0 <3> C 3> <9 <§ & ® c 7p b 4 fyi't- f 7 &jr /p £6 oh '? 7 y ' 7 6 7 np' ms* r rK«~ So c < J~o S c CL *^ (r p~ J-Q ois-r-YT- vt~_c 3 - c o <0 « O « ta co coco CO \I O' Co-f'0->t0ii0'0 CO VJ O' ARTS, Mr. P I N G O, Three Medals and their Reverfes in Platter, viz. 85 ift, The honorary Prize Medal of the Society for pro¬ moting Arts and Commerce, from a Defign of Mr. James Stuart. 2d. The Union of the Army and Navy at Louifburgh. 3d. A Medal of the King of Pruffia. Mr. ROUBILIAC, A Marble Bufto. Two Models reprefenting Painting and Sculpture on a Pediment. A Model of Shakefpear. Mr. SEATON, St. Helen, from a Pidure of Guido. Head of the late Lord Vifcount Bolinbroke: Litto, of Mr. Pope, from a Pidure of Sir Godfrey Kneller. Ditto, of Antinous from the Bull. A Sulphur of the Judgment of Hercules. Head of Sir Ifaac Newton, and a Cupid. Sulphur of a Minerva. Mr. SMITH, A Frame with Impreflions. Mr. SPANG, A Cupid riding on a Dolphin, in Marble. A Model bronzed of Aineas and Anchifes. X, ADELPHI, JDN, W. C. 2. p • » I ring mgs I* the jed ; in ive a ion ts Ich. Id be -,a- > be i tour 'ence bion 99 Mr. V [ 12 ] sr« Mr. T Y LER, qg A Defign for General Wolfes Monument. Mr. WILLIAMS, 100 A’Charity. Mr. WILTON, 101 A Marble Buft. Mr. Y E O, 102 A Proof in Copper of a Medal of his Royal Higbnefs the Duke of Cumberland, for the Cumberland Society. 103 Iftipreffion in Plafter of the Seal of the Britifh Mufasum, cut in Steel. 104 Ditto in Wax, from Intaglias on Cornelians, viz. Diana. Neptune. Meleager. Sea Piece. 10 5 Ditto in a Competition, from Ditto, viz. Triumph of Neptune. Child’s. Head from the Life. Pluto and Proferpine. A Sea Piece. Ditto in Wax from Ditto. 106 Two Portraits, Queen Caroline and Dr. Harvey. 107 A Head of a young Bacchus, and a Head of Oliver Cromwell. Draw- ' Drawings 3—E ngravings on Copper. Mr. MAC ARDEL, N® 10 8 Time and Cupid, from Vandyke. 109 Mofes in the Bulrufhes, Ditto, Mr. C A N O T. 110 A Sea Piece and two Froft Pieces. Mr. FRYE. hi A Head as large as Life, Mezzotint©.- Mr. G W Y N N, 112 A Defign in Architecture for the Reception of the Arundel and Pomfret Colle&ion of Antique Statues, Bufts, &c. in the Univerfity of Oxford. 113 One of the three Defign s for a new Bridge at Black- Fryers, as prefented to the Committee. Mr. MORLAND, 114 Two Drawings, Portraits.. 115 Mr. wing ings 1 . f the ged ? in ive a ton cs Lch jld he ta- ) be your rence .tion » f ¥ [ *4 ] Mr. WILLIAM NEWTON, 115 A Piece of Architecture in Perfpedtive. 116 A Defign for an Academy. Mr. N O R T O N, 117 A Sea Piece. Mr. P I L L E M E N T, 118 Four Landlkips. Mr. R A V E N E T, 119 His Majefty on Horleback. 120 The Bifhop of London. J 2 i One of the Marriage A-La-Mode. One from Mr. Pillement. Mr. ROOKER, The Section of St. Paul’s. Three Antiquities of Athens. Section of a Temple. Mr. STRANGE, Ten Drawings from Hiftorical Paintings. Twelve Engravings. Mr. W A L K E R, Four Scenes from Shakefpear. 122 123 124 *2 5 126 127 128 I 29 Mr. 7 . 9 t • f I wing rings a. % rence it ion _ • , -•- i • * • r * 1 - ■ i ■ 1 ,V . . f T . . . ; oqn ' TELEGRAMS, "PRAXITELES, RAND,LONDON.’ ROYAL SOCIETY OF ARTS, JOHN STREET, ADELPHI, TELEPHONE, TEMPLE BAR 8274. LO N DON, W. C. 2. 21st May, 1937. Dear Sir, I have to thank you for your letter of the 14th inst., enclosing a copy of the printed catalogue of the Exhibition held by this Society in the year 1760; I am very glad to have this for exhibition here next week. As I mentioned before, we have only a manuscript copy of this catalogue and also of that for 1762. I shall be glad to see you if you care to visit the exhibition of our early records, which will remain open for a few days towards the end of next week and will continue during the following week. Directly the exhibition is over I will return your catalogue by registered post. In reply to your enquiry, I cannot find, that Joshua Kirby obtained any award from the Society or exhibited at our Exhibitions, but I find that his son, William Kirby, obtained premiums in 1760 and 1761. Yours faithfully. y'l/O Assistant Secretary. W. Roberts, Esq., 69, Park Hill, S. W. 4. TELEGRAMS, “PRAXITELES, RAND, LONDON? TELEPHONE. TEMPLE BAR 8274. ROYAL SOCIETY OF ARTS, JOHN STREET, ADELPHI, LONDON, W. C. 2. 14th June, 1937. Dear Sir, I am returning herewith, by registered letter post, the printed catalogue of the Society's first exhibition in 1760 which you were good enough to lend for the recent exhibition of early records of the Society. It is very strange that we do not possess a copy of the printed list and I will certainly adopt your suggestion of endeavouring to obtain one from Messrs. Rlmell or through other similar firms. Yours faithfully. W. Roberts, Esq., 69, Park Hill, S. W. 4. A N HISTORICAL and CRITICAL review OF THE PAINTINGS, &c. Now exhibiting at the Great-Room of the Society inftituted for the Encouragement of Arts. _- I N S C R 1 B E D to the MEMBERS of the S O C I E T ¥ LONDON: Printed for W, Bathoe, near Exeter-Changi in the Strand MDCCLXII. - ‘The Beauties of all the MAGAZINES feleffed- 1 8 1 it to my matter's table; tor matters and miftruffes may eat it, becaufe they now their fervants won’t. Ninthly, If their is any kind of greens for dinner, (as there commonly is) I al¬ ways take care to fend the out-fide leaves to matter's table, and detach the belt part in a cullender, over fome hot wa¬ ter, till they have done, forwhylhould not farvants know what’s good as wel as their mafters and miifcufl.es. p, S. Thefe and many other excel¬ lent vartues too tegious to mention* I porffes, and fhou'd take it very kind ot you, Mr. Printer, if you fhou'd hear of any body that wants fuch a farvant. ._—Indeed, it is not any place I wou’dgo to j for good places are very ikarce ; and where there is one matter or miftus that knows the vartues of a true fervant, there are twenty that don 15 therefore I fhou'd be oblig’d to you, it you publifh the above cat-a-log in your maghazeen. Yours* Dorothy Rednft. From the Un'VEHSal Museum. Of Cofmetics , Lotions , De-zvs, So c. W E have been fo often told of the efficacy of dog-ikin gloves in making a lady’s, or even a gentleman s, hand or arm of a proper whitenefs, that the name is become familiar to us ; and we very well know, that wearing them o’nights, and hanging the arm in a fling, to hinder the defcent of the blood in the veins, will in time render the hue of the flcin, which was before as coarfe and red as a chair-woman’s, as delicately white and foft as a new¬ born babe’s or a fucking pig’s. But what, in the name of falhion, are the chicken-flcin gloves, which we have feen lately advertifed ? It cannot be believed, that the real fkin of a chicken, or even of an oftrich, can be wrought into lea¬ ther •- one would rather conjeAure that the guts, like the guts of oxen and o- ther animals, are beat into a fort of fkin, like that which is commonly called goldbeaters ikin. However, let thefe gloves be fabricated in what manner you pleafe, it is lufficient to be told, that the invention is French, to make them go down here; and what lady would not chufe to fmooth and polidt her fkin with thofe new invented French chicken-fkin gloves, efpecially if it happens, (as it will to the moft old ones) to be naturally as rough as a feal’s or a goofe’s ikin ? Indeed, the advertifer has fufficiently proved their utility by informing us, that fome in¬ credulous ladies, having made trial of but one glove only for eight or ten nights, found fuch an alteration for the better, that they fcarce knew their own arm again. It inuft have been no common light to fee a lady, after fuch a patient experiment, with one arm as white as any veal or houfe-lamb, and the other perhaps as red as bull-beef. A white hand, or a white arm, is fo effential an article in beauty and de¬ licacy, that it is no wonder feveral me¬ thods fliould be ufed to preferve the na¬ tural hue, or procure an artificial blanching. I know many a fine lady, who, for this purpcfe keeps her arm conftantly retted upon the tip of her elbow in a perpendicular ftraight line, to hinder, as I obferved before, the deflux of the blood ; and I know many as fine a gentleman, who affeAs to take fnuff for the like reafons, as it gives him an opportunity to keep his hand in the fame ereA pofture. Almond pattes, beautifying creams, and cofmetic Lo¬ tions, have been called in as auxiliaries on the fame occafion : though debtors differ about which application fliould have the preference. Soap, however, is held in utter abomination by all par¬ ties ; as, indeed, wafting the hands* arms, or face at all, is by moil reckon¬ ed pernicious to beauty, however it may conduce to cleanlinefs. I find in the public papers, that pearl water is recommended as an excellent waft •, but whether this is competed of a dillo- lution of eaftern pearls, (which from the price I can hardly imagine it to be) or .of mother-of-pearl, or of cyiter- - Hulls, ITICAL Great-Room of ment of Arts. jur View before we -Room, is an entire which every Male is beloved Dulcinea. Ceres, and meant J. She is neither decis. Her Breafts it upon the whole re of white Marble, i Deer, and torn by Ovid. od, I He 182 The Beauties of all the fhells, or mufcle-lhells, or cockle -Ihells, I cannot learn. But, above all, I ad¬ mire the dew-gatherer of Naples, who, by the aid of chemiftry, has contrived to give his precious dew-drops the con- fiftency of cream. (I fuppofe his next invention will be, to beat up fnow into the confillency of whipt-fyllabub.) He informs us, that gentlemen ufe it, as well as ladies, after ftiaving. I wonder any Dowager, or antiquated Mifs of qua¬ lity, will fubmit to be fliaved, when Mrs. Giles offers her fine compound to take off fuperfluous hairs, atone guinea an ounce. But there are other methods, befides thefe flow and perhaps uncertain ones, of arriving at the defired fummit of ex¬ cellence. The face, the hands, the arms, the neck, the breaft, may be primed, double primed, clear-coled, fized, white-walked, and finilhed, to any complexion, by the brulh and the trowel. The French have hitherto fup- plied us with thefe exotic varnilhes ; but as the fociety for the encouragement of arts, &c, propofe to appropriate premi¬ ums to ladies of quality, who excel in the polite arts, I do not doubt, but that many improvements will be made by our female artifts, in the preparation as well as application of thole colours, which painters have diftinguillied by the title of Maiden Blufli and Dead White. I am your humble fervant, &c. P. S. Since T have mentioned the French, I cannot but take notice of the number of tinged feather-muffs, which have been introduced among us by thofe politic people j who, having been fhut cut from the fur trade by our viflo- jious arms, have lubftituted this new contrivance in its room. Intelligence Extraordinary. We hear, that there will Ihortly be an exhibition of the Cofmetic artifts in painting, enamelling, and varnifli j and that the laid artifts have already hired the large dancing-room in Carlifle houfe for the above exhibition ; by day, from the hours of twelve to lour j and by night. MAGAZINES felefled. from twelve to five : the fun riling foon, is fuppofed the reafon of the docj being fliut before fix. Some of the a tills have already fent in their perfq fances as follows: 1. A Courtefan, full length, vei fine; the neck and hands all painti witn virginal-milk.— Bayley. 2. ADuchefs, head and breaft, nea ly finilhed and burnt in j for the Rani lagh feafon.— Gihfon. 3. A Countefs and Courtefan ki cat: the Countefs highly coloured, an the pearl powder fo difpofed, as to cor ceal the natural rednefs of the eyes the Courtefan’s lips bell vermillior The artift declines fending his name. 4. An antiquated Adftrefs, capita By herfelf. 5. A Maid of Honour, very fine but a little damaged by time. Afte Titian. 6. A Courtefan in the charafler c a Woman of Quality, after the Italia manner. B. Valle. It has been latel touched with his fine Naples Devj. 7. A Woman of Quality in the cha rafter of a Courtefan, after the Englil manner. The character finely hit b GibJ'on. N. B. As molt of the performance are for fale, it is hoped fome of th Virtu club will become purchafers. From the Universal Museum. A Catalogue of the Original Paint ings, Bujls , Carved Figures, lAc &c, now exhibiting by the So city of Sign-Painters, at the larg Rooms the upper End of Bovo-Jlreet Covent-Garden , nearly oppefte th Play-houfe Paffage. In the Large Paffage Room. [N. B. That the merit of the Modem Majlers may be fairly examined into it has been thought proper to plac fome admired works of the moft e minent Old Mufcrs in this room and along the paffage through tin yard.] 1. A coacl Tniinrt*^f it"' ~T* ,r v ' y another hand. 4 A Pandour, or indian Prince, uncertain which. Stan¬ hope’s undoubtedly. 5 A Ihip and caftle. Thomas Knife, written under : but it s not known whether this is the name of the artift or the publican. 7 Three nuns. The drapery copied from a Bas Relief at Rome. By Soames. 9 A major wig. By Harrifon. [N. B.The tails appear to have been added]. 10 A barge, in ftill-life. By Vandertrout. [He can¬ not be properly called an Englilh artift ; but not being fufficiently encouraged in his own country, he left Holland with William the Third, and was the firft artift who fettled in Harp-ally]. 12 An heroe’s head, unknown. By Mofes White. With the leaft alteration, may ferve for any heroe paft, prefent, or to come. In the Pajjage through the Yard. 1 A flying fwan j—by fome fuppof- ed to be a dying one. By Goullry. 3 An original halt length ot Cambden the great hiftorian and antiquary, in his herald's coat. By Vandertrout. [As this artift was originally colour- grinder to Hans Holbein, it is conjec¬ tured there are fome of that great maf- ter's touches in this piece.] 4 A but¬ tock of beef ftuft. By Lynne. 5 An hair-cutter. By the fame. 6 Adam and Eve : the firft attempt of that fa¬ mous artift Barnaby Smith. 8 [over the entrance ] An holy lamb, highly finifhed. By the lame. Grand Room. [The Society of Sign-painters take this opportunity of refuting a molt ma¬ licious fuggeftion, that their exhibi¬ tion is defigned as a ridicule on the exhibitions of the Society for the Encouragement of Arts, &c. and-of the Artifts. They intend theirs only as an Appendix, or (in the ftile of painters) a Companion to the others. There is nothing in their collection, which will be underftooq, candid perfon, as a reflection on any body, or any body of men. They are not in the leaft prompted by any mean jealoufy to depreciate the me¬ rits of their brother-artifts. Ani¬ mated by the fame public fpirit, their lole view is to convince foreigners, as well as their own blinded country¬ men, that however inferior this na¬ tion may be unjuftly deemed in other branches of the polite arts, the palm for Sign-painting muft be ceded to Us, the Dutch themfelves not ex¬ cepted,] 1 Portrait of a juftly celebrated painter, tho’ an Englhhman, and a modern. 2 A crooked billet, formed exaCtly in the line of beauty, its com¬ panion. Thefe by Adams. 3 The good woman ; a whole length, but no portrait. By Simplon. N. B. It is done fVom invention, not being able to find one to fit for it. 4 A ftar. By *. 5 The light heart; a fign for a vintner. By Hagarty. N- B- This is. an elegant invention of Ben. Johnfon, who, in the New Inn , or Light Heart , makes the landlord fay, fpeaking of his fign, . , ^ , , An heart weigh'd with a feather , and outweigh’d too: A brain-ch;ld of my own, — and I am proud on’t. 6 The hog in armour. By Thurmond. 7 A buttock of beef. By Simmc’s. 8 The vicar of Bray ; the portrait of a beneficed clergyman, at full length. By Ailifon. 9 The Irifli arms. By Patrick O’Blany. [N. B. Captain Terence O’Cutteryfooa' for them.] 1 1 Butter and eggs. By Simmes. 12 The Scotch fiddle. By Me Pharfon ; done from Himjelf ■ 13 The barking dogs j, a landfcape at moon-light; the moon fomewhat eclipfed by an accident. Whitaker. 14- Three apothecaries gal¬ lipots. By D. Aeth ; firft attempt. j 4 Three coffins, its companion ; Unfill¬ ed by Shrowd. 15 A man. By Ha¬ garty. 16 The rifing fun ; a landfcape- Painted for ‘The : Moan, alias Theophi- IT ICAL Great-Room of meat of Arts. ur View before we -Room, is an entire which every Male is beloved Dulcinea. Ceres, and meant d. She is neither decis. Her Breafts at upon the whole re of white Marble, a Deer, and torn by 1 Ovid. od, ] He 184 The Beauties of all the lus Moon. By Morris. 18 The magpye. By Whitaker. 19 Nobody, alias Some¬ body j a character. 20 Somebody, alias Nobody ; a carricature ; its companion. Both thefe by Hagarty. 21 The World’s end. By Syrapfon. 22 The ftrugglers; a converfation. By Ranf- bey. 23 A free mafon’s lodge, for the impenetrable fecret. By a Sworn Bro¬ ther. 24 The Blackamoor. By Symp- fon. N. B. This is not intended as any reflexion on the gentlemen who have been lately white-wafhed. 25 A man running away with the monument. By Whitaker. 26 Devil hugging the witch j a converfation. By Ranfbey. 27 The fpirit of contradi&ion } ditto. By Hagarty. 28 The loggerheads; ditto. By ditto. 29 The man in the moon drinks claret. By Blackman. 30 The dancing bears ; a fign for N. Dukes, A. Hart, or any other dancing-mafter to grown gentlemen. By Hagarta. 31 My a-in a bandbox- By Sympfon. 34. A dog’s head in the porridge-pot. By Blackman. 35 A man in his ele¬ ment ; a fign for an eating-houfe. 36 A man out of his element; a fign for a publick-houfe at Wapping, Rother- hithe, or Deptford. Both thefe by Stainfley. 39 Abfolom hanging; a peruke-maker’s fign. By Sclater. 40 Welcome cuckolds to Horn-fair By Hagarty. 41 The cat o’ nine tails ; a kit-cat. By Mafmore. 4.2 King Charles in the oak ; a landfcape, by Allifonj the face in miniature, by Sclater. 43 An owl in an ivy-bufh ; its companion. By Allifon. 44 Foote in the charatter ©t Mrs. Cole ; a fign for a boarding- Ichool. By Stainfley. 47 A pair of breeches. 48 A green canifter; its companion. Both thefe by Blackman. 49 An ha ! ha 1 50 [, 0 « a parallel line nvitb the fort going, on the other fide of the chimney ] The curiofity ; Its compa¬ nion. [Thefe two by an unknown hand, the exhibitors being favoured with them from an unknown quarter.] (t^Ladies and gentlemen are requefted J?ot to finger them, as blue curtains are hung over on purpofe to preferve them. 53 An original portrait of th,e prqfiyit magazines feiefied. Emperor of Ruflia. 54 Ditto of tl emprefs Queen of Hungary, its antz gonift. Thefe by Sheerman. 55 Tl filent woman, or a good riddance; family piece. By Branfley. 56 Tl Ghoft of Cock-lane. By Mifs Fann -. 57 Three portraits in one. 5 All the world and his wife. By Blacl man. 59 Cat and bagpipes. By Foi fter. 60 A perfpedtive view of Billing gate, or Ie&ures on elocution. 61 Tl Robin Hood fociety, a converfation, < ledhires on elocution; its companioi Thefe two by Branfley. 62 An author i the pillory. By -, bookfeller, fir: attempt. 63 Liberty crowning Britar nia: By command of his prefent Me jefty. 64 View of the road to Pac dington ; with a reprefentation of tl deadly never-green, that bears fruit a the year round ; the fruit -at full lengtl By Hagarty. 66 Good Company ; converfation ; intended as a fign for tobacconift. By Branfley. 67 Deat and the doftor; in difemper. By H; garty. 68 Hogs-Norton ; a fign for mufic-fhop. By Branfley. 69 St. Dui ftan and the devil. 70 Dr. Squintui and the devil, its companion. By 71 Shave for a penny, let blood fc nothing. 72 Teeth drawn with touch, a carricature; its companioi Thefe two by Branfley. 73 A ma loaded with mifehief. By Simpfoi 74 Entertainment for man and horfe a landfcape. By Branfley. 75 Fir and laft. By Blackman. 76 The cor ftitution ; Alderman Pitt’s entire. E Hogarty. Bufs , Carved Figures , Sec. Sc c. &< 12 Bull of a celebrated beauty. E Edley. 13 Head of the thoughtle philofopher. By Mafmore. 14 Tal time by the forelock. By Clark. 1 A dumb bell. By the fame. 16 Ti Britifh Lion, and 17 Unicorn^ [Tl lion in excellent condition.] By Jone 18 A French fieur de lis [tarnifhed; ByGarthy. 2.3 A dolphin, painted wil the true verd antique. By Quartermar *** Several tobacco rolls, fuga loaves* hats, vv:gs, ftockings, glove ' ' Sk ur View before we l-Room, is an entire which every Male is beloved Dulcinea. Ceres, and meant d. She is neither decis. Her Breafts ut upon the whole re of white Marble, a Deer, and torn by 1 Ovid. od, "I He ! 86 The Beauties cf all the M AG A ZINES [elefted. The dog in this piece deferves attention. —36. A portrait in crayons, by D. Dodd. One of the beft crayon pieces in the room.—37. A l'mall whole length of the Duke of York, by Memory, ali¬ as Schaak. Mr. Memory has hit off a tolerable likenefs, and his pofition of the legs is judicious.—38. A landfcape, by G. Smith. Fine.—43. The portraits of two children, by G. Mathias. This portrait would have had a better effedt if the artifthadfoftened the rough-calling on the brow of the boy. That fort of rough boldnefs belongs to a flyle very different from the reft of the pidlure ; it wants uniformity of manner.—43. A portrait of a lady, by A. Carpentiers. The portrait of a pair of ruffles.—45. His Majefty in the charadler of August¬ us, with Mecasnas and Agrippa. Has great merit, and Auguftus is not un¬ like the King.—47. A portrait of a young lady (a child) playing with a hare, by Mifs Reed. Mifs Reed does honour to her country j a very beautiful pic¬ ture, and the hare natural; if there is any fault, it is in the hands.—48. A landfcape, by G. Smith. Great merit. —49. King Stephen brought prifoner to the Emprefs Matilda, by Cliev. Ca¬ fali. This was the only pidlure repre- fented for the prize, which it confe- quently obtained j and hence it appears, that all the encouragement given by this fociety has not yet produced one native hiftory painter. King Stephen’s atti¬ tude is extremely juft, and his face pro¬ perly exprefiive. The Emprefs is not unlike Sufannah in the face. As well as I can remember, this is Cafali’s beft pidlure. Every body knows the caufe of Stephen's dilpute with Matilda.- —51. Sampfon and Dalilah, by Chev. Cafali. This Sampfon is by no means fufficiently herculean. Tho’we are told that his ftrength was in his hair, yet there can be no impropriety in fuppoling him of a huge mafcular form. Samp¬ fon, in the eye of a painter, fhould be Hercules himfelf. Dalila’s bofomis ex¬ tremely beautiful, it feems as if the painter exhaufted all his art on it.—q 2. A portrait in crayons of a young gentle¬ man with a dog, by Mifs Reed. T dog’s head is admirable, and the inn cence expreffed in the child's face ve natural and beautiful_53. A he: in crayons, of a Fryar, by W. Petln Strongly exprefiive of penitence.—C A fhip near Cape Cantin in Africa, Jd. Leigh. This pidlure is like Ric ardfon’s romances, or fome of the wo of Shakefpear’s plays. There is an v common wildnefs both in the defign a execution. The fhip is admirably fit ated j but the lightning very poorly e preft, and the clouds bad.—65. A fm whole length of a gentleman, by A Devis. Leather-breeches the princij objedl.—72. The judgment of Paris, Chev. Cafali. The worft pidlure I e\ faw of Cafali’s. Dame Venus's legs a horrid——but tire colouring is admit ble.—73. A rofe-bud, by W. Smit Better painted than drawn.—74. magdalen, by Chev. Cafali. This not flaxen hair, but flax, and the ft is not properly imagined for the fubje< t 83. landfcapes, by J. Smith. T 1 pidlure mod defervedly obtained the fi prize for landfcape painting. It is i deed a very excellent piece. —84. O Saviour fupported by angels, by Cafa Middling..— 85. Moon-light, by < Smith. Worthy of its author.—86. ram, by G. Smith. A good pidtui 87. A piece of fruit, by T. Key The apples are well painted ; but t refledlion in the plate is a little too ftror Mr. Keyfe, will probably tell me, tl the refledlion is full as ftrong in nati from a new pewter plate-It may fo : but then his apples would liaveh a better effedt if he had placed them a plate not quite fo new.—88. A fno piece, by G. Smith. Good.—89. landJcape, by G. Smith. Pretty.—c A landfcape, by W. Tomkins. T unnatural landfcape obtained, as I ?■ told, the fecond prize. Probably t fociety were weary of adjudging the pi miurn conftantly to the fame people, a therefore chofe to encourage an artift another name. — 93. A fmatt wh< length of a gentleman, by Art. Dav I f up pole tins very ftiff military gcut [ 3 ] The Beauties of all the MAGAZINES feletfied. 187 ■nan is pra&iiing the fide fiep.~ 95. A [lower-piece, by T. Keyfe. — The Baton Hands upon nothing. — 97. A piece of wild-fowl in crayons, by J. Parker. The wild-fowl are much better done than the green ground upon which they lie.—107. A gazette in a Frame, by T. Keyfe. A good deception. —182. Mifs Shelly’s hiftory in needlework is ad¬ mirably performed—Mifs Humphry’s {hell-work very beautiful ; alfo the four auricula’s on each fide the door are very pretty. From the Lady’s Magazine. To the Hon. Mrs. Stanhope. Fool’s day, Apirl I, 1762. Madam, I Have ever wondered, why this month in particular, or why this particular day of the month, (on which I am now writing) lhould be diflinguifhed as more immediately facred to folly ; lince I can¬ not find, but that there are as many fools in every other month, or even on every other day of the month, in the whole year, as on the firfl of this inftant April. For example, If my foolifh country coufin is fent to hang over London bridge, in expeftation of feeing the li¬ ons brought from the Tower to be wafh- ed in the Thames,—or, if he is made to wait gaping at Guildhall, till their : giantfhips, Gog and Magog, pleafe to ^come down to dinner ; is his credulity ' more abfurd and ridiculous, than that ■ of feveral wife perfons, who ferioufly ^ and in fober fadnefs believed in the’re- " ality, or at leaft the poflibility, of the ' gholt at Cock-Lane ? What fhall we 1 fay of thofe, who aflembled together £ from all parts of the kingdom on the ' zzd of September laft, that they might Aay they faw the coronation ? And what o’ Hiall we fay of thofe who flocked to the play-houfes, night after night, to fee its reprefentation ? * Folly is an Evergreen, that fprouts, :ii buds, and bears fruit all the year-round i it (hoots up in any foil, and requires; little or no cultivation: it lias been found to flourilh equally in. cities and great towns, as in the country $ and lometimes it has happened, that its growth has been remarkably luxuri¬ ant within the verge of a court. It is frequently exotic, and tranf- planted from other climates; in wliich cafe it foon withers and decays, unlefs it is engrafted with the natural and wild produce of the country. It may be ranked in the vegetable kingdom, a- mong the Fungi, or mufliroorns, lince,. like them, it Iprings up on a Hidden, like them is quickly propagated, and as quickly difappears, without our being able to difcover its feeds, or account for its propagation. But to drop the metaphor, and re¬ turn to plain language.—As the firlt of April has the peculiar difgrace of being ftigmatized in the vulgar calendar, with the appellations of O llultitia, or fool’s day, (while the fixteenth of December llill continues, in our prayer-boo!ur View before we 1-Room, is an entire which every Male [15 beloved Dulcinea. Ceres, and meant Id. She is neither ’decis. Her Breafts ut upon the whole ire of white Marble, a Deer, and torn by 1 Ovid. >od, I He i$7 ?tbe Beauties of nil the MAGAZINES fe’lefled. Here follows a Specimen of my Calender. Events to happen in the year 1763. January 1 . Exactly at twelve o’clock will die, of a lingering confumption, the Old Year. At the fame time will be brought into the world, the New One. 30. Though no Sunday, fermons will be preached upon this day all over England $ with a practical inference, and fo conclude about King George the Third, as long as he himfelf lives and reigns, or any of his family lives and reigns after him. Sermons, preached in the times of Charles II. James II. and of Queen Anne, on the fame oc- cafion, to be had cheap. The bifhop of-will preach before the reprefen- tatives of his brethren, and the reft of the H- of L-, and the Rev. Dr. - i , before the reprefentatives of the reprefentatives of the commons of E. the H. of C. Their texts will be I Efdr. chap. iii. v. it. and II Sam. chap. ix. ver. 4, 5, 6, 7, 8. but whence their fermons will be taken, time alone tnuft dilcover. February 2. Candlemas-day. Of a forfeit, occafioned by eating too much turkey and chine, mince-pie, &c. will expire, greatly regretted by all their acquaintance, both Old and New Chrift- mas. The latter, it was thought, might have furvived eleven days longer, but was given over by all his friends. 14. Valentine’s day. Several ladies of diftin&ion, and others, will take the man, they firft fee, for their valentine, after twelve o’clock of the night pre¬ ceding, O. S. This not being leap year, feveral very extraordinary accidents, which otherwife would have happened on the laft day of February, mult now fall out on March 1. A lord will run away from his lady. 2. A lady will run away from her lord. 3. They will come again together. 4. They will run away again. 5 Many matches will be made -—play or pay : l'weep-ftakes take the whole ; entrance-money down, &c. &c. kc. Great preparations this month fi the enfuing feftival, viz. April 1. Fopls-day. This day fre proportions will be made by France f a perpetual peace, between her cou and ours ; in order to which, it will 1 fubmitted to the confideration of tl then prefent [wife] miniftry, that tl harbour and fortifications of Portfmout &c. (hall be deftroyed ; that we lhall n be allowed to have more than 130 f; of the line, equipped ready for fervic that we jfhall not maintain above 100,01 land forces (marines included) in tir of peace ; nor fhall we fuffer our mi tia to be exercifed ; above all, we fh; not fuffer them to defend themfelves ai their country, in cafe of an invafion. The fame day an exprefs will arri from Spain, and from the Empr< Queen of Hungary, declaring their a quiefcence to the fa'id propofals. Bi if this is accepted, who will be the fc then ? The fame day (it being Eafter wee will be kept as a feftival by feveral n< married couples 5 fome young, foi old, fome poor, fome rich,—one w: another. 30. The honey-moon being nc over, the old, the young, the rich, t poor,—one with another,—will agi to keep this as a faft. May 1. This day will die fudden after eating an hearty breakfaft, dinn and fupper, all his life, at his’count] houfe at Hackney, called-s, fol (the firft ftone of which was laid the firft of April 7.) J -S-- Efqr ; retired from bufinefs, forme Mr. J-S-an eminent- He had the happinefs to break early life, and thereby acquired a plenti fortune. His lofs will be fincerely gretted by all that knew him. From the Ladies Magazine All in the Wrong. A True Story M O R A N D A was left a wid in the 45 th year of her age, w a plent: [ 3 ] A N historical and critical REVIEW OF THE Paintings, &?c. now exhibiting at the Great-Room of the Society inftituted for the Encouragement of Arts. T HE firft Obieft which prefents itfelf to our View before we afcend the Stairs leading to the Exhibition-Room, is an entire naked Female Figure of white Marble, which every Male Sneftator may lThe thinks proper, Imagine to be his beloved Dulcmea . The Sculptor intended her for the Goddefs Cera, and meant Ihe scuipro F - he poffibly could. She is neither ***■«« ought to have been a little farther afunder, but upon the whole ft ' e Nea"°.o bl .he F Sed Goddefs Hands another Figure of white Marble, reprefenting J 8 *m partly metamorphos dI into a Deer, and torn by his own Dogs. The Story is thus tranilated from OW. Now all undrefs’d the fhining * Goddefs Hood, When as ABaon had the Chafe purfud. Loft and bewilder’d in the pathlefs Wood, 1 * Diana. A 2 He He wander’d hither, where th’ unhappy Man Saw the fair Goddefs, and her naked Train. The frighted Nymphs, with horror in their Eyes, Fill’d all the Wood with piercing Shrieks and Cries, Then in a huddle round the Goddefs preft : She proudly eminent above the reft. With Bluflies glow’d ; fuch Blufhes as adorn The ruddy Welkin, or the purple Morn ; And tho’ the crowding Nymphs her Body hide, She modeftly withdrew, and turn’d abide. Surpriz’d, at firft fhe would have fnatch’d her Bow, But fees the circling Waters round her flow : Thefe in the hollow of her Hand Ihe took, And dafh’d them in his Face, while thus fhe fpoke : Tell, if thou can’ft, the wondrous Sight difclos’d, A Goddefs naked to thy View expos’d. This faid, the Man begun to difappear By flow Degrees, and ended in a Deer. A riling Horn on either Brow he wears. And ftretches out his Neck and pricks his Ears: Rough is his Skin, with fudden Hair o’ergrown j His Bofom pants with Fears before unknown. Transform’d, at length he flies away in hafte, And wonders why he flies away fo faft. But as by Chance, within a neighb’ring Brook, ffe faw his branching Horns, and alter’d lookj Wretched Attceon ! in a doleful Tone He try’d to fpeak, but only gave a Groan, And as he wept within the wat’ry Glafs He faw the big round Drops, with filent pace. Run trickling down a favage hairy Face. What fbould he do ? or feek his old Abodes, Or herd among the Deer, and fculk in Woods ? Here Shame difluades him, there his Fear prevails. And each by turns his aching Heart affails. As he thus ponders, he behind him fpies His op’ning Hounds, and now he hears their Cries j [ s ] A noble Pack, or to maintain the Chace, Or fnuff the Vapour from the fcented Grafs. He bounded off with fear, and fwiftly ran O’er craggy Mountains, and the flow’ry Plain j Thro’ Brakes and Thickets forc’d his Way, and flew Thro’ many a Ring, where once he did purfue. In vain he oft endeavour’d to proclaim His new Misfortune, and to tell his Name j Nor Voice, nor Words, the brutal Tongue fupplies, From fhooting Men, and Horns, and Dogs he flies, Deafen’d, and ftunn’d, with their promifcuous Cries. When now the fleeted: of the Pack, that pred Clofe at his Heels, and fprung before the red, Had faden’d on him, drait another Pair Hung on his wounded Haunch, and held him there. Till all the Pack came up, and every Hound Tore the fad Huntfman grov’ling on the Ground, That now he feem’d but one continu’d Wound. With dropping Tears, his bitter Fate he moans, And fills the Mountain with his dying Groans. His Servants with a piteous Look he fpies. And turns about his duplicating Eyes. His Servants ignorant of what had chancd,, With eager Hade and joyful Shouts advanc’d; And call’d their Lord AStaon to the Game, He fliook his Head in anfwer to the Name ; He heard, but wiflied he had indeed been gone, Or only to have dood a Looker on. But to his Grief he finds himfelf too near. And feels his rav’nous Dogs with Fury tear Their panting Lord disfigur d in a Deer. It may not be improper to inform the Reader, before we proceed, that I {hall pafs over fuch Pieces a* I think too infignificant either for Cenfure or Applaufe. N° 2. [ 6 ] N». 2. Portrait of a Lady, by R. E. Pine. As I have not the Pleafure to know this fair Lady, I cannot poffibly judge of the Likenefs; but unlefs fhe was blue with cold when fhe fat for her Picture, I dare be pofitive he has not copied her Complexion. The Hands are quite Purple. N° 3. A Landfcape, by Chev. Cafali. From this Picture it appears, that Cafali’ s Excellence is not to be looked for in Landfcape-painting. One of the Figures refts his Gun againft the left Shoulder. N° 6. Portrait of a Gentleman, by I. Elvery. This Gentleman’s Face appears to be coloured with Brick-duft. Probably the Painter, by endeavouring to avoid Mr. R. E. Pine’s Blue-colouring, run infenfibly into the oppofite Extream. N° 11. The Portraits of two young Gentlemen, by R. E. Pine. The Attitudes of thefe Boys are tolerably juft, and their Faces lefs Blue than ufual with this Painter : Neverthelefs the younger wants Eafe. N°. 12. A Laisdfcape, by T. Paine. Very harfh, and abominably green. Spectacles. Mr. Paine probably wears green N° 13. [ 7 3 N» 13; A/mail whole Length of General Wolf, by Schaak , 1 No bad Refemblance of the Original. N 9 i 4 . A View, by D. Serres. A very fo-fo kind of a View indeed. N° 16. A View of Capo de Bove, near Rome, by Cozens.’ have^eeniT/L/y 0k **“* UP ° n ^ Sp0t> he muft undoubtedly N° 17. View of a Water-Mill, by Serres. A better Pidure than the fo-fo kind of a View above-mentioned, by the fame Hand. 1 No 18. A J,mall whole Length of a Gentleman, by J. Hall. If this whole Length Gentleman is really the whole length of Figme”’ 16 haS VeiT 1Utle Reaf ° n t0 bC fatisfied Wkh this Lil '? utian No i 9 . A' whole Length Portrait oj a Lady of Netturio. a Sea-port in the Popes Territories, by G. James. The [ 8 ] The Figures in this Piece are well Drawn ; and judicially Painted but the Back-ground is too bold, and the Sea too blue. It Mr. James would give himfelf the trouble to deaden the Ground which now feems to proceed from the Lady's Elbow, he would find it of infinite Advantage to the Picture. N° 20. A View of the Mediterranean, with the Story of the good Samaritan, by Jd. Leigh. A pleafing Viewj but a very indifferent fort of a Samaritan. N° 21. A Piece of Fruit, by Mr. W. Smith. Not without Merit; only rather to much in the Style of a Dutch Tea-table: a little too luxuriant. N° 22. A Landfcape, by Runciman. Too Gaudy and Glaring. N° 23. A Landfcape, with the Story of Jupiter and Io, by T. Paine. This Landfcape has the fame Fault with Number 12, by the fame Hand, moll unnaturally green. The Story of ‘Jupiter and Io, is thus tranflated from Ovid • But But her, * as from her Father’s Stream fhe came. The Thunderer faw, and burnt with hidden Flame, Oh ! Virgin worthy Jove, he cries, whofe Charms Whofe-e’er they are, muft blefs home happy Arms, Here in thefe fhady Woods, and pointing (hews The Neighbouring fhady Woods, awhile repofe, A God’s Protection fhall your Safety grace. No vulgar God, but of the higheft Place 5 Whofe Hand fuftains the Scepter of the Sky, By whom the Thunders roar, and Light’nings fly. Oh ! fly not; for fire fled. The Paftures paft Of Lerna , and Lyrcaum ’s gloomy Wade, He in the Air a fable Cloud difplay’d, There caught, and there deflowr’d the ftruggling Maid, Mean while with wonder Juno did furvey Thofe dufky Clouds that made a Night of Day, And finding that they neither took their Birth From vap’rous Streams, nor from the humid Earth, She for her Hufband fearch’d the Skies around: As one who often had his Secrets found: The God not found, his noify Contort faid. Or I miftake, or injured is my Bed. From Heav’n to Earth fhe flies with zealous Speed, And at her Prefence bids the Clouds recede. The God foreknowing, ere his Confort came. Into a Cow transform’d the Rival Dame. A beauteous Cow fhe feem’d, {till fair to View, And an unwilling Praife from Juno drew. *' In'. B N° 24 C 10 ] N° 24. A Landfcape reprefenting a Summer s 'Evening, by C. Stewart. Not fufficiently expreffive of the Time of Day which it is in¬ tended to indicate. It wants neither Labour nor Imagination; but it wants that pleating Softnefs fo effential to a good Landfcape ; ’tis Harlh and Hard. N° 25. A Rofe-bud , by T. Keyfe, Very neat and ftrong. N° 26. A Party of Light-Horfe at art Akhoufe-door, by J. H. Schaak, Very pretty. N° 27, 28. A Fruit-piece, and a Bunch of Grapes, by W. Smith. Both thefe Pieces have the fame fault of that which we have leen before by the fame Artift. They are too highly Colour’d, and the Grapes are rather too large. Fruit-painters generally err in the oppolite Extreams. N° 2-9. A whole length Portrait of his late Majejly, by R. E. Pine. Very like the late King both in Face and Perfon, except in the colouring of the Face, which, as ufual with this Painter, is a little too purple. The left Hand is not the bell part of the Picture. N° 3p,. [ '< ] N» 30. A Landfcape , with the Jlory oj Diana and Adteon, hy D. Serres, For this Story, fee the beginning. I cannot fay that either this Goddefs or any of her Nymphs are tempting Figures j nor is the Landfcape extraordinary. N° 31. A Landfcape , hy G. Smith. The fuperiority of the Smiths as Landfcape-painters is fo incon- teftably vifible to thofe who have the leaft judgment in Painting, or in Nature, that to declare my Opinion in this matter is quite unneceflary. Their Pieces, in general, are finely imagined, accu¬ rately drawn, and chaftly colour’d. N° 32. A Fruit-piece , hy W. Smith.' This, like the reft of Mr. Smith’s Fruit, wants mellowing. If will be worth more Money a Hundred Years hence, N ° 33 - A Snow-piece , by G. Smith. The Boy with the Sticks under his Arm is an excellent Figure; N° 34 - A fhiflle with Butterflies , by W. Tomkins; Extreamly neat and ftrong. B 2 N° 35. N° 35 - A ‘whole length Portrait of a Lady of Petrella, in the Kingdom of Naples, by G. James. This Piece does great Honour to its Author. The h ace and Hands are admirablf } the Attitude juft, and the Drapery fkilfu ly managed. If our firft rate Portrait Painters do not look drag this young Genius will foon outftnp them all. The Dog m this Piece deferves Attention. N° 36. A Portrait in Crayons, by D. Dodd. One of the beft Crayon Pieces in the Room. N° 3 7. A fmall whole length of the Duke of York, by Memory, alias Schaak. Mr. Memory has hit off a tolerable Likenefs, and his pofition of the Legs is judicious. N° 38. A handfcape , by G. Smith. Fine. N° 39. A handfcape , by R. Terry. A gaudy Nothing. N° 40. [ *3 ] N° 40. A Piece of Fruit in Crayons, by C. Clayton, Starved Grapes — very indifferent= N° 41. A ftnall whole length of a Boy at Cricket, by R, Pile. At the other end of the Room, not worth looking for.’ N° 42. ’The Portraits of two Children, by G. Mathias. This Portrait would have had a better Effed if the Artift had foftened the Rough-cafting on the Brow of the Boy. That fort of rough Boldnefs belongs to a Stile very different from the reft of the Pidure. It wants Uniformity of Manner. N° 43 - A Portrait of a Lady, by A. Carpentiers. The Portrait of a Pair of Ruffles. N° 44. A Servant Maid with Chocolate , by G. Mathias. A very unmeaning, unpleafing Figure. N° 45. His Majefty in the Character of Auguftus with Macasnas {Me can as, I fuppofe he meant) and Agrippa. [ * 4 - ] Thofe who are at all acquainted with the Roman Hiftory know that Meccenas and Agrippa were the two Favorites of Augujtus. We find him confulting with them, in the beginning of his Reign, concerning his pretended Defign of Abdication ; but.whethei t e Painter intended to reprefent any particular Incident in the Roman Hiftory, I am ignorant. However, the Pidture has great Merit, and Augu/lus is not unlike the King. N° 46. A Portrait in Crayons of a Gentleman , by W. Pether. There are worfe Crayon Painters in this Kingdom than Mr. Pether. N° 47 - A Portrait oj a young Lady (a Child) playing with a Hare, by Mtfs Reed. Mils Reed does Honour to her Country; but I have known her paint better Hands than thefe. N° 48. A Landfcape, by G. Smith. Great Merit. N° 49 - King Stephen brought Prifoner to the Emprejs Matilda, by Chev. Cafali. This was the only Picture prefented for the Prize, which it confe- quently obtained; and hence it appears, that all the Encouragement given by this Society has not yet produced one native Hifiory Painter. King Stephen’s Attitude is extreamly juft, and his Face properly ex- preffive, [ J 5 ] pieffive. Ihe Emprefs is not unlike Sufanna in the Face. As well as I can remember, this is Cafali’s beft Pidure. Every Body knows the Caufe of Stephens Difpute with Matilda. ^ The Armies being in view of each other, that of the Emprefs was divided into four Bodies. The firfl was compofed of Welfh, and headed by two of their Princes or Noblemen; the Earl of Che/ier was at the Head of the fecond, which was compofed of his own * the third Body con lifted of thofe whom Stephen had dmeifed of their Eftates and out-lawed; whilft the fourth (which was compofed of foreign Mercenaries, and other Englifh in the Jntereft of the Emprefs) was led by the Earl of Gloucefter himfelf Stephen ranged his Army into four Lines likewife. The Earl of Mel ant headed his Horfe ; he himfelf, William de Ipres, and Allen iJuke of Bntanny commanded the other three. A decifive Adion being now expeded, the refpedive Generals encouraged their Soldiers by all the Arguments which they thought could prompt their Courage or confirm their Loyalty. The Welfh, whom Henry of Huntingdon fays, were better furnifhed with Spirits than with Arms were flanked, and defperately attacked by William of Ipres , at' the Head of his Divifion, who put them into diforder. But at the fame time, the Line of the Out-lawed fell, with eaual Force, upon the Divifion commanded by the Earl of Bntanny, who, tho’ Sup¬ ported by the Earl of Mellant and his Horfe, was totally routed. In the mean time the Earl of Chejler , obferving the diforder of the Weljh fent a Body to their relief, which fupported them fo well that the Fortune of the Day was intirely changed in favour of the Emprefs. A total Rout enfued of the Flemings and Stephens Horfe and de Ipres himfelf was forced to fly the Field, together with the brave Albemarle Earl of lorkjhire, who had pofl: in the fameDiyifion ihe Fortune of the Day now intirely depended upon Stephens own Line, which was yet unbroken and animated by his Example He himfelf, armed with a Battle-Ax, led them on, and enafted Wonders in his own Perfon. His Blows, according to our Hiftorians, fell fo quick and weighty, that, fingly, he was irrefiftable, and created Admiration in his very Enemies; but at laft, the Enemy rallying Horn the Purfuit, attacked him with united Forces; his Guards were either cut in Pieces, or forced, to abandon the Defence of his Perfon ; while [ l6 ] while he with analog, hu, WM-EfeJ.. the Battle. His Battle-Ax ein^ of his Friends, he defperately Sword, and tho abandoned by {he Ruin of his Enemies, ranged about, feektng a g orio > unknown Hand, At laft, he was ftruck by a Stone, fcM from a which beat him to the Ground Upon ^ ^ brave Knight of the Enemy ^ 110 his Companions to the King’s Helmet, Uftedxt up, and called outt ^ £ e King » come to his Affiftance. » refufed to furrender to any B ^%id CT “h n c iedtrSS M Of Sh^r. «»e Ear ignoble Hand, he call e y alourj while he was touched quickly appeared, and ad. g rece ived the Frifoner into his us, Stephen emp oye , - . . j William Martel his Sewer 0 ?tl"Mich he was obliged to deliver " P me E.ri‘o"f°Gfa,*e had too great a Soul to treat S,,ph, In St. Martins Lane, 48 Sigifmund a > 40 Falftaff recruiting, to Tineas carrying his father Anchi es. Mr. H E A R. L I N r The Corner of Oxford Market, Mr. HONE, St. fames’ Place, 52 A portrait of a gentleman, three quarters, 53 Ditto c4 Ditto of a lady, 55 Three portraits in enamel, and two m water colours. 5, Wild Drakes. i N O. C 7 ] Mr. ONIAS HUMPHREY, At the Golden Head, the South Side of Leicefer Square, 56 A portrait in miniature. Mr. GEORGE JAMES, In Dean Street, Soho, 57 A whole length of a lady. Mr. WILLIAM JAMES, At the Golden Head, Maiden Lane, Covent Garden, 58 * A landfcape, half length. 59 * A fummer’s evening. Mr. JENNINGS, At Mr. Le Roux, Charing Crofs, 60 Two miniatures. Mr. THOMAS JONES, In Great fueen Street, Lincoln s-Inn-Fields, 61 Gentlemen fporting. Mr. IRELAND, At the Norwich Warehoufe, King-fireet, Covent Garden, 62 A piece of fruit. P. JOUFFROY, Peintre Ordinaire du Roy de Pologne, Due de Lorraine, &c. in little John Street, Golden-fquare. A Venus painted on glafs. Mr. KETTLE, In Great Queen-fireet, Lincolns Inn Fields. 64 Portrait of a lady, whole length, 55 Ditto, ldtcat, 66 A young gentleman, ditto, Mr. KIRBY, In Half-Moon-firect, Piccadilly* 67 A view in Richmond Park. NO. [ 8 ] Mr. KRAMER. At Mr. Hummer s in Denmark-Jlreet, 68 A landfcape. „ 0 „ Mr. K E Y S E, In Fleet-ftreet, 69 * A piece of ftill life. Mr. THOMAS LAURANSON, Ruffel Street, Bhomfbury, 70 Portrait of a lady, three quarters. 71 Small whole length of a gentleman. Mr. WILLIAM LAURANSON, Ruffel Street, Bloomfbury, 72 A head in crayons. Mr. H E N R Y L E A K E, At the Golden Head, the South-fide of Leicefter Fields, 73 Mr. Powell in the charafler of Pofthumus. 74 Portrait of a gentleman. Mr. BENJAMIN LENS, At a Peruke Maker s, in ffermyn Street, St. fames s Market. 75 A gentleman, miniature 76 A cat, ditto. Mr. M A R L O W, In Newport-Street, 77 A view near Whitehall, 78 A landfcape, with part of a rain’d abbey in Yorklbire, 79 A fmall landfcape from nature, 80 A view of part of a bridge at Worcefter. Mr. D A V I D MARTIN, At a Hofiers, facing Poland Street, Oxford Roaa, 81 A portrait, half length. NO (9 ) Mr. M A U C O U R T, Iti Broad-ftreet, Carnaby Market, 82 Two portraits of gentlemen, kit-cat. 83 One ditto, three quarters. Mr. MEYER, ln Tavi P ck R °™> Pinter in Enamel and Miniature to bis Majefty, 84 A portrait in miaiature. Mr. MILLER, In Maiden Lane. 85 An upright landlcape, with gyplies. Mr. M O R E L A N D, Lhree Doors below the Opera Houfe, in the Haymarket, 86 *A fervant with a candle, in crayons. 8 7 *The general poll, ditto. Mr. M O R I E R, At Mr. Nejbits, the top of the Haymarket, 88 A general on horfeback. Mr. MORTIMER, At Mr. Moran's, in the great Piazza, Covent Garden, 89 Twofmall whole lengths, 90 One head, large as life. Mr. O’ N E A L. At the China Shop, the Corner of Adam and Eve Court, in Oxford-road, 9 1 Three miniatures. Mr., NEWTON, In Mortimer Street, 92 Portrait of a gentleman, three quarters. C N O. c IO ] Mr. NIXON, j, Mr. Bofier, in Maiden Lane, Cevene Garden, 93 **'**'*"’*%'. P A T O N. In Wardour Street, 9 4 A fea-port by moon-light. N E, Mr. T H O M A S P A Y in In King Street, Golden Square. 95 A landfcape. ^ p E N N Y, In Mortimer Street. 9 6 An officer relieving a licit foldier, a-. The return from a fair. 97 Mr. P E T H E R 9 8 Portrait of a gentleman in crayons. ' 9 Mr. R- P I N E > In St. Martins Lane, 99 Portrait of a lady, in the charafter of Pomona. Mr. S. PINE, In Leicester Street. ioo Three portraits in miniature. Mr. PLOT, Kt Mr. Murray’s, St. James s Pune. *oi Two miniatures. ^ P R A T , In Cajile Street, Leicepr. Fields. 102 A fruit-piece. ^ p pj G H, In Covent Garden, ,03 * A landfcape, half length. Mr. REYNOLDS, In Leicejier Fields. 104 A lady facrificing to the graces, whole length, 105 Ditto, a kit-cat. Mr. RICHARDS,, In Greek Street, Soho, 106 A view of Chepftow caflle, in Monmouthfhire, 107 *A landfcape, with a bridge. 108 109 110 J11 It2 113 A view from Rofamond s pond, in St. James s park, *A water mill *A farm yard, its companion, *A defign for the firft fcene of the Maid of the Mill. Mr. S C H A A K, In College Street, Wefiminjler, Portrait of a lady, three quarters, A kitchen. „ „ _ Mr. S E R R E S, Near the White Bear, Piccadilly, 114 A fea port, ■ t r A large fea piece. 5 0 Mr. SHAW, Maddox Street, Hanover Square, 116 A brood mare and foal, belonging to Lord Montfort, 117 Hunters taken from grafs, belonging to Benj. Lethulj er , Efq; j, g A firing of horfes belonging to Lord Orford. Mr. SHERLOCK, In Church Street, St. Anns, 1 s 9 A fencing fchool, 120 Two miniatures. Mr. SMART, In Berner s jlreet, Oxford Road, oppofite V/'ardour Street, 121 Four miniatures, a lady and three gentlemen. n ' 4 1 122 Mr. SPICER, At Mr. Crajhleys, Figure Maker, in Long Acre, A head in enamel. _ Mr. STUART, In Silver Street, Golden Square, 123 The fall of water at Taymouth, the feat of the Earl of Breadalbin, 124 The eaft view of Dunkeld, the feat of the Duke of Athol, 125 View of the cathedral of Dunkeld. Mr. STUBBS. In Somerfet Street, oppofite North Audley Street, Oxford Road. 126 Portrait of a hunting tyger, 127 Brood mares, 128 Portrait of a hunter. Mr. SULLIVAN, At the Golden Lion, St. Alban's Street. Three miniatures. Mr. SWAIN, In Strutton Grounds, Wejhninfter, 130 A fa* piece by moon-light. 131 *A florin, 132 *A fhip on fire, 133 A moon-light, 134 *It’s companion. Mr. THOMSON, In Warwick Court, Holborn, 135 A gentleman, three quarters, 136 A lady, ditto, 137 Ditto half length, the light on the face reflected from the book. Mr. T O M K I N S, At Mr. burner's, Surgeon, in St. Martin s Lane, 138 A view of Sherborn Caftle, in Dorfetfhire, the feat of Lord Digby, 139 Owls and young ones, N O. [ 13 ] Mr. T U R P I N, At Mr. Morleys, South Street, Grofvenor Square, 141 A piece of flowers. Chevalier V A N L O O. Jermyn Street, No. 12. 142 A large family, • ¥ 143 Ditto, 144 Portrait of a gentleman, three quarters, 145 Ditto of a lady, ditto. Mr. V E S P R E. 146 An officer, half length, 147 A gentleman, kit-cat, 143 A lady drawing in crayons. Mr. WAR D, At Mr. Perry’s, in High Holborn, 149 A flower-piece. Mr. WEBSTER, At Mr. Vincent's, in the Piazza, Covent Garden, it,o Portrait of a lady in crayons. Mr. WES T, In CaJUe Street. 15 t Jupiter and Europa, 152 Venus and Cupid, 153 Portrait of a lady in a mafquerade drefs, half length, 154 Ditto of a gentleman in a Vandyke drefs, three quarters. Mr. W H E A T L Y, In Duke’s Court, Bow Street, Covent Garden, 1 55 Portrait of a gentleman, three quarters. Mr. R. WILSON, In Covent-Garden, 156 A view from the villa Madama, three miles from Rome, D f ——— s ■ 1 * m rrr [ *4 I i N 0 . 157 A fuir.mer Storm, vrf.h *. ft*; * ^ •« fr0m ■ w ■ i 5 8 A landfcape and figures. ( 11 Mr. WOO. DINGTON, ; Cork Street , Burlington Gardens, '59 Portrait of a gentleman. f i ir li Mr. W O R L I D G E, In Bedford Street, Covent Garden , if 160 A woman’s head, fmall life. j 6 1 An old lady, three quarters. ! 62 john Ditcher, Efq; of Bath, ditto. Mr. JOSEPH WRIGHT,, i li 1 ■ IIS i: 1 At Derby, 163 Three perfons viewing the gladiator by candle-light, 164 A converfation piece. Mr, RICHARD WRIGHT,. In Orange Court, Leicejl.er Fields, 165 Aftormwith a fhipwreck. 'r' l66 The fun dilperfing a fog. » Mr. ZAFFANI J, In Lincoln s Inn-Fields, i i 167 Mr. Garrick’s drunken fcene in the Provok’d Wife, l68 A family piece. sill ; 1 {Bte* ** *»«S, {«A MS •St, # { Ifl l|| i |— J r \ ■■■■■■■KHHineiiaiiHB [ r 5 ] SCULPTURES, MODELS and ENGRAVINGS. N O. 169 Mr. B E A U P R E, At the Orange Coff'ee-Houfe, Buft in plaifter. 170 Mr. EDWARD BURCH, In Warwick-Jlreet, Charitig Crofs, "Head of Fauftina, from a plaifter buft. \ Hercules repofing from his labours, -'Ditto of Julia, from the Roman coin, ) Ditto of Antinous from the plaifter buft.. Ditto of Shakefpeare from ditto of Mr. Scheemaker. Mr. C A R L I N I, In Dean Street, Soho » 171 A dog in marble.. Mr. COLLIN Channel Row, Wejtminfter, ' 7 2 OEdipus interpreting the riddle of the Sphinx, a model for a tablet,. 1 73 Bacchanalian boys, ditto. Mr. ISAA.C GO S SET, Berwick Street, Soho, 174 Portrait of a nobleman in wax. Mr. HILL,. In Long Acre . 175 Diana and Endymion, a model. Mr. HOLME, Next Door to the King’s Arms, Hyde Park Corner.. 17b Adonis fleeping, abas relief. At Mr. March’s, Hofw, without temple Bar, Two intaglias, one from the Homer in the Mufteum, the other from the dancing fawn. M 0 S E R, In Craven Buildings, A model of .he Seat or ,„r S«m or A.T.aTs or Cat- Brita tN. P A R B U R Y, Salisbury Court, I?9 Telamachus and Calypfo, a model in wax. Mr. RYSBRACK, In Vere Streeti near Oxford Chapel, 180 A model of hiftory. Mr. TYLER, Vine Street, Piccadilly, 181 A monumental medallion, a model. 182 A tablet, Bacchus fleeping, ditto. 183 A ditto, a lion couchant, ditto. Mr. WILLIAMS, At Chelfea, X84 Charity, a model. Mr. WILTON, Statuary in Ordinary to his Majefty, in Portland Street, 185 Large marble bas-relief, reprefenting Neptune bringing treafure to Britannia. 186 A monumental bas-relief, reprefenting friendfhip. x g7 Model of aftatue reprefenting peace. Mr. Y E O, At his Majefty s Mint in the tower , 188 Caff in plaifter of a new die for a guinea. 189 Ditto, of a portrait engraved on a Cornelian. C i r ] DESIGNS in ARCHITECTURE, DRAWINGS and ENGRAVINGS. NO. Mr. MAC ARDELL, Covent Garden, I 9 ° Q T - Jerome, a mezzotinto from P. da Cortona. 1 9 1 O Tobias with the. angel, ditto, from Rembrandt. Mr. ALEXANDER BAILLIE, Edinburgh, 192 Two drawings. Mr. BARTOLOZZI, 193 Three prints from drawings. Mr. BIBB, St. Martin's Lane, 194 Vertumnus and Pomona, a print from Netfcher. Mr .BLOND E L, At Mr. Remains, in. Panton Street, 195 A view of the infide of a prifon at Rome. 196 Ditto of the Veftibule of St. Peter’s. Mr. B O N N E A U, in King-Jireet, St. Anne's, 197 A view taken at Roehampton. Mr. BOYD ELL, Corner of §>ueen flreet, Cheapfide, 198 The expofition of Cyrus. Mr. B R Y E R, at the King's Arms, Cornhill. 199 A proof print from La FolTe. Mr. C A N O T, little Chapel-ftreet, Soho, 200 A brisk gale from Yandevelde. Mr. JOHN CARTER, Hyde Park Corner, 10 1 Drawing of a vafe. W. CHAMBERS, Efq; ArchiteSl to his Majefy, and her Royal Highnefs the Princefs Dowager of Wales, 202 Principal front of the Cafine at Wilton. 203 Plan and elevation of the Earl of Charlemont’s pavilion of antiques at Marino, in Ireland. E [ '8 ] N O. 204 Plan and elevation of a villa, compofed in the Stile of Balthazar Peruzzi of Siena. 205 Plan of the principal floor and elevation of a nobleman s country feat. Mr. COZENS, Leicefter-ftreet, Leicefter Fields, 206 Three drawings of a landfcape in brown, two in black. Mr. D A R L Y, Gianborn Alley y Leicefter Fields, 207 A fetfion of the Gallery of Mr. WyndHam at Hammerfmith. Mr. DONOWELL, Haymarket, ' ; :• : - : r A E es \ 208 A defign in perfpeaive. Mr. EDWARDS, Du Four's Court, Broad-ftreet, Carnaby Flasket, 209 Drawing from a picture of Carlo Maratti, in the polledlion of the Duke of Devoirftiire. 1 . Mr. F A R R I N G D O N, at Mr. R.. Wilfon s, 210 A drawing. Mr. F I S H E R, Golden Head, in Leicefter Fields, ■i 5’ !i“ . ' ■ . '•> > 2 11 Two mezzotintos from Mr. Reynolds. . Mr. G A N D O N, Coventry Street, Haymarket, .: nr : ' ' : .. 212 Plan, elevation and fecflion of a villa. Mr. GOD FREY, At the Nun in Wild-ftreet, Lincoln s Inn-Fields, 213 A fea piece, from Brooking. Mr. BENJAMIN GREEN, York Buildings, 214 A mezzotinto of flowers, 2 15 Ditto from Hemfkirk. Mr. G R E E N W O O D, in Piccadilly, 216 A drawing of Hupping. Mr. JOHN HOOD, Limehoitfe Corner, 217 A drawing of dripping. Mr. KIRBY, Jun. in Half -moon ftreet , 218 Two drawings. NO. [ ‘9 ] , . . Mr - LAMBORNE. CambrUgt, *' S A *"”5 f Cfe-Hall, King's Colfc s « Ctapd, Sc*. i„ CwMta Mr. DAVID MARTIN, 220 221 Proof print of Mr. Roubiliac, Ditto of Rembrant, 222 22 3 224 Mr. MI L L E R, Maiden Lane, Covent Garden. Colour d drawing of a brick field V riting the billet, a candle-light, Delivering ditto, the morning. f after Pantoja de Ja Cruz. Mr * T - M 1 L L E R, At Bi/hop Blaze, in Long Acre, 115 Section from weft to eaft, through the center of the ftables at Chatfworth. Mr. PEAKE, , 2 A view of the great tree in Welbeck park, * A landfcape, a ftudy from nature. Mr. LUCIUS BARBOR, At Mr. Cotter el's, Broad-Street , Golden-Square. Portrait of a young lady in an Indian drefs, in enamel. Ditto, of a lady in water colours. Mr. BARRON, At Mr. Reynolds ', Portrait of an officer. Mr. B A R T O L O Z Z I, At Mr. Burgefs’s, Warwick-Street. Portrait of a gentleman in crayons Ditto in dkt0 - Mr. BEAUVAI S. St. Martin s-Street, Leicefler-Fields. A gentleman in miniature. Mr. BELLINGHAM, At Mr. Ingall’s, oppofite Round-Court , Strand, A miniature of a lady. Mifs B E N W E L L, Warwick-Ccurt, Warwick-Lane, Portrait of a young lady in crayons. Ditto in ditto, Ditto of a gentleman, Two miniatures. hi ( 4 ) Mr. B E R R I D G E, At Mr. Reynold's, Portrait of a gentleman, three quarters. Mrs. BREWER, At Mr. Wallings, Rupert-Street, Two miniatures. Mr. BROCKMER, Cathari ne-Street, Two miniatures, a lady and gentleman. Mr. PETER BROWN, Peter-Street, Bloomfbury, A goldfinch, in water colours, Its companion. Mr. C A T T O N, Gate Street, Lincoln s Inn-Fields, Bar Gate, the entry into Southampton. Mr. CHAMBERLIN, Stuart-Street, Spital-Ftelds, A gentleman, half length, f „ A lady ditto. Mr. CLAYTON, At Mr. Vincent’s, Little Piazza, Covent-Garden, Three landfcapes. Mr. WILLIAM C O P E L Y, Bojlon, New England, A boy with a flying fquirrel. Mr. FRANCIS COTES, Cavendijh- Square, Portrait of an officer, half length. Ditto of ditto. Ditto of a lady, ditto, Ditto a young lady in an oval. Ditto of a lady in crayons. Ditto ditto Mr. SAMUEL COTES, Cavendijh- Square, A lady in water colours, A portrait in enamel. ( 5 ) No. Mr. 33 34 35 3 6 37 3 » 39 D E LA C O U R,' Edinburgh, Two landfcapes in water colours. Mr. D A L L. At Mr. Vivares, Great Neivport-Street, * A landfcape and figures, * Ditto with a bridge. _ * Ditto a funfet, the view of Ra/wood, near Caftle Howard, Yorklhire, A landfcape and figures, . A mill at Kilnfey, Craven Kilnfey, Yorltlhtre. Mr. DAN C E, Rome, Dido and Tineas, ., n T __ -Coram quern cquceritis adfum. Virg. iEneid, B.I. Mr. D A V Y, At Mr. Stagg’s, Bedford-Street, 40 4 * 42 43 44 45 46 47 Portrait of a lady. Ditto of a boy. . ^ A _ T Mr. H. P. DEAN, At Mr. Gibbons, Ejex-Street, A large landfcape, * A landfcape, half length, Mr. D I E M A R, J, tie Norwich ■mreb.u/e, King-Street, Cogent-Garden, Two miniatures. Mr. D O C K E, At Mr, Pugh's, Covent-Garden, Two miniatures. Mr. DONALDSON, Princes-Street, Leicejier-Fields, A Circadian lady in miniature. Mr. DOWNES, Bond■ Street, Portrait of a young lady, three quarters. Mr. JOHN EDWARDS, Old-Ford, near Bow, 48 A piece of fruit in crayons^ No. ( 6 ) Mr. FINNEY, Enamel and miniature painter to her Myejly, Leicejler - Fields . 49 A miniature of a young lady. Mr. GAINSBOROUGH, Bath. 50 A gentleman whole length, 5 C Ditto, ditto, 52 A lady and gentleman, ditto, 53 A large landfcape with figures. Mrs. GRACE, Shorter s Court, Throgmorton-Street, 54 A young lady looting out of a window, 55 Ditto leaning on a table. Mr. G R E S S E, Haffel’s Row, Tottenham Court-Road, 56 Portrait of a gentleman in miniature, 57 Ditto in ditto. Mr. HAMILTON. Orchard-Street, Oxford-Road, 58 A fmall whole length of a la'dy, • 59 Ditto of a gentleihan, 60 Ditto Mr. Sparks. Mr. HOt) G ® S. King-Street , Sr. Anns, 6 1 A view of London-Bridge from Botolph Wharf, 6a Ditto of Speldhurft, Kent. Mr. Hone, St. James s Place, 63 A boy deliberating on his drawing, , t 64 A lady in enamfeh, 65 Ditto, *- A.,V, ' ■ 66 A gentleman in water colours. , ; Mr, Hubs o n, Kmg- Street , Cove n't- Ga rden, 67 Portrait of a genfterftaft, half length, 68 Ditto of a lady ditto, 69 A gentleman, three quarters, 70 Ditto ditto. Mr; HUMPHRY. At Mr. Bakers , King-Street, Covent-Garden, 71 A portrait in miniature. Mr. GEORGE JAMES, Dean-Street, Soho, 72 Portrait of a lady, three quarters 73 Ditto of a gentleman, ditto. Mr. WILLIAM JAMES, Maiden-Lane, 74 A fummer’s evening. Mr. J E F F E R Y S, Maidftone, Kent, J 75 *Two pieces of fruit in crayons. Mr. J E N N I N G S, J 9 fe! At Mr. Le Roux, Charing-Crojs, 76 Two miniatures. Mr. JONES, No. 1. Hervey's buildings, Strand, 77 * A view of Carregkennen caftle, in Carmarthenfhire, 78 *Ditto of Brecknock caftle. Mr. J O U F F R O Y, Painter on Glafs to the Fie Bor Palatine, ^ueen-Street, Golden- Square. 79 A portrait on glafs. Mr. KETTLE, Great-^ueen-Street, Lincolns Inn-Fields, Ro Portrait of a lady, whole length, 8 1 Ditto of a gentleman ditto, 82 Ditto of a lady, three quarters, 83 Ditto of a gentleman ditto. Mr. K E Y S E, Oppofite, Fetter-Lane, Fleet-Street, 84 A fruit-piece. Mr. LAMEORN, Cambridge, 85 Three miniatures. ( 8 ) No. 86 87 88 89 9 ° 91 92 93 94 95 ., thOMAS LAWR ANSON, GnatRuffel-Street, Bloomjbury, Portrait of a gentleman, three quarters, TV dittO. m” WILLIAM LAW.* ANSON. Great Rufel-Street, Bloomjbury, Head of a gentleman in crayons. Mr. LEAKE, IfcfcrV, Covent-Gar den. Portrait of a gentleman, ha ' f l ' n g h ‘ N g Mr. BENJAMIN LENS, ^ a Pfr«k Jermyn-Street, Miniature of a gentleman. Mr. LOW E, War dour-Street, Miniature of a gentleman. Mr. M A R C H I, At Mr. Maberlys, Maiden-Lane, Covent-Garden , Portrait of a gentleman, lat-cat, Mr. MAR T I N, Oppofite Poland-Street, Oxford-Road, Head of a gentleman. Mr. MAUCOURT, Broad-Street, Carnaby-Market, A gentleman half length. Ditto in miniature. Mr. JOHN MILLER, Maiden-Lane, Covent-Garden, A morning with the dew riling, A mill near Oxford, A gypfy telling fortunes to fome quakers. The entrance of a village in Oxfordfhire. Mr. M ORELAN D, Playmarket. A lady reading by a paper fhade. Mr. MORTIMER, At Mr. Moran's, great Piazza, Covent-Garden. A converladon. Its companion. No. 103 rj-103 104 105 106 •107 108 '109 j 10 111 1 ia 1 '3 114 n 5 116 '( 9 ) Mifs M o S E R, Craven-Buildings. A piece of flowers in water colours. Mr. M U S S A R D, At Mr. Burner s, Corner of Panton-Street* A miniature of a gentleman. Mr. O’NEAL, Corner of Oxford-Road, Two -miniatures. Mr. NELSON, At Mr. Turner s, St. Martin’s-Lane, * A view near Weftgate, Canterbury, * Ditto at Buckland, near Dover, Ditto at Harbledown, near Canterbury. Mr. NIXON, At Mr. Maber/y's, Maiden-Lane , Covent-Garden. Portrait of a gentleman in'the Vandyke drefs, in miniature. Mr. ORAM. At the Golden Grijfn, Long-Acre, A landfcape half length. Ditto fmaller. Ditto a funfet. Mrs. DU PARC, At Mr. Willi am fern's. Princes Street, Leicefer-Fields, Portrait of a lady in crayons. Ditto of a gentleman ditto. Ditto of a child ditto. Mr. P A T O N, Wardour- Street, The engagement between his Majefty’s fliip, Experiment, Sir John Strachan, and Telamaque, Chevelier de Counterpon, commander in chief of a fquadron, on his way to join it, and finifhed by repulfing the enemy in boarding, andafte.- terwards, boarding and taking the Telemaque, An Italian lea-port moon light. Mr. PAR R Y, At Mr. Reynolds ', Portrait of a gentleman, three quarters. D ir 7 No. ( *° ) Mr. PAXTON, Rome.. 1 18 Samfon in diftrefs, from the firft fpeech of the chorus in Mi! ton’s. Samfon Agoniftes. Mr." P A Y N E, King-Street, Golden Square. 119 Macbeth meeting the witches on the heath. Mr. PETERS, ‘Javiftock Row, Covent-Garden , 12,0 A Florentine lady in the 1 ufcan drefs, 121 A lady in the Pifan.drefs, 122 A young gentleman, three quarters. Mr. PET H< E R,_ Pohnd-Street, Carnaby Ma rket,. 123 Two miniatures, a lady and gentleman. Mr. R. E PINE, St. Martin s-Lane, 124 Portrait of a gentleman, whole length, 125 Ditto of a lady, half length, 126 Ditto of a young lady, three quarters. Mr. S. PINE. Leicefter-Street, Leicefter-F teles, 127 Four miniatures. Mr. P L O T, St. James’s Place., 128 A Frame with five miniatures, 129 Miniature of a child. Mr. PRAT T, Cajlle-Street , Leicefler-Fields, 130 The American fchool, Mr. PUG H, At Mr. Seltb's, Great Piazza, 131 A lanclfcape, with banditti, Mr. R. P Y L E. 13a Two fmall half lengths of a gentleman and lady,. 133 A fmall ditto of a gentleman. No. *3 + 135 13$ 1 3 7 138 1 39 140 141 141 143 144 HS *146 J 47 148 149 ( I* ) Mr. R A L P H; Knight abridge. A moonlight. Mils R E A D. St. Jams's Place. Portrait of a young lady in crayons. Mr. REYNOLD'S,, Leicefter Fields , A lady whole length, A general officer ditto,- Aa officer half length. An artifl: and his Ion ditto. Mr. R.I CHARD S, Greek-Street , Soho, * A view of the ruins of Corfe-Caftfe, in Dorfetfhirey. Ditto of Netley-Abby, near Southampton, * Ditto of the faimon leap at Leixlip, Ireland, A landfcape and figures. Its companion, Mr. R OOK ER,. Jun. 4 J 'ueen-Street, Lincoln s-Inn Fields,. A view, of -vbe, horfe guards, in water-colours. Mr. P. S A N D B Y. Poland Street, A view on the north-fide of the Terrace at Windfor, . Mr. S A N G A R, Litchfield-Street , A landfcape, the ftory Areas going , to kill Califto, whom Juno had transformed to a bear. . Mr. J. S. SCHAAK, College-Street, We ft minder, Portraits of a lady and gentleman in the Vandyke dreli, whole length. Mr. S C O U L E R,. Great Newport Street, Portrait of a young gentleman in miniature, - rNo. 150 15 1 ■i g* -153 ‘i 54 155 .156 1/57 *5« 159 160 l6 £ 16a 163 164 16c 166 ( 12 ) Mr. J. SEATON, Bath, A lady and child, half length, . Mrs. Leffingham in the charafler of Lady Dainty in the Double Gallant, Portrait, of a gentleman, three quarters. Mr. S E R R E S, Warwick-Street, A Form, , ,, T . . _ A fog, with a view of Calfhot-Caftle, the lfle o vigi a a diftance, , , , A fhipwreck, with a view of Freihwater Bay on the -back of the ifle of Wight. Mr. SEVERN, A portrait of a gentleman, three quarters. Mr. S H A W, Maddox-Street, Hanover-Square., Martin’s Arabian, .Dead Game. Mr. S H E R L O C K. Church-Street, St. Ann’s. A fmall whole length. Mr. S M A R T, Berners Street, Oxford Road. A miniature of a lady in water colours. Mr. SOLD 1 , Piccadilly, Portrait of a young gentleman. Mr. SPICER, At Mr. Crajhley’s, Long-Acre, Portrait -of a gentleman in miniature. Mr. STUBBS, Somerfet-Street, Brood mares, * A lion and flag, Two hunters, with the portrait of a gentleman and dog, An Arabian horfe. Mr. No, 167 168 169 170 172 fl-]2 hi .174 175 176 *77 ( *3 ) Mr. SULLIVAN, At the Golden Lion, St. Alban's-Street, 1 ortrait of a lady in miniature. Mr. S W A I N E, 7he u PP er End <>f Stretton-Ground, 'Wejtminftcr, l H refh gale. Iandfcape, and flipping. Moonlight ditto. Mr. JOHN TAYLOR, Strand. A lady’s head in miniature.. Mr. THOMSON, War’wick-Court, Holbourn, A Nobleman, whole length, A gentleman, three quarters. Mrs. MARY TICHBURN, A portrait in crayons. Mifs TODDERICK, Next door to the Gardens, Mary bone, Two miniatures of ladies. Mr. T O M K IN S, Enin’s Lane, ' * A jay’s neft, ttSifUe and butterflies, * A piece of cattle. View up the ferpentine fiver, Hyde Park. Mr. wale, Little-Court, Caftle-ftreet, Sd 7ZtcK° S * ® » «» Antiochus, Mr. WEBB, & Martin's-Lane, 17 s A piece of flowers. Mr. WEST, Caftle-Street, Lelcefter-Fields, 79 I he continence of Scipio, r8o Py lades and Oreftes, its companion, E I I ; y No. 181 182 183 184 185 186' 187 188 *189 *190 19» 192 193 194 *95 196 197 198 aoo Cymon and Iphigenia, Diana and Endymion, its companion, Two young ladies at play. „ Mr. W H E A T L Y, Dukes Court, Bow-Street, Miniature of a gentleman. Mr. WILDING, Sutton Street, Soho, Two miniatures, Mr. WILLIAMS, Orchard-Street, Oxford Road, The'water-fall at Aber in North-Wales, * A fmall landfcape, * Winter driving away Autumn. Mr. R. WILSON, Great Piazza, North weft view of Snowden and its environ*, Carnarvon caftle. Banks of the Tiber, A landfcape and figures. T Mr. RICHARD WRIGHT, Ormg’ c " r ‘- Sun-fet a frefh breeze, Afte M 8 f'jOSEPH WRIGHT At Mr. Mori A philofopher giving that le&ure 0 1 lamp is put in the place of the fun, ( A portrait of a lady, whole length. Head of a gentleman, Mr. ZAFFANIJ. Portugal-Row, Lincoln's Inn-Fields, Mr. Garrick in the character of Lord Challtftone, The nailer in the fame entertainment. No. ( 15 ) SCULPTURES and MODELS. 200 201 202 203 204 205 206 207 2o8 209 Mr. BROWNE. At Mr. Ruftis, Porter Street. Head of Ganymede. Mr. BURCH. Warwick Street, Charing Crofs. A head of Apollo, from the ftatue in the duke of Richmond s gallery. A model in wax. Mr. C A R L I N I. Dean Street , Soho. A general, a model. Mr. COLLINS. Channel Row, Weftminfter. Two tablets, the fable of the fox that had loft his tail. Mr. GOSSETT. Berwick-Street. Lord Camden, a model in wax. Mr. HAYWARD. Piccadilly. A baffo-relievo of boys. Mr. HILL. Long Acre. Alexander refufing the water, a baffo relievo. Mr. H O L M. Princefs Street, Cavendijh Square. A buft of Oliver Cromwell, from the original malk. Mr. MARCH A NT. At Mr. March’s^ without Pemple Bar . Minerva and the Apollo Belvidere. Mr. MIDDLETON. An Elephant, a caft of a model, defigned for a bronze. ' ! 210 No: a ii ai2 213 214 215 216 217 218 219 220 221 222 ( *6 ) Mr. PARBURY. Salisbury Court . A riiodel in wax, of a medallion of his Majefty ; reverie, Minerva confuming the implements of war. Ditto Africa. Mr. CHRISTOPHER SEATON, Suffolk Street. A fmall frame with emblematic figures, Mr. SMITH. Bath. At the Raven and Anchor, Drury Lane. A model of the duke of Newcafile, in colour’d wax, Ditto of a young lady, for a ring. Ditto of a gentleman. Ditto of a lady. Mr. TYLER, Vine Street, Piccadilly. A model of the Thames, with his commercial attributes. Mr. WILLEMS. Chelfea. Sincerity, a model'. Mr. WILTON, Sculptor to his Majefty. Portland Street, Cavendijh Squar V* Bull: of a gentleman in marble, Ditto of Oliver Cromwell, from the noted caft of his face, preferved in the Great Duke’s gallery at Florence. Mr. Y E O. Engraver of his Majefty 's mint, in the Trwei\ A caft in plaifter, of a die for a crown-piece. ( *7 ) DESIGNS ia ARCHITECTURE, DRAWINGS' and ENGRAVINGS. No. Mr. BALDWIN, Bridge-Office, Black-Fryars, li 3 Perfpeftive view of Hoik ham-Hall in Norfolk, Mr. B ANNERMAN, Fountain Court, Strand r 224 A print from Le Nain, a Dutch dance, 225 The death of St. Jofeph from Yelalquez. Mr. BARTOLOZZ I. At Mr. Burgefs's, Warwick-Jireet, 2:6 The circumcifion from Guerchino, 22] A fleeping cupid, a drawing. Mr. B O N N E A U, King ftreet, St. Ann's,- 228 A library in perfpedlive, and two fmall landfcapes. Mr. B O Y D E L, Cheapfide, 2 29 Jafon, a proof print from S. Ro.a, Mr. B U R F O R D, ~ At the Golden Head, Chapel-Street, Wefiminfter, 240 Two drawings, pointers and pheafants, harriers,, darting a hare Mr. BUR G-E S S. Duke-Street , Lincoln's Inn-Fields, 2 }! A drawing of Achilles after rembrant.- Mr. B YR'N 2 , AMthe Reverend Mr. Jacob's , Long-Acre, 232 A view oAdparnavron-Calfle, after Mr. Wilfon. Mr. C AN O T, Chapel-Street ,, Soho, 2.33 A moderate gale from Bachuiien, 234 The bridge over the Taaf, in Glamorganfhire. Mr. THOMAS CHAMBARS, Greek-Street , Soho, 225 St. Martin dividing his cloak from Rubens. Mr. JOHN GARTER, Hrde-Park-Corner. 236 Se&ion of a room, Mr. COZENS, Leicefter-Street , Leicefter-Fields, 237 Two large landfcapes in brown, 238 Four fmall ditto in ditto. Mr. C R U N D E N, Bi/hop's-Court, Chancery-Lane, 239 Plan and elevation of a villa. RICHARD DALTON, Efq ; 5 a James's Palace, An YEgvptian dancing girl, a drawing, F 240 No. 241 242 243 244 245 •246 .247 *48 249 250 H- 1 252 253 254 2 5 £ 256 257 25H 2 59 ( is ) MV. BAR LY, C a/tk-Slritt, Leicefter-Fieldi, Front of the manfion-houfe, Seflion of ditto from a drawing of Mr. Dance. . Mr. JOHN DIXON, Spur-Street, Leicefier-Fklds, Metzontinto of Mr. Kirby, from Mr. Gainsborough, Ditto a boy, from F. Halls. M r . ELLIOT, Church-Street , St. Anns, A print from Rofa of Tivoli. Mr. .FARRINGTON, At Mr. Wilfoms, A drawing in-black chalk. Mr. GANDUN, at Mrs. Merciers, Windmill Street. Flan and elevation of a villa. Mr- GRES6 E. ■A 'drawing from Dominichino. Mr. VALENTINE GREEN. Queen Square, Weftminj.ier. A metzotinto, from 'I eriiers. A ditto unfinifh’d, from Mr. Kettie. Mr. G R IG NI O N, James Street., Covent Garden. Frontifpiece intended for Hudibras. Mr. B. GREEN. Two metzotinto of flowers. Mr. GODFREY. ^ At Mr. Morphews, Wild Street, Lintojf^-Inn Fields. A fea-piece, from Brooking. A frorm, it’s companion, from Monamy. Mr. G W Y N N, Little Court., Caftle Street. A .drawing, Aewing what is propofedfor finifhing the eaft end of St. Paul’s, the hiftorical part by Mr. Wale. Mr. H AKE WELL, Crofs Street, Golden Square. A drawing of dead game, in water colours, after nature. Mr. HAL L, Bentinck Street , Soho- Dr. Harvey, from Cornelius Johnfon. Mr. LAM BORN, Cambridge. A view of Trinity college, bridge, library, See. Mr. L I A R T, Compton Street , Soho. A proof print, from P. de Cortona, Mr. M A L T O N, Strand. A drawing of St. Stephen’s Walbrook. 260 TTo. 261 263 2 n 274 27f 277 278 279 ( *9 ) Mr. MAR CHI, At Mr. Maberly’s, Maiden Lane, t Covent Garden. A proof in metzotinto from Spagnolet. Mr. MARTIN, Oxford Road. A metzotinto of Rofleau after Mr. Ramfay. An etching after Cuyp, Its companion. Mr. M A Z E L L. At No. 6. Windmill-Street, Tottenham Court Road. A fea-piece, from Brooking. Mr. T. MILLER, at Bifop Blaze, Long Acre. The eaft front of Sandbeck in Yorkihire. Sedtion of Gosforth, from eaft to weft. Mr J. MILLER. The continence of Scipio, after Vandyke. Mr. PAINE, Salisbury Street, Strand. Plan of a nobleman s houfe, now building in the country. South front of ditto. North front of ditto, already built. Section through ditto, from north-to fouth. Perm’s, near St. Clement's church. Proof print of a landscape, from C. Lorraine. Mr. B E 4 fAR D PAUL. At Mr. Arrefte’s , WNuuoick Street, Golden Square . A gentleman ant^M}^^ drawing. Mr.#L. PA U L, at ditto. Plead of a lady, dittc. Mr. PETHER, Poland Street. Proof print, from Rembrante Mr. R A V E N E T, Bentick buildings, Soho. The virgin and ehild. from Guido. Mr. RICHARDSO N. Near the riding houfe King Street ; Golden Square. -Seftion of a houfe for a perfon of quality. Mr. ROGERS. At Mr.-Wilfon s, in Ogle Street , near Portland Chapel. Plan and elevation of a delign for a temple. Mr. STEVENS, fli Mr. Chamber’s. A general plan of a town manfion for a perfon of diftincftion. The front elevation of ditto. Section through the center of ditto. Section through the front rooms of ditto. M v_, 284 285 286 287 288 289 290 291 Mr. ISAAC TAYLOR, Holies Street, Clare .Mark*,. Frontifp'iece and vignette to Daphne and Amintor, An emblematical fubject. Mr. WILL! A M T A Y L O R, Hyde-Park-Corner, . A feCtional view of-the intended chapel for the magdalen, irom. a defign of R. Dingiey, Efq; Mr. v I V A R E Z, Great_Newport-Street t • Two’ landfcapes from C. Lorfain. Mr WATTS, Laurence Poultney-Lane, Cannon-Street, Satyrs afterS. Rofa. > Mr. WHITE, At Mr. Medleys, King-Street, St. Ann s,, A piece of architecture. Meff. WOOLL.ETT and B ROW N E, \ Long s-Court, Leiceffer-Fjplds,.. Celadon and AmUia-from Mr. Wilftn, vide Thompfcn^s SeafdAsy" A proof print from Cornelius du Saart, aaetcivng, EXHIBITIONS. By Mr.-Vanderffop, jun, A landfcape. By Cogp W A piece of flowers. Infects, A moufe. H Qp > * ORARY A C " ;l9Ureci i;I ‘ ra '' V ' inS ‘ 2 i) 2,4 294 296 297 By Mr. William. Webb of T’hrofgjnort&n Street; ( Iv A1 298 299 300 3 01 502 3 °3 3°4 305 206 3°7 3° 9 3 10 3 1 [ 312 3 ! 3 3 1 4 3'5 Tigran'ts taken prifoner by Cn. the lives of his father and far. V-, a The north view of Newbery in Be- ' A view in a gentleman’s park in ditto [Paring?, B Mrs . Hoar?, mg,) ■ | By a gentleman. 1 'Bv Mifs .Smith of Bath. ]-By ? S By George Keate, Efq;! An imitation of auricula. Ditto of butterflies. A general view of Netly Abby, The eaft window. The weft window. The crols- iile. Two views of Net-ley Abby r An old man playing on the vielle toL By Mifs Gardiner. children, ' Two views from nature. By Mr. T-heo. horreft. Two pictures in miniature. By Mifs frant. A landfcape, a drawing. By a,lady. , An old man’s head after Rembrant ADutch company after Oftade, An hiftorical picture in needle work. By a lady. A drawing. By a young gentleman. By Capt; Bailie. CRITICAL REVIEW OF THE Models, Paintings, Sculptures, Designs in Architecture, Models, Engravings, Metzotintos, Drawings, &c. Exhibited at the GREAT ROOM, fn Spring-Gardens, C haring-Cross. Intended as A Companion to thofe whofe Inquiries after Genius and Merit would be led to view their Works. By -an IMPARTIAL GUIDE. J, their ^MBER- 'A V ij LONDON: Printed for the Author, and fold by J. Knox, near Southampton-Street, in the Strand. M DCC LXVII. [Price One Shilling.] / ) I N T R O D U CTI O N. T H E author of the following fhort Remarks on the Exhibition has adopted to himfelf this candid fyftem to work upon, which he flatters himfelf will not be preju¬ dicial or offenfive to any of the mailers whofe works he is about to diredt the fpedtators to examine and contemplate upon. He will, as far as in him lies, make choice of the moll finilhed pieces of art for his reader’s infpedtion, inftrudtion, and entertain¬ ment : from which fubjedts he will derive to them whatever is peculiarly excellent, or ge¬ nerally fine. This will at once anfwer the end of informing the more injudicious eye; be agreeable to the real judge of the fine arts;"and of confequence, fatisfadtory to the feveral artifts fo feledted out. Thofe pieces which the author paffes with¬ out remark are left to the difcretion of every private opinion. He cannot then be accufed of being either captious or ill-naturd. As it is harder to difcover a beauty than a fault, he is alike exempt from idlenefs or indifference. A z Such Such is the plan. It is with a great degree of pain, the author finds himfelf under the neceffity of hade to finifh his obfervations, which he is but too confcious muft be the parent of error. M 287 Tvv 288 289 Mr. 1 Sat' ■Mr. } A f Mq The confufion occafioned by a continually crowded company, will atone for whatever particular merit he may be unhappily hindered from pointing out in the courfe of his ex¬ amination. 290 291 Cel Ae H C 2C,2 A A CRI- 1 •• >- t ~ -. -. •nnaJM A kndfcape, a drawing. By adady. An old man’s head after Rembrant 7 By Capt; Ba ;y e . ADutch company after Oftade, An hiftorical picture in needle work. By a lady. A drawing. By a young gentleman. V CRITICAL REVIEW O F T H E Paintings, Sculptures, &c. N» 2 A View in Crefwell-Craggs, Nottinghamfhire-, II with a water-fall. 3 Ditto of Roch-Abbey. ■4 A moonlight, with the effect of a miff, a ftudy from nature. J The management of the two firft of thefe pieces is very mafterly: the trees highly wrought up; and the romantic profpefe are warmed with that profound harmony that is natural to luch fituations. Great juftice is done to the lubjects, and great honour to the artift. The moonlight picture is without exception the molt noble produftion of modern painting. 1 he ingenious difpofition of the rifing milt adds greatly to its perfeaion. The fubieft is natural and eafy ; and yet carries that dignity in its force that wraps the attentive mind in a pleafing melancholy ftillnefs. This I take to be the effeft which ought to be produced on viewing a night-fcene of this call. I p f ' na , whole . Ien S ths > a gentleman and his fon. • Portrait of a gentleman, half length. The figures of the firft are well drawn and well- difpofed, but this artift, like moft others in the portrait ftudy, has paid little regard to the management of his trees, and thereby has forfeited harmony in his back ground._The portrait of the other is well drawn, and has great merit. II Portrait k Wi Models, G STS, J, their 1MBER- -^4 fa 286 287 M Tw Mr. 1 288 Sat; ■Mr. 1 289 A f Md 2C.2 n c- A t « ) • Portrait of a gentleman, three quarters. 11 Portr ^ h ° is ° e n drawn, and coloured with judgment, 14 A C0 T^e fa fi°ure S are well drawn and grouped; the faces” very highly finifhed ; and the likeneffes very ftrongly marked. There is a great fpirit and warmth throughthe whole of this piftme. The relief is rather forced, but tells very well. Portrait of a gentleman, half length. 3 P The charafter of the face is very pleafmg; and is well drawn, fpirited, and mark d ; the d.t- pofition is eafy and natural; the whole is well relieved, and has a good harmony. 20 Portrait of a general, half length. A familv in converfation. 3 jr/the firft, this artift feems to have had his eye upon that exquifite half-length officer in t.e laft exhibition, painted by Mr. Reynolds: he is to be commended for his imitation of it, both as to his choice and execution. 1 here is oreat force in the difpofition of this figure, it carries with it an air of lively afton ; and is well relieved.—The cornpofmon of the next is warm; the figures well drawn; the faces neatly finifhed; there is a pretty manner in the difpofition of the lady’s head who plays on the guittar. The fky is unequal to the reft of the execution. . . 32 Portrait from life of her majefty, with the pnnce.s royal, in crayons. _ 33 Portrait of a gentleman in ditto. 34 A child’s head in ditto. 35 A lady, whole length. 36 A gentleman, kitcat. » A CilS*! ,0 fuch. d. f e of perfeaion in Crayon painting, that to fay hts pieces are the beft that ever appeared of that fpecies, is little addition to his fame for that excellence. To this I have the pleafure to add, that in the firft of thefe pieces, th delicacy of the compofition in general, and he difpofition of its particular parts are fuch, that * Ty 1 1 A landfca pe, a"~3Vaw mg': By a .lady. Ah old man’s head after Rembrant ADutch company after Oftade, An hiftorical pifture in needle work. By a lady. A drawing. By a y.oung gentleman. By Capt; Bailie. ( 7 ) fix a dignity void of aufterity in the noble chara&er it reprefents, , I congratulate him on his having fo happily entered into the fpirit and native amiablenefs of the great original he drew from. Who is it that can look pn that gent¬ ly lilted hand that prays a filence, where a nod would command it, and not be fixed wi h awe and admiration at fo near an approach to real a&ion ? From this pleafing fubjedl how agree¬ able is the tranfition to one that contefis for our efteem by the united powers of fleeping innocence and beauty? the drawing is mafterly and juft; the colouring eafy; the drapery free; and the whole a finithed piece of art. The two other Crayon pieces are well di awn ; and have great fpirit. — The whole length lady in oil, is elegantly difpofed,; well drawn; eafy of attitude; warm in colour; fpirited in the face; and well relieved; the foot is brought from the ftep with great force.—The kitcat picture of the gentleman has great merit, and the young lady particularly fo; and the folding of the drapery is very beautiful. 38 Two miniatures of ladies, in water colours. Extremely well done; the drawing is minutely juft, and the difpofitions pleafing; the faces are moft judicioufly touch’d. 39 Two old heads in miniature. Strongly mark’d, well drawn; and have great merit. 40 A view of Aifgarthfofs, near Swinnewite, Yorklhire. 41 Part of Eaftby-Abbey, near Richmond in Yorklhire. The trees are well kept; the foregrounds rich ; and both have fufficient merit to command refpedf. 42 Portrait of a gentleman, kitcat. 43 Pinion of Athens, from Shakefpeare; a£i 4, fcene 4. The fir ft as a portrait is well marked; well drawn; and finiftied with great fpirit. The next, as a piece of hiftory, has all the warmth and fire of the paftions confequent to the cir- cumftances of the feveral parties concerned: in that of Timon more particularly. The man Models, G STS, J, their tMBER- /fl V-.. ( Mr. 284 Fro 285 An Mr. 286 A 1 a M : 287 TvJ Mr. 1 288 Sat; Mr. \ 289 A i Md 290 Gel! 291 A £ H 252 A 293 2.4 A j 294 Ini* 2^6 A 1 297 Tig t 298 Th 299 A ' 3°° An '3 01 Di|| S 02 3°3 304 3'o5 306 3°7 A Th Th TJ) Tv An C * ) man on the foreground is a highly finifhed figure. The women are delicately and yet fpiritedly touch’d. The compofition is for¬ cible, and altogether cpmpleat. The mufcles of the left leg of Timor! are diflended rather too much next the knee. 48 Portrait of his excellency the Tripol.ine ambaffador in miniature. 4.0 Ditto of a young gentleman. Both very well done. 5 , yEneas meets Venus in the wood in the (hape of a huntrefs. This meeting is oddly exprefll-d ; Venus indeed turns her head towards iEneas, but walks from him, and he follows: — the figures are heavy and ill drawn; have little fqrce, and as fmall merit. 53 Portrait of Peter the Wild Boy. re Ditto a lady. The compofition of the firft is wild, as it lhould be ; but the difpofition of the figure is too tame : it is well drawn, and has merit. The next is pretty; in good tafte; good drawing and eafily difpofed. 58 Portrait of a lady, whole length. 59 Ditto of a nobleman, ditto. fco Ditto of a gentleman, ditto, 61 A landfcape and figures. The firft is an amazing fine picture : fo fweet an harmony fubfifts in it, it cannot be too much admired. The clear-oblcure is finely rul’d; the oppofitions juft, and gradual; the drawing minutely exa£t; and the attitude eafy and free. This piece reflects Angular honour on its ingenious author. The face of the fepond is finely wrought ; the figure well drawn; but the neceffary decorations have caft a kind of damp upon the will of the artift, that has funk a part of its force. ”1 he fky is rather too full of fmall parts. In the third, is a vifible freedom; where the genius of this oentleman has prevailed over form, and fhines more bright. There is great eafe, propriety and 3°7 3 10 3 1 1 3!2 3 ! 3 3‘4 3 1 5 Tty T\.\. A lar.dfcape, a drawing. By a An old man’s head after Rembrant ADutch company after Ofta.de, An hiftorical picture in needle work. By a lady. A drawing. By a young gentleman. By Capt; Bailie. N->. Mr. . 2H4 Fra 285 An Mr. 286 Al a M 287 Tv Mr. 1 288 Sat* Mr. \ 289 A i 290 Cel 2C)l A J . _J u 252 A 293 2,4 A j 2 94 Inij 2 v 6 A 1 297 Ti 298 299 3 °° 39 1 3 02 3°3 3°4 3° 5 200 3°7 Th A An Dij A Th Th TJ) Tv j An; ( io ) that a famentfs prevails in his faces, and his compofnions; his reliefs being always very near, and ftrong; and his diftances dropp’d in the corner of his piece, and often fo low that they are in danger of falling out. But he who paints a face tolerably affumes an affected indifference about the other parts of his pic¬ ture. The child is done with great freedom, tafte, and elegance : and is judicioufly colour’d. 86 An evening view of Kew ferry. There is great fpirit, and a deal of nature in this piece ; but the evening is rather too fud- denly darkened. 88 A cor.verfation. Better held at White Conduit-Houfe, than Spring-Gardens. 95 The temple of Concord at Rome. 96 View of Tivoli. 97 Ditto, near Naples. 98 Ditto, with an ancient villa at Tivoli. All very well executed; full, and warmly co¬ loured. 99 Portrait of Dr. Franklin, half length. A great likenefs; and is very well done. Therfe is great force in the opposition of the colours, that renders it very flriking. 104 A landfcape, with two foxes. 105 Ditto, with a paper-mill. Thefe are done with fofne fpirit, and have a good eye; the large tree in the firft is well finifhed ; fo is the water in the other. I07 An hiflorical piilure. I'o8 A converfation. The hiftory-pieee difplays a force of lively in¬ vention in this artift, as the juftnefs of his drawing fhews him qualified in thofe principal points to purfue this noble department in the admirable art of painting, with much honour to his laudable attempts. In this produ&ion before us there is a vail diverfity of a£tion; a ftore of fine colouring, light and eafy ; atti¬ tudes well varied, and fubjedt enough for de¬ light and entertainment. Go on, Sir! and profper. 3°9 T T. 3 10 Tvk , ^ 311 A landfcape, a drawing. By afedyT" "W'-■ £ 312 An old man’s head after Kembrant ? By Capt; Bailie, [ 3 A Dutch company after Oftade, 3 1 4 An hiflorical piflure in needle work. By a lady. 315 A drawing. By a young gentleman. ( II ) profper. In the convention there is that harmony of colouring that eafes the eye of the fierce glare too often found in pieces of this ftamp. This is a fpecimen of unaffe£ted art; where nothing is hard or forced; and well worth examining. The faces are very well coloured, marked, and drawn. 109 A watch-cafe painted in enamel, Sylvius and Do- rinda from Paftor Fido. Very neat and well touch’d, no Two flower pieces in water-colours. Well grouped, and well contrafted;; the co¬ louring is very clear, free and fine. 1 don’t remember to have feen better flowers, in View near Canterbury. 112 Ditto near Dover, its companion. 113 Ditto of Harbledown near Canterbury. 114 Ditto of Barton mill, near ditto. All very well executed. 115 Portrait of a gentleman, three quarters. Well drawn, well colour’d; and is a good pidture. 116 A converfation in miniature. Weil difpofed, compofed, colour’d, and drawn; the likenefies are very well preferved. 117 Two fmall whole lengths in one pidiure. Very well painted, and void of affectation. The drawing is particularly exadf. 118 A nobleman’s yacht in a light wind. 119 Ditto in a frefh gale. 120 View of Rochefter by moon-light. 121 An engagement between the Engiifh and Spanifh fleets in 1718. The management of the (hipping, and the wa¬ ter, feems in all thofe pieces to be thoroughly underftood. The moon-light view of Ro¬ chefter is very pleafing; and is with the others, highly finiflied. J24 Alandfcape. Wejl painted. 125 The hufbandman’s return from work. There is Co much of Nature in this piece that even the uninformed fpedjator can tell h m r elf B 2 the ( { 'ALL \ ft m r M 287 Tw ■ Mr. 1 288 Sat; • ■Mr. 1 289 A 1 Me; 290 Ccii 291 A 1 H 252 A; 293 2.4 A 1 2 9* Inilj 2 ^6 A 1 297 TiJI t 298 Tti 299 A j 3 00 Art 39 1 Di| 302 A 3°3 Th 3°4 l'h 3 ° 5 Tjj 3 °° f\1 3°7 Ai| j 3°3 Ty j 3 10 xl 3 1 [ A h 352 An 3 1 3 All 3*4 An 3'5 Ad l*-f**7 the ftory throughout. The drawing is cor- refl:; the colouring warm ; the compofition is without force; and the thought of retaining fo near an affinity in the likeneffes, was not unworthy the notice of this meritorious artift. He has given fuch a glow of happinefs thro’ this rural piece, that had the celebrated Mr. Gray been an eye witnefs to fo much felicity, on his being removed from it, he might then complain, if poffible, in more fenfible terms than thofe in which he reprefents the forrow of ruflic families after the demife of their honeft hufbands and fathers, thus. For them no more the blazing hearth fhall burn ; Or bufy houfewife ply her ev’ning care. No children run to lifp the fire’s return, Or climb his knee, the envy’d kifs to fhare, Gray’s Elegy, 126 Portrait of a lady, whole length. This is very indifferent: void of tafte, colour¬ ing, or compofition. A family piflure. The father, and the daughter, who ftands leaning on the chair are the beft figures of this large piece. Sir Richard Steele fays, that a great book is a great evil; and gives this rea- fon for his affertion. In the courfe of fo large a work as the writing a folio book the author has his nodding places; and if he does not really fall afleep he can fcarce tell what he is about. Therefore the larger the book, the more naps are taken; and which, when col- Sedfed, amount to no fmall bundle of abfurdity, I wifh I could prevail on myfelf to hope this rule would not hold good in painting. A frame with three miniatures. All well executed ; and neatly finifhed. View fiom Pepper-Alley flairs. Ditto from the Old Swan. ' Both done in a bold and expreffive fiile. The choice of the points of view are very happy. A head of Mr. hergufon the aftronomer, in oil. A child drawing, in Crayons. T,hey 9 128 131 132 1 33 ‘34 11 ^ By Capt; Bailie. By a lady. They do honour to the ingenious lady who thus offers them to view; they are well colour’d and drawn. 136 A landfcape, with ruins. 137 Ditto. Thefe are very well done; the trees well kept, reliev’d, and freely branch’d. The buildings o n ■ a ^ e We ^ touc h’d, and have a good harmony. 130 Portrait of a gentleman, half length. An exceeding good face, highly finifhed and corredlly drawn. There is a good tone in the colouring. 139 The return of a fleet into Plymouth with a prize. Well difpofed, rich, and warmly colour’d. 140 Colts at play. So did the painter; and with great fpirit. There is great fire and life in the aflion of thefe beafts. The parts are finely touch’d ; and a mafterly pencil is to be found thro’ the whole of it. 145 Eight miniatures. And all good. There is great elegance in the difpofition of every one of them. Extremely well coloured and drawn. *54 View of part of a lake of eight thoufand acres. 155 View of a water-fall fifty feet high from the hermitage in the Duke of Athol’s gardens at Dunkeld. They are very romantic, and are well painted; a little more force in the extream lights of the water fall would help it. At prefent it is rather flat. 156 A nobleman on horfeback. j£7 Two gentlemen going a fhooting, with a view of Crefwell Craggs taken on the fpot. The horfes painted by this gentleman are equal to any ever done. Such is the accuracy in the proportions, and folidity in the fwellings of the mufcles,that he fee ms to tread hard upon the heels of Nature in perfeftion of fymetry. The (hooting piece is extremely fine. The building on the fore-ground is admirably touch’d; and the agreeably wild profpedl: is beautified by his judgment of difiributing the Wefts of light and (hadow. 158 Three Mr. : Fra An Mr. ; A l| aj M! Tvj Mr. 1 2.R8 Sat; ■Mr. i 289 A { Me 284 285 286 287 290 291 2C2 295 2 ,4 291; 2 v 6 297 298 299 300 3 01 102 3°3 3°4 305 206 3°7 Cel A E H A; A i lnli A 1 Tig! Cl Th A ■ An Du A Th Till Tj) Tm An ( 14 ) ,c8 Three miniatures in water colours. 3 Well done, and very highly fimfhed. ,,q Portrait of a gentleman, three quarters. * J yyr e ll colour’d, but cramp’d in the forihortemng of the arm. l6 , view of Dumphail bridge in Scotland. * Very well managed, but the Iky is rather too heavy. 168 Portrait of a lady, a miniature. Prettily painted. 17 1 Venus relating to Adonis the ftory of Hippomenes and Otalanta. 172 Tupiter and Semele. . . . c ,73 Pyrrhus when a child, brought to Glaucius king of Illyria for proteflion. 174 The fright of Aftyanax, its companion. 17c Elifha reftores to life the Shunamite’s fan. ' ^ In the works of this great man there is that concord j ; un ited to theftrength of his imaginations, that carries a continued chain of attraction along with it, that will not let the eye depart till it has received all the pleafures this nobleft part of painting can give. We trace with wonder and delight the various modes of expreffion dele¬ gated from the principal to themoft immaterial figure of his feveral pieces. Each bears a part in the ftory: No intruders are to be found : All arebufy, and alive. To this, add the fire of expreffion ; the differently agitated mind ; the height of colouring; the juftnefs of the drawing; and the grandeur of defign, and and you’ll fee a Britifh artift excel in this light, almoft all the moderns; and equal ma¬ ny of the worthies of antiquity. In the firft piece before us is a compadt reprefentation of female foftnefs in the delivery of an affedting narration to be found in the admirable figure of Venus: A fond attention in that of Adonis. Strikingly difpofed ; fignificantly attended; and mod furprifingly executed. In the fe- cond is great dignity in the figure of Jupiter; inimitable execution in that of Semele ; her pofition is lively ; and the drawing mafterly. The lightning has vaft force, and is a fine relief 3° 9 3 10 3 11 312 3 1 3 3‘4 T’i I \Yv L _ . . . A landfcape,’ t^rrawtngT By abdy. An oil man’s head after Rembrant ? gy Q a p t; R a ;iie ADutch company after Ofta.de, An hiftorlcal picture in needle work. By a lady. A drawing. By a young gentleman. Hief to the noble fubjedl. The third is af- fectingly great; fuch an exuberance of fpiritj and oppofition of harmonizing colour, is fcarce to be met with. The principal figures of this piece are finely touch’d and highly finifhed. f ) The fourth is mafterly difpofed. The fear of the child, the pleafure of the father, the fondnefs of the mother, are finely heightened and ftrongly mark’d. There is vaft dignity in the figure of Hedfor. The fifth is a ftriking fubjedl, told with the utmoft propriety. Eliiha is a molf venerable figure, and in a fine cha¬ racter ; The boy is wonderfully touch’d, the face more particularly. The clear obfcure of this is judicioufly managed : The draperies flow eafy and in fine breadths. In a word, to pay a due regard to the feveral excellencies of this great artift, will repay every examiner with added pleafure, and doubly recompence his trouble in fearching after thofe beauties, which, with regret, I am obliged to leave un- obferved. 178 View of Studley park, Torklhire. Ifo A lat ]ge landfcape, with Orlando and Oliver, vide the laft fcene of afl 4th of Shakefpear’s As You like it. Thefe landfcapes are well colour’d; and the adtion in this fcene is well touch’d, and well exprefied. 181 Portrait of a young lady, in the chafer of a veftal. 182 Ditto, in the charaaer of a Sybil. They are well exprefs’d, and warmly colour’d ; but the drapery is too heavy. 184 View from Moor park, toward Caflliobury, Wat¬ ford, and St. Albans. 185 Landfcape and figures. 7 'he firft is a very extenfive profpea; which con- iidered, is extreamly well managed, not too confufedly, nor yet too particular; the dis¬ tances are kept very warm and full. The fore-ground has great merit, the figures, and the tree particularly. The fky is well co¬ lour’d and, has fine harmony. The next is well touch’d, and has greatfpirit. The water is particularly fine. ‘ALL. / J a36 287 H A: ( 16 ) j88 Portrait of a gentleman, whole length 189 A fmall candle light. 190 Ditto, its companion. The gentleman is very well drawn, well rehev d and has great force. The fhadowing of the legs is unnatural, being fo very green. The candle lights are very excellent. The thought of the girl’s dreffing up a kitten was very hu¬ mourous, and the candle behind the bladder fhews great judgment in difpofing the effects of the clear obfcure. The figures are finely mark’d and well drawn. This artift has given great proofs of his fkiil in this kind of painting, and is indifputably very great in it. 191 The royal yacht under a prefs of fail, {landing off a lee {hore. 192 A man of war of 74 guns, with (hips at a diftance, taken in a fquall of rain. The firft is very bold, and well touch’d ; the water well done; and is well difpofed. The next has great merit and has a natural gout. 194 A fcene in Love in a Village. xoc A family. The fcene is the 6th of the firft a£t of that piece: Juftice Woodcock, Hawthorn, and Hodge are the admirable charadters this facetious ar¬ tift has chofen to draw. The likenefles, al- tho’ diftended by the different paffions placed upon them, are yet ftrikingly kept. Wood¬ cock is extreamly well executed ; but to fingle out any particular figure or part of this gentleman’s works is to be partial to the reft 5 for he is fo very correct, fo very natural, and fo very expreflive in his performances, that one part cannot claim precedence of another, any other than that the principal objecft muft be view’d firft, and fo on thro’ all his admirable pieces. The hufband and father of the family is an inimitable figure : the addons are well chofen, and the faces well finifhed. The dtog is done with great force and fpirit; the hue of this piece is very warm and mellow. 196 Macbeth meeting the witches. 197 Jacob’s journey. TJk Vi Ttyj Tv- , _ _ v A la nd fen pe; a drawing. By a.lady. , An old man’s head after Rembrant ? By C apt; Bailie. ADutch company after Oftade, An hiftorical pi&ure in needle work. By a lady. A drawing. By a young gentleman. ( I> } The firft of thefe, is defigned with the utmoft propriety; Macbeth has vaft dignity in his gefture and deportment. The witches have all that terrible appearance and force of ex- prefiion as the moll timorous and weak mind could form toitfelfof thofe imaginary beings: their attitudes and difpofitions are well mark’d; the thought of the ferpent on the flick was happy and fignificant. The gene¬ ral fear and confternation in the men, horfes; and dog, carries with it great difcernment in the artifl, who has maintained the power of reafon in the principal figures, and fcatter’d the ideal tremour among the lefs difcerning vul¬ gar. The ftorm and lightning add all the horror requifite in thofegloomy kind of fuper- natural fcenes. There is great execution in this piece ; well compofed, and highly finifhed. The other piece is not equal to this, but has merit enough to deferve efteem. The fubjeft in this was not fo ftrildngly interefting. J SCULPTURES and MODELS. 198 A call in plaifter from a gold plate, his Highnefs the Prince of Brunfwick, in a Roman character, intro¬ duced by Britannia to the temple of Hymen. 200 Ditto the continence of Scipio. Thefe have great merit. The defign of the firft is rich, the figures well brought up, and in good keeping. That of the laft has not fo good a fhare of coropofition, but the figures arejult and well exprefled. 201 Sketch of a facrihce. Very expreffive, and well aim’d. 202 Portrait of a lady an intaglio. 203 Figure of Mars, ditto. The lady is better than Mars, and both very well done. ] 206 Portrait of a gentleman, a model in wax. Very well executed; neat, and well mark’d. •09 Vertumnus and Pomona, a model in wax Well difpofed, but the face of Pomona is left rough and gives her as old a look as the fup- poled old woman Vertumnus, 'i he background i s very well. C T^o iodels. G STS, J, their rMBER- i ■ ALL. .’.It r;.v No. I Mr, ] 284 Fro 285 An Mr. 286 A i S' m| 287 Tvvlj Mr. 1 288 Sat' ■Mr. ^ 289 A { m| 291 A [ q 4 ^ «/- M 295 a .4 A 1 294 Ini' 296 A 1 297 Tig' t 298 TI< 299 A 300 An 301 Dijl 302 A 3°3 TH}| 304 3 ° 5 306 TvI 307 Ar 3°9 T ’I 2x0 Two models in wax. Very well executed. 2X2 Portrait of a lady in colour’d wax. The face is very well done, but the drefs appears ft iff. 213 A buft of a gentleman. Very well mark’d, but the left corner of the mouth is a little too high. 214 Bufto of Lord Bacon, a model. I 7 A marble bufto of Lord Camden. They are well executed, and with great freedom, ftronaly mark’d, and very bold. The likenefs of Lord Camden is not very ftriking. 216 Proof in ftlver of a premium medal, given by the fo- ciety of antient mufick. The deficn is unqueftionably great and ftriking; well known, from the fertility of the invention fo natural to the firft difpofer of it. The piece before us has great merit, and is cor- redtly and clearly executed; a little more pro¬ tuberance in fome of the larger mufcles of the principal figures will not be amifs. DESIGNS in ARCHITECTURE, DRAW* INGS and ENGRAVINGS. 217 Jofeph interpreting the butler and baker’s dreams ; from Spagnolet. 2x8 A proof print from Guido. The firft has a boldnefs and an opentiefs of grav¬ ing ; a fquarenefs in the drawing which is very corredi. A good colour, but the flsflts rather harfh. The proof is very promifing, and has fufficient fcope left for the graver to work it to almoft any effhdt. 219 A Drawing from a pidture of Carrachi, in his maje- fty’s colledtion. Exceedingly corredt, fofr, warm, and fpirited. There is great exprefiion in all the faces ; the fiefti of the fleeping child is delicately 221 The finding of Cyrus ,: a print from Caftiglione. This has a good colour, as is in good drawing; but the ftile of engraving is not mafterly, tho’ laboured. Nj. I Mr. ] 284 Frc 285 An Mr. 286 A1 si m| 287 Tvvlj Mr. 1 288 Saf ■Mr. ^ 289 A { m| 291 A [ q .ft a. 293 2 .4 A 1 29ft Ini' 296 A 1 297 Tig' t 298 TF 4 299 A 300 An 301 Dijl 3°z A 303 TH| 304 IT 3° 5 306 TvI 307 Ar 3°9 T ’I 3 to Twl i A Lusdfcape, a drawing. By ajady. , An oil man’s he:.d after Rembrant ADuteh company after Oftade, An hiftorical picture in needle work. B A drawing. By a young gentleman. leal pidture in needle work. By a lady. Hfo-' _ ( 19 ) 22a Sr. John preaching in the wildernefs: an etching ■ from Salvator Rofa. A moll aftonifhing fine one : The cleannefs of the ftrokes, and their natural diretSlinn and firmnefs, give us great afiuranceof a mafterly piece ; and a valuable acquifition to the ftore of the Britifh excellencies in this laborious, intricate, and difficult fpecies of the polite arias 225 Peter and John healing the fick : from Bourdon. The graving is bold and the drawing more cor- reft than fome of this artift’s pieces; but the flefh wSnts more foftnefs. 226 Plan of a fifh-market to be erefled upon the great canal at Gottenburgh. 227 Elevation of ditto. The plan is well founded for utility ; but feems to want a trifle in breadth to flrengthen its folidity. The elevation wiil have a noble appearance, and the opennefs of its members will add beauty to it’s extent. This building on fo Angular a foundation will be a public ornament to the place, and an honour to the judicious projedlor of it. 229 Twodrawings of landfcape. They have a pleafing effedf. 233 Whole length of the Dutchefs of Ancafter, from Mr. Reynolds. This metzotinto as finely and clearly fcraped ; the drawing juft, and has a good colour,ex¬ cepting the back ground behind the head, which is fomewhat too glaring. The off- fldp of the fhipping is very fine. This artift bids very fair to be very great in his profeffion. 234, 235 Eaft and weft view of Weymouth and Mel- combe Regis, in Dorfetfhire. Very well done. 236 The ftory of Pyrrhus ; a drawing from a pidlure of Mr. Weft. Clofely copied; very Juft in drawing; a good hue of colour, with the exadleft gradation of light and fhadow, and has all the effedt of the noble original, which you fee in the fame room, and which I haye before given fome account of. C 2 237 L h vfodels STS J, their IMBER* / 283 An Mr. I 286 a I; a- 287 Ml TvJj Mr. A 2R8 Satflj Mr. \ 289 A fj M| 290 Cel 291 A| I C-- 292 A 29} 2 ,4 A ] 293 Ini! 2 y 5 A 1 297 Ti t 298 Tfelj 299 A 300 An 3 ° 1 Dil 302 A 3°3 IT] 3°4 305 Til 3 P 6 Tv 3°7 Ar ( 20 ) 237 View of the infide of Durham cathedral. The perfpedive, which in fubjefls of this n»-» ' ture is the grand rule for operation, is in the piece before us ftriftly attended to. The pillars are round full, and firm. But the general gout of the clear obfcure, which is another article of great confequence, in in¬ ternal, or fubteraneous views of buildings, vaults, &c. is here forfeited in fome meafure: but may eafily be remedied. This piece does great credit to the anift’s accuracy and judg¬ ment otherwife. 238 Portrait of a nobleman, a drawing. 239 Ditto of a lady, ditto. In a pretty manner, well, and neatly done. 241 A metzottnto from Mr. Reynolds. This elegant pidure is minutely copied; there is a fine harmony of colour fubfifting thro’ all of it. The drawing is juft, and beautiful. The parts are fpirited and round; apd for once void of a multiplicity of engraved lines, too often found in the works ofthis ingenious artift. The piece before us may with juftice be pronounced the beft produflion of that gentleman’s performance ; and is equal, if not fuperior to any print of that kind ever yetpubliftie.d. 242 A defign for a country palace. The body of the building is very good. But the rotundity on the tops of the wings gives it a heavinefs that is difagreeable. 243 A proof print, from Cornelius du Sart. Very promifing; firm and open lines; well laid in. 244 A metzotinto, from Mr. Stubbs. The horfes have great fpirit and are well drawn; but Phaeton is not fo well. There wants a more regular force, in the fpring of the light. 245 Peter the wild boy, from Mr. Falconet. This is clofely copied; clearly, and freely fcraped; in good drawing, and has all the efFeft of the original. An account of which I have before given, to which and the pidure ip the room, you are referred. 246 3°9 T ’’|; 310 Tw 4 _ 3 u A hn'ifcnpe, a drawing. By a.lady. , 31 a An old man’s head after kembrant? By Capt; Bailie, n 13 ADutch company after Oftade, 314 An hiftorical pi&ure in needle work. By a lady. 315 . A drawing. By a young gentleman. ( 21 ) 346 Pope Clement the ninth, from Carlo Maratti. The engraving bellowed on this ftifffet fubjetSt is very fine : the face and hands exquifitely wrought; foft, delicate, and yet fpirited. The dark parts of it have a ftrong firm line. The drawing is very juft ; it has a fmart colour. Phis artift is very promifing to Ihine diftin- guilhedly in the lift of engravers. 247 A drawing in chalk from the life. In a very pretty manner, and well drawn. 294 Noah s facrifice, from Andrea Sacchi. * Neat engraving; good drawing, and a good colour. ?59 Dr. Hume, a metzotinto. Clearly fcraped ; good drawing; but nothing ftriking, 252 An aqua fortis proof, from Cuyp. Clear and open. 256 Four drawings in pen and ink. Well imitated, and have great fpirit. Their greateft beauty is thejuftnefs of them, 2$? Plan of the bafement ftory of a houfe, built for a noble Lord in the county of EfTex. 259 Plan of the principal floor of the fame houfe. 260 Elevation of the north front. 261 Ditto of the fouth ditto. 262 A general feaion from Eaft to Weft of the houfe and offices. The plans have all the poflible advantages that can be obtained to render this edifice commo¬ dious and ufeful, annexed to their fyftems. The elevations have all the force of elegance, and all the nicety of proportion, to befpeak all the applaufe due to fo mafterly a ftrudlure. At once an addition to the munificence of the noble proprietor, an ornament to the country, and an honour to the fkill of the ingenious architect. The fetflion fhews that the depen¬ dence of the fevetal parts of this building are not jumbled together, but are in the order of the work uniform and connefled. 263 A landfcape, from Claude Lorain. Phis is work d up to a brilliant colour; and pof- fefli’S vaft fpirit. T he trees are well kept, free 1 k -iodels. .( G STS, J, their JMBER- ‘ALL, 2^4 28 5 23 6 287 if Mr. F rc An' Mr. A 1 a MS 'I'-Vy Mr. 1 238 Sat; •Mr. \ 289 A { Ms! 290 291 252 294 2 .4 294 2 y6 297 298 299 300 301 302 3°3 304 3°5 206 3°7 Cdj; A I, —Mil H A A 1 Ini- A 1 Tif t Til A An Dir A Th Tti Til Tv Ar ( 22 ) free and open. The diftance is well finifn d and the fkie warm. , T „rd Camden, from Mr. Reynolds. 264 Lord There ; s great ta fte and elegance in the engrav- ins of this print; and, for which this artift is particularly diftinguilhed. The drawing is juft ; the likenefs ftrong, the face highly h- nilh’d, and the whole a fine pkfture. 260 Blackfriars bridge, as in the year 176S. 2 ° Nothing can be more finely touch d and wotk d up than this very extraordinary print is. 1 o fay nothing of the ftriking difpofition and harmony of it, how ftrong, yet how clear; how forcible, yet how delicate, is all this ad¬ mirable piece of engraving. The figures, tho’ fmall, yet how aaive, how proportion¬ ate, and juft. The perCpeftive, how well, and profoundly underftood. To this add, that one fmgle line conftitutes the whole piece ; and we may fet it down the molt compleat engraving of that kind ever feen. 270 View of the court of Claims, or painted chamber. 7 This is a very highly finifhed drawing. The buildings are exceedingly well.executed, t he refleaing fhadow upon the front of the houle is very naturally conduaed and without attec- tation. The fkie is clear and warm. The foreground has a fine tone, and the figures are well drawn. This piece does the artift great honour. 271 A print of his Majefty in his coronation robes. Here is a'l the matter of the graver at once let forth. The lines are direaed with great judgment. A brilliancy of colour, and a fpirtted force fhines thro’ the whole. There is, in this excellent print, that clearnefs and perfpicuity fo feldom to be met with in the works cf, an Englifh artift. And yet it has not the leaft appearance of poverty, or cold- , ne fs. The drawing is minutely juft. 1 he face cannot be too much admired ; there is fuch an evennefs of tint, heightened by the native clearnefs before obferved, that gives it p warmth of life. T.he dignity and hkenefs 3°9 3 10 3 ,[ 312 3 l 3 3 1 4 Tw« A ._ A lanHfcnpe, a drawing. By ajady. , An old man’s head after Rembrant ? By Capt; Bailie. ADuteh company after Oftade, An hiftorical piflure in needle work. By a lady. A drawing. By a young gentleman. C 2 3 ) of this noble charafter is finely preferved. And from hence we may juftly ftile it the belt portrait that has of late appeared. 272 Two views of Wakefield lodge, in Whittleburry fo- reft, the feat of his Grace the Duke of Grafton. 273 A view of Windfor caftie from the little park. 274 Ditto of the Thames, from Mr. Murden’s door at Windfor. The works of this gentleman are fo generally admired for their peculiar fpirit, and clearnefs, that of the fine pieces before me, I can only fay, that they cannot be mended, or fcarcely para- lell’d. That of Windfor caftie more efpecially. To fay then, that they have all the advantages that can be bellowed upon them by fo o-reat an artift, is to tell you, that to know, and fee his works, is to know, when you fee the apex of art itfelf. 275 Deftgn of a country feat for a nobleman. 276 Plan of ditto. The defign is bold and grand ; the plan is com¬ modious and plain. The figures are badly drawn. 278 King William the Conqueror, receiving the alle¬ giance of fome of the bifhops and principal citizens of London, at Berkbamftead-Abbey. A ftained drawing. 279 Ifaac, emperor of Cyprus, taken prifoner by king Richard I. in his voyage to the Holy Land. Ditto. Thefe ftories are well told; the drawing is very correiSi; and the adlicns bufy and warm. 280 An artift and his fon, from Mr. Reynolds, This artift is particularly clear and fmart in his fcrapings of metzotintos. This drawing is very correff. The piece before us is a great proof of his fuperior,abilities in- the profeflion. He certainly has attained that eafe and free¬ dom of manner fo much wanted in this branch. As he never fails to give the mod agreeable and mafterly expreffion to whatever pieces he produces. His manner is fo even, and free from harfti lines, that he is never known to mifs of harmony, and colour; confequently never fails to pleafe. 282 /Todds, G STS, T, their JMBER- A t*? 'ALL. M . : Mr. I 284 ■Frd| 285 An p Mr. aS6 A 1 M 287 Tot Mr. 3 m Sadi •Mr. jj 2Rg_ A M m|| 290 Cei 291 A I) H j 252 A 291 -a- 3 1 III 2 .4 A I nil 1 2^6 A] 297 Til c J 298 Th : 299 A 1 ^00 An 301 DiH so 2 A 3°3 TJI 3°4 B 3 ° 5 1J: | 3 °° Tv 1 307 Arj ( 24 I w 282 The jocund peafants, from Cornelius du Sarfc To the fullnefs of this piece, what artift would have been equal, to have retained fo minutely it’s innumerable fine touches, but the hand of a Woolet ? To follow him from face to face, to fee him call up every mufcle in the fmalleft portrait, to add nature to the paflions, is enter¬ tainment of the higheft flavour to the ftudious enquirer after excellence in engraving. From thence, to trace him thro’ all the folds and flowings of drapery, to obferve the eafy, and full turn of his lines, warm’d with the exafteft interlineation to produce the brilliance of the finer parts, or warped over with the juftly proportioned lefiening line, to give body of colour, fpirit and force, is moft pleafingly a- : mufing. His flefh, how foft, fmootb, and warm. His drawing, how laboured, and exa£t. His grounds, and trees, how firm, how free, how fine. His Ikies, paft imitation, and much eafier to be conceived, than defcrib- ed. His clouds full, tranfparent, yet never ! heavy. Such is the piece before us, and full of aftion. Whoever would be acquainted with the merits of this only perfect matter of the graver, can never be informed, by other means, than a clofe ftudy of his works, or re¬ peated leiTons of inftruflion from himfelf, which way to attain it. That he is the firft engraver in the world, none can deny. 283 A fccne in the opera of Love in a Village. 284 Six prints for Hoole’s tranflation of Metaftafio. Thefe are well drawn, and fmartly engraved. The drawing of the fmall ones are very cor- reft, confidering their fiz.e; which is always difficult to perform, with great exactnefs. FINIS. 3° 9 . 310 Tv c . 311 A lafiHfcape, a drawing'. By a .lady. , 3 ja An old man’s head after Kembrant ? gy Capt; Bailie. 113 ADuteh company after Oftade, 314 An hiftorical picture in needle work. By a lady. 315 A drawing. By a young gentleman. Critical Examination OF THE PICTURES, SCULPTURES I:, if E , DESIGNS in ARCHITECTURE, models, DRAWINGS, prints, J G P X H IE j t E D at t Jti E gr eat room. STS, II I N spring-gardens, charing-cross APRIL 22, 1767. L their Intended for the Ufe of thofe who would underftand what they f ee . imber* LONDON: -- P ' imd f “ r w - mdcclxvii. ALL Models, PREFACE. Istorians have mentioned, that an eminent Painter of A n- f qmty exhibited his performances at hts window, that they might be ex¬ amined by thofe who P affed by. It is alfo not onJy faid> fhat he h;d h , m _ elf behind a curtain to hear their remarks, but, which is much more extraordinary, it is pofitivejyafferted, that he profited by them. It would be an injurtice to our Artifts, to fup- P° e, as they have followed the Ex- ample STS, their JMBER- 'AL L. . < A* a86 287 aR8 ■I 289 H P R E face. ample of this great Fainter in the firft particular, that they fhould be deficient in the laft. It is hoped, therefore, that no Ar- tift, whofe produdions happen to he cenfured in the following Pages, will be offended; and efpecially as the Author affures them, that his re¬ marks are not didated by prejudice, party, or perfonal pique. His foie Intent is to excite the young Artifts to aim at perfedion, and to prevent the old ones from falling into indo¬ lence. Ar. kdoiU:: ! pBure in needle work, by a lady. A drawing. By a young gentleman. iw, . _ _ 1*^45... ®S! A 1 N r- Models, V5 Critical Examination, &c. STS, * 2- A View in Crefvvell Craggs, Not- .ZVk. tinghamihire, with a water¬ fall. * 3. Ditto of Roch-Abbey. There is a very great degree of merit in thefe landfcapes. They are highly finiihed, and have great harmony. The rain bow is very natural, and the water, in particular, is admirable. But the iky, in both, is cold, and the trees heavy ; and as may be obferved A 3 ™ their 'PMBER- All. J ( 6 ) in mod of the performances of this excellent artift, there is a certain glare, feigning over the whole, which is not to be found in nature* 4 A Moonlight, with the effedt of a Mift, a ftudy from Nature. This is alfo a good landfcape. The effedt of the mift riling among the mountains is very fine ; but the fky is rather to much broken, and the refledtion of the clouds in the water, teems too ftrongly marked. There is too much purple in all thefe land¬ scapes. 14 A Converfation. The merit of this pidture lies in the colouring, and the likeneftes Which are ftriking. It is an aftemblage of fluff, ftrait, awkward, ill drawn figures, put together without judgment or tafte, and without keeping. This awkward- nefs is very confpicuous in the figure at Co *=V & , < 7 ) ^ the right hand with his back to- wards you. ” haK Thcfe portraits are hard and ill coloured. e8 Portrait of a yottng l ady , with , bad and dog, whole length. This pifture is horrible. »! Por * ra 't> from the life, of her MAJESTY, with the Princefs Royal iri Crayons. . J It is impoffible to praife this picture as much as it deferves. It is the higheft perfection of crayon painting. The tendernefs of the finilhing, the warmth and beauty of the colouring, and the ° f thC 3re aftonilhing. Th iC , Chl ' d ..; S the ver 7 image of fleep. 1 -e hand lifted up is rather ftiff 33 Portrait of a gentleman in ditto. 1 execution is mafterly. J. A child’s head ditto. This 11 • J E X Models, G STS, ?, their JMBER- 'ALI ju ( S ) This is a delightful little picture. 'i r A ladv, whole length. This figure is very ungraceful, and the drapery Stiff, and Slightly painted. The back ground is unfinished. It is a pity, that this artift does not confine himfelf to crayons, where he reigns wittiout a rival. 40 A View of Aifgarthfofs, near Swinne, wite, in the weft riding of Yorkshire. 41 Part of Eaftby-Abby, near Richmond, Yorkshire. There is a warmth in thefe pictures, but the trees are ill penciled. * 43 Timon of Athens, from Shake, fpear. ACt IV. Scene IV. This is undoubtedly the beft picture in the room. The compofition is great, the chiaro obfcuro well underftood, the drawing as fine as poffible, the drapery free and flowing, and the characters of the heads almoft equal to the antique, The' grace of the female figures is in- ‘ ? chanting. ( 9 ) chanting, and the attitude, air, and character of Alcibiades truly great. The head feems to be taken from an antique gem. The colouring in this pi&ure is much clearer than in the performance of this artift, exhibited laid year* 51 Aeneas meets Venus in the Wood in in the Shape of a Huntrefs. As bad as poffible. * 5S Portrait of a Lady* whole length. This figure is well drawn, and the attitude exceedingly graceful. The head is well painted, but the colouring of the drapery is cold and raw, and the back ground unfinithed. 59 Ditto of a Nobleman, ditto. The likenefs is very great, as is ufual with this artift, and the face well painted; but the attitude is bad, the back ground unfinifhed, and the fky intolerable. 61 A Landfcape and Figures. The treesare hard, and the fky too blue. STS, y> their (JMBER- ( l© ) 68 A Nobleman, and his Secretary, a Convention. 69 A Small whole length of a Lady. Both very indifferently painted, but the laft is much the worft. 70 Cymon, and Iphigenia. j 1 Abraham offering Ifaac. The worft pictures in the room. 74 Portrait of her MAJESTY, in Miniature, painted from the Life. 75 Ditto, an old Man, ditto. 76 Ditto, a Lady, ditto. Thefe are admirable portraits, finely drawn, and delightfully coloured. The lady is all tendernefs and delicacy. And the old man is warm as poffible, and comes out from the ground. This artift is undoubtedly the firft in Europe for miniature. 83 A Lady in the Character of Juno^ whole length. 314 ; An Kiftorical pifture in needle w~ 315 A drawing. By a young gentleman. ^ •* ... , ( II ) The attitude is uneafy, and ungrace¬ ful, the drapery ill painted, the breafts very flat, and the purple fpread through the ground has a very bad efrebt. 84 An Officer, ditto. The face is tolerably well painted, and the attitude is graceful, but the reft is indifferent, 86 An evening View of Kew-Ferry. This cannot be the produdlion of the artift to whom it is attributed. It is worthy only of a fchool-boy. 91 An autumnal View of a Waterfall, near Heath, in Glamorgan (hire. This is painted in a ftrange ftile, is exceffively hard, and has no effedt. * 95 The Temple of Concord at Rome. * 96 View of Tivoli. * 97 Ditto, near Naples. * 98 Ditto, with an ancient Villa at Tivoli. This young artift feems to be of a yery promiflng genius. All thefe views B 2 have 284 285 286 287 288 289 29° | 291 -f H 292 } 2 9 : .i i 2,4 , 299 ! 2 96 297 298 | 299 | 300 ! 3° 1 ! 3 02 3°3 ! 3°4 3°5 ; 306 f 3°7 j 3 ° 9 have a very great effect, and the keeping l's admirable, particularly in the view near Naples. It is hoped that he will en¬ deavour to alter bis ftile in trees, which are in every one of thefe pictures badly pencilled, hard and mannered. * 99 Portrait of Dr. Franklin, half length. Very well painted, and warm. *100 Ditto, a Lady. The drawing' in this portrait is good, and the whole has fomething very pleaf- ing. ^102 Portrait of his Royal Highnefs the Prince of Wales, in miniature. * 103 Ditto, of his Royal Highnefs Prince Frederick, Bithop of Ofnaburgh, ditto. Thefe are the performances of an ad¬ mirable artift. They feem almoft alive, and are touched in the moft fpirited manner. 107 An Hiftorical Pidlure. 10S A i An Ki-ftorical’picture in needle W. A drawing. By a young gentleman. '‘S^afTadyT ( f 3 fo8 A Converfation. Thefe pidlures have confiderable merit, hut are flat, and want colouring, and har- mony; particularly the firft. Models, no Two Flower Pieces, in water-co¬ lours. The flowers are loofe and free, and have G great luffre and clearnefs of colour. 118 A Nobleman’s Yatcht, in a light wind, 119 Ditto-, in a frefh gale. Thefe are painted with a good free pencd, but the fky is very indifferent. *12° A View of Rocheftcr, by moonlight. There is a very good effedt in this pic¬ ture, and the whole is very like nature. 121 A Reprefentation of the principal Scen.e of the Aftion between the Englilh Fleet, under the Command of Admiral Sir George Byng, and theSpanifli Fleet, com¬ manded by Admiral Don Antonio de Caftaneta, on the nth of Auguft, 1718, off' Cape Paffaro, in Sicily ■, in which moft STS, [ y ' .-rMj N, their iJMBER. FALL, / ( J 4 ) 284 285 286 287 288 289 mofl of the Spanifh Fleet were taken or deftroyed. There is a mellownefs in the painting of thefe pidures, that is very pleafing. 125 The Hufbandman’s Return from work. Very indifferent. 126 Portrait of a Lady, whole length. This is a horrible pidure, and difguft- ing to the laft degree, It has no drawing, nor any thing to recommend it, and the drapery is ouly a daubing of crimfon, 127 A Family Picture. This family is much to be pitied from its prefent melancholy fituation. As for the poor ladies, they look like fo many furies. The attitudes of the figures are very bad, the drawing is incorred, the draperies heavy and unnatural, and the colouring, the architedure in the back¬ ground, &c. very indifferent. 284 285 286 287 288 289 134 A An h'.ftorical pidure in needle 1 j 5 y‘a 'why. A drawing. By a young gentleman. ( r s ) * 134 A Child drawing, in crayons. There is inimitable fweetnefs life and fpirit in this picture, which deferves the higheft praife. 136 ALandfcape, with Ruins. 137 Ditto. Thefe landfcapeshave confiderable me¬ rit, but the trees are ill pencilled. 139 The Return of a Fleet into Plymouth Harbour, with a Prize. The fhips and fea are well painted, but the iky is cold. 145 Eight Miniatures. Thefe miniatures are highly finifhed, but hard, and want that tendernefs and delicacy which is fo requifite in this ftile of painting. 154 View of a Part of a Lake of Eight Thoufand Acres, belonging to the Earl of Breadalbane, in Taymouth, in Perth- fhire. 1 55 View E y Models, G STS, NT, their iJMBER- r- .1 _ I ALL. vr-J 284 285 286 287 ( i 6 ) 1*5 View of a Water-Fall, fifty feet high, from the Hermitage, in the Duke of Athol’s Garden, at Dunkeld. Thefe landfcapes may be very like the views from whence they were taken, but otherwife have little to recommend them. 288 289 290 i 291 H 292 j: 2 9.1 f 2.4 , 2 9* : 2^6 2 97 ; • 156 A Nobleman on Horfeback. The horfes are finely painted, but the rider very indifferently; he feems to flick to the pier behind him. 157 Two Gentlemen going a Shooting, with a View of Crefwell Craggs, taken on the Spot. There is a tendemefs in this that is very pleafing, but the fubjedt feems too barren for a landfcape. *158 Three Miniatures, in water colours. Thefe miniatures are very fine, and ex¬ ecuted in a moil mafterly manner. 298 299 3°o 3° 1 502 3°3 3°4 305 500 3°7 3°9 362 View of Marlodge, in the Forefi: of Mar, a Shooting-Place, belonging to the Earl of fife, in the County of Aberdeen. 163 View v 1 4 An hiftoricaf pidfure in needle x>y a lady 3'5 A drawing. By a young an. ( l 7 ) 163 View of Rothamy* upon the Eftate of the Earl of Fife, in the County of Bamff. 164 Ditto, of Lumphail Bridge, in the County of Murray, belonging to James Grant, Efq. Thefe are finilhed in a neat Manner* but want effied. 165 Two French Dogs, in the PofTeffion of the Earl of Belborough. The dogs are mere curs, and don’t de- ferve a place in this good company. * J 66 Portrait of a Lady, a miniature. This is a very good portrait, and the young artift deferves great praife. * 171 Venus relating to Adonis the Lory of Hippomanes and Atalanta. The figure of Venus is ftrangely con¬ torted * the drawing very incorred* par¬ ticularly the hip, and the colouring very indifferent and hard, as ufual. But Adonis is a very good figure, and the whole is well difpofed. . C * 172 Ju- VTodels G STS, their fJMBER- 1—- I__ I ALL. 2^4 285 a86 28 7 288 289 2 9 ° 1 291 1 - fl ! ! 252 2I 2,4 i 294 I 2-,6 297 j 298 a 99 300 I 3 ° 1 f 3 °2 I 3°3 j 3°4 f 3 ° 5 /, 206 M 3°7 ; 3°9 3 10 3 1 1 ; 3 * 2 ( 18 ) * J 7 2 Jupiter and Semele. The attitude is better in this than in the other, the drawing more correct, and the outline rather more flowing, but ftill too hard. Jupiter looks as angry as if he was attacking the giants. * 173 Pyrrhus, when a Child, brought to Glaucias, King of Illyria, for prote&ion. There is a great deal of merit in this picture. ‘ The compofition is excellent, the figures are finely difpofed, and the draperies folded with tafte; but the cha¬ racters of the heads are charged, and the drawing and colouring exceffively hard. The head of the child has as much hair upon it, as the ladies wear at prefent in their wigs. * 174 The Fright of Aftyanax, it’s Com¬ panion. This picfure has alfo merit. The wo¬ man that holds the child is very well. * 175 Elilha reftores to life the Shuna- mite’s Son. The 313 — ._• 314 $n faftoricafpifl 315. A drawing. By \tre in needle Wun. a young gentleman. 3y“ a’iady. ( J 9 ) The chiaro ofcuro in this pi&ure' is well underftood, and the drapery finely folded. It may be proper, in this place, to IpeaK of fome particularities in this ar- tift s method of colouring. What is called glazing, that is, finifhing with thin, tranfparent colour has been long practiced, but this does not feem to be the cafe here. Much has been faid of Titian s method, which is now affirmed to have been the laying over the middle tints with a kind of bitumen, called Afphaltum, in the finifhing. Others propofe ufing a kind of varnifh in the lights. But thefe are only hints for an artift. In general there is an ugly glare in all thefe pidures in the fhades, as well as the lights; and the yellow in the two laft is very difagreeable. Upon the whole, this artift has no fmall degree of merit, and all his pic¬ tures have great beauties. It gives us C 2 pain VTodels, G STS, M, their UMBER- . 2^4 285 286 287 288 289 2 9 ° i 291 j T-ft 252 || 29'.? 15 2,4 4 297 f| 298 1 F 299 j L 300 ' i 3011 j 102 . I 303 'I 3°4 i'i 305 | 206 il 3°7 3° 911 k 9 21 o £- / doubt not, but that he will endeavour to correct them. 176 Belifarius. This is only fit for a fign, 181 Portrait of a young Lady in the Character of a Veftal. 182 Ditto in the Charader of a Sybil, 183 Ditto, of a Gentleman. AH very flat, and ill painted. ^184 View from Moor-Park, toward Cafhiobury, Watford, and St. Albans, This is a very fine landfcape, execu¬ ted in a mofl: mafterly manner, and well underftood. The flat is admirably re- prefented, and the keeping excellent. But the foreground is rather heavy, and the figures of the woman and child very bad, * 185 Landfcape and figures. This is very pretty, but inferior to the other produdions of this artift. tea! pidure in needle vsut oy a tady. ig, By a young gentleman. 284 285 286 287 288 289 29° j 291 j Gi, 252 || 29? 15 2,4 4 297 || 298 1 F 299 j L 3 00 ' i 3011 j 303 I 3°4 i'i 305 | 200 if 3°7 it 3° 911 k 9 21 o £ 7 ( 21 ) 189 A fmall Candle light. This is truly excellent. The difpofi- tion of the figures, the chiaro ofcuro, the contrail of light and lhade and the harmony of the whole, can never be fufficiently admired. 190 Ditto, its Companion. This is alfo exceeding fine, but not quite fo excellent as the other. 191 The Royal Yatcht under a Prefs of Sail, Handing off a Lee-Shore. 192 A man of War of 74 Guns, with fome Ships at a Diftance, taken in a fquall of Rain. Thefe pictures have a good effedt, and the water is clear, and tolerably well painted, 194. A Scene in Love in a Village. This is the bell picture this artilt ever painted. It is well finilhed, the likenefles as llrong as poffible, and the characters admirable. The back grounds in mod of this grtill’s performances are heavy, llightly painted. -HALL. . ( 2 2 ) painted, and out of the true perfpec- tive. .195 A family. The figures in this pi&ure are well , painted, but it is by no means equal to the other. The attitudes are forced. and the ground is unfinished. 288 * 196 Macbeth meeting the Witches. * 197 Jacob’s Journey. Thefe pi&ures are not Sufficiently no¬ ticed, but they have great merit. The compofition is very fine, and the figures exceedingly well grouped. Tji; SCULPTURES. '-201 A Sketch of a Sacrifice. Indifferent. joq Head of Demofthenes from a Bull. This intaglio has a great deal of merit. 2.98 1 1 299 j ^ 205 Zephyrus, and Flora, model of a and deferves particular attention. Tablet. Very indifferent. 215 3,4 An historical picture in needle Wb.S? 'jS^ 1 a uiuy. 315 A drawing. By a young gentleman. ( 2 3 > 215 A Marble Bufto of. Lord Camden. Not like, and unfimihed. Designs inArchitkcture, Drawings and Engravings. 217 Jofeph interpreting the Butler’s and Baker’s Dreams from Spagnolet. This is very indifferently engraved, and is a bad print. 2I 9 A Drawing from a Pidure of Car¬ racci in his Majefty’s Colledion. Phis is an admirable drawing for an excellent print, and the outline very corred, which is fo very uncommon amongft modern engravers. 224 Defign for a Garden Seat to terminate a walk. There is fome merit in this defign, and it is neatly drawn ; but the break in the entablature over the entrance, though often practiced, is contrary to all the rules of good tafte, and never has a good effed. * 226 STS, ■ .-'m N, their I I ' . . • t n ...... . ...? v l JMBER- 1 l i r HALL. I 285 1 | 286 287 a88 289 290 291 t4» 252 2 91 2 ,4 294 2 v 6 297 298 ’ f 299 I 3°0 j j 3 01 f ; 202.1 3°3 l| 3°4 3 ° 5 306 ;f 3°7 I c t ' id ( 24 ) * , 2 6 Plan of aFifli-Market to be erected upon the great Canal at Gottenburgh. * 227 Elevation of ditto. This defign is grand and not heavy, but the curved entablature, taken fom the temple at Baalbec, is not to be too often ufed, and generally has a bad effedt. * 228 Two Terms for the Right Hon. Earl Gower’s Eating-Room at White¬ hall. Thefe terms have a degree of merit, though the tafte is formal and ftiff. 23 x Plan and Elevation of a Country- * This is in a ftrange kind of tafte, and the Egyptian windows, which fhould always be upon a level with the ground, placed where they are in the wings and the cupola, are ridiculous. * 236 The Story of Pyrrhus, a drawing from a picture of Mr. Weft. This 3°9 f I! 3 10 111 3 1 1 ml 312 m 3‘3 S** 3 l 4 An'Siftoncaf’pifture in needle A drawing. By a young gentleman. ( 25 ) This drawing is very like the pidure, and has great merit. * 241 A Mezzotinto from Mr. Reynolds. A very good mezzotinto from a moft excellent pidure. 242 A Defign for a country Palace. In general, this defign has merit, though the cupolas in the wings are rather heavy. 244 A Mezzotinto from Mr. Stubbs. This mezzotinto is not a bad one. 258 Plan of the bafement Story of a houfe, built for a Noble Lord, in the County of Eflex. * 259 Plea of the principal Floor of the fame Houfe. * 260 Elevation of the North Front. *261 Ditto of the South ditto. * 262 A general Sedion, from Eaft to Weft, of the Houfe and Offices. The Plan is very good, and the Apart¬ ments well dilpofed. D The Models, G STS, N, their f -' V JMBER- -hall. vr. 284 284 a 36 t41 2c,: ( 26 ) The fronts are in a good tafte, but the mezzanmos mu ft certainly have a bad effedt. 264 Lord Campden, from Mr. Reynolds. This print is very hard. 268 Plan and Elevation of a Church. The fteeple is in a bad tafte, and very heavy. * 269 Black-Fryar’s Bridge, as in the Year 1766. This is very well engraved. * 270 View of the Court of Claims, or Painted Chamber. This is an excellent drawing. * 272 Two Views of Wakefield-Lodge, in Whittlebury Foreft, the Seat of his Grace the Duke of Grafton. * 273 A View of Windfor Caftle, from the Little Park. 274 Ditto 1 An Hiftorical picture in needle A drawing. By a young gentleman. — ( 2 7 ) * 274 Ditto of the Thames, from Mr. Murden’s Door, at Windfor. Thefe are excellent drawings. They have keeping and effedt, and the tints are remarkably clear. The trees are not fo good as the reft. 278 King William the Conqueror, receiv¬ ing the Allegiance of fome of the Bifhops and principal Citizens of London, at Berkhamftead-Abbey. A ftained draw¬ ing. 279 Ifaac, Emperor of Cyprus, taken Pri- foner by King Richard I. in his Voyage to the Holy Land. Ditto. Both very indifferent. Models, G ISTS, * 282 The jocund Peafants,- from Corne¬ lius du Sart. A very good print. FINIS, CUMBER- R S’- HALL. c A T A L O G U E OF THE /£>, *k Paintings, Sculptures, Architecture, Models, Drawings, Engravings, &c. E X H NOW B I B V T H E N G FREE SOCIETY of ARTISTS, ASSOCIATED FOR the RELIEF of their Distressed BRETHREN their WID O W S and C HIL D R E N, A T M«. CHRISTIE’S NEW GREAT ROOM, *« CUMBER- LAND-HOUSE, PALL-MALL. i' Unanimity. # O f <> \ s' PRINTED for the SOCIETY, B Y MARY HARRISON, OPPOSITE STATIONERS’-HALL M DCC LXIX, CATALOGUE, £jV. Paintings, Sculptures, Architecture, Models, Drawings, Engravings, &c. The Performances marked thus * are to be difpofed of. Mr. ALLEN, Greenwich. k -nr-v- VIEW on the banks of Newfoundland. — The land difcovered through a difperfmg fog. $ Mrs. ASHLEY , in Queen-Jireet, Lincoln’s-inn-fiehts. 2 ^ «- ■« %; A bunch of grapes, in crayons. 3 A bad man trumpeting ill in a good man’s ears, ditto. 4 A lady, ditto. 5 A magdalen, ditto. ^5 The portrait of a gentleman, in ditto. Mr. BARROW, Furnival's-inn-court, No. 4. 6 A lady — a miniature. Mr. B A S I R E, Great gueen-ftreet , Lincoln's-itm-fields. 7 A portrait. 8 A ditto. . , , . , - . 9 An elevation of the temple of Bacchus in the Ionian antiqui 1 . 10 A tail-piece — in ditto. 11 An imitation of a drawing after Pietro di Cortona. 12 The window of St. Margaret’s church Weftminfter. p q g * Ml No. 13 * A piece of poppies from nature. 14 *A fruit piece. 15 *A ditto. 16 *A ditto. 17 *A large ditto. 18 *A fmall ditto. 19 *A ditto. 2d * Auriculas from nature. Mr. SELLERS, Poppin's-court, Fleet-Jireet. 21 *A view of Netley abbey, near Southampton. 22 *Ditto of Derwentwater, and the vale of Kefwick. 23 *Ditto of Winander Meer. 24. *l)itto of Ulfwater. 25 *Ditto of the road to Scotland from Carlifle. 26 *Ditto of a fmall lake near Ipyng in Suflex. 27 *A fmall view. Mr. BLACKBURN, at Mr. Wilkes's, oppofite Dover-ftreet , Piccadilly. 28 Rinaldo and Armida. 29 Icarus and Dmdalus. 30 Silenus and iEgle. — Virg. Eclogue 6. Mr. BOND, of Birminghi 31 *A landfcape. 32 *A ditto. Mr. B R O M P T O N, in Broad-Jlreet , Soho. 33 A lady in the charadler of Hebe—a fmall whole length. 34 A portrait of a gentleman—half length. Mr. NATHANIEL BROWN, Siher-Jlreet, Golden-fquare. 35 A young lady—three quarters. 36 A gentleman—kit cat. 37 *A fruit piece. 38 * A flower piece. 39 *Dogs and dead game. -i Mr. DE A drawing, isy -A young'geriuvu.a... CHEVALIER CASALI, at Rome. 45 *Herodias with the Baptift’s head, in the manner of Guido, 46 *Judith. 47 *Sampfon and Dalilah. 48 *A baffo relievo from the antique in chiaro ofcuro. 49 *A ditto. 50 *A head in the manner of Lanfranc. Mr. CHAMBERS, next door to the Sun and Dove, High-Holborn. 51 *The plan and feftions of the royal vault in Weftminfter-abbey, taken on the fpot. 5?. A monumental farcophagus. 53 A coat of arms 7 ftained marble . 54 An armed knight. ^ Mailer C L A P H A M, Pupil to Mr. Dodd. 55 *A balket of flowers, in crayons. Mr. JOHN CLEVELY, Deptford. 56 *A view in Harwich harbour—a calm. 57 *It’s companion—a frelh gale. 58 *A cutter, and other fmall craft—a calm. Mr. JOHN CLEVELY, jun. Deptford. '59 A man of war going out of port—a drawing. Mr. CLOWES, Cutter-lane, Cheapfide. 60 A metzotinto, a proof, — rural life. 61 Ditto, ditto. C Mr. D A W E S, ■ No. [ 6 ] Mr. DAWE, pupil to Mr. Morland. 62 A proof print from a painting of Mr. Morlaiul. 63 A ditto, ditto. 64 A ditto, ditto. Mr. DAWES, at Mr. Brifl/ayn's, Grm-Jlmt, Leioefter-Juldi. 6 5 "*Courtfhip for money. 66 *The cuckold-maker caught. Mailer DAY, Pupil to Mr. Dodd.' 67 A portrait of a young gentleman, in crayons. Mr. D E YI S, Great §ueen-Jlreet , Lincoln's-inn-falds. 68 A head. 69 A ditto, profile. Mr. D I G H T O N, jun. No. 65. Fetter-lane. ,70 A medley. 71 A portrait of a lady, in India ink 72 A head, in ditto Mr. 73 A lady, 74 A ditto, 75 A ditto, y in crayons. 76 A gentleman, 77 *Buckhorfe, 78 *A metzotinto of Buckhorfe. DODD, ?'« Portland-row, near the chapel. Mailer DODD, 79 *A converfation, in crayons. 80 A Rofe. Mifs DODD. Mr. ELMER, No. [ 7 ] Mr. ELMER, of Farnham, Surry. 81 *A hare. 82 *A pheafant. 83 *Fiih. 4 * Woodcocks and pheafant. 85 *Foxps. 86 *A mifer. 87 *A fanatic. 88 *Pheafant, partridge, and fnipe. 89 *Melon and ftrawberries. 90 A portrait of a gentleman. 91 *A brace of partridges. 92 *Jay, fnipe, &c. 93 *A candle-light. ^93 A hare, pheafant, and jay. Mrs FILLIONIERE, the corner of Knowles's-court, Carter-lane. 94 *A baflcet of flowers — in paper. Mailer JOHN FLAXMAN, at Mr. Flaxman's , New-ftreet, Covent-garden. 95 The aflfaflinating of Julius Casfar, a model. Mrs. FRANCIS, Bofwell-court, Queen-fquare, Bloomfbury. J95 Two flower pieces. Mr. GALE, at Mr. Braint's, under the Piazza, Covent-garden. 96 A dome bed — a drawing. / Mr. G A R D N O R, at Birmingham 97 A landfcape—a drawing. 98 A flower piece — water colours. By a GENTLEMAN. J98 *A view with ruins. $99 *A ditto, ditto. By f 1 C 8 ] No. By a GENTLEMAN. 99 *A drawing for a print, 1 100 *A ditto, i in crayons. 101 *Fruit from nature, J By a GENTLEMAN. Jiox *Two fruit pieces. ADAM GORDON, Efq. 102 Belifarius — in Indian ink. Mr. GRIFFITHS, Middle Temple. 103 A plate of fruit. Mr. GRIMBALSTON, in Silver-ftreet , oppqfite Great Pulteney-Jlreet, Golden-fipuare. 104 His own portrait. j 05 The portrait of a lady. Mr. H AGG ARTHI, Queen-ftreet , Golden-fquare. 106 Ruins. r: Mr. HEARN, at Mr. Woollet's , Green-ftreet , Leicejler-fields. 107 A drawing, in water-colours. Mr. HODGE, at Frame-Work-Knitters'-hall, Red-crofs-Jlreet, Cripplegate. 106 *A medley. 109 *A fruit piece. Mr. HODGSON, Brawing-mafter, Greekjlreet, Soho. no A piece of flowers, in water-colours. Mr. H O O D, near Buke’s-Jhore, Limehouje. in *A ftorm — a drawing. 112 *A calm after the ftorm —a ditto. 113 A fea-piece — ditto — the morning. 114 A ditto — ditto — the evening. Mr. JEAN S. '3,5 A draVtSg, i^y yotitig'geyrs' No. [ 9 ] Mr. JEANS, at Mr. Kennedy's, in George-Jlreet, Tark-buildings. 115 Laocoon and his fons*— a model in terra cota. Mr. K E E F F E, at Mr. Jones's, Stanhope-Jlreet, oppofite Orton-flreet y Clare-market. 116 A miniature. 117 A ditto. 118 A ditto. Mr. KILLENBECK, Broad-court, Long-acre. 119 A lady careffing her daughter. Mr. W 1 L L I A M KING, Well-Jireet, Oxford-road. 120 Thetis dipping Achilles — a model. Mr. K I T C H I N G M A N, at the Naked-boy , Bedford-Jlreet, Covent-garden. 121 A fmall whole length of a gentleman. 122 A miniature of a ditto. 123 A ditto. J123 A miniature of a lady. Mifs LAB ARE, at Mr. Dove’s, James-ftreet, Covent-garden. 124. Hymen and Cupid mourning over an urn, to the memory of a lady } wrought with a needle in her own hair. By a LADY of Q^U A L I T Y. & M 125 A drawing of Flora, after the antique 126 A ditto of Ceres — after ditto. 127 A defign for a fan. Mr. LAMBERT 1 ' D .»r> C 10 1 No. Mr, LAMBERT, of Lewes, Suffix, at Mr. VJlonfon’s, No. 48, Bell-yard, Temple-bar. 128 A landfcape with cattle — fmall half length. 129 A ditto — it’s companion. 130 A ditto—a mifty morning, with ewes and lambs. 131 * A fmall piece of fheep. 132 *A ditto—it’s companion. J132 *Two fmall pieces of flieep and lambs. Mr. LAMBERT, jun. of Lewes, Suffex. J133 Two fruit pieces. 133 *A flower piece. ,134 *A ditto — it’s companion. Mr. M E R C A T I, Drawing-mafter, at Mr. Brunett’s, Prince’s - Jtreet, Cavendijh-fquare. 135 *A landfcape — in black and white chalk. 136 *A ditto — ditto *37 *A ditto — ditto. 138 A ditto — ditto. 139 *A deception, in imitation of red chalk. Mr. MILLER, on his way to Rome. *40 A battle piece. Mr. JOHN MILTON, of Charlton , Kent. 141 *A fea-piece — a fltorm, with rocks and figures, 142 *It’s companion — a gale. 143 *A fmall fea-piece— a ftorm. 144 *A ditto— the fun rifing in a fog; 145 *Portraitof two pointers — half length.; Mr. MITCHEL 315 A drawing, ny a young No. [ «* J Mr. M I T C H E L, of Chatham, Kent. 146 *The royal yachts, joining their convoy off the coaft of Holland on their return from thence to England. 149 *A ftronggale. 150 *A moon-light. Mr. MOORE, Berner’s-ftreet, Oxford-road. 151 An original ftatue of Apollo — in marble. 152 A dog •— in ditto. 153 A medallion —. in ditto. 154 A buffo in clay — a portrait. 155 A fketch in ditto —from a drawing of Mr. Stuart. Mafter MOORE. 156 A mare and foal — a model. 1 57 A group of boys, with a bird’s neft and cat — a drawing. 158 Apollo — a ditto. Mafter CHARLES MOORE. 1 59 A medallion — in chiaro ofcuro. 160 A hawk — in ditto. *6i A fmall portrait. Mr. M O R L A N D, Noel-jlreet, the upper end of Berwick- Jlreet, Soho. 162 A portrait. 163 *A lady’s maid foaping linen. 164 *An oifter girl. 165 *A lady in a mafquerade habit. Mr. MURRAY, at No. ir, Lombard-Jlreet, Whit e-fryars. 166 A miniature of a lady. 167 Ditto of a gentleman. Mr. SAMUEL EUCLID OLIVER, at Mr. Hofkyns’s , the Golden-head $167 A portrait, in wax. Ji68 A ditto. St. Martin’s-lane. Strand. Mafter [ 12 ] JN0 ‘ Matter OUGHT, Pupil to Mr. Dodd. 168 *The wranglers, in crayons. Mr. THOMAS PARKINSON, No. 7. Baynes's-row, Cold-bath-fields. 169 A bead, in crayons. Mr. C. PHILLIPS, in Paris. 170 A metzotinto of a lady. Mr. DANIEL PlNCOT, near King' s-arms-ftairs, on the Narrow-wall, Lambeth. 171 A landfcape. Mr. THOMAS PING O, at the Golden-head, Graf s-inn-lane.. 172 A medal of the late Lord Anfon, on the reverfe is a figure reprefenting circumnavigation, round it are difpofed fix crowns of aurel, in which are infcribed the names of the principal officers, who ferved with his lordffiip in the expedition round the world. Mr. L E W I S P I N G O. 173 A portrait of a gentleman, in wax. Mifs READ, jun. Jermyn-fireet. j 74 The Efquimaux woman and child, in crayons. 175 A child, ditto Mr. RICHARDS, near Sir George Whitmore's, Box ton. 176 *A landfcape. Captain RIOV, Archited, at Mr. Cafs's, in Great Maddox-Jlreet, near Hanover-fquare. 177 A ground plan for a royal palace. 178 Elevations of the three courts, and a fedion of the fame, upon it s greateft extent, to a larger fcale. 179 The plan of a Corinthian portico, with it’s fedion, propofed for the Royal Exchange at Dublin. 180 Elevations of the two grand fronts of the fame, to a larger fcale. 181 Plan and elevation of a villa, with it’s offices. Mr. ROMNEY, at the Golden-head, Great Newporl-Jlreet, Long-acre. 182 A family piece.- 183 A lady whole length, 184 A ditto,ditto. Mr. RYSBRACK 31 r; A drawing, ny : gc, lUVUiaurf Mr. SARTORIUS, at Mr. Smith's Warehoufe in Ryder's-court, near Cranborn-alley, Leicejler-fields. 188 *Grooms fcraping Gimcrack and Bellario, after a fweat. 189 A favourite hunter, the property of Mr. Martin. 190 *Marwick Ball. ♦ 191 Bay Mai ton beating Otho at Newmarket. 192 An Officer on horfeback. 193 A favourite old mare, the property of Mr. Pennyman. Mr. SCHEE MAKER, jun. at Mr. Scheemaker’s,, Vine-Jlreet, Piccadilly . 194 A model of Ceres, Mrs. SEYMOUR, in Pitfield-Jlreet, Hoxton. 195 A coat of arms with fupporters, cut in vellum, with fciffars. 196 A gentleman’s arms, ditto. 197 *Two devices, ditto. Mr. GEORGE SMITH, of Chichejler, at Mr. Bradford’s , No. 132, Fleet-Jlreet. 198 *A landfcape and figures—half length. 199 A ditto fmaller. 200 *A fruit piece. 201 A ditto. 202 A ditto. 203 A landfcape and figures, three quarters. 204 A ditto, with the fun going down. 205 *A fmall landfcape. 206 *A ditto. 207 A ditto. 208 *A froft piece. Mr. ADAM SMITH, at Mr. Fur.mf one’s, Great Wild-JlreeF Lincoln’s-inn-fields. 20Q The free-mafon’s fword of ftate — an engraving. y E Mr. A. m\ > * Wk\ * _ ^* ***—mr~ ^ No. [ ] Mr. A. SOLDI, Piccadilly. 210 A madona. The Rev. Mr. SPOONER, at Chejham , Bucks. 211 David praifing God with the harp in black chalk. 2 12 A deception. Mr. STUART, Leice/ler-Fidds. 213 Sappho writing an ode which Cupid di&ates. Mr. S W A I N E, the lower End of Stretton-ground, Wejlminfter. 214. *A view of the Thames about Chelfea-reach. 215 *A fun fet. 216 *A moon light. 217 *A rejoicing on Saturday night by moon light. 218 A moon light. Mr. S W AIN E, jun. 219 *A cobler at work. MafterBEN JAMIN VANDJjtRGUTCHT, at the golden Heady Lower Brook-ftreet, Grofvenor-fquare. 220 The portrait of an artift,—three quarters. 221 Ditto of a gentleman. 222 Ditto—ditto. Mr. VANDER MEULEN, in Little Caftle-fireet, oppofite Winfiey- Jlreet, Oxford-market. 223 A model of Sir William Harpur, Knt. Lord Mayor of London, and Founder of the Free Grammar School at Bedford. Died in 1552. 224 A bufto of a young gentleman in clay. 225 Cupid and Pfyche—The model of a tablet in clay. 226 A monumental medallion. A model. Mr. F. V A N D E R M I J N, at Mr. Cartier's, in Spur-ftreet, Leicefter-fields. 227 A gentleman half-lengthi 228 A philofopher — ditto. Mr. WHITE, in Greek-Jlreet, Soho. 229 A piece of archite&ure. 230 A ditto after Mr. Gandon. Mr. CHARLES A drawing. ny a young geuUVL. No. Mr CHARLES WHITE, architect, at the Tower 231 Elevation of a defign for a town houfe for a nerfnn w Z 232 Perfpeftive view of the antique churcha Tickh J inVn 2 33 A defign in perfpedive.-A fcenic view! ’ Y ° rkfll,re ' „. * T . Mr ' W !J; K . INS ’ ^ Cecil ’ s - court ’ St ■ Martin's-lanc. in' the P , e V’ nder the COmmand of Admira! Bofcawen burn mg the Prudent, and towing off the Bienfaifant, two French ft,nsof war in the harbour of Louilbourg. “ P 235 A view; of Athens from a ftation^on the road tol the Pireus. From drawings 236 A ditto of Cape Sunium with the ruins of the'" taken °nthefpot temple of Minerva. by Capt. Riov. 237 The taking of Goree by Admiral Keppel. J t 2 37 *A fprig with two rofes. Mr. WILLIAMS, “‘ Mr. Dates, lie eerier ef Cbemdeh.JIrset, 13 * *A deception. 239 *A ditto. 240 *A ditto. J240 A fruit piece. * Mr ; W A L D E G R A V E, James-Jlreet, IVeJlminfter. ■ 241 *A landfcape. If'! S. I 1 ic, r j;j 1 J241 *Ruins. Mr. YOUNG, of Brijiol. o M E D. Mr. BARBER, at Mr. Vollotton's ,, the Corner of Si. Martin's - lam. Strand. 242 A minature of a young lady in oil. 243 A ditto. BARCLAY, of Tottenham. 44 An old man’s head—a miniature. Mr. T m -w 4 [ 16 ] Mo Mr. T. B A N K S, Urn Bird-JIm:, 0 »/«W. 245 Perfeus—a model. 3 —— y, Mr. FELTON, at Mr. Smith's, No. * 7 - Holborn. 246 Afprigof orange, in water colours. Mr. V A N S E I L. 247 *A frnall landfcape and figures. Mr. TROUGHT, cfpofite Fetter-lane, Holborn. 248 A fe&ion. 24Q A plan and elevation. Mifs C R IC KIT T, DoBor's-commons, age 10 years. 250 Flowers— a drawing. Mr. M A S E Y, Ironmonger-row. 25x A drawing of Hupping- By a GENTLEMAN. 252A head. By a LADY of Quality. 253 copid^rrjcho. from, model of M,sch« m ak.r. ^ T- ^ D^;/ tn Mr. I auu x — TAMES SCARLETT, Pupil to Mr. Stuart. , 54 Boys playing with a goat, from a model of Fiammgo. " Mr. PETERS, in Welbeck-Jtreet, Cavendijh-fl^ 255 A plan of an eftate. oc 6 A. ditto. . M , PASSAVAMT, or M, *&'. No. .6, 257 Two landfcapes and an urn, in human hair. Mr. BE MB RIDGE, in Italy- o 5 8 Pafcal Paoli, the general of the CorScaM—a whole en S ■ r A n V By a LADY. 259 A madona—in miniature. FINIS. Y\ 3 1 5 A drawing. JW a young gc. llWuiafi. - *******" CATALOGUE. Gentlemen defirous of purchafing any of the Per¬ formances, may know the Particulars of fuch as are to be difpofed of by enquiring at the Bar. Mr. D. ALLAN, Edinburgh. 1 IVIaRY Queen of Scots compelled to refign her Government, at the Caftle of Loch Leven; from Blackwood’s, Robertfon’s Hiftories 2 The Death of David Rizzio 3 Queen Mary’s Death-Warrant read to her in the Caftle of Fotheringay; from Stewart’s Hiftory Mr. I. ARCHER, No. 7, High-Street, Bloomjbury. a 3 Morning 1 AHegorical b 3 Evening J Mr. G. ARNOLD, Woolwich. 4 Portrait of a Gentleman 5 Ditto Ditto 6 A Landfcape Mr. R. ARNOLD, 123, High Holborn. a 6 Portraits of a Gentleman, his Wife, and Daughter Mr. WILLIAM ASHFORD, F. S. A. Dublin. 7 A View in Wales 8 Ditto in the Dargle, in the County of Wicklow 9 Ditto of a Mill at Beggar’s Bulh, in the County of Dublin. Mifs CHRISTIANA AUSTIN, Honorary. 10 A Diana relting from the Chace, Miniature Mr. J. C. BARROW, F. S. A, No. 25, South Audley-Street, Grojvenor-Square. a 10 Theobalds, near Chefhunt, Herts, the Seat of George Prefcott, Efq. 11 Villa at Beckingham, Kent, belonging to George Grote, Efq. 12 Villa at Shene in Surry, belonging to William Culverden, Efq. 13 Hertford in Jamaica, from an Outline taken on the Spot. Mr. G. BECK, No. 8, Panton-Street, Haymarket. 14 A View of the Marquis of Townlhend’s Seat, at Rainham in Norfolk 15 Ditto Ditto 16 A Landfcape from Nature 17 Ditto, Compofition 18 Ditto, final! 19 Rains of the Opera HouTe, after the Conflagration 1 in the Hay-Market, 17th June, 1789 \ Mr. BIELBY, No. 6 , Pall-Mall. ( 5 ) y Drawings 20 View of Bothwell Caftle | 21 A Landfcape Compofition J 22 Its Companion Mr. F. B I R N I E, No. 5, GreJJe-Street, Rathbone-Place. 23 Various calcarious Concretions, from "1 Prints engraved with a dry Needle the Human Subjeft 24 Ditto Ditto 25 Ditto Ditto J 26 Portrait of a Child, Miniature 27 View of a Cutter in a frefh Gale Mr. BURGESS, No. 3, Michael’s Grove, Brompton. 28 Portraits of two Ladies, Crayons 29 View of Durdle Door in Dorfetfhire, a Sketch 1 Drawings 30 Ditto, near Wootten Lodge, in StafFordfhire J 31 Inn Yard at Calais 32 Breakfaft on the Road to Paris Drawings 33 Changing Horfes on ditto 34 Converfation at the Grate of a Convent J gg a Party returning from the Review at the Champ de Mars, Sun- day July 18th, 1790. 1 ■H | B ( 6 ) 3 ® 37 38 39 4 o 4 ‘ 42 43 44 45 46 47 48 49 Mrs. M. CODE, No. 49, Charlotte-Sir eel , Portland-Place. Venus with Doves Portrait of a Lady Ditto, a Girl making Lace A Country Girl going to Miniature j- Crayons Market with a Bafket of Eggs> Mr. COLLINS, Mount-Row , Lambeth. Portrait of a Lady Effeft of the Fire at the Albion Mills, feveral Nights after the Accident Mr. COLLINS, Honorary. Portrait of a Lady j Crayon$ Ditto, of a Gentleman J Rev. CHARLES CORDINER, Banff. A Frame, containing fix Drawings of Marine Animals Ditto Ditto View of Loch Nefs from the Black Rock Ditto of Pennant’s Lodge, and the Rocks of Billiter on the op- pofite Banks of the Dee Cargarf Caftle Waterfall in Glen Carye-monleye Mr. CRANCH, No. i. Old Bond-Street. a 49 Burning of the Albion Mill Mr. J. E D W A R D S, F. S. A. Morden, Surry. 61 Portraits of a Mare and Colt 62 Bafket of Flowers 63 Piece of Flowers, in Water Colours 64 Ditto Ditto Lieut. WILLIAM ELLIOTT, F. S. A. Trefidtnt , . No. 189, Oxford-Street. 65 The Afilion between His Majefty’s Fleet, commanded by Lord Rodney, and the Spanifh Fleet, off St. Vincent’s, with a View of the blowing up of the St. Domingo. 66 The Action between His Majefty’s Fleet, commanded by Lord Hood, and the French Fleet, commanded by Count de Graffe, off Baffeterre Road, St. Kits’, when the Britifh Fleet gained the Anchorage 67 Lord Rodney in the Formidable breaking the French Line, in the memorable Aftion of the 12th of April, 1782. 68 Clofe of the AHion, with a View of the Ville de Paris (Diking her Colours 69 The Attack of Nova Colonia, in the River Plate, in the Year 1763, under the Command of Captain John Macnamara 70 A View of Fort Omoa, taken from Lime-Kiln-Hiil at the Time of its Surrender Mr. R. FULTON, No. 67, Margaret-Street , Cavcndijh-Square. 71 Eli (ha railing the Widow’s Son 72 Prifcilla and Alladine, from Spencer’s Fairy 0 u p “" 73 Portrait of a Gentleman 7’4 Ditto a Lady ( 9 ) 1 Mr. N. T. FIELDING, Hackney. 75 Portrait of a Nobleman 76 Ditto a young Gentleman 77 A Gipfey Girl craving Charily, from Life 78 Landfcape, View in Cheihire Mr ' SEBASTIAN GRATISE, No. ,30. Patl-Mall. 79 Venus with Cupids, Miniature Mr. J. P. HACKAERT, Rome. 8t View of the Mole of Naples, Vefuvius in the DiftanceT 82 Ditto of the City of Toledo 83 Ditto near Cava ^Drawings 84 Ditto near Vietri 85 Ditto of a natural Arch J I tf J i : * Mr. J O H N HANDY, No. 7, Middle-Row ,, Holborn. 86 Portrait of an Artift 87 Landfcape Mr. S. H E W S G N, No. 48, Frith-Street , Soho. 88 Portrait of a young Lady, Miniature 89 Ditto Country Girl ' 90 Ditto Gentleman 91 Ditto Lady Mr, . E D W A R D H O D G S O N, F. S. A, No. 123, Jermyn- g 2 r lowers, in vv AJhhrd, in Kent. 119 Deception 120 Ditto r l : r 1 ' U { 12 ) Mr. MARKS, No. 2, Eagle-flreet, Piccu.. 120 Stanlidge, the Seat of Henry Dawkins, Efq. near-j Downton, Wilts !■ Draw 121 The Park, of ditto J Mr. R. MARSH, No. 20, Curtain-road , Hopton. 122 Portrait of a Gentleman 1 Miniatures 123 Ditto of a Lady J Mr. P. M A Z E L L, F. S. A. 124 Flowers 125 Ditto, Companion 126 A do. Mr. CHARLES MIDDLETON, Chidley-court, Pall-mall. 127 Defign for the Elevation of a Metropolitan Church Mr. JAMES MILLER, No. 8, North-Jlreet, Wejlminjler. 128 View of the Queen’s Lodge at Windfor 129 Ditto on the Terrace at do. 130 Ditto near Wandfworth-Plain ^-Drawings 131 Ditto near Batterfea j JAMES MOORE, Efq. Honorary. 132 A Landfcape Mifs MORGAN, Honorary. 133 Portrait of the Daughter of a Lady of Quality, whole Length I Mr. G. MORLAND, F. S. A. No. 20, Winchejler-row, Paddington. 134 Sea Storm and Shipwreck 135 Land Storm, its Companion Mr. G. M U R R A Y, No. 7, Bowling-fired, Wejlminjler. 136 View of the Archbilhop's Palace at Lambeth 137 St. Martin's Church near Canterbury, built in the 3d Century Mr. F. NICHOLSON, Whitby, Yorkjhire. 138 View of the Maufoleum, at Caftle-Howard, in Yorklhire, the Seat of the Earl of Carlifle 139 View of Rivals-Abbey, Yorklhire 140 Ditto, do. do. 141 Ditto of Ruins of Whitby-Abbey, do. 142 Ditto, a Waterfall near Whitby 143 Ditto, do. in Hackfalls Mr. G. J. PARRYNS, Nottingham. a 140 Winter—A Farm-houfe near Chaude Fontaine, 2 Leagues from Liege b 141 Summer—its Companion; View near the fame Place c 142 Calm—Pier of Ilfracombe in Devonlh. with the Light-houfe n 143 Storm—Douglas Pier, in the Ille of Man 144 View of Place Houfe, in Kent 1 Proofs in Aquatinta 145 Ditto, Old School-Houfe, at Marybone J From Drawings by J. C. Barrow, for the Second Number of their Pi&urefque Views, which will fpeedily be publilhed. ( 14 ) 146 147 Mr. 148 149 15° 151 152 153 154 155 Mr. R. M. PAYE, Broad-Jlreet, Carnaby-market. The Death of a Robin The Robin’s Interment JOHN PLAW, F. S. A. No. 2, Broad-flreet , Carnaby-market. Defign for a Cafine 1 gpecimens of Deflgns in Rural Ditto for a Nobleman’s Shooting- > Architedture, juft publifhe'd Seat J The original Defign for Paddington Church, South j Elevation ! Ditto, do. Eaft Elevation > Drawings Ditto, do. E. to W. Seftion ■. Ditto, do. N. to S. Seftion J Mr. P L I M E R, Golden-fquare. Portrait of a Lady \ Miniatures Ditto an Officer ■> Mr C. F. ROBERTS, No. 17, Hanover-Street, Long-Acre. 156 Portrait of a Country Lady A GENTLEMAN, Honorary. 157 Portraitof a Horfe and Dogs, belonging to Alexander Adair,Efq. 158 Ditto a Brood Mare ditto ditto Mr. JOSEPH ROBINSON, King's Head Tavern , Temple- Bar. 159 Portrait of a Lady, Miniature ( J 5 ) Mr. FRANCIS SARTORIUS, No. 1, Macclesjield-Street, Gerrard-Street, Soho. 160 Cottager, a famous Race-horfe, belonging to Sir John William De la Pole, Bart. 161 A favourite Hunter 162 A favourite Mare, Ifabella Mr. B. F. SCOTT, No. 18, Broad-Court, Bow-Street, Covent- Garden. 163 Portrait of a little Girl Mr. WILLIAM S H U T E R, No. 13, King-Street, Covent- Garden. 164 Portrait of a Lady 165 Ditto ditto 166 Ditto Gentleman 167 Ditto young Lady—Winter Mr. T. S I M C O C K, No. 1, Alphabet-Court, Stanhope-Street, Glare-Market. 168 Portrait of a Lady— Miniature on Opal Mr. JOSEPH SLINGSBY, London-Street, Fitzroy Chapel, Tottenham-Court-Road. 169 Perfpeftive View of a Defign for a Pavillion Mr. J. SMART, Ipfwich. 170 A Lady and Child Mil's MARIA SMITH, No. 10, Milbank-row, Wejlminjler. 171 Portrait of a little Girl Mrs. SMITH, (late Mi/s Stone) No. 3, College-Street , Wejl¬ minjler. 172 The yellow-headed Parrot, from the Brazils j Drawings 173 The Mandarine Drake J Mr. WILLIAM TATE, Manchejler. 174 Portrait of a Lady and two Children Mr. G. TURNER, No. 24, Charing-Crofs. 175 Sea Piece Mailer RAPHAEL TURNER, (JFtat. [even Years and an Half) at Turner’s Drawing Academy, No. 24, Charing-Crofs. 176 A Landfcape—Compofition—a Drawing Mr. V A N O S, Flanders. 177 Flowers 178 Fruit Mr. VIOLET. 179 Portrait of a young Lady Mr. JOHN V O Y E R, Mufic Shop , Saville-pajfage, Saville-row. 180 Portrait of a Lady—Model in coloured Wax Mailer U P S D E L L, Honorary, a 180 A Landfcape Mr. Wm. WHITBY, Poland-Jlreet, St. James's. 181 A Venus and Cupid 182 Portrait of a Gentleman 183 Ditto do. 184 Ditto of a Country Girl 185 Ditto of a Lady 186 Ditto of an old Gentleman Mr. WILLIAMS, No. 11, Hamilton-jlreet, Piccadilly. 187 Sappho—Intaglio from the Antique Mr. WOOLLEY, Charlton. 188 Portrait of a Gentleman Mr. JOSEPH WRIGHT, Derby. 189 Antigonus in the Storm. From the Winter’s Tale 190 Romeo and Juliet. The Tomb-Scene. " Noife again !—then I'll be brief.” B. Thefe Pictures were exhibited laft Year in the Royal Academy; but having been placed in unfortunate Situations, owing (as Mr. Wright fuppofes) to their arriving too late in London, and having fince received Alterations, he is defirous they Ihould aeain meet the Public Eye. 191 Inlide of an Italian Stable 192 Part of the Colofeum 193 Moonlight E ( i8 ) A GENTLEMAN, Honorary. 194 A Head in Chalks 195 Ditto, from Venus de Medicis 196 Ditto, from the Antique 197 Ditto A LADY, Honorary. 198 A Gleaner.—Drawing A GENTLEMAN, Honorary. 199 Portrait of a Lady A YOUNG LADY, Honorary. 200 The Illicium Floridanum, or Annifeed Tree 201 The Thea Bohea Laxa, or broad-leaved Tree 202 A Group of Flowers, Compolition 203 Ditto, ditto, its Companion NEEDLEWORK, &c. Mrs. R. Honorary. 204 The Death of General Wolfe 205 William Penn’s Treaty with the Indians 206 Belifarius 207 A Cottage, with Dutch Boors 208 Still Life 209 A white Wood-Cock—a Phenomenon