2/28/91 
 
 to 
 7/27/91 
 
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 l^Al^LLOYB 
 
 ry.^^^pfic- 
 
 > vV_ 
 
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 OF 
 
 THE COLLECTION OF 
 
 ETCHINGS 
 
 BT 
 
 CHARLES )WERyON, 
 
 OF 
 
 M. DE SALICIS, 
 
 Deceased, late of Paris; 
 AND A SMALL COLLECTION OF 
 
 DRAWINGS BY THE OLD WASTERS, 
 
 THE PROPERTY OF 
 
 A. BARONET : 
 
 WHICH 
 
 jlStU bt 5old bu auttton, b|) 
 
 Messrs. CHRISTIE, ' MANSON AND WOODS, 
 
 AS rmmiR (seeat aooass, 
 
 8 KING STREET, ST. JAMES'S SQUAKE, 
 
 On THURSDAY, JULY 16, 1891, 
 
 AT ONE o'clock PRECISELY. 
 -wrjj^^o^ 
 
 May be viewed Two Days preceding, and Catalogues had, at 
 Messrs. Christie, Manson and Woods' Offices, 8 Kin^ Street^ 
 Si. James's Square, S. W. 
 
^v. 
 
 CONDITIONS OF SALE. 
 
 I. THE highest Bidder to be the Buyer ; and if any dispute arise 
 between two or more Bidders, the Lot so in dispute shall bo 
 immediately put up again and re-sold. 
 
 II. No persou to advance less than Is. ; above Five Pounds, 5s. ; 
 and so on in proportion. 
 
 III. In the case of Lots upon which there is a reserve, the Auctioneer 
 shall have the right to bid on behalf of the Seller. 
 
 IV. The Purchasers to give in their Names and Places of Abode, 
 and to pay down 5s. in the Pound, or more, in part of payment, 
 or the whole of the Piirchase-Money, if required ; in default 
 of which, the Lot or Lots so pxirchased to be immediately put 
 up again and re-sold. 
 
 V. The Lots to be taken away and paid for, whether genuine and 
 authentic or not, with all faults and errors of description, at 
 the Buyer's expense and risk, within Two days from the Sale; 
 Messrs. Christie, Manson and Woods not being responsible 
 for the correct description, genuineness, or authenticity of, 
 or any fault or defect in, any Lot ; and making no warranty 
 whatever. 
 
 VI. To prevent inaccuracy in delivery, and inconvenience in the 
 settlement of the Purchases, no Lot can on any account be 
 removed during the time of Sale ; and the remainder of the 
 Purchase-Money must absolutely be paid on the delivery. 
 
 VII. Upon failure of complying with the above Conditions, the Money 
 deposited in part of payment shall be forfeited ; all Lots un- 
 cleared within the time aforesaid shall be re-sold by public or 
 private Sale, and the deficiency Cif any) attending such re-salc 
 shall be made good by the Defaulter at this Sale. 
 
CATALOGUE. 
 
 On THURSDAY, JULY 16, 1891, 
 
 AT ONE o'clock PRECISELY. 
 
 The following are the Property of M. DE S A LI CIS, 
 
 deceased, late of Paris. 
 
 POETRAITS OF MERYON. 
 
 1 Profile, in Cameo, by Bracquemond — first state, with the verses 
 
 2 The same — second state, the plate reduced 
 
 3 Meryon seated, by the same 
 
 4 Meryon mad, after Flameng (heliogravure) — proof before letters ; 
 
 and another 2 
 
 5 Facsimile of a pastel, late in Mr. Burty's Collection — lithograph 
 
 hy T, Chauvel 
 
 6 Impression of the brass plate engraved by Bracquemond for 
 
 Meryon 's tomb — one of two impressions taken 
 
 ETCHINGS. 
 
 7 The Cow and the Ass. B. 2, W. 63 
 
 8 A Soldier, after Salvator Eosa. B. 3, W. 67 — one of tvjo 
 
 impressions known 
 
 S A Shepherdess, after Stefano della Bella. B. 4. — the only impres- 
 sion known 
 
 B 2 
 
4 
 
 10 The Three Pigs in front of a Hovel, after Karcl Du Jarilin. B, 6, 
 
 W. 65; and the Two Horses, after tlie same. B. 7, W. 66 2 
 
 11 Le Pavilion de Mademoiselle, after Zeeman. B. 8, W. 68 
 
 12 L'Entree du Faubourg St. Marceaux, after the same. B. 9, 
 
 W. 69 — in-oof before letters, with Zeeman s title in Meryons 
 autograph 
 
 13 The same — icith letters 
 
 14 A Watermill near St. Denis, after the same. B. 10, W. 70 
 
 15 La Seine au Coin du Mai), after the same. B. 11, W. 71 
 
 16 South Sea Fishers, after the same. B. 14, W. 75— first and 
 
 second states ; and Calais to Flushing, after the same. B. 15, 
 W. 74 3 
 
 17 Entree du Convent des Capucins Frangais a Athenes. B. 16, 
 
 W. 32 — proof before any letters 
 
 ~7 18 The same — with letters 
 
 — 19 La Salle des Pas Perdus, after Du Cerccan. B. 17 W. 76— trial 
 proof, with three autograph letters of Meryon 4 
 
 {■ I 20 The same — the plate ait, icith the address 2 
 
 ^ ;i 21 Chenonceau. B. 18, W. 77, after the same 
 
 / _^ 22 Le Pont Neuf et la Saraaritainc, after Nicolle. B. 19, W. 29— 
 
 ■~ trial proof , before the shy jO^-C-l/Vv^-t 
 
 23 The same — with letters "-' -^ - •« 
 
 ^ .V — 24y Le Pont au Change, vers 1784, after the same. B. 20, W. 28 — 
 trial proof 
 
 25 The same — proof before letters 
 
 26 Map of the Naval Fight of Sinopc. B. 21, W. 7^— proof, with 
 
 an autograph letter of Meryon at the back, addressed to M. 
 Salicis 
 
 27 The same — an impression with the label of the publisher, Tanera 2 
 
 5 . 28 San Francisco. B. 22, W. 80. The Five Photographs which 
 
 ' ^ ' ^ served Meryon to build up this Composition (referred to by 
 
 Bui'ty in his Catologue) ; and an impression of the plate 2 
 
 ? 3 
 
^^^^^ 29 Ruinsof Pierrefonds, B. 23, W. 81 -O-^^/vn-^ 
 
 30 Eue Pirouette-aux-Halles. B. 24, W, 30 — xcitli the initials on (he 
 chimney stack 
 
 31 The same — the initials erased, ivith alterations in the inscription 
 de.; and another impression — with further alterations 2 
 
 32 Presentation to King Louis XL B. 25, W. 82— proof before ' sc' 
 after the initials ; and another— ivith ' sc' 2 
 
 33 Clievet de St. Martin-sur-Eeuette. B. 26, W. 83 
 
 34 Passerelle du Pont au Change apres Tincendie de 1621. B. 27, 
 W. 84:— proof loith 3ISryons autograph ; and another — with 
 letters 2 
 
 35 Partie de la Cite de Paris. B. 28, W. 31— trial proof before the 
 towers of Notre Dame, the sky, and much other tvork V' ' 
 
 36 The same — proof before the inscription on the sign-board, and tvith 
 Meryons autograph 
 
 1- 
 
 I 
 
 "1- 
 
 r 
 
 '}■ 
 
 37 The same — proof before letters 'v^'u^Vv 
 
 38 The same — with letters 
 
 39 Le Grand Chatelet a Paris. B. 29, W. 85 — proof; and another 
 — with letters 2 
 
 / ^ 40 Vue de I'Ancien Louvre, after Zeeman. B. 30, W 60 — proof, 
 before the stamp of the Chalcographie, dated by Meryon, 3 
 Avril '66 
 r7, 41 The same — pi-oof with the stamp ; and another — with letters 2 
 
 42 Eaux Fortes sur Paris. B. 31, W. 1 — on brbion 
 L/^ 43 The same — on Dutch paper '^ iM\i\u^^\ 
 
 J 44 A Eeinier dit Zeemann. B. 32, W. 2 
 "^ ^\45,Ancienne Porte du Palais de Justice. B. 33, W. 3 i A 
 
 <!• 46 Armes de Paris. B 35, W. 5 — proof before any letters VVA CJ-^-'^^w^ly*<^ 
 l_ 47 The same — with lettrr,^ ~ , ,;v,v ^ 
 
 48 Le Stryge. B. 37, W. 7 — proof with the verses, before theplate ivas 
 cut on the right, on green paper ^li,^^-^] v-n^5 
 
 49 The same — proof loith the verses, the plntc cut -^ ■ 
 
'^, -^. ^50 Le Stryge — the verses erased 
 
 'Itfl^ 51 The same — with the title; and another — with the curve of the noge 
 
 retouched UV^'^- . / = 2 
 
 I* , ^ . 
 
 L/^' 52 Le Petit Pont. B, 38, W. 8 — proof with the margin uncleaned^ on 
 
 ' green paper < ;^ . ^-^^ 
 
 //^ /— 53 The same — the margin cleaned L ckJIa^^ — K 
 .y /.' 54 L'Archedu Pont Kotre Dame. B. 39, W. 9— proof before any 
 
 ^ — letters, on green paper 
 
 2.^ ^ 55 The same — with letters 
 
 56 The same — with title and monogram 
 J fl^ 57 La Galerie de Notre Dame. B. 40, W. IQ— first state, with auto- 
 "^ graph dedication to M. P. Salicis 
 
 ^ /3 58 The same — the same state, on green paper 
 
 59 The same — with title and monogram 
 In. u- — 60 La Eue des Mauvais Gar9ons. B. 41, W. 11 
 
 1 ''k^ ^^ "^^^^ ^^ I'Horloge. B. 42, W. 12 — trial proof, before the mar- 
 
 ginal line at the bottom, on green paper ^\0 
 
 1- i' " 62 The same — with the line mentioned 
 
 (rfj 03 The same — with title and monogram 
 /^ ,}■ ^ 64 Tourelle, rue de la Tixeranderie. B. 43, W. IZ— first state, on 
 . green yaper y&^^^A-^ 
 
 65 The same — with title '' -^ 
 
 ' 66 St. Etienne du Mont. B. 44, W. 14 — proof before the plate was 
 
 I 
 
 ( -^ reduced, and before the initials 
 
 I ( 67 The same — first state, on green paper 
 
 ]%J -^ ^^ The same — second and fourth states 2 
 
 f ' -T=:r69 La Pompe Notre Dame. B. 45, W. 14 — first state, on green 
 
 ^ paper J I )\ Vu vvX^ 
 
 /dl^ 70 The same — second state 
 
 /i/^ 71 The same — ivith title, fourth state lA^if \^-^-^^ 
 
 J^r _- 72 La Petite Pumpe. B. 46, W. 16 A ^^i ^iin^CT 
 
 W 
 
— 73 Le Pont Neuf. B. 47, W. 17— trial proof before any letter, and 
 before tlie smoke issuing from the cliimney of the Mint 
 
 74: Tlie same — first state, with the address before the verses, on green 
 paper ^^ .«^-' 
 
 75 The same — second state, loitJi the verses, on green paper 
 
 76 The same — the verses taJcen out W<,2^"vvs,'tjT-* — J 
 
 "^ 77 The same — tJie chimney of the Mint erased, the title in large capitals 
 
 3/— 78 The same — the title in squall capitals, and with the number 
 
 "^ 79 Le Pont au Change. B. 48, W. 18 — trial proof, before sky and 
 background beyond the bridge 
 
 ~ 80 The same — first state, icith the balloon ' Speranza,' and the plate of 
 verses of- L'Esperance ' (B. 49, W. 19) loithout dedication 2 
 
 , ^ 81 The same — icith title and the birds, second state K/'^-'f ^"^jt 
 
 ^ — 82 The same — third state, loith balloons a^ 
 
 " 83 La Morgue. B. 50, W. 20 — trial proof before the completion of 
 the square line and the retouch iJ&'C^K^ ■ 
 
 84 The same — first state, before letters, with autograph dedication to 
 M.Salicis /a-^.-.-. ?• 
 
 '— 85 The same — second state, with letters 
 /%^86 The same — ivith title and monogram 
 «® L'Hotellerie de La Mort. B 51, W. 21 f 
 
 = 88 L' Abside de Notre Dame. B. 52, W, 22— first state before letters, 
 loith autograph dedication to Mr. Salicis OZ^ F X-^, 
 
 \ 89 The same — second state, icith letters, icith autograph dedication 
 
 90 The same — icith title and number 
 
 91 Le Tombeau de Moliere. B. 53, W. 23 
 
 — 92 Estampes Anciennes Kochoux, B. 54, \\. 4,7— first trial proof; 
 and another — with the lamp replaced by a galley 2 
 
 *" 93 Tourelle, rue de TEcole de Medecine. B. 55, W. 24— first state, 
 with title '• Tourelle, dite de Marat," and inscription 
 
8 
 
 '^ ' 94 The same — with the title " Tourellc, rue dc Vccole cle Medecine^' 
 
 with authograph inscription and dedication f^^^^Wsj^JL 
 
 3/- 95 The same — last state 
 tj- f %r 96 Eue des Chantres. B. 56, W. 25— first state before letters ^mf^i^ I 
 ^ ^1 " 97 The same — second state ~^«i>Cv->.«v-«j 
 
 -:(98)^\ie des Toiles, Bourges. B. 58, W. S5— first state, with the dog S A 
 
 'H^/-* 99 The same — third state, before the title 
 
 100 Ancienne Habitation a Bourges. B. 59, "W. 34 — trial proof, 
 
 before much 7corJc on the houses in the distance \i^ h \/)l/U /y, 
 
 2^ 101 The same — with icorlc added . tv ' 
 
 <' I „ 102 Le Pilote de Tonga. B. 60, W. 36 — first state, with the edges 
 unfinished w*Ji4L -^^ 
 
 103 Lc Malingre Cryptogame. B. 61, W. 37 — in various states 4 
 ,. /^ ^ 104 Head of a New Zealand v og. B. 62, W. SS~— first state, before the 
 ^ monogram H A ,A^__^t.^^ J- ^ V 
 
 105 The same — second state, with monogram 
 
 106 Greniers indigenes et habitations a Akaroa. B. 63, W. 39 — 
 
 trial proof before any letters, icith Meryon's autograph 
 
 107 The same — with letters and monogram ; and another 2 
 
 ^- 108 Grande Case Indigene. B. 64, W. 40 — the original draicing, in 
 Indian ink 
 
 109 The same— proo/ before any letters 
 
 110 The same — with letter and monogram, on India paper ; and one 
 
 — on Dutch paper 2 
 
 — Ill Uvea : Peche aux Palmes. B. 65, W. 41 — the original drawing, 
 in Indian ink 
 
 112 The same — proof before letters; and one — with letters 2 
 
 -" 113 La Pointe des Charbonniers. B. 66, W. 4.2— the original sketch, 
 in Indian ink 
 
 114 The sMiio— first and second states 2 
 
9 
 
 115 The same — third and fourth states 2 
 
 — 116 Title for the New Zealand Set. B. 67, W. iQ—the original 
 dratcing 
 
 1 17 The same — six trial proofs, representing various states of the plate 6 
 
 118 The same — an impression on huff paper ; and one — on blue 
 
 paper 2 
 
 — 119 Etat de la Colonie Francaise d'Akaroa. B. 68a, W. 4.S~the 
 
 original sketch, taken on the spot 
 
 120 The same — a reduced drawing for the etching; and two impressions 
 
 of the latter 3 
 
 121 La Chaimiiere du Colon Vieux Soldat. B. 68d, W. 44 
 
 — 122 Provolant des lies Mulgraves. B. 69, W. 45 — the original 
 
 drawing, in pencil 
 
 ~ 123 The same — a trial proof ; and two early states of the plate 4 
 
 124 The same — proof before letters ; and three others, in different 
 
 states : one bears an autograph of Meryon, acknowledging a 
 debt of 15 centimes to his baker 4 
 
 125 Le Petit Prince Dito. B. 59, W. 70 2 
 
 126 A Monsieur Eugene Blery. B. 71, W. 48 
 
 127 The same Verses — another plate, undescribed, unique impression 
 
 f^ 128 La Loi Lunaire. B. 72, W. 49 : two pencil drawings ; and a 
 trial proof before any lettering 3 
 
 —'129 Tlie same — with inscription, coloured by hand 2 
 
 130 Ditto, the smaller plate. B. 73, W. 50 : the Original Drawing' 
 
 and six proofs of various states of the plate 7 
 
 131 La Loi Solaire. B. 74, W. 51 — impression with autograph 
 
 corrections by Meryon ; and another impression 2 
 
 132 Ci-git la Vendetta. B. 77, W. 55 — impression with Meryon's 
 
 autograph ; and another 2 
 
 133 Eebus on the Due de Morny. B. , W. 56 — impression of the 
 
 plate unclcancd : and another 2 
 
10 
 
 134 Rebus : Beranger, &c. B 78, W. 57 
 
 135 Frame for tlie portrait of a Printer. B. 79, W. 54 — eight proofs, 
 
 in various states 8 
 
 136 Frontispiece for a Catalogue of the work of Thomas de Leu. 
 
 B 80, W. 61 — trial proof , before some work and any lettering 
 
 137 The same — with letters 
 
 138 Le Ministere de la Marine. B. 82, W. 26 — first state, hefore any 
 
 letters 
 
 139 The same — second state, with the monogram 
 
 140 College Henri IV. B. 83, W. 58 — first state, * reserve ' 
 
 141 The same — second state, with monogram and steamer, ditto 
 
 142 The same — third state 
 
 143 The same — fuurth state 
 
 144 The same — fifth state 
 
 r=i 145 Bain froid Chevrier. B. 84, W. 27 — first state, hefore any 
 lettering'^ jj.. 
 
 146 The same — second state, ivith monogram and title 
 
 2^147 The same — with verses, autograph, and dedication *."■[ j\ 
 
 148 The same — the same, with the verses printed in red 
 
 149 The same — the same, with the verses printed in gold 
 
 150 Evariste Boulay-Paty. B. 89, W. 87 ; and Pierre Nivelle. B. 
 
 91, W. 89 2 
 
 151 Fran9oi8 Viete. B. 90, W. 88 — trial proof before any letters 
 
 152 The same — with letters 
 
 153 Theodore Agrippa d'Aubigne. B. 92, W. 90— proof hefore 
 
 letters 
 
 154 Jean Besley. B. 93, W. 91 ; and Rene de Burdigale. B. 94, 
 
 W. 92, 2 
 
 155 Armand Gueraud. B. 95, W. M—four different states 4 
 
 156 Louis Jacques Marie Bizcul. B. 96, W. 93 ; and Benjamin 
 
 Fillon. B. 97, W. 94 —proof before letters 2 
 
II 
 
 A DIFFERENT PROPERTY. 
 
 157 Various woodcuts by Hans Schaufelein, odd plates from the loork 
 
 " Speculum Passionis " ; and others, byL. Cranacli 15 
 
 158 Christ on the Mount, by A. Durer, iron plate. B. 19, fine 2 
 
 159 The Virgin and the Butterfly. B. U,fine 
 
 160 The Last Supper, by A. Durer, j^ne. B. 54; and other woodcuts 
 
 3 
 
 161 The Apocalypse, odd plates ; and others, by A. Durer 9 
 
 162 Life of the Virgin, by A. Durer, some fine, complete frontispiece 
 
 cut 20 
 
 163 The Virgin and Child, by A. Durer — woodcut. B. 96 ; and others 
 
 4 
 
 164 The Small Passion, by A. Durer, some fine. B. 16-52, seven plates 
 
 wanting 30 
 
 165 The Trinity, by A. Durer ; and others 4 
 
 166 St. George. B. 131 ; and others 5 
 
 167 The Last Judgment ; and others — woodcuts by A. Durer 6 
 
 168 St. John the Evangelist; and others, by Durer 6 
 
 169 The portrait of Varnbiiler. B. 155 ; and others, by Durer, some 
 
 rare 14 
 
 170 Designs for tapestry work. B. 140, 141, 143, rare 3 
 
12 
 
 The Property of A BARONET. 
 DRAWINGS BY OLD MASTERS. 
 
 171 Various Sketches — in red chalJc, Ly Andrew Sacchi ; and others 
 
 172 Female carrying Manna, by Eaff'acllc, engraved by M. Antonio ; 
 
 two other drawing 3 
 
 173 The Flight into Egypt, by Carlo Maratti ; and other sketches 
 
 174 Iloman Euins, by Pannini 4 
 
 175 Mother and Child, by Carlo Maratti — from the Collection ; and 
 
 others * 4 
 
 176 Various Sketches, by Castiglioni, Maratti and others 
 
 177 Decoration for a Ceiling, by Filippo Lawri ; and a Landscape, 
 
 by the same artist 3 
 
 178 Assumption of the Virgin, by Murillo ; and other drawings, by 
 
 Cangiasi ; &c. 8 
 
 179 Hunting Scenes, by T. Wyck 5 
 
 180 Study — in sepia, by Sir Joshua Reynolds ; and two others 3 
 
 181 Mars and Venus, by Angelian Kauffmau 
 
 182 Hunting Scenes, by J. Wyck 2 
 
 183 Heads of Children — in red chalk, washed ; St. George and the 
 
 Dragon, by Isaac Oliver 3 
 
 184 Two Landscapes, by Gainsborough 2 
 
 185 Portrait of a Lady, by Thos. Gainsborough 
 
 186 Landscape, by John Woottun ; &c. 3 
 
 187 Studies of Heads, by Parmigiano ; Nymphs and Fauns dancing^ 
 
 by Rysbrack 6 
 
 188 Portrait of a Lady, by Sir Peter Lely 
 
 189 Girl playing a Guitar — an important drawing, by T. Rowlandson 
 
 190 Highly tinibhcd Portrait of a Girl — in pencil, by D. Loggan 
 
13 
 
 191 Drawing of Poultry, by Barlow 3 
 
 192 Tragedy and Comedy, by Cipriani ; and others 3 
 
 193 Drawings of Animals, Poultry, &c. — in coloured chalk, by 
 
 F. Casanova 4 
 
 194 A Series of Studies — in oil, by an unknown Artist 10 
 
 195 A Wooded Landscape, by Elsheimer ; St. Cecelia, by Goltzius ; 
 
 and others 5 
 
 196 Virgin and Child, by J. de Mabusc ; and A Landscape, by 
 
 Elsheimer 2 
 
 197 Sketch of a Man — in red chalk; and A Man playing a Guitar: 
 
 both by Watteau 2 
 
 198 Study of a Girl — in red and black chalk, by Watteau 
 
 199 A highly finished drawing, in water colours, by Watteau ; and a 
 
 pen and ink sketch 2 
 
 200 Interior, with boors playing a guitar ; and another, by P. de 
 
 Koning 2 
 
 201 A Landscape, with figures, by Van Goyen 
 
 202 Views in Holland, by Rademacker 4 
 
 203 Landscapes, by Both, Moucheron, and others 4 
 
 204 A Wooded Landscape, by Waterloo 4 
 
 205 Landscapes, by Poelemberg, Van Ulft, and others 7 
 
 206 Pen and ink Sketch, by Eembrandt 4 
 
 207 A Group of Figures, by F. Hals ; An Interior, by Dirk Hals 4 
 
 208 Various Studies, by William and Adrian Vandervelde 5 
 
 209 Highly finished drawings, by W. Vandervelde 4 
 
 210 Crucifixion, by J. Bellini ; and various other drawings 6 
 
 211 Study of a Figure, by Bassano ; and other drawings 8 
 
 212 Various Studies, by Delia-Bella 4 
 
 213 Study of a Figure — in red chalk, by Jacopo, Pontormo, and 
 
 others 7 
 
14 
 
 214 Drawiug in red chalk, by Baccio Bandinelli ; &c. 5 
 
 From the Richardson Collection 
 
 215 Virgin and Child, by Francesco Vanni ; and others, by Salvator 
 
 Rosa ; &c. 8 
 
 216 The Decapitation of a Saint, by Guido ; and others 3 
 
 217 Various drawings, by Carracci 11 
 
 218 Virgin and St. Francis, by Guercino, from Sir Peter Lely's 
 
 Collection ; and various other drawings 10 
 
 219 A drawing in jDcn and ink, heightened with chalk, by L. da 
 
 Vinci ; &c. 4 
 
 220 Portrait of a man playing a bag-pipe, by Jordaens ; and two 
 
 Landscapes 3 
 
 221 Landscapes, by Paul Brill, and others 7 
 
 222 A Coast Scene, by John Breughel ; and various other drawings 
 
 6 
 
 223 A Figure in red chalk, by Valentine ; and other studies, by 
 
 Imperiale and others 7 
 
 224 A highly finished drawing of a battle-piece, by Raymond de la 
 
 Fage ; and others, by Poussain ; &c. 4 
 
 225 Two coloured Landscapes, by Pillement 2 
 
 226 A Wooded Landscape, by Claude ; and other sketches, by Perelle 
 
 5 
 
 227 A drawing of Cupids in red chalk ; and a Landscape, by Boucher 
 
 2 
 
 228 Two Solander Cases — whole hound, and lettered " Old Drawings " 
 
 229 Three ditto 
 
 FINIS. 
 
 London :• Printed by Wm. Clowes & Sons, Limited, Stamford Street and 
 
 Charing Ci05?s. 
 
.Ti^- 
 
 m 
 
 4ti 
 
 
£ 
 
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