 
 
 447 Two—La Vierge aux Rochers, by Desnoyers, after Leonardo da Vinci; and a Female 
 
 Head, from Michelangiolo 
 
 448 Two—the portrait of Coreggio, by G. Asioli; and Charity, after ditto, by Morghen 
 
 449 { Noli me tangere,’ after Baroccio, by Morghen 
 
 450 Five—the frescoes of Pietro Perugino, in the ‘ Cambio ’ at Perugia, by Cecchini 
 
 451 Two—the School of Athens, and the Dispute of the Sacrament, after Raffaelle, by 
 
 Volpato, and an explanatory etching of the last 
 
 452 The Donation of Constantine, after ditto, by Fabri 
 
 453 Two—the Fornarina, after Raffaelle, by Morghen, proof ; and Titian’s Mistress, by 
 
 F orster 
 
 454 Pope Leo X. after Raffaelle, by Lignon, proof before letters, extra fine 
 
 455 Three—the portrait of Leonardo da Vinci, by Morghen ; and those of N. Poussin 
 
 and Raffaelle, by Potrelle 
 

 A 7 
 
 s j \ 
 
 '9 
 
 
 
 
 A 
 
 o 
 
 u 
 
 
 ( S'C-ZAl, <5u-^ 
 
 4*7 
 
 / 
 
 / 
 
 // 
 
 / 
 
 6 
 
 c&+.3&(r 
 
 v 
 
 4 
 
 
 4 
 
 /a Q ■£< V 
 
 
 / 
 
 /i 
 
 /* 
 
 6<) 
 
 / 
 
 /<f 
 
 
 Z'fjZs -u*t 
 
 M' 
 
 / 
 
 /4 
 
 /* 
 
 < 7 
 
 
 / 
 
 /J 
 
 
 S' T't.-ri- 
 
 M3 
 
 / 
 
 / 
 
 •• 
 
 X *?-'£+. • e^{/ 
 
 
 
 yj 
 
 
 ’ ZLZm*^ 
 
 4iM 
 
 
 y/ 
 
 
 Z?l 
 
 
 
 > 
 
 y 
 
 
 
 4-t v 
 
 
 S3 
 
 6 
 
 /' 
 
 
 
 
 
 /\ 
 
 Ms 
 
 y 
 
 yj 
 
 
 
 .//<? 
 
 y 
 
 y 
 
 Z, 
 
 
 
 s 
 
 4t * 
 
 
 
 ( 
 
 
 / 
 
 
 
 ( 
 
 
 4 V 
 
 z 
 
 s 
 
 
 
 / 
 
 
 
 
 
 4&B. 
 
 3 
 
 
 •- 
 
 f / t H-'_ 
 
 / 
 
 *+ ? 
 
 
 r 
 
 
 ( y~ - t « i k 
 
 4 >4 
 / 
 
 / 
 
 // 
 
 6 
 
 
 /V 
 
 
 j 
 
 
 '4? 
 
 1 p 4> iM 
 
 
 
 
 
 4 y 4 
 
 ; j 
 
 
 
 3 / 
 
 6t ; S- y 
 
 / 
 
 
 
 
 
 4y* 
 
 ? 
 
 <r 
 
 
 
 P7TJT7 
 
 F .. - t ----?-= 
 
29 
 
 456 The Marriage of the Virgin, by Longhi, after Raffaelle, proof 
 
 457 Two—the Burial of Christ, after Andrea del Sarto, by Bettellini; and a Madonna, 
 
 with Saints, by ditto, after Coreggio 
 
 458 Paul preaching at Athens, after Raffaelle, by Holloway, on India paper 
 
 459 Two, after Nic. Poussin—the Murder of the Innocents, &c. by Giovanni Folo 
 
 460 A Dance of Cupids, after Albano, by Rosaspina, proof 
 
 461 Three—Galatea, by Longhi, after Albano; Mars and Venus, with Cupids, by Blot, 
 
 after Poussin, proof before any letters ; and another 
 
 462 The Mill, after Claude, by Gmelin 
 
 463 Two—the Deposition, by Cunego, after Spagnoletto, on India paper ; and the St. 
 
 Peter Martyr, after Titian, by Zuliani 
 
 464 The Deposition, by Rosaspina, after Coreggio 
 
 465 Four—Titian’s Mistress, by Forster; Adonis going to the Chase, by Patas, after 
 
 Rubens ; and two after Albano 
 
 466 The Madonna and Child, with St. Anne and St. John, by Anker Smith, after a 
 
 cartoon of L. da Vinci 
 
 467 Six—the Farnese Gallery, by Volpato, beautifully coloured, rare 
 
 468 Six, of statues and groups, after Canova, by Morghen, &c. 
 
 469 The portrait of John Hunter, by Sharp, after Sir Joshua Reynolds 
 
 470 Two, by Sharp ; the Dispute of the Immaculate Conception, after Guido, proof before 
 
 letters ; and Queen Boadicea, after Stothard 
 
 471 Four, by Strange—Cleopatra, after Guido; Venus attired by the Graces, after ditto ; 
 
 and a profile in a circle, two states of the plate, after Greuze 
 
 472 Charles I., by Strange, after Vandyck 
 
 473 Three—the Tomb of St. Sebald, at Nuremberg, after Albert Durer, by Reindel; 
 
 and two etchings of the Pediments of the Temple of zEgina 
 
 474 Eleven proofs on India paper, Illustrations of the Annuals 
 
 475 Fourteen ditto, ditto, of the Keepsake 
 
 476 Four Views, Edinburgh, &c., from Turner and Callcott, proofs on India paper 
 
 before letters 
 
 477 Eight ditto, from Turner, Constable, &c. proofs 
 
30 
 
 478 Seven_four Coast Views from Turner, and three from De Windt, proofs on India 
 
 paper before letters 
 
 479 Nine, from Turner, proofs on India paper before letters 
 
 480 Two_the Farewell, and the Contented Captive, after Corbould, proofs before letters, 
 
 carefully touched upon by the artist, and presented to Sir Thomas Lawrence 
 
 481 Acis and Galatea, by Taylor, after R. Cook 
 
 482 Mary Queen of Scots with Chatelar, after Fradelle, proof 
 
 483 The Pilgrimage to Canterbury, by Schiavonetti, after Stothard, proof on India paper 
 
 THE WORKS OF SIR THOMAS LAWRENCE continued, 
 
 ALL PROOFS. 
 
 484 Seven—Psyche, Lady Wallscourt, &c. 
 
 485 Six—Mrs. Arbuthnot, Lady Wallscourt, &c. 
 
 486 Three—portraits of two young gentlemen, T. Coke, Esq., and W. Plumer, Esq. 
 
 487 Two—Duke of Wellington, on India paper before the letters ; and the portraits of 
 
 two young gentlemen 
 
 488 Five—the King, by Lane, the Countess Woronzow, Professor Hammar, &c. 
 
 489 Six, ditto, ditto, &c. 
 
 490 Four—Countess Woronzow, Duchess of Devonshire, the King, by Lane, and Mrs. 
 
 Newdigate 
 
 491 Five—Duchess of Bedford, Countess Woronzow, the King, by Lane, &c. 
 
 492 Seven—Mrs. Newdigate, Mrs. Fitzgerald, Countess Woronzow, Duchess of Bedford, 
 
 the King, by Lane, &c. 
 
 49o Three Countess V\ oronzow, Duke of Hamilton’s Children, the King, by Lane, &c. 
 
 494 Six the King, by Lane, Sir W. Knighton, Bishop Barrington (of Durham), Sir 
 
 John Moore, &c. 
 
 495 hive Samuel Lysons, the King, by Lane, Sir Wm. Knighton, &c. 
 
 496 Six R. B. Cooper, Esq, Due de Richelieu, Sir W. Knighton, Sir John Moore, the 
 
 King, by Lane, and Jos. Cotton, Esq. 
 
 '497 Nature, proof before letters 
 


 
 fa 
 
 fa 
 
 Joe 
 J&y 
 Joy, 
 fa 3 
 
 St 4 
 JoS 
 Jot 
 
 J 7 
 
 2 S8 
 2 /fa 
 
 2 2 
 2 2 
 J /fa 
 
 y 
 
 s 
 
 u? 
 
 x 
 
 / 
 
 x 
 
 y 
 
 j 
 
 y 
 
 yy> 
 
 3/ 
 
 J 
 
 2 
 
 y 
 
 J 
 
 y J 
 
 2 
 
 XT 
 
 / 
 
 / 
 
 33 t 
 
 yy / 
 
 4 
 
 2 
 S\ S' 
 j j t 
 y // y 
 Ji j \ . 
 y J I 
 
 / yj 
 
 0< / /-t JZs4**S 
 
 JJfayj: <-v 
 
 
 34 
 
 -46 
 
 zfa. 
 
 Gt-y 
 
 s 
 
 X,.. X X 
 
 yfafa 
 
 y/fa 
 
 
 y 
 
 yfay 
 
 / X 
 
 f -r 
 
 *& 
 
 fa 
 
 sfajy 
 
 SS? <X'> S-tSl^ y 
 
 O o ?,■ 
 
 Jh*- iyy f 
 
 y J y 
 
 ' t cy 
 
 • ^.1 
 
 
 / 
 
 ^-v 
 
 
 Xtf i / X/£ 
 
31 
 
 498 Mr. Abernethy, by Bromley, on India paper, presented to Sir Thomas Lawrence 
 
 499 Four—Lord Hawkesbury, W. Plumer, Esq., Bishop of Durham, and another 
 
 500 Seven—Sir W. Knighton, Professor Hammar, Mr. Sotheby, the King, by Lane, 
 
 Sir J. Moore, &c. 
 
 501 Five—Lord Mulgrave, Marchioness of Stafford, Lord Erskine, the King, by Lane, 
 
 and W. Plumer, Esq. 
 
 502 Three—Sir Thomas le Breton, Mr. Greenwood, and Jos. Cotton, Esq. 
 
 503 Six—Mr. Samuel Lysons, Mr. Greenwood, Mr. Cotton, the King in armour, &c. 
 
 504 Seven—Mr. Lysons, Mr. Greenwood, Lord Nugent, the King, by Lane, &c. 
 
 505 Five—Mr. Lysons, Sir. W. Knighton, the King, by Lane, Lord Nugent, &c. 
 
 506 Lord Rolle, by Turner, presented by the Engraver 
 
 507 Lord Harewood, by Lupton, before any letters 
 
 508 The Marquess of Anglesea, presentation proof, by Turner 
 
 509 John Adam, Esq. of Calcutta, by Turner 
 
 510 Pope Pius VII., by Cousins, before letters 
 
 511 The King of France, before letters, by Cousins 
 
 PRINTS, VARIOUS, BY MODERN ARTISTS, continued. 
 
 512 Two Views of Tivoli, by Gmelin 
 
 513 Two, the Portraits of the Hon. George and Caroline Lucy Douglas, by Say, proofs 
 
 514 The Marlborough Family, by Turner, after Sir Joshua Reynolds, proof before 
 
 letters, presented to Sir Thomas Lawrence 
 
 515 Two—Christ Healing the Sick, by Charles Heath, after West, first and second proofs 
 
 516 The same, finished proof on India paper 
 
 517 Two, Blind Man’s Buff, after Wilkie, by Raimbach, unfinished and finished proof on 
 
 India Paper, presented by the Artist 
 
 518 The Shipwreck, by Fittler, proof on India paper before letters 
 
 519 The Death of Raffaelle, after Burgart, by Sixdomers, with explanatory outline 
 
 520 Ten Views of Rome, by Rossini 
 
 521 Five, by Woolnoth, proofs on India paper, after Guido, Carlo Dolce, &c. 
 
 
32 
 
 522 Two—George III., after Sir William Beechy, by B. Smith ; and Napoleon, after 
 
 Goubaud, by Say, proofs 
 
 523 Three, the Trial of Lord William Russell, by Hayter, outline, finished proof, and 
 
 plate of explanation 
 
 524 Tivoli, by Goodall, after Turner, proof on India paper before letters, presented to 
 
 Sir Thomas Lawrence 
 
 525 Ditto, the Etching, on India paper 
 
 526 The Temple of Jupiter, after ditto, by Pye, proof on India paper before letters, 
 
 presented to Sir Thomas Lawrence 
 
 527 after Turner, Etching on India paper, by W. R. Smith 
 
 528 The Entry of Henry IV. into Paris, after Gerard, by Toschi, proof before letters, 
 
 with explanatory outline of heads 
 
 529 Five, Etchings, &c. after Ward, Farrington, Gainsborough, &c. 
 
 530 Five, the Coronation of George IV., Richmond, by Heath, &c. 
 
 531 The Wolf and the Lamb, by Robinson, after Mulready, proof 
 
 532 Five, Domestic Subjects, after Westall; and Portia and Bassanio, after Briggs, proofs 
 
 on India paper 
 
 533 Alfred in the Goatherd’s Cottage, after Wilkie, proof on India paper before letters, 
 
 presented to Sir Thomas Lawrence 
 
 534 Two—the Battle of Waterloo, after Clennell; and the Triumphant Entry of the 
 
 Duke of Wellington, after Kilton, proofs on India paper 
 
 535 Seven—the Wellington’s Shield, by Stothard, proofs 
 
 536 Eight Statues, after Canova, &c., some proofs 
 
 537 Six whole-length Portraits—the Duke of Northumberland, Lord Nelson, Welling¬ 
 
 ton, Buonaparte, &c. 
 
 BOOKS OF PRINTS CONTINUED. 
 
 538 Costume of the Ancients, by Thomas Hope, Escp, 4to., 1809, 2 vols. boards 
 
 539 The Triumphs of Europe, and Illustrated Record, &c. 1814-15, folio, coloured 
 
 plates, 2 vols. boards 
 
 540 Engravings from the Ancient Marbles in the British Museum, 6 vols. 4to. 1810, 
 
 1826, boards 
 

 yp. 
 
 
 
 j 
 
 j 
 
 V° J yf /X, *,. 
 
 / 
 
 S 
 
 T 
 
 *r 
 
 s «r 
 
 / ^y 
 
 / *F 
 
 y 
 
 < £ 'r '&l c^si t >~0-v-/■(. <!\2, &ZClsC~ 
 
 y 
 
 0** -<- «^6 {'■Sca^^st 
 
 
 
 
33 
 
 541 West’s Gallery, by Moses, large 4to., Nos. 1 and 2, being all that have been pub¬ 
 
 lished 
 
 542 Moses’ Collection of Antique Altars, Vases, &c., 4to., 1811-1814, thirteen parts, 
 
 the complete work 
 
 543 Daniell’s ‘Sketches of Southern Africa,’ 4to., 1820, a presentation copy from the 
 
 author, boards 
 
 544 4 Physiognomical Portraits,’ 4to., ten parts, the work complete, proofs on India 
 
 paper, with the prospectus in 8vo. 
 
 545 Britton’s ‘Illustrations of Fonthill Abbey,’ 1823, 4to., proof impressions of the 
 
 plates, boards 
 
 546 ‘ Antichita di Roma, recentamente Scavate,’ etched in outline by Simone Pomardi, 
 
 Rome, 1817 
 
 547 Outlines from the Ancients, by F. C. Lewis, folio, 2 parts, 1828 
 
 548 Lane’s Imitations of Drawings by Gainsborough, 1825, small folio, calf, gilt 
 
 549 Frank Howard’s ‘Spirit of the Plays of Shakspeare,’ Nos. 1 to 15, inclusive, 
 
 large paper, India proofs 
 
 550 A New Parallel of the Orders of Architectui*e, by Pugin, folio, 1829, half-bound 
 
 551 Stuart’s Antiquities of Athens, 3 vols., folio, 1762-1794 
 
 552 Sir William Hamilton’s Vases, 4 vols., folio, Naples, 1766-7, in russia binding 
 
 553 Roman Antiquities at Woodchester, by S. Lysons, 1797, coloured plates, large 
 
 folio, in green morocco 
 
 554 Lysons’s Antiquities of Gloucestershire, 1804, large folio, in russia 
 
 555 The Antiquities of Pola, by Allason, 1819, large folio, half-bound 
 
 556 ‘ Annales du Salon de Gand,’ 8vo., 16 Nos.,-presentation copy, 1820-23 
 
 557 Vandyck’s Heads, 126 plates, including title, russia back, half-bound 
 
 End of the Fourth Day's Sale. 
 
 v 
 
558 
 
 559 
 
 560 
 
 561 
 
 562 
 
 563 
 
 564 
 
 565 
 
 566 
 
 567 
 
 568 
 
 569 
 
 570 
 
 571 
 
 572 
 
 573 
 
 Fifth Days Sale. 
 
 On FRIDAY MAY the 14 th, 1830 , 
 
 AT ONE O’CLOCK PRECISELY. 
 
 BOOKS AND SETS OF PRINTS— continued. 
 
 F. C. Lewis’s Scenery on the River Exe, 1827, proofs on India paper 
 J. F. Lewis’s Twelve Etchings of domestic Subjects, proofs on India paper 
 
 Young’s Catalogue of the Collection of Pictures of Phil. J. Miles, Esq., 4to., 1822, 
 the plates on India paper 
 
 Ditto of the Pictures at Grosvenor House, 1821, ditto 
 
 Ditto of the Collection of the late John Angerstein, Esq., 1823, ditto 
 
 Ditto of the Collection of Sir John Leicester, 1821, ditto 
 
 Flaxman’s Designs from Dante, engraved by Piroli: Rome, 1802, half-bound 
 
 Ditto from iEschylus, engraved by ditto, 1795, half-bound 
 
 Ditto from the Iliad of Homer, 1805, boards 
 
 Ditto from the Odyssey, half-bound 
 
 Twelve Views in Lithography, of Bolton Abbey, by J. Scarlett Davis, 1829, proofs 
 on India paper 
 
 Albert Durer’s Prayer-Book, 4to., published by Ackermann, 1817, boards 
 
 Lithographic Prints and Etchings from Pictui’es, &c., in the cabinet of the Chevalier 
 de Speck at Leipzic: folio, 1827, boards 
 
 Another Copy, in morocco 
 
 Landscapes, by Gasp. Poussin, in the palace Massimi, &c. at Rome, etched by 
 Pinelli: Rome, 1811, large folio 
 
 Sixteen sheets, containing twenty-three plates in outline, by Rosaspina, Spagnoli, 
 
o/4 
 
 S/r 
 
 
 yy 
 
 / 
 
 ✓ > 
 J 6 d 
 
 Jij 
 
 fZ 3 
 
 JZ4 
 
 J 76 
 
 Jf7 
 
 / 
 
 )ci 
 
 JC<J 
 
 2<t( 
 
 no 
 
 J* 2 
 
 3 
 
 yz 
 
 J 
 
 s 
 
 Z 
 
 3 
 
 S 
 
 2 
 
 J 
 
 9 
 
 s / 
 J3 l 
 
 J .. 
 
 3 
 
 v 
 
 / 
 
 4 
 
 4 
 
 U 
 
 /z 
 
 2 
 
 •y 
 
 / 
 
 «-v 
 
 /3 
 
 72 
 
 2 
 
 7/ 
 
 6 
 
 \ 
 
 
 3 
 
 t 
 
 
 sZLn 
 
 ■2Zi «. t /y 
 
 / 0 77^. a--s Zsr .. 
 
 ~ , ' 
 c/Z^*- £c 
 
 / S 7 (/-is, 
 
 7 Os-t s^sTts-^j 
 
 7h 
 
 &-'ls-i -Qsy 
 / 
 <v 
 
 {/ 2 t *- 
 
 ZZ-ts-^Z. -d 
 / 
 
 7+ o~ 7c 
 
 a Zs*- 
 
 2 
 
 1y&*zf~e2 s 
 
 //> 
 
 
 -O-^sX SLs^/ 
 
35 
 
 574 
 
 575 
 
 576 
 
 577 
 
 578 
 
 579 
 
 580 
 
 581 
 
 582 
 
 583 
 
 584 
 
 585 
 
 586 
 
 587 
 
 588 
 
 589 
 
 590 
 
 591 
 
 and others, after pictures by Italian masters, many of which do not appear to 
 have been before engraved 
 
 Nash’s Views of Paris and its Environs, large 4to., 1820-1823, India proofs and 
 etchings , the ten parts and supplement complete 
 
 Miss Batty’s Italian Scenery, the 12 parts complete, 8vo., 1818, 1820 
 
 Soane’s Designs for Public Improvements, folio, 1827, presentation copy, half- 
 bound 
 
 Blake’s Illustrations of the Book of Job, 1826, proofs, boards 
 
 The same, on India paper 
 
 4 Scenery, Costumes, and Architecture of the western side of India,’ by Captain 
 Grindlay : five parts in four, 1826-1829, coloured plates, presentation copy 
 
 Sculptures in the Caves of Ellora, by ditto, 4to., 1829 
 
 4 Les Monumens Antiques du Musee Napoleon,’ par Piroli: 4 vols., 4to., 1804-6, 
 calf, gilt 
 
 Lithographic Sketch of the North Bank of the Thames, by Colonel Ti’ench, 1825, 
 oblong folio 
 
 4 Studies of Wild Animals,’ by J. F. Lewis, 1824, proofs on India paper 
 
 4 Disegni di Riccardo Cosway,’ Firenze, 1826, folio 
 
 The Bridge of S. Trinita at Florence, by Vulliamy, 1822, large folio 
 
 Six Views of Italian and Swiss Scenery, by Cowen : large folio, 1824, proofs on India 
 paper 
 
 Etchings, by George Hayter, 1824, proofs on India paper, presentation copy, in 
 boards 
 
 4 Choix des plus c^lebres Maisons de plaisance de Rome,’ par Charles Percier : 
 Paris, 1809, large folio, boards 
 
 4 Recueil de Decorations Interieures,’ &c., par Percier: Paris, 1812, folio, in boards 
 
 Raffaelle’s Frescoes of the Story of Cupid and Psyche, in the little Farnese at Rome, 
 by Dorigny : folio, in boards 
 
 4 Anatomie du Gladiateur Combattant,’ par Salvage: Paris, 1812, large folio, in 
 boards 
 
 f 2 
 
36 
 
 REMAINING WORKS of SIR T. LAWRENCE— continued, PROOFS. 
 
 592 Eight—Payne Knight, Esq., Lord Hill, Lady Bentinck, &c. 
 
 593 Seven—William Blamire, Edward Wyatt, Thomas Campbell, Esqrs., &c. 
 
 594 Seven—Sir John Moore, Sir Francis Burdett, &c. 
 
 595 Four—Lord Erskine, Mr. Jekyll, &c. 
 
 596 Eight—Mr. Jekyll, the late Duke of York, the King, Thomas Campbell, Esq., &c. 
 
 597 Seven—ditto, Sir John Sinclair, Sir William Curtis, Mr. Jekyll, &c. 
 
 598 Eight—Lady Bathurst, Mr. Wyatt, &c. 
 
 599 Five—ditto, Lord Ellenborough, Edward Wyatt, &c. 
 
 600 Eight—Master Lambton, Lady Wallscourt, &c. 
 
 601 Seven—Lady Wallscourt, Thomas Campbell, the King, &c. 
 
 602 Seven—ditto, Mrs. Peel, Master Lambton, Lady Wallscourt, &c., ditto 
 
 603 Six—ditto, proofs on India paper 
 
 604 Two—Mr. Pitt (never published), and Sir Walter Scott—unfinished proof 
 
 605 Six—Dr. Wollaston (unfinished), Countess Woronzow, Mrs. Fitzgerald, &c. 
 
 606 The Ladies Maryborough, before letters 
 
 607 Five—the King, by Lane, Mrs. Newdygate, &c. 
 
 608 Sir Humphrey Davy, on India paper, before letters 
 
 609 Five—Mr. Payne Knight, before letters, Mr. Jekyll, the King, by Lane, &c. 
 
 610 Four Duchess of Bedford, Marchioness of Stafford, Countess Woronzow, and the 
 
 King, by Lane 
 
 611 Five—Lord Dundas, the King, Sir William Knighton, &c. 
 
 612 Five the King, by Lane, Mr. R. H. Davis, Lord Mulgrave, Earl of Westmorland, &c. 
 
 613 Five Joseph Cotton, Esq., the Marchioness of Stafford, the King, by Lane, &c. 
 
 614 Two the Duchess of Devonshire, and the Countess Woronzow—both before letters 
 
 615 Six Mrs. Kemble, Mrs. Siddons—unfinished proof, &c. 
 
 616 Three—Lord Nugent, Lord Hawkesbury, &c. 
 
 61 7 Three Sir John M‘Mahon, Mr. Rouse, and Mr. Greenwood, all before letters 
 
37 
 
 618 Three—Sir Thomas le Breton, the King, by Lane, and General Charles William Stewart 
 
 619 Four—Mr. S. Lysons, Mr. Greenwood, Joseph Cotton, Esq., and another 
 
 620 Three—Mr. Greenwood, Sir Thomas le Breton, and the King, by Lane 
 
 621 The Princess Charlotte, by Golding 
 
 622 Ditto 
 
 623 Ditto—unfinished proof, and the King, by Lane 
 
 624 The King, by Lane—two different states of impression 
 
 625 Three—the King, and Lord Eldon,—etching, and finished proof 
 
 626 Three—the King, and Countess Woronzow 
 
 627 Sir John Moore ; proof, touched by Sir Thomas Lawrence, with his written directions 
 
 to the engraver in the margin 
 
 628 Four—the Bishop of Winchester, Dr. Wooll, Rev. Samuel Lysons, and the King, by 
 
 Lane 
 
 629 Two—Dr. Howley, Lord Bishop of London, and Dr. Barrington, Lord Bishop of 
 
 Durham 
 
 630 Two—Lord Castlereagh, and Lord Nugent 
 
 631 Five—Sir William Knighton, Mr. Sotheby, Professor Hammar; the King, by Lane, &c. 
 
 632 Five—the King, Sir John Moore—touched proof. Sir W. Knighton, Dr. Wooll, &c. 
 
 633 Three—Hon. Frederick Robinson, Mr. Rouse, and another,—two of them before any 
 
 letters 
 
 634 Three—Sir Thomas Le Breton, Joseph Cotton, Esq., and the King, by Lane 
 
 635 Lord Rolle, by Turner,—presented by the engraver 
 
 636 Ditto 
 
 637 Ditto 
 
 638 The late Marquess of Londonderry, by ditto 
 
 639 Lord Harewood, by Lupton 
 
 640 Ditto, before any letters 
 
 641 The Marquess of Anglesea, by Turner, before letters,—presented by the engraver 
 
 642 Ditto ditto 
 
 643 Miss Fanny Kemble, first plate 
 
 644 Ditto 
 
38 
 
 645 John Adam, Esq., of Calcutta, by Turner 
 
 646 Ditto 
 
 647 Ditto 
 
 648 Sir Thomas Strange, by Turner, private plate 
 
 649 The King, by Lane, from the first lithographic drawing, of which very few impressions 
 
 were taken 
 
 650 Ditto 
 
 651 Ditto 
 
 652 Ditto 
 
 653 Ditto 
 
 654 Two—Lord Eldon, and Lady Jane Grey accepting the Crown, after Leslie, etchings 
 
 655 Pope Pius VII., by Cousins, before letters, ‘ published for Sir Thomas Lawrence.’ 
 
 656 Ditto ditto 
 
 657 The Right Hon. John Wilson Croker, by Cousins 
 
 658 Ditto 
 
 659 Ditto, before letters 
 
 660 Ditto, ditto 
 
 661 Ditto, ditto 
 
 662 Ditto, ditto 
 
 663 Prince Metternich, by Cousins, unpublished plate, before letters 
 
 664 Ditto, ditto 
 
 665 Ditto, ditto 
 
 666 Ditto, ditto, on India paper 
 
 667 Ditto, ditto 
 
 668 The King of France, by Turner, before letters 
 
 669 Ditto, ditto 
 
 670 Ditto, ditto 
 
 671 Three, on strainers, two before letters, viz., Sir J. M‘Mahon, Sir J. Moore, and 
 
 another 
 

 tit 
 
 /33 
 
 64# 
 
 O4 
 
 /iy 
 
 ls~z 
 
 Id 9 
 2d 5 
 
 (o ( 
 
 ot 1 
 /5 $ 
 /Sy 
 {!2v 
 /// 
 faz 
 
 Sd! '2 
 t 4 ) 
 
 Ju 
 
 € 6 
 
 $4$ 
 
 / 
 
 Yy, 
 
 C/d 
 
 9 ' 
 
 / 
 
 j 
 
 Y 
 
 / 
 
 y 
 
 / 
 
 / 
 
 yy 
 
 /2, 
 
 /Yi 
 
 / 
 
 9 
 
 j 
 
 4 
 
 / // 
 
 / z 
 
 / j 
 
 / s . 
 
 1J 
 
 Y 
 
 /I 
 
 ft 
 
 
 yy 
 
 
 y /1 isis-i Y* *>*-' 
 
 // 
 
 
 
 yj 
 
 \ 
 
 
 
 . 
 
 y 2t *_-Y^**~ —t ^ ^ 
 
 / 
 
 * 
 
 
 
 
 
 y* y 1 1 -> 1 . y f 
 
 / 
 
 
 f2 Y p -2--t 
 
 y 
 
 
 
 2'~S > » 
 
 / 
 
 
 
 X J 
 
 ft 
 
 
 /J 
 
 4 
 
 f Y>~f ' /,..yO 
 
 \-9*S * ** 
 
 r--T -^4 *"1 
 
 J y 2l*Ct 
 
 Os# j , 
 
£. 
 
 /st y 
 
 ^5, 
 
 
 // 
 
 h 
 
 Aj 
 
 
 4 
 
 " 
 
 £ V / 
 
 2 
 
 /^ 
 
 
 / 
 
 
 
 
 6}jr 
 
 2 
 
 y<? 
 
 
 / 
 
 
 
 
 /v 
 
 2 
 
 /3 
 
 
 / 
 
 
 
 
 / v 
 
 ft / 
 
 ft *2 
 
 Z 
 
 ? 
 
 /^- 
 
 
 
 V 
 
 
 / v ^ 
 
 y ^ 
 
 y 
 
 V 
 
 y 
 
 ■■ < 
 
 6ft C 
 
 y 
 
 ft ft 
 
 
 A// 
 
 y 
 
 7^ 
 
 / 
 
 ft 
 
 \ 
 
 tS2. 
 
 J2 
 
 A 
 
 yy 
 
 ) 
 
 An 3 
 
 As ft 
 ft ft 
 
 yjr 
 
 
 ft/y 
 
 ft/s 
 
 3 
 
 AS 
 
 
 df'ft 
 
 2 
 
 y $ 1 
 
 
 //> 
 
 A 
 
 
 
 / 
 
 
 
 
 6 ft A 
 
 //y 
 
 
 y 
 
 <? 
 
 
 y 
 
 
 / 
 
 
 C<?A 
 
 y 
 
 
 'y 
 
 ft ft ft 
 
 * 
 
 y 
 
 
 ft 
 
 
 
 
 fy/ 
 
 __ y 
 
 
 
 S\SH\ 
 
 y 
 
 y/t 
 
 <> 
 
 
 - T 
 
 
 
 , / f o- J W 
 
 As 
 
 
 
 ftt / 
 
 
 /A 
 
 ^ "A 
 
 
 y 
 
 Ah 
 
 C ft <y2sj?^/ 
 
 /ft 
 
 fty-e- X. 
 
 , 2 t 
 
 0~- t-X U, +-f 
 
 y 
 
 * -<^n/^'^-i 
 
39 
 
 672 Three ditto, Kemble in the characters of Cato and Rolla, and Mrs. Siddons 
 
 673 Two ditto, from Fuseli 
 
 PRINTS, FRAMED and GLAZED—PLATE GLASS—ALL PROOFS. 
 
 674 Miss Fanny Kemble, the first plate, fine proof 
 
 675 Ditto 
 
 676 Ditto 
 
 677 Ditto 
 
 678 The Duchess of Bedford 
 
 679 The Countess Woronzow 
 
 680 The King, by Lane 
 
 ENGRAVED PLATES, &c. 
 
 681 The Right Hon. J. Wilson Croker, by Cousins, on steel, with fifty proofs, twenty-five 
 
 of them before letters 
 
 682 Prince Metternich, by ditto, on steel, with fifty proofs before letters, eight of them 
 
 on India paper 
 
 683 Earl Grey, by ditto, on steel 
 
 684 Miss Bloxam, by Lewis, on copper 
 
 685 A Portfolio, containing forty-eight proofs before letters, of the King of France, by 
 
 Cousins 
 
 BOOKS AND SETS OF PRINTS, continued. 
 
 686 Peter Cornelius’s Illustrations of the tragedy of Faust, 1816 
 
 687 Pinelli’s etchings of Roman History, 1818, 101 large plates in a portfolio 
 
 688 4 Recueil d’Antiquites Romaines,’ &c. ; sixty plates of altars, vases, &c., etched by 
 
 Weisbrod, 1769, Paris, small 4to. 
 
 689 4 Views of the Muscles of the Human Body,’ by George Lewis, 1820, 4to. in boards 
 
 690 Three books of etchings of Military Subjects, and 4 Illustrations of Scott and Byron,’ 
 
 by Sir James Stuart, Bart. 
 
 691 Stubbs’s Anatomy of the Horse, 1766, large fol. 
 
40 
 
 692 Simpson’s Anatomy of the Human Body, 4to. 1825, in two vols. or parts, complete, 
 
 bound in russia 
 
 693 Marbles at Woburn Abbey, large fob 1822; presentation copy from the Duke of 
 
 Bedford; proofs on India paper, boards 
 
 694 Smith’s Designs for Household Furniture, in three parts, complete, coloured plates, 
 
 4to. 1805 
 
 695 Howlett’s collection of Views in the County of Lincoln, 1797—1800, 4to. boards 
 
 696 Wilkie’s etchings, eight pieces, on India paper, 1822 
 
 697 £ Monumens de Sculpture,’ &c. by Vauthier and Lacour : Paris, 1812, in fob, letter- 
 
 press, and seventy-two plates, complete 
 
 698 Reynolds’s small plates after the works of Jos. Reynolds, fifty-two numbers, com¬ 
 
 plete, six plates in each, in all 312 pieces, proof impi'essions 
 
 699 Vulliamy’s Examples of Ornamental Sculpture in Architecture, forty plates, in 
 
 eight numbers, in folio, complete 
 
 700 ‘ Vies et (Euvres des Peintures les plus celebres,’ in eight volumes, 4to., viz. one of 
 
 Michelangiolo and his school, four of Raffaelle, and three of Poussin and 
 Domenichino 
 
 FINIS 
 
4 az 
 
 4<p 
 
 / 
 
 «//- 
 
 4 <js~ 
 
 4 yA 
 
 2 
 
 4 / 
 
 3/4 /J , 
 
 
 // 
 
 2e 
 
 2 / 
 
 22 
 
 2-3 
 
 2,/i 
 
 Zr 
 
 .? v 
 
 /! 
 
 4/ 
 
 3z 
 
 // 
 
 o 
 
 
 2\ 
 
 ~ 
 
 " 
 
 <i^ 
 
 /J 
 
 /; 
 
 * X 
 
 
 V 
 
 
 
 
 /J 
 
 > 
 
 
 V J T 
 
 A 
 
 
 
 / 
 
 / 
 
 
 
 
 // 
 
 / 
 
 / 
 
 /V 
 
 '*2/t 
 
 245 
 
 a 
 
 2 
 
 J42. 
 
 44 
 
 34' 
 
 / 
 
 A 
 
 J?y 
 
 3 
 
 ,2^/ ° 2\ y^/Ce^ 
 
 /~ & 
 
 3 
 
 j 
 
 / 
 
 *4 
 
 : /' . •