THOMPSONS 
 
 LIBRARY OF 
 
 Architecture, Archceology, 
 and the Sciences, 
 NEW ROAD, 
 Regent's Park. 
 
 n 
 
S TO IV E: 
 
 A 
 
 DESCRIPTION 
 
 Of the Magnificent 
 
 HOUSE and GARDENS 
 
 Of the Right Honourable 
 
 RICHARD, 
 
 Earl TEMPLE, 
 
 Vifcount and Baron COB HA M, 
 
 One of his Majefty's moft honourable Privy Council, and 
 Knight of the moft Noble Order of the Garter. 
 
 Embellidied with a General Plan of the Gardens, 
 and alfo a feparate Plan of each Building, with 
 Perspective Views of the fame. 
 
 A NEW EDITION, 
 
 With all the Alterations and Improvements that have been 
 made therein, to the prefent Time. 
 
 With the Description of the Infide of the Houfe. 
 
 Here Order in Variety <we fee, 
 
 Where all Things differ, yet where all agree. PoPE, 
 
 LONDON: 
 
 Print ^d for John Rivington in St. Paul's Church-yard; 
 B. Seeley in Buckingham; and T. Hodgkinson 
 at the New Inn at Stowe. 1763. 
 
 The Defcription of the Houfe and Gardens, without the Plans and Views 
 of the Temples, may be had alone, Price Six -pence. 
 
A List of the Prints, 
 
 Drawn in Perfpedive by B. Seeley. 
 A Plan of Earl Temple's Houfe and Gardens. 
 
 One of the Pavilions at the En- 
 trance. 
 
 The Hermitage. 
 
 An artificial Piece of Ruins. 
 
 The Temple dedicated to Venus. 
 
 An Egyptian Pyramid. 
 
 The Fane of Diana. 
 
 Two Pavilions at the Entrance 
 to the Park. 
 
 St. Augufthe's Cave. 
 
 The Temple of Bacchus. 
 
 (Toucher's Obelifk. 
 
 Nelfon's Seat. 
 
 The South Front of the Houfe. 
 An -Equedrian Statue of George I. 
 Dido's Cave. 
 The Rotundo. 
 King George II. 1 
 Queen Caroline, ) 
 A Gate-way, by Kent 
 
 on Columns 
 
 The Witch Houfe. 
 The Temple of Modern Virtue. 
 The Temple of Ancient Virtue, 
 The Shell Bridge. 
 The Temple of B ritifh Worthies. 
 A Gate-way, by Leoni, 
 The Cold Bath. 
 The Grotto. 
 
 The Temple of Concord and 
 
 Viclory. 
 Capt. Grenville's Monument. 
 The Lady's Temple. 
 The Keeper's Lodge in 
 
 Park. 
 
 Lord Cobham's Monument. 
 The Gothic Temple. 
 The Paliadian Bridge." 
 The Temple of Friendfhip. 
 The Pebble Alcove. 
 Con^reve's Monument. 
 
 the 
 
 A!fo a Plan of the principal Floor of the Houfe, 
 and Plans of the Buildings in the Gardens.-- — Adl 
 accurately drawn by Mr. Fairchild, Surveyor and Ar- 
 chitect. 
 
 The DtTcription of the Koufe and Gardens without 
 . the Plans and Views of the Temples, Pi ice 
 
 Ditto —with the Plan or the Gardens - — — 
 
 Ditto— — with the Plans and Views bjund 
 
 s. 
 
 I 
 
 4 
 
 d. 
 
 6 
 
 p 
 o 
 
A 
 
 DESCRIPTION 
 
 OF THE 
 
 HOUSE. 
 
 Y a noble Flight of Steps, defigned by 
 Signor Borra^ ornamented with Stone Bal- 
 luitrades, you afcend to a grand Apart- 
 ment, called 
 
 The Saloon, 
 
 43 Feet by 22 Feet* 
 
 It is hung with fine Tapeftry, reprefenting the Func- 
 tions of the Cavalry, with Crimfon Cafoy Chairs and 
 Settees. 
 
 The Paintings are, 
 
 1. A Landfchape. 
 
 2. A Fiower- Piece, 
 
 3. A Fruit-Piece. 
 
 A great French Cabinet, ornamented with fine China 
 Jars, and three Marble Bulls over the Chimney, 
 
 A 2 
 
U] 
 The Hall. 
 
 36 Feet by 22 Feet 9 Inches; defigned and painted 
 
 by Kent. 
 
 The Cieling is finely adorned with the Signs of the 
 Zodiac, 
 
 Over the Chimney, is a very curious Piece of Alt- 
 Relief : The Story is Darius*s Tent. 
 The Statue of a Narcijfus. 
 Eleven Marble Bufts. 
 
 The Walls are adorned with Ornaments of Fef- 
 toons, iSc. 
 
 Two Marble Tables of oriental Alabafter. 
 
 The Dining Room. 
 
 30 Feet by 21 Feet. 
 The Paintings are, 
 
 Two large Landfchapes, by Horozonti. 
 Two fmall ditto, by Loton. 
 
 Over the Chimney. 
 
 A Pifture of a Dancing at the Marriage of the 
 Duke of Mantua, by Tintoretto. 
 
 A fmall Land fch ape of Acts and Galatea* by Mills. 
 
 A Landfchape, by Claude Lorain. 
 
 A large Pidture of young Bacchanals. 
 
 A Sea- port, by a Flemijh Mafter. 
 
 A Landfchape, with Figures and Cattle, by Bajfan. 
 
 A Landfchape, with a Mill. 
 
 Vulcan and Venus, by Primatioio. 
 
 The Marriage at Cana, by Baffan. 
 
 Mofes burying the Egyptian* by Poujjin. 
 
 A Spanifh Landfchape. 
 
 A Piece of Ruins, by Viviano. 
 
 A 
 
[ S ] 
 
 A Dreffing-Room. 
 
 Prince Henry at full Length over the Chimney, 
 A fine Cabinet with old China Jars upon it. 
 
 A Bed-Chamber, 
 
 With a rich Crimfon Cafoy Bed and Furniture. 
 
 A Portrait of a late Countefs of Borjet at full 
 Length, over the Chimney. 
 
 A Drefling-Room. 
 
 A Piece of ftill Life over the Chimney. 
 
 A IJead over one Door. Four fighting Cupids 
 
 over the other Door. 
 
 The Hangings and Furniture of the above three 
 Rooms are of Crimfon Cafoy. 
 
 The Grand Stair-Cafe, 
 Ornamented with Iron Work. 
 
 Three Cieling-Pieces, painted by Sclater> viz. 
 
 1. Juftice and Peace. 
 
 2. Fame and Victory. 
 
 3. Plenty and Conftancy. 
 
 The Walls are adorned with warlike Pieces. 
 
 The Stone Stair-Cafe, 
 
 With Iron Ballufters ; the Walls ornamented with 
 
 Medallions. Leading into a private Apartment, 
 
 below Stairs, 
 
 A Billiard-Room. 
 
 A Parlour. 
 
 A Breakfafting-Room, and 
 A Waiting- Room. 
 
 Second 
 
[ 6 ] 
 
 Second and third Pair of Stairs, a Numbef of 
 Bedchambers, and two Dreffing- Rooms to each Bed- 
 chamber. 
 
 The Chapel, 
 
 37 Feet by 20 Feet 10 Inches, and 26 Feet high, 
 
 Wainfcoted with Cedar, with a Gallery of the fame, 
 hung with Crimfon Velvet, under which are Seats for 
 the Servants. 
 
 Over the Communion Table is a fine Painting of 
 the Refurre&ion, by Tintoretto, and over that is the 
 King's Arms finely carved and ornamented. 
 
 Above the Cedar Wainfcot, are the following 
 Paintings at full length : 
 
 Mofes and Aaron. 
 
 Two of the Apoftles, St. Peter and St. Paul. 
 The four Evangelifts. 
 
 There are three other Paintings, viz. 
 
 1. The Afcenfion. 
 
 2. Baptifm. 
 
 3. The Salutation of the Virgin Mary, 
 
 The Cieling is the fame as at the Chapel Royal at 
 5/. James's, and the Cedar Wainfcot enriched with 
 elegant Carving, by Gybbons. 
 
 Her Ladyfhip's Dreffing-Room, 
 
 With Hangings, Chairs, and Window- Curtains, of 
 fine printed Cotton. 
 
 A fine old Japan Cabinet, ornamented with China 
 Jars. 
 
 A fine View of Pekin, over the Chimney-Piece, 
 
 by lollu 
 
 The. 
 
The Bedchamber, 
 
 With Hangings, Chairs, and Window-Curtains of 
 the fame. 
 
 A Pifture of a Cbinefe Temple over the Chimney, 
 by lolli. 
 
 A Cbinefe Clofet, 
 
 Or a Repofitory of her Ladyfhip's valuable China. 
 
 The Japan and Ornaments were a Prefent of the 
 late Prince and Princefs of Wales, — From this Clofet 
 you enter a Colonade, ornamented with Paintings, 
 
 by Sclater. 
 
 It is likewife curioufly embellifhed with Exoticks 
 and flowering Shrubs. 
 
 The Grenville Room, 
 
 29 Feet 8 Inches, by 26 Feet 3 Inches, and 19 Feet 
 
 4 Inches high, 
 
 Hung with green Velvet, and ornamented with the 
 following Portraits, all at full Length, except the 
 firft: 
 
 Over the Chimney, 
 
 1 i The late Countefs Temple, Mother to the pre- 
 fent Earl. 
 
 On her Right Hand, 
 
 2. The prefent Countefs Temple. 
 
 On her Left, 
 
 3, The prefent Earl Temple. 
 
 . 1 he Right Honourable George Grenville, firft 
 L r< of the Treafury, and Chancellor of the Ex- 
 C coo r. 
 
 5 The Right Honourable James Grenville, one of 
 his Majefty's mod honourable Privy Council. 
 
 6. His Excellency Henry Grenville, Ambaflador to 
 the Ottoman Porte. 7. The 
 
[ 8 ] 
 
 y. The Honourable Thomas Grenville y who was 
 killed in the Defence of his Country, on board the 
 Defiance^ of which Ship he was Captain. 
 
 8. The Right Honourable Lady Chatham. 
 
 The Gallery, 
 74 Feet by 25 Feet, and 20 Feet high, 
 
 Is a magnificent Apartment, hung with three fine 
 Pieces of Tapeftry, as follows : 
 
 1. A Dutch Fiftiery, from Tenters. 
 
 2. A Dutch Wake, from Tenters. 
 
 3. A beautiful Representation of a Farm* 
 
 Furnifhed with Gobelin Tape (try Chairs. 
 
 Two Chimnies, with a Pifture of Roman Ruins 
 over each, by Panini. 
 
 Four Doors with a rural Fi&ure over each, viz. 
 
 1. Hay-making. 
 
 2. Sheep-fhearing. 
 ig. Plowing. 
 
 4. Reaping. 
 
 A rich Cabinet at each End, containing Books. 
 Tea Marbje Bufts of Roman Emperors. 
 
 A Drcffing-Room, 
 
 Hung with Yellow Silk Damafk trimmed with Silver \ 
 
 with the following Paintings : 
 
 Joan of Arc^ over the Chimney. 
 A Portrait of Sir Thomas T emple. 
 Ditto of Lady Hefier Temple. 
 
 A Bedchamber, 
 
 Hung and ornamented as above, with a Bed and 
 Chairs of the fame. 
 
 The 
 
[ 9 ] 
 
 The Paintings are, 
 
 The Reprefentation of the Holy Lamb. 
 A Flower-Piece. 
 
 Two Landfchapes, one over each Door, 
 
 A Dreffing-Room, 
 
 Hung with green Damafk, trimm'd with Gold. 
 The Paintings are, 
 
 A Picture over the Chimney, by Rembrandt. 
 
 Two Saints, a St. Laurence and St. Stephen^ one 
 over each Door. 
 
 On one Side Orodes ordering melted Gold to be 
 poured into the Mouth of Crajjus. 
 
 On the other, two Pieces of Ruins, and a Land- 
 fchape, with dancing Satyrs, by Paul Brill. 
 
 The Rape of Helen^ by Thefeus. 
 
 The Return of Chryfe'is to her Father, both by 
 Primaticio., 
 
 A Bedchamber, 
 
 With a green Damafl^ Bed, Hangings and Chairs, 
 trimm'd with Gold. 
 
 The Paintings are, 
 
 1 . An original Portrait of Oliver Cromwell. 
 
 2. A Silenus. 
 
 3. A Portrait of Colonel Stanyan. 
 
 A Drefiing-Room, 
 The Paintings are, 
 
 A Portrait of Rubens's Wife over one Door, by 
 Rubens. I 
 Over the other, a Knight of the Bath, by Vandyke, 
 Cymon and Iphigenia. 
 Sampfon and Dalila. 
 
 Four Landfchapes. % * 
 
 B The 
 
[ t* I 
 
 "JThe State Apartment. 
 
 I. The Stale Gallery, 
 
 70 Feet 9 Inches, by 25 Feet,— -and 22 Feet high. 
 Two Marble Chimney Pieces of Sienna, &c. by 
 Mr. LoveL 
 
 The Cleling finely ornamented with Paintings and 
 Gilding, by Sclater. 
 
 Two fine Marble Tables, with two large Pier- 
 Glaffes. 
 
 The Walls are adorned w 7 ith curious Pieces of 
 Tapeftry, viz. 
 
 1. The Triumph of Ceres. 
 
 2. The Triumph of Bacchus. 
 
 3. The Triumph of Venus. 
 
 4. The Triumph of Mars. 
 
 5. The Triumph of Diana. 
 
 The Piers adorned with Trophies. 
 
 Two Chimnies, the upper Part of which are adorn- 
 ed with Gilding and Carving. 
 
 1. A Goddefs conducing Learning to Truth. 
 
 2. Representing Mercury conducting tragic and 
 comic Poetry to the Hill of Parnajfus. 
 
 Four Emblematical Paintings in Clare- Obfcure. 
 The Chairs, Settees and Window-Curtains of blue 
 Damafk. 
 
 II. The State Drcjjing-jaoom, 
 
 24. Feet 8 Inches, by 30 Feet — and 19 Feet 4 Inches 
 
 high, 
 
 Hung with blue Damafk, Chairs and Window-Cur- 
 
 taijis of the fame. 
 
 The Doots and Cieling are finely ornamented with 
 Carving and Gilding. 
 * The Chimney- Piece, by Mr. LoveL 
 
 The 
 
[ M 1 
 
 The Paintings are, 
 
 A fine Portrait of the late Lord Cobham, by Sir 
 Godfrey Kneller. 
 
 Four Converfation Pieces, by Francifco Cippo. 
 
 Venus binding the Eyes of a Cupid, and the Graces 
 offering Tribute. 
 
 A Marble Table, with a fine Pier-Glafs. 
 
 Two whole Lengths, by Vandyke. 
 
 III. The State Bedchamber, 
 50 Feet 8 Inches, by 25 Feet 10 Inches — and 18 Feet 
 8 Inches high. 
 
 The Bed and Cieling by Signor Borra — The Chairs 
 and Hangings of Crimfon Damafk. — Pillars of the 
 Corinthian Order, the whole finely carved and gilt. 
 
 A Madona from the School of Rubens. 
 
 A large Glafs over the Chimney. 
 
 A very curious Chimney- Piece of white Marble, 
 defigned by Signor Borra, and executed by Mr. Level. 
 
 Two Cupids, with Branches for Candles in their 
 Hatfds, by Mr. Lovel. 
 
 Two Marble Tables. 
 
 Two fine large Pier-GlaiTes. 
 
 The Cieling ornamented with the Infignia of thd 
 Garter. 
 
 IV. The State Clofet, 
 Hung with Crimfon Damafk, finely ornamented with 
 Carving and Gilding. — Out of which you go into a: 
 Colonade, where you have at beautiful View' of the 
 Gardens arid Country. 
 
 A Paffage, 
 Ornamented with Marble Bufts. 
 
 A Grand Stair- Cafe, 
 Adorned wi,th Paintings of the Four Seafons. 
 
 The Cieling reprefents the Rifing Sun, by Phxbus,. 
 in his Ca:rr. 
 
 The whole Length of the Houfe,, including the 
 ©likes, is 900. Feet. 
 
 B 2 A D E- 
 
f 12 ] 
 
 A 
 
 DESCRIPTION 
 
 OF THE 
 
 GARDENS. 
 
 A T the South Entrance of the Gardens are 
 ZJ&L two Pavilions fupported by Doric Pillars : 
 JL JL The Infide of each is adorned with Paint- 
 ings by Mr. Nollikins. The Stories taken from 
 P aft or Fido. 
 
 The difconfolate Nymph there, poor Dorinda, had 
 long been in Love with Sylvio, a wild Hunter of bar- 
 barous Manners, in whofe Breaft fhe had no Reafon 
 to believe fhe had raifed an anfwering PalTion. As (he 
 was roving in the Woods, fhe accidently met his 
 Dog, and law her beloved Hunter himfelf at a Dif- 
 tance hallooing, and running after it. She imme- 
 diately calls the Hound to her, and hides it amongft 
 the Bufhes. Syhio cornes up to her, and enquires 
 very eagerly after the Dog: The poor Nymph puts 
 him off, and tries all her Art to infpire him with 
 Love, but to no Purpofe ; the cold Youth was quite 
 infcnfible, and his Thoughts could admit no other 
 Objedt but his Dog. Almoft difpairing, fhe at 
 length hopes to bribe his Affe&ions, and lets him 
 know fhe has his Dog, which (he will return, if he 
 will promife to love her, and give her a Kifs : Sylvia 
 
[ >3 ] 
 
 is overjoyed at the Propofal, and promifes to give 
 her ten thoufand Kifies. Dorinda upon this brings 
 the Dog : But alas I fee there the Succefs of all her 
 Pains. The Youth tranfported at the Sight of his 
 Dog, throws his Arms round its Neck, and lavifhes 
 upon it thofe Kifies and Endearments, in the very 
 Sight of the poor afflifted Lady, which (he had been 
 flattering herfelf would have fallen to her Share. 
 
 On the other Wall, Difdain and Love have taken 
 different Sides ; the Youth is warm, and the Nymph 
 is coy : Poor Myrtillo had long loved Amaryllis ; the 
 Lady was engaged to another, and rejefted his 
 Paffion. Gladly would he only have fpoke his Grief, 
 but the cruel fair One abfolutely forbid him her 
 Prefence. At length a Scheme was laid by Corifca^ 
 the young Lover's Confidant, which was to gain 
 him Admiffion into his dear Amaryllises Company. 
 The Lady is enticed into the Fields with fome of 
 Corifca's Companions, (who ivere let into the Plot) 
 to play at Blindman's-Buff, where Myrtillo was to 
 furprize her ; where he (lands hefitating what Ufe to 
 make of fo favourable an Opportunity which Love 
 has put into his Hands. — See Pajior Fido> A<5t IL 
 Scene 2. and Aft III. Scene 2. 
 
 Here you have a magnificent View, very (Inking 
 at firft Entrance, the two Rivers on the Right-hand 
 meeting in one Stream, run into a Kind of Bay, 
 which was formerly an Oftagon, and in the Centre 
 ftood an Obeli(k, now removed into the Park, The 
 beautiful Difpofition of Trees and Buildings at a 
 Diftance, gives us a Kind of Earned of what our Ex- 
 pectation is railed to. 
 
 Turning to the Left Hand you defcend to, 
 
 An Artificial Piece of Ruins, 
 
 Covered with Evergreens, and adorned with the 
 Statues of Fauns, Satyrs, and River Gods ; a beau- 
 tiful 
 
[ H ] 
 
 tiful Cafcade of three Sheets of Water falls from the 
 River above into a large Lake of ten Acres, where 
 floats a Model of a Man of War with all her Rigging; 
 
 The Hermitage i Defigned by Mr. Kent, 
 is feated in a riling Wood, on the Banks of the Lake* 
 
 The Temple dedicated to Venus, 
 
 With this Infcription, 
 
 Veneri Hortensi. 
 
 It is a fquare Building, with Colonade Wings, de- 
 figned by Mr. Kent; the Infide adorned with Paint- 
 ings by Mr. Sleter^ taken from Spenfer's Fairy ^ueen.- 
 — The Lady is the fair Hellinore, who having left a 
 difagreeable Hufband, and wandering in the Woods, 
 was met by the polite Set of Gentry fhe is dancing 
 with : She likes their Manner of Life, and refolves 
 to enjoy it with them. Her old Spoufe Malbacco is 
 inconfolable for his Lofs he wanders many Days in 
 Search of her, and at length finds her (you fee him at 
 a Diftance peeping from behind a Tree) revelling with 
 a beaftly Herd of Satyrs. When the Evening comes 
 on, he follows the Company to their Retirement, 
 takes a commodious Stand, and to his great Torment 
 fees every Thing that pafles among them. After they 
 were all laid afleep, he creeps gently to his Lady, and 
 you fee him in the other Painting offering to be re- 
 conciled to her again, if fhe will return back with 
 him. But Hellinore threatens to wake the Satyrs, and 
 get him feverely handled if he does not immediately 
 leave her. Upon which the poor ufelefs old Man is 
 
 obliged to fly, and foon after runs diftra&ed. See 
 
 Book HI. of the Fairy Queen % Canto 10. The Roof 
 is adorned with a naked Venus \ and the fmaller Com- 
 partments 
 
[ '5 ] 
 
 partments with a Variety of Intrigues. Upon the 
 Frize is the following Motto from Catullus : 
 
 Nunc amet qui ntindum amavit ; 
 
 Quique amavit \ nunc amet. 
 
 Let him love now, who never lov'd before : 
 
 Let him, who always lov'd, now love the more. 
 
 The Fane of Diana, 
 with 4 Terms and Buftos. 
 
 A Statue of Ve n u s. 
 
 Two Pavilions. 
 
 One of thepi is made ufe of as a Dwelling- Houfe ; 
 the other ftands in the Garden ; the Space between 
 forms a grand Gate-way, defigned by Kent, which is 
 
 the Entrance into the Park. From hence there is 
 
 a noble View of a Bridge, with a fine Serpentine 
 River, and a Road at prefent, terminated by two 
 Lodges, which are a grand Approach to the Park 
 and Houfe. 
 
 An Egyptian Pyramid, 
 is fixty Feet high. On the Outfide is this Infcription : 
 
 Inter plurima hortorum horum tedificia a Johanne 
 Vanbrugh, equite, defignata^ banc pyramidem illius me- 
 fnoria facram voluit Cobham. 
 
 To the Memory of Sir John Vanbrugh, by whom 
 feveral of the Buildings in thefe Gardens were defign- 
 ed, Lord Cobham hath ere£ted this Pyramid. 
 
 And in the Infide, 
 
 Lufijli fat is, tdi/li fat is , atque bibifti, 
 Tempus abire tibi efi \ ne potum largius aquo 
 Rideat G? pulfet lafciva dccentius atas. 
 
 HOR AT, 
 
 With 
 
mi 
 
 With Pleafure forfeited, advanc'd in Age, 
 Man-like retire from Life's fantaftic Stage : 
 Left Youth the great Indecency contemn, 
 And hifs thee from a Scene defign'd for them, 
 
 A fmall Obelifk, with this Infcription, 
 To the Memory of Robin Coucher. 
 
 St* Augustine's Cave, 
 
 is a Cell formed of Mofs and Roots of Trees inter- 
 woven j this is fituated in a retired Thicket, and 
 very artfully contrived, in the fame Manner as Shades 
 in a Pi&ure, or Paufes in Mufic. 
 
 In this Cave is a Straw Couch, a wooden Chair, 
 three Windows or Holes, over which are three In- 
 fcriptions in Monkifh Latin Verfe. 
 
 On the Right-hand, 
 
 Sanftus Pater Auguftinijs, 
 
 (Prout aliquis divinus 
 Narrat ) contra fenfualem 
 ARum Veneris lethalem 
 (Audiat clericus ) ex nhi 
 Similem puellam viv<e 
 Arte mira conformabat, 
 Qua cum bonus vir cubabat 
 Quod fi fas eft in err or em 
 Tantum cadere dottorem ; 
 Qu<eri pot eft - 9 an carnalis 
 Mulier, potius quam nivalis^ 
 Non fit apta ad domandum y 
 Subigendum, debellandum 
 Carnis tumidum furorem, 
 Et importunem ardor em ? 
 JNam ignis igni pellitur> 
 Fetus ut verbum loquitur \ 
 Sed^ inuptus hac in lite 
 Appellabo te> marite. 
 
 Saint 
 
[ 17 1 
 
 Saint Augujline, holy Father, 
 (As from Tome Divines we gather) 
 Againft the Sin of leud Embrace, 
 And A6t venereal, his Grace 
 To fortify (Divines, give Ear, 
 The pious Precedent revere) 
 With wond'rous Art a Girl of Snow 
 Did make, the Life refembling fo, 
 That th'one from t'other fcarce you'd know. 
 This done, the good Man Side by Side 
 Lay down t'enjoy his new form'd Bride. 
 But if a learned Doftor can 
 Fall, as might any other Man, 
 It may be afk'd, with Reafon good, 
 Whether a Girl of F!e(h and Blood, 
 More certain far than one of Snow, 
 Would not controul, fubdue, o'erthrow, 
 The fwelling, rebel Flefh below ; 
 Of PafTion cool the Rage and boiling, 
 And hinder Nature from recoiling ? 
 For Fire and Fire, two mortal Foes, 
 Expel themfelves, the Proverb goes. 
 But I, unmarried, for Decree, 
 O married Man, appeal to thee. 
 
 On the Left, 
 
 Apparnit mihi, nuper in fomnio cum nudis & anhelan 
 tibus mollis er Papillis £s? hianti fuavitef vultu — Eheu 
 benedicite ! 
 
 Cur gaudes, Sat ana muliebrem fumere fcrmam 
 Non fades voli cafii me rumpere normam, 
 
 tjftfs fugiie in cellam - 9 pulchram vitale puellam \ 
 Nam radix mortis fuit climfamina in hortis. 
 Vis fieri fortis ? Noli concumbere fcortis. 
 
 In fanSlum Originem Eunucbum. 
 Filius Ec cleft* Origines fortajfe probe tur : 
 EJfz pattern nuvquam fejine tefie pre bet. 
 Virtus diaboli ejl in lumbis. 
 
 C Satan 
 
[ i8 ] 
 
 Satan, why, decked in female Charms, 
 
 Doft thou attack my Heart ? 
 My Vow is Proof againft thy Arms, 
 
 'Gainft all thy Wiles and Art. 
 Ah ! Hermits, flee into your Cells, 
 
 Nor Beauty's Poifon feed on, 
 —The Root of Death (as Story tells) 
 
 Was Woman firft in Eden. 
 
 Would'ft: thou thyfelf a dauntlefs Hero prove. 
 Deteft th* Enjoyments vile of lawlefs Love. 
 That Origen's true Son of Church, agreed 
 But could not for a Father be decreed. 
 In what we call the Loins, they fay, 
 The Devil bears the greateft Sway. 
 
 Fronting the Door. 
 
 Mente pie elatd, feragro dum dulcia prat a, 
 
 Dormiit abfque dolo pulchra puella folo ; 
 Multa oftendebat, dum femifupina jacebat, 
 
 Pulchrum os, divinum pettus, aperta finum. 
 Ut vidi mammas, concepLextempore flammas y 
 
 Et ditturus ave dico, Maria, cave : 
 Nam magno totus violentur turbine motus 
 
 Pcene Mam invade, pome £s? in or a cado. 
 Ilia fed baud lent e fur git, curritque repente^ 
 
 Currit 6f , invito me, fugit ilia citb, 
 Fugit caafa mali tamen effeffus fantanali, 
 
 Jnternoque meum cor vorat igne reum ; 
 O Tnferne canis, cur quo ti die eft tibi panis, 
 
 Per vifus miros follicitare viros ? | 
 Cur rnonachos velles fieri tarn came rebelles 9 
 
 Nec caft<e legi turbida membra regi ? 
 Jam tibi jam bellum dico, jam trifle fiagellum 
 
 Efuriemque paro, quels fubigenda caro. 
 £>uin abfeindatur, ne pars fincera trahatur, 
 
 Radix > qua folus nafcitur ufque dolus. 
 
[ 19 I 
 
 As loft in Thought, and Contemplation deep* 
 
 I wander o'er the V erdant Meads — in Sleep 
 
 Sleep undefigning, lo ! repos'd a Maid, 
 
 Frelh as the Verdure of her grafly Bed, 
 
 RechVd in Pofture half fupine fhe lay, 
 
 A World of Beauties did her Form difplay : 
 
 Her Face, her Neck divine, her Bofom too, 
 
 With all their Charms were open to my View. 
 
 Her heaving Globes no fooner ftruck my Eye, 
 
 But ftrait the Flames thro' all my Vitals fly. 
 
 I would have faid my Ave-Mary-Pray'r, 
 
 But, ftead of that, I cry out, Maid beware. 
 
 For in the Whirlwind of ftrong Paffion toft, 
 
 And Reafon in the vi'lent Tranfport loft 
 
 I almoft feize the fair, inviting Prey, 
 
 And to her Lips impatient urge my Way •, 
 
 She fudden ftarts, and with a rapid Flight, 
 
 Shoots from my Touch, and leaves my ravifh'd Sight. 
 
 The Caufe of Evil's fled -th' Effedt remains, 
 
 And ftill too furious revels in my Veins : 
 
 Has kindled an infernal, fatal Flame, 
 
 Which inward burns thro" all mv guilty Frame. 
 
 Why is't thy daily Food, O hellifh Cur! 
 
 Man up to Vice by wond'rous Sights to fpur ? 
 
 Why is't thy Pleafure, Monks fhould thus rebel, 
 
 Their flefhly Members 'gainft their Laws fhould fwell ? 
 
 'Gainft thee I now eternal War declare, 
 
 The Lafh fevere, and Hunger I prepare \ 
 
 With thefe to mortify my carnal Luft, 
 
 To thefe my Virtue, Chaftity to truft. 
 
 But left the Part that's whole, fhould be infedted, 
 
 That Modefty may better be protected, 
 
 Beft, once for all, to cut away the Root, 
 
 From which alone our guilty Pafiions flioot. 
 
 The Temple of B a c c h u s 
 
 is a ftucco'd Building ; the Infidc adorned 
 
 Revels Qf Bacchus, painted by Nottkins.-—? This 
 
 C 2 Building 
 
[ 20 ] 
 
 Building commands great Part of the Gardens, and 
 a beautiful Profped: over the Country. 
 
 Nelson's Seat 
 
 is an airy Building to the North -weft of the Houfe, 
 from whence there is an open Profpeft ; and in it are 
 the following Infcriptions, defcribing the Paintings. 
 
 On the Right Hand. 
 
 Ultra Eitphratem £5? Tigrim 
 ufque ad Gceanum propagatd ditione 
 Orhis terrarum imperium Roma adfignat optimus princeps? 
 cut fap er advolat Victoria 
 laurigerum fertum hinc inde 
 utraque manu extendens 
 tomitantipus Pietate & Abundantid. 
 
 In arcu Conjiantinu 
 Having extended his Power beyond the Euphrates and Tygris, 
 as far as the Ocean, 
 this molt potent Prince 
 affigns the Empire of the World to Rome : 
 over whom Viftory flies, 
 waving a Laurel Crown, 
 accompanied with Piety and Plenty. 
 
 Upon Conjlantine's Arch. 
 
 I On the Left. 
 
 Poft obi turn L. Feri y 
 in imperio cum Marco wnfortis, 
 Roma 
 
 integrant orbis terrarum 
 poiejlaiem ei Csf in eo contulit. 
 
 In Capitolio, 
 After the Death of Lucius Ferus, 
 Partner in the Empire with Marcus, 
 Rome 
 conferred on him 
 tfte Empire of the World. 
 
 In the Capitol. 
 
 Oppofite 
 
[ 21 ] 
 
 Oppofite the North Front of the Houfe, at the 
 Head of the Canal, is the Equeftrian Statue of King 
 George I. in Armour with this Infcription : 
 
 In medio mihi Cafar erit y 
 
 Et viridi in campo fignum de marmore ponam 
 
 CoBHA Mm 
 
 Imperial C*efar 9 s Statue I will place, 
 Full in the Centre, on the verdant Grafs. 
 To this Front there is a Wall ornamented with 
 Niches, and two Gateways into the Courts, by Kent y 
 two Gateways into the Gardens, by Leoni. 
 
 Oppofite the South Front is a grand Parterre, 
 where you have a diftant View of many beautiful 
 Obje&s in the Garden, and a fine Profpeft 6ver the 
 Country. 
 
 The Statue of his late Majefty, 
 creeled on a Corinthian Pillar, with this Infcription : 
 Georgio August q. 
 
 Dido's Cave, 
 with this Infcription : 
 
 Speluncam Dido, dux £5? Trojanus^ eandem 
 
 Deveniunt- Virg. 
 
 Repairing to the fame dark Cave are feen, 
 The Trojan Hero and the Tyrian Queen. 
 
 The Rotundo 
 
 is raifed upon Ionic Pillars, and is ornamented with a 
 
 Statue of the Venus of Medicis. The Building by 
 
 Sir John Vanburgh, altered by Bona. 
 
 The late Queen's Statue 
 is erefted on four Ionic Columns, in a green Amphi- 
 theatre, laid out in the rural Way. — On the Pedeftal 
 is this Infcription : 
 
 Honoris Laudi> Virtuti Div<e Carolina. 
 To the Honour, Praife, and Virtue of the Divine 
 
 Caroline. 
 
 And round her Statues of Nymphs and Swains. 
 
 From 
 
[ 22 ] 
 
 From hence you come into the great Avenue, where, 
 on the Right Hand, you have the Profpeft of the 
 Entrance to the Gardens (mentioned before) 5 and, on 
 the Left, the Manfion Houfe. 
 
 The Witch Houfe 
 
 is a fmall Building of Brick, on the infide Walls are 
 painted in Frefco the Midnight Merriment of Hags, 
 by a Servant of the late Lord's, wherein alfo is the 
 following Infcription. 
 
 To the Memory 
 of 
 
 SlGNIOR FlDO, 
 
 an Italian of good Extraction ; 
 who came into England, 
 not to bite us, like moll of his Countrymen, 
 but to gain an honeft Livelihood. 
 He hunted not after Fame, 
 yet acquired it ; 
 regardlefs of the rraife of his Friends, 
 but moft fenfible of their Love, 
 Tho' he liv'd amongft the Great, 
 he neither learn'd nor flatter'd any Vice. 
 He was no Bigot, 
 Thb* he doubted of none of the 39 Articles. 
 And, if to follow Nature, 
 and to refpeft the Laws of Society, 
 be Philofophy, 
 he was a perfeft Philofopher ; 
 a faithful Friend, 
 £n agreeable Companion, 
 a loving Hufband, 
 diftinguifh'd by a numerous Offspring, 
 all which he lived to fee take good Courfes, 
 In his old Age he retir'4 
 to the Houfe of a Clergyman in the Country, 
 where he finifti'd his earthly Race, 
 And died an Honour and an Example to the whole Species. 
 
 Reader, 
 
[ 2 3 ] 
 
 Reader, 
 
 This Stone is guiltlefs of Flattery, 
 for he to whom it is infcrib'd 
 was not a Man, 
 
 but a 
 Grey-hound. 
 
 Near this Place, at the Entrance into the Elyfian 
 Fields, are the Statues of 
 
 Appollo and the Nine Mujes round the Spring 
 of Helicon. 
 
 At a Seat clofe by the Statue of Apollo is a beautiful 
 View. 
 
 A Ruin. 
 
 The Temple of Antient Virtue, 
 in a very flourifhing Condition ; the Building is aRo- 
 tundo of the Ionic Order by Mr. Kent $ on the Outfide, 
 over each Door, is this Motto : 
 
 Prifca Virtuti. 
 To Antient Virtue. 
 
 And in four Niches within, Handing at full Length, 
 are the Statues of Lycurgus, Socrates, Homer, and Epa- 
 minondas : Under which are the following Infcriptions : 
 
 Under Lycurgus, 
 
 Qui fumtno cum confilio inveniis legibus, 
 Omnemque contra corruptelam munitis optime> 
 Pater Patriae 
 Libertatem firmiffimam 
 Et mores fanftijfimos, 
 Expulfa cum divitiis avaritid, luxurid, libidine, 
 In multa fecula 
 Civibus Juis inftituit. 
 
 Having planned, with confummate Wifdom, a 
 Syftem of Laws firmly fecured againft every Incroach- 
 
 ment 
 
[ 2 4 ] 
 
 ment of Corruption, and having by the Expulfion of 
 Riches, banilhed Luxury, Avarice, and Intemperance, 
 he eftablifhed in the State for many Ages, perfedl Li- 
 berty and inviolable Purity of Manners — The Father 
 of his Country. 
 
 Under Socrates. 
 
 Qui corruptiffima in civitate innocens, 
 Bonorum hortator, unici cultor DEL 
 Ab inutili o(io 9 £sf vanis difputationibus y 
 Ad officio, vit<e, £s? focietatis commoda 
 
 Philofophiam avocavit, 
 
 Hominum fapientiffimus. 
 
 Innocent in the midft of a moft corrupted People, 
 the Encourager of the Good, a Worlhipper of the one 
 God : Who recalled Philofophy from ufelefs Specu- 
 lations, and vain Difputes to the Duties of Life and 
 the Benefit of Society. — The wifeft of Men ! 
 
 Under Homer. 
 
 Qui poetarum princeps, idem £s? maximus % 
 Virtutis pracO} immortalitatis largitor^ 
 
 Divino carmine 
 Ad pulchre audendum 9 6f patiendum fortiter 9 
 Omnibus notus gentibus, omnes incitat. 
 
 The firft and the greateft of Poets The Herald 
 of Virtue The Giver of Immortality ; who by his 
 divine Genius, known to all Nations, incites all, nobly 
 to dare, and to fuffer firmly. 
 
 Under Epaminondas. 
 
 Cujus a virtute, prudentia^ verecundia^ 
 Thebanorum refpublica 
 Libertatem fimul & imperium, 
 Difciplinam bellicam^ civilem & domejlicam 
 Accepit ; 
 Eoque amijjo, perdidit. 
 
 By 
 
[ 25 ] 
 
 By whofe Valour, Prudence, Modefty, the Theban 
 Commonwealth gained Liberty and Empire, Mili- 
 tary Difcipline, Civil and domeftic Policy, all which, 
 by lofing him, flie loft. 
 
 Over one Door, 
 
 Cbarum ejje civem* bene de republica mereri y laudari y 
 coli, diligi, gloriojum eft: metui ' vero, & in odio ejfe in- 
 vidiofum, deteftabile y tmbecillum^ caducum. 
 
 To be dear to our Country, to deferve well of the 
 Public, to be honoured, reverenced, loved, is glori- 
 ous •, but to be dreaded and hated is odious, deteft- 
 able, weak, ruinous. 
 
 Over the other. 
 
 Juftitiam cole 6? pietatem, qu<e cum fit magna in pa- 
 rentibus 6? propinquis* turn in patria maxima eft. Ea 
 vita via eft in cesium* & in hunc ccetum eorum qui jam 
 vixemnt. 
 
 Cultivate Juftice and Benevolence, which in an 
 eminent Manner is due to Relations and to Friends, 
 but In the higheft Degree, to our Country ; this Path 
 leads to the Manfions of the Blefled, and to the Af- 
 fembly of thofe who are now no more. 
 
 From the Doors of this Temple, and from the 
 Periftylium the Views are charming : From one Door 
 you fee the Caftle, being a Farm-Houfe Handing at 
 the End of a Line in the Park three Miles long: 
 From the other Door you fee the Temple of Britijb 
 Worthies, and the Palladian Bridge at a Diflance ; as 
 alfo 
 
 Captain Grenvilk's Monument, being a naval Co- 
 lumn erefted by the late Lord Cobham in Honour of 
 Captain Grenville, upon the Top of which heroic Poe- 
 try, fuppofed to light, holds in her Hand a Scroll 
 with 
 
 Non Nifi Grandia Canto. 
 
 Heroic Deeds alone my Theme. 
 
 D Upon 
 
[ 26 ] 
 
 Upon the Plinth and .on the Pedcftat are the fol- 
 lowing Infcriptions : 
 
 D1GNVM LAVDE VIRVM MVSA VETAT MORL 
 The Mufe forbids Heroic Worth to die. 
 
 Sororis fuse Filio, 
 Thom/e Grenville, 
 Qui navis praefeftus regiae, 
 Ducente ciaffem Britannicam Georgio An/on, 
 Dum contra Gallos fortiffime pugnaret, 
 Dilaceratas navis ingenti fragmine 
 Femore graviter percuffo, 
 Perire, dixit moribundus, omnino fatius effe, 
 Qiiam inertia reum in judicio fifti • 
 Columriam hanc roftratam 
 Laudans & mcerens pofuit 
 Cobham. 
 Infjgne virtutis, eheu ! rariflimse 
 Exempium habes ; 
 Ex quo difcas 
 Quid virum praefeftura militari ornatum 
 Deceat 
 M.DCC.XLVII. 
 
 To his Nephew 
 
 Thomas Grenville, 
 Who 
 
 Captain of a Ship of War, 
 In the Britifh Fleet 
 Commanded by Admiral Anfon 
 In an Engagement with the French* 
 Being wounded mortally in the Thigh, 
 By a Fragment of his (liattered Ship, 
 
 Expiring faid 
 c: How much better it is thus to di ; e 
 " Than to be tried for Cowardice 
 %i Before a Court Martial 
 
[ *7l 
 
 This Naval Column 
 was eredted 
 By Richard Vifcount Cobham ; 
 As a Monument of his Applaufe and Grief. 
 M.DCC.XLVII. 
 From this animating Example 
 Learn 
 
 When honoured with Command, 
 To think, and aft, as becomes 
 
 An Officer. 
 
 Here you crofs the Serpentine River, which brings 
 you into the Elyfian Fields. 
 
 The Shell-Bridge^by Kent. 
 
 The Temple of Britijh Worthies, by Kent> 
 
 a Building cut into Niches, wherein are placed the 
 following Buftos. 
 
 Mr. Pope, 
 
 without any Infcription. 
 
 Sir Thomas G r e s h a m, 
 
 who, by the honourable Profeflion of a Merchant* 
 having enriched himfelf and his Country, for carry- 
 ing on the Commerce of the World, built the Royal 
 Exchange. 
 
 I g n at i u s Jones, 
 
 who, to adorn his Country, introduc'd and rivalled 
 the Greek and Roman Architecture. 
 
 John Milton, 
 
 whofe fublime and unbounded Genius equall'd a Sub- 
 ject that carried him beyond the Limits of the World. 
 
 William Shakespeare, 
 
 whofe excellent Genius opened to him the whole 
 Heart of Man, all the Mines of Fancy, all the Stores 
 
 D 2 of 
 
[ 28 ] 
 
 of Nature ; and gave him Power, beyond all other 
 Writers, to move, aftonilh, and delight Mankind. 
 
 John Locke, 
 
 who, beft of all Philofophers, underftood the Powers 
 of the human Mind, the Nature, End, and Bounds 
 of Civil Government ; and with equal Courage and 
 Sagacity, refuted the flavifti Syftems of ufurped Au- 
 thority over the Rights, the Confciences, or the Rea- 
 fon of Mankind. 
 
 Sir Isaac Newton, 
 
 whom the God of Nature made to comprehend his 
 Works 5 arid from fimple Principles, to difcover the 
 Laws never known before, and to explain the Ap- 
 pearance, never underftood, of this ftupendous Uni- 
 verfe. 
 
 Sir Francis Bacon Lord Verulam, 
 
 who, by the Strength and Light of a fuperior Genius, 
 reje&ing vain Speculation and fallacious Theory, 
 taught to purfue Truth, and improve Philofophy by 
 the certain Method of Experiment. 
 
 In the Niche of a Pyramid is placed a Mercury^ 
 with thefe Words fubfcribed : 
 
 — - Campos ducit ad Elyjtos. 
 
 Leads to the Elyfian Fields. 
 
 And below this Figure is fixed a Square of black 
 Marble with the following Lines : 
 
 Hie manus oh patriam fugnando vulnera pqffi, 
 Quique pii vales, & Phcebo digna locuti y 
 Inventas aut qui vitam excoluere per arles, 
 Unique fui memcres alios fecere merendo. 
 
 Here 
 
f 29 ] 
 
 Here are the Bands, who for their Country bled, 
 And Bards, whofe pure and facred Vcrfe is read : 
 Thofe who, by Arts invented, Life improved, 
 And, by their Merits, made their Mem'ries lov'd. 
 
 King Alfred, 
 
 the mildeft, jufteft, moft beneficent of Kings ; who 
 drove out the Danes, fecured the Seas, prote&ed 
 Learning, eftablifhed Juries, crufhed Corruption, 
 guarded Liberty, and was the Founder of the Eng- 
 UJh Conftitution. 
 
 E d w a r d Prince of Wa l e s, 
 
 the Terror of Europe, the Delight of England ; who 
 preferved, unaltered in the Height of Glory and 
 Fortune, his natural Gentlenefs and Modefty. 
 
 Queen Elizabeth, 
 
 who confounded the Projects, and deftroyed the Power 
 that threatened to opprefs the Liberties of Europe \ 
 ihook off the Yoke of Eccldi^ftical Tyranny ; re- 
 ftored Religion from the Corruptions of Popery ; and 
 by a wife, a moderate, and a popular Government, 
 gave Wealth, Security, and Refpedt to England. 
 
 King Wl L L 1 a M III. 
 
 who, by his Virtue and Conftancy, havings faved hi$ 
 Country from a foreign Mafter, by a bold and gene- 
 rous Enterprize, preferved the Liberty and Religion 
 of Great-Britain. 
 
 Sir Wa lter Raleigh, 
 
 a valiant Soldier, and an able Statefman % t who ert- 
 deavouring to^ rouze the Spirit of his Mafter, for 
 the Honour of his Country, againft the Ambition of 
 Spain, fell a Sacrifice to the Influence of that Court* 
 
 whole 
 
[ 30 ] 
 
 whofe Arms he had vanquifhed, and whofe Defigns 
 he oppofed. 
 
 Sir Francis Drake, 
 
 who, through many Perils, was the firft of Britons 
 that adventured to fail round the Globe ; and carried 
 into unknown Seas and Nations, the Knowledge and 
 Glory of the Engli/b Name. 
 
 John Hampden, 
 
 who, with great Spirit and confummate Abilities, be- 
 gun a noble Oppofition to an arbitrary Court, in De- 
 fence of the Liberties of his Country ; fupported 
 them in Parliament, and died for them in the Field. 
 
 Sir John Barnard, 
 without any Infcription. 
 
 The Cold Bath. 
 
 The Grotto 
 
 ftands at the Head of the Serpentine River, and on 
 each Side a Pavilion, the one ornamented with Shells, 
 the other with Pebbles and Flints broke to Pieces. 
 The Grotto is furnilhed with a great Number of 
 Looking-glaffes both on the Walls and Cieling, all in 
 Frames of Plaifter-work, fet with Shells and Flints. 
 
 A Marble Statue of Venus> on a Pedeftal ftuck 
 
 with the fame. 
 
 The Temple of Concord and Vi&ory, 
 
 is a large beautiful Building of the Ionic Order in the 
 antique Tafte, and one of the principal Ornaments in 
 the Garden. — It has fix Statues on the Top as big as 
 Life, and the front Pediment is adorned with a Piece 
 of Alt- Relief, by Mr, Scbeemaker* reprefenting the 
 
[ 3i ] 
 
 Four Quarters of the World bringing their various 
 Prod ufts to Britannia. — In the Frize of the Portico 
 is this Infcription, 
 
 Concordia £5? Vi£lori<e. 
 To Concord and Vidtory. 
 
 In the Anti- Temple there are two Medallions de- 
 fcribing 
 
 Concordia Fcederatorum : Concordia Civium : 
 Concord of the Allies : National Concord : 
 
 r Over the Door this Infcription from Valerius 
 Maximus : 
 
 Quo Tempore Saks eorum in ultimus Anguftias de- 
 dutta nullum Ambiiioni Locum relinquebat. 
 
 The Times with fuch alarming Dangers fraught, 
 Left not a Hope for any fadlious Thought. 
 
 r In a Niche in the Temple is to be placed the Statue 
 of Libertas Publica, Public Liberty ; over which in a 
 Tablet from the fame Author, 
 
 Candidis autem Animis Voluptatem prabuerint in con~ 
 fpicuo pofita qua cuique magnified merito contigerunt* 
 
 A fweet Senfation touches every Breaft 
 Of Candour's gen'rous Sentiment poffeft, 
 When publick Services with Honour due, 
 Are gratefully mark'd out to publick View. 
 
 On the Walls are fourteen Medallions to reprefent 
 the taking of Quebec, Martinico, &c. Louijbourg, 
 Guadeloupe, &c. Montreal, Pondicherry, &c. naval 
 Victory off Belleijle, naval Vi&ory off Lagos, Crevelt 
 and Minden, Felinghaufcn> Goree and Senegal, Crown 
 
 Pointy 
 
1 32 ] 
 
 Point , Niagara ahd Fort du §>uefne* Havannah and 
 Manilla* Beau Sejour, Cberburgb and Belleifle exe- 
 cuted from feveral of the Medals, 
 
 There are two Marble Groupes, one of 
 Verturynus and Pomona , by Delvot, 
 The other Venus and Adonis* by Scbeemaker. 
 
 Here is a large and delightful Vale adorned with 
 Statues of various Kinds, intermixed with Clumps of 
 Trees beautifully difpofed. 
 
 From this Portico you fee in a Diagonal Line, an 
 Obelifk in the Park above an hundred Feet high, in- 
 scribed to Major General Wolfe. 
 
 ^ OJlendunt Terris hunc tantum Fata ■ ■ 
 
 The Fates but fhew him to the World. 
 
 *759- 
 
 This Obelifk ftands upon a Hill in the Approach 
 from Northamptonjhire* which is very magnificent : 
 At the Entrance there are two Lodges, from whence 
 a very broad and long Line conducting you through 
 Woods, is terminated by the Temple of Concord 
 
 and Victory. In the other Diagonal Line from 
 
 the Temple ftandt 
 
 A lofty fluted Column 
 erecled to the Memory of the late Lord Vif. Cobbam* 
 
 Round the Bafe of the Column is written 
 
 Ut L. Luculli furnmi Viri Virtutem quis ? At quam 
 mulli Villarum Magnificent! am imitali funt ? 
 
 As in the In'ftance of L. Lucullus* a truly great 
 Man ! who hath imitated his Virtues ? But how many 
 
 his 
 
[ 33 ] 
 
 his Example, in magnificently adorning their Coun- 
 try-Seats ? 
 
 On the Pedeftal are the following Infcriptions : 
 
 On one Side, 
 
 To preferve the Memory of her Hulband, 
 Anne Vifcountefs Cobham 
 Caufed this Pillar to be eredled 
 In the Year 1 747. 
 
 On the uppuiite Side, 
 
 Quatenus nobis denegatur diu vivere, 
 relinquamus aliquid, 
 quo nos vixijfe tejiemur. 
 
 Inafmuch as the Portion of Life allotted to us is fhoit 5 
 let us leave fomething behind us, 
 to ftiew that we have lived. 
 
 The Lady's Temple 
 
 is built upon Groin Arches, with Venetian Windows ; 
 a neat Stair-cafe leads you up to a Hall, the Walls of 
 which are adorned with the following Paintings by 
 Mr. Sleter. 
 
 On the Right-hand are Ladies employing them- 
 ielves in Needle and Shell-work*— On the oppofite 
 Side, are Ladies diverting themfelves with Painting 
 and Mufiic. 
 
 £ The 
 
[ 34 ] 
 
 The Gothic Temple 
 
 is a large Building of red Stone 70 Feet high, upon 
 a rifing Ground, adorned in the Gothic Way with 
 carved Work, and painted Glafs. The Difpofuion 
 within is very beautiful. You enter a Dome round 
 which, on the fecond Story, is a Gallery : The third 
 affords a very extenfive View round the Country. 
 
 The Hill round the Temple, is adorned with very 
 good Statues of the feven Saxon Deities, who gave 
 Nam-rs to the Days of the Week. — The Manfion 
 Ho ufe, and Grecian Temple, have a beautiful Effect 
 from the Place. 
 
 The Falladian Bridge, 
 
 The Roof of which is fupported by Ionic Pillars. 
 From hence you pafs inco the great Terras-walk, 
 which is 3000 Feet long. 
 
 The Temple of Friendship 
 
 is a large Strudure of the Doric Order. On the Out- 
 fide is this Motto : 
 
 Amicitite S. Sacred to Friend (hi p. 
 
 The Infide is furnifhed with the Bufts of the late 
 Lord and his Friends, viz. Frederic Prince of Wales ; 
 the Earls of Chejlerfield, Wejlmoreland, and March- 
 wont \ the Lords, Cobham, Gower, and Bathurft \ the 
 prefent Earl Richard Grenville* William Pitt and George 
 Littleton, Efqrs; now Lord Littleton. 
 
 The Roof is painted emblematically, and orna- 
 mented in a very gay Manner. 
 
 The Pebble Alcove 
 
 is a little Grot neatly adorned with Pebbles ; his Lord- 
 fhip's Arms are curioufly wrought upon the Back Wal 
 with the fame Materials. 
 
 Con- 
 
C 35 ] 
 
 Cqngreve's Monument^ by Kent, r 
 
 The Embellifhments round it are defigned to ex- 
 prefs the Poet's Genius in the Dramatic Way ; upon 
 the Top fits a Monkey viewing himfelf in a Mirror, 
 with this Infcription : 
 
 Vita imitatio, 
 Confuetudinis fpeculum^ 
 Comadia. 
 
 Comedy is the Imitation cf Life, and the Mirror of 
 
 Falhion. 
 \ 
 
 The Poet's Effigies lies in a carelefs Poftureonone 
 Side, and on the other is placed this Epitaph : 
 
 Ingenio 
 Acriy facetOy expolito 9 
 Moribufque 
 Urbanis, candtdis^ factllimis^ 
 
 GULIELMI CaNGREVE, 
 
 Hoc 
 
 Qualecunque defiderii fui 
 Solamen fimul ac 
 Monumentum 
 Pofuit C o B H A M. 
 1736. 
 
 To the fprightly, entertaining, elegant 
 Wit 
 
 and the polifhed, candid, eafy 
 
 Manners 
 Of William Congreve. 
 This 
 
 in fome fort a Confolation ; 
 and a Memorial of his affe&ionate Regret 
 was eredted by 
 
 COBHAM, 
 
 FINIS, 
 
Explanation 
 
 of the PLANS. 
 
 A The principal Floor of 
 
 Stowe-Houfe. 
 a The Scate Bed -Chamber. 
 b The State Dreffing Room. 
 c The State Gallery. 
 d The Corridui e. 
 e TheServants Bed-Chamber. 
 f An open Gallery. 
 g The Drawing Room. 
 h The Stucco Gallery. 
 
 i The Dining Room 
 
 k The Bed- Chamber, and 
 
 Dreffing Room. 
 / The Hall. 
 m A Dreffing Room. 
 n A Bed Chamber. 
 o The great Stair-Cafe. 
 f The Corridore. 
 q The Gallery. 
 r The Gren<ville Room. 
 f The Dreffing Room. 
 / The Bed-Chamber. 
 *v An Open Gallery, and Chi- 
 
 nefe Clofet. 
 fiv A Bed-Chamber. 
 x The Chapel. 
 Tig* i . The Temple of Concord 
 
 and Victory. 
 
 Fig. 2. The Gothic Temple. 
 
 Fig. 3. The Lady's Temple. 
 
 Fig. 4. The Temple of Friendftiip. 
 
 Fig. 5. A Piece of Ruins. 
 
 Fig. 6. The Temple of Venus. 
 
 Fig. 7. The Rotundo. 
 
 Fig. 8. The Temple of Bacchus. 
 
 Fig. 9. The fane of Diana. 
 Fig. 10. The Egyptian Pyramid. 
 Fig. 1 1 . One of the Pavilions at 
 the Entrance to the Gar- 
 den. 
 
 Fig. 12. One of the Pavilions at the 
 
 Entrance to the Park. 
 Fig. 15. Dido's Cave. 
 Fig. 14. The Temple of Britijk 
 
 Worthies. 
 Fig. 15. The Hermitage. 
 Fig. 16. Nelfons Seat. 
 Fig. 17. The Grotto. 
 Fig. 18. The Cold Bath. 
 Fig. 19. The Falladian Bridge. 
 Fig. 20. The Shell Bridge, by the 
 
 fame Scale. 
 Fig. 2 1 . The New Bridge, leading t© 
 
 the Lodges. 
 
 Note, Where there is but one Scale in a Plate, it is applicable to all thf 
 Plans in that Plate. 
 
 The Scales are of Feet. 
 
Feet iinm i iiT I I — t- \- 
 
Knight of the molt ^sioble 
 
 Tbefe Views of Temples and J? fans of all 
 t&e J^rthcipalJi wilding j at STOWjE 
 ^tre // // rs?/>/y J^/Jr/Z/rs/frrY iy /?^f 
 JLo/rl/h7jt>'s 
 
 f 
 
I 
 
H. Seeley dduiy Publtftul according to a&crf Parliament, 4 JJyO. 
 
7/ '<./%//*•{•/< </t //A //// . 
 
\ 
 
/flats' c/ij/d^ de/itt. 
 
\ 
 
 IL\ - ■■■-< oo y