Leeds Art Galleries, 817 A 819 Brcaaviy. Of the Rare and Extensive Assemblage of |jL, and follow! W ¥ AT THE “LEEDS ART GALLERIES,” Nos. 817 find 8111 Broadway, corner of 1:4th St They may be viewed on. and after Tuesday , April lith, and until the ea the day of sale, at the Galleries as above. A separate Catalogue will be istni uilure, dbc., contained in the house. No. 7 Bond Street, the sale qf which Monday, 18fA April. Catalogues may be obtained at the office of the Awl the Galleries.” ttmimMfOM'wmBp c y fe John PolI umhuh, Printer, 10* Nassau I 4 ItfsillVItlP ENTIRE COLLECTION OP w A AND OBJECTS OF VERTU. A TERMS OF SALE. A sufficient deposit will be required from all purchasers, at the option of the Auctioneer, which deposit shall apply to all articles purchased at this sale. All purchases nu^st be paid for in CASH-CURRENT FUNDS, and the articles removed within twent7-four hours after the close of the sale, or the deposit will be forfeited and the sale annulodt it the option of the Auctioneer. All reclamations must be made on or before UotahapK A. M., of the day after the sale. NOTICE. The Exhibition at the Galleries will close on Monday, 18th April, at 5 P. M., in order to remove the paintings from the walls, and prepare for the sale, which commences at 11 o’clock, on Tuesday morning, April 19th, and will be continued at half-past seven in the evening. The “ Leeds Art Galleries” not being sufficiently capacious for the 1 exhibition of his entire collection, the portion hanging on the walls of Mr. Beaumont’s residence, No. 7 Bond Street, four doors from Broad¬ way, will remain there until removed to the Galleries for convenience of sale, and may be viewed on and after Thursday, 14th April, by card of admission to be obtained of us. H. H. LEEDS & MINER. 3 PREFACE. We extract from a few articles which have already appeared in the Press, the following portions with reference to the collection now on exhibition^ A col¬ lection which we feel no hesitation in saying has hardly ever been equalled in the proportion of highly meri¬ torious and rarely excellent works of arc to the entire number, in the annals of the tine arts on phis side of the Atlantic. From the “ Home Journal Mr. J. P. Beaumont, one of the oldest gleaners oT'European art for the American market, has decided upon retiring altogether from the active pursuit of his profession. Mr. J. P. Beaumont, Who, for a period of some forty years, or more, has been known by all the cognoscenti in painting, and by all the artistic producers in Europe, is about to—or rather has already placed himself in the hands of Mr. Allen B. Miner, the surviving partner in the firm of Leeds & Miner, to sell out his furniture, his curiosities, and some four hundred pictures, more than three-fourths of which have been in his possession for a series of years, varying from five to thirty-five. These he has valued as his peculiar art treasures. If the invasion of Business had not threatened to intrude upon his Lares and Penates in Bond street, he would have probably retained them for years, in the places made sacred to him by their presence. As it is, he has determined upon abandoning them—his early Church, his pet Gilbert Stuart, his Eastman, Johnson^, and his European treasures—to the hammer of the auctioneer, and converting them into filthy lucre. Seriously speaking, Mr. Beaumont, who knew Jarvis and Trum¬ bull, and has seen Elliott and Leutze pass from our midst, who lived in the old Arcade when cows and sheep pastured m Bond street, intends to quit a field of occupation in which he has—whether in¬ tentionally or not—done so much for our native art. 1 We say this meaningly. However, our younger artists may blinds themselves to the fact, the man who first introduced such names as Verboeckhoven, Van Schendel, Robbe, and scores of other great painters to us, deserves being remembered. He may fold up his tents’and leave his spoils behind him, sacrificing them for the almighty dollar, but he merits a kindly memory from all who admire the art in which he was so thorough a connoissieur. . From “ Frank Leslie’s Illustrated Paper.” Mr. Beaumont has placed in the hands of Mr. Miner—alfine in the firm of Leeds & Miner since the death of his senior partner— the whole of those paintings which he respected too much to sell, together with some hundred of recent importation. These^w^l be disposed of on April 18 th and the following days. We say, “those paintings which he respected too much to sell,” and say it with justice. Mr. Beaumont’s stock in life was his singularly fine taste. But at times, when he got an extraordinarily delicious or a strikingly fine picture, his taste stood in the wav of his purse. He kept it for himself, to enjoy and gloat upon in his own drawing-room or library. Such Are. his extraordinary head—merely a sketch—of Mrs. Morris, by, Gilbert Stuart, and his two Coles. Such is his George Wash¬ ington, also by Stuart, his Ziem, his Cuyp (the father), and a score or more of positive gems, some of which have been in his possession for more than ftwenty-five years. Yet these, with some four hun¬ dred paintings, none of them of low merit, but nearly the whole standing in the very front rank of Art, he has made up his mind to part with. There is a De Bylandt, “ The Lake of the Four Cantons,” one of the most charming German landscapes ever painted. He has the finest Robbe we have ever seen, and the very- best Carl Hubner (“The First Grandchild”) ever imported into this country. But, indeed, the whole of his pictures range on so level a plane, and so thoroughly high an one, with a very few ex- cepnonsy that praise would be merely reduplication of the words previously employed. We shall, consequently, say no more, save to express a regret that he should cease to be actively connected with the Art for whose development in America he has done so much. He was the first man who slowly put behind him the old masters, and devoted himself as a connoisseur to modern painting. His taste grew with the time. Forty years since, no one thought, except in sparse instances, of buying a modern European painting. Gradually he has made our home-taste acquaint itself with the Tschaggepys, Ziem, Verboeckhoven, Van Schendel, Robbe, and a hundred others. In Benefiting our taste, he has, in an indirect way, benefited our native Art. No contemptible lanscape painter him¬ self, in former days, he abandoned his profession for a more profit¬ able calling, which has proved of the greatest advantage to the American school. Now that his work is done, both for himself and the public^ he quits the arena as a successful athlete, whose last struggle .with fortune deserves to outshine all his others in its bril¬ liant result to himself and the reputation which it will leave him. From the “ Neve Fork Evening Express.” It is Mr. Beaumont, whose private collection is, we are informed, about to be brought to the hammer in the course of the next month, when he 'rells his furniture and various curiosities. The friend of so many of our leading citizens of a past epoch will close within a few weeks his lenghty connection, as an enlightened connoisseur, with Art in the United States. And in closing it, our citizens will have a fair opportunity of judging and estimating the personal taste of one who—while working for his own benefit—has personally done mpre foifcour Art education in the last forty years, than any indivi¬ dual who has made the profession of an Art connoisseur, respected by the integrity and soundness of his judgment. From the “ Evening Post.” The fine collection of paintings owned by Mr. J. P. Beaumont is announced for exhibition at the Leeds Art Galleries on and after April 5 , and to continue until the 18 th, when all are to be sold by auction. Mr. Beaumont, after an experience of forty years as a picture buyer and collector, now proposes to retire and dispose of the many valuable works in his possession without reserve. Mr. Beaumont was among the first to import foreign pictures for the American market, and the soundness of his judgment is apparent in the superior character of the works which now form his collection, for in it are some of the best examples of the European Schools, while American Art has not been neglected. Gilbert Stuart is represented by fine portraits of Washington and Mrs. Robert Morris, and there are other meritorous works from the brushes of Sully, Cole, Huntington, Church, Leytze, Mount and Eastman Johnson. Of the foreign works are examples by Hubner, Robbe, Verboekhoven, Tintoretto, Van Schendel, Florent Willems, Ziem, and other well-known names. New York has been favored with an unusual number of picture sales during the past season, and that of the Beaumont collection will undoubtedly prove one of the most attractive that has yet been offered. From the New Tork “ IVor Id”—Art Matters. Among connoissieurs of the fine arts few names have become more widely known in New York than that of J. P. Beaumont. For over forty years he has devoted unceasing attention to the im¬ portation and sale of the best specimens of the work of modern artists. He has determined, however, we understand,,, to .retire from the business in which he has become so well and favorably known, and there is a probability that, at no late day, his large col¬ lection of pictures will be brought to the hamtner. The event will prove an interesting one in art circles. Chosen with the rare knowledge and appreciation of an artist, the pictures present a series of representative works, whose value cannot be over estimated. Many of these pictures, of which there are some 400 ,' have never been seen outside of Mr. Beaumont’s private gallery, and, should they be exhibited and sold, the exhibition and sale will rank in public interest with the most important of those that have gone before it. v. ' .• ,-rt r;.. ' ! vi s' . : Catalogue The letter “ d,” prefixed, to a date signifies the year of the Artists’ decease. CLAESSENS (A.) 1 Dog with Hare. SIGNED (M. C.) 2 The Wine Cellar. CORNET (A.) 3 The Flemish Girl. CARPENTERO. 4 Fowls. VAN DEIGHEM (J.) 5 Interior of a Stable. VAN DEIGHEM (J.) 6 Landscape with Animals. VAN W¥NGAERDT. 7 The Forest Side. 1 6 NEAGLE (John.) 8 Portrait of Col. Richard M. Johnson. Inscribed on the back: “ Painted from life by Joh Frankfort, Kentucky, March 9th, 1843.” He was Vice-President of the U. S. under President Van Buren, and died Nov. 19th, 1850. Col. Johnson was famous as a breeder and improver of Race Horses, and obtained celebrity as the Father of the American Turf. BEECHY (Sir Wm.) 9 Portrait of Miss Mellon, afterw St. Albans. uchess of Purchased of C. Baxter, the Artist, in London in 1855, who had kept it by him as a study of color for 1 5 years. e SNYDERS, (d. 1657.) 10 The Depredator. SCHEERES, (d. 1864.) 11 The Jewel Merchant. SCHEERES. (d. 1864. ) 12 The Guard Room. De VOS (Victor.) 13 An Unexpected Visitor. ’’De VOS (Victor.) 14 Traveling Performers. 7 SPOHLER (J. C.) 15 View near Leyden, Holland SPOHLER (J. C.) 16 The Companion to do. STUART (Gilbert, 17 Washington. Painted for Richard K. Meade, Esq., U. S. Minister to Spain, and sold together with that gentleman’s fine collection of paintings in the Pennsylvania Academy of Fine Arts, in 1847. SCHOOL OF RAFFAELLE. 18 A rare antique painting representing the Judge¬ ment of Paris. NEEFS (Peter), d. 1651. mm 1 id 19 Interior of a Cathedral. .L - rx , A l , WERFF (Vander), d. 1727 * 0 / • 20 David and Bethsheba. CHAVET (Victor.) 21 The Argument. FAUVELET. 22 Lady reading a letter. 8 SULLY (Thos.) 23^“ Reverie.” SPENCER (Mrs. L. M.) 24 Terrier with basket of fruit. / ST) / U( 0 COLE (Thos.) d. 2 ^ Sunset Landscape. DE BEUL (Laurf.nt.) 26 Shepherd with flock. ZIEM. 4 i 27 Venice, from the Terrace of the English Garden, embracing view of the Dogana, and entrance to the Grand Canal. STROEBEL MORRIS (Alfred) U I 68 Hunting in the Highlands of Scotland f f KOEKKOEK (Martinus A.) 69 View near Aix la Chapelle. / / A /y KLUYVER, (A.) 70 Winter Scene. 14 KOEKKOEK (J. H. B.) 71 A Calm on the Meuse KOEKKOEK (J. H. B.) / 72 The Entrance to the Scheldt. De BLOCK (Eugene) 73 The Toilet. De JONGHE (Gustave) ! 0* “ 74 A Morning Call. .i ^ LEICKERT (C.) 77 Hauled Up for Repairs. LEICKERT (C.) 76 Evening Twilight - HERREBART (G.) 9 f 77 View in Haerlem, Holland. A JJ 'U ) HERREBART (G.) 0 * 78 View in Haerlem, Holland. SEBES ( A.) 79 Effect of Candlelight. M • A EECKHOUT (J. J.) 80 An Academy Study. 15 EECKHOUT (J. J.) 81 An Academy Study. LEIDENSDORFF, 82 Bas Relief! CLAESENS (A.) 83 Dog and Cat. VAN DIEGHEM ( J.) 84 Sheep in an Approaching Storm. VERTIN (P.) 85 Street View in the Hague. VERTIN (P.) 86 Street View in the Hague, to match. u, De VOS (V.) 87 Performing Dogs. WAARDEN (Vander.) 88 Fruit and Flowers. e 16 0^1 I J lAj [ . / / ;»■*'7 is c l < WAARDEN (Vander.) 89 Companion picture. MEYERHEIM (W.) go Hamburg on the Elbe. VON SEBEN (H.) 91 Homeward through the snow. SAUVAGE (P.) 92 Baking Waffles. COLE (Thomas.) d. 93 The Valley ot Vancluse, (Dated Rome, 1841.) This grand work of the first Landscape Painter of his day was Exhibited the following year in the New York Academy’s Anual Exhibiton, where it received the highest encomiums from the Press. BURGERS (Hein.) j / > 94 A Summer Afternoon. . ^ k 7 sir fay i 0 TSCHAGGEN Y (Charles.) hey 95 An Equipage of the 17 th Century. ' / jQ 96 REYNTIENS (H. E.) Le Sabre de mon Pere -r . P J ss / As 17 LAROCHE (A.) 97 Gathering Wild Flowers. EVERSEN (A.) 98 View near Delft. 2 ,£ 99 View in Holland. ARMFIELD (George) HERREBART (G.) / 100 Spaniel and Terrier. BACKHUYSEN (Vandee Sande) ^ 101 A rich Flower Piece. WILLEMS (Florent), & VAN HOVE (Victor.) 102 An interior representing a Lady seated at Table, and a Servant arranging before her a Vase of Flowers. This was one of the last works executed by Van Hove, the most celebrated Interior painter of Europe, previous to his decease. A note from Florent Willems in relation to his portion of the Picture, (The Figures), was received a few months past, and will be handed to the purchaser. CIGNANI (Carlo), d. 1719 103 Venus and Adonis. Purchased at the sale of the “Nilkheim” Gallery in 1847. It has an European reputation as the finest known work of Cignani and it is in a perfect state of preservation. 18 ROLFE (H. L.) 104 Salmon and Trout. ROLFE (H. L.) 105 A Good Day’s Sport. As is well known in the Art World, Rolfe has for more than twenty years made a speciality of this species of painting, in which he is held to be unrivalled. There are in this collection no less than Five of his works, painted specially to Mr. Beaumonts’ order. MORRIS (Alfrfd.) 107 After the Hunt. KLUYVER (A.) 108 Winter Scene. RIEGEN (N.) 109 Marine View. RIEGEN (N.) 110 Companion Picture. [ VERONESE (Alexander) d. 1670. 111 The Martyrs Brought from Venice by a well known merchant of New York in 1833, and transferred to Mr. Beaumonts’ possession the following year. 19 AN ANTIQUE OF THE ITALIAN SCHOOL. 112 The Virgin, Infant and St. Elizabeth. STROEBEL (F.) The best pupil of Van Hove. 113 An Interior. BODEMAN (N.) 114 The Sand Hills, with distant view of Leyden. Holland. VON SEBEN (Elise.) 115 Sketching by the Sea Side. DESAN (E.) 116 Cattle in Pasture. DESAN (E.) 117 Companion Picture. De LEUB (Francois.) j 118 The Spinning Wheel." De LEUB (Francois.) 119 Blowing Bubbles. MASWIENS (J.) 120 Interior of the Church of St. Lesmos in Spain. MASWIENS (J.) 121 The Cathedral of Segovia in Spain. BODEMAN (A.) and VERBOECKHOVEN (E.) 122 A Forest with Deer. The Animals are painted with an unusual degree of finish by the latter Artist. HUYGENS (Chevalier.) 123 Fruit, Flowers and Gam A DEVERIA (Eugene,) d. 124 Apotheosis of Lord Byron. ZUCCHERO. (d. 1609.) 25 Curious antique Portrait of a Lady of the Court of Oueen Elizabeth. «v Purchased at the sale of the Art effects of the late writer, J. Fenimore Cooper. It was stated to have been presented to him by Bishop Luscomb when in England, and was preserved by him hanging over the Mantelpiece in his Library at Cooperstown, Otsego Co., N. Y. DOMENICHINO. (d. 1641.) 126 A Magdalen Reading. This ancient Painting was retained by the late well known Artist and Connoissieur, Gherlandaio Marsiglia, for some twenty-five years previous to his decease as a genuine specimen of the Master, and was then purchased of his widow for this Collection. 21 HULK (A.) 127 Making for Port. VERTIN (P.) 128 View in the Hague. TINTOiyETTO. (d. 1594.) 129 A Scriptural Subject. LOTTI (Carlo. ) d. 1698. / 130 Emblem of Time. SHAYER (Henry.) 131 The Gipsey Dell. WALRAVEN (J.) 132 Grandmother’s Birthday. JOHNSON (Eastman.) 133 “The Bottle.” De JONGHE (Gustave.) 134 The Chimney Corner. EBEL (F.) 13^ The Trout Brook. IS~\ 22 'j-r EBEL (F.) 136 The Forest Side. DEVAUX. V J.) 137 Interior. VAN OS (P. F.) 138 The Hay Wagon. SAUVAGE (P.) 139 Husking The Corn. MOMPERT AND BRUEGHEL, (d. 17th Cen- tury.) '->7 ' 140 Landscape with Cavern and numerous figures by the latter artist. DeBYLANDT, (Count A.) A J 141 The Rosenlaui Mt. and Glacier,’"'S'vmzerland. -3o 6 DeVOS (Victor.) 142 Performers Regaling. VAN HAMME (A.) 143 The Waffle Seller of Rotterdam. GIRARDET (Karl.) 144 View on the river Marne, France. U^J / Ik) : s I ft 23 GIRARDET (Karl.) 145 View on the Lake Geneva. VAN BORSELEN (J. W.) 146 Clouds and Sunshine. NOTERMAN (Zachary.) 147 The Beggar’s Petition. REYNTIENS (H. E.) 148 The rehearsal. REYNTIENS (H. E.) 149 A Game of Chess. CARPENTERO. 150 Landscape with Sheep, &c. CARPENTERO. 151 Fowls, &c. I SCHELFHOUT (A.) 152 Winter Landscape. HEMSKERCK (M.) d. 1574. 153 Boors Carousing. j 7 - /* Q r 21 HEMSKERCK (M.) d. 1574. 1C4 Boors Carousing. MANS (F.) d. 17th Century. 155 View on a Canal in Holland. BRUEGHEL (P.) d. 17th Century. 156 Cavaliers on the Road. sj 1 SWANEVELDT (Herman.) d. 1680. 157 Evening Landscape. ORIZONTI. (d. 1740.) 1*58 Oval Landscape. From the Collection of the late Artist S. L. Waldo. LEUTZE (E.) 159 Portrait of a Lady. Painted in Philadelphia about the vear 184a. SCHOOL OF VANDYKE. 160 A Head. VELASQUEZ (d. 1660.) Y 161 Head of a Spanish Boy. SCHERMERS. 162 Preparing the Table. " ‘>K DeJONGHE (Gustave.) 163 The Pet Spaniel. DeBEUL (H ENRI.) 164 Interior with Fowls. HERRING, Sen. (J. F.) 165 The Frugal Meal. VAN OS (P. F.) 166 Feeding Time. ROSIER (A.) 167 View on the Bosphorus. ROSIER (A.) 168 Companion to the above. ROLFE (H. L.) 169 Salmon and Trout. ROLFE (FI. L.) 170 A Fine Catch. ROBBE (Louis.) 171 Landscape with Sheep and Lambs. A chef d’aeuvre of the Artist painted in his best time about 20 years ago. 28 KOEKKOEK (H.) 189 A Beautiful Miniature Landsfca !t KOEKKOEK (IT.) 9 o Companion to the Above. VAN DEIGHEM (J.) 191 Landscape with Sheep, Ac. VAN DIEGHEM (J.) 192 do to Match. STROEBEL (F.) 193 An Interior. EVERSEN (A.) 194 Ancient Buildings in Leyden VAN HAANEN, (J.) 195 A Gleam of Sunlight. VAN WYNGAERDT (A. J.) 196 Landscape with Figures. VAN WYNGAERDT (A. J.) 197 do to Match 29 SCHIEDJES. 198 A Stiff Breeze. LEICKERT (C.) 199 Winter in Holland GRAY (K.) 200 The Village Belle. HILVERDINCK (J.) 201 A Fishing Party. VAN MOER. 202 An Interior. The figures painted by Eugene DeBlock. KOEKKOEK (Martinus A.) 203 Landscape with Figures KOEKKOEK (Martinus A.) 204 Companion Picture TSCHAGGENY (Charles) 205 Watering Horses. ANDERSON (Walter.) 206 A Fond Delusion. M )m - DE HEUVEL (Theodore. 207 The dancing lesson. HOFF (Carl.) 208 A rich Interior. BACKHUYZEN (Mlle. Van De Sande.) 209 A group of Roses This lady is esteemed as one ol the first of living artists in her department. The picture was painted to order and is of very high Cost. AMBERG (W.) 210 Expectation. AMBERG (W.) 211 “ Why don’t he come GENTZ (W.) 212 The market in Cairo. Gentz holds the same position among the artists of Germany as is held by Gerome among the French, his works are rare and much sought after and very costly. The present is unquestionably one of his most important works and gives a faithful glimpse oflife in Egypt. 6&d HILL (J. J.) 213 At the Spring. But very few artists of the English school enjoy a more favorable reputation than the painter of this little Gem. BODDINGTON (H. J.) n. 214 A Summer Evening. Pasmore (D.) 215 “Good morrow, fair Hostess.” VAN WYNGAERDT ( P.) 216 The Coiffeur. dl- I Otv - Itw-iy* , , ^ VERBOECKHOVEN (Eugene.) r w \ "1 fry 217 Sheep and Lambs reposing. ' W J KUPETSKY (J.) & 218 Portrait of the Celebrated German author, Gel- lert. RONSDORP. 219 Street view in Holland. SHAYER (W. J.) 220 View on the Thames. 3o MARCELLUS (Otho.) d. 1673. / 22 i Poppies, &c. This very elaborate work was purchased at the sale of Collection of the late Connoisseur Michael Paff. 32 ROKES (H. M,), called Zorg, or The Careful d. 1682. 222 A Flemish Interior. -MEADOWS (J. E.) 223 A Cottage in Surrey. MOREL (J. E.) 224 The Road through the Forest. RIEGEN (N.) 225 The Port of Amsterdam SPOHLER (J. J. C.) 226 Afternoon near Haerlem. SPOHLER (J. J. C.) 227 Winter Scene. KLUYVER (A.) 228 Evening Landscape. GRAY (K.) m . *0 fir 229 Fern Gatherers in Wales. ARM FIELD (George.) 230 Spaniels after a Pheasant. VAN BALEN (Henry.) d. 1632. 231 Diana and Calista. The background in this beautiful representation of the weli known subject from ancient Mythology was painted by Jan Brueghel, called Brueghel de Velours. CARRACCI SCHOOL, d. 1609. 232 Attributed to Annibal Carracci, a study from life. CARRACCI SCHOOL. 233 Companion Picture. The above two Paintings were purchased from the sale of Eugene Beauharnois’ Collection, which took place in Munich in 1816, by a celebrated Professor of that city, from whom Mr. Beaumont obtained them in 1848. MIREVELDT (M.) d. 1641. 234 Elizabeth of Bohemia. This fine portrait of the sister of Charles I. was obtained in 1839 in Germanv. It was said to have been removed from one of the Royal Palaces which was burnt during the wars of Napoleon I. The frame is an original carving of the Period. MEULEN (Vander.) d. 1690. 235 A Grand Battle Scene KLOMBECK (J. B.) 236 View near Aix la Chapelle. This Artists’ works are now held in the highest estimation and approach in value those of his late master, B. C. Koekkoek. 34 ANCIENT ITALIAN SCHOOL. 237 Head of the Madonna. CARPENTERO. 238 Landscape with Sheep and Goats. CLAESSENS, (A.) 239 Birds on the Tree. CLAESSENS (A.) ^ 240 Birds on the Tree to Match. BRASCH (J.) o. 241 Dead Birds. | [CARPENTERO. 242 Chickens. CARPENTERO. 243 Chickens. ABSHOVEN. (d. 17th Century.) 244 Interior of a Cabaret. ABSHOVEN. (d. 17th Century.) 243 Companion Picture. 35 7 SCHUTZ (J. G.) d. 1791. 246 View on the Rhine. (On copper.) OLD ITALIAN SCHOOL. 247 An Allegorical Figure. BROWER (A.) d. 16 248 Man Lighting his Pipe. SCHELFHOUT ( A.) 249 A Study in the Bois de la Haye. CARRE (Michel.) d. 1728. 250 Going to Market. KOBELL (J.) d. 1740. 251 Head of an Ox. CARRACCI (L.) d. 1619. 252 The Penitent Magdelen POEL fVANDER. ) d. 1690. 253 Night on the Sea Shore. VAN CRAESBECK. d. 1668. 2^4 Interior of an Ale House. 43 3 3 i A^aJ 36 ) /. i/ J ■ OEKKOEK (W.) 255 Town View. TAYMANS (L.) 256 Attiring the Bride. KOOIMANS (W. C.) / r\ 257 Landscape with Cattle. KOOIMANS (W. C.) .-o \.IJ 258 Companion to Landscape with Cattle. / // fl. 1 e BEUL (Laurent.) 2^9 Shepherd and Flock. Morning. GRAY (K.) 260 The Fisherman’s Family. STUART (Gilbert.) 261 Mrs. Robert Morris purchased by Mr. Beaumont / in 1834. CHAVET (Victor.) 262 The Connoisseur. PERCY (Sydney R.) j 263 Morning in North Wales. f r 37 PERCY Sydney (R.) 264 Landscape Companion to Morning in North W ales. llO HERRING (J. F.) 265 The Farm Yard. ARMFIELD (G EORGE.) 266 A Dangerous Playmate BODDINGTON (H. J.) 267 On the River Usk. HENZELL (J.) 268 Waiting for the Boats. LITSCHAUER (R. J.) 269 The Antiquarian. Commissioned for this collection, in Dusseldorf, in 1867, and bv artist himself considered his master-piece. GALLOWAY. 270 Lost in the Woods. BEWER (C.) 271 The Youth of Tasso. This, the latest work of the celebrated Professor of the Dussel- dorf Academy, was commenced in 1867 and hnished to order for this collection in December last. Since the advent of the famous Dusseldorf Gallery to this country, many years since, which con¬ tained two fine specimens of tne artist (one of them similar in subject to the present) hut little has been seen of his works her'', while in Europe they are sought after for the most recherche col cctions. VON SEBEN (H.) 272 Hide and Seek among the Grain. De BYLANDT (Count A.) 273 The Lake of the Four Cantons. KRUSEMAN (J. A.) 274 Italian Girl'with Fruit. 4 275 Feeding the Ducks. ROTTEKEN (C.) 276 View on the Lago di Guard; MORRIS (Alfred.) 277 Scotch Mountain Sheep. SCHOOL OF TITIAN. 278 Venus rising from the Sea. 3/0 O ,r) jJlJ Purchased at the sale of Lord Northwick, at Thirlstane House in 1858, which occupied twenty-one days. '< u DELCROIX. 279 Interior with Lady sewing PALAMEDES, d. 1638. 280 Soldiers off Guard. De La HIRE (L.) d. 17th century. /A 0 / j 281 A Pastoral. / u CROME (W.) 282 Sunset Landscape. 30 SPOHLER (J. J. C.) 283 Winter Scene. SPOHLER( J. J. C.) 284 View near Rotterdam. BOURGUIGNON (J.) d. 1676. -j 287 Battle Scene. ROBBE (Louis.) 286 Landscape and Cattle Sketch. CLAESSENS (A.) 287 Dog with Game. Zd TILMES (J. M.) . 288 Landscape with Boy Fishing. STROEBEL (F.) 289 Clearing the Table. RILEY (J.) 9 A 290 A Fancy Head. M 40 DUVIEUX (H.) 291 The Dogana, Venice. DUVIEUX (H.) 292 Halt of Pilgrims before Mecca. GYSELINCK (J.) 293 Child with Doll. LEICKERT (C.) 294 Winter in Holland HERREBART (G.) 295 The Brook Side. De BEUL (Henri.) 296 Fowls, &c. CALAME (A.) 297 Study of Rocks. 6 '/ Jj ' j - i6 ; m ifS Purchased from the sale in Paris on his decease. No. 122 on the Catalogue of his Works. DESAN (E.) 298 The Farm. De BYLANDT (Count A.) 299 Fishing Vessels off Ushant 41 ! /JJ REIGEN (N.) 300 The Port of Antwerp. g CARABAIN (J.) 301 View on the Upper Rhine. MORE (Sir Antonio.) d. 16th Century. 302 Portrait of a Nobleman, with date 1580 an 4 motto “Sans Changer.’ ARMFIELD (G.) » 303 After the Rat. LUYCKX. y 304 Cottage Interior. The figures pointed by P. Knarren, deceased. EVERSEN (A.) 305 View in Dort—Winter. J'lO . _ jJLA f WHITTLE (Thos.) 306 The Trosachs, Scotland. WHITTLE (Thos.) 307 Evening Sunshine. KOEKKOEK (H.) 308 Landscape Composition. 42 DILLENS (Henri.) 309 Baby and Nurse. j VAN DEIGHEM (J.) { 1 ^ 310 Landscape with Sheep SO / 1/ COYPEL (N.) d. 1737. 311 Mythological Subject. OUELLINUS (E., The Elder.) n. 1678 312 Children with Lamb. SCHOOL OF TENIERS. 313 Landscape with Figures. De WIT (d. 17 50. ) 314 Abraham and Isaac. RUYSAEL (Solomon.) d. 1670. 315 Landscape. (5 . HALS (F.) d. 1666. 316 Head of an old Lady. sku )l HAYES (J. M.) 317 Girl with Fruit. & 1 , PLAS (L.) 318 Landscape and Figures. PLAS (L.) 319 Landscape. BORCKMAN (A.) 320 A Lady in the Cabinet of Curiosities. y KNELL (W. C.) 321 Evening off Yarmouth—Vessels running into Port. VANDERBURG (A.) Dated 1713. 322 Portrait of a Phrenologist, A curiosity as showing that the Science of Phrenology was studied at an earlier period than generally supposed. MARINARI (P.) d. 1715 323 Venus Reclining. STRCEBEL (F.) 324 An Interior. 7 SPOHLER (J.) 325 On the Ice. 44 SPOHLER (J.) 326 Companion to the above. DORENS (L. Van Erven.) 327 The Album BRANDE (Le Jeune.) d. 1795. 328 Landscape with Figures. De BEUL (Laurent.) 329 The path through the Grain Field. jO v TENKATE (H ERMAN.) 330 A Fisherman’s Cottage. ERDMAN (Otto.) 331 Hesitation. GUILLEMIN (A.) 332 Grace before Meat. HAYS (W. J.) 333 ~ r and Pointer. /Though a comparatively early work of this now deservedly cele¬ brated Artist, the heads of* the animals show a fidelity to nature and an earnestness of expression which it would be difficult to sur¬ pass. 45 KNARREN (P.) 334 The New Romance. WOUVERMANS (P ETER. ) 335 A Horseman. ROLFE (H. L.) 336 Salmon and Trout. KLUYVER (A.) 337 Landscape and Windmill. LEIKERT (C.) 338 View in the Hague. LEIKERT (C.) 339 Gateway. De BYLANDT (Count A.) 340 A Ferry on the Moselle. TSCHAGGENY (Charles.) 341 Preparing for Market. / if-0 6 b mo The chef-d’oeuvre of the artist who has received various medals of distinction for his works. / ( /L-i a PLATTEEL (Jan.) 342 The Broken Sled. HUBNER (Carl.) 343 The First Grandchild. One of the latest of this artist, painted to order and but recently received. It is perhaps the largest and certainly one of the finest now in this country. HUBNER (Jules.) Son of the preceding artist. 344 Paternal Authority. \ , LAURI (Fillippo.) d. 1625. ^ 345 Repose of the Holy Family. Purchased in Bavaria in 1850 from the collection left by Privy Councilor Scharold. It has always been esteemed by the proprietor as the finest Gem of Antique Art, in his possession, and is in the most perfect state of preservation. KRUSEMAN (F.) 346 Winter. COBBETT (E. J.) 347 A Chat by the Spring. One ol the latest works ot this distinguished artist, painted to order during the past year. CIGOLI (d. 1617) Jt 348 David. i" ' \ i / _ iL 47 ROOS (J. H.) d. 1685 349 Landscape with Figures. The figures arc painted by J. Francis Ermels. The picture was purchased from the “ Gros ” Collection in Bamberg in 1848. DeBEUL (Laurent.) 350 Sheep and Goats in Pasture. RODGERS (T. R.) Dated 1841. 351 Sunset. STEEN (Jan.) d. 1689. 352 A Domestic Lecture. DOUGHTY (T HOMAS.) 353 Landscape with Figures. Painted at his best period. BIRCH (Thomas.) 354 View on the Schuylkill. The following 8 pieces of Stained Glass were pur¬ chased inFreibourg in the Schwartzwald, Germany, and were said to have been obtained from a dis¬ mantled Chateau belonging to the family of Scha- wenburg in that vicinity. 48 \ 354a Figure of a Knight in Armor 355 356 357 358 do. do. do. do. do. do. A Crucifixion. “ In Memoriam.” 359 do - 360 A Knight. 361 do. 362 An Antique Chair embossed with the name of Joannes Rubens and date 1681. Apparently belonging to the same set as the one preserved in the great museum of Antwerp, on which are placed the palette and pencils used by the artist, Peter Paul Rubens, of whom Joannes was a near relative. This Chair was preserved in the Ancient family of Wouters of Antwerp, from whom Mr. Beaumont obtained it. 3 ^ 364 An Antique Tea Set of silver with chased mountings representing the Scottish Thistle, about 130 years old. j / \3 A Bowl with Cover of very ancient Dresden Porcelain, enamelled and painted. 365 An Unique Engraving. Purchased in 1832, and of which no other copy can be found by Mr. Beaumont, although he has made reserches in almost every country. It represents ancient Jerusalem with every known His¬ toric Building which it contained, and every event of Scripture History which occurred in that city is represented, comprising many thousand figures of the most perfect execution, many of them so small as to require the aid of a magnifier to be able to distinguish them. 366 3 6 7 368 3 5 9 37 ° 37 1 37 2 373 374 375 376 377 378 379 380 381 382 A Knight’s Cup of Silver enameled with Gold coat of arms inside of the cover and date 15:61. A beautiful Bronze group, representing Leda and the Swan, (j Pradier ditto ditto ditto Perseus and Andromeda, Pradier Penelope, David D’Angers The Friends, P. J. Mene A beautiful Bronze, Stag. to’ P. J. Mene A very rich old Sevres Set, Clock and Candele- bra, mounted in ormolu time of Louis XVI. A marble Figure, Psyche reclining, trom the Antique, with Pedestal. Ternerani, Borne A marble Bust, Daphne, with Pedestal, Mozier A fine Bronze, The Arts, with marble Base A Marble Bust, Washington, Hiram Powers A ditto Innocence, Galt, Rome 2 Bronze Groups, Childhood, Dumaige, Paris 1 Bronze Arc-de-Triumphe 1 Bronze Pompeiian Lamp Inkstand 1 Bronze Group, Madonna della Seggiola 1 Ormola and old Sevres Card Receiver, from die Royal collection, Paris, time Louis XVI. /OS' t T~ f /V d 4- o U)o azx ,&jf h 50 \ 383 1 Bronze Deer Barye, Paris The following 8 Paintings are Copies from favorite Geras in the Dresden Gallery. They were painted by the best Copyist of his time direct from the originals and used by him as models from which to make other copies when ordered. They were purchased after his decease on account ot their great merit and the use to be made of them for Educational purposes, as it is not every young Artist who can visit Dresden. 386 The Duet, after Terburg 387 Woman Sealing a Letter, > do Mieris 388 The Lap Dog, After Mieris 389 A Musical Trio, do do 390 The Guard Room, do Terburg 39 1 An Argument, do Mieris 39 2 The Violin, do do 393 The Music Party, do do • Drawings. ' 394 Le Coq du Village, water colors E. de Beaumont 395 The Dinner Party. do do 396 A Gust of Wind, India Ink, Van Essling 397 Hawthorn Blossoms and Birds Nest, Water Color, W. Cruikshank si 398 Tropical Birds, Water Color, Larsch 399 The Baggage Wagon, India Ink, Van Gingelen 400 Cottage with Figures, Sepia, J. Van Stry 401 Marine View, India Ink, C. Waterloo 402 Lake Scene, Whter Color, H. Duvieux 403 Marine View, Water Color, Opdenhoff 404 Candlelight—Settling Accounts, India Ink, J. Meulemans 405 Dancing Bears, India Ink, C. J. Hanfft. 1761 406 Landscape with Figures, India Ink, P. Kessler. 1832 407 Candlelight, “ Good Night,” India Ink, J. Meuleman 408 Candlelight Market Scene, India Ink, J. Meuleman 409 The Politicians, India Ink, C. Troost 410 A Gale of Wird, India Ink, E. Van Essling 411 Outward Bound—Mouth of the Thames, Water Color, W. C. Knell 412 The Old Hulk, Water Color, W. C. Knell 413 View in Paris, Water Color, C. Richardson 414 House in the Wood, India Ink, H. G. Ten Cate 52 415 Schevening Fish Sellers, Sepia, H. Meyer 416 Cavalier and Lady, Sepia, P. Kremer 417 A Light Breeze, India Ink, G. Groenwegen 418 A Calm, India Ink, M. Schouman 4lq Old Bridge on the Seine, Water Color, J. COIGNET 420 Landscape with Figures, Water Color, Cost $175, B. C. Koekkoek 421 Animals in Pasture, Water Color, J. Van Stry 422 Frame containing five pen sketches of Animals purchased at the sale of the Verlinden collec¬ tion, E. Verboeckhoven 423 View of Dort in Winter, Water Color, A. Vermeulen 424 A Cottage with Figures, India Ink, Van Drielst 42 5 The Cottage Door, pencil drawing, A. Van Wel 426 The Port of Amsterdam, Sepia, M. Schouman 427 Man with Basket, pencil, Louis Tilleman 428 Preparing for Market, water colors, Gerard T ERLAAK 429 Milking Time, a very elaborate drawing in India ink, A. J. Besters 43 ° Setter Dogs, ink, ditto P. Dl ELMAN 43 1 43 2 433 434 435 43 6 437 438 439 440 441 442 443 •444 445 446 4+7 A Captain of the Watch, Sepia, A. Beckers The Burgomaster, rare and costly, pencil, Marine View, Sepia, Dancing, water color, A Goat, pencil, Madou C. Waterloo E. Gabe E. Verboeckhoven Flowers and Bird’s Nest, water eolor, W. Cruikshank Briar Roses, water color, The Siege of Leyden, pencil, Village Scene, Sepia, The Atelier of Titian, pencil. W. Cruikshank Prof. J. J. Eckhout J. Theriot Prof. J. J. Eckhout The Manor House, pencil, P. Van Loo Almsgiving, pencil, J. J. Eckhout The Village Burgomasters, Sepia. C. Troost The Cedar Bird, water color, A. Theyssen Environs of Bois le Due, water color, Henri Knip Woody Landscape, India ink, B. C. Koekkoek Female Head, water color, Fisher, of Bristol 54 448 Cattle, pencil, Ravensway 449 Dead Bird and Thistle, water color, Flocton of London 450 Near the Village, India ink. Van Drielst 45 1 Landscape with the effect of • wind, pencil, A. SCHELFHOUT 45 2 Figure Study, pencil. J. Van Ness 453 Flemish Peasants, India ink. Unknown 454 Ancient Pencil Drawing, B. Van Orlay 455 A Large Easel. 456 A Gallery Carpet, only seven days used. PAINTINGS, MOSTLY ANCIENT. 457 Emblem of Summer, Leidensdorf 458 Emblem of Winter, Leidensdorf 459 The Muse of History, Bas Relief 460 A Spanish Fair, SOLIMAKER 461 Virtue and Vice, an Emblem, Otho Venius 462 Moonlight Landscape on Copper. 4 6 3 Representing the Golden Age. An ancient painting similar (but with variations) to the Giorgioni n the Louvre . 55 464 Winter Landscape and Figures, W. Kierings 465 Landscape and Figures, 466 do 467 Apollo and Marsvas, 468 Dead Game, 469 Bathing at Ostende, Carpentero do J. Beich Brasch Victor Eckhout 470 Madonna and Child, on Copper, Rothenamer 471 Sheep, &c., F. Van Severdonck 472 Landscape with Cattle, L. De Beul 473 The Pet Lamb, L. De Beul Note.—The above two paintings were painted in the eariy part of this artist’s career from studies of Louis Robbe and, therefore, cannot be called strictly original works. 474 A Young Girl, a copy of the Period, after Greuze 475 Landscape with Sheep, &c., 476 A Kitchen Maid, 477 Small Landscape, 478 A Small Landscape, 479 A Portrait, 480 Female Half Length, Carpentero Unknown Unknown Unknown Gaspar De Crayer Ancient Painting 481 Mythological Subject, do. do. 482 Spanish Boys, do. do. 483 A Landscape, do. do. 484 Historial Subject, do. do. 485 Boys Portrait, do. do. 486 Holy Family, do. do. 487 Reclining Figure, do. do. 488 Marine on Panel, Ancient Painting 489 Interior, Modern 490 A Landscape, Ancient Painting 49i do. do. do. 492 Lot of 7 old Pictures. 493 Interior, Ancient Painting 494 Figures, do. do. 495 Fiowers, do. do. 496 Flemish Kitchen, do do. 497 Battle Sketch, do do. 498 In Monochrome, 499 do. o 0 Landscape, 501 Landscape. 502 do. 503 Byzantine Madonna, 504 Portrait. 505 The Prodigal Son. 506 Return from Market, Modern The following twenty-one numbers are mostly large Gallery Pictures which have been for many years, since their purchase in Europe, rolled up. The roll is supposed to contain several paintings of great specula¬ tive value and will be opened after the sale of the Drawings is concluded. 507 The Education of Bacchus. 508 Mythological Subject. 509 Landscape and Figures. 510 Landscape and Figures. 511 Naval Engagement. 512 Architecture and Figures. 513 Italian Seaport. 514 do 515 Historical Subject. 516 Ceres. fi 8 517 Bacchus. 518 Children. 519 Children. £20 Lady with Guitar. 521 St. George Slaying the Dragon. 522 Mythological Subject. 523 Apotheosis of the Virgin. 524 Figures. 525 Landscape. r .' *'* * t 'f. 526 Landscape. 527 Animals. £28 Lot of Drawings, assorted. 529 Portfolio of Engravings. H. H. LEEDS & MINER, Auctioneers.