'Uv: lloyB r ih I J) wa. OA-T^VLOOTJE OP MODERN PROOF ENGRAVINGS After Sir E. Landseer, Sir J. Millais and others, THE PROPERTY OF A GENTLEMAN; A COLLECTION OF Engravings by Bartolozzi, THE PROPERTY OF A GENTLEMAN GOING ABROAD; COLOURED ENG-RAVINGS After G. Morland, F. Wheatley, R.A., &c., THE PROPERTY OP MR. E. JOSEPH, Deceased, late of 25 Dover Street ( by Order of the Executors) : WHICH (WSitll be Solb bp Bunion bp Messrs. CHRISTIE, HANSON & WOODS, AT TMIE ©BEAT 8 KING STREET, ST. JAMES’S SQUARE, On MONDAY, APRIL 9, 1894, AT ONE O’CLOCK PRECISELY. May be viewed Friday and Saturday preceding, and Catalogues bad, at Messrs. Christie, M anson and Woods’ Offices, 8 King Street, St. James’s Square , & IF. '--v ID CONDITIONS OF SALE. - 0 - I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall he immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale ; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. Vll. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE. On MONDAY, APRIL 9, 1894, AT ONE O’CLOCK PRECISELY. ENGRAVINGS—/?? the Folio. 1 Clarissa, after Sir J. E. Millais, R.A., by Laguillermie— remarque proof 2 Musidora, after Gainsborough, by Laguillermie— remarque proof 3 Silver Sea and Silver Birches, after J. McWhirter, R.A., by D. Law— ditto 4 The Young Duke, after W. Q. Orchardson, R.A., by Laguillermie — artist's proof AFTER W. D. SADLER. 5 Over the Nuts and Wine, by W. Boucher— remarque proof 6 Home Brewed, by ditto— ditto 7 Sweethearts, by ditto— remarque proof 8 A Doubtful Bottle, by J. Dobie— ditto 9 Hearts are Trumps, by W. Boucher— ditto 10 For he’s a jolly good fellow, by ditto— ditto B 2 4 11 Rivals, by Gaujean— artist's proof 12 Chance Companions; and A Hunting Morn, by H. Macbeth Raeburn —remarque proofs 2 13 The Wrong Side of the Hedge ; and “Who is it,” by ditto — ditto 2 THE PROPERTY OF A LADY. In the, Folio. 14 Card-players, after Sir D. Wilkie, by C. G. Lewis; &c. 4 15 Lady of the Woods, after J. McWhirter, R.A., by J. Saddler ; Westminster, after H. Dawson ; &c. 4 16 1807, after Meissonier, by Jacquet— proof before letters 17 Coast Scenes, after H. Mesdag, by J. Saddler— artist's proofs 2 AFTER SIR E. LANDSEER. 18 Peace and War, etched by F. Stacpoole, A.R.A.; St. Bernard Dogs— etching ; &c. 6 19 Marmozzettes, by T. Landseer, A.R.A., with etching and engraver’s drawing 3 20 Pixie— proof; and A Lion, by T. Landseer, A.R.A.— etching 2 21 Hunter and Hounds, by T. Landseer, A.R.A. ; and etching 2 22 H.M. The Queen, with Prince of Wales and Princess Royal, by S. Cousins, R.A.— proof; and etching 2 23 ‘ Good Doggie,’ by T. Landseer, A.R.A.— artist's proof 24 The Highland Drover's Departure, by J. H. Watt— proof before letters ; and The Return from Deerstalking 2 25 The Honeymoon, by J. B. Pratt— artist's proof 26 The Shepherd’s Bible, by T. Landseer, A.R.A.— engraver s proof 27 Alexander and Diogenes, by T. Landseer, A.R.A.— presentation proof; and etching 2 5 28 Connoisseurs, by S. Cousins, R.A —artist's proof, signed by the engraver 29 Odin, by T. Landseer, A.R.A. — open letter proof Presented to Horatio Boss by the painter, with autograph 30 Hafed, by ditto— with the painter’s autograph EN GRAY IN GrS— Framed. 30a The Larder Invaded, after Sir E. Landseer, R.A., by T. Landseer, A.R.A.— artist's proof, signed by the painter 30b Subjects after Sir D. Wilkie 4 30c The Shooting Pieces after Stubbs, by Woollett 4 30d The Larder, after De Yos, by Earlom 31 A polished oak print-case, on stand, with glazed front 32 A Double Revolving Oak Case, for drawings, with glazed front The following are the Property of A GENTLEMAN. In the Folio. 33 Ninette, after Greuze, by S. Cousins, R.A.— artist's proof 34 The Golden Pippin; and The Little Pouter, after ditto, by ditto —ditto 35 “Witness my Act and Deed”; and “Little Milksops,” after F. Patou, by J. B. Pratt— artist's proofs 2 36 Cat and the Fiddle ; and Cat in a Muff, after ditto, by J. B. Pratt and Alais— ditto 2 37 A Disgrace to his Family, after S. Berkeley, by Alais— ditto ; &c. 2 38 Gone Away, after T. Blinks, by Hester.; The Road to Ruin, after Stanley Berkeley ; &c. 4 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 6 When a Man’s Single, &c. ” ; and the Companion, after J. Watson Nicol, by L’Huillier 2 Card-players, by Glindoni— remarque proof; &c. 2 The Mazarin Library, after Fortuny, by Boilvin— remarque proof Cold Comfort, after S. E. Waller, by F. Paton— remarque proof A Highland Interior ; and Highland Breakfast Party, after Sir E. Landseer, R.A., by W. Finden Peace and War, after ditto (small plates) ; &c. 3 Brutus, after ditto, by C. G. Lewis— unpublished etching; &c. 2 The Fobest Series, after ditto— a set of twenty selected proofs —in a portfolio A large portfolio, with leaves Framed. Daphne and Phryne, etched by E. Slocombe 2 Babes in the Wood, after F. Paton, by J. B. Pratt— artist's proof “ Dick ” and “ Vic,” after ditto, by ditto— ditto — a pair Eclipse : a collie dog, after ditto, by ditto— artist's proof Bayard, after ditto, by ditto— ditto Cave Canem, after B. Riviere, R.A., by J. J. Chant— artist's pi-oof Let Sleeping Dog* Lie, after ditto, by T. L. Atkinson— ditto The Start for the Meet of the Quorn, after F. Paten— photo¬ gravure Outward Bound, after S. F. Waller— ditto The Empty Saddle, after ditto— ditto Disinherited, after L. J. Pott— ditto The Toast, after Heywood Hardy— ditto 7 60 Still for a Moment, after Sir J. Millais, R.A., by Josey— artist's proof 61 The Parson’s Daughter, after G. Romney, by A. Edwards— ditto 62 Letty, after Sir F. Leighton, P.R.A., by Miller— ditto 63 Romeo and Juliet, after F. Dicksee, R.A., by C. Waltner— ditto 64 Pampluna, by A. H. Haig— unframed 65 Eos: a greyhound, etched by H.M. The Queen after a drawing by the late Prince Consort— unjramed 66 Head of a Dachshund, etched by the late Prince Consort— ditto 67 The Sergeant’s Portrait, after Meissonier, by J. Jacquet— remarque proof 68 En Confidence, after ditto, by Yion— ditto 69 Diderot, after ditto, by G. Monzies— ditto THE PROPERTY OF A GENTLEMAN. 70 The Shipwreck, after J. M. VV. Turner, R.A., by Burnet— artistis proof 71 Dutch Fishing Boats in a Gale, after ditto, by ditto— ditto 72 Mercury and Argus, after ditto, by J. Willmore— ditto 73 The Vintage Festival, after L. Alma Tadema, R.A., by Blanchard — artist’s proof 74 The Parting Kiss, after ditto, by ditto— ditto 75 Prayer in Spain, after J. Phillip, R.A., by T. 0. Barlow, R.A.— artist's proof 76 La Gloria, after ditto, by ditto— ditto 77 Wimbledon Cracks, after Wells— artist's proof 8 78 The Minuet, after Sir J. Millais, R.A., by S. Cousins, R.A.— artist's proof 79 “ Yes or No,” after ditto, by ditto— ditto 80 Asleep, after ditto, by T. 0. Barlow, R.A.— ditto 81 The Huguenot, after ditto, by ditto— artist's proof 82 The Proscribed Royalist, after ditto, by W. H. Simmons— proof before letters 83 The Fight for the Standard, after R. Ansdell, R.A., by H. T. Ryall— artist's proof 84 The Horse Fair, after Rosa Bonheur, by T. Landseer, A.R.A. — artist's proof AFTER SIR E. LANDSEER, R.A. 85 The Maid and the Magpie, by S. Cousins, R.A.— artist's proof 86 Ptarmigan Hill, by T. Landseer, A.R.A.— artist's proof 87 Chevy, by ditto— ditto 88 An Event in the Forest, by ditto— ditto 89 Sheep in the Snow, by ditto— ditto 90 Uncle Tom and his Wife for Sale, by C. Mottram— artist's proof 91 A Midsummer Night’s Dream, by S. Cousins, R.A .—proof before letters 92 Shoeing, by C. G. Lewis— open letter proof 9 The following are the Property of A GENTLEMAN. ENGRAVINGS —In the Folio. BY F. BARTOLOZZI, E.A. 93 For the Benefit of Mr. Giardini; and other tickets ; &c. 21 94 Yandyck’s Wife, after Yandyck; Madonna della Sedia, after Raphael —in red ; &c. 6 95 An Allegory, after Cipriani— proof’, &c. 5 96 Yenus and Cupid, after Giordano— proof; Dido, after Cipriani; &c. 8 97 The Marlborough Gem, after Cipriani —in red ; &c. 10 98 William Beckford, after A. Cardin ; The Comte de Calliostro; &c. 10 99 Cordelia, after Angelica Kauffmann; and A Fair Alsatian, after ditto— in red 2 100 Conjugal Love, after Cipriani; Emilia, after A. Kauffmann; and Charity 3 101 Fortune, after Cipriani; The Generous Fair, after A. Kauff¬ mann ; &c.— all in red 4 102 Hebe and Apollo, after Cipriani; and Pomona, after A. Kauff¬ mann —in red 3 103 Attention; Sincerity ; Harmony; and Yigilance, after Cipriani —in red 4 104 Spring ; Summer; and Winter, after ditto— in red 3 105 Filial Affection ; and Maternal Love, after ditto 2 106 Contentment; and Friendship, after ditto— a pair 2 107 Cupid and Psyche ; and Love and Fortune, after ditto; and A Bacchante, after Lady Spencer 3 108 Minerva and the Muses, and Hercules presented to Jupiter, after Cipriani; and Neptune and Amphitrite 3 V 10 109 A Muse; and Flora, after Cipriani— in red 2 110 Diana and Nymph, after Angelica Kauffmann— proof ’ in red 111 Jupiter and Juno; and Venus presenting the Cestus, after Cipriani— in red 2 112 The Power of Love; and The Power of Beauty, after ditto— in red 2 113 Psyche going to Bathe ; and the Companion, after ditto 2 114 A Sacrifice to Cupid; and The Triumph of Beauty and Love, after ditto— in red 2 115 The Elements, after Cipriani— a set of four, 'printed in red 4 116 Hebe, after Cipriani, by Bartolozzi— printed in colours 117 A Sleeping Nymph, after T. Kirk— printed in colours 118 Rubens’ Wife and Child, after Rubens, by E. C. Hess— printed in colours ; and the same —mezzotint 2 119 Rembrandt’s Father, after Rembrandt, by Hess ; A Rabbi, by ditto ; &c. 5 120 Mary, Queen of Scots, after Hogarth, by Bartolozzi; Child, with a dog, after Cosway ; &c. 3 121 The Marchioness of Bute, after Anne Meo, by C. Watson— printed in colours ; &c. 4 122 Angels’ Heads, after Sir J. Reynolds, by P. Simon— second state 123 L’Enfant Trouve, after Lady Spencer, by Gillray 124 The Ladies Beauclerk, after Lady D. Beauclerk, by Bartolozzi —proof 125 Mrs. Chambers, after Meyer, by ditto— proof, in red ; &c. 2 126 Lady Rushout and Daughter, after Angelica Kauffmann, by T. Burke— printed in red 127 Jealousy, after Bunbury, by Bartolozzi— proof ; L’Amusement de la Campagne, after Boilly 2 11 128 The Little Gipsy; and The Beggar Girl, after Westall, by C. Josi— a pair 2 129 Lavinia, after Gainslnrough, by Bartolozzi ; &c. 3 130 A Shipwrecked Sailor Boy, after W. Bigg, R.A., by T. GaugaiD — printed in colours 131 The Sportsman’s Return, after G. Morland, by W. Ward 132 The Country Stable, after ditto, by ditto DRAWINGS. 133 F. Bartolozzi, RA.: Head of a lady— in chalk and water¬ colours 134 Ditto : Head of a lady, looking to the right— dated 1779 135 Ditto : Head of a girl, looking down 136 Ditto : A boy reading a book 137 G. B. Cipriani : Head of a boy— dated 1774 THE PROPERTY OF A LADY\ 138 Lady Dover, after J. Jackson, R.A., by S. W. Reynolds— proof; and Lady Blessington, after Lawrence 2 139 Princess Amelia, after Lawrence, by Bartolozzi; and Lamia, by ditto ^ 140 The Sleeping Nymph, after J. Opie, R.A., by P. Simon 141 Mrs.' Jordan as “ The Country Girl,” after G. Romney, by J. Ogborne 142 Emma (Lady Hamilton), after ditto, by J. Jones 143 Lady Hamilton as a Bacchante, after Sir J. Reynolds, by J. R. Smith 12 Framed. 144 The Warrener; and The Thatcher, after G. Morland, by W. Ward 2 145 The Return from Market, after ditto, by J. R. Smith 146 Feeding the Pigs, after ditto, by ditto 147 The Farmer’s Stable; and The Farmyard, after ditto, by W. Ward 2 148 The Hard Bargain ; and The Last Litter, after G. Morland, by W. Ward —printed in colours 2 Sold by Order of the Executors of Mr. E. J OSEPH, deceased , late of 25 Dover Street. 149 The French and English Firesides— a pair ; &c. 4 150 Child saying his prayers— printed in colours 151 Hesitation, by W. Ward— printed in colours 152 The Moralist, by J. R. Smith— ditto 153 Vauxhall, after T. Rowlandson— ditto 154 The Princess of Wales and Princess Charlotte, after Cosway— in colours ; and Portrait of Cipriani— ditto 2 155 Countess Spencer, after Sir J. Reynolds, by Bartolozzi— in red 156 Children relieving a beggar boy, after Beechey, by C. Wilkin 157 A Poultry Market; and A Vegetable Market, by J. Ward— a pair 158 Rustic Benevolence ; and Rustic Sympathy, after F. Wheatley, R. A., by G. Keating —a pair 2 13 159 A Party Angling ; and The Angler’s Repast, after G. Morland, by G. Keating and W. Ward— a pair 2 160 Guinea-pigs ; and Dancing Dogs, after G. Morland, by T. Gaugain —a pair 2 161 St. James’s Park; and A Tea Garden, after G. Morland, by F. D. Soiron— a pair—printed in colours 2 162 Boys Skating ; and The Angry Farmer, after ditto, by E. Scott —printed in colours 2 133 The Virtuous Parent; and The Tavern Door, after ditto, by J. R. Smith— ditto 2 164 The Fruits op Early Industry ; and The Effects of Ex¬ travagance, after G. Morland, by Darcis— a pair — printed in colours 2 165 Industry and Economy ; and Extravagance and Dissipation, after Singleton, by Darcis— ditto — ditto 2 Sold by Order of the Executors of GEORGE B. E. HODGES , Esq., deceased , late of Clapham Park. 166 Portrait of Bartolozzi, after Sir J. Reynolds —printed in colours 167 The Ladies Beauclerk, after Lady D. Beauclerk, by Bartolozzi 168 The Birth of Shakespeare, after A. Kauffmann— coloured ; &c. 4 169 Nymph Sacrificing, after ditto —coloured 3 170 Paris and (Enone, after ditto ; Cupids ; &c .—in red 4 171 A Sacrifice to Hymen, after A. Kauffmann, by Bartolozzi —in red ; &c. 2 172 The Tender and The Relentless Father, after Wheatley, by Gardiner ; and A Girl, knitting, after ditto, by Knight 3 14 t 173 The Dream; and Tho Romance, after Westall —printed in colours 2 174 Noon ; and Night, after Hamilton, by Delattre —ditto ; &c.' 3 175 Rural Felicity; and Juvenile Amusement, after ditto, by C. Knight —ditto 2 176 Love; and Friendship, after Cosway, by Pollard; and Sunshine, after Stothard —ditto 3 177 Peace, after H. Singleton —coloured 178 Portrait of G. Morland, after Muller, by W. Ward 179 A Farmer’s Visit to his Married Daughter and The Visit Returned, after G. Morland, by Bond and Nutter —printed in colours 2 180 Louisa, after ditto, by T. Gaugain —ditto 181 Winter Morning; and The YoungJDealer, after ditto— coloured 2 182 A Visit to the Boarding School; and A Cottager’s Family, after ditto —coloured 2 183 The Storm, after ditto, by W. Ward; and Morland’s Ass— ditto 2 184 Furze Gatherers, after ditto —ditto FINIS. London: Printed by Wm. Clowes & Sons, Limited, Stamford Street and Charing Cross. . JL I IW; * 9K ■ 1 i , ^3j • • - ' . 41