0. ^ EXPORT PRICES. 
 
 t/« BRITISH POSSESSIONS. 
 
 SELECT LIST FROM 
 
 THE MANUFACTURES OF 
 
 REEVES & SONS, 
 
 LTD. 
 
 FOl^ COLONIAL DEALERS IN 
 FANCY GOODS, STATIONERY, 
 TOYS, GAMES, &c. • • « « 
 
 I^EEVES & SONS, LIMITED, london, enq. 
 
 EXPORT DEPARTMENT: ASHWIN STREET, 
 
 DALSTON, LONDON. 
 
 CITY SHOW ROOM: 4, FARRINQDON AVENUE. 
 
 TELeaRAMs 
 
 OREYHOUND, LONDON. 
 
THE SELECTION 
 OF REEVES' 
 MANUFACTURES 
 IN THIS LIST 
 ARE THOSE 
 THAT CAN BE 
 SOLD RAPIDLY 
 AND PROFITABLY 
 BY ANY 
 
 STATIONERY OR 
 FANCY GOODS 
 HOUSE WITHOUT 
 ANY EXPERIENCE 
 OF THE ARTISTS' 
 COLOUR TRADE. 
 
 WE GRANT NO 
 
 EXCLUSIVE 
 
 RIGHTS. 
 
 Reeves' Complete Price List, 224 pages, 
 Post Free, contains all Requisites for 
 the Studio, for Sketching, for School, 
 and Technical Drawing Classes. It is 
 Fully Illustrated, and should be in the 
 hands of all Artists' Material Dealers. 
 
REEVES' 
 JAPANNED TIN COLOUR BOXES. 
 
 CHILDREN'S SERIES. 
 
 THE COLOURS ARE OF EXCELLENT 
 QUALITY IN METAL PANS AND TUBES 
 AS ILLUSTRATED. 
 
 THE BRUSHES ARE GOOD CAMEL 
 HAIR. 
 
 No. 25. 
 
 THE BOXES ARE HIGHLY 
 FINISHED AND 
 ATTRACTIVE. 
 
 •No. 21. 
 
 3 
 
REEVES' 
 
 JAPANNED TIN COLOUR BOXES. 
 STUDENTS^ SERIES. 
 
 THE COLOURS ARE THE BEST 
 STUDENTS' COLOURS MADE, THE 
 BRUSHES ARE FINEST CAMEL 
 HAIR, THE BOXES ARE OF 
 SPLENDID FINISH 
 AND VERY DURABLE. 
 THE COLOURS 
 ARE MOSTLY 
 IN CHINA PANS. 
 
 Technical." 
 
 Public 
 Schools." 
 
 •* College." 
 
 No. 33. 
 
 Per doz. 
 
 The Technical" - 28/0 
 *^The Public Schools" 40/0 
 
 The College " - ■ 60/0 
 No. 33 - - - 84/0 
 Sketchers' Companion, 
 
 No. 2 
 
 84/0 
 
 Sketchers' 
 Companion, 
 No. 2. 
 
 ALL THESE BOXES SELL 
 READILY AND CAN BE 
 HANDLED SAFELY BY ALL 
 DEALERS. THEY ARE EN- 
 TIRELY LONDON MADE. 
 
 4 
 
REEVES' 
 
 JAPANNED TIN COLOUR BOXES. 
 STUDENTS' SERIES. 
 
 s 
 
REEVES' 
 MAHOGANY COLOUR BOXES. 
 
 CHILDREN'S SERIES. 
 
 Ill:is' rales No. 11, 
 6 
 
REEVES^ 
 MAHOGANY COLOUR BOXES, 
 
 STUDENTS' SERIES. 
 
 THE BOXES ARE FRENCH 
 
 Illustrates No. 29. 
 
 THESE BOXES ARE MUCH USED IN TECHNICAL 
 SCHOOLS AND ARE LARGELY BOUGHT FOR PRESENTATION. 
 THEY ARE ENTIRELY LONDON MADE. 
 
 7 
 
REEVES' 
 
 STUDENTS' AND CHILDREN'S COLOURS. 
 
 These colours are not only bought to refill the boxes on previous 
 pages, they are largely sold loose, the china pan and the tube colours 
 being much used in schools and by amateur painters. 
 
 STUDENTS' COLOURS in Tubes. Per gro s 24/0 
 
 „ in Pans. „ 16/0 
 
 CHILDREN S COLOURS in Pans. „ 8,0 
 
 „ in Cakes. „ 8/0 
 
 *Brown Madder. 
 
 „ Pink. 
 Burnt Sienna. 
 
 „ Umber. 
 Carmine. 
 Chinese White. 
 Cobalt BUie. 
 Crimson Lake. 
 Chrome Yellow, pale. 
 
 M „ (Jeep. 
 
 Chrome Orange. 
 Emerald Green. 
 
 NAMES OF COLOURS. 
 
 Green Bice. 
 
 G?mboge. 
 
 Hooker's Green. 
 
 Indiin Red. 
 
 Indigo. 
 
 Ivory Bl ck. 
 
 Light Red. 
 * Mauve. 
 ^Naples Yellow. 
 
 > eutral Tint. 
 
 Olive Green. 
 
 Prussian Blue. 
 
 Purple Lake. 
 
 Raw Sienna. 
 
 Raw Umber. 
 •"Rose Madder. 
 •^Sap Green. 
 
 Scarlet Lake. 
 
 Sepi^. 
 
 Ultramarine. 
 Vandyke Brown. 
 Venetim Red. 
 Vermilion. 
 Yellow Ochre. 
 
 *These Colours are not made in Children's Series. 
 
 WITH ALL THE ABOVE COLOURS SUITABLE SHOW CASES CAN 
 BE SUPPLIED GRATIS TO NEW CUSTOMERS FOR NOT LESS THAN 
 1 GROSS TUBES OR AN ASSORTMENT OF EQUIVALENT VALUE. 
 THE CASES ARE MADE OF 
 SATIN WALNUT WOOD AND 
 DIVIDED FOR THE 
 DIFFERENT COLOURS. 
 THEY ARE VERY 
 ATTRACTIVE. 
 
 Illustrates a Case of 12 Dozen TUBES. 
 8 
 
REEVES' DRAWING INKS. 
 
 Boxed in half dozens in I'Ottlcs. 
 
 FIXED LIQUID INDIAN INK per gross 
 ARTIST'S BLACK 
 LIQUID CARMINE 
 
 PRUSSIAN BLUE 
 
 SEPIA 
 
 PROUTS BROWN 
 
 FIXED RED 
 
 FIXED BLUE 
 
 YELLOW, CITRON, BROWN, 
 YELLOW GREEN, BLUE I 
 GREEN, BLUE, SCARLET,! 
 SLATE, BRICK RED, VIOLET j 
 
 96/0 
 96/0 
 96/0 
 96/0 
 96/0 
 96/0 
 £6/0 
 96/0 
 
 72/0 
 
 REEVES' GOLD INK ... per gross 96/0 
 
 REEVES' SILVER INK „ 96/0 
 
 Boxed in half-dozens, attraclively. 
 
 REEVES' GOLD PAINT. 
 
 (Greyhound Brand. -Ready mixed.) 
 Boxed in half-dozens, wllh brushes, per gross 96/0 
 
 (Cheapside Brand. —Powder and Medium 
 separ itcly. ) 
 
 Boxed per single set vith briuh, per gro-s sets 96/0 
 
 REEVES' CHINESE WHITE. 
 
 In Bottles or Tubes... ... ... per gross 96/0 
 
 „ „ small „ 48/0 
 
 CAMEL HAIR BRUSHES. 
 
 Finest Quality in Ferrules. 
 
 per box. 
 
 Glass-top Box containing 6 doz., Nos. i-6 ... 8/6 
 ,, „ 2^ doz., Nos. 7-12 ... 7/0 
 
 Fine Quality in Ferrule?. 
 Glass top Box containing i gross, Nos. i-6, per box 9/6 
 
 9 
 
REEVES' IMPROVED DRAWING 
 PENCILS. 
 
 9 DEGREES, 4H, 3 H, 2 H, H, F, H B, B, 
 2 8, 3B. 
 
 Box d in 3 dozens, Polished Cedar ... per gross 15/0 
 
 REEVES' PENNY DRAWING 
 PENCILS. 
 
 4 DEGREES, H, H B, B, B B. 
 
 Boxed in 12 dozens, Polished and Coloured, 
 
 per gross 6/6 
 
 COMPASS PENCILS, 4 th'ckne^ses, 4 in. long, Plain Cedar 
 REEVES' FLACK CRAYON PENCILS. Nos. 1. 2, 3 
 REEVES' INDELIBLE PENCILS, RED (Accountants').. 
 
 BLUE ( „ ).. 
 
 RED (Penny) 
 
 BLUE( ) 
 
 per gross 4/0 
 16/0 
 16/0 
 16/0 
 8/0 
 8/0 
 
 ONE SHilLiNC CASE OF DRAWING PENCILS 
 
 K^m s sm. mia warn 
 
 THE SHILLING CASE OF 
 DRAWING PENCILS. 
 
 Containing 6 Pencils, Rubber and Drawing 
 Pins p^r dozen 8/6 
 
 THE HALF-CROWN CASE OF 
 DRAWING PENCILS. 
 
 Containing 6 Pencils, Rubber, Drawing 
 Pins and Knife p( r dozen 21/0 
 
 SETS OF COLOURED CHALK PENCILS. 
 
 Containing 12 pencil j, 4 in. 
 
 12 „ 7 in. 
 
 ... per dozen 4/3 
 8/6 
 
 REEVES' INDIA RUBBER. 
 
 SHOW CASE containing a useful 
 assortment of different qualities, each 14/0 
 
 PUBLIC SCHOOL RUBBER. 
 In pieces 72 and 36 to lb. ... per lb. 2/3 
 
 CORRUGATED EDGE 
 
 In pieces 48, 24 and 8 to lb 
 
 FINGER OR WEDGE SHAPE RUBBER. 
 
 In p-ecc., 48, 2 \ and 10 to lb 
 
 ARTISTS' SOFT RUBBER. 
 
 In pieces 64, 32, 16, 12 and 8 to lb 
 
 PUTTY RUBBER. 
 
 In pieces 30, 20 and 10 to lb 
 
 RUBBER STUMPS, per gross, 8, 6, 17/0, 25<6 
 
 RUBBER. 
 
 per lb. 3/0 
 
 .. per lb. 3,0 
 
 per lb. 4/ 
 .. per lb. 4/0 
 
POINTED PASTEL CRAYONS. 
 
 Box containing 12 ... per dozen boxes Best 8/0 Common 2/0 
 
 3/4 
 
 18 
 24 
 30 
 36 
 
 12/0 
 16/0 
 20,0 
 24/0 i 
 
 5/4 
 8/0 
 
 ACADEMY CRAYONg. 
 
 Black, Nos. 1 and 2. ] Per gross box 2/3 
 Red, ,, [-Per dozen boxes 
 
 White, „ „ J of 12 3/0 
 
 SKETCHING CHARCOAL. 
 
 Boxes of 50 sticks per dozen boxes 5/0 
 M 12 „ „ „ 2/0 
 
 BLACK STUMPING CHALK. 
 
 In bottles per dczen 4 
 In tubes „ 2/0 
 
 COLOURED STUMPING CHALK. 
 
 Set I), 8 tubes of coloured chalks in card 
 box ... per dozen sets 18/0 
 
 Set E, 8 bottles „ „ 36/0 
 
 BOXES bF 
 STUMPING MATERIALS. 
 
 No. 1 
 
 No. 2 
 No. 3 
 
 per dozen 21/0 
 30/0 
 42/0 
 
 No. 2. 
 
 
 BLACKBOARD CHALKS. 
 
 
 White, per dozen boxes 
 
 of 1 gross 6/9; Coloured, per dozen 
 
 boxes of 1 gross 24/0 
 
 
 PORTCRAYONS. 
 
 
 Common brass 
 
 per gross 9/0 1 Best brass ... 
 
 ... per gross 32/0 
 
 White metal 
 
 „ 18/0 1 German silver 
 
 48/0 
 
 STUMPS. 
 
 Grey paper, assorted sizes pL'r dozen bundles of 12 4/0 
 Tortillons Stumps ... per gross bundles of 12 10/0 
 
 REEVES' FIXATIF. 
 
 Used in all Art Schools for fixing Pencil, Charcoal, 
 and Chalk Drawings on paper. 
 
 Large bottle with spray diffuser, with directions, in neat 
 
 box ... ... ... ... complete, per dozen 12/0 
 
 Diffusers only „ ,, 4/0 
 
 Small bottles only ... ... „ „ 4/0 
 
 II 
 
CARTRIDGE DRAWING PAPERS. 
 
 Artisis' Q i lily, Tm])eria], 30 by 22 in., 70 lbs. per reiim ... per reaiif 46/6 
 
 90 • ... „ 60/0 
 
 Double Elep^.iant, 40 by 27 in., 143 lbs, per ream ... S6/6 
 
 Sc hool FiKsr (Quality, Imperial, 30 by 22 in.., 48 lbs. per leam 22/0 
 
 „ 60 „ „ 27/6 
 
 70 „ „ 32/0 
 
 Royal, 25 by 20 in., 38 lbs. per ream ,, 17/6 
 
 School Second Quality, Imperial, 30 by 22 in., 48 lbs. per ream 18/0 
 
 CONTINUOUS CARTRIDGE. 
 
 60 in. wide, stout, in rolls of 50 yards ... ... ... ... pei roll' 30/0 
 
 54 „ „ „ 25/0 
 
 36 „ „ ,, 16/8 
 
 64 „ thin ... ... 12/6 
 
 KLOCK in r.INDING. 
 
 BLOCKS OF ARTISTS' CARTRIDGE PAPER. 
 
 7 by 5 in., Blocks only, per dozen 5/3 
 10 „ 7 „ ,, 9/0 
 
 14 „ 10 „ „ ,, 18/0 
 
 in cloth binding.. . ...per dozen 9/0 
 
 „ „ 16/0 
 
 „ ... „ 27/0 
 
 BLOCKS OF SCHOOL CARTRIDGE PAPER. 
 
 7 by 5 in., Blocks of 18 sheets, stout paper ... per dozen 2/3 
 
 ^0 „ 7 „ „ 24 „ „ „ „ 4/6 
 
 14 10 24 extra stout paper ... ... P/0 
 
 7 „ 5 Block in cloth lac\ binding „ ^/6 
 
 12 
 
REEVES' SKETCH BOOKS. 
 
 Artists' Cartridge Paper, bound in canvas. 
 
 5 by 3i ins. per doz. 4/6 
 7 „ 3i „ „ 7/0 
 7 5 „ „ 9/0 
 
 10 by 7 ins. per doz. 16/0 
 14 „ 10 „ „ 27/0 
 
 THE "PRESS" 
 
 SKETCH BOO:^S. 
 
 Containing 94 leaves of very thin bank note paper; 
 the pages perforated. 
 
 34 by 3 ins. 
 5 „ 3i „ 
 7i „ 4i 
 8 „ 5 
 10 „ 8 „ 
 
 PUBLIC SGJHOOLS'^ 
 
 DRAWING BOOKS. 
 
 Stout cartridge paper, bound stiff boards, covered 
 canvas grain paper. 
 7' by 5 ins., containing 18 leaves, per dozen 2/3 
 
 4/8 
 
 10 „ 7 
 14i „ 10 
 
 24 
 24 
 
 9/0 
 
 Ml 
 
 NOTE BOOKS of 
 
 SECTIONAL RULED PAPER. 
 
 Containing 100 leave', ruled ^th or -^j,ih in., bound 
 limp roan, with elastic band. 
 
 5i by 2i ins per dozen 24/0 
 
 6i „ 4 , 30/0 
 
 7i „ 5 , „ 42/0 
 
 '•CHEAPSIDE" DRAWING BOOKS. 
 
 Cartridge paper, interleaved tissue, bound in dark paper covers. 
 13i by 94 ins. , 14 leaves, per doz. 4/6 | ISJ by 94 ins. , 30 leaves, per doz. 9/0 
 
 8i by 5i 
 
 10 ., 7 
 
 11 84 
 144 » 10 
 
 ELEMENTARY DRAWING BOOKS. 
 
 Cartridge paper, bound in coloured paper. 
 
 , containing 12 leaves 
 
 16 , 
 
 18 V. 
 
 20 „ ... 
 
 per gross 8/6 
 17/0 
 25,6 
 33/0 
 
 13 
 
REEVES' BRISTOL BOARDS. 
 
 2-sheet.- 3-sheet. 4-shcet. 6--sheet. 
 
 Foolscap, 15i by 12^ ins. ... per gross 18/0 27/0 36/0 64/0 
 
 Demy, 18| „ 14^ „ ... 27/0 41/0 54/0 81/0. 
 
 Royal, 22i „ 18 „ ... „ 50/0 72/0 95/0 144/0 
 
 REEVES' "BLACK AND WHITE" BOARDS. 
 
 About the thickness of a 6-sheet Bristol* 
 In pickets of 6 Boasrds. 
 
 7^ by 5| ins. per dozen packets 4/6 | 
 
 14J by lOi ins".' per dozen paickets 
 
 16,0 
 
 lOi „ 71 „ „ „ 9/0 
 
 19 12 „ 
 
 21/0 
 
 12 „ 9i „ „ „ 11/6 1 
 
 24 „■ 19 ,„ 
 
 36/0 
 
 "WHATMAN" GILT BEVEL CARDS. 
 
 
 4^ by 3 ins per ico 5,0 
 
 1 5| ly 4i in= per lOD 8/0 
 
 5 „ 3i „ 6/6 
 
 1 6iby4i , 
 
 9/0 
 
 Box of assorted sizes, 
 
 per dozen boxes, 9/0 
 
 
 TINTED GILT 
 
 BEVEL CARDS. 
 
 
 4 by 2i ins., per loo 2/3 | 5 by 3^ ins., ] 
 
 per 100 3/0 | 6| by 4^ ins., per loo 4/6 
 
 Box of assorted sizes 
 
 , per dozen boxes 9/0 
 
 
 FANCY 
 
 CARDS. 
 
 
 Box of assorted sizes and fancy patterns 
 
 ... per dozen boxes 
 
 10/0 
 
 RIZALINE CARDS, 
 
 
 Packet of assorted sizes and fancy patterns 
 
 ... per dozen boxes 
 
 10/0 
 
 PACKETS OF DRAWING CARDBOARDS. 
 
 
 WHITE OR. TINTED. 
 
 
 9| by 6 ins ... ...< 
 
 ... per dozen packets of 12 boards 
 
 > 4/6 
 
 12 94 
 
 > » )» ) > 
 
 9/0 
 
 14i „ lOi „ 
 
 »» n » > 
 
 13/6 
 
 SCHOOL PORTFOLIOS. 
 
 
 
 i6by ii 19 by 12 J 22 by 16 25 by 19 32 by 23^ 
 
 Cloth back, paper sides, with flaps,"pef doz. 16/0 21/0 27/0 34/0 
 
 61/0 
 
 „ ,, ,, no flaps 
 
 9/0 14/0 18/0 24/0 
 
 50/0 
 
 SUPERIOR PORTFOLIOS. 
 
 
 16 by 1 1 
 
 i9byiaj 22 by 16 25 by 19 32 by 22 40 by 25 
 
 Roan back, cloth sides, flap.>, each 2/3 
 
 3/6 5/3 7/0 10/6 
 
 22/6 
 
 14 
 
REEVES' TRACING PAPERS. 
 
 IN SHEETS. 
 
 No. 1. 30 by 20 ins. Thin 
 
 per quire 2/0 per ream 
 
 35/0 
 
 „ L „ Thick 
 
 2/3 
 
 39/6 
 
 ^ /I A 1 OA* T" 1 I 
 
 „ 1. 40 by ins. Ihm ... 
 
 4/0 
 
 70/0 
 
 „ 1. „ 1 hick ... 
 
 /I /a 
 
 .» 4/6 
 
 80/0 
 
 „ 7. 24 by 18 ins. very Transparent 
 
 /I Id 
 
 ». 4/6 
 
 80/0 
 
 IN ROLLS OF 21 YARDS. 
 
 
 
 No. 1. 42 ins. wide 
 
 psr roll 4/0 per 20 rolls 
 
 ICS l(\ 
 
 9 zin 
 
 
 1 uo/u 
 
 O. *4v 
 
 R/9 
 
 oo/u 
 
 
 Zl/9 
 
 
 19 AD 
 
 7 /ft 
 
 
 19 a '^n 
 
 »» ^/o »> 
 
 1 nn /Hi 
 
 1 Pi df) 
 
 lO. HU ... ... ... ... 
 
 
 iuo/u 
 
 „ 16a. 57 „ , 
 
 „ 9/0 
 
 158/0» 
 
 „ 10. 30 „ ... 
 
 M 6/2 
 
 108/0 
 
 „ 17. 40 „ 
 
 6/6 
 
 150/0 
 
 „ 18. 44 „ 
 
 3/6 
 
 61/0 
 
 „ 33. 43 „ 
 
 V/6 
 
 132/a 
 
 2a. 40 „ 
 
 10/6 
 
 184/0 
 
 CARBONIC PAPERS. 
 
 23 by 17i ins. 
 
 
 One side, Black, Red, or Blue 
 
 per qui 
 
 re 1/6 
 
 Both sides Black 
 
 ... ... ,1 
 
 2/3 
 
 REEVES' DRAWING BOARDS. 
 
REEVES' T SQUARES. 
 
 8 I attern. 
 
 j P pattern. 
 
 BEST PEARWOOD. 
 
 12 In. blade, S or P per dozen 7/0 I 24 in. blade, S or P per dozen 16/0 
 
 15 „ „ „ 9/0 1 30 „ „ „ 22/6 
 
 18 „ „ „ 11/6 36 „ „ „ 27/0 
 
 21 „ „ 13/6 I 42 „ „ „ 34/0 
 
 SCHOOL PEARWOOD. 
 
 15 in, blade, P 
 
 18 
 
 24 
 
 per dozen 4/0 
 4/6 
 6/2 
 
 30 in. blade, P 
 36 
 
 SCHOOL HARDWOOD. 
 15 in. blade, marked inches and ^ths. 
 24 .. „ 
 
 per dozen 7/4 
 » 8/6 
 
 per dozen 4/6 
 9/0 
 
 THIN PEARWOOD STRAIGHT . EDGES. 
 12 in. per dozen 1/2 18 in. 2/0 24 in. 2/3 30 in. 3/0 36 in. .4/0 
 
 SET SQUARES. School Quality. 
 
 Solid. 
 
 Per gross — 
 
 4 in. 6 in. 8 in. 10 in. 
 
 45° 6/0 11/0 12/0 — 
 eO° — 6/0 11/0 12/0 
 
 Framed. 
 
 Per gross — 
 
 4 in. 6 in. 8 in. 10 in, 
 
 45^ 21/0 23/0 27/0 
 60° — 21/0 23/0 27/0 
 
 DRAWING PiNS. 
 
 Domed brass 
 ,, nickel 
 „ brass 
 St. el stamped 
 
 3 points 
 
 per gross 1/10 
 2/1 
 2/8 
 0/9 
 0/9 
 1/6 
 1/2 
 1/3 
 1/6 
 1/2 
 
 SHOW CASE of Drawing Pins containing an 
 useful assortment of Pins ... each 10/0 
 i6 
 
PROTRACTORS. 
 
 PARALLEL RULES. 
 
 No. 70, Ebony, 6 in. ..: per doz. 3/6 
 „ 70a, Boxwood, 10 in. „ 9/0 
 
 12iN. DIVIDED RULES. 
 
 No. 4 per doz. 1/6 
 
 „ 6 „ 2/3 
 
 12iN. SCHOOL SCALES. 
 
 No. 12b, with 3 Scales... \ p^j. 
 
 „ 12c, „ 16 ... i doz. 
 
 „ 12d, Builder's Universal ..J 
 
 COMPASSES FOR SCHOOLS. 
 
 208 & 209. 
 
 210 & 211. 
 
 No. 208, 4i in. Brass Compass, divider point, pen point, pencil point, and key 
 
 per dozen 13/0 
 
 „ 209, 6i in. Brass Compass, divider point, pen point, pencil point, 
 
 lengthening bar and key ... per dozen 16/0 
 
 „ 210, Ditto, with needle points 26/0 
 
 „ 211, Ditto, superior ,, 46/0 
 
 17 
 
PENCIL COMPASSES. 
 
 
 TTfWlWf 
 
 1 ll jiill 'I 
 
 
 
 
 
 No. 220. 
 
 No. 223. 
 
 No. 220. The Public Schools " compasses {^akss lirge pencil) ... per dozen 4/6 
 
 219. The Lever Lock " compasses (/^ite /ar^e?/^?/t77) ... „ 4/6 
 
 22L 4-in. brass compasses [takes s?)iall pencil) „ 4/6 
 
 222. 5-in. bi ass compasses (/J/^^j /^r^--:'A^^^^V) t» ^/^ 
 
 223. 6-in. brass compasses, superior (/'i7>^^5 .fw^?// ... ♦» 16/0 
 
 BRASS BOW 
 COMPASSES. 
 
 No. 267. Pen or Pencil 
 
 per dozen 14/0 
 
 DIVIDERS. 
 
 No. 238. h\ in., plated 
 „ 239. „ brass 
 
 per dozen 9/0 
 5/3 
 
 UNIVERSAL COMPASSES. 
 
 No. 213. 
 
 With pen and divider point in one, which is withdrawn for pencil per dozen 10/0 
 
 DRAWING PENS. 
 
 No. lOL Bone handle, Black ribs... 
 „ 102. „ Bright nibs 
 
 „ 103. \'ery .Hipcrior 
 
 per dozen 3/6 
 
 e/0 
 
 9/0 
 
 i8 
 
CASES OF COMPASSES. 
 
 SCHOOL QUALITY. 
 
 No, 359. 
 
 POCKET CASES. 
 
 No. 342a. 
 
 No. 380. Leather, German Silver Instruments 
 381. 
 382. 
 
 „ 383 Clotli, Trass Instruments 
 » 384. 
 385. 
 
 386. „ ■ „ 
 
 342a. Lcalh'jrcttc, riatcd Instruments 
 
 eadi 13/0 
 8/6 
 7/0 
 5/0 
 4/0 
 3/0 
 2/1 
 4,0 
 
 19 
 
REEVES' 
 
 ART STUDENTS' OIL COLOUR BOXES 
 
 THE BOXES ARE 
 OF FINEST 
 JAPANNED TIN, 
 VERY STRONG 
 AND DURABLE. 
 THE COLOURS 
 ARE THE FINEST 
 ART STUDENTS' 
 COLOURS MADE. 
 THE BRUSHES 
 AND OTHER 
 FITTINGS 
 EXCELLENT. 
 
 No. 2. Size 9^ by 54 ins. , per doz. 52/0 
 3. Size 9f by 6f ins., „ 76/0 
 
 Illustrates No. 2. 
 
 No. a. Size 104 7i ins. , per doz. 108/0 
 „ 5. Sizel2iby8i ins., „ 156/0 
 
REEVES' 
 ART STUDENTS' OIL COLOURS. 
 
 BOXED IN CARD BOXES OF 1 DOZ. TUBES. 
 
 A HANDSOME COUNTER SHOW-CASE 
 can be supplied GRATIS 
 to w^w customers 
 
 orders for 
 24 gross. 
 
 ith 
 
 not less than 
 
 COLOURS at 
 
 20/0 per gross. Whole Tubes. 
 
 32/0 
 
 Double 
 
 Antwerp Blue. 
 Burnt S'enna. 
 Burnt Umber. 
 Chrome Green, pale. 
 >> M mid. 
 
 ,, deep. 
 Chrome Yellow, pale. 
 
 y, ,, mid. 
 
 M M deep. 
 
 Chrome Orange. 
 Emerald Green. 
 Flake White. 
 Indian Red. 
 Ivory Black. 
 Light Red. 
 Megilp. 
 
 Naples Yellow, pale. 
 
 ,, deep. 
 Neutral Tint. 
 Prussian Blue. 
 Raw Sienna. 
 Raw Umber. 
 Terre Verte. 
 Vandyke Brown. 
 Venetian Red. 
 Yellow Ochre. 
 Zinc White. 
 
 Brown Madder. 
 
 „ Pink. 
 Carmine. 
 Cobalt Blue. 
 Crimson Lake. 
 
 COLOURS at | P^' S'-oss. Whole Tubes 
 
 164/0 
 
 Ind'go. 
 Italian Pink. 
 Lemon Yellow. 
 Mauve. 
 New Blue. 
 
 Double 
 
 Oli^ e Green. 
 Purple Lake. 
 Rose Madder. 
 Sap Green. 
 Scarlet Lake. 
 
 >epia. 
 
 Ultramarine. 
 Vermilion. 
 Yellow Lake. 
 
 FLAKE WHITE, treble tubes, 48/0. Half.pound Tubes, 64/0 per gross. 
 
 21 
 
ART HANDBOOKS. 
 
 Published Per 
 Price. dozen. 
 
 A Plain Guide to Oil Painting Hume Nisbet 1/6 13/6 
 
 With 14 illustrations by the author and Martin North. 
 
 This is the most practical guide for beginners in oil painting, 
 by an experienced teacher." 
 
 On Painting in Water Colours Hume Ni bet 1/6 13 6 
 
 With illustrations, by the author. 
 
 " The author describes various methods of water colour painting, 
 and has here produced a work thoroughly sound, easily 
 understandable to the beginner, and practical throughout." 
 
 Hints to Sketchers C.J. Vine 1/6 13/6 
 
 With illustrations by the author. 
 
 *^lvrr. Vine assumes some knowledge of drawing on the part of 
 the reader ; these hints to sketchers are very valuable, and 
 supply just that information which is required by amateurs 
 who wish to work out of doors." 
 
 Some English Sketching Grounds ... Charles G. Harper 1/6 13/6 
 
 With illustrations by the author. 
 
 A charming little book, describing many of our most picturesque 
 and in some cases neglected E^nglish scenery and architecture. 
 The author has wandered far and near in search of the 
 ' sketchable,' and has certainly found it." 
 
 Oil Colors and Mediums //. C. Standage 1/0 9/0 
 
 *' This work is from the standpoint of the chemist, rather than 
 the artist. Mr. Standage has made a study of the permanence 
 of various oil pigments, the results of which he embodies in 
 this book." 
 
 Water Color Pigments ... H. C. Stafidage 1/0 9/0 
 
 Giving information as regards permanency, &c. ; actual washes 
 of water colors are shown in this book." 
 
 Axioms of Light, Shade, and Shadow W. Clifton 1/0 9/a 
 
 Illustrated by the author. 
 
 22 
 
REEVES & SONS' 
 PRICE LISTS. 
 
 (POST FR£E.) 
 
 EXTRACT No. 1 . For Colonial dealers in HARDWARE, BUILDERS' 
 SUPPLIES, OIL AND COLOUR. 
 
 EXTRACT No. 2. For Colonial dealers in ENGINEERS', ARCHI- 
 TECTS' AND DRAUGHTMEN'S SUPPLIES, 
 TECHNICAL SCHOOL, OPTICAL AND PHOTO 
 GOODS. 
 
 EXTRACT No. 3. For Colonial dealers in STATIONERY, FANCY 
 GOODS, TOYS, GAMES, &c. 
 
 EXTRACT No. 4. A LIST OF PICTURES FOR FRAMING, being 
 beautiful reproductions in colour of works by 
 leading artists. 
 
 COMPLETE PRICE LIST of 224 pages, fully illustrated — 
 Issued with Retail Prices only for the home market. 
 
 Artists' and Students' Colours, Oil and Water, 
 Colour Boxes, Brushes of all Sorts, 
 Palettes, Palette Knives, Pens, Pencih, 
 Rubbers, Chalks, Stumps, 
 
 Drawing Paper, Tracing Paper, Cardboards, 
 Sketch Books and Blocks, Portfolios, 
 Studio Furniture and Easels, 
 Sketching Appliances, Easels, Seats, 
 Drawing Boards, T Squares and Rules, 
 Compasses and Instruments, 
 Materials for Modelling, Etching, 
 China Painting, Illuminating, Poker Work, 
 Art Handbooks, Fine Art Studies. 
 
CONCERNING REEVES' 
 COLOURS: 
 
 The Late LORD LEIGHTON was using Reeves' Colours at the time of his 
 death ; he had only recently adopted them, but expressed himself very 
 highly as to their merits. 
 
 G. H. BROUGHTOINI, R.A.— I , have much pleasure in testifying to the 
 
 excellence of the various colours of your make that I have now used for 
 several years. This applies to the oil and water colours alike." 
 
 SIR JOHN GILBERT, R.A.~'*They are. all, very fine, especially the Raw 
 Sienna." 
 
 H. STACY MARKS, R.A.— I have found them excellent, and could not 
 
 desire any better." 
 
 C. NAPIER HEMY, A.R.A., after referring to four other makers* colours, 
 which he has given up for Reeves', writes i — '* I found yours a deeper, richer 
 set of colours than I had ever found before^ . both in, oil and water colour. I 
 really consider that they are the very best I have ever had." 
 
 WALTER CRANE, A.R.W.S.— " I have found your colours, both oil and 
 water, very satisfactory." 
 
 WYKE BAYLISS, P.R.B.A.— ** I have used your colours for more than twenty 
 years, and tested them in every possible way, and I can speak of them in 
 nothing but the highest terms ; they are pure and rich in tint, very free and 
 pleasant in working, and bear the severest tests as to permanency." 
 
 FRANK BRANGWYN, R.I.—*' I am taking your colours with me to Italy, as I 
 know I can rely on them." 
 
 PROFESSOR RUSKIN— " I find them of delightful consistence, and extremely 
 
 bright and charming tints." 
 
 MADAME VOUGA, of Geneva — I find your colours very pure and brilliant, 
 
 and well prepared, and have much pleasure in using them." 
 
 PHIL MAY writes of Reeves' Artists' Black — I have come to the conclusion 
 that it is the best ink I have ever used, and highly recommend it to pen 
 draughtsmen." 
 
 DUDLEY HARDY, R.I., writes of Reeves' Chinese White-'* It is by far the 
 
 best I have ever used." 
 
 A WELL-KNOWN CHEMIST was asked to examine Reeves' Colours 
 and to obtain his samples incognito at one of Reeves' Agents. 
 His Report was as folloWs :— 
 
 " Gentlemen, — In accordance with your ir)structions, I purchased 
 at one of your depots some tubes of oil colours prepared for artists. 
 I selected twelve colours covering a wide ra»ge. I found all the 
 colours pure and finely ground, and I am satisfied that great care 
 has been given to their preparation. 
 
 Yours faithfully, 
 
 HENRY SEWARD, F.C.S. 
 
 Harrison & Sons, Printers in Ordinary to Her Majesty, St, Martin's Lane, Lcndon, 
 
 5 f/o ^3 
 
GETTY RESEARCH INSTITUTE 
 3 3125 01335 8169 
 
TRADE 
 
 MARK 
 
 REEVES & SONS have been established as 
 Makers of Artists' Colours from the year 1768. 
 
 REEVES & SONS have obtained Hedals 
 wherever their Colours have been exhibited. 
 
 The above Palette in Silver was presented to REEVES' by the 
 Society of Arts, London, in the year 1781, in recognition of their 
 
 services to Art.